1
00:00:14,880 --> 00:00:19,360
Speaker 1: Hi, Sabrina hay Will So I just got well as

2
00:00:19,400 --> 00:00:22,119
Speaker 1: you got as the world got. Get ready everybody, because

3
00:00:22,120 --> 00:00:25,840
Speaker 1: I guess it's official. Camp Rock three is filming and

4
00:00:25,880 --> 00:00:29,600
Speaker 1: our producers are already going crazy about the grainy pictures

5
00:00:29,600 --> 00:00:30,080
Speaker 1: coming out.

6
00:00:30,120 --> 00:00:33,360
Speaker 2: Who's going to be in it, what's going to happen? Unbelievable.

7
00:00:33,400 --> 00:00:35,400
Speaker 3: I'm here for it. I want you to know. It's

8
00:00:35,479 --> 00:00:38,480
Speaker 3: like a hell yeah for me, Hell yeah.

9
00:00:38,520 --> 00:00:38,680
Speaker 2: Well.

10
00:00:38,720 --> 00:00:40,520
Speaker 1: You know the thing that I read about this, which

11
00:00:40,560 --> 00:00:42,520
Speaker 1: is which is interesting, is there was there's a uh

12
00:00:42,600 --> 00:00:45,640
Speaker 1: something that was leaked from Disney by accident that said

13
00:00:45,680 --> 00:00:49,040
Speaker 1: Camp Rock three. It's actually it's a combination of you know,

14
00:00:49,159 --> 00:00:50,720
Speaker 1: music and dance the way they have it, but also

15
00:00:50,880 --> 00:00:52,640
Speaker 1: hunger games where they all.

16
00:00:52,560 --> 00:00:53,400
Speaker 2: Kill each other off.

17
00:00:53,440 --> 00:00:54,440
Speaker 3: They're getting killed off.

18
00:00:54,600 --> 00:00:58,240
Speaker 1: Only one Jonas lives. That's all that camp Camp Rock three.

19
00:00:58,320 --> 00:00:59,920
Speaker 1: One Jonas makes it. That's what it's called.

20
00:01:00,520 --> 00:01:03,880
Speaker 2: Will I didn't do this. This is Disney.

21
00:01:04,040 --> 00:01:09,039
Speaker 4: I'm with the millions and millions of magical rewind that.

22
00:01:09,319 --> 00:01:12,080
Speaker 2: People that can't wait to see. I love that. You

23
00:01:12,080 --> 00:01:13,440
Speaker 2: think we have millions and millions of.

24
00:01:14,640 --> 00:01:17,520
Speaker 4: But I am with them going they better not kill

25
00:01:17,600 --> 00:01:19,440
Speaker 4: any one of those amazing.

26
00:01:20,640 --> 00:01:21,240
Speaker 2: Is going to make my.

27
00:01:21,440 --> 00:01:22,360
Speaker 3: Art could take it.

28
00:01:23,160 --> 00:01:29,280
Speaker 2: Jonas enter one, Jonas leaves, that's camp Rock. Three people imagine. No,

29
00:01:29,360 --> 00:01:31,640
Speaker 2: I couldn't imagine. But yes it's true.

30
00:01:31,640 --> 00:01:33,240
Speaker 1: While I might have made up that last part, it

31
00:01:33,319 --> 00:01:34,800
Speaker 1: is true.

32
00:01:33,920 --> 00:01:38,720
Speaker 2: Can't big views in the world of the d com.

33
00:01:38,800 --> 00:01:40,960
Speaker 1: But before we get to what will be the newest

34
00:01:41,000 --> 00:01:44,360
Speaker 1: d com, we got to get to the first d com.

35
00:01:44,760 --> 00:01:47,720
Speaker 2: Yes, what a great transition. My god, I'm good at this.

36
00:01:47,800 --> 00:01:50,600
Speaker 1: Welcome back to Magical Rewind, the show that makes you

37
00:01:50,600 --> 00:01:52,800
Speaker 1: want to grab your friends, your pj's and your popcorn

38
00:01:52,840 --> 00:01:54,080
Speaker 1: and go back to a time and all the houses

39
00:01:54,080 --> 00:01:57,600
Speaker 1: were smart, the waves tsunamis and there was one Jonas left,

40
00:01:57,680 --> 00:01:58,680
Speaker 1: I'm wilfred.

41
00:01:58,280 --> 00:02:03,800
Speaker 2: Ell and Sabrina brad Yes, as the saying goes, you

42
00:02:03,960 --> 00:02:07,200
Speaker 2: never forget your first time. And so we are entering

43
00:02:07,200 --> 00:02:10,240
Speaker 2: a sarcophagus for the DCOM that's started at All nineteen

44
00:02:10,360 --> 00:02:14,200
Speaker 2: ninety seven's under wraps, diving headfirst again into an important

45
00:02:14,200 --> 00:02:17,840
Speaker 2: time for the Disney Channel. That's the spooky season. You

46
00:02:18,000 --> 00:02:20,200
Speaker 2: like that spooky voice, Give me your best movie. Yes,

47
00:02:20,800 --> 00:02:28,160
Speaker 2: wo ah, that'll work. We of course, are talking about

48
00:02:28,200 --> 00:02:32,119
Speaker 2: all hollows Eve Halloween, the weeniest of all Hollows.

49
00:02:32,720 --> 00:02:35,480
Speaker 1: The movie debuted on October twenty fifth, nineteen ninety seven,

50
00:02:35,680 --> 00:02:38,840
Speaker 1: just before Halloween, and was the beginning of a total

51
00:02:38,919 --> 00:02:41,720
Speaker 1: rebrand when it came to films for the studio, introducing

52
00:02:41,760 --> 00:02:45,800
Speaker 1: the term Disney Channel Original Movie or DCOM. The marketing

53
00:02:45,840 --> 00:02:48,880
Speaker 1: that changed the entire ballgame, and the term DCOM is

54
00:02:48,880 --> 00:02:51,400
Speaker 1: so beloved it pretty much become the common branding for

55
00:02:51,440 --> 00:02:54,519
Speaker 1: any movie that the channel has aired exclusively throughout all

56
00:02:54,639 --> 00:02:57,800
Speaker 1: of time. It has become an all inclusive term. So

57
00:02:57,919 --> 00:03:01,200
Speaker 1: even early early movies are still being called DCOM. But Nope,

58
00:03:01,600 --> 00:03:02,519
Speaker 1: this was the first one.

59
00:03:02,680 --> 00:03:05,280
Speaker 2: And frankly, I'm a bit chucked because there's a lot

60
00:03:05,320 --> 00:03:06,160
Speaker 2: of that went on in.

61
00:03:06,080 --> 00:03:12,920
Speaker 3: This literally, I mean time and time again. I just

62
00:03:13,000 --> 00:03:18,200
Speaker 3: kept going, did they just say that? Like, I mean,

63
00:03:18,360 --> 00:03:21,079
Speaker 3: just so much. It's just unreal.

64
00:03:21,200 --> 00:03:27,080
Speaker 4: It's it's the the evolution, I would say for the best.

65
00:03:27,280 --> 00:03:27,799
Speaker 2: There was a.

66
00:03:27,840 --> 00:03:30,640
Speaker 1: Time there was a time where one one character said

67
00:03:30,639 --> 00:03:33,080
Speaker 1: one thing where I paused it, walked the length of

68
00:03:33,120 --> 00:03:35,760
Speaker 1: my house to tell my wife exactly what this character said.

69
00:03:35,800 --> 00:03:36,600
Speaker 2: And we will get into that.

70
00:03:36,880 --> 00:03:38,640
Speaker 1: And I know you, I know you know exactly what

71
00:03:38,640 --> 00:03:44,320
Speaker 1: I'm talking about a couple times. Yes, So We've already

72
00:03:44,480 --> 00:03:47,360
Speaker 1: seen some of the most popular Halloween decommentries both past

73
00:03:47,440 --> 00:03:48,000
Speaker 1: and present.

74
00:03:48,080 --> 00:03:51,080
Speaker 2: We have Halloween Town, twitches, and zombies, just to name

75
00:03:51,120 --> 00:03:54,200
Speaker 2: a few. D common Halloween have become a synonymous pair

76
00:03:54,240 --> 00:03:55,960
Speaker 2: over the years, and under.

77
00:03:55,720 --> 00:03:59,240
Speaker 1: Wraps is a massive reason why. Yes, it's chocolate meats

78
00:03:59,240 --> 00:04:03,400
Speaker 1: peanut butter, peanut butter meats chocolate Halloween meets Disney. Under

79
00:04:03,440 --> 00:04:06,160
Speaker 1: Wraps also marks a rare occurrence where the original film

80
00:04:06,240 --> 00:04:09,440
Speaker 1: spawned a much later reboot and a sequel to that reboot,

81
00:04:09,640 --> 00:04:12,200
Speaker 1: creating what Disney liked to call a franchise. But we're

82
00:04:12,200 --> 00:04:14,680
Speaker 1: talking years and years and years later, and it can

83
00:04:14,680 --> 00:04:16,719
Speaker 1: get a bit confusing because for some reason, only those

84
00:04:16,760 --> 00:04:19,760
Speaker 1: are on Disney. Plus Ah, we'll get into it. Shot

85
00:04:19,800 --> 00:04:23,120
Speaker 1: in the very hot summer of nineteen ninety six in Chico, California,

86
00:04:23,160 --> 00:04:25,200
Speaker 1: which remember that, because it's going to come into play later.

87
00:04:25,320 --> 00:04:27,680
Speaker 1: This was a new location for decomproduction, But then.

88
00:04:27,600 --> 00:04:28,560
Speaker 2: Again was it.

89
00:04:28,720 --> 00:04:30,360
Speaker 1: If this was the first d com then it was

90
00:04:30,400 --> 00:04:34,240
Speaker 1: the original location for decomproduction. It was filmed on a

91
00:04:34,279 --> 00:04:36,520
Speaker 1: low budget, but they hired a hungry team looking to

92
00:04:36,600 --> 00:04:39,719
Speaker 1: make a good, quote unquote child friendly horror movie.

93
00:04:40,040 --> 00:04:43,200
Speaker 2: Loosely inspired by et and they did such a good

94
00:04:43,279 --> 00:04:45,960
Speaker 2: job that some websites Warren Parents that despite being on

95
00:04:46,040 --> 00:04:48,640
Speaker 2: the family friendly side and being on the family friendly

96
00:04:48,680 --> 00:04:52,080
Speaker 2: Disney channel, this movie involves a kid's adventure that includes

97
00:04:52,160 --> 00:04:57,120
Speaker 2: quote mild scares and spooky atmospheres unquote, Sabrina, was this

98
00:04:57,720 --> 00:05:00,000
Speaker 2: movie too scary for kids? Was it scary for you?

99
00:05:00,279 --> 00:05:05,440
Speaker 4: No? No, it wasn't scary at all. Inappropriate at some times, but.

100
00:05:05,360 --> 00:05:08,839
Speaker 2: Not scary, not even for kids. Not even the start.

101
00:05:09,080 --> 00:05:14,600
Speaker 4: Okay, yes, actually the start was You're right, I need

102
00:05:14,600 --> 00:05:17,919
Speaker 4: to get back on my time frame here. Yet the

103
00:05:17,960 --> 00:05:26,080
Speaker 4: beginning was was a little oh whoa whoa closer to

104
00:05:26,440 --> 00:05:30,080
Speaker 4: a horror film than what I was expecting, I guess.

105
00:05:30,240 --> 00:05:33,360
Speaker 1: Yeah, they really rode the line of like one more

106
00:05:33,480 --> 00:05:35,400
Speaker 1: shot and it would not have been able to be

107
00:05:35,440 --> 00:05:36,600
Speaker 1: on the like Disney at all.

108
00:05:36,920 --> 00:05:39,880
Speaker 4: Absolutely, but I mean that throughout it though, I mean,

109
00:05:40,880 --> 00:05:45,400
Speaker 4: it stopped being scary really at all, even the heighten

110
00:05:45,600 --> 00:05:49,920
Speaker 4: of the drama in it was like, this is definitely

111
00:05:49,960 --> 00:05:50,920
Speaker 4: a kid's Disney movie.

112
00:05:50,960 --> 00:05:51,919
Speaker 2: Yeah, I agree.

113
00:05:52,640 --> 00:05:55,160
Speaker 1: Many families have made viewing the original under Wraps as

114
00:05:55,160 --> 00:05:58,080
Speaker 1: an October slash Halloween tradition, so you would think it

115
00:05:58,120 --> 00:06:00,280
Speaker 1: would be found on Disney Plus, like I was saying,

116
00:06:00,360 --> 00:06:03,120
Speaker 1: but no, Shockingly, the first.

117
00:06:02,920 --> 00:06:06,400
Speaker 2: D com is not on Disney Plus. Can you believe that?

118
00:06:06,440 --> 00:06:08,599
Speaker 1: Only the new reboots are available to stream there? So

119
00:06:08,800 --> 00:06:11,279
Speaker 1: you can watch it now on YouTube? Yes, it is

120
00:06:11,360 --> 00:06:13,919
Speaker 1: horrible quality. I also there's two of them there on YouTube.

121
00:06:14,240 --> 00:06:16,120
Speaker 1: One of them says an hour and six minutes long,

122
00:06:16,160 --> 00:06:17,800
Speaker 1: one of them says an hour and thirty minutes long.

123
00:06:17,839 --> 00:06:19,640
Speaker 1: The hour and thirty minute one is the one you

124
00:06:19,640 --> 00:06:21,200
Speaker 1: want to watch it, and it's clearly better than the

125
00:06:21,240 --> 00:06:22,040
Speaker 1: hour and six minutes.

126
00:06:22,160 --> 00:06:24,720
Speaker 2: It's also, for some reason, twenty four minutes longer.

127
00:06:25,240 --> 00:06:27,919
Speaker 1: Uh so, yes, it's free, so you can go watch

128
00:06:27,960 --> 00:06:30,840
Speaker 1: that and feel free to watch it before we deep dive,

129
00:06:31,000 --> 00:06:34,000
Speaker 1: or peep it later after you've waddled into the shallow end.

130
00:06:34,160 --> 00:06:36,200
Speaker 1: But do it fast, people, because summer's ended and the

131
00:06:36,200 --> 00:06:36,880
Speaker 1: weather's turning.

132
00:06:36,960 --> 00:06:39,760
Speaker 2: The pool is going to get cold, very very soon. Sabrina,

133
00:06:39,960 --> 00:06:41,719
Speaker 2: what was your knowledge of the first d comm ever

134
00:06:41,839 --> 00:06:45,440
Speaker 2: under wraps before a little podcast here with millions of listeners?

135
00:06:45,440 --> 00:06:48,640
Speaker 4: Apparently I had no idea so much that when it

136
00:06:48,720 --> 00:06:51,760
Speaker 4: became what it was, which was a spooky season, I

137
00:06:51,960 --> 00:06:54,400
Speaker 4: was shocked. I was like, oh, well, duh, that makes

138
00:06:54,400 --> 00:06:58,040
Speaker 4: sense where we're at in the seasons of the world

139
00:06:58,120 --> 00:06:58,479
Speaker 4: right now.

140
00:06:58,520 --> 00:06:59,480
Speaker 3: But I was shocked.

141
00:06:59,520 --> 00:07:02,159
Speaker 4: I had no idea under Wraps. I thought maybe it

142
00:07:02,240 --> 00:07:05,200
Speaker 4: was like a detective movie. I really had no idea

143
00:07:05,600 --> 00:07:08,360
Speaker 4: when it came to the name of it, and then

144
00:07:08,400 --> 00:07:12,320
Speaker 4: it made sense the name of it later on as Okay, okay.

145
00:07:12,280 --> 00:07:13,320
Speaker 2: Yeah, no, I knew.

146
00:07:13,440 --> 00:07:16,960
Speaker 1: I knew what this movie was because of this podcast

147
00:07:17,280 --> 00:07:20,120
Speaker 1: and okay, somebody had mentioned under Wraps and mummies.

148
00:07:20,160 --> 00:07:21,920
Speaker 2: That's the only reason I knew what it was about,

149
00:07:22,120 --> 00:07:24,360
Speaker 2: all right, So yeah, so I.

150
00:07:24,360 --> 00:07:27,080
Speaker 3: Kept talking about reviewing this one for a.

151
00:07:27,000 --> 00:07:29,760
Speaker 2: While now that so it must be that because I have.

152
00:07:29,880 --> 00:07:31,520
Speaker 3: But I had no idea there was going to be

153
00:07:31,520 --> 00:07:31,960
Speaker 3: a mummy.

154
00:07:32,200 --> 00:07:35,480
Speaker 4: I I just kind of opened it up, watched it,

155
00:07:35,520 --> 00:07:39,680
Speaker 4: and went, okay, we're folloween season yes.

156
00:07:40,440 --> 00:07:43,200
Speaker 2: Something with this. Yeah there's no daddy, but there's definitely

157
00:07:43,240 --> 00:07:46,640
Speaker 2: a mummy, thank you very much. So why don't you

158
00:07:46,760 --> 00:07:49,720
Speaker 2: rise from your tomb and pine for the queen? It's

159
00:07:49,760 --> 00:07:51,480
Speaker 2: time for the synopsis.

160
00:07:51,960 --> 00:07:54,720
Speaker 1: Three kids accidentally awaken a three thousand year old mummy

161
00:07:54,720 --> 00:07:57,680
Speaker 1: who they named Harold, and must hide him away while

162
00:07:57,720 --> 00:08:01,160
Speaker 1: trying to return him to his lover before night This

163
00:08:01,200 --> 00:08:03,280
Speaker 1: movie is directed by Greg Beeman. That is a name

164
00:08:03,320 --> 00:08:05,560
Speaker 1: we have heard many times, a season name in Hollywood

165
00:08:05,560 --> 00:08:08,200
Speaker 1: whose first jobs behind the camera were Magical World of

166
00:08:08,240 --> 00:08:10,800
Speaker 1: Disney films. One was called The Little Spies and the

167
00:08:10,880 --> 00:08:13,640
Speaker 1: other was a movie we have to do soon or

168
00:08:13,760 --> 00:08:17,040
Speaker 1: my life will not be complete. The richest cat in

169
00:08:17,120 --> 00:08:20,160
Speaker 1: the world. Yes, he would go on to direct movies

170
00:08:20,240 --> 00:08:22,320
Speaker 1: like License to Drive, Mom and Dad, Save the World,

171
00:08:22,400 --> 00:08:25,720
Speaker 1: underrated movie in my opinion, and Problem Child three. But

172
00:08:26,400 --> 00:08:29,120
Speaker 1: listen to this lineup for d COM's people. These are

173
00:08:29,160 --> 00:08:34,360
Speaker 1: the dcoms that bear his name. Under Wraps, Brink, Horse, Sense,

174
00:08:34,600 --> 00:08:37,880
Speaker 1: Miracle and Lane to the Ultimate Christmas Present. There is

175
00:08:37,960 --> 00:08:41,200
Speaker 1: not a dud in the bunch. He'd go on to

176
00:08:41,240 --> 00:08:44,160
Speaker 1: become a force and TV, both directing and executive producing

177
00:08:44,200 --> 00:08:49,360
Speaker 1: shows like Heroes, Smallville, Nash Bridges, and Falling Skies. As

178
00:08:49,360 --> 00:08:52,959
Speaker 1: far as the cast goes, under Rap stars Mario Yedidia.

179
00:08:53,120 --> 00:08:54,839
Speaker 1: I want to say, is how you pronounce his name

180
00:08:54,880 --> 00:08:58,040
Speaker 1: as Marshall. He by all definitions as the star. Mario

181
00:08:58,160 --> 00:09:00,480
Speaker 1: was also seen in the movie Jack with Robert Williams,

182
00:09:00,520 --> 00:09:04,280
Speaker 1: but that's about it. Under Wraps was basically his last project,

183
00:09:04,280 --> 00:09:06,719
Speaker 1: which is something we've not really seen before, kid did

184
00:09:06,760 --> 00:09:08,040
Speaker 1: two movies and bounced.

185
00:09:08,720 --> 00:09:10,160
Speaker 2: Adam Wiley is Gilbert.

186
00:09:10,200 --> 00:09:12,440
Speaker 1: He's best known as Zachary Brock on the nineties TV

187
00:09:12,480 --> 00:09:15,120
Speaker 1: show Picket Fences, but he has worked a ton over

188
00:09:15,160 --> 00:09:17,440
Speaker 1: the years. As a kid, he's in movies like Child's

189
00:09:17,440 --> 00:09:20,199
Speaker 1: Play two and Kindergarten Cop and basically appeared in every

190
00:09:20,240 --> 00:09:23,000
Speaker 1: TV show you've ever seen, from Seinfeld to Who's the

191
00:09:23,040 --> 00:09:26,480
Speaker 1: Boss to Living Single two, Boy Meets World. And as

192
00:09:26,480 --> 00:09:28,520
Speaker 1: an adult, you've seen him in Castle, Shake It Up,

193
00:09:28,559 --> 00:09:31,520
Speaker 1: and CSI Miami. But most notably, he appeared in the

194
00:09:31,559 --> 00:09:34,440
Speaker 1: twenty twenty two Under Wraps reboot. Is a fun little

195
00:09:34,440 --> 00:09:37,400
Speaker 1: Easter egg for the fans of the original. Ken Campbell

196
00:09:37,480 --> 00:09:40,079
Speaker 1: is Bruce. Ken is a recognizable character actor seen in

197
00:09:40,120 --> 00:09:43,559
Speaker 1: things like armagedon Groundhog Day, Seinfeld Again, and Coyote Ugly,

198
00:09:43,800 --> 00:09:45,760
Speaker 1: and in an episode of Girl Meets World as well.

199
00:09:45,960 --> 00:09:48,640
Speaker 1: He played Jingles the Clown, but our listeners will know

200
00:09:48,679 --> 00:09:50,920
Speaker 1: him the best is the just relieved mal Santa that

201
00:09:51,000 --> 00:09:53,360
Speaker 1: Kevin Callister runs into with a message for the real

202
00:09:53,400 --> 00:09:56,040
Speaker 1: Santa in Home Alone. Ken is still working today, most

203
00:09:56,040 --> 00:09:58,840
Speaker 1: recently heard as the voice on the animated series Adventures

204
00:09:58,880 --> 00:10:02,960
Speaker 1: in Wonder Park Clara or Clara. I think it's Clara

205
00:10:02,960 --> 00:10:06,120
Speaker 1: Bryant is Amy. Clara had appeared on Roseanne and Buffy

206
00:10:06,160 --> 00:10:09,120
Speaker 1: the Vampire Slayer, but most importantly for this podcast, she's

207
00:10:09,120 --> 00:10:11,920
Speaker 1: in the dcom True Confessions. Her last credit was in

208
00:10:11,920 --> 00:10:14,079
Speaker 1: two thousand and seven, and I recognized her from Drew

209
00:10:14,120 --> 00:10:16,520
Speaker 1: Confessions but couldn't figure where, and so I did it

210
00:10:16,520 --> 00:10:17,400
Speaker 1: a little Google honor.

211
00:10:17,559 --> 00:10:21,079
Speaker 2: She is now an attorney. Wow. Great.

212
00:10:21,200 --> 00:10:24,040
Speaker 1: Yes, she left the business entirely after being a child actor,

213
00:10:24,120 --> 00:10:27,880
Speaker 1: went to law school and is a practicing attorney. Kareem

214
00:10:28,760 --> 00:10:31,560
Speaker 1: Boor I'm hoping I say that right, but I'm sure

215
00:10:31,559 --> 00:10:36,040
Speaker 1: I am not. It's probably Coryn Bahar. It's I think

216
00:10:36,040 --> 00:10:39,160
Speaker 1: it's Kareeen Bohr plays Marshall's mom. She starred in Police

217
00:10:39,200 --> 00:10:42,640
Speaker 1: Academy for Citizens on Patrol Underrated Citizens on Patrol, Police

218
00:10:42,679 --> 00:10:44,360
Speaker 1: Academy movie. Yes, I'm saying that right because it is

219
00:10:44,360 --> 00:10:46,960
Speaker 1: an underrated a movie for Police Academy.

220
00:10:47,040 --> 00:10:49,199
Speaker 2: Three was okay, four was pretty good, and she was

221
00:10:49,200 --> 00:10:50,280
Speaker 2: also in the movie Zapped.

222
00:10:50,640 --> 00:10:54,880
Speaker 1: But to us, she's just Julie in Phantom of the Megaplex.

223
00:10:55,120 --> 00:10:57,160
Speaker 1: She has since appeared on TV shows like Murder. She

224
00:10:57,200 --> 00:11:00,600
Speaker 1: wrote Party of Five, Veronica, Mars and Grey's Anatomy, and

225
00:11:00,760 --> 00:11:05,320
Speaker 1: the legendary Bill Fagerbaki plays Harold the Mummy. Bill first

226
00:11:05,360 --> 00:11:09,000
Speaker 1: hit mainstream as assistant Coach Dauber on Coach, but will

227
00:11:09,000 --> 00:11:12,440
Speaker 1: always be the voice of Patrick Starr on SpongeBob SquarePants.

228
00:11:13,720 --> 00:11:17,280
Speaker 1: You want to hear something really crazy.

229
00:11:17,640 --> 00:11:21,559
Speaker 2: Yes, I've never once seen an episode of SpongeBob SquarePants.

230
00:11:23,320 --> 00:11:24,360
Speaker 3: Yeah, that is crazy.

