WEBVTT - Listener Mail: Holiday Hangover

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey you welcome to Stuff to Blow

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<v Speaker 1>your Mind. Listener mail. My name is Robert Lamb and

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<v Speaker 1>I'm Joe McCormick, and we're catching up on some of

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<v Speaker 1>your messages in response to our episode about Christmas decorations. First, Robert,

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<v Speaker 1>let's see do you want to read this first one

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<v Speaker 1>or should I? Yeah, sure, I'll do this one. This

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<v Speaker 1>one comes to us from Lucy. I loved your Holiday

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<v Speaker 1>inventions episode and wanted to write in that My parents

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<v Speaker 1>still do many of the old and or dangerous traditions.

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<v Speaker 1>We put bubble lights in the tree every year when

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<v Speaker 1>I was a kid. They still have some of those

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<v Speaker 1>strings from the nineties, but they've also gotten replacement bulbs

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<v Speaker 1>for burnt out ones over the years. These new ones

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<v Speaker 1>are hopefully less toxic than the originals. The best, though,

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<v Speaker 1>is live candles on the Christmas tree. My family is

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<v Speaker 1>aginally from Germany, and when my grandparents were first married,

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<v Speaker 1>they studied in Germany for a year or two on

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<v Speaker 1>my grandmother's Fulbright scholarship. They picked up their tradition of

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<v Speaker 1>candles there and kept it up every year until they

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<v Speaker 1>moved into a retirement home that would not allow it.

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<v Speaker 1>Since then, my parents have taken over the tradition. The

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<v Speaker 1>key is to get a fresh tree instead of buying

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<v Speaker 1>it from a Christmas tree lot. We go out to

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<v Speaker 1>a Christmas tree farm a day or two before Christmas

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<v Speaker 1>Eve and cut down a fresh one. This means that

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<v Speaker 1>when you light the candles a few days later, there

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<v Speaker 1>is still so much moisture in the needles and branches

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<v Speaker 1>that have a flame touches it, it just fizzles out.

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<v Speaker 1>We always like the tree from top to bottom, so

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<v Speaker 1>that as we sit around seeing Christmas carols and talking,

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<v Speaker 1>the top candles burn out first and we can watch

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<v Speaker 1>the shadows from the lower candles on the ceiling. Sometimes

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<v Speaker 1>my dad will even get the ornaments hung so that

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<v Speaker 1>the rising heat from a candle beneath it will make

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<v Speaker 1>the ornament spin. Whoa. Obviously we still have a pitcher

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<v Speaker 1>of water nearby, but we've never had to use it.

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<v Speaker 1>I've grown up with these traditions, so I sometimes for

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<v Speaker 1>get that not everyone does them. Great to hear about

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<v Speaker 1>the history behind them. I always love listening to you guys, Lucy.

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<v Speaker 1>Oh well, that does sound very nice, Lucy, but I

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<v Speaker 1>still I don't think i'd risk it. Yeah, there's a

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<v Speaker 1>there's a story in my family, and I've asked around

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<v Speaker 1>to see if I could find out who it was.

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<v Speaker 1>But so this one's gonna be one of those kind

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<v Speaker 1>of like horrible third hand stories. But there's somebody I

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<v Speaker 1>was connected to where the wife brought with her German

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<v Speaker 1>traditions and insisted on doing the candles. But then the

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<v Speaker 1>husband was very suspicious of of actual candles on a

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<v Speaker 1>Christmas tree and would stand by with a with a

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<v Speaker 1>fire extinguisher aimed at the tree the whole time, just

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<v Speaker 1>ready for it to go up. I mean, you're gonna

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<v Speaker 1>do candles on the tree, why not just like hang

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<v Speaker 1>butane torches from the branches. They make their own ornaments

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<v Speaker 1>and candles. All right, Well, it looks like Carney is

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<v Speaker 1>still in the Christmas spirit and has another one of

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<v Speaker 1>these list males for you too. Okay, this one comes

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<v Speaker 1>from Rose. Rose says, Hi, Robert and Joe loved your

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<v Speaker 1>latest episode on the history of Christmas decorations. To talk

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<v Speaker 1>about whether gingerbread houses are meant for eating brought back

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<v Speaker 1>some early childhood memories. When I was a little kid

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<v Speaker 1>in the nineties, my family decorated gingerbread houses every year,

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<v Speaker 1>except we didn't use any actual gingerbread. My grandma would

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<v Speaker 1>construct houses out of cardboard, which we would code in

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<v Speaker 1>frosting and decorate with candy and pretzels. I think some

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<v Speaker 1>might say that gingerbread and cardboard have negligible differences. Uh,

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<v Speaker 1>but that would be a true grunch of a person

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<v Speaker 1>who said, oh, I mean real gingerbread. If you're using

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<v Speaker 1>real ginger, you get that kind of like it's almost spicy,

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<v Speaker 1>So it can it can really work. What are are

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<v Speaker 1>you supposed to use fresh ginger and gingerbread? I thought

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<v Speaker 1>you're supposed to use ginger powder in baking. Maybe I

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<v Speaker 1>don't know anything about this, Well I don't. I've never

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<v Speaker 1>actually made it myself, so I'm I have no idea ultimately,

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<v Speaker 1>but I know that generally you can taste the difference

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<v Speaker 1>between real ginger and um in powder ginger, and then

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<v Speaker 1>of course I feel like I have had gingerbread. When

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<v Speaker 1>a gingerbread is good, it tastes a little spicy, like okay,

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<v Speaker 1>when it kind of like bites you back a little bit. Okay,

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<v Speaker 1>I think that would probably be fresh ginger. Wait, you

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<v Speaker 1>were saying real ginger though, do you do you mean

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<v Speaker 1>fresh ginger? Or is ginger powder not from a not

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<v Speaker 1>from real ginger? Surely it is? Well yeah, well when

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<v Speaker 1>I say real ginger, you know I'm I'm meaning fresh ginger. Okay, okay, okay,

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<v Speaker 1>that's what I thought. Yeah, I mean as I don't

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<v Speaker 1>I don't know that there's actual imitation ginger out there.

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<v Speaker 1>There's imitation vanilla there, there's there's imitation stuff. Yeah, okay,

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<v Speaker 1>sorry to continue with roses message. So we got these

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<v Speaker 1>houses made out of cardboard, decorated with candy and pretzels

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<v Speaker 1>picking up. They definitely weren't meant to be eaten, if

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<v Speaker 1>I'm remembering right. They would sit out as a decoration

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<v Speaker 1>for a while, maybe people would steal a few pieces

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<v Speaker 1>of candy off, and then we just threw them out

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<v Speaker 1>after Christmas. Unfortunately, we stopped this tradition while I was

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<v Speaker 1>still fairly young, but I have fond memories of it.

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<v Speaker 1>That was pretty weird in hindsight. Happy Holidays, Rose. Uh yeah,

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<v Speaker 1>I don't know if it's that much weirder than anything else.

