1 00:00:02,560 --> 00:00:07,040 Speaker 1: I feel like people need to hear that full song. Yeah, 2 00:00:07,320 --> 00:00:10,039 Speaker 1: Way Up with angela Ye, I'm angela Ye. Jasmine Brand 3 00:00:10,119 --> 00:00:14,000 Speaker 1: is here, good morning, Godfrey is here? That Godfrey? What 4 00:00:14,040 --> 00:00:17,279 Speaker 1: do you look really nice today? Today? Turtleneck? If you 5 00:00:17,440 --> 00:00:20,320 Speaker 1: like you have something going on? You are? You? Two 6 00:00:20,320 --> 00:00:23,960 Speaker 1: are matching? Godfrey and Angela Ye are both wearing orange? 7 00:00:24,120 --> 00:00:30,200 Speaker 1: What's up with that? Halloween? Who? Halloween? WHOA like? You're 8 00:00:30,320 --> 00:00:35,320 Speaker 1: dead green, dead green? I'm wearing jem Brand. I'm talking 9 00:00:35,320 --> 00:00:38,520 Speaker 1: to third person. Jasmine Brand is wearing dead green today? 10 00:00:38,680 --> 00:00:42,159 Speaker 1: Dead green? Yes? Whatever that means? What? What is it like? 11 00:00:42,680 --> 00:00:46,320 Speaker 1: What is this phill? It's very nice. I did it. 12 00:00:47,880 --> 00:00:50,599 Speaker 1: But anyway, guys, welcome to Way Up with angela Ye. 13 00:00:50,600 --> 00:00:53,320 Speaker 1: We are in week three. All right, let me see 14 00:00:53,320 --> 00:00:58,600 Speaker 1: how many days? Five, ten, thirteen days? Lucky number thirteen? Okay, Friday. 15 00:00:59,080 --> 00:01:02,040 Speaker 1: I love the number thirteen because my birthday is January third. 16 00:01:02,080 --> 00:01:04,240 Speaker 1: It's always been my lucky number. Three. Is your favorite 17 00:01:04,319 --> 00:01:09,640 Speaker 1: number of thirteen? Th one? Three? January third? I got 18 00:01:09,800 --> 00:01:13,200 Speaker 1: I understood. January third, thirteen. Some people feel like it's unlucky, 19 00:01:13,200 --> 00:01:15,039 Speaker 1: but I love it. Y'all have a lucky number five, 20 00:01:15,840 --> 00:01:21,280 Speaker 1: just okay, my lucky number would be he doesn't have 21 00:01:21,360 --> 00:01:28,840 Speaker 1: one one up? Yeah, I should play all right. So anyway, um, 22 00:01:28,959 --> 00:01:30,680 Speaker 1: we are about to do Shine a Light. That's where 23 00:01:30,680 --> 00:01:32,200 Speaker 1: you guys get to call in and shine a light 24 00:01:32,240 --> 00:01:35,440 Speaker 1: on somebody who did something positive. Eight hundred two nine 25 00:01:35,440 --> 00:01:37,440 Speaker 1: two fifty one fifty is the number. You know. We 26 00:01:37,520 --> 00:01:39,600 Speaker 1: set it off also every single day. I love studying 27 00:01:39,640 --> 00:01:41,600 Speaker 1: the show that way. And we have a special guest 28 00:01:41,680 --> 00:01:46,720 Speaker 1: joining us today, Samara Joy, Yes jazz singer from the Bronx. 29 00:01:47,000 --> 00:01:49,840 Speaker 1: I think she's only like twenty two years old and 30 00:01:49,920 --> 00:01:53,120 Speaker 1: she actually won two Grammys. Her voice is amazing. He's 31 00:01:53,160 --> 00:01:57,800 Speaker 1: like sounds very mature. So we're gonna get into that. 32 00:01:57,960 --> 00:01:59,800 Speaker 1: So make sure you guys stay tuned on Way Up 33 00:01:59,800 --> 00:02:02,800 Speaker 1: with Angela Yee. But in the meantime, shine a light 34 00:02:02,840 --> 00:02:05,120 Speaker 1: on them. Eight hundred two nine two fifty one fifty 35 00:02:05,160 --> 00:02:07,760 Speaker 1: call us up. Let us know somebody who did something positive. 36 00:02:07,760 --> 00:02:09,800 Speaker 1: It could be a complete stranger, it could be a 37 00:02:09,840 --> 00:02:14,000 Speaker 1: family member, it could be anybody, and you can shine 38 00:02:14,000 --> 00:02:16,280 Speaker 1: a light on them. And we started off with some positivity. 39 00:02:16,400 --> 00:02:18,639 Speaker 1: Make y'all feel good while we get through the day. Today. 40 00:02:18,680 --> 00:02:25,000 Speaker 1: I'm way up with Angela ye Anna, I'm Shine turn 41 00:02:25,040 --> 00:02:27,720 Speaker 1: your lights on, y'all, shine your lights spreading love to 42 00:02:27,760 --> 00:02:34,760 Speaker 1: those who are doing greatness. Shine. It's time to shine 43 00:02:34,760 --> 00:02:38,400 Speaker 1: a light on them. Yes, what's up? It's way up 44 00:02:38,400 --> 00:02:40,399 Speaker 1: with Angela. Ye, and it's time to shine a light 45 00:02:40,440 --> 00:02:43,160 Speaker 1: on them. This is what you say. Talk about somebody 46 00:02:43,200 --> 00:02:45,680 Speaker 1: who is doing something positive and you want to shine 47 00:02:45,680 --> 00:02:47,480 Speaker 1: a light on that person. Eight hundred two nine two 48 00:02:47,520 --> 00:02:51,160 Speaker 1: fifty one fifty is the number. Now, Godfrey's here. Yes, 49 00:02:51,320 --> 00:02:55,040 Speaker 1: Jasmine Brand is here. Good morning, And a large part 50 00:02:55,080 --> 00:02:57,160 Speaker 1: of the reason why Jasmine Brand is able to be 51 00:02:57,320 --> 00:02:59,160 Speaker 1: here is because of the person who she wants to 52 00:02:59,160 --> 00:03:01,760 Speaker 1: shine a light on. Yes, I realized once I had 53 00:03:01,760 --> 00:03:04,880 Speaker 1: a child that it literally takes a village to raise 54 00:03:04,960 --> 00:03:11,880 Speaker 1: that little monster. That's my little monster. Her name is Rain, 55 00:03:12,160 --> 00:03:14,639 Speaker 1: and I'd like to shine a light on her grandmother. 56 00:03:15,639 --> 00:03:17,680 Speaker 1: You're mad I called her monster. I like to shine 57 00:03:17,680 --> 00:03:21,919 Speaker 1: a light on Rain's grandmother, Miss Noria. She takes care 58 00:03:21,919 --> 00:03:23,560 Speaker 1: of my baby. When I don't tell you, she does 59 00:03:23,600 --> 00:03:27,000 Speaker 1: an amazing job. I mean, that's like her best friend. Um. 60 00:03:27,000 --> 00:03:29,560 Speaker 1: And I'm able to move around and work and do 61 00:03:29,680 --> 00:03:32,280 Speaker 1: everything because of Miss Loria, her grandmother. I want to 62 00:03:32,280 --> 00:03:33,960 Speaker 1: shine a light on her grandmother. I mean her dad 63 00:03:34,040 --> 00:03:37,560 Speaker 1: is very involved too, but her grandmother, Miss Noria, I 64 00:03:37,680 --> 00:03:39,680 Speaker 1: thank you, I love you, thank you for take care 65 00:03:39,720 --> 00:03:42,120 Speaker 1: of my baby girl. But she sleeps with the baby. Yes, 66 00:03:42,240 --> 00:03:45,760 Speaker 1: that's her be yes, my monster. She sleeps with my 67 00:03:45,800 --> 00:03:47,920 Speaker 1: little monster. And I do want to say she went 68 00:03:47,920 --> 00:03:52,000 Speaker 1: out of the country on a trip. We were like, 69 00:03:52,160 --> 00:03:56,400 Speaker 1: what come back home, please come back. But that isn't 70 00:03:56,440 --> 00:03:59,680 Speaker 1: blessing to have somebody who you trust, yeah, to be 71 00:03:59,720 --> 00:04:02,840 Speaker 1: able to help you. Yeah, and listen you little monster. 72 00:04:03,040 --> 00:04:04,560 Speaker 1: But yeah, she takes care of mother. I don't want 73 00:04:04,560 --> 00:04:06,880 Speaker 1: to dim the light on her dad because Meyer is 74 00:04:07,640 --> 00:04:10,680 Speaker 1: very handled. But miss Noria really takes care of twenty 75 00:04:10,680 --> 00:04:13,680 Speaker 1: four hours, seven days a week. So thank you miss Noria. 76 00:04:13,800 --> 00:04:15,760 Speaker 1: All right, well, and thanks to her dad. To the 77 00:04:15,920 --> 00:04:24,040 Speaker 1: monster handler, Yeah, baby monsters, she'll take care of all right. Well, 78 00:04:24,360 --> 00:04:26,240 Speaker 1: shine a light on him. Now. It's time for you, guys, 79 00:04:26,279 --> 00:04:28,159 Speaker 1: to shine a light on somebody who is helping you 80 00:04:28,200 --> 00:04:30,800 Speaker 1: out or doing something positive, or maybe somebody you just 81 00:04:30,839 --> 00:04:32,440 Speaker 1: want to acknowledge. It could even be someone in the 82 00:04:32,480 --> 00:04:33,920 Speaker 1: news that you saw you were like, well, this is 83 00:04:33,960 --> 00:04:36,440 Speaker 1: a great story. Eight hundred two nine two fifty one 84 00:04:36,560 --> 00:04:39,400 Speaker 1: fifty Good morning. Who is this time. My name is 85 00:04:39,520 --> 00:04:41,839 Speaker 1: Kay two. I'm calling from Detroy and I want to 86 00:04:41,839 --> 00:04:44,840 Speaker 1: shine a light on my mom's you. She's battling brain 87 00:04:44,920 --> 00:04:48,400 Speaker 1: cancer and she's standing strong, feel being a group mother 88 00:04:48,480 --> 00:04:51,599 Speaker 1: and a good grandmother. Prayers out to her. Actually, Um, 89 00:04:51,960 --> 00:04:55,600 Speaker 1: I started running because my friend's mom had brain cancer. 90 00:04:55,680 --> 00:04:58,080 Speaker 1: We did this whole run from voices against brain cancer 91 00:04:58,600 --> 00:05:01,240 Speaker 1: and so definitely and for your mom, I know that's 92 00:05:01,240 --> 00:05:04,560 Speaker 1: not easy. It's definitely we are um and she's being 93 00:05:04,720 --> 00:05:07,000 Speaker 1: very Stroms who just had ordeals. So thank you for 94 00:05:07,040 --> 00:05:10,160 Speaker 1: the prayers. And shout out to Detroit and shout out 95 00:05:10,200 --> 00:05:13,480 Speaker 1: to the electricians. The women there are electricians because I'm 96 00:05:13,480 --> 00:05:20,280 Speaker 1: also an electrician. Cool. Oh wow, Detroit is popping the 97 00:05:20,320 --> 00:05:23,360 Speaker 1: women in Detroit. Let so shout out to you. Thank 98 00:05:23,400 --> 00:05:25,120 Speaker 1: you so much. Me, I have a great day. Thank 99 00:05:25,160 --> 00:05:27,640 Speaker 1: you shining a light out of Lamar. Who do you 100 00:05:27,680 --> 00:05:29,839 Speaker 1: want to shine a light on? I want to shute 101 00:05:29,839 --> 00:05:35,040 Speaker 1: a light on me. Okay, okay, okay, Lamar? Why why 102 00:05:35,640 --> 00:05:37,320 Speaker 1: why are you shining the light on yourself with Mark? 103 00:05:37,680 --> 00:05:40,720 Speaker 1: Because you know I'm gonna single five and four girls 104 00:05:41,200 --> 00:05:43,080 Speaker 1: and my me and my girl both out. We've been 105 00:05:43,120 --> 00:05:46,080 Speaker 1: together for fourteen years and she just left me like 106 00:05:46,320 --> 00:05:48,479 Speaker 1: so I wake up every morning I go to work, 107 00:05:48,960 --> 00:05:51,640 Speaker 1: I cried, you know what I mean. I feel lonely, 108 00:05:51,720 --> 00:05:55,120 Speaker 1: but I make it happened for my kids. Man. I 109 00:05:55,240 --> 00:05:57,680 Speaker 1: make sure they all get to school. And my eighteen 110 00:05:57,760 --> 00:06:00,200 Speaker 1: year old she got a little job now, so I'm 111 00:06:00,320 --> 00:06:03,400 Speaker 1: uber and her back and forth and just me being me. 112 00:06:04,120 --> 00:06:06,280 Speaker 1: I just need a light shine doing me fo. You 113 00:06:06,360 --> 00:06:09,960 Speaker 1: know what I mean. You definitely do, Lamar. We definitely 114 00:06:09,960 --> 00:06:13,239 Speaker 1: want to shine a light on you father to four children. 115 00:06:13,400 --> 00:06:18,040 Speaker 1: Are doing amazing job father, and yes, definitely shine a 116 00:06:18,120 --> 00:06:20,560 Speaker 1: light on you, and thank you for sharing with us. 117 00:06:20,560 --> 00:06:22,760 Speaker 1: No problem. You know, I just had to. I don't. 118 00:06:22,800 --> 00:06:24,560 Speaker 1: I don't have nobody to talk to, you know what 119 00:06:24,560 --> 00:06:28,280 Speaker 1: I mean. And I grew up in a crazy job, 120 00:06:28,400 --> 00:06:31,600 Speaker 1: so I ain't had no pop and I ain't want 121 00:06:31,640 --> 00:06:35,080 Speaker 1: to fall back on my kids. But I've always been there, 122 00:06:35,480 --> 00:06:38,120 Speaker 1: never spend a night out, always from them, you know 123 00:06:38,200 --> 00:06:41,400 Speaker 1: what I mean. I just need somebody to really look 124 00:06:41,440 --> 00:06:43,760 Speaker 1: at me and be like Dann, we was doing this 125 00:06:43,880 --> 00:06:46,200 Speaker 1: thing all right. Well, hold on, Lamar, we want to 126 00:06:46,200 --> 00:06:48,080 Speaker 1: get your information. We want to send you a present. 127 00:06:49,640 --> 00:06:51,560 Speaker 1: Hold on the line, Lamar, don't hang up. I want 128 00:06:51,560 --> 00:06:53,200 Speaker 1: to send you a present and thank you so much. 129 00:06:53,200 --> 00:06:55,119 Speaker 1: We definitely want to shine a light on you this morning, 130 00:06:55,160 --> 00:06:58,200 Speaker 1: and we're gonna make sure we always stay in communication. Okay, 131 00:06:58,240 --> 00:07:01,200 Speaker 1: and thank you for sharing your story. Yes, man, appreciate 132 00:07:02,320 --> 00:07:05,520 Speaker 1: all right, Well, you know, we do appreciate everybody calling 133 00:07:05,600 --> 00:07:07,719 Speaker 1: up for a shine of light on them, and we 134 00:07:07,760 --> 00:07:10,640 Speaker 1: definitely want to make sure we continue to shine a light. See, 135 00:07:10,760 --> 00:07:13,320 Speaker 1: it's very necessary. And when we come back, let's shine 136 00:07:13,320 --> 00:07:15,720 Speaker 1: a light on Monique. She has some good news. Remember 137 00:07:15,720 --> 00:07:18,600 Speaker 1: all the drama with her and Netflix, do we remember? Yes, Well, 138 00:07:18,680 --> 00:07:22,040 Speaker 1: let's talk about what's happening next. Way up with Angela Yeet. 139 00:07:25,080 --> 00:07:28,560 Speaker 1: Angela Yee is way up. It says truth in the 140 00:07:28,720 --> 00:07:33,600 Speaker 1: room from industry shade to all the gossip. How Angela's spilling? 