231
00:11:24,640 --> 00:11:27,760
Speaker 2: I mean I've never seen and I've i hear it's

232
00:11:27,800 --> 00:11:29,800
Speaker 2: amazing and Tom Kenny's a great guy and a friend.

233
00:11:29,840 --> 00:11:33,719
Speaker 2: And I've never ever seen an episode of SpongeBob square.

234
00:11:33,800 --> 00:11:36,640
Speaker 4: I get little snippets here because it plays on my

235
00:11:36,720 --> 00:11:39,800
Speaker 4: recordings before my friend's episodes that I record every single

236
00:11:39,840 --> 00:11:40,080
Speaker 4: one of.

237
00:11:41,160 --> 00:11:41,920
Speaker 2: That's crazy.

238
00:11:42,520 --> 00:11:45,839
Speaker 4: I have ever seen it, really honestly that much too.

239
00:11:46,000 --> 00:11:48,320
Speaker 4: I wasn't a big fan, which I know is like crazy.

240
00:11:48,520 --> 00:11:50,400
Speaker 4: I just wasn't.

241
00:11:51,080 --> 00:11:53,280
Speaker 1: Yeah, by the way, SpongeBob SquarePants because it's so big

242
00:11:53,280 --> 00:11:54,840
Speaker 1: as pretty much all you need for this man's career.

243
00:11:54,880 --> 00:11:56,720
Speaker 1: But he still does a ton of voiceover rolls. I've

244
00:11:56,720 --> 00:11:58,280
Speaker 1: gotten a chance to work with him several times. He's

245
00:11:58,280 --> 00:12:00,959
Speaker 1: a very nice guy. I love just to He's great

246
00:12:01,960 --> 00:12:04,280
Speaker 1: he's gray. He is a true legend and someone who

247
00:12:04,320 --> 00:12:07,040
Speaker 1: went through a ton of pain for this role or

248
00:12:07,120 --> 00:12:10,320
Speaker 1: roles since they filmed in the California summer heat. He

249
00:12:10,480 --> 00:12:13,959
Speaker 1: almost passed out numerous times while in the Mummy costume.

250
00:12:14,000 --> 00:12:14,640
Speaker 2: Isn't that crazy?

251
00:12:15,320 --> 00:12:18,840
Speaker 1: But enough preamble, Let's get to what really matters. The runtime, people,

252
00:12:18,960 --> 00:12:21,680
Speaker 1: that's all that matters in any of these films. Under

253
00:12:21,720 --> 00:12:22,319
Speaker 1: Wraps is.

254
00:12:23,920 --> 00:12:27,080
Speaker 2: Ninety five minutes, oh man, And I was just starting

255
00:12:27,160 --> 00:12:28,360
Speaker 2: to love this film.

256
00:12:28,400 --> 00:12:31,000
Speaker 1: That is five minutes over the target and we are

257
00:12:31,040 --> 00:12:33,200
Speaker 1: in what many would call a dead zone no matter

258
00:12:33,240 --> 00:12:33,760
Speaker 1: what's in the movie.

259
00:12:33,800 --> 00:12:35,360
Speaker 2: The scariest part of under Wraps is that you have

260
00:12:35,400 --> 00:12:36,720
Speaker 2: to sit for more than an hour and a half

261
00:12:36,760 --> 00:12:39,480
Speaker 2: foot everyone involved, may you get a hang nail? What

262
00:12:39,480 --> 00:12:40,320
Speaker 2: were you gonna say?

263
00:12:40,520 --> 00:12:43,200
Speaker 4: A double a double hit two? Especially when you're looking

264
00:12:43,240 --> 00:12:44,800
Speaker 4: on YouTube and you're like, oh, it's only an hour

265
00:12:44,840 --> 00:12:47,720
Speaker 4: and then it's like, no, it's not an hour and

266
00:12:47,880 --> 00:12:48,960
Speaker 4: thirty five minutes.

267
00:12:49,000 --> 00:12:51,120
Speaker 2: Hour and thirty five minutes. Yes, So it could have

268
00:12:51,120 --> 00:12:51,880
Speaker 2: been a great movie.

269
00:12:51,960 --> 00:12:54,040
Speaker 1: Now it can only even if it's the best movie ever,

270
00:12:54,120 --> 00:12:57,120
Speaker 1: can only be good. And it's written by Don Reimer,

271
00:12:57,160 --> 00:13:00,360
Speaker 1: a prolific writer starting in TV which shows like Coach Again,

272
00:13:00,440 --> 00:13:03,240
Speaker 1: Evening Shade in Carolina and the City, but eventually crafting

273
00:13:03,280 --> 00:13:06,200
Speaker 1: movies like all the Big Mama's House films, Surfs Up

274
00:13:06,240 --> 00:13:10,280
Speaker 1: and Rio Rymer unfortunately passed away in twenty twelve and

275
00:13:10,400 --> 00:13:20,320
Speaker 1: was only fifty one years old. And now wrap me

276
00:13:20,360 --> 00:13:23,719
Speaker 1: in bandages and call me Harold, we are entering the horror.

277
00:13:23,400 --> 00:13:25,600
Speaker 2: That is now known as under Wraps.

278
00:13:26,520 --> 00:13:29,120
Speaker 1: The movie opens with a little stop motion over parchment

279
00:13:29,160 --> 00:13:31,240
Speaker 1: paper and what can be seen as the bandages from

280
00:13:31,280 --> 00:13:34,280
Speaker 1: a mummy. There's a sarcophagus, a spider, a snake in

281
00:13:34,280 --> 00:13:37,199
Speaker 1: the hand of well said mummy. The viewers know right

282
00:13:37,240 --> 00:13:38,240
Speaker 1: off the bat.

283
00:13:37,920 --> 00:13:40,640
Speaker 2: We're in for a little bit of Halloween fun, and

284
00:13:40,679 --> 00:13:41,840
Speaker 2: then we're thrown right into it.

285
00:13:42,000 --> 00:13:44,600
Speaker 1: Spooky music and a young boy named Ben pushing around

286
00:13:44,600 --> 00:13:47,120
Speaker 1: his food on a dinner plate. His dad sternly states

287
00:13:47,120 --> 00:13:49,240
Speaker 1: that Ben must sleep in his own room tonight. His

288
00:13:49,480 --> 00:13:51,560
Speaker 1: mean big sister calls him a baby because he thinks

289
00:13:51,559 --> 00:13:53,800
Speaker 1: a monster lives in his closet. So let's go really

290
00:13:53,840 --> 00:13:56,040
Speaker 1: quickly and add her to the crappy dcom siblings list.

291
00:13:56,160 --> 00:13:58,480
Speaker 1: And we're not even two minutes in. Good news is

292
00:13:58,559 --> 00:14:01,080
Speaker 1: he tells her to shut up and calls her a cow.

293
00:14:01,360 --> 00:14:04,480
Speaker 2: There's a lot of mean like in this whole movie.

294
00:14:04,480 --> 00:14:07,520
Speaker 1: There's just an insult after insult insult.

295
00:14:07,960 --> 00:14:09,560
Speaker 2: It is the mid nineties, people, this is how we

296
00:14:09,559 --> 00:14:10,280
Speaker 2: spoke to each other.

297
00:14:11,200 --> 00:14:13,920
Speaker 1: Ben swears the monster's real, though it's huge with hairy

298
00:14:14,000 --> 00:14:16,720
Speaker 1: arms and sharp teeth. His dad calls to claim ridiculous.

299
00:14:16,720 --> 00:14:19,080
Speaker 1: But guess what it's not because we enter a point

300
00:14:19,080 --> 00:14:21,520
Speaker 1: of view from outside the house looking in through a window,

301
00:14:21,600 --> 00:14:25,880
Speaker 1: and whatever it is, it's lightly growling. It is a monster. Also, Sabrina,

302
00:14:25,920 --> 00:14:26,680
Speaker 1: this is what I'm saying.

303
00:14:27,200 --> 00:14:29,400
Speaker 2: A we both area. It's a bit scary what's going on.

304
00:14:29,480 --> 00:14:29,760
Speaker 5: But b.

305
00:14:31,480 --> 00:14:33,520
Speaker 1: Did you know right away this was gonna be a

306
00:14:33,600 --> 00:14:34,560
Speaker 1: movie within a movie?

307
00:14:35,000 --> 00:14:37,880
Speaker 2: No, I didn't you, Okay, I went.

308
00:14:38,480 --> 00:14:41,440
Speaker 4: I was like shocked, and I'm like kind of embarrassed

309
00:14:41,440 --> 00:14:43,880
Speaker 4: that I didn't realize that that was happening, because I went,

310
00:14:44,200 --> 00:14:49,600
Speaker 4: we are getting to some serious, really fat and then

311
00:14:49,680 --> 00:14:51,840
Speaker 4: it happened, and I was like, oh, you dumb, dumb,

312
00:14:52,000 --> 00:14:55,160
Speaker 4: like what like, come on, Sterna, You've been watching this

313
00:14:55,200 --> 00:14:58,760
Speaker 4: stuff too much to not realize that was happening.

314
00:14:58,800 --> 00:15:00,880
Speaker 3: Like right from the start. I think I was just.

315
00:15:00,880 --> 00:15:04,040
Speaker 4: Really caught on being the the idea that this little

316
00:15:04,040 --> 00:15:05,640
Speaker 4: brother was calling his sister a cow.

317
00:15:05,960 --> 00:15:11,160
Speaker 3: I think that's where I was trying to figure that

318
00:15:11,280 --> 00:15:12,440
Speaker 3: out real quick.

319
00:15:12,760 --> 00:15:15,400
Speaker 1: Yeah yeah, no, I it took me about thirty seconds,

320
00:15:15,440 --> 00:15:16,680
Speaker 1: but I was like, oh, this is gonna be fake.

321
00:15:17,120 --> 00:15:20,960
Speaker 3: Yeah, okay, see no, I wasn't and I haven't look good.

322
00:15:21,120 --> 00:15:22,920
Speaker 1: The camera angles are weird. I was like, oh, they're

323
00:15:22,960 --> 00:15:25,000
Speaker 1: they're doing a fake like horror movie here.

324
00:15:25,120 --> 00:15:25,400
Speaker 6: Yeah.

325
00:15:25,440 --> 00:15:27,800
Speaker 4: Well it's also hard to because it's on YouTube, so

326
00:15:27,840 --> 00:15:31,200
Speaker 4: it's you know, trying to very quickly.

327
00:15:30,920 --> 00:15:32,520
Speaker 2: Kind of like figure it out.

328
00:15:32,600 --> 00:15:35,200
Speaker 3: Figure that out was, you know, but I should give

329
00:15:35,200 --> 00:15:37,560
Speaker 3: myself that much credit. I was an idiot. Sorry.

330
00:15:39,760 --> 00:15:42,680
Speaker 1: So, just as Ben sub comes to his dad's insistence

331
00:15:42,680 --> 00:15:45,960
Speaker 1: that monsters aren't real, whatever's outside is gearing up. The

332
00:15:46,000 --> 00:15:47,960
Speaker 1: kids leave to do homework with mom while dad sticks

333
00:15:47,960 --> 00:15:50,320
Speaker 1: around the kitchen to wash them dishes, but he stumbles

334
00:15:50,360 --> 00:15:52,160
Speaker 1: dropping a sharp knife down the drain.

335
00:15:52,400 --> 00:15:52,800
Speaker 2: Damn.

336
00:15:53,200 --> 00:15:55,240
Speaker 1: He reaches in to get it as it spins with

337
00:15:55,320 --> 00:15:58,720
Speaker 1: the compactor. He sizes up how he's going to how

338
00:15:58,720 --> 00:16:01,240
Speaker 1: he's going to retrieve it, and it's all pretty luminous,

339
00:16:01,240 --> 00:16:05,200
Speaker 1: and then smash a monster in a Flannel crashes through

340
00:16:05,200 --> 00:16:07,560
Speaker 1: the window, grabs dad's head and squeezes as hard as

341
00:16:07,560 --> 00:16:07,920
Speaker 1: he can.

342
00:16:08,080 --> 00:16:08,880
Speaker 2: We get a close up.

343
00:16:08,840 --> 00:16:11,280
Speaker 1: With the monster's face and it's almost dripping with teeth

344
00:16:11,320 --> 00:16:11,920
Speaker 1: in every direction.

345
00:16:12,040 --> 00:16:15,600
Speaker 2: It's truly horrifying, especially for a kids movie. The dad

346
00:16:15,640 --> 00:16:18,600
Speaker 2: screams as they both look at the looming circling knife,

347
00:16:19,160 --> 00:16:21,640
Speaker 2: and then it's like the monster's gonna slam his head

348
00:16:21,680 --> 00:16:24,080
Speaker 2: down and the knife to grind up his head, and

349
00:16:24,120 --> 00:16:25,960
Speaker 2: then we pull out. It is just a movie. We're

350
00:16:25,960 --> 00:16:29,320
Speaker 2: in a pack theater watching wart heead for a day

351
00:16:29,560 --> 00:16:30,479
Speaker 2: in the country.

352
00:16:31,760 --> 00:16:34,520
Speaker 4: The grieving titles that are in this movie are pretty

353
00:16:34,720 --> 00:16:35,320
Speaker 4: dang good.

354
00:16:36,280 --> 00:16:39,040
Speaker 2: Pretty good. Wart add four, it's pretty good.

355
00:16:39,440 --> 00:16:39,920
Speaker 3: They're good.

356
00:16:40,160 --> 00:16:42,480
Speaker 2: So we zoom in then on two boys, Gilbert and Marshall.

357
00:16:42,800 --> 00:16:46,600
Speaker 2: The bespeckled Gilbert is screaming and very scared. Marshall is

358
00:16:46,680 --> 00:16:49,000
Speaker 2: way more season to frights. Gilbert can't take it anymore,

359
00:16:49,040 --> 00:16:50,920
Speaker 2: so he sprints off to the lobby, where he says

360
00:16:50,960 --> 00:16:53,920
Speaker 2: he will need to vomit. The movie ends in the

361
00:16:53,920 --> 00:16:57,200
Speaker 2: crowd disperses, Marshall reunited with Gilbert, who was waiting outside.

362
00:16:57,280 --> 00:17:00,840
Speaker 2: Gilbert is not ashamed whatsoever. He likes happy movies like

363
00:17:00,840 --> 00:17:03,320
Speaker 2: the sound of music. On their walk home, the boys

364
00:17:03,320 --> 00:17:05,199
Speaker 2: talk about, by the way, that was me, I was

365
00:17:05,240 --> 00:17:06,920
Speaker 2: that guy. I don't want to go see a horror movie.

366
00:17:06,960 --> 00:17:09,720
Speaker 2: I'd much rather sing the hills are Alive with the

367
00:17:09,720 --> 00:17:10,680
Speaker 2: sound of music. Yes.

368
00:17:11,880 --> 00:17:14,000
Speaker 1: On their walk home, the boys talk about their upcoming

369
00:17:14,000 --> 00:17:17,520
Speaker 1: Halloween costumes or lack thereof. Gilbert, who already feels like

370
00:17:17,520 --> 00:17:19,840
Speaker 1: a wet blanket, calls it a dumb tradition, and just

371
00:17:19,840 --> 00:17:21,800
Speaker 1: as they're about to cross the street, a car goes

372
00:17:21,840 --> 00:17:25,840
Speaker 1: speeding by, eventually swerving and making a harsh, very unsafe term.

373
00:17:26,280 --> 00:17:29,560
Speaker 1: That is mister Kubot, Marshall's creepy neighbor who always drives

374
00:17:29,560 --> 00:17:33,119
Speaker 1: like a madman. Gilbert has delivered his newspaper for two years,

375
00:17:33,160 --> 00:17:35,600
Speaker 1: but is too afraid to even collect the money.

376
00:17:36,000 --> 00:17:40,399
Speaker 4: Okay, wait, hold on, We're back at this paper job

377
00:17:40,480 --> 00:17:43,960
Speaker 4: that I don't fully fully understand, right, So.

378
00:17:43,880 --> 00:17:48,119
Speaker 3: I'm like, okay, so you have to collect the money

379
00:17:48,240 --> 00:17:49,639
Speaker 3: from everywhere?

380
00:17:50,359 --> 00:17:52,880
Speaker 4: Did you ever have this job? Did you have anyone there?

381
00:17:53,800 --> 00:17:56,520
Speaker 4: So I'm like so confused. Now I'm like, so.

382
00:17:56,560 --> 00:18:00,280
Speaker 3: This kid that gets hired to do this to row

383
00:18:00,320 --> 00:18:00,880
Speaker 3: the papers?

384
00:18:01,119 --> 00:18:02,359
Speaker 2: Right, you drive her bike?

385
00:18:02,800 --> 00:18:03,000
Speaker 7: Yeah?

386
00:18:03,040 --> 00:18:05,120
Speaker 3: You drive your bike, you throw the papers.

387
00:18:04,880 --> 00:18:07,159
Speaker 4: You throw your paper, but then you also have to

388
00:18:07,200 --> 00:18:11,280
Speaker 4: go around and collect money. This is like, that's a

389
00:18:11,359 --> 00:18:14,240
Speaker 4: lot for a kid to do to collect money from adults.

390
00:18:14,520 --> 00:18:16,119
Speaker 2: I think you do. You have your little notebook and

391
00:18:16,160 --> 00:18:17,760
Speaker 2: you have to go like, hey, mister Johnson, you owe

392
00:18:17,800 --> 00:18:19,760
Speaker 2: me for last month or last week or whatever. I

393
00:18:19,800 --> 00:18:22,440
Speaker 2: think I think that's how it works. Wow, And then

394
00:18:22,480 --> 00:18:26,080
Speaker 2: do you take your cut or get I don't know.

395
00:18:26,560 --> 00:18:29,080
Speaker 4: It's like this just seems like a really complicated job

396
00:18:29,119 --> 00:18:30,840
Speaker 4: for like a kid that I would assume would be

397
00:18:30,840 --> 00:18:31,400
Speaker 4: like eleven.

398
00:18:32,040 --> 00:18:32,400
Speaker 2: You know who?

399
00:18:32,480 --> 00:18:35,880
Speaker 1: You know who we should ask about this? Kathy Ireland,

400
00:18:36,119 --> 00:18:40,640
Speaker 1: the supermodel. Why because Kathy Ireland was like one of

401
00:18:40,680 --> 00:18:43,920
Speaker 1: the She won an award for for like most prolific

402
00:18:44,160 --> 00:18:46,680
Speaker 1: newspaper delivery person when she was a kid.

403
00:18:46,960 --> 00:18:50,119
Speaker 2: Now I know you're swear to God.

404
00:18:49,560 --> 00:18:53,080
Speaker 1: She told us this story on Podmet's World, I Swear

405
00:18:53,119 --> 00:18:55,760
Speaker 1: to God And it was something like they weren't they

406
00:18:55,760 --> 00:18:57,879
Speaker 1: didn't want to give her the award because she was

407
00:18:57,920 --> 00:18:59,800
Speaker 1: a girl or something like that, but it was there

408
00:18:59,800 --> 00:19:01,280
Speaker 1: was something about that. Yeah, it was a whole thing

409
00:19:01,840 --> 00:19:05,800
Speaker 1: square hand to God, handgud remember correctly, Yes, but it

410
00:19:05,880 --> 00:19:07,359
Speaker 1: is they have to like collect the money or whatever.

411
00:19:07,400 --> 00:19:09,160
Speaker 2: But what did they not have, Sabrina.

412
00:19:09,640 --> 00:19:11,440
Speaker 3: They didn't have that paper.

413
00:19:11,320 --> 00:19:16,440
Speaker 2: Magic launching things from the other the left overs from

414
00:19:16,520 --> 00:19:21,680
Speaker 2: the left from the others, exactly from from me too.

415
00:19:24,400 --> 00:19:27,560
Speaker 2: That was the other one got it? Oh, by the way,

416
00:19:27,600 --> 00:19:29,080
Speaker 2: I just got a text. They are down to two

417
00:19:29,280 --> 00:19:33,000
Speaker 2: Jonahs brothers, and so Marshall has decided tonight is the

418
00:19:33,119 --> 00:19:36,800
Speaker 2: night they do something about that. It's payday. But built

419
00:19:37,960 --> 00:19:40,320
Speaker 2: stinking about one of the Jonah's brothers being killed us

420
00:19:42,280 --> 00:19:45,760
Speaker 2: yet happened, because it's like it would never The Joe bros.

421
00:19:45,760 --> 00:19:49,679
Speaker 1: Wouldn't allow it, but Gilbert begs him to leave him alone,

422
00:19:49,800 --> 00:19:50,679
Speaker 1: just leave it alone.

423
00:19:50,720 --> 00:19:52,800
Speaker 2: He doesn't want to collect the money.

424
00:19:52,840 --> 00:19:55,560
Speaker 1: But there's an urban legend that Coubot actually kill the

425
00:19:55,640 --> 00:19:58,920
Speaker 1: kid once, but Marshall reveals the kid just moved to Toronto,

426
00:19:59,400 --> 00:20:02,080
Speaker 1: and just like that, Marshall ignores his pal and stomps

427
00:20:02,160 --> 00:20:04,160
Speaker 1: right up to the creepy man's front door and rings

428
00:20:04,200 --> 00:20:07,280
Speaker 1: the doorbell. A bright porch light turns on, blinding the

429
00:20:07,320 --> 00:20:09,520
Speaker 1: two boys. As mister Coubot answers the door, he has

430
00:20:09,560 --> 00:20:13,000
Speaker 1: a tall, scary presence holding an attack dog on a chain.

431
00:20:13,640 --> 00:20:15,600
Speaker 1: Marshall tries to explain the money owed, but when the

432
00:20:15,600 --> 00:20:18,360
Speaker 1: dog begins to ferociously bark, the boys scurry off, screaming

433
00:20:18,359 --> 00:20:21,280
Speaker 1: in fear. They're followed closely behind by the sprinting canine,

434
00:20:21,440 --> 00:20:23,480
Speaker 1: who only stops when he runs out of the chain.

435
00:20:23,680 --> 00:20:26,440
Speaker 1: Mister Coubot lasts in satisfaction, and the boys yell all

436
00:20:26,480 --> 00:20:29,159
Speaker 1: the way to Marshall's house. Once home, Marshall is greeted

437
00:20:29,160 --> 00:20:31,840
Speaker 1: by his mom, then her new eager to please boyfriend Ted.

438
00:20:32,200 --> 00:20:33,720
Speaker 2: This, of course, is mister Fagerbaki.

439
00:20:34,200 --> 00:20:36,600
Speaker 1: Gilbert takes off as Marshall retreats to his bedroom to

440
00:20:36,640 --> 00:20:39,040
Speaker 1: avoid his mom's new companion, and he is coming on

441
00:20:39,080 --> 00:20:39,760
Speaker 1: a little strongly.

442
00:20:39,800 --> 00:20:43,080
Speaker 2: Hey pal, Hey bud, Huh, how's everything going, sport?

443
00:20:43,160 --> 00:20:45,080
Speaker 1: It's like all right by the second sport, Get the

444
00:20:45,119 --> 00:20:48,840
Speaker 1: hell out of my face. Marshall's room is, by the way,

445
00:20:48,880 --> 00:20:52,280
Speaker 1: a horror fans dream. It's filled with full sized monsters

446
00:20:52,280 --> 00:20:54,439
Speaker 1: and intricate masks. His mom knocks in the door to

447
00:20:54,440 --> 00:20:56,760
Speaker 1: explain to him that Brad is a really nice guy.

448
00:20:57,160 --> 00:21:00,920
Speaker 1: Marshall's parents divorced, and it obviously still affects him. A

449
00:21:00,960 --> 00:21:02,960
Speaker 1: few days later, at school, the boys are eating lunch

450
00:21:02,960 --> 00:21:09,440
Speaker 1: when their friend Amy. Okay, we're gonna, we're gonna go down,

451
00:21:09,440 --> 00:21:12,200
Speaker 1: We're gonna we're gonna eventually talk about Amy a little bit,

452
00:21:12,240 --> 00:21:15,399
Speaker 1: because Amy, to me is the most one of the

453
00:21:15,400 --> 00:21:19,800
Speaker 1: most bonkers characters in the history of d coms.

454
00:21:20,000 --> 00:21:26,080
Speaker 2: Yes, she's mean and snarky and sexual, and it's like,

455
00:21:26,640 --> 00:21:30,520
Speaker 2: it's the strangest choice for a twelve year old character

456
00:21:30,760 --> 00:21:32,760
Speaker 2: in the history of any dcom we've seen.

457
00:21:33,240 --> 00:21:39,720
Speaker 4: Right, well, already we're jumping into something that we rarely

458
00:21:40,119 --> 00:21:44,000
Speaker 4: see on the d in the d coms is divorce, right,

459
00:21:44,080 --> 00:21:46,880
Speaker 4: that's where it happened. That's one of my Sabrina seas

460
00:21:46,880 --> 00:21:49,120
Speaker 4: like right off the bat, we're like four or five

461
00:21:49,160 --> 00:21:52,400
Speaker 4: minutes in and finding out a divorce. Not that it's

462
00:21:52,440 --> 00:21:55,800
Speaker 4: a bad topic, but it's different from what we are

463
00:21:55,920 --> 00:21:58,879
Speaker 4: used to seeing on the channel at this point, after

464
00:21:58,960 --> 00:22:02,400
Speaker 4: we've watched seven hundred of them and so we're I mean,

465
00:22:02,520 --> 00:22:05,920
Speaker 4: then you get hit in the face with Amy, and

466
00:22:06,000 --> 00:22:09,880
Speaker 4: she just gets crazier and crazier as we continue through

467
00:22:09,880 --> 00:22:14,120
Speaker 4: the movie, Like it really she's she's a different kind

468
00:22:14,160 --> 00:22:17,520
Speaker 4: of character and very different from what we see her.