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<v Speaker 1>So it sounds kind of nice. Yeah, and then you're

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<v Speaker 1>not wasting the gingerbread this way, So as they go

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<v Speaker 1>for it. All right, we have another one here. This

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<v Speaker 1>one comes to us from Victoria. Victoria Rights. I'm an

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<v Speaker 1>environmental scientist and I allow this in my home. Is

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<v Speaker 1>it dumb? Absolutely? Why do we do it? Tradition? Que

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<v Speaker 1>fiddler theme? And of course it is a picture of

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<v Speaker 1>the Christmas tree with live candles, with burning candles on it.

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<v Speaker 1>They look pretty cool because the candles are twisty. I've

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<v Speaker 1>never seen this before. They're like cork screw shaped a

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<v Speaker 1>little bit, I mean very, very slightly cork screw shaped.

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<v Speaker 1>And in in the photo, a gentleman that I believe

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<v Speaker 1>is Victoria's husband is lighting it. Because she continues, my

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<v Speaker 1>German has been grew up placing real candles on a

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<v Speaker 1>real conifer, lighting them with real fire, and watching them

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<v Speaker 1>burn to their bases without a trace of anxiety. He

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<v Speaker 1>clings to this tradition harder than any other, and I

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<v Speaker 1>don't mind living a little dangerously. We have some firm

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<v Speaker 1>rules around this practice. Number one, the tree must never

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<v Speaker 1>go thirsty. I pay more attention to this dead plant's

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<v Speaker 1>hydration than that of my own body. The conifer will

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<v Speaker 1>be less of a powder keg if the leaves don't

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<v Speaker 1>dry out. We feel the tips before every lighting if

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<v Speaker 1>they're getting crunchy. The candles are not lit. Number two.

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<v Speaker 1>Everyone knows where the fire extinguisher is and how to

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<v Speaker 1>use it. I acknowledge that this wouldn't be enough to

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<v Speaker 1>put out a fully engulf tree, but it is better

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<v Speaker 1>than nothing. Number three. When lit, the candles are supervised

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<v Speaker 1>at all times. This part can get a little boring. However,

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<v Speaker 1>there's little else to do on Christmas Eve besides sipping

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<v Speaker 1>scotch and staring at your potential doom. Number four. After

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<v Speaker 1>the holidays, take the discarded tree to the bonfire beach

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<v Speaker 1>and burn it. Watching that thing shoot flames high into

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<v Speaker 1>the air puts whole celebratory practices in perspective. Knowing the

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<v Speaker 1>risk makes us more vigilant. Thank you both for the

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<v Speaker 1>stimulating content, and may your holidays be far less perilous

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<v Speaker 1>than mine. Warm regards, Victoria. The regards sound very warm.

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<v Speaker 1>Thank you for sharing this, Victoria. This is great and

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<v Speaker 1>I love the picture that this was a This was

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<v Speaker 1>a great bit of listener mail. I really love this one. Okay,

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<v Speaker 1>how about this response? Going back to our episodes about spinning, Yeah,

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<v Speaker 1>let's spin. Okay, this uh this comes from Joe, a

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<v Speaker 1>different Joe. Joe says, Dear Robert and Joe, I've been

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<v Speaker 1>enjoying your recent episodes and listener mail on the size

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<v Speaker 1>of spinning as it affects the human body. It's a

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<v Speaker 1>fascinating topic. It was delightful to hear the perspective of

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<v Speaker 1>a ballet dancer, ice skater and pole dancer. But I'm

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<v Speaker 1>surprised no one mentioned aerialists. I gotta say that did

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<v Speaker 1>not even enter my mind. In fact, I don't know

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<v Speaker 1>if I would have known what that word meant before

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<v Speaker 1>this mail, so so thanks for bringing it up, Joe.

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<v Speaker 1>I should have done. I've seen aerialists performed before. I

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<v Speaker 1>mean i've I've certainly been to circus away, so I

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<v Speaker 1>should have thought about the spinning that yeah, the circus lay,

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<v Speaker 1>yeah yeah, yeah, Okay, So Joe goes on aerialists, as

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<v Speaker 1>you probably know, as I didn't know, are the section

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<v Speaker 1>of performance artists of the circus realm that perform aerial

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<v Speaker 1>stunts on aerial apparati. Many common apparatis, such as the

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<v Speaker 1>hoop lyra and aerial straps, also test the brain and body.

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<v Speaker 1>One extra weird apparatus is the Spanish web. The Spanish

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<v Speaker 1>web is essentially a human lasso. One performer hangs from

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<v Speaker 1>a thick rope some distance from the ground, while another

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<v Speaker 1>performer assists in spinning the dangling performer in a giant circle.

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<v Speaker 1>The aerialist in the air then performs stunts and tricks

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<v Speaker 1>and so on. The spinning action is unique because the

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<v Speaker 1>body isn't just turning on a single axis, but is

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<v Speaker 1>also often moving in a slight orbit around the center,

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<v Speaker 1>sometimes at high speed and with changing orientations. The head

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<v Speaker 1>games are very interesting and takes some practice. As you've said,

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<v Speaker 1>one trick that many spinning aerialists use is to focus

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<v Speaker 1>on something that isn't spinning in relation to the performers,

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<v Speaker 1>such as the apparatus itself or their own hands or feet.

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<v Speaker 1>It's similar in concept the spotting technique that ballerina is used,

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<v Speaker 1>but without having to turn the head. Since the apparatus

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<v Speaker 1>itself keeps the performer from tipping, the aerialists can divert

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<v Speaker 1>their focus, unlike a ballerina that needs a reference point

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<v Speaker 1>to stay balanced. Focusing the vision intently on the apparatus

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<v Speaker 1>as opposed to the spinning world behind it is a

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<v Speaker 1>massive game changer and as it slightly tricks the brain

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<v Speaker 1>from being disoriented with the spinning room. Also, if one

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<v Speaker 1>can't see their own body or apparatus, such such as

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<v Speaker 1>in many aerials strap spins, the trick is to not

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<v Speaker 1>focus on anything at all. Don't try to follow the

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<v Speaker 1>spinning world in front of you, but fall into soft focus.

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<v Speaker 1>Easier said than done, it takes practice. Other fun tricks

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<v Speaker 1>to help with dizziness before spinning include eating lots of

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<v Speaker 1>ginger or drinking ginger tea to prevent nausea a ginger

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<v Speaker 1>yet again. Also, if one does get dizzy and finds

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<v Speaker 1>themselves with the spins, they can sometimes jump up and

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<v Speaker 1>down to help with the motion. It won't do much

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<v Speaker 1>if your spins are bad, but it seems to help

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<v Speaker 1>some performers who overdo it momentarily For some reason. I

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<v Speaker 1>just thought your listeners might also find this obscure life

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<v Speaker 1>knowledge important as they happen to find themselves trapped inside

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<v Speaker 1>a washer or never ending till to whirl. Thanks for

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<v Speaker 1>all you guys do. Keep up the great work, Joe.

