1 00:00:00,760 --> 00:00:17,520 Speaker 1: I Am all In. Oh that's you. I Am all 2 00:00:17,600 --> 00:00:21,279 Speaker 1: In with Scott Patterson and I heart radio podcast. I 3 00:00:21,320 --> 00:00:24,760 Speaker 1: solemnly swear and Emily gets sued. Emily gets sued by 4 00:00:24,760 --> 00:00:27,320 Speaker 1: a maid. Those are good scenes if it makes you 5 00:00:27,360 --> 00:00:30,200 Speaker 1: feel that. I restarted twice because I couldn't get into it. 6 00:00:30,400 --> 00:00:32,599 Speaker 1: How did it start? Though? It did? It start off 7 00:00:32,640 --> 00:00:35,080 Speaker 1: with the maid? It's Friday night dinner and there's the 8 00:00:35,120 --> 00:00:37,720 Speaker 1: new maid at the door and Emily's freaking out because 9 00:00:37,760 --> 00:00:40,559 Speaker 1: she's on the phone with a lawyer. You know it 10 00:00:40,680 --> 00:00:43,440 Speaker 1: started out well. I thought it was a good episode overall. 11 00:00:43,760 --> 00:00:46,080 Speaker 1: Are we all know? We're not yet, but we should be. 12 00:00:46,159 --> 00:00:49,120 Speaker 1: This is good because I agree, I agree with you. Yeah, 13 00:00:49,159 --> 00:00:52,000 Speaker 1: I thought it started off really well. Start the pod. 14 00:00:52,080 --> 00:00:54,360 Speaker 1: We're not on the area are you talking about? We're 15 00:00:54,400 --> 00:00:59,440 Speaker 1: starting on horses out of the barn? Well, you want 16 00:00:59,440 --> 00:01:08,000 Speaker 1: me to do the official and here's Johnny. I thought 17 00:01:08,000 --> 00:01:11,280 Speaker 1: we were like being cool and just sort of it's 18 00:01:11,319 --> 00:01:16,039 Speaker 1: you know, people download it starts right right. I like 19 00:01:16,200 --> 00:01:18,320 Speaker 1: it right because we everyone made fun of you for 20 00:01:18,400 --> 00:01:20,880 Speaker 1: always saying it's Scott Patterson and the I Am All 21 00:01:20,959 --> 00:01:23,080 Speaker 1: In Podcast because everyone had to click on it so 22 00:01:23,120 --> 00:01:25,760 Speaker 1: they know where they are. Yeah, I know, but still, 23 00:01:26,040 --> 00:01:28,160 Speaker 1: you know, I was doing my Ryan Seacrest invitation, trying 24 00:01:28,200 --> 00:01:30,679 Speaker 1: it again. I like it. You're pretty good, Ryan Seacrest. 25 00:01:30,720 --> 00:01:33,680 Speaker 1: You're a pretty good host, dude. I gotta take my chanty. 26 00:01:34,280 --> 00:01:36,480 Speaker 1: I listened to a secret. I listen to Kiss FM 27 00:01:36,520 --> 00:01:37,760 Speaker 1: on the way to the gym and back, I do. 28 00:01:39,120 --> 00:01:42,199 Speaker 1: I listen to listen to Ryan. Well, they only play 29 00:01:42,240 --> 00:01:46,320 Speaker 1: two songs, lea, No, no, no, no, they don't know. 30 00:01:46,440 --> 00:01:50,120 Speaker 1: They play they play Styles. They play Harry Styles as 31 00:01:50,160 --> 00:01:54,080 Speaker 1: it were or as it is or whatever. Right, right, 32 00:01:54,120 --> 00:01:57,120 Speaker 1: that's a little little, nice little song to drive to, right, 33 00:01:57,240 --> 00:01:59,200 Speaker 1: you know. And then and then they're talking to the 34 00:01:59,240 --> 00:02:01,520 Speaker 1: Harry Styles face club on the zoom. Right, I think 35 00:02:01,520 --> 00:02:05,920 Speaker 1: I understand this right now, not me. I did you 36 00:02:05,920 --> 00:02:09,120 Speaker 1: young and you like that stuff and it's all dreamy 37 00:02:09,200 --> 00:02:11,120 Speaker 1: and sweet and it's all great, right, and then they 38 00:02:11,160 --> 00:02:14,160 Speaker 1: play this other song a girl talks about you know, 39 00:02:14,680 --> 00:02:18,160 Speaker 1: you know, it's like and what is it the hook? 40 00:02:18,240 --> 00:02:20,520 Speaker 1: It's like and you go at me for hours and 41 00:02:20,639 --> 00:02:25,280 Speaker 1: hours and hours and it's like and it's like a bluesy, 42 00:02:25,480 --> 00:02:28,760 Speaker 1: cool hip sexy song. So every time I turn and 43 00:02:28,800 --> 00:02:30,960 Speaker 1: kiss FM, they play they play the Harry style song 44 00:02:31,000 --> 00:02:33,080 Speaker 1: and then to play that song. It's like four times 45 00:02:33,080 --> 00:02:35,840 Speaker 1: in a row. These people what they want, They're in heavy, 46 00:02:35,880 --> 00:02:39,840 Speaker 1: heavy rotation. Right, people people wanna, you know, listen to 47 00:02:39,880 --> 00:02:41,839 Speaker 1: Harry and then they want to go to the bond 48 00:02:42,240 --> 00:02:46,000 Speaker 1: want to do? They want to listen to us talk 49 00:02:46,040 --> 00:02:48,720 Speaker 1: about I solemnly swear that's what they want to listen to. That. 50 00:02:49,240 --> 00:02:55,680 Speaker 1: That was just what a transition. This is your I 51 00:02:55,760 --> 00:02:59,080 Speaker 1: am all In podcast. Hi, I'm Scott Patterson coming to 52 00:02:59,080 --> 00:03:03,760 Speaker 1: you a live um studio, City, California. I'm joined by 53 00:03:03,800 --> 00:03:05,920 Speaker 1: out with I Heart Radio and want to let in production. 54 00:03:05,960 --> 00:03:12,200 Speaker 1: I'm joined by Danielle Romo Taras and the innotable Amy Sugarman. 55 00:03:12,639 --> 00:03:16,400 Speaker 1: Take it away, guys, I mean, poor Emily just getting sued. 56 00:03:18,320 --> 00:03:22,520 Speaker 1: She's what does excuse me? First of all, you know, 57 00:03:22,520 --> 00:03:25,359 Speaker 1: I had a thought I want to share it. Where 58 00:03:25,360 --> 00:03:28,280 Speaker 1: does Emily And this is getting a little too deep 59 00:03:28,480 --> 00:03:30,920 Speaker 1: into it right from the back, But where does she 60 00:03:31,000 --> 00:03:38,000 Speaker 1: get off lecturing anybody about family loyalty? So excellent point 61 00:03:38,040 --> 00:03:40,720 Speaker 1: that we need to break down. So I'm just gonna 62 00:03:40,800 --> 00:03:44,040 Speaker 1: say that, right and then we'll go ahead, Well, let's 63 00:03:44,040 --> 00:03:47,280 Speaker 1: start this thing. Go ahead, let's start this let's just okay. 64 00:03:47,320 --> 00:03:50,200 Speaker 1: So so we start with the Friday night dinner and 65 00:03:50,240 --> 00:03:55,280 Speaker 1: immediately Emily is freaking out Tara. Tara read the synopsis. 66 00:03:57,080 --> 00:04:03,800 Speaker 1: Thanks thanks for me, I appreciate it. Season three, Episode eleven, 67 00:04:03,800 --> 00:04:08,680 Speaker 1: I solemnly swear. Air date January two thousand three. Synopsis. 68 00:04:08,880 --> 00:04:11,800 Speaker 1: Emily is getting sued by a former maid, and Lori 69 00:04:11,880 --> 00:04:14,920 Speaker 1: La has to do a deposition on her behalf. Rory's 70 00:04:14,920 --> 00:04:16,719 Speaker 1: friendship with Paris is put to the test by the 71 00:04:16,760 --> 00:04:21,560 Speaker 1: manipulation of Francy plus Suki accidentally goes on a date 72 00:04:21,600 --> 00:04:24,600 Speaker 1: with a former friend and Lori La meets someone new 73 00:04:25,839 --> 00:04:31,200 Speaker 1: Juicy Juicy, Juicy Juice. So I know this might be 74 00:04:31,200 --> 00:04:34,599 Speaker 1: an unpopular opinion, but like I thought, even though Emily 75 00:04:34,720 --> 00:04:38,800 Speaker 1: is terrible, terrible to the staff, she did make a 76 00:04:38,839 --> 00:04:43,080 Speaker 1: good argument. I agree. I was like, you're terrible, but 77 00:04:43,200 --> 00:04:47,400 Speaker 1: you're making a good argument. I did not disagree with her. Yeah, 78 00:04:47,800 --> 00:04:51,000 Speaker 1: I did not disagree, but I'm also not surprised she's 79 00:04:51,000 --> 00:04:54,839 Speaker 1: getting sued. Yeah, to your point, though, I was like, 80 00:04:55,000 --> 00:04:58,159 Speaker 1: oh my god, Emily, you're a wretched And then she 81 00:04:58,279 --> 00:05:01,200 Speaker 1: made that comparison between first class and coach, and I 82 00:05:01,240 --> 00:05:03,960 Speaker 1: was like, you know what, I tipped my hat off 83 00:05:04,000 --> 00:05:09,520 Speaker 1: to you. That was I was a good analogy. Yeah, 84 00:05:09,920 --> 00:05:12,800 Speaker 1: she's you know, she said she's paying top dollars. She 85 00:05:12,880 --> 00:05:16,360 Speaker 1: lets him know up front what she expects. She probably says, 86 00:05:16,400 --> 00:05:20,480 Speaker 1: if if you violate any of these, you're gone. No clumping, 87 00:05:20,800 --> 00:05:24,559 Speaker 1: no clumping. Yeah, I would definitely be fired. I walk 88 00:05:24,880 --> 00:05:31,040 Speaker 1: like an elephant. Here's my question, I do I'm loud. 89 00:05:31,160 --> 00:05:36,800 Speaker 1: I'm a want LAURAA deposed on her side, Like just 90 00:05:36,960 --> 00:05:39,080 Speaker 1: don't have lawa Lae. Do you know what I'm saying? 