1 00:00:00,160 --> 00:00:05,160 Speaker 1: This is your week up, Call up Breakfast Club to 2 00:00:05,320 --> 00:00:07,560 Speaker 1: show you love to hate from the East to the 3 00:00:07,600 --> 00:00:11,399 Speaker 1: West Coast, DJ Envy, angela Ye Cholomagne, the god really 4 00:00:11,520 --> 00:00:13,480 Speaker 1: show on the planet. This is where I respect this 5 00:00:13,520 --> 00:00:16,239 Speaker 1: show because this is a voice of society. James in 6 00:00:16,280 --> 00:00:19,720 Speaker 1: the game. Guys are the coveted morning show. But y'all 7 00:00:19,720 --> 00:00:22,480 Speaker 1: earned impacting the Colt Show week up in the morning 8 00:00:22,520 --> 00:00:24,919 Speaker 1: and as day want to hear that Breakfast Club the 9 00:00:24,920 --> 00:00:42,800 Speaker 1: world's most dangerous morning show. Good morning Usa yo yo 10 00:00:42,880 --> 00:00:44,440 Speaker 1: yo yo yo yo yo yo yo yo yo yo 11 00:00:44,520 --> 00:00:46,239 Speaker 1: yo yo yo yo yo yo yo yo yo yo 12 00:00:46,320 --> 00:00:48,479 Speaker 1: yo yo yo yo yo yo yo yo yo yo. 13 00:00:48,720 --> 00:00:53,400 Speaker 1: Good morning Angela Ye, Morning Cholomagne. The God piece to 14 00:00:53,479 --> 00:00:59,600 Speaker 1: the planet is Thursday. It's Thursday? Now should I be offended? 15 00:00:59,640 --> 00:01:04,840 Speaker 1: Somebody left two monkeys over here by my desk? Who 16 00:01:04,880 --> 00:01:10,679 Speaker 1: that's for? You're not blacks for me? An Envy? It 17 00:01:10,760 --> 00:01:14,000 Speaker 1: has my name on it though, Oh okay, they're just 18 00:01:14,040 --> 00:01:17,400 Speaker 1: being disrespectful. Then oh wait it's from Envy. Yes it is. 19 00:01:19,520 --> 00:01:21,560 Speaker 1: It is the year the Monkey. Ain't it is the 20 00:01:21,640 --> 00:01:23,640 Speaker 1: year the Monkey? I think that was last year. But 21 00:01:24,360 --> 00:01:26,280 Speaker 1: why did you read this here? Did you read it's 22 00:01:26,280 --> 00:01:29,240 Speaker 1: an invitation. Did you read it? Oh wait, Jones, do 23 00:01:29,280 --> 00:01:31,399 Speaker 1: an this has emmy gaddress. First of all, if you're 24 00:01:31,440 --> 00:01:34,360 Speaker 1: inviting the black person somewhere, the invitation should not be 25 00:01:34,400 --> 00:01:37,280 Speaker 1: that of a monkey. I have one for you too. 26 00:01:38,200 --> 00:01:40,959 Speaker 1: No I'm not coming. No, I'm definitely I'm definitely not coming. 27 00:01:41,440 --> 00:01:44,399 Speaker 1: It's actually a carnival theme birthday for my two I 28 00:01:44,400 --> 00:01:46,039 Speaker 1: don't give it a damn you can. You should have 29 00:01:46,080 --> 00:01:48,280 Speaker 1: thought that went through better. The invitation should have been 30 00:01:48,280 --> 00:01:51,320 Speaker 1: some popcorn or something. Let me know, damn your popcorn boxing. 31 00:01:51,360 --> 00:01:54,200 Speaker 1: When you open it, there's popcorn inside. Open it up. 32 00:01:54,280 --> 00:01:57,680 Speaker 1: Ye wait, the monkey come into place. If you got 33 00:01:57,680 --> 00:02:04,160 Speaker 1: a look. It's an extra extravagant, sub extravagant extravagant invitation. 34 00:02:04,880 --> 00:02:07,000 Speaker 1: It's for my kids two year old and three year 35 00:02:07,000 --> 00:02:10,520 Speaker 1: old carnival theme birthday party where we are turning the 36 00:02:10,560 --> 00:02:12,480 Speaker 1: house into a carnival, So there will be rods for 37 00:02:12,480 --> 00:02:15,040 Speaker 1: the kids, there will be obstacle courses for grown up. 38 00:02:15,120 --> 00:02:18,040 Speaker 1: There'll be a petting zoo where there will be all 39 00:02:18,120 --> 00:02:24,720 Speaker 1: types of animals there, like monkeys, chickens, ponies, chickens, maybe 40 00:02:24,720 --> 00:02:28,920 Speaker 1: a kangaroo, all types of petting animals. Petting animals. Let 41 00:02:28,960 --> 00:02:31,800 Speaker 1: me tell you, let me tell you, Domicans. You Dominicans 42 00:02:31,840 --> 00:02:34,720 Speaker 1: should not be having invites that have monkeys on them 43 00:02:34,720 --> 00:02:36,600 Speaker 1: giving them out the black people. Nor should y'all have 44 00:02:36,680 --> 00:02:41,040 Speaker 1: chickens carnival. The Universal Soul Circus don't even got chickens. Man, 45 00:02:41,919 --> 00:02:46,720 Speaker 1: Yes they do. It's a petting wood. There's gonna be 46 00:02:46,760 --> 00:02:53,040 Speaker 1: a part of chickens. We're not frying bacon. There's gonna 47 00:02:53,080 --> 00:02:57,160 Speaker 1: be monkeys, there's gonna be ponies, there's gonna be kangaroos, 48 00:02:57,280 --> 00:03:02,040 Speaker 1: all types of ar That would be the most racist 49 00:03:02,240 --> 00:03:04,520 Speaker 1: carnival ever if the invite is a monkey and then 50 00:03:04,520 --> 00:03:05,960 Speaker 1: when you get there, the black people get to pick 51 00:03:06,040 --> 00:03:11,160 Speaker 1: there on chicken that they want to eat, because back 52 00:03:11,160 --> 00:03:12,960 Speaker 1: in the day, I used to have to chase chickens. Now, 53 00:03:13,040 --> 00:03:15,240 Speaker 1: my grandma used to chase chickens down and then she 54 00:03:15,520 --> 00:03:17,359 Speaker 1: popped her head off and with her hands. Well, that's 55 00:03:17,400 --> 00:03:19,240 Speaker 1: not the chicken's neck that we used to pick our 56 00:03:19,240 --> 00:03:22,080 Speaker 1: on chicken. That's that's not gonna happen. There's a petting 57 00:03:22,200 --> 00:03:25,160 Speaker 1: zoo for kids. You ask, and they'll be all types 58 00:03:25,200 --> 00:03:28,440 Speaker 1: of carnival rides. It's gonna be. It's gonna be really, 59 00:03:28,440 --> 00:03:33,880 Speaker 1: really really, that's right. There's gonna be a lot of rides, 60 00:03:33,960 --> 00:03:36,440 Speaker 1: carnival rides, all types of things. It's gonna be a 61 00:03:36,440 --> 00:03:39,360 Speaker 1: ferris whill, carousels, all types of stuff. So we turned 62 00:03:39,360 --> 00:03:41,560 Speaker 1: into the house is gonna look like a carnival. It's 63 00:03:41,680 --> 00:03:46,120 Speaker 1: totally done over carnival theme. It's gonna be it's gonna 64 00:03:46,120 --> 00:03:49,680 Speaker 1: be crazy with random chickens. No, it's a petting zoo. 65 00:03:49,720 --> 00:03:51,640 Speaker 1: You know you have been to a petting zoo. Ain't 66 00:03:51,680 --> 00:03:53,520 Speaker 1: no chickens and no petting zoo, man, I don't care 67 00:03:53,600 --> 00:03:58,000 Speaker 1: what you tell me. As ponies, there's gonna be all 68 00:03:58,000 --> 00:04:00,600 Speaker 1: types of things. Yeah, it's this party for your two 69 00:04:00,680 --> 00:04:02,320 Speaker 1: year old and three year old. Well, there will be 70 00:04:02,360 --> 00:04:04,160 Speaker 1: three year old and four year their birthdays are a 71 00:04:04,240 --> 00:04:06,520 Speaker 1: day away. I don't remember any of my birthday parties 72 00:04:06,640 --> 00:04:09,880 Speaker 1: when I was that young. It's really for the older 73 00:04:09,920 --> 00:04:11,680 Speaker 1: people that it's gonna be for kids. It's gonna be 74 00:04:11,680 --> 00:04:13,280 Speaker 1: for kids in their school, and then we'll have a 75 00:04:13,280 --> 00:04:15,600 Speaker 1: lot of stuff for older people as well. They're gonna 76 00:04:15,600 --> 00:04:17,880 Speaker 1: be a dunk tank that Charlomagne you're invited to sit 77 00:04:17,920 --> 00:04:22,159 Speaker 1: in and you drown the chicken. Drown the chicken. Instead 78 00:04:22,160 --> 00:04:24,520 Speaker 1: of breaking his neck to Friday, I'm drowning and then 79 00:04:24,600 --> 00:04:26,760 Speaker 1: eat it. When parents walk in, you could say nasty 80 00:04:26,800 --> 00:04:29,080 Speaker 1: things to them and disrespectful things, and then they could 81 00:04:29,120 --> 00:04:32,960 Speaker 1: throw at a child's party. You when people say nasty things, 82 00:04:33,040 --> 00:04:35,279 Speaker 1: Charlemagne could do that, not nasty like in you know, 83 00:04:35,440 --> 00:04:40,720 Speaker 1: disrespectful like a ugly and then we can throw that's nasty. 84 00:04:42,160 --> 00:04:46,880 Speaker 1: This climate of what's going on, wet, giving out monkey. 85 00:04:47,000 --> 00:04:49,320 Speaker 1: You're giving out monkey invitation to the black people. You 86 00:04:49,400 --> 00:04:51,880 Speaker 1: got random chickens that you want people to pick and eat, 87 00:04:52,040 --> 00:04:53,520 Speaker 1: and then you want to put a black man in 88 00:04:53,600 --> 00:04:56,040 Speaker 1: a tank and have me be the dunk that makes 89 00:04:56,040 --> 00:04:58,479 Speaker 1: stupid comments to get dunked in the water. Who are you? 90 00:05:02,680 --> 00:05:05,960 Speaker 1: Let's transition from that into front page news, and we're 91 00:05:05,960 --> 00:05:08,679 Speaker 1: gonna start Lebron and what happened outside of his house. 92 00:05:10,160 --> 00:05:12,960 Speaker 1: I didn't like. I didn't like that that that segue 93 00:05:13,040 --> 00:05:15,120 Speaker 1: was kind of nasty, but I didn't even yet that 94 00:05:15,160 --> 00:05:17,320 Speaker 1: was crazy. We'll get into Lebron and what was written 95 00:05:17,320 --> 00:05:20,719 Speaker 1: on his house when we come back. Good morning, this breakfast. Oh, 96 00:05:20,760 --> 00:05:23,120 Speaker 1: Neo's gonna be here this morning too, right Neo, that's right, 97 00:05:23,279 --> 00:05:25,000 Speaker 1: R and B singing Neo will be in the building too, 98 00:05:25,160 --> 00:05:27,200 Speaker 1: So keep been locks a lot going on his humble 99 00:05:27,240 --> 00:05:31,880 Speaker 1: Knnick Lamar morning. Everybody is dj Envy angela Ye, Charlemagne 100 00:05:31,920 --> 00:05:33,800 Speaker 1: the guy. We are the breakfast Club. Let's getting some 101 00:05:33,839 --> 00:05:38,120 Speaker 1: front page news now tonight. The NBA Finals game is won. 102 00:05:39,600 --> 00:05:44,120 Speaker 1: I got Warriors in seven start, Calves and seven Caves in. 103 00:05:47,000 --> 00:05:48,960 Speaker 1: Somebody asked me this for the first time yesterday. My 104 00:05:48,960 --> 00:05:52,600 Speaker 1: man Jay Williams. Wo to my man Jay Williams, I uh, 105 00:05:52,640 --> 00:05:55,080 Speaker 1: I don't have no reason to bet against the Calves 106 00:05:55,360 --> 00:05:57,520 Speaker 1: only because, like you know, after what we went in 107 00:05:57,600 --> 00:06:00,680 Speaker 1: this last year, Lebron coming back from down three one. 108 00:06:00,720 --> 00:06:02,520 Speaker 1: You know how when you had that feeling that Jordan 109 00:06:02,640 --> 00:06:04,640 Speaker 1: was just gonna pull it out, Coobe was just gonna 110 00:06:04,680 --> 00:06:07,520 Speaker 1: pull it out, right, I feel like Lebron's and in 111 00:06:07,640 --> 00:06:09,520 Speaker 1: that in that level. I don't know how he's going. 112 00:06:09,640 --> 00:06:11,799 Speaker 1: I just I just think the Calves going in seven. 113 00:06:12,080 --> 00:06:15,640 Speaker 1: But they have Durant. They didn't have Durant last year. Listen. 114 00:06:15,680 --> 00:06:17,560 Speaker 1: I'm with you now, Listen. I'm picking the Cavs. And 115 00:06:17,640 --> 00:06:19,240 Speaker 1: I mean if I'm picking the Cavs, I mean the 116 00:06:19,279 --> 00:06:21,960 Speaker 1: Warrior's probably gonna I'm going Cavs in seven. Now, what 117 00:06:21,960 --> 00:06:24,480 Speaker 1: happened with Lebron's house? Something at with Lebron's house. Well, 118 00:06:24,600 --> 00:06:28,560 Speaker 1: Lebron's house in la was actually found with a racist 119 00:06:28,680 --> 00:06:33,200 Speaker 1: graffiti on the front gate, and he actually commented on this. 120 00:06:33,360 --> 00:06:38,640 Speaker 1: Sports Illustrated provided the comments on that incident, and uh, 121 00:06:38,720 --> 00:06:40,560 Speaker 1: they said, no matter how much money you have, no 122 00:06:40,600 --> 00:06:42,720 Speaker 1: matter how famous you are, no matter how many people 123 00:06:42,760 --> 00:06:45,720 Speaker 1: admire you, being black in America is tough. We got 124 00:06:45,760 --> 00:06:47,720 Speaker 1: a long way to go for us as a society 125 00:06:47,800 --> 00:06:50,520 Speaker 1: and for us as African Americans until we feel equal 126 00:06:50,600 --> 00:06:58,120 Speaker 1: in America. Awful were the words that grow. Okay, drop 127 00:06:58,160 --> 00:07:00,560 Speaker 1: on the clues bombs and Steph Curry and Claymon because 128 00:07:00,760 --> 00:07:03,800 Speaker 1: for coming through, you know, they wanted to remind people 129 00:07:03,839 --> 00:07:05,919 Speaker 1: that Paige lives matter. That's so all they had to 130 00:07:05,920 --> 00:07:08,479 Speaker 1: pull upon Lebron's house and throw some racial slurs on 131 00:07:08,520 --> 00:07:10,400 Speaker 1: there to let them know it's gonna be a tough series. 132 00:07:10,440 --> 00:07:13,360 Speaker 1: But that's very disappointing. It doesn't matter what goes on. 133 00:07:13,560 --> 00:07:16,560 Speaker 1: He's one of the greatest athletes right now. Yes, and 134 00:07:16,600 --> 00:07:19,000 Speaker 1: things like wondering why you should carry was so quiet? 135 00:07:19,480 --> 00:07:22,000 Speaker 1: Stop it now, let's talk about seeing it. They fired 136 00:07:22,200 --> 00:07:24,600 Speaker 1: Kathy Griffin it's a rap. Yeah, it's over for her. 137 00:07:24,960 --> 00:07:27,880 Speaker 1: CNN has terminated their agreement with Kathy Griffin, and she's 138 00:07:27,880 --> 00:07:30,600 Speaker 1: also not appearing on their New Year's Eve program as well. 139 00:07:30,640 --> 00:07:33,800 Speaker 1: Even though she apologized for the picture of herself holding 140 00:07:33,880 --> 00:07:40,320 Speaker 1: up a bloody head of President Donald Trump, well happen Trump, Yeah, 141 00:07:40,400 --> 00:07:43,440 Speaker 1: and she she did a video yesterday apologizing, but it 142 00:07:43,480 --> 00:07:45,160 Speaker 1: doesn't really matter at this point. And you know, they 143 00:07:45,160 --> 00:07:47,920 Speaker 1: are investigating her as well, So it's not like it's 144 00:07:47,920 --> 00:07:50,760 Speaker 1: too good for Kathy Griffin. I keep trying to tell y'all, 145 00:07:50,760 --> 00:07:53,880 Speaker 1: you cannot threaten the president of the United States of America. 146 00:07:53,920 --> 00:07:56,400 Speaker 1: I don't care how you feel about him, you cannot 147 00:07:56,520 --> 00:07:58,880 Speaker 1: threaten him in any way, shape or form. And she 148 00:07:59,280 --> 00:08:02,680 Speaker 1: got her endoor deal for Squatty Party dropped. Okay, so 149 00:08:02,800 --> 00:08:05,760 Speaker 1: it's over all. Right. Well, that's front page news and 150 00:08:05,760 --> 00:08:08,680 Speaker 1: Anna Anna a resort that she was performing at, canceled 151 00:08:08,680 --> 00:08:13,640 Speaker 1: her show. Yeah, here we go with the backlash. I'm 152 00:08:14,080 --> 00:08:16,800 Speaker 1: defending her, saying that she's just a comedian and they're 153 00:08:16,800 --> 00:08:20,760 Speaker 1: supposed to push the parameters. It wasn't funny though, Like, 154 00:08:20,800 --> 00:08:24,720 Speaker 1: there was nothing funny about it issue. It wasn't even funny. 155 00:08:25,120 --> 00:08:29,280 Speaker 1: I refuse to lose everything for somebody I don't even 156 00:08:29,320 --> 00:08:31,680 Speaker 1: like you know what I'm saying. And then the fact 157 00:08:31,680 --> 00:08:33,760 Speaker 1: that she apologized for the statement. If she had stood 158 00:08:33,800 --> 00:08:35,959 Speaker 1: by the statement, I would have respected it a lot more. 159 00:08:35,960 --> 00:08:39,360 Speaker 1: But she gonna lose everything anyway. Yeah, you might as 160 00:08:39,360 --> 00:08:41,000 Speaker 1: well stand by it. If you're gonna make a statement, 161 00:08:41,040 --> 00:08:42,800 Speaker 1: make the statement and stand by it. Don't make the 162 00:08:42,840 --> 00:08:46,680 Speaker 1: statement in an act like forgiveness. Yeah, I apologize, I 163 00:08:46,720 --> 00:08:48,920 Speaker 1: went too far. Get out of here, don't. I don't 164 00:08:48,960 --> 00:08:51,680 Speaker 1: respect that. All right, Well, get it off your chest. 