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Speaker 1: So it's late at night, it's uh, it's.

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Speaker 2: A hitch dark, and I'm in there.

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Speaker 1: With Mike Row from Dirty Job, Dirty Job, and we're

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Speaker 1: doing an extremely dirty job, which is we're drilling extra

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Speaker 1: holes into bowling balls so that we can put all

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Speaker 1: five of our fingers in the bowling ball at the

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Speaker 1: same time. Because like, if you think about it, the

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Speaker 1: way they are now is fucking stupid. Yeah, like that,

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Speaker 1: how am I supposed to hold it?

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Speaker 3: That just the choiceness of this idea, because like, also,

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Speaker 3: which ones are you supposed to do? No?

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Speaker 1: Yes, No, that's exactly what I mean when I say

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Speaker 1: how am I supposed to hold it? That's exactly what

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Speaker 1: I mean.

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Speaker 3: There's never a thing on there that says it's these ones.

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Speaker 1: There's no instructions you could be doing upside down over here,

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Speaker 1: like it's these two, these one and it and most

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Speaker 1: of the ways I've tried to do it hayes mm hmm,

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Speaker 1: it kills.

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Speaker 3: So what I would go possibly even farther and just

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Speaker 3: have like a little grip bar in the like in

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Speaker 3: the middle of the ball, so it's like not even fingers,

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Speaker 3: just put your whole hand and honestly, there should be

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Speaker 3: a hole for you to put your entire fist in

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Speaker 3: the ball.

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Speaker 1: Dude. Well, one thing I initially said was like, let's

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Speaker 1: just put the ball in a bag, like, let's put

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Speaker 1: it in a suitcase or something, because I know how

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Speaker 1: to hold that, and then we'll just slide that in

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Speaker 1: throw that. It's way bigger, right, so you're gonna get

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Speaker 1: more of them. But yeah, no, we're we're talking about

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Speaker 1: all this and we're drilling the holes. And it's a

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Speaker 1: very dirty job, quite frankly, because the balls are covered

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Speaker 1: in grease.

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Speaker 3: And that is what I was wondering. It doesn't like

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Speaker 3: it actually sounds like one of the least dirty jobs

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Speaker 3: that he has ever done. It just doesn't sound very

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Speaker 3: hard to me.

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Speaker 1: Yeah, the balls are greased up, and uh why is

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Speaker 1: growing up as well? Well? Uh why are they greased? Yeah?

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Speaker 1: The lanes are greased. We we and we and there

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Speaker 1: was extra Why.

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Speaker 3: Are the lanes? Why are the lanes greased?

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Speaker 1: Are you not aware that bowling lanes are greased?

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Speaker 3: I mean not in the way and not in such

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Speaker 3: a way that like the grease is getting all over

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Speaker 3: my hands, like it's just not like a little bit,

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Speaker 3: but not in a way that like Wow, my hands

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Speaker 3: are so greasy.

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Speaker 1: Okay, but you said, why are the lanes greased? I know,

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Speaker 1: but like, okay, but this is the question you asked me,

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Speaker 1: is why are the lanes greased?

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Speaker 3: And well, certainly, and now okay, I heard you starting

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Speaker 3: to talk about certainly, not enough to make me start

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Speaker 3: throwing up.

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Speaker 1: The throwing up was a separate That was a separate thing.

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Speaker 1: That was a dare you aired each other to throw up?

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Speaker 2: Yeah?

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Speaker 1: I said, it was very late and it is so dark,

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Speaker 1: and you get a little punchy when it's late.

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Speaker 3: I can I ask you, were you because I've been

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Speaker 3: in sort of similar situations with you before. Were you

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Speaker 3: actually throwing up?

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Speaker 1: Okay? Well, it's so dark that there's really no way

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Speaker 1: to be totally sure, but you.

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Speaker 3: Can know for sure if you were throwing up?

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Speaker 1: Right, Well, I was definitely spitting.

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Speaker 3: Hey, Welcome to Hollywood, handle.

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Speaker 1: Butt and dropping names the red cover lineback always this

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Speaker 1: industry called showbiz. We've had some pretty huge guests lately. Uh,

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Speaker 1: let's see Tony Hawk, Sinbag, Will Forte, John Hamm. Yeah,

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Speaker 1: just a lot of sort of big names. Uh, and

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Speaker 1: all of them were boring to me, and none of

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Speaker 1: it was exciting, and none of them were actually real celebrities.

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Speaker 3: And also some of them were being fake yes, and

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Speaker 3: doing a lot of actually coming on this show mostly

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Speaker 3: to lie. It seemed like yeah.

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Speaker 1: I felt that too. David Sedaris was on and was

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Speaker 1: like fibbing.

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Speaker 3: Yeah, almost everything he said was a lie.

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Speaker 1: Oh, this will be useful, this will be fun for

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Speaker 1: people to listen to. You're just making stuff up and lying. Meanwhile,

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Speaker 1: we have two of the realist cats in the game. Uh,

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Speaker 1: who are to me? I don't get starstruck very often.

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Speaker 1: I am always starstruck when I see this one gentleman,

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Speaker 1: in particular, Dominic.

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Speaker 2: Dirkis Dominic. Do you want to introduce this cusband?

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Speaker 4: Uh? Yeah, uh, hey, discusman, here you are disgustman.

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Speaker 2: Yeah yeah yeah, just trying to figure this out at

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Speaker 2: these crazy times, right, because wow, yeah.

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Speaker 4: It or not. I thought you were introducing me for

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Speaker 4: a second when you threw to me there, and I.

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Speaker 3: Thought you were actually gonna give like an introduction.

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Speaker 4: I was thrown. I was thrown. I mean everyone was

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Speaker 4: discuss man, right, I mean you.

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Speaker 2: Know, hey, I need no introduction.

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Speaker 1: Man.

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Speaker 4: The writer and a tour of beach volleyball a real

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Speaker 4: Underdog story.

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Speaker 2: Yeah, you know.

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Speaker 4: I mean that's been translated into many languages now. I

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Speaker 4: think we're in three hundred thousand countries.

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Speaker 2: Yep, that's exactly right, three hundred thousand of that all me,

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Speaker 2: all me getting it in there. Baby. You know I'm

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Speaker 2: on that duo lingo Google Translate.

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Speaker 1: To your your You are your own foreign distributor, and

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Speaker 1: you are personally securing the markets and dubbing over the film, yeah, man.

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Speaker 4: And making every single copy.

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Speaker 2: I invite some of these people over. You know, they

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Speaker 2: can't fly, so they just swim or they are they

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Speaker 2: cruise in via boat to my beach and we make

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Speaker 2: the deal right there. You know what I'm saying. It's great.

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Speaker 3: Yeah, they can't they can't of course under the current restrictions,

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Speaker 3: they can't fly. But cruise ships are are open for business,

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Speaker 3: and so you've been receiving them at your beach.

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Speaker 2: Oh yeah, we've.

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Speaker 4: Been using cruise ships to kind of ship stuff around

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Speaker 4: that we need. I mean, really we were when you

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Speaker 4: bring up kind of the current situation, Hey, is that

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Speaker 4: really brought a lot of stuff that we were up

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Speaker 4: to a screeching halt. I mean we've been we have.

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Speaker 3: Been locked down so you say this, we there's like

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Speaker 3: a lot of.

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Speaker 4: Oh sorry, the scusman and I when when we got

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Speaker 4: the kind of order to lock it down, we were

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Speaker 4: actually together, uh in his uh in his school bus.

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Speaker 4: Uh that's parked by the beach.

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Speaker 1: Uh yeah, the SGUs bus.

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Speaker 2: Yeah, don't forget it.

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Speaker 4: Yeah, get it right, Yeah, the guy's bus.

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Speaker 1: Uh.

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Speaker 4: And so we were inside and so and so that's

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Speaker 4: just where we've had to be uh for a while now.

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Speaker 4: I mean it's sterile. It's he calls it the he

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Speaker 4: calls it the steril van sometimes because we use a

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Speaker 4: lot a beach in there.

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Speaker 3: Yeah.

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Speaker 1: Why does he call it a van in that?

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Speaker 4: Sorry?

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Speaker 2: Yeah, every other time he refers to it. Man is

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Speaker 2: easier to say sometimes.

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Speaker 1: You know, it's true.

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Speaker 4: We've started to get a real economy of words since

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Speaker 4: we've been in lockdown.

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Speaker 1: Well, and if you got a mouthful of like oatmeal

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Speaker 1: or something and you try to say bust and you

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Speaker 1: hit that bee, that stuff could go flying everywhere. Now

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Speaker 1: you got to clean up on on aisle home. So uh,

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Speaker 1: van doesn't risk that.

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Speaker 3: Yeah, and bus sounds a lot like bust, which I

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Speaker 3: know Scott's Man is saying enough that it actually would

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Speaker 3: help to have a different word. Are you okay, Scott's man?

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Speaker 2: Sorry, Yeah, I'm just like Winds has been really bad.

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Speaker 4: He's been fighting something for a while.

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Speaker 3: Yeah, uh huh.

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Speaker 4: Yeah. It couldn't have come at a worse time for us,

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Speaker 4: all this stuff. It really, it really couldn't have.

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Speaker 2: No, I'd been following you.

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Speaker 1: We haven't spoken in a while, but I've been seeing

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Speaker 1: you on social media. We're getting, you know, getting all

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Speaker 1: amped up. I guess pre production went really well. And

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Speaker 1: you were actually about to roll camera on your latest project.

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Speaker 2: We're rolling camera?

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Speaker 3: You are? You are?

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Speaker 4: This was this was the issue we were about to shoot, right,

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Speaker 4: we were about to shoot a kind of spiritual It's

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Speaker 4: not actually a sequel to Volleyball, a real underdog story.

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Speaker 4: It's it's more of a spiritual successor to it. It's

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Speaker 4: a beach blanket bingo romp.

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Speaker 3: And uh that's what it's called.

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Speaker 4: It's called peach blanket bingo rop.

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Speaker 3: I added the romp.

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Speaker 1: Wow, very evocative title.

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Speaker 4: Heed the ro I just had peach blanket bingo And.

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Speaker 1: He would he possibly call it that? Because that that

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Speaker 1: is something?

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Speaker 4: No, now he added the rop on there, he threw it.

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Speaker 4: He tacked it on. Okay, because he said, what kind

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Speaker 4: of you might people might just think it's a game

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Speaker 4: of bingo, like what but the wrong?

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Speaker 3: How would that even work? Oh?

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Speaker 2: I've played that before?

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Speaker 3: How do you? How do you play that?

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Speaker 2: It's pretty self explanatory. You all get on your bleach

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Speaker 2: blankets and then we call out which one you're on.

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Speaker 2: You might be on a Mickey Mouse one, you might

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Speaker 2: be on a Toronto Blue Jays blanket, and then you

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Speaker 2: put it on the board, and.

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Speaker 4: So we're just like, so our movie takes place in

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Speaker 4: that world, you know, in the world of the guys.

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Speaker 4: What's up big?

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Speaker 1: You put it on the board? Like what you put

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Speaker 1: it on your board? Does that anyone have a master you?

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Speaker 1: So you have like a master key like a card.

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Speaker 4: Well yeah, well Spellman's drawing the master key in the sand.

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Speaker 4: But a lot of times it goes out with the surf,

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Speaker 4: and so we're kind of unclear on who wins exactly.

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Speaker 2: It changes every day, so you gotta get you got

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Speaker 2: to keep up with that in your.

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Speaker 1: Report, right, And am I correct that there's like someone

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Speaker 1: basically who's parasailing and calling out calling out the various

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Speaker 1: blank blankets. Yeah, okay, yeah, that. No, that okay, I

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Speaker 1: think I have been there for one of those games.

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Speaker 1: As I recall, you won every single round.

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Speaker 2: Oh.

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Speaker 4: Absolutely, Well it's a war of attrition. People give up,

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Speaker 4: I mean, you know, but yeah, Spellman said the Skusman

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Speaker 4: rather is the lasting every time. But we were so look,

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Speaker 4: we were going to shoot that movie, right, we were

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Speaker 4: good to go. We had we had a great preproduction,

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Speaker 4: really successful. We had a rap party at pre production.

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Speaker 2: Kept posting about that.

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Speaker 1: Yeah it was so much, so many like Instagram with

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Speaker 1: like crushing this pre production, most successful pre production in

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Speaker 1: Hollywood history. And I guess I wanted a little more

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Speaker 1: detailed because to me, that that that part of the

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Speaker 1: process is always a little a little bit boring.

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Speaker 3: No, we have.

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Speaker 4: Secured the location, I mean the beach is really the

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Speaker 4: only location, right Scusman, I mean was there because I'm

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Speaker 4: trying to remember, we didn't add.

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Speaker 2: Yeah, that's that's what made it feasible, is that we

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Speaker 2: could just we just had one location that it was

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Speaker 2: a beach. The bus was in there sometimes. But you know,

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Speaker 2: I didn't want to. I didn't really want to like

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Speaker 2: reveal where I lived too.

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Speaker 1: Yeah, Okay.

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Speaker 4: A big part of this has been hiding where Scusman lives.

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Speaker 4: We don't want the kind of cast and crew to

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Speaker 4: figure out it's feet away from the beach.

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Speaker 2: Yeah, I don't want to talk to them generally.

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Speaker 3: I mean, I just I'm sorry. I just want to say, like,

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Speaker 3: the way the bus is designed doesn't seem to be okay, this.

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Speaker 4: Discus Man.

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Speaker 3: Just the fact that you like, for example, for example,

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Speaker 3: converted the school bus to instead of the stop sign

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Speaker 3: that folds out, a sign that says scuz fold out

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Speaker 3: of the front window. I mean, it's just like there's

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Speaker 3: so many signals on it that you are inside this bus.

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Speaker 4: The weirdest thing is watching people try to obey that

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Speaker 4: sign when we're driving, like when it pops out, watching

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Speaker 4: people try to scuzz, well.

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Speaker 1: They put the sunglasses up, you put.

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Speaker 2: The sunglasses on, but they never do it correctly.

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Speaker 4: Man see he always gives them a ticket.

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Speaker 2: Yeah, but a lot of people have been upset at

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Speaker 2: me for giving out those tickets. But I don't care.

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Speaker 3: Okay, so you're protecting your privacy, We'll.

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Speaker 4: Protecting our privacy. But so we anyway, we have our rate,

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Speaker 4: we have our pre production rat party, right, and I'm hungover.

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Speaker 4: I mean, I am just like it is just legendary

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Speaker 4: and I'm waking up. Yeah, scus Man always make sure

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Speaker 4: I have a nice, healthy hangover.

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Speaker 1: Yeah.

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Speaker 4: I make sure he does whatever he needs to do. Yeah,

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Speaker 4: just just takes water away from me, adds sugar to

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Speaker 4: whatever I'm drinking. It's it's important to him that I

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Speaker 4: feel it the next day.

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Speaker 1: Okay, So you waigh up and I get.

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Speaker 4: The news where we're on lockdown, and and not just

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Speaker 4: that the beaches are shut I mean, that's the real

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Speaker 4: part that got discussed. Man. I mean, he draws a lot.

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Speaker 1: I thought of you guys right away. I mean immediately

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Speaker 1: when I heard the beaches were shut down. I I said, oh,

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Speaker 1: scus Man, it was.