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<v Speaker 1>And then Joe also sent a follow up saying it

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<v Speaker 1>was him again, and he sent some links to videos

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<v Speaker 1>of artists performing Spanish web and aerial straps fast spins

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<v Speaker 1>in regards to human spinning very cool. And uh I

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<v Speaker 1>like the ginger tidbit as well. Um yeah, ginger can

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<v Speaker 1>be can be very nice for you know, slight feelings

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<v Speaker 1>of nausea and and stomach illness. We we keep some

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<v Speaker 1>some ginger candies on hand in the car and in

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<v Speaker 1>the backpack whenever we're out in the bout just in case.

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<v Speaker 1>Oh yeah, oh it maybe helps with car sickness too,

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<v Speaker 1>yeah yeah, or and if nothing else that you know,

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<v Speaker 1>it's a sweet and has a little ginger e buzz

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<v Speaker 1>to it. So all right. We have some some additional

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<v Speaker 1>um listener mail here coming to us, and these bits

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<v Speaker 1>concerned Weird How Cinema are Friday episodes that are sort

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<v Speaker 1>of a late night celebration of weird films as opposed

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<v Speaker 1>to the general science and culture content that we put out.

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<v Speaker 1>This comes to us from Chris, Hi, Robert and Joe.

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<v Speaker 1>First off, I love Weird How Cinema. I was elapsed

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<v Speaker 1>stuff to bow your mind fan too many podcasts to

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<v Speaker 1>listen to, who checked in for the Halloween episodes this

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<v Speaker 1>year and was delighted to find Weird How cinema in

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<v Speaker 1>the feed. It perfectly scratches this itch for strange and

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<v Speaker 1>or bad movie discussion with the science and philosophy angle.

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<v Speaker 1>Please keep doing it. I just finished the Ghost in

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<v Speaker 1>the Machine episode. I'd forgotten all about this movie until

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<v Speaker 1>I saw the title in my feet and immediately was

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<v Speaker 1>reminded of the only scene I ever watched, the microwave scene.

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<v Speaker 1>I was born in and was very young when I

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<v Speaker 1>was flipping through channels and landed on HBO just in

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<v Speaker 1>time to see a man getting his face cooked by

0:12:19.040 --> 0:12:22.679
<v Speaker 1>an open microwave. I was sufficiently freaked out and changed

0:12:22.679 --> 0:12:25.480
<v Speaker 1>the channel immediately. Ever since then, I've always had this

0:12:25.559 --> 0:12:27.560
<v Speaker 1>tiny fear in the back of my mind when opening

0:12:27.559 --> 0:12:30.400
<v Speaker 1>a microwave door. What if it didn't shut off? Is

0:12:30.440 --> 0:12:34.040
<v Speaker 1>it going to cook my face? This even cropped up

0:12:34.080 --> 0:12:36.959
<v Speaker 1>recently as my fiancee was has a habit of opening

0:12:36.960 --> 0:12:39.480
<v Speaker 1>the microwave door to grab something while it's still running,

0:12:39.720 --> 0:12:43.080
<v Speaker 1>trusting that the auto off will work as intended. Turns out,

0:12:43.080 --> 0:12:45.760
<v Speaker 1>our microwave door latch is a little hinky and there

0:12:45.800 --> 0:12:48.440
<v Speaker 1>recently and it recently seemed to keep running as that

0:12:48.480 --> 0:12:50.840
<v Speaker 1>she opened it up and reached in to grab whatever

0:12:50.880 --> 0:12:53.440
<v Speaker 1>she was heating up. I had flashbacks to Ghost in

0:12:53.440 --> 0:12:55.280
<v Speaker 1>the machine. It was pretty freaked out, even though nothing

0:12:55.320 --> 0:12:57.480
<v Speaker 1>had happened to her. We looked into it later and

0:12:57.520 --> 0:13:00.240
<v Speaker 1>it's most likely that the magnatron had shut off off

0:13:00.360 --> 0:13:03.280
<v Speaker 1>but the fan in light kept running still. I asked

0:13:03.280 --> 0:13:06.320
<v Speaker 1>that she just hit the off button before opening the door,

0:13:06.520 --> 0:13:09.760
<v Speaker 1>just in case. Anyway, keep up the great work and

0:13:09.800 --> 0:13:13.080
<v Speaker 1>thanks for discussing this movie that gave me a lifelong phobia.

0:13:13.280 --> 0:13:16.040
<v Speaker 1>I can't wait to tune in again next Friday. Chris,

0:13:16.360 --> 0:13:19.640
<v Speaker 1>I've actually seen a malfunction a microwave that worked exactly

0:13:19.679 --> 0:13:22.160
<v Speaker 1>like that, except in this case it was every time

0:13:22.320 --> 0:13:26.280
<v Speaker 1>you would you would open the door, the light inside

0:13:26.320 --> 0:13:28.800
<v Speaker 1>would come on and the rotating plate would start rotating.

0:13:28.800 --> 0:13:31.160
<v Speaker 1>But I think it wasn't cooking well. I appreciate the

0:13:31.800 --> 0:13:35.280
<v Speaker 1>kind comments there. Uh, it's certainly feel you on how

0:13:35.320 --> 0:13:37.520
<v Speaker 1>there being this too many podcasts to listen to at times,

0:13:37.520 --> 0:13:40.679
<v Speaker 1>so you know, hopefully we're not loading anybody up with

0:13:40.720 --> 0:13:43.080
<v Speaker 1>too much. Hopefully with the ideas we just give you

0:13:43.160 --> 0:13:46.240
<v Speaker 1>some some choices, you know. Um and uh, you know,

0:13:46.280 --> 0:13:47.960
<v Speaker 1>if you want to just listen to the Weird House,

0:13:48.000 --> 0:13:49.280
<v Speaker 1>just listen to Weird house. You just want to come

0:13:49.320 --> 0:13:51.160
<v Speaker 1>in and listen to the stuff to blow your mind episodes,

0:13:51.400 --> 0:13:53.400
<v Speaker 1>Go for it. I mean, I think I'm supposed to

0:13:54.080 --> 0:13:57.920
<v Speaker 1>advise everyone to subscribe, but I don't know. Maybe subscription

0:13:57.920 --> 0:13:59.600
<v Speaker 1>doesn't work for everybody. I don't know. Do do what

0:13:59.640 --> 0:14:01.760
<v Speaker 1>you want, do what feels good for you. As long

0:14:01.840 --> 0:14:04.319
<v Speaker 1>as you're listening to some of our show, UM, I

0:14:04.360 --> 0:14:15.080
<v Speaker 1>guess I'm happy. Okay. I mentioned a few episodes back

0:14:15.120 --> 0:14:17.600
<v Speaker 1>that I thought we had lost some emails that came

0:14:17.640 --> 0:14:20.840
<v Speaker 1>in during September and October. I think somehow they just

0:14:20.880 --> 0:14:24.800
<v Speaker 1>like disappeared from our inbox. UM, and our our longtime

0:14:24.800 --> 0:14:28.600
<v Speaker 1>correspondent Jim in New Jersey actually recent several emails from

0:14:28.640 --> 0:14:30.800
<v Speaker 1>that period, so we wanted to catch up with them now.

