Speaker 1: Hi, Sabrina hay Will So I just got well as
Speaker 1: you got as the world got. Get ready everybody, because
Speaker 1: I guess it's official. Camp Rock three is filming and
Speaker 1: our producers are already going crazy about the grainy pictures
Speaker 1: coming out.
Speaker 2: Who's going to be in it, what's going to happen? Unbelievable.
Speaker 3: I'm here for it. I want you to know. It's
Speaker 3: like a hell yeah for me, Hell yeah.
Speaker 2: Well.
Speaker 1: You know the thing that I read about this, which
Speaker 1: is which is interesting, is there was there's a uh
Speaker 1: something that was leaked from Disney by accident that said
Speaker 1: Camp Rock three. It's actually it's a combination of you know,
Speaker 1: music and dance the way they have it, but also
Speaker 1: hunger games where they all.
Speaker 2: Kill each other off.
Speaker 3: They're getting killed off.
Speaker 1: Only one Jonas lives. That's all that camp Camp Rock three.
Speaker 1: One Jonas makes it. That's what it's called.
Speaker 2: Will I didn't do this. This is Disney.
Speaker 4: I'm with the millions and millions of magical rewind that.
Speaker 2: People that can't wait to see. I love that. You
Speaker 2: think we have millions and millions of.
Speaker 4: But I am with them going they better not kill
Speaker 4: any one of those amazing.
Speaker 2: Is going to make my.
Speaker 3: Art could take it.
Speaker 2: Jonas enter one, Jonas leaves, that's camp Rock. Three people imagine. No,
Speaker 2: I couldn't imagine. But yes it's true.
Speaker 1: While I might have made up that last part, it
Speaker 1: is true.
Speaker 2: Can't big views in the world of the d com.
Speaker 1: But before we get to what will be the newest
Speaker 1: d com, we got to get to the first d com.
Speaker 2: Yes, what a great transition. My god, I'm good at this.
Speaker 1: Welcome back to Magical Rewind, the show that makes you
Speaker 1: want to grab your friends, your pj's and your popcorn
Speaker 1: and go back to a time and all the houses
Speaker 1: were smart, the waves tsunamis and there was one Jonas left,
Speaker 1: I'm wilfred.
Speaker 2: Ell and Sabrina brad Yes, as the saying goes, you
Speaker 2: never forget your first time. And so we are entering
Speaker 2: a sarcophagus for the DCOM that's started at All nineteen
Speaker 2: ninety seven's under wraps, diving headfirst again into an important
Speaker 2: time for the Disney Channel. That's the spooky season. You
Speaker 2: like that spooky voice, Give me your best movie. Yes,
Speaker 2: wo ah, that'll work. We of course, are talking about
Speaker 2: all hollows Eve Halloween, the weeniest of all Hollows.
Speaker 1: The movie debuted on October twenty fifth, nineteen ninety seven,
Speaker 1: just before Halloween, and was the beginning of a total
Speaker 1: rebrand when it came to films for the studio, introducing
Speaker 1: the term Disney Channel Original Movie or DCOM. The marketing
Speaker 1: that changed the entire ballgame, and the term DCOM is
Speaker 1: so beloved it pretty much become the common branding for
Speaker 1: any movie that the channel has aired exclusively throughout all
Speaker 1: of time. It has become an all inclusive term. So
Speaker 1: even early early movies are still being called DCOM. But Nope,
Speaker 1: this was the first one.
Speaker 2: And frankly, I'm a bit chucked because there's a lot
Speaker 2: of that went on in.
Speaker 3: This literally, I mean time and time again. I just
Speaker 3: kept going, did they just say that? Like, I mean,
Speaker 3: just so much. It's just unreal.
Speaker 4: It's it's the the evolution, I would say for the best.
Speaker 2: There was a.
Speaker 1: Time there was a time where one one character said
Speaker 1: one thing where I paused it, walked the length of
Speaker 1: my house to tell my wife exactly what this character said.
Speaker 2: And we will get into that.
Speaker 1: And I know you, I know you know exactly what
Speaker 1: I'm talking about a couple times. Yes, So We've already
Speaker 1: seen some of the most popular Halloween decommentries both past
Speaker 1: and present.
Speaker 2: We have Halloween Town, twitches, and zombies, just to name
Speaker 2: a few. D common Halloween have become a synonymous pair
Speaker 2: over the years, and under.
Speaker 1: Wraps is a massive reason why. Yes, it's chocolate meats
Speaker 1: peanut butter, peanut butter meats chocolate Halloween meets Disney. Under
Speaker 1: Wraps also marks a rare occurrence where the original film
Speaker 1: spawned a much later reboot and a sequel to that reboot,
Speaker 1: creating what Disney liked to call a franchise. But we're
Speaker 1: talking years and years and years later, and it can
Speaker 1: get a bit confusing because for some reason, only those
Speaker 1: are on Disney. Plus Ah, we'll get into it. Shot
Speaker 1: in the very hot summer of nineteen ninety six in Chico, California,
Speaker 1: which remember that, because it's going to come into play later.
Speaker 1: This was a new location for decomproduction, But then.
Speaker 2: Again was it.
Speaker 1: If this was the first d com then it was
Speaker 1: the original location for decomproduction. It was filmed on a
Speaker 1: low budget, but they hired a hungry team looking to
Speaker 1: make a good, quote unquote child friendly horror movie.
Speaker 2: Loosely inspired by et and they did such a good
Speaker 2: job that some websites Warren Parents that despite being on
Speaker 2: the family friendly side and being on the family friendly
Speaker 2: Disney channel, this movie involves a kid's adventure that includes
Speaker 2: quote mild scares and spooky atmospheres unquote, Sabrina, was this
Speaker 2: movie too scary for kids? Was it scary for you?
Speaker 4: No? No, it wasn't scary at all. Inappropriate at some times, but.
Speaker 2: Not scary, not even for kids. Not even the start.
Speaker 4: Okay, yes, actually the start was You're right, I need
Speaker 4: to get back on my time frame here. Yet the
Speaker 4: beginning was was a little oh whoa whoa closer to
Speaker 4: a horror film than what I was expecting, I guess.
Speaker 1: Yeah, they really rode the line of like one more
Speaker 1: shot and it would not have been able to be
Speaker 1: on the like Disney at all.
Speaker 4: Absolutely, but I mean that throughout it though, I mean,
Speaker 4: it stopped being scary really at all, even the heighten
Speaker 4: of the drama in it was like, this is definitely
Speaker 4: a kid's Disney movie.
Speaker 2: Yeah, I agree.
Speaker 1: Many families have made viewing the original under Wraps as
Speaker 1: an October slash Halloween tradition, so you would think it
Speaker 1: would be found on Disney Plus, like I was saying,
Speaker 1: but no, Shockingly, the first.
Speaker 2: D com is not on Disney Plus. Can you believe that?
Speaker 1: Only the new reboots are available to stream there? So
Speaker 1: you can watch it now on YouTube? Yes, it is
Speaker 1: horrible quality. I also there's two of them there on YouTube.
Speaker 1: One of them says an hour and six minutes long,
Speaker 1: one of them says an hour and thirty minutes long.
Speaker 1: The hour and thirty minute one is the one you
Speaker 1: want to watch it, and it's clearly better than the
Speaker 1: hour and six minutes.
Speaker 2: It's also, for some reason, twenty four minutes longer.
Speaker 1: Uh so, yes, it's free, so you can go watch
Speaker 1: that and feel free to watch it before we deep dive,
Speaker 1: or peep it later after you've waddled into the shallow end.
Speaker 1: But do it fast, people, because summer's ended and the
Speaker 1: weather's turning.
Speaker 2: The pool is going to get cold, very very soon. Sabrina,
Speaker 2: what was your knowledge of the first d comm ever
Speaker 2: under wraps before a little podcast here with millions of listeners?
Speaker 4: Apparently I had no idea so much that when it
Speaker 4: became what it was, which was a spooky season, I
Speaker 4: was shocked. I was like, oh, well, duh, that makes
Speaker 4: sense where we're at in the seasons of the world
Speaker 4: right now.
Speaker 3: But I was shocked.
Speaker 4: I had no idea under Wraps. I thought maybe it
Speaker 4: was like a detective movie. I really had no idea
Speaker 4: when it came to the name of it, and then
Speaker 4: it made sense the name of it later on as Okay, okay.
Speaker 2: Yeah, no, I knew.
Speaker 1: I knew what this movie was because of this podcast
Speaker 1: and okay, somebody had mentioned under Wraps and mummies.
Speaker 2: That's the only reason I knew what it was about,
Speaker 2: all right, So yeah, so I.
Speaker 3: Kept talking about reviewing this one for a.
Speaker 2: While now that so it must be that because I have.
Speaker 3: But I had no idea there was going to be
Speaker 3: a mummy.
Speaker 4: I I just kind of opened it up, watched it,
Speaker 4: and went, okay, we're folloween season yes.
Speaker 2: Something with this. Yeah there's no daddy, but there's definitely
Speaker 2: a mummy, thank you very much. So why don't you
Speaker 2: rise from your tomb and pine for the queen? It's
Speaker 2: time for the synopsis.
Speaker 1: Three kids accidentally awaken a three thousand year old mummy
Speaker 1: who they named Harold, and must hide him away while
Speaker 1: trying to return him to his lover before night This
Speaker 1: movie is directed by Greg Beeman. That is a name
Speaker 1: we have heard many times, a season name in Hollywood
Speaker 1: whose first jobs behind the camera were Magical World of
Speaker 1: Disney films. One was called The Little Spies and the
Speaker 1: other was a movie we have to do soon or
Speaker 1: my life will not be complete. The richest cat in
Speaker 1: the world. Yes, he would go on to direct movies
Speaker 1: like License to Drive, Mom and Dad, Save the World,
Speaker 1: underrated movie in my opinion, and Problem Child three. But
Speaker 1: listen to this lineup for d COM's people. These are
Speaker 1: the dcoms that bear his name. Under Wraps, Brink, Horse, Sense,
Speaker 1: Miracle and Lane to the Ultimate Christmas Present. There is
Speaker 1: not a dud in the bunch. He'd go on to
Speaker 1: become a force and TV, both directing and executive producing
Speaker 1: shows like Heroes, Smallville, Nash Bridges, and Falling Skies. As
Speaker 1: far as the cast goes, under Rap stars Mario Yedidia.
Speaker 1: I want to say, is how you pronounce his name
Speaker 1: as Marshall. He by all definitions as the star. Mario
Speaker 1: was also seen in the movie Jack with Robert Williams,
Speaker 1: but that's about it. Under Wraps was basically his last project,
Speaker 1: which is something we've not really seen before, kid did
Speaker 1: two movies and bounced.
Speaker 2: Adam Wiley is Gilbert.
Speaker 1: He's best known as Zachary Brock on the nineties TV
Speaker 1: show Picket Fences, but he has worked a ton over
Speaker 1: the years. As a kid, he's in movies like Child's
Speaker 1: Play two and Kindergarten Cop and basically appeared in every
Speaker 1: TV show you've ever seen, from Seinfeld to Who's the
Speaker 1: Boss to Living Single two, Boy Meets World. And as
Speaker 1: an adult, you've seen him in Castle, Shake It Up,
Speaker 1: and CSI Miami. But most notably, he appeared in the
Speaker 1: twenty twenty two Under Wraps reboot. Is a fun little
Speaker 1: Easter egg for the fans of the original. Ken Campbell
Speaker 1: is Bruce. Ken is a recognizable character actor seen in
Speaker 1: things like armagedon Groundhog Day, Seinfeld Again, and Coyote Ugly,
Speaker 1: and in an episode of Girl Meets World as well.
Speaker 1: He played Jingles the Clown, but our listeners will know
Speaker 1: him the best is the just relieved mal Santa that
Speaker 1: Kevin Callister runs into with a message for the real
Speaker 1: Santa in Home Alone. Ken is still working today, most
Speaker 1: recently heard as the voice on the animated series Adventures
Speaker 1: in Wonder Park Clara or Clara. I think it's Clara
Speaker 1: Bryant is Amy. Clara had appeared on Roseanne and Buffy
Speaker 1: the Vampire Slayer, but most importantly for this podcast, she's
Speaker 1: in the dcom True Confessions. Her last credit was in
Speaker 1: two thousand and seven, and I recognized her from Drew
Speaker 1: Confessions but couldn't figure where, and so I did it
Speaker 1: a little Google honor.
Speaker 2: She is now an attorney. Wow. Great.
Speaker 1: Yes, she left the business entirely after being a child actor,
Speaker 1: went to law school and is a practicing attorney. Kareem
Speaker 1: Boor I'm hoping I say that right, but I'm sure
Speaker 1: I am not. It's probably Coryn Bahar. It's I think
Speaker 1: it's Kareeen Bohr plays Marshall's mom. She starred in Police
Speaker 1: Academy for Citizens on Patrol Underrated Citizens on Patrol, Police
Speaker 1: Academy movie. Yes, I'm saying that right because it is
Speaker 1: an underrated a movie for Police Academy.
Speaker 2: Three was okay, four was pretty good, and she was
Speaker 2: also in the movie Zapped.
Speaker 1: But to us, she's just Julie in Phantom of the Megaplex.