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Speaker 2: The worst moment of my life. I couldn't believe it.

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Speaker 4: He actually felt it in his body before the governor

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Speaker 4: announced it, like he We were walking in the in

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Speaker 4: the bus and he and then he just grabbed me.

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Speaker 3: You're walking in You took a walk inside the bus.

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Speaker 1: We went on down the aisle.

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Speaker 4: Yeah, that's right. We went to stroll to the back

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Speaker 4: of the bus and and then he just clutched his

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Speaker 4: chest and not where his heart is lower and on

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Speaker 4: the other side, and okay, and then he said it

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Speaker 4: happened the beaches closed. And I said, what are you

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Speaker 4: talking about? I can see it right here. But now

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Speaker 4: sure enough we turned on the news.

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Speaker 2: There was I often feel those pains and I know

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Speaker 2: that something is going on.

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Speaker 4: You can feel a lot of other pains.

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Speaker 2: Too, oh oh yeah, but this is different. Some are

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Speaker 2: like pains where I know I'm in I'm in bad health,

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Speaker 2: and some of them, I know I'm getting a premonition.

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Speaker 2: That one was about the beaches. Fuck, it was fucking

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Speaker 2: it was the worst day.

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Speaker 3: I want it. Sorry. I wanted a little about the

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Speaker 3: actual clutching.

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Speaker 1: You said.

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Speaker 3: It wasn't where his heart was. It was lower.

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Speaker 4: It was on the other side and lower.

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Speaker 1: Yeah, and on the other side of what his uh,

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Speaker 1: on the opposite side of where the heart is, right.

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Speaker 4: But on the opposite side of his body, on his

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Speaker 4: back behind.

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Speaker 1: On his back and yeah, and he clutched his chest,

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Speaker 1: but really on his back, yeah, cud of on my

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Speaker 1: back below. Okay, Hello, I mean it's it's a rib.

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Speaker 1: I mean it's a he's he's holding his rib.

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Speaker 4: Could be could be sorry if I said that, confusing,

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Speaker 4: I thought, yeah, but so but so then from that

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Speaker 4: moment on. We stayed in the bus. We were in

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Speaker 4: the we were we did not leave the bus. We

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Speaker 4: stayed in the sterile van and we uh just waited

305
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Speaker 4: it out. I mean I went outside because there are

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Speaker 4: errands that need to happen. Uh.

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Speaker 1: I was gonna ask, yeah, because uh again, you're so

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Speaker 1: active on social media, which I really think is is

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00:15:23,800 --> 00:15:25,320
Speaker 1: cool and it's been a great way to stay in

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Speaker 1: touch with you since you don't your data plan is

311
00:15:30,800 --> 00:15:33,160
Speaker 1: you don't seem to be able to receive calls or texts.

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00:15:33,440 --> 00:15:36,880
Speaker 4: I can't receive calls or texts. My data plan has

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00:15:36,960 --> 00:15:41,000
Speaker 4: one megabyte a month and that goes so fast. Uh yeah,

314
00:15:41,040 --> 00:15:43,520
Speaker 4: but but my social media, you know, yeah, I just

315
00:15:43,520 --> 00:15:45,560
Speaker 4: hop on Wi Fi and but yeah, but been doing

316
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Speaker 4: a lot of errands, I mean, scus man, we gotta

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Speaker 4: we gotta get groceries, you know, like eventually we gotta.

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Speaker 1: Do so, and that's and that is important. And I

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Speaker 1: think a lot of people have been going on grocery runs.

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Speaker 2: But I.

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Speaker 1: It seems like it scus me is assigning you sometimes

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00:16:01,680 --> 00:16:07,400
Speaker 1: to do other errands that feel a little less essential.

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Speaker 3: Just like, for example, referring to getting groceries as like

324
00:16:14,120 --> 00:16:17,840
Speaker 3: going to the movies and like memorizing that movie in

325
00:16:17,880 --> 00:16:21,440
Speaker 3: your brain so you could then go share it with

326
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Speaker 3: scus Man. I mean the movies that you remember are

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Speaker 3: not groceries.

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Speaker 4: Uh. Yeah, I guess I could see that interpretation. I

329
00:16:28,560 --> 00:16:30,680
Speaker 4: mean I do carry the movie in my head home

330
00:16:30,800 --> 00:16:33,800
Speaker 4: and and and kind of like unpack it, so to speak,

331
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Speaker 4: and load it into the fridge, which is scus Man's mind.

332
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Speaker 4: That's what we've had.

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Speaker 3: Okay.

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Speaker 1: Well, I was surprised too that you you know that

335
00:16:41,840 --> 00:16:45,160
Speaker 1: you said there was really only the one location of

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Speaker 1: the beach, because I thought surely there must be a

337
00:16:48,360 --> 00:16:51,040
Speaker 1: hospital seen in the movie, because Scusman has been having

338
00:16:51,040 --> 00:16:56,000
Speaker 1: you go and count the doors in every hospital in California.

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00:16:56,560 --> 00:16:58,880
Speaker 2: Yeah, by touching them.

340
00:16:59,480 --> 00:17:03,960
Speaker 4: Well, he's worried. He's worried that there won't be enough. Uh.

341
00:17:04,000 --> 00:17:08,080
Speaker 3: We've been hearing about these shortages in hospitals. And they

342
00:17:08,160 --> 00:17:11,200
Speaker 3: talk about the ICU beds, they talk about like all

343
00:17:11,200 --> 00:17:15,359
Speaker 3: these other things, the ventilators. Nobody talks about the door shortage.

344
00:17:15,520 --> 00:17:17,520
Speaker 2: Yeah, what about what about the doors man?

345
00:17:18,320 --> 00:17:20,399
Speaker 4: Yeah? Are these private hospital bets? Like you have no

346
00:17:20,720 --> 00:17:22,000
Speaker 4: kind of way of knowing.

347
00:17:22,240 --> 00:17:26,280
Speaker 3: Right, if there are no doors, then like what's the.

348
00:17:26,119 --> 00:17:29,280
Speaker 1: Euro Yeah, you're exposed to just anyone, but I feel

349
00:17:29,280 --> 00:17:32,120
Speaker 1: like you could still count it from afar. I don't

350
00:17:32,119 --> 00:17:34,080
Speaker 1: know if you need to physically get I guess you

351
00:17:34,119 --> 00:17:35,760
Speaker 1: want to make sure it's not a hologram?

352
00:17:35,840 --> 00:17:36,360
Speaker 3: Is this right?

353
00:17:36,880 --> 00:17:37,040
Speaker 1: Uh?

354
00:17:37,119 --> 00:17:39,080
Speaker 4: Yeah, that's right, yes, Scusman.

355
00:17:39,520 --> 00:17:42,159
Speaker 2: Yeah, I've been tricked by hologram doors before, and you

356
00:17:42,200 --> 00:17:44,760
Speaker 2: know what, up to none anymore, and not even in

357
00:17:44,840 --> 00:17:47,880
Speaker 2: this pandemic. I need to know, so I tell Dom

358
00:17:47,920 --> 00:17:49,440
Speaker 2: to go out there and fucking do it.

359
00:17:49,600 --> 00:17:51,479
Speaker 4: Scus Man. I'll say too that those doors that did

360
00:17:51,560 --> 00:17:55,040
Speaker 4: confuse you weren't holograms. They were the automatic sliding doors

361
00:17:55,040 --> 00:17:56,080
Speaker 4: that you didn't give time.

362
00:17:56,560 --> 00:17:59,320
Speaker 3: Well they're gone, Like you reach out and they're gone.

363
00:17:59,520 --> 00:18:03,480
Speaker 3: So what is a hologram if not that you reach

364
00:18:03,600 --> 00:18:05,320
Speaker 3: forward and there is nothing there.

365
00:18:06,600 --> 00:18:08,359
Speaker 4: But yeah, Sean, you're right. I mean the last grocery

366
00:18:08,440 --> 00:18:12,159
Speaker 4: run I went up and touched I think it was

367
00:18:12,200 --> 00:18:16,320
Speaker 4: two hundred and fifty hospital doors, which sounds like a lot,

368
00:18:16,359 --> 00:18:18,640
Speaker 4: but you know, really isn't.

369
00:18:18,480 --> 00:18:18,879
Speaker 3: Is not that?

370
00:18:19,080 --> 00:18:20,520
Speaker 2: Probably not enough? Yeah?

371
00:18:20,600 --> 00:18:22,040
Speaker 4: No, but I met a ton of I met a

372
00:18:22,040 --> 00:18:23,840
Speaker 4: ton of people of a lot of I got a

373
00:18:23,880 --> 00:18:26,639
Speaker 4: lot of questions which I didn't expect you know about

374
00:18:26,720 --> 00:18:27,520
Speaker 4: my presence there.

375
00:18:27,560 --> 00:18:30,359
Speaker 3: You're there to do research, you're there to ask questions.

376
00:18:30,400 --> 00:18:33,119
Speaker 4: Yes, yeah, I said I'm there to count hospital doors.

377
00:18:33,119 --> 00:18:34,919
Speaker 4: And they said you're from the city or count like

378
00:18:34,960 --> 00:18:36,800
Speaker 4: they didn't know. I mean I was dressed in a

379
00:18:36,800 --> 00:18:39,639
Speaker 4: suit with a clipboard, so I think they thought like, okay,

380
00:18:39,680 --> 00:18:41,080
Speaker 4: this guy maybe should be here.

381
00:18:42,640 --> 00:18:44,600
Speaker 1: Well, that's got to be flattering that they took such

382
00:18:44,600 --> 00:18:45,200
Speaker 1: an interest.

383
00:18:45,480 --> 00:18:47,320
Speaker 3: You said a suit, You mean a wet suit.

384
00:18:47,520 --> 00:18:52,560
Speaker 4: Yeah, we a wet suit, a wetsuit, a clipboard, and

385
00:18:52,680 --> 00:18:55,199
Speaker 4: I always made sure that there was water dripping off me,

386
00:18:55,440 --> 00:18:58,240
Speaker 4: just so just because that way, if you're confronted, like

387
00:18:58,240 --> 00:18:59,679
Speaker 4: because knew I wasn't supposed to be there, if you're

388
00:18:59,720 --> 00:19:03,160
Speaker 4: confront it and you're gotting soaking wet, you can be like, sorry,

389
00:19:03,200 --> 00:19:04,280
Speaker 4: can we do this in a second? I need a

390
00:19:04,359 --> 00:19:06,680
Speaker 4: tolll and then you pook it to the next door.

391
00:19:07,119 --> 00:19:09,960
Speaker 3: That makes more sense, I guess than like a dry

392
00:19:10,119 --> 00:19:10,720
Speaker 3: wet suit.

393
00:19:11,720 --> 00:19:14,040
Speaker 4: Yeah, dry wetsuit's terrifying, Like what's that?

394
00:19:14,600 --> 00:19:17,000
Speaker 3: That kind explains a little bit. You know, you were

395
00:19:17,160 --> 00:19:18,520
Speaker 3: just like maybe at the ocean.

396
00:19:19,160 --> 00:19:21,760
Speaker 4: Yeah, but I mean, you know, the scusman a lot

397
00:19:21,760 --> 00:19:23,439
Speaker 4: of what I've been a lot of what I've been

398
00:19:23,480 --> 00:19:25,520
Speaker 4: doing has been I think keeping us safe. It's been

399
00:19:25,560 --> 00:19:27,159
Speaker 4: giving him a lot of peace of mind because I

400
00:19:27,280 --> 00:19:29,040
Speaker 4: don't think I have to tell you scusman's kind of

401
00:19:29,040 --> 00:19:33,639
Speaker 4: predisposed to a lot of conspiratorial thinking a lot. You know,

402
00:19:33,920 --> 00:19:36,199
Speaker 4: as soon as this happened, you were like I knew it.

403
00:19:37,000 --> 00:19:39,760
Speaker 2: I knew it, and I was like, oh, get ready,

404
00:19:39,920 --> 00:19:41,160
Speaker 2: I know it's covered decks.

405
00:19:41,800 --> 00:19:43,480
Speaker 4: Yeah, and then you never said.

406
00:19:43,320 --> 00:19:45,840
Speaker 3: What I was. Well, you like are talking about like

407
00:19:45,880 --> 00:19:47,560
Speaker 3: keeping him safe and stuff. I do want to point

408
00:19:47,560 --> 00:19:48,679
Speaker 3: out that he is sick.

409
00:19:49,359 --> 00:19:52,320
Speaker 4: These are allergies, Okay.

410
00:19:52,720 --> 00:19:55,800
Speaker 2: Yeah, allergies. Like people don't know that there's a difference.

411
00:20:01,119 --> 00:20:03,280
Speaker 4: People really don't know there's a difference. I mean you

412
00:20:03,280 --> 00:20:06,640
Speaker 4: you can try. I've tried explaining it to people, but okay,

413
00:20:06,720 --> 00:20:07,440
Speaker 4: I don't think.

414
00:20:07,280 --> 00:20:12,760
Speaker 2: It's you know, COVID nineteen. But man, no, no way.

415
00:20:13,840 --> 00:20:15,920
Speaker 2: I've been meeting with so many people. There's no way

416
00:20:15,960 --> 00:20:16,480
Speaker 2: I could get it.

417
00:20:17,440 --> 00:20:20,640
Speaker 1: You've you've been meeting with so many people.

418
00:20:22,680 --> 00:20:25,800
Speaker 3: You've been having a lot of these like work meetings.

419
00:20:25,880 --> 00:20:30,560
Speaker 2: Yeah, use their work meetings, you know, generals, You've been

420
00:20:30,560 --> 00:20:34,199
Speaker 2: taking generals. I've been taking a lot of generals and

421
00:20:34,280 --> 00:20:37,360
Speaker 2: people are people real responsive, you know, because they basically

422
00:20:37,400 --> 00:20:42,800
Speaker 2: want to go to the beach uh now lately, So yeah,

423
00:20:42,840 --> 00:20:45,000
Speaker 2: I oblige them, but you know, I'm happy to do it.

424
00:20:45,000 --> 00:20:47,000
Speaker 2: It's just sort of a service for me to meet

425
00:20:47,119 --> 00:20:48,080
Speaker 2: all these people.

426
00:20:49,240 --> 00:20:52,440
Speaker 1: His gusman. You you were saying that there are a

427
00:20:52,480 --> 00:20:56,639
Speaker 1: lot of safety precautions you have for the set so

428
00:20:56,680 --> 00:20:59,200
Speaker 1: that we you actually will be able to safely start filming.

429
00:20:59,200 --> 00:21:00,480
Speaker 1: Which different people talk about this.

430
00:21:00,520 --> 00:21:03,160
Speaker 2: I mean, Tyler Perry has been saying like he's Tyler.

431
00:21:04,040 --> 00:21:06,960
Speaker 4: I'm so worried about this. U's just really you know, uh,

432
00:21:07,080 --> 00:21:10,160
Speaker 4: discus man, I feel like we should push No.

433
00:21:10,280 --> 00:21:13,239
Speaker 1: Wait man, Well, the thing you sent me that was

434
00:21:13,280 --> 00:21:16,960
Speaker 1: that was so uh you are you thought I would

435
00:21:16,960 --> 00:21:22,680
Speaker 1: find very impressive was that you vowed to test the

436
00:21:22,720 --> 00:21:26,600
Speaker 1: temperature of every single person who enters or leaves set

437
00:21:26,800 --> 00:21:28,320
Speaker 1: by kissing them on the forehead.

