WEBVTT - Jeff Menell Meets World

0:00:17.800 --> 0:00:22.200
<v Speaker 1>Writer, I like your glasses, thank you. Um, I've been

0:00:22.200 --> 0:00:24.759
<v Speaker 1>wearing them a lot lately because I am I'm out

0:00:24.760 --> 0:00:28.320
<v Speaker 1>of contacts. I wear daily contacts for stigmatism and I

0:00:28.320 --> 0:00:31.160
<v Speaker 1>have run out. When did when did you start wearing glasses?

0:00:31.160 --> 0:00:33.479
<v Speaker 1>I mean, when did you start needing contacts? Uh? In

0:00:33.560 --> 0:00:36.239
<v Speaker 1>my mid twenties, I was. I remember sitting in a

0:00:36.320 --> 0:00:38.879
<v Speaker 1>theater in New York with my buddy and like, I

0:00:38.920 --> 0:00:41.600
<v Speaker 1>couldn't see the stage, you know, I was like squinting,

0:00:41.920 --> 0:00:44.440
<v Speaker 1>and I was like, I was like yeah. I was like,

0:00:44.479 --> 0:00:46.479
<v Speaker 1>and why am I? And I was like yeah. So

0:00:46.520 --> 0:00:48.479
<v Speaker 1>I was like twenty six, which I think is when

0:00:48.560 --> 0:00:51.080
<v Speaker 1>you know it starts happening if you're gonna have a

0:00:51.080 --> 0:00:53.200
<v Speaker 1>stigmatism like bad. At least that's what I was told.

0:00:53.200 --> 0:00:55.520
<v Speaker 1>And I got writer's writing a review. It was this

0:00:55.640 --> 0:00:57.560
<v Speaker 1>was it was. It was a decent play. I found

0:00:57.560 --> 0:01:00.680
<v Speaker 1>the actors to be very blurry. They could have done

0:01:00.720 --> 0:01:08.480
<v Speaker 1>something about that. Frankly, Uh No, I'm I have strange eyes. UM.

0:01:08.760 --> 0:01:11.920
<v Speaker 1>When I was eight years old, I was diagnosed with

0:01:11.959 --> 0:01:15.680
<v Speaker 1>something called carataconus in one eye. So my cornea is

0:01:15.720 --> 0:01:19.760
<v Speaker 1>shaped like a cone instead of concave. So I need

0:01:19.800 --> 0:01:24.240
<v Speaker 1>to wear one like glass. I've worn one glass essentially

0:01:24.280 --> 0:01:27.160
<v Speaker 1>it's called gas permeable, but like a thick, heavy contact

0:01:27.240 --> 0:01:32.000
<v Speaker 1>lens in one eye eight years old normal. But the

0:01:32.040 --> 0:01:34.440
<v Speaker 1>tiny little contact lens I wear. That's and what the

0:01:34.480 --> 0:01:36.080
<v Speaker 1>fun thing is, you know, with the daily ones that

0:01:36.200 --> 0:01:39.360
<v Speaker 1>Rider wears. I've worn soft contact lenses. It's like an

0:01:39.400 --> 0:01:43.440
<v Speaker 1>angel is softly kissing your eyeball as it helps you.

0:01:44.440 --> 0:01:47.320
<v Speaker 1>I find glasses more annoying than contact. People can't wear contact.

0:01:47.920 --> 0:01:49.760
<v Speaker 1>You have like a full on piece of I have

0:01:49.800 --> 0:01:52.440
<v Speaker 1>a piece of glass and like a lens in my

0:01:52.640 --> 0:01:55.400
<v Speaker 1>so if the tiniest little grain of sand or dust

0:01:55.440 --> 0:01:58.640
<v Speaker 1>gets in there, it's like just an ice pick in

0:01:58.680 --> 0:02:00.440
<v Speaker 1>your eye, you have to wash it every night. Then

0:02:00.640 --> 0:02:03.600
<v Speaker 1>oh yeah, to do the every morning, every night, every day,

0:02:03.600 --> 0:02:06.000
<v Speaker 1>every day. And when I first got contact, to do that,

0:02:06.200 --> 0:02:08.120
<v Speaker 1>like you know, I would wear the monthly contacts or whatever.

0:02:08.360 --> 0:02:09.959
<v Speaker 1>And when I got the dailies, I was like, oh,

0:02:10.000 --> 0:02:11.920
<v Speaker 1>this is because I used to fall asleep with them

0:02:11.919 --> 0:02:14.359
<v Speaker 1>in my eyes. She's that's not and then tomorrow. And

0:02:14.400 --> 0:02:16.800
<v Speaker 1>then tomorrow is strangely enough that we're when we're recording this,

0:02:16.919 --> 0:02:19.400
<v Speaker 1>but it's weird that you asked tomorrow I actually have

0:02:19.480 --> 0:02:21.760
<v Speaker 1>an eye doctor's appointment, and it looks like I finally

0:02:21.800 --> 0:02:26.000
<v Speaker 1>have to get reading glasses. I think you should just

0:02:26.080 --> 0:02:28.919
<v Speaker 1>wear an eye patch. Just take out the take out

0:02:28.960 --> 0:02:31.560
<v Speaker 1>the glass eye, and just do that. Do you know

0:02:31.600 --> 0:02:34.799
<v Speaker 1>why do you know why pirates were eye patches? Oh gosh,

0:02:34.800 --> 0:02:37.440
<v Speaker 1>why do you know why pirates were eyepatches? People thought

0:02:37.480 --> 0:02:39.360
<v Speaker 1>it was because they lost an eye in battle. No,

0:02:39.520 --> 0:02:42.600
<v Speaker 1>pirates actually wore eye patches to constantly keep one eye

0:02:42.680 --> 0:02:44.760
<v Speaker 1>dark so that if they had to in battle go

0:02:45.040 --> 0:02:49.079
<v Speaker 1>under to the second floor of the like the bottom

0:02:49.160 --> 0:02:51.560
<v Speaker 1>of the ship, which was dark, they'd move the patch

0:02:51.639 --> 0:02:53.640
<v Speaker 1>over and they were already accustomed to the dark, so

0:02:53.680 --> 0:02:57.000
<v Speaker 1>they could see everything in the dark. I mean that

0:02:57.080 --> 0:03:01.960
<v Speaker 1>sounds really cool, but it also sounds like complete eat crop. No,

0:03:02.040 --> 0:03:05.120
<v Speaker 1>this is apparently this is true. Well, okay, send letters know.

0:03:05.240 --> 0:03:07.520
<v Speaker 1>So apparently the pirate because what you would have to

0:03:07.520 --> 0:03:09.000
<v Speaker 1>do is you would always have to if they would

0:03:09.040 --> 0:03:11.519
<v Speaker 1>attack another ship, you would have to go from where

0:03:11.520 --> 0:03:14.480
<v Speaker 1>it's very bright to the top deck to where it's

0:03:14.600 --> 0:03:17.680
<v Speaker 1>very dark. So they and the adjustment. No, it totally

0:03:17.760 --> 0:03:20.360
<v Speaker 1>makes it's it's actually really a cool thing. But I've

0:03:20.360 --> 0:03:23.799
<v Speaker 1>never heard that before. Yeah, so that's apparently what what

0:03:23.840 --> 0:03:25.600
<v Speaker 1>they say. I read a lot of history books and

0:03:26.000 --> 0:03:28.200
<v Speaker 1>I watch a lot of History Channel, so that's what

0:03:29.000 --> 0:03:34.920
<v Speaker 1>I've been blown away by Will's wealth of knowledge and factoids.

0:03:33.440 --> 0:03:38.600
<v Speaker 1>It's really always no, it's not useless. You've ever since

0:03:38.640 --> 0:03:40.720
<v Speaker 1>like the age of sixteen when I met you. I

0:03:40.720 --> 0:03:43.040
<v Speaker 1>feel like you've just had this wealth. I mean like

0:03:43.160 --> 0:03:47.160
<v Speaker 1>I remember like Greek myths. It's astounding to me. Like

0:03:47.480 --> 0:03:49.680
<v Speaker 1>you say one thing, like I had Will on my

0:03:49.680 --> 0:03:53.240
<v Speaker 1>my other podcast, Literary literally had Will on my other podcast,

0:03:53.320 --> 0:03:55.480
<v Speaker 1>and we did a fantasy themed episode because he's our

0:03:55.520 --> 0:03:58.400
<v Speaker 1>fantasy and sci fi correspondent, and like I made a

0:03:58.440 --> 0:04:03.880
<v Speaker 1>reference to a pegasus and Will's knowledge just like, oh,

0:04:03.960 --> 0:04:09.800
<v Speaker 1>what's that? Pegasus is not a species. That's actually the yes, pegasus.

0:04:10.240 --> 0:04:12.760
<v Speaker 1>There are other there are other flying winged winged horses,

0:04:12.800 --> 0:04:14.920
<v Speaker 1>but this is you keep this stuff in your brain.

0:04:15.240 --> 0:04:18.159
<v Speaker 1>And then like random Boy Meats World episodes, they're they're

0:04:18.160 --> 0:04:20.279
<v Speaker 1>all like if we could just if we could do

0:04:20.279 --> 0:04:22.440
<v Speaker 1>a journey through Will's brain, it would just be like

0:04:22.880 --> 0:04:26.240
<v Speaker 1>they have to see storyline. It's like and like huge

0:04:26.320 --> 0:04:28.640
<v Speaker 1>family lines of fantasies, because you know, he reads like

0:04:28.680 --> 0:04:32.760
<v Speaker 1>the thousand page books, remember everybody's name, how they're all related,

0:04:32.839 --> 0:04:37.120
<v Speaker 1>all the Greek myths, all behind and the worldlife and

0:04:37.279 --> 0:04:41.960
<v Speaker 1>every episode of MASH. When I was so for our

0:04:42.000 --> 0:04:44.640
<v Speaker 1>live show, we did something very fun that involves some trivia,

0:04:44.800 --> 0:04:47.120
<v Speaker 1>and I was doing the deep dive into Boy Meats

0:04:47.120 --> 0:04:49.719
<v Speaker 1>World trivia and most of it. When I got to

0:04:49.720 --> 0:04:53.359
<v Speaker 1>the harder stuff, I had no idea. No yeah, and

0:04:53.400 --> 0:04:56.680
<v Speaker 1>I would we know? And I remember then, But then

0:04:56.720 --> 0:04:59.080
<v Speaker 1>I tried to put it in context of MASH, as in,

0:04:59.200 --> 0:05:01.760
<v Speaker 1>I'm a MASH fan, so a boy meets World fan

0:05:02.520 --> 0:05:04.720
<v Speaker 1>hearing these questions, I could have answered every single one

0:05:04.760 --> 0:05:08.120
<v Speaker 1>of them about MASH. So a boy eats World fan

0:05:08.200 --> 0:05:11.320
<v Speaker 1>will will nail what you know, would have nailed these questions.

0:05:11.320 --> 0:05:13.200
<v Speaker 1>No memory. I have this memory of hanging out at

0:05:13.200 --> 0:05:16.200
<v Speaker 1>your apartment in The oak Woods first season, and uh,

0:05:16.520 --> 0:05:19.279
<v Speaker 1>you said, I remember every line from every movie I've

0:05:19.279 --> 0:05:21.960
<v Speaker 1>ever seen, and I was like, that is such crap,

0:05:22.560 --> 0:05:24.599
<v Speaker 1>that's not true, and You're like, give me a movie,

0:05:24.880 --> 0:05:26.919
<v Speaker 1>give me a scene. And the only movie at the

0:05:26.920 --> 0:05:29.200
<v Speaker 1>time that I knew, like Forwards and Backwards, was scanned

0:05:29.240 --> 0:05:31.240
<v Speaker 1>by me, which was my favorite movie. I had seen

0:05:31.279 --> 0:05:34.360
<v Speaker 1>it fifty times literally at that age and you know whatever.

0:05:34.480 --> 0:05:36.880
<v Speaker 1>I've talked about how much I still love that movie,

0:05:37.120 --> 0:05:38.280
<v Speaker 1>but I was the only movie I knew. And I

0:05:38.360 --> 0:05:40.720
<v Speaker 1>was like, Okay, the bridge scene when they have to

0:05:40.760 --> 0:05:45.280
<v Speaker 1>cross the and you proceeded to go line by line,

0:05:45.440 --> 0:05:47.080
<v Speaker 1>you walk five miles down the river. You gotta walk

0:05:47.120 --> 0:05:49.320
<v Speaker 1>five miles back. Meanwhile, you guys are dragging your candy

0:05:49.360 --> 0:05:51.320
<v Speaker 1>as have a way across this. I was like, We're

0:05:51.360 --> 0:05:53.360
<v Speaker 1>sitting there just being like, oh my god, and you're like,

0:05:53.400 --> 0:05:55.000
<v Speaker 1>do you want me to keep going? And you knew?

0:05:55.360 --> 0:05:56.680
<v Speaker 1>I was like, how many times have you seen in

0:05:56.680 --> 0:05:59.680
<v Speaker 1>the movies? Like once you just think and then just

0:05:59.680 --> 0:06:01.760
<v Speaker 1>just yesterday or two days ago, I told you I

0:06:01.760 --> 0:06:04.120
<v Speaker 1>was teaching broadcast news to my my screen reading class,

0:06:04.279 --> 0:06:06.560
<v Speaker 1>and you were like, oh, great movie. And he started

0:06:06.640 --> 0:06:10.279
<v Speaker 1>quoting scenes line by line. He's like, oh when the

0:06:10.279 --> 0:06:12.400
<v Speaker 1>producer says, you know, you must be hard to being

0:06:12.440 --> 0:06:14.080
<v Speaker 1>the smartest person room, and she goes, oh no. I

0:06:14.160 --> 0:06:17.800
<v Speaker 1>was like, how do you remember this same? Yeah, it's

0:06:17.839 --> 0:06:19.360
<v Speaker 1>just the way my memory were. I mean again, I

0:06:19.360 --> 0:06:22.120
<v Speaker 1>would read. I would by by day two of Boy

0:06:22.720 --> 0:06:26.040
<v Speaker 1>Boy rehearsals, I knew everybody's lines. Just everybody's lines were

0:06:26.040 --> 0:06:28.679
<v Speaker 1>in It used to be that way for our show,

0:06:28.760 --> 0:06:30.480
<v Speaker 1>like while we were going through it, and even now

0:06:30.600 --> 0:06:35.080
<v Speaker 1>as as a director. Uh, if I'm directing a sitcom,

0:06:35.120 --> 0:06:38.720
<v Speaker 1>I will know everybody's lines in every scene and what

0:06:38.760 --> 0:06:42.640
<v Speaker 1>they're blocking is because that's in your head. It's just

0:06:42.720 --> 0:06:45.760
<v Speaker 1>in your head. You must do that. With literature writer,

0:06:45.839 --> 0:06:47.320
<v Speaker 1>I mean, you read so much. There's gotta be some

0:06:47.360 --> 0:06:50.120
<v Speaker 1>books that you could us fads and forwards. Yeah, palms.

0:06:50.120 --> 0:06:52.839
<v Speaker 1>I used to memorize palms completely. I mean there was

0:06:52.880 --> 0:06:54.440
<v Speaker 1>there was a moment when I was going to actually

0:06:54.440 --> 0:06:56.640
<v Speaker 1>try and memorize all of what Women's Song myself, which

0:06:56.680 --> 0:06:58.559
<v Speaker 1>is like, you know, a hundreds some pages or whatever.

0:06:58.680 --> 0:07:01.200
<v Speaker 1>But and I got pretty far, like but yeah, but no,

0:07:01.320 --> 0:07:03.359
<v Speaker 1>I don't you know, but I would just remember the

0:07:03.360 --> 0:07:05.359
<v Speaker 1>difference between like you and me will it was that

0:07:05.440 --> 0:07:08.039
<v Speaker 1>I would read things over and over and memorize them.

0:07:08.120 --> 0:07:10.200
<v Speaker 1>You would only have to hear something once. If you

0:07:10.240 --> 0:07:12.360
<v Speaker 1>read something, you wouldn't remember it as well, not as much.

0:07:12.720 --> 0:07:15.760
<v Speaker 1>Right you were in a class, Yeah, if you were

0:07:15.800 --> 0:07:18.040
<v Speaker 1>in a class, you wouldn't take notes. You just focus

0:07:18.080 --> 0:07:20.440
<v Speaker 1>on the teacher and you remember everything. Yeah, I'm the

0:07:20.480 --> 0:07:22.360
<v Speaker 1>exact opposite, Like I need to like write it down.