Speaker 1: She has since appeared on TV shows like Murder. She
Speaker 1: wrote Party of Five, Veronica, Mars and Grey's Anatomy, and
Speaker 1: the legendary Bill Fagerbaki plays Harold the Mummy. Bill first
Speaker 1: hit mainstream as assistant Coach Dauber on Coach, but will
Speaker 1: always be the voice of Patrick Starr on SpongeBob SquarePants.
Speaker 1: You want to hear something really crazy.
Speaker 2: Yes, I've never once seen an episode of SpongeBob SquarePants.
Speaker 3: Yeah, that is crazy.
Speaker 2: I mean I've never seen and I've i hear it's
Speaker 2: amazing and Tom Kenny's a great guy and a friend.
Speaker 2: And I've never ever seen an episode of SpongeBob square.
Speaker 4: I get little snippets here because it plays on my
Speaker 4: recordings before my friend's episodes that I record every single
Speaker 4: one of.
Speaker 2: That's crazy.
Speaker 4: I have ever seen it, really honestly that much too.
Speaker 4: I wasn't a big fan, which I know is like crazy.
Speaker 4: I just wasn't.
Speaker 1: Yeah, by the way, SpongeBob SquarePants because it's so big
Speaker 1: as pretty much all you need for this man's career.
Speaker 1: But he still does a ton of voiceover rolls. I've
Speaker 1: gotten a chance to work with him several times. He's
Speaker 1: a very nice guy. I love just to He's great
Speaker 1: he's gray. He is a true legend and someone who
Speaker 1: went through a ton of pain for this role or
Speaker 1: roles since they filmed in the California summer heat. He
Speaker 1: almost passed out numerous times while in the Mummy costume.
Speaker 2: Isn't that crazy?
Speaker 1: But enough preamble, Let's get to what really matters. The runtime, people,
Speaker 1: that's all that matters in any of these films. Under
Speaker 1: Wraps is.
Speaker 2: Ninety five minutes, oh man, And I was just starting
Speaker 2: to love this film.
Speaker 1: That is five minutes over the target and we are
Speaker 1: in what many would call a dead zone no matter
Speaker 1: what's in the movie.
Speaker 2: The scariest part of under Wraps is that you have
Speaker 2: to sit for more than an hour and a half
Speaker 2: foot everyone involved, may you get a hang nail? What
Speaker 2: were you gonna say?
Speaker 4: A double a double hit two? Especially when you're looking
Speaker 4: on YouTube and you're like, oh, it's only an hour
Speaker 4: and then it's like, no, it's not an hour and
Speaker 4: thirty five minutes.
Speaker 2: Hour and thirty five minutes. Yes, So it could have
Speaker 2: been a great movie.
Speaker 1: Now it can only even if it's the best movie ever,
Speaker 1: can only be good. And it's written by Don Reimer,
Speaker 1: a prolific writer starting in TV which shows like Coach Again,
Speaker 1: Evening Shade in Carolina and the City, but eventually crafting
Speaker 1: movies like all the Big Mama's House films, Surfs Up
Speaker 1: and Rio Rymer unfortunately passed away in twenty twelve and
Speaker 1: was only fifty one years old. And now wrap me
Speaker 1: in bandages and call me Harold, we are entering the horror.
Speaker 2: That is now known as under Wraps.
Speaker 1: The movie opens with a little stop motion over parchment
Speaker 1: paper and what can be seen as the bandages from
Speaker 1: a mummy. There's a sarcophagus, a spider, a snake in
Speaker 1: the hand of well said mummy. The viewers know right
Speaker 1: off the bat.
Speaker 2: We're in for a little bit of Halloween fun, and
Speaker 2: then we're thrown right into it.
Speaker 1: Spooky music and a young boy named Ben pushing around
Speaker 1: his food on a dinner plate. His dad sternly states
Speaker 1: that Ben must sleep in his own room tonight. His
Speaker 1: mean big sister calls him a baby because he thinks
Speaker 1: a monster lives in his closet. So let's go really
Speaker 1: quickly and add her to the crappy dcom siblings list.
Speaker 1: And we're not even two minutes in. Good news is
Speaker 1: he tells her to shut up and calls her a cow.
Speaker 2: There's a lot of mean like in this whole movie.
Speaker 1: There's just an insult after insult insult.
Speaker 2: It is the mid nineties, people, this is how we
Speaker 2: spoke to each other.
Speaker 1: Ben swears the monster's real, though it's huge with hairy
Speaker 1: arms and sharp teeth. His dad calls to claim ridiculous.
Speaker 1: But guess what it's not because we enter a point
Speaker 1: of view from outside the house looking in through a window,
Speaker 1: and whatever it is, it's lightly growling. It is a monster. Also, Sabrina,
Speaker 1: this is what I'm saying.
Speaker 2: A we both area. It's a bit scary what's going on.
Speaker 5: But b.
Speaker 1: Did you know right away this was gonna be a
Speaker 1: movie within a movie?
Speaker 2: No, I didn't you, Okay, I went.
Speaker 4: I was like shocked, and I'm like kind of embarrassed
Speaker 4: that I didn't realize that that was happening, because I went,
Speaker 4: we are getting to some serious, really fat and then
Speaker 4: it happened, and I was like, oh, you dumb, dumb,
Speaker 4: like what like, come on, Sterna, You've been watching this
Speaker 4: stuff too much to not realize that was happening.
Speaker 3: Like right from the start. I think I was just.
Speaker 4: Really caught on being the the idea that this little
Speaker 4: brother was calling his sister a cow.
Speaker 3: I think that's where I was trying to figure that
Speaker 3: out real quick.
Speaker 1: Yeah yeah, no, I it took me about thirty seconds,
Speaker 1: but I was like, oh, this is gonna be fake.
Speaker 3: Yeah, okay, see no, I wasn't and I haven't look good.
Speaker 1: The camera angles are weird. I was like, oh, they're
Speaker 1: they're doing a fake like horror movie here.
Speaker 6: Yeah.
Speaker 4: Well it's also hard to because it's on YouTube, so
Speaker 4: it's you know, trying to very quickly.
Speaker 2: Kind of like figure it out.
Speaker 3: Figure that out was, you know, but I should give
Speaker 3: myself that much credit. I was an idiot. Sorry.
Speaker 1: So, just as Ben sub comes to his dad's insistence
Speaker 1: that monsters aren't real, whatever's outside is gearing up. The
Speaker 1: kids leave to do homework with mom while dad sticks
Speaker 1: around the kitchen to wash them dishes, but he stumbles
Speaker 1: dropping a sharp knife down the drain.
Speaker 2: Damn.
Speaker 1: He reaches in to get it as it spins with
Speaker 1: the compactor. He sizes up how he's going to how
Speaker 1: he's going to retrieve it, and it's all pretty luminous,
Speaker 1: and then smash a monster in a Flannel crashes through
Speaker 1: the window, grabs dad's head and squeezes as hard as
Speaker 1: he can.
Speaker 2: We get a close up.
Speaker 1: With the monster's face and it's almost dripping with teeth
Speaker 1: in every direction.
Speaker 2: It's truly horrifying, especially for a kids movie. The dad
Speaker 2: screams as they both look at the looming circling knife,
Speaker 2: and then it's like the monster's gonna slam his head
Speaker 2: down and the knife to grind up his head, and
Speaker 2: then we pull out. It is just a movie. We're
Speaker 2: in a pack theater watching wart heead for a day
Speaker 2: in the country.
Speaker 4: The grieving titles that are in this movie are pretty
Speaker 4: dang good.
Speaker 2: Pretty good. Wart add four, it's pretty good.
Speaker 3: They're good.
Speaker 2: So we zoom in then on two boys, Gilbert and Marshall.
Speaker 2: The bespeckled Gilbert is screaming and very scared. Marshall is
Speaker 2: way more season to frights. Gilbert can't take it anymore,
Speaker 2: so he sprints off to the lobby, where he says
Speaker 2: he will need to vomit. The movie ends in the
Speaker 2: crowd disperses, Marshall reunited with Gilbert, who was waiting outside.
Speaker 2: Gilbert is not ashamed whatsoever. He likes happy movies like
Speaker 2: the sound of music. On their walk home, the boys
Speaker 2: talk about, by the way, that was me, I was
Speaker 2: that guy. I don't want to go see a horror movie.
Speaker 2: I'd much rather sing the hills are Alive with the
Speaker 2: sound of music. Yes.
Speaker 1: On their walk home, the boys talk about their upcoming
Speaker 1: Halloween costumes or lack thereof. Gilbert, who already feels like
Speaker 1: a wet blanket, calls it a dumb tradition, and just
Speaker 1: as they're about to cross the street, a car goes
Speaker 1: speeding by, eventually swerving and making a harsh, very unsafe term.
Speaker 1: That is mister Kubot, Marshall's creepy neighbor who always drives
Speaker 1: like a madman. Gilbert has delivered his newspaper for two years,
Speaker 1: but is too afraid to even collect the money.
Speaker 4: Okay, wait, hold on, We're back at this paper job
Speaker 4: that I don't fully fully understand, right, So.
Speaker 3: I'm like, okay, so you have to collect the money
Speaker 3: from everywhere?
Speaker 4: Did you ever have this job? Did you have anyone there?
Speaker 4: So I'm like so confused. Now I'm like, so.
Speaker 3: This kid that gets hired to do this to row
Speaker 3: the papers?
Speaker 2: Right, you drive her bike?
Speaker 7: Yeah?
Speaker 3: You drive your bike, you throw the papers.
Speaker 4: You throw your paper, but then you also have to
Speaker 4: go around and collect money. This is like, that's a
Speaker 4: lot for a kid to do to collect money from adults.
Speaker 2: I think you do. You have your little notebook and
Speaker 2: you have to go like, hey, mister Johnson, you owe
Speaker 2: me for last month or last week or whatever. I
Speaker 2: think I think that's how it works. Wow, And then
Speaker 2: do you take your cut or get I don't know.
Speaker 4: It's like this just seems like a really complicated job
Speaker 4: for like a kid that I would assume would be
Speaker 4: like eleven.
Speaker 2: You know who?
Speaker 1: You know who we should ask about this? Kathy Ireland,
Speaker 1: the supermodel. Why because Kathy Ireland was like one of
Speaker 1: the She won an award for for like most prolific
Speaker 1: newspaper delivery person when she was a kid.
Speaker 2: Now I know you're swear to God.
Speaker 1: She told us this story on Podmet's World, I Swear
Speaker 1: to God And it was something like they weren't they
Speaker 1: didn't want to give her the award because she was
Speaker 1: a girl or something like that, but it was there
Speaker 1: was something about that. Yeah, it was a whole thing
Speaker 1: square hand to God, handgud remember correctly, Yes, but it
Speaker 1: is they have to like collect the money or whatever.
Speaker 2: But what did they not have, Sabrina.
Speaker 3: They didn't have that paper.
Speaker 2: Magic launching things from the other the left overs from
Speaker 2: the left from the others, exactly from from me too.
Speaker 2: That was the other one got it? Oh, by the way,
Speaker 2: I just got a text. They are down to two
Speaker 2: Jonahs brothers, and so Marshall has decided tonight is the
Speaker 2: night they do something about that. It's payday. But built
Speaker 2: stinking about one of the Jonah's brothers being killed us
Speaker 2: yet happened, because it's like it would never The Joe bros.
Speaker 1: Wouldn't allow it, but Gilbert begs him to leave him alone,
Speaker 1: just leave it alone.
Speaker 2: He doesn't want to collect the money.
Speaker 1: But there's an urban legend that Coubot actually kill the
Speaker 1: kid once, but Marshall reveals the kid just moved to Toronto,
Speaker 1: and just like that, Marshall ignores his pal and stomps
Speaker 1: right up to the creepy man's front door and rings
Speaker 1: the doorbell. A bright porch light turns on, blinding the
Speaker 1: two boys. As mister Coubot answers the door, he has
Speaker 1: a tall, scary presence holding an attack dog on a chain.
Speaker 1: Marshall tries to explain the money owed, but when the
Speaker 1: dog begins to ferociously bark, the boys scurry off, screaming
Speaker 1: in fear. They're followed closely behind by the sprinting canine,
Speaker 1: who only stops when he runs out of the chain.
Speaker 1: Mister Coubot lasts in satisfaction, and the boys yell all
Speaker 1: the way to Marshall's house. Once home, Marshall is greeted
Speaker 1: by his mom, then her new eager to please boyfriend Ted.
Speaker 2: This, of course, is mister Fagerbaki.
Speaker 1: Gilbert takes off as Marshall retreats to his bedroom to
Speaker 1: avoid his mom's new companion, and he is coming on
Speaker 1: a little strongly.
Speaker 2: Hey pal, Hey bud, Huh, how's everything going, sport?
Speaker 1: It's like all right by the second sport, Get the
Speaker 1: hell out of my face. Marshall's room is, by the way,
Speaker 1: a horror fans dream. It's filled with full sized monsters
Speaker 1: and intricate masks. His mom knocks in the door to
Speaker 1: explain to him that Brad is a really nice guy.
Speaker 1: Marshall's parents divorced, and it obviously still affects him. A
Speaker 1: few days later, at school, the boys are eating lunch
Speaker 1: when their friend Amy. Okay, we're gonna, we're gonna go down,
Speaker 1: We're gonna we're gonna eventually talk about Amy a little bit,
Speaker 1: because Amy, to me is the most one of the
Speaker 1: most bonkers characters in the history of d coms.
