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Speaker 1: School season. You say it like that, yeah you do,

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Speaker 1: you have to go school?

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Speaker 2: Okay, wells a parent of right now, Yeah, obviously I

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Speaker 2: have kids. Everything's got a voice or a cool tone

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Speaker 2: or something.

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Speaker 3: This is this is my favorite holiday, my favorite time

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Speaker 3: of year. I just I revealed to you guys in

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Speaker 3: our during one of our live shows that I grew

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Speaker 3: up like as a Halloween like part of a Halloween family.

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Speaker 3: And it was it sort of like fell into our lap.

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Speaker 3: But yeah, like some of my you know, I I've

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Speaker 3: talked about being a young magician or how my brother

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Speaker 3: and I used to the amazing writer No no, the

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Speaker 3: Strong Brothers, the Strong Brothers.

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Speaker 1: Magic but starring less.

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Speaker 3: Amazing, non magical writer, just the middle aged average.

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Speaker 1: Ri but average rider. Nothing about him.

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Speaker 3: No, but but around the same time, like when we

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Speaker 3: were about I guess when I was like six or

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Speaker 3: seven and my family got really into Halloween, and it

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Speaker 3: started with we just threw a Halloween party and the

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Speaker 3: idea was like, oh, we'll invite our friends over. And

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Speaker 3: then of course, because as listeners who heard the episode

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Speaker 3: with my parents know, like everything became like a very

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Speaker 3: big production and a big investment. Our small Halloween party

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Speaker 3: became let's convert our house and our woods into a

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Speaker 3: walk through haunted house, like as as involved as we

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Speaker 3: can get. So we got really crafty. We made all

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Speaker 3: of our own like masks and body parts, like my

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Speaker 3: parents did a bunch of research and figured out how

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Speaker 3: to like if you make things with plaster of Paris

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Speaker 3: and then you coat them in uh, like rubber, you

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Speaker 3: can make your own like rubber things. Whatever. We just

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Speaker 3: spent weeks building up this haunted house, and then the

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Speaker 3: night of we had all these people come over, all

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Speaker 3: our friends and neighbors and everything. And in some ways

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Speaker 3: it was like my first real acting job because I

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Speaker 3: felt all this pressure because I had to be like

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Speaker 3: a monster in this one section. Then I had to

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Speaker 3: go like be like the breathing monster, like or the

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Speaker 3: sleeping monster in this other sectuary. I just had to

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Speaker 3: make it look like this monster was breathing. Then we

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Speaker 3: had to like run into the woods, and we had

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Speaker 3: we had rigged while people we started in the house,

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Speaker 3: we took them all through the house and different rooms

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Speaker 3: and different areas, and we walked through a graveyard into

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Speaker 3: the woods. And as we walked into the woods, we

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Speaker 3: had a dead body fall from the trees and just

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Speaker 3: scare the crap out of everybody. So like one of

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Speaker 3: us had to run ahead.

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Speaker 4: I was gonna say, yeah, fake, knowing your parents are like,

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Speaker 4: no they actually what they found a corpse?

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Speaker 3: No, no, we went and found a corpse.

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Speaker 1: And nobody nobody got stabbed in the woods. Method we

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Speaker 1: were methed. It was there was actual pestilence. Nice.

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Speaker 3: You know what's funny about that? That dead body we

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Speaker 3: kept it. It's still at my parents' house. We stuffed

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Speaker 3: this this body full of hay and you know, had

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Speaker 3: a head on it and whatever, and then we kept

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Speaker 3: it and we kept it in the barn where our

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Speaker 3: pony lived. And I would have to go feed the

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Speaker 3: and the irony is I was part of You had

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Speaker 3: a pony?

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Speaker 1: Wait what what? When did you have a pony?

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Speaker 3: Childhood, Susie, our pony, We had a pony.

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Speaker 1: How is this the first any of us is ever

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Speaker 1: hearing about your.

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Speaker 2: Pon You hated that ponytitudes you had a pony?

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Speaker 1: You were that kid. You were pony kid.

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Speaker 3: Dude, We had chickens, we had pony. We had guinea.

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Speaker 4: Pig, rabbit had God, is it true that pony tastes

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Speaker 4: like chicken.

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Speaker 1: Is that true?

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Speaker 4: I just throw it out there was like and then

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Speaker 4: when I was on the horse ranch, like wait what wait?

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Speaker 1: Sorry what? And then my my ponies, Susie.

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Speaker 3: We kept the we kept the fake dead body in

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Speaker 3: the hayloft of the pony's barn, and I would have

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Speaker 3: to go feed the pony. That was like one of

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Speaker 3: my chores. I would go feed Susie at night, and

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Speaker 3: it was It's so funny. I was terrified of the

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Speaker 3: fake dead body that we had used. Yeah.

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Speaker 4: Probably, can I'm sorry, Can we just very briefly talk

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Speaker 4: about how I get so much ish for Connecticut yet

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Speaker 4: you were stoking the fires at your school, feeding the

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Speaker 4: chickens and the pony.

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Speaker 3: I think that's the joke. That's always been the joke,

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Speaker 3: the Connecticut thing, not the list, For God's sake, the

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Speaker 3: Connecticut thing was on on set. We did that during

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Speaker 3: Boy and it did Ben's joke. Ben started this whole

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Speaker 3: Connecticut joke, and we we pounced on it and kept

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Speaker 3: it going, and now it's become part of Podbat's world.

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Speaker 3: But no, it never made any sense. It doesn't actually

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Speaker 3: make sense. Connecticut is way more developed than MI. Yes,

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Speaker 3: I mean, you know, you heard my parents built the

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Speaker 3: house like we were. We were.

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Speaker 4: Yeah, anyway, do you do you have trick or treaters

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Speaker 4: now coming to your house?

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Speaker 3: No? You mean in LA or my street for whatever

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Speaker 3: reason doesn't happen.

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Speaker 2: Well, well, we live a few feet from each other,

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Speaker 2: and yet we might as well live in different states,

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Speaker 2: because I get hundreds of trigger treaders will apparently get.

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Speaker 4: Zero zero, and nobody on my street gets anything. It's

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Speaker 4: just a certain blocks either.

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Speaker 3: I think in La especially, people drive to neighborhoods and

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Speaker 3: they sort of like become you know, hot spots where

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Speaker 3: everyone goes in a certain area, and then there's other

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Speaker 3: streets that just get no love.

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Speaker 1: Well, we talked about when I first moved out here.

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Speaker 4: Marsden, who was also a big Halloween guy, always went

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Speaker 4: to Beverly Hills. He's like Beverly Hills they have the

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Speaker 4: best candies that there are people that have ice cream bars,

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Speaker 4: like you have a full Sunday bar. People trying, you know,

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Speaker 4: neighbors trying to outdo each other. So it's like here,

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Speaker 4: you know, take a pony like rider got his.

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Speaker 1: Rider got his in Beverly Hills. Yeh, Beverly Hill just

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Speaker 1: a giant bag with a pony in it. Here you go, just.

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Speaker 3: Take one comes with saddle bags packed up candy.

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Speaker 2: As a family are going to be a family of vampires.

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Speaker 1: And I got this is.

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Speaker 2: The first year I'm actually kind of going all out

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Speaker 2: for it. Normally, the kids, I was like, they're too

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Speaker 2: young to try to do like face makeup, because I

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Speaker 2: can't even imagine trying to explain to them why we

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Speaker 2: need to do that or trying to get it off.

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Speaker 2: But this year, there's very excited about his vampire costume

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Speaker 2: and we're all gonna have white faces with dark eyes.

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Speaker 2: And I got fake blood, and I got the teeth

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Speaker 2: that just go on the incisor teeth, not the you know,

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Speaker 2: to get.

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Speaker 4: The retractable ones, the ones that actually with your tongue

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Speaker 4: you can make go.

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Speaker 2: I did not because I'm a little worried period about

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Speaker 2: having just the incisor teeth in Adler and Keaton's mouth.

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Speaker 2: I'm like, they're going to choke on these. Luckily, the

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Speaker 2: reviews say the adhesive is very strong. I don't think

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Speaker 2: I'm gonna put them in Keaton's mouth. I don't trust

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Speaker 2: Keaton Adler. I think it is possibly old enough to

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Speaker 2: not like I don't know who knows, but I feel like.

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Speaker 3: This point, like.

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Speaker 1: Katen has a lot of teeth two years and two months,

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Speaker 1: it's not.

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Speaker 3: Like it's like losing his teeth yet. He hasn't.

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Speaker 1: No, Adler hasn't even lost a tooth yet. Oh wow, okay, yeah, so.

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Speaker 4: We don't even want to know what the markup is

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Speaker 4: nowadays for the Tooth Fairy.

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Speaker 3: Oh don't. I don't got to be.

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Speaker 1: It's a sixty bucks a tooth. Now what do you

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Speaker 1: do inflation?

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Speaker 3: And we don't actually do it anymore. Andy doesn't well,

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Speaker 3: Andy lost all his baby teeth for the most part.

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Speaker 3: So but I think we only I was like, let's

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Speaker 3: just give a buck. I think Alex made the mistake

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Speaker 3: of giving him five bucks one, but we definitely heard

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Speaker 3: of kids getting twenty dollars.

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Speaker 1: Oh man, I just knock your teeth out after that.

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Speaker 4: Yeah, twenty dollars a tooth, that's no.

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Speaker 3: But I was always like this one dollar, like that's

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Speaker 3: the going rate. He never really cared that much, like

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Speaker 3: he actually wanted to keep his teeth. So then we

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Speaker 3: had to do this whole thing of like you get

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Speaker 3: you get a note from the Tooth Fairy and the money,

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Speaker 3: but you also get to keep your tooth, like, you know,

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Speaker 3: because he wanted to keep it.

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Speaker 4: Can we talk about how potent the idea of money

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Speaker 4: is that it makes children forget that a stranger is

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Speaker 4: supposed to come into their room while they're sleeping too,

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Speaker 4: reach under their pillow to.

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Speaker 1: Take their teeth. No, I think it's like for a dollar,

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Speaker 1: come on.

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Speaker 4: In, it's to me.

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Speaker 3: What you have to realize is that there's full on

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Speaker 3: body horror stuff going on. When you lose a tooth,

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Speaker 3: it's traumatic, like, so anything you can do to soften

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Speaker 3: the trauma of like, oh, this thing that has been

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Speaker 3: a part of me is now and then it comes out,

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Speaker 3: and then you have a blood like a blood filled mouth.

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Speaker 3: It's awful. And so whenever you're like no, no, no, no,

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Speaker 3: a little fairy's gonna come and make it all Okay,

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Speaker 3: this is totally normal. We'll speaking midnight and you're not

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Speaker 3: incredibly creeped out by your blood filled mouth and the

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Speaker 3: trauma of what just happened today. It's okay, Yes, an

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Speaker 3: apple and lost part of you, but it's gonna be fine,

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Speaker 3: Like it's worth a dollar.

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Speaker 4: Danielle, Is this the first Halloween? Where they're not superheroes.

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Speaker 1: Yeah, I think so.

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Speaker 2: Well, no, the their first gosh, I don't do an

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Speaker 2: Adler was cookie Monster his very first cooking. Then he

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Speaker 2: was a dinosaur, remember he was a He had a

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Speaker 2: really cool it'd lit up down the back.

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Speaker 1: I think it was actually it was very cool.

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Speaker 2: And then that was Keaton's first Halloween, and so Keaton

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Speaker 2: was also a dinosaur, but his dinosaur costume had him

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Speaker 2: coming out of an egg, so he was a just

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Speaker 2: hatched dinosaur, which was very cute. And then Jensen and

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Speaker 2: I had dinosaur onesies and then yes, spider Man out

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Speaker 2: there was spider Man and Keaton.

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Speaker 1: Was Hulk last year. So yeah, they've had a few

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Speaker 1: different things.

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Speaker 2: But and I truthfully, I still don't know what they're

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Speaker 2: going to be because we have a lot of costumes

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Speaker 2: because year round is costume were a costume house. Uh

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Speaker 2: and Outler still when you say like, what are you

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Speaker 2: gonna be for Halloween, he goes Batman, But then I

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Speaker 2: remind him, but you also have a vampire costume. He's like, right,

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Speaker 2: I like that vampire costume too, So I'm.

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Speaker 3: Batman vampire kind of you know, you could be he

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Speaker 3: could be both just put on a cowl and have

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Speaker 3: the teeth. You could be Yeah.

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Speaker 1: Great, a great film. Uh, an animated film.

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Speaker 4: I think it's I'm gonna get such hell for not

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Speaker 4: knowing the name of it. But it was done by

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Speaker 4: Bruce tim the same guy who did the original Batman,

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Speaker 4: and it's an alternate version and Batman is actually a vampire.

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Speaker 1: Oh that's cool. That is a great idea.

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Speaker 2: Maybe he'll wear his full Batman costume, but where the

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Speaker 2: cowl of the vampire, like writer said, and I'll do

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Speaker 2: vampire makeup and the blood and he's he's Batman. Yeah,

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Speaker 2: vampire Batman. That's a really good idea. And then I'm

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Speaker 2: gonna have to deal with what we do. Then Keaton's

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Speaker 2: gonna want to be the exact same. I don't know

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Speaker 2: how to separate this writer, I really don't. I don't

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Speaker 2: know what to do. Keaton just will only do everything

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Speaker 2: out there does, and I keep, I keep desperately trying

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Speaker 2: to like give, but we're really we're struggling. I hope

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Speaker 2: it's a phase and that it that it passes. But

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Speaker 2: we'll see, because I'm probably gonna end up with two

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Speaker 2: vampire Batman.

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Speaker 1: But that'll be fine.

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Speaker 4: Can you do before and after Batman and then Batman Vampire?

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Speaker 4: So Batman Vampires from Earth forty three?

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Speaker 1: Oh okay, good.

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Speaker 3: I think as long as they I mean, obviously he's

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Speaker 3: gonna want to do everything his older brother does, so

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Speaker 3: I think I think you want to encourage and support that,

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Speaker 3: but then also say, but you're a little different, you know,

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Speaker 3: like and there's you get this color and you're one

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Speaker 3: of you is blue Batman, the other's black Batman, right,

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Speaker 3: gray Batman? Or I don't know, Like if there's can

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Speaker 3: you do Batman?

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Speaker 1: Would they be? Would Batman and Robin work? Can you

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Speaker 1: do Batman? Vampire? Batman and Vampire?

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Speaker 3: Robin wants to sidekick to their older brother.

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Speaker 2: No, who wants to be Luigi. It's it's the whole

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Speaker 2: every literally everything I mean, but down to just like

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Speaker 2: I drop them off today at school and Adler doesn't

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Speaker 2: have to go into Keaton's classroom because they have two

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Speaker 2: separate classrooms. Keaton wouldn't walk into his classroom because Adler

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Speaker 2: was standing outside, and so Keaton's like, so I'm just

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Speaker 2: going to stand outside.

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Speaker 1: It's like, no, bro, this is your room. You have

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Speaker 1: to go into it.

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Speaker 2: Adler does not, And I finally had to go out

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Speaker 2: and say, Adler, you don't have to, but it would

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Speaker 2: help me a lot, right now if you would just

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Speaker 2: come into Keaton's room so I could drop his backpack off,

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Speaker 2: and either goes okay, and then he comes in and

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Speaker 2: drop Keaton's backpack off. Yeah, yeah, he does really like

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Speaker 2: to help, which cool. Yeah, I appreciate it. So anyway,

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Speaker 2: welcome to pod Meetsookey season.

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Speaker 1: No act like you don't like it. I'm Danielle Fischel.

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Speaker 1: I'm right or strong, and I'm not acting.

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Speaker 2: I'm the only one here who wants to act, refuse

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Speaker 2: to participate, the only one of us.

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Speaker 1: You've got time to stop.

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Speaker 3: We gotta pay them. We gotta pay You're.

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Speaker 1: Not making enough money. I get it, I get it,

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Speaker 1: all right, fine, and I'm will for There you go.

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Speaker 5: It's Jojo Ciua, host of the new podcast Jojo Siwa.

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Speaker 5: Now it's time to get real, up close and personal.

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Speaker 5: We're gonna be talking to you like I'm writing in

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Speaker 5: a journal. You're gonna get all of the tea and

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Speaker 5: all of the scoop. I'm also gonna be talking to

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Speaker 5: my friends, to people I admire, to people that are

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Speaker 5: dreading right, now, So you're gonna get like Joe to

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Speaker 5: see one now and like, now, what's going on in

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Speaker 5: the world. It's gonna be great and I really hope

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Speaker 5: you like it. You can listen to Jojeses one Now

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Speaker 5: on the iHeartRadio app, Apple Podcasts, or wherever you listen

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Speaker 5: to podcasts.

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Speaker 2: So we have had such great response to the Will

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Speaker 2: and Writer pre show chatter fights, I mean, discussions about

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Speaker 2: movies and the cursed letterboxed account of one host in particular,

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Speaker 2: that we wanted to take it a step further.

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Speaker 1: It's cursed, it curse, cherish the cursed and letterbox account.

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Speaker 3: Well researched, you know, thought provoking, you know it's it's

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Speaker 3: it's incendiary. Sure, but that's not a that's not a

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Speaker 3: negative thing. This is what a film discussion is supposed

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Speaker 3: to do.

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Speaker 5: Well.

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Speaker 3: Today is gonna be good guy.

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Speaker 2: We wanted to take it one step further this episode

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Speaker 2: and dive head first into a new draft.

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Speaker 3: I'm like, let's do fantasy.

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Speaker 4: This is writer sports ball, it really is.

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Speaker 2: We discovered something writer feels sports polish.

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Speaker 1: Drinking, a cracking, a beer, hanging out.

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Speaker 3: Let's go, oh, that's a great idea. Let's pour some whiskey.

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Speaker 1: Let's go.

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Speaker 3: This is going to be really tough. It's going first.

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Speaker 3: I do not feel good about it.

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Speaker 2: You know, well, maybe you don't feel goo about it

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Speaker 2: because I haven't even introed the episode yet.

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Speaker 1: It's going first. Settled down.

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Speaker 2: This time, we are picking our favorite nineties movies. Will

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Speaker 2: and writer. I don't need to explain their love of filmmaking.

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Speaker 2: Even back on set when we were kids, they were

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Speaker 2: always talking about movies and rushing to see every new release.

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Speaker 2: And seeing movies for me back in the nineties was

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Speaker 2: a family tradition. Every Friday, my parents, my brother, and

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Speaker 2: I would go eat Mexican food. Then we would go

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Speaker 2: to a movie theater, so much so that for one anniversary,

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Speaker 2: I bought my parents' tickets to see Poetic Justice on

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Speaker 2: a date, thinking they would love it because I was

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Speaker 2: very excited to see Tupac in it.

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Speaker 1: They were not as excited.

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Speaker 3: I've actually seen that movie. It's good. It's good.

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Speaker 1: Yeah again, Jackson, it's good.

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Speaker 2: So although nowadays I am wildly out of touch with

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Speaker 2: TV and movies, I have a ton of absolute favorites

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Speaker 2: from thirty years ago. Now we will each pick eight movies.

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Speaker 2: Go on first in Will's favorite snake draft format. Then

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Speaker 2: we will leave it up to the audience as to

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Speaker 2: who the winner was. So, for those keeping score at home,

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Speaker 2: Writer won the character draft and I won the episode draft,

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Speaker 2: so make sense Will is due now.

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Speaker 1: First, I just like to point out that you both

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Speaker 1: won the draft.

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Speaker 4: You got to pick first in just for the records.

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Speaker 1: Yeah, just for the record, Thank you very much.

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Speaker 4: And I was gonna I was gonna write last night

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Speaker 4: that I pretty start first.

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Speaker 3: I think I was in close second on the episode

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Speaker 3: draft and.

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Speaker 1: I for both. I don't think that's true.

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Speaker 3: Are you sure that's true?

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Speaker 1: Is it? I came ins third both times?

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Speaker 4: That's true?

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Speaker 3: I don't know.

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Speaker 1: I'm getting word that that's true.

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Speaker 3: But I feel like this is this is so much harder. This,

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Speaker 3: this is just overwhelming to me. I really don't know

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Speaker 3: how to approach this because I don't know. I want

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Speaker 3: to hear what you guys are thinking. I guess if

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Speaker 3: I want to win, I should be thinking in terms

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Speaker 3: of what our listeners will agree are the greatest movies.

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Speaker 1: Our listeners have already proven.

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Speaker 4: That they're wrong, because I've come in third twice, so

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Speaker 4: we already know the listeners are wrong.

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Speaker 1: Both times. So I don't care about that anymore.

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Speaker 4: I'm picking the movies I want to pick, and that's

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Speaker 4: just the way it's going to be.

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Speaker 3: Okay, But see if I see them on the next level.

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Speaker 3: There are so many movies because the problem for me

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Speaker 3: with the nineties, like if we were doing the eighties,

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Speaker 3: I would be way more confident that like, well, I

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Speaker 3: know that this is just downright a perfect movie, and

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Speaker 3: there's like enough distance from that gade. But with the nineties,

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Speaker 3: I feel like whatever movies you watched, and maybe this

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Speaker 3: is true for TV shows too, and our listeners can

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Speaker 3: probably relate, Like when whatever you watch between the ages

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Speaker 3: of like twelve and eighteen are just so much more

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Speaker 3: important than anything else. It's like so much more personal.

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Speaker 3: So there are movies that when I think about the nineties,

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Speaker 3: I'm like, well, Pans Down, that's the most important movie

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Speaker 3: in my life. But now I can say, like, I

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Speaker 3: don't know if it's actually that greatable film.