0:07:22.440 --> 0:07:24.000
<v Speaker 1>I need to write it and read it. Yeah. Yeah,

0:07:25.520 --> 0:07:27.360
<v Speaker 1>But then again, I think this. One of the things

0:07:27.400 --> 0:07:29.120
<v Speaker 1>this podcast has showed me is that my memory is

0:07:29.120 --> 0:07:31.000
<v Speaker 1>not as good as I thought it was, or other

0:07:31.040 --> 0:07:33.800
<v Speaker 1>people thought it was, because people send us pictures or

0:07:33.840 --> 0:07:36.040
<v Speaker 1>things like that, and I we got that what yesterday

0:07:36.040 --> 0:07:39.320
<v Speaker 1>somebody sent a picture, no memory of that whatsoever, and

0:07:39.360 --> 0:07:43.280
<v Speaker 1>writer you proceeded to give a four page dissertation of

0:07:43.360 --> 0:07:46.200
<v Speaker 1>everything that had happened that day. And I remember, But

0:07:46.280 --> 0:07:48.360
<v Speaker 1>that's just But that's what's so cool about this is

0:07:48.400 --> 0:07:50.840
<v Speaker 1>that we're able to share all these memories because like,

0:07:50.920 --> 0:07:54.000
<v Speaker 1>it is interesting what what we remember like individually, and

0:07:54.040 --> 0:07:56.440
<v Speaker 1>it kind of, you know, adds up to hopefully it

0:07:56.480 --> 0:07:58.480
<v Speaker 1>forms the whole. It forms the whole painting. One of

0:07:58.560 --> 0:08:00.720
<v Speaker 1>us has this color, one of us is this Oh man,

0:08:00.720 --> 0:08:03.440
<v Speaker 1>I didn't know this was happening. Well, one thing is

0:08:03.480 --> 0:08:07.520
<v Speaker 1>for sure. We all remember our guest this week. Oh yeah,

0:08:08.120 --> 0:08:10.680
<v Speaker 1>so let me welcome you to pod meets World. I'm

0:08:10.760 --> 0:08:14.440
<v Speaker 1>Daniel Fishel, I'm right or strong. I think I'm wilfrid l.

0:08:15.680 --> 0:08:19.120
<v Speaker 1>Can you be as always? We have got say it

0:08:19.120 --> 0:08:25.120
<v Speaker 1>will U. We've gotten March, we have holiday March. Guys,

0:08:25.360 --> 0:08:26.960
<v Speaker 1>we went over this a little bit, but we have

0:08:27.040 --> 0:08:32.360
<v Speaker 1>got two hoodies, the number one most requested item mugs,

0:08:32.760 --> 0:08:35.640
<v Speaker 1>and we brought back Save the Plane for Mancus with

0:08:35.679 --> 0:08:38.160
<v Speaker 1>a new color way. It's in blue. This is for real,

0:08:38.320 --> 0:08:40.280
<v Speaker 1>the last time you can. This is your chance to

0:08:40.320 --> 0:08:42.920
<v Speaker 1>get it. It's in blue. Once the holidays are over,

0:08:43.200 --> 0:08:49.120
<v Speaker 1>it is gone, forever, forever ever. Correct. That plane is

0:08:49.360 --> 0:08:52.719
<v Speaker 1>long gone, long gone. We've got bumber stickers. We've got

0:08:52.760 --> 0:08:54.840
<v Speaker 1>lots of fun things, so check out our holiday march

0:08:55.040 --> 0:08:59.280
<v Speaker 1>and a shady Melon shirt? Do you want to always

0:08:59.360 --> 0:09:03.559
<v Speaker 1>commemorate the very odd cantelope that Alan held while slyly

0:09:03.679 --> 0:09:06.800
<v Speaker 1>referencing Hamlet, only to smash it on the ground and

0:09:06.800 --> 0:09:09.679
<v Speaker 1>then leave the room. Well we all know one, and

0:09:09.760 --> 0:09:13.200
<v Speaker 1>now you can have the shady Melon t so. Jeff

0:09:13.200 --> 0:09:17.000
<v Speaker 1>Minnell was the executive story editor, producer, and writer of

0:09:17.000 --> 0:09:20.800
<v Speaker 1>Boy Meets World. IMDb credits him with writing eighteen episodes,

0:09:21.080 --> 0:09:23.520
<v Speaker 1>and in season one he wrote two episodes, and he

0:09:23.559 --> 0:09:26.040
<v Speaker 1>was the executive story editor for four episodes, which I

0:09:26.040 --> 0:09:28.160
<v Speaker 1>don't really know what that means. Have we do we

0:09:28.200 --> 0:09:30.360
<v Speaker 1>talk about that executive story editor? I can't wait to

0:09:30.360 --> 0:09:33.560
<v Speaker 1>ask him. We talked about credits. How writers You create

0:09:33.600 --> 0:09:35.440
<v Speaker 1>these credits for writers in order to get them like

0:09:35.440 --> 0:09:38.080
<v Speaker 1>producer credits and whatnot, to get the regular story editor.

0:09:38.160 --> 0:09:42.320
<v Speaker 1>But you get to use the big bathroom something like that.

0:09:42.880 --> 0:09:49.160
<v Speaker 1>Let's welcome Jeff Minnell. You guys look good. Great. What

0:09:49.200 --> 0:09:50.880
<v Speaker 1>do you call me? Jeff? You've never called me that

0:09:56.040 --> 0:09:57.880
<v Speaker 1>we had, but we had a bunch of Jeff's on

0:09:57.880 --> 0:10:00.280
<v Speaker 1>the show. In all fairness, you have on and I

0:10:00.320 --> 0:10:03.199
<v Speaker 1>haven't listened to know, I'm saying on Boy, we had

0:10:06.559 --> 0:10:10.280
<v Speaker 1>we had there was Jeff's. The Jeff's abound. Yeah, right,

0:10:10.600 --> 0:10:13.160
<v Speaker 1>that's why I went by minnow. Yeah, So what's new

0:10:13.240 --> 0:10:17.240
<v Speaker 1>since I last saw you? Oh? Not much. Nothing much

0:10:17.280 --> 0:10:19.600
<v Speaker 1>has been going on. Let's go back. Let's go back

0:10:19.640 --> 0:10:22.160
<v Speaker 1>to the very beginning. Oh man, how did you get

0:10:22.200 --> 0:10:25.400
<v Speaker 1>your job on Boy Meat's World? Oh wow, you want

0:10:25.400 --> 0:10:27.680
<v Speaker 1>to go way back? Okay, Well, first of all, I

0:10:27.679 --> 0:10:29.560
<v Speaker 1>think you know, I don't even know. I was wondering

0:10:29.600 --> 0:10:31.480
<v Speaker 1>how much you guys know about all our lives. I

0:10:32.040 --> 0:10:34.560
<v Speaker 1>take for granted you know some stuff, but maybe not.

0:10:35.320 --> 0:10:39.240
<v Speaker 1>I've known Michael since we were seven years old, you know. Gosh, yes,

0:10:39.400 --> 0:10:41.600
<v Speaker 1>I don't know that. I have this image of a

0:10:41.640 --> 0:10:44.800
<v Speaker 1>story that I think you told me once of going

0:10:44.840 --> 0:10:46.839
<v Speaker 1>to his house and him playing guitar. Was that the

0:10:46.840 --> 0:10:48.520
<v Speaker 1>first time you met him? You know what, I can't

0:10:48.520 --> 0:10:50.480
<v Speaker 1>believe I told you that story because now I'm gonna

0:10:50.520 --> 0:10:52.280
<v Speaker 1>tell tell it again. But yeah, that was the first

0:10:52.280 --> 0:10:56.079
<v Speaker 1>time we met. Yeah, we lived. So I'm from Jersey

0:10:56.280 --> 0:10:58.720
<v Speaker 1>and uh we had just moved to Edison, New Jersey,

0:10:59.080 --> 0:11:01.800
<v Speaker 1>from New Brunswick and my parents, I guess they made

0:11:01.840 --> 0:11:05.320
<v Speaker 1>friends with Mr and Mrs Jacobs. And he said, we're

0:11:05.360 --> 0:11:07.920
<v Speaker 1>gonna take you to a house. Here's a boy there,

0:11:07.960 --> 0:11:10.120
<v Speaker 1>here's your age. You're gonna be going to school together,

0:11:10.720 --> 0:11:14.040
<v Speaker 1>you're gonna be working together forever. I didn't know that, believe.

0:11:15.200 --> 0:11:17.640
<v Speaker 1>So we go to his house and you know, I'm honestly,

0:11:17.880 --> 0:11:20.079
<v Speaker 1>I'm not. Yeah, I'm a dumb seven year old kid.

0:11:20.080 --> 0:11:22.280
<v Speaker 1>I I just do whatever my parents tell me. We went.

0:11:22.720 --> 0:11:24.719
<v Speaker 1>He says, hey, you'll come up to my room. I'll

0:11:24.760 --> 0:11:27.120
<v Speaker 1>show you my comic book collection or something like that.

0:11:27.440 --> 0:11:30.800
<v Speaker 1>It sounds like a pickup line, but anyway, so we

0:11:30.880 --> 0:11:33.320
<v Speaker 1>go up there and I see he's got a guitar

0:11:33.559 --> 0:11:36.320
<v Speaker 1>and m and his room looks very different than my room.

0:11:36.440 --> 0:11:39.640
<v Speaker 1>And he goes, I go you play guitar. He goes, yeah, yeah,

0:11:39.640 --> 0:11:41.360
<v Speaker 1>you want to hear a song I wrote. I go,

0:11:41.480 --> 0:11:44.480
<v Speaker 1>I song, you wrote your seven And he takes out

0:11:44.520 --> 0:11:47.320
<v Speaker 1>the guitar and he starts playing and he starts singing,

0:11:48.160 --> 0:11:51.560
<v Speaker 1>and I felt bad, probably for the first time in

0:11:51.600 --> 0:11:55.240
<v Speaker 1>my life about myself. But I really kind of had

0:11:55.240 --> 0:11:58.160
<v Speaker 1>to feel like, I go, this guy is a Chenese anyway.

0:11:58.320 --> 0:12:00.920
<v Speaker 1>So that's how we met. I mean, that's that's many

0:12:00.960 --> 0:12:04.800
<v Speaker 1>years ago. So we we've been friends forever. And I

0:12:04.840 --> 0:12:06.880
<v Speaker 1>never actually wanted to write for TV. I always wanted

0:12:06.920 --> 0:12:08.320
<v Speaker 1>to be in movies. I love movies. I was a

0:12:08.320 --> 0:12:12.520
<v Speaker 1>film reviewer for the Recorder in New York, and I

0:12:12.559 --> 0:12:15.480
<v Speaker 1>was really enjoying my life. And then a friend of mine,

0:12:16.400 --> 0:12:19.040
<v Speaker 1>who's sole an opportunity, said, hey, your friend Michael Jacobs, says,

0:12:19.080 --> 0:12:21.280
<v Speaker 1>my two dad's on the air, right. I go, yeah,

0:12:21.400 --> 0:12:23.520
<v Speaker 1>because we should pitch him ideas and we could write

0:12:23.520 --> 0:12:27.120
<v Speaker 1>a script. I go okay. So I started calling him

0:12:27.240 --> 0:12:30.480
<v Speaker 1>every week with idea something. He would say that's really stupid,

0:12:30.640 --> 0:12:34.040
<v Speaker 1>or we did it or maybe season two I don't

0:12:34.080 --> 0:12:37.320
<v Speaker 1>know anyway, and then that stopped and I just never

0:12:37.600 --> 0:12:40.400
<v Speaker 1>you know, I sent two movies. I wrote, uh, I

0:12:40.400 --> 0:12:42.200
<v Speaker 1>wrote a movie about a serial killer and he wanted

0:12:42.200 --> 0:12:46.720
<v Speaker 1>to turn into a comedy and I said, no, that's okay. Anyway,

0:12:46.760 --> 0:12:49.960
<v Speaker 1>one time, I so I finally wrote a spec Signfeld.

0:12:49.960 --> 0:12:53.120
<v Speaker 1>Seinfeld had just started and I really loved the show.

0:12:53.200 --> 0:12:55.720
<v Speaker 1>I so I called him up and I said, I

0:12:55.760 --> 0:12:57.800
<v Speaker 1>didn't I don't know the business. I said, if I sent,

0:12:57.920 --> 0:13:00.040
<v Speaker 1>I sent, If I sent you a sign Feld it,

0:13:00.559 --> 0:13:01.800
<v Speaker 1>if you like it, can you get it to the

0:13:01.800 --> 0:13:04.160
<v Speaker 1>Seinfeld people? And he goes, yeah, sure, which is a lot.

0:13:04.320 --> 0:13:07.040
<v Speaker 1>You know, you don't send specs to the show you

0:13:07.120 --> 0:13:10.000
<v Speaker 1>write because they legally won't even read it. But anyway,

0:13:10.080 --> 0:13:12.040
<v Speaker 1>so I think after all the years, it's the first

0:13:12.080 --> 0:13:14.360
<v Speaker 1>thing I wrote that he liked. And he called Buck

0:13:14.360 --> 0:13:17.080
<v Speaker 1>and said, hey, I like this and uh and I said,

0:13:17.080 --> 0:13:18.720
<v Speaker 1>so good. Can you get to the Seinfeld people? Who

0:13:18.720 --> 0:13:21.119
<v Speaker 1>goes yep. And that's the last I heard from him.

0:13:21.200 --> 0:13:24.520
<v Speaker 1>And then about five months later he calls me and

0:13:24.559 --> 0:13:28.320
<v Speaker 1>he goes, so listen, um, we're doing a pilot. I

0:13:28.320 --> 0:13:30.400
<v Speaker 1>don't know if it's gonna go. I probably won't know

0:13:30.480 --> 0:13:31.760
<v Speaker 1>for a month or two. If it goes, you think

0:13:31.760 --> 0:13:33.959
<v Speaker 1>you might want a job, And I go, oh, I

0:13:34.000 --> 0:13:36.640
<v Speaker 1>don't know, man, we had just bought a house. I

0:13:36.800 --> 0:13:41.560
<v Speaker 1>just uh, no, my wife was pregnant with Dara nine

0:13:41.600 --> 0:13:45.400
<v Speaker 1>now by the way, and I go out. I don't know.

0:13:45.800 --> 0:13:48.840
<v Speaker 1>So he calls me. Three months later, we're in this house,

0:13:48.920 --> 0:13:51.000
<v Speaker 1>Dara was born, and he calls. He goes, all right,

0:13:51.000 --> 0:13:55.160
<v Speaker 1>they picked us up for thirteen episodes. Um, do you

0:13:55.200 --> 0:13:57.839
<v Speaker 1>want the job? I need to know by tomorrow and

0:13:58.000 --> 0:14:00.600
<v Speaker 1>I go, oh my god, I go, I'll call you back.

0:14:00.679 --> 0:14:02.960
<v Speaker 1>I got an immediate headache. I never wanted to leave

0:14:03.160 --> 0:14:06.720
<v Speaker 1>East Coast. I love New York, I live Jersey, but

0:14:07.080 --> 0:14:09.320
<v Speaker 1>you know it was an opportunity of a lifetime. So

0:14:09.520 --> 0:14:12.320
<v Speaker 1>Lisa goes a, you go, she'll stay behind with the kid.

0:14:12.679 --> 0:14:15.560
<v Speaker 1>I called the next day and he goes, uh. I

0:14:15.600 --> 0:14:17.840
<v Speaker 1>did ask him this, This is my only important question.

0:14:17.880 --> 0:14:19.600
<v Speaker 1>I go, how do you address You don't have to

0:14:19.600 --> 0:14:22.240
<v Speaker 1>wear a high or anything like that. No. No, he

0:14:22.400 --> 0:14:26.000
<v Speaker 1>sure is good and as you know, ever since you

0:14:26.000 --> 0:14:28.600
<v Speaker 1>guys met me. He also said, though, but there's gonna

0:14:28.600 --> 0:14:30.280
<v Speaker 1>be a woman who co created the show with me

0:14:30.320 --> 0:14:33.400
<v Speaker 1>who's gonna hate you. And I go, why would you

0:14:33.440 --> 0:14:35.440
<v Speaker 1>tell me that? He goes, well, she wanted someone on staff,

0:14:35.440 --> 0:14:37.320
<v Speaker 1>but I'm putting you on because I'm you know, bigger,

0:14:37.840 --> 0:14:40.440
<v Speaker 1>and uh, I go, you don't have to tell me that.

0:14:40.480 --> 0:14:42.280
<v Speaker 1>I could have just gone and maybe meet friends with

0:14:42.320 --> 0:14:47.480
<v Speaker 1>her and worked it out. He worked out, well, I

0:14:47.520 --> 0:14:50.480
<v Speaker 1>thought it happened. Apparently going to the other writers it didn't.

0:14:50.480 --> 0:14:54.600
<v Speaker 1>But whatever. Anyway, So I came out to California by myself,

0:14:54.680 --> 0:14:58.080
<v Speaker 1>left Lesa and I remember that the whole first season, right,

0:14:58.200 --> 0:15:00.760
<v Speaker 1>you guys didn't move out until second season. No, she

0:15:00.880 --> 0:15:03.960
<v Speaker 1>came out. Um, he came over one day out and

0:15:04.000 --> 0:15:05.960
<v Speaker 1>he came over to me right before a show and

0:15:06.000 --> 0:15:08.160
<v Speaker 1>he whistlers. He goes, they picked us up for the

0:15:08.200 --> 0:15:10.960
<v Speaker 1>back nine. Called Lisa. So I called her and she

0:15:11.040 --> 0:15:13.960
<v Speaker 1>just made arrangements and she came out literally three weeks

0:15:13.960 --> 0:15:20.040
<v Speaker 1>before that giant earthquake. So she hated me, terrible to town. Yeah,

0:15:20.640 --> 0:15:23.480
<v Speaker 1>and she goes, she goes, we need an earthquake prepared, kid.