Speaker 2: Yes, she's mean and snarky and sexual, and it's like,
Speaker 2: it's the strangest choice for a twelve year old character
Speaker 2: in the history of any dcom we've seen.
Speaker 4: Right, well, already we're jumping into something that we rarely
Speaker 4: see on the d in the d coms is divorce, right,
Speaker 4: that's where it happened. That's one of my Sabrina seas
Speaker 4: like right off the bat, we're like four or five
Speaker 4: minutes in and finding out a divorce. Not that it's
Speaker 4: a bad topic, but it's different from what we are
Speaker 4: used to seeing on the channel at this point, after
Speaker 4: we've watched seven hundred of them and so we're I mean,
Speaker 4: then you get hit in the face with Amy, and
Speaker 4: she just gets crazier and crazier as we continue through
Speaker 4: the movie, Like it really she's she's a different kind
Speaker 4: of character and very different from what we see her.
Speaker 4: And she confessions like, oh my god, day of the
Speaker 4: kind of character we see in True Confession.
Speaker 3: She's a great actress.
Speaker 2: Like, she's very very good, and it's a good character.
Speaker 2: It's a good character. It's just not a deep character.
Speaker 4: Yeah, exactly where you're just I mean, I was so
Speaker 4: thrown so many times in this movie. It was just like,
Speaker 4: and she's the one that I'm assuming is the one
Speaker 4: that you went and told Sue about.
Speaker 3: It was one of her one of her clothes.
Speaker 2: We will talk about this.
Speaker 1: So a few days later, at school, they're eating lunch,
Speaker 1: Amy arrives.
Speaker 2: She has news he's dead. She says, mister Kubat was
Speaker 2: found sprawled out on the kitchen floor, covered in pancake batter,
Speaker 2: but it was a heart attack. He was just making
Speaker 2: pancakes at the time. Amy says that Kubat used to
Speaker 2: work at some museum in New York and has no
Speaker 2: friends or surviving family. Her mom is selling his house
Speaker 2: and it's very very swoogie. There's even a rumor that
Speaker 2: Coubat has a coffin in his basement. Marshall doesn't believe it,
Speaker 2: so Amy says there's only one way to find out,
Speaker 2: and despite Gilbert saying it's a bad idea, today they
Speaker 2: start breaking the law.
Speaker 1: And that's one of the on running things of this
Speaker 1: movie is these little felons running around the town wreaking
Speaker 1: havoc everywhere.
Speaker 4: I mean, when we talk about teacos, we talk about
Speaker 4: like all these like great choices that the kids are
Speaker 4: learning to make, and this one is like a bad
Speaker 4: choice after a bad choice, after very very bad choices.
Speaker 1: Dude, It's unbelievable. So of course, that night, Amy and
Speaker 1: Marshall forced Gilbert to join them. They're going to break
Speaker 1: into Kubat's house, and when they arrive, after much effort,
Speaker 1: they push their way in through a basement window. Gilbert
Speaker 1: upside down surveys the scene. It's weird but not too
Speaker 1: scary until he spots it. It's an old Egyptian tomb
Speaker 1: with a mummy's hand peeking out. Gilbert screams, running off
Speaker 1: into the night, and his friends chase after him to
Speaker 1: find out what he saw, but he immediately realizes he
Speaker 1: left his glasses in the basement, so there's no way
Speaker 1: he's going back. He tells his paths that he saw
Speaker 1: a coffin and a hand. Marshall Niemy force scaredy cat
Speaker 1: Gilbert to return to the basement through some very friendly blackmail,
Speaker 1: and Amy reveals she's had the front door key from
Speaker 1: her mom the entire time. She just thought breaking in
Speaker 1: would be more fun. Shed they could have walked in
Speaker 1: the front door, but she wanted them to break in.
Speaker 1: It's specifically talking about Yeah, I thought breaking it would
Speaker 1: be more fun.
Speaker 4: And to be honest, I feel like when you're growing up,
Speaker 4: every group of friends has this chick or or guy
Speaker 4: or dude or dude that is coming up with these
Speaker 4: bad ideas, and for whatever reason, the rest of you
Speaker 4: ding dongs go with these stupid ideas.
Speaker 3: I know I had one. I think, okay, so that
Speaker 3: I might have been one.
Speaker 2: And that's well, that's what I'm gonna ask.
Speaker 1: It leads me to a great question. How many crimes
Speaker 1: did you commit as a kid and what were they?
Speaker 3: Oh?
Speaker 4: Man, I don't I don't, honestly think if anything, I
Speaker 4: was the chicken that didn't want to do anything and
Speaker 4: just kind of anything.
Speaker 3: That was usually me.
Speaker 4: But I would do stuff that I knew if I
Speaker 4: got caught, wouldn't be that bad, like breaking into my
Speaker 4: sister's room.
Speaker 2: Right that kind of Oh that's.
Speaker 3: Not that bad.
Speaker 4: But I felt like that was I had some balls
Speaker 4: to do it because my sister found out I was
Speaker 4: really going to be in trouble, but actually breaking the law,
Speaker 4: I didn't.
Speaker 2: I don't.
Speaker 3: I don't think I did that. Really, I honestly can't
Speaker 3: think of one. Do you have one? Did you break
Speaker 3: the law? Well?
Speaker 2: No, no, I never did. I was an amazing I
Speaker 2: don't want to.
Speaker 3: Be recorded and on camera.
Speaker 2: And I was an amazing kid. I never broke the
Speaker 2: law as a kid in any way, shape or form
Speaker 2: a right, I never did anything angel I did. I
Speaker 2: got into let's put it this way.
Speaker 1: I might have gotten into some shenanigans and or monkey shines.
Speaker 1: It might have happened, but I didn't do anything horrible.
Speaker 1: But you know, there was an occasional my friends and
Speaker 1: I would break into our school when we were like,
Speaker 1: you know, in seventh grade, like that kind of stuff.
Speaker 2: But nothing. We didn't do anything like we never caused
Speaker 2: any serious damage or lit fires or didn't do any
Speaker 2: of that kind of crazy stuff. We didn't steal cars.
Speaker 3: Or anything interested in doing that.
Speaker 7: I was.
Speaker 2: I was a scaredy cat in my of my group
Speaker 2: as well.
Speaker 1: We would see, you know, one of the things we
Speaker 1: used to do, which I guess is technically breaking the
Speaker 1: law is we would all gather at a friend's house
Speaker 1: for a sleepover, and then we'd sneak out in the
Speaker 1: middle of the night to go to a girl's house
Speaker 1: who was also.
Speaker 2: Having a sleepover, and then you trying to kiss the
Speaker 2: girls over there.
Speaker 1: So like walking through the town at three o'clock in
Speaker 1: the morning, trying to get to the other side of
Speaker 1: town through train tracks and stuff like that, dangerous and
Speaker 1: probably technically breaking a lot with stuff like that that
Speaker 1: we were doing, but never anything that was you know,
Speaker 1: like this girl is, she's advocating serious breaking.
Speaker 3: An abandoned house and doing that kind of stuff.
Speaker 2: That's a lot, especially when you have mom too.
Speaker 3: Though she's stealing a key of a house that they
Speaker 3: don't know. That's right either.
Speaker 1: Also choosing to break the law over just opening the
Speaker 1: door like she's like, no, I wanted to break some stuff.
Speaker 2: Yikes. So anyway, they unlock the door and they walk
Speaker 2: in and we see the mummy hand in the basement,
Speaker 2: slowly moving, so maybe he's waking up.
Speaker 1: The house looks very much abandoned. The kids navigate their
Speaker 1: way through the dust, eventually finding the basement door. Amy
Speaker 1: and Marshall make their way downstairs, with Gilbert staying upstairs.
Speaker 1: That would have been me finally getting out of his journey.
Speaker 1: He doesn't want to be there in the first place,
Speaker 1: but now he's alone, surrounded by slamming shut doors, creaky noises,
Speaker 1: and a turning doorknob, and Jesuinenie's had enough. His friend's return,
Speaker 1: seemingly unfazed by the basement, A terrified Gilbert begins to
Speaker 1: describe what he's been seeing, and that's when an angry
Speaker 1: mummy bursts through the nearby door. He waddles towards the kids,
Speaker 1: who try to hide from him throughout the house, eventually
Speaker 1: landing in a bedroom and blocking the door with furniture,
Speaker 1: but it does nothing to keep them safe. The mummy,
Speaker 1: now grunting loudly, breaks through it. Immediately they're trapped and
Speaker 1: staring at them. Monster completely at his mercy, and just
Speaker 1: when you think he's going to attack, he notices a
Speaker 1: nearby toilet. He detours, entering the bathroom and then takes
Speaker 1: a long pe and gives a sigh of satisfaction. Is
Speaker 1: this our first urinating in a dcom police?
Speaker 2: So okay that we have yet to have any bodily functions.
Speaker 3: Right at this point, I think we've ever used a restroom.
Speaker 2: No, no, we haven't done that.
Speaker 1: Zac Efron is in the middle of the song, then
Speaker 1: goes excuse me, and then walks into pe and we
Speaker 1: listen to him. P that hasn't happened, as he's still
Speaker 1: singing in the bathroom.
Speaker 4: Would have been racy in its own right. So I
Speaker 4: think we steer clear from Zach Everett.
Speaker 2: You didn't do any something like.
Speaker 1: That that You didn't have to stop strutting halfway through to
Speaker 1: run to the restroom really quick.
Speaker 2: That's not a thing, no, gotcha.
Speaker 1: Yeah, So, while he urinates, the kids make a b
Speaker 1: line for the door. You can tell the dcom still
Speaker 1: trying to find itself, but the Mummy catches Gilbert, grabbing
Speaker 1: him by the shirt and picking him up off the ground,
Speaker 1: But instead of killing the boy, which would have kind
Speaker 1: of been on par for this movie, he hands him
Speaker 1: his glasses. Gilbert thanks the monster, but it's spooked by
Speaker 1: Marshall's beeping digital watch, but again he doesn't attack. He
Speaker 1: just wants to see the watch, and when it peeps again,
Speaker 1: it's the Mummy who cowers in fear. Marshall explains it
Speaker 1: just tells the time and has a calendar. It's obvious
Speaker 1: this mummy isn't gonna hurt him. He's friendly but very,
Speaker 1: very smelly, and Marshall decides he's gonna keep the Mummy.
Speaker 1: He doesn't want anyone to capture their new friend and
Speaker 1: treat him like et. They even mention Et, so they
Speaker 1: lock him in the house and promise they'll be back tomorrow.
Speaker 1: And so the next morning at school, the friends regroup.
Speaker 1: Marshall doesn't want anybody to know about the mummy, especially
Speaker 1: his mom or her new dumb boyfriend. Then Todd, a
Speaker 1: redhead with a crush on Amy, who obviously is like
Speaker 1: the son of one of the directors of the writers,
Speaker 1: pops up at their lockers, but she won't give them
Speaker 1: the time of day.
Speaker 2: As a matter of fact, she's kind of a she's.
Speaker 3: Too rude, as held in him like rude rude.
Speaker 1: And he's super sweet and not creepy. He doesn't come
Speaker 1: in a creepy way. He's like very nice. They make
Speaker 1: him a nice kid, and they make hurt just flat
Speaker 1: out mean again. Yeah, So he apologizes for live and
Speaker 1: breathing the same air as her and trails off she
Speaker 1: admits she could never like him because he saw the
Speaker 1: Ulsen Twins movie twice. That's such a bad thing. And
Speaker 1: then he never appears again. It is quite an odd thing,
Speaker 1: quite an odd cameo.
Speaker 2: A scene you can cut.
Speaker 1: We could have gotten closer to the ninety minutes because
Speaker 1: it was completely and totally unnecessary.
Speaker 3: He never comes back.
Speaker 1: Nope, never comes back. It's never mentioned no one. That's
Speaker 1: that's it' that was again. I will be happy to
Speaker 1: fund your movie if you give my son a part.
Speaker 1: Marshall wonders if he should skip school to go take
Speaker 1: care of the mummy. Amy still isn't sold that the
Speaker 1: monster is nice, and Marshall admits they need to learn
Speaker 1: more about him, and he knows just the guy to
Speaker 1: go to.
Speaker 2: We cut to the Forbidden World bookstore.
Speaker 1: It's owned by a guy named Bruce and filled with
Speaker 1: items perfect for either Halloween decorating or furnishing a serial
Speaker 1: killer's apartment. Skulls, candelabras, old books. Eventually, Bruce stumbles out
Speaker 1: from the back room. He's choking and can't breathe. He
Speaker 1: eventually falls flat in his face, revealing a knife in
Speaker 1: his bloody back. Oh my god, Marshall says it looks
Speaker 1: incredibly fake, and Bruce, who is very much still alive,
Speaker 1: as offended it was a Marshall introduces his friends to Bruce,
Speaker 1: who then goes on about how the new Warhead movie,
Speaker 1: the one we saw in the beginning, is art. The
Speaker 1: kids pretend they're writing a report on mummies, and Bruce
Speaker 1: leads them to a dusty book. He explains they were
Speaker 1: guardians in Egypt, now buried in coffins, ready to attack
Speaker 1: anyone who ever disturbs their holy crypt and.
Speaker 2: Every year around Halloween.
Speaker 1: And this is where I was like, Okay, thank god,
Speaker 1: they're putting some rules to it, so I'm happy now.
