WEBVTT - Under Wraps

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<v Speaker 1>Hi, Sabrina hay Will So I just got well as

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<v Speaker 1>you got as the world got. Get ready everybody, because

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<v Speaker 1>I guess it's official. Camp Rock three is filming and

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<v Speaker 1>our producers are already going crazy about the grainy pictures

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<v Speaker 1>coming out.

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<v Speaker 2>Who's going to be in it, what's going to happen? Unbelievable.

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<v Speaker 3>I'm here for it. I want you to know. It's

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<v Speaker 3>like a hell yeah for me, Hell yeah.

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<v Speaker 2>Well.

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<v Speaker 1>You know the thing that I read about this, which

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<v Speaker 1>is which is interesting, is there was there's a uh

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<v Speaker 1>something that was leaked from Disney by accident that said

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<v Speaker 1>Camp Rock three. It's actually it's a combination of you know,

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<v Speaker 1>music and dance the way they have it, but also

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<v Speaker 1>hunger games where they all.

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<v Speaker 2>Kill each other off.

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<v Speaker 3>They're getting killed off.

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<v Speaker 1>Only one Jonas lives. That's all that camp Camp Rock three.

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<v Speaker 1>One Jonas makes it. That's what it's called.

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<v Speaker 2>Will I didn't do this. This is Disney.

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<v Speaker 4>I'm with the millions and millions of magical rewind that.

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<v Speaker 2>People that can't wait to see. I love that. You

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<v Speaker 2>think we have millions and millions of.

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<v Speaker 4>But I am with them going they better not kill

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<v Speaker 4>any one of those amazing.

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<v Speaker 2>Is going to make my.

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<v Speaker 3>Art could take it.

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<v Speaker 2>Jonas enter one, Jonas leaves, that's camp Rock. Three people imagine. No,

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<v Speaker 2>I couldn't imagine. But yes it's true.

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<v Speaker 1>While I might have made up that last part, it

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<v Speaker 1>is true.

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<v Speaker 2>Can't big views in the world of the d com.

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<v Speaker 1>But before we get to what will be the newest

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<v Speaker 1>d com, we got to get to the first d com.

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<v Speaker 2>Yes, what a great transition. My god, I'm good at this.

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<v Speaker 1>Welcome back to Magical Rewind, the show that makes you

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<v Speaker 1>want to grab your friends, your pj's and your popcorn

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<v Speaker 1>and go back to a time and all the houses

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<v Speaker 1>were smart, the waves tsunamis and there was one Jonas left,

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<v Speaker 1>I'm wilfred.

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<v Speaker 2>Ell and Sabrina brad Yes, as the saying goes, you

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<v Speaker 2>never forget your first time. And so we are entering

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<v Speaker 2>a sarcophagus for the DCOM that's started at All nineteen

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<v Speaker 2>ninety seven's under wraps, diving headfirst again into an important

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<v Speaker 2>time for the Disney Channel. That's the spooky season. You

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<v Speaker 2>like that spooky voice, Give me your best movie. Yes,

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<v Speaker 2>wo ah, that'll work. We of course, are talking about

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<v Speaker 2>all hollows Eve Halloween, the weeniest of all Hollows.

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<v Speaker 1>The movie debuted on October twenty fifth, nineteen ninety seven,

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<v Speaker 1>just before Halloween, and was the beginning of a total

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<v Speaker 1>rebrand when it came to films for the studio, introducing

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<v Speaker 1>the term Disney Channel Original Movie or DCOM. The marketing

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<v Speaker 1>that changed the entire ballgame, and the term DCOM is

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<v Speaker 1>so beloved it pretty much become the common branding for

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<v Speaker 1>any movie that the channel has aired exclusively throughout all

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<v Speaker 1>of time. It has become an all inclusive term. So

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<v Speaker 1>even early early movies are still being called DCOM. But Nope,

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<v Speaker 1>this was the first one.

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<v Speaker 2>And frankly, I'm a bit chucked because there's a lot

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<v Speaker 2>of that went on in.

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<v Speaker 3>This literally, I mean time and time again. I just

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<v Speaker 3>kept going, did they just say that? Like, I mean,

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<v Speaker 3>just so much. It's just unreal.

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<v Speaker 4>It's it's the the evolution, I would say for the best.

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<v Speaker 2>There was a.

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<v Speaker 1>Time there was a time where one one character said

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<v Speaker 1>one thing where I paused it, walked the length of

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<v Speaker 1>my house to tell my wife exactly what this character said.

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<v Speaker 2>And we will get into that.

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<v Speaker 1>And I know you, I know you know exactly what

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<v Speaker 1>I'm talking about a couple times. Yes, So We've already

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<v Speaker 1>seen some of the most popular Halloween decommentries both past

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<v Speaker 1>and present.

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<v Speaker 2>We have Halloween Town, twitches, and zombies, just to name

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<v Speaker 2>a few. D common Halloween have become a synonymous pair

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<v Speaker 2>over the years, and under.

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<v Speaker 1>Wraps is a massive reason why. Yes, it's chocolate meats

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<v Speaker 1>peanut butter, peanut butter meats chocolate Halloween meets Disney. Under

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<v Speaker 1>Wraps also marks a rare occurrence where the original film

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<v Speaker 1>spawned a much later reboot and a sequel to that reboot,

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<v Speaker 1>creating what Disney liked to call a franchise. But we're

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<v Speaker 1>talking years and years and years later, and it can

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<v Speaker 1>get a bit confusing because for some reason, only those

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<v Speaker 1>are on Disney. Plus Ah, we'll get into it. Shot

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<v Speaker 1>in the very hot summer of nineteen ninety six in Chico, California,

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<v Speaker 1>which remember that, because it's going to come into play later.

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<v Speaker 1>This was a new location for decomproduction, But then.

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<v Speaker 2>Again was it.

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<v Speaker 1>If this was the first d com then it was

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<v Speaker 1>the original location for decomproduction. It was filmed on a

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<v Speaker 1>low budget, but they hired a hungry team looking to

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<v Speaker 1>make a good, quote unquote child friendly horror movie.

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<v Speaker 2>Loosely inspired by et and they did such a good

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<v Speaker 2>job that some websites Warren Parents that despite being on

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<v Speaker 2>the family friendly side and being on the family friendly

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<v Speaker 2>Disney channel, this movie involves a kid's adventure that includes

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<v Speaker 2>quote mild scares and spooky atmospheres unquote, Sabrina, was this

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<v Speaker 2>movie too scary for kids? Was it scary for you?

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<v Speaker 4>No? No, it wasn't scary at all. Inappropriate at some times, but.

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<v Speaker 2>Not scary, not even for kids. Not even the start.

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<v Speaker 4>Okay, yes, actually the start was You're right, I need

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<v Speaker 4>to get back on my time frame here. Yet the

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<v Speaker 4>beginning was was a little oh whoa whoa closer to

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<v Speaker 4>a horror film than what I was expecting, I guess.

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<v Speaker 1>Yeah, they really rode the line of like one more

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<v Speaker 1>shot and it would not have been able to be

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<v Speaker 1>on the like Disney at all.

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<v Speaker 4>Absolutely, but I mean that throughout it though, I mean,

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<v Speaker 4>it stopped being scary really at all, even the heighten

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<v Speaker 4>of the drama in it was like, this is definitely

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<v Speaker 4>a kid's Disney movie.

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<v Speaker 2>Yeah, I agree.

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<v Speaker 1>Many families have made viewing the original under Wraps as

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<v Speaker 1>an October slash Halloween tradition, so you would think it

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<v Speaker 1>would be found on Disney Plus, like I was saying,

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<v Speaker 1>but no, Shockingly, the first.

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<v Speaker 2>D com is not on Disney Plus. Can you believe that?

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<v Speaker 1>Only the new reboots are available to stream there? So

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<v Speaker 1>you can watch it now on YouTube? Yes, it is

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<v Speaker 1>horrible quality. I also there's two of them there on YouTube.

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<v Speaker 1>One of them says an hour and six minutes long,

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<v Speaker 1>one of them says an hour and thirty minutes long.

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<v Speaker 1>The hour and thirty minute one is the one you

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<v Speaker 1>want to watch it, and it's clearly better than the

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<v Speaker 1>hour and six minutes.

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<v Speaker 2>It's also, for some reason, twenty four minutes longer.

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<v Speaker 1>Uh so, yes, it's free, so you can go watch

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<v Speaker 1>that and feel free to watch it before we deep dive,

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<v Speaker 1>or peep it later after you've waddled into the shallow end.

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<v Speaker 1>But do it fast, people, because summer's ended and the

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<v Speaker 1>weather's turning.

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<v Speaker 2>The pool is going to get cold, very very soon. Sabrina,

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<v Speaker 2>what was your knowledge of the first d comm ever

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<v Speaker 2>under wraps before a little podcast here with millions of listeners?

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<v Speaker 4>Apparently I had no idea so much that when it

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<v Speaker 4>became what it was, which was a spooky season, I

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<v Speaker 4>was shocked. I was like, oh, well, duh, that makes

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<v Speaker 4>sense where we're at in the seasons of the world

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<v Speaker 4>right now.

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<v Speaker 3>But I was shocked.

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<v Speaker 4>I had no idea under Wraps. I thought maybe it

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<v Speaker 4>was like a detective movie. I really had no idea

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<v Speaker 4>when it came to the name of it, and then

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<v Speaker 4>it made sense the name of it later on as Okay, okay.

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<v Speaker 2>Yeah, no, I knew.

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<v Speaker 1>I knew what this movie was because of this podcast

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<v Speaker 1>and okay, somebody had mentioned under Wraps and mummies.

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<v Speaker 2>That's the only reason I knew what it was about,

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<v Speaker 2>all right, So yeah, so I.

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<v Speaker 3>Kept talking about reviewing this one for a.

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<v Speaker 2>While now that so it must be that because I have.

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<v Speaker 3>But I had no idea there was going to be

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<v Speaker 3>a mummy.

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<v Speaker 4>I I just kind of opened it up, watched it,

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<v Speaker 4>and went, okay, we're folloween season yes.

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<v Speaker 2>Something with this. Yeah there's no daddy, but there's definitely

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<v Speaker 2>a mummy, thank you very much. So why don't you

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<v Speaker 2>rise from your tomb and pine for the queen? It's

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<v Speaker 2>time for the synopsis.

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<v Speaker 1>Three kids accidentally awaken a three thousand year old mummy

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<v Speaker 1>who they named Harold, and must hide him away while

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<v Speaker 1>trying to return him to his lover before night This

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<v Speaker 1>movie is directed by Greg Beeman. That is a name

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<v Speaker 1>we have heard many times, a season name in Hollywood

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<v Speaker 1>whose first jobs behind the camera were Magical World of

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<v Speaker 1>Disney films. One was called The Little Spies and the

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<v Speaker 1>other was a movie we have to do soon or

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<v Speaker 1>my life will not be complete. The richest cat in

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<v Speaker 1>the world. Yes, he would go on to direct movies

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<v Speaker 1>like License to Drive, Mom and Dad, Save the World,

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<v Speaker 1>underrated movie in my opinion, and Problem Child three. But

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<v Speaker 1>listen to this lineup for d COM's people. These are

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<v Speaker 1>the dcoms that bear his name. Under Wraps, Brink, Horse, Sense,

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<v Speaker 1>Miracle and Lane to the Ultimate Christmas Present. There is

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<v Speaker 1>not a dud in the bunch. He'd go on to

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<v Speaker 1>become a force and TV, both directing and executive producing

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<v Speaker 1>shows like Heroes, Smallville, Nash Bridges, and Falling Skies. As

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<v Speaker 1>far as the cast goes, under Rap stars Mario Yedidia.

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<v Speaker 1>I want to say, is how you pronounce his name

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<v Speaker 1>as Marshall. He by all definitions as the star. Mario

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<v Speaker 1>was also seen in the movie Jack with Robert Williams,

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<v Speaker 1>but that's about it. Under Wraps was basically his last project,

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<v Speaker 1>which is something we've not really seen before, kid did

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<v Speaker 1>two movies and bounced.

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<v Speaker 2>Adam Wiley is Gilbert.

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<v Speaker 1>He's best known as Zachary Brock on the nineties TV

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<v Speaker 1>show Picket Fences, but he has worked a ton over

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<v Speaker 1>the years. As a kid, he's in movies like Child's

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<v Speaker 1>Play two and Kindergarten Cop and basically appeared in every

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<v Speaker 1>TV show you've ever seen, from Seinfeld to Who's the

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<v Speaker 1>Boss to Living Single two, Boy Meets World. And as

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<v Speaker 1>an adult, you've seen him in Castle, Shake It Up,

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<v Speaker 1>and CSI Miami. But most notably, he appeared in the

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<v Speaker 1>twenty twenty two Under Wraps reboot. Is a fun little

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<v Speaker 1>Easter egg for the fans of the original. Ken Campbell

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<v Speaker 1>is Bruce. Ken is a recognizable character actor seen in

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<v Speaker 1>things like armagedon Groundhog Day, Seinfeld Again, and Coyote Ugly,

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<v Speaker 1>and in an episode of Girl Meets World as well.

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<v Speaker 1>He played Jingles the Clown, but our listeners will know

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<v Speaker 1>him the best is the just relieved mal Santa that

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<v Speaker 1>Kevin Callister runs into with a message for the real

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<v Speaker 1>Santa in Home Alone. Ken is still working today, most

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<v Speaker 1>recently heard as the voice on the animated series Adventures

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<v Speaker 1>in Wonder Park Clara or Clara. I think it's Clara

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<v Speaker 1>Bryant is Amy. Clara had appeared on Roseanne and Buffy

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<v Speaker 1>the Vampire Slayer, but most importantly for this podcast, she's

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<v Speaker 1>in the dcom True Confessions. Her last credit was in

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<v Speaker 1>two thousand and seven, and I recognized her from Drew

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<v Speaker 1>Confessions but couldn't figure where, and so I did it

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<v Speaker 1>a little Google honor.

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<v Speaker 2>She is now an attorney. Wow. Great.

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<v Speaker 1>Yes, she left the business entirely after being a child actor,

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<v Speaker 1>went to law school and is a practicing attorney. Kareem

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<v Speaker 1>Boor I'm hoping I say that right, but I'm sure

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<v Speaker 1>I am not. It's probably Coryn Bahar. It's I think

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<v Speaker 1>it's Kareeen Bohr plays Marshall's mom. She starred in Police

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<v Speaker 1>Academy for Citizens on Patrol Underrated Citizens on Patrol, Police

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<v Speaker 1>Academy movie. Yes, I'm saying that right because it is

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<v Speaker 1>an underrated a movie for Police Academy.

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<v Speaker 2>Three was okay, four was pretty good, and she was

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<v Speaker 2>also in the movie Zapped.

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<v Speaker 1>But to us, she's just Julie in Phantom of the Megaplex.

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<v Speaker 1>She has since appeared on TV shows like Murder. She

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<v Speaker 1>wrote Party of Five, Veronica, Mars and Grey's Anatomy, and

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<v Speaker 1>the legendary Bill Fagerbaki plays Harold the Mummy. Bill first

0:11:05.360 --> 0:11:09.000
<v Speaker 1>hit mainstream as assistant Coach Dauber on Coach, but will

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<v Speaker 1>always be the voice of Patrick Starr on SpongeBob SquarePants.

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<v Speaker 1>You want to hear something really crazy.

0:11:17.640 --> 0:11:21.559
<v Speaker 2>Yes, I've never once seen an episode of SpongeBob SquarePants.

0:11:23.320 --> 0:11:24.360
<v Speaker 3>Yeah, that is crazy.

0:11:24.640 --> 0:11:27.760
<v Speaker 2>I mean I've never seen and I've i hear it's

0:11:27.800 --> 0:11:29.800
<v Speaker 2>amazing and Tom Kenny's a great guy and a friend.

0:11:29.840 --> 0:11:33.719
<v Speaker 2>And I've never ever seen an episode of SpongeBob square.

0:11:33.800 --> 0:11:36.640
<v Speaker 4>I get little snippets here because it plays on my

0:11:36.720 --> 0:11:39.800
<v Speaker 4>recordings before my friend's episodes that I record every single

0:11:39.840 --> 0:11:40.080
<v Speaker 4>one of.

0:11:41.160 --> 0:11:41.920
<v Speaker 2>That's crazy.

0:11:42.520 --> 0:11:45.839
<v Speaker 4>I have ever seen it, really honestly that much too.

0:11:46.000 --> 0:11:48.320
<v Speaker 4>I wasn't a big fan, which I know is like crazy.

0:11:48.520 --> 0:11:50.400
<v Speaker 4>I just wasn't.

0:11:51.080 --> 0:11:53.280
<v Speaker 1>Yeah, by the way, SpongeBob SquarePants because it's so big

0:11:53.280 --> 0:11:54.840
<v Speaker 1>as pretty much all you need for this man's career.

0:11:54.880 --> 0:11:56.720
<v Speaker 1>But he still does a ton of voiceover rolls. I've

0:11:56.720 --> 0:11:58.280
<v Speaker 1>gotten a chance to work with him several times. He's

0:11:58.280 --> 0:12:00.959
<v Speaker 1>a very nice guy. I love just to He's great

0:12:01.960 --> 0:12:04.280
<v Speaker 1>he's gray. He is a true legend and someone who

0:12:04.320 --> 0:12:07.040
<v Speaker 1>went through a ton of pain for this role or

0:12:07.120 --> 0:12:10.320
<v Speaker 1>roles since they filmed in the California summer heat. He

0:12:10.480 --> 0:12:13.959
<v Speaker 1>almost passed out numerous times while in the Mummy costume.

0:12:14.000 --> 0:12:14.640
<v Speaker 2>Isn't that crazy?

0:12:15.320 --> 0:12:18.840
<v Speaker 1>But enough preamble, Let's get to what really matters. The runtime, people,

0:12:18.960 --> 0:12:21.680
<v Speaker 1>that's all that matters in any of these films. Under

0:12:21.720 --> 0:12:22.319
<v Speaker 1>Wraps is.

0:12:23.920 --> 0:12:27.080
<v Speaker 2>Ninety five minutes, oh man, And I was just starting

0:12:27.160 --> 0:12:28.360
<v Speaker 2>to love this film.

0:12:28.400 --> 0:12:31.000
<v Speaker 1>That is five minutes over the target and we are

0:12:31.040 --> 0:12:33.200
<v Speaker 1>in what many would call a dead zone no matter

0:12:33.240 --> 0:12:33.760
<v Speaker 1>what's in the movie.

0:12:33.800 --> 0:12:35.360
<v Speaker 2>The scariest part of under Wraps is that you have

0:12:35.400 --> 0:12:36.720
<v Speaker 2>to sit for more than an hour and a half

0:12:36.760 --> 0:12:39.480
<v Speaker 2>foot everyone involved, may you get a hang nail? What

0:12:39.480 --> 0:12:40.320
<v Speaker 2>were you gonna say?

0:12:40.520 --> 0:12:43.200
<v Speaker 4>A double a double hit two? Especially when you're looking

0:12:43.240 --> 0:12:44.800
<v Speaker 4>on YouTube and you're like, oh, it's only an hour

0:12:44.840 --> 0:12:47.720
<v Speaker 4>and then it's like, no, it's not an hour and

0:12:47.880 --> 0:12:48.960
<v Speaker 4>thirty five minutes.

0:12:49.000 --> 0:12:51.120
<v Speaker 2>Hour and thirty five minutes. Yes, So it could have

0:12:51.120 --> 0:12:51.880
<v Speaker 2>been a great movie.

0:12:51.960 --> 0:12:54.040
<v Speaker 1>Now it can only even if it's the best movie ever,

0:12:54.120 --> 0:12:57.120
<v Speaker 1>can only be good. And it's written by Don Reimer,

0:12:57.160 --> 0:13:00.360
<v Speaker 1>a prolific writer starting in TV which shows like Coach Again,

0:13:00.440 --> 0:13:03.240
<v Speaker 1>Evening Shade in Carolina and the City, but eventually crafting

0:13:03.280 --> 0:13:06.200
<v Speaker 1>movies like all the Big Mama's House films, Surfs Up

0:13:06.240 --> 0:13:10.280
<v Speaker 1>and Rio Rymer unfortunately passed away in twenty twelve and

0:13:10.400 --> 0:13:20.320
<v Speaker 1>was only fifty one years old. And now wrap me

0:13:20.360 --> 0:13:23.719
<v Speaker 1>in bandages and call me Harold, we are entering the horror.

0:13:23.400 --> 0:13:25.600
<v Speaker 2>That is now known as under Wraps.

0:13:26.520 --> 0:13:29.120
<v Speaker 1>The movie opens with a little stop motion over parchment

0:13:29.160 --> 0:13:31.240
<v Speaker 1>paper and what can be seen as the bandages from

0:13:31.280 --> 0:13:34.280
<v Speaker 1>a mummy. There's a sarcophagus, a spider, a snake in

0:13:34.280 --> 0:13:37.199
<v Speaker 1>the hand of well said mummy. The viewers know right

0:13:37.240 --> 0:13:38.240
<v Speaker 1>off the bat.

0:13:37.920 --> 0:13:40.640
<v Speaker 2>We're in for a little bit of Halloween fun, and

0:13:40.679 --> 0:13:41.840
<v Speaker 2>then we're thrown right into it.

0:13:42.000 --> 0:13:44.600
<v Speaker 1>Spooky music and a young boy named Ben pushing around

0:13:44.600 --> 0:13:47.120
<v Speaker 1>his food on a dinner plate. His dad sternly states

0:13:47.120 --> 0:13:49.240
<v Speaker 1>that Ben must sleep in his own room tonight. His

0:13:49.480 --> 0:13:51.560
<v Speaker 1>mean big sister calls him a baby because he thinks

0:13:51.559 --> 0:13:53.800
<v Speaker 1>a monster lives in his closet. So let's go really

0:13:53.840 --> 0:13:56.040
<v Speaker 1>quickly and add her to the crappy dcom siblings list.

0:13:56.160 --> 0:13:58.480
<v Speaker 1>And we're not even two minutes in. Good news is

0:13:58.559 --> 0:14:01.080
<v Speaker 1>he tells her to shut up and calls her a cow.

0:14:01.360 --> 0:14:04.480
<v Speaker 2>There's a lot of mean like in this whole movie.

0:14:04.480 --> 0:14:07.520
<v Speaker 1>There's just an insult after insult insult.

0:14:07.960 --> 0:14:09.560
<v Speaker 2>It is the mid nineties, people, this is how we

0:14:09.559 --> 0:14:10.280
<v Speaker 2>spoke to each other.

0:14:11.200 --> 0:14:13.920
<v Speaker 1>Ben swears the monster's real, though it's huge with hairy

0:14:14.000 --> 0:14:16.720
<v Speaker 1>arms and sharp teeth. His dad calls to claim ridiculous.

0:14:16.720 --> 0:14:19.080
<v Speaker 1>But guess what it's not because we enter a point

0:14:19.080 --> 0:14:21.520
<v Speaker 1>of view from outside the house looking in through a window,

0:14:21.600 --> 0:14:25.880
<v Speaker 1>and whatever it is, it's lightly growling. It is a monster. Also, Sabrina,

0:14:25.920 --> 0:14:26.680
<v Speaker 1>this is what I'm saying.

0:14:27.200 --> 0:14:29.400
<v Speaker 2>A we both area. It's a bit scary what's going on.

0:14:29.480 --> 0:14:29.760
<v Speaker 5>But b.

0:14:31.480 --> 0:14:33.520
<v Speaker 1>Did you know right away this was gonna be a

0:14:33.600 --> 0:14:34.560
<v Speaker 1>movie within a movie?

0:14:35.000 --> 0:14:37.880
<v Speaker 2>No, I didn't you, Okay, I went.

