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Speaker 1: This is your wake up Hall Breakfast Club. They show

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Speaker 1: you love to hate from the East to the West,

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Speaker 1: Coach DJ and Charlomagne the really show on the planet.

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Speaker 1: This is where I respect this show because this is

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Speaker 1: a voice of society. James in the game. Guys are

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Speaker 1: the coveted morning show. What y'all earning? Impacting the coach

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Speaker 1: up in the morning, and they want to hear that

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Speaker 1: breakfast cub the world's most dangerous morning show. Good Morning USA.

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Speaker 1: Damn is Monday. Why was Cowgirls trending yesterday? Oh? I

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Speaker 1: don't know. Maybe is because the Jets, which was one

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Speaker 1: of the worst. I guess the teams in the NFL

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Speaker 1: meet the Cowboys. That maybe that's the reason why. I

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Speaker 1: I don't know. All right, we'll talk about it later

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Speaker 1: this sure we will shout out to those Jets. What

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Speaker 1: a week And I was all over the place this weekend.

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Speaker 1: Shout out to everybody at Howard home coming. I was

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Speaker 1: at Howard home coming first. Then after Howard home Coming,

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Speaker 1: I flew to Central State University that was in Ohio.

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Speaker 1: Shout to all HBCUs. Then from there I flew back.

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Speaker 1: I had to go to my son's football game and

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Speaker 1: nine in the morning, which day one he did pretty good.

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Speaker 1: He scored one TD. He also caught for a couple

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Speaker 1: had like seven tackles, So congratulations to Burden Catholic. They

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Speaker 1: undefeated this year. They'd be Saint Joe's. And then I

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Speaker 1: flew to Houston. I went to the game to see

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Speaker 1: the Astro take on the Yankees. Yankees one game one,

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Speaker 1: and then I had my seminar out in Houston. Over

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Speaker 1: a thousand people ready to learn about real estate. There

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Speaker 1: were so many people there. I just want to say

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Speaker 1: thank you everybody for coming out. If you were at

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Speaker 1: the real estate seminar, and if you weren't, we're gonna

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Speaker 1: probably be coming to your city. The next one, I

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Speaker 1: think is a landing next month. So shout to Willy D.

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Speaker 1: Willie D from the Gettle Boys popped up. He popped up,

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Speaker 1: so nice shout out to him. It was a crazy weekend, flying, flying, flying,

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Speaker 1: What about you? Well? I came back from Houston on

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Speaker 1: Friday and the airport actually closed. While I was in

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Speaker 1: the airport, there was some bad weather, so I was like,

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Speaker 1: am I going to make it back? But then I

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Speaker 1: actually had to host an event for the New York

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Speaker 1: City Wine and Food Festival. The event was amazing. It

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Speaker 1: was a flashback Friday event and Reverend Run was deejaying

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Speaker 1: and on the mic with Mel de Barge. I've seen

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Speaker 1: Rev Run the other day. Yeah, So it was a

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Speaker 1: really fun party. And then I had to host a

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Speaker 1: panel for a culture con on Saturday about cannabis in

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Speaker 1: the beauty industry, the beauty of cannabis. Who was on

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Speaker 1: the panel with you, Richie Leu, Dennis rich Dennis oh Man.

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Speaker 1: He when I say call collection, he has probably one

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Speaker 1: of the best call collections on the East Coast. It's

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Speaker 1: not a car that I don't think that man asked, well,

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Speaker 1: he actually founded Shane Moisture and then after that now

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Speaker 1: he owns Essence and so he has Essence back at

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Speaker 1: being fully black owned and rich. If you're listening or

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Speaker 1: he got somebody listening, I just want to come see

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Speaker 1: the Call Collection. I don't leave us out in Long Island.

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Speaker 1: I just want to. When I say probably, they say

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Speaker 1: probably somewhere to from seventy two hundred cars and Amber

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Speaker 1: Center was also on the panel, and she founded Supernova

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Speaker 1: Women and she actually has her dispensary license for two

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Speaker 1: dispensaries in Oakland. But she does a lot of things

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Speaker 1: to make sure that women and black people and people

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Speaker 1: of color are included when it comes to being involved

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Speaker 1: in the marijuana business. That it's just been really stepping

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Speaker 1: stepping it up and making sure our certain laws are passed.

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Speaker 1: And it started off in Oakland making sure that people

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Speaker 1: are able to participate since we were impacted so much

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Speaker 1: by the marijuana restrictions in marijuana laws. Absolutely shout told

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Speaker 1: the black owners in the marijuana business. I know the

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Speaker 1: House of Mary Jane, which is in Detroit. That's a

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Speaker 1: black owner. You don't really see too many black ownership

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Speaker 1: when it comes to marijuana in dispensaries and things like that,

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Speaker 1: so I love to see it a lot of times.

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Speaker 1: It's so expensive, you need so many, so much assets

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Speaker 1: to get your license. So I'm glad to say it

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Speaker 1: was she dropping gems on how to get in the game. Yeah,

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Speaker 1: it's a lot of because once you get your license,

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Speaker 1: it's not even like you can just open a dispensary.

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Speaker 1: There's still a lot of things you have to go

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Speaker 1: through after that to even be able to keep it

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Speaker 1: and open, and they only give you a certain amount

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Speaker 1: of time. I'm actually a small percentage owner and Gulley Bean,

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Speaker 1: which is a black owned company that isn't in CBD.

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Speaker 1: She was dropping all the black farmers. Can I see it?

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Speaker 1: I want to see um? Yeah, and they were. They

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Speaker 1: were taping it. So that happened. And then Sunday I

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Speaker 1: did my run with Yee, so that was fun. So

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Speaker 1: I was in the park. We did run with you,

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Speaker 1: and then I had a full day. I was doing

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Speaker 1: the New York Times. Okay, you got about another two

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Speaker 1: more weeks, three more weeks before you can't do that

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Speaker 1: wrong with you e anymore? And be too cold for

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Speaker 1: a running the cold nobody running it no coal. Okay,

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Speaker 1: all right, well let's get the show cracking today. Life

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Speaker 1: Jennings will be joining us. Who we'll kick you with

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Speaker 1: Life Jennings. Charlomagne, that's right, but his new single beat

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Speaker 1: It Like a Slave, that's the name of it, right, Yeah,

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Speaker 1: I think so. And also Saint John he'll be joining us.

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Speaker 1: He's a new artist from Brooklyn. And Biggs who's his manager.

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Speaker 1: So we'll talk to both of them, so don't move.

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Speaker 1: It's to Breakfast Club, Good morning. He's DJ Envy Angela

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Speaker 1: Yee Charlomagne, the guy we are to breakfast club. Let's

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Speaker 1: getting some front page news. Now. In Major League Baseball,

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Speaker 1: last night, the Houston Astros beat the Yankees three two.

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Speaker 1: The series is tied one Monday. Come back to New

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Speaker 1: York this Tuesday and Washington play Saint Louis. Washington leaves

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Speaker 1: the series to zero. I want to say the Houston

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Speaker 1: Astro fans are some of the nicest fans ever. When

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Speaker 1: I went to that game, usually I used to get

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Speaker 1: cursed out going from another squad. They was so nice.

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Speaker 1: They were like, welcome to Houston, can we buy you

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Speaker 1: a beer? And then and then there was one fight

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Speaker 1: at the game. One argument at the Houston Astros Yankee game.

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Speaker 1: But they were arguing with each other like no, he's

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Speaker 1: a better picture, No he's a better I'm like, what's

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Speaker 1: going on here? It was so nice. So shout out

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Speaker 1: to the Houston Astro fans. Now in NFL, Carolina bat

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Speaker 1: Tampa Bay thirty seven, twenty six, Washington beat Miami seventeen sixteen,

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Speaker 1: Houston beat Kansas City, New Orleans beat Jacksonville thirteen six seat,

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Speaker 1: It'll beat Cleveland thirty two twenty eight, Boltimore beat Cincinnati

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Speaker 1: twenty three seventeen. San Francisco beat the Rams twenty seven,

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Speaker 1: Arizona beat Atlanta thirty four to thirty three. Denver BA

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Speaker 1: Tennessee sixteen. Oh, Pittsburgh beat the Charge of twenty four

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Speaker 1: and seventeen. And we have this audio in we're three

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Speaker 1: and two and we got to Jets this week, so

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Speaker 1: technically we got a buye week. Let this kind man

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Speaker 1: vent ahead continues bet four and two after this week.

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Speaker 1: I bet whatever jetson is winning this weekend. No they're not.

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Speaker 1: I don't know. Yea bro gets to New York Jets.

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Speaker 1: If we lose to the Jets, then we really got

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Speaker 1: some problems. If you listen to Jets, then what people

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Speaker 1: need to be fired if we lose to the New

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Speaker 1: York Jets. If we lose to it New York Jets,

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Speaker 1: who are owing for this Sunday, and we absolutely got problems.

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Speaker 1: This clip just in case now you don't have to listen.

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Speaker 1: I watched football every week, okay, owing four verses three

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Speaker 1: and two. The Cowboys versus the Jets were beating the

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Speaker 1: jetsicek Jets to do four within and the Jets were

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Speaker 1: due ful when the Jets beat the Dallas Cowboys. Jets

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Speaker 1: are not due four twenty two. Let me say that Jets.

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Speaker 1: The Jets still suck. Jets beat the cow Jets still suck.

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Speaker 1: And what I said stand Jason Garrett. Y'all don't listen.

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Speaker 1: Jason Garrett needs to be impeached. He absolutely needs to

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Speaker 1: be fired. Did y'all hear that part of the conversation. Well,

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Speaker 1: I said that the Cowboys lose this week, then people

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Speaker 1: need to be fired. Jason Garrett needs to get the

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Speaker 1: hell up out of Dallas. I don't know what Dancy

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Speaker 1: We're going to buy week after next. I don't know

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Speaker 1: what Nancy pull loaded and the House Democrats aren't doing.

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Speaker 1: But if you continue to Jason Garant standing there and

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Speaker 1: ruined Dallas Cowboys country, then I don't know what to

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Speaker 1: tell y'all. I used to be impeached. I think he's

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Speaker 1: a great coach. He should stay exactly where he's at

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Speaker 1: this week and the Jets beat the Dallas Cowboys twenty two.

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Speaker 1: We got, I asked, we got? We got teams in football? Yeah,

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Speaker 1: right up there with the New York Giants who are

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Speaker 1: two ain god damn four and still at the bottom

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Speaker 1: of the NFC East. Because that's how bad the NFC

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Speaker 1: eas is this hip. We ain't lose to the Jets,

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Speaker 1: though it don't matter. Y'all lof to the Cowboys. Jets,

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Speaker 1: y'all love to the cowboys. Twitter, y'all lost to the Cowboys?

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Speaker 1: Who are tracks lost to the Cowboys? What did that

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Speaker 1: say about y'all trash? We got a new quarterback? I

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Speaker 1: don't we still let's be focused. So we were just

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Speaker 1: talking about the Cowboys and the Jets. Jets. Listen, so

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Speaker 1: congratulations to the New York Jets beat the Dallas Cowboy.

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Speaker 1: Cowboys lost on You want to know why we lost

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Speaker 1: on purpose? I can tell you why we lost on purpose?

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Speaker 1: Why why y'all lose? Over? The day is National Indigenous

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Speaker 1: People's Day. Okay, so slute all the Native Americans out there.

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Speaker 1: The cow was lost on purpose to celebrate the Native Americans.

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Speaker 1: That's what happens when you have a black quarterback and

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Speaker 1: a black running back who cared about the people. You

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Speaker 1: know what I'm saying. They murdered. There was National Indigenous

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Speaker 1: People Day, so the cowboy decided to lose. Today it's

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Speaker 1: also National kick Butt Day. And shout to the Jets

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Speaker 1: because they kicked Dallas is but they won over the

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Speaker 1: week in twenty four, twenty two. What else we got you? Um?

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Speaker 1: I think you kind of took up all the time.

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Speaker 1: Just now, I'm sorry. Hey, where's travat Hey? Get it

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Speaker 1: off your chest? Listen my dadas, cowboy get all right?

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Speaker 1: Forty one years the cowboy. Think I'm gonna change now

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Speaker 1: because we lost it a goddamn New York Jets. I've

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Speaker 1: seen worst losses in cowboy country. Where was your dad?

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Speaker 1: And they needed a taste and the whole team need

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Speaker 1: to get to you yesterday. Hey man, we've been losing

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Speaker 1: for a long time. Jak. The guy needs to go.

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Speaker 1: He needs to be in peached. This is just another

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Speaker 1: it's great, he's you know, he sucks. He's great, he's garbage,

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Speaker 1: he's great. All right, get it off your chest. Today

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Speaker 1: it's National Be Bald and Be Free day too. All right,

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Speaker 1: it's the Breakfast Club. Com on the Breakfast Club. Wake up,

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Speaker 1: wake up, wake yo. You're trying to get it off

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Speaker 1: your chest. Your man or blessed. We want to hear

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Speaker 1: from you on the breakfast But hello, who's this ka

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Speaker 1: was going on with you? Hey? Kay, we'll get it

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Speaker 1: off your chests. Yeah, I want what I want to

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Speaker 1: get off my chess is that you don't play enough

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Speaker 1: kids music? What is kid music? As far as kid

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Speaker 1: I've been about positive things. That's not true. All right, Well,

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Speaker 1: first of all, I don't pick the songs at the

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Speaker 1: Breakfast Cup plays, but we play while on chill. Now

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Speaker 1: that's records just added. That's not negative. Listen, you gotta

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Speaker 1: stop arguing with people about this. This is an old

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Speaker 1: narrative about radio. I'm talking about from kids theirself, like

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Speaker 1: kids go look up you gs squad my kids back kids?

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Speaker 1: He got some kids. Well that's your son, yes, my

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Speaker 1: son of my nephew. All right, thank you, John, Get

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Speaker 1: off your chests, uh, Peter and blessings guys. How you

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Speaker 1: guys doing? What's his name? John on? John Stone? Why

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Speaker 1: didn't mess of his name every day? About John Stone?

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Speaker 1: Sewn Stone? I gotta Sean, Yeah, my name is Sean Stone,

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Speaker 1: and I just want to get some of my chest.

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Speaker 1: First of all, I just want to say good morning guys,

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Speaker 1: Good morning Sean. Then secondly I want to say, hey,

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Speaker 1: Charlot Mane, Why I haven't see you cowboys? Bro? Who's

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Speaker 1: your team again? Who's your team? Yes? I'm rocking with

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Speaker 1: the Jets. Man. Oh y'all wanting four good good job now,

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Speaker 1: because you were talking like a lot of stuff last week. Bro.

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Speaker 1: First of all, I wasn't talking stuff all right, The

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Speaker 1: New York Jets were owing four. Who the hell wouldn't

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Speaker 1: be talking stuff against the New York goddamn Jets. Who

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Speaker 1: expects to lose to the Jets? Well the Cowboys. Hey, listen,

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Speaker 1: I just want to send some love out there to

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Speaker 1: the world, man, because it's a lot of crazy things

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Speaker 1: going on in the world. I just want to tell

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Speaker 1: people it's time to get close to God. Man, you

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Speaker 1: know what I mean. So shout out to the female

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Speaker 1: image of God and the male image of God. Well,

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Speaker 1: God created everybody in his inn. So hello, who's this?

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Speaker 1: Good morning angela good morning high snack man our resident comedian.

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Speaker 1: He's not our resident comedian, he's your comedian. I'm actually

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Speaker 1: a mountain burdon right now by legends Field. So um,

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Speaker 1: you know, so okay, the best thing is about dating

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Speaker 1: African American girl. What I finally got something in common

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Speaker 1: with airplane Joe. Yeah, yo, we both got a black box.

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Speaker 1: Thank you. Oh my guys, I don't know about that.

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Speaker 1: That's your guy. That's your guy. That's your guy. You

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Speaker 1: co signed every morning. That actually was kind of good.

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Speaker 1: I'm not gonna that was good. I'm not back man Sliman, Yes,

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Speaker 1: Ma'm yes, ma'n. Please Sloman you are you are jings

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Speaker 1: it down. So I just said, just stop, don't predict anything.

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Speaker 1: Don't when you come to that New England gang. Please

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Speaker 1: just don't say word you are fat? Please please. I

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Speaker 1: cannot for leave. We lost for the chet I'm out

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Speaker 1: doing then Airbnb questions trying to get people to vote

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Speaker 1: no on that question. And I get in the car

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Speaker 1: and then they talk talking about the game and they said,

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Speaker 1: we lost all. I have to think about. What's you

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Speaker 1: predicting that we're all we're gonna wed oh if we

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Speaker 1: lose all, we please Pete. Here's the thing, right, you

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Speaker 1: think about me because I'm one of the biggest Dallas

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Speaker 1: Cowboy fans, you know, and to think about having a loser,

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Speaker 1: to think about having a losing squad. When we win,

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Speaker 1: you're gonna think about me too. So I gotta take

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Speaker 1: the good with the bad. I understand. Thank you, Kasan

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Speaker 1: to get it off your chests. Eight hundred five eight

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Speaker 1: five one o five one. If you need to vent

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Speaker 1: hit us up right now. It's the Breakfast Club. Good morning,

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Speaker 1: the Breakfast Club. Did your time to get it off

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Speaker 1: your chests? Whether you're man or blast so plea, but

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Speaker 1: have the same and we want to hear from you

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Speaker 1: on the Breakfast Club. Hello? Who's this? Hello? Hello for Keith?

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Speaker 1: Hey Keith, what's up? Broke? Get it off your chest? Yo? Yo?

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Speaker 1: What shall I mean that? He is? Right? Hey? King?

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Speaker 1: What's happening? King? Hey? How are you doing? Man? Y'all

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Speaker 1: love you guys? Yo. I just want to say something

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Speaker 1: real quick check check there you go, and what you're

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Speaker 1: gonna do? What you want to do now because I

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Speaker 1: will see every morning and yo that yo? You was

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Speaker 1: you was really going that hall Friday? Like, oh you're

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Speaker 1: gonna mad? Let me ask a questions, magic question, serious,

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Speaker 1: serious question? Is a Jets fan? Did you did you

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Speaker 1: serious question? As a Jets fan? Did you think y'all

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Speaker 1: was gonna in this weekend? Serious? Be honest? Yes, honestly

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Speaker 1: you really wanted to be honest? Yeah, I'm not even

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Speaker 1: I'm not even a football fan. I just wanted to

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Speaker 1: tell you about the jet because you were talking great

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Speaker 1: just four now, ain't want it? Four? Wanting four they suck. Hello,

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Speaker 1: who's this? He was sad man? It's the mob Florida.

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Speaker 1: But what they do home? What they do checking what

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Speaker 1: had been base? King? I love, I love I know

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Speaker 1: you love him? Well, I know you do man, and

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Speaker 1: shot thought to him, but check da house. I tell

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Speaker 1: people saying you can't sell Dallas without two else, let

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Speaker 1: me say something something that was without two lst that

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Speaker 1: makes no, that makes no sense because we have three

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Speaker 1: l That joke would have hit way harder on the way. No,

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Speaker 1: that joke would have hit way harder last week when

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Speaker 1: we only had two else. Hello, who's this? Yo? Being

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Speaker 1: ricks color from the g A T Stake standing up

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Speaker 1: with good shot to my old lady engine the name jumps.

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Speaker 1: I love your baby. We've been trying for the lowest.

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Speaker 1: You know, I finally made it, I hope. Yeah, keep

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Speaker 1: my ridership and holding the din and y'all say plain side.

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Speaker 1: The birthday is coming up, no m and saved. I'm

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Speaker 1: gonna do so special for you baby. I look what

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Speaker 1: you got planning? What you got playing? Oh yet? Oh

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Speaker 1: something I don't know? Yeah? Something man, what's something that

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Speaker 1: what I'm king? Yo? Yo yo yo yo, I'm good

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Speaker 1: man blessed the hall the favorites. How No, no, you

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Speaker 1: blasted black and Holly favored sir. Yes, man, there you

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Speaker 1: go there. You may say he said that's the baby.

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Speaker 1: Were out here by a good man? Hello? Who's this piece? Hey? Hi? Peace?

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Speaker 1: Going on? What's up? What's the plan? My rights got

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Speaker 1: off work work? Okay, he's just calling the kick it. No,

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Speaker 1: I'm just calling. Yeah, y'all? Was doing at Uh? I'm

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Speaker 1: from Dave, Ohio. Yeah, I was just out there this weekend.

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Speaker 1: Man what Central State University? Man new out the camera,

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Speaker 1: hollar at you better? Did you go there? No? I didn't.

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Speaker 1: I would have just came up to the holiday, all right,

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Speaker 1: Yeah I was. I was out there to um night

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Speaker 1: out there. Okay, then that's sept Dave stone Man, all right,

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Speaker 1: all right, appreciate you just checking in on us. You

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Speaker 1: know what I'm saying was good? Hello, who's this? What's up?

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Speaker 1: Broke it off your chat? You say your name is

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Speaker 1: pull Ass. It's cool as cool ass there, cool ass,

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Speaker 1: cool assas there? Follow me? Alright, cool ast? What's up?

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Speaker 1: Get you off your chests, brood. I just want to

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Speaker 1: sun Instagram and say Instagram you forget activity paget looking

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Speaker 1: out for the real ones man. That's why I want

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Speaker 1: to get off my chest today. Okay, all right, cool ass, okay,

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Speaker 1: get it off your chests. Eight five eight five, one

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Speaker 1: oh five one. If you need to vent, you can

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Speaker 1: hit us up at any time. You got rooms on

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Speaker 1: the way. Yes, we all gonna talk about DMX. Find

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Speaker 1: out he's been having some issues lately, so we'll tell

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Speaker 1: you what he ended up having to do. Also, Rolling

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Speaker 1: Loud Festival was in New York and some people were

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Speaker 1: told they couldn't perform. We'll tell you who told them

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Speaker 1: and what happened, all right, And also Life Jennings will

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Speaker 1: be joining us this morning, and also Saint John and

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Speaker 1: Biggs from Rockefeller Right, so don't move. It's to Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club, DJ MVY, Angela Yee, Charlomagne,

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Speaker 1: the guy we all the Breakfast Club. Let's get to

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Speaker 1: the rule. Was us talk DMX. It's about Angela Ye

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Speaker 1: on the Breakfast Club. DMX was supposed to have some

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Speaker 1: shows this weekend, but he canceled them. He was supposed

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Speaker 1: to perform at the Reunion concert at three six Mafia

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Speaker 1: and Memphis, and then also Rolling Loud day two in

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Speaker 1: New York, but he asked checked himself into rehab, so

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Speaker 1: he canceled those shows for that purpose. On his page,

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Speaker 1: it says, in his ongoing commitment to putting family and

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Speaker 1: sobriety first, DMX has checked himself into a rehab facility.

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Speaker 1: He apologizes for his canceled shows and thanks his fans

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Speaker 1: for their continued support. Man God bless that man. DMX

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Speaker 1: knows his weaknesses, he knows he needs help, and it

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Speaker 1: seems like he's just on a lifelong journey of healing.

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Speaker 1: And I'm glad he's going to get that help. Yeah,

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Speaker 1: some of us get there, some of us don't. But

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Speaker 1: it's always a process, right. We much rather you take

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Speaker 1: care of your health than before us to form in

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Speaker 1: these shows. Just keep here into contract. You got to

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Speaker 1: take care of you, and I'm sure people are understanding.

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Speaker 1: All right. Now, let's talk about Rolling Loud because Cassanova

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Speaker 1: was supposed to perform there so where several other artists.

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Speaker 1: Don Q was supposed to perform Chef g Pop Smoke

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Speaker 1: twenty two Geez and apparently the police did not want

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Speaker 1: them to perform. The Police Chief Martin Assistant Pole Chief

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Speaker 1: Martin Morales actually wrote a letter and saying that they

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Speaker 1: wanted to make sure that these artists were not allowed

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Speaker 1: to perform. I guess they would have shut it down

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Speaker 1: if that would have happened. How can you shut that down?

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Speaker 1: They believe these individuals, if they are allowed to perform,

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Speaker 1: there will be a higher risk of violence, and says

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Speaker 1: in the letter, I look forward to working with you

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Speaker 1: in an effort to keep this event safe. I don't

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Speaker 1: understand they don't vet the artists before they put them

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Speaker 1: on the bill and promote them and all that type

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Speaker 1: of stuff. Well, I don't think they anticipated the police

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Speaker 1: would shut it down, you know. Casanova responded, He said,

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Speaker 1: I just want to live. My last Felanie convection was

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Speaker 1: two thousand and seven. I lust everything I ever loved,

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Speaker 1: and I'm still losing so much so that they won't

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Speaker 1: allow me to perform at Rolling Loud and YC on Sunday.

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Speaker 1: It's unfair and unfortunate that my pastors I've dealt with

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Speaker 1: illegally and personally continues to stigmatize me in my career

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Speaker 1: as a recording artist. I think every artist on that

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Speaker 1: bill is being done wrong, except for casting Over. I

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Speaker 1: understand why the police wouldn't want it. I'm just messing

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Speaker 1: with my guy. His album is all right now though,

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Speaker 1: behind the cars Man program, behind the cars But that

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Speaker 1: is the truth though. I mean, you know, you get

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Speaker 1: a felony, it's just like anything else in the world.