Speaker 1: The spirit of a mummy can be freed to walk
Speaker 1: the earth during a full moon, but if it doesn't
Speaker 1: return by midnight, his soul will be lost forever.
Speaker 2: And they recognize one of the book's illustrations. They saw
Speaker 2: it on the coffin itself at Cubat's. It's the eye
Speaker 2: of Ra, the sun god.
Speaker 1: When the kids return to Kubot's house, a little boy
Speaker 1: named Leonard greets them by asking if they'd like to
Speaker 1: see him picking a scab. The kid exchanges words with Amy,
Speaker 1: with the young girl mentioning her bra and maybe we're
Speaker 1: realizing once again, why this isn't on Disney.
Speaker 2: Plus, this is weird, bizarre, gotta be a producer's kid
Speaker 2: cameo number two in the film. I mean, what were
Speaker 2: you thinking at this point this? I was like, what
Speaker 2: is this kid doing here? Yes?
Speaker 3: And yeah, why is it?
Speaker 4: Why aren't throughout this entire movie any of these kids supervised.
Speaker 4: I'm gonna jump to a Sabrina seas right now because
Speaker 4: they seem I mean, look, I might have been a
Speaker 4: little bit more sheltered than most kids.
Speaker 3: I would. I would.
Speaker 4: That's okay for me to say, because Monroe's gonna get
Speaker 4: another five years of the shelterness than what I even got.
Speaker 2: Poor kid, I know, but right.
Speaker 3: Oh so sad. However, Ledger Leger could fend for himself.
Speaker 3: He's okay to like go out on those streets by himself.
Speaker 3: No one's messing with him. I just feel like even
Speaker 3: the movie theater, they seemed.
Speaker 2: Very young to be by themselves.
Speaker 4: By themselves at the movie theater with the mom, not
Speaker 4: even at least in the back row, or then even
Speaker 4: more to walk home.
Speaker 3: From the movie theater by themselves.
Speaker 1: How are you supposed to be small town America in
Speaker 1: the mid nineties, just a little safer.
Speaker 2: I guess it wasn't really I get was it.
Speaker 3: I don't know.
Speaker 4: I was not allowed to be anywhere of how how
Speaker 4: old do we think these kids are at this point?
Speaker 2: Like what I was thinking, like eleven, Okay.
Speaker 3: That's what I was thinking.
Speaker 4: So I think at eleven, I was maybe able to
Speaker 4: ride my bike up to like the boardwalk and Carl's
Speaker 4: Junior shopping Center.
Speaker 2: But I don't.
Speaker 3: I don't even know, like at night, No, during the
Speaker 3: day and the summertime.
Speaker 2: Yeah, yeah, at night, I don't know.
Speaker 3: There's just no supervision.
Speaker 1: No, there isn't. And it's like it's got to be
Speaker 1: a rated R movie. So how did they get into
Speaker 1: the movie?
Speaker 3: Yes, exactly. So there's a lot of questionable parenting.
Speaker 2: I agree, I agree quote on parenting.
Speaker 3: Yeah, decisions being made here.
Speaker 2: Yeah, it's really crazy.
Speaker 1: No, I agree with you. I agree with you one
Speaker 1: hundred percent. So yeah, but it was also just she's
Speaker 1: talking about her bra at eleven. This little kid's whole
Speaker 1: cameo was this.
Speaker 3: Kid is much younger too, nine, I would say it's
Speaker 3: five or six.
Speaker 2: He's young.
Speaker 4: His parents where are they they're not in the front yard.
Speaker 4: They're like, I mean he's sitting there watching. I don't
Speaker 4: know if he's like the next door neighbor to this
Speaker 4: crazy Coubot house it's.
Speaker 2: Supposed to be.
Speaker 1: He's Also, he does have the funny line though, about
Speaker 1: carrying a blank He's like, it's not a blanket, it's
Speaker 1: a towel in case I have to clean up something
Speaker 1: on the way.
Speaker 2: It was like, what the just it's bonker. Some of
Speaker 2: this dialogue is really weird. I love that it's not
Speaker 2: a blank It's not a blank town in case I
Speaker 2: got to clean stuff up on the way home. Like,
Speaker 2: oh Jesus, sorry, Billy, it was nuts. Little Leonard mentions
Speaker 2: a yellow truck parked outside earlier and it took all
Speaker 2: of the Coubot's stuff away. The kid's darting to the house,
Speaker 2: which is now completely empty, and are greeted by Amy's mom,
Speaker 2: the realtor.
Speaker 1: She explains the I R S confiscated his belongings to
Speaker 1: payoff debt. The kids cannot believe it. Meanwhile, down at
Speaker 1: the local dairy freeze, the mummy is aimlessly roaming the streets.
Speaker 2: He enters the drive through and is confused by the.
Speaker 1: Intercom, eventually groaning out in order for Burger's fries in
Speaker 1: a jumbo orange soda worth noting here people the total
Speaker 1: was three dollars and seventy four cents.
Speaker 3: For all of the food he bought.
Speaker 2: My age and want to hear very very old.
Speaker 1: I you know, the last time I was at a
Speaker 1: fast food place, I got like a number one and
Speaker 1: a burger or something.
Speaker 2: It's like nineteen dollars. What are you kidding me? Oh yeah, oh,
Speaker 2: it's insane. Yeah.
Speaker 4: A family of four easily throws down fifty dollars like
Speaker 4: he's more.
Speaker 2: Yeah, it's crazy. A McDonald's, yes, not even.
Speaker 3: Getting extra stuff ordering the meals.
Speaker 4: It's like a drink, a fry and a burger, or
Speaker 4: a drink, a fry, yeah, and a burger.
Speaker 3: That's ayane.
Speaker 2: People should be ashamed of themselves.
Speaker 1: He takes only a soda, though, and burps his way
Speaker 1: into the town center, apparently undetected by everyone, until a
Speaker 1: little kid in a bee costume points him out to
Speaker 1: his mom as quote unquote an ugly person. But she
Speaker 1: won't look because some people are just born quote special.
Speaker 8: The kid says, is very well, then he's very special.
Speaker 4: That was just like such a normal thing for a
Speaker 4: kid to say, being like okay, but.
Speaker 2: He now roaming in the park.
Speaker 1: The mummy throws out his soda because mummies don't litter, obviously,
Speaker 1: and that's when he sees a hospital next door. A
Speaker 1: man is being wheeled in after an accident and is
Speaker 1: wrapped in gauze head to toe. The mummy gets very
Speaker 1: excited at the site and runs over to see what
Speaker 1: he assumes is probably a relative. Once inside the hospital,
Speaker 1: the automatic doors closed on one of his bandages and
Speaker 1: slowly unravels him as he walks the halls. I thought
Speaker 1: this was going to end, meaning like he was totally unraffled,
Speaker 1: but it just didn't. He's he's heartwarmed by relatives, embracing
Speaker 1: and given some forms to fill out.
Speaker 2: He even sees people like handing each other flowers. It's
Speaker 2: very nice. But when a nurse finally sees him, she
Speaker 2: is terrified.
Speaker 1: Everyone assumes he's a burn victim who treated himself, and
Speaker 1: a doctor throws him on a gurney.
Speaker 2: They can't find a heartbeat and he's not breathing, so
Speaker 2: they hit.
Speaker 1: Him with a defibrillator, shocking him and helping him escape
Speaker 1: very funny, and just when the kids think they'll never
Speaker 1: see him again, they spot the mummy fleeing the hospital.
Speaker 2: They help him hide from the orderlies, and Marshall offers.
Speaker 1: His house to hide at, because well, since Ted is
Speaker 1: around all the time, his mom is used to big,
Speaker 1: clunky dudes walking around, and so they sneak the mummy
Speaker 1: into his attic, which, remember is filled with so many
Speaker 1: monsters that he fits right in, which is put to
Speaker 1: the test when Marshall's mom enters wondering about the noises
Speaker 1: she's been hearing while the Mummy pretends to be just
Speaker 1: another statue. Amy Tap dances poorly to explain the noises,
Speaker 1: and of course his idiot mom buys it.
Speaker 2: She just wants him to clean his.
Speaker 1: Room because it stinks, so once she leaves, Marshall douses
Speaker 1: the monster in cologne. Though that helps for the time being,
Speaker 1: they know that they have to get him back into
Speaker 1: his coffin by midnight or else it's going to be bad.
Speaker 1: In the meantime, the monster tries to eat a goldfish,
Speaker 1: plays the.
Speaker 2: Song Oh Bamassive by Eric Carmen on the boombox, and
Speaker 2: it's given the name Harold by Marshall.
Speaker 4: Was that a cover or was that a nice I
Speaker 4: think it was the real one, the original.
Speaker 2: I think it was the original. Yeah. Here's the other thing.
Speaker 1: This is where this is one of the lines where
Speaker 1: I paused and went really, uh. So he's given the
Speaker 1: name Harold by Marshall because he looks like his uncle Harold.
Speaker 1: And then they cut to Amy, who says, oh my god,
Speaker 1: your aunt must want to open a vein. And I'm like, oh,
Speaker 1: it's our first d com suicide joke.
Speaker 4: Oh okay, yeah, I just thought she just again is
Speaker 4: so mean.
Speaker 3: I didn't even think.
Speaker 2: About it's a suicide.
Speaker 3: Joel words that she said, yes, yes.
Speaker 2: It is our very first.
Speaker 1: Chalk it up, people, if your bingo card was first
Speaker 1: Disney Channel suicide joke, you can click it off.
Speaker 2: The map because there it is.
Speaker 9: Wow.
Speaker 2: Yeah.
Speaker 4: I was like, geez, but of the time, those kinds
Speaker 4: of things were so normal to say.
Speaker 2: Now here's like I would. I agree.
Speaker 4: I don't even want to say them because it's like
Speaker 4: you just don't say that stuff anymore.
Speaker 1: No, I agree, but I don't think it was even
Speaker 1: of the time for a kids movie though, oh.
Speaker 3: Well, not not a Disney kid.
Speaker 1: That's what I'm saying, they're still the finding themselves and
Speaker 1: we obviously we Hey, we had all of the podcasts now,
Speaker 1: all the shows, all the rewatch everything. You do your
Speaker 1: best to realize all this stuff has done in a
Speaker 1: different time.
Speaker 2: I totally understand that. And you can't.
Speaker 1: You can't put the things that we know now are
Speaker 1: things you shouldn't say on thirty years ago.
Speaker 2: It's just not the way it works. However, I would say,
Speaker 2: even thirty years.
Speaker 1: Ago in a Disney movie, they're not making suicide jokes.
Speaker 3: No, right, the.
Speaker 4: Yeah, gosh, no, I don't.
Speaker 3: I really I think you're right. I can't. I can't
Speaker 3: think of any movie that that would ever have done that. Really.
Speaker 1: I mean maybe like a Mighty Ducks it would have
Speaker 1: been something like why don't you skate over your own neck?
Speaker 1: I mean like they might have thrown something like but
Speaker 1: you know what I mean, like it would be something
Speaker 1: ridiculous like that.
Speaker 2: It wouldn't be a straight up She was literally like,
Speaker 2: your aunt must your uncle looks like that, Your aunt
Speaker 2: must want to kill herself.
Speaker 8: It was like, oh my god, yeah, he's he is
Speaker 8: a total like we need it, Oh.
Speaker 4: My gosh, Like what is happening in your house right now,
Speaker 4: that there's you to be saying things like this, Yeah, I.
Speaker 2: Know's going on.
Speaker 4: I will say I was little in the nineties and
Speaker 4: I know.
Speaker 3: That kids did say harsh things like this.
Speaker 2: You know, kids have always said harsh stuff. Yeah, they
Speaker 2: don't put.
Speaker 3: It in movies, no, yeah, wow.
Speaker 2: Yeah, So that to me it was like, oh my god,
Speaker 2: I can't but they well, there's a suicide joke. Yeah.
Speaker 1: That night, after Amy's suicide jokes, we're transported to a warehouse.
Speaker 1: There are some mafia guys arguing while standing over Harold's coffin.
Speaker 2: The mob boss tells his workers to find him.
Speaker 1: It's not like he can get up and walk away,
Speaker 1: and while Marshall watches his mom and Ted kiss goodbye
Speaker 1: at his car, he complains to Harold his parents divorced
Speaker 1: three years ago, and he doesn't he his dad much.
Speaker 1: He thinks love is overrated. As Marshall retreats to bed,
Speaker 1: Harold seems sad and offers his new friend a plant
Speaker 1: and comfort.
Speaker 2: He seems like a nice mummy. After all, he's mimicking
Speaker 2: what he saw in the hospital where they she handed
Speaker 2: them the flowers. It was very sweet. It was, and
Speaker 2: then Amy comes in and goes on Jack Kelly is.
Speaker 1: Off, and that night Harold is wide awake. As Marshall sleeps.
Speaker 1: To pass the time, he toys with a cushe ball gun.
Speaker 2: Sabrina, please tell me you know what a cushball was.
Speaker 3: I did. I did.
Speaker 4: I was like, oh, that's I love the throwbacks when
Speaker 4: we get these, you know one of the movies we
Speaker 4: just recently, the clear phone that lights up when it rings,
Speaker 4: like those things are so awesome to me.
Speaker 3: I love seeing them in these ways, making.
Speaker 2: Me right back to a time when cushballs were fun.