165 00:08:51,760 --> 00:08:54,640 Speaker 1: Eight five eight five one oh five one. If you're upsets, 166 00:08:54,679 --> 00:08:56,959 Speaker 1: you need to vent, call us right now, or maybe 167 00:08:56,960 --> 00:08:59,480 Speaker 1: you feel blessed. Eight hundred five eight five one oh 168 00:08:59,520 --> 00:09:01,560 Speaker 1: five one. Hit us up now. It was the breakfast club. 169 00:09:01,559 --> 00:09:08,440 Speaker 1: Good morning, the breakfast club. This is your time to 170 00:09:08,440 --> 00:09:12,600 Speaker 1: get it off your chest. Whether you're man from you 171 00:09:12,640 --> 00:09:14,839 Speaker 1: on the breakfast club. But you got something on your 172 00:09:14,840 --> 00:09:18,040 Speaker 1: mom all right? Ye? What's wrong with you? Ye? Do 173 00:09:18,120 --> 00:09:20,719 Speaker 1: you know? Somebody hit my car yesterday? Like what you 174 00:09:20,760 --> 00:09:22,640 Speaker 1: mean hit it? Like crashed into it. He had like 175 00:09:22,760 --> 00:09:26,360 Speaker 1: hit my car? What happened? I was at a red 176 00:09:26,480 --> 00:09:28,920 Speaker 1: light and there's a car in front of me, and 177 00:09:28,960 --> 00:09:30,120 Speaker 1: there was a car in front of that car, and 178 00:09:30,160 --> 00:09:31,720 Speaker 1: I guess the woman in front of him was trying 179 00:09:31,760 --> 00:09:34,560 Speaker 1: to back up into a spot and he didn't check back. 180 00:09:34,559 --> 00:09:36,280 Speaker 1: I guess she was about to hit his car. So 181 00:09:36,360 --> 00:09:38,640 Speaker 1: he backed up and backed up and hit my car. 182 00:09:38,880 --> 00:09:40,560 Speaker 1: But I saw it. Commisside was beeping the horn, but 183 00:09:40,559 --> 00:09:42,679 Speaker 1: there was a truck behind me, so I couldn't back 184 00:09:42,760 --> 00:09:44,560 Speaker 1: up and do anything about it but beat the horn. 185 00:09:44,600 --> 00:09:47,560 Speaker 1: But I guess he just decided he'd rather hit me 186 00:09:47,559 --> 00:09:49,240 Speaker 1: than get his car hit from the front. I don't 187 00:09:49,240 --> 00:09:51,920 Speaker 1: know what happened, but how much damage. Um, just a 188 00:09:51,920 --> 00:09:54,760 Speaker 1: few scratches, but still just bothered me. Oh man, Well, 189 00:09:54,760 --> 00:09:56,719 Speaker 1: I'm sorry you got I'm just minding my business at 190 00:09:56,720 --> 00:09:58,960 Speaker 1: a red light. He's like, hey man, it could have 191 00:09:58,960 --> 00:10:01,680 Speaker 1: been worse. It could have been worse. Still, Hello, who's this? 192 00:10:02,200 --> 00:10:05,280 Speaker 1: What's up? Man? This this Reggie yow y'all doing breakfast 193 00:10:05,280 --> 00:10:12,080 Speaker 1: club this morning? So no, actually I was named after 194 00:10:12,120 --> 00:10:18,439 Speaker 1: Reggie Jackson, so you know what? Yes, okay, all right, 195 00:10:18,480 --> 00:10:22,320 Speaker 1: So tell us about you blessed and mad this morning? Okay, Well, 196 00:10:22,520 --> 00:10:26,800 Speaker 1: I'm blessed because I have a beautiful three year old daughter, Okay, 197 00:10:27,040 --> 00:10:32,080 Speaker 1: and I just graduated college about six months ago with 198 00:10:32,160 --> 00:10:35,240 Speaker 1: a degree in construction management a minor. And still and 199 00:10:35,280 --> 00:10:37,400 Speaker 1: I did all of that after turn of my life around, 200 00:10:37,440 --> 00:10:40,160 Speaker 1: you know, complete wind eighties, stop selling drugs, stop person 201 00:10:40,240 --> 00:10:42,120 Speaker 1: and stop doing a lot, all right. I did it 202 00:10:42,160 --> 00:10:46,360 Speaker 1: for my daughter. Now I'm upset because I was with 203 00:10:46,440 --> 00:10:49,079 Speaker 1: a mother for about seven years and all of a 204 00:10:49,120 --> 00:10:50,880 Speaker 1: sudden one day while I was at work, he just 205 00:10:51,080 --> 00:10:54,760 Speaker 1: grabbed everything and hall that no word, no nothing. She 206 00:10:54,880 --> 00:10:57,960 Speaker 1: tried to hide. You know, I was out of town working, 207 00:10:58,440 --> 00:11:02,280 Speaker 1: which I am right now, and I actually had to 208 00:11:02,480 --> 00:11:05,600 Speaker 1: like do something investigative reporting and pay for a private 209 00:11:05,600 --> 00:11:07,560 Speaker 1: investigator to find out what he was in order to 210 00:11:07,600 --> 00:11:13,480 Speaker 1: hurt her paper daughter. She crack house. No see the crackouse, 211 00:11:13,480 --> 00:11:15,960 Speaker 1: my mom, my mom. My daughter's MoMA, not cracker. I can't. 212 00:11:15,960 --> 00:11:19,599 Speaker 1: I can't go that far. But uh, she is a 213 00:11:19,679 --> 00:11:21,679 Speaker 1: real b I TC you know what I'm saying. So 214 00:11:22,280 --> 00:11:24,520 Speaker 1: when I did that, she sent me a text mentors 215 00:11:24,520 --> 00:11:26,160 Speaker 1: and told me straight up, I guess you care more 216 00:11:26,160 --> 00:11:31,600 Speaker 1: about paperwork than you do about seeing your child. What true? Yeah, true, 217 00:11:31,160 --> 00:11:33,040 Speaker 1: And that's not true. To get to the point, I 218 00:11:33,080 --> 00:11:36,360 Speaker 1: care more about seeing my child than I do anything, 219 00:11:36,520 --> 00:11:38,520 Speaker 1: which is why you had to send some damn paperwork, 220 00:11:39,000 --> 00:11:42,920 Speaker 1: of course, because she just wouldn't let me daughter. Did 221 00:11:43,120 --> 00:11:44,840 Speaker 1: you did the right thing? You did the right thing, 222 00:11:45,760 --> 00:11:48,199 Speaker 1: you know. I mean, I feel like you your hate 223 00:11:48,240 --> 00:11:52,599 Speaker 1: for me is much more than the love for our daughter. Right, No, 224 00:11:52,720 --> 00:11:55,880 Speaker 1: I feel you, But you say you love my child 225 00:11:55,880 --> 00:11:58,840 Speaker 1: stool much. That's all. I'm sorry for you, bro. You 226 00:11:58,840 --> 00:12:01,240 Speaker 1: know you ain't gotta be sorry. You know, did they 227 00:12:01,240 --> 00:12:03,880 Speaker 1: work it after you can see your daughter and everything? No, 228 00:12:04,080 --> 00:12:05,960 Speaker 1: I got an attorney. We go to court, you know, 229 00:12:06,080 --> 00:12:08,440 Speaker 1: real soon, and you know, some of her lies and 230 00:12:08,480 --> 00:12:10,720 Speaker 1: all that stuff being exposed and all of that, and 231 00:12:11,040 --> 00:12:12,640 Speaker 1: I'm just doing it. I'm doing it for my daughter, 232 00:12:12,640 --> 00:12:15,240 Speaker 1: and I'm working and I'm happy, you know, got a 233 00:12:15,280 --> 00:12:17,920 Speaker 1: good job and everything like that. So everything gonna be 234 00:12:17,920 --> 00:12:20,319 Speaker 1: all right. It's just that when I try to get 235 00:12:20,360 --> 00:12:23,079 Speaker 1: information about my child, she won't tell me. But then 236 00:12:23,120 --> 00:12:25,720 Speaker 1: she claims that I don't care. But then he's like, oh, 237 00:12:25,760 --> 00:12:27,720 Speaker 1: I don't need you, but then you calling every time 238 00:12:27,760 --> 00:12:30,480 Speaker 1: I talked to you. I mean money, Okay, you the 239 00:12:30,559 --> 00:12:32,920 Speaker 1: baby daddy, you know you know how the game goal 240 00:12:32,960 --> 00:12:37,040 Speaker 1: when you're the baby daddy. When I ain't never been 241 00:12:37,080 --> 00:12:40,200 Speaker 1: in this situation before. I don't know. Well, listen, he 242 00:12:40,200 --> 00:12:41,800 Speaker 1: wants to know where his daughter is. He wants to 243 00:12:41,800 --> 00:12:43,480 Speaker 1: see his daughter. He did the right thing. He went 244 00:12:43,520 --> 00:12:45,960 Speaker 1: in foul papers, just like a woman with foul papers 245 00:12:46,000 --> 00:12:48,400 Speaker 1: if he wasn't paying money. So he did what he's say. 246 00:12:48,679 --> 00:12:50,520 Speaker 1: Hey man, you know what I'm saying. I just went away. 247 00:12:50,559 --> 00:12:53,160 Speaker 1: Somebody women to stop being a hypocrite. Works out for you, 248 00:12:53,200 --> 00:12:55,400 Speaker 1: bro man, tell him why you blessed or tell him 249 00:12:55,400 --> 00:12:57,520 Speaker 1: why you're mad? Get it off he chests eight hundred 250 00:12:57,559 --> 00:12:59,480 Speaker 1: five eighty five one on five one call us. Now 251 00:12:59,480 --> 00:13:06,200 Speaker 1: it's the breakfas Club. Good morning, the breakfast Club. This 252 00:13:06,320 --> 00:13:07,880 Speaker 1: is your time to get it off your chest. Whether 253 00:13:07,920 --> 00:13:12,560 Speaker 1: you're man from you on the breakfast Club. You got 254 00:13:12,600 --> 00:13:16,160 Speaker 1: something on your mind? Let hello, who's this? This is 255 00:13:16,240 --> 00:13:19,079 Speaker 1: Tyler from Charlotte Hey man, tell them why you mad? 256 00:13:20,440 --> 00:13:23,040 Speaker 1: So I, my friend and I go to Charlottagne's book 257 00:13:23,040 --> 00:13:26,800 Speaker 1: signing last time in Concord. And once once everything gets 258 00:13:26,800 --> 00:13:28,520 Speaker 1: in the mix and they tell you to get in line, 259 00:13:29,080 --> 00:13:31,720 Speaker 1: we started moving and getting bumped into and everything, and 260 00:13:31,840 --> 00:13:35,200 Speaker 1: someone feels my friend's ticket to get his book signed 261 00:13:35,320 --> 00:13:37,120 Speaker 1: out of the book. So now we can't get the 262 00:13:37,120 --> 00:13:41,360 Speaker 1: book sign We can't stand in line. Yeah, man, well 263 00:13:41,360 --> 00:13:44,439 Speaker 1: that's easy. You can't say something to somebody. I did 264 00:13:44,520 --> 00:13:47,120 Speaker 1: say something, kid. We saw him, We saw him in 265 00:13:47,120 --> 00:13:48,680 Speaker 1: the food court. But what are you gonna do about 266 00:13:48,679 --> 00:13:50,959 Speaker 1: a book signing ticket fight somewhere in the food court 267 00:13:51,679 --> 00:13:57,200 Speaker 1: and you're white, Tyler? Yeah, yeah, so you was. He 268 00:13:57,200 --> 00:14:01,880 Speaker 1: was out numbered yesterday. So yeah, man, Sorry, I'm sorry 269 00:14:01,920 --> 00:14:04,760 Speaker 1: you had that experience Tyler at my book signing. Man, 270 00:14:04,800 --> 00:14:08,199 Speaker 1: but thank you for coming um sign your book for you. 271 00:14:08,240 --> 00:14:09,800 Speaker 1: We're gonna put them a whole, man, We're gonna put 272 00:14:09,840 --> 00:14:11,920 Speaker 1: them on whole. You're gonna sign a book for him. Hey, 273 00:14:11,920 --> 00:14:14,040 Speaker 1: salute everybody who came out to books a million in 274 00:14:14,120 --> 00:14:19,360 Speaker 1: Charlotte yesterday. Now you're gonna sign his book. Yeah. I 275 00:14:19,400 --> 00:14:21,120 Speaker 1: don't know how. I mean, you want to get somewhere. 276 00:14:21,520 --> 00:14:23,880 Speaker 1: I don't know how, you man, what we're gonna get you. 277 00:14:24,680 --> 00:14:26,840 Speaker 1: Why don't we just get your address and we'll send 278 00:14:26,880 --> 00:14:28,680 Speaker 1: you the But you'll send the book and we'll send 279 00:14:28,680 --> 00:14:31,560 Speaker 1: it back. Right, we'll figure out. I'm still I'm in Charlotte. 280 00:14:31,600 --> 00:14:33,000 Speaker 1: Now you can catch me in the morning, you can 281 00:14:33,040 --> 00:14:36,880 Speaker 1: catch me before I leave. Put him a whole, all right, Listen, Slute, 282 00:14:36,880 --> 00:14:39,040 Speaker 1: everybody who came to Books a Million in Concole Mills 283 00:14:39,120 --> 00:14:40,840 Speaker 1: Mall last night in Charlotte, Man, we had over four 284 00:14:40,920 --> 00:14:43,520 Speaker 1: hundred people in there. I really appreciate the energy. And 285 00:14:43,520 --> 00:14:45,640 Speaker 1: I'm gonna be in Miami tonight at the Barns and 286 00:14:45,760 --> 00:14:48,880 Speaker 1: Nobles on Kendall Drive at six pm. Slute to the 287 00:14:48,960 --> 00:14:51,640 Speaker 1: Homie K Fox should be moderating that event. I'll be 288 00:14:51,720 --> 00:14:54,920 Speaker 1: at the Barns and Noble, Miami tonight at six pm 289 00:14:55,080 --> 00:14:58,320 Speaker 1: on North Kendall Drive. So pull up all right, now, 290 00:14:58,400 --> 00:15:01,080 Speaker 1: when we come back, we got magee. What we're talking about. 291 00:15:01,400 --> 00:15:04,640 Speaker 1: Oh yes, we are going to be talking about Tiger 292 00:15:04,680 --> 00:15:07,640 Speaker 1: Woods dui arrest video. They have released that footage and 293 00:15:07,680 --> 00:15:09,880 Speaker 1: you can see Tiger Woods not looking too good. Also, 294 00:15:10,280 --> 00:15:13,640 Speaker 1: what a rapper is facing thirty years in jail. Okay, 295 00:15:13,680 --> 00:15:15,320 Speaker 1: we'll get into all that when we come back. Keep 296 00:15:15,360 --> 00:15:18,440 Speaker 1: it locked as the Breakfast Club. Good morning, the Breakfast 297 00:15:18,480 --> 00:15:25,000 Speaker 1: Club Morning. Everybody is DJ Envy, Angela Yee, Charlomagne, the guy. 298 00:15:25,040 --> 00:15:26,960 Speaker 1: We are the Breakfast Club. Let's get to the rumors. 299 00:15:27,040 --> 00:15:37,120 Speaker 1: Let's talk Tiger Woods. It's about some report Angela Yee 300 00:15:37,640 --> 00:15:41,760 Speaker 1: on the Breakfast Club. So the police have released the 301 00:15:41,800 --> 00:15:44,920 Speaker 1: police video of the Tiger Woods do you I arrest? 302 00:15:45,440 --> 00:15:47,720 Speaker 1: And you can tell he definitely was a bit of 303 00:15:47,720 --> 00:15:49,240 Speaker 1: a mess. They said he was passed out behind the 304 00:15:49,320 --> 00:15:52,840 Speaker 1: wheel when they approached the car. And if you see 305 00:15:52,880 --> 00:15:55,320 Speaker 1: this video footage, did you guys see it? Yeah, he 306 00:15:55,480 --> 00:16:00,200 Speaker 1: looks very incoherent. He can't even tie his own shoes out. 307 00:16:00,280 --> 00:16:03,160 Speaker 1: Here's what it sounded like. So where are you coming 308 00:16:03,200 --> 00:16:08,600 Speaker 1: from today? You're coming from Jupiter, Florida. Okay, do you 309 00:16:08,680 --> 00:16:12,160 Speaker 1: know where you're going? No, you're just driving around? Or 310 00:16:12,240 --> 00:16:21,600 Speaker 1: what I like to drive? The loss Ogerum. Have you 311 00:16:21,640 --> 00:16:27,200 Speaker 1: had anything to drink tonight? I'm are you sure? Yes? Okay? 312 00:16:27,240 --> 00:16:31,320 Speaker 1: Have you taken any illegal drugs? Okay? Have you taken 313 00:16:31,320 --> 00:16:35,280 Speaker 1: any medication? All right? If I was Tiger Woods, I 314 00:16:35,280 --> 00:16:37,080 Speaker 1: would have said, look, man, my net worth is seven 315 00:16:37,240 --> 00:16:39,440 Speaker 1: hundred and forty million dollars. The reason I can't tie 316 00:16:39,480 --> 00:16:41,320 Speaker 1: my shoes because I haven't tied my shoes in about 317 00:16:41,400 --> 00:16:44,920 Speaker 1: twenty years. I got people to do that for me. Well, 318 00:16:45,200 --> 00:16:48,080 Speaker 1: it was definitely unsafe for him to be driving at 319 00:16:48,120 --> 00:16:49,920 Speaker 1: that time. And when you see the video footage, you 320 00:16:49,960 --> 00:16:53,040 Speaker 1: can really see he could barely walk properly, and it 321 00:16:53,120 --> 00:16:54,960 Speaker 1: looked like his eyes were closed. He couldn't even really 322 00:16:55,000 --> 00:16:57,280 Speaker 1: open his eyes all the way. I wondered, did that 323 00:16:57,360 --> 00:17:00,800 Speaker 1: police officer know if it was Tiger Woods? You sure, 324 00:17:00,960 --> 00:17:02,760 Speaker 1: And I'm sure they took his idea and everything. Yeah, 325 00:17:03,160 --> 00:17:05,200 Speaker 1: so they know it was him, Because if you didn't 326 00:17:05,200 --> 00:17:06,800 Speaker 1: know it was Tiger Woods, you got to bring him in. 327 00:17:06,960 --> 00:17:08,680 Speaker 1: I mean that's a big trip. Yeah, it's a great 328 00:17:08,800 --> 00:17:12,240 Speaker 1: press they released the footage. I mean his ribs were 329 00:17:12,320 --> 00:17:14,920 Speaker 1: bent up, his tires were flat. Yeah, and when you 330 00:17:15,040 --> 00:17:17,000 Speaker 1: a cop, you need some war stories to talk about 331 00:17:17,040 --> 00:17:20,240 Speaker 1: on your off days, no matter, no matter who that was, 332 00:17:20,320 --> 00:17:22,760 Speaker 1: you had to bring them in because no, but especially 333 00:17:22,800 --> 00:17:24,760 Speaker 1: if it's Tiger Woods, because that's a great holiday story 334 00:17:24,800 --> 00:17:27,520 Speaker 1: when you're sitting around at Thanksgiving dinner this year. All right, 335 00:17:27,560 --> 00:17:29,840 Speaker 1: well we told you about rich homy Kwan, by the way, 336 00:17:30,000 --> 00:17:33,800 Speaker 1: also getting pulled over and arrested. Now he is facing 337 00:17:34,040 --> 00:17:38,080 Speaker 1: thirty years in prison. Who now he's going to be 338 00:17:38,160 --> 00:17:40,520 Speaker 1: in jail until Friday, that's when his bond hearing is. 339 00:17:41,080 --> 00:17:43,399 Speaker 1: Interestingly enough, they're saying that they found weed and they 340 00:17:43,480 --> 00:17:46,200 Speaker 1: also found a stolen gun in the car, So we 341 00:17:46,280 --> 00:17:49,280 Speaker 1: don't know how much weed he had, but it feels 342 00:17:49,440 --> 00:17:52,200 Speaker 1: like they're saying that he had that possession with intent 343 00:17:52,320 --> 00:17:57,199 Speaker 1: to distribute. So in a previous interview, Richomy Kuan had 344 00:17:57,200 --> 00:18:00,600 Speaker 1: actually talked about having percocet with him. Check it out 345 00:18:01,359 --> 00:18:03,359 Speaker 1: right now, what I have in my bad? What's in 346 00:18:03,400 --> 00:18:05,560 Speaker 1: your bad? He's opening it. I love it. We got 347 00:18:05,600 --> 00:18:10,040 Speaker 1: a little travel kid. What's in the travel kid? We 348 00:18:10,160 --> 00:18:14,040 Speaker 1: got percoset and two pressures? Can I see the percoset? 