438
00:21:28,720 --> 00:21:33,280
Speaker 2: Yeah, yeah, exactly. You know I've done this before. There's

439
00:21:33,280 --> 00:21:36,480
Speaker 2: been a lot of research that I've conducted myself, and

440
00:21:36,600 --> 00:21:40,600
Speaker 2: basically I can tell if you're hot or cold when

441
00:21:40,640 --> 00:21:44,360
Speaker 2: I put my lips to your your head, any really

442
00:21:44,400 --> 00:21:47,080
Speaker 2: any part of the head. Forehead who works the best, but.

443
00:21:47,680 --> 00:21:51,119
Speaker 4: He's identified a lot of cold people that way.

444
00:21:51,600 --> 00:21:52,720
Speaker 2: Most people are cold.

445
00:21:55,000 --> 00:21:59,680
Speaker 3: Is it possible, discus Man, that you are running it's

446
00:21:59,720 --> 00:22:03,480
Speaker 3: such an extraordinarily high temperature that would you put your

447
00:22:03,560 --> 00:22:06,919
Speaker 3: lips what I was just forehead they feel freezing gold

448
00:22:06,960 --> 00:22:08,760
Speaker 3: to you.

449
00:22:08,760 --> 00:22:11,280
Speaker 2: You know, I thought that because I'm at the beach

450
00:22:11,359 --> 00:22:16,000
Speaker 2: all the time and I'm in the sun. But actually, no,

451
00:22:16,000 --> 00:22:19,000
Speaker 2: no that's not true. I'm glad we put that to bed,

452
00:22:21,320 --> 00:22:21,800
Speaker 2: this idea.

453
00:22:21,800 --> 00:22:24,720
Speaker 4: I mean, I'd love nothing more than to reopen and

454
00:22:24,920 --> 00:22:27,360
Speaker 4: and to just like shoot the movie that we had

455
00:22:27,400 --> 00:22:31,080
Speaker 4: in our head. But I I just feel like, I

456
00:22:31,160 --> 00:22:32,960
Speaker 4: just feel like, I mean, I think the temperature things

457
00:22:32,960 --> 00:22:34,840
Speaker 4: a good idea. I think that'll kind of take care

458
00:22:34,880 --> 00:22:35,600
Speaker 4: of that.

459
00:22:35,840 --> 00:22:37,159
Speaker 1: Do you think that is a good idea?

460
00:22:37,280 --> 00:22:39,879
Speaker 4: Yeah, I mean I think I think taking the temperature

461
00:22:40,240 --> 00:22:43,400
Speaker 4: is a good idea. I think that maybe if there's

462
00:22:43,880 --> 00:22:45,680
Speaker 4: a line where the Skusman's doing the kiss thing, and

463
00:22:45,680 --> 00:22:48,399
Speaker 4: then maybe we have the forehead thermometers kind of in

464
00:22:48,480 --> 00:22:51,360
Speaker 4: another line after that, as like just as a way

465
00:22:51,359 --> 00:22:53,520
Speaker 4: to check up on what you're doing.

466
00:22:54,640 --> 00:22:56,840
Speaker 2: You could double check that way. That's fine by me.

467
00:22:57,720 --> 00:22:59,520
Speaker 4: Okay, that would make that would make me feel That

468
00:22:59,600 --> 00:23:01,120
Speaker 4: made me feel a lot better. And if you get

469
00:23:01,119 --> 00:23:02,920
Speaker 4: tired of kissing people on the forehead, maybe we just

470
00:23:02,960 --> 00:23:04,680
Speaker 4: don't do that part. If you don't know, if.

471
00:23:04,480 --> 00:23:06,560
Speaker 2: I actually like it, I don't get tired of it.

472
00:23:06,560 --> 00:23:09,959
Speaker 2: It's really it's fun for me. Yeah, and it's and

473
00:23:09,960 --> 00:23:13,920
Speaker 2: it's doing something you know, to do it helping society really.

474
00:23:14,640 --> 00:23:18,959
Speaker 4: Well, I don't it is people walk away really charmed

475
00:23:19,000 --> 00:23:21,800
Speaker 4: by the kiss. I don't know if you've seen someone

476
00:23:21,880 --> 00:23:24,640
Speaker 4: get kiss on the forehead by scuts man. But I'm

477
00:23:24,680 --> 00:23:27,040
Speaker 4: just worried about the scenes we have in the movie.

478
00:23:27,040 --> 00:23:29,280
Speaker 4: I mean, there's a lot of you guys read the script.

479
00:23:29,320 --> 00:23:30,800
Speaker 4: I send it to you, but.

480
00:23:31,480 --> 00:23:33,200
Speaker 3: We can we can do we want to read a

481
00:23:33,240 --> 00:23:33,800
Speaker 3: little bit of it.

482
00:23:33,880 --> 00:23:36,920
Speaker 1: We can take a look at Yeah, we can uh yeah,

483
00:23:37,000 --> 00:23:38,919
Speaker 1: go over some scenes because I was curious as I

484
00:23:38,920 --> 00:23:41,679
Speaker 1: started reading it how you would execute these in a

485
00:23:41,720 --> 00:23:45,359
Speaker 1: safe way. Yeah. Obviously there are a lot of crowd

486
00:23:45,400 --> 00:23:51,280
Speaker 1: scenes and uh scenes that call for closeness, physical contact,

487
00:23:51,320 --> 00:23:55,199
Speaker 1: so I'd be I'd just be curious how you intend

488
00:23:55,240 --> 00:23:57,720
Speaker 1: to do it or if there's a plan that makes sense,

489
00:23:57,720 --> 00:23:59,479
Speaker 1: because it can be useful for the entire industry if

490
00:23:59,480 --> 00:24:00,440
Speaker 1: you have figured it out.

491
00:24:01,720 --> 00:24:04,639
Speaker 4: Yeah, I mean I like, I'd love to. Maybe we

492
00:24:04,680 --> 00:24:06,040
Speaker 4: can just read the scene and yeh see if there's

493
00:24:06,040 --> 00:24:07,159
Speaker 4: a way I.

494
00:24:07,160 --> 00:24:11,520
Speaker 3: Can do, I can do stage directions. If you guys

495
00:24:11,560 --> 00:24:14,119
Speaker 3: just want to like pick up characters as we're reading.

496
00:24:15,640 --> 00:24:18,639
Speaker 2: Man, yeah, yeah, okay.

497
00:24:19,080 --> 00:24:25,359
Speaker 3: Exterior overhead shot, tiny beach. Not a grain of sand

498
00:24:25,520 --> 00:24:31,320
Speaker 3: is visible for the massive bodies below. The bingo man

499
00:24:32,600 --> 00:24:34,400
Speaker 3: rolls his bingo bowl.

500
00:24:34,840 --> 00:24:35,639
Speaker 2: Rolls.

501
00:24:36,840 --> 00:24:44,400
Speaker 3: And pulls out a Bingo button. A button. It reads

502
00:24:45,640 --> 00:24:48,640
Speaker 3: right hand san Diego Padres.

503
00:24:49,680 --> 00:24:53,399
Speaker 1: Right hand, san Diego Padres, all.

504
00:24:55,400 --> 00:24:56,399
Speaker 2: Filling it a piece.

505
00:24:57,960 --> 00:25:02,120
Speaker 3: The mass of people all star writhing around, placing their

506
00:25:02,240 --> 00:25:09,960
Speaker 3: right hand on different beach blankets. Idris Elba, the actor, enters.

507
00:25:10,760 --> 00:25:14,520
Speaker 4: Hello, Hello boys, Okay, mind if I mind if I

508
00:25:14,560 --> 00:25:15,760
Speaker 4: get a blanket and play.

509
00:25:16,800 --> 00:25:19,399
Speaker 1: Hey man, dude, sure thing, Idris.

510
00:25:21,840 --> 00:25:24,360
Speaker 4: Hey, may I kiss you?

511
00:25:25,160 --> 00:25:29,080
Speaker 1: Oh? Geez idriss big star like you. That'd be an honor?

512
00:25:29,440 --> 00:25:30,720
Speaker 1: Or were you talking to me or him?

513
00:25:31,960 --> 00:25:34,800
Speaker 4: Well, now I'm not sure which i'd Originally I was

514
00:25:34,920 --> 00:25:36,040
Speaker 4: talking to the scus man.

515
00:25:36,480 --> 00:25:38,720
Speaker 1: Boy, I'd be real offended if you don't kiss both

516
00:25:38,720 --> 00:25:39,000
Speaker 1: of us.

517
00:25:39,040 --> 00:25:42,280
Speaker 4: Now, well, you know what, this sounds like a perfect

518
00:25:42,280 --> 00:25:44,000
Speaker 4: time for triple kiss?

519
00:25:45,600 --> 00:25:46,359
Speaker 2: Triple kiss?

520
00:25:46,720 --> 00:25:52,240
Speaker 4: Ready go mom, Mom, Mom.

521
00:25:52,760 --> 00:25:55,639
Speaker 1: Boy, that was a good kiss. God you blessing me

522
00:25:55,720 --> 00:25:57,760
Speaker 1: with that kiss today makes me want to pay it

523
00:25:57,840 --> 00:25:59,760
Speaker 1: forward and kiss two more people.

524
00:26:01,000 --> 00:26:02,920
Speaker 3: Idris Elba and I just want to point out that

525
00:26:02,920 --> 00:26:09,800
Speaker 3: the shron's character is Young Haley Joel osmn So Idris Elba,

526
00:26:09,880 --> 00:26:13,960
Speaker 3: the actor Discussman and Young Hailey Joel Osman each kiss,

527
00:26:14,840 --> 00:26:18,639
Speaker 3: each engaged in a triple kiss with two other couples

528
00:26:19,960 --> 00:26:25,320
Speaker 3: on the beach. Within thirty seconds, the entire beach has

529
00:26:25,359 --> 00:26:26,080
Speaker 3: been kissed.

530
00:26:26,880 --> 00:26:30,960
Speaker 4: Well, mad work is done. It's a great see scus Man,

531
00:26:31,600 --> 00:26:32,679
Speaker 4: good looking Singo.

532
00:26:33,600 --> 00:26:37,320
Speaker 2: Good to see Idris, Hey, we're still calling Bingo if

533
00:26:37,320 --> 00:26:38,360
Speaker 2: you want to stay for it?

534
00:26:38,960 --> 00:26:42,280
Speaker 4: Really you wouldn't mind if I stayed. I mean, I guess,

535
00:26:42,720 --> 00:26:44,399
Speaker 4: I guess that would be nice. I thought you were

536
00:26:44,400 --> 00:26:47,560
Speaker 4: still mad at me because of out of because of cats.

537
00:26:48,280 --> 00:26:51,560
Speaker 2: Oh. I am still mad at you, and I'll find

538
00:26:51,600 --> 00:26:55,520
Speaker 2: a way to get you back. But for now, let's

539
00:26:55,560 --> 00:26:56,560
Speaker 2: just enjoy the beach.

540
00:26:57,760 --> 00:27:01,480
Speaker 1: The Bingo man pulls out a bing Go button that

541
00:27:01,720 --> 00:27:03,120
Speaker 1: says Bingo.

542
00:27:04,760 --> 00:27:05,200
Speaker 2: Bingo.

543
00:27:08,359 --> 00:27:15,440
Speaker 3: Yeah, beach cheer. Yeah they won?

544
00:27:16,160 --> 00:27:18,120
Speaker 2: Yeah yeah yeah yeah.

545
00:27:18,160 --> 00:27:20,760
Speaker 4: So I'm glad you started with the last scene first.

546
00:27:21,440 --> 00:27:23,880
Speaker 3: Yeah, I mean, have you shot this.

547
00:27:25,359 --> 00:27:28,440
Speaker 4: We shot the part where the beach looks like like

548
00:27:28,680 --> 00:27:30,960
Speaker 4: we shot the drone shot. We got the helicopter drone

549
00:27:31,000 --> 00:27:32,119
Speaker 4: shot from way way up.

550
00:27:32,359 --> 00:27:34,440
Speaker 3: Yeah, why beach so tiny?

551
00:27:36,119 --> 00:27:38,320
Speaker 4: That was that was gus Man's idea. He likes the

552
00:27:38,400 --> 00:27:41,360
Speaker 4: idea that in the grand scheme of the universe, were

553
00:27:41,359 --> 00:27:44,080
Speaker 4: also tiny and kind of like grans of sand form

554
00:27:44,119 --> 00:27:44,560
Speaker 4: a beach.

555
00:27:44,960 --> 00:27:45,920
Speaker 1: You know like that, right?

556
00:27:46,760 --> 00:27:46,920
Speaker 2: Yeah?

557
00:27:46,960 --> 00:27:48,000
Speaker 1: I like tiny things.

558
00:27:48,040 --> 00:27:49,760
Speaker 2: I like miniature things.

559
00:27:50,359 --> 00:27:53,480
Speaker 1: You live so close to a great, big beach, it

560
00:27:53,560 --> 00:27:57,600
Speaker 1: seems like you you had to build a smaller beach

561
00:27:57,760 --> 00:27:58,600
Speaker 1: just to shoot this.

562
00:27:59,560 --> 00:28:01,440
Speaker 2: Oh yeah, yeah.

563
00:28:01,480 --> 00:28:03,200
Speaker 4: The part part was getting all the sand out of

564
00:28:03,200 --> 00:28:07,679
Speaker 4: the regular beach to make it look smaller. But see this,

565
00:28:08,240 --> 00:28:10,080
Speaker 4: But this scene is a good example of what I'm

566
00:28:10,520 --> 00:28:12,280
Speaker 4: what I'm worried about.

567
00:28:12,640 --> 00:28:15,720
Speaker 1: Getting the sand off the beach to make a smaller beach.

568
00:28:15,920 --> 00:28:18,600
Speaker 4: I'm telling you. It was the best production. It was

569
00:28:18,680 --> 00:28:23,600
Speaker 4: so successful. I mean, these guys worked so it was

570
00:28:23,640 --> 00:28:27,200
Speaker 4: so much the locations department. It was the locations department

571
00:28:27,280 --> 00:28:30,320
Speaker 4: that did catch me, if you can. And that's so

572
00:28:30,440 --> 00:28:35,960
Speaker 4: many locations, so many, and so I mean they just

573
00:28:38,040 --> 00:28:42,400
Speaker 4: of there in France as they're on planes. He's all

574
00:28:42,440 --> 00:28:43,360
Speaker 4: over I mean.

575
00:28:43,520 --> 00:28:49,320
Speaker 1: They're trying to catch him. He's keep keep switching locations,

576
00:28:49,360 --> 00:28:50,840
Speaker 1: which makes it so hard.

577
00:28:51,400 --> 00:28:53,920
Speaker 4: Yeah, I mean that's that was. Yeah, that's what I

578
00:28:53,920 --> 00:28:55,360
Speaker 4: think of when I first think of a lot of

579
00:28:55,360 --> 00:29:05,040
Speaker 4: Look anyway, I I discus man, I don't think your

580
00:29:05,080 --> 00:29:08,120
Speaker 4: plan for the for how to keep the kissing safe

581
00:29:08,200 --> 00:29:12,360
Speaker 4: is going to work. He wants saran wrap over over face.

