WEBVTT - QLS Classic: Purple Roundtable

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. This classic

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<v Speaker 1>episode was produced by the team at Pandora.

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<v Speaker 2>Ladies and gentlemen, What's Up?

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<v Speaker 1>This is Questlove, namesake of the Quest Love Supreme podcast,

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<v Speaker 1>the award winning Quest Love Supreme podcast, No No, No,

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<v Speaker 1>the Webby award winning Quest Love Yes, the three Times

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<v Speaker 1>I'm in the room right now with Sugar Steve, the

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<v Speaker 1>Multai Anyway, Welcome to QLs Classic and of course this

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<v Speaker 1>is one of my favorite subjects ever to talk about.

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<v Speaker 1>I love nothing else than to nerd out on Prince

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<v Speaker 1>conversations with fellow Prince fans. We did this episode back

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<v Speaker 1>in twenty eighteen, I believe, and I think and.

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<v Speaker 2>Add a bit of trivia Steve. We did this at

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<v Speaker 2>the Record Plan was it or Sunset Sound. We did

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<v Speaker 2>this in Studio two at Sunset Sound. I believe, the

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<v Speaker 2>same room that Prince created a lot of nineteen ninety nine.

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<v Speaker 1>Special episode. So it's sort of a purple roundtable. Of course,

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<v Speaker 1>you know, I got to have luminaries with me former

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<v Speaker 1>QL site boss Bill ruth of Art, Prince's former chief

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<v Speaker 1>of staff. Ruth is Art Duwayne Tadao, who wrote, in

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<v Speaker 1>my opinion, probably two of the best kind of Prince

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<v Speaker 1>anthologies as far as like his creative process.

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<v Speaker 2>You need to get those two books. These are must haves.

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<v Speaker 1>The first one Prints in the Purple Rain Era Studio

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<v Speaker 1>Sessions and his follow up book, Prince in the Parade

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<v Speaker 1>and Sign of the Time Studio Sessions is kind of

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<v Speaker 1>a daily diary of how Prince created those three masterpiece

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<v Speaker 1>records and all the ensuing work he did in between

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<v Speaker 1>for his protege's at the time.

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<v Speaker 2>Was Sheila E and the Apollonius six and whatnot. Last,

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<v Speaker 2>but not least, that's you be talking.

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<v Speaker 1>World class photographer, and you know he's done stuff with

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<v Speaker 1>Chappelle and done stuff with Lady Kravit's, but you know

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<v Speaker 1>he's probably the biggest Prince fanatic and.

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<v Speaker 3>Collector.

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<v Speaker 2>He has just monstrous. I mean, just listen to the episode, y'all.

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<v Speaker 2>It shouldn't be this long. Welcome to the Purple Round

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<v Speaker 2>tae QLs Classic.

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<v Speaker 4>M You know, ladies and gentlemen, sometimes when the name

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<v Speaker 4>of the show that you host has your name in it,

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<v Speaker 4>sometimes you get to do things that you want. And

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<v Speaker 4>we're going to do an off the cover episode of

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<v Speaker 4>course Love Supreme right now, and we kind of have

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<v Speaker 4>a saw, say a Purple Supreme team committee.

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<v Speaker 2>Yeah, we kicked everybody else out in the studio and.

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<v Speaker 1>Proem no no, no disrespect to our team Supreme. But

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<v Speaker 1>you know, one of the I feel though, in my

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<v Speaker 1>life the two most dangerous things to have as far

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<v Speaker 1>as discussion concern is politics. Ever, yeah, politics pars in Purple,

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<v Speaker 1>and I try and avoid both, uh at least with

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<v Speaker 1>all my might.

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<v Speaker 2>But somehow I felt very safe. I will say that.

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<v Speaker 3>This is uh a rare.

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<v Speaker 1>Moment which I'm certain that in the company of Prince

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<v Speaker 1>associates that I'm with that this is the moment in

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<v Speaker 1>which I know the least about Prince, and I'm actually

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<v Speaker 1>fine with that.

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<v Speaker 2>I'm actually fine.

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<v Speaker 1>So in our circle, of course, we have bost Bill uh,

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<v Speaker 1>producer of course of Supreme UH.

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<v Speaker 2>And to his left we have Ruth.

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<v Speaker 1>I know I got it wrong, Arsati. I've never said

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<v Speaker 1>your last name on life, even though I've known you

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<v Speaker 1>for eons. Ruth is you know, Ruth has been P's

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<v Speaker 1>right hand for a significant period of his life, I

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<v Speaker 1>guess between the musicology period and up until thirty one

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<v Speaker 1>twenty or a little bit after that.

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<v Speaker 5>Lotus Flower. So it was like almost twenty ten, like

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<v Speaker 5>in the middle of twenty ten. So in Prince here

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<v Speaker 5>is it have been like one hundred and forty four.

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<v Speaker 2>Yeah, and I as knowing you as I know you.

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<v Speaker 1>Well, Yeah, if you've seen the bit that I did

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<v Speaker 1>about finding Nemo, Ruth was the person that had to

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<v Speaker 1>make magic happen for me on my blind datement.

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<v Speaker 2>But yeah, Ruth is you know.

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<v Speaker 1>She she's a first hand witness to his hard work.

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<v Speaker 1>And we're glad you're here. And to her left we

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<v Speaker 1>have Dwayne Toddell, who too.

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<v Speaker 6>Doll, I said, you said you put the wrong and

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<v Speaker 6>fastest on the wrong syllable.

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<v Speaker 2>With cactus.

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<v Speaker 1>Yes, all right, So, and you know there's I feel

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<v Speaker 1>I feel like I'm always on dangerous the ground when

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<v Speaker 1>I'm declaring anything prince wise, because it might be an

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<v Speaker 1>over exaggeration or or you know, someone else will get offended.

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<v Speaker 2>But I don't, I don't know.

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<v Speaker 1>I just feel as though Dwayne's documentation of a Prince's work,

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<v Speaker 1>not his life, but his work is personally one of

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<v Speaker 1>my favorite A documents because, if anything, I'm more interested

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<v Speaker 1>about his work habits than anything. So Dwayne just released

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<v Speaker 1>his uh newest princi book uh entitled give him the title.

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<v Speaker 7>First book Princeton the Marine Eras Studio Sessions nineteen eighty

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<v Speaker 7>three nineteen.

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<v Speaker 2>Eighty four, which he thoroughly. Yeah, I got questions for you, bruh.

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<v Speaker 1>And to his left Matthew Beton, Matthew Beton, the white guy.

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<v Speaker 2>From the Chapelle special with Them.

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<v Speaker 1>Book, Yeah, photographery Shortinar and I you know, I mean you,

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<v Speaker 1>your degree of purplelogy is above.

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<v Speaker 2>You know, I bound, your presence, your knowledge is amazing.

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<v Speaker 1>So just briefly and going in a circle, you know,

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<v Speaker 1>I'm just curious at people's beginnings.

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<v Speaker 2>So Bill, when did you When did I first discover Prince? Yea,

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<v Speaker 2>this is no. This is actually a.

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<v Speaker 6>Story I love to tell and I hate telling stories

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<v Speaker 6>about my life. My first memory ever is me in

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<v Speaker 6>a pair of red Footy pajamas in the basement of

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<v Speaker 6>my parents house in South ben Indiana, in front of

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<v Speaker 6>the floor model television had the built built in stereo

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<v Speaker 6>in it, and Little Red Corvette was playing on the radio.

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<v Speaker 6>And that is my very first memory.

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<v Speaker 1>Really yeah, So did it affect you anyway or did

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<v Speaker 1>you know you just remember that the song was on?

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<v Speaker 2>Was it like, oh shit?

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<v Speaker 6>I don't remember why I don't. I don't know why

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<v Speaker 6>I remember that, but I just remember that moment. And

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<v Speaker 6>then another one of my other early childhood memories is

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<v Speaker 6>me and my sister at her friend Terry Hill's house

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<v Speaker 6>listening to nineteen ninety nine and forty five.

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<v Speaker 2>How old were you in eighty two? Two going on three?

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<v Speaker 1>Oh, that's a early so you were three when you first? Yeah, okay,

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<v Speaker 1>i'll see Ruth. Your first Prince encounter.

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<v Speaker 5>Encounter or memory memory? Well, I mean I grew up

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<v Speaker 5>in church, so did I. I wasn't allowed to listen

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<v Speaker 5>to any secular music. So I remember there's this kid

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<v Speaker 5>I went to my school and he used to wear

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<v Speaker 5>makeup and I didn't understand why you would wear makeup,

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<v Speaker 5>And it was because he was a huge Prince fan.

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<v Speaker 5>And the only thing I knew about Princess. He was

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<v Speaker 5>on our prayer list because braying him to Jesus because

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<v Speaker 5>he was, as my mother said, he's a homosexual demonac

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<v Speaker 5>So yeah, it was like, that's my first Prince memory.

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<v Speaker 5>So when I got the when I got the gig,

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<v Speaker 5>go Prince, I literally did not tell my mom for

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<v Speaker 5>about four months.

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<v Speaker 2>What did you tell though? H? Yeah, I did well.

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<v Speaker 5>He just like rolled his eyes and I was like,

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<v Speaker 5>what you were like masturbating in a bathtub? Like what

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<v Speaker 5>are people supposed to think? I don't do those things anymore.

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<v Speaker 5>I'm like, well you used to.

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<v Speaker 7>Uh probably Hearing Controversy was my first memory, but.

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<v Speaker 8>In time in eighty one, yeah, yeah, yeah, yeah.

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<v Speaker 7>And then in college nineteen ninety nine was the album

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<v Speaker 7>we used to play in our suite or quad and

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<v Speaker 7>just it was before it really hit.

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<v Speaker 8>And it was fun.

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<v Speaker 7>Just kind of a bunch of us just listened to that,

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<v Speaker 7>and also we go to dances. I was in college

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<v Speaker 7>at the time when eighty two and that was the

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<v Speaker 7>girls were listening to Prince, and I wanted to be

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<v Speaker 7>around the girls. So I just said, I will learn

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<v Speaker 7>to enjoy this music.

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<v Speaker 6>And I think you learned to do a little bit

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<v Speaker 6>more than enjoy it, That's true.

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<v Speaker 7>True, And I and once I started seeing the depth

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<v Speaker 7>of what he had, you know, backs of forty fives

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<v Speaker 7>and stuff like this, and you know, you start to

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<v Speaker 7>become a completist. And so I just ended up buying

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<v Speaker 7>everything because old Horny Toad's on the back of this

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<v Speaker 7>or something like that. So I just went nuts and

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<v Speaker 7>then you know Perverrain and Pervrain was the date movie

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<v Speaker 7>that summer.

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<v Speaker 2>Ah, I see, Matt Well.

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<v Speaker 9>I came to visit my mom here in la in

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<v Speaker 9>eighty two because she moved here in eighty two. You

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<v Speaker 9>I was from Paris. I was still living in Paris,

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<v Speaker 9>and I went to Tower Records on Sunset and heard let's

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<v Speaker 9>pretend We're married. So that's my first moment.

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<v Speaker 2>God, that was your introduction.

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<v Speaker 9>That's christ and I remember literally thinking, can we Carson

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<v Speaker 9>here now?

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<v Speaker 2>Yeah?

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<v Speaker 9>Fuck Michael Jackson, That's what I remember thinking. I was

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<v Speaker 9>such a Michael fan, and all of a sudden, I

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<v Speaker 9>was like, what is this Forget Michael Jackson and I

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<v Speaker 9>became hooked.

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<v Speaker 3>Yeah, that was my first.

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<v Speaker 9>Speak I didn't speak English like I do now, but

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<v Speaker 9>I remember thinking like, Okay, this is cool. I went

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<v Speaker 9>and bought the twelve inch and then it was all

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<v Speaker 9>over from there. I wish I could say it was

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<v Speaker 9>you know, for you, but that was my first real

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<v Speaker 9>prince moment. That is a hell of a way to

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<v Speaker 9>get I drove everybody crazy too with that song, because yeah,

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<v Speaker 9>even my mom liked it, unlike she really like.

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<v Speaker 2>That was my first traumatic prince movement. Because punishment. No,

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<v Speaker 2>but just the.

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<v Speaker 1>When I heard I want to fuck you so bad

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<v Speaker 1>it hurts, Like, I ran in the studio and took

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<v Speaker 1>that shit off with the I was like, yo, what hell?

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<v Speaker 2>Like I didn't know what I was getting into.

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<v Speaker 1>Like by that point, you know, he was, you know,

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<v Speaker 1>well not safe to listen to, because my dad was like,

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<v Speaker 1>you know, I don't trust that boy in a diaper.

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<v Speaker 3>You know, was I was nine years old, you remember that.

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<v Speaker 9>So that was like getting hooked on prints through that

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<v Speaker 9>at nine years old and bringing it back to friends

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<v Speaker 9>where they didn't really know what the hell he was

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<v Speaker 9>saying anyway, yikes, And so they let me you know,

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<v Speaker 9>that's crazy.

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<v Speaker 2>I guess I think I told her before, but.

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<v Speaker 3>I was.

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<v Speaker 1>It's nineteen seventy eight, so I was seven years old

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<v Speaker 1>and my dad had just told my mom that her

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<v Speaker 1>my grandfather had died, and so this is like the

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<v Speaker 1>first traumatic experience of the household. And my mom like

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<v Speaker 1>you just this blood curling scream and her on her knees,

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<v Speaker 1>crying and crying and crying and crying.

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<v Speaker 2>So wait, I thought this was an ask rufus story.

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<v Speaker 1>No, no, no, no, this is uh She's like on

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<v Speaker 1>her knees crying, and now I was crying that they had.

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<v Speaker 2>To go on the road. Oh, okay, that's right, that's right.

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<v Speaker 1>But my sister Drrin like instantly scooped me up and

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<v Speaker 1>was trying to figure out a safe place for me

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<v Speaker 1>to be because you know, I was like.

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<v Speaker 2>Oh, what's wrong, Mommy, what's wrong with mom?

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<v Speaker 1>And she just grabbed some headphones, plucked it into the

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<v Speaker 1>stereo and said, here, put this on now at the time,

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<v Speaker 1>and she turned up the volume.

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<v Speaker 2>At the time, I remember.

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<v Speaker 1>Street Wave by Brothers Johnson was on, but Doug Henderson,

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<v Speaker 1>our afternoon DJ of WDSFM, debuted Soft and Wet right

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<v Speaker 1>after that. And the first thing I thought about instantly

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<v Speaker 1>was Larry Graham based on his synthesizer work. And well

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<v Speaker 1>I later found out that he recorded did he record

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<v Speaker 1>it the same studio as as.

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<v Speaker 2>Graham Central Station? They both recorded that record planning.

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<v Speaker 1>Yeah, so that sort of worldly synthesizer, like, that's the

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<v Speaker 1>same synthesizer that Graham Centers Central Station with youth. And

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<v Speaker 1>so I always made the association that this has to

0:14:24.280 --> 0:14:29.200
<v Speaker 1>be Larry Graham associated because of this worldly synthesizer thing,

0:14:29.400 --> 0:14:30.200
<v Speaker 1>and the whole.

0:14:29.960 --> 0:14:32.120
<v Speaker 2>Tell me do you love me? Like I twenty years

0:14:32.160 --> 0:14:32.840
<v Speaker 2>earlier with that.

0:14:32.920 --> 0:14:38.000
<v Speaker 1>Yeah, no, I just felt that like it It didn't

0:14:38.040 --> 0:14:40.200
<v Speaker 1>knock me out or anything like. It wasn't like a

0:14:41.000 --> 0:14:43.840
<v Speaker 1>moment because even then, like I was lukewarm on Prince,

0:14:43.960 --> 0:14:46.120
<v Speaker 1>like my sister and her girlfriend's thought he was like

0:14:46.160 --> 0:14:50.640
<v Speaker 1>cute and all that stuff. But you know, it wasn't

0:14:50.680 --> 0:14:54.880
<v Speaker 1>until I did the The Time association. I Love the Time,

0:14:55.480 --> 0:14:57.840
<v Speaker 1>and then it was like, oh, they sound like, oh,

0:14:57.920 --> 0:15:01.280
<v Speaker 1>I get it their associate with him, and then that's

0:15:01.280 --> 0:15:02.200
<v Speaker 1>how I got in the prints.

0:15:02.360 --> 0:15:04.320
<v Speaker 2>So I kind of had to catch up.

0:15:04.360 --> 0:15:05.920
<v Speaker 1>I'm not one of those people like, yeah, I've been

0:15:05.960 --> 0:15:09.000
<v Speaker 1>down with Dirty Mine since nineteen eighty, Like, you know,

0:15:09.280 --> 0:15:12.080
<v Speaker 1>I kind of had to go backwards. So it's kind

0:15:12.080 --> 0:15:14.760
<v Speaker 1>of weird that the album that I take advantage of

0:15:14.800 --> 0:15:18.760
<v Speaker 1>the most, which like because everything's so incredible, like controversy

0:15:18.800 --> 0:15:22.080
<v Speaker 1>always gets lost in the sauce, but all of us

0:15:22.080 --> 0:15:25.280
<v Speaker 1>are saying, practically half of us the saying controversy was

0:15:25.320 --> 0:15:27.160
<v Speaker 1>the the thing that pulled us in.

0:15:27.320 --> 0:15:30.200
<v Speaker 7>When I first heard Controversy, I was before I liked

0:15:30.200 --> 0:15:32.920
<v Speaker 7>funk music, but I was a fan of like Kiss

0:15:33.560 --> 0:15:36.120
<v Speaker 7>and the biggest thing, you know, the dirtiest thing they

0:15:36.120 --> 0:15:41.040
<v Speaker 7>were saying is Christine sixteen exactly, and so it's like

0:15:41.080 --> 0:15:42.720
<v Speaker 7>that's all I knew, And I was like, oh, I

0:15:42.720 --> 0:15:44.920
<v Speaker 7>saw you walking home from school that day, you know,

0:15:45.080 --> 0:15:48.440
<v Speaker 7>which is you know, looking back, it's really kind of bubbleguming.

0:15:48.480 --> 0:15:50.840
<v Speaker 7>But at the time in Lectrius, you know, you don't

0:15:50.840 --> 0:15:52.560
<v Speaker 7>realize how letrous Chiane Simmons was.

0:15:53.400 --> 0:15:56.040
<v Speaker 2>But I just found out Christine sixteen.

0:15:56.120 --> 0:16:02.760
<v Speaker 1>It's a sample for what's tone looks second single that's

0:16:02.840 --> 0:16:03.600
<v Speaker 1>Christine sixteen.

0:16:04.160 --> 0:16:07.560
<v Speaker 2>Yeah, yeah, like I found out a year ago.

0:16:07.640 --> 0:16:11.440
<v Speaker 7>I was like, yeah, no controversy was I said, definitely

0:16:11.480 --> 0:16:16.400
<v Speaker 7>got my interest that the riff that you hear that

0:16:16.520 --> 0:16:19.360
<v Speaker 7>ended up being in the family stuff. It's the same,

0:16:19.640 --> 0:16:22.280
<v Speaker 7>you know that, the same thing that he used over

0:16:22.320 --> 0:16:24.240
<v Speaker 7>and over. But I remember hearing that when I was

0:16:24.280 --> 0:16:26.320
<v Speaker 7>running track, and that was one of these things that

0:16:26.320 --> 0:16:28.200
<v Speaker 7>I would use as a metronome when I was running.

0:16:28.960 --> 0:16:32.520
<v Speaker 8>Really yeah, I did pole vault in high school. I

0:16:32.560 --> 0:16:33.640
<v Speaker 8>know five six.

0:16:35.360 --> 0:16:38.040
<v Speaker 7>I can see it as I did do it.

0:16:38.640 --> 0:16:41.960
<v Speaker 1>So we're in Sunset Sound Studios right now, and which

0:16:41.960 --> 0:16:44.560
<v Speaker 1>is why, you know, I guess Bill and I thought

0:16:44.600 --> 0:16:46.240
<v Speaker 1>that it would be cool to sort of have this

0:16:46.360 --> 0:16:51.080
<v Speaker 1>meaning because this is the place where a lot of

0:16:51.120 --> 0:16:55.480
<v Speaker 1>his key songs and his songwriting and his craftsmanship.

0:16:55.720 --> 0:16:56.560
<v Speaker 2>Really came to light.

0:16:56.720 --> 0:17:02.360
<v Speaker 1>So one, why did you when did this? When did

0:17:02.360 --> 0:17:06.240
<v Speaker 1>it come from? An idea? Oh, I should document the

0:17:06.320 --> 0:17:09.840
<v Speaker 1>creative and to you actually getting into it, Like, what

0:17:09.960 --> 0:17:10.159
<v Speaker 1>was the.

0:17:11.960 --> 0:17:15.159
<v Speaker 7>You're talking to me? I assume yes, I'm sorry the

0:17:15.200 --> 0:17:16.000
<v Speaker 7>audience can't see.

0:17:16.040 --> 0:17:16.280
<v Speaker 3>Sorry.

0:17:17.680 --> 0:17:20.480
<v Speaker 7>I used to work for a magazine called Uptown and

0:17:21.040 --> 0:17:25.560
<v Speaker 7>with Pere Nilsen, and we we wrote The Vault, the

0:17:25.560 --> 0:17:27.840
<v Speaker 7>book The Vault, and we thought wouldn't it be cool

0:17:27.880 --> 0:17:30.240
<v Speaker 7>to expand that, you know? And I came just a

0:17:30.240 --> 0:17:33.520
<v Speaker 7>lot of the information for the Vault was from here

0:17:34.359 --> 0:17:36.720
<v Speaker 7>Sunset Sound, and I came here and asked them.

0:17:36.480 --> 0:17:37.880
<v Speaker 8>You know, can I get the work orders?

0:17:37.960 --> 0:17:42.240
<v Speaker 7>Just arrogant that question, I guess, and they said yes,

0:17:42.800 --> 0:17:44.760
<v Speaker 7>and they let me zerox. And the funny thing is,

0:17:44.840 --> 0:17:47.600
<v Speaker 7>as I'm Xeroxingdom, I'm thinking at any time they're going

0:17:47.680 --> 0:17:49.480
<v Speaker 7>to come in here and say, who the fuck are you?

0:17:49.920 --> 0:17:52.000
<v Speaker 1>Yeah, I was gonna say, even with the Vault, like

0:17:52.040 --> 0:17:54.280
<v Speaker 1>how did you get information?

0:17:54.400 --> 0:17:57.120
<v Speaker 7>That's the thing I just I asked and they said sure,

0:17:57.200 --> 0:17:59.760
<v Speaker 7>and I when I got them, they said, you know,

0:18:00.160 --> 0:18:01.639
<v Speaker 7>there's certain things we don't want you to show in here,

0:18:01.680 --> 0:18:04.080
<v Speaker 7>and I thought, that's fair. You're giving me eight hundred

0:18:04.119 --> 0:18:07.080
<v Speaker 7>pages of documents. And as I got him, I'm like

0:18:07.359 --> 0:18:09.240
<v Speaker 7>feeling like maybe I should go to my car fast

0:18:09.760 --> 0:18:10.400
<v Speaker 7>just in case.

0:18:10.200 --> 0:18:12.200
<v Speaker 8>In the party. Lie said, but that's the guy who

0:18:12.280 --> 0:18:12.520
<v Speaker 8>is he?

0:18:12.760 --> 0:18:12.960
<v Speaker 2>Right?

0:18:13.000 --> 0:18:15.960
<v Speaker 7>And so I got him and they've been great. They

0:18:17.520 --> 0:18:19.640
<v Speaker 7>they I started looking through him, and they're not always

0:18:19.760 --> 0:18:22.200
<v Speaker 7>as accurate as you as you want. Sometimes Prince would

0:18:22.240 --> 0:18:24.600
<v Speaker 7>just say what's your middle name and he'd write down

0:18:24.640 --> 0:18:28.239
<v Speaker 7>Colleen or something like that, So that's not always as

0:18:28.920 --> 0:18:31.160
<v Speaker 7>detailed as you want. But there's a lot of great stuff,

0:18:31.160 --> 0:18:34.080
<v Speaker 7>like in this room. I was looking through the things

0:18:34.119 --> 0:18:35.760
<v Speaker 7>to see what was done here. I don't think he

0:18:35.840 --> 0:18:39.240
<v Speaker 7>recorded much in here, but they remixed. They mixed the

0:18:40.960 --> 0:18:44.120
<v Speaker 7>Let's Work twelve inch in here, and the ice cream

0:18:44.160 --> 0:18:47.960
<v Speaker 7>castle was compiled in here, and I think probably edited

0:18:48.000 --> 0:18:49.960
<v Speaker 7>in here as well. I think Steve Parknoley was in

0:18:50.040 --> 0:18:51.600
<v Speaker 7>the in the control room doing that.

0:18:51.920 --> 0:18:53.720
<v Speaker 2>We're in studio one S one versus.

0:18:54.320 --> 0:18:57.240
<v Speaker 7>He just basically mostly worked in three and two. Two

0:18:57.600 --> 0:18:59.600
<v Speaker 7>was the one he did a lot of stuff in,

0:18:59.720 --> 0:19:04.399
<v Speaker 7>but three became its own. It's its own Uh, it's

0:19:04.400 --> 0:19:06.480
<v Speaker 7>it's self contained. It's got a bathroom and all this stuff.

0:19:06.600 --> 0:19:08.240
<v Speaker 7>So when he was doing most of his big stuff,

0:19:08.240 --> 0:19:10.560
<v Speaker 7>he would be there. So nobody goes into three. Two

0:19:10.600 --> 0:19:12.440
<v Speaker 7>people you know, see and then you see the basketball

0:19:12.440 --> 0:19:14.919
<v Speaker 7>court run in between the two. So he'd go out

0:19:14.960 --> 0:19:17.400
<v Speaker 7>there and occasionally see people and stuff like that. But

0:19:18.040 --> 0:19:20.879
<v Speaker 7>he did most of his working two and three and

0:19:20.880 --> 0:19:23.080
<v Speaker 7>and the first thing he did was in eighty one,

0:19:23.440 --> 0:19:25.359
<v Speaker 7>August eighty one, I think he did the Studio three.

0:19:25.560 --> 0:19:27.439
<v Speaker 7>That was stuff for controversy.

0:19:28.160 --> 0:19:32.720
<v Speaker 1>We still can't get in the Studio three studio book today.

0:19:32.760 --> 0:19:33.840
<v Speaker 8>But did you guys go to Studio two?

0:19:34.119 --> 0:19:35.560
<v Speaker 2>No, no, we didn't go too is.

0:19:35.520 --> 0:19:38.720
<v Speaker 7>Open seriously, you should look. We went over there earlier

0:19:38.720 --> 0:19:40.120
<v Speaker 7>while you guys were yacking early.

0:19:41.840 --> 0:19:44.040
<v Speaker 8>And it was great. It's I've been a couple of times.

0:19:44.080 --> 0:19:46.240
<v Speaker 7>But it's just you go in the room and you

0:19:46.280 --> 0:19:49.520
<v Speaker 7>think this is where Prince, you know, not just Prince.

0:19:49.720 --> 0:19:55.159
<v Speaker 7>This is the van Halen the doors. Led Zeppelin had

0:19:55.280 --> 0:19:56.760
<v Speaker 7>so many bands recorded here.

0:19:56.760 --> 0:19:58.000
<v Speaker 8>This is in Princess kind of.

0:19:58.000 --> 0:20:00.399
<v Speaker 7>A footnote on all the stuff that they done it.

0:20:00.480 --> 0:20:03.600
<v Speaker 7>This is a long term studio. These do Disney stuff here, right,

0:20:04.520 --> 0:20:06.920
<v Speaker 7>So this is this is and and so I interviewed

0:20:07.400 --> 0:20:10.080
<v Speaker 7>most of the engineers that worked here, Peggy McCreery and

0:20:10.119 --> 0:20:14.040
<v Speaker 7>Coke Johnson and Susan Rodgers as you know Susan, and

0:20:14.359 --> 0:20:15.840
<v Speaker 7>they kind of told me the stories and I started

0:20:15.880 --> 0:20:18.359
<v Speaker 7>realizing this is a book. And a couple of years

0:20:18.400 --> 0:20:20.800
<v Speaker 7>ago my wife said, are you gonna shitter?

0:20:20.840 --> 0:20:21.440
<v Speaker 8>Get off the pot?

0:20:21.480 --> 0:20:24.080
<v Speaker 7>Basically, you know, are you gonna write a book or not?

0:20:24.880 --> 0:20:27.240
<v Speaker 7>And I thought, yeah, I did. And I got finished

0:20:27.240 --> 0:20:30.000
<v Speaker 7>with a book about a month before Prince passed. I

0:20:30.040 --> 0:20:32.160
<v Speaker 7>finished it in March of twenty sixteen, and I thought,

0:20:32.160 --> 0:20:34.959
<v Speaker 7>this is great. I'm all excited. And then Prince passed

0:20:34.960 --> 0:20:38.800
<v Speaker 7>and I literally thought, do I bother? Because I didn't

0:20:38.800 --> 0:20:41.680
<v Speaker 7>want to seem like an opportunist, and so I got

0:20:41.680 --> 0:20:43.080
<v Speaker 7>in touch with a lot of people I interviewed and

0:20:43.119 --> 0:20:44.800
<v Speaker 7>they said, no, this is history.

0:20:44.840 --> 0:20:45.880
<v Speaker 8>You should put it out.

0:20:45.960 --> 0:20:48.440
<v Speaker 7>And so I found a publisher and found a guy

0:20:48.440 --> 0:20:49.679
<v Speaker 7>to write the forward for me.

0:20:50.480 --> 0:20:53.359
<v Speaker 8>And I tell you I'm s debt.

0:20:54.280 --> 0:20:56.960
<v Speaker 1>Yeah, I'm still heartbroken about Miko's comments to you.

0:20:57.119 --> 0:21:01.359
<v Speaker 8>Oh I know, he's like, see me, he was coming

0:21:02.000 --> 0:21:04.879
<v Speaker 8>whose quest? I never met him. And he's it in

0:21:04.920 --> 0:21:05.640
<v Speaker 8>all caps too.

0:21:05.720 --> 0:21:08.639
<v Speaker 2>Yeah, so small man, I'm like, yo, dog, I'm like

0:21:08.680 --> 0:21:12.360
<v Speaker 2>your biggest champion. I was rooting for you during that fight.

0:21:15.080 --> 0:21:18.640
<v Speaker 7>But he was uh so yeah, when when You've got

0:21:18.640 --> 0:21:21.159
<v Speaker 7>attached to this, it sent it through the roof because

0:21:21.880 --> 0:21:22.760
<v Speaker 7>you open so many doors.

0:21:22.760 --> 0:21:23.320
<v Speaker 8>This is an honor.

0:21:23.600 --> 0:21:25.600
<v Speaker 7>I know I'm saying this brown nosing right here, but

0:21:26.119 --> 0:21:28.480
<v Speaker 7>it's an honor to share the cover with you because,

0:21:28.640 --> 0:21:33.080
<v Speaker 7>uh you know, it's honestly the the connections you have.

0:21:33.200 --> 0:21:35.280
<v Speaker 7>And you know, any documentary you look at about MJ

0:21:35.680 --> 0:21:38.480
<v Speaker 7>or Prince you're in and and so it's.

0:21:38.359 --> 0:21:40.200
<v Speaker 2>Any music documentary.

0:21:39.480 --> 0:21:42.280
<v Speaker 8>Yeah, I know. So, so I'm just hoping to ride

0:21:42.320 --> 0:21:44.080
<v Speaker 8>your tail music music.

0:21:44.240 --> 0:21:46.960
<v Speaker 2>Yeah, I think it's important, like to me.

0:21:47.480 --> 0:21:51.920
<v Speaker 1>And again, I know that Prince's life is an obsession

0:21:51.960 --> 0:21:56.040
<v Speaker 1>to a lot of people. But for me, the thing

0:21:56.119 --> 0:21:59.440
<v Speaker 1>that I want people to take away from it, which

0:21:59.440 --> 0:22:03.479
<v Speaker 1>is why I'm so obsessed with all the rehearsal stuff

0:22:03.520 --> 0:22:07.040
<v Speaker 1>and all the sound check stuff and all you know,

0:22:07.200 --> 0:22:10.320
<v Speaker 1>the work order things and those you know, how many

0:22:10.320 --> 0:22:12.239
<v Speaker 1>hours did he take the track? This thing is is

0:22:13.160 --> 0:22:18.040
<v Speaker 1>it's because I really want to hammer the point home

0:22:18.680 --> 0:22:24.919
<v Speaker 1>that the importance of being true to your craft and

0:22:26.200 --> 0:22:31.960
<v Speaker 1>rehearsal and being bored and being creative, and like, that's

0:22:32.000 --> 0:22:34.600
<v Speaker 1>the things that I'm that I'm obsessed with.

0:22:34.800 --> 0:22:37.960
<v Speaker 7>When I remember when was it cam that gave you

0:22:38.280 --> 0:22:41.040
<v Speaker 7>the couple sheets of this somebody one of the guys

0:22:41.160 --> 0:22:43.000
<v Speaker 7>that have several guys that worked on this with me,

0:22:44.000 --> 0:22:48.159
<v Speaker 7>And the comment I got from you was holy shit,

0:22:48.760 --> 0:22:52.160
<v Speaker 7>because you saw the stuff for August of eighty three,

0:22:52.720 --> 0:22:55.400
<v Speaker 7>and that gave me so much hope because you're writing

0:22:55.440 --> 0:22:57.359
<v Speaker 7>a vacuum and you never know if people are going

0:22:57.400 --> 0:22:59.160
<v Speaker 7>to enjoy this. Not been a fan. Here's the thing,

0:22:59.280 --> 0:23:01.840
<v Speaker 7>I've been a fan for years. I've known Matthew. Matthew,

0:23:01.920 --> 0:23:04.479
<v Speaker 7>I've known each other three decades, and we used to

0:23:04.640 --> 0:23:08.000
<v Speaker 7>get together and listen to uh, you know back when

0:23:08.119 --> 0:23:10.880
<v Speaker 7>you'd buy an album that had you know, a song

0:23:11.119 --> 0:23:15.960
<v Speaker 7>pretty face it was, you know, exact titles.

0:23:15.640 --> 0:23:17.160
<v Speaker 5>On the Chocolate Box.

0:23:17.600 --> 0:23:19.640
<v Speaker 8>So weird, we're having a brd off.

0:23:20.560 --> 0:23:23.239
<v Speaker 2>Yeah, And so who was your first boot leg?

0:23:23.440 --> 0:23:26.240
<v Speaker 7>Oh god, it was probably the Chocolate Box, or or

0:23:26.320 --> 0:23:29.880
<v Speaker 7>it was a Royal Jewels Maybe what.

0:23:29.960 --> 0:23:30.960
<v Speaker 2>Was your first boot leg?

0:23:31.040 --> 0:23:35.720
<v Speaker 3>I feel like vital it was charade was going. I

0:23:35.720 --> 0:23:37.160
<v Speaker 3>remember my friend Benjamin barn.