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Speaker 1: Right, See, I like that that divide.

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Speaker 3: I'm like, it's really hard for me to make that

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Speaker 3: distinction and to understand the difference.

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Speaker 4: So will say you're picking you're just your favorite movies,

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Speaker 4: You're picking my favorite movies that I think are awesome

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Speaker 4: because I know they're awesome.

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Speaker 1: That's all I'm gonna do.

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Speaker 4: And I'm I'm doubtly gonna be in second or third

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Speaker 4: position because I never get to pick first.

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Speaker 3: Well, then that's you know. My prediction is that you

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Speaker 3: and I are going to really have like two or

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Speaker 3: three films that were super contentent, like that one of

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Speaker 3: us gets that the other is going to be so

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Speaker 3: upset about.

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Speaker 2: So happy because none of you, neither of you guys

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Speaker 2: are gonna care at all about any of my movies

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Speaker 2: except for two. Writer, Writer and I are gonna are

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Speaker 2: gonna care very much about one, just one, and Will

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Speaker 2: and I are gonna care about one.

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Speaker 1: I already know what both of those are too. Okay,

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Speaker 1: oh my god, I'm so curious. So but everything else,

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Speaker 1: you guys are gonna be like, yeah, take it.

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Speaker 2: Because I'm looking at this as being like a film

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Speaker 2: festival weekend. Like if I got to if I got

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Speaker 2: to have my own little film festival of nineties movies,

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Speaker 2: what would I want to watch back to back.

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Speaker 3: To just to represent the nineties or to just be

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Speaker 3: the best films, or to say this is what I like, this.

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Speaker 2: Is what I like, if I were gonna if I

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Speaker 2: was gonna make my film festival weekend where Danielle's gonna go,

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Speaker 2: and every movie that's just gonna play back to back

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Speaker 2: to back is gonna be Danielle thought of hit after

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Speaker 2: hit after hit.

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Speaker 3: Yeah, Okay, so let me let me give you a

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Speaker 3: pretty clear example. And maybe this is unfair because it

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Speaker 3: promptively engages this discussion, but like, Okay, if you're going

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Speaker 3: to do the best films from the nineteen nineties and

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Speaker 3: any sort of like historical, sociopolitical whatever, like pulp fiction

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00:19:08,760 --> 00:19:12,199
Speaker 3: should be probably on that list, right right. But and

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Speaker 3: if I'm like going to represent the nineties and I

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Speaker 3: had to do a film festival, I'd have to put

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Speaker 3: a Tarantino film on there, right, So personally, don't care. Personally,

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Speaker 3: I don't want to on there.

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Speaker 1: Right right.

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Speaker 3: So that's like, but that's the debate for me, is like,

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Speaker 3: but you say that it represents the filmmaking trends of

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Speaker 3: the nineties that are still presently to you.

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Speaker 2: You have eight it's not like somebody said you've get

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Speaker 2: you get fifty movies to say what's quintessential nineties.

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Speaker 1: Then it becomes well, I have to have.

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Speaker 2: A Quentin Tarantino film on there, and I have to

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Speaker 2: have a good comedy. If you don't like those, if

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Speaker 2: you like, you don't have to do that. That's how

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Speaker 2: I'm looking at it.

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Speaker 4: Like me too, I did Desert Island movies. These are

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Speaker 4: the movies I want to be with on a desert island.

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Speaker 4: These are the eight I want to watch. This is

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Speaker 4: for you.

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Speaker 1: I don't agree. I don't.

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Speaker 3: I think we're going to cross over three movies and

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Speaker 3: then the rest of them movie like what, it's really okay, Yeah,

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Speaker 3: I'm just I'm just recognizing that if we're all approaching

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Speaker 3: it that way, that's good to know, like, and I

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Speaker 3: actually feel that that's more freeing.

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Speaker 1: You know, because it's more fun.

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Speaker 4: There's I mean, again, you've got thousands of movies to

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Speaker 4: pick from, the idea that we're going to be arguing

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Speaker 4: over certain ones because I know there's some of my

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Speaker 4: lists where you you're both gonna be like, I've never

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Speaker 4: heard of that.

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Speaker 1: I've never seen it. I don't know what that is.

440
00:20:26,080 --> 00:20:27,520
Speaker 4: And then there's gonna be somewhere we're gonna be like

441
00:20:27,960 --> 00:20:29,840
Speaker 4: I wanted that one, all right.

442
00:20:29,520 --> 00:20:32,040
Speaker 3: I'm going to make another after this because I started

443
00:20:32,040 --> 00:20:35,320
Speaker 3: to make so many lists I can't even and I

444
00:20:35,359 --> 00:20:37,600
Speaker 3: can't even narrow it down. So I'm gonna probably end

445
00:20:37,640 --> 00:20:40,639
Speaker 3: up making like a personal list, which is just like

446
00:20:40,760 --> 00:20:43,040
Speaker 3: the movies that I watched over and over again that

447
00:20:43,080 --> 00:20:45,679
Speaker 3: I absessed over and or that influenced me in some

448
00:20:45,760 --> 00:20:47,840
Speaker 3: way but that I won't say, or like my Desert

449
00:20:47,880 --> 00:20:49,080
Speaker 3: Island films, if that makes sense.

450
00:20:50,400 --> 00:20:53,480
Speaker 4: The right way, which is writing things down on the

451
00:20:53,480 --> 00:20:56,360
Speaker 4: little scraps of paper that the real estate agents send.

452
00:20:56,200 --> 00:20:57,760
Speaker 1: Around your house. That's the way to do that.

453
00:20:57,960 --> 00:20:59,159
Speaker 3: Super order Letterbox.

454
00:21:00,119 --> 00:21:04,040
Speaker 2: Okay, anybody who wants to check out writers lists after

455
00:21:04,080 --> 00:21:06,359
Speaker 2: this episode airs right or strong on Letterbox.

456
00:21:06,400 --> 00:21:08,359
Speaker 1: You can see his his lists that he's going to

457
00:21:08,400 --> 00:21:13,600
Speaker 1: make writer wrong dot com. Oh, we're gonna argue that

458
00:21:13,680 --> 00:21:14,800
Speaker 1: much because I don't either.

459
00:21:14,840 --> 00:21:15,159
Speaker 3: You're going to.

460
00:21:16,760 --> 00:21:17,720
Speaker 4: And we have.

461
00:21:17,880 --> 00:21:20,920
Speaker 2: The draft order was set by a random randomizer, which

462
00:21:21,040 --> 00:21:22,240
Speaker 2: makes Will furious.

463
00:21:22,359 --> 00:21:26,400
Speaker 3: Random Danielle Fisher and Ja what would be the most

464
00:21:26,440 --> 00:21:30,840
Speaker 3: dramatically exactly once.

465
00:21:31,480 --> 00:21:34,080
Speaker 2: I really wish that were the case, but we're not.

466
00:21:34,600 --> 00:21:39,880
Speaker 2: The draft order is Danielle, Yeah, writer Will. So Will

467
00:21:39,960 --> 00:21:41,960
Speaker 2: is the first person to get two choices back to back,

468
00:21:42,000 --> 00:21:43,320
Speaker 2: and you're stuck in the middle.

469
00:21:43,119 --> 00:21:45,000
Speaker 3: Which is what Will thinks is the worst pecies.

470
00:21:44,880 --> 00:21:47,760
Speaker 1: The good news the worst position. I have great news

471
00:21:47,800 --> 00:21:48,160
Speaker 1: for Will.

472
00:21:49,200 --> 00:21:51,760
Speaker 2: I'm not taking Defending Your Life as my first pick

473
00:21:51,920 --> 00:21:54,959
Speaker 2: on Oh okay, Well, that's the only movie I think

474
00:21:55,000 --> 00:21:55,919
Speaker 2: you and I are going to argue.

475
00:21:55,960 --> 00:21:58,439
Speaker 1: I think so too, But I'm not either. Okay, So

476
00:21:58,840 --> 00:22:00,440
Speaker 1: I'm not taking it as my first pick.

477
00:22:00,440 --> 00:22:03,000
Speaker 3: I'm going to if I'm smart, I should just snap

478
00:22:03,080 --> 00:22:04,560
Speaker 3: it in the middle here, because you know, you just

479
00:22:04,640 --> 00:22:06,000
Speaker 3: admitted your whole strategy.

480
00:22:06,160 --> 00:22:07,280
Speaker 1: Why is that our strategy.

481
00:22:07,400 --> 00:22:09,520
Speaker 2: I love that movie and it would be definitely on

482
00:22:09,560 --> 00:22:11,399
Speaker 2: my list, but I'm not taking it first.

483
00:22:11,480 --> 00:22:13,919
Speaker 4: I agree, and I know what she's taking first, But

484
00:22:14,560 --> 00:22:16,960
Speaker 4: I should take a popular film first, right, because you know.

485
00:22:17,040 --> 00:22:19,119
Speaker 1: I think I know exactly what you're taking. What am

486
00:22:19,119 --> 00:22:20,680
Speaker 1: I taking? You want me to do?

487
00:22:20,720 --> 00:22:22,520
Speaker 4: You want me to say what I think you're going

488
00:22:22,600 --> 00:22:25,040
Speaker 4: to take. I think you're going to take Good Fellas

489
00:22:25,720 --> 00:22:27,960
Speaker 4: or Casino really.

490
00:22:27,720 --> 00:22:30,560
Speaker 2: Really smart, But I'm not. I'm taking Jurassic Park. Oh,

491
00:22:32,480 --> 00:22:37,040
Speaker 2: one another one, So Jurassic Park, and that's the one

492
00:22:37,040 --> 00:22:39,040
Speaker 2: I think the only one writer and I would ever

493
00:22:39,160 --> 00:22:43,280
Speaker 2: even have a little bit of crossover on Park. I've

494
00:22:43,280 --> 00:22:46,320
Speaker 2: done a Jurassic Park for me is I mean we,

495
00:22:46,520 --> 00:22:48,600
Speaker 2: like I said, growing up, we went to a movie

496
00:22:48,680 --> 00:22:52,280
Speaker 2: almost every Friday night, if not every Friday night. I

497
00:22:52,320 --> 00:22:55,840
Speaker 2: was way too old to be as scared by Jurassic

498
00:22:55,880 --> 00:22:59,080
Speaker 2: Park as I was, but we sat kind of close

499
00:22:59,119 --> 00:23:03,000
Speaker 2: in the theater, and it is the first movie I

500
00:23:03,200 --> 00:23:08,600
Speaker 2: truly remember multiple moments of sitting in the movie theater

501
00:23:08,800 --> 00:23:14,040
Speaker 2: thinking this is changing my life. It's just the sound,

502
00:23:14,400 --> 00:23:19,000
Speaker 2: the visuals, every single thing about it impact like that.

503
00:23:19,000 --> 00:23:22,879
Speaker 2: That night, that Friday night, watching Jurassic Park changed me

504
00:23:23,040 --> 00:23:24,439
Speaker 2: as a moviegoer.

505
00:23:24,800 --> 00:23:29,879
Speaker 4: Big movie cinema, yes, And I just use everything about it,

506
00:23:29,920 --> 00:23:33,000
Speaker 4: the music I've ever written for seeing it was all

507
00:23:33,080 --> 00:23:36,199
Speaker 4: of it was amazing. It had something for everybody. If

508
00:23:36,240 --> 00:23:37,720
Speaker 4: you were a kid, you thought you were, you could

509
00:23:37,720 --> 00:23:39,280
Speaker 4: be one of the kids in the park.

510
00:23:39,000 --> 00:23:42,200
Speaker 3: And it was still perfect. Still watch it now. That's

511
00:23:42,320 --> 00:23:44,240
Speaker 3: that's the real testament to it is like more than

512
00:23:44,240 --> 00:23:48,640
Speaker 3: almost any other big cinema hit, you actually still find

513
00:23:48,680 --> 00:23:52,360
Speaker 3: it as entertaining now, even with the effects at where

514
00:23:52,400 --> 00:23:55,960
Speaker 3: they were, like it doesn't matter. It blew Indie's mind.

515
00:23:55,960 --> 00:23:59,080
Speaker 3: He's he went through his whole Jurassic Park like phase

516
00:23:59,359 --> 00:24:02,159
Speaker 3: and none of the Jurassic World movies can hold a

517
00:24:02,200 --> 00:24:05,520
Speaker 3: candle to it. They're still perfect. The original is still perfect.

518
00:24:05,720 --> 00:24:08,919
Speaker 4: Even though they have all the bigger dinosaurs, the bigger storylines,

519
00:24:08,920 --> 00:24:11,359
Speaker 4: there's multiple and there's a I have to give a

520
00:24:11,359 --> 00:24:12,840
Speaker 4: lot of credit to the Dassic World for.

521
00:24:12,800 --> 00:24:16,760
Speaker 3: Their ambition, but they never they never were able to

522
00:24:16,760 --> 00:24:19,159
Speaker 3: get the heart and the focus that Jurassic Park the

523
00:24:19,160 --> 00:24:20,920
Speaker 3: original day. It's just so good.

524
00:24:21,000 --> 00:24:22,760
Speaker 1: First pick, and it's on all of our lists.

525
00:24:22,800 --> 00:24:25,520
Speaker 2: There you go, So that's that's my first pick. I

526
00:24:25,680 --> 00:24:28,240
Speaker 2: just yeah, love it. I feel good about that pick. Writer,

527
00:24:28,520 --> 00:24:29,400
Speaker 2: you get to go next.

528
00:24:29,480 --> 00:24:31,439
Speaker 3: I gotta pick Good Phillis. It's right there. I know

529
00:24:31,520 --> 00:24:36,080
Speaker 3: it's I know it's just competitive, but it's still I

530
00:24:36,080 --> 00:24:37,760
Speaker 3: still think. I mean, it's one of the greatest movies

531
00:24:37,760 --> 00:24:41,160
Speaker 3: ever made. I think. I don't know. I guess if

532
00:24:41,160 --> 00:24:44,000
Speaker 3: I only had to pick one Scorsese film, Oh, that's

533
00:24:44,040 --> 00:24:45,399
Speaker 3: too tard, that's too hard. I don't know if I

534
00:24:45,400 --> 00:24:47,680
Speaker 3: could pick one. Oh yeah, it's you know. It's also

535
00:24:47,720 --> 00:24:49,440
Speaker 3: the first I saw it when I was pretty young.

536
00:24:50,000 --> 00:24:53,040
Speaker 3: I guess it was on VHS, which is so depressing

537
00:24:53,080 --> 00:24:56,800
Speaker 3: to think that I saw you know, Good Fellas cut off,

538
00:24:57,280 --> 00:25:00,800
Speaker 3: you know, not widescreen on VHS. But it affected me

539
00:25:00,920 --> 00:25:04,520
Speaker 3: so much emotionally, Like I remember being devastated by Spider

540
00:25:04,560 --> 00:25:08,000
Speaker 3: getting killed and just like as so I was probably

541
00:25:08,000 --> 00:25:10,760
Speaker 3: only eleven or twelve and just thinking like, there are

542
00:25:10,760 --> 00:25:13,760
Speaker 3: people this bad in the world, and then why do

543
00:25:13,840 --> 00:25:16,600
Speaker 3: I care so much about them? Why am I still

544
00:25:16,680 --> 00:25:19,040
Speaker 3: kind of on their side and intrigued by them? And

545
00:25:19,080 --> 00:25:22,080
Speaker 3: then you have to keep going back and like revisiting,

546
00:25:22,240 --> 00:25:24,640
Speaker 3: like do I like these people? Am I charmed by

547
00:25:24,640 --> 00:25:28,640
Speaker 3: these people? I hate these people? But you know people

548
00:25:29,240 --> 00:25:32,280
Speaker 3: these people, And yet it was it's just it creates

549
00:25:32,320 --> 00:25:36,200
Speaker 3: a whole world. But then just also beat for beat filmmaking,

550
00:25:36,359 --> 00:25:37,200
Speaker 3: the camera.

551
00:25:37,040 --> 00:25:42,080
Speaker 1: Amazing, the acting. De Niro is so good in this movie.

552
00:25:42,240 --> 00:25:43,320
Speaker 1: It's unreal.

553
00:25:43,720 --> 00:25:46,080
Speaker 3: And I think that, like Casino is the other choice

554
00:25:46,080 --> 00:25:48,760
Speaker 3: that was in some ways more personal because I saw

555
00:25:48,760 --> 00:25:50,879
Speaker 3: that in the theater maybe five or six times. I

556
00:25:50,880 --> 00:25:53,600
Speaker 3: was obsessed. So it's affected me more. But I think

557
00:25:53,640 --> 00:25:57,040
Speaker 3: it's a little too. It's messier, right. Goodfellas is still

558
00:25:57,119 --> 00:26:00,520
Speaker 3: just a tight, perfect movie, and I think it capsulates

559
00:26:00,560 --> 00:26:04,120
Speaker 3: a lot of what became the nineties, like gangster traditions and.

560
00:26:04,119 --> 00:26:06,800
Speaker 1: Yeah, I mean with your good Fellas, there's no sopranos yeah.

561
00:26:07,040 --> 00:26:10,600
Speaker 3: Oh there's no pulp picture. Yes, yeah, so yeah, so yeah,

562
00:26:10,760 --> 00:26:11,520
Speaker 3: I had to take it.

563
00:26:11,840 --> 00:26:14,200
Speaker 1: Okay, A great choice. It's a great choice. Well you

564
00:26:14,320 --> 00:26:16,440
Speaker 1: got too, I get two. So I am.

565
00:26:16,560 --> 00:26:18,959
Speaker 4: I am taking Casino, Okay, going to be that's going

566
00:26:19,000 --> 00:26:21,680
Speaker 4: to be my first take because of all the things

567
00:26:21,680 --> 00:26:25,400
Speaker 4: we just said. I'm I wanted good Fellas first, obviously,

568
00:26:25,400 --> 00:26:27,240
Speaker 4: but Casino is a very close second for me.

569
00:26:27,840 --> 00:26:30,879
Speaker 1: It is pretty great. Yeah, it's my next pick.

570
00:26:31,960 --> 00:26:35,639
Speaker 4: That's interesting, okay, because there's a lot of ways to

571
00:26:35,680 --> 00:26:37,399
Speaker 4: go with this, and there's a lot I have on

572
00:26:37,440 --> 00:26:40,359
Speaker 4: my list, and I was jocking back and forth with

573
00:26:40,400 --> 00:26:42,840
Speaker 4: what I wanted to be my next pick. What, and

574
00:26:42,920 --> 00:26:45,680
Speaker 4: I just kept coming back to this one film over

575
00:26:45,720 --> 00:26:49,120
Speaker 4: and over and over again. I still watch it two

576
00:26:49,119 --> 00:26:52,679
Speaker 4: three times a year. It is perfect all the way around.

577
00:26:52,800 --> 00:26:54,280
Speaker 3: Oh no, I think you're gonna take one of mine.

578
00:26:54,640 --> 00:26:55,600
Speaker 1: I'm taking Fargo.

579
00:26:56,359 --> 00:26:59,600
Speaker 4: Okay, okay, Well I was a close one for me,

580
00:26:59,640 --> 00:27:05,320
Speaker 4: but yeah, I'm taking Fargo. Fargo is such a good movie.

581
00:27:06,160 --> 00:27:08,360
Speaker 1: The acting is incredible.

582
00:27:08,800 --> 00:27:12,439
Speaker 4: Yeah, the I don't know if this if you've listened

583
00:27:12,480 --> 00:27:15,280
Speaker 4: to the soundtrack of Fargo, which is the most subtle,

584
00:27:15,960 --> 00:27:18,320
Speaker 4: perfect soundtrack that is just.

585
00:27:18,240 --> 00:27:22,719
Speaker 1: This almost delicate angelic.

586
00:27:22,359 --> 00:27:26,679
Speaker 4: Noise that plays underneath this white story taking place in

587
00:27:26,720 --> 00:27:29,240
Speaker 4: front of you in this snowy land.

588
00:27:29,760 --> 00:27:34,160
Speaker 1: It still holds up. The characters are incredible. I love

589
00:27:34,200 --> 00:27:38,399
Speaker 1: never seen Fargo. Oh it's so good, Danielle, so good.

590
00:27:38,600 --> 00:27:40,040
Speaker 3: Will did you watch the TV show?

591
00:27:40,400 --> 00:27:43,400
Speaker 1: I haven't. I'm great.

592
00:27:43,640 --> 00:27:46,200
Speaker 3: Season to season, it varies a lot, but I would

593
00:27:46,200 --> 00:27:49,840
Speaker 3: say the first two seasons are basically the tone and

594
00:27:49,880 --> 00:27:53,240
Speaker 3: the feeling of the movie into a universe that I

595
00:27:53,960 --> 00:27:56,480
Speaker 3: really loved. The first two seasons I really loved.

596
00:27:56,920 --> 00:27:57,119
Speaker 4: You know.

597
00:27:58,359 --> 00:28:01,199
Speaker 3: I ultimately didn't put Fargo even on my list, and

598
00:28:01,440 --> 00:28:05,600
Speaker 3: I'm not sure why other than it's really it's it's

599
00:28:05,640 --> 00:28:09,080
Speaker 3: cynical and dark in a way that that doesn't make

600
00:28:09,119 --> 00:28:12,280
Speaker 3: me want to like rewatch it too many times. Like

601
00:28:12,480 --> 00:28:17,040
Speaker 3: watching it, I do her performance. Yeah, well, she's the heart, right,

602
00:28:17,280 --> 00:28:20,920
Speaker 3: she's basically the only likable character. Thing. Oh she's so.