582
00:29:12,520 --> 00:29:16,280
Speaker 4: He thinks putting saran wrap over everyone's face will do it,

583
00:29:16,600 --> 00:29:22,960
Speaker 4: and I think it will either suffocate or it's not.

584
00:29:23,040 --> 00:29:25,520
Speaker 4: The sound that sneeze makes. The sound after that, I'm

585
00:29:25,520 --> 00:29:28,200
Speaker 4: always the recovery sound that.

586
00:29:30,600 --> 00:29:36,080
Speaker 2: Yeah, but because that happens, I have to go kiss them.

587
00:29:36,560 --> 00:29:39,480
Speaker 4: I mean, scusman, is are you willing to maybe look

588
00:29:39,520 --> 00:29:41,680
Speaker 4: at this kissing scene like maybe it's not maybe it's

589
00:29:41,680 --> 00:29:43,240
Speaker 4: like a high five they do, or.

590
00:29:43,560 --> 00:29:48,800
Speaker 3: Even before that, like bingo as it's normally played. I mean,

591
00:29:48,840 --> 00:29:52,120
Speaker 3: what you're describing it seems more like twister.

592
00:29:52,360 --> 00:29:58,280
Speaker 1: A twister incorporated right hand and just little things to

593
00:29:58,400 --> 00:30:00,720
Speaker 1: where it's like right hand San Diego Padres. And then

594
00:30:00,720 --> 00:30:02,960
Speaker 1: the next day direction is everyone starts putting their right

595
00:30:02,960 --> 00:30:06,200
Speaker 1: hand on different blankets. It's like, wouldn't they all be

596
00:30:06,200 --> 00:30:08,720
Speaker 1: putting it on the same blanket. The San Diego Padres.

597
00:30:08,720 --> 00:30:11,600
Speaker 3: What I guess maybe there are like a few different

598
00:30:11,640 --> 00:30:15,480
Speaker 3: San Diego padres bickety, you know, it's like but say that.

599
00:30:16,240 --> 00:30:18,160
Speaker 2: Yeah, there's different logos, so you know.

600
00:30:18,880 --> 00:30:20,160
Speaker 4: That's a good note. We should say that.

601
00:30:21,440 --> 00:30:23,320
Speaker 2: Yeah, all right, all right, I'll take that note.

602
00:30:24,720 --> 00:30:26,760
Speaker 1: Wow, this is the first note I've ever gotten through.

603
00:30:27,120 --> 00:30:31,320
Speaker 4: Yeah, Scusman's become way more receptive to notes and there

604
00:30:31,560 --> 00:30:32,120
Speaker 4: locked down.

605
00:30:32,960 --> 00:30:35,680
Speaker 2: Hey, you gotta be you gotta think outside the box,

606
00:30:35,720 --> 00:30:39,080
Speaker 2: and you gotta be willing to, you know, to stretch

607
00:30:39,120 --> 00:30:42,640
Speaker 2: yourself and do things you might not do before these times.

608
00:30:43,760 --> 00:30:46,560
Speaker 2: So uh, that's yeah, Okay.

609
00:30:46,360 --> 00:30:48,080
Speaker 4: We can clean up the bingo a little bit, maybe

610
00:30:48,120 --> 00:30:50,480
Speaker 4: explain the rules, maybe make it all either Bingo or

611
00:30:50,520 --> 00:30:52,800
Speaker 4: all either twister, and kind of keep it consistent. I

612
00:30:53,200 --> 00:30:57,000
Speaker 4: think that could that could maybe help that part. I'm

613
00:30:57,200 --> 00:30:59,680
Speaker 4: worried about the kissing though, Yeah.

614
00:31:00,120 --> 00:31:02,360
Speaker 3: How we can move on to the triple kiss and

615
00:31:02,440 --> 00:31:04,800
Speaker 3: also the fact that, like it is a pretty good

616
00:31:04,840 --> 00:31:09,520
Speaker 3: mathematical demonstration of exponential growth, just how quickly.

617
00:31:10,440 --> 00:31:13,200
Speaker 1: This beach full of people has all been kissed.

618
00:31:14,360 --> 00:31:16,880
Speaker 4: Yeah, yeah, I mean that's kind of that wasn't on

619
00:31:16,920 --> 00:31:19,640
Speaker 4: our minds when we wrote it, but it kind of

620
00:31:19,720 --> 00:31:21,640
Speaker 4: is something you could take away now.

621
00:31:22,760 --> 00:31:24,600
Speaker 1: No, I get when you're writing it, it's just a

622
00:31:24,640 --> 00:31:28,600
Speaker 1: really cool scene, but it's.

623
00:31:28,440 --> 00:31:30,360
Speaker 4: Just the payoff. Yeah, we do.

624
00:31:30,320 --> 00:31:33,560
Speaker 1: Have to reflect a little bit now as we're as

625
00:31:33,600 --> 00:31:37,280
Speaker 1: we are dealing with as Scusman so eloquently put these times,

626
00:31:40,280 --> 00:31:43,800
Speaker 1: maybe we do want to change it to not a kiss.

627
00:31:43,840 --> 00:31:47,360
Speaker 1: And I know you suggested high fives dom, but I

628
00:31:47,400 --> 00:31:52,040
Speaker 1: gotta say I'm not super comfortable with that either. Maybe

629
00:31:52,080 --> 00:31:53,840
Speaker 1: it's just knowing looks.

630
00:31:54,320 --> 00:31:59,120
Speaker 4: Yeah, have Scusman. Scusman had pitched eskimo kisses.

631
00:32:00,400 --> 00:32:04,600
Speaker 2: Okay, I still want some sort of human contact, uh,

632
00:32:05,000 --> 00:32:08,680
Speaker 2: if we can get in there at some some level.

633
00:32:09,840 --> 00:32:14,480
Speaker 2: So eskimo kisses, I mean you take your shirts off

634
00:32:14,480 --> 00:32:18,040
Speaker 2: and you touch nipples if your guys and guys, guys,

635
00:32:18,120 --> 00:32:20,680
Speaker 2: girls girls, Because we can't we can't have the other

636
00:32:20,720 --> 00:32:21,240
Speaker 2: thing happen.

637
00:32:21,800 --> 00:32:28,440
Speaker 3: You're saying you cannot have mixed gender nipple contact in

638
00:32:28,560 --> 00:32:29,120
Speaker 3: this movie.

639
00:32:29,520 --> 00:32:30,960
Speaker 4: And I mean that's not the type of thing that

640
00:32:31,000 --> 00:32:33,320
Speaker 4: Scusman would have said before Lockdown. I mean Scusman needs

641
00:32:33,360 --> 00:32:33,600
Speaker 4: to be.

642
00:32:33,960 --> 00:32:36,640
Speaker 3: He really has changed in a way that like and

643
00:32:36,680 --> 00:32:40,240
Speaker 3: I wonder if this is like some kind of symptom.

644
00:32:40,560 --> 00:32:44,720
Speaker 1: He's soffen the bit. Yeah, and uh, he.

645
00:32:44,680 --> 00:32:47,920
Speaker 4: Used to not care about nipples touch Like, yeah, dude.

646
00:32:49,480 --> 00:32:51,000
Speaker 3: He used to say all the time.

647
00:32:51,960 --> 00:32:54,120
Speaker 1: And I gotta say, if you're taking that out of this,

648
00:32:54,320 --> 00:32:56,920
Speaker 1: like you're saying you can't have it in this scene.

649
00:32:56,960 --> 00:33:00,480
Speaker 1: My first thought was because it is happening so many

650
00:33:00,520 --> 00:33:03,000
Speaker 1: other places in the movie, that was why you didn't

651
00:33:03,000 --> 00:33:06,040
Speaker 1: want that, Because there is mixed gender nipple touching on

652
00:33:06,600 --> 00:33:08,160
Speaker 1: basically every fourth page.

653
00:33:08,560 --> 00:33:11,040
Speaker 4: Yeah, and then and scus Man has had a real

654
00:33:11,160 --> 00:33:14,320
Speaker 4: epiphany about he started feeling real bad about that in Lockdown,

655
00:33:14,360 --> 00:33:18,080
Speaker 4: starts feeling like that's sending a bad message right about

656
00:33:18,280 --> 00:33:19,040
Speaker 4: about nipples.

657
00:33:20,320 --> 00:33:23,760
Speaker 2: It's just it's it's it's sending a bad message about

658
00:33:23,800 --> 00:33:29,600
Speaker 2: like personal space, what you know, what people what people

659
00:33:30,320 --> 00:33:32,680
Speaker 2: should be expected to do, what they want to do.

660
00:33:32,880 --> 00:33:36,959
Speaker 2: And you know, I've I've got to come to Jesus

661
00:33:37,000 --> 00:33:38,120
Speaker 2: moment about it.

662
00:33:38,160 --> 00:33:42,320
Speaker 3: Is it? Is it young Haley Joel osmad to like,

663
00:33:42,640 --> 00:33:47,600
Speaker 3: is that to explain the concept of like paying it forward?

664
00:33:47,640 --> 00:33:52,400
Speaker 3: I just like, yes, you know, how how do you

665
00:33:52,480 --> 00:33:53,800
Speaker 3: intend to execute that?

666
00:33:55,120 --> 00:33:57,320
Speaker 4: Well? It's it's young Hailey Joel Osman. I think we

667
00:33:57,360 --> 00:33:59,040
Speaker 4: pictured him being like two and a half years younger

668
00:33:59,040 --> 00:34:03,520
Speaker 4: than he is now. Okay, our scus man, or how

669
00:34:03,520 --> 00:34:06,320
Speaker 4: old did you how old? How old did you picture him?

670
00:34:06,680 --> 00:34:14,399
Speaker 2: Uh? Yeah, just shy to two years a little less?

671
00:34:14,440 --> 00:34:16,440
Speaker 1: Okay, now it's a little less than two years.

672
00:34:16,440 --> 00:34:18,160
Speaker 4: Gus man, Come on, you want it the other way,

673
00:34:18,239 --> 00:34:20,160
Speaker 4: least time he talked. That's why we went two and

674
00:34:20,200 --> 00:34:22,080
Speaker 4: a half. All right, one and a half.

675
00:34:23,080 --> 00:34:25,000
Speaker 1: Sorry, I'm happy.

676
00:34:25,080 --> 00:34:30,160
Speaker 4: So he's breathing, disgusman. Come on, let me let me

677
00:34:30,200 --> 00:34:31,520
Speaker 4: go check on the hospital door.

678
00:34:31,719 --> 00:34:35,640
Speaker 3: So he just turned thirty two last month, so he

679
00:34:35,760 --> 00:34:41,759
Speaker 3: is either just over just in his thirties or just

680
00:34:41,880 --> 00:34:43,120
Speaker 3: shy of his thirties.

681
00:34:43,160 --> 00:34:44,400
Speaker 4: But what we don't want is for him to be

682
00:34:44,440 --> 00:34:46,239
Speaker 4: a little kid doing the Triple Kids. That's what we

683
00:34:46,280 --> 00:34:50,080
Speaker 4: don't Yeah, that's if there's any confusion in that area,

684
00:34:50,239 --> 00:34:51,719
Speaker 4: like that's we should clean up.

685
00:34:51,880 --> 00:34:56,080
Speaker 3: Definitely. When you say young, Haley Joel Osmon, people absolutely

686
00:34:56,120 --> 00:34:58,839
Speaker 3: read that as him being a little kid.

687
00:34:59,520 --> 00:35:03,200
Speaker 1: Yeah, I mean that really was. He obviously became famous

688
00:35:03,400 --> 00:35:05,799
Speaker 1: as a child actor, So when you say young, I

689
00:35:05,840 --> 00:35:07,240
Speaker 1: think that is what people picture.

690
00:35:07,680 --> 00:35:09,799
Speaker 4: Oh wow, well that scene must have grossed you guys out.

691
00:35:10,960 --> 00:35:13,759
Speaker 3: I mean it does end up being I don't know.

692
00:35:13,800 --> 00:35:15,799
Speaker 3: It just kind of ends up getting lost in a

693
00:35:15,840 --> 00:35:17,600
Speaker 3: few different things.

694
00:35:17,920 --> 00:35:19,600
Speaker 1: I guess I didn't have time to be grossed out.

695
00:35:19,640 --> 00:35:23,160
Speaker 1: I had so many questions, and like the promise to

696
00:35:23,520 --> 00:35:28,200
Speaker 1: take revenge on Andris Elba, Like, wait, he said, I

697
00:35:28,200 --> 00:35:30,560
Speaker 1: thought you'd be mad at me. And then Scusband says, oh,

698
00:35:30,600 --> 00:35:32,799
Speaker 1: I am mad at you, and I am going to

699
00:35:33,040 --> 00:35:33,520
Speaker 1: get you.

700
00:35:34,360 --> 00:35:35,920
Speaker 2: And then and.

701
00:35:35,880 --> 00:35:38,200
Speaker 1: Then he just goes, but for now, let's play bingo

702
00:35:38,239 --> 00:35:41,880
Speaker 1: and then and then you all get bingo in the

703
00:35:41,920 --> 00:35:45,080
Speaker 1: movie ends. I thought it felt like something was being

704
00:35:45,160 --> 00:35:48,680
Speaker 1: set up at first, but I.

705
00:35:47,920 --> 00:35:50,840
Speaker 3: And now the timeline is a little confusing to me

706
00:35:50,920 --> 00:35:54,120
Speaker 3: because Idris Elba has done Cats.

707
00:35:54,440 --> 00:35:56,160
Speaker 4: He thinks that's why scus Man's mad at him.

708
00:35:56,200 --> 00:35:59,479
Speaker 3: Yeah, and yet Haley joel osmad is.

709
00:36:01,120 --> 00:36:03,800
Speaker 1: Twenty nine and a half or possibly just over thirty.

710
00:36:04,440 --> 00:36:07,960
Speaker 3: But either way of an age where Cats has not

711
00:36:08,200 --> 00:36:10,960
Speaker 3: has not come out yet, maybe that's in production.

712
00:36:11,960 --> 00:36:13,440
Speaker 1: Uh yeah, I'm sure it is.

713
00:36:13,640 --> 00:36:16,480
Speaker 4: I think earlier in the script we say it's in production.

714
00:36:16,640 --> 00:36:19,080
Speaker 4: But maybe again. I mean, this is great to hear

715
00:36:19,120 --> 00:36:21,560
Speaker 4: stuff that's like not clear that we should kind of.

716
00:36:21,520 --> 00:36:24,080
Speaker 1: Like get okay, I'm remembering now that is a whole

717
00:36:24,120 --> 00:36:26,480
Speaker 1: scene where you guys talk about Cats being in production.

718
00:36:27,200 --> 00:36:29,880
Speaker 4: Yeah, yeah, yeah, and it feels like a throwaway, and

719
00:36:29,880 --> 00:36:32,840
Speaker 4: then later and it comes back and is great and

720
00:36:32,880 --> 00:36:35,120
Speaker 4: then pays off. It pays So it did.

721
00:36:35,239 --> 00:36:36,040
Speaker 2: It was confusing.