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Speaker 1: The things affect you for the rest of your life.

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Speaker 1: I can't get TSA pre checked because the old gun charges. Well,

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Speaker 1: I don't think it was. I don't think it was

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Speaker 1: his felon. I think it was the game. The same

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Speaker 1: thing I say, your past, that's not even that's not

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Speaker 1: who he is now. It's clear. It's clear it's not

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Speaker 1: who he is now. All guys are artists, they tax

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Speaker 1: paying citizens. Like, yeah, you grow up in a certain environment,

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Speaker 1: you might have to, you know, get with some people

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Speaker 1: in order to survive, but that shouldn't haunt you for

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Speaker 1: the rest of your life. The crazy part about that

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Speaker 1: is what they what they allow Snoop to perform. Of

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Speaker 1: course they would, right Snoop. Snooper was gang affiliated. What's

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Speaker 1: the difference that It's very very true, I think so

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Speaker 1: these artists could probably perform at different Rolling louds, just

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Speaker 1: in New York. They had an issue with New York. So,

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Speaker 1: according to the one of the co founders, Tariq Sharif,

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Speaker 1: he said that they are going to try to get

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Speaker 1: them on other bills and they'd still pay them their

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Speaker 1: full amounts. I just think that they would vet the

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Speaker 1: artist beforehand, like you know, like running running through the

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Speaker 1: city and see like, oh, we're gonna have a problem

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Speaker 1: if we put they might have never had that issue before,

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Speaker 1: because you wouldn't think that these artists who've been performing

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Speaker 1: other places. I've heard stuff like that before though, And

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Speaker 1: I mean even if you haven't heard it, you've heard

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Speaker 1: about in New York how they shut down a certain

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Speaker 1: artists because of their gang ailill time, all the clubs,

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Speaker 1: all the time, all right. Now, Flavor Flavor has been

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Speaker 1: named in a paternity suit with the women that used

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Speaker 1: to work with him, a woman by the name of

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Speaker 1: Kate Gammel. She's saying that Flavor Flav got her pregnant

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Speaker 1: over the summer and he is the father of her

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Speaker 1: two month old baby boy. But he has been a

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Speaker 1: guess ghost ever since this happened, so she wants him

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Speaker 1: to pay. She said she was working with him for

421
00:20:53,520 --> 00:20:56,679
Speaker 1: a number of years, but now she says he's just disappeared,

422
00:20:57,359 --> 00:21:00,600
Speaker 1: all right, Tyra Banks as she recently did her uncensored

423
00:21:00,640 --> 00:21:04,879
Speaker 1: on TV win and she talks about bad relationships and

424
00:21:04,920 --> 00:21:08,080
Speaker 1: how she would judge other women. I remember being kind

425
00:21:08,119 --> 00:21:11,399
Speaker 1: of judgmental for women that were in bad relationships, and

426
00:21:11,480 --> 00:21:14,480
Speaker 1: I'm like, just get out. I don't get it until

427
00:21:14,520 --> 00:21:18,000
Speaker 1: I experienced it myself. I was in a relationship for

428
00:21:18,400 --> 00:21:22,840
Speaker 1: many years and we probably broke up fourteen fifteen times.

429
00:21:23,400 --> 00:21:26,600
Speaker 1: There were things that he said and made me feel

430
00:21:27,000 --> 00:21:29,840
Speaker 1: like I couldn't leave, or if I left, I had

431
00:21:29,920 --> 00:21:32,520
Speaker 1: to go back. He told me that that is what

432
00:21:32,760 --> 00:21:37,240
Speaker 1: he does, that he knows how to break a woman down.

433
00:21:37,800 --> 00:21:41,560
Speaker 1: And it took so many different friends and family for

434
00:21:41,680 --> 00:21:45,080
Speaker 1: me to finally say goodbye. Lord Have Mercy. Just gave

435
00:21:45,119 --> 00:21:47,560
Speaker 1: me the strength and the energy to probably instill things

436
00:21:47,600 --> 00:21:49,760
Speaker 1: in my daughters so they don't never ever feel like

437
00:21:49,800 --> 00:21:51,879
Speaker 1: they got to be in that position with no goddamn man,

438
00:21:52,480 --> 00:21:54,720
Speaker 1: Lord have Mercy. Yeah. So a lot of times people

439
00:21:54,760 --> 00:21:56,440
Speaker 1: do judge like, oh, how could she let that happen?

440
00:21:56,560 --> 00:21:58,560
Speaker 1: Or why didn't this person speak up earlier? I don't

441
00:21:58,640 --> 00:22:01,000
Speaker 1: understand this, but out of us until where in a

442
00:22:01,080 --> 00:22:04,800
Speaker 1: situation can't even relate to it or understand how mentally

443
00:22:04,920 --> 00:22:09,400
Speaker 1: that can happen, so we appreciate her. They empowered my daughter,

444
00:22:09,480 --> 00:22:11,440
Speaker 1: so they don't ever feel like that from no bum

445
00:22:11,560 --> 00:22:13,960
Speaker 1: ass human being with a piece literally and keep having

446
00:22:14,000 --> 00:22:15,720
Speaker 1: an open relationship with your daughter. Said, they could happen

447
00:22:15,760 --> 00:22:17,800
Speaker 1: on a relationship with your daughter. Yeah, that means she

448
00:22:17,840 --> 00:22:20,440
Speaker 1: can put out over relation, over conversation with your daughter,

449
00:22:20,560 --> 00:22:22,000
Speaker 1: so she feels like she can talk to you no

450
00:22:22,080 --> 00:22:24,040
Speaker 1: matter what. You know. That's that's what I have with

451
00:22:24,080 --> 00:22:26,320
Speaker 1: my daughter, open conversation. We can talk about anything that's

452
00:22:26,320 --> 00:22:27,960
Speaker 1: going on in her life, whether it's a boy, whether

453
00:22:27,960 --> 00:22:29,840
Speaker 1: it's school, whether it's great, whether it's how she feels.

454
00:22:29,880 --> 00:22:32,320
Speaker 1: That's why you can't ignore you shose conversations when you know.

455
00:22:32,359 --> 00:22:34,680
Speaker 1: If you watch Power, you see how Tommy has that

456
00:22:34,800 --> 00:22:41,040
Speaker 1: hold over Lalla got her willing to do anything, speaking

457
00:22:41,080 --> 00:22:43,760
Speaker 1: of power, Speaking of power. Power is the only show

458
00:22:44,240 --> 00:22:46,520
Speaker 1: that I don't roof for everybody that's black. I hate

459
00:22:46,560 --> 00:22:48,800
Speaker 1: the black characters on that show so much that I

460
00:22:48,880 --> 00:22:51,600
Speaker 1: thought a fist up for Tommy Egan. Tommy deserves better man.

461
00:22:51,920 --> 00:22:54,240
Speaker 1: Tommy is the most thorough character on that show. How

462
00:22:54,280 --> 00:22:56,240
Speaker 1: does that happen? How does the show with the majority

463
00:22:56,359 --> 00:22:58,639
Speaker 1: black and brown cast make you end up rooting for

464
00:22:58,680 --> 00:23:00,720
Speaker 1: the white guy. How I don't know. He wasn't so

465
00:23:00,880 --> 00:23:02,720
Speaker 1: thorough at that time when he was on drugs for

466
00:23:02,800 --> 00:23:08,200
Speaker 1: a period of time. That man had remained thorough throughout

467
00:23:08,240 --> 00:23:11,600
Speaker 1: this whole process. That Tommy Egan deserves the better. It's

468
00:23:11,600 --> 00:23:13,560
Speaker 1: a fake show, guy, this is rumors. I hate the

469
00:23:13,680 --> 00:23:16,800
Speaker 1: black characters on that show. I want all the Saint

470
00:23:16,840 --> 00:23:19,560
Speaker 1: Patrick's to die all right now. Elton John has his

471
00:23:19,640 --> 00:23:22,800
Speaker 1: memoir coming out tomorrow. It's called Me, and they have

472
00:23:22,920 --> 00:23:25,280
Speaker 1: advanced copies of the book that certain outlets have obtained,

473
00:23:25,280 --> 00:23:28,119
Speaker 1: and one excerpt they said that everyone's talking about is

474
00:23:28,200 --> 00:23:32,200
Speaker 1: Elton John says that Michael Jackson wasn't mentally ill. He said,

475
00:23:32,240 --> 00:23:34,240
Speaker 1: I'd know Michael since he was thirteen or fourteen. He

476
00:23:34,320 --> 00:23:36,879
Speaker 1: was just the most adorable kid you could imagine. But

477
00:23:37,000 --> 00:23:39,760
Speaker 1: at some point in the intervening years, he started sequestering

478
00:23:39,840 --> 00:23:42,480
Speaker 1: himself away from the world and away from reality the

479
00:23:42,560 --> 00:23:44,680
Speaker 1: way Elvis Presley did. He said, God knows what was

480
00:23:44,720 --> 00:23:47,280
Speaker 1: going on in his head, and God knows what prescription

481
00:23:47,359 --> 00:23:49,600
Speaker 1: drugs he was being pumped full of. But every time

482
00:23:49,640 --> 00:23:51,560
Speaker 1: I saw him in his later years, I came away thinking,

483
00:23:51,560 --> 00:23:54,160
Speaker 1: the poor guy had totally lost his marbles. He said,

484
00:23:54,200 --> 00:23:56,000
Speaker 1: I don't mean that in the lighthearted way. He was

485
00:23:56,119 --> 00:23:59,639
Speaker 1: genuinely mentally ill, a disturbing person to be around. And

486
00:23:59,680 --> 00:24:02,040
Speaker 1: then he talked about the time that he invited Michael

487
00:24:02,119 --> 00:24:04,760
Speaker 1: Jackson to a party of his. He said that he

488
00:24:04,840 --> 00:24:06,520
Speaker 1: had wandered off at one point and he was found

489
00:24:06,520 --> 00:24:09,840
Speaker 1: playing with Elton with his housekeeper's son. So Elton John

490
00:24:09,840 --> 00:24:11,879
Speaker 1: said he found Michael Jackson playing with his housekeeper's son.

491
00:24:11,960 --> 00:24:14,320
Speaker 1: He said, for whatever reason, he couldn't seem to cope

492
00:24:14,320 --> 00:24:17,040
Speaker 1: with adult company at all. I can see that. And

493
00:24:17,160 --> 00:24:19,360
Speaker 1: if you think body this morphe is a mental little listen,

494
00:24:19,720 --> 00:24:22,639
Speaker 1: I mean absolutely, but he did his face. All right. Well,

495
00:24:22,640 --> 00:24:25,600
Speaker 1: I'm Angela Yee and that is your rumor reports. All right,

496
00:24:25,680 --> 00:24:28,280
Speaker 1: thank you, miss ye. Now we got front page news next. Yes,

497
00:24:28,400 --> 00:24:30,520
Speaker 1: And since we didn't get to this earlier, which is

498
00:24:30,560 --> 00:24:33,920
Speaker 1: really important news. You guys were talking about sports, we

499
00:24:34,080 --> 00:24:37,000
Speaker 1: are going to talk about a Tatiana Jefferson. She was

500
00:24:37,080 --> 00:24:39,080
Speaker 1: only twenty eight years old and she was killed by

501
00:24:39,080 --> 00:24:41,679
Speaker 1: the police and ford Worth while she was at her

502
00:24:41,720 --> 00:24:44,040
Speaker 1: own home or give you those details. All right, we'll

503
00:24:44,040 --> 00:24:45,679
Speaker 1: get into that next. Keep a lot just to breakfast

504
00:24:45,680 --> 00:24:50,040
Speaker 1: Cloak of Morning Morning. Everybody's DJ l Angela, Ye, Charlomagne,

505
00:24:50,040 --> 00:24:51,560
Speaker 1: the guy we are to Breakfast club is getting some

506
00:24:51,640 --> 00:24:57,560
Speaker 1: front page news now. In Major League Baseball, the Astell's

507
00:24:57,560 --> 00:24:59,359
Speaker 1: b the Yankees last night three to two. The series

508
00:24:59,480 --> 00:25:03,600
Speaker 1: tied one to one. They played in the Bronx on Tuesday. Tonight,

509
00:25:03,920 --> 00:25:07,160
Speaker 1: Washington play Saint Louis. Watching the league series two to zero.

510
00:25:07,760 --> 00:25:10,879
Speaker 1: Now in NFL, let's just get right to it, man,

511
00:25:10,960 --> 00:25:13,280
Speaker 1: let's talk about it. Play the clip. We three and two,

512
00:25:13,280 --> 00:25:14,960
Speaker 1: and we got the Jets this week, so technically we

513
00:25:15,040 --> 00:25:16,920
Speaker 1: got a buye week. Let this con man vent go

514
00:25:16,960 --> 00:25:18,960
Speaker 1: ahead continue, get four in two after this week. I

515
00:25:19,080 --> 00:25:21,440
Speaker 1: bet whatever Jets is winning this weekend. No they're not.

516
00:25:22,520 --> 00:25:26,159
Speaker 1: I don't know. Bro get to New York Jets. If

517
00:25:26,200 --> 00:25:28,119
Speaker 1: we lose to the Jets, then we really got some problems.

518
00:25:28,359 --> 00:25:30,119
Speaker 1: If you listen to Jets, then wet people need to

519
00:25:30,160 --> 00:25:31,960
Speaker 1: be fired. If we lose to the New York Jets.

520
00:25:32,119 --> 00:25:34,280
Speaker 1: If we lose to New York Jets, who are owing

521
00:25:34,400 --> 00:25:38,159
Speaker 1: for this Sunday, then we absolutely got problems. Say this

522
00:25:38,200 --> 00:25:40,520
Speaker 1: clip just in case. Now you don't have to listen.

523
00:25:41,160 --> 00:25:45,360
Speaker 1: I'll watched football every week okay, owing four versus three

524
00:25:45,400 --> 00:25:47,399
Speaker 1: and two. The Cowboys versus the Jets were beating the

525
00:25:47,480 --> 00:25:49,760
Speaker 1: Jets this week, Jets to do four win. He watched football?

526
00:25:49,840 --> 00:25:52,240
Speaker 1: Did you watch the game? Ed? Did y'all edit the park? Watching?

527
00:25:52,240 --> 00:25:57,080
Speaker 1: That people need to be fired? The Jets beat the

528
00:25:57,160 --> 00:26:01,080
Speaker 1: Dallas Cowboys twenty four to twenty two. What does that

529
00:26:01,200 --> 00:26:03,399
Speaker 1: mean that you guys lost and the Jets, one of

530
00:26:03,440 --> 00:26:05,640
Speaker 1: the worst teams in the NFL, got their first win.

531
00:26:06,040 --> 00:26:09,840
Speaker 1: How you lose on your bye week? Congratulations? You said

532
00:26:09,880 --> 00:26:14,520
Speaker 1: it was New Orleans b Jacksonville thirteen six Seattle be Cleveland.

533
00:26:15,840 --> 00:26:17,840
Speaker 1: Like I say that Jason Garrett needed to be impeached,

534
00:26:18,200 --> 00:26:20,600
Speaker 1: and it's two people who need to be fired in

535
00:26:20,680 --> 00:26:23,560
Speaker 1: Dallas this morning, Jason Garrett and the cop who killed

536
00:26:24,240 --> 00:26:29,280
Speaker 1: was her name, Tatiana Jefferson sege boom go. Well, yes,

537
00:26:29,400 --> 00:26:31,159
Speaker 1: we definitely want to make sure we talk about this.

538
00:26:31,320 --> 00:26:34,679
Speaker 1: This morning, a Tatiana Jefferson was killed inside of her

539
00:26:34,720 --> 00:26:38,119
Speaker 1: own home at two thirty am. A neighbor called the

540
00:26:38,240 --> 00:26:40,920
Speaker 1: dispatchers to say that the woman's front door was open,

541
00:26:41,680 --> 00:26:44,520
Speaker 1: and he said he called a non emergency police number

542
00:26:44,520 --> 00:26:46,320
Speaker 1: because he saw her doors open and lights on in

543
00:26:46,359 --> 00:26:50,040
Speaker 1: the early morning hours. That's when officers arrived and they

544
00:26:50,600 --> 00:26:53,720
Speaker 1: searched the perimeter of her house and they saw a

545
00:26:53,800 --> 00:26:56,600
Speaker 1: person standing inside near a window, and that's when one

546
00:26:56,640 --> 00:26:59,960
Speaker 1: of the officers actually opened fire and ended up killing

547
00:27:00,160 --> 00:27:03,080
Speaker 1: twenty eight year old to Tatiana Jefferson. So sad now,

548
00:27:03,119 --> 00:27:06,560
Speaker 1: according to the police chief, they said, the officer who

549
00:27:06,640 --> 00:27:10,119
Speaker 1: fired the shots will be interviewed today. There's nothing to

550
00:27:10,240 --> 00:27:13,080
Speaker 1: interview him about by the department's Major Cases unit. And

551
00:27:13,080 --> 00:27:14,639
Speaker 1: they actually have an audio which I'm not going to

552
00:27:14,680 --> 00:27:16,960
Speaker 1: play because it sounds a way too graphic, but a

553
00:27:17,080 --> 00:27:19,600
Speaker 1: lawyer for the family, Lee Merit, is saying that an

554
00:27:19,680 --> 00:27:22,840
Speaker 1: outside agency should be brought in to investigate the killing. Clearly,

555
00:27:23,160 --> 00:27:25,800
Speaker 1: you don't want the police department investigating this killing themselves,

556
00:27:26,160 --> 00:27:28,240
Speaker 1: and they said. Hours after the shooting, police did release

557
00:27:28,280 --> 00:27:31,280
Speaker 1: a heavily edited version of the officer's body camera footage.

558
00:27:31,520 --> 00:27:33,479
Speaker 1: It's about two minutes long and you can see officers

559
00:27:33,560 --> 00:27:35,760
Speaker 1: walking outside the house with flashlights for a few minutes.

560
00:27:36,000 --> 00:27:37,720
Speaker 1: That's when one of them does y'all put your hands up,

561
00:27:37,760 --> 00:27:40,639
Speaker 1: showing your hands and shoots like immediately. So when you

562
00:27:40,800 --> 00:27:43,200
Speaker 1: hear this footage, serious questions the law enforcement what do

563
00:27:43,240 --> 00:27:45,159
Speaker 1: you think is eventually going to happen when situations like

564
00:27:45,200 --> 00:27:47,600
Speaker 1: this keep occurring cops at this point, I looked at

565
00:27:47,640 --> 00:27:49,520
Speaker 1: it stretch. So the same way y'all equick to pull

566
00:27:49,560 --> 00:27:51,000
Speaker 1: a trigger, it's going to come to a point in

567
00:27:51,000 --> 00:27:52,879
Speaker 1: America with civilian is going to be quick to pull

568
00:27:52,920 --> 00:27:54,639
Speaker 1: a trigger too, because we all want to get home.

569
00:27:54,720 --> 00:27:56,560
Speaker 1: And when you have these people who are already home

570
00:27:56,760 --> 00:27:58,640
Speaker 1: getting killed in that house, then it makes the way

571
00:27:58,640 --> 00:28:01,040
Speaker 1: we interact with police even worse. That question, aren't the

572
00:28:01,080 --> 00:28:04,040
Speaker 1: police supposed to announce themselves at first? I'm just asking

573
00:28:04,080 --> 00:28:08,959
Speaker 1: that they were outside the house, like why on her property? Though? Right? Yes,

574
00:28:09,040 --> 00:28:12,240
Speaker 1: And it's really crazy. Why in this situation the cops

575
00:28:12,280 --> 00:28:15,439
Speaker 1: creeping around the yard like burglars? Burglars? Why y'all sneaking

576
00:28:15,440 --> 00:28:17,840
Speaker 1: on people's lawns. You should pull up with the lights going,

577
00:28:18,119 --> 00:28:21,000
Speaker 1: the sirens blaring, make your presence, That's my question. But

578
00:28:21,160 --> 00:28:24,440
Speaker 1: because if there was really a robber or somebody in

579
00:28:24,520 --> 00:28:26,440
Speaker 1: the house, what they announced themselves or what they see

580
00:28:26,480 --> 00:28:29,680
Speaker 1: what's going on? First? It's a sticky situation. But regardless,

581
00:28:29,680 --> 00:28:31,639
Speaker 1: I would figure that they would announce themselves as the

582
00:28:31,680 --> 00:28:33,560
Speaker 1: police put your hands up or something like that. But

583
00:28:33,840 --> 00:28:37,399
Speaker 1: if he did say police though, he said put your

584
00:28:37,400 --> 00:28:39,800
Speaker 1: hands up, and he shot like old point six seconds

585
00:28:39,880 --> 00:28:41,360
Speaker 1: after that, Like you didn't even give a person a

586
00:28:41,440 --> 00:28:43,240
Speaker 1: chance to respond and say, hey, this is my house.

587
00:28:43,760 --> 00:28:45,640
Speaker 1: Because it's not like she had a weapon and pointed

588
00:28:45,720 --> 00:28:48,960
Speaker 1: a weapon at him or anything. I thought they found

589
00:28:48,960 --> 00:28:50,400
Speaker 1: a weapon up. But by the way, if she pointed out,

590
00:28:50,400 --> 00:28:52,920
Speaker 1: she didn't point a gun at then she pointed aunt say,

591
00:28:52,960 --> 00:28:54,480
Speaker 1: she didn't point a gun at them. To forget what

592
00:28:54,640 --> 00:28:56,440
Speaker 1: if she had a gun. So what if she's a

593
00:28:56,520 --> 00:28:58,800
Speaker 1: woman alone in her crib and it's people on her

594
00:28:58,920 --> 00:29:01,160
Speaker 1: lawn with flashlights, what is she supposed to do? She

595
00:29:01,240 --> 00:29:03,040
Speaker 1: grabbed a gump because she thought of the three to

596
00:29:03,160 --> 00:29:04,720
Speaker 1: her life in her yard, and she was right, she

597
00:29:04,800 --> 00:29:07,440
Speaker 1: just didn't know that the thret was cops in Texas. Well. Absolutely,

598
00:29:07,480 --> 00:29:10,200
Speaker 1: I would have fired. Somebody in the house would a flashlight.

599
00:29:10,280 --> 00:29:12,280
Speaker 1: According to reports, her eight year old nephew was in

600
00:29:12,320 --> 00:29:14,080
Speaker 1: the room playing with her when it occurred. When the

601
00:29:14,120 --> 00:29:16,000
Speaker 1: shooting occurred, they were playing video games. What if you'd

602
00:29:16,080 --> 00:29:18,400
Speaker 1: got killed? What if the old got killed? Right, there's

603
00:29:18,440 --> 00:29:20,040
Speaker 1: no excuse for this, you know, saying I don't understand

604
00:29:20,040 --> 00:29:22,080
Speaker 1: why it seems like cops are the only public officials

605
00:29:22,320 --> 00:29:25,320
Speaker 1: that can consistently get away with mild practice. Police officers

606
00:29:25,360 --> 00:29:27,360
Speaker 1: are scared to measure twice, so they only have to

607
00:29:27,400 --> 00:29:29,280
Speaker 1: cut once because they think in the process of measuring

608
00:29:29,480 --> 00:29:31,400
Speaker 1: they will be home. So they are on edge all

609
00:29:31,440 --> 00:29:33,240
Speaker 1: the time. But guess what, we on edge too. And

610
00:29:33,280 --> 00:29:35,160
Speaker 1: I'm telling you right now, it's only a matter of

611
00:29:35,280 --> 00:29:38,200
Speaker 1: time before civilian starts shooting back, and nobody wants that,

612
00:29:39,040 --> 00:29:41,560
Speaker 1: all right, all right, And an unfortunate news in New

613
00:29:41,680 --> 00:29:44,400
Speaker 1: Orleans also, they were building a hard rock hotel and

614
00:29:44,560 --> 00:29:48,320
Speaker 1: at that building site there was a collapse, and unfortunately,

615
00:29:48,400 --> 00:29:50,880
Speaker 1: two people were killed in that collapse on Saturday, and

616
00:29:50,880 --> 00:29:53,719
Speaker 1: at least thirty people were hospitalized. And they said all

617
00:29:53,800 --> 00:29:55,800
Speaker 1: but one of the injured happened just charged though, who

618
00:29:56,440 --> 00:29:59,120
Speaker 1: were hospitalized with injuries. They said one body has been

619
00:29:59,160 --> 00:30:01,880
Speaker 1: removed from the site but has not yet been identified,

620
00:30:01,920 --> 00:30:04,280
Speaker 1: and they were still working to remove the second body.

621
00:30:05,680 --> 00:30:08,719
Speaker 1: All right, Well, that is your front page news, all right. Now.