0:15:23.560 --> 0:15:25.720
<v Speaker 1>I go, Lisa, that's such a rumor. No one needs

0:15:25.760 --> 0:15:28.200
<v Speaker 1>that stuff. And then boom, you know, oh my god,

0:15:30.920 --> 0:15:33.720
<v Speaker 1>So you're right. So I came out and uh, I

0:15:33.760 --> 0:15:36.680
<v Speaker 1>gotta say, you know, it was pretty exciting, especially the

0:15:36.720 --> 0:15:39.600
<v Speaker 1>first season, because yeah, I'm a kid from Jersey. We're

0:15:39.600 --> 0:15:42.280
<v Speaker 1>shooting on the sound stage where Mary Poppins was shot

0:15:43.240 --> 0:15:47.160
<v Speaker 1>and I'm I'm rooming. I shared an office with Jeff Sherman,

0:15:47.200 --> 0:15:49.560
<v Speaker 1>who first day told me who he was the Sherman

0:15:49.600 --> 0:15:52.240
<v Speaker 1>brothers or I mean the father and uncle. I go,

0:15:52.920 --> 0:15:54.840
<v Speaker 1>it was just like, I go, what the this is

0:15:54.880 --> 0:15:59.640
<v Speaker 1>not supposed to happen. But anyway, did you live at

0:15:59.640 --> 0:16:03.400
<v Speaker 1>the Could? I do? I do? I remember that you

0:16:03.440 --> 0:16:07.000
<v Speaker 1>and I would see each other again. Everybody didn't realize

0:16:07.040 --> 0:16:08.720
<v Speaker 1>you were at the Yeah, I lived there in the

0:16:08.720 --> 0:16:10.280
<v Speaker 1>first season two, but I didn't realize you were there.

0:16:10.480 --> 0:16:12.320
<v Speaker 1>I don't remember seeing you, remember seeing well a couple

0:16:12.320 --> 0:16:16.320
<v Speaker 1>of times with some guy right with Spencer, my roommate,

0:16:16.760 --> 0:16:19.360
<v Speaker 1>and you know, I didn't think it was such a

0:16:19.400 --> 0:16:21.520
<v Speaker 1>bad place. But then some of the other writers game

0:16:21.560 --> 0:16:23.360
<v Speaker 1>and they saw you. I had a Murphy bed, and

0:16:23.400 --> 0:16:25.560
<v Speaker 1>they go, we gotta get you had here. So I

0:16:25.600 --> 0:16:29.520
<v Speaker 1>rented a house. But it wasn't so bad for one guy,

0:16:29.680 --> 0:16:32.920
<v Speaker 1>you know, And it's built for one guy. The oak

0:16:32.960 --> 0:16:36.320
<v Speaker 1>Wood was built for one guy. It's like divorced men

0:16:37.080 --> 0:16:39.480
<v Speaker 1>dominated the enactors. That was it. That's all that was

0:16:39.480 --> 0:16:43.280
<v Speaker 1>at They and you and you? What was what was

0:16:43.320 --> 0:16:49.480
<v Speaker 1>your first impression of the cast literally please do impressions

0:16:49.560 --> 0:16:55.200
<v Speaker 1>of all of us. Ben's the only one you can

0:16:55.200 --> 0:17:00.320
<v Speaker 1>do impersonation. Man. You know, um, well, Will, I think

0:17:00.360 --> 0:17:03.000
<v Speaker 1>I was. I think I was actually there for Will's

0:17:03.040 --> 0:17:04.880
<v Speaker 1>audition because you know, so I was there for every

0:17:04.880 --> 0:17:08.119
<v Speaker 1>episode but the original pilot. His original pilot was some

0:17:08.200 --> 0:17:13.639
<v Speaker 1>guy named Harry right or something like Harry Yeah, and

0:17:13.680 --> 0:17:16.000
<v Speaker 1>Matt McCoy was the dad. So I had seen the

0:17:16.040 --> 0:17:20.520
<v Speaker 1>pilot and then we came in the cast Rusty uh uh,

0:17:20.560 --> 0:17:23.000
<v Speaker 1>and I think, well, I feel like I saw you

0:17:23.119 --> 0:17:24.960
<v Speaker 1>in the audition and they loved you and cast you,

0:17:25.040 --> 0:17:27.480
<v Speaker 1>and then you came out and all that stuff, so

0:17:28.440 --> 0:17:31.520
<v Speaker 1>um and right. You know, I listened. You know, I

0:17:31.560 --> 0:17:34.480
<v Speaker 1>was an amorative of everything. I'm an amorant of Hollywood

0:17:34.480 --> 0:17:37.440
<v Speaker 1>and television. I'm out there. You guys were all great

0:17:37.520 --> 0:17:39.120
<v Speaker 1>right from the get go. I mean, you know, Ben

0:17:39.119 --> 0:17:42.720
<v Speaker 1>obviously is a little over the top, but fun and

0:17:42.720 --> 0:17:45.800
<v Speaker 1>and Bill listen. I mean I I had trouble even

0:17:45.880 --> 0:17:49.160
<v Speaker 1>looking at Bill the first few weeks because this Bill Daniels,

0:17:49.359 --> 0:17:52.480
<v Speaker 1>he was a graduate and uh sat Elsewhere, which was

0:17:52.520 --> 0:17:55.119
<v Speaker 1>one of my favorite shows. So I was kind of like,

0:17:55.200 --> 0:17:57.600
<v Speaker 1>and by the way, I'm older, starting as a TV

0:17:57.680 --> 0:18:01.199
<v Speaker 1>writer than both. You know, I'm thirty eight, right, and

0:18:01.240 --> 0:18:04.600
<v Speaker 1>that's when I'm starting my TV career, which, by the way,

0:18:04.640 --> 0:18:06.639
<v Speaker 1>I no idea how long it would run. Like Ed

0:18:06.720 --> 0:18:08.439
<v Speaker 1>Dector kind of took me under his wing because he

0:18:08.440 --> 0:18:11.440
<v Speaker 1>was from Jersey. He said, don't live beyond your means

0:18:11.440 --> 0:18:13.760
<v Speaker 1>because this could end tomorrow. You know, he was not

0:18:13.800 --> 0:18:16.679
<v Speaker 1>bad advice. It was not bad advice. We got lucky.

0:18:17.359 --> 0:18:20.280
<v Speaker 1>Remember the show would only get picked up last minute

0:18:20.280 --> 0:18:23.679
<v Speaker 1>each seasons, and we always felt like we were on

0:18:23.680 --> 0:18:26.240
<v Speaker 1>the chopping block. It's crazy. It was kind of weird

0:18:26.280 --> 0:18:27.760
<v Speaker 1>now that I looked back, because it was kind of

0:18:27.800 --> 0:18:30.600
<v Speaker 1>a popular show. I think, you know, uh, but we

0:18:30.600 --> 0:18:32.439
<v Speaker 1>didn't know. We didn't There's no waternet back then, so

0:18:32.480 --> 0:18:35.240
<v Speaker 1>we didn't really know what was going on. So my

0:18:35.280 --> 0:18:38.800
<v Speaker 1>first impression though, I remember, like the first table read, Uh,

0:18:38.880 --> 0:18:42.080
<v Speaker 1>you know, I loved everyone but for me, William Russ

0:18:42.280 --> 0:18:46.200
<v Speaker 1>like just so, I loved Wise Guy like beyond and

0:18:46.320 --> 0:18:49.600
<v Speaker 1>I mean then it's Roger Lo Coco and we went

0:18:49.640 --> 0:18:51.360
<v Speaker 1>up to me afterwards, and you know, I was more

0:18:51.400 --> 0:18:55.000
<v Speaker 1>like a funny fan than a writer. Uh. And by

0:18:55.000 --> 0:18:56.840
<v Speaker 1>the way, I was just starting, so I wasn't even

0:18:56.960 --> 0:18:59.760
<v Speaker 1>barely a writer yet, and but it was just crazy.

0:18:59.800 --> 0:19:02.000
<v Speaker 1>I mean in the yeah, the whole production, it was.

0:19:02.000 --> 0:19:04.040
<v Speaker 1>It was great. Right in the first run through on

0:19:04.040 --> 0:19:06.680
<v Speaker 1>that sound stage, we had the whole sound stage for ourselves.

0:19:06.680 --> 0:19:11.040
<v Speaker 1>Remember that it was enormous. It was too echoy, you know,

0:19:11.080 --> 0:19:14.240
<v Speaker 1>but it was enormous. But it was just it was

0:19:14.320 --> 0:19:16.080
<v Speaker 1>kind of a dream come true for me. You know.

0:19:16.119 --> 0:19:18.800
<v Speaker 1>It's so funny to me to hear you tell that

0:19:18.880 --> 0:19:22.080
<v Speaker 1>story because it's so it sounds so much like our

0:19:22.119 --> 0:19:24.239
<v Speaker 1>stories and when we were you know, when we were

0:19:24.320 --> 0:19:27.840
<v Speaker 1>kids obviously when the show started, and so from our perspective,

0:19:28.040 --> 0:19:31.320
<v Speaker 1>you guys without knowing anything, you guys were all experts.

0:19:31.520 --> 0:19:34.040
<v Speaker 1>You all know everything that was going on. You guys

0:19:34.080 --> 0:19:36.479
<v Speaker 1>were completely in charge. Nothing was new. This was not

0:19:36.680 --> 0:19:39.200
<v Speaker 1>like it was Also to us, it seemed like you

0:19:39.200 --> 0:19:41.600
<v Speaker 1>guys knew exactly what you were doing, and yet you

0:19:41.680 --> 0:19:44.879
<v Speaker 1>had basically just moved out here, wide eyed and and

0:19:44.960 --> 0:19:47.399
<v Speaker 1>bushy tailed and just as excited as all of the

0:19:47.880 --> 0:19:50.760
<v Speaker 1>We were all more experienced than you were by this point.

0:19:50.760 --> 0:19:58.320
<v Speaker 1>Apparently you were. I had experience, right other than watching it,

0:19:58.400 --> 0:20:00.399
<v Speaker 1>and I mean I had writing experience. I was I

0:20:00.400 --> 0:20:03.200
<v Speaker 1>was a film reviewer, and I had a weekly call,

0:20:03.359 --> 0:20:05.199
<v Speaker 1>a monthly calm for the entertaing a weekly I was,

0:20:05.280 --> 0:20:07.640
<v Speaker 1>I was really enjoying my life. I was a freelance writer.

0:20:07.880 --> 0:20:12.000
<v Speaker 1>So did we ruin your life? Ultimately? I didn't realize

0:20:12.040 --> 0:20:15.280
<v Speaker 1>that first. Um no, no, it was, it was. It

0:20:15.359 --> 0:20:18.240
<v Speaker 1>was an amazing Now once I made the decision, and

0:20:18.880 --> 0:20:20.760
<v Speaker 1>I give Lease a lot of credit because she she

0:20:20.840 --> 0:20:23.879
<v Speaker 1>didn't blink, she says go ahead, and she was working

0:20:23.920 --> 0:20:28.120
<v Speaker 1>full time. You know, I made a few mistakes. I go, oh, yeah,

0:20:28.119 --> 0:20:29.480
<v Speaker 1>I want to see a movie list that she goes,

0:20:29.520 --> 0:20:44.160
<v Speaker 1>so really make that mistake once. I have a question

0:20:44.200 --> 0:20:45.800
<v Speaker 1>for you. So you talked about the first table read,

0:20:45.800 --> 0:20:48.600
<v Speaker 1>which we've covered. We've kind of a bit covered from

0:20:48.680 --> 0:20:52.720
<v Speaker 1>our side what kind of the week was like, but

0:20:53.520 --> 0:20:55.680
<v Speaker 1>from a writer's standpoint. So we would finish the table

0:20:55.720 --> 0:20:58.560
<v Speaker 1>read and then it was like we'd scatter. The actors

0:20:58.600 --> 0:21:00.800
<v Speaker 1>would go one way and the writers are so once

0:21:01.000 --> 0:21:05.200
<v Speaker 1>you had all heard the table read, what would happen then? Scriptwise?

0:21:05.520 --> 0:21:08.119
<v Speaker 1>Great question, That good question, and our table was I

0:21:08.119 --> 0:21:11.440
<v Speaker 1>think we're Friday right, yeah, which was in a way

0:21:11.520 --> 0:21:14.760
<v Speaker 1>it was good for us because you know, uh Michael, uh,

0:21:14.800 --> 0:21:17.879
<v Speaker 1>you know, he's a devout jew, So we would always

0:21:17.880 --> 0:21:19.880
<v Speaker 1>pray for something like sometimes we would pull the drawn

0:21:20.119 --> 0:21:24.439
<v Speaker 1>the blinds and say, oh, sundowns here. You know, we

0:21:24.480 --> 0:21:29.119
<v Speaker 1>wanted to get out. We would do whatever. So the

0:21:29.119 --> 0:21:31.199
<v Speaker 1>process would be, you guys would leave, and then the

0:21:31.240 --> 0:21:35.879
<v Speaker 1>studio and network would give notes. And the first season

0:21:36.080 --> 0:21:37.919
<v Speaker 1>in particular, maybe even the first couple of seasons. You

0:21:37.920 --> 0:21:41.880
<v Speaker 1>know Michael, you know, he's a very convincing guy, very

0:21:41.920 --> 0:21:44.760
<v Speaker 1>powerful guy, and and he was able to almost talk

0:21:44.840 --> 0:21:46.880
<v Speaker 1>them off every note they would give. He goes, well,

0:21:46.920 --> 0:21:48.600
<v Speaker 1>you know, I understand what you say, but we're gonna

0:21:48.600 --> 0:21:51.120
<v Speaker 1>do this and this and this, and so they would

0:21:51.119 --> 0:21:53.240
<v Speaker 1>give notes, we would go back and do a rewrite,

0:21:53.359 --> 0:21:57.119
<v Speaker 1>and we would have to stop its sundown. I actually

0:21:57.160 --> 0:21:59.080
<v Speaker 1>believe I'm blameing this world. We're a little more efficient

0:21:59.080 --> 0:22:01.679
<v Speaker 1>on growing sports. Well talked like it was just it

0:22:01.760 --> 0:22:04.280
<v Speaker 1>was terrible. But yeah, because you guys would write all weekend.

0:22:04.480 --> 0:22:06.800
<v Speaker 1>We would work on Sundays. I don't ever remember working

0:22:06.840 --> 0:22:09.520
<v Speaker 1>on a weekend for Boy. So I think we would

0:22:09.600 --> 0:22:12.919
<v Speaker 1>either finish or maybe we would come in early on

0:22:12.920 --> 0:22:15.280
<v Speaker 1>Monday and try to finish, because then we would have

0:22:15.880 --> 0:22:19.720
<v Speaker 1>our run through first right on Monday, producer run through Monday,

0:22:19.880 --> 0:22:21.919
<v Speaker 1>so we can see what worked and didn't work based

0:22:21.960 --> 0:22:24.240
<v Speaker 1>on you know, some jokes would die, you know, some

0:22:24.320 --> 0:22:26.480
<v Speaker 1>jokes are really funny in the writer's room. And then

0:22:26.520 --> 0:22:29.720
<v Speaker 1>you know, crickets and you go, oh, man, So we

0:22:29.840 --> 0:22:32.119
<v Speaker 1>do that. Then we do another rewrite that night, and

0:22:32.119 --> 0:22:35.080
<v Speaker 1>then the next day is the network student, how late

0:22:35.119 --> 0:22:37.240
<v Speaker 1>would you go on like a Monday night, Yeah, on

0:22:37.280 --> 0:22:39.360
<v Speaker 1>a Monday night. And and by the way, I remember

0:22:39.880 --> 0:22:43.359
<v Speaker 1>so I was brand new and April um she I

0:22:43.400 --> 0:22:46.560
<v Speaker 1>know she felt like the room. We talked about April Kelly.

0:22:46.560 --> 0:22:48.280
<v Speaker 1>But she's a little bit of a mystery on our shows.

0:22:49.320 --> 0:22:51.720
<v Speaker 1>She was she was really she was. She was really

0:22:51.720 --> 0:22:55.560
<v Speaker 1>good writing. She was a very interesting personality. Um. So,

0:22:55.640 --> 0:22:57.639
<v Speaker 1>she didn't want all of us in the rewrites like

0:22:57.880 --> 0:22:59.560
<v Speaker 1>me and Sherman. By the way, all of us just

0:22:59.600 --> 0:23:02.439
<v Speaker 1>meant me in. Sherman had to alternate. She she wouldn't

0:23:02.480 --> 0:23:04.520
<v Speaker 1>have one more person there. I always wanted to stay.