0:23:37.040 --> 0:23:38.800
<v Speaker 9>It never gave it back and I was super pissed

0:23:38.800 --> 0:23:40.520
<v Speaker 9>because I paid, like, you know, one hundred bucks for

0:23:40.640 --> 0:23:41.399
<v Speaker 9>and you didn't think.

0:23:41.280 --> 0:23:42.320
<v Speaker 2>That you'd ever hear it again.

0:23:43.720 --> 0:23:48.640
<v Speaker 6>Bill, mine was the ninety three Bagley's Warehouse after show

0:23:48.920 --> 0:23:51.840
<v Speaker 6>because from ninety three Sacrifice of Victor.

0:23:52.840 --> 0:23:55.440
<v Speaker 2>Anyway, I love, I love. I loved his guitar solo

0:23:55.520 --> 0:23:55.880
<v Speaker 2>on the Ride.

0:23:55.880 --> 0:23:57.480
<v Speaker 6>I saw it late night on BT once and I

0:23:57.520 --> 0:23:59.760
<v Speaker 6>had to find out, you know, if that audio was anywhere,

0:23:59.760 --> 0:24:02.440
<v Speaker 6>and I got on like the Paisley Park, well, the PPML.

0:24:03.119 --> 0:24:05.680
<v Speaker 7>I remember the PPML very well, and I remember AOL

0:24:05.800 --> 0:24:07.399
<v Speaker 7>used to have the chats Sunday Night Paisley.

0:24:08.359 --> 0:24:10.320
<v Speaker 6>I'm gonna like said, the Paisley Park chat room is

0:24:10.320 --> 0:24:12.240
<v Speaker 6>actually how I got my first job in New York.

0:24:12.320 --> 0:24:15.280
<v Speaker 2>Really. Yeah, we'll tell that story later, but really there's.

0:24:15.119 --> 0:24:17.000
<v Speaker 7>A lot of guys together jobs from that because but

0:24:17.080 --> 0:24:19.800
<v Speaker 7>Sam Jennings used to be a collector and he was

0:24:19.800 --> 0:24:20.560
<v Speaker 7>the same way he.

0:24:20.560 --> 0:24:21.480
<v Speaker 2>Ended up working with Prince.

0:24:21.560 --> 0:24:21.720
<v Speaker 8>Yeah.

0:24:21.720 --> 0:24:25.080
<v Speaker 1>Bill and I have kind of this joke with each other.

0:24:25.440 --> 0:24:28.760
<v Speaker 1>He's mad at me because like in my head, I

0:24:28.880 --> 0:24:32.760
<v Speaker 1>always closed the door after eighty eight, like there's only

0:24:32.840 --> 0:24:34.879
<v Speaker 1>room in my heart from seventy eight to eighty eight. No,

0:24:35.000 --> 0:24:37.920
<v Speaker 1>I mean, I have everything, and I acknowledge that there's

0:24:38.480 --> 0:24:41.879
<v Speaker 1>there's greatness even after eighty eight. But for me, just

0:24:42.119 --> 0:24:44.080
<v Speaker 1>you know, the things that I hold near and deer

0:24:44.160 --> 0:24:45.640
<v Speaker 1>are just seventy eight eighty eight.

0:24:45.720 --> 0:24:49.360
<v Speaker 8>There's a big butt after eighty with you, and he.

0:24:49.480 --> 0:24:52.080
<v Speaker 1>Yeah, he always like puts something in my face like, yeah,

0:24:52.080 --> 0:24:54.440
<v Speaker 1>this is ninety four, you know, and I'm like, no,

0:24:54.600 --> 0:24:54.919
<v Speaker 1>here's the.

0:24:54.920 --> 0:24:56.400
<v Speaker 7>Thing is I had to write about those, it would

0:24:56.400 --> 0:24:58.199
<v Speaker 7>be a little tougher for me because my heart is

0:24:58.840 --> 0:25:02.360
<v Speaker 7>eighty to eighty one into eighty eight and maybe even

0:25:02.359 --> 0:25:04.520
<v Speaker 7>a little bit of eighty nine Love Sexy Tour Ending.

0:25:04.960 --> 0:25:08.560
<v Speaker 7>But after you know, Batman, I'm like Graffiti Bridge. I

0:25:08.600 --> 0:25:11.159
<v Speaker 7>was like, you know, in Diamonds and Pearls, he was

0:25:11.160 --> 0:25:13.000
<v Speaker 7>trying to be pop, and it was it's good for whatever.

0:25:13.119 --> 0:25:13.640
<v Speaker 2>It's enough.

0:25:13.720 --> 0:25:16.080
<v Speaker 8>I mean, exactly, exactly, exactly.

0:25:16.000 --> 0:25:18.440
<v Speaker 2>Four hundred songs are enough to write, and.

0:25:18.359 --> 0:25:20.199
<v Speaker 7>I was and I was totally good with that amount.

0:25:20.200 --> 0:25:22.040
<v Speaker 7>And if I just had to focus on that amount,

0:25:22.160 --> 0:25:23.800
<v Speaker 7>I'd be good, you know. But the you know, the

0:25:23.800 --> 0:25:25.960
<v Speaker 7>guy's got another thirty years after that, so.

0:25:26.040 --> 0:25:33.080
<v Speaker 2>You know, so Ruth, I have to ask.

0:25:34.440 --> 0:25:37.800
<v Speaker 1>Because during this particular period that we're talking about, I

0:25:37.840 --> 0:25:41.120
<v Speaker 1>know that a lot of his time and a lot

0:25:41.160 --> 0:25:46.440
<v Speaker 1>of his hours were in the studio and he kept

0:25:46.560 --> 0:25:50.520
<v Speaker 1>tireless hours of working around the clock or whatever. What

0:25:50.600 --> 0:25:53.920
<v Speaker 1>was his regiment from when did you first come aboard?

0:25:55.359 --> 0:25:55.520
<v Speaker 2>Right?

0:25:55.560 --> 0:26:00.280
<v Speaker 5>As a musicology tour started twenty four two in three,

0:26:00.320 --> 0:26:06.880
<v Speaker 5>two thousand and four, and he, uh, you know Dave Hampton,

0:26:07.200 --> 0:26:12.480
<v Speaker 5>I think you know the engineer. He created this mobile

0:26:13.040 --> 0:26:16.840
<v Speaker 5>recording studio for him, so as he came into la

0:26:16.920 --> 0:26:18.439
<v Speaker 5>we would run out of places and he would be

0:26:18.520 --> 0:26:21.880
<v Speaker 5>up to all hours of the night. But specifically, one

0:26:22.160 --> 0:26:26.600
<v Speaker 5>memory I have that stands out. Uh we were it

0:26:26.640 --> 0:26:29.480
<v Speaker 5>was we were on a break from musicology and we

0:26:29.480 --> 0:26:32.080
<v Speaker 5>were in Minnesota and it was like the dead of winter.

0:26:33.320 --> 0:26:36.879
<v Speaker 5>And actually I made a comment to a friend on

0:26:36.920 --> 0:26:38.960
<v Speaker 5>the phone and I was like, damn, it is so

0:26:39.080 --> 0:26:43.520
<v Speaker 5>cold out here. My nipples could cut glass. And then

0:26:44.200 --> 0:26:47.320
<v Speaker 5>I'm not kidding. The next day I walked into Studio

0:26:47.440 --> 0:26:50.439
<v Speaker 5>A and he was playing a song called Glass. I

0:26:50.600 --> 0:26:55.600
<v Speaker 5>was like, motherfucker, did hear me? I was like, I

0:26:55.640 --> 0:26:58.959
<v Speaker 5>got paranoid. I got super paranoid after that. But I

0:26:59.080 --> 0:27:04.480
<v Speaker 5>was in there and I was like, oh my god, yeah, no,

0:27:04.640 --> 0:27:07.200
<v Speaker 5>he's like he was there's a couple of stories of him.

0:27:07.760 --> 0:27:10.959
<v Speaker 6>The entire building was was miked, right, Yeah, so there

0:27:11.000 --> 0:27:11.760
<v Speaker 6>was a rumor to that.

0:27:12.119 --> 0:27:13.760
<v Speaker 5>Yeah it was Mike, but it wasn't on and there

0:27:13.760 --> 0:27:16.919
<v Speaker 5>were no cameras there. There were never any surveys cameras.

0:27:16.960 --> 0:27:21.439
<v Speaker 5>But he would creep up on you and no listen.

0:27:21.480 --> 0:27:23.320
<v Speaker 5>He would I was. I was like, I was like,

0:27:23.359 --> 0:27:26.680
<v Speaker 5>there was like a Smashing Pumpkins gold album or something

0:27:26.720 --> 0:27:28.439
<v Speaker 5>on the wall. I'm like, Smadhing Pumpkin, what are they

0:27:28.480 --> 0:27:31.639
<v Speaker 5>doing there? And then I hear they recorded and I

0:27:31.720 --> 0:27:36.400
<v Speaker 5>was like, I screamed, and I'm like, why doesn't somebody

0:27:36.400 --> 0:27:40.240
<v Speaker 5>put a cow bell on you? And he's like, never mind.

0:27:41.600 --> 0:27:44.240
<v Speaker 5>He's like Kim, because Kim was with me and she

0:27:44.320 --> 0:27:46.400
<v Speaker 5>was doing his hair. At two in the morning anyway,

0:27:46.440 --> 0:27:49.320
<v Speaker 5>we were we were in the studio and I was like, damn,

0:27:49.359 --> 0:27:51.399
<v Speaker 5>I need to I need to go to sleep. And

0:27:51.480 --> 0:27:55.200
<v Speaker 5>it was three. It was about two in the morning

0:27:56.359 --> 0:27:59.240
<v Speaker 5>and we had been there since too in like maybe noon,

0:28:00.000 --> 0:28:03.840
<v Speaker 5>two in the afternoon. And he's like, Ruth, I want

0:28:03.840 --> 0:28:07.480
<v Speaker 5>a house and I'm like, uh, okay, what does that mean.

0:28:07.560 --> 0:28:08.840
<v Speaker 5>He's like, I want to run a house in La

0:28:08.920 --> 0:28:11.639
<v Speaker 5>And I'm like, okay, so find me one. I'm like,

0:28:11.920 --> 0:28:16.000
<v Speaker 5>it's just like two in the morning. It's like, what

0:28:16.160 --> 0:28:18.760
<v Speaker 5>am I gonna do? So I go online. I end

0:28:18.880 --> 0:28:21.680
<v Speaker 5>up finding this house like within an hour, because he

0:28:21.720 --> 0:28:23.600
<v Speaker 5>comes back like he wants it now, so like he

0:28:23.600 --> 0:28:25.760
<v Speaker 5>comes back twenty minutes like I'm like, I just got

0:28:25.800 --> 0:28:28.720
<v Speaker 5>on the computer and he's like, okay, I'll be back.

0:28:29.000 --> 0:28:33.200
<v Speaker 5>And so I find this this home and it's it's

0:28:33.240 --> 0:28:38.120
<v Speaker 5>thirty one twenty one and then there's a street name

0:28:38.160 --> 0:28:39.800
<v Speaker 5>after that. I just don't want to like out where

0:28:39.800 --> 0:28:43.120
<v Speaker 5>it is, but he uh looks at it. It's the

0:28:43.160 --> 0:28:46.240
<v Speaker 5>title of the album. So he comes in, he looks

0:28:46.240 --> 0:28:48.240
<v Speaker 5>at them. He's like, have you found anything yet? And

0:28:48.280 --> 0:28:50.000
<v Speaker 5>I'm like, oh my god, it's been an hour. I

0:28:50.040 --> 0:28:51.960
<v Speaker 5>have like three I have three places so far. What

0:28:51.960 --> 0:28:53.720
<v Speaker 5>do you think. He sees the first image and it's

0:28:53.880 --> 0:28:56.160
<v Speaker 5>thirty one twenty one and he's like that one. I

0:28:56.200 --> 0:28:58.440
<v Speaker 5>want that one, and I'm like, you don't want to

0:28:58.440 --> 0:29:01.320
<v Speaker 5>look at the rest? Nope, Nope, that's it, and then

0:29:01.320 --> 0:29:03.960
<v Speaker 5>he goes in and by now it's like maybe three

0:29:04.000 --> 0:29:07.080
<v Speaker 5>in the morning, and he goes in the studio and

0:29:07.120 --> 0:29:09.960
<v Speaker 5>I hear like all the syncopation, and I hear like,

0:29:10.120 --> 0:29:12.080
<v Speaker 5>you know, the beats, and I'm like, when am I

0:29:12.120 --> 0:29:14.880
<v Speaker 5>going to be able to gold Man? I'm so sleepy,

0:29:15.640 --> 0:29:18.400
<v Speaker 5>and it's four in the morning, Like I get all

0:29:18.400 --> 0:29:21.680
<v Speaker 5>the information. I email, you know, the the agent for

0:29:21.760 --> 0:29:24.080
<v Speaker 5>this home, and he's like, do we have the house?

0:29:24.120 --> 0:29:25.640
<v Speaker 5>He comes back like at four and I'm like, do

0:29:25.680 --> 0:29:27.840
<v Speaker 5>we have the house yet? And I'm like no, it's

0:29:27.960 --> 0:29:30.960
<v Speaker 5>like three. It looks like two in the morning in La, No,

0:29:31.040 --> 0:29:33.680
<v Speaker 5>we don't have the house. And then he goes okay,

0:29:34.320 --> 0:29:38.440
<v Speaker 5>and then six in the morning I hear the fully

0:29:38.520 --> 0:29:43.320
<v Speaker 5>finished thirty one twenty one, the whole song Wow, So

0:29:43.400 --> 0:29:46.120
<v Speaker 5>it was pretty much done by four because I could

0:29:46.120 --> 0:29:48.160
<v Speaker 5>hear it, and I was like, that's kind of funky.

0:29:48.200 --> 0:29:50.600
<v Speaker 5>I really like that song. Actually, it was really funny

0:29:50.640 --> 0:29:52.200
<v Speaker 5>because you know, I got to hear because he would

0:29:52.200 --> 0:29:54.480
<v Speaker 5>open he left. It was just he and I at Paisley,

0:29:54.600 --> 0:29:57.760
<v Speaker 5>so he would leave the studio open, and I could

0:29:57.800 --> 0:30:00.520
<v Speaker 5>hear him like mix in and like you know, you

0:30:00.560 --> 0:30:02.680
<v Speaker 5>know the strains of you know, each instrument, and I

0:30:02.720 --> 0:30:05.840
<v Speaker 5>was like, what does he just does he just do that?

0:30:06.160 --> 0:30:08.960
<v Speaker 2>Like just now now you have to find that house?

0:30:09.320 --> 0:30:11.920
<v Speaker 5>Yeah? No, I was like, I was like, no, pressure here,

0:30:12.560 --> 0:30:14.640
<v Speaker 5>Like I have no pressure at all. But yeah, we

0:30:14.720 --> 0:30:16.640
<v Speaker 5>ended up we ended up moving into that house and

0:30:16.680 --> 0:30:19.280
<v Speaker 5>it was the start of like this whole era of

0:30:19.400 --> 0:30:23.200
<v Speaker 5>like house parties and madness and I hate it every

0:30:23.200 --> 0:30:26.360
<v Speaker 5>minute of it.

0:30:28.520 --> 0:30:28.880
<v Speaker 2>Parties.

0:30:28.960 --> 0:30:32.880
<v Speaker 5>You were hustling like who's in town. I'm like, like

0:30:33.160 --> 0:30:36.480
<v Speaker 5>I know, like I knew anybody that group of church,

0:30:36.560 --> 0:30:38.640
<v Speaker 5>Like I barely knew who people. When you guys are

0:30:38.680 --> 0:30:42.440
<v Speaker 5>speaking about bootlegs, it was all swakily to me, I

0:30:42.480 --> 0:30:43.800
<v Speaker 5>don't know what chea I was talking about.

0:30:44.040 --> 0:30:44.960
<v Speaker 8>Can I ask you a question?

0:30:45.760 --> 0:30:47.840
<v Speaker 7>Okay, you were talking about something and I want to

0:30:47.840 --> 0:30:49.200
<v Speaker 7>see what your take on this is a lot of

0:30:49.240 --> 0:30:51.320
<v Speaker 7>people have said that Prince had an energy that he

0:30:51.360 --> 0:30:54.480
<v Speaker 7>could either radiate attention that you had to stay at pettige,

0:30:54.800 --> 0:30:56.680
<v Speaker 7>or he could be under the radar completely like all

0:30:56.680 --> 0:30:57.920
<v Speaker 7>of a sudden, like you said, just show up.

0:30:58.840 --> 0:31:01.200
<v Speaker 5>Yeah, I mean he was. It was interesting in clubs

0:31:01.240 --> 0:31:03.160
<v Speaker 5>because you could see him walk into a club and

0:31:03.200 --> 0:31:06.640
<v Speaker 5>you couldn't see him, but you could see the gravitational

0:31:06.760 --> 0:31:10.320
<v Speaker 5>pull of people just like it was like he drew

0:31:10.840 --> 0:31:14.320
<v Speaker 5>energy and attention and he would also take your soul,

0:31:14.960 --> 0:31:17.400
<v Speaker 5>so like if you were if you like talk to

0:31:17.520 --> 0:31:19.120
<v Speaker 5>him like sometimes you would talk to you and you

0:31:19.320 --> 0:31:21.120
<v Speaker 5>get a lecture for three hours and I'd.

0:31:20.920 --> 0:31:23.400
<v Speaker 2>Walk out the three You're lucky.

0:31:23.160 --> 0:31:24.760
<v Speaker 5>That's a that's a light night.

0:31:25.760 --> 0:31:27.040
<v Speaker 8>Yeah, it's the story behind that.

0:31:27.200 --> 0:31:30.720
<v Speaker 1>What's the I mean, you know what it's it's like

0:31:31.240 --> 0:31:37.440
<v Speaker 1>the whole be careful of your Yeah, like I caught

0:31:38.120 --> 0:31:39.680
<v Speaker 1>I mean I joke and say that, you know when

0:31:39.680 --> 0:31:44.520
<v Speaker 1>black men find religion like lay low for like at

0:31:44.600 --> 0:31:47.160
<v Speaker 1>least three to five years because that's all they want

0:31:47.200 --> 0:31:49.040
<v Speaker 1>to talk about and then they cool off a little bit.

0:31:50.040 --> 0:31:52.640
<v Speaker 2>So yeah, I caught him right and period.

0:31:53.160 --> 0:31:53.360
<v Speaker 10>Man.

0:31:53.520 --> 0:31:55.040
<v Speaker 1>And then first it was like you just walk right

0:31:55.040 --> 0:31:58.080
<v Speaker 1>into the trap. Like the first night, I think it

0:31:58.160 --> 0:32:01.040
<v Speaker 1>was me who want to American Idol, the guy with

0:32:01.080 --> 0:32:02.600
<v Speaker 1>the fake afros that Justin.

0:32:04.960 --> 0:32:06.360
<v Speaker 8>He came in second he didn't win.

0:32:06.600 --> 0:32:10.840
<v Speaker 2>Well yeah, well Justin loves what Justin Kelly? Yeah, yeah,

0:32:10.840 --> 0:32:15.840
<v Speaker 2>it was like Kelly, Justin, me and Common.

0:32:15.640 --> 0:32:20.760
<v Speaker 1>At as a random dog. We were in Harlem, somee

0:32:20.800 --> 0:32:24.280
<v Speaker 1>some Harlem, resting in a random place. Yeah, Justin Kelly

0:32:24.280 --> 0:32:31.959
<v Speaker 1>Clarkson Quest and Common walking to it's almost yeah, And

0:32:32.000 --> 0:32:35.320
<v Speaker 1>it started there and we thought we escaped it. And

0:32:35.360 --> 0:32:38.400
<v Speaker 1>then the next night that's when he came to Electric

0:32:38.480 --> 0:32:39.280
<v Speaker 1>Ladies Studios.

0:32:40.040 --> 0:32:41.320
<v Speaker 2>We were working on Common.

0:32:41.480 --> 0:32:45.400
<v Speaker 1>Jimmy was a rock star, and he heard the mix

0:32:45.720 --> 0:32:49.600
<v Speaker 1>and then almost borderline started quasi mixing. He's like, no, no, no,

0:32:49.800 --> 0:32:51.760
<v Speaker 1>turn up his voice and turned this down.

0:32:56.120 --> 0:32:56.760
<v Speaker 2>And then.

0:32:59.080 --> 0:33:01.120
<v Speaker 1>And then no, I mean he was cool. And then

0:33:01.240 --> 0:33:06.080
<v Speaker 1>he worked on Star sixty nine and then the only

0:33:06.120 --> 0:33:09.240
<v Speaker 1>way I can describe it is the front cover of

0:33:09.280 --> 0:33:10.720
<v Speaker 1>the Who's the Kids Are all Right?

0:33:11.040 --> 0:33:13.440
<v Speaker 2>Remember the four of them sleep on it? That was

0:33:13.560 --> 0:33:17.400
<v Speaker 2>me Blau Common and.

0:33:18.640 --> 0:33:21.080
<v Speaker 1>Ah, it was a fourth person I forget. But we

0:33:21.080 --> 0:33:24.200
<v Speaker 1>were just sitting on the floor and he was like

0:33:24.320 --> 0:33:25.440
<v Speaker 1>talking to us like a coach.

0:33:26.160 --> 0:33:28.560
<v Speaker 2>Like if you imagine.

0:33:29.960 --> 0:33:32.680
<v Speaker 1>Remember those Tom and Jerry cartoons where you only see

0:33:32.800 --> 0:33:36.840
<v Speaker 1>the mom's like Niees Thomas or even Muppet babies, we

0:33:36.920 --> 0:33:39.520
<v Speaker 1>only see the nannies knees. Like we're all sitting on

0:33:39.560 --> 0:33:41.840
<v Speaker 1>the floor and he's just walking back and forth like

0:33:41.880 --> 0:33:47.080
<v Speaker 1>a coach, uh, talking about anyone's best.

0:33:47.120 --> 0:33:48.280
<v Speaker 2>Have you've seen this happen before, haven't you.

0:33:51.320 --> 0:33:54.640
<v Speaker 1>Blau was new to this and he's you know, Bla

0:33:54.720 --> 0:33:57.520
<v Speaker 1>was Muslim at the time, so it's just like Muslim

0:33:57.600 --> 0:34:02.719
<v Speaker 1>versus a. Jehovah's witness it was two am, and then

0:34:02.760 --> 0:34:05.040
<v Speaker 1>it was like six am, and I just thought like, man,

0:34:06.080 --> 0:34:11.000
<v Speaker 1>it's like you've been waiting all your life to be friends.

0:34:10.640 --> 0:34:11.400
<v Speaker 2>With this guy.

0:34:11.760 --> 0:34:13.360
<v Speaker 5>Like you guys didn't say anything.

0:34:14.200 --> 0:34:16.640
<v Speaker 2>I started snoring and he's still.

0:34:19.080 --> 0:34:31.160
<v Speaker 1>And I'm like, sleep at me and snoring, like.

0:34:26.600 --> 0:34:28.600
<v Speaker 5>I grew up in church. So he couldn't go far.

0:34:28.840 --> 0:34:30.960
<v Speaker 5>He could not go far. He was like, don't start.

0:34:31.040 --> 0:34:33.600
<v Speaker 5>I'm like no, no, no, no, no. He's caughting some stuff

0:34:33.600 --> 0:34:33.840
<v Speaker 5>at it.

0:34:34.239 --> 0:34:34.439
<v Speaker 2>Yeah.

0:34:35.120 --> 0:34:38.160
<v Speaker 1>So then there was a period where he was like

0:34:38.520 --> 0:34:41.879
<v Speaker 1>Debo and Friday to me, Like there was a good

0:34:41.920 --> 0:34:45.200
<v Speaker 1>part of two thousand and one to like two thousand

0:34:45.239 --> 0:34:48.279
<v Speaker 1>and three where I would just run the other way.

0:34:48.320 --> 0:34:51.319
<v Speaker 2>I'm like, wow, you're running from your idol. Like I

0:34:51.440 --> 0:34:51.880
<v Speaker 2>just can't.

0:34:52.280 --> 0:34:56.399
<v Speaker 1>I mean, I just couldn't. I couldn't take another because

0:34:56.440 --> 0:34:59.080
<v Speaker 1>he just wear you out. And you want to know

0:34:59.200 --> 0:35:03.520
<v Speaker 1>things like so the Lynn drumm you used on What's.

0:35:03.440 --> 0:35:04.600
<v Speaker 2>Up with the Editor at the end of I don't

0:35:04.640 --> 0:35:07.440
<v Speaker 2>want to lose you? Right, exactly exactly. He don't want

0:35:07.440 --> 0:35:08.080
<v Speaker 2>to talk about that.

0:35:08.280 --> 0:35:12.040
<v Speaker 1>So and that's the thing when when the Night of

0:35:12.160 --> 0:35:16.640
<v Speaker 1>the Rock and Roll Hall of Fame, when Chappelle, me

0:35:16.680 --> 0:35:19.160
<v Speaker 1>and Neil Brennan went to see him perform at the

0:35:19.200 --> 0:35:24.600
<v Speaker 1>after party. Were you there doing the Spirit? Were we

0:35:24.640 --> 0:35:28.239
<v Speaker 1>friends then? Were in that hotel or that?

0:35:28.840 --> 0:35:30.560
<v Speaker 5>But I wasn't you. We hadn't met yet.

0:35:31.160 --> 0:35:32.960
<v Speaker 2>Yeah, I was about to say I would have remembered you.

0:35:34.840 --> 0:35:36.799
<v Speaker 1>And you know, he invited us to the hotel thing,

0:35:36.840 --> 0:35:42.239
<v Speaker 1>and so I didn't realize that the elevator opens up

0:35:42.400 --> 0:35:43.560
<v Speaker 1>inside the apartment.

0:35:43.840 --> 0:35:45.920
<v Speaker 2>So I'm thinking that, okay, we're going to a hotel.

0:35:46.120 --> 0:35:47.080
<v Speaker 2>Elevator is going to open.

0:35:47.120 --> 0:35:49.120
<v Speaker 1>We'll be in a hallway and then we'll knock on

0:35:49.160 --> 0:35:52.960
<v Speaker 1>the door and YadA, YadA, YadA. So in typical television

0:35:53.280 --> 0:35:57.640
<v Speaker 1>sitcom fashion, my back is to the elevated door, and

0:35:57.680 --> 0:35:58.279
<v Speaker 1>I'm trying to.

0:35:58.200 --> 0:36:01.720
<v Speaker 2>Give Dave and Neil advice.

0:36:01.400 --> 0:36:07.520
<v Speaker 1>A seventeen second crash course run, which I said, guys, wait,

0:36:07.600 --> 0:36:10.359
<v Speaker 1>I just thought of something. Look, he's really really big

0:36:10.400 --> 0:36:12.279
<v Speaker 1>on religion, so you know, because the thing was like

0:36:12.400 --> 0:36:14.799
<v Speaker 1>Neil was just like, hey, like okay, this is going

0:36:14.840 --> 0:36:17.280
<v Speaker 1>to be like I was like, no, like that prince

0:36:17.280 --> 0:36:20.280
<v Speaker 1>you're thinking of, like he doesn't exist a moren it's religion.

0:36:20.200 --> 0:36:20.400
<v Speaker 2>You know.

0:36:21.120 --> 0:36:22.760
<v Speaker 3>They laughed, like religion.

0:36:22.800 --> 0:36:25.319
<v Speaker 1>I'm like, no, I'm dead serious, like matter of fact,

0:36:25.440 --> 0:36:26.840
<v Speaker 1>I said, we need a safe word.

0:36:28.880 --> 0:36:33.520
<v Speaker 2>So the elevator doors closed.

0:36:33.560 --> 0:36:35.640
<v Speaker 1>I said, look, we need a safe work because what

0:36:35.719 --> 0:36:38.439
<v Speaker 1>you guys don't know is that he's going like really

0:36:38.480 --> 0:36:42.160
<v Speaker 1>big on religion and stuff and don't curse and da

0:36:42.239 --> 0:36:43.359
<v Speaker 1>da da da da da da da.

0:36:43.400 --> 0:36:45.360
<v Speaker 2>And the door is open.

0:36:46.680 --> 0:36:51.160
<v Speaker 1>And I swear to God it and like they yeah,

0:36:51.239 --> 0:36:53.560
<v Speaker 1>he was like continuum mirror.

0:36:55.880 --> 0:36:59.080
<v Speaker 2>He was right behind me and it was.

0:37:01.480 --> 0:37:04.160
<v Speaker 1>But the thing is that what I didn't know about

0:37:04.239 --> 0:37:10.880
<v Speaker 1>Dave is Dave lives for an audience, like the most awkward.

0:37:10.960 --> 0:37:13.799
<v Speaker 1>I went, Dave with me in any he can talk

0:37:13.880 --> 0:37:15.000
<v Speaker 1>you out in any situation.

0:37:15.440 --> 0:37:19.520
<v Speaker 2>I think Dave could talk. He could.

0:37:20.080 --> 0:37:22.920
<v Speaker 1>I'm about to give me the helter Skelter reference. What's

0:37:22.960 --> 0:37:26.000
<v Speaker 1>his name who just recently done? He could talk Charles

0:37:26.040 --> 0:37:28.320
<v Speaker 1>Manson off of death Row and out of it. He

0:37:28.680 --> 0:37:32.800
<v Speaker 1>can talk out of any situation. And we walked into

0:37:33.000 --> 0:37:35.240
<v Speaker 1>what looked like to be a prayer meeting.

0:37:35.280 --> 0:37:36.000
<v Speaker 2>It was like the.

0:37:36.080 --> 0:37:41.680
<v Speaker 1>Crams his then wife, her Canadian family, and well her

0:37:41.680 --> 0:37:47.279
<v Speaker 1>family is from Canada, right, her family and instantly like

0:37:47.320 --> 0:37:53.480
<v Speaker 1>I'm trying to give the eye like and Dave was

0:37:53.520 --> 0:37:55.680
<v Speaker 1>one of those people. Is where it's like if you

0:37:56.880 --> 0:37:58.320
<v Speaker 1>tell him no, it's a yesday.

0:37:59.840 --> 0:38:02.320
<v Speaker 2>He got right. He had a captive.

0:38:01.960 --> 0:38:05.440
<v Speaker 1>Audience, and then I just once religion started, then I

0:38:05.600 --> 0:38:08.279
<v Speaker 1>just inched my way out of it and left. But

0:38:08.320 --> 0:38:11.240
<v Speaker 1>those guys stayed till like seven in the morning, and.

0:38:12.320 --> 0:38:14.319
<v Speaker 6>I would have stuck around to watch Prince and Dave

0:38:14.360 --> 0:38:17.279
<v Speaker 6>Chappelle talk about her religion. I can only imagine what

0:38:17.280 --> 0:38:20.640
<v Speaker 6>that conversation was like, Man, I just interesting.

0:38:21.640 --> 0:38:21.960
<v Speaker 5>Yeah.

0:38:22.440 --> 0:38:24.640
<v Speaker 9>I mean I used to listen to it as a fan,

0:38:24.760 --> 0:38:26.640
<v Speaker 9>you know. I'd be like, Okay, I'm such a Prince fan.

0:38:26.880 --> 0:38:28.439
<v Speaker 9>I'm going to let him talk to me for three

0:38:28.480 --> 0:38:30.640
<v Speaker 9>hours about this stuff, you know. But I remember there

0:38:30.640 --> 0:38:33.040
<v Speaker 9>was a moment at that house, the thirty one to

0:38:33.040 --> 0:38:35.880
<v Speaker 9>twenty one house, where we were talking about you know,

0:38:36.040 --> 0:38:39.120
<v Speaker 9>not religion, talk about music and something else, and he's like,

0:38:39.160 --> 0:38:42.960
<v Speaker 9>follow me. I'm like, I finally orright, Prince said follow me,

0:38:42.960 --> 0:38:45.600
<v Speaker 9>and I walked. I walked through the whole house, long story, short,

0:38:45.680 --> 0:38:47.960
<v Speaker 9>down the stairs, through the room, end up in his

0:38:48.000 --> 0:38:48.879
<v Speaker 9>bedroom like all this shit.

0:38:48.920 --> 0:38:49.399
<v Speaker 3>He's got the.

0:38:49.320 --> 0:38:52.480
<v Speaker 9>Symbol pillows and the purple Da da da, and then

0:38:52.480 --> 0:38:55.480
<v Speaker 9>he opens a closet and hands me like a bible

0:38:55.640 --> 0:38:56.840
<v Speaker 9>and all this stuff. And I was like, man, I

0:38:56.840 --> 0:38:58.720
<v Speaker 9>thought he was gonna give me an ascetate.

0:38:58.480 --> 0:39:01.000
<v Speaker 3>Or I wish you have, you know, and.

0:39:02.800 --> 0:39:03.400
<v Speaker 8>I've been saving.

0:39:04.080 --> 0:39:05.440
<v Speaker 9>Yeah, and he's like, I want you to read this

0:39:05.440 --> 0:39:07.080
<v Speaker 9>to your kids because we're that's why we were.

0:39:07.000 --> 0:39:07.880
<v Speaker 3>Talking about my children.

0:39:07.920 --> 0:39:09.680
<v Speaker 9>And I'm like and I was like, well, I'm Jewish

0:39:09.680 --> 0:39:12.160
<v Speaker 9>and I don't really do religion. And the next day

0:39:12.560 --> 0:39:14.520
<v Speaker 9>the next day, maybe Ruth, you gave him my address.

0:39:14.560 --> 0:39:16.319
<v Speaker 9>The next day people came knocking on the door.

0:39:18.760 --> 0:39:21.160
<v Speaker 5>Listen. I had a Jehovah when my door, and I

0:39:21.239 --> 0:39:24.880
<v Speaker 5>had boxes of bibles and tracks, and I was I

0:39:24.920 --> 0:39:26.759
<v Speaker 5>had been into I had got into a really big

0:39:26.800 --> 0:39:29.440
<v Speaker 5>fight with prince and I was like, oh we're here.

0:39:29.440 --> 0:39:31.839
<v Speaker 5>I'm like, you know what I work for, Jehovah's Witness.

0:39:31.880 --> 0:39:34.080
<v Speaker 5>Wy don't you come in the back and take your boxes.

0:39:34.719 --> 0:39:37.359
<v Speaker 5>I'm about to burn that will And she was like what,

0:39:37.440 --> 0:39:39.440
<v Speaker 5>oh no, and no, I'm like you can bring your supervisor.

0:39:39.480 --> 0:39:41.160
<v Speaker 5>You could come and talk to me about church and

0:39:41.239 --> 0:39:44.440
<v Speaker 5>like Bible and stuff. I know my Bible, but you like.

0:39:44.600 --> 0:39:46.200
<v Speaker 5>I was so mad. I took it out on the

0:39:46.200 --> 0:39:46.880
<v Speaker 5>poor lady.

0:39:47.520 --> 0:39:47.719
<v Speaker 2>Wait.

0:39:47.760 --> 0:39:49.399
<v Speaker 5>But they came in. They got the boxes of tracks.

0:39:49.680 --> 0:39:53.640
<v Speaker 2>Was there, ever, what was the end game to.