0:14:31.520 --> 0:14:36.200
<v Speaker 1>The first one, UH concerned our episodes on mushroom foraging,

0:14:36.280 --> 0:14:39.960
<v Speaker 1>and we were talking about how, UH, sometimes human foraging

0:14:40.040 --> 0:14:44.720
<v Speaker 1>techniques are strangely kind of similar to AI, to computer

0:14:44.800 --> 0:14:49.040
<v Speaker 1>search algorithms, and so Jim often writes in on like

0:14:49.120 --> 0:14:52.640
<v Speaker 1>computer science related topics in and he's got some comments here.

0:14:52.720 --> 0:14:56.600
<v Speaker 1>So Jim says, Robert and Joe, you mentioned AI searching

0:14:56.600 --> 0:14:59.080
<v Speaker 1>algorithms at the end of your mushroom series. I can

0:14:59.120 --> 0:15:02.600
<v Speaker 1>provide one. It's considered an AI algorithm, but it's really

0:15:02.640 --> 0:15:05.560
<v Speaker 1>just an algorithm that I think I can describe sufficiently.

0:15:05.880 --> 0:15:09.000
<v Speaker 1>It's called a star search, and that's spelled like in

0:15:09.040 --> 0:15:12.320
<v Speaker 1>typography with the letter A and then an asterisk. It's

0:15:12.320 --> 0:15:16.000
<v Speaker 1>a type of foraging algorithm through a network. Cities and

0:15:16.040 --> 0:15:19.240
<v Speaker 1>the roadways connecting them are networks. There are many other

0:15:19.280 --> 0:15:24.520
<v Speaker 1>types of networks too, for example, social networks such as Facebook, Twitter, LinkedIn, etcetera,

0:15:24.680 --> 0:15:28.120
<v Speaker 1>communication networks such as the Bell telephone system network and

0:15:28.160 --> 0:15:31.520
<v Speaker 1>the Internet and so forth. The mathematical notion of these

0:15:31.520 --> 0:15:35.720
<v Speaker 1>networks are called graphs. The concepts, properties, and algorithms that

0:15:35.760 --> 0:15:38.640
<v Speaker 1>work for graphs in general can be applied to real

0:15:38.760 --> 0:15:44.480
<v Speaker 1>networks too. There are two traditional network searching or foraging algorithms,

0:15:44.960 --> 0:15:48.680
<v Speaker 1>breadth first and depth first search. Let's say that it's

0:15:48.680 --> 0:15:50.960
<v Speaker 1>Saturday morning and you and your spouse want to look

0:15:51.000 --> 0:15:54.080
<v Speaker 1>for garage sales. You could start in your local neighborhood,

0:15:54.080 --> 0:15:56.640
<v Speaker 1>then proceed to the next ones out and continue spreading

0:15:56.680 --> 0:16:00.360
<v Speaker 1>out in concentric circles. This is breadth first, but let's

0:16:00.440 --> 0:16:03.800
<v Speaker 1>change strategy. This is a special Saturday. There's a group

0:16:03.840 --> 0:16:06.960
<v Speaker 1>garage sale at a church, a few neighborhoods away, or

0:16:07.000 --> 0:16:09.840
<v Speaker 1>in the town center. You would go straight to these

0:16:09.880 --> 0:16:13.200
<v Speaker 1>locations and then visit additional garage sales on the way back.

0:16:13.440 --> 0:16:16.840
<v Speaker 1>This is depth first. A star search is a little

0:16:16.880 --> 0:16:20.160
<v Speaker 1>between the two. Let's look at the strategy. You start

0:16:20.160 --> 0:16:23.120
<v Speaker 1>in your local neighborhood and visit the first garage sale.

0:16:23.360 --> 0:16:26.240
<v Speaker 1>While you're there, you ask other buyers where they've been

0:16:26.280 --> 0:16:29.960
<v Speaker 1>and what looks good out there. You evaluate their best suggestions.

0:16:30.360 --> 0:16:32.760
<v Speaker 1>You would keep track of all the best garage sale

0:16:32.760 --> 0:16:35.320
<v Speaker 1>tips and add new ones as you move from garage

0:16:35.320 --> 0:16:37.920
<v Speaker 1>sale to garage sale. Once you're ready to move to

0:16:37.960 --> 0:16:40.600
<v Speaker 1>another garage sale, you you go to the one that

0:16:40.680 --> 0:16:43.040
<v Speaker 1>shows the best promise on your tips list, even if

0:16:43.040 --> 0:16:46.160
<v Speaker 1>it means driving across town. This is the essence of

0:16:46.280 --> 0:16:49.120
<v Speaker 1>a star search. Though I don't know for sure how

0:16:49.200 --> 0:16:53.040
<v Speaker 1>algorithms in navigation apps such as driving directions work, I

0:16:53.080 --> 0:16:56.160
<v Speaker 1>would consider using a star search. Let's say that you

0:16:56.160 --> 0:16:58.720
<v Speaker 1>want to drive from location A to location B. The

0:16:58.800 --> 0:17:02.280
<v Speaker 1>algorithm starts at A and explores the local roads, almost

0:17:02.280 --> 0:17:06.040
<v Speaker 1>like ten drills of mold you've described before. The heuristic

0:17:06.080 --> 0:17:08.520
<v Speaker 1>it uses to find the best path will BE how

0:17:08.560 --> 0:17:12.440
<v Speaker 1>close you are to BE. Direct paths will get first priority,

0:17:12.520 --> 0:17:15.480
<v Speaker 1>but it won't ignore paths that move further away from

0:17:15.480 --> 0:17:18.840
<v Speaker 1>BE either. That's because an initial direction that moves away

0:17:18.840 --> 0:17:21.840
<v Speaker 1>from B might eventually reach a highway ramp or provide

0:17:21.840 --> 0:17:24.399
<v Speaker 1>a much faster trip to BE, even if driving in

0:17:24.440 --> 0:17:28.600
<v Speaker 1>the wrong direction. Ants foraging kind of do this too.

0:17:28.680 --> 0:17:31.560
<v Speaker 1>As the ants come back from food sources, they drop

0:17:31.640 --> 0:17:35.280
<v Speaker 1>pheromone trails. As the ants confirm the food source, they

0:17:35.320 --> 0:17:39.840
<v Speaker 1>make the pheromone trail stronger, so more ants will exploit it. However,

0:17:40.480 --> 0:17:43.680
<v Speaker 1>there are still foraging ants that don't follow the strong scent.