622
00:30:08,800 --> 00:30:12,000
Speaker 1: When we come back, Life Jennings will be joining us,

623
00:30:12,000 --> 00:30:17,600
Speaker 1: so we'll kick it with Life. Jennings beat it like

624
00:30:17,680 --> 00:30:19,720
Speaker 1: a slave, So we'll talk to him about all of that,

625
00:30:20,480 --> 00:30:23,080
Speaker 1: and um, Life Gens, will we come back? We need

626
00:30:23,120 --> 00:30:25,360
Speaker 1: to play beat It like a Slave for context before

627
00:30:25,360 --> 00:30:28,320
Speaker 1: we even get into the conversation. Can we do that? Yeah,

628
00:30:28,320 --> 00:30:30,640
Speaker 1: we'll play that out of commercial. Let's play. Let's play

629
00:30:30,680 --> 00:30:33,080
Speaker 1: Life Jennings beat it like a slave for context so

630
00:30:33,200 --> 00:30:35,920
Speaker 1: people can see why I said what I said about

631
00:30:36,040 --> 00:30:38,280
Speaker 1: this record. Okay, and for context. Let's just play this

632
00:30:38,400 --> 00:30:42,160
Speaker 1: one more time, so everybody out there. Nose we three

633
00:30:42,200 --> 00:30:43,600
Speaker 1: and two when we got the Jets this week, so

634
00:30:43,680 --> 00:30:45,719
Speaker 1: technically we got a buye week. Let this kind man

635
00:30:46,400 --> 00:30:48,720
Speaker 1: continue be fowing two after this week. I bet whatever

636
00:30:48,920 --> 00:30:52,000
Speaker 1: Jets is winning this weekend. No they're not. I don't

637
00:30:52,040 --> 00:30:56,160
Speaker 1: know gets to New York Jets. We lose to the Jets,

638
00:30:56,200 --> 00:30:58,360
Speaker 1: then we really got some problems. If you listen to Jets,

639
00:30:58,360 --> 00:31:00,280
Speaker 1: then what people need to be fired if we lose

640
00:31:00,320 --> 00:31:02,000
Speaker 1: to the New York Jets. If we lose to it

641
00:31:02,080 --> 00:31:04,600
Speaker 1: the New York Jets, who are owing for this Sunday,

642
00:31:04,680 --> 00:31:08,080
Speaker 1: and we absolutely got problems. This clip just in case

643
00:31:08,360 --> 00:31:12,280
Speaker 1: now you don't have to listen. I watched football every week, okay,

644
00:31:13,000 --> 00:31:15,680
Speaker 1: owing four verses three and two, the Cowboy versus the

645
00:31:15,760 --> 00:31:17,600
Speaker 1: Jets were beating the Jets This week Jets to do

646
00:31:17,720 --> 00:31:26,400
Speaker 1: four win the Breakfast Club morning. Everybody is DJ Envy,

647
00:31:26,600 --> 00:31:29,400
Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.

648
00:31:29,440 --> 00:31:33,800
Speaker 1: We got a special guest in the building. Life Jennings, Welcome, sir.

649
00:31:34,120 --> 00:31:40,080
Speaker 1: What's that? What's up? I think we had a little misunderstanding. Man.

650
00:31:40,160 --> 00:31:43,680
Speaker 1: We had on miss about a month ago. Nah, we had.

651
00:31:44,640 --> 00:31:46,960
Speaker 1: Let's listen. Let's let's break down what happened for for

652
00:31:47,000 --> 00:31:49,120
Speaker 1: people that just joined us. So, Life Jennings released a

653
00:31:49,160 --> 00:31:55,080
Speaker 1: song and I Slave and beat it like a slave,

654
00:31:55,160 --> 00:31:58,800
Speaker 1: Beat it like a slave. Amanda Seals reposted the record

655
00:31:58,840 --> 00:32:02,800
Speaker 1: on hub Instagram and she was leaving comments and faces

656
00:32:02,840 --> 00:32:05,240
Speaker 1: about it, and Charlemagne reposted it. What was your thoughts

657
00:32:05,240 --> 00:32:06,920
Speaker 1: on the record? I have no words. I don't even know.

658
00:32:06,960 --> 00:32:09,720
Speaker 1: It was Life's record, and I just said that I said, whoever?

659
00:32:09,920 --> 00:32:11,760
Speaker 1: I said whoever? I said, people don't have friends if

660
00:32:11,800 --> 00:32:14,160
Speaker 1: they let you leave the studio with records like that.

661
00:32:14,240 --> 00:32:15,719
Speaker 1: You said, some of y'all don't have any friends. If

662
00:32:15,760 --> 00:32:18,320
Speaker 1: you did, you wouldn't make mistakes like this record. Yeah,

663
00:32:18,480 --> 00:32:20,680
Speaker 1: that's what she said. Like, if you've been in the

664
00:32:20,720 --> 00:32:22,320
Speaker 1: game a long time, you know everybody's not going to

665
00:32:22,400 --> 00:32:24,920
Speaker 1: agree with all your music, you know, man, I just

666
00:32:25,040 --> 00:32:28,000
Speaker 1: I just be feeling like, man like, like, listen, I

667
00:32:28,120 --> 00:32:31,440
Speaker 1: think you did know it was my record because Amanda

668
00:32:31,920 --> 00:32:36,160
Speaker 1: whatever last name is, seals seals Amanda, Like she put

669
00:32:36,280 --> 00:32:38,160
Speaker 1: my name on the joint. You know what I'm saying.

670
00:32:38,240 --> 00:32:41,920
Speaker 1: So if you reposted this, you know what I'm saying.

671
00:32:42,040 --> 00:32:45,560
Speaker 1: I just feel like my catalog speak for itself. Man,

672
00:32:45,720 --> 00:32:47,880
Speaker 1: that's a fact. I think every single song that I've

673
00:32:47,960 --> 00:32:50,960
Speaker 1: pretty much ever done been on some real positive man.

674
00:32:51,120 --> 00:32:54,000
Speaker 1: It's really been on some upliftings. And it's just so

675
00:32:54,240 --> 00:32:57,160
Speaker 1: funny how artists, after you go through time as black artists,

676
00:32:57,480 --> 00:32:59,840
Speaker 1: we were the only genre of people where people be like,

677
00:33:00,000 --> 00:33:02,200
Speaker 1: oh he old school, now he ain't popping no more.

678
00:33:02,240 --> 00:33:04,800
Speaker 1: When you deal with country artists and all that type

679
00:33:04,800 --> 00:33:07,000
Speaker 1: of stuff, they don't. Never like they protect their artists

680
00:33:07,040 --> 00:33:08,800
Speaker 1: and they you know, they put them on pedestals. But

681
00:33:08,880 --> 00:33:10,720
Speaker 1: you know, we don't do that, man, Like, we would

682
00:33:10,800 --> 00:33:13,240
Speaker 1: rather hurry up and take some negative stuff. You ain't.

683
00:33:13,320 --> 00:33:15,440
Speaker 1: Did you post that? Um I got a new album?

684
00:33:16,080 --> 00:33:18,160
Speaker 1: I didn't know that, but I will say Slaves made

685
00:33:18,200 --> 00:33:20,600
Speaker 1: me realize you're a new album out. Yeah, it did,

686
00:33:20,720 --> 00:33:23,960
Speaker 1: so thank you for that. But uh, you know the

687
00:33:24,120 --> 00:33:30,360
Speaker 1: mood in head man, it seems difference in though. But

688
00:33:30,440 --> 00:33:31,920
Speaker 1: I'm about when you said, you said, you said we

689
00:33:31,960 --> 00:33:34,160
Speaker 1: don't support your music. I'm like, that's not true. I said,

690
00:33:34,200 --> 00:33:36,920
Speaker 1: I've interviewed Life before. I've been on plenty radio stations

691
00:33:36,960 --> 00:33:38,880
Speaker 1: that have played Life's records, and I'm like, your Life

692
00:33:38,880 --> 00:33:41,160
Speaker 1: can come to the Preference Club now if you want to. Yeah,

693
00:33:41,400 --> 00:33:44,200
Speaker 1: But again, man, it's just like you know, it's like

694
00:33:45,120 --> 00:33:47,520
Speaker 1: everybody just be so quick to take the negative and

695
00:33:47,640 --> 00:33:49,280
Speaker 1: try to turn it into something that it ain't. Man.

696
00:33:49,440 --> 00:33:51,360
Speaker 1: So when I said, just to clarify, so when I

697
00:33:51,440 --> 00:33:53,640
Speaker 1: said beat it like a slave, you know what I'm saying,

698
00:33:53,680 --> 00:33:55,560
Speaker 1: I'm talking about a sex slave. And if you watch

699
00:33:55,640 --> 00:33:58,400
Speaker 1: the video, you can see everything that's in the video, man,

700
00:33:58,840 --> 00:34:01,720
Speaker 1: So it's not like And then then you said, well

701
00:34:01,800 --> 00:34:04,640
Speaker 1: somebody had said that, Um, I must have planned it

702
00:34:04,760 --> 00:34:06,600
Speaker 1: that way, or I knew I was gonna get some flag.

703
00:34:06,640 --> 00:34:09,120
Speaker 1: It never crossed my mind one time with this song.

704
00:34:09,280 --> 00:34:11,640
Speaker 1: I want to put it out, but yeah, Britney Spears

705
00:34:11,680 --> 00:34:13,640
Speaker 1: had a whole song called Slave for You and she

706
00:34:13,719 --> 00:34:15,600
Speaker 1: got flat for that too, just like just like a

707
00:34:15,680 --> 00:34:17,759
Speaker 1: little wing got flat when he did the mtail line

708
00:34:17,760 --> 00:34:19,640
Speaker 1: when he said I beat you up, like beat it

709
00:34:19,760 --> 00:34:22,359
Speaker 1: up like ematail, Like radio bleeped that that line out

710
00:34:23,080 --> 00:34:26,160
Speaker 1: in that future record. Yeah, like slave slavery is a

711
00:34:26,360 --> 00:34:28,680
Speaker 1: very sensitive subject. I don't you can't really make light

712
00:34:28,719 --> 00:34:30,560
Speaker 1: of slavery. But it wasn't even the content of the record.

713
00:34:30,960 --> 00:34:32,680
Speaker 1: It was the fact that I just I just didn't

714
00:34:32,719 --> 00:34:34,320
Speaker 1: think the record was good. I was like, what is

715
00:34:34,400 --> 00:34:37,200
Speaker 1: this man? You hate him? Man, I'm just telling you true.

716
00:34:37,840 --> 00:34:39,840
Speaker 1: And I wouldn't listen. I would have never thought that

717
00:34:39,920 --> 00:34:43,800
Speaker 1: came from you. I'm like, that's I'm like, that's not life, man, Listen,

718
00:34:43,880 --> 00:34:45,600
Speaker 1: it was life. It was definitely life. It was a

719
00:34:45,640 --> 00:34:47,959
Speaker 1: play on words. Man. I can't stay in one box

720
00:34:48,040 --> 00:34:49,680
Speaker 1: and I got to be able to do some different

721
00:34:49,760 --> 00:34:53,200
Speaker 1: stuff sometimes. Man, did you mean no record that you

722
00:34:53,280 --> 00:34:54,960
Speaker 1: didn't like? Later on you were like, yeah, I shouldn't

723
00:34:54,960 --> 00:34:56,880
Speaker 1: have been that was that? Wasn't it? Never like if

724
00:34:56,880 --> 00:34:59,640
Speaker 1: you listen to my body of work, like like literally

725
00:34:59,760 --> 00:35:03,120
Speaker 1: like you got you gotta think what other artists is

726
00:35:03,160 --> 00:35:06,000
Speaker 1: doing what I'm doing at this time? What are the

727
00:35:06,160 --> 00:35:10,200
Speaker 1: artists as far as uplifting people, as far as everything

728
00:35:10,360 --> 00:35:12,960
Speaker 1: is about some Every single record that I put out

729
00:35:13,080 --> 00:35:16,960
Speaker 1: is about and it's who j Cole, Kendrick Lamar. Every

730
00:35:17,000 --> 00:35:19,440
Speaker 1: single talking about R and B. I ain't talking about rap.

731
00:35:19,800 --> 00:35:21,960
Speaker 1: I mean R and B is you got that conscious rap?

732
00:35:22,040 --> 00:35:24,960
Speaker 1: You don't really too much have like a conscious R

733
00:35:25,080 --> 00:35:27,440
Speaker 1: and B. Too much R and B out there like that.

734
00:35:28,120 --> 00:35:30,399
Speaker 1: Maybe Ari Lennox right now, you know what I say.

735
00:35:30,440 --> 00:35:34,600
Speaker 1: She's a female though, j Ray Is. I really like her.

736
00:35:35,040 --> 00:35:37,560
Speaker 1: But you also have collaborations with artists I'm sure that

737
00:35:37,600 --> 00:35:39,440
Speaker 1: you respect and you feel like their music is about

738
00:35:39,480 --> 00:35:42,760
Speaker 1: something like Tank is on the album. He's consistent throughout

739
00:35:42,800 --> 00:35:46,520
Speaker 1: his career. Also them cats been consistent. Don't get me wrong,

740
00:35:46,600 --> 00:35:48,879
Speaker 1: But what I'm talking about is music that uplift people.

741
00:35:48,960 --> 00:35:51,880
Speaker 1: Like for instance, when people comment on my stuff, they

742
00:35:51,960 --> 00:35:54,440
Speaker 1: don't be like life you fine, or life I want like,

743
00:35:54,440 --> 00:35:55,960
Speaker 1: they don't want say none of that. Like all the

744
00:35:56,040 --> 00:35:58,279
Speaker 1: comments that I get is like this song changed my

745
00:35:58,400 --> 00:36:00,680
Speaker 1: life or I was going through something in my life.

746
00:36:00,680 --> 00:36:02,719
Speaker 1: He helped me get back with my husband, You help

747
00:36:02,800 --> 00:36:04,640
Speaker 1: me start going back to church. Like I don't get

748
00:36:04,680 --> 00:36:06,680
Speaker 1: the rest of the stuff. So I kind of like

749
00:36:07,280 --> 00:36:10,160
Speaker 1: took it as I kind of took it lightweight, defensive

750
00:36:10,239 --> 00:36:13,759
Speaker 1: because my legacy has always been this, and nobody has

751
00:36:13,960 --> 00:36:16,759
Speaker 1: like nobody with your platform. Nobody would hurt platform has

752
00:36:16,800 --> 00:36:19,160
Speaker 1: ever been like Yo, I'm I'm gonna shot life and

753
00:36:19,239 --> 00:36:21,439
Speaker 1: this is what he's doing and blah blah blah. Even

754
00:36:21,520 --> 00:36:25,600
Speaker 1: though I've been consistent throughout what fifteen sixteen years, that

755
00:36:25,760 --> 00:36:27,480
Speaker 1: is a fact. So when you do a record like this,

756
00:36:27,680 --> 00:36:29,640
Speaker 1: it's a hard left turn right like you like like

757
00:36:29,960 --> 00:36:32,080
Speaker 1: sounds like Donkey Kong or the hop it like a

758
00:36:32,160 --> 00:36:35,840
Speaker 1: frog give be like huh, that line was hot, like

759
00:36:35,880 --> 00:36:40,680
Speaker 1: a need to be hot. But you also say something

760
00:36:40,719 --> 00:36:43,680
Speaker 1: that you feel like, especially with black media, black radio,

761
00:36:44,360 --> 00:36:46,719
Speaker 1: you feel like we don't hold out our our our

762
00:36:46,800 --> 00:36:49,759
Speaker 1: older artists were kind of showing. Why do you feel

763
00:36:49,800 --> 00:36:52,040
Speaker 1: that way? I don't agree with that though. Think about

764
00:36:52,040 --> 00:36:54,600
Speaker 1: it like this, man, I think that radio now is

765
00:36:54,600 --> 00:36:57,360
Speaker 1: about age. They don't even necessarily have nothing to do

766
00:36:57,440 --> 00:36:59,640
Speaker 1: with content, even though that content a lot of times

767
00:36:59,719 --> 00:37:02,600
Speaker 1: comes along with that age. Man. But I think like

768
00:37:02,920 --> 00:37:05,520
Speaker 1: even let's let's go back to the slave Song album

769
00:37:05,600 --> 00:37:08,200
Speaker 1: in stores right now seven seven seven plug that, but

770
00:37:08,280 --> 00:37:11,680
Speaker 1: let's go back to the slave Song. How many records

771
00:37:11,719 --> 00:37:16,000
Speaker 1: are on radio right now? There's just totally bashing women,

772
00:37:16,360 --> 00:37:19,560
Speaker 1: drugs and all this different stuff. But yeah, in still

773
00:37:19,960 --> 00:37:22,960
Speaker 1: they playing this stuff on just a radio for our

774
00:37:23,120 --> 00:37:26,680
Speaker 1: use and our use, they get desensitized to that. Like

775
00:37:26,800 --> 00:37:29,000
Speaker 1: these chicks out right here, these chicks out here now

776
00:37:29,160 --> 00:37:32,680
Speaker 1: is have you got these chicks on radio? I'm glowing, Fine,

777
00:37:33,360 --> 00:37:36,080
Speaker 1: I'm gonna get money from me. Then I'm gonna throwing

778
00:37:36,160 --> 00:37:37,879
Speaker 1: him away, and then I'm gonna go to the next

779
00:37:38,000 --> 00:37:39,799
Speaker 1: day i can get more money from them. But then

780
00:37:39,840 --> 00:37:42,120
Speaker 1: we glorify this and then we act like that when

781
00:37:42,160 --> 00:37:44,640
Speaker 1: this stuff is going in our society, like team pregnancy

782
00:37:44,719 --> 00:37:46,759
Speaker 1: or drug use, we acting like our music don't got

783
00:37:46,800 --> 00:37:48,480
Speaker 1: nothing to do with it, but like it's been going on,

784
00:37:48,840 --> 00:37:51,480
Speaker 1: our generation was just as bad, if not worse. Nah,

785
00:37:51,800 --> 00:37:54,640
Speaker 1: you crazy, because you know why we have more variety

786
00:37:54,719 --> 00:37:56,439
Speaker 1: and women. Women are talking for you. If you're talking

787
00:37:56,560 --> 00:37:58,520
Speaker 1: making the style, you know, Cardi B and Nicki Minahs.

788
00:37:58,520 --> 00:38:00,120
Speaker 1: But it's the same thing that dude's been doing for

789
00:38:00,160 --> 00:38:04,560
Speaker 1: the last twenty years. By the way, Little wasn't talking

790
00:38:04,560 --> 00:38:07,960
Speaker 1: about money from even even when dudes just talking and

791
00:38:08,040 --> 00:38:10,600
Speaker 1: it wasn't as prevalent. It's it's it's almost like right now,

792
00:38:10,719 --> 00:38:13,840
Speaker 1: it's like the worst that you could possibly say, and

793
00:38:13,920 --> 00:38:16,560
Speaker 1: the weirder you get. I mean, hell, you know the

794
00:38:16,680 --> 00:38:18,880
Speaker 1: rappers was wearing one pass leg up or they was

795
00:38:18,920 --> 00:38:23,319
Speaker 1: wearing that too. But then you look at Prince. Prince

796
00:38:23,440 --> 00:38:25,759
Speaker 1: had chatpan with your booty all out. Now that sting

797
00:38:25,880 --> 00:38:30,839
Speaker 1: like that. Come on, think about how violent our arrow

798
00:38:31,000 --> 00:38:34,400
Speaker 1: was in the nineties, the music, how violent the music was.

799
00:38:34,480 --> 00:38:36,960
Speaker 1: Everything was about packing the gun, shooting the pistol. Then

800
00:38:37,000 --> 00:38:39,200
Speaker 1: you ran went through the whole trap arrow where everybody

801
00:38:39,320 --> 00:38:41,440
Speaker 1: was the biggest drug dealer in the world. And as

802
00:38:41,480 --> 00:38:46,400
Speaker 1: far as disrespecting women happen. But I think the differences

803
00:38:46,440 --> 00:38:48,520
Speaker 1: that that women have a voice, though there's kind of

804
00:38:48,600 --> 00:38:51,040
Speaker 1: like a response thing. And I'm not defending this because

805
00:38:51,040 --> 00:38:53,719
Speaker 1: I don't agree with Nino and I'm listening. I'm not

806
00:38:53,800 --> 00:38:56,560
Speaker 1: saying when guys didn't do was great. Yeah, they definitely

807
00:38:56,640 --> 00:38:59,200
Speaker 1: still do it, but at the same time, it just

808
00:38:59,360 --> 00:39:02,239
Speaker 1: gets more and more aggressive. So now it was I'm

809
00:39:02,520 --> 00:39:05,360
Speaker 1: I'm smashing you and I'm smashing your best friend. But

810
00:39:05,520 --> 00:39:07,880
Speaker 1: then at the same time, if it's so degrade in

811
00:39:08,040 --> 00:39:10,279
Speaker 1: which it is, but you got these women out here

812
00:39:10,400 --> 00:39:15,600
Speaker 1: dancing off like that, then too, Na, it wasn't like

813
00:39:15,719 --> 00:39:24,080
Speaker 1: that little kid. Okay was that air like that? Yes,

814
00:39:24,760 --> 00:39:35,239
Speaker 1: I was in prison at the time. Over body time

815
00:39:37,600 --> 00:39:39,799
Speaker 1: my way. We loved it back then, but we old

816
00:39:39,880 --> 00:39:41,359
Speaker 1: enough so we can look back and be like, all right,

817
00:39:41,400 --> 00:39:43,640
Speaker 1: were wilder? All we got more with Life Jennings. When

818
00:39:43,680 --> 00:39:45,719
Speaker 1: we come back, keep it like us to Breakfast Club,

819
00:39:45,760 --> 00:39:50,920
Speaker 1: Good Morning Morning. Everybody is DJ Envy and Ngela Yee Charlomagne,

820
00:39:50,960 --> 00:39:53,799
Speaker 1: the guy we are the Breakfast Club was still kicking

821
00:39:53,840 --> 00:39:57,080
Speaker 1: it with Life, Jenny, Charlomagne, Why did your last? Man,

822
00:39:57,120 --> 00:39:59,920
Speaker 1: I'm just bored with it? Like for real, for nobody

823
00:40:00,080 --> 00:40:02,560
Speaker 1: buying Life Jenny's albums right now anyway? Like he did.

824
00:40:02,640 --> 00:40:06,520
Speaker 1: Know what I'm saying. So I'm creating thirteen fourteen songs

825
00:40:06,600 --> 00:40:08,600
Speaker 1: on the album and I just don't want to do

826
00:40:08,719 --> 00:40:11,239
Speaker 1: that no more. Man. So what I'm doing now, you

827
00:40:11,280 --> 00:40:14,000
Speaker 1: know I'm doing. I'm every six months, I'm gonna put

828
00:40:14,040 --> 00:40:16,280
Speaker 1: out something with a different artist. They do two songs,

829
00:40:16,320 --> 00:40:18,120
Speaker 1: I do two songs, and then we do two together.

830
00:40:18,200 --> 00:40:21,320
Speaker 1: I'm calling to six pack Volume one coming soon. You

831
00:40:21,400 --> 00:40:23,359
Speaker 1: know what I'm saying. So that's just what I'm doing

832
00:40:23,440 --> 00:40:25,759
Speaker 1: some different stuff, man, So you're not really quitting you

833
00:40:25,840 --> 00:40:29,680
Speaker 1: just yeah, I'm not quitting doing different theme. My production

834
00:40:29,719 --> 00:40:32,080
Speaker 1: companies coming, you know what, We're up and running right now.

835
00:40:32,239 --> 00:40:35,360
Speaker 1: I'm actually about to start shooting in December, my life story.

836
00:40:36,040 --> 00:40:37,719
Speaker 1: You know what I'm saying. We're gonna do a whole

837
00:40:38,040 --> 00:40:41,279
Speaker 1: series of life like exactly. You know what went on

838
00:40:41,400 --> 00:40:43,320
Speaker 1: in my action coming up in all this, you know,

839
00:40:43,880 --> 00:40:47,000
Speaker 1: and you have a very interesting story to tell. Crazy,

840
00:40:48,239 --> 00:40:50,400
Speaker 1: just like even when I was writing it, I'm just

841
00:40:50,560 --> 00:40:53,080
Speaker 1: thinking like, like this is really a movie. Like I

842
00:40:53,160 --> 00:40:56,480
Speaker 1: had a situation in My Traveler with my homie, like

843
00:40:56,719 --> 00:40:59,320
Speaker 1: he wanted him getting forty years, God blessed dead, you

844
00:40:59,360 --> 00:41:01,560
Speaker 1: know what I'm saying now, But he wound up getting

845
00:41:01,600 --> 00:41:04,880
Speaker 1: forty years. And he never knew his whole life that

846
00:41:05,040 --> 00:41:08,239
Speaker 1: I knew. That told on me, like I actually saw

847
00:41:09,040 --> 00:41:12,240
Speaker 1: and he still got forty. Still, well he had forty

848
00:41:12,280 --> 00:41:14,960
Speaker 1: at first, and if he got forty at first and

849
00:41:15,000 --> 00:41:17,640
Speaker 1: then when he told they gave twenty to fifty, that's

850
00:41:17,640 --> 00:41:21,160
Speaker 1: still a bade. But he never knew, like it was

851
00:41:21,280 --> 00:41:24,200
Speaker 1: a whole you know, discovery motion or whatever. So I

852
00:41:24,400 --> 00:41:28,200
Speaker 1: actually read his whole discovery what homes were talking about

853
00:41:28,280 --> 00:41:31,439
Speaker 1: and and it was like tripping. But he just never

854
00:41:31,600 --> 00:41:36,360
Speaker 1: knew because I never told him because years later, probably

855
00:41:36,400 --> 00:41:38,319
Speaker 1: like seven years if I've been prison, he wounded up

856
00:41:38,360 --> 00:41:40,000
Speaker 1: come to the same prison as I was, you know

857
00:41:40,000 --> 00:41:42,560
Speaker 1: what I'm saying, and I just I just really and

858
00:41:42,640 --> 00:41:44,640
Speaker 1: then this go to the what's the what's the little

859
00:41:44,640 --> 00:41:48,879
Speaker 1: young fruity face six nine? Right, so this this goes

860
00:41:48,920 --> 00:41:52,279
Speaker 1: to that too. Like I just felt like this was

861
00:41:52,320 --> 00:41:54,439
Speaker 1: facing the life bet like both of us had life

862
00:41:54,520 --> 00:41:56,680
Speaker 1: with death specs. You know, you know death spec is.

