1 00:00:00,360 --> 00:00:00,760 Speaker 1: Warning. 2 00:00:00,960 --> 00:00:05,000 Speaker 2: Today's episode cantat spoilers for the first episode of Night 3 00:00:05,080 --> 00:00:06,160 Speaker 2: of the Seven Kingdoms. 4 00:00:06,200 --> 00:00:06,720 Speaker 1: Be warned. 5 00:00:22,040 --> 00:00:26,720 Speaker 2: Hello is Jason Concepcion and I am Rosy Night. Coming 6 00:00:26,760 --> 00:00:32,479 Speaker 2: to you from the Local twenty and welcome back to 7 00:00:32,520 --> 00:00:34,760 Speaker 2: Extervision of the podcast where we dive deep. 8 00:00:34,920 --> 00:00:36,879 Speaker 1: To your favorite shows, movies, comics and popcorns. 9 00:00:36,920 --> 00:00:38,720 Speaker 2: We're coming to you from my heart, where we're bringing 10 00:00:38,720 --> 00:00:41,440 Speaker 2: you three episodes of weekless news plus news. 11 00:00:41,840 --> 00:00:44,040 Speaker 3: In today's episode, we're going to be starting off with 12 00:00:44,080 --> 00:00:47,200 Speaker 3: a recap. We are following that big tall boy Dunk 13 00:00:47,479 --> 00:00:50,040 Speaker 3: on his little adventure to the Tawny. We'll be digging 14 00:00:50,080 --> 00:00:54,160 Speaker 3: into that with Jason or Mesta, then the Masta's nominibus. 15 00:00:54,160 --> 00:00:56,120 Speaker 3: Because it's our very first episode, we had to get 16 00:00:56,120 --> 00:00:58,040 Speaker 3: some of that lord dive in for you. And then 17 00:00:58,040 --> 00:01:00,720 Speaker 3: we'll be introducing Letters from the Seventh Kingdoms, which will 18 00:01:00,760 --> 00:01:03,960 Speaker 3: be our quick thoughts on some stuff the other deep 19 00:01:04,000 --> 00:01:05,360 Speaker 3: dives might not have considered. 20 00:01:05,800 --> 00:01:07,480 Speaker 1: But first the reecap. 21 00:01:09,280 --> 00:01:12,200 Speaker 2: Okay, Night of the Seven Kingdoms is a pilot episode, 22 00:01:12,240 --> 00:01:16,360 Speaker 2: and what a delight it is. We open on Sir Duncan, 23 00:01:17,400 --> 00:01:22,039 Speaker 2: a squire slash knight slash hedge Knight in the service 24 00:01:22,080 --> 00:01:25,880 Speaker 2: to the Hedge Knights. Sir Arlen of Penny Tree, the 25 00:01:26,040 --> 00:01:29,759 Speaker 2: late Sir Arlen of Penny Tree, who Duncan is sadly 26 00:01:29,920 --> 00:01:35,399 Speaker 2: burying on a very rainy day. Arlin raised Duncan, mentored 27 00:01:35,480 --> 00:01:41,560 Speaker 2: him in the ways of honorable knighthood and was, from 28 00:01:41,640 --> 00:01:45,440 Speaker 2: what we see in the flashbacks, just a little brutal, 29 00:01:45,480 --> 00:01:48,920 Speaker 2: but like in a loving way. It was very much 30 00:01:49,040 --> 00:01:52,040 Speaker 2: like a loving I will beat you lovingly because I 31 00:01:52,080 --> 00:01:56,920 Speaker 2: love you so much. Dunk is alone. He is heartbroken, 32 00:01:57,000 --> 00:02:01,680 Speaker 2: and all he's got left of Sir Arlyn is his armor, 33 00:02:01,680 --> 00:02:06,559 Speaker 2: his sword, and his horses and his tattered legacy, which 34 00:02:06,600 --> 00:02:11,240 Speaker 2: he promises to live up to later. He's like, fuck, 35 00:02:11,280 --> 00:02:19,520 Speaker 2: I need money. Hey, don't have any money. What do 36 00:02:19,560 --> 00:02:22,840 Speaker 2: I do? I could sell I've got the Yeah, I've 37 00:02:22,840 --> 00:02:25,560 Speaker 2: got these three horses. I could sell one. I could, 38 00:02:26,919 --> 00:02:29,600 Speaker 2: you know, go to one of the major cities and 39 00:02:30,080 --> 00:02:34,680 Speaker 2: sell my sword to a rich guy or some lord 40 00:02:34,840 --> 00:02:39,960 Speaker 2: or something. But instead he decides to uh try to 41 00:02:40,000 --> 00:02:43,480 Speaker 2: make his name as a knight by heading to Ashford, 42 00:02:44,080 --> 00:02:48,960 Speaker 2: where he has heard that there's attorney up and running 43 00:02:49,360 --> 00:02:55,440 Speaker 2: and uh He's gonna go there right after his bubble. 44 00:02:55,120 --> 00:02:59,799 Speaker 1: Gets Oh it's going bad for him. 45 00:03:00,000 --> 00:03:04,720 Speaker 3: It's gonna be cozy guys, but it's also gonna still 46 00:03:04,760 --> 00:03:06,920 Speaker 3: be Game of Thrones and people in medieval times they 47 00:03:06,960 --> 00:03:09,520 Speaker 3: had bubbleguts. I just want to say, can we also 48 00:03:09,560 --> 00:03:13,360 Speaker 3: please give some credit to the white horse, who I 49 00:03:13,440 --> 00:03:17,120 Speaker 3: feel like pointed his little hoof in the direction of 50 00:03:17,120 --> 00:03:19,600 Speaker 3: the sword and told duncan so go on a quest? 51 00:03:19,639 --> 00:03:22,680 Speaker 2: Sweetfoot, Sweet sweet sweet foot, I love you. 52 00:03:23,200 --> 00:03:26,280 Speaker 3: That is a powerful foot you have there, and it 53 00:03:26,320 --> 00:03:28,280 Speaker 3: was important to send him on this sweet mission. You 54 00:03:28,320 --> 00:03:31,320 Speaker 3: are perfectly named. That really got me on my second 55 00:03:31,320 --> 00:03:33,320 Speaker 3: and third watch, where I was like, oh my gosh, 56 00:03:33,360 --> 00:03:36,680 Speaker 3: like this is true fantasy, like you need to find 57 00:03:36,720 --> 00:03:39,440 Speaker 3: the quest giver and here we have it, and yeah, 58 00:03:39,480 --> 00:03:42,600 Speaker 3: what a what a really great opening. And also like 59 00:03:42,760 --> 00:03:45,240 Speaker 3: if you were worried just because there wasn't necessarily gonna 60 00:03:45,280 --> 00:03:48,320 Speaker 3: be a lot of murder and raping, because this is 61 00:03:48,360 --> 00:03:50,800 Speaker 3: a wholesome version of this world, you're still gonna get 62 00:03:50,840 --> 00:03:54,680 Speaker 3: to see some real gross out pooping butts. Oh baby, 63 00:03:54,680 --> 00:03:57,880 Speaker 3: you're gonna see Dunk's butt so much in this episode. 64 00:03:58,840 --> 00:04:04,880 Speaker 2: That night pulls into an inn where he meets a young, 65 00:04:05,000 --> 00:04:09,080 Speaker 2: bald headed kid who he thinks I think reasonably is 66 00:04:09,400 --> 00:04:12,480 Speaker 2: the stable boy, and he's like, here's my horse, here's 67 00:04:12,480 --> 00:04:15,480 Speaker 2: my stuff, brush my horse, don't steal my stuff, and 68 00:04:15,520 --> 00:04:17,520 Speaker 2: I'll see you later. And I'm a knight and if 69 00:04:17,560 --> 00:04:20,440 Speaker 2: you have a and if you fuck with my horses 70 00:04:20,560 --> 00:04:22,480 Speaker 2: or anything, I'm going to smack you in the head. 71 00:04:23,120 --> 00:04:26,040 Speaker 2: The inn is this kind of like you know, dark 72 00:04:26,800 --> 00:04:30,640 Speaker 2: and about a day away from Ashford. And in the 73 00:04:30,680 --> 00:04:36,720 Speaker 2: inn there is a drunk young guy who clearly has 74 00:04:36,720 --> 00:04:40,359 Speaker 2: a lot of money because he slams down a dragon 75 00:04:40,440 --> 00:04:43,840 Speaker 2: coin and says, Dunk, don't look at me, and Dunk 76 00:04:43,880 --> 00:04:47,520 Speaker 2: has no idea who this guy is. In the stables, 77 00:04:47,600 --> 00:04:50,000 Speaker 2: Dunk finds the stable boy doing exactly what he wasn't 78 00:04:50,040 --> 00:04:51,839 Speaker 2: supposed to do, which was playing around with his horse. 79 00:04:52,279 --> 00:04:56,359 Speaker 2: And when Dunk yells at him and basically says like 80 00:04:56,440 --> 00:04:58,360 Speaker 2: I need you know I'm going to Ashford for the tourney, 81 00:04:59,720 --> 00:05:02,359 Speaker 2: the it is like, oh, you know, let me let 82 00:05:02,400 --> 00:05:02,880 Speaker 2: me go with you. 83 00:05:02,920 --> 00:05:03,760 Speaker 1: I'll be your squire. 