722
00:36:36,040 --> 00:36:38,640
Speaker 1: I don't know if it felt like a throwaway, because

723
00:36:38,640 --> 00:36:40,840
Speaker 1: it is. It is several pages.

724
00:36:41,719 --> 00:36:44,600
Speaker 3: Do we want to read it? I guess yeah.

725
00:36:44,640 --> 00:36:46,839
Speaker 4: This scene where they yeah, the scene where they talk

726
00:36:46,880 --> 00:36:47,600
Speaker 4: about cats.

727
00:36:47,719 --> 00:37:00,000
Speaker 3: Okay, exterior mo cat beach. What Idris Elba is out

728
00:37:00,640 --> 00:37:04,400
Speaker 3: in a mowcapsuit in front of a green ocean?

729
00:37:04,760 --> 00:37:06,680
Speaker 1: Okay, I guess that kind of makes sense.

730
00:37:07,920 --> 00:37:15,080
Speaker 3: Row Now scus Man watches from afar. He's really pissed.

731
00:37:17,840 --> 00:37:20,040
Speaker 1: We come back to bed, scus man.

732
00:37:21,680 --> 00:37:25,799
Speaker 2: Oh, I can't frs Elba's messing up over here.

733
00:37:26,760 --> 00:37:28,919
Speaker 1: Scus Man, Would you just get Would you just take

734
00:37:28,920 --> 00:37:31,120
Speaker 1: those big beautiful nipples and come back to bed and

735
00:37:31,120 --> 00:37:33,160
Speaker 1: put them up against mine?

736
00:37:33,600 --> 00:37:37,919
Speaker 2: H Okay, I'll do it for now, But I don't

737
00:37:37,960 --> 00:37:39,279
Speaker 2: know if this is the right thing to do.

738
00:37:39,640 --> 00:37:43,520
Speaker 4: Oh meow, oh my own nod.

739
00:37:43,800 --> 00:37:47,400
Speaker 1: Just ignor him, ignore him, scus man. Why are you

740
00:37:47,480 --> 00:37:51,319
Speaker 1: so upset that KATS is currently in production? You're letting

741
00:37:51,360 --> 00:37:54,319
Speaker 1: it ruin your whole day, and this is going on

742
00:37:54,400 --> 00:37:57,359
Speaker 1: a week now that Kats is currently in production, and

743
00:37:57,400 --> 00:38:00,560
Speaker 1: then you somehow let this take over your entire life.

744
00:38:00,600 --> 00:38:02,320
Speaker 1: It shouldn't affect your mood this much.

745
00:38:02,680 --> 00:38:07,360
Speaker 2: I just don't know why they're still inbruption Macavity's not that.

746
00:38:09,160 --> 00:38:12,440
Speaker 3: I just want to point out that the character for

747
00:38:12,600 --> 00:38:17,000
Speaker 3: that that that Sean is playing, it's.

748
00:38:16,360 --> 00:38:18,560
Speaker 1: The dialogue is it says? Who is this?

749
00:38:19,000 --> 00:38:19,440
Speaker 4: Yeah?

750
00:38:20,440 --> 00:38:20,880
Speaker 1: Yeah?

751
00:38:21,040 --> 00:38:23,240
Speaker 4: How was this? Yeah? Do you guys have any ideas?

752
00:38:23,320 --> 00:38:26,680
Speaker 4: We're looking we we've we've been through so many people

753
00:38:26,680 --> 00:38:28,799
Speaker 4: that this could be. We're so stuck on who this

754
00:38:28,840 --> 00:38:30,719
Speaker 4: could be. I mean who It.

755
00:38:30,719 --> 00:38:35,480
Speaker 3: Seems to be a woman who wants to make man's lover.

756
00:38:36,120 --> 00:38:37,359
Speaker 1: Yeah it is, it.

757
00:38:37,360 --> 00:38:41,520
Speaker 4: Is contextually, but who, Like it's just as a hard

758
00:38:41,600 --> 00:38:46,360
Speaker 4: character to suss out, like why.

759
00:38:45,239 --> 00:38:48,160
Speaker 2: Kind of what kind of what kind of being is it? Really?

760
00:38:48,960 --> 00:38:49,400
Speaker 2: You never know?

761
00:38:49,520 --> 00:38:52,440
Speaker 1: Okay, it's not a human being. It has nipples. I

762
00:38:52,480 --> 00:38:52,839
Speaker 1: don't know.

763
00:38:52,960 --> 00:38:54,319
Speaker 2: I don't know if it is or not.

764
00:38:54,719 --> 00:38:58,360
Speaker 1: I guess cats, as you off, it's like cats have nipples.

765
00:38:58,400 --> 00:39:01,359
Speaker 2: Do have nipples too?

766
00:39:01,640 --> 00:39:05,879
Speaker 4: Yeah? Cats, cats have nipples? Can you milk them? Always says,

767
00:39:06,040 --> 00:39:06,680
Speaker 4: And that's.

768
00:39:06,480 --> 00:39:09,120
Speaker 3: Not and that's not exactly.

769
00:39:10,040 --> 00:39:13,359
Speaker 4: What the what the cats have nipples? Can you milk them?

770
00:39:13,560 --> 00:39:17,959
Speaker 3: And tying into the movie Cats. Maybe this is what's

771
00:39:18,000 --> 00:39:22,440
Speaker 3: making you so upset about it. I mean, most of

772
00:39:22,480 --> 00:39:26,000
Speaker 3: the notes you have taken so far are are clarity notes,

773
00:39:26,520 --> 00:39:32,160
Speaker 3: and I do think like the connection between the line

774
00:39:32,960 --> 00:39:35,319
Speaker 3: cats have nipples too, which is not the line and

775
00:39:35,400 --> 00:39:39,160
Speaker 3: meet the parents, it's kind of close.

776
00:39:40,200 --> 00:39:42,680
Speaker 1: Well that's how we get there though. I mean that's

777
00:39:42,719 --> 00:39:44,879
Speaker 1: if cats didn't have nipples, you wouldn't have that scene

778
00:39:44,920 --> 00:39:46,240
Speaker 1: at all. Exactly.

779
00:39:46,239 --> 00:39:47,880
Speaker 3: No, it's like it's very close.

780
00:39:48,640 --> 00:39:50,920
Speaker 1: It's basically the jew it's connected.

781
00:39:51,040 --> 00:39:53,200
Speaker 4: Yeah, cats have nipples? Can you milk them? It's you

782
00:39:53,520 --> 00:39:55,040
Speaker 4: can say it the same way. It's the same thing.

783
00:39:55,920 --> 00:40:01,520
Speaker 1: Yeah, cats have nipples. Fokker Yeah, hey, cats have nipples?

784
00:40:01,520 --> 00:40:05,880
Speaker 1: Fucker can you milk them?

785
00:40:05,920 --> 00:40:10,520
Speaker 3: So you do like that is it possible that, like

786
00:40:10,680 --> 00:40:16,839
Speaker 3: you are mad at Idris Elba in Cats because of

787
00:40:16,880 --> 00:40:19,280
Speaker 3: the way like the nipples are presented on the cats.

788
00:40:19,320 --> 00:40:21,719
Speaker 3: But what's weird about that to me is it's still

789
00:40:21,760 --> 00:40:23,319
Speaker 3: in production. You don't even know.

790
00:40:23,680 --> 00:40:25,640
Speaker 4: Yeah you don't. Yeah, we don't know. We've been we've

791
00:40:25,680 --> 00:40:28,920
Speaker 4: hit these walls too. He doesn't know about the movie.

792
00:40:29,120 --> 00:40:30,680
Speaker 4: So why is he mad? Because that's the other thing.

793
00:40:30,680 --> 00:40:33,000
Speaker 4: Who's this woman like just in the world and who

794
00:40:33,239 --> 00:40:38,120
Speaker 4: and why is Gusman mad at DRIs Elba by myself?

795
00:40:39,400 --> 00:40:42,040
Speaker 3: Now I've heard Idris and Idris I've never heard.

796
00:40:42,040 --> 00:40:47,080
Speaker 4: Oh I don't know. Is that what I said? Yeah? Shit?

797
00:40:47,760 --> 00:40:50,000
Speaker 1: Why is it outside?

798
00:40:50,640 --> 00:40:53,439
Speaker 2: Yeah? Like, why is he doing it there?

799
00:40:53,520 --> 00:40:57,920
Speaker 1: Why is he apparently like rehearsing for the movie just

800
00:40:58,040 --> 00:41:00,960
Speaker 1: right out in front of Gusman's bus balcony.

801
00:41:00,920 --> 00:41:02,920
Speaker 3: And it seemed no, it seems like they are actually

802
00:41:02,960 --> 00:41:05,879
Speaker 3: shooting it based on like some others like this is

803
00:41:05,920 --> 00:41:10,680
Speaker 3: this is something called mocat Beach where they do motion

804
00:41:10,920 --> 00:41:13,280
Speaker 3: outdoor motion capture stuff.

805
00:41:14,000 --> 00:41:16,000
Speaker 4: Yeah, well, I guess the simple answer is because that's

806
00:41:16,000 --> 00:41:18,960
Speaker 4: where scus Man is. We need Scusman to see him shooting.

807
00:41:19,120 --> 00:41:22,200
Speaker 4: And then we we had a justification, I think, which

808
00:41:22,239 --> 00:41:25,880
Speaker 4: was that he found the studio too cold an address

809
00:41:25,920 --> 00:41:27,439
Speaker 4: Elba found it too cold?

810
00:41:27,719 --> 00:41:31,560
Speaker 3: Dress? It makes sense, oh Eddress found it too cold. Okay.

811
00:41:31,600 --> 00:41:36,320
Speaker 3: I wonder if again this discuss Man projected God the

812
00:41:36,480 --> 00:41:42,000
Speaker 3: thing that he feels because of his core body temperature

813
00:41:42,080 --> 00:41:43,320
Speaker 3: being so high.

814
00:41:44,160 --> 00:41:46,359
Speaker 4: Scus Man, you gotta you gotta wipe your forehead. Man

815
00:41:46,360 --> 00:41:47,920
Speaker 4: there's a lot of sweat.

816
00:41:49,480 --> 00:41:51,720
Speaker 3: Oh now, I sort of wish that had stayed odd

817
00:41:52,320 --> 00:41:53,920
Speaker 3: because it's it's wiped off.

818
00:41:54,160 --> 00:42:01,120
Speaker 2: What's underneath is some of the scuzz. Yeah, I haven't

819
00:42:01,120 --> 00:42:04,600
Speaker 2: diggd my swim today. You got me up, You got

820
00:42:04,600 --> 00:42:07,200
Speaker 2: me up, You got me up way earlier than I'm up.

821
00:42:07,280 --> 00:42:14,080
Speaker 4: Usually normally, normally, Skusman takes a sunset swim.

822
00:42:14,000 --> 00:42:17,480
Speaker 1: The sunset swim to start his day.

823
00:42:18,040 --> 00:42:21,839
Speaker 4: Yeah, Scusman's nocturnal now, he says. The he says, the

824
00:42:21,840 --> 00:42:26,840
Speaker 4: coronavirus is like it's more of a daytime thing. Uh

825
00:42:26,880 --> 00:42:29,160
Speaker 4: and uh so he tries to kind of stay out

826
00:42:29,200 --> 00:42:29,560
Speaker 4: at night.

827
00:42:29,719 --> 00:42:32,000
Speaker 1: And Okay, so that's why this was all gonna be

828
00:42:32,120 --> 00:42:36,320
Speaker 1: night shoots in order to protect people from the potential

829
00:42:36,360 --> 00:42:39,560
Speaker 1: of getting sick. We're shooting, but for a beach movie

830
00:42:39,560 --> 00:42:41,240
Speaker 1: to take place only at night.

831
00:42:41,400 --> 00:42:44,120
Speaker 4: Well, we're shooting range, we're shooting night for day, so

832
00:42:44,160 --> 00:42:46,719
Speaker 4: it's it's it's night for day on the beach, so

833
00:42:46,960 --> 00:42:51,000
Speaker 4: like obviously it'll be completely out there. Yeah, we're gonna

834
00:42:51,000 --> 00:42:53,319
Speaker 4: need some lights, and man, the pre production came through

835
00:42:53,320 --> 00:42:55,960
Speaker 4: on that. They got us the lights that we needed.

836
00:42:56,200 --> 00:42:59,799
Speaker 4: Those guys were killers and they deserve that party. They

837
00:42:59,800 --> 00:43:04,359
Speaker 4: are the best in the business. Our crew, we love them.

838
00:43:04,440 --> 00:43:06,319
Speaker 2: I was just I was just so amazed. I was

839
00:43:06,320 --> 00:43:08,560
Speaker 2: playing with those lights, fucking them on and up.

840
00:43:09,320 --> 00:43:11,480
Speaker 1: Play with those well.

841
00:43:11,320 --> 00:43:13,520
Speaker 4: He asked, he uses them to regulate his temperature.

842
00:43:14,040 --> 00:43:22,160
Speaker 2: But he's what, Yeah, it seems dangerous. No no, no, no, no, no, no, no,

843
00:43:22,360 --> 00:43:27,279
Speaker 2: it's cool. They're they're big lights, they're bright. I just

844
00:43:27,360 --> 00:43:29,239
Speaker 2: never see the lights that I get a kick out

845
00:43:29,239 --> 00:43:33,759
Speaker 2: of lights. And uh man, those things they really came

846
00:43:33,840 --> 00:43:34,359
Speaker 2: through on that.

847
00:43:34,960 --> 00:43:39,120
Speaker 4: Yeah, it's it's really the best in the business. Discusman.

848
00:43:39,360 --> 00:43:42,760
Speaker 4: You've been experimenting with bleach right still.

849
00:43:44,200 --> 00:43:46,640
Speaker 2: Yeah, it's one of our safety precautions. I've been trying

850
00:43:46,640 --> 00:43:48,160
Speaker 2: to trying to see.

851
00:43:48,680 --> 00:43:51,400
Speaker 4: Yeah, but he's got an idea to keep the to

852
00:43:51,480 --> 00:43:53,840
Speaker 4: keep the set sterile. Where have you seen one of

853
00:43:53,880 --> 00:43:57,319
Speaker 4: those like fans that blows like a water mist that

854
00:43:57,320 --> 00:43:59,200
Speaker 4: people can kind of go stand in front of and

855
00:43:59,239 --> 00:44:01,839
Speaker 4: it's kind of a nice So he wants to hook

856
00:44:01,880 --> 00:44:04,560
Speaker 4: up a bleach container to that and have and just

857
00:44:04,600 --> 00:44:06,799
Speaker 4: basically have there be a gauntlet of those you have

858
00:44:06,840 --> 00:44:07,960
Speaker 4: to kind of walk through.

859
00:44:09,000 --> 00:44:09,239
Speaker 2: Yeah.

860
00:44:09,320 --> 00:44:12,759
Speaker 1: So, I mean one of the things on the list

861
00:44:12,840 --> 00:44:16,880
Speaker 1: he sent me was that it just said, crafty, how

862
00:44:16,920 --> 00:44:21,160
Speaker 1: about bleach sandwiches, which, to me, this is just another

863
00:44:21,480 --> 00:44:26,600
Speaker 1: new danger that we're dealing with, because even if no

864
00:44:26,640 --> 00:44:29,879
Speaker 1: one was getting infected, if you are feeding the entire

865
00:44:29,960 --> 00:44:33,719
Speaker 1: cast and crew bleach sandwiches, they're going to get sick.