0:14:38.480 --> 0:14:41.440
<v Speaker 4>I was like shocked, and I'm like kind of embarrassed

0:14:41.440 --> 0:14:43.880
<v Speaker 4>that I didn't realize that that was happening, because I went,

0:14:44.200 --> 0:14:49.600
<v Speaker 4>we are getting to some serious, really fat and then

0:14:49.680 --> 0:14:51.840
<v Speaker 4>it happened, and I was like, oh, you dumb, dumb,

0:14:52.000 --> 0:14:55.160
<v Speaker 4>like what like, come on, Sterna, You've been watching this

0:14:55.200 --> 0:14:58.760
<v Speaker 4>stuff too much to not realize that was happening.

0:14:58.800 --> 0:15:00.880
<v Speaker 3>Like right from the start. I think I was just.

0:15:00.880 --> 0:15:04.040
<v Speaker 4>Really caught on being the the idea that this little

0:15:04.040 --> 0:15:05.640
<v Speaker 4>brother was calling his sister a cow.

0:15:05.960 --> 0:15:11.160
<v Speaker 3>I think that's where I was trying to figure that

0:15:11.280 --> 0:15:12.440
<v Speaker 3>out real quick.

0:15:12.760 --> 0:15:15.400
<v Speaker 1>Yeah yeah, no, I it took me about thirty seconds,

0:15:15.440 --> 0:15:16.680
<v Speaker 1>but I was like, oh, this is gonna be fake.

0:15:17.120 --> 0:15:20.960
<v Speaker 3>Yeah, okay, see no, I wasn't and I haven't look good.

0:15:21.120 --> 0:15:22.920
<v Speaker 1>The camera angles are weird. I was like, oh, they're

0:15:22.960 --> 0:15:25.000
<v Speaker 1>they're doing a fake like horror movie here.

0:15:25.120 --> 0:15:25.400
<v Speaker 6>Yeah.

0:15:25.440 --> 0:15:27.800
<v Speaker 4>Well it's also hard to because it's on YouTube, so

0:15:27.840 --> 0:15:31.200
<v Speaker 4>it's you know, trying to very quickly.

0:15:30.920 --> 0:15:32.520
<v Speaker 2>Kind of like figure it out.

0:15:32.600 --> 0:15:35.200
<v Speaker 3>Figure that out was, you know, but I should give

0:15:35.200 --> 0:15:37.560
<v Speaker 3>myself that much credit. I was an idiot. Sorry.

0:15:39.760 --> 0:15:42.680
<v Speaker 1>So, just as Ben sub comes to his dad's insistence

0:15:42.680 --> 0:15:45.960
<v Speaker 1>that monsters aren't real, whatever's outside is gearing up. The

0:15:46.000 --> 0:15:47.960
<v Speaker 1>kids leave to do homework with mom while dad sticks

0:15:47.960 --> 0:15:50.320
<v Speaker 1>around the kitchen to wash them dishes, but he stumbles

0:15:50.360 --> 0:15:52.160
<v Speaker 1>dropping a sharp knife down the drain.

0:15:52.400 --> 0:15:52.800
<v Speaker 2>Damn.

0:15:53.200 --> 0:15:55.240
<v Speaker 1>He reaches in to get it as it spins with

0:15:55.320 --> 0:15:58.720
<v Speaker 1>the compactor. He sizes up how he's going to how

0:15:58.720 --> 0:16:01.240
<v Speaker 1>he's going to retrieve it, and it's all pretty luminous,

0:16:01.240 --> 0:16:05.200
<v Speaker 1>and then smash a monster in a Flannel crashes through

0:16:05.200 --> 0:16:07.560
<v Speaker 1>the window, grabs dad's head and squeezes as hard as

0:16:07.560 --> 0:16:07.920
<v Speaker 1>he can.

0:16:08.080 --> 0:16:08.880
<v Speaker 2>We get a close up.

0:16:08.840 --> 0:16:11.280
<v Speaker 1>With the monster's face and it's almost dripping with teeth

0:16:11.320 --> 0:16:11.920
<v Speaker 1>in every direction.

0:16:12.040 --> 0:16:15.600
<v Speaker 2>It's truly horrifying, especially for a kids movie. The dad

0:16:15.640 --> 0:16:18.600
<v Speaker 2>screams as they both look at the looming circling knife,

0:16:19.160 --> 0:16:21.640
<v Speaker 2>and then it's like the monster's gonna slam his head

0:16:21.680 --> 0:16:24.080
<v Speaker 2>down and the knife to grind up his head, and

0:16:24.120 --> 0:16:25.960
<v Speaker 2>then we pull out. It is just a movie. We're

0:16:25.960 --> 0:16:29.320
<v Speaker 2>in a pack theater watching wart heead for a day

0:16:29.560 --> 0:16:30.479
<v Speaker 2>in the country.

0:16:31.760 --> 0:16:34.520
<v Speaker 4>The grieving titles that are in this movie are pretty

0:16:34.720 --> 0:16:35.320
<v Speaker 4>dang good.

0:16:36.280 --> 0:16:39.040
<v Speaker 2>Pretty good. Wart add four, it's pretty good.

0:16:39.440 --> 0:16:39.920
<v Speaker 3>They're good.

0:16:40.160 --> 0:16:42.480
<v Speaker 2>So we zoom in then on two boys, Gilbert and Marshall.

0:16:42.800 --> 0:16:46.600
<v Speaker 2>The bespeckled Gilbert is screaming and very scared. Marshall is

0:16:46.680 --> 0:16:49.000
<v Speaker 2>way more season to frights. Gilbert can't take it anymore,

0:16:49.040 --> 0:16:50.920
<v Speaker 2>so he sprints off to the lobby, where he says

0:16:50.960 --> 0:16:53.920
<v Speaker 2>he will need to vomit. The movie ends in the

0:16:53.920 --> 0:16:57.200
<v Speaker 2>crowd disperses, Marshall reunited with Gilbert, who was waiting outside.

0:16:57.280 --> 0:17:00.840
<v Speaker 2>Gilbert is not ashamed whatsoever. He likes happy movies like

0:17:00.840 --> 0:17:03.320
<v Speaker 2>the sound of music. On their walk home, the boys

0:17:03.320 --> 0:17:05.199
<v Speaker 2>talk about, by the way, that was me, I was

0:17:05.240 --> 0:17:06.920
<v Speaker 2>that guy. I don't want to go see a horror movie.

0:17:06.960 --> 0:17:09.720
<v Speaker 2>I'd much rather sing the hills are Alive with the

0:17:09.720 --> 0:17:10.680
<v Speaker 2>sound of music. Yes.

0:17:11.880 --> 0:17:14.000
<v Speaker 1>On their walk home, the boys talk about their upcoming

0:17:14.000 --> 0:17:17.520
<v Speaker 1>Halloween costumes or lack thereof. Gilbert, who already feels like

0:17:17.520 --> 0:17:19.840
<v Speaker 1>a wet blanket, calls it a dumb tradition, and just

0:17:19.840 --> 0:17:21.800
<v Speaker 1>as they're about to cross the street, a car goes

0:17:21.840 --> 0:17:25.840
<v Speaker 1>speeding by, eventually swerving and making a harsh, very unsafe term.

0:17:26.280 --> 0:17:29.560
<v Speaker 1>That is mister Kubot, Marshall's creepy neighbor who always drives

0:17:29.560 --> 0:17:33.119
<v Speaker 1>like a madman. Gilbert has delivered his newspaper for two years,

0:17:33.160 --> 0:17:35.600
<v Speaker 1>but is too afraid to even collect the money.

0:17:36.000 --> 0:17:40.399
<v Speaker 4>Okay, wait, hold on, We're back at this paper job

0:17:40.480 --> 0:17:43.960
<v Speaker 4>that I don't fully fully understand, right, So.

0:17:43.880 --> 0:17:48.119
<v Speaker 3>I'm like, okay, so you have to collect the money

0:17:48.240 --> 0:17:49.639
<v Speaker 3>from everywhere?

0:17:50.359 --> 0:17:52.880
<v Speaker 4>Did you ever have this job? Did you have anyone there?

0:17:53.800 --> 0:17:56.520
<v Speaker 4>So I'm like so confused. Now I'm like, so.

0:17:56.560 --> 0:18:00.280
<v Speaker 3>This kid that gets hired to do this to row

0:18:00.320 --> 0:18:00.880
<v Speaker 3>the papers?

0:18:01.119 --> 0:18:02.359
<v Speaker 2>Right, you drive her bike?

0:18:02.800 --> 0:18:03.000
<v Speaker 7>Yeah?

0:18:03.040 --> 0:18:05.120
<v Speaker 3>You drive your bike, you throw the papers.

0:18:04.880 --> 0:18:07.159
<v Speaker 4>You throw your paper, but then you also have to

0:18:07.200 --> 0:18:11.280
<v Speaker 4>go around and collect money. This is like, that's a

0:18:11.359 --> 0:18:14.240
<v Speaker 4>lot for a kid to do to collect money from adults.

0:18:14.520 --> 0:18:16.119
<v Speaker 2>I think you do. You have your little notebook and

0:18:16.160 --> 0:18:17.760
<v Speaker 2>you have to go like, hey, mister Johnson, you owe

0:18:17.800 --> 0:18:19.760
<v Speaker 2>me for last month or last week or whatever. I

0:18:19.800 --> 0:18:22.440
<v Speaker 2>think I think that's how it works. Wow, And then

0:18:22.480 --> 0:18:26.080
<v Speaker 2>do you take your cut or get I don't know.

0:18:26.560 --> 0:18:29.080
<v Speaker 4>It's like this just seems like a really complicated job

0:18:29.119 --> 0:18:30.840
<v Speaker 4>for like a kid that I would assume would be

0:18:30.840 --> 0:18:31.400
<v Speaker 4>like eleven.

0:18:32.040 --> 0:18:32.400
<v Speaker 2>You know who?

0:18:32.480 --> 0:18:35.880
<v Speaker 1>You know who we should ask about this? Kathy Ireland,

0:18:36.119 --> 0:18:40.640
<v Speaker 1>the supermodel. Why because Kathy Ireland was like one of

0:18:40.680 --> 0:18:43.920
<v Speaker 1>the She won an award for for like most prolific

0:18:44.160 --> 0:18:46.680
<v Speaker 1>newspaper delivery person when she was a kid.

0:18:46.960 --> 0:18:50.119
<v Speaker 2>Now I know you're swear to God.

0:18:49.560 --> 0:18:53.080
<v Speaker 1>She told us this story on Podmet's World, I Swear

0:18:53.119 --> 0:18:55.760
<v Speaker 1>to God And it was something like they weren't they

0:18:55.760 --> 0:18:57.879
<v Speaker 1>didn't want to give her the award because she was

0:18:57.920 --> 0:18:59.800
<v Speaker 1>a girl or something like that, but it was there

0:18:59.800 --> 0:19:01.280
<v Speaker 1>was something about that. Yeah, it was a whole thing

0:19:01.840 --> 0:19:05.800
<v Speaker 1>square hand to God, handgud remember correctly, Yes, but it

0:19:05.880 --> 0:19:07.359
<v Speaker 1>is they have to like collect the money or whatever.

0:19:07.400 --> 0:19:09.160
<v Speaker 2>But what did they not have, Sabrina.

0:19:09.640 --> 0:19:11.440
<v Speaker 3>They didn't have that paper.

0:19:11.320 --> 0:19:16.440
<v Speaker 2>Magic launching things from the other the left overs from

0:19:16.520 --> 0:19:21.680
<v Speaker 2>the left from the others, exactly from from me too.

0:19:24.400 --> 0:19:27.560
<v Speaker 2>That was the other one got it? Oh, by the way,

0:19:27.600 --> 0:19:29.080
<v Speaker 2>I just got a text. They are down to two

0:19:29.280 --> 0:19:33.000
<v Speaker 2>Jonahs brothers, and so Marshall has decided tonight is the

0:19:33.119 --> 0:19:36.800
<v Speaker 2>night they do something about that. It's payday. But built

0:19:37.960 --> 0:19:40.320
<v Speaker 2>stinking about one of the Jonah's brothers being killed us

0:19:42.280 --> 0:19:45.760
<v Speaker 2>yet happened, because it's like it would never The Joe bros.

0:19:45.760 --> 0:19:49.679
<v Speaker 1>Wouldn't allow it, but Gilbert begs him to leave him alone,

0:19:49.800 --> 0:19:50.679
<v Speaker 1>just leave it alone.

0:19:50.720 --> 0:19:52.800
<v Speaker 2>He doesn't want to collect the money.

0:19:52.840 --> 0:19:55.560
<v Speaker 1>But there's an urban legend that Coubot actually kill the

0:19:55.640 --> 0:19:58.920
<v Speaker 1>kid once, but Marshall reveals the kid just moved to Toronto,

0:19:59.400 --> 0:20:02.080
<v Speaker 1>and just like that, Marshall ignores his pal and stomps

0:20:02.160 --> 0:20:04.160
<v Speaker 1>right up to the creepy man's front door and rings

0:20:04.200 --> 0:20:07.280
<v Speaker 1>the doorbell. A bright porch light turns on, blinding the

0:20:07.320 --> 0:20:09.520
<v Speaker 1>two boys. As mister Coubot answers the door, he has

0:20:09.560 --> 0:20:13.000
<v Speaker 1>a tall, scary presence holding an attack dog on a chain.

0:20:13.640 --> 0:20:15.600
<v Speaker 1>Marshall tries to explain the money owed, but when the

0:20:15.600 --> 0:20:18.360
<v Speaker 1>dog begins to ferociously bark, the boys scurry off, screaming

0:20:18.359 --> 0:20:21.280
<v Speaker 1>in fear. They're followed closely behind by the sprinting canine,

0:20:21.440 --> 0:20:23.480
<v Speaker 1>who only stops when he runs out of the chain.

0:20:23.680 --> 0:20:26.440
<v Speaker 1>Mister Coubot lasts in satisfaction, and the boys yell all

0:20:26.480 --> 0:20:29.159
<v Speaker 1>the way to Marshall's house. Once home, Marshall is greeted

0:20:29.160 --> 0:20:31.840
<v Speaker 1>by his mom, then her new eager to please boyfriend Ted.

0:20:32.200 --> 0:20:33.720
<v Speaker 2>This, of course, is mister Fagerbaki.

0:20:34.200 --> 0:20:36.600
<v Speaker 1>Gilbert takes off as Marshall retreats to his bedroom to

0:20:36.640 --> 0:20:39.040
<v Speaker 1>avoid his mom's new companion, and he is coming on

0:20:39.080 --> 0:20:39.760
<v Speaker 1>a little strongly.

0:20:39.800 --> 0:20:43.080
<v Speaker 2>Hey pal, Hey bud, Huh, how's everything going, sport?

0:20:43.160 --> 0:20:45.080
<v Speaker 1>It's like all right by the second sport, Get the

0:20:45.119 --> 0:20:48.840
<v Speaker 1>hell out of my face. Marshall's room is, by the way,

0:20:48.880 --> 0:20:52.280
<v Speaker 1>a horror fans dream. It's filled with full sized monsters

0:20:52.280 --> 0:20:54.439
<v Speaker 1>and intricate masks. His mom knocks in the door to

0:20:54.440 --> 0:20:56.760
<v Speaker 1>explain to him that Brad is a really nice guy.

0:20:57.160 --> 0:21:00.920
<v Speaker 1>Marshall's parents divorced, and it obviously still affects him. A

0:21:00.960 --> 0:21:02.960
<v Speaker 1>few days later, at school, the boys are eating lunch

0:21:02.960 --> 0:21:09.440
<v Speaker 1>when their friend Amy. Okay, we're gonna, we're gonna go down,

0:21:09.440 --> 0:21:12.200
<v Speaker 1>We're gonna we're gonna eventually talk about Amy a little bit,

0:21:12.240 --> 0:21:15.399
<v Speaker 1>because Amy, to me is the most one of the

0:21:15.400 --> 0:21:19.800
<v Speaker 1>most bonkers characters in the history of d coms.

0:21:20.000 --> 0:21:26.080
<v Speaker 2>Yes, she's mean and snarky and sexual, and it's like,

0:21:26.640 --> 0:21:30.520
<v Speaker 2>it's the strangest choice for a twelve year old character

0:21:30.760 --> 0:21:32.760
<v Speaker 2>in the history of any dcom we've seen.

0:21:33.240 --> 0:21:39.720
<v Speaker 4>Right, well, already we're jumping into something that we rarely

0:21:40.119 --> 0:21:44.000
<v Speaker 4>see on the d in the d coms is divorce, right,

0:21:44.080 --> 0:21:46.880
<v Speaker 4>that's where it happened. That's one of my Sabrina seas

0:21:46.880 --> 0:21:49.120
<v Speaker 4>like right off the bat, we're like four or five

0:21:49.160 --> 0:21:52.400
<v Speaker 4>minutes in and finding out a divorce. Not that it's

0:21:52.440 --> 0:21:55.800
<v Speaker 4>a bad topic, but it's different from what we are

0:21:55.920 --> 0:21:58.879
<v Speaker 4>used to seeing on the channel at this point, after

0:21:58.960 --> 0:22:02.400
<v Speaker 4>we've watched seven hundred of them and so we're I mean,

0:22:02.520 --> 0:22:05.920
<v Speaker 4>then you get hit in the face with Amy, and

0:22:06.000 --> 0:22:09.880
<v Speaker 4>she just gets crazier and crazier as we continue through

0:22:09.880 --> 0:22:14.120
<v Speaker 4>the movie, Like it really she's she's a different kind

0:22:14.160 --> 0:22:17.520
<v Speaker 4>of character and very different from what we see her.

0:22:17.760 --> 0:22:21.720
<v Speaker 4>And she confessions like, oh my god, day of the

0:22:21.840 --> 0:22:23.800
<v Speaker 4>kind of character we see in True Confession.

0:22:23.880 --> 0:22:24.960
<v Speaker 3>She's a great actress.

0:22:25.080 --> 0:22:28.040
<v Speaker 2>Like, she's very very good, and it's a good character.

0:22:28.240 --> 0:22:31.760
<v Speaker 2>It's a good character. It's just not a deep character.

0:22:31.840 --> 0:22:34.760
<v Speaker 4>Yeah, exactly where you're just I mean, I was so

0:22:35.000 --> 0:22:38.239
<v Speaker 4>thrown so many times in this movie. It was just like,

0:22:38.880 --> 0:22:41.160
<v Speaker 4>and she's the one that I'm assuming is the one

0:22:41.160 --> 0:22:42.520
<v Speaker 4>that you went and told Sue about.

0:22:42.520 --> 0:22:45.000
<v Speaker 3>It was one of her one of her clothes.

0:22:45.119 --> 0:22:46.119
<v Speaker 2>We will talk about this.

0:22:46.240 --> 0:22:48.800
<v Speaker 1>So a few days later, at school, they're eating lunch,

0:22:48.880 --> 0:22:49.520
<v Speaker 1>Amy arrives.

0:22:49.640 --> 0:22:52.840
<v Speaker 2>She has news he's dead. She says, mister Kubat was

0:22:52.840 --> 0:22:55.560
<v Speaker 2>found sprawled out on the kitchen floor, covered in pancake batter,

0:22:55.800 --> 0:22:57.560
<v Speaker 2>but it was a heart attack. He was just making

0:22:57.560 --> 0:23:00.000
<v Speaker 2>pancakes at the time. Amy says that Kubat used to

0:23:00.040 --> 0:23:01.760
<v Speaker 2>work at some museum in New York and has no

0:23:01.840 --> 0:23:04.520
<v Speaker 2>friends or surviving family. Her mom is selling his house

0:23:04.560 --> 0:23:08.119
<v Speaker 2>and it's very very swoogie. There's even a rumor that

0:23:08.240 --> 0:23:11.639
<v Speaker 2>Coubat has a coffin in his basement. Marshall doesn't believe it,

0:23:11.640 --> 0:23:13.440
<v Speaker 2>so Amy says there's only one way to find out,

0:23:13.520 --> 0:23:17.920
<v Speaker 2>and despite Gilbert saying it's a bad idea, today they

0:23:18.000 --> 0:23:19.200
<v Speaker 2>start breaking the law.

0:23:19.280 --> 0:23:21.479
<v Speaker 1>And that's one of the on running things of this

0:23:21.560 --> 0:23:24.760
<v Speaker 1>movie is these little felons running around the town wreaking

0:23:24.800 --> 0:23:25.720
<v Speaker 1>havoc everywhere.

0:23:25.920 --> 0:23:28.600
<v Speaker 4>I mean, when we talk about teacos, we talk about

0:23:28.640 --> 0:23:30.879
<v Speaker 4>like all these like great choices that the kids are

0:23:30.960 --> 0:23:33.120
<v Speaker 4>learning to make, and this one is like a bad

0:23:33.240 --> 0:23:36.800
<v Speaker 4>choice after a bad choice, after very very bad choices.

0:23:36.880 --> 0:23:40.760
<v Speaker 1>Dude, It's unbelievable. So of course, that night, Amy and

0:23:40.800 --> 0:23:43.000
<v Speaker 1>Marshall forced Gilbert to join them. They're going to break

0:23:43.000 --> 0:23:45.520
<v Speaker 1>into Kubat's house, and when they arrive, after much effort,

0:23:45.800 --> 0:23:48.680
<v Speaker 1>they push their way in through a basement window. Gilbert

0:23:48.760 --> 0:23:51.080
<v Speaker 1>upside down surveys the scene. It's weird but not too

0:23:51.119 --> 0:23:54.320
<v Speaker 1>scary until he spots it. It's an old Egyptian tomb

0:23:54.520 --> 0:23:57.919
<v Speaker 1>with a mummy's hand peeking out. Gilbert screams, running off

0:23:57.960 --> 0:23:59.800
<v Speaker 1>into the night, and his friends chase after him to

0:23:59.840 --> 0:24:02.480
<v Speaker 1>find out what he saw, but he immediately realizes he

0:24:02.640 --> 0:24:05.560
<v Speaker 1>left his glasses in the basement, so there's no way

0:24:05.600 --> 0:24:08.160
<v Speaker 1>he's going back. He tells his paths that he saw

0:24:08.200 --> 0:24:12.200
<v Speaker 1>a coffin and a hand. Marshall Niemy force scaredy cat

0:24:12.240 --> 0:24:15.359
<v Speaker 1>Gilbert to return to the basement through some very friendly blackmail,

0:24:15.680 --> 0:24:18.160
<v Speaker 1>and Amy reveals she's had the front door key from

0:24:18.200 --> 0:24:21.680
<v Speaker 1>her mom the entire time. She just thought breaking in

0:24:21.760 --> 0:24:26.680
<v Speaker 1>would be more fun. Shed they could have walked in

0:24:26.760 --> 0:24:29.600
<v Speaker 1>the front door, but she wanted them to break in.

0:24:29.760 --> 0:24:32.160
<v Speaker 1>It's specifically talking about Yeah, I thought breaking it would

0:24:32.200 --> 0:24:32.640
<v Speaker 1>be more fun.

0:24:32.840 --> 0:24:35.440
<v Speaker 4>And to be honest, I feel like when you're growing up,

0:24:36.320 --> 0:24:41.040
<v Speaker 4>every group of friends has this chick or or guy

0:24:41.280 --> 0:24:45.040
<v Speaker 4>or dude or dude that is coming up with these

0:24:45.080 --> 0:24:48.800
<v Speaker 4>bad ideas, and for whatever reason, the rest of you

0:24:48.960 --> 0:24:51.800
<v Speaker 4>ding dongs go with these stupid ideas.

0:24:51.960 --> 0:24:54.920
<v Speaker 3>I know I had one. I think, okay, so that

0:24:55.080 --> 0:24:56.240
<v Speaker 3>I might have been one.

0:24:56.600 --> 0:24:57.840
<v Speaker 2>And that's well, that's what I'm gonna ask.

0:24:58.040 --> 0:25:00.600
<v Speaker 1>It leads me to a great question. How many crimes

0:25:00.600 --> 0:25:02.040
<v Speaker 1>did you commit as a kid and what were they?