84 00:05:04,120 --> 00:05:05,839 Speaker 2: What he say, uh? 85 00:05:05,880 --> 00:05:08,600 Speaker 1: And Dunk is like no, absolutely not, like you have 86 00:05:08,680 --> 00:05:09,760 Speaker 1: no you. 87 00:05:09,640 --> 00:05:12,840 Speaker 2: Don't even know what you're doing and even doing this, yeah, 88 00:05:13,040 --> 00:05:13,760 Speaker 2: like forget it. 89 00:05:14,320 --> 00:05:14,440 Speaker 1: Uh. 90 00:05:14,520 --> 00:05:17,679 Speaker 2: He gets to the training grounds outside Ashford, goes to register. 91 00:05:18,080 --> 00:05:23,240 Speaker 2: He has some trouble getting the registrar to sign him 92 00:05:23,320 --> 00:05:27,240 Speaker 2: up because, you know, for one, it's unclear that he 93 00:05:27,360 --> 00:05:29,120 Speaker 2: is a knight, although he says he is. He says 94 00:05:29,120 --> 00:05:30,919 Speaker 2: Sir Arland knighted him. No one saw it and no 95 00:05:30,920 --> 00:05:33,800 Speaker 2: one remembers you, Sir arlan Is. Dunk is like, well, 96 00:05:33,839 --> 00:05:36,840 Speaker 2: here is Sir Arlond Sword and the guy is still like, listen, 97 00:05:36,920 --> 00:05:41,080 Speaker 2: I don't know who the fuck that guy is. We 98 00:05:41,120 --> 00:05:45,320 Speaker 2: do see a flashback of Dunk and Sir Arlin, and 99 00:05:45,360 --> 00:05:49,960 Speaker 2: it's clear that while Dunk is putting a little more 100 00:05:50,040 --> 00:05:53,240 Speaker 2: polish on the story, it's also clear that Sir Arlind, 101 00:05:53,360 --> 00:05:55,479 Speaker 2: like you know, was a real person. We understand that 102 00:05:55,480 --> 00:05:58,359 Speaker 2: he was a real guy. Although the question of whether 103 00:06:00,080 --> 00:06:03,479 Speaker 2: Dunk was truly knighted by Sir Arlin, I think hangs 104 00:06:04,000 --> 00:06:08,479 Speaker 2: hangs over this entire episode. It's absolutely and we'll talk 105 00:06:08,520 --> 00:06:13,040 Speaker 2: more about that as this series progresses. The Registrar's like, listen, 106 00:06:13,279 --> 00:06:17,560 Speaker 2: you're lying about being a knight. You're gonna be sodomized 107 00:06:17,560 --> 00:06:19,400 Speaker 2: by a spear, because that's how we do it in Asford, 108 00:06:19,400 --> 00:06:21,440 Speaker 2: and he's like, no, I'm just kidding. That's in the 109 00:06:21,520 --> 00:06:24,640 Speaker 2: river Lands here in it. We don't do that in 110 00:06:24,680 --> 00:06:27,400 Speaker 2: the Reach. That's just the riverlands where they're crazy over there. 111 00:06:27,800 --> 00:06:31,240 Speaker 2: But here in the Reach, you need several things to 112 00:06:31,279 --> 00:06:34,600 Speaker 2: prove your knight. You need armor, you need weapons, and 113 00:06:34,640 --> 00:06:37,480 Speaker 2: you need money. And you need to go out and 114 00:06:37,600 --> 00:06:41,919 Speaker 2: find any other person of stature a knight, a lord, 115 00:06:42,320 --> 00:06:46,600 Speaker 2: preferably a lord who remembers this guy, Sir Arlin, and 116 00:06:47,000 --> 00:06:50,520 Speaker 2: can back up some piece of your story. That doesn't 117 00:06:50,560 --> 00:06:52,840 Speaker 2: solve the did he knight you piece, but at least 118 00:06:52,839 --> 00:06:54,880 Speaker 2: it proves that that's a real guy. Don't goes to 119 00:06:54,920 --> 00:07:01,640 Speaker 2: see Sir Manfred Dundarian, who is just like now it 120 00:07:01,680 --> 00:07:03,680 Speaker 2: doesn't have any time for Dunk. No, he needs some 121 00:07:03,800 --> 00:07:09,320 Speaker 2: ladies who hang around camp, and he's like and they're like, hey, yo. 122 00:07:09,240 --> 00:07:10,080 Speaker 1: You want Sir Manfred. 123 00:07:10,120 --> 00:07:14,120 Speaker 2: Sir Manfred is sleeping off like a serious orgy yep, 124 00:07:14,680 --> 00:07:19,520 Speaker 2: and so try back later. Dunk is very awkward around ladies. 125 00:07:19,600 --> 00:07:24,800 Speaker 2: Later he meets Sir Stephen Fossaway the Golden Apple foss Ways. 126 00:07:25,680 --> 00:07:29,840 Speaker 2: He sees him slapping his cousin Raymond. He challenges Dunk 127 00:07:29,920 --> 00:07:33,040 Speaker 2: to like about some kind of like fight or a 128 00:07:33,120 --> 00:07:36,520 Speaker 2: duel or something, which Dunk declines. Dunk goes off to 129 00:07:36,520 --> 00:07:39,000 Speaker 2: find a camping spot. He takes a bath because he's 130 00:07:39,040 --> 00:07:44,280 Speaker 2: probably got still got shit on his legs, disgusting, he stinks. 131 00:07:46,000 --> 00:07:49,800 Speaker 2: That night, Dunk returns, Sir Manfred's still asleep. The camp 132 00:07:49,880 --> 00:07:55,800 Speaker 2: ladies aren't really being helpful. There's revelry though in the camp, 133 00:07:55,840 --> 00:07:59,440 Speaker 2: and Dunk is enjoying this. He goes to see some mummers, 134 00:07:59,480 --> 00:08:02,440 Speaker 2: and the mummers tell the story of the events of 135 00:08:02,560 --> 00:08:05,520 Speaker 2: the Dance of Dragons Civil War, which is being covered 136 00:08:05,520 --> 00:08:09,440 Speaker 2: by the series House of the Dragon. Dunk takes a 137 00:08:09,640 --> 00:08:15,120 Speaker 2: liking to the lead mummer, whose name is Tancella, though 138 00:08:15,120 --> 00:08:19,280 Speaker 2: we don't meet her in this moment. They've got incredible 139 00:08:19,400 --> 00:08:20,560 Speaker 2: effects and props. 140 00:08:20,640 --> 00:08:24,680 Speaker 3: I'm telling you, Jason, how it's amazing. Tell me how 141 00:08:24,760 --> 00:08:29,960 Speaker 3: much Taugarian Barrafian gold. Tell me how many deals we're done, 142 00:08:30,000 --> 00:08:31,520 Speaker 3: how many bankers were killed? 143 00:08:31,800 --> 00:08:32,920 Speaker 2: Because incredible. 144 00:08:33,040 --> 00:08:37,760 Speaker 3: This is like Avatar James Cameron level budget relative this period. 145 00:08:38,080 --> 00:08:41,640 Speaker 2: Yes, like they've got a dragon. The dragon's breathing fire 146 00:08:41,880 --> 00:08:46,960 Speaker 2: and it's the costumes and it's incredible. Dunk immediately takes 147 00:08:47,000 --> 00:08:50,000 Speaker 2: a liking, you know, just like a visual liking to Tansell, 148 00:08:50,120 --> 00:08:54,720 Speaker 2: one of the mummers. Cousin Raymond comes up, apologizes for 149 00:08:55,800 --> 00:09:00,199 Speaker 2: the you know, his cousin, Sir Stephan and getting and 150 00:09:00,240 --> 00:09:02,560 Speaker 2: donk kind of mixed up in that and basically is like, 151 00:09:02,600 --> 00:09:05,720 Speaker 2: thank you for trying to step in and save me 152 00:09:05,800 --> 00:09:10,200 Speaker 2: from getting beat up by my cousin. They go off 153 00:09:10,240 --> 00:09:14,679 Speaker 2: to Lord Lionel Barrathian's tent to grab some food. And 154 00:09:15,040 --> 00:09:18,360 Speaker 2: this is a Brathian unlike any other we have ever seen. 155 00:09:18,679 --> 00:09:24,560 Speaker 2: Lord Lionel. Well maybe you know, maybe well let's talk 156 00:09:24,600 --> 00:09:25,520 Speaker 2: about that a little bit. 157 00:09:25,559 --> 00:09:28,640 Speaker 3: To talk about that, I think you'll write, he's rythmly 158 00:09:28,840 --> 00:09:31,880 Speaker 3: the chillist Birathian we've ever seen. But you can also 159 00:09:31,960 --> 00:09:36,960 Speaker 3: see that some Birathian traits aka loving to pawy, loving 160 00:09:37,000 --> 00:09:42,000 Speaker 3: to fuck. Maybe being Birathian this might have been giving 161 00:09:42,080 --> 00:09:44,840 Speaker 3: it It is giving a little rendly. 