0:39:56.600 --> 0:40:02.120
<v Speaker 1>His religious talk or his wanting to convert, Like, was there, well,

0:40:02.400 --> 0:40:04.480
<v Speaker 1>was there one person that was like, okay, like I'm

0:40:04.560 --> 0:40:06.520
<v Speaker 1>Jamie Fox, Yes, I'll come with you the kingdom?

0:40:06.880 --> 0:40:08.920
<v Speaker 2>Was he? Like? What was the.

0:40:10.080 --> 0:40:13.480
<v Speaker 5>So so part of the you know, not to clown

0:40:13.520 --> 0:40:15.799
<v Speaker 5>on any religion or anything, but part of you know,

0:40:16.000 --> 0:40:18.880
<v Speaker 5>what they do is is they have to log in hours.

0:40:19.480 --> 0:40:22.800
<v Speaker 5>So your name at two's name, my name is in

0:40:22.920 --> 0:40:26.680
<v Speaker 5>a calendar. It says Ruth four hours, a mirror two

0:40:26.760 --> 0:40:30.080
<v Speaker 5>hours or twenty hours, you know, and it would say

0:40:30.120 --> 0:40:32.360
<v Speaker 5>he would write everybody's name down this calendar, so it

0:40:32.440 --> 0:40:34.800
<v Speaker 5>was kind of a log book of how many people

0:40:34.840 --> 0:40:37.600
<v Speaker 5>he spoke to about, you know, the religion and all that.

0:40:37.719 --> 0:40:40.160
<v Speaker 5>So it's kind of like it is to convert people.

0:40:40.160 --> 0:40:44.720
<v Speaker 5>It's their ways of proselytizing. But you know, I would

0:40:44.760 --> 0:40:48.040
<v Speaker 5>I'm not a person. I'm kind of a mouthy individual.

0:40:48.160 --> 0:40:50.440
<v Speaker 5>So do you think really it's a little bits a

0:40:50.440 --> 0:40:52.320
<v Speaker 5>little bit. So I had to pick and choose the

0:40:52.360 --> 0:40:55.120
<v Speaker 5>stuff that I would you know, combat like with him

0:40:55.200 --> 0:40:58.200
<v Speaker 5>like that I would get into and that would be

0:40:58.239 --> 0:41:00.440
<v Speaker 5>one of them because it was like, you know, you can't.

0:41:00.480 --> 0:41:02.799
<v Speaker 5>You can't. I mean, you can't really talk. I grew

0:41:02.880 --> 0:41:06.360
<v Speaker 5>up in church an all and all like Pentecostal Zionists,

0:41:06.840 --> 0:41:09.799
<v Speaker 5>you know, Charismatic Methodists. I've gone to all of them,

0:41:09.800 --> 0:41:14.239
<v Speaker 5>and so you know, I understand part of the the

0:41:14.320 --> 0:41:18.000
<v Speaker 5>lull of religion. And I knew what he was doing,

0:41:18.040 --> 0:41:20.960
<v Speaker 5>and I was like, you can't, you can't, like you can't.

0:41:20.560 --> 0:41:23.839
<v Speaker 2>Swing me into this kingdom hallway.

0:41:23.560 --> 0:41:25.920
<v Speaker 5>Oh all the time. And I used to look at him. Okay,

0:41:25.960 --> 0:41:28.879
<v Speaker 5>so no diss to Jehovah's witness, but I am gonna

0:41:28.920 --> 0:41:33.120
<v Speaker 5>kind of diss. Their music is awful. It's all. It's

0:41:33.280 --> 0:41:37.680
<v Speaker 5>Bible verses with no no melody. It's like they sing

0:41:38.160 --> 0:41:42.840
<v Speaker 5>and Jesus came to the crap like it is. Like

0:41:43.080 --> 0:41:45.359
<v Speaker 5>I would look at Prince like I'm like, how are

0:41:45.400 --> 0:41:48.080
<v Speaker 5>you even listening to this? And he wouldn't sing it.

0:41:48.080 --> 0:41:49.640
<v Speaker 5>He would just look at it and he would just

0:41:49.719 --> 0:41:52.000
<v Speaker 5>kind of have his little finger with his little pinky

0:41:52.040 --> 0:41:54.439
<v Speaker 5>finger up and like follow the words in the hymn book.

0:41:54.480 --> 0:41:56.719
<v Speaker 5>And I was like, I'm dying. I don't even know

0:41:56.760 --> 0:41:59.600
<v Speaker 5>what your musical brain is doing right now. You're probably

0:41:59.600 --> 0:42:02.480
<v Speaker 5>like thing this to pieces and creating like a like

0:42:02.520 --> 0:42:05.360
<v Speaker 5>an opus of some kind, because this is terrible a question.

0:42:05.680 --> 0:42:07.480
<v Speaker 6>Is it true that he wrote a bunch of songs

0:42:07.520 --> 0:42:09.760
<v Speaker 6>for the Jehovah's Witnesses.

0:42:11.360 --> 0:42:14.560
<v Speaker 5>He has like I don't know that he did, but

0:42:14.640 --> 0:42:17.720
<v Speaker 5>I know that he wrote like a lot of songs

0:42:17.719 --> 0:42:19.399
<v Speaker 5>with overtures of you.

0:42:19.360 --> 0:42:21.880
<v Speaker 6>Know, but I heard like that he actually has songs

0:42:21.920 --> 0:42:25.360
<v Speaker 6>in like a in the Hymnal or Jehovah's witness Hymnal.

0:42:25.520 --> 0:42:29.520
<v Speaker 5>I could imagine like after spending.

0:42:29.160 --> 0:42:32.279
<v Speaker 2>Time, did you have an option to not go? Was

0:42:33.000 --> 0:42:34.680
<v Speaker 2>have had go? I'll stay behind her?

0:42:35.000 --> 0:42:35.920
<v Speaker 5>Yeah, but you.

0:42:38.400 --> 0:42:39.279
<v Speaker 2>Know I.

0:42:40.800 --> 0:42:43.239
<v Speaker 5>Think that uh, like you know, I wasn't going to

0:42:43.320 --> 0:42:45.680
<v Speaker 5>church at the time, and like when I was in Minnesota,

0:42:45.760 --> 0:42:49.080
<v Speaker 5>I would just go because it's Minnesota. There's there's nothing

0:42:49.120 --> 0:42:50.840
<v Speaker 5>to do, so it might as well go to Kingdom

0:42:50.840 --> 0:42:53.640
<v Speaker 5>Hall and you know, just see, Yeah, I was very

0:42:53.640 --> 0:42:56.799
<v Speaker 5>curious about the religion itself, you know, coming up in church,

0:42:56.840 --> 0:42:58.880
<v Speaker 5>so I was curious to see what their belief systems

0:42:58.880 --> 0:43:01.040
<v Speaker 5>and how they believe. And you know, I've met a

0:43:01.080 --> 0:43:04.520
<v Speaker 5>lot of Jehovah's Witnesses are phenomenal people. And then you know,

0:43:04.719 --> 0:43:07.480
<v Speaker 5>just like in all of their religions, a lot of crappy,

0:43:07.480 --> 0:43:10.399
<v Speaker 5>shitty people as well. So, you know, had a bunch

0:43:10.400 --> 0:43:14.200
<v Speaker 5>of Jehovah's witnesses come to me at a at a show.

0:43:14.719 --> 0:43:16.959
<v Speaker 5>I think it was in Seattle somewhere, and they were

0:43:17.480 --> 0:43:19.719
<v Speaker 5>they were like, we're here for the after party, and

0:43:19.760 --> 0:43:21.919
<v Speaker 5>it was a super private after party and I'm like, uh,

0:43:21.960 --> 0:43:24.520
<v Speaker 5>there's no after party here. Well, we're friends and prince

0:43:24.600 --> 0:43:28.000
<v Speaker 5>and I'm like, I don't know who you are. They're like, oh,

0:43:28.000 --> 0:43:29.240
<v Speaker 5>we're brothers and sisters.

0:43:31.040 --> 0:43:31.520
<v Speaker 2>He went.

0:43:32.880 --> 0:43:37.600
<v Speaker 5>By brother nilson brother, we're his brothers and sisters. I'm like, yeah, no,

0:43:37.719 --> 0:43:40.600
<v Speaker 5>I don't. I don't think so, oh no, we're Jehovah's witnesses.

0:43:40.640 --> 0:43:42.400
<v Speaker 5>And they wanted to get in based on that alone,

0:43:42.440 --> 0:43:44.160
<v Speaker 5>and I was like, okay, now you know.

0:43:44.440 --> 0:43:45.920
<v Speaker 2>Oh I would have fell for that hook line to

0:43:46.000 --> 0:43:46.760
<v Speaker 2>thinking like oh.

0:43:46.640 --> 0:43:47.839
<v Speaker 3>Okay, yeah.

0:43:47.880 --> 0:43:50.600
<v Speaker 5>And I was like that's cool, be good.

0:43:51.120 --> 0:43:54.960
<v Speaker 2>I see so uh Dwayne, yes, sir. Yeah.

0:43:55.040 --> 0:44:01.800
<v Speaker 1>So in your in your research, how were you able

0:44:01.840 --> 0:44:07.080
<v Speaker 1>to find out as far as like the length of

0:44:07.120 --> 0:44:09.480
<v Speaker 1>time that songs were spent? Like this is one thing

0:44:09.520 --> 0:44:11.920
<v Speaker 1>to see the work order. And I guess I should

0:44:11.960 --> 0:44:15.759
<v Speaker 1>explain to our audience that, I mean, now, because half

0:44:15.840 --> 0:44:20.439
<v Speaker 1>the stuff is done on computers and personal studios. People

0:44:20.480 --> 0:44:24.600
<v Speaker 1>don't keep meticulous logging like they used to now. In

0:44:24.680 --> 0:44:29.400
<v Speaker 1>my era of having UH and and recording UH on

0:44:29.440 --> 0:44:32.040
<v Speaker 1>our label, like back in the early nineties when the

0:44:32.120 --> 0:44:36.960
<v Speaker 1>Roots first got signed, the assistant's job was basically to snitch,

0:44:37.520 --> 0:44:40.840
<v Speaker 1>you know what I mean, So if the label's credit

0:44:40.840 --> 0:44:44.040
<v Speaker 1>card was on the room, they would know, okay, how

0:44:44.120 --> 0:44:47.080
<v Speaker 1>much we spent on food? Sure back then, long distance

0:44:47.120 --> 0:44:53.560
<v Speaker 1>phone calls were big. Yeah, like so like everything's you know, like, Okay,

0:44:53.600 --> 0:44:54.920
<v Speaker 1>I see a mirror called.

0:44:54.680 --> 0:44:57.080
<v Speaker 2>The how did you work on that song on the mirror?

0:44:57.160 --> 0:44:59.840
<v Speaker 1>Yeah, exactly, Like so all my time and all the

0:45:00.280 --> 0:45:02.480
<v Speaker 1>that I met and you're whatever, I'd like call from

0:45:02.480 --> 0:45:06.759
<v Speaker 1>the studio that sort of thing. So assistant engineer's job

0:45:06.840 --> 0:45:11.560
<v Speaker 1>was to keep meticulous detail of what we did and

0:45:11.640 --> 0:45:14.400
<v Speaker 1>how long we lily gagged and all those things. So

0:45:15.560 --> 0:45:17.960
<v Speaker 1>what I can I assume that these work orders were

0:45:18.120 --> 0:45:18.920
<v Speaker 1>in the same way.

0:45:19.239 --> 0:45:21.520
<v Speaker 7>Yeah, A lot of times they would have you know,

0:45:21.560 --> 0:45:23.600
<v Speaker 7>and then like you said, this is also the work

0:45:23.640 --> 0:45:27.319
<v Speaker 7>orders are placed to hide things. They would be the

0:45:27.320 --> 0:45:30.239
<v Speaker 7>tattle things, but they'd also be like there's times that

0:45:30.280 --> 0:45:31.879
<v Speaker 7>he may worked in two or three songs, and they

0:45:31.920 --> 0:45:34.759
<v Speaker 7>just were just scrambling through things and just he would

0:45:34.800 --> 0:45:37.600
<v Speaker 7>write down a title. Often I would have to go

0:45:37.640 --> 0:45:41.160
<v Speaker 7>back to I went to the Library of Congress, went

0:45:41.239 --> 0:45:45.360
<v Speaker 7>to the unions that had musicians unions, because Eric Leeds

0:45:45.400 --> 0:45:49.919
<v Speaker 7>was in the Musician Junion. There's also Minneapolis Man Musicians Union,

0:45:50.640 --> 0:45:53.600
<v Speaker 7>which would list Sheila and other people like that. So

0:45:53.680 --> 0:45:55.759
<v Speaker 7>I could tell the time from that stuff, and also

0:45:55.880 --> 0:45:58.759
<v Speaker 7>when strings were done or when they bring a person

0:45:58.840 --> 0:46:02.959
<v Speaker 7>played harp. So there's all this little detail like that

0:46:03.560 --> 0:46:06.799
<v Speaker 7>because people had to get paid, you know, but the

0:46:06.800 --> 0:46:09.279
<v Speaker 7>work owners generally had start at this time end at

0:46:09.320 --> 0:46:11.319
<v Speaker 7>this time. But there'd be times that he would just

0:46:11.360 --> 0:46:13.719
<v Speaker 7>get to the studio and say Peggy, let's go see

0:46:13.760 --> 0:46:18.040
<v Speaker 7>a movie, and they go to the movies and come back,

0:46:18.280 --> 0:46:20.480
<v Speaker 7>or you know, he might step out for a couple

0:46:20.600 --> 0:46:23.120
<v Speaker 7>hours and personally mixing it. But that doesn't mean they're

0:46:23.120 --> 0:46:25.719
<v Speaker 7>doing it the whole time, and that that's where it

0:46:25.840 --> 0:46:26.960
<v Speaker 7>ends up getting a little vague.

0:46:26.960 --> 0:46:27.280
<v Speaker 8>People.

0:46:27.520 --> 0:46:29.160
<v Speaker 7>You know, when I first started doing the interviews in

0:46:29.160 --> 0:46:31.680
<v Speaker 7>like the early mid nineties, I remember asking some of

0:46:31.680 --> 0:46:33.879
<v Speaker 7>these people and they're like, I didn't think that some.

0:46:35.360 --> 0:46:36.319
<v Speaker 8>Prince nerd would be.

0:46:36.280 --> 0:46:38.520
<v Speaker 7>Coming in and asking me about something ten years ago.

0:46:38.560 --> 0:46:40.319
<v Speaker 7>Now I'm asking them, They're like, I didn't know some

0:46:40.360 --> 0:46:42.480
<v Speaker 7>prince near becoming and asking me about stuff having thirty

0:46:42.560 --> 0:46:45.320
<v Speaker 7>years ago so right, And memories get a little faded.

0:46:45.400 --> 0:46:47.879
<v Speaker 7>The you know, you work on stuff for five six

0:46:47.960 --> 0:46:50.400
<v Speaker 7>years with him, guy, you're not gonna remember specific dates.

0:46:50.760 --> 0:46:54.040
<v Speaker 7>But if you got somebody that just did strings, they

0:46:54.160 --> 0:46:58.000
<v Speaker 7>might remember that specific session a whole lot more than

0:46:58.080 --> 0:47:00.560
<v Speaker 7>somebody who's, like I said, Susan Rogers, who Susan Rodgers

0:47:00.640 --> 0:47:04.239
<v Speaker 7>got a phenomenal memory. She's and the cool thing about

0:47:04.280 --> 0:47:07.239
<v Speaker 7>Susan and you probably know this is she's got a

0:47:07.440 --> 0:47:12.000
<v Speaker 7>knowledge of sound on top of just her print spase.

0:47:12.280 --> 0:47:13.960
<v Speaker 7>She loves the funk, She loves a lot of stuff.

0:47:14.000 --> 0:47:16.040
<v Speaker 7>But the way she talks about how sound works, and

0:47:16.080 --> 0:47:19.080
<v Speaker 7>the sound is different at night than day, or you know,

0:47:19.239 --> 0:47:22.520
<v Speaker 7>just the way the music works, and you're just thinking, God,

0:47:22.560 --> 0:47:25.160
<v Speaker 7>that the level of knowledge from some of these people,

0:47:25.360 --> 0:47:28.440
<v Speaker 7>and the engineers I actually engineered. I interviewed some of

0:47:28.480 --> 0:47:30.839
<v Speaker 7>the engineers here in the studios where I'd come in

0:47:30.840 --> 0:47:33.440
<v Speaker 7>in the evening and talk to some of these engineers.

0:47:33.800 --> 0:47:35.440
<v Speaker 7>I'd find their name on the work order and in

0:47:35.560 --> 0:47:37.719
<v Speaker 7>This is before Facebook or anything. I just look him up,

0:47:37.719 --> 0:47:40.000
<v Speaker 7>call him on the phone book, or call here and say,

0:47:40.160 --> 0:47:44.040
<v Speaker 7>is Coke Rogers Coke Johnson working there? Yeah, Dave the

0:47:44.040 --> 0:47:47.000
<v Speaker 7>Blade is well, there's several Dave the Blades. Dave Leonard

0:47:47.520 --> 0:47:49.520
<v Speaker 7>is in h he was the original Dave the Blade.

0:47:49.760 --> 0:47:53.520
<v Speaker 7>He's in Nashville right now. I did not interview him.

0:47:53.840 --> 0:47:54.480
<v Speaker 8>We were going to.

0:47:54.600 --> 0:47:58.359
<v Speaker 7>He used to be married to Peggy McCreery and they

0:47:59.440 --> 0:48:01.560
<v Speaker 7>did a lot of such together. But he lives down there.

0:48:02.600 --> 0:48:06.960
<v Speaker 7>Then Dave Knight, David Knight became Dave the Blade and

0:48:07.040 --> 0:48:10.280
<v Speaker 7>he was one of the engineers here and also at Sunset.

0:48:11.680 --> 0:48:13.200
<v Speaker 8>What's the other studio that you have?

0:48:13.600 --> 0:48:17.520
<v Speaker 7>They have another studio here, yeah, Sunfactory, So he did

0:48:17.600 --> 0:48:19.239
<v Speaker 7>stuff there. He's interviewed in the book as well. I

0:48:19.280 --> 0:48:21.520
<v Speaker 7>used closed by Dev Leonard from other sources of the

0:48:21.560 --> 0:48:23.479
<v Speaker 7>books that he was interviewed or things like that too.

0:48:23.800 --> 0:48:26.399
<v Speaker 7>But I wanted to interview him but just didn't work out.

0:48:31.160 --> 0:48:37.120
<v Speaker 1>I'm curious about the live shows that were.

0:48:38.480 --> 0:48:39.120
<v Speaker 2>Sound trucked.

0:48:39.480 --> 0:48:43.680
<v Speaker 1>Oh yeah, like the or the thirty minute I Would

0:48:43.680 --> 0:48:47.480
<v Speaker 1>Die for You, which obviously went to the soundtrack. Are

0:48:47.560 --> 0:48:52.479
<v Speaker 1>there any studio loggins for those sessions, and if that's

0:48:52.520 --> 0:48:56.000
<v Speaker 1>the case where the Purple Raine shows also recorded.

0:48:56.719 --> 0:48:59.680
<v Speaker 7>Purple Raine shows were all recorded for the most part

0:49:00.080 --> 0:49:02.600
<v Speaker 7>city well pretty much as far as I know, they're

0:49:02.640 --> 0:49:03.440
<v Speaker 7>mostly recorded.

0:49:04.920 --> 0:49:07.200
<v Speaker 8>Uh so there's there's here's the thing.

0:49:07.239 --> 0:49:10.799
<v Speaker 7>He's got vaults of stuff that well as first, I've

0:49:10.840 --> 0:49:13.440
<v Speaker 7>got tons of cassettes and stuff like this. The engineers

0:49:13.520 --> 0:49:15.520
<v Speaker 7>in the book talking about how everything was recorded to

0:49:16.040 --> 0:49:19.279
<v Speaker 7>maybe down to a cassette. So it may be already mixed.

0:49:19.320 --> 0:49:21.080
<v Speaker 7>You just got the mix of that. He may not

0:49:21.239 --> 0:49:25.280
<v Speaker 7>have a twenty four track recording left of all those things.

0:49:25.600 --> 0:49:27.839
<v Speaker 7>But from what I understand, he has tapes of of

0:49:27.880 --> 0:49:30.400
<v Speaker 7>every rehearsal, every sound check, and he'd have six or

0:49:30.440 --> 0:49:33.680
<v Speaker 7>seven tapes running the day and not labeled, you know,

0:49:33.920 --> 0:49:36.239
<v Speaker 7>just boxes. Here's the tape, and he just throwed things

0:49:36.280 --> 0:49:38.600
<v Speaker 7>in a shoe box. And so there's stuck. You know,

0:49:38.640 --> 0:49:40.560
<v Speaker 7>we don't know who some of these things are, what

0:49:40.640 --> 0:49:43.000
<v Speaker 7>dates these are, and so it's there's a novelty to

0:49:43.080 --> 0:49:44.640
<v Speaker 7>some of this stuff. And I talk about that quite

0:49:44.680 --> 0:49:46.600
<v Speaker 7>a bit in the book where some of these engineers

0:49:46.640 --> 0:49:48.160
<v Speaker 7>talking about all the stuff that exists.

0:49:48.680 --> 0:49:52.520
<v Speaker 5>So how I used to think that was a storage closet.

0:49:53.360 --> 0:49:54.600
<v Speaker 2>Have you physically seen the bout?

0:49:54.640 --> 0:49:56.000
<v Speaker 5>Yeah, I've been there. I'd be like, ah, this is

0:49:56.040 --> 0:49:57.200
<v Speaker 5>a big old storage closet.

0:49:57.520 --> 0:49:58.759
<v Speaker 2>How big is the vault?

0:49:59.040 --> 0:49:59.640
<v Speaker 8>There were two volts?

0:49:59.680 --> 0:50:02.239
<v Speaker 5>Yeah there too. There's like the opening section and then

0:50:02.280 --> 0:50:05.879
<v Speaker 5>there's stuff that there's like it's like a a teer,

0:50:06.120 --> 0:50:08.080
<v Speaker 5>like like a what do you call them? Like mudroom,

0:50:08.120 --> 0:50:10.120
<v Speaker 5>It's like a mudroom, and then the real room.

0:50:10.520 --> 0:50:13.200
<v Speaker 7>The other thing I've had to get information from is

0:50:13.239 --> 0:50:15.640
<v Speaker 7>like people like Eric Leeds and things like that would

0:50:15.680 --> 0:50:18.680
<v Speaker 7>have there's when they would record.

0:50:18.719 --> 0:50:19.879
<v Speaker 8>They would keep dates of.

0:50:19.800 --> 0:50:21.440
<v Speaker 7>When they were to record and stuff like this, So

0:50:21.480 --> 0:50:23.719
<v Speaker 7>that helped too. But again there's always gonna be stuff

0:50:23.719 --> 0:50:26.600
<v Speaker 7>in the vault that I have no idea about. And

0:50:26.600 --> 0:50:29.600
<v Speaker 7>and like when the Vraine Deluxe came out, we all

0:50:29.600 --> 0:50:31.000
<v Speaker 7>were shocked when uh.

0:50:33.000 --> 0:50:35.400
<v Speaker 8>The vocal possessed but electric intercourse.

0:50:35.760 --> 0:50:38.640
<v Speaker 7>All all of a sudd They're going a holy crap, right,

0:50:38.760 --> 0:50:41.120
<v Speaker 7>and Michael sitting there nodding his head, but you know,

0:50:41.440 --> 0:50:44.160
<v Speaker 7>all of us going WHOA, thank you, you know for

0:50:44.239 --> 0:50:46.560
<v Speaker 7>finding this, because that's something I didn't even know exist.

0:50:46.760 --> 0:50:47.440
<v Speaker 2>You know, what's weird.

0:50:48.680 --> 0:50:54.920
<v Speaker 1>And I'm not going to hell for saying this, but

0:50:55.120 --> 0:50:58.600
<v Speaker 1>it was. It was always my fear.

0:51:01.640 --> 0:51:07.000
<v Speaker 2>That he you know, just in the last ten years.

0:51:06.719 --> 0:51:11.399
<v Speaker 1>Of his life. And this is you know, speaking from

0:51:12.160 --> 0:51:13.960
<v Speaker 1>you know. Of course you think like everybody's going to

0:51:14.080 --> 0:51:16.920
<v Speaker 1>you know, be eighty and ninety. You know, they're going

0:51:17.000 --> 0:51:25.280
<v Speaker 1>to be super old. But I always thought that, man,

0:51:25.960 --> 0:51:29.399
<v Speaker 1>I know, one day he's going to turn like if

0:51:29.400 --> 0:51:33.480
<v Speaker 1>we think that some of his thinking is irrational.

0:51:33.560 --> 0:51:35.120
<v Speaker 2>Now, just as far as like.

0:51:37.520 --> 0:51:41.000
<v Speaker 1>Certain cutting off the nose, despite the face moves that

0:51:41.040 --> 0:51:44.200
<v Speaker 1>Prince has done in the past to some of his

0:51:44.280 --> 0:51:45.000
<v Speaker 1>fan base.

0:51:45.400 --> 0:51:49.960
<v Speaker 2>Why would I do what? I'm just saying that it's

0:51:50.080 --> 0:51:51.640
<v Speaker 2>it's to me.

0:51:53.920 --> 0:51:57.319
<v Speaker 1>I always felt like he would pull a move like

0:51:57.400 --> 0:52:01.439
<v Speaker 1>some viking burning erase everything. Yes, I thought he would

0:52:01.440 --> 0:52:04.560
<v Speaker 1>pull a Willie on that whole entire, like in his

0:52:04.680 --> 0:52:05.719
<v Speaker 1>sixties or seventies.

0:52:07.120 --> 0:52:08.160
<v Speaker 2>And I was just.

0:52:08.080 --> 0:52:13.319
<v Speaker 7>Like, storing magnets what what what? No, No, it's saying

0:52:13.360 --> 0:52:15.360
<v Speaker 7>he was storing magnets in the room just to e

0:52:15.400 --> 0:52:15.920
<v Speaker 7>race everything.

0:52:16.000 --> 0:52:18.520
<v Speaker 8>Oh yeah, he really didn't. He really didn't. I was

0:52:18.520 --> 0:52:20.080
<v Speaker 8>just saying he could have. That's what he's saying.

0:52:20.719 --> 0:52:24.640
<v Speaker 1>So I'm not saying what you think I'm going to insinuate.

0:52:25.680 --> 0:52:31.279
<v Speaker 1>As far as premature passing, but I definitely felt like.

0:52:34.360 --> 0:52:36.440
<v Speaker 2>He would. First of all, I thought he would have

0:52:36.480 --> 0:52:36.880
<v Speaker 2>a will.

0:52:37.000 --> 0:52:38.399
<v Speaker 8>That's the thing that would say.

0:52:38.680 --> 0:52:40.399
<v Speaker 5>We talked about it, so.

0:52:40.360 --> 0:52:42.200
<v Speaker 2>It's earned everything if I had.

0:52:42.520 --> 0:52:43.759
<v Speaker 8>Wait, you talked about what did?

0:52:43.960 --> 0:52:48.799
<v Speaker 5>What was said, Well, he didn't want to at the time,

0:52:48.840 --> 0:52:50.200
<v Speaker 5>he didn't want to write a will. And I was

0:52:50.239 --> 0:52:53.279
<v Speaker 5>like yeah, because there was at Baisley Park and I

0:52:53.360 --> 0:52:54.840
<v Speaker 5>yelled at him like, well, you know, who's going to

0:52:54.920 --> 0:52:57.520
<v Speaker 5>get all your stuff? And he came. He double backed

0:52:57.560 --> 0:53:04.200
<v Speaker 5>and he's like who, And I'm like the government in

0:53:04.320 --> 0:53:08.520
<v Speaker 5>the world and you walked out of the office. But

0:53:08.600 --> 0:53:10.759
<v Speaker 5>you know, we did talk about it because I was

0:53:10.840 --> 0:53:12.759
<v Speaker 5>really concerned because he didn't have a will.

0:53:12.840 --> 0:53:15.520
<v Speaker 1>I'm gonna be honest with you because I mean more,

0:53:16.320 --> 0:53:19.680
<v Speaker 1>mortality is something that people don't want to deal with or.

0:53:19.680 --> 0:53:21.640
<v Speaker 2>Talk about even now.

0:53:24.320 --> 0:53:28.080
<v Speaker 1>I mean, I I have a will, but it was

0:53:28.160 --> 0:53:30.160
<v Speaker 1>sort of like an afterthought thing like yeah, just leave

0:53:30.200 --> 0:53:30.480
<v Speaker 1>it to them.

0:53:30.760 --> 0:53:32.960
<v Speaker 2>I don't care. You know, I'm not gonna die. I'll

0:53:33.000 --> 0:53:36.600
<v Speaker 2>be here forever. But now I'm like, okay, I would

0:53:36.640 --> 0:53:37.839
<v Speaker 2>like my records to go here.

0:53:38.160 --> 0:53:40.759
<v Speaker 1>I want my unreleased drum stuff to go here. I

0:53:40.760 --> 0:53:42.240
<v Speaker 1>want to donate this stuff here.

0:53:43.560 --> 0:53:50.760
<v Speaker 2>Yeah, Stu, get that notebook.

0:53:51.080 --> 0:53:54.040
<v Speaker 1>No, it's just that now as I get closer to

0:53:54.560 --> 0:53:58.400
<v Speaker 1>you know, get you know, way out of my twenties. Now,

0:53:58.880 --> 0:54:01.640
<v Speaker 1>oh okay, this death is going to be a certain

0:54:01.680 --> 0:54:03.480
<v Speaker 1>thing in my life, like I'm definitely going to die

0:54:03.520 --> 0:54:07.439
<v Speaker 1>and so, you know, but I guess at the time,

0:54:07.480 --> 0:54:09.400
<v Speaker 1>you just put it off and put it off and

0:54:09.400 --> 0:54:11.080
<v Speaker 1>put it off, and it'll never happen to me.

0:54:11.160 --> 0:54:14.440
<v Speaker 2>It'll never happen. And you know, because.

0:54:16.640 --> 0:54:19.359
<v Speaker 1>For anyone asking like how could he never have a will?

0:54:19.440 --> 0:54:21.600
<v Speaker 1>Like you just you never think you're.

0:54:21.440 --> 0:54:24.160
<v Speaker 5>Going to go right, Well, part of his reasoning also

0:54:24.320 --> 0:54:27.120
<v Speaker 5>is like you whatever you think is true. So if

0:54:27.160 --> 0:54:29.799
<v Speaker 5>you're if you create a will, it means that you're

0:54:30.360 --> 0:54:34.279
<v Speaker 5>you're plantasting your death. So that was a big thing

0:54:34.360 --> 0:54:36.560
<v Speaker 5>about it, and we had a discussion about that. He

0:54:36.640 --> 0:54:39.319
<v Speaker 5>told me he wants he was from another planet and

0:54:39.360 --> 0:54:41.560
<v Speaker 5>that's why he didn't age because the sun revolved like

0:54:42.120 --> 0:54:44.560
<v Speaker 5>I don't know, twelve years every twelve years. And he's like,

0:54:44.560 --> 0:54:46.239
<v Speaker 5>I think you're from that planet too, And I was like,

0:54:46.239 --> 0:54:49.160
<v Speaker 5>do let me call him an alien with your alien

0:54:49.280 --> 0:54:53.400
<v Speaker 5>as I'm like, you keep your alien stuff to yourself.

0:54:54.360 --> 0:54:57.360
<v Speaker 5>But he yeah, a lot of it was denial and

0:54:58.000 --> 0:55:01.840
<v Speaker 5>not wanting to face a in future. But you know,

0:55:01.880 --> 0:55:04.080
<v Speaker 5>he carried around on those keys to the vaults like

0:55:04.200 --> 0:55:06.359
<v Speaker 5>you know, a janitor always had him on them.

0:55:06.360 --> 0:55:14.400
<v Speaker 1>And then there was only one set of keys.

0:55:11.600 --> 0:55:14.200
<v Speaker 5>You know, there was only one set quote unquote, but

0:55:14.239 --> 0:55:16.560
<v Speaker 5>there was another set that somebody else had.

0:55:17.560 --> 0:55:19.120
<v Speaker 2>So what if he lost those keys?

0:55:19.680 --> 0:55:22.840
<v Speaker 8>It was here's the thing. Yeah, the wall next to

0:55:22.840 --> 0:55:24.640
<v Speaker 8>it was just a drive.

0:55:26.200 --> 0:55:28.680
<v Speaker 5>You could break into Paisley Park. It was so like

0:55:28.880 --> 0:55:32.680
<v Speaker 5>not secured, no cameras. Still no cameras. Sure they put

0:55:32.760 --> 0:55:33.160
<v Speaker 5>cameras in.

0:55:33.200 --> 0:55:35.719
<v Speaker 2>Now that that was the reasoning, right, It's Minnesota. Who's

0:55:35.719 --> 0:55:36.279
<v Speaker 2>going to yah?

0:55:36.280 --> 0:55:38.759
<v Speaker 5>No, seriously, He's like only it's He's like, all the

0:55:39.120 --> 0:55:40.440
<v Speaker 5>no evil people live here.

0:55:40.360 --> 0:55:41.200
<v Speaker 8>The bad people move out.

0:55:41.440 --> 0:55:41.600
<v Speaker 5>Yeah.

0:55:41.880 --> 0:55:45.359
<v Speaker 6>He had a story about I guess they went to

0:55:45.400 --> 0:55:48.640
<v Speaker 6>like a convenience store or something and he left the car.

0:55:48.760 --> 0:55:52.560
<v Speaker 6>They left the car running, and Prince was like, yeah,

0:55:52.600 --> 0:55:53.680
<v Speaker 6>because nobody would steal it.

0:55:53.760 --> 0:55:56.920
<v Speaker 5>Yeah yeah, yeah, No, it's true, like you know we

0:55:56.960 --> 0:56:00.640
<v Speaker 5>would go into uh, what was it, what's the store there? No,

0:56:01.600 --> 0:56:04.240
<v Speaker 5>what's the name of the store there. I totally forgot

0:56:04.320 --> 0:56:06.880
<v Speaker 5>Barney's or I think it is Birelers. Is it barrels?

0:56:08.040 --> 0:56:08.720
<v Speaker 8>Is that important?

0:56:09.000 --> 0:56:11.160
<v Speaker 5>No, it's a store in Shanahassan like, but you would

0:56:11.200 --> 0:56:16.080
<v Speaker 5>walk in there and if you were brown, they knew

0:56:16.120 --> 0:56:18.040
<v Speaker 5>exactly what you were doing there. Oh you were working

0:56:18.040 --> 0:56:22.600
<v Speaker 5>at Paisley Park? Are you people? I'm like, uh, yeah,

0:56:22.760 --> 0:56:25.920
<v Speaker 5>how do you know that? And then I realized and like, oh,

0:56:25.960 --> 0:56:28.160
<v Speaker 5>you look like you worked there, And I was like, okay,

0:56:30.160 --> 0:56:31.560
<v Speaker 5>stereotyping over here.