469
00:22:17,760 --> 00:22:21,720
Speaker 4: And she confessions like, oh my god, day of the

470
00:22:21,840 --> 00:22:23,800
Speaker 4: kind of character we see in True Confession.

471
00:22:23,880 --> 00:22:24,960
Speaker 3: She's a great actress.

472
00:22:25,080 --> 00:22:28,040
Speaker 2: Like, she's very very good, and it's a good character.

473
00:22:28,240 --> 00:22:31,760
Speaker 2: It's a good character. It's just not a deep character.

474
00:22:31,840 --> 00:22:34,760
Speaker 4: Yeah, exactly where you're just I mean, I was so

475
00:22:35,000 --> 00:22:38,239
Speaker 4: thrown so many times in this movie. It was just like,

476
00:22:38,880 --> 00:22:41,160
Speaker 4: and she's the one that I'm assuming is the one

477
00:22:41,160 --> 00:22:42,520
Speaker 4: that you went and told Sue about.

478
00:22:42,520 --> 00:22:45,000
Speaker 3: It was one of her one of her clothes.

479
00:22:45,119 --> 00:22:46,119
Speaker 2: We will talk about this.

480
00:22:46,240 --> 00:22:48,800
Speaker 1: So a few days later, at school, they're eating lunch,

481
00:22:48,880 --> 00:22:49,520
Speaker 1: Amy arrives.

482
00:22:49,640 --> 00:22:52,840
Speaker 2: She has news he's dead. She says, mister Kubat was

483
00:22:52,840 --> 00:22:55,560
Speaker 2: found sprawled out on the kitchen floor, covered in pancake batter,

484
00:22:55,800 --> 00:22:57,560
Speaker 2: but it was a heart attack. He was just making

485
00:22:57,560 --> 00:23:00,000
Speaker 2: pancakes at the time. Amy says that Kubat used to

486
00:23:00,040 --> 00:23:01,760
Speaker 2: work at some museum in New York and has no

487
00:23:01,840 --> 00:23:04,520
Speaker 2: friends or surviving family. Her mom is selling his house

488
00:23:04,560 --> 00:23:08,119
Speaker 2: and it's very very swoogie. There's even a rumor that

489
00:23:08,240 --> 00:23:11,639
Speaker 2: Coubat has a coffin in his basement. Marshall doesn't believe it,

490
00:23:11,640 --> 00:23:13,440
Speaker 2: so Amy says there's only one way to find out,

491
00:23:13,520 --> 00:23:17,920
Speaker 2: and despite Gilbert saying it's a bad idea, today they

492
00:23:18,000 --> 00:23:19,200
Speaker 2: start breaking the law.

493
00:23:19,280 --> 00:23:21,479
Speaker 1: And that's one of the on running things of this

494
00:23:21,560 --> 00:23:24,760
Speaker 1: movie is these little felons running around the town wreaking

495
00:23:24,800 --> 00:23:25,720
Speaker 1: havoc everywhere.

496
00:23:25,920 --> 00:23:28,600
Speaker 4: I mean, when we talk about teacos, we talk about

497
00:23:28,640 --> 00:23:30,879
Speaker 4: like all these like great choices that the kids are

498
00:23:30,960 --> 00:23:33,120
Speaker 4: learning to make, and this one is like a bad

499
00:23:33,240 --> 00:23:36,800
Speaker 4: choice after a bad choice, after very very bad choices.

500
00:23:36,880 --> 00:23:40,760
Speaker 1: Dude, It's unbelievable. So of course, that night, Amy and

501
00:23:40,800 --> 00:23:43,000
Speaker 1: Marshall forced Gilbert to join them. They're going to break

502
00:23:43,000 --> 00:23:45,520
Speaker 1: into Kubat's house, and when they arrive, after much effort,

503
00:23:45,800 --> 00:23:48,680
Speaker 1: they push their way in through a basement window. Gilbert

504
00:23:48,760 --> 00:23:51,080
Speaker 1: upside down surveys the scene. It's weird but not too

505
00:23:51,119 --> 00:23:54,320
Speaker 1: scary until he spots it. It's an old Egyptian tomb

506
00:23:54,520 --> 00:23:57,919
Speaker 1: with a mummy's hand peeking out. Gilbert screams, running off

507
00:23:57,960 --> 00:23:59,800
Speaker 1: into the night, and his friends chase after him to

508
00:23:59,840 --> 00:24:02,480
Speaker 1: find out what he saw, but he immediately realizes he

509
00:24:02,640 --> 00:24:05,560
Speaker 1: left his glasses in the basement, so there's no way

510
00:24:05,600 --> 00:24:08,160
Speaker 1: he's going back. He tells his paths that he saw

511
00:24:08,200 --> 00:24:12,200
Speaker 1: a coffin and a hand. Marshall Niemy force scaredy cat

512
00:24:12,240 --> 00:24:15,359
Speaker 1: Gilbert to return to the basement through some very friendly blackmail,

513
00:24:15,680 --> 00:24:18,160
Speaker 1: and Amy reveals she's had the front door key from

514
00:24:18,200 --> 00:24:21,680
Speaker 1: her mom the entire time. She just thought breaking in

515
00:24:21,760 --> 00:24:26,680
Speaker 1: would be more fun. Shed they could have walked in

516
00:24:26,760 --> 00:24:29,600
Speaker 1: the front door, but she wanted them to break in.

517
00:24:29,760 --> 00:24:32,160
Speaker 1: It's specifically talking about Yeah, I thought breaking it would

518
00:24:32,200 --> 00:24:32,640
Speaker 1: be more fun.

519
00:24:32,840 --> 00:24:35,440
Speaker 4: And to be honest, I feel like when you're growing up,

520
00:24:36,320 --> 00:24:41,040
Speaker 4: every group of friends has this chick or or guy

521
00:24:41,280 --> 00:24:45,040
Speaker 4: or dude or dude that is coming up with these

522
00:24:45,080 --> 00:24:48,800
Speaker 4: bad ideas, and for whatever reason, the rest of you

523
00:24:48,960 --> 00:24:51,800
Speaker 4: ding dongs go with these stupid ideas.

524
00:24:51,960 --> 00:24:54,920
Speaker 3: I know I had one. I think, okay, so that

525
00:24:55,080 --> 00:24:56,240
Speaker 3: I might have been one.

526
00:24:56,600 --> 00:24:57,840
Speaker 2: And that's well, that's what I'm gonna ask.

527
00:24:58,040 --> 00:25:00,600
Speaker 1: It leads me to a great question. How many crimes

528
00:25:00,600 --> 00:25:02,040
Speaker 1: did you commit as a kid and what were they?

529
00:25:02,240 --> 00:25:02,640
Speaker 3: Oh?

530
00:25:02,720 --> 00:25:05,760
Speaker 4: Man, I don't I don't, honestly think if anything, I

531
00:25:05,920 --> 00:25:08,119
Speaker 4: was the chicken that didn't want to do anything and

532
00:25:08,160 --> 00:25:09,240
Speaker 4: just kind of anything.

533
00:25:09,280 --> 00:25:10,439
Speaker 3: That was usually me.

534
00:25:11,440 --> 00:25:14,040
Speaker 4: But I would do stuff that I knew if I

535
00:25:14,119 --> 00:25:16,480
Speaker 4: got caught, wouldn't be that bad, like breaking into my

536
00:25:16,600 --> 00:25:17,520
Speaker 4: sister's room.

537
00:25:17,480 --> 00:25:20,679
Speaker 2: Right that kind of Oh that's.

538
00:25:19,560 --> 00:25:20,160
Speaker 3: Not that bad.

539
00:25:20,200 --> 00:25:23,880
Speaker 4: But I felt like that was I had some balls

540
00:25:23,920 --> 00:25:27,040
Speaker 4: to do it because my sister found out I was

541
00:25:27,080 --> 00:25:30,320
Speaker 4: really going to be in trouble, but actually breaking the law,

542
00:25:30,440 --> 00:25:30,919
Speaker 4: I didn't.

543
00:25:31,400 --> 00:25:31,760
Speaker 2: I don't.

544
00:25:32,320 --> 00:25:35,240
Speaker 3: I don't think I did that. Really, I honestly can't

545
00:25:35,280 --> 00:25:37,760
Speaker 3: think of one. Do you have one? Did you break

546
00:25:37,800 --> 00:25:38,680
Speaker 3: the law? Well?

547
00:25:39,119 --> 00:25:43,320
Speaker 2: No, no, I never did. I was an amazing I

548
00:25:43,359 --> 00:25:43,760
Speaker 2: don't want to.

549
00:25:43,760 --> 00:25:45,520
Speaker 3: Be recorded and on camera.

550
00:25:45,320 --> 00:25:47,960
Speaker 2: And I was an amazing kid. I never broke the

551
00:25:48,040 --> 00:25:50,679
Speaker 2: law as a kid in any way, shape or form

552
00:25:50,080 --> 00:25:54,720
Speaker 2: a right, I never did anything angel I did. I

553
00:25:54,760 --> 00:25:56,040
Speaker 2: got into let's put it this way.

554
00:25:56,119 --> 00:25:59,480
Speaker 1: I might have gotten into some shenanigans and or monkey shines.

555
00:26:00,320 --> 00:26:03,400
Speaker 1: It might have happened, but I didn't do anything horrible.

556
00:26:03,440 --> 00:26:05,679
Speaker 1: But you know, there was an occasional my friends and

557
00:26:05,720 --> 00:26:08,840
Speaker 1: I would break into our school when we were like,

558
00:26:08,920 --> 00:26:12,440
Speaker 1: you know, in seventh grade, like that kind of stuff.

559
00:26:12,680 --> 00:26:15,040
Speaker 2: But nothing. We didn't do anything like we never caused

560
00:26:15,040 --> 00:26:17,800
Speaker 2: any serious damage or lit fires or didn't do any

561
00:26:17,840 --> 00:26:20,120
Speaker 2: of that kind of crazy stuff. We didn't steal cars.

562
00:26:19,840 --> 00:26:21,960
Speaker 3: Or anything interested in doing that.

563
00:26:22,080 --> 00:26:22,399
Speaker 7: I was.

564
00:26:22,800 --> 00:26:24,760
Speaker 2: I was a scaredy cat in my of my group

565
00:26:24,800 --> 00:26:25,520
Speaker 2: as well.

566
00:26:25,320 --> 00:26:26,960
Speaker 1: We would see, you know, one of the things we

567
00:26:27,040 --> 00:26:28,840
Speaker 1: used to do, which I guess is technically breaking the

568
00:26:28,880 --> 00:26:31,240
Speaker 1: law is we would all gather at a friend's house

569
00:26:31,240 --> 00:26:33,240
Speaker 1: for a sleepover, and then we'd sneak out in the

570
00:26:33,280 --> 00:26:34,760
Speaker 1: middle of the night to go to a girl's house

571
00:26:34,760 --> 00:26:35,520
Speaker 1: who was also.

572
00:26:35,320 --> 00:26:37,840
Speaker 2: Having a sleepover, and then you trying to kiss the

573
00:26:37,880 --> 00:26:38,480
Speaker 2: girls over there.

574
00:26:38,480 --> 00:26:41,600
Speaker 1: So like walking through the town at three o'clock in

575
00:26:41,640 --> 00:26:43,240
Speaker 1: the morning, trying to get to the other side of

576
00:26:43,240 --> 00:26:45,719
Speaker 1: town through train tracks and stuff like that, dangerous and

577
00:26:45,800 --> 00:26:48,960
Speaker 1: probably technically breaking a lot with stuff like that that

578
00:26:49,000 --> 00:26:51,159
Speaker 1: we were doing, but never anything that was you know,

579
00:26:51,680 --> 00:26:55,440
Speaker 1: like this girl is, she's advocating serious breaking.

580
00:26:55,359 --> 00:26:57,639
Speaker 3: An abandoned house and doing that kind of stuff.

581
00:26:57,680 --> 00:27:02,280
Speaker 2: That's a lot, especially when you have mom too.

582
00:27:02,320 --> 00:27:04,760
Speaker 3: Though she's stealing a key of a house that they

583
00:27:04,760 --> 00:27:07,440
Speaker 3: don't know. That's right either.

584
00:27:07,480 --> 00:27:10,159
Speaker 1: Also choosing to break the law over just opening the

585
00:27:10,200 --> 00:27:12,200
Speaker 1: door like she's like, no, I wanted to break some stuff.

586
00:27:13,200 --> 00:27:15,520
Speaker 2: Yikes. So anyway, they unlock the door and they walk

587
00:27:15,600 --> 00:27:17,439
Speaker 2: in and we see the mummy hand in the basement,

588
00:27:17,560 --> 00:27:20,320
Speaker 2: slowly moving, so maybe he's waking up.

589
00:27:21,200 --> 00:27:23,520
Speaker 1: The house looks very much abandoned. The kids navigate their

590
00:27:23,560 --> 00:27:25,800
Speaker 1: way through the dust, eventually finding the basement door. Amy

591
00:27:25,800 --> 00:27:28,560
Speaker 1: and Marshall make their way downstairs, with Gilbert staying upstairs.

592
00:27:28,640 --> 00:27:30,879
Speaker 1: That would have been me finally getting out of his journey.

593
00:27:30,960 --> 00:27:32,720
Speaker 1: He doesn't want to be there in the first place,

594
00:27:33,000 --> 00:27:36,200
Speaker 1: but now he's alone, surrounded by slamming shut doors, creaky noises,

595
00:27:36,240 --> 00:27:39,600
Speaker 1: and a turning doorknob, and Jesuinenie's had enough. His friend's return,

596
00:27:39,680 --> 00:27:43,280
Speaker 1: seemingly unfazed by the basement, A terrified Gilbert begins to

597
00:27:43,280 --> 00:27:45,840
Speaker 1: describe what he's been seeing, and that's when an angry

598
00:27:45,920 --> 00:27:48,960
Speaker 1: mummy bursts through the nearby door. He waddles towards the kids,

599
00:27:48,960 --> 00:27:51,480
Speaker 1: who try to hide from him throughout the house, eventually

600
00:27:51,520 --> 00:27:53,680
Speaker 1: landing in a bedroom and blocking the door with furniture,

601
00:27:53,960 --> 00:27:55,840
Speaker 1: but it does nothing to keep them safe. The mummy,

602
00:27:55,960 --> 00:27:59,359
Speaker 1: now grunting loudly, breaks through it. Immediately they're trapped and

603
00:27:59,359 --> 00:28:01,879
Speaker 1: staring at them. Monster completely at his mercy, and just

604
00:28:01,920 --> 00:28:03,679
Speaker 1: when you think he's going to attack, he notices a

605
00:28:03,680 --> 00:28:08,240
Speaker 1: nearby toilet. He detours, entering the bathroom and then takes

606
00:28:08,280 --> 00:28:11,119
Speaker 1: a long pe and gives a sigh of satisfaction. Is

607
00:28:11,160 --> 00:28:14,520
Speaker 1: this our first urinating in a dcom police?

608
00:28:14,720 --> 00:28:17,840
Speaker 2: So okay that we have yet to have any bodily functions.

609
00:28:17,880 --> 00:28:20,800
Speaker 3: Right at this point, I think we've ever used a restroom.

610
00:28:20,880 --> 00:28:22,879
Speaker 2: No, no, we haven't done that.

611
00:28:22,960 --> 00:28:24,600
Speaker 1: Zac Efron is in the middle of the song, then

612
00:28:24,640 --> 00:28:26,320
Speaker 1: goes excuse me, and then walks into pe and we

613
00:28:26,320 --> 00:28:28,640
Speaker 1: listen to him. P that hasn't happened, as he's still

614
00:28:28,640 --> 00:28:29,520
Speaker 1: singing in the bathroom.

615
00:28:29,560 --> 00:28:31,560
Speaker 4: Would have been racy in its own right. So I

616
00:28:31,560 --> 00:28:33,439
Speaker 4: think we steer clear from Zach Everett.

617
00:28:33,480 --> 00:28:34,520
Speaker 2: You didn't do any something like.

618
00:28:34,560 --> 00:28:36,720
Speaker 1: That that You didn't have to stop strutting halfway through to

619
00:28:36,760 --> 00:28:37,880
Speaker 1: run to the restroom really quick.

620
00:28:37,920 --> 00:28:39,720
Speaker 2: That's not a thing, no, gotcha.

621
00:28:39,800 --> 00:28:49,080
Speaker 1: Yeah, So, while he urinates, the kids make a b

622
00:28:49,200 --> 00:28:50,960
Speaker 1: line for the door. You can tell the dcom still

623
00:28:50,960 --> 00:28:53,800
Speaker 1: trying to find itself, but the Mummy catches Gilbert, grabbing

624
00:28:53,840 --> 00:28:55,960
Speaker 1: him by the shirt and picking him up off the ground,

625
00:28:56,120 --> 00:28:58,280
Speaker 1: But instead of killing the boy, which would have kind

626
00:28:58,320 --> 00:29:00,760
Speaker 1: of been on par for this movie, he hands him

627
00:29:01,120 --> 00:29:04,239
Speaker 1: his glasses. Gilbert thanks the monster, but it's spooked by

628
00:29:04,240 --> 00:29:07,440
Speaker 1: Marshall's beeping digital watch, but again he doesn't attack. He

629
00:29:07,520 --> 00:29:09,560
Speaker 1: just wants to see the watch, and when it peeps again,

630
00:29:09,760 --> 00:29:13,360
Speaker 1: it's the Mummy who cowers in fear. Marshall explains it

631
00:29:13,480 --> 00:29:15,520
Speaker 1: just tells the time and has a calendar. It's obvious

632
00:29:15,560 --> 00:29:17,840
Speaker 1: this mummy isn't gonna hurt him. He's friendly but very,

633
00:29:17,960 --> 00:29:20,960
Speaker 1: very smelly, and Marshall decides he's gonna keep the Mummy.

634
00:29:21,000 --> 00:29:22,600
Speaker 1: He doesn't want anyone to capture their new friend and

635
00:29:22,640 --> 00:29:25,200
Speaker 1: treat him like et. They even mention Et, so they

636
00:29:25,240 --> 00:29:27,480
Speaker 1: lock him in the house and promise they'll be back tomorrow.

637
00:29:28,040 --> 00:29:30,000
Speaker 1: And so the next morning at school, the friends regroup.

638
00:29:30,120 --> 00:29:32,640
Speaker 1: Marshall doesn't want anybody to know about the mummy, especially

639
00:29:32,640 --> 00:29:34,960
Speaker 1: his mom or her new dumb boyfriend. Then Todd, a

640
00:29:35,000 --> 00:29:37,320
Speaker 1: redhead with a crush on Amy, who obviously is like

641
00:29:37,400 --> 00:29:39,200
Speaker 1: the son of one of the directors of the writers,

642
00:29:39,240 --> 00:29:42,040
Speaker 1: pops up at their lockers, but she won't give them

643
00:29:42,040 --> 00:29:42,720
Speaker 1: the time of day.

644
00:29:43,200 --> 00:29:45,680
Speaker 2: As a matter of fact, she's kind of a she's.

645
00:29:45,480 --> 00:29:48,600
Speaker 3: Too rude, as held in him like rude rude.

646
00:29:48,640 --> 00:29:51,880
Speaker 1: And he's super sweet and not creepy. He doesn't come

647
00:29:51,880 --> 00:29:53,719
Speaker 1: in a creepy way. He's like very nice. They make

648
00:29:53,800 --> 00:29:55,440
Speaker 1: him a nice kid, and they make hurt just flat

649
00:29:55,480 --> 00:30:00,320
Speaker 1: out mean again. Yeah, So he apologizes for live and

650
00:30:00,360 --> 00:30:03,040
Speaker 1: breathing the same air as her and trails off she

651
00:30:03,080 --> 00:30:05,320
Speaker 1: admits she could never like him because he saw the

652
00:30:05,480 --> 00:30:09,720
Speaker 1: Ulsen Twins movie twice. That's such a bad thing. And

653
00:30:09,760 --> 00:30:12,240
Speaker 1: then he never appears again. It is quite an odd thing,

654
00:30:12,360 --> 00:30:13,160
Speaker 1: quite an odd cameo.

655
00:30:13,200 --> 00:30:14,040
Speaker 2: A scene you can cut.

656
00:30:14,120 --> 00:30:15,920
Speaker 1: We could have gotten closer to the ninety minutes because

657
00:30:15,960 --> 00:30:17,600
Speaker 1: it was completely and totally unnecessary.

658
00:30:17,760 --> 00:30:18,680
Speaker 3: He never comes back.

659
00:30:18,800 --> 00:30:21,600
Speaker 1: Nope, never comes back. It's never mentioned no one. That's

660
00:30:21,800 --> 00:30:25,240
Speaker 1: that's it' that was again. I will be happy to

661
00:30:25,280 --> 00:30:26,960
Speaker 1: fund your movie if you give my son a part.

662
00:30:27,840 --> 00:30:30,480
Speaker 1: Marshall wonders if he should skip school to go take

663
00:30:30,480 --> 00:30:32,520
Speaker 1: care of the mummy. Amy still isn't sold that the

664
00:30:32,560 --> 00:30:34,720
Speaker 1: monster is nice, and Marshall admits they need to learn

665
00:30:34,720 --> 00:30:37,240
Speaker 1: more about him, and he knows just the guy to

666
00:30:37,280 --> 00:30:37,560
Speaker 1: go to.

667
00:30:38,080 --> 00:30:39,760
Speaker 2: We cut to the Forbidden World bookstore.

668
00:30:39,800 --> 00:30:41,680
Speaker 1: It's owned by a guy named Bruce and filled with

669
00:30:41,720 --> 00:30:44,600
Speaker 1: items perfect for either Halloween decorating or furnishing a serial

670
00:30:44,640 --> 00:30:49,400
Speaker 1: killer's apartment. Skulls, candelabras, old books. Eventually, Bruce stumbles out

671
00:30:49,440 --> 00:30:51,440
Speaker 1: from the back room. He's choking and can't breathe. He

672
00:30:51,520 --> 00:30:53,840
Speaker 1: eventually falls flat in his face, revealing a knife in

673
00:30:53,880 --> 00:30:56,800
Speaker 1: his bloody back. Oh my god, Marshall says it looks

674
00:30:56,800 --> 00:30:59,000
Speaker 1: incredibly fake, and Bruce, who is very much still alive,

675
00:30:59,040 --> 00:31:02,200
Speaker 1: as offended it was a Marshall introduces his friends to Bruce,

676
00:31:02,240 --> 00:31:04,720
Speaker 1: who then goes on about how the new Warhead movie,

677
00:31:04,760 --> 00:31:07,320
Speaker 1: the one we saw in the beginning, is art. The

678
00:31:07,400 --> 00:31:09,720
Speaker 1: kids pretend they're writing a report on mummies, and Bruce

679
00:31:09,800 --> 00:31:12,120
Speaker 1: leads them to a dusty book. He explains they were

680
00:31:12,160 --> 00:31:14,880
Speaker 1: guardians in Egypt, now buried in coffins, ready to attack

681
00:31:14,920 --> 00:31:17,640
Speaker 1: anyone who ever disturbs their holy crypt and.

682
00:31:17,560 --> 00:31:18,800
Speaker 2: Every year around Halloween.

683
00:31:18,840 --> 00:31:20,320
Speaker 1: And this is where I was like, Okay, thank god,

684
00:31:20,320 --> 00:31:22,320
Speaker 1: they're putting some rules to it, so I'm happy now.

685
00:31:23,120 --> 00:31:25,120
Speaker 1: The spirit of a mummy can be freed to walk

686
00:31:25,160 --> 00:31:27,400
Speaker 1: the earth during a full moon, but if it doesn't

687
00:31:27,440 --> 00:31:30,760
Speaker 1: return by midnight, his soul will be lost forever.

688
00:31:31,200 --> 00:31:33,360
Speaker 2: And they recognize one of the book's illustrations. They saw

689
00:31:33,400 --> 00:31:35,760
Speaker 2: it on the coffin itself at Cubat's. It's the eye

690
00:31:35,840 --> 00:31:37,440
Speaker 2: of Ra, the sun god.

691
00:31:37,600 --> 00:31:39,479
Speaker 1: When the kids return to Kubot's house, a little boy

692
00:31:39,560 --> 00:31:42,680
Speaker 1: named Leonard greets them by asking if they'd like to

693
00:31:42,720 --> 00:31:45,640
Speaker 1: see him picking a scab. The kid exchanges words with Amy,

694
00:31:46,000 --> 00:31:49,320
Speaker 1: with the young girl mentioning her bra and maybe we're

695
00:31:49,360 --> 00:31:52,080
Speaker 1: realizing once again, why this isn't on Disney.

696
00:31:52,120 --> 00:31:57,640
Speaker 2: Plus, this is weird, bizarre, gotta be a producer's kid

697
00:31:57,720 --> 00:32:02,080
Speaker 2: cameo number two in the film. I mean, what were

698
00:32:02,080 --> 00:32:03,479
Speaker 2: you thinking at this point this? I was like, what

699
00:32:03,600 --> 00:32:05,600
Speaker 2: is this kid doing here? Yes?