162 00:09:44,960 --> 00:09:48,600 Speaker 2: So Lord Brathian is that, you know, at the head 163 00:09:48,600 --> 00:09:52,120 Speaker 2: of this table in the you know, at the very 164 00:09:52,640 --> 00:09:56,200 Speaker 2: far end of this huge tint. And he makes this like, 165 00:09:56,400 --> 00:09:58,160 Speaker 2: you know, taps on his goblin. He's like, I like 166 00:09:58,200 --> 00:09:59,559 Speaker 2: to make a speech. He makes a speech about the 167 00:09:59,559 --> 00:10:03,439 Speaker 2: first four thousand years ago whatever it is in Western 168 00:10:03,480 --> 00:10:06,040 Speaker 2: rom is the history. But then he's so drunk he 169 00:10:06,080 --> 00:10:10,480 Speaker 2: basically loses his train of thought. And then it seemed 170 00:10:10,480 --> 00:10:13,200 Speaker 2: to me I had a little trouble following it. Yeah, 171 00:10:13,200 --> 00:10:15,520 Speaker 2: but it seemed to me like he was basically trying 172 00:10:15,559 --> 00:10:21,120 Speaker 2: to say, hey, jousting is really cool and we have 173 00:10:21,160 --> 00:10:23,160 Speaker 2: no idea, like who really came up here? Yeah, but 174 00:10:23,559 --> 00:10:24,240 Speaker 2: isn't it fun? 175 00:10:24,480 --> 00:10:28,760 Speaker 3: My my read was definitely that he was like he 176 00:10:28,800 --> 00:10:31,760 Speaker 3: wanted to do some big, ostentatious speech but then completely 177 00:10:31,760 --> 00:10:33,960 Speaker 3: flubbed it. So it's kind of adding to that, like 178 00:10:34,200 --> 00:10:36,800 Speaker 3: he's not serious. They say, like he calls him the 179 00:10:36,880 --> 00:10:40,280 Speaker 3: laughing stalk, you know, like he's he's a fun guy, 180 00:10:40,360 --> 00:10:42,439 Speaker 3: but he's not gonna inspire you to die for him. 181 00:10:42,480 --> 00:10:42,840 Speaker 1: Probably. 182 00:10:43,679 --> 00:10:47,160 Speaker 2: He then offers one hundred gold pieces to anybody who 183 00:10:48,080 --> 00:10:51,000 Speaker 2: knocks him off his horse during a joust. Dunk is 184 00:10:51,000 --> 00:10:55,240 Speaker 2: then summoned to Lord Lionel's table. Lionel asks because he's 185 00:10:55,320 --> 00:10:57,800 Speaker 2: like Lord Lionel's like, who's that huge guy? 186 00:10:58,240 --> 00:10:59,120 Speaker 1: It's very interesting? 187 00:10:59,160 --> 00:11:02,440 Speaker 2: Why does that? I've never seen him before? And he 188 00:11:02,480 --> 00:11:04,160 Speaker 2: has him come up and he's like, what's it? 189 00:11:04,440 --> 00:11:07,480 Speaker 1: What's it like? Being huge? He basically asks him. 190 00:11:10,120 --> 00:11:12,960 Speaker 2: What's up with that? Duncan is kind of self effacing, 191 00:11:13,120 --> 00:11:15,240 Speaker 2: and Lionel is like, no, no, no, no. 192 00:11:15,120 --> 00:11:19,439 Speaker 1: No, you're big, you're tall. Own it. 193 00:11:19,800 --> 00:11:22,640 Speaker 2: Be that guy, be that huge guy that you are. 194 00:11:23,440 --> 00:11:26,520 Speaker 2: Why are you here? And uh, you know what do 195 00:11:26,720 --> 00:11:29,480 Speaker 2: you know? Everybody's here because they want a favor, they 196 00:11:29,520 --> 00:11:31,400 Speaker 2: want a job, they want something. 197 00:11:32,360 --> 00:11:34,679 Speaker 1: What are you here for? 198 00:11:34,880 --> 00:11:35,000 Speaker 2: Like? 199 00:11:35,040 --> 00:11:36,320 Speaker 1: Why are you here? You know? 200 00:11:36,360 --> 00:11:39,280 Speaker 2: Look at this guy. He brought me this thing because 201 00:11:39,360 --> 00:11:40,640 Speaker 2: he wants to curry favor of me. 202 00:11:40,720 --> 00:11:41,320 Speaker 1: What have you brought? 203 00:11:41,679 --> 00:11:43,560 Speaker 2: And he's like it's like no, no, no, no, I'm just 204 00:11:43,600 --> 00:11:44,400 Speaker 2: here because I'm like. 205 00:11:44,600 --> 00:11:46,160 Speaker 1: I want to eat. I want food. 206 00:11:47,000 --> 00:11:51,440 Speaker 2: And Lionel is like, unreal, I've never had this kind 207 00:11:51,440 --> 00:11:56,160 Speaker 2: of honesty before. And he finds it. He finds it wonderful. 208 00:11:56,160 --> 00:11:59,440 Speaker 2: So they dance. Uh during the dance, it's clear that 209 00:11:59,440 --> 00:12:01,959 Speaker 2: Lionel is like taking a shine to Duncan they brow 210 00:12:02,120 --> 00:12:07,800 Speaker 2: out Dunk as Lionel, Hey, I'm trying to get in 211 00:12:07,840 --> 00:12:13,600 Speaker 2: the tournament, Like what do I do my mentor yes 212 00:12:13,600 --> 00:12:16,160 Speaker 2: sir Orland of Pennytree, like people don't remember him and 213 00:12:16,160 --> 00:12:18,880 Speaker 2: I'm trying to what do I do? And Lionel's like, 214 00:12:19,960 --> 00:12:21,520 Speaker 2: I got no idea. 215 00:12:21,200 --> 00:12:23,880 Speaker 4: And he's like I'm just having high, bitch, like do 216 00:12:23,960 --> 00:12:26,160 Speaker 4: you say, do you not much money I spend on 217 00:12:26,280 --> 00:12:30,200 Speaker 4: these mamas. There's no time to talk about this, like 218 00:12:30,240 --> 00:12:34,520 Speaker 4: these pastries. Many many people died, many Bothan's died for 219 00:12:34,559 --> 00:12:37,640 Speaker 4: these strawberry pastries. Like I don't have time to answer 220 00:12:37,640 --> 00:12:38,000 Speaker 4: this for you. 221 00:12:40,760 --> 00:12:44,120 Speaker 2: Whilst he's leaving the tent, Dunk runs into Sir Manfred, 222 00:12:44,200 --> 00:12:48,400 Speaker 2: and Manfred is like, sorry, I'm I'm on whole watch right. 223 00:12:48,679 --> 00:12:52,959 Speaker 2: I don't have time. He's got like he's kissing young gals. 224 00:12:52,960 --> 00:12:55,840 Speaker 2: He's got a girl under each arm, and he's like, bro, 225 00:12:56,080 --> 00:12:59,319 Speaker 2: I don't have I'm about to get into something right now. 226 00:12:59,360 --> 00:13:00,360 Speaker 1: I don't have time for this. 227 00:13:01,040 --> 00:13:04,400 Speaker 2: And dunk'sa like, yeah, but sir Arlen and you remember that, 228 00:13:04,640 --> 00:13:07,520 Speaker 2: do you remember him? And I'm trying in this tournament, 229 00:13:07,520 --> 00:13:12,280 Speaker 2: and Manfred is like, go away, be gone, be gone, 230 00:13:12,320 --> 00:13:15,360 Speaker 2: my friend, I'm trying to crack. When he gets back 231 00:13:15,360 --> 00:13:19,120 Speaker 2: to his little camp out of the woods, the bald 232 00:13:19,200 --> 00:13:23,240 Speaker 2: kid is there. The kid talks about himself. He's from 233 00:13:23,320 --> 00:13:27,719 Speaker 2: kings Landing, where Dunk is as well. Dunk assumes, and 234 00:13:28,200 --> 00:13:32,880 Speaker 2: reasonably so, that this is like some you know, orphan 235 00:13:33,120 --> 00:13:37,079 Speaker 2: from from the hard scrabble streets of King's landing from 236 00:13:37,120 --> 00:13:41,280 Speaker 2: flea bottom or something like that. He notices the kid, 237 00:13:41,400 --> 00:13:45,480 Speaker 2: does that excuse me? Dunk notices that the kid has 238 00:13:45,760 --> 00:13:48,360 Speaker 2: actually taken good care of the horses in the camp 239 00:13:48,800 --> 00:13:50,920 Speaker 2: while Dunk was gone, and then he's got a fish 240 00:13:50,960 --> 00:13:54,600 Speaker 2: going on the fire, so you know. Dunk is like, okay, 241 00:13:54,600 --> 00:13:57,680 Speaker 2: well this is a pretty good job. 242 00:13:57,720 --> 00:13:58,040 Speaker 1: I see. 243 00:13:58,240 --> 00:14:01,160 Speaker 2: My name is Sir Dunk of the Tall, I'm a knight. 244 00:14:01,640 --> 00:14:04,840 Speaker 2: Egg is like, well, I know all the nights very much, 245 00:14:05,520 --> 00:14:08,440 Speaker 2: which is and by the way, important detail. How does 246 00:14:08,480 --> 00:14:12,520 Speaker 2: this kid know so much about like the various royal 247 00:14:12,800 --> 00:14:14,960 Speaker 2: royal people like in the Kingdom. But he's like, I've 248 00:14:14,960 --> 00:14:17,000 Speaker 2: never heard of you, and I know all the nights. 