WEBVTT - COPPA, YouTube and a Creepy Cartoon

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<v Speaker 1>Welcome to Tech Stuff, a production from I Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host

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<v Speaker 1>Jonathan Strickland, Diamond Executive producer with I Heart Radio and

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<v Speaker 1>how the tech are yet So recently, the YouTube content

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<v Speaker 1>moderation AI made a notable mistake. Artist and writer Chris Straub,

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<v Speaker 1>whom I once interviewed many years ago for an article

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<v Speaker 1>about how web comics work, has made a lot of

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<v Speaker 1>different stuff over the years, and one of his creations

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<v Speaker 1>is a video series called Local five eight TV, which

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<v Speaker 1>is described on the YouTube channel as quote an analog

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<v Speaker 1>horror at four seventies six mega hurts end quote. The

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<v Speaker 1>series relies on a low fi VHS aesthetic which has,

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<v Speaker 1>you know, in a popular style in the horror realm

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<v Speaker 1>for the better part of a decade now, and I'm

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<v Speaker 1>sure you've seen plenty of examples, such as the game

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<v Speaker 1>series Five Nights at Freddie's or the VHS anthology Horror Stories.

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<v Speaker 1>There are tons of these of this kind of throwback

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<v Speaker 1>to like nineteen eighties era looks and aesthetic for horror. Anyway,

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<v Speaker 1>one of the episodes Stroub created back in has the

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<v Speaker 1>title show for Children and the description on the video

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<v Speaker 1>reads not for children, and the whole stick here is

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<v Speaker 1>that Stroub has gone for a beyond generic title for

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<v Speaker 1>this short. In fact, in the context of the Local

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<v Speaker 1>five eight t V universe, it's the television station the

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<v Speaker 1>Local five eight has show for children listed on its

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<v Speaker 1>on its lineup, and that's just the title, like, it's

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<v Speaker 1>kind of a commentary on this sort of very generic,

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<v Speaker 1>low budget children's program um And the short itself follows

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<v Speaker 1>a cute little cartoon skeleton walking through a cemetery at

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<v Speaker 1>night with the moon overhead as a warbly soundtrack plays

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<v Speaker 1>in the background. The skeleton comes upon an open grave

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<v Speaker 1>and looks into it and sees a less cartoonish skeleton

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<v Speaker 1>inside it, and then continues on its way, and gradually

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<v Speaker 1>the music fades out. We get the sound of wind

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<v Speaker 1>as this cartoon skeleton looks into other open graves. It

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<v Speaker 1>sees a little weird skeletal creature in one that kind

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<v Speaker 1>of mules like a cat, and sees a bottomless hole

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<v Speaker 1>in another, and apparently goes inside it and is walking

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<v Speaker 1>in like a cave with its arms folded as if

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<v Speaker 1>the skeleton is freezing, and it comes upon another open

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<v Speaker 1>grave within this cave and lies down inside of it,

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<v Speaker 1>looking up through the grave to the moon, and then

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<v Speaker 1>transforms into a more realistic skeleton. And that's the end. Now,

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<v Speaker 1>on the whole, it's a pretty tame but creepy short video.

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<v Speaker 1>But Straub knew what audience he was aiming for and

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<v Speaker 1>it wasn't kids. And so even though the title read

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<v Speaker 1>show for children, the description said otherwise. And moreover, Straub

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<v Speaker 1>went a bit further. He used the content settings in

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<v Speaker 1>YouTube to tag the cartoon as an eighteen and up

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<v Speaker 1>video and that was that for a while. Anyway, flash

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<v Speaker 1>forward to this week in twenty two, when Straube discovered

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<v Speaker 1>that YouTube's content moderation AI had mysteriously changed this video's

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<v Speaker 1>setting from eighteen and up to being suitable for children. Now,

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<v Speaker 1>that also means that his short could potentially appear in

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<v Speaker 1>the YouTube Kids app More on that later. Now, clearly

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<v Speaker 1>that's not what Chris Strab wanted. He went on to

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<v Speaker 1>Twitter to reveal this problem, including screen shots of some

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<v Speaker 1>of the issues. He had intentionally flagged his video as

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<v Speaker 1>being for mature audiences. The YouTube moderation AI reverse that

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<v Speaker 1>setting without Straub's input or consent. Moreover, Strab found that

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<v Speaker 1>he couldn't change it back. His ability to switch the

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<v Speaker 1>video away from being flagged as suitable for all kids

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<v Speaker 1>had been grayed out. He could not switch it to

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<v Speaker 1>eighteen and up again, so his only option was to

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<v Speaker 1>file and appeal with YouTube, which he did. Now, obviously

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<v Speaker 1>there are a lot of questions that pop up because

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<v Speaker 1>of this incident. So why would an automated content moderation

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<v Speaker 1>tool be able to reverse an age gated restriction on

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<v Speaker 1>a YouTube video? You know, it makes sense if the

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<v Speaker 1>moderation algorithm detected a video that had no age restriction

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<v Speaker 1>should have age restriction, right like, if a video detection

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<v Speaker 1>system determines this video has got some objectionable material in it,

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<v Speaker 1>it makes sense that it could flag that video and

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<v Speaker 1>change the setting so it's not listed as appropriate for

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<v Speaker 1>all ages. You could understand that maybe the content creator

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<v Speaker 1>could say, oh, no, this is a mistake. Review it.

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<v Speaker 1>You'll see that this content is in fact appropriate for everyone,

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<v Speaker 1>and maybe get that decision reversed. You would think that

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<v Speaker 1>that would be the only way this kind of AI

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<v Speaker 1>would make an error, right like, it would be overprotective,

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<v Speaker 1>rather than potentially reversing a video that had been flagged

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<v Speaker 1>as being eighteen and up as being suitable for all ages.

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<v Speaker 1>So what is going on here? Well, to get to

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<v Speaker 1>the bottom of all that, we're gonna have to talk

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<v Speaker 1>about YouTube's shoddy history with content for kids, which goes

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<v Speaker 1>back pretty much to the founding of YouTube. We're also

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<v Speaker 1>gonna have to talk about the Children's Online Privacy Protection Act.

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<v Speaker 1>In fact, that's going to be the meat of most

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<v Speaker 1>of this episode. That's also known as Kappa CEO p

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<v Speaker 1>p A and the ridiculous tendency for lawmakers to deem

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<v Speaker 1>anything that animated is intended for kids. That seems to

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<v Speaker 1>be kind of a go to, which you would think

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<v Speaker 1>by now people would realize that's just not the case.

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<v Speaker 1>In fact, I mean, I'm going to talk about this

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<v Speaker 1>again later, but animation has a very long history of

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<v Speaker 1>being a medium for different age groups. I mean, there

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<v Speaker 1>are old cartoons that were never meant to be shown

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<v Speaker 1>to kids. And we're also going to talk about the

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<v Speaker 1>business of online video because that plays a big part

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<v Speaker 1>in it too. So let's start with Kappa because that

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<v Speaker 1>actually predates the launch of YouTube. You know, I'm sure

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<v Speaker 1>a lot of people heard about Kappa, maybe around definitely

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<v Speaker 1>more around twenty because that's when it was really having

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<v Speaker 1>a huge impact on YouTube. But in fact, KAPPA was

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<v Speaker 1>initially passed in and was enacted on April twenty one,

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<v Speaker 1>two thousand, so that's five years before YouTube came out,

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<v Speaker 1>and KAPPA was intended to protect children online using various measures,

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<v Speaker 1>including restrictions on how sites could harvest and use personal data,

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<v Speaker 1>as well as requiring sites to seek very aifiable consent

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<v Speaker 1>from a parent or a guardian before a child was

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<v Speaker 1>allowed to use it. The law specifically protects kids under

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<v Speaker 1>the age of thirteen. So if you've ever wondered why

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<v Speaker 1>so many social network sites require users to be thirteen

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<v Speaker 1>or older, this is why. It's because creating a service

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<v Speaker 1>that complies with Kappa is really darn hard to do.