Speaker 2: That's all we know. While playing with the gun, it
Speaker 2: accidentally goes off, but luckily it doesn't wake Marshall. It
Speaker 2: just shoots the cushball out of an open window, and
Speaker 2: so to get it back, Harold leaves the house, only
Speaker 2: to find a dog with the ball in his mouth.
Speaker 1: They stare each other down until Harold tries to catch
Speaker 1: him off guard, causing h case. Harold stumbles onto a skateboard,
Speaker 1: haphazardly riding it down the sidewalk and eventually slamming it
Speaker 1: into a stop sign, but he quickly gets up and
Speaker 1: continues following the animal, ending at the dog's house or
Speaker 1: a dog house. It's actually the dog's house, you know
Speaker 1: what I'm saying now, With the mud hiding inside, Harold
Speaker 1: reaches into the doghouse, but the dog has sunk its
Speaker 1: teeth deep into him and won't let it go. It's
Speaker 1: a tug of war between the Mummy and the dog
Speaker 1: until Harold is distracted by a passing city bus with
Speaker 1: an ad for the Mysteries of the Pyramids exhibit. The
Speaker 1: graphic includes the symbol of the sun god raw, exciting
Speaker 1: the Mummy, so he runs off to chase it, submitting
Speaker 1: to the dog and its Cousheball forever. Back at home,
Speaker 1: Marshall awakens in the middle of the night to realize
Speaker 1: his monster has escaped. He takes the streets with Amy
Speaker 1: and Gilbert on their bikes to find him. Also, while
Speaker 1: making fun of Gilbert's.
Speaker 2: Pajamas, Amy reveals she sleeps in the nude, forcing Gilbert
Speaker 2: to crash into a mailbox.
Speaker 1: And yes, this is why it wasn't on Disney. Plus,
Speaker 1: this is when I paused the movie and went, I'm
Speaker 1: gonna walk the length of my home to go speak to.
Speaker 2: My wife about what I just saw on the screen.
Speaker 3: I could not.
Speaker 4: I stopped and had to say, Jordan, this Carol is
Speaker 4: talking about being nude, and he goes, well, where's this?
Speaker 3: Where was this movie? And I'm like, it's a Disney movie.
Speaker 3: He's like, this was on the Channel.
Speaker 2: I'm like, yeah, I sleep in the nude. The eleven
Speaker 2: or twelve year old girl talking about how she sleeps
Speaker 2: in the nude. This was bunk. I thank you, the
Speaker 2: exact word. This was bananas to me, not bananas, bananas.
Speaker 2: It was so crazy that this made it into a
Speaker 2: Disney Channel movie.
Speaker 4: Yes, I thought bra would be where we cut the
Speaker 4: line would be drawn.
Speaker 3: No, No, I.
Speaker 1: Mean this was I know it's the it's just the
Speaker 1: word nude. It shouldn't be that big a deal, but it.
Speaker 2: Is a It is kevin year old girl talking about
Speaker 2: sleeping naked.
Speaker 3: It's so weird. It's so weird on so many different
Speaker 3: love weird.
Speaker 2: It's just not right.
Speaker 3: It's not right.
Speaker 2: They are definitely finding their footing still on the Channel.
Speaker 4: And to be honest, now that we are talking, I
Speaker 4: mean we know now that it's not on Disney Plus.
Speaker 4: I would be calling Disney Plus and be like, I
Speaker 4: need my money back.
Speaker 3: This is ridiculous.
Speaker 4: I can now not trust even wrote and just be
Speaker 4: like browsing around me, what does it mean to sleep
Speaker 4: in the nude?
Speaker 3: She doesn't even know that word.
Speaker 2: I mean, it's it's amazing, It's truly amazing.
Speaker 4: By the way, my anxiety was like thru the roof,
Speaker 4: where are we going with this?
Speaker 2: Next?
Speaker 3: Couldn't believe this, lose Magoo's and what's happening?
Speaker 2: Yes, it's a crazy making suicide jokes, talking about you,
Speaker 2: talking about how mean to people. It's such a strange
Speaker 2: character and it's so great. She's a good actress, she's
Speaker 2: playing her well. It's like it's.
Speaker 3: Well, you know, a strange character.
Speaker 4: She's not the only I mean, not that we would
Speaker 4: expect something like this, but like the nature of her
Speaker 4: character is so not a best friend kind of character
Speaker 4: that we see in Disney movies. This is the villain
Speaker 4: or the mean girl who comes in and out here
Speaker 4: and there, but like she's like the best friend.
Speaker 3: So it's very strange, very very strange.
Speaker 2: I couldn't I really could not believe it. I could
Speaker 2: not believe it. She's like, wait, wait what and I'm like,
Speaker 2: this is is this as weird as I think it is?
Speaker 1: She's like yes, it is as weird as you think
Speaker 1: it is. Yes, it is, it is.
Speaker 2: It's just yeah, well they're still trying to find their footing.
Speaker 1: Luckily for the kids, they just stumble on the Pyramids
Speaker 1: exhibit and guess that's where Harold has to be.
Speaker 2: What a beautiful coincidence and conclusion. So what do they do?
Speaker 1: Well, they're kids, they're normal, So yes, they break into
Speaker 1: the museum, and we now just have to accept that
Speaker 1: these three children are stone cold criminals, just breaking the
Speaker 1: law left and right now, in all fairness to the kids,
Speaker 1: what they what they do show later on is that
Speaker 1: obviously Harold broke through the door of the museum, Like
Speaker 1: you can see that he broke the doors off its
Speaker 1: hinges when the police go in there.
Speaker 2: So obviously they're just walking in after him.
Speaker 1: It's not like she pulls out a lock pick set
Speaker 1: from her nude go kill.
Speaker 2: Yourself still this night, we're still this key, or she's
Speaker 2: got a blow torch or something like that, right she
Speaker 2: I wouldn't be surprised that she'd Right before they broke in,
Speaker 2: She's like, give me a second, I just want to
Speaker 2: smoke a joint. Yeah, so it's gonna.
Speaker 3: Really entertaining, So I just want to make sure I'm
Speaker 3: on the right level.
Speaker 1: Yeah, exactly, exactly. I know what's gonna happen. I'm just
Speaker 1: gonna drop some mask real quick.
Speaker 2: That sounds like it's perfectly online with the Amy character.
Speaker 1: Yes so, but yeah, they still just break in here,
Speaker 1: and once inside they find Harold exit.
Speaker 2: You know what I want to do. We've got to
Speaker 2: find this girl who's now a lawyer, a woman who's
Speaker 2: now a.
Speaker 1: Lawyer somewhere, and I will get to talk to her
Speaker 1: about this character.
Speaker 2: We have to find this I mean I will.
Speaker 1: I will pay her retainer myself to just have a
Speaker 1: one hour meeting with her, to have her come on
Speaker 1: to ask her what it's like as this character.
Speaker 2: Crazy.
Speaker 1: So, once inside they find Harold examining all the artifacts.
Speaker 1: He seems very affected by one Tombe in particular, marked
Speaker 1: as the Queen's. She was the lover of the High Priest,
Speaker 1: a man who was her bodyguard and confidant.
Speaker 2: Though it had to be a.
Speaker 1: Secret because of her status, he swore to be by
Speaker 1: her side in this life and the next. And now
Speaker 1: it's very obvious that Harold was that high Priest. Also,
Speaker 1: the kids talk about celibacy and how this Harold was
Speaker 1: celibate his whole life, and Gilbert says, or what is celibacy?
Speaker 2: And Amy again turns around and says, says no chicks
Speaker 2: And he says well, and she says, you'll get used
Speaker 2: to it, and.
Speaker 4: Like another moment that you think at the kids that
Speaker 4: watched the Disney Channel, we're not talking about the Disney movies,
Speaker 4: the Disney Channel. And then are pausing and going, mom,
Speaker 4: what celibacy?
Speaker 3: I don't get it. What is no chicks mean?
Speaker 2: Yeah, honey, then turning to him and yes, turn off turf,
Speaker 2: turn it off.
Speaker 3: We're done. We're done, We're done.
Speaker 1: But again then when he says, oh, you know, I
Speaker 1: could never do that, and she turns to him and goes,
Speaker 1: you'll get used to it.
Speaker 2: Like it's like, oh my god, she's so mean.
Speaker 1: It's like, good luck, buddy, You're you're only you're only ten.
Speaker 1: But I can tell you right now, you're never gonna
Speaker 1: know the love of a woman. You're never gonna know
Speaker 1: the touch of a woman, Like, oh my god, it's
Speaker 1: so horrible.
Speaker 3: She's so grown. That means I don't know, I don't
Speaker 3: get it.
Speaker 2: Something's going I don't want to.
Speaker 1: It's such a Banana's character. Harold opens the tomb and
Speaker 1: the queen is inside. He caresses her emerald necklace and
Speaker 1: reveals he's wearing a matching one. He closes the casket
Speaker 1: in sadness, just as the police car pulls up outside.
Speaker 1: Still exploring the exhibit, Harold reads some nearby hieroglyphics and
Speaker 1: finds out that he'll need to be back in the
Speaker 1: coffin by midnight or he, too will die. Marshall promises
Speaker 1: will make that happen, just as the cop searches the museum,
Speaker 1: but luckily enough, he doesn't find the Sly kids and
Speaker 1: their mummy. And if you listen to the cop, like
Speaker 1: he's totally off camera, but you can essentially hear his
Speaker 1: walkie talkie and he's like, well, whoever did It's gone,
Speaker 1: and she's like, all right, you can come back.
Speaker 2: Like he's been there for thirty seconds.
Speaker 1: The doors off, the hinges, but they're like, he's like,
Speaker 1: well nobody here, all right, you're good, come on home.
Speaker 2: And that case, yeah, great police work. We're all good.
Speaker 2: Thank you, officer useless.
Speaker 1: The next day, Amy arrives at Marshall's house drinking a
Speaker 1: beer I'm kidding, but you might as well have been.
Speaker 1: And he looks exhausted, because can't you just see her
Speaker 1: just walking up day drinking.
Speaker 2: That sounds like Amy to me, just seriously, just for
Speaker 2: no reason, right, it's just perfectly on brand. She comes up,
Speaker 2: she's got, she's got, she's holding a six pack, there's
Speaker 2: only two left, and she's putting out her Cigarette's that's Amy,
Speaker 2: is seriously though she's serious. He's like, hey, is your
Speaker 2: mom your mom's liquor cabinet locked in any serious kind
Speaker 2: of way? That's Amy. Seriously, that's Amy, I'm telling you. Yikes.
Speaker 2: She looks, but he looks exhausted.
Speaker 1: Harold was up all night watching sappy rom coms, crying
Speaker 1: while watching Pretty Woman, Sleepless in Seattle and Ghost This
Speaker 1: is one very emotional monster.
Speaker 3: And very adult films.
Speaker 2: Yes, yeah, well now we're talking.
Speaker 3: About a pretty a prostitute. We're talking.
Speaker 2: A lot of a lot.
Speaker 1: Of a lot of Not to go off on a tangent,
Speaker 1: but have you watched Sleepless in Seattle recently?
Speaker 3: Not recently, but I have seen it a few times.
Speaker 1: Go back and watch Sleepless in Seattle because Meg Ryan's
Speaker 1: character is awful.
Speaker 2: In Sleepless in Seattle. She's supposed to be the cute,
Speaker 2: she's awful. She's got this man that loves her that
Speaker 2: she's about to marry, but she hears some random guy
Speaker 2: on the radio, then starts stalking the random guy on
Speaker 2: the radio to the point where she shows up in
Speaker 2: his house. All the while the guy's planning, like.
Speaker 3: Ready side the house, outside the house. Yeah it's true.
Speaker 1: Go back and watch Sleepless in Seattle, because again, Tom
Speaker 1: Hanks is wonderful.
Speaker 2: The kid is great, Meg Ryan's good. But the en
Speaker 2: you're like, you're just they ripped. You know, when he's
Speaker 2: talent talking about his wife, it rips your heart out.
Speaker 2: Anybody's been in love knows that feeling. It's just my god,
Speaker 2: I love this person so much. And then Stocky McGee
Speaker 2: shows up and it's like, you're marrying the nicest guy
Speaker 2: in the world, and this is.
Speaker 1: What you're It's seriously, it's it's bonkers. Go this is
Speaker 1: Amy grows up to be to be Meg Ryan's character
Speaker 1: in Sleepless in Seattle. I'm telling you so, yeah, just
Speaker 1: I know it has nothing to do with our podcast,
Speaker 1: but go check it out here. A poor Amy dude
Speaker 1: as Amy's got some demons.
Speaker 2: Amy's got some means. I'm telling you. It's something. Yeah,
Speaker 2: like she she's the person who baby sits but gets
Speaker 2: paid in poker chips. Like she's like that kind of thing.
Speaker 2: It's like, yeah, that kind thanks coming over left to
Speaker 2: a fifty poket chip. Oh, yes, something has happened. Oh
Speaker 2: you want a dimebag go to Amy.
Speaker 3: Oh my gosh, it's the.
Speaker 2: Most crazy Decom character we have seen to date. I'm
Speaker 2: telling you.
Speaker 1: They wrote a like a forty year old divorcee and
Speaker 1: just went, you'll just make her twelve.
Speaker 2: It's like, oh my god, it is crazy.
Speaker 3: Oh man.