91 00:05:39,080 --> 00:05:41,800 Speaker 1: Who else is going to do it? Why do they 92 00:05:41,800 --> 00:05:44,240 Speaker 1: need anybody else? Like, just she could be deposed and 93 00:05:44,279 --> 00:05:47,680 Speaker 1: give her first class thing. Laura is the only one 94 00:05:47,720 --> 00:05:51,480 Speaker 1: that can do it. It's their only kid, right. But like, 95 00:05:52,200 --> 00:05:55,679 Speaker 1: if you're a lawyer, I'm the lawyer. But I wouldn't 96 00:05:55,720 --> 00:05:58,000 Speaker 1: call somebody in for a deposition that I know isn't 97 00:05:58,000 --> 00:06:01,040 Speaker 1: going to be on my side. Happens every day. What 98 00:06:01,080 --> 00:06:03,880 Speaker 1: are you talking about? You deposed people that are on 99 00:06:03,920 --> 00:06:06,400 Speaker 1: your side, and the other side deposes people that are 100 00:06:06,400 --> 00:06:10,159 Speaker 1: on their side. They get cross examined. Right, But she 101 00:06:10,360 --> 00:06:14,799 Speaker 1: was being called bye, I assume Emily's lawyer because Emily's 102 00:06:14,839 --> 00:06:17,000 Speaker 1: lawyer called her so It would be one thing if 103 00:06:17,000 --> 00:06:19,719 Speaker 1: the other lawyer called her, But why would you put 104 00:06:19,760 --> 00:06:22,880 Speaker 1: somebody up that's gonna you know, thinks you're like a 105 00:06:22,920 --> 00:06:25,760 Speaker 1: bad boss. Do you see what I'm saying. I'm explaining 106 00:06:25,760 --> 00:06:29,279 Speaker 1: this right? You think? No, she expected Laura Lae to 107 00:06:29,320 --> 00:06:34,480 Speaker 1: be loyal and say nice things. Right, but but again, 108 00:06:34,560 --> 00:06:37,960 Speaker 1: why does why does she expect Laureaae to be loyal 109 00:06:38,000 --> 00:06:42,400 Speaker 1: to her when she's been trashing Laura la her entire 110 00:06:42,480 --> 00:06:44,919 Speaker 1: life and to her face and behind her back, and 111 00:06:44,960 --> 00:06:46,640 Speaker 1: what a shame she is to the family, and she 112 00:06:46,680 --> 00:06:48,880 Speaker 1: told all her friends and all of a sudden she's 113 00:06:48,880 --> 00:06:50,480 Speaker 1: in a little bit of trouble, and she expects all 114 00:06:50,520 --> 00:06:53,920 Speaker 1: this loyalty and she even admits it. Richard thinks she's 115 00:06:53,960 --> 00:06:57,760 Speaker 1: too tough on the maids. So why he not getting 116 00:06:57,800 --> 00:07:01,839 Speaker 1: to posed because he'd say much was a little bit me. Oh, 117 00:07:01,920 --> 00:07:06,599 Speaker 1: I'm right, it's it's not a lawyer, just a dramatic device. 118 00:07:06,680 --> 00:07:10,080 Speaker 1: We're all being manipulated by these don't fall for it. 119 00:07:10,840 --> 00:07:22,000 Speaker 1: You look peeved? Who remember that line? Making I've been 120 00:07:22,000 --> 00:07:24,720 Speaker 1: waiting all day to say that, And they kind of 121 00:07:24,720 --> 00:07:28,480 Speaker 1: moved it along like Richard's in London, helping tricks so 122 00:07:28,520 --> 00:07:30,440 Speaker 1: I guess we're going to see more of tricks. The 123 00:07:30,480 --> 00:07:35,239 Speaker 1: mere mention of that name. You don't care for Marian Rod. 124 00:07:36,760 --> 00:07:40,520 Speaker 1: I do I love Marion Ross. I do not character 125 00:07:40,560 --> 00:07:43,320 Speaker 1: I think I established it. But yeah, I thought it 126 00:07:43,360 --> 00:07:48,560 Speaker 1: was a really seamless, well acted, beautifully paced, well lit 127 00:07:49,560 --> 00:07:53,760 Speaker 1: uh episode and the beginning it's really started out really 128 00:07:53,800 --> 00:07:55,840 Speaker 1: well and it was smooth and seamless, and it was 129 00:07:55,880 --> 00:08:00,320 Speaker 1: really put together very nicely. All the elements were woven 130 00:08:00,360 --> 00:08:03,680 Speaker 1: together really really nicely. That house is fancy, yeah, and 131 00:08:03,840 --> 00:08:05,600 Speaker 1: I didn't notice the house more in this one, and 132 00:08:05,760 --> 00:08:10,040 Speaker 1: it looked really great. And especially yes, I noticed the 133 00:08:10,080 --> 00:08:11,720 Speaker 1: same thing like when they're in that. Maybe it's just 134 00:08:11,760 --> 00:08:13,720 Speaker 1: we got a different angle at it, but it's like 135 00:08:13,800 --> 00:08:17,720 Speaker 1: that is a grand living, right, They're not messing around. 136 00:08:18,520 --> 00:08:23,360 Speaker 1: There's a lot of beautiful fireplaces in this episode. Did 137 00:08:23,400 --> 00:08:25,080 Speaker 1: you guys notice that there was a lot of fires 138 00:08:25,120 --> 00:08:30,600 Speaker 1: going multiple winter right, so it's like, yeah, cozy. There 139 00:08:30,640 --> 00:08:32,960 Speaker 1: was a lot of beanies again, a lot of scarfs, 140 00:08:33,240 --> 00:08:35,560 Speaker 1: a lot of beanies. At least there was one scene 141 00:08:35,600 --> 00:08:37,040 Speaker 1: where it was at night where I'm like, okay, the 142 00:08:37,080 --> 00:08:42,200 Speaker 1: temperature probably dropped a bit set yeah, but then the 143 00:08:42,320 --> 00:08:44,120 Speaker 1: asphalt is so wet. How do they do that again? 144 00:08:44,120 --> 00:08:49,480 Speaker 1: I know you've told us down you never shoot at 145 00:08:49,559 --> 00:08:52,280 Speaker 1: night without hosing it down. Even daytime. They just hose 146 00:08:52,360 --> 00:08:56,599 Speaker 1: it down before they shoot because it glistens, it looks better. Yeah, 147 00:08:57,160 --> 00:09:00,280 Speaker 1: which it did. So I noticed right a way that 148 00:09:00,280 --> 00:09:04,640 Speaker 1: Billy Burke was in the credits right away, right, I 149 00:09:04,760 --> 00:09:07,840 Speaker 1: like that guy Harley from Twilight. Yep, he went on 150 00:09:07,880 --> 00:09:10,920 Speaker 1: to do Twilight, so this was sort of like preliminary 151 00:09:10,920 --> 00:09:16,080 Speaker 1: and then he also is on Star now is he 152 00:09:16,120 --> 00:09:18,960 Speaker 1: played sort of? Oh that's one of those shows, right, well, 153 00:09:19,000 --> 00:09:22,320 Speaker 1: they do. They do like twenty of them. There's right, 154 00:09:22,360 --> 00:09:25,400 Speaker 1: There's nine one one Los Angeles nine one, and he 155 00:09:25,440 --> 00:09:27,880 Speaker 1: played like sort of a jerk who comes around. But 156 00:09:27,960 --> 00:09:31,040 Speaker 1: I like him, and he was in twenty four season two. 157 00:09:31,160 --> 00:09:35,400 Speaker 1: He was a very bad guy on that. So okay, 158 00:09:35,440 --> 00:09:36,920 Speaker 1: I know I'm jumping ahead, but we saw his name 159 00:09:36,960 --> 00:09:41,760 Speaker 1: the credits. How you feeling, Scott about what your girl's 160 00:09:41,760 --> 00:09:45,520 Speaker 1: got a new guy? It doesn't phase me. It's just 161 00:09:47,840 --> 00:09:50,560 Speaker 1: some qupie doll with a poofy hair haircut. Who cares? 162 00:09:52,720 --> 00:09:56,000 Speaker 1: I have to say. He was very smooth, like I 163 00:09:56,000 --> 00:10:00,440 Speaker 1: I thought he um is Lorelie speed with like their 164 00:10:00,480 --> 00:10:02,840 Speaker 1: wit and their humor, Like he was able to banter 165 00:10:02,840 --> 00:10:04,960 Speaker 1: her back and forth with her, and the way he 166 00:10:05,000 --> 00:10:08,600 Speaker 1: asked her out. I was like, that's yeah, I like it. 167 00:10:09,080 --> 00:10:12,960 Speaker 1: I love the Michelle gave gave him luralized number two 168 00:10:15,240 --> 00:10:19,680 Speaker 1: at home, say she's up until three am whatever. Yeah. 169 00:10:20,400 --> 00:10:22,920 Speaker 1: I didn't think their banter was quite as on when 170 00:10:22,960 --> 00:10:29,240 Speaker 1: they were at the whatever. That terrible. Yeah. I think 171 00:10:29,240 --> 00:10:31,040 Speaker 1: he was caught off guard at first, but I think 172 00:10:31,080 --> 00:10:33,760 Speaker 1: he can hang, just based off of my initial thought 173 00:10:33,840 --> 00:10:36,400 Speaker 1: of him. He can definitely hang, and he has the 174 00:10:36,440 --> 00:10:39,839 Speaker 1: same wit that Loralai does. He just wasn't expecting it 175 00:10:39,880 --> 00:10:42,200 Speaker 1: at first. Yeah, he had like CE game and then 176 00:10:42,240 --> 00:10:47,120 Speaker 1: a game. Scott thoughts, we see your wheels spin in 177 00:10:47,160 --> 00:10:54,840 Speaker 1: there next. Do you think you can watch it with 178 00:10:54,960 --> 00:10:59,120 Speaker 1: fair eyes? No? Yeah, That's why I'm not really going 179 00:10:59,200 --> 00:11:03,839 Speaker 1: to comment. Yeah, it's just they just keep doing this now. 180 00:11:03,880 --> 00:11:07,360 Speaker 1: I'm like, you know, it's like, all right, been there, 181 00:11:07,400 --> 00:11:11,920 Speaker 1: done that. He's not gonna make the gray. I get it. 182 00:11:12,720 --> 00:11:15,600 Speaker 1: Oh yeah, Daniel, there's a few more coming before. I'm 183 00:11:15,640 --> 00:11:18,560 Speaker 1: still not quite over Max Medina. Medina. I was like 184 00:11:18,640 --> 00:11:23,079 Speaker 1: really hopeful for that one, but that's you were hopeful 185 00:11:23,200 --> 00:11:26,480 Speaker 1: for that one you weren't. It was like the first 186 00:11:26,480 --> 00:11:30,160 Speaker 1: one I got, you know, that was too I liked him. Yeah, 187 00:11:31,120 --> 00:11:42,640 Speaker 1: I like Christopher. I mean obviously sorry, sorry Luke. All right, 188 00:11:42,679 --> 00:11:47,560 Speaker 1: So then we go to the kitchen and there's a 189 00:11:47,559 --> 00:11:50,160 Speaker 1: big old fight between Stookie and Jackson that was kind 190 00:11:50,160 --> 00:11:52,800 Speaker 1: of like ugly over pee tendrils and Brussels sprouts, and 191 00:11:52,800 --> 00:11:54,720 Speaker 1: then it ends with like I love you, kiss kiss. 192 00:11:55,600 --> 00:11:58,959 Speaker 1: It's always about so toxic. I was just like whoa 193 00:11:59,800 --> 00:12:01,880 Speaker 1: just yelling at each other and then with the flip 194 00:12:01,880 --> 00:12:04,560 Speaker 1: of a switch, they're like, love you. What do you think? 