0:17:43.920 --> 0:17:47.040
<v Speaker 1>They're looking for new sources since the good source might

0:17:47.080 --> 0:17:50.760
<v Speaker 1>eventually fade. Ant foraging can be thought of as a

0:17:50.840 --> 0:17:54.480
<v Speaker 1>type of distributed a star search. The a star search

0:17:54.520 --> 0:17:58.200
<v Speaker 1>Wikipedia page has too many videos that illustrate the algorithm well,

0:17:58.800 --> 0:18:01.320
<v Speaker 1>especially like the example will of finding the most efficient

0:18:01.320 --> 0:18:05.840
<v Speaker 1>train route across the USA. This very much resembles mold tendrils.

0:18:05.920 --> 0:18:08.200
<v Speaker 1>I first encountered a star search when I took an

0:18:08.200 --> 0:18:11.280
<v Speaker 1>online algorithm course taught at Princeton. A star search was

0:18:11.320 --> 0:18:15.520
<v Speaker 1>an assignment in UH solving a tile slider puzzle. I'm

0:18:15.560 --> 0:18:17.720
<v Speaker 1>proud to say that the search tree illustration in the

0:18:17.760 --> 0:18:20.760
<v Speaker 1>assignment was originally created by me as I was working

0:18:20.760 --> 0:18:23.240
<v Speaker 1>with the professor as an online ti A and they

0:18:23.240 --> 0:18:26.639
<v Speaker 1>have included it in the assignment now uh. And he

0:18:26.680 --> 0:18:31.360
<v Speaker 1>signs off Jim in New Jersey but not really near Princeton. Uh.

0:18:31.400 --> 0:18:34.359
<v Speaker 1>And then Jim also has a follow up that ties

0:18:34.400 --> 0:18:36.600
<v Speaker 1>into the same email that came out after an episode

0:18:36.640 --> 0:18:39.640
<v Speaker 1>about Orcs. Remember, in the episode on Orcs, we talked

0:18:39.640 --> 0:18:42.920
<v Speaker 1>about the Orcs and Hobbits problem, which was about problem

0:18:43.000 --> 0:18:48.120
<v Speaker 1>solving theory. UH. This question about how people psychologically tend

0:18:48.160 --> 0:18:52.040
<v Speaker 1>to adapt when they encounter problems in this this puzzle

0:18:52.080 --> 0:18:54.560
<v Speaker 1>where you need to get Orcs and Hobbits across the river.

0:18:55.240 --> 0:18:57.800
<v Speaker 1>And one of the things that was discovered about this

0:18:58.000 --> 0:19:01.840
<v Speaker 1>was the perils of what's known as the hill climbing algorithm.

0:19:01.880 --> 0:19:04.880
<v Speaker 1>It's a common algorithm that is used in some computer programs,

0:19:04.880 --> 0:19:07.080
<v Speaker 1>but we also just use it in our brains, which

0:19:07.119 --> 0:19:10.080
<v Speaker 1>is UH. You basically, you have a goal state that

0:19:10.359 --> 0:19:12.280
<v Speaker 1>you want to get to, and it's something like, you know,

0:19:12.320 --> 0:19:15.320
<v Speaker 1>get to the highest possible altitude and then you take

0:19:15.359 --> 0:19:17.560
<v Speaker 1>a step and you see if you're closer, and if so,

0:19:17.680 --> 0:19:19.919
<v Speaker 1>you keep going in that direction, and if not, you

0:19:19.960 --> 0:19:22.600
<v Speaker 1>turn back and you keep doing that until you get

0:19:22.600 --> 0:19:24.159
<v Speaker 1>to the top of the hill. But the problem with

0:19:24.200 --> 0:19:26.600
<v Speaker 1>the hill climbing algorithm is that if you're in a

0:19:26.720 --> 0:19:30.679
<v Speaker 1>landscape with multiple hills and valleys, you will tend to

0:19:30.720 --> 0:19:33.880
<v Speaker 1>just get stuck at the top of the nearest hill,

0:19:34.000 --> 0:19:36.359
<v Speaker 1>and you will not explore hills that could go even

0:19:36.440 --> 0:19:38.879
<v Speaker 1>higher if you were willing to go down first to

0:19:38.920 --> 0:19:41.119
<v Speaker 1>get to them. And so this is an illustration of

0:19:41.160 --> 0:19:43.760
<v Speaker 1>that when we're trying to solve problems or be creative,

0:19:44.040 --> 0:19:47.520
<v Speaker 1>sometimes we need to apparently backtrack in the short term

0:19:47.560 --> 0:19:50.000
<v Speaker 1>to reach a better outcome in the long term. And

0:19:50.119 --> 0:19:53.119
<v Speaker 1>Jim follows up by saying, Robert and Joe Joe's description

0:19:53.160 --> 0:19:56.320
<v Speaker 1>of the hill climbing algorithm is exactly what occurs with

0:19:56.440 --> 0:19:59.040
<v Speaker 1>a star search. As I had written about previously with

0:19:59.119 --> 0:20:02.760
<v Speaker 1>mushroom searching. The hill climbing technique is very near sighted.

0:20:02.880 --> 0:20:05.280
<v Speaker 1>It can only look at the next potential step and

0:20:05.320 --> 0:20:08.320
<v Speaker 1>not take in the entire landscape. This is not a

0:20:08.320 --> 0:20:11.159
<v Speaker 1>bad technique. Hill climbing exploits what appears to be the

0:20:11.160 --> 0:20:15.240
<v Speaker 1>best path forward toward a solution. But as the example

0:20:15.280 --> 0:20:18.200
<v Speaker 1>captured so well, you might be hiking up the wrong hill.

0:20:19.000 --> 0:20:22.879
<v Speaker 1>Joe introduced randomness, but there's another algorithmic technique which I

0:20:22.920 --> 0:20:25.919
<v Speaker 1>mentioned in my last email as well. That technique is

0:20:25.960 --> 0:20:29.360
<v Speaker 1>to introduce a handicap to the solution path. The more

0:20:29.440 --> 0:20:33.000
<v Speaker 1>you exploit a given solution path based on hill climbing

0:20:33.080 --> 0:20:37.400
<v Speaker 1>or any other heuristic, the more expensive it becomes. As

0:20:37.440 --> 0:20:40.879
<v Speaker 1>that solution path gets longer. You may run into a

0:20:40.920 --> 0:20:44.080
<v Speaker 1>situation where the solution path gets so long and the

0:20:44.119 --> 0:20:47.680
<v Speaker 1>handicap is so crippling that you abandon the exploited path

0:20:47.800 --> 0:20:51.240
<v Speaker 1>and venture off to explore another part of the solution space.