863
00:41:56,719 --> 00:41:58,160
Speaker 1: I mean, they trying to kill you, if you know

864
00:41:58,200 --> 00:41:59,600
Speaker 1: what I'm saying, if they don't turn out well, and

865
00:41:59,640 --> 00:42:03,600
Speaker 1: ain't gon turn out well. But I just had thought like, damn, like,

866
00:42:04,880 --> 00:42:07,359
Speaker 1: you never know what a man is really facing when

867
00:42:07,400 --> 00:42:09,520
Speaker 1: he's sitting in that chair. You could talk about that chair,

868
00:42:09,600 --> 00:42:11,640
Speaker 1: but until you're sitting in that damn chair, you never

869
00:42:11,800 --> 00:42:15,239
Speaker 1: know what it would like, really really do. So I

870
00:42:15,360 --> 00:42:19,040
Speaker 1: just felt like I forgave it because you know, I'm

871
00:42:19,080 --> 00:42:21,399
Speaker 1: not I'm not in your position. I don't I ain't

872
00:42:21,480 --> 00:42:23,920
Speaker 1: come from you know exactly where you come from. Everybody

873
00:42:24,000 --> 00:42:25,880
Speaker 1: got different lives, you know what I'm saying. And I

874
00:42:26,000 --> 00:42:27,680
Speaker 1: just felt like it was no need to tell this

875
00:42:28,000 --> 00:42:29,799
Speaker 1: and bring this. I didn't want to bring him down

876
00:42:29,920 --> 00:42:36,600
Speaker 1: more him. Um, Actually I forgave him. On the day

877
00:42:36,640 --> 00:42:39,279
Speaker 1: I read this, I read something that said forgiveness is

878
00:42:39,360 --> 00:42:44,600
Speaker 1: for you, it's not for them. But both did the crime. No, yeah, yeah,

879
00:42:44,640 --> 00:42:46,560
Speaker 1: see that's a little different, and we both can't do

880
00:42:46,600 --> 00:42:49,400
Speaker 1: a crime. And then all of a sudden I get

881
00:42:49,480 --> 00:42:54,000
Speaker 1: caught and shorten your time. I tell, and you're right,

882
00:42:54,160 --> 00:42:57,000
Speaker 1: but again all kind of happened. You ever cheated on

883
00:42:57,080 --> 00:42:58,920
Speaker 1: a woman that was great till you and had your

884
00:42:59,040 --> 00:43:01,320
Speaker 1: back through all all the differences you did when you

885
00:43:01,360 --> 00:43:03,680
Speaker 1: didn't have nothing. And I ain't talking about just nothing financial.

886
00:43:03,719 --> 00:43:07,080
Speaker 1: I mean you don't have nothing mentally, physically, spiritually, emotionally

887
00:43:07,160 --> 00:43:15,759
Speaker 1: nothing that woman, right, It ain't a world like that, man.

888
00:43:16,120 --> 00:43:17,480
Speaker 1: It ain't a world or where you could say you

889
00:43:17,560 --> 00:43:19,680
Speaker 1: should have did this, and all know what, and you

890
00:43:19,760 --> 00:43:21,840
Speaker 1: wan't forgiveness, But then you don't want to get forgiveness

891
00:43:21,880 --> 00:43:23,879
Speaker 1: for other things. And when I look, and again, maybe

892
00:43:23,920 --> 00:43:26,600
Speaker 1: it's like you said, because we older, that she is old,

893
00:43:26,760 --> 00:43:30,160
Speaker 1: That the meaning women's is old. This racism is old.

894
00:43:30,560 --> 00:43:32,680
Speaker 1: This you thinking you better than somebody because you got

895
00:43:32,800 --> 00:43:35,640
Speaker 1: more money and more privileged than them, that's old, man.

896
00:43:36,239 --> 00:43:38,160
Speaker 1: We would not move one more step forward until we

897
00:43:38,239 --> 00:43:40,640
Speaker 1: get rid of this racism, because as long as you

898
00:43:40,719 --> 00:43:42,920
Speaker 1: got people that you're divided against, you're always gonna have

899
00:43:43,040 --> 00:43:46,399
Speaker 1: people in an arms race or to speak, spiritual race

900
00:43:46,520 --> 00:43:48,759
Speaker 1: or whatever. Man. But like in my life right now, man,

901
00:43:48,760 --> 00:43:51,120
Speaker 1: I'm just trying to be consistent, you know what I'm saying.

902
00:43:51,120 --> 00:43:52,719
Speaker 1: If I'm faithful to my kids, I want to be

903
00:43:52,760 --> 00:43:55,359
Speaker 1: faithful to my woman because I can't have the other one.

904
00:43:55,440 --> 00:43:57,560
Speaker 1: Like you know what I'm saying, right, don't cheat it

905
00:43:57,680 --> 00:44:01,560
Speaker 1: becomes if it don't use it, you know what I'm saying.

906
00:44:02,040 --> 00:44:04,760
Speaker 1: I mean, like me with this artist, Like people always

907
00:44:04,800 --> 00:44:06,960
Speaker 1: think I'm crazy because I tell females this. When I

908
00:44:07,080 --> 00:44:08,919
Speaker 1: start dealing with them, I'm telling me you're not gonna

909
00:44:08,960 --> 00:44:10,960
Speaker 1: have me for that long because before they get over,

910
00:44:11,160 --> 00:44:13,120
Speaker 1: I'm gonna be up in the mountains of Tibet sitting

911
00:44:13,120 --> 00:44:15,239
Speaker 1: in a cave somewhere. Like you did. What I'm saying,

912
00:44:15,520 --> 00:44:17,279
Speaker 1: What kind of game is that you running on these women?

913
00:44:17,520 --> 00:44:21,560
Speaker 1: You just said you guys, I'm a bouncer. You basically

914
00:44:21,560 --> 00:44:23,799
Speaker 1: telling them I'm a bounce on you at he needs

915
00:44:23,840 --> 00:44:26,279
Speaker 1: his own space. I'm not impressed by this out here,

916
00:44:26,360 --> 00:44:28,040
Speaker 1: Like I know, it's so much more like you know,

917
00:44:28,200 --> 00:44:31,560
Speaker 1: from whatever your spiritual level is. And like for me, man,

918
00:44:31,640 --> 00:44:33,960
Speaker 1: I feel like that it's something after this. So I'm

919
00:44:34,000 --> 00:44:36,440
Speaker 1: preparing right now for that, man, and I'm not gonna

920
00:44:36,440 --> 00:44:38,600
Speaker 1: I'm not gonna be caught up in this. So you

921
00:44:38,680 --> 00:44:40,600
Speaker 1: do have regrets, right as far as when it comes

922
00:44:40,640 --> 00:44:43,160
Speaker 1: to women, like you said earlier, and how you treated them,

923
00:44:43,239 --> 00:44:45,279
Speaker 1: and there's women that you missed that you wish you

924
00:44:45,320 --> 00:44:49,560
Speaker 1: could have treated better. No, So that whole song tell

925
00:44:49,640 --> 00:44:52,480
Speaker 1: me wasn't about no that that tell me that song

926
00:44:52,560 --> 00:44:54,839
Speaker 1: and that's a dope record right there, y'all check that out, man.

927
00:44:54,920 --> 00:44:58,000
Speaker 1: That tell me that record was about like you in

928
00:44:58,080 --> 00:45:00,640
Speaker 1: a relationship with somebody and then it ends. And this

929
00:45:00,840 --> 00:45:02,759
Speaker 1: if something good happened in your life, they're always the

930
00:45:02,840 --> 00:45:05,479
Speaker 1: first person that you tell. But now y'all just damn

931
00:45:05,520 --> 00:45:08,719
Speaker 1: their enemies now, so you just really want to be

932
00:45:08,920 --> 00:45:11,719
Speaker 1: able to have that person as the friendship anyway back,

933
00:45:12,280 --> 00:45:15,200
Speaker 1: you know what I'm saying. For that and so you

934
00:45:15,400 --> 00:45:17,200
Speaker 1: so you're not friends with people after you break up?

935
00:45:17,760 --> 00:45:20,719
Speaker 1: Now you know, really, I cut it off. I circumcised

936
00:45:20,760 --> 00:45:23,879
Speaker 1: like straight off. That cucize you cut off. You don't

937
00:45:23,880 --> 00:45:26,719
Speaker 1: speak to you at all? Yeah, because why like you

938
00:45:26,800 --> 00:45:29,640
Speaker 1: know what I'm saying, Like whatever happened, it definitely happened.

939
00:45:29,920 --> 00:45:32,080
Speaker 1: And I don't want to keep on reliving that because

940
00:45:32,160 --> 00:45:34,200
Speaker 1: it's gonna exist as long as I'm giving it the tense,

941
00:45:34,239 --> 00:45:36,319
Speaker 1: and it's gonna exist that pain. Like I just went

942
00:45:36,400 --> 00:45:39,479
Speaker 1: through a break up, Like you didn't know what I'm saying? Yeah,

943
00:45:39,760 --> 00:45:44,640
Speaker 1: hell yeah three years? Wow? Why didn't want to break up?

944
00:45:44,680 --> 00:45:46,920
Speaker 1: Was it something you did or y'all just grow apart? No?

945
00:45:47,280 --> 00:45:49,640
Speaker 1: I just I just think like she did a lot

946
00:45:49,719 --> 00:45:52,000
Speaker 1: of I did a lot of So it wasn't no

947
00:45:52,160 --> 00:45:54,439
Speaker 1: more trust, which is a terrible thing because I could

948
00:45:54,440 --> 00:45:56,600
Speaker 1: finish this lady Sinners, if she was sitting right here,

949
00:45:56,719 --> 00:45:59,319
Speaker 1: right now, she would just she could just you ever

950
00:45:59,400 --> 00:46:01,040
Speaker 1: had that person, you could just look at it. You

951
00:46:01,160 --> 00:46:03,319
Speaker 1: be like laughing because you're like, I know they're thinking

952
00:46:03,400 --> 00:46:06,400
Speaker 1: this same my wife. Absolutely, this is right. This is

953
00:46:06,520 --> 00:46:09,839
Speaker 1: my wife. But you put so much distrust in their

954
00:46:09,960 --> 00:46:12,360
Speaker 1: heart that the smallest things are big things. You know

955
00:46:12,360 --> 00:46:15,760
Speaker 1: what I'm saying. So, y'all communication is now just spiritual,

956
00:46:15,800 --> 00:46:17,759
Speaker 1: it ain't even physical no more. How did y'all lose

957
00:46:17,760 --> 00:46:20,200
Speaker 1: the trust? Did you cheat? How you gonna talk about

958
00:46:21,360 --> 00:46:23,680
Speaker 1: and you just cheated. No, I ain't say I just cheated.

959
00:46:24,080 --> 00:46:27,080
Speaker 1: You did what I'm saying, No, no, no, she ain't even.

960
00:46:27,120 --> 00:46:29,440
Speaker 1: She ain't even just found out. It's just when you

961
00:46:29,560 --> 00:46:32,600
Speaker 1: go through stuff in the past, then it has this

962
00:46:32,760 --> 00:46:34,719
Speaker 1: way of coming. And that's the terrible thing you could.

963
00:46:35,040 --> 00:46:38,040
Speaker 1: You could cheat on your woman for the first year

964
00:46:38,160 --> 00:46:40,359
Speaker 1: and then four years she know about it, then four

965
00:46:40,440 --> 00:46:43,640
Speaker 1: years later. It's that distrust is built, so it doesn't

966
00:46:43,680 --> 00:46:45,839
Speaker 1: matter how good it's going, it just ain't gonna never

967
00:46:45,920 --> 00:46:48,400
Speaker 1: come back. She cheat on you. She did too. I

968
00:46:48,440 --> 00:46:51,160
Speaker 1: ain't y'all even I've been with my wife twenty three years.

969
00:46:51,400 --> 00:46:54,719
Speaker 1: I cheated before. She cheated before. It is what it is.

970
00:46:54,760 --> 00:46:57,200
Speaker 1: If you love somebody, you can forgive them. I don't

971
00:46:57,239 --> 00:47:00,799
Speaker 1: want that forgiveness. Forgiveness is for me, is not for her.

972
00:47:01,600 --> 00:47:03,479
Speaker 1: And you can forget somebody that. I mean, you gotta

973
00:47:03,520 --> 00:47:10,960
Speaker 1: be together, know you know what I'm saying, though it depends.

974
00:47:11,000 --> 00:47:13,080
Speaker 1: We're kind of cheating too now, because you know, if

975
00:47:13,120 --> 00:47:15,560
Speaker 1: it was just like you guys, some she got some

976
00:47:15,880 --> 00:47:20,040
Speaker 1: cool but if they'all was like involved with somebody else emotionally,

977
00:47:20,160 --> 00:47:22,720
Speaker 1: and that's some different and if she cheated as evans,

978
00:47:22,719 --> 00:47:26,360
Speaker 1: because you cheated. It's kind of like, why are you

979
00:47:26,400 --> 00:47:31,800
Speaker 1: gonna gotta die? He does what you mean showing my

980
00:47:31,920 --> 00:47:49,480
Speaker 1: doll lifeless uncomfortable, little cheating doll. All right, we got

981
00:47:49,560 --> 00:47:51,520
Speaker 1: more with life Jennings. When we come back, keep it

982
00:47:51,600 --> 00:47:54,320
Speaker 1: like because the Breakfast Club good morning Mording, everybody is

983
00:47:54,400 --> 00:47:58,080
Speaker 1: DJ Envy and Ngela yee. Charlemagne, the guy we are

984
00:47:58,160 --> 00:48:01,759
Speaker 1: the Breakfast Club was kicking it with life jitting Charlemagne.

985
00:48:02,040 --> 00:48:03,759
Speaker 1: So do you feel like the game is respecting you? Man?

986
00:48:03,800 --> 00:48:04,800
Speaker 1: I feel like, you know, you feel like you're not

987
00:48:04,840 --> 00:48:07,560
Speaker 1: getting no respect. I don't feel like that I'm not

988
00:48:07,600 --> 00:48:10,920
Speaker 1: getting no respect. I would just like to have more respect, man.

989
00:48:11,000 --> 00:48:14,319
Speaker 1: So you know, I want to tell y'all something because

990
00:48:14,360 --> 00:48:16,959
Speaker 1: I know we're probably approaching this time. Man, this energy

991
00:48:17,080 --> 00:48:20,640
Speaker 1: is different like when I can't how long, like six years.

992
00:48:21,480 --> 00:48:23,680
Speaker 1: It's just like it's like this is the job to

993
00:48:23,760 --> 00:48:27,319
Speaker 1: you know, when I first time, when I first came, y'all,

994
00:48:27,480 --> 00:48:30,880
Speaker 1: energy was just so much more. I mean, probably was

995
00:48:30,960 --> 00:48:32,920
Speaker 1: the newness man. But you know, I just want to

996
00:48:33,000 --> 00:48:40,800
Speaker 1: encourage y'all. Mankey, I'm I'm a man. You know, I

997
00:48:40,880 --> 00:48:43,160
Speaker 1: think we I think we started off talking about something

998
00:48:43,160 --> 00:48:45,719
Speaker 1: you ain't really want to talk about. That's what it was, right, Nah,

999
00:48:45,840 --> 00:48:47,400
Speaker 1: And now we're talking about something else. You don't want

1000
00:48:47,400 --> 00:48:52,600
Speaker 1: to talk about getting being a break up? Nah? I mean,

1001
00:48:52,719 --> 00:48:55,279
Speaker 1: you know, people break up, people get together. Man. You

1002
00:48:55,400 --> 00:48:59,200
Speaker 1: know I'm gonna be into bed anyway. So what happened

1003
00:48:59,239 --> 00:49:04,000
Speaker 1: in bed before? Nah? You might be because I need

1004
00:49:04,080 --> 00:49:06,160
Speaker 1: to sit up in there with them dream masters, man

1005
00:49:06,239 --> 00:49:07,840
Speaker 1: and monks. I need to sit up in there but

1006
00:49:07,960 --> 00:49:10,200
Speaker 1: them cats. Man. I don't want to feel like that

1007
00:49:10,960 --> 00:49:14,080
Speaker 1: it's work. You know what I'm saying. That wanted deflection.

1008
00:49:14,120 --> 00:49:16,359
Speaker 1: I was just telling y'all something I'm going through right now.

1009
00:49:18,280 --> 00:49:20,919
Speaker 1: It's what's becoming work man. You know what I'm saying.

1010
00:49:21,320 --> 00:49:23,000
Speaker 1: Does it feel like work because you're not making the

1011
00:49:23,080 --> 00:49:24,799
Speaker 1: kind of music you want to make? Because I don't

1012
00:49:24,840 --> 00:49:26,400
Speaker 1: feel like you wanted to make slaves? Bro. I think

1013
00:49:26,440 --> 00:49:28,600
Speaker 1: you did that because you thought it was gone like that,

1014
00:49:28,719 --> 00:49:30,080
Speaker 1: this is what the people want to hear. You said that.

1015
00:49:30,200 --> 00:49:32,040
Speaker 1: You was like, that's what people want to hear. Now, Nah,

1016
00:49:32,120 --> 00:49:33,919
Speaker 1: that ain't what I said. I didn't say that people

1017
00:49:34,000 --> 00:49:35,680
Speaker 1: want to hear that. I just said I thought it

1018
00:49:35,800 --> 00:49:37,480
Speaker 1: was hot, you know what I'm saying. I thought it

1019
00:49:37,600 --> 00:49:39,960
Speaker 1: was a different take. On it, you know. But I'm

1020
00:49:40,000 --> 00:49:43,120
Speaker 1: just just starting to feel like it's worked because I'm

1021
00:49:43,160 --> 00:49:46,560
Speaker 1: in one of those put documents that seem like it's

1022
00:49:46,600 --> 00:49:48,080
Speaker 1: good to be in until you get in it that,

1023
00:49:48,640 --> 00:49:50,880
Speaker 1: you know. Not trying to blow my own who want,

1024
00:49:50,920 --> 00:49:53,040
Speaker 1: but I'm getting bred out here like you do real

1025
00:49:53,160 --> 00:49:55,960
Speaker 1: estate crazy or something. I got. I got a lot problem,

1026
00:49:56,120 --> 00:49:59,360
Speaker 1: you know, but I've also incurred a lot of damn

1027
00:50:00,040 --> 00:50:02,560
Speaker 1: you know, I gotta take care of every month, man,

1028
00:50:02,680 --> 00:50:05,520
Speaker 1: And now it's like this used to be in the

1029
00:50:05,680 --> 00:50:09,359
Speaker 1: grain that comes damn there even you know what I'm saying.

1030
00:50:09,400 --> 00:50:12,080
Speaker 1: So now you have to you have to be doing

1031
00:50:12,120 --> 00:50:13,440
Speaker 1: this and I don't want to feel like that. I

1032
00:50:13,480 --> 00:50:16,279
Speaker 1: don't want so much that up. If I stop for

1033
00:50:16,800 --> 00:50:18,920
Speaker 1: six months or a year, then you know what, I'm

1034
00:50:18,960 --> 00:50:21,160
Speaker 1: taking it hell again, man, I don't even want none

1035
00:50:21,160 --> 00:50:23,040
Speaker 1: of this no more, liken't they all of them damn

1036
00:50:23,200 --> 00:50:26,200
Speaker 1: cars and all this show. None of this? Now you

1037
00:50:26,239 --> 00:50:31,680
Speaker 1: know what's important? I am. Yeah, I'm gonna get rid

1038
00:50:31,719 --> 00:50:33,880
Speaker 1: of a lot of different things on my way to Tibet.

1039
00:50:35,960 --> 00:50:37,880
Speaker 1: I'll do what you're saying about the energy too, though,

1040
00:50:37,920 --> 00:50:39,440
Speaker 1: because like you know, I heard a Bishop of TD

1041
00:50:39,560 --> 00:50:41,920
Speaker 1: Jason give a sermon this Sunday, and he said that

1042
00:50:42,040 --> 00:50:44,319
Speaker 1: you always got to go back to one. He said,

1043
00:50:44,360 --> 00:50:46,080
Speaker 1: sometimes we get to ten, like ten as the bar,

1044
00:50:46,280 --> 00:50:48,040
Speaker 1: like you know, all the woman she had ten on

1045
00:50:48,120 --> 00:50:49,640
Speaker 1: the scale of one to ten. But he said, you

1046
00:50:49,680 --> 00:50:51,239
Speaker 1: can never be afraid to go back to one. But

1047
00:50:51,280 --> 00:50:53,640
Speaker 1: actually going back to one is eleven because there's always

1048
00:50:53,680 --> 00:50:56,400
Speaker 1: another level after ten. So you gotta be afraid to

1049
00:50:56,480 --> 00:50:58,920
Speaker 1: not go back to one. So I think sometimes, um,

1050
00:50:59,520 --> 00:51:03,120
Speaker 1: sometimes you do need a fresh start. I think so too.

1051
00:51:03,400 --> 00:51:05,200
Speaker 1: And I'm gonna keep in mind what you said about that,

1052
00:51:05,200 --> 00:51:08,880
Speaker 1: because my little female is great in a lot of

1053
00:51:08,960 --> 00:51:14,080
Speaker 1: different ways, man, but we will throw some away because

1054
00:51:14,200 --> 00:51:16,719
Speaker 1: one thing about it ain't right. Yes, you know what

1055
00:51:16,760 --> 00:51:19,040
Speaker 1: I'm saying. You just broke up with Yeah, we're talking

1056
00:51:19,080 --> 00:51:21,640
Speaker 1: about her, man. So she broke uway that is, you said,

1057
00:51:21,719 --> 00:51:25,040
Speaker 1: my little female is great. Now that's shame mind. No,

1058
00:51:25,360 --> 00:51:27,439
Speaker 1: she belong to the world now. So but she broke

1059
00:51:27,520 --> 00:51:31,720
Speaker 1: up with you. He broke up with you. Um, sounds

1060
00:51:31,719 --> 00:51:33,200
Speaker 1: like you want it back. You gotta fight you get

1061
00:51:33,200 --> 00:51:34,400
Speaker 1: it back. It sound like you want it back. You

1062
00:51:34,400 --> 00:51:38,600
Speaker 1: said you fish pride. Then they don't really got nothing

1063
00:51:38,600 --> 00:51:40,399
Speaker 1: to do with no pride. I'm just that kind of dude.

1064
00:51:40,400 --> 00:51:42,439
Speaker 1: If it ain't working, it ain't working, like you'ven't done

1065
00:51:42,520 --> 00:51:44,840
Speaker 1: with it, like I ain't no argument type of we

1066
00:51:44,880 --> 00:51:46,560
Speaker 1: ain't gonna be back and forth for none of that.