349 00:18:14,720 --> 00:18:17,080 Speaker 1: What's the street value on something like this? This size Gercia? 350 00:18:17,200 --> 00:18:21,280 Speaker 1: You know you ten keep it about how much? Probably 351 00:18:21,359 --> 00:18:25,879 Speaker 1: fits now penally, you know what? You basically use them 352 00:18:25,920 --> 00:18:27,280 Speaker 1: on the plane. Like so if I eat, got to 353 00:18:27,320 --> 00:18:28,560 Speaker 1: make sure I eat good. You gotta make sure you 354 00:18:28,600 --> 00:18:30,159 Speaker 1: can't eat them on take on an empty step you 355 00:18:30,280 --> 00:18:32,000 Speaker 1: be throwing up. Then I'm so small, So I have 356 00:18:32,080 --> 00:18:33,879 Speaker 1: to eat like three times. Then I take one and 357 00:18:34,040 --> 00:18:35,800 Speaker 1: go to sleep, wake up, feel like a new man. 358 00:18:36,000 --> 00:18:37,600 Speaker 1: Here you go. Let me get those right there? You 359 00:18:38,600 --> 00:18:42,160 Speaker 1: can I see a prescription for those, alright. I don't 360 00:18:42,200 --> 00:18:44,320 Speaker 1: know why that as news. A rapper that wraps about 361 00:18:44,400 --> 00:18:47,560 Speaker 1: drugs like Richelikan does, getting caught with drugs like you 362 00:18:47,640 --> 00:18:51,840 Speaker 1: knowing up to thirty years in jail. Now, so that 363 00:18:52,000 --> 00:18:54,199 Speaker 1: kind of thirty That kind of really sucks for him 364 00:18:54,920 --> 00:18:58,159 Speaker 1: thirty years. He's tell we don't know what we don't know? 365 00:18:58,280 --> 00:19:01,119 Speaker 1: You gotta call it a gun? Yes as well? All 366 00:19:01,200 --> 00:19:05,440 Speaker 1: right he might Who was that the Cruise show? Right? Yeah? Okay, 367 00:19:05,520 --> 00:19:07,960 Speaker 1: so the crews dropped on the clues bombs for Cruise? 368 00:19:10,960 --> 00:19:13,480 Speaker 1: All right, Tianne Tamara are getting ready for a Sister 369 00:19:13,680 --> 00:19:16,320 Speaker 1: Sister reboot? Are you guys excited for that? Did you 370 00:19:16,359 --> 00:19:19,280 Speaker 1: guys ever watch Sister Sister? I never watched. Absolutely not 371 00:19:19,359 --> 00:19:25,760 Speaker 1: excited for that. No, they grown did America in their 372 00:19:25,880 --> 00:19:30,000 Speaker 1: thirties was past has agreed to the remake of that 373 00:19:30,160 --> 00:19:33,200 Speaker 1: comedy as well, and they're asking for supporters to take action. 374 00:19:33,560 --> 00:19:36,360 Speaker 1: Call your local television network and start a petitions. Absolutely 375 00:19:36,480 --> 00:19:37,960 Speaker 1: get this off the ground. How do you want to 376 00:19:37,960 --> 00:19:39,879 Speaker 1: see some shows? People like the show? They could be 377 00:19:40,000 --> 00:19:43,880 Speaker 1: mom already you know, absolutely nothing, no disrespect the Sister 378 00:19:44,000 --> 00:19:46,240 Speaker 1: Sister didn't really like that show when it was on 379 00:19:46,760 --> 00:19:48,720 Speaker 1: ten And don't don't want of them, ain't want of 380 00:19:48,760 --> 00:19:53,120 Speaker 1: them on the reel. They're busy. Yeah, absolutely, sister, They're 381 00:19:53,160 --> 00:19:55,119 Speaker 1: down for it. They want to do it, all right, 382 00:19:55,160 --> 00:19:58,200 Speaker 1: I mean the date and that's your rumor reports, bring 383 00:19:58,320 --> 00:20:00,480 Speaker 1: back Girlfriends and album of all for that, Bring back 384 00:20:00,520 --> 00:20:02,680 Speaker 1: that and I'll signed that petition the morning. Everybody is 385 00:20:02,760 --> 00:20:05,879 Speaker 1: DJ n Vi, Angela Yee, Charlomagne, the guy. We are 386 00:20:05,920 --> 00:20:08,119 Speaker 1: the breakfast Club. We got a special guest in the building. 387 00:20:08,200 --> 00:20:10,120 Speaker 1: And I saw too much of this man last week. 388 00:20:10,359 --> 00:20:14,640 Speaker 1: He plays video games naked. Other he was butt naked. 389 00:20:14,640 --> 00:20:17,040 Speaker 1: It seemed like you just couldn't see that area. I 390 00:20:17,080 --> 00:20:23,399 Speaker 1: was naked. Why were you key PlayStation? And I was 391 00:20:23,720 --> 00:20:26,960 Speaker 1: why on vacation and I was comfortable? So what game 392 00:20:27,080 --> 00:20:29,840 Speaker 1: was it? Tree Fighter? What made you want to be 393 00:20:29,920 --> 00:20:34,639 Speaker 1: an Instagram model? Like? What made I? Didn't? My wife's 394 00:20:34,640 --> 00:20:36,720 Speaker 1: played too much. She took that picture and then she 395 00:20:36,760 --> 00:20:38,399 Speaker 1: showed me the picture, but didn't tell me that she 396 00:20:38,440 --> 00:20:40,800 Speaker 1: was gonna actually post a picture. Were you mad? Nah? 397 00:20:40,920 --> 00:20:42,639 Speaker 1: I mean it is what it is. I'm come on, man, 398 00:20:42,680 --> 00:20:45,400 Speaker 1: I'm thirty seven years old, I'm married, I got three 399 00:20:45,520 --> 00:20:52,800 Speaker 1: kids before already. Ah good, my kid, Mike, my kids 400 00:20:52,880 --> 00:20:54,760 Speaker 1: know what it is. It's all right, it's all good. 401 00:20:55,119 --> 00:20:58,040 Speaker 1: Don't walk around the house like that right when I can. Yeah, 402 00:20:58,560 --> 00:21:03,040 Speaker 1: and you know, boom my home. My kids, my kids 403 00:21:03,160 --> 00:21:04,960 Speaker 1: know what it is. It's all it's good. The bad 404 00:21:05,000 --> 00:21:06,640 Speaker 1: part about that you can't even get your wife back, 405 00:21:06,880 --> 00:21:11,680 Speaker 1: not like you can take a picture for you. That's 406 00:21:11,720 --> 00:21:13,680 Speaker 1: that's a complete fell for me. I just I just 407 00:21:13,720 --> 00:21:16,480 Speaker 1: gotta live with it. What game were you playing? And 408 00:21:16,520 --> 00:21:19,600 Speaker 1: I'm a beast mind you, I'll let me anybody play. 409 00:21:19,760 --> 00:21:22,200 Speaker 1: I'm good now that we know what's going on? A 410 00:21:22,920 --> 00:21:24,840 Speaker 1: good did you at least tell your wife? Look, man, 411 00:21:24,880 --> 00:21:26,480 Speaker 1: get me fat one next time so I can put 412 00:21:26,520 --> 00:21:29,120 Speaker 1: my hat on. I don't know. I've been I've been rocking. 413 00:21:29,160 --> 00:21:32,560 Speaker 1: I've been rocking without the hat as a play dance. 414 00:21:32,640 --> 00:21:34,720 Speaker 1: But he's really just making letting it go. That's what 415 00:21:34,800 --> 00:21:36,920 Speaker 1: I think. It's a good Listen. My head is big. 416 00:21:37,000 --> 00:21:39,080 Speaker 1: Everybody know my head is big, and just had ain't 417 00:21:39,160 --> 00:21:42,120 Speaker 1: hot nothing. It is what it is. So I'm living. 418 00:21:42,200 --> 00:21:44,120 Speaker 1: But I need a haircut the day. And I knew 419 00:21:44,160 --> 00:21:47,280 Speaker 1: I was coming to hand on the same way if 420 00:21:47,280 --> 00:21:51,800 Speaker 1: I got a lot in the middle, just not coming off. 421 00:21:54,000 --> 00:21:56,479 Speaker 1: Catch me to ma. You just put out a new 422 00:21:56,560 --> 00:21:59,159 Speaker 1: song too, Yes, yes, another love song. It was the 423 00:21:59,280 --> 00:22:01,040 Speaker 1: name of the song. Yeah, it's another love song, which 424 00:22:01,080 --> 00:22:02,879 Speaker 1: is great sounds because you are in love right now 425 00:22:03,040 --> 00:22:05,399 Speaker 1: so very much so obviously all your music it seems 426 00:22:05,440 --> 00:22:09,040 Speaker 1: pretty happy. Well, I mean, all all the music on 427 00:22:09,119 --> 00:22:10,840 Speaker 1: this album isn't gonna be happy because I didn't write 428 00:22:10,880 --> 00:22:12,840 Speaker 1: just completely about myself. I feel like, if I just 429 00:22:12,920 --> 00:22:14,879 Speaker 1: write it about me, how can it be relatable to 430 00:22:14,960 --> 00:22:17,440 Speaker 1: anybody else? You know, I'm definitely happy. I'm in a 431 00:22:17,520 --> 00:22:19,800 Speaker 1: great place, but I don't know. Everybody isn't and I'm 432 00:22:19,840 --> 00:22:22,480 Speaker 1: and I'm the person that writes music for you know, 433 00:22:22,680 --> 00:22:24,960 Speaker 1: I'm gonna write your breakup song. I'm gonna write the 434 00:22:24,960 --> 00:22:26,520 Speaker 1: song that's gonna help you get through this, so get 435 00:22:26,560 --> 00:22:28,160 Speaker 1: through that or whatever the case may be. So every 436 00:22:28,200 --> 00:22:30,280 Speaker 1: song isn't gonna be happy, but every song will be 437 00:22:30,400 --> 00:22:32,600 Speaker 1: real and relatable. Name of the album is good Man. 438 00:22:33,240 --> 00:22:36,000 Speaker 1: Um calling it that because it's what every woman wants 439 00:22:36,040 --> 00:22:38,440 Speaker 1: and what every man should strive to be. And the 440 00:22:38,560 --> 00:22:40,959 Speaker 1: thing about it is nobody's You're not boring a good man. 441 00:22:41,040 --> 00:22:42,560 Speaker 1: You kind of have to go through some stuff and 442 00:22:42,680 --> 00:22:45,359 Speaker 1: let some things happen in order to become a good man. 443 00:22:45,400 --> 00:22:47,440 Speaker 1: So it's kind of the journey of you gotta hold 444 00:22:47,440 --> 00:22:50,119 Speaker 1: out basically something like that. Yeah, something like that. You know, 445 00:22:50,240 --> 00:22:51,960 Speaker 1: you gotta you gotta start, you gotta start low in 446 00:22:52,400 --> 00:22:55,040 Speaker 1: an d high that's right now. Mary J. Bliss on 447 00:22:55,119 --> 00:22:56,800 Speaker 1: her album I Did. I was gonna say you were 448 00:22:56,840 --> 00:22:58,840 Speaker 1: the perfect person for her to come to when she 449 00:22:59,000 --> 00:23:00,760 Speaker 1: was going through the things that she was going through, 450 00:23:01,040 --> 00:23:03,760 Speaker 1: which she expressed to you. Yeah. Well, while you guys 451 00:23:03,760 --> 00:23:09,680 Speaker 1: were I love, she told you that the girl that 452 00:23:09,800 --> 00:23:12,560 Speaker 1: called the breakup we'll see that because I didn't know, 453 00:23:12,960 --> 00:23:17,720 Speaker 1: like I met I met that girl. People, I thought 454 00:23:17,760 --> 00:23:19,639 Speaker 1: I just did the girl was in they was in 455 00:23:19,680 --> 00:23:22,000 Speaker 1: the studio recording and the girl who called the breakup 456 00:23:22,080 --> 00:23:25,280 Speaker 1: was in the other studio, right, Mary told you don't 457 00:23:26,800 --> 00:23:29,120 Speaker 1: yea yeah, now mind you. At the time, I didn't 458 00:23:29,160 --> 00:23:31,359 Speaker 1: know that this was the girl that calls all the drama. 459 00:23:31,400 --> 00:23:33,120 Speaker 1: I had no idea. I met her through a friend, 460 00:23:33,560 --> 00:23:36,200 Speaker 1: and I knew that that she was working with Mary 461 00:23:36,280 --> 00:23:39,200 Speaker 1: before they were like she was like sign, So I 462 00:23:39,240 --> 00:23:40,560 Speaker 1: didn't think it was no. I didn't think it was 463 00:23:40,640 --> 00:23:42,760 Speaker 1: no drama. But then once she left, that's when Mary 464 00:23:42,800 --> 00:23:46,119 Speaker 1: pulled me to the side, like listen from I'm like, 465 00:23:46,200 --> 00:23:49,440 Speaker 1: oh all right, all I had no clue, but but yeah, 466 00:23:49,480 --> 00:23:53,639 Speaker 1: it wasn't. It wasn't. That's definitely like a line cross. 467 00:23:53,760 --> 00:23:56,200 Speaker 1: I know, guys cheat, they messed up, but not with 468 00:23:56,520 --> 00:23:59,720 Speaker 1: somebody that's that you're working with that's supposed to be 469 00:24:00,040 --> 00:24:01,520 Speaker 1: your artists. Yeah, it was, it was. It was a 470 00:24:01,560 --> 00:24:04,000 Speaker 1: bit much. But I'm investing so much time and money 471 00:24:04,080 --> 00:24:09,160 Speaker 1: into her the least. So how are writing for Mary? 472 00:24:09,240 --> 00:24:11,360 Speaker 1: How was that? You know? I love writing for Mary. 473 00:24:11,440 --> 00:24:12,960 Speaker 1: Every every time I write for Mary winds up be 474 00:24:13,000 --> 00:24:14,800 Speaker 1: in a therapy session for both of us. Like we'll 475 00:24:14,840 --> 00:24:16,879 Speaker 1: sit and talk about some stuff and cry if we 476 00:24:17,000 --> 00:24:18,719 Speaker 1: need to, and eat some food and write a song. 477 00:24:18,960 --> 00:24:22,960 Speaker 1: What kind of relationship problems do you have? Um? Right now? None? 478 00:24:23,160 --> 00:24:27,000 Speaker 1: I mean I'm about something, yeah, but it's it's a 479 00:24:27,119 --> 00:24:29,840 Speaker 1: little silly stuff like she don't. She don't like she don't. 480 00:24:29,880 --> 00:24:31,719 Speaker 1: It's silly stuff like I'll leave the toilet seat up 481 00:24:31,720 --> 00:24:34,000 Speaker 1: and I hate that. Yeah, I can't get mad at 482 00:24:34,040 --> 00:24:36,399 Speaker 1: you about nothing. She put a d'angela Russell move on 483 00:24:36,520 --> 00:24:43,040 Speaker 1: you and recorded you and ull you can't say nothing. 484 00:24:43,280 --> 00:24:46,000 Speaker 1: She well, we don't. We don't have any major problems. 485 00:24:46,040 --> 00:24:47,840 Speaker 1: But she's not the thing I love about her is 486 00:24:47,880 --> 00:24:49,920 Speaker 1: that she's not jealous. And I understand it. It could 487 00:24:49,960 --> 00:24:51,960 Speaker 1: be really really easy to be jealous, may being in 488 00:24:51,960 --> 00:24:53,920 Speaker 1: a position that I'm in, But she's not that she 489 00:24:54,080 --> 00:24:56,240 Speaker 1: knows that I'm hers and she's mine, and we're good. 490 00:24:56,320 --> 00:24:58,359 Speaker 1: That's it. Now. Last year, I remember you said that 491 00:24:58,400 --> 00:25:01,960 Speaker 1: you would perform at Trump's inaugura. Did you Did you 492 00:25:02,080 --> 00:25:05,080 Speaker 1: regret saying that? No, I don't regret saying that, because 493 00:25:05,200 --> 00:25:07,359 Speaker 1: if you watch the whole tape, you will realize that 494 00:25:07,440 --> 00:25:10,720 Speaker 1: I was absolutely joking. I would never perform at a 495 00:25:10,760 --> 00:25:14,240 Speaker 1: Trump innigration. I wouldn't perform at a Trump anything. Don't 496 00:25:14,280 --> 00:25:16,879 Speaker 1: even say Trump at the show. I might just stop singing. 497 00:25:16,920 --> 00:25:20,359 Speaker 1: I'm just I'm not a fan of Donald Trump, and 498 00:25:20,440 --> 00:25:22,959 Speaker 1: I don't support them. I never having never will. Now 499 00:25:23,000 --> 00:25:25,080 Speaker 1: I spend a minute, since you put out some new music. 500 00:25:25,640 --> 00:25:28,320 Speaker 1: What was the reason for that break? Um? Well, I 501 00:25:28,400 --> 00:25:31,280 Speaker 1: got married, I had another child. Shout out to Sja, 502 00:25:31,400 --> 00:25:33,520 Speaker 1: he's a year old. Shout out to Mattie Mason. Mattie six, 503 00:25:33,640 --> 00:25:36,359 Speaker 1: Mason's five. Now, um, I wanted to do some some 504 00:25:36,520 --> 00:25:39,560 Speaker 1: regular life stuff for a minute. You know, married kids 505 00:25:39,640 --> 00:25:42,440 Speaker 1: wouldn't bought the house in La. So now that I've 506 00:25:42,480 --> 00:25:45,600 Speaker 1: done that, now it's time to furnish the house, which 507 00:25:45,680 --> 00:25:47,760 Speaker 1: cost money, feed the kids, which cost money, and take 508 00:25:47,800 --> 00:25:49,840 Speaker 1: care of my wife, which cost money. So I gotta 509 00:25:49,880 --> 00:25:52,840 Speaker 1: put some music. Do you think going to the pop 510 00:25:53,000 --> 00:25:54,960 Speaker 1: rold hurt you in any way, shape or form. Now, 511 00:25:55,400 --> 00:25:57,840 Speaker 1: not at all, because the people that really rock with 512 00:25:57,920 --> 00:25:59,639 Speaker 1: me understand that be a pop, be at R and B, 513 00:25:59,800 --> 00:26:01,720 Speaker 1: be a country in Western music is music and that's 514 00:26:01,720 --> 00:26:03,840 Speaker 1: who I am, That's what I do. So anybody that 515 00:26:03,960 --> 00:26:05,520 Speaker 1: had a problem would be going to the pop world. 