0:20:51.880 --> 0:20:55.199
<v Speaker 1>While this isn't officially adding randomness, it does introduce the

0:20:55.240 --> 0:20:58.760
<v Speaker 1>concept of hopping around uh in the solution space and

0:20:58.800 --> 0:21:02.600
<v Speaker 1>not becoming fixated upon one possible solution. It's a trade

0:21:02.640 --> 0:21:06.520
<v Speaker 1>off slash balance of exploiting a promising path versus exploring

0:21:06.600 --> 0:21:09.960
<v Speaker 1>new ones. Jim in New Jersey, And you know, I

0:21:10.000 --> 0:21:11.600
<v Speaker 1>gotta say, I really like this, and I think it

0:21:11.640 --> 0:21:15.600
<v Speaker 1>could be applied outside of just pure computer algorithms as well.

0:21:16.000 --> 0:21:19.200
<v Speaker 1>If you think about um, you know, whenever you've found

0:21:19.240 --> 0:21:22.000
<v Speaker 1>a solution that works to do something, or at least

0:21:22.080 --> 0:21:25.919
<v Speaker 1>work so far, maybe try out the idea that every

0:21:25.960 --> 0:21:29.320
<v Speaker 1>time you repeat a working solution again, you do it

0:21:29.359 --> 0:21:31.560
<v Speaker 1>again the same way you've done it before. Maybe it

0:21:31.560 --> 0:21:34.080
<v Speaker 1>gets a little bit more expensive, like you're you're having

0:21:34.080 --> 0:21:36.880
<v Speaker 1>to pay an increasing some every time you do that,

0:21:37.200 --> 0:21:40.440
<v Speaker 1>which will eventually encourage you just to, you know, make

0:21:40.480 --> 0:21:43.280
<v Speaker 1>sure you're not missing out on better solutions that are

0:21:43.280 --> 0:21:46.440
<v Speaker 1>available to you just because you you've got one solution

0:21:46.480 --> 0:21:55.280
<v Speaker 1>that you know sort of works. Interesting. Interesting, all right,

0:21:55.320 --> 0:21:58.600
<v Speaker 1>here's another one from Jim in New Jersey. Uh. This

0:21:58.680 --> 0:22:01.520
<v Speaker 1>is a an in response to episode on the Bed

0:22:01.880 --> 0:22:04.200
<v Speaker 1>The Invention of the Bed, Robert and Joe. You didn't

0:22:04.200 --> 0:22:06.800
<v Speaker 1>mention how astronauts sleep in space in your bed episode.

0:22:07.040 --> 0:22:09.640
<v Speaker 1>Since there is no gravity, they can sleep almost anywhere,

0:22:09.880 --> 0:22:12.480
<v Speaker 1>but they tether themselves so as not to float around

0:22:12.520 --> 0:22:15.760
<v Speaker 1>in the environment. Private crew quarters on the International Space

0:22:15.760 --> 0:22:18.640
<v Speaker 1>Station are only slightly bigger than a phone booth. Part

0:22:18.640 --> 0:22:21.200
<v Speaker 1>of that includes a sleeping bag that tethers to the wall.

0:22:22.080 --> 0:22:24.520
<v Speaker 1>But I think they can sleep anywhere on the station

0:22:24.640 --> 0:22:28.440
<v Speaker 1>without gravity. Their arms tend to float in front of them. Uh.

0:22:28.480 --> 0:22:31.719
<v Speaker 1>And he included an illustration of one of these setups

0:22:31.760 --> 0:22:34.560
<v Speaker 1>consists of and yeah, this is interesting. I'd read that

0:22:34.600 --> 0:22:37.560
<v Speaker 1>about having to strap your arms down before. That's that's interesting,

0:22:37.600 --> 0:22:39.360
<v Speaker 1>Like you could if you don't strap them down, your

0:22:39.440 --> 0:22:41.520
<v Speaker 1>arms are just kind of floating free in front of you.

0:22:41.640 --> 0:22:44.119
<v Speaker 1>And uh and I think I've read before they can

0:22:44.160 --> 0:22:45.960
<v Speaker 1>be kind of like this kind of ghostly effect of

0:22:46.000 --> 0:22:51.520
<v Speaker 1>like whose hands are these? Uh poke you in the eye. Yeah. Oh.

0:22:51.560 --> 0:22:53.720
<v Speaker 1>And then Jim follows up and says, I didn't state

0:22:53.720 --> 0:22:55.800
<v Speaker 1>the obvious in my original email. There are no beds

0:22:55.840 --> 0:22:57.600
<v Speaker 1>to speak up in space. You don't need them when

0:22:57.600 --> 0:23:00.760
<v Speaker 1>there's no gravity. That their beds are close to hammocks,

0:23:01.200 --> 0:23:04.240
<v Speaker 1>as are my subject line about snoring in space, which

0:23:04.440 --> 0:23:07.480
<v Speaker 1>I include as a joke, is more interesting than a joke.

0:23:07.520 --> 0:23:10.360
<v Speaker 1>Astronauts don't snore in space either. The lack of gravity

0:23:10.400 --> 0:23:14.160
<v Speaker 1>doesn't block airways as much. Oh interesting, now that's yeah.

0:23:14.200 --> 0:23:17.480
<v Speaker 1>I had not heard that, So that's that's pretty interesting. Um.

0:23:17.520 --> 0:23:20.880
<v Speaker 1>But also interesting that they're basically strung up in hammocks,

0:23:21.359 --> 0:23:23.359
<v Speaker 1>because I do think we could come back and do

0:23:23.440 --> 0:23:26.080
<v Speaker 1>an entire episode based on the invention of the hammock.

0:23:26.119 --> 0:23:34.520
<v Speaker 1>There's some really interesting stuff there. Okay. This next message

0:23:34.560 --> 0:23:37.960
<v Speaker 1>comes from Heather. Heather says, hey, y'all, I frequently Binge

0:23:37.960 --> 0:23:40.119
<v Speaker 1>on your podcast episode, says, you happen to be some

0:23:40.160 --> 0:23:42.960
<v Speaker 1>of the only people with whom I can delve deeply

0:23:43.000 --> 0:23:45.440
<v Speaker 1>into obscure and common topics to the point of sheer

0:23:45.480 --> 0:23:49.960
<v Speaker 1>exhaustion and for me intellectual bliss. Well I'm I'm I'm glad.

0:23:50.000 --> 0:23:53.280
<v Speaker 1>It's fun. Um, Heather says, I just heard your December

0:23:53.359 --> 0:23:57.360
<v Speaker 1>ninth episode of The Artifact the Poison Tooth. I love

0:23:57.400 --> 0:24:00.680
<v Speaker 1>it today. It was for me a great tizer before

0:24:00.680 --> 0:24:02.800
<v Speaker 1>a full length stuff to blow your mind episode. I

0:24:02.800 --> 0:24:05.439
<v Speaker 1>imagine on a busy day this kind of informative quickie

0:24:05.480 --> 0:24:08.520
<v Speaker 1>will make a satisfying mental snack. Thank you for keeping

0:24:08.520 --> 0:24:11.080
<v Speaker 1>me well fed with an ever increasing variety of mind

0:24:11.080 --> 0:24:14.879
<v Speaker 1>blowing content. Without you, my intellect would certainly stunt atrophy

0:24:14.880 --> 0:24:18.000
<v Speaker 1>and shrivel up into a pathetic shadow of its former potential.