141 00:07:33,680 --> 00:07:39,200 Speaker 1: All right, well, it is way up with Angela Yee 142 00:07:39,320 --> 00:07:42,600 Speaker 1: And God Free is here? What up? Jasmine Brand is here? 143 00:07:42,720 --> 00:07:47,480 Speaker 1: Good morning. By the way, Award winning, Well Award nominated, 144 00:07:47,560 --> 00:07:51,040 Speaker 1: God for You is here, comedian and I know you 145 00:07:51,160 --> 00:07:54,720 Speaker 1: want to celebrate this moment from Monique. Ye Monique, that's 146 00:07:54,760 --> 00:07:56,560 Speaker 1: my homie. I've known it for a long time, ever 147 00:07:56,640 --> 00:07:59,080 Speaker 1: since when I was starting in Chicago. That's when I 148 00:08:00,120 --> 00:08:02,080 Speaker 1: and I was in fact Girls, but Monique. I was 149 00:08:02,120 --> 00:08:04,600 Speaker 1: the second lead in fact Girls in her movie, and 150 00:08:04,640 --> 00:08:08,680 Speaker 1: I wasn't so playing with Monique. Yeah, well, she has 151 00:08:08,840 --> 00:08:13,400 Speaker 1: landed her Netflix comedy special announced that and it will 152 00:08:13,600 --> 00:08:16,360 Speaker 1: hit Netflix on April fourth. Here's what she had to say. 153 00:08:17,160 --> 00:08:20,160 Speaker 1: This one right here is personal. When you walk away 154 00:08:20,200 --> 00:08:22,080 Speaker 1: from this one, when you turn your TV off from 155 00:08:22,160 --> 00:08:26,040 Speaker 1: this one, you'll say, now we understand that woman. For 156 00:08:26,200 --> 00:08:29,400 Speaker 1: thirty two years, I have been funny, and I'm grateful 157 00:08:29,480 --> 00:08:32,880 Speaker 1: for that gift. But this show right here really allows 158 00:08:32,960 --> 00:08:37,200 Speaker 1: you to understand why I swing like I swim. There 159 00:08:37,240 --> 00:08:39,840 Speaker 1: are things that I'm gonna say in this comedy special 160 00:08:40,280 --> 00:08:43,200 Speaker 1: that I thought I would take to my grave. All Right, 161 00:08:43,400 --> 00:08:46,040 Speaker 1: I can't wait to see that. M I'm glad, and 162 00:08:46,160 --> 00:08:48,880 Speaker 1: she posted, Hey, my sweet babies, it is here. My 163 00:08:49,040 --> 00:08:51,319 Speaker 1: name is Monique grew Up a release April fourth. I 164 00:08:51,440 --> 00:08:54,120 Speaker 1: love us for real. Even when Monique has a problem, 165 00:08:54,240 --> 00:08:56,679 Speaker 1: you go, hi, baby, I have to talk to you, 166 00:08:56,760 --> 00:09:02,240 Speaker 1: my love. And then when you watch the reading, if 167 00:09:02,280 --> 00:09:04,240 Speaker 1: you have you seen that movie season and on BT 168 00:09:04,400 --> 00:09:06,559 Speaker 1: plus you told me about that, yeah, then you'd be like, 169 00:09:06,679 --> 00:09:12,240 Speaker 1: oh yea, she has range's great all right? Now, Nipsey 170 00:09:12,320 --> 00:09:15,360 Speaker 1: Hustle is convicted killer will spend. He was sentenced to 171 00:09:15,440 --> 00:09:18,920 Speaker 1: sixty years to life in prison yesterday for the twenty 172 00:09:19,040 --> 00:09:22,400 Speaker 1: nineteen murder of Nipsey Hustle. He had pleaded not guilty 173 00:09:22,520 --> 00:09:25,079 Speaker 1: to the charges and attempted to reduce his first degree 174 00:09:25,200 --> 00:09:28,559 Speaker 1: murder charge to a second degree murder or manslaughter, but 175 00:09:28,720 --> 00:09:31,280 Speaker 1: they did reject that appeal in December. They also denied 176 00:09:31,360 --> 00:09:33,959 Speaker 1: his request for a new trial. He was convicted on 177 00:09:34,040 --> 00:09:36,280 Speaker 1: two accounts of assault with the firearm and two counts 178 00:09:36,280 --> 00:09:39,920 Speaker 1: of attempted voluntary manslaughter. And that's all from the gunfire 179 00:09:40,040 --> 00:09:42,199 Speaker 1: that also injured two by standards. Two by the way, 180 00:09:42,760 --> 00:09:45,240 Speaker 1: such as we remember where we were when we heard 181 00:09:45,240 --> 00:09:47,839 Speaker 1: the news that he got shot and he died, and 182 00:09:47,920 --> 00:09:49,880 Speaker 1: at first we didn't know, you know, because you never 183 00:09:49,960 --> 00:09:52,079 Speaker 1: want to like put that out there. A lot of 184 00:09:52,160 --> 00:09:55,760 Speaker 1: times it's false information. But unfortunately, I have a lot 185 00:09:55,800 --> 00:09:57,800 Speaker 1: of doubts about that whole thing because he was doing 186 00:09:57,920 --> 00:10:00,319 Speaker 1: such good stuff for that neighborhood. Yeah, and all of 187 00:10:00,360 --> 00:10:02,520 Speaker 1: a sudden, it's like, wait a minute, what you know 188 00:10:03,800 --> 00:10:07,439 Speaker 1: me and my conspiracy stuff. But anyway, well, Eric Holder 189 00:10:07,520 --> 00:10:09,720 Speaker 1: Junior is the person who is now going to spend 190 00:10:09,800 --> 00:10:13,360 Speaker 1: sixty years to life in prison. I wonder what's gonna 191 00:10:13,360 --> 00:10:14,880 Speaker 1: happen to him in prison. I wonder if he could 192 00:10:14,880 --> 00:10:17,280 Speaker 1: be and he's he already got banged up one time 193 00:10:17,360 --> 00:10:19,560 Speaker 1: that we pop. Yeah, he already got banged up at 194 00:10:19,640 --> 00:10:22,680 Speaker 1: least one time that we know of. So yeah, when 195 00:10:22,720 --> 00:10:25,240 Speaker 1: I when I'm going to be that guy? Right? All right? 196 00:10:25,280 --> 00:10:28,400 Speaker 1: An L cool Ja is talking about canceling his new 197 00:10:28,480 --> 00:10:32,160 Speaker 1: album and he gave an explanation on why he's choosing 198 00:10:32,240 --> 00:10:36,520 Speaker 1: not to release it. Okay, everybody's been asking me about 199 00:10:37,000 --> 00:10:39,800 Speaker 1: the new record. In my decision, I was considering not 200 00:10:39,920 --> 00:10:46,720 Speaker 1: putting the record album because it's true God a genius. Baby, Yo, 201 00:10:46,960 --> 00:10:49,600 Speaker 1: this is my favorite album I ever made. I can't 202 00:10:49,679 --> 00:10:52,720 Speaker 1: wait for y'all to hear this date track listening coming soon, 203 00:10:52,840 --> 00:10:56,840 Speaker 1: baby did Yeah nice, that's Andrew's boy. Yeah, I love 204 00:10:56,920 --> 00:11:00,680 Speaker 1: q Tip. So we're excited of that because at first 205 00:11:00,720 --> 00:11:02,120 Speaker 1: he was acting like he wasn't going to put it 206 00:11:02,160 --> 00:11:04,360 Speaker 1: out at all. But it's because it's too good. Because 207 00:11:04,400 --> 00:11:06,000 Speaker 1: it's not good enough. I wonder if they're going to 208 00:11:06,000 --> 00:11:10,439 Speaker 1: be any features we'll see cute cool Jay, Well that 209 00:11:10,640 --> 00:11:12,640 Speaker 1: was your yet, And when we come back about last 210 00:11:12,720 --> 00:11:14,320 Speaker 1: night we'll be telling you what we did last night 211 00:11:14,360 --> 00:11:16,200 Speaker 1: and you guys will enjoy this one on way up 212 00:11:16,240 --> 00:11:25,120 Speaker 1: with Angela. Ye, so about last night night went down? Yes, 213 00:11:25,240 --> 00:11:28,280 Speaker 1: it's well with Angela yee. Jasmine brand is here God 214 00:11:28,320 --> 00:11:31,080 Speaker 1: for yous heir? What good morning? And about last night? 215 00:11:31,160 --> 00:11:32,800 Speaker 1: This is where we talk about what we did last 216 00:11:32,880 --> 00:11:36,360 Speaker 1: night and what we think could be potentially entertaining for you. Yes, 217 00:11:36,840 --> 00:11:40,480 Speaker 1: last night, me and my harry friend Jasmine. Hold on, 218 00:11:40,720 --> 00:11:43,199 Speaker 1: hold on, can you get some context? What did you guys? 219 00:11:43,640 --> 00:11:46,160 Speaker 1: Harry legs? Really quick? Can you just Jasmine doesn't shave 220 00:11:46,200 --> 00:11:49,400 Speaker 1: her legs all winter? Okay, but as soon as the 221 00:11:49,520 --> 00:11:55,640 Speaker 1: groundhog sees his shout of baby, that's my cue. You guys, 222 00:11:56,200 --> 00:11:58,480 Speaker 1: what you do now? We went to actually go see 223 00:11:58,600 --> 00:12:01,439 Speaker 1: key Glock. They had a dinner for him Empire and 224 00:12:01,760 --> 00:12:03,559 Speaker 1: he has a project that's coming out to my row 225 00:12:03,760 --> 00:12:08,240 Speaker 1: glack Homa too, So we went to his uh for 226 00:12:08,880 --> 00:12:12,000 Speaker 1: st but key Glack like glack, it's a clay on 227 00:12:12,080 --> 00:12:16,920 Speaker 1: that I know, I can't see. I would like to 228 00:12:17,040 --> 00:12:19,560 Speaker 1: say that we went first of all, you ever come 229 00:12:19,720 --> 00:12:22,480 Speaker 1: somewhere late and you interrupt a bunch of we didn't know. Yeah, 230 00:12:22,559 --> 00:12:26,559 Speaker 1: we came in the middle of a presentation. We we 231 00:12:26,800 --> 00:12:29,439 Speaker 1: didn't like, who are we and we didn't know that 232 00:12:29,559 --> 00:12:34,000 Speaker 1: the Yeah, they were about to like give him a plaque, wow, platinum. 233 00:12:34,440 --> 00:12:37,959 Speaker 1: We would like. They were like, can you guys get seated? 234 00:12:38,000 --> 00:12:41,040 Speaker 1: We were like, what was it? Something happening? Yeah, they 235 00:12:41,080 --> 00:12:42,959 Speaker 1: were about to give him like, oh my gosh, but 236 00:12:43,080 --> 00:12:45,800 Speaker 1: congratulations to Key Glack. He got his platinum plaque. He did. 237 00:12:45,960 --> 00:12:49,160 Speaker 1: They presented that to him. So, yeah, yesterday, and then 238 00:12:49,440 --> 00:12:51,839 Speaker 1: there were some fun people there. DJ who kid was there. 239 00:12:52,000 --> 00:12:55,760 Speaker 1: He's like, he's a great time. Yeah, and he actually 240 00:12:55,800 --> 00:12:58,880 Speaker 1: had his kids with him. He didn't you didn't see 241 00:12:58,880 --> 00:13:00,720 Speaker 1: his kids? No, I didn't see kids. Two says. They 242 00:13:00,720 --> 00:13:04,600 Speaker 1: were sitting right next to him. They yeah, they're grown. Okay, 243 00:13:04,640 --> 00:13:09,599 Speaker 1: how does he eighty kids were grown? Okay? He was 244 00:13:09,600 --> 00:13:11,840 Speaker 1: saying his age yesterday but you know, yeah, no, it's fine. 245 00:13:11,920 --> 00:13:14,280 Speaker 1: But anyway, who Kid did say that he doesn't want 246 00:13:14,320 --> 00:13:15,960 Speaker 1: to come up here and way up with Angela yee. 247 00:13:16,000 --> 00:13:17,679 Speaker 1: And I actually used to work with him when I 248 00:13:17,720 --> 00:13:23,319 Speaker 1: worked a serious my first job over there. Used to 249 00:13:23,360 --> 00:13:28,360 Speaker 1: go over there kid. So he was talking about he 250 00:13:28,440 --> 00:13:31,079 Speaker 1: has something happening in Vegas with Golilla. Yeah, he's like 251 00:13:31,120 --> 00:13:34,360 Speaker 1: you come to Vegas. We do. I was like, all right, relaxed. Yeah, 252 00:13:34,559 --> 00:13:36,839 Speaker 1: but anyway, congratulations to Key Glock. I think it is 253 00:13:36,920 --> 00:13:41,920 Speaker 1: important for people to celebrate accomplishments like that, you know, 254 00:13:42,080 --> 00:13:44,600 Speaker 1: going platinum and then he has a project coming out tomorrow. 255 00:13:44,720 --> 00:13:46,599 Speaker 1: So there was lots of love in the room. And 256 00:13:46,679 --> 00:13:48,559 Speaker 1: also i'd like to say the spread they had. I 257 00:13:48,600 --> 00:13:52,160 Speaker 1: didn't eat anything, although I'd love to eat. I snapshot 258 00:13:52,240 --> 00:13:54,600 Speaker 1: at the snapshot. I took a picture of the menu. 259 00:13:54,720 --> 00:13:56,439 Speaker 1: We know you did um and it just had some 260 00:13:57,160 --> 00:14:01,520 Speaker 1: They had lobster. It's a Japanese invest around called Zuma. Yeah. 261 00:14:02,000 --> 00:14:05,640 Speaker 1: M it was very fancy, really quit huge, it just 262 00:14:05,679 --> 00:14:10,040 Speaker 1: really quick. They had um sea bass. They had avocado 263 00:14:10,160 --> 00:14:13,280 Speaker 1: salad that had be skewer with pepper and smoke chili chills. 264 00:14:13,760 --> 00:14:24,960 Speaker 1: Sorry start, and they also had roasted Maine lobsters in 265 00:14:25,040 --> 00:14:28,360 Speaker 1: their head. There's a community listening that has the same 266 00:14:28,440 --> 00:14:32,080 Speaker 1: problem that you're making fun of that, and I would 267 00:14:32,120 --> 00:14:35,960 Speaker 1: like to I would like to day they had a punch. 268 00:14:38,160 --> 00:14:40,920 Speaker 1: This should be a safe space for them. Okay, not 269 00:14:41,040 --> 00:14:46,280 Speaker 1: doing that safe space crap, don't touch me. There's a community. 270 00:14:47,080 --> 00:14:49,960 Speaker 1: There's a community. There's a community for everything to be 271 00:14:50,080 --> 00:14:53,000 Speaker 1: space for visual community. Who doesn't like being touched and 272 00:14:53,080 --> 00:14:56,440 Speaker 1: your community that can't help me like a camp counselor Yeah, 273 00:14:56,480 --> 00:15:02,000 Speaker 1: there's a community that does this all the time. Whoa child. 274 00:15:04,080 --> 00:15:07,760 Speaker 1: But about last night, congratulations again to Key Glock and 275 00:15:07,920 --> 00:15:11,320 Speaker 1: to Empire for putting together an amazing dinner and my 276 00:15:11,400 --> 00:15:14,400 Speaker 1: girl Lia who works at Empire also, and everybody who 277 00:15:14,480 --> 00:15:16,200 Speaker 1: was out last night. Leah is about her business and 278 00:15:16,280 --> 00:15:18,960 Speaker 1: she would fly to m she's so pretty. Shout out 279 00:15:19,000 --> 00:15:20,640 Speaker 1: to her. Now when we come back, we want to 280 00:15:20,640 --> 00:15:23,360 Speaker 1: talk about something that has been a topic behind the 281 00:15:23,440 --> 00:15:26,920 Speaker 1: scenes so much that people in this room we already 282 00:15:26,960 --> 00:15:28,760 Speaker 1: discussed this on the air because we were talking about 283 00:15:28,760 --> 00:15:32,520 Speaker 1: it amongst ourselves. We were talking about soulmates and whether 284 00:15:32,640 --> 00:15:35,280 Speaker 1: or not you believe there is such a thing as 285 00:15:35,320 --> 00:15:39,280 Speaker 1: a soulmate, because people have said, I don't believe there's 286 00:15:39,360 --> 00:15:42,080 Speaker 1: any such thing as a soulmate until it happens to them, right, 287 00:15:42,920 --> 00:15:46,400 Speaker 1: all right, Oh Godfrey, Godfrey let out a really big 288 00:15:46,560 --> 00:15:48,800 Speaker 1: sigh just now. So I'm interested to hear at some 289 00:15:48,880 --> 00:15:53,080 Speaker 1: point with like your monster, here's your little monster, all right, 290 00:15:53,120 --> 00:15:54,640 Speaker 1: So carl us have let us know what you think. 291 00:15:54,760 --> 00:15:56,720 Speaker 1: Do you have a soulmate? Have you found yours? Did 292 00:15:56,760 --> 00:15:59,040 Speaker 1: you believe it? Do you still not believe that there's 293 00:15:59,040 --> 00:16:00,480 Speaker 1: such a thing as a soul mate? You think this 294 00:16:00,600 --> 00:16:02,560 Speaker 1: is all made up. You think it's just love. You 295 00:16:02,600 --> 00:16:03,920 Speaker 1: could fall in and up. Maybe you think you can 296 00:16:03,960 --> 00:16:08,080 Speaker 1: have multiple soulmates. Eight hundred two ninety one fifty. Calm down, Godfrey, 297 00:16:09,320 --> 00:16:14,960 Speaker 1: it's shout time you tapped and way up with angela 298 00:16:15,080 --> 00:16:21,480 Speaker 1: ye one, and now I'm back back you back the 299 00:16:21,520 --> 00:16:26,400 Speaker 1: way up with angela Ye yes, it's way up with 300 00:16:26,560 --> 00:16:32,000 Speaker 1: Angela yea. And Godfrey's here kind of get up, yes, 301 00:16:32,200 --> 00:16:36,200 Speaker 1: And and we're talking about soulmates and whether or not 302 00:16:36,320 --> 00:16:39,840 Speaker 1: you believe in I'm Godfrey. Do you believe in soulmates? More? 303 00:16:40,280 --> 00:16:42,840 Speaker 1: I've been. I think it's too Ever was a time 304 00:16:42,880 --> 00:16:45,640 Speaker 1: where you can like, you know, No, I don't know. 305 00:16:46,240 --> 00:16:48,800 Speaker 1: I just I don't have it. I nothing, I have nothing. 