Speaker 1: Amy wants Marshall to brace himself in case they can't
Speaker 1: save his friend, but Marshall protects himself by saying he's
Speaker 1: just a mummy, not a real friend. But the facade
Speaker 1: quickly breaks and he admits he does care about Harold. Then,
Speaker 1: even though they're supposed to be keeping a low profile,
Speaker 1: Gilbert and Harold comes storming out of the house, playing
Speaker 1: and yelling. Marshall reminds them they can't get caught, and
Speaker 1: then well, of course they get caught. Little Leonard, oh,
Speaker 1: the other kid they wrote as a twenty five year
Speaker 1: old man who just happened to be cast as a
Speaker 1: six year old one of the more unique child actors
Speaker 1: we've ever encountered. At the d com, he walks into
Speaker 1: the backyard and sees the mummy. He is astounded and
Speaker 1: asked if he's from that huge coffin they moved out
Speaker 1: of the Coubat's house. The kids stopped dead in their tracks. Wait,
Speaker 1: he saw coffin? Leonard says. There was something written on
Speaker 1: the side of the yellow moving truck, but Leonard can't read,
Speaker 1: but he does reveal whoever was driving the yellow truck
Speaker 1: wouldn't give him an ice cream, which I had to
Speaker 1: rewind four times to understand because I couldn't understand what you.
Speaker 2: Can on ice cream?
Speaker 1: Like what what might the actor? You will be shocked
Speaker 1: by the way to hear.
Speaker 2: This was his only acting credit ever.
Speaker 1: The kids, of course, deduced that the yellow truck had
Speaker 1: to be from the local Errands ice cream factory over
Speaker 1: in the orchards. They're going to take Harold out there
Speaker 1: to investigate, but they needed disguise, so they rushed to
Speaker 1: the vintage store and buy him a vintage nineteen seventies
Speaker 1: Elton John looking outfit all the way down to his
Speaker 1: platform shoes. The crew struts down the street to get
Speaker 1: down tonight of another familiar so they're buying real, real
Speaker 1: songs here, and the wardrobe is actually working. He even
Speaker 1: catches the attention of a stylish hot lady walking by,
Speaker 1: but when she gets closer look, she screams at what
Speaker 1: she sees.
Speaker 2: I guess you can't win them all. They can't win.
Speaker 1: It wouldn't matter anyway, because no chicks. The kids hop
Speaker 1: back on their bikes, with Harold getting a small girl's bike.
Speaker 1: They make their way to the orchard area. They scope
Speaker 1: out Aaron's ice cream factory from Afar, but don't see
Speaker 1: anything because they're using binoculars that they got in a
Speaker 1: happy meal, so Marshall decides he needs to get a
Speaker 1: closer look. Harold aggressively throws the boy over a wall,
Speaker 1: making Amy very mad. She starts earnestly punching the mummy
Speaker 1: and this is where I was offended. Lady, calm down.
Speaker 1: He's a monster who's been trying to help, So now
Speaker 1: Amy is progressed.
Speaker 2: To a ag assault.
Speaker 3: She's abusive.
Speaker 2: Abus We've got a Sultan battery breaking and entering.
Speaker 1: I mean you name it. This girl has got by
Speaker 1: the time she's eighteen, she's gonna have a record the
Speaker 1: size of my arm. It's like, come on, Amy, Amy
Speaker 1: needs to got a god size hole.
Speaker 2: Somebody needs to get to Amy because something's going on.
Speaker 1: And so now Marshall sneaks inside the ice cream factory
Speaker 1: again Break in the law. Kids are looking somewhere between
Speaker 1: twenty to fifty years in jail in my opinion, if
Speaker 1: they can get all their everything ducks in a row.
Speaker 2: There's multiple felonies.
Speaker 1: At this point, Marshall eventually spots the mob guys and
Speaker 1: overhears them talking about how the Mummy is missing, and
Speaker 1: this is when he figures out the mob boss is
Speaker 1: mister Kubot.
Speaker 2: What a twist? Did you realize that earlier? Did you know? Scubat? Yeah,
Speaker 2: they didn't hide anything.
Speaker 1: Just as that sinks in, Marshall gets a jump scare
Speaker 1: from Harold, who has joined him in the factory. The
Speaker 1: Mummy spots his coffin, but they decide to wait and
Speaker 1: figure out and escape plan first, so they regroup.
Speaker 2: With Amy and Gilbert. Harold once again powerfully tossing his
Speaker 2: friend over the wall, which it's very funny. But he's
Speaker 2: gonna kill this kid.
Speaker 1: Marshall tells his friends all about Cubat. He probably faked
Speaker 1: his own death to sell the coffin.
Speaker 2: And so now they have to find a car big
Speaker 2: enough to haul the sarcophagus, which is no easy task
Speaker 2: for a bunch of felony preteens. But they're wanted to
Speaker 2: nine states by this point, or is it. But Marshall
Speaker 2: has an idea. They're just going to need more costumes.
Speaker 2: The plan is to ask the spooky bookstore owner, Bruce,
Speaker 2: because of his hearse he is a hearse.
Speaker 3: Yeah, of course, of course, right right he does.
Speaker 2: Of course, who's ever hearse of that? I'll show myself out.
Speaker 1: Though the idea is good. Unfortunately for the kids, one
Speaker 1: of the goons spotted them on the way out of
Speaker 1: the factory because they were, you know, escaping under the
Speaker 1: cover of day, and they go and they tell Coubat.
Speaker 1: So obviously now they're on to our heroes. On the
Speaker 1: other side of town. The kids are now in costume
Speaker 1: and they arrive at the town Halloween carnival, which is
Speaker 1: a weird party.
Speaker 2: There's kids, there's an adult strange.
Speaker 1: There's adults hitting on each other, but there's kids running
Speaker 1: all over the place. Is it a meat market?
Speaker 7: Like?
Speaker 2: What is this party?
Speaker 3: But the crazy thing is is, well, I'll let you
Speaker 3: continue to go.
Speaker 2: Okay, no farther.
Speaker 4: But there's another part of it where it's like this
Speaker 4: party is weird, really really weird.
Speaker 2: Like swingers weird? Yes, yeah, okay, so he at least
Speaker 2: Amy isn't involved in this one. So they arrive at
Speaker 2: the weird Halloween haunted house. Gilbert is dressed as a
Speaker 2: half Dennis Rodman and Amy is a half Princess Leah.
Speaker 2: The crew splits up.
Speaker 1: Marshall and Amy will go inside to find Bruce, while
Speaker 1: Gilbert and Harold wait outside.
Speaker 2: But since Harold is still scaring civilians, they cover his mouth.
Speaker 1: With the extra bandage to lessen the shock. Marshall and
Speaker 1: Amy stopped by the carnival dance first when they see
Speaker 1: Marshall's mom happily dancing with her boyfriend Ted. So his
Speaker 1: mom is at the party, but he wasn't going to
Speaker 1: the party. His mom was going to the local town
Speaker 1: Halloween party, but she wasn't going to bring her child
Speaker 1: who was super in the Halloween and spot and monsters
Speaker 1: and right.
Speaker 3: But it's a swingers party, so right for him to
Speaker 3: be there.
Speaker 2: There's kids there, it's so weird. It's a we just
Speaker 2: a weird party. It's a weird, weird party.
Speaker 3: Uncomfortable, Yes, so.
Speaker 2: Yeah, there okay.
Speaker 1: Amy admits that his mom and the new boyfriend actually
Speaker 1: look in love, and Marshall pretends it doesn't bother him,
Speaker 1: but again it obviously does. Amy then has a good
Speaker 1: friend offers her help or just an ear if he
Speaker 1: never needs to talk to her, and he thanks her
Speaker 1: and she.
Speaker 2: Lights another joint. Outside.
Speaker 1: Gilbert and Harold are bored, so Gilbert decides to go
Speaker 1: get some SODA's, which sure feels like a very bad idea,
Speaker 1: and back inside, Marshall finds Bruce and reveals they found
Speaker 1: a mummy, but Bruce assumes they're just talking about a
Speaker 1: Halloween costume and is an impressed. Marshall assures him it's
Speaker 1: a real mummy and takes him to see, and just
Speaker 1: at that moment, Harold hears oh Bamas again by Eric Carmon,
Speaker 1: who every time I see it sounds like Eric Cartman. Yeah,
Speaker 1: lasting from inside the carnival, he must get closer to
Speaker 1: hear it. It was a terrible cartman, by the way,
Speaker 1: He leaves his post and walks right into the event,
Speaker 1: just as the goons pull up to get him. When
Speaker 1: Gilbert does return with the soda, he can't find Harold,
Speaker 1: but instead sees Hench in Aaron's ice cream jackets.
Speaker 2: He knows this is the problem and hurries to warn Marshall.
Speaker 1: Harold navigates his way through the dance floor, eventually landing
Speaker 1: near the speakers and dancing by himself, that is, until
Speaker 1: he spots a woman dresses Cleopatra. He begins worshiping her
Speaker 1: or falling to his knees, but she thinks it's just
Speaker 1: some guy flirting with her. She's also turned on by
Speaker 1: his stink and wants to dance with him. Nearby, Gilbert
Speaker 1: thinks he's found Harold, but it's actually just a mummy costume. Also,
Speaker 1: he earnestly punches the guy who he thinks as Harold's
Speaker 1: Everyone just beaten up Harold. Maybe these kids don't deserve
Speaker 1: to have a monster after all. Anyway, that wasn't Harold,
Speaker 1: It was his principle, which adds a new wrinkle which
Speaker 1: we never ever hear about again.
Speaker 2: Just never happens again.
Speaker 1: The goons check on every mummy at the party, while
Speaker 1: Marshall and Amy explain the whole story to Bruce, but
Speaker 1: he still doesn't believe them. Cleopatra is now all horned
Speaker 1: up by Harold on the dance floor. When Gilbert finds them,
Speaker 1: He then pulls the mummy away, explaining that this man
Speaker 1: is celibate, but Cleopatra doesn't believe that. But when phil
Speaker 1: guy in the mummy costume, and his wife get all
Speaker 1: tangled up in this wife swap thing, Cleopatra's unraveling Harold
Speaker 1: to find out what's going on, and when she uncovers
Speaker 1: his face, the entire party runs off screaming. The goon's
Speaker 1: noticed the commotion and run to go get him, but
Speaker 1: Bruce finally believes the kids. They all sprint through the
Speaker 1: haunted house, dodging corpses and decorations, eventually getting outside to
Speaker 1: the hearse What did you think of the whole adult
Speaker 1: swinging aspect of the Halloween party?
Speaker 4: I mean, first of all, yes, the principal is when
Speaker 4: she said, well, if that's your husband, so was the
Speaker 4: principal who she thought was returning from the bathroom, who
Speaker 4: had been flirting with her earlier. It got very messy,
Speaker 4: and the fact that she was like well then if
Speaker 4: that's not if that's your husband, who.
Speaker 3: Is this right?
Speaker 2: Adultrey is always messy, Sabrina.
Speaker 3: Ah my god, it was just like, ah, it's so weird.
Speaker 3: It was so strange.
Speaker 4: And again kids are there, but like again there's really
Speaker 4: no supervision, Like these people are going and it was
Speaker 4: weird to me, like if it was a name, if
Speaker 4: we're in this again, go back to the parenting and
Speaker 4: we're supposed to be in this small town.
Speaker 3: How do they not know each other? How are they
Speaker 3: at this party? Whose party is this?
Speaker 4: That there's so many people that you're running into people
Speaker 4: you really honestly don't know.
Speaker 2: Weird. Yeah, and it's like a kid it's a swinger's party,
Speaker 2: but there's kids there the whole thing.
Speaker 1: There's a there's a haunted mansion, but also probably an
Speaker 1: orgy room. Like, what the hell is what is this?
Speaker 1: What is this party?
Speaker 2: I can't I can't hate it.
Speaker 3: I was so glad for the party to be done.
Speaker 3: So uncomfortable.
Speaker 1: Yeah, it was really really weird, just really oh yeah.
Speaker 3: And then again, and I always have an issue. I
Speaker 3: always bring this up.
Speaker 4: We just talked about it at the high school party
Speaker 4: that happened with the last movie was like, these strange.
Speaker 3: Men come in.
Speaker 4: They're not in uniform or dressed. I mean they're not
Speaker 4: in costume, and not one person is like.
Speaker 2: Hey, who are you now? Who are you?
Speaker 3: Why are you at this party?
Speaker 2: Who don't need to know that? Don't need to know that.
Speaker 2: They're just go yep and pull off people's and nobody
Speaker 2: says anything, and they're pushing people.
Speaker 1: It's very strange. Amy would have taken care of it,
Speaker 1: but she's way too stoned.
Speaker 2: Harold pushes the door closed, locking the henchman inside, but
Speaker 2: he can't hold them back forever, and it's almost midnight,
Speaker 2: but Harold knows if he joins him in the car,
Speaker 2: the goons will get the kids, so he sacrifices himself
Speaker 2: and stays behind Bruce and the kids speed off to safety,
Speaker 2: Marshall screaming all the while for his friend as they leave.
Speaker 2: And once they're gone, the goons do break through the
Speaker 2: barrier and knocking Harold to the floor, giving him a
Speaker 2: chance to grab him. And this is where I was like, Okay,
Speaker 2: so if the whole point of the goons is that
Speaker 2: they're gonna grab the Mummy to bring him back to
Speaker 2: his sarcophagus, to put him in the sarcophagus to then
Speaker 2: sell it.