195 00:12:05,600 --> 00:12:07,880 Speaker 1: I thought it was great? You know it wasn't. It 196 00:12:07,960 --> 00:12:12,440 Speaker 1: wasn't real real, But I mean, you know, yeah, you 197 00:12:12,600 --> 00:12:14,640 Speaker 1: argue with your spouse at times and it can get 198 00:12:14,679 --> 00:12:18,280 Speaker 1: pretty loud and you're kissing makeup. I mean it's not 199 00:12:19,640 --> 00:12:25,040 Speaker 1: it's not ever that fast. You know. That's you know, 200 00:12:25,120 --> 00:12:29,640 Speaker 1: that's compressed reality. There. What are p tendrils? I have 201 00:12:29,679 --> 00:12:34,840 Speaker 1: no idea. I like Brussels sprouts. Do you love I 202 00:12:34,920 --> 00:12:37,240 Speaker 1: do brussel? It depends. I mean if you dip them 203 00:12:37,240 --> 00:12:41,240 Speaker 1: in some kind of butter sauce, throaka and then cover 204 00:12:41,320 --> 00:12:44,760 Speaker 1: them in chocolate, I still just I'm blown away by 205 00:12:44,800 --> 00:12:47,959 Speaker 1: how the kitchen just is always I know I say 206 00:12:48,000 --> 00:12:49,680 Speaker 1: it every week, but it's just like filled with the 207 00:12:49,679 --> 00:12:54,920 Speaker 1: most amazing cakes and things. There was a lot of 208 00:12:54,920 --> 00:12:57,640 Speaker 1: stuff in that kitchen, all right. So then we go 209 00:12:57,720 --> 00:13:02,440 Speaker 1: to Chilton. Way, did you see this still image? I did? 210 00:13:03,120 --> 00:13:07,480 Speaker 1: I did, and I noticed it, and you're so right, Yeah, 211 00:13:07,720 --> 00:13:10,840 Speaker 1: thank you so much? Way too obvious of what the 212 00:13:11,160 --> 00:13:15,559 Speaker 1: clown pillow? No, what are you talking about? So you 213 00:13:15,600 --> 00:13:17,960 Speaker 1: know I've been complaining about like when they show the 214 00:13:18,000 --> 00:13:20,040 Speaker 1: exterior of the inn and they show the exterior of 215 00:13:20,120 --> 00:13:24,599 Speaker 1: Chilton's photo, they did it again, and this one I 216 00:13:24,920 --> 00:13:29,400 Speaker 1: didn't notice it. We're going to start now that I 217 00:13:29,480 --> 00:13:32,040 Speaker 1: pointed it out. Yeah, I think now that you said it, 218 00:13:32,080 --> 00:13:34,440 Speaker 1: how I'm like, especially you said it was Chilton and 219 00:13:34,440 --> 00:13:37,440 Speaker 1: where else it was the house in oh and there 220 00:13:37,559 --> 00:13:40,080 Speaker 1: was one of the house. But that got better in 221 00:13:40,120 --> 00:13:42,880 Speaker 1: this episode because I liked that exterior shot of her 222 00:13:42,960 --> 00:13:45,720 Speaker 1: still on the phone. But Scott like, what is that 223 00:13:45,800 --> 00:13:48,720 Speaker 1: just cheaper to use a photo so that they don't 224 00:13:48,760 --> 00:13:51,520 Speaker 1: have to go and like, shoot, I don't know that 225 00:13:51,520 --> 00:13:54,800 Speaker 1: that's a photo. I mean, that's probably not a photo. 226 00:13:54,920 --> 00:13:57,839 Speaker 1: It's a you know, they they shot that with the 227 00:13:58,160 --> 00:14:02,880 Speaker 1: with the movie camera, you know, Yeah, can you go 228 00:14:02,960 --> 00:14:04,440 Speaker 1: back and look at it and come back to me 229 00:14:04,480 --> 00:14:08,720 Speaker 1: on this? I can think of is like maybe the 230 00:14:08,800 --> 00:14:14,559 Speaker 1: interior is obviously a set, so the exterior isn't well wait, Scott, Yeah, 231 00:14:14,559 --> 00:14:20,840 Speaker 1: where was Chilton? It wasn't on the lot, right, Chiltern. No, 232 00:14:21,160 --> 00:14:25,640 Speaker 1: it's somewhere else did I make that? God? Where where? 233 00:14:26,040 --> 00:14:27,880 Speaker 1: I don't know where they shot you. Maybe someone can 234 00:14:27,920 --> 00:14:30,960 Speaker 1: do a quick google on that. And interestingly, the inn, 235 00:14:31,280 --> 00:14:34,840 Speaker 1: what the inn exterior isn't on the lot either, So 236 00:14:34,960 --> 00:14:40,800 Speaker 1: they're using images because they don't have them. But even 237 00:14:40,840 --> 00:14:45,360 Speaker 1: if they would have shot video Greystone Manner Mansion, that 238 00:14:45,440 --> 00:14:48,600 Speaker 1: probably that sounds right. Yeah, because we shot we I 239 00:14:48,600 --> 00:14:52,520 Speaker 1: think we shot the hurt Rory's graduation over there, Beverly Hills, 240 00:14:52,520 --> 00:14:56,840 Speaker 1: Greystone there. We should take up field trip there too 241 00:14:58,320 --> 00:15:08,600 Speaker 1: and just take selfies everywhere. Yeah, okay, so we're seeing 242 00:15:08,680 --> 00:15:11,280 Speaker 1: sort of this is Paris, and Paris was a baller. 243 00:15:11,400 --> 00:15:14,280 Speaker 1: At first, I thought she was so baller because she 244 00:15:14,400 --> 00:15:17,480 Speaker 1: completely knew what Francy was up to and was like, 245 00:15:17,560 --> 00:15:20,920 Speaker 1: I already negotiated it for the Wadsworth mansion and we 246 00:15:21,000 --> 00:15:26,680 Speaker 1: saved money and we're giving the telescope and I was like, Bravo, Yeah, yeah, 247 00:15:27,080 --> 00:15:32,440 Speaker 1: she knows what she's doing. Francy is uh, you know, 248 00:15:32,520 --> 00:15:36,840 Speaker 1: as diabolical and as clever as she tried to appear 249 00:15:37,880 --> 00:15:41,200 Speaker 1: to be. Can I ask you something just a logic 250 00:15:41,280 --> 00:15:43,080 Speaker 1: thing and it could be really obvious to you guys, 251 00:15:43,080 --> 00:15:48,760 Speaker 1: And I just don't get it. Please, Um, where did 252 00:15:48,800 --> 00:15:53,240 Speaker 1: she get the photos? So I'm assuming took the photos? 253 00:15:53,280 --> 00:15:56,680 Speaker 1: And why didn't Rory say who took these photos? Or no? 254 00:15:56,800 --> 00:15:58,720 Speaker 1: When she was handing them to Paris and saying, you know, 255 00:15:58,840 --> 00:16:02,120 Speaker 1: Roy stabbed in the back. Why didn't Paris, who's so smart, 256 00:16:02,200 --> 00:16:04,640 Speaker 1: say wait a minute, where did you get these photos? 257 00:16:04,680 --> 00:16:08,040 Speaker 1: Who took them? You're setting Rory up? I mean, what 258 00:16:08,200 --> 00:16:12,680 Speaker 1: is going on with these photos? Seemed so I'm assuming 259 00:16:12,720 --> 00:16:15,800 Speaker 1: someone was hiding in the garage. Somebody was hiding in 260 00:16:15,840 --> 00:16:18,440 Speaker 1: the garage. How did she get her hands ahold of them? Well? 261 00:16:18,480 --> 00:16:23,120 Speaker 1: And also where was that garage? Like that a lot. 262 00:16:23,480 --> 00:16:26,280 Speaker 1: I have a lot to think about the garage Of 263 00:16:26,400 --> 00:16:29,520 Speaker 1: all places you as somebody to meet you, why would 264 00:16:29,520 --> 00:16:34,120 Speaker 1: you say dark garage like literally that? When that scene 265 00:16:34,160 --> 00:16:36,320 Speaker 1: opened up, I was like, oh, and this is the 266 00:16:36,400 --> 00:16:39,920 Speaker 1: part of Gilmore Girls where Rory gets kidnapped. Okay, So 267 00:16:40,040 --> 00:16:45,280 Speaker 1: that whole scene wasn't homage to um uh the Watergate 268 00:16:45,320 --> 00:16:49,080 Speaker 1: movie All the President's Men with Robert Redford and Dustin 269 00:16:49,120 --> 00:16:53,840 Speaker 1: Hoffman in that was they exactly. They did a very 270 00:16:53,840 --> 00:16:56,880 Speaker 1: good job depicting that Deep Throat scene too. So so 271 00:16:57,080 --> 00:17:00,840 Speaker 1: Robert Redford had a source inside the White House feeding 272 00:17:00,920 --> 00:17:05,199 Speaker 1: him information, and he was communicating with him in unusual ways, 273 00:17:05,840 --> 00:17:09,719 Speaker 1: like Robert Redford could not contact this guy via phone 274 00:17:10,040 --> 00:17:12,760 Speaker 1: or meet him. It's like put a red flag in 275 00:17:12,800 --> 00:17:15,800 Speaker 1: your flower, put on your balcony airplane, and this is 276 00:17:15,840 --> 00:17:18,639 Speaker 1: where we'll meet and I'll tell you. And and so 277 00:17:18,760 --> 00:17:22,040 Speaker 1: how Holbrook played Deep Throat and this was a real 278 00:17:22,200 --> 00:17:24,320 Speaker 1: These are based on real events, right right. They just 279 00:17:24,359 --> 00:17:28,280 Speaker 1: had a CNN documentary. So you know, Deep Throat would 280 00:17:28,560 --> 00:17:32,080 Speaker 1: would feed Robert Redford clues because Robert Redford played a 281 00:17:32,119 --> 00:17:34,879 Speaker 1: reporter for the he played you know, Burnt it was 282 00:17:34,920 --> 00:17:39,240 Speaker 1: Woodward and Bernstein Um for the Washington Post when Ben 283 00:17:39,280 --> 00:17:42,919 Speaker 1: Bradley was the senior editor um at the heyday of 284 00:17:42,920 --> 00:17:47,280 Speaker 1: the Washington Post, Um when it was a truly powerful, 285 00:17:47,680 --> 00:17:52,479 Speaker 1: uh bastion of of great journalism. But but anyway, so 286 00:17:52,520 --> 00:17:55,919 Speaker 1: that whole scene that you saw with between Gilmore was 287 00:17:55,960 --> 00:17:59,280 Speaker 1: it was an homage to that scene. So Emily what's 288 00:17:59,280 --> 00:18:02,439 Speaker 1: her Name's her name? Francy Francie was playing deep throat 289 00:18:02,440 --> 00:18:06,600 Speaker 1: and and uh Rory was supposed to be Robert Redford. Yeah, 290 00:18:06,600 --> 00:18:09,119 Speaker 1: you wouldn't think that if Paris is so quick and 291 00:18:09,200 --> 00:18:12,040 Speaker 1: so smart, which she is, which like we already just 292 00:18:12,119 --> 00:18:14,399 Speaker 1: saw it with what she did about the mansion and 293 00:18:14,480 --> 00:18:17,800 Speaker 1: the whole meeting, and she's she was rightfully pissed at 294 00:18:17,800 --> 00:18:19,600 Speaker 1: the teacher. I thought that made sense, like why was 295 00:18:19,640 --> 00:18:22,920 Speaker 1: the teacher just letting this impromptu meeting happen? But anyway, 296 00:18:23,080 --> 00:18:26,840 Speaker 1: but why didn't you question the photos? And why would 297 00:18:26,920 --> 00:18:30,280 Speaker 1: she just assume we all know Francis? Why would we 298 00:18:30,320 --> 00:18:34,199 Speaker 1: just Pis questions said, like, you set Rory up, you 299 00:18:34,240 --> 00:18:36,440 Speaker 1: took photos, you're giving me the photos, You're trying to 300 00:18:36,520 --> 00:18:38,480 Speaker 1: dupe me? What the hell is going on with this 301 00:18:38,520 --> 00:18:41,040 Speaker 1: power play? It's it's in the fencing class. She kind 302 00:18:41,040 --> 00:18:43,919 Speaker 1: of she said that she knew she was being manipulated, 303 00:18:44,080 --> 00:18:46,800 Speaker 1: that she knew that Francy was just being a dumb 304 00:18:46,880 --> 00:18:49,480 Speaker 1: dumb and that she was just like, but why did 305 00:18:49,480 --> 00:18:52,320 Speaker 1: you tell her about Jamie? Right? I thought Harris made 306 00:18:52,320 --> 00:18:54,960 Speaker 1: a great point there. It was like she did Paris 307 00:18:55,080 --> 00:19:02,960 Speaker 1: was probably right. She just was like wait, defencing with 308 00:19:03,040 --> 00:19:05,560 Speaker 1: the parking garage, like does Chiltern have that big of 309 00:19:05,640 --> 00:19:09,040 Speaker 1: a parking that. I was like, that's what threw me off, 310 00:19:09,119 --> 00:19:11,439 Speaker 1: more like yes, like it was very weird. And then 311 00:19:11,480 --> 00:19:14,080 Speaker 1: she disappeared. But I was like, where is this parking garage? 