516 00:26:05,600 --> 00:26:06,920 Speaker 1: You might want to question whether or not you was 517 00:26:06,920 --> 00:26:08,480 Speaker 1: a Neil fan in the first player, because, to be 518 00:26:08,560 --> 00:26:10,480 Speaker 1: honest with you, even if you listen to my first album, 519 00:26:10,720 --> 00:26:14,080 Speaker 1: it's always been somewhat pop. I'm not the most stuggist 520 00:26:14,160 --> 00:26:17,200 Speaker 1: dude that you'll meet. I'm not, and I embraced that. 521 00:26:17,640 --> 00:26:19,440 Speaker 1: I'm not ashamed of that. It is what it is. 522 00:26:19,680 --> 00:26:21,359 Speaker 1: And I feel like people that really know me know 523 00:26:21,480 --> 00:26:23,440 Speaker 1: me and understand that. So you're not gonna expect a 524 00:26:23,560 --> 00:26:25,639 Speaker 1: hip hop album from Neil. You're not gonna expect me 525 00:26:25,720 --> 00:26:27,520 Speaker 1: to be talking crazy about women on the record because 526 00:26:27,520 --> 00:26:30,320 Speaker 1: that's not who I am. So from my first album 527 00:26:30,359 --> 00:26:32,439 Speaker 1: to this album, I've been the same dude and there 528 00:26:32,480 --> 00:26:34,119 Speaker 1: ain't no reason to change, man. So there'll be some 529 00:26:34,200 --> 00:26:35,800 Speaker 1: pop songs on this album. There will definitely be some 530 00:26:35,840 --> 00:26:37,840 Speaker 1: pop songs on this album, but There will also be 531 00:26:37,920 --> 00:26:39,760 Speaker 1: some R and B songs on this album. See, I'm 532 00:26:39,800 --> 00:26:41,719 Speaker 1: one of the few artists that my fans have allowed 533 00:26:41,760 --> 00:26:44,119 Speaker 1: me to jump genre. I can do pop, I can 534 00:26:44,160 --> 00:26:45,760 Speaker 1: do R and B. I can go over here and 535 00:26:45,840 --> 00:26:48,119 Speaker 1: do a song with a Spanish artist or a country 536 00:26:48,200 --> 00:26:50,159 Speaker 1: artist or whoever, and my fans have allowed it. So 537 00:26:50,200 --> 00:26:52,159 Speaker 1: if they're allowing me to do it, why not do it? All? Right? 538 00:26:52,160 --> 00:26:54,200 Speaker 1: We got more with Neo when we come back. We'll 539 00:26:54,200 --> 00:26:56,520 Speaker 1: find out about his new show, World of Dance and 540 00:26:56,760 --> 00:26:59,159 Speaker 1: also what do you before met the Gay? Proud of it? 541 00:26:59,320 --> 00:27:01,200 Speaker 1: Like think did keep a lot of the breakfast Local 542 00:27:01,240 --> 00:27:05,800 Speaker 1: Morning this morning. Everybody is DJ Envy Angela Yee, Charlomagne 543 00:27:05,800 --> 00:27:08,440 Speaker 1: the guy. We are the breakfast club. We have Neo 544 00:27:08,600 --> 00:27:11,199 Speaker 1: in the building, Charlomagne. Armby's in a weird space right 545 00:27:11,240 --> 00:27:13,320 Speaker 1: now because it don't seem like it's uh, I don't 546 00:27:13,320 --> 00:27:16,080 Speaker 1: want to say a true king or king's like it's 547 00:27:16,119 --> 00:27:18,480 Speaker 1: just like it seems like everybody's all over the place 548 00:27:18,560 --> 00:27:20,240 Speaker 1: kind of in R and B. Yeah, right now, the 549 00:27:20,320 --> 00:27:23,720 Speaker 1: last time I'll answered no, no, no, but even but 550 00:27:24,040 --> 00:27:27,719 Speaker 1: that's the problem, right, it hasn't changed because you've been here, 551 00:27:27,760 --> 00:27:29,879 Speaker 1: like you have like you have mcguela come out of 552 00:27:29,920 --> 00:27:31,879 Speaker 1: doing thing for me, like I like Anderson Pact, but 553 00:27:31,920 --> 00:27:36,040 Speaker 1: then it's like yeah, yeah, I don't like the new 554 00:27:36,080 --> 00:27:41,639 Speaker 1: album though, and one day you decided that already that 555 00:27:41,760 --> 00:27:46,000 Speaker 1: fast yeah stuff for me, it's cool. I like trap soul, 556 00:27:46,119 --> 00:27:49,399 Speaker 1: but it's just like I feel like R and B 557 00:27:49,720 --> 00:27:53,000 Speaker 1: is transitional right now. It's in a transitional place like 558 00:27:53,040 --> 00:27:55,359 Speaker 1: you got you got folks like Childish Gambino to come 559 00:27:55,440 --> 00:27:58,800 Speaker 1: up with Red Bone record, which is clearly like in 560 00:27:58,920 --> 00:28:03,160 Speaker 1: nineteen seventies, yeah, old, but it's getting love. I feel 561 00:28:03,200 --> 00:28:05,439 Speaker 1: like I feel like the pendulum is swinging back towards 562 00:28:06,040 --> 00:28:10,040 Speaker 1: singing and melody and lyrics that mean something. Again, not 563 00:28:10,160 --> 00:28:11,920 Speaker 1: to say that there's not the stuff out that that 564 00:28:12,440 --> 00:28:14,359 Speaker 1: exists in the other space, and there's always going to be. 565 00:28:14,520 --> 00:28:16,280 Speaker 1: I mean, even at the height of R and B 566 00:28:16,359 --> 00:28:19,000 Speaker 1: in the nineties, we still had the garbage too. It existed. 567 00:28:19,320 --> 00:28:22,200 Speaker 1: So with that being said, I feel like the pendulum 568 00:28:22,240 --> 00:28:24,000 Speaker 1: always swings back and forth. Right now, we're in a 569 00:28:24,040 --> 00:28:26,800 Speaker 1: place where all the rappers is trying to sing. Melody 570 00:28:27,040 --> 00:28:29,359 Speaker 1: has always been the most powerful thing, which is why 571 00:28:29,400 --> 00:28:32,159 Speaker 1: all the rappers are singing, because melodies stick with you 572 00:28:32,280 --> 00:28:35,680 Speaker 1: melodies last melodies is what people remember. So I feel 573 00:28:35,680 --> 00:28:37,440 Speaker 1: like we're swinging back towards that. Now we're getting back 574 00:28:37,440 --> 00:28:40,720 Speaker 1: to where you want to hear somebody, ladies especially, you 575 00:28:40,800 --> 00:28:42,400 Speaker 1: want to You don't want to hear a dude call 576 00:28:42,440 --> 00:28:43,520 Speaker 1: you a bitch in the middle of the song. You 577 00:28:43,560 --> 00:28:45,240 Speaker 1: don't want to hear dude sing the word bitch. No 578 00:28:45,360 --> 00:28:47,600 Speaker 1: more like do you want to get back to you know, 579 00:28:47,880 --> 00:28:49,720 Speaker 1: you want to get back to the real stuff again, 580 00:28:49,760 --> 00:28:52,080 Speaker 1: and and and that's part of the reason that I'm 581 00:28:52,120 --> 00:28:54,520 Speaker 1: coming back into the game now. You did Humble Over? 582 00:28:54,560 --> 00:28:57,880 Speaker 1: Did Kndrick Lamar's Humblelover? Yeah? Do that? That was fun. 583 00:28:58,720 --> 00:29:02,640 Speaker 1: I was listening to it the studio. I did not. 584 00:29:03,840 --> 00:29:07,840 Speaker 1: I did not Now, um I did it for fun? Man, 585 00:29:07,920 --> 00:29:10,360 Speaker 1: I feel like, uh, I liked the record. I like 586 00:29:10,480 --> 00:29:12,440 Speaker 1: what he was talking about. And um plus I was 587 00:29:12,520 --> 00:29:14,760 Speaker 1: I was made privy to a conversation that I probably 588 00:29:14,760 --> 00:29:16,479 Speaker 1: I don't think I was supposed to be married privy too, 589 00:29:16,480 --> 00:29:18,560 Speaker 1: because the conversation was about me, and it wasn't exactly 590 00:29:18,640 --> 00:29:22,120 Speaker 1: positive it was really it was. It was a conversation. Nah, 591 00:29:22,240 --> 00:29:24,440 Speaker 1: it was a conversation being had about some younger casts. 592 00:29:24,480 --> 00:29:27,400 Speaker 1: About uh, you know, just the state of music in 593 00:29:27,520 --> 00:29:31,280 Speaker 1: R and B right now and the artists Uh no, no, no, 594 00:29:31,920 --> 00:29:34,080 Speaker 1: just just young just young cast. They're trying, they're trying 595 00:29:34,080 --> 00:29:36,200 Speaker 1: to be artists. And it was a it was a 596 00:29:36,280 --> 00:29:39,920 Speaker 1: concept of the concept was uh they basically just wasn't 597 00:29:39,960 --> 00:29:43,360 Speaker 1: paying homage, just like hold on brouh. Okay, I understand that, 598 00:29:43,560 --> 00:29:45,920 Speaker 1: uh you know, you're you're y'all of the millennials and 599 00:29:46,000 --> 00:29:48,360 Speaker 1: whatever the case may be. But please do not count 600 00:29:48,400 --> 00:29:51,239 Speaker 1: out the fact that I made cats pul a pants up. 601 00:29:51,360 --> 00:29:53,080 Speaker 1: Don't count out the fact that I made cats one 602 00:29:53,120 --> 00:29:55,080 Speaker 1: of dress nice. Don't count out the fact that I've 603 00:29:55,120 --> 00:29:57,040 Speaker 1: been doing this for a little while and I ain't 604 00:29:57,080 --> 00:29:58,640 Speaker 1: never ain't never had to come out of my mouth 605 00:29:58,680 --> 00:30:01,080 Speaker 1: and say what I've done because I feel like it's evident. 606 00:30:01,320 --> 00:30:03,560 Speaker 1: So I so that was kind of me talking to them, 607 00:30:03,640 --> 00:30:06,680 Speaker 1: but not talking to them because again it's like who 608 00:30:06,760 --> 00:30:08,720 Speaker 1: are you? It don't even matter. But at the same time, 609 00:30:08,760 --> 00:30:10,480 Speaker 1: it was fun, so I just did it. That's another 610 00:30:10,520 --> 00:30:12,680 Speaker 1: weird part of this era too. You do have to 611 00:30:12,920 --> 00:30:15,760 Speaker 1: tell people what it is. I don't know why, but 612 00:30:15,880 --> 00:30:18,040 Speaker 1: you have to let people know, you know why, because 613 00:30:18,080 --> 00:30:21,680 Speaker 1: attention spans are shorter now, Yeah, so like nobody's nobody's 614 00:30:21,680 --> 00:30:23,720 Speaker 1: holding onto it. It's like it happened, and then we 615 00:30:23,880 --> 00:30:25,600 Speaker 1: right on to the next thing. You don't remember what 616 00:30:25,680 --> 00:30:27,680 Speaker 1: happened two years ago. I've only been going two years. 617 00:30:27,960 --> 00:30:31,440 Speaker 1: Two years feel like ten because attenion spans is so short, 618 00:30:31,440 --> 00:30:33,479 Speaker 1: and there's so much music coming out, people dropping three 619 00:30:33,480 --> 00:30:35,960 Speaker 1: and four songs in a month. It's like you don't 620 00:30:35,960 --> 00:30:37,640 Speaker 1: have time to live with anything, so you don't have 621 00:30:37,760 --> 00:30:39,680 Speaker 1: time to create a memory. So of course you forget. 622 00:30:39,920 --> 00:30:42,640 Speaker 1: Are you still writing for people? Yeah, I'm focusing on 623 00:30:42,840 --> 00:30:45,040 Speaker 1: my stuff right now. And then this world of dancing 624 00:30:45,120 --> 00:30:46,920 Speaker 1: shout out to everybody. Did check that world of dance. 625 00:30:46,960 --> 00:30:48,760 Speaker 1: By the way, it's that hard for you to critique 626 00:30:49,440 --> 00:30:51,440 Speaker 1: people if you don't think they're that good, because you're 627 00:30:51,440 --> 00:30:53,680 Speaker 1: a nice guy. But you know, now, we saw some 628 00:30:53,800 --> 00:30:58,520 Speaker 1: phenomenal dances last night, especially that young girl Diana Pombo. Yeah, 629 00:30:58,640 --> 00:31:03,640 Speaker 1: she was incredible, beast, she's a monster. Yeah, it's it's 630 00:31:03,680 --> 00:31:06,600 Speaker 1: not difficult for me because well, for starters, the grand 631 00:31:06,640 --> 00:31:09,720 Speaker 1: prize is a million dollars. Wow. Now, if I'm responsible 632 00:31:09,800 --> 00:31:11,479 Speaker 1: for giving somebody a million dollars, I'm gonna make sure 633 00:31:11,480 --> 00:31:14,640 Speaker 1: that it goes to the best person. I'm not. I didn't. 634 00:31:14,720 --> 00:31:16,560 Speaker 1: I didn't take the job to be friendly. Mind you, 635 00:31:16,600 --> 00:31:18,120 Speaker 1: I'm not. I'm not a jerk, So ain't gonna I'm 636 00:31:18,120 --> 00:31:20,160 Speaker 1: not gonna Simon Collett. But at the same time, I'm 637 00:31:20,200 --> 00:31:21,840 Speaker 1: gonna let it be known if I'm impressed, if I'm 638 00:31:21,840 --> 00:31:24,400 Speaker 1: not impressed, because it's a million dollars, it's life changing. 639 00:31:24,840 --> 00:31:26,760 Speaker 1: If you got a million dollars, you want a million dollars. 640 00:31:26,840 --> 00:31:29,000 Speaker 1: So if you ain't got it, that's a big deal. 641 00:31:29,080 --> 00:31:31,080 Speaker 1: So I'm gonna make sure that you work for it. Now, 642 00:31:31,080 --> 00:31:32,520 Speaker 1: why did you pick you to judge this show? Because 643 00:31:32,560 --> 00:31:34,600 Speaker 1: you're not like the dancing type. You think a Marion, 644 00:31:34,760 --> 00:31:37,800 Speaker 1: you think Chris Brown, you think ussher Um. You got 645 00:31:37,920 --> 00:31:41,400 Speaker 1: like that a little move like yeah, I think I 646 00:31:41,480 --> 00:31:43,040 Speaker 1: think with me it was more. But it's more about 647 00:31:43,280 --> 00:31:45,760 Speaker 1: entertainment as a whole, as opposed to just dance, because 648 00:31:45,800 --> 00:31:47,440 Speaker 1: that that is a part of dance. What I noticed 649 00:31:47,440 --> 00:31:49,320 Speaker 1: about a lot of dances is that you can get 650 00:31:49,360 --> 00:31:51,600 Speaker 1: up there and do some amazing moves. But I need 651 00:31:51,680 --> 00:31:53,760 Speaker 1: you to make me feel something with what you're doing. 652 00:31:53,840 --> 00:31:55,920 Speaker 1: I need yeah, I need to see it in your face. 653 00:31:56,000 --> 00:31:57,600 Speaker 1: I need to see it on you that. You know, 654 00:31:57,720 --> 00:31:59,720 Speaker 1: if the piece is sad, I'm supposed to be sad 655 00:31:59,760 --> 00:32:01,360 Speaker 1: when I get finished watching it, you know. And a 656 00:32:01,440 --> 00:32:03,960 Speaker 1: lot of there are some dancers who don't pay attention 657 00:32:04,000 --> 00:32:05,239 Speaker 1: to that. They feel like just because I can kick 658 00:32:05,320 --> 00:32:07,240 Speaker 1: my leg up over my head that I'm doing something. 659 00:32:07,320 --> 00:32:08,800 Speaker 1: It's like, No, it's one thing to be able to 660 00:32:08,840 --> 00:32:11,240 Speaker 1: do the moves. It's another thing to translate those moves 661 00:32:11,280 --> 00:32:14,080 Speaker 1: into emotion. And I feel like that's why Jlo picked me. 662 00:32:14,160 --> 00:32:18,040 Speaker 1: Mind you, Jelo picked all the judges by hand. Yeah, 663 00:32:19,440 --> 00:32:21,120 Speaker 1: now you spoke about leg over the head. We were 664 00:32:21,240 --> 00:32:24,520 Speaker 1: watching that. We were watching this video the other day, 665 00:32:24,960 --> 00:32:28,560 Speaker 1: tank performing a Sawnt you see the guy with the 666 00:32:28,800 --> 00:32:30,960 Speaker 1: would you perform a DC proud? They gave a little 667 00:32:31,000 --> 00:32:37,040 Speaker 1: flatform it. You know what I said, I'm aware, listen 668 00:32:39,240 --> 00:32:44,200 Speaker 1: you here's here, Here's here's how. Here's how I handled 669 00:32:44,200 --> 00:32:46,360 Speaker 1: that situation. I say, love who you want to love. 670 00:32:46,800 --> 00:32:48,600 Speaker 1: Everybody can do whatever the hell they want to do. 671 00:32:49,320 --> 00:32:51,440 Speaker 1: Um what I perform at DC PROD Sure, sure, if 672 00:32:51,480 --> 00:32:53,160 Speaker 1: they want to be perform I coom performed because I 673 00:32:53,200 --> 00:32:55,040 Speaker 1: got nothing. I got nothing against gay people like I 674 00:32:55,160 --> 00:32:57,920 Speaker 1: nothing community at least perform it. There you go, there 675 00:32:57,960 --> 00:33:04,960 Speaker 1: you your breath. She set you up. I know I was. 676 00:33:05,040 --> 00:33:08,280 Speaker 1: I was going, he's joking again, Maybe I should stop joking. 677 00:33:08,280 --> 00:33:12,480 Speaker 1: I feel like you can't take jokes. I'm gonna stop. 678 00:33:12,720 --> 00:33:13,920 Speaker 1: You would do all your sol and see that the 679 00:33:14,000 --> 00:33:16,640 Speaker 1: song Tank was doing. He was like, she would you go? 680 00:33:16,840 --> 00:33:19,440 Speaker 1: Would you be in front of a gay audience and saying, um, 681 00:33:19,800 --> 00:33:21,560 Speaker 1: she makes she makes the heads on the back of 682 00:33:21,680 --> 00:33:26,560 Speaker 1: my next stand up? Why not? Yes? Yes? She you 683 00:33:26,680 --> 00:33:28,560 Speaker 1: have to say she okay? She thank was like, I 684 00:33:28,680 --> 00:33:31,880 Speaker 1: like it in my face when it's all on the plate. 