0:56:32.040 --> 0:56:35.520
<v Speaker 2>That I see. So how.

0:56:38.160 --> 0:56:40.279
<v Speaker 7>Also, the vault was not kept up very well. I

0:56:40.280 --> 0:56:41.279
<v Speaker 7>mean there's no, it's not.

0:56:43.080 --> 0:56:43.319
<v Speaker 2>It was.

0:56:43.360 --> 0:56:45.920
<v Speaker 8>It was not a place where there's yeah, one of

0:56:45.960 --> 0:56:46.920
<v Speaker 8>that stuff has damage.

0:56:46.920 --> 0:56:49.040
<v Speaker 2>But I know that they did, Wait, what's damaged?

0:56:49.320 --> 0:56:49.640
<v Speaker 8>Tapes?

0:56:49.760 --> 0:56:50.000
<v Speaker 3>Tapes?

0:56:50.040 --> 0:56:51.440
<v Speaker 5>Yeah, but they reconstructed it.

0:56:51.520 --> 0:56:54.719
<v Speaker 7>Yeah, there was a water leak one year and they

0:56:54.719 --> 0:56:56.680
<v Speaker 7>were they were having to put the tapes somewhere else.

0:56:56.560 --> 0:56:59.640
<v Speaker 8>Because it just it was not it was mold. Yes,

0:56:59.640 --> 0:57:00.440
<v Speaker 8>it was on a.

0:57:00.400 --> 0:57:02.919
<v Speaker 7>Good vault, and that what they're doing now really does

0:57:02.960 --> 0:57:03.439
<v Speaker 7>make sense.

0:57:03.440 --> 0:57:06.160
<v Speaker 5>But it's funny that the family said that, you know

0:57:06.200 --> 0:57:07.800
<v Speaker 5>that they shouldn't move it too Iron Mountain. That is

0:57:07.840 --> 0:57:09.160
<v Speaker 5>the number one thing that should have been done.

0:57:09.280 --> 0:57:11.879
<v Speaker 7>Reason why it was kept. That people want it kept.

0:57:11.880 --> 0:57:13.200
<v Speaker 7>The Paisleys for nostalgia.

0:57:13.280 --> 0:57:16.120
<v Speaker 5>Yeah, yeah, it was going to all of it, yeah.

0:57:15.920 --> 0:57:17.040
<v Speaker 8>Exactly, would have been worthless.

0:57:17.120 --> 0:57:17.280
<v Speaker 2>Yeah.

0:57:17.680 --> 0:57:20.960
<v Speaker 5>Yeah, they managed to save I think ninety eight percent

0:57:20.960 --> 0:57:21.160
<v Speaker 5>of it.

0:57:22.600 --> 0:57:24.320
<v Speaker 2>Yeah, they are now obsessed with that.

0:57:27.640 --> 0:57:29.480
<v Speaker 8>It's that twenty seconds that made the song.

0:57:30.120 --> 0:57:34.720
<v Speaker 2>No, I'm not going to sleep now.

0:57:33.280 --> 0:57:38.880
<v Speaker 7>Tossing and turning, learned that poem figure out.

0:57:38.920 --> 0:57:39.479
<v Speaker 8>I have a question.

0:57:39.760 --> 0:57:42.240
<v Speaker 7>I have a question for you. You you look through

0:57:42.240 --> 0:57:44.840
<v Speaker 7>the book, what is your opinion of the book? And

0:57:44.840 --> 0:57:47.440
<v Speaker 7>you're you're as big a scholar of this kind of

0:57:47.480 --> 0:57:49.520
<v Speaker 7>stuff as I know, and I want to know what

0:57:49.560 --> 0:57:50.480
<v Speaker 7>your thought of the book is.

0:57:50.760 --> 0:57:51.520
<v Speaker 8>What did you like?

0:57:51.760 --> 0:57:52.000
<v Speaker 2>See?

0:57:52.080 --> 0:57:55.960
<v Speaker 1>The thing is is that, Okay, it's weird because even

0:57:56.040 --> 0:57:59.960
<v Speaker 1>when first of all, the book is like, what's seven hundred.

0:58:00.240 --> 0:58:02.600
<v Speaker 8>It's not about five hundred page okay.

0:58:02.320 --> 0:58:04.600
<v Speaker 2>So maybe when I was reading all my think it

0:58:04.640 --> 0:58:06.480
<v Speaker 2>was like seven hundred something pages.

0:58:08.640 --> 0:58:11.320
<v Speaker 1>I went through there. All right, Well here's the weird thing.

0:58:12.120 --> 0:58:14.880
<v Speaker 1>I think from the time that you guys sent me

0:58:14.920 --> 0:58:22.439
<v Speaker 1>the document, I easily think the first night I went

0:58:22.520 --> 0:58:23.960
<v Speaker 1>through four hundred pages.

0:58:25.480 --> 0:58:30.280
<v Speaker 2>Yeah yeah, yeah, And that's the thing. I felt ashamed,

0:58:30.320 --> 0:58:30.960
<v Speaker 2>like I went.

0:58:30.840 --> 0:58:34.080
<v Speaker 5>From like shit, I'm gonn write down my story.

0:58:34.560 --> 0:58:36.960
<v Speaker 1>I went from ten a m. Till about I think

0:58:37.000 --> 0:58:38.560
<v Speaker 1>I gave up at like seven in the morning.

0:58:38.720 --> 0:58:41.000
<v Speaker 7>You're already the busiest guy on the plane, right, I

0:58:41.040 --> 0:58:43.040
<v Speaker 7>can't imagine having time.

0:58:43.200 --> 0:58:44.960
<v Speaker 2>But I just couldn't put it down.

0:58:45.320 --> 0:58:46.880
<v Speaker 6>It was the same way for me because I was

0:58:46.920 --> 0:58:48.480
<v Speaker 6>started reading and the next thing I knew the sun

0:58:48.560 --> 0:58:49.120
<v Speaker 6>was up, you know.

0:58:49.240 --> 0:58:51.960
<v Speaker 8>So like working in the studio with Prince.

0:58:52.720 --> 0:58:54.440
<v Speaker 1>And I knew I was on something because I know

0:58:54.520 --> 0:58:56.760
<v Speaker 1>that I have a tendency at least of my friends,

0:58:56.800 --> 0:59:01.680
<v Speaker 1>like over exaggerate some shit. And I told him like, yo, like,

0:59:02.160 --> 0:59:03.960
<v Speaker 1>this is the book we've been waiting for, Like this

0:59:04.040 --> 0:59:06.480
<v Speaker 1>is the moment, I think. And the thing is is

0:59:06.520 --> 0:59:09.680
<v Speaker 1>that I don't know because I tried to explain this

0:59:09.760 --> 0:59:13.200
<v Speaker 1>to my management my people, like, yo, this is the

0:59:13.240 --> 0:59:15.120
<v Speaker 1>Prince book I've been dreaming of all my life, like

0:59:15.160 --> 0:59:17.680
<v Speaker 1>I could never write a book like and they looked

0:59:17.680 --> 0:59:20.600
<v Speaker 1>at it and they were just like whatever, Okay. So

0:59:20.640 --> 0:59:28.840
<v Speaker 1>he went to seven eleven on July. When I got here,

0:59:28.920 --> 0:59:31.040
<v Speaker 1>the first thing he ran to the basketball court.

0:59:31.240 --> 0:59:32.320
<v Speaker 8>I ran to the basketball court.

0:59:32.400 --> 0:59:37.360
<v Speaker 2>I ran to the seven eleven that sort of thing.

0:59:39.200 --> 0:59:44.560
<v Speaker 2>I don't know. I just again, I'm I I've never been.

0:59:46.080 --> 0:59:52.240
<v Speaker 1>Into who he was dating, or even the outcome of

0:59:52.280 --> 0:59:56.960
<v Speaker 1>a thing. I'm always obsessed with how he built stuff.

0:59:58.520 --> 1:00:03.080
<v Speaker 1>And for me, a lot of my question anything that

1:00:03.120 --> 1:00:07.320
<v Speaker 1>I would ever try to ask him was like in that.

1:00:07.280 --> 1:00:08.880
<v Speaker 8>Book, so you learn things?

1:00:09.280 --> 1:00:10.200
<v Speaker 2>Yeah, I learned a lot.

1:00:10.280 --> 1:00:14.040
<v Speaker 8>I mean I because you know a lot. So to

1:00:14.120 --> 1:00:16.000
<v Speaker 8>hear that you actually got some out of it makes

1:00:16.040 --> 1:00:16.680
<v Speaker 8>me really happy.

1:00:17.240 --> 1:00:20.760
<v Speaker 1>Dog, I'm waiting for it. Like it's how many books

1:00:20.760 --> 1:00:22.440
<v Speaker 1>do you think you would have in you.

1:00:22.520 --> 1:00:24.080
<v Speaker 7>I'd be happy to write books at the end of

1:00:24.120 --> 1:00:26.160
<v Speaker 7>my till the end of my life on this stuff because.

1:00:26.320 --> 1:00:31.120
<v Speaker 2>It's my hope that the quote powers that be well

1:00:31.280 --> 1:00:32.040
<v Speaker 2>least see this.

1:00:32.440 --> 1:00:36.000
<v Speaker 1>And because again I think that if you're coming from

1:00:36.040 --> 1:00:42.240
<v Speaker 1>a nonsensationalist, respectful angle like I think, it's just important

1:00:42.280 --> 1:00:44.720
<v Speaker 1>to document how the greatness was me.

1:00:45.320 --> 1:00:47.800
<v Speaker 7>Well in this book some people who haven't read it.

1:00:47.840 --> 1:00:52.840
<v Speaker 7>This covers two years of his life eighty nineteen eighty three,

1:00:52.920 --> 1:00:56.080
<v Speaker 7>nineteen eighty four. It's the ninety nine nine just has

1:00:56.120 --> 1:00:58.960
<v Speaker 7>come out and it's it's just starting to hit covers

1:00:58.960 --> 1:01:01.760
<v Speaker 7>Purple Rain cover the beginning of nineteen eighty four is

1:01:02.600 --> 1:01:06.560
<v Speaker 7>recording Sheila's album The Time. The rest of Purple Rain

1:01:07.440 --> 1:01:11.240
<v Speaker 7>appalonis six the family that summer. That's like, that's within

1:01:11.400 --> 1:01:13.760
<v Speaker 7>like six months, you know, two years, that's that's no.

1:01:13.760 --> 1:01:15.560
<v Speaker 8>That's that's all six months.

1:01:15.640 --> 1:01:16.840
<v Speaker 2>Yeah, I know.

1:01:17.200 --> 1:01:19.480
<v Speaker 8>It's insane, mostly himself.

1:01:19.600 --> 1:01:22.880
<v Speaker 7>And so when you see the kind of passion the

1:01:22.880 --> 1:01:25.360
<v Speaker 7>guy had for doing this stuff, and then we're sitting

1:01:25.360 --> 1:01:28.080
<v Speaker 7>in the studio thinking it was in this building that

1:01:28.120 --> 1:01:30.080
<v Speaker 7>he did the stuff, it's to me, it's I mean,

1:01:30.120 --> 1:01:32.360
<v Speaker 7>I went back and listened to the music again, just

1:01:32.400 --> 1:01:33.920
<v Speaker 7>over and over, and it was cool to listen to

1:01:33.960 --> 1:01:37.160
<v Speaker 7>it with a fresh ear because after he died, it's

1:01:37.320 --> 1:01:39.400
<v Speaker 7>it's tough to listen to his stuff without through the

1:01:39.400 --> 1:01:42.600
<v Speaker 7>prism of the fact that he's dead hearing it again

1:01:42.720 --> 1:01:45.160
<v Speaker 7>through after reading the book, you're going that's where it

1:01:45.200 --> 1:01:47.520
<v Speaker 7>goes back and and you're hearing it for the first

1:01:47.520 --> 1:01:50.040
<v Speaker 7>time again. And that's that's something I didn't expect.

1:01:50.400 --> 1:01:52.640
<v Speaker 1>We should note that as even though this is coming

1:01:52.640 --> 1:01:55.560
<v Speaker 1>on way later as of this taping, I think we're

1:01:55.800 --> 1:02:00.439
<v Speaker 1>falling into the actual thirty fifth anniversary of.

1:02:00.320 --> 1:02:01.760
<v Speaker 2>Oh Yeah, Little Rick Corvette.

1:02:01.800 --> 1:02:06.360
<v Speaker 1>The edits edits for the twelve inch which what January

1:02:06.520 --> 1:02:09.200
<v Speaker 1>or January seventh, Yeah, very good.

1:02:09.920 --> 1:02:11.840
<v Speaker 2>I looked it up. In your book.

1:02:11.920 --> 1:02:16.120
<v Speaker 5>In your book, question for Dwayne, actually, if I can,

1:02:16.560 --> 1:02:20.600
<v Speaker 5>if I may so, Like, you know, that's like a

1:02:20.640 --> 1:02:21.480
<v Speaker 5>lot of information.

1:02:26.440 --> 1:02:29.840
<v Speaker 1>This amazing because like Ruth, the thing was, Ruth was

1:02:30.120 --> 1:02:33.800
<v Speaker 1>such a position to get this information. But it's so

1:02:33.840 --> 1:02:36.000
<v Speaker 1>amazing to me in all my years of knowing her,

1:02:36.040 --> 1:02:38.000
<v Speaker 1>I'm like, you know, you're so not a fan like.

1:02:38.680 --> 1:02:41.400
<v Speaker 2>And she doesn't have an idea.

1:02:41.760 --> 1:02:44.920
<v Speaker 1>Of like and a lot of women that are in

1:02:45.000 --> 1:02:47.880
<v Speaker 1>Prince's life, especially in the last ten years of his life.

1:02:48.480 --> 1:02:49.040
<v Speaker 2>It's just like.

1:02:49.480 --> 1:02:52.600
<v Speaker 8>Ask Kim Berry about his music. She likes it, but

1:02:52.640 --> 1:02:55.600
<v Speaker 8>she's not a big fan. Same thing. It's like there's

1:02:55.600 --> 1:02:56.640
<v Speaker 8>a lot of people around.

1:02:56.400 --> 1:02:59.080
<v Speaker 2>A little it's almost like it's a whole other person.

1:02:59.480 --> 1:03:01.480
<v Speaker 5>Part of it is I knew I knew Prince the

1:03:01.600 --> 1:03:04.760
<v Speaker 5>person musicians.

1:03:04.400 --> 1:03:05.080
<v Speaker 2>I knew him.

1:03:05.160 --> 1:03:08.040
<v Speaker 5>I saw him. I was like, I interacted, but you

1:03:08.080 --> 1:03:10.160
<v Speaker 5>know that musician dude was such a pain in the ass.

1:03:10.200 --> 1:03:13.720
<v Speaker 5>I was like, oh, but my question to you is

1:03:13.760 --> 1:03:16.160
<v Speaker 5>because you know I know what I and you know

1:03:16.240 --> 1:03:19.680
<v Speaker 5>I there was so much that I wish I had

1:03:19.800 --> 1:03:22.400
<v Speaker 5>the fort like you know, I had to Sam Jennings

1:03:22.440 --> 1:03:24.000
<v Speaker 5>was actually in the house in one of the houses

1:03:24.480 --> 1:03:26.160
<v Speaker 5>and when he was there. It was Wendy and Lisa

1:03:26.200 --> 1:03:28.000
<v Speaker 5>and they came up with their acoustic guitars and he

1:03:28.040 --> 1:03:30.360
<v Speaker 5>hadn't seen them in years. And they sat around and

1:03:30.360 --> 1:03:33.280
<v Speaker 5>they played this beautiful melodic song and I'm like, what

1:03:33.440 --> 1:03:34.040
<v Speaker 5>is that song?

1:03:34.120 --> 1:03:34.320
<v Speaker 11>Sam?

1:03:34.360 --> 1:03:37.280
<v Speaker 5>And he's like, it's a song called Mountains, and I'm like,

1:03:38.280 --> 1:03:40.040
<v Speaker 5>it's really pretty, but I gotta work, like I gotta

1:03:40.080 --> 1:03:43.200
<v Speaker 5>go pleaan his bedroom like like you know, like I couldn't.

1:03:43.280 --> 1:03:43.360
<v Speaker 10>Like.

1:03:43.600 --> 1:03:45.240
<v Speaker 5>I was like, it was really pretty and I wanted

1:03:45.280 --> 1:03:47.040
<v Speaker 5>to sit and observe, and I knew I was missing

1:03:47.120 --> 1:03:49.640
<v Speaker 5>out on something, but I was like, ah, I want

1:03:49.640 --> 1:03:51.280
<v Speaker 5>to go to sleep. I need to go. I need

1:03:51.280 --> 1:03:53.160
<v Speaker 5>to like, you know, I slept like two hours a night,

1:03:53.240 --> 1:03:55.920
<v Speaker 5>so I needed to have some kind of rest. But

1:03:55.960 --> 1:03:58.120
<v Speaker 5>my question to you is how much of it do

1:03:58.160 --> 1:04:01.440
<v Speaker 5>you think? Because for me, I saw different parts of it.

1:04:01.480 --> 1:04:03.480
<v Speaker 5>And you know, I also talked to princes a lot,

1:04:03.560 --> 1:04:06.440
<v Speaker 5>Like he talked about retiring from music and I was like,

1:04:06.600 --> 1:04:09.360
<v Speaker 5>shut up, you know that's not happening, and he's like no,

1:04:09.440 --> 1:04:11.160
<v Speaker 5>and he's like he's like, I've done everything there is

1:04:11.160 --> 1:04:12.720
<v Speaker 5>to do music. And I'm like, you don't have an Emmy,

1:04:12.720 --> 1:04:14.240
<v Speaker 5>you don't have a tony you don't have like it

1:04:14.320 --> 1:04:18.240
<v Speaker 5>started naming all. Yeah, I was like named off stuff.

1:04:18.240 --> 1:04:20.920
<v Speaker 5>But my question to you is how much do you

1:04:20.960 --> 1:04:23.280
<v Speaker 5>think was passion and how much do you think was compulsion?

1:04:24.360 --> 1:04:27.320
<v Speaker 7>Wow, I think I think his passion shows through on

1:04:27.360 --> 1:04:29.920
<v Speaker 7>some songs. I think you can hear when he's inspired,

1:04:30.280 --> 1:04:33.360
<v Speaker 7>and I think that compulsion would be like Velvet Kitty

1:04:33.400 --> 1:04:37.720
<v Speaker 7>Cat and things like that. Yeah, there's gonna be there's

1:04:38.040 --> 1:04:39.000
<v Speaker 7>songs that are obligatory.

1:04:39.040 --> 1:04:39.280
<v Speaker 8>I think.

1:04:39.320 --> 1:04:43.200
<v Speaker 7>I think to me, what I understood having talked to everybody,

1:04:43.360 --> 1:04:45.760
<v Speaker 7>is he just had stuff in him he had to

1:04:45.760 --> 1:04:47.240
<v Speaker 7>get out. And sometimes he'd be in the studio and

1:04:47.280 --> 1:04:49.840
<v Speaker 7>just kind of record this traffic jam and that would

1:04:49.840 --> 1:04:51.160
<v Speaker 7>be it and it would be like got to get

1:04:51.160 --> 1:04:56.640
<v Speaker 7>this out and to be able to get But there's

1:04:56.880 --> 1:04:59.720
<v Speaker 7>the inspiration when you hear that. You can hear that,

1:05:00.080 --> 1:05:03.479
<v Speaker 7>you know when something he elevates that he spends time

1:05:03.520 --> 1:05:03.919
<v Speaker 7>on too.

1:05:04.040 --> 1:05:05.720
<v Speaker 5>I mean a question, Oh, I just had a really

1:05:05.800 --> 1:05:08.240
<v Speaker 5>quick question for all the nerd prince spots here. So

1:05:09.400 --> 1:05:13.520
<v Speaker 5>that's all that's everybody here. So Prince told me a

1:05:13.560 --> 1:05:17.880
<v Speaker 5>story New Year's Eve, maybe like in I think it

1:05:17.920 --> 1:05:23.600
<v Speaker 5>was two thousand and two thousand and nine, and basically

1:05:23.640 --> 1:05:25.400
<v Speaker 5>he was talking about she's always in my hair. I'm

1:05:25.440 --> 1:05:28.440
<v Speaker 5>told my too this and and I was like, oh,

1:05:28.480 --> 1:05:30.720
<v Speaker 5>and I had somebody had already told me it was

1:05:30.760 --> 1:05:35.440
<v Speaker 5>about a protege of his. I couldn't remember Jill Johnes. Okay,

1:05:35.640 --> 1:05:37.120
<v Speaker 5>so I didn't remember the name of it. I'm like,

1:05:37.160 --> 1:05:39.800
<v Speaker 5>isn't this about a protege of yours? Because they played

1:05:39.800 --> 1:05:43.440
<v Speaker 5>the song. We were at the Roosevelt Club med Bruce was.

1:05:44.400 --> 1:05:48.200
<v Speaker 5>We'd gone in and like, actually Raoul called me and

1:05:48.360 --> 1:05:51.120
<v Speaker 5>was like, you need to come because Prince is here

1:05:51.160 --> 1:05:53.640
<v Speaker 5>by himself. And I'm like, oh man, I'm already in bed.

1:05:54.040 --> 1:05:57.000
<v Speaker 5>So I got dressed and like so we had like

1:05:57.080 --> 1:06:02.400
<v Speaker 5>this very interesting conversation New Year's Eve, and basically the

1:06:02.440 --> 1:06:04.480
<v Speaker 5>song came on and I'm like, oh, isn't this about

1:06:04.520 --> 1:06:06.800
<v Speaker 5>like a protege of yours? And he's like Jill Jones.

1:06:06.800 --> 1:06:08.640
<v Speaker 5>He's like, no, not her, It's.

1:06:08.440 --> 1:06:10.760
<v Speaker 8>Not here's the thing he did about Susan.

1:06:11.600 --> 1:06:11.640
<v Speaker 2>No.

1:06:11.880 --> 1:06:14.919
<v Speaker 5>No, he said it was about an assistant that he

1:06:15.040 --> 1:06:17.840
<v Speaker 5>had at the time, Teres. I don't know who.

1:06:17.960 --> 1:06:18.360
<v Speaker 2>I don't know.

1:06:18.440 --> 1:06:19.520
<v Speaker 5>I can't remember the name.

1:06:19.880 --> 1:06:20.440
<v Speaker 8>Well, because I.

1:06:20.440 --> 1:06:22.560
<v Speaker 3>Asked Teresa and she was like I've never heard that story.

1:06:22.640 --> 1:06:25.360
<v Speaker 5>Okay, so he said, and I'm like what, and he's like, yeah,

1:06:25.400 --> 1:06:29.240
<v Speaker 5>she used to hound me about like making sure that

1:06:29.280 --> 1:06:31.880
<v Speaker 5>I ate, making sure that like you know that I

1:06:31.960 --> 1:06:34.600
<v Speaker 5>was okay, and then I was rested and she went

1:06:34.640 --> 1:06:39.800
<v Speaker 5>away like somebody and her family got sick or something. Somebody,

1:06:39.880 --> 1:06:40.800
<v Speaker 5>but they did that.

1:06:41.080 --> 1:06:44.919
<v Speaker 8>That's the story for nothing compared. But I haven't heard

1:06:44.920 --> 1:06:46.080
<v Speaker 8>that for she's always in my hair.

1:06:46.640 --> 1:06:50.000
<v Speaker 2>No, nothing was about rand but the chef, no.

1:06:50.720 --> 1:06:54.080
<v Speaker 7>Sandy, Sandy, and it was also well Jerome says it

1:06:54.120 --> 1:06:56.160
<v Speaker 7>was about somebody. And and there's somebody else that said

1:06:56.160 --> 1:06:57.040
<v Speaker 7>it was about them.

1:06:57.400 --> 1:06:59.320
<v Speaker 8>I don't I don't know. I mean, here's the thing

1:06:59.360 --> 1:07:00.760
<v Speaker 8>with any sort of our artist.

1:07:01.120 --> 1:07:03.280
<v Speaker 5>And and but by the way, I've heard him lie

1:07:03.440 --> 1:07:07.440
<v Speaker 5>to women and say that the songs and wrote about it.

1:07:07.520 --> 1:07:07.800
<v Speaker 2>Everything.

1:07:07.960 --> 1:07:10.320
<v Speaker 7>Everything i've heard is when you're doing this stuff, and

1:07:10.480 --> 1:07:13.240
<v Speaker 7>and Jill said this, and several people said this, a

1:07:13.280 --> 1:07:15.160
<v Speaker 7>lot of his music he'd do to meet women and

1:07:15.160 --> 1:07:17.280
<v Speaker 7>things like that, or he'd be inspired. But just because

1:07:17.280 --> 1:07:20.040
<v Speaker 7>he writes he may be inspired by one person, that

1:07:20.040 --> 1:07:22.480
<v Speaker 7>doesn't mean everything in the song is by inspired that

1:07:22.560 --> 1:07:26.720
<v Speaker 7>one person. You know, wonderful ass may be about Vanity,

1:07:26.800 --> 1:07:29.040
<v Speaker 7>but it also may be about Sanna Melvoyn could be

1:07:29.080 --> 1:07:31.040
<v Speaker 7>about the cat having a wonderful ass exactly.

1:07:32.000 --> 1:07:37.080
<v Speaker 9>He told me that song was about me.

1:07:35.160 --> 1:07:37.840
<v Speaker 5>Too, I'm sorry to tell you.

1:07:37.960 --> 1:07:40.800
<v Speaker 7>But so any sort of any sort of I tried

1:07:40.840 --> 1:07:43.600
<v Speaker 7>to put whenever there was a thing that he had

1:07:43.640 --> 1:07:46.400
<v Speaker 7>said or other people were saying it. But he was

1:07:46.480 --> 1:07:51.240
<v Speaker 7>very adamant about beautiful ones not being about Susannah and they.

1:07:51.720 --> 1:07:54.840
<v Speaker 7>Sometimes I found that, And I didn't know Prince, but

1:07:54.880 --> 1:07:57.960
<v Speaker 7>I found that sometimes he would get angry and vengeful

1:07:58.200 --> 1:07:59.959
<v Speaker 7>about people claiming that there.

1:07:59.840 --> 1:08:00.520
<v Speaker 8>Was about them.

1:08:00.600 --> 1:08:01.520
<v Speaker 2>And that's true.

1:08:01.560 --> 1:08:03.640
<v Speaker 5>That's he would kind of just he would just say

1:08:03.680 --> 1:08:05.200
<v Speaker 5>he would he would take it even if.

1:08:06.880 --> 1:08:07.520
<v Speaker 8>You don't know me.

1:08:07.840 --> 1:08:10.600
<v Speaker 5>There was a story about like how quest love to

1:08:10.600 --> 1:08:15.200
<v Speaker 5>save the super Bowl. Speaking of super Bowl, Yeah, so

1:08:15.480 --> 1:08:17.320
<v Speaker 5>but one of the the story.

1:08:17.439 --> 1:08:21.320
<v Speaker 1>Yes, I don't believe this story, by the way, I

1:08:21.320 --> 1:08:22.559
<v Speaker 1>think you just do it to make me feel.

1:08:22.800 --> 1:08:25.120
<v Speaker 5>No, I don't. So this is this is a true story.

1:08:25.200 --> 1:08:27.040
<v Speaker 5>Like I've told mat too, and I've told like maybe

1:08:27.040 --> 1:08:31.840
<v Speaker 5>two or three other people. This is a true story. So, uh,

1:08:32.760 --> 1:08:34.519
<v Speaker 5>Prince and I got into a fight and I was

1:08:34.800 --> 1:08:37.080
<v Speaker 5>that was banished from going to the super Bowl. So

1:08:37.160 --> 1:08:42.879
<v Speaker 5>I was like, yes, wait.

1:08:42.800 --> 1:08:45.439
<v Speaker 1>Time out, time out before you tell the story. And

1:08:45.439 --> 1:08:48.799
<v Speaker 1>I'm trying to deflect the story because it's very silly

1:08:48.800 --> 1:08:49.559
<v Speaker 1>to non playing.

1:08:49.960 --> 1:08:53.840
<v Speaker 2>But you're allowed to fight, like you That's the thing.

1:08:53.880 --> 1:08:55.080
<v Speaker 2>That's how I know you're not a.

1:08:55.000 --> 1:08:59.920
<v Speaker 1>Fan, because it's everyone that would know the history of

1:09:00.240 --> 1:09:03.200
<v Speaker 1>or at least a fan of Prince would sort of

1:09:03.240 --> 1:09:04.639
<v Speaker 1>have this kid gloves approach.

1:09:05.479 --> 1:09:07.200
<v Speaker 2>And you were just like, eh, I don't care, Yeah,

1:09:07.240 --> 1:09:08.360
<v Speaker 2>prob why you got the job?

1:09:08.680 --> 1:09:08.800
<v Speaker 9>Well?

1:09:08.880 --> 1:09:11.000
<v Speaker 5>Yeah, well, I mean, like, you know, I deal with

1:09:11.320 --> 1:09:14.400
<v Speaker 5>people who are very creative and very volatile and mercurial,

1:09:14.560 --> 1:09:17.640
<v Speaker 5>but also you know, genuine. These are people that I

1:09:17.680 --> 1:09:23.040
<v Speaker 5>actually like, and you know, Prince was just another one

1:09:23.040 --> 1:09:26.919
<v Speaker 5>of those type of individuals. And so what I noticed

1:09:27.000 --> 1:09:29.920
<v Speaker 5>is it's kind of like with a child or with

1:09:30.000 --> 1:09:32.640
<v Speaker 5>an animal, a small animal, like you kind of have

1:09:32.760 --> 1:09:35.120
<v Speaker 5>to break you kind of have to show them who's

1:09:35.680 --> 1:09:39.559
<v Speaker 5>the boss, otherwise they will take advantage of you. And

1:09:39.840 --> 1:09:42.120
<v Speaker 5>I had already learned that I and I already had

1:09:42.120 --> 1:09:44.240
<v Speaker 5>my you know, my mom is Craig Gray, So like

1:09:44.320 --> 1:09:47.439
<v Speaker 5>I had already I learned from early on, you know,

1:09:47.560 --> 1:09:49.479
<v Speaker 5>how to handle that sort of situation. So I was

1:09:49.520 --> 1:09:52.240
<v Speaker 5>in a unique position in order to deal with him.

1:09:52.280 --> 1:09:54.320
<v Speaker 5>And so actually one of the people that I work with,

1:09:54.360 --> 1:09:56.920
<v Speaker 5>who's worked with him for almost thirty years, was like,

1:09:57.080 --> 1:09:59.559
<v Speaker 5>you talked to he overheard me talking to him, because

1:09:59.560 --> 1:10:02.439
<v Speaker 5>I never to him out of turn unless it was

1:10:02.479 --> 1:10:04.559
<v Speaker 5>just he and I. I never like I was never

1:10:04.640 --> 1:10:06.880
<v Speaker 5>really never in front of people. Never in front of people.

1:10:07.000 --> 1:10:09.160
<v Speaker 5>It was always very you know, I was very respectful

1:10:09.160 --> 1:10:12.040
<v Speaker 5>and diplomatic and professional because that's what he needed. He

1:10:12.080 --> 1:10:14.360
<v Speaker 5>needed professional people around him and he didn't have a

1:10:14.400 --> 1:10:17.680
<v Speaker 5>lot of that. And one of the my coworkers was like,

1:10:17.840 --> 1:10:20.559
<v Speaker 5>you talk to Prince like that? And I'm like, like what.

1:10:20.920 --> 1:10:23.479
<v Speaker 5>And he's like, like, you give him your opinion and stuff,

1:10:23.520 --> 1:10:25.280
<v Speaker 5>and I'm like, oh my god, how do you think

1:10:25.280 --> 1:10:27.439
<v Speaker 5>I get my job done? Like I got to, like,

1:10:27.560 --> 1:10:29.160
<v Speaker 5>you know, he gives me a lot of autonomy, but I

1:10:29.240 --> 1:10:31.320
<v Speaker 5>also have to, like, you know, move forward with I

1:10:31.360 --> 1:10:33.800
<v Speaker 5>have to ask him questions. I have to and you know,

1:10:33.840 --> 1:10:37.840
<v Speaker 5>when I think that there's a mistake happening, I pay

1:10:37.880 --> 1:10:40.639
<v Speaker 5>the price for it. But I have to be vocal,

1:10:40.720 --> 1:10:43.200
<v Speaker 5>and so I've been. I was always very vocal about Prince,

1:10:43.240 --> 1:10:45.320
<v Speaker 5>and I have no regrets about my time with him.

1:10:45.439 --> 1:10:50.400
<v Speaker 7>There's sorry, there's a there's a story i'd heard secondhand

1:10:50.400 --> 1:10:52.400
<v Speaker 7>about an editor who came up to Minneapolis. He flew

1:10:52.439 --> 1:10:54.280
<v Speaker 7>him up to Minneapolis to cut a music video for him,

1:10:54.800 --> 1:10:58.880
<v Speaker 7>and supposely he was doing the music video and Prince

1:10:58.920 --> 1:11:00.400
<v Speaker 7>came in and said, okay to look at and said,

1:11:00.720 --> 1:11:03.200
<v Speaker 7>where's my red hat in the video? And the guy said, well,

1:11:03.479 --> 1:11:05.799
<v Speaker 7>I thought the red hat looked kind of kind of silly,

1:11:06.200 --> 1:11:08.439
<v Speaker 7>and Prince at all okay. And at the end of

1:11:08.439 --> 1:11:10.000
<v Speaker 7>the day, the guys go back to his room and

1:11:10.040 --> 1:11:13.600
<v Speaker 7>his bags packed, and he's got a ticket out of

1:11:13.640 --> 1:11:15.679
<v Speaker 7>town on the top of his lugage that they'd already

1:11:15.680 --> 1:11:17.599
<v Speaker 7>sent him back home. So she's like, well, like, I'm

1:11:17.680 --> 1:11:19.880
<v Speaker 7>not supposed to have my opinion heard here. So the

1:11:19.920 --> 1:11:22.719
<v Speaker 7>fact that you got your you know, but you're probably

1:11:22.720 --> 1:11:23.479
<v Speaker 7>a lot cutter than that.

1:11:24.640 --> 1:11:26.599
<v Speaker 9>He knew though, that you were, that you cared because

1:11:27.160 --> 1:11:29.880
<v Speaker 9>even years after, years after you guys stopped working together,

1:11:29.920 --> 1:11:32.600
<v Speaker 9>and I was with him and Lenny somewhere and I

1:11:32.680 --> 1:11:34.360
<v Speaker 9>mentioned you and he was like you could see, he

1:11:34.400 --> 1:11:36.120
<v Speaker 9>was like, oh, how is I totally called you after?

1:11:36.200 --> 1:11:37.559
<v Speaker 9>Like how is Ruth?

1:11:37.680 --> 1:11:37.880
<v Speaker 2>You know?