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<v Speaker 1>It requires a lot of oversight. I mean, just having

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<v Speaker 1>a verifiable way for parents to consent is tough on

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<v Speaker 1>its own, right, Like, how can you verify that it

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<v Speaker 1>was in fact a guardian or parent who gave consent

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<v Speaker 1>for a child to access that material. If you've ever

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<v Speaker 1>encountered any site that asked you if you were of

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<v Speaker 1>the appropriate age, you've probably noticed that all it takes

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<v Speaker 1>is clicking the yes button or the I'm over eighteen

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<v Speaker 1>button or whatever it might be. That's not verifiable, right,

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<v Speaker 1>that's just taking your word for that. Anyone could click

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<v Speaker 1>an affirmative answer even if they didn't meet the criteria.

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<v Speaker 1>There's nothing stopping them. So building an age gate that

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<v Speaker 1>verifies answers, or at least as capable of verifying answers

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<v Speaker 1>is way more difficult. And it also means that you

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<v Speaker 1>potentially are reducing the amount of traffic to that site

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<v Speaker 1>or service. So a lot of companies just opt out

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<v Speaker 1>of doing it entirely and say, hey, our stuff is

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<v Speaker 1>not meant for kids under thirteen, so don't even try.

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<v Speaker 1>Doesn't mean that kids can't try, and it doesn't mean

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<v Speaker 1>that those sites prevent kids from trying, but you know,

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<v Speaker 1>they're at least trying to take the appearance of not

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<v Speaker 1>being intended for younger children in an effort to not

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<v Speaker 1>be lumped in as something that would be covered under

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<v Speaker 1>Kappa um. There. You could have a very long discussion.

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<v Speaker 1>It's almost like theater, right, Like it's like security theater

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<v Speaker 1>giving the appearance of propriety in this case but not

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<v Speaker 1>actually being proper. Uh, we could have a week long

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<v Speaker 1>discussion about that. But you know, just keep it in

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<v Speaker 1>the back of your mind. So KAPPA also specifically focus

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<v Speaker 1>is on sites and services that are specifically directed to children. Moreover,

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<v Speaker 1>the courts of interpreted Kappa to treat user generated channels

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<v Speaker 1>like user generated content, as if they the person who

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<v Speaker 1>created the content owned and operated the site it was on. So,

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<v Speaker 1>in other words, if you made a channel that a

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<v Speaker 1>reasonable person would interpret as having content directed to children,

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<v Speaker 1>well then your channel would be subject to KAPPA and

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<v Speaker 1>you could be treated as if you owned and operated

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<v Speaker 1>the site, though the site itself could also be facing

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<v Speaker 1>its own issues, which YouTube has faced numerous times in

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<v Speaker 1>the past. Now let's talk about YouTube in particular now,

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<v Speaker 1>as I'm sure we all know, YouTube and Google in

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<v Speaker 1>general makes most of its revenue through selling ads against content,

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<v Speaker 1>and we probably all know that the most valuable advertisements

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<v Speaker 1>online are targeted advertisements. Those just have a higher chance

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<v Speaker 1>of making an impact on a consumer. Here's a very

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<v Speaker 1>simple example. If you happen to know that the person

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<v Speaker 1>who's visiting your channel and watching a particular video has

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<v Speaker 1>been shopping for shoes recently, serving up an ad about

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<v Speaker 1>shoes could be a huge payoff. The person might respond

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<v Speaker 1>to that ad, and that ad becomes more valuable. But

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<v Speaker 1>to target ads, you have to learn about the audience first.

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<v Speaker 1>You can't target an audience with advertising unless you know

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<v Speaker 1>more about them. You need to know stuff like where

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<v Speaker 1>they're living, because you don't want to serve them ads

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<v Speaker 1>for things that aren't available in their area. You need

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<v Speaker 1>to know what they like and what their habits indicate

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<v Speaker 1>about those people. You might also want to know stuff

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<v Speaker 1>like how old they are, what gender do they identify with,

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<v Speaker 1>that kind of thing. Now, it's one thing to track

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<v Speaker 1>personal data that belongs to adults, it's an entirely different

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<v Speaker 1>matter when we're talking about children. That's when Kappa comes

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<v Speaker 1>into play, and that's when you really need that very

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<v Speaker 1>viable adult consent. Okay, we're gonna take a quick break.

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<v Speaker 1>When we come back, we're gonna talk more about Kappa

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<v Speaker 1>and YouTube. Okay, so let's talk about Kappa and YouTube.

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<v Speaker 1>While a channel creator might make stuff directed to children,

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<v Speaker 1>that channel creator isn't fully responsible for tracking the data

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<v Speaker 1>of that person necessarily, right, Like, you can get some

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<v Speaker 1>insights on your audience through the creator part of YouTube.

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<v Speaker 1>Like when you're actually owning a channel on your uploading videos,

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<v Speaker 1>you get insights into your audience to some degree, but

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<v Speaker 1>it's not like you have all the tools available to

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<v Speaker 1>you to make use of that information the way YouTube does.

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<v Speaker 1>Like YouTube really takes the reins on that, right, It's

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<v Speaker 1>it's the platform's responsibility to secure advertising against the content.

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<v Speaker 1>They're better qualified to do it and able to do

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<v Speaker 1>it on a much larger scale, so you aren't fully

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<v Speaker 1>responsible for that. However, you know, if you have comments

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<v Speaker 1>or whatever enabled on your on your video, people might

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<v Speaker 1>be leaving information that reveals personal data about themselves, like

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<v Speaker 1>their name or where they're from, or any sort of

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<v Speaker 1>of of information about themselves, and you could be keeping

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<v Speaker 1>track of that, right So it wouldn't necessarily just be YouTube.

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<v Speaker 1>You could be tracking that too. So if a content

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<v Speaker 1>creator has enabled ads against their content, if they're trying

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<v Speaker 1>to monetize their their videos, that brings up a ton

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<v Speaker 1>of red flags when you know, view it in line

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<v Speaker 1>with Kappa. But hey, what determines if a site or

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<v Speaker 1>service or channel is directed to children in the first place, Like,

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<v Speaker 1>what is it that makes us say, yes, this channel

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<v Speaker 1>is meant to be shown to children. Well, there's no

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<v Speaker 1>cookie cutter answer for that. Ultimately, if it came down

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<v Speaker 1>to it. The FTC or Federal Trade Commission would have

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<v Speaker 1>to rule if something is actually directed to children, using

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<v Speaker 1>various criteria, and that criteria can include things like the

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<v Speaker 1>subject matter involved. Right Like, if the video channel is

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<v Speaker 1>all about home appraisals, chances are the FTC is gonna say, well, clearly,

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<v Speaker 1>this isn't directed to children. Even if you're using cartoons

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<v Speaker 1>to illustrate how home appraisals work. The subject matter alone

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<v Speaker 1>is not going to appeal to children. It's not directed

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<v Speaker 1>to them. It's not really a question. But the visual

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<v Speaker 1>style of the content does matter, and that includes whether

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<v Speaker 1>or not there's any use of animation. Animation is one

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<v Speaker 1>of the criteria. So again, I know that my my

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<v Speaker 1>animation fans out there all feel this way. There's tons

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<v Speaker 1>of animation that's not meant for children. It's not necessarily

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<v Speaker 1>incredibly offensive or whatever, but there's tons of animation animations

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<v Speaker 1>like any other medium, right, There's there's animation out there