866
00:44:33,960 --> 00:44:35,840
Speaker 4: Well, scus man, tell them what's in a bleach sandwich?

867
00:44:35,840 --> 00:44:38,000
Speaker 4: He might, they might, they might be confused.

868
00:44:38,400 --> 00:44:41,080
Speaker 2: I'm yes, that's true. I guess I didn't look up. Yeah,

869
00:44:41,200 --> 00:44:41,719
Speaker 2: what's in it?

870
00:44:41,760 --> 00:44:43,480
Speaker 3: Bleach? Okay?

871
00:44:43,640 --> 00:44:49,120
Speaker 1: Then okay, Then I then I take wait, wait, is

872
00:44:49,160 --> 00:44:50,800
Speaker 1: the bleach the bread?

873
00:44:51,239 --> 00:44:53,680
Speaker 2: No, I freeze it. I freeze it in the and

874
00:44:53,719 --> 00:44:55,680
Speaker 2: then I put it on. I put it on a sandwich,

875
00:44:55,680 --> 00:44:57,960
Speaker 2: and then I melt cheese over it. And then it's

876
00:44:58,040 --> 00:44:59,160
Speaker 2: really wet.

877
00:45:00,200 --> 00:45:01,320
Speaker 4: Iced bleach between two s.

878
00:45:01,480 --> 00:45:05,279
Speaker 2: Why do you freeze it well in order to get

879
00:45:05,280 --> 00:45:06,960
Speaker 2: it on the bread and then to.

880
00:45:06,840 --> 00:45:07,440
Speaker 1: Get it on.

881
00:45:10,560 --> 00:45:12,640
Speaker 4: Otherwise it just makes the bread all soggy and you

882
00:45:12,640 --> 00:45:13,600
Speaker 4: don't want But.

883
00:45:13,560 --> 00:45:14,879
Speaker 2: Then you got to eat it real quick.

884
00:45:15,000 --> 00:45:18,240
Speaker 3: But you're that you're about to melt it. You're melting

885
00:45:18,360 --> 00:45:18,960
Speaker 3: cheese on.

886
00:45:19,000 --> 00:45:20,759
Speaker 4: It, not if he eats it first.

887
00:45:20,840 --> 00:45:23,920
Speaker 2: Not if I eat it first. It's crunchy and uh

888
00:45:24,360 --> 00:45:27,160
Speaker 2: and uh, hey, I've been needing to I've been feeling

889
00:45:27,320 --> 00:45:28,920
Speaker 2: I've been feeling super great.

890
00:45:29,800 --> 00:45:32,080
Speaker 3: I'm just noticing I thought this was a mistake. But

891
00:45:32,160 --> 00:45:36,040
Speaker 3: the script on some Oh no, he's grabbing his heart.

892
00:45:37,160 --> 00:45:40,440
Speaker 3: But on the other side, so those are his kidneys.

893
00:45:40,480 --> 00:45:42,640
Speaker 3: I just want to say, what he's grabbing kidney?

894
00:45:42,800 --> 00:45:44,719
Speaker 4: That means something's going to be announced about the beach.

895
00:45:46,040 --> 00:45:48,240
Speaker 4: Discuss man, is something going to be announced about the beach?

896
00:45:50,000 --> 00:45:55,360
Speaker 2: I feel like it's gonna be it's gonna be open

897
00:45:55,840 --> 00:45:56,880
Speaker 2: and tiny.

898
00:45:57,320 --> 00:46:00,839
Speaker 3: Or the governor is going to reopen the beach and

899
00:46:01,000 --> 00:46:03,840
Speaker 3: make it tiny and even smaller. Beach.

900
00:46:04,160 --> 00:46:05,800
Speaker 4: God, well, he listens to his body.

901
00:46:05,840 --> 00:46:09,040
Speaker 2: I mean, you know, hey, you're you're gonna thank me

902
00:46:09,080 --> 00:46:10,840
Speaker 2: when it happens in a couple of days.

903
00:46:11,160 --> 00:46:12,600
Speaker 4: You're gonna thank him prepared.

904
00:46:13,200 --> 00:46:16,120
Speaker 3: I mean, I do just want to say I but

905
00:46:16,160 --> 00:46:18,719
Speaker 3: what I'm noticing on the script now is that sometimes

906
00:46:18,760 --> 00:46:21,000
Speaker 3: not all the time, but the title at the top

907
00:46:21,040 --> 00:46:26,400
Speaker 3: of the page says bleach bank it big o Rob

908
00:46:28,200 --> 00:46:33,360
Speaker 3: and Bleach. I get, But why is it a banket

909
00:46:33,440 --> 00:46:36,360
Speaker 3: that instead of blanket we only.

910
00:46:36,280 --> 00:46:40,160
Speaker 4: Had one l for the title page. Yeah, and so

911
00:46:40,640 --> 00:46:42,680
Speaker 4: and so it had to go. It had to go there,

912
00:46:42,680 --> 00:46:45,600
Speaker 4: and I think we're leaning more towards making it bleach

913
00:46:45,640 --> 00:46:48,520
Speaker 4: Bank itt Bingo at this point. I mean, given some

914
00:46:48,560 --> 00:46:51,560
Speaker 4: of the notes you had on on some of the

915
00:46:51,560 --> 00:46:52,759
Speaker 4: stuff at the end, I think it'll be easier.

916
00:46:53,120 --> 00:46:57,040
Speaker 1: Well, Bingo is still there, which is that's true? Yeah,

917
00:46:57,120 --> 00:46:57,800
Speaker 1: that was the.

918
00:46:57,680 --> 00:47:00,080
Speaker 3: Main issue, and there.

919
00:47:02,239 --> 00:47:04,239
Speaker 2: Were trying to find it. See if we can find

920
00:47:04,239 --> 00:47:06,720
Speaker 2: it a L. Well we can't.

921
00:47:07,080 --> 00:47:08,719
Speaker 4: We can look on the computer for another L.

922
00:47:08,880 --> 00:47:10,400
Speaker 2: I mean, I keep trying.

923
00:47:11,960 --> 00:47:14,759
Speaker 3: That was the one thing that pre production could not.

924
00:47:14,960 --> 00:47:15,520
Speaker 3: I mean they did.

925
00:47:16,840 --> 00:47:17,320
Speaker 4: I don't want to.

926
00:47:17,400 --> 00:47:19,560
Speaker 2: I don't want to hold up the focus on the

927
00:47:20,719 --> 00:47:23,279
Speaker 2: it is really I'm really mad about that.

928
00:47:24,080 --> 00:47:29,080
Speaker 1: Yeah, I mean, well you gave you gave a toast

929
00:47:29,080 --> 00:47:32,360
Speaker 1: at the party, at the wrap party from pre production.

930
00:47:32,719 --> 00:47:33,200
Speaker 3: That was.

931
00:47:34,960 --> 00:47:41,600
Speaker 1: Almost entirely a tirade about the missing L and how

932
00:47:41,640 --> 00:47:44,000
Speaker 1: no one was able to find a second one and

933
00:47:44,120 --> 00:47:46,640
Speaker 1: just you know, person by person pointing at them and

934
00:47:46,719 --> 00:47:48,399
Speaker 1: screaming in their face about it.

935
00:47:50,000 --> 00:47:52,560
Speaker 3: You're just normally so cool. I mean, just like the

936
00:47:52,600 --> 00:47:58,439
Speaker 3: way you have changed to be both like gentle, learn

937
00:47:58,560 --> 00:48:02,719
Speaker 3: some things about like bulls, stuff like nipple contact, but

938
00:48:02,920 --> 00:48:06,320
Speaker 3: so angry in other ways.

939
00:48:06,360 --> 00:48:08,799
Speaker 4: I mean, it's just like unfortunately a lot of that

940
00:48:08,840 --> 00:48:11,600
Speaker 4: crew wasn't going to be joining us for production after

941
00:48:11,880 --> 00:48:14,879
Speaker 4: after that wrap party. I mean, they're terrific, but yes,

942
00:48:14,920 --> 00:48:22,759
Speaker 4: Scusman really got their facecause of course, yes, Scusman's in

943
00:48:22,800 --> 00:48:24,440
Speaker 4: each of their face point and saying where is it?

944
00:48:24,480 --> 00:48:26,360
Speaker 4: Where's the l give it to me? I know you

945
00:48:26,440 --> 00:48:27,200
Speaker 4: fucking have it.

946
00:48:27,320 --> 00:48:29,799
Speaker 1: And well he picked up Peewee the sound man and

947
00:48:29,840 --> 00:48:31,920
Speaker 1: turned him upside down by his ankles and tried to

948
00:48:31,960 --> 00:48:33,640
Speaker 1: shake the l out of his pockets.

949
00:48:33,920 --> 00:48:36,040
Speaker 4: And Peewee's an ironic name, that's not a that's a

950
00:48:36,040 --> 00:48:42,640
Speaker 4: big guys guy. So Scusman really did a number on him.

951
00:48:43,080 --> 00:48:45,080
Speaker 2: I was so mad. I don't know where I got

952
00:48:45,080 --> 00:48:46,000
Speaker 2: this strike to do that.

953
00:48:50,200 --> 00:48:53,440
Speaker 3: It's a real ego bo for bat Gentler. Though I'm

954
00:48:53,480 --> 00:48:56,439
Speaker 3: worried that we haven't heard the recovery sound yet.

955
00:48:57,960 --> 00:49:02,480
Speaker 4: That's what I always that's what I always wait for it.

956
00:49:02,560 --> 00:49:05,240
Speaker 4: I also hates have to remind him about it sometimes.

957
00:49:04,840 --> 00:49:08,160
Speaker 3: Too, because if he doesn't do it, then that's a

958
00:49:08,320 --> 00:49:09,240
Speaker 3: huge problem.

959
00:49:09,440 --> 00:49:12,320
Speaker 2: It's going to get backed up. Yeah, it's just involuntary.

960
00:49:12,440 --> 00:49:18,640
Speaker 2: It was a delayed well though, okay, still.

961
00:49:18,400 --> 00:49:20,160
Speaker 4: Going, the noise is still going.

962
00:49:21,080 --> 00:49:23,160
Speaker 2: Yeah, yeah, yeah, cod down, real cod down.

963
00:49:24,760 --> 00:49:29,359
Speaker 3: It's just so sad that someone who exists almost exclusively

964
00:49:29,400 --> 00:49:33,839
Speaker 3: outside is so susceptible to allergies.

965
00:49:35,120 --> 00:49:38,160
Speaker 2: Yeah, yeah, that's what I don't think I was saying.

966
00:49:38,160 --> 00:49:40,200
Speaker 2: This allergy is not supposed to happen outside.

967
00:49:41,480 --> 00:49:43,080
Speaker 1: Okay, that's not what I was saying.

968
00:49:43,560 --> 00:49:45,160
Speaker 2: What the point was, Yeah, but.

969
00:49:47,120 --> 00:49:55,080
Speaker 4: It's okay, it's it's I kids just can't wait for

970
00:49:55,080 --> 00:49:56,600
Speaker 4: skuz many it back on the beach so it can

971
00:49:56,600 --> 00:49:58,280
Speaker 4: be re energized. I think a lot of this change

972
00:49:58,360 --> 00:50:00,359
Speaker 4: that you're talking about in his character is kind of

973
00:50:00,440 --> 00:50:03,600
Speaker 4: like changes that have come because of beach withdrawal.

974
00:50:03,680 --> 00:50:04,120
Speaker 1: No sun.

975
00:50:04,560 --> 00:50:06,640
Speaker 4: He hasn't he hasn't really gotten to run the sand

976
00:50:06,760 --> 00:50:10,040
Speaker 4: through his hair. He hasn't gotten to you know why not?

977
00:50:10,719 --> 00:50:12,520
Speaker 3: Oh you got rid of you got rid of a

978
00:50:12,520 --> 00:50:17,080
Speaker 3: lot of the said, that's right, it's only now he

979
00:50:17,080 --> 00:50:20,120
Speaker 3: would scoop up almost the entire beach where he'd run.

980
00:50:20,600 --> 00:50:25,000
Speaker 4: Sanded his hair, the waves through his feet, and just

981
00:50:25,120 --> 00:50:26,759
Speaker 4: kind of he hasn't been able to do any of that.

982
00:50:27,000 --> 00:50:29,200
Speaker 3: Is the water somehow tiny as well? Did you get

983
00:50:29,320 --> 00:50:31,880
Speaker 3: rid of a lot of water as well?

984
00:50:32,000 --> 00:50:33,920
Speaker 4: Or I'll tell you they were the best in business.

985
00:50:33,920 --> 00:50:37,640
Speaker 4: We had the water wrangler from Titanic, and he was okay,

986
00:50:37,840 --> 00:50:41,600
Speaker 4: now that was sectioning off. I mean basically, we damned

987
00:50:41,640 --> 00:50:43,239
Speaker 4: up part of the ocean. I mean that's there's no

988
00:50:43,280 --> 00:50:44,680
Speaker 4: real way to These.

989
00:50:44,520 --> 00:50:47,279
Speaker 3: Are both leon Arder DiCaprio movies. But I will say

990
00:50:47,320 --> 00:50:50,799
Speaker 3: when I think of like water movies, yeah, Titanic does

991
00:50:50,920 --> 00:50:54,000
Speaker 3: come to mind more obviously than Catch Me if you

992
00:50:54,040 --> 00:50:56,920
Speaker 3: Can as a movie with Betty locations. Oh well, it's

993
00:50:56,960 --> 00:50:58,280
Speaker 3: not it's not it's not wrong.

994
00:50:58,640 --> 00:51:01,520
Speaker 4: He's everywhere. He's really flies all over the place.

995
00:51:01,560 --> 00:51:03,560
Speaker 1: I don't know what they're having trouble catching him, haze.

996
00:51:04,120 --> 00:51:07,200
Speaker 4: No, I understand he's in like Florida and New York

997
00:51:07,239 --> 00:51:07,920
Speaker 4: and all sorts of.

998
00:51:08,160 --> 00:51:10,320
Speaker 3: Yeah, and I don't I don't have a better option.

999
00:51:10,520 --> 00:51:13,560
Speaker 3: But just like what I think, catch Me if you

1000
00:51:13,640 --> 00:51:14,600
Speaker 3: Can it's just.

1001
00:51:14,520 --> 00:51:17,040
Speaker 4: Like it's a location movie. Yeah, it's a it's a

1002
00:51:17,440 --> 00:51:19,480
Speaker 4: kind of Carmen san Diego journey.

1003
00:51:20,680 --> 00:51:21,080
Speaker 3: Yeah.

1004
00:51:21,840 --> 00:51:24,120
Speaker 4: Oh god, we have a lot of work to do, Scussman,

1005
00:51:24,440 --> 00:51:27,040
Speaker 4: I'll tell you we have a lot of We have

1006
00:51:27,080 --> 00:51:27,640
Speaker 4: a lot of writing.

1007
00:51:27,719 --> 00:51:31,080
Speaker 1: These sessions are so important, you know, to get the Yeah,

1008
00:51:30,440 --> 00:51:33,480
Speaker 1: we got a lot of valuable I gotta go, I.