700
00:32:05,920 --> 00:32:07,680
Speaker 3: And yeah, why is it?

701
00:32:07,800 --> 00:32:13,400
Speaker 4: Why aren't throughout this entire movie any of these kids supervised.

702
00:32:13,440 --> 00:32:15,840
Speaker 4: I'm gonna jump to a Sabrina seas right now because

703
00:32:16,760 --> 00:32:19,600
Speaker 4: they seem I mean, look, I might have been a

704
00:32:19,640 --> 00:32:21,480
Speaker 4: little bit more sheltered than most kids.

705
00:32:21,520 --> 00:32:22,360
Speaker 3: I would. I would.

706
00:32:22,440 --> 00:32:25,560
Speaker 4: That's okay for me to say, because Monroe's gonna get

707
00:32:25,560 --> 00:32:28,200
Speaker 4: another five years of the shelterness than what I even got.

708
00:32:29,240 --> 00:32:32,240
Speaker 2: Poor kid, I know, but right.

709
00:32:32,240 --> 00:32:36,320
Speaker 3: Oh so sad. However, Ledger Leger could fend for himself.

710
00:32:36,320 --> 00:32:39,840
Speaker 3: He's okay to like go out on those streets by himself.

711
00:32:40,200 --> 00:32:45,080
Speaker 3: No one's messing with him. I just feel like even

712
00:32:45,160 --> 00:32:47,520
Speaker 3: the movie theater, they seemed.

713
00:32:47,320 --> 00:32:50,600
Speaker 2: Very young to be by themselves.

714
00:32:50,320 --> 00:32:52,600
Speaker 4: By themselves at the movie theater with the mom, not

715
00:32:52,640 --> 00:32:56,280
Speaker 4: even at least in the back row, or then even

716
00:32:56,320 --> 00:32:58,080
Speaker 4: more to walk home.

717
00:32:57,920 --> 00:32:59,640
Speaker 3: From the movie theater by themselves.

718
00:33:00,800 --> 00:33:03,240
Speaker 1: How are you supposed to be small town America in

719
00:33:03,280 --> 00:33:05,280
Speaker 1: the mid nineties, just a little safer.

720
00:33:05,320 --> 00:33:08,280
Speaker 2: I guess it wasn't really I get was it.

721
00:33:08,440 --> 00:33:08,880
Speaker 3: I don't know.

722
00:33:09,080 --> 00:33:12,080
Speaker 4: I was not allowed to be anywhere of how how

723
00:33:12,080 --> 00:33:13,720
Speaker 4: old do we think these kids are at this point?

724
00:33:13,760 --> 00:33:16,840
Speaker 2: Like what I was thinking, like eleven, Okay.

725
00:33:16,280 --> 00:33:17,200
Speaker 3: That's what I was thinking.

726
00:33:17,240 --> 00:33:20,080
Speaker 4: So I think at eleven, I was maybe able to

727
00:33:20,160 --> 00:33:24,280
Speaker 4: ride my bike up to like the boardwalk and Carl's

728
00:33:24,360 --> 00:33:25,360
Speaker 4: Junior shopping Center.

729
00:33:26,560 --> 00:33:27,080
Speaker 2: But I don't.

730
00:33:27,160 --> 00:33:30,240
Speaker 3: I don't even know, like at night, No, during the

731
00:33:30,320 --> 00:33:31,880
Speaker 3: day and the summertime.

732
00:33:31,560 --> 00:33:33,760
Speaker 2: Yeah, yeah, at night, I don't know.

733
00:33:34,080 --> 00:33:35,240
Speaker 3: There's just no supervision.

734
00:33:35,400 --> 00:33:37,080
Speaker 1: No, there isn't. And it's like it's got to be

735
00:33:37,120 --> 00:33:39,080
Speaker 1: a rated R movie. So how did they get into

736
00:33:39,120 --> 00:33:39,520
Speaker 1: the movie?

737
00:33:40,160 --> 00:33:43,280
Speaker 3: Yes, exactly. So there's a lot of questionable parenting.

738
00:33:43,400 --> 00:33:46,440
Speaker 2: I agree, I agree quote on parenting.

739
00:33:46,840 --> 00:33:48,400
Speaker 3: Yeah, decisions being made here.

740
00:33:49,360 --> 00:33:50,400
Speaker 2: Yeah, it's really crazy.

741
00:33:50,640 --> 00:33:52,920
Speaker 1: No, I agree with you. I agree with you one

742
00:33:52,960 --> 00:33:55,880
Speaker 1: hundred percent. So yeah, but it was also just she's

743
00:33:55,920 --> 00:33:58,720
Speaker 1: talking about her bra at eleven. This little kid's whole

744
00:33:58,760 --> 00:33:59,360
Speaker 1: cameo was this.

745
00:33:59,600 --> 00:34:04,760
Speaker 3: Kid is much younger too, nine, I would say it's

746
00:34:04,760 --> 00:34:05,320
Speaker 3: five or six.

747
00:34:05,960 --> 00:34:06,600
Speaker 2: He's young.

748
00:34:07,800 --> 00:34:10,560
Speaker 4: His parents where are they they're not in the front yard.

749
00:34:10,560 --> 00:34:12,680
Speaker 4: They're like, I mean he's sitting there watching. I don't

750
00:34:12,680 --> 00:34:14,520
Speaker 4: know if he's like the next door neighbor to this

751
00:34:14,560 --> 00:34:17,239
Speaker 4: crazy Coubot house it's.

752
00:34:16,640 --> 00:34:17,200
Speaker 2: Supposed to be.

753
00:34:17,440 --> 00:34:19,400
Speaker 1: He's Also, he does have the funny line though, about

754
00:34:19,719 --> 00:34:21,520
Speaker 1: carrying a blank He's like, it's not a blanket, it's

755
00:34:21,520 --> 00:34:23,560
Speaker 1: a towel in case I have to clean up something

756
00:34:23,600 --> 00:34:23,879
Speaker 1: on the way.

757
00:34:23,880 --> 00:34:26,600
Speaker 2: It was like, what the just it's bonker. Some of

758
00:34:26,600 --> 00:34:30,759
Speaker 2: this dialogue is really weird. I love that it's not

759
00:34:30,800 --> 00:34:34,120
Speaker 2: a blank It's not a blank town in case I

760
00:34:34,200 --> 00:34:36,120
Speaker 2: got to clean stuff up on the way home. Like,

761
00:34:36,200 --> 00:34:41,600
Speaker 2: oh Jesus, sorry, Billy, it was nuts. Little Leonard mentions

762
00:34:41,640 --> 00:34:44,760
Speaker 2: a yellow truck parked outside earlier and it took all

763
00:34:44,880 --> 00:34:47,680
Speaker 2: of the Coubot's stuff away. The kid's darting to the house,

764
00:34:47,680 --> 00:34:50,120
Speaker 2: which is now completely empty, and are greeted by Amy's mom,

765
00:34:50,160 --> 00:34:50,680
Speaker 2: the realtor.

766
00:34:50,880 --> 00:34:53,440
Speaker 1: She explains the I R S confiscated his belongings to

767
00:34:53,480 --> 00:34:56,799
Speaker 1: payoff debt. The kids cannot believe it. Meanwhile, down at

768
00:34:56,840 --> 00:34:59,800
Speaker 1: the local dairy freeze, the mummy is aimlessly roaming the streets.

769
00:35:00,040 --> 00:35:01,799
Speaker 2: He enters the drive through and is confused by the.

770
00:35:01,719 --> 00:35:04,560
Speaker 1: Intercom, eventually groaning out in order for Burger's fries in

771
00:35:04,560 --> 00:35:07,720
Speaker 1: a jumbo orange soda worth noting here people the total

772
00:35:07,840 --> 00:35:10,239
Speaker 1: was three dollars and seventy four cents.

773
00:35:10,120 --> 00:35:11,759
Speaker 3: For all of the food he bought.

774
00:35:11,800 --> 00:35:14,640
Speaker 2: My age and want to hear very very old.

775
00:35:14,880 --> 00:35:17,000
Speaker 1: I you know, the last time I was at a

776
00:35:17,040 --> 00:35:19,839
Speaker 1: fast food place, I got like a number one and

777
00:35:19,880 --> 00:35:20,560
Speaker 1: a burger or something.

778
00:35:20,560 --> 00:35:23,520
Speaker 2: It's like nineteen dollars. What are you kidding me? Oh yeah, oh,

779
00:35:23,560 --> 00:35:25,239
Speaker 2: it's insane. Yeah.

780
00:35:25,320 --> 00:35:29,759
Speaker 4: A family of four easily throws down fifty dollars like

781
00:35:29,960 --> 00:35:30,640
Speaker 4: he's more.

782
00:35:30,840 --> 00:35:34,240
Speaker 2: Yeah, it's crazy. A McDonald's, yes, not even.

783
00:35:34,040 --> 00:35:36,360
Speaker 3: Getting extra stuff ordering the meals.

784
00:35:36,480 --> 00:35:38,360
Speaker 4: It's like a drink, a fry and a burger, or

785
00:35:38,400 --> 00:35:39,960
Speaker 4: a drink, a fry, yeah, and a burger.

786
00:35:40,080 --> 00:35:41,120
Speaker 3: That's ayane.

787
00:35:42,080 --> 00:35:43,640
Speaker 2: People should be ashamed of themselves.

788
00:35:43,920 --> 00:35:46,120
Speaker 1: He takes only a soda, though, and burps his way

789
00:35:46,120 --> 00:35:48,719
Speaker 1: into the town center, apparently undetected by everyone, until a

790
00:35:48,760 --> 00:35:50,680
Speaker 1: little kid in a bee costume points him out to

791
00:35:50,760 --> 00:35:54,040
Speaker 1: his mom as quote unquote an ugly person. But she

792
00:35:54,080 --> 00:35:56,880
Speaker 1: won't look because some people are just born quote special.

793
00:35:57,600 --> 00:36:02,040
Speaker 8: The kid says, is very well, then he's very special.

794
00:36:06,880 --> 00:36:08,640
Speaker 4: That was just like such a normal thing for a

795
00:36:08,719 --> 00:36:10,600
Speaker 4: kid to say, being like okay, but.

796
00:36:10,680 --> 00:36:14,719
Speaker 2: He now roaming in the park.

797
00:36:14,760 --> 00:36:17,880
Speaker 1: The mummy throws out his soda because mummies don't litter, obviously,

798
00:36:18,200 --> 00:36:20,880
Speaker 1: and that's when he sees a hospital next door. A

799
00:36:20,920 --> 00:36:22,880
Speaker 1: man is being wheeled in after an accident and is

800
00:36:22,880 --> 00:36:25,439
Speaker 1: wrapped in gauze head to toe. The mummy gets very

801
00:36:25,440 --> 00:36:27,400
Speaker 1: excited at the site and runs over to see what

802
00:36:27,480 --> 00:36:30,760
Speaker 1: he assumes is probably a relative. Once inside the hospital,

803
00:36:30,840 --> 00:36:32,759
Speaker 1: the automatic doors closed on one of his bandages and

804
00:36:32,800 --> 00:36:34,919
Speaker 1: slowly unravels him as he walks the halls. I thought

805
00:36:34,920 --> 00:36:37,360
Speaker 1: this was going to end, meaning like he was totally unraffled,

806
00:36:37,400 --> 00:36:41,960
Speaker 1: but it just didn't. He's he's heartwarmed by relatives, embracing

807
00:36:42,200 --> 00:36:43,839
Speaker 1: and given some forms to fill out.

808
00:36:44,000 --> 00:36:46,120
Speaker 2: He even sees people like handing each other flowers. It's

809
00:36:46,160 --> 00:36:48,000
Speaker 2: very nice. But when a nurse finally sees him, she

810
00:36:48,120 --> 00:36:48,880
Speaker 2: is terrified.

811
00:36:49,280 --> 00:36:51,719
Speaker 1: Everyone assumes he's a burn victim who treated himself, and

812
00:36:51,760 --> 00:36:53,040
Speaker 1: a doctor throws him on a gurney.

813
00:36:53,200 --> 00:36:54,960
Speaker 2: They can't find a heartbeat and he's not breathing, so

814
00:36:54,960 --> 00:36:55,359
Speaker 2: they hit.

815
00:36:55,280 --> 00:36:58,320
Speaker 1: Him with a defibrillator, shocking him and helping him escape

816
00:36:58,960 --> 00:37:01,160
Speaker 1: very funny, and just when the kids think they'll never

817
00:37:01,200 --> 00:37:04,200
Speaker 1: see him again, they spot the mummy fleeing the hospital.

818
00:37:04,400 --> 00:37:06,880
Speaker 2: They help him hide from the orderlies, and Marshall offers.

819
00:37:06,640 --> 00:37:09,239
Speaker 1: His house to hide at, because well, since Ted is

820
00:37:09,239 --> 00:37:11,319
Speaker 1: around all the time, his mom is used to big,

821
00:37:11,360 --> 00:37:14,520
Speaker 1: clunky dudes walking around, and so they sneak the mummy

822
00:37:14,560 --> 00:37:17,080
Speaker 1: into his attic, which, remember is filled with so many

823
00:37:17,080 --> 00:37:19,880
Speaker 1: monsters that he fits right in, which is put to

824
00:37:19,920 --> 00:37:22,240
Speaker 1: the test when Marshall's mom enters wondering about the noises

825
00:37:22,320 --> 00:37:24,239
Speaker 1: she's been hearing while the Mummy pretends to be just

826
00:37:24,280 --> 00:37:27,680
Speaker 1: another statue. Amy Tap dances poorly to explain the noises,

827
00:37:28,000 --> 00:37:30,000
Speaker 1: and of course his idiot mom buys it.

828
00:37:30,239 --> 00:37:31,399
Speaker 2: She just wants him to clean his.

829
00:37:31,440 --> 00:37:35,400
Speaker 1: Room because it stinks, so once she leaves, Marshall douses

830
00:37:35,400 --> 00:37:38,160
Speaker 1: the monster in cologne. Though that helps for the time being,

831
00:37:38,280 --> 00:37:39,759
Speaker 1: they know that they have to get him back into

832
00:37:39,760 --> 00:37:42,479
Speaker 1: his coffin by midnight or else it's going to be bad.

833
00:37:42,920 --> 00:37:45,320
Speaker 1: In the meantime, the monster tries to eat a goldfish,

834
00:37:45,560 --> 00:37:46,120
Speaker 1: plays the.

835
00:37:46,040 --> 00:37:51,120
Speaker 2: Song Oh Bamassive by Eric Carmen on the boombox, and

836
00:37:51,160 --> 00:37:52,880
Speaker 2: it's given the name Harold by Marshall.

837
00:37:53,400 --> 00:37:55,560
Speaker 4: Was that a cover or was that a nice I

838
00:37:55,600 --> 00:37:56,960
Speaker 4: think it was the real one, the original.

839
00:37:56,960 --> 00:37:59,920
Speaker 2: I think it was the original. Yeah. Here's the other thing.

840
00:38:00,120 --> 00:38:01,680
Speaker 1: This is where this is one of the lines where

841
00:38:01,719 --> 00:38:05,400
Speaker 1: I paused and went really, uh. So he's given the

842
00:38:05,719 --> 00:38:08,520
Speaker 1: name Harold by Marshall because he looks like his uncle Harold.

843
00:38:09,080 --> 00:38:11,520
Speaker 1: And then they cut to Amy, who says, oh my god,

844
00:38:11,600 --> 00:38:16,040
Speaker 1: your aunt must want to open a vein. And I'm like, oh,

845
00:38:16,280 --> 00:38:18,960
Speaker 1: it's our first d com suicide joke.

846
00:38:20,239 --> 00:38:24,759
Speaker 4: Oh okay, yeah, I just thought she just again is

847
00:38:24,800 --> 00:38:25,359
Speaker 4: so mean.

848
00:38:25,480 --> 00:38:26,560
Speaker 3: I didn't even think.

849
00:38:26,400 --> 00:38:28,200
Speaker 2: About it's a suicide.

850
00:38:28,320 --> 00:38:31,120
Speaker 3: Joel words that she said, yes, yes.

851
00:38:31,040 --> 00:38:32,440
Speaker 2: It is our very first.

852
00:38:32,560 --> 00:38:35,200
Speaker 1: Chalk it up, people, if your bingo card was first

853
00:38:35,200 --> 00:38:38,800
Speaker 1: Disney Channel suicide joke, you can click it off.

854
00:38:38,600 --> 00:38:39,759
Speaker 2: The map because there it is.

855
00:38:39,840 --> 00:38:40,120
Speaker 9: Wow.

856
00:38:40,640 --> 00:38:41,000
Speaker 2: Yeah.

857
00:38:41,000 --> 00:38:44,280
Speaker 4: I was like, geez, but of the time, those kinds

858
00:38:44,280 --> 00:38:47,560
Speaker 4: of things were so normal to say.

859
00:38:47,719 --> 00:38:49,800
Speaker 2: Now here's like I would. I agree.

860
00:38:49,840 --> 00:38:51,600
Speaker 4: I don't even want to say them because it's like

861
00:38:51,880 --> 00:38:54,000
Speaker 4: you just don't say that stuff anymore.

862
00:38:54,120 --> 00:38:57,640
Speaker 1: No, I agree, but I don't think it was even

863
00:38:57,719 --> 00:39:02,080
Speaker 1: of the time for a kids movie though, oh.

864
00:39:01,640 --> 00:39:04,160
Speaker 3: Well, not not a Disney kid.

865
00:39:04,120 --> 00:39:06,640
Speaker 1: That's what I'm saying, they're still the finding themselves and

866
00:39:06,680 --> 00:39:10,160
Speaker 1: we obviously we Hey, we had all of the podcasts now,

867
00:39:10,200 --> 00:39:12,839
Speaker 1: all the shows, all the rewatch everything. You do your

868
00:39:12,880 --> 00:39:15,319
Speaker 1: best to realize all this stuff has done in a

869
00:39:15,320 --> 00:39:15,879
Speaker 1: different time.

870
00:39:16,000 --> 00:39:17,880
Speaker 2: I totally understand that. And you can't.

871
00:39:18,239 --> 00:39:21,160
Speaker 1: You can't put the things that we know now are

872
00:39:21,200 --> 00:39:23,600
Speaker 1: things you shouldn't say on thirty years ago.

873
00:39:23,960 --> 00:39:27,439
Speaker 2: It's just not the way it works. However, I would say,

874
00:39:27,480 --> 00:39:28,680
Speaker 2: even thirty years.

875
00:39:28,480 --> 00:39:32,280
Speaker 1: Ago in a Disney movie, they're not making suicide jokes.

876
00:39:32,640 --> 00:39:35,480
Speaker 3: No, right, the.

877
00:39:35,960 --> 00:39:38,479
Speaker 4: Yeah, gosh, no, I don't.

878
00:39:38,520 --> 00:39:41,080
Speaker 3: I really I think you're right. I can't. I can't

879
00:39:41,080 --> 00:39:44,240
Speaker 3: think of any movie that that would ever have done that. Really.

880
00:39:44,480 --> 00:39:46,200
Speaker 1: I mean maybe like a Mighty Ducks it would have

881
00:39:46,200 --> 00:39:48,040
Speaker 1: been something like why don't you skate over your own neck?

882
00:39:48,080 --> 00:39:49,759
Speaker 1: I mean like they might have thrown something like but

883
00:39:49,800 --> 00:39:51,240
Speaker 1: you know what I mean, like it would be something

884
00:39:51,320 --> 00:39:52,359
Speaker 1: ridiculous like that.

885
00:39:52,719 --> 00:39:54,880
Speaker 2: It wouldn't be a straight up She was literally like,

886
00:39:55,200 --> 00:39:57,799
Speaker 2: your aunt must your uncle looks like that, Your aunt

887
00:39:57,840 --> 00:39:59,200
Speaker 2: must want to kill herself.

888
00:39:59,320 --> 00:40:07,520
Speaker 8: It was like, oh my god, yeah, he's he is

889
00:40:07,560 --> 00:40:10,560
Speaker 8: a total like we need it, Oh.

890
00:40:10,280 --> 00:40:13,200
Speaker 4: My gosh, Like what is happening in your house right now,

891
00:40:13,239 --> 00:40:16,320
Speaker 4: that there's you to be saying things like this, Yeah, I.

892
00:40:16,200 --> 00:40:17,319
Speaker 2: Know's going on.

893
00:40:17,400 --> 00:40:21,319
Speaker 4: I will say I was little in the nineties and

894
00:40:21,760 --> 00:40:22,439
Speaker 4: I know.

895
00:40:22,760 --> 00:40:27,080
Speaker 3: That kids did say harsh things like this.

896
00:40:27,280 --> 00:40:29,400
Speaker 2: You know, kids have always said harsh stuff. Yeah, they

897
00:40:29,440 --> 00:40:30,040
Speaker 2: don't put.

898
00:40:29,840 --> 00:40:33,000
Speaker 3: It in movies, no, yeah, wow.

899
00:40:33,080 --> 00:40:34,879
Speaker 2: Yeah, So that to me it was like, oh my god,

900
00:40:34,920 --> 00:40:38,120
Speaker 2: I can't but they well, there's a suicide joke. Yeah.

901
00:40:38,160 --> 00:40:43,799
Speaker 1: That night, after Amy's suicide jokes, we're transported to a warehouse.

902
00:40:44,400 --> 00:40:48,040
Speaker 1: There are some mafia guys arguing while standing over Harold's coffin.

903
00:40:48,120 --> 00:40:50,200
Speaker 2: The mob boss tells his workers to find him.

904
00:40:50,400 --> 00:40:52,480
Speaker 1: It's not like he can get up and walk away,

905
00:40:52,920 --> 00:40:55,280
Speaker 1: and while Marshall watches his mom and Ted kiss goodbye

906
00:40:55,320 --> 00:40:58,760
Speaker 1: at his car, he complains to Harold his parents divorced

907
00:40:58,760 --> 00:41:00,759
Speaker 1: three years ago, and he doesn't he his dad much.

908
00:41:01,000 --> 00:41:03,919
Speaker 1: He thinks love is overrated. As Marshall retreats to bed,

909
00:41:04,080 --> 00:41:06,640
Speaker 1: Harold seems sad and offers his new friend a plant

910
00:41:06,680 --> 00:41:07,280
Speaker 1: and comfort.

911
00:41:07,640 --> 00:41:10,120
Speaker 2: He seems like a nice mummy. After all, he's mimicking

912
00:41:10,120 --> 00:41:12,359
Speaker 2: what he saw in the hospital where they she handed

913
00:41:12,400 --> 00:41:14,719
Speaker 2: them the flowers. It was very sweet. It was, and

914
00:41:14,760 --> 00:41:16,640
Speaker 2: then Amy comes in and goes on Jack Kelly is.

915
00:41:16,640 --> 00:41:21,480
Speaker 1: Off, and that night Harold is wide awake. As Marshall sleeps.

916
00:41:21,680 --> 00:41:24,160
Speaker 1: To pass the time, he toys with a cushe ball gun.

917
00:41:24,280 --> 00:41:26,279
Speaker 2: Sabrina, please tell me you know what a cushball was.

918
00:41:26,560 --> 00:41:28,040
Speaker 3: I did. I did.

919
00:41:28,120 --> 00:41:31,680
Speaker 4: I was like, oh, that's I love the throwbacks when

920
00:41:31,680 --> 00:41:33,840
Speaker 4: we get these, you know one of the movies we

921
00:41:33,960 --> 00:41:38,480
Speaker 4: just recently, the clear phone that lights up when it rings,

922
00:41:38,520 --> 00:41:40,640
Speaker 4: like those things are so awesome to me.

923
00:41:40,760 --> 00:41:42,600
Speaker 3: I love seeing them in these ways, making.

924
00:41:42,480 --> 00:41:44,919
Speaker 2: Me right back to a time when cushballs were fun.

925
00:41:45,000 --> 00:41:47,200
Speaker 2: That's all we know. While playing with the gun, it

926
00:41:47,239 --> 00:41:49,520
Speaker 2: accidentally goes off, but luckily it doesn't wake Marshall. It

927
00:41:49,600 --> 00:41:52,319
Speaker 2: just shoots the cushball out of an open window, and

928
00:41:52,400 --> 00:41:54,279
Speaker 2: so to get it back, Harold leaves the house, only

929
00:41:54,320 --> 00:41:56,000
Speaker 2: to find a dog with the ball in his mouth.