306 00:16:49,120 --> 00:16:51,800 Speaker 1: I have nothing, okay, because it's just nothing. It's no, 307 00:16:51,960 --> 00:16:54,480 Speaker 1: I don't look at you. It's just weird. Now. The 308 00:16:54,640 --> 00:16:59,000 Speaker 1: environment's weird. Now everybody's you want to blame your environment. 309 00:16:59,160 --> 00:17:01,600 Speaker 1: No you can't, don't. It's just I don't really, I 310 00:17:01,640 --> 00:17:03,480 Speaker 1: don't know. Maybe there is he's had a loss for 311 00:17:03,560 --> 00:17:06,399 Speaker 1: words a thing. I mean, there's no one. I go, 312 00:17:06,520 --> 00:17:09,000 Speaker 1: oh my goodness, this is I haven't thought about that 313 00:17:09,240 --> 00:17:12,840 Speaker 1: six years. Yeah, you've never had a soulmate. I think 314 00:17:12,880 --> 00:17:17,360 Speaker 1: I had, maybe like in college or whatever, but I've 315 00:17:17,400 --> 00:17:19,879 Speaker 1: just been like, I've been God for you. Hug. Okay, 316 00:17:20,240 --> 00:17:22,080 Speaker 1: t ask me what about you? Do you believe in soulmates? 317 00:17:22,200 --> 00:17:24,320 Speaker 1: I believe in soulmates, but I don't believe there's just 318 00:17:24,520 --> 00:17:26,800 Speaker 1: one soul mate. Okay, So I feel like you can 319 00:17:26,840 --> 00:17:31,520 Speaker 1: have thousands, not thousands, but I have thousands in every continent. 320 00:17:31,920 --> 00:17:34,239 Speaker 1: There are so many soulmates. Listen. I feel like if 321 00:17:34,280 --> 00:17:38,120 Speaker 1: I lived, you know, in Australia, I would probably meet 322 00:17:38,160 --> 00:17:40,720 Speaker 1: someone and we would connect it on under and we 323 00:17:40,760 --> 00:17:50,680 Speaker 1: would connect down under the might you're am sorry. I 324 00:17:50,760 --> 00:17:53,200 Speaker 1: don't feel like I believe in just one. I feel 325 00:17:53,200 --> 00:17:56,400 Speaker 1: like you can have Jesus Christ, you have my sword? 326 00:17:56,680 --> 00:18:00,000 Speaker 1: Oh my god? What do I think about soul mate? 327 00:18:00,359 --> 00:18:04,680 Speaker 1: I feel like I halfway agree with Jasmine. I feel 328 00:18:04,680 --> 00:18:07,680 Speaker 1: like you can't have just one. But then does that 329 00:18:07,760 --> 00:18:09,520 Speaker 1: mean you never fall out of love with that person 330 00:18:09,560 --> 00:18:12,760 Speaker 1: and that's always the person you're connected to forever? And well, 331 00:18:12,800 --> 00:18:14,760 Speaker 1: didn't you do a deep dive, and I didn't do 332 00:18:14,840 --> 00:18:17,320 Speaker 1: a deep dive. And there are different types of soulmates. 333 00:18:18,280 --> 00:18:22,720 Speaker 1: There's the romantic kind, all right, and then there is um, 334 00:18:23,760 --> 00:18:27,879 Speaker 1: there's twin flames. You guys know about twin flames. Oh 335 00:18:27,960 --> 00:18:30,200 Speaker 1: y'all don't know about twin flames. Sorry, I don't know. 336 00:18:30,440 --> 00:18:34,400 Speaker 1: Twin flames is a soulmate connections between souls, like when 337 00:18:34,520 --> 00:18:37,120 Speaker 1: one soul has been cut in half and the two 338 00:18:37,280 --> 00:18:40,399 Speaker 1: have seek to reunite Siamese. I don't like that. I 339 00:18:40,400 --> 00:18:42,640 Speaker 1: don't want to be Sime. What's what's the third type 340 00:18:42,680 --> 00:18:46,639 Speaker 1: of soulmate? And then it could be a non romantic one. 341 00:18:46,880 --> 00:18:52,760 Speaker 1: It could be that friend. Yeah, she's like, we're best friends. 342 00:18:52,800 --> 00:18:58,080 Speaker 1: Like it's great. A soul partner is more of a friend. Yeah, Okay, 343 00:18:58,240 --> 00:19:02,240 Speaker 1: there you go. You're my soul part or Jasmine. Sometimes 344 00:19:02,720 --> 00:19:06,000 Speaker 1: sometimes you're very if you're very mean to me as 345 00:19:06,040 --> 00:19:09,920 Speaker 1: a soul part I like, all right, Well, let's see 346 00:19:09,960 --> 00:19:11,960 Speaker 1: what you guys think. We're talking about whether or not 347 00:19:12,040 --> 00:19:19,080 Speaker 1: you believe in soulmates. Eight Tyreek, very good morning, good morning. 348 00:19:19,119 --> 00:19:21,240 Speaker 1: What are your thoughts about soulmates? You think there's such 349 00:19:21,240 --> 00:19:24,920 Speaker 1: a thing. No, I don't really believe in soulmates. To 350 00:19:25,000 --> 00:19:27,639 Speaker 1: be honest with you, I feel like there's an excitement 351 00:19:27,720 --> 00:19:30,920 Speaker 1: when you first be somebody, but then after a while 352 00:19:30,960 --> 00:19:33,280 Speaker 1: it kind of goes away. I mean, it's nice to 353 00:19:33,400 --> 00:19:37,840 Speaker 1: have someone like your partner that they could finish your sentence, 354 00:19:38,040 --> 00:19:41,880 Speaker 1: and you guys enjoy everything together. But after a while, 355 00:19:42,000 --> 00:19:45,119 Speaker 1: I don't know some reason. None times out of ten 356 00:19:45,280 --> 00:19:49,080 Speaker 1: people grow apart, and then you start to enjoy certain 357 00:19:49,160 --> 00:19:52,919 Speaker 1: different things if you guys choose to stay together. Okay, 358 00:19:53,160 --> 00:19:56,440 Speaker 1: you know, but as far as soulmates are concerned, I'm 359 00:19:56,480 --> 00:20:00,639 Speaker 1: not really sold on. You're not convinced people. Yeah, and 360 00:20:00,760 --> 00:20:03,600 Speaker 1: I really do you ever think you found your soulmate? 361 00:20:04,040 --> 00:20:05,879 Speaker 1: I thought I did when I was in college and 362 00:20:06,200 --> 00:20:12,880 Speaker 1: um in Long Island, you know, Shorty from Brooklyn. But yeah, 363 00:20:13,280 --> 00:20:16,440 Speaker 1: no doubt, no doubt. Can I say something real quick 364 00:20:16,480 --> 00:20:19,960 Speaker 1: to you. I meant you a long time ago, and 365 00:20:20,160 --> 00:20:22,560 Speaker 1: I just want to say, you really really have one 366 00:20:22,600 --> 00:20:27,200 Speaker 1: of the nicest personalities and I'm very, very excited for 367 00:20:27,359 --> 00:20:30,280 Speaker 1: your new chapter in your life. And it's not an act. 368 00:20:30,440 --> 00:20:33,560 Speaker 1: We could tell when somebody's acting and things like that. 369 00:20:34,080 --> 00:20:37,520 Speaker 1: You deserve all thank you and we really really love you, 370 00:20:37,840 --> 00:20:41,920 Speaker 1: you know what I mean? And big up to everybody 371 00:20:42,359 --> 00:20:44,240 Speaker 1: up there. All right, enjoy the rest of you all morning. 372 00:20:44,320 --> 00:20:48,800 Speaker 1: You stop running your eyes. They said the same thing, like, nice, 373 00:20:49,280 --> 00:20:54,240 Speaker 1: all right, we're talking about soulmates. Hello, who's this is? Market? Marcus? 374 00:20:54,280 --> 00:20:57,320 Speaker 1: Do you believe in soulmates? Yeah? I've been with mine 375 00:20:57,520 --> 00:21:01,320 Speaker 1: for twenty years. Who now, that's right, that's beautiful. Yeah. 376 00:21:01,359 --> 00:21:04,320 Speaker 1: I was fifteen and she was thick thing. Okay, wait 377 00:21:04,359 --> 00:21:07,320 Speaker 1: a minute, no sh up, how did you know? How 378 00:21:07,359 --> 00:21:10,960 Speaker 1: do you know that she's your soulmate? After all these years, man, 379 00:21:11,640 --> 00:21:14,000 Speaker 1: after all these years, she helped me hold it down. Man. 380 00:21:14,119 --> 00:21:16,920 Speaker 1: When I lost my job, she picked one up. We 381 00:21:17,040 --> 00:21:21,600 Speaker 1: got thick kids together, man. And I love that he 382 00:21:21,720 --> 00:21:25,040 Speaker 1: found his soulmate at the age of fifteen. But that's 383 00:21:25,080 --> 00:21:27,480 Speaker 1: a real thing. That's a connection. And to be together 384 00:21:27,600 --> 00:21:33,199 Speaker 1: twenty years and still feel like that, that's intense beautiful. Jessica, Hi, 385 00:21:33,760 --> 00:21:36,840 Speaker 1: do you believe in soulmates? Of course I do believe 386 00:21:36,880 --> 00:21:41,200 Speaker 1: in soulmate. So the reason why is because I've met 387 00:21:41,359 --> 00:21:44,679 Speaker 1: my soulmate to the writer prison of my fright, okay, 388 00:21:44,880 --> 00:21:49,440 Speaker 1: back in yeah, back in fourteen. Um, he was basically 389 00:21:50,040 --> 00:21:52,320 Speaker 1: like he was doing a six a half years and 390 00:21:52,520 --> 00:21:55,960 Speaker 1: I met him like halfway in. Okay, And so the 391 00:21:56,119 --> 00:22:00,960 Speaker 1: moment that she got relieved nine years later, like he's 392 00:22:01,000 --> 00:22:03,120 Speaker 1: been able to let it off. Pro role as actually 393 00:22:03,800 --> 00:22:06,000 Speaker 1: been there for him was like a lot ticket. His 394 00:22:06,320 --> 00:22:09,360 Speaker 1: lifetock on track as soon as he had gotten out, 395 00:22:09,720 --> 00:22:12,359 Speaker 1: and most people they, you know, they would sit there 396 00:22:12,400 --> 00:22:14,680 Speaker 1: and say that he had it best of all the 397 00:22:14,800 --> 00:22:18,480 Speaker 1: other dudes that had been incarprated because I helped set 398 00:22:18,600 --> 00:22:21,800 Speaker 1: him up for you know, success as soon as he 399 00:22:21,920 --> 00:22:23,760 Speaker 1: walked out the door, so he didn't have to worry 400 00:22:23,760 --> 00:22:25,920 Speaker 1: about his credit, he didn't have to worry about you know, 401 00:22:26,160 --> 00:22:29,280 Speaker 1: any of that. I love that. Yeah, And that's good 402 00:22:29,280 --> 00:22:31,439 Speaker 1: because I'd be watching Love after lock Up and sometimes 403 00:22:31,480 --> 00:22:34,320 Speaker 1: it'd be looking a little iffy. Oh no, yeah, well 404 00:22:34,520 --> 00:22:37,720 Speaker 1: look Love after lock Up. Let's just sit there and 405 00:22:37,840 --> 00:22:42,080 Speaker 1: say the people on their they more pressed and like 406 00:22:42,520 --> 00:22:44,200 Speaker 1: love and want to go ahead and like get married. 407 00:22:44,520 --> 00:22:46,760 Speaker 1: And I never like, what did a like sen Nola 408 00:22:46,840 --> 00:22:49,399 Speaker 1: that would you pay more attention to who you are 409 00:22:49,560 --> 00:22:52,800 Speaker 1: dealing with and who you are dating and then building 410 00:22:52,880 --> 00:22:56,439 Speaker 1: on that everything uns full? Okay, I love it all right, 411 00:22:56,600 --> 00:22:59,400 Speaker 1: see guy her soul mate write at prisoner dot com. 412 00:23:00,000 --> 00:23:03,600 Speaker 1: I me girl, Yes, so mate could be there. That's 413 00:23:03,640 --> 00:23:06,000 Speaker 1: all right, all right, what we were talking about, soul mates, 414 00:23:06,040 --> 00:23:08,160 Speaker 1: it seems like most of you believe in it, right 415 00:23:08,560 --> 00:23:10,520 Speaker 1: and when we come back, we have yet and what 416 00:23:10,680 --> 00:23:13,840 Speaker 1: we're discussing. Kodak Black he no longer what's the collaborative 417 00:23:13,840 --> 00:23:15,840 Speaker 1: with Drake. We'll tell you why on Way up with 418 00:23:15,920 --> 00:23:21,480 Speaker 1: Angela yea up, we're Angela yee yes, it's way up 419 00:23:21,520 --> 00:23:24,320 Speaker 1: with Angela. Year's time for that yet, Jasmine Brand is here. 420 00:23:24,480 --> 00:23:28,760 Speaker 1: Good morning God for you is here? Know what that 421 00:23:28,880 --> 00:23:35,000 Speaker 1: means tomorrow? No? No, I don't know, you said, Okay, Well, 422 00:23:35,240 --> 00:23:38,159 Speaker 1: let's talk about music. Kodak Black has said that he 423 00:23:38,280 --> 00:23:41,040 Speaker 1: does not want to collaborate with Drake after Drake did 424 00:23:41,119 --> 00:23:43,840 Speaker 1: that album Her Loss with twenty one Savage and here's 425 00:23:43,840 --> 00:23:45,560 Speaker 1: what you have to say on his live stream, I 426 00:23:45,840 --> 00:23:48,280 Speaker 1: told Drake, I ain't want to do no collab Black, 427 00:23:48,720 --> 00:23:52,040 Speaker 1: no songs, no another album. Kode posted then did a 428 00:23:52,080 --> 00:23:55,760 Speaker 1: whole album Killer before him and Little Lady. I told 429 00:23:55,840 --> 00:23:59,880 Speaker 1: him I'm wanting to wait like twenty twenty three. Yeah, 430 00:24:00,080 --> 00:24:01,919 Speaker 1: so he said, even though he does have some more 431 00:24:02,080 --> 00:24:04,840 Speaker 1: music with Drake, you know, he I guess that the 432 00:24:04,880 --> 00:24:06,800 Speaker 1: album is gonna get done and I feel like there 433 00:24:06,880 --> 00:24:09,320 Speaker 1: was a whole versus controversy right with Kodak Black and 434 00:24:09,359 --> 00:24:11,359 Speaker 1: twenty one Savage. Yeah. I love how he called him 435 00:24:11,359 --> 00:24:13,760 Speaker 1: a little buddy. He didn't want to say his name. 436 00:24:14,119 --> 00:24:16,159 Speaker 1: That's W'm gonna start calling people don't want to, you know, 437 00:24:16,160 --> 00:24:18,960 Speaker 1: a little buddy. Yeah, but they've been talking about this 438 00:24:19,080 --> 00:24:21,680 Speaker 1: collab album for quite some time, so I guess now 439 00:24:21,760 --> 00:24:24,800 Speaker 1: it's subscribe. I think it's just on pause to get 440 00:24:24,840 --> 00:24:30,359 Speaker 1: out his feelings. M Yeah, but now Drake might be like, man, yeah, 441 00:24:30,880 --> 00:24:34,840 Speaker 1: Drake might be like yeah, yeah, yeah, all right. Now, 442 00:24:35,920 --> 00:24:39,400 Speaker 1: now let's discuss Quavo, and everybody's wondering since we're talking 443 00:24:39,400 --> 00:24:42,840 Speaker 1: about collabs about the future of the Megos as in, 444 00:24:43,200 --> 00:24:46,719 Speaker 1: you know, Quavo and Offset and Quavo released a new 445 00:24:46,760 --> 00:24:50,920 Speaker 1: song called Greatness yesterday where he's celebrating the legacy of 446 00:24:51,280 --> 00:24:54,920 Speaker 1: the group and moving forward without takeoff. Here's what he 447 00:24:54,960 --> 00:25:00,640 Speaker 1: had to say, again, like a stone with the be gonna, 448 00:25:00,640 --> 00:25:03,679 Speaker 1: we gonna it can't come back. I'm gonna mention your 449 00:25:03,760 --> 00:25:07,199 Speaker 1: mama straight, Mama, especially Mama. Take sure. I can't kick 450 00:25:07,240 --> 00:25:09,639 Speaker 1: it with a fake and I won't sleep with the snakes. 451 00:25:10,040 --> 00:25:12,480 Speaker 1: I really eat with the grapp I want it piece, 452 00:25:12,560 --> 00:25:15,560 Speaker 1: but I can't. I getta get some straight. I don't wait, 453 00:25:17,000 --> 00:25:19,159 Speaker 1: trying to move forward, but I don't got all that answers. 454 00:25:20,200 --> 00:25:23,560 Speaker 1: But I know I can't look backwards. That's dangerous. That's dangerous. 