603
00:28:21,119 --> 00:28:22,280
Speaker 1: And her husband her husband.

604
00:28:22,520 --> 00:28:25,160
Speaker 4: But I mean, we quote, we quote this stuff all

605
00:28:25,240 --> 00:28:27,320
Speaker 4: the time. So that's the other thing that matters to

606
00:28:27,359 --> 00:28:28,800
Speaker 4: me is how it's still in the.

607
00:28:28,760 --> 00:28:32,040
Speaker 1: Zeit and yeah, yeah, yeah, so Sue will like get.

608
00:28:31,960 --> 00:28:34,239
Speaker 4: Up and have an early meeting or you know, an

609
00:28:34,240 --> 00:28:36,440
Speaker 4: early client or something, and I still say, you gotta

610
00:28:36,480 --> 00:28:38,880
Speaker 4: eat a breakfast, Margie, you gotta eat a breakfast, margin

611
00:28:39,000 --> 00:28:41,680
Speaker 4: like we still do. So I was like, Okay, I've

612
00:28:41,720 --> 00:28:44,120
Speaker 4: gotta I've got to. That's that's my my my pick.

613
00:28:44,160 --> 00:28:47,480
Speaker 4: I'm taking Fargo, which of course was was what nineteen

614
00:28:47,520 --> 00:28:48,960
Speaker 4: ninety six Coen Brothers ninety six.

615
00:28:49,040 --> 00:28:52,680
Speaker 1: So that's I've got Cassen on Good Choices, Good choices.

616
00:28:53,040 --> 00:28:54,000
Speaker 3: Yeah, that's a great list.

617
00:28:54,600 --> 00:28:54,800
Speaker 4: Right.

618
00:28:55,800 --> 00:28:58,719
Speaker 3: I have to take this one off because I'm scared,

619
00:28:59,480 --> 00:29:03,320
Speaker 3: especially I'm scared Will's gonna take it. This is just

620
00:29:03,920 --> 00:29:06,640
Speaker 3: I you know, I don't have a lot of comedies

621
00:29:06,680 --> 00:29:07,320
Speaker 3: on my list, but.

622
00:29:07,280 --> 00:29:07,920
Speaker 4: I need it.

623
00:29:09,240 --> 00:29:12,120
Speaker 2: You feel like to round out your film fest weekend?

624
00:29:12,480 --> 00:29:14,040
Speaker 1: Yes, I need you this.

625
00:29:14,200 --> 00:29:15,840
Speaker 3: I wonder if you're gonna go. I think it's the

626
00:29:15,880 --> 00:29:19,720
Speaker 3: most perfect script ever written. You can watch it over

627
00:29:19,760 --> 00:29:22,880
Speaker 3: and over and over again. It is. I'm taking Groundhog

628
00:29:22,880 --> 00:29:23,680
Speaker 3: Groundhog Day.

629
00:29:23,760 --> 00:29:26,600
Speaker 1: Yeah. I knew that. I knew that ground I was

630
00:29:26,640 --> 00:29:27,480
Speaker 1: on my list too.

631
00:29:27,680 --> 00:29:30,720
Speaker 3: Yep. I have to get it now because I was

632
00:29:30,960 --> 00:29:33,080
Speaker 3: terrified when you started saying that you watch it every year.

633
00:29:33,120 --> 00:29:35,320
Speaker 3: I was like, oh God, is he going to decorate?

634
00:29:35,640 --> 00:29:36,320
Speaker 1: And I will want to.

635
00:29:36,280 --> 00:29:39,040
Speaker 3: Get it off the table. I just think this is

636
00:29:39,320 --> 00:29:44,400
Speaker 3: endlessly entertaining perfect performances all around. You know, it's just

637
00:29:44,440 --> 00:29:46,440
Speaker 3: like one of those feel good comedies you can watch

638
00:29:46,520 --> 00:29:48,680
Speaker 3: over and over. It's timeless, it's a classic. It's a

639
00:29:48,720 --> 00:29:52,520
Speaker 3: classic film. I mean, it's essentially like a like a holiday,

640
00:29:52,680 --> 00:29:54,840
Speaker 3: you know, in the irony that it's set on Groundhog Day.

641
00:29:54,840 --> 00:29:56,840
Speaker 3: It's basically like a Christmas movie where it's like this

642
00:29:56,920 --> 00:30:00,560
Speaker 3: redemption story of this hero or this bad guy becoming

643
00:30:00,600 --> 00:30:04,840
Speaker 3: a good guy through this journey. And like the first

644
00:30:04,880 --> 00:30:06,640
Speaker 3: time you see it, you're ready to quote it a

645
00:30:06,640 --> 00:30:07,240
Speaker 3: million times.

646
00:30:08,600 --> 00:30:09,400
Speaker 1: It's like vacation.

647
00:30:09,600 --> 00:30:11,600
Speaker 4: It's up there with one of those kind of you know,

648
00:30:11,640 --> 00:30:14,600
Speaker 4: one of these movies that is the quintessential comedy and

649
00:30:14,640 --> 00:30:15,680
Speaker 4: it's just so good.

650
00:30:16,040 --> 00:30:17,920
Speaker 1: Yeah, great movie, great movie.

651
00:30:18,560 --> 00:30:21,720
Speaker 3: Harold Ram has directed it. I'm blanking on the screenwriter's name,

652
00:30:21,760 --> 00:30:23,680
Speaker 3: but he actually has a book that you can read

653
00:30:23,720 --> 00:30:28,800
Speaker 3: called All about Writing Groundhog Day, which is amazing, yeah,

654
00:30:28,840 --> 00:30:31,200
Speaker 3: because he just talks about how he had the idea,

655
00:30:31,680 --> 00:30:35,800
Speaker 3: busted it out, and then rewrote it for like three years,

656
00:30:36,200 --> 00:30:38,640
Speaker 3: and all the different variations and you know, for instance,

657
00:30:38,680 --> 00:30:41,400
Speaker 3: there was a version because he was getting so many notes.

658
00:30:41,440 --> 00:30:43,720
Speaker 3: It basically becomes about how to deal with studio notes

659
00:30:43,720 --> 00:30:46,040
Speaker 3: and how to rewrite a script without losing its heart

660
00:30:46,160 --> 00:30:48,720
Speaker 3: and finding new wiz. So, like one of the things

661
00:30:48,720 --> 00:30:50,560
Speaker 3: that he talks about is like at one point he

662
00:30:50,680 --> 00:30:53,600
Speaker 3: was going to be cursed by a gypsy to to

663
00:30:53,720 --> 00:30:56,840
Speaker 3: live the day, like they were going to explain why

664
00:30:57,200 --> 00:31:00,000
Speaker 3: mean to the old lady and therefore she curses him

665
00:31:00,080 --> 00:31:02,120
Speaker 3: him and that's how he ends up. And it was

666
00:31:02,120 --> 00:31:03,640
Speaker 3: one of those things like he actually puts it in

667
00:31:03,680 --> 00:31:05,120
Speaker 3: his book. He puts the scene in the book, he

668
00:31:05,160 --> 00:31:07,320
Speaker 3: describes it, and you get to read it and you're like, yeah,

669
00:31:07,320 --> 00:31:10,680
Speaker 3: that was that would have been awful, Yeah, because sometimes

670
00:31:10,680 --> 00:31:12,080
Speaker 3: you don't need to explain the magic.

671
00:31:12,160 --> 00:31:14,760
Speaker 4: Sometimes your story is just compelling enough that you don't

672
00:31:14,800 --> 00:31:17,080
Speaker 4: have to. Like but it's one of those classic studio notes,

673
00:31:17,200 --> 00:31:19,200
Speaker 4: like we have to explain everything the audience, it's not

674
00:31:19,200 --> 00:31:21,000
Speaker 4: going to be on board, and it's like, no, the

675
00:31:21,040 --> 00:31:23,080
Speaker 4: whole point is that we're with him.

676
00:31:22,720 --> 00:31:24,640
Speaker 3: Not knowing why he's living the stable there.

677
00:31:24,720 --> 00:31:28,200
Speaker 4: Yeah. Yeah, and then did is that the book that

678
00:31:28,280 --> 00:31:30,040
Speaker 4: talks about how long he's in the town for?

679
00:31:30,640 --> 00:31:33,760
Speaker 3: Yeah, they added or somebody added up online it's like

680
00:31:33,840 --> 00:31:34,880
Speaker 3: a thousand years. Yeah.

681
00:31:34,880 --> 00:31:36,680
Speaker 1: Well, No, the writer finally said, he's there for a

682
00:31:36,760 --> 00:31:37,400
Speaker 1: thousand years.

683
00:31:37,400 --> 00:31:39,880
Speaker 4: So watching that again knowing that he's stuck there for

684
00:31:39,920 --> 00:31:42,200
Speaker 4: a thousand years is insane.

685
00:31:42,400 --> 00:31:46,320
Speaker 1: Yeah, nuts, great, good, pick good, pick Danielle. You're on

686
00:31:46,360 --> 00:31:46,760
Speaker 1: the clock.

687
00:31:47,160 --> 00:31:50,959
Speaker 2: I'm on the clock now, so again going with my

688
00:31:51,880 --> 00:31:55,680
Speaker 2: this is for Danielle. Also, this is for This is

689
00:31:55,720 --> 00:31:56,800
Speaker 2: for little Danielle.

690
00:31:56,840 --> 00:31:59,920
Speaker 1: This is for Little Danielle, Little Danielle.

691
00:32:00,120 --> 00:32:02,600
Speaker 2: Litt D is for Little d as I was nicknamed

692
00:32:02,640 --> 00:32:08,000
Speaker 2: in the nineties. I have to go with Titanic. I

693
00:32:08,040 --> 00:32:08,960
Speaker 2: saw Titanic.

694
00:32:09,080 --> 00:32:11,520
Speaker 1: I know it's so good in the.

695
00:32:11,080 --> 00:32:16,400
Speaker 2: Theater so many times I saw Titanic in the movie theater.

696
00:32:17,760 --> 00:32:20,240
Speaker 1: Let's say at least six times.

697
00:32:20,600 --> 00:32:26,000
Speaker 2: No, it's where I decided I was marrying Leonardo DiCaprio.

698
00:32:26,400 --> 00:32:30,080
Speaker 2: I was then from that moment on just on a

699
00:32:30,160 --> 00:32:34,240
Speaker 2: Leo hunt. I saw every single movie Leonardo DiCaprio did.

700
00:32:34,520 --> 00:32:38,960
Speaker 2: I became completely obsessed. And so to have it on

701
00:32:39,000 --> 00:32:42,200
Speaker 2: my team, I have to take Titanic. And I'm not

702
00:32:42,320 --> 00:32:44,400
Speaker 2: surprised that Will doesn't care. And I'm actually kind of

703
00:32:44,440 --> 00:32:47,600
Speaker 2: surprised that writer, even on.

704
00:32:47,640 --> 00:32:49,080
Speaker 3: A Groundhog Gay, I was going to have to take

705
00:32:49,120 --> 00:32:51,200
Speaker 3: because I knew that those were the two between you

706
00:32:51,280 --> 00:32:53,160
Speaker 3: two that was going to get stolen and sure enough,

707
00:32:53,360 --> 00:32:56,880
Speaker 3: I mean, no Titanic is I saw it as many

708
00:32:56,920 --> 00:32:58,560
Speaker 3: times as I could in the theater. Well, I think

709
00:32:58,640 --> 00:33:01,320
Speaker 3: if you're talking about bigs in them, yeah, it's perfect,

710
00:33:01,320 --> 00:33:02,000
Speaker 3: great filmmaking.

711
00:33:02,040 --> 00:33:02,200
Speaker 4: You know.

712
00:33:02,240 --> 00:33:06,520
Speaker 3: The problem the problem with the movie is the dialogue,

713
00:33:06,520 --> 00:33:09,120
Speaker 3: Like you know, it's just not like but that's always

714
00:33:09,160 --> 00:33:13,720
Speaker 3: James Cameron thing. James Cameron just is the greatest storyteller

715
00:33:13,760 --> 00:33:17,200
Speaker 3: and cinematic storyteller, you know. But but as far as

716
00:33:17,200 --> 00:33:21,080
Speaker 3: like humans talking and acting like humans, George Lucas is

717
00:33:21,440 --> 00:33:24,280
Speaker 3: the way. This doesn't matter and it's still such a

718
00:33:24,280 --> 00:33:26,880
Speaker 3: perfect spectacle. And it's on my mind right now because

719
00:33:26,880 --> 00:33:30,960
Speaker 3: Indy is obsessed with Titanic, really not the movie because

720
00:33:31,000 --> 00:33:33,000
Speaker 3: he hasn't seen any because we're kind of unsure whether

721
00:33:33,360 --> 00:33:36,120
Speaker 3: whether it's okay, but the ship, the idea of the tragedy,

722
00:33:36,200 --> 00:33:38,920
Speaker 3: he's just he's he's going to be Titanic for Halloween,

723
00:33:39,760 --> 00:33:42,760
Speaker 3: him a whole Titanic outfit. Is the thing still here

724
00:33:42,800 --> 00:33:46,960
Speaker 3: in la Iceberg, and I'm going to love that is.

725
00:33:46,920 --> 00:33:48,800
Speaker 4: The thing is the is the experience that Sue and

726
00:33:48,800 --> 00:33:51,280
Speaker 4: I went to still here in Los Angeles, he's going

727
00:33:51,320 --> 00:33:51,800
Speaker 4: this weekend.

728
00:33:52,160 --> 00:33:53,840
Speaker 1: It's we had so much fun. It's great.

729
00:33:53,880 --> 00:33:55,480
Speaker 4: You get a ticket when you go in there and

730
00:33:55,520 --> 00:33:57,600
Speaker 4: you see if you made the if you actually survived

731
00:33:57,640 --> 00:33:58,200
Speaker 4: the trip or not.

732
00:33:59,280 --> 00:34:00,320
Speaker 1: Then what do you thing?

733
00:34:00,360 --> 00:34:01,440
Speaker 3: Should I show him in the movie?

734
00:34:01,840 --> 00:34:03,239
Speaker 1: Like yes, yeah, why not?

735
00:34:04,400 --> 00:34:06,800
Speaker 3: Because it's sad, it's devastating.

736
00:34:06,320 --> 00:34:08,920
Speaker 4: You know, but people also it's he that's one of

737
00:34:09,000 --> 00:34:12,239
Speaker 4: the things he seems to be attracted to, isn't So that, Yes,

738
00:34:12,600 --> 00:34:14,640
Speaker 4: it behumanizes the whole thing because a lot of it,

739
00:34:14,719 --> 00:34:17,200
Speaker 4: like the old the old couple holding themselves and that

740
00:34:17,200 --> 00:34:19,920
Speaker 4: that that's all stuff that was based on an actual fact.

741
00:34:19,960 --> 00:34:21,839
Speaker 4: She she could have gotten on the off the boat,

742
00:34:21,840 --> 00:34:23,600
Speaker 4: but decided to stay with her husband of sixty five

743
00:34:23,640 --> 00:34:26,160
Speaker 4: seven years. So these are all, you know, they're real stories.

744
00:34:26,160 --> 00:34:27,799
Speaker 4: So yeah, I think I think he definitely should.

745
00:34:28,000 --> 00:34:30,960
Speaker 3: He knows that Jack dies, he knows like he knows basically,

746
00:34:31,080 --> 00:34:34,160
Speaker 3: and he's seen he's seen the making of So yeah,

747
00:34:34,160 --> 00:34:37,719
Speaker 3: he's I basically, But you know, I also don't want to, like,

748
00:34:37,960 --> 00:34:41,480
Speaker 3: you know, I don't know. It's been on my mind

749
00:34:41,520 --> 00:34:43,760
Speaker 3: a lot. I still think it's a it's a wonderful

750
00:34:43,840 --> 00:34:46,080
Speaker 3: the real bummer about that movie. Is the c G

751
00:34:46,280 --> 00:34:48,399
Speaker 3: I or the ship and the people walking? Look really

752
00:34:48,840 --> 00:34:49,440
Speaker 3: these days.

753
00:34:49,480 --> 00:34:51,799
Speaker 1: Back in the day that.

754
00:34:51,840 --> 00:34:54,680
Speaker 3: Doesn't have that problem, right, there's something too like you know,

755
00:34:54,719 --> 00:34:57,160
Speaker 3: but whatever. Still great film, Yep, good pick.

756
00:35:09,160 --> 00:35:12,239
Speaker 2: This next one's very hard for me because again I want,

757
00:35:12,920 --> 00:35:16,880
Speaker 2: I want to take Defending your Life because they're just

758
00:35:17,200 --> 00:35:21,279
Speaker 2: freaking love it, and I feel like the other one

759
00:35:21,320 --> 00:35:26,680
Speaker 2: I'm torn between is safe from you guys. So I'm

760
00:35:26,719 --> 00:35:30,400
Speaker 2: going to take Defending Your Life for anybody who doesn't know.

761
00:35:30,440 --> 00:35:33,880
Speaker 2: It's from nineteen ninety one. Written and directed by Albert Brooks.

762
00:35:33,960 --> 00:35:37,000
Speaker 2: It stars Albert Brooks and Meryl Streep. They have both died.

763
00:35:37,040 --> 00:35:39,240
Speaker 2: They are now in Judgment City and they are watching

764
00:35:39,320 --> 00:35:41,799
Speaker 2: key moments of their life so that it can be

765
00:35:41,880 --> 00:35:45,759
Speaker 2: decided whether they move on or whether they go back

766
00:35:45,800 --> 00:35:49,040
Speaker 2: to Earth and try to conquer their fears. And in

767
00:35:49,120 --> 00:35:51,960
Speaker 2: Judgment City you can eat whatever you want, you can

768
00:35:52,080 --> 00:35:57,399
Speaker 2: visit the Past Lives Pavilion. It is hilarious. It is

769
00:35:57,560 --> 00:36:01,440
Speaker 2: heartwarming and heartfelt and fels to me like a movie

770
00:36:01,520 --> 00:36:04,520
Speaker 2: that has helped others with their thoughts on death. And

771
00:36:04,560 --> 00:36:06,960
Speaker 2: regardless of whether any of us are right, how could

772
00:36:07,000 --> 00:36:09,239
Speaker 2: we ever be right about what the heck happens after death.

773
00:36:09,520 --> 00:36:11,719
Speaker 1: But like I just because we don't know.

774
00:36:11,920 --> 00:36:14,160
Speaker 2: I feel like, if you can find something that really

775
00:36:14,160 --> 00:36:17,040
Speaker 2: makes you feel good about it, then run with that.

776
00:36:17,719 --> 00:36:20,800
Speaker 4: And I just think that entire film is beginning and

777
00:36:21,000 --> 00:36:22,080
Speaker 4: I could do it like a play.

778
00:36:22,320 --> 00:36:25,160
Speaker 1: It is a tremendous movie play.

779
00:36:25,160 --> 00:36:27,759
Speaker 3: Actually, I'm surprised nobody has done an adaptation of Maybe

780
00:36:27,760 --> 00:36:28,000
Speaker 3: they have.

781
00:36:28,280 --> 00:36:31,359
Speaker 2: I'm snatching it. I'm snatching defending your life and right

782
00:36:31,480 --> 00:36:32,200
Speaker 2: or you're up next.

783
00:36:32,640 --> 00:36:34,480
Speaker 3: All right, I'm going to take this one off the

784
00:36:34,480 --> 00:36:37,040
Speaker 3: table because I'm a little scared of will might. Will

785
00:36:37,120 --> 00:36:43,600
Speaker 3: might take it. Uh, it's it's it's dark, it's uh

786
00:36:44,719 --> 00:36:55,560
Speaker 3: all the way, jingle all the way. No, it's just

787
00:36:56,000 --> 00:36:59,440
Speaker 3: but it's you know, I think it's This movie was

788
00:36:59,760 --> 00:37:02,239
Speaker 3: the first of this director's work that I saw, and

789
00:37:02,280 --> 00:37:05,120
Speaker 3: of course he's become one of our greatest directors ever,

790
00:37:05,760 --> 00:37:08,359
Speaker 3: and it just chilled me to the bone. I've seen

791
00:37:08,360 --> 00:37:11,160
Speaker 3: it multiple times. I know it's the screenplay because it's perfect.

792
00:37:11,200 --> 00:37:12,040
Speaker 3: I'm taking seven.

793
00:37:12,640 --> 00:37:14,640
Speaker 4: Oh, okay, that wasn't even on my list. Ye, No,

794
00:37:14,840 --> 00:37:17,680
Speaker 4: that's great, great movie. No, it wasn't even on my list. Okay, good,

795
00:37:17,719 --> 00:37:18,080
Speaker 4: all right, I.

796
00:37:18,040 --> 00:37:19,440
Speaker 1: Thought you were going another way with it.