930
00:41:56,320 --> 00:41:58,480
Speaker 1: They stare each other down until Harold tries to catch

931
00:41:58,520 --> 00:42:02,080
Speaker 1: him off guard, causing h case. Harold stumbles onto a skateboard,

932
00:42:02,120 --> 00:42:04,920
Speaker 1: haphazardly riding it down the sidewalk and eventually slamming it

933
00:42:05,000 --> 00:42:07,400
Speaker 1: into a stop sign, but he quickly gets up and

934
00:42:07,440 --> 00:42:11,359
Speaker 1: continues following the animal, ending at the dog's house or

935
00:42:11,520 --> 00:42:13,920
Speaker 1: a dog house. It's actually the dog's house, you know

936
00:42:13,920 --> 00:42:16,880
Speaker 1: what I'm saying now, With the mud hiding inside, Harold

937
00:42:16,880 --> 00:42:18,960
Speaker 1: reaches into the doghouse, but the dog has sunk its

938
00:42:19,000 --> 00:42:21,480
Speaker 1: teeth deep into him and won't let it go. It's

939
00:42:21,520 --> 00:42:23,120
Speaker 1: a tug of war between the Mummy and the dog

940
00:42:23,239 --> 00:42:26,080
Speaker 1: until Harold is distracted by a passing city bus with

941
00:42:26,160 --> 00:42:29,200
Speaker 1: an ad for the Mysteries of the Pyramids exhibit. The

942
00:42:29,239 --> 00:42:32,840
Speaker 1: graphic includes the symbol of the sun god raw, exciting

943
00:42:32,840 --> 00:42:34,960
Speaker 1: the Mummy, so he runs off to chase it, submitting

944
00:42:34,960 --> 00:42:38,680
Speaker 1: to the dog and its Cousheball forever. Back at home,

945
00:42:38,719 --> 00:42:40,440
Speaker 1: Marshall awakens in the middle of the night to realize

946
00:42:40,440 --> 00:42:42,959
Speaker 1: his monster has escaped. He takes the streets with Amy

947
00:42:42,960 --> 00:42:45,120
Speaker 1: and Gilbert on their bikes to find him. Also, while

948
00:42:45,160 --> 00:42:46,480
Speaker 1: making fun of Gilbert's.

949
00:42:46,040 --> 00:42:50,720
Speaker 2: Pajamas, Amy reveals she sleeps in the nude, forcing Gilbert

950
00:42:50,760 --> 00:42:51,920
Speaker 2: to crash into a mailbox.

951
00:42:52,000 --> 00:42:54,160
Speaker 1: And yes, this is why it wasn't on Disney. Plus,

952
00:42:54,320 --> 00:42:56,080
Speaker 1: this is when I paused the movie and went, I'm

953
00:42:56,080 --> 00:42:59,120
Speaker 1: gonna walk the length of my home to go speak to.

954
00:42:59,080 --> 00:43:01,440
Speaker 2: My wife about what I just saw on the screen.

955
00:43:01,760 --> 00:43:03,640
Speaker 3: I could not.

956
00:43:03,840 --> 00:43:10,080
Speaker 4: I stopped and had to say, Jordan, this Carol is

957
00:43:10,120 --> 00:43:14,359
Speaker 4: talking about being nude, and he goes, well, where's this?

958
00:43:14,400 --> 00:43:17,399
Speaker 3: Where was this movie? And I'm like, it's a Disney movie.

959
00:43:17,480 --> 00:43:19,000
Speaker 3: He's like, this was on the Channel.

960
00:43:19,080 --> 00:43:24,920
Speaker 2: I'm like, yeah, I sleep in the nude. The eleven

961
00:43:25,000 --> 00:43:29,320
Speaker 2: or twelve year old girl talking about how she sleeps

962
00:43:29,480 --> 00:43:33,040
Speaker 2: in the nude. This was bunk. I thank you, the

963
00:43:33,080 --> 00:43:38,480
Speaker 2: exact word. This was bananas to me, not bananas, bananas.

964
00:43:38,680 --> 00:43:42,000
Speaker 2: It was so crazy that this made it into a

965
00:43:42,040 --> 00:43:43,120
Speaker 2: Disney Channel movie.

966
00:43:43,560 --> 00:43:47,200
Speaker 4: Yes, I thought bra would be where we cut the

967
00:43:47,239 --> 00:43:48,320
Speaker 4: line would be drawn.

968
00:43:48,880 --> 00:43:51,719
Speaker 3: No, No, I.

969
00:43:51,680 --> 00:43:54,759
Speaker 1: Mean this was I know it's the it's just the

970
00:43:54,760 --> 00:43:56,879
Speaker 1: word nude. It shouldn't be that big a deal, but it.

971
00:43:56,840 --> 00:44:00,840
Speaker 2: Is a It is kevin year old girl talking about

972
00:44:01,000 --> 00:44:01,960
Speaker 2: sleeping naked.

973
00:44:02,239 --> 00:44:05,680
Speaker 3: It's so weird. It's so weird on so many different

974
00:44:05,760 --> 00:44:06,440
Speaker 3: love weird.

975
00:44:06,800 --> 00:44:08,160
Speaker 2: It's just not right.

976
00:44:08,480 --> 00:44:09,160
Speaker 3: It's not right.

977
00:44:09,520 --> 00:44:12,320
Speaker 2: They are definitely finding their footing still on the Channel.

978
00:44:12,560 --> 00:44:14,960
Speaker 4: And to be honest, now that we are talking, I

979
00:44:14,960 --> 00:44:16,759
Speaker 4: mean we know now that it's not on Disney Plus.

980
00:44:16,800 --> 00:44:18,319
Speaker 4: I would be calling Disney Plus and be like, I

981
00:44:18,320 --> 00:44:19,000
Speaker 4: need my money back.

982
00:44:19,040 --> 00:44:19,920
Speaker 3: This is ridiculous.

983
00:44:20,680 --> 00:44:23,840
Speaker 4: I can now not trust even wrote and just be

984
00:44:23,960 --> 00:44:27,720
Speaker 4: like browsing around me, what does it mean to sleep

985
00:44:27,760 --> 00:44:28,520
Speaker 4: in the nude?

986
00:44:28,640 --> 00:44:29,880
Speaker 3: She doesn't even know that word.

987
00:44:30,680 --> 00:44:33,960
Speaker 2: I mean, it's it's amazing, It's truly amazing.

988
00:44:34,680 --> 00:44:37,200
Speaker 4: By the way, my anxiety was like thru the roof,

989
00:44:38,040 --> 00:44:39,080
Speaker 4: where are we going with this?

990
00:44:39,280 --> 00:44:39,600
Speaker 2: Next?

991
00:44:40,360 --> 00:44:44,120
Speaker 3: Couldn't believe this, lose Magoo's and what's happening?

992
00:44:44,400 --> 00:44:47,880
Speaker 2: Yes, it's a crazy making suicide jokes, talking about you,

993
00:44:48,000 --> 00:44:51,720
Speaker 2: talking about how mean to people. It's such a strange

994
00:44:51,800 --> 00:44:53,799
Speaker 2: character and it's so great. She's a good actress, she's

995
00:44:53,840 --> 00:44:56,800
Speaker 2: playing her well. It's like it's.

996
00:44:56,719 --> 00:44:58,240
Speaker 3: Well, you know, a strange character.

997
00:44:59,320 --> 00:45:01,840
Speaker 4: She's not the only I mean, not that we would

998
00:45:02,000 --> 00:45:04,759
Speaker 4: expect something like this, but like the nature of her

999
00:45:04,880 --> 00:45:08,200
Speaker 4: character is so not a best friend kind of character

1000
00:45:08,280 --> 00:45:10,680
Speaker 4: that we see in Disney movies. This is the villain

1001
00:45:11,160 --> 00:45:14,719
Speaker 4: or the mean girl who comes in and out here

1002
00:45:14,760 --> 00:45:17,200
Speaker 4: and there, but like she's like the best friend.

1003
00:45:17,320 --> 00:45:20,080
Speaker 3: So it's very strange, very very strange.

1004
00:45:20,080 --> 00:45:22,520
Speaker 2: I couldn't I really could not believe it. I could

1005
00:45:22,520 --> 00:45:26,520
Speaker 2: not believe it. She's like, wait, wait what and I'm like,

1006
00:45:26,600 --> 00:45:28,640
Speaker 2: this is is this as weird as I think it is?

1007
00:45:28,640 --> 00:45:30,560
Speaker 1: She's like yes, it is as weird as you think

1008
00:45:30,600 --> 00:45:32,680
Speaker 1: it is. Yes, it is, it is.

1009
00:45:32,760 --> 00:45:35,080
Speaker 2: It's just yeah, well they're still trying to find their footing.

1010
00:45:35,880 --> 00:45:38,040
Speaker 1: Luckily for the kids, they just stumble on the Pyramids

1011
00:45:38,040 --> 00:45:40,600
Speaker 1: exhibit and guess that's where Harold has to be.

1012
00:45:40,680 --> 00:45:43,839
Speaker 2: What a beautiful coincidence and conclusion. So what do they do?

1013
00:45:43,960 --> 00:45:47,359
Speaker 1: Well, they're kids, they're normal, So yes, they break into

1014
00:45:47,360 --> 00:45:49,719
Speaker 1: the museum, and we now just have to accept that

1015
00:45:49,719 --> 00:45:52,120
Speaker 1: these three children are stone cold criminals, just breaking the

1016
00:45:52,160 --> 00:45:54,520
Speaker 1: law left and right now, in all fairness to the kids,

1017
00:45:55,000 --> 00:45:57,399
Speaker 1: what they what they do show later on is that

1018
00:45:57,719 --> 00:46:02,839
Speaker 1: obviously Harold broke through the door of the museum, Like

1019
00:46:02,880 --> 00:46:04,680
Speaker 1: you can see that he broke the doors off its

1020
00:46:04,760 --> 00:46:05,960
Speaker 1: hinges when the police go in there.

1021
00:46:05,960 --> 00:46:07,839
Speaker 2: So obviously they're just walking in after him.

1022
00:46:07,880 --> 00:46:09,799
Speaker 1: It's not like she pulls out a lock pick set

1023
00:46:09,840 --> 00:46:12,040
Speaker 1: from her nude go kill.

1024
00:46:11,880 --> 00:46:15,439
Speaker 2: Yourself still this night, we're still this key, or she's

1025
00:46:15,440 --> 00:46:18,560
Speaker 2: got a blow torch or something like that, right she

1026
00:46:18,640 --> 00:46:20,680
Speaker 2: I wouldn't be surprised that she'd Right before they broke in,

1027
00:46:20,680 --> 00:46:21,800
Speaker 2: She's like, give me a second, I just want to

1028
00:46:21,800 --> 00:46:25,480
Speaker 2: smoke a joint. Yeah, so it's gonna.

1029
00:46:26,640 --> 00:46:28,239
Speaker 3: Really entertaining, So I just want to make sure I'm

1030
00:46:28,239 --> 00:46:28,879
Speaker 3: on the right level.

1031
00:46:29,040 --> 00:46:31,840
Speaker 1: Yeah, exactly, exactly. I know what's gonna happen. I'm just

1032
00:46:31,840 --> 00:46:33,040
Speaker 1: gonna drop some mask real quick.

1033
00:46:33,280 --> 00:46:36,320
Speaker 2: That sounds like it's perfectly online with the Amy character.

1034
00:46:36,960 --> 00:46:39,719
Speaker 1: Yes so, but yeah, they still just break in here,

1035
00:46:40,080 --> 00:46:42,120
Speaker 1: and once inside they find Harold exit.

1036
00:46:42,200 --> 00:46:43,239
Speaker 2: You know what I want to do. We've got to

1037
00:46:43,239 --> 00:46:45,279
Speaker 2: find this girl who's now a lawyer, a woman who's

1038
00:46:45,320 --> 00:46:45,520
Speaker 2: now a.

1039
00:46:45,560 --> 00:46:47,799
Speaker 1: Lawyer somewhere, and I will get to talk to her

1040
00:46:48,160 --> 00:46:49,160
Speaker 1: about this character.

1041
00:46:49,239 --> 00:46:51,680
Speaker 2: We have to find this I mean I will.

1042
00:46:51,719 --> 00:46:54,440
Speaker 1: I will pay her retainer myself to just have a

1043
00:46:54,480 --> 00:46:58,000
Speaker 1: one hour meeting with her, to have her come on

1044
00:46:58,120 --> 00:46:59,920
Speaker 1: to ask her what it's like as this character.

1045
00:47:00,080 --> 00:47:05,759
Speaker 2: Crazy.

1046
00:47:07,960 --> 00:47:10,880
Speaker 1: So, once inside they find Harold examining all the artifacts.

1047
00:47:10,920 --> 00:47:13,799
Speaker 1: He seems very affected by one Tombe in particular, marked

1048
00:47:13,800 --> 00:47:16,880
Speaker 1: as the Queen's. She was the lover of the High Priest,

1049
00:47:16,960 --> 00:47:19,120
Speaker 1: a man who was her bodyguard and confidant.

1050
00:47:19,440 --> 00:47:20,160
Speaker 2: Though it had to be a.

1051
00:47:20,160 --> 00:47:22,439
Speaker 1: Secret because of her status, he swore to be by

1052
00:47:22,480 --> 00:47:24,440
Speaker 1: her side in this life and the next. And now

1053
00:47:24,440 --> 00:47:28,320
Speaker 1: it's very obvious that Harold was that high Priest. Also,

1054
00:47:28,400 --> 00:47:33,400
Speaker 1: the kids talk about celibacy and how this Harold was

1055
00:47:33,480 --> 00:47:38,080
Speaker 1: celibate his whole life, and Gilbert says, or what is celibacy?

1056
00:47:38,400 --> 00:47:44,440
Speaker 2: And Amy again turns around and says, says no chicks

1057
00:47:44,600 --> 00:47:48,479
Speaker 2: And he says well, and she says, you'll get used

1058
00:47:48,520 --> 00:47:50,439
Speaker 2: to it, and.

1059
00:47:52,160 --> 00:47:56,359
Speaker 4: Like another moment that you think at the kids that

1060
00:47:56,440 --> 00:47:59,560
Speaker 4: watched the Disney Channel, we're not talking about the Disney movies,

1061
00:47:59,600 --> 00:48:03,680
Speaker 4: the Disney Channel. And then are pausing and going, mom,

1062
00:48:03,880 --> 00:48:04,879
Speaker 4: what celibacy?

1063
00:48:04,920 --> 00:48:07,040
Speaker 3: I don't get it. What is no chicks mean?

1064
00:48:07,600 --> 00:48:12,320
Speaker 2: Yeah, honey, then turning to him and yes, turn off turf,

1065
00:48:13,320 --> 00:48:13,919
Speaker 2: turn it off.

1066
00:48:14,080 --> 00:48:16,160
Speaker 3: We're done. We're done, We're done.

1067
00:48:16,880 --> 00:48:19,560
Speaker 1: But again then when he says, oh, you know, I

1068
00:48:20,000 --> 00:48:22,239
Speaker 1: could never do that, and she turns to him and goes,

1069
00:48:22,320 --> 00:48:23,200
Speaker 1: you'll get used to it.

1070
00:48:23,440 --> 00:48:27,520
Speaker 2: Like it's like, oh my god, she's so mean.

1071
00:48:27,800 --> 00:48:31,640
Speaker 1: It's like, good luck, buddy, You're you're only you're only ten.

1072
00:48:31,719 --> 00:48:33,439
Speaker 1: But I can tell you right now, you're never gonna

1073
00:48:33,480 --> 00:48:35,080
Speaker 1: know the love of a woman. You're never gonna know

1074
00:48:35,120 --> 00:48:39,040
Speaker 1: the touch of a woman, Like, oh my god, it's

1075
00:48:39,280 --> 00:48:40,200
Speaker 1: so horrible.

1076
00:48:40,520 --> 00:48:45,160
Speaker 3: She's so grown. That means I don't know, I don't

1077
00:48:45,360 --> 00:48:45,719
Speaker 3: get it.

1078
00:48:45,880 --> 00:48:47,120
Speaker 2: Something's going I don't want to.

1079
00:48:47,760 --> 00:48:51,960
Speaker 1: It's such a Banana's character. Harold opens the tomb and

1080
00:48:52,000 --> 00:48:55,200
Speaker 1: the queen is inside. He caresses her emerald necklace and

1081
00:48:55,239 --> 00:48:58,440
Speaker 1: reveals he's wearing a matching one. He closes the casket

1082
00:48:58,440 --> 00:49:00,960
Speaker 1: in sadness, just as the police car pulls up outside.

1083
00:49:01,160 --> 00:49:04,279
Speaker 1: Still exploring the exhibit, Harold reads some nearby hieroglyphics and

1084
00:49:04,280 --> 00:49:05,719
Speaker 1: finds out that he'll need to be back in the

1085
00:49:05,760 --> 00:49:08,960
Speaker 1: coffin by midnight or he, too will die. Marshall promises

1086
00:49:08,960 --> 00:49:11,200
Speaker 1: will make that happen, just as the cop searches the museum,

1087
00:49:11,520 --> 00:49:13,600
Speaker 1: but luckily enough, he doesn't find the Sly kids and

1088
00:49:13,600 --> 00:49:16,160
Speaker 1: their mummy. And if you listen to the cop, like

1089
00:49:16,320 --> 00:49:19,640
Speaker 1: he's totally off camera, but you can essentially hear his

1090
00:49:19,760 --> 00:49:22,399
Speaker 1: walkie talkie and he's like, well, whoever did It's gone,

1091
00:49:22,440 --> 00:49:23,640
Speaker 1: and she's like, all right, you can come back.

1092
00:49:24,000 --> 00:49:25,520
Speaker 2: Like he's been there for thirty seconds.

1093
00:49:25,600 --> 00:49:27,719
Speaker 1: The doors off, the hinges, but they're like, he's like,

1094
00:49:27,760 --> 00:49:29,640
Speaker 1: well nobody here, all right, you're good, come on home.

1095
00:49:29,760 --> 00:49:33,680
Speaker 2: And that case, yeah, great police work. We're all good.

1096
00:49:34,719 --> 00:49:36,440
Speaker 2: Thank you, officer useless.

1097
00:49:37,560 --> 00:49:40,120
Speaker 1: The next day, Amy arrives at Marshall's house drinking a

1098
00:49:40,120 --> 00:49:42,279
Speaker 1: beer I'm kidding, but you might as well have been.

1099
00:49:42,560 --> 00:49:45,960
Speaker 1: And he looks exhausted, because can't you just see her

1100
00:49:46,000 --> 00:49:47,120
Speaker 1: just walking up day drinking.

1101
00:49:47,239 --> 00:49:50,080
Speaker 2: That sounds like Amy to me, just seriously, just for

1102
00:49:50,200 --> 00:49:53,799
Speaker 2: no reason, right, it's just perfectly on brand. She comes up,

1103
00:49:53,880 --> 00:49:56,439
Speaker 2: she's got, she's got, she's holding a six pack, there's

1104
00:49:56,440 --> 00:49:59,320
Speaker 2: only two left, and she's putting out her Cigarette's that's Amy,

1105
00:49:59,560 --> 00:50:02,759
Speaker 2: is seriously though she's serious. He's like, hey, is your

1106
00:50:02,800 --> 00:50:05,839
Speaker 2: mom your mom's liquor cabinet locked in any serious kind

1107
00:50:05,840 --> 00:50:14,080
Speaker 2: of way? That's Amy. Seriously, that's Amy, I'm telling you. Yikes.

1108
00:50:14,880 --> 00:50:16,560
Speaker 2: She looks, but he looks exhausted.

1109
00:50:16,800 --> 00:50:19,440
Speaker 1: Harold was up all night watching sappy rom coms, crying

1110
00:50:19,480 --> 00:50:22,879
Speaker 1: while watching Pretty Woman, Sleepless in Seattle and Ghost This

1111
00:50:22,920 --> 00:50:24,640
Speaker 1: is one very emotional monster.

1112
00:50:24,560 --> 00:50:26,440
Speaker 3: And very adult films.

1113
00:50:26,640 --> 00:50:29,040
Speaker 2: Yes, yeah, well now we're talking.

1114
00:50:28,800 --> 00:50:33,640
Speaker 3: About a pretty a prostitute. We're talking.

1115
00:50:35,000 --> 00:50:36,840
Speaker 2: A lot of a lot.

1116
00:50:36,680 --> 00:50:39,440
Speaker 1: Of a lot of Not to go off on a tangent,

1117
00:50:40,000 --> 00:50:42,480
Speaker 1: but have you watched Sleepless in Seattle recently?

1118
00:50:43,040 --> 00:50:46,000
Speaker 3: Not recently, but I have seen it a few times.

1119
00:50:47,120 --> 00:50:51,160
Speaker 1: Go back and watch Sleepless in Seattle because Meg Ryan's

1120
00:50:51,200 --> 00:50:52,600
Speaker 1: character is awful.

1121
00:50:53,120 --> 00:50:56,120
Speaker 2: In Sleepless in Seattle. She's supposed to be the cute,

1122
00:50:56,480 --> 00:51:00,840
Speaker 2: she's awful. She's got this man that loves her that

1123
00:51:00,920 --> 00:51:04,279
Speaker 2: she's about to marry, but she hears some random guy

1124
00:51:04,320 --> 00:51:07,640
Speaker 2: on the radio, then starts stalking the random guy on

1125
00:51:07,680 --> 00:51:09,600
Speaker 2: the radio to the point where she shows up in

1126
00:51:09,680 --> 00:51:13,560
Speaker 2: his house. All the while the guy's planning, like.

1127
00:51:13,640 --> 00:51:18,200
Speaker 3: Ready side the house, outside the house. Yeah it's true.

1128
00:51:18,440 --> 00:51:21,160
Speaker 1: Go back and watch Sleepless in Seattle, because again, Tom

1129
00:51:21,200 --> 00:51:23,080
Speaker 1: Hanks is wonderful.

1130
00:51:22,800 --> 00:51:26,080
Speaker 2: The kid is great, Meg Ryan's good. But the en

1131
00:51:26,160 --> 00:51:28,520
Speaker 2: you're like, you're just they ripped. You know, when he's

1132
00:51:28,520 --> 00:51:30,759
Speaker 2: talent talking about his wife, it rips your heart out.

1133
00:51:30,760 --> 00:51:33,359
Speaker 2: Anybody's been in love knows that feeling. It's just my god,

1134
00:51:33,360 --> 00:51:36,360
Speaker 2: I love this person so much. And then Stocky McGee

1135
00:51:36,360 --> 00:51:40,359
Speaker 2: shows up and it's like, you're marrying the nicest guy

1136
00:51:40,360 --> 00:51:41,719
Speaker 2: in the world, and this is.

1137
00:51:41,640 --> 00:51:44,719
Speaker 1: What you're It's seriously, it's it's bonkers. Go this is

1138
00:51:44,760 --> 00:51:47,360
Speaker 1: Amy grows up to be to be Meg Ryan's character

1139
00:51:47,360 --> 00:51:50,600
Speaker 1: in Sleepless in Seattle. I'm telling you so, yeah, just

1140
00:51:51,320 --> 00:51:52,840
Speaker 1: I know it has nothing to do with our podcast,

1141
00:51:52,920 --> 00:51:55,480
Speaker 1: but go check it out here. A poor Amy dude

1142
00:51:55,680 --> 00:51:57,440
Speaker 1: as Amy's got some demons.

1143
00:51:58,920 --> 00:52:02,720
Speaker 2: Amy's got some means. I'm telling you. It's something. Yeah,

1144
00:52:02,760 --> 00:52:05,319
Speaker 2: like she she's the person who baby sits but gets

1145
00:52:05,320 --> 00:52:08,480
Speaker 2: paid in poker chips. Like she's like that kind of thing.

1146
00:52:08,520 --> 00:52:11,480
Speaker 2: It's like, yeah, that kind thanks coming over left to

1147
00:52:11,600 --> 00:52:17,319
Speaker 2: a fifty poket chip. Oh, yes, something has happened. Oh

1148
00:52:17,360 --> 00:52:18,800
Speaker 2: you want a dimebag go to Amy.

1149
00:52:19,719 --> 00:52:22,000
Speaker 3: Oh my gosh, it's the.

1150
00:52:21,840 --> 00:52:25,120
Speaker 2: Most crazy Decom character we have seen to date. I'm

1151
00:52:25,160 --> 00:52:25,440
Speaker 2: telling you.

1152
00:52:27,120 --> 00:52:31,319
Speaker 1: They wrote a like a forty year old divorcee and

1153
00:52:31,640 --> 00:52:33,640
Speaker 1: just went, you'll just make her twelve.

1154
00:52:34,040 --> 00:52:35,920
Speaker 2: It's like, oh my god, it is crazy.

1155
00:52:36,680 --> 00:52:37,239
Speaker 3: Oh man.

1156
00:52:37,920 --> 00:52:40,560
Speaker 1: Amy wants Marshall to brace himself in case they can't

1157
00:52:40,640 --> 00:52:43,080
Speaker 1: save his friend, but Marshall protects himself by saying he's

1158
00:52:43,080 --> 00:52:45,240
Speaker 1: just a mummy, not a real friend. But the facade

1159
00:52:45,320 --> 00:52:48,200
Speaker 1: quickly breaks and he admits he does care about Harold. Then,

1160
00:52:48,320 --> 00:52:50,280
Speaker 1: even though they're supposed to be keeping a low profile,

1161
00:52:50,360 --> 00:52:52,880
Speaker 1: Gilbert and Harold comes storming out of the house, playing

1162
00:52:52,920 --> 00:52:56,000
Speaker 1: and yelling. Marshall reminds them they can't get caught, and

1163
00:52:56,040 --> 00:52:59,920
Speaker 1: then well, of course they get caught. Little Leonard, oh,

1164
00:53:00,400 --> 00:53:02,040
Speaker 1: the other kid they wrote as a twenty five year

1165
00:53:02,080 --> 00:53:03,719
Speaker 1: old man who just happened to be cast as a

1166
00:53:03,719 --> 00:53:06,359
Speaker 1: six year old one of the more unique child actors

1167
00:53:06,400 --> 00:53:08,239
Speaker 1: we've ever encountered. At the d com, he walks into

1168
00:53:08,239 --> 00:53:10,840
Speaker 1: the backyard and sees the mummy. He is astounded and

1169
00:53:10,920 --> 00:53:13,319
Speaker 1: asked if he's from that huge coffin they moved out

1170
00:53:13,320 --> 00:53:16,640
Speaker 1: of the Coubat's house. The kids stopped dead in their tracks. Wait,

1171
00:53:17,200 --> 00:53:19,759
Speaker 1: he saw coffin? Leonard says. There was something written on

1172
00:53:19,800 --> 00:53:22,279
Speaker 1: the side of the yellow moving truck, but Leonard can't read,

1173
00:53:22,680 --> 00:53:25,280
Speaker 1: but he does reveal whoever was driving the yellow truck

1174
00:53:25,280 --> 00:53:27,120
Speaker 1: wouldn't give him an ice cream, which I had to

1175
00:53:27,120 --> 00:53:30,719
Speaker 1: rewind four times to understand because I couldn't understand what you.

