WEBVTT - Dean Torrence

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<v Speaker 1>Welcome, Welcome, welcome back to the Bob Left Sets podcast.

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<v Speaker 1>It's a thrill to have my guest on the podcast

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<v Speaker 1>today because he had such a huge impact on my life.

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<v Speaker 1>I remember being at the beach, which was something you

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<v Speaker 1>really did in Connecticut, going up to the pavilion and

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<v Speaker 1>hearing the Little Old Lady from Pasadena. I remember buying

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<v Speaker 1>the single, or my mother bought the single for me,

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<v Speaker 1>and then buying one of my favorite albums of all time,

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<v Speaker 1>Command Performance, Jan and Dean live in concert, and Dean

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<v Speaker 1>wore these blue sneakers. I made my mother run all

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<v Speaker 1>over town just so I could have those blue sneakers.

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<v Speaker 1>My guest today on the podcast is Dean Torrance, and

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<v Speaker 1>I still have those sneakers, by the way, really probably Okay,

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<v Speaker 1>now you email me that today is uh Jan's birthday.

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<v Speaker 1>Yes he would have been he passed as you know,

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<v Speaker 1>two thousand four, but he would have been seventy. Okay,

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<v Speaker 1>And how did you meet Jan? We met in high

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<v Speaker 1>school just up the street, well down a couple of

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<v Speaker 1>miles in West Los Angeles. High school, uh called University

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<v Speaker 1>high school? You do, And you know I've been with this,

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<v Speaker 1>wondering this for decades you know why it's called University

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<v Speaker 1>High School? Yes, I do. Oh really you're gonna yeah,

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<v Speaker 1>I can finally, you know, you know more about this

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<v Speaker 1>than I do. Actually UM University High School was called

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<v Speaker 1>University because it was the closest high school to U C.

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<v Speaker 1>L A. Oh, okay, other than the name was or

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<v Speaker 1>any connection you know now, you know as simple as that.

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<v Speaker 1>You know, it's a simple I just always wondered you.

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<v Speaker 1>I thingured there must be some connection, but I didn't know.

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<v Speaker 1>So you grew up in what part of l A

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<v Speaker 1>um East West l a Which meant I was right

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<v Speaker 1>around Beverly Glen and Olympic A couple more miles east

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<v Speaker 1>or a mile further east, and I would have had

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<v Speaker 1>to gone to Beverly Hills High School. But there was

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<v Speaker 1>a certain line there that you weren't supposed to go

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<v Speaker 1>over if you weren't living in Beverly Hills, you see.

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<v Speaker 1>So I wasn't cut out to be a Beverly Hills

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<v Speaker 1>High school student, I don't think. And what did your

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<v Speaker 1>father do for a living? Uh? He was in the

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<v Speaker 1>oil business. He right out of college. He got hired

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<v Speaker 1>by a little l A based Actually they were from Texas,

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<v Speaker 1>but they moved all their offices to l A. A

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<v Speaker 1>little company called Wilshire Oil, which you may remember, what

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<v Speaker 1>when did you get here? I got in the mid seventies. No,

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<v Speaker 1>you wouldn't remember. Those of us that like antiques. There

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<v Speaker 1>there was a brand called poly Gas that was part

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<v Speaker 1>of Wilshire Oil, really, and then they sold all of

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<v Speaker 1>that stuff off, probably in the fifties, forties or fifties,

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<v Speaker 1>and then he went to work for the guy who

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<v Speaker 1>owned the company. Okay, so one has to ask, even

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<v Speaker 1>in the time that I've been here, l A has

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<v Speaker 1>changed so much. Traffic is so bad. I remember living

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<v Speaker 1>on the West Side, you go to the valley for

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<v Speaker 1>a movie on a whib. You would never do that today.

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<v Speaker 1>So what was it like growing up in the forties

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<v Speaker 1>and fifties in l A? Beautiful? It was so simple.

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<v Speaker 1>The beach was always ten minutes away, ten or fifteen

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<v Speaker 1>the most um And we just thought, honestly, we thought

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<v Speaker 1>that most young people did the same thing as we did.

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<v Speaker 1>We didn't quite grasp anything, you know, outside of what

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<v Speaker 1>we could see, so we figured everybody mostly lived like this,

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<v Speaker 1>I mean, so we didn't really even know it was

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<v Speaker 1>all that special, particularly okay, and you have brothers or sisters?

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<v Speaker 1>Had a younger sister, yes, And what did her life

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<v Speaker 1>turn out to be? Um? Pretty interesting for a while,

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<v Speaker 1>but unfortunately she got Parkinson's past. She passed away like

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<v Speaker 1>about six years ago. But I ended up with a

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<v Speaker 1>house that we owned together. It's just up the street

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<v Speaker 1>here and I just went by there. We were renting

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<v Speaker 1>it to some guys from France or Okay, do you

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<v Speaker 1>still hold the house? Yes? And so how did you

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<v Speaker 1>end up with that house? Um? We bought my sister

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<v Speaker 1>and I bought the house in the seventies just because

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<v Speaker 1>she liked restoring older, older homes mostly, and it was

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<v Speaker 1>a nineteen o six craftsman house just off of Franklin

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<v Speaker 1>and uh I love the neighborhood, always like craftsman. Uh.

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<v Speaker 1>So we bought it together as she was going to

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<v Speaker 1>live in it for a while, restore it and then

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<v Speaker 1>move out and rent it, then move on to another house. Okay,

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<v Speaker 1>so it's the only one you ended up boating together. Yes,

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<v Speaker 1>I owned a house up the street, up underneath the

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<v Speaker 1>Hollywood sign and probably see that right from your beautiful

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<v Speaker 1>office here. I bought an old Bogart house that was

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<v Speaker 1>built nineteen twenty four, So I I had been restoring

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<v Speaker 1>that one for years. I still own that too. Okay,

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<v Speaker 1>so you're going to university high school. First, you know

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<v Speaker 1>there was a surf culture. You mentioned the beach. There

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<v Speaker 1>was also a car coal. Was that something that was

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<v Speaker 1>amped up on the records or was really a big

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<v Speaker 1>car culture? Um? Quite Frankly, we didn't really grafts that

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<v Speaker 1>that that kind of subculture was really that important. And

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<v Speaker 1>for lack of having any other ideas of subject matter

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<v Speaker 1>about songs, because you know, twenty we don't know much

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<v Speaker 1>about relationship songs. All those teenisles were singing all those

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<v Speaker 1>relationship songs, you know, I'm falling in love and breaking

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<v Speaker 1>up and all that. None of that going out in

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<v Speaker 1>our lives. But we did drive hot rods, so we

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<v Speaker 1>thought we we know pretty much all there is to

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<v Speaker 1>know about hot rods. Like, maybe maybe that'll interest the

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<v Speaker 1>you know, the record lovers out there. We didn't know.

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<v Speaker 1>We found out, yes, that was important that in the

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<v Speaker 1>serf culture, of course, the beach culture. Okay. Now, the

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<v Speaker 1>first I remember going to the record story. You'd always

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<v Speaker 1>looked through the catalog and there was an album Jane

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<v Speaker 1>Deine's greatest hits with a gold cover. Okay, with baby Talk,

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<v Speaker 1>et cetera. When were those tracks? Hits? Late fifties? Late

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<v Speaker 1>included Barbaraane by the way, Okay, but who did the

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<v Speaker 1>original Barbarianne their regions? Okay, did your Barbarianne hit the chart? No,

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<v Speaker 1>it was just just for an album, just an album fillers. Okay.

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<v Speaker 1>So you're going to university high how do you meet Jen?

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<v Speaker 1>We're on the We're on the football team together. Just

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<v Speaker 1>so happened we had lockers right next to one another,

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<v Speaker 1>so I was forced to talk to him. I didn't.

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<v Speaker 1>I didn't think I liked him. Well, he was he

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<v Speaker 1>was Chan, you know, everybody, everybody knew who he was,

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<v Speaker 1>and he kind of did whatever he wanted to do

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<v Speaker 1>whenever he wanted to do it. And I came from

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<v Speaker 1>a family that you don't break rules, and all that

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<v Speaker 1>rules were nothing to him. So I just kind of

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<v Speaker 1>figured he was stuck up, and I didn't even think

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<v Speaker 1>he would last very long on a football team. So

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<v Speaker 1>I tried to avoid him, but he kept offering me

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<v Speaker 1>candy and I turned it down at first because I

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<v Speaker 1>was going out. I can't eat candy before you go,

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<v Speaker 1>you know, work out and practice. That's really stupid. But

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<v Speaker 1>he won me over with the first with the chocolate

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<v Speaker 1>and all that kind of stuff. And then we we

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<v Speaker 1>collectively as as a football team realized we were very,

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<v Speaker 1>very blessed to have these old locker rooms that were

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<v Speaker 1>probably built with thirties with that real nice tile, and

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<v Speaker 1>we had a natural echo chamber. You know, we're where

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<v Speaker 1>our sports lockers were and the shower room was all

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<v Speaker 1>at tile. So man, we all sound when we got

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<v Speaker 1>around and saying do wop as we were, you know,

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<v Speaker 1>showering off and heading home. We want Man, we sound good.

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<v Speaker 1>This is really fun. And of course do wop was

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<v Speaker 1>pretty much made for vocal groups, so more the better.

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<v Speaker 1>So we were in a always band you know of

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<v Speaker 1>vocalists doing doo wop. Now you're living in there. Well, first,

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<v Speaker 1>let's go back to the football team. Did you guys

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<v Speaker 1>were you starters? Did you play? Oh? Yeah? And what

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<v Speaker 1>position did you have? Um? I played, uh, probably what

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<v Speaker 1>would be called a wide receiver wing back they called

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<v Speaker 1>them those days. So I was a wide receiver. My

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<v Speaker 1>dad was, He played at Stanford and he was a

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<v Speaker 1>probably tight end ish type player. Um. So you know,

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<v Speaker 1>when when we would go play ball. He would just

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<v Speaker 1>keep throwing me passes because he didn't learn anything else

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<v Speaker 1>just by being thrown a ball. So it's pretty good

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<v Speaker 1>at catching stuff. Jan it's also really really had good hands.

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<v Speaker 1>He could catch two. So we kind of competed somewhat

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<v Speaker 1>for the same position. Then I ended up playing a

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<v Speaker 1>lot of defense, and so the defensive back or safety

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<v Speaker 1>or something. Now, going back to the candy, do you

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<v Speaker 1>think he saw something in you or you just happened

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<v Speaker 1>to have the locker next to him, just happened to

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<v Speaker 1>have the locker next to him. And then when you

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<v Speaker 1>start doing doo wop in the locker room, who starts that?

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<v Speaker 1>It was probably just totally spontaneous because that's what we

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<v Speaker 1>listened to, you know, in our cars driving to school

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<v Speaker 1>and drive home from school, listen to du wop. So

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<v Speaker 1>of course somebody is going to start humming or singing

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<v Speaker 1>a doop song. And I swear that it was just

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<v Speaker 1>so spontaneous, and nobody sat down and said, hey, let's

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<v Speaker 1>sing a song. Somebody just starts singing. Lord, I don't

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<v Speaker 1>remember who, but everybody's always kind of humming or singing

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<v Speaker 1>or whistling. And then because it's doo wop. That's one vocal,

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<v Speaker 1>so somebody else would add in the second vocal. And

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<v Speaker 1>then all of a sudden you have five or six

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<v Speaker 1>or seven or eight people all singing stuff, picking different

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<v Speaker 1>parts because there's plenty of parts. And I noticed nobody

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<v Speaker 1>was doing a falsetto, so I put that falsetto party

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<v Speaker 1>and he went, oh, now we have a full, full

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<v Speaker 1>on vocal group here. And who has just started had

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<v Speaker 1>innocently who decided okay, because you know, you're living in

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<v Speaker 1>Los Angeles. The whole of the recording industry is supposed

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<v Speaker 1>to be an omaha or something who decides, well, maybe

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<v Speaker 1>we should go professional. Oh that was all Jane. See.

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<v Speaker 1>Jane had an IQ about one seventy in arrange mensa

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<v Speaker 1>type of stuff, and we were just all hoping to,

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<v Speaker 1>you know, get passing grades. So he didn't have to

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<v Speaker 1>study very much. And he was way ahead of us

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<v Speaker 1>in visualizing and thinking and in his mind which where

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<v Speaker 1>he was going to go. And we had no idea

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<v Speaker 1>except we're going home after practice and doing our homework.

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<v Speaker 1>So he was a visionary um. He also his dad

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<v Speaker 1>had made him a music room out of her garage

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<v Speaker 1>because my girlfriend went to high school with you know,

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<v Speaker 1>one of his sisters. He came from a huge family

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<v Speaker 1>of like kids, you're right. And then what did his

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<v Speaker 1>father do for a living that he could afford to

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<v Speaker 1>build a music room? He worked for Howard Queues. Wow.

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<v Speaker 1>He was one of Howard Hughes's right hand men. Uh.

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<v Speaker 1>There's quite a famous picture of Howard Hughes in the

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<v Speaker 1>Spruce Goose airplane that he built all out of wood,

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<v Speaker 1>and he's sitting Howard the picture well that there's like

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<v Speaker 1>four or five six guys behind him. He's in the

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<v Speaker 1>cockpit and one of those guys as Jan's dad. Wow.

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<v Speaker 1>So who let me? Years years or later after he retired,

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<v Speaker 1>they pulled him out of retirement to help them disassemble

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<v Speaker 1>the airplane because somebody up in the Oregan wanted it

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<v Speaker 1>or something right, right, they from story right, So he

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<v Speaker 1>he was involved in making that all happen. Okay, So

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<v Speaker 1>he built Janet music room. And what we inspired there, well,

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<v Speaker 1>one of the most important parts was Howard Hughes. And

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<v Speaker 1>of course you know he wanted to be in and

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<v Speaker 1>show biz. As you know, he happened to be an

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<v Speaker 1>audio file of at least you know, fifties version of it.

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<v Speaker 1>He had a couple of home Ampex home tape recorders

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<v Speaker 1>and he was getting rid of them because he was

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<v Speaker 1>upgrading all of us his U electrical stuff. So he

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<v Speaker 1>gave and he thought about it, and I guess because

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<v Speaker 1>he came up to Jan's dad, Bill Perry, and said, hey,

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<v Speaker 1>I got these two tape recorders. I don't know what

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<v Speaker 1>to do with him. I was just gonna jump him

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<v Speaker 1>or something, but I heard your son is you know,

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<v Speaker 1>likes music, and maybe he could get some use out

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<v Speaker 1>of these that I'll take those. Ub Bill took him,

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<v Speaker 1>took him home, bought Jan a microphone, or I don't

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<v Speaker 1>think a microphone came from Howard Hughes. So we cut

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<v Speaker 1>our very first top tune record on those on those

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<v Speaker 1>two home im pexas okay, and that record was baby Talk. Okay.

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<v Speaker 1>So your guys are still in high school, they have

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<v Speaker 1>the music room, So how does it ultimately come together

0:15:15.760 --> 0:15:21.040
<v Speaker 1>and record and be professional. Well, the football season ended,

0:15:22.480 --> 0:15:26.560
<v Speaker 1>so we needed we needed to go someplace else to

0:15:26.600 --> 0:15:30.360
<v Speaker 1>sing our songs after school because now the baseball team's

0:15:30.560 --> 0:15:34.440
<v Speaker 1>plan or the track team, so we're out of those

0:15:34.480 --> 0:15:37.560
<v Speaker 1>locker rooms. And Jan said, well, I got some tape

0:15:37.560 --> 0:15:40.600
<v Speaker 1>recorders up at the house, and he had figured out

0:15:40.600 --> 0:15:45.840
<v Speaker 1>how to uh do some wiring tricks one machine to

0:15:45.920 --> 0:15:50.840
<v Speaker 1>the other and be able to cause nice little delay echo.

0:15:51.840 --> 0:15:56.280
<v Speaker 1>It wasn't as good as the shower room, but it worked,

0:15:56.520 --> 0:15:59.600
<v Speaker 1>you know, as as an echo because once we heard

0:15:59.600 --> 0:16:04.600
<v Speaker 1>ourselves with that an echo. So luckily he had two

0:16:04.640 --> 0:16:07.000
<v Speaker 1>machines and he was able to create that echo and

0:16:07.040 --> 0:16:10.200
<v Speaker 1>made you feel like it was more like like a

0:16:10.320 --> 0:16:15.080
<v Speaker 1>real recording. And he knew enough chords on the pianos,

0:16:15.080 --> 0:16:18.320
<v Speaker 1>so we had a piano and one of these microphones

0:16:18.360 --> 0:16:23.280
<v Speaker 1>sitting right in between all of us and channel bang

0:16:23.320 --> 0:16:28.000
<v Speaker 1>out the chords and we'd sing live. And how many

0:16:28.080 --> 0:16:31.920
<v Speaker 1>guys were there at that point it fluctuated. It went

0:16:32.040 --> 0:16:36.160
<v Speaker 1>from you know, six or eight guys down to four,

0:16:36.680 --> 0:16:40.840
<v Speaker 1>back up to six, back down to three, backup to five.

0:16:41.360 --> 0:16:46.600
<v Speaker 1>It fluctuated depending on who had a new girlfriend or

0:16:47.160 --> 0:16:50.080
<v Speaker 1>who you know had a job after school all of

0:16:50.160 --> 0:16:52.520
<v Speaker 1>a sudden, because they don't have to have an income

0:16:52.640 --> 0:16:55.520
<v Speaker 1>to spend on a girlfriend and or on a car

0:16:55.600 --> 0:16:59.560
<v Speaker 1>and getting something chromed. And after a while I assumed

0:16:59.560 --> 0:17:03.520
<v Speaker 1>a certain guys went, you know, this has been fun,

0:17:03.760 --> 0:17:07.640
<v Speaker 1>but it's time we move on, and graduation did come along,

0:17:07.680 --> 0:17:12.240
<v Speaker 1>and everybody just kind of went off like blowing leaves,

0:17:13.040 --> 0:17:15.560
<v Speaker 1>all in different tractions. All of a sudden, we looked

0:17:15.600 --> 0:17:20.200
<v Speaker 1>around and it's just to us. So at that point

0:17:20.480 --> 0:17:24.320
<v Speaker 1>we didn't want to be a duo, but we were

0:17:24.400 --> 0:17:27.159
<v Speaker 1>forced to be a duo because nobody else seemed to

0:17:27.200 --> 0:17:31.720
<v Speaker 1>be interested. What was the first track you tried to shop? Um?

0:17:32.119 --> 0:17:36.840
<v Speaker 1>We were working on a song, a doop song at

0:17:38.680 --> 0:17:42.439
<v Speaker 1>one of our buddies, his name is Arnie, Arnie Ginsburg.

0:17:43.040 --> 0:17:46.080
<v Speaker 1>He had come up with this idea and we toyed

0:17:46.080 --> 0:17:49.000
<v Speaker 1>around with it and finished it and then saying about

0:17:49.160 --> 0:17:55.800
<v Speaker 1>fifty different versions of it. Um. And then one one weekend,

0:17:56.080 --> 0:18:01.159
<v Speaker 1>Jan decides that he had heard about a recording studio

0:18:02.160 --> 0:18:05.680
<v Speaker 1>and that you could go get a demo made so

0:18:05.960 --> 0:18:08.359
<v Speaker 1>you could take it off of it because not that

0:18:08.440 --> 0:18:11.520
<v Speaker 1>many people out of real to real machines sitting around.

0:18:12.720 --> 0:18:15.280
<v Speaker 1>So he said, you know, you can go to recording studio.

0:18:15.440 --> 0:18:19.080
<v Speaker 1>We can take our our tape in and then they'll

0:18:19.119 --> 0:18:21.760
<v Speaker 1>transfer the tape onto a disk and it'll look like

0:18:21.840 --> 0:18:26.080
<v Speaker 1>a real record. Well that was pretty exciting. Well how

0:18:26.160 --> 0:18:31.680
<v Speaker 1>much does that say? Like twenty bucks? I go home? Well,

0:18:31.720 --> 0:18:38.880
<v Speaker 1>I'm really busy that actually I was. I was sure.

0:18:38.920 --> 0:18:41.879
<v Speaker 1>I told him I was a half a semester ahead

0:18:41.880 --> 0:18:46.479
<v Speaker 1>of him. So I was going to go right out

0:18:46.520 --> 0:18:51.440
<v Speaker 1>of high school going to the army because some recruiter

0:18:51.560 --> 0:18:53.720
<v Speaker 1>came to our high school and told us about the

0:18:53.960 --> 0:18:56.920
<v Speaker 1>reserve program that you only had to go in active

0:18:57.000 --> 0:19:02.719
<v Speaker 1>duty for six months. That sounded like good deal. Draft

0:19:02.880 --> 0:19:05.560
<v Speaker 1>was going on. Yeah, there was a draft, so we

0:19:05.680 --> 0:19:08.960
<v Speaker 1>had to we had to think about that. Although we

0:19:09.040 --> 0:19:14.040
<v Speaker 1>were eighteen years old. You'll catch up with you sooner

0:19:14.160 --> 0:19:19.000
<v Speaker 1>or later. So luckily I had very smart Asian friends,

0:19:20.280 --> 0:19:22.920
<v Speaker 1>and they all thought that was a good idea and

0:19:23.080 --> 0:19:26.080
<v Speaker 1>kind of talked me into it, and so we kind

0:19:26.119 --> 0:19:29.720
<v Speaker 1>of all went in a buddy system. Probably ten or

0:19:29.800 --> 0:19:34.480
<v Speaker 1>fifteen of us we missed a summer, and that was

0:19:34.600 --> 0:19:37.920
<v Speaker 1>probably a great summer too. In the fifties, we missed

0:19:37.960 --> 0:19:40.680
<v Speaker 1>the summer, but we got out right in time to,

0:19:41.840 --> 0:19:44.720
<v Speaker 1>you know, either go to Most of them were all

0:19:44.760 --> 0:19:48.840
<v Speaker 1>going to college in September, so I missed that summer,

0:19:49.080 --> 0:19:52.760
<v Speaker 1>got out in September, and we'd be home free at

0:19:52.840 --> 0:19:56.840
<v Speaker 1>thest for a while. We're still in the army, but

0:19:57.080 --> 0:19:58.720
<v Speaker 1>you didn't have to do active duty, and you had

0:19:58.760 --> 0:20:02.159
<v Speaker 1>to go to meetings, so that's what I was going

0:20:02.240 --> 0:20:05.320
<v Speaker 1>to do. So Janne calls me the night before he's

0:20:05.320 --> 0:20:09.240
<v Speaker 1>going to the recording studio because it was on a weekend,

0:20:10.200 --> 0:20:12.000
<v Speaker 1>and I said, well, no, you remember I told you

0:20:12.119 --> 0:20:15.000
<v Speaker 1>I'm going in the army and I'm never heack Sunday,

0:20:15.080 --> 0:20:17.399
<v Speaker 1>I got to get on that bus and go to

0:20:17.520 --> 0:20:22.560
<v Speaker 1>Ford Org. So I'm not going to be able to,

0:20:23.080 --> 0:20:26.119
<v Speaker 1>you know, go to the recording studio. I just didn't

0:20:26.119 --> 0:20:28.240
<v Speaker 1>want to come up with the twenty bucks. I figured

0:20:28.280 --> 0:20:31.159
<v Speaker 1>he probably had it, but but I did have a

0:20:31.359 --> 0:20:34.399
<v Speaker 1>new girlfriend and my last day, so I'm going to

0:20:34.520 --> 0:20:37.879
<v Speaker 1>do this. So he just couldn't understand what I was

0:20:37.920 --> 0:20:39.960
<v Speaker 1>going to do it. And then he said, well wait

0:20:39.960 --> 0:20:42.200
<v Speaker 1>a minute, he said army. I said, chan, I told

0:20:42.240 --> 0:20:45.399
<v Speaker 1>you just for six months. I'll be back in September.