0:25:02.240 --> 0:25:02.640
<v Speaker 3>Oh?

0:25:02.720 --> 0:25:05.760
<v Speaker 4>Man, I don't I don't, honestly think if anything, I

0:25:05.920 --> 0:25:08.119
<v Speaker 4>was the chicken that didn't want to do anything and

0:25:08.160 --> 0:25:09.240
<v Speaker 4>just kind of anything.

0:25:09.280 --> 0:25:10.439
<v Speaker 3>That was usually me.

0:25:11.440 --> 0:25:14.040
<v Speaker 4>But I would do stuff that I knew if I

0:25:14.119 --> 0:25:16.480
<v Speaker 4>got caught, wouldn't be that bad, like breaking into my

0:25:16.600 --> 0:25:17.520
<v Speaker 4>sister's room.

0:25:17.480 --> 0:25:20.679
<v Speaker 2>Right that kind of Oh that's.

0:25:19.560 --> 0:25:20.160
<v Speaker 3>Not that bad.

0:25:20.200 --> 0:25:23.880
<v Speaker 4>But I felt like that was I had some balls

0:25:23.920 --> 0:25:27.040
<v Speaker 4>to do it because my sister found out I was

0:25:27.080 --> 0:25:30.320
<v Speaker 4>really going to be in trouble, but actually breaking the law,

0:25:30.440 --> 0:25:30.919
<v Speaker 4>I didn't.

0:25:31.400 --> 0:25:31.760
<v Speaker 2>I don't.

0:25:32.320 --> 0:25:35.240
<v Speaker 3>I don't think I did that. Really, I honestly can't

0:25:35.280 --> 0:25:37.760
<v Speaker 3>think of one. Do you have one? Did you break

0:25:37.800 --> 0:25:38.680
<v Speaker 3>the law? Well?

0:25:39.119 --> 0:25:43.320
<v Speaker 2>No, no, I never did. I was an amazing I

0:25:43.359 --> 0:25:43.760
<v Speaker 2>don't want to.

0:25:43.760 --> 0:25:45.520
<v Speaker 3>Be recorded and on camera.

0:25:45.320 --> 0:25:47.960
<v Speaker 2>And I was an amazing kid. I never broke the

0:25:48.040 --> 0:25:50.679
<v Speaker 2>law as a kid in any way, shape or form

0:25:50.080 --> 0:25:54.720
<v Speaker 2>a right, I never did anything angel I did. I

0:25:54.760 --> 0:25:56.040
<v Speaker 2>got into let's put it this way.

0:25:56.119 --> 0:25:59.480
<v Speaker 1>I might have gotten into some shenanigans and or monkey shines.

0:26:00.320 --> 0:26:03.400
<v Speaker 1>It might have happened, but I didn't do anything horrible.

0:26:03.440 --> 0:26:05.679
<v Speaker 1>But you know, there was an occasional my friends and

0:26:05.720 --> 0:26:08.840
<v Speaker 1>I would break into our school when we were like,

0:26:08.920 --> 0:26:12.440
<v Speaker 1>you know, in seventh grade, like that kind of stuff.

0:26:12.680 --> 0:26:15.040
<v Speaker 2>But nothing. We didn't do anything like we never caused

0:26:15.040 --> 0:26:17.800
<v Speaker 2>any serious damage or lit fires or didn't do any

0:26:17.840 --> 0:26:20.120
<v Speaker 2>of that kind of crazy stuff. We didn't steal cars.

0:26:19.840 --> 0:26:21.960
<v Speaker 3>Or anything interested in doing that.

0:26:22.080 --> 0:26:22.399
<v Speaker 7>I was.

0:26:22.800 --> 0:26:24.760
<v Speaker 2>I was a scaredy cat in my of my group

0:26:24.800 --> 0:26:25.520
<v Speaker 2>as well.

0:26:25.320 --> 0:26:26.960
<v Speaker 1>We would see, you know, one of the things we

0:26:27.040 --> 0:26:28.840
<v Speaker 1>used to do, which I guess is technically breaking the

0:26:28.880 --> 0:26:31.240
<v Speaker 1>law is we would all gather at a friend's house

0:26:31.240 --> 0:26:33.240
<v Speaker 1>for a sleepover, and then we'd sneak out in the

0:26:33.280 --> 0:26:34.760
<v Speaker 1>middle of the night to go to a girl's house

0:26:34.760 --> 0:26:35.520
<v Speaker 1>who was also.

0:26:35.320 --> 0:26:37.840
<v Speaker 2>Having a sleepover, and then you trying to kiss the

0:26:37.880 --> 0:26:38.480
<v Speaker 2>girls over there.

0:26:38.480 --> 0:26:41.600
<v Speaker 1>So like walking through the town at three o'clock in

0:26:41.640 --> 0:26:43.240
<v Speaker 1>the morning, trying to get to the other side of

0:26:43.240 --> 0:26:45.719
<v Speaker 1>town through train tracks and stuff like that, dangerous and

0:26:45.800 --> 0:26:48.960
<v Speaker 1>probably technically breaking a lot with stuff like that that

0:26:49.000 --> 0:26:51.159
<v Speaker 1>we were doing, but never anything that was you know,

0:26:51.680 --> 0:26:55.440
<v Speaker 1>like this girl is, she's advocating serious breaking.

0:26:55.359 --> 0:26:57.639
<v Speaker 3>An abandoned house and doing that kind of stuff.

0:26:57.680 --> 0:27:02.280
<v Speaker 2>That's a lot, especially when you have mom too.

0:27:02.320 --> 0:27:04.760
<v Speaker 3>Though she's stealing a key of a house that they

0:27:04.760 --> 0:27:07.440
<v Speaker 3>don't know. That's right either.

0:27:07.480 --> 0:27:10.159
<v Speaker 1>Also choosing to break the law over just opening the

0:27:10.200 --> 0:27:12.200
<v Speaker 1>door like she's like, no, I wanted to break some stuff.

0:27:13.200 --> 0:27:15.520
<v Speaker 2>Yikes. So anyway, they unlock the door and they walk

0:27:15.600 --> 0:27:17.439
<v Speaker 2>in and we see the mummy hand in the basement,

0:27:17.560 --> 0:27:20.320
<v Speaker 2>slowly moving, so maybe he's waking up.

0:27:21.200 --> 0:27:23.520
<v Speaker 1>The house looks very much abandoned. The kids navigate their

0:27:23.560 --> 0:27:25.800
<v Speaker 1>way through the dust, eventually finding the basement door. Amy

0:27:25.800 --> 0:27:28.560
<v Speaker 1>and Marshall make their way downstairs, with Gilbert staying upstairs.

0:27:28.640 --> 0:27:30.879
<v Speaker 1>That would have been me finally getting out of his journey.

0:27:30.960 --> 0:27:32.720
<v Speaker 1>He doesn't want to be there in the first place,

0:27:33.000 --> 0:27:36.200
<v Speaker 1>but now he's alone, surrounded by slamming shut doors, creaky noises,

0:27:36.240 --> 0:27:39.600
<v Speaker 1>and a turning doorknob, and Jesuinenie's had enough. His friend's return,

0:27:39.680 --> 0:27:43.280
<v Speaker 1>seemingly unfazed by the basement, A terrified Gilbert begins to

0:27:43.280 --> 0:27:45.840
<v Speaker 1>describe what he's been seeing, and that's when an angry

0:27:45.920 --> 0:27:48.960
<v Speaker 1>mummy bursts through the nearby door. He waddles towards the kids,

0:27:48.960 --> 0:27:51.480
<v Speaker 1>who try to hide from him throughout the house, eventually

0:27:51.520 --> 0:27:53.680
<v Speaker 1>landing in a bedroom and blocking the door with furniture,

0:27:53.960 --> 0:27:55.840
<v Speaker 1>but it does nothing to keep them safe. The mummy,

0:27:55.960 --> 0:27:59.359
<v Speaker 1>now grunting loudly, breaks through it. Immediately they're trapped and

0:27:59.359 --> 0:28:01.879
<v Speaker 1>staring at them. Monster completely at his mercy, and just

0:28:01.920 --> 0:28:03.679
<v Speaker 1>when you think he's going to attack, he notices a

0:28:03.680 --> 0:28:08.240
<v Speaker 1>nearby toilet. He detours, entering the bathroom and then takes

0:28:08.280 --> 0:28:11.119
<v Speaker 1>a long pe and gives a sigh of satisfaction. Is

0:28:11.160 --> 0:28:14.520
<v Speaker 1>this our first urinating in a dcom police?

0:28:14.720 --> 0:28:17.840
<v Speaker 2>So okay that we have yet to have any bodily functions.

0:28:17.880 --> 0:28:20.800
<v Speaker 3>Right at this point, I think we've ever used a restroom.

0:28:20.880 --> 0:28:22.879
<v Speaker 2>No, no, we haven't done that.

0:28:22.960 --> 0:28:24.600
<v Speaker 1>Zac Efron is in the middle of the song, then

0:28:24.640 --> 0:28:26.320
<v Speaker 1>goes excuse me, and then walks into pe and we

0:28:26.320 --> 0:28:28.640
<v Speaker 1>listen to him. P that hasn't happened, as he's still

0:28:28.640 --> 0:28:29.520
<v Speaker 1>singing in the bathroom.

0:28:29.560 --> 0:28:31.560
<v Speaker 4>Would have been racy in its own right. So I

0:28:31.560 --> 0:28:33.439
<v Speaker 4>think we steer clear from Zach Everett.

0:28:33.480 --> 0:28:34.520
<v Speaker 2>You didn't do any something like.

0:28:34.560 --> 0:28:36.720
<v Speaker 1>That that You didn't have to stop strutting halfway through to

0:28:36.760 --> 0:28:37.880
<v Speaker 1>run to the restroom really quick.

0:28:37.920 --> 0:28:39.720
<v Speaker 2>That's not a thing, no, gotcha.

0:28:39.800 --> 0:28:49.080
<v Speaker 1>Yeah, So, while he urinates, the kids make a b

0:28:49.200 --> 0:28:50.960
<v Speaker 1>line for the door. You can tell the dcom still

0:28:50.960 --> 0:28:53.800
<v Speaker 1>trying to find itself, but the Mummy catches Gilbert, grabbing

0:28:53.840 --> 0:28:55.960
<v Speaker 1>him by the shirt and picking him up off the ground,

0:28:56.120 --> 0:28:58.280
<v Speaker 1>But instead of killing the boy, which would have kind

0:28:58.320 --> 0:29:00.760
<v Speaker 1>of been on par for this movie, he hands him

0:29:01.120 --> 0:29:04.239
<v Speaker 1>his glasses. Gilbert thanks the monster, but it's spooked by

0:29:04.240 --> 0:29:07.440
<v Speaker 1>Marshall's beeping digital watch, but again he doesn't attack. He

0:29:07.520 --> 0:29:09.560
<v Speaker 1>just wants to see the watch, and when it peeps again,

0:29:09.760 --> 0:29:13.360
<v Speaker 1>it's the Mummy who cowers in fear. Marshall explains it

0:29:13.480 --> 0:29:15.520
<v Speaker 1>just tells the time and has a calendar. It's obvious

0:29:15.560 --> 0:29:17.840
<v Speaker 1>this mummy isn't gonna hurt him. He's friendly but very,

0:29:17.960 --> 0:29:20.960
<v Speaker 1>very smelly, and Marshall decides he's gonna keep the Mummy.

0:29:21.000 --> 0:29:22.600
<v Speaker 1>He doesn't want anyone to capture their new friend and

0:29:22.640 --> 0:29:25.200
<v Speaker 1>treat him like et. They even mention Et, so they

0:29:25.240 --> 0:29:27.480
<v Speaker 1>lock him in the house and promise they'll be back tomorrow.

0:29:28.040 --> 0:29:30.000
<v Speaker 1>And so the next morning at school, the friends regroup.

0:29:30.120 --> 0:29:32.640
<v Speaker 1>Marshall doesn't want anybody to know about the mummy, especially

0:29:32.640 --> 0:29:34.960
<v Speaker 1>his mom or her new dumb boyfriend. Then Todd, a

0:29:35.000 --> 0:29:37.320
<v Speaker 1>redhead with a crush on Amy, who obviously is like

0:29:37.400 --> 0:29:39.200
<v Speaker 1>the son of one of the directors of the writers,

0:29:39.240 --> 0:29:42.040
<v Speaker 1>pops up at their lockers, but she won't give them

0:29:42.040 --> 0:29:42.720
<v Speaker 1>the time of day.

0:29:43.200 --> 0:29:45.680
<v Speaker 2>As a matter of fact, she's kind of a she's.

0:29:45.480 --> 0:29:48.600
<v Speaker 3>Too rude, as held in him like rude rude.

0:29:48.640 --> 0:29:51.880
<v Speaker 1>And he's super sweet and not creepy. He doesn't come

0:29:51.880 --> 0:29:53.719
<v Speaker 1>in a creepy way. He's like very nice. They make

0:29:53.800 --> 0:29:55.440
<v Speaker 1>him a nice kid, and they make hurt just flat

0:29:55.480 --> 0:30:00.320
<v Speaker 1>out mean again. Yeah, So he apologizes for live and

0:30:00.360 --> 0:30:03.040
<v Speaker 1>breathing the same air as her and trails off she

0:30:03.080 --> 0:30:05.320
<v Speaker 1>admits she could never like him because he saw the

0:30:05.480 --> 0:30:09.720
<v Speaker 1>Ulsen Twins movie twice. That's such a bad thing. And

0:30:09.760 --> 0:30:12.240
<v Speaker 1>then he never appears again. It is quite an odd thing,

0:30:12.360 --> 0:30:13.160
<v Speaker 1>quite an odd cameo.

0:30:13.200 --> 0:30:14.040
<v Speaker 2>A scene you can cut.

0:30:14.120 --> 0:30:15.920
<v Speaker 1>We could have gotten closer to the ninety minutes because

0:30:15.960 --> 0:30:17.600
<v Speaker 1>it was completely and totally unnecessary.

0:30:17.760 --> 0:30:18.680
<v Speaker 3>He never comes back.

0:30:18.800 --> 0:30:21.600
<v Speaker 1>Nope, never comes back. It's never mentioned no one. That's

0:30:21.800 --> 0:30:25.240
<v Speaker 1>that's it' that was again. I will be happy to

0:30:25.280 --> 0:30:26.960
<v Speaker 1>fund your movie if you give my son a part.

0:30:27.840 --> 0:30:30.480
<v Speaker 1>Marshall wonders if he should skip school to go take

0:30:30.480 --> 0:30:32.520
<v Speaker 1>care of the mummy. Amy still isn't sold that the

0:30:32.560 --> 0:30:34.720
<v Speaker 1>monster is nice, and Marshall admits they need to learn

0:30:34.720 --> 0:30:37.240
<v Speaker 1>more about him, and he knows just the guy to

0:30:37.280 --> 0:30:37.560
<v Speaker 1>go to.

0:30:38.080 --> 0:30:39.760
<v Speaker 2>We cut to the Forbidden World bookstore.

0:30:39.800 --> 0:30:41.680
<v Speaker 1>It's owned by a guy named Bruce and filled with

0:30:41.720 --> 0:30:44.600
<v Speaker 1>items perfect for either Halloween decorating or furnishing a serial

0:30:44.640 --> 0:30:49.400
<v Speaker 1>killer's apartment. Skulls, candelabras, old books. Eventually, Bruce stumbles out

0:30:49.440 --> 0:30:51.440
<v Speaker 1>from the back room. He's choking and can't breathe. He

0:30:51.520 --> 0:30:53.840
<v Speaker 1>eventually falls flat in his face, revealing a knife in

0:30:53.880 --> 0:30:56.800
<v Speaker 1>his bloody back. Oh my god, Marshall says it looks

0:30:56.800 --> 0:30:59.000
<v Speaker 1>incredibly fake, and Bruce, who is very much still alive,

0:30:59.040 --> 0:31:02.200
<v Speaker 1>as offended it was a Marshall introduces his friends to Bruce,

0:31:02.240 --> 0:31:04.720
<v Speaker 1>who then goes on about how the new Warhead movie,

0:31:04.760 --> 0:31:07.320
<v Speaker 1>the one we saw in the beginning, is art. The

0:31:07.400 --> 0:31:09.720
<v Speaker 1>kids pretend they're writing a report on mummies, and Bruce

0:31:09.800 --> 0:31:12.120
<v Speaker 1>leads them to a dusty book. He explains they were

0:31:12.160 --> 0:31:14.880
<v Speaker 1>guardians in Egypt, now buried in coffins, ready to attack

0:31:14.920 --> 0:31:17.640
<v Speaker 1>anyone who ever disturbs their holy crypt and.

0:31:17.560 --> 0:31:18.800
<v Speaker 2>Every year around Halloween.

0:31:18.840 --> 0:31:20.320
<v Speaker 1>And this is where I was like, Okay, thank god,

0:31:20.320 --> 0:31:22.320
<v Speaker 1>they're putting some rules to it, so I'm happy now.

0:31:23.120 --> 0:31:25.120
<v Speaker 1>The spirit of a mummy can be freed to walk

0:31:25.160 --> 0:31:27.400
<v Speaker 1>the earth during a full moon, but if it doesn't

0:31:27.440 --> 0:31:30.760
<v Speaker 1>return by midnight, his soul will be lost forever.

0:31:31.200 --> 0:31:33.360
<v Speaker 2>And they recognize one of the book's illustrations. They saw

0:31:33.400 --> 0:31:35.760
<v Speaker 2>it on the coffin itself at Cubat's. It's the eye

0:31:35.840 --> 0:31:37.440
<v Speaker 2>of Ra, the sun god.

0:31:37.600 --> 0:31:39.479
<v Speaker 1>When the kids return to Kubot's house, a little boy

0:31:39.560 --> 0:31:42.680
<v Speaker 1>named Leonard greets them by asking if they'd like to

0:31:42.720 --> 0:31:45.640
<v Speaker 1>see him picking a scab. The kid exchanges words with Amy,

0:31:46.000 --> 0:31:49.320
<v Speaker 1>with the young girl mentioning her bra and maybe we're

0:31:49.360 --> 0:31:52.080
<v Speaker 1>realizing once again, why this isn't on Disney.

0:31:52.120 --> 0:31:57.640
<v Speaker 2>Plus, this is weird, bizarre, gotta be a producer's kid

0:31:57.720 --> 0:32:02.080
<v Speaker 2>cameo number two in the film. I mean, what were

0:32:02.080 --> 0:32:03.479
<v Speaker 2>you thinking at this point this? I was like, what

0:32:03.600 --> 0:32:05.600
<v Speaker 2>is this kid doing here? Yes?

0:32:05.920 --> 0:32:07.680
<v Speaker 3>And yeah, why is it?

0:32:07.800 --> 0:32:13.400
<v Speaker 4>Why aren't throughout this entire movie any of these kids supervised.

0:32:13.440 --> 0:32:15.840
<v Speaker 4>I'm gonna jump to a Sabrina seas right now because

0:32:16.760 --> 0:32:19.600
<v Speaker 4>they seem I mean, look, I might have been a

0:32:19.640 --> 0:32:21.480
<v Speaker 4>little bit more sheltered than most kids.

0:32:21.520 --> 0:32:22.360
<v Speaker 3>I would. I would.

0:32:22.440 --> 0:32:25.560
<v Speaker 4>That's okay for me to say, because Monroe's gonna get

0:32:25.560 --> 0:32:28.200
<v Speaker 4>another five years of the shelterness than what I even got.

0:32:29.240 --> 0:32:32.240
<v Speaker 2>Poor kid, I know, but right.

0:32:32.240 --> 0:32:36.320
<v Speaker 3>Oh so sad. However, Ledger Leger could fend for himself.

0:32:36.320 --> 0:32:39.840
<v Speaker 3>He's okay to like go out on those streets by himself.

0:32:40.200 --> 0:32:45.080
<v Speaker 3>No one's messing with him. I just feel like even

0:32:45.160 --> 0:32:47.520
<v Speaker 3>the movie theater, they seemed.

0:32:47.320 --> 0:32:50.600
<v Speaker 2>Very young to be by themselves.

0:32:50.320 --> 0:32:52.600
<v Speaker 4>By themselves at the movie theater with the mom, not

0:32:52.640 --> 0:32:56.280
<v Speaker 4>even at least in the back row, or then even

0:32:56.320 --> 0:32:58.080
<v Speaker 4>more to walk home.

0:32:57.920 --> 0:32:59.640
<v Speaker 3>From the movie theater by themselves.

0:33:00.800 --> 0:33:03.240
<v Speaker 1>How are you supposed to be small town America in

0:33:03.280 --> 0:33:05.280
<v Speaker 1>the mid nineties, just a little safer.

0:33:05.320 --> 0:33:08.280
<v Speaker 2>I guess it wasn't really I get was it.

0:33:08.440 --> 0:33:08.880
<v Speaker 3>I don't know.

0:33:09.080 --> 0:33:12.080
<v Speaker 4>I was not allowed to be anywhere of how how

0:33:12.080 --> 0:33:13.720
<v Speaker 4>old do we think these kids are at this point?

0:33:13.760 --> 0:33:16.840
<v Speaker 2>Like what I was thinking, like eleven, Okay.

0:33:16.280 --> 0:33:17.200
<v Speaker 3>That's what I was thinking.

0:33:17.240 --> 0:33:20.080
<v Speaker 4>So I think at eleven, I was maybe able to

0:33:20.160 --> 0:33:24.280
<v Speaker 4>ride my bike up to like the boardwalk and Carl's

0:33:24.360 --> 0:33:25.360
<v Speaker 4>Junior shopping Center.

0:33:26.560 --> 0:33:27.080
<v Speaker 2>But I don't.

0:33:27.160 --> 0:33:30.240
<v Speaker 3>I don't even know, like at night, No, during the

0:33:30.320 --> 0:33:31.880
<v Speaker 3>day and the summertime.

0:33:31.560 --> 0:33:33.760
<v Speaker 2>Yeah, yeah, at night, I don't know.

0:33:34.080 --> 0:33:35.240
<v Speaker 3>There's just no supervision.

0:33:35.400 --> 0:33:37.080
<v Speaker 1>No, there isn't. And it's like it's got to be

0:33:37.120 --> 0:33:39.080
<v Speaker 1>a rated R movie. So how did they get into

0:33:39.120 --> 0:33:39.520
<v Speaker 1>the movie?

0:33:40.160 --> 0:33:43.280
<v Speaker 3>Yes, exactly. So there's a lot of questionable parenting.

0:33:43.400 --> 0:33:46.440
<v Speaker 2>I agree, I agree quote on parenting.

0:33:46.840 --> 0:33:48.400
<v Speaker 3>Yeah, decisions being made here.

0:33:49.360 --> 0:33:50.400
<v Speaker 2>Yeah, it's really crazy.

0:33:50.640 --> 0:33:52.920
<v Speaker 1>No, I agree with you. I agree with you one

0:33:52.960 --> 0:33:55.880
<v Speaker 1>hundred percent. So yeah, but it was also just she's

0:33:55.920 --> 0:33:58.720
<v Speaker 1>talking about her bra at eleven. This little kid's whole

0:33:58.760 --> 0:33:59.360
<v Speaker 1>cameo was this.

0:33:59.600 --> 0:34:04.760
<v Speaker 3>Kid is much younger too, nine, I would say it's

0:34:04.760 --> 0:34:05.320
<v Speaker 3>five or six.

0:34:05.960 --> 0:34:06.600
<v Speaker 2>He's young.

0:34:07.800 --> 0:34:10.560
<v Speaker 4>His parents where are they they're not in the front yard.

0:34:10.560 --> 0:34:12.680
<v Speaker 4>They're like, I mean he's sitting there watching. I don't

0:34:12.680 --> 0:34:14.520
<v Speaker 4>know if he's like the next door neighbor to this

0:34:14.560 --> 0:34:17.239
<v Speaker 4>crazy Coubot house it's.