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<v Speaker 1>that's for different audiences, including audiences that don't include children. However,

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<v Speaker 1>animation is one of the criteria that the FTC might

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<v Speaker 1>look at if determining a channel is directed to children

0:14:23.600 --> 0:14:26.560
<v Speaker 1>or not. The type of music being used in a

0:14:26.640 --> 0:14:29.960
<v Speaker 1>video can also be a factor, right, So if the

0:14:30.040 --> 0:14:35.080
<v Speaker 1>music is very jaunty and fun and there's animated characters,

0:14:35.920 --> 0:14:39.800
<v Speaker 1>those things could be elements that the FTC takes into

0:14:39.800 --> 0:14:42.200
<v Speaker 1>consideration to say, like, well, you know, even if you

0:14:42.280 --> 0:14:45.320
<v Speaker 1>don't intend for this to be seen for children, it's

0:14:45.360 --> 0:14:48.560
<v Speaker 1>designed in such a way as to appeal to children,

0:14:49.080 --> 0:14:54.200
<v Speaker 1>So it gets kind of gray and vague. If your

0:14:54.280 --> 0:14:57.160
<v Speaker 1>videos have the presence of children in them, or people

0:14:57.240 --> 0:15:00.680
<v Speaker 1>posing as children and them, that can also be a factor.

0:15:01.360 --> 0:15:03.440
<v Speaker 1>There are a lot of different elements at play here.

0:15:04.160 --> 0:15:07.240
<v Speaker 1>But hang on a minute. I hear you say, isn't

0:15:07.280 --> 0:15:09.840
<v Speaker 1>this too broad of a brush? And yeah, each of

0:15:09.880 --> 0:15:13.520
<v Speaker 1>these taken by themselves, definitely would be too broad a brush. If,

0:15:13.560 --> 0:15:16.280
<v Speaker 1>if it only, if only one of these check boxes

0:15:16.320 --> 0:15:18.080
<v Speaker 1>had to be checked for the FTC to say, well,

0:15:18.160 --> 0:15:20.720
<v Speaker 1>clearly this this channel is directed to children, or this

0:15:20.760 --> 0:15:26.280
<v Speaker 1>website or this service or whatever, then that would be ludicrous.

0:15:26.320 --> 0:15:30.160
<v Speaker 1>It would be way too much over each right, and

0:15:30.720 --> 0:15:35.040
<v Speaker 1>so you would have to definitely dig further down. There

0:15:35.040 --> 0:15:38.400
<v Speaker 1>has to be multiple factors here, and it has to

0:15:38.440 --> 0:15:43.280
<v Speaker 1>be reasonable to assume that the material itself was specifically

0:15:43.320 --> 0:15:47.160
<v Speaker 1>created in order to appeal to children and attract children

0:15:47.200 --> 0:15:51.080
<v Speaker 1>to it. So this is not a new thing. This

0:15:51.200 --> 0:15:54.520
<v Speaker 1>is something that you know has been an issue for ages,

0:15:54.960 --> 0:16:00.160
<v Speaker 1>and for some cycles of content, it's more prevalent than others. Right, Like,

0:16:00.760 --> 0:16:03.560
<v Speaker 1>you can look at stuff that has been created over

0:16:03.640 --> 0:16:08.440
<v Speaker 1>time that uh, you know has like a retro appeal

0:16:08.520 --> 0:16:12.160
<v Speaker 1>or a nostalgia of heel to it that you could,

0:16:12.400 --> 0:16:14.400
<v Speaker 1>on one hand say, oh, I can see how this

0:16:14.480 --> 0:16:18.440
<v Speaker 1>could be considered directed to children. I'm thinking of things

0:16:18.480 --> 0:16:23.200
<v Speaker 1>like Robot Chicken, a series where toys and and animated

0:16:23.240 --> 0:16:27.320
<v Speaker 1>figures are used to tell jokes that are not meant

0:16:27.320 --> 0:16:30.560
<v Speaker 1>for kids. Like the material in those shows are not

0:16:30.640 --> 0:16:33.760
<v Speaker 1>meant for for kids, uh, And it's meant to appeal

0:16:33.840 --> 0:16:36.160
<v Speaker 1>to an age group of people who grew up playing

0:16:36.160 --> 0:16:39.320
<v Speaker 1>with like action figures and stuff. But the fact that

0:16:39.360 --> 0:16:42.360
<v Speaker 1>it is animated and that's using toys, those are things

0:16:42.360 --> 0:16:44.720
<v Speaker 1>that the FTC might look at and say, you know,

0:16:46.080 --> 0:16:50.160
<v Speaker 1>it's hitting some of the criteria we consider for material

0:16:50.200 --> 0:16:53.520
<v Speaker 1>that was meant to be directed to children. So yeah,

0:16:53.760 --> 0:16:58.080
<v Speaker 1>there's a real um sticky situation there. And you can

0:16:58.120 --> 0:17:00.360
<v Speaker 1>see how by using some of the criteria that the

0:17:00.400 --> 0:17:03.240
<v Speaker 1>FTC uses to determine if something is in fact directed

0:17:03.240 --> 0:17:07.200
<v Speaker 1>to children. Such a short as Chris Stroubs might get

0:17:07.280 --> 0:17:10.160
<v Speaker 1>lumped in there, right, had a cartoon skeleton and had

0:17:10.200 --> 0:17:12.919
<v Speaker 1>some fun music in the beginning. Never mind that the

0:17:12.960 --> 0:17:15.840
<v Speaker 1>short is sort of a dark parody of those kinds

0:17:15.840 --> 0:17:19.359
<v Speaker 1>of cartoons, and it is in fact leveraging that retro

0:17:19.520 --> 0:17:23.600
<v Speaker 1>aesthetic to convey an unsettling and creepy story. You could

0:17:23.680 --> 0:17:26.960
<v Speaker 1>argue that just because something looks similar to material produced

0:17:26.960 --> 0:17:32.280
<v Speaker 1>for children, that it should qualify as intended for children.

0:17:32.400 --> 0:17:34.600
<v Speaker 1>I don't think that's a good argument. I don't think

0:17:34.640 --> 0:17:38.680
<v Speaker 1>you can argue that just because something resembles something else

0:17:38.720 --> 0:17:40.640
<v Speaker 1>that it makes it the same thing. I think that's

0:17:41.080 --> 0:17:43.399
<v Speaker 1>a dangerous argument to make. But you can start to

0:17:43.440 --> 0:17:47.439
<v Speaker 1>see where YouTube's AI started to make mistakes. Now, if

0:17:47.480 --> 0:17:49.879
<v Speaker 1>you're someone like Stroube, there's a very good reason you

0:17:49.880 --> 0:17:53.400
<v Speaker 1>would want your video to not be flagged as appropriate

0:17:53.480 --> 0:17:57.760
<v Speaker 1>for all ages if in fact the video isn't. See

0:17:57.920 --> 0:18:01.479
<v Speaker 1>if the FTC determines that your service or site or

0:18:01.480 --> 0:18:07.200
<v Speaker 1>whatever is directed to children but is violating Kappa on

0:18:07.280 --> 0:18:10.440
<v Speaker 1>some level, then you could face a maximum fine of

0:18:10.560 --> 0:18:17.159
<v Speaker 1>forty thousand, five dollars per violation. That's a heck of

0:18:17.160 --> 0:18:21.679
<v Speaker 1>a fine if you're a content creator, right like, you

0:18:21.760 --> 0:18:24.960
<v Speaker 1>get hit for that because your video was deemed to

0:18:25.040 --> 0:18:29.720
<v Speaker 1>be inappropriate for children and yet designated as appropriate for children.