0:20:46.560 --> 0:20:50.000
<v Speaker 1>Well okay, So he goes to the recording studio. I'm

0:20:50.280 --> 0:20:53.359
<v Speaker 1>off in the snow someplace with a new girlfriend and

0:20:53.440 --> 0:20:58.080
<v Speaker 1>a couple other guys. Come back and I'm getting my

0:20:58.160 --> 0:21:00.760
<v Speaker 1>stuff ready, packing my stuff, and he calls up and

0:21:00.840 --> 0:21:03.960
<v Speaker 1>he says, I want to recordian studio and I'm making,

0:21:04.200 --> 0:21:08.520
<v Speaker 1>you know, making that demo thing, and some guy some

0:21:08.720 --> 0:21:12.000
<v Speaker 1>stranger just comes into that little booth that they had

0:21:12.119 --> 0:21:18.320
<v Speaker 1>for the thing, you know, and this guy comes in.

0:21:18.480 --> 0:21:21.760
<v Speaker 1>He says, he's you know, he's an A R man

0:21:22.000 --> 0:21:27.719
<v Speaker 1>with Darwin Records and what is that song? And Jan said, well,

0:21:27.720 --> 0:21:29.440
<v Speaker 1>I told him that, you know, that was just a

0:21:29.520 --> 0:21:31.359
<v Speaker 1>song that we were just kind of working on and

0:21:32.160 --> 0:21:34.040
<v Speaker 1>that actually the only place where we were going to

0:21:34.160 --> 0:21:38.520
<v Speaker 1>play it's at our next party. And this guy here's

0:21:38.600 --> 0:21:40.879
<v Speaker 1>that and he wants to hear it again. And then

0:21:40.960 --> 0:21:43.840
<v Speaker 1>he said, you know, I want it. I want that,

0:21:44.119 --> 0:21:47.119
<v Speaker 1>I want that. I'll put that out. I'll make you

0:21:47.280 --> 0:21:53.439
<v Speaker 1>bigger than the Everly Brothers. Nobody could be. So Jan's

0:21:53.480 --> 0:21:55.159
<v Speaker 1>telling me that we're going to be bigger than the

0:21:55.160 --> 0:21:58.480
<v Speaker 1>Everly Brothers and and and you're doing what you're leaving tomorrow.

0:21:58.560 --> 0:22:01.320
<v Speaker 1>I said, yeah, you call him up and tell him

0:22:01.520 --> 0:22:03.320
<v Speaker 1>that that you're going to be you know, we're going

0:22:03.400 --> 0:22:06.440
<v Speaker 1>to be bigger than the Brothers. I said, am I

0:22:06.480 --> 0:22:08.720
<v Speaker 1>going to call? Do you figure out who to call?

0:22:08.760 --> 0:22:11.760
<v Speaker 1>I'm going how do you call up the army? And

0:22:11.880 --> 0:22:15.600
<v Speaker 1>tom one? I said, maybe, you know, I don't know,

0:22:15.720 --> 0:22:18.520
<v Speaker 1>Eisenhower might still be there or somebody. I really don't

0:22:18.520 --> 0:22:22.320
<v Speaker 1>know him. One of its pins. But other than that snay,

0:22:22.320 --> 0:22:24.439
<v Speaker 1>I just thought he was full of it. Nothing's going

0:22:24.480 --> 0:22:28.240
<v Speaker 1>to happen in six months. Nothing ever happened when you're eighteen,

0:22:28.880 --> 0:22:34.000
<v Speaker 1>seventeen or eighteen. So I go off into the army alone.

0:22:34.080 --> 0:22:38.919
<v Speaker 1>Behold that record gets finished. They overdubbed some real instruments

0:22:39.000 --> 0:22:42.920
<v Speaker 1>on it, and it's a top ten record. And that

0:22:43.119 --> 0:22:47.840
<v Speaker 1>record was Jinny Lee By Jan when I heard it

0:22:47.920 --> 0:22:50.440
<v Speaker 1>on her. A buddy of mine heard it up in

0:22:50.520 --> 0:22:52.639
<v Speaker 1>the army and came arounding up to me with a

0:22:52.680 --> 0:22:56.159
<v Speaker 1>little portable radio because he was familiar with the songs. Listen,

0:22:56.840 --> 0:22:59.359
<v Speaker 1>I'm listening to it. Sure sounds like the little demo

0:22:59.480 --> 0:23:03.920
<v Speaker 1>we did up with a saxophone a few other instruments

0:23:03.960 --> 0:23:07.720
<v Speaker 1>that you could hear. I'm going, oh my god. When

0:23:07.760 --> 0:23:10.680
<v Speaker 1>I left, we were called the Barons. So at the

0:23:10.840 --> 0:23:13.199
<v Speaker 1>end of it, the guy says, that's a big hit,

0:23:13.400 --> 0:23:17.000
<v Speaker 1>you know, out of l A. This is a smash

0:23:17.160 --> 0:23:20.920
<v Speaker 1>and blah blah blah, and that's Jinny Lee By. I'm

0:23:20.920 --> 0:23:28.480
<v Speaker 1>waiting to hear the Barons Jan and Arnie what. I

0:23:28.560 --> 0:23:34.520
<v Speaker 1>really thought it blown? It just um, there's nothing I

0:23:34.560 --> 0:23:37.080
<v Speaker 1>could do about it that particularly, So I found a

0:23:37.119 --> 0:23:41.960
<v Speaker 1>pay phone. Of course I tried, and in those days

0:23:42.040 --> 0:23:45.520
<v Speaker 1>you only had had a house phone. And um, I

0:23:45.600 --> 0:23:48.160
<v Speaker 1>finally did reach him and I said, you know, I listen,

0:23:48.280 --> 0:23:50.600
<v Speaker 1>was listening to the radio up here in four Ord

0:23:51.200 --> 0:23:54.800
<v Speaker 1>I heard and I heard our hour song. He said,

0:23:54.840 --> 0:23:59.440
<v Speaker 1>oh yeah, yeah, I said to yeah, yeah, Well you

0:23:59.560 --> 0:24:03.280
<v Speaker 1>know they said Jane and Arnie. Well he said, you

0:24:03.320 --> 0:24:09.119
<v Speaker 1>weren't here. Oh but didn't I sing? He said, now

0:24:09.200 --> 0:24:15.720
<v Speaker 1>we took your part off. Okay um, And and basically

0:24:15.880 --> 0:24:19.160
<v Speaker 1>that was They did another two that was a top

0:24:19.200 --> 0:24:22.800
<v Speaker 1>ten record, and they had two other singles that didn't

0:24:22.880 --> 0:24:26.159
<v Speaker 1>do it quite as well, but didn't done to Clark

0:24:26.400 --> 0:24:28.720
<v Speaker 1>and they had a lot of exposure and stuff. Now

0:24:28.960 --> 0:24:32.000
<v Speaker 1>tell my audience the derivation of the song, Jennie Lee,

0:24:34.400 --> 0:24:37.360
<v Speaker 1>Can we say that on their radio? Yes, on a podcast.

0:24:37.400 --> 0:24:46.680
<v Speaker 1>Any language is possible. She was a topless dancer, exotic dancer.

0:24:46.760 --> 0:24:50.639
<v Speaker 1>I guess you would say, um, you know, first she

0:24:50.840 --> 0:24:53.320
<v Speaker 1>was the first topless dancer we'd ever seen. You know,

0:24:53.440 --> 0:25:00.560
<v Speaker 1>that was an adult type. Um, and so we should

0:25:00.600 --> 0:25:05.960
<v Speaker 1>go downtown l A to to see her dance. I

0:25:06.080 --> 0:25:09.399
<v Speaker 1>do have her little at someplace in my and that

0:25:09.520 --> 0:25:12.960
<v Speaker 1>collection of stuff. Because parking was free as I remember,

0:25:13.840 --> 0:25:16.879
<v Speaker 1>So it was down in l a And and somehow

0:25:16.920 --> 0:25:20.520
<v Speaker 1>it came up with the bumps, the bump bump bump

0:25:20.800 --> 0:25:25.639
<v Speaker 1>stuff and and just through in her name. Basically we

0:25:25.720 --> 0:25:28.760
<v Speaker 1>didn't really talk about what she did, right, but the

0:25:28.840 --> 0:25:32.680
<v Speaker 1>inspiration did come from from Ginnie Lee, who was what

0:25:32.840 --> 0:25:41.560
<v Speaker 1>was pretty famous at the time. So you're out of

0:25:41.600 --> 0:25:45.879
<v Speaker 1>the army in September, that's what happens. Well, you know,

0:25:45.960 --> 0:25:51.800
<v Speaker 1>I'm thinking, um, I had come home for on leave once,

0:25:51.920 --> 0:25:54.400
<v Speaker 1>and of course I went right up to Jan's house

0:25:54.520 --> 0:25:59.600
<v Speaker 1>and and he and Arnie and others. Now there's an entourage,

0:26:00.560 --> 0:26:07.720
<v Speaker 1>guys smoking cigars, the suits, guys and it I could

0:26:07.760 --> 0:26:11.359
<v Speaker 1>tell it was strained by this time because they're looking

0:26:11.440 --> 0:26:17.360
<v Speaker 1>for a follow up single. And I spent maybe ten

0:26:17.480 --> 0:26:19.880
<v Speaker 1>or fifteen minutes there and I said, you know, let's

0:26:19.880 --> 0:26:24.600
<v Speaker 1>see you guys later. I left, but I had it

0:26:24.760 --> 0:26:28.040
<v Speaker 1>just didn't have the same vibe. It was so much fun,

0:26:28.200 --> 0:26:34.000
<v Speaker 1>just the guys just singing around a piano. And now

0:26:34.320 --> 0:26:38.920
<v Speaker 1>this was now this was business, so I didn't feel

0:26:39.000 --> 0:26:42.320
<v Speaker 1>too badly about it, but still it would have been fun.

0:26:42.440 --> 0:26:45.520
<v Speaker 1>That would have liked to have at the time thought

0:26:45.640 --> 0:26:49.639
<v Speaker 1>that experience. What's probably pretty neat. But anyway, I just

0:26:49.800 --> 0:26:53.080
<v Speaker 1>chalked it up to, you know, they already have a career,

0:26:53.359 --> 0:26:56.080
<v Speaker 1>and I had no idea when or not he would

0:26:56.320 --> 0:26:58.760
<v Speaker 1>last or not. So I went back, finished the service,

0:26:58.960 --> 0:27:04.840
<v Speaker 1>came back. Uh, our same old buddies called me up

0:27:05.240 --> 0:27:08.440
<v Speaker 1>one night and said, we're playing sam Lot football back

0:27:08.520 --> 0:27:13.280
<v Speaker 1>at UNI High and like we used to do on Sundays,

0:27:13.440 --> 0:27:17.320
<v Speaker 1>you know when it comes that sure got there. I

0:27:17.440 --> 0:27:20.400
<v Speaker 1>didn't think Jan would be there because I mean, he's

0:27:20.560 --> 0:27:24.679
<v Speaker 1>he's now, he's now our records star, you know, rock

0:27:24.760 --> 0:27:28.600
<v Speaker 1>and roll star, and lo and behold he was there,

0:27:30.240 --> 0:27:33.680
<v Speaker 1>and so you know, everybody's friends and it was just

0:27:34.000 --> 0:27:39.639
<v Speaker 1>like get ever it was after that game he approached

0:27:39.640 --> 0:27:46.160
<v Speaker 1>me and said, I want to work on some music. Yeah. Man.

0:27:47.560 --> 0:27:52.120
<v Speaker 1>I tried not to look too excited because I was going, why,

0:27:52.920 --> 0:27:57.920
<v Speaker 1>you know, don't don't you have another partner? And I probably,

0:27:58.119 --> 0:28:01.240
<v Speaker 1>as I remember, I did, to ask, well, where's Arnie?

0:28:01.240 --> 0:28:03.080
<v Speaker 1>Because I just didn't want to go up and fool

0:28:03.160 --> 0:28:08.040
<v Speaker 1>around them, you know, get interested and then not have

0:28:08.160 --> 0:28:11.920
<v Speaker 1>any part of it. Really, he said, I don't know, Arnie,

0:28:12.040 --> 0:28:18.000
<v Speaker 1>just he just isn't interested. He isn't interested. Who the

0:28:18.200 --> 0:28:22.440
<v Speaker 1>hell would not be interested in being on the Dick

0:28:22.480 --> 0:28:25.159
<v Speaker 1>Clark Show and hanging out with the Nette Funicello and

0:28:25.840 --> 0:28:29.440
<v Speaker 1>Frankie Avalon and owns. People are just so I said,

0:28:29.480 --> 0:28:34.159
<v Speaker 1>hell yeah, man, I'm let's go. Followed him up to

0:28:34.320 --> 0:28:38.320
<v Speaker 1>his house and it was just back to the normal,

0:28:38.960 --> 0:28:41.360
<v Speaker 1>right to the football game. He went way to his house. Yeah,

0:28:42.240 --> 0:28:45.720
<v Speaker 1>it was Sunday, you know, nothing else to do. He

0:28:45.880 --> 0:28:47.880
<v Speaker 1>was at u c l A by this time, so

0:28:48.040 --> 0:28:51.800
<v Speaker 1>he did have classes the next day, and I was

0:28:51.920 --> 0:28:56.280
<v Speaker 1>at City College in Santa Monica, and so we did

0:28:56.400 --> 0:28:59.480
<v Speaker 1>have classes on Mondays. So hell yeah, Sunday night we

0:29:00.480 --> 0:29:04.000
<v Speaker 1>worked on some songs. I didn't really have very much,

0:29:04.160 --> 0:29:09.600
<v Speaker 1>but um, I mean songs are as you know. I mean,

0:29:09.640 --> 0:29:11.800
<v Speaker 1>if you don't have the material, it doesn't matter what

0:29:12.160 --> 0:29:14.440
<v Speaker 1>what you know, how well you sing or don't sing,

0:29:14.600 --> 0:29:18.800
<v Speaker 1>or or your arrangements or any of that stuff, or

0:29:18.880 --> 0:29:22.800
<v Speaker 1>what label you're on. If you don't have that piece

0:29:22.840 --> 0:29:26.360
<v Speaker 1>of material, you really don't have a career. And since

0:29:26.440 --> 0:29:28.440
<v Speaker 1>we are full time students, didn't really have a lot

0:29:28.480 --> 0:29:31.760
<v Speaker 1>of kid to sit around and and write songs. I

0:29:31.840 --> 0:29:35.240
<v Speaker 1>mean that takes some effort and some time to do.

0:29:36.360 --> 0:29:42.480
<v Speaker 1>So normally we would just try and find songs that

0:29:42.640 --> 0:29:51.280
<v Speaker 1>were on on small indie labels and cover songs. Now,

0:29:51.400 --> 0:29:54.920
<v Speaker 1>Jan had a beautiful scam. I don't know if you

0:29:54.960 --> 0:29:59.960
<v Speaker 1>knew about this one. He had print shop at University

0:30:00.120 --> 0:30:04.360
<v Speaker 1>High School. Mr Fukuzawa, by the way, you remember him,

0:30:04.760 --> 0:30:08.160
<v Speaker 1>of course, Mr Fukuzawa taught Jan very well how to

0:30:08.360 --> 0:30:10.960
<v Speaker 1>print a letter head and a business card and all that.

0:30:11.280 --> 0:30:16.200
<v Speaker 1>So Jan printed himself a letter head with a little logo.

0:30:16.600 --> 0:30:19.520
<v Speaker 1>I don't know where he came up with that, and

0:30:19.680 --> 0:30:22.160
<v Speaker 1>I had a little microphones on it and stuff and

0:30:22.440 --> 0:30:26.320
<v Speaker 1>it the title on the letter half was k JAN

0:30:26.600 --> 0:30:30.520
<v Speaker 1>Radio k J A n the Voice of bel Air.

0:30:33.480 --> 0:30:38.920
<v Speaker 1>So he's a smart guy. So he would get all

0:30:39.000 --> 0:30:42.040
<v Speaker 1>the addresses of all the labels that he could find,

0:30:42.320 --> 0:30:45.480
<v Speaker 1>all the major most of the majors weren't real interested

0:30:45.480 --> 0:30:47.719
<v Speaker 1>in rock and roll particularly, but he would find all

0:30:47.800 --> 0:30:52.600
<v Speaker 1>the names of all the little indie labels. And then

0:30:53.600 --> 0:30:59.440
<v Speaker 1>he would tell him that he was a DJ on

0:30:59.640 --> 0:31:04.880
<v Speaker 1>Cage and Radio and that he would appreciate them sending

0:31:05.000 --> 0:31:09.160
<v Speaker 1>their new releases to him at this one one one one, Linda,

0:31:09.240 --> 0:31:14.960
<v Speaker 1>Flora Drive and bell Air and he has five DJs

0:31:15.720 --> 0:31:19.720
<v Speaker 1>come fall five and I was one of them. And

0:31:19.960 --> 0:31:24.160
<v Speaker 1>so he needed five copies of every of every single

0:31:25.920 --> 0:31:28.960
<v Speaker 1>We will go to his house, you know, on weekdays

0:31:29.680 --> 0:31:35.240
<v Speaker 1>and mailed already come and there would be hundreds of records, hundreds.

0:31:36.120 --> 0:31:38.760
<v Speaker 1>We'd open them up and he had a turntable, of course,

0:31:38.760 --> 0:31:41.080
<v Speaker 1>a couple of turntables, and we'd listen and if there

0:31:41.120 --> 0:31:44.160
<v Speaker 1>weren't any good, that was thrown into no good pile

0:31:45.120 --> 0:31:48.800
<v Speaker 1>and then saved our our favorites. So we got a

0:31:48.880 --> 0:31:51.840
<v Speaker 1>lot of um, a lot of good ideas, and a

0:31:51.920 --> 0:31:54.719
<v Speaker 1>lot of songs that were on such small labels they

0:31:54.760 --> 0:31:58.080
<v Speaker 1>were never gonna make it to the radio. And that's

0:31:58.160 --> 0:32:01.320
<v Speaker 1>how you found It's like dumb Moost more or less.

0:32:02.400 --> 0:32:06.840
<v Speaker 1>Then we take the turkeys that we didn't want and

0:32:07.160 --> 0:32:11.480
<v Speaker 1>we would um. We had this little spot above the

0:32:12.840 --> 0:32:18.000
<v Speaker 1>bell Air Country Club and they had a very nice

0:32:18.040 --> 0:32:21.000
<v Speaker 1>golf course, so we were up above maybe a couple

0:32:21.080 --> 0:32:26.840
<v Speaker 1>hundred yards, and we would take those four fives and

0:32:27.040 --> 0:32:30.240
<v Speaker 1>just frisbee them out and see how far on the

0:32:30.320 --> 0:32:33.680
<v Speaker 1>green we could get them, for a good half an

0:32:33.720 --> 0:32:37.320
<v Speaker 1>hour until we ran out of somewhere. There's a lot

0:32:37.400 --> 0:32:42.680
<v Speaker 1>of buried up there, exact worth probably a lot of money.

0:32:44.320 --> 0:32:46.840
<v Speaker 1>So how do you end up you're going to school.

0:32:46.880 --> 0:32:51.280
<v Speaker 1>He's going to school. What is the next step, Well,

0:32:51.320 --> 0:32:54.400
<v Speaker 1>the next step is, yeah, we we just didn't really

0:32:54.480 --> 0:32:58.600
<v Speaker 1>have any material, particularly that that was very inspiring. We

0:32:58.720 --> 0:33:01.760
<v Speaker 1>knew that we had, you know, he already had a

0:33:01.880 --> 0:33:06.360
<v Speaker 1>top ten record in his portfolio, you know, so we

0:33:06.560 --> 0:33:09.720
<v Speaker 1>had to at least have something as good as that song.

0:33:09.920 --> 0:33:14.480
<v Speaker 1>It was a pretty good song. So we we we tried,

0:33:15.240 --> 0:33:20.040
<v Speaker 1>we tried to come up with something um and then

0:33:20.120 --> 0:33:22.880
<v Speaker 1>he went to the Arwin. Irwin, by the way, was

0:33:23.440 --> 0:33:29.480
<v Speaker 1>owned by Doris Day and it was pretty much attack shelter.

0:33:30.840 --> 0:33:33.000
<v Speaker 1>I don't think she expected to have any hits on

0:33:33.120 --> 0:33:35.600
<v Speaker 1>that level. Now her son became Terry Melt. We gave

0:33:35.640 --> 0:33:41.440
<v Speaker 1>a famous producer, very ironic, So Terry, that's probably so.