685 00:33:32,720 --> 00:33:36,760 Speaker 1: I love the taste. You know, watch yourself seeing bibical 686 00:33:36,800 --> 00:33:40,600 Speaker 1: fox whole career get ruined on this show. Biblical as 687 00:33:40,800 --> 00:33:43,000 Speaker 1: a whole show, just making a face up here, Brenna, 688 00:33:45,360 --> 00:33:49,240 Speaker 1: don't do it. Takes up here with his legs in 689 00:33:49,280 --> 00:33:54,960 Speaker 1: the air too. I saw that. You know what I listened, 690 00:33:55,080 --> 00:33:57,680 Speaker 1: I got. I got nothing bad to say about anybody. 691 00:33:57,720 --> 00:34:00,440 Speaker 1: Shout out to the boy, thank me money y'all day. 692 00:34:00,560 --> 00:34:04,160 Speaker 1: Keep doing it Like I tell dudes, I said this 693 00:34:04,240 --> 00:34:05,800 Speaker 1: morning on the radio, you got these dudes that are 694 00:34:05,840 --> 00:34:08,800 Speaker 1: celled dope at a rob that killed for money. But 695 00:34:08,880 --> 00:34:12,160 Speaker 1: the man go performing a gay Pride Festival. It's a problem. 696 00:34:12,280 --> 00:34:15,440 Speaker 1: That's actually more, that's honorable. Yeah, yeah, I agree with you. 697 00:34:15,760 --> 00:34:20,839 Speaker 1: I agree. So if you was in the crowd, why 698 00:34:20,920 --> 00:34:24,400 Speaker 1: would I be in the crowd? How would I be 699 00:34:24,480 --> 00:34:29,200 Speaker 1: in the crowd? Much love to the LGBT community and 700 00:34:29,280 --> 00:34:31,200 Speaker 1: everybody over there, but I'm not gonna be in the 701 00:34:31,280 --> 00:34:35,160 Speaker 1: crowd at the concert. You rather be on stage a concert. 702 00:34:35,600 --> 00:34:39,319 Speaker 1: I'm now, is your album done? No? No, album not done. 703 00:34:39,360 --> 00:34:41,879 Speaker 1: I'm still working right now. You released a single, ain't 704 00:34:41,880 --> 00:34:46,640 Speaker 1: got no album not done yet. I'm not finishing any 705 00:34:46,680 --> 00:34:48,640 Speaker 1: flat from this interview. Just make sure to call Frank 706 00:34:48,680 --> 00:34:52,960 Speaker 1: Ocean up for a collaboration. That's hice cool. I'll let 707 00:34:53,000 --> 00:34:56,279 Speaker 1: you boy. Get me out of this jam right now. 708 00:34:56,560 --> 00:34:58,359 Speaker 1: We got more with Neo. Matter of fact, le's getting 709 00:34:58,360 --> 00:35:00,440 Speaker 1: too a Neo mini mix. Let me know your favorite 710 00:35:00,560 --> 00:35:04,000 Speaker 1: Neo joint right now? At DJ Envy, it's the Breakfast Club. 711 00:35:04,040 --> 00:35:08,480 Speaker 1: Good morning morning. Everybody is DJ Envy, Angela, Yee, Charlomagne 712 00:35:08,520 --> 00:35:10,680 Speaker 1: the guy We all the breakfast club. Neo is in 713 00:35:10,760 --> 00:35:13,680 Speaker 1: the building, yee, Sonia. How far along are you with 714 00:35:13,760 --> 00:35:16,840 Speaker 1: the album? I'm honestly, I'm at the play I'm finishing 715 00:35:16,920 --> 00:35:20,239 Speaker 1: touches right. You know, I's a there's a message that 716 00:35:20,280 --> 00:35:21,600 Speaker 1: I want to get across with the album, and I 717 00:35:21,719 --> 00:35:23,560 Speaker 1: just need to make sure that the message gets across 718 00:35:23,600 --> 00:35:25,880 Speaker 1: and it's not just a compilation of songs, you know 719 00:35:25,920 --> 00:35:27,520 Speaker 1: what I mean. I like your journey to being a 720 00:35:27,600 --> 00:35:29,840 Speaker 1: good man something like that. My journey. I feel like 721 00:35:29,880 --> 00:35:31,759 Speaker 1: it's the journey of a man, period, you know what 722 00:35:31,800 --> 00:35:33,600 Speaker 1: I mean. I was having a conversation with a homeboy 723 00:35:33,600 --> 00:35:36,000 Speaker 1: in mine the other day, and you know, because I'm married, 724 00:35:36,040 --> 00:35:38,120 Speaker 1: he's not. He's still very very single, moving around doing 725 00:35:39,560 --> 00:35:49,160 Speaker 1: my business and he shout out to the boy, damn 726 00:35:49,560 --> 00:35:55,560 Speaker 1: angel out. But now, so the conversation was, He's like, man, 727 00:35:55,640 --> 00:35:57,880 Speaker 1: do you ever think about all of the hearts that 728 00:35:58,000 --> 00:36:00,440 Speaker 1: you had to break to get to this point? Because 729 00:36:00,680 --> 00:36:02,719 Speaker 1: as a man, you know, you you go through as 730 00:36:02,880 --> 00:36:05,960 Speaker 1: as as you sold so uh nicely put it, you 731 00:36:06,000 --> 00:36:08,279 Speaker 1: got a whole out a little bit naturally, It's it's 732 00:36:08,320 --> 00:36:10,120 Speaker 1: just kind of what happens. You sold your Royal oats 733 00:36:10,120 --> 00:36:11,239 Speaker 1: for a little while, and then you get to that 734 00:36:11,239 --> 00:36:12,719 Speaker 1: point where it's like, you know what, I need something 735 00:36:12,800 --> 00:36:15,040 Speaker 1: quality now now I need something real. But in order 736 00:36:15,080 --> 00:36:18,200 Speaker 1: to get there, in order to become that cake, so 737 00:36:18,360 --> 00:36:20,080 Speaker 1: to speak. You gotta break some eggs and that's and 738 00:36:20,160 --> 00:36:21,920 Speaker 1: that's what happened. So I dedicated a song on an 739 00:36:21,920 --> 00:36:24,279 Speaker 1: album too, all of the women that had to deal 740 00:36:24,320 --> 00:36:25,799 Speaker 1: with the boy that was supposed to be a man 741 00:36:26,160 --> 00:36:29,319 Speaker 1: at the time but wasn't. That got me to where 742 00:36:29,320 --> 00:36:31,160 Speaker 1: I am now. It's not just a woman though, I 743 00:36:31,200 --> 00:36:33,480 Speaker 1: think it's the total package because I'm married, I got kids. 744 00:36:33,520 --> 00:36:36,640 Speaker 1: So you that's that's your life now, your husband, you're 745 00:36:36,680 --> 00:36:40,200 Speaker 1: a father. You really don't have time to do anything else. 746 00:36:40,320 --> 00:36:42,040 Speaker 1: But if you had a girl, then you probably can 747 00:36:42,080 --> 00:36:44,960 Speaker 1: probably find some time to do some other. Yes, wife 748 00:36:45,000 --> 00:36:47,839 Speaker 1: and kids. You. If I'm not working, I'm with them. 749 00:36:47,960 --> 00:36:49,960 Speaker 1: And that's that's pretty much. You ever had your heartbroken? 750 00:36:50,080 --> 00:36:55,000 Speaker 1: Oh yeah, I'm not. I'm not a thug. I'm a 751 00:36:55,040 --> 00:36:56,840 Speaker 1: bit of a what's the word I'm looking for. I 752 00:36:57,040 --> 00:36:59,200 Speaker 1: won't say that I'm soft, but I'm definitely in touch 753 00:36:59,280 --> 00:37:01,719 Speaker 1: with my emotion and there are some women that don't 754 00:37:01,760 --> 00:37:05,600 Speaker 1: appreciate that. I don't know. I don't know from drinking. 755 00:37:06,239 --> 00:37:10,160 Speaker 1: I don't know, drake, Drake, Okay, you know what I 756 00:37:10,280 --> 00:37:12,160 Speaker 1: take it. It's a category. I don't I don't know 757 00:37:12,239 --> 00:37:14,319 Speaker 1: where in the category I fall, but I definitely am 758 00:37:14,400 --> 00:37:16,800 Speaker 1: in touching on my emotions with women if I was. 759 00:37:17,120 --> 00:37:18,719 Speaker 1: You cry when you watch the movie sometime depending on 760 00:37:18,800 --> 00:37:21,320 Speaker 1: the movie. Yeah, oh you butt naked as you cried 761 00:37:28,840 --> 00:37:38,600 Speaker 1: watching Crimeise. Yeah, that's how I'm joking. Again, everyone is clear, 762 00:37:39,000 --> 00:37:47,960 Speaker 1: I'm playing right, No good. Do you see how fickle 763 00:37:48,000 --> 00:37:51,000 Speaker 1: the pop world is, though? I do, because like I'm 764 00:37:51,040 --> 00:37:53,520 Speaker 1: sure you get invited to all of those stations when 765 00:37:53,560 --> 00:37:56,239 Speaker 1: you had those records moving, but when they're not moving, 766 00:37:56,239 --> 00:37:58,760 Speaker 1: they're like, oh no, we're cool on the exactly exactly, 767 00:37:58,840 --> 00:38:00,319 Speaker 1: And I get it. I mean, it's it's the game. 768 00:38:00,400 --> 00:38:02,959 Speaker 1: You complain about it, or you adjusting and keep moving, 769 00:38:03,280 --> 00:38:04,719 Speaker 1: you know, That's that's really all that you can do, 770 00:38:04,800 --> 00:38:07,480 Speaker 1: because they ain't like they're gonna change. Yeah, so you 771 00:38:07,600 --> 00:38:09,920 Speaker 1: just you play the game. You never stopped feeding your 772 00:38:09,960 --> 00:38:12,200 Speaker 1: card or that I can remember. No, I mean I 773 00:38:12,280 --> 00:38:14,239 Speaker 1: don't feel like I did. Yeah, there may be some 774 00:38:14,320 --> 00:38:15,920 Speaker 1: people that disagree with you, but I don't feel like 775 00:38:16,800 --> 00:38:19,480 Speaker 1: everybody likes different givers of music though, because we all 776 00:38:19,600 --> 00:38:22,399 Speaker 1: like songs that we don't only like one genre of music. 777 00:38:22,560 --> 00:38:25,520 Speaker 1: Like nobody in this room could say that. All right, 778 00:38:25,560 --> 00:38:27,640 Speaker 1: that's what I'm saying, so I think that's how the 779 00:38:27,680 --> 00:38:29,960 Speaker 1: whole world is. Though nobody's just like I only listen 780 00:38:30,040 --> 00:38:32,440 Speaker 1: to this type of music, right. I feel like, at 781 00:38:32,480 --> 00:38:34,400 Speaker 1: the end of the day, if as long as this quality, 782 00:38:34,440 --> 00:38:36,279 Speaker 1: as long as you can relate to it in some way, shape, 783 00:38:36,280 --> 00:38:39,759 Speaker 1: form a fashion, the genre shouldn't really matter. But you 784 00:38:39,880 --> 00:38:42,120 Speaker 1: hear people say things behind the scenes. They'd be like, oh, 785 00:38:42,400 --> 00:38:45,000 Speaker 1: Neil went to the pop world, now you're trying to 786 00:38:45,080 --> 00:38:47,399 Speaker 1: come back to the R and B urban. But see, 787 00:38:47,440 --> 00:38:48,960 Speaker 1: I don't think that that's the case. I feel like 788 00:38:49,040 --> 00:38:52,520 Speaker 1: people misconstrue the definition of pop poppy short for popular. 789 00:38:54,160 --> 00:38:56,319 Speaker 1: They fault me because I got popular because more than 790 00:38:56,400 --> 00:38:59,120 Speaker 1: black people started listening to me. Yeah, that that that 791 00:38:59,200 --> 00:39:02,320 Speaker 1: ain't right? Like why why must why? Why must I 792 00:39:02,400 --> 00:39:04,600 Speaker 1: put myself in this box? If God gave me the 793 00:39:04,640 --> 00:39:06,719 Speaker 1: ability to do more than one thing, why am I 794 00:39:06,800 --> 00:39:08,440 Speaker 1: not supposed to do that? Why am I not supposed 795 00:39:08,440 --> 00:39:10,279 Speaker 1: to use these talents? Is it? Is it harder or 796 00:39:10,360 --> 00:39:13,240 Speaker 1: easier to write for those guys once you become somebody, 797 00:39:13,880 --> 00:39:16,400 Speaker 1: um because you thret for Rihanna and Beyonce is all 798 00:39:16,440 --> 00:39:20,040 Speaker 1: of them, it's harder. It's harder because I'm aging as 799 00:39:20,160 --> 00:39:23,120 Speaker 1: as everyone else's aging, and nobody wants to age. Everybody 800 00:39:23,160 --> 00:39:24,719 Speaker 1: wants to stay young. You want to you want to 801 00:39:24,719 --> 00:39:26,680 Speaker 1: talk the way the millennials talk. And if I'm not 802 00:39:26,760 --> 00:39:28,360 Speaker 1: talking like that, you're probably not coming to me for 803 00:39:28,440 --> 00:39:30,440 Speaker 1: the record, which is cool. I get it, I understand, 804 00:39:30,440 --> 00:39:32,080 Speaker 1: I ain't I ain't mad at it. It is what 805 00:39:32,200 --> 00:39:35,200 Speaker 1: it is. But um, at the same time, look, I'm 806 00:39:35,239 --> 00:39:40,400 Speaker 1: literally unpressed when you nah, listen, I'm not tripping. Times 807 00:39:40,440 --> 00:39:42,480 Speaker 1: have to change, it has to happen. That's the one 808 00:39:42,520 --> 00:39:45,359 Speaker 1: thing that we cannot prevent. Time is gonna keep moving. 809 00:39:45,560 --> 00:39:47,759 Speaker 1: We're gonna get older, Younger people are gonna come up. 810 00:39:47,800 --> 00:39:50,320 Speaker 1: That's what it is. You either complain about it, or 811 00:39:50,400 --> 00:39:52,200 Speaker 1: you get out the way, or you figure out a 812 00:39:52,239 --> 00:39:53,840 Speaker 1: way to rock with them. And that's what it is. Now, 813 00:39:53,840 --> 00:39:55,720 Speaker 1: that's what I'm gonna figure out. Do you feel compelled 814 00:39:55,719 --> 00:39:57,480 Speaker 1: to reach out to August Dasina. I don't know. If 815 00:39:57,480 --> 00:39:59,399 Speaker 1: you just saw recently him doing an interview with Jada 816 00:39:59,400 --> 00:40:01,959 Speaker 1: Pinkett and abeeling that he has liver disease, I didn't 817 00:40:01,960 --> 00:40:03,640 Speaker 1: see that, and that he's been struggling with that and 818 00:40:03,680 --> 00:40:05,880 Speaker 1: it's been really hard for him. Oh wow, Wow, no, 819 00:40:05,960 --> 00:40:07,680 Speaker 1: I didn't. I didn't even see that shout out to 820 00:40:07,680 --> 00:40:09,279 Speaker 1: the boy August. I was seeing the best best of 821 00:40:09,640 --> 00:40:12,920 Speaker 1: luck to you, man, keep stay healthy, bro. Like when 822 00:40:12,920 --> 00:40:14,680 Speaker 1: you see these younger artists, you feel like, man, I 823 00:40:14,760 --> 00:40:16,680 Speaker 1: need to just reach even if you don't really know 824 00:40:16,800 --> 00:40:19,319 Speaker 1: them like that. Well, there's there's a there's a little 825 00:40:19,360 --> 00:40:22,280 Speaker 1: difficulty in that because you could have the best intentions 826 00:40:22,320 --> 00:40:23,919 Speaker 1: in the world, and if the person is not willing 827 00:40:23,960 --> 00:40:26,040 Speaker 1: to accept your help, or if the person is not 828 00:40:26,719 --> 00:40:29,160 Speaker 1: willing to be susceptible, susceptible to what it is that 829 00:40:29,239 --> 00:40:31,400 Speaker 1: you're trying to say to them, then you're wasting your 830 00:40:31,440 --> 00:40:33,920 Speaker 1: breath not saying that that August would not be susceptible 831 00:40:33,960 --> 00:40:35,640 Speaker 1: if I if I reached out to him. But you 832 00:40:35,719 --> 00:40:37,600 Speaker 1: just got to be careful with that because how do 833 00:40:37,760 --> 00:40:40,200 Speaker 1: how do you know that this person wants your opinion 834 00:40:40,360 --> 00:40:42,719 Speaker 1: or your help or application. Maybe sometimes you might be 835 00:40:42,880 --> 00:40:46,480 Speaker 1: overstepping the boundary and with good intention, but you know, 836 00:40:46,600 --> 00:40:49,000 Speaker 1: not everybody, not everybody is willing to deal with your 837 00:40:49,040 --> 00:40:54,399 Speaker 1: good intention. So I mind my business for the most part. 838 00:40:54,560 --> 00:40:56,399 Speaker 1: I ain't even gonna give you the opportunity to feel 839 00:40:56,400 --> 00:40:58,400 Speaker 1: like what you're talking about my situation for you know 840 00:40:58,440 --> 00:41:06,960 Speaker 1: what I'm not. He's learned that up here, August will 841 00:41:07,000 --> 00:41:08,560 Speaker 1: be tweeting up the picture of you neked on the 842 00:41:08,600 --> 00:41:13,360 Speaker 1: bed on the breakfast club. Have something to say about 843 00:41:13,400 --> 00:41:17,480 Speaker 1: me and my situation. We go, it's so good, my goodness. 844 00:41:17,480 --> 00:41:19,439 Speaker 1: What we look at the record album for? And also 845 00:41:19,480 --> 00:41:21,759 Speaker 1: you can check them on the World of Damp. Yeah, 846 00:41:22,080 --> 00:41:24,000 Speaker 1: that's on what day? What days? Did that on your Tuesday? 