797
00:37:19,640 --> 00:37:22,000
Speaker 3: No. I mean so you know, for me, it was

798
00:37:22,040 --> 00:37:24,239
Speaker 3: like the two. You know, there's like a couple of

799
00:37:24,239 --> 00:37:28,799
Speaker 3: these sort of noir like La La Confidential seven or

800
00:37:29,600 --> 00:37:32,000
Speaker 3: Silence of the Lambs obviously, like you don't make seven

801
00:37:32,080 --> 00:37:34,319
Speaker 3: unless Silence of the Lambs is made, right, these are

802
00:37:34,360 --> 00:37:37,960
Speaker 3: all like some great dark serial killer or you know

803
00:37:38,040 --> 00:37:41,600
Speaker 3: noir films. And but I think seven is for me

804
00:37:41,800 --> 00:37:44,560
Speaker 3: just hands down, like when I realized that a movie

805
00:37:44,840 --> 00:37:48,719
Speaker 3: could could disturb you this much and intrigue you and

806
00:37:48,920 --> 00:37:51,279
Speaker 3: just be so well shot. I mean it is like

807
00:37:51,360 --> 00:37:54,160
Speaker 3: every time you look at one frame of this movie

808
00:37:54,320 --> 00:37:56,440
Speaker 3: and you feel the way the movie wants you to.

809
00:37:56,640 --> 00:37:59,040
Speaker 4: It's like a comic book. It's like a comics it's

810
00:37:59,040 --> 00:38:02,719
Speaker 4: like a graphic novel. Yeah, it's so pretty, and it's

811
00:38:03,080 --> 00:38:04,680
Speaker 4: the way it's disturbing.

812
00:38:04,440 --> 00:38:07,520
Speaker 3: And like always raining every exterior. Yep, they never named

813
00:38:07,560 --> 00:38:11,120
Speaker 3: the city, so they always feel that sort of like, yeah,

814
00:38:11,360 --> 00:38:13,839
Speaker 3: it has a it has an archetypal quality to it,

815
00:38:14,160 --> 00:38:17,600
Speaker 3: and yet it's still very lived in specific and realistic

816
00:38:17,960 --> 00:38:20,880
Speaker 3: that like combo like, because when things get too comic

817
00:38:20,880 --> 00:38:22,840
Speaker 3: bookie for me, like you know, Sin City for instance,

818
00:38:23,200 --> 00:38:25,399
Speaker 3: literally I lose it, like I need it to have

819
00:38:25,440 --> 00:38:27,840
Speaker 3: that grit, and Seven just walks that line perfectly, and

820
00:38:27,960 --> 00:38:30,879
Speaker 3: it fintures, you know, Like I've gone back and forth

821
00:38:30,880 --> 00:38:33,640
Speaker 3: about him like in some of his movies, but overall,

822
00:38:33,840 --> 00:38:37,200
Speaker 3: like we just we need great directors like him, people

823
00:38:37,239 --> 00:38:42,000
Speaker 3: that approach filmmaking that seriously and yeah, and and invest

824
00:38:42,080 --> 00:38:45,239
Speaker 3: that much time and energy and creating the world that

825
00:38:45,280 --> 00:38:45,520
Speaker 3: they do.

826
00:38:45,600 --> 00:38:47,759
Speaker 1: It's well they even talk about that in the film.

827
00:38:47,800 --> 00:38:51,000
Speaker 4: They talk about where he Morgan Freeman says to Brad Pitt,

828
00:38:51,040 --> 00:38:54,680
Speaker 4: if we get there and it's the devil himself, then

829
00:38:55,360 --> 00:38:57,880
Speaker 4: you know, we'll we'll understand, but it's not gonna be

830
00:38:57,960 --> 00:38:59,960
Speaker 4: it's gonna be a guy, and it's never gonna make

831
00:39:00,040 --> 00:39:02,160
Speaker 4: sense to you how It just it was that line

832
00:39:02,200 --> 00:39:03,480
Speaker 4: of realism against Yeah.

833
00:39:03,480 --> 00:39:06,200
Speaker 1: It was beautiful, great movie, great, and Brad Pitt was great.

834
00:39:06,239 --> 00:39:08,160
Speaker 1: It was kind of that kind of broke Brad Pitt

835
00:39:08,160 --> 00:39:08,839
Speaker 1: too a little bit.

836
00:39:08,840 --> 00:39:12,680
Speaker 4: I Mean he had a couple before where he was

837
00:39:12,760 --> 00:39:15,080
Speaker 4: kind of the good looking guy or he had, you know,

838
00:39:15,160 --> 00:39:16,560
Speaker 4: certain parts that he was very funny.

839
00:39:16,560 --> 00:39:18,600
Speaker 1: But Seven was the one where people were like, oh,

840
00:39:18,680 --> 00:39:22,719
Speaker 1: he's he's good. So yeah, that was that's a good pick,

841
00:39:22,800 --> 00:39:27,520
Speaker 1: good pick, good picks, right, Okay, mine with his back

842
00:39:27,560 --> 00:39:27,919
Speaker 1: to back.

843
00:39:28,200 --> 00:39:30,399
Speaker 4: I got back to back, and I don't know if

844
00:39:30,840 --> 00:39:33,120
Speaker 4: either one of you were going to pick either one

845
00:39:33,120 --> 00:39:35,000
Speaker 4: of these, frankly, but these are important to me, and

846
00:39:35,040 --> 00:39:37,719
Speaker 4: I think the first one is actually important to filmmaking

847
00:39:38,120 --> 00:39:40,560
Speaker 4: and was huge in the zeitgeist of the at the time.

848
00:39:40,960 --> 00:39:42,839
Speaker 1: People still quoted to this day.

849
00:39:43,360 --> 00:39:45,480
Speaker 4: And I remember sitting there in the movie theater as

850
00:39:45,520 --> 00:39:47,680
Speaker 4: a kid, going, this is the coolest thing I've ever seen.

851
00:39:47,680 --> 00:39:49,759
Speaker 4: I remember there actually being a buzz about it before

852
00:39:49,760 --> 00:39:52,000
Speaker 4: it came out, and this is pre internet buzz, so

853
00:39:52,040 --> 00:39:53,600
Speaker 4: this is just people talking about it.

854
00:39:53,960 --> 00:39:57,360
Speaker 1: So my next pick is going to be Terminator too.

855
00:39:57,600 --> 00:40:04,040
Speaker 6: Oh w, which was so good and just names Cameron Man,

856
00:40:04,160 --> 00:40:08,799
Speaker 6: James Cameron, a guy what people want to watch in

857
00:40:08,840 --> 00:40:10,560
Speaker 6: the big.

858
00:40:10,360 --> 00:40:13,840
Speaker 1: Ships, big trucks, robots, robots.

859
00:40:13,680 --> 00:40:16,400
Speaker 4: And the first time you saw the the the new

860
00:40:16,440 --> 00:40:20,040
Speaker 4: T one thousand melt and like drip through the ceiling.

861
00:40:20,080 --> 00:40:22,919
Speaker 1: I mean, that's I've never seen before. It was just so.

862
00:40:23,040 --> 00:40:25,520
Speaker 3: Cool at the time, and what a way to build

863
00:40:25,560 --> 00:40:28,279
Speaker 3: on Terminator, you know, because Terminator if you watch it

864
00:40:28,280 --> 00:40:30,560
Speaker 3: after Terminator two, Like, personally, I don't think there's any

865
00:40:30,600 --> 00:40:32,600
Speaker 3: comparison Terminator two just blows it out of the water.

866
00:40:32,640 --> 00:40:33,040
Speaker 3: It's awesome.

867
00:40:33,160 --> 00:40:35,360
Speaker 1: Terminator one was great because it was more character driven.

868
00:40:35,520 --> 00:40:37,880
Speaker 3: Well, it's more conceptual too, like the idea of this

869
00:40:37,920 --> 00:40:39,200
Speaker 3: other world with you know, the.

870
00:40:39,160 --> 00:40:41,920
Speaker 1: French and once you set that up, yeah.

871
00:40:41,480 --> 00:40:43,640
Speaker 3: How do you how do you build on that? And

872
00:40:43,760 --> 00:40:46,360
Speaker 3: Terminator too totally does it. It's so good.

873
00:40:46,560 --> 00:40:47,839
Speaker 1: Well that's what Cameron did so well.

874
00:40:47,880 --> 00:40:49,719
Speaker 4: He did the same thing with Alien and then when

875
00:40:49,760 --> 00:40:52,040
Speaker 4: Aliens came out, he took the took the world where

876
00:40:52,040 --> 00:40:54,200
Speaker 4: it's like, wow, alien horror movie, that's gonna be cool.

877
00:40:54,200 --> 00:40:54,920
Speaker 1: How do you beat that?

878
00:40:55,360 --> 00:40:57,279
Speaker 4: And he put his twist on it for Aliens and

879
00:40:57,320 --> 00:40:58,480
Speaker 4: it's like, oh he beat that.

880
00:40:58,560 --> 00:41:02,040
Speaker 1: It's it's awesome. Yeah. Terminator two, that's my pick, was

881
00:41:02,040 --> 00:41:03,000
Speaker 1: a great All.

882
00:41:02,800 --> 00:41:05,120
Speaker 2: Through the nineties, I was told I looked like a

883
00:41:05,200 --> 00:41:10,000
Speaker 2: young Linda Hamilton and it was the greatest compliment, and I.

884
00:41:09,920 --> 00:41:10,440
Speaker 1: Can see it.

885
00:41:10,520 --> 00:41:15,640
Speaker 4: She was. Especially during the eighties and the nineties, nobody

886
00:41:15,719 --> 00:41:20,640
Speaker 4: did badass woman like James Cameron. James Cameron's films again

887
00:41:20,800 --> 00:41:24,040
Speaker 4: Aliens with Sigourney Weaver and some of the other women

888
00:41:24,080 --> 00:41:26,120
Speaker 4: that were in it, and then Terminator two with Linda

889
00:41:26,160 --> 00:41:28,359
Speaker 4: Hamilton and Terminator with Linda Hamilton.

890
00:41:28,400 --> 00:41:30,040
Speaker 1: Just he made women just.

891
00:41:30,320 --> 00:41:34,920
Speaker 4: Badass, which is all so very happy with. Now my

892
00:41:35,040 --> 00:41:38,800
Speaker 4: next pick, I went back and forth several.

893
00:41:38,440 --> 00:41:40,480
Speaker 1: Times on what I was going to was what I

894
00:41:40,520 --> 00:41:41,200
Speaker 1: was going to pick.

895
00:41:41,520 --> 00:41:47,959
Speaker 4: Okay, and I decided to go light hearted, more lighthearted film. Okay,

896
00:41:47,960 --> 00:41:50,839
Speaker 4: and I really loved and had a ton of fun

897
00:41:50,880 --> 00:41:55,759
Speaker 4: with and I think still holds up what it is,

898
00:41:55,800 --> 00:41:58,959
Speaker 4: what what I am taking Dazed.

899
00:41:58,640 --> 00:42:03,040
Speaker 1: And Confused interesting as my next film.

900
00:42:03,440 --> 00:42:05,359
Speaker 3: Wow Will, I don't think I knew that you liked

901
00:42:05,400 --> 00:42:06,320
Speaker 3: Dayston Confused.

902
00:42:06,440 --> 00:42:09,400
Speaker 1: I love Dayson CONFU. Really, it's a great movie.

903
00:42:09,760 --> 00:42:14,400
Speaker 4: I loved the vignette aspect of sure, I loved the

904
00:42:14,560 --> 00:42:18,200
Speaker 4: natural dialogue to it. I thought it was genuinely funny.

905
00:42:18,640 --> 00:42:21,080
Speaker 3: I don't think I knew this about you. I yeah, yeah,

906
00:42:21,080 --> 00:42:23,160
Speaker 3: I don't think we've ever talked about that movie. Honestly,

907
00:42:23,160 --> 00:42:25,120
Speaker 3: I've only seen it like once or twice. I'm I'm

908
00:42:25,120 --> 00:42:26,719
Speaker 3: a huge link Later fan.

909
00:42:26,640 --> 00:42:27,040
Speaker 4: Me too.

910
00:42:27,239 --> 00:42:30,799
Speaker 3: Weirdly, I don't really love Dayston Confuse. I've only seen

911
00:42:30,840 --> 00:42:33,080
Speaker 3: it like once. And but yeah, that's so cool. I

912
00:42:33,080 --> 00:42:33,520
Speaker 3: didn't know that.

913
00:42:33,640 --> 00:42:36,760
Speaker 4: Yeah, so a big, big link link Later fan as well.

914
00:42:36,880 --> 00:42:39,560
Speaker 4: But I loved Daiston confused. I thought it was great.

915
00:42:40,360 --> 00:42:43,239
Speaker 4: That's that slice of Americana you'd never I'd never seen before.

916
00:42:43,239 --> 00:42:45,000
Speaker 1: I mean, Texas in the seventies. How would I ever

917
00:42:45,040 --> 00:42:45,680
Speaker 1: know what that's like?

918
00:42:46,239 --> 00:42:50,200
Speaker 4: So, uh, yeah, I'm pretty pretty psyched with uh with

919
00:42:50,239 --> 00:42:51,760
Speaker 4: my fourth pick Ooh.

920
00:42:52,600 --> 00:42:55,319
Speaker 1: Nice one, thank you. And we learned something new about

921
00:42:55,360 --> 00:42:57,480
Speaker 1: Will today. Hey you go, this is a softer side

922
00:42:57,520 --> 00:43:00,080
Speaker 1: of Seers. There always is. It's all I gotta say.

923
00:43:02,000 --> 00:43:05,000
Speaker 1: There is right, or you're up next.

924
00:43:05,480 --> 00:43:07,640
Speaker 3: Yeah, I'm just gonna take this one off the table.

925
00:43:07,920 --> 00:43:09,600
Speaker 3: I actually don't think either one of you were going

926
00:43:09,680 --> 00:43:11,200
Speaker 3: to take it, but I got a little word with

927
00:43:11,200 --> 00:43:12,560
Speaker 3: some of the things Will was saying, So I'm going

928
00:43:12,640 --> 00:43:14,600
Speaker 3: to take this one off the table. I saw this

929
00:43:15,480 --> 00:43:21,040
Speaker 3: in nineteen ninety six and I just remember being like, oh, movies,

930
00:43:21,640 --> 00:43:27,000
Speaker 3: movies can still blow my mind with how innovative, like

931
00:43:27,120 --> 00:43:31,400
Speaker 3: how innovatively they're shot, and spent the rest of the

932
00:43:31,440 --> 00:43:36,160
Speaker 3: decade quoting it. I watched it again like five or

933
00:43:36,200 --> 00:43:39,279
Speaker 3: six years ago, and I had thought of it as

934
00:43:39,320 --> 00:43:42,040
Speaker 3: sort of a trendy nineties film, and then I rewatched

935
00:43:42,080 --> 00:43:47,600
Speaker 3: it and realized it is still just a wonderful, amazing film.

936
00:43:47,680 --> 00:43:48,920
Speaker 3: I'm going with Boogie Nights.

937
00:43:49,440 --> 00:43:52,280
Speaker 1: Oh good, Yeah.

938
00:43:51,400 --> 00:43:56,200
Speaker 3: It's just great, you know in retrospect, Like, here's the thing,

939
00:43:56,239 --> 00:43:59,040
Speaker 3: Like the biggest leap that that movie makes is that

940
00:43:59,080 --> 00:44:01,920
Speaker 3: it takes what is essential a joke, right, Like, what

941
00:44:02,000 --> 00:44:03,680
Speaker 3: if we made a whole movie about porn stars and

942
00:44:04,719 --> 00:44:08,000
Speaker 3: let's like kind of mock their life in some capacity,

943
00:44:08,280 --> 00:44:10,399
Speaker 3: or not mock their life, but like show what it's

944
00:44:10,440 --> 00:44:15,520
Speaker 3: really like, or you know, it's such a potentially exploitative plot,

945
00:44:15,560 --> 00:44:20,759
Speaker 3: and instead you get this insanely sensitive, empathetic set of characters,

946
00:44:21,239 --> 00:44:25,400
Speaker 3: all of whom you feel sorry for, you understand, you empathize,

947
00:44:25,400 --> 00:44:29,240
Speaker 3: and you look and that radical empathy that pet Anderson,

948
00:44:29,280 --> 00:44:33,200
Speaker 3: at the age of twenty six, was able to bring

949
00:44:33,239 --> 00:44:34,840
Speaker 3: to his characters. And he did it with a short

950
00:44:34,880 --> 00:44:38,040
Speaker 3: apparently first, Like you know, his career started by doing

951
00:44:38,080 --> 00:44:40,479
Speaker 3: a short version of BOOKI Knights, and you can see

952
00:44:40,520 --> 00:44:43,040
Speaker 3: in that short he was already doing it. He was

953
00:44:43,080 --> 00:44:47,040
Speaker 3: already investing the characters with such value and taking them seriously.

954
00:44:47,440 --> 00:44:51,040
Speaker 3: And that that, like, is that central leap holds up

955
00:44:51,120 --> 00:44:53,279
Speaker 3: so well. I mean, you know, today we would call

956
00:44:53,320 --> 00:44:57,719
Speaker 3: it a film about sex workers, right, and a film

957
00:44:57,760 --> 00:45:00,800
Speaker 3: about sex workers and Hollywood In the intersection these two things.

958
00:45:01,160 --> 00:45:03,920
Speaker 3: I think it is so brilliant on that level. But

959
00:45:03,960 --> 00:45:07,960
Speaker 3: then also it's so funny and it's fun it's like

960
00:45:08,160 --> 00:45:12,960
Speaker 3: entertaining the music. Good everybody. It's like, you know, and

961
00:45:13,239 --> 00:45:17,000
Speaker 3: when you think about basically for the next up until now,

962
00:45:17,120 --> 00:45:21,080
Speaker 3: we are still basically rehashing that cast in every movie

963
00:45:21,120 --> 00:45:24,680
Speaker 3: because it's like when when when good directors can cast, well,

964
00:45:25,200 --> 00:45:28,239
Speaker 3: they define the next like generation of actors, you know,

965
00:45:28,520 --> 00:45:31,360
Speaker 3: and he did like Philip Seymour Hoffman, John c Riley,

966
00:45:31,880 --> 00:45:32,200
Speaker 3: you know.

967
00:45:33,280 --> 00:45:35,680
Speaker 4: Everybody, like we basically didn't know who these people were.

968
00:45:35,680 --> 00:45:38,440
Speaker 4: And Reynolds coming back, Burt Reynolds coming back and killing it.

969
00:45:40,800 --> 00:45:45,959
Speaker 4: And you know that was originally offered to Leo and yeah,

970
00:45:46,400 --> 00:45:48,440
Speaker 4: between the two and he's the one who said, you know,

971
00:45:48,520 --> 00:45:50,200
Speaker 4: I just did this movie with Mark Wahlberg. I think

972
00:45:50,200 --> 00:45:53,480
Speaker 4: he's a great actor. I think you should look to him.

973
00:45:53,600 --> 00:45:55,839
Speaker 4: But I mean, yeah, it's that's a great pick. It's

974
00:45:55,880 --> 00:45:57,520
Speaker 4: an awesome movie. Awesome movie.

975
00:45:57,800 --> 00:45:59,560
Speaker 1: All right, Boogie Knights. I have to write it down.

976
00:46:00,600 --> 00:46:02,160
Speaker 3: Yeah, hold on, can we just do a round up

977
00:46:02,160 --> 00:46:02,799
Speaker 3: of where we're all at?

978
00:46:02,880 --> 00:46:03,799
Speaker 1: Yeah, let's do a round up?

979
00:46:03,880 --> 00:46:07,080
Speaker 2: Sure, all right, I'll start with me because I went first,

980
00:46:07,239 --> 00:46:13,640
Speaker 2: I have Jurassic Park, Titanic, Defending Your Life, Writer Has Goodfellas,

981
00:46:13,960 --> 00:46:21,080
Speaker 2: Groundhog Day seven and Boogie Nights, Will Has Casino Fargo

982
00:46:21,560 --> 00:46:24,080
Speaker 2: Terminator two and Dazed and Confused.

983
00:46:25,960 --> 00:46:28,880
Speaker 1: These are these are these are great? These I'll be

984
00:46:28,960 --> 00:46:31,120
Speaker 1: I'll be proud to once again come in third.

985
00:46:33,200 --> 00:46:35,799
Speaker 2: It's all so subjective because they're all I mean, they're

986
00:46:35,880 --> 00:46:36,920
Speaker 2: so good. It is.

987
00:46:37,000 --> 00:46:37,200
Speaker 4: Yeah.

988
00:46:39,280 --> 00:46:42,839
Speaker 2: Okay, my my, I get to go next. I have

989
00:46:42,880 --> 00:46:45,680
Speaker 2: two back to back here, and I am going to

990
00:46:45,840 --> 00:46:48,000
Speaker 2: take for my.

991
00:46:48,080 --> 00:46:51,759
Speaker 1: First pick a movie that I didn't think would be

992
00:46:51,800 --> 00:46:53,359
Speaker 1: on either of your lists.

993
00:46:54,000 --> 00:46:57,400
Speaker 2: I believe it is one of the most impactful comedies

994
00:46:58,200 --> 00:47:05,799
Speaker 2: ever made Jim Carrey into the comedy Spotlight unlike anyone ever.

995
00:47:05,920 --> 00:47:09,359
Speaker 1: Before or after it was Was it on your list?

996
00:47:09,480 --> 00:47:13,080
Speaker 2: I am taking a detective.

997
00:47:13,200 --> 00:47:16,160
Speaker 4: Wow, guys, I'm not on board with this call. Oh

998
00:47:16,440 --> 00:47:18,520
Speaker 4: I have you watched it recently?

999
00:47:19,400 --> 00:47:20,120
Speaker 1: No?

1000
00:47:20,040 --> 00:47:21,759
Speaker 3: No, I'm not hold up.

1001
00:47:21,920 --> 00:47:26,560
Speaker 1: But he it propelled people quoted that movie. It is

1002
00:47:26,880 --> 00:47:30,400
Speaker 1: so for like years.