1:11:39.880 --> 1:11:42.439
<v Speaker 5>I loved him? I mean We had a very just

1:11:42.600 --> 1:11:44.439
<v Speaker 5>so I can make this, this is a very like

1:11:44.640 --> 1:11:48.439
<v Speaker 5>sibling sort of relationship. There was everything, you know, there

1:11:48.520 --> 1:11:51.200
<v Speaker 5>was nothing untoward. And it was after I left, you know,

1:11:51.280 --> 1:11:54.479
<v Speaker 5>then I realized that people who worked females were sort

1:11:54.479 --> 1:11:56.840
<v Speaker 5>of someone involved with him. I was like, oh, like.

1:11:56.880 --> 1:12:01.360
<v Speaker 7>No, interesting I've heard is after he passed, I contacted

1:12:01.360 --> 1:12:03.400
<v Speaker 7>a lot of the people I interviewed, and they almost also

1:12:03.520 --> 1:12:05.679
<v Speaker 7>the same thing. They'd loved him, and they protected him,

1:12:05.880 --> 1:12:09.880
<v Speaker 7>and they felt territorial about him. And even to this day,

1:12:09.920 --> 1:12:12.679
<v Speaker 7>there's a lot of people that will block for him

1:12:12.760 --> 1:12:13.320
<v Speaker 7>in a.

1:12:13.280 --> 1:12:15.599
<v Speaker 5>Sense that I have a really hard time with that though,

1:12:15.640 --> 1:12:17.920
<v Speaker 5>because if there were so many people that loved him,

1:12:17.960 --> 1:12:19.000
<v Speaker 5>I feel like he would be.

1:12:18.960 --> 1:12:19.880
<v Speaker 8>Here right now, right.

1:12:19.920 --> 1:12:22.679
<v Speaker 7>But it's over the course of a forty year career.

1:12:23.200 --> 1:12:24.559
<v Speaker 7>Some of these people may have been around in the ages.

1:12:24.680 --> 1:12:27.679
<v Speaker 5>Yeah. No, Actually I was Cheryl Nick, who's a big bartist,

1:12:27.800 --> 1:12:30.040
<v Speaker 5>and she was like, she would tell me how she

1:12:30.120 --> 1:12:32.599
<v Speaker 5>felt protective, and there was some you know, she maybe

1:12:32.760 --> 1:12:35.000
<v Speaker 5>not as close, but she was just like, you know,

1:12:35.040 --> 1:12:38.600
<v Speaker 5>because you he's he's just he has this child's like

1:12:38.760 --> 1:12:41.080
<v Speaker 5>spirit about him. He's a man, but he's a child.

1:12:41.680 --> 1:12:41.960
<v Speaker 2>It's a.

1:12:42.040 --> 1:12:47.880
<v Speaker 5>It's a very interesting conundrum to see this person and

1:12:47.880 --> 1:12:51.519
<v Speaker 5>and sometimes he's you know, you know, sometimes he's a

1:12:51.520 --> 1:12:53.960
<v Speaker 5>whiny kid and you want to like choke him out.

1:12:54.000 --> 1:12:56.640
<v Speaker 5>Half the time, I wanted to babyshake him. I mean

1:12:56.800 --> 1:12:58.639
<v Speaker 5>half the time all the time. Who am I kidding?

1:12:59.120 --> 1:13:01.639
<v Speaker 5>Let's be honest. But but but I but I loved

1:13:01.720 --> 1:13:04.080
<v Speaker 5>him like he was like he was there was a

1:13:04.240 --> 1:13:06.800
<v Speaker 5>there der misogynistic parts to him, and then there were

1:13:06.960 --> 1:13:08.920
<v Speaker 5>lovely generous parts to him.

1:13:09.080 --> 1:13:10.240
<v Speaker 2>How many times were we fired?

1:13:10.680 --> 1:13:12.360
<v Speaker 5>A lot?

1:13:12.680 --> 1:13:14.639
<v Speaker 2>What was the time period of being fired?

1:13:15.040 --> 1:13:16.960
<v Speaker 1>No, this is this is this is a recurring story

1:13:17.160 --> 1:13:20.960
<v Speaker 1>for James Brown, for almost every great and music has

1:13:21.000 --> 1:13:22.320
<v Speaker 1>a thing where it's like your fire.

1:13:22.479 --> 1:13:25.880
<v Speaker 8>And then like he never fired me, not ever, my drummer. Now,

1:13:26.320 --> 1:13:27.040
<v Speaker 8>so the way we.

1:13:26.960 --> 1:13:34.120
<v Speaker 5>Parted ways, we parted ways. He eventually stopped calling, he

1:13:34.160 --> 1:13:37.200
<v Speaker 5>ghosted me basically, but but like he never fired me.

1:13:37.240 --> 1:13:38.920
<v Speaker 5>And he always said I'm not firing you. I could

1:13:38.920 --> 1:13:41.639
<v Speaker 5>never fire you. And I was like, well, bitch, I'm

1:13:41.640 --> 1:13:42.160
<v Speaker 5>not quitting.

1:13:44.640 --> 1:13:45.360
<v Speaker 2>We do this.

1:13:46.200 --> 1:13:52.360
<v Speaker 1>What was the distance between the argument and the radio silence?

1:13:53.160 --> 1:13:55.360
<v Speaker 2>And Okay, I need some corn flakes?

1:13:55.439 --> 1:13:58.760
<v Speaker 5>Yeah, he could go a couple of hours to I

1:13:58.760 --> 1:14:02.200
<v Speaker 5>think the longest is two and a half weeks.

1:14:02.320 --> 1:14:02.639
<v Speaker 3>Wow.

1:14:03.920 --> 1:14:06.920
<v Speaker 5>You just thought like okay, no, no, no, no, he wouldn't.

1:14:06.960 --> 1:14:08.959
<v Speaker 5>He just wouldn't call me. But I would get emails

1:14:09.040 --> 1:14:12.160
<v Speaker 5>at all hours of the night, but he just wouldn't

1:14:12.200 --> 1:14:15.320
<v Speaker 5>speak to me. So there was one time. I got

1:14:15.320 --> 1:14:17.160
<v Speaker 5>to tell you this one. There was one time we fought,

1:14:17.680 --> 1:14:19.000
<v Speaker 5>and it was that it was one of the first

1:14:19.000 --> 1:14:20.719
<v Speaker 5>parties that I threw at the thirty one to twenty

1:14:20.720 --> 1:14:23.439
<v Speaker 5>one home, and he was so mad and it was

1:14:23.479 --> 1:14:26.200
<v Speaker 5>something I did and I was like whatever, and then

1:14:26.840 --> 1:14:29.720
<v Speaker 5>Raoul the driver was right there. He was like five

1:14:29.760 --> 1:14:32.719
<v Speaker 5>inches from me. I'm at the front door. Raul Prince

1:14:32.760 --> 1:14:36.439
<v Speaker 5>talks to Raoul and he's like, tell Ruth that. And

1:14:36.600 --> 1:14:42.000
<v Speaker 5>I was like, Migro, are you for real talking looking

1:14:42.040 --> 1:14:44.040
<v Speaker 5>at Raoul and I'm in front of you her face,

1:14:44.080 --> 1:14:47.519
<v Speaker 5>I was like maybe ten inches away from him. Tell

1:14:47.600 --> 1:14:50.639
<v Speaker 5>Ruth that we don't want this person here. I think

1:14:50.640 --> 1:14:52.320
<v Speaker 5>he was mad because somebody got to the party that

1:14:52.360 --> 1:14:54.680
<v Speaker 5>wasn't supposed to be there. And I was like, I

1:14:54.720 --> 1:14:56.800
<v Speaker 5>had nothing to do with that. The person wasn't on

1:14:56.880 --> 1:15:00.559
<v Speaker 5>my list and he came with another person and and uh,

1:15:00.720 --> 1:15:02.960
<v Speaker 5>Raoul turns around and like Robel, I heard what he said.

1:15:02.960 --> 1:15:07.320
<v Speaker 5>He's right there, and I was like, Prince, I was

1:15:07.439 --> 1:15:11.639
<v Speaker 5>so mad. I was like yeah, all the time when

1:15:11.640 --> 1:15:13.760
<v Speaker 5>I was mad, Like if I was in front of

1:15:13.800 --> 1:15:15.639
<v Speaker 5>people or we were in a meeting with like Warner

1:15:15.640 --> 1:15:19.320
<v Speaker 5>Brothers or executives, is yes, sir, no, sir, I would

1:15:19.320 --> 1:15:21.280
<v Speaker 5>call him. I would say his name. I would say prince,

1:15:21.320 --> 1:15:23.000
<v Speaker 5>like if I need to get his attention. But there

1:15:23.040 --> 1:15:25.519
<v Speaker 5>was one time we were in New York and uh,

1:15:26.160 --> 1:15:28.200
<v Speaker 5>and he there was too many people and I'm like

1:15:30.880 --> 1:15:35.280
<v Speaker 5>all crazy. He turned around and he just laughed because

1:15:35.439 --> 1:15:37.240
<v Speaker 5>there was no there was no way of getting his

1:15:37.280 --> 1:15:39.599
<v Speaker 5>attention otherwise, and he was too far and I couldn't

1:15:39.640 --> 1:15:42.519
<v Speaker 5>reach him. But he snapped his head back like.

1:15:42.479 --> 1:15:44.880
<v Speaker 8>His mama called him and mama Sean did.

1:15:46.640 --> 1:15:49.080
<v Speaker 5>But yeah, no, there was like there was like probably

1:15:49.080 --> 1:15:50.800
<v Speaker 5>two and a half weeks as long as that the

1:15:51.120 --> 1:15:55.559
<v Speaker 5>radio silence would go. It was after a fight, and

1:15:56.000 --> 1:15:58.680
<v Speaker 5>so he calls me up and I land. And now

1:15:59.040 --> 1:16:01.519
<v Speaker 5>you know, people are annoyed because you know, the the

1:16:01.680 --> 1:16:03.840
<v Speaker 5>rehearsals have been going on, all the badges have been done.

1:16:03.840 --> 1:16:07.880
<v Speaker 5>It's a huge production to get security clearance and all

1:16:07.920 --> 1:16:09.679
<v Speaker 5>of that for the Super Bowl you need like twenty

1:16:09.720 --> 1:16:12.840
<v Speaker 5>badges and pictures and blood type and you know, the

1:16:12.920 --> 1:16:16.960
<v Speaker 5>last date of my period. So it was like an ordeal,

1:16:17.000 --> 1:16:18.599
<v Speaker 5>and so they were annoyed that they had to rush

1:16:18.600 --> 1:16:20.760
<v Speaker 5>it through in literally like an hour or two. So

1:16:20.800 --> 1:16:22.479
<v Speaker 5>I get there and I can't you know, I can't

1:16:22.520 --> 1:16:24.880
<v Speaker 5>walk around the grounds or anything. So I'm waiting at

1:16:24.920 --> 1:16:28.599
<v Speaker 5>like this holding cell area, and then you know, Prince

1:16:28.640 --> 1:16:31.920
<v Speaker 5>summons me and he's in his trailer, and so they

1:16:31.920 --> 1:16:33.920
<v Speaker 5>have to escort me because I don't have any credentials,

1:16:34.160 --> 1:16:36.200
<v Speaker 5>and so I get escorted. I go up there and

1:16:36.240 --> 1:16:39.960
<v Speaker 5>Prince is like, the sound is bad. Fix it. I

1:16:40.000 --> 1:16:42.840
<v Speaker 5>was like, you me, fix it? Like sound like I

1:16:42.880 --> 1:16:46.559
<v Speaker 5>look like a sound engineer and I'm like okay. So

1:16:47.120 --> 1:16:51.280
<v Speaker 5>he basically was upset about the sound. I had nothing

1:16:51.280 --> 1:16:53.719
<v Speaker 5>to do with. The producers already knew about it. Everybody

1:16:53.720 --> 1:16:55.720
<v Speaker 5>already knew about it. There wasn't anything I could do.

1:16:55.880 --> 1:17:00.920
<v Speaker 5>I didn't know why I was there. So I said, well,

1:17:00.920 --> 1:17:02.880
<v Speaker 5>you know, they're working on it, and he's like, okay,

1:17:02.960 --> 1:17:05.559
<v Speaker 5>well we have an event to go to tonight. You're coming, right,

1:17:05.600 --> 1:17:07.360
<v Speaker 5>And I'm like, well, yeah, I guess I am so

1:17:08.000 --> 1:17:09.840
<v Speaker 5>you know where. I was like, hey, be in the car.

1:17:09.920 --> 1:17:13.120
<v Speaker 5>We're leaving at no thing is if nobody knows Prince

1:17:13.160 --> 1:17:15.200
<v Speaker 5>he likes to speak in the plural and the third person,

1:17:15.320 --> 1:17:17.920
<v Speaker 5>so everybody else started to sort of pick that up.

1:17:18.000 --> 1:17:21.080
<v Speaker 5>We all this we bullshit and it's just like you.

1:17:21.200 --> 1:17:24.559
<v Speaker 5>It's just you. And so he's like, we're leaving at seven,

1:17:24.560 --> 1:17:27.240
<v Speaker 5>and I'm like, okay, I go downstairs. I wait in

1:17:27.280 --> 1:17:31.679
<v Speaker 5>the limo. And Prince was curious. He's really pissed about

1:17:31.680 --> 1:17:34.439
<v Speaker 5>the sound and not you know about you know what

1:17:34.520 --> 1:17:37.120
<v Speaker 5>he was hearing. Also in an empty stadium and there

1:17:37.160 --> 1:17:39.479
<v Speaker 5>was no you, there was reverb and all this stuff

1:17:39.520 --> 1:17:41.880
<v Speaker 5>and you know what was going to be televised, and

1:17:41.920 --> 1:17:45.240
<v Speaker 5>he was just not happy about the whole situation. We

1:17:45.320 --> 1:17:48.960
<v Speaker 5>get into the limo to go to this event the

1:17:49.040 --> 1:17:53.000
<v Speaker 5>night before the Super Bowl and he is like stone

1:17:53.120 --> 1:17:56.000
<v Speaker 5>cold face killer like he gets in the car, doesn't

1:17:56.000 --> 1:17:58.960
<v Speaker 5>even look at me, and I'm like, where's everybody else?

1:17:59.280 --> 1:18:02.280
<v Speaker 5>And I asked for it's the question. He doesn't answer,

1:18:02.800 --> 1:18:05.240
<v Speaker 5>and ray I was like, Uh, it's just you. And

1:18:05.280 --> 1:18:08.479
<v Speaker 5>I'm like, you motherfucker, like you left me in the blimo.

1:18:08.600 --> 1:18:11.000
<v Speaker 5>It's just me and Prince, and it was just like

1:18:11.439 --> 1:18:13.920
<v Speaker 5>you could feel the tension in the air. It was

1:18:14.160 --> 1:18:18.000
<v Speaker 5>just it was just so thick with like rife, with

1:18:18.280 --> 1:18:20.320
<v Speaker 5>just it felt like anger. I wasn't sure what it was.

1:18:20.600 --> 1:18:22.040
<v Speaker 5>And I was like, God, damn, I'm going to be

1:18:22.120 --> 1:18:23.599
<v Speaker 5>in this car with them. I don't know what to do.

1:18:23.680 --> 1:18:26.400
<v Speaker 5>So I'm like and we start to leave and I'm

1:18:26.400 --> 1:18:28.400
<v Speaker 5>like okay, and the driver says, oh, you know the

1:18:28.439 --> 1:18:31.559
<v Speaker 5>destination is like fifteen minutes away. Well, it's South Beach

1:18:32.120 --> 1:18:35.639
<v Speaker 5>the night before the Super Bowl. It is bumper to bumper.

1:18:35.680 --> 1:18:38.160
<v Speaker 5>We it's twenty minutes and we don't move but like

1:18:38.240 --> 1:18:44.280
<v Speaker 5>maybe a foot. And so Prince is getting highly annoyed,

1:18:44.280 --> 1:18:47.360
<v Speaker 5>and I'm starting to panic because I'm like, I can't

1:18:47.400 --> 1:18:51.000
<v Speaker 5>sit here for two hours with this dude just fuming, Yeah,

1:18:51.120 --> 1:18:53.560
<v Speaker 5>just stewing. I was like, oh, this is super uncomfortable.

1:18:53.600 --> 1:18:57.040
<v Speaker 5>And I was like fuck it. And I'm like, so

1:18:58.000 --> 1:19:00.000
<v Speaker 5>this is so speech right. This is where they said

1:19:00.080 --> 1:19:02.880
<v Speaker 5>did they film that movie say Hello to my Little Friend?

1:19:03.400 --> 1:19:04.840
<v Speaker 5>But that's all I could come to mind, you know.

1:19:04.920 --> 1:19:07.519
<v Speaker 5>And he was like, he looks at me, he gives

1:19:07.560 --> 1:19:09.280
<v Speaker 5>me a side eye. Meanwhile, he's I only get his

1:19:09.320 --> 1:19:12.000
<v Speaker 5>profile he never once really looks at me, and he's

1:19:12.040 --> 1:19:16.960
<v Speaker 5>like yes, silence, Oh my fuck. And then he's like, ra,

1:19:17.080 --> 1:19:19.479
<v Speaker 5>well how long you know, how long before we get there?

1:19:19.600 --> 1:19:22.880
<v Speaker 5>And he's like, we're calling a police escort. So we're

1:19:22.880 --> 1:19:24.720
<v Speaker 5>waiting for a police escort. And so I'm like I

1:19:24.760 --> 1:19:30.400
<v Speaker 5>can't stand it. And I'm like, so, like, have you

1:19:30.439 --> 1:19:37.800
<v Speaker 5>ever been here before? Well, because I couldn't. My brain

1:19:37.880 --> 1:19:40.240
<v Speaker 5>wasn't working because it was so I was stressed out

1:19:40.280 --> 1:19:42.240
<v Speaker 5>because he was stressed out, and he was like, yeah,

1:19:42.439 --> 1:19:44.000
<v Speaker 5>I used to. I used to have a club here.

1:19:44.000 --> 1:19:46.559
<v Speaker 5>It was really cool. It's called Clam Slam. And I

1:19:46.600 --> 1:19:49.800
<v Speaker 5>was like and then suddenly I remember so two days

1:19:49.840 --> 1:19:55.200
<v Speaker 5>before now I had Amir had sent the Muppets Tonight,

1:19:56.479 --> 1:19:59.080
<v Speaker 5>and he had sent me a CD version. I'd never

1:19:59.120 --> 1:20:01.800
<v Speaker 5>seen it. It was the if no one's ever seen it,

1:20:01.840 --> 1:20:03.519
<v Speaker 5>you have to look it up. Muppets Tonight with Prince

1:20:04.000 --> 1:20:04.920
<v Speaker 5>it is, we know it.

1:20:05.240 --> 1:20:05.600
<v Speaker 8>Yeah, the.

1:20:08.280 --> 1:20:13.520
<v Speaker 5>Essence of So so what kept me around was that

1:20:13.520 --> 1:20:16.200
<v Speaker 5>that that spark that you see in the Muppets Tonight,

1:20:16.240 --> 1:20:20.400
<v Speaker 5>that childhood sort of elation that Prince would come out with.

1:20:20.439 --> 1:20:22.360
<v Speaker 5>That That's what when I would see that, that would

1:20:22.439 --> 1:20:25.760
<v Speaker 5>kind of like fuel me, yeah, all of it. So

1:20:26.000 --> 1:20:29.640
<v Speaker 5>he I'm like, no, you know what's cool. I'm like,

1:20:29.680 --> 1:20:32.760
<v Speaker 5>I'll tell you what's cool. What's cool is you being

1:20:32.800 --> 1:20:35.639
<v Speaker 5>on the Muppets tonight And he whips his head around.

1:20:35.680 --> 1:20:36.840
<v Speaker 5>So the first time he looks at me in the

1:20:36.840 --> 1:20:38.679
<v Speaker 5>hole like by now, it's been like forty five minutes,

1:20:38.680 --> 1:20:40.000
<v Speaker 5>and he's like, what do you know about that? And

1:20:40.000 --> 1:20:43.160
<v Speaker 5>I'm like, Amir sent it to me. He's like why Yeah,

1:20:43.280 --> 1:20:45.839
<v Speaker 5>He's like what why is the mere sending you stuff?

1:20:45.960 --> 1:20:48.519
<v Speaker 5>And I'm like, well, because you're in it and I've

1:20:48.600 --> 1:20:52.280
<v Speaker 5>never seen it before. And I'm like, oh my god.

1:20:52.800 --> 1:20:54.559
<v Speaker 5>And so I go into this and I'm like, how

1:20:54.560 --> 1:20:57.400
<v Speaker 5>about when Fozzy Wazzy bere goes. You're pretty mouthy for

1:20:57.439 --> 1:20:59.680
<v Speaker 5>a guy with no name. And I literally, because I

1:20:59.800 --> 1:21:02.800
<v Speaker 5>just it, I take on all the like and how

1:21:02.840 --> 1:21:05.080
<v Speaker 5>I went gonzo, like where's the course hit in the

1:21:05.160 --> 1:21:08.839
<v Speaker 5>fish nets? And he's like it's exactly like I literally

1:21:09.080 --> 1:21:11.280
<v Speaker 5>like reenacted the whole thing because I'd just seen it.

1:21:11.520 --> 1:21:11.760
<v Speaker 2>Right.

1:21:12.160 --> 1:21:16.120
<v Speaker 5>So we spent the next hour talking about the Muppets

1:21:16.160 --> 1:21:18.720
<v Speaker 5>tonight and what a magical thing is I After like

1:21:18.800 --> 1:21:21.320
<v Speaker 5>my twenty fifteen minutes of reenacting because I had to reenact.

1:21:21.320 --> 1:21:24.360
<v Speaker 5>I was laughing so hard at my own jokes. I

1:21:24.920 --> 1:21:27.200
<v Speaker 5>was like I entertained. Raoul turned around and he's like,

1:21:27.240 --> 1:21:29.639
<v Speaker 5>what the fuck is going on? And I'm like, dude,

1:21:29.720 --> 1:21:32.000
<v Speaker 5>I'm like, I mean my moment, it was like it

1:21:32.040 --> 1:21:34.120
<v Speaker 5>was like musical theater for the five year old in me,

1:21:34.640 --> 1:21:37.479
<v Speaker 5>and I like went through the whole thing, and I

1:21:37.560 --> 1:21:39.200
<v Speaker 5>was like, how about when you were like wearing your

1:21:39.200 --> 1:21:41.880
<v Speaker 5>little cute little overalls and you had that straw in

1:21:41.880 --> 1:21:44.839
<v Speaker 5>your mouth, like you know, and so we talked about

1:21:44.880 --> 1:21:48.200
<v Speaker 5>how he he was like, and this is where where

1:21:48.240 --> 1:21:51.360
<v Speaker 5>I bring back when you were saying, Dwayne about how

1:21:52.560 --> 1:21:54.400
<v Speaker 5>he would like change, like if he was upset at

1:21:54.400 --> 1:21:56.880
<v Speaker 5>someone and he would like not give credit to that

1:21:56.920 --> 1:21:59.800
<v Speaker 5>person or whatever. So he's like, I don't remember who

1:21:59.880 --> 1:22:02.160
<v Speaker 5>told me to do them muppets tonight. And now I

1:22:02.200 --> 1:22:04.080
<v Speaker 5>was looked at him. I'm like, yeah, you do, because

1:22:04.120 --> 1:22:06.320
<v Speaker 5>I could tell you the way he phrased it. I

1:22:06.360 --> 1:22:09.200
<v Speaker 5>found out later my day is first wife had encouraged

1:22:09.240 --> 1:22:11.880
<v Speaker 5>him to do it. But he was like, but it

1:22:12.000 --> 1:22:14.040
<v Speaker 5>was the best thing I ever did. He was like,

1:22:14.080 --> 1:22:16.880
<v Speaker 5>it was the most magical experience in Henston's studios is

1:22:16.920 --> 1:22:20.200
<v Speaker 5>like the most the most magical place you could ever

1:22:20.200 --> 1:22:24.320
<v Speaker 5>be in. And we had this really, you know, really

1:22:24.920 --> 1:22:27.559
<v Speaker 5>long conversation about it. And it was during the course

1:22:27.560 --> 1:22:31.040
<v Speaker 5>of the conversation then I realized he wasn't angry, that

1:22:31.120 --> 1:22:34.840
<v Speaker 5>he was nervous. And it took me like, you know,

1:22:34.920 --> 1:22:37.120
<v Speaker 5>cause you're he's prince, like you don't think about it.

1:22:37.560 --> 1:22:39.880
<v Speaker 5>And when I saw him soften up, and when you know,

1:22:39.960 --> 1:22:42.160
<v Speaker 5>I saw the look on his face and then I

1:22:42.240 --> 1:22:45.679
<v Speaker 5>was like and I'm like, fuck it, and I'm like, prince,

1:22:45.840 --> 1:22:49.280
<v Speaker 5>your prince, like, no matter what happens tomorrow, like you're

1:22:49.280 --> 1:22:51.680
<v Speaker 5>gonna you're gonna kill it. You're gonna slay it. And

1:22:51.720 --> 1:22:54.080
<v Speaker 5>there's nobody who's gonna ever do what you can do,

1:22:54.760 --> 1:22:58.800
<v Speaker 5>not here, not today, not yesterday, not tomorrow. So I'm like,

1:22:59.439 --> 1:23:02.840
<v Speaker 5>just know that, like I said, I guarantee you. And

1:23:02.880 --> 1:23:04.559
<v Speaker 5>I'm like, and if you come back for that money

1:23:04.560 --> 1:23:06.920
<v Speaker 5>back guarantee I got about two dollars and fifty cents.

1:23:10.320 --> 1:23:14.400
<v Speaker 1>Were what were his feelings after it was done? Because

1:23:14.400 --> 1:23:15.559
<v Speaker 1>you couldn't have asked for.

1:23:17.680 --> 1:23:18.080
<v Speaker 2>I was.

1:23:18.320 --> 1:23:20.360
<v Speaker 5>We ran down Kim and I and uh, I think

1:23:20.400 --> 1:23:22.120
<v Speaker 5>it was strang show. We ran down to like the

1:23:22.200 --> 1:23:24.559
<v Speaker 5>front like we because I was like, we were in

1:23:24.600 --> 1:23:26.280
<v Speaker 5>the box seat and then we because they wouldn't let

1:23:26.360 --> 1:23:27.880
<v Speaker 5>us in there's other people, and then didn't want to.

1:23:28.080 --> 1:23:30.000
<v Speaker 5>I was like whatever, and then we ran down to

1:23:30.080 --> 1:23:33.960
<v Speaker 5>the field. We got drenched. I was drenched head to toe,

1:23:34.000 --> 1:23:38.000
<v Speaker 5>like like I look like a drowned rat. Prince like

1:23:38.040 --> 1:23:40.160
<v Speaker 5>we run back ups. We're like, we gotta go see Prince,

1:23:40.320 --> 1:23:42.519
<v Speaker 5>so we run back up after his after he's done,

1:23:42.920 --> 1:23:45.439
<v Speaker 5>he's already in the box. I'm like, motherfucker, we left

1:23:45.479 --> 1:23:46.400
<v Speaker 5>before you got.

1:23:46.200 --> 1:23:49.799
<v Speaker 2>Off the stage.

1:23:50.560 --> 1:23:53.080
<v Speaker 5>And I'm like, I'm not kidding. My hairs pasted to

1:23:53.160 --> 1:23:56.040
<v Speaker 5>my forehead, my dress is like tissue paper all over

1:23:56.080 --> 1:23:58.400
<v Speaker 5>the place, showing things that no one should ever see

1:23:58.760 --> 1:24:02.320
<v Speaker 5>in public. And I look at him. I walked through

1:24:02.320 --> 1:24:04.000
<v Speaker 5>the door kind of like that little kid. Do you

1:24:04.040 --> 1:24:06.280
<v Speaker 5>remember that episode where the little kids in Jurassic Park

1:24:06.320 --> 1:24:08.600
<v Speaker 5>where they walked through after they had been electrocuted and

1:24:08.600 --> 1:24:11.000
<v Speaker 5>they walk in all dumbfounded, like to the foyer with food.

1:24:11.439 --> 1:24:14.960
<v Speaker 5>I walk into the sweet and I'm all with my

1:24:15.000 --> 1:24:20.120
<v Speaker 5>face just like all like crazy hair plaster. Prince not

1:24:20.280 --> 1:24:25.800
<v Speaker 5>he had two droplets on his shoulder hat. I was like,

1:24:26.320 --> 1:24:31.000
<v Speaker 5>I scream at him, and I'm like, how do you

1:24:31.120 --> 1:24:34.040
<v Speaker 5>not have any water on you? Oh my god, you

1:24:34.160 --> 1:24:37.760
<v Speaker 5>were amazing and I just go and I grab and

1:24:37.840 --> 1:24:40.360
<v Speaker 5>he like, we give no. He came up. He stopped talking,

1:24:40.640 --> 1:24:42.040
<v Speaker 5>you know, he stopped talking to come up to me.

1:24:42.160 --> 1:24:44.000
<v Speaker 5>Like I didn't just do that out of nowhere, like

1:24:44.120 --> 1:24:46.400
<v Speaker 5>he like made the he made the he like he

1:24:46.600 --> 1:24:49.120
<v Speaker 5>stopped his conversation and came right up to me, and

1:24:49.160 --> 1:24:51.760
<v Speaker 5>I just give him the biggest bear hug and he

1:24:51.960 --> 1:24:54.479
<v Speaker 5>just slaps and he's like thank you, and that was it.

1:24:54.560 --> 1:24:56.040
<v Speaker 5>And then he moved on and he said, talk to

1:24:56.080 --> 1:24:58.640
<v Speaker 5>Kim and Trisha. But I'm like, I took that thank you,

1:24:58.720 --> 1:25:01.280
<v Speaker 5>And I was like, yeah, that's right, Yeah I did.

1:25:01.320 --> 1:25:03.920
<v Speaker 5>I did that, but actually or saved the super Bowl

1:25:04.000 --> 1:25:05.879
<v Speaker 5>because if it wasn't for you, I would.

1:25:05.640 --> 1:25:08.040
<v Speaker 1>Have literally lost, had no material.

1:25:07.800 --> 1:25:11.280
<v Speaker 5>Had no material, none, none, and the super Bowl would

1:25:11.280 --> 1:25:12.160
<v Speaker 5>have been a bust.

1:25:12.920 --> 1:25:15.280
<v Speaker 7>It's amazing when you think about somebody like that being

1:25:15.320 --> 1:25:18.160
<v Speaker 7>nervous because we all look at him as this guy's

1:25:18.200 --> 1:25:22.000
<v Speaker 7>almost infallible, and when it comes to movies and then

1:25:22.080 --> 1:25:23.800
<v Speaker 7>to hear I mean, there's a story in the book

1:25:23.800 --> 1:25:26.880
<v Speaker 7>about Alan Leed's exactly going to the premiere of Peurple

1:25:26.960 --> 1:25:31.000
<v Speaker 7>Rain and he's having almost holding Allen Leed's hand because

1:25:31.000 --> 1:25:34.720
<v Speaker 7>he's terrified, and just you picture this guy who at

1:25:34.720 --> 1:25:36.559
<v Speaker 7>the time. You gotta remember when Pearple Rain came out

1:25:36.680 --> 1:25:39.640
<v Speaker 7>twenty four, twenty six years old. I mean that I

1:25:39.680 --> 1:25:41.400
<v Speaker 7>look back at that age and I'm like, that's as

1:25:41.439 --> 1:25:44.600
<v Speaker 7>a child, you know, and I can't imagine having that

1:25:44.680 --> 1:25:48.200
<v Speaker 7>kind of control. And if that movie bombed, it would

1:25:48.200 --> 1:25:49.680
<v Speaker 7>have he would have been a punchline.

1:25:50.240 --> 1:25:54.160
<v Speaker 1>But I think a lot of his the mysterious standoffish

1:25:54.320 --> 1:25:58.559
<v Speaker 1>nature is due to the fact that, you know, kind

1:25:58.560 --> 1:26:00.599
<v Speaker 1>of like the Wizard of Oz, like you don't want

1:26:00.680 --> 1:26:03.360
<v Speaker 1>anyone to see what's really behind the curse because you

1:26:03.439 --> 1:26:05.120
<v Speaker 1>might be disappointed, that sort of thing.

1:26:05.360 --> 1:26:06.960
<v Speaker 5>There's a lot of that, But I think it also

1:26:07.200 --> 1:26:10.680
<v Speaker 5>is that you know, a person like that doesn't you

1:26:10.680 --> 1:26:13.200
<v Speaker 5>don't trust anyone, so it's very hard to be vulnerable,

1:26:13.840 --> 1:26:17.680
<v Speaker 5>and so vulnerability is a commodity you know that he

1:26:17.720 --> 1:26:20.679
<v Speaker 5>can't afford to share.

1:26:20.960 --> 1:26:23.080
<v Speaker 7>He's a guy that's never I mean, he's always cool,

1:26:23.560 --> 1:26:25.760
<v Speaker 7>and I think I said before somebody is you never

1:26:25.760 --> 1:26:27.920
<v Speaker 7>see him trying to grab a straw with his tongue

1:26:28.000 --> 1:26:28.479
<v Speaker 7>or missing it.

1:26:28.560 --> 1:26:29.559
<v Speaker 3>Yeah, you.

1:26:31.479 --> 1:26:35.160
<v Speaker 7>Have us mortals haven't seen him doing this stuff. You

1:26:35.200 --> 1:26:39.080
<v Speaker 7>don't see him tripping or you know, he's falling off

1:26:39.080 --> 1:26:41.280
<v Speaker 7>the stage of James Brown. We know we've seen that,

1:26:41.520 --> 1:26:44.880
<v Speaker 7>you know, but then then again the nerd off, but

1:26:45.000 --> 1:26:46.840
<v Speaker 7>you don't, don't we don't.

1:26:46.880 --> 1:26:49.840
<v Speaker 8>Yeah, exactly all of us say telling us about that.

1:26:49.960 --> 1:26:51.879
<v Speaker 8>Really what he's saying, Oh, he's.

1:26:51.760 --> 1:26:53.320
<v Speaker 2>Just saying that he made an ass out of himself.

1:26:53.320 --> 1:26:55.000
<v Speaker 8>Then he didn't have a good night that night.

1:26:55.880 --> 1:26:57.200
<v Speaker 2>You ever hear Allen's version of.

1:26:57.160 --> 1:26:59.720
<v Speaker 8>That, No, tell me what I may have, but tell

1:26:59.760 --> 1:27:00.559
<v Speaker 8>me no.

1:27:01.320 --> 1:27:05.040
<v Speaker 1>I asked Alan, like, what happened on in the ride

1:27:05.080 --> 1:27:14.599
<v Speaker 1>back home? And it was again they were sitting in traffic, Bobby, Jill,

1:27:15.080 --> 1:27:23.479
<v Speaker 1>Allen and Prince and it was obviously it was dead silent.