0:24:18.280 --> 0:24:22.440
<v Speaker 1>That's extreme. I guess she's kidding, she says no, But seriously,

0:24:22.560 --> 0:24:24.480
<v Speaker 1>life is better with you, and it so keep going.

0:24:24.800 --> 0:24:27.280
<v Speaker 1>Thank you for your hard work and all the best

0:24:27.320 --> 0:24:30.240
<v Speaker 1>to you in the coming year. Heather. Well, thank you, Heather,

0:24:30.480 --> 0:24:32.160
<v Speaker 1>thank you so much for the kind words. And we're

0:24:32.240 --> 0:24:34.760
<v Speaker 1>we're we're glad we could be there for you. Yeah,

0:24:34.760 --> 0:24:37.280
<v Speaker 1>and I'm glad to hear hear of some positive feedback

0:24:37.280 --> 0:24:40.480
<v Speaker 1>on the Artifact episodes. They are kind of just sort

0:24:40.520 --> 0:24:44.119
<v Speaker 1>of short form audio blog blog posts, and we're just

0:24:44.359 --> 0:24:47.760
<v Speaker 1>switching back and forth for the most part on doing these.

0:24:47.840 --> 0:24:50.160
<v Speaker 1>So yeah, we're gonna keep at it. And uh yeah,

0:24:50.160 --> 0:24:53.280
<v Speaker 1>it should be a great place to to discuss very

0:24:53.320 --> 0:24:59.159
<v Speaker 1>specific ideas, you know, you know, particular items, particular points

0:24:59.160 --> 0:25:01.639
<v Speaker 1>in time. That's sort of thing. Uh and and just

0:25:01.680 --> 0:25:04.679
<v Speaker 1>discussed them briefly instead of devoting an entire episode to them.

0:25:04.720 --> 0:25:06.280
<v Speaker 1>Oh yeah, I feel like they're a great outloo because

0:25:06.280 --> 0:25:08.160
<v Speaker 1>we used to come across things like this all the time,

0:25:08.160 --> 0:25:11.679
<v Speaker 1>where we'd find something that we found really interesting, but

0:25:11.800 --> 0:25:15.320
<v Speaker 1>just like wasn't it wasn't a whole episode worth of anything.

0:25:15.400 --> 0:25:17.560
<v Speaker 1>You know, It's something that might make five or ten

0:25:17.600 --> 0:25:20.439
<v Speaker 1>minutes worth of content, and uh and here you go.

0:25:20.560 --> 0:25:22.119
<v Speaker 1>I mean, this is a good outlet for it. I

0:25:22.359 --> 0:25:24.720
<v Speaker 1>feel like back in the day, you used to turn

0:25:24.840 --> 0:25:27.640
<v Speaker 1>things like that into blog posts. I only ever wrote

0:25:27.680 --> 0:25:30.760
<v Speaker 1>a few posts for the blog, but you you had

0:25:30.800 --> 0:25:32.800
<v Speaker 1>great blog post back on the old website when that

0:25:32.840 --> 0:25:35.199
<v Speaker 1>was alive. But now I feel like this is a

0:25:35.240 --> 0:25:38.360
<v Speaker 1>really good alternative to the blog of of old Yeah.

0:25:38.400 --> 0:25:40.640
<v Speaker 1>I'm gonna have to resurrect some of those blog posts

0:25:40.680 --> 0:25:43.520
<v Speaker 1>of old yeah, you know, pull their bodies out of

0:25:43.560 --> 0:25:47.879
<v Speaker 1>the muck and see if I can resurrect the flesh

0:25:47.960 --> 0:25:50.520
<v Speaker 1>and make it march off into the podcast feed. For me,

0:25:50.760 --> 0:25:53.360
<v Speaker 1>our our old blog and the website have turned into

0:25:53.440 --> 0:25:58.439
<v Speaker 1>bog bodies now, but if one knows the appropriate magic,

0:25:58.840 --> 0:26:06.480
<v Speaker 1>they can be revived. All right, here's another one. This

0:26:06.520 --> 0:26:09.240
<v Speaker 1>one comes to us from Jeremy. Hey, guys and or

0:26:09.320 --> 0:26:13.919
<v Speaker 1>staff member reading this, Well, that's Seth. Basically, it's just

0:26:14.080 --> 0:26:16.440
<v Speaker 1>us and Seth. But we don't. I think maybe he's

0:26:16.440 --> 0:26:19.800
<v Speaker 1>wondering if we have like a dedicated like employees or

0:26:19.840 --> 0:26:24.000
<v Speaker 1>something to go through our listener mail for us. Unfortunately, no, no,

0:26:24.000 --> 0:26:25.879
<v Speaker 1>now we do have. We we we never give him

0:26:25.920 --> 0:26:28.840
<v Speaker 1>a shout out, but Sam uh is in charge of

0:26:28.840 --> 0:26:30.800
<v Speaker 1>our social media stuff and he does all that's true.

0:26:30.800 --> 0:26:34.960
<v Speaker 1>We don't have to, so uh, massive kudos to to Sam. Sam.

0:26:34.960 --> 0:26:37.400
<v Speaker 1>You do an amazing job. You you you really make

0:26:37.480 --> 0:26:39.880
<v Speaker 1>my life better by allowing me to not really look

0:26:39.880 --> 0:26:44.320
<v Speaker 1>at Twitter or Facebook. Right alright, So anyway, Jeremy continues,

0:26:44.520 --> 0:26:47.200
<v Speaker 1>I've never actually emailed any of the podcast I've listened

0:26:47.240 --> 0:26:48.919
<v Speaker 1>to over the years, so this is a little strange

0:26:48.920 --> 0:26:50.639
<v Speaker 1>for me, but I felt I had to let you

0:26:50.640 --> 0:26:53.560
<v Speaker 1>guys know just how great the New Side Show is.

0:26:53.880 --> 0:26:55.600
<v Speaker 1>I've been listening to stuff to Blow your mind since

0:26:55.640 --> 0:26:58.640
<v Speaker 1>back in the Alice in Louder Milk Days from Stuff

0:26:58.680 --> 0:27:01.680
<v Speaker 1>from the Science Lab and have never missed an episode.

0:27:01.840 --> 0:27:03.800
<v Speaker 1>The way you guys can discuss the real or possible

0:27:03.800 --> 0:27:06.280
<v Speaker 1>science of anything, from the mundane to them to mythological

0:27:06.320 --> 0:27:09.240
<v Speaker 1>creatures to world changing technologies never fails to catch my

0:27:09.280 --> 0:27:11.440
<v Speaker 1>interest and keep me engaged in the world around us.