249 00:14:17,480 --> 00:14:20,200 Speaker 2: Dunk eventually lets the kids stick around. They fall asleep 250 00:14:20,280 --> 00:14:24,040 Speaker 2: under the stars while the other knights, like Lord Brathian 251 00:14:24,120 --> 00:14:28,480 Speaker 2: are sleeping in there well appointed tents. And that is 252 00:14:28,520 --> 00:14:32,000 Speaker 2: the end of this wonderfully charming pilot episode of a 253 00:14:32,080 --> 00:14:35,080 Speaker 2: Night of the Seven Kingdoms. When we come back, we're 254 00:14:35,120 --> 00:14:38,600 Speaker 2: going to discuss this episode and stuff we liked and 255 00:14:38,680 --> 00:14:56,720 Speaker 2: didn't like and just talking about that, and we're back, okay, Rosie, Yes, 256 00:14:57,840 --> 00:15:00,760 Speaker 2: nine of the Seven king Goes episode one your I 257 00:15:00,880 --> 00:15:01,360 Speaker 2: love it. 258 00:15:01,840 --> 00:15:06,080 Speaker 3: I would die for Dunk hilariously, Like me and Aaron 259 00:15:06,120 --> 00:15:08,880 Speaker 3: were texting about it. Super produced Aaron and he kind 260 00:15:08,880 --> 00:15:11,240 Speaker 3: of referenced it feeling a little bit c wish. But 261 00:15:11,280 --> 00:15:13,520 Speaker 3: you know, for me, that is not an insult. I 262 00:15:13,560 --> 00:15:16,920 Speaker 3: think that's actually a really great inroad for me. I've 263 00:15:16,960 --> 00:15:21,480 Speaker 3: always loved stories that take place in the background of 264 00:15:21,520 --> 00:15:25,120 Speaker 3: a huge epic event or time. It's why I love 265 00:15:25,160 --> 00:15:28,680 Speaker 3: Lost Stars by Claudia Gray, the incredible Star Wars Ya 266 00:15:28,840 --> 00:15:32,640 Speaker 3: novel that takes place over the original trilogy but follows 267 00:15:32,640 --> 00:15:34,920 Speaker 3: two kids who are just kind of grunt kids in 268 00:15:35,000 --> 00:15:38,440 Speaker 3: the Rebel and the Empire. I love stories like that. 269 00:15:38,520 --> 00:15:40,760 Speaker 3: There was an incredible comic when I was growing up, 270 00:15:40,800 --> 00:15:43,400 Speaker 3: a fan comic about just being like, what it would 271 00:15:43,440 --> 00:15:45,560 Speaker 3: be like to just be like a hufflepuff at at 272 00:15:45,600 --> 00:15:48,280 Speaker 3: Harry Potter's school in the same year, and how annoying 273 00:15:48,320 --> 00:15:50,680 Speaker 3: it would be. I love something like that, and I 274 00:15:50,720 --> 00:15:54,160 Speaker 3: think this show is so well appointed to make us 275 00:15:54,240 --> 00:15:56,840 Speaker 3: realize that, yeah, not everyone is going to be fighting 276 00:15:56,920 --> 00:15:59,720 Speaker 3: a dragon or destined to have a dragon in this landscape. 277 00:15:59,760 --> 00:16:02,960 Speaker 2: Actually, it's really about. 278 00:16:02,880 --> 00:16:06,560 Speaker 3: The people who make questerners. I love that, and I 279 00:16:06,880 --> 00:16:08,680 Speaker 3: can tell you, guys, from reading the books, from knowing 280 00:16:08,680 --> 00:16:10,640 Speaker 3: the people who made this show. I think this is 281 00:16:10,680 --> 00:16:15,160 Speaker 3: a really beautiful, fun opening, but it does tease the 282 00:16:15,160 --> 00:16:17,400 Speaker 3: thesis of what these books have always been about, and 283 00:16:17,400 --> 00:16:19,880 Speaker 3: what I think Georgia R. Martin does really well amongst 284 00:16:19,920 --> 00:16:22,240 Speaker 3: all the high fantasy, which is we get this great 285 00:16:22,320 --> 00:16:25,480 Speaker 3: line from the Innkeeper where she says, well, tawneys have 286 00:16:25,600 --> 00:16:29,200 Speaker 3: never you know, lowered prices. They've never helped us out, 287 00:16:30,280 --> 00:16:32,600 Speaker 3: never seen us get more coin, And I love that 288 00:16:32,640 --> 00:16:35,440 Speaker 3: we're getting a little bit of like a class exploration 289 00:16:35,760 --> 00:16:38,840 Speaker 3: and a kind of in from the bottom, which often 290 00:16:38,840 --> 00:16:42,440 Speaker 3: has been my favorite stuff within Game of Thrones. Think 291 00:16:42,440 --> 00:16:45,000 Speaker 3: about Aria's storyline where she has to go from being 292 00:16:45,280 --> 00:16:48,520 Speaker 3: you know, essentially like almost a royal to them being 293 00:16:48,960 --> 00:16:51,040 Speaker 3: you know, an outcast. 294 00:16:50,560 --> 00:16:52,360 Speaker 2: Kid like I love those stories. 295 00:16:52,520 --> 00:16:55,160 Speaker 3: So for me, this is offering all of that, but 296 00:16:55,200 --> 00:16:58,520 Speaker 3: with a really nice cozy twist. Jason, obviously you have 297 00:16:58,560 --> 00:17:00,960 Speaker 3: been very close to this show. How does it feel 298 00:17:01,000 --> 00:17:03,480 Speaker 3: to see out that and to get to kind of 299 00:17:04,119 --> 00:17:06,199 Speaker 3: know that other people are going to start exploring this 300 00:17:06,320 --> 00:17:08,160 Speaker 3: totally different side of Game of Threnes. 301 00:17:09,160 --> 00:17:11,680 Speaker 2: I can't wait to see what the reaction of the 302 00:17:11,720 --> 00:17:16,040 Speaker 2: fan base is because I think that obviously tonally, it's 303 00:17:16,080 --> 00:17:18,120 Speaker 2: a huge shift, and it shows that there's a lot 304 00:17:18,200 --> 00:17:21,240 Speaker 2: of different ways that you can approach this world in 305 00:17:21,359 --> 00:17:24,080 Speaker 2: a much more grounded way like this, a way that 306 00:17:24,200 --> 00:17:28,760 Speaker 2: lets humor into it, that, like you said, concentrates on 307 00:17:29,160 --> 00:17:33,000 Speaker 2: the lives of the small folk and their stories within 308 00:17:33,040 --> 00:17:40,920 Speaker 2: these kind of larger geopolitical arcs and if and I'm 309 00:17:40,960 --> 00:17:44,119 Speaker 2: just fascinated, I'm fascinated to see, like what the reaction is. 310 00:17:44,160 --> 00:17:48,080 Speaker 2: I think it's proof positive that there's just like a 311 00:17:48,119 --> 00:17:49,960 Speaker 2: wonderful depth to this world. 312 00:17:49,760 --> 00:17:51,359 Speaker 1: And there's a lot that you can do. 313 00:17:52,800 --> 00:17:58,000 Speaker 2: By drilling down on a few characters, a few small characters. 314 00:17:58,000 --> 00:17:59,800 Speaker 2: And I think one of the things that I found 315 00:17:59,800 --> 00:18:02,080 Speaker 2: most interesting that kind of, you know, one of the 316 00:18:02,080 --> 00:18:06,639 Speaker 2: thesises of this show in this episode is that things 317 00:18:06,840 --> 00:18:13,080 Speaker 2: are the Targarians. This is seventy years now ish, seventy 318 00:18:13,160 --> 00:18:16,040 Speaker 2: years plus almost eighty, I think, after the events of 319 00:18:17,240 --> 00:18:19,560 Speaker 2: House of the Dragon and that devastating civil war, and 320 00:18:19,600 --> 00:18:21,120 Speaker 2: there's been other wars since then, there. 321 00:18:21,040 --> 00:18:22,080 Speaker 1: Was a Blackfire Rebellion. 