0:23:04.760 --> 0:23:06.439
<v Speaker 1>I go, I don't care, I'll stay at five in

0:23:06.440 --> 0:23:07.800
<v Speaker 1>the morning. I just want to be part of this.

0:23:07.800 --> 0:23:10.480
<v Speaker 1>This is so exciting and so and she just wanted

0:23:10.520 --> 0:23:13.320
<v Speaker 1>a smaller group in the room. That was That's what

0:23:13.400 --> 0:23:16.480
<v Speaker 1>she said. By the way, the group was already thirteen.

0:23:16.520 --> 0:23:19.320
<v Speaker 1>I don't know what fourteen people would be anyway, but

0:23:19.320 --> 0:23:21.080
<v Speaker 1>but a lot of times it would go it would

0:23:21.080 --> 0:23:24.360
<v Speaker 1>go late. I kind of remember there were a few

0:23:24.400 --> 0:23:27.280
<v Speaker 1>three in the morning kind of but not not a

0:23:27.280 --> 0:23:30.560
<v Speaker 1>ton that show what's it got going? You know, lest

0:23:30.560 --> 0:23:32.600
<v Speaker 1>the script was really bad and we had to do

0:23:32.600 --> 0:23:35.439
<v Speaker 1>a scratch redwrighte which sometimes we we had to do.

0:23:36.200 --> 0:23:39.800
<v Speaker 1>Then it could go you know, horribly. But yeah, first,

0:23:39.800 --> 0:23:41.119
<v Speaker 1>so the first year for me was just kind of

0:23:41.160 --> 0:23:44.359
<v Speaker 1>all fun. Uh yeah, remember what's that a run? The

0:23:44.480 --> 0:23:47.200
<v Speaker 1>Rusty did like a back flip forward the kitchen counter

0:23:47.320 --> 0:23:49.600
<v Speaker 1>just just enter and I'm like, I just pointed, like

0:23:49.640 --> 0:23:52.159
<v Speaker 1>look at it. You see that it goes. We don't point,

0:23:52.240 --> 0:23:58.639
<v Speaker 1>you just just watch, but don't point. How far in

0:23:58.680 --> 0:24:01.280
<v Speaker 1>advance did you guys have of the script ideas down,

0:24:01.320 --> 0:24:03.400
<v Speaker 1>because that's something we've talked about a lot. Is like,

0:24:03.840 --> 0:24:06.679
<v Speaker 1>you know, even so episodes once you knew to Pango

0:24:06.800 --> 0:24:08.280
<v Speaker 1>was going to be a part of the of the

0:24:08.280 --> 0:24:10.960
<v Speaker 1>cast and like a regular regular cast member, how far

0:24:10.960 --> 0:24:13.960
<v Speaker 1>in advance like didn't then was Stepangan just added into

0:24:13.960 --> 0:24:18.400
<v Speaker 1>episodes that had already kind of been written. No, no, no, um, Well,

0:24:18.440 --> 0:24:20.040
<v Speaker 1>first of all, you know, when the season first starts,

0:24:20.040 --> 0:24:22.040
<v Speaker 1>you have a lot of time. Yeah, it was six

0:24:22.040 --> 0:24:25.000
<v Speaker 1>weeks even I don't remember what preproduction is, but that

0:24:25.000 --> 0:24:27.359
<v Speaker 1>that's all that is, is coming up with stories. It

0:24:27.400 --> 0:24:30.119
<v Speaker 1>was it was actually my least yeah, I got you know,

0:24:30.440 --> 0:24:32.520
<v Speaker 1>he would say, all right, everyone coming tomorrow with ten

0:24:32.600 --> 0:24:36.120
<v Speaker 1>story ideas. I'll never forget that go. And by the way,

0:24:36.600 --> 0:24:38.960
<v Speaker 1>I didn't think of any storylines coming into the show.

0:24:39.040 --> 0:24:41.680
<v Speaker 1>I didn't think we'll get started, will be a little run,

0:24:41.720 --> 0:24:44.159
<v Speaker 1>you know, feeling out process. Come with ten ideas, you

0:24:44.200 --> 0:24:46.880
<v Speaker 1>come in the next day and maybe he likes one

0:24:47.440 --> 0:24:49.879
<v Speaker 1>something like a few of another. And then so that

0:24:50.119 --> 0:24:52.040
<v Speaker 1>there would be like if out of thirteen or fourteen,

0:24:52.080 --> 0:24:56.600
<v Speaker 1>if you would be like a hundred and forty ideas anything,

0:24:57.800 --> 0:25:00.280
<v Speaker 1>some of them would be like b storylines or you know,

0:25:00.320 --> 0:25:02.719
<v Speaker 1>they would get interesting. What would happen? And by the way,

0:25:02.720 --> 0:25:06.040
<v Speaker 1>and sometimes uh, at least the first season, like you

0:25:06.040 --> 0:25:07.760
<v Speaker 1>can pitch an idea that he likes, but you don't

0:25:07.760 --> 0:25:10.200
<v Speaker 1>necessarily get the script. So it's just kind of which

0:25:10.200 --> 0:25:12.439
<v Speaker 1>is fine, kind of a free for all thing. And

0:25:13.440 --> 0:25:15.240
<v Speaker 1>so that's at the beginning. Then you have time and

0:25:15.280 --> 0:25:18.399
<v Speaker 1>then pick a bunch of stories and then you start

0:25:18.920 --> 0:25:22.000
<v Speaker 1>if he likes ten, we start breaking the first one

0:25:22.480 --> 0:25:24.879
<v Speaker 1>and you break it and then the writer who's a

0:25:24.920 --> 0:25:27.919
<v Speaker 1>sign that gets off goes rights an outline. Explain to

0:25:27.960 --> 0:25:30.600
<v Speaker 1>our listeners what it means to break to break an idea.

0:25:31.160 --> 0:25:33.840
<v Speaker 1>So say you come out with an idea like, um,

0:25:35.160 --> 0:25:41.439
<v Speaker 1>what was the Women's World episode? Okay, well that well,

0:25:41.440 --> 0:25:43.280
<v Speaker 1>I didn't pitch that one. I have no idea how

0:25:43.359 --> 0:25:47.159
<v Speaker 1>that got the genesis. Um, well, actually, let let's do

0:25:47.240 --> 0:25:51.440
<v Speaker 1>the other one, kid Gloves because that Michael's Michael's father dad,

0:25:51.520 --> 0:25:55.040
<v Speaker 1>Arnie Jacobs. I think he boxed in the Navy. Maybe

0:25:55.040 --> 0:25:57.320
<v Speaker 1>he won those silver bloss I don't remember that, but

0:25:57.400 --> 0:26:00.600
<v Speaker 1>that just that that started a conversation. That's the idea,

0:26:00.880 --> 0:26:05.000
<v Speaker 1>and that led to that episode. So whoever is the Sun?

0:26:05.200 --> 0:26:07.960
<v Speaker 1>And I was assigned that one? Wasn't my original idea.

0:26:08.280 --> 0:26:09.960
<v Speaker 1>As a room, you kind of break down the story.

0:26:10.000 --> 0:26:12.280
<v Speaker 1>You kind of figure out, okay, you know the plot lane,

0:26:12.280 --> 0:26:15.040
<v Speaker 1>and what's the cold open, what's you know, the first act,

0:26:15.119 --> 0:26:17.120
<v Speaker 1>what's the act break? And then how's it gonna end?

0:26:17.640 --> 0:26:19.440
<v Speaker 1>And you start talking that out, and then you've got

0:26:19.440 --> 0:26:21.560
<v Speaker 1>to break it down scene by scene by scene by

0:26:21.560 --> 0:26:24.359
<v Speaker 1>scene for the outline, because the outline has to be

0:26:24.400 --> 0:26:27.000
<v Speaker 1>approved by Michael and I guess maybe even the studio

0:26:27.000 --> 0:26:29.080
<v Speaker 1>and network. And once you get an outline, then a

0:26:29.119 --> 0:26:32.720
<v Speaker 1>writer is sent off to go write that script. And

0:26:33.000 --> 0:26:36.200
<v Speaker 1>in the very beginning, writers will be given two weeks.

0:26:36.520 --> 0:26:39.520
<v Speaker 1>And since I was brand new, uh, ed suggested, why

0:26:39.520 --> 0:26:41.560
<v Speaker 1>don't you fly to Jersey, be with your wife and

0:26:41.640 --> 0:26:45.640
<v Speaker 1>daughter and go right one and and uh and that's

0:26:45.640 --> 0:26:47.840
<v Speaker 1>what that's what the first season was like. Later on,

0:26:48.200 --> 0:26:50.320
<v Speaker 1>you you know, especially when we wrote, like when it

0:26:50.359 --> 0:26:53.040
<v Speaker 1>became a producer level, you're involved in everything. You don't

0:26:53.040 --> 0:26:56.040
<v Speaker 1>go off. You right in between rewrites, right and between

0:26:56.080 --> 0:26:58.320
<v Speaker 1>everything else. And I actually prefer that. I like being

0:26:59.119 --> 0:27:01.960
<v Speaker 1>in the office, said around everything, because you don't want

0:27:01.960 --> 0:27:03.040
<v Speaker 1>to miss out, you know, you like you want to

0:27:03.040 --> 0:27:07.199
<v Speaker 1>be part of We run through every rewrite. Um, so

0:27:07.280 --> 0:27:09.360
<v Speaker 1>breaking the stories like you know, you gotta figure out

0:27:09.600 --> 0:27:11.240
<v Speaker 1>is there a story? And now this is one area

0:27:11.280 --> 0:27:13.920
<v Speaker 1>where michaels I gotta say this kind of this is

0:27:14.119 --> 0:27:17.360
<v Speaker 1>his biggest genius. You'll pitch an idea and he'll he'll

0:27:17.400 --> 0:27:18.800
<v Speaker 1>if he likes it even a little bit, he goes

0:27:18.880 --> 0:27:21.679
<v Speaker 1>right hold on and then he'll see if he can

0:27:21.720 --> 0:27:24.840
<v Speaker 1>see the whole story. And if you can't, you can't

0:27:24.880 --> 0:27:27.120
<v Speaker 1>convince him, and he'll go, no, that's not gonna work

0:27:27.160 --> 0:27:29.480
<v Speaker 1>the next idea, you know. And but other times you'll

0:27:29.480 --> 0:27:31.399
<v Speaker 1>pitch an idea, you have no idea, where's gonna go.

0:27:31.640 --> 0:27:33.720
<v Speaker 1>You just hope he likes it and goes, Okay, that's good,

0:27:33.760 --> 0:27:35.440
<v Speaker 1>that's good. I can see this is what's gonna happen.

0:27:35.720 --> 0:27:38.439
<v Speaker 1>That's what's gonna happen. And it's just you know, and

0:27:38.480 --> 0:27:40.840
<v Speaker 1>then and then you know the rewrite process, right, so

0:27:40.880 --> 0:27:43.840
<v Speaker 1>we all rewrite as a group. You turn it into script.

0:27:44.280 --> 0:27:46.480
<v Speaker 1>It's very hard on the heart and the ego. You know,

0:27:46.560 --> 0:27:48.560
<v Speaker 1>you put your blood and sweat and you go, well,

0:27:48.600 --> 0:27:51.480
<v Speaker 1>this is the greatest script ever written. And you know,

0:27:51.560 --> 0:27:53.960
<v Speaker 1>you find out how wrong, how wrong you were. Because

0:27:54.920 --> 0:27:57.280
<v Speaker 1>also part of the problems you guys are professional actors.

0:27:57.400 --> 0:27:59.880
<v Speaker 1>We these writers would have to act out your role

0:28:00.119 --> 0:28:02.560
<v Speaker 1>and you would hate giving certain parts to certain people

0:28:02.560 --> 0:28:05.160
<v Speaker 1>because they were horrible. Like I'm not a good actor.

0:28:05.359 --> 0:28:07.480
<v Speaker 1>You know, I sweat a lot, I get nervous, and

0:28:07.560 --> 0:28:10.240
<v Speaker 1>sometimes I push your line and a writer would go,

0:28:10.400 --> 0:28:12.840
<v Speaker 1>you pusher that line, but Michael can still see through it.

0:28:12.880 --> 0:28:15.240
<v Speaker 1>But yeah, so you do you do? You do a

0:28:15.280 --> 0:28:18.520
<v Speaker 1>read through with the with the writers, and then he'll

0:28:18.600 --> 0:28:20.879
<v Speaker 1>either and then you just wait for either the acts

0:28:20.920 --> 0:28:24.399
<v Speaker 1>to come down or Okay, that's okay, that's workable. But

0:28:24.480 --> 0:28:27.960
<v Speaker 1>sometimes none of this works, and you know you're you're

0:28:28.520 --> 0:28:30.359
<v Speaker 1>you feel bad for the rest of the writers because

0:28:30.400 --> 0:28:33.720
<v Speaker 1>that means it's gonna be a hard week. If he goes, okay,

0:28:33.760 --> 0:28:36.320
<v Speaker 1>that's good, it's like a sigh of relief, you know.

0:28:36.480 --> 0:28:39.160
<v Speaker 1>And did you ever fight? Did you ever fight for

0:28:39.200 --> 0:28:41.240
<v Speaker 1>anything that everyone was like, this isn't working and you

0:28:41.280 --> 0:28:43.360
<v Speaker 1>knew it would, and it's just like, no, I'm telling

0:28:43.360 --> 0:28:45.680
<v Speaker 1>you this is gonna work. Maybe the actors didn't hit

0:28:45.720 --> 0:28:48.280
<v Speaker 1>it right there in the run through, because again, that's

0:28:48.280 --> 0:28:50.840
<v Speaker 1>the other thing is it's it's such a symbiotic relationship

0:28:50.880 --> 0:28:54.000
<v Speaker 1>because you can write the greatest script in the world.

0:28:54.480 --> 0:28:58.000
<v Speaker 1>If we are off that day and we're not committing

0:28:58.000 --> 0:29:00.600
<v Speaker 1>to the material, you're not gonna be a to see

0:29:00.640 --> 0:29:04.120
<v Speaker 1>what the script could be. So I mean that's we

0:29:04.120 --> 0:29:06.360
<v Speaker 1>we would always That's why constantly people would tell us

0:29:06.560 --> 0:29:09.040
<v Speaker 1>or you hear, trust your writers, because you then have

0:29:09.120 --> 0:29:12.040
<v Speaker 1>to commit and run into the wall full speed hoping

0:29:12.040 --> 0:29:14.000
<v Speaker 1>you knock it down. Knowing that sometimes you're just gonna

0:29:14.080 --> 0:29:17.120
<v Speaker 1>knock yourself unconscious. But was there every time you can

0:29:17.120 --> 0:29:19.840
<v Speaker 1>remember where you're essentially saying, no, I know this is

0:29:19.840 --> 0:29:22.440
<v Speaker 1>gonna work. They didn't nail it today, it's gonna work.

0:29:22.560 --> 0:29:27.280
<v Speaker 1>Let's keep it in. I mean me personally, probably not often.

0:29:27.320 --> 0:29:28.840
<v Speaker 1>I mean a couple of could times did you fight?

0:29:29.040 --> 0:29:31.280
<v Speaker 1>Mostly you fight for a joke that you like, and

0:29:31.320 --> 0:29:33.400
<v Speaker 1>that's something you learned also to be honest as a writer.

0:29:33.960 --> 0:29:36.120
<v Speaker 1>The jokes aren't at that as important. I mean, there's

0:29:36.120 --> 0:29:38.440
<v Speaker 1>some jokes that I love so much that I did

0:29:38.480 --> 0:29:41.400
<v Speaker 1>fight a little bit and Network cut because they had

0:29:41.480 --> 0:29:43.120
<v Speaker 1>like a little part of a bad word in it,

0:29:43.320 --> 0:29:46.640
<v Speaker 1>you know, like it was your dumb mass you know. Yeah,

0:29:46.680 --> 0:29:49.680
<v Speaker 1>that was a Matt Lawrence line season seven. Yeah seven,

0:29:49.720 --> 0:29:52.760
<v Speaker 1>Matt Lawrence. They cut that and and Michael I think

0:29:52.800 --> 0:29:54.920
<v Speaker 1>fought for I mean, like me, here's the truth. We

0:29:54.920 --> 0:29:56.680
<v Speaker 1>could have a bad run through and not knuckles. You

0:29:56.720 --> 0:29:59.480
<v Speaker 1>guys sucked just because whatever, it's just something was off.