1067
00:51:46,680 --> 00:51:48,759
Speaker 1: If it is, it is, if it's very stubborn to me,

1068
00:51:48,880 --> 00:51:51,600
Speaker 1: sometimes things don't always go real smooth, and that's a

1069
00:51:51,719 --> 00:51:54,040
Speaker 1: fire some effort and some work. She has a problem

1070
00:51:54,080 --> 00:51:56,640
Speaker 1: with something and you and you love her life with that,

1071
00:51:56,719 --> 00:51:58,440
Speaker 1: appreciate it like you say, you fix it or you

1072
00:51:58,520 --> 00:52:01,839
Speaker 1: try to make it work like you cain't got an

1073
00:52:01,880 --> 00:52:12,640
Speaker 1: exactly Like people were mad at you because they felt

1074
00:52:12,680 --> 00:52:14,640
Speaker 1: that you were supporting R. Kelly when you did one

1075
00:52:14,640 --> 00:52:16,759
Speaker 1: of his records over do you need a lot of

1076
00:52:16,800 --> 00:52:20,720
Speaker 1: flag for that? Uh? I got just as much flat

1077
00:52:20,800 --> 00:52:22,960
Speaker 1: from that as I do from many things. And really, man,

1078
00:52:23,120 --> 00:52:24,680
Speaker 1: I'm gonna say this, and I don't want nobody to

1079
00:52:24,760 --> 00:52:27,320
Speaker 1: take it the wrong way, but I don't give a

1080
00:52:27,800 --> 00:52:30,400
Speaker 1: like I just really don't like you know what I

1081
00:52:31,280 --> 00:52:34,040
Speaker 1: what I put out my intentions it is really wouldn't matter, man,

1082
00:52:34,480 --> 00:52:37,759
Speaker 1: And and my steps is already ordered, so can't nothing

1083
00:52:37,840 --> 00:52:39,719
Speaker 1: fail for me? Man? I really feel like that even

1084
00:52:39,760 --> 00:52:42,200
Speaker 1: if it's some going bad, I'm not wanting to sit

1085
00:52:42,320 --> 00:52:44,399
Speaker 1: up and cry about it because I'm thinking like, okay,

1086
00:52:44,480 --> 00:52:47,560
Speaker 1: this is setting up my wind. But the r Kelly man,

1087
00:52:48,200 --> 00:52:51,279
Speaker 1: you know, it's a lot of shit than that. That

1088
00:52:51,400 --> 00:52:57,839
Speaker 1: just seemed weird that it's hell to me. Yeah, who

1089
00:52:57,920 --> 00:53:04,920
Speaker 1: ain't got it down? I'm curious weird. It was weird.

1090
00:53:05,719 --> 00:53:14,200
Speaker 1: I see again, don't do it life, I hear worth it.

1091
00:53:15,040 --> 00:53:18,000
Speaker 1: I know how this should go. I know about being

1092
00:53:18,080 --> 00:53:21,160
Speaker 1: on these roads. I know about the type of attention,

1093
00:53:21,200 --> 00:53:24,360
Speaker 1: the aggressiveness of the attension, the frequency of the tension

1094
00:53:24,440 --> 00:53:28,160
Speaker 1: that you get right, talk about women in groupies exactly.

1095
00:53:28,560 --> 00:53:34,200
Speaker 1: I know what it is. So while a lot of

1096
00:53:34,320 --> 00:53:38,880
Speaker 1: his decisions may not have been morally right, I just

1097
00:53:39,160 --> 00:53:43,480
Speaker 1: questioning what they criminally, Well, when you're having sex with

1098
00:53:43,600 --> 00:53:45,480
Speaker 1: underage girls, No, no, no, I'm not talking about that.

1099
00:53:45,600 --> 00:53:48,640
Speaker 1: That's criminal. Yeah, but that's what That's what every Kelly,

1100
00:53:48,680 --> 00:53:50,000
Speaker 1: that's what they think of. When you're hanging out at

1101
00:53:50,040 --> 00:53:52,200
Speaker 1: McDonald's picking up underage girl. I'm going to the mall

1102
00:53:52,280 --> 00:53:54,320
Speaker 1: and send a security over to talk to a sixteen

1103
00:53:54,400 --> 00:53:57,040
Speaker 1: year old girl. But he said, did I get a

1104
00:53:57,120 --> 00:53:59,280
Speaker 1: lot of flat for the record? I did. My record

1105
00:53:59,360 --> 00:54:02,759
Speaker 1: wasn't about that. My record was about again some of

1106
00:54:02,840 --> 00:54:06,080
Speaker 1: the that he did obviously, or so they say that,

1107
00:54:06,480 --> 00:54:09,560
Speaker 1: you know, under age sex with girls like that's it's terrible,

1108
00:54:09,760 --> 00:54:11,719
Speaker 1: you know, and not only just because physically, it's just

1109
00:54:11,719 --> 00:54:13,680
Speaker 1: because mentally they ain't ready and you shaped their hold

1110
00:54:13,719 --> 00:54:16,040
Speaker 1: men and they got to contribute to the world and

1111
00:54:16,120 --> 00:54:18,359
Speaker 1: all this like that. So naturally that's as a grown

1112
00:54:18,360 --> 00:54:20,080
Speaker 1: ass man and as a father, I'm sure you wouldn't

1113
00:54:20,120 --> 00:54:22,960
Speaker 1: even look at a girl who was under age. Absolutely absolutely,

1114
00:54:23,160 --> 00:54:25,440
Speaker 1: But what I'm saying is like the problems that I

1115
00:54:25,600 --> 00:54:28,200
Speaker 1: had with was just like when I when I look

1116
00:54:28,280 --> 00:54:30,600
Speaker 1: on there and this is some gus right here. Then

1117
00:54:30,680 --> 00:54:32,319
Speaker 1: when I look on there and I see his wife

1118
00:54:32,440 --> 00:54:35,480
Speaker 1: just bastening teritiim all the way down, you did what

1119
00:54:35,560 --> 00:54:37,279
Speaker 1: I'm saying, and not even saying that what she said

1120
00:54:37,400 --> 00:54:40,200
Speaker 1: was wrong. I just felt like, goddamn, Like, don't you

1121
00:54:40,280 --> 00:54:42,879
Speaker 1: know you got kids at home? That's gonna be, wasn't it. Yeah,

1122
00:54:43,000 --> 00:54:46,400
Speaker 1: he hasn't contacted in years. It don't matter. My dad

1123
00:54:46,480 --> 00:54:49,000
Speaker 1: ain't never do for me. I probably showed my dad

1124
00:54:49,080 --> 00:54:51,560
Speaker 1: faced two times and I still got mad with my

1125
00:54:51,640 --> 00:54:53,920
Speaker 1: Mamma used to say shit about it. I think that

1126
00:54:54,120 --> 00:54:56,840
Speaker 1: situation is different and I also feel that there are

1127
00:54:56,840 --> 00:54:58,600
Speaker 1: certain things that he did that was criminal and certain

1128
00:54:58,640 --> 00:55:01,600
Speaker 1: things that he did that wasn't right. Also taking advantage

1129
00:55:01,640 --> 00:55:03,279
Speaker 1: of women who are vulnerable. You know, there's women who

1130
00:55:03,320 --> 00:55:07,080
Speaker 1: are vulnerable, who are in situations where their parents are

1131
00:55:07,160 --> 00:55:09,839
Speaker 1: neglecting them, whatever it is, and then they come there

1132
00:55:09,920 --> 00:55:12,399
Speaker 1: thinking he's gonna help me with my career, and next

1133
00:55:12,440 --> 00:55:16,000
Speaker 1: thing you know, you're having to escape from a situation,

1134
00:55:16,440 --> 00:55:20,560
Speaker 1: which is all again a terrible thing, but I look

1135
00:55:20,600 --> 00:55:23,480
Speaker 1: at the realness of shit, like the people that they

1136
00:55:23,560 --> 00:55:25,480
Speaker 1: say they knew what they did was wrong and all that,

1137
00:55:26,480 --> 00:55:28,360
Speaker 1: but you didn't know what you did was wrong before

1138
00:55:28,400 --> 00:55:31,120
Speaker 1: you got caught. Like so now as you'd got caught

1139
00:55:31,120 --> 00:55:33,560
Speaker 1: and now you want to say, oh, well I probably

1140
00:55:33,600 --> 00:55:36,320
Speaker 1: shouldn't have did this. I don't respect that. And I

1141
00:55:36,440 --> 00:55:38,919
Speaker 1: didn't make the song as a tribute to R Kelly.

1142
00:55:39,000 --> 00:55:44,320
Speaker 1: If you again, if it's it's um yeah, when a

1143
00:55:44,400 --> 00:55:47,040
Speaker 1: woman's fed up. And I really just talked about the

1144
00:55:47,120 --> 00:55:50,120
Speaker 1: whole situation. It just happened to be over or Kelly beat,

1145
00:55:50,200 --> 00:55:52,040
Speaker 1: but there was nothing in it. High five and R

1146
00:55:52,160 --> 00:55:54,600
Speaker 1: Kelly and we have so many options. I don't got

1147
00:55:54,680 --> 00:55:56,480
Speaker 1: to listen to know our Kelly music. We could listen

1148
00:55:56,480 --> 00:56:02,239
Speaker 1: to Life Jennings beating like a slave. I'm trying to

1149
00:56:02,280 --> 00:56:04,440
Speaker 1: make that happen. I'm sure don't the records on that album,

1150
00:56:04,680 --> 00:56:06,400
Speaker 1: but not that one. Well, thank you man, thank you

1151
00:56:06,440 --> 00:56:08,440
Speaker 1: for joining us and clearison things make sa you pick

1152
00:56:08,520 --> 00:56:11,520
Speaker 1: up that album right now. Call your X when you

1153
00:56:11,600 --> 00:56:17,400
Speaker 1: leave here. Man, see how she's doing interview. I know

1154
00:56:17,520 --> 00:56:20,160
Speaker 1: you still love me. There's some good news you might

1155
00:56:20,200 --> 00:56:22,319
Speaker 1: want to tell. So I'm just caring. The last time

1156
00:56:22,320 --> 00:56:27,480
Speaker 1: you'll spoke a week that's not that long, like, I

1157
00:56:27,600 --> 00:56:29,239
Speaker 1: ain't gonna lie to you that she sounds like the one.

1158
00:56:29,360 --> 00:56:37,480
Speaker 1: Let's call her right now. You saw the pictures, nick

1159
00:56:37,560 --> 00:56:41,560
Speaker 1: a Dog. It's Life Jennings. It's the Breakfast Club. Good morning.

1160
00:56:41,800 --> 00:56:46,120
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We

1161
00:56:46,280 --> 00:56:49,000
Speaker 1: are the Breakfast Club. Let's get to the rum as.

1162
00:56:49,080 --> 00:56:55,400
Speaker 1: Let's talk Prince, she's stilling the tea. This is the

1163
00:56:55,520 --> 00:57:00,160
Speaker 1: Rumor Report with Angela Yee on the Breakfast Club. So

1164
00:57:00,280 --> 00:57:03,000
Speaker 1: there's a book out now that mars Day has and

1165
00:57:03,080 --> 00:57:05,719
Speaker 1: Maris Day is the lead singer for the group. The

1166
00:57:05,840 --> 00:57:09,320
Speaker 1: band The Time and the Time is a group that

1167
00:57:09,400 --> 00:57:12,200
Speaker 1: was put together by Prince. By the way, Prince put

1168
00:57:12,280 --> 00:57:15,240
Speaker 1: that group together and co wrote all their songs, including

1169
00:57:15,360 --> 00:57:18,160
Speaker 1: Jungle Love and the Bird under the name Jamie Starr.

1170
00:57:18,560 --> 00:57:20,280
Speaker 1: Prince had so many songs that he had written he

1171
00:57:20,320 --> 00:57:22,520
Speaker 1: couldn't possibly record all of them himselves. That's why he

1172
00:57:22,960 --> 00:57:25,880
Speaker 1: created other groups to actually sing the songs and perform

1173
00:57:25,960 --> 00:57:28,840
Speaker 1: the songs that he wrote. So mars Day was clearly

1174
00:57:28,960 --> 00:57:30,920
Speaker 1: very close to Prince. And he's also one of the

1175
00:57:30,960 --> 00:57:33,560
Speaker 1: stars of the movie Purple Rained, classic movie Purple Rain.

1176
00:57:33,840 --> 00:57:36,160
Speaker 1: He has a book out now called On Time, a

1177
00:57:36,320 --> 00:57:40,600
Speaker 1: Princely Life and Funk, And in that book, it's written

1178
00:57:40,640 --> 00:57:43,880
Speaker 1: like a conversation between mars Day and Prince, and he

1179
00:57:44,000 --> 00:57:46,640
Speaker 1: talks about the very tense friendship two of them had.

1180
00:57:46,680 --> 00:57:50,160
Speaker 1: They were very competitive with each other. Mars Day would

1181
00:57:50,200 --> 00:57:52,320
Speaker 1: show up late, and they said one day Prince exploded,

1182
00:57:52,400 --> 00:57:55,960
Speaker 1: shoved him, and things got escalated from there. The only

1183
00:57:56,040 --> 00:57:58,560
Speaker 1: reason that things didn't get too escalated was that Prince's

1184
00:57:58,600 --> 00:58:01,640
Speaker 1: bodyguard and the drummer from the time, Jelly being Johnson,

1185
00:58:01,680 --> 00:58:05,200
Speaker 1: stepped in. Now. They also talk about how Mar's Day

1186
00:58:05,200 --> 00:58:08,960
Speaker 1: would be drinking, smoking, doing cocaine, having sex at his parties,

1187
00:58:09,000 --> 00:58:11,000
Speaker 1: but Prince would have very suburban parties, and he showed

1188
00:58:11,040 --> 00:58:13,760
Speaker 1: up to one of Mar's Days parties and nobody even

1189
00:58:13,800 --> 00:58:15,680
Speaker 1: cared that he was there, so he got upset and left,

1190
00:58:15,800 --> 00:58:18,240
Speaker 1: and he discusses a lot of things that happened between

1191
00:58:18,320 --> 00:58:20,720
Speaker 1: him and Prince and how when Purple Rain came out,

1192
00:58:20,760 --> 00:58:23,040
Speaker 1: he said that Prince was being called out for being effeminate,

1193
00:58:23,280 --> 00:58:25,960
Speaker 1: and that's why in that movie he was dressed in

1194
00:58:26,040 --> 00:58:29,400
Speaker 1: black leather, he was riding a Harley. He had Apollonia,

1195
00:58:29,480 --> 00:58:31,920
Speaker 1: who he seduced in that movie, just to kind of

1196
00:58:32,640 --> 00:58:37,120
Speaker 1: go against that feminine kind of stereotype that people had

1197
00:58:37,120 --> 00:58:39,520
Speaker 1: about him. So he also talks about the last time

1198
00:58:39,520 --> 00:58:42,080
Speaker 1: he actually saw Prince was in nineteen ninety nine, when

1199
00:58:42,400 --> 00:58:45,280
Speaker 1: one of the last times they played together, and he said,

1200
00:58:45,360 --> 00:58:47,480
Speaker 1: by then, that's when Prince had turned his back on

1201
00:58:47,600 --> 00:58:50,320
Speaker 1: that sexual image and became a Jehovah witness. And he

1202
00:58:50,360 --> 00:58:52,240
Speaker 1: said that when Prince died, he said, I almost didn't

1203
00:58:52,280 --> 00:58:54,440
Speaker 1: have any feelings. Then something woke me up in the

1204
00:58:54,560 --> 00:58:56,600
Speaker 1: night about Bina, and I thought, hold on, I have

1205
00:58:56,800 --> 00:58:59,480
Speaker 1: history with this guy, and that's when the floodgates finally opened.

1206
00:59:00,120 --> 00:59:01,800
Speaker 1: You know, I love a good book about a legend

1207
00:59:02,080 --> 00:59:05,400
Speaker 1: like Prince, so that book is out now now. Fifty

1208
00:59:05,440 --> 00:59:08,120
Speaker 1: Cent versus Jim Jones and Freaky Zeki. This all started

1209
00:59:08,160 --> 00:59:10,480
Speaker 1: on the breakfast Club. Good job, guys, I wasn't here,

1210
00:59:11,400 --> 00:59:14,000
Speaker 1: so Mvy and I had a conversation about whether or

1211
00:59:14,080 --> 00:59:16,439
Speaker 1: not fifty Cent and Jim Jones are serious. I said,

1212
00:59:16,520 --> 00:59:19,320
Speaker 1: you know, ask about that because I feel like they

1213
00:59:19,440 --> 00:59:21,840
Speaker 1: take some crazy shots at each other, and you thought

1214
00:59:21,880 --> 00:59:23,960
Speaker 1: they were joking. I thought it was all jokes. He

1215
00:59:24,040 --> 00:59:25,920
Speaker 1: asked me behind the scenes. I said, now they just playing.

1216
00:59:26,080 --> 00:59:28,240
Speaker 1: I was like, I don't think that's jokes. Well, here's

1217
00:59:28,400 --> 00:59:31,440
Speaker 1: what happened on the Breakfast Club when Jim Jones was

1218
00:59:31,480 --> 00:59:33,760
Speaker 1: asked about fifty I wish I could be in a

1219
00:59:33,840 --> 00:59:36,120
Speaker 1: position to really say what I want to say, but

1220
00:59:36,240 --> 00:59:40,360
Speaker 1: unfortunately my life has been hectic, you know what I mean.

1221
00:59:40,440 --> 00:59:42,680
Speaker 1: But where I'm from, I do know people that will

1222
00:59:42,720 --> 00:59:45,560
Speaker 1: be called really stand up man. We don't try to

1223
00:59:45,640 --> 00:59:50,280
Speaker 1: tarnish other people's name by doing both antics. It's consequences

1224
00:59:50,320 --> 00:59:52,360
Speaker 1: and repercussions for certain things like that, you know what

1225
00:59:52,360 --> 00:59:55,120
Speaker 1: I mean, Like from where I'm from, So I'll leave

1226
00:59:55,160 --> 00:59:57,720
Speaker 1: it at that. But I do want to say I

1227
00:59:57,840 --> 01:00:00,160
Speaker 1: miss my brother mel Murder shouts the mel murder, keep

1228
01:00:00,160 --> 01:00:01,720
Speaker 1: the ahead of them, and I love you to death. Yeah,

1229
01:00:01,720 --> 01:00:04,080
Speaker 1: I definitely don't think that's the situation that we want

1230
01:00:04,120 --> 01:00:06,200
Speaker 1: to get physical in any way, shape or for him.

1231
01:00:06,320 --> 01:00:10,240
Speaker 1: But Fifty did post something about Jim Jones or like

1232
01:00:10,480 --> 01:00:11,960
Speaker 1: it was like a fake news reported about him being

1233
01:00:11,960 --> 01:00:13,960
Speaker 1: an informed or something like that, So I can understand

1234
01:00:13,960 --> 01:00:16,000
Speaker 1: why Jim would be would feel away. But Fifty has

1235
01:00:16,040 --> 01:00:19,640
Speaker 1: since responded to this interview, and here's what he said.

1236
01:00:20,040 --> 01:00:23,080
Speaker 1: I'm so afraid of John Rule, Jim Jones and Freaky

1237
01:00:23,720 --> 01:00:28,480
Speaker 1: that I'm hiding out and in Texas. Please, whatever you do,

1238
01:00:29,200 --> 01:00:31,640
Speaker 1: don't tell him I'm in San Antonio. Don't tell him

1239
01:00:31,680 --> 01:00:33,960
Speaker 1: I'm staying at the Four Seasons. It's just so much

1240
01:00:34,040 --> 01:00:35,480
Speaker 1: pressure on me right now. I don't know what to

1241
01:00:35,600 --> 01:00:38,600
Speaker 1: do all right now. The Breakfast Club had posted a

1242
01:00:38,680 --> 01:00:41,520
Speaker 1: video of Jim Jones talking and Freaky SEEKI respond and

1243
01:00:41,560 --> 01:00:43,200
Speaker 1: said that and said they cut my line out about

1244
01:00:43,320 --> 01:00:47,160
Speaker 1: punching fifty in the face, did y'all y'all edited? Now,

1245
01:00:47,200 --> 01:00:48,680
Speaker 1: he was off Mike, he was standing behind he was

1246
01:00:48,760 --> 01:00:50,480
Speaker 1: staying behind you. He was staying behind you. He was

1247
01:00:50,520 --> 01:00:52,440
Speaker 1: off Mike. So he said he'll point fifty in the face.

1248
01:00:52,680 --> 01:00:55,880
Speaker 1: He didn't say that, not up here he did. Yeah,

1249
01:00:56,720 --> 01:00:58,320
Speaker 1: I didn't hear him say that. He said it behind

1250
01:00:58,320 --> 01:00:59,880
Speaker 1: the scenes. You couldn't hear it. He wasn't on the mic.

1251
01:01:00,480 --> 01:01:02,280
Speaker 1: I didn't know that. I thought he just said he

1252
01:01:02,320 --> 01:01:04,920
Speaker 1: said it, okay in the face or something like that.

1253
01:01:05,320 --> 01:01:07,960
Speaker 1: All right, Well, guess that wasn't an interview. All right,

1254
01:01:07,960 --> 01:01:09,720
Speaker 1: I'm angela ye, and that is your room. Now. We

1255
01:01:09,760 --> 01:01:11,320
Speaker 1: didn't edit it out. He was just he was off, Mike.

1256
01:01:11,360 --> 01:01:13,000
Speaker 1: That's the reason why the fifties and Town fifty was

1257
01:01:13,000 --> 01:01:16,880
Speaker 1: actually at rolling out yesterday. So all right now, Sharla Mike, Yes,

1258
01:01:16,960 --> 01:01:19,480
Speaker 1: well give it that down. Continue. You know, I need

1259
01:01:19,840 --> 01:01:21,720
Speaker 1: Jerry Jones and Jason Gardt to come to the front

1260
01:01:21,720 --> 01:01:23,160
Speaker 1: of the congregation. We just like to have a quick

1261
01:01:23,160 --> 01:01:25,920
Speaker 1: world with them. That's all all right, Well we'll get

1262
01:01:25,920 --> 01:01:27,680
Speaker 1: into that next keeping a lot just to Breakfast Club.

1263
01:01:27,720 --> 01:01:31,640
Speaker 1: Good morning, Sharlo Mane say the game. Don't get the

1264
01:01:31,800 --> 01:01:39,760
Speaker 1: shape man you are you donkey today does not discriminate.

1265
01:01:40,080 --> 01:01:41,680
Speaker 1: I might not have the song of today, but I

1266
01:01:41,720 --> 01:01:43,760
Speaker 1: got to donkey that. So if you ever feel I

1267
01:01:43,880 --> 01:01:45,640
Speaker 1: need to be a donkey man, hit it with the

1268
01:01:47,560 --> 01:01:51,560
Speaker 1: Breakfast club, bitch. I just don't give today today well

1269
01:01:51,720 --> 01:01:55,080
Speaker 1: you know, donkey, today from Monday, October fourteenth goes to

1270
01:01:55,160 --> 01:01:58,560
Speaker 1: the entire Dallas Cowboys organization. It started to top people.

1271
01:01:59,080 --> 01:02:01,760
Speaker 1: Okay to own a j Jones. Head coach Jason Garrett

1272
01:02:01,880 --> 01:02:04,560
Speaker 1: and every single member of the Dallas Cowboys coaching staff

1273
01:02:04,720 --> 01:02:08,360
Speaker 1: kids a lifelong Dallas Cowboys fanatic. I am disgusted at

1274
01:02:08,400 --> 01:02:11,000
Speaker 1: every single one of y'all. This time last year, the

1275
01:02:11,040 --> 01:02:13,240
Speaker 1: Cowboys were three and three after six games and fell

1276
01:02:13,280 --> 01:02:15,600
Speaker 1: to three and five before turning the season around and

1277
01:02:15,760 --> 01:02:17,880
Speaker 1: winning the division in the playoff game. But that fall

1278
01:02:17,920 --> 01:02:20,360
Speaker 1: at all right, yesterday the Cowboys lost one of the

1279
01:02:20,440 --> 01:02:22,960
Speaker 1: worst teams in football, the New York Jets. All right,

1280
01:02:23,000 --> 01:02:25,360
Speaker 1: coming into yesterday's game, the New York Jets were on four,

1281
01:02:25,560 --> 01:02:27,720
Speaker 1: the Dallas Cowboys were three and two, and the Jets

1282
01:02:27,760 --> 01:02:30,400
Speaker 1: were a touchdown underdog against the Cowboys. But we know

1283
01:02:30,760 --> 01:02:34,120
Speaker 1: the NFL, on any given Sunday, anyone can be beat.

1284
01:02:34,320 --> 01:02:36,640
Speaker 1: And that's exactly what happened to my Dallas Cowboys. A

1285
01:02:36,760 --> 01:02:38,640
Speaker 1: fun fact, I hate when the Cowboys played the New

1286
01:02:38,720 --> 01:02:41,240
Speaker 1: York Jets because back in twenty eleven at the nine

1287
01:02:41,240 --> 01:02:43,480
Speaker 1: to eleven game, between the Jets and the Dallas Cowboys.

1288
01:02:43,720 --> 01:02:45,800
Speaker 1: My father Larry McKelvey dropped on a clues box for

1289
01:02:45,840 --> 01:02:49,280
Speaker 1: Liar mc kelvey, who was a diehard Dallas Cowboys fan.

1290
01:02:49,400 --> 01:02:51,800
Speaker 1: That's why I get it from. His nickname is actually Cowboy,

1291
01:02:52,080 --> 01:02:54,200
Speaker 1: and he's one of those fans who back in the nineties,

1292
01:02:54,400 --> 01:02:57,360
Speaker 1: after the Dallas Cowboys won their fifth Super Bowl and

1293
01:02:57,400 --> 01:03:01,240
Speaker 1: franchise history, my father got Dallas Cowboys six times Super

1294
01:03:01,280 --> 01:03:04,000
Speaker 1: Bowl champion tattered on his arm. Oh yeah, he's that

1295
01:03:04,160 --> 01:03:06,360
Speaker 1: kind of fan, all right, and he tays the Marine

1296
01:03:06,480 --> 01:03:09,120
Speaker 1: on nine to eleven back in twenty eleven when the

1297
01:03:09,240 --> 01:03:11,360
Speaker 1: Dallas Cowboys played the New York Jets, right damn Met

1298
01:03:11,480 --> 01:03:13,400
Speaker 1: Life Stadium. So I don't like when the Cowboys played

1299
01:03:13,400 --> 01:03:15,640
Speaker 1: the Jets. Okay, nothing good happens when the Cowboys played

1300
01:03:15,640 --> 01:03:17,960
Speaker 1: the Jets, and nothing good happen yesterday. Look we lost.