0:34:16.640 --> 0:34:17.200
<v Speaker 2>Supposed to be.

0:34:17.440 --> 0:34:19.400
<v Speaker 1>He's Also, he does have the funny line though, about

0:34:19.719 --> 0:34:21.520
<v Speaker 1>carrying a blank He's like, it's not a blanket, it's

0:34:21.520 --> 0:34:23.560
<v Speaker 1>a towel in case I have to clean up something

0:34:23.600 --> 0:34:23.879
<v Speaker 1>on the way.

0:34:23.880 --> 0:34:26.600
<v Speaker 2>It was like, what the just it's bonker. Some of

0:34:26.600 --> 0:34:30.759
<v Speaker 2>this dialogue is really weird. I love that it's not

0:34:30.800 --> 0:34:34.120
<v Speaker 2>a blank It's not a blank town in case I

0:34:34.200 --> 0:34:36.120
<v Speaker 2>got to clean stuff up on the way home. Like,

0:34:36.200 --> 0:34:41.600
<v Speaker 2>oh Jesus, sorry, Billy, it was nuts. Little Leonard mentions

0:34:41.640 --> 0:34:44.760
<v Speaker 2>a yellow truck parked outside earlier and it took all

0:34:44.880 --> 0:34:47.680
<v Speaker 2>of the Coubot's stuff away. The kid's darting to the house,

0:34:47.680 --> 0:34:50.120
<v Speaker 2>which is now completely empty, and are greeted by Amy's mom,

0:34:50.160 --> 0:34:50.680
<v Speaker 2>the realtor.

0:34:50.880 --> 0:34:53.440
<v Speaker 1>She explains the I R S confiscated his belongings to

0:34:53.480 --> 0:34:56.799
<v Speaker 1>payoff debt. The kids cannot believe it. Meanwhile, down at

0:34:56.840 --> 0:34:59.800
<v Speaker 1>the local dairy freeze, the mummy is aimlessly roaming the streets.

0:35:00.040 --> 0:35:01.799
<v Speaker 2>He enters the drive through and is confused by the.

0:35:01.719 --> 0:35:04.560
<v Speaker 1>Intercom, eventually groaning out in order for Burger's fries in

0:35:04.560 --> 0:35:07.720
<v Speaker 1>a jumbo orange soda worth noting here people the total

0:35:07.840 --> 0:35:10.239
<v Speaker 1>was three dollars and seventy four cents.

0:35:10.120 --> 0:35:11.759
<v Speaker 3>For all of the food he bought.

0:35:11.800 --> 0:35:14.640
<v Speaker 2>My age and want to hear very very old.

0:35:14.880 --> 0:35:17.000
<v Speaker 1>I you know, the last time I was at a

0:35:17.040 --> 0:35:19.839
<v Speaker 1>fast food place, I got like a number one and

0:35:19.880 --> 0:35:20.560
<v Speaker 1>a burger or something.

0:35:20.560 --> 0:35:23.520
<v Speaker 2>It's like nineteen dollars. What are you kidding me? Oh yeah, oh,

0:35:23.560 --> 0:35:25.239
<v Speaker 2>it's insane. Yeah.

0:35:25.320 --> 0:35:29.759
<v Speaker 4>A family of four easily throws down fifty dollars like

0:35:29.960 --> 0:35:30.640
<v Speaker 4>he's more.

0:35:30.840 --> 0:35:34.240
<v Speaker 2>Yeah, it's crazy. A McDonald's, yes, not even.

0:35:34.040 --> 0:35:36.360
<v Speaker 3>Getting extra stuff ordering the meals.

0:35:36.480 --> 0:35:38.360
<v Speaker 4>It's like a drink, a fry and a burger, or

0:35:38.400 --> 0:35:39.960
<v Speaker 4>a drink, a fry, yeah, and a burger.

0:35:40.080 --> 0:35:41.120
<v Speaker 3>That's ayane.

0:35:42.080 --> 0:35:43.640
<v Speaker 2>People should be ashamed of themselves.

0:35:43.920 --> 0:35:46.120
<v Speaker 1>He takes only a soda, though, and burps his way

0:35:46.120 --> 0:35:48.719
<v Speaker 1>into the town center, apparently undetected by everyone, until a

0:35:48.760 --> 0:35:50.680
<v Speaker 1>little kid in a bee costume points him out to

0:35:50.760 --> 0:35:54.040
<v Speaker 1>his mom as quote unquote an ugly person. But she

0:35:54.080 --> 0:35:56.880
<v Speaker 1>won't look because some people are just born quote special.

0:35:57.600 --> 0:36:02.040
<v Speaker 8>The kid says, is very well, then he's very special.

0:36:06.880 --> 0:36:08.640
<v Speaker 4>That was just like such a normal thing for a

0:36:08.719 --> 0:36:10.600
<v Speaker 4>kid to say, being like okay, but.

0:36:10.680 --> 0:36:14.719
<v Speaker 2>He now roaming in the park.

0:36:14.760 --> 0:36:17.880
<v Speaker 1>The mummy throws out his soda because mummies don't litter, obviously,

0:36:18.200 --> 0:36:20.880
<v Speaker 1>and that's when he sees a hospital next door. A

0:36:20.920 --> 0:36:22.880
<v Speaker 1>man is being wheeled in after an accident and is

0:36:22.880 --> 0:36:25.439
<v Speaker 1>wrapped in gauze head to toe. The mummy gets very

0:36:25.440 --> 0:36:27.400
<v Speaker 1>excited at the site and runs over to see what

0:36:27.480 --> 0:36:30.760
<v Speaker 1>he assumes is probably a relative. Once inside the hospital,

0:36:30.840 --> 0:36:32.759
<v Speaker 1>the automatic doors closed on one of his bandages and

0:36:32.800 --> 0:36:34.919
<v Speaker 1>slowly unravels him as he walks the halls. I thought

0:36:34.920 --> 0:36:37.360
<v Speaker 1>this was going to end, meaning like he was totally unraffled,

0:36:37.400 --> 0:36:41.960
<v Speaker 1>but it just didn't. He's he's heartwarmed by relatives, embracing

0:36:42.200 --> 0:36:43.839
<v Speaker 1>and given some forms to fill out.

0:36:44.000 --> 0:36:46.120
<v Speaker 2>He even sees people like handing each other flowers. It's

0:36:46.160 --> 0:36:48.000
<v Speaker 2>very nice. But when a nurse finally sees him, she

0:36:48.120 --> 0:36:48.880
<v Speaker 2>is terrified.

0:36:49.280 --> 0:36:51.719
<v Speaker 1>Everyone assumes he's a burn victim who treated himself, and

0:36:51.760 --> 0:36:53.040
<v Speaker 1>a doctor throws him on a gurney.

0:36:53.200 --> 0:36:54.960
<v Speaker 2>They can't find a heartbeat and he's not breathing, so

0:36:54.960 --> 0:36:55.359
<v Speaker 2>they hit.

0:36:55.280 --> 0:36:58.320
<v Speaker 1>Him with a defibrillator, shocking him and helping him escape

0:36:58.960 --> 0:37:01.160
<v Speaker 1>very funny, and just when the kids think they'll never

0:37:01.200 --> 0:37:04.200
<v Speaker 1>see him again, they spot the mummy fleeing the hospital.

0:37:04.400 --> 0:37:06.880
<v Speaker 2>They help him hide from the orderlies, and Marshall offers.

0:37:06.640 --> 0:37:09.239
<v Speaker 1>His house to hide at, because well, since Ted is

0:37:09.239 --> 0:37:11.319
<v Speaker 1>around all the time, his mom is used to big,

0:37:11.360 --> 0:37:14.520
<v Speaker 1>clunky dudes walking around, and so they sneak the mummy

0:37:14.560 --> 0:37:17.080
<v Speaker 1>into his attic, which, remember is filled with so many

0:37:17.080 --> 0:37:19.880
<v Speaker 1>monsters that he fits right in, which is put to

0:37:19.920 --> 0:37:22.240
<v Speaker 1>the test when Marshall's mom enters wondering about the noises

0:37:22.320 --> 0:37:24.239
<v Speaker 1>she's been hearing while the Mummy pretends to be just

0:37:24.280 --> 0:37:27.680
<v Speaker 1>another statue. Amy Tap dances poorly to explain the noises,

0:37:28.000 --> 0:37:30.000
<v Speaker 1>and of course his idiot mom buys it.

0:37:30.239 --> 0:37:31.399
<v Speaker 2>She just wants him to clean his.

0:37:31.440 --> 0:37:35.400
<v Speaker 1>Room because it stinks, so once she leaves, Marshall douses

0:37:35.400 --> 0:37:38.160
<v Speaker 1>the monster in cologne. Though that helps for the time being,

0:37:38.280 --> 0:37:39.759
<v Speaker 1>they know that they have to get him back into

0:37:39.760 --> 0:37:42.479
<v Speaker 1>his coffin by midnight or else it's going to be bad.

0:37:42.920 --> 0:37:45.320
<v Speaker 1>In the meantime, the monster tries to eat a goldfish,

0:37:45.560 --> 0:37:46.120
<v Speaker 1>plays the.

0:37:46.040 --> 0:37:51.120
<v Speaker 2>Song Oh Bamassive by Eric Carmen on the boombox, and

0:37:51.160 --> 0:37:52.880
<v Speaker 2>it's given the name Harold by Marshall.

0:37:53.400 --> 0:37:55.560
<v Speaker 4>Was that a cover or was that a nice I

0:37:55.600 --> 0:37:56.960
<v Speaker 4>think it was the real one, the original.

0:37:56.960 --> 0:37:59.920
<v Speaker 2>I think it was the original. Yeah. Here's the other thing.

0:38:00.120 --> 0:38:01.680
<v Speaker 1>This is where this is one of the lines where

0:38:01.719 --> 0:38:05.400
<v Speaker 1>I paused and went really, uh. So he's given the

0:38:05.719 --> 0:38:08.520
<v Speaker 1>name Harold by Marshall because he looks like his uncle Harold.

0:38:09.080 --> 0:38:11.520
<v Speaker 1>And then they cut to Amy, who says, oh my god,

0:38:11.600 --> 0:38:16.040
<v Speaker 1>your aunt must want to open a vein. And I'm like, oh,

0:38:16.280 --> 0:38:18.960
<v Speaker 1>it's our first d com suicide joke.

0:38:20.239 --> 0:38:24.759
<v Speaker 4>Oh okay, yeah, I just thought she just again is

0:38:24.800 --> 0:38:25.359
<v Speaker 4>so mean.

0:38:25.480 --> 0:38:26.560
<v Speaker 3>I didn't even think.

0:38:26.400 --> 0:38:28.200
<v Speaker 2>About it's a suicide.

0:38:28.320 --> 0:38:31.120
<v Speaker 3>Joel words that she said, yes, yes.

0:38:31.040 --> 0:38:32.440
<v Speaker 2>It is our very first.

0:38:32.560 --> 0:38:35.200
<v Speaker 1>Chalk it up, people, if your bingo card was first

0:38:35.200 --> 0:38:38.800
<v Speaker 1>Disney Channel suicide joke, you can click it off.

0:38:38.600 --> 0:38:39.759
<v Speaker 2>The map because there it is.

0:38:39.840 --> 0:38:40.120
<v Speaker 9>Wow.

0:38:40.640 --> 0:38:41.000
<v Speaker 2>Yeah.

0:38:41.000 --> 0:38:44.280
<v Speaker 4>I was like, geez, but of the time, those kinds

0:38:44.280 --> 0:38:47.560
<v Speaker 4>of things were so normal to say.

0:38:47.719 --> 0:38:49.800
<v Speaker 2>Now here's like I would. I agree.

0:38:49.840 --> 0:38:51.600
<v Speaker 4>I don't even want to say them because it's like

0:38:51.880 --> 0:38:54.000
<v Speaker 4>you just don't say that stuff anymore.

0:38:54.120 --> 0:38:57.640
<v Speaker 1>No, I agree, but I don't think it was even

0:38:57.719 --> 0:39:02.080
<v Speaker 1>of the time for a kids movie though, oh.

0:39:01.640 --> 0:39:04.160
<v Speaker 3>Well, not not a Disney kid.

0:39:04.120 --> 0:39:06.640
<v Speaker 1>That's what I'm saying, they're still the finding themselves and

0:39:06.680 --> 0:39:10.160
<v Speaker 1>we obviously we Hey, we had all of the podcasts now,

0:39:10.200 --> 0:39:12.839
<v Speaker 1>all the shows, all the rewatch everything. You do your

0:39:12.880 --> 0:39:15.319
<v Speaker 1>best to realize all this stuff has done in a

0:39:15.320 --> 0:39:15.879
<v Speaker 1>different time.

0:39:16.000 --> 0:39:17.880
<v Speaker 2>I totally understand that. And you can't.

0:39:18.239 --> 0:39:21.160
<v Speaker 1>You can't put the things that we know now are

0:39:21.200 --> 0:39:23.600
<v Speaker 1>things you shouldn't say on thirty years ago.

0:39:23.960 --> 0:39:27.439
<v Speaker 2>It's just not the way it works. However, I would say,

0:39:27.480 --> 0:39:28.680
<v Speaker 2>even thirty years.

0:39:28.480 --> 0:39:32.280
<v Speaker 1>Ago in a Disney movie, they're not making suicide jokes.

0:39:32.640 --> 0:39:35.480
<v Speaker 3>No, right, the.

0:39:35.960 --> 0:39:38.479
<v Speaker 4>Yeah, gosh, no, I don't.

0:39:38.520 --> 0:39:41.080
<v Speaker 3>I really I think you're right. I can't. I can't

0:39:41.080 --> 0:39:44.240
<v Speaker 3>think of any movie that that would ever have done that. Really.

0:39:44.480 --> 0:39:46.200
<v Speaker 1>I mean maybe like a Mighty Ducks it would have

0:39:46.200 --> 0:39:48.040
<v Speaker 1>been something like why don't you skate over your own neck?

0:39:48.080 --> 0:39:49.759
<v Speaker 1>I mean like they might have thrown something like but

0:39:49.800 --> 0:39:51.240
<v Speaker 1>you know what I mean, like it would be something

0:39:51.320 --> 0:39:52.359
<v Speaker 1>ridiculous like that.

0:39:52.719 --> 0:39:54.880
<v Speaker 2>It wouldn't be a straight up She was literally like,

0:39:55.200 --> 0:39:57.799
<v Speaker 2>your aunt must your uncle looks like that, Your aunt

0:39:57.840 --> 0:39:59.200
<v Speaker 2>must want to kill herself.

0:39:59.320 --> 0:40:07.520
<v Speaker 8>It was like, oh my god, yeah, he's he is

0:40:07.560 --> 0:40:10.560
<v Speaker 8>a total like we need it, Oh.

0:40:10.280 --> 0:40:13.200
<v Speaker 4>My gosh, Like what is happening in your house right now,

0:40:13.239 --> 0:40:16.320
<v Speaker 4>that there's you to be saying things like this, Yeah, I.

0:40:16.200 --> 0:40:17.319
<v Speaker 2>Know's going on.

0:40:17.400 --> 0:40:21.319
<v Speaker 4>I will say I was little in the nineties and

0:40:21.760 --> 0:40:22.439
<v Speaker 4>I know.

0:40:22.760 --> 0:40:27.080
<v Speaker 3>That kids did say harsh things like this.

0:40:27.280 --> 0:40:29.400
<v Speaker 2>You know, kids have always said harsh stuff. Yeah, they

0:40:29.440 --> 0:40:30.040
<v Speaker 2>don't put.

0:40:29.840 --> 0:40:33.000
<v Speaker 3>It in movies, no, yeah, wow.

0:40:33.080 --> 0:40:34.879
<v Speaker 2>Yeah, So that to me it was like, oh my god,

0:40:34.920 --> 0:40:38.120
<v Speaker 2>I can't but they well, there's a suicide joke. Yeah.

0:40:38.160 --> 0:40:43.799
<v Speaker 1>That night, after Amy's suicide jokes, we're transported to a warehouse.

0:40:44.400 --> 0:40:48.040
<v Speaker 1>There are some mafia guys arguing while standing over Harold's coffin.

0:40:48.120 --> 0:40:50.200
<v Speaker 2>The mob boss tells his workers to find him.

0:40:50.400 --> 0:40:52.480
<v Speaker 1>It's not like he can get up and walk away,

0:40:52.920 --> 0:40:55.280
<v Speaker 1>and while Marshall watches his mom and Ted kiss goodbye

0:40:55.320 --> 0:40:58.760
<v Speaker 1>at his car, he complains to Harold his parents divorced

0:40:58.760 --> 0:41:00.759
<v Speaker 1>three years ago, and he doesn't he his dad much.

0:41:01.000 --> 0:41:03.919
<v Speaker 1>He thinks love is overrated. As Marshall retreats to bed,

0:41:04.080 --> 0:41:06.640
<v Speaker 1>Harold seems sad and offers his new friend a plant

0:41:06.680 --> 0:41:07.280
<v Speaker 1>and comfort.

0:41:07.640 --> 0:41:10.120
<v Speaker 2>He seems like a nice mummy. After all, he's mimicking

0:41:10.120 --> 0:41:12.359
<v Speaker 2>what he saw in the hospital where they she handed

0:41:12.400 --> 0:41:14.719
<v Speaker 2>them the flowers. It was very sweet. It was, and

0:41:14.760 --> 0:41:16.640
<v Speaker 2>then Amy comes in and goes on Jack Kelly is.

0:41:16.640 --> 0:41:21.480
<v Speaker 1>Off, and that night Harold is wide awake. As Marshall sleeps.

0:41:21.680 --> 0:41:24.160
<v Speaker 1>To pass the time, he toys with a cushe ball gun.

0:41:24.280 --> 0:41:26.279
<v Speaker 2>Sabrina, please tell me you know what a cushball was.

0:41:26.560 --> 0:41:28.040
<v Speaker 3>I did. I did.

0:41:28.120 --> 0:41:31.680
<v Speaker 4>I was like, oh, that's I love the throwbacks when

0:41:31.680 --> 0:41:33.840
<v Speaker 4>we get these, you know one of the movies we

0:41:33.960 --> 0:41:38.480
<v Speaker 4>just recently, the clear phone that lights up when it rings,

0:41:38.520 --> 0:41:40.640
<v Speaker 4>like those things are so awesome to me.

0:41:40.760 --> 0:41:42.600
<v Speaker 3>I love seeing them in these ways, making.

0:41:42.480 --> 0:41:44.919
<v Speaker 2>Me right back to a time when cushballs were fun.

0:41:45.000 --> 0:41:47.200
<v Speaker 2>That's all we know. While playing with the gun, it

0:41:47.239 --> 0:41:49.520
<v Speaker 2>accidentally goes off, but luckily it doesn't wake Marshall. It

0:41:49.600 --> 0:41:52.319
<v Speaker 2>just shoots the cushball out of an open window, and

0:41:52.400 --> 0:41:54.279
<v Speaker 2>so to get it back, Harold leaves the house, only

0:41:54.320 --> 0:41:56.000
<v Speaker 2>to find a dog with the ball in his mouth.

0:41:56.320 --> 0:41:58.480
<v Speaker 1>They stare each other down until Harold tries to catch

0:41:58.520 --> 0:42:02.080
<v Speaker 1>him off guard, causing h case. Harold stumbles onto a skateboard,

0:42:02.120 --> 0:42:04.920
<v Speaker 1>haphazardly riding it down the sidewalk and eventually slamming it

0:42:05.000 --> 0:42:07.400
<v Speaker 1>into a stop sign, but he quickly gets up and

0:42:07.440 --> 0:42:11.359
<v Speaker 1>continues following the animal, ending at the dog's house or

0:42:11.520 --> 0:42:13.920
<v Speaker 1>a dog house. It's actually the dog's house, you know

0:42:13.920 --> 0:42:16.880
<v Speaker 1>what I'm saying now, With the mud hiding inside, Harold

0:42:16.880 --> 0:42:18.960
<v Speaker 1>reaches into the doghouse, but the dog has sunk its

0:42:19.000 --> 0:42:21.480
<v Speaker 1>teeth deep into him and won't let it go. It's

0:42:21.520 --> 0:42:23.120
<v Speaker 1>a tug of war between the Mummy and the dog

0:42:23.239 --> 0:42:26.080
<v Speaker 1>until Harold is distracted by a passing city bus with

0:42:26.160 --> 0:42:29.200
<v Speaker 1>an ad for the Mysteries of the Pyramids exhibit. The

0:42:29.239 --> 0:42:32.840
<v Speaker 1>graphic includes the symbol of the sun god raw, exciting

0:42:32.840 --> 0:42:34.960
<v Speaker 1>the Mummy, so he runs off to chase it, submitting

0:42:34.960 --> 0:42:38.680
<v Speaker 1>to the dog and its Cousheball forever. Back at home,

0:42:38.719 --> 0:42:40.440
<v Speaker 1>Marshall awakens in the middle of the night to realize

0:42:40.440 --> 0:42:42.959
<v Speaker 1>his monster has escaped. He takes the streets with Amy

0:42:42.960 --> 0:42:45.120
<v Speaker 1>and Gilbert on their bikes to find him. Also, while

0:42:45.160 --> 0:42:46.480
<v Speaker 1>making fun of Gilbert's.

0:42:46.040 --> 0:42:50.720
<v Speaker 2>Pajamas, Amy reveals she sleeps in the nude, forcing Gilbert

0:42:50.760 --> 0:42:51.920
<v Speaker 2>to crash into a mailbox.

0:42:52.000 --> 0:42:54.160
<v Speaker 1>And yes, this is why it wasn't on Disney. Plus,

0:42:54.320 --> 0:42:56.080
<v Speaker 1>this is when I paused the movie and went, I'm

0:42:56.080 --> 0:42:59.120
<v Speaker 1>gonna walk the length of my home to go speak to.

0:42:59.080 --> 0:43:01.440
<v Speaker 2>My wife about what I just saw on the screen.

0:43:01.760 --> 0:43:03.640
<v Speaker 3>I could not.

0:43:03.840 --> 0:43:10.080
<v Speaker 4>I stopped and had to say, Jordan, this Carol is

0:43:10.120 --> 0:43:14.359
<v Speaker 4>talking about being nude, and he goes, well, where's this?

0:43:14.400 --> 0:43:17.399
<v Speaker 3>Where was this movie? And I'm like, it's a Disney movie.

0:43:17.480 --> 0:43:19.000
<v Speaker 3>He's like, this was on the Channel.

0:43:19.080 --> 0:43:24.920
<v Speaker 2>I'm like, yeah, I sleep in the nude. The eleven

0:43:25.000 --> 0:43:29.320
<v Speaker 2>or twelve year old girl talking about how she sleeps

0:43:29.480 --> 0:43:33.040
<v Speaker 2>in the nude. This was bunk. I thank you, the

0:43:33.080 --> 0:43:38.480
<v Speaker 2>exact word. This was bananas to me, not bananas, bananas.

0:43:38.680 --> 0:43:42.000
<v Speaker 2>It was so crazy that this made it into a

0:43:42.040 --> 0:43:43.120
<v Speaker 2>Disney Channel movie.

0:43:43.560 --> 0:43:47.200
<v Speaker 4>Yes, I thought bra would be where we cut the

0:43:47.239 --> 0:43:48.320
<v Speaker 4>line would be drawn.

0:43:48.880 --> 0:43:51.719
<v Speaker 3>No, No, I.

0:43:51.680 --> 0:43:54.759
<v Speaker 1>Mean this was I know it's the it's just the

0:43:54.760 --> 0:43:56.879
<v Speaker 1>word nude. It shouldn't be that big a deal, but it.

0:43:56.840 --> 0:44:00.840
<v Speaker 2>Is a It is kevin year old girl talking about

0:44:01.000 --> 0:44:01.960
<v Speaker 2>sleeping naked.

0:44:02.239 --> 0:44:05.680
<v Speaker 3>It's so weird. It's so weird on so many different

0:44:05.760 --> 0:44:06.440
<v Speaker 3>love weird.