1:27:24.280 --> 1:27:28.679
<v Speaker 1>But that's what was so important about that night. Alan

1:27:29.040 --> 1:27:34.719
<v Speaker 1>agrees that kind of the I will not I will

1:27:34.840 --> 1:27:37.800
<v Speaker 1>never you will never catch me unprepared or that sort

1:27:37.840 --> 1:27:42.960
<v Speaker 1>of So the genesis of his meticulous I mean, it's

1:27:43.000 --> 1:27:47.719
<v Speaker 1>always been there, but what led to all the stop

1:27:47.760 --> 1:27:51.000
<v Speaker 1>on the dime ship, all the you know, ain't nobody

1:27:51.000 --> 1:27:53.960
<v Speaker 1>fucking with us sort of thing? That's the night it

1:27:54.000 --> 1:27:56.880
<v Speaker 1>was born because and I even asked Wendy. I was like,

1:27:57.640 --> 1:27:59.760
<v Speaker 1>so if he didn't say anything in that whole ride

1:27:59.800 --> 1:28:01.720
<v Speaker 1>home and she was like, yeah, it was bumper to

1:28:01.800 --> 1:28:02.639
<v Speaker 1>bumper traffic.

1:28:03.200 --> 1:28:08.000
<v Speaker 2>No one said anything. I said, did you? Did you know?

1:28:08.040 --> 1:28:11.479
<v Speaker 2>Because I asked the next day, like in rehearsal.

1:28:12.200 --> 1:28:14.640
<v Speaker 1>Was there a look of like I wonder if you

1:28:14.680 --> 1:28:16.720
<v Speaker 1>two told the others like what happened to me? Like

1:28:16.760 --> 1:28:19.240
<v Speaker 1>that sort of thing, And you know, it's like a

1:28:19.240 --> 1:28:21.519
<v Speaker 1>fear thing, like I don't want to mess up Michael thing. No, no,

1:28:21.680 --> 1:28:22.919
<v Speaker 1>like it's it's unsaid.

1:28:22.960 --> 1:28:30.560
<v Speaker 2>But she sensed that that night changed, it was necessary

1:28:30.600 --> 1:28:31.000
<v Speaker 2>to change.

1:28:31.040 --> 1:28:35.000
<v Speaker 1>That was the motivation to like, Okay, I will be

1:28:35.040 --> 1:28:37.720
<v Speaker 1>the greatest I will be. You know that sort of obsession.

1:28:37.920 --> 1:28:39.280
<v Speaker 7>I talked about that a little bit in the book

1:28:39.280 --> 1:28:42.519
<v Speaker 7>where it talks about his control and how important control

1:28:42.640 --> 1:28:44.800
<v Speaker 7>was in any situation, and that would be part of

1:28:44.840 --> 1:28:47.800
<v Speaker 7>what you said, and how the man had to have

1:28:48.479 --> 1:28:50.960
<v Speaker 7>control over whatever it was with the conversation holding it,

1:28:51.040 --> 1:28:52.559
<v Speaker 7>you know, religion, guys or whatever.

1:28:52.640 --> 1:28:55.800
<v Speaker 5>Interesting. You're right, he was definitely a control freak, but

1:28:55.840 --> 1:28:57.960
<v Speaker 5>then there were certain things that he would like I

1:28:58.000 --> 1:28:59.920
<v Speaker 5>was autonomous in a lot of the stuff that I

1:29:00.160 --> 1:29:03.320
<v Speaker 5>did because I don't know, well, I was going to

1:29:03.360 --> 1:29:05.800
<v Speaker 5>say because, but I don't actually know why. I think

1:29:05.840 --> 1:29:08.439
<v Speaker 5>I was just basically part of it was that that

1:29:08.680 --> 1:29:11.120
<v Speaker 5>because not only was he a control freak, but he

1:29:11.200 --> 1:29:14.599
<v Speaker 5>also liked to instigate stuff. So he could tell like

1:29:14.600 --> 1:29:17.120
<v Speaker 5>twelve people to do the same thing, so there'd be

1:29:17.160 --> 1:29:20.519
<v Speaker 5>some kind of weird rivalry competition and he and no

1:29:20.560 --> 1:29:22.120
<v Speaker 5>one would talk to each other so we would all

1:29:22.160 --> 1:29:23.080
<v Speaker 5>do the same job.

1:29:23.040 --> 1:29:24.680
<v Speaker 7>So he could be above the whole thing and let

1:29:24.760 --> 1:29:27.720
<v Speaker 7>you guys battle it out. Yeah, yeah, yeah, let's let

1:29:27.800 --> 1:29:29.280
<v Speaker 7>the minions kind of take you know.

1:29:29.400 --> 1:29:32.600
<v Speaker 5>I have none of that, like I got that was

1:29:32.640 --> 1:29:34.960
<v Speaker 5>the thing. I would be like, but he would say stuff, well,

1:29:34.960 --> 1:29:36.639
<v Speaker 5>if you can't do it, I'll have such and such

1:29:36.720 --> 1:29:37.400
<v Speaker 5>doing I'm like, I.

1:29:37.320 --> 1:29:38.920
<v Speaker 8>Can do it, I can do it.

1:29:39.920 --> 1:29:41.640
<v Speaker 5>I would get mad like it would be like he

1:29:41.640 --> 1:29:43.679
<v Speaker 5>would like stir you up in some way.

1:29:43.880 --> 1:29:46.280
<v Speaker 9>Ruth, do you remember that super embarrassing moment we had

1:29:46.280 --> 1:29:48.800
<v Speaker 9>at the Beverly Will share in his bedroom. I tell

1:29:48.800 --> 1:29:50.920
<v Speaker 9>this really quick because it's the most embarrassing story of

1:29:50.960 --> 1:29:54.720
<v Speaker 9>my life. But our friend af she and Shahiti photographer photographer,

1:29:54.920 --> 1:29:57.679
<v Speaker 9>his dear friend we all met through all that through

1:29:57.720 --> 1:30:00.799
<v Speaker 9>Prince had his camera and we were in Prince's bedroom

1:30:00.840 --> 1:30:01.439
<v Speaker 9>thinking Princess.

1:30:01.520 --> 1:30:03.599
<v Speaker 5>Okay, So first of all, we weren't in his real bedroom,

1:30:03.640 --> 1:30:05.640
<v Speaker 5>so we were at the region. We were at the

1:30:05.680 --> 1:30:08.559
<v Speaker 5>region I threw I had six hours to throw a

1:30:08.600 --> 1:30:11.320
<v Speaker 5>party for the oscars. And that's the one that Tom

1:30:11.360 --> 1:30:16.880
<v Speaker 5>Cruise came to and the one that yeah, he gave

1:30:16.920 --> 1:30:20.360
<v Speaker 5>me six hours to find a place and throw a party,

1:30:21.760 --> 1:30:23.840
<v Speaker 5>and that's the one where Cameron Dia is like justin

1:30:23.880 --> 1:30:26.680
<v Speaker 5>Timberlake with Justin Timberlake and Jessica Bielle was there. It

1:30:26.720 --> 1:30:29.040
<v Speaker 5>was like a hot mess six hours. I was so

1:30:29.120 --> 1:30:32.000
<v Speaker 5>mad and then I had I was like, like I learned,

1:30:32.160 --> 1:30:35.080
<v Speaker 5>literally became an evil bitch. I was yelling at everybody

1:30:35.640 --> 1:30:39.679
<v Speaker 5>and we Before the party started though, I was super

1:30:39.680 --> 1:30:43.120
<v Speaker 5>stressed out. And there are many rooms in this this penthouse.

1:30:43.520 --> 1:30:45.719
<v Speaker 3>Uh it was the big, big penthouse.

1:30:45.720 --> 1:30:48.800
<v Speaker 5>So there's like several rooms. I didn't know about this night,

1:30:49.000 --> 1:30:51.080
<v Speaker 5>so there's like there was like five there's like maybe

1:30:51.080 --> 1:30:52.120
<v Speaker 5>five or six different rooms.

1:30:52.160 --> 1:30:53.679
<v Speaker 2>And you know, it took six hours though.

1:30:53.720 --> 1:30:54.400
<v Speaker 5>Six hours.

1:30:54.439 --> 1:30:56.160
<v Speaker 3>Well that was the best part part of it is

1:30:56.200 --> 1:30:57.000
<v Speaker 3>that I had to be like.

1:30:57.280 --> 1:31:01.600
<v Speaker 5>Like you know. I I spoke Prince BONNYX before, you know,

1:31:01.680 --> 1:31:03.000
<v Speaker 5>and it's like I was like a bit of a

1:31:03.040 --> 1:31:04.960
<v Speaker 5>mind reader, so I would and he hated that. He

1:31:05.000 --> 1:31:07.920
<v Speaker 5>hated that I would like try to him. Yeah, he

1:31:07.960 --> 1:31:09.680
<v Speaker 5>really did, so sometimes he would flip it on me.

1:31:09.720 --> 1:31:11.160
<v Speaker 5>But I was ready for that one too, So if

1:31:11.160 --> 1:31:12.800
<v Speaker 5>he tried to flip the script, I got. I got that.

1:31:13.000 --> 1:31:15.880
<v Speaker 5>So I had like like twelve plates running. But so

1:31:15.920 --> 1:31:18.120
<v Speaker 5>we throw the party and we get there before no

1:31:18.160 --> 1:31:20.120
<v Speaker 5>one's there yet, right, no one's there yet.

1:31:20.160 --> 1:31:22.599
<v Speaker 3>There was a few fee people, but we.

1:31:22.520 --> 1:31:24.280
<v Speaker 5>Walk into okay, so now we walk into one so

1:31:24.320 --> 1:31:25.800
<v Speaker 5>I just don't want to say it's Prince's.

1:31:25.520 --> 1:31:27.919
<v Speaker 9>Bedroom was the Prince's bedroom was one of the bedrooms

1:31:27.920 --> 1:31:31.559
<v Speaker 9>in his suite. And af Sheen has this camera and

1:31:31.560 --> 1:31:34.160
<v Speaker 9>me and my dirty mind and being French and all

1:31:34.200 --> 1:31:37.200
<v Speaker 9>the stupid shit I say, I say, we should we

1:31:37.200 --> 1:31:39.479
<v Speaker 9>should do like a little sexy photo shoot, like a

1:31:39.520 --> 1:31:42.080
<v Speaker 9>little porno. So af Sheen, you take picture of Ruth

1:31:42.120 --> 1:31:43.720
<v Speaker 9>and I Ruth gets on the ball and I get

1:31:43.760 --> 1:31:44.400
<v Speaker 9>behind Ruth.

1:31:44.439 --> 1:31:46.439
<v Speaker 3>I'm like, oh, no, enacting this thing.

1:31:47.120 --> 1:31:49.040
<v Speaker 9>And I'm like and af she like, I don't even

1:31:49.080 --> 1:31:51.519
<v Speaker 9>know if he has the photos. But I'm studying there

1:31:51.560 --> 1:31:56.559
<v Speaker 9>behind Ruth and dude just walks right into and he goes,

1:31:56.840 --> 1:31:59.519
<v Speaker 9>he looks at me and he goes, now, he goes

1:31:59.640 --> 1:32:01.360
<v Speaker 9>uh uh and walk right back out.

1:32:01.400 --> 1:32:03.479
<v Speaker 3>And you were like, you look at me like you

1:32:03.640 --> 1:32:04.519
<v Speaker 3>just got me fired.

1:32:04.600 --> 1:32:07.639
<v Speaker 2>You just got me fired. Yeah.

1:32:07.680 --> 1:32:09.240
<v Speaker 9>She was like, you just got me fired with your

1:32:09.280 --> 1:32:13.479
<v Speaker 9>stupid ass. And if she was studying there like okay,

1:32:13.520 --> 1:32:16.599
<v Speaker 9>this was awkward. And then I'm thinking like, I don't

1:32:16.600 --> 1:32:18.759
<v Speaker 9>know how to go back into the room though, because

1:32:18.760 --> 1:32:20.559
<v Speaker 9>he's going to see me in the room right, And

1:32:20.600 --> 1:32:22.160
<v Speaker 9>then he was cool. I don't know, he had a

1:32:22.200 --> 1:32:23.240
<v Speaker 9>sense of you here.

1:32:23.280 --> 1:32:25.920
<v Speaker 5>That was the first time that somebody's like come up

1:32:25.960 --> 1:32:28.679
<v Speaker 5>behind me and done something they shouldn't happen. They got fired.

1:32:28.720 --> 1:32:32.800
<v Speaker 9>So I had to tell that because that just came

1:32:32.840 --> 1:32:33.240
<v Speaker 9>back to me.

1:32:33.360 --> 1:32:35.120
<v Speaker 5>That was really funny.

1:32:40.320 --> 1:32:46.200
<v Speaker 1>Okay, I'll go around the room. I would like to know, Mike,

1:32:47.120 --> 1:32:50.639
<v Speaker 1>what is in your in your mind?

1:32:50.760 --> 1:32:51.920
<v Speaker 2>What is your.

1:32:51.800 --> 1:32:59.439
<v Speaker 1>Goal to see as far as his legacy concerned? Then

1:32:59.520 --> 1:33:00.679
<v Speaker 1>how would you like that?

1:33:02.720 --> 1:33:03.920
<v Speaker 2>Uh?

1:33:04.720 --> 1:33:08.920
<v Speaker 1>Yeah, I mean, because the thing is he's he's not

1:33:09.080 --> 1:33:12.559
<v Speaker 1>coming back, and I know I think, well, he would

1:33:12.600 --> 1:33:15.080
<v Speaker 1>never want his he would never do a Nike commercial.

1:33:15.120 --> 1:33:15.960
<v Speaker 2>He would never do that.

1:33:16.360 --> 1:33:20.639
<v Speaker 1>But it's like we live in a society in which

1:33:20.680 --> 1:33:22.120
<v Speaker 1>people forget quickly.

1:33:23.280 --> 1:33:23.840
<v Speaker 11>And.

1:33:25.640 --> 1:33:27.920
<v Speaker 2>You know, it's the battle of well, do we.

1:33:29.960 --> 1:33:32.720
<v Speaker 1>Put him in Bob Marley terms and have him everywhere

1:33:32.880 --> 1:33:35.680
<v Speaker 1>or you know, and you know, we've had a lot

1:33:35.680 --> 1:33:39.479
<v Speaker 1>of eye rolling moments like the Empire Empire episode or whatever,

1:33:39.960 --> 1:33:41.679
<v Speaker 1>or maybe what going to happen.

1:33:41.680 --> 1:33:43.240
<v Speaker 5>I can tell you though, for one thing for sure,

1:33:43.320 --> 1:33:51.240
<v Speaker 5>he would never want Purple Rene licensed. That's well, yeah,

1:33:51.400 --> 1:33:55.080
<v Speaker 5>it was a work order that he had universal publishing.

1:33:55.680 --> 1:33:57.519
<v Speaker 5>Purple Raine should never be licensed, not ever.

1:33:57.960 --> 1:34:02.400
<v Speaker 1>Oh okay, well that's one thing in his will.

1:34:03.040 --> 1:34:05.880
<v Speaker 5>I mean, it's just whether anyone's gonna honor that or.

1:34:05.880 --> 1:34:07.080
<v Speaker 3>Not, is Matthew?

1:34:08.200 --> 1:34:11.040
<v Speaker 1>What would you as as the ultimate Prince fan? First

1:34:11.040 --> 1:34:14.120
<v Speaker 1>of all, what's what's what's your rarest artifact that you have?

1:34:15.080 --> 1:34:19.320
<v Speaker 1>I kind of misrepresented you. I mean you your artifact

1:34:19.320 --> 1:34:20.839
<v Speaker 1>game is crazy.

1:34:21.280 --> 1:34:23.479
<v Speaker 9>I mean, you know, I have a couple of black albums,

1:34:23.479 --> 1:34:25.599
<v Speaker 9>a German one in the US one which is pretty

1:34:25.680 --> 1:34:29.719
<v Speaker 9>I feel that's pretty cool. But I have some some

1:34:29.960 --> 1:34:31.000
<v Speaker 9>handwritten things.

1:34:31.120 --> 1:34:32.080
<v Speaker 3>I have some.

1:34:34.320 --> 1:34:38.280
<v Speaker 9>Acetates and test pressings that I'm proud of, Like for you,

1:34:38.400 --> 1:34:43.040
<v Speaker 9>the very first yikes, which I've had for a long time.

1:34:44.960 --> 1:34:49.760
<v Speaker 3>A lot of I mean, it's funny, like I have cassettes.

1:34:49.800 --> 1:34:52.240
<v Speaker 9>I have like cassette for that song the Voice, and

1:34:52.320 --> 1:34:55.960
<v Speaker 9>I hear your voice from Warner Chapel with handwriting you

1:34:56.000 --> 1:34:59.360
<v Speaker 9>know that has like the thing they sent him, things

1:34:59.400 --> 1:35:00.639
<v Speaker 9>like that that are and of a kind.

1:35:03.080 --> 1:35:05.160
<v Speaker 3>So but you know, I have a lot.

1:35:05.240 --> 1:35:07.080
<v Speaker 9>And at a certain point in my life I got

1:35:07.160 --> 1:35:11.720
<v Speaker 9>rid of some things around like gold experience kind of

1:35:11.760 --> 1:35:14.040
<v Speaker 9>I kind of disconnected a little bit, and people came

1:35:14.080 --> 1:35:14.840
<v Speaker 9>after me and was.

1:35:14.760 --> 1:35:15.960
<v Speaker 2>Like, why'd you get rid of things?

1:35:16.080 --> 1:35:17.760
<v Speaker 9>Because I was you know, at a certain point, I

1:35:17.800 --> 1:35:21.360
<v Speaker 9>was buying my first house with my then wife and kids,

1:35:21.360 --> 1:35:23.040
<v Speaker 9>and it was like we need money quick. You know,

1:35:23.640 --> 1:35:26.479
<v Speaker 9>I had these my regrets that I wish you haven't.

1:35:26.479 --> 1:35:28.280
<v Speaker 9>That's why I mentioned that earlier. I had these two

1:35:28.600 --> 1:35:31.640
<v Speaker 9>uh so four sides of I wish you havn't acetates

1:35:31.680 --> 1:35:35.400
<v Speaker 9>that had completely different mixes of the extended Somewhere.

1:35:35.400 --> 1:35:37.720
<v Speaker 3>I have a cassette of it, so maybe you can

1:35:37.760 --> 1:35:38.120
<v Speaker 3>find that.

1:35:38.640 --> 1:35:41.080
<v Speaker 9>But that's something that but I got so much money

1:35:41.080 --> 1:35:42.439
<v Speaker 9>and at the time, you know, I was like, I

1:35:42.479 --> 1:35:44.759
<v Speaker 9>don't know, thirty years old, somebody gave me like fifteen

1:35:44.800 --> 1:35:47.920
<v Speaker 9>thousand dollars for you know. I was like, that's a

1:35:47.920 --> 1:35:48.439
<v Speaker 9>lot of money.

1:35:48.520 --> 1:35:49.559
<v Speaker 2>Do you know who he gave?

1:35:49.600 --> 1:35:51.000
<v Speaker 3>It was some some.

1:35:52.880 --> 1:35:57.519
<v Speaker 9>Some kin I could maybe, but I had, like you know,

1:35:57.560 --> 1:36:01.160
<v Speaker 9>I had some some you know, a couple of pairs

1:36:01.200 --> 1:36:03.160
<v Speaker 9>of shoes and the princes shoes and.

1:36:04.760 --> 1:36:07.200
<v Speaker 3>A couple of pair pair you know.

1:36:08.200 --> 1:36:10.920
<v Speaker 2>Damn, I'm just it just hit me that I forgot

1:36:11.000 --> 1:36:12.200
<v Speaker 2>I have like you have.

1:36:12.960 --> 1:36:13.639
<v Speaker 3>I gave up.

1:36:14.080 --> 1:36:15.760
<v Speaker 2>Even in here. I'm like, man, I wish I had

1:36:15.800 --> 1:36:16.560
<v Speaker 2>some old.

1:36:16.240 --> 1:36:19.400
<v Speaker 3>Way to you just your game like on a big No.

1:36:19.520 --> 1:36:23.760
<v Speaker 1>I got lucky, man, and I will not probably have

1:36:24.000 --> 1:36:26.560
<v Speaker 1>a house in the next three years.

1:36:27.360 --> 1:36:29.200
<v Speaker 2>You'll sell it altered me for twenty bucks.

1:36:31.439 --> 1:36:35.360
<v Speaker 1>Now even you know, what's what's weird is that what

1:36:35.520 --> 1:36:43.639
<v Speaker 1>I have, it's so sacred to me that my I think,

1:36:43.680 --> 1:36:46.320
<v Speaker 1>my plan is that I want him to really have

1:36:46.600 --> 1:36:50.519
<v Speaker 1>a nice wing at the Smithsonian in DC.

1:36:51.960 --> 1:36:54.960
<v Speaker 2>So I believe that I will.

1:36:55.240 --> 1:36:57.840
<v Speaker 1>I mean because right now as we speak, I mean,

1:36:58.560 --> 1:37:05.280
<v Speaker 1>you know, it's on the floor like it's it's it's hot.

1:37:04.600 --> 1:37:08.680
<v Speaker 1>It's seven figures worth of ship that is sitting on

1:37:08.760 --> 1:37:11.679
<v Speaker 1>the floor. And you know, I mean, you know, and

1:37:11.920 --> 1:37:16.880
<v Speaker 1>I'd rather it just be in I'd rather put it

1:37:16.920 --> 1:37:20.000
<v Speaker 1>to awesome, you know, I rather have it put to

1:37:20.040 --> 1:37:20.839
<v Speaker 1>great my apartment.

1:37:20.920 --> 1:37:21.719
<v Speaker 2>So I think that.

1:37:21.880 --> 1:37:26.320
<v Speaker 1>I will probably donate it to my apartment the Smithson.

1:37:26.439 --> 1:37:27.120
<v Speaker 2>I need some stuff for.

1:37:27.160 --> 1:37:33.280
<v Speaker 1>The walls in DC, So damn I wish you we haven't.

1:37:33.560 --> 1:37:36.160
<v Speaker 9>Yeah, that's that's my you know, that's one of my regrets.

1:37:36.200 --> 1:37:38.760
<v Speaker 9>And there's still a lot of other stuff. I mean,

1:37:38.760 --> 1:37:40.920
<v Speaker 9>I have things, you know, in storage and things in

1:37:40.960 --> 1:37:46.360
<v Speaker 9>closets that I forget about. But it's pretty crazy, like

1:37:46.400 --> 1:37:50.200
<v Speaker 9>some of this stuff you have that love God. Well,

1:37:50.280 --> 1:37:52.360
<v Speaker 9>one time I stalked him at Warner Brothers, a friend

1:37:52.360 --> 1:37:54.880
<v Speaker 9>of mine was working in international. You talk about the

1:37:56.479 --> 1:37:59.439
<v Speaker 9>Oh that was crazy, No, that says stay wet. Actually,

1:37:59.520 --> 1:38:02.160
<v Speaker 9>this is crazy. I found the nineteen ninety nine thing.

1:38:02.240 --> 1:38:05.800
<v Speaker 9>This was when like days after he passed, and this

1:38:05.960 --> 1:38:08.320
<v Speaker 9>is like, you know, holy whatever you call it to

1:38:08.439 --> 1:38:10.960
<v Speaker 9>divine intervention. But long story short, I get a nineteen

1:38:11.040 --> 1:38:14.800
<v Speaker 9>ninety nine record that inside has a napkin one hundred

1:38:14.800 --> 1:38:19.160
<v Speaker 9>percent authentic signs stay Wet, Love Prince in purple marker

1:38:20.040 --> 1:38:22.920
<v Speaker 9>and we have the story goes deep. But yeah, that's

1:38:22.960 --> 1:38:24.320
<v Speaker 9>so that. Yeah, that's one of those stuts.

1:38:24.640 --> 1:38:25.719
<v Speaker 2>What made you look?

1:38:25.920 --> 1:38:28.680
<v Speaker 9>I mean, no, no, they it said like, you know

1:38:28.800 --> 1:38:30.720
<v Speaker 9>something I can't remember. It didn't even have it like

1:38:30.760 --> 1:38:33.760
<v Speaker 9>on the outside it said like it didn't say so

1:38:33.920 --> 1:38:35.720
<v Speaker 9>it was weird. It was like a few hundred bucks,

1:38:35.760 --> 1:38:38.320
<v Speaker 9>so they knew it was something. But I just saw

1:38:38.320 --> 1:38:40.720
<v Speaker 9>the guy putting it up. They hadn't put it up yet.

1:38:40.720 --> 1:38:42.400
<v Speaker 9>I saw the guy in the middle of putting it up,

1:38:42.720 --> 1:38:44.559
<v Speaker 9>and I was like, let me have that, and I figured,

1:38:45.000 --> 1:38:46.640
<v Speaker 9>you know, I look inside, I see the thing, and

1:38:46.640 --> 1:38:48.960
<v Speaker 9>I was like, yeah, I'm buying that. And then yeah,

1:38:48.960 --> 1:38:50.880
<v Speaker 9>that was crazy. But I also had, like, you know,

1:38:50.880 --> 1:38:52.680
<v Speaker 9>I had him sign some stuff. My friend used to

1:38:52.680 --> 1:38:54.840
<v Speaker 9>work at International at Warner Brothers, and I came to

1:38:54.920 --> 1:38:59.200
<v Speaker 9>the I guess it was for Graffiti Bridge and then

1:38:59.280 --> 1:39:01.120
<v Speaker 9>he had the Diamonds and Pearls where they performed on

1:39:01.240 --> 1:39:03.960
<v Speaker 9>the lot. That's when I met Jeff aaroff ended up.

1:39:04.000 --> 1:39:05.880
<v Speaker 9>You remember we were hanging with Jeff back in two

1:39:05.920 --> 1:39:09.120
<v Speaker 9>thousand and nine in New York Mere, the guy who

1:39:09.160 --> 1:39:12.760
<v Speaker 9>signed Lenny and Man Harper and everybody. But anyways, Jeff, uh,

1:39:13.960 --> 1:39:15.400
<v Speaker 9>you know, it kind of stuck me in to watch

1:39:15.439 --> 1:39:17.800
<v Speaker 9>Prince perform the diamonds and pearls thing on the lot.

1:39:18.080 --> 1:39:19.599
<v Speaker 3>And then I had him sign a thing.

1:39:19.640 --> 1:39:21.679
<v Speaker 9>So that's someone that's in my bedroom because he signed

1:39:21.720 --> 1:39:24.439
<v Speaker 9>it to me, not to my name, but signed it.

1:39:24.479 --> 1:39:27.439
<v Speaker 2>I was like that he signed it hard. Yeah, I

1:39:27.479 --> 1:39:33.439
<v Speaker 2>think I have I've a napping from the first wedding.

1:39:34.120 --> 1:39:40.240
<v Speaker 6>Really yeah, signs to no not signs.

1:39:41.640 --> 1:39:44.000
<v Speaker 3>Of those such a geek weird.

1:39:44.680 --> 1:39:46.080
<v Speaker 2>It was a gift. Somebody gave it to me.

1:39:46.560 --> 1:39:49.160
<v Speaker 1>The way that he signed that, he sharp et the

1:39:50.320 --> 1:39:51.400
<v Speaker 1>the get off twelve inch.

1:39:51.520 --> 1:39:53.560
<v Speaker 2>Yeah, he did something.

1:39:53.320 --> 1:40:00.200
<v Speaker 1>Similar to shocka Delica, So I think, yeah, I have

1:40:00.360 --> 1:40:04.280
<v Speaker 1>the I have the Shaka Delicate or I have like whatever.

1:40:04.320 --> 1:40:04.840
<v Speaker 2>He said that.

1:40:05.160 --> 1:40:07.519
<v Speaker 1>He told Alan like have da da da play this

1:40:07.560 --> 1:40:11.520
<v Speaker 1>record and he signed it and and you know Camille

1:40:11.800 --> 1:40:15.120
<v Speaker 1>Shaka Delica and gave it to Alan to give to

1:40:15.520 --> 1:40:17.479
<v Speaker 1>the DJ to play it and then bring it back.

1:40:17.800 --> 1:40:22.400
<v Speaker 1>So I'm sorry, I'm still stuggling.

1:40:22.479 --> 1:40:23.960
<v Speaker 2>I wish you haven't.

1:40:24.120 --> 1:40:27.120
<v Speaker 9>They were like forced and they get off twelve and

1:40:27.120 --> 1:40:28.120
<v Speaker 9>you're talking about.

1:40:27.960 --> 1:40:30.640
<v Speaker 7>I was there when he got it, used to hang

1:40:30.680 --> 1:40:32.639
<v Speaker 7>out back then, and he had it before anybody else

1:40:32.800 --> 1:40:34.559
<v Speaker 7>and he said, look at this, and he's still he.

1:40:34.520 --> 1:40:36.519
<v Speaker 9>Got a package from Paisley Park one day and I'd

1:40:36.560 --> 1:40:39.400
<v Speaker 9>been I see, I was consulting for like anti piracy.

1:40:39.400 --> 1:40:41.240
<v Speaker 9>I was a total hypocrite because I was collecting all

1:40:41.240 --> 1:40:44.160
<v Speaker 9>the ship and they were paying me to like do

1:40:44.280 --> 1:40:47.360
<v Speaker 9>anti piracy work. But basically it was, you know, I was.

1:40:47.320 --> 1:40:49.120
<v Speaker 2>Just compared with Pigeon.

1:40:49.320 --> 1:40:51.280
<v Speaker 9>Yeah, So basically like and I was like, you know,

1:40:51.320 --> 1:40:53.679
<v Speaker 9>these are the I would make databases and all that stuff.

1:40:53.720 --> 1:40:58.560
<v Speaker 9>And so they started sending me, you know, test pressings and.

1:40:57.880 --> 1:41:00.800
<v Speaker 7>This guy, honestly it was it was because he'd always

1:41:00.800 --> 1:41:03.559
<v Speaker 7>had some crazy stuff. He was always getting amazing stuff.

1:41:03.640 --> 1:41:05.639
<v Speaker 7>And you still had a relationship with Lenny way back

1:41:05.640 --> 1:41:08.760
<v Speaker 7>then because but he when he got the twelve inch

1:41:08.800 --> 1:41:11.439
<v Speaker 7>of of Get Off, he like showed me and Brian,

1:41:12.040 --> 1:41:14.400
<v Speaker 7>who used to hang out with and we were just

1:41:14.840 --> 1:41:16.880
<v Speaker 7>dumbfounded by this thing, going, this is the coolest thing,

1:41:16.880 --> 1:41:17.920
<v Speaker 7>and nobody had it.

1:41:17.840 --> 1:41:18.479
<v Speaker 3>Because it was weird.

1:41:18.479 --> 1:41:21.080
<v Speaker 9>He shipped it like two weeks later, so three weeks later,

1:41:21.120 --> 1:41:24.320
<v Speaker 9>so I was and I was trying to see, like, wait,

1:41:24.400 --> 1:41:25.880
<v Speaker 9>is this the actual writing on it?

1:41:25.960 --> 1:41:28.840
<v Speaker 8>Like he still has the FedEx package that it came.

1:41:28.960 --> 1:41:31.000
<v Speaker 3>From Paisley because I'm because I have a geek.

1:41:31.720 --> 1:41:40.200
<v Speaker 1>And then I got yeah, I ship away. Well, I

1:41:40.280 --> 1:41:42.800
<v Speaker 1>used to work at rough Bound Records, interned there and

1:41:42.840 --> 1:41:45.800
<v Speaker 1>they sent like five of those on esther fans really

1:41:46.080 --> 1:41:47.040
<v Speaker 1>and my.

1:41:47.120 --> 1:41:49.840
<v Speaker 9>Mom the package, the package I got for that, it's

1:41:49.840 --> 1:41:52.599
<v Speaker 9>another Paisley thing and it's got the gold sex CMF

1:41:52.800 --> 1:41:55.679
<v Speaker 9>wrapped in underwear with the sex MF with the fan

1:41:55.800 --> 1:41:57.639
<v Speaker 9>and a card from Print saying you know the.

1:41:57.600 --> 1:41:59.599
<v Speaker 3>New blah blah blah. And I still have that thing

1:42:00.000 --> 1:42:00.599
<v Speaker 3>pretty intact.

1:42:00.680 --> 1:42:06.240
<v Speaker 9>But you know, there's there was There was at Zanzibar

1:42:06.360 --> 1:42:08.800
<v Speaker 9>the night where we were at Zanzibar, and that's what

1:42:08.920 --> 1:42:11.799
<v Speaker 9>I was working on the Ultimate Prince thing with Warner Brothers,

1:42:12.080 --> 1:42:13.960
<v Speaker 9>and I had like the he really like got in

1:42:14.040 --> 1:42:17.760
<v Speaker 9>my head and about about it, and he was he

1:42:17.800 --> 1:42:19.559
<v Speaker 9>got an advance for he knew it was, you know,

1:42:19.600 --> 1:42:21.320
<v Speaker 9>it was a real thing and he was down with it.

1:42:21.360 --> 1:42:23.840
<v Speaker 9>But he asked me to take off certain songs because

1:42:23.840 --> 1:42:27.519
<v Speaker 9>of his belief. So take Away, Erotic City, Soft and Wet.

1:42:28.640 --> 1:42:32.559
<v Speaker 1>There was one more the twelve inches and on twelve

1:42:32.600 --> 1:42:33.320
<v Speaker 1>the Ultimate Print.

1:42:33.439 --> 1:42:35.720
<v Speaker 9>No, we had to take it off, so you know,

1:42:35.760 --> 1:42:37.680
<v Speaker 9>thanks to Michael. Now it's out in the sound, in

1:42:37.720 --> 1:42:40.280
<v Speaker 9>the right sound on the Purple Rain thing. But so

1:42:40.479 --> 1:42:42.240
<v Speaker 9>I said, can I put Let's Work instead? So we

1:42:42.320 --> 1:42:44.360
<v Speaker 9>replaced Let's Work and then for soft and what he

1:42:44.360 --> 1:42:46.920
<v Speaker 9>wanted the acoustic version of seven. So it was like, Okay,

1:42:47.080 --> 1:42:50.000
<v Speaker 9>that's not really the same thing. But but that night

1:42:51.200 --> 1:42:53.439
<v Speaker 9>he had a I still have this. It was an

1:42:53.520 --> 1:42:58.400
<v Speaker 9>acetate of I don't know why I got that. It

1:42:58.520 --> 1:43:00.000
<v Speaker 9>was like a parting gift.

1:43:00.120 --> 1:43:00.479
<v Speaker 3>I don't know.

1:43:00.600 --> 1:43:02.120
<v Speaker 9>Maybe it was for somebody else and he thought it

1:43:02.160 --> 1:43:05.000
<v Speaker 9>was somebody else. But it's a sex cmf remix with

1:43:05.240 --> 1:43:07.320
<v Speaker 9>mixed with like ice cube wrapping.

1:43:07.360 --> 1:43:07.920
<v Speaker 3>I remember that.

1:43:07.960 --> 1:43:10.120
<v Speaker 9>It's like, but it's it's an ice cube track. It's

1:43:10.120 --> 1:43:12.000
<v Speaker 9>not ice cube on prints. It's a it's like a

1:43:12.280 --> 1:43:15.760
<v Speaker 9>like a Medley kind of yeah, mash up. But so

1:43:16.080 --> 1:43:17.720
<v Speaker 9>I'll dig that up for you. I'll send you that.