0:27:11.920 --> 0:27:14.879
<v Speaker 1>Being a huge movie buff, especially for terrible B movies.

0:27:15.080 --> 0:27:17.240
<v Speaker 1>I can't tell you how the weekly edition of Weird

0:27:17.240 --> 0:27:20.840
<v Speaker 1>How Cinema is UM. I think they meant to. I mean,

0:27:21.280 --> 0:27:25.119
<v Speaker 1>how great I'm gonna put in great, How how spectacular?

0:27:25.440 --> 0:27:29.119
<v Speaker 1>How life altering? Um? Anyway, they continue. Even my podcast

0:27:29.160 --> 0:27:31.520
<v Speaker 1>free wife is happy because I can listen to you

0:27:31.520 --> 0:27:35.000
<v Speaker 1>guys discuss the movies as an alternative to boring her

0:27:35.440 --> 0:27:39.159
<v Speaker 1>with the behind the scenes details of troll Too. She

0:27:39.240 --> 0:27:42.439
<v Speaker 1>made it about fifteen minutes in before quote, remembering she

0:27:42.520 --> 0:27:44.879
<v Speaker 1>had errands to run. Now, wait a minute, is that

0:27:44.960 --> 0:27:48.000
<v Speaker 1>fifteen minutes into the movie troll to fifteen minutes into

0:27:48.040 --> 0:27:51.040
<v Speaker 1>you talking about it, or fifteen minutes into our episode.

0:27:51.440 --> 0:27:54.520
<v Speaker 1>I took it to mean maybe the movie, like she

0:27:54.560 --> 0:27:57.240
<v Speaker 1>made a fifteen minutes into the movie, because yeah, troll

0:27:57.280 --> 0:28:01.399
<v Speaker 1>Too is not for everybody. Um, they continue anyway. I

0:28:01.440 --> 0:28:03.240
<v Speaker 1>just wanted to thank you guys for the great work

0:28:03.240 --> 0:28:05.119
<v Speaker 1>and I hope weird how Cinema will turn into a

0:28:05.160 --> 0:28:07.320
<v Speaker 1>permanent addition to the podcast. I wish you guys the

0:28:07.359 --> 0:28:10.480
<v Speaker 1>best and hope you keep staying safe. Thanks for reading.

0:28:11.040 --> 0:28:13.359
<v Speaker 1>That's the plan for now. Yeah, I mean it's as

0:28:13.400 --> 0:28:16.840
<v Speaker 1>permanent as anything. So uh yeah, we're gonna keep doing it.

0:28:17.720 --> 0:28:20.720
<v Speaker 1>All right. We're gonna go ahead and um and turn

0:28:20.760 --> 0:28:24.800
<v Speaker 1>off Carney. We're gonna we're gonna seal the listener mail

0:28:25.000 --> 0:28:28.640
<v Speaker 1>mail bag for the week. But yeah, we're gonna continue

0:28:28.640 --> 0:28:31.520
<v Speaker 1>to do these, uh what every Monday. We're gonna or

0:28:31.520 --> 0:28:33.200
<v Speaker 1>at least as long as we have a listener mail

0:28:33.240 --> 0:28:36.040
<v Speaker 1>to read. We're gonna keep doing listener mail episodes and

0:28:36.040 --> 0:28:38.200
<v Speaker 1>try and keep this a regular thing where we're having

0:28:38.240 --> 0:28:41.480
<v Speaker 1>more of a dialogue with the listeners. So keep it coming.

0:28:42.040 --> 0:28:44.920
<v Speaker 1>Keep writing in with your feedback to recent episodes of

0:28:44.920 --> 0:28:47.480
<v Speaker 1>the show. To older episodes. You know you hear a

0:28:47.520 --> 0:28:50.240
<v Speaker 1>vault episode and you like an idea in there, have

0:28:50.280 --> 0:28:52.880
<v Speaker 1>some feedback, don't be shy about writing in even if

0:28:52.880 --> 0:28:56.680
<v Speaker 1>it's an older piece. Um, you know, right in about

0:28:56.720 --> 0:28:59.400
<v Speaker 1>Weird how Cinema, right in about the shorties we do

0:28:59.440 --> 0:29:02.200
<v Speaker 1>in anything right in about episodes you'd like to hear

0:29:03.040 --> 0:29:06.560
<v Speaker 1>all of that is fair game. In the meantime, if

0:29:06.560 --> 0:29:08.440
<v Speaker 1>you want to listen to other episodes of Stuff to

0:29:08.440 --> 0:29:11.000
<v Speaker 1>Blow your Mind, you'll find the Stuff to Blow your

0:29:11.000 --> 0:29:14.760
<v Speaker 1>Mind podcast feed wherever you get your podcasts wherever that is.

0:29:14.760 --> 0:29:16.719
<v Speaker 1>We just ask you rate, review, and subscribe. You can

0:29:16.720 --> 0:29:19.120
<v Speaker 1>also go to Stuff to Blow your Mind dot com

0:29:19.160 --> 0:29:21.000
<v Speaker 1>and that will shoot you over to the I heart

0:29:21.040 --> 0:29:24.000
<v Speaker 1>listing for our page. Once you were there, you'll find

0:29:24.040 --> 0:29:25.800
<v Speaker 1>a little tab there you can click on the store

0:29:26.080 --> 0:29:27.520
<v Speaker 1>and that'll take you over to a place where you

0:29:27.560 --> 0:29:30.560
<v Speaker 1>can buy some T shirts and stickers and whatnot that

0:29:30.640 --> 0:29:32.840
<v Speaker 1>have our logo on it or a cool monster design.

0:29:32.880 --> 0:29:35.240
<v Speaker 1>So check that out if you want as well. Huge

0:29:35.280 --> 0:29:38.760
<v Speaker 1>thanks as always, we are excellent audio producer Seth Nicholas Johnson.

0:29:39.040 --> 0:29:40.560
<v Speaker 1>If you would like to get in touch with us

0:29:40.560 --> 0:29:42.959
<v Speaker 1>with feedback about this episode or any other to suggest

0:29:43.120 --> 0:29:45.120
<v Speaker 1>topic for the future. Just to say hello, You can

0:29:45.200 --> 0:29:47.720
<v Speaker 1>email us at contact at stuff to Blow your Mind

0:29:47.920 --> 0:29:57.400
<v Speaker 1>dot com. Stuff to Blow Your Mind is a production

0:29:57.480 --> 0:30:00.200
<v Speaker 1>of I heart Radio. For more podcasts my heart rate adio,

0:30:00.400 --> 0:30:03.120
<v Speaker 1>visit the i heart Radio app, Apple Podcasts, or wherever

0:30:03.120 --> 0:30:04.520
<v Speaker 1>you listen to your favorite shows.