0:30:00.360 --> 0:30:02.520
<v Speaker 1>And say a lot of times we can see through it,

0:30:02.520 --> 0:30:04.320
<v Speaker 1>but sometimes you can't. You know, if we'll give it

0:30:04.360 --> 0:30:06.080
<v Speaker 1>another chance. If it doesn't work in the second one,

0:30:06.120 --> 0:30:09.080
<v Speaker 1>there it's gone. No matter what you do. So I mean,

0:30:09.440 --> 0:30:12.960
<v Speaker 1>people have fought for lines and fought for moments um

0:30:13.040 --> 0:30:15.960
<v Speaker 1>and usually you know they are really good, they'll they'll

0:30:15.960 --> 0:30:18.840
<v Speaker 1>stick in there. The scripts do get better. The process

0:30:18.840 --> 0:30:22.640
<v Speaker 1>as much as sometimes as painful as a writer did

0:30:22.680 --> 0:30:24.800
<v Speaker 1>just see your script go, you know, I mean, And

0:30:24.840 --> 0:30:26.960
<v Speaker 1>by the way, this is way before like computer, So

0:30:27.080 --> 0:30:30.320
<v Speaker 1>sometimes Michael would take a pencil and scratch out everyone.

0:30:32.920 --> 0:30:35.760
<v Speaker 1>And I have a quick question. Do you remember your

0:30:35.800 --> 0:30:37.920
<v Speaker 1>favorite joke that you wrote that got into the show?

0:30:38.240 --> 0:30:41.400
<v Speaker 1>Do you have like a favorite line? I mean, you

0:30:41.440 --> 0:30:43.560
<v Speaker 1>know that's you're not supposed to do. It's not cool

0:30:43.640 --> 0:30:47.959
<v Speaker 1>to do it. I have to that I think are

0:30:47.960 --> 0:30:50.320
<v Speaker 1>ascribed to you. Well, well no, well nose for dumb

0:30:50.400 --> 0:30:52.440
<v Speaker 1>has to be honest. That was one of my favorite jokes.

0:30:52.640 --> 0:30:55.360
<v Speaker 1>He hated hated losing that, um and the only one.

0:30:55.400 --> 0:30:57.320
<v Speaker 1>And I only tell it because Michael tells it, so

0:30:57.360 --> 0:30:59.120
<v Speaker 1>I feel like he's the one who talks about it.

0:30:59.360 --> 0:31:01.000
<v Speaker 1>And by the way, he talked about this joke for

0:31:01.000 --> 0:31:03.160
<v Speaker 1>so many years, it sounds like I wrote one good joke,

0:31:03.240 --> 0:31:06.240
<v Speaker 1>which I wrote, I wrote one great joke. But I

0:31:06.240 --> 0:31:09.440
<v Speaker 1>mean again, it's a righteous The whole process. This gets

0:31:09.720 --> 0:31:11.680
<v Speaker 1>right it was all shared. It was the you know

0:31:12.240 --> 0:31:15.600
<v Speaker 1>you would you and Corey in the closet when you know,

0:31:15.960 --> 0:31:18.480
<v Speaker 1>maybe I always thought that I was your joke and

0:31:18.480 --> 0:31:20.840
<v Speaker 1>I didn't know if you only thought it because Michael told,

0:31:20.880 --> 0:31:23.120
<v Speaker 1>he told, he told everyone that he goes Minella wrote

0:31:23.160 --> 0:31:26.200
<v Speaker 1>that one, and literally this is ten years after Women's Roll.

0:31:26.240 --> 0:31:27.680
<v Speaker 1>He's thought about that one joke. So it kind of

0:31:28.200 --> 0:31:31.000
<v Speaker 1>I kind of got labeled by that one joke. But anyway,

0:31:31.000 --> 0:31:34.000
<v Speaker 1>but it's still my favorite line. We were just talking

0:31:34.000 --> 0:31:36.960
<v Speaker 1>about it. It's still like my favorite line. It makes

0:31:36.960 --> 0:31:39.000
<v Speaker 1>me laugh every time. And then the other one was

0:31:39.240 --> 0:31:43.360
<v Speaker 1>just something something creepy under boat Andy. Was that YouTube? Yes,

0:31:43.960 --> 0:31:46.920
<v Speaker 1>well it was in this It was in my first

0:31:46.960 --> 0:31:49.560
<v Speaker 1>that's what my That was a kid gloves right, it's

0:31:49.560 --> 0:31:53.320
<v Speaker 1>a second script. I wrote, I think something cold under

0:31:53.360 --> 0:31:56.120
<v Speaker 1>boat Andy, and he changed creep which is much funnier,

0:31:56.720 --> 0:31:58.520
<v Speaker 1>much funnier. Wait, so I do want to just go

0:31:58.560 --> 0:32:00.440
<v Speaker 1>back and remind the audience what the line is that

0:32:00.480 --> 0:32:02.600
<v Speaker 1>both of you guys were talking about that when Phoene

0:32:02.600 --> 0:32:04.200
<v Speaker 1>catches you guys in the closet, right or say what

0:32:04.200 --> 0:32:07.960
<v Speaker 1>it is, don't move, maybe he doesn't see us and

0:32:08.200 --> 0:32:11.720
<v Speaker 1>sharing right at them from a listen to the two things.

0:32:11.760 --> 0:32:14.480
<v Speaker 1>One of the reasons that really works is Bill's look

0:32:14.520 --> 0:32:17.800
<v Speaker 1>of like are you how stupid are you guys? His

0:32:17.840 --> 0:32:21.480
<v Speaker 1>look was great, you guys were great, And it was

0:32:21.480 --> 0:32:23.320
<v Speaker 1>just on the heels of Jurassic Park coming out too,

0:32:23.400 --> 0:32:25.600
<v Speaker 1>like Jurassic Park was only a year old, where that

0:32:25.640 --> 0:32:28.160
<v Speaker 1>whole idea of like not moving and the t Rex

0:32:28.200 --> 0:32:31.959
<v Speaker 1>wouldn't say, it was just don't move. You know, this

0:32:32.000 --> 0:32:35.000
<v Speaker 1>is going to sound very pretentious, but I'm not very

0:32:35.080 --> 0:32:37.120
<v Speaker 1>right to read, you know, and so but I will

0:32:37.160 --> 0:32:38.560
<v Speaker 1>just say that I remember we were in the in

0:32:38.560 --> 0:32:41.240
<v Speaker 1>the writer's room and we were having trouble coming on

0:32:41.320 --> 0:32:42.960
<v Speaker 1>with the line, and I actually, you know, so you

0:32:43.000 --> 0:32:46.360
<v Speaker 1>get credit for this writer? I go, what would Sean say?

0:32:46.400 --> 0:32:49.600
<v Speaker 1>I mean, actually did back that I dumbed down? But

0:32:49.640 --> 0:32:52.400
<v Speaker 1>I just I just wanted to say, so, you know, Sean,

0:32:52.600 --> 0:32:54.400
<v Speaker 1>you know, I'm like, I say, Sean broke the line

0:32:54.840 --> 0:32:57.240
<v Speaker 1>and it was in the air the Jurassic Park. But

0:32:57.280 --> 0:33:00.640
<v Speaker 1>it just but great. By the way, there's a lot

0:33:00.640 --> 0:33:02.400
<v Speaker 1>of stuff I don't remember, Like people said, was that yours?

0:33:02.520 --> 0:33:05.600
<v Speaker 1>I don't you know. There's one John Strauss I tried

0:33:05.680 --> 0:33:08.120
<v Speaker 1>and out of context not even the funny life. But

0:33:08.120 --> 0:33:09.440
<v Speaker 1>it's just like it was a funny moment, I go,

0:33:09.760 --> 0:33:11.520
<v Speaker 1>I go, that was yours. No, that was yours, like

0:33:11.520 --> 0:33:16.240
<v Speaker 1>we thought. I know, I'm saying, remember and by the way,

0:33:16.360 --> 0:33:21.840
<v Speaker 1>that never happens in a register. Yeah, that was mine. Yeah,

0:33:21.360 --> 0:33:24.600
<v Speaker 1>but do you have a favorite episode that you wrote?

0:33:24.640 --> 0:33:30.640
<v Speaker 1>And why is it? And then there was Sean, and

0:33:30.720 --> 0:33:33.520
<v Speaker 1>there was and then there was Sean. Yeah, that's something

0:33:33.520 --> 0:33:36.320
<v Speaker 1>we should we should we should bracket very quickly by saying,

0:33:36.400 --> 0:33:42.120
<v Speaker 1>because have we always referred to it? Yeah? Yeah, but

0:33:42.160 --> 0:33:44.040
<v Speaker 1>I mean, well again, and I really do want to

0:33:44.160 --> 0:33:46.600
<v Speaker 1>I'm not I'm not humble or anything like that. You know,

0:33:47.000 --> 0:33:50.320
<v Speaker 1>every script you guys get is rewritten with the room,

0:33:50.360 --> 0:33:52.680
<v Speaker 1>you know, through Michael's eyes, through the whole room. That

0:33:52.720 --> 0:33:55.320
<v Speaker 1>one though, you know, maybe that one I probably more

0:33:55.960 --> 0:33:58.120
<v Speaker 1>lasted than a lot of fun I had a subscripts

0:33:58.120 --> 0:34:01.880
<v Speaker 1>and were totally rewritten that one. It's unfair because it

0:34:01.920 --> 0:34:05.480
<v Speaker 1>was a really fun, so different type script. And I

0:34:05.520 --> 0:34:08.000
<v Speaker 1>will say this, it's the only script I ever I did.

0:34:08.000 --> 0:34:09.640
<v Speaker 1>You know you said you ever fight for any thing.

0:34:10.200 --> 0:34:12.680
<v Speaker 1>We were talking about doing this kind of movie thing,

0:34:12.800 --> 0:34:15.560
<v Speaker 1>and I am I love movies so much. To know

0:34:15.680 --> 0:34:17.640
<v Speaker 1>you know, you know my I won't tell you my

0:34:17.680 --> 0:34:19.960
<v Speaker 1>email because but you know, you know it's film is

0:34:20.040 --> 0:34:23.680
<v Speaker 1>in there. You know something else I love and and

0:34:23.760 --> 0:34:27.279
<v Speaker 1>actually I'll never forget. I I not that I was

0:34:27.280 --> 0:34:29.320
<v Speaker 1>a pushover, but I was like just so grateful to

0:34:29.360 --> 0:34:33.080
<v Speaker 1>be there. And I wasn't aggrssive or ambitious even. Yeah,

0:34:33.280 --> 0:34:35.120
<v Speaker 1>I never took a meeting while I was right, everyone's

0:34:35.200 --> 0:34:37.080
<v Speaker 1>off right. I didn't know you're supposed to use this

0:34:37.239 --> 0:34:38.719
<v Speaker 1>as a launching pad to get somewhere else. I just

0:34:38.760 --> 0:34:40.759
<v Speaker 1>don't know. Boy, just rolling run forever and I'm good,

0:34:40.840 --> 0:34:45.319
<v Speaker 1>you know. But I went to Michael's office. I said, listen,

0:34:45.360 --> 0:34:48.680
<v Speaker 1>there's something being talked about. And I think and someone

0:34:48.719 --> 0:34:50.440
<v Speaker 1>else was maybe running the show at the time. I

0:34:50.440 --> 0:34:53.000
<v Speaker 1>don't remember why I went to him elsewhere, but I said,

0:34:53.040 --> 0:34:56.319
<v Speaker 1>I really, I I can this is I should write this,

0:34:56.320 --> 0:34:58.800
<v Speaker 1>this is this is just in my wheelhouse. And he

0:34:59.200 --> 0:35:02.759
<v Speaker 1>gave it to me. And I mean, I I had

0:35:02.760 --> 0:35:04.600
<v Speaker 1>a live about this. By the way, I wrote it

0:35:04.640 --> 0:35:07.000
<v Speaker 1>like in two days. But he goes, I remember third

0:35:07.040 --> 0:35:09.080
<v Speaker 1>through third day and he goes, where are you, Like, oh,

0:35:09.080 --> 0:35:10.640
<v Speaker 1>I'm like a page thirty goes you better not be

0:35:10.680 --> 0:35:12.759
<v Speaker 1>You should be on page ten. I of course I'm

0:35:12.800 --> 0:35:16.400
<v Speaker 1>on page ten. It was done. It was just so

0:35:16.480 --> 0:35:19.719
<v Speaker 1>much fun to write and and and putting different kind

0:35:19.719 --> 0:35:23.600
<v Speaker 1>of lines in your guys mouth was It is such

0:35:23.840 --> 0:35:29.479
<v Speaker 1>a classic episode then, easily the number one most talked

0:35:29.480 --> 0:35:32.640
<v Speaker 1>about episode over the years. Still to this day, we

0:35:32.680 --> 0:35:35.440
<v Speaker 1>go to conventions, we meet people, it's the number one episode.

0:35:35.440 --> 0:35:38.239
<v Speaker 1>People want to talk about articles about it like they've

0:35:38.239 --> 0:35:43.520
<v Speaker 1>done full breakdowns every Halloween. Yeah, I gotta tell you,

0:35:43.560 --> 0:35:47.239
<v Speaker 1>and I'm not overstating this. Yeah, I wrote, I wrote,

0:35:47.320 --> 0:35:49.200
<v Speaker 1>I wrote a good draft and it got better in

0:35:49.280 --> 0:35:52.080
<v Speaker 1>the rising room. But I want to give nine credit

0:35:52.120 --> 0:35:55.960
<v Speaker 1>to Jeff McCracken. This guy, he got that script and

0:35:56.000 --> 0:35:58.440
<v Speaker 1>I've never seen he was so yeah. He goes, oh

0:35:58.440 --> 0:36:00.120
<v Speaker 1>my god, I know what I'm gonna do with this.

0:36:00.200 --> 0:36:03.400
<v Speaker 1>And I remember our first run through in the lighting

0:36:03.440 --> 0:36:10.160
<v Speaker 1>and the music, right, colchor and every everything you were together.

0:36:12.280 --> 0:36:14.360
<v Speaker 1>But you guys said you had a great time fulling around,

0:36:14.400 --> 0:36:20.000
<v Speaker 1>but it worked perfectly against you by any chance. Remember

0:36:20.080 --> 0:36:23.520
<v Speaker 1>the name of the janitor, the actor who played the

0:36:23.600 --> 0:36:27.120
<v Speaker 1>janitor now but someone you know what. Yes, I actually

0:36:27.120 --> 0:36:30.879
<v Speaker 1>was sort of interviewed for this for some whatever online thing,

0:36:31.520 --> 0:36:34.320
<v Speaker 1>and he said. I heard that. He said he was

0:36:34.360 --> 0:36:37.320
<v Speaker 1>an actor that was known from something else, but I

0:36:37.360 --> 0:36:38.920
<v Speaker 1>don't remember his name. I looked at him up a

0:36:39.000 --> 0:36:42.359
<v Speaker 1>long time ago, but he was there. You saw him too, right.

0:36:45.239 --> 0:36:47.439
<v Speaker 1>We're still trying to track him down, and now we're

0:36:47.440 --> 0:36:51.600
<v Speaker 1>wondering if he never product that's why he didn't get credit.

0:36:51.760 --> 0:36:57.320
<v Speaker 1>There's no background, so no, I think, I think I

0:36:57.360 --> 0:36:59.440
<v Speaker 1>want to say, either mccrack or someone on set you

0:37:00.120 --> 0:37:02.799
<v Speaker 1>saw him and brought either him or a picture up

0:37:02.840 --> 0:37:06.160
<v Speaker 1>to Michael's. Yeah. Perfect, And my guy, was he perfect?

0:37:06.360 --> 0:37:11.399
<v Speaker 1>He was so scary. Now I know how humble you are.

0:37:11.560 --> 0:37:14.960
<v Speaker 1>And also and I also know the truth that jokes

0:37:14.960 --> 0:37:18.960
<v Speaker 1>and scripts get rewritten by everybody. But two of my

0:37:19.000 --> 0:37:22.000
<v Speaker 1>favorite jokes in the entire series are in that episode

0:37:22.040 --> 0:37:25.480
<v Speaker 1>the screen. Episode one is the pencil joke. Will always remember.

0:37:25.560 --> 0:37:29.319
<v Speaker 1>He was great, That's why. I don't think that's why

0:37:29.440 --> 0:37:32.160
<v Speaker 1>that's and I don't want to give every other line

0:37:32.160 --> 0:37:34.520
<v Speaker 1>that's not mine to Michael, but I'm pretty sure that's not.

0:37:34.800 --> 0:37:36.920
<v Speaker 1>But that's a great joke. I love that it was

0:37:36.920 --> 0:37:38.880
<v Speaker 1>also Michael's. I did to have him slide down the

0:37:38.920 --> 0:37:42.359
<v Speaker 1>wall with the pencil. That was that was great. And

0:37:42.400 --> 0:37:45.359
<v Speaker 1>then My other favorite joke is I will get as

0:37:45.440 --> 0:37:49.680
<v Speaker 1>close to dying as you can possibly get keep dying. Yeah,

0:37:50.120 --> 0:37:52.399
<v Speaker 1>that's a great I love that joke, and I thank you.