0:18:30.280 --> 0:18:33.720
<v Speaker 1>Explains why Straube is so frustrated that YouTube has overruled

0:18:33.800 --> 0:18:37.040
<v Speaker 1>his own designation that the video is meant for older audiences.

0:18:37.240 --> 0:18:39.400
<v Speaker 1>Strab could be on the hook for a large fine

0:18:39.440 --> 0:18:42.639
<v Speaker 1>if a complaint were brought against his channel. And now

0:18:43.280 --> 0:18:47.440
<v Speaker 1>let's talk about YouTube's own lousy history of curating content

0:18:47.520 --> 0:18:50.919
<v Speaker 1>for children. It is no surprise that there is a

0:18:50.960 --> 0:18:54.280
<v Speaker 1>lot of content on YouTube that's unsuitable for kids. I

0:18:54.280 --> 0:18:57.440
<v Speaker 1>would argue there's a lot of content on YouTube that's

0:18:57.480 --> 0:19:01.280
<v Speaker 1>unsuitable for anyone. I see examples of it all the time.

0:19:01.320 --> 0:19:03.200
<v Speaker 1>But we're gonna put that aside for now, because that's

0:19:03.240 --> 0:19:07.680
<v Speaker 1>just grumpy old man yells at cloud material. So YouTube

0:19:07.800 --> 0:19:10.320
<v Speaker 1>launched back in two thousand five, and it did not

0:19:10.440 --> 0:19:12.760
<v Speaker 1>take very long for folks to find stuff that was

0:19:12.840 --> 0:19:16.880
<v Speaker 1>not appropriate for kids and yet appeared to be aimed

0:19:17.600 --> 0:19:21.680
<v Speaker 1>at kids. Now, that pretty much has been part of

0:19:21.720 --> 0:19:25.080
<v Speaker 1>YouTube's landscape throughout its entire history, but for a very

0:19:25.119 --> 0:19:27.800
<v Speaker 1>long time that issue was largely ignored or at least

0:19:27.840 --> 0:19:32.640
<v Speaker 1>not talked about very much. In two thousand fifteen, Google

0:19:32.720 --> 0:19:36.200
<v Speaker 1>released an app for Android and iOS called YouTube Kids.

0:19:36.760 --> 0:19:39.320
<v Speaker 1>The app was meant to give parents more control over

0:19:39.320 --> 0:19:42.240
<v Speaker 1>what their kids could watch on various devices like tablets

0:19:42.320 --> 0:19:46.600
<v Speaker 1>or smartphones or smart TVs, and the content was curated.

0:19:46.880 --> 0:19:50.000
<v Speaker 1>The idea was that the only content suitable for children

0:19:50.080 --> 0:19:53.080
<v Speaker 1>under the age of thirteen would make it through a

0:19:53.280 --> 0:19:57.880
<v Speaker 1>first past filter into YouTube Kids, so that parents could

0:19:57.880 --> 0:20:00.920
<v Speaker 1>be sure that whatever their kids were watching on this

0:20:01.000 --> 0:20:05.439
<v Speaker 1>particular version of YouTube would not be inappropriate. But on

0:20:05.520 --> 0:20:08.440
<v Speaker 1>top of that, parents would actually have additional parental controls

0:20:08.520 --> 0:20:10.719
<v Speaker 1>so that they could restrict it further if they wanted to.

0:20:11.440 --> 0:20:14.280
<v Speaker 1>The curated content issue really came under the spotlight in

0:20:14.280 --> 0:20:17.080
<v Speaker 1>two thousand seventeen with the onset of what was later

0:20:17.160 --> 0:20:21.679
<v Speaker 1>called Elsa Gate. That name references the character Elsa in

0:20:21.760 --> 0:20:27.280
<v Speaker 1>Disney's Frozen series, and gate is a shorthand for saying scandal,

0:20:28.080 --> 0:20:31.000
<v Speaker 1>and they used Elsa because the character of Elsa would

0:20:31.000 --> 0:20:35.600
<v Speaker 1>figure prominently in tons of videos that were being created

0:20:35.720 --> 0:20:39.560
<v Speaker 1>for YouTube and YouTube Kids. Some of those videos were

0:20:39.760 --> 0:20:41.600
<v Speaker 1>live action. In fact, a lot of them were as

0:20:41.640 --> 0:20:45.439
<v Speaker 1>just someone in an Elsa costume and wig, some of

0:20:45.440 --> 0:20:49.959
<v Speaker 1>the shorts were animated. Sometimes the animation was actually not terrible,

0:20:50.080 --> 0:20:53.640
<v Speaker 1>most of it was super cheap and limited and shoddy,

0:20:54.440 --> 0:20:57.160
<v Speaker 1>and it was like a fire hose of content had

0:20:57.240 --> 0:21:02.000
<v Speaker 1>just been dumped on YouTube all at monts. The consequences

0:21:02.040 --> 0:21:06.359
<v Speaker 1>of that would end up being pretty serious, both for

0:21:06.440 --> 0:21:10.960
<v Speaker 1>YouTube and for content creators. I'll explain more after we

0:21:11.000 --> 0:21:21.840
<v Speaker 1>come back from this quick break. So some of the

0:21:21.960 --> 0:21:25.280
<v Speaker 1>videos that were uploaded during Elsa Gate were just weird

0:21:25.760 --> 0:21:30.959
<v Speaker 1>but otherwise mostly innocent. Other you know, they're just had

0:21:31.000 --> 0:21:33.600
<v Speaker 1>a bunch of people in cheap costumes running around doing

0:21:33.640 --> 0:21:38.000
<v Speaker 1>weird sketches, often without any dialogue at all. But other

0:21:38.119 --> 0:21:41.359
<v Speaker 1>videos included material that was really unsuitable for kids, including

0:21:41.520 --> 0:21:47.320
<v Speaker 1>sexually suggestive content, violence, other disturbing content, you know, cruelty,

0:21:47.480 --> 0:21:50.760
<v Speaker 1>that kind of thing. And the videos would smash together

0:21:50.960 --> 0:21:55.800
<v Speaker 1>tons of popular characters, and there was no question whatsoever

0:21:56.320 --> 0:21:59.199
<v Speaker 1>that the people who were making these videos weren't you know,

0:21:59.640 --> 0:22:03.520
<v Speaker 1>bother ring to actually license those characters. So this was

0:22:03.560 --> 0:22:08.200
<v Speaker 1>all a lot of folks infringing upon intellectual property going

0:22:08.240 --> 0:22:12.600
<v Speaker 1>on here, like at a truly absurd level. And you

0:22:12.600 --> 0:22:15.439
<v Speaker 1>would have videos with you know, characters like Spider man

0:22:15.800 --> 0:22:19.040
<v Speaker 1>talking to a pregnant Elsa while you see the joker

0:22:19.119 --> 0:22:21.800
<v Speaker 1>running around in the background. It was just like a

0:22:22.720 --> 0:22:27.640
<v Speaker 1>smorgas board of you know, popular characters that kids would recognize.