455 00:25:24,240 --> 00:25:26,080 Speaker 1: So it looks like he's saying, don't ask you about 456 00:25:26,119 --> 00:25:29,840 Speaker 1: the group. It's not coming back. Yeah, snakes wanted peace, 457 00:25:30,359 --> 00:25:33,240 Speaker 1: there's no looking back. I think those are all subliminal 458 00:25:33,320 --> 00:25:36,879 Speaker 1: shots that there's no return. Yes, for me goes. That sucks, 459 00:25:37,480 --> 00:25:40,520 Speaker 1: I know, and they are family. Let's not forget that too. Yeah, 460 00:25:40,920 --> 00:25:43,440 Speaker 1: maybe they just need some time. Yeah, I don't know. 461 00:25:43,600 --> 00:25:45,720 Speaker 1: I can't. That's my answer to everything still, because we 462 00:25:45,760 --> 00:25:48,760 Speaker 1: don't even know what really happened. Yeah, we're all speculating 463 00:25:48,800 --> 00:25:50,679 Speaker 1: what we saw, but I'm sure it's much deeper than 464 00:25:50,960 --> 00:25:52,720 Speaker 1: we saw. Cardi V. Trying to make sure the two 465 00:25:52,720 --> 00:25:55,160 Speaker 1: of them didn't get into it backstage at the Grammys. 466 00:25:55,240 --> 00:25:58,479 Speaker 1: It's still fresh. You gotta let the dust settle, you know. Well, 467 00:25:58,480 --> 00:25:59,800 Speaker 1: we don't know, but we don't know if that beef 468 00:25:59,880 --> 00:26:03,560 Speaker 1: is fresh. That beef maybe you know, the death is fresh, 469 00:26:03,600 --> 00:26:05,440 Speaker 1: but that beef might be a little And it's also 470 00:26:05,560 --> 00:26:08,200 Speaker 1: hard too. I feel like when it's your family and 471 00:26:08,400 --> 00:26:10,679 Speaker 1: something happens with your family and then it ends up 472 00:26:10,720 --> 00:26:14,000 Speaker 1: going public and then everybody's weighing in, and then people 473 00:26:14,080 --> 00:26:19,359 Speaker 1: are choosing sides. But I do feel like when tragedies happen, 474 00:26:19,480 --> 00:26:21,879 Speaker 1: sometimes it will at some point you'll come back together. 475 00:26:22,359 --> 00:26:24,560 Speaker 1: That's all we can hope and wish for. All Right, 476 00:26:24,720 --> 00:26:26,840 Speaker 1: Little Wayne is going to be doing his Card to 477 00:26:26,960 --> 00:26:29,399 Speaker 1: six rollout, and one of the things that he put 478 00:26:29,440 --> 00:26:32,119 Speaker 1: out a trailer four is a new DMX and Swiss 479 00:26:32,200 --> 00:26:53,160 Speaker 1: Beasts collab. Listen to this yo and that's it? Then 480 00:26:53,720 --> 00:26:57,760 Speaker 1: is there more? Yeah? But Dame Greece, who's the producer, 481 00:26:57,920 --> 00:27:01,680 Speaker 1: the producer, noted that it's remake to one of his classics. 482 00:27:02,440 --> 00:27:06,720 Speaker 1: So that is very similar to N Words Done started something. 483 00:27:06,800 --> 00:27:10,160 Speaker 1: I know you like when I say N words God free. 484 00:27:15,840 --> 00:27:17,760 Speaker 1: And since we're talking all about music, you know, we 485 00:27:17,880 --> 00:27:20,040 Speaker 1: gave you some info on Little Wayne, We gave you 486 00:27:20,080 --> 00:27:22,560 Speaker 1: some info on Quavo's new song. We talked about a 487 00:27:22,840 --> 00:27:25,920 Speaker 1: Kodak Black not wanting to do that collab album with Drake. 488 00:27:26,000 --> 00:27:29,159 Speaker 1: Let's talk about a new album. A new musical release 489 00:27:29,359 --> 00:27:33,960 Speaker 1: from Ditty's label, Love Records. Jazz Jazz is the flagship 490 00:27:34,119 --> 00:27:38,280 Speaker 1: artists on Love Records, and they share the news of 491 00:27:38,520 --> 00:27:42,240 Speaker 1: Jazz's EP. It's called Songs for Songs for Women, Free 492 00:27:42,320 --> 00:27:46,080 Speaker 1: Game for n words or words and a lot of 493 00:27:46,200 --> 00:27:48,600 Speaker 1: nwords today. And so here's a snippet of one of 494 00:27:48,640 --> 00:28:13,120 Speaker 1: the songs. It's called Alone, Any Relationships Trying so all right, 495 00:28:13,280 --> 00:28:15,480 Speaker 1: and that is Jazzy. Jazzy, by the way, is a 496 00:28:15,720 --> 00:28:18,560 Speaker 1: very well known songwriter. And that album comes out on Friday. 497 00:28:18,600 --> 00:28:20,960 Speaker 1: That EP comes out Friday. Now when we come back, 498 00:28:21,000 --> 00:28:23,359 Speaker 1: we'll be doing under the radar. And those are stories 499 00:28:23,440 --> 00:28:25,200 Speaker 1: that are not headline news, but under the radar. On 500 00:28:25,320 --> 00:28:30,720 Speaker 1: Way Up with Angela Ye Up with Angela Ye is 501 00:28:30,800 --> 00:28:33,679 Speaker 1: on I got news. This in the news that relates 502 00:28:33,720 --> 00:28:38,600 Speaker 1: to you. These stories are flying under the radar, alright. 503 00:28:38,640 --> 00:28:40,760 Speaker 1: It's Way Up with Angela Yee. God for You is here, 504 00:28:40,920 --> 00:28:44,000 Speaker 1: Jasmine Brand is here. Yes, And under the radar is 505 00:28:44,040 --> 00:28:46,240 Speaker 1: stories that are not headline news but we should know 506 00:28:46,280 --> 00:28:48,960 Speaker 1: about them. And this one is about a new drug. 507 00:28:49,560 --> 00:28:52,760 Speaker 1: It's called trank. Really it's called zila zeine, but they 508 00:28:52,840 --> 00:28:55,480 Speaker 1: call it trenk trnk dope and zombie drug is another 509 00:28:55,600 --> 00:28:58,400 Speaker 1: name for it. And in major cities across the country. 510 00:28:58,440 --> 00:29:03,719 Speaker 1: There are devastating effects literally can rot your skin all 511 00:29:03,800 --> 00:29:07,360 Speaker 1: right there, saying this substance first appeared in Philadelphia and 512 00:29:07,520 --> 00:29:10,240 Speaker 1: then migrated west to San Francisco. In LA it was 513 00:29:10,320 --> 00:29:13,160 Speaker 1: used for cutting heroin, but recently it's been discovered in 514 00:29:13,240 --> 00:29:16,240 Speaker 1: fentanol and other drugs like that. So there's sedative like 515 00:29:16,360 --> 00:29:21,040 Speaker 1: symptoms like being really sleepy, respiratory depression, and then raw 516 00:29:21,160 --> 00:29:25,360 Speaker 1: wounds that can become severe and spread rapidly with repeated exposure. 517 00:29:25,920 --> 00:29:29,080 Speaker 1: And these ulcerations get crusty and then it becomes dead 518 00:29:29,160 --> 00:29:32,200 Speaker 1: skin and that can result in amputation if you don't 519 00:29:32,240 --> 00:29:36,200 Speaker 1: treat it. Okay, So giving you guys these mornings, she 520 00:29:36,720 --> 00:29:40,160 Speaker 1: stay away from trek And by the way, this drug 521 00:29:40,360 --> 00:29:44,840 Speaker 1: is approved by the FDA for veterinary use, so for animals, okay. 522 00:29:45,120 --> 00:29:47,880 Speaker 1: It's a non opioid. It's not safe for humans. And 523 00:29:47,960 --> 00:29:50,600 Speaker 1: if you overdose on it, by the way, you also 524 00:29:50,800 --> 00:29:53,600 Speaker 1: do not respond to narcan you know how they usually 525 00:29:53,680 --> 00:29:56,520 Speaker 1: use that to reverse an overdose. It doesn't respond to that. 526 00:29:56,720 --> 00:30:00,360 Speaker 1: So last month, one Philly user suddenly got these wounds 527 00:30:00,520 --> 00:30:03,080 Speaker 1: near her opioid injection sites. She said, I would wake 528 00:30:03,160 --> 00:30:06,080 Speaker 1: up in the morning crying because my arms were dying, 529 00:30:06,760 --> 00:30:09,400 Speaker 1: according to Tracy McCann, thirty nine years old, and the 530 00:30:09,480 --> 00:30:12,880 Speaker 1: city reported that ninety percent of lab tested dope samples 531 00:30:12,920 --> 00:30:15,840 Speaker 1: in twenty twenty one contain xylazine, which is the trink 532 00:30:16,360 --> 00:30:18,840 Speaker 1: which can increase the risk of overdose when combined with 533 00:30:18,920 --> 00:30:22,080 Speaker 1: other illicit substances. What does it feel like when your 534 00:30:22,240 --> 00:30:24,960 Speaker 1: arms are dying? I don't know. Oh, well, have you 535 00:30:25,040 --> 00:30:29,760 Speaker 1: been to the gym? Now do you say this that 536 00:30:29,840 --> 00:30:32,600 Speaker 1: it's too late for Philly? What do you mean? They 537 00:30:32,640 --> 00:30:34,600 Speaker 1: were saying that it's it's too late in terms of 538 00:30:34,720 --> 00:30:36,760 Speaker 1: this is already a big epidemic there, so like it's 539 00:30:36,800 --> 00:30:38,960 Speaker 1: like no hope to kind of turn it around. Yeah, 540 00:30:39,040 --> 00:30:41,320 Speaker 1: And it's basically when you're saying, what does it feel like, 541 00:30:41,360 --> 00:30:43,360 Speaker 1: it's like being a zombie. That's why they say it's 542 00:30:43,360 --> 00:30:46,440 Speaker 1: a zombie drug. It's like zombiefying your body. And so 543 00:30:46,840 --> 00:30:53,040 Speaker 1: one person said, um that it's basically until nine months ago, 544 00:30:53,080 --> 00:30:55,000 Speaker 1: he said, I never had wounds. Now there are holes 545 00:30:55,160 --> 00:30:58,240 Speaker 1: in my legs and feet. Oh my gosh, man, Okay, 546 00:30:58,320 --> 00:31:04,120 Speaker 1: I'm yeah. So if anything that should make you the drugs, 547 00:31:04,880 --> 00:31:07,040 Speaker 1: people are gonna take it. That's what's crazy. People are 548 00:31:07,040 --> 00:31:10,080 Speaker 1: gonna take that, no, thank you. I mean people were, yeah, 549 00:31:10,440 --> 00:31:13,320 Speaker 1: people were taking fentanyl like no problem. Well, also, we 550 00:31:13,360 --> 00:31:15,040 Speaker 1: have to remember this is an addiction, so it's not 551 00:31:15,200 --> 00:31:17,360 Speaker 1: like we're you know, we are of sound mine and 552 00:31:17,440 --> 00:31:19,240 Speaker 1: we can say I don't want these side effects or 553 00:31:19,280 --> 00:31:21,320 Speaker 1: I don't want to experience this. But when you're in 554 00:31:21,400 --> 00:31:24,000 Speaker 1: a different space mentally, and also you're addicted to something, 555 00:31:24,160 --> 00:31:26,880 Speaker 1: it's the logic, isn't really you might not know it's 556 00:31:26,880 --> 00:31:29,360 Speaker 1: in there. That's the main thing. You don't know what 557 00:31:29,400 --> 00:31:31,680 Speaker 1: they're cutting your drugs with. That's why buying these drugs 558 00:31:31,720 --> 00:31:34,320 Speaker 1: off the street, you never know what it is, all right. 559 00:31:34,440 --> 00:31:38,000 Speaker 1: And in Pennsylvania they're gonna mail residents free condoms because 560 00:31:38,080 --> 00:31:41,120 Speaker 1: of the STD rates on the rise, So you can 561 00:31:41,160 --> 00:31:43,560 Speaker 1: get up to ten condoms discreetly delivered to your door 562 00:31:43,640 --> 00:31:49,560 Speaker 1: for free. And yeah, ten of them are can the 563 00:31:49,640 --> 00:31:54,840 Speaker 1: uber and can we get And they're talking about these 564 00:31:54,920 --> 00:31:59,080 Speaker 1: super antibiotic resistant ganeria strains as well, just so you 565 00:31:59,160 --> 00:32:01,360 Speaker 1: guys know. So you can fill out an order for 566 00:32:01,400 --> 00:32:03,120 Speaker 1: them online if you want to get these condoms, and 567 00:32:03,200 --> 00:32:06,600 Speaker 1: they offer you a choice of five different condom options. Okay, 568 00:32:06,960 --> 00:32:09,560 Speaker 1: if you have the kid, me name him no, I 569 00:32:09,640 --> 00:32:13,680 Speaker 1: can't name. You're about to order these. We put Pennsylvania 570 00:32:13,720 --> 00:32:17,440 Speaker 1: to get ten free conist all right, So that is 571 00:32:17,600 --> 00:32:20,800 Speaker 1: you're under the radar stories now, you know. Every day 572 00:32:20,840 --> 00:32:22,720 Speaker 1: we got the Way Up mix of that's gonna be 573 00:32:22,800 --> 00:32:25,480 Speaker 1: coming up soon. Also, Samara Joy is gonna be joining 574 00:32:25,640 --> 00:32:28,800 Speaker 1: us a jazz musician. She won two Grammy's at the 575 00:32:28,840 --> 00:32:31,280 Speaker 1: latest Grammy. She's from the Bronx, Super young, but she 576 00:32:31,480 --> 00:32:34,440 Speaker 1: has got an amazing voice and you guys are gonna 577 00:32:34,480 --> 00:32:37,880 Speaker 1: love her story on Way Up with Angela. Yeah, listen 578 00:32:38,160 --> 00:32:42,480 Speaker 1: you Way Up with Angela yee. But she's like to 579 00:32:42,560 --> 00:32:46,280 Speaker 1: talk like a Angela Jean, like Angela yee. Man, she's 580 00:32:46,280 --> 00:32:52,760 Speaker 1: spilling it all this this yee tea. Yes, it is 581 00:32:52,800 --> 00:32:55,360 Speaker 1: Way Up with Angela yee. Okay, nice little new into 582 00:32:55,440 --> 00:32:58,160 Speaker 1: that's Lakia like that on their Jasmine brand. Is Here 583 00:32:58,280 --> 00:33:00,960 Speaker 1: God for You is here? Ye? Yes? And remember those 584 00:33:01,040 --> 00:33:04,160 Speaker 1: rumors that Jennifer Hudson and Common were dating. Yes, and 585 00:33:04,320 --> 00:33:06,200 Speaker 1: then people were like, oh, no, they're not really, they're 586 00:33:06,240 --> 00:33:09,360 Speaker 1: just friends. Well they were just seen having a date 587 00:33:09,480 --> 00:33:12,440 Speaker 1: night in Malibu. Okay, I feel like they want to 588 00:33:12,480 --> 00:33:15,160 Speaker 1: be seen if they're in Malibu and nobu oh yeah, 589 00:33:15,200 --> 00:33:17,120 Speaker 1: they want to be seen. Okay, they'd like us to 590 00:33:17,160 --> 00:33:19,760 Speaker 1: talk about them. And it was just the two of them. Yeah, 591 00:33:20,000 --> 00:33:23,000 Speaker 1: they go, they go together real bad. That's cute. But 592 00:33:23,440 --> 00:33:25,760 Speaker 1: you can't go to to Nobo with your friend in Malibu. 593 00:33:25,920 --> 00:33:29,800 Speaker 1: Not at their rumors that you guys are dating M Godfrey. 594 00:33:30,520 --> 00:33:35,280 Speaker 1: Maybe there's soulmates, maybe there's twin flames. Maybe they're twin flames. 595 00:33:35,520 --> 00:33:38,800 Speaker 1: All right, well we'll see, all right. Wendy Williams has 596 00:33:38,840 --> 00:33:41,480 Speaker 1: also been out and about. She was leaving dinner in 597 00:33:41,600 --> 00:33:45,280 Speaker 1: New York City on Tuesday night, and apparently she says 598 00:33:45,320 --> 00:33:47,160 Speaker 1: that she is now one hundred and thirty eight pounds. 