0:37:52.480 --> 0:37:54.840
<v Speaker 1>And it's not mine. I don't know who. I also

0:37:54.880 --> 0:37:56.920
<v Speaker 1>think that was Michael's. Again, I don't want to take

0:37:56.920 --> 0:37:59.680
<v Speaker 1>away from any other writer. Yeah, I'll be I'll always

0:37:59.680 --> 0:38:01.680
<v Speaker 1>be honest if I if I don't know was mine,

0:38:01.760 --> 0:38:05.280
<v Speaker 1>I'll say I don't think it was. They're tenious lines.

0:38:05.360 --> 0:38:07.799
<v Speaker 1>Whoever wrote them, credits and whoever wrote them, they're both

0:38:07.800 --> 0:38:09.360
<v Speaker 1>they're both genius. So those are just two of my

0:38:09.400 --> 0:38:11.600
<v Speaker 1>favorite jokes. I have a question. So you're in the

0:38:11.640 --> 0:38:14.400
<v Speaker 1>writer's room now, writer. I think writer alluded to this

0:38:14.480 --> 0:38:17.520
<v Speaker 1>the other day that apparently we've heard that there were

0:38:17.600 --> 0:38:21.320
<v Speaker 1>certain writers that were maybe not more acclimate. It's not

0:38:21.320 --> 0:38:23.160
<v Speaker 1>the right way to say that that maybe had the

0:38:23.239 --> 0:38:25.560
<v Speaker 1>voice of a certain character in their mouth more than

0:38:25.600 --> 0:38:28.959
<v Speaker 1>somebody else, Like, oh, they always they're they're great with Sean,

0:38:29.080 --> 0:38:31.440
<v Speaker 1>they're great with Eric, they're great with Tapanga. It was

0:38:31.520 --> 0:38:35.080
<v Speaker 1>that true, you know that was true, Like you know,

0:38:35.120 --> 0:38:37.839
<v Speaker 1>Matt Nelson, to be honest, and especially in the Lady Years,

0:38:38.120 --> 0:38:41.760
<v Speaker 1>was considered the voice of Sean especially when Sean became

0:38:42.360 --> 0:38:47.600
<v Speaker 1>very you know, deeper, and maybe so Matt Nelson, Yes,

0:38:49.000 --> 0:38:51.120
<v Speaker 1>that had a lot of eggs and and but it's

0:38:51.120 --> 0:38:53.760
<v Speaker 1>a great He was also a great writer, was a playright,

0:38:54.320 --> 0:38:57.120
<v Speaker 1>so I mean, but it wouldn't be like he would

0:38:57.120 --> 0:39:00.719
<v Speaker 1>do all the song lines. But sometimes was you know,

0:39:00.800 --> 0:39:03.200
<v Speaker 1>especially in the script that he wrote or someone else wrote,

0:39:03.719 --> 0:39:06.880
<v Speaker 1>he would have he could get that voice. Michael would go, Matt,

0:39:07.080 --> 0:39:10.400
<v Speaker 1>you know right, what did say here? Yeah? Exactly? And

0:39:10.480 --> 0:39:25.080
<v Speaker 1>sometimes so who was Morgan? I don't know that was

0:39:26.280 --> 0:39:29.440
<v Speaker 1>so you mentioned like the kids. The kid Gloves episode

0:39:29.480 --> 0:39:32.439
<v Speaker 1>was inspired by a real life story from Michael's life.

0:39:32.640 --> 0:39:36.279
<v Speaker 1>Did any of your personal life experiences make it into

0:39:36.280 --> 0:39:42.799
<v Speaker 1>an episode? Uh? Yeah, I mean let's see, yeah, grow

0:39:43.000 --> 0:39:45.200
<v Speaker 1>was rely I had one, but a boy the only

0:39:45.239 --> 0:39:47.440
<v Speaker 1>one was I remember once I got I got bit

0:39:47.520 --> 0:39:50.880
<v Speaker 1>by a dog, you know, and and I think I

0:39:50.920 --> 0:39:53.680
<v Speaker 1>was I just thought about that and it was bad,

0:39:53.719 --> 0:39:55.920
<v Speaker 1>and I was really nervous what was gonna happen? And

0:39:55.960 --> 0:40:00.640
<v Speaker 1>so I pitched the idea. But up in a Busgang

0:40:00.680 --> 0:40:03.239
<v Speaker 1>wrote the script where Corey gets bit and thinks he's

0:40:03.239 --> 0:40:05.160
<v Speaker 1>started a werewolf. So I didn't think I was starting

0:40:05.160 --> 0:40:08.560
<v Speaker 1>in a werewolf, but I did. I did think he

0:40:08.640 --> 0:40:10.600
<v Speaker 1>got bit by something he didn't know what it was,

0:40:10.640 --> 0:40:12.960
<v Speaker 1>and and hair started growing on his arms, and but

0:40:13.000 --> 0:40:15.840
<v Speaker 1>they ran with it. They were really really funny script

0:40:16.000 --> 0:40:18.600
<v Speaker 1>um you pitched and stuff, all the stuff times from

0:40:18.640 --> 0:40:21.360
<v Speaker 1>your life, you know, a bad sleepover, stuff like that

0:40:21.360 --> 0:40:24.280
<v Speaker 1>that you know, things go wrong and they they changed.

0:40:24.320 --> 0:40:26.640
<v Speaker 1>You know, you can pitch one idea that becomes something

0:40:27.040 --> 0:40:30.480
<v Speaker 1>entirely different, and that that's the good process of the right.

0:40:30.560 --> 0:40:33.000
<v Speaker 1>You know, the writer's room, someone will take something and

0:40:33.080 --> 0:40:35.359
<v Speaker 1>run with it, and you go, that's that's better than

0:40:35.440 --> 0:40:38.400
<v Speaker 1>I thought. Now. Would you ever? Was there ever a

0:40:38.440 --> 0:40:41.080
<v Speaker 1>story that you kept pitching over and over again that

0:40:41.120 --> 0:40:43.200
<v Speaker 1>you wanted to get done that just never happened, Where

0:40:43.200 --> 0:40:44.960
<v Speaker 1>it was like, I want to do this and it

0:40:45.120 --> 0:40:50.080
<v Speaker 1>just never happened. Uh, Now there was something you pitched

0:40:50.120 --> 0:40:52.920
<v Speaker 1>that you kind of knew this is stupid, but you

0:40:52.960 --> 0:40:56.080
<v Speaker 1>think it could be funny. You know, I don't remember.

0:40:56.480 --> 0:40:58.080
<v Speaker 1>I'd rather not even say, because they were so bad.

0:40:58.120 --> 0:41:00.160
<v Speaker 1>Some of them were so bad. You know, I think

0:41:00.480 --> 0:41:03.920
<v Speaker 1>the bus kept wanting to pitch. Corey wanted to pretend

0:41:04.000 --> 0:41:05.560
<v Speaker 1>to be Juice so we can have a bar mitzvah,

0:41:05.560 --> 0:41:10.000
<v Speaker 1>which was very funny, but it just never happened. I

0:41:10.040 --> 0:41:13.239
<v Speaker 1>think they picked that a couple of times. Um, there's

0:41:13.280 --> 0:41:15.160
<v Speaker 1>one I picked that I remember now I won't up to.

0:41:15.200 --> 0:41:17.200
<v Speaker 1>It's kind of disgusting. I think I wanted to pitch

0:41:17.239 --> 0:41:18.839
<v Speaker 1>writers the first guy to try to get a job

0:41:18.840 --> 0:41:20.759
<v Speaker 1>on Mars. It wants to beat the rush, you know

0:41:20.760 --> 0:41:24.120
<v Speaker 1>what I mean. They's just stupid things out there, but

0:41:24.160 --> 0:41:26.040
<v Speaker 1>nothing that I would ever push because, to be honest

0:41:26.080 --> 0:41:29.279
<v Speaker 1>with Michael says no, uh or it doesn't go. You know,

0:41:29.480 --> 0:41:31.520
<v Speaker 1>you don't want to be that guy that Hey remember

0:41:31.560 --> 0:41:33.680
<v Speaker 1>that one I pitched? Oh yeah, the one I hated. Yeah,

0:41:33.760 --> 0:41:45.080
<v Speaker 1>you wanted to pitch that again, So probably not. So

0:41:45.080 --> 0:41:47.160
<v Speaker 1>I'm wondered Jeff, if you remember, because we had this

0:41:47.200 --> 0:41:51.320
<v Speaker 1>debate when we watched b Team of Life, which okay,

0:41:51.360 --> 0:41:56.000
<v Speaker 1>so not really really Yeah, but I understand it was early.

0:41:56.080 --> 0:41:58.719
<v Speaker 1>It was one of the earliest strips and and I

0:41:58.760 --> 0:42:00.920
<v Speaker 1>guess you're probably right. Maybe it was too close to

0:42:01.000 --> 0:42:05.160
<v Speaker 1>the pilot, so we were right, But I mean it

0:42:05.239 --> 0:42:07.759
<v Speaker 1>was it was within the first run of like five episodes, right,

0:42:07.800 --> 0:42:10.160
<v Speaker 1>and then it just got pushed into the back. Yeah, okay,

0:42:10.200 --> 0:42:11.759
<v Speaker 1>I believe it was like the second and third one

0:42:11.800 --> 0:42:14.839
<v Speaker 1>that we wrote that we broke that we shot all right,

0:42:15.320 --> 0:42:18.200
<v Speaker 1>but you know why things get moved around. That's that

0:42:18.280 --> 0:42:20.319
<v Speaker 1>was way above my pay right, So I have no

0:42:20.360 --> 0:42:23.000
<v Speaker 1>idea why, but you're probably right as far as that goes.

0:42:23.000 --> 0:42:25.040
<v Speaker 1>They probably go too close to the pilot. Let's just

0:42:25.080 --> 0:42:28.879
<v Speaker 1>move it. It didn't matter, you know. Um, I can't

0:42:28.920 --> 0:42:31.840
<v Speaker 1>tell you. I was listening to Guys Analysis and I

0:42:31.920 --> 0:42:34.799
<v Speaker 1>have not seen those shows. I'm not kidding, uh, since

0:42:35.880 --> 0:42:38.440
<v Speaker 1>you know, so those two episodes I haven't, you know,

0:42:38.840 --> 0:42:41.480
<v Speaker 1>but Kid Loves I watched it yesterday. I teared up

0:42:41.520 --> 0:42:44.359
<v Speaker 1>at the end. It was really sweet. It was just

0:42:45.080 --> 0:42:46.920
<v Speaker 1>it was just so nice to see everyone so young.

0:42:47.040 --> 0:42:50.560
<v Speaker 1>It's a nice show. It's a nice show. Were you

0:42:50.680 --> 0:42:52.719
<v Speaker 1>aware that, I mean, when you were when you guys

0:42:52.719 --> 0:42:55.799
<v Speaker 1>were in the writer's room, how much of like, because

0:42:55.840 --> 0:42:58.520
<v Speaker 1>the tone of boy Me's World is very unique, right, Like,

0:42:58.560 --> 0:43:02.120
<v Speaker 1>it's not a silly sitcom, it's not, it's not it

0:43:02.200 --> 0:43:04.560
<v Speaker 1>wasn't like other kids shows at the time. And were

0:43:04.560 --> 0:43:06.759
<v Speaker 1>you guys conscious of that? Were you talking about that?

0:43:06.840 --> 0:43:09.319
<v Speaker 1>Were you aware, like, oh, we're going to make sure

0:43:09.360 --> 0:43:11.840
<v Speaker 1>that this actually pulled some heart strings and says something

0:43:11.880 --> 0:43:15.080
<v Speaker 1>real and what was that conversation? Like I think, I

0:43:15.120 --> 0:43:17.120
<v Speaker 1>would say, as far as I can remember it against

0:43:17.160 --> 0:43:18.640
<v Speaker 1>a long time ago, I do it. But I do remember.

0:43:19.400 --> 0:43:21.520
<v Speaker 1>There was always heart, Mike always want to have a message.

0:43:21.560 --> 0:43:23.400
<v Speaker 1>There was always I always want to do a little more.

0:43:23.440 --> 0:43:25.680
<v Speaker 1>I mean, listen, always wanted to be funny, because funny

0:43:25.719 --> 0:43:29.560
<v Speaker 1>is important already number one. It should be. But you know,

0:43:29.680 --> 0:43:32.120
<v Speaker 1>later on, maybe it wasn't for some of us. You know,

0:43:33.080 --> 0:43:34.960
<v Speaker 1>like John Strauss once called me and said, when he

0:43:34.960 --> 0:43:36.600
<v Speaker 1>was let off the show, goes, when did the show

0:43:36.640 --> 0:43:39.600
<v Speaker 1>become a drama? And I go, you know, but I

0:43:39.719 --> 0:43:45.240
<v Speaker 1>actually yeah, never. Never for me, never became a drama.

0:43:45.280 --> 0:43:49.280
<v Speaker 1>For me was always we'll get to you in a second.

0:43:49.280 --> 0:43:51.880
<v Speaker 1>I have a fun about you. I don't know. You

0:43:51.920 --> 0:43:53.879
<v Speaker 1>came in and you begged us to stop making you

0:43:54.680 --> 0:43:57.479
<v Speaker 1>so stupid, and I think we rewarded you by making

0:43:57.520 --> 0:44:00.440
<v Speaker 1>you become a couch cushion. Yes, I think that was

0:44:00.480 --> 0:44:06.080
<v Speaker 1>pretty much what happened. I did remember, yeah, well we

0:44:06.160 --> 0:44:09.799
<v Speaker 1>do something that's not like this, please, but but to

0:44:09.840 --> 0:44:12.200
<v Speaker 1>be honest, right, yeah, we you know, I don't think

0:44:12.200 --> 0:44:15.600
<v Speaker 1>we were trying to be one thing. Michael would always said,

0:44:15.600 --> 0:44:18.040
<v Speaker 1>we never wanted to talk down to the kids. Never

0:44:18.080 --> 0:44:20.440
<v Speaker 1>wanted to treat them like I mean, treat them like kids,

0:44:20.480 --> 0:44:23.480
<v Speaker 1>but not talked down to, never be condescending because most

0:44:23.480 --> 0:44:25.880
<v Speaker 1>of the storylines they will understand and get. And you know,

0:44:25.880 --> 0:44:29.120
<v Speaker 1>even though we were young when we started, I think

0:44:29.160 --> 0:44:31.040
<v Speaker 1>I'd like to think we always thought we were like

0:44:31.600 --> 0:44:34.080
<v Speaker 1>doing a little bit more, a little bit better. We

0:44:34.120 --> 0:44:36.920
<v Speaker 1>cared a lot and everything. I think every episode except

0:44:36.960 --> 0:44:40.520
<v Speaker 1>for maybe Last Tango in Philly, not my favorite episode

0:44:40.520 --> 0:44:43.040
<v Speaker 1>that I wrote, um had a message or had a

0:44:43.040 --> 0:44:46.239
<v Speaker 1>good message, you know, and always had heart, and we

0:44:46.239 --> 0:44:48.560
<v Speaker 1>was trying to take it one step above. I think

0:44:48.560 --> 0:44:50.480
<v Speaker 1>we did, at least in hindsight, we did well. The

0:44:50.560 --> 0:44:52.960
<v Speaker 1>thing that amazes me, or that's actually all of us,

0:44:53.480 --> 0:44:58.120
<v Speaker 1>is that none of us realized how involved the parents

0:44:58.120 --> 0:45:01.799
<v Speaker 1>were because we're in we weren't were in school when

0:45:01.840 --> 0:45:04.080
<v Speaker 1>they're rehearsing, so you kind of and then their adults

0:45:04.120 --> 0:45:05.680
<v Speaker 1>were not kind of with them. But as we're watching

0:45:05.680 --> 0:45:08.279
<v Speaker 1>the show, there's a lot of Amy and Allen and

0:45:08.400 --> 0:45:12.000
<v Speaker 1>Pheenie and they're they're so good. But again, to to

0:45:12.040 --> 0:45:13.680
<v Speaker 1>go to writer's point that it's not a kids show

0:45:13.680 --> 0:45:16.160
<v Speaker 1>at all, it's this hybrid show where it's all about

0:45:16.160 --> 0:45:18.440
<v Speaker 1>the kids. And then there's two scenes that's just Betsy

0:45:18.440 --> 0:45:21.160
<v Speaker 1>and Rusty. Um, so there was it was a very

0:45:21.280 --> 0:45:24.600
<v Speaker 1>interesting combination of the two. Uh and something that I

0:45:24.600 --> 0:45:26.560
<v Speaker 1>don't think it's really been seen before or since. It

0:45:26.560 --> 0:45:29.160
<v Speaker 1>was either about the kids or about the adults. Um.

0:45:29.400 --> 0:45:33.240
<v Speaker 1>So interesting point. That's a good cood point. I can't

0:45:33.360 --> 0:45:35.680
<v Speaker 1>speak to like whether that was a conscious thing. Certainly

0:45:35.680 --> 0:45:37.960
<v Speaker 1>not on my part, it wasn't. But but you're right.

0:45:38.000 --> 0:45:41.240
<v Speaker 1>I was watching those two episodes last night ago. They're great.