312 00:19:14,119 --> 00:19:17,040 Speaker 1: And they that giant parking lot? Why lord l I 313 00:19:17,040 --> 00:19:19,280 Speaker 1: always gets to park the jeep right in front and 314 00:19:19,400 --> 00:19:22,439 Speaker 1: runs down below that was supposed to be the children 315 00:19:22,480 --> 00:19:25,679 Speaker 1: parking garage because it certainly look like cy parking garage. 316 00:19:25,680 --> 00:19:28,160 Speaker 1: It did not look like literally thought it was Century City. Yeah, 317 00:19:28,400 --> 00:19:31,120 Speaker 1: that's what they were going for the homage to all 318 00:19:31,160 --> 00:19:33,320 Speaker 1: the presidents. Meant, okay, thank you for that, because I 319 00:19:33,520 --> 00:19:36,359 Speaker 1: was not. And they nailed it too, because because as 320 00:19:36,400 --> 00:19:38,520 Speaker 1: soon as I saw that first shot at the garage, 321 00:19:38,560 --> 00:19:40,520 Speaker 1: I go, oh, they're going to do an homage to 322 00:19:40,560 --> 00:19:43,480 Speaker 1: all the presidents because they nailed it. They nailed it, 323 00:19:43,560 --> 00:19:47,159 Speaker 1: like scene for scene or shot for shot one of us. 324 00:19:47,200 --> 00:19:50,000 Speaker 1: It was really even with the car alarm going off. 325 00:19:50,000 --> 00:19:52,080 Speaker 1: I don't think they didn't have car alarms back then, 326 00:19:52,160 --> 00:19:57,240 Speaker 1: but at least it was kind of spooky, because remember 327 00:19:57,240 --> 00:19:59,320 Speaker 1: when she gets the plane and then all of a sudden, 328 00:19:59,359 --> 00:20:03,920 Speaker 1: like the was gone, Like it was like there was 329 00:20:04,040 --> 00:20:08,120 Speaker 1: a little and Francis lighter and the later. But that's 330 00:20:08,200 --> 00:20:10,480 Speaker 1: but that's the mood that they created in the original 331 00:20:10,640 --> 00:20:12,840 Speaker 1: and all the President's men is that, oh my god, 332 00:20:13,040 --> 00:20:15,720 Speaker 1: this could be a setup to get assassinated, to get shot, 333 00:20:16,440 --> 00:20:18,480 Speaker 1: because I mean people were you know, people were gonna 334 00:20:18,920 --> 00:20:22,760 Speaker 1: you know, Nixon was disappearing people. Yeah, it was, it was. 335 00:20:22,840 --> 00:20:26,760 Speaker 1: It was really a dead on homage. That's funny. It 336 00:20:26,880 --> 00:20:28,840 Speaker 1: was funny when they told what's our doozy to hum 337 00:20:28,880 --> 00:20:32,919 Speaker 1: to herself? Madeline, Oh my god, and Louise is like, 338 00:20:33,000 --> 00:20:36,840 Speaker 1: hum to yourself. And then Paris says like, hey, can 339 00:20:36,880 --> 00:20:41,560 Speaker 1: you poke John Williams and tell him that cut the score? 340 00:20:41,920 --> 00:20:46,880 Speaker 1: That was a very clever line. So okay, so now 341 00:20:47,080 --> 00:20:50,320 Speaker 1: it's just on it's Rory versus Francy. So pretend we 342 00:20:50,320 --> 00:20:52,160 Speaker 1: haven't gotten to the garage Seene yet and we're just 343 00:20:53,040 --> 00:20:57,720 Speaker 1: backed up to the you know, student council meeting, and 344 00:20:57,800 --> 00:21:02,000 Speaker 1: it's like, oh, those two and I mean Francie has 345 00:21:02,040 --> 00:21:08,480 Speaker 1: just gone totally evil, totally evil. But if Paris doesn't 346 00:21:08,560 --> 00:21:10,960 Speaker 1: question where the photos came from, and why she's feeding 347 00:21:10,960 --> 00:21:13,679 Speaker 1: her this information? Then I'm not going along for the ride. 348 00:21:14,560 --> 00:21:16,360 Speaker 1: So I don't think she's evil. I think it's kind 349 00:21:16,359 --> 00:21:22,000 Speaker 1: of dumb. I don't disagree. Paris got emotional instead of 350 00:21:22,040 --> 00:21:25,520 Speaker 1: like steady about it, where she's like, wait, Murray's not 351 00:21:25,520 --> 00:21:29,239 Speaker 1: going to like screw me over Francy? Is Johnny done 352 00:21:29,280 --> 00:21:36,720 Speaker 1: it once? Anyway? And so again again it's an homage. 353 00:21:36,800 --> 00:21:39,439 Speaker 1: I don't know that there were photographs ever produced in 354 00:21:39,560 --> 00:21:44,000 Speaker 1: any scene in the garage with how Redford. I don't 355 00:21:44,000 --> 00:21:49,720 Speaker 1: think there were. It was just quiet conversation and obscure clues. 356 00:21:49,760 --> 00:21:52,800 Speaker 1: He wouldn't tell him anything directly. And now Emily's lawyer 357 00:21:52,880 --> 00:21:54,720 Speaker 1: is calling and Lorela is going to be deposed. Have 358 00:21:54,760 --> 00:22:01,399 Speaker 1: you ever been deposed? Have you guys? Mm hmmm, A 359 00:22:01,480 --> 00:22:10,399 Speaker 1: couple of couple of times? Is it terrible? What's it like? Um? Gosh, Well, 360 00:22:10,400 --> 00:22:12,920 Speaker 1: it depends on the lawyer. The lawyer that was deposing 361 00:22:12,960 --> 00:22:18,040 Speaker 1: me was so stupid that um uh, I just kept 362 00:22:18,040 --> 00:22:21,679 Speaker 1: correcting him, and so it was frustrating for him and 363 00:22:21,760 --> 00:22:25,240 Speaker 1: kind of easy for me. And then the second time 364 00:22:25,280 --> 00:22:29,680 Speaker 1: I was deposed it was a fancier lawyer, but they 365 00:22:29,680 --> 00:22:33,000 Speaker 1: were equally as dumb because and it's like in a conference, 366 00:22:33,080 --> 00:22:40,480 Speaker 1: rate don't Yeah, but the thing is is um um 367 00:22:40,560 --> 00:22:43,200 Speaker 1: when you when you're when you're on the side of right, 368 00:22:43,240 --> 00:22:46,479 Speaker 1: when you're telling the truth, it's it's it's easy to 369 00:22:46,560 --> 00:22:54,000 Speaker 1: be relaxed and and confident when the other side is 370 00:22:54,160 --> 00:23:00,840 Speaker 1: lying there trying too hard. You know. Oh, I kind 371 00:23:00,840 --> 00:23:06,600 Speaker 1: of wish. So now we go to truly the most 372 00:23:06,680 --> 00:23:11,560 Speaker 1: boring like class whatever that was presentation, Like, how did 373 00:23:11,600 --> 00:23:14,760 Speaker 1: that guy get his voice to be so boring? Oh? 374 00:23:14,840 --> 00:23:19,520 Speaker 1: That was great? Like and then they made a cootie catcher. 375 00:23:21,240 --> 00:23:24,240 Speaker 1: Remember those? I didn't know that's what it was called. 376 00:23:24,320 --> 00:23:26,600 Speaker 1: I didn't know that's what it was called either. They 377 00:23:26,640 --> 00:23:29,840 Speaker 1: said it in the episode because there was the other 378 00:23:29,920 --> 00:23:34,480 Speaker 1: name for it, fortune teller. Like literally we all did those, yeah, 379 00:23:34,480 --> 00:23:36,800 Speaker 1: a little for we had those. We had slam books. 380 00:23:36,800 --> 00:23:39,720 Speaker 1: Did you ever have slam books? No, it's a slam book. 381 00:23:40,440 --> 00:23:42,160 Speaker 1: I don't remember. But you'd write in it and then 382 00:23:42,160 --> 00:23:45,160 Speaker 1: you'd pass it along. You wouldn't know, and you'd write 383 00:23:45,160 --> 00:23:48,159 Speaker 1: all these like what do you think about Marcy? That 384 00:23:48,320 --> 00:23:50,680 Speaker 1: is now called the burn Book. That's called a book 385 00:23:51,520 --> 00:23:59,080 Speaker 1: called a slam book? What about Mash remember mash back house, 386 00:24:00,680 --> 00:24:03,159 Speaker 1: So you'd like draw something out that said mash, and 387 00:24:03,200 --> 00:24:06,800 Speaker 1: then you'd like you make like a spiral and then 388 00:24:06,800 --> 00:24:09,240 Speaker 1: the person says stuck, and then you count the lines 389 00:24:09,280 --> 00:24:11,040 Speaker 1: and then you figure out like who they're going to marry, 390 00:24:11,080 --> 00:24:13,040 Speaker 1: how many kids are gonna have? Are they a brother 391 00:24:13,119 --> 00:24:19,520 Speaker 1: to mansion, an apartment, a shack or a house pet pet? Yeah, yeah, 392 00:24:19,560 --> 00:24:24,480 Speaker 1: you'd go counting around. Yeah, that's what that's like. My 393 00:24:24,640 --> 00:24:27,200 Speaker 1: son's your book. I just went through it in all 394 00:24:27,200 --> 00:24:34,879 Speaker 1: the fifth graders did their thing and the hags. It's like, 395 00:24:35,359 --> 00:24:37,720 Speaker 1: I'm going to go to Harvard. I'm going to be 396 00:24:37,840 --> 00:24:40,040 Speaker 1: a colder and then I'm going to live in a 397 00:24:40,119 --> 00:24:43,200 Speaker 1: huge house and I'm going to have a dog, two kids, 398 00:24:43,760 --> 00:24:48,720 Speaker 1: and a wife. Like, oh my god, wait they write hags? 399 00:24:48,840 --> 00:24:51,240 Speaker 1: Do they still do? K I T? Keep in touch 400 00:24:53,080 --> 00:24:59,000 Speaker 1: and I didn't have no hags was definitely the vibe. Yeah, 401 00:24:59,280 --> 00:25:02,720 Speaker 1: keep in touch, k I T. I mean I'm from them. 402 00:25:03,040 --> 00:25:07,240 Speaker 1: We turned into have a great Summer. Oh okay, so 403 00:25:07,920 --> 00:25:10,200 Speaker 1: truly the most boring class. But at least we get 404 00:25:10,200 --> 00:25:14,120 Speaker 1: to the feet cookies and we meet Joe and Alex 405 00:25:14,480 --> 00:25:17,479 Speaker 1: Billy Burke, and then that's pretty funny. Did you think 406 00:25:17,520 --> 00:25:20,639 Speaker 1: it was funny with Melissa McCarthy and Joe That was 407 00:25:20,720 --> 00:25:23,760 Speaker 1: the best scene. That was the best scene in the 408 00:25:23,960 --> 00:25:29,960 Speaker 1: entire uh episode. That was Melissa at her best. Yeah, 409 00:25:30,200 --> 00:25:33,880 Speaker 1: Bung the Feldster, Oh god. And that the other guy 410 00:25:34,000 --> 00:25:36,800 Speaker 1: was great too. I mean they just matched up beautifully. 