0:33:41.680 --> 0:33:48.160
<v Speaker 1>We were nineteen twenty, so he was probably fifteen. So

0:33:48.400 --> 0:33:54.280
<v Speaker 1>Jan wanted to take me into to Beverly Hills to

0:33:55.600 --> 0:33:59.320
<v Speaker 1>meet the Arwin staff and the A and R guy

0:34:00.960 --> 0:34:04.120
<v Speaker 1>and explained that Arnie was no longer in the picture

0:34:04.240 --> 0:34:07.920
<v Speaker 1>and that I was the new guy. So I thought, okay,

0:34:08.000 --> 0:34:10.239
<v Speaker 1>you know, it should be cool and still have a

0:34:10.320 --> 0:34:14.000
<v Speaker 1>record deal. And uh, we showed up for the meeting

0:34:14.120 --> 0:34:19.960
<v Speaker 1>and got introduced to everybody. And uh, almost in front

0:34:20.000 --> 0:34:22.560
<v Speaker 1>of me. I think they said, you know, to Jan,

0:34:22.719 --> 0:34:27.280
<v Speaker 1>get Arnie back, because that was already it was already

0:34:27.520 --> 0:34:32.040
<v Speaker 1>a name, you know, with it was recognizable names. So

0:34:32.800 --> 0:34:35.760
<v Speaker 1>you know, now you're starting all over with somebody else,

0:34:36.040 --> 0:34:38.759
<v Speaker 1>you know. Well, sticking to this one, Jan said, up,

0:34:39.560 --> 0:34:44.040
<v Speaker 1>I can't reach him. He's not interested. We pretty much

0:34:44.120 --> 0:34:47.359
<v Speaker 1>left there with without them saying that that they would

0:34:47.520 --> 0:34:52.920
<v Speaker 1>release anything promise. A few weeks later they bounce us

0:34:52.960 --> 0:34:59.719
<v Speaker 1>off the label. Jan remembered meeting two young guys that

0:34:59.800 --> 0:35:03.640
<v Speaker 1>were for Sam Cook, and he said, matter of fact,

0:35:03.960 --> 0:35:09.319
<v Speaker 1>these guys wrote, um, wrote a hit for Sam called

0:35:09.400 --> 0:35:13.520
<v Speaker 1>Wonderful World. It's a it's a ballady. We weren't looking

0:35:13.560 --> 0:35:18.040
<v Speaker 1>for ballads. But at least they're songwriters and that they

0:35:18.120 --> 0:35:21.319
<v Speaker 1>had something to do with, you know, they were kind

0:35:21.360 --> 0:35:26.719
<v Speaker 1>of gophers actually, um, but at least they wrote a

0:35:27.000 --> 0:35:31.200
<v Speaker 1>hit song for Sam. And I guess Jan and Arnie

0:35:31.320 --> 0:35:33.640
<v Speaker 1>had cross paths with Sam Cooke. They were on a

0:35:33.719 --> 0:35:37.360
<v Speaker 1>bill together a couple of times, and these guys would

0:35:37.480 --> 0:35:41.080
<v Speaker 1>always be in the entourage and Jan for some reason

0:35:41.320 --> 0:35:44.879
<v Speaker 1>liked them, respected him and thought they were pretty cool guy.

0:35:44.960 --> 0:35:47.879
<v Speaker 1>They dressed well too, they looked they licked the part

0:35:48.360 --> 0:35:52.720
<v Speaker 1>and we didn't dressed like they did, but they were sharp,

0:35:53.040 --> 0:35:56.960
<v Speaker 1>you know. So Jan said, I'm going to call these guys.

0:35:57.239 --> 0:36:00.080
<v Speaker 1>We need managers, that's what we need. I'm going but

0:36:01.640 --> 0:36:05.720
<v Speaker 1>I don't know what a manager does. That's how they managed.

0:36:06.200 --> 0:36:10.600
<v Speaker 1>They somehow they manage. So I'm going to call these

0:36:10.680 --> 0:36:13.440
<v Speaker 1>guys and just see if they have any interest in

0:36:13.520 --> 0:36:16.239
<v Speaker 1>working with us. So okay, So he says, I'm gonna

0:36:16.280 --> 0:36:20.440
<v Speaker 1>call let's see. I got their card and it uh

0:36:20.840 --> 0:36:24.759
<v Speaker 1>was Lou Adler. He said, I'm gonna call this guy Lou.

0:36:25.160 --> 0:36:28.640
<v Speaker 1>And then he has the guy who works with Herb,

0:36:29.480 --> 0:36:33.680
<v Speaker 1>Herb Alberton, I think his name was Herb Alberton. He

0:36:33.800 --> 0:36:37.520
<v Speaker 1>calls him up, tells him that he has a new

0:36:37.880 --> 0:36:43.000
<v Speaker 1>new partner. He wants to see if they have any

0:36:43.080 --> 0:36:48.520
<v Speaker 1>interest at all. Of course they were interested coming a

0:36:48.760 --> 0:36:52.799
<v Speaker 1>meeting with us. He gave him the address and directions

0:36:52.840 --> 0:36:56.480
<v Speaker 1>how to get to this beautiful bell Air home with

0:36:56.640 --> 0:36:59.319
<v Speaker 1>a beautiful view and all that. So when they got there,

0:36:59.360 --> 0:37:01.640
<v Speaker 1>they were pretty pressed with him. So they were in

0:37:01.680 --> 0:37:05.480
<v Speaker 1>their shoot unit editors neat suits and their little thin

0:37:05.680 --> 0:37:12.359
<v Speaker 1>ties and had a little type buttons, little pins. I mean,

0:37:12.440 --> 0:37:17.160
<v Speaker 1>they were they were dressed to kill man. Their first

0:37:17.239 --> 0:37:20.960
<v Speaker 1>recollection of the two of us was we weren't wearing

0:37:21.000 --> 0:37:30.520
<v Speaker 1>any shoes and you know, very Californian, and that being

0:37:30.760 --> 0:37:34.200
<v Speaker 1>went off with both of those guys. This is a

0:37:34.280 --> 0:37:39.920
<v Speaker 1>whole now that become because obviously Arnie Ginsberg was dark

0:37:40.120 --> 0:37:44.520
<v Speaker 1>and he was a Jewish kid, olive skinned, and Jan

0:37:44.719 --> 0:37:48.359
<v Speaker 1>was the blonde, blue eyed, you know, great looking guy.

0:37:49.640 --> 0:37:53.200
<v Speaker 1>And then they saw two blondes, they went, this is

0:37:53.400 --> 0:37:56.800
<v Speaker 1>very unusual because we'll be going up against Frankie and

0:37:56.920 --> 0:38:01.239
<v Speaker 1>Fabian and Bobby Rydell, all those guys. Because still most

0:38:01.280 --> 0:38:05.719
<v Speaker 1>of the industry was on the East coast. They thought

0:38:05.800 --> 0:38:09.759
<v Speaker 1>just even the look was very very interesting to them

0:38:10.160 --> 0:38:14.320
<v Speaker 1>and could could really work. Then of course, then it

0:38:14.440 --> 0:38:19.200
<v Speaker 1>came to finding the song. Well, they were getting demos

0:38:19.680 --> 0:38:22.960
<v Speaker 1>all the time too, you know for Sam stuff, and

0:38:23.120 --> 0:38:25.880
<v Speaker 1>some of it wasn't suited for Sam. So they went

0:38:25.960 --> 0:38:29.960
<v Speaker 1>through all their demos and they came up with baby Talk.

0:38:30.560 --> 0:38:33.120
<v Speaker 1>So it's Leu and Herbert came up with baby Talk

0:38:33.200 --> 0:38:37.840
<v Speaker 1>and thought that would fit our style perfectly. Don't shoot.

0:38:37.880 --> 0:38:39.840
<v Speaker 1>The four of us worked on baby Talk, Don't We

0:38:39.920 --> 0:38:44.040
<v Speaker 1>finished it, but it was cut in Jan's music room. Yes,

0:38:44.440 --> 0:38:48.640
<v Speaker 1>we we would make make the records exactly the opposite

0:38:48.760 --> 0:38:51.480
<v Speaker 1>from how you're supposed to do it. We do the

0:38:51.640 --> 0:38:56.440
<v Speaker 1>vocals and the piano first, and then take it to

0:38:56.520 --> 0:39:00.200
<v Speaker 1>the studio guys that put on earphones the studio eyes

0:39:00.800 --> 0:39:05.120
<v Speaker 1>and try and play. Now you think, you know, to

0:39:05.440 --> 0:39:08.440
<v Speaker 1>the normal ear you'd think, yeah, that that's not that

0:39:08.600 --> 0:39:12.480
<v Speaker 1>hard to do. But to a real trained musician studio guy,

0:39:13.680 --> 0:39:17.600
<v Speaker 1>they would say, man, this thing, it's just the meters

0:39:17.719 --> 0:39:21.520
<v Speaker 1>all over the place. I didn't sound that bad to us,

0:39:22.480 --> 0:39:25.520
<v Speaker 1>but again to a real good posisition, so it's very

0:39:25.560 --> 0:39:27.320
<v Speaker 1>hard for them to play to it. But you know,

0:39:27.400 --> 0:39:30.920
<v Speaker 1>they make it work, and you don't throw on the

0:39:31.440 --> 0:39:36.560
<v Speaker 1>yaketyak saxophones. And you had yourself, had yourself a record,

0:39:37.200 --> 0:39:39.759
<v Speaker 1>someone's up to Lou and herb to go shop at,

0:39:39.960 --> 0:39:45.600
<v Speaker 1>which they did. Found it a little indie label called Dora.

0:39:46.320 --> 0:39:50.400
<v Speaker 1>Now Deray had just had the Teddy Bears hit, so

0:39:50.560 --> 0:39:52.680
<v Speaker 1>they had had a that was a big that was

0:39:52.719 --> 0:39:56.400
<v Speaker 1>the number one recording. So they were flush and cash

0:39:56.560 --> 0:40:01.600
<v Speaker 1>man because they had had this big record and they

0:40:01.760 --> 0:40:04.239
<v Speaker 1>liked Baby Talk, and we're willing to put it out

0:40:04.480 --> 0:40:08.160
<v Speaker 1>and make a deal like three at least three singles

0:40:08.440 --> 0:40:12.920
<v Speaker 1>and an LP. Jan and Arnie never had enough material

0:40:13.040 --> 0:40:16.239
<v Speaker 1>to make an LP. I was pretty exciting. We get

0:40:16.280 --> 0:40:20.640
<v Speaker 1>to do an LP too. Wow. Anyway, I'm sory short.

0:40:20.680 --> 0:40:23.160
<v Speaker 1>They put it out and it was another top ten record,

0:40:23.200 --> 0:40:26.600
<v Speaker 1>and of course we did go on Dick Clark and

0:40:26.680 --> 0:40:33.040
<v Speaker 1>we realized that, or probably Lou realized that we needed

0:40:33.080 --> 0:40:37.640
<v Speaker 1>to stand out and be totally different. So he dressed

0:40:37.680 --> 0:40:40.560
<v Speaker 1>us up pretty pretty good, but we wore some kind

0:40:40.600 --> 0:40:44.600
<v Speaker 1>of you know, brighter colors or something that was not

0:40:44.800 --> 0:40:48.080
<v Speaker 1>what the normal guys were wearing. And from there just

0:40:48.320 --> 0:40:52.400
<v Speaker 1>kept getting more and more casual, and pretty soon we

0:40:52.520 --> 0:40:56.640
<v Speaker 1>were showing up and you know, bathing suits and stuff.

0:40:57.440 --> 0:41:01.839
<v Speaker 1>But in surfboards, okay, you cut baby talk, how does

0:41:01.880 --> 0:41:06.440
<v Speaker 1>it roll out? From there? Then it's just the grind

0:41:06.960 --> 0:41:10.640
<v Speaker 1>and then from there it's like, okay, that's neat. You

0:41:10.719 --> 0:41:15.200
<v Speaker 1>got a top ten ver. Yeah, you're right. The interesting

0:41:15.320 --> 0:41:19.560
<v Speaker 1>part about that was all I ever wanted to do

0:41:19.760 --> 0:41:24.239
<v Speaker 1>is see my name on a record. And if I

0:41:24.440 --> 0:41:28.680
<v Speaker 1>saw my name, it was Jan and Dean that army,

0:41:30.000 --> 0:41:32.680
<v Speaker 1>and I could show it to my friends. That's single

0:41:33.040 --> 0:41:38.279
<v Speaker 1>my name. That's all I ever need, right right? I

0:41:38.360 --> 0:41:42.000
<v Speaker 1>saw that look pretty good, you know, two to three

0:41:42.080 --> 0:41:45.480
<v Speaker 1>days later, going if I could only hear it on

0:41:45.560 --> 0:41:50.400
<v Speaker 1>the radio at least once or twice, I think that

0:41:50.480 --> 0:41:57.719
<v Speaker 1>would be pretty cool too. So Lou told us that

0:41:59.000 --> 0:42:02.560
<v Speaker 1>kf w B, which was within blocks of you, is

0:42:02.880 --> 0:42:07.880
<v Speaker 1>as I remember, um, kf w B was going to

0:42:08.680 --> 0:42:11.920
<v Speaker 1>be Mitchell read it was one of the top DJs

0:42:12.800 --> 0:42:18.480
<v Speaker 1>is going to play it and then have a challenge

0:42:18.640 --> 0:42:21.600
<v Speaker 1>of other new records and then you're to call in

0:42:21.880 --> 0:42:27.680
<v Speaker 1>and vote for you for the winner. And so he's

0:42:27.680 --> 0:42:31.280
<v Speaker 1>going to be playing it tonight at round seven o'clock.

0:42:32.120 --> 0:42:34.400
<v Speaker 1>So we're all to listen. We're to tell our friends

0:42:34.480 --> 0:42:38.400
<v Speaker 1>to get on the phone and call. So we did.

0:42:38.520 --> 0:42:41.480
<v Speaker 1>We let all our friends know and we I don't

0:42:41.520 --> 0:42:43.480
<v Speaker 1>remember who we went up against, and maybe it was

0:42:43.560 --> 0:42:48.000
<v Speaker 1>like maybe three singles and then then they would tally

0:42:48.120 --> 0:42:51.880
<v Speaker 1>the votes. So the first time I heard it on

0:42:52.000 --> 0:42:55.200
<v Speaker 1>the radio, I nearly threw up. I mean, it was

0:42:55.800 --> 0:42:59.520
<v Speaker 1>it was really really something. I mean, it was pretty

0:43:00.000 --> 0:43:03.680
<v Speaker 1>I'm exciting. So okay, now we've heard it, and then

0:43:03.800 --> 0:43:08.160
<v Speaker 1>we heard our competition. Competition was okay, and then here

0:43:08.280 --> 0:43:11.560
<v Speaker 1>waiting and we're calling and our parents are calling, and

0:43:13.400 --> 0:43:18.359
<v Speaker 1>so when the announcement comes who won? Uh baby talk one?

0:43:20.440 --> 0:43:23.120
<v Speaker 1>Oh man? You could have just then he got played

0:43:23.120 --> 0:43:27.920
<v Speaker 1>again because it won. We were just ecstatic. We were

0:43:28.200 --> 0:43:32.680
<v Speaker 1>so excited. Then the second night, now the winner of

0:43:32.760 --> 0:43:36.400
<v Speaker 1>course goes against the you know, two more new singles

0:43:36.480 --> 0:43:38.759
<v Speaker 1>that we won again, you know, like three or four

0:43:38.840 --> 0:43:41.839
<v Speaker 1>times in a row. Funny. And I remember telling, we told,

0:43:42.280 --> 0:43:45.120
<v Speaker 1>that's just so excited. Well, I don't know whether maybe

0:43:45.239 --> 0:43:47.880
<v Speaker 1>Jan new, but I didn't. I'm talking to Lou on

0:43:47.960 --> 0:43:51.880
<v Speaker 1>the phone, and I was so excited Luco's you know,

0:43:52.280 --> 0:44:04.600
<v Speaker 1>we her and I managed b Mitchell read, oh I

0:44:04.920 --> 0:44:10.080
<v Speaker 1>see so again that's a kind of the the awakening

0:44:10.320 --> 0:44:14.280
<v Speaker 1>that nothing is really what you think it is. There's

0:44:14.400 --> 0:44:17.440
<v Speaker 1>always something going on. But I mean they ended up

0:44:17.480 --> 0:44:21.520
<v Speaker 1>being top ten records, so despite but that helped that

0:44:21.719 --> 0:44:27.160
<v Speaker 1>we were on the charts in l A because Las

0:44:27.239 --> 0:44:31.200
<v Speaker 1>big market, because Dick Clark would not play a record

0:44:31.440 --> 0:44:36.080
<v Speaker 1>unless you were on on a regional chart from hopefully

0:44:36.120 --> 0:44:39.200
<v Speaker 1>from a major city, because you know, because of all

0:44:39.280 --> 0:44:43.440
<v Speaker 1>that Paola stuff that was going on, and we were

0:44:43.480 --> 0:44:45.880
<v Speaker 1>able to show him this is from kf to to

0:44:45.920 --> 0:44:48.520
<v Speaker 1>be the number one rock and roll station in l A.

0:44:48.719 --> 0:44:50.919
<v Speaker 1>And if we're in the top ten. There he said,

0:44:51.239 --> 0:44:54.759
<v Speaker 1>you guys are on my show. You know, once you're

0:44:54.800 --> 0:44:59.040
<v Speaker 1>on Dick Clark, you were home free. That was hundreds

0:44:59.080 --> 0:45:02.799
<v Speaker 1>of thousands of recor it's just for one appearance, one

0:45:03.920 --> 0:45:08.400
<v Speaker 1>and if he brought you back, it would double the

0:45:08.480 --> 0:45:11.799
<v Speaker 1>numbers again. And then that was his regular daytime show.

0:45:11.880 --> 0:45:15.239
<v Speaker 1>Then he had that nighttime show. You made the nighttime show.

0:45:15.960 --> 0:45:22.200
<v Speaker 1>That was huge, huge, So we did it all in

0:45:22.280 --> 0:45:24.680
<v Speaker 1>all over the years. I think we did something like

0:45:26.360 --> 0:45:29.560
<v Speaker 1>Clark shows. I mean, he loved us, We loved him,

0:45:29.600 --> 0:45:33.759
<v Speaker 1>and he's a great guy, very much a professional and

0:45:34.360 --> 0:45:41.040
<v Speaker 1>obviously had super talent. So what follows up Baby Talk

0:45:43.719 --> 0:45:48.319
<v Speaker 1>Herb and Lewis song, which was just a valid um.

0:45:49.800 --> 0:45:52.760
<v Speaker 1>I think it charted most of our records at least charted,

0:45:52.880 --> 0:45:56.560
<v Speaker 1>but it wasn't the top ten record. And then we

0:45:56.800 --> 0:46:00.719
<v Speaker 1>did a couple more that weren't weren't They were on

0:46:00.800 --> 0:46:04.320
<v Speaker 1>the charts, but still were not top ten records, and

0:46:04.440 --> 0:46:10.239
<v Speaker 1>then our contract kind of ran out. Um. There was

0:46:10.400 --> 0:46:16.520
<v Speaker 1>another indie label that started right up the street, Liberty

0:46:16.640 --> 0:46:24.640
<v Speaker 1>Records s Home Lenny's Dad, Um. So they were the

0:46:24.719 --> 0:46:29.279
<v Speaker 1>new breed of indie level. They weren't old guys that

0:46:29.440 --> 0:46:33.279
<v Speaker 1>were left over from from you know, the Capitals and

0:46:33.520 --> 0:46:37.920
<v Speaker 1>Columbia's and stuff. Uh, this was really kind of younger

0:46:38.200 --> 0:46:42.320
<v Speaker 1>rock and roll guys. UM, so we wanted to be

0:46:42.560 --> 0:46:48.480
<v Speaker 1>on Liberty. We worked on a version of Heart and Soul.

0:46:48.719 --> 0:46:52.520
<v Speaker 1>I don't know why. I don't remember whose idea it was,

0:46:52.640 --> 0:46:56.440
<v Speaker 1>but it wasn't a very good idea. But Jan liked it,

0:46:56.880 --> 0:47:02.400
<v Speaker 1>Blue liked HERB thought it was it it stunk, and

0:47:02.800 --> 0:47:05.840
<v Speaker 1>I didn't particularly like it. It was always the you

0:47:05.920 --> 0:47:12.120
<v Speaker 1>know two and two um that usually Jan and Blue

0:47:12.320 --> 0:47:17.760
<v Speaker 1>usually won, so we at least we recorded it. Everybody

0:47:17.880 --> 0:47:21.000
<v Speaker 1>was not interested in that song. That too was a

0:47:21.080 --> 0:47:27.440
<v Speaker 1>doo wopper, but we were. For some reason, Blue and

0:47:27.520 --> 0:47:30.640
<v Speaker 1>Jan liked it, so they weren't getting off that that

0:47:31.200 --> 0:47:34.040
<v Speaker 1>that song. So they made a two record deal with

0:47:34.239 --> 0:47:40.759
<v Speaker 1>Gene Autrey's label, which was called Challenge. Now they had boy.

0:47:40.800 --> 0:47:45.000
<v Speaker 1>It was a Challenge was absolutely named um but he

0:47:45.480 --> 0:47:48.800
<v Speaker 1>had Tequila. It was a great song, of course, so

0:47:49.040 --> 0:47:51.600
<v Speaker 1>he had had a hit on that small little label

0:47:51.640 --> 0:47:56.279
<v Speaker 1>of his. He was multifaceted. He was into everything from

0:47:56.360 --> 0:48:00.560
<v Speaker 1>real estate too, you name it. He was, don't I

0:48:00.640 --> 0:48:03.200
<v Speaker 1>think he had? He owned the baseball team for a

0:48:03.239 --> 0:48:10.680
<v Speaker 1>while so a fascinating guy, but the label was still

0:48:10.800 --> 0:48:13.560
<v Speaker 1>not where we wanted to be. Anyway, we released that,

0:48:14.000 --> 0:48:16.960
<v Speaker 1>it was like a top thirty or twenty record. It

0:48:17.120 --> 0:48:19.960
<v Speaker 1>just okay. And in the follow up, we just wanted

0:48:20.000 --> 0:48:22.000
<v Speaker 1>to get out of the deal, so we gave him

0:48:22.120 --> 0:48:27.640
<v Speaker 1>just something filler song and we were gone. And then

0:48:27.760 --> 0:48:31.000
<v Speaker 1>we went to Liberty. So what what convinced Liberty did

0:48:31.920 --> 0:48:34.560
<v Speaker 1>go with? You know that we didn't have anything to

0:48:34.680 --> 0:48:38.360
<v Speaker 1>start clean because they had their own producers and stuff,

0:48:38.520 --> 0:48:43.520
<v Speaker 1>so they were thinking if if if we struggled, that

0:48:43.640 --> 0:48:46.080
<v Speaker 1>they could step in, and they had some of the people,

0:48:46.600 --> 0:48:50.799
<v Speaker 1>you know, younger people working for them. Um. And by

0:48:50.880 --> 0:48:54.520
<v Speaker 1>this time Herb had moved on because he didn't think

0:48:54.560 --> 0:48:57.279
<v Speaker 1>we were going to do much after that. He really

0:48:57.440 --> 0:49:01.359
<v Speaker 1>didn't like I didn't like that song. So they broke

0:49:01.480 --> 0:49:06.160
<v Speaker 1>up and Lou Lou Lou and Herb were standing in

0:49:06.200 --> 0:49:10.800
<v Speaker 1>their little office on sunset over a Chinese laundry and

0:49:10.880 --> 0:49:14.160
<v Speaker 1>they had two assets and when was the tape recorder

0:49:15.040 --> 0:49:20.719
<v Speaker 1>and one was Jan and Deine. So Herb said, well,

0:49:20.920 --> 0:49:24.160
<v Speaker 1>would you mind if I took the tape recording listen?