0:45:41.280 --> 0:45:44.160
<v Speaker 1>First of all, Yeah, they're just so good. I had

0:45:44.200 --> 0:45:46.400
<v Speaker 1>no idea how beautiful Betsy was until I watched her

0:45:46.480 --> 0:45:48.560
<v Speaker 1>last yesterday. I go, I used to hang on the

0:45:48.560 --> 0:45:51.320
<v Speaker 1>set with that woman. Yes, I mean, obviously she's beautiful,

0:45:51.440 --> 0:45:54.720
<v Speaker 1>but she was just so natural. She really still that pretty?

0:45:54.840 --> 0:45:59.880
<v Speaker 1>Still that pretty too. Yeah, and Rusty's russy is the

0:46:00.239 --> 0:46:04.160
<v Speaker 1>I'm sort of I'm in touch. But yeah, Rusty still

0:46:04.160 --> 0:46:08.880
<v Speaker 1>that pretty, still, that that full head of hair. That's crazy.

0:46:09.360 --> 0:46:13.440
<v Speaker 1>But do you remember playing Santa in the Family Trees episode?

0:46:13.600 --> 0:46:15.879
<v Speaker 1>Do I remember? I just got a dollar fifty check

0:46:15.920 --> 0:46:23.160
<v Speaker 1>for that. I thought about I fought against it because

0:46:23.160 --> 0:46:26.040
<v Speaker 1>you know, they yeah, they want stressed me up as

0:46:26.080 --> 0:46:29.799
<v Speaker 1>a carrot and and because they wanted to this one

0:46:29.960 --> 0:46:32.040
<v Speaker 1>putting a fat man in the carrot suit and uh.

0:46:32.360 --> 0:46:34.279
<v Speaker 1>And then Michaels, you're gonna be standing and I go,

0:46:34.400 --> 0:46:35.920
<v Speaker 1>I know why you want me to because you know

0:46:35.960 --> 0:46:38.480
<v Speaker 1>I'm the heaviest guy on staff. And I don't want to.

0:46:38.520 --> 0:46:40.160
<v Speaker 1>I don't want to be on camera because you know,

0:46:40.480 --> 0:46:42.840
<v Speaker 1>again I sweat a lot and this and that and

0:46:42.880 --> 0:46:46.920
<v Speaker 1>putting the Santa suit on. But I gotta tell you,

0:46:46.920 --> 0:46:48.840
<v Speaker 1>you know, it was a great moment between me and

0:46:48.960 --> 0:46:52.080
<v Speaker 1>writer and uh. Fred Savage directed and he said I

0:46:52.160 --> 0:46:57.520
<v Speaker 1>nailed it in one, but we did two takes. Yeah, safe,

0:46:57.600 --> 0:47:00.560
<v Speaker 1>that's what he said. So of course I remember. It's

0:47:00.640 --> 0:47:02.799
<v Speaker 1>kind of a it's a cool thing that I had,

0:47:02.800 --> 0:47:06.280
<v Speaker 1>you know that have one line on television and you also, Jeff,

0:47:06.440 --> 0:47:10.200
<v Speaker 1>was it Jeff baggy bag Will Yes, that's just a picture,

0:47:10.520 --> 0:47:12.919
<v Speaker 1>but it's the photo. It's it's with the baseball player

0:47:12.920 --> 0:47:15.160
<v Speaker 1>who had been hit by the most pitches. Is that right?

0:47:15.200 --> 0:47:18.719
<v Speaker 1>In the history of baseball? That was you who you

0:47:18.719 --> 0:47:21.600
<v Speaker 1>were investing in. That was your big investment. He the

0:47:21.640 --> 0:47:23.799
<v Speaker 1>guy who got hit by more pitches, and then he

0:47:23.840 --> 0:47:27.320
<v Speaker 1>retired right before he would break the record lot a

0:47:27.400 --> 0:47:31.040
<v Speaker 1>thousand dollars, thousand dollars, Jeff bag I just remember a

0:47:31.080 --> 0:47:34.680
<v Speaker 1>big swollen faced picture of you. Yeah, I played stuff

0:47:34.680 --> 0:47:37.239
<v Speaker 1>in my cheeks, that black stuff under now what I

0:47:37.320 --> 0:47:39.520
<v Speaker 1>kind of enjoyed. I think I have that picture somewhere.

0:47:39.880 --> 0:47:42.200
<v Speaker 1>You know. What's going back just a little bit to

0:47:42.280 --> 0:47:44.960
<v Speaker 1>the idea of it being very important to Michael to

0:47:45.040 --> 0:47:47.560
<v Speaker 1>never talk down to the audience. There is such a

0:47:47.600 --> 0:47:51.640
<v Speaker 1>weird like formula, but it wasn't a formula because we

0:47:52.040 --> 0:47:54.480
<v Speaker 1>can't figure out exactly what the magic potion was that

0:47:54.520 --> 0:47:56.919
<v Speaker 1>made it work. But there are a lot of terms

0:47:56.960 --> 0:47:59.160
<v Speaker 1>people use these days that they used in like a

0:47:59.239 --> 0:48:02.520
<v Speaker 1>kind of a drag tory way, like you're you're so woke,

0:48:02.760 --> 0:48:08.040
<v Speaker 1>or virtue signaling. And yet Boy Meets World always had

0:48:08.080 --> 0:48:11.080
<v Speaker 1>a good message and a lot of ways people today

0:48:11.160 --> 0:48:13.480
<v Speaker 1>might say it was a woke show or that it

0:48:13.560 --> 0:48:16.160
<v Speaker 1>was a show that virtue signaled, because it did really

0:48:16.280 --> 0:48:19.279
<v Speaker 1>kind of put forth good messages of how to be

0:48:19.400 --> 0:48:21.480
<v Speaker 1>a good family member, how to be a good friend,

0:48:21.520 --> 0:48:24.399
<v Speaker 1>how to be a good member of society. And yet

0:48:25.040 --> 0:48:27.719
<v Speaker 1>people love it. They don't think about it in any

0:48:27.760 --> 0:48:30.600
<v Speaker 1>sort of derogatory way. They recognize that they're getting such

0:48:30.640 --> 0:48:32.799
<v Speaker 1>an incredible lesson and they don't feel like they're being

0:48:32.840 --> 0:48:35.560
<v Speaker 1>beaten over the head with it. Like what what is

0:48:35.600 --> 0:48:37.640
<v Speaker 1>it that made it work? It was such a it's

0:48:37.680 --> 0:48:39.520
<v Speaker 1>it's magic. I mean, if you think about the fact

0:48:39.520 --> 0:48:43.480
<v Speaker 1>that still thirty years later, the show still holds up

0:48:43.719 --> 0:48:46.000
<v Speaker 1>and we are able to sit here and break down

0:48:46.080 --> 0:48:49.000
<v Speaker 1>episodes and people want to hear us talk about it.

0:48:49.160 --> 0:48:51.600
<v Speaker 1>There are very few shows that could still do that

0:48:51.640 --> 0:48:54.640
<v Speaker 1>thirty years later. What do you think that like secret

0:48:54.960 --> 0:48:58.320
<v Speaker 1>was That's a that's a good point. I mean maybe

0:48:58.440 --> 0:49:00.840
<v Speaker 1>just because there always was a world office, you know,

0:49:01.040 --> 0:49:03.879
<v Speaker 1>um within Michael m with the writers. I mean we

0:49:03.880 --> 0:49:06.200
<v Speaker 1>we you know, you know, you could pitch something that

0:49:06.239 --> 0:49:08.440
<v Speaker 1>could be really funny, that could be inappropriate obviously in

0:49:08.480 --> 0:49:11.640
<v Speaker 1>the writer's room obviously, you know, there's so much inappropriateness

0:49:11.800 --> 0:49:15.000
<v Speaker 1>back in the day that could not survive today. But

0:49:15.120 --> 0:49:17.280
<v Speaker 1>a lot of that wouldn't get into the script because

0:49:17.400 --> 0:49:19.760
<v Speaker 1>just because I always wanted to be true to the characters.

0:49:20.440 --> 0:49:23.560
<v Speaker 1>Michael is very keen on protecting the characters, and and

0:49:23.560 --> 0:49:25.800
<v Speaker 1>and I just think we always did what you guys

0:49:26.239 --> 0:49:27.920
<v Speaker 1>would do. In other words, like you know, we're not

0:49:27.960 --> 0:49:31.480
<v Speaker 1>gonna do something I wouldn't say we were woke or

0:49:31.680 --> 0:49:33.719
<v Speaker 1>or we thought about that kind of thing, and it

0:49:33.880 --> 0:49:37.200
<v Speaker 1>was a progressive show. Well, you're right. And and by

0:49:37.239 --> 0:49:38.799
<v Speaker 1>the way, I think you guys would talked about maybe

0:49:38.880 --> 0:49:42.680
<v Speaker 1>you know, maybe writer will said in that uh the

0:49:42.719 --> 0:49:45.640
<v Speaker 1>Beat Team story when writer comes in with that article

0:49:45.800 --> 0:49:48.560
<v Speaker 1>the show cory about you know, other guys that I

0:49:48.680 --> 0:49:50.800
<v Speaker 1>used to send on the bench, what a good friend.

0:49:50.960 --> 0:49:53.879
<v Speaker 1>And just I think because the heart of the show

0:49:53.920 --> 0:49:56.759
<v Speaker 1>is relationships with all all these people, that it just

0:49:56.800 --> 0:50:00.239
<v Speaker 1>sort of naturally lent to what you're talking about. I mean, yeah,

0:50:00.239 --> 0:50:03.160
<v Speaker 1>this is all in hindsight we look back now, I

0:50:03.200 --> 0:50:04.600
<v Speaker 1>don't and I don't know that we were the only

0:50:04.640 --> 0:50:07.279
<v Speaker 1>show like that. I honestly I don't know, but I

0:50:07.320 --> 0:50:09.600
<v Speaker 1>think we sort of maybe just got lucky because we

0:50:09.680 --> 0:50:11.840
<v Speaker 1>did what we wanted to do and wanted to have

0:50:11.880 --> 0:50:14.720
<v Speaker 1>a good message in each episode and that lends itself

0:50:14.800 --> 0:50:17.879
<v Speaker 1>to not doing that stuff that you would cringe now

0:50:17.960 --> 0:50:23.680
<v Speaker 1>going or said that. But that's just I guess. Well,

0:50:23.800 --> 0:50:26.000
<v Speaker 1>kudos to all of you guys in the room for

0:50:26.080 --> 0:50:27.960
<v Speaker 1>you know, I mean, like you said, there in all

0:50:28.000 --> 0:50:31.560
<v Speaker 1>writers rooms there, you know, in order to keep creativity flowing,

0:50:31.680 --> 0:50:34.040
<v Speaker 1>sometimes you're you're pitching things that are like, Okay, here's

0:50:34.080 --> 0:50:35.840
<v Speaker 1>a bad joke, but it'll hopefully get us to a

0:50:35.880 --> 0:50:38.440
<v Speaker 1>better joke. And here's something that's totally inappropriate that we're

0:50:38.440 --> 0:50:40.480
<v Speaker 1>not going to use, but hopefully it like sparks something

0:50:40.520 --> 0:50:42.480
<v Speaker 1>that you know, and like you said, there there are

0:50:42.520 --> 0:50:44.719
<v Speaker 1>definitely things that I'm sure, I'm sure we're said that

0:50:44.800 --> 0:50:47.960
<v Speaker 1>would not be said now and um, but ultimately, I

0:50:48.000 --> 0:50:50.160
<v Speaker 1>think you know, it's been one of my favorite things.

0:50:50.480 --> 0:50:54.000
<v Speaker 1>Uh watching the show. People had told us over the years, Wow,

0:50:54.080 --> 0:50:56.359
<v Speaker 1>like it still holds up and I still there's still

0:50:56.360 --> 0:50:58.279
<v Speaker 1>such great lessons in it, but we hadn't watched it,

0:50:58.480 --> 0:51:01.040
<v Speaker 1>and so now watching it ourselves, I think we've all

0:51:01.080 --> 0:51:04.719
<v Speaker 1>been really pleasantly surprised through this first season of just

0:51:04.840 --> 0:51:07.840
<v Speaker 1>how much we actually enjoy it. Yeah, well, and it

0:51:07.880 --> 0:51:10.040
<v Speaker 1>shows you guys, you guys, I mean, you guys definitely

0:51:10.040 --> 0:51:14.440
<v Speaker 1>had fun and and your camaraderie and chemistry came across

0:51:14.640 --> 0:51:17.920
<v Speaker 1>right from the beginning. You know, I didn't remember, Daniel,

0:51:17.960 --> 0:51:20.920
<v Speaker 1>that you were in not a lot of episodes at

0:51:20.920 --> 0:51:22.960
<v Speaker 1>the very beginning me. So it's kind of it's kind

0:51:22.960 --> 0:51:25.799
<v Speaker 1>of weird when you don't see it. But then you know,

0:51:26.080 --> 0:51:28.360
<v Speaker 1>but then you you you really grew as a character,

0:51:28.400 --> 0:51:31.319
<v Speaker 1>obviously because once we realize you know, you were going

0:51:31.360 --> 0:51:32.960
<v Speaker 1>to be part of the show, it became a big thing.

0:51:33.000 --> 0:51:35.600
<v Speaker 1>But yeah, you guys are a big part of that.

0:51:35.640 --> 0:51:38.600
<v Speaker 1>You know, you brought the right character to the character.

0:51:38.760 --> 0:51:41.319
<v Speaker 1>You know so well to that end. Do you have

0:51:41.360 --> 0:51:48.160
<v Speaker 1>any insight to who actually named to Panga? Um? I? Well,

0:51:48.239 --> 0:51:51.080
<v Speaker 1>you know, I'm so part of my problem is, you know,

0:51:51.120 --> 0:51:53.920
<v Speaker 1>I've heard a lot of the stories. Who's telling the

0:51:54.000 --> 0:51:56.960
<v Speaker 1>right When I can tell you this, no, I'd rather

0:51:57.000 --> 0:52:05.120
<v Speaker 1>not get involved because it's no, No, I'm not Michael. Michael.

0:52:05.360 --> 0:52:08.960
<v Speaker 1>You know he did drive by to Panga. Canon. There's

0:52:08.960 --> 0:52:10.439
<v Speaker 1>a lot of times where you say I'm twenty minutes

0:52:10.440 --> 0:52:13.200
<v Speaker 1>away I met to Panga. So there's probably, uh, there's

0:52:13.239 --> 0:52:15.960
<v Speaker 1>a chance of that. But but I and I know

0:52:16.280 --> 0:52:19.160
<v Speaker 1>Sherman put it in his script the first time. I

0:52:19.239 --> 0:52:21.680
<v Speaker 1>don't think Bill Lawrence did it right. No, I heard

0:52:21.680 --> 0:52:24.520
<v Speaker 1>he said he did it. Um you know he wrote

0:52:24.840 --> 0:52:28.400
<v Speaker 1>a freelance episode first. But honestly, I can't say I

0:52:28.440 --> 0:52:30.840
<v Speaker 1>remember the seminal moment. But you know, I'm gonna believe

0:52:30.880 --> 0:52:33.080
<v Speaker 1>Michael on this just because he did say I'm at

0:52:33.160 --> 0:52:37.120
<v Speaker 1>to Panga so many times that um, I'm not disbelieving. Sorry,

0:52:37.120 --> 0:52:38.799
<v Speaker 1>I think I know. Sherman put it in his It

0:52:38.880 --> 0:52:41.440
<v Speaker 1>was in his script, the first script. You know, I'm

0:52:41.480 --> 0:52:43.480
<v Speaker 1>a witness of a lot of stuff, but these days

0:52:43.480 --> 0:52:45.080
<v Speaker 1>I'm not a great winners because I don't remember any

0:52:45.080 --> 0:52:47.359
<v Speaker 1>of us, like uh, Lauria would say that was thirty

0:52:47.440 --> 0:52:49.560
<v Speaker 1>years ago. You know what does he remember? And I

0:52:49.560 --> 0:52:53.240
<v Speaker 1>remember I remember a lot of things, but not everything.

0:52:53.320 --> 0:52:57.520
<v Speaker 1>But okay, so somewhere between Michael and Sherman, Okay, I'll

0:52:57.520 --> 0:53:01.360
<v Speaker 1>take that answer. Now. Giving you a lot, We've given

0:53:01.360 --> 0:53:03.560
<v Speaker 1>you a lot of praise that's well deserved. Now I

0:53:03.600 --> 0:53:08.880
<v Speaker 1>have a question, be Team of Life, how does the

0:53:09.480 --> 0:53:13.960
<v Speaker 1>math work out that the Matthews family? I heard you guys,

0:53:14.000 --> 0:53:17.160
<v Speaker 1>are ye did we did? We cut the time machine? See?