0:44:06.800 --> 0:44:08.160
<v Speaker 2>It's just not right.

0:44:08.480 --> 0:44:09.160
<v Speaker 3>It's not right.

0:44:09.520 --> 0:44:12.320
<v Speaker 2>They are definitely finding their footing still on the Channel.

0:44:12.560 --> 0:44:14.960
<v Speaker 4>And to be honest, now that we are talking, I

0:44:14.960 --> 0:44:16.759
<v Speaker 4>mean we know now that it's not on Disney Plus.

0:44:16.800 --> 0:44:18.319
<v Speaker 4>I would be calling Disney Plus and be like, I

0:44:18.320 --> 0:44:19.000
<v Speaker 4>need my money back.

0:44:19.040 --> 0:44:19.920
<v Speaker 3>This is ridiculous.

0:44:20.680 --> 0:44:23.840
<v Speaker 4>I can now not trust even wrote and just be

0:44:23.960 --> 0:44:27.720
<v Speaker 4>like browsing around me, what does it mean to sleep

0:44:27.760 --> 0:44:28.520
<v Speaker 4>in the nude?

0:44:28.640 --> 0:44:29.880
<v Speaker 3>She doesn't even know that word.

0:44:30.680 --> 0:44:33.960
<v Speaker 2>I mean, it's it's amazing, It's truly amazing.

0:44:34.680 --> 0:44:37.200
<v Speaker 4>By the way, my anxiety was like thru the roof,

0:44:38.040 --> 0:44:39.080
<v Speaker 4>where are we going with this?

0:44:39.280 --> 0:44:39.600
<v Speaker 2>Next?

0:44:40.360 --> 0:44:44.120
<v Speaker 3>Couldn't believe this, lose Magoo's and what's happening?

0:44:44.400 --> 0:44:47.880
<v Speaker 2>Yes, it's a crazy making suicide jokes, talking about you,

0:44:48.000 --> 0:44:51.720
<v Speaker 2>talking about how mean to people. It's such a strange

0:44:51.800 --> 0:44:53.799
<v Speaker 2>character and it's so great. She's a good actress, she's

0:44:53.840 --> 0:44:56.800
<v Speaker 2>playing her well. It's like it's.

0:44:56.719 --> 0:44:58.240
<v Speaker 3>Well, you know, a strange character.

0:44:59.320 --> 0:45:01.840
<v Speaker 4>She's not the only I mean, not that we would

0:45:02.000 --> 0:45:04.759
<v Speaker 4>expect something like this, but like the nature of her

0:45:04.880 --> 0:45:08.200
<v Speaker 4>character is so not a best friend kind of character

0:45:08.280 --> 0:45:10.680
<v Speaker 4>that we see in Disney movies. This is the villain

0:45:11.160 --> 0:45:14.719
<v Speaker 4>or the mean girl who comes in and out here

0:45:14.760 --> 0:45:17.200
<v Speaker 4>and there, but like she's like the best friend.

0:45:17.320 --> 0:45:20.080
<v Speaker 3>So it's very strange, very very strange.

0:45:20.080 --> 0:45:22.520
<v Speaker 2>I couldn't I really could not believe it. I could

0:45:22.520 --> 0:45:26.520
<v Speaker 2>not believe it. She's like, wait, wait what and I'm like,

0:45:26.600 --> 0:45:28.640
<v Speaker 2>this is is this as weird as I think it is?

0:45:28.640 --> 0:45:30.560
<v Speaker 1>She's like yes, it is as weird as you think

0:45:30.600 --> 0:45:32.680
<v Speaker 1>it is. Yes, it is, it is.

0:45:32.760 --> 0:45:35.080
<v Speaker 2>It's just yeah, well they're still trying to find their footing.

0:45:35.880 --> 0:45:38.040
<v Speaker 1>Luckily for the kids, they just stumble on the Pyramids

0:45:38.040 --> 0:45:40.600
<v Speaker 1>exhibit and guess that's where Harold has to be.

0:45:40.680 --> 0:45:43.839
<v Speaker 2>What a beautiful coincidence and conclusion. So what do they do?

0:45:43.960 --> 0:45:47.359
<v Speaker 1>Well, they're kids, they're normal, So yes, they break into

0:45:47.360 --> 0:45:49.719
<v Speaker 1>the museum, and we now just have to accept that

0:45:49.719 --> 0:45:52.120
<v Speaker 1>these three children are stone cold criminals, just breaking the

0:45:52.160 --> 0:45:54.520
<v Speaker 1>law left and right now, in all fairness to the kids,

0:45:55.000 --> 0:45:57.399
<v Speaker 1>what they what they do show later on is that

0:45:57.719 --> 0:46:02.839
<v Speaker 1>obviously Harold broke through the door of the museum, Like

0:46:02.880 --> 0:46:04.680
<v Speaker 1>you can see that he broke the doors off its

0:46:04.760 --> 0:46:05.960
<v Speaker 1>hinges when the police go in there.

0:46:05.960 --> 0:46:07.839
<v Speaker 2>So obviously they're just walking in after him.

0:46:07.880 --> 0:46:09.799
<v Speaker 1>It's not like she pulls out a lock pick set

0:46:09.840 --> 0:46:12.040
<v Speaker 1>from her nude go kill.

0:46:11.880 --> 0:46:15.439
<v Speaker 2>Yourself still this night, we're still this key, or she's

0:46:15.440 --> 0:46:18.560
<v Speaker 2>got a blow torch or something like that, right she

0:46:18.640 --> 0:46:20.680
<v Speaker 2>I wouldn't be surprised that she'd Right before they broke in,

0:46:20.680 --> 0:46:21.800
<v Speaker 2>She's like, give me a second, I just want to

0:46:21.800 --> 0:46:25.480
<v Speaker 2>smoke a joint. Yeah, so it's gonna.

0:46:26.640 --> 0:46:28.239
<v Speaker 3>Really entertaining, So I just want to make sure I'm

0:46:28.239 --> 0:46:28.879
<v Speaker 3>on the right level.

0:46:29.040 --> 0:46:31.840
<v Speaker 1>Yeah, exactly, exactly. I know what's gonna happen. I'm just

0:46:31.840 --> 0:46:33.040
<v Speaker 1>gonna drop some mask real quick.

0:46:33.280 --> 0:46:36.320
<v Speaker 2>That sounds like it's perfectly online with the Amy character.

0:46:36.960 --> 0:46:39.719
<v Speaker 1>Yes so, but yeah, they still just break in here,

0:46:40.080 --> 0:46:42.120
<v Speaker 1>and once inside they find Harold exit.

0:46:42.200 --> 0:46:43.239
<v Speaker 2>You know what I want to do. We've got to

0:46:43.239 --> 0:46:45.279
<v Speaker 2>find this girl who's now a lawyer, a woman who's

0:46:45.320 --> 0:46:45.520
<v Speaker 2>now a.

0:46:45.560 --> 0:46:47.799
<v Speaker 1>Lawyer somewhere, and I will get to talk to her

0:46:48.160 --> 0:46:49.160
<v Speaker 1>about this character.

0:46:49.239 --> 0:46:51.680
<v Speaker 2>We have to find this I mean I will.

0:46:51.719 --> 0:46:54.440
<v Speaker 1>I will pay her retainer myself to just have a

0:46:54.480 --> 0:46:58.000
<v Speaker 1>one hour meeting with her, to have her come on

0:46:58.120 --> 0:46:59.920
<v Speaker 1>to ask her what it's like as this character.

0:47:00.080 --> 0:47:05.759
<v Speaker 2>Crazy.

0:47:07.960 --> 0:47:10.880
<v Speaker 1>So, once inside they find Harold examining all the artifacts.

0:47:10.920 --> 0:47:13.799
<v Speaker 1>He seems very affected by one Tombe in particular, marked

0:47:13.800 --> 0:47:16.880
<v Speaker 1>as the Queen's. She was the lover of the High Priest,

0:47:16.960 --> 0:47:19.120
<v Speaker 1>a man who was her bodyguard and confidant.

0:47:19.440 --> 0:47:20.160
<v Speaker 2>Though it had to be a.

0:47:20.160 --> 0:47:22.439
<v Speaker 1>Secret because of her status, he swore to be by

0:47:22.480 --> 0:47:24.440
<v Speaker 1>her side in this life and the next. And now

0:47:24.440 --> 0:47:28.320
<v Speaker 1>it's very obvious that Harold was that high Priest. Also,

0:47:28.400 --> 0:47:33.400
<v Speaker 1>the kids talk about celibacy and how this Harold was

0:47:33.480 --> 0:47:38.080
<v Speaker 1>celibate his whole life, and Gilbert says, or what is celibacy?

0:47:38.400 --> 0:47:44.440
<v Speaker 2>And Amy again turns around and says, says no chicks

0:47:44.600 --> 0:47:48.479
<v Speaker 2>And he says well, and she says, you'll get used

0:47:48.520 --> 0:47:50.439
<v Speaker 2>to it, and.

0:47:52.160 --> 0:47:56.359
<v Speaker 4>Like another moment that you think at the kids that

0:47:56.440 --> 0:47:59.560
<v Speaker 4>watched the Disney Channel, we're not talking about the Disney movies,

0:47:59.600 --> 0:48:03.680
<v Speaker 4>the Disney Channel. And then are pausing and going, mom,

0:48:03.880 --> 0:48:04.879
<v Speaker 4>what celibacy?

0:48:04.920 --> 0:48:07.040
<v Speaker 3>I don't get it. What is no chicks mean?

0:48:07.600 --> 0:48:12.320
<v Speaker 2>Yeah, honey, then turning to him and yes, turn off turf,

0:48:13.320 --> 0:48:13.919
<v Speaker 2>turn it off.

0:48:14.080 --> 0:48:16.160
<v Speaker 3>We're done. We're done, We're done.

0:48:16.880 --> 0:48:19.560
<v Speaker 1>But again then when he says, oh, you know, I

0:48:20.000 --> 0:48:22.239
<v Speaker 1>could never do that, and she turns to him and goes,

0:48:22.320 --> 0:48:23.200
<v Speaker 1>you'll get used to it.

0:48:23.440 --> 0:48:27.520
<v Speaker 2>Like it's like, oh my god, she's so mean.

0:48:27.800 --> 0:48:31.640
<v Speaker 1>It's like, good luck, buddy, You're you're only you're only ten.

0:48:31.719 --> 0:48:33.439
<v Speaker 1>But I can tell you right now, you're never gonna

0:48:33.480 --> 0:48:35.080
<v Speaker 1>know the love of a woman. You're never gonna know

0:48:35.120 --> 0:48:39.040
<v Speaker 1>the touch of a woman, Like, oh my god, it's

0:48:39.280 --> 0:48:40.200
<v Speaker 1>so horrible.

0:48:40.520 --> 0:48:45.160
<v Speaker 3>She's so grown. That means I don't know, I don't

0:48:45.360 --> 0:48:45.719
<v Speaker 3>get it.

0:48:45.880 --> 0:48:47.120
<v Speaker 2>Something's going I don't want to.

0:48:47.760 --> 0:48:51.960
<v Speaker 1>It's such a Banana's character. Harold opens the tomb and

0:48:52.000 --> 0:48:55.200
<v Speaker 1>the queen is inside. He caresses her emerald necklace and

0:48:55.239 --> 0:48:58.440
<v Speaker 1>reveals he's wearing a matching one. He closes the casket

0:48:58.440 --> 0:49:00.960
<v Speaker 1>in sadness, just as the police car pulls up outside.

0:49:01.160 --> 0:49:04.279
<v Speaker 1>Still exploring the exhibit, Harold reads some nearby hieroglyphics and

0:49:04.280 --> 0:49:05.719
<v Speaker 1>finds out that he'll need to be back in the

0:49:05.760 --> 0:49:08.960
<v Speaker 1>coffin by midnight or he, too will die. Marshall promises

0:49:08.960 --> 0:49:11.200
<v Speaker 1>will make that happen, just as the cop searches the museum,

0:49:11.520 --> 0:49:13.600
<v Speaker 1>but luckily enough, he doesn't find the Sly kids and

0:49:13.600 --> 0:49:16.160
<v Speaker 1>their mummy. And if you listen to the cop, like

0:49:16.320 --> 0:49:19.640
<v Speaker 1>he's totally off camera, but you can essentially hear his

0:49:19.760 --> 0:49:22.399
<v Speaker 1>walkie talkie and he's like, well, whoever did It's gone,

0:49:22.440 --> 0:49:23.640
<v Speaker 1>and she's like, all right, you can come back.

0:49:24.000 --> 0:49:25.520
<v Speaker 2>Like he's been there for thirty seconds.

0:49:25.600 --> 0:49:27.719
<v Speaker 1>The doors off, the hinges, but they're like, he's like,

0:49:27.760 --> 0:49:29.640
<v Speaker 1>well nobody here, all right, you're good, come on home.

0:49:29.760 --> 0:49:33.680
<v Speaker 2>And that case, yeah, great police work. We're all good.

0:49:34.719 --> 0:49:36.440
<v Speaker 2>Thank you, officer useless.

0:49:37.560 --> 0:49:40.120
<v Speaker 1>The next day, Amy arrives at Marshall's house drinking a

0:49:40.120 --> 0:49:42.279
<v Speaker 1>beer I'm kidding, but you might as well have been.

0:49:42.560 --> 0:49:45.960
<v Speaker 1>And he looks exhausted, because can't you just see her

0:49:46.000 --> 0:49:47.120
<v Speaker 1>just walking up day drinking.

0:49:47.239 --> 0:49:50.080
<v Speaker 2>That sounds like Amy to me, just seriously, just for

0:49:50.200 --> 0:49:53.799
<v Speaker 2>no reason, right, it's just perfectly on brand. She comes up,

0:49:53.880 --> 0:49:56.439
<v Speaker 2>she's got, she's got, she's holding a six pack, there's

0:49:56.440 --> 0:49:59.320
<v Speaker 2>only two left, and she's putting out her Cigarette's that's Amy,

0:49:59.560 --> 0:50:02.759
<v Speaker 2>is seriously though she's serious. He's like, hey, is your

0:50:02.800 --> 0:50:05.839
<v Speaker 2>mom your mom's liquor cabinet locked in any serious kind

0:50:05.840 --> 0:50:14.080
<v Speaker 2>of way? That's Amy. Seriously, that's Amy, I'm telling you. Yikes.

0:50:14.880 --> 0:50:16.560
<v Speaker 2>She looks, but he looks exhausted.

0:50:16.800 --> 0:50:19.440
<v Speaker 1>Harold was up all night watching sappy rom coms, crying

0:50:19.480 --> 0:50:22.879
<v Speaker 1>while watching Pretty Woman, Sleepless in Seattle and Ghost This

0:50:22.920 --> 0:50:24.640
<v Speaker 1>is one very emotional monster.

0:50:24.560 --> 0:50:26.440
<v Speaker 3>And very adult films.

0:50:26.640 --> 0:50:29.040
<v Speaker 2>Yes, yeah, well now we're talking.

0:50:28.800 --> 0:50:33.640
<v Speaker 3>About a pretty a prostitute. We're talking.

0:50:35.000 --> 0:50:36.840
<v Speaker 2>A lot of a lot.

0:50:36.680 --> 0:50:39.440
<v Speaker 1>Of a lot of Not to go off on a tangent,

0:50:40.000 --> 0:50:42.480
<v Speaker 1>but have you watched Sleepless in Seattle recently?

0:50:43.040 --> 0:50:46.000
<v Speaker 3>Not recently, but I have seen it a few times.

0:50:47.120 --> 0:50:51.160
<v Speaker 1>Go back and watch Sleepless in Seattle because Meg Ryan's

0:50:51.200 --> 0:50:52.600
<v Speaker 1>character is awful.

0:50:53.120 --> 0:50:56.120
<v Speaker 2>In Sleepless in Seattle. She's supposed to be the cute,

0:50:56.480 --> 0:51:00.840
<v Speaker 2>she's awful. She's got this man that loves her that

0:51:00.920 --> 0:51:04.279
<v Speaker 2>she's about to marry, but she hears some random guy

0:51:04.320 --> 0:51:07.640
<v Speaker 2>on the radio, then starts stalking the random guy on

0:51:07.680 --> 0:51:09.600
<v Speaker 2>the radio to the point where she shows up in

0:51:09.680 --> 0:51:13.560
<v Speaker 2>his house. All the while the guy's planning, like.

0:51:13.640 --> 0:51:18.200
<v Speaker 3>Ready side the house, outside the house. Yeah it's true.

0:51:18.440 --> 0:51:21.160
<v Speaker 1>Go back and watch Sleepless in Seattle, because again, Tom

0:51:21.200 --> 0:51:23.080
<v Speaker 1>Hanks is wonderful.

0:51:22.800 --> 0:51:26.080
<v Speaker 2>The kid is great, Meg Ryan's good. But the en

0:51:26.160 --> 0:51:28.520
<v Speaker 2>you're like, you're just they ripped. You know, when he's

0:51:28.520 --> 0:51:30.759
<v Speaker 2>talent talking about his wife, it rips your heart out.

0:51:30.760 --> 0:51:33.359
<v Speaker 2>Anybody's been in love knows that feeling. It's just my god,

0:51:33.360 --> 0:51:36.360
<v Speaker 2>I love this person so much. And then Stocky McGee

0:51:36.360 --> 0:51:40.359
<v Speaker 2>shows up and it's like, you're marrying the nicest guy

0:51:40.360 --> 0:51:41.719
<v Speaker 2>in the world, and this is.

0:51:41.640 --> 0:51:44.719
<v Speaker 1>What you're It's seriously, it's it's bonkers. Go this is

0:51:44.760 --> 0:51:47.360
<v Speaker 1>Amy grows up to be to be Meg Ryan's character

0:51:47.360 --> 0:51:50.600
<v Speaker 1>in Sleepless in Seattle. I'm telling you so, yeah, just

0:51:51.320 --> 0:51:52.840
<v Speaker 1>I know it has nothing to do with our podcast,

0:51:52.920 --> 0:51:55.480
<v Speaker 1>but go check it out here. A poor Amy dude

0:51:55.680 --> 0:51:57.440
<v Speaker 1>as Amy's got some demons.

0:51:58.920 --> 0:52:02.720
<v Speaker 2>Amy's got some means. I'm telling you. It's something. Yeah,

0:52:02.760 --> 0:52:05.319
<v Speaker 2>like she she's the person who baby sits but gets

0:52:05.320 --> 0:52:08.480
<v Speaker 2>paid in poker chips. Like she's like that kind of thing.

0:52:08.520 --> 0:52:11.480
<v Speaker 2>It's like, yeah, that kind thanks coming over left to

0:52:11.600 --> 0:52:17.319
<v Speaker 2>a fifty poket chip. Oh, yes, something has happened. Oh

0:52:17.360 --> 0:52:18.800
<v Speaker 2>you want a dimebag go to Amy.

0:52:19.719 --> 0:52:22.000
<v Speaker 3>Oh my gosh, it's the.

0:52:21.840 --> 0:52:25.120
<v Speaker 2>Most crazy Decom character we have seen to date. I'm

0:52:25.160 --> 0:52:25.440
<v Speaker 2>telling you.

0:52:27.120 --> 0:52:31.319
<v Speaker 1>They wrote a like a forty year old divorcee and

0:52:31.640 --> 0:52:33.640
<v Speaker 1>just went, you'll just make her twelve.

0:52:34.040 --> 0:52:35.920
<v Speaker 2>It's like, oh my god, it is crazy.

0:52:36.680 --> 0:52:37.239
<v Speaker 3>Oh man.

0:52:37.920 --> 0:52:40.560
<v Speaker 1>Amy wants Marshall to brace himself in case they can't

0:52:40.640 --> 0:52:43.080
<v Speaker 1>save his friend, but Marshall protects himself by saying he's

0:52:43.080 --> 0:52:45.240
<v Speaker 1>just a mummy, not a real friend. But the facade

0:52:45.320 --> 0:52:48.200
<v Speaker 1>quickly breaks and he admits he does care about Harold. Then,

0:52:48.320 --> 0:52:50.280
<v Speaker 1>even though they're supposed to be keeping a low profile,

0:52:50.360 --> 0:52:52.880
<v Speaker 1>Gilbert and Harold comes storming out of the house, playing

0:52:52.920 --> 0:52:56.000
<v Speaker 1>and yelling. Marshall reminds them they can't get caught, and

0:52:56.040 --> 0:52:59.920
<v Speaker 1>then well, of course they get caught. Little Leonard, oh,

0:53:00.400 --> 0:53:02.040
<v Speaker 1>the other kid they wrote as a twenty five year

0:53:02.080 --> 0:53:03.719
<v Speaker 1>old man who just happened to be cast as a

0:53:03.719 --> 0:53:06.359
<v Speaker 1>six year old one of the more unique child actors

0:53:06.400 --> 0:53:08.239
<v Speaker 1>we've ever encountered. At the d com, he walks into

0:53:08.239 --> 0:53:10.840
<v Speaker 1>the backyard and sees the mummy. He is astounded and

0:53:10.920 --> 0:53:13.319
<v Speaker 1>asked if he's from that huge coffin they moved out

0:53:13.320 --> 0:53:16.640
<v Speaker 1>of the Coubat's house. The kids stopped dead in their tracks. Wait,

0:53:17.200 --> 0:53:19.759
<v Speaker 1>he saw coffin? Leonard says. There was something written on

0:53:19.800 --> 0:53:22.279
<v Speaker 1>the side of the yellow moving truck, but Leonard can't read,

0:53:22.680 --> 0:53:25.280
<v Speaker 1>but he does reveal whoever was driving the yellow truck

0:53:25.280 --> 0:53:27.120
<v Speaker 1>wouldn't give him an ice cream, which I had to

0:53:27.120 --> 0:53:30.719
<v Speaker 1>rewind four times to understand because I couldn't understand what you.

0:53:30.960 --> 0:53:31.719
<v Speaker 2>Can on ice cream?

0:53:32.120 --> 0:53:35.840
<v Speaker 1>Like what what might the actor? You will be shocked

0:53:35.920 --> 0:53:36.680
<v Speaker 1>by the way to hear.

0:53:37.320 --> 0:53:39.120
<v Speaker 2>This was his only acting credit ever.

0:53:40.480 --> 0:53:42.680
<v Speaker 1>The kids, of course, deduced that the yellow truck had

0:53:42.719 --> 0:53:45.319
<v Speaker 1>to be from the local Errands ice cream factory over

0:53:45.360 --> 0:53:47.440
<v Speaker 1>in the orchards. They're going to take Harold out there

0:53:47.440 --> 0:53:50.160
<v Speaker 1>to investigate, but they needed disguise, so they rushed to

0:53:50.200 --> 0:53:53.120
<v Speaker 1>the vintage store and buy him a vintage nineteen seventies

0:53:53.160 --> 0:53:55.319
<v Speaker 1>Elton John looking outfit all the way down to his

0:53:55.360 --> 0:53:58.479
<v Speaker 1>platform shoes. The crew struts down the street to get

0:53:58.520 --> 0:54:01.600
<v Speaker 1>down tonight of another familiar so they're buying real, real

0:54:01.680 --> 0:54:04.959
<v Speaker 1>songs here, and the wardrobe is actually working. He even

0:54:05.040 --> 0:54:08.000
<v Speaker 1>catches the attention of a stylish hot lady walking by,

0:54:08.320 --> 0:54:10.680
<v Speaker 1>but when she gets closer look, she screams at what

0:54:10.719 --> 0:54:11.200
<v Speaker 1>she sees.

0:54:11.400 --> 0:54:13.440
<v Speaker 2>I guess you can't win them all. They can't win.

0:54:13.440 --> 0:54:16.919
<v Speaker 1>It wouldn't matter anyway, because no chicks. The kids hop

0:54:16.960 --> 0:54:20.239
<v Speaker 1>back on their bikes, with Harold getting a small girl's bike.