0:49:24.239 --> 0:49:26.600
<v Speaker 1>Oh no, no, okay, that's yours. You know, good luck

0:49:28.120 --> 0:49:31.560
<v Speaker 1>Herbert had gone off and recorded with harm with our money,

0:49:33.160 --> 0:49:36.839
<v Speaker 1>used our money to record a song that he thought

0:49:37.000 --> 0:49:40.759
<v Speaker 1>Lou would like and that Lou would realize that we

0:49:41.000 --> 0:49:44.480
<v Speaker 1>probably didn't have much future, and that Lou would go

0:49:44.640 --> 0:49:50.279
<v Speaker 1>with herb. It was some trumpet record, and louis gonna,

0:49:50.320 --> 0:49:53.880
<v Speaker 1>who's gonna buy a record with the guy playing some

0:49:54.040 --> 0:49:58.640
<v Speaker 1>stupid trumpet, and so that's okay. When okay, you can

0:49:58.760 --> 0:50:02.759
<v Speaker 1>keep your demo and and the recorder that plays it,

0:50:03.080 --> 0:50:08.000
<v Speaker 1>and you know, good luck, and off he went, ended

0:50:08.040 --> 0:50:11.320
<v Speaker 1>up with Lonely Bull and all of that. The Tijuana

0:50:11.400 --> 0:50:17.560
<v Speaker 1>Brass so um. We struggled in the beginning, and then

0:50:17.640 --> 0:50:21.400
<v Speaker 1>we came upon a do opera and we knew that

0:50:21.560 --> 0:50:23.640
<v Speaker 1>that was going to be one of our last two operas,

0:50:25.000 --> 0:50:29.440
<v Speaker 1>which was called It was an old fifties forties, late

0:50:29.520 --> 0:50:37.560
<v Speaker 1>forties fifties classics song called Linda and Us, so it

0:50:37.719 --> 0:50:40.359
<v Speaker 1>was kind of our style, and yet it was all

0:50:40.440 --> 0:50:43.400
<v Speaker 1>sung in falsetto. We had not done one of those before,

0:50:43.640 --> 0:50:46.680
<v Speaker 1>so I sang it all in falsetto. And now we're

0:50:46.760 --> 0:50:50.719
<v Speaker 1>double tracking for the first time. We're starting to get

0:50:51.400 --> 0:50:55.640
<v Speaker 1>that little bit fatter sound, and we're liking it and

0:50:55.760 --> 0:50:58.400
<v Speaker 1>at that time we did I think we did Barbaran

0:50:58.560 --> 0:51:04.560
<v Speaker 1>again with fattening the vocals, so we're pretty excited about

0:51:04.600 --> 0:51:07.080
<v Speaker 1>now we're back in the vocal group. Even though it's

0:51:07.120 --> 0:51:12.640
<v Speaker 1>just all us um, it's fun to sing harmonies. So

0:51:12.719 --> 0:51:17.319
<v Speaker 1>we do Lynda on Liberty and it's it's a top

0:51:17.440 --> 0:51:26.319
<v Speaker 1>twenty song, so exactly. So that meant that we would

0:51:26.360 --> 0:51:29.879
<v Speaker 1>get to do uh an LP. Of course, only took

0:51:29.920 --> 0:51:35.239
<v Speaker 1>one hit to make make you to eleven songs, which

0:51:35.320 --> 0:51:37.440
<v Speaker 1>is not that As you know, it's not that easy

0:51:37.520 --> 0:51:40.160
<v Speaker 1>to do. It's hard enough to do one, let alone

0:51:41.160 --> 0:51:44.279
<v Speaker 1>eleven more, and you don't want to give up too

0:51:44.360 --> 0:51:46.600
<v Speaker 1>many real good ones on that because you want to

0:51:46.600 --> 0:51:51.839
<v Speaker 1>save them for singles. So anyway, we do Linda m hmm.

0:51:52.840 --> 0:51:55.239
<v Speaker 1>About that time, we didn't have our own band, but

0:51:55.400 --> 0:51:59.839
<v Speaker 1>we used studio guys um. So when we played live,

0:52:00.280 --> 0:52:05.480
<v Speaker 1>usually the person that that booked us would have to

0:52:05.640 --> 0:52:09.239
<v Speaker 1>hire an opening act that we're self contained, they would

0:52:09.239 --> 0:52:13.919
<v Speaker 1>play all their own instruments. And this one particular time,

0:52:14.040 --> 0:52:17.440
<v Speaker 1>right around the lended time, we had an offer to

0:52:17.480 --> 0:52:23.480
<v Speaker 1>go play and remember Hermosa Beach and we said, okay,

0:52:23.719 --> 0:52:27.120
<v Speaker 1>so who's the band. They're like a local local band.

0:52:27.160 --> 0:52:29.600
<v Speaker 1>They've had a couple of records out. They're called the

0:52:29.640 --> 0:52:34.440
<v Speaker 1>Beach Boys, so okay, and they'll learn your stuff. That

0:52:35.320 --> 0:52:38.680
<v Speaker 1>we only had like three hits, so they had to

0:52:38.800 --> 0:52:42.480
<v Speaker 1>just learn three hits of ours, and in filler songs,

0:52:42.520 --> 0:52:47.560
<v Speaker 1>we just do you know, classic rock stuff. That was

0:52:47.600 --> 0:52:54.160
<v Speaker 1>easy enough. We got to the high school gymnasium type

0:52:54.239 --> 0:52:58.279
<v Speaker 1>thing and they were in addressing room waiting for us,

0:52:58.360 --> 0:53:02.080
<v Speaker 1>and they had already, of course been practicing. So now

0:53:02.160 --> 0:53:07.279
<v Speaker 1>we're all together practicing. These songs sounded great. We were

0:53:07.320 --> 0:53:10.480
<v Speaker 1>happy with it, they were happy with it. We had

0:53:10.560 --> 0:53:13.319
<v Speaker 1>heard their songs they had at a picture time, they

0:53:13.360 --> 0:53:17.040
<v Speaker 1>had surfing and surfings so far. A Servant Safari was

0:53:17.080 --> 0:53:20.360
<v Speaker 1>the first time they were on the national charts. I

0:53:20.440 --> 0:53:23.400
<v Speaker 1>don't know how how successful it was, but it was

0:53:23.520 --> 0:53:27.719
<v Speaker 1>least it was on the national charts. So we um.

0:53:27.920 --> 0:53:30.719
<v Speaker 1>They go do their opening set and we're called out,

0:53:32.120 --> 0:53:36.560
<v Speaker 1>uh introduced, and then they do our songs plus a

0:53:36.680 --> 0:53:40.320
<v Speaker 1>couple of things that we kind of just worked out together,

0:53:41.440 --> 0:53:47.279
<v Speaker 1>you know, Chuck Berry, just classics, and we closed with

0:53:47.520 --> 0:53:54.399
<v Speaker 1>maybe Linda probably as being our newest hit. We wave

0:53:54.480 --> 0:53:58.960
<v Speaker 1>goodbye to the audience and we go off stage. Well,

0:53:59.000 --> 0:54:02.000
<v Speaker 1>the buyer runs up, goes, you know, hey, you're supposed

0:54:02.040 --> 0:54:07.680
<v Speaker 1>to play, you know, till ten o'clock. It's nine fifty.

0:54:10.040 --> 0:54:13.200
<v Speaker 1>You owe me, you know me, ten more minutes. So

0:54:13.320 --> 0:54:17.000
<v Speaker 1>we we did all the songs we know, well, you

0:54:17.080 --> 0:54:21.880
<v Speaker 1>know you owe me ten more minutes. So what we're

0:54:21.880 --> 0:54:25.319
<v Speaker 1>gonna do? So we told the beach Boys, we've got

0:54:25.440 --> 0:54:28.839
<v Speaker 1>to go back on and fill for you know, ten

0:54:28.920 --> 0:54:32.360
<v Speaker 1>minutes or something. And it's said, it sounded stupid to

0:54:32.560 --> 0:54:34.920
<v Speaker 1>redo your songs, and we didn't want to do that,

0:54:35.719 --> 0:54:39.200
<v Speaker 1>so I said, what about. We said, let's do your songs.

0:54:39.880 --> 0:54:42.960
<v Speaker 1>We'll do that. We know surfing and surfants safari. Well enough,

0:54:43.040 --> 0:54:46.840
<v Speaker 1>let's just do yours again, because now it's been a

0:54:46.920 --> 0:54:49.960
<v Speaker 1>couple of hours since you did them. We just left stage.

0:54:51.000 --> 0:54:53.319
<v Speaker 1>I said, you'll sing our songs. Why don't we know them?

0:54:53.360 --> 0:54:55.880
<v Speaker 1>They're not that hard to sing, and it'll be kind

0:54:55.880 --> 0:54:58.759
<v Speaker 1>of fun. Will be a vocal group, all right, So

0:54:58.920 --> 0:55:02.759
<v Speaker 1>two extra vocals in there, and we did surfing and

0:55:02.840 --> 0:55:06.399
<v Speaker 1>surfings so far, and we strung him out long enough

0:55:07.400 --> 0:55:09.640
<v Speaker 1>to do our ten minutes, and then we said goodbye,

0:55:09.640 --> 0:55:13.000
<v Speaker 1>and everybody was happy and we went that was fun.

0:55:13.840 --> 0:55:16.479
<v Speaker 1>That was really fun to seeing all those four part

0:55:16.640 --> 0:55:22.319
<v Speaker 1>harmonies and doubling the falsettos and man, this was pretty cool.

0:55:23.760 --> 0:55:27.719
<v Speaker 1>So we exchange phone numbers and now we were thinking

0:55:27.760 --> 0:55:30.800
<v Speaker 1>about this LP we had to do, and we're also

0:55:30.880 --> 0:55:37.200
<v Speaker 1>thinking that this kind of beach culture thing, I mean

0:55:38.400 --> 0:55:41.880
<v Speaker 1>that we lived at the beach too as well. We

0:55:42.000 --> 0:55:46.840
<v Speaker 1>should start thinking about doing stuff about California instead of

0:55:46.880 --> 0:55:50.040
<v Speaker 1>the duop stuff and move on. So, yeah, that was

0:55:50.080 --> 0:55:54.520
<v Speaker 1>a good idea. So we have their phone numbers and

0:55:54.600 --> 0:55:59.520
<v Speaker 1>we decide, okay, standard operating procedure was you had to

0:55:59.600 --> 0:56:02.719
<v Speaker 1>hit sing going you'd put that title on your LP,

0:56:03.880 --> 0:56:07.400
<v Speaker 1>so Linda had to be in the title. So just

0:56:07.520 --> 0:56:10.600
<v Speaker 1>to have a Linda sound a kind of dopey. So

0:56:10.680 --> 0:56:13.680
<v Speaker 1>he said, what about if we say Jan and Dean

0:56:14.000 --> 0:56:20.719
<v Speaker 1>take Linda surfing, they would tie in the surfing. Um

0:56:21.400 --> 0:56:24.480
<v Speaker 1>call up that guy Brian and see if I'm sure

0:56:24.560 --> 0:56:28.319
<v Speaker 1>he won't mind. He's a songwriter, they have those songs

0:56:28.400 --> 0:56:30.839
<v Speaker 1>have already been out once. They're not gonna make any

0:56:30.880 --> 0:56:33.800
<v Speaker 1>more money off with the shelf life is you know

0:56:33.960 --> 0:56:37.719
<v Speaker 1>sixty days that the most so as a songwriter, and

0:56:37.840 --> 0:56:41.040
<v Speaker 1>he could keep the publishing, he should be excited. We

0:56:41.160 --> 0:56:44.160
<v Speaker 1>call him. Of course he's excited, and we said, well,

0:56:44.520 --> 0:56:46.320
<v Speaker 1>you could play the tracks too, if you wanted to

0:56:46.880 --> 0:56:50.480
<v Speaker 1>get the extra extra money. They were all for that.

0:56:51.000 --> 0:56:55.040
<v Speaker 1>They all showed up. We did uh Surfing Surfing Safari

0:56:56.040 --> 0:57:03.640
<v Speaker 1>with our extra two vocals, and unfortunately there was only

0:57:03.920 --> 0:57:07.200
<v Speaker 1>to surf songs ever written. It's hard to fill a

0:57:07.239 --> 0:57:11.360
<v Speaker 1>whole album with two surf songs, so but we to

0:57:11.480 --> 0:57:14.120
<v Speaker 1>be you know, Hamburger help her some way through in there.

0:57:14.200 --> 0:57:18.160
<v Speaker 1>I don't know, but we really liked that whole surf thing.

0:57:19.280 --> 0:57:21.760
<v Speaker 1>So Brian said, do you want to hear our next single?

0:57:21.800 --> 0:57:24.040
<v Speaker 1>I said, oh sure, We're still all sit in the

0:57:24.320 --> 0:57:30.680
<v Speaker 1>studio together, and he plays surf in USA. We went

0:57:32.200 --> 0:57:35.960
<v Speaker 1>it's really good, obviously, really really good. But we said, Brian,

0:57:37.120 --> 0:57:43.160
<v Speaker 1>you know, um, that melody is Chuck Berry's melody, because

0:57:43.240 --> 0:57:47.320
<v Speaker 1>we all love Chuck Berry, so that's his melody, sweet

0:57:47.360 --> 0:57:53.440
<v Speaker 1>little sixteen. Don't you know he can't just take somebody

0:57:53.480 --> 0:57:57.480
<v Speaker 1>else's melody and just change the words. Yeah, it's not

0:57:57.800 --> 0:58:02.640
<v Speaker 1>not legal, and he's gonna sue you for that and

0:58:02.840 --> 0:58:05.680
<v Speaker 1>will end up not being your publishing or anything. You're

0:58:05.760 --> 0:58:09.320
<v Speaker 1>just gonna have to give that money to him. And

0:58:09.440 --> 0:58:13.880
<v Speaker 1>Brian says, well, my dad said it was okay, said, well,

0:58:14.080 --> 0:58:16.320
<v Speaker 1>your dad works in the machine shot. You know, I'm

0:58:16.320 --> 0:58:20.680
<v Speaker 1>not sure he really knows, you know, what's legal and

0:58:20.760 --> 0:58:24.480
<v Speaker 1>what's not. But we're telling you. You know you're gonna

0:58:24.640 --> 0:58:32.800
<v Speaker 1>get sued. So he said, wow, you know really because

0:58:33.880 --> 0:58:37.000
<v Speaker 1>oh I we jumped in and said, well we know Chuck,

0:58:37.160 --> 0:58:40.760
<v Speaker 1>which we did, and we can call him up, negotiate

0:58:41.880 --> 0:58:45.600
<v Speaker 1>and get the song and then you know, we can

0:58:45.720 --> 0:58:52.680
<v Speaker 1>do the song. He goes, no, nope, I'm I'm gonna

0:58:52.760 --> 0:58:56.920
<v Speaker 1>do Surfin Sad. But I do have another song. Let

0:58:57.000 --> 0:58:58.760
<v Speaker 1>me show you this one. Maybe you'll like this one.

0:58:59.000 --> 0:59:04.720
<v Speaker 1>Two Girls for a Free Boy. Yeah, that's pretty good.

0:59:06.080 --> 0:59:10.080
<v Speaker 1>But Brian, that doesn't make any sense. You wrote this

0:59:10.440 --> 0:59:16.120
<v Speaker 1>surf City song, So why don't you you finish surf City,

0:59:16.400 --> 0:59:21.080
<v Speaker 1>will finish surf in USA and get the deal from Chuck.

0:59:22.160 --> 0:59:25.680
<v Speaker 1>That way you you'll do something that you totally wrote

0:59:25.760 --> 0:59:29.800
<v Speaker 1>that can stay in your publishing company. No, I don't

0:59:29.800 --> 0:59:34.120
<v Speaker 1>want to do that. I'm tired of surf City here.

0:59:34.280 --> 0:59:38.160
<v Speaker 1>So it was half finished, so either take it or

0:59:38.240 --> 0:59:41.760
<v Speaker 1>leave it, so we'll take it. So obviously it was

0:59:41.840 --> 0:59:45.720
<v Speaker 1>a great song. Um, so luckily we we got that

0:59:46.600 --> 0:59:50.480
<v Speaker 1>song from Brian, and both songs came out around the

0:59:50.560 --> 0:59:53.920
<v Speaker 1>same time. They were both top been records. Virus was

0:59:54.000 --> 0:59:56.720
<v Speaker 1>number one. We were the first surf song to ever

0:59:57.440 --> 1:00:07.160
<v Speaker 1>ever hit that number one Now isn't be credited to

1:00:07.360 --> 1:00:10.560
<v Speaker 1>both Brian and Jan Yeah did you What did you do?

1:00:10.600 --> 1:00:13.680
<v Speaker 1>Win the record? If anything, That's what I was trying

1:00:13.720 --> 1:00:20.600
<v Speaker 1>to figure out. I actually have the handwritten lyrics in

1:00:20.760 --> 1:00:25.680
<v Speaker 1>my files. I've been offered by some Japanese guy offered

1:00:25.720 --> 1:00:29.680
<v Speaker 1>me like twenty grand for it, but I'm keeping it anyways,

1:00:30.280 --> 1:00:36.680
<v Speaker 1>it's handwritten, it's Brian's writing. I cross out a couple

1:00:36.720 --> 1:00:39.760
<v Speaker 1>of lines and with my very distinct I didn't write

1:00:39.800 --> 1:00:43.040
<v Speaker 1>in cursive. I printed because I was in the school

1:00:43.040 --> 1:00:46.160
<v Speaker 1>of architecture, so I only knew how to print. So

1:00:46.280 --> 1:00:49.440
<v Speaker 1>I wrote in a couple of lines were all mine

1:00:50.760 --> 1:00:55.840
<v Speaker 1>that I changed because Brian called the woody a thirty

1:00:55.920 --> 1:00:58.840
<v Speaker 1>three woody and they didn't make a woody, and he

1:00:58.960 --> 1:01:01.360
<v Speaker 1>called it a truck. I have a panel truck at

1:01:01.400 --> 1:01:04.120
<v Speaker 1>call of Witty, and a panel trucks, not a woody.

1:01:04.880 --> 1:01:08.440
<v Speaker 1>Panel trucks is a pound truck, solid metal side. So Brian,

1:01:09.080 --> 1:01:10.840
<v Speaker 1>you know, panel trucks are not a Woody, but the

1:01:11.000 --> 1:01:13.320
<v Speaker 1>station wagon is a woddy. So I got a wagon

1:01:13.520 --> 1:01:17.120
<v Speaker 1>that call of wood Okay, that's okay. So I crossed

1:01:17.160 --> 1:01:20.880
<v Speaker 1>all that how he said it in the original lyrics

1:01:20.960 --> 1:01:23.600
<v Speaker 1>it doesn't have a radio, and I said, Brian, we're

1:01:23.680 --> 1:01:28.080
<v Speaker 1>young people. For for a car that we're driving to

1:01:28.240 --> 1:01:32.520
<v Speaker 1>not have a radio, that's just not right. So it

1:01:32.600 --> 1:01:36.439
<v Speaker 1>should be I ain't got I came up a back

1:01:36.520 --> 1:01:43.240
<v Speaker 1>seat or a rear window. That rhymes, because that's where

1:01:43.280 --> 1:01:46.200
<v Speaker 1>the surfboard goes. So you take out the back seat

1:01:46.600 --> 1:01:48.840
<v Speaker 1>back window, because it's a longboard, it's going to go

1:01:48.880 --> 1:01:51.240
<v Speaker 1>out the back So is that okay? Oh yeah, okay,

1:01:51.320 --> 1:01:54.040
<v Speaker 1>that'll be fun. And a few other things we tweaked,

1:01:54.840 --> 1:01:59.720
<v Speaker 1>so I probably ended up writing probably more in jam

1:02:00.000 --> 1:02:02.360
<v Speaker 1>don't remember what he wrote. And we didn't get an

1:02:02.440 --> 1:02:06.320
<v Speaker 1>arguments about stuff like that. But technically I should have

1:02:06.360 --> 1:02:10.600
<v Speaker 1>been one of those writers. But you know, I didn't

1:02:10.640 --> 1:02:13.200
<v Speaker 1>think of it. And again we thought in terms of

1:02:13.280 --> 1:02:16.880
<v Speaker 1>shelf life being sixty ninety days, and you didn't want

1:02:16.920 --> 1:02:19.160
<v Speaker 1>to get in a fight over you know, something like that,

1:02:19.200 --> 1:02:22.040
<v Speaker 1>because you're moving on to the next thing, you know,

1:02:22.320 --> 1:02:25.680
<v Speaker 1>a month and a half later. Two So anyway, it

1:02:25.920 --> 1:02:32.360
<v Speaker 1>came out great. We discovered at that point we'd put

1:02:32.440 --> 1:02:36.480
<v Speaker 1>together the Wrecking Crew guys. Jam was hand picking some

1:02:36.600 --> 1:02:42.560
<v Speaker 1>of these guys and the original Wrecking Crew was Phil

1:02:42.640 --> 1:02:46.600
<v Speaker 1>Spector's band, and then we took the guys we really

1:02:46.640 --> 1:02:52.280
<v Speaker 1>liked and then added in Glenn Campbell, Leon Russell, if You,

1:02:52.520 --> 1:02:55.560
<v Speaker 1>and Larry Nick Doll I few really really good guys,

1:02:55.720 --> 1:02:59.640
<v Speaker 1>and that became our version of the Wrecking Crew and

1:02:59.720 --> 1:03:03.360
<v Speaker 1>that track that it was a real breakthrough for us

1:03:03.920 --> 1:03:09.040
<v Speaker 1>because it just was so damn good. And even Brian

1:03:09.120 --> 1:03:11.880
<v Speaker 1>heard that Brian was still using his guys in the studio.