0:53:17.280 --> 0:53:19.439
<v Speaker 1>What is that the thing that happened? Is there something

0:53:19.440 --> 0:53:21.719
<v Speaker 1>we missed? No? But I will say this, I used

0:53:21.719 --> 0:53:24.040
<v Speaker 1>to live outside Philly and chill him is not that

0:53:24.080 --> 0:53:29.239
<v Speaker 1>far from Okay, Philly, so, which unfortunately hurts what I'm about,

0:53:29.440 --> 0:53:31.759
<v Speaker 1>makes it even worse. It does make it worse, I think.

0:53:31.880 --> 0:53:33.759
<v Speaker 1>But one of you made a good argument. I think, uh,

0:53:34.560 --> 0:53:36.520
<v Speaker 1>I think it was Will a writer. But just like

0:53:36.560 --> 0:53:39.960
<v Speaker 1>you know, you go early, the bus leaves early, they

0:53:40.000 --> 0:53:41.680
<v Speaker 1>get there early. I don't know what time in the family,

0:53:41.920 --> 0:53:44.280
<v Speaker 1>by time he got home. They may have just left

0:53:44.440 --> 0:53:47.720
<v Speaker 1>to go right, so I can just find the family.

0:53:47.920 --> 0:53:51.080
<v Speaker 1>They're not necessarily gone for hours. The team was gone

0:53:51.120 --> 0:53:57.719
<v Speaker 1>for hours. I'd say, let's stop analyzing stuff. A lot

0:53:57.760 --> 0:53:59.600
<v Speaker 1>of plot holes and a lot of shows. Can you

0:53:59.719 --> 0:54:03.680
<v Speaker 1>just you find not scratch cocking the chicken? Yeah? How

0:54:03.719 --> 0:54:07.000
<v Speaker 1>did justify that? Minnel? I didn't think that term would

0:54:07.040 --> 0:54:09.319
<v Speaker 1>ever come up again. I've never heard it, so you

0:54:09.440 --> 0:54:16.120
<v Speaker 1>said it from Well, I like cooking, I do like

0:54:16.239 --> 0:54:18.360
<v Speaker 1>I do hate that Corey just threw that chicken to

0:54:18.480 --> 0:54:22.880
<v Speaker 1>the dirt. Was really wasteful, And I thought Bill was

0:54:23.000 --> 0:54:25.880
<v Speaker 1>much less angry me than I would have been. He

0:54:25.920 --> 0:54:28.360
<v Speaker 1>was very understanding. Well, you know, he wasn't cooking it right,

0:54:28.360 --> 0:54:29.960
<v Speaker 1>so he didn't really care all that much about it.

0:54:30.280 --> 0:54:36.400
<v Speaker 1>That was the thing vital controversial question. Is it a

0:54:36.400 --> 0:54:42.040
<v Speaker 1>backyard or is it a sideyard? Um, it's a I've

0:54:42.080 --> 0:54:44.120
<v Speaker 1>never thought about that until I heard you guys talk

0:54:44.160 --> 0:54:48.160
<v Speaker 1>about it. Well, it's a side backyard. Everyone knows that

0:54:48.400 --> 0:54:50.480
<v Speaker 1>there's not many of them. It's the only one ever

0:54:50.520 --> 0:54:54.400
<v Speaker 1>on television. But it is. Listen, my front door doesn't

0:54:54.400 --> 0:54:56.400
<v Speaker 1>face the street. It faces my neighbor's house. So there

0:54:56.440 --> 0:55:00.839
<v Speaker 1>are certain Yeah, not but I don't like that. UM

0:55:00.920 --> 0:55:03.840
<v Speaker 1>so many politician answers, when are you running for Congress?

0:55:04.000 --> 0:55:08.600
<v Speaker 1>I'm curious. I'm not even trying to be. I'm not

0:55:08.640 --> 0:55:11.600
<v Speaker 1>trying to be, uh, you know, impartial. I just I

0:55:11.640 --> 0:55:13.520
<v Speaker 1>don't have a great answer for you. I didn't. I

0:55:13.600 --> 0:55:15.319
<v Speaker 1>never worry about that stuff because I was just so

0:55:15.360 --> 0:55:17.560
<v Speaker 1>happy to be on set with all of you. And

0:55:18.280 --> 0:55:22.040
<v Speaker 1>what's this awesome boy meets world? Aren't you have back there?

0:55:22.239 --> 0:55:24.120
<v Speaker 1>That's the poster I have. I have the same one. No,

0:55:24.320 --> 0:55:33.320
<v Speaker 1>not that this thing ye greatest films and television shows

0:55:33.320 --> 0:55:37.480
<v Speaker 1>in Americana history, total spectrum, one end of the other. Yeah,

0:55:37.920 --> 0:55:40.239
<v Speaker 1>I've had that. You know. Michael gave it him many

0:55:40.280 --> 0:55:43.840
<v Speaker 1>years ago. He was moving. He goes, I want He

0:55:43.920 --> 0:55:46.399
<v Speaker 1>didn't say that. I said, can I have that? Because

0:55:46.440 --> 0:55:49.560
<v Speaker 1>he had others? Yeah, I take it, and uh it

0:55:49.680 --> 0:55:52.759
<v Speaker 1>was My wife hangs it when she's teaching. I put

0:55:52.840 --> 0:55:55.399
<v Speaker 1>raging bull back on when she's not. Because I love

0:55:55.440 --> 0:55:57.759
<v Speaker 1>you guys. Rangeable is my favorite movie of all time

0:55:57.920 --> 0:56:00.000
<v Speaker 1>and of course, Worlds my favorite show at all time.

0:56:00.680 --> 0:56:02.719
<v Speaker 1>Well and politically I should run from all you. Really,

0:56:03.480 --> 0:56:05.319
<v Speaker 1>it's really good to see you. Thank you so much

0:56:05.320 --> 0:56:08.320
<v Speaker 1>for being here with us and answering our hard hitting questions.

0:56:08.440 --> 0:56:14.120
<v Speaker 1>And I know, I mean, listen Michael tell the to

0:56:14.160 --> 0:56:16.560
<v Speaker 1>Peg story, but I know Sherman put it in his script,

0:56:16.960 --> 0:56:19.400
<v Speaker 1>and so I know both those are facts. You just

0:56:19.440 --> 0:56:22.320
<v Speaker 1>thought what that all means? Okay, fair enough, but we

0:56:22.440 --> 0:56:26.040
<v Speaker 1>decide from the side yard of the backyard, you can

0:56:26.080 --> 0:56:31.520
<v Speaker 1>decide why your Yeah, I see both those people, so

0:56:31.560 --> 0:56:37.400
<v Speaker 1>I'm I believe everyone. And the janitor is still a ghost.

0:56:38.360 --> 0:56:40.080
<v Speaker 1>I looked up. I looked him up. After this guy

0:56:40.080 --> 0:56:42.480
<v Speaker 1>interviewed man, I found him and because he thought he

0:56:42.560 --> 0:56:44.719
<v Speaker 1>was in another movie, he said, is that the guy

0:56:44.800 --> 0:56:49.000
<v Speaker 1>from Sahasa? And it wasn't. I think writer's right. I

0:56:49.000 --> 0:56:54.239
<v Speaker 1>think he was a background actor. Yeah, he was person.

0:56:54.280 --> 0:56:56.440
<v Speaker 1>We should ask his d D because she might remember

0:56:56.560 --> 0:57:00.799
<v Speaker 1>d D or Michael Shay because the background maybe they

0:57:00.800 --> 0:57:09.000
<v Speaker 1>would remember that guy's name something right. Maybe I don't know.

0:57:09.120 --> 0:57:13.000
<v Speaker 1>I think d or Michael Michael shan background. So we

0:57:13.239 --> 0:57:15.719
<v Speaker 1>we we appreciate, we understand that we're putting you on

0:57:15.719 --> 0:57:17.280
<v Speaker 1>the spot. With certain things. But the one thing we

0:57:17.320 --> 0:57:20.360
<v Speaker 1>can all agree on is how thankful we are that

0:57:20.400 --> 0:57:22.520
<v Speaker 1>you came up with the idea for this podcast. Yeah,

0:57:24.000 --> 0:57:30.000
<v Speaker 1>thank you for that anonymous on that I know, but

0:57:30.080 --> 0:57:33.440
<v Speaker 1>it was a great idea. Thanks for inviding me on

0:57:33.480 --> 0:57:37.640
<v Speaker 1>I was. But I love you, Jeff, Thank you for you.

0:57:40.160 --> 0:57:44.920
<v Speaker 1>He really should be a politician. Still still no no

0:57:45.040 --> 0:57:50.120
<v Speaker 1>real inside and panga backyard. No, it won't say sideyard backyard.

0:57:50.320 --> 0:57:52.520
<v Speaker 1>Also won't take credit for any of the lines that

0:57:52.560 --> 0:57:56.520
<v Speaker 1>we absolutely love. I know, and he says he's like,

0:57:56.560 --> 0:58:01.320
<v Speaker 1>I'm not humble. It's like, well, yeah, but man, that's fun.

0:58:01.400 --> 0:58:04.520
<v Speaker 1>He's such a He's exactly the same now very briefly,

0:58:04.840 --> 0:58:08.520
<v Speaker 1>was he the only writer that did all seven years

0:58:08.520 --> 0:58:13.120
<v Speaker 1>a boy? And I think right? And what's interesting too

0:58:13.200 --> 0:58:15.200
<v Speaker 1>to think about is like you know, and and I

0:58:15.520 --> 0:58:17.600
<v Speaker 1>will have to when we get to second and third season.

0:58:18.000 --> 0:58:21.400
<v Speaker 1>Michael stepped away from the show for Yeah, David Kendall

0:58:21.480 --> 0:58:24.120
<v Speaker 1>came in as our showrunner. He started other shows, Yeah,

0:58:24.160 --> 0:58:28.360
<v Speaker 1>he started Misery Loves Company and um, you wish this time?

0:58:28.600 --> 0:58:32.080
<v Speaker 1>And you wish were Jeff Sherman rand you wish actually Michael,

0:58:32.080 --> 0:58:35.120
<v Speaker 1>But Michael was epene but Michael actually left our show

0:58:35.240 --> 0:58:37.440
<v Speaker 1>for period, Like I remember, we would have note sessions

0:58:37.440 --> 0:58:40.920
<v Speaker 1>without Michael, but Minnell was always there, so you know

0:58:40.920 --> 0:58:44.360
<v Speaker 1>where he was. He's actually probably the most consistent writer

0:58:44.640 --> 0:58:47.320
<v Speaker 1>producer for our show from start to finish and Girl

0:58:47.400 --> 0:58:48.880
<v Speaker 1>Meat's World. He was there for every episode of Girl

0:58:48.880 --> 0:58:51.080
<v Speaker 1>Meets World. So Jeff YEA. Minnell has been around for

0:58:51.120 --> 0:58:53.680
<v Speaker 1>all of it. Yeah. Well, I mean, truthfully, the good

0:58:53.680 --> 0:58:55.479
<v Speaker 1>news is it kind of makes him a perfect guest

0:58:55.560 --> 0:58:58.400
<v Speaker 1>to have on as the season's progress, because he'll be

0:58:58.840 --> 0:59:00.080
<v Speaker 1>you know, he could be good at that. I know

0:59:00.120 --> 0:59:02.640
<v Speaker 1>he gets nervous and doesn't like to be interviewed and

0:59:02.640 --> 0:59:04.880
<v Speaker 1>all that stuff, but the fact that he's like one

0:59:04.920 --> 0:59:06.560
<v Speaker 1>of the O G s and stuck around for all

0:59:06.560 --> 0:59:10.640
<v Speaker 1>those years, he can come back. Well, Danielle, you weren't

0:59:10.640 --> 0:59:13.200
<v Speaker 1>in every episode. I wasn't in every episode writer? Or

0:59:13.240 --> 0:59:15.760
<v Speaker 1>were you in every episode of the show? Yes? You

0:59:15.800 --> 0:59:18.160
<v Speaker 1>didn't skip a single one? No, And I was the

0:59:18.200 --> 0:59:20.680
<v Speaker 1>only actor who had up until the last season, I

0:59:20.680 --> 0:59:23.920
<v Speaker 1>had never missed a tape night. Um. And then remember

0:59:23.920 --> 0:59:26.480
<v Speaker 1>that one week I got sick. I got mono and

0:59:26.560 --> 0:59:29.280
<v Speaker 1>the flu on top of each other, and so I missed.

0:59:29.320 --> 0:59:32.160
<v Speaker 1>I missed that tape night that was in the seventh season. Otherwise,

0:59:32.240 --> 0:59:34.400
<v Speaker 1>up until then, I had been for every tape because

0:59:34.400 --> 0:59:36.600
<v Speaker 1>we used to do tape nights without Ben because he

0:59:36.600 --> 0:59:40.160
<v Speaker 1>would have finals every year. So so there were episodes. Yeah,

0:59:40.160 --> 0:59:41.840
<v Speaker 1>everybody else had, you know, but that was like I

0:59:41.840 --> 0:59:44.280
<v Speaker 1>had never missed a tape night until that. So you

0:59:44.400 --> 0:59:47.560
<v Speaker 1>and Minnell might be the only two people involved in

0:59:47.720 --> 0:59:50.480
<v Speaker 1>every single episode of Boy. Why are you not? You're

0:59:50.480 --> 0:59:52.640
<v Speaker 1>not in an episode? Will Well? I did. There was

0:59:52.680 --> 0:59:55.600
<v Speaker 1>a couple episodes I wasn't in. There was because of

0:59:55.760 --> 0:59:57.320
<v Speaker 1>Michael would come up to me and he'd put his

0:59:57.520 --> 0:59:59.200
<v Speaker 1>he'd put his arm on my shoulder and he go, hey,

0:59:59.200 --> 1:00:01.160
<v Speaker 1>he got we tried to work it out, didn't work out,

1:00:01.200 --> 1:00:03.160
<v Speaker 1>you got a paid vacation next week, and I go, okay.

1:00:03.240 --> 1:00:05.760
<v Speaker 1>And that's been several times. I think there's four or

1:00:05.800 --> 1:00:07.760
<v Speaker 1>five that I'm not in. I mean, I know, like

1:00:07.800 --> 1:00:10.960
<v Speaker 1>the one where you're all you're sitting on the on

1:00:11.080 --> 1:00:15.160
<v Speaker 1>the sign like trying to win tickets to something bowl.

1:00:15.160 --> 1:00:16.880
<v Speaker 1>I don't think I'm in that one. I think maybe

1:00:16.880 --> 1:00:18.680
<v Speaker 1>there's a whistling one or two I'm not in. So yeah,

1:00:18.720 --> 1:00:20.440
<v Speaker 1>I didn't do every episode all right, Well then I

1:00:20.480 --> 1:00:22.920
<v Speaker 1>bet you. I mean, as far as being in every episode,

1:00:22.920 --> 1:00:26.040
<v Speaker 1>it's probably be in Ben because it's definitely in every episode,

1:00:26.040 --> 1:00:28.880
<v Speaker 1>but he wasn't there for every tape pipe. Yeah that's interesting. Yeah,

1:00:28.880 --> 1:00:32.080
<v Speaker 1>so me Ben and Minnell, we'll figure it out, all right. Well,

1:00:32.440 --> 1:00:34.200
<v Speaker 1>thank you guys for joining us for this episode of

1:00:34.200 --> 1:00:36.400
<v Speaker 1>Pod Meats World. You can follow us on Instagram pod

1:00:36.400 --> 1:00:39.000
<v Speaker 1>Meets World Show. You can email us at pod Meats

1:00:39.000 --> 1:00:42.440
<v Speaker 1>World Show at gmail dot com, and we have shirts

1:00:42.440 --> 1:00:51.280
<v Speaker 1>and stuff. It's called March pod Meets World Show dot com. Uh,

1:00:51.640 --> 1:00:53.919
<v Speaker 1>join us for our next episode later in the week

1:00:54.000 --> 1:00:55.920
<v Speaker 1>and uh yeah, thank you guys for being here with us.

1:00:55.960 --> 1:00:58.040
<v Speaker 1>Hope you're well. I'll do our sign off this time.

1:00:58.520 --> 1:01:03.000
<v Speaker 1>We love you all. Pod has missed. Pod Meets World

1:01:03.080 --> 1:01:06.120
<v Speaker 1>is an i heeart podcast produced and hosted by Daniel Fisher,

1:01:06.280 --> 1:01:09.800
<v Speaker 1>Wilfred l and Writer Strong Executive producers Jensen Carp and

1:01:09.800 --> 1:01:13.760
<v Speaker 1>Amy Sugarman, Executive in charge of production, Danielle Romo, producer

1:01:13.760 --> 1:01:17.960
<v Speaker 1>and editor, Tara sud Batch, producer, Jackie Rodriguez, engineer and

1:01:18.000 --> 1:01:21.120
<v Speaker 1>Boy Meets World super fan Easton Allen. Our theme song

1:01:21.200 --> 1:01:23.880
<v Speaker 1>is by Kyle Morton of Typhoon You can follow us

1:01:23.880 --> 1:01:26.680
<v Speaker 1>on Instagram at pod meets World Show, or email us

1:01:26.720 --> 1:01:29.520
<v Speaker 1>at pod Meets World Show at gmail dot com.