1003
00:47:30,640 --> 00:47:33,319
Speaker 4: Yes, but yeah, no, but watch it again. I'm so

1004
00:47:33,360 --> 00:47:35,200
Speaker 4: curious you guys, watch again. I tried to watch it

1005
00:47:35,600 --> 00:47:37,319
Speaker 4: potentially as a film that I could watch with the Indian.

1006
00:47:37,360 --> 00:47:40,359
Speaker 4: I was like, no, no, no, no, But it's also

1007
00:47:40,480 --> 00:47:41,040
Speaker 4: just not good.

1008
00:47:41,200 --> 00:47:43,120
Speaker 3: It's not good. I'm sorry, it is.

1009
00:47:43,160 --> 00:47:45,800
Speaker 1: It's based on the it's it's these are these are films.

1010
00:47:45,840 --> 00:47:46,680
Speaker 1: What what he.

1011
00:47:46,600 --> 00:47:49,680
Speaker 4: Did was he brought back the giant Jerry Lewis acting

1012
00:47:49,840 --> 00:47:50,640
Speaker 4: of the fifties.

1013
00:47:50,640 --> 00:47:51,880
Speaker 1: I mean, this is what it was.

1014
00:47:51,880 --> 00:47:55,440
Speaker 4: Was he was the He became the modern day huge

1015
00:47:55,560 --> 00:47:57,719
Speaker 4: ridiculous action where some of it now you look back

1016
00:47:57,760 --> 00:48:01,120
Speaker 4: at it is actually really cringey, right, or super offensive

1017
00:48:01,280 --> 00:48:04,720
Speaker 4: or super offensive, But it was that kind of big

1018
00:48:04,840 --> 00:48:06,680
Speaker 4: Jerry Lewis big act.

1019
00:48:07,560 --> 00:48:08,400
Speaker 1: Really do it like it?

1020
00:48:08,560 --> 00:48:11,800
Speaker 2: Yeah, I'm not necessarily taking it for what the movie

1021
00:48:11,880 --> 00:48:15,279
Speaker 2: itself is as much as I'm taking it for what

1022
00:48:15,440 --> 00:48:19,440
Speaker 2: it represented the shift that happened after that for comedy

1023
00:48:19,719 --> 00:48:23,280
Speaker 2: and and the launch of a career like Jim Carrey.

1024
00:48:23,600 --> 00:48:26,319
Speaker 2: It kind of like it was another when I think

1025
00:48:26,320 --> 00:48:30,160
Speaker 2: of the nineties, like game changing watching a movie experience

1026
00:48:30,200 --> 00:48:32,440
Speaker 2: where you're like, oh my gosh, who is this person?

1027
00:48:32,640 --> 00:48:36,080
Speaker 4: And then everybody was doing every quote from that movie.

1028
00:48:36,080 --> 00:48:37,839
Speaker 3: See like if we're going to be quoting like and

1029
00:48:37,880 --> 00:48:40,960
Speaker 3: then I wonder about like Wayne's world, So I rearrid

1030
00:48:41,000 --> 00:48:44,359
Speaker 3: an axe murderer. Yeah, I mean in the same year

1031
00:48:44,719 --> 00:48:50,480
Speaker 3: what's the spy movie? Oh, my god, movie, what's this?

1032
00:48:51,360 --> 00:48:53,680
Speaker 3: I can't believe that. My brain is just completely blocking up.

1033
00:48:53,960 --> 00:48:56,960
Speaker 1: Uh, who's in it? What's it about?

1034
00:48:57,360 --> 00:49:01,160
Speaker 3: Oh my god, he's frozen and then he waits as power,

1035
00:49:01,239 --> 00:49:04,880
Speaker 3: Austin Powers. Thank you, it's not it's Austin Austin Powers.

1036
00:49:04,880 --> 00:49:08,759
Speaker 3: You know, like talk about like infecting the culture with quotes? Yeah,

1037
00:49:08,760 --> 00:49:09,800
Speaker 3: and another one.

1038
00:49:09,920 --> 00:49:12,880
Speaker 2: I mean in nineteen ninety four, Jim Carrey released Ace Ventura,

1039
00:49:13,120 --> 00:49:15,239
Speaker 2: The Mask and Dumb and Dumber.

1040
00:49:15,120 --> 00:49:18,920
Speaker 1: Only in one year. Yeah, crazy, that's crazy. Crazy. Anyway,

1041
00:49:18,960 --> 00:49:19,640
Speaker 1: I was on my list.

1042
00:49:19,640 --> 00:49:21,360
Speaker 4: It was low on my list, but it was I

1043
00:49:21,360 --> 00:49:24,799
Speaker 4: definitely like, I agree that Jim Carrey changed the game

1044
00:49:24,840 --> 00:49:26,760
Speaker 4: as far as like performance and comedy.

1045
00:49:27,120 --> 00:49:28,560
Speaker 3: But yeah, it's Ventura.

1046
00:49:31,840 --> 00:49:35,360
Speaker 1: I wasn't worried it was on your list. I was.

1047
00:49:35,360 --> 00:49:36,799
Speaker 1: I wasn't worried I.

1048
00:49:36,840 --> 00:49:39,479
Speaker 3: Was on your list. Terminator two, Fargo and what else?

1049
00:49:39,960 --> 00:49:44,400
Speaker 4: Casino Fargo, Terminator two and Dazed and Confused.

1050
00:49:44,920 --> 00:49:49,240
Speaker 2: All right, my next My next pick is is hard

1051
00:49:49,320 --> 00:49:52,280
Speaker 2: for me. I have three that I'm really torn between,

1052
00:49:52,280 --> 00:49:53,479
Speaker 2: and I only have one.

1053
00:49:53,800 --> 00:49:54,239
Speaker 1: I only have.

1054
00:49:54,280 --> 00:49:57,319
Speaker 2: Four more total, So I think I'm going to take

1055
00:49:57,400 --> 00:50:00,720
Speaker 2: here because I actually am worried writer might this one.

1056
00:50:01,120 --> 00:50:02,759
Speaker 2: I don't know where on it where it might be,

1057
00:50:02,840 --> 00:50:05,520
Speaker 2: but I'm going to take Scream. Ah.

1058
00:50:05,640 --> 00:50:07,040
Speaker 1: That was what was on my list too.

1059
00:50:07,960 --> 00:50:16,239
Speaker 2: It's another like genre defining movie. Probably qurrorback totally and

1060
00:50:16,400 --> 00:50:18,840
Speaker 2: made it like pointed out that there was a formula,

1061
00:50:19,040 --> 00:50:22,719
Speaker 2: it was meta. I just it's it's still watched, the

1062
00:50:23,040 --> 00:50:28,920
Speaker 2: franchise is still thriving. That opening scene with Drew Barrymore

1063
00:50:29,160 --> 00:50:33,680
Speaker 2: is just incredible. Oh, totally iconic. So I'm taking I'm

1064
00:50:33,680 --> 00:50:34,879
Speaker 2: taking Scream there.

1065
00:50:35,840 --> 00:50:38,960
Speaker 3: I mean the way that it's it's genuinely scary. Yes,

1066
00:50:39,000 --> 00:50:41,600
Speaker 3: there are moments of like and disturbing, like when at

1067
00:50:41,600 --> 00:50:44,160
Speaker 3: the end when they're like sitting there stabbing each other,

1068
00:50:44,200 --> 00:50:46,000
Speaker 3: I was like, oh my god. But then it also

1069
00:50:46,120 --> 00:50:49,800
Speaker 3: has this like playfulness and sort of youth youthful quality

1070
00:50:49,840 --> 00:50:52,719
Speaker 3: to it, that is, it's sexy in a way. It's like,

1071
00:50:52,800 --> 00:50:54,399
Speaker 3: it's such a great film. I yeah.

1072
00:50:54,880 --> 00:50:58,520
Speaker 2: It also inspired a very fabulous famous episode of Boy

1073
00:50:58,520 --> 00:50:59,000
Speaker 2: Meets World.

1074
00:50:59,280 --> 00:51:02,200
Speaker 4: It did which we just call the Scream episode episode

1075
00:51:02,600 --> 00:51:05,880
Speaker 4: I audition did you audition for Scream?

1076
00:51:06,120 --> 00:51:08,839
Speaker 1: I auditioned for what's his name?

1077
00:51:09,160 --> 00:51:14,520
Speaker 4: The main bad guys part.

1078
00:51:14,840 --> 00:51:16,320
Speaker 1: And I went in and I'll never forget.

1079
00:51:16,360 --> 00:51:19,400
Speaker 4: I thought I did very, very well, and the casting

1080
00:51:19,400 --> 00:51:22,520
Speaker 4: director called my agent and said, we love him so much.

1081
00:51:23,000 --> 00:51:25,360
Speaker 4: Unfortunately we're going to be looking for an older version

1082
00:51:25,360 --> 00:51:27,239
Speaker 4: of him, which is exactly what they said. I just

1083
00:51:27,320 --> 00:51:30,120
Speaker 4: wasn't old enough at the time, but I went and out.

1084
00:51:30,320 --> 00:51:33,479
Speaker 4: It was one of the few auditions I left going like, I.

1085
00:51:33,360 --> 00:51:34,319
Speaker 1: Think I did pretty well.

1086
00:51:34,320 --> 00:51:36,920
Speaker 2: Like that was I mean, okay, that's a perfect description

1087
00:51:37,040 --> 00:51:37,760
Speaker 2: of Skeet Ulrich.

1088
00:51:37,960 --> 00:51:40,040
Speaker 1: At that time, it was like we've won an older

1089
00:51:40,120 --> 00:51:42,400
Speaker 1: version of you. It's like, oh okay, wow, it was

1090
00:51:42,440 --> 00:51:43,879
Speaker 1: that was. That was a fun audition though.

1091
00:51:43,880 --> 00:51:45,840
Speaker 4: But that's a great pick because you're right, it's re

1092
00:51:46,000 --> 00:51:49,319
Speaker 4: launched an entire genre because then everything was that's when

1093
00:51:49,320 --> 00:51:51,319
Speaker 4: I was with dating love and then that she did

1094
00:51:51,560 --> 00:51:53,680
Speaker 4: I Know What You did last summer, and like everything

1095
00:51:53,719 --> 00:51:56,440
Speaker 4: else came out after that because it started the whole thing.

1096
00:51:56,520 --> 00:51:59,960
Speaker 1: Yep, that's so solid. Pick solid, right, writer, E're up next?

1097
00:52:01,280 --> 00:52:04,640
Speaker 3: Yeah? I need a big one because I you know,

1098
00:52:04,880 --> 00:52:07,719
Speaker 3: Danielle has been eating up all the big blockbuster films

1099
00:52:08,160 --> 00:52:11,200
Speaker 3: between Jurassic Park and Titanic, those were definitely both on

1100
00:52:11,200 --> 00:52:15,480
Speaker 3: my list. I do want to think big and take

1101
00:52:15,560 --> 00:52:19,280
Speaker 3: something off the table. That just changed my life forever.

1102
00:52:19,360 --> 00:52:20,440
Speaker 3: And that's the Matrix.

1103
00:52:21,520 --> 00:52:23,800
Speaker 1: Great nice, great good voice.

1104
00:52:24,120 --> 00:52:27,640
Speaker 2: It's I mean, I've never seen it, but I know

1105
00:52:27,840 --> 00:52:28,640
Speaker 2: I've never seen it.

1106
00:52:28,680 --> 00:52:30,200
Speaker 1: Now it's it that's up there.

1107
00:52:30,200 --> 00:52:33,400
Speaker 4: A terminator too for like a game changer when it

1108
00:52:33,400 --> 00:52:35,359
Speaker 4: comes to the visual effects, where it's like, oh my god,

1109
00:52:35,360 --> 00:52:36,920
Speaker 4: look at all the stuff they're doing, but.

1110
00:52:36,960 --> 00:52:41,280
Speaker 3: Also just script wise, I mean, like I remember that

1111
00:52:41,320 --> 00:52:43,360
Speaker 3: when you when you first heard about that movie and

1112
00:52:43,400 --> 00:52:45,520
Speaker 3: the trailers were just like what is the Matrix? And

1113
00:52:45,560 --> 00:52:48,560
Speaker 3: I remember going to the movie theater opening weekend and

1114
00:52:49,440 --> 00:52:51,480
Speaker 3: immediately being like, I need, I need to see that

1115
00:52:51,520 --> 00:52:53,680
Speaker 3: movie again. I need, you know. I feel like it

1116
00:52:53,719 --> 00:52:57,719
Speaker 3: was basically like what what Star Wars was for the

1117
00:52:57,880 --> 00:53:00,960
Speaker 3: previous generation, this movie was for me. And then my

1118
00:53:01,280 --> 00:53:03,920
Speaker 3: brain just kind of cracked open and I'll never forget it.

1119
00:53:04,160 --> 00:53:06,360
Speaker 3: And then I think, you know, now it's sort of

1120
00:53:06,360 --> 00:53:10,160
Speaker 3: par for the course that you have, like a virtual world,

1121
00:53:10,160 --> 00:53:12,200
Speaker 3: that you're living within a virtual world, or that you

1122
00:53:12,200 --> 00:53:15,000
Speaker 3: can sort of jump out of your body into another body,

1123
00:53:15,080 --> 00:53:18,120
Speaker 3: like all those things have become sort of basic, but

1124
00:53:18,400 --> 00:53:20,399
Speaker 3: this was the first one to do it. I still

1125
00:53:20,400 --> 00:53:24,359
Speaker 3: think it did it incredibly well. It's still like is

1126
00:53:24,640 --> 00:53:29,360
Speaker 3: just a perfectly plotted script. The performances are great, it's

1127
00:53:29,520 --> 00:53:35,919
Speaker 3: it's it's insanely well shot, and it holds up. So Matrix, I.

1128
00:53:35,840 --> 00:53:37,560
Speaker 1: Agree, that's a great that's a great call. It's a

1129
00:53:37,600 --> 00:53:52,160
Speaker 1: great call. So I have two, you have two back

1130
00:53:52,200 --> 00:53:53,399
Speaker 1: to back. This is tough.

1131
00:53:53,480 --> 00:53:55,840
Speaker 4: Now I'm gonna save my last one for last because

1132
00:53:55,960 --> 00:53:57,439
Speaker 4: neither of you are going to pick this movie.

1133
00:53:57,480 --> 00:54:02,320
Speaker 1: So then, yeah, ishtar No is from the eighties.

1134
00:54:02,360 --> 00:54:04,719
Speaker 4: It would have been my first tack all the way around.

1135
00:54:04,520 --> 00:54:08,239
Speaker 1: Wouldn't have even looked bad. Biodome, damn it, you took

1136
00:54:08,239 --> 00:54:08,640
Speaker 1: it yours.

1137
00:54:08,760 --> 00:54:11,160
Speaker 4: You're not taking that, are you? No, it's actually Jerry

1138
00:54:11,239 --> 00:54:15,959
Speaker 4: Duty No. So I think for my next pick, I'm

1139
00:54:16,000 --> 00:54:19,120
Speaker 4: going to because I think this director needs to be

1140
00:54:19,160 --> 00:54:21,600
Speaker 4: on the list. But it's not the one that you

1141
00:54:21,800 --> 00:54:22,880
Speaker 4: think that.

1142
00:54:22,760 --> 00:54:23,680
Speaker 1: Most people would pick.

1143
00:54:24,040 --> 00:54:29,719
Speaker 4: Okay, it's still my favorite of his films, always will

1144
00:54:29,760 --> 00:54:32,480
Speaker 4: be my favorite of his films. I think his other

1145
00:54:32,520 --> 00:54:35,200
Speaker 4: films are okay, but this one was my favorite. So

1146
00:54:35,280 --> 00:54:44,279
Speaker 4: I'm taking Reservoir Dogs, which launched Tarantino. I think the

1147
00:54:44,480 --> 00:54:47,279
Speaker 4: it was the first time we'd heard dialogue like that.

1148
00:54:47,960 --> 00:54:53,279
Speaker 4: It was the first time we'd seen the kind of

1149
00:54:53,280 --> 00:54:55,960
Speaker 4: the Chiron's coming up, mister Black, mister White then showing

1150
00:54:56,000 --> 00:54:58,680
Speaker 4: their style. It was just a whole new style of

1151
00:54:58,680 --> 00:55:01,200
Speaker 4: filmmaking that came out of nowhere.

1152
00:55:01,360 --> 00:55:03,319
Speaker 3: And can you like it better than pulp fiction?

1153
00:55:03,400 --> 00:55:03,520
Speaker 4: Then?

1154
00:55:03,560 --> 00:55:04,920
Speaker 1: I do? Yeah, I do.

1155
00:55:05,080 --> 00:55:07,239
Speaker 4: I think Reservoir Dogs is better than pop I like

1156
00:55:07,280 --> 00:55:10,400
Speaker 4: pulp fiction, but I think there was pulp fiction was

1157
00:55:10,400 --> 00:55:12,360
Speaker 4: almost too cool for me a little bit, where I

1158
00:55:12,400 --> 00:55:15,760
Speaker 4: thought Reservoir Dogs was just what it was, this gritty,

1159
00:55:15,880 --> 00:55:18,920
Speaker 4: badass film that you'd never really seen the likes of before.

1160
00:55:20,320 --> 00:55:23,040
Speaker 4: And just the opening you open in a car with

1161
00:55:23,080 --> 00:55:25,480
Speaker 4: this guy covered in blood, screaming and shrieking.

1162
00:55:25,560 --> 00:55:27,440
Speaker 1: It was just grabbed you right from the beginning.

1163
00:55:27,520 --> 00:55:31,200
Speaker 3: Now it's it's it's so hard to like. I mean,

1164
00:55:32,040 --> 00:55:34,600
Speaker 3: Tarantino just casts such a long shadow, you know, it's

1165
00:55:34,600 --> 00:55:37,440
Speaker 3: like basically there's before him and after him in so

1166
00:55:37,520 --> 00:55:40,680
Speaker 3: many ways. Like I remember being in film classes in

1167
00:55:40,840 --> 00:55:44,200
Speaker 3: the early aughts and just like rolling my eyes because

1168
00:55:44,239 --> 00:55:48,240
Speaker 3: the amount of people that were basically studying film because

1169
00:55:48,239 --> 00:55:52,719
Speaker 3: of Tarantino. You know, but you can't devalue that though, right,

1170
00:55:52,760 --> 00:55:55,120
Speaker 3: you can't deny it. You know, it's a brilliant filmmaker.

1171
00:55:55,560 --> 00:55:58,279
Speaker 3: You know. My thing is always kind of like what

1172
00:55:58,360 --> 00:56:00,800
Speaker 3: stories do you want to tell? You know, Like lately

1173
00:56:00,800 --> 00:56:03,160
Speaker 3: I just don't. I just don't like, you know, but

1174
00:56:04,200 --> 00:56:07,759
Speaker 3: like for quality of film making, quality of writing, like

1175
00:56:07,880 --> 00:56:10,680
Speaker 3: he's one of the greats.

1176
00:56:11,000 --> 00:56:12,960
Speaker 2: Do you guys think Tarantino has ever seen an episode

1177
00:56:12,960 --> 00:56:13,680
Speaker 2: of Boy Meets World?

1178
00:56:14,760 --> 00:56:16,440
Speaker 1: You know what, I will bet I will bet you

1179
00:56:16,440 --> 00:56:16,839
Speaker 1: he will.

1180
00:56:16,880 --> 00:56:21,360
Speaker 4: He's so into TV and film, so into pop culture

1181
00:56:21,480 --> 00:56:24,360
Speaker 4: that I'll bet you at some point he did watch

1182
00:56:24,400 --> 00:56:25,600
Speaker 4: some TGIF or something.

1183
00:56:26,480 --> 00:56:28,000
Speaker 3: I mean, I know, I mean, I've met him and

1184
00:56:28,480 --> 00:56:31,839
Speaker 3: he took He knew me from Cabin Fever because he's

1185
00:56:31,840 --> 00:56:34,919
Speaker 3: he's best friends with Eli Roth. They became friends because

1186
00:56:34,960 --> 00:56:39,919
Speaker 3: he came to a Cabin Fever screening. So Tarantino showed

1187
00:56:39,960 --> 00:56:42,480
Speaker 3: up at like one of our LA premiers or screening

1188
00:56:42,480 --> 00:56:44,640
Speaker 3: that we were doing, and then the two of them,

1189
00:56:44,680 --> 00:56:47,520
Speaker 3: like during the Q and A started like geeking out

1190
00:56:47,520 --> 00:56:50,319
Speaker 3: about Italian cinema in front of everybody, and it was like,

1191
00:56:50,520 --> 00:56:53,560
Speaker 3: oh God, these guys. And then the next day Eli

1192
00:56:53,600 --> 00:56:55,480
Speaker 3: was supposed to come over to a barbecue in my

1193
00:56:55,520 --> 00:56:58,560
Speaker 3: brother's house and he's like writer. Tarantino invited me to

1194
00:56:58,640 --> 00:57:00,520
Speaker 3: a screening at his house. I have to go. I

1195
00:57:00,560 --> 00:57:02,520
Speaker 3: was like, cool, I never saw Eli again.

1196
00:57:02,800 --> 00:57:05,480
Speaker 1: Wow, Yeah, No, we had I met him.