1009
00:51:33,400 --> 00:51:35,520
Speaker 4: Gotta go hop on that public computer and get to work.

1010
00:51:36,800 --> 00:51:38,759
Speaker 3: You're saying, you got you guys have to go.

1011
00:51:39,480 --> 00:51:40,480
Speaker 4: No, I don't have to go.

1012
00:51:40,880 --> 00:51:41,480
Speaker 1: I don't have to go.

1013
00:51:41,640 --> 00:51:44,719
Speaker 3: Absolutely is sounding It definitely is sounding like I was.

1014
00:51:45,719 --> 00:51:47,560
Speaker 4: I'm trying to think. No, I'm trying to think about

1015
00:51:47,640 --> 00:51:50,759
Speaker 4: us moving forward with the script. But but what do

1016
00:51:50,800 --> 00:51:51,120
Speaker 4: you mention?

1017
00:51:51,400 --> 00:51:54,759
Speaker 1: You mentioned a public computer, doma, I'm.

1018
00:51:54,680 --> 00:51:57,160
Speaker 4: Gonna go use a public computer. A scusman insists that

1019
00:51:57,239 --> 00:52:00,759
Speaker 4: I use public spaces just to that's what's going on,

1020
00:52:00,760 --> 00:52:02,120
Speaker 4: and he doesn't believe a lot of the news and

1021
00:52:02,120 --> 00:52:03,000
Speaker 4: what's going on out there.

1022
00:52:03,080 --> 00:52:07,440
Speaker 3: So here, well, I think libraries are are definitely closed.

1023
00:52:07,520 --> 00:52:10,799
Speaker 3: Where can you even go now? I mean, well you

1024
00:52:10,800 --> 00:52:11,759
Speaker 3: have to do the hospital.

1025
00:52:12,239 --> 00:52:14,320
Speaker 4: Well yeah, at the hospitals, well, they are stingy with

1026
00:52:14,360 --> 00:52:16,040
Speaker 4: their computers. Man. You try to hop on one of

1027
00:52:16,040 --> 00:52:18,080
Speaker 4: those things, and first of all, it's like not even

1028
00:52:18,080 --> 00:52:20,960
Speaker 4: like an operating system I'm familiar with. There's like, yeah,

1029
00:52:21,000 --> 00:52:23,440
Speaker 4: it's just like all about patient ID numbers and stuff.

1030
00:52:23,680 --> 00:52:27,880
Speaker 2: And so we had to load some programs on final draft.

1031
00:52:27,960 --> 00:52:31,040
Speaker 3: Yeah, I put final draft on a hospital computer.

1032
00:52:31,120 --> 00:52:32,840
Speaker 4: I had to walk in there dressed like a janitor

1033
00:52:32,880 --> 00:52:34,640
Speaker 4: with a flash drive in my pocket and kind of

1034
00:52:35,719 --> 00:52:38,759
Speaker 4: Jigger one of their computers, an important one, as it

1035
00:52:38,760 --> 00:52:42,480
Speaker 4: turned out, a real, a real, a real key computer.

1036
00:52:42,680 --> 00:52:45,239
Speaker 3: You posted this as well, and that that outfit, that's

1037
00:52:45,280 --> 00:52:47,440
Speaker 3: how it was. A was a wet suit. But you're

1038
00:52:47,440 --> 00:52:49,720
Speaker 3: carrying a mop, that's.

1039
00:52:49,600 --> 00:52:52,359
Speaker 4: Right, that's right. And the mop was helping me keep

1040
00:52:52,360 --> 00:52:55,160
Speaker 4: myself wet too, so that so that just in case

1041
00:52:55,160 --> 00:52:57,239
Speaker 4: anyone comes upon me, it's like, no, man, I'm just

1042
00:52:57,440 --> 00:53:01,759
Speaker 4: I'm sorry. I'm the real deal, real deal, no bullshit here.

1043
00:53:02,239 --> 00:53:07,600
Speaker 4: Let me get off this computer real quick. But but yeah,

1044
00:53:07,640 --> 00:53:09,120
Speaker 4: once they kicked us out there, I've just made my

1045
00:53:09,200 --> 00:53:11,480
Speaker 4: own computer public. It's just on a card table on

1046
00:53:11,520 --> 00:53:14,600
Speaker 4: the sidewalk, and so I kind of go, I go

1047
00:53:14,719 --> 00:53:15,040
Speaker 4: use that.

1048
00:53:16,200 --> 00:53:21,799
Speaker 3: And you had a computer before when you were going

1049
00:53:21,800 --> 00:53:23,160
Speaker 3: to use the hospital computer.

1050
00:53:24,080 --> 00:53:27,160
Speaker 4: Uh yeah, well it's it's old. Oh it's so old.

1051
00:53:27,200 --> 00:53:27,760
Speaker 3: It's old.

1052
00:53:27,840 --> 00:53:30,080
Speaker 4: Okay, it's just so old. And they make you update

1053
00:53:30,120 --> 00:53:32,480
Speaker 4: the operating systems and you just and then the computer

1054
00:53:32,560 --> 00:53:35,319
Speaker 4: doesn't work, and I think it's rigged to make me

1055
00:53:35,360 --> 00:53:36,240
Speaker 4: find rigged.

1056
00:53:37,280 --> 00:53:40,600
Speaker 2: Okay, well yeah, I'm skeptical about it.

1057
00:53:40,640 --> 00:53:42,320
Speaker 1: And this is maybe one of this sounds like what

1058
00:53:42,400 --> 00:53:43,760
Speaker 1: of Scott's bits.

1059
00:53:44,160 --> 00:53:47,239
Speaker 4: I came around on this. Yeah, I came around on

1060
00:53:47,280 --> 00:53:48,000
Speaker 4: this discus man.

1061
00:53:48,560 --> 00:53:50,120
Speaker 3: Okay, it's a pretty harmless one.

1062
00:53:50,120 --> 00:53:50,719
Speaker 1: I guess.

1063
00:53:50,520 --> 00:53:55,480
Speaker 2: It's like, Yeah, kept screaming over your shoulder, stated it's rigged, rigged.

1064
00:53:56,239 --> 00:53:59,520
Speaker 2: Come on, go get out of that hospital. You gotta

1065
00:53:59,560 --> 00:54:00,480
Speaker 2: touch those doors.

1066
00:54:02,760 --> 00:54:05,040
Speaker 4: Discuss man, you feel like you're gonna want to go

1067
00:54:05,400 --> 00:54:07,160
Speaker 4: with me to the hospital one of these trips and

1068
00:54:07,200 --> 00:54:09,360
Speaker 4: maybe have him, have him take a look like we

1069
00:54:09,440 --> 00:54:09,960
Speaker 4: talked about.

1070
00:54:10,440 --> 00:54:15,360
Speaker 2: Yeah, no, okay, I still I still don't that is

1071
00:54:15,400 --> 00:54:17,759
Speaker 2: something that will never come around on his hospitals.

1072
00:54:18,160 --> 00:54:22,960
Speaker 1: Yeah, so you wanted him to count the doors, but

1073
00:54:23,080 --> 00:54:28,160
Speaker 1: you never would be willing to go through one of them.

1074
00:54:28,640 --> 00:54:31,160
Speaker 3: I guess he that makes it easier if you know

1075
00:54:31,200 --> 00:54:36,800
Speaker 3: where the doors are to not ever pass through them by.

1076
00:54:36,880 --> 00:54:38,640
Speaker 4: He wants to see pictures of all the doors he's

1077
00:54:38,640 --> 00:54:42,600
Speaker 4: not going to walk through, and I can't begrudge him

1078
00:54:42,640 --> 00:54:44,360
Speaker 4: that exactly.

1079
00:54:44,440 --> 00:54:47,759
Speaker 2: Yeah, I just wanted to know they're there because I'll

1080
00:54:47,800 --> 00:54:49,400
Speaker 2: never get to experience them.

1081
00:54:49,840 --> 00:54:52,480
Speaker 4: It's, you know, kind of it's a typical writing partnership.

1082
00:54:52,520 --> 00:54:55,359
Speaker 4: Each of us kind of picks up the kind of

1083
00:54:55,400 --> 00:54:58,719
Speaker 4: fits each other's weaknesses and strengths and compliments each other

1084
00:54:58,719 --> 00:55:02,120
Speaker 4: that way. M that's that's been a nice part of

1085
00:55:02,160 --> 00:55:04,799
Speaker 4: seeing scus Man in this kind of lockdown situation. He's

1086
00:55:04,800 --> 00:55:06,880
Speaker 4: a real protector. He's been very protective of me, and

1087
00:55:06,920 --> 00:55:08,000
Speaker 4: that's been really nice.

1088
00:55:08,719 --> 00:55:11,000
Speaker 2: Yeah, you get a place to live on the bus.

1089
00:55:11,120 --> 00:55:12,560
Speaker 4: I got a place to live on the bus.

1090
00:55:12,840 --> 00:55:15,480
Speaker 3: You keep it on top of the bus, sorry.

1091
00:55:15,239 --> 00:55:20,440
Speaker 4: On top of the bus, in my sleeping bag. Okay, Yeah,

1092
00:55:20,520 --> 00:55:23,880
Speaker 4: he gave me a sleeping bag for my birthday. My

1093
00:55:23,920 --> 00:55:26,160
Speaker 4: birthday was at the beginning of the lockdown, and I

1094
00:55:26,160 --> 00:55:29,440
Speaker 4: couldn't call my family or any.

1095
00:55:29,360 --> 00:55:32,640
Speaker 2: Why oh your day of data plan?

1096
00:55:32,800 --> 00:55:35,120
Speaker 4: My data plan? Yeah, I mean I called him real quick,

1097
00:55:35,160 --> 00:55:36,920
Speaker 4: but I mean maybe that was more alarming for them

1098
00:55:36,920 --> 00:55:38,680
Speaker 4: to get a quick hangup phone call from me on

1099
00:55:38,719 --> 00:55:42,040
Speaker 4: my birthday and never get to talk to me. But yes,

1100
00:55:42,160 --> 00:55:43,799
Speaker 4: gus Man gave me a sleeping bag that works great

1101
00:55:43,800 --> 00:55:46,080
Speaker 4: on the roof. He's a yeah, I can't. I'm just

1102
00:55:46,160 --> 00:55:49,960
Speaker 4: so happy to have him doing this, you know, it's nice.

1103
00:55:50,719 --> 00:55:54,280
Speaker 3: So what'snag? I mean, like you are in in production,

1104
00:55:54,400 --> 00:55:56,279
Speaker 3: it's unclear to it seems like like you're saying you

1105
00:55:56,320 --> 00:55:57,759
Speaker 3: do still have a lot of work to do.

1106
00:55:57,840 --> 00:55:59,000
Speaker 4: But cameras roll tomorrow.

1107
00:55:59,080 --> 00:56:00,839
Speaker 3: Yeah, Yeah, we're here tomorrow.

1108
00:56:01,120 --> 00:56:05,720
Speaker 4: Yeah, tomorrow, we're opening up. We're starting with somebody.

1109
00:56:06,440 --> 00:56:09,400
Speaker 3: You've shot some drone stuff, so it sounds like you

1110
00:56:09,520 --> 00:56:12,280
Speaker 3: got a lot of people together on tiny beach shot

1111
00:56:12,520 --> 00:56:16,520
Speaker 3: just drone footage. Did not get anything else, so you

1112
00:56:16,600 --> 00:56:17,239
Speaker 3: have to bring them.

1113
00:56:18,640 --> 00:56:23,640
Speaker 4: No, gotta get we gotta get in over here, we

1114
00:56:23,719 --> 00:56:26,920
Speaker 4: gotta get Yeah, there's a lot of hurdles and there's

1115
00:56:26,920 --> 00:56:28,680
Speaker 4: a lot of people, and I think scusbay, we should

1116
00:56:28,680 --> 00:56:30,319
Speaker 4: be prepared for a lot of these Craigslist guys you've

1117
00:56:30,320 --> 00:56:32,320
Speaker 4: been in touch with to maybe not show up tomorrow.

1118
00:56:32,400 --> 00:56:34,759
Speaker 4: They might not come, and well what do we do

1119
00:56:34,800 --> 00:56:35,480
Speaker 4: if that happens?

1120
00:56:35,520 --> 00:56:40,839
Speaker 2: You know, well, uh, I'm hoping that they're gonna come,

1121
00:56:40,960 --> 00:56:46,719
Speaker 2: because I uh, I give them a pretty I read

1122
00:56:46,719 --> 00:56:47,520
Speaker 2: them the Riot Act.

1123
00:56:47,640 --> 00:56:51,160
Speaker 1: This is what I love about This is what I

1124
00:56:51,200 --> 00:56:53,919
Speaker 1: love about scus Man. When you present something to him like, hey,

1125
00:56:53,920 --> 00:56:55,680
Speaker 1: we should be prepared for the fact that they may

1126
00:56:55,719 --> 00:56:57,000
Speaker 1: not come, and what do you want to do in

1127
00:56:57,040 --> 00:57:00,000
Speaker 1: that case, and his response is I'm hoping they're gonna come.

1128
00:57:00,080 --> 00:57:01,680
Speaker 1: Uh yeah.

1129
00:57:01,719 --> 00:57:03,480
Speaker 4: A lot of times what he wants to do is hope.

1130
00:57:03,520 --> 00:57:07,640
Speaker 4: And that's nice. That's it's it's a nice feeling Hey, man,

1131
00:57:07,680 --> 00:57:08,240
Speaker 4: I take.

1132
00:57:08,080 --> 00:57:10,400
Speaker 2: No for an answer. I'm not prepared for them.

1133
00:57:10,960 --> 00:57:13,680
Speaker 3: You said you come, you were saying you you got

1134
00:57:13,719 --> 00:57:18,560
Speaker 3: mad at them before. It seems like they did anything wrong.

1135
00:57:18,760 --> 00:57:20,320
Speaker 4: Oh you should have seen him at the at the

1136
00:57:20,400 --> 00:57:22,200
Speaker 4: Rat party. I mean they he he got.

1137
00:57:22,840 --> 00:57:25,200
Speaker 3: Those guys were invited to the Rat party.

1138
00:57:25,720 --> 00:57:28,480
Speaker 4: Yeah yeah, yeah, just to just so we could meet

1139
00:57:28,560 --> 00:57:29,560
Speaker 4: them all get eyes on him.

1140
00:57:30,400 --> 00:57:32,960
Speaker 1: You were chewing them out at the Rap party prior

1141
00:57:33,040 --> 00:57:36,600
Speaker 1: to filming a frame of them.

1142
00:57:36,800 --> 00:57:37,720
Speaker 3: Yeah, that's right.

1143
00:57:38,000 --> 00:57:41,320
Speaker 4: They know who's boss, or who could be boss if

1144
00:57:41,320 --> 00:57:42,840
Speaker 4: they were to get or accept the gig.

1145
00:57:42,920 --> 00:57:44,120
Speaker 2: Yeah, damn, guys.

1146
00:57:44,160 --> 00:57:46,320
Speaker 1: I wish the movie didn't sound so fucking good, or

1147
00:57:46,360 --> 00:57:48,040
Speaker 1: i'd tell you not to film it. I'm worried it

1148
00:57:48,120 --> 00:57:52,120
Speaker 1: might not be safe. The same time, I haven't seen

1149
00:57:52,200 --> 00:57:57,400
Speaker 1: a good beach like this escape. Yeah, it's yes, It's

1150
00:57:57,440 --> 00:57:59,000
Speaker 1: exactly what the country needs.