411 00:25:36,800 --> 00:25:42,800 Speaker 1: They were great, He was great, and they were just 412 00:25:42,920 --> 00:25:46,160 Speaker 1: both on fire. Those are really hard scenes to play 413 00:25:46,240 --> 00:25:48,480 Speaker 1: because of the energy that's required, the speed of him 414 00:25:48,480 --> 00:25:51,600 Speaker 1: in the excitement. She's just she's wonderful to watch, didn't 415 00:25:51,640 --> 00:25:56,560 Speaker 1: she right times? Oh my god. It's really sad that 416 00:25:56,600 --> 00:25:59,040 Speaker 1: it took her I don't know what ten years before 417 00:25:59,080 --> 00:26:01,280 Speaker 1: she got what she Mike and Molly in two thousand 418 00:26:01,359 --> 00:26:03,679 Speaker 1: and ten. Yeah, she was kind of blowing up at 419 00:26:03,720 --> 00:26:06,720 Speaker 1: the same time when she got Bridesmaids. But wait a minute, 420 00:26:06,760 --> 00:26:08,760 Speaker 1: no, no no, she did Mike and Molly and then she 421 00:26:08,840 --> 00:26:11,679 Speaker 1: did bridesmaid right, It was kind of simultaneous, so it 422 00:26:11,720 --> 00:26:13,760 Speaker 1: was sort of like she probably had shot Bridesmaids. I 423 00:26:13,800 --> 00:26:16,040 Speaker 1: don't know. She had to fight to get Mike and Molly. 424 00:26:16,160 --> 00:26:17,920 Speaker 1: That was a Warner Brothers show, and she still had 425 00:26:17,920 --> 00:26:20,480 Speaker 1: to fight to get that well, and she was very 426 00:26:20,880 --> 00:26:24,520 Speaker 1: secondary in Bridesmaids. She was not Yeah, yeah, but she 427 00:26:24,680 --> 00:26:26,920 Speaker 1: won an oscar? Didn't she got not? Didn't she win 428 00:26:27,040 --> 00:26:30,119 Speaker 1: or she got nominated. Somebody's gonna have to look that. 429 00:26:30,320 --> 00:26:32,480 Speaker 1: I think she won an oscar. She was nominated for 430 00:26:32,520 --> 00:26:36,120 Speaker 1: an Oscar. For bridesmaid she won the Emmy. Oh, somebody's 431 00:26:36,119 --> 00:26:40,479 Speaker 1: gonna it's a movie. Mike and Molly was from sixteen 432 00:26:40,520 --> 00:26:46,600 Speaker 1: in Bridesmaids was even so yeah the beginning to She 433 00:26:46,640 --> 00:26:49,680 Speaker 1: has won two Oscars, one for Best Actress in nineteen, 434 00:26:50,440 --> 00:26:53,240 Speaker 1: which was from a movie that weird movie where she 435 00:26:53,280 --> 00:26:56,879 Speaker 1: was like a book librarian or plagiarizing people. Best Supporting 436 00:26:57,600 --> 00:27:02,520 Speaker 1: and best Supporting in for Bridesmaids. I believe you because 437 00:27:02,560 --> 00:27:06,680 Speaker 1: Bridesmaids come out, Oh yeah, that would make I mean, 438 00:27:06,720 --> 00:27:08,880 Speaker 1: but I agree with you. That scene, you're like, they 439 00:27:08,880 --> 00:27:11,760 Speaker 1: were making it so funny, and then it was funny 440 00:27:11,800 --> 00:27:14,680 Speaker 1: to see Lora like, oh what about fat So and 441 00:27:14,840 --> 00:27:17,320 Speaker 1: Bruiser Bacon or whatever she was saying, like they're kind 442 00:27:17,320 --> 00:27:21,280 Speaker 1: of doing the bid. Yeah right, yeah, she she's gotta 443 00:27:21,480 --> 00:27:25,560 Speaker 1: she's gotta be honey, honey youngman. Throughout her entire waking, 444 00:27:25,800 --> 00:27:30,119 Speaker 1: she was best supporting for Bridesmaids, right, best supporting. Yeah, 445 00:27:30,320 --> 00:27:33,000 Speaker 1: and she won. Right small part, guys, her part was 446 00:27:33,040 --> 00:27:36,760 Speaker 1: not that big. The most memorable like scenes, that's the thing, right, 447 00:27:38,000 --> 00:27:39,879 Speaker 1: did you notice something at the end of that scene 448 00:27:40,680 --> 00:27:46,120 Speaker 1: when they're at the so the scene where it's Suki 449 00:27:46,200 --> 00:27:49,000 Speaker 1: and Joe talking about the Feldster and the whole thing, 450 00:27:49,000 --> 00:27:53,600 Speaker 1: and then Billy Burke, Alex and Loraaly are chatting and 451 00:27:53,640 --> 00:27:57,280 Speaker 1: then he walks away and they're looking they're looking behind 452 00:27:57,280 --> 00:28:00,960 Speaker 1: each other. He looks back and then he goes on, 453 00:28:01,040 --> 00:28:04,280 Speaker 1: and then she looks back and it was like, I 454 00:28:04,320 --> 00:28:13,000 Speaker 1: think he's a cutie. I agree, same. All right, So 455 00:28:13,040 --> 00:28:15,600 Speaker 1: we're back at the cafeteria in Paris and Rory your 456 00:28:15,680 --> 00:28:18,040 Speaker 1: friends and parents of drinking our red bull and Rory's 457 00:28:18,040 --> 00:28:21,760 Speaker 1: having our handsons. Oh you know what's got you go? First? Start? 458 00:28:21,840 --> 00:28:24,440 Speaker 1: You gotta say I forgot about Handson's, Like I was 459 00:28:24,520 --> 00:28:27,399 Speaker 1: watching the episode, like do they still sell them? I 460 00:28:27,440 --> 00:28:29,360 Speaker 1: don't know. It sort of became Lacroix. Don't you think 461 00:28:30,600 --> 00:28:33,520 Speaker 1: I love the handsOn anyway? Sorry, Hanson was filled with sugar, 462 00:28:33,560 --> 00:28:36,480 Speaker 1: but we have to google and everything scot sugar. What 463 00:28:36,640 --> 00:28:42,320 Speaker 1: isn't filled with sugar? Yogurt's got shared her apple sauces water. 464 00:28:42,480 --> 00:28:46,840 Speaker 1: I'm talking about brand name soft drinks. Yeah, but did 465 00:28:46,840 --> 00:28:49,320 Speaker 1: you know yogurt and apple sauce are just like for 466 00:28:49,360 --> 00:28:54,160 Speaker 1: sure everything bread, breadhash, sugar just like turn to sugar. 467 00:28:55,200 --> 00:28:58,960 Speaker 1: You know, salt has sugar in it, pepper sugar. I 468 00:28:59,000 --> 00:29:02,680 Speaker 1: love sugar some Uh, Scott, here's my question for you. 469 00:29:02,960 --> 00:29:06,280 Speaker 1: So you're doing a cafeteria scene right like that, right, 470 00:29:06,960 --> 00:29:09,800 Speaker 1: and we hear them talking, but we hear ambient noise 471 00:29:09,920 --> 00:29:15,200 Speaker 1: right after scene in the cafeteria at Chiltern So Paris 472 00:29:15,200 --> 00:29:16,960 Speaker 1: and where you're sitting there and they're talking and you 473 00:29:17,000 --> 00:29:20,560 Speaker 1: hear them perfectly, but you also know you're in the cafeteria. 474 00:29:20,840 --> 00:29:25,120 Speaker 1: Is that added later? Oh wow? Okay, so it's very 475 00:29:25,200 --> 00:29:29,080 Speaker 1: quiet in there they do their lines. Yeah, they're all 476 00:29:29,360 --> 00:29:32,240 Speaker 1: they're all miming. They're all background miming. They're not making 477 00:29:32,480 --> 00:29:34,680 Speaker 1: I mean, they make a tiny little bit of noise 478 00:29:34,720 --> 00:29:36,640 Speaker 1: they have to when they move or they lift or whatever. 479 00:29:37,480 --> 00:29:40,400 Speaker 1: But you know, the first a D is like everybody 480 00:29:40,480 --> 00:29:44,200 Speaker 1: in the background quiet and just moving your mouths, no words, 481 00:29:44,800 --> 00:29:47,120 Speaker 1: don't click your forks on the plate, don't move around 482 00:29:47,160 --> 00:29:49,240 Speaker 1: too much. You know this kind of god, background acting 483 00:29:49,280 --> 00:29:51,560 Speaker 1: is so hard, like even when I just opened my drink, 484 00:29:51,640 --> 00:29:55,080 Speaker 1: it makes noise, like we're not good at that. You 485 00:29:55,120 --> 00:29:57,040 Speaker 1: couldn't do that in the background scene. You don't open 486 00:29:57,120 --> 00:30:01,440 Speaker 1: up a can and you can't have a science experiments 487 00:30:01,480 --> 00:30:04,920 Speaker 1: going on. Yeah, we don't really watch the background noise 488 00:30:04,920 --> 00:30:07,120 Speaker 1: on this. Can everybody hear my phone beeping in the 489 00:30:07,120 --> 00:30:11,320 Speaker 1: other room? It's so bad? Okay, so the plane comes in. 490 00:30:12,320 --> 00:30:14,400 Speaker 1: Now we've set up the parking lot meeting, which we 491 00:30:14,480 --> 00:30:18,880 Speaker 1: kind of talked about. I knew Francie was full of crap. 492 00:30:19,080 --> 00:30:26,200 Speaker 1: Oh yeah, oh yeah bombed. Rory fell for it me too. 493 00:30:26,640 --> 00:30:30,160 Speaker 1: I thought she was, you know, smarter. Yeah, Jesus, she 494 00:30:30,280 --> 00:30:33,880 Speaker 1: got sucked in. She but that's her nature. She she 495 00:30:33,880 --> 00:30:36,000 Speaker 1: she wants to be friends, she wants to be positive, 496 00:30:36,000 --> 00:30:38,360 Speaker 