1301
01:03:18,040 --> 01:03:20,080
Speaker 1: That's water under the bridge. But we are three and

1302
01:03:20,200 --> 01:03:22,800
Speaker 1: three now again. All right. Let me tell you something, man,

1303
01:03:23,360 --> 01:03:26,120
Speaker 1: I would have passed a decade. The Cowboys have been mediocre.

1304
01:03:26,280 --> 01:03:28,080
Speaker 1: Average is hell. The only reason I said hell is

1305
01:03:28,080 --> 01:03:29,760
Speaker 1: because I can't say the F word on the radio.

1306
01:03:29,960 --> 01:03:33,280
Speaker 1: And we will forever be mediocre. Until Jerry Jones buyas

1307
01:03:33,400 --> 01:03:36,040
Speaker 1: Jason Garrett and gets out of the way of whoever

1308
01:03:36,120 --> 01:03:37,680
Speaker 1: the next head coach is. But I'm going to tell

1309
01:03:37,680 --> 01:03:39,800
Speaker 1: you why that will never happen. It will never happen

1310
01:03:40,040 --> 01:03:44,200
Speaker 1: because Dallas Cowboys Stadium stays packed, because Dallas Cowboys games

1311
01:03:44,280 --> 01:03:47,280
Speaker 1: always get high ratings, because Dallas Cowboys merch stays flying

1312
01:03:47,360 --> 01:03:50,520
Speaker 1: off the shelf. Look at me this morning. All right? Okay,

1313
01:03:50,880 --> 01:03:53,720
Speaker 1: the Cowboys have a squad of fans who are absolutely

1314
01:03:53,800 --> 01:03:57,040
Speaker 1: positively in love with that team, and they know we

1315
01:03:57,160 --> 01:03:59,680
Speaker 1: are showing up regardless. So as long as we continue

1316
01:03:59,720 --> 01:04:02,120
Speaker 1: to show up and show out for this mediocrity, we

1317
01:04:02,240 --> 01:04:04,720
Speaker 1: are not putting any pressure on this team to do better.

1318
01:04:04,920 --> 01:04:07,680
Speaker 1: It's like being in a relationship with someone for so

1319
01:04:07,880 --> 01:04:11,120
Speaker 1: long and said person has gotten fat and comfortable. Okay,

1320
01:04:11,160 --> 01:04:13,160
Speaker 1: they don't think you want better, say they don't do

1321
01:04:13,200 --> 01:04:14,920
Speaker 1: it better. And the reason they don't think you want

1322
01:04:14,960 --> 01:04:18,040
Speaker 1: better is because you show up for them all the time, excited, happy,

1323
01:04:18,200 --> 01:04:21,520
Speaker 1: ready to ride, ready to die. But what happens when

1324
01:04:21,560 --> 01:04:23,760
Speaker 1: the fan base really does start to die? All right,

1325
01:04:23,880 --> 01:04:25,960
Speaker 1: Jason Garrett is in the final year of his contract,

1326
01:04:26,160 --> 01:04:28,160
Speaker 1: But we don't need to wait until the years over.

1327
01:04:28,440 --> 01:04:31,560
Speaker 1: Impeach him now. Okay, I don't know what Nancy Pelosi

1328
01:04:31,640 --> 01:04:33,360
Speaker 1: and the House Democrats are doing, but they need to

1329
01:04:33,400 --> 01:04:37,000
Speaker 1: impeach Jason Garrett. Now here's a threat to Dallas Cowboys democracy.

1330
01:04:37,160 --> 01:04:39,040
Speaker 1: There's no doubt in my mind that he is colluding

1331
01:04:39,080 --> 01:04:41,600
Speaker 1: with other teams to sabotage us. And as long as

1332
01:04:41,720 --> 01:04:46,080
Speaker 1: things like yesterday are acceptable, Dallas Cowboys will continue to

1333
01:04:46,240 --> 01:04:49,960
Speaker 1: remain losers. Okay, we have become too wealthy and comfortable

1334
01:04:50,120 --> 01:04:53,040
Speaker 1: for no reason, no reason at all. Two playoff wins

1335
01:04:53,120 --> 01:04:55,960
Speaker 1: in ten seasons, yet we are the most valuable sports

1336
01:04:56,040 --> 01:05:01,000
Speaker 1: franchise in the world, the whole world. What reason do

1337
01:05:01,080 --> 01:05:03,680
Speaker 1: they have to change? Until we stop supporting the mediocre

1338
01:05:03,760 --> 01:05:06,760
Speaker 1: product they have put out there, it's no reason to

1339
01:05:06,840 --> 01:05:09,640
Speaker 1: make the product better, all right. Two people in Dallas

1340
01:05:09,760 --> 01:05:12,160
Speaker 1: need to be fired this morning. The police officer who

1341
01:05:12,240 --> 01:05:15,880
Speaker 1: killed at Tania Jefferson and Dallas Cowboys head coach Jason Garrett.

1342
01:05:16,320 --> 01:05:18,400
Speaker 1: I have nothing else to say. Some donkey to days

1343
01:05:18,440 --> 01:05:21,280
Speaker 1: just sell themselves. Please give Jerry Jones and Jason Garrett

1344
01:05:21,320 --> 01:05:26,760
Speaker 1: the biggest he huh. We don't want to hear from

1345
01:05:26,800 --> 01:05:29,360
Speaker 1: nobody whose team is too and four in this matter either.

1346
01:05:29,520 --> 01:05:32,080
Speaker 1: If your team is too and four in this room,

1347
01:05:32,440 --> 01:05:35,320
Speaker 1: shut the hell up. Okay, you have nothing to say.

1348
01:05:35,480 --> 01:05:38,080
Speaker 1: I just don't agree with you. Nothing to say, sir.

1349
01:05:38,520 --> 01:05:41,920
Speaker 1: Usually I agree giants are two and four and we

1350
01:05:42,080 --> 01:05:44,520
Speaker 1: beat them this year, so shut up. I just don't

1351
01:05:44,600 --> 01:05:49,640
Speaker 1: have nothing to say to say. Six times super Bowl champions,

1352
01:05:49,680 --> 01:05:51,440
Speaker 1: so they won six times? No they want to five?

1353
01:05:51,480 --> 01:05:58,640
Speaker 1: You don't listen. Just once again, once again, shout to

1354
01:05:58,720 --> 01:06:00,640
Speaker 1: Jason Garrett. I think you're doing it in amazing job.

1355
01:06:00,760 --> 01:06:04,320
Speaker 1: I disagree with Charlemagne. You stayed as you can, you

1356
01:06:06,160 --> 01:06:09,240
Speaker 1: get you keep going, you keep pushing. Brother, what's gonna

1357
01:06:09,240 --> 01:06:12,840
Speaker 1: turn to the giants and round? Won't y'all sign him? Now?

1358
01:06:12,880 --> 01:06:15,720
Speaker 1: We're good, y'all can help. It's better not to get

1359
01:06:15,760 --> 01:06:17,960
Speaker 1: people's host out. Y'all will take y'all will take a

1360
01:06:17,960 --> 01:06:20,000
Speaker 1: three and three records this year? Right? No good? You

1361
01:06:20,040 --> 01:06:21,560
Speaker 1: wouldn't take a three and three records? We're doing it

1362
01:06:21,560 --> 01:06:23,200
Speaker 1: all right? We good? No, no, no, no, no, no,

1363
01:06:23,640 --> 01:06:25,240
Speaker 1: y'all wouldn't take a three and three records? Y'all two

1364
01:06:25,240 --> 01:06:26,440
Speaker 1: and four? Y'all want to take a three and three?

1365
01:06:26,520 --> 01:06:29,480
Speaker 1: We're better than that? Okay, all right, Well, thank you

1366
01:06:29,560 --> 01:06:31,240
Speaker 1: for that dog Key today, I don't agree. She'll out

1367
01:06:31,240 --> 01:06:34,600
Speaker 1: to Jason Garrett to Homie what up? Oh god, all right,

1368
01:06:35,240 --> 01:06:42,919
Speaker 1: he's a Trump supporter, all right. When we come back,

1369
01:06:43,160 --> 01:06:45,960
Speaker 1: Saint John will be joining us a new artists from Brooklyn.

1370
01:06:46,680 --> 01:06:50,200
Speaker 1: Also Biggs rock Fella from Rock Nation. You know all

1371
01:06:50,240 --> 01:06:51,880
Speaker 1: the stuff that Big is put into this industry. So

1372
01:06:51,920 --> 01:06:53,320
Speaker 1: we're kicking with both of them when we come back.

1373
01:06:53,520 --> 01:06:59,240
Speaker 1: It's the Breakfast Club, Go Morning, the Breakfast Club Morning.

1374
01:06:59,320 --> 01:07:03,440
Speaker 1: Everybody is DJ, Envy Angela Yee, Charlomagne the guy. We

1375
01:07:03,520 --> 01:07:05,880
Speaker 1: are the Breakfast Club. We got a special guest in

1376
01:07:06,000 --> 01:07:10,800
Speaker 1: the building, Saint John and Biggs from Rockefeller. What's going on? Fellas?

1377
01:07:10,920 --> 01:07:15,480
Speaker 1: What now? Big? Last time he was doing the music,

1378
01:07:16,000 --> 01:07:18,440
Speaker 1: he did tell us Daddy said he was I was

1379
01:07:18,560 --> 01:07:21,280
Speaker 1: adamant about that too. And then I've been watching Saint

1380
01:07:21,360 --> 01:07:24,200
Speaker 1: John over the past years. I can see why you

1381
01:07:24,200 --> 01:07:25,920
Speaker 1: would want to attach yourself to him. But I'm still

1382
01:07:25,920 --> 01:07:28,520
Speaker 1: gonna ask you the question why. Um, I mean, we

1383
01:07:28,600 --> 01:07:31,720
Speaker 1: built the relationship first, it started with that, but um,

1384
01:07:32,080 --> 01:07:34,200
Speaker 1: you don't meet a superstar every day, you know, and

1385
01:07:34,280 --> 01:07:37,360
Speaker 1: I couldn't anticipate, you know, get it with somebody with

1386
01:07:37,480 --> 01:07:39,720
Speaker 1: this amount of talent, so it was kind of hard

1387
01:07:39,760 --> 01:07:41,640
Speaker 1: for me to turn down. Explain how you heard of

1388
01:07:41,880 --> 01:07:44,760
Speaker 1: Saint John Tas I played him for me, I didn't

1389
01:07:44,760 --> 01:07:46,200
Speaker 1: take him to I wasn't like I thought I was

1390
01:07:46,240 --> 01:07:47,600
Speaker 1: trying to sign him. He was like, look, let me

1391
01:07:47,680 --> 01:07:50,840
Speaker 1: listen play this album collection one. This guy tried to

1392
01:07:50,880 --> 01:07:53,120
Speaker 1: sign and for like two days I couldn't stop listening

1393
01:07:53,160 --> 01:07:54,680
Speaker 1: to the music. And I met him at this pair

1394
01:07:54,800 --> 01:07:57,600
Speaker 1: Mars show. He introduced himself to me, and after that,

1395
01:07:57,720 --> 01:07:59,440
Speaker 1: for like the next two or three months, he became

1396
01:07:59,520 --> 01:08:02,280
Speaker 1: just genuine friends and he kept saying, look, Bigs, what

1397
01:08:02,440 --> 01:08:04,240
Speaker 1: you're thinking, Like, you know, do you want to get back?

1398
01:08:04,240 --> 01:08:05,600
Speaker 1: And I was like, look, I'll do it for free.

1399
01:08:05,960 --> 01:08:08,080
Speaker 1: You know. At the end of the day, I spoke

1400
01:08:08,160 --> 01:08:11,960
Speaker 1: the time and Jay uh probably like late to summer,

1401
01:08:11,960 --> 01:08:13,280
Speaker 1: and I was like, look, I'm thinking about it, and

1402
01:08:13,360 --> 01:08:15,200
Speaker 1: it was like, well, you know the talent level and

1403
01:08:15,240 --> 01:08:17,439
Speaker 1: you're passionate about it, so you should do it. We know,

1404
01:08:17,600 --> 01:08:19,680
Speaker 1: we know that you can spide a star. And it's

1405
01:08:19,720 --> 01:08:22,600
Speaker 1: always these people that I guess people wouldn't look at

1406
01:08:22,600 --> 01:08:24,080
Speaker 1: it say oh, these guys are gonna be superstar. Nobody

1407
01:08:24,120 --> 01:08:26,400
Speaker 1: thought Ja was gonna be a superstar initially. Same thing

1408
01:08:26,439 --> 01:08:29,720
Speaker 1: with Kanye. What what is that energy that you see? Um?

1409
01:08:29,840 --> 01:08:31,639
Speaker 1: I mean Jay was different. It was a skill level.

1410
01:08:31,720 --> 01:08:33,720
Speaker 1: I don't know if I had the UM, the I

1411
01:08:34,720 --> 01:08:37,760
Speaker 1: or the palette to say what kind of talent that

1412
01:08:37,840 --> 01:08:40,960
Speaker 1: would be. Kanye was different. We were um, we had

1413
01:08:41,000 --> 01:08:43,920
Speaker 1: a little more time in the game. So uh, I

1414
01:08:44,080 --> 01:08:47,040
Speaker 1: was able to understand the music, the business, and um

1415
01:08:47,120 --> 01:08:50,080
Speaker 1: the sound a little more. Um. And this was the

1416
01:08:50,120 --> 01:08:53,920
Speaker 1: closest thing that I've ever seen since Kanye John. Yeah,

1417
01:08:54,000 --> 01:08:55,559
Speaker 1: that you start off as a writer or an artist,

1418
01:08:55,600 --> 01:08:56,840
Speaker 1: cause I know you were this for a lot of people,

1419
01:08:56,920 --> 01:08:58,800
Speaker 1: but he was always an artist. Yeah, So what made

1420
01:08:58,840 --> 01:09:00,040
Speaker 1: you feel like, you know what, I'm gonna give some

1421
01:09:00,120 --> 01:09:01,880
Speaker 1: of my records away or not, because I know with

1422
01:09:02,040 --> 01:09:04,280
Speaker 1: some artists they want to keep all their art to themselves.

1423
01:09:04,560 --> 01:09:07,120
Speaker 1: It wasn't choice, it was an opportunity. I came from

1424
01:09:07,160 --> 01:09:08,920
Speaker 1: a place where I was just like, you know, it's

1425
01:09:09,000 --> 01:09:12,040
Speaker 1: inbreading you to be a hustler to certain certain business

1426
01:09:12,120 --> 01:09:15,320
Speaker 1: tactics of principles like I learned and I adopted. Yeah,

1427
01:09:15,560 --> 01:09:17,960
Speaker 1: I'm from East New York more specifically, right, So if

1428
01:09:17,960 --> 01:09:19,720
Speaker 1: you can't get it off yourself and somebody else can

1429
01:09:19,800 --> 01:09:21,320
Speaker 1: get it off and you give it to him, right,

1430
01:09:21,400 --> 01:09:23,600
Speaker 1: you start the conversation and you wrote from there. So

1431
01:09:23,680 --> 01:09:26,640
Speaker 1: I was working on records myself, doing it myself. Then

1432
01:09:26,680 --> 01:09:28,840
Speaker 1: an opportunity came and I started writing for other people.

1433
01:09:29,160 --> 01:09:30,920
Speaker 1: I knew that reach would be bigger than mine and

1434
01:09:30,960 --> 01:09:33,320
Speaker 1: brought it than mine. Right, somebody wouldn't with a platform.

1435
01:09:33,360 --> 01:09:35,240
Speaker 1: I don't got a platform yet, I gotta build mine.

1436
01:09:35,600 --> 01:09:36,920
Speaker 1: They at the top of the steps where they got

1437
01:09:37,000 --> 01:09:38,600
Speaker 1: a platform they could deliver their message. Let me just

1438
01:09:38,640 --> 01:09:41,240
Speaker 1: give them a message smart how was coming out of Brooklyn,

1439
01:09:41,320 --> 01:09:43,400
Speaker 1: East New York Because most people would be like, you're

1440
01:09:43,439 --> 01:09:46,439
Speaker 1: not your typical East New York looking artists with that

1441
01:09:46,560 --> 01:09:48,960
Speaker 1: ever a problem? Now? I never thought about that. Yeah,

1442
01:09:49,000 --> 01:09:50,840
Speaker 1: I don't think about things I don't want to change.

1443
01:09:51,160 --> 01:09:54,520
Speaker 1: I think about things I want to affect. You known

1444
01:09:54,640 --> 01:09:56,040
Speaker 1: on that. I like that. I mean, I live in

1445
01:09:56,080 --> 01:09:58,040
Speaker 1: the moments that have made for me. Right, all the

1446
01:09:58,120 --> 01:10:00,080
Speaker 1: things that aren't designed for me outside the window or

1447
01:10:00,120 --> 01:10:02,120
Speaker 1: the scope of what I'm trying to do, they don't matter.

1448
01:10:02,160 --> 01:10:03,920
Speaker 1: They don't affect me. As long as they don't affect me,

1449
01:10:04,000 --> 01:10:07,960
Speaker 1: they don't affect me. I live like that. You talked

1450
01:10:07,960 --> 01:10:11,559
Speaker 1: about the story of flying to La and they said

1451
01:10:11,600 --> 01:10:14,120
Speaker 1: that they had you in a sixty million dollar mansion

1452
01:10:14,560 --> 01:10:16,880
Speaker 1: and they said there was all these different studios in

1453
01:10:16,920 --> 01:10:18,479
Speaker 1: different rooms and you had to go out there and work.

1454
01:10:18,760 --> 01:10:21,040
Speaker 1: Explain that a little bit. I remember that was the

1455
01:10:21,120 --> 01:10:24,000
Speaker 1: first Rihanna camp I ever did. Right, So I'm in

1456
01:10:24,080 --> 01:10:27,439
Speaker 1: this wild mallible mansion. Who called you? First? Of all? Um,

1457
01:10:27,600 --> 01:10:29,360
Speaker 1: I don't remember who how I got the call. I

1458
01:10:29,400 --> 01:10:31,880
Speaker 1: don't know if it was Tatta Omar or I don't

1459
01:10:31,880 --> 01:10:34,200
Speaker 1: remember how the relationship went at that time. Right, this

1460
01:10:34,439 --> 01:10:36,040
Speaker 1: is different. This is like a couple of years ago.

1461
01:10:36,680 --> 01:10:39,400
Speaker 1: I'm in his sixty sixty million all. First of all,

1462
01:10:39,600 --> 01:10:41,400
Speaker 1: it's hard to fathom, right, it's hard to scope what

1463
01:10:41,479 --> 01:10:43,680
Speaker 1: that looks like. It's hedges. I didn't even know what

1464
01:10:43,760 --> 01:10:48,000
Speaker 1: a hedge was, man, Yeah, wasn't a hedge? Like this

1465
01:10:48,200 --> 01:10:51,720
Speaker 1: is a designer tree? Oh yeah? Because and I'm in

1466
01:10:51,800 --> 01:10:54,160
Speaker 1: this place and it's all these all these artists or

1467
01:10:54,160 --> 01:10:56,760
Speaker 1: all these writers of different walks of life who've done

1468
01:10:56,800 --> 01:10:59,040
Speaker 1: incredible things, and I'm in there, right, So I remember

1469
01:10:59,040 --> 01:11:00,800
Speaker 1: at the time, because the dream was a writer of it.

1470
01:11:01,160 --> 01:11:04,240
Speaker 1: He's like, he's he's large on my list. He's done

1471
01:11:04,320 --> 01:11:06,760
Speaker 1: so much, he's earned that spot. So I remember he

1472
01:11:06,840 --> 01:11:08,599
Speaker 1: was in the other room working. I'm like, I gotta

1473
01:11:08,640 --> 01:11:11,120
Speaker 1: beat this, I gotta go. I'm going off. This is

1474
01:11:11,200 --> 01:11:14,080
Speaker 1: my shot. But of course there's an incredible intimidation. You're

1475
01:11:14,120 --> 01:11:16,599
Speaker 1: there with everybody on the planet. Right. So Travis Scott's

1476
01:11:16,600 --> 01:11:19,040
Speaker 1: in the basement hit boys somewhere in the corner, and

1477
01:11:19,160 --> 01:11:21,320
Speaker 1: I'm in a room working on records, and my record

1478
01:11:21,360 --> 01:11:23,800
Speaker 1: ain't go. I wrote a record or two or nine

1479
01:11:23,880 --> 01:11:26,120
Speaker 1: or whatever it was, and it ain't go between six

1480
01:11:26,160 --> 01:11:28,600
Speaker 1: and nine. And she didn't take none. That had to

1481
01:11:28,680 --> 01:11:30,519
Speaker 1: hurt your heart. Did they take you serious? Though? Like

1482
01:11:30,600 --> 01:11:32,160
Speaker 1: do they say, all right, this is this new kid

1483
01:11:32,240 --> 01:11:34,200
Speaker 1: in here, Saint John? Do they give you that level

1484
01:11:34,280 --> 01:11:36,280
Speaker 1: of respect because you're in the room where they were like, nah,

1485
01:11:36,320 --> 01:11:38,040
Speaker 1: we ain't rocking with him. They don't got no choice.

1486
01:11:38,080 --> 01:11:41,280
Speaker 1: They got here. Yeah, I'm there because I'm supposed to

1487
01:11:41,280 --> 01:11:42,840
Speaker 1: be there, right And as long as I can do

1488
01:11:42,880 --> 01:11:45,000
Speaker 1: what I'm supposed to be while I'm there, then they

1489
01:11:45,040 --> 01:11:48,200
Speaker 1: can't ignore it. Everybody in that room, everybody on that

1490
01:11:48,360 --> 01:11:51,120
Speaker 1: compound is there because what they can do it is

1491
01:11:51,160 --> 01:11:54,040
Speaker 1: in a vision. So unless everybody just proposes for that

1492
01:11:54,160 --> 01:11:57,559
Speaker 1: particular time to be dumb and blind. They got accepted.

1493
01:11:57,760 --> 01:12:00,880
Speaker 1: Did you feel bad when they didn't accept your records? Well,

1494
01:12:01,560 --> 01:12:03,479
Speaker 1: Dan helping her a little bit, like you do wrote

1495
01:12:03,520 --> 01:12:05,599
Speaker 1: six records that they're like, yeah, because I know it's

1496
01:12:05,600 --> 01:12:08,000
Speaker 1: side of my hands got you. Yeah, they have their

1497
01:12:08,040 --> 01:12:10,880
Speaker 1: own when it comes to putting together a project, you

1498
01:12:11,000 --> 01:12:14,040
Speaker 1: got marketing initiatives, it's branding initiatives. There's so many things

1499
01:12:14,080 --> 01:12:16,640
Speaker 1: you're thinking about you putting into the most songwriters just

1500
01:12:16,720 --> 01:12:18,640
Speaker 1: don't have the bandwidth to understand, Like you don't know,

1501
01:12:18,720 --> 01:12:20,760
Speaker 1: they're thinking about it a lot. You just thinking about

1502
01:12:20,760 --> 01:12:22,479
Speaker 1: your record. It's the record she needs to do, it's

1503
01:12:22,520 --> 01:12:24,599
Speaker 1: the record he needs to do. They're thinking about what's

1504
01:12:24,600 --> 01:12:26,679
Speaker 1: great for their agenda, if it fits into their agenda.

1505
01:12:27,080 --> 01:12:30,640
Speaker 1: And I get that it's not personal, right because that

1506
01:12:30,760 --> 01:12:33,120
Speaker 1: same record they might grab three years from Absolutely, they

1507
01:12:33,240 --> 01:12:35,479
Speaker 1: hold on the records for long, long, long periods of time,

1508
01:12:35,520 --> 01:12:37,439
Speaker 1: So I'm not discouraged by that. How is meet and Rihanna?

1509
01:12:37,479 --> 01:12:40,040
Speaker 1: Did you meet Mehanna? Yeah? How was that? It was cool?

1510
01:12:40,080 --> 01:12:42,200
Speaker 1: I remember that. I don't know if she'd remember this,

1511
01:12:42,320 --> 01:12:45,080
Speaker 1: but we was in the kitchen. I remember saying I

1512
01:12:45,200 --> 01:12:46,760
Speaker 1: was like, yo, Rihanna, Why you don't tell more people

1513
01:12:46,760 --> 01:12:49,960
Speaker 1: you Guyanese? Yeah? Yeah, maybe I shouldn't have said that.

1514
01:12:51,160 --> 01:12:53,639
Speaker 1: Maybe I said she's half Guyanese. Oh all right? Yeah.