322 00:18:23,520 --> 00:18:25,639 Speaker 2: The upshot of that is the Dragons are gone, but 323 00:18:25,680 --> 00:18:29,480 Speaker 2: the Targarians are still here, and you're seeing now there 324 00:18:29,640 --> 00:18:34,719 Speaker 2: be people kind of like exploring the idea that the 325 00:18:34,760 --> 00:18:40,200 Speaker 2: Targarians don't quite have the juice this Mummer. This Mummer 326 00:18:40,280 --> 00:18:44,680 Speaker 2: show is one that I think if the dragons were 327 00:18:44,720 --> 00:18:48,800 Speaker 2: still around, the actors would be a little bit more 328 00:18:50,480 --> 00:18:56,560 Speaker 2: cautious about putting on agreed, right, agree, But here it's like, oh, yeah, 329 00:18:56,640 --> 00:18:59,280 Speaker 2: let's just talk about the Targarians and this really fucking 330 00:18:59,359 --> 00:19:05,080 Speaker 2: devastating family squabble that happened so well, it's very interesting 331 00:19:05,160 --> 00:19:08,719 Speaker 2: to have that perspective, the kind of lower class perspective, 332 00:19:09,160 --> 00:19:12,159 Speaker 2: and this kind of burgeoning discontent. Is everybody kind of 333 00:19:12,200 --> 00:19:15,680 Speaker 2: acknowledges and processes that, Okay, the Targets are just kind 334 00:19:15,680 --> 00:19:18,160 Speaker 2: of like everybody else right now, right, what does that mean? 335 00:19:18,320 --> 00:19:19,560 Speaker 2: That's what I'm thinking, right. 336 00:19:19,600 --> 00:19:22,600 Speaker 3: I think that that's an interesting space for us to 337 00:19:22,680 --> 00:19:26,520 Speaker 3: be in where you can even have like lower class 338 00:19:26,560 --> 00:19:29,840 Speaker 3: people who don't even know. It's not like you're scared anymore. 339 00:19:29,920 --> 00:19:32,560 Speaker 3: No one is gonna, you know, call on the dragon 340 00:19:32,640 --> 00:19:34,720 Speaker 3: and burn your house down. Now you can kind of 341 00:19:34,800 --> 00:19:37,719 Speaker 3: lightly disrespect to Targarian in a way you never could before. 342 00:19:37,920 --> 00:19:42,719 Speaker 3: I'd love to see those inter societal political changes going on, 343 00:19:42,960 --> 00:19:46,080 Speaker 3: of course, lead us to where we start, you know, 344 00:19:46,160 --> 00:19:49,880 Speaker 3: Game of Thrones, Jason, did you feel like if somebody 345 00:19:49,920 --> 00:19:52,440 Speaker 3: loves Game of Thrones but this is totally different for them. 346 00:19:52,560 --> 00:19:54,359 Speaker 3: Are there any key things here that are going to 347 00:19:54,440 --> 00:19:58,000 Speaker 3: tie them into that traditional Game of Thrones storytelling that 348 00:19:58,040 --> 00:20:00,480 Speaker 3: they know? Are there any key easter eggs, any big 349 00:20:01,520 --> 00:20:03,919 Speaker 3: threads that we can look to going forward. 350 00:20:04,720 --> 00:20:08,000 Speaker 2: There are, but I don't I don't want to. There's 351 00:20:08,040 --> 00:20:11,960 Speaker 2: stuff I think coming up that we'll see understanding where 352 00:20:12,000 --> 00:20:15,639 Speaker 2: this story goes that will help us connect directly to 353 00:20:15,720 --> 00:20:20,000 Speaker 2: the Game of Throne zero specifically, but nothing really in 354 00:20:20,040 --> 00:20:22,320 Speaker 2: this episode. That said, I will say that there are 355 00:20:22,440 --> 00:20:25,680 Speaker 2: figures alive right now. I'll talk about it a little 356 00:20:25,760 --> 00:20:31,440 Speaker 2: later at my Omnimus. For instance, Sir Brendan Rivers, one 357 00:20:31,480 --> 00:20:36,520 Speaker 2: of the Great Bastards, one of the key Loyalist leaders 358 00:20:36,560 --> 00:20:42,200 Speaker 2: who helped fight back the Blackfire Rebellion, better known perhaps 359 00:20:42,480 --> 00:20:44,920 Speaker 2: as the Three Eyed Raven, and we meet him in 360 00:20:44,960 --> 00:20:49,199 Speaker 2: Game of Thrones. He's will be still around by that time. 361 00:20:49,600 --> 00:20:51,639 Speaker 2: So that's one of the key figures in the realm 362 00:20:51,720 --> 00:20:54,280 Speaker 2: right now, and just one example of how this story 363 00:20:54,320 --> 00:20:56,359 Speaker 2: connects directly to the events of Game of Thrones. And 364 00:20:56,359 --> 00:20:58,800 Speaker 2: there's other things that we'll talk about as we get 365 00:20:58,880 --> 00:21:06,480 Speaker 2: later into the into the series. Anybody, Yeah, it's go ahead. 366 00:21:06,480 --> 00:21:08,800 Speaker 3: Oh, I was just gonna say, any big George takeaways 367 00:21:08,800 --> 00:21:11,919 Speaker 3: we know you're hosting, any big takeaways with you that 368 00:21:12,000 --> 00:21:15,320 Speaker 3: you and Greg got from chatting to George about the 369 00:21:15,400 --> 00:21:17,520 Speaker 3: first episode and what it means to bring it to 370 00:21:17,520 --> 00:21:19,320 Speaker 3: the screen that people can then go and listen to 371 00:21:19,320 --> 00:21:20,680 Speaker 3: the full chow of on the show. 372 00:21:21,359 --> 00:21:24,520 Speaker 2: I mean, he was tremendously We interviewed him for the 373 00:21:24,560 --> 00:21:27,560 Speaker 2: pre season episode of the Official Game of THRONESPOD and 374 00:21:27,600 --> 00:21:34,159 Speaker 2: he was just tremendously praiseful of the series, and I 375 00:21:34,200 --> 00:21:36,800 Speaker 2: think what you know, he kept talking about perspective and 376 00:21:36,840 --> 00:21:42,040 Speaker 2: how you know what's different. It's not just the scale, 377 00:21:42,040 --> 00:21:46,159 Speaker 2: but the fact that it's pretty much told from Dunk's perspective, 378 00:21:46,160 --> 00:21:47,960 Speaker 2: and you can see it in this episode other than 379 00:21:48,000 --> 00:21:51,159 Speaker 2: the moment a few moments right where we go to 380 00:21:51,240 --> 00:21:53,840 Speaker 2: like egg before Dunk gets there. 381 00:21:54,040 --> 00:21:56,880 Speaker 1: Yeah, exactly, it's. 382 00:21:56,720 --> 00:21:59,600 Speaker 2: Pretty much all from his perspective. So that's very very 383 00:21:59,640 --> 00:22:04,000 Speaker 2: interesting to me to see that kind of storytelling within 384 00:22:04,040 --> 00:22:06,600 Speaker 2: this context. What did you what are in terms of 385 00:22:06,640 --> 00:22:11,399 Speaker 2: like the tone, the tenor the scale, What was it 386 00:22:11,520 --> 00:22:15,119 Speaker 2: like firing up the first episode coming from like a 387 00:22:15,160 --> 00:22:17,720 Speaker 2: House of the Dragons Game of Thrones perspective, I. 388 00:22:17,600 --> 00:22:21,520 Speaker 3: Do feel like I have to say that timing wise, 389 00:22:21,760 --> 00:22:24,200 Speaker 3: I just think this show could not have been timed back. 390 00:22:24,400 --> 00:22:28,240 Speaker 3: I actually think that we will probably be reading really 391 00:22:28,240 --> 00:22:31,960 Speaker 3: fantastic thesis from TV students if that is still a 392 00:22:31,960 --> 00:22:33,240 Speaker 3: thing people study in the future. 393 00:22:33,280 --> 00:22:33,879 Speaker 2: I hope it is. 394 00:22:34,200 --> 00:22:37,600 Speaker 3: But like I think the way that they transitioned from 395 00:22:37,640 --> 00:22:40,919 Speaker 3: the brutality and shock value that was so inherent in 396 00:22:41,000 --> 00:22:43,840 Speaker 3: the original kind of swords and sandals iteration of Game 397 00:22:43,880 --> 00:22:47,000 Speaker 3: of Thrones to the more chamber drama of House of Dragons, 398 00:22:47,359 --> 00:22:51,359 Speaker 3: it feels completely natural even to see something different. You 399 00:22:51,480 --> 00:22:54,199 Speaker 3: understand there is so much more of an evolution and 400 00:22:54,280 --> 00:22:57,560 Speaker 3: a depth contextually and character wise that we saw in 401 00:22:57,600 --> 00:22:59,520 Speaker 3: House of the Dragon. So I think that it's going 402 00:22:59,560 --> 00:23:02,240 Speaker 3: to be for people to come to this Obviously, I 403 00:23:02,400 --> 00:23:06,480 Speaker 3: to am an absolute sucker for cozy fantasy. I think 404 00:23:06,480 --> 00:23:09,400 Speaker 3: it's very rare that a huge show like this gets 405 00:23:09,440 --> 00:23:11,800 Speaker 3: to come while the while the trend is still at 406 00:23:11,840 --> 00:23:14,639 