Speaker 1: That's what we want to have happen. That's the goal
Speaker 1: is we want to get him back to his sarcophagus.
Speaker 2: Later.
Speaker 1: They kind of redeem it by having him say, no,
Speaker 1: I'm going to sell. You're more valuable on your own. Yes, oh,
Speaker 1: I get that.
Speaker 2: But it was like I sat to the whole time
Speaker 2: going like but I thought, this is.
Speaker 4: What they want to have happened, right, But the fact
Speaker 4: is that with the rules that we know, which the
Speaker 4: rules were very easy to fight out. So if this
Speaker 4: guy owned this sarcophagus and this mummy, he would have
Speaker 4: known that if he's not in the sarcophagus by a
Speaker 4: certain amount of time, then he would like to disintegrate.
Speaker 2: Yeah, I guess he didn't know the rules because.
Speaker 4: He did not know the rules when he was supposed
Speaker 4: to be this like curator.
Speaker 3: Of like a big museum. How do you not know
Speaker 3: the rules?
Speaker 5: Cubat?
Speaker 2: Yeah, what's up, Cobrot, what's up? Kubat? I don't get it. Yeah,
Speaker 2: very strange. But we're now in the hearse.
Speaker 1: Bruce wants to go to the cops, but Amy explains
Speaker 1: how crazy they'll sound. Instead, they go to the ice
Speaker 1: cream factory, assuming that's what they'll take Harold, and when
Speaker 1: they arrived, Bruce opens his trunk to reveal a ton
Speaker 1: of fake severed limbs, bones and skulls, all ready to use.
Speaker 2: But even with this, Gilbert wants to stay in the car.
Speaker 2: He's too scared.
Speaker 1: Marshall tells him not to worry and lets him chicken out,
Speaker 1: And so the plan has begun, if you want to
Speaker 1: call it a plan. Amy runs to the coon crying
Speaker 1: for help. She's applied to fake eye and blood to
Speaker 1: her face, and when the criminal tries to help, he's
Speaker 1: attacked by Marshall and Bruce, ending with a big frog splash.
Speaker 2: By the bookstore owner. He just boh splams the guy.
Speaker 1: They tie up the bad guy with fake intestines while
Speaker 1: Amy and Bruce try to run interference. Marsha will run
Speaker 1: around back to try and save Harold stick with us
Speaker 1: people inside.
Speaker 2: When the shady.
Speaker 1: Buyer arrives for the coffin, Kubat takes control, knowing he
Speaker 1: doesn't have the mummy. Marshall quickly finds Harold chained to
Speaker 1: a pipe after scratching his face for him because he
Speaker 1: had an itch. He finds a crowbar to free him,
Speaker 1: and at the same time, Bruce and Amy's plan to
Speaker 1: cause a diversion isn't going so well. Bruce has climbed
Speaker 1: to some scaffolding and is now dangling from a pipe.
Speaker 1: It breaks, eventually tossing him to the ground in a
Speaker 1: free fall, making a huge commotion. They quickly are snatched
Speaker 1: up by the goons, but it makes for the perfect distraction.
Speaker 1: As Marshall frees Harold, they quickly start pushing the coffin towards.
Speaker 2: The hearse, but then Kubat reveals himself from the shadows.
Speaker 2: He knows there's money in the mummy and he's not
Speaker 2: letting them leave.
Speaker 1: He explains that over the years, he's accumulated the collection
Speaker 1: of artifacts from the museum he worked at, and his
Speaker 1: plan was to sell them off and retire, but the
Speaker 1: Irs started to investigate him, and so he knew he
Speaker 1: had to fake his own death. Seems like quite a jump,
Speaker 1: and as Kubat continues to detail his motive, Harold is
Speaker 1: falling apart. It's getting closer and closer to midnight, and
Speaker 1: now he captured. Amy and Bruce have been brought to Cubat,
Speaker 1: who instructs the guys to get rid of them.
Speaker 2: He's going to kill the children.
Speaker 3: The children, He's going to kill the children.
Speaker 2: Then, when things look they're most bleak, crash the Hurst
Speaker 2: slams through the warehouse like a gothic kool aid man.
Speaker 2: Oh yeah, that's my gothic kol aid you get it.
Speaker 2: Oh yeah, that was a good joke.
Speaker 1: If anybody out there gets that, it's Gilbert. He's saved
Speaker 1: the day because the crash makes the ceiling come right
Speaker 1: down in the bad guys, and it looks like they're
Speaker 1: all killed. It is an incredible smash of all the
Speaker 1: stuff from the ceiling, but somehow Kubat has survived. He
Speaker 1: emerges with a gun, instructing the kids to just leave
Speaker 1: the mummy behind, and as he prepares to shoot Marshall,
Speaker 1: Harold attacks. He grabs Coubat and throws them across the room.
Speaker 1: The kids hug their mummy and celebrate, and Amy admits
Speaker 1: that she was scared something was going to happen to Marshall.
Speaker 2: She doesn't know what she would do if it did.
Speaker 2: It appears this crush is developing.
Speaker 1: Oh but before that, Harold needs to get into the
Speaker 1: tomb and get back to the museum.
Speaker 2: Also, did Cubat die? Is he dead? That guy dead?
Speaker 6: No?
Speaker 4: I mean it it was aggressive, but like I'm assuming
Speaker 4: it was just like knocking him out, but like, never
Speaker 4: do we see what.
Speaker 3: Happens to him after.
Speaker 2: It's never tied up. No, no, it's okay. Uh yeah
Speaker 2: there the sequel, Yeah exactly. They're really a bit too confident,
Speaker 2: considering he was just thrown once and already survived a
Speaker 2: ceiling crash. So okay, he's it is what it is.
Speaker 1: The kids throw everything into one of the ice cream
Speaker 1: trucks and speed to the museum. Once in the exhibit,
Speaker 1: Harold opens the queen's casket, and with his last breaths,
Speaker 1: he removes his necklace and ignites the medallion on the
Speaker 1: queen's neck. She opens her eyes and emerges from the sarcophagus.
Speaker 1: They embrace, but Harold knows he must hurry back to
Speaker 1: his coffin. They touch hands one last time, and Marshall
Speaker 1: amy Gilbert. They all have teary goodbyes with their newfound friend.
Speaker 1: With both mummies in place, Harold hands Marshall's necklace to keep.
Speaker 1: In the end, these two built quite a beautiful relationship,
Speaker 1: even though a bunch of kids.
Speaker 2: Punched him, you know, over and over and over again.
Speaker 1: Both the Queen and Harold lay down as Marshall closes
Speaker 1: the coffin doors. The next morning, Marshall has decided to
Speaker 1: throw away all his spooky Halloween stuff. He tells his
Speaker 1: mom he's outgrown it. His mom gets serious and wants
Speaker 1: to know if he's okay about ted. He again pretends
Speaker 1: that everything's okay, but quickly changes his tune. He asks
Speaker 1: her do you love him? She admits she does, and
Speaker 1: so Marshall suggests that they get married. She can't let
Speaker 1: him get in the way of true love. He looks
Speaker 1: at Harold's necklace and admits a new friend has changed
Speaker 1: his perspective. And then Gilbert arrives. Turns out Amy is
Speaker 1: coming to the house to go see a movie, and
Speaker 1: Marshall becomes very nervous about what he's wearing and how
Speaker 1: his hair looks. And when she does finally arrive, she's
Speaker 1: also decked out. But they cut through the tension by
Speaker 1: insulting each other, just like old times, call each other
Speaker 1: geeks and losers, and of course Gilbert is relieved. For
Speaker 1: a minute he thought things were going to change. We
Speaker 1: fade out as they make their way to see Warthead
Speaker 1: one more time.
Speaker 2: And that's our movie.
Speaker 1: Yikes, let's do real reviews then we'll talk. I have
Speaker 1: the one star review this week, and this is a
Speaker 1: one star review from Truegara.
Speaker 2: I hope I'm saying that right here we go. Parents beware.
Speaker 1: I figured, quote, oh my god, this looks dumb and
Speaker 1: boring unquote, but I was literally.
Speaker 2: Shocked this was aimed at kids.
Speaker 1: This movie has so much gore in it, like the
Speaker 1: opening where a monster barges into a kitchen and murders
Speaker 1: a man by pushing his head on the blade of
Speaker 1: a knife with enough pressure to kill him in front
Speaker 1: of his wife's son and daughter. Have your kids watch
Speaker 1: this and they'll come running to you at night saying
Speaker 1: they had nightmares.
Speaker 2: By the way, I'm not a Karen. I'm telling the truth.
Speaker 1: If your kids can handle that content, feel free to
Speaker 1: let them watch this.
Speaker 2: Wow. That is a long, long one star Karen. Thank
Speaker 2: you very much. Yeah, Sabrina, you got the five star.
Speaker 3: What do you do?
Speaker 4: I've got it a five star from Joel h I
Speaker 4: thought I hate it under wraps, but as it turns out,
Speaker 4: I was thinking of a completely different D com My
Speaker 4: mistake under wraps?
Speaker 3: Isn't that bad?
Speaker 2: Okay?
Speaker 3: Five star?
Speaker 2: Five stars?
Speaker 3: All right?
Speaker 1: And uh now we're going to get to our Sabrina's
Speaker 1: favorite portion, of course of the program, and that is
Speaker 1: our weekly feature to celebrate our start of spooky season
Speaker 1: and the closest we'll get to a true horror d com.
Speaker 2: We're celebrating some of the scariest movies ever made.
Speaker 1: We'll be given the name and year of a horror movie,
Speaker 1: and we must guess what number one through ten it
Speaker 1: was given on the list of top ten scariest horror
Speaker 1: movies of all time according to our friends at Rotten Tomatoes.
Speaker 2: If we can nail three out of five, we win.
Speaker 2: Oh that's gonna be really tough. Okay.
Speaker 1: So first up, by the way, is producer Jensen here.
Speaker 1: I heard he might not be not okay? So who's
Speaker 1: with us today? Is the producer Lisa?
Speaker 3: Who do we have Mikaela?
Speaker 2: We got Michaela. Mikaela with us, all right, So producer Michaela,
Speaker 2: here we go. First up? What number one through ten
Speaker 2: one being scariest is The Exorcist nineteen seventy three.
Speaker 4: Oh okay, I mean I would think it was like
Speaker 4: nine at least.
Speaker 1: Oh waiting, so that means not scary because one is
Speaker 1: the scariest.
Speaker 3: Oh no, then I would say like at least two.
Speaker 1: I see, I'm gonna agree with you. I was going
Speaker 1: to say one or two. I'm gonna say two with you.
Speaker 3: Let's do two.
Speaker 7: It's number one.
Speaker 2: It is one, Okay, I can see that.
Speaker 1: I can totally see that. Yeah, okay. Second Halloween nineteen
Speaker 1: seventy eight. Oh two, I'm gonna say four.
Speaker 3: That's four.
Speaker 2: I've never seen these movies.
Speaker 3: You've never seen Halloween.
Speaker 2: I have not, of course not. I don't like movies this, Okay.
Speaker 3: I would say it would be two.
Speaker 7: Number seven?
Speaker 3: Oh wow, okay, Oh my gosh. No.
Speaker 1: You know my problem with these movies is I have
Speaker 1: a photographic memory, so I can't unsee things. So when
Speaker 1: I see something gory or disgusting, when I shut my eyes,
Speaker 1: I can't not see it.
Speaker 2: So I can't watch this stuff.
Speaker 3: Yeah, it's part of the fun, but it's also like.
Speaker 2: Not yeah, no, I can't do it. Third, the shinin.
Speaker 2: I'm kidding. It's the shining. That's for all my Simpsons
Speaker 2: fans out there, it's the Shinin. Do you want to
Speaker 2: be sued? Yeah? So the Shining, What.
Speaker 3: Do you think I'm gonna go with number three?
Speaker 1: Shining was a freaky movie. I'm gonna I'm gonna try
Speaker 1: number four again.
Speaker 7: You're right, Well it's number four.
Speaker 2: Oh I got one right? Okay? And now fourth, The
Speaker 2: Conjuring twenty thirteen.
Speaker 3: I don't even know anything.
Speaker 2: This is a freaky movie, though, isn't it.
Speaker 3: I don't know. I've never seen it, never even heard
Speaker 3: of this one.
Speaker 7: Yes, it's what the Annabel doll.
Speaker 2: Oh okay, I'm going to say this is number five?
Speaker 7: Five? Yeah, five, number three.
Speaker 2: It is number three.
Speaker 1: And finally, so we can't win, we've already lost, thank you,
Speaker 1: producer Jensen.
Speaker 2: Finally, The Ring number two, I'm going to say this
Speaker 2: is number two movie.
Speaker 4: Talk about a visual number six, it's number six.
Speaker 3: Way do you have?
Speaker 2: Do you have the whole list in front of you?
Speaker 5: I do?
Speaker 3: Yeah?
Speaker 2: So can you read them? Yeah?
Speaker 3: Exorsist was number one?
Speaker 2: One is Exorcist?
Speaker 7: Yes, number Hereditary?
Speaker 5: Okay, number three, Conjuring number four, The Shining, number five,
Speaker 5: Texas Chainsaw Massacre.
Speaker 2: Oh my god, yeah, holy Cow?
Speaker 5: Number six, The Ring, Halloween number seven, number eight, sinister,
Speaker 5: number nine insidious and number ten.