847 00:41:24,320 --> 00:41:27,960 Speaker 1: Every Tuesday? Well, a couple of days ago, yeah, a 848 00:41:27,960 --> 00:41:30,719 Speaker 1: couple of days ago, Tuesday. We appreciate you for joining us, 849 00:41:30,760 --> 00:41:34,359 Speaker 1: appreciate your love. Here you have it's the Breakfast Club. 850 00:41:34,480 --> 00:41:38,240 Speaker 1: Is Neil the Morning, Yeah, and everybody is DJ mvy 851 00:41:38,400 --> 00:41:41,280 Speaker 1: angela ye, Charlomagne the guy. We are the Breakfast Club. 852 00:41:42,239 --> 00:41:44,880 Speaker 1: Today's June first, Happy birthday to my mama. Today is 853 00:41:44,920 --> 00:41:51,720 Speaker 1: my mama's birthday. Okay, okay, man, today's the second actually 854 00:41:52,239 --> 00:41:55,840 Speaker 1: the first, second, the first, man, the first, yes, okay. 855 00:41:56,840 --> 00:41:58,480 Speaker 1: That explains a lot. Because I was looking at my 856 00:41:58,719 --> 00:42:01,120 Speaker 1: uh wells for all Go accounting. I was like with Dan, 857 00:42:01,200 --> 00:42:03,239 Speaker 1: why the money for such and such a came out? Yet, 858 00:42:04,160 --> 00:42:06,080 Speaker 1: well should come out today? But today's the first. It'll 859 00:42:06,080 --> 00:42:07,359 Speaker 1: be out to day. Yeah, but I thought to day 860 00:42:07,360 --> 00:42:09,480 Speaker 1: it was the second for some reason. Today it's the first. Okay, 861 00:42:09,600 --> 00:42:11,359 Speaker 1: all right, let's get to the room. Let's talk be out. 862 00:42:11,440 --> 00:42:19,919 Speaker 1: See listen. Oh my gosh, report guys, it's the Rumor 863 00:42:19,960 --> 00:42:23,600 Speaker 1: Report Breakfast Club. But do you want to see Beyonce 864 00:42:23,840 --> 00:42:26,520 Speaker 1: at Coachella next year? I remember she was supposed to 865 00:42:26,680 --> 00:42:29,000 Speaker 1: originally headline this year, but then she found out she 866 00:42:29,040 --> 00:42:32,080 Speaker 1: was pregnant and twins. Originally she was gonna continue and 867 00:42:32,400 --> 00:42:35,400 Speaker 1: go on and the show must happen, but the doctor 868 00:42:35,440 --> 00:42:38,680 Speaker 1: told her no ticket easy, So now she's doing next year. Now. 869 00:42:38,800 --> 00:42:43,040 Speaker 1: Tickets are going on sale on Friday, that's tomorrow, so 870 00:42:43,120 --> 00:42:45,680 Speaker 1: if you want to go, yes, they are not playing 871 00:42:46,920 --> 00:42:51,520 Speaker 1: for next year. Wow, all right, all right, now dates. 872 00:42:51,800 --> 00:42:54,040 Speaker 1: The first weekend is going to be Friday April thirteen 873 00:42:54,160 --> 00:42:56,880 Speaker 1: to Sunday April fifteenth, and the second weekend we'll be 874 00:42:56,960 --> 00:43:00,320 Speaker 1: Friday April twenty fifth to Sunday April twenty second. You 875 00:43:00,440 --> 00:43:02,040 Speaker 1: might as well get him now. The first is the 876 00:43:02,160 --> 00:43:04,000 Speaker 1: day you got your little check. You know what I'm saying. 877 00:43:04,040 --> 00:43:06,040 Speaker 1: You might as well do it now. Just got paid, 878 00:43:06,760 --> 00:43:09,480 Speaker 1: all right. Janet Jackson is going to be documenting her 879 00:43:09,560 --> 00:43:13,600 Speaker 1: divorce and her motherhood as well, and she's supposedly doing 880 00:43:13,680 --> 00:43:15,360 Speaker 1: in Netflix series to do that. It's going to be 881 00:43:15,400 --> 00:43:18,120 Speaker 1: a ten part documentary and there's going to be recording 882 00:43:18,160 --> 00:43:20,840 Speaker 1: sessions in the studio, her co parenting with father of 883 00:43:20,880 --> 00:43:23,719 Speaker 1: her child, her going to get ready to go to 884 00:43:23,800 --> 00:43:25,920 Speaker 1: Europe and Asia for tour and all of that. So 885 00:43:26,080 --> 00:43:28,279 Speaker 1: they're doing I would rather I would rather see her 886 00:43:28,320 --> 00:43:31,239 Speaker 1: document the weight loss. Honestly, stop it. Well, once you 887 00:43:31,320 --> 00:43:33,799 Speaker 1: have the baby, you you know, start to lose weight, 888 00:43:33,920 --> 00:43:36,200 Speaker 1: but she gonna lose that weight fast getting ready for 889 00:43:36,239 --> 00:43:39,160 Speaker 1: her tour and everything. You have to be healthy, That's 890 00:43:39,160 --> 00:43:40,400 Speaker 1: what I mean. I want to see. I want her 891 00:43:40,400 --> 00:43:42,200 Speaker 1: to documented. I think if she's doing it the right 892 00:43:42,280 --> 00:43:44,439 Speaker 1: way to get prepared for tour, I think that could 893 00:43:44,440 --> 00:43:46,040 Speaker 1: be very good for people who might be trying to 894 00:43:46,080 --> 00:43:49,319 Speaker 1: lose weight, you know, if she's doing it the right way. Well, 895 00:43:49,360 --> 00:43:53,040 Speaker 1: I'm also quite interested because Janet Jackson has always been 896 00:43:53,280 --> 00:43:56,839 Speaker 1: very private about her life. So imagine seeing her as 897 00:43:56,880 --> 00:43:59,520 Speaker 1: a mom, Imagine seeing her getting ready for tour. I 898 00:43:59,560 --> 00:44:02,360 Speaker 1: think it's really exciting. I'm not as interested in watching 899 00:44:02,400 --> 00:44:04,800 Speaker 1: her lose weight as I am and seeing her becoming 900 00:44:04,840 --> 00:44:07,600 Speaker 1: a mom. I think of it. Yeah, I can't sit 901 00:44:07,680 --> 00:44:10,280 Speaker 1: there watching an hour long or thirty minutes, specially Janet 902 00:44:10,320 --> 00:44:13,400 Speaker 1: Jackson whisper. Can I watch Janet Jackson wis for thirty minutes? 903 00:44:13,520 --> 00:44:16,560 Speaker 1: I'm sorry? And Janet Jacksons always been a phenomenal dancer, 904 00:44:16,680 --> 00:44:18,560 Speaker 1: so she is. I would love to see what that 905 00:44:18,719 --> 00:44:22,520 Speaker 1: process is like of her getting ready, especially at fifty. Well, 906 00:44:22,560 --> 00:44:24,480 Speaker 1: we don't know what she looks like now, so we're 907 00:44:24,480 --> 00:44:28,080 Speaker 1: about to see, all right. And Serena Williams is having 908 00:44:28,200 --> 00:44:31,440 Speaker 1: a girl. You know how we know because Venus Williams 909 00:44:31,560 --> 00:44:34,759 Speaker 1: was doing an interview with Eurosport and this is what happened, Like, 910 00:44:35,000 --> 00:44:37,520 Speaker 1: how is the baby gonna call you on TV? Or 911 00:44:37,719 --> 00:44:43,879 Speaker 1: do you think about it? Favorite? Yep, So I guess 912 00:44:43,880 --> 00:44:51,400 Speaker 1: it's a girl. Congratulations, okay. And Joscelyn is not too 913 00:44:51,480 --> 00:44:54,719 Speaker 1: happy with love and hip hop right now, in particular 914 00:44:55,320 --> 00:44:58,680 Speaker 1: Mona Scott. Now apparently she has some news that she 915 00:44:58,760 --> 00:45:00,400 Speaker 1: wants to job, but she only wants to tell it 916 00:45:00,680 --> 00:45:04,280 Speaker 1: to one person. Check it out Mother treating her cast 917 00:45:04,400 --> 00:45:07,440 Speaker 1: members and all that that she's done to us throughout 918 00:45:07,480 --> 00:45:11,120 Speaker 1: the Mother years. I'm gonna let everybody know. I want 919 00:45:11,160 --> 00:45:14,400 Speaker 1: you to hashtack Oprah and I want to go sit 920 00:45:14,480 --> 00:45:19,480 Speaker 1: down with Oprah. If if I see Joscelyn on Oprah, 921 00:45:19,600 --> 00:45:21,879 Speaker 1: I'm gonna lose all respect from my mama Oprah. Okay, 922 00:45:21,880 --> 00:45:24,040 Speaker 1: I'm gonna pinker smith Win Free knows Carter, I do 923 00:45:24,200 --> 00:45:26,359 Speaker 1: not want to see Joscelyn sitting down with Oprah. First 924 00:45:26,400 --> 00:45:28,560 Speaker 1: of all, Joscelyn should not be chasing the Oprahs. She 925 00:45:28,680 --> 00:45:33,960 Speaker 1: needs to stick to the breakfast clubs and they will 926 00:45:34,040 --> 00:45:35,640 Speaker 1: be a good one. That's what I'm saying. I don't 927 00:45:35,680 --> 00:45:37,719 Speaker 1: know where she I don't know who she thinks that 928 00:45:37,800 --> 00:45:39,920 Speaker 1: she could sit down with Oprah, But she needs to 929 00:45:40,000 --> 00:45:42,640 Speaker 1: relax and sit her as sit down with the breakfast 930 00:45:42,680 --> 00:45:47,160 Speaker 1: club or Yanna von Z That's about it, whatever her 931 00:45:47,239 --> 00:45:50,719 Speaker 1: name is, Okay, Joscelyn need to sit her ass down 932 00:45:50,840 --> 00:45:53,359 Speaker 1: somewhere Oprah. Who she thinks she is and what's she's 933 00:45:53,360 --> 00:45:55,160 Speaker 1: gonna tell us about money that we don't already know. 934 00:45:55,360 --> 00:45:58,840 Speaker 1: I don't know that we don't know going on. But 935 00:45:59,160 --> 00:46:01,200 Speaker 1: let's be read with Joscelyn. If it wasn't from Mona 936 00:46:01,200 --> 00:46:03,799 Speaker 1: Scott Young, Nope, Mona Scott Young is the best thing 937 00:46:03,840 --> 00:46:06,280 Speaker 1: that ever happened to people like Joscelyn let's be clear 938 00:46:06,320 --> 00:46:09,320 Speaker 1: about that. Okay, Joscelyn probably never filled out a tax return. 939 00:46:09,440 --> 00:46:11,000 Speaker 1: Matter of fact, I know she never filed out a 940 00:46:11,000 --> 00:46:13,520 Speaker 1: tax return until she got with Mona Scott Young. What 941 00:46:13,600 --> 00:46:16,200 Speaker 1: you mean people like Joscelyn? Because I remember having a 942 00:46:16,239 --> 00:46:18,160 Speaker 1: conversation with Mona one time when I used to call 943 00:46:18,280 --> 00:46:20,800 Speaker 1: Mona Satan Scott Young, and Mona was saying to me 944 00:46:21,120 --> 00:46:23,240 Speaker 1: how a lot of those young ladies hadn't even filed 945 00:46:23,280 --> 00:46:25,520 Speaker 1: tax returns until they got with Mona. And I was 946 00:46:25,560 --> 00:46:28,000 Speaker 1: telling Mona that she's kind of like a drug dealer 947 00:46:28,280 --> 00:46:31,360 Speaker 1: who's like fronting people dope and they're making money and 948 00:46:31,480 --> 00:46:33,600 Speaker 1: that's her excuse, what are you making money? But eventually 949 00:46:33,600 --> 00:46:35,320 Speaker 1: they're gonna end up in jail a dead, sound like 950 00:46:35,400 --> 00:46:38,640 Speaker 1: Jocelyn about to die? Selling drugs is illegal? Yeah, I 951 00:46:38,680 --> 00:46:41,239 Speaker 1: don't know if loving hip hop should be a legal 952 00:46:43,000 --> 00:46:48,080 Speaker 1: ain't taking vegage those mentally ill people? And that is 953 00:46:48,120 --> 00:46:50,879 Speaker 1: your rumor? Report? My goodness? You on one today? Huh? 954 00:46:52,800 --> 00:46:55,879 Speaker 1: I was born a donkey. It's the Donkey of the dead. 955 00:47:02,360 --> 00:47:12,200 Speaker 1: But don't devil the breakfast club? Yes, don't you today 956 00:47:12,280 --> 00:47:16,680 Speaker 1: for Thursday June? Yeah, Thursday June first, right, Yes, that's 957 00:47:16,680 --> 00:47:18,959 Speaker 1: who we are, don't you today? For Thursday, June first 958 00:47:19,200 --> 00:47:21,759 Speaker 1: goes to a teacher in Houston named Stacy Lockett. Now 959 00:47:21,800 --> 00:47:25,320 Speaker 1: Stacy Lockett teaches at Anthony Acquire Junior High School, and 960 00:47:25,440 --> 00:47:28,440 Speaker 1: she teaches the Avid program, which is a college prep class. 961 00:47:28,480 --> 00:47:30,840 Speaker 1: And one thing that your uncle Charlotte has learned in 962 00:47:30,920 --> 00:47:33,960 Speaker 1: this thing called life is that you can't control other 963 00:47:34,040 --> 00:47:36,840 Speaker 1: people's crazy. See, when you're not crazy, you don't expect 964 00:47:36,880 --> 00:47:39,239 Speaker 1: other people to be crazy. But every day we wake up, 965 00:47:39,280 --> 00:47:41,480 Speaker 1: if you anything like me, you are praying for God 966 00:47:41,560 --> 00:47:45,080 Speaker 1: to protect you from other people's crazy. That's all life is. Us. 967 00:47:45,160 --> 00:47:47,359 Speaker 1: People who aren't crazy are living in a game where 968 00:47:47,400 --> 00:47:50,360 Speaker 1: our job is trying to try to avoid other people's crazy. 969 00:47:50,400 --> 00:47:53,239 Speaker 1: But it's almost impossible because crazy is all around us. 970 00:47:53,480 --> 00:47:54,960 Speaker 1: And it used to be a time when you could 971 00:47:55,000 --> 00:47:58,000 Speaker 1: pinpoint crazy a little bit better. But nowadays crazy comes 972 00:47:58,040 --> 00:48:01,719 Speaker 1: in all shapes and sizes and farms, and this time 973 00:48:01,800 --> 00:48:05,040 Speaker 1: it came in the farm of a teacher named Stacy Lockett. Parents, 974 00:48:05,320 --> 00:48:08,520 Speaker 1: we send our kids to school, and we trust that teachers, 975 00:48:08,640 --> 00:48:11,040 Speaker 1: being the public servants, they all will do right by 976 00:48:11,080 --> 00:48:13,879 Speaker 1: our kids. We trust they will put the right things 977 00:48:13,920 --> 00:48:16,920 Speaker 1: into our kids' minds. We want them to instill confidence 978 00:48:17,000 --> 00:48:21,280 Speaker 1: and love into our kids. But no, not Stacy Lockett. 979 00:48:21,520 --> 00:48:24,040 Speaker 1: She has every parent's worst nightmare because she decided to 980 00:48:24,160 --> 00:48:27,719 Speaker 1: use her position the plant seeds of hate, insecurity, and 981 00:48:27,880 --> 00:48:30,520 Speaker 1: self doubt into our kids minds. Let's go to Fox 982 00:48:30,600 --> 00:48:33,200 Speaker 1: twenty six Houston for the report. The student that attends 983 00:48:33,200 --> 00:48:35,560 Speaker 1: the junior high behind me received an award from a 984 00:48:35,640 --> 00:48:38,680 Speaker 1: teacher that said she was most likely becoming a terrorist 985 00:48:38,760 --> 00:48:41,879 Speaker 1: when she became older. Another student reached out to Fox 986 00:48:42,000 --> 00:48:44,440 Speaker 1: twenty six News and told us that she too received 987 00:48:44,440 --> 00:48:47,640 Speaker 1: an award that she was voted most likely to blend 988 00:48:47,800 --> 00:48:51,760 Speaker 1: in with white people. Another student has come forward upset 989 00:48:51,880 --> 00:48:54,680 Speaker 1: about an award she says she received from a teacher 990 00:48:54,920 --> 00:48:58,560 Speaker 1: at Anthony Agearay Junior High School, most likely to blend 991 00:48:58,600 --> 00:49:01,759 Speaker 1: in with white people. You feel about that? I don't 992 00:49:01,760 --> 00:49:04,000 Speaker 1: like it, and this isn't the first one Fox twenty 993 00:49:04,040 --> 00:49:07,279 Speaker 1: six News has heard about. We spoke with Lazette Villanueva, 994 00:49:07,320 --> 00:49:10,200 Speaker 1: who says she received a similar award from the same teacher, 995 00:49:10,480 --> 00:49:14,200 Speaker 1: Stacy Lockett, who she says teaches Avid Program, a college 996 00:49:14,239 --> 00:49:17,440 Speaker 1: prep class. Her award said most likely to become a 997 00:49:17,600 --> 00:49:20,160 Speaker 1: terrorist where is the common sense like in that? I mean, 998 00:49:20,360 --> 00:49:22,040 Speaker 1: how can you think that that's okay to say it 999 00:49:22,320 --> 00:49:24,520 Speaker 1: in the first place, and then right after a major 1000 00:49:24,600 --> 00:49:27,920 Speaker 1: event has happened. Her mother also furious about the award 1001 00:49:28,200 --> 00:49:30,560 Speaker 1: and says she wants the school to take further action 1002 00:49:30,640 --> 00:49:33,360 Speaker 1: than just suspending a teacher for the remainder of the semester. 1003 00:49:33,880 --> 00:49:36,480 Speaker 1: Everyone doesn't believe that this is real, but I mean, 1004 00:49:36,600 --> 00:49:39,880 Speaker 1: this certificate shows, yes, this is real. This happened, you know, 1005 00:49:40,120 --> 00:49:44,160 Speaker 1: and we have enough bullion as it is by other students. 