Speaker 3: its peak, and the cozy fantasy trend is still at 407 00:23:14,680 --> 00:23:18,840 Speaker 3: its peak. There are multiple best selling cozy fantasy books 408 00:23:18,880 --> 00:23:21,400 Speaker 3: like The Spell Shop and the Society for a Regular 409 00:23:21,440 --> 00:23:25,639 Speaker 3: Witches and all these different obviously bookshops and bone Dust 410 00:23:25,720 --> 00:23:28,840 Speaker 3: and the Legends and Latte series, which I adore, probably 411 00:23:28,880 --> 00:23:31,720 Speaker 3: one of my favorite books ever. So I love that 412 00:23:31,840 --> 00:23:34,399 Speaker 3: this is coming at the time when this stuff is 413 00:23:34,440 --> 00:23:37,919 Speaker 3: still in and I'm very excited. And this was something 414 00:23:37,920 --> 00:23:40,400 Speaker 3: that Alan Seppamore, who we had on the show, who 415 00:23:40,440 --> 00:23:42,919 Speaker 3: was the previous Rolling Stone TV critic and is generally 416 00:23:43,000 --> 00:23:46,520 Speaker 3: just a great TV writer, he mentioned, you know something 417 00:23:46,560 --> 00:23:49,080 Speaker 3: he thinks that the show has that keeps it special 418 00:23:49,119 --> 00:23:51,600 Speaker 3: and makes it have that edge and makes it still 419 00:23:51,600 --> 00:23:54,440 Speaker 3: feel like it's pushing something forward. Is it still has 420 00:23:54,480 --> 00:23:58,560 Speaker 3: that trademark cynicism. There is still that conversation around the 421 00:23:58,640 --> 00:24:02,160 Speaker 3: richest and the poorest. It is not a complete fantasy 422 00:24:02,160 --> 00:24:05,160 Speaker 3: because as someone who loves cozy gaming, cozy fantasies, there 423 00:24:05,200 --> 00:24:08,280 Speaker 3: is always a constant conversation about like, well, is this 424 00:24:08,359 --> 00:24:11,120 Speaker 3: going to end up being a pipeline into tradwife culture 425 00:24:11,240 --> 00:24:14,800 Speaker 3: into homesteading culture, Like you have to be subverting the 426 00:24:14,880 --> 00:24:17,760 Speaker 3: tropes while you're doing it. And I love that this. 427 00:24:17,720 --> 00:24:20,840 Speaker 2: Still has that new eye line. 428 00:24:20,920 --> 00:24:24,000 Speaker 3: It's coming from somebody who has no status even among 429 00:24:24,080 --> 00:24:26,119 Speaker 3: the poorest people, and we get to see it from 430 00:24:26,160 --> 00:24:29,760 Speaker 3: his perspective. That to me is subversion enough to make 431 00:24:29,800 --> 00:24:32,719 Speaker 3: me both excited to enjoy the beautiful, cozy vibes and 432 00:24:32,880 --> 00:24:35,280 Speaker 3: also to know that this is not just going to 433 00:24:35,359 --> 00:24:37,800 Speaker 3: be like, hey, here's a bunch of white people in 434 00:24:37,840 --> 00:24:40,840 Speaker 3: a pastoral world. There's at everything great, which those stories 435 00:24:40,880 --> 00:24:42,320 Speaker 3: can sometimes verge into. 436 00:24:44,680 --> 00:24:46,720 Speaker 2: Should we take a break, and we've were right back 437 00:24:46,720 --> 00:25:06,800 Speaker 2: with an omnibus? Okay, let's talk about what this. You know, 438 00:25:06,840 --> 00:25:09,159 Speaker 2: what is the shape of this world currently? What is 439 00:25:09,200 --> 00:25:12,800 Speaker 2: the geopolitical situation in West Ros at this time? The 440 00:25:12,880 --> 00:25:15,960 Speaker 2: year is two nine, and when a Night of the 441 00:25:16,000 --> 00:25:19,520 Speaker 2: Seven Kingdoms opens, Westros is enjoying something it's pretty rare 442 00:25:19,640 --> 00:25:24,080 Speaker 2: usually for this this realm piece. The Dance of the 443 00:25:24,160 --> 00:25:27,480 Speaker 2: Dragons civil war ended some eighty years earlier. I'm not 444 00:25:27,520 --> 00:25:29,880 Speaker 2: going to spoil where that leaves us because of House 445 00:25:29,920 --> 00:25:32,800 Speaker 2: of the Dragon, but basically lots of people died and 446 00:25:32,920 --> 00:25:36,240 Speaker 2: the dragons went along with them. Basically no dragons anymore, 447 00:25:36,600 --> 00:25:40,040 Speaker 2: and that's been the case for many decades. The ruler 448 00:25:40,080 --> 00:25:43,439 Speaker 2: at this time is King Darren the Second, and his 449 00:25:43,680 --> 00:25:48,720 Speaker 2: predecessor was, you know, maybe the worst king in West 450 00:25:48,760 --> 00:25:51,800 Speaker 2: ross history e on the Fourth aka a on the Unworthy, 451 00:25:51,840 --> 00:25:56,520 Speaker 2: and his recklessness and general inability to keep his fucking 452 00:25:56,600 --> 00:25:59,760 Speaker 2: dick in his pants is what led directly to the 453 00:25:59,800 --> 00:26:02,399 Speaker 2: first and most destructive of the Blackfire rebellions. Talk more 454 00:26:02,400 --> 00:26:07,159 Speaker 2: about that. Darren is remembered as Darren the Good, which 455 00:26:07,280 --> 00:26:10,920 Speaker 2: kind of hints at how you know unique. His reign 456 00:26:11,040 --> 00:26:14,960 Speaker 2: is not a lot of Tigeria kings get like a 457 00:26:15,119 --> 00:26:18,560 Speaker 2: very simple Hey, this guy was good at it. Darren 458 00:26:18,840 --> 00:26:22,480 Speaker 2: is not like a warrior king or a half cocked 459 00:26:22,560 --> 00:26:26,080 Speaker 2: warrior king at like some of his predecessors or the 460 00:26:26,080 --> 00:26:28,600 Speaker 2: first Darn. He is a scholar. He is a negotiator. 461 00:26:28,640 --> 00:26:35,760 Speaker 2: He's a patient political mover. He governs through law, through marriage, 462 00:26:35,920 --> 00:26:41,840 Speaker 2: through careful state craft, through precedent rather than sword and flame. 463 00:26:42,359 --> 00:26:45,560 Speaker 2: It's an effective style, but it's also one that unsettles 464 00:26:45,920 --> 00:26:50,680 Speaker 2: many of the great houses. Despite his most consequential achievement, 465 00:26:50,760 --> 00:26:55,359 Speaker 2: the peaceful incorporation of Dorn into the Seven Kingdoms, This 466 00:26:55,600 --> 00:27:01,040 Speaker 2: is an achievement that eluded you know, every Targerian king 467 00:27:01,119 --> 00:27:03,480 Speaker 2: up to this point. For nearly two centuries. Since the 468 00:27:03,560 --> 00:27:08,800 Speaker 2: days of Agon, Dorn has been able to remain free. 469 00:27:09,000 --> 00:27:13,240 Speaker 2: It was the one flaw in the image of Targarian inevitability. 470 00:27:13,280 --> 00:27:18,199 Speaker 2: Agon could burn castles all across Westros, but when his 471 00:27:18,280 --> 00:27:21,719 Speaker 2: dragons arrived over Dorn, they found the castles that they 472 00:27:21,760 --> 00:27:24,560 Speaker 2: wanted to burn basically empty, and the forces that they 473 00:27:24,600 --> 00:27:31,879 Speaker 2: wanted to fight vanished. The Dornish effectively used guerrilla tactics, 474 00:27:31,960 --> 00:27:37,280 Speaker 2: denying Agon's forces a decisive set peace battle, and you know, 475 00:27:37,320 --> 00:27:39,320 Speaker 2: his warriors would just kind of like pop out of 476 00:27:39,320 --> 00:27:43,080 Speaker 2: the sand, ambush Targarian columns, steadily bleeding the troops, and 477 00:27:43,080 --> 00:27:45,919 Speaker 2: then disappear again. And this was all very annoying the 478 00:27:46,000 --> 00:27:50,920 Speaker 2: first Dornish attempt at conquer the first Targarian attempt to 479 00:27:51,080 --> 00:27:54,920 Speaker 2: conquer Dorn ended in absolute humiliation and disaster, with the 480 00:27:55,000 --> 00:27:58,439 Speaker 2: dragon Maraxis killed by a both through the eye, probably 481 00:27:58,440 --> 00:28:01,200 Speaker 2: a lucky shot, but still very gary for the Targarians, 482 00:28:01,480 --> 