1: she wants to trust people. Yeah, like last week we 497 00:30:38,360 --> 00:30:41,600 Speaker 1: saw her defending pairs and then now it's like she's 498 00:30:41,600 --> 00:30:44,920 Speaker 1: still in the middle where she's like naive and trying 499 00:30:44,960 --> 00:30:47,920 Speaker 1: to help at some time. Yeah, and Francis like no 500 00:30:47,960 --> 00:30:51,320 Speaker 1: more fighty fight e and then like Rory shook her hand. 501 00:30:52,200 --> 00:30:56,880 Speaker 1: Friends sort of, it was such a b Yes, did 502 00:30:56,880 --> 00:30:58,560 Speaker 1: you know? It was a weird choice. And I don't 503 00:30:58,560 --> 00:31:00,400 Speaker 1: know if it was like directed or what she starts 504 00:31:00,440 --> 00:31:05,120 Speaker 1: putting on eyeliner. That's a random. I kind of liked 505 00:31:05,160 --> 00:31:07,240 Speaker 1: it because that was her stick Like she was all 506 00:31:07,280 --> 00:31:11,040 Speaker 1: about like the hem on the skirt, and I was 507 00:31:11,040 --> 00:31:15,600 Speaker 1: like her the photos. I just wrote my notes. I 508 00:31:15,680 --> 00:31:21,400 Speaker 1: don't believe her. Don't fall for that. All right, Okay, 509 00:31:21,640 --> 00:31:25,520 Speaker 1: So now we're at the end and Suki realizes she's 510 00:31:25,560 --> 00:31:31,280 Speaker 1: on a date, and that was freaking hilarious. Um, I'm 511 00:31:31,320 --> 00:31:38,080 Speaker 1: a whore. That's nice. Favorite line of the whole episode is, yeah, 512 00:31:38,080 --> 00:31:41,680 Speaker 1: that's up there for me. You know what was gross? Though? 513 00:31:41,720 --> 00:31:44,400 Speaker 1: You guys tell me you guys noticed the grossest thing ever? 514 00:31:45,000 --> 00:31:56,360 Speaker 1: What thank from kitchen? Yes? Um to gross things. Joe 515 00:31:56,840 --> 00:31:59,920 Speaker 1: did not wash his hands and started cutting up personally 516 00:32:02,560 --> 00:32:09,280 Speaker 1: grosser than that, they take the spoon to taste. They 517 00:32:09,800 --> 00:32:11,640 Speaker 1: they do that all the time though in this show, 518 00:32:11,720 --> 00:32:15,160 Speaker 1: like Suba's all the time. That's so gross. Please tell 519 00:32:15,200 --> 00:32:20,880 Speaker 1: me they don't do that in real kitchens. Has anyone 520 00:32:20,920 --> 00:32:22,880 Speaker 1: here worked in a rail restaurant? Like, I know you 521 00:32:22,920 --> 00:32:25,360 Speaker 1: owned our scot but like, have you ever worked in 522 00:32:25,360 --> 00:32:31,680 Speaker 1: a restaurant? God? Yeah? Many? Were you a waiter? Ever? Yes? 523 00:32:35,680 --> 00:32:38,200 Speaker 1: I was a waiter in God? Where was I? No? 524 00:32:38,320 --> 00:32:40,200 Speaker 1: I never really did those jobs when I lived in 525 00:32:40,240 --> 00:32:45,320 Speaker 1: New York, Um, what did I was a waiter in 526 00:32:45,480 --> 00:32:50,080 Speaker 1: North Carolina. I was I sucked at it. I really was, 527 00:32:50,400 --> 00:32:53,760 Speaker 1: Oh my god, wait, were you guys ever waiters? I 528 00:32:53,800 --> 00:32:56,840 Speaker 1: worked every job you can imagine. I worked only at 529 00:32:56,960 --> 00:32:59,640 Speaker 1: Lord's ice Cream And like, I'm sure we did gross 530 00:32:59,640 --> 00:33:02,080 Speaker 1: stuff it. Like I used to say, I used to 531 00:33:02,080 --> 00:33:10,880 Speaker 1: sell Cartridge Inc. To offices at five am printing printer 532 00:33:11,880 --> 00:33:15,280 Speaker 1: two people who didn't lamp this Life of a Star. Right, 533 00:33:16,080 --> 00:33:19,200 Speaker 1: all right, so Joe's there. What if we think about 534 00:33:19,200 --> 00:33:22,360 Speaker 1: that whole sort of back and forth. I thought it 535 00:33:22,400 --> 00:33:25,600 Speaker 1: was cute. I thought it was cute. I also was like, 536 00:33:25,680 --> 00:33:28,200 Speaker 1: this is so suki or shoot, just go right over 537 00:33:28,200 --> 00:33:32,120 Speaker 1: her head, like had no clue what she was signing 538 00:33:32,160 --> 00:33:36,880 Speaker 1: up for. That guy was darling. We kind of get 539 00:33:36,920 --> 00:33:39,960 Speaker 1: through that, and then we had to Luke's. We see 540 00:33:40,040 --> 00:33:44,120 Speaker 1: Luke and you ran out of food. No, it was 541 00:33:44,200 --> 00:33:46,280 Speaker 1: just his fault. It was the only mentioned of just 542 00:33:46,480 --> 00:33:48,520 Speaker 1: this episode. He was supposed to the food. He was 543 00:33:48,560 --> 00:33:54,000 Speaker 1: given the responsibility. He didn't fulfill it. Something Luke's ever 544 00:33:54,080 --> 00:34:00,360 Speaker 1: giving him that responsibility. But yet, what you gotta you know, 545 00:34:00,960 --> 00:34:05,560 Speaker 1: how is he gonna learn responsibility unless you can depend 546 00:34:05,600 --> 00:34:09,560 Speaker 1: on him, and you know he screwed up. True, Okay, 547 00:34:09,600 --> 00:34:13,520 Speaker 1: I will say it was a little um, what's the 548 00:34:13,600 --> 00:34:17,840 Speaker 1: right word, not tough, but like I definitely missed just 549 00:34:18,120 --> 00:34:21,200 Speaker 1: and Dean in this episode. Yeah, this episode was a 550 00:34:21,239 --> 00:34:25,400 Speaker 1: little flat, wasn't it. It lacked real punch and I 551 00:34:25,480 --> 00:34:29,160 Speaker 1: know that they tried to provide the kitty punch with 552 00:34:29,160 --> 00:34:32,440 Speaker 1: with the Paris and Francine and Rory stuff, but it 553 00:34:32,480 --> 00:34:35,600 Speaker 1: just didn't. It just just didn't miss her up when 554 00:34:35,600 --> 00:34:38,080 Speaker 1: you have so many episodes back to back about Dean 555 00:34:38,120 --> 00:34:40,440 Speaker 1: and Jess and then you just go to like you 556 00:34:40,440 --> 00:34:43,879 Speaker 1: don't even see that. You're right, that's what's missing. Yeah, Yeah, 557 00:34:43,920 --> 00:34:46,759 Speaker 1: you're right, that's what was missing in this. You know, 558 00:34:46,800 --> 00:34:49,960 Speaker 1: they got us, right, they got us kind of addicted 559 00:34:50,000 --> 00:34:51,680 Speaker 1: to this whole thing, and then they just pull the 560 00:34:51,760 --> 00:34:54,600 Speaker 1: rug out and it's not there, and you know, you're 561 00:34:54,600 --> 00:35:00,480 Speaker 1: dealing with this sort of illogical sort of story Shenani. Yeah, 562 00:35:00,840 --> 00:35:03,919 Speaker 1: and it's just but I gotta tell you, I thought 563 00:35:04,000 --> 00:35:09,239 Speaker 1: the you know, minus the logic holes, it was great. 564 00:35:09,320 --> 00:35:12,719 Speaker 1: It was a really seamless episode in terms of the acting. Yeah. 565 00:35:12,880 --> 00:35:15,600 Speaker 1: I don't mind, no, no no, but really it did lack 566 00:35:15,680 --> 00:35:18,640 Speaker 1: some punch. I agree with you girls. Yeah, even though 567 00:35:18,719 --> 00:35:20,200 Speaker 1: you guys are kind of like talking about it, it's 568 00:35:20,320 --> 00:35:25,239 Speaker 1: very you know, not to dude, Like, there's not like 569 00:35:25,360 --> 00:35:31,479 Speaker 1: any drama. There's not anything. It's very cute episode. There's 570 00:35:31,480 --> 00:35:34,799 Speaker 1: nothing polarizing about it, like you're watching it, but there's 571 00:35:34,800 --> 00:35:39,040 Speaker 1: not really much of an opinion to be had. Yeah, right, 572 00:35:39,080 --> 00:35:43,400 Speaker 1: because we also are notf so like horrified by Emily, 573 00:35:43,560 --> 00:35:46,680 Speaker 1: Like we know she's kind of like bad to her employees, 574 00:35:46,719 --> 00:35:49,480 Speaker 1: and we're like, look at that tracks And then I 575 00:35:49,520 --> 00:35:52,399 Speaker 1: think the only gut punches when Paris and Rory are 576 00:35:52,440 --> 00:35:54,839 Speaker 1: fencing and they're trying to like sort of go back 577 00:35:54,880 --> 00:35:57,480 Speaker 1: and forth about this, and Harris is like, you were 578 00:35:57,480 --> 00:35:59,360 Speaker 1: my best friend. I thought you were my best friend. 579 00:36:00,400 --> 00:36:03,040 Speaker 1: That was like a little bit. I was sad that 580 00:36:03,239 --> 00:36:06,920 Speaker 1: hurt me. Yeah. I do have to give it to 581 00:36:06,960 --> 00:36:10,120 Speaker 1: Paris for bringing her own soap to the bathroom. That 582 00:36:10,239 --> 00:36:13,520 Speaker 1: was very progressive of her. Did anyway I miss that 583 00:36:13,760 --> 00:36:17,000 Speaker 1: you missed it? Rewind is the bathroom scene where Francy 584 00:36:17,080 --> 00:36:20,080 Speaker 1: goes up to Paris and Paris is like, you know whatever, 585 00:36:20,280 --> 00:36:22,200 Speaker 1: and then she puts a soap back in her first. 586 00:36:23,960 --> 00:36:28,600 Speaker 1: That's so she was ahead every time. Oh my god. 587 00:36:29,280 --> 00:36:30,880 Speaker 1: All right, So then we go back to the Gilmore's 588 00:36:30,960 --> 00:36:36,120 Speaker 1: and we're Emily's reading the transcripts from the deposition, which 589 00:36:36,239 --> 00:36:40,160 Speaker 1: was funny. It was funny. It was funny. But again 590 00:36:40,320 --> 00:36:43,840 Speaker 1: it's like, where do you get off asking for family 591 00:36:43,920 --> 00:36:47,840 Speaker 1: loyalty when you've been trashing your daughter since she's got pregnant. 592 00:36:48,239 --> 00:36:54,399 Speaker 1: But imagine how humiliated Laurel I was time and time 593 00:36:54,400 --> 00:36:57,680 Speaker 1: and time again knowing that her mother was stabbing her 594 00:36:57,680 --> 00:37:00,080 Speaker 1: in the back to all her friends and all of 595 00:37:00,200 --> 00:37:02,800 Speaker 1: Richard and Emily's friends and everybody that would listen. What 596 00:37:02,840 --> 00:37:05,120 Speaker 1: a disappointment this girl is. They do it to her face, 597 00:37:05,160 --> 00:37:07,560 Speaker 1: they do it behind her back, year after year after year, 598 00:37:07,600 --> 00:37:10,560 Speaker 1: They condescend to her year after year after year, and 599 00:37:10,600 --> 00:37:15,160 Speaker 1: then all of a sudden, Hey, I need you right. 