0:54:20.520 --> 0:54:23.240
<v Speaker 1>They make their way to the orchard area. They scope

0:54:23.239 --> 0:54:25.440
<v Speaker 1>out Aaron's ice cream factory from Afar, but don't see

0:54:25.440 --> 0:54:29.239
<v Speaker 1>anything because they're using binoculars that they got in a

0:54:29.320 --> 0:54:31.800
<v Speaker 1>happy meal, so Marshall decides he needs to get a

0:54:31.800 --> 0:54:34.759
<v Speaker 1>closer look. Harold aggressively throws the boy over a wall,

0:54:34.800 --> 0:54:38.160
<v Speaker 1>making Amy very mad. She starts earnestly punching the mummy

0:54:38.200 --> 0:54:40.120
<v Speaker 1>and this is where I was offended. Lady, calm down.

0:54:40.200 --> 0:54:42.879
<v Speaker 1>He's a monster who's been trying to help, So now

0:54:42.880 --> 0:54:44.640
<v Speaker 1>Amy is progressed.

0:54:44.160 --> 0:54:46.160
<v Speaker 2>To a ag assault.

0:54:46.360 --> 0:54:47.160
<v Speaker 3>She's abusive.

0:54:47.600 --> 0:54:51.280
<v Speaker 2>Abus We've got a Sultan battery breaking and entering.

0:54:51.920 --> 0:54:54.719
<v Speaker 1>I mean you name it. This girl has got by

0:54:54.719 --> 0:54:56.840
<v Speaker 1>the time she's eighteen, she's gonna have a record the

0:54:56.880 --> 0:55:00.239
<v Speaker 1>size of my arm. It's like, come on, Amy, Amy

0:55:01.200 --> 0:55:02.480
<v Speaker 1>needs to got a god size hole.

0:55:02.520 --> 0:55:04.400
<v Speaker 2>Somebody needs to get to Amy because something's going on.

0:55:05.640 --> 0:55:08.080
<v Speaker 1>And so now Marshall sneaks inside the ice cream factory

0:55:08.120 --> 0:55:11.040
<v Speaker 1>again Break in the law. Kids are looking somewhere between

0:55:11.080 --> 0:55:13.080
<v Speaker 1>twenty to fifty years in jail in my opinion, if

0:55:13.080 --> 0:55:14.880
<v Speaker 1>they can get all their everything ducks in a row.

0:55:14.920 --> 0:55:16.080
<v Speaker 2>There's multiple felonies.

0:55:16.120 --> 0:55:19.759
<v Speaker 1>At this point, Marshall eventually spots the mob guys and

0:55:19.800 --> 0:55:22.200
<v Speaker 1>overhears them talking about how the Mummy is missing, and

0:55:22.239 --> 0:55:24.080
<v Speaker 1>this is when he figures out the mob boss is

0:55:24.719 --> 0:55:25.560
<v Speaker 1>mister Kubot.

0:55:25.600 --> 0:55:29.480
<v Speaker 2>What a twist? Did you realize that earlier? Did you know? Scubat? Yeah,

0:55:30.080 --> 0:55:31.320
<v Speaker 2>they didn't hide anything.

0:55:32.160 --> 0:55:34.240
<v Speaker 1>Just as that sinks in, Marshall gets a jump scare

0:55:34.239 --> 0:55:36.239
<v Speaker 1>from Harold, who has joined him in the factory. The

0:55:36.320 --> 0:55:38.440
<v Speaker 1>Mummy spots his coffin, but they decide to wait and

0:55:38.440 --> 0:55:41.560
<v Speaker 1>figure out and escape plan first, so they regroup.

0:55:41.160 --> 0:55:44.000
<v Speaker 2>With Amy and Gilbert. Harold once again powerfully tossing his

0:55:44.040 --> 0:55:46.319
<v Speaker 2>friend over the wall, which it's very funny. But he's

0:55:46.320 --> 0:55:47.160
<v Speaker 2>gonna kill this kid.

0:55:47.520 --> 0:55:50.720
<v Speaker 1>Marshall tells his friends all about Cubat. He probably faked

0:55:50.719 --> 0:55:52.520
<v Speaker 1>his own death to sell the coffin.

0:55:53.040 --> 0:55:54.799
<v Speaker 2>And so now they have to find a car big

0:55:54.920 --> 0:55:58.040
<v Speaker 2>enough to haul the sarcophagus, which is no easy task

0:55:58.120 --> 0:56:01.000
<v Speaker 2>for a bunch of felony preteens. But they're wanted to

0:56:01.080 --> 0:56:03.480
<v Speaker 2>nine states by this point, or is it. But Marshall

0:56:03.520 --> 0:56:06.480
<v Speaker 2>has an idea. They're just going to need more costumes.

0:56:06.520 --> 0:56:09.320
<v Speaker 2>The plan is to ask the spooky bookstore owner, Bruce,

0:56:09.800 --> 0:56:13.080
<v Speaker 2>because of his hearse he is a hearse.

0:56:13.960 --> 0:56:16.480
<v Speaker 3>Yeah, of course, of course, right right he does.

0:56:16.520 --> 0:56:20.960
<v Speaker 2>Of course, who's ever hearse of that? I'll show myself out.

0:56:22.520 --> 0:56:24.719
<v Speaker 1>Though the idea is good. Unfortunately for the kids, one

0:56:24.760 --> 0:56:26.480
<v Speaker 1>of the goons spotted them on the way out of

0:56:26.480 --> 0:56:28.880
<v Speaker 1>the factory because they were, you know, escaping under the

0:56:28.920 --> 0:56:33.000
<v Speaker 1>cover of day, and they go and they tell Coubat.

0:56:33.320 --> 0:56:36.040
<v Speaker 1>So obviously now they're on to our heroes. On the

0:56:36.040 --> 0:56:38.000
<v Speaker 1>other side of town. The kids are now in costume

0:56:38.000 --> 0:56:40.600
<v Speaker 1>and they arrive at the town Halloween carnival, which is

0:56:40.600 --> 0:56:41.840
<v Speaker 1>a weird party.

0:56:42.800 --> 0:56:45.800
<v Speaker 2>There's kids, there's an adult strange.

0:56:46.000 --> 0:56:49.040
<v Speaker 1>There's adults hitting on each other, but there's kids running

0:56:49.080 --> 0:56:51.840
<v Speaker 1>all over the place. Is it a meat market?

0:56:51.880 --> 0:56:51.960
<v Speaker 7>Like?

0:56:52.120 --> 0:56:53.560
<v Speaker 2>What is this party?

0:56:53.560 --> 0:56:56.400
<v Speaker 3>But the crazy thing is is, well, I'll let you

0:56:56.480 --> 0:56:57.239
<v Speaker 3>continue to go.

0:56:58.040 --> 0:56:58.920
<v Speaker 2>Okay, no farther.

0:56:59.120 --> 0:57:01.839
<v Speaker 4>But there's another part of it where it's like this

0:57:01.960 --> 0:57:05.440
<v Speaker 4>party is weird, really really weird.

0:57:05.600 --> 0:57:11.279
<v Speaker 2>Like swingers weird? Yes, yeah, okay, so he at least

0:57:11.280 --> 0:57:14.400
<v Speaker 2>Amy isn't involved in this one. So they arrive at

0:57:14.440 --> 0:57:17.000
<v Speaker 2>the weird Halloween haunted house. Gilbert is dressed as a

0:57:17.000 --> 0:57:20.160
<v Speaker 2>half Dennis Rodman and Amy is a half Princess Leah.

0:57:20.280 --> 0:57:21.200
<v Speaker 2>The crew splits up.

0:57:21.240 --> 0:57:23.360
<v Speaker 1>Marshall and Amy will go inside to find Bruce, while

0:57:23.360 --> 0:57:25.000
<v Speaker 1>Gilbert and Harold wait outside.

0:57:25.360 --> 0:57:29.520
<v Speaker 2>But since Harold is still scaring civilians, they cover his mouth.

0:57:29.320 --> 0:57:32.120
<v Speaker 1>With the extra bandage to lessen the shock. Marshall and

0:57:32.160 --> 0:57:34.920
<v Speaker 1>Amy stopped by the carnival dance first when they see

0:57:34.960 --> 0:57:38.280
<v Speaker 1>Marshall's mom happily dancing with her boyfriend Ted. So his

0:57:38.440 --> 0:57:40.880
<v Speaker 1>mom is at the party, but he wasn't going to

0:57:40.920 --> 0:57:43.320
<v Speaker 1>the party. His mom was going to the local town

0:57:43.480 --> 0:57:46.560
<v Speaker 1>Halloween party, but she wasn't going to bring her child

0:57:46.600 --> 0:57:50.600
<v Speaker 1>who was super in the Halloween and spot and monsters

0:57:50.640 --> 0:57:51.840
<v Speaker 1>and right.

0:57:51.640 --> 0:57:54.200
<v Speaker 3>But it's a swingers party, so right for him to

0:57:54.240 --> 0:57:54.520
<v Speaker 3>be there.

0:57:54.560 --> 0:57:59.360
<v Speaker 2>There's kids there, it's so weird. It's a we just

0:57:59.360 --> 0:58:01.440
<v Speaker 2>a weird party. It's a weird, weird party.

0:58:01.840 --> 0:58:03.720
<v Speaker 3>Uncomfortable, Yes, so.

0:58:03.920 --> 0:58:05.000
<v Speaker 2>Yeah, there okay.

0:58:05.600 --> 0:58:09.280
<v Speaker 1>Amy admits that his mom and the new boyfriend actually

0:58:09.320 --> 0:58:11.400
<v Speaker 1>look in love, and Marshall pretends it doesn't bother him,

0:58:11.400 --> 0:58:13.640
<v Speaker 1>but again it obviously does. Amy then has a good

0:58:13.640 --> 0:58:15.800
<v Speaker 1>friend offers her help or just an ear if he

0:58:15.840 --> 0:58:17.960
<v Speaker 1>never needs to talk to her, and he thanks her

0:58:18.000 --> 0:58:18.320
<v Speaker 1>and she.

0:58:18.360 --> 0:58:20.600
<v Speaker 2>Lights another joint. Outside.

0:58:20.640 --> 0:58:23.240
<v Speaker 1>Gilbert and Harold are bored, so Gilbert decides to go

0:58:23.240 --> 0:58:26.000
<v Speaker 1>get some SODA's, which sure feels like a very bad idea,

0:58:26.080 --> 0:58:28.840
<v Speaker 1>and back inside, Marshall finds Bruce and reveals they found

0:58:28.880 --> 0:58:31.440
<v Speaker 1>a mummy, but Bruce assumes they're just talking about a

0:58:31.480 --> 0:58:34.440
<v Speaker 1>Halloween costume and is an impressed. Marshall assures him it's

0:58:34.440 --> 0:58:37.360
<v Speaker 1>a real mummy and takes him to see, and just

0:58:37.360 --> 0:58:42.920
<v Speaker 1>at that moment, Harold hears oh Bamas again by Eric Carmon,

0:58:42.960 --> 0:58:45.440
<v Speaker 1>who every time I see it sounds like Eric Cartman. Yeah,

0:58:47.000 --> 0:58:49.920
<v Speaker 1>lasting from inside the carnival, he must get closer to

0:58:49.920 --> 0:58:51.640
<v Speaker 1>hear it. It was a terrible cartman, by the way,

0:58:51.800 --> 0:58:53.960
<v Speaker 1>He leaves his post and walks right into the event,

0:58:54.200 --> 0:58:56.360
<v Speaker 1>just as the goons pull up to get him. When

0:58:56.360 --> 0:58:58.760
<v Speaker 1>Gilbert does return with the soda, he can't find Harold,

0:58:58.800 --> 0:59:01.480
<v Speaker 1>but instead sees Hench in Aaron's ice cream jackets.

0:59:01.600 --> 0:59:04.240
<v Speaker 2>He knows this is the problem and hurries to warn Marshall.

0:59:04.760 --> 0:59:07.160
<v Speaker 1>Harold navigates his way through the dance floor, eventually landing

0:59:07.200 --> 0:59:09.640
<v Speaker 1>near the speakers and dancing by himself, that is, until

0:59:09.640 --> 0:59:13.160
<v Speaker 1>he spots a woman dresses Cleopatra. He begins worshiping her

0:59:13.240 --> 0:59:15.640
<v Speaker 1>or falling to his knees, but she thinks it's just

0:59:15.720 --> 0:59:18.800
<v Speaker 1>some guy flirting with her. She's also turned on by

0:59:18.840 --> 0:59:22.760
<v Speaker 1>his stink and wants to dance with him. Nearby, Gilbert

0:59:22.840 --> 0:59:26.320
<v Speaker 1>thinks he's found Harold, but it's actually just a mummy costume. Also,

0:59:26.400 --> 0:59:28.960
<v Speaker 1>he earnestly punches the guy who he thinks as Harold's

0:59:29.000 --> 0:59:31.840
<v Speaker 1>Everyone just beaten up Harold. Maybe these kids don't deserve

0:59:31.880 --> 0:59:35.080
<v Speaker 1>to have a monster after all. Anyway, that wasn't Harold,

0:59:35.120 --> 0:59:37.640
<v Speaker 1>It was his principle, which adds a new wrinkle which

0:59:37.680 --> 0:59:39.440
<v Speaker 1>we never ever hear about again.

0:59:40.520 --> 0:59:41.800
<v Speaker 2>Just never happens again.

0:59:42.120 --> 0:59:44.320
<v Speaker 1>The goons check on every mummy at the party, while

0:59:44.320 --> 0:59:46.360
<v Speaker 1>Marshall and Amy explain the whole story to Bruce, but

0:59:46.400 --> 0:59:49.000
<v Speaker 1>he still doesn't believe them. Cleopatra is now all horned

0:59:49.080 --> 0:59:52.000
<v Speaker 1>up by Harold on the dance floor. When Gilbert finds them,

0:59:52.320 --> 0:59:54.640
<v Speaker 1>He then pulls the mummy away, explaining that this man

0:59:54.840 --> 0:59:59.880
<v Speaker 1>is celibate, but Cleopatra doesn't believe that. But when phil

1:00:00.120 --> 1:00:01.880
<v Speaker 1>guy in the mummy costume, and his wife get all

1:00:01.920 --> 1:00:04.800
<v Speaker 1>tangled up in this wife swap thing, Cleopatra's unraveling Harold

1:00:04.840 --> 1:00:06.960
<v Speaker 1>to find out what's going on, and when she uncovers

1:00:06.960 --> 1:00:10.120
<v Speaker 1>his face, the entire party runs off screaming. The goon's

1:00:10.200 --> 1:00:12.040
<v Speaker 1>noticed the commotion and run to go get him, but

1:00:12.040 --> 1:00:13.880
<v Speaker 1>Bruce finally believes the kids. They all sprint through the

1:00:13.880 --> 1:00:16.960
<v Speaker 1>haunted house, dodging corpses and decorations, eventually getting outside to

1:00:16.960 --> 1:00:19.280
<v Speaker 1>the hearse What did you think of the whole adult

1:00:19.280 --> 1:00:21.680
<v Speaker 1>swinging aspect of the Halloween party?

1:00:22.200 --> 1:00:26.720
<v Speaker 4>I mean, first of all, yes, the principal is when

1:00:26.720 --> 1:00:30.840
<v Speaker 4>she said, well, if that's your husband, so was the

1:00:30.880 --> 1:00:35.400
<v Speaker 4>principal who she thought was returning from the bathroom, who

1:00:35.520 --> 1:00:39.560
<v Speaker 4>had been flirting with her earlier. It got very messy,

1:00:39.720 --> 1:00:41.520
<v Speaker 4>and the fact that she was like well then if

1:00:41.520 --> 1:00:43.560
<v Speaker 4>that's not if that's your husband, who.

1:00:43.400 --> 1:00:44.400
<v Speaker 3>Is this right?

1:00:44.520 --> 1:00:47.080
<v Speaker 2>Adultrey is always messy, Sabrina.

1:00:46.920 --> 1:00:51.600
<v Speaker 3>Ah my god, it was just like, ah, it's so weird.

1:00:51.960 --> 1:00:53.760
<v Speaker 3>It was so strange.

1:00:54.080 --> 1:00:57.600
<v Speaker 4>And again kids are there, but like again there's really

1:00:57.640 --> 1:01:00.880
<v Speaker 4>no supervision, Like these people are going and it was

1:01:00.960 --> 1:01:03.080
<v Speaker 4>weird to me, like if it was a name, if

1:01:03.440 --> 1:01:06.360
<v Speaker 4>we're in this again, go back to the parenting and

1:01:06.680 --> 1:01:08.280
<v Speaker 4>we're supposed to be in this small town.

1:01:08.440 --> 1:01:10.920
<v Speaker 3>How do they not know each other? How are they

1:01:10.960 --> 1:01:12.840
<v Speaker 3>at this party? Whose party is this?

1:01:12.960 --> 1:01:16.160
<v Speaker 4>That there's so many people that you're running into people

1:01:16.200 --> 1:01:17.440
<v Speaker 4>you really honestly don't know.

1:01:18.240 --> 1:01:20.680
<v Speaker 2>Weird. Yeah, and it's like a kid it's a swinger's party,

1:01:20.720 --> 1:01:22.640
<v Speaker 2>but there's kids there the whole thing.

1:01:22.760 --> 1:01:25.680
<v Speaker 1>There's a there's a haunted mansion, but also probably an

1:01:25.840 --> 1:01:28.600
<v Speaker 1>orgy room. Like, what the hell is what is this?

1:01:28.880 --> 1:01:30.200
<v Speaker 1>What is this party?

1:01:30.440 --> 1:01:32.160
<v Speaker 2>I can't I can't hate it.

1:01:32.200 --> 1:01:34.600
<v Speaker 3>I was so glad for the party to be done.

1:01:35.000 --> 1:01:35.880
<v Speaker 3>So uncomfortable.

1:01:36.040 --> 1:01:39.960
<v Speaker 1>Yeah, it was really really weird, just really oh yeah.

1:01:39.800 --> 1:01:42.400
<v Speaker 3>And then again, and I always have an issue. I

1:01:42.400 --> 1:01:43.320
<v Speaker 3>always bring this up.

1:01:44.040 --> 1:01:46.520
<v Speaker 4>We just talked about it at the high school party

1:01:46.560 --> 1:01:49.920
<v Speaker 4>that happened with the last movie was like, these strange.

1:01:49.480 --> 1:01:50.120
<v Speaker 3>Men come in.

1:01:50.280 --> 1:01:52.920
<v Speaker 4>They're not in uniform or dressed. I mean they're not

1:01:53.000 --> 1:01:55.840
<v Speaker 4>in costume, and not one person is like.

1:01:55.760 --> 1:01:58.360
<v Speaker 2>Hey, who are you now? Who are you?

1:01:58.440 --> 1:01:59.680
<v Speaker 3>Why are you at this party?

1:01:59.760 --> 1:02:02.040
<v Speaker 2>Who don't need to know that? Don't need to know that.

1:02:02.400 --> 1:02:06.200
<v Speaker 2>They're just go yep and pull off people's and nobody

1:02:06.240 --> 1:02:09.240
<v Speaker 2>says anything, and they're pushing people.

1:02:09.400 --> 1:02:11.960
<v Speaker 1>It's very strange. Amy would have taken care of it,

1:02:12.000 --> 1:02:13.400
<v Speaker 1>but she's way too stoned.

1:02:14.440 --> 1:02:16.880
<v Speaker 2>Harold pushes the door closed, locking the henchman inside, but

1:02:16.880 --> 1:02:19.080
<v Speaker 2>he can't hold them back forever, and it's almost midnight,

1:02:19.120 --> 1:02:20.760
<v Speaker 2>but Harold knows if he joins him in the car,

1:02:20.840 --> 1:02:23.520
<v Speaker 2>the goons will get the kids, so he sacrifices himself

1:02:23.560 --> 1:02:26.160
<v Speaker 2>and stays behind Bruce and the kids speed off to safety,

1:02:26.440 --> 1:02:28.840
<v Speaker 2>Marshall screaming all the while for his friend as they leave.

1:02:28.920 --> 1:02:30.920
<v Speaker 2>And once they're gone, the goons do break through the

1:02:30.920 --> 1:02:32.800
<v Speaker 2>barrier and knocking Harold to the floor, giving him a

1:02:32.840 --> 1:02:36.360
<v Speaker 2>chance to grab him. And this is where I was like, Okay,

1:02:36.400 --> 1:02:40.360
<v Speaker 2>so if the whole point of the goons is that

1:02:40.640 --> 1:02:44.000
<v Speaker 2>they're gonna grab the Mummy to bring him back to

1:02:44.040 --> 1:02:46.560
<v Speaker 2>his sarcophagus, to put him in the sarcophagus to then

1:02:46.640 --> 1:02:47.040
<v Speaker 2>sell it.

1:02:48.400 --> 1:02:50.880
<v Speaker 1>That's what we want to have happen. That's the goal

1:02:51.840 --> 1:02:53.880
<v Speaker 1>is we want to get him back to his sarcophagus.

1:02:54.440 --> 1:02:54.720
<v Speaker 2>Later.

1:02:54.760 --> 1:02:56.520
<v Speaker 1>They kind of redeem it by having him say, no,

1:02:56.600 --> 1:03:00.200
<v Speaker 1>I'm going to sell. You're more valuable on your own. Yes, oh,

1:03:00.200 --> 1:03:00.680
<v Speaker 1>I get that.

1:03:00.760 --> 1:03:02.200
<v Speaker 2>But it was like I sat to the whole time

1:03:02.240 --> 1:03:03.320
<v Speaker 2>going like but I thought, this is.

1:03:03.240 --> 1:03:06.720
<v Speaker 4>What they want to have happened, right, But the fact

1:03:06.840 --> 1:03:10.400
<v Speaker 4>is that with the rules that we know, which the

1:03:10.480 --> 1:03:13.160
<v Speaker 4>rules were very easy to fight out. So if this

1:03:13.240 --> 1:03:18.840
<v Speaker 4>guy owned this sarcophagus and this mummy, he would have

1:03:18.960 --> 1:03:21.440
<v Speaker 4>known that if he's not in the sarcophagus by a

1:03:21.480 --> 1:03:24.560
<v Speaker 4>certain amount of time, then he would like to disintegrate.

1:03:24.720 --> 1:03:26.640
<v Speaker 2>Yeah, I guess he didn't know the rules because.

1:03:26.480 --> 1:03:28.720
<v Speaker 4>He did not know the rules when he was supposed

1:03:28.760 --> 1:03:30.480
<v Speaker 4>to be this like curator.

1:03:30.040 --> 1:03:33.080
<v Speaker 3>Of like a big museum. How do you not know

1:03:33.080 --> 1:03:33.520
<v Speaker 3>the rules?

1:03:33.600 --> 1:03:34.000
<v Speaker 5>Cubat?

1:03:34.240 --> 1:03:37.840
<v Speaker 2>Yeah, what's up, Cobrot, what's up? Kubat? I don't get it. Yeah,

1:03:38.040 --> 1:03:39.479
<v Speaker 2>very strange. But we're now in the hearse.

1:03:39.800 --> 1:03:41.760
<v Speaker 1>Bruce wants to go to the cops, but Amy explains

1:03:41.800 --> 1:03:44.120
<v Speaker 1>how crazy they'll sound. Instead, they go to the ice

1:03:44.120 --> 1:03:46.760
<v Speaker 1>cream factory, assuming that's what they'll take Harold, and when

1:03:46.800 --> 1:03:48.800
<v Speaker 1>they arrived, Bruce opens his trunk to reveal a ton

1:03:48.840 --> 1:03:52.240
<v Speaker 1>of fake severed limbs, bones and skulls, all ready to use.

1:03:52.560 --> 1:03:54.320
<v Speaker 2>But even with this, Gilbert wants to stay in the car.

1:03:54.400 --> 1:03:55.160
<v Speaker 2>He's too scared.