1197
00:57:05,520 --> 00:57:08,560
Speaker 4: So he was on he we were doing boy and

1198
00:57:08,600 --> 00:57:11,799
Speaker 4: they did were doing All American Girl, the Margaret Choe

1199
00:57:11,880 --> 00:57:14,319
Speaker 4: Show right across from us, and Jason and I both

1200
00:57:14,360 --> 00:57:16,640
Speaker 4: heard that they were friends and that he was going

1201
00:57:16,720 --> 00:57:18,240
Speaker 4: to be guest starring on the show.

1202
00:57:18,920 --> 00:57:20,880
Speaker 1: So we went over. Jay came over.

1203
00:57:21,160 --> 00:57:25,200
Speaker 4: We both went off and bought Reservoir Dog scripts and

1204
00:57:25,280 --> 00:57:28,240
Speaker 4: we went over and snuck onto the stage and walked

1205
00:57:28,280 --> 00:57:31,600
Speaker 4: right up to him and talked to him ten minutes somewhere. Yeah,

1206
00:57:31,640 --> 00:57:34,160
Speaker 4: and he just signed it dick dick dick dick Dick

1207
00:57:34,240 --> 00:57:35,840
Speaker 4: dick dick, which is what he talks about in the

1208
00:57:35,880 --> 00:57:37,280
Speaker 4: beginning of Reservoir Dogs.

1209
00:57:37,280 --> 00:57:38,000
Speaker 1: They're talking about.

1210
00:57:37,800 --> 00:57:38,920
Speaker 3: Machine wrote on the script.

1211
00:57:39,000 --> 00:57:40,720
Speaker 1: Yeah, so the madonna's like a virgin.

1212
00:57:40,800 --> 00:57:42,320
Speaker 4: He's like, she's this is a girl who just wants

1213
00:57:42,360 --> 00:57:44,160
Speaker 4: to get dick dick dick dick. So that's a two

1214
00:57:44,160 --> 00:57:47,400
Speaker 4: will dick dick dick dick dick dick dick. But yeah,

1215
00:57:47,400 --> 00:57:48,600
Speaker 4: it was the only time that I got to got

1216
00:57:48,640 --> 00:57:49,959
Speaker 4: to meet him, but it was that was cool.

1217
00:57:50,280 --> 00:57:51,960
Speaker 2: I met him when I was a teenager and he

1218
00:57:52,080 --> 00:57:56,360
Speaker 2: was at the bar at Islands and uh god.

1219
00:57:56,120 --> 00:57:58,840
Speaker 1: How good are the burgers at islands in the French Fries?

1220
00:57:58,920 --> 00:57:59,840
Speaker 1: So so good?

1221
00:58:00,240 --> 00:58:00,320
Speaker 4: Ugh?

1222
00:58:00,360 --> 00:58:02,960
Speaker 3: Yeah, they cast a long shadow. It's hard to devalue them.

1223
00:58:03,160 --> 00:58:04,160
Speaker 1: It's hard to devalue them.

1224
00:58:04,360 --> 00:58:07,200
Speaker 3: The cultural influence of the islands pretty amazing.

1225
00:58:08,200 --> 00:58:11,040
Speaker 1: Okay, So what's your next pick? My next pick?

1226
00:58:12,200 --> 00:58:15,120
Speaker 4: Okay, So my next pick is a personal pick. It's

1227
00:58:15,160 --> 00:58:17,880
Speaker 4: a completely impersonal pick. It is a film I watch

1228
00:58:18,320 --> 00:58:21,640
Speaker 4: every time it's on. I love everything about it. It

1229
00:58:21,760 --> 00:58:24,680
Speaker 4: is one of my favorite films of all time. I

1230
00:58:24,720 --> 00:58:27,439
Speaker 4: am taking from nineteen ninety four Quiz Show.

1231
00:58:27,960 --> 00:58:28,680
Speaker 1: Oh I knew it.

1232
00:58:29,320 --> 00:58:31,120
Speaker 3: Oh, that was on my short list, but I have

1233
00:58:31,200 --> 00:58:33,240
Speaker 3: a really strong feeling that you were going to pick it.

1234
00:58:33,680 --> 00:58:35,320
Speaker 1: Wow, it was on my shortlist too.

1235
00:58:35,320 --> 00:58:36,840
Speaker 2: But I also knew that one of you two was

1236
00:58:36,880 --> 00:58:38,160
Speaker 2: going to take it, and I was like, I'm just

1237
00:58:38,200 --> 00:58:38,960
Speaker 2: going to take that off.

1238
00:58:39,000 --> 00:58:40,840
Speaker 1: Now they're going to I'm gonna let them have it.

1239
00:58:40,960 --> 00:58:43,720
Speaker 4: I love it so much. It is one of my favorites.

1240
00:58:43,840 --> 00:58:48,240
Speaker 4: Produced by uh Jeff Mcca, mccracke, Jacobs. Yep, it is

1241
00:58:48,400 --> 00:58:52,760
Speaker 4: a wonderful show. It a wonderful movie. I I don't

1242
00:58:52,800 --> 00:58:54,600
Speaker 4: I can't say too much about how much I love

1243
00:58:54,680 --> 00:58:55,080
Speaker 4: quiz show.

1244
00:58:55,080 --> 00:58:56,200
Speaker 1: It is one of my favorites.

1245
00:58:56,240 --> 00:58:59,280
Speaker 4: So I'm putting that, taking that off the board and

1246
00:58:59,560 --> 00:59:00,800
Speaker 4: putting it firmly.

1247
00:59:01,400 --> 00:59:02,240
Speaker 1: On your list.

1248
00:59:02,600 --> 00:59:05,360
Speaker 2: Yes, all right, based on a true story quiz show. Yeah,

1249
00:59:05,720 --> 00:59:08,520
Speaker 2: h writer, do you know where you're going next?

1250
00:59:08,800 --> 00:59:11,400
Speaker 3: Wow? This is getting tough now.

1251
00:59:11,600 --> 00:59:14,479
Speaker 1: Writer only, Writer has three picks left?

1252
00:59:14,960 --> 00:59:18,520
Speaker 3: Yeah, all right, yeah, three picks? All right? I know.

1253
00:59:18,840 --> 00:59:20,720
Speaker 3: I think I know what my last two are going

1254
00:59:20,800 --> 00:59:23,360
Speaker 3: to be because I'm not worried about you guys taking them,

1255
00:59:23,560 --> 00:59:25,760
Speaker 3: even though they're what I consider it.

1256
00:59:25,720 --> 00:59:27,840
Speaker 1: Like, Actually, wait a minute, you only have two picks?

1257
00:59:27,840 --> 00:59:29,400
Speaker 1: Oh no, you have three? What am I talking about? Never mind,

1258
00:59:29,600 --> 00:59:30,919
Speaker 1: forget pretend I don't exist.

1259
00:59:30,960 --> 00:59:32,960
Speaker 3: To go on, I don't think either one of you

1260
00:59:33,040 --> 00:59:36,760
Speaker 3: are going to take this, and I'm I'm and.

1261
00:59:36,720 --> 00:59:38,640
Speaker 1: You're not even sure you're gonna take it. It sounds well,

1262
00:59:38,880 --> 00:59:39,680
Speaker 1: it's been a while.

1263
00:59:39,520 --> 00:59:42,800
Speaker 3: Since I've seen it, Okay, so I'm curious, like like

1264
00:59:42,880 --> 00:59:45,120
Speaker 3: it's been maybe like fifteen years, so I.

1265
00:59:45,040 --> 00:59:46,880
Speaker 2: Mean, I haven't seen any of these movies I'm mentioning

1266
00:59:46,960 --> 00:59:49,400
Speaker 2: since the nineties, by the way, so don't.

1267
00:59:49,160 --> 00:59:49,840
Speaker 3: Worry about it.

1268
00:59:50,480 --> 00:59:52,560
Speaker 1: I kind of think I might know what Writer's.

1269
00:59:52,200 --> 00:59:56,120
Speaker 3: Thinking, really, we talked about it and wait, hang.

1270
00:59:55,960 --> 00:59:59,320
Speaker 1: On, hang on, I'm writing something down, okay, so he

1271
00:59:59,360 --> 01:00:00,720
Speaker 1: can lift it up and show us after week.

1272
01:00:00,840 --> 01:00:02,200
Speaker 3: We're never going to be able to read about it.

1273
01:00:02,240 --> 01:00:06,240
Speaker 3: And I was like, wow, that is actually a perfect movie.

1274
01:00:06,680 --> 01:00:09,240
Speaker 3: And we both sort of had that conversation, and so

1275
01:00:09,400 --> 01:00:11,400
Speaker 3: when we were doing this draft, I realized like, oh,

1276
01:00:11,440 --> 01:00:13,800
Speaker 3: I think I think I need to put it on there.

1277
01:00:13,920 --> 01:00:15,560
Speaker 3: I'm adding Shakespeare in Love.

1278
01:00:15,880 --> 01:00:19,280
Speaker 4: Oh no, Shakespeare Love wrote it down.

1279
01:00:20,120 --> 01:00:24,000
Speaker 1: It's amazing. Look at that unbelievable. What did you think

1280
01:00:24,000 --> 01:00:24,160
Speaker 1: it was?

1281
01:00:24,920 --> 01:00:26,480
Speaker 4: I thought it was, well, I'm not going to say

1282
01:00:26,520 --> 01:00:28,280
Speaker 4: because somebody else wants to take it.

1283
01:00:29,120 --> 01:00:31,680
Speaker 1: That's a great movie, Shakespeare in Love. I told you.

1284
01:00:31,720 --> 01:00:33,120
Speaker 4: I walked out of the theater and it made me

1285
01:00:33,160 --> 01:00:35,640
Speaker 4: want to write. Yeah, that's how good it was. It

1286
01:00:35,720 --> 01:00:37,080
Speaker 4: just made me want to write.

1287
01:00:37,280 --> 01:00:41,680
Speaker 3: So it's so fun, it's so breezy and yet very smart.

1288
01:00:42,560 --> 01:00:46,960
Speaker 3: It's yeah, I just like I am. But like I said,

1289
01:00:46,960 --> 01:00:49,600
Speaker 3: I haven't seen it for a long time, but it

1290
01:00:49,640 --> 01:00:52,760
Speaker 3: affected me a lot, and like you said, inspired me

1291
01:00:52,800 --> 01:00:56,040
Speaker 3: to want to write I love. I mean clearly, like

1292
01:00:56,160 --> 01:00:58,120
Speaker 3: I like things about the entertainment industry, and I got

1293
01:00:58,160 --> 01:01:00,720
Speaker 3: boogie Nights and that on here, like I like stories

1294
01:01:00,760 --> 01:01:03,800
Speaker 3: where people are talking about the creation of story and

1295
01:01:04,600 --> 01:01:05,920
Speaker 3: so yeah Shakespeare.

1296
01:01:06,760 --> 01:01:13,720
Speaker 2: All right, So I'm up next, I've got I've got

1297
01:01:13,760 --> 01:01:20,440
Speaker 2: two and I'm going to take something that I'm going

1298
01:01:20,480 --> 01:01:23,760
Speaker 2: to take an action movie. I'm going to take what

1299
01:01:23,800 --> 01:01:27,160
Speaker 2: I think is a perfect action movie.

1300
01:01:27,240 --> 01:01:29,120
Speaker 1: Oh no, what are you taking? What are you taking?

1301
01:01:29,200 --> 01:01:31,080
Speaker 1: Danielle somewhat of a.

1302
01:01:31,040 --> 01:01:35,080
Speaker 2: True crime film before that became like a phenomenon, stars

1303
01:01:35,080 --> 01:01:35,760
Speaker 2: Harrison Ford.

1304
01:01:36,400 --> 01:01:40,360
Speaker 1: I'm taking the Fugitive. Yes, nice, God, I.

1305
01:01:40,600 --> 01:01:46,120
Speaker 2: Absolutely loved that movie, directly by Andrew Davis, starring Harrison

1306
01:01:46,160 --> 01:01:50,440
Speaker 2: Ford and Tommy Lee Jones. Doctor Richard Kimball, unjustly accused

1307
01:01:50,440 --> 01:01:53,800
Speaker 2: of murdering his wife, must find the real killer while

1308
01:01:53,800 --> 01:01:57,280
Speaker 2: being the target of a nationwide manhunt led by a

1309
01:01:57,360 --> 01:02:04,200
Speaker 2: seasoned US Marshall and another like cultural footprint movie. Yep,

1310
01:02:04,280 --> 01:02:07,800
Speaker 2: that just is so great and I found some interesting trivia.

1311
01:02:08,280 --> 01:02:11,240
Speaker 2: Harrison Ford damaged some of the ligaments in his leg

1312
01:02:11,360 --> 01:02:13,120
Speaker 2: during the filming of those scenes in the woods.

1313
01:02:13,480 --> 01:02:17,480
Speaker 3: He refused because he is the second Indiana Jones. He

1314
01:02:17,600 --> 01:02:19,640
Speaker 3: was like had has broke his back the entire time.

1315
01:02:20,680 --> 01:02:22,680
Speaker 2: Well, he refused to have surgery until the end of

1316
01:02:22,720 --> 01:02:25,440
Speaker 2: filming because he wanted his character to have the limp.

1317
01:02:25,880 --> 01:02:27,920
Speaker 2: So the limp that can be seen in any subsequent

1318
01:02:27,920 --> 01:02:30,320
Speaker 2: scene where Richard Kimball is running is his real limp

1319
01:02:30,400 --> 01:02:31,200
Speaker 2: from the ligaments.

1320
01:02:31,560 --> 01:02:33,880
Speaker 4: He broke his leg during Star Wars Too the New

1321
01:02:33,920 --> 01:02:36,800
Speaker 4: Star the door closed on him or something.

1322
01:02:37,840 --> 01:02:40,959
Speaker 1: He's just and then he yeah, it's this, he's accident prone.

1323
01:02:41,040 --> 01:02:42,680
Speaker 2: I want to say to him the same thing I

1324
01:02:42,720 --> 01:02:45,400
Speaker 2: when I started training for a marathon once, Uh, I

1325
01:02:45,440 --> 01:02:47,200
Speaker 2: got really bad chin's puns and I went to the

1326
01:02:47,240 --> 01:02:48,640
Speaker 2: doctor and he said to me, Danielle, I.

1327
01:02:48,680 --> 01:02:50,000
Speaker 1: Want you to understand something.

1328
01:02:50,920 --> 01:02:56,160
Speaker 2: Your mind likes running more than your body likes running,

1329
01:02:56,320 --> 01:02:57,960
Speaker 2: and I don't think you should do it anymore. And

1330
01:02:58,040 --> 01:03:02,400
Speaker 2: I want to tell Harrison Ford, you're a mind likes

1331
01:03:02,440 --> 01:03:03,160
Speaker 2: action movies.

1332
01:03:03,400 --> 01:03:05,520
Speaker 3: Kind of funny because isn't that part of his vibe?

1333
01:03:05,560 --> 01:03:07,600
Speaker 3: Like he always has this sort of slightly put upon

1334
01:03:07,720 --> 01:03:09,360
Speaker 3: quality like, yeah, I don't want to have to be

1335
01:03:09,480 --> 01:03:12,080
Speaker 3: here doing this, like and that's what's so great about

1336
01:03:12,080 --> 01:03:14,680
Speaker 3: Like Indiana Jones is the dude, he's just.

1337
01:03:14,760 --> 01:03:18,600
Speaker 2: Tired and he's lifting and he's looked in here.

1338
01:03:18,840 --> 01:03:21,440
Speaker 3: You need that, right because somebody's too like good looking

1339
01:03:21,480 --> 01:03:23,880
Speaker 3: and sparkly eyed and ready to go. You're like, all right,

1340
01:03:23,920 --> 01:03:25,640
Speaker 3: you don't do it? You know you need that level

1341
01:03:25,640 --> 01:03:26,040
Speaker 3: of like.

1342
01:03:26,560 --> 01:03:27,640
Speaker 1: World lead alone.

1343
01:03:27,680 --> 01:03:27,840
Speaker 5: Here.

1344
01:03:29,560 --> 01:03:31,439
Speaker 1: Can we talk a little bit about Tommy Lee Jones

1345
01:03:31,440 --> 01:03:33,160
Speaker 1: in The Fugitive? How good Jones?

1346
01:03:34,040 --> 01:03:36,800
Speaker 2: Oh, He's incredible. I'm really excited about that pick for it.

1347
01:03:36,920 --> 01:03:40,480
Speaker 1: That's a good that's a great pick. And my next

1348
01:03:40,640 --> 01:03:45,160
Speaker 1: pick I'm taking. Uh. You know, I feel really good

1349
01:03:45,160 --> 01:03:45,560
Speaker 1: about this.

1350
01:03:46,240 --> 01:03:50,520
Speaker 2: I loved it when I saw it, still love it today.

1351
01:03:50,680 --> 01:03:53,040
Speaker 2: It is one of the very very few movies I

1352
01:03:53,080 --> 01:03:56,120
Speaker 2: would say if it is on and I am flipping channels,

1353
01:03:56,560 --> 01:03:58,360
Speaker 2: I will stop and just leave it on, as opposed

1354
01:03:58,360 --> 01:03:59,640
Speaker 2: to being like I don't watch movies and then change

1355
01:03:59,680 --> 01:04:00,000
Speaker 2: the channel.

1356
01:04:00,680 --> 01:04:06,160
Speaker 1: And that movie is Pretty Woman, Oh I?

1357
01:04:06,680 --> 01:04:09,560
Speaker 2: Directed by Gary Marshall, written by J. F. Lawton, starring

1358
01:04:09,680 --> 01:04:13,400
Speaker 2: Richard Gear and Julia Roberts. It's the little bit, you know,

1359
01:04:13,720 --> 01:04:20,000
Speaker 2: retelling of a Cinderella story. I love a good romance

1360
01:04:20,520 --> 01:04:21,600
Speaker 2: love story.

1361
01:04:23,240 --> 01:04:31,680
Speaker 1: I just prostitute movies too. I love prostitute. Why don't

1362
01:04:31,720 --> 01:04:32,480
Speaker 1: we see more?

1363
01:04:34,560 --> 01:04:37,320
Speaker 2: I mean, but there's there's also It's one of those

1364
01:04:37,320 --> 01:04:40,240
Speaker 2: movies where I think of it every time I'm in

1365
01:04:40,360 --> 01:04:43,440
Speaker 2: any sort of pitch meeting for something, and you talk

1366
01:04:43,480 --> 01:04:46,960
Speaker 2: about wish fulfillment and you think of like, you know,

1367
01:04:47,040 --> 01:04:50,160
Speaker 2: especially working in kids Tevie, and wish fulfillment's very big,

1368
01:04:50,280 --> 01:04:53,600
Speaker 2: like oh you get you what does a kid daydream about?

1369
01:04:53,600 --> 01:04:55,800
Speaker 2: And can you put it on screen for them? Her

1370
01:04:56,320 --> 01:04:59,200
Speaker 2: being handed the credit card and going shopping in Beverly

1371
01:04:59,280 --> 01:05:02,280
Speaker 2: Hills after she's been made to feel less then and

1372
01:05:02,360 --> 01:05:04,560
Speaker 2: she gets to go and have this day of just

1373
01:05:04,600 --> 01:05:07,040
Speaker 2: feeling like a princess. And by the way, it's a

1374
01:05:07,080 --> 01:05:08,800
Speaker 2: Disney movie.

1375
01:05:09,040 --> 01:05:11,120
Speaker 1: I just to me it is.

1376
01:05:11,360 --> 01:05:13,560
Speaker 2: It's I just love it. I would if it's on,

1377
01:05:13,720 --> 01:05:15,479
Speaker 2: I have to watch it. I'm taking Pretty Woman.

1378
01:05:15,720 --> 01:05:18,520
Speaker 4: So do you remember when so the woman who played

1379
01:05:18,560 --> 01:05:21,680
Speaker 4: her best friend was played by Laura san Giincomo. Yes,

1380
01:05:21,800 --> 01:05:24,520
Speaker 4: And do you remember we were sitting there backstage one

1381
01:05:24,640 --> 01:05:27,160
Speaker 4: day and we were about to go on and we

1382
01:05:27,160 --> 01:05:30,320
Speaker 4: were about to do our scream and another hand comes

1383
01:05:30,320 --> 01:05:33,200
Speaker 4: in and we look up and it's Laurasangiincomo. She had

1384
01:05:33,320 --> 01:05:36,440
Speaker 4: walked down to the wrong set. She was shooting something

1385
01:05:36,520 --> 01:05:38,880
Speaker 4: next door, walked down to the wrong set. She had

1386
01:05:38,960 --> 01:05:42,040
Speaker 4: walked over and like joined our scream for one scream

1387
01:05:42,080 --> 01:05:42,400
Speaker 4: and then.

1388
01:05:42,320 --> 01:05:44,360
Speaker 1: What fun is that? No, I did not remember that.

1389
01:05:44,440 --> 01:05:45,640
Speaker 3: Yeah, I had such a crush on her.

1390
01:05:46,040 --> 01:05:47,840
Speaker 2: Oh yeah, who doesn't have a crush on her? Are

1391
01:05:47,880 --> 01:05:49,280
Speaker 2: kidding me? I still have a crush on her.

1392
01:05:49,560 --> 01:05:51,600
Speaker 1: She was she was in our scream.

1393
01:05:52,000 --> 01:05:54,360
Speaker 3: Wow, I actually don't remember that, even though I had

1394
01:05:54,560 --> 01:05:55,640
Speaker 3: such a mad crush on her.

1395
01:05:55,680 --> 01:05:59,080
Speaker 1: I know when what year was that? In the nineties

1396
01:05:59,280 --> 01:06:04,280
Speaker 1: on a show where we're in somewhere between ninety nine

1397
01:06:04,400 --> 01:06:06,400
Speaker 1: when we were shooting. My guess is it was.