1176
00:53:30,960 --> 00:53:31,719
Speaker 2: Can on ice cream?

1177
00:53:32,120 --> 00:53:35,840
Speaker 1: Like what what might the actor? You will be shocked

1178
00:53:35,920 --> 00:53:36,680
Speaker 1: by the way to hear.

1179
00:53:37,320 --> 00:53:39,120
Speaker 2: This was his only acting credit ever.

1180
00:53:40,480 --> 00:53:42,680
Speaker 1: The kids, of course, deduced that the yellow truck had

1181
00:53:42,719 --> 00:53:45,319
Speaker 1: to be from the local Errands ice cream factory over

1182
00:53:45,360 --> 00:53:47,440
Speaker 1: in the orchards. They're going to take Harold out there

1183
00:53:47,440 --> 00:53:50,160
Speaker 1: to investigate, but they needed disguise, so they rushed to

1184
00:53:50,200 --> 00:53:53,120
Speaker 1: the vintage store and buy him a vintage nineteen seventies

1185
00:53:53,160 --> 00:53:55,319
Speaker 1: Elton John looking outfit all the way down to his

1186
00:53:55,360 --> 00:53:58,479
Speaker 1: platform shoes. The crew struts down the street to get

1187
00:53:58,520 --> 00:54:01,600
Speaker 1: down tonight of another familiar so they're buying real, real

1188
00:54:01,680 --> 00:54:04,959
Speaker 1: songs here, and the wardrobe is actually working. He even

1189
00:54:05,040 --> 00:54:08,000
Speaker 1: catches the attention of a stylish hot lady walking by,

1190
00:54:08,320 --> 00:54:10,680
Speaker 1: but when she gets closer look, she screams at what

1191
00:54:10,719 --> 00:54:11,200
Speaker 1: she sees.

1192
00:54:11,400 --> 00:54:13,440
Speaker 2: I guess you can't win them all. They can't win.

1193
00:54:13,440 --> 00:54:16,919
Speaker 1: It wouldn't matter anyway, because no chicks. The kids hop

1194
00:54:16,960 --> 00:54:20,239
Speaker 1: back on their bikes, with Harold getting a small girl's bike.

1195
00:54:20,520 --> 00:54:23,240
Speaker 1: They make their way to the orchard area. They scope

1196
00:54:23,239 --> 00:54:25,440
Speaker 1: out Aaron's ice cream factory from Afar, but don't see

1197
00:54:25,440 --> 00:54:29,239
Speaker 1: anything because they're using binoculars that they got in a

1198
00:54:29,320 --> 00:54:31,800
Speaker 1: happy meal, so Marshall decides he needs to get a

1199
00:54:31,800 --> 00:54:34,759
Speaker 1: closer look. Harold aggressively throws the boy over a wall,

1200
00:54:34,800 --> 00:54:38,160
Speaker 1: making Amy very mad. She starts earnestly punching the mummy

1201
00:54:38,200 --> 00:54:40,120
Speaker 1: and this is where I was offended. Lady, calm down.

1202
00:54:40,200 --> 00:54:42,879
Speaker 1: He's a monster who's been trying to help, So now

1203
00:54:42,880 --> 00:54:44,640
Speaker 1: Amy is progressed.

1204
00:54:44,160 --> 00:54:46,160
Speaker 2: To a ag assault.

1205
00:54:46,360 --> 00:54:47,160
Speaker 3: She's abusive.

1206
00:54:47,600 --> 00:54:51,280
Speaker 2: Abus We've got a Sultan battery breaking and entering.

1207
00:54:51,920 --> 00:54:54,719
Speaker 1: I mean you name it. This girl has got by

1208
00:54:54,719 --> 00:54:56,840
Speaker 1: the time she's eighteen, she's gonna have a record the

1209
00:54:56,880 --> 00:55:00,239
Speaker 1: size of my arm. It's like, come on, Amy, Amy

1210
00:55:01,200 --> 00:55:02,480
Speaker 1: needs to got a god size hole.

1211
00:55:02,520 --> 00:55:04,400
Speaker 2: Somebody needs to get to Amy because something's going on.

1212
00:55:05,640 --> 00:55:08,080
Speaker 1: And so now Marshall sneaks inside the ice cream factory

1213
00:55:08,120 --> 00:55:11,040
Speaker 1: again Break in the law. Kids are looking somewhere between

1214
00:55:11,080 --> 00:55:13,080
Speaker 1: twenty to fifty years in jail in my opinion, if

1215
00:55:13,080 --> 00:55:14,880
Speaker 1: they can get all their everything ducks in a row.

1216
00:55:14,920 --> 00:55:16,080
Speaker 2: There's multiple felonies.

1217
00:55:16,120 --> 00:55:19,759
Speaker 1: At this point, Marshall eventually spots the mob guys and

1218
00:55:19,800 --> 00:55:22,200
Speaker 1: overhears them talking about how the Mummy is missing, and

1219
00:55:22,239 --> 00:55:24,080
Speaker 1: this is when he figures out the mob boss is

1220
00:55:24,719 --> 00:55:25,560
Speaker 1: mister Kubot.

1221
00:55:25,600 --> 00:55:29,480
Speaker 2: What a twist? Did you realize that earlier? Did you know? Scubat? Yeah,

1222
00:55:30,080 --> 00:55:31,320
Speaker 2: they didn't hide anything.

1223
00:55:32,160 --> 00:55:34,240
Speaker 1: Just as that sinks in, Marshall gets a jump scare

1224
00:55:34,239 --> 00:55:36,239
Speaker 1: from Harold, who has joined him in the factory. The

1225
00:55:36,320 --> 00:55:38,440
Speaker 1: Mummy spots his coffin, but they decide to wait and

1226
00:55:38,440 --> 00:55:41,560
Speaker 1: figure out and escape plan first, so they regroup.

1227
00:55:41,160 --> 00:55:44,000
Speaker 2: With Amy and Gilbert. Harold once again powerfully tossing his

1228
00:55:44,040 --> 00:55:46,319
Speaker 2: friend over the wall, which it's very funny. But he's

1229
00:55:46,320 --> 00:55:47,160
Speaker 2: gonna kill this kid.

1230
00:55:47,520 --> 00:55:50,720
Speaker 1: Marshall tells his friends all about Cubat. He probably faked

1231
00:55:50,719 --> 00:55:52,520
Speaker 1: his own death to sell the coffin.

1232
00:55:53,040 --> 00:55:54,799
Speaker 2: And so now they have to find a car big

1233
00:55:54,920 --> 00:55:58,040
Speaker 2: enough to haul the sarcophagus, which is no easy task

1234
00:55:58,120 --> 00:56:01,000
Speaker 2: for a bunch of felony preteens. But they're wanted to

1235
00:56:01,080 --> 00:56:03,480
Speaker 2: nine states by this point, or is it. But Marshall

1236
00:56:03,520 --> 00:56:06,480
Speaker 2: has an idea. They're just going to need more costumes.

1237
00:56:06,520 --> 00:56:09,320
Speaker 2: The plan is to ask the spooky bookstore owner, Bruce,

1238
00:56:09,800 --> 00:56:13,080
Speaker 2: because of his hearse he is a hearse.

1239
00:56:13,960 --> 00:56:16,480
Speaker 3: Yeah, of course, of course, right right he does.

1240
00:56:16,520 --> 00:56:20,960
Speaker 2: Of course, who's ever hearse of that? I'll show myself out.

1241
00:56:22,520 --> 00:56:24,719
Speaker 1: Though the idea is good. Unfortunately for the kids, one

1242
00:56:24,760 --> 00:56:26,480
Speaker 1: of the goons spotted them on the way out of

1243
00:56:26,480 --> 00:56:28,880
Speaker 1: the factory because they were, you know, escaping under the

1244
00:56:28,920 --> 00:56:33,000
Speaker 1: cover of day, and they go and they tell Coubat.

1245
00:56:33,320 --> 00:56:36,040
Speaker 1: So obviously now they're on to our heroes. On the

1246
00:56:36,040 --> 00:56:38,000
Speaker 1: other side of town. The kids are now in costume

1247
00:56:38,000 --> 00:56:40,600
Speaker 1: and they arrive at the town Halloween carnival, which is

1248
00:56:40,600 --> 00:56:41,840
Speaker 1: a weird party.

1249
00:56:42,800 --> 00:56:45,800
Speaker 2: There's kids, there's an adult strange.

1250
00:56:46,000 --> 00:56:49,040
Speaker 1: There's adults hitting on each other, but there's kids running

1251
00:56:49,080 --> 00:56:51,840
Speaker 1: all over the place. Is it a meat market?

1252
00:56:51,880 --> 00:56:51,960
Speaker 7: Like?

1253
00:56:52,120 --> 00:56:53,560
Speaker 2: What is this party?

1254
00:56:53,560 --> 00:56:56,400
Speaker 3: But the crazy thing is is, well, I'll let you

1255
00:56:56,480 --> 00:56:57,239
Speaker 3: continue to go.

1256
00:56:58,040 --> 00:56:58,920
Speaker 2: Okay, no farther.

1257
00:56:59,120 --> 00:57:01,839
Speaker 4: But there's another part of it where it's like this

1258
00:57:01,960 --> 00:57:05,440
Speaker 4: party is weird, really really weird.

1259
00:57:05,600 --> 00:57:11,279
Speaker 2: Like swingers weird? Yes, yeah, okay, so he at least

1260
00:57:11,280 --> 00:57:14,400
Speaker 2: Amy isn't involved in this one. So they arrive at

1261
00:57:14,440 --> 00:57:17,000
Speaker 2: the weird Halloween haunted house. Gilbert is dressed as a

1262
00:57:17,000 --> 00:57:20,160
Speaker 2: half Dennis Rodman and Amy is a half Princess Leah.

1263
00:57:20,280 --> 00:57:21,200
Speaker 2: The crew splits up.

1264
00:57:21,240 --> 00:57:23,360
Speaker 1: Marshall and Amy will go inside to find Bruce, while

1265
00:57:23,360 --> 00:57:25,000
Speaker 1: Gilbert and Harold wait outside.

1266
00:57:25,360 --> 00:57:29,520
Speaker 2: But since Harold is still scaring civilians, they cover his mouth.

1267
00:57:29,320 --> 00:57:32,120
Speaker 1: With the extra bandage to lessen the shock. Marshall and

1268
00:57:32,160 --> 00:57:34,920
Speaker 1: Amy stopped by the carnival dance first when they see

1269
00:57:34,960 --> 00:57:38,280
Speaker 1: Marshall's mom happily dancing with her boyfriend Ted. So his

1270
00:57:38,440 --> 00:57:40,880
Speaker 1: mom is at the party, but he wasn't going to

1271
00:57:40,920 --> 00:57:43,320
Speaker 1: the party. His mom was going to the local town

1272
00:57:43,480 --> 00:57:46,560
Speaker 1: Halloween party, but she wasn't going to bring her child

1273
00:57:46,600 --> 00:57:50,600
Speaker 1: who was super in the Halloween and spot and monsters

1274
00:57:50,640 --> 00:57:51,840
Speaker 1: and right.

1275
00:57:51,640 --> 00:57:54,200
Speaker 3: But it's a swingers party, so right for him to

1276
00:57:54,240 --> 00:57:54,520
Speaker 3: be there.

1277
00:57:54,560 --> 00:57:59,360
Speaker 2: There's kids there, it's so weird. It's a we just

1278
00:57:59,360 --> 00:58:01,440
Speaker 2: a weird party. It's a weird, weird party.

1279
00:58:01,840 --> 00:58:03,720
Speaker 3: Uncomfortable, Yes, so.

1280
00:58:03,920 --> 00:58:05,000
Speaker 2: Yeah, there okay.

1281
00:58:05,600 --> 00:58:09,280
Speaker 1: Amy admits that his mom and the new boyfriend actually

1282
00:58:09,320 --> 00:58:11,400
Speaker 1: look in love, and Marshall pretends it doesn't bother him,

1283
00:58:11,400 --> 00:58:13,640
Speaker 1: but again it obviously does. Amy then has a good

1284
00:58:13,640 --> 00:58:15,800
Speaker 1: friend offers her help or just an ear if he

1285
00:58:15,840 --> 00:58:17,960
Speaker 1: never needs to talk to her, and he thanks her

1286
00:58:18,000 --> 00:58:18,320
Speaker 1: and she.

1287
00:58:18,360 --> 00:58:20,600
Speaker 2: Lights another joint. Outside.

1288
00:58:20,640 --> 00:58:23,240
Speaker 1: Gilbert and Harold are bored, so Gilbert decides to go

1289
00:58:23,240 --> 00:58:26,000
Speaker 1: get some SODA's, which sure feels like a very bad idea,

1290
00:58:26,080 --> 00:58:28,840
Speaker 1: and back inside, Marshall finds Bruce and reveals they found

1291
00:58:28,880 --> 00:58:31,440
Speaker 1: a mummy, but Bruce assumes they're just talking about a

1292
00:58:31,480 --> 00:58:34,440
Speaker 1: Halloween costume and is an impressed. Marshall assures him it's

1293
00:58:34,440 --> 00:58:37,360
Speaker 1: a real mummy and takes him to see, and just

1294
00:58:37,360 --> 00:58:42,920
Speaker 1: at that moment, Harold hears oh Bamas again by Eric Carmon,

1295
00:58:42,960 --> 00:58:45,440
Speaker 1: who every time I see it sounds like Eric Cartman. Yeah,

1296
00:58:47,000 --> 00:58:49,920
Speaker 1: lasting from inside the carnival, he must get closer to

1297
00:58:49,920 --> 00:58:51,640
Speaker 1: hear it. It was a terrible cartman, by the way,

1298
00:58:51,800 --> 00:58:53,960
Speaker 1: He leaves his post and walks right into the event,

1299
00:58:54,200 --> 00:58:56,360
Speaker 1: just as the goons pull up to get him. When

1300
00:58:56,360 --> 00:58:58,760
Speaker 1: Gilbert does return with the soda, he can't find Harold,

1301
00:58:58,800 --> 00:59:01,480
Speaker 1: but instead sees Hench in Aaron's ice cream jackets.

1302
00:59:01,600 --> 00:59:04,240
Speaker 2: He knows this is the problem and hurries to warn Marshall.

1303
00:59:04,760 --> 00:59:07,160
Speaker 1: Harold navigates his way through the dance floor, eventually landing

1304
00:59:07,200 --> 00:59:09,640
Speaker 1: near the speakers and dancing by himself, that is, until

1305
00:59:09,640 --> 00:59:13,160
Speaker 1: he spots a woman dresses Cleopatra. He begins worshiping her

1306
00:59:13,240 --> 00:59:15,640
Speaker 1: or falling to his knees, but she thinks it's just

1307
00:59:15,720 --> 00:59:18,800
Speaker 1: some guy flirting with her. She's also turned on by

1308
00:59:18,840 --> 00:59:22,760
Speaker 1: his stink and wants to dance with him. Nearby, Gilbert

1309
00:59:22,840 --> 00:59:26,320
Speaker 1: thinks he's found Harold, but it's actually just a mummy costume. Also,

1310
00:59:26,400 --> 00:59:28,960
Speaker 1: he earnestly punches the guy who he thinks as Harold's

1311
00:59:29,000 --> 00:59:31,840
Speaker 1: Everyone just beaten up Harold. Maybe these kids don't deserve

1312
00:59:31,880 --> 00:59:35,080
Speaker 1: to have a monster after all. Anyway, that wasn't Harold,

1313
00:59:35,120 --> 00:59:37,640
Speaker 1: It was his principle, which adds a new wrinkle which

1314
00:59:37,680 --> 00:59:39,440
Speaker 1: we never ever hear about again.

1315
00:59:40,520 --> 00:59:41,800
Speaker 2: Just never happens again.

1316
00:59:42,120 --> 00:59:44,320
Speaker 1: The goons check on every mummy at the party, while

1317
00:59:44,320 --> 00:59:46,360
Speaker 1: Marshall and Amy explain the whole story to Bruce, but

1318
00:59:46,400 --> 00:59:49,000
Speaker 1: he still doesn't believe them. Cleopatra is now all horned

1319
00:59:49,080 --> 00:59:52,000
Speaker 1: up by Harold on the dance floor. When Gilbert finds them,

1320
00:59:52,320 --> 00:59:54,640
Speaker 1: He then pulls the mummy away, explaining that this man

1321
00:59:54,840 --> 00:59:59,880
Speaker 1: is celibate, but Cleopatra doesn't believe that. But when phil

1322
01:00:00,120 --> 01:00:01,880
Speaker 1: guy in the mummy costume, and his wife get all

1323
01:00:01,920 --> 01:00:04,800
Speaker 1: tangled up in this wife swap thing, Cleopatra's unraveling Harold

1324
01:00:04,840 --> 01:00:06,960
Speaker 1: to find out what's going on, and when she uncovers

1325
01:00:06,960 --> 01:00:10,120
Speaker 1: his face, the entire party runs off screaming. The goon's

1326
01:00:10,200 --> 01:00:12,040
Speaker 1: noticed the commotion and run to go get him, but

1327
01:00:12,040 --> 01:00:13,880
Speaker 1: Bruce finally believes the kids. They all sprint through the

1328
01:00:13,880 --> 01:00:16,960
Speaker 1: haunted house, dodging corpses and decorations, eventually getting outside to

1329
01:00:16,960 --> 01:00:19,280
Speaker 1: the hearse What did you think of the whole adult

1330
01:00:19,280 --> 01:00:21,680
Speaker 1: swinging aspect of the Halloween party?

1331
01:00:22,200 --> 01:00:26,720
Speaker 4: I mean, first of all, yes, the principal is when

1332
01:00:26,720 --> 01:00:30,840
Speaker 4: she said, well, if that's your husband, so was the

1333
01:00:30,880 --> 01:00:35,400
Speaker 4: principal who she thought was returning from the bathroom, who

1334
01:00:35,520 --> 01:00:39,560
Speaker 4: had been flirting with her earlier. It got very messy,

1335
01:00:39,720 --> 01:00:41,520
Speaker 4: and the fact that she was like well then if

1336
01:00:41,520 --> 01:00:43,560
Speaker 4: that's not if that's your husband, who.

1337
01:00:43,400 --> 01:00:44,400
Speaker 3: Is this right?

1338
01:00:44,520 --> 01:00:47,080
Speaker 2: Adultrey is always messy, Sabrina.

1339
01:00:46,920 --> 01:00:51,600
Speaker 3: Ah my god, it was just like, ah, it's so weird.

1340
01:00:51,960 --> 01:00:53,760
Speaker 3: It was so strange.

1341
01:00:54,080 --> 01:00:57,600
Speaker 4: And again kids are there, but like again there's really

1342
01:00:57,640 --> 01:01:00,880
Speaker 4: no supervision, Like these people are going and it was

1343
01:01:00,960 --> 01:01:03,080
Speaker 4: weird to me, like if it was a name, if

1344
01:01:03,440 --> 01:01:06,360
Speaker 4: we're in this again, go back to the parenting and

1345
01:01:06,680 --> 01:01:08,280
Speaker 4: we're supposed to be in this small town.

1346
01:01:08,440 --> 01:01:10,920
Speaker 3: How do they not know each other? How are they

1347
01:01:10,960 --> 01:01:12,840
Speaker 3: at this party? Whose party is this?

1348
01:01:12,960 --> 01:01:16,160
Speaker 4: That there's so many people that you're running into people

1349
01:01:16,200 --> 01:01:17,440
Speaker 4: you really honestly don't know.

1350
01:01:18,240 --> 01:01:20,680
Speaker 2: Weird. Yeah, and it's like a kid it's a swinger's party,

1351
01:01:20,720 --> 01:01:22,640
Speaker 2: but there's kids there the whole thing.

1352
01:01:22,760 --> 01:01:25,680
Speaker 1: There's a there's a haunted mansion, but also probably an

1353
01:01:25,840 --> 01:01:28,600
Speaker 1: orgy room. Like, what the hell is what is this?

1354
01:01:28,880 --> 01:01:30,200
Speaker 1: What is this party?

1355
01:01:30,440 --> 01:01:32,160
Speaker 2: I can't I can't hate it.

1356
01:01:32,200 --> 01:01:34,600
Speaker 3: I was so glad for the party to be done.

1357
01:01:35,000 --> 01:01:35,880
Speaker 3: So uncomfortable.

1358
01:01:36,040 --> 01:01:39,960
Speaker 1: Yeah, it was really really weird, just really oh yeah.

1359
01:01:39,800 --> 01:01:42,400
Speaker 3: And then again, and I always have an issue. I

1360
01:01:42,400 --> 01:01:43,320
Speaker 3: always bring this up.

1361
01:01:44,040 --> 01:01:46,520
Speaker 4: We just talked about it at the high school party

1362
01:01:46,560 --> 01:01:49,920
Speaker 4: that happened with the last movie was like, these strange.

1363
01:01:49,480 --> 01:01:50,120
Speaker 3: Men come in.

1364
01:01:50,280 --> 01:01:52,920
Speaker 4: They're not in uniform or dressed. I mean they're not

1365
01:01:53,000 --> 01:01:55,840
Speaker 4: in costume, and not one person is like.

1366
01:01:55,760 --> 01:01:58,360
Speaker 2: Hey, who are you now? Who are you?

1367
01:01:58,440 --> 01:01:59,680
Speaker 3: Why are you at this party?

1368
01:01:59,760 --> 01:02:02,040
Speaker 2: Who don't need to know that? Don't need to know that.

1369
01:02:02,400 --> 01:02:06,200
Speaker 2: They're just go yep and pull off people's and nobody

1370
01:02:06,240 --> 01:02:09,240
Speaker 2: says anything, and they're pushing people.

1371
01:02:09,400 --> 01:02:11,960
Speaker 1: It's very strange. Amy would have taken care of it,

1372
01:02:12,000 --> 01:02:13,400
Speaker 1: but she's way too stoned.

1373
01:02:14,440 --> 01:02:16,880
Speaker 2: Harold pushes the door closed, locking the henchman inside, but

1374
01:02:16,880 --> 01:02:19,080
Speaker 2: he can't hold them back forever, and it's almost midnight,

1375
01:02:19,120 --> 01:02:20,760
Speaker 2: but Harold knows if he joins him in the car,

1376
01:02:20,840 --> 01:02:23,520
Speaker 2: the goons will get the kids, so he sacrifices himself

1377
01:02:23,560 --> 01:02:26,160
Speaker 2: and stays behind Bruce and the kids speed off to safety,

1378
01:02:26,440 --> 01:02:28,840
Speaker 2: Marshall screaming all the while for his friend as they leave.

1379
01:02:28,920 --> 01:02:30,920
Speaker 2: And once they're gone, the goons do break through the

1380
01:02:30,920 --> 01:02:32,800
Speaker 2: barrier and knocking Harold to the floor, giving him a

1381
01:02:32,840 --> 01:02:36,360
Speaker 2: chance to grab him. And this is where I was like, Okay,

1382
01:02:36,400 --> 01:02:40,360
Speaker 2: so if the whole point of the goons is that

1383
01:02:40,640 --> 01:02:44,000
Speaker 2: they're gonna grab the Mummy to bring him back to

1384
01:02:44,040 --> 01:02:46,560
Speaker 2: his sarcophagus, to put him in the sarcophagus to then

1385
01:02:46,640 --> 01:02:47,040
Speaker 2: sell it.

1386
01:02:48,400 --> 01:02:50,880
Speaker 1: That's what we want to have happen. That's the goal

1387
01:02:51,840 --> 01:02:53,880
Speaker 1: is we want to get him back to his sarcophagus.

1388
01:02:54,440 --> 01:02:54,720
Speaker 2: Later.

1389
01:02:54,760 --> 01:02:56,520
Speaker 1: They kind of redeem it by having him say, no,

1390
01:02:56,600 --> 01:03:00,200
Speaker 1: I'm going to sell. You're more valuable on your own. Yes, oh,

1391
01:03:00,200 --> 01:03:00,680
Speaker 1: I get that.

1392
01:03:00,760 --> 01:03:02,200
Speaker 2: But it was like I sat to the whole time

1393
01:03:02,240 --> 01:03:03,320
Speaker 2: going like but I thought, this is.

1394
01:03:03,240 --> 01:03:06,720
Speaker 4: What they want to have happened, right, But the fact

1395
01:03:06,840 --> 01:03:10,400
Speaker 4: is that with the rules that we know, which the

1396
01:03:10,480 --> 01:03:13,160
Speaker 4: rules were very easy to fight out. So if this

1397
01:03:13,240 --> 01:03:18,840
Speaker 4: guy owned this sarcophagus and this mummy, he would have

1398
01:03:18,960 --> 01:03:21,440
Speaker 4: known that if he's not in the sarcophagus by a

1399
01:03:21,480 --> 01:03:24,560
Speaker 4: certain amount of time, then he would like to disintegrate.