00:28:05,960 Speaker 2: and Agon's sister, Queen Rainys gone with her dragon, and 483 00:28:06,000 --> 00:28:09,240 Speaker 2: the Targarians had to retreat. Generations later, the first Earn 484 00:28:10,119 --> 00:28:13,560 Speaker 2: decided to the young Dragon decided to try again. He 485 00:28:13,640 --> 00:28:15,680 Speaker 2: had no dragons at this time. This is post the 486 00:28:15,760 --> 00:28:19,840 Speaker 2: Dance of Dragons, uh, and it was an absolutely brutal, 487 00:28:20,520 --> 00:28:26,440 Speaker 2: traditional on foot war campaign and it seemed like, after 488 00:28:27,119 --> 00:28:33,080 Speaker 2: you know, a ruthless campaign of near extermination, that the 489 00:28:33,600 --> 00:28:36,240 Speaker 2: young Dragon had actually done it. He had won, He 490 00:28:36,320 --> 00:28:39,160 Speaker 2: had like conquered Dorn, and so he's like, yeah, yeah, yeah, 491 00:28:39,160 --> 00:28:41,440 Speaker 2: I won. He turns around, is like, I'm going to 492 00:28:41,480 --> 00:28:44,680 Speaker 2: go back to King's landing now, and he left a 493 00:28:44,720 --> 00:28:47,520 Speaker 2: governor in place, and as soon as he had was 494 00:28:47,560 --> 00:28:51,360 Speaker 2: out of the area, the Dornis rose again, killed the governor, 495 00:28:51,440 --> 00:28:54,240 Speaker 2: and Darren had to come back. He won a bunch 496 00:28:54,280 --> 00:28:56,520 Speaker 2: of battles on his return and was like, yeah, yeah, yeah, 497 00:28:56,520 --> 00:28:59,719 Speaker 2: I'm winning again, and it seemed like the Dornish wanted 498 00:28:59,760 --> 00:29:03,320 Speaker 2: to have, you know, sue for peace. So there's a 499 00:29:03,360 --> 00:29:07,840 Speaker 2: big summit meeting at which Dearon was assassinated, so that 500 00:29:07,920 --> 00:29:11,760 Speaker 2: there ends the second attempt to conquer Dorn. Then comes 501 00:29:11,800 --> 00:29:14,440 Speaker 2: there on the second he learned all the lessons that 502 00:29:14,560 --> 00:29:19,440 Speaker 2: Egon and the original darn had put forth, and he 503 00:29:19,520 --> 00:29:21,440 Speaker 2: realized that, you know, I'm not going to be able 504 00:29:21,440 --> 00:29:23,680 Speaker 2: to beat them by force. If they couldn't do it 505 00:29:23,680 --> 00:29:25,360 Speaker 2: with dragons, we're not gonna be able to do it now. 506 00:29:25,840 --> 00:29:30,959 Speaker 2: So he basically offers what had not been offered before, 507 00:29:31,000 --> 00:29:34,840 Speaker 2: which is like a good faith negotiation and kind of 508 00:29:34,880 --> 00:29:38,280 Speaker 2: respect on something akin to. 509 00:29:38,520 --> 00:29:40,320 Speaker 1: Equals, and. 510 00:29:41,800 --> 00:29:47,600 Speaker 2: He created this like carefully negotiated alliance package that was 511 00:29:47,680 --> 00:29:50,720 Speaker 2: sealed by marriage, which would bring Dorn into the realm, 512 00:29:50,760 --> 00:29:53,160 Speaker 2: not as a conquered province, but basically as like a 513 00:29:53,240 --> 00:29:56,680 Speaker 2: kind of partnership. He agrees to leave Dornish custom in place, 514 00:29:56,840 --> 00:30:00,480 Speaker 2: Donish law in place, allowing Dorn a level lot of 515 00:30:00,560 --> 00:30:04,000 Speaker 2: autonomy that is very unique within the Seven kingdoms, and 516 00:30:04,080 --> 00:30:05,920 Speaker 2: he seals the deal with his own marriage to the 517 00:30:05,960 --> 00:30:09,280 Speaker 2: Dornish Princess Mariah Martel and. 518 00:30:10,640 --> 00:30:12,480 Speaker 1: Lock it in. Dorn is part of the realm. 519 00:30:12,480 --> 00:30:16,360 Speaker 2: This is great, right, everybody's happy. No, actually, there is 520 00:30:16,400 --> 00:30:19,480 Speaker 2: a lot of resentment about this because to many of 521 00:30:19,560 --> 00:30:24,400 Speaker 2: the lords this looks like a kind of favoritism, like 522 00:30:24,440 --> 00:30:26,880 Speaker 2: they've been jumped in line. It's like they're thinking, hey, 523 00:30:26,880 --> 00:30:29,280 Speaker 2: we spend all this blood and treasure standing by the 524 00:30:29,320 --> 00:30:31,840 Speaker 2: Targarian's time and time again as they go in to Dorn, 525 00:30:31,920 --> 00:30:38,040 Speaker 2: losing our own people, and now King Darren marries one 526 00:30:38,040 --> 00:30:41,320 Speaker 2: of the enemy instead of like my sister or my 527 00:30:41,520 --> 00:30:45,240 Speaker 2: daughter or whatever, the foreigner. They folks didn't exactly love it, 528 00:30:45,640 --> 00:30:49,959 Speaker 2: but the targeting court does grow broader more culturally diverse 529 00:30:50,000 --> 00:30:55,480 Speaker 2: and stronger and a little less politically predictable. Darren proves 530 00:30:55,480 --> 00:30:58,640 Speaker 2: that the realm can evolve. Meanwhile, his critics are like, 531 00:30:58,800 --> 00:31:02,080 Speaker 2: is this guy a true dragon? We don't. 532 00:31:02,240 --> 00:31:03,520 Speaker 1: We're very suspicious of him. 533 00:31:03,560 --> 00:31:07,160 Speaker 2: All of this is happening on the tail end of 534 00:31:07,240 --> 00:31:10,160 Speaker 2: a still smoldering fault line, which was the first Blackfire Rebellion, 535 00:31:10,160 --> 00:31:14,200 Speaker 2: which ended, you know, just maybe thirteen years ish before that. 536 00:31:14,600 --> 00:31:21,160 Speaker 2: Darren's legitimized half brother, Damon Blackfire, was like the picture 537 00:31:21,280 --> 00:31:24,000 Speaker 2: of what many lords wanted a king, a good looking guy, 538 00:31:24,040 --> 00:31:32,200 Speaker 2: a great fighter, chisel jaw, charismatic, openly heroic. His father, 539 00:31:32,720 --> 00:31:38,080 Speaker 2: Eggon the Unworthary, very foolishly gave him Blackfire the sword 540 00:31:38,120 --> 00:31:43,360 Speaker 2: of egg On the Conqueror, which seemed to many and it's, 541 00:31:43,520 --> 00:31:46,680 Speaker 2: you know, a solid argument. I think that in doing so, 542 00:31:47,680 --> 00:31:50,640 Speaker 2: Egon basically said, Hey, this is the guy that I 543 00:31:50,720 --> 00:31:56,240 Speaker 2: want to succeed me. However, he was a bastard, so 544 00:31:56,600 --> 00:32:02,560 Speaker 2: that's a problem. Egon also basically all of his great bastards, 545 00:32:02,560 --> 00:32:07,840 Speaker 2: the bastards that he made with other royal family members, 546 00:32:07,880 --> 00:32:10,600 Speaker 2: you know of royal houses within the realm. And this 547 00:32:10,880 --> 00:32:13,920 Speaker 2: was you know, a very divisive thing. It split the 548 00:32:13,920 --> 00:32:17,080 Speaker 2: realm and the banners were raised in war. The war 549 00:32:17,320 --> 00:32:22,400 Speaker 2: ended on the Battle of Red grass Field. Brendan Rivers 550 00:32:22,480 --> 00:32:26,400 Speaker 2: aka the Three Eyed Raven was a key leader in 551 00:32:26,520 --> 00:32:32,400 Speaker 2: turning back the tide of Damon Blackfire, loosing his elite 552 00:32:32,520 --> 00:32:35,880 Speaker 2: archers the Raven's Teeth from the high ground onto Damon's position, 553 00:32:36,600 --> 00:32:44,040 Speaker 2: killing him and driving the Blackfires off the field. However, 554 00:32:44,320 --> 00:32:48,719 Speaker 2: he did get the the He was considered a kin 555 00:32:48,800 --> 00:32:51,640 Speaker 2: slayer after this, as this was his, you know, half brother. 556 00:32:53,800 --> 00:32:58,200 Speaker 2: He was also a albino and looked very scary to people, 557 00:32:58,280 --> 00:33:01,480 Speaker 2: and people didn't trust him. But yet he's an absolute 558 00:33:01,600 --> 00:33:05,200 Speaker 2: hero in this moment despite his sinister look, and the 559 00:33:05,240 --> 00:33:08,160 Speaker 2: rebellion collapsed. It was all over, but it was not finished. 