1398
01:06:06,440 --> 01:06:09,200
Speaker 4: Later, even because I think you're working on one of

1399
01:06:09,200 --> 01:06:11,720
Speaker 4: those six she was like more did the morning like

1400
01:06:11,800 --> 01:06:12,920
Speaker 4: the yeah.

1401
01:06:12,800 --> 01:06:16,120
Speaker 1: She's almokay, all right, right, or you're up next.

1402
01:06:16,360 --> 01:06:19,040
Speaker 3: You've got so many of like the big nineties hits.

1403
01:06:19,520 --> 01:06:24,040
Speaker 3: You've got like you're like a blockbuster list. Yes, this

1404
01:06:24,160 --> 01:06:26,120
Speaker 3: is going to be tough to be You're also like,

1405
01:06:26,360 --> 01:06:28,640
Speaker 3: what what what people like on cable?

1406
01:06:29,400 --> 01:06:35,680
Speaker 4: Like what if it like comes on on HBO? Everybody's happy, everybody.

1407
01:06:35,920 --> 01:06:39,040
Speaker 2: You've just did a perfect summation of the only films

1408
01:06:39,040 --> 01:06:39,920
Speaker 2: I'll see, right.

1409
01:06:40,640 --> 01:06:42,680
Speaker 4: I was just saying something like, that's what I think

1410
01:06:42,680 --> 01:06:45,120
Speaker 4: a lot of our audience got it wrong twice.

1411
01:06:45,160 --> 01:06:47,000
Speaker 1: Now are going to why they're going to get it

1412
01:06:47,000 --> 01:06:50,600
Speaker 1: wrong again. Well we'll show we'll see.

1413
01:06:50,920 --> 01:06:52,280
Speaker 3: Oh you hear that, audience, I.

1414
01:06:56,920 --> 01:06:57,200
Speaker 1: Became.

1415
01:06:57,280 --> 01:06:59,520
Speaker 4: I came in third place both times, which just shows

1416
01:06:59,560 --> 01:07:02,720
Speaker 4: me that oursteners are amazing and loyal and completely wrong.

1417
01:07:03,080 --> 01:07:05,280
Speaker 3: No, I think that what's what's what's what's going to

1418
01:07:05,320 --> 01:07:07,600
Speaker 3: be interesting is like that our listeners obviously are boy

1419
01:07:07,680 --> 01:07:09,800
Speaker 3: meets World fans, right, and so that is a self

1420
01:07:09,800 --> 01:07:12,880
Speaker 3: selecting group. I do think that like Danielle's list, is

1421
01:07:13,120 --> 01:07:16,520
Speaker 3: gonna be way more up their alley. For instance, Cory

1422
01:07:16,640 --> 01:07:20,880
Speaker 3: and Topanga shipper is probably also a pretty woman fan.

1423
01:07:20,880 --> 01:07:24,320
Speaker 1: Like Titanic or Titanic or a Titanic.

1424
01:07:23,880 --> 01:07:26,560
Speaker 3: Fan I should have. I can't believe I let Titanic

1425
01:07:26,600 --> 01:07:28,600
Speaker 3: and Jurassic Park. I should have if I had.

1426
01:07:28,480 --> 01:07:32,560
Speaker 1: Got Jasic Park, all right, Danielle, would that have been

1427
01:07:32,600 --> 01:07:34,280
Speaker 1: your first pick writer, Jurassic Park?

1428
01:07:34,840 --> 01:07:36,200
Speaker 3: If I had at first pick, it would have been

1429
01:07:36,200 --> 01:07:38,120
Speaker 3: either Draft Park or Titanic. It would have been a

1430
01:07:38,160 --> 01:07:39,240
Speaker 3: tough call between those two.

1431
01:07:39,160 --> 01:07:41,680
Speaker 1: Because why didn't you pick Titanic second? When you took

1432
01:07:41,720 --> 01:07:44,360
Speaker 1: good Fellas, You're right, You're right, I didn't. You just

1433
01:07:44,440 --> 01:07:45,080
Speaker 1: took what I want.

1434
01:07:45,080 --> 01:07:50,360
Speaker 3: I got scared of you taking good Fellas.

1435
01:07:53,000 --> 01:07:55,480
Speaker 2: Fellas was was a high high up on my list

1436
01:07:55,520 --> 01:07:56,720
Speaker 2: as well, so I.

1437
01:07:56,680 --> 01:07:58,640
Speaker 3: Should have taken it on the way back from but

1438
01:07:58,680 --> 01:08:00,600
Speaker 3: then I got scared of Yeah whatever, Okay, this is

1439
01:08:00,600 --> 01:08:01,400
Speaker 3: the way draft works.

1440
01:08:01,400 --> 01:08:06,040
Speaker 1: Man regrets ticking for myself. Ok for me my next

1441
01:08:06,040 --> 01:08:06,520
Speaker 1: two picks.

1442
01:08:06,560 --> 01:08:09,200
Speaker 3: I'm just picking what I think are the greatest films

1443
01:08:09,200 --> 01:08:12,160
Speaker 3: from the nineties, which I'm less worried about. Uh, you

1444
01:08:12,200 --> 01:08:17,000
Speaker 3: guys taking uh. I think the best film made in

1445
01:08:17,080 --> 01:08:21,160
Speaker 3: the entire decade is a film called The Talented Mister Ripley.

1446
01:08:21,560 --> 01:08:26,599
Speaker 3: Oh great, Yeah, directed by a huge fan Magela. Uh.

1447
01:08:28,479 --> 01:08:29,920
Speaker 3: I highly recommend it.

1448
01:08:29,920 --> 01:08:31,919
Speaker 1: It's so beautiful, it is gorgeous.

1449
01:08:32,040 --> 01:08:34,000
Speaker 3: It's a movie you want to curl up in and

1450
01:08:34,040 --> 01:08:36,599
Speaker 3: live in terms of setting, but then it's a movie

1451
01:08:36,600 --> 01:08:39,920
Speaker 3: that you are repulsed by the main character because he's

1452
01:08:39,960 --> 01:08:43,599
Speaker 3: so complicated and enigmatic. It is. I mean, Matt Damon

1453
01:08:43,720 --> 01:08:45,880
Speaker 3: is just an amazing actor, and this is probably his

1454
01:08:46,200 --> 01:08:50,120
Speaker 3: like great, great early performance. I mean, there's art Matt Damon.

1455
01:08:50,520 --> 01:08:50,640
Speaker 2: Uh.

1456
01:08:50,920 --> 01:08:54,280
Speaker 3: Kate Blanchett is it's the best she's ever been. Gwyneth Paltrow,

1457
01:08:54,280 --> 01:08:56,679
Speaker 3: who is a actually think of a very underrated actor,

1458
01:08:56,920 --> 01:09:00,479
Speaker 3: is very good in this. And Shakespeare Off and this

1459
01:09:00,600 --> 01:09:03,880
Speaker 3: is second Philip seymore hoppin pick for me so performance, oh,

1460
01:09:03,920 --> 01:09:08,040
Speaker 3: and then Jude law I just think, you know, this

1461
01:09:08,200 --> 01:09:13,040
Speaker 3: was such a revelation. But the complexity of this movie,

1462
01:09:11,840 --> 01:09:15,960
Speaker 3: the amount of times I've seen it, and every time

1463
01:09:16,000 --> 01:09:19,559
Speaker 3: I see something new to it, I highly recommend watching it.

1464
01:09:19,600 --> 01:09:23,479
Speaker 3: And then if you like it, watch the commentary. Anthony

1465
01:09:23,760 --> 01:09:27,439
Speaker 3: Mingela unfortunately died tragically, like pretty young, you only got

1466
01:09:27,439 --> 01:09:31,200
Speaker 3: to make a few films. But his director's commentary, it's

1467
01:09:31,280 --> 01:09:33,519
Speaker 3: like probably the best film school you could have just

1468
01:09:33,560 --> 01:09:36,160
Speaker 3: watching talented mister Ripley. And they'll never make a movie

1469
01:09:36,160 --> 01:09:38,479
Speaker 3: like this again, with this kind of budget and this

1470
01:09:38,600 --> 01:09:41,559
Speaker 3: kind of ambition in terms of its scope. And yet

1471
01:09:42,320 --> 01:09:45,599
Speaker 3: it's a movie about a psychopath, you know, and so

1472
01:09:45,760 --> 01:09:47,880
Speaker 3: I don't think they you would never see this type

1473
01:09:47,920 --> 01:09:50,679
Speaker 3: of movie made nowadays. So it's the ultimate nineties film

1474
01:09:50,680 --> 01:09:53,080
Speaker 3: for me. I freaking love it.

1475
01:09:53,160 --> 01:09:56,879
Speaker 2: What this draft has revealed to me is that Gwyneth

1476
01:09:56,880 --> 01:09:59,960
Speaker 2: Paltrow is Writer's number one favorite actress.

1477
01:10:00,120 --> 01:10:05,120
Speaker 4: Yeah we said you got you also got the Yeah, yeah, all.

1478
01:10:05,120 --> 01:10:10,439
Speaker 3: Right, that's right. Three films so seven set experience. Yeah, yeah,

1479
01:10:10,479 --> 01:10:14,479
Speaker 3: basically I'm just in like a mirror. Max rut and

1480
01:10:14,520 --> 01:10:14,960
Speaker 3: she was.

1481
01:10:14,920 --> 01:10:20,000
Speaker 1: Like, by goop, yes, the goopiest.

1482
01:10:20,960 --> 01:10:23,200
Speaker 3: Yeah, my nineties are totally like I mean, this says

1483
01:10:23,200 --> 01:10:24,719
Speaker 3: the thing. It's like, I'm going more in the indy.

1484
01:10:24,880 --> 01:10:27,040
Speaker 3: But I mean, I don't know Shakespeare. Love isn't that indie?

1485
01:10:27,160 --> 01:10:27,280
Speaker 5: No?

1486
01:10:27,160 --> 01:10:31,160
Speaker 1: No, no no, And yeah it was great. Okay, Okay, Well.

1487
01:10:32,439 --> 01:10:35,400
Speaker 4: My next pick is completely and totally personal. I doubt

1488
01:10:35,479 --> 01:10:37,720
Speaker 4: you might not have even heard of this film. It

1489
01:10:37,840 --> 01:10:41,920
Speaker 4: is important, uh, in an entire genre, and it changed

1490
01:10:41,960 --> 01:10:46,760
Speaker 4: the ballgame for superhero movies and animation and god rest

1491
01:10:46,840 --> 01:10:47,439
Speaker 4: Kevin Conroy.

1492
01:10:47,479 --> 01:10:50,719
Speaker 1: But I am taking Batman Mask of the Phantasm, which.

1493
01:10:50,520 --> 01:10:54,320
Speaker 4: Is one of the best animated films seen in your

1494
01:10:54,720 --> 01:10:55,120
Speaker 4: it did.

1495
01:10:55,360 --> 01:10:57,200
Speaker 3: Okay, So you've been telling me to watch this. I

1496
01:10:57,240 --> 01:10:59,120
Speaker 3: haven't seen it, and you've been telling me this for years.

1497
01:10:59,120 --> 01:11:01,280
Speaker 3: But I assumed it was an early aughts film. I

1498
01:11:01,320 --> 01:11:02,719
Speaker 3: didn't realize it was that early.

1499
01:11:02,760 --> 01:11:03,400
Speaker 4: In the nineties.

1500
01:11:03,439 --> 01:11:05,639
Speaker 1: This is because it was this was before Batman Beyond.

1501
01:11:05,680 --> 01:11:10,040
Speaker 4: So this was Batman based on the Batman original animated series.

1502
01:11:10,160 --> 01:11:12,600
Speaker 1: It's noir, it's gorgeous.

1503
01:11:12,760 --> 01:11:14,519
Speaker 4: It is would you go so far as to say

1504
01:11:14,520 --> 01:11:17,160
Speaker 4: it's the best Batman iation?

1505
01:11:17,680 --> 01:11:21,240
Speaker 1: Oh, meaning animated? Probably. It's also up there.

1506
01:11:21,280 --> 01:11:24,240
Speaker 3: It's what about films, like is it the best Batman film?

1507
01:11:24,280 --> 01:11:27,719
Speaker 4: Like if it certainly would be in the conversation, Wow,

1508
01:11:27,840 --> 01:11:29,160
Speaker 4: it certainly would be in the conversation.

1509
01:11:29,200 --> 01:11:32,800
Speaker 1: But the ones I do, I do, like the.

1510
01:11:32,840 --> 01:11:35,680
Speaker 4: Christopher Nolan wants, especially the first one I thought I

1511
01:11:35,680 --> 01:11:36,960
Speaker 4: thought it was again.

1512
01:11:37,040 --> 01:11:37,800
Speaker 1: I am a big fan.

1513
01:11:37,880 --> 01:11:41,479
Speaker 4: Anytime the actor playing Batman realizes that Batman and Bruce

1514
01:11:41,520 --> 01:11:43,280
Speaker 4: Wayne are two completely different characters.

1515
01:11:43,520 --> 01:11:45,599
Speaker 1: M M. That doesn't always happen in the film.

1516
01:11:45,640 --> 01:11:47,919
Speaker 3: He's a split person, so he is, he's two.

1517
01:11:47,760 --> 01:11:52,719
Speaker 4: Characters and the mask that Batman wears is Bruce Wayne.

1518
01:11:53,600 --> 01:11:55,920
Speaker 4: So when so when you are you know when the

1519
01:11:56,000 --> 01:11:58,040
Speaker 4: character when an actor can portray that.

1520
01:11:58,840 --> 01:12:02,000
Speaker 1: But it's also ith. It just changed animation Batman.

1521
01:12:02,000 --> 01:12:04,280
Speaker 4: The animated series, they were printing on black paper instead

1522
01:12:04,280 --> 01:12:05,000
Speaker 4: of white paper, so.

1523
01:12:04,920 --> 01:12:05,559
Speaker 3: It was dark.

1524
01:12:06,479 --> 01:12:09,280
Speaker 4: They started to record it like a like a radio

1525
01:12:09,320 --> 01:12:10,400
Speaker 4: play from the thirties.

1526
01:12:10,840 --> 01:12:13,240
Speaker 1: Nothing was as Andrea Romano would say, puky.

1527
01:12:13,600 --> 01:12:15,800
Speaker 4: It was like if there was a she would always say,

1528
01:12:15,800 --> 01:12:18,599
Speaker 4: don't do a puki, which means like, if there is

1529
01:12:18,800 --> 01:12:22,200
Speaker 4: a you're doing an animated series and there is a newscaster,

1530
01:12:22,680 --> 01:12:25,960
Speaker 4: it's not this just in Tomara and you do it

1531
01:12:26,040 --> 01:12:27,120
Speaker 4: like a newscaster's.

1532
01:12:27,320 --> 01:12:28,559
Speaker 1: It was all real.

1533
01:12:30,040 --> 01:12:35,000
Speaker 4: She called it, don't do a puki, so it was Yeah,

1534
01:12:35,000 --> 01:12:37,799
Speaker 4: it changed the ballgame if you are animated, it did.

1535
01:12:38,040 --> 01:12:41,639
Speaker 4: It did for Western animation what Akira did for Eastern animation.

1536
01:12:41,680 --> 01:12:45,360
Speaker 1: It was a beautiful movie. So that was That's my

1537
01:12:45,360 --> 01:12:46,280
Speaker 1: my seventh pick.

1538
01:12:46,920 --> 01:12:51,439
Speaker 4: With my last pick this one. It's very difficult because

1539
01:12:51,479 --> 01:12:53,320
Speaker 4: I'm between three films.

1540
01:12:53,760 --> 01:12:56,160
Speaker 1: Okay, and since it's my last.

1541
01:12:55,840 --> 01:12:58,000
Speaker 4: Pick, I'm going to tell you the three films because

1542
01:12:58,240 --> 01:13:01,440
Speaker 4: none of them can be stolen. I'm between.

1543
01:13:03,080 --> 01:13:03,599
Speaker 1: And it's funny.

1544
01:13:03,600 --> 01:13:07,200
Speaker 4: Two of them are DeNiro Ronan, which was a great

1545
01:13:07,400 --> 01:13:08,000
Speaker 4: action movie.

1546
01:13:08,160 --> 01:13:08,720
Speaker 3: Never seen it.

1547
01:13:09,840 --> 01:13:11,679
Speaker 1: Neither great action.

1548
01:13:11,560 --> 01:13:14,680
Speaker 4: Movie, phenomenal old school like to Live and Die in

1549
01:13:14,800 --> 01:13:18,799
Speaker 4: La Car Chase scenes just so well shot, so well acted,

1550
01:13:19,880 --> 01:13:20,839
Speaker 4: shawsh Ank Redemption.

1551
01:13:21,520 --> 01:13:23,000
Speaker 3: I haven't surprised neither of you got that.

1552
01:13:23,040 --> 01:13:23,400
Speaker 1: I found.

1553
01:13:23,720 --> 01:13:25,800
Speaker 3: Sure, it's not on my list at all, but I

1554
01:13:26,240 --> 01:13:27,400
Speaker 3: do love it. But it's not on my list.

1555
01:13:27,439 --> 01:13:28,960
Speaker 1: But I know I love that movie too, but it's

1556
01:13:29,000 --> 01:13:29,880
Speaker 1: also not on my list.

1557
01:13:30,040 --> 01:13:30,640
Speaker 3: You're gonna have to do.

1558
01:13:30,800 --> 01:13:34,040
Speaker 4: But I think no, I think because I'm I'm I

1559
01:13:34,360 --> 01:13:36,360
Speaker 4: for me, which is amazing. I don't have a lot

1560
01:13:36,360 --> 01:13:40,120
Speaker 4: of comedies. What I think I am gonna end up

1561
01:13:40,160 --> 01:13:43,040
Speaker 4: picking is Wag the Dog.

1562
01:13:46,320 --> 01:13:49,679
Speaker 3: Great movie, such a great movie, which just recently rewatched

1563
01:13:49,680 --> 01:13:52,200
Speaker 3: it like a year ago, so good, ahead of its time,

1564
01:13:52,600 --> 01:13:56,360
Speaker 3: way ahead of its time, funny, scary in a way

1565
01:13:56,400 --> 01:13:58,799
Speaker 3: because it's like the stuff that could actually happen.

1566
01:14:00,360 --> 01:14:01,800
Speaker 4: So that's going to round out my list.

1567
01:14:01,840 --> 01:14:04,559
Speaker 1: I'm going to finish with Wag the Dog right now.

1568
01:14:04,600 --> 01:14:07,320
Speaker 3: I would assume that that movie was a little too

1569
01:14:07,439 --> 01:14:10,280
Speaker 3: like messy for you or you know, And actually that's

1570
01:14:10,280 --> 01:14:12,040
Speaker 3: the same thing I would have thought about dayson and confused.

1571
01:14:12,080 --> 01:14:14,320
Speaker 3: I thought that you, I guess my assumption was that

1572
01:14:14,360 --> 01:14:18,160
Speaker 3: you liked tighter, sort of like cleaner films in a way.

1573
01:14:18,120 --> 01:14:19,759
Speaker 1: Almost formulaic in a way.

1574
01:14:19,920 --> 01:14:21,000
Speaker 3: Well, I'm not saying that.

1575
01:14:21,439 --> 01:14:23,120
Speaker 4: I'm sorry, but what I'm saying, I'm not saying that

1576
01:14:23,160 --> 01:14:24,680
Speaker 4: as a negative, just saying, yeah, I.

1577
01:14:24,600 --> 01:14:28,519
Speaker 3: Thought that you liked a slightly more polished, like enclosed story,

1578
01:14:28,640 --> 01:14:32,080
Speaker 3: you know, like films that go in yeah, weird directions.

1579
01:14:32,120 --> 01:14:33,080
Speaker 1: And I don't disagree.

1580
01:14:33,080 --> 01:14:34,559
Speaker 4: And I think one of the reasons I've been reading

1581
01:14:34,600 --> 01:14:37,679
Speaker 4: a lot more about some of the roots of anxiety

1582
01:14:37,760 --> 01:14:39,800
Speaker 4: and what people that are very very anxious tend to

1583
01:14:39,840 --> 01:14:40,679
Speaker 4: do to calm down.

1584
01:14:41,080 --> 01:14:43,000
Speaker 1: And one of the things is they watch the same

1585
01:14:43,040 --> 01:14:44,799
Speaker 1: shows over and over again, like mash.

1586
01:14:45,479 --> 01:14:48,280
Speaker 4: They like movies where they kind of know where they're

1587
01:14:48,320 --> 01:14:51,439
Speaker 4: going to go. It's something it's very comforting to do that.

1588
01:14:51,520 --> 01:14:54,400
Speaker 4: So there are a few that to kind of take

1589
01:14:54,439 --> 01:14:55,960
Speaker 4: me out of that, and those.

1590
01:14:55,800 --> 01:14:58,080
Speaker 1: Are the Dating and Confused than Wag the Dog were

1591
01:14:58,080 --> 01:14:59,960
Speaker 1: a couple of those. So I wanted them to make

1592
01:15:00,080 --> 01:15:00,439
Speaker 1: the listen.