600 00:37:16,080 --> 00:37:18,880 Speaker 1: Do you make an excellent point? You make a completely 601 00:37:19,040 --> 00:37:23,480 Speaker 1: excellent valid point for me. On top of that is, 602 00:37:24,719 --> 00:37:28,040 Speaker 1: why are you having somebody tested by on your behalf 603 00:37:28,760 --> 00:37:33,200 Speaker 1: that you know thinks you're a bad boss. I don't 604 00:37:33,239 --> 00:37:36,520 Speaker 1: get that. Well, it just shows how much of a 605 00:37:36,640 --> 00:37:41,919 Speaker 1: bubble Emily lives in. You know, how completely I mean, 606 00:37:42,600 --> 00:37:45,319 Speaker 1: people throw around this word too much I think narcissistic. 607 00:37:45,400 --> 00:37:49,000 Speaker 1: She is, but self centered and the world revolves around 608 00:37:49,000 --> 00:37:50,920 Speaker 1: her and so on and so forth. I mean, my god, 609 00:37:51,920 --> 00:37:54,480 Speaker 1: this is this is the girl that you just criticize 610 00:37:55,600 --> 00:37:59,200 Speaker 1: had nausea. I do love when Emily reads it back 611 00:37:59,200 --> 00:38:02,040 Speaker 1: to Laura was like, yeah, that didn't sound pretty bad. Huh. 612 00:38:02,080 --> 00:38:04,680 Speaker 1: Like She's like, oh, yeah, that's probably why I shouldn't 613 00:38:04,680 --> 00:38:09,760 Speaker 1: have said that, and she just goes on so many tangents. Squashes, gross, 614 00:38:10,200 --> 00:38:13,000 Speaker 1: the blood drid ended up happening in the cafeteria. Didn't 615 00:38:13,120 --> 00:38:17,520 Speaker 1: Rory stop that? And then I thought she lost the 616 00:38:17,600 --> 00:38:19,759 Speaker 1: fight or something, because Francy was like, I know the 617 00:38:19,840 --> 00:38:22,799 Speaker 1: code or whatever, like the you know, yeah, but then 618 00:38:22,840 --> 00:38:26,080 Speaker 1: they said like dismissed, like they dismissed it. I don't know. 619 00:38:26,320 --> 00:38:31,000 Speaker 1: I thought that was It's not my favorite episode. I 620 00:38:31,040 --> 00:38:34,840 Speaker 1: don't think I hated it as much as you all did. 621 00:38:35,080 --> 00:38:38,640 Speaker 1: There's just nothing really I enjoyed it too. I agree, 622 00:38:38,719 --> 00:38:41,799 Speaker 1: I enjoyed watching it. I got some chuckles out of it, 623 00:38:41,840 --> 00:38:44,680 Speaker 1: but when the illogic stuff started popping, it's hard to 624 00:38:45,480 --> 00:38:48,479 Speaker 1: stay with it. A bad episode of Gilmore is still 625 00:38:48,560 --> 00:38:54,200 Speaker 1: better than Yeah, but they set the bar so high 626 00:38:54,280 --> 00:38:58,600 Speaker 1: for that show. Because there's so many like, mind blowingly 627 00:38:58,719 --> 00:39:05,440 Speaker 1: great shows if one just doesn't you know the scene 628 00:39:05,440 --> 00:39:07,640 Speaker 1: with Jackson and Suki when she makes him the whole 629 00:39:07,680 --> 00:39:09,960 Speaker 1: fancy dinner and then he's like, you jated on me. 630 00:39:10,200 --> 00:39:14,240 Speaker 1: She's like, I accidentally flirted. She was at her best? 631 00:39:15,080 --> 00:39:17,920 Speaker 1: Don't you think Melissa was really Yeah, this was a 632 00:39:17,960 --> 00:39:20,880 Speaker 1: big episode for Melissa. Yeah, the last two have been 633 00:39:20,920 --> 00:39:25,359 Speaker 1: big for Melissa. She's really showing off her skills. She's 634 00:39:25,440 --> 00:39:29,560 Speaker 1: really really like coming into her own. Um. Yeah, she's great. 635 00:39:29,640 --> 00:39:31,960 Speaker 1: And then we get the very cute little scene on 636 00:39:32,000 --> 00:39:36,759 Speaker 1: the phone. Although it looked like Alex lives at Max's apartment, 637 00:39:36,840 --> 00:39:38,920 Speaker 1: I'm like, did they're just like jigger max is. But 638 00:39:40,320 --> 00:39:42,600 Speaker 1: I'd always like to make the boy have like a 639 00:39:42,760 --> 00:39:47,320 Speaker 1: masculine like. I don't know to like established, but anyway, 640 00:39:47,360 --> 00:39:49,560 Speaker 1: I thought that was very cute. I loved her pink 641 00:39:49,560 --> 00:39:52,120 Speaker 1: and red sweater as she's talking to him and she's 642 00:39:52,200 --> 00:39:53,879 Speaker 1: very flirty, and I love the little back and forth. 643 00:39:53,920 --> 00:39:55,960 Speaker 1: And then I love how the camera goes outside and 644 00:39:56,000 --> 00:39:58,160 Speaker 1: you see her still talking, you hear her still talking, 645 00:39:58,440 --> 00:40:02,239 Speaker 1: and the fire very cute. So that's cute. It was 646 00:40:02,239 --> 00:40:05,360 Speaker 1: so cute. I think it's setting us up for some 647 00:40:05,640 --> 00:40:09,800 Speaker 1: good episodes to come. I could be done with Francy. 648 00:40:08,239 --> 00:40:13,000 Speaker 1: I could have been done last week. Yeah, she should 649 00:40:13,000 --> 00:40:14,920 Speaker 1: have been gone after Rory went up to her in 650 00:40:14,960 --> 00:40:16,920 Speaker 1: the bathroom. I could have That could have been the end. 651 00:40:17,000 --> 00:40:18,600 Speaker 1: If you're gonna play mean girl, you have to play 652 00:40:18,600 --> 00:40:21,720 Speaker 1: at Regina George style or just not at all. Yeah, 653 00:40:21,760 --> 00:40:24,919 Speaker 1: which one's Regina George the blondie and mean girl? Yeah, 654 00:40:25,080 --> 00:40:28,719 Speaker 1: Rachel mcgth, Rachel mcgatheth, you have to play it like her. 655 00:40:29,040 --> 00:40:31,680 Speaker 1: That's a very good point because they she started off 656 00:40:31,680 --> 00:40:34,279 Speaker 1: like a house on fire. That character. I remember how 657 00:40:34,280 --> 00:40:37,560 Speaker 1: an hour we were. That character had great potential to 658 00:40:37,600 --> 00:40:42,680 Speaker 1: be really fun and interesting. Yeah, she's too evil. It's 659 00:40:42,719 --> 00:40:46,759 Speaker 1: like Harris was sort of evil. She was likable. Yeah, 660 00:40:46,960 --> 00:40:50,319 Speaker 1: and the made thing was funny, but didn't like kind 661 00:40:50,320 --> 00:40:54,360 Speaker 1: of You got some good jokes out of it, definitely. 662 00:40:54,520 --> 00:40:57,400 Speaker 1: The deposition thing was funny. It was fun. It was great, 663 00:40:57,440 --> 00:41:00,520 Speaker 1: but it wasn't It didn't have the heft of like 664 00:41:00,600 --> 00:41:02,799 Speaker 1: a Gilmour episode, you know, it didn't have it right. 665 00:41:02,800 --> 00:41:06,200 Speaker 1: I would say the part I liked was Suki and Joe, 666 00:41:07,160 --> 00:41:10,000 Speaker 1: because I also like that someone else liked Suki, but 667 00:41:10,040 --> 00:41:12,800 Speaker 1: we haven't seen that, and that was cute and makes 668 00:41:12,800 --> 00:41:15,120 Speaker 1: the marriage kind of cuter. And then I like that 669 00:41:15,120 --> 00:41:17,080 Speaker 1: we're getting a new love interest for lowera Lie because 670 00:41:17,080 --> 00:41:19,239 Speaker 1: I feel like it's time. So we're coming off that 671 00:41:19,360 --> 00:41:23,600 Speaker 1: last episode right where we were so just on fire. 672 00:41:23,760 --> 00:41:29,640 Speaker 1: We're coming off of just wait, No, I messed up? 673 00:41:29,960 --> 00:41:33,799 Speaker 1: What comes after Thanksgiving? Oh? The Fair, the Winter Fair. Yeah, 674 00:41:33,840 --> 00:41:37,600 Speaker 1: we're coming off the Dean, the Dean, the West Side Story, 675 00:41:37,640 --> 00:41:40,640 Speaker 1: Dean and Jess confrontation. Right, we're coming off that stuff. 676 00:41:40,680 --> 00:41:46,880 Speaker 1: Where is that? Well, guys, it's the it's the early ots. 677 00:41:47,000 --> 00:41:50,839 Speaker 1: So this was back in the day when February episodes 678 00:41:51,040 --> 00:41:54,880 Speaker 1: were more important, and we're just in January and November 679 00:41:54,920 --> 00:41:57,040 Speaker 1: episodes because these were the days of sweeps and those 680 00:41:57,080 --> 00:41:59,719 Speaker 1: were your big guns you brought out. That was how 681 00:41:59,760 --> 00:42:03,000 Speaker 1: you termined your advertisers. So it was like, think about it, 682 00:42:03,360 --> 00:42:07,799 Speaker 1: the Thanksgiving episode and the dance episode. Definitely, we're in 683 00:42:07,840 --> 00:42:10,720 Speaker 1: November and we're in January right now, which is always 684 00:42:10,719 --> 00:42:15,120 Speaker 1: going to be sort of the episodes Anuary. And that 685 00:42:15,200 --> 00:42:19,720 Speaker 1: was pretty good. I have six words. It's give me Luke. 686 00:42:19,880 --> 00:42:29,640 Speaker 1: Jess and Dean. First of all, uh, you know they're 687 00:42:29,680 --> 00:42:32,040 Speaker 1: going away from their looks like they're going away from 688 00:42:32,040 --> 00:42:34,800 Speaker 1: their strength too much. They're sitting there there, big bats 689 00:42:34,800 --> 00:42:36,479 Speaker 1: on the bench and they're not getting in the game. 690 00:42:36,520 --> 00:42:38,799 Speaker 1: And you got to watch the B team, you know, 691 00:42:38,840 --> 00:42:43,840 Speaker 1: and it's it's but it's like you're you're asking, you know, 692 00:42:43,880 --> 00:42:47,880 Speaker 1: all these minor characters to lift the show. It's like 693 00:42:48,160 --> 00:42:51,800 Speaker 1: we're missing like you know, Bet and everyone around town, 694 00:42:51,880 --> 00:42:55,080 Speaker 1: like those little fun you know, Kirk, all of them. 695 00:42:55,160 --> 00:42:58,040 Speaker 1: I like that they gave Suki a big moment because 696 00:42:58,040 --> 00:43:01,560 Speaker 1: that was enjoyable. CHRISTI. If it wasn't for Suki, I 697 00:43:01,600 --> 00:43:04,160 Speaker 1: would have turned this thing off. See. I like the 698 00:43:04,200 --> 00:43:06,360 Speaker 1: Billie Burke stuff, but I could have done away with Francy. 