0:22:28.119 --> 0:22:30.199
<v Speaker 1>And like I said, some of these videos were just

0:22:30.280 --> 0:22:33.119
<v Speaker 1>bizarre with no real rhyme or reason to them, and

0:22:33.160 --> 0:22:35.399
<v Speaker 1>they had like, you know, background music, but they wouldn't

0:22:35.440 --> 0:22:39.359
<v Speaker 1>have dialogue. And obviously leaning on popular children's characters while

0:22:39.400 --> 0:22:42.280
<v Speaker 1>not using words meant that those videos could become popular

0:22:42.320 --> 0:22:45.560
<v Speaker 1>all around the world. There was no language barrier to overcome,

0:22:46.240 --> 0:22:48.879
<v Speaker 1>so you didn't have to worry if the kids in

0:22:49.560 --> 0:22:52.760
<v Speaker 1>you know, whatever region couldn't understand say English or French

0:22:52.840 --> 0:22:55.280
<v Speaker 1>or whatever, because there was no no speaking or or

0:22:55.359 --> 0:22:58.880
<v Speaker 1>language at all. And many of the videos became more bizarre,

0:22:58.960 --> 0:23:02.560
<v Speaker 1>not necessarily out of a desire to warp kids minds,

0:23:03.119 --> 0:23:06.720
<v Speaker 1>but rather driven by data. See. Content creators were paying

0:23:06.760 --> 0:23:09.879
<v Speaker 1>attention to topics that were popping up in search terms

0:23:10.320 --> 0:23:13.879
<v Speaker 1>and videos that were getting popular. So if topics were

0:23:13.880 --> 0:23:18.360
<v Speaker 1>starting to gain in popularity, you would start seeing videos

0:23:18.400 --> 0:23:22.480
<v Speaker 1>that somehow tie into those search terms. It was kind

0:23:22.520 --> 0:23:24.359
<v Speaker 1>of like the old days of the web where people

0:23:24.400 --> 0:23:27.800
<v Speaker 1>would just hide a massive text dump on a web page,

0:23:28.080 --> 0:23:30.600
<v Speaker 1>so that search engines would pick up on that page

0:23:30.600 --> 0:23:33.600
<v Speaker 1>and index them, even if the page itself had nothing

0:23:33.640 --> 0:23:35.520
<v Speaker 1>to do with the search term. It was just that,

0:23:35.640 --> 0:23:39.080
<v Speaker 1>you know, buried somewhere on the page was that term,

0:23:39.560 --> 0:23:41.159
<v Speaker 1>but the page itself had nothing to do with that.

0:23:41.760 --> 0:23:43.840
<v Speaker 1>Like I said, there have been some channels on YouTube

0:23:43.840 --> 0:23:46.800
<v Speaker 1>that created this kind of weird content directed at kids

0:23:47.200 --> 0:23:50.440
<v Speaker 1>for years, and you might wonder why. And again, if

0:23:50.480 --> 0:23:53.200
<v Speaker 1>you can monetize your content, your goal is to get

0:23:53.240 --> 0:23:57.280
<v Speaker 1>as many views on as many videos as possible. You

0:23:57.320 --> 0:24:01.919
<v Speaker 1>want to get that that view count sky rocketing. Kids

0:24:01.960 --> 0:24:04.560
<v Speaker 1>are a great audience to have that happened because kids

0:24:04.600 --> 0:24:08.639
<v Speaker 1>tend to fixate on content. They like to experience the

0:24:08.720 --> 0:24:12.200
<v Speaker 1>same thing over and over. It becomes kind of like

0:24:12.240 --> 0:24:15.320
<v Speaker 1>a ritual. I'm pretty sure every parent out there is

0:24:15.400 --> 0:24:17.840
<v Speaker 1>familiar with the experience of having to read the same

0:24:17.880 --> 0:24:22.440
<v Speaker 1>bedtime story for the hundredth time to their kids, including

0:24:22.480 --> 0:24:25.320
<v Speaker 1>doing all the voices. So for me, when I was

0:24:25.359 --> 0:24:27.560
<v Speaker 1>a kid, it was There's a monster at the end

0:24:27.560 --> 0:24:30.960
<v Speaker 1>of this book, and then it was Hamlet. I progressed

0:24:30.960 --> 0:24:33.399
<v Speaker 1>pretty quickly, and you might think I'm joking, but I

0:24:33.440 --> 0:24:37.720
<v Speaker 1>actually once found a cassette tape labeled for Jonathan that

0:24:37.800 --> 0:24:40.280
<v Speaker 1>my dad made for me that included him reading Hamlet

0:24:40.320 --> 0:24:44.240
<v Speaker 1>and doing different voices for the characters. Anyway, kids would

0:24:44.240 --> 0:24:47.560
<v Speaker 1>rewatch videos and that would drive up the watch count,

0:24:47.960 --> 0:24:52.080
<v Speaker 1>that in turn would prompt YouTube's recommendation algorithm to promote

0:24:52.119 --> 0:24:55.119
<v Speaker 1>that video to other people. The idea being that if

0:24:55.160 --> 0:24:58.480
<v Speaker 1>something is gaining popularity, then with a little help, it

0:24:58.520 --> 0:25:01.919
<v Speaker 1>could go totally viral. And because YouTube makes most of

0:25:01.960 --> 0:25:05.600
<v Speaker 1>it its revenue through advertising, and advertisers will pay more

0:25:05.640 --> 0:25:09.359
<v Speaker 1>for videos with more views, keeping the viral machine going

0:25:09.560 --> 0:25:13.199
<v Speaker 1>is what pays the bills. Plus, like if it's proven

0:25:13.240 --> 0:25:15.720
<v Speaker 1>to keep people on the platform. The other big goal

0:25:15.760 --> 0:25:17.800
<v Speaker 1>of YouTube is to keep you there as long as

0:25:17.840 --> 0:25:21.280
<v Speaker 1>it possibly can, just like any other online platform that

0:25:21.400 --> 0:25:24.359
<v Speaker 1>depends heavily on ads for its revenue. Facebook does the

0:25:24.400 --> 0:25:28.760
<v Speaker 1>same thing, right, the idea of being let's eliminate the

0:25:28.880 --> 0:25:32.280
<v Speaker 1>desire to go anywhere else and just keep people here.

0:25:32.720 --> 0:25:35.800
<v Speaker 1>So these channels started to turn out content at a

0:25:35.840 --> 0:25:39.000
<v Speaker 1>crazy pace, and kids would watch and rewatch the videos,

0:25:39.000 --> 0:25:42.520
<v Speaker 1>and YouTube would continue to promote them. And in twenty sixteen,

0:25:42.600 --> 0:25:47.119
<v Speaker 1>so just one year after YouTube Kids launched, The Guardian,

0:25:47.359 --> 0:25:50.480
<v Speaker 1>the newspaper ran a story about one of the channels

0:25:50.520 --> 0:25:55.960
<v Speaker 1>creating bizarre and sometimes disturbing content directed toward children. American

0:25:55.960 --> 0:25:58.920
<v Speaker 1>news outlets would begin to cover the story in two

0:25:58.920 --> 0:26:01.760
<v Speaker 1>thousand and seventeen. Early on it was like the tech

0:26:01.840 --> 0:26:03.639
<v Speaker 1>journals that were covering it. By the end of the

0:26:03.760 --> 0:26:07.679
<v Speaker 1>year you had mainstream newspapers and magazines covering it, and

0:26:07.720 --> 0:26:10.280
<v Speaker 1>they started listing out the dozens of channels known for

0:26:10.400 --> 0:26:15.440
<v Speaker 1>blasting out odd and sometimes unsettling videos, all marketed to children,

0:26:15.720 --> 0:26:18.800
<v Speaker 1>most of which were popping up on YouTube Kids, many

0:26:18.880 --> 0:26:21.600
<v Speaker 1>of which you would say are not appropriate for that.

0:26:22.200 --> 0:26:25.240
<v Speaker 1>The media attention cast a pretty critical light on YouTube,

0:26:25.280 --> 0:26:27.960
<v Speaker 1>asking how a platform could allow this sort of content

0:26:28.040 --> 0:26:34.000
<v Speaker 1>to proliferate across its platform, particularly the parts set aside

0:26:34.000 --> 0:26:38.800
<v Speaker 1>specifically to curate appropriate content for children, and YouTube didn't

0:26:38.840 --> 0:26:42.800
<v Speaker 1>really have any good answers for that. Now. One answer

0:26:43.000 --> 0:26:46.040
<v Speaker 1>is that YouTube has way too much content uploaded to

0:26:46.080 --> 0:26:48.960
<v Speaker 1>it per minute for humans to keep track of it all.