Speaker 2: It wait a second, wait a second?
Speaker 3: At all?
Speaker 2: Get that?
Speaker 1: How is the first Night Marion elm Street not on
Speaker 1: that list? How is the first time we see it?
Speaker 1: Freddy Krueger not in the top ten?
Speaker 3: Is it Freddy Krueger? Halloween?
Speaker 2: And Michael Halloween? Is Michael Myers? Halloween? Is Michael?
Speaker 3: Oh?
Speaker 1: How that first Night Marrin elm Street, which I have
Speaker 1: seen part of, and how that is not in the
Speaker 1: top ten is crazy to me?
Speaker 4: The Saw movie, the franchise of Saw did make it
Speaker 4: in the top ten at all?
Speaker 3: Yes, not list insane.
Speaker 2: I don't believe this list. I believe producer Jensen is wrong.
Speaker 2: And thank you MICHAELA.
Speaker 7: This is also from Rotten Tomatoes.
Speaker 2: So I don't buy that. I don't buy all those
Speaker 2: tomato people. I don't buy it. Can we do some
Speaker 2: Sabrina seas?
Speaker 3: Okay?
Speaker 4: To be honest, I really didn't have a ton of
Speaker 4: scene happening movie. That's no problem, especially that we haven't
Speaker 4: haven't covered I again, cal idiot. The wordings that were
Speaker 4: the insults that were being said by these children really
Speaker 4: were just like whoa. We just never ever get that
Speaker 4: into movies. And I'm grateful for it because it just
Speaker 4: caused for a very not great feeling. As I was
Speaker 4: watching these, I put on divorce. Okay, I had a
Speaker 4: question for you. Did you realize? And we talked a
Speaker 4: little bit about it. I mean we said it in
Speaker 4: the script, but like you, did we realize that Marshall
Speaker 4: was going to be the main character. I thought Gilbert
Speaker 4: was going to be the main character. I did too,
Speaker 4: And then all of a sudden I was like, oh, okay,
Speaker 4: I guess we're following Marshall a little bit closer than
Speaker 4: than Gilbert.
Speaker 2: I did too.
Speaker 4: Yeah, that was strange to me, just the way that
Speaker 4: the beginning of the movie is set up. And then
Speaker 4: one other thing, the little bit of a supress. Did
Speaker 4: you see the name of the dog that was on
Speaker 4: his doghouse?
Speaker 2: Oh? Wait, what was it? I did? What was it again? Fang?
Speaker 4: Right? Yeah, sang such a weird especially for a little
Speaker 4: dog like that to be called Fang. And then it
Speaker 4: kind of made sense because he had such a tight
Speaker 4: grip on the he's hand, but it was funny just
Speaker 4: to Fang and it's like so big and so like,
Speaker 4: this dog's name is Fang, Like, yeah, I love that.
Speaker 4: My next question was, now Leonard can't read. What's wrong
Speaker 4: with Leonard? Why can't he read when he's clearly like
Speaker 4: six or seven.
Speaker 1: Because Leonard's got a whole another set of problems going
Speaker 1: out with Leonard Leonard Leonard, Leonard's got a tough life
Speaker 1: ahead him.
Speaker 4: He can't read, but he can be unsupervised in front
Speaker 4: of the house.
Speaker 3: Probably.
Speaker 2: Yeah, Leonard was like one of those street kids from
Speaker 2: the fifties, like I'm gonna punch in the musk. She
Speaker 2: like one of those kids who like, all of a sudden.
Speaker 3: Yeah, and then we go.
Speaker 4: We went through the whole the weird party. I had
Speaker 4: so many I means like I just am.
Speaker 2: Like Sabrina doesn't want to see that part again.
Speaker 4: I'm like, just like make it stop basically, and then again.
Speaker 4: So Kubot's dead or not, I'm not sure. That was
Speaker 4: definitely not a thing that he could be dead, but
Speaker 4: they seem like as if he is, he doesn't get arrested.
Speaker 4: He there is zero It is an open door for
Speaker 4: a sequel in the sense of like what happened to
Speaker 4: mister kubab Yeah, Yeah, that's it, that's all I got.
Speaker 2: Those are good. Those are good now we come to
Speaker 2: the portion of the program that I've been dreading this
Speaker 2: entire time, which is rating our film. Let's do one
Speaker 2: out of ten.
Speaker 1: I'm not even make a joke about it. Let's do
Speaker 1: one out of ten. Uh, it's either going to be
Speaker 1: one out of ten. Mild scares and spooky atmospheres one
Speaker 1: at a ten, cow sisters, long mummy peas, redheaded todd cameos,
Speaker 1: one out of ten, uncles that look like monsters, one
Speaker 1: out of ten, coushballs one out of ten, stylish hot
Speaker 1: ladies at ten, child criminals, one out of ten, gothic
Speaker 1: kool aid man's or I'm gonna add one out of
Speaker 1: ten forty five year old divorcee characters played by eleven
Speaker 1: year old girls. I know it's long and worded, but
Speaker 1: it's got to be in there somewhere. One year old
Speaker 1: divorce a characters played by eleven year old girls.
Speaker 3: Okay, that's a lot.
Speaker 4: That's aboutful, but we gotta go okay because the Amy
Speaker 4: character was bonkers.
Speaker 3: It's bucks.
Speaker 2: I don't know what do we rate you. I think
Speaker 2: you rate first this week.
Speaker 4: I'm gonna here's the thing. As a regular movie. If
Speaker 4: this was on even Nickelodeon. It would have been so
Speaker 4: much more branded correctly than the Disney Channel movies in
Speaker 4: that saying like, I didn't actually hate the movie. I
Speaker 4: hated it for a d coom. That's what I just
Speaker 4: could not get over the fact that this was a DCOM,
Speaker 4: not just the DCOM, the first d COM like which
Speaker 4: should be in its own like Little Pedestal.
Speaker 3: And I hated it for that. But he didn't actually
Speaker 3: hate the movie.
Speaker 4: It actually was kind of funny, and the kids were
Speaker 4: like just so rambunctious, and it was so odd that
Speaker 4: I didn't.
Speaker 3: Hate it, which is weird.
Speaker 4: But even though I'm I have to rate it as
Speaker 4: a d COM.
Speaker 3: And I'm giving it a five, I'm giving it a five.
Speaker 3: Forty five year old divorce characters played by an eleven
Speaker 3: year old. It's a solid five for me.
Speaker 4: It's not going up, but again, I didn't hate it
Speaker 4: that much to let it go down, but it is
Speaker 4: a five for me.
Speaker 1: Okay, I could not agree with you more. This is
Speaker 1: you said exactly what I was going to say. If
Speaker 1: this was like this, I might be dating myself here.
Speaker 1: You might not know this movie. But if this was
Speaker 1: like The Monster Squad or one of the movies where
Speaker 1: it starred kids, but was it wasn't a Disney movie.
Speaker 1: It was just a kid's kind of movie but was
Speaker 1: in the theaters that kind of thing. Then not a
Speaker 1: bad movie, not a bad movie at all, if that's
Speaker 1: what you're talking about.
Speaker 2: The dialogue's witty and funny. She's a that crazy character.
Speaker 2: It's I mean, it's it's amazing.
Speaker 4: It's suited in the nineties for that kind of character too, Like, yeah, truly, seriously.
Speaker 1: I mean if this was just, hey, we're reviewing a
Speaker 1: movie and this is a weird movie that came out,
Speaker 1: this would be a seven or eight for me easily,
Speaker 1: because it's not a bad movie.
Speaker 2: The kids are pretty good.
Speaker 1: Again, the dialogue is weird, it's but as a d com,
Speaker 1: what the hell it's and the for you're right, the
Speaker 1: first dcom this is supposed to be.
Speaker 2: The one where it's like, oh, this is this is Genesis?
Speaker 1: Yeah, and it just it was more like the band
Speaker 1: Genesis because it was like, what is going on? By
Speaker 1: the way, all my Genesis fans out of there.
Speaker 2: Some of their albums were okay.
Speaker 1: But much like a Genesis album, this could be ander
Speaker 1: So I didn't understand a lot of this being a dcom.
Speaker 3: S Yeah, okay, go ahead.
Speaker 2: No, I'm gonna say, I'm right with you. I'm I'm
Speaker 2: gonna give it exactly that you did.
Speaker 1: I'm gonna give it a five forty five year old
Speaker 1: divorce a characters being played by eleven year old actors
Speaker 1: because again, as a movie, not bad as a dcom
Speaker 1: not and.
Speaker 4: And and to be fair too, I was not expecting
Speaker 4: this very first d com right that this is unknown land, right.
Speaker 3: I wasn't expecting it to be.
Speaker 4: Right on the mark, right on where we found ourselves
Speaker 4: eventually a couple of years later of what what the
Speaker 4: channel found.
Speaker 3: Literally, I wasn't expecting it to be right on the mark.
Speaker 4: I was expecting it to be a little okay, we're
Speaker 4: finding ourselves some growing page.
Speaker 3: But not this.
Speaker 2: This I was not expecting.
Speaker 1: I thought, frankly, it was going to go the opposite
Speaker 1: direction as a d com and be way too sappy,
Speaker 1: overly childish, not childlike, but childish, and you know, overly sappy, very.
Speaker 2: Big, very big. Yeah, the music and the eight actors
Speaker 2: weren't going to be that good and and.
Speaker 9: Man it was not that, but it wasn't a funny
Speaker 9: watch and to be honest, doing the recap with you
Speaker 9: has even made it better for.
Speaker 2: Watch it, go and watch it. It is. It is,
Speaker 2: it's crazy, it is banana strings.
Speaker 4: Especially if you like d COM's it's just you're just
Speaker 4: going to be blown away.
Speaker 3: You gotta watch it because.
Speaker 1: It's just the second the eleven year old girl turns
Speaker 1: and goes, I sleep in the nude.
Speaker 2: I was like, I'm out, and there we go. Thank
Speaker 2: you ladies and gentlemen, I'll be one.
Speaker 4: And then and then just t minutes later, we find
Speaker 4: ourselves and a swingers party.
Speaker 3: Who's who was the president channel? Like, who was the
Speaker 3: president of the channel at this time?
Speaker 1: Because I've got well, Garrett, it was, yeah, we gotta
Speaker 1: we gotta find out.
Speaker 2: About this one.
Speaker 1: We've got to deep dive this one because crazy. But well,
Speaker 1: thank you everybody so much for joining us. Our next
Speaker 1: movie that we're going to be doing is very much
Speaker 1: on brand. So we are back on the tracks people.
Speaker 2: Our next movie is keeping us terrified with Halloween around
Speaker 2: the corner. We'll be watching a sequel. That's right, it's
Speaker 2: Twitches too.
Speaker 1: It's too as in Twitches also the second movie starring
Speaker 1: Tia and Tamara Mooriy from two thousand and seven is
Speaker 1: available now to watch via Disney Plus. We are back
Speaker 1: on the Plus people, so watch it before our episode
Speaker 1: and you'll be way ahead of the game. But before
Speaker 1: we take off the bandages entirely, we're gonna stay in
Speaker 1: this universe, this.
Speaker 2: Crazy, crazy bananas universe for under Wraps.
Speaker 1: Because we spoke with Adam Wiley. I've known him for many,
Speaker 1: many years. He played Young Gilbert, and he gave us
Speaker 1: the low down on what the legacy of under Wraps
Speaker 1: is all about.
Speaker 2: Listen here for a sneak bee.
Speaker 1: Bill FAGERBACKI was actually like there was times he was
Speaker 1: close to passing out on set.
Speaker 3: Is this true?
Speaker 6: A thousand percent? He had fans all over him. He
Speaker 6: had to sit because he couldn't get out. Once he
Speaker 6: was out, it was like even just to use the
Speaker 6: restroom was a nightmare. So he would just sit there
Speaker 6: like this. And back then we didn't have this technology,
Speaker 6: so it's noting it could be like we're just gonna
Speaker 6: green screen out his mouth or whatever you do. They
Speaker 6: had to take this carcole kind of like makeup and
Speaker 6: like spread it all over. He had to wash his
Speaker 6: mouth with it so that everything was black.
Speaker 2: Love that guy.
Speaker 3: I'm so excited we got to meet him.
Speaker 4: He is talk about nostalgia of the nineties so amazing.
Speaker 2: By the way, because this movie was so crazy pants,
Speaker 2: we did not talk nearly enough about how good he
Speaker 2: was in this movie, because he was great in this movie.
Speaker 2: He was great in this movie by far, the best
Speaker 2: of the three of them, I thought.
Speaker 1: And then Amy with the character she was playing the
Speaker 1: old like I gotta I've got a shift.
Speaker 3: In the character was kind of he was fine, fine, the.
Speaker 1: Other too, But but Adam was was absolutely great, great
Speaker 1: in this movie. He really and we did not talk
Speaker 1: about that enough because we were so distracted by all
Speaker 1: the other lights and sounds going on in the movie.
Speaker 2: Yes, but we love him.
Speaker 1: So you can hear everything he has to say about
Speaker 1: under Wraps and so much more. Search for Magical Rewind
Speaker 1: wherever you get your podcast and subscribe to our dedicated
Speaker 1: feed and for more info. You can always follow us
Speaker 1: a Magical Rewind.
Speaker 2: Pod on the Instagram Machine. Bye everybody, Bye, By sleep
Speaker 2: in the Nudes