1:03:55.480 --> 1:03:58.200
<v Speaker 1>Marshall tells him not to worry and lets him chicken out,

1:03:58.840 --> 1:04:00.560
<v Speaker 1>And so the plan has begun, if you want to

1:04:00.560 --> 1:04:02.720
<v Speaker 1>call it a plan. Amy runs to the coon crying

1:04:02.760 --> 1:04:05.120
<v Speaker 1>for help. She's applied to fake eye and blood to

1:04:05.160 --> 1:04:07.080
<v Speaker 1>her face, and when the criminal tries to help, he's

1:04:07.120 --> 1:04:11.160
<v Speaker 1>attacked by Marshall and Bruce, ending with a big frog splash.

1:04:10.960 --> 1:04:13.600
<v Speaker 2>By the bookstore owner. He just boh splams the guy.

1:04:13.960 --> 1:04:16.360
<v Speaker 1>They tie up the bad guy with fake intestines while

1:04:16.440 --> 1:04:18.880
<v Speaker 1>Amy and Bruce try to run interference. Marsha will run

1:04:18.920 --> 1:04:22.360
<v Speaker 1>around back to try and save Harold stick with us

1:04:22.400 --> 1:04:24.080
<v Speaker 1>people inside.

1:04:24.080 --> 1:04:25.400
<v Speaker 2>When the shady.

1:04:25.000 --> 1:04:27.400
<v Speaker 1>Buyer arrives for the coffin, Kubat takes control, knowing he

1:04:27.440 --> 1:04:29.800
<v Speaker 1>doesn't have the mummy. Marshall quickly finds Harold chained to

1:04:29.840 --> 1:04:32.240
<v Speaker 1>a pipe after scratching his face for him because he

1:04:32.240 --> 1:04:34.240
<v Speaker 1>had an itch. He finds a crowbar to free him,

1:04:34.520 --> 1:04:36.320
<v Speaker 1>and at the same time, Bruce and Amy's plan to

1:04:36.320 --> 1:04:38.840
<v Speaker 1>cause a diversion isn't going so well. Bruce has climbed

1:04:38.840 --> 1:04:41.240
<v Speaker 1>to some scaffolding and is now dangling from a pipe.

1:04:41.400 --> 1:04:43.840
<v Speaker 1>It breaks, eventually tossing him to the ground in a

1:04:43.880 --> 1:04:47.200
<v Speaker 1>free fall, making a huge commotion. They quickly are snatched

1:04:47.280 --> 1:04:49.440
<v Speaker 1>up by the goons, but it makes for the perfect distraction.

1:04:49.520 --> 1:04:52.760
<v Speaker 1>As Marshall frees Harold, they quickly start pushing the coffin towards.

1:04:52.560 --> 1:04:55.000
<v Speaker 2>The hearse, but then Kubat reveals himself from the shadows.

1:04:55.280 --> 1:04:57.200
<v Speaker 2>He knows there's money in the mummy and he's not

1:04:57.240 --> 1:04:57.960
<v Speaker 2>letting them leave.

1:04:58.240 --> 1:05:00.480
<v Speaker 1>He explains that over the years, he's accumulated the collection

1:05:00.520 --> 1:05:02.600
<v Speaker 1>of artifacts from the museum he worked at, and his

1:05:02.640 --> 1:05:04.840
<v Speaker 1>plan was to sell them off and retire, but the

1:05:05.040 --> 1:05:07.800
<v Speaker 1>Irs started to investigate him, and so he knew he

1:05:07.840 --> 1:05:10.439
<v Speaker 1>had to fake his own death. Seems like quite a jump,

1:05:10.920 --> 1:05:13.400
<v Speaker 1>and as Kubat continues to detail his motive, Harold is

1:05:13.400 --> 1:05:15.840
<v Speaker 1>falling apart. It's getting closer and closer to midnight, and

1:05:15.880 --> 1:05:18.400
<v Speaker 1>now he captured. Amy and Bruce have been brought to Cubat,

1:05:18.560 --> 1:05:21.840
<v Speaker 1>who instructs the guys to get rid of them.

1:05:22.200 --> 1:05:24.720
<v Speaker 2>He's going to kill the children.

1:05:25.040 --> 1:05:28.080
<v Speaker 3>The children, He's going to kill the children.

1:05:29.160 --> 1:05:32.040
<v Speaker 2>Then, when things look they're most bleak, crash the Hurst

1:05:32.080 --> 1:05:34.960
<v Speaker 2>slams through the warehouse like a gothic kool aid man.

1:05:36.000 --> 1:05:38.720
<v Speaker 2>Oh yeah, that's my gothic kol aid you get it.

1:05:38.760 --> 1:05:41.960
<v Speaker 2>Oh yeah, that was a good joke.

1:05:41.960 --> 1:05:44.960
<v Speaker 1>If anybody out there gets that, it's Gilbert. He's saved

1:05:44.960 --> 1:05:47.480
<v Speaker 1>the day because the crash makes the ceiling come right

1:05:47.520 --> 1:05:49.200
<v Speaker 1>down in the bad guys, and it looks like they're

1:05:49.240 --> 1:05:51.320
<v Speaker 1>all killed. It is an incredible smash of all the

1:05:51.360 --> 1:05:54.560
<v Speaker 1>stuff from the ceiling, but somehow Kubat has survived. He

1:05:54.600 --> 1:05:56.960
<v Speaker 1>emerges with a gun, instructing the kids to just leave

1:05:56.960 --> 1:06:00.120
<v Speaker 1>the mummy behind, and as he prepares to shoot Marshall,

1:06:00.120 --> 1:06:02.960
<v Speaker 1>Harold attacks. He grabs Coubat and throws them across the room.

1:06:03.120 --> 1:06:06.360
<v Speaker 1>The kids hug their mummy and celebrate, and Amy admits

1:06:06.400 --> 1:06:08.520
<v Speaker 1>that she was scared something was going to happen to Marshall.

1:06:08.720 --> 1:06:10.840
<v Speaker 2>She doesn't know what she would do if it did.

1:06:10.920 --> 1:06:13.040
<v Speaker 2>It appears this crush is developing.

1:06:13.280 --> 1:06:16.320
<v Speaker 1>Oh but before that, Harold needs to get into the

1:06:16.320 --> 1:06:17.960
<v Speaker 1>tomb and get back to the museum.

1:06:18.000 --> 1:06:20.640
<v Speaker 2>Also, did Cubat die? Is he dead? That guy dead?

1:06:20.720 --> 1:06:20.760
<v Speaker 6>No?

1:06:21.440 --> 1:06:25.760
<v Speaker 4>I mean it it was aggressive, but like I'm assuming

1:06:25.800 --> 1:06:28.120
<v Speaker 4>it was just like knocking him out, but like, never

1:06:28.280 --> 1:06:29.120
<v Speaker 4>do we see what.

1:06:29.080 --> 1:06:30.000
<v Speaker 3>Happens to him after.

1:06:30.480 --> 1:06:35.600
<v Speaker 2>It's never tied up. No, no, it's okay. Uh yeah

1:06:35.680 --> 1:06:39.520
<v Speaker 2>there the sequel, Yeah exactly. They're really a bit too confident,

1:06:39.560 --> 1:06:41.680
<v Speaker 2>considering he was just thrown once and already survived a

1:06:41.720 --> 1:06:45.000
<v Speaker 2>ceiling crash. So okay, he's it is what it is.

1:06:45.440 --> 1:06:47.240
<v Speaker 1>The kids throw everything into one of the ice cream

1:06:47.280 --> 1:06:49.520
<v Speaker 1>trucks and speed to the museum. Once in the exhibit,

1:06:49.560 --> 1:06:52.080
<v Speaker 1>Harold opens the queen's casket, and with his last breaths,

1:06:52.160 --> 1:06:54.480
<v Speaker 1>he removes his necklace and ignites the medallion on the

1:06:54.520 --> 1:06:58.000
<v Speaker 1>queen's neck. She opens her eyes and emerges from the sarcophagus.

1:06:58.320 --> 1:07:00.560
<v Speaker 1>They embrace, but Harold knows he must hurry back to

1:07:00.600 --> 1:07:03.600
<v Speaker 1>his coffin. They touch hands one last time, and Marshall

1:07:03.640 --> 1:07:06.800
<v Speaker 1>amy Gilbert. They all have teary goodbyes with their newfound friend.

1:07:07.240 --> 1:07:10.160
<v Speaker 1>With both mummies in place, Harold hands Marshall's necklace to keep.

1:07:10.440 --> 1:07:12.760
<v Speaker 1>In the end, these two built quite a beautiful relationship,

1:07:12.800 --> 1:07:13.840
<v Speaker 1>even though a bunch of kids.

1:07:13.720 --> 1:07:16.480
<v Speaker 2>Punched him, you know, over and over and over again.

1:07:17.440 --> 1:07:20.280
<v Speaker 1>Both the Queen and Harold lay down as Marshall closes

1:07:20.320 --> 1:07:22.800
<v Speaker 1>the coffin doors. The next morning, Marshall has decided to

1:07:22.800 --> 1:07:25.280
<v Speaker 1>throw away all his spooky Halloween stuff. He tells his

1:07:25.320 --> 1:07:27.760
<v Speaker 1>mom he's outgrown it. His mom gets serious and wants

1:07:27.800 --> 1:07:30.320
<v Speaker 1>to know if he's okay about ted. He again pretends

1:07:30.320 --> 1:07:33.240
<v Speaker 1>that everything's okay, but quickly changes his tune. He asks

1:07:33.280 --> 1:07:35.960
<v Speaker 1>her do you love him? She admits she does, and

1:07:36.000 --> 1:07:38.920
<v Speaker 1>so Marshall suggests that they get married. She can't let

1:07:39.000 --> 1:07:40.680
<v Speaker 1>him get in the way of true love. He looks

1:07:40.680 --> 1:07:43.320
<v Speaker 1>at Harold's necklace and admits a new friend has changed

1:07:43.360 --> 1:07:46.640
<v Speaker 1>his perspective. And then Gilbert arrives. Turns out Amy is

1:07:46.640 --> 1:07:48.600
<v Speaker 1>coming to the house to go see a movie, and

1:07:48.800 --> 1:07:51.600
<v Speaker 1>Marshall becomes very nervous about what he's wearing and how

1:07:51.640 --> 1:07:54.360
<v Speaker 1>his hair looks. And when she does finally arrive, she's

1:07:54.480 --> 1:07:57.160
<v Speaker 1>also decked out. But they cut through the tension by

1:07:57.280 --> 1:08:00.440
<v Speaker 1>insulting each other, just like old times, call each other

1:08:00.520 --> 1:08:03.760
<v Speaker 1>geeks and losers, and of course Gilbert is relieved. For

1:08:03.800 --> 1:08:05.800
<v Speaker 1>a minute he thought things were going to change. We

1:08:05.920 --> 1:08:08.440
<v Speaker 1>fade out as they make their way to see Warthead

1:08:08.840 --> 1:08:09.840
<v Speaker 1>one more time.

1:08:10.000 --> 1:08:12.520
<v Speaker 2>And that's our movie.

1:08:12.840 --> 1:08:23.360
<v Speaker 1>Yikes, let's do real reviews then we'll talk. I have

1:08:23.400 --> 1:08:27.040
<v Speaker 1>the one star review this week, and this is a

1:08:27.120 --> 1:08:28.840
<v Speaker 1>one star review from Truegara.

1:08:28.960 --> 1:08:32.559
<v Speaker 2>I hope I'm saying that right here we go. Parents beware.

1:08:32.640 --> 1:08:34.800
<v Speaker 1>I figured, quote, oh my god, this looks dumb and

1:08:34.800 --> 1:08:37.360
<v Speaker 1>boring unquote, but I was literally.

1:08:36.960 --> 1:08:38.880
<v Speaker 2>Shocked this was aimed at kids.

1:08:39.120 --> 1:08:41.040
<v Speaker 1>This movie has so much gore in it, like the

1:08:41.080 --> 1:08:43.719
<v Speaker 1>opening where a monster barges into a kitchen and murders

1:08:43.720 --> 1:08:45.560
<v Speaker 1>a man by pushing his head on the blade of

1:08:45.560 --> 1:08:47.679
<v Speaker 1>a knife with enough pressure to kill him in front

1:08:47.680 --> 1:08:50.240
<v Speaker 1>of his wife's son and daughter. Have your kids watch

1:08:50.280 --> 1:08:52.200
<v Speaker 1>this and they'll come running to you at night saying

1:08:52.240 --> 1:08:53.080
<v Speaker 1>they had nightmares.

1:08:53.120 --> 1:08:56.000
<v Speaker 2>By the way, I'm not a Karen. I'm telling the truth.

1:08:56.040 --> 1:08:58.360
<v Speaker 1>If your kids can handle that content, feel free to

1:08:58.400 --> 1:08:59.160
<v Speaker 1>let them watch this.

1:08:59.320 --> 1:09:02.719
<v Speaker 2>Wow. That is a long, long one star Karen. Thank

1:09:02.760 --> 1:09:09.200
<v Speaker 2>you very much. Yeah, Sabrina, you got the five star.

1:09:09.240 --> 1:09:10.000
<v Speaker 3>What do you do?

1:09:10.160 --> 1:09:13.519
<v Speaker 4>I've got it a five star from Joel h I

1:09:13.560 --> 1:09:16.439
<v Speaker 4>thought I hate it under wraps, but as it turns out,

1:09:16.520 --> 1:09:19.000
<v Speaker 4>I was thinking of a completely different D com My

1:09:19.160 --> 1:09:20.240
<v Speaker 4>mistake under wraps?

1:09:20.280 --> 1:09:20.960
<v Speaker 3>Isn't that bad?

1:09:22.240 --> 1:09:22.679
<v Speaker 2>Okay?

1:09:22.840 --> 1:09:23.320
<v Speaker 3>Five star?

1:09:23.400 --> 1:09:24.320
<v Speaker 2>Five stars?

1:09:24.640 --> 1:09:25.160
<v Speaker 3>All right?

1:09:25.280 --> 1:09:28.560
<v Speaker 1>And uh now we're going to get to our Sabrina's

1:09:28.640 --> 1:09:30.880
<v Speaker 1>favorite portion, of course of the program, and that is

1:09:30.960 --> 1:09:34.320
<v Speaker 1>our weekly feature to celebrate our start of spooky season

1:09:34.320 --> 1:09:36.519
<v Speaker 1>and the closest we'll get to a true horror d com.

1:09:36.600 --> 1:09:39.440
<v Speaker 2>We're celebrating some of the scariest movies ever made.

1:09:39.520 --> 1:09:42.200
<v Speaker 1>We'll be given the name and year of a horror movie,

1:09:42.200 --> 1:09:44.680
<v Speaker 1>and we must guess what number one through ten it

1:09:44.720 --> 1:09:47.400
<v Speaker 1>was given on the list of top ten scariest horror

1:09:47.439 --> 1:09:50.519
<v Speaker 1>movies of all time according to our friends at Rotten Tomatoes.

1:09:50.760 --> 1:09:52.639
<v Speaker 2>If we can nail three out of five, we win.

1:09:52.800 --> 1:09:55.080
<v Speaker 2>Oh that's gonna be really tough. Okay.

1:09:55.560 --> 1:09:58.680
<v Speaker 1>So first up, by the way, is producer Jensen here.

1:09:58.720 --> 1:10:02.040
<v Speaker 1>I heard he might not be not okay? So who's

1:10:02.080 --> 1:10:03.639
<v Speaker 1>with us today? Is the producer Lisa?

1:10:03.720 --> 1:10:05.080
<v Speaker 3>Who do we have Mikaela?

1:10:05.600 --> 1:10:11.000
<v Speaker 2>We got Michaela. Mikaela with us, all right, So producer Michaela,

1:10:11.040 --> 1:10:14.479
<v Speaker 2>here we go. First up? What number one through ten

1:10:14.720 --> 1:10:19.720
<v Speaker 2>one being scariest is The Exorcist nineteen seventy three.

1:10:21.439 --> 1:10:27.000
<v Speaker 4>Oh okay, I mean I would think it was like

1:10:27.240 --> 1:10:28.760
<v Speaker 4>nine at least.

1:10:29.000 --> 1:10:32.320
<v Speaker 1>Oh waiting, so that means not scary because one is

1:10:32.360 --> 1:10:32.959
<v Speaker 1>the scariest.

1:10:33.040 --> 1:10:35.479
<v Speaker 3>Oh no, then I would say like at least two.

1:10:36.000 --> 1:10:37.599
<v Speaker 1>I see, I'm gonna agree with you. I was going

1:10:37.640 --> 1:10:40.040
<v Speaker 1>to say one or two. I'm gonna say two with you.

1:10:40.280 --> 1:10:40.920
<v Speaker 3>Let's do two.

1:10:41.560 --> 1:10:42.559
<v Speaker 7>It's number one.

1:10:43.080 --> 1:10:45.040
<v Speaker 2>It is one, Okay, I can see that.

1:10:45.320 --> 1:10:50.080
<v Speaker 1>I can totally see that. Yeah, okay. Second Halloween nineteen

1:10:50.160 --> 1:10:57.639
<v Speaker 1>seventy eight. Oh two, I'm gonna say four.

1:10:58.240 --> 1:11:00.439
<v Speaker 3>That's four.

1:11:00.720 --> 1:11:01.840
<v Speaker 2>I've never seen these movies.

1:11:02.400 --> 1:11:03.599
<v Speaker 3>You've never seen Halloween.

1:11:03.720 --> 1:11:06.400
<v Speaker 2>I have not, of course not. I don't like movies this, Okay.

1:11:08.000 --> 1:11:09.080
<v Speaker 3>I would say it would be two.

1:11:10.320 --> 1:11:11.080
<v Speaker 7>Number seven?

1:11:11.640 --> 1:11:14.719
<v Speaker 3>Oh wow, okay, Oh my gosh. No.

1:11:15.040 --> 1:11:16.640
<v Speaker 1>You know my problem with these movies is I have

1:11:16.680 --> 1:11:19.960
<v Speaker 1>a photographic memory, so I can't unsee things. So when

1:11:19.960 --> 1:11:22.320
<v Speaker 1>I see something gory or disgusting, when I shut my eyes,

1:11:22.320 --> 1:11:23.200
<v Speaker 1>I can't not see it.

1:11:23.320 --> 1:11:24.639
<v Speaker 2>So I can't watch this stuff.

1:11:24.800 --> 1:11:26.880
<v Speaker 3>Yeah, it's part of the fun, but it's also like.

1:11:26.880 --> 1:11:29.719
<v Speaker 2>Not yeah, no, I can't do it. Third, the shinin.

1:11:30.600 --> 1:11:32.879
<v Speaker 2>I'm kidding. It's the shining. That's for all my Simpsons

1:11:32.920 --> 1:11:35.160
<v Speaker 2>fans out there, it's the Shinin. Do you want to

1:11:35.200 --> 1:11:37.559
<v Speaker 2>be sued? Yeah? So the Shining, What.

1:11:37.520 --> 1:11:39.280
<v Speaker 3>Do you think I'm gonna go with number three?

1:11:40.000 --> 1:11:42.120
<v Speaker 1>Shining was a freaky movie. I'm gonna I'm gonna try

1:11:42.240 --> 1:11:43.000
<v Speaker 1>number four again.

1:11:43.560 --> 1:11:45.080
<v Speaker 7>You're right, Well it's number four.

1:11:45.240 --> 1:11:48.760
<v Speaker 2>Oh I got one right? Okay? And now fourth, The

1:11:48.920 --> 1:11:51.080
<v Speaker 2>Conjuring twenty thirteen.

1:11:51.160 --> 1:11:52.280
<v Speaker 3>I don't even know anything.

1:11:52.400 --> 1:11:53.920
<v Speaker 2>This is a freaky movie, though, isn't it.

1:11:54.680 --> 1:11:56.760
<v Speaker 3>I don't know. I've never seen it, never even heard

1:11:56.760 --> 1:11:57.080
<v Speaker 3>of this one.

1:11:57.160 --> 1:11:58.439
<v Speaker 7>Yes, it's what the Annabel doll.

1:11:59.120 --> 1:12:04.040
<v Speaker 2>Oh okay, I'm going to say this is number five?

1:12:04.400 --> 1:12:07.120
<v Speaker 7>Five? Yeah, five, number three.

1:12:07.760 --> 1:12:08.960
<v Speaker 2>It is number three.

1:12:09.800 --> 1:12:13.040
<v Speaker 1>And finally, so we can't win, we've already lost, thank you,

1:12:13.320 --> 1:12:14.160
<v Speaker 1>producer Jensen.

1:12:14.439 --> 1:12:18.040
<v Speaker 2>Finally, The Ring number two, I'm going to say this

1:12:18.080 --> 1:12:20.280
<v Speaker 2>is number two movie.

1:12:20.840 --> 1:12:24.719
<v Speaker 4>Talk about a visual number six, it's number six.

1:12:25.160 --> 1:12:27.360
<v Speaker 3>Way do you have?

1:12:27.439 --> 1:12:28.960
<v Speaker 2>Do you have the whole list in front of you?

1:12:29.400 --> 1:12:29.760
<v Speaker 5>I do?

1:12:30.160 --> 1:12:30.400
<v Speaker 3>Yeah?

1:12:30.479 --> 1:12:32.040
<v Speaker 2>So can you read them? Yeah?

1:12:32.240 --> 1:12:33.599
<v Speaker 3>Exorsist was number one?

1:12:33.800 --> 1:12:34.639
<v Speaker 2>One is Exorcist?

1:12:34.960 --> 1:12:37.520
<v Speaker 7>Yes, number Hereditary?

1:12:38.360 --> 1:12:42.280
<v Speaker 5>Okay, number three, Conjuring number four, The Shining, number five,

1:12:42.400 --> 1:12:44.360
<v Speaker 5>Texas Chainsaw Massacre.

1:12:44.200 --> 1:12:46.000
<v Speaker 2>Oh my god, yeah, holy Cow?

1:12:46.439 --> 1:12:50.599
<v Speaker 5>Number six, The Ring, Halloween number seven, number eight, sinister,

1:12:51.320 --> 1:12:54.280
<v Speaker 5>number nine insidious and number ten.

1:12:54.320 --> 1:12:56.479
<v Speaker 2>It wait a second, wait a second?

1:12:57.560 --> 1:12:58.120
<v Speaker 3>At all?

1:12:58.200 --> 1:12:58.639
<v Speaker 2>Get that?

1:12:58.760 --> 1:13:01.160
<v Speaker 1>How is the first Night Marion elm Street not on

1:13:01.200 --> 1:13:03.720
<v Speaker 1>that list? How is the first time we see it?

1:13:03.800 --> 1:13:05.320
<v Speaker 1>Freddy Krueger not in the top ten?

1:13:05.479 --> 1:13:06.839
<v Speaker 3>Is it Freddy Krueger? Halloween?

1:13:06.880 --> 1:13:09.479
<v Speaker 2>And Michael Halloween? Is Michael Myers? Halloween? Is Michael?

1:13:09.560 --> 1:13:10.680
<v Speaker 3>Oh?

1:13:10.720 --> 1:13:13.080
<v Speaker 1>How that first Night Marrin elm Street, which I have

1:13:13.200 --> 1:13:16.280
<v Speaker 1>seen part of, and how that is not in the

1:13:16.280 --> 1:13:17.640
<v Speaker 1>top ten is crazy to me?

1:13:18.000 --> 1:13:21.439
<v Speaker 4>The Saw movie, the franchise of Saw did make it

1:13:21.479 --> 1:13:22.360
<v Speaker 4>in the top ten at all?

1:13:22.520 --> 1:13:23.839
<v Speaker 3>Yes, not list insane.

1:13:24.040 --> 1:13:26.840
<v Speaker 2>I don't believe this list. I believe producer Jensen is wrong.

1:13:26.840 --> 1:13:29.320
<v Speaker 2>And thank you MICHAELA.

1:13:30.320 --> 1:13:31.920
<v Speaker 7>This is also from Rotten Tomatoes.