699 00:43:06,440 --> 00:43:09,200 Speaker 1: I don't need her. I don't care about her. I 700 00:43:09,280 --> 00:43:11,440 Speaker 1: like the other two, Madeline and Louise way better. I 701 00:43:11,480 --> 00:43:15,279 Speaker 1: don't need Francy. Melissa. Melissa stole this episode. She just 702 00:43:15,360 --> 00:43:18,680 Speaker 1: absolutely owned this episode. I barely even have a favorite 703 00:43:18,680 --> 00:43:21,239 Speaker 1: line other than the peeved bit. I thought Jackson. I 704 00:43:21,239 --> 00:43:24,919 Speaker 1: thought Jackson was great too. Yeah, it was his best 705 00:43:24,960 --> 00:43:29,000 Speaker 1: work so far. He was he was right with her. 706 00:43:29,160 --> 00:43:32,560 Speaker 1: You know, she's she's challenging. It's hard to keep up 707 00:43:32,600 --> 00:43:35,120 Speaker 1: with her. She's she's going a million mills and imagine 708 00:43:35,160 --> 00:43:39,560 Speaker 1: being her scene partner. You better. But you know, the 709 00:43:39,600 --> 00:43:42,040 Speaker 1: thing is, Melissa's so giving and so generous as an 710 00:43:42,040 --> 00:43:45,560 Speaker 1: actress that she's giving you so much you can't help. 711 00:43:45,600 --> 00:43:47,799 Speaker 1: But look in you know what I mean. She she 712 00:43:47,920 --> 00:43:51,480 Speaker 1: raises your game. So you know what else I like? 713 00:43:51,680 --> 00:43:53,440 Speaker 1: Is it? Like? So there was like a shout out 714 00:43:53,440 --> 00:43:55,880 Speaker 1: when they're in the student council meeting to Choke. I 715 00:43:55,960 --> 00:43:59,120 Speaker 1: like that the references are real places, like that's a 716 00:43:59,160 --> 00:44:01,759 Speaker 1: real private school, will very similar to children, and they 717 00:44:01,760 --> 00:44:07,480 Speaker 1: always do that. So I also respect that choke Rosemary Hall. Yeah, 718 00:44:07,480 --> 00:44:10,080 Speaker 1: where is Choke? I forget, but it's very it's like children. 719 00:44:10,160 --> 00:44:13,160 Speaker 1: It's in It's either in Connecticut or New York, right, 720 00:44:14,719 --> 00:44:20,160 Speaker 1: one of those? Yeah, I think it's Connecticut. Oh yeah, Connecticut, Wellingford, Connecticut. 721 00:44:20,719 --> 00:44:23,719 Speaker 1: Did you guys have favorite lines? I mean yeah, mine 722 00:44:23,800 --> 00:44:29,400 Speaker 1: was Suki's I'm a whore? Right I accidentally flirted? That 723 00:44:29,480 --> 00:44:35,640 Speaker 1: was funny. Yeah. I like the the something me say peeved? Yeah, 724 00:44:35,880 --> 00:44:39,560 Speaker 1: that was mine. Now I have to think of another one. 725 00:44:39,920 --> 00:44:44,120 Speaker 1: Um god, you know what my favorite line is. Let's 726 00:44:44,160 --> 00:44:49,719 Speaker 1: just go to pop culture. Thank you. It's going to 727 00:44:49,800 --> 00:44:52,959 Speaker 1: be my favorite line. I don't want to talk about 728 00:44:52,960 --> 00:44:55,919 Speaker 1: this episode anymore. What episode is next week? I don't 729 00:44:55,920 --> 00:44:57,960 Speaker 1: mind when you don't love one, because we can't just 730 00:44:58,000 --> 00:45:02,480 Speaker 1: be so we love it all. That's that's fair. But listen, listen, 731 00:45:03,560 --> 00:45:06,240 Speaker 1: I'm being too harsh on it. I think I don't know, 732 00:45:06,719 --> 00:45:09,200 Speaker 1: you know what. I'm in a bad mood. I'm leaving, 733 00:45:09,400 --> 00:45:11,319 Speaker 1: you know, because I had to pack tonight and get 734 00:45:11,320 --> 00:45:13,120 Speaker 1: on a plane and I'm going away all summer and 735 00:45:13,120 --> 00:45:17,319 Speaker 1: I'm gonna miss my boy and I'm I'm upset. You know. Well, 736 00:45:17,360 --> 00:45:22,759 Speaker 1: that's fair, that's fair, But you're also correct, like this 737 00:45:22,880 --> 00:45:30,480 Speaker 1: wasn't It wasn't the best episode, perfect storm. He's all sad. 738 00:45:30,640 --> 00:45:32,480 Speaker 1: He just needs like a little he needed like the 739 00:45:32,520 --> 00:45:34,360 Speaker 1: best episode ever, and he got kind of the like 740 00:45:35,640 --> 00:45:37,360 Speaker 1: needed a better episode than this to cheer me up. 741 00:45:37,400 --> 00:45:40,120 Speaker 1: But you know, look, I was engaged through the whole thing. 742 00:45:40,560 --> 00:45:43,799 Speaker 1: I thought it was wonderfully constructed episode. It was. It 743 00:45:43,920 --> 00:45:48,160 Speaker 1: was well shot, well beautifully acted so much, you know it. 744 00:45:49,680 --> 00:45:51,239 Speaker 1: I wasn't going to turn it off. I was. I 745 00:45:51,280 --> 00:45:54,560 Speaker 1: was engaged, but I just didn't think it. I was 746 00:45:54,600 --> 00:45:58,040 Speaker 1: missing a lot of people. Yeah, I agree, I was 747 00:45:58,080 --> 00:46:00,840 Speaker 1: missing a lot of people. So you know, it's a 748 00:46:00,880 --> 00:46:02,879 Speaker 1: big cast. It's hard to get them all in right. 749 00:46:03,400 --> 00:46:05,120 Speaker 1: And I think I think as a show runner, you 750 00:46:05,160 --> 00:46:07,520 Speaker 1: want to you want to spread the wealth around, you 751 00:46:07,560 --> 00:46:10,200 Speaker 1: know what I mean? And you figure you've got a 752 00:46:10,239 --> 00:46:13,440 Speaker 1: full season order and we're doing great. It's two thousands three, 753 00:46:13,440 --> 00:46:15,080 Speaker 1: We're on a roll. We gotta hit show, I can, 754 00:46:15,719 --> 00:46:17,919 Speaker 1: you know, Let's give these other people a chance to 755 00:46:18,120 --> 00:46:22,240 Speaker 1: really shine. So that's kind of cool, right, So I shouldn't, 756 00:46:22,239 --> 00:46:24,960 Speaker 1: I shouldn't be so judgy about the show, but I 757 00:46:25,000 --> 00:46:28,560 Speaker 1: just don't. I just don't like a logic. And I 758 00:46:28,600 --> 00:46:31,440 Speaker 1: also like that we're not here to just love every 759 00:46:31,520 --> 00:46:34,320 Speaker 1: second of this. We might have things that we don't like. 760 00:46:34,440 --> 00:46:37,040 Speaker 1: We have many great episodes to come, by the way, 761 00:46:37,120 --> 00:46:41,160 Speaker 1: this is like just the beginning. What's next? Season three, 762 00:46:41,200 --> 00:46:50,360 Speaker 1: episode twelve, Lore Light out of Water. All right, here's 763 00:46:50,719 --> 00:46:57,320 Speaker 1: here's what stood out a minute second marker ten fifty 764 00:46:57,320 --> 00:47:02,760 Speaker 1: clown pillow appearance Ladies and Gentlemen number two. Guess who 765 00:47:03,000 --> 00:47:06,560 Speaker 1: was the voice of Emily's lawyer on Laurelize Answering Machine. 766 00:47:07,840 --> 00:47:14,640 Speaker 1: You don't tell us a famous person? Well, obviously it 767 00:47:14,680 --> 00:47:16,640 Speaker 1: could have been like it could have been like um, 768 00:47:16,640 --> 00:47:19,000 Speaker 1: when Dan Palladino was the like guy climbing the clock 769 00:47:19,040 --> 00:47:21,440 Speaker 1: tower or whatever that was. Tell us, I don't know, 770 00:47:21,960 --> 00:47:27,640 Speaker 1: Seth McFarlane, no, oh my god. Um okay. So, the 771 00:47:27,680 --> 00:47:30,640 Speaker 1: actor that played Suki's friend Joe, also appeared in season 772 00:47:30,640 --> 00:47:32,800 Speaker 1: one as the waiter at a fancy restaurant where loaurel 773 00:47:32,840 --> 00:47:35,839 Speaker 1: I had her blind date with Roon. Oh the butter, 774 00:47:36,560 --> 00:47:43,800 Speaker 1: the butter. The actor's name is Joe Freya. Uh okay. 775 00:47:43,920 --> 00:47:47,520 Speaker 1: Number four. I want you to notice how Paris brings 776 00:47:47,560 --> 00:47:53,840 Speaker 1: her own soap to the bathroom. Danielle nice perfect I 777 00:47:53,880 --> 00:47:57,640 Speaker 1: did not notice that. Um At the number five at 778 00:47:57,640 --> 00:48:01,160 Speaker 1: the beginning of the fencing scene, Louise has her hair 779 00:48:01,520 --> 00:48:09,680 Speaker 1: in curlers that I did notice that. Okay, so there 780 00:48:09,680 --> 00:48:14,880 Speaker 1: you go. Anyway, Thanks everybody for downloading. Uh hey, maybe 781 00:48:14,920 --> 00:48:17,200 Speaker 1: not our favorite, maybe it wasn't the Gilmore's best, but 782 00:48:17,239 --> 00:48:20,759 Speaker 1: it was better than everything else that we've seen so 783 00:48:21,480 --> 00:48:25,640 Speaker 1: in other shows. Thank you, Danielle, thank you Tara, thank 784 00:48:25,680 --> 00:48:30,760 Speaker 1: you Amy, see you later. We'll see you down the road. Everybody, 785 00:48:30,800 --> 00:49:03,000 Speaker 1: stay safe. M Hey, everybody, and don't forget Follow us 786 00:49:03,000 --> 00:49:07,240 Speaker 1: on Instagram at I Am all In podcast and email 787 00:49:07,360 --> 00:49:11,719 Speaker 1: us at Gilmore at I Heart Radio dot com. Oh 788 00:49:11,800 --> 00:49:13,600 Speaker 1: you Gilmore fans. If you're looking for the best cup 789 00:49:13,640 --> 00:49:16,400 Speaker 1: of coffee in the world, go to my website from 790 00:49:16,440 --> 00:49:19,359 Speaker 1: my company, scott ep dot com. S C O T 791 00:49:19,360 --> 00:49:22,480 Speaker 1: T y P dot com, scott ep dot com Grade 792 00:49:22,480 --> 00:49:31,759 Speaker 1: one Specialty Coffee yea.