1400
01:03:24,720 --> 01:03:26,640
Speaker 2: Yeah, I guess he didn't know the rules because.

1401
01:03:26,480 --> 01:03:28,720
Speaker 4: He did not know the rules when he was supposed

1402
01:03:28,760 --> 01:03:30,480
Speaker 4: to be this like curator.

1403
01:03:30,040 --> 01:03:33,080
Speaker 3: Of like a big museum. How do you not know

1404
01:03:33,080 --> 01:03:33,520
Speaker 3: the rules?

1405
01:03:33,600 --> 01:03:34,000
Speaker 5: Cubat?

1406
01:03:34,240 --> 01:03:37,840
Speaker 2: Yeah, what's up, Cobrot, what's up? Kubat? I don't get it. Yeah,

1407
01:03:38,040 --> 01:03:39,479
Speaker 2: very strange. But we're now in the hearse.

1408
01:03:39,800 --> 01:03:41,760
Speaker 1: Bruce wants to go to the cops, but Amy explains

1409
01:03:41,800 --> 01:03:44,120
Speaker 1: how crazy they'll sound. Instead, they go to the ice

1410
01:03:44,120 --> 01:03:46,760
Speaker 1: cream factory, assuming that's what they'll take Harold, and when

1411
01:03:46,800 --> 01:03:48,800
Speaker 1: they arrived, Bruce opens his trunk to reveal a ton

1412
01:03:48,840 --> 01:03:52,240
Speaker 1: of fake severed limbs, bones and skulls, all ready to use.

1413
01:03:52,560 --> 01:03:54,320
Speaker 2: But even with this, Gilbert wants to stay in the car.

1414
01:03:54,400 --> 01:03:55,160
Speaker 2: He's too scared.

1415
01:03:55,480 --> 01:03:58,200
Speaker 1: Marshall tells him not to worry and lets him chicken out,

1416
01:03:58,840 --> 01:04:00,560
Speaker 1: And so the plan has begun, if you want to

1417
01:04:00,560 --> 01:04:02,720
Speaker 1: call it a plan. Amy runs to the coon crying

1418
01:04:02,760 --> 01:04:05,120
Speaker 1: for help. She's applied to fake eye and blood to

1419
01:04:05,160 --> 01:04:07,080
Speaker 1: her face, and when the criminal tries to help, he's

1420
01:04:07,120 --> 01:04:11,160
Speaker 1: attacked by Marshall and Bruce, ending with a big frog splash.

1421
01:04:10,960 --> 01:04:13,600
Speaker 2: By the bookstore owner. He just boh splams the guy.

1422
01:04:13,960 --> 01:04:16,360
Speaker 1: They tie up the bad guy with fake intestines while

1423
01:04:16,440 --> 01:04:18,880
Speaker 1: Amy and Bruce try to run interference. Marsha will run

1424
01:04:18,920 --> 01:04:22,360
Speaker 1: around back to try and save Harold stick with us

1425
01:04:22,400 --> 01:04:24,080
Speaker 1: people inside.

1426
01:04:24,080 --> 01:04:25,400
Speaker 2: When the shady.

1427
01:04:25,000 --> 01:04:27,400
Speaker 1: Buyer arrives for the coffin, Kubat takes control, knowing he

1428
01:04:27,440 --> 01:04:29,800
Speaker 1: doesn't have the mummy. Marshall quickly finds Harold chained to

1429
01:04:29,840 --> 01:04:32,240
Speaker 1: a pipe after scratching his face for him because he

1430
01:04:32,240 --> 01:04:34,240
Speaker 1: had an itch. He finds a crowbar to free him,

1431
01:04:34,520 --> 01:04:36,320
Speaker 1: and at the same time, Bruce and Amy's plan to

1432
01:04:36,320 --> 01:04:38,840
Speaker 1: cause a diversion isn't going so well. Bruce has climbed

1433
01:04:38,840 --> 01:04:41,240
Speaker 1: to some scaffolding and is now dangling from a pipe.

1434
01:04:41,400 --> 01:04:43,840
Speaker 1: It breaks, eventually tossing him to the ground in a

1435
01:04:43,880 --> 01:04:47,200
Speaker 1: free fall, making a huge commotion. They quickly are snatched

1436
01:04:47,280 --> 01:04:49,440
Speaker 1: up by the goons, but it makes for the perfect distraction.

1437
01:04:49,520 --> 01:04:52,760
Speaker 1: As Marshall frees Harold, they quickly start pushing the coffin towards.

1438
01:04:52,560 --> 01:04:55,000
Speaker 2: The hearse, but then Kubat reveals himself from the shadows.

1439
01:04:55,280 --> 01:04:57,200
Speaker 2: He knows there's money in the mummy and he's not

1440
01:04:57,240 --> 01:04:57,960
Speaker 2: letting them leave.

1441
01:04:58,240 --> 01:05:00,480
Speaker 1: He explains that over the years, he's accumulated the collection

1442
01:05:00,520 --> 01:05:02,600
Speaker 1: of artifacts from the museum he worked at, and his

1443
01:05:02,640 --> 01:05:04,840
Speaker 1: plan was to sell them off and retire, but the

1444
01:05:05,040 --> 01:05:07,800
Speaker 1: Irs started to investigate him, and so he knew he

1445
01:05:07,840 --> 01:05:10,439
Speaker 1: had to fake his own death. Seems like quite a jump,

1446
01:05:10,920 --> 01:05:13,400
Speaker 1: and as Kubat continues to detail his motive, Harold is

1447
01:05:13,400 --> 01:05:15,840
Speaker 1: falling apart. It's getting closer and closer to midnight, and

1448
01:05:15,880 --> 01:05:18,400
Speaker 1: now he captured. Amy and Bruce have been brought to Cubat,

1449
01:05:18,560 --> 01:05:21,840
Speaker 1: who instructs the guys to get rid of them.

1450
01:05:22,200 --> 01:05:24,720
Speaker 2: He's going to kill the children.

1451
01:05:25,040 --> 01:05:28,080
Speaker 3: The children, He's going to kill the children.

1452
01:05:29,160 --> 01:05:32,040
Speaker 2: Then, when things look they're most bleak, crash the Hurst

1453
01:05:32,080 --> 01:05:34,960
Speaker 2: slams through the warehouse like a gothic kool aid man.

1454
01:05:36,000 --> 01:05:38,720
Speaker 2: Oh yeah, that's my gothic kol aid you get it.

1455
01:05:38,760 --> 01:05:41,960
Speaker 2: Oh yeah, that was a good joke.

1456
01:05:41,960 --> 01:05:44,960
Speaker 1: If anybody out there gets that, it's Gilbert. He's saved

1457
01:05:44,960 --> 01:05:47,480
Speaker 1: the day because the crash makes the ceiling come right

1458
01:05:47,520 --> 01:05:49,200
Speaker 1: down in the bad guys, and it looks like they're

1459
01:05:49,240 --> 01:05:51,320
Speaker 1: all killed. It is an incredible smash of all the

1460
01:05:51,360 --> 01:05:54,560
Speaker 1: stuff from the ceiling, but somehow Kubat has survived. He

1461
01:05:54,600 --> 01:05:56,960
Speaker 1: emerges with a gun, instructing the kids to just leave

1462
01:05:56,960 --> 01:06:00,120
Speaker 1: the mummy behind, and as he prepares to shoot Marshall,

1463
01:06:00,120 --> 01:06:02,960
Speaker 1: Harold attacks. He grabs Coubat and throws them across the room.

1464
01:06:03,120 --> 01:06:06,360
Speaker 1: The kids hug their mummy and celebrate, and Amy admits

1465
01:06:06,400 --> 01:06:08,520
Speaker 1: that she was scared something was going to happen to Marshall.

1466
01:06:08,720 --> 01:06:10,840
Speaker 2: She doesn't know what she would do if it did.

1467
01:06:10,920 --> 01:06:13,040
Speaker 2: It appears this crush is developing.

1468
01:06:13,280 --> 01:06:16,320
Speaker 1: Oh but before that, Harold needs to get into the

1469
01:06:16,320 --> 01:06:17,960
Speaker 1: tomb and get back to the museum.

1470
01:06:18,000 --> 01:06:20,640
Speaker 2: Also, did Cubat die? Is he dead? That guy dead?

1471
01:06:20,720 --> 01:06:20,760
Speaker 6: No?

1472
01:06:21,440 --> 01:06:25,760
Speaker 4: I mean it it was aggressive, but like I'm assuming

1473
01:06:25,800 --> 01:06:28,120
Speaker 4: it was just like knocking him out, but like, never

1474
01:06:28,280 --> 01:06:29,120
Speaker 4: do we see what.

1475
01:06:29,080 --> 01:06:30,000
Speaker 3: Happens to him after.

1476
01:06:30,480 --> 01:06:35,600
Speaker 2: It's never tied up. No, no, it's okay. Uh yeah

1477
01:06:35,680 --> 01:06:39,520
Speaker 2: there the sequel, Yeah exactly. They're really a bit too confident,

1478
01:06:39,560 --> 01:06:41,680
Speaker 2: considering he was just thrown once and already survived a

1479
01:06:41,720 --> 01:06:45,000
Speaker 2: ceiling crash. So okay, he's it is what it is.

1480
01:06:45,440 --> 01:06:47,240
Speaker 1: The kids throw everything into one of the ice cream

1481
01:06:47,280 --> 01:06:49,520
Speaker 1: trucks and speed to the museum. Once in the exhibit,

1482
01:06:49,560 --> 01:06:52,080
Speaker 1: Harold opens the queen's casket, and with his last breaths,

1483
01:06:52,160 --> 01:06:54,480
Speaker 1: he removes his necklace and ignites the medallion on the

1484
01:06:54,520 --> 01:06:58,000
Speaker 1: queen's neck. She opens her eyes and emerges from the sarcophagus.

1485
01:06:58,320 --> 01:07:00,560
Speaker 1: They embrace, but Harold knows he must hurry back to

1486
01:07:00,600 --> 01:07:03,600
Speaker 1: his coffin. They touch hands one last time, and Marshall

1487
01:07:03,640 --> 01:07:06,800
Speaker 1: amy Gilbert. They all have teary goodbyes with their newfound friend.

1488
01:07:07,240 --> 01:07:10,160
Speaker 1: With both mummies in place, Harold hands Marshall's necklace to keep.

1489
01:07:10,440 --> 01:07:12,760
Speaker 1: In the end, these two built quite a beautiful relationship,

1490
01:07:12,800 --> 01:07:13,840
Speaker 1: even though a bunch of kids.

1491
01:07:13,720 --> 01:07:16,480
Speaker 2: Punched him, you know, over and over and over again.

1492
01:07:17,440 --> 01:07:20,280
Speaker 1: Both the Queen and Harold lay down as Marshall closes

1493
01:07:20,320 --> 01:07:22,800
Speaker 1: the coffin doors. The next morning, Marshall has decided to

1494
01:07:22,800 --> 01:07:25,280
Speaker 1: throw away all his spooky Halloween stuff. He tells his

1495
01:07:25,320 --> 01:07:27,760
Speaker 1: mom he's outgrown it. His mom gets serious and wants

1496
01:07:27,800 --> 01:07:30,320
Speaker 1: to know if he's okay about ted. He again pretends

1497
01:07:30,320 --> 01:07:33,240
Speaker 1: that everything's okay, but quickly changes his tune. He asks

1498
01:07:33,280 --> 01:07:35,960
Speaker 1: her do you love him? She admits she does, and

1499
01:07:36,000 --> 01:07:38,920
Speaker 1: so Marshall suggests that they get married. She can't let

1500
01:07:39,000 --> 01:07:40,680
Speaker 1: him get in the way of true love. He looks

1501
01:07:40,680 --> 01:07:43,320
Speaker 1: at Harold's necklace and admits a new friend has changed

1502
01:07:43,360 --> 01:07:46,640
Speaker 1: his perspective. And then Gilbert arrives. Turns out Amy is

1503
01:07:46,640 --> 01:07:48,600
Speaker 1: coming to the house to go see a movie, and

1504
01:07:48,800 --> 01:07:51,600
Speaker 1: Marshall becomes very nervous about what he's wearing and how

1505
01:07:51,640 --> 01:07:54,360
Speaker 1: his hair looks. And when she does finally arrive, she's

1506
01:07:54,480 --> 01:07:57,160
Speaker 1: also decked out. But they cut through the tension by

1507
01:07:57,280 --> 01:08:00,440
Speaker 1: insulting each other, just like old times, call each other

1508
01:08:00,520 --> 01:08:03,760
Speaker 1: geeks and losers, and of course Gilbert is relieved. For

1509
01:08:03,800 --> 01:08:05,800
Speaker 1: a minute he thought things were going to change. We

1510
01:08:05,920 --> 01:08:08,440
Speaker 1: fade out as they make their way to see Warthead

1511
01:08:08,840 --> 01:08:09,840
Speaker 1: one more time.

1512
01:08:10,000 --> 01:08:12,520
Speaker 2: And that's our movie.

1513
01:08:12,840 --> 01:08:23,360
Speaker 1: Yikes, let's do real reviews then we'll talk. I have

1514
01:08:23,400 --> 01:08:27,040
Speaker 1: the one star review this week, and this is a

1515
01:08:27,120 --> 01:08:28,840
Speaker 1: one star review from Truegara.

1516
01:08:28,960 --> 01:08:32,559
Speaker 2: I hope I'm saying that right here we go. Parents beware.

1517
01:08:32,640 --> 01:08:34,800
Speaker 1: I figured, quote, oh my god, this looks dumb and

1518
01:08:34,800 --> 01:08:37,360
Speaker 1: boring unquote, but I was literally.

1519
01:08:36,960 --> 01:08:38,880
Speaker 2: Shocked this was aimed at kids.

1520
01:08:39,120 --> 01:08:41,040
Speaker 1: This movie has so much gore in it, like the

1521
01:08:41,080 --> 01:08:43,719
Speaker 1: opening where a monster barges into a kitchen and murders

1522
01:08:43,720 --> 01:08:45,560
Speaker 1: a man by pushing his head on the blade of

1523
01:08:45,560 --> 01:08:47,679
Speaker 1: a knife with enough pressure to kill him in front

1524
01:08:47,680 --> 01:08:50,240
Speaker 1: of his wife's son and daughter. Have your kids watch

1525
01:08:50,280 --> 01:08:52,200
Speaker 1: this and they'll come running to you at night saying

1526
01:08:52,240 --> 01:08:53,080
Speaker 1: they had nightmares.

1527
01:08:53,120 --> 01:08:56,000
Speaker 2: By the way, I'm not a Karen. I'm telling the truth.

1528
01:08:56,040 --> 01:08:58,360
Speaker 1: If your kids can handle that content, feel free to

1529
01:08:58,400 --> 01:08:59,160
Speaker 1: let them watch this.

1530
01:08:59,320 --> 01:09:02,719
Speaker 2: Wow. That is a long, long one star Karen. Thank

1531
01:09:02,760 --> 01:09:09,200
Speaker 2: you very much. Yeah, Sabrina, you got the five star.

1532
01:09:09,240 --> 01:09:10,000
Speaker 3: What do you do?

1533
01:09:10,160 --> 01:09:13,519
Speaker 4: I've got it a five star from Joel h I

1534
01:09:13,560 --> 01:09:16,439
Speaker 4: thought I hate it under wraps, but as it turns out,

1535
01:09:16,520 --> 01:09:19,000
Speaker 4: I was thinking of a completely different D com My

1536
01:09:19,160 --> 01:09:20,240
Speaker 4: mistake under wraps?

1537
01:09:20,280 --> 01:09:20,960
Speaker 3: Isn't that bad?

1538
01:09:22,240 --> 01:09:22,679
Speaker 2: Okay?

1539
01:09:22,840 --> 01:09:23,320
Speaker 3: Five star?

1540
01:09:23,400 --> 01:09:24,320
Speaker 2: Five stars?

1541
01:09:24,640 --> 01:09:25,160
Speaker 3: All right?

1542
01:09:25,280 --> 01:09:28,560
Speaker 1: And uh now we're going to get to our Sabrina's

1543
01:09:28,640 --> 01:09:30,880
Speaker 1: favorite portion, of course of the program, and that is

1544
01:09:30,960 --> 01:09:34,320
Speaker 1: our weekly feature to celebrate our start of spooky season

1545
01:09:34,320 --> 01:09:36,519
Speaker 1: and the closest we'll get to a true horror d com.

1546
01:09:36,600 --> 01:09:39,440
Speaker 2: We're celebrating some of the scariest movies ever made.

1547
01:09:39,520 --> 01:09:42,200
Speaker 1: We'll be given the name and year of a horror movie,

1548
01:09:42,200 --> 01:09:44,680
Speaker 1: and we must guess what number one through ten it

1549
01:09:44,720 --> 01:09:47,400
Speaker 1: was given on the list of top ten scariest horror

1550
01:09:47,439 --> 01:09:50,519
Speaker 1: movies of all time according to our friends at Rotten Tomatoes.

1551
01:09:50,760 --> 01:09:52,639
Speaker 2: If we can nail three out of five, we win.

1552
01:09:52,800 --> 01:09:55,080
Speaker 2: Oh that's gonna be really tough. Okay.

1553
01:09:55,560 --> 01:09:58,680
Speaker 1: So first up, by the way, is producer Jensen here.

1554
01:09:58,720 --> 01:10:02,040
Speaker 1: I heard he might not be not okay? So who's

1555
01:10:02,080 --> 01:10:03,639
Speaker 1: with us today? Is the producer Lisa?

1556
01:10:03,720 --> 01:10:05,080
Speaker 3: Who do we have Mikaela?

1557
01:10:05,600 --> 01:10:11,000
Speaker 2: We got Michaela. Mikaela with us, all right, So producer Michaela,

1558
01:10:11,040 --> 01:10:14,479
Speaker 2: here we go. First up? What number one through ten

1559
01:10:14,720 --> 01:10:19,720
Speaker 2: one being scariest is The Exorcist nineteen seventy three.

1560
01:10:21,439 --> 01:10:27,000
Speaker 4: Oh okay, I mean I would think it was like

1561
01:10:27,240 --> 01:10:28,760
Speaker 4: nine at least.

1562
01:10:29,000 --> 01:10:32,320
Speaker 1: Oh waiting, so that means not scary because one is

1563
01:10:32,360 --> 01:10:32,959
Speaker 1: the scariest.

1564
01:10:33,040 --> 01:10:35,479
Speaker 3: Oh no, then I would say like at least two.

1565
01:10:36,000 --> 01:10:37,599
Speaker 1: I see, I'm gonna agree with you. I was going

1566
01:10:37,640 --> 01:10:40,040
Speaker 1: to say one or two. I'm gonna say two with you.

1567
01:10:40,280 --> 01:10:40,920
Speaker 3: Let's do two.

1568
01:10:41,560 --> 01:10:42,559
Speaker 7: It's number one.

1569
01:10:43,080 --> 01:10:45,040
Speaker 2: It is one, Okay, I can see that.

1570
01:10:45,320 --> 01:10:50,080
Speaker 1: I can totally see that. Yeah, okay. Second Halloween nineteen

1571
01:10:50,160 --> 01:10:57,639
Speaker 1: seventy eight. Oh two, I'm gonna say four.

1572
01:10:58,240 --> 01:11:00,439
Speaker 3: That's four.

1573
01:11:00,720 --> 01:11:01,840
Speaker 2: I've never seen these movies.

1574
01:11:02,400 --> 01:11:03,599
Speaker 3: You've never seen Halloween.

1575
01:11:03,720 --> 01:11:06,400
Speaker 2: I have not, of course not. I don't like movies this, Okay.

1576
01:11:08,000 --> 01:11:09,080
Speaker 3: I would say it would be two.

1577
01:11:10,320 --> 01:11:11,080
Speaker 7: Number seven?

1578
01:11:11,640 --> 01:11:14,719
Speaker 3: Oh wow, okay, Oh my gosh. No.

1579
01:11:15,040 --> 01:11:16,640
Speaker 1: You know my problem with these movies is I have

1580
01:11:16,680 --> 01:11:19,960
Speaker 1: a photographic memory, so I can't unsee things. So when

1581
01:11:19,960 --> 01:11:22,320
Speaker 1: I see something gory or disgusting, when I shut my eyes,

1582
01:11:22,320 --> 01:11:23,200
Speaker 1: I can't not see it.

1583
01:11:23,320 --> 01:11:24,639
Speaker 2: So I can't watch this stuff.

1584
01:11:24,800 --> 01:11:26,880
Speaker 3: Yeah, it's part of the fun, but it's also like.

1585
01:11:26,880 --> 01:11:29,719
Speaker 2: Not yeah, no, I can't do it. Third, the shinin.

1586
01:11:30,600 --> 01:11:32,879
Speaker 2: I'm kidding. It's the shining. That's for all my Simpsons

1587
01:11:32,920 --> 01:11:35,160
Speaker 2: fans out there, it's the Shinin. Do you want to

1588
01:11:35,200 --> 01:11:37,559
Speaker 2: be sued? Yeah? So the Shining, What.

1589
01:11:37,520 --> 01:11:39,280
Speaker 3: Do you think I'm gonna go with number three?

1590
01:11:40,000 --> 01:11:42,120
Speaker 1: Shining was a freaky movie. I'm gonna I'm gonna try

1591
01:11:42,240 --> 01:11:43,000
Speaker 1: number four again.

1592
01:11:43,560 --> 01:11:45,080
Speaker 7: You're right, Well it's number four.

1593
01:11:45,240 --> 01:11:48,760
Speaker 2: Oh I got one right? Okay? And now fourth, The

1594
01:11:48,920 --> 01:11:51,080
Speaker 2: Conjuring twenty thirteen.

1595
01:11:51,160 --> 01:11:52,280
Speaker 3: I don't even know anything.

1596
01:11:52,400 --> 01:11:53,920
Speaker 2: This is a freaky movie, though, isn't it.

1597
01:11:54,680 --> 01:11:56,760
Speaker 3: I don't know. I've never seen it, never even heard

1598
01:11:56,760 --> 01:11:57,080
Speaker 3: of this one.

1599
01:11:57,160 --> 01:11:58,439
Speaker 7: Yes, it's what the Annabel doll.

1600
01:11:59,120 --> 01:12:04,040
Speaker 2: Oh okay, I'm going to say this is number five?

1601
01:12:04,400 --> 01:12:07,120
Speaker 7: Five? Yeah, five, number three.

1602
01:12:07,760 --> 01:12:08,960
Speaker 2: It is number three.

1603
01:12:09,800 --> 01:12:13,040
Speaker 1: And finally, so we can't win, we've already lost, thank you,

1604
01:12:13,320 --> 01:12:14,160
Speaker 1: producer Jensen.

1605
01:12:14,439 --> 01:12:18,040
Speaker 2: Finally, The Ring number two, I'm going to say this

1606
01:12:18,080 --> 01:12:20,280
Speaker 2: is number two movie.

1607
01:12:20,840 --> 01:12:24,719
Speaker 4: Talk about a visual number six, it's number six.

1608
01:12:25,160 --> 01:12:27,360
Speaker 3: Way do you have?

1609
01:12:27,439 --> 01:12:28,960
Speaker 2: Do you have the whole list in front of you?

1610
01:12:29,400 --> 01:12:29,760
Speaker 5: I do?

1611
01:12:30,160 --> 01:12:30,400
Speaker 3: Yeah?

1612
01:12:30,479 --> 01:12:32,040
Speaker 2: So can you read them? Yeah?

1613
01:12:32,240 --> 01:12:33,599
Speaker 3: Exorsist was number one?

1614
01:12:33,800 --> 01:12:34,639
Speaker 2: One is Exorcist?

1615
01:12:34,960 --> 01:12:37,520
Speaker 7: Yes, number Hereditary?

1616
01:12:38,360 --> 01:12:42,280
Speaker 5: Okay, number three, Conjuring number four, The Shining, number five,

1617
01:12:42,400 --> 01:12:44,360
Speaker 5: Texas Chainsaw Massacre.

1618
01:12:44,200 --> 01:12:46,000
Speaker 2: Oh my god, yeah, holy Cow?

1619
01:12:46,439 --> 01:12:50,599
Speaker 5: Number six, The Ring, Halloween number seven, number eight, sinister,

1620
01:12:51,320 --> 01:12:54,280
Speaker 5: number nine insidious and number ten.

1621
01:12:54,320 --> 01:12:56,479
Speaker 2: It wait a second, wait a second?

1622
01:12:57,560 --> 01:12:58,120
Speaker 3: At all?

1623
01:12:58,200 --> 01:12:58,639
Speaker 2: Get that?

1624
01:12:58,760 --> 01:13:01,160
Speaker 1: How is the first Night Marion elm Street not on

1625
01:13:01,200 --> 01:13:03,720
Speaker 1: that list? How is the first time we see it?

1626
01:13:03,800 --> 01:13:05,320
Speaker 1: Freddy Krueger not in the top ten?

1627
01:13:05,479 --> 01:13:06,839
Speaker 3: Is it Freddy Krueger? Halloween?

1628
01:13:06,880 --> 01:13:09,479
Speaker 2: And Michael Halloween? Is Michael Myers? Halloween? Is Michael?

1629
01:13:09,560 --> 01:13:10,680
Speaker 3: Oh?