1:13:31.960 --> 1:13:34.160
<v Speaker 2>So I don't buy that. I don't buy all those

1:13:34.200 --> 1:13:36.559
<v Speaker 2>tomato people. I don't buy it. Can we do some

1:13:36.600 --> 1:13:37.320
<v Speaker 2>Sabrina seas?

1:13:41.479 --> 1:13:41.839
<v Speaker 3>Okay?

1:13:42.160 --> 1:13:45.439
<v Speaker 4>To be honest, I really didn't have a ton of

1:13:45.520 --> 1:13:50.280
<v Speaker 4>scene happening movie. That's no problem, especially that we haven't

1:13:50.439 --> 1:13:56.559
<v Speaker 4>haven't covered I again, cal idiot. The wordings that were

1:13:56.960 --> 1:13:59.960
<v Speaker 4>the insults that were being said by these children really

1:14:00.120 --> 1:14:04.280
<v Speaker 4>were just like whoa. We just never ever get that

1:14:04.360 --> 1:14:07.200
<v Speaker 4>into movies. And I'm grateful for it because it just

1:14:07.600 --> 1:14:11.000
<v Speaker 4>caused for a very not great feeling. As I was

1:14:11.040 --> 1:14:15.000
<v Speaker 4>watching these, I put on divorce. Okay, I had a

1:14:15.080 --> 1:14:18.000
<v Speaker 4>question for you. Did you realize? And we talked a

1:14:18.040 --> 1:14:19.400
<v Speaker 4>little bit about it. I mean we said it in

1:14:19.439 --> 1:14:22.320
<v Speaker 4>the script, but like you, did we realize that Marshall

1:14:22.400 --> 1:14:25.160
<v Speaker 4>was going to be the main character. I thought Gilbert

1:14:25.240 --> 1:14:27.080
<v Speaker 4>was going to be the main character. I did too,

1:14:27.400 --> 1:14:29.559
<v Speaker 4>And then all of a sudden I was like, oh, okay,

1:14:29.600 --> 1:14:31.760
<v Speaker 4>I guess we're following Marshall a little bit closer than

1:14:31.880 --> 1:14:32.559
<v Speaker 4>than Gilbert.

1:14:32.920 --> 1:14:33.599
<v Speaker 2>I did too.

1:14:33.760 --> 1:14:36.559
<v Speaker 4>Yeah, that was strange to me, just the way that

1:14:36.600 --> 1:14:40.519
<v Speaker 4>the beginning of the movie is set up. And then

1:14:40.560 --> 1:14:42.720
<v Speaker 4>one other thing, the little bit of a supress. Did

1:14:42.720 --> 1:14:44.200
<v Speaker 4>you see the name of the dog that was on

1:14:44.280 --> 1:14:45.000
<v Speaker 4>his doghouse?

1:14:46.200 --> 1:14:48.679
<v Speaker 2>Oh? Wait, what was it? I did? What was it again? Fang?

1:14:50.120 --> 1:14:54.360
<v Speaker 4>Right? Yeah, sang such a weird especially for a little

1:14:54.360 --> 1:14:57.160
<v Speaker 4>dog like that to be called Fang. And then it

1:14:57.240 --> 1:14:59.320
<v Speaker 4>kind of made sense because he had such a tight

1:14:59.360 --> 1:15:02.160
<v Speaker 4>grip on the he's hand, but it was funny just

1:15:02.160 --> 1:15:04.760
<v Speaker 4>to Fang and it's like so big and so like,

1:15:04.920 --> 1:15:09.800
<v Speaker 4>this dog's name is Fang, Like, yeah, I love that.

1:15:10.080 --> 1:15:15.320
<v Speaker 4>My next question was, now Leonard can't read. What's wrong

1:15:15.360 --> 1:15:17.880
<v Speaker 4>with Leonard? Why can't he read when he's clearly like

1:15:18.560 --> 1:15:19.680
<v Speaker 4>six or seven.

1:15:19.800 --> 1:15:23.160
<v Speaker 1>Because Leonard's got a whole another set of problems going

1:15:23.200 --> 1:15:25.840
<v Speaker 1>out with Leonard Leonard Leonard, Leonard's got a tough life

1:15:25.880 --> 1:15:26.360
<v Speaker 1>ahead him.

1:15:26.439 --> 1:15:29.000
<v Speaker 4>He can't read, but he can be unsupervised in front

1:15:29.000 --> 1:15:29.400
<v Speaker 4>of the house.

1:15:29.720 --> 1:15:30.120
<v Speaker 3>Probably.

1:15:30.240 --> 1:15:32.599
<v Speaker 2>Yeah, Leonard was like one of those street kids from

1:15:32.640 --> 1:15:34.439
<v Speaker 2>the fifties, like I'm gonna punch in the musk. She

1:15:34.720 --> 1:15:36.800
<v Speaker 2>like one of those kids who like, all of a sudden.

1:15:36.600 --> 1:15:38.080
<v Speaker 3>Yeah, and then we go.

1:15:38.400 --> 1:15:41.720
<v Speaker 4>We went through the whole the weird party. I had

1:15:41.760 --> 1:15:43.519
<v Speaker 4>so many I means like I just am.

1:15:43.400 --> 1:15:47.439
<v Speaker 2>Like Sabrina doesn't want to see that part again.

1:15:47.439 --> 1:15:50.519
<v Speaker 4>I'm like, just like make it stop basically, and then again.

1:15:51.479 --> 1:15:54.400
<v Speaker 4>So Kubot's dead or not, I'm not sure. That was

1:15:54.439 --> 1:15:56.960
<v Speaker 4>definitely not a thing that he could be dead, but

1:15:57.000 --> 1:15:59.639
<v Speaker 4>they seem like as if he is, he doesn't get arrested.

1:15:59.720 --> 1:16:02.240
<v Speaker 4>He there is zero It is an open door for

1:16:02.360 --> 1:16:04.760
<v Speaker 4>a sequel in the sense of like what happened to

1:16:04.800 --> 1:16:08.000
<v Speaker 4>mister kubab Yeah, Yeah, that's it, that's all I got.

1:16:08.120 --> 1:16:10.320
<v Speaker 2>Those are good. Those are good now we come to

1:16:10.400 --> 1:16:12.960
<v Speaker 2>the portion of the program that I've been dreading this

1:16:13.120 --> 1:16:17.599
<v Speaker 2>entire time, which is rating our film. Let's do one

1:16:17.640 --> 1:16:18.000
<v Speaker 2>out of ten.

1:16:18.000 --> 1:16:19.439
<v Speaker 1>I'm not even make a joke about it. Let's do

1:16:19.439 --> 1:16:21.920
<v Speaker 1>one out of ten. Uh, it's either going to be

1:16:22.120 --> 1:16:26.120
<v Speaker 1>one out of ten. Mild scares and spooky atmospheres one

1:16:26.120 --> 1:16:34.520
<v Speaker 1>at a ten, cow sisters, long mummy peas, redheaded todd cameos,

1:16:36.360 --> 1:16:38.559
<v Speaker 1>one out of ten, uncles that look like monsters, one

1:16:38.600 --> 1:16:41.679
<v Speaker 1>out of ten, coushballs one out of ten, stylish hot

1:16:41.760 --> 1:16:46.719
<v Speaker 1>ladies at ten, child criminals, one out of ten, gothic

1:16:46.800 --> 1:16:50.000
<v Speaker 1>kool aid man's or I'm gonna add one out of

1:16:50.080 --> 1:16:54.880
<v Speaker 1>ten forty five year old divorcee characters played by eleven

1:16:54.960 --> 1:16:56.960
<v Speaker 1>year old girls. I know it's long and worded, but

1:16:57.000 --> 1:17:03.679
<v Speaker 1>it's got to be in there somewhere. One year old

1:17:03.680 --> 1:17:06.440
<v Speaker 1>divorce a characters played by eleven year old girls.

1:17:06.840 --> 1:17:08.200
<v Speaker 3>Okay, that's a lot.

1:17:08.280 --> 1:17:11.320
<v Speaker 4>That's aboutful, but we gotta go okay because the Amy

1:17:11.439 --> 1:17:13.040
<v Speaker 4>character was bonkers.

1:17:13.080 --> 1:17:13.719
<v Speaker 3>It's bucks.

1:17:13.960 --> 1:17:15.519
<v Speaker 2>I don't know what do we rate you. I think

1:17:15.560 --> 1:17:16.599
<v Speaker 2>you rate first this week.

1:17:16.840 --> 1:17:21.680
<v Speaker 4>I'm gonna here's the thing. As a regular movie. If

1:17:21.680 --> 1:17:24.960
<v Speaker 4>this was on even Nickelodeon. It would have been so

1:17:25.080 --> 1:17:30.320
<v Speaker 4>much more branded correctly than the Disney Channel movies in

1:17:30.360 --> 1:17:34.519
<v Speaker 4>that saying like, I didn't actually hate the movie. I

1:17:34.600 --> 1:17:37.600
<v Speaker 4>hated it for a d coom. That's what I just

1:17:37.640 --> 1:17:39.880
<v Speaker 4>could not get over the fact that this was a DCOM,

1:17:40.000 --> 1:17:43.200
<v Speaker 4>not just the DCOM, the first d COM like which

1:17:43.200 --> 1:17:45.680
<v Speaker 4>should be in its own like Little Pedestal.

1:17:45.640 --> 1:17:48.240
<v Speaker 3>And I hated it for that. But he didn't actually

1:17:48.320 --> 1:17:49.160
<v Speaker 3>hate the movie.

1:17:49.320 --> 1:17:52.000
<v Speaker 4>It actually was kind of funny, and the kids were

1:17:52.080 --> 1:17:55.559
<v Speaker 4>like just so rambunctious, and it was so odd that

1:17:55.640 --> 1:17:56.440
<v Speaker 4>I didn't.

1:17:56.160 --> 1:17:57.480
<v Speaker 3>Hate it, which is weird.

1:17:58.240 --> 1:18:01.160
<v Speaker 4>But even though I'm I have to rate it as

1:18:01.240 --> 1:18:03.200
<v Speaker 4>a d COM.

1:18:02.840 --> 1:18:05.920
<v Speaker 3>And I'm giving it a five, I'm giving it a five.

1:18:06.320 --> 1:18:14.240
<v Speaker 3>Forty five year old divorce characters played by an eleven

1:18:14.320 --> 1:18:17.360
<v Speaker 3>year old. It's a solid five for me.

1:18:17.520 --> 1:18:19.840
<v Speaker 4>It's not going up, but again, I didn't hate it

1:18:19.840 --> 1:18:22.360
<v Speaker 4>that much to let it go down, but it is

1:18:22.400 --> 1:18:23.120
<v Speaker 4>a five for me.

1:18:23.439 --> 1:18:27.760
<v Speaker 1>Okay, I could not agree with you more. This is

1:18:28.120 --> 1:18:30.800
<v Speaker 1>you said exactly what I was going to say. If

1:18:30.840 --> 1:18:34.160
<v Speaker 1>this was like this, I might be dating myself here.

1:18:34.200 --> 1:18:35.800
<v Speaker 1>You might not know this movie. But if this was

1:18:35.880 --> 1:18:39.040
<v Speaker 1>like The Monster Squad or one of the movies where

1:18:39.120 --> 1:18:43.639
<v Speaker 1>it starred kids, but was it wasn't a Disney movie.

1:18:43.640 --> 1:18:46.920
<v Speaker 1>It was just a kid's kind of movie but was

1:18:46.960 --> 1:18:49.160
<v Speaker 1>in the theaters that kind of thing. Then not a

1:18:49.160 --> 1:18:53.080
<v Speaker 1>bad movie, not a bad movie at all, if that's

1:18:53.120 --> 1:18:54.080
<v Speaker 1>what you're talking about.

1:18:54.120 --> 1:18:58.599
<v Speaker 2>The dialogue's witty and funny. She's a that crazy character.

1:18:59.200 --> 1:19:01.519
<v Speaker 2>It's I mean, it's it's amazing.

1:19:01.600 --> 1:19:06.120
<v Speaker 4>It's suited in the nineties for that kind of character too, Like, yeah, truly, seriously.

1:19:06.160 --> 1:19:09.559
<v Speaker 1>I mean if this was just, hey, we're reviewing a

1:19:09.600 --> 1:19:11.479
<v Speaker 1>movie and this is a weird movie that came out,

1:19:11.560 --> 1:19:13.040
<v Speaker 1>this would be a seven or eight for me easily,

1:19:13.080 --> 1:19:14.759
<v Speaker 1>because it's not a bad movie.

1:19:14.880 --> 1:19:15.920
<v Speaker 2>The kids are pretty good.

1:19:16.040 --> 1:19:20.840
<v Speaker 1>Again, the dialogue is weird, it's but as a d com,

1:19:21.320 --> 1:19:23.920
<v Speaker 1>what the hell it's and the for you're right, the

1:19:23.960 --> 1:19:25.439
<v Speaker 1>first dcom this is supposed to be.

1:19:25.479 --> 1:19:27.800
<v Speaker 2>The one where it's like, oh, this is this is Genesis?

1:19:28.240 --> 1:19:30.400
<v Speaker 1>Yeah, and it just it was more like the band

1:19:30.439 --> 1:19:32.960
<v Speaker 1>Genesis because it was like, what is going on? By

1:19:32.960 --> 1:19:34.439
<v Speaker 1>the way, all my Genesis fans out of there.

1:19:34.479 --> 1:19:35.840
<v Speaker 2>Some of their albums were okay.

1:19:35.920 --> 1:19:39.040
<v Speaker 1>But much like a Genesis album, this could be ander

1:19:39.520 --> 1:19:44.280
<v Speaker 1>So I didn't understand a lot of this being a dcom.

1:19:44.000 --> 1:19:46.439
<v Speaker 3>S Yeah, okay, go ahead.

1:19:45.960 --> 1:19:47.639
<v Speaker 2>No, I'm gonna say, I'm right with you. I'm I'm

1:19:47.680 --> 1:19:48.960
<v Speaker 2>gonna give it exactly that you did.

1:19:48.960 --> 1:19:51.439
<v Speaker 1>I'm gonna give it a five forty five year old

1:19:51.479 --> 1:19:54.599
<v Speaker 1>divorce a characters being played by eleven year old actors

1:19:55.040 --> 1:19:59.040
<v Speaker 1>because again, as a movie, not bad as a dcom

1:19:59.640 --> 1:20:00.840
<v Speaker 1>not and.

1:20:00.800 --> 1:20:04.640
<v Speaker 4>And and to be fair too, I was not expecting

1:20:04.720 --> 1:20:08.760
<v Speaker 4>this very first d com right that this is unknown land, right.

1:20:09.479 --> 1:20:11.120
<v Speaker 3>I wasn't expecting it to be.

1:20:12.560 --> 1:20:15.360
<v Speaker 4>Right on the mark, right on where we found ourselves

1:20:15.360 --> 1:20:18.519
<v Speaker 4>eventually a couple of years later of what what the

1:20:18.640 --> 1:20:19.320
<v Speaker 4>channel found.

1:20:20.880 --> 1:20:23.559
<v Speaker 3>Literally, I wasn't expecting it to be right on the mark.

1:20:23.600 --> 1:20:26.200
<v Speaker 4>I was expecting it to be a little okay, we're

1:20:26.200 --> 1:20:29.920
<v Speaker 4>finding ourselves some growing page.

1:20:30.320 --> 1:20:31.040
<v Speaker 3>But not this.

1:20:31.439 --> 1:20:32.840
<v Speaker 2>This I was not expecting.

1:20:33.320 --> 1:20:36.040
<v Speaker 1>I thought, frankly, it was going to go the opposite

1:20:36.040 --> 1:20:39.560
<v Speaker 1>direction as a d com and be way too sappy,

1:20:40.080 --> 1:20:46.720
<v Speaker 1>overly childish, not childlike, but childish, and you know, overly sappy, very.

1:20:46.520 --> 1:20:50.679
<v Speaker 2>Big, very big. Yeah, the music and the eight actors

1:20:50.720 --> 1:20:52.960
<v Speaker 2>weren't going to be that good and and.

1:20:52.880 --> 1:21:00.879
<v Speaker 9>Man it was not that, but it wasn't a funny

1:21:00.920 --> 1:21:03.760
<v Speaker 9>watch and to be honest, doing the recap with you

1:21:03.840 --> 1:21:05.040
<v Speaker 9>has even made it better for.

1:21:06.000 --> 1:21:08.639
<v Speaker 2>Watch it, go and watch it. It is. It is,

1:21:08.840 --> 1:21:10.840
<v Speaker 2>it's crazy, it is banana strings.

1:21:12.000 --> 1:21:14.240
<v Speaker 4>Especially if you like d COM's it's just you're just

1:21:14.280 --> 1:21:15.200
<v Speaker 4>going to be blown away.

1:21:15.280 --> 1:21:17.000
<v Speaker 3>You gotta watch it because.

1:21:17.400 --> 1:21:19.960
<v Speaker 1>It's just the second the eleven year old girl turns

1:21:20.000 --> 1:21:21.320
<v Speaker 1>and goes, I sleep in the nude.

1:21:21.320 --> 1:21:23.519
<v Speaker 2>I was like, I'm out, and there we go. Thank

1:21:23.560 --> 1:21:25.040
<v Speaker 2>you ladies and gentlemen, I'll be one.

1:21:26.640 --> 1:21:29.000
<v Speaker 4>And then and then just t minutes later, we find

1:21:29.040 --> 1:21:30.320
<v Speaker 4>ourselves and a swingers party.

1:21:32.520 --> 1:21:36.160
<v Speaker 3>Who's who was the president channel? Like, who was the

1:21:36.200 --> 1:21:37.519
<v Speaker 3>president of the channel at this time?

1:21:37.560 --> 1:21:42.800
<v Speaker 1>Because I've got well, Garrett, it was, yeah, we gotta

1:21:42.840 --> 1:21:43.599
<v Speaker 1>we gotta find out.

1:21:43.479 --> 1:21:43.880
<v Speaker 2>About this one.

1:21:43.920 --> 1:21:46.639
<v Speaker 1>We've got to deep dive this one because crazy. But well,

1:21:46.800 --> 1:21:49.200
<v Speaker 1>thank you everybody so much for joining us. Our next

1:21:49.200 --> 1:21:51.439
<v Speaker 1>movie that we're going to be doing is very much

1:21:51.479 --> 1:21:53.719
<v Speaker 1>on brand. So we are back on the tracks people.

1:21:54.520 --> 1:21:58.479
<v Speaker 2>Our next movie is keeping us terrified with Halloween around

1:21:58.479 --> 1:22:00.800
<v Speaker 2>the corner. We'll be watching a sequel. That's right, it's

1:22:00.920 --> 1:22:01.760
<v Speaker 2>Twitches too.

1:22:02.600 --> 1:22:06.280
<v Speaker 1>It's too as in Twitches also the second movie starring

1:22:06.320 --> 1:22:08.840
<v Speaker 1>Tia and Tamara Mooriy from two thousand and seven is

1:22:08.840 --> 1:22:11.040
<v Speaker 1>available now to watch via Disney Plus. We are back

1:22:11.040 --> 1:22:13.679
<v Speaker 1>on the Plus people, so watch it before our episode

1:22:13.720 --> 1:22:16.360
<v Speaker 1>and you'll be way ahead of the game. But before

1:22:16.400 --> 1:22:18.479
<v Speaker 1>we take off the bandages entirely, we're gonna stay in

1:22:18.560 --> 1:22:19.280
<v Speaker 1>this universe, this.

1:22:20.160 --> 1:22:22.679
<v Speaker 2>Crazy, crazy bananas universe for under Wraps.

1:22:22.880 --> 1:22:25.639
<v Speaker 1>Because we spoke with Adam Wiley. I've known him for many,

1:22:25.640 --> 1:22:28.439
<v Speaker 1>many years. He played Young Gilbert, and he gave us

1:22:28.439 --> 1:22:30.400
<v Speaker 1>the low down on what the legacy of under Wraps

1:22:30.520 --> 1:22:31.080
<v Speaker 1>is all about.

1:22:31.400 --> 1:22:34.160
<v Speaker 2>Listen here for a sneak bee.

1:22:34.240 --> 1:22:36.840
<v Speaker 1>Bill FAGERBACKI was actually like there was times he was

1:22:36.880 --> 1:22:38.280
<v Speaker 1>close to passing out on set.

1:22:38.320 --> 1:22:38.760
<v Speaker 3>Is this true?

1:22:39.240 --> 1:22:42.040
<v Speaker 6>A thousand percent? He had fans all over him. He

1:22:42.080 --> 1:22:44.519
<v Speaker 6>had to sit because he couldn't get out. Once he

1:22:44.640 --> 1:22:47.240
<v Speaker 6>was out, it was like even just to use the

1:22:47.280 --> 1:22:50.880
<v Speaker 6>restroom was a nightmare. So he would just sit there

1:22:51.080 --> 1:22:55.480
<v Speaker 6>like this. And back then we didn't have this technology,

1:22:55.479 --> 1:22:58.120
<v Speaker 6>so it's noting it could be like we're just gonna

1:22:58.120 --> 1:23:01.200
<v Speaker 6>green screen out his mouth or whatever you do. They

1:23:01.200 --> 1:23:05.240
<v Speaker 6>had to take this carcole kind of like makeup and

1:23:05.280 --> 1:23:07.280
<v Speaker 6>like spread it all over. He had to wash his

1:23:07.320 --> 1:23:09.240
<v Speaker 6>mouth with it so that everything was black.

1:23:11.240 --> 1:23:12.040
<v Speaker 2>Love that guy.

1:23:12.520 --> 1:23:14.840
<v Speaker 3>I'm so excited we got to meet him.

1:23:14.880 --> 1:23:20.679
<v Speaker 4>He is talk about nostalgia of the nineties so amazing.

1:23:20.800 --> 1:23:23.800
<v Speaker 2>By the way, because this movie was so crazy pants,

1:23:24.000 --> 1:23:26.160
<v Speaker 2>we did not talk nearly enough about how good he

1:23:26.240 --> 1:23:28.799
<v Speaker 2>was in this movie, because he was great in this movie.

1:23:28.840 --> 1:23:30.880
<v Speaker 2>He was great in this movie by far, the best

1:23:30.880 --> 1:23:32.000
<v Speaker 2>of the three of them, I thought.

1:23:32.439 --> 1:23:35.519
<v Speaker 1>And then Amy with the character she was playing the

1:23:35.520 --> 1:23:37.880
<v Speaker 1>old like I gotta I've got a shift.

1:23:37.600 --> 1:23:41.120
<v Speaker 3>In the character was kind of he was fine, fine, the.

1:23:41.160 --> 1:23:45.320
<v Speaker 1>Other too, But but Adam was was absolutely great, great

1:23:45.320 --> 1:23:46.680
<v Speaker 1>in this movie. He really and we did not talk

1:23:46.680 --> 1:23:48.760
<v Speaker 1>about that enough because we were so distracted by all

1:23:48.760 --> 1:23:50.919
<v Speaker 1>the other lights and sounds going on in the movie.

1:23:51.640 --> 1:23:53.360
<v Speaker 2>Yes, but we love him.

1:23:53.439 --> 1:23:55.240
<v Speaker 1>So you can hear everything he has to say about

1:23:55.280 --> 1:23:57.719
<v Speaker 1>under Wraps and so much more. Search for Magical Rewind

1:23:57.720 --> 1:24:00.200
<v Speaker 1>wherever you get your podcast and subscribe to our dedicated

1:24:00.240 --> 1:24:03.519
<v Speaker 1>feed and for more info. You can always follow us

1:24:03.720 --> 1:24:05.360
<v Speaker 1>a Magical Rewind.

1:24:05.000 --> 1:24:09.360
<v Speaker 2>Pod on the Instagram Machine. Bye everybody, Bye, By sleep

1:24:09.360 --> 1:24:20.760
<v Speaker 2>in the Nudes