1593
01:15:12,160 --> 01:15:16,639
Speaker 3: So I had this weird night the other night Alex

1594
01:15:16,640 --> 01:15:18,840
Speaker 3: and I went. We were catching up with our old

1595
01:15:18,840 --> 01:15:24,719
Speaker 3: friends who are also actors filmmakers, and we were talking

1596
01:15:24,760 --> 01:15:28,960
Speaker 3: about how we remember films differently, like how we each

1597
01:15:29,000 --> 01:15:31,680
Speaker 3: remember films differently, and we kind of got into it

1598
01:15:31,720 --> 01:15:35,280
Speaker 3: and we were like, hey, let's play a game. I'm

1599
01:15:35,280 --> 01:15:38,559
Speaker 3: going to leave the room and Alex is going to

1600
01:15:38,560 --> 01:15:41,280
Speaker 3: pitch you shash Ank Redemption start to finish, and then

1601
01:15:41,320 --> 01:15:42,960
Speaker 3: I'm going to come in and I'm going to pitch

1602
01:15:43,000 --> 01:15:45,560
Speaker 3: you shash Ank Redemption start to finish. And then we

1603
01:15:45,720 --> 01:15:48,320
Speaker 3: did the exact same thing with training day, and we

1604
01:15:48,479 --> 01:15:51,519
Speaker 3: did and it ended up being such a fun evening.

1605
01:15:51,640 --> 01:15:53,920
Speaker 3: So they then took training Day. But it was so

1606
01:15:54,080 --> 01:15:57,519
Speaker 3: interesting to see how we came in with different versions

1607
01:15:57,520 --> 01:16:00,560
Speaker 3: of the movie, so like, for instance, Alex apparently I

1608
01:16:00,600 --> 01:16:04,160
Speaker 3: wasn't there, but Alex apparently pitched them the feeling of Shawshank,

1609
01:16:04,240 --> 01:16:07,360
Speaker 3: the look, the like qualities. I came in and went like,

1610
01:16:07,760 --> 01:16:10,240
Speaker 3: and you deframe didn't kill his wife, didn't you know?

1611
01:16:10,280 --> 01:16:13,240
Speaker 3: And I like told the story, I went plot points right.

1612
01:16:13,720 --> 01:16:16,439
Speaker 3: But anyway, it's just interesting, like how so many people

1613
01:16:16,479 --> 01:16:19,960
Speaker 3: can love movies but have different experiences of them. But

1614
01:16:20,479 --> 01:16:22,360
Speaker 3: is one of those, like it's just a perfect movie

1615
01:16:22,400 --> 01:16:24,160
Speaker 3: for pretty much everybody.

1616
01:16:23,800 --> 01:16:27,360
Speaker 4: It is, and none of us have picked it, none

1617
01:16:27,400 --> 01:16:31,920
Speaker 4: of us, and she probably should, but it was. It's

1618
01:16:31,960 --> 01:16:33,920
Speaker 4: like it's it was an afterthought for all of us,

1619
01:16:33,960 --> 01:16:36,080
Speaker 4: but that none of us easily could have been a

1620
01:16:36,160 --> 01:16:36,840
Speaker 4: number one pick.

1621
01:16:37,120 --> 01:16:39,639
Speaker 3: For me, it's just not personally one of my favorite.

1622
01:16:39,640 --> 01:16:43,200
Speaker 3: But if like, I also probably take it for granted.

1623
01:16:43,720 --> 01:16:44,559
Speaker 1: You know what I want to think.

1624
01:16:44,960 --> 01:16:46,800
Speaker 3: I think I think it's one of those like because

1625
01:16:46,880 --> 01:16:49,160
Speaker 3: also you've got like Forrest Gump, none of us we

1626
01:16:49,240 --> 01:16:51,599
Speaker 3: never like fiction.

1627
01:16:51,760 --> 01:16:54,200
Speaker 4: Gump was on my my short list, and then some

1628
01:16:54,240 --> 01:16:56,960
Speaker 4: animated movies Little Mermaid, Lion King, things like this, which

1629
01:16:56,960 --> 01:17:01,120
Speaker 4: helped you really the genre for or nobody picked any

1630
01:17:01,120 --> 01:17:01,760
Speaker 4: of that stuff too.

1631
01:17:01,880 --> 01:17:04,240
Speaker 3: Yeah, I think I think, I think we probably took

1632
01:17:04,280 --> 01:17:06,080
Speaker 3: some stuff for granted and want to get any personal

1633
01:17:06,160 --> 01:17:07,200
Speaker 3: taste in there a little bit more.

1634
01:17:07,240 --> 01:17:07,679
Speaker 1: Absolutely.

1635
01:17:07,720 --> 01:17:09,120
Speaker 2: That's why I said, if I if I'm going to

1636
01:17:09,160 --> 01:17:10,880
Speaker 2: pick something, I have to pick the things that, like,

1637
01:17:11,040 --> 01:17:12,960
Speaker 2: I know, for me, I want to sit and watch

1638
01:17:12,960 --> 01:17:14,720
Speaker 2: through the weekend. And the reason I want to sit

1639
01:17:14,760 --> 01:17:16,360
Speaker 2: and watch some of these are not because they are

1640
01:17:17,000 --> 01:17:19,280
Speaker 2: the absolute best movies, but they're part of the way

1641
01:17:19,320 --> 01:17:21,559
Speaker 2: they make me feel or they're part of what I

1642
01:17:21,600 --> 01:17:22,840
Speaker 2: was going through when I watch them.

1643
01:17:22,880 --> 01:17:23,519
Speaker 1: And so it is.

1644
01:17:23,560 --> 01:17:27,040
Speaker 4: It's nobody picks Saving Private Ryan before Sunrise. I mean,

1645
01:17:27,040 --> 01:17:30,040
Speaker 4: there's some movies out there that were pretty phenomenally great.

1646
01:17:30,120 --> 01:17:32,479
Speaker 3: Before Sunrise was definitely on my personal list as far.

1647
01:17:32,360 --> 01:17:32,760
Speaker 1: As me too.

1648
01:17:33,040 --> 01:17:34,920
Speaker 4: Silence of the Lambs, I mean, there's been there's a

1649
01:17:34,960 --> 01:17:38,160
Speaker 4: ton of these movies that have that just yeah, incredible.

1650
01:17:38,640 --> 01:17:40,800
Speaker 2: All right, Well, I'm done for your last pick. That's

1651
01:17:40,800 --> 01:17:42,760
Speaker 2: will's that's what when we're done here, I'll go through

1652
01:17:42,760 --> 01:17:48,640
Speaker 2: what everybody ordered, what everybody or everybody pick I had

1653
01:17:48,720 --> 01:17:53,080
Speaker 2: chicken katsu, all right, right, or what's your last pick?

1654
01:17:53,360 --> 01:17:57,360
Speaker 3: My last pick is entirely like a personal favorite, favorite

1655
01:17:57,360 --> 01:17:59,720
Speaker 3: favorite movie. It just blew my mind. I saw when

1656
01:17:59,720 --> 01:18:02,799
Speaker 3: I was a in the theater and just became obsessed

1657
01:18:02,840 --> 01:18:06,960
Speaker 3: and became obsessed with this director. They have since they

1658
01:18:07,320 --> 01:18:10,320
Speaker 3: have fallen off of my list of like top directors.

1659
01:18:10,360 --> 01:18:13,320
Speaker 3: But back in the nineties there was nobody more sort

1660
01:18:13,360 --> 01:18:15,760
Speaker 3: of like visually innovative and like changing the way I

1661
01:18:15,800 --> 01:18:18,640
Speaker 3: thought movies could be made. And this one was his

1662
01:18:18,720 --> 01:18:22,839
Speaker 3: only studio film with the script that he did not write,

1663
01:18:23,160 --> 01:18:24,800
Speaker 3: and I think that was a good thing. And it

1664
01:18:24,840 --> 01:18:28,640
Speaker 3: has some of the best performances ever. It's complicated, but

1665
01:18:28,800 --> 01:18:32,480
Speaker 3: it's it's it's such a good film. The Fisher King Oh,

1666
01:18:33,280 --> 01:18:36,120
Speaker 3: one of my favorites of all time. I you know,

1667
01:18:37,000 --> 01:18:38,880
Speaker 3: there's some issues with this film when it comes like

1668
01:18:38,920 --> 01:18:42,080
Speaker 3: to questions of mental health, and there's there's some ways

1669
01:18:42,080 --> 01:18:44,719
Speaker 3: in which it's like, you guys know the Manic Pixie

1670
01:18:44,760 --> 01:18:46,960
Speaker 3: dream girl thing. Yes, this is sort of like Manic

1671
01:18:47,000 --> 01:18:53,320
Speaker 3: Pixie homeless friend. But it's still so good. It's still beautiful.

1672
01:18:53,439 --> 01:18:57,479
Speaker 3: Jeff Bridges, Robin Williams and then Mercedes Rule gives like

1673
01:18:57,800 --> 01:19:00,400
Speaker 3: one of the greatest performances of all time. The scenes

1674
01:19:00,439 --> 01:19:02,840
Speaker 3: with her and Jeff Bridges are so good. Obviously Robin

1675
01:19:02,840 --> 01:19:06,760
Speaker 3: Williams is Robin Williams brilliant, but also this is a

1676
01:19:06,800 --> 01:19:09,960
Speaker 3: dramatic role for him and then just visually innovative, and

1677
01:19:10,760 --> 01:19:13,000
Speaker 3: I just think it's one of the greatest redemption stories

1678
01:19:13,000 --> 01:19:15,559
Speaker 3: of all time, you know, or coming of age stories.

1679
01:19:16,760 --> 01:19:19,080
Speaker 3: Even though he's a h Jeff Bridges is a fully

1680
01:19:19,080 --> 01:19:22,400
Speaker 3: grown man. It's so beautiful, uh and so highly highly

1681
01:19:22,439 --> 01:19:24,360
Speaker 3: recommend if nobody seen The Fisher King and you want

1682
01:19:24,360 --> 01:19:27,120
Speaker 3: to have like a a real night like it's a

1683
01:19:27,120 --> 01:19:27,559
Speaker 3: great one.

1684
01:19:27,760 --> 01:19:30,080
Speaker 1: Okay, great, right, good pick?

1685
01:19:32,200 --> 01:19:34,280
Speaker 3: Oh director by Terry gilliam. I forgot to mention that

1686
01:19:34,439 --> 01:19:37,240
Speaker 3: from Monty Python Days and you know, ye, but this

1687
01:19:37,439 --> 01:19:38,160
Speaker 3: was like him.

1688
01:19:40,320 --> 01:19:43,000
Speaker 4: Twelve Monkeys. Yeah, he was just so innovative.

1689
01:19:43,040 --> 01:19:44,920
Speaker 3: I mean, he's he apparently he's kind of a nightmare

1690
01:19:45,280 --> 01:19:48,559
Speaker 3: as far as you know, uh, you know, his ambition

1691
01:19:48,800 --> 01:19:52,880
Speaker 3: and perfectionism, but it also works sometimes.

1692
01:19:53,080 --> 01:19:56,360
Speaker 2: Okay, Well, my last pick, this is tough for me.

1693
01:19:56,400 --> 01:20:00,479
Speaker 2: I'll tell you the ones that I'm ones that are

1694
01:20:01,040 --> 01:20:05,240
Speaker 2: in close, uh in close runner up territory for me

1695
01:20:05,439 --> 01:20:10,000
Speaker 2: for this last pick, The Hudsucker Proxys.

1696
01:20:10,160 --> 01:20:11,959
Speaker 1: I just love.

1697
01:20:12,000 --> 01:20:15,720
Speaker 2: That movie and that that's a big one for me.

1698
01:20:16,760 --> 01:20:19,240
Speaker 1: Conn Air boy, did I love conn Air.

1699
01:20:19,280 --> 01:20:23,719
Speaker 4: Con Air Drop, The Bunny Cable Guy.

1700
01:20:24,880 --> 01:20:27,800
Speaker 3: Wow is a great film.

1701
01:20:27,840 --> 01:20:29,040
Speaker 1: It's a really good film.

1702
01:20:29,800 --> 01:20:36,080
Speaker 3: Is dark, always has this pitch of darkness to his

1703
01:20:36,120 --> 01:20:43,840
Speaker 3: films that I really appreciate. Yeah, Carrie, I Carry You

1704
01:20:43,880 --> 01:20:45,360
Speaker 3: are a liar, liar.

1705
01:20:45,120 --> 01:20:47,559
Speaker 4: I was. No one of us, none of us have

1706
01:20:47,600 --> 01:20:49,960
Speaker 4: talked about at all, has never even entered the conversation.

1707
01:20:50,280 --> 01:20:54,880
Speaker 1: The Big Lebowski. I've never seen that. Good.

1708
01:20:55,000 --> 01:20:59,240
Speaker 3: Oh you've never seen it? So good? God, it's a

1709
01:20:59,360 --> 01:21:00,320
Speaker 3: It's a great one.

1710
01:21:01,720 --> 01:21:06,000
Speaker 2: Legends of the Fall because put there I wanted shirt

1711
01:21:06,760 --> 01:21:08,240
Speaker 2: Brad Pitt with no shirt.

1712
01:21:10,120 --> 01:21:16,000
Speaker 1: Christian Kindergarten Kindergarten, was it really?

1713
01:21:16,479 --> 01:21:16,719
Speaker 4: Yes?

1714
01:21:17,720 --> 01:21:18,519
Speaker 1: It is on my list.

1715
01:21:18,920 --> 01:21:20,960
Speaker 3: I rewatched it not that long ago.

1716
01:21:21,720 --> 01:21:22,960
Speaker 1: That great. Yes, it does.

1717
01:21:23,040 --> 01:21:24,560
Speaker 4: It's great, Dug.

1718
01:21:26,320 --> 01:21:30,960
Speaker 1: The one that won for my final pick is Clueless.

1719
01:21:31,080 --> 01:21:32,960
Speaker 1: I was gonna say Clueless, that's amazing.

1720
01:21:33,040 --> 01:21:34,479
Speaker 3: I was like that was when Will was like the

1721
01:21:34,479 --> 01:21:36,840
Speaker 3: one that we haven't mentioned. I was like, I can't

1722
01:21:36,840 --> 01:21:38,160
Speaker 3: believe nobody's picked Clueless.

1723
01:21:38,800 --> 01:21:39,240
Speaker 1: Clueless.

1724
01:21:39,320 --> 01:21:43,200
Speaker 3: Great movie, yes, great, perfect, perfect movie. Do you know

1725
01:21:43,280 --> 01:21:46,240
Speaker 3: I hated that movie when I first saw it. Yeah,

1726
01:21:46,840 --> 01:21:51,200
Speaker 3: I didn't get it, did not understand irony, Like I

1727
01:21:51,280 --> 01:21:53,880
Speaker 3: was like, right, what did you think that this girl's cool?

1728
01:21:53,920 --> 01:21:55,800
Speaker 3: Why we used to think that being richest, you know,

1729
01:21:55,840 --> 01:21:59,360
Speaker 3: And of course it's complete just satire. It's just dripping

1730
01:21:59,400 --> 01:22:01,160
Speaker 3: with satire. And I missed it.

1731
01:22:01,200 --> 01:22:03,439
Speaker 1: Right, you didn't see it. You were taking it too

1732
01:22:03,520 --> 01:22:04,559
Speaker 1: serio to earnest.

1733
01:22:04,760 --> 01:22:10,360
Speaker 4: Series story were for listening to Counting Crows, going like,

1734
01:22:12,280 --> 01:22:12,879
Speaker 4: I thought.

1735
01:22:12,640 --> 01:22:15,200
Speaker 1: The Love Story was a little creepy, but yeah it

1736
01:22:15,240 --> 01:22:18,080
Speaker 1: was she literally your stepbrother or whatever.

1737
01:22:18,200 --> 01:22:22,680
Speaker 2: Yeah, but written and directed by Amy Heckerling, just an

1738
01:22:23,160 --> 01:22:24,759
Speaker 2: absolutely fantastic movie.

1739
01:22:24,840 --> 01:22:25,920
Speaker 1: That is my final pick.

1740
01:22:26,080 --> 01:22:28,840
Speaker 4: So I think Danielle might win, and I'm going to

1741
01:22:28,880 --> 01:22:29,639
Speaker 4: come in third again.

1742
01:22:30,520 --> 01:22:32,519
Speaker 3: I think daniel is gonna win because, yeah, she picked

1743
01:22:32,520 --> 01:22:36,880
Speaker 3: so many popular films. Yeah that people, I just know

1744
01:22:36,960 --> 01:22:37,639
Speaker 3: that a lot of.

1745
01:22:37,560 --> 01:22:43,760
Speaker 4: Peopu Titanic and Clueless right there alone.

1746
01:22:41,439 --> 01:22:44,920
Speaker 1: Like, alright, let's round it up real quick.

1747
01:22:45,120 --> 01:22:49,200
Speaker 2: I have Jurassic Park, I have Titanic, I have Defending

1748
01:22:49,200 --> 01:22:53,679
Speaker 2: Your Life, Ace Venture, A Pet Detective, Scream, Clueless, Pretty

1749
01:22:53,680 --> 01:22:59,040
Speaker 2: Woman and the Fugitive. Yeah, great writer has Good Fellas,

1750
01:22:59,360 --> 01:23:05,320
Speaker 2: Groundhog Day, Seven Boogie Nights, The Matrix, Shakespeare in Love,

1751
01:23:05,760 --> 01:23:11,840
Speaker 2: The Talented Mister Ripley, and The Fisher King Will Has Casino, Fargo,

1752
01:23:12,120 --> 01:23:17,559
Speaker 2: Terminator Two, Dazed and Confused, Reservoir Dogs, Quiz Show, Batman,

1753
01:23:17,800 --> 01:23:20,479
Speaker 2: Mask of the Phantasm, and Wag the Dog.

1754
01:23:20,840 --> 01:23:24,080
Speaker 3: I love this decade. Like everyone in every one you mentioned,

1755
01:23:24,080 --> 01:23:27,320
Speaker 3: I'm like, yes, yes, yes, there three good So hold on,

1756
01:23:27,600 --> 01:23:33,680
Speaker 3: no one picked Toy Story Story two Hates Hates the

1757
01:23:34,120 --> 01:23:39,200
Speaker 3: other ones that we're on. My Misery is a fantastic, crazy, great,

1758
01:23:39,280 --> 01:23:41,600
Speaker 3: perfectly tight film. Yeah, if we were going to go

1759
01:23:41,640 --> 01:23:43,960
Speaker 3: comedy one that was like it was either Groundhog Day

1760
01:23:44,000 --> 01:23:45,760
Speaker 3: was right up there with Galaxy Quest for me.

1761
01:23:46,400 --> 01:23:46,639
Speaker 4: Option.

1762
01:23:46,800 --> 01:23:48,439
Speaker 3: Galaxy Quest is a perfect your.

1763
01:23:48,640 --> 01:23:57,360
Speaker 2: So oh my gosh election, I know, wow.

1764
01:23:55,680 --> 01:23:57,759
Speaker 4: A lot of the lot of the animation.

1765
01:23:58,439 --> 01:23:59,200
Speaker 1: It's too hard.

1766
01:23:59,240 --> 01:24:03,320
Speaker 2: But dear listeners, please go to Instagram vote on who

1767
01:24:03,439 --> 01:24:06,840
Speaker 2: you think won the nineties. I came in third, and

1768
01:24:06,880 --> 01:24:11,160
Speaker 2: then also explain why you're wrong about Will coming in

1769
01:24:11,280 --> 01:24:12,320
Speaker 2: third third place.

1770
01:24:13,560 --> 01:24:14,719
Speaker 1: Thank you all for.

1771
01:24:14,600 --> 01:24:16,880
Speaker 2: Listening to this episode of Pod Meets World. As always,

1772
01:24:16,880 --> 01:24:19,000
Speaker 2: you can follow us on Instagram pod Meets World Show.

1773
01:24:19,280 --> 01:24:20,960
Speaker 2: You can send us your emails and tell us what

1774
01:24:21,320 --> 01:24:23,200
Speaker 2: would be your what would be your top.

1775
01:24:23,000 --> 01:24:24,040
Speaker 1: Ten nineties movies?

1776
01:24:24,320 --> 01:24:26,519
Speaker 2: You can send that to Pod Meets worlds Show at

1777
01:24:26,520 --> 01:24:28,920
Speaker 2: gmail dot com and we have merch.

1778
01:24:29,439 --> 01:24:31,440
Speaker 1: You gotta pick up some merch, Margie.

1779
01:24:32,920 --> 01:24:36,559
Speaker 2: Pod Meets Worldshow dot com will send us out.

1780
01:24:36,920 --> 01:24:38,719
Speaker 1: We love you all, pod dismissed.

1781
01:24:40,080 --> 01:24:42,800
Speaker 4: Pod Meets World is nheart podcast producer and hosted by

1782
01:24:42,920 --> 01:24:47,040
Speaker 4: Danielle Fischel, Wilfredell and Ryder Strong executive producers, Jensen Karp

1783
01:24:47,120 --> 01:24:50,400
Speaker 4: and Amy Sugarman Executive in charge of production, Danielle Romo,

1784
01:24:50,720 --> 01:24:54,960
Speaker 4: producer and editor, Tara Sudbaksh producer, Maddie Moore, engineer and

1785
01:24:55,000 --> 01:24:57,679
Speaker 4: Boy Meets World super fan Easton Allen. Our theme song

1786
01:24:57,720 --> 01:24:59,719
Speaker 4: is by Kyle Morton of Typhoon and you can follow

1787
01:24:59,760 --> 01:25:02,360
Speaker 4: us on on Instagram at Podmets World Show or email

1788
01:25:02,439 --> 01:25:06,640
Speaker 4: us at Podmets Worldshow at gmail dot com