1151
00:57:59,640 --> 00:58:01,720
Speaker 4: Let's go. This man told me is that, Yeah, exactly

1152
00:58:01,760 --> 00:58:04,880
Speaker 4: like America needs to laugh. We need to laugh. He's

1153
00:58:04,880 --> 00:58:05,920
Speaker 4: he's been saying this whole time.

1154
00:58:05,960 --> 00:58:07,040
Speaker 2: I need The movie.

1155
00:58:07,080 --> 00:58:11,520
Speaker 3: I want to say, is not funny or like or

1156
00:58:12,000 --> 00:58:15,240
Speaker 3: written like that. It is intended to make It's not funny.

1157
00:58:15,280 --> 00:58:18,400
Speaker 4: The movie is not funny, but I think laughing at like, man,

1158
00:58:18,440 --> 00:58:20,760
Speaker 4: I finally saw a movie like I locked out like

1159
00:58:20,760 --> 00:58:22,480
Speaker 4: that type of laugh, Like they're not gonna laugh at

1160
00:58:23,200 --> 00:58:24,360
Speaker 4: like a nostalgic laugh.

1161
00:58:24,720 --> 00:58:28,600
Speaker 2: Confused too, Yeah yeah, like ah wow, how that was

1162
00:58:28,680 --> 00:58:31,160
Speaker 2: crazy the past couple of months. But now I get

1163
00:58:31,200 --> 00:58:34,640
Speaker 2: to watch this movie and and be outside.

1164
00:58:34,840 --> 00:58:38,160
Speaker 4: So they laugh before it or after. Either way they'll laugh,

1165
00:58:38,200 --> 00:58:40,200
Speaker 4: But during I expect them to be kind of stoic

1166
00:58:40,240 --> 00:58:43,760
Speaker 4: and taking it in and and and just being along.

1167
00:58:43,560 --> 00:58:45,320
Speaker 1: For the ride. I mean, I think you should be

1168
00:58:45,320 --> 00:58:47,840
Speaker 1: prepared for them to be fairly disturbed during a lot

1169
00:58:47,880 --> 00:58:48,640
Speaker 1: of what's happening.

1170
00:58:49,760 --> 00:58:53,360
Speaker 4: Oh oh right, yeah, I mean the Triple Kiss I

1171
00:58:53,400 --> 00:58:55,720
Speaker 4: think is going to be romantic. It's gonna play romantic

1172
00:58:55,720 --> 00:58:56,360
Speaker 4: in context of it.

1173
00:58:56,520 --> 00:58:58,840
Speaker 1: Yeah, that's romantic. That's one of the lighter scenes. I mean,

1174
00:58:58,880 --> 00:59:01,320
Speaker 1: I think that we've kind of read the two lightest scenes.

1175
00:59:02,520 --> 00:59:06,560
Speaker 1: Being kind of brooding on the balcony outside the scuz bus,

1176
00:59:06,600 --> 00:59:09,880
Speaker 1: his lever calls him back to bed. The Triple Kiss

1177
00:59:09,920 --> 00:59:12,600
Speaker 1: stuff that was sort of like, you know, there's there's

1178
00:59:12,640 --> 00:59:18,160
Speaker 1: some romance there, but so much of it is just

1179
00:59:19,600 --> 00:59:22,920
Speaker 1: Scusman butchering a whale carcass that washes up on the beach.

1180
00:59:23,520 --> 00:59:26,480
Speaker 4: Yeah, and then and then barbecuing it for all of

1181
00:59:26,520 --> 00:59:29,680
Speaker 4: the for all the the guys playing Bingo.

1182
00:59:29,920 --> 00:59:31,680
Speaker 1: Who don't want to eat it, I mean they are

1183
00:59:31,720 --> 00:59:32,520
Speaker 1: forced to eat it.

1184
00:59:32,520 --> 00:59:35,240
Speaker 3: He's making the meat a whole whale. And honestly, it

1185
00:59:35,240 --> 00:59:39,680
Speaker 3: feels like a Bella Tar movie. It does like a

1186
00:59:39,720 --> 00:59:43,560
Speaker 3: what Bella Tar? I mean the takes are like, are

1187
00:59:43,800 --> 00:59:46,160
Speaker 3: so so long?

1188
00:59:47,040 --> 00:59:49,760
Speaker 4: Mm hmm. Yeah, yeah, it's kind of one scene you

1189
00:59:49,800 --> 00:59:52,320
Speaker 4: watch him butcher a whale in real time and serve

1190
00:59:52,360 --> 00:59:56,440
Speaker 4: it to uh, to the people who are excited.

1191
00:59:57,400 --> 00:59:59,680
Speaker 2: I wanted to show everybody how good I am at

1192
00:59:59,680 --> 01:00:00,200
Speaker 2: doing this it.

1193
01:00:00,840 --> 01:00:02,960
Speaker 4: Yeah, that's a real skill of discuss Man's.

1194
01:00:02,680 --> 01:00:04,480
Speaker 3: That we thought that you are good at it. I

1195
01:00:04,560 --> 01:00:07,800
Speaker 3: just wanted, from breading the script, just just how good

1196
01:00:07,840 --> 01:00:08,240
Speaker 3: you are.

1197
01:00:08,720 --> 01:00:11,040
Speaker 2: Yeah, just just show them how good I am.

1198
01:00:11,120 --> 01:00:11,400
Speaker 3: I've been.

1199
01:00:11,600 --> 01:00:14,640
Speaker 2: It's how I grew up, It's how I lived my life.

1200
01:00:15,200 --> 01:00:16,800
Speaker 4: And the and the amount of good you are at

1201
01:00:16,840 --> 01:00:18,840
Speaker 4: it is not is not very.

1202
01:00:19,160 --> 01:00:21,240
Speaker 3: Yeah, not bad.

1203
01:00:21,680 --> 01:00:25,120
Speaker 1: No, you've done it. You're not particularly good at it,

1204
01:00:25,440 --> 01:00:27,320
Speaker 1: but this is this is how good you are, and

1205
01:00:27,360 --> 01:00:28,560
Speaker 1: you want to show us.

1206
01:00:29,040 --> 01:00:33,680
Speaker 2: Yeah, I want to show just just how capable I am,

1207
01:00:34,000 --> 01:00:35,960
Speaker 2: which is just you know just what it is.

1208
01:00:36,040 --> 01:00:39,760
Speaker 1: Again, Yeah, it's just a tone like it's it's something

1209
01:00:39,760 --> 01:00:41,800
Speaker 1: in the delivery of it. When you say I want

1210
01:00:41,800 --> 01:00:44,440
Speaker 1: to show them just how capable I am, it sounds

1211
01:00:44,480 --> 01:00:46,960
Speaker 1: like you're saying like, because you are very capable, but

1212
01:00:47,000 --> 01:00:52,080
Speaker 1: you want to show them exactly the amount you are capable,

1213
01:00:52,360 --> 01:00:59,760
Speaker 1: which is, you know, not particularly right. Okay, we're in agreement.

1214
01:01:00,040 --> 01:01:02,040
Speaker 2: Just wanted to be something I've learned and I just

1215
01:01:02,080 --> 01:01:04,320
Speaker 2: want to I just want to show it to everybody.

1216
01:01:04,720 --> 01:01:05,880
Speaker 2: That's how I can't do it.

1217
01:01:08,240 --> 01:01:10,440
Speaker 4: I am not excited to go nocturnal for this. Shoot.

1218
01:01:10,480 --> 01:01:12,439
Speaker 2: Man, have you ever eaten whale meat?

1219
01:01:14,720 --> 01:01:14,880
Speaker 4: No?

1220
01:01:14,960 --> 01:01:18,760
Speaker 1: Who are? We don't know who you're talking to. Oh,

1221
01:01:18,920 --> 01:01:20,080
Speaker 1: it may be Chef Kevin.

1222
01:01:21,200 --> 01:01:23,400
Speaker 2: Chef Kevin. I know he's eating whale meat.

1223
01:01:24,240 --> 01:01:25,920
Speaker 1: How do you know that?

1224
01:01:26,640 --> 01:01:29,040
Speaker 2: I can just tell by the cut of someone's jib.

1225
01:01:30,120 --> 01:01:32,280
Speaker 2: I can just see it in his face and his eyes.

1226
01:01:33,560 --> 01:01:40,919
Speaker 2: Well at the same time, he's got that, he's got

1227
01:01:40,920 --> 01:01:45,720
Speaker 2: that whale glimmer. But you get by cooking meat. And

1228
01:01:45,760 --> 01:01:47,600
Speaker 2: you know the great thing about it is you don't

1229
01:01:47,640 --> 01:01:49,400
Speaker 2: have to be very good at it. You could just.

1230
01:01:51,080 --> 01:01:53,200
Speaker 4: It just cooks the thing about butchering and cooking a

1231
01:01:53,200 --> 01:01:55,400
Speaker 4: whale is you really don't have to know much at all.

1232
01:01:55,520 --> 01:01:57,760
Speaker 4: I mean you just like, what's the thing, what's the

1233
01:01:57,760 --> 01:01:59,360
Speaker 4: first thing you think of to do? Hack something off

1234
01:01:59,360 --> 01:02:01,800
Speaker 4: that whale and put it on the hot surface, cook

1235
01:02:01,840 --> 01:02:08,680
Speaker 4: it and it just cooks, It just cooks, cooks. I'm

1236
01:02:08,680 --> 01:02:10,600
Speaker 4: hoping the whale meat will be okay for the actors

1237
01:02:10,600 --> 01:02:14,480
Speaker 4: to eat on the day. That's another concern I have

1238
01:02:14,520 --> 01:02:16,280
Speaker 4: that's separate from any kind of virus, so much of

1239
01:02:16,280 --> 01:02:17,560
Speaker 4: our concern virus religion.

1240
01:02:17,600 --> 01:02:19,480
Speaker 2: Did pre production take care of that for you? I

1241
01:02:19,480 --> 01:02:20,320
Speaker 2: mean it was your gang.

1242
01:02:20,960 --> 01:02:24,160
Speaker 4: They were they were great. I mean they they delivered.

1243
01:02:24,200 --> 01:02:26,680
Speaker 4: We had the whale wrangler from Big Willie and he

1244
01:02:27,120 --> 01:02:31,400
Speaker 4: uh from Willy how big Willy, Free Willy, Free Willy.

1245
01:02:32,800 --> 01:02:35,680
Speaker 4: It was free Willy. Sorry you got.

1246
01:02:35,560 --> 01:02:37,560
Speaker 1: The whale rigor of the Big.

1247
01:02:40,280 --> 01:02:45,600
Speaker 3: It's a better title, but what what they hate? It

1248
01:02:45,640 --> 01:02:47,320
Speaker 3: should have been called Big Whaley.

1249
01:02:47,880 --> 01:02:50,800
Speaker 4: And that's a fascinating guy because early in his career

1250
01:02:50,800 --> 01:02:53,040
Speaker 4: he loved whales. He he wrangled them, and now he's

1251
01:02:53,080 --> 01:02:56,200
Speaker 4: an expert in butchering and cooking them for for cruise.

1252
01:02:56,680 --> 01:02:58,600
Speaker 4: But yeah, it was I'm sorry, is free Willy, not

1253
01:02:58,720 --> 01:03:02,560
Speaker 4: Big Willy. That's that was Will Smith's kind of wrap persona. Yeah,

1254
01:03:02,720 --> 01:03:06,240
Speaker 4: like in the late nineties, and I just I fucked

1255
01:03:06,240 --> 01:03:06,560
Speaker 4: it up.

1256
01:03:06,880 --> 01:03:09,480
Speaker 2: Free Willy style, Free Willy style.

1257
01:03:09,560 --> 01:03:15,800
Speaker 1: Yeah, free Willy. Uh is something I like to whisper

1258
01:03:15,920 --> 01:03:18,160
Speaker 1: to myself when I pull my fly down.

1259
01:03:18,840 --> 01:03:20,640
Speaker 3: Now, you told me, Sean that you wanted me to

1260
01:03:20,800 --> 01:03:24,200
Speaker 3: end on the funniest thing you've never heard, that you

1261
01:03:24,240 --> 01:03:26,600
Speaker 3: would do like a hand signal what you had, what

1262
01:03:26,760 --> 01:03:34,160
Speaker 3: you did just do? That was like, yeah, it was

1263
01:03:34,600 --> 01:03:38,080
Speaker 3: credit credit where credit is due. That joke is borrowed

1264
01:03:38,080 --> 01:03:44,520
Speaker 3: from an episode of Murphy Brown. That's what I Yeah,

1265
01:03:44,680 --> 01:03:46,880
Speaker 3: but you wanted me to get out before I.

1266
01:03:46,800 --> 01:03:49,520
Speaker 1: Said, Hey, I'm gonna wrap to Murphy Brown. There's something

1267
01:03:49,600 --> 01:03:54,840
Speaker 1: yeah with something where it's it's cannis Bergen when Free

1268
01:03:54,840 --> 01:03:56,560
Speaker 1: Willy was it, you know, in the theaters or had

1269
01:03:56,600 --> 01:04:00,720
Speaker 1: recently been in the theaters. Cannis Bergen has given a

1270
01:04:00,760 --> 01:04:03,360
Speaker 1: hard time to producer Miles grant Shaw. I think it

1271
01:04:03,400 --> 01:04:07,360
Speaker 1: was something that he'd accidentally exposed himself. Somebody walked in

1272
01:04:07,400 --> 01:04:09,800
Speaker 1: on him and she and she said something.

1273
01:04:09,600 --> 01:04:12,440
Speaker 2: About uh Di Scusman. A screening of Free Willie.

1274
01:04:12,720 --> 01:04:14,000
Speaker 1: Discus Man has left.

1275
01:04:14,120 --> 01:04:16,320
Speaker 4: Yeah, he'll be right back. He just stepped into the

1276
01:04:16,360 --> 01:04:18,360
Speaker 4: other He went on a walk real quick to the

1277
01:04:19,040 --> 01:04:20,720
Speaker 4: He went on a quick stroll to the back of

1278
01:04:20,760 --> 01:04:21,920
Speaker 4: the bus.

1279
01:04:22,560 --> 01:04:27,800
Speaker 3: Okay, his microphone just reappeared. Okay, scusman, what have Where

1280
01:04:27,840 --> 01:04:28,320
Speaker 3: did you go?

1281
01:04:29,440 --> 01:04:29,960
Speaker 1: Oh the.

1282
01:04:40,800 --> 01:04:42,840
Speaker 2: Yeah, my battery was getting low.

1283
01:04:44,200 --> 01:04:54,560
Speaker 1: By I'm a corny girl wolf. This has been an

1284
01:04:54,600 --> 01:04:58,880
Speaker 1: Earwolf production executive produced by Scott Ackerman, Collin Anderson, and

1285
01:04:58,960 --> 01:05:02,880
Speaker 1: Chris Bannon. From more information and content, visit earbolt dot com.

1286
01:05:03,440 --> 01:05:06,440
Speaker 2: Oh m hm