1:03:12.760 --> 1:03:15.400
<v Speaker 1>We pointed out, Brian, you know, you can pay these

1:03:15.440 --> 1:03:18.480
<v Speaker 1>guys three hundred bucks. They'll get it in two takes,

1:03:19.280 --> 1:03:21.360
<v Speaker 1>and you can probably do three or four songs in

1:03:21.440 --> 1:03:23.520
<v Speaker 1>a session instead of waiting for your guys to get

1:03:23.560 --> 1:03:26.280
<v Speaker 1>off the road. He'd retired from the road. He didn't

1:03:26.320 --> 1:03:31.360
<v Speaker 1>much like the road. He loved creating the records, and

1:03:32.000 --> 1:03:35.320
<v Speaker 1>there was no nothing special about singing live. To him,

1:03:36.040 --> 1:03:40.360
<v Speaker 1>it was tedious and it was time traveling all that

1:03:40.480 --> 1:03:43.560
<v Speaker 1>where he could be producing and writing. So it's a

1:03:43.640 --> 1:03:49.160
<v Speaker 1>perfect deal. The genius is at home writing and arranging

1:03:49.680 --> 1:03:52.200
<v Speaker 1>the tunes, and when you get off the road the

1:03:52.240 --> 1:03:55.280
<v Speaker 1>other guys, and being on the road, you're promoting your

1:03:55.560 --> 1:03:58.080
<v Speaker 1>your music. You have to do that part of it too,

1:03:58.240 --> 1:04:03.439
<v Speaker 1>that's part of the whole package. So it was great.

1:04:03.560 --> 1:04:07.560
<v Speaker 1>They'll be out singing live, Brian will be home writing

1:04:07.800 --> 1:04:13.520
<v Speaker 1>and arranging. So Brian heard the track two to Surf

1:04:13.600 --> 1:04:15.880
<v Speaker 1>City and he said, how'd you do that? You know,

1:04:16.000 --> 1:04:19.120
<v Speaker 1>we gave him hal Blaine's numbers. They call him. You know,

1:04:19.440 --> 1:04:21.720
<v Speaker 1>they'll bring all the same guys you just heard there

1:04:22.400 --> 1:04:28.440
<v Speaker 1>and they'll do your tracks. Leave open guitar stuff for Carl,

1:04:28.560 --> 1:04:32.040
<v Speaker 1>because Carl had very distinctive he had that surf guitar thing. Now,

1:04:32.840 --> 1:04:36.400
<v Speaker 1>so you just you guys, your records are vocal records.

1:04:37.440 --> 1:04:39.280
<v Speaker 1>You don't need to waste a bunch of time on,

1:04:40.040 --> 1:04:43.880
<v Speaker 1>you know, drum tracks. And Dennis sometimes shows up and

1:04:43.920 --> 1:04:49.840
<v Speaker 1>he's been drinking, and these guys make it that much

1:04:49.880 --> 1:04:52.520
<v Speaker 1>easier for you. And all you have to do is

1:04:52.600 --> 1:04:57.600
<v Speaker 1>worry about the vocals, a few signature um instruments, and

1:04:59.280 --> 1:05:04.800
<v Speaker 1>your music. So the next big hit after Surf City

1:05:05.840 --> 1:05:13.920
<v Speaker 1>is Honolulululu, right, another top ten record. I don't know why,

1:05:15.920 --> 1:05:18.600
<v Speaker 1>but it was cute and had a little surf that

1:05:18.920 --> 1:05:22.120
<v Speaker 1>that surf guitar. A lot of our records didn't have

1:05:22.200 --> 1:05:27.880
<v Speaker 1>guitars as much as we should have had um, but

1:05:28.720 --> 1:05:31.080
<v Speaker 1>that had a little slide guitar which was kind of neat,

1:05:31.320 --> 1:05:34.480
<v Speaker 1>had a little Hawaiian field to it, so as the

1:05:34.560 --> 1:05:39.360
<v Speaker 1>top ten. Then we had Drag City after that, and

1:05:39.480 --> 1:05:43.520
<v Speaker 1>we're switching over from the beach stuff into the car stuff,

1:05:44.680 --> 1:05:47.440
<v Speaker 1>and Drag City was it was a natural and Brian

1:05:47.600 --> 1:05:53.680
<v Speaker 1>helped help write that one too as well. And from there,

1:05:53.720 --> 1:05:56.520
<v Speaker 1>I don't remember, a dead Man's Curve is thrown in there,

1:05:56.600 --> 1:06:00.760
<v Speaker 1>and a New Girl in School New on School was

1:06:01.080 --> 1:06:04.280
<v Speaker 1>a song that Brian had written many many years before

1:06:04.440 --> 1:06:07.560
<v Speaker 1>called when Summer Comes Gonna Hustle You, and our record

1:06:07.600 --> 1:06:11.440
<v Speaker 1>company told us you can't say hustle you radio. It's

1:06:11.480 --> 1:06:15.600
<v Speaker 1>okay say it on your show, of course. Okay, when

1:06:15.640 --> 1:06:20.720
<v Speaker 1>Summer Comes Gonna Hustle You. Um, I don't know, so

1:06:21.000 --> 1:06:23.800
<v Speaker 1>we rewrote it. I mean we knew that the tune

1:06:23.960 --> 1:06:29.080
<v Speaker 1>was right and that the whole the whole arrangement was perfect.

1:06:29.560 --> 1:06:32.920
<v Speaker 1>It didn't really matter what what the subject matter was.

1:06:33.080 --> 1:06:36.680
<v Speaker 1>Particularly so New Girl in School that became, and that

1:06:36.840 --> 1:06:41.560
<v Speaker 1>was the top twenty record. So and dead man's skirts

1:06:41.600 --> 1:06:43.640
<v Speaker 1>thrown in and right, well, sir, and a few others.

1:06:43.880 --> 1:06:46.000
<v Speaker 1>I don't know. I can't remember. I can't remember. Okay,

1:06:46.040 --> 1:06:48.120
<v Speaker 1>how do you get the little old lady from Pasadena?

1:06:50.520 --> 1:06:53.080
<v Speaker 1>So I going to Pasadena? You know last time I

1:06:53.120 --> 1:07:03.800
<v Speaker 1>saw your You remember, um? One of chance buddies, Jam

1:07:03.920 --> 1:07:07.480
<v Speaker 1>by this time is in Actually he was premed at

1:07:07.600 --> 1:07:11.200
<v Speaker 1>u C. I. Now he's actually in med school or

1:07:11.320 --> 1:07:15.360
<v Speaker 1>just about being med school. So one of our old

1:07:15.440 --> 1:07:19.040
<v Speaker 1>high school buddies that also was going through med school

1:07:19.240 --> 1:07:24.920
<v Speaker 1>with Jan. They were in some class together. Obviously they

1:07:24.960 --> 1:07:30.320
<v Speaker 1>weren't listening because they had Our friend Don had told

1:07:30.400 --> 1:07:34.800
<v Speaker 1>us that he had seen on television a commercial for

1:07:35.000 --> 1:07:39.920
<v Speaker 1>the Southern California Dodge dealership where there is a character

1:07:40.160 --> 1:07:45.160
<v Speaker 1>a little old lady sitting behind the wheel of a

1:07:46.000 --> 1:07:53.240
<v Speaker 1>superstock Dodge, because Dodge was trying to appeal to you know,

1:07:53.360 --> 1:07:59.640
<v Speaker 1>hot rods and two younger people and rebranding themselves at

1:07:59.720 --> 1:08:06.080
<v Speaker 1>least muscle cars. So it was a pretty clever commercial.

1:08:06.160 --> 1:08:10.480
<v Speaker 1>So this little old person is is driving this car

1:08:10.600 --> 1:08:15.160
<v Speaker 1>and there, I mean we all used to in those days,

1:08:15.640 --> 1:08:19.160
<v Speaker 1>every young person at a car any time, every time

1:08:19.320 --> 1:08:24.000
<v Speaker 1>you'd stop for a signal there would be a race. Yeah,

1:08:24.080 --> 1:08:29.240
<v Speaker 1>almost always. There's always some car around that that you

1:08:29.320 --> 1:08:33.120
<v Speaker 1>know that that these guys and they're just there. Always

1:08:33.320 --> 1:08:36.479
<v Speaker 1>was a race. So she does a little street race

1:08:36.680 --> 1:08:40.080
<v Speaker 1>was some some other car, don't remember what the car was,

1:08:41.040 --> 1:08:44.800
<v Speaker 1>and of course she blows him off and then comes

1:08:44.880 --> 1:08:48.519
<v Speaker 1>to a screeching halt, and the camera comes around by

1:08:48.640 --> 1:08:53.000
<v Speaker 1>the side and and she turns right to the camera,

1:08:53.439 --> 1:08:56.600
<v Speaker 1>the smoke still coming up from from her skidding to

1:08:56.720 --> 1:09:02.800
<v Speaker 1>a stop, and she says, put a dodge in your girl, Juney. Yeah,

1:09:02.840 --> 1:09:05.280
<v Speaker 1>that was a really clever We like that. We were

1:09:05.320 --> 1:09:10.080
<v Speaker 1>also starting to mix in a little humor and our stuff,

1:09:10.240 --> 1:09:16.080
<v Speaker 1>so this was this was perfect. So the juxtaposition of

1:09:17.040 --> 1:09:22.360
<v Speaker 1>the old person, you know, in a street rod was

1:09:22.640 --> 1:09:28.160
<v Speaker 1>interesting to us. So we thought Jim and Don thought

1:09:28.320 --> 1:09:31.080
<v Speaker 1>this would be a great thing. So they started started

1:09:31.320 --> 1:09:35.439
<v Speaker 1>writing it coming up, and we also thought somewhere in

1:09:35.479 --> 1:09:38.320
<v Speaker 1>there that once we finished, I mean, we've had at

1:09:38.360 --> 1:09:41.680
<v Speaker 1>this point maybe four or five Top ten reactors in

1:09:41.720 --> 1:09:45.680
<v Speaker 1>a row. That you go to dodge. You say, by

1:09:45.720 --> 1:09:49.840
<v Speaker 1>the way, you have the character, you can throw in

1:09:50.320 --> 1:09:53.679
<v Speaker 1>a tailor made song and this will be a top

1:09:53.760 --> 1:09:58.800
<v Speaker 1>ten song easily. So anyway, we finished it, knew it

1:09:58.880 --> 1:10:03.600
<v Speaker 1>was a hit, Um sent it off to Dodge. They

1:10:03.720 --> 1:10:06.920
<v Speaker 1>never even answered us. I think we tried to reach

1:10:07.000 --> 1:10:09.960
<v Speaker 1>him a couple of times before it came out and

1:10:10.280 --> 1:10:14.040
<v Speaker 1>never responded. So we put it out and that also

1:10:14.200 --> 1:10:17.760
<v Speaker 1>was a top ten record. How did you end up

1:10:17.800 --> 1:10:25.040
<v Speaker 1>being the host of the Tabby Show? By default? I

1:10:25.160 --> 1:10:27.960
<v Speaker 1>think we're the only local guys. We were the closest.

1:10:28.720 --> 1:10:32.519
<v Speaker 1>We were the closest guys group that to the Santa

1:10:32.600 --> 1:10:38.000
<v Speaker 1>Monicacific auditor. I was about ten minutes away. Jan was

1:10:38.960 --> 1:10:42.559
<v Speaker 1>probably eighteen minutes a way to twenty minutes away. Everybody

1:10:42.640 --> 1:10:44.960
<v Speaker 1>else was, even the Beach Boys. They don't have to

1:10:45.080 --> 1:10:49.840
<v Speaker 1>drive up from Hawthorne. So um. We also were in

1:10:49.920 --> 1:10:54.719
<v Speaker 1>school so they could work with us on the show.

1:10:54.840 --> 1:10:58.840
<v Speaker 1>Where the other guys are out out working, we could

1:10:59.160 --> 1:11:03.400
<v Speaker 1>meet them after school or yeah, cut to school. So

1:11:03.800 --> 1:11:06.040
<v Speaker 1>we we were just were in the right place at

1:11:06.080 --> 1:11:11.000
<v Speaker 1>the right time. Um, so it just made sense. I

1:11:11.120 --> 1:11:13.559
<v Speaker 1>think we talked the Peach Boys into doing it. They

1:11:13.600 --> 1:11:15.720
<v Speaker 1>also wanted the Beach Boys, and we were the only

1:11:15.800 --> 1:11:18.800
<v Speaker 1>ones that Beach Boys will listen to it at the time.

1:11:19.479 --> 1:11:23.920
<v Speaker 1>So that film has become legendary legendary, legendary. What was

1:11:23.960 --> 1:11:28.160
<v Speaker 1>the experience of actually being there? Well, at the time,

1:11:28.280 --> 1:11:32.840
<v Speaker 1>you know, he didn't know it was legendary, and we

1:11:32.920 --> 1:11:35.160
<v Speaker 1>knew most of them, not most of the people. We

1:11:35.240 --> 1:11:39.639
<v Speaker 1>knew at least half the people worked with, so including

1:11:39.760 --> 1:11:42.320
<v Speaker 1>James Brown. We knew what James did, so it wasn't

1:11:42.400 --> 1:11:47.320
<v Speaker 1>so you know, we were alown away. Uh. We had

1:11:47.360 --> 1:11:50.400
<v Speaker 1>a joining dressing rooms with the Stones, and of course

1:11:50.680 --> 1:11:54.839
<v Speaker 1>they didn't talk to anybody, so I think we nodded

1:11:54.880 --> 1:11:59.040
<v Speaker 1>to one another. Since we were the hosts, we didn't

1:11:59.120 --> 1:12:01.719
<v Speaker 1>have time to hang around. Most of those other people

1:12:01.920 --> 1:12:04.800
<v Speaker 1>just probably hung around and then eventually all talked to

1:12:04.840 --> 1:12:07.920
<v Speaker 1>one another, kissing, because we did it in two nights,

1:12:08.160 --> 1:12:14.519
<v Speaker 1>just in case we screwed up something. Um. So we

1:12:14.840 --> 1:12:18.639
<v Speaker 1>we were you know, we had lines to do. Plus

1:12:18.960 --> 1:12:23.559
<v Speaker 1>we were I think we were changing costumes for each

1:12:24.000 --> 1:12:28.640
<v Speaker 1>each person that we introduced, we wore something different, So

1:12:28.760 --> 1:12:31.240
<v Speaker 1>we're kind of busy. Didn't really have time to hang

1:12:31.360 --> 1:12:36.320
<v Speaker 1>with these people too much. Um So, just being busy,

1:12:36.400 --> 1:12:40.360
<v Speaker 1>I didn't really have time to absorb it. Um. But

1:12:40.520 --> 1:12:43.360
<v Speaker 1>once we saw it, we knew it was We knew

1:12:43.360 --> 1:12:46.280
<v Speaker 1>it was special. I love the titles. I think the

1:12:46.439 --> 1:12:52.400
<v Speaker 1>titles are so classic. Um and then when Dick Clark

1:12:53.960 --> 1:12:56.519
<v Speaker 1>dug it out of the vaults and bought it from

1:12:57.240 --> 1:13:02.080
<v Speaker 1>dusted it off, um M. He always knew that was

1:13:02.200 --> 1:13:05.320
<v Speaker 1>a very classic piece of film. And then it deserved

1:13:05.640 --> 1:13:13.360
<v Speaker 1>to now be redigitized, and it needed to be properly marketed,

1:13:13.720 --> 1:13:17.799
<v Speaker 1>and and it had to be seen, which it ultimately

1:13:17.920 --> 1:13:21.040
<v Speaker 1>has been. So meanwhile, you're the two of you are

1:13:21.080 --> 1:13:27.280
<v Speaker 1>going to school. How much you're working live weekends summer

1:13:28.000 --> 1:13:31.760
<v Speaker 1>so we do spring break and summers. Were you making

1:13:31.800 --> 1:13:35.400
<v Speaker 1>any money? Yeah? And what do you do with the

1:13:35.479 --> 1:13:40.400
<v Speaker 1>money to save it? To spend it? Bought stock? Really,

1:13:41.720 --> 1:13:46.599
<v Speaker 1>we did a Coca Cola commercial and they would either

1:13:46.680 --> 1:13:52.000
<v Speaker 1>pay us cash or in stock. And Jan took cash

1:13:52.920 --> 1:13:57.400
<v Speaker 1>he was buying a house. I took stock and it doubled.

1:13:58.120 --> 1:14:00.680
<v Speaker 1>It doubled and split and doubled and split, so it

1:14:01.400 --> 1:14:05.840
<v Speaker 1>dip pretty well. Now we were pretty pretty good with

1:14:05.920 --> 1:14:09.559
<v Speaker 1>our money. So let's just assume without you had ultimately

1:14:09.600 --> 1:14:12.439
<v Speaker 1>had a second career. But if you just had your

1:14:12.520 --> 1:14:14.640
<v Speaker 1>music career, did it generate enough money to live for

1:14:14.640 --> 1:14:18.280
<v Speaker 1>the rest of your life? No? Not not like today,

1:14:18.680 --> 1:14:22.280
<v Speaker 1>Not like today. Okay, so you're in school. You're going

1:14:22.360 --> 1:14:25.320
<v Speaker 1>to City College and then you transfer to usc IS

1:14:26.040 --> 1:14:28.800
<v Speaker 1>and you say, you're in the architecture school. Did you

1:14:28.840 --> 1:14:32.280
<v Speaker 1>want to become an architect? I thought I did, But

1:14:32.520 --> 1:14:34.479
<v Speaker 1>once I got there and they kept telling me I

1:14:34.640 --> 1:14:41.240
<v Speaker 1>wasn't cut out for that, I finally believed him. Um.

1:14:42.320 --> 1:14:45.640
<v Speaker 1>So they did have fine arts too as well, and

1:14:45.800 --> 1:14:50.880
<v Speaker 1>advertising arts, so I went into more advertising art. I

1:14:50.960 --> 1:14:53.960
<v Speaker 1>think my degree was advertising design or something like that,

1:14:55.040 --> 1:14:58.559
<v Speaker 1>which would include marketing and branding and all of those things.

1:14:58.640 --> 1:15:01.280
<v Speaker 1>And that's all stuff I was kind of doing for us,

1:15:01.439 --> 1:15:04.360
<v Speaker 1>So it made sense when all of a sudden, I said, yeah,

1:15:04.400 --> 1:15:06.519
<v Speaker 1>that makes a lot more sense because I could be

1:15:06.640 --> 1:15:09.720
<v Speaker 1>creating our own packaging because I knew that was going

1:15:09.800 --> 1:15:12.919
<v Speaker 1>to be important. Knew the visuals were going to be important.

1:15:13.000 --> 1:15:18.960
<v Speaker 1>The Beatles, when when they hit everything changed, I mean

1:15:19.080 --> 1:15:24.160
<v Speaker 1>it became serious and we could see how how much

1:15:24.240 --> 1:15:28.880
<v Speaker 1>attention to detail that that that they were spending the

1:15:29.000 --> 1:15:34.920
<v Speaker 1>time really thinking every little piece of their career. And

1:15:35.200 --> 1:15:38.120
<v Speaker 1>we said, we, you know, to keep up, we have

1:15:38.320 --> 1:15:41.000
<v Speaker 1>to do that, and most acts are going to have

1:15:41.120 --> 1:15:42.920
<v Speaker 1>to do that. You're gonna have to think of the

1:15:43.120 --> 1:15:46.920
<v Speaker 1>big picture, all of it, and not just focus on

1:15:47.320 --> 1:15:50.000
<v Speaker 1>I gotta have that hit song, you know, you have

1:15:50.120 --> 1:15:52.640
<v Speaker 1>to have that, but you got to have all the

1:15:52.760 --> 1:15:57.000
<v Speaker 1>other pieces in place too, and branding. Branding was a

1:15:57.280 --> 1:16:01.400
<v Speaker 1>huge thing, and I don't ever remember the word being

1:16:01.600 --> 1:16:05.880
<v Speaker 1>used in the sixties. Nobody really got it. I saw

1:16:06.040 --> 1:16:10.719
<v Speaker 1>Peter Paul and Mary album once and then I saw

1:16:10.880 --> 1:16:16.679
<v Speaker 1>how there it was stylized print for Peter, Paul and Mary,

1:16:18.000 --> 1:16:23.120
<v Speaker 1>and I remember thinking then that type never changed, and

1:16:23.240 --> 1:16:27.800
<v Speaker 1>I thought that is really cool too, to think of

1:16:27.920 --> 1:16:32.840
<v Speaker 1>it as a product and to tie the visuals into

1:16:33.200 --> 1:16:36.400
<v Speaker 1>what you're doing. Is remember that was kind of kind

1:16:36.439 --> 1:16:42.080
<v Speaker 1>of hippie hippie folk type, and the pretty much when

1:16:42.120 --> 1:16:44.240
<v Speaker 1>you saw it, you thought Peter, Paul, Mary, and then

1:16:44.320 --> 1:16:47.920
<v Speaker 1>they could just use the P, P and M because

1:16:47.960 --> 1:16:51.200
<v Speaker 1>it was so recognizable. I thought, you know, that's really

1:16:51.280 --> 1:16:54.280
<v Speaker 1>really neat how all that ties in, and of course

1:16:54.320 --> 1:16:58.720
<v Speaker 1>the written word ties in. I had Tom Hanks once

1:16:58.800 --> 1:17:02.439
<v Speaker 1>tell me how much love to read our liner notes

1:17:03.160 --> 1:17:06.639
<v Speaker 1>because there was so much in there. And he got

1:17:06.720 --> 1:17:10.920
<v Speaker 1>the whole, you know, the whole big picture, and appreciated

1:17:11.960 --> 1:17:15.200
<v Speaker 1>that kind of humor thing that that strung through it all.