1515
01:12:53,640 --> 01:12:54,960
Speaker 1: I was like, what's up? Why you don't claim your

1516
01:12:54,960 --> 01:12:57,320
Speaker 1: guy in these side? She's like, by let me tell

1517
01:12:57,320 --> 01:13:00,720
Speaker 1: you something right, And I felt like one of my

1518
01:13:00,800 --> 01:13:05,639
Speaker 1: aunties kitchen and I was like, I was like, look,

1519
01:13:05,880 --> 01:13:08,320
Speaker 1: miss Fancy, come out. Yeah. I broke out of here

1520
01:13:08,320 --> 01:13:10,320
Speaker 1: as quick as I could. I don't know smoke. I

1521
01:13:10,360 --> 01:13:12,479
Speaker 1: don't know smoke. Did you feel like you overstepped your boundary?

1522
01:13:12,520 --> 01:13:15,240
Speaker 1: I felt like, I feel like maybe I use four

1523
01:13:15,280 --> 01:13:19,200
Speaker 1: words too many? Guys like, maybe about to stop the

1524
01:13:19,240 --> 01:13:21,679
Speaker 1: sentence right there, I've been good. I'm went four words

1525
01:13:21,720 --> 01:13:24,200
Speaker 1: too many. Yeah, let's let's get a joint on that.

1526
01:13:24,320 --> 01:13:26,040
Speaker 1: What song do you want to hear right now on

1527
01:13:26,080 --> 01:13:27,880
Speaker 1: the radio? What should we play off ghetto and these

1528
01:13:28,080 --> 01:13:31,360
Speaker 1: love songs? You want aggressive? But we ignorant or whatever

1529
01:13:31,479 --> 01:13:35,240
Speaker 1: you think is. I'm an ignorant. I want to hear

1530
01:13:35,240 --> 01:13:38,280
Speaker 1: the ignorance. Bro Let's look, I want to hear. All

1531
01:13:38,320 --> 01:13:40,160
Speaker 1: I want is a yacht. All I wanted yat. All

1532
01:13:40,200 --> 01:13:43,120
Speaker 1: I want is a yacht. Okay, Okay, here it is.

1533
01:13:43,200 --> 01:13:45,680
Speaker 1: It is the Breakfast Club. Good Morning. That's all I

1534
01:13:45,800 --> 01:13:48,439
Speaker 1: want is a yacht from the homie Saint John Morning.

1535
01:13:48,479 --> 01:13:52,160
Speaker 1: Everybody is DJ Envy, Angela Yee. Charlomagne, the guy we

1536
01:13:52,240 --> 01:13:54,080
Speaker 1: are the Breakfast Club was still kicking it with Saint

1537
01:13:54,160 --> 01:13:57,200
Speaker 1: John and Biggs Charlomagne. How did the Beyonce Brown's King

1538
01:13:57,280 --> 01:14:01,280
Speaker 1: Girl session happen? It's just fans. Some things you don't

1539
01:14:01,280 --> 01:14:04,120
Speaker 1: have the worst articulate you don't know. That's timing. It's

1540
01:14:04,120 --> 01:14:05,519
Speaker 1: my favorite record off that album. By the way, I

1541
01:14:05,520 --> 01:14:07,560
Speaker 1: played that for my daughters all the time. That's what

1542
01:14:07,640 --> 01:14:09,720
Speaker 1: I made it for. That was timing. I started that

1543
01:14:09,800 --> 01:14:11,760
Speaker 1: in Jamaica, so I wanted Jamaica to do this right

1544
01:14:11,800 --> 01:14:13,960
Speaker 1: in camp. So every year we do this camp and

1545
01:14:14,000 --> 01:14:16,120
Speaker 1: Jim it sounds real sexy and luxurious because it really

1546
01:14:16,280 --> 01:14:18,080
Speaker 1: is be on the side of a mountain. It's like

1547
01:14:18,280 --> 01:14:22,680
Speaker 1: forty fifty right, is right. We're just making records for

1548
01:14:22,840 --> 01:14:25,519
Speaker 1: like ten or twelve days, like me and some really

1549
01:14:25,600 --> 01:14:27,240
Speaker 1: good friends and some people out I don't know. And

1550
01:14:27,280 --> 01:14:30,160
Speaker 1: it's a writing camp, so you'll only get anybody particular

1551
01:14:30,320 --> 01:14:32,360
Speaker 1: or not just to go out there, clearly, just to

1552
01:14:32,400 --> 01:14:33,920
Speaker 1: go out there. I don't know about clear to mind.

1553
01:14:34,000 --> 01:14:36,599
Speaker 1: Make the publishing company some money. That's the real hustle, right,

1554
01:14:37,040 --> 01:14:39,960
Speaker 1: everybody didn't make some money. But you know, we're making arts,

1555
01:14:40,000 --> 01:14:42,920
Speaker 1: so we're carving it out through art. So everybody's on

1556
01:14:42,960 --> 01:14:45,040
Speaker 1: the side of this cliff. This place called g Jamison,

1557
01:14:45,200 --> 01:14:49,680
Speaker 1: Port Antonio, Jamaica. Right, all of these villas, you know,

1558
01:14:49,840 --> 01:14:53,120
Speaker 1: like redecorated his studios, outfitted the studios. It's fifty of us.

1559
01:14:53,520 --> 01:14:55,360
Speaker 1: People are staying on houses on the way. It's sexy.

1560
01:14:55,400 --> 01:14:57,920
Speaker 1: It's ignorant as it should be, right. And I'm on

1561
01:14:58,000 --> 01:15:00,120
Speaker 1: the last day I went there. I was murder her

1562
01:15:00,200 --> 01:15:01,599
Speaker 1: in it for ten days. And I don't feel shocked

1563
01:15:01,640 --> 01:15:03,360
Speaker 1: by saying I was murdering I was murdering it. They

1564
01:15:03,400 --> 01:15:05,800
Speaker 1: got to accept that, right. So I'm there. It's like,

1565
01:15:08,760 --> 01:15:10,600
Speaker 1: why even be polite about it? Why'll be kind about it.

1566
01:15:10,600 --> 01:15:12,519
Speaker 1: I'm gonna tell you the facts. These are the facts.

1567
01:15:12,880 --> 01:15:15,880
Speaker 1: Murdered it bodied right. So I'm there on the tenth

1568
01:15:16,000 --> 01:15:18,840
Speaker 1: day in my home. Shani, who's my publishing a really

1569
01:15:18,880 --> 01:15:21,040
Speaker 1: dead friend of mine. She's like, yo, come to the studio,

1570
01:15:21,120 --> 01:15:23,240
Speaker 1: come one last day, do it? Come on. I was like,

1571
01:15:23,680 --> 01:15:25,840
Speaker 1: you won't see me. I was dancing. Everything it could

1572
01:15:25,880 --> 01:15:28,479
Speaker 1: be done got done. I go in the last day,

1573
01:15:28,479 --> 01:15:30,559
Speaker 1: I ain't really want to work, and we start working

1574
01:15:30,640 --> 01:15:33,839
Speaker 1: on these records. We start one record. We were bleeding

1575
01:15:33,880 --> 01:15:37,040
Speaker 1: through records like really fast. I'm talking about four minutes

1576
01:15:37,040 --> 01:15:39,559
Speaker 1: on a song. I'm like, nope, it's everything sounds good.

1577
01:15:39,600 --> 01:15:41,680
Speaker 1: By the way, when everybody in the room is as

1578
01:15:41,720 --> 01:15:45,000
Speaker 1: gifted as they're supposed to be, you're hitting eights every time.

1579
01:15:45,800 --> 01:15:48,559
Speaker 1: It's an eight every time. Right, you get Michael Jordan,

1580
01:15:48,600 --> 01:15:51,200
Speaker 1: Scottie Pippen and who coach on the team, hop back

1581
01:15:51,240 --> 01:15:53,760
Speaker 1: in the game, bat, That's what it's like. Boom. We

1582
01:15:53,880 --> 01:15:56,160
Speaker 1: moved through record, record, record, record, and finally we start

1583
01:15:56,200 --> 01:15:58,200
Speaker 1: Brownskin Girl, and I'm like, cool, we finished this record.

1584
01:15:58,280 --> 01:15:59,799
Speaker 1: And I don't know if it may sense to anybody

1585
01:15:59,800 --> 01:16:02,080
Speaker 1: else in the room, but that's where I wanted to go.

1586
01:16:02,200 --> 01:16:03,960
Speaker 1: That's what I knew we need we needed to do

1587
01:16:04,080 --> 01:16:07,840
Speaker 1: something important. So lots of it was conceptualizing, like written

1588
01:16:07,920 --> 01:16:10,080
Speaker 1: it and then I came back to him. Actually, the

1589
01:16:10,160 --> 01:16:12,240
Speaker 1: first person I sent it to was my mom. The

1590
01:16:12,360 --> 01:16:14,120
Speaker 1: second person I sent it to was Ti Tied. This

1591
01:16:14,200 --> 01:16:16,280
Speaker 1: sounds crazy, but it's true, right, So I sent it

1592
01:16:16,360 --> 01:16:18,680
Speaker 1: to my mom because she's never really heard me make

1593
01:16:19,160 --> 01:16:21,320
Speaker 1: I never my mother knew I was making music. But

1594
01:16:21,400 --> 01:16:24,040
Speaker 1: I wasn't asking for permission. I'm coming from a Guyanese household.

1595
01:16:24,040 --> 01:16:26,599
Speaker 1: She ain't given the permission anyway. She'd like, go to school,

1596
01:16:26,960 --> 01:16:30,639
Speaker 1: figured that out'll be adopted. That lawyer, he be a mechanic,

1597
01:16:30,920 --> 01:16:38,360
Speaker 1: get a trade plum or something something right, So she's

1598
01:16:38,400 --> 01:16:41,080
Speaker 1: like that. So this is the I knew this record matted,

1599
01:16:41,320 --> 01:16:42,920
Speaker 1: so I sent it to it and she said, you

1600
01:16:43,000 --> 01:16:44,559
Speaker 1: sound good. I was like, I think that mean it's

1601
01:16:44,560 --> 01:16:47,000
Speaker 1: a hit. She ain't never seen that before. You sound

1602
01:16:47,240 --> 01:16:50,400
Speaker 1: a bunch of music ever? Nah, no, wow, and that

1603
01:16:50,720 --> 01:16:53,120
Speaker 1: She's not a bad mom for that. It's just that's

1604
01:16:53,160 --> 01:16:55,160
Speaker 1: not what she was at. That's not what her vision

1605
01:16:55,160 --> 01:16:57,120
Speaker 1: allowed her to see. That's my vision I was for

1606
01:16:57,280 --> 01:16:58,800
Speaker 1: me to see. She could see it now because I

1607
01:16:58,880 --> 01:17:01,200
Speaker 1: painted to pitch him more broad, but at first she

1608
01:17:01,240 --> 01:17:02,880
Speaker 1: couldn't see it. That's why you can't get mad. And

1609
01:17:02,880 --> 01:17:05,599
Speaker 1: people don't don't believe in your dreams enough for that person.

1610
01:17:05,680 --> 01:17:07,720
Speaker 1: They're not dreaming it visions for the people that can

1611
01:17:07,760 --> 01:17:09,840
Speaker 1: see them. And I was okay with that. So the

1612
01:17:09,880 --> 01:17:11,240
Speaker 1: second person I sent it too. By the time I

1613
01:17:11,280 --> 01:17:12,880
Speaker 1: got to the airport, I sent to the tie and

1614
01:17:13,000 --> 01:17:15,320
Speaker 1: he was like, yo, fan, this is crazy. And then

1615
01:17:15,439 --> 01:17:18,280
Speaker 1: Biggs went and played it. But Jay, you played it

1616
01:17:18,280 --> 01:17:21,160
Speaker 1: for j and b like he was you got you

1617
01:17:21,160 --> 01:17:23,160
Speaker 1: gotta tell us story better than not good? No, no, well,

1618
01:17:23,320 --> 01:17:25,560
Speaker 1: I I went, Actually it was on my birthday. So

1619
01:17:25,760 --> 01:17:27,519
Speaker 1: I told Jay. I said, look, if I knew Michael

1620
01:17:27,600 --> 01:17:29,840
Speaker 1: Jordan and I'm playing basketball, I'm an act. If my

1621
01:17:29,880 --> 01:17:32,200
Speaker 1: form is correct, I said, I'm getting back in the game.

1622
01:17:32,280 --> 01:17:33,760
Speaker 1: I need you to listen to these songs and tell

1623
01:17:33,840 --> 01:17:35,600
Speaker 1: me if I'm doing the right thing, like you know,

1624
01:17:35,720 --> 01:17:37,679
Speaker 1: give me a listen. So I went to his house

1625
01:17:37,760 --> 01:17:41,200
Speaker 1: played like twenty something songs and he was going crazy,

1626
01:17:41,479 --> 01:17:44,320
Speaker 1: and then he was on FaceTime and then be came down,

1627
01:17:44,360 --> 01:17:46,360
Speaker 1: I says, and we were just listening to songs. But

1628
01:17:46,479 --> 01:17:49,120
Speaker 1: at that time, nobody was like picking anything or saying

1629
01:17:49,160 --> 01:17:52,040
Speaker 1: they were just like really impressed by the sound. And um.

1630
01:17:52,200 --> 01:17:54,679
Speaker 1: After that, I think maybe a month or two later,

1631
01:17:55,280 --> 01:17:57,920
Speaker 1: it kind of circulated and saying was like, I think

1632
01:17:58,360 --> 01:18:01,840
Speaker 1: he's recording the song. Yeah, let me call Jay and

1633
01:18:01,920 --> 01:18:03,400
Speaker 1: find out. And then he was like, yeah, yeah, she

1634
01:18:03,600 --> 01:18:05,400
Speaker 1: is recording. I was like, oh, man, you know what

1635
01:18:05,400 --> 01:18:07,920
Speaker 1: I mean? And we went from there and you don't say, yeah,

1636
01:18:07,960 --> 01:18:11,200
Speaker 1: you seem so original, right, So what is the whole

1637
01:18:11,280 --> 01:18:15,800
Speaker 1: ghetto Lindya Kravit vibe? I just don't play guitar simple, Yeah,

1638
01:18:16,200 --> 01:18:18,160
Speaker 1: that's it. That's it. But I don't see you comparing

1639
01:18:18,160 --> 01:18:21,040
Speaker 1: yourself to nobody. Now, it's not a comparison. It's more

1640
01:18:21,080 --> 01:18:23,439
Speaker 1: of a respect for the path. He's the only person

1641
01:18:23,479 --> 01:18:27,080
Speaker 1: that I've existed in that space, right, Like the line

1642
01:18:27,080 --> 01:18:30,240
Speaker 1: that he walks. It's sexy, right, but it's still cool

1643
01:18:30,320 --> 01:18:32,599
Speaker 1: and still aggressive. You still feel like that's a guy.

1644
01:18:33,439 --> 01:18:35,800
Speaker 1: But that's cool. It has its own magic, it has

1645
01:18:35,800 --> 01:18:38,719
Speaker 1: its own identity. It's original as poised, and it's informed

1646
01:18:38,800 --> 01:18:41,320
Speaker 1: like that's those are There's very few people who have

1647
01:18:41,439 --> 01:18:44,280
Speaker 1: all those components. Him and Prince, Him and Prince and

1648
01:18:44,320 --> 01:18:46,000
Speaker 1: the ghetto Lindy Alum is supposed to be about you

1649
01:18:46,080 --> 01:18:48,599
Speaker 1: falling in love with a script of doing the summer right.

1650
01:18:48,880 --> 01:18:51,000
Speaker 1: I mean, it's look, the spirit of inspiration of it

1651
01:18:51,200 --> 01:18:57,519
Speaker 1: is like this the thing people ask me there for sure,

1652
01:18:57,680 --> 01:18:59,519
Speaker 1: Like I'm still indated. This is let's not get this

1653
01:18:59,560 --> 01:19:02,240
Speaker 1: messed up right and red leather pants. But I'm a nigga.

1654
01:19:02,840 --> 01:19:09,040
Speaker 1: I like strip I love strippers, drippers a kind. I'm lying.

1655
01:19:09,960 --> 01:19:16,479
Speaker 1: I'm lying enough, so you clubs absolutely what you fell

1656
01:19:16,520 --> 01:19:18,280
Speaker 1: in love one during the summer, I ain't fall in

1657
01:19:18,320 --> 01:19:21,240
Speaker 1: love with one. I liked the idea, right, you fell

1658
01:19:21,280 --> 01:19:23,880
Speaker 1: in love with you never fell in love with You've

1659
01:19:23,960 --> 01:19:25,640
Speaker 1: never fall in love with a strip, but not for

1660
01:19:25,800 --> 01:19:27,640
Speaker 1: long enough to leave the club and still believe it.

1661
01:19:36,640 --> 01:19:41,080
Speaker 1: It's seduction. Okay, it's seduct. There's a certain truth to it. Right, Listen,

1662
01:19:41,120 --> 01:19:43,479
Speaker 1: if everybody there is there for their own reasons, right,

1663
01:19:43,520 --> 01:19:47,080
Speaker 1: if there's no trafficing involved, there's nothing to listen, it's nothing,

1664
01:19:47,200 --> 01:19:50,160
Speaker 1: nothing forced about it. Then she's dancing and she's finding

1665
01:19:50,200 --> 01:19:52,559
Speaker 1: her way, right, which is cool. I think that's cool

1666
01:19:52,560 --> 01:19:54,880
Speaker 1: when a woman is independent and she's taking up, you know,

1667
01:19:55,160 --> 01:19:58,519
Speaker 1: life into hone hands. Then when she starts to master

1668
01:19:58,640 --> 01:20:03,400
Speaker 1: seduction and start creating energy, that's real cool. Like when

1669
01:20:03,400 --> 01:20:05,400
Speaker 1: a woman can draw you across the room from across

1670
01:20:05,439 --> 01:20:09,840
Speaker 1: the room, she's studying something else, she understands manipulation. I'm like, oh,

1671
01:20:09,920 --> 01:20:11,720
Speaker 1: that's cool. You're gonna wear that pink thing for me?

1672
01:20:12,439 --> 01:20:13,840
Speaker 1: And I like when a lot to me too, Tell

1673
01:20:13,880 --> 01:20:16,200
Speaker 1: me I'm beautiful. I'm cool with that. Tell me I'm

1674
01:20:16,200 --> 01:20:20,200
Speaker 1: the most room. What you said, you're left it smell good.

1675
01:20:20,200 --> 01:20:25,160
Speaker 1: You damn right, I want all that, right. I think

1676
01:20:25,280 --> 01:20:29,280
Speaker 1: I think seduction is missing from music, especially with men. Yeah,

1677
01:20:29,439 --> 01:20:31,240
Speaker 1: you know I'm saying when I think about this generation,

1678
01:20:31,320 --> 01:20:34,200
Speaker 1: the last artist I think was that that created seductive

1679
01:20:34,280 --> 01:20:37,000
Speaker 1: music was Miguel with with that with the Adawn and

1680
01:20:37,360 --> 01:20:41,040
Speaker 1: Miguel and Tray Song. I wouldn't call Tray seductive. Neighbors

1681
01:20:41,120 --> 01:20:45,920
Speaker 1: know my name, and I wouldn't call that seductive. I

1682
01:20:45,960 --> 01:20:48,960
Speaker 1: guess it's a difference between sexy and seductive. Yeah, I

1683
01:20:49,000 --> 01:20:51,120
Speaker 1: see what you're saying. I see what you're saying. Um,

1684
01:20:51,600 --> 01:20:53,599
Speaker 1: I think that's missing in general, though I don't think

1685
01:20:53,640 --> 01:20:56,200
Speaker 1: it's music. Think about it, right, Music is just like,

1686
01:20:56,560 --> 01:20:59,240
Speaker 1: it's just whatever, the amplification of whatever's happening in the

1687
01:20:59,320 --> 01:21:01,479
Speaker 1: real world, and you're gonna see the music, Like when

1688
01:21:01,520 --> 01:21:03,719
Speaker 1: we're going through a hard time, then you hear music

1689
01:21:03,800 --> 01:21:07,280
Speaker 1: this relieving, depression, all of those things. It's reflective in

1690
01:21:07,360 --> 01:21:11,760
Speaker 1: that way. So there's not a lot of seduction period, right.

1691
01:21:12,640 --> 01:21:15,839
Speaker 1: I meet women all the time, strippers and non strippers.

1692
01:21:16,400 --> 01:21:19,599
Speaker 1: I'm fair and equal, but it's just something they understand.

1693
01:21:19,640 --> 01:21:21,920
Speaker 1: It's not something that's tarted. Last time a girl took

1694
01:21:21,960 --> 01:21:24,880
Speaker 1: you on a date, don't. I'm married, So I'm like, cool,

1695
01:21:24,920 --> 01:21:29,760
Speaker 1: you can go back there. I don't think I've never

1696
01:21:29,840 --> 01:21:31,639
Speaker 1: been now a woman never took me on the date.

1697
01:21:31,680 --> 01:21:33,920
Speaker 1: I mean, imagine how powerful that is. Right? So doctor, look,

1698
01:21:33,920 --> 01:21:35,479
Speaker 1: I'm gonna take you on the day. I want you

1699
01:21:35,560 --> 01:21:37,200
Speaker 1: to wear this show up at this time, and I

1700
01:21:37,280 --> 01:21:42,160
Speaker 1: want you to stand there. That's what you like. I'm like, cool,

1701
01:21:42,360 --> 01:21:51,720
Speaker 1: that is kind of do that does? Now? Yeah, you

1702
01:21:51,760 --> 01:21:53,200
Speaker 1: think if you don't be coming up with the matching

1703
01:21:53,200 --> 01:21:59,720
Speaker 1: outfits on his own. Okay, Well, we appreciate you for

1704
01:21:59,800 --> 01:22:02,400
Speaker 1: jo in this, brother. Yeah, man, I look forward to

1705
01:22:02,479 --> 01:22:05,400
Speaker 1: just continuing to see how everything evolved for you. Man, absolutely,

1706
01:22:05,760 --> 01:22:08,200
Speaker 1: thank you. All right, Well AT's Saint John, appreciate you,

1707
01:22:08,320 --> 01:22:11,000
Speaker 1: big stink you bag. It's the Breakfast Club. Good morning,

1708
01:22:11,479 --> 01:22:17,519
Speaker 1: the Breakfast Club. It's so cute and so progressive. It's

1709
01:22:17,560 --> 01:22:20,600
Speaker 1: one day morning, Happy National Indigenous People's Day. We have

1710
01:22:20,720 --> 01:22:23,280
Speaker 1: a camera man in here, Stephen the White Demon. We

1711
01:22:23,439 --> 01:22:26,400
Speaker 1: have our boardop drum. They flirt with each other way

1712
01:22:26,439 --> 01:22:31,599
Speaker 1: more than ever could. So cute and it's very cute

1713
01:22:31,640 --> 01:22:34,240
Speaker 1: they either neither date or do a podcast together one

1714
01:22:34,280 --> 01:22:37,360
Speaker 1: of the two, maybe both or maybe both. Yeah, I

1715
01:22:37,439 --> 01:22:40,200
Speaker 1: think y'all should man all right, Well, anyway, let's get

1716
01:22:40,240 --> 01:22:48,439
Speaker 1: to the rumors. Let's talk Summer Walker listens with Angela

1717
01:22:48,479 --> 01:22:54,760
Speaker 1: Angela Breakfast Club. Well, congratulations to Summer Walker. She put

1718
01:22:54,800 --> 01:22:59,360
Speaker 1: out her very highly anticipated album over It, her debut album,

1719
01:23:00,120 --> 01:23:03,720
Speaker 1: and guess what she tweeted out? Just found out over

1720
01:23:03,840 --> 01:23:06,200
Speaker 1: It is the biggest debut album from a female R

1721
01:23:06,240 --> 01:23:08,280
Speaker 1: and B artist in over ten years and had the

1722
01:23:08,320 --> 01:23:10,920
Speaker 1: biggest streaming week for a female R and B artist ever.

1723
01:23:11,520 --> 01:23:13,519
Speaker 1: Thank y'all so so much for the love and support

1724
01:23:13,640 --> 01:23:16,160
Speaker 1: y'all got us breaking records in Ish. Especially thank you

1725
01:23:16,240 --> 01:23:18,519
Speaker 1: to London on the track Love Renaissance and Interscope. Were

1726
01:23:18,520 --> 01:23:21,200
Speaker 1: you make in History? Summer Walking, How old I am?

1727
01:23:21,280 --> 01:23:24,400
Speaker 1: I thought that was DJ Drama's ex girlfriend this whole time.