1006 00:49:44,560 --> 00:49:50,440 Speaker 1: Now it's being done by a teacher. Stacy Lockett, how 1007 00:49:50,440 --> 00:49:52,359 Speaker 1: would you feel if when you were in school, your 1008 00:49:52,400 --> 00:49:55,200 Speaker 1: teacher gave you a certificate that said most likely to 1009 00:49:55,280 --> 00:49:58,120 Speaker 1: be a jackass. Even though that teacher would have been right, 1010 00:49:58,200 --> 00:50:00,719 Speaker 1: she still would have been wrong. Okay, that program as 1011 00:50:00,719 --> 00:50:03,279 Speaker 1: a college prep class, you're supposed to be preparing you know, 1012 00:50:03,560 --> 00:50:06,680 Speaker 1: people for college. But instead of words of encouragement, you're 1013 00:50:06,719 --> 00:50:09,839 Speaker 1: telling kids like Lazefe filling the wave where that they 1014 00:50:09,840 --> 00:50:12,560 Speaker 1: are most likely to become terrorists. Why can't you tell 1015 00:50:12,640 --> 00:50:15,320 Speaker 1: Lazefe that she's most likely to beat the bomb instead 1016 00:50:15,320 --> 00:50:17,319 Speaker 1: of telling her that she's most likely to build a bomb. 1017 00:50:17,680 --> 00:50:19,919 Speaker 1: And instead of telling Sidney sees it that she's most 1018 00:50:19,960 --> 00:50:22,680 Speaker 1: likely to blend in with white people, why not tell her, Sydney, 1019 00:50:22,840 --> 00:50:24,920 Speaker 1: why blend in when you were born to stand out. 1020 00:50:25,080 --> 00:50:27,080 Speaker 1: Don't corrupt the minds of the kids. Okay, we should 1021 00:50:27,080 --> 00:50:29,360 Speaker 1: be trying to get the kids to avoid negative stereotypes, 1022 00:50:29,360 --> 00:50:31,560 Speaker 1: and we should be letting them know people's stereotypes of 1023 00:50:31,640 --> 00:50:34,440 Speaker 1: you don't define them. Let the kids know that stereotypes 1024 00:50:34,520 --> 00:50:36,840 Speaker 1: lose their power when the world is found to be 1025 00:50:36,960 --> 00:50:40,160 Speaker 1: more complex than the stereotype would suggest. Don't encourage kids 1026 00:50:40,239 --> 00:50:42,360 Speaker 1: to blend in with nobody. Let them know that the 1027 00:50:42,480 --> 00:50:44,960 Speaker 1: bad news is you're not going to fit in with everyone, 1028 00:50:45,160 --> 00:50:47,120 Speaker 1: but the good news is the great ones never do. 1029 00:50:47,400 --> 00:50:49,640 Speaker 1: The moral of the story is, when you're dealing with 1030 00:50:50,000 --> 00:50:53,880 Speaker 1: young impressionable minds, the young impressionable minds of kids, they 1031 00:50:53,960 --> 00:50:58,160 Speaker 1: need nothing but positive reinforcement at all times. Okay. Positive 1032 00:50:58,239 --> 00:51:01,839 Speaker 1: energy activates constant elevation, especially in the minds of the youth, 1033 00:51:02,040 --> 00:51:04,480 Speaker 1: not stacy. You may be hearing this if if you're 1034 00:51:04,520 --> 00:51:06,640 Speaker 1: in Houston, salute to everyone who listens to us on 1035 00:51:07,080 --> 00:51:09,000 Speaker 1: ninety three seven to beat in Houston, drop on the 1036 00:51:09,000 --> 00:51:12,400 Speaker 1: clues bombs to them, well, if you're listening, you need 1037 00:51:12,480 --> 00:51:14,200 Speaker 1: to know that I have a very sixth sense of 1038 00:51:14,320 --> 00:51:16,320 Speaker 1: humor and I love a great joke about race. But 1039 00:51:16,400 --> 00:51:18,080 Speaker 1: a few things you have to remember when you make 1040 00:51:18,200 --> 00:51:20,120 Speaker 1: race jokes. You have to know who to make them with, 1041 00:51:20,480 --> 00:51:22,279 Speaker 1: because you don't want to offend the wrong person. And 1042 00:51:22,320 --> 00:51:26,160 Speaker 1: you should make those jokes with adults, Okay, not kids. 1043 00:51:26,600 --> 00:51:28,520 Speaker 1: Make them with adults, people who are old enough to 1044 00:51:28,640 --> 00:51:32,160 Speaker 1: understand that all stereotypes aren't true, and people who understand 1045 00:51:32,239 --> 00:51:34,879 Speaker 1: the dynamics of race in America. A lot of these kids, 1046 00:51:34,960 --> 00:51:37,440 Speaker 1: these young adults, they are just figuring it out. Okay, 1047 00:51:37,480 --> 00:51:40,880 Speaker 1: they're just figuring out the dynamics of racing stereotypes. And 1048 00:51:40,960 --> 00:51:44,560 Speaker 1: your little silly superlatives are making something that's already hard 1049 00:51:44,960 --> 00:51:47,680 Speaker 1: even more difficult. Stacy, I don't know what you was 1050 00:51:47,719 --> 00:51:50,200 Speaker 1: trying to accomplish with this, but here's another thing your 1051 00:51:50,239 --> 00:51:53,720 Speaker 1: uncle Charlotte has learned in life. Stop trying to understand crazy, 1052 00:51:54,000 --> 00:51:56,359 Speaker 1: because all it does is make you crazy. Don't even 1053 00:51:56,400 --> 00:51:58,680 Speaker 1: try to go into mind if someone like Stacy Lockett, 1054 00:51:58,719 --> 00:52:01,279 Speaker 1: because it's not safe in there for you. Okay, just 1055 00:52:01,400 --> 00:52:04,279 Speaker 1: accept it as crazy. Wait for me to give them 1056 00:52:04,400 --> 00:52:06,839 Speaker 1: donkey the day to confirm them as crazy and then 1057 00:52:06,960 --> 00:52:10,239 Speaker 1: just continue living your life trying to avoid crazy at 1058 00:52:10,280 --> 00:52:12,840 Speaker 1: all costs. Please give Stacy Lockett some of the sweet 1059 00:52:12,880 --> 00:52:20,480 Speaker 1: signs in the Hamletones Police. You are the donkey the day, 1060 00:52:22,880 --> 00:52:34,840 Speaker 1: You are the donkey the day. All right, thank you 1061 00:52:34,920 --> 00:52:37,560 Speaker 1: for that donkey to day. And if you're wondering, Stacy 1062 00:52:37,680 --> 00:52:39,640 Speaker 1: Lockett has been suspended for the rest of the year, 1063 00:52:39,680 --> 00:52:43,160 Speaker 1: which isn't isn't much longer by the way, and parents 1064 00:52:43,200 --> 00:52:46,160 Speaker 1: are calling for her firing. And um, I want Stacy 1065 00:52:46,239 --> 00:52:48,120 Speaker 1: Locket to know that I'll be in Houston this Friday 1066 00:52:48,160 --> 00:52:50,560 Speaker 1: at the Barns and Nobles at six pm m and 1067 00:52:50,680 --> 00:52:52,040 Speaker 1: I need you to bring me a few of those 1068 00:52:52,400 --> 00:52:55,120 Speaker 1: silly assid parlators because they aren't appropriate for kids, but 1069 00:52:55,239 --> 00:52:57,840 Speaker 1: they will make jokes, create jokes amongst me and my 1070 00:52:57,920 --> 00:53:01,120 Speaker 1: friends even when you come to the window. So you 1071 00:53:01,239 --> 00:53:04,719 Speaker 1: better have the same energy, same some prelatives. I need it. 1072 00:53:04,840 --> 00:53:07,200 Speaker 1: Most likely to wear white jeans after Labor Day for 1073 00:53:07,320 --> 00:53:10,880 Speaker 1: my Dominican homies, okay, most likely to deny you know 1074 00:53:11,080 --> 00:53:13,520 Speaker 1: that they eat poem poem for my Jamaican homies, and 1075 00:53:13,680 --> 00:53:15,560 Speaker 1: most likely to have voted for Trump on the loaf 1076 00:53:15,600 --> 00:53:17,239 Speaker 1: for some of my white friends. This could be really 1077 00:53:17,280 --> 00:53:20,560 Speaker 1: great amongst adults. Oh my goodness. All right, Well up next, 1078 00:53:20,760 --> 00:53:23,799 Speaker 1: ask Ye eight hundred five eight five one oh five one. 1079 00:53:23,840 --> 00:53:26,040 Speaker 1: If you need advice, you can call Ye right now 1080 00:53:26,120 --> 00:53:28,200 Speaker 1: eight hundred five eight five one oh five one, or 1081 00:53:28,239 --> 00:53:30,320 Speaker 1: you can email her right A lot of people have 1082 00:53:30,400 --> 00:53:32,959 Speaker 1: been sending in questions. Okay, what's your email? I can't remember? 1083 00:53:33,160 --> 00:53:36,279 Speaker 1: Like ask helping me? Ye, help me gmail dot com. 1084 00:53:36,440 --> 00:53:38,160 Speaker 1: All right, you can hit her up and ask all 1085 00:53:38,239 --> 00:53:40,800 Speaker 1: your questions. You will respond and put your live on 1086 00:53:40,960 --> 00:53:42,880 Speaker 1: the earth. All right, So don't go anywhere as to 1087 00:53:42,880 --> 00:53:49,160 Speaker 1: breakfast Cloud. Good morning, the Breakfast Club. Morning. Everybody is 1088 00:53:49,239 --> 00:53:52,239 Speaker 1: dj Envi, Angela, Yee, Charlomagne and God. We are the 1089 00:53:52,320 --> 00:53:55,759 Speaker 1: Breakfast Club. It's ask Ye. You need relationship advice eight 1090 00:53:55,880 --> 00:53:57,960 Speaker 1: hundred five eight five one oh five one. You can 1091 00:53:58,040 --> 00:54:00,840 Speaker 1: call Ye right now or email her? What line you 1092 00:54:00,880 --> 00:54:01,719 Speaker 1: want to go to it? Do you want to go 1093 00:54:01,800 --> 00:54:03,640 Speaker 1: to your emails first? Well, this one was a good 1094 00:54:03,680 --> 00:54:05,719 Speaker 1: one because somebody sent in this question the other day 1095 00:54:05,760 --> 00:54:07,960 Speaker 1: and I got a lot of response. Okay, Hi Angela, 1096 00:54:08,040 --> 00:54:10,279 Speaker 1: how should I feel about my girl wearing jewelry? Her 1097 00:54:10,320 --> 00:54:12,600 Speaker 1: ex gave her. I'm so pissed about it, but I 1098 00:54:12,640 --> 00:54:14,440 Speaker 1: don't want to agree about it if I bring it up. 1099 00:54:14,600 --> 00:54:18,160 Speaker 1: Oh hell no, I'm sorry. It's asking good. All right. Well, 1100 00:54:18,200 --> 00:54:19,759 Speaker 1: I have a couple of things to say about that. 1101 00:54:20,560 --> 00:54:23,359 Speaker 1: It depends on what it is. That's how I feel. Now. 1102 00:54:23,440 --> 00:54:25,799 Speaker 1: If it's like a ring or something, then I think 1103 00:54:25,880 --> 00:54:29,440 Speaker 1: that's inappropriate. But certain jewelry, if you really like it 1104 00:54:29,600 --> 00:54:32,080 Speaker 1: and it's from your ex, shouldn't matter. Like if my 1105 00:54:32,160 --> 00:54:34,440 Speaker 1: ex want me some earrings, some hoop earrings, and I 1106 00:54:34,600 --> 00:54:36,600 Speaker 1: like them, I'm still gonna wear them. That's not something 1107 00:54:36,680 --> 00:54:39,279 Speaker 1: that I feel has sentimental value. It's just something that 1108 00:54:39,360 --> 00:54:45,080 Speaker 1: I like, jewelry that like his name. It's like, you 1109 00:54:45,160 --> 00:54:47,839 Speaker 1: gotta give rid of anything new relationship. So if it's 1110 00:54:48,760 --> 00:54:52,640 Speaker 1: get rid of not part, that's a good investment, don't 1111 00:54:52,680 --> 00:54:54,640 Speaker 1: you know you and you get some money for us. 1112 00:54:54,920 --> 00:54:59,160 Speaker 1: I'm not fun us. Yeah nah, sometimes as women, because 1113 00:54:59,160 --> 00:55:00,960 Speaker 1: I have a lot of friends and I wear jewelry 1114 00:55:01,000 --> 00:55:02,560 Speaker 1: from my ex boyfriends and I don't attach it to 1115 00:55:02,640 --> 00:55:05,239 Speaker 1: them at all. But I wouldn't wear a ring like 1116 00:55:05,440 --> 00:55:07,399 Speaker 1: somebody proposed to me, gave me a ring, I still 1117 00:55:07,440 --> 00:55:09,880 Speaker 1: have it. I'm not wearing that ring I wish you, 1118 00:55:10,000 --> 00:55:12,640 Speaker 1: I wish I wish which a woman of mine would 1119 00:55:12,640 --> 00:55:15,239 Speaker 1: be wearing a rolex from her that her ex got her. 1120 00:55:15,239 --> 00:55:16,759 Speaker 1: I'll be looking at her like you clearly don't know 1121 00:55:16,800 --> 00:55:18,080 Speaker 1: what time it is, do you? No, I'm gonna tell 1122 00:55:18,120 --> 00:55:21,200 Speaker 1: yell the story. Somebody gave my wife a Mavado back 1123 00:55:21,239 --> 00:55:23,000 Speaker 1: in the day. Well, okay, first of all, I put 1124 00:55:23,080 --> 00:55:26,120 Speaker 1: that Movado under the car and rolled over in nineteen times. 1125 00:55:26,680 --> 00:55:29,840 Speaker 1: You there you go. You're not accepting me, nobody, nothing 1126 00:55:29,880 --> 00:55:31,719 Speaker 1: from the past. We're starting over. You gonna sell that 1127 00:55:31,840 --> 00:55:33,759 Speaker 1: roll get money. There By the way, Movatto is a 1128 00:55:33,840 --> 00:55:36,719 Speaker 1: great reggae artist. Shout out to We're the best. And 1129 00:55:36,880 --> 00:55:40,160 Speaker 1: the irony of dj NV story is after you rolled 1130 00:55:40,160 --> 00:55:42,480 Speaker 1: over that Movado a few times, I bet she knew 1131 00:55:42,480 --> 00:55:44,800 Speaker 1: what time it was. Then there you go, bro. I 1132 00:55:44,840 --> 00:55:47,359 Speaker 1: can't believe that you guys are that insecure about something 1133 00:55:47,440 --> 00:55:52,160 Speaker 1: like that. That sounds very insecure to me. Okay, let's 1134 00:55:52,200 --> 00:55:55,040 Speaker 1: just say your ex boch. So you guys have been 1135 00:55:55,040 --> 00:55:56,960 Speaker 1: in relationships for so long, so it's hard for you 1136 00:55:57,080 --> 00:55:59,680 Speaker 1: to fathom these things, or breaking up with somebody and 1137 00:55:59,719 --> 00:56:01,680 Speaker 1: then having somebody new in your life. But let's just 1138 00:56:01,719 --> 00:56:03,759 Speaker 1: say they brought you something like a jacket or a 1139 00:56:03,840 --> 00:56:06,439 Speaker 1: pair of shoes. You're gonna throw away the shoes. That's 1140 00:56:06,520 --> 00:56:09,680 Speaker 1: not really that big a deal. If you should never 1141 00:56:09,760 --> 00:56:11,400 Speaker 1: buy a woman's shoes anyway, because when you buy a 1142 00:56:11,440 --> 00:56:13,719 Speaker 1: woman's shoes, who walks out your life? If the new 1143 00:56:13,760 --> 00:56:16,279 Speaker 1: person knows that she bought me those shoes to know, 1144 00:56:16,440 --> 00:56:18,279 Speaker 1: I can't wait those shots. I feel like this now. 1145 00:56:18,320 --> 00:56:21,080 Speaker 1: If the person expresses to you, listen, this bothers me, 1146 00:56:21,520 --> 00:56:24,160 Speaker 1: then yes, that's something to take into consideration. But do 1147 00:56:24,320 --> 00:56:26,879 Speaker 1: I think I have to stop wearing this rolex because 1148 00:56:26,960 --> 00:56:29,359 Speaker 1: my ex bought it for me? No, then you're gonna 1149 00:56:29,360 --> 00:56:32,640 Speaker 1: sell it. But you gotta understand we're having different conversations because, 1150 00:56:32,680 --> 00:56:34,720 Speaker 1: like Angelie said me, and if you've been a relationship 1151 00:56:34,800 --> 00:56:36,359 Speaker 1: for a long time, if you're just a person that's 1152 00:56:36,440 --> 00:56:37,759 Speaker 1: dating and you don't think you're gonna view with this 1153 00:56:37,840 --> 00:56:40,239 Speaker 1: person for long anyway, I wouldn't throw away my gifts 1154 00:56:40,440 --> 00:56:41,960 Speaker 1: if you wanted those. If you want of those people 1155 00:56:41,960 --> 00:56:44,480 Speaker 1: who got a new boyfriend every other year or every 1156 00:56:44,520 --> 00:56:46,920 Speaker 1: six months, I'm yeah, I'm gonna keep my gifts too. Well. No, 1157 00:56:47,080 --> 00:56:48,560 Speaker 1: I don't even think it means that I think I 1158 00:56:48,600 --> 00:56:50,520 Speaker 1: have a lot of friends who have jewelry from it. 1159 00:56:50,640 --> 00:56:53,439 Speaker 1: Let's say you don't get married to you're forty years old, 1160 00:56:53,880 --> 00:56:55,839 Speaker 1: you're gonna get rid of everything that you ever had 1161 00:56:55,880 --> 00:56:58,839 Speaker 1: before that. It just depends on what it is, That's 1162 00:56:58,880 --> 00:57:01,879 Speaker 1: all I'm saying. Hey, I mean that's true. How old 1163 00:57:01,920 --> 00:57:03,160 Speaker 1: are the role x? If here's a roof, you had 1164 00:57:03,200 --> 00:57:05,320 Speaker 1: the rolex for twenty years? Yeah, let me throw it 1165 00:57:05,360 --> 00:57:08,719 Speaker 1: out on. Don't getting rid of that one? All right? Well? 1166 00:57:08,840 --> 00:57:11,200 Speaker 1: Ask ye eight hundred and five A five one oh 1167 00:57:11,280 --> 00:57:14,719 Speaker 1: five one the diamond rings that a guy got me 1168 00:57:14,760 --> 00:57:18,520 Speaker 1: when I was in college. You got a boyfriend now, ye? 1169 00:57:19,720 --> 00:57:23,240 Speaker 1: Are y'all serious? Yeah? Well he need to snatch them 1170 00:57:23,280 --> 00:57:28,280 Speaker 1: diamonds out and buy you some eight hundred and five 1171 00:57:28,360 --> 00:57:30,160 Speaker 1: A five one to five? Want to ask ys the 1172 00:57:30,160 --> 00:57:33,280 Speaker 1: breakfast club nibbling on your end? Some other man bought 1173 00:57:33,320 --> 00:57:35,320 Speaker 1: you these ar rings. I don't want to smell then 1174 00:57:35,440 --> 00:57:37,160 Speaker 1: ring back somebody else bought you. I don't want to 1175 00:57:37,160 --> 00:57:40,640 Speaker 1: smell the airrorbacks anyway, my arm backs. Morning. Everybody is 1176 00:57:40,720 --> 00:57:43,680 Speaker 1: DJ and Vana Angela, Ye, Charlomagne the guy we are 1177 00:57:43,760 --> 00:57:46,120 Speaker 1: the breakfast club in the middle of Ask ye, hello, 1178 00:57:46,160 --> 00:57:49,720 Speaker 1: who's this. My name is April. Hey, April, what's your 1179 00:57:49,760 --> 00:57:53,640 Speaker 1: question for you? So I in a situationship with the 1180 00:57:53,720 --> 00:57:58,080 Speaker 1: guy he is to eleven year daughter than me, and 1181 00:57:58,280 --> 00:58:02,560 Speaker 1: he says that he lives with the woman. He's been 1182 00:58:02,680 --> 00:58:06,040 Speaker 1: taking care of her daughter for so many years because 1183 00:58:06,080 --> 00:58:08,840 Speaker 1: he thought it was his daughter. He found out later 1184 00:58:08,960 --> 00:58:11,440 Speaker 1: that it wasn't. Now she's about to go to college, 1185 00:58:12,040 --> 00:58:15,280 Speaker 1: and he's telling me that he's going to leave her 1186 00:58:15,960 --> 00:58:18,800 Speaker 1: or he's going to leave the whole household in December 1187 00:58:19,240 --> 00:58:25,120 Speaker 1: or January, right, and what's with the date restriction? He's 1188 00:58:25,160 --> 00:58:28,320 Speaker 1: going parole and once he gets off a parole, and 1189 00:58:28,720 --> 00:58:33,000 Speaker 1: also he's the girl she's going to college. Plus he 1190 00:58:33,160 --> 00:58:37,000 Speaker 1: wants the girl's little girl's mother to be financially stable 1191 00:58:37,440 --> 00:58:42,840 Speaker 1: or when he leaves. So okay, let's say your question 1192 00:58:42,880 --> 00:58:44,800 Speaker 1: is should you stay with this man that's on parole 1193 00:58:44,840 --> 00:58:48,760 Speaker 1: that lives with another woman. Yes, And he works a lot, 1194 00:58:48,840 --> 00:58:51,640 Speaker 1: so he's not there all the time. He's not he's 1195 00:58:51,680 --> 00:58:54,040 Speaker 1: not there. He only goes there to sleep, all right, 1196 00:58:54,120 --> 00:58:55,680 Speaker 1: So that's what he tells you. So he spends the 1197 00:58:55,760 --> 00:58:57,920 Speaker 1: night there every night because he's you know, and you 1198 00:58:58,000 --> 00:59:01,040 Speaker 1: know you can change you with your parole to right, Yes, 1199 00:59:01,360 --> 00:59:05,440 Speaker 1: but I want that mess over here. Okay, so you 1200 00:59:05,520 --> 00:59:07,240 Speaker 1: don't even want it over there? So what's the real 1201 00:59:07,360 --> 00:59:11,560 Speaker 1: question here? I should I should? I hold on? Should 1202 00:59:11,600 --> 00:59:13,600 Speaker 1: I wait? I want? Would I wait for this man 1203 00:59:14,000 --> 00:59:15,840 Speaker 1: that may or may not move out of this woman's 1204 00:59:15,920 --> 00:59:18,600 Speaker 1: house that's on parole. Who I don't even want this 1205 00:59:18,720 --> 00:59:22,200 Speaker 1: mess over here anyway. I'll talk to him all day long. 1206 00:59:22,240 --> 00:59:23,840 Speaker 1: I don't want him to be I want to be 1207 00:59:24,000 --> 00:59:26,640 Speaker 1: with him. I don't want him should be on parole 1208 00:59:26,760 --> 00:59:29,720 Speaker 1: and not my house? All right? My answer to that 1209 00:59:29,840 --> 00:59:32,040 Speaker 1: question is no, you shouldn't be with him. You don't 1210 00:59:32,040 --> 00:59:33,760 Speaker 1: even want him there. If you really wanted to be 1211 00:59:33,840 --> 00:59:35,480 Speaker 1: with him, you would be like, yes, baby, I'm gonna 1212 00:59:35,520 --> 00:59:37,600 Speaker 1: take care of you. You want parole, Why don't we 1213 00:59:37,640 --> 00:59:39,360 Speaker 1: get that parole changed to my house? You don't even 1214 00:59:39,400 --> 00:59:41,760 Speaker 1: want to do that? And guess what in December when 1215 00:59:41,800 --> 00:59:44,320 Speaker 1: he doesn't move out then way, that's what I was thinking. 