1:17:16.040 --> 1:17:19.840
<v Speaker 1>I certainly got that too. So let's get to the accident. Now,

1:17:19.880 --> 1:17:24.160
<v Speaker 1>when the accident happens, it seems that your careers cooled

1:17:24.200 --> 1:17:29.800
<v Speaker 1>off a little bit. Would you say that it's true? Well, yeah,

1:17:30.680 --> 1:17:35.200
<v Speaker 1>but it was somewhat by design because we knew we

1:17:35.320 --> 1:17:38.200
<v Speaker 1>had a television series that we were going to be doing.

1:17:39.439 --> 1:17:42.360
<v Speaker 1>It was bought by ABC. We were going to be

1:17:42.680 --> 1:17:51.000
<v Speaker 1>on debut the same season that the Monkeys debut, and

1:17:52.320 --> 1:17:55.439
<v Speaker 1>screen gems and all that. They were all intertwined with

1:17:56.240 --> 1:17:59.200
<v Speaker 1>them and us, and we would have probably been on

1:17:59.320 --> 1:18:04.160
<v Speaker 1>each other's shows and helped cross promote things, um in

1:18:04.280 --> 1:18:07.439
<v Speaker 1>separate channels. I think they were in NBC. I remember

1:18:07.640 --> 1:18:12.400
<v Speaker 1>we were in ABC. So we knew that being on

1:18:12.560 --> 1:18:17.719
<v Speaker 1>TV once a week, I'm gonna yes. So we knew

1:18:18.000 --> 1:18:22.800
<v Speaker 1>that that exposure was just going to be way above

1:18:22.840 --> 1:18:25.960
<v Speaker 1>anything we'd ever done. We were looking at Ricky Nelson

1:18:26.439 --> 1:18:30.320
<v Speaker 1>ocousely dude sing that damn song and that and each

1:18:30.400 --> 1:18:33.040
<v Speaker 1>one of his little shows and it was a gold record,

1:18:34.120 --> 1:18:36.720
<v Speaker 1>So we weren't really worried about that end of it.

1:18:36.920 --> 1:18:40.840
<v Speaker 1>We also understood that we needed to keep our a

1:18:41.040 --> 1:18:47.400
<v Speaker 1>material from We weren't going to resign with Liberty. We're

1:18:47.400 --> 1:18:49.080
<v Speaker 1>going to have our own label or not have our

1:18:49.120 --> 1:18:53.400
<v Speaker 1>own label and justorated by some warners or even done

1:18:53.479 --> 1:18:59.200
<v Speaker 1>you'll want to do to do um distribution deal. Wey

1:18:59.280 --> 1:19:02.800
<v Speaker 1>not have our I mean, we're getting all this exposure.

1:19:03.080 --> 1:19:06.760
<v Speaker 1>We don't need a label to do the exposure. We're

1:19:06.840 --> 1:19:10.519
<v Speaker 1>going to be doing it on TV. And louis still

1:19:10.760 --> 1:19:15.880
<v Speaker 1>managing you with this and uh hal Blane had a

1:19:16.360 --> 1:19:20.120
<v Speaker 1>part that he would play recurring part in the show.

1:19:20.520 --> 1:19:22.519
<v Speaker 1>It was it was neat. It's like a little road show.

1:19:23.360 --> 1:19:27.200
<v Speaker 1>But we would get lost and and all sorts of

1:19:27.320 --> 1:19:31.280
<v Speaker 1>other things outside of the music of somehow getting to

1:19:31.400 --> 1:19:37.840
<v Speaker 1>that concert. There were storylines, you know, so and then later,

1:19:38.080 --> 1:19:40.200
<v Speaker 1>you know, years later, looked back and a lot of

1:19:40.280 --> 1:19:44.080
<v Speaker 1>little side things that we were going to do became

1:19:44.120 --> 1:19:47.080
<v Speaker 1>like we were gonna do a little parody of Rout

1:19:47.280 --> 1:19:52.000
<v Speaker 1>sixty only ours is gonna be Routed sixty nine. But

1:19:52.160 --> 1:19:55.559
<v Speaker 1>we had corvettes, we had sting rights, and we often

1:19:55.680 --> 1:20:00.479
<v Speaker 1>drove them to two concert dates if there was within

1:20:00.600 --> 1:20:04.360
<v Speaker 1>a hundred fifty miles. We thought it was fun. But

1:20:04.479 --> 1:20:07.599
<v Speaker 1>all those little side adventures of getting arrested, a couple

1:20:07.640 --> 1:20:12.120
<v Speaker 1>of homes, getting lost, and all those things. We would

1:20:12.280 --> 1:20:15.200
<v Speaker 1>make make a show out of it. But we'd kind

1:20:15.240 --> 1:20:18.800
<v Speaker 1>of parody some of these other television shows two at

1:20:18.840 --> 1:20:22.519
<v Speaker 1>the time, long story short. When I look back many

1:20:22.640 --> 1:20:25.960
<v Speaker 1>years later and looked at some of the rough ideas

1:20:26.040 --> 1:20:28.759
<v Speaker 1>of where it was going to go, it was almost

1:20:28.840 --> 1:20:32.360
<v Speaker 1>Saturday Night Live. Kinds of skidding that we would do.

1:20:33.120 --> 1:20:37.320
<v Speaker 1>But anyway, so we do the pilot. The pilot seals

1:20:38.360 --> 1:20:40.960
<v Speaker 1>we don't want to give any of our A list

1:20:41.240 --> 1:20:45.240
<v Speaker 1>songs to Liberty. You were kind of winding it down. Um,

1:20:45.400 --> 1:20:48.400
<v Speaker 1>we didn't want to leave them with anything, and made

1:20:48.439 --> 1:20:52.040
<v Speaker 1>sure that once we left, the cupboard was bare and

1:20:52.160 --> 1:20:59.120
<v Speaker 1>we weren't prolific m hm master makers because we would

1:20:59.160 --> 1:21:02.360
<v Speaker 1>cut just what we needed and that was it. So

1:21:02.600 --> 1:21:04.200
<v Speaker 1>it wasn't going to be all a lot of stuff

1:21:04.240 --> 1:21:07.759
<v Speaker 1>floating around. We didn't want them to have any stuff

1:21:07.800 --> 1:21:12.200
<v Speaker 1>to compete, and so it was more or less thought

1:21:12.320 --> 1:21:16.439
<v Speaker 1>out that, at least record wise, So we cut back

1:21:16.680 --> 1:21:19.759
<v Speaker 1>because it didn't matter. We knew what was the future

1:21:19.920 --> 1:21:24.840
<v Speaker 1>was going to be. But unfortunately Jan had that automobile

1:21:24.920 --> 1:21:29.320
<v Speaker 1>accident and all went away. So how did you find

1:21:29.360 --> 1:21:32.920
<v Speaker 1>out he had the accident? Uh? Just school met n

1:21:33.080 --> 1:21:36.240
<v Speaker 1>SC came up to me. You know, I was just

1:21:36.400 --> 1:21:38.840
<v Speaker 1>walking across the campus and somebody came up to me,

1:21:39.200 --> 1:21:42.519
<v Speaker 1>an old friend and said, hey, I heard on the news.

1:21:43.479 --> 1:21:47.320
<v Speaker 1>Uh that just he just got into school, so he

1:21:47.400 --> 1:21:49.600
<v Speaker 1>had the car radio and I've been there for a

1:21:49.640 --> 1:21:52.840
<v Speaker 1>couple of hours, so I just heard it. Jan had

1:21:52.880 --> 1:21:57.439
<v Speaker 1>a bad automobile accident and Beverly Hills. Is he okay?

1:21:57.720 --> 1:22:02.479
<v Speaker 1>I know had this first, I've heard of it, and

1:22:02.600 --> 1:22:04.160
<v Speaker 1>how to go to the pay phone, you know, there

1:22:04.200 --> 1:22:07.640
<v Speaker 1>were no phones, and I'm called lose office and I

1:22:07.760 --> 1:22:11.000
<v Speaker 1>found out that it was. It was pretty serious at

1:22:11.080 --> 1:22:14.800
<v Speaker 1>that point, so nobody knew how whether or not he

1:22:14.840 --> 1:22:18.759
<v Speaker 1>would ever recover or not. He was in a coma

1:22:19.760 --> 1:22:25.080
<v Speaker 1>he had, Yeah, he did have permanent brain damage. So

1:22:25.240 --> 1:22:29.960
<v Speaker 1>he had permanent brain damage. Uh do you immediately realize

1:22:30.000 --> 1:22:39.400
<v Speaker 1>that this is over? Yeah? Yeah, it was pretty pretty obvious. Um,

1:22:42.120 --> 1:22:44.360
<v Speaker 1>but you know I triggered. There was a reason I

1:22:44.479 --> 1:22:46.680
<v Speaker 1>was going to school, But there's a reason he was

1:22:46.760 --> 1:22:51.400
<v Speaker 1>going to school. Is that we knew that this rock

1:22:51.479 --> 1:22:56.120
<v Speaker 1>a room never gonna last forever, at least for us

1:22:56.400 --> 1:22:59.400
<v Speaker 1>or for about anybody. You know. It does have a

1:22:59.439 --> 1:23:03.320
<v Speaker 1>shelf like too, So this is I guess this is

1:23:03.400 --> 1:23:07.439
<v Speaker 1>what I planned for and I just graduated. Any when

1:23:07.479 --> 1:23:11.160
<v Speaker 1>I was in in into my master's program. I don't

1:23:11.160 --> 1:23:13.800
<v Speaker 1>know why as a graduate student, and it didn't really

1:23:13.840 --> 1:23:17.120
<v Speaker 1>need to go, but I went just in case. I thought,

1:23:17.200 --> 1:23:20.720
<v Speaker 1>I've maybe going to law school because a USC had

1:23:20.720 --> 1:23:23.479
<v Speaker 1>a good law school. I thought, if we really do

1:23:25.360 --> 1:23:27.920
<v Speaker 1>make this show work, I should probably know a little

1:23:27.960 --> 1:23:31.720
<v Speaker 1>bit about about the law. I guess why not? And

1:23:31.760 --> 1:23:34.439
<v Speaker 1>I figured if Chan was still in mid school, I

1:23:34.479 --> 1:23:37.479
<v Speaker 1>didn't know how this was all going to work. But

1:23:37.720 --> 1:23:39.719
<v Speaker 1>just you know, I thought maybe we could do both.

1:23:39.800 --> 1:23:44.280
<v Speaker 1>But I was pretty sure it couldn't. But I don't know. Okay,

1:23:44.439 --> 1:23:48.160
<v Speaker 1>just go back to chapter. You must you know you're

1:23:48.240 --> 1:23:51.000
<v Speaker 1>a hit act on USC campus. She must have been

1:23:51.040 --> 1:23:55.720
<v Speaker 1>a big star. You would think you would have thunk. Um.

1:23:58.680 --> 1:24:00.439
<v Speaker 1>I think I've been there so long and I was

1:24:00.520 --> 1:24:04.040
<v Speaker 1>just one of the guys. Because it didn't really feel

1:24:04.080 --> 1:24:07.360
<v Speaker 1>like it. It wouldn't pay much attention to me. I

1:24:07.600 --> 1:24:12.519
<v Speaker 1>don't think. I think had we done the television show

1:24:12.640 --> 1:24:19.040
<v Speaker 1>have been much different. Um. When I first got to USC,

1:24:20.800 --> 1:24:24.120
<v Speaker 1>most of the most college kids didn't particularly like rock

1:24:24.160 --> 1:24:32.519
<v Speaker 1>and roll. Really, they liked folk music. You see relevant music, uh, jazz,

1:24:33.600 --> 1:24:36.840
<v Speaker 1>anything about that rock and roll is for fourteen year olds.

1:24:37.800 --> 1:24:40.200
<v Speaker 1>And I actually literally had friends with Tony. Are you

1:24:40.280 --> 1:24:45.280
<v Speaker 1>still making that music for the fourteen fifty year old girls? Yeah?

1:24:45.600 --> 1:24:49.680
<v Speaker 1>Well off campus? Were there perks of having this success? Um?

1:24:53.439 --> 1:24:57.479
<v Speaker 1>A little bit? Yeah, what do you mean, Well, first,

1:24:57.840 --> 1:25:05.439
<v Speaker 1>let's be obvious chick wise, right, Um, yeah, kind of,

1:25:06.160 --> 1:25:12.960
<v Speaker 1>but it was still, uh, you know, when you're actually

1:25:13.000 --> 1:25:15.240
<v Speaker 1>on the road. It was a lot easier being away

1:25:15.320 --> 1:25:18.920
<v Speaker 1>from home obviously, so I had to be careful around home.

1:25:19.840 --> 1:25:23.439
<v Speaker 1>So um, we we were pretty careful. We didn't get

1:25:23.600 --> 1:25:28.000
<v Speaker 1>any troll in town. Are you invited to things forget? Yeah,

1:25:28.040 --> 1:25:31.280
<v Speaker 1>but we don't don't have time. Literally, don't have time

1:25:32.320 --> 1:25:36.960
<v Speaker 1>either you're in school or you're recording, and that that's

1:25:36.960 --> 1:25:39.559
<v Speaker 1>about all the time I had. Luckily, we didn't have time,

1:25:39.640 --> 1:25:41.599
<v Speaker 1>So I imagine we could have gotten a lot more

1:25:41.680 --> 1:25:45.960
<v Speaker 1>trouble had had we, you know, had some free time.

1:25:46.560 --> 1:25:51.160
<v Speaker 1>Drugs are not an issue. Jan what he was in

1:25:51.400 --> 1:25:55.240
<v Speaker 1>med school. You know, they had their uppers and stuff

1:25:55.320 --> 1:26:00.679
<v Speaker 1>that for studying. So other than that, yeah, we again,

1:26:00.720 --> 1:26:04.120
<v Speaker 1>it really didn't have time for drugs either. So ultimately,

1:26:04.240 --> 1:26:07.160
<v Speaker 1>after the accident, you had a second career being a

1:26:07.280 --> 1:26:11.320
<v Speaker 1>graphic designer. How long after the accident do you start

1:26:11.400 --> 1:26:16.880
<v Speaker 1>to build that business? Well, I had relatively started it

1:26:17.680 --> 1:26:23.240
<v Speaker 1>before the accident, maybe a good year before the accident.

1:26:23.439 --> 1:26:27.720
<v Speaker 1>I was already starting to playing out, you know, our

1:26:28.120 --> 1:26:31.800
<v Speaker 1>or some of our marketing stuff that we would want

1:26:31.800 --> 1:26:35.080
<v Speaker 1>to do. A lot had to do with the television show.

1:26:36.280 --> 1:26:39.880
<v Speaker 1>I knew clothing was going to be important. So I

1:26:40.040 --> 1:26:44.840
<v Speaker 1>had learned silk screening at USC so I knew how

1:26:44.920 --> 1:26:49.080
<v Speaker 1>to make the screens and how to do multiple colors

1:26:49.200 --> 1:26:50.800
<v Speaker 1>and all that kind of stuff. And I knew that

1:26:51.840 --> 1:26:57.720
<v Speaker 1>I had a feeling that this whole beach attire was

1:26:58.400 --> 1:27:02.760
<v Speaker 1>going to be important. This is way before you know

1:27:02.840 --> 1:27:05.479
<v Speaker 1>o P or any of the any of the surf

1:27:05.680 --> 1:27:09.000
<v Speaker 1>brands came along. I kind of knew that that that

1:27:09.200 --> 1:27:11.680
<v Speaker 1>was going to be important, and that that stuff we

1:27:11.800 --> 1:27:15.600
<v Speaker 1>could wear on television show. We used to do the

1:27:15.640 --> 1:27:19.840
<v Speaker 1>Little Lloyd Saxton Show right here, right just down the street,

1:27:19.880 --> 1:27:25.559
<v Speaker 1>as I remember, um, and we wear just I had

1:27:26.360 --> 1:27:33.759
<v Speaker 1>I made up part. We sponsored a adult flag football

1:27:33.880 --> 1:27:38.280
<v Speaker 1>team and Jan played on it occasionally. I played on

1:27:38.400 --> 1:27:41.720
<v Speaker 1>it all the time because I owned it so pretty well,

1:27:42.760 --> 1:27:46.400
<v Speaker 1>I could pretty well right myself whatever whatever I wanted

1:27:46.439 --> 1:27:49.040
<v Speaker 1>to do. You see that I paid for the jerseys

1:27:49.080 --> 1:27:51.639
<v Speaker 1>and the pants and all the entry fees and all

1:27:51.680 --> 1:27:55.240
<v Speaker 1>of that, so I I would wear every once in

1:27:55.240 --> 1:27:59.439
<v Speaker 1>a while the Jan and Deane's bell Are bandits foot

1:27:59.479 --> 1:28:03.200
<v Speaker 1>cultures and an amount of mail that we would get

1:28:03.320 --> 1:28:07.439
<v Speaker 1>after that. We're gonna get that, you know. So I

1:28:07.520 --> 1:28:12.600
<v Speaker 1>went to sc and I and I got out the

1:28:13.040 --> 1:28:17.720
<v Speaker 1>screening and the stuff and and copied pretty much all

1:28:17.840 --> 1:28:22.600
<v Speaker 1>the these did have stripes and piping and stuff. But

1:28:23.400 --> 1:28:29.320
<v Speaker 1>in one color, I created the actual football jersey. We

1:28:29.520 --> 1:28:33.320
<v Speaker 1>sold thousands and thousands of those shirts. And I'm going

1:28:33.760 --> 1:28:37.240
<v Speaker 1>if that comes off of Lloyd Taxton show, think about

1:28:37.280 --> 1:28:40.679
<v Speaker 1>a national show that has twenty to thirty million people

1:28:40.760 --> 1:28:44.120
<v Speaker 1>seeing it once a week and you wear a shirt

1:28:44.240 --> 1:28:48.800
<v Speaker 1>like that, or you the skateboards. We had a sidebox

1:28:48.880 --> 1:28:52.120
<v Speaker 1>surfing skateboards that we were going to work a deal

1:28:52.240 --> 1:28:56.840
<v Speaker 1>with Makaha or one of those big board manufacturers at

1:28:56.880 --> 1:29:01.000
<v Speaker 1>the time, and so all the ska pouring, all the

1:29:01.120 --> 1:29:03.760
<v Speaker 1>surfing stuff, all the beat stuff. When we had little

1:29:03.840 --> 1:29:08.400
<v Speaker 1>medallions or surfer medallions made. He was going to be

1:29:08.520 --> 1:29:15.040
<v Speaker 1>a slam could have been just amazing. So when Jane

1:29:15.080 --> 1:29:19.599
<v Speaker 1>crashed and still had all those ideas. So since all

1:29:19.640 --> 1:29:23.040
<v Speaker 1>of my friends were in the music industry. My good

1:29:23.120 --> 1:29:25.679
<v Speaker 1>friends of Beach Boys. I went to them and said,

1:29:25.760 --> 1:29:28.479
<v Speaker 1>this is what I'm doing. Now, I could be doing

1:29:28.520 --> 1:29:32.680
<v Speaker 1>that for you. I could be your art director. You know,

1:29:32.800 --> 1:29:36.400
<v Speaker 1>you don't have to deal with the art department. Um.

1:29:36.880 --> 1:29:39.760
<v Speaker 1>I was learning how to get around our art department

1:29:41.080 --> 1:29:43.640
<v Speaker 1>in the Jam and Deine days. I said, it can

1:29:43.760 --> 1:29:47.800
<v Speaker 1>be done. The artists can demand certain things about their

1:29:48.479 --> 1:29:53.439
<v Speaker 1>their own packaging and on merchandising and all that kind

1:29:53.479 --> 1:29:57.960
<v Speaker 1>of stuff. So each artist that I would pick, I'm

1:29:58.040 --> 1:30:01.000
<v Speaker 1>just saying I will be your advocate and I will

1:30:01.000 --> 1:30:03.160
<v Speaker 1>be the one that speaks for you out go in

1:30:03.360 --> 1:30:06.360
<v Speaker 1>and talk to the record company and or to the

1:30:06.560 --> 1:30:09.120
<v Speaker 1>art department and just demand that this is what the

1:30:09.280 --> 1:30:14.920
<v Speaker 1>artist wants, okay, And that becomes a successful business and

1:30:15.040 --> 1:30:20.000
<v Speaker 1>you end up doing the logo for Chicago. And then

1:30:20.080 --> 1:30:25.040
<v Speaker 1>of course in there's a TV movie. To what degree

1:30:25.240 --> 1:30:35.320
<v Speaker 1>did you see that coming? Um, well there was a

1:30:36.400 --> 1:30:39.719
<v Speaker 1>after all these years, so this was after chance accident.