1728
01:23:24,920 --> 01:23:27,120
Speaker 1: The whole time I kept hearing about summer Walking, someone

1729
01:23:27,160 --> 01:23:29,000
Speaker 1: Walker doing songs with Drake. I'm sitting here like where

1730
01:23:29,040 --> 01:23:33,760
Speaker 1: Drake played the game dirty giving this girl to say

1731
01:23:33,800 --> 01:23:35,920
Speaker 1: he wouldn't have known dre But I thought that was well,

1732
01:23:35,960 --> 01:23:39,400
Speaker 1: congratulations didn't have an ex name someone? Yeah, Summer I

1733
01:23:39,400 --> 01:23:41,240
Speaker 1: don't know if the last name is Walker, wasn't Walking? Yeah,

1734
01:23:42,280 --> 01:23:44,800
Speaker 1: I was confused this whole time. All right, Well that's

1735
01:23:45,080 --> 01:23:47,560
Speaker 1: her album is amazing, so everybody should listen that she

1736
01:23:47,640 --> 01:23:50,439
Speaker 1: got a billion streams worldwide before she put her album out.

1737
01:23:50,560 --> 01:23:53,640
Speaker 1: Congrats to huh so that's such a huge deal. She

1738
01:23:53,760 --> 01:23:55,880
Speaker 1: has a cute interview out too, with Ry Lennox interviewing

1739
01:23:55,920 --> 01:23:57,880
Speaker 1: her talking about things that they're over. Also, if you

1740
01:23:57,920 --> 01:24:00,280
Speaker 1: want to check that out now. Travis Scott, he put

1741
01:24:00,320 --> 01:24:03,960
Speaker 1: out his Air Jordan collaboration and of course they sold out.

1742
01:24:04,120 --> 01:24:07,920
Speaker 1: Damn there immediately, fast, super fast, and some fans aren't

1743
01:24:07,920 --> 01:24:09,920
Speaker 1: happy about that now. One fan put up a whole

1744
01:24:09,960 --> 01:24:13,400
Speaker 1: message to Travis Scott management and Nike. Many true fans

1745
01:24:13,439 --> 01:24:15,960
Speaker 1: of Travis, including myself, have been burned repeatedly just trying

1746
01:24:15,960 --> 01:24:17,840
Speaker 1: to buy the shoes our favorite artist design. We worked

1747
01:24:17,880 --> 01:24:20,200
Speaker 1: hard for the hundreds of dollars that his shoes cut,

1748
01:24:20,479 --> 01:24:22,240
Speaker 1: yet none of us fans could ever get his shoes.

1749
01:24:22,520 --> 01:24:24,559
Speaker 1: The only people that get the shoes are resellers using

1750
01:24:24,600 --> 01:24:27,280
Speaker 1: devices to cheat the system. So they're like, let us

1751
01:24:27,320 --> 01:24:31,160
Speaker 1: have a chance, just once. Man. Travis Scott responded and said,

1752
01:24:31,200 --> 01:24:33,479
Speaker 1: your voice won't go unheard. Oh please, I don't feel

1753
01:24:33,520 --> 01:24:35,600
Speaker 1: sorry for him. You know how many people waiting in

1754
01:24:35,720 --> 01:24:37,600
Speaker 1: line for Jordan's and died over the years trying to

1755
01:24:37,600 --> 01:24:39,240
Speaker 1: get a pair of Jordan's and a pair of yeasy said,

1756
01:24:39,400 --> 01:24:41,320
Speaker 1: knock it off, young man, Joy, just gotta have a plug,

1757
01:24:41,400 --> 01:24:43,880
Speaker 1: just hit you. Welcome to sneaker culture. He happens, you

1758
01:24:44,000 --> 01:24:47,120
Speaker 1: got money, listen. But he is right though. It's kind

1759
01:24:47,120 --> 01:24:48,840
Speaker 1: off that you're a huge fan of Travis Scott. The

1760
01:24:48,920 --> 01:24:50,960
Speaker 1: Nike comes out, you're waiting, you're clicking, you're trying to

1761
01:24:51,000 --> 01:24:56,400
Speaker 1: buy it, And it's Travis wants his fans to have

1762
01:24:56,560 --> 01:24:58,240
Speaker 1: him his real fans. All right. Lauren Hill is going

1763
01:24:58,280 --> 01:25:00,400
Speaker 1: to be putting out new music and and she is

1764
01:25:00,439 --> 01:25:03,760
Speaker 1: getting ready for her first record in five years. It's

1765
01:25:03,760 --> 01:25:05,360
Speaker 1: going to be on the soundtrack for the new movie

1766
01:25:05,439 --> 01:25:09,200
Speaker 1: Queen and Slim. It's her first solo track since twenty fourteen.

1767
01:25:09,439 --> 01:25:12,360
Speaker 1: So that soundtrack will be released November fifteenth, and the

1768
01:25:12,439 --> 01:25:14,880
Speaker 1: film comes out in November fourteen. Her Queen and Slim

1769
01:25:14,960 --> 01:25:16,559
Speaker 1: is phenomenal, by the way, I haven't seen it yet,

1770
01:25:16,600 --> 01:25:20,080
Speaker 1: but everybody says it's amazing. But the movie comes out

1771
01:25:20,080 --> 01:25:22,720
Speaker 1: in November fourteen. All right, chance the Rapper. We'll be

1772
01:25:22,800 --> 01:25:25,200
Speaker 1: back on Saturday Night Live as a host and as

1773
01:25:25,280 --> 01:25:27,960
Speaker 1: a musical guest. He hosted the show back in November

1774
01:25:28,040 --> 01:25:30,800
Speaker 1: with musical guests Eminem and now the show that's going

1775
01:25:30,840 --> 01:25:33,720
Speaker 1: to air on October twenty sixth. So congratulations to him.

1776
01:25:34,200 --> 01:25:36,960
Speaker 1: That's a big deal and I know he's excited for that. Also,

1777
01:25:37,080 --> 01:25:39,719
Speaker 1: Training Day there is a prequel coming, so Warner Brothers

1778
01:25:39,840 --> 01:25:43,439
Speaker 1: is reportedly working on that. It'll be set days before

1779
01:25:43,439 --> 01:25:45,800
Speaker 1: the Riding King verdict is announced, and that's the spark

1780
01:25:45,840 --> 01:25:48,799
Speaker 1: that set off the Los Angeles Riots. No, Denzel Washington

1781
01:25:48,840 --> 01:25:51,800
Speaker 1: all right, don't know, I mean they're still writing this note.

1782
01:25:52,640 --> 01:25:54,000
Speaker 1: I'm not mad at that. And the reason I'm not

1783
01:25:54,040 --> 01:25:55,280
Speaker 1: mad at that because I've always had a lot of

1784
01:25:55,360 --> 01:25:57,519
Speaker 1: questions about Training Day. When Brian Grazy was here. Remember

1785
01:25:57,520 --> 01:25:58,960
Speaker 1: we were discussing it and I was saying, you know,

1786
01:25:59,160 --> 01:26:01,000
Speaker 1: was Alonso or bad person or was he just in

1787
01:26:01,080 --> 01:26:04,200
Speaker 1: a bad situation because you know, you owe the Russians money? Correct,

1788
01:26:04,200 --> 01:26:05,680
Speaker 1: you know what I'm saying. So I always wonder, like,

1789
01:26:05,800 --> 01:26:09,040
Speaker 1: what was the real psyche of Alonzo? All right, now,

1790
01:26:09,120 --> 01:26:12,040
Speaker 1: Billy Porter has they've confirmed that he's gonna be playing

1791
01:26:12,120 --> 01:26:17,080
Speaker 1: the role of Cinderella's fairy godmother, and they'll be joining

1792
01:26:17,160 --> 01:26:22,120
Speaker 1: that film in the upcoming adaptation of Cinderella. So congratulations, listen,

1793
01:26:22,160 --> 01:26:24,840
Speaker 1: Billy Porter got some fire addresses now and he's gonna

1794
01:26:24,840 --> 01:26:28,560
Speaker 1: be starring opposite Carmella Cabello, who's gonna be starring as Cinderella.

1795
01:26:28,600 --> 01:26:32,320
Speaker 1: So you guys can watch that live action adaptation of Cinderella.

1796
01:26:32,360 --> 01:26:33,719
Speaker 1: So are they going to change it to like fairy

1797
01:26:33,800 --> 01:26:36,080
Speaker 1: god person or something like that. I don't know. Maybe

1798
01:26:36,080 --> 01:26:38,760
Speaker 1: he's still the fairy godmother. But you know, nowadays they want,

1799
01:26:38,760 --> 01:26:40,160
Speaker 1: they don't want, they don't want to use things like

1800
01:26:40,640 --> 01:26:42,880
Speaker 1: mother and Stuff's gonna be like fairy god person. Well

1801
01:26:42,920 --> 01:26:45,280
Speaker 1: they haven't said that yet. We just know that he's

1802
01:26:45,280 --> 01:26:48,360
Speaker 1: playing the fairy godmother, all right now, Cardie b she

1803
01:26:48,479 --> 01:26:51,080
Speaker 1: talked to Vogue about raise your hand, don't put your

1804
01:26:51,120 --> 01:26:53,920
Speaker 1: hand out. What we'll find out when it happens, don't

1805
01:26:54,000 --> 01:26:56,680
Speaker 1: don't what what? What's your question? I just would like

1806
01:26:56,800 --> 01:26:59,880
Speaker 1: to say that the term fairy was always a gay fler.

1807
01:27:00,800 --> 01:27:04,000
Speaker 1: No fairy but not oh well, okay, fairy was still

1808
01:27:04,040 --> 01:27:06,360
Speaker 1: a rest but the fairy gather godmother was still a

1809
01:27:06,439 --> 01:27:10,080
Speaker 1: real thing. All I'm simply saying is maybe they should

1810
01:27:10,120 --> 01:27:13,280
Speaker 1: drop the fairy. No, you can't do that because because

1811
01:27:13,360 --> 01:27:16,200
Speaker 1: fairy really exists, just like the word gay really exists.

1812
01:27:16,200 --> 01:27:20,040
Speaker 1: And people used to say that like it is slurress.

1813
01:27:21,479 --> 01:27:24,320
Speaker 1: We're in this progressive society, but is it a slur now?

1814
01:27:25,640 --> 01:27:29,160
Speaker 1: And Cinderella, the fairy gudmother was not a slur. Yeas

1815
01:27:29,240 --> 01:27:31,439
Speaker 1: never actually been a gay man either, And it's really

1816
01:27:31,479 --> 01:27:34,760
Speaker 1: been fairy. It's a real word. It's not just a slur.

1817
01:27:34,960 --> 01:27:37,719
Speaker 1: Listen more powatability point. I'm just you know, just looking

1818
01:27:37,760 --> 01:27:40,439
Speaker 1: at all the different thing pieces that could be thought

1819
01:27:40,640 --> 01:27:43,200
Speaker 1: because of this situation. That's all all right, Well now

1820
01:27:43,240 --> 01:27:45,040
Speaker 1: we don't have time for nothing else. I'm Mandela Yee

1821
01:27:45,080 --> 01:27:47,120
Speaker 1: and that is your rumor report. All right, thank you,

1822
01:27:47,280 --> 01:27:50,880
Speaker 1: miss ye revote. We'll see tomorrow everybody else. The People's

1823
01:27:51,000 --> 01:27:54,759
Speaker 1: Choice mixes up next. Get your request in eight hundred

1824
01:27:54,840 --> 01:27:56,880
Speaker 1: five A five one oh five one, And I just

1825
01:27:56,960 --> 01:27:59,200
Speaker 1: want to start the mix off with this. We're three

1826
01:27:59,280 --> 01:28:00,680
Speaker 1: and two and we got to Jets this week, so

1827
01:28:00,760 --> 01:28:02,760
Speaker 1: technically we got a buye week. Let this kind man

1828
01:28:02,920 --> 01:28:05,200
Speaker 1: venta continue get four in two after this week. I

1829
01:28:05,320 --> 01:28:07,640
Speaker 1: bet whatever Jets is winning this weekend. No they're not.

1830
01:28:08,760 --> 01:28:12,479
Speaker 1: I don't know gets to New York Jets. If we

1831
01:28:12,600 --> 01:28:14,360
Speaker 1: lose to the Jets, then we really got some problems.

1832
01:28:14,560 --> 01:28:16,360
Speaker 1: If you listen to Jets, then wet people need to

1833
01:28:16,400 --> 01:28:18,200
Speaker 1: be fired if we lose to the New York Jets.

1834
01:28:18,280 --> 01:28:20,240
Speaker 1: For if we lose to New York Jets, who are

1835
01:28:20,280 --> 01:28:24,400
Speaker 1: owing for this Sunday and we absolutely got problems. This

1836
01:28:24,439 --> 01:28:26,760
Speaker 1: clip just in case. Now you don't have to listen.

1837
01:28:27,400 --> 01:28:31,599
Speaker 1: I watched football every week, okay, owing four verses three

1838
01:28:31,640 --> 01:28:33,920
Speaker 1: and two the Cowboys versus the Jets were beating the Jets.

1839
01:28:33,960 --> 01:28:37,800
Speaker 1: This week Jets to do four win DJ Envy, Angela Yee,

1840
01:28:37,880 --> 01:28:41,880
Speaker 1: Charlemagne the guy. We are the breakfast club now. Shout

1841
01:28:41,880 --> 01:28:43,559
Speaker 1: out to everybody that came out to Houston. We had

1842
01:28:43,720 --> 01:28:47,840
Speaker 1: a very successful Houston seminar. Shout the Willie d that

1843
01:28:47,920 --> 01:28:49,800
Speaker 1: popped up from the Ghetto Boys. It was just great.

1844
01:28:49,840 --> 01:28:52,360
Speaker 1: We had over a thousand people. Are just teaching people

1845
01:28:52,400 --> 01:28:54,840
Speaker 1: about real estate, and you guys be careful. I know

1846
01:28:54,840 --> 01:28:56,439
Speaker 1: a lot of you guys are looking to invest your

1847
01:28:56,479 --> 01:28:59,280
Speaker 1: money or try to flip your money or try to

1848
01:28:59,320 --> 01:29:01,679
Speaker 1: create generation the wealth. And I tell everybody read books.

1849
01:29:01,720 --> 01:29:04,240
Speaker 1: Whether you're going into the stock market, or you're investing

1850
01:29:04,280 --> 01:29:08,000
Speaker 1: in a store, or you're doing real estate. Just please

1851
01:29:08,120 --> 01:29:10,679
Speaker 1: just read up on everything that you're doing. A lady

1852
01:29:10,760 --> 01:29:15,599
Speaker 1: in the seminar gave somebody eighty two thousand dollars to invest.

1853
01:29:15,800 --> 01:29:18,000
Speaker 1: I don't know what her name was, Daisy. I'm not

1854
01:29:18,120 --> 01:29:21,760
Speaker 1: sure what seminar was. Something she's seen on television, and

1855
01:29:22,000 --> 01:29:23,960
Speaker 1: she lost eighty two thousand dollars. They got her, they

1856
01:29:24,000 --> 01:29:26,320
Speaker 1: scammed her. And I've been hearing a lot of more,

1857
01:29:26,360 --> 01:29:28,600
Speaker 1: a lot more stories about this. People scamming you for

1858
01:29:28,720 --> 01:29:32,160
Speaker 1: thirty forty fifty thousand dollars. Yeah, so just please be

1859
01:29:32,240 --> 01:29:35,400
Speaker 1: careful out there. Shout the season flipping n J Matt,

1860
01:29:35,960 --> 01:29:40,439
Speaker 1: Jen Sabine, Jose Cody, and everybody else that's part of

1861
01:29:40,479 --> 01:29:43,040
Speaker 1: our team. We had a great seminar. I was salute

1862
01:29:43,040 --> 01:29:45,280
Speaker 1: to Paley Fest man. I was at Paley Fest New

1863
01:29:45,400 --> 01:29:48,240
Speaker 1: York yesterday. Paley Fest is like this big event that

1864
01:29:48,920 --> 01:29:52,439
Speaker 1: you know, TV networks do every year. And I interviewed

1865
01:29:52,479 --> 01:29:57,439
Speaker 1: the caster Blackish m yesterday, So Anthony Anderson, Tracy Ellis, Rods,

1866
01:29:57,479 --> 01:30:00,360
Speaker 1: Lawrence Fishburne. Um. It was a dope com the station.

1867
01:30:00,360 --> 01:30:02,040
Speaker 1: I'm gonna push some of it up on my YouTube

1868
01:30:02,080 --> 01:30:05,160
Speaker 1: page later YouTube dot com backslash Sea to god ct

1869
01:30:05,360 --> 01:30:07,400
Speaker 1: H G O D. But salute to everybody I saw

1870
01:30:07,439 --> 01:30:10,639
Speaker 1: a paley Fest yesterday, yes and shout out to everybody

1871
01:30:10,680 --> 01:30:12,840
Speaker 1: who was at Culture Khan. I was on a panel

1872
01:30:12,840 --> 01:30:15,759
Speaker 1: with Richie Leu, Dennis and with Amber Center talking about

1873
01:30:15,760 --> 01:30:20,080
Speaker 1: the beauty of cannabis. So that was pretty amazing. Also

1874
01:30:20,600 --> 01:30:22,479
Speaker 1: to the New York City Winding Food Festival. I was

1875
01:30:22,560 --> 01:30:24,880
Speaker 1: there with Reverend run over the weekend for Flashback Friday.

1876
01:30:25,640 --> 01:30:27,880
Speaker 1: Super cool event. I'm definitely doing that again next year.

1877
01:30:27,920 --> 01:30:29,559
Speaker 1: It was lit. Oh you know what else I did

1878
01:30:29,680 --> 01:30:32,080
Speaker 1: Man eight three C Festival Friday. I was in Atlanta

1879
01:30:32,120 --> 01:30:34,799
Speaker 1: for a quick second um salute to the beautiful restaurant

1880
01:30:34,840 --> 01:30:37,559
Speaker 1: in Atlanta we went. We went by there after we finished.

1881
01:30:37,720 --> 01:30:40,880
Speaker 1: But also a salute to my man Shaka Singcoor and

1882
01:30:41,720 --> 01:30:44,800
Speaker 1: sing Or and my man TRP. We had a whole

1883
01:30:44,920 --> 01:30:48,360
Speaker 1: panel about you know, criminal justice reform, but it really

1884
01:30:48,400 --> 01:30:51,080
Speaker 1: turned into a conversation about you know, mental health and

1885
01:30:51,160 --> 01:30:54,719
Speaker 1: psycho social rehabilitation because that's something that me and Shock

1886
01:30:55,000 --> 01:30:56,840
Speaker 1: both are both very big on because you know, it's

1887
01:30:56,840 --> 01:30:59,479
Speaker 1: one thing to have these people incarcerated, but what happened

1888
01:30:59,479 --> 01:31:02,040
Speaker 1: to to the what happens to their mindsets when they're

1889
01:31:02,080 --> 01:31:04,000
Speaker 1: in prison and what happens to their mental health when

1890
01:31:04,040 --> 01:31:06,560
Speaker 1: they come home after dealing with all that trauma that

1891
01:31:06,680 --> 01:31:08,920
Speaker 1: they went through in prison. So salute to everybody that

1892
01:31:09,000 --> 01:31:10,920
Speaker 1: came out to a THREEC festival this weekend too. That

1893
01:31:11,040 --> 01:31:13,040
Speaker 1: was a great time. And on a fun note, my

1894
01:31:13,160 --> 01:31:15,920
Speaker 1: lift Service Alive is kicking off this weekend Sunday in

1895
01:31:16,000 --> 01:31:17,760
Speaker 1: Philly and then we'll be in New York on Monday,

1896
01:31:17,800 --> 01:31:19,800
Speaker 1: and then it continues from there for two weeks. So

1897
01:31:19,880 --> 01:31:21,519
Speaker 1: if you didn't get your tickets, the link is on

1898
01:31:21,640 --> 01:31:23,479
Speaker 1: my page. Makes sua. Y'all come out. We are announcing

1899
01:31:23,520 --> 01:31:26,840
Speaker 1: all of our special guests. We actually just announced everybody

1900
01:31:26,880 --> 01:31:29,160
Speaker 1: in New York. Dasha Polanco will be there, Dave East,

1901
01:31:29,240 --> 01:31:32,280
Speaker 1: Carlos Miller Antico being from the eighty five South Show.

1902
01:31:32,479 --> 01:31:34,880
Speaker 1: All right, well, when we come back, positive notice to

1903
01:31:34,880 --> 01:31:38,760
Speaker 1: Breakfast clogal morning e j Envy Angela Yee, Charlomagne the guy.

1904
01:31:38,800 --> 01:31:40,360
Speaker 1: We are the Breakfast Club Now. I shout out to

1905
01:31:40,400 --> 01:31:43,160
Speaker 1: Life Jennings for joining us this morning. Luth to Life man.

1906
01:31:43,600 --> 01:31:46,320
Speaker 1: I still don't like the record Slaves, but I'm glad

1907
01:31:46,320 --> 01:31:48,720
Speaker 1: that we could have a civil conversation about it, and

1908
01:31:48,880 --> 01:31:51,160
Speaker 1: also Saint John and Biggs for stopping through as well.

1909
01:31:51,200 --> 01:31:53,720
Speaker 1: And I absolutely think Saint John is a star. It's

1910
01:31:53,720 --> 01:31:55,960
Speaker 1: going to be interesting to see what his career trajectory

1911
01:31:56,080 --> 01:32:00,599
Speaker 1: is going to be because he's very, very original, very smart,

1912
01:32:01,040 --> 01:32:03,160
Speaker 1: very intelligent young man. I just want to tell you

1913
01:32:03,200 --> 01:32:07,599
Speaker 1: that your predictions are not too good, brother, Damn lie Jordia.

1914
01:32:07,680 --> 01:32:09,280
Speaker 1: My prediction has always come true, and you can sit

1915
01:32:09,360 --> 01:32:11,080
Speaker 1: here and tell that lie all you want, but it's

1916
01:32:11,080 --> 01:32:12,920
Speaker 1: a reason that people rock with me for nine years

1917
01:32:13,000 --> 01:32:17,519
Speaker 1: on this goddamn radios. Yes, Takashi six nine, What about

1918
01:32:17,520 --> 01:32:20,880
Speaker 1: Takashi six nine, that was a pict prediction? Tell him

1919
01:32:20,920 --> 01:32:22,720
Speaker 1: he was gonna end up in jail then, no, the

1920
01:32:22,840 --> 01:32:24,439
Speaker 1: one he said if he gets out, No, no, no no.

1921
01:32:26,240 --> 01:32:28,360
Speaker 1: That's the problem with y'all short term memory. The short

1922
01:32:28,439 --> 01:32:30,439
Speaker 1: term memory is the fact that when Takashi first came

1923
01:32:30,520 --> 01:32:32,360
Speaker 1: up here and I told him about his little ass,

1924
01:32:32,600 --> 01:32:34,920
Speaker 1: people said I was trolling and I was hating. Then

1925
01:32:34,960 --> 01:32:36,679
Speaker 1: when you go to jail, everybody like, oh, Charlot Mane

1926
01:32:36,760 --> 01:32:38,280
Speaker 1: was right. Now you're trying to say that the man,

1927
01:32:38,360 --> 01:32:41,280
Speaker 1: the man didn't beat this case. That's not beating your case.

1928
01:32:41,320 --> 01:32:43,519
Speaker 1: Snitching on a whole bunch of people cutting your time,

1929
01:32:43,560 --> 01:32:45,839
Speaker 1: it's not beating your case. Then you said the Cowboys

1930
01:32:45,960 --> 01:32:47,960
Speaker 1: was gonna win this weekend. I'm saying that for forty two,

1931
01:32:48,040 --> 01:32:50,599
Speaker 1: forty one years, So you're wrong. Your prediction was wrong.

1932
01:32:50,640 --> 01:32:52,680
Speaker 1: Donna mean nothing. That just means I'm too devoted to

1933
01:32:52,800 --> 01:32:55,120
Speaker 1: a squad. But guess what, one year, I'm gonna be

1934
01:32:55,240 --> 01:32:58,160
Speaker 1: right about my Dallars Cowboys. And that's like if you

1935
01:32:58,200 --> 01:33:02,120
Speaker 1: play the same numbers all the time. Point w Yeah,

1936
01:33:02,680 --> 01:33:06,120
Speaker 1: you're you're a Knicks fan, right, you can relate to

1937
01:33:06,200 --> 01:33:09,200
Speaker 1: the Are you a Knicks fan of nothing? Yeah, but

1938
01:33:11,800 --> 01:33:14,800
Speaker 1: can relate. I know my Knicks ain't gonna win. I

1939
01:33:14,920 --> 01:33:17,120
Speaker 1: know I do a Nuts fan. Now we discussed this.

1940
01:33:17,200 --> 01:33:20,799
Speaker 1: You're a nuts fan. He's a Nuts fan. That already

1941
01:33:21,320 --> 01:33:25,240
Speaker 1: we knew he was a Nuts fan. US positive man,

1942
01:33:25,640 --> 01:33:28,800
Speaker 1: the positive notice simply this script grows in the moments

1943
01:33:28,840 --> 01:33:31,560
Speaker 1: when you think you can But script grows in the

1944
01:33:31,640 --> 01:33:33,439
Speaker 1: moments when you think you can't go on, but you

1945
01:33:33,600 --> 01:33:37,080
Speaker 1: keep going anyway. Breakfast Club, you know I'm finishing, y'all

1946
01:33:37,160 --> 01:33:37,360
Speaker 1: dumb