0:26:49.400 --> 0:26:52.919
<v Speaker 1>Back in two thousand seventeen, YouTube claimed that users were

0:26:52.960 --> 0:26:57.040
<v Speaker 1>uploading around three hundred hours worth of videos every single

0:26:57.160 --> 0:27:00.840
<v Speaker 1>minute of the day. So let's say you're hired YouTube

0:27:00.920 --> 0:27:03.960
<v Speaker 1>to review content that's been uploaded to make sure it

0:27:04.000 --> 0:27:07.840
<v Speaker 1>doesn't violate any rules. So you watch a ten minute

0:27:07.920 --> 0:27:11.120
<v Speaker 1>video and by the end of that video, three thousand

0:27:11.160 --> 0:27:15.080
<v Speaker 1>hours worth of material have been added to YouTube. There's

0:27:15.119 --> 0:27:18.120
<v Speaker 1>just no way for humans to keep up with that

0:27:18.240 --> 0:27:22.040
<v Speaker 1>kind of a content fire hose. You could employ tens

0:27:22.040 --> 0:27:24.280
<v Speaker 1>of thousands of people, you still wouldn't get through all

0:27:24.320 --> 0:27:27.120
<v Speaker 1>the material that's going up every single minute of the day.

0:27:27.280 --> 0:27:30.560
<v Speaker 1>So one reason this stuff was getting past YouTube is

0:27:30.640 --> 0:27:33.399
<v Speaker 1>yet there was just too much of it. YouTube depends

0:27:33.440 --> 0:27:36.960
<v Speaker 1>heavily on users following rules, so kind of the honor

0:27:37.040 --> 0:27:41.800
<v Speaker 1>system there, or users that flag content that violates the rules,

0:27:41.880 --> 0:27:45.280
<v Speaker 1>so it becomes like a self policing community, and then

0:27:45.800 --> 0:27:49.760
<v Speaker 1>YouTube employees are more likely contract workers can then review

0:27:49.880 --> 0:27:54.440
<v Speaker 1>the flagged videos and determine do they actually violate any policies.

0:27:55.280 --> 0:27:58.000
<v Speaker 1>Companies that hold a lot of like intellectual property, like

0:27:58.119 --> 0:28:01.640
<v Speaker 1>the various music labels and movie studios and TV studios

0:28:01.640 --> 0:28:04.280
<v Speaker 1>out there, they tend to be a lot more proactive

0:28:04.400 --> 0:28:07.320
<v Speaker 1>in seeking out videos that violate their i P and

0:28:07.400 --> 0:28:10.680
<v Speaker 1>they are known for flagging those videos to get strikes

0:28:10.680 --> 0:28:15.080
<v Speaker 1>against the channel um or they will you know, use

0:28:15.480 --> 0:28:18.760
<v Speaker 1>an option that demonetizes the video for the channel owner,

0:28:18.840 --> 0:28:22.000
<v Speaker 1>but directs all monetization to them because they owned the

0:28:22.040 --> 0:28:25.640
<v Speaker 1>i P. But while there are search algorithms that can

0:28:25.640 --> 0:28:28.879
<v Speaker 1>seek out video and audio that violates copyright, it gets

0:28:28.920 --> 0:28:31.199
<v Speaker 1>way harder when you're talking about just a bunch of

0:28:31.240 --> 0:28:35.320
<v Speaker 1>people in cheap costumes posing as licensed characters in an

0:28:35.400 --> 0:28:39.400
<v Speaker 1>unlicensed video. That's a lot harder to detect, you know,

0:28:39.600 --> 0:28:44.400
<v Speaker 1>with a regular search algorithm. YouTube did respond to the issue, however,

0:28:44.880 --> 0:28:48.520
<v Speaker 1>The company moved to demonetize videos that were deemed offensive

0:28:48.640 --> 0:28:52.800
<v Speaker 1>or controversial that were directed to children. It also shut

0:28:52.840 --> 0:28:57.320
<v Speaker 1>down lots of channels, like around fifty channels at one point,

0:28:57.720 --> 0:29:01.040
<v Speaker 1>and it turned off comments on thousands of videos because

0:29:01.080 --> 0:29:07.160
<v Speaker 1>people recognize that comments sections could include opportunities to prey

0:29:07.520 --> 0:29:12.120
<v Speaker 1>upon children, like it could include sexual predators, for example,

0:29:12.360 --> 0:29:16.600
<v Speaker 1>trying to reach out and lure children. So YouTube said,

0:29:16.600 --> 0:29:19.920
<v Speaker 1>all right, we're just gonna We're going to discontinue comments

0:29:19.920 --> 0:29:23.280
<v Speaker 1>sections on any videos that are determined to be directed

0:29:23.280 --> 0:29:27.560
<v Speaker 1>to children as a safety measure. However, that still wasn't enough.

0:29:28.160 --> 0:29:31.320
<v Speaker 1>In twenty nineteen, the New York Attorney General's Office and

0:29:31.400 --> 0:29:36.640
<v Speaker 1>the FTC would sue YouTube slash Google for violating Kappa

0:29:36.840 --> 0:29:39.640
<v Speaker 1>the lawsuit accused YouTube of collecting the personal data of

0:29:39.760 --> 0:29:43.520
<v Speaker 1>children without first getting parental consent, and that this came

0:29:43.600 --> 0:29:48.480
<v Speaker 1>from children directed channels posting videos and YouTube monetizing those

0:29:48.600 --> 0:29:53.000
<v Speaker 1>videos by pairing them with targeted advertising. Uh so this

0:29:53.080 --> 0:29:55.840
<v Speaker 1>wasn't necessarily stuff that was showing up on YouTube kids,

0:29:55.960 --> 0:29:59.520
<v Speaker 1>although some of it was, but rather just YouTube in

0:29:59.560 --> 0:30:04.200
<v Speaker 1>general saying these are our channels that are generating videos

0:30:05.000 --> 0:30:09.560
<v Speaker 1>meant for children, which means that children are overwhelmingly the

0:30:09.600 --> 0:30:13.600
<v Speaker 1>audience watching them, and you haven't put any protections in

0:30:13.680 --> 0:30:17.520
<v Speaker 1>place to prevent these the personal data of these children

0:30:17.560 --> 0:30:22.600
<v Speaker 1>being just harvested and then exploited. So Google would eventually

0:30:22.600 --> 0:30:26.480
<v Speaker 1>settle out of court for a whopping one seventy million dollars. Now,

0:30:26.480 --> 0:30:29.880
<v Speaker 1>in the grand scheme of things for Google, anyway, that's

0:30:29.920 --> 0:30:32.640
<v Speaker 1>not that much money. But I can assure you that

0:30:32.680 --> 0:30:35.840
<v Speaker 1>stakeholders would much rather see that hundred seventy million dollars

0:30:36.120 --> 0:30:38.680
<v Speaker 1>stay with the company rather than get siphoned off to

0:30:38.680 --> 0:30:42.440
<v Speaker 1>pay off fines. The settlement also required YouTube to commit

0:30:42.480 --> 0:30:46.680
<v Speaker 1>to quote, develop, implement, and maintain a system that permits

0:30:46.760 --> 0:30:50.360
<v Speaker 1>channel owners to identify their child directed content on the

0:30:50.400 --> 0:30:53.520
<v Speaker 1>YouTube platform, so that YouTube can ensure it is complying

0:30:53.560 --> 0:30:57.840
<v Speaker 1>with Kappa end quote that's from the FTC itself, and