1:43:17.960 --> 1:43:20.360
<v Speaker 9>It's it's just but you know, things like that. I'm

1:43:20.360 --> 1:43:24.240
<v Speaker 9>sure if I someday, I'm gonna actually, you know, organize

1:43:24.280 --> 1:43:24.759
<v Speaker 9>my stuff.

1:43:27.320 --> 1:43:30.920
<v Speaker 1>What is your wish as far as the legacy's concerned,

1:43:30.960 --> 1:43:31.479
<v Speaker 1>what's your.

1:43:32.360 --> 1:43:34.880
<v Speaker 7>I think there's so much potential to do. I would,

1:43:34.920 --> 1:43:38.240
<v Speaker 7>first off, would love to see serious XM station that's

1:43:38.320 --> 1:43:39.880
<v Speaker 7>just just prints or something like that.

1:43:40.479 --> 1:43:41.559
<v Speaker 8>I would love to see.

1:43:41.520 --> 1:43:45.960
<v Speaker 1>Did you not tell me that at the time you

1:43:45.960 --> 1:43:47.400
<v Speaker 1>guys that conversation did you.

1:43:47.479 --> 1:43:48.800
<v Speaker 8>Have, because I would love to see.

1:43:48.880 --> 1:43:50.479
<v Speaker 7>To me, you got a Tom Petty station, you got

1:43:50.479 --> 1:43:53.599
<v Speaker 7>a Bruce station, and I would love to smell. I'd

1:43:53.600 --> 1:43:55.200
<v Speaker 7>love to see it right now because you could have

1:43:56.000 --> 1:43:57.840
<v Speaker 7>all the different shows. You have a live show, you

1:43:57.880 --> 1:43:59.760
<v Speaker 7>have a Bobby's he doing the DJ thing that he

1:43:59.840 --> 1:44:03.120
<v Speaker 7>used to do. I think something like that would be amazing.

1:44:03.280 --> 1:44:07.439
<v Speaker 7>And the problem right now is that the legacy of

1:44:07.479 --> 1:44:09.320
<v Speaker 7>Prince is going to start to get smaller and smaller

1:44:09.360 --> 1:44:12.360
<v Speaker 7>and smaller. And it's our job to keep expanding it.

1:44:12.400 --> 1:44:17.000
<v Speaker 7>You know, Michael Jackson, it is important to us. But

1:44:17.120 --> 1:44:22.280
<v Speaker 7>Michael Jackson's legacy is drifting because the reissues are having,

1:44:22.600 --> 1:44:25.720
<v Speaker 7>yeah exactly, the re issues are having are not the Halloween.

1:44:25.320 --> 1:44:28.760
<v Speaker 8>Thing care that was, soone's like, what the you know?

1:44:29.160 --> 1:44:32.360
<v Speaker 7>But with Prince, he's got such a vast vault of stuff,

1:44:33.000 --> 1:44:36.519
<v Speaker 7>some great, some not as great. It's up to us

1:44:36.560 --> 1:44:38.000
<v Speaker 7>to kind of get you know.

1:44:38.600 --> 1:44:41.559
<v Speaker 2>Well, there's enough for released twenty great records.

1:44:41.600 --> 1:44:43.760
<v Speaker 7>Oh yeah, he's got a lot of great stuff, a

1:44:43.800 --> 1:44:46.400
<v Speaker 7>lot of and I'm hoping what the State does and

1:44:46.439 --> 1:44:48.559
<v Speaker 7>what Warner Brothers did. First off, I hope everything goes

1:44:48.560 --> 1:44:52.640
<v Speaker 7>to Warner Brothers. I want it under one house. He

1:44:52.680 --> 1:44:54.800
<v Speaker 7>may have had problems out with Warner Brothers at certain times,

1:44:54.840 --> 1:44:56.240
<v Speaker 7>but it seems that Warner Brothers is never going to

1:44:56.280 --> 1:44:59.360
<v Speaker 7>release what they have. I would like to see everything

1:44:59.720 --> 1:45:01.360
<v Speaker 7>going to one place so you can have the greatest

1:45:01.439 --> 1:45:03.559
<v Speaker 7>hit exactly, and you can, and then you don't have

1:45:03.600 --> 1:45:07.240
<v Speaker 7>to fight about what when he did a session in

1:45:07.280 --> 1:45:09.680
<v Speaker 7>eighty five that didn't come out, well, that would be

1:45:09.760 --> 1:45:12.160
<v Speaker 7>under this umbrella, as opposed to somebody saying, well, that

1:45:12.240 --> 1:45:14.720
<v Speaker 7>didn't come out, so this he He also did a

1:45:14.760 --> 1:45:16.720
<v Speaker 7>lot of albums that as you know, he did a

1:45:16.760 --> 1:45:18.519
<v Speaker 7>lot of albums that he gave to Warner Brothers saying

1:45:18.560 --> 1:45:21.320
<v Speaker 7>release this, and they didn't. So when people complained that,

1:45:21.400 --> 1:45:23.599
<v Speaker 7>well he didn't intend to release this, no, he actually

1:45:23.640 --> 1:45:25.519
<v Speaker 7>there's a lot of things he wanted to release that

1:45:25.640 --> 1:45:27.599
<v Speaker 7>Warner Brothers are something that said no.

1:45:28.960 --> 1:45:30.040
<v Speaker 8>Yeah, there's a lot of things like that.

1:45:30.080 --> 1:45:32.800
<v Speaker 7>And on top of that, he would he would be

1:45:32.880 --> 1:45:35.280
<v Speaker 7>very interested in something for Monday and Tuesday of a week,

1:45:35.520 --> 1:45:37.000
<v Speaker 7>and that would be the most important thing. And then

1:45:37.000 --> 1:45:38.720
<v Speaker 7>Wednesday come along and you get a new idea and

1:45:38.720 --> 1:45:41.320
<v Speaker 7>he say no, screw Monday and Tuesday. This is wednes

1:45:41.479 --> 1:45:43.439
<v Speaker 7>That didn't mean Monday and Tuesday stuff is bad. It

1:45:43.560 --> 1:45:45.680
<v Speaker 7>just meant that he all of a sudden happened. He

1:45:45.720 --> 1:45:48.280
<v Speaker 7>had a very short attention span and and I think

1:45:48.320 --> 1:45:50.880
<v Speaker 7>he was really good at starting projects because that's when

1:45:50.880 --> 1:45:53.280
<v Speaker 7>it's fun. You know, you're dating somebody and you want

1:45:53.280 --> 1:45:54.720
<v Speaker 7>to you want you fall in love with the thing.

1:45:54.960 --> 1:45:57.080
<v Speaker 8>But wrapping it up is.

1:45:56.560 --> 1:45:58.680
<v Speaker 7>Is a little more difficult because it's it's the end

1:45:58.680 --> 1:46:01.439
<v Speaker 7>of a relationship. So he would get interested in the

1:46:01.479 --> 1:46:03.120
<v Speaker 7>new girl or the new girl, the new girl, the

1:46:03.160 --> 1:46:04.680
<v Speaker 7>new song, the new song, the new song. And I

1:46:04.680 --> 1:46:07.000
<v Speaker 7>think that so he has a lot of unfinished projects.

1:46:07.040 --> 1:46:09.000
<v Speaker 7>I'd love to hear the flesh out there. I'd love

1:46:09.040 --> 1:46:11.400
<v Speaker 7>to hear a Madhouse box set. I'd love to hear

1:46:11.560 --> 1:46:15.360
<v Speaker 7>Vanity six and Apollonia's six box set. I'd like to

1:46:15.400 --> 1:46:18.280
<v Speaker 7>hear unreleased Revolution album The.

1:46:20.320 --> 1:46:20.559
<v Speaker 2>Garden.

1:46:20.760 --> 1:46:23.160
<v Speaker 7>Even though some of that stuff was released on that album,

1:46:23.439 --> 1:46:25.880
<v Speaker 7>there's more stuff there and I'd love to hear that stuff.

1:46:25.880 --> 1:46:26.840
<v Speaker 8>I'd love to hear all the songs.

1:46:26.880 --> 1:46:30.720
<v Speaker 7>I'd love to see a Sign of the Times multidisc

1:46:30.840 --> 1:46:32.680
<v Speaker 7>set of all the stuff that came out for that.

1:46:33.000 --> 1:46:35.040
<v Speaker 7>You know, with Dream Factory and all all that stuff.

1:46:35.240 --> 1:46:39.160
<v Speaker 7>There's so many projects that the guy did that it

1:46:39.200 --> 1:46:41.280
<v Speaker 7>seems like you could be releasing these things for a

1:46:41.360 --> 1:46:43.320
<v Speaker 7>long long time. I would also like to see them

1:46:43.360 --> 1:46:46.719
<v Speaker 7>taking some of the rehearsals and sound checks and saying, Okay,

1:46:46.720 --> 1:46:48.559
<v Speaker 7>this is when he taught the band Purple Rain, or

1:46:48.560 --> 1:46:50.719
<v Speaker 7>this is when he taught you know, and have let's

1:46:50.720 --> 1:46:54.080
<v Speaker 7>say a year long process where once a month or

1:46:54.080 --> 1:46:55.120
<v Speaker 7>twice a month.

1:46:55.000 --> 1:46:56.640
<v Speaker 8>They come out with a tape. You know, they just

1:46:57.160 --> 1:46:57.880
<v Speaker 8>a tape that.

1:46:58.000 --> 1:47:01.160
<v Speaker 7>Is the rehearsal of something, and you subscriptions to the

1:47:01.240 --> 1:47:04.400
<v Speaker 7>year and you get this download and that to me

1:47:04.439 --> 1:47:06.439
<v Speaker 7>would be the best thing because and it doesn't have.

1:47:06.439 --> 1:47:07.120
<v Speaker 2>To be perfect.

1:47:07.360 --> 1:47:10.040
<v Speaker 7>It can be a flawed tape. We all understand this

1:47:10.120 --> 1:47:14.519
<v Speaker 7>was like a set. But yeah, by now it's weird.

1:47:14.320 --> 1:47:17.800
<v Speaker 8>Hearing something that sounds good. I don't understand this.

1:47:18.000 --> 1:47:20.600
<v Speaker 7>But there's so many things that that you know, I

1:47:20.640 --> 1:47:22.519
<v Speaker 7>think are out there that I think should be. One

1:47:22.560 --> 1:47:25.320
<v Speaker 7>of the cool things about doing the book and stuff

1:47:25.360 --> 1:47:27.800
<v Speaker 7>like this is because I get an idea of some

1:47:27.840 --> 1:47:29.519
<v Speaker 7>of the things that are out there, and I'm thinking

1:47:29.520 --> 1:47:32.719
<v Speaker 7>about doing a book that's eighty five eighty six which

1:47:32.760 --> 1:47:36.800
<v Speaker 7>would cover Under the Cherry Moon, which would cover Madhouse,

1:47:36.800 --> 1:47:40.519
<v Speaker 7>which would cover Sheila's second and third album, which would

1:47:40.520 --> 1:47:44.320
<v Speaker 7>cover The Flesh, which would cover Crystal Ball, which would

1:47:44.320 --> 1:47:47.320
<v Speaker 7>cover a it's a jazz.

1:47:47.320 --> 1:47:51.559
<v Speaker 1>Group he did with during Christmas here, yeah, exactly exactly

1:47:51.880 --> 1:47:55.280
<v Speaker 1>exactly a billion, So it would be that and then

1:47:55.720 --> 1:47:57.280
<v Speaker 1>that album end or the book ends.

1:47:57.320 --> 1:47:59.680
<v Speaker 8>The second book would end with the Revolution.

1:47:59.360 --> 1:48:02.240
<v Speaker 7>Breaking up, the family breaking up, and then prints breaking

1:48:02.320 --> 1:48:05.680
<v Speaker 7>up with uh Susannah, and then the last thing he

1:48:05.760 --> 1:48:08.559
<v Speaker 7>does that year is recording Wally, you know, And that's

1:48:08.640 --> 1:48:10.880
<v Speaker 7>right before the Sign of the Times band got formed,

1:48:11.200 --> 1:48:13.240
<v Speaker 7>so it sets up Sign of the Times, which Sign

1:48:13.240 --> 1:48:15.400
<v Speaker 7>of the Times is kind of a way of him saying,

1:48:15.720 --> 1:48:17.880
<v Speaker 7>you think it was all about them, I'll show you

1:48:17.920 --> 1:48:20.200
<v Speaker 7>what I can do with a new band, almost a

1:48:20.240 --> 1:48:23.800
<v Speaker 7>completely new band, and and you know, almost feeling like

1:48:23.800 --> 1:48:24.599
<v Speaker 7>he had something to prove.

1:48:24.840 --> 1:48:25.599
<v Speaker 8>So that would be the book.

1:48:25.600 --> 1:48:28.600
<v Speaker 7>After that, I'd love to keep doing books, you know,

1:48:28.640 --> 1:48:31.160
<v Speaker 7>And like I said, until till it's done. I have

1:48:31.280 --> 1:48:33.360
<v Speaker 7>enough material right now to do one about eighty one,

1:48:33.400 --> 1:48:36.400
<v Speaker 7>eighty two, eighty five, eighty six, and eighty seven eighty eight.

1:48:37.120 --> 1:48:39.200
<v Speaker 8>And I'm hoping that along the way.

1:48:39.120 --> 1:48:43.839
<v Speaker 2>Three I know, you know your wife is still.

1:48:43.840 --> 1:48:50.880
<v Speaker 7>You Yeah, yeah, she My daughter is funny. My daughter's eight,

1:48:50.960 --> 1:48:54.799
<v Speaker 7>and she just all she knows is Dad sits and writes, so.

1:48:54.640 --> 1:48:55.880
<v Speaker 8>She just she'll try to.

1:48:56.240 --> 1:48:58.479
<v Speaker 7>I just wrote a book too, Dad, you know, it's

1:48:58.560 --> 1:49:01.000
<v Speaker 7>very nice. But she doesn't understand that on every vacation,

1:49:01.120 --> 1:49:04.519
<v Speaker 7>every night and every weekend, Dad sitting there writing, you know,

1:49:04.560 --> 1:49:07.519
<v Speaker 7>And it's it's it's obsession, you know. And the interesting

1:49:07.560 --> 1:49:10.840
<v Speaker 7>thing is I see it almost like Prince when he

1:49:10.840 --> 1:49:13.320
<v Speaker 7>got obsessed with doing his stuff, working all the time,

1:49:13.320 --> 1:49:15.200
<v Speaker 7>and it's almost like a life lesson when you see

1:49:15.200 --> 1:49:17.720
<v Speaker 7>what Prince accomplished. There's a reason why he's got a

1:49:17.760 --> 1:49:20.000
<v Speaker 7>vault full of stuff is because he was always working.

1:49:20.080 --> 1:49:22.160
<v Speaker 7>And that's the reason why he was so good. Is

1:49:22.200 --> 1:49:24.840
<v Speaker 7>he was always playing. And before a concert he would

1:49:24.840 --> 1:49:26.880
<v Speaker 7>play for hours while they were still setting up the lights.

1:49:26.880 --> 1:49:27.519
<v Speaker 8>He'd be playing.

1:49:27.840 --> 1:49:29.719
<v Speaker 7>You know, you when you know that kind of stuff,

1:49:29.720 --> 1:49:32.439
<v Speaker 7>there's a reason why he's he's that good and and

1:49:32.479 --> 1:49:34.120
<v Speaker 7>there's a reason why nobody touches him.

1:49:34.400 --> 1:49:37.040
<v Speaker 8>And that's why there's the reason why there's no next Prince.

1:49:37.600 --> 1:49:41.439
<v Speaker 5>Because Prince never never not showed up to reheard, right.

1:49:41.600 --> 1:49:44.280
<v Speaker 7>That's He just that guy lived music, He talked music.

1:49:44.360 --> 1:49:47.639
<v Speaker 7>I think that his communication with people was based on music.

1:49:47.680 --> 1:49:49.600
<v Speaker 7>He had a There was one story I heard that

1:49:49.680 --> 1:49:52.880
<v Speaker 7>would be in the second book where his engineer was

1:49:52.920 --> 1:49:55.760
<v Speaker 7>he's talking his engineering. He said, we should make a

1:49:55.000 --> 1:49:59.400
<v Speaker 7>TV show called drum Talk where one drummer's going the

1:49:59.400 --> 1:50:02.880
<v Speaker 7>other drumm's going and answering each other, like in drum talk.

1:50:03.120 --> 1:50:05.040
<v Speaker 7>And I thought, that's that's courteous.

1:50:05.439 --> 1:50:07.800
<v Speaker 8>But this is how he thinks. This is how this

1:50:07.840 --> 1:50:12.240
<v Speaker 8>is how he thinks, and you know this, and so yeah, again.

1:50:12.160 --> 1:50:14.200
<v Speaker 9>One thing I just wanted to add what you're saying,

1:50:14.200 --> 1:50:16.960
<v Speaker 9>sorry real quick, is that because of the haters, and

1:50:17.000 --> 1:50:19.160
<v Speaker 9>we deal with a lot of haters, is that let's

1:50:19.200 --> 1:50:21.599
<v Speaker 9>remember that Prince was back at Warner Brothers. When people,

1:50:21.760 --> 1:50:23.880
<v Speaker 9>you know, say, oh, Warner Brothers, Warner Brothers. He was

1:50:23.920 --> 1:50:25.840
<v Speaker 9>back with Warner Brothers. That's why Michael was his A

1:50:25.920 --> 1:50:27.960
<v Speaker 9>and R guy, you know when he passed. And the

1:50:28.000 --> 1:50:30.000
<v Speaker 9>other thing is when people talk about he didn't want this,

1:50:30.080 --> 1:50:32.120
<v Speaker 9>he didn't want that. I have first had experienced with

1:50:32.280 --> 1:50:34.800
<v Speaker 9>Ruth there many times where because I before I was

1:50:34.840 --> 1:50:37.280
<v Speaker 9>a photographer, really I was doing all the I still

1:50:37.320 --> 1:50:38.960
<v Speaker 9>do a lot of photographer.

1:50:39.000 --> 1:50:41.960
<v Speaker 5>He's taking pictures, deluxe editions.

1:50:41.600 --> 1:50:43.519
<v Speaker 9>And all that stuff. And I used to give him

1:50:43.520 --> 1:50:45.240
<v Speaker 9>those things and and he would. And when I give

1:50:45.320 --> 1:50:48.200
<v Speaker 9>him to Miles Davis bitches brew fortieth anniversary box that

1:50:48.280 --> 1:50:49.920
<v Speaker 9>I did, the first thing he said is we got

1:50:49.920 --> 1:50:51.120
<v Speaker 9>to do you know, I want to do this with

1:50:51.200 --> 1:50:51.960
<v Speaker 9>all my albums.

1:50:51.960 --> 1:50:53.800
<v Speaker 3>So when people say he wouldn't.

1:50:53.439 --> 1:50:56.519
<v Speaker 9>Want this, you and he was a Gemini, so he would,

1:50:56.600 --> 1:50:58.439
<v Speaker 9>you know, want one thing one day. But I just

1:50:58.479 --> 1:51:01.120
<v Speaker 9>wanted to put that out there that he did say

1:51:01.160 --> 1:51:03.920
<v Speaker 9>that on many occasions and that he was back of

1:51:04.000 --> 1:51:04.479
<v Speaker 9>Warner Brothers.

1:51:04.560 --> 1:51:08.439
<v Speaker 2>That's all right, Ruth, your turn. What would you like

1:51:08.560 --> 1:51:09.360
<v Speaker 2>his legacy to be?

1:51:10.160 --> 1:51:13.240
<v Speaker 5>You know, I think it started during I mean it's

1:51:13.240 --> 1:51:16.160
<v Speaker 5>always been there, but during my tenures when he wanted

1:51:16.200 --> 1:51:20.120
<v Speaker 5>to create a museum droid at the beginning at a

1:51:20.240 --> 1:51:23.320
<v Speaker 5>park at Paisley Park. So it was Dave Hampton, myself,

1:51:23.320 --> 1:51:26.759
<v Speaker 5>Sam Jennings, and Rick Pelaquin who managed you know, Paisley

1:51:26.800 --> 1:51:31.479
<v Speaker 5>at the time. And you know, I haven't been. I

1:51:31.520 --> 1:51:33.400
<v Speaker 5>don't know what it looks like right now. I've seen

1:51:33.479 --> 1:51:37.599
<v Speaker 5>kind of pictures and I'm a little disappointed, only because

1:51:38.560 --> 1:51:41.240
<v Speaker 5>you know it's going along the lines. It's a very

1:51:41.240 --> 1:51:43.040
<v Speaker 5>different I don't want to put words into Prince's mouth.

1:51:43.520 --> 1:51:45.200
<v Speaker 5>I knew what he said to me at the time

1:51:45.240 --> 1:51:48.599
<v Speaker 5>and the timeframe and during when I was with him,

1:51:48.880 --> 1:51:51.040
<v Speaker 5>what he wanted. But then he you know, he could

1:51:51.120 --> 1:51:52.519
<v Speaker 5>change his mind on a whim. I mean, there's a

1:51:52.560 --> 1:51:55.080
<v Speaker 5>movie that he made. It's a terrible movie. But there

1:51:55.160 --> 1:52:00.960
<v Speaker 5>is a movie thirty one twenty one, really and.

1:52:02.400 --> 1:52:04.880
<v Speaker 3>It's the performances, the music.

1:52:06.880 --> 1:52:09.360
<v Speaker 7>I know about the movie. I've never seen it. It's

1:52:09.439 --> 1:52:10.599
<v Speaker 7>just something I should see.

1:52:11.120 --> 1:52:11.720
<v Speaker 3>Apparently not.

1:52:14.360 --> 1:52:16.880
<v Speaker 8>I've wasted a lot of bad things.

1:52:17.400 --> 1:52:19.840
<v Speaker 5>But they're lying lying.

1:52:20.439 --> 1:52:23.720
<v Speaker 9>Nobody say that the studio bits are cool because it's him.

1:52:23.920 --> 1:52:28.360
<v Speaker 5>The studio bits are like really impainful studio in the studio,

1:52:28.560 --> 1:52:29.519
<v Speaker 5>we filmed inside of.

1:52:30.360 --> 1:52:33.759
<v Speaker 9>The session with Study and Michael.

1:52:35.320 --> 1:52:39.760
<v Speaker 5>There's some really good performance parts, but the project whatever, anyway.

1:52:39.439 --> 1:52:41.840
<v Speaker 9>It's it makes out that the Cherry Moon look like

1:52:41.840 --> 1:52:42.559
<v Speaker 9>gone with the Wind.

1:52:43.160 --> 1:52:46.479
<v Speaker 2>I watch Purple Rain for the narrative.

1:52:46.520 --> 1:52:46.800
<v Speaker 3>I love.

1:52:48.240 --> 1:52:51.760
<v Speaker 8>I don't know, but I mean the better than the

1:52:51.760 --> 1:52:52.280
<v Speaker 8>hard life.

1:52:56.320 --> 1:52:57.040
<v Speaker 3>You don't want to know.

1:52:57.240 --> 1:52:59.280
<v Speaker 2>That's a horrible that's a.

1:52:59.280 --> 1:53:05.439
<v Speaker 1>Horrible you had we know Prince in movies are it's

1:53:05.479 --> 1:53:08.120
<v Speaker 1>like a short fifteen minute film that they I think

1:53:08.160 --> 1:53:12.639
<v Speaker 1>they like badr Okay, let me say this The Hard Life.

1:53:13.360 --> 1:53:14.800
<v Speaker 3>It's kas next to.

1:53:17.080 --> 1:53:25.160
<v Speaker 1>Now don't stop serving me anyway.

1:53:25.360 --> 1:53:29.640
<v Speaker 5>But I think I think just because Prince would say,

1:53:29.760 --> 1:53:33.840
<v Speaker 5>you know so one of the ideas, and I have

1:53:33.920 --> 1:53:36.200
<v Speaker 5>quotes from like my work notebooks of what he wanted.

1:53:36.240 --> 1:53:42.360
<v Speaker 5>He wanted Paisley Park to be an interactive, multi dimensional

1:53:43.280 --> 1:53:47.120
<v Speaker 5>place where fans knew and old could come and discover

1:53:47.240 --> 1:53:50.679
<v Speaker 5>and rediscover music. And part of his you know, saying

1:53:50.680 --> 1:53:52.360
<v Speaker 5>that he would say all the time is I am music.

1:53:53.080 --> 1:53:55.160
<v Speaker 5>And you know, one of the ideas was like He's like,

1:53:55.160 --> 1:53:58.280
<v Speaker 5>we could hang a guitar here, you know, underneath some

1:53:58.400 --> 1:54:00.960
<v Speaker 5>acrylic and I'm like, no, that's not what you do.

1:54:01.280 --> 1:54:03.640
<v Speaker 5>You hang a guitar here, you have a suspended and

1:54:03.720 --> 1:54:06.240
<v Speaker 5>like suspended animation, have a twirling you can have a

1:54:06.280 --> 1:54:10.320
<v Speaker 5>hologram of all the music or the shows of what

1:54:10.439 --> 1:54:13.439
<v Speaker 5>that guitar played on. And I don't know anything about

1:54:13.439 --> 1:54:15.400
<v Speaker 5>Prince and his music and like the songs, but I

1:54:15.880 --> 1:54:18.120
<v Speaker 5>you know, I know what I think would be cool

1:54:18.160 --> 1:54:20.720
<v Speaker 5>to go into a interactive museum and kind of like

1:54:20.760 --> 1:54:22.640
<v Speaker 5>you know, the Met Museum where you put on like

1:54:22.640 --> 1:54:25.040
<v Speaker 5>the headphones and either they can be guided or they

1:54:25.040 --> 1:54:27.200
<v Speaker 5>can be you know, via headphones, and you as you

1:54:27.280 --> 1:54:31.880
<v Speaker 5>walk through each area, you are you know, you walk

1:54:31.880 --> 1:54:35.040
<v Speaker 5>into an experience. Because that's what the parties were. The

1:54:35.080 --> 1:54:39.240
<v Speaker 5>parties were a multi dimensional experience. You were you were

1:54:39.280 --> 1:54:44.120
<v Speaker 5>assaulted through sound, through smell, through taste. It would like

1:54:44.160 --> 1:54:46.240
<v Speaker 5>we used all your senses and that was what we

1:54:46.240 --> 1:54:49.480
<v Speaker 5>were trying to do with Paisley Park. Now what I

1:54:49.560 --> 1:54:51.880
<v Speaker 5>saw in a picture, I mean, I'm not not to

1:54:51.920 --> 1:54:54.600
<v Speaker 5>diss anyone or anything, but I saw like a utility

1:54:54.600 --> 1:54:56.760
<v Speaker 5>closet popped out and a curlic not even the door

1:54:56.840 --> 1:54:59.160
<v Speaker 5>jams are taken out, and like there's a guitar just

1:54:59.280 --> 1:55:01.920
<v Speaker 5>lying there just because Prince tells you to do that.

1:55:01.920 --> 1:55:04.320
<v Speaker 5>That's not That's not how I work anyway. I don't

1:55:04.360 --> 1:55:09.040
<v Speaker 5>like that's the basic of what he wants, the bare minimum.

1:55:09.160 --> 1:55:11.280
<v Speaker 5>And if it's done like that, you know, he's a

1:55:11.440 --> 1:55:13.280
<v Speaker 5>he's a quick moving guy. So if it's already done,

1:55:13.280 --> 1:55:15.200
<v Speaker 5>he's just gonna keep it moving. But what I would

1:55:15.320 --> 1:55:17.960
<v Speaker 5>love to see for his legacy is the things that

1:55:18.000 --> 1:55:23.080
<v Speaker 5>we talked about but implemented in the most suffil Thank you,

1:55:23.360 --> 1:55:24.880
<v Speaker 5>Thank you, took the words right out of my mouth.

1:55:24.920 --> 1:55:28.720
<v Speaker 5>We're not beyond. It's not classy, it's it's more like

1:55:30.200 --> 1:55:32.800
<v Speaker 5>it's got to change. So whatever is implemented has to

1:55:32.800 --> 1:55:35.520
<v Speaker 5>be able to morph at just like he did. He

1:55:35.560 --> 1:55:37.880
<v Speaker 5>morphed and he changed. He changed, but he didn't like

1:55:37.920 --> 1:55:40.240
<v Speaker 5>there were the core things. His core thing with Prince

1:55:40.360 --> 1:55:43.240
<v Speaker 5>was always the record company. Like he was always going

1:55:43.280 --> 1:55:45.040
<v Speaker 5>to fight the record company. It didn't matter whether he

1:55:45.080 --> 1:55:46.960
<v Speaker 5>was friends with them or not. He was always he

1:55:47.000 --> 1:55:50.040
<v Speaker 5>was always gonna look at an attorney side eyed. Always

1:55:50.200 --> 1:55:52.680
<v Speaker 5>he didn't trust attorneys. No matter who tells you what,

1:55:52.960 --> 1:55:56.120
<v Speaker 5>he didn't trust them. You know, you can say that

1:55:56.240 --> 1:55:58.800
<v Speaker 5>like three does a blels lowered, it'll still be true.

1:55:59.080 --> 1:56:01.720
<v Speaker 5>Like he you know, there were there were certain things

1:56:01.720 --> 1:56:05.200
<v Speaker 5>about him and like Duayanne and meant to you and

1:56:05.200 --> 1:56:07.680
<v Speaker 5>everyone here says like he would change his mind, then

1:56:07.680 --> 1:56:09.600
<v Speaker 5>he would change it back. So what I can say

1:56:09.600 --> 1:56:12.120
<v Speaker 5>to you right now could almost be like solid truth.

1:56:12.160 --> 1:56:14.080
<v Speaker 5>But then you know, the last couple of years, a

1:56:14.080 --> 1:56:16.640
<v Speaker 5>lot of things happened that that I would have never

1:56:16.720 --> 1:56:19.120
<v Speaker 5>even foreseen because of all the things that he said

1:56:19.160 --> 1:56:21.240
<v Speaker 5>to me. You know, over and over and over again

1:56:21.320 --> 1:56:22.760
<v Speaker 5>that he would never do and some of the things

1:56:22.760 --> 1:56:27.120
<v Speaker 5>were done therefore, you know, who's to say, but the best,

1:56:27.760 --> 1:56:32.240
<v Speaker 5>the best implementation of his legacy would be to have

1:56:32.760 --> 1:56:37.560
<v Speaker 5>the music released, but in a timely manner after it's

1:56:37.600 --> 1:56:41.680
<v Speaker 5>been well curated and and and and you know, all

1:56:41.720 --> 1:56:44.560
<v Speaker 5>the anthology, the prince anthologists that are present or whoever

1:56:44.640 --> 1:56:47.800
<v Speaker 5>needs to be involved with that, knowing what needs to

1:56:48.480 --> 1:56:51.000
<v Speaker 5>what what you know, come to a consensus and agreement

1:56:51.280 --> 1:56:53.240
<v Speaker 5>like my dream and I had I had already. I

1:56:53.280 --> 1:56:55.880
<v Speaker 5>had told him this when we were talking about his

1:56:57.040 --> 1:56:59.320
<v Speaker 5>the day we talked about as well, and he was like,

1:56:59.400 --> 1:57:01.800
<v Speaker 5>oh why because he asked me why he should have

1:57:01.800 --> 1:57:04.160
<v Speaker 5>a will and I'm like, because somebody needs to manage

1:57:04.160 --> 1:57:06.360
<v Speaker 5>your state. And he's like, why you think you're gonna

1:57:06.360 --> 1:57:08.160
<v Speaker 5>manage it? And I was like, you know what, I

1:57:08.240 --> 1:57:10.200
<v Speaker 5>did a really good job. If you were good if

1:57:10.200 --> 1:57:12.480
<v Speaker 5>you ask me the question, He's like, oh, all by yourself,

1:57:12.680 --> 1:57:14.760
<v Speaker 5>and I'm like, no, I would have like a tribe

1:57:14.920 --> 1:57:17.880
<v Speaker 5>of people managing. You would take one old band member,

1:57:17.920 --> 1:57:20.879
<v Speaker 5>not all of them, because there's a lot of stuff happening,

1:57:21.280 --> 1:57:23.120
<v Speaker 5>and you would rotate. There would be two positions you

1:57:23.120 --> 1:57:24.840
<v Speaker 5>would rotate. It would be the band members and it

1:57:24.840 --> 1:57:28.760
<v Speaker 5>would be maybe some sort of super fan base. The

1:57:29.160 --> 1:57:32.720
<v Speaker 5>other ten they would be executives. There would be you know,

1:57:34.080 --> 1:57:37.600
<v Speaker 5>music and you would be your music industry executives. There

1:57:37.600 --> 1:57:42.320
<v Speaker 5>would be your counterparts like Lenny Kravitz or you know,

1:57:42.720 --> 1:57:45.120
<v Speaker 5>somebody like that. And then you would have you know,

1:57:45.280 --> 1:57:49.280
<v Speaker 5>maybe one former employee. But even that should be rotated

1:57:49.320 --> 1:57:53.080
<v Speaker 5>because power just is strange when it comes to Prince.

1:57:53.120 --> 1:57:56.840
<v Speaker 5>It's where I learned how to hate everybody. So it

1:57:56.880 --> 1:57:59.920
<v Speaker 5>would literally be a tribe of people sort of curating

1:58:00.120 --> 1:58:05.480
<v Speaker 5>and finding the best alternative for you know, because everybody's

1:58:05.480 --> 1:58:07.520
<v Speaker 5>got the version. Well that Prince would never do that, Well, no,

1:58:08.120 --> 1:58:11.320
<v Speaker 5>you wouldn't do it, but he didn't leave direction, so

1:58:11.400 --> 1:58:13.520
<v Speaker 5>you have to take the next best things in order

1:58:13.520 --> 1:58:16.280
<v Speaker 5>to secure his legacy, to move it forward and to

1:58:16.360 --> 1:58:18.520
<v Speaker 5>introduce it to the masses. Like I like Matt too,

1:58:19.120 --> 1:58:21.360
<v Speaker 5>Like when we talk, he tells me something new all

1:58:21.400 --> 1:58:23.760
<v Speaker 5>the time that I didn't know about Prince because I

1:58:23.800 --> 1:58:27.200
<v Speaker 5>only knew the person. Really the musician is something that

1:58:27.280 --> 1:58:30.680
<v Speaker 5>I am still discovering, and that would be like a

1:58:30.760 --> 1:58:33.800
<v Speaker 5>dream to have that sort of cemented, if you know,

1:58:33.840 --> 1:58:36.360
<v Speaker 5>the estake could just sort of set a hard and

1:58:36.400 --> 1:58:40.200
<v Speaker 5>fast guideline or something that's concrete, like a like a

1:58:40.280 --> 1:58:43.120
<v Speaker 5>serious documentary, which I've talked to other people about, and

1:58:43.680 --> 1:58:48.760
<v Speaker 5>something that just takes in everything and you don't have

1:58:48.840 --> 1:58:51.480
<v Speaker 5>there's not enough time to go over it's like a documentary.

1:58:51.480 --> 1:58:54.040
<v Speaker 5>It would be like ten hours. There's just too much.