1:30:41.280 --> 1:30:43.880
<v Speaker 1>So by the seventies, you know, we've been out of

1:30:43.920 --> 1:30:49.439
<v Speaker 1>the business for good ten twelve years. A buddy of

1:30:49.520 --> 1:30:54.080
<v Speaker 1>mine that did go to law school, uh at at

1:30:54.240 --> 1:31:00.840
<v Speaker 1>usc wrote wrote in a Janine p because he was

1:31:01.160 --> 1:31:06.360
<v Speaker 1>fascinated about it all. I don't know why, but he'd

1:31:06.400 --> 1:31:09.120
<v Speaker 1>written this, Hothy. He liked to write. That was his

1:31:09.280 --> 1:31:16.759
<v Speaker 1>way of unwinding from being a lawyer. And I helped

1:31:16.840 --> 1:31:19.800
<v Speaker 1>him because you know, he couldn't get information from Jan

1:31:20.120 --> 1:31:23.800
<v Speaker 1>and we were buddies, so all he would he would

1:31:23.840 --> 1:31:25.920
<v Speaker 1>talk to me for hours and write it all down

1:31:25.960 --> 1:31:29.400
<v Speaker 1>and record parts of it. And he wrote it. He

1:31:29.560 --> 1:31:34.439
<v Speaker 1>was a decent writer. Um. He had a couple of

1:31:34.560 --> 1:31:39.679
<v Speaker 1>connections and a couple of magazines and by the time

1:31:39.720 --> 1:31:43.560
<v Speaker 1>he finished writing it, uh, and was about to submit it,

1:31:43.720 --> 1:31:48.600
<v Speaker 1>those those contacts went away. Then he sent it to

1:31:48.720 --> 1:31:51.920
<v Speaker 1>others and people turned it down, saying nobody can remember

1:31:51.920 --> 1:31:57.439
<v Speaker 1>who Chandine were. Um, so it's you know, it's a

1:31:57.520 --> 1:32:04.360
<v Speaker 1>nice piece, but they name recognition is not there. So

1:32:04.520 --> 1:32:06.800
<v Speaker 1>they went around around. He even sent it to Playboy

1:32:06.920 --> 1:32:09.559
<v Speaker 1>and Playboy turned him down. So he was pretty much

1:32:09.600 --> 1:32:14.920
<v Speaker 1>had been turned down. Uh. And then I suggested, what

1:32:15.280 --> 1:32:19.200
<v Speaker 1>about Rolling Stone. I mean, they will understand that the

1:32:19.360 --> 1:32:22.919
<v Speaker 1>brand and understand the story. And it's still an interesting

1:32:23.080 --> 1:32:27.400
<v Speaker 1>story about Jan's you know, recovery and stuff, because he

1:32:27.560 --> 1:32:33.679
<v Speaker 1>was starting to at least function, and it's an interesting story,

1:32:33.880 --> 1:32:38.360
<v Speaker 1>you know. So we submitted it to Rolling Stone and

1:32:38.439 --> 1:32:44.559
<v Speaker 1>they loved it. Again. This is fourteen years after your

1:32:44.640 --> 1:32:47.160
<v Speaker 1>last hit, and they we're going to put us on

1:32:47.320 --> 1:32:52.240
<v Speaker 1>the cover of Rolling Stone. Any Leibowitz came and took

1:32:52.320 --> 1:32:55.800
<v Speaker 1>my picture at my graphics are office, which is was

1:32:55.880 --> 1:33:01.040
<v Speaker 1>a sunset and Ogden and she hung around the office

1:33:01.080 --> 1:33:03.519
<v Speaker 1>and took pictures of me at the office and stuff,

1:33:03.560 --> 1:33:06.439
<v Speaker 1>and then we went down to the beach. She took

1:33:06.640 --> 1:33:10.200
<v Speaker 1>shots of both Janet and my song. This is a

1:33:10.240 --> 1:33:13.160
<v Speaker 1>big time. I'm gonna be on a cover of Rolling

1:33:13.200 --> 1:33:16.599
<v Speaker 1>Stone after all these years and about a five six

1:33:16.760 --> 1:33:21.439
<v Speaker 1>page article as I remember, and it's just about to

1:33:21.479 --> 1:33:27.800
<v Speaker 1>come out, and Nixon Quits bumped us off the cover,

1:33:28.720 --> 1:33:32.719
<v Speaker 1>but we still got, you know, our six pages inside,

1:33:32.800 --> 1:33:35.560
<v Speaker 1>which was really pretty neat. It's been nice to be

1:33:35.680 --> 1:33:40.000
<v Speaker 1>in the cover though, um. And from that we got

1:33:40.080 --> 1:33:45.360
<v Speaker 1>all sorts of calls from m I think I think

1:33:45.400 --> 1:33:50.519
<v Speaker 1>it was actually theatrical calls in the beginning for actually

1:33:50.680 --> 1:33:56.280
<v Speaker 1>really nice, big high budgeted films. And then it all

1:33:56.360 --> 1:33:59.000
<v Speaker 1>that stuff just went away, and it came down to

1:33:59.120 --> 1:34:02.920
<v Speaker 1>television and we finally did make a deal of CBS

1:34:03.080 --> 1:34:08.200
<v Speaker 1>and it came out on CBS Prime Time a couple

1:34:08.200 --> 1:34:12.559
<v Speaker 1>of years after the article was written, and from there

1:34:12.560 --> 1:34:15.760
<v Speaker 1>and all held broke loose because I put my love

1:34:15.800 --> 1:34:19.320
<v Speaker 1>at the beach boys and Bruce. We all went to

1:34:19.400 --> 1:34:25.760
<v Speaker 1>school together, Bruce's and neighbor Jan's Johnstone. I invited all

1:34:25.800 --> 1:34:30.600
<v Speaker 1>the guys, but only Mike and Bruce decided that that

1:34:30.880 --> 1:34:36.080
<v Speaker 1>they wanted to do it, so they did. And then

1:34:37.960 --> 1:34:41.800
<v Speaker 1>they work a lot. So right after that airing their

1:34:41.920 --> 1:34:46.600
<v Speaker 1>out touring as usual, and Mike calls me from the

1:34:46.720 --> 1:34:49.960
<v Speaker 1>road maybe a couple of three or four days after

1:34:50.439 --> 1:34:55.320
<v Speaker 1>that first airing on on the CBS and says, you

1:34:55.439 --> 1:34:59.680
<v Speaker 1>know they do. They do a lot of interviews, a

1:34:59.760 --> 1:35:01.880
<v Speaker 1>lot of radio and stuff. And he said, we are

1:35:02.080 --> 1:35:05.480
<v Speaker 1>you know, we once a while get questions about Janadeine

1:35:05.520 --> 1:35:09.000
<v Speaker 1>and our relationship. He said, ever since that the thing

1:35:09.160 --> 1:35:15.080
<v Speaker 1>was shown a week ago, it's of what people are

1:35:15.240 --> 1:35:18.800
<v Speaker 1>asking about is the relationship with Janadeine. Whether or not

1:35:18.960 --> 1:35:24.000
<v Speaker 1>Janadeine will ever be able to perform again. Blah blah blah.

1:35:25.000 --> 1:35:27.080
<v Speaker 1>He says, you need to do it. I'm sitting in

1:35:27.120 --> 1:35:30.800
<v Speaker 1>my little graphics office, nice and very comfortable, you know,

1:35:31.040 --> 1:35:34.599
<v Speaker 1>and going like it's taking me ten and twelve years

1:35:34.680 --> 1:35:38.160
<v Speaker 1>to build it up to this, and if I love,

1:35:38.520 --> 1:35:41.000
<v Speaker 1>I didn't ever leave. I mean, if I was gone

1:35:41.120 --> 1:35:44.320
<v Speaker 1>for two or three days, my clients would get piste off.

1:35:45.320 --> 1:35:47.960
<v Speaker 1>So I wanted they were. They expected me to be

1:35:48.200 --> 1:35:51.400
<v Speaker 1>right there and pick up the phone, so I knew

1:35:51.439 --> 1:35:53.920
<v Speaker 1>if I strayed from that. There's plenty of other graphic

1:35:54.040 --> 1:35:59.120
<v Speaker 1>designers now they're all competing. I was very careful and

1:35:59.200 --> 1:36:03.280
<v Speaker 1>I thought, well, it sounds interesting, Mike, but yeah, I'll

1:36:03.320 --> 1:36:06.120
<v Speaker 1>think about it. And then two or three weeks later,

1:36:06.320 --> 1:36:10.280
<v Speaker 1>I'm telling you, man, it's not going away. And then

1:36:10.320 --> 1:36:14.320
<v Speaker 1>about nine months later they showed it again and the

1:36:14.479 --> 1:36:18.960
<v Speaker 1>numbers were even bigger than they were the first time. Um,

1:36:20.320 --> 1:36:22.720
<v Speaker 1>so Mike was all over me. Mike said, look, we're

1:36:22.760 --> 1:36:25.719
<v Speaker 1>going out on a tour with our own plane. There's

1:36:25.760 --> 1:36:29.920
<v Speaker 1>a seat for you, and Jan's cool. I've never been

1:36:29.960 --> 1:36:35.160
<v Speaker 1>in a private jet before. I thought that sounded pretty interesting,

1:36:35.360 --> 1:36:40.760
<v Speaker 1>so I said yes, and I got Jan up and

1:36:40.920 --> 1:36:43.720
<v Speaker 1>around and he was well enough to be able to

1:36:44.479 --> 1:36:47.040
<v Speaker 1>sing at least three or four songs, and that's what

1:36:47.160 --> 1:36:49.800
<v Speaker 1>we decided to do. We went out on tour with them,

1:36:51.720 --> 1:36:56.880
<v Speaker 1>and I've been doing it ever since. So I saw

1:36:56.960 --> 1:36:59.720
<v Speaker 1>you at the star Woods. I don't know if that

1:36:59.840 --> 1:37:09.000
<v Speaker 1>was certain early. Okay, so you're working with jan and

1:37:09.720 --> 1:37:14.240
<v Speaker 1>are you is what kind of shape is he in? Um? Well, yeah,

1:37:14.800 --> 1:37:21.280
<v Speaker 1>we certainly had some uh. I mean he had about

1:37:21.320 --> 1:37:26.240
<v Speaker 1>of physical limitations. I think most people that saw him

1:37:26.320 --> 1:37:31.200
<v Speaker 1>thought he'd had a had a stroke because his right

1:37:31.320 --> 1:37:36.400
<v Speaker 1>side was very slow. His arm was it was very

1:37:36.479 --> 1:37:41.120
<v Speaker 1>difficult for him to get his arm up very far. Um.

1:37:41.800 --> 1:37:47.040
<v Speaker 1>Left side was okay. Um. He had a phasia, which

1:37:47.240 --> 1:37:53.759
<v Speaker 1>is a speech problem. Um, so sometimes you get confused

1:37:53.760 --> 1:38:00.040
<v Speaker 1>about words and things. But he also still part of

1:38:00.120 --> 1:38:05.920
<v Speaker 1>his brain was still operating a hundred and seventy or eighty,

1:38:06.680 --> 1:38:09.800
<v Speaker 1>and part of his brain was at sixty. So he's

1:38:09.840 --> 1:38:14.519
<v Speaker 1>kind of savant in some regards. He could actually write music.

1:38:16.360 --> 1:38:20.200
<v Speaker 1>And but if he if if he was writing the

1:38:20.320 --> 1:38:23.880
<v Speaker 1>music and let's say it was sir City or something,

1:38:23.960 --> 1:38:28.600
<v Speaker 1>and he's writing out apart for a some instrument, and

1:38:28.640 --> 1:38:31.439
<v Speaker 1>then he'd have to put the title. He'd asked me

1:38:31.640 --> 1:38:36.320
<v Speaker 1>how to spell surf serve city. But then he'd go

1:38:36.560 --> 1:38:39.680
<v Speaker 1>buttets in a flat and a flat he'd write at

1:38:39.720 --> 1:38:44.240
<v Speaker 1>all came from different part of the brains, Like somebody stutters.

1:38:44.960 --> 1:38:48.760
<v Speaker 1>You know that if they sing, they don't stutter. This

1:38:48.960 --> 1:38:51.839
<v Speaker 1>was kind of the same way. So in some regards

1:38:52.000 --> 1:38:56.639
<v Speaker 1>he was he still was a genius, and the other parts,

1:38:57.520 --> 1:39:01.120
<v Speaker 1>you know, didn't work at all. So it was difficult.

1:39:01.560 --> 1:39:05.519
<v Speaker 1>And the shows, what was it like being on stage

1:39:05.560 --> 1:39:13.160
<v Speaker 1>with him? Um? In the beginning, it was the first

1:39:13.240 --> 1:39:16.439
<v Speaker 1>maybe four or five years, it was it was okay,

1:39:16.680 --> 1:39:21.760
<v Speaker 1>it was fun. Um, but as his body, you know,

1:39:21.840 --> 1:39:26.480
<v Speaker 1>we're all getting older as but his body was deteriorating

1:39:26.640 --> 1:39:30.280
<v Speaker 1>faster than the rest of us, so that it became

1:39:30.400 --> 1:39:33.640
<v Speaker 1>physically a lot harder and a lot more frustrating for

1:39:33.800 --> 1:39:38.479
<v Speaker 1>him to get from point A to point B. I

1:39:38.600 --> 1:39:46.800
<v Speaker 1>saw the I saw the Glenn Campbell documentary documentary that

1:39:46.920 --> 1:39:50.680
<v Speaker 1>reminded me a lot of Jam, especially towards the end

1:39:50.880 --> 1:39:56.960
<v Speaker 1>when he was couldn't remember stuff. Um and Glenn went

1:39:57.040 --> 1:40:00.280
<v Speaker 1>through that for what a couple of months, but during

1:40:00.320 --> 1:40:04.439
<v Speaker 1>the film, I mean they did that one tour. I

1:40:04.560 --> 1:40:08.360
<v Speaker 1>did that for over twenty years. I'm gonna think, holy cow,

1:40:08.600 --> 1:40:11.400
<v Speaker 1>how the hell did I do that? Because the last

1:40:11.560 --> 1:40:16.679
<v Speaker 1>maybe good seven years was really really hard. I didn't

1:40:16.680 --> 1:40:20.760
<v Speaker 1>know how to how to undo it. If I pulled

1:40:20.800 --> 1:40:24.360
<v Speaker 1>the plug on it. The fans were going to some

1:40:24.520 --> 1:40:26.880
<v Speaker 1>of the fans would be angry that I would do

1:40:27.000 --> 1:40:32.240
<v Speaker 1>that to him. Um, he wouldn't. He wouldn't be happy

1:40:32.320 --> 1:40:36.479
<v Speaker 1>with it, even though even though it was so physically

1:40:36.600 --> 1:40:41.839
<v Speaker 1>hard for him to do, Soli had so I couldn't

1:40:41.880 --> 1:40:44.240
<v Speaker 1>pull the plug on it. I just I didn't know

1:40:44.479 --> 1:40:49.240
<v Speaker 1>how it was going to end. Um And then he

1:40:49.400 --> 1:40:55.040
<v Speaker 1>just he just finally just wore out and passed away.

1:40:55.320 --> 1:41:01.719
<v Speaker 1>Did you see that coming? Mm hmmm. In some regards,

1:41:01.760 --> 1:41:04.040
<v Speaker 1>I thought he was going to outlive all of us,

1:41:04.280 --> 1:41:08.080
<v Speaker 1>kind of Keith Richards, you know, exactly like Keith Richards.

1:41:08.200 --> 1:41:14.519
<v Speaker 1>And but physically at least Keith can stand. And Jan

1:41:14.720 --> 1:41:16.880
<v Speaker 1>was at the point where he was having to sit

1:41:17.040 --> 1:41:20.280
<v Speaker 1>for almost the whole show. And I told him once once,

1:41:20.360 --> 1:41:24.840
<v Speaker 1>it is at the point where you can't stand. It's

1:41:24.880 --> 1:41:28.320
<v Speaker 1>not fair. It's not fair to the audience and all that. So,

1:41:29.840 --> 1:41:32.160
<v Speaker 1>and we're going to damage the brand. And I was

1:41:32.240 --> 1:41:36.479
<v Speaker 1>worried about damaging the brand. And there's nothing I could

1:41:36.479 --> 1:41:41.360
<v Speaker 1>do about it. So it did damage the brand. We

1:41:41.560 --> 1:41:46.639
<v Speaker 1>probably should have pulled the plug maybe five years sooner.

1:41:48.520 --> 1:41:52.439
<v Speaker 1>I couldn't do it at the time. How many gigs

1:41:52.520 --> 1:41:58.880
<v Speaker 1>were you doing a year? Still doing thirty to forty

1:41:59.040 --> 1:42:04.519
<v Speaker 1>to fifty at our peak. We were doing nineties throughout

1:42:04.600 --> 1:42:06.880
<v Speaker 1>most of the eighties, and he regrets giving up the

1:42:06.960 --> 1:42:11.040
<v Speaker 1>graphic design business. No, not really, because that changed too.

1:42:11.920 --> 1:42:17.479
<v Speaker 1>I didn't I didn't see c ds coming. I just

1:42:17.640 --> 1:42:22.719
<v Speaker 1>never thought of that so soon thereafter, I think within

1:42:23.160 --> 1:42:28.759
<v Speaker 1>two to three years, because my last my last design

1:42:28.920 --> 1:42:34.360
<v Speaker 1>was Steve Martin album cover, so that was her late

1:42:34.640 --> 1:42:39.880
<v Speaker 1>seventies early eighties, and by the mid eighties it was

1:42:39.960 --> 1:42:44.480
<v Speaker 1>all c ds, so there was no no magic and packaging.

1:42:44.800 --> 1:42:48.080
<v Speaker 1>It was just a little seven by seven square in

1:42:48.439 --> 1:42:52.720
<v Speaker 1>instead of twelve makes a big difference. Twelve it's a

1:42:52.760 --> 1:42:55.560
<v Speaker 1>whole foot and if you opened up a gatefold, you

1:42:55.720 --> 1:42:58.960
<v Speaker 1>have two ft by one ft. Now you're down to

1:42:59.040 --> 1:43:03.920
<v Speaker 1>this little teeny package. So I probably I got lucky.

1:43:04.680 --> 1:43:06.720
<v Speaker 1>I really got lucky. And I still do a lot

1:43:06.800 --> 1:43:11.480
<v Speaker 1>of graphic design now anyway, and it's saw a photoshop

1:43:11.680 --> 1:43:19.160
<v Speaker 1>and so much easier um graphic using digital tools. It's

1:43:19.200 --> 1:43:20.680
<v Speaker 1>kind of fun and I can redo all of my

1:43:20.800 --> 1:43:24.200
<v Speaker 1>own stuff. And I did my whole website myself on

1:43:24.560 --> 1:43:28.120
<v Speaker 1>every single page, and it was really fun to do.

1:43:28.800 --> 1:43:32.479
<v Speaker 1>When I thought about how tedious all that stuff was

1:43:33.479 --> 1:43:36.920
<v Speaker 1>in the seventies, to do stuff that I can do

1:43:37.000 --> 1:43:39.479
<v Speaker 1>in minutes now that used to take me days to do.

1:43:40.360 --> 1:43:45.200
<v Speaker 1>So I still dabbling and still enjoy it. And okay,

1:43:45.640 --> 1:43:50.120
<v Speaker 1>you still go out too as a touring act and

1:43:50.720 --> 1:43:57.240
<v Speaker 1>for the audience you call that now. I usually give

1:43:57.320 --> 1:44:00.439
<v Speaker 1>the buyer a couple of different ways, what ever makes

1:44:00.520 --> 1:44:06.960
<v Speaker 1>them comfortable. But the basic one is the Janitine Beach

1:44:07.080 --> 1:44:12.439
<v Speaker 1>Party featuring Dean Torrents, because I don't want to mislead

1:44:12.640 --> 1:44:15.760
<v Speaker 1>people with J Deine, but Jandine's got to be in

1:44:15.800 --> 1:44:20.440
<v Speaker 1>the title, so it's kind of a tribute to ourselves.

1:44:21.479 --> 1:44:24.519
<v Speaker 1>How many, how much? How many times you do a year? Now?

1:44:25.040 --> 1:44:30.800
<v Speaker 1>Probably do thirty to forty And how long do you

1:44:30.880 --> 1:44:35.240
<v Speaker 1>foresee doing this? I have no idea. Okay, so you'll

1:44:35.280 --> 1:44:39.400
<v Speaker 1>do it until you dropped it. You can't do it probably,

1:44:39.479 --> 1:44:45.040
<v Speaker 1>So I only accept stuff that that intrigues me. You know.

1:44:45.560 --> 1:44:48.840
<v Speaker 1>I do a lot of corporate party stuff, which is

1:44:48.920 --> 1:44:52.040
<v Speaker 1>kind of fun. But if it's a place I haven't

1:44:52.080 --> 1:44:55.920
<v Speaker 1>been or haven't been for a while, I'm so used to.

1:44:56.400 --> 1:45:00.519
<v Speaker 1>I don't go on vacation myself because it bothers me to. Actually,

1:45:00.560 --> 1:45:03.360
<v Speaker 1>I have to pay for the PI and the rooms.

1:45:03.439 --> 1:45:05.880
<v Speaker 1>I'm so used to somebody else paying for it makes

1:45:05.960 --> 1:45:09.200
<v Speaker 1>me nervous to go on vacation. I go, that's just

1:45:09.240 --> 1:45:13.840
<v Speaker 1>another two in that room. We're usually buyered? Is that? So?

1:45:14.160 --> 1:45:17.320
<v Speaker 1>If if there's something interesting in someplace I've never been,

1:45:18.280 --> 1:45:23.920
<v Speaker 1>I really really enjoy it. Okay, this late date and

1:45:24.080 --> 1:45:31.439
<v Speaker 1>he regrets, I can't think of any So if you

1:45:31.560 --> 1:45:33.080
<v Speaker 1>had to do it all over again, you would have

1:45:33.120 --> 1:45:39.160
<v Speaker 1>made the same choices. I think I would. Yeah, I

1:45:39.240 --> 1:45:44.840
<v Speaker 1>think I would. I had lunch with Lou Adler maybe

1:45:44.840 --> 1:45:49.639
<v Speaker 1>a year ago, and he's he's not even really tired. Actually,

1:45:49.760 --> 1:45:52.800
<v Speaker 1>you know, he's still does so many stuff and a

1:45:52.880 --> 1:45:57.640
<v Speaker 1>lot of good things. Heah, he sponsors kids camps and

1:45:57.880 --> 1:46:02.000
<v Speaker 1>all that he's done, fabric this job with giving back

1:46:02.080 --> 1:46:04.000
<v Speaker 1>to the community and all that stuff. But he's still

1:46:04.120 --> 1:46:10.080
<v Speaker 1>a super creative guy. But you know, I told him,

1:46:10.360 --> 1:46:14.040
<v Speaker 1>I said, you know, if it weren't for you, I

1:46:14.160 --> 1:46:16.840
<v Speaker 1>don't think Jan and Dean would have ever had a

1:46:16.960 --> 1:46:22.839
<v Speaker 1>career because he really had total vision of the big picture.

1:46:24.080 --> 1:46:26.880
<v Speaker 1>And he taught me that. But in the beginning, you know,

1:46:27.040 --> 1:46:31.080
<v Speaker 1>we didn't see it, and he did. Um. He looked

1:46:31.120 --> 1:46:34.160
<v Speaker 1>at me and he goes, you know, if it weren't

1:46:34.200 --> 1:46:38.639
<v Speaker 1>for you, guys, maybe I would have never had I said,

1:46:39.000 --> 1:46:46.080
<v Speaker 1>all right, right, interest right without that success Um, whatever

1:46:46.120 --> 1:46:53.519
<v Speaker 1>happened Arnie Ginsburg, Arnie Arnie. He went to USC he

1:46:53.720 --> 1:46:59.720
<v Speaker 1>was in the School of Architecture. UM also became industrial

1:46:59.840 --> 1:47:03.080
<v Speaker 1>to designer and stuff. He was very talented. He didn't care.