0:30:57.880 --> 0:31:01.800
<v Speaker 1>so YouTube made a renewed effort to stave off future

0:31:01.880 --> 0:31:05.800
<v Speaker 1>Kappa violations. So it was in twenty nineteen and early

0:31:05.880 --> 0:31:08.680
<v Speaker 1>twenty twenty that YouTube really began to push harder to

0:31:08.760 --> 0:31:13.040
<v Speaker 1>force channels that had children directed content to be compliant

0:31:13.040 --> 0:31:16.520
<v Speaker 1>with Kappa. One big change was that channels that were

0:31:16.560 --> 0:31:20.000
<v Speaker 1>determined to be children directed would no longer be able

0:31:20.040 --> 0:31:24.680
<v Speaker 1>to run targeted ads against their videos, So those videos

0:31:24.720 --> 0:31:28.360
<v Speaker 1>wouldn't have a comment section either, and some other community

0:31:28.360 --> 0:31:33.000
<v Speaker 1>features would similarly be eliminated or turned off. This would

0:31:33.040 --> 0:31:37.160
<v Speaker 1>have the consequence of severely restricting ad revenue for those

0:31:37.200 --> 0:31:41.080
<v Speaker 1>types of channels. Again, because targeted ads are so valuable

0:31:41.160 --> 0:31:45.320
<v Speaker 1>compared to other types of advertising, YouTube creators would have

0:31:45.400 --> 0:31:49.040
<v Speaker 1>to designate their channels as being four kids or not

0:31:49.200 --> 0:31:54.560
<v Speaker 1>for kids. From a monetary standpoint, choosing not for kids

0:31:54.800 --> 0:31:57.280
<v Speaker 1>made the most sense, right because that's when you could

0:31:57.360 --> 0:32:01.320
<v Speaker 1>use targeted advertising. But if YouTube determined that the channel

0:32:01.440 --> 0:32:05.840
<v Speaker 1>was in fact directed to children, then YouTube might override

0:32:05.880 --> 0:32:09.000
<v Speaker 1>the user choice. You can't just say this cartoon about

0:32:09.080 --> 0:32:13.040
<v Speaker 1>lollipops playing games with peppermint candies isn't meant for kids

0:32:13.440 --> 0:32:16.840
<v Speaker 1>just so you can have targeted ads run against your video. Now,

0:32:16.880 --> 0:32:20.400
<v Speaker 1>this brings us back to Chris Stroub. His video is

0:32:20.440 --> 0:32:24.000
<v Speaker 1>clearly not meant for children. If you watch it, you

0:32:24.040 --> 0:32:28.360
<v Speaker 1>would agree, not that it's particularly dark or disturbing. It's

0:32:28.360 --> 0:32:31.400
<v Speaker 1>a little dark, but it's not super gruesome or anything,

0:32:31.480 --> 0:32:36.080
<v Speaker 1>but it's it's meant to play on adult sensibilities. And

0:32:36.080 --> 0:32:38.680
<v Speaker 1>this is where I really have issues with YouTube's AI.

0:32:38.840 --> 0:32:42.280
<v Speaker 1>I think it is terribly irresponsible to allow an automated

0:32:42.360 --> 0:32:45.960
<v Speaker 1>system to determine if content is suitable for all ages.

0:32:46.960 --> 0:32:49.400
<v Speaker 1>If you run it the other way, that makes sense.

0:32:49.440 --> 0:32:52.800
<v Speaker 1>If AI determines that a video that has previously been

0:32:52.840 --> 0:32:56.880
<v Speaker 1>set as being suitable for all ages isn't, then changing

0:32:56.880 --> 0:33:00.479
<v Speaker 1>that video so it's age restricted, that makes sense. Content

0:33:00.520 --> 0:33:04.200
<v Speaker 1>creator can appeal the decision, but more importantly, a potentially

0:33:04.200 --> 0:33:08.040
<v Speaker 1>offensive or disturbing piece of content gets removed from circulation

0:33:08.080 --> 0:33:11.080
<v Speaker 1>among kids, which I think is the most important element.

0:33:11.760 --> 0:33:15.120
<v Speaker 1>But to take a video that's been expressly flagged by

0:33:15.160 --> 0:33:19.480
<v Speaker 1>the creator as being inappropriate for children and then flipping

0:33:19.520 --> 0:33:24.239
<v Speaker 1>that switch without the creator's consent, that seems irresponsible to me. Now,

0:33:24.280 --> 0:33:28.600
<v Speaker 1>I can see some justification to review stroubs video right, like,

0:33:28.640 --> 0:33:32.000
<v Speaker 1>I can see why the AI might flag it to say,

0:33:32.280 --> 0:33:35.520
<v Speaker 1>someone check this out and make sure that, in fact,

0:33:35.560 --> 0:33:39.000
<v Speaker 1>it should be listed as eighteen and above. The video

0:33:39.160 --> 0:33:43.640
<v Speaker 1>does feature an appealing cute Cartoons skeleton character, you know,

0:33:43.920 --> 0:33:47.240
<v Speaker 1>at least cute as far as skeletons go anyway, and

0:33:47.480 --> 0:33:51.280
<v Speaker 1>early on it has some fairly jaunty music playing, so

0:33:51.320 --> 0:33:54.000
<v Speaker 1>you could see how it might at first glance be

0:33:54.200 --> 0:33:57.280
<v Speaker 1>content directed to children. But if you watch it all

0:33:57.280 --> 0:33:59.840
<v Speaker 1>the way through, you realize, okay, this is not meant

0:33:59.840 --> 0:34:03.360
<v Speaker 1>for kids, and Stroube took steps to show that, like

0:34:03.440 --> 0:34:06.760
<v Speaker 1>he he designated that video is not being for kids.

0:34:06.800 --> 0:34:10.400
<v Speaker 1>So to have an automated system reverse this decision, and moreover,

0:34:10.520 --> 0:34:14.640
<v Speaker 1>to prevent Stroube from being able to reset the age restriction,

0:34:15.440 --> 0:34:18.759
<v Speaker 1>that's not a good look for YouTube. Early in there

0:34:18.800 --> 0:34:21.839
<v Speaker 1>was a pretty big kerfuffle and multiple YouTube communities about

0:34:21.880 --> 0:34:25.200
<v Speaker 1>the impact of Kappa and YouTube's new policies. Channels that

0:34:25.320 --> 0:34:30.160
<v Speaker 1>covered topics like animation, video games, and toys particularly came

0:34:30.239 --> 0:34:33.319
<v Speaker 1>under close scrutiny as some of those channels might have

0:34:33.400 --> 0:34:36.120
<v Speaker 1>been you know, kind of borderline cases some of them

0:34:36.200 --> 0:34:39.640
<v Speaker 1>were clearly directed to children. A lot of them had

0:34:39.719 --> 0:34:43.240
<v Speaker 1>kids as hosts, but a lot of the channels weren't

0:34:43.400 --> 0:34:46.040
<v Speaker 1>directed to children. They were clearly not meant for kids.

0:34:46.040 --> 0:34:50.000
<v Speaker 1>They were expressly directed to older audiences. And it still

0:34:50.040 --> 0:34:54.879
<v Speaker 1>speaks to a lot of false preconceptions that lawmakers who

0:34:54.920 --> 0:34:58.160
<v Speaker 1>typically are you know, a little out of touch, let's say,

0:34:58.239 --> 0:35:00.279
<v Speaker 1>which is a way of saying many of the are

0:35:00.320 --> 0:35:06.920
<v Speaker 1>old and don't really have a deeper appreciation for this,

0:35:07.480 --> 0:35:10.480
<v Speaker 1>and and those false preconceptions include stuff like, you know,

0:35:10.560 --> 0:35:14.800
<v Speaker 1>thinking collectibles, video games, and animation are all expressly the

0:35:15.239 --> 0:35:18.520
<v Speaker 1>domain of children, and they're not, and they haven't been.