1216 00:59:44,480 --> 00:59:47,439 Speaker 1: He might just make up an excuse like world, tell 1217 00:59:47,520 --> 00:59:50,480 Speaker 1: him holla at me in January when you've moved out, 1218 00:59:50,520 --> 00:59:53,840 Speaker 1: and we'll see what. That's what I was thinking. You 1219 00:59:53,920 --> 00:59:58,520 Speaker 1: wouldn't love me anymore? What about folk? I guess you 1220 00:59:58,640 --> 01:00:01,680 Speaker 1: see listen, if he really loves if it really loves you. 1221 01:00:01,800 --> 01:00:05,320 Speaker 1: Now he would respect the fact that I respect myself. 1222 01:00:05,440 --> 01:00:08,720 Speaker 1: I respect myself enough to say I'm not being with 1223 01:00:08,800 --> 01:00:12,560 Speaker 1: a man who lives with another woman. I tell you 1224 01:00:13,240 --> 01:00:15,200 Speaker 1: to hold you hostage, he said, I'm not going to 1225 01:00:15,240 --> 01:00:20,360 Speaker 1: hold you hostage. Holding you hostage? Boo. Okay, So I'm 1226 01:00:20,440 --> 01:00:22,960 Speaker 1: not on parole. I have a life to live. Man, 1227 01:00:23,400 --> 01:00:29,880 Speaker 1: pen is so good to make y'all do anything. But 1228 01:00:29,960 --> 01:00:35,560 Speaker 1: guess what you can find me who's not on parole, 1229 01:00:35,920 --> 01:00:40,080 Speaker 1: who is not living with another woman? Well, good luck, mama. 1230 01:00:41,040 --> 01:00:43,560 Speaker 1: All right, ask you eight hundred five eight five one 1231 01:00:43,600 --> 01:00:44,960 Speaker 1: oh five one. If you got a question for you, 1232 01:00:45,040 --> 01:00:47,080 Speaker 1: you could call at any time. Now we got rumors 1233 01:00:47,120 --> 01:00:48,960 Speaker 1: on the way. Yes, we're gonna talk about nas. He 1234 01:00:49,000 --> 01:00:51,320 Speaker 1: wrote an open letter to Donald Trump and would tell 1235 01:00:51,320 --> 01:00:54,840 Speaker 1: you what was in that open letter. Also Lebron what 1236 01:00:55,040 --> 01:00:58,919 Speaker 1: happened at his house. He responded to some racism. Okay, 1237 01:00:58,960 --> 01:01:00,960 Speaker 1: we'll get into all that. We come back. He belocked 1238 01:01:00,960 --> 01:01:04,440 Speaker 1: this the breakfast poking morning morning. Everybody is DJ mvy 1239 01:01:04,600 --> 01:01:07,400 Speaker 1: angela year, Charlomagne the guy. We are the breakfast club. 1240 01:01:07,840 --> 01:01:11,280 Speaker 1: Let's get to the rumors. Let's talk Lebron Jamius, this 1241 01:01:11,680 --> 01:01:20,960 Speaker 1: is the Ruler report with angela year Breakfast club A 1242 01:01:21,120 --> 01:01:25,320 Speaker 1: Lebron's home in LA was vandalized. Somebody put racist graffiti 1243 01:01:25,440 --> 01:01:28,720 Speaker 1: on the gates. They used the N word. Basically, that's crazy. 1244 01:01:28,760 --> 01:01:31,720 Speaker 1: The Warriors taking this rivalry too far. Man, this is crazy. 1245 01:01:31,760 --> 01:01:35,760 Speaker 1: I'm sure it was who did And now here's what 1246 01:01:35,920 --> 01:01:38,480 Speaker 1: Lebron had to say in response and Sports Illustrated to 1247 01:01:38,640 --> 01:01:41,840 Speaker 1: provide these comments. And I think back to Emmett Till's mom. Actually, 1248 01:01:42,000 --> 01:01:43,680 Speaker 1: it's kind of one of the first days I thought of. 1249 01:01:43,880 --> 01:01:46,920 Speaker 1: And the reason that she had an open casket is 1250 01:01:46,920 --> 01:01:49,560 Speaker 1: because she wanted to show the world what her son 1251 01:01:49,720 --> 01:01:52,480 Speaker 1: went through as far as a hate crime. And you know, 1252 01:01:52,640 --> 01:01:55,600 Speaker 1: being black in America, no matter how much money you have, 1253 01:01:56,320 --> 01:01:58,840 Speaker 1: no matter how famous you are, no matter how many 1254 01:01:58,880 --> 01:02:02,800 Speaker 1: people admire you, being black in America is it's tough, 1255 01:02:03,960 --> 01:02:07,880 Speaker 1: all right? And he is absolutely correct, Yes, right, I 1256 01:02:08,080 --> 01:02:10,720 Speaker 1: guarantee you that was Steph Curry and Clay Thompson. You know, 1257 01:02:10,920 --> 01:02:14,240 Speaker 1: the Baide regime is trying to distract Lebron for the 1258 01:02:14,440 --> 01:02:17,160 Speaker 1: NBA Finals. I guarantee you with somebody from the Warriors. 1259 01:02:17,240 --> 01:02:19,240 Speaker 1: So did you guys see that they had put a 1260 01:02:19,280 --> 01:02:24,280 Speaker 1: noose in the Smithsonian. Really, somebody put a noose in there. Terrible, 1261 01:02:24,400 --> 01:02:27,800 Speaker 1: all right? Nas In the meantime, wrote an article from 1262 01:02:27,800 --> 01:02:30,160 Speaker 1: mass of Hill magazine. It's like an open letter about 1263 01:02:30,200 --> 01:02:31,960 Speaker 1: Donald Trump. He said, the only way the black man 1264 01:02:32,000 --> 01:02:34,240 Speaker 1: gets a little peace in America's if he takes the 1265 01:02:34,320 --> 01:02:37,560 Speaker 1: OJ stands I'm not black a mooj. When you ignore 1266 01:02:37,640 --> 01:02:39,280 Speaker 1: the issue that's happening to people, you can live in 1267 01:02:39,320 --> 01:02:41,760 Speaker 1: this fantasy, this American fantasy that you belong to. You 1268 01:02:41,840 --> 01:02:44,640 Speaker 1: ignore what's happening, and that gives you peace, because what's 1269 01:02:44,680 --> 01:02:47,600 Speaker 1: going on is enough to make people insane. He then 1270 01:02:47,680 --> 01:02:49,480 Speaker 1: goes on to talk about a guy getting lynched in 1271 01:02:49,520 --> 01:02:51,640 Speaker 1: a tree at Piedmont Park in Atlanta, Georgia, and the 1272 01:02:51,680 --> 01:02:54,120 Speaker 1: cops ruled a suicide. He said, Now, don't get me wrong, 1273 01:02:54,480 --> 01:02:57,360 Speaker 1: suicides happened. There's black suffering from mental illness, just like 1274 01:02:57,480 --> 01:03:00,440 Speaker 1: whites suffered from mental illness, except that white who suffer 1275 01:03:00,480 --> 01:03:03,320 Speaker 1: from mental illness and have interactions with the cops, they 1276 01:03:03,440 --> 01:03:06,640 Speaker 1: end up living. Blacks we get killed. So he goes 1277 01:03:06,680 --> 01:03:09,320 Speaker 1: on to talk about addressing these issues through his work. 1278 01:03:09,400 --> 01:03:12,360 Speaker 1: He said, he actually doesn't focus on politics. Why would 1279 01:03:12,360 --> 01:03:14,240 Speaker 1: I focus on that. Unless I'm in the political game, 1280 01:03:14,320 --> 01:03:16,040 Speaker 1: unless I'm running for office, I don't have to pay 1281 01:03:16,080 --> 01:03:18,280 Speaker 1: attention to know that if I ever vote again, when 1282 01:03:18,320 --> 01:03:20,400 Speaker 1: it's time to vote again and I feel like voting again, 1283 01:03:20,600 --> 01:03:22,040 Speaker 1: I don't have to follow the news to know who 1284 01:03:22,040 --> 01:03:24,480 Speaker 1: I'm voting against. But then you wind up saying who's 1285 01:03:24,480 --> 01:03:28,000 Speaker 1: the next mfor coming in? And how does that help? Yeah? 1286 01:03:28,040 --> 01:03:29,840 Speaker 1: I mean, I wouldn't say Nas is political, but he's 1287 01:03:29,840 --> 01:03:32,800 Speaker 1: always been very, very socially conscious in his music. That 1288 01:03:32,960 --> 01:03:35,120 Speaker 1: is a fact. I don't understand the line about if 1289 01:03:35,160 --> 01:03:38,200 Speaker 1: you're if you're OJ, you get peace though Oja's in jail. 1290 01:03:38,520 --> 01:03:40,520 Speaker 1: Well yeah, he actually brings the OJ back up at 1291 01:03:40,560 --> 01:03:42,800 Speaker 1: the end of his article as well, because he said, 1292 01:03:42,840 --> 01:03:46,040 Speaker 1: even OJ they got so no matter what what stand 1293 01:03:46,160 --> 01:03:48,440 Speaker 1: you try to take, they're still gonna get you. But 1294 01:03:48,520 --> 01:03:51,800 Speaker 1: he's saying, no, take the chance of killed two people, 1295 01:03:52,080 --> 01:03:56,480 Speaker 1: leg you like it's not like people and got off 1296 01:03:57,240 --> 01:04:01,720 Speaker 1: then you know, committed a robbery like he did something well, 1297 01:04:01,760 --> 01:04:03,880 Speaker 1: and they keep on saying for OJ, even though he 1298 01:04:03,920 --> 01:04:05,640 Speaker 1: got off of that, they're still gonna get them. So 1299 01:04:05,880 --> 01:04:07,920 Speaker 1: you might think you got away with stuff, but no 1300 01:04:08,080 --> 01:04:10,640 Speaker 1: matter what, they're still gonna get you. And when he 1301 01:04:10,720 --> 01:04:13,120 Speaker 1: comes home from that, I'm sure they'll find something else. Right. 1302 01:04:13,760 --> 01:04:17,160 Speaker 1: All right, now, let's discuss a bossip. Congratulations to our 1303 01:04:17,200 --> 01:04:21,640 Speaker 1: friends at Bossip for Bossip damn it. Yes, they have 1304 01:04:21,720 --> 01:04:24,120 Speaker 1: a show coming on a Wee TV that's going to 1305 01:04:24,200 --> 01:04:28,720 Speaker 1: premiere Thursday, July sixth at ten pm. So congratulations to them. 1306 01:04:28,840 --> 01:04:31,000 Speaker 1: Shout out to my girl Jeanne that works at Bossip. 1307 01:04:31,120 --> 01:04:33,440 Speaker 1: She's been filming, so I'm excited for that. Shout to all. 1308 01:04:36,440 --> 01:04:38,440 Speaker 1: I love to see them growing like that. That's dope 1309 01:04:38,560 --> 01:04:41,440 Speaker 1: to everybody over there. That's big news for them. And oh, 1310 01:04:41,520 --> 01:04:45,520 Speaker 1: Murray Hardwick ak a Ghost from Power is allegedly dropping 1311 01:04:45,560 --> 01:04:48,080 Speaker 1: an album that's according to Essence Now, there's not much 1312 01:04:48,120 --> 01:04:50,520 Speaker 1: that's been revealed about it, but they have confirmed that 1313 01:04:50,600 --> 01:04:54,680 Speaker 1: it will be executive produced by Eric Robinson, Rafayelsa Dieke 1314 01:04:54,760 --> 01:04:59,160 Speaker 1: and Robert Glasper so should be pretty exciting. Well, you know, 1315 01:04:59,240 --> 01:05:03,240 Speaker 1: they say his first love is spoken word, and he 1316 01:05:03,440 --> 01:05:06,280 Speaker 1: actually if you remember, he recited the poem brother to 1317 01:05:06,360 --> 01:05:09,000 Speaker 1: the Night from Love Jones during the Black Film Festival 1318 01:05:09,080 --> 01:05:12,000 Speaker 1: Honors earlier this year. If you Darius love Hall didn't 1319 01:05:12,080 --> 01:05:14,200 Speaker 1: hear that, here's a little snippet for you can I 1320 01:05:14,320 --> 01:05:18,600 Speaker 1: Be Your Slave? Okay, I've got to admit that girl, 1321 01:05:18,680 --> 01:05:23,320 Speaker 1: you're the sh girl and I'm digging you, like taking 1322 01:05:23,360 --> 01:05:25,880 Speaker 1: you like a crave. Oh. I was like, where's that? 1323 01:05:25,960 --> 01:05:29,920 Speaker 1: Echo echo echo, Oh? That was just Uncle Shalla, you know, 1324 01:05:30,360 --> 01:05:33,880 Speaker 1: reciting one of my favorites. That's all all right, So 1325 01:05:34,800 --> 01:05:37,800 Speaker 1: that should be pretty interesting if he puts that out now. 1326 01:05:37,920 --> 01:05:40,160 Speaker 1: It says here that it's gonna be his second album. 1327 01:05:40,240 --> 01:05:41,520 Speaker 1: I didn't know he had a first one. I was 1328 01:05:41,560 --> 01:05:43,640 Speaker 1: trying to look it up and find where that was, 1329 01:05:43,760 --> 01:05:47,480 Speaker 1: but I haven't seen it. By the way, that that 1330 01:05:47,640 --> 01:05:50,320 Speaker 1: poem from Love Jones that that poem actually has the 1331 01:05:50,400 --> 01:05:52,680 Speaker 1: same effect as bad and booge, because if you say 1332 01:05:52,760 --> 01:05:54,880 Speaker 1: like rain drops, somebody got to say, you know, drop 1333 01:05:54,960 --> 01:05:57,200 Speaker 1: top right, And if you say you know so, baby, 1334 01:05:57,240 --> 01:05:59,600 Speaker 1: can I be your slave? They gotta finish that by 1335 01:05:59,640 --> 01:06:01,960 Speaker 1: saying I've gotta admit girl, you're and I'm digging you 1336 01:06:02,040 --> 01:06:03,600 Speaker 1: like a grave. Like if you're a certain age, you 1337 01:06:03,680 --> 01:06:05,120 Speaker 1: have to finish that when you hear it, you just 1338 01:06:05,240 --> 01:06:09,200 Speaker 1: have to. Okay. So he did have a spoken word album. 1339 01:06:09,360 --> 01:06:12,040 Speaker 1: The first single was Bloodshed, but I think that might 1340 01:06:12,080 --> 01:06:14,240 Speaker 1: still be this album I was trying to find the 1341 01:06:14,360 --> 01:06:16,760 Speaker 1: first album, but I couldn't find it. All right, well, 1342 01:06:16,800 --> 01:06:22,240 Speaker 1: I'm Angela Year the only person surging. I'm waiting all 1343 01:06:22,280 --> 01:06:24,240 Speaker 1: I'm waiting for his power to come back. Seeing Okay, 1344 01:06:24,280 --> 01:06:26,320 Speaker 1: that's all. I'm waiting for Salutor Mark. But I ain't 1345 01:06:26,360 --> 01:06:27,960 Speaker 1: waiting for nothing but power to come back. I get 1346 01:06:28,040 --> 01:06:30,920 Speaker 1: them Gil damn about his music. It might be dope, yeah, 1347 01:06:31,000 --> 01:06:33,840 Speaker 1: spoken a word? All right, all right, I'm Angela Yean. 1348 01:06:34,000 --> 01:06:36,480 Speaker 1: That is your rumor report. All right, thank you, miss 1349 01:06:36,880 --> 01:06:39,360 Speaker 1: ye Now the People's choice mixes up next eight hundred 1350 01:06:39,440 --> 01:06:41,520 Speaker 1: five eight five one oh five. Want to add DJ 1351 01:06:41,760 --> 01:06:44,360 Speaker 1: Envy and shout to revote. We'll see you guys tomorrow. 1352 01:06:44,640 --> 01:06:45,880 Speaker 1: Ll wait, I gotta give a shout out to my 1353 01:06:45,960 --> 01:06:47,760 Speaker 1: sister's keeper. By the way, I was in new work 1354 01:06:47,840 --> 01:06:49,800 Speaker 1: yesterday with the young ladies for my sisters. Keep us 1355 01:06:49,800 --> 01:06:51,680 Speaker 1: a shout out to them, all right, And happy birthday 1356 01:06:51,720 --> 01:06:53,600 Speaker 1: to mom Duke to get a happy birthday, my man, 1357 01:06:53,840 --> 01:06:55,840 Speaker 1: Love you all right. It's breathfas slocal morning