1:58:54.080 --> 1:58:55.680
<v Speaker 5>He did on so many different levels.

1:58:55.720 --> 1:58:57.760
<v Speaker 7>And I add one or two things real quick. You

1:58:57.800 --> 1:59:01.880
<v Speaker 7>would mention documentary. We were talking earlier about ken Burns

1:59:01.920 --> 1:59:04.040
<v Speaker 7>type thing. It's why I'm watching the One of a

1:59:04.120 --> 1:59:06.560
<v Speaker 7>Vietnam or he did the Jazz one. Imagine a ten

1:59:06.640 --> 1:59:09.880
<v Speaker 7>hour PBS documentary about it. I know, which would be great.

1:59:09.880 --> 1:59:11.520
<v Speaker 7>And I make documentaries for a living. This has to

1:59:11.520 --> 1:59:13.560
<v Speaker 7>be something I would love to do. But one thing

1:59:13.600 --> 1:59:16.240
<v Speaker 7>I wanted to make. You brought something that reminded me

1:59:16.560 --> 1:59:18.800
<v Speaker 7>something that I think has been forgotten. And a lot

1:59:18.800 --> 1:59:21.360
<v Speaker 7>of the stuff that's being done is all the people

1:59:21.360 --> 1:59:24.240
<v Speaker 7>that work for them, the pure and alumni and people

1:59:24.280 --> 1:59:27.080
<v Speaker 7>like that that really were there. Like you were saying,

1:59:27.160 --> 1:59:30.240
<v Speaker 7>there's a lot of people who understand his legacy because

1:59:30.280 --> 1:59:33.800
<v Speaker 7>of the pocket they were in and to have it,

1:59:34.040 --> 1:59:36.960
<v Speaker 7>and I think that it's going to waste by not

1:59:38.240 --> 1:59:40.960
<v Speaker 7>by the estate, not kind of checking in with some

1:59:40.960 --> 1:59:44.600
<v Speaker 7>of these people. I would love to see them do

1:59:43.720 --> 1:59:46.720
<v Speaker 7>a Prince Day at just for the people who used

1:59:46.720 --> 1:59:48.720
<v Speaker 7>to work for them, and say, you guys can all

1:59:48.760 --> 1:59:51.760
<v Speaker 7>kind of Paisley Park, take out your cameras, take pictures

1:59:51.760 --> 1:59:53.160
<v Speaker 7>and make it like a picnic day for all you

1:59:53.200 --> 1:59:55.160
<v Speaker 7>guys can kind of get back together and have a

1:59:55.200 --> 1:59:57.400
<v Speaker 7>fun day. But it seems to be so secretive right now,

1:59:57.840 --> 2:00:00.240
<v Speaker 7>and they don't like to do that to me that

2:00:00.240 --> 2:00:03.200
<v Speaker 7>there's engineers and there's band members that have stories to tell.

2:00:03.240 --> 2:00:05.080
<v Speaker 7>And that's one of the reasons I wrote a book,

2:00:05.520 --> 2:00:07.120
<v Speaker 7>and that's one of the reasons we all love articles

2:00:07.120 --> 2:00:09.120
<v Speaker 7>and stuff like this about this stuff. And that's one

2:00:09.120 --> 2:00:11.000
<v Speaker 7>of the reasons you you know, people come on your

2:00:11.000 --> 2:00:13.280
<v Speaker 7>show because we want to hear these stories. And these

2:00:13.280 --> 2:00:16.680
<v Speaker 7>stories are going to die if these aren't told. And

2:00:17.480 --> 2:00:19.480
<v Speaker 7>these stories are what keeps Prince alive. And when I

2:00:19.520 --> 2:00:22.360
<v Speaker 7>hear these, it's like he's back again, and we're never

2:00:22.360 --> 2:00:23.840
<v Speaker 7>going to get him back and again there's never gonna

2:00:23.840 --> 2:00:26.040
<v Speaker 7>be another Prince. So it's up to everybody else to

2:00:26.120 --> 2:00:29.280
<v Speaker 7>tell these stories and to put the pieces together. We're

2:00:29.320 --> 2:00:31.920
<v Speaker 7>never going to get the full picture. But the responsibility

2:00:31.920 --> 2:00:34.640
<v Speaker 7>of everybody right now is to tell the truth and

2:00:34.760 --> 2:00:36.120
<v Speaker 7>to tell what they remember.

2:00:37.040 --> 2:00:39.000
<v Speaker 8>I know, but I'm saying to tell that tell the

2:00:39.000 --> 2:00:40.000
<v Speaker 8>truth as much as they can.

2:00:40.160 --> 2:00:41.800
<v Speaker 5>So many revised historically.

2:00:41.920 --> 2:00:43.920
<v Speaker 7>Well that's true, but I think that people are getting

2:00:43.960 --> 2:00:47.560
<v Speaker 7>ignored and accidentally ignored or actually written off. And there's

2:00:47.560 --> 2:00:49.400
<v Speaker 7>a lot of people that had you know, I would

2:00:49.520 --> 2:00:51.720
<v Speaker 7>never have known the glass cutter story. And now I'm

2:00:51.760 --> 2:00:54.920
<v Speaker 7>going to always think about that exactly.

2:00:59.200 --> 2:01:01.320
<v Speaker 8>I'd be fired just tag me to it. But but

2:01:01.360 --> 2:01:02.800
<v Speaker 8>I think that there's there's stories like this.

2:01:02.840 --> 2:01:05.040
<v Speaker 7>I mean, somebody, Joe Willis was telling me that there

2:01:05.080 --> 2:01:08.280
<v Speaker 7>was a the song shake. He was gonna make a

2:01:08.760 --> 2:01:11.720
<v Speaker 7>shake in the in the in the kitchen and he

2:01:11.760 --> 2:01:13.400
<v Speaker 7>came up with shake. He's like, I'll be right back,

2:01:13.400 --> 2:01:16.640
<v Speaker 7>and you know, goes so that kind of stuff. There

2:01:16.680 --> 2:01:20.000
<v Speaker 7>was another one somebody told me that the house quake

2:01:20.520 --> 2:01:22.720
<v Speaker 7>was he was walking across the floor going out to

2:01:22.760 --> 2:01:26.320
<v Speaker 7>dinner here in one of the studios and his feet

2:01:26.640 --> 2:01:30.520
<v Speaker 7>made that sound it and and he's like, dinner's off,

2:01:30.680 --> 2:01:32.520
<v Speaker 7>and he went back to the drammon went poop poom,

2:01:32.920 --> 2:01:36.040
<v Speaker 7>you know, and and and you go, you guys always

2:01:36.040 --> 2:01:36.720
<v Speaker 7>feeding the machine.

2:01:37.000 --> 2:01:38.080
<v Speaker 8>So he's always looking.

2:01:37.880 --> 2:01:40.880
<v Speaker 7>For that that, like you said, a casual conversation somebody

2:01:40.880 --> 2:01:43.920
<v Speaker 7>could have, becomes a joke you throw away, becomes a

2:01:43.960 --> 2:01:46.200
<v Speaker 7>song title or becomes a part.

2:01:46.640 --> 2:01:48.520
<v Speaker 5>He's one of my jokes.

2:01:48.600 --> 2:01:50.360
<v Speaker 8>He would steal this stuff all the time.

2:01:50.400 --> 2:01:54.280
<v Speaker 5>With this song is so good, I'm starting to like ovulate.

2:01:53.880 --> 2:01:54.400
<v Speaker 8>And what do you do?

2:01:54.800 --> 2:01:57.080
<v Speaker 5>He made it into like a weird lyric. It was

2:01:57.560 --> 2:02:02.240
<v Speaker 5>terrible exactly he would he would station. I was like, Prince,

2:02:02.280 --> 2:02:03.560
<v Speaker 5>that's not good, that's not good.

2:02:03.680 --> 2:02:05.520
<v Speaker 7>But he would pull this kind of stuff from everybody.

2:02:05.520 --> 2:02:07.560
<v Speaker 7>And and that's one of the fun things is you

2:02:07.560 --> 2:02:11.040
<v Speaker 7>can tell his work based on who was around him.

2:02:11.160 --> 2:02:13.840
<v Speaker 7>You can hear Susan Rodgers influence, you can hear Peggy

2:02:13.880 --> 2:02:16.160
<v Speaker 7>my career influence, you can hear each one of these

2:02:16.160 --> 2:02:18.560
<v Speaker 7>band members that you know, Fink was around for this

2:02:18.680 --> 2:02:20.760
<v Speaker 7>long period and so he's got stories to tell it.

2:02:20.920 --> 2:02:23.520
<v Speaker 7>Just to me, I think it's almost criminal that that

2:02:23.640 --> 2:02:25.760
<v Speaker 7>these things aren't being well.

2:02:25.800 --> 2:02:27.880
<v Speaker 5>Hopefully, if there's like a documentary that comes.

2:02:27.800 --> 2:02:30.560
<v Speaker 2>Out, documentary just the oral history of print.

2:02:30.440 --> 2:02:31.640
<v Speaker 8>Stories, Yeah that's true.

2:02:33.080 --> 2:02:35.600
<v Speaker 5>I'm gonna start my book right now, but I do

2:02:35.680 --> 2:02:37.800
<v Speaker 5>want to see because I did mention hashtag me too,

2:02:38.000 --> 2:02:39.920
<v Speaker 5>just I don't want to be slight about it at all.

2:02:40.000 --> 2:02:43.400
<v Speaker 5>That Prince, even though you could be slightly misogynistic and

2:02:44.160 --> 2:02:49.720
<v Speaker 5>kind of a jerk sometimes, he was never, ever, ever,

2:02:51.240 --> 2:02:57.040
<v Speaker 5>as far as I know, inappropriate with women. And I

2:02:57.120 --> 2:02:58.520
<v Speaker 5>just want to put that out there because there's so

2:02:58.560 --> 2:03:01.560
<v Speaker 5>many people like like you know, getting thrown under the

2:03:01.600 --> 2:03:04.360
<v Speaker 5>bus and Dave Chappelle. I just saw him and spend

2:03:04.360 --> 2:03:06.800
<v Speaker 5>some time with him, and you know, he's a lot

2:03:06.840 --> 2:03:09.120
<v Speaker 5>of his comedy is on that. But Prince, even though

2:03:09.120 --> 2:03:12.160
<v Speaker 5>he was all about the sex and and all kind

2:03:12.200 --> 2:03:14.760
<v Speaker 5>of crazy whatever the wild and crazy songs you were

2:03:14.760 --> 2:03:18.440
<v Speaker 5>talking about with those lyrics, he was never ever not

2:03:18.520 --> 2:03:21.520
<v Speaker 5>to me, not to like, anybody that was involved was

2:03:21.560 --> 2:03:24.160
<v Speaker 5>there because they wanted to be there. He was never inappropriate.

2:03:24.200 --> 2:03:25.360
<v Speaker 5>He was never I.

2:03:25.280 --> 2:03:28.640
<v Speaker 2>Think the majority of his fan base happens to agree

2:03:28.680 --> 2:03:29.240
<v Speaker 2>with you.

2:03:29.480 --> 2:03:31.560
<v Speaker 5>Yeah, but I don't know how who listens to this,

2:03:31.640 --> 2:03:34.520
<v Speaker 5>and I just want to make that, but I just

2:03:34.560 --> 2:03:36.840
<v Speaker 5>want to make that, like it's like a like a

2:03:36.960 --> 2:03:39.560
<v Speaker 5>very clear statement about who Prince was. And he was

2:03:39.640 --> 2:03:42.400
<v Speaker 5>always a gentleman. He might have been like, you know,

2:03:42.600 --> 2:03:46.600
<v Speaker 5>an asshole sometimes, but he was never well, you know,

2:03:46.680 --> 2:03:48.120
<v Speaker 5>I definitely learned a few things.

2:03:47.920 --> 2:03:50.240
<v Speaker 2>From him, but get me some cereal.

2:03:51.480 --> 2:03:53.920
<v Speaker 1>We went on a cereal one night. That was one

2:03:53.960 --> 2:03:58.360
<v Speaker 1>of my favorite. We went to Rouse to get him

2:03:58.360 --> 2:04:01.920
<v Speaker 1>some cereal. And I thought he did that just to

2:04:01.960 --> 2:04:04.760
<v Speaker 1>break up his suspicion if I was trying to see

2:04:04.840 --> 2:04:05.080
<v Speaker 1>ruth it.

2:04:05.160 --> 2:04:05.880
<v Speaker 2>No, I don't know.

2:04:06.520 --> 2:04:08.400
<v Speaker 5>Now you know what he had. No, he had a

2:04:08.440 --> 2:04:11.760
<v Speaker 5>thing about why isn't talking. He's like, tell him Mary,

2:04:11.840 --> 2:04:13.720
<v Speaker 5>he can't come because he talks too much. He's like

2:04:13.760 --> 2:04:17.280
<v Speaker 5>the pot. He's like, he's like he's like talk Like

2:04:17.480 --> 2:04:20.040
<v Speaker 5>bringing him mirror is like having him go snitch to

2:04:20.080 --> 2:04:23.680
<v Speaker 5>the police, you know. But then but then he was

2:04:23.800 --> 2:04:25.360
<v Speaker 5>like relenting would be there.

2:04:31.520 --> 2:04:33.600
<v Speaker 1>All right, Bill, We got to wrap this up. What's

2:04:33.640 --> 2:04:37.160
<v Speaker 1>your wish uh for his legacy?

2:04:38.720 --> 2:04:41.400
<v Speaker 2>I actually would love to It's all pretty much been mentioned.

2:04:41.400 --> 2:04:44.800
<v Speaker 6>But I'd love to see like an app or a

2:04:44.840 --> 2:04:48.360
<v Speaker 6>subscription service that's like based around the app where they

2:04:48.560 --> 2:04:51.040
<v Speaker 6>can continuously rotate content in and out.

2:04:51.640 --> 2:04:53.560
<v Speaker 2>The idea of the MPG Music Club.

2:04:55.360 --> 2:04:59.680
<v Speaker 6>But done properly, but done properly, but done properly, just

2:04:59.800 --> 2:05:00.480
<v Speaker 6>say Jennings.

2:05:00.480 --> 2:05:02.480
<v Speaker 5>But well, I mean, you know, he was that was

2:05:02.520 --> 2:05:04.720
<v Speaker 5>a lot of Prince right, Like you know, Prince wanted

2:05:04.760 --> 2:05:08.360
<v Speaker 5>to have like those weird whatever that hide and seek things.

2:05:08.480 --> 2:05:09.520
<v Speaker 3>Yeah, yeah, I don't know.

2:05:09.760 --> 2:05:11.120
<v Speaker 5>I didn't pay attention to that.

2:05:11.120 --> 2:05:14.080
<v Speaker 3>That was another thing that was started and then just.

2:05:14.360 --> 2:05:19.040
<v Speaker 5>Too busy getting cereal or calling yak so.

2:05:25.240 --> 2:05:28.160
<v Speaker 1>Well all closing saying that probably, I mean, yeah, you guys,

2:05:28.280 --> 2:05:30.360
<v Speaker 1>everything that you guys said, of course I agree with.

2:05:31.200 --> 2:05:33.600
<v Speaker 1>I actually say that I want to be selfish enough

2:05:33.840 --> 2:05:37.360
<v Speaker 1>and maybe.

2:05:36.320 --> 2:05:37.680
<v Speaker 2>Grumpy old guy enough.

2:05:38.920 --> 2:05:42.560
<v Speaker 1>I would like to see the analog version of that

2:05:44.320 --> 2:05:49.160
<v Speaker 1>idea where it's like, maybe it's just me in my

2:05:49.160 --> 2:05:51.480
<v Speaker 1>my middle age wanting to revisit my childhood.

2:05:51.520 --> 2:05:53.080
<v Speaker 2>I don't have room for all that ship.

2:05:53.800 --> 2:05:58.120
<v Speaker 1>We always I'm just saying that for me, especially with

2:05:58.320 --> 2:06:02.320
<v Speaker 1>there being two record store Days, you know, I would

2:06:02.400 --> 2:06:04.720
<v Speaker 1>hear a Record Store Days. Yeah, I would like a

2:06:04.840 --> 2:06:08.280
<v Speaker 1>record store series where it's like, you know, all this

2:06:08.320 --> 2:06:09.760
<v Speaker 1>stuff remastered on wax.

2:06:09.800 --> 2:06:13.200
<v Speaker 2>Of course, this stuff.

2:06:12.960 --> 2:06:15.520
<v Speaker 1>Being you know, we're in forty five culture right now,

2:06:16.120 --> 2:06:21.200
<v Speaker 1>so get the original forty five's reissued the same way mastered,

2:06:21.520 --> 2:06:23.920
<v Speaker 1>you know, the same way, like the excitement of a

2:06:24.000 --> 2:06:26.640
<v Speaker 1>new Prince forty five coming out, what's on the B side?

2:06:26.640 --> 2:06:29.600
<v Speaker 2>That sort of thing. But even then, men like having.

2:06:30.160 --> 2:06:31.760
<v Speaker 6>You know what, I would rather see that done with

2:06:31.840 --> 2:06:34.160
<v Speaker 6>the new stuff that comes out like in the future,

2:06:34.360 --> 2:06:37.000
<v Speaker 6>not the old stuff. Like see the new old stuff,

2:06:37.240 --> 2:06:39.360
<v Speaker 6>get a new print song that I've never heard before

2:06:39.480 --> 2:06:41.240
<v Speaker 6>on forty five with well yeah that too.

2:06:41.280 --> 2:06:43.880
<v Speaker 2>I mean, you know, even the stuff that we have, like.

2:06:44.040 --> 2:06:46.200
<v Speaker 6>I mean, I'm just saying, there's plenty of you stuff

2:06:46.200 --> 2:06:47.160
<v Speaker 6>out in the world people.

2:06:47.280 --> 2:06:49.240
<v Speaker 5>But you know, Prince didn't like the reason why he

2:06:49.280 --> 2:06:52.440
<v Speaker 5>didn't like the digitized stuff was because of the compression

2:06:52.720 --> 2:06:54.360
<v Speaker 5>and that it would lose the sound and that you

2:06:54.360 --> 2:06:57.400
<v Speaker 5>couldn't hear certain sounds in certain tones, and so it

2:06:57.400 --> 2:07:00.600
<v Speaker 5>didn't have the same life as a record does.

2:07:01.160 --> 2:07:05.280
<v Speaker 6>Nowadays though you can stream lossless audio and it's so

2:07:05.360 --> 2:07:07.200
<v Speaker 6>much easier to do then probably.

2:07:07.440 --> 2:07:09.120
<v Speaker 2>Make a Neil Young poem joke.

2:07:10.640 --> 2:07:12.560
<v Speaker 9>But the Jack White, the way he has his vault,

2:07:12.640 --> 2:07:14.960
<v Speaker 9>like I subscribe to it, my son subscribes to it.

2:07:15.000 --> 2:07:17.280
<v Speaker 3>Those things are amazing. Like every three months you get.

2:07:17.120 --> 2:07:20.360
<v Speaker 9>A ridiculous box that you know, colored vital this that

2:07:20.560 --> 2:07:23.520
<v Speaker 9>books that kind of stuff for guys like us, we

2:07:23.600 --> 2:07:23.840
<v Speaker 9>like this.

2:07:24.040 --> 2:07:26.240
<v Speaker 5>When Tower Records, is it Tower Records that was on

2:07:26.280 --> 2:07:29.240
<v Speaker 5>the corner of something when that when that was going

2:07:29.240 --> 2:07:30.480
<v Speaker 5>out of business Prinson want to buy it?

2:07:30.760 --> 2:07:31.440
<v Speaker 2>You want to buy it?

2:07:31.440 --> 2:07:32.960
<v Speaker 5>An open a record store there, and he's like, and

2:07:33.000 --> 2:07:34.720
<v Speaker 5>I want you to write Oh no.

2:07:34.520 --> 2:07:37.800
<v Speaker 2>No, no, no, call it recost.

2:07:38.640 --> 2:07:45.840
<v Speaker 5>He wanted to do. Yeah. Well, he also wanted me

2:07:45.880 --> 2:07:48.080
<v Speaker 5>to open a Caroline's out here and I was like, no,

2:07:48.480 --> 2:07:50.760
<v Speaker 5>comedy club. Yeah, he was like, you could be like

2:07:50.840 --> 2:07:52.320
<v Speaker 5>Caroline interesting.

2:07:55.160 --> 2:07:57.880
<v Speaker 1>You know what for all the talk of like question

2:07:57.880 --> 2:08:00.760
<v Speaker 1>you should be there and curat. I don't.

2:08:00.920 --> 2:08:03.120
<v Speaker 2>I want to. I want to be a fan.

2:08:03.520 --> 2:08:08.080
<v Speaker 1>I wanna you know when Records Store Day happens in April.

2:08:09.080 --> 2:08:11.280
<v Speaker 2>I wanna you know.

2:08:11.360 --> 2:08:16.000
<v Speaker 1>The feeling that I had hearing the that that, uh,

2:08:16.400 --> 2:08:20.960
<v Speaker 1>the reissue of We Can Funk or whatever? Ye like,

2:08:21.240 --> 2:08:28.440
<v Speaker 1>I knew that was the last time that I'd have

2:08:28.600 --> 2:08:30.840
<v Speaker 1>that feeling I had when I was like eleven, like

2:08:31.600 --> 2:08:34.040
<v Speaker 1>hearing the little Recorvette remix for the first time, Like

2:08:34.080 --> 2:08:34.760
<v Speaker 1>what the hell is he.

2:08:34.960 --> 2:08:38.720
<v Speaker 2>Like staring at the speaker. It's hard to please Prince Vance.

2:08:38.800 --> 2:08:42.400
<v Speaker 1>I'll apologize to all the orgers and all the who

2:08:42.920 --> 2:08:45.720
<v Speaker 1>what other chat room people and stuff.

2:08:45.480 --> 2:08:47.240
<v Speaker 8>All the Facebook groups.

2:08:47.640 --> 2:08:50.240
<v Speaker 1>I feel like there's there's no laying they are still around,

2:08:50.240 --> 2:08:54.640
<v Speaker 1>an't they There's no there's no level of happiness. There's

2:08:54.760 --> 2:08:57.080
<v Speaker 1>just like making them angry.

2:08:57.120 --> 2:08:57.840
<v Speaker 2>The least.

2:08:59.160 --> 2:09:02.280
<v Speaker 1>Class half half empty. Now my fans, just like you

2:09:02.320 --> 2:09:04.200
<v Speaker 1>guys are pretty.

2:09:03.920 --> 2:09:06.400
<v Speaker 3>Much I wonder I wonder about some of those people.

2:09:06.280 --> 2:09:08.160
<v Speaker 2>At the at the end.

2:09:08.040 --> 2:09:11.480
<v Speaker 1>Of the day, this is just just a step back,

2:09:11.560 --> 2:09:15.640
<v Speaker 1>a conversation with with with friends, purple friends, nobody know nothing.

2:09:15.680 --> 2:09:19.360
<v Speaker 2>I wanted to do that, Michael. I thank you guys

2:09:19.400 --> 2:09:21.160
<v Speaker 2>for thank you.

2:09:21.720 --> 2:09:23.320
<v Speaker 3>Thank you. Let me crash this.

2:09:23.440 --> 2:09:27.480
<v Speaker 1>Wait a minute, wait, this is my PostScript, Ruth. Do

2:09:27.560 --> 2:09:31.960
<v Speaker 1>you have a silly story anything like something super Yah?

2:09:32.760 --> 2:09:33.640
<v Speaker 5>Yeah, I have got one.

2:09:33.840 --> 2:09:34.280
<v Speaker 3>Just yeah.

2:09:34.600 --> 2:09:39.040
<v Speaker 5>Speaking of being traffic yea. So one time the Princess

2:09:39.080 --> 2:09:41.440
<v Speaker 5>driver couldn't pick him up from he was from here. No,

2:09:41.440 --> 2:09:43.200
<v Speaker 5>it isn't from here. It was another studio on the

2:09:43.200 --> 2:09:46.320
<v Speaker 5>West Side. He was editing the movie that we shall

2:09:46.360 --> 2:09:50.600
<v Speaker 5>not speak of and movie shut up, oscar winning movie,

2:09:50.640 --> 2:09:53.320
<v Speaker 5>and so I had a hoopie at the time. It

2:09:53.400 --> 2:09:58.600
<v Speaker 5>was an infinity. It was like a nice in the No,

2:09:58.640 --> 2:10:00.600
<v Speaker 5>it was an infinity. It was like he was like

2:10:00.720 --> 2:10:03.480
<v Speaker 5>in two thousand and five, two thousand and six, and

2:10:03.920 --> 2:10:05.760
<v Speaker 5>like I got it at a police action so that

2:10:06.000 --> 2:10:13.360
<v Speaker 5>the front seats were ripped up. Good listen. It was

2:10:13.400 --> 2:10:15.400
<v Speaker 5>on set. I'm like, I like to buy new youths.

2:10:15.440 --> 2:10:20.200
<v Speaker 5>I am frugal with my money anyway. Stupid sometimes, but definitely.

2:10:20.280 --> 2:10:23.480
<v Speaker 5>So I regardless, I was in the car and I

2:10:23.480 --> 2:10:25.560
<v Speaker 5>was like, damn it, I'm in my car. He's gonna

2:10:25.560 --> 2:10:27.280
<v Speaker 5>call my car. They looked nice from the outside, but

2:10:27.320 --> 2:10:28.640
<v Speaker 5>once you said in it. So I go to the

2:10:28.680 --> 2:10:31.080
<v Speaker 5>trunk and I had some Musicology T shirts in there,

2:10:31.480 --> 2:10:33.400
<v Speaker 5>but this one had like it was like a prototype

2:10:33.480 --> 2:10:35.680
<v Speaker 5>or whatever, and it had his face on it. And

2:10:35.720 --> 2:10:37.080
<v Speaker 5>I'm like, I'll just put the T shirt on because

2:10:37.080 --> 2:10:38.720
<v Speaker 5>I didn't want to slack. I knew what he was

2:10:38.720 --> 2:10:40.839
<v Speaker 5>wearing that day, and he had like some silky slinky

2:10:40.840 --> 2:10:44.560
<v Speaker 5>pants and they're like sky blue, and so I was like, oh,

2:10:44.600 --> 2:10:47.040
<v Speaker 5>he's gonna get all He's gonna be mad if you

2:10:47.080 --> 2:10:48.920
<v Speaker 5>get some snags. So let me put the T shirt on.

2:10:49.280 --> 2:10:50.520
<v Speaker 5>So I go all the way to the west side

2:10:50.520 --> 2:10:54.840
<v Speaker 5>in Santa Monica and I go and you know, where

2:10:54.840 --> 2:10:55.240
<v Speaker 5>are you?

2:10:55.400 --> 2:10:55.480
<v Speaker 9>Like?

2:10:55.520 --> 2:10:58.120
<v Speaker 5>He's calling me and I'm like I'm driving and he's like, well,

2:10:58.160 --> 2:11:01.320
<v Speaker 5>I'm ready now. I was like, dude, I'm like it's traffic.

2:11:01.680 --> 2:11:03.640
<v Speaker 5>And I get there and he's standing there waiting for

2:11:03.680 --> 2:11:06.720
<v Speaker 5>me person like sucking in his cheeks and pursing his lips.

2:11:07.320 --> 2:11:10.720
<v Speaker 5>You know, it's just annoy that I was. No, it

2:11:10.800 --> 2:11:15.400
<v Speaker 5>was somewhere in Santa Monica. I can't remember something it

2:11:15.440 --> 2:11:17.360
<v Speaker 5>might have been. So I go and I pick him up,

2:11:17.480 --> 2:11:19.640
<v Speaker 5>and you know, I don't get out of my car

2:11:19.680 --> 2:11:21.840
<v Speaker 5>because it's like, you know, he just walks over to me,

2:11:22.200 --> 2:11:24.800
<v Speaker 5>or he doesn't walk, and Prince never walks. He floats

2:11:24.880 --> 2:11:26.880
<v Speaker 5>or flutters or whatever it is that he does. And

2:11:26.920 --> 2:11:28.720
<v Speaker 5>then he sort of like appears in the seat. I

2:11:28.720 --> 2:11:31.600
<v Speaker 5>never see him actually get in, and he looks at it.

2:11:31.800 --> 2:11:34.640
<v Speaker 5>He looks at the seat and he sees the T

2:11:34.760 --> 2:11:35.920
<v Speaker 5>shirt there, and I'm like, you have to sit on

2:11:35.960 --> 2:11:37.800
<v Speaker 5>the T shirt because I don't want your clothes to snag.

2:11:38.280 --> 2:11:40.600
<v Speaker 5>And he doesn't say anything. He starts scowling at me,

2:11:40.760 --> 2:11:43.440
<v Speaker 5>and he's struggling with the seatbelts and I'm like, oh,

2:11:43.600 --> 2:11:45.240
<v Speaker 5>and I'm gonna get the seatbelts. So I reach over

2:11:45.320 --> 2:11:48.680
<v Speaker 5>like a child and I'm like him in. So I

2:11:48.680 --> 2:11:53.960
<v Speaker 5>buckle him in the car. And then it's it's fresh

2:11:54.000 --> 2:11:56.280
<v Speaker 5>hour traffic. It's like five o'clock in the afternoon, and

2:11:56.360 --> 2:11:58.520
<v Speaker 5>he's sitting in there, and I could tell he's mad,

2:11:58.880 --> 2:12:00.480
<v Speaker 5>and I just see him from like the side of

2:12:00.520 --> 2:12:04.320
<v Speaker 5>my eyes is fingering the the phrase of the of

2:12:04.480 --> 2:12:08.440
<v Speaker 5>the stretched open leather like a like a like pig's guts,

2:12:08.640 --> 2:12:10.720
<v Speaker 5>you know. He's like just touching it. And he's like,

2:12:12.440 --> 2:12:16.880
<v Speaker 5>why did not Stacy Snyder or Ali Shermer buy you

2:12:16.960 --> 2:12:19.880
<v Speaker 5>a new car? And I'm like what. And he's like,

2:12:20.000 --> 2:12:22.040
<v Speaker 5>why didn't your old bosses buy you a new car?

2:12:22.080 --> 2:12:24.760
<v Speaker 5>And I'm like, that's that's that's none of how it works, Brince,

2:12:24.840 --> 2:12:28.080
<v Speaker 5>like unless it's a company car, Like why would they?

2:12:28.120 --> 2:12:29.400
<v Speaker 2>Why would they buy me a new car?

2:12:29.520 --> 2:12:30.960
<v Speaker 5>And I was like, I won't you buy me a

2:12:31.000 --> 2:12:33.280
<v Speaker 5>new car? And he's like, you shouldn't be riding around

2:12:33.280 --> 2:12:35.360
<v Speaker 5>a car like this, and I'm like, why it runs?

2:12:36.080 --> 2:12:39.680
<v Speaker 5>And he was like look around and we were like

2:12:39.760 --> 2:12:42.840
<v Speaker 5>in you know, deadlock traffic, and he's like, do you

2:12:42.920 --> 2:12:45.960
<v Speaker 5>think anyone would believe that Prince is in this car?

2:12:46.080 --> 2:12:46.200
<v Speaker 9>Right?

2:12:50.240 --> 2:12:57.360
<v Speaker 10>No, they were tinted, and so it was a long

2:12:57.520 --> 2:13:00.360
<v Speaker 10>it's a long story, but it's a long ass trip

2:13:00.880 --> 2:13:05.120
<v Speaker 10>back to freaking Beverly Hills or wherever he was staying out.

2:13:05.120 --> 2:13:07.240
<v Speaker 5>He was standing at the Boozer House some stories at

2:13:07.240 --> 2:13:08.040
<v Speaker 5>the Boozer House too.

2:13:08.840 --> 2:13:11.040
<v Speaker 2>Did you ever get the car from him?

2:13:11.440 --> 2:13:13.520
<v Speaker 5>No, but I did. I did end up getting and

2:13:13.520 --> 2:13:15.160
<v Speaker 5>he's like when he when I dropped him off. I

2:13:15.200 --> 2:13:17.760
<v Speaker 5>finally dropped him off, and he was like because he started,

2:13:17.800 --> 2:13:19.880
<v Speaker 5>you know with there were people walking by, like he

2:13:19.920 --> 2:13:22.360
<v Speaker 5>would taut people and he would like look at them,

2:13:22.400 --> 2:13:26.000
<v Speaker 5>and people would double take because it was odd to

2:13:26.080 --> 2:13:29.560
<v Speaker 5>see somebody like him and then look and then and

2:13:29.600 --> 2:13:31.160
<v Speaker 5>then they would go back and be like, oh no,

2:13:31.160 --> 2:13:33.400
<v Speaker 5>it's just something dude that looks He's like, see see

2:13:33.400 --> 2:13:38.720
<v Speaker 5>nobody believes princes in the car, he would think, but

2:13:38.840 --> 2:13:42.480
<v Speaker 5>there was something about it. But we had like there

2:13:42.560 --> 2:13:44.320
<v Speaker 5>was another like they had a couple of car things,

2:13:44.360 --> 2:13:45.920
<v Speaker 5>like there was one time that we were in the

2:13:45.920 --> 2:13:48.320
<v Speaker 5>car with guy Siri and he rolls down the limo

2:13:48.400 --> 2:13:51.040
<v Speaker 5>window because he's these kids in the car next to us.

2:13:51.040 --> 2:13:55.400
<v Speaker 5>They're singing loud. They're like and he rolls down guys

2:13:55.400 --> 2:13:57.720
<v Speaker 5>trying to talk. He has a meeting with him in

2:13:57.760 --> 2:14:00.919
<v Speaker 5>the limo, and he rolls down the limo like halfway

2:14:00.960 --> 2:14:04.720
<v Speaker 5>and it goes. He looks over them and he just goes.

2:14:04.920 --> 2:14:10.400
<v Speaker 5>He puts a shush, but he doesn't say it. He

2:14:10.520 --> 2:14:11.280
<v Speaker 5>just goes like this.

2:14:11.560 --> 2:14:21.839
<v Speaker 11>The kids turn around and they go, oh wow.

2:14:21.760 --> 2:14:27.320
<v Speaker 5>Guy Series talking to him like I couldn't stop. I

2:14:27.360 --> 2:14:28.080
<v Speaker 5>started cracking out.

2:14:29.240 --> 2:14:32.400
<v Speaker 2>Thank you. Well, that's a great note to end or.

2:14:33.720 --> 2:14:36.000
<v Speaker 1>All Right, ladies and gentlemen, this is Quest Love signing

2:14:36.040 --> 2:14:37.600
<v Speaker 1>off Quest Love Supreme.

2:14:37.760 --> 2:14:39.240
<v Speaker 2>We will see you on the next go round.

2:14:39.520 --> 2:14:39.920
<v Speaker 3>Thank you.

2:14:51.160 --> 2:14:54.480
<v Speaker 1>Quest Love Supreme is a production of iHeart Radio. This

2:14:54.520 --> 2:14:57.600
<v Speaker 1>classic episode was produced by in the team at the Indor.

2:15:01.720 --> 2:15:06.480
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

2:15:06.600 --> 2:15:08.280
<v Speaker 1>or wherever you listen to your favorite shows.