0:35:18.880 --> 0:35:21.640
<v Speaker 1>In cases like animation, that's never been the case. It's

0:35:21.640 --> 0:35:26.760
<v Speaker 1>never been just for kids, but that frequently is how

0:35:27.120 --> 0:35:30.560
<v Speaker 1>it gets viewed. The kerfuffle on YouTube has died down

0:35:30.600 --> 0:35:33.880
<v Speaker 1>a little bit since, I mean, obviously we got Chris

0:35:33.920 --> 0:35:40.680
<v Speaker 1>Strobs uh recent incident, but you know, as a whole topic,

0:35:41.200 --> 0:35:44.359
<v Speaker 1>it kind of died down, and there's some reasons for that.

0:35:44.400 --> 0:35:47.400
<v Speaker 1>We had a global pandemic which really took over. Headlines

0:35:47.480 --> 0:35:50.920
<v Speaker 1>like the issues with YouTube and Kappa were starting to

0:35:50.920 --> 0:35:55.800
<v Speaker 1>come to a head at early well by March that

0:35:56.120 --> 0:35:59.239
<v Speaker 1>seemed like a quaint worry compared to other things that

0:35:59.280 --> 0:36:01.560
<v Speaker 1>were going on in the world. Plus since then, we've

0:36:01.560 --> 0:36:05.920
<v Speaker 1>had some truly enormous events, ranging from political insurrections to

0:36:06.200 --> 0:36:09.560
<v Speaker 1>war in Eastern Europe and more. But we're still seeing

0:36:09.560 --> 0:36:12.120
<v Speaker 1>the effects of YouTube's shift. On the one hand, you

0:36:12.120 --> 0:36:14.919
<v Speaker 1>can understand why the platform is taking such a drastic step.

0:36:15.400 --> 0:36:20.800
<v Speaker 1>It's protecting itself from future litigation. It's trying to fulfill

0:36:21.080 --> 0:36:24.680
<v Speaker 1>the obligation it has to the FTC when it made

0:36:24.680 --> 0:36:28.320
<v Speaker 1>that settlement in that Copper case. You can also understand

0:36:28.560 --> 0:36:31.640
<v Speaker 1>this is a monumental task when you consider how much

0:36:31.680 --> 0:36:35.160
<v Speaker 1>content is joining YouTube every single minute of the day,

0:36:35.239 --> 0:36:38.280
<v Speaker 1>like now we're talking about more than five hours per minute.

0:36:38.920 --> 0:36:41.239
<v Speaker 1>But you can also see how an automated system can

0:36:41.280 --> 0:36:44.799
<v Speaker 1>make changes that unfortunately can have the opposite of the

0:36:44.880 --> 0:36:49.120
<v Speaker 1>intended effect. They can actually end up making content that

0:36:49.400 --> 0:36:54.000
<v Speaker 1>is expressly not for kids, flagged as being suitable for kids,

0:36:54.600 --> 0:36:59.120
<v Speaker 1>that is clearly not something that YouTube wants to promote.

0:36:59.680 --> 0:37:02.080
<v Speaker 1>That's just going to be asking for another Coppa case

0:37:02.160 --> 0:37:03.920
<v Speaker 1>down the road. And if it's if it's something like

0:37:03.960 --> 0:37:07.680
<v Speaker 1>this where you've got the documentation where STROB shows I

0:37:07.800 --> 0:37:10.919
<v Speaker 1>flagged this as being inappropriate when I uploaded it. It

0:37:10.960 --> 0:37:14.799
<v Speaker 1>was never meant to be shown to kids. YouTube overruled

0:37:14.800 --> 0:37:18.000
<v Speaker 1>me and then prevented me from fixing it. That's a

0:37:18.080 --> 0:37:21.160
<v Speaker 1>really bad look for YouTube. Anyway. I hope you learned

0:37:21.200 --> 0:37:24.359
<v Speaker 1>something in this episode. Obviously we could talk a lot

0:37:24.440 --> 0:37:29.720
<v Speaker 1>more about Kappa and the unintended consequences of that legislation. Again,

0:37:29.760 --> 0:37:33.040
<v Speaker 1>I think that the legislation itself came from a good place,

0:37:33.640 --> 0:37:37.640
<v Speaker 1>but as we frequently see when we talk about you

0:37:37.680 --> 0:37:41.520
<v Speaker 1>know the intent of law, and then we see what

0:37:41.640 --> 0:37:45.719
<v Speaker 1>happens when we actually enforce a law, there can be

0:37:45.760 --> 0:37:50.319
<v Speaker 1>a disconnect there. Uh. I do also think that we

0:37:50.320 --> 0:37:53.520
<v Speaker 1>should be seeing a lot more data privacy protections in

0:37:53.560 --> 0:37:56.120
<v Speaker 1>place for everyone, not just for kids. I think for

0:37:56.200 --> 0:37:59.360
<v Speaker 1>kids it's absolutely crucial, but I would love to see

0:37:59.400 --> 0:38:02.680
<v Speaker 1>that because more of a thing for everybody. You know,

0:38:03.280 --> 0:38:06.960
<v Speaker 1>Europe has certainly made great strides toward that. In America,

0:38:07.080 --> 0:38:09.719
<v Speaker 1>we're starting to see at least some discussion around it.

0:38:09.800 --> 0:38:12.840
<v Speaker 1>I don't know that it's ever going to turn into

0:38:12.880 --> 0:38:18.000
<v Speaker 1>actionable items, but here's hoping. And that's it. That's all

0:38:18.000 --> 0:38:21.000
<v Speaker 1>I've got. So we're gonna wrap up this episode if

0:38:21.040 --> 0:38:23.760
<v Speaker 1>you have any suggestions for future episodes of tech Stuff.

0:38:24.239 --> 0:38:25.600
<v Speaker 1>There are a couple of different ways you can reach

0:38:25.640 --> 0:38:28.000
<v Speaker 1>out to me. One is that you can send me

0:38:28.120 --> 0:38:30.799
<v Speaker 1>a message on the I heart Radio app. It's free

0:38:30.840 --> 0:38:33.680
<v Speaker 1>to download. You just navigate over to the tech Stuff page.

0:38:34.080 --> 0:38:36.879
<v Speaker 1>You'll see there's a little microphone icon. If you click

0:38:36.920 --> 0:38:38.759
<v Speaker 1>on that, you can leave a voice message up to

0:38:38.800 --> 0:38:41.920
<v Speaker 1>thirty seconds in length. Send it my way. Let me

0:38:41.960 --> 0:38:43.440
<v Speaker 1>know if you want me to use the audio in

0:38:43.480 --> 0:38:46.200
<v Speaker 1>an upcoming episode, because that would be fun to do.

0:38:46.560 --> 0:38:48.919
<v Speaker 1>But I only do opt in. I don't do opt out,

0:38:49.760 --> 0:38:52.560
<v Speaker 1>and then if that's not your style. You can also

0:38:52.640 --> 0:38:54.440
<v Speaker 1>reach out to me on Twitter. The handle for the

0:38:54.480 --> 0:38:57.920
<v Speaker 1>show is tech Stuff hs W and I'll talk to

0:38:57.960 --> 0:39:07.080
<v Speaker 1>you again really so yeah. Text Stuff is an I

0:39:07.200 --> 0:39:10.720
<v Speaker 1>Heart Radio production. For more podcasts from I Heart Radio,

0:39:11.040 --> 0:39:14.200
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