1630
01:13:10,720 --> 01:13:13,080
Speaker 1: How that first Night Marrin elm Street, which I have

1631
01:13:13,200 --> 01:13:16,280
Speaker 1: seen part of, and how that is not in the

1632
01:13:16,280 --> 01:13:17,640
Speaker 1: top ten is crazy to me?

1633
01:13:18,000 --> 01:13:21,439
Speaker 4: The Saw movie, the franchise of Saw did make it

1634
01:13:21,479 --> 01:13:22,360
Speaker 4: in the top ten at all?

1635
01:13:22,520 --> 01:13:23,839
Speaker 3: Yes, not list insane.

1636
01:13:24,040 --> 01:13:26,840
Speaker 2: I don't believe this list. I believe producer Jensen is wrong.

1637
01:13:26,840 --> 01:13:29,320
Speaker 2: And thank you MICHAELA.

1638
01:13:30,320 --> 01:13:31,920
Speaker 7: This is also from Rotten Tomatoes.

1639
01:13:31,960 --> 01:13:34,160
Speaker 2: So I don't buy that. I don't buy all those

1640
01:13:34,200 --> 01:13:36,559
Speaker 2: tomato people. I don't buy it. Can we do some

1641
01:13:36,600 --> 01:13:37,320
Speaker 2: Sabrina seas?

1642
01:13:41,479 --> 01:13:41,839
Speaker 3: Okay?

1643
01:13:42,160 --> 01:13:45,439
Speaker 4: To be honest, I really didn't have a ton of

1644
01:13:45,520 --> 01:13:50,280
Speaker 4: scene happening movie. That's no problem, especially that we haven't

1645
01:13:50,439 --> 01:13:56,559
Speaker 4: haven't covered I again, cal idiot. The wordings that were

1646
01:13:56,960 --> 01:13:59,960
Speaker 4: the insults that were being said by these children really

1647
01:14:00,120 --> 01:14:04,280
Speaker 4: were just like whoa. We just never ever get that

1648
01:14:04,360 --> 01:14:07,200
Speaker 4: into movies. And I'm grateful for it because it just

1649
01:14:07,600 --> 01:14:11,000
Speaker 4: caused for a very not great feeling. As I was

1650
01:14:11,040 --> 01:14:15,000
Speaker 4: watching these, I put on divorce. Okay, I had a

1651
01:14:15,080 --> 01:14:18,000
Speaker 4: question for you. Did you realize? And we talked a

1652
01:14:18,040 --> 01:14:19,400
Speaker 4: little bit about it. I mean we said it in

1653
01:14:19,439 --> 01:14:22,320
Speaker 4: the script, but like you, did we realize that Marshall

1654
01:14:22,400 --> 01:14:25,160
Speaker 4: was going to be the main character. I thought Gilbert

1655
01:14:25,240 --> 01:14:27,080
Speaker 4: was going to be the main character. I did too,

1656
01:14:27,400 --> 01:14:29,559
Speaker 4: And then all of a sudden I was like, oh, okay,

1657
01:14:29,600 --> 01:14:31,760
Speaker 4: I guess we're following Marshall a little bit closer than

1658
01:14:31,880 --> 01:14:32,559
Speaker 4: than Gilbert.

1659
01:14:32,920 --> 01:14:33,599
Speaker 2: I did too.

1660
01:14:33,760 --> 01:14:36,559
Speaker 4: Yeah, that was strange to me, just the way that

1661
01:14:36,600 --> 01:14:40,519
Speaker 4: the beginning of the movie is set up. And then

1662
01:14:40,560 --> 01:14:42,720
Speaker 4: one other thing, the little bit of a supress. Did

1663
01:14:42,720 --> 01:14:44,200
Speaker 4: you see the name of the dog that was on

1664
01:14:44,280 --> 01:14:45,000
Speaker 4: his doghouse?

1665
01:14:46,200 --> 01:14:48,679
Speaker 2: Oh? Wait, what was it? I did? What was it again? Fang?

1666
01:14:50,120 --> 01:14:54,360
Speaker 4: Right? Yeah, sang such a weird especially for a little

1667
01:14:54,360 --> 01:14:57,160
Speaker 4: dog like that to be called Fang. And then it

1668
01:14:57,240 --> 01:14:59,320
Speaker 4: kind of made sense because he had such a tight

1669
01:14:59,360 --> 01:15:02,160
Speaker 4: grip on the he's hand, but it was funny just

1670
01:15:02,160 --> 01:15:04,760
Speaker 4: to Fang and it's like so big and so like,

1671
01:15:04,920 --> 01:15:09,800
Speaker 4: this dog's name is Fang, Like, yeah, I love that.

1672
01:15:10,080 --> 01:15:15,320
Speaker 4: My next question was, now Leonard can't read. What's wrong

1673
01:15:15,360 --> 01:15:17,880
Speaker 4: with Leonard? Why can't he read when he's clearly like

1674
01:15:18,560 --> 01:15:19,680
Speaker 4: six or seven.

1675
01:15:19,800 --> 01:15:23,160
Speaker 1: Because Leonard's got a whole another set of problems going

1676
01:15:23,200 --> 01:15:25,840
Speaker 1: out with Leonard Leonard Leonard, Leonard's got a tough life

1677
01:15:25,880 --> 01:15:26,360
Speaker 1: ahead him.

1678
01:15:26,439 --> 01:15:29,000
Speaker 4: He can't read, but he can be unsupervised in front

1679
01:15:29,000 --> 01:15:29,400
Speaker 4: of the house.

1680
01:15:29,720 --> 01:15:30,120
Speaker 3: Probably.

1681
01:15:30,240 --> 01:15:32,599
Speaker 2: Yeah, Leonard was like one of those street kids from

1682
01:15:32,640 --> 01:15:34,439
Speaker 2: the fifties, like I'm gonna punch in the musk. She

1683
01:15:34,720 --> 01:15:36,800
Speaker 2: like one of those kids who like, all of a sudden.

1684
01:15:36,600 --> 01:15:38,080
Speaker 3: Yeah, and then we go.

1685
01:15:38,400 --> 01:15:41,720
Speaker 4: We went through the whole the weird party. I had

1686
01:15:41,760 --> 01:15:43,519
Speaker 4: so many I means like I just am.

1687
01:15:43,400 --> 01:15:47,439
Speaker 2: Like Sabrina doesn't want to see that part again.

1688
01:15:47,439 --> 01:15:50,519
Speaker 4: I'm like, just like make it stop basically, and then again.

1689
01:15:51,479 --> 01:15:54,400
Speaker 4: So Kubot's dead or not, I'm not sure. That was

1690
01:15:54,439 --> 01:15:56,960
Speaker 4: definitely not a thing that he could be dead, but

1691
01:15:57,000 --> 01:15:59,639
Speaker 4: they seem like as if he is, he doesn't get arrested.

1692
01:15:59,720 --> 01:16:02,240
Speaker 4: He there is zero It is an open door for

1693
01:16:02,360 --> 01:16:04,760
Speaker 4: a sequel in the sense of like what happened to

1694
01:16:04,800 --> 01:16:08,000
Speaker 4: mister kubab Yeah, Yeah, that's it, that's all I got.

1695
01:16:08,120 --> 01:16:10,320
Speaker 2: Those are good. Those are good now we come to

1696
01:16:10,400 --> 01:16:12,960
Speaker 2: the portion of the program that I've been dreading this

1697
01:16:13,120 --> 01:16:17,599
Speaker 2: entire time, which is rating our film. Let's do one

1698
01:16:17,640 --> 01:16:18,000
Speaker 2: out of ten.

1699
01:16:18,000 --> 01:16:19,439
Speaker 1: I'm not even make a joke about it. Let's do

1700
01:16:19,439 --> 01:16:21,920
Speaker 1: one out of ten. Uh, it's either going to be

1701
01:16:22,120 --> 01:16:26,120
Speaker 1: one out of ten. Mild scares and spooky atmospheres one

1702
01:16:26,120 --> 01:16:34,520
Speaker 1: at a ten, cow sisters, long mummy peas, redheaded todd cameos,

1703
01:16:36,360 --> 01:16:38,559
Speaker 1: one out of ten, uncles that look like monsters, one

1704
01:16:38,600 --> 01:16:41,679
Speaker 1: out of ten, coushballs one out of ten, stylish hot

1705
01:16:41,760 --> 01:16:46,719
Speaker 1: ladies at ten, child criminals, one out of ten, gothic

1706
01:16:46,800 --> 01:16:50,000
Speaker 1: kool aid man's or I'm gonna add one out of

1707
01:16:50,080 --> 01:16:54,880
Speaker 1: ten forty five year old divorcee characters played by eleven

1708
01:16:54,960 --> 01:16:56,960
Speaker 1: year old girls. I know it's long and worded, but

1709
01:16:57,000 --> 01:17:03,679
Speaker 1: it's got to be in there somewhere. One year old

1710
01:17:03,680 --> 01:17:06,440
Speaker 1: divorce a characters played by eleven year old girls.

1711
01:17:06,840 --> 01:17:08,200
Speaker 3: Okay, that's a lot.

1712
01:17:08,280 --> 01:17:11,320
Speaker 4: That's aboutful, but we gotta go okay because the Amy

1713
01:17:11,439 --> 01:17:13,040
Speaker 4: character was bonkers.

1714
01:17:13,080 --> 01:17:13,719
Speaker 3: It's bucks.

1715
01:17:13,960 --> 01:17:15,519
Speaker 2: I don't know what do we rate you. I think

1716
01:17:15,560 --> 01:17:16,599
Speaker 2: you rate first this week.

1717
01:17:16,840 --> 01:17:21,680
Speaker 4: I'm gonna here's the thing. As a regular movie. If

1718
01:17:21,680 --> 01:17:24,960
Speaker 4: this was on even Nickelodeon. It would have been so

1719
01:17:25,080 --> 01:17:30,320
Speaker 4: much more branded correctly than the Disney Channel movies in

1720
01:17:30,360 --> 01:17:34,519
Speaker 4: that saying like, I didn't actually hate the movie. I

1721
01:17:34,600 --> 01:17:37,600
Speaker 4: hated it for a d coom. That's what I just

1722
01:17:37,640 --> 01:17:39,880
Speaker 4: could not get over the fact that this was a DCOM,

1723
01:17:40,000 --> 01:17:43,200
Speaker 4: not just the DCOM, the first d COM like which

1724
01:17:43,200 --> 01:17:45,680
Speaker 4: should be in its own like Little Pedestal.

1725
01:17:45,640 --> 01:17:48,240
Speaker 3: And I hated it for that. But he didn't actually

1726
01:17:48,320 --> 01:17:49,160
Speaker 3: hate the movie.

1727
01:17:49,320 --> 01:17:52,000
Speaker 4: It actually was kind of funny, and the kids were

1728
01:17:52,080 --> 01:17:55,559
Speaker 4: like just so rambunctious, and it was so odd that

1729
01:17:55,640 --> 01:17:56,440
Speaker 4: I didn't.

1730
01:17:56,160 --> 01:17:57,480
Speaker 3: Hate it, which is weird.

1731
01:17:58,240 --> 01:18:01,160
Speaker 4: But even though I'm I have to rate it as

1732
01:18:01,240 --> 01:18:03,200
Speaker 4: a d COM.

1733
01:18:02,840 --> 01:18:05,920
Speaker 3: And I'm giving it a five, I'm giving it a five.

1734
01:18:06,320 --> 01:18:14,240
Speaker 3: Forty five year old divorce characters played by an eleven

1735
01:18:14,320 --> 01:18:17,360
Speaker 3: year old. It's a solid five for me.

1736
01:18:17,520 --> 01:18:19,840
Speaker 4: It's not going up, but again, I didn't hate it

1737
01:18:19,840 --> 01:18:22,360
Speaker 4: that much to let it go down, but it is

1738
01:18:22,400 --> 01:18:23,120
Speaker 4: a five for me.

1739
01:18:23,439 --> 01:18:27,760
Speaker 1: Okay, I could not agree with you more. This is

1740
01:18:28,120 --> 01:18:30,800
Speaker 1: you said exactly what I was going to say. If

1741
01:18:30,840 --> 01:18:34,160
Speaker 1: this was like this, I might be dating myself here.

1742
01:18:34,200 --> 01:18:35,800
Speaker 1: You might not know this movie. But if this was

1743
01:18:35,880 --> 01:18:39,040
Speaker 1: like The Monster Squad or one of the movies where

1744
01:18:39,120 --> 01:18:43,639
Speaker 1: it starred kids, but was it wasn't a Disney movie.

1745
01:18:43,640 --> 01:18:46,920
Speaker 1: It was just a kid's kind of movie but was

1746
01:18:46,960 --> 01:18:49,160
Speaker 1: in the theaters that kind of thing. Then not a

1747
01:18:49,160 --> 01:18:53,080
Speaker 1: bad movie, not a bad movie at all, if that's

1748
01:18:53,120 --> 01:18:54,080
Speaker 1: what you're talking about.

1749
01:18:54,120 --> 01:18:58,599
Speaker 2: The dialogue's witty and funny. She's a that crazy character.

1750
01:18:59,200 --> 01:19:01,519
Speaker 2: It's I mean, it's it's amazing.

1751
01:19:01,600 --> 01:19:06,120
Speaker 4: It's suited in the nineties for that kind of character too, Like, yeah, truly, seriously.

1752
01:19:06,160 --> 01:19:09,559
Speaker 1: I mean if this was just, hey, we're reviewing a

1753
01:19:09,600 --> 01:19:11,479
Speaker 1: movie and this is a weird movie that came out,

1754
01:19:11,560 --> 01:19:13,040
Speaker 1: this would be a seven or eight for me easily,

1755
01:19:13,080 --> 01:19:14,759
Speaker 1: because it's not a bad movie.

1756
01:19:14,880 --> 01:19:15,920
Speaker 2: The kids are pretty good.

1757
01:19:16,040 --> 01:19:20,840
Speaker 1: Again, the dialogue is weird, it's but as a d com,

1758
01:19:21,320 --> 01:19:23,920
Speaker 1: what the hell it's and the for you're right, the

1759
01:19:23,960 --> 01:19:25,439
Speaker 1: first dcom this is supposed to be.

1760
01:19:25,479 --> 01:19:27,800
Speaker 2: The one where it's like, oh, this is this is Genesis?

1761
01:19:28,240 --> 01:19:30,400
Speaker 1: Yeah, and it just it was more like the band

1762
01:19:30,439 --> 01:19:32,960
Speaker 1: Genesis because it was like, what is going on? By

1763
01:19:32,960 --> 01:19:34,439
Speaker 1: the way, all my Genesis fans out of there.

1764
01:19:34,479 --> 01:19:35,840
Speaker 2: Some of their albums were okay.

1765
01:19:35,920 --> 01:19:39,040
Speaker 1: But much like a Genesis album, this could be ander

1766
01:19:39,520 --> 01:19:44,280
Speaker 1: So I didn't understand a lot of this being a dcom.

1767
01:19:44,000 --> 01:19:46,439
Speaker 3: S Yeah, okay, go ahead.

1768
01:19:45,960 --> 01:19:47,639
Speaker 2: No, I'm gonna say, I'm right with you. I'm I'm

1769
01:19:47,680 --> 01:19:48,960
Speaker 2: gonna give it exactly that you did.

1770
01:19:48,960 --> 01:19:51,439
Speaker 1: I'm gonna give it a five forty five year old

1771
01:19:51,479 --> 01:19:54,599
Speaker 1: divorce a characters being played by eleven year old actors

1772
01:19:55,040 --> 01:19:59,040
Speaker 1: because again, as a movie, not bad as a dcom

1773
01:19:59,640 --> 01:20:00,840
Speaker 1: not and.

1774
01:20:00,800 --> 01:20:04,640
Speaker 4: And and to be fair too, I was not expecting

1775
01:20:04,720 --> 01:20:08,760
Speaker 4: this very first d com right that this is unknown land, right.

1776
01:20:09,479 --> 01:20:11,120
Speaker 3: I wasn't expecting it to be.

1777
01:20:12,560 --> 01:20:15,360
Speaker 4: Right on the mark, right on where we found ourselves

1778
01:20:15,360 --> 01:20:18,519
Speaker 4: eventually a couple of years later of what what the

1779
01:20:18,640 --> 01:20:19,320
Speaker 4: channel found.

1780
01:20:20,880 --> 01:20:23,559
Speaker 3: Literally, I wasn't expecting it to be right on the mark.

1781
01:20:23,600 --> 01:20:26,200
Speaker 4: I was expecting it to be a little okay, we're

1782
01:20:26,200 --> 01:20:29,920
Speaker 4: finding ourselves some growing page.

1783
01:20:30,320 --> 01:20:31,040
Speaker 3: But not this.

1784
01:20:31,439 --> 01:20:32,840
Speaker 2: This I was not expecting.

1785
01:20:33,320 --> 01:20:36,040
Speaker 1: I thought, frankly, it was going to go the opposite

1786
01:20:36,040 --> 01:20:39,560
Speaker 1: direction as a d com and be way too sappy,

1787
01:20:40,080 --> 01:20:46,720
Speaker 1: overly childish, not childlike, but childish, and you know, overly sappy, very.

1788
01:20:46,520 --> 01:20:50,679
Speaker 2: Big, very big. Yeah, the music and the eight actors

1789
01:20:50,720 --> 01:20:52,960
Speaker 2: weren't going to be that good and and.

1790
01:20:52,880 --> 01:21:00,879
Speaker 9: Man it was not that, but it wasn't a funny

1791
01:21:00,920 --> 01:21:03,760
Speaker 9: watch and to be honest, doing the recap with you

1792
01:21:03,840 --> 01:21:05,040
Speaker 9: has even made it better for.

1793
01:21:06,000 --> 01:21:08,639
Speaker 2: Watch it, go and watch it. It is. It is,

1794
01:21:08,840 --> 01:21:10,840
Speaker 2: it's crazy, it is banana strings.

1795
01:21:12,000 --> 01:21:14,240
Speaker 4: Especially if you like d COM's it's just you're just

1796
01:21:14,280 --> 01:21:15,200
Speaker 4: going to be blown away.

1797
01:21:15,280 --> 01:21:17,000
Speaker 3: You gotta watch it because.

1798
01:21:17,400 --> 01:21:19,960
Speaker 1: It's just the second the eleven year old girl turns

1799
01:21:20,000 --> 01:21:21,320
Speaker 1: and goes, I sleep in the nude.

1800
01:21:21,320 --> 01:21:23,519
Speaker 2: I was like, I'm out, and there we go. Thank

1801
01:21:23,560 --> 01:21:25,040
Speaker 2: you ladies and gentlemen, I'll be one.

1802
01:21:26,640 --> 01:21:29,000
Speaker 4: And then and then just t minutes later, we find

1803
01:21:29,040 --> 01:21:30,320
Speaker 4: ourselves and a swingers party.

1804
01:21:32,520 --> 01:21:36,160
Speaker 3: Who's who was the president channel? Like, who was the

1805
01:21:36,200 --> 01:21:37,519
Speaker 3: president of the channel at this time?

1806
01:21:37,560 --> 01:21:42,800
Speaker 1: Because I've got well, Garrett, it was, yeah, we gotta

1807
01:21:42,840 --> 01:21:43,599
Speaker 1: we gotta find out.

1808
01:21:43,479 --> 01:21:43,880
Speaker 2: About this one.

1809
01:21:43,920 --> 01:21:46,639
Speaker 1: We've got to deep dive this one because crazy. But well,

1810
01:21:46,800 --> 01:21:49,200
Speaker 1: thank you everybody so much for joining us. Our next

1811
01:21:49,200 --> 01:21:51,439
Speaker 1: movie that we're going to be doing is very much

1812
01:21:51,479 --> 01:21:53,719
Speaker 1: on brand. So we are back on the tracks people.

1813
01:21:54,520 --> 01:21:58,479
Speaker 2: Our next movie is keeping us terrified with Halloween around

1814
01:21:58,479 --> 01:22:00,800
Speaker 2: the corner. We'll be watching a sequel. That's right, it's

1815
01:22:00,920 --> 01:22:01,760
Speaker 2: Twitches too.

1816
01:22:02,600 --> 01:22:06,280
Speaker 1: It's too as in Twitches also the second movie starring

1817
01:22:06,320 --> 01:22:08,840
Speaker 1: Tia and Tamara Mooriy from two thousand and seven is

1818
01:22:08,840 --> 01:22:11,040
Speaker 1: available now to watch via Disney Plus. We are back

1819
01:22:11,040 --> 01:22:13,679
Speaker 1: on the Plus people, so watch it before our episode

1820
01:22:13,720 --> 01:22:16,360
Speaker 1: and you'll be way ahead of the game. But before

1821
01:22:16,400 --> 01:22:18,479
Speaker 1: we take off the bandages entirely, we're gonna stay in

1822
01:22:18,560 --> 01:22:19,280
Speaker 1: this universe, this.

1823
01:22:20,160 --> 01:22:22,679
Speaker 2: Crazy, crazy bananas universe for under Wraps.

1824
01:22:22,880 --> 01:22:25,639
Speaker 1: Because we spoke with Adam Wiley. I've known him for many,

1825
01:22:25,640 --> 01:22:28,439
Speaker 1: many years. He played Young Gilbert, and he gave us

1826
01:22:28,439 --> 01:22:30,400
Speaker 1: the low down on what the legacy of under Wraps

1827
01:22:30,520 --> 01:22:31,080
Speaker 1: is all about.

1828
01:22:31,400 --> 01:22:34,160
Speaker 2: Listen here for a sneak bee.

1829
01:22:34,240 --> 01:22:36,840
Speaker 1: Bill FAGERBACKI was actually like there was times he was

1830
01:22:36,880 --> 01:22:38,280
Speaker 1: close to passing out on set.

1831
01:22:38,320 --> 01:22:38,760
Speaker 3: Is this true?

1832
01:22:39,240 --> 01:22:42,040
Speaker 6: A thousand percent? He had fans all over him. He

1833
01:22:42,080 --> 01:22:44,519
Speaker 6: had to sit because he couldn't get out. Once he

1834
01:22:44,640 --> 01:22:47,240
Speaker 6: was out, it was like even just to use the

1835
01:22:47,280 --> 01:22:50,880
Speaker 6: restroom was a nightmare. So he would just sit there

1836
01:22:51,080 --> 01:22:55,480
Speaker 6: like this. And back then we didn't have this technology,

1837
01:22:55,479 --> 01:22:58,120
Speaker 6: so it's noting it could be like we're just gonna

1838
01:22:58,120 --> 01:23:01,200
Speaker 6: green screen out his mouth or whatever you do. They

1839
01:23:01,200 --> 01:23:05,240
Speaker 6: had to take this carcole kind of like makeup and

1840
01:23:05,280 --> 01:23:07,280
Speaker 6: like spread it all over. He had to wash his

1841
01:23:07,320 --> 01:23:09,240
Speaker 6: mouth with it so that everything was black.

1842
01:23:11,240 --> 01:23:12,040
Speaker 2: Love that guy.

1843
01:23:12,520 --> 01:23:14,840
Speaker 3: I'm so excited we got to meet him.

1844
01:23:14,880 --> 01:23:20,679
Speaker 4: He is talk about nostalgia of the nineties so amazing.

1845
01:23:20,800 --> 01:23:23,800
Speaker 2: By the way, because this movie was so crazy pants,

1846
01:23:24,000 --> 01:23:26,160
Speaker 2: we did not talk nearly enough about how good he

1847
01:23:26,240 --> 01:23:28,799
Speaker 2: was in this movie, because he was great in this movie.

1848
01:23:28,840 --> 01:23:30,880
Speaker 2: He was great in this movie by far, the best

1849
01:23:30,880 --> 01:23:32,000
Speaker 2: of the three of them, I thought.

1850
01:23:32,439 --> 01:23:35,519
Speaker 1: And then Amy with the character she was playing the

1851
01:23:35,520 --> 01:23:37,880
Speaker 1: old like I gotta I've got a shift.

1852
01:23:37,600 --> 01:23:41,120
Speaker 3: In the character was kind of he was fine, fine, the.

1853
01:23:41,160 --> 01:23:45,320
Speaker 1: Other too, But but Adam was was absolutely great, great

1854
01:23:45,320 --> 01:23:46,680
Speaker 1: in this movie. He really and we did not talk

1855
01:23:46,680 --> 01:23:48,760
Speaker 1: about that enough because we were so distracted by all

1856
01:23:48,760 --> 01:23:50,919
Speaker 1: the other lights and sounds going on in the movie.

1857
01:23:51,640 --> 01:23:53,360
Speaker 2: Yes, but we love him.

1858
01:23:53,439 --> 01:23:55,240
Speaker 1: So you can hear everything he has to say about

1859
01:23:55,280 --> 01:23:57,719
Speaker 1: under Wraps and so much more. Search for Magical Rewind

1860
01:23:57,720 --> 01:24:00,200
Speaker 1: wherever you get your podcast and subscribe to our dedicated

1861
01:24:00,240 --> 01:24:03,519
Speaker 1: feed and for more info. You can always follow us

1862
01:24:03,720 --> 01:24:05,360
Speaker 1: a Magical Rewind.

1863
01:24:05,000 --> 01:24:09,360
Speaker 2: Pod on the Instagram Machine. Bye everybody, Bye, By sleep

1864
01:24:09,360 --> 01:24:20,760
Speaker 2: in the Nudes