1:47:03.920 --> 1:47:06.920
<v Speaker 1>He really didn't had no no love at all for

1:47:07.920 --> 1:47:13.240
<v Speaker 1>for the MHM industry. He didn't like any of that.

1:47:14.080 --> 1:47:17.720
<v Speaker 1>He was really uncomfortable on stage. He just we hardly ever.

1:47:17.880 --> 1:47:20.559
<v Speaker 1>We talked about it briefly and never never talked about

1:47:20.600 --> 1:47:25.080
<v Speaker 1>it again. I would see him almost every day at

1:47:25.120 --> 1:47:29.439
<v Speaker 1>school and see Jane at night and on weekends. And

1:47:29.640 --> 1:47:32.840
<v Speaker 1>Arne had no regrets, and he was very successful. It

1:47:32.920 --> 1:47:37.559
<v Speaker 1>was very talented, talented, good guy. And you ever get

1:47:37.600 --> 1:47:46.919
<v Speaker 1>any royalty checks? I got one yesterday from Universal Pictures

1:47:47.040 --> 1:47:50.479
<v Speaker 1>or something like that, and said, I made forty three bucks.

1:47:51.320 --> 1:47:53.120
<v Speaker 1>That's better. You know. I know people get him in

1:47:53.160 --> 1:47:56.160
<v Speaker 1>the sense, but well I have I keep all those

1:47:57.080 --> 1:48:00.240
<v Speaker 1>those cracked me up but down. So I was looking

1:48:00.320 --> 1:48:03.760
<v Speaker 1>for the check, and then you have to read a

1:48:03.920 --> 1:48:07.639
<v Speaker 1>few more pages. And then in this color, this bright

1:48:07.960 --> 1:48:13.120
<v Speaker 1>pink highlighted, it says we do not write checks for

1:48:13.320 --> 1:48:16.880
<v Speaker 1>under fifty bucks back the way till I'll make seven

1:48:16.920 --> 1:48:22.200
<v Speaker 1>more dollars. And I got one from Kate ll Um

1:48:22.800 --> 1:48:28.120
<v Speaker 1>that wasn't and it was this thing which I'm showing

1:48:28.280 --> 1:48:33.720
<v Speaker 1>folks podcasts that psychobout an inch thick, you think, and

1:48:34.800 --> 1:48:39.120
<v Speaker 1>from all over the world, and it was like thirty

1:48:39.200 --> 1:48:42.680
<v Speaker 1>eight dollars, I think. So I gave it to my

1:48:42.880 --> 1:48:46.040
<v Speaker 1>daughter's dog, who loves paper, and I have a picture

1:48:46.320 --> 1:48:50.440
<v Speaker 1>of him just chewing this thing. It's all in shreds

1:48:51.280 --> 1:48:53.840
<v Speaker 1>and he's looking at the camera in his paper in

1:48:53.920 --> 1:48:56.000
<v Speaker 1>his mouth and you can read part of it. Made

1:48:56.040 --> 1:49:00.720
<v Speaker 1>sure it's his royalty state. And I said, obviously he

1:49:00.960 --> 1:49:06.120
<v Speaker 1>wasn't happy with the with the check. There, Um, there

1:49:06.240 --> 1:49:08.040
<v Speaker 1>is a there are a few people that are good.

1:49:08.280 --> 1:49:11.599
<v Speaker 1>Sound exchange is really good. They've done a really, really

1:49:11.640 --> 1:49:14.160
<v Speaker 1>good job. They called me up a couple of years

1:49:14.160 --> 1:49:16.720
<v Speaker 1>ago and I wanted to know they hadn't been able

1:49:16.760 --> 1:49:20.800
<v Speaker 1>to give Jan his money. And there was a check

1:49:20.920 --> 1:49:25.360
<v Speaker 1>like fifty or sixty grand that they had for him

1:49:25.960 --> 1:49:28.680
<v Speaker 1>that was a couple of years worth of stuff. But

1:49:28.880 --> 1:49:33.080
<v Speaker 1>I know where where do we send it? So I

1:49:33.160 --> 1:49:38.080
<v Speaker 1>called Jan's widow on the East coast, found her and

1:49:38.280 --> 1:49:41.000
<v Speaker 1>said there's a nice check waiting for you or should

1:49:41.000 --> 1:49:44.720
<v Speaker 1>I send it? And she was thrilled, absolutely thrilled. So

1:49:44.840 --> 1:49:47.639
<v Speaker 1>there are some people that trit you still pretty well.

1:49:48.360 --> 1:49:52.120
<v Speaker 1>And do you find it's only people from our generation,

1:49:52.240 --> 1:49:54.880
<v Speaker 1>you know, Jan and Dean. Where do the younger people

1:49:55.000 --> 1:50:00.280
<v Speaker 1>know the name or the songs? Are both? You just yeah,

1:50:00.960 --> 1:50:06.479
<v Speaker 1>it's a whole gamut. It's We flew to um Italy

1:50:07.120 --> 1:50:11.639
<v Speaker 1>last August, and for three months I was wondering why

1:50:11.760 --> 1:50:16.040
<v Speaker 1>in the world I agreed to do that. And although

1:50:16.120 --> 1:50:20.080
<v Speaker 1>it intrigued me to go to Europe, I just never

1:50:20.200 --> 1:50:24.720
<v Speaker 1>played Europe before and didn't think, you know, like you're

1:50:24.760 --> 1:50:28.720
<v Speaker 1>just saying, I mean, I don't remember getting I get

1:50:28.720 --> 1:50:32.920
<v Speaker 1>a lot of mail from uk Um. We played in

1:50:33.080 --> 1:50:35.639
<v Speaker 1>China of all places in the eighties, and I get

1:50:35.800 --> 1:50:39.200
<v Speaker 1>still get mail from China, but I never got anything

1:50:39.280 --> 1:50:42.559
<v Speaker 1>from Italy. And I'm going so we're gonna fly twenty

1:50:42.640 --> 1:50:47.720
<v Speaker 1>five hours over four hour drive from Rome to Sngalia.

1:50:47.960 --> 1:50:52.200
<v Speaker 1>Then this beach party. But it was a music festival,

1:50:52.439 --> 1:50:56.639
<v Speaker 1>thinking well, it's free, okay, so people will wander by

1:50:57.040 --> 1:50:59.360
<v Speaker 1>the kind of go oh yeah, you know it might

1:51:00.000 --> 1:51:02.960
<v Speaker 1>of the band's good, you know, so the music will

1:51:03.040 --> 1:51:08.360
<v Speaker 1>be will be presented very nicely, but at least as

1:51:08.400 --> 1:51:11.880
<v Speaker 1>a festival, and there's synergy going on. There's multiple stages,

1:51:12.280 --> 1:51:15.599
<v Speaker 1>and it's been going on for ten or fifteen years,

1:51:15.680 --> 1:51:19.920
<v Speaker 1>and it was a big tourist thing from people in

1:51:21.400 --> 1:51:24.200
<v Speaker 1>at least in Italy. The guy had a good track

1:51:24.320 --> 1:51:30.000
<v Speaker 1>record and his stuff looked professionals. Okay, remember getting on

1:51:30.080 --> 1:51:34.840
<v Speaker 1>that flight going oh my god, Okay, well I gotta

1:51:34.880 --> 1:51:37.760
<v Speaker 1>do it. I just gotta do it, just hope it'll work.

1:51:39.160 --> 1:51:41.880
<v Speaker 1>Got there, It wasn't a flight, wasn't that bad. Then

1:51:43.200 --> 1:51:47.760
<v Speaker 1>picked us up. It's dark and getting a van, all

1:51:47.800 --> 1:51:54.000
<v Speaker 1>the guys and this guy's speaking Italian. You know, he

1:51:54.080 --> 1:51:57.040
<v Speaker 1>doesn't speak any English, so we don't know what they

1:51:57.080 --> 1:51:59.439
<v Speaker 1>all you said, but you must be taking us to

1:51:59.479 --> 1:52:02.920
<v Speaker 1>the hotel. We tried for four hours and a couple

1:52:02.920 --> 1:52:05.360
<v Speaker 1>of times he turns around in the dark and they

1:52:05.400 --> 1:52:08.200
<v Speaker 1>went on these little streets and I'm going like, now,

1:52:08.280 --> 1:52:11.160
<v Speaker 1>my band members are all, you know, on their phone,

1:52:11.680 --> 1:52:14.960
<v Speaker 1>and look, they know where we're going, and they keep

1:52:15.040 --> 1:52:17.640
<v Speaker 1>telling they keep telling you guy, hey, hey, you know

1:52:18.240 --> 1:52:22.680
<v Speaker 1>it's back. You missed there, and he doesn't speak Oh

1:52:22.760 --> 1:52:25.600
<v Speaker 1>my god, and I'm going I knew I should have

1:52:25.720 --> 1:52:29.080
<v Speaker 1>done this. I just knew. I'm calling the wife. I'm

1:52:29.160 --> 1:52:33.040
<v Speaker 1>telling her in Huntington Beach. I'm saying, we're driving around

1:52:33.080 --> 1:52:36.599
<v Speaker 1>in Italy. It's dark. This guy doesn't speak any English,

1:52:37.200 --> 1:52:40.640
<v Speaker 1>and he keeps backing up and making you turns, and

1:52:40.720 --> 1:52:42.640
<v Speaker 1>he goes, why did I do this? I knew I

1:52:42.640 --> 1:52:46.439
<v Speaker 1>shouldn't have done this. We finally get to a hotel.

1:52:46.520 --> 1:52:49.120
<v Speaker 1>It wasn't nice, and then that was okay, and the

1:52:49.200 --> 1:52:53.400
<v Speaker 1>air con worked. Okay, that's fine. And then next day

1:52:53.760 --> 1:52:56.799
<v Speaker 1>we had off and they took us through this festival

1:52:56.960 --> 1:52:58.880
<v Speaker 1>been going on for a couple of days. It was

1:52:59.000 --> 1:53:01.599
<v Speaker 1>done so well us when I got this shirt from

1:53:02.520 --> 1:53:06.280
<v Speaker 1>this is uh cracking cracking room. We played on their

1:53:06.439 --> 1:53:13.759
<v Speaker 1>stage and stage was done nice, holographic design. Stuff was great,

1:53:13.960 --> 1:53:17.120
<v Speaker 1>and it was very organized and there were people all

1:53:17.240 --> 1:53:21.680
<v Speaker 1>sorts of ages dancing to the music. Oh this this

1:53:21.960 --> 1:53:25.280
<v Speaker 1>is great. So I said, okay, can we see our stage?

1:53:27.360 --> 1:53:30.920
<v Speaker 1>And the guy was just producing the whole thing, said, well,

1:53:31.040 --> 1:53:34.400
<v Speaker 1>your stages is down at the beach. This was in

1:53:34.479 --> 1:53:37.560
<v Speaker 1>the middle of town, you know, I mean it's separated

1:53:37.600 --> 1:53:40.559
<v Speaker 1>from all this. Yeah, it's it's about quarter mile down,

1:53:40.680 --> 1:53:44.200
<v Speaker 1>but it's actually on the sand, and we put up

1:53:44.200 --> 1:53:49.479
<v Speaker 1>a nice big stage and just you guys were Now

1:53:49.600 --> 1:53:52.519
<v Speaker 1>we're not in the you know, and again in that

1:53:52.640 --> 1:53:55.519
<v Speaker 1>synergy going on, I'm going, I guess anybody gonna walk

1:53:55.560 --> 1:53:58.200
<v Speaker 1>down there? And I like that, Damn, this is going

1:53:58.240 --> 1:54:01.800
<v Speaker 1>to be a staff. So I told him I was.

1:54:02.680 --> 1:54:05.160
<v Speaker 1>And then he said, oh, and years is not a

1:54:05.240 --> 1:54:10.080
<v Speaker 1>free stage. It costs money. It's a hard ticket. I said, oh,

1:54:10.320 --> 1:54:13.679
<v Speaker 1>this is a stiff. So I finally had the nerve

1:54:13.760 --> 1:54:17.439
<v Speaker 1>to tell him I was very uncomfortable with that. I

1:54:17.520 --> 1:54:19.759
<v Speaker 1>didn't think it would work. He said, no, we already

1:54:19.800 --> 1:54:25.679
<v Speaker 1>saw twelve thousand pre st tickets and they'll be He'll

1:54:25.720 --> 1:54:28.160
<v Speaker 1>walk up to and it was like fifteen and sixteen

1:54:28.200 --> 1:54:32.680
<v Speaker 1>thousand people on this and they eat. You know, it's

1:54:32.720 --> 1:54:34.920
<v Speaker 1>six or seven, right, So we didn't even go on

1:54:35.120 --> 1:54:39.200
<v Speaker 1>till nine. And it's a it was a ninety minute show.

1:54:40.920 --> 1:54:43.520
<v Speaker 1>And there was groupies. Now that's why you asked. They

1:54:43.560 --> 1:54:47.760
<v Speaker 1>were actually thirty year olds standing just around where the

1:54:47.800 --> 1:54:50.320
<v Speaker 1>backstage here. He was, you know what, you want to

1:54:50.400 --> 1:54:53.080
<v Speaker 1>take selfies and stuff? And I went, oh my god,

1:54:53.960 --> 1:54:56.920
<v Speaker 1>So yeah, they were the sixty year olds and there

1:54:57.080 --> 1:54:59.680
<v Speaker 1>was the thirty year olds. I don't know how they

1:54:59.720 --> 1:55:02.760
<v Speaker 1>knew music, but they seemed in order, really really well,

1:55:04.120 --> 1:55:08.560
<v Speaker 1>and I just I'm glad I did it. And within

1:55:08.720 --> 1:55:12.360
<v Speaker 1>hours though, you're back at the hotel's after midnight and

1:55:12.440 --> 1:55:15.160
<v Speaker 1>you're checking out and you're doing that four hour drive

1:55:15.280 --> 1:55:18.960
<v Speaker 1>back to Rome to catch a seven am flight to

1:55:19.200 --> 1:55:24.600
<v Speaker 1>Copenhagen and then Companhagen to l A. But just still okay,

1:55:24.960 --> 1:55:27.920
<v Speaker 1>you know, well, that's what being a rock star, you

1:55:28.600 --> 1:55:31.120
<v Speaker 1>see what I mean? Right in? In addition, though, it

1:55:31.160 --> 1:55:35.360
<v Speaker 1>shows that people still remember, still care. I certainly remember

1:55:35.440 --> 1:55:39.200
<v Speaker 1>and care. This has been wonderful, actually the longest podcast

1:55:39.320 --> 1:55:42.360
<v Speaker 1>ever because we're getting your story. You really got in

1:55:42.440 --> 1:55:44.400
<v Speaker 1>the groove. I really have to thank you. Yes, my

1:55:44.560 --> 1:55:48.080
<v Speaker 1>guest here has been deemed Torrence Dean of jan and Deep.

1:55:48.520 --> 1:55:52.160
<v Speaker 1>Thanks so much. Deep. I'm just happy anybody cares about

1:55:52.600 --> 1:55:54.800
<v Speaker 1>I really care, and I know my audience will care.

1:55:55.160 --> 1:55:57.440
<v Speaker 1>I mean, I won't even recount all the great stories

1:55:57.480 --> 1:56:00.120
<v Speaker 1>you told because people have listened to this point and

1:56:00.240 --> 1:56:02.960
<v Speaker 1>know them. No, I couldn't shut you down. You were

1:56:03.000 --> 1:56:05.880
<v Speaker 1>telling all those great stories which no one ever knew, like, uh,

1:56:06.280 --> 1:56:08.600
<v Speaker 1>you know they were playing in Ormosa Beach with the

1:56:08.680 --> 1:56:13.240
<v Speaker 1>Beach Boys. Story of sir City Lou Adler. I mean,

1:56:13.280 --> 1:56:15.320
<v Speaker 1>I read your book, but there's even stuff here that

1:56:15.480 --> 1:56:19.040
<v Speaker 1>wasn't in your book. I just again, you know, you

1:56:19.400 --> 1:56:22.240
<v Speaker 1>write something you don't know. Is this interesting or not?

1:56:22.520 --> 1:56:25.640
<v Speaker 1>I don't know. You've always been super good to us,

1:56:25.680 --> 1:56:29.480
<v Speaker 1>and I really appreciate it, so, uh, knowing that that

1:56:29.960 --> 1:56:33.240
<v Speaker 1>you have this following, I just that's why I'm here.

1:56:33.280 --> 1:56:35.800
<v Speaker 1>I don't do this. I think this is the first

1:56:35.880 --> 1:56:39.560
<v Speaker 1>podcast I've ever done. I think it's definitive. I think

1:56:39.600 --> 1:56:41.600
<v Speaker 1>we've got a lot of history here. That's one of

1:56:41.640 --> 1:56:43.360
<v Speaker 1>the reasons I didn't want to jump ahead. You know,

1:56:43.480 --> 1:56:46.760
<v Speaker 1>it's like someone's got to get it down just one

1:56:46.840 --> 1:56:50.360
<v Speaker 1>step further. What about the Rock and Roll Hall of Fame?

1:56:50.680 --> 1:56:56.560
<v Speaker 1>You care no good? No I could, I could careless. Um,

1:56:57.840 --> 1:57:03.440
<v Speaker 1>you know, it's it's all subjective, but it really like

1:57:03.560 --> 1:57:08.840
<v Speaker 1>any other Hall of fame, though, is is numbers metrics.

1:57:09.920 --> 1:57:13.560
<v Speaker 1>It's pretty easy to figure out, and we've had more

1:57:13.720 --> 1:57:17.240
<v Speaker 1>hits than two thirds of those other people that are

1:57:17.360 --> 1:57:20.080
<v Speaker 1>in there. And then they want to talk about if

1:57:20.120 --> 1:57:24.120
<v Speaker 1>they want to talk about being pioneers and something, well

1:57:24.240 --> 1:57:26.440
<v Speaker 1>we just talked about that, right, how many other people

1:57:26.560 --> 1:57:29.280
<v Speaker 1>cut to two or three top ten records in a

1:57:29.360 --> 1:57:32.800
<v Speaker 1>garage way before anybody else was doing it, you know,

1:57:32.880 --> 1:57:37.000
<v Speaker 1>as teenagers. That's the part I'm I'm the most proud of.

1:57:38.000 --> 1:57:40.920
<v Speaker 1>It's young people figured out how to do it and

1:57:41.840 --> 1:57:45.760
<v Speaker 1>did it with just some little, easy, little technology that

1:57:46.320 --> 1:57:48.840
<v Speaker 1>that well, that's what's so great about it that all right,

1:57:49.280 --> 1:57:52.200
<v Speaker 1>the business was being developed, like the Internet twenty odd

1:57:52.280 --> 1:57:56.160
<v Speaker 1>years ago. Just exciting seeing what's going on now it's mature,

1:57:56.720 --> 1:57:59.320
<v Speaker 1>not quite the same thing. But we were all in

1:57:59.440 --> 1:58:02.440
<v Speaker 1>fatuous did with music. We were all playing music, and

1:58:02.520 --> 1:58:05.920
<v Speaker 1>you were certainly a pioneer. And as I say, I

1:58:06.040 --> 1:58:09.080
<v Speaker 1>played command performance all the way through about two weeks ago.

1:58:09.840 --> 1:58:14.120
<v Speaker 1>It sounded so great. And of course I always love

1:58:14.240 --> 1:58:17.640
<v Speaker 1>sidewalk surfing, which is a you know, a reworking of

1:58:17.960 --> 1:58:22.080
<v Speaker 1>Bryant's Catch a Wave, and uh, I knew your version first.

1:58:22.120 --> 1:58:25.240
<v Speaker 1>I was stunned when I heard catch Awave. Well, I was,

1:58:25.640 --> 1:58:28.280
<v Speaker 1>you know, when I go back and hear some stuff,

1:58:28.360 --> 1:58:31.400
<v Speaker 1>just to hear the excitement of the live show, because

1:58:31.520 --> 1:58:34.120
<v Speaker 1>you know, we didn't really have that many people following

1:58:34.240 --> 1:58:38.560
<v Speaker 1>us around and recording stuff, so it was very limited

1:58:38.840 --> 1:58:41.600
<v Speaker 1>in film wise. You know, some of the stuff I

1:58:41.640 --> 1:58:46.960
<v Speaker 1>see on YouTube of the beach Boys working on Good Vibrations,

1:58:47.160 --> 1:58:50.920
<v Speaker 1>and some of that film is really really we didn't

1:58:50.960 --> 1:58:53.040
<v Speaker 1>have any of that. We just didn't think of it.

1:58:53.680 --> 1:58:55.600
<v Speaker 1>You know, that was going to be later. We'll get

1:58:55.680 --> 1:58:58.000
<v Speaker 1>to that later. It's okay, we don't have time to

1:58:58.160 --> 1:59:02.800
<v Speaker 1>think about cameras and playing around and capturing that stuff.

1:59:02.920 --> 1:59:07.160
<v Speaker 1>So it's all in my head, which I think we've

1:59:07.200 --> 1:59:11.040
<v Speaker 1>got a lot of it down on. It's good to

1:59:11.120 --> 1:59:15.120
<v Speaker 1>hear it on something like Command Performance and they go, yeah,

1:59:15.840 --> 1:59:19.400
<v Speaker 1>I was right in the middle of that, all that excitement.

1:59:19.520 --> 1:59:22.560
<v Speaker 1>So I'm glad you glad you enjoyed it. Absolutely. As

1:59:22.600 --> 1:59:27.240
<v Speaker 1>I say, A huge fan in terms of albums other

1:59:27.360 --> 1:59:31.400
<v Speaker 1>than cartoon characters, Yours was the first album I bought,

1:59:31.480 --> 1:59:34.160
<v Speaker 1>I think, and I still I still have the copy.

1:59:34.560 --> 1:59:38.360
<v Speaker 1>I have basking tape on the corners holding the cover together.

1:59:40.320 --> 1:59:44.200
<v Speaker 1>I'm not no, thanks so much. Hey, it's absolutely my pleasure,

1:59:44.240 --> 1:59:47.200
<v Speaker 1>and again thanks for your support. I listen. I'm a

1:59:47.280 --> 1:59:51.720
<v Speaker 1>huge fan. Believe it at that. Until next time, It's

1:59:51.760 --> 1:59:53.320
<v Speaker 1>the Bob Left Sets podcast.