560 00:33:08,200 --> 00:33:11,400 Speaker 2: The Blackfire loyalist fled to saus To by their time, 561 00:33:11,520 --> 00:33:15,360 Speaker 2: and they would attack again many many other times after this. 562 00:33:15,480 --> 00:33:18,880 Speaker 2: But peace kind of takes hold. And that is the 563 00:33:18,920 --> 00:33:20,480 Speaker 2: state of things when we meet Sir Dunk and the 564 00:33:20,560 --> 00:33:24,280 Speaker 2: Tall with everyone believing the worst is essentially behind them, 565 00:33:24,400 --> 00:33:30,840 Speaker 2: but quietly preparing for war to happen again. That Targarians 566 00:33:30,840 --> 00:33:34,600 Speaker 2: are still in control, though can we say firmly it's unclear, 567 00:33:34,960 --> 00:33:39,160 Speaker 2: but everybody understands that without the dragons, it's probably only 568 00:33:39,200 --> 00:33:44,080 Speaker 2: a matter of time before someone truly challenges them. Rosie, 569 00:33:44,120 --> 00:33:47,240 Speaker 2: let's take a quick break and give our quick thoughts 570 00:33:47,640 --> 00:34:05,360 Speaker 2: on the first episode of Knight and Seven Kingdom Errach, 571 00:34:05,560 --> 00:34:05,960 Speaker 2: we're back. 572 00:34:06,560 --> 00:34:10,520 Speaker 3: It's led us to wester ros Jason. Jason, tell me 573 00:34:10,920 --> 00:34:13,719 Speaker 3: your first quick take. What's your thought to west Ross? 574 00:34:13,760 --> 00:34:14,480 Speaker 3: Tell him how it is. 575 00:34:15,600 --> 00:34:19,600 Speaker 2: My first quick take is Dunk. I don't understand what 576 00:34:19,680 --> 00:34:22,319 Speaker 2: Dunk was trying to do with his pooping behind the 577 00:34:22,360 --> 00:34:25,319 Speaker 2: tree posture. It was like he was he trying to 578 00:34:25,400 --> 00:34:28,640 Speaker 2: hide it was a very skinny tree. Shouldn't you crouch down? 579 00:34:28,880 --> 00:34:31,840 Speaker 2: I don't understand what the what the what the pose 580 00:34:32,000 --> 00:34:34,680 Speaker 2: was for. That's all the butt should have been hidden. 581 00:34:34,880 --> 00:34:40,000 Speaker 3: I agree. I'm gonna go with Lionel Barrathian Chillist Birathian today, 582 00:34:40,120 --> 00:34:43,360 Speaker 3: west Ross question Mark also as Ian put it before 583 00:34:43,640 --> 00:34:47,680 Speaker 3: by Rathians. He's definitely giving rendly is this almost out 584 00:34:47,760 --> 00:34:51,319 Speaker 3: gay king? Yet he's giving gay. I'm excited to see 585 00:34:51,320 --> 00:34:51,799 Speaker 3: where that goes. 586 00:34:52,560 --> 00:34:56,040 Speaker 2: I also love Solanel Bathian, just incredible. I'm gonna go 587 00:34:56,200 --> 00:34:59,960 Speaker 2: with dear Tansell. We talked about it in the recap. 588 00:35:00,239 --> 00:35:04,560 Speaker 2: But where does who is designing this stuff? There is 589 00:35:05,400 --> 00:35:09,359 Speaker 2: who is the production designer making this dragon? Who is 590 00:35:09,560 --> 00:35:13,960 Speaker 2: where is the flames come from? This is incredible, and 591 00:35:15,640 --> 00:35:20,400 Speaker 2: I mean the the Targerian should put you like to 592 00:35:20,520 --> 00:35:25,560 Speaker 2: work creating like fake dragons or flamethrower weapons or something like. 593 00:35:25,920 --> 00:35:28,880 Speaker 2: This is incredible. That's all that is true. 594 00:35:29,040 --> 00:35:33,240 Speaker 3: I'm gonna say, hey, who's making all the sick Jesta 595 00:35:33,320 --> 00:35:35,359 Speaker 3: clothes for the guests too? 596 00:35:35,560 --> 00:35:35,640 Speaker 2: Like? 597 00:35:36,239 --> 00:35:39,400 Speaker 3: This is like there must be levels and levels of 598 00:35:40,000 --> 00:35:42,799 Speaker 3: the unbelievable production values going on. 599 00:35:42,880 --> 00:35:44,240 Speaker 2: There are costume shops. 600 00:35:44,280 --> 00:35:47,600 Speaker 3: They're making sure that everyone has matching looks for the 601 00:35:47,680 --> 00:35:52,239 Speaker 3: mummering party in line Brathians after party ten. I just 602 00:35:52,320 --> 00:35:55,760 Speaker 3: feel like I need to know where the Jester Department 603 00:35:55,800 --> 00:35:57,480 Speaker 3: store is and I will be there. 604 00:35:58,680 --> 00:36:03,400 Speaker 2: Uh. Finally, I love the hard cut out of the 605 00:36:03,560 --> 00:36:07,799 Speaker 2: Game of Thrones theme as a way to signal, hey, 606 00:36:07,840 --> 00:36:10,360 Speaker 2: this is not your this is not your father's. 607 00:36:10,040 --> 00:36:11,760 Speaker 1: Game of Thrones series. 608 00:36:12,000 --> 00:36:15,319 Speaker 2: What did you think of that? I hard cut love that. 609 00:36:15,480 --> 00:36:17,319 Speaker 3: I also just want to say general, I think the 610 00:36:17,400 --> 00:36:19,680 Speaker 3: use of music and this is amazing. I love the 611 00:36:19,800 --> 00:36:23,320 Speaker 3: kind of cozy like magical very Lord of the Rings coded. 612 00:36:23,560 --> 00:36:26,760 Speaker 3: Also at the end. It was really giving Rainbow Connection 613 00:36:26,960 --> 00:36:29,439 Speaker 3: by the iconic Paul Williams obviously written forkermat the Frog 614 00:36:29,480 --> 00:36:32,480 Speaker 3: and the Muppet Movie. Yeah, so no, I loved it, 615 00:36:32,560 --> 00:36:35,400 Speaker 3: and I loved how they went from like there was 616 00:36:35,440 --> 00:36:37,799 Speaker 3: a couple of little cheeky moments like that and thank 617 00:36:37,840 --> 00:36:39,920 Speaker 3: you for this west Us and those within it. But 618 00:36:39,960 --> 00:36:41,920 Speaker 3: like when his first thing that he does is go 619 00:36:42,320 --> 00:36:45,319 Speaker 3: no rapists, like don't be rapin with his sword, Like, 620 00:36:45,360 --> 00:36:48,240 Speaker 3: they make a couple of little jokes about the tenor 621 00:36:48,280 --> 00:36:50,839 Speaker 3: of Game of Thrones, and I think the hard cut 622 00:36:50,880 --> 00:36:57,520 Speaker 3: out of like d to him just like poop in hilarious, Yes, wonderful. 623 00:36:57,600 --> 00:37:00,680 Speaker 2: I'm loving the music, loving the vibe, and loving the 624 00:37:00,719 --> 00:37:03,160 Speaker 2: way that they're signaling like this is going to be 625 00:37:03,200 --> 00:37:05,920 Speaker 2: different from than what you're used to. Well, on the 626 00:37:05,960 --> 00:37:09,440 Speaker 2: next episode of Extra Vision, we're diving into stuff. Thanks 627 00:37:09,480 --> 00:37:11,800 Speaker 2: for joining us. We're going to be covering this show 628 00:37:12,080 --> 00:37:14,759 Speaker 2: as it completes its first season and we can't wait 629 00:37:14,760 --> 00:37:17,120 Speaker 2: to keep covering it. And that's it for this episode. 630 00:37:17,160 --> 00:37:17,800 Speaker 1: Thanks for listening. 631 00:37:17,840 --> 00:37:26,000 Speaker 2: Hie x ray Vision is hosted by Jason Sepsion and 632 00:37:26,120 --> 00:37:29,320 Speaker 2: Rosie Knight and is a production of iHeart podcasts. 633 00:37:28,880 --> 00:37:32,480 Speaker 3: Our Executive producers are Joel Monique and Aaron Kolefman. 634 00:37:32,719 --> 00:37:34,799 Speaker 2: Our supervising producer is Abuzafar. 635 00:37:35,160 --> 00:37:39,120 Speaker 3: Our producers are Common, Laurent Dean Jonathan and Bai wag. 636 00:37:39,200 --> 00:37:42,000 Speaker 2: Our theme song is by Brian Vasquez, with alternate theme 637 00:37:42,040 --> 00:37:43,320 Speaker 2: songs by Aaron Kaufman. 638 00:37:43,480 --> 00:37:47,280 Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and Hide. 639 00:37:47,560 --> 00:37:48,799 Speaker 3: Our disc called moderate, though