599 00:33:48,760 --> 00:33:54,560 Speaker 1: That's like, how tall is Wendy Williams? Okay, all right, 600 00:33:54,680 --> 00:33:57,640 Speaker 1: Well she said she went to the doctor and got 601 00:33:57,680 --> 00:34:00,880 Speaker 1: on the scale and that's good. One thirty eight. I mean, 602 00:34:00,920 --> 00:34:02,560 Speaker 1: I don't know, no, I don't. I don't want to 603 00:34:02,560 --> 00:34:05,800 Speaker 1: say that. I'm not that's like how M Tai away. Yeah, 604 00:34:05,840 --> 00:34:08,120 Speaker 1: but you're shorter, Wendy taller, I would like to say. 605 00:34:08,280 --> 00:34:10,080 Speaker 1: There was also an update to this that she was 606 00:34:10,120 --> 00:34:13,120 Speaker 1: allegedly filming something while she was at this restaurant, So 607 00:34:13,239 --> 00:34:15,080 Speaker 1: I wonder what she was filming? You know she's got 608 00:34:15,160 --> 00:34:17,759 Speaker 1: the podcast she's supposed to be doing in the show. So, 609 00:34:18,160 --> 00:34:21,200 Speaker 1: Wendy Williams is five ten according to the deep die 610 00:34:21,239 --> 00:34:23,120 Speaker 1: that we just received. Did you hear that guy? He 611 00:34:23,280 --> 00:34:25,040 Speaker 1: just called me fat? No, I did not say you. 612 00:34:26,160 --> 00:34:29,799 Speaker 1: Wendy Williams is five ten and one hundred and thirty 613 00:34:29,840 --> 00:34:34,480 Speaker 1: eight pounds. Okay, So, okay, all right, all right solid um. 614 00:34:34,600 --> 00:34:38,280 Speaker 1: Tia is saying that he embellished on the snitching story. 615 00:34:38,440 --> 00:34:43,399 Speaker 1: Remember you know he said that he is cousin who 616 00:34:43,520 --> 00:34:46,400 Speaker 1: got yeah, and he put the crime on him because 617 00:34:46,760 --> 00:34:49,640 Speaker 1: obviously he can't go to jail. Well, here's the original 618 00:34:49,719 --> 00:34:52,600 Speaker 1: story that Ti. I told my lawyer said, well, you know, 619 00:34:53,080 --> 00:34:56,200 Speaker 1: I could make everything go away if it was Meles 620 00:34:56,640 --> 00:34:59,240 Speaker 1: and I had a talk to Otter he had passed. 621 00:34:59,280 --> 00:35:01,120 Speaker 1: I had a talk with that I take all the 622 00:35:01,239 --> 00:35:03,560 Speaker 1: charges you got because I'd be damn if they're gonna 623 00:35:03,560 --> 00:35:07,279 Speaker 1: come mother they extradite me from here. All right, So 624 00:35:07,400 --> 00:35:10,600 Speaker 1: that was originally the story. Well, now Ta is giving 625 00:35:10,640 --> 00:35:14,840 Speaker 1: some backstory to how he embellished. Okay, I have the 626 00:35:14,920 --> 00:35:17,799 Speaker 1: aduy to say things that other people might not say. 627 00:35:18,200 --> 00:35:23,040 Speaker 1: I can offer some alternative perspective to the way things 628 00:35:23,080 --> 00:35:26,080 Speaker 1: are being viewed by the majority. But it came from 629 00:35:26,080 --> 00:35:29,719 Speaker 1: a conversation that my partner and I were having, and 630 00:35:29,840 --> 00:35:33,400 Speaker 1: that conversation was abra If me and you catch a 631 00:35:33,480 --> 00:35:37,560 Speaker 1: case together and I die before you, it's man. He's like, no, 632 00:35:37,760 --> 00:35:40,000 Speaker 1: I can't do that, Yes you can, it's man. Why 633 00:35:40,000 --> 00:35:42,920 Speaker 1: don't Why can't you? All right now? While he was 634 00:35:42,960 --> 00:35:45,680 Speaker 1: talking to rich Chopper, he also had this to say 635 00:35:46,760 --> 00:35:49,600 Speaker 1: about the whole story and how people don't understand his 636 00:35:49,880 --> 00:35:53,040 Speaker 1: sense of human he's a comedian. Off of that conversation, 637 00:35:53,360 --> 00:35:56,840 Speaker 1: I created a set of circumstances, and I thought that 638 00:35:57,480 --> 00:36:00,279 Speaker 1: the embellishment was clear when I said I out to 639 00:36:00,360 --> 00:36:02,560 Speaker 1: my kids. And then he told me. They didn't get 640 00:36:02,560 --> 00:36:04,960 Speaker 1: the satire and the conversation, didn't get the change, infliction 641 00:36:05,000 --> 00:36:06,400 Speaker 1: and voice. They didn't get the fact that she was 642 00:36:06,440 --> 00:36:14,960 Speaker 1: basically being sarcastic humor sarcastcast Yeah, he was very real 643 00:36:15,080 --> 00:36:18,680 Speaker 1: placed and adding some embellishment to it to fit the 644 00:36:18,880 --> 00:36:23,120 Speaker 1: needed discussion. There you go, it was just an embellishment. 645 00:36:23,120 --> 00:36:24,480 Speaker 1: I'm gonna keep it a buck. I thought he was 646 00:36:24,560 --> 00:36:28,280 Speaker 1: being serious when he said he snitched on his deceased relative. 647 00:36:28,320 --> 00:36:30,239 Speaker 1: I didn't know he was joking. Well, no, what he 648 00:36:30,360 --> 00:36:32,960 Speaker 1: was saying was that he didn't really have a conversation 649 00:36:33,040 --> 00:36:34,799 Speaker 1: with him from the grave. I was saying, they had 650 00:36:34,880 --> 00:36:39,240 Speaker 1: the conversation ahead of time, and so he embellished the story. 651 00:36:39,400 --> 00:36:41,239 Speaker 1: Oh okay, I got it to make it seem like 652 00:36:41,320 --> 00:36:46,160 Speaker 1: over here. Sorry, So I think that's what he meant, Godfrey, 653 00:36:46,520 --> 00:36:51,319 Speaker 1: what no expeditiously nt I earn a good space? Right? 654 00:36:51,480 --> 00:36:55,080 Speaker 1: Oh man? I just like to do they have to 655 00:36:55,120 --> 00:36:57,120 Speaker 1: be in a good space because he is a comedian 656 00:36:57,200 --> 00:37:05,600 Speaker 1: and you are an internet comedian. He just liked the way. Okay, 657 00:37:05,640 --> 00:37:07,160 Speaker 1: we'll have a story on the We'll have a story 658 00:37:07,200 --> 00:37:08,840 Speaker 1: to day on the Jazz and Brand dot com about 659 00:37:08,920 --> 00:37:13,400 Speaker 1: what actual internet comedian is. And wait, why why did 660 00:37:13,440 --> 00:37:15,239 Speaker 1: you want to? I had problems again, Godfrey. For people 661 00:37:15,239 --> 00:37:17,000 Speaker 1: who are listening who don't know, it was when we 662 00:37:17,120 --> 00:37:19,800 Speaker 1: were in Atlanta and I was at the Atlanta Comedy 663 00:37:19,840 --> 00:37:23,160 Speaker 1: Theater and already for Qua was hosted. I get off 664 00:37:23,200 --> 00:37:26,879 Speaker 1: after doing an hour and forty minutes, and already when 665 00:37:26,880 --> 00:37:28,680 Speaker 1: I get off stage, already goes yo, I'm gonna keep 666 00:37:28,719 --> 00:37:31,239 Speaker 1: the show going. Go what I'm like? The show's over? 667 00:37:31,680 --> 00:37:33,520 Speaker 1: No t I wants to go up on stage. And 668 00:37:33,560 --> 00:37:36,040 Speaker 1: I was like to do what I didn't know to 669 00:37:36,120 --> 00:37:38,319 Speaker 1: tell jokes. I'm like, why is he going to wrap? 670 00:37:38,440 --> 00:37:39,879 Speaker 1: I was like, oh, is he going up? Because it's 671 00:37:39,920 --> 00:37:42,080 Speaker 1: his town, man, I think he's gonna go up. But 672 00:37:42,200 --> 00:37:46,839 Speaker 1: I was like, comedy, Oh okay. I just got off 673 00:37:46,960 --> 00:37:49,880 Speaker 1: stage and the Psalm said all right, I'm going to 674 00:37:49,960 --> 00:37:52,960 Speaker 1: the green room. And I just stayed in the green room. 675 00:37:53,160 --> 00:37:54,799 Speaker 1: And when I talked about it on my podcast, they 676 00:37:54,840 --> 00:37:56,080 Speaker 1: were like, well, did you go watch him and go 677 00:37:56,200 --> 00:37:59,399 Speaker 1: what for? I said, I'm a comedian. It's like, I'm 678 00:37:59,440 --> 00:38:01,400 Speaker 1: not going to watch somebody who I don't think. I 679 00:38:01,440 --> 00:38:03,480 Speaker 1: didn't know what's doing comedy because it makes sense not I. 680 00:38:03,560 --> 00:38:06,600 Speaker 1: It was like Chris Rocker Chappelle. Yeah, because but that's 681 00:38:06,680 --> 00:38:08,560 Speaker 1: how I said it, And he took it as I 682 00:38:09,000 --> 00:38:12,960 Speaker 1: like I insulted him. I didn't open for him. We talked, 683 00:38:16,960 --> 00:38:19,359 Speaker 1: so I talked. I talked, did you did you open 684 00:38:19,440 --> 00:38:24,480 Speaker 1: for him? Pretty much? Well, you are just that internet 685 00:38:26,239 --> 00:38:29,800 Speaker 1: You opened up for a real comedian. Oh I like that, 686 00:38:31,239 --> 00:38:35,560 Speaker 1: but yeahs today. But I did have a conversation of 687 00:38:35,640 --> 00:38:40,200 Speaker 1: course that Nick cannon Um facilitated. You facilitated it. And 688 00:38:40,320 --> 00:38:41,840 Speaker 1: I told him, I said to you, I respect you 689 00:38:41,920 --> 00:38:44,160 Speaker 1: as an artist, you know that whatever whatever. I just 690 00:38:44,360 --> 00:38:46,400 Speaker 1: was talking as a comedian because I didn't know you 691 00:38:46,480 --> 00:38:48,719 Speaker 1: was saying, but we was good, that's good, whatever you like. 692 00:38:48,920 --> 00:38:50,560 Speaker 1: And he was like, well, I just thought that the 693 00:38:50,760 --> 00:38:54,719 Speaker 1: expeditiously that I need to psychologically change all this whole 694 00:38:54,920 --> 00:38:58,840 Speaker 1: situation is expected. Yet, thank you so much for that. 695 00:38:58,920 --> 00:39:01,080 Speaker 1: It's also Black History Months, and when we come back, 696 00:39:01,360 --> 00:39:03,960 Speaker 1: we want to celebrate somebody and Jasmine, you're gonna love 697 00:39:04,000 --> 00:39:06,360 Speaker 1: this because it's all about food. On way up with Angela, Ye, 698 00:39:07,160 --> 00:39:14,320 Speaker 1: it's way up. We're Angela yeety highlighting moments of cultural 699 00:39:14,400 --> 00:39:18,879 Speaker 1: influence and black excellence. On way Up with Angela yee. Hey, 700 00:39:19,120 --> 00:39:21,480 Speaker 1: it's way up with Angela yee. It's Black History Month. 701 00:39:21,520 --> 00:39:24,839 Speaker 1: But we're gonna keep this going anyway permanently. Jasmine brand 702 00:39:25,000 --> 00:39:28,520 Speaker 1: is here, God Free is here? What up? Oh? Wrong voice? 703 00:39:29,320 --> 00:39:40,759 Speaker 1: What's Black History Month? Whoa clown? Help? Okay? Well, let 704 00:39:40,800 --> 00:39:45,120 Speaker 1: me tell you who we are celebrating today. Charlie Mitchell. 705 00:39:45,719 --> 00:39:50,759 Speaker 1: Charlie Mitchell Helm's clover Hill Restaurant in Brooklyn. And he 706 00:39:51,000 --> 00:39:55,080 Speaker 1: is the first black Michelin star chef in New York City. Wow. 707 00:39:55,280 --> 00:39:58,320 Speaker 1: And he's also only the second black chef in America 708 00:39:58,480 --> 00:40:01,479 Speaker 1: to earn this acc And we're going to talk about 709 00:40:01,520 --> 00:40:03,600 Speaker 1: the first one too, by the way, Chef gerald Sombright. 710 00:40:03,680 --> 00:40:06,319 Speaker 1: But first let's give our props to Charlie Mitchell. Now 711 00:40:06,400 --> 00:40:09,640 Speaker 1: Here he is just discussing how surprised he was on 712 00:40:09,680 --> 00:40:12,160 Speaker 1: the Today Show. That was a complete surprise when I 713 00:40:12,239 --> 00:40:15,400 Speaker 1: announce at and I was just humbled. Were you aware 714 00:40:15,440 --> 00:40:18,880 Speaker 1: at the time of the historic implications? I was not. 715 00:40:19,360 --> 00:40:21,520 Speaker 1: You always think so many people have come before you. 716 00:40:21,960 --> 00:40:24,759 Speaker 1: You just assume that someone has already done this. This 717 00:40:24,840 --> 00:40:26,399 Speaker 1: doesn't cross your mind that you may be the first 718 00:40:26,480 --> 00:40:29,320 Speaker 1: or second to do really anything. And he's actually from Detroit, 719 00:40:29,400 --> 00:40:32,560 Speaker 1: by the way, Oh Detroit. Detail. Yes, he spent his 720 00:40:32,680 --> 00:40:35,080 Speaker 1: days cooking with his grandmother. He credits that for being 721 00:40:35,120 --> 00:40:38,480 Speaker 1: the inspiration for his passion for cooking and for food. 722 00:40:38,560 --> 00:40:40,399 Speaker 1: He said that she used to do this whole fry 723 00:40:40,480 --> 00:40:43,880 Speaker 1: fish like whole bass all the time that he was younger. 724 00:40:43,960 --> 00:40:48,000 Speaker 1: Oh yes, But the first black chef in America to 725 00:40:48,040 --> 00:40:50,919 Speaker 1: get that, Michelen Start is our guy, Chef gerald Son Bright. 726 00:40:51,080 --> 00:40:53,920 Speaker 1: We love him, yes, and he said he wanted to 727 00:40:53,960 --> 00:40:55,520 Speaker 1: make sure that he wouldn't be the last. He did 728 00:40:55,600 --> 00:40:58,600 Speaker 1: an interview he did like his own op ed and 729 00:40:58,719 --> 00:41:02,240 Speaker 1: Food and Wine magazine, and he opened up Knife and Spoon. 730 00:41:02,360 --> 00:41:04,719 Speaker 1: This is at the Rich Carlton and Orlando. Yes, I've 731 00:41:04,760 --> 00:41:08,680 Speaker 1: actually been there and dying there amazing food. Yes, and 732 00:41:09,239 --> 00:41:11,600 Speaker 1: so shout out to him. He was the first person 733 00:41:11,719 --> 00:41:17,799 Speaker 1: to do it, and two of them. Yeah, so now history. Yeah, 734 00:41:18,360 --> 00:41:21,160 Speaker 1: it's sad that it was still got the first. You know, 735 00:41:21,360 --> 00:41:24,319 Speaker 1: it's pretty pathetic, but I'm happy for them. But yeah, 736 00:41:24,440 --> 00:41:28,239 Speaker 1: come on, America. I'm sorry, Black America. Come on, you 737 00:41:28,320 --> 00:41:30,080 Speaker 1: can do better than that because they were just keeping 738 00:41:30,120 --> 00:41:32,800 Speaker 1: it from other people because they were being stingy and 739 00:41:33,120 --> 00:41:37,520 Speaker 1: can I say racist? Yeah, so okay, yeah absolutely, And 740 00:41:37,640 --> 00:41:40,879 Speaker 1: I can't imagine some of my favorite restaurants, you know, right, yeah, 741 00:41:41,080 --> 00:41:43,879 Speaker 1: black owned, black chef and Jasmine did a deeper dive 742 00:41:44,080 --> 00:41:47,480 Speaker 1: into Michelin Stars and how that happened. I did a 743 00:41:47,640 --> 00:41:51,040 Speaker 1: shallow dive. Here's how to get a Michelin Star. There's 744 00:41:51,120 --> 00:42:00,359 Speaker 1: five criteria for restaurant tours. Number one being white one 745 00:42:00,560 --> 00:42:04,359 Speaker 1: we already heard, but number one high quality ingredients, number two, 746 00:42:04,640 --> 00:42:09,680 Speaker 1: mastery of culinary techniques. Number three, how the chef's personality 747 00:42:10,000 --> 00:42:13,640 Speaker 1: is showcased in the food. Number four value for money. 748 00:42:13,719 --> 00:42:16,279 Speaker 1: And the last one is consistency of the food and 749 00:42:16,440 --> 00:42:18,960 Speaker 1: dining experience. Okay, so that's how you get it and 750 00:42:19,000 --> 00:42:21,400 Speaker 1: then appear. And also what a chime in on what 751 00:42:21,480 --> 00:42:26,719 Speaker 1: you think is to get that being white? Yeah, usually 752 00:42:26,719 --> 00:42:30,000 Speaker 1: because they will be like awarding themselves for mediocrity sometimes. Well, 753 00:42:30,040 --> 00:42:31,560 Speaker 1: I'm sorry enough. We need to make it to this 754 00:42:31,640 --> 00:42:33,560 Speaker 1: restaurant though, because it is in Brooklyn, where I'm from, 755 00:42:33,840 --> 00:42:36,960 Speaker 1: we have to clover Hill. It's located in Brooklyn Heights. Well, 756 00:42:36,960 --> 00:42:40,960 Speaker 1: I have a I have a food ahead. George Crumb, Well, 757 00:42:41,040 --> 00:42:44,040 Speaker 1: George Crumb was an American chef, African American chef who 758 00:42:44,120 --> 00:42:50,760 Speaker 1: invented the potato chips. Potato chips. We love chips. George Crumb, 759 00:42:51,080 --> 00:42:58,239 Speaker 1: African American chef back, oh wow, and invented the potato chip. 760 00:42:58,760 --> 00:43:02,000 Speaker 1: Can you uh give us a voice of someone that 761 00:43:02,040 --> 00:43:05,319 Speaker 1: I really care about, Harry Belafonte. I remember the time 762 00:43:05,760 --> 00:43:08,880 Speaker 1: when I first ate a potato chip. It was very amazing. 763 00:43:09,400 --> 00:43:12,680 Speaker 1: That was when I was protesting with doctor King. I 764 00:43:12,800 --> 00:43:17,200 Speaker 1: love it, Harry. Ladies and gentlemen, lady gentlemen. All right, 765 00:43:17,239 --> 00:43:20,600 Speaker 1: well that is Black History Month again. Congratulations to Charlie Mitchell, 766 00:43:20,960 --> 00:43:23,520 Speaker 1: the first black Michelin started chef in New York City, 767 00:43:23,640 --> 00:43:26,640 Speaker 1: but only the second black man in America to earn 768 00:43:26,680 --> 00:43:30,279 Speaker 1: a Michelin Star after Gerald's son Bright. So congratulations to 769 00:43:30,480 --> 00:43:34,200 Speaker 1: both of them. Now, let's also congratulate someone else who 770 00:43:34,320 --> 00:43:36,200 Speaker 1: is actually gonna be on Way Up with Angela ye 771 00:43:36,320 --> 00:43:40,000 Speaker 1: when we come back. That is Samara Joy. She is 772 00:43:40,000 --> 00:43:43,000 Speaker 1: an American jazz singer and you know, she was named 773 00:43:43,040 --> 00:43:46,120 Speaker 1: Best New Artist by Jazz Times, but she also won 774 00:43:46,440 --> 00:43:50,560 Speaker 1: two Grammys who Best New Artist, which is great. Yeah, 775 00:43:50,880 --> 00:43:53,759 Speaker 1: I mean that's amazing. And she beat out up some 776 00:43:53,960 --> 00:43:55,920 Speaker 1: good heavy hitters too for that one. Yeah, she beat 777 00:43:55,960 --> 00:43:57,879 Speaker 1: out Latto Anita. I mean a lot of people could 778 00:43:57,920 --> 00:44:02,200 Speaker 1: have who she beat out Latto? Yeah, money Long Yeah, 779 00:44:02,280 --> 00:44:04,520 Speaker 1: money Long who we love also and some others. But 780 00:44:04,760 --> 00:44:07,719 Speaker 1: she's amazing. And so she's only twenty two years old 781 00:44:07,719 --> 00:44:09,680 Speaker 1: and she's from the Bronx, the birthplace of hip hop. 782 00:44:10,000 --> 00:44:12,120 Speaker 1: So let's talk to Samara Joy. We've seen a lot 783 00:44:12,160 --> 00:44:16,680 Speaker 1: of people giving her her accolades. Regina King, Lakis, Stanfield, 784 00:44:17,000 --> 00:44:20,719 Speaker 1: Beyonce congratulated her. So let's get into it when we 785 00:44:20,800 --> 00:44:23,600 Speaker 1: come back on Way Up with Angela Yee. Yeah, let's 786 00:44:23,640 --> 00:44:26,960 Speaker 1: sin you've way up with Angela yee. Yes, it is 787 00:44:26,960 --> 00:44:30,600 Speaker 1: way up with Angela. Yee. Godfrey is here, Jasmine Brand 788 00:44:30,760 --> 00:44:33,960 Speaker 1: is here. Hello, hello you. Yeah, we have a lot 789 00:44:34,040 --> 00:44:36,279 Speaker 1: going on this morning. We do have a lot, and 790 00:44:36,360 --> 00:44:39,400 Speaker 1: I'm very honored to be here. Which voices this guy, 791 00:44:39,680 --> 00:44:45,360 Speaker 1: Harry Bellefonte. Oh, it said it better earlier than Paul Mooney. Please, 792 00:44:45,600 --> 00:44:47,719 Speaker 1: I don't want to start nothing on your show. Yeah, 793 00:44:47,800 --> 00:44:51,600 Speaker 1: let's let's cut that one. Please. You know your negroes, 794 00:44:51,680 --> 00:44:55,479 Speaker 1: I know how you act, so please, please, you better start, 795 00:44:55,600 --> 00:44:58,200 Speaker 1: not start. I want to go see Paul Mooney twice 796 00:44:58,640 --> 00:45:01,239 Speaker 1: at Caroline's. Carolin is a legendary club in New York, 797 00:45:01,280 --> 00:45:04,120 Speaker 1: but it closed down recently for New Year's Have you 798 00:45:04,200 --> 00:45:06,360 Speaker 1: ever performed at Caroline? Yeah, back in the day, but 799 00:45:06,440 --> 00:45:09,040 Speaker 1: I was more Gotham comedy club and their rivals so 800 00:45:09,239 --> 00:45:11,960 Speaker 1: oh got like a gang. How come you couldn't do both? 801 00:45:12,400 --> 00:45:15,520 Speaker 1: That's some comedy clubs of egos. They have egos like that. 802 00:45:15,680 --> 00:45:17,600 Speaker 1: But I was a Gotham person, but I did it 803 00:45:17,760 --> 00:45:20,480 Speaker 1: back in the day. I used to just lover. Used 804 00:45:20,480 --> 00:45:23,200 Speaker 1: to have comedy stuff, okay at Caroline, but I've done 805 00:45:23,239 --> 00:45:25,800 Speaker 1: Caroline's future. Yeah, Caroline used to be the spot I 806 00:45:25,960 --> 00:45:27,239 Speaker 1: used to go to all the time. I've seen a 807 00:45:27,320 --> 00:45:29,640 Speaker 1: lot of people perform now, yeah, everybody's been. I'm sad 808 00:45:29,680 --> 00:45:31,719 Speaker 1: I didn't get to go before they closed. You've never been. 809 00:45:31,840 --> 00:45:34,120 Speaker 1: I've never been to Caroline. Actually, my good friend Danielle 810 00:45:34,200 --> 00:45:39,160 Speaker 1: Rawlings after the pandemic, he opened it back up and yeah, 811 00:45:39,640 --> 00:45:42,240 Speaker 1: and if y'all have been watching Donelle on BMA, fifty 812 00:45:42,280 --> 00:45:44,960 Speaker 1: cent just posted him. He's killing it and yes, his 813 00:45:45,160 --> 00:45:47,440 Speaker 1: role on there. All I know is this last episode 814 00:45:47,520 --> 00:45:50,759 Speaker 1: was so funny because Danielle had to apologize to a dog. 815 00:45:52,400 --> 00:45:56,680 Speaker 1: Did anybody see it? Danna had to apologize to a dog. 816 00:45:58,600 --> 00:46:00,680 Speaker 1: I was like, Donna, they really gonna make him do this? 817 00:46:00,760 --> 00:46:04,600 Speaker 1: Heerio and he was like, so blucky. It does sound blacky, 818 00:46:06,760 --> 00:46:09,880 Speaker 1: but yeah, So make sure y'all watch BMF. And I 819 00:46:10,000 --> 00:46:11,880 Speaker 1: love the job that's done up and cash j'all is 820 00:46:11,920 --> 00:46:14,719 Speaker 1: on there too. I like the guest appearances. Jalen Rose 821 00:46:15,360 --> 00:46:18,600 Speaker 1: was on the last episode. Everybody watch BMF, Right, Godfrey, 822 00:46:18,640 --> 00:46:26,080 Speaker 1: I've been telling I want to get on there and be, 823 00:46:26,120 --> 00:46:28,879 Speaker 1: like I said, I want my money. On the next 824 00:46:28,960 --> 00:46:32,680 Speaker 1: episode of Black Acting Man, we gotta get out the 825 00:46:32,760 --> 00:46:35,880 Speaker 1: look man. We gotta get who we gotta get on 826 00:46:36,000 --> 00:46:40,080 Speaker 1: the next episode of Black Acting. That ain't my baby. 827 00:46:40,120 --> 00:46:43,520 Speaker 1: I ain't my baby on the next episode of Black Acting. 828 00:46:45,000 --> 00:46:47,160 Speaker 1: So you're gonna tell me you're gonna ruin the family 829 00:46:47,200 --> 00:46:50,799 Speaker 1: over this on the next episode. Okay, all right, that's enough. 830 00:46:52,239 --> 00:46:55,560 Speaker 1: Please all right, christ Well, Happy Black History Months everybody, 831 00:46:56,880 --> 00:47:00,239 Speaker 1: Yeah yo yo check it out. Lexington can tuck key. 832 00:47:01,320 --> 00:47:04,320 Speaker 1: It's called Comedy Off Broadway, March second through the fourth. 833 00:47:04,680 --> 00:47:07,920 Speaker 1: You're Lexington, Kentucky. That's University of Kentucky. I will be 834 00:47:08,040 --> 00:47:10,839 Speaker 1: at that comedy club March second through the fourth. Then 835 00:47:10,960 --> 00:47:16,640 Speaker 1: March ninth to the twelveth is Mohegan's Son. That's Roadhouse 836 00:47:16,719 --> 00:47:20,920 Speaker 1: Comedy Club mohegan Son. That's UNCA Spill, Connecticut. It's I 837 00:47:21,080 --> 00:47:23,880 Speaker 1: know it's an uncaspill. That's where it is. But everybody 838 00:47:23,920 --> 00:47:26,759 Speaker 1: knows mohegan Son. March ninth to the twelfth, you know 839 00:47:26,760 --> 00:47:29,960 Speaker 1: what I'm saying. And then March seventeenth to the nineteenth, 840 00:47:30,000 --> 00:47:37,400 Speaker 1: I'm in the lou Saint Louis Helium Comedy Club the nineteen. 841 00:47:37,440 --> 00:47:38,960 Speaker 1: Thank you guys for you. You can check all those 842 00:47:39,080 --> 00:47:42,200 Speaker 1: dates on what's your website and all you negroes better 843 00:47:42,239 --> 00:47:45,880 Speaker 1: come see me. Um, it's it's Instagram. Just go Instagram. Comedian, 844 00:47:45,920 --> 00:47:49,640 Speaker 1: God's comedian. All right, come back to Mary Joyce joining 845 00:47:49,760 --> 00:47:53,960 Speaker 1: us up? All right, it is way up with Angela. Ye, 846 00:47:54,080 --> 00:47:56,480 Speaker 1: Jasmine brand is here with me of course, yes, and 847 00:47:56,719 --> 00:47:59,000 Speaker 1: we have a real way up person with us who 848 00:47:59,040 --> 00:48:01,719 Speaker 1: we're honest it has Mary joy Thank you so much 849 00:48:01,760 --> 00:48:04,000 Speaker 1: for having me today. Well, thank you for joining us. 850 00:48:04,120 --> 00:48:07,160 Speaker 1: We actually watched the Grammys together, me and Jazz. We did. 851 00:48:08,360 --> 00:48:10,680 Speaker 1: I mean, listen, I know everybody's been telling you, and 852 00:48:10,800 --> 00:48:13,960 Speaker 1: you've been getting a lot of accolades, but congratulations, thank you. 853 00:48:14,400 --> 00:48:17,000 Speaker 1: How does it feel? It still feel surreal a couple 854 00:48:17,080 --> 00:48:22,360 Speaker 1: weeks later, Like I remember all the anticipation leading up 855 00:48:22,360 --> 00:48:23,680 Speaker 1: to it, all the best new meeting, all the best 856 00:48:23,719 --> 00:48:27,200 Speaker 1: new artists nominees meeting like Ferry Gordy and getting to 857 00:48:27,280 --> 00:48:29,480 Speaker 1: like see all the you know, Jazzmine Sullivan and Mary J. 858 00:48:29,600 --> 00:48:32,120 Speaker 1: Blige and stuff like that. So when I found out 859 00:48:32,360 --> 00:48:34,840 Speaker 1: that I won, I was just I was. It was 860 00:48:34,880 --> 00:48:36,360 Speaker 1: so I was like, Yance is like sitting right in 861 00:48:36,400 --> 00:48:38,359 Speaker 1: front of me. What am I going to say? Right? 862 00:48:38,719 --> 00:48:41,279 Speaker 1: It was like congrats, yep. She literally on her way out. 863 00:48:41,280 --> 00:48:42,880 Speaker 1: I was like, let me just hold the train of 864 00:48:42,920 --> 00:48:45,160 Speaker 1: your dress. Let me just help you on your way out, please. 865 00:48:46,040 --> 00:48:49,600 Speaker 1: But nominated for two Grammys and you won both of them. Wow. 866 00:48:50,000 --> 00:48:52,560 Speaker 1: You know what a rarity there that really ever happens? Yeah, 867 00:48:52,880 --> 00:48:55,719 Speaker 1: and and for Best New Artists, And I think, what 868 00:48:55,840 --> 00:48:58,239 Speaker 1: did they say? This is only the second time that 869 00:48:58,360 --> 00:49:00,520 Speaker 1: a jazz artist is wanted that a jazz artist has 870 00:49:00,560 --> 00:49:03,960 Speaker 1: won Espronzo Spaulding one against Justin Bieburn Drake in like 871 00:49:04,000 --> 00:49:06,319 Speaker 1: twenty eleven or something. Who would you win against this year? 872 00:49:06,560 --> 00:49:10,480 Speaker 1: I think Latto, Lato Anita, don't mean JD Beck money 873 00:49:10,520 --> 00:49:13,160 Speaker 1: long Wow. And we were all sitting in like the 874 00:49:13,239 --> 00:49:15,879 Speaker 1: same section. I was having fun with everybody, like meeting them. 875 00:49:15,960 --> 00:49:18,160 Speaker 1: And it's true what I said in the speech, like 876 00:49:18,160 --> 00:49:20,040 Speaker 1: I've been watching everybody on TV for so long, so 877 00:49:20,120 --> 00:49:22,040 Speaker 1: it like to actually, you know, be in the room. 878 00:49:22,880 --> 00:49:25,000 Speaker 1: So did you have a speech ready? Just in case? 879 00:49:25,400 --> 00:49:29,040 Speaker 1: I did? And then I totally forgot it. I had 880 00:49:29,080 --> 00:49:31,040 Speaker 1: it written on my phone, and then when they showed 881 00:49:31,040 --> 00:49:33,600 Speaker 1: all the videos for the nominees, and I had it 882 00:49:33,719 --> 00:49:35,319 Speaker 1: on my phone and then I just held my little 883 00:49:35,360 --> 00:49:37,040 Speaker 1: brother's hand. He was my date. I held his hand 884 00:49:37,080 --> 00:49:39,240 Speaker 1: and I closed my eyes when she opened an envelope, 885 00:49:39,480 --> 00:49:40,920 Speaker 1: and so when she opened it and said my name, 886 00:49:40,960 --> 00:49:43,800 Speaker 1: I opened my eyes and I was like, oh, like 887 00:49:43,880 --> 00:49:45,680 Speaker 1: it was like I forgot my phone on the table. 888 00:49:45,840 --> 00:49:48,040 Speaker 1: I just yeah, so you closed your eyes. I closed 889 00:49:48,080 --> 00:49:49,920 Speaker 1: my eyes. So you don't know ahead of time. I 890 00:49:49,960 --> 00:49:52,840 Speaker 1: always wondered that when people get they tell you you're nominated, 891 00:49:53,080 --> 00:49:55,919 Speaker 1: and then there's like a conference call that's something right, yeah, 892 00:49:58,000 --> 00:50:00,440 Speaker 1: and then because I was like okay, because sometimes you 893 00:50:00,520 --> 00:50:02,400 Speaker 1: might feel like there's more of a chance that somebody 894 00:50:02,400 --> 00:50:04,600 Speaker 1: will show up if they know that they're gonna be 895 00:50:04,760 --> 00:50:08,080 Speaker 1: rite exactly, and maybe they set up performances that way 896 00:50:08,120 --> 00:50:10,200 Speaker 1: where it's like, Okay, this person is performing right before 897 00:50:10,280 --> 00:50:12,800 Speaker 1: this award is going to be announced or something like that. 898 00:50:13,000 --> 00:50:15,400 Speaker 1: But no, I didn't know in advance. I feel like 899 00:50:15,400 --> 00:50:17,960 Speaker 1: I've definitely seen people perform and not win, though yeah, 900 00:50:18,360 --> 00:50:21,480 Speaker 1: didn't see that for sure. But I was earlier in 901 00:50:21,520 --> 00:50:23,480 Speaker 1: the premier ceremony. They let us, they let me in 902 00:50:23,560 --> 00:50:25,920 Speaker 1: my band do one song, and then the category that 903 00:50:25,960 --> 00:50:28,400 Speaker 1: I wanted first was the one that it was like, 904 00:50:28,520 --> 00:50:30,760 Speaker 1: right after I performed, they's like, okay, go off stage, 905 00:50:30,760 --> 00:50:32,880 Speaker 1: and then if you do, you can walk across the 906 00:50:32,960 --> 00:50:36,000 Speaker 1: whole stage in front of everybody, right and accept the award, 907 00:50:36,040 --> 00:50:37,919 Speaker 1: and that's what happened. And then you got Best Vocal 908 00:50:38,000 --> 00:50:41,640 Speaker 1: Jazz Album also and you from the birthplace of hip hop, yes, 909 00:50:42,200 --> 00:50:45,840 Speaker 1: and seeing the tribute in person, like I was freaking 910 00:50:45,840 --> 00:50:47,840 Speaker 1: out with everybody else when method Man came on stage, 911 00:50:47,920 --> 00:50:50,680 Speaker 1: and like when Buster rhymes and like, oh cool, Jay, 912 00:50:51,280 --> 00:50:52,800 Speaker 1: I was like, I can't believe I'm here. Me and 913 00:50:52,880 --> 00:50:55,279 Speaker 1: my brother were tripping the whole time. Yeah, because you 914 00:50:55,360 --> 00:50:57,759 Speaker 1: are from the Bronx ye looking down all right. So 915 00:50:58,239 --> 00:51:01,680 Speaker 1: your musical family background, I find that really fascinating. So 916 00:51:02,520 --> 00:51:04,600 Speaker 1: tell us about like everybody in your family, because it 917 00:51:04,680 --> 00:51:08,200 Speaker 1: feels like your dad, your grandparents, everybody, Oh yeah, somehow 918 00:51:08,239 --> 00:51:10,480 Speaker 1: involved in music. So break it down. Oh yeah. So 919 00:51:11,120 --> 00:51:14,160 Speaker 1: my grandparents had a choir in Philadelphia called the Save Vets. 920 00:51:14,280 --> 00:51:16,640 Speaker 1: It started because of my grandmother and it went on 921 00:51:16,880 --> 00:51:19,759 Speaker 1: for sixty years something like that at this Baptist church 922 00:51:19,800 --> 00:51:22,200 Speaker 1: and fit in West Philly and where my grandfather still lives. 923 00:51:22,239 --> 00:51:26,080 Speaker 1: He's ninety two years old. Um, yes, and he still 924 00:51:26,160 --> 00:51:27,600 Speaker 1: He called me the other day he was like, you 925 00:51:27,719 --> 00:51:29,759 Speaker 1: had to say vets up on the Jennifer Hudson Show. 926 00:51:29,960 --> 00:51:33,200 Speaker 1: You know, because I talked about him and everything. Yes, 927 00:51:33,480 --> 00:51:35,360 Speaker 1: I can't. I'm so glad to be able to like 928 00:51:35,640 --> 00:51:38,439 Speaker 1: honor him like while he's here and you know, having 929 00:51:38,480 --> 00:51:40,720 Speaker 1: to be proud and everything. But he and my grandmother 930 00:51:40,840 --> 00:51:43,719 Speaker 1: had was it, five kids, and they're all singers, you know, 931 00:51:43,840 --> 00:51:46,360 Speaker 1: my aunts and uncles and my dad and play instruments 932 00:51:46,400 --> 00:51:49,040 Speaker 1: in church and grew up singing. My dad as an 933 00:51:49,080 --> 00:51:51,200 Speaker 1: electric bass player and a singer. My mom doesn't sing, 934 00:51:51,280 --> 00:51:54,719 Speaker 1: but she loves Luther andros okay, dance music and stuff 935 00:51:54,760 --> 00:51:58,920 Speaker 1: like that. We help her. We help her because like, yeah, 936 00:52:00,080 --> 00:52:01,840 Speaker 1: she'll be like she'll say something and it should be 937 00:52:01,920 --> 00:52:06,440 Speaker 1: like how is it? You know? But she is a 938 00:52:06,560 --> 00:52:10,359 Speaker 1: wonderful woman, okay. And she has supported as well as 939 00:52:10,400 --> 00:52:14,200 Speaker 1: my dad, you know, every musical theater venture, every choral concert, 940 00:52:14,360 --> 00:52:16,360 Speaker 1: every every day, and she's there. And then you did 941 00:52:16,440 --> 00:52:19,680 Speaker 1: it start really doing jazz until high school? Right, yep? 942 00:52:19,800 --> 00:52:21,560 Speaker 1: Towards the end of high school. Yeah, I was in 943 00:52:21,719 --> 00:52:23,719 Speaker 1: like kind of an elective and would only do like 944 00:52:23,840 --> 00:52:26,359 Speaker 1: school concerts from here and there. But it turned out 945 00:52:26,400 --> 00:52:28,360 Speaker 1: that the songs that I learned in high school, I 946 00:52:28,560 --> 00:52:31,200 Speaker 1: used to audition for Sunny Purchase, where I went to 947 00:52:31,280 --> 00:52:34,160 Speaker 1: college and he will ask me, like, you know, why 948 00:52:34,200 --> 00:52:36,040 Speaker 1: didn't you go to like one of the bigger schools, 949 00:52:36,120 --> 00:52:38,600 Speaker 1: like a bigger music school is well known, like Berkeley 950 00:52:38,680 --> 00:52:40,400 Speaker 1: or like Juilliard. And it's like, I just did not 951 00:52:40,600 --> 00:52:42,880 Speaker 1: have the money at the time, as most people do. 952 00:52:43,000 --> 00:52:45,359 Speaker 1: But state schools even maybe they get a bad rap, 953 00:52:45,440 --> 00:52:47,359 Speaker 1: but it was really helpful to not have to pay 954 00:52:47,480 --> 00:52:50,759 Speaker 1: like out of state tuition and like have financial aid 955 00:52:50,800 --> 00:52:52,480 Speaker 1: available and stuff like that. And it turned out to 956 00:52:52,480 --> 00:52:54,480 Speaker 1: be a great program for me. So I saw you 957 00:52:54,560 --> 00:52:57,919 Speaker 1: and your dad also do music together as well. Oh man, 958 00:52:58,719 --> 00:53:01,840 Speaker 1: he's the best. And I find myself now still like singing, 959 00:53:02,239 --> 00:53:04,400 Speaker 1: and um, I'll be like, yeah, that's something my dad 960 00:53:04,440 --> 00:53:06,919 Speaker 1: went to, you know, just because it's in my ear, 961 00:53:07,040 --> 00:53:08,640 Speaker 1: you know, all the all the songs that he would 962 00:53:08,719 --> 00:53:10,520 Speaker 1: he has a studio at home. Um, and so we 963 00:53:10,560 --> 00:53:12,600 Speaker 1: would listen to him, you know, right, and we would 964 00:53:12,600 --> 00:53:14,920 Speaker 1: listen to him collaborate with other other singers and artists 965 00:53:14,920 --> 00:53:17,040 Speaker 1: and things like that, and so it's always fun. I'm 966 00:53:17,040 --> 00:53:19,040 Speaker 1: like that, you gotta get on TikTok. Okay, all everybody 967 00:53:19,120 --> 00:53:22,239 Speaker 1: loves you. Okay, you on TikTok. They love you on 968 00:53:22,400 --> 00:53:25,160 Speaker 1: TikTok I'm like, we gotta get his page up and running. 969 00:53:25,200 --> 00:53:28,240 Speaker 1: It's in the process, y'all gotta do things together on TikTok. 970 00:53:28,280 --> 00:53:30,520 Speaker 1: I think that a really jumps out it. Yeah, for sure. 971 00:53:30,719 --> 00:53:32,920 Speaker 1: It's way up with Angela Ye, Samara Joy. It's with 972 00:53:33,040 --> 00:53:34,520 Speaker 1: us and we'll be back with some more with this 973 00:53:34,680 --> 00:53:37,960 Speaker 1: Grammy Award winning jazz musician on Way Up with Angela Ye. 974 00:53:38,560 --> 00:53:40,880 Speaker 1: It's way up with Angela Yee and we are talking 975 00:53:40,960 --> 00:53:44,440 Speaker 1: to Samara Joy from the Bronze Jazz singer, two time 976 00:53:44,520 --> 00:53:47,680 Speaker 1: Grammy Award winner. And I also was wondering because sometimes 977 00:53:47,800 --> 00:53:50,279 Speaker 1: when you have family that's been in the business, and 978 00:53:50,960 --> 00:53:53,560 Speaker 1: we know that the music business can be shady. So 979 00:53:53,880 --> 00:53:56,560 Speaker 1: was your father concerned or your family were they concerned 980 00:53:56,560 --> 00:53:58,200 Speaker 1: about that when it came to you or did they 981 00:53:58,239 --> 00:53:59,960 Speaker 1: feel like we have more of a grass But they 982 00:54:00,000 --> 00:54:02,920 Speaker 1: because we've been through it, they were always supportive of me. 983 00:54:03,080 --> 00:54:06,040 Speaker 1: Like you know, going into singing, I think that the 984 00:54:06,160 --> 00:54:08,560 Speaker 1: music industry is definitely something else that you sign up for. 985 00:54:09,200 --> 00:54:11,680 Speaker 1: It's like I went into it with like I just 986 00:54:11,800 --> 00:54:13,320 Speaker 1: want to sing, I want to share what I have, 987 00:54:13,760 --> 00:54:16,000 Speaker 1: But now I think they're probably more protective than anything 988 00:54:16,080 --> 00:54:18,200 Speaker 1: of Like you know, me touring and being in the 989 00:54:18,280 --> 00:54:20,960 Speaker 1: business and having a lot of voices in my ear 990 00:54:21,080 --> 00:54:22,800 Speaker 1: trying to tell me what to do or you know, 991 00:54:23,239 --> 00:54:25,160 Speaker 1: what path to take with strategy and everything like that, 992 00:54:25,320 --> 00:54:29,279 Speaker 1: just reminding me my dad sends me like long, really long. 993 00:54:30,200 --> 00:54:31,560 Speaker 1: Is just trying to you know, being like, you are 994 00:54:31,560 --> 00:54:33,759 Speaker 1: an artist second, you're a person first, and you have 995 00:54:33,840 --> 00:54:36,399 Speaker 1: to take care of you have to, you know, make 996 00:54:36,480 --> 00:54:38,960 Speaker 1: sure you know that all these decisions that you have 997 00:54:39,040 --> 00:54:40,160 Speaker 1: to make, you have to make sure that you have 998 00:54:40,280 --> 00:54:42,879 Speaker 1: wisdom and discernment when dealing with people. All that kind 999 00:54:42,880 --> 00:54:45,440 Speaker 1: of thing. That's good life advice. Yeah, I got I 1000 00:54:45,480 --> 00:54:49,120 Speaker 1: got them all saved. That would be great, like as 1001 00:54:49,640 --> 00:54:51,600 Speaker 1: something that you can do, like you could do something 1002 00:54:51,680 --> 00:54:53,719 Speaker 1: with that at some point. Yeah, put together like a 1003 00:54:53,760 --> 00:54:57,799 Speaker 1: book from my dad advice something only like Tabitha Brown 1004 00:54:57,920 --> 00:55:00,759 Speaker 1: like video. She's like one of my favorite I can't 1005 00:55:00,760 --> 00:55:03,399 Speaker 1: wait to meet her. Oh, she can't wait to meet 1006 00:55:03,400 --> 00:55:07,560 Speaker 1: you too. So after winning the Grammys, because you know, 1007 00:55:07,640 --> 00:55:10,120 Speaker 1: sometimes people will act like, oh, Grammys and accolades and 1008 00:55:10,200 --> 00:55:13,000 Speaker 1: things like that don't matter, but I think it does, right, So, 1009 00:55:13,160 --> 00:55:16,520 Speaker 1: what difference have you seen just in your path since then? 1010 00:55:16,560 --> 00:55:18,640 Speaker 1: Because it hasn't been that long ago, but it's been 1011 00:55:18,719 --> 00:55:21,040 Speaker 1: like I think, I mean, I think sitting here with 1012 00:55:21,120 --> 00:55:24,040 Speaker 1: you is definitely it's a pretty major step, you know, 1013 00:55:24,200 --> 00:55:26,280 Speaker 1: Like I don't know, I just you know, I listened 1014 00:55:26,280 --> 00:55:30,480 Speaker 1: to you all the time. I know, I was excited 1015 00:55:30,520 --> 00:55:33,360 Speaker 1: about that because the vinyl show, the vinyl is beautiful. 1016 00:55:33,400 --> 00:55:34,879 Speaker 1: We got to show this. It goes at the whole 1017 00:55:34,920 --> 00:55:37,520 Speaker 1: theme of the show too, so you know, kind of 1018 00:55:37,600 --> 00:55:40,799 Speaker 1: vibe she's given me on that cover. Diana Roth sparts, Oh, 1019 00:55:41,000 --> 00:55:48,560 Speaker 1: that is the hair and everything. My gosh, yeah that's nice. Yeah, no, 1020 00:55:48,760 --> 00:55:50,800 Speaker 1: but all of this, I mean, I just never the 1021 00:55:50,960 --> 00:55:55,800 Speaker 1: Grammys and fame in general always seemed so far and 1022 00:55:55,920 --> 00:55:59,239 Speaker 1: so distant, So to be in that world now, it's 1023 00:55:59,280 --> 00:56:01,000 Speaker 1: just kind of like how far did you think you 1024 00:56:01,000 --> 00:56:02,759 Speaker 1: would get? You know how people when you have a 1025 00:56:02,840 --> 00:56:05,920 Speaker 1: dream or you pursue something, their ultimate goals maybe to 1026 00:56:06,600 --> 00:56:08,960 Speaker 1: tour one day. How far did you think you would 1027 00:56:09,000 --> 00:56:10,719 Speaker 1: get in this journey? And obviously you're not done. So 1028 00:56:11,800 --> 00:56:14,440 Speaker 1: I mean when I started, when I started at Sony Purchase, 1029 00:56:14,520 --> 00:56:16,880 Speaker 1: I wasn't imagining all of this. When I graduated like 1030 00:56:16,960 --> 00:56:19,759 Speaker 1: two years later, so I mean, I just I wanted 1031 00:56:19,800 --> 00:56:21,920 Speaker 1: I knew I wanted to learn. Like going into it, 1032 00:56:22,040 --> 00:56:23,719 Speaker 1: I was like, this is a journey. It's going to 1033 00:56:23,760 --> 00:56:26,759 Speaker 1: be special because I know that I'm immersing myself into 1034 00:56:26,840 --> 00:56:29,000 Speaker 1: music that I didn't have the sound of in my 1035 00:56:29,120 --> 00:56:32,040 Speaker 1: ear yet. You know. But the beauty I guess of 1036 00:56:32,800 --> 00:56:36,560 Speaker 1: being true to what you love and true to your 1037 00:56:36,640 --> 00:56:39,200 Speaker 1: path and not trying to copy your following anybody else's 1038 00:56:39,320 --> 00:56:42,160 Speaker 1: is that it just everything falls into place. Well, I 1039 00:56:42,239 --> 00:56:43,680 Speaker 1: just wanted to say I'm glad that you had a 1040 00:56:43,760 --> 00:56:45,719 Speaker 1: chance to stop by here. I know that we'll see 1041 00:56:45,760 --> 00:56:48,160 Speaker 1: you again. Oh yes, I hope. So. Oh you know 1042 00:56:48,239 --> 00:56:51,080 Speaker 1: what I wanted to ask you to about Robert Glassber. 1043 00:56:51,200 --> 00:56:53,360 Speaker 1: Oh yeah, so we saw what happened with Chris Brown 1044 00:56:53,520 --> 00:56:56,399 Speaker 1: and how Robert Glassber actually managed to switch that around 1045 00:56:56,400 --> 00:56:58,839 Speaker 1: and make it a positive thing. Chris Brown did apologize, 1046 00:56:59,239 --> 00:57:00,920 Speaker 1: you know after where, But what were your thoughts when 1047 00:57:00,960 --> 00:57:04,040 Speaker 1: you first saw that. Well, I saw Robert literally right 1048 00:57:04,080 --> 00:57:08,400 Speaker 1: after he won, because I was still backstage crying, and 1049 00:57:08,520 --> 00:57:12,080 Speaker 1: so he was like, hey, congratulations. I was like congratulation. 1050 00:57:13,200 --> 00:57:16,440 Speaker 1: I was man, I was down, well I was up, 1051 00:57:16,480 --> 00:57:18,440 Speaker 1: but I was just like I just all the emotions 1052 00:57:18,520 --> 00:57:21,120 Speaker 1: hit me. But who the F is Robert Glashberg? I 1053 00:57:21,160 --> 00:57:22,960 Speaker 1: saw that post like I don't know, like like a 1054 00:57:23,040 --> 00:57:24,840 Speaker 1: month ago or something like that, and then Cliss Brown 1055 00:57:24,880 --> 00:57:27,960 Speaker 1: posted and that whole thing happened. But um, I think 1056 00:57:28,000 --> 00:57:30,000 Speaker 1: everybody's cool now. I had the chance to talk to 1057 00:57:30,160 --> 00:57:32,360 Speaker 1: him to Robert a couple of days ago as a 1058 00:57:32,400 --> 00:57:35,280 Speaker 1: part of another interview. Everything's cool. It's all about all 1059 00:57:35,280 --> 00:57:37,440 Speaker 1: about the music, all about going forward and what is 1060 00:57:37,440 --> 00:57:39,320 Speaker 1: the next thing? How can we get better? And who 1061 00:57:39,360 --> 00:57:41,560 Speaker 1: are some people you could see yourself working with, maybe 1062 00:57:41,600 --> 00:57:47,920 Speaker 1: in a different genre. Mm, well, I love Kenjicklamar. I 1063 00:57:48,000 --> 00:57:50,720 Speaker 1: think he loves you too. Oh gosh, let's see. But 1064 00:57:52,200 --> 00:57:56,440 Speaker 1: I mean Kenji Gamar probably, um, probably like Jill Scott 1065 00:57:56,600 --> 00:58:01,000 Speaker 1: or like Anita Baker'll see. I can see all of 1066 00:58:01,040 --> 00:58:04,720 Speaker 1: that happening. So you're just getting started, like Jasmine was 1067 00:58:04,760 --> 00:58:06,680 Speaker 1: saying earlier. So we're just so happy that you took 1068 00:58:06,720 --> 00:58:08,640 Speaker 1: some time to come see us. Yes, thank you for 1069 00:58:08,800 --> 00:58:10,840 Speaker 1: having me here. This is a pleasure call. You got 1070 00:58:10,920 --> 00:58:15,440 Speaker 1: us gifts too, Yes, Oh my god, Samara Joy, thank 1071 00:58:15,480 --> 00:58:18,480 Speaker 1: you so much. Congratulations again, two time nominated and two 1072 00:58:18,560 --> 00:58:22,920 Speaker 1: time Grammy winner two for two babies. Yeah, thank you 1073 00:58:23,000 --> 00:58:25,400 Speaker 1: so much for your time. Thank you. How much do 1074 00:58:25,480 --> 00:58:27,960 Speaker 1: we love her. That's Samara Joy. And when we come back, 1075 00:58:28,000 --> 00:58:30,280 Speaker 1: we have asked ye one eight hundred two nine two 1076 00:58:30,400 --> 00:58:33,040 Speaker 1: fifty one fifty any question you have. We are here 1077 00:58:33,080 --> 00:58:35,560 Speaker 1: to help call us up. It's way up with Angela. Ye, 1078 00:58:35,680 --> 00:58:37,840 Speaker 1: it's time for ask Ye. That's when you get to 1079 00:58:37,920 --> 00:58:42,600 Speaker 1: call in and ask any question about relationships, about work, friendships, whatever. 1080 00:58:42,680 --> 00:58:45,840 Speaker 1: It is. Eight hundred two nine two fifty one fifty. Hey, Chelsey, 1081 00:58:46,160 --> 00:58:49,360 Speaker 1: I love you, Ajulie. Congrats on your new show. Thank you, Chelsee. 1082 00:58:49,920 --> 00:58:52,800 Speaker 1: I need advice because I've been dating a guy now 1083 00:58:52,880 --> 00:58:56,520 Speaker 1: for three months. It's long distance. He is coming into 1084 00:58:56,600 --> 00:59:00,280 Speaker 1: town this weekend. I'm so excited. Hey, do you go 1085 00:59:00,320 --> 00:59:02,640 Speaker 1: to church every Sunday? And he asked if he could 1086 00:59:02,680 --> 00:59:04,600 Speaker 1: come to church with me, but he hadn't even asked 1087 00:59:04,640 --> 00:59:07,240 Speaker 1: me to see his girlfriend yet. Well, it is only 1088 00:59:07,360 --> 00:59:10,280 Speaker 1: three months, and so maybe he's going to ask you soon, 1089 00:59:10,880 --> 00:59:12,920 Speaker 1: I know. But it's just like, I don't know if 1090 00:59:12,920 --> 00:59:14,720 Speaker 1: I should be taking him a church with me if 1091 00:59:14,800 --> 00:59:16,960 Speaker 1: he hasn't even asked his girlfriend. I'm kind of intimate. 1092 00:59:17,160 --> 00:59:20,640 Speaker 1: It looks let God decide that isn't church supposed to 1093 00:59:20,680 --> 00:59:22,720 Speaker 1: be a great space for everyone, though you have to 1094 00:59:22,760 --> 00:59:24,560 Speaker 1: be in a relationship with somebody for you guys to 1095 00:59:24,600 --> 00:59:27,520 Speaker 1: go to church, right, I mean, I know, but I'm 1096 00:59:27,520 --> 00:59:30,000 Speaker 1: still developing, like my relationship with God, and I'm like, 1097 00:59:30,040 --> 00:59:31,600 Speaker 1: how am I going to bring a whole god up 1098 00:59:31,680 --> 00:59:34,080 Speaker 1: not even official yet into that as well. It's just 1099 00:59:34,200 --> 00:59:36,720 Speaker 1: I feel kind of overwhelm. You don't have faith, that's 1100 00:59:36,760 --> 00:59:39,360 Speaker 1: your problem, you know. I think I think church is personal, 1101 00:59:39,440 --> 00:59:41,960 Speaker 1: so I understand what to you want someone that you're 1102 00:59:42,000 --> 00:59:44,000 Speaker 1: with to be in that space with you. But I 1103 00:59:44,200 --> 00:59:46,360 Speaker 1: agree with Angela, it's like three months, three months or 1104 00:59:46,400 --> 00:59:48,800 Speaker 1: kind of early. Right, it's pretty early, especially long distance, 1105 00:59:49,120 --> 00:59:51,520 Speaker 1: not real three months. It's just because you're not with 1106 00:59:51,640 --> 00:59:53,439 Speaker 1: each other all the time. Yeah, and you you really 1107 00:59:53,480 --> 00:59:55,400 Speaker 1: like him. Clearly he really likes you. He's coming to 1108 00:59:55,440 --> 00:59:57,280 Speaker 1: see you, and he wants to go with you to church, 1109 00:59:57,360 --> 00:59:59,959 Speaker 1: which I think is a good sign. If I wasn't label, 1110 01:00:00,080 --> 01:00:02,400 Speaker 1: if I wasn't feeling you like that, would I be like, Hey, 1111 01:00:02,440 --> 01:00:04,600 Speaker 1: can I come to church with you? I think that's dope. 1112 01:00:04,840 --> 01:00:07,520 Speaker 1: I think so too, But I think it's just the 1113 01:00:07,600 --> 01:00:10,400 Speaker 1: uncertainty of a time, not having the label that kind 1114 01:00:10,440 --> 01:00:13,240 Speaker 1: of makes me a little weary about it. What have 1115 01:00:13,360 --> 01:00:17,320 Speaker 1: you told them? Hey, what's up with us? Are we official? Look? 1116 01:00:17,320 --> 01:00:19,200 Speaker 1: Because I want to be pushing either. I don't want 1117 01:00:19,200 --> 01:00:20,840 Speaker 1: to like s listen that after me, I feels in 1118 01:00:20,920 --> 01:00:23,600 Speaker 1: genuine You can't have it both ways though. Sometimes people 1119 01:00:23,720 --> 01:00:26,640 Speaker 1: just feel like we just fell into a relationship and 1120 01:00:26,720 --> 01:00:29,800 Speaker 1: it doesn't what do they say? What's what's understood doesn't 1121 01:00:29,800 --> 01:00:31,880 Speaker 1: need to be said explained. Some people feel like that, 1122 01:00:32,480 --> 01:00:34,920 Speaker 1: and so he might be thinking, this is what it is, 1123 01:00:35,000 --> 01:00:37,400 Speaker 1: and we you know, we don't even need to discuss it. 1124 01:00:37,720 --> 01:00:39,600 Speaker 1: But if you don't say something, how would he know? 1125 01:00:40,160 --> 01:00:42,320 Speaker 1: So then you think I should ask him like yo 1126 01:00:42,440 --> 01:00:46,280 Speaker 1: or you my boyfriend? Lord, I just want things to 1127 01:00:46,440 --> 01:00:49,479 Speaker 1: just fall in place, especially when I meet somebody. Lord, 1128 01:00:50,200 --> 01:00:52,560 Speaker 1: I do feel like that. It's important that we um, 1129 01:00:53,120 --> 01:00:56,400 Speaker 1: we are comfortable and we appreciate all the phases of relationships, 1130 01:00:56,440 --> 01:00:59,080 Speaker 1: so the beginning phases, you know, when we put a 1131 01:00:59,160 --> 01:01:01,200 Speaker 1: label on things. I think we should. We want to 1132 01:01:01,280 --> 01:01:04,080 Speaker 1: rush a lot, you know, so enjoy the I think 1133 01:01:04,080 --> 01:01:06,200 Speaker 1: you should enjoy all the faces because you won't get this. 1134 01:01:07,800 --> 01:01:09,600 Speaker 1: But he is coming to see you, and it is 1135 01:01:10,000 --> 01:01:12,200 Speaker 1: a good time to have a face to face conversation 1136 01:01:12,360 --> 01:01:15,080 Speaker 1: because you also want to know what his intentions. Are. 1137 01:01:15,400 --> 01:01:16,600 Speaker 1: What if he's like, I don't want to be in 1138 01:01:16,680 --> 01:01:20,760 Speaker 1: a relationship and he tells you that you know now, yeah, 1139 01:01:20,880 --> 01:01:22,640 Speaker 1: and so you need to kind of know where it is, 1140 01:01:22,680 --> 01:01:25,080 Speaker 1: and you deserve that, And there's nothing wrong with asking 1141 01:01:25,080 --> 01:01:27,959 Speaker 1: a question. You're not giving an ultimatum. You're just having 1142 01:01:28,000 --> 01:01:31,160 Speaker 1: a conversation about the status of your relationship. Or maybe 1143 01:01:31,200 --> 01:01:33,640 Speaker 1: he'll be like, you know what, we're working towards that, 1144 01:01:34,560 --> 01:01:37,320 Speaker 1: or maybe he'll say, no, I do look at you 1145 01:01:37,520 --> 01:01:41,160 Speaker 1: as I'm not seeing anybody else, because sometimes one person 1146 01:01:41,240 --> 01:01:43,440 Speaker 1: might think you are and one person might think not 1147 01:01:43,800 --> 01:01:45,280 Speaker 1: know what kind of church is it? What kind of 1148 01:01:45,360 --> 01:01:50,720 Speaker 1: denomination is nondenominational? Does that matter? Yes, Okay, I'm Catholic. 1149 01:01:50,760 --> 01:01:54,120 Speaker 1: We're Catholic? Okay, all right? He really likes you because 1150 01:01:54,120 --> 01:02:02,760 Speaker 1: I've been to Catholic on the f and you know 1151 01:02:02,840 --> 01:02:06,360 Speaker 1: where I mean. I think that so far, it seems 1152 01:02:06,400 --> 01:02:08,160 Speaker 1: like he's showing all the signs that he looks at 1153 01:02:08,240 --> 01:02:10,800 Speaker 1: you as somebody that he could see himself with. But 1154 01:02:10,880 --> 01:02:13,800 Speaker 1: you'll never know until you ask what is his intentions 1155 01:02:14,240 --> 01:02:16,600 Speaker 1: where just you know, even just those questions about do 1156 01:02:16,720 --> 01:02:18,520 Speaker 1: you want to get married one day? Do you want 1157 01:02:18,520 --> 01:02:21,160 Speaker 1: to do this? Nothing wrong with having that conversation. They 1158 01:02:21,160 --> 01:02:24,840 Speaker 1: shouldn't scare him. Okay, Angela, that helps so much. Thank 1159 01:02:24,880 --> 01:02:27,600 Speaker 1: you guys too, and help so much. Was God for 1160 01:02:27,760 --> 01:02:38,160 Speaker 1: helping hung up on her well, Chelsea, thank you so 1161 01:02:38,320 --> 01:02:40,640 Speaker 1: much for joining us on ask ye and when we 1162 01:02:40,720 --> 01:02:42,960 Speaker 1: come back last words, that's when you guys have the 1163 01:02:43,040 --> 01:02:45,840 Speaker 1: final say on everything that happened on the show today. 1164 01:02:45,880 --> 01:02:47,520 Speaker 1: We always want to hear from you. Eight hundred two 1165 01:02:47,600 --> 01:02:50,400 Speaker 1: ninety one fifty. That number, by the way, it's always 1166 01:02:50,440 --> 01:03:07,920 Speaker 1: open and available. Up with Angela, ye, tap and get 1167 01:03:08,000 --> 01:03:11,439 Speaker 1: your voice heard? What the word bits the last word 1168 01:03:11,640 --> 01:03:17,800 Speaker 1: on Way Up with Angela yee? Hey, can you hear me? 1169 01:03:17,920 --> 01:03:21,520 Speaker 1: I couldn't hear myself. My headphones aren't plugged in for 1170 01:03:21,640 --> 01:03:25,320 Speaker 1: some reason. Sorry, guys, that's my father, you guys, it's Angela. Ye. 1171 01:03:25,360 --> 01:03:29,240 Speaker 1: It's Way Up with Angela. Ye. Daffrey's here, Jasmine. I 1172 01:03:29,280 --> 01:03:32,960 Speaker 1: thought I was waiting. Yeah, we were turned the volume 1173 01:03:33,000 --> 01:03:36,400 Speaker 1: way up. Okay, here we go. My headphones got unplugged, 1174 01:03:36,400 --> 01:03:38,880 Speaker 1: so I thought it was just dead air for now. Yeah, 1175 01:03:38,920 --> 01:03:42,680 Speaker 1: no Daddy Year or air air air. But anyway, I 1176 01:03:42,760 --> 01:03:44,680 Speaker 1: want to thank you guys for joining her. Way Up 1177 01:03:44,720 --> 01:03:47,880 Speaker 1: with Angela Yee, today, I'm getting ready for the weekend. 1178 01:03:47,920 --> 01:03:49,720 Speaker 1: By the way, I'm excited about this. I'm doing an 1179 01:03:49,760 --> 01:03:53,800 Speaker 1: event with Shopify and I actually used Shopify services like 1180 01:03:53,960 --> 01:03:57,160 Speaker 1: when it comes to my store and Detroit private label okay, 1181 01:03:57,360 --> 01:04:00,200 Speaker 1: and at my coffee shop, coffee uplifts people. And so 1182 01:04:00,280 --> 01:04:02,360 Speaker 1: I'm excited to be working with them. But it is 1183 01:04:02,440 --> 01:04:07,200 Speaker 1: a build Black Shopify event. It's a three day event 1184 01:04:07,400 --> 01:04:09,840 Speaker 1: to celebrate Black History Month. And there's a reception in 1185 01:04:09,880 --> 01:04:12,160 Speaker 1: a marketplace and I'm gonna be like the keynote speaker. 1186 01:04:12,720 --> 01:04:16,320 Speaker 1: You know, you don't play by one everywhere, you know 1187 01:04:16,360 --> 01:04:22,479 Speaker 1: what I'm saying, a little conversation Grand marshaw here, maw there, 1188 01:04:23,440 --> 01:04:28,640 Speaker 1: guys stop. And the other thing that I'm doing this weekend, 1189 01:04:28,720 --> 01:04:31,880 Speaker 1: which y'all are gonna love. Daily Paper. So Daily Paper 1190 01:04:32,000 --> 01:04:35,640 Speaker 1: is a clothing line. You know this brand. No, it's amazing. 1191 01:04:35,800 --> 01:04:38,280 Speaker 1: But it's three guys from Amsterdam who started it. But 1192 01:04:38,360 --> 01:04:42,240 Speaker 1: they all have roots in different parts of Africa. They 1193 01:04:42,320 --> 01:04:44,840 Speaker 1: might be from sam it's all three different like three 1194 01:04:44,840 --> 01:04:48,200 Speaker 1: different places. Yes, and so they have a store um 1195 01:04:48,280 --> 01:04:50,440 Speaker 1: in New York also, but the store I think they 1196 01:04:50,520 --> 01:04:53,200 Speaker 1: started it in Amsterdam. There's one I believe in London. 1197 01:04:53,600 --> 01:04:56,560 Speaker 1: But anyway, they just did a collaboration with Dreamville. That's 1198 01:04:56,640 --> 01:05:00,160 Speaker 1: Jay Cole's um, that's Jay Cole's label. Okay, And so 1199 01:05:00,320 --> 01:05:03,400 Speaker 1: the Daily Paper Dreamville collab is dropping this weekend and 1200 01:05:03,520 --> 01:05:05,920 Speaker 1: my coffee company, Coffee Uplifts People, is going to be 1201 01:05:06,040 --> 01:05:10,280 Speaker 1: providing the coffee at the shop all weekend, Heights Shop. Yeah, 1202 01:05:10,320 --> 01:05:17,880 Speaker 1: so you're gonna be he would not be tired. But 1203 01:05:17,960 --> 01:05:19,680 Speaker 1: I wear Daily Paper all the time. I love it. 1204 01:05:19,720 --> 01:05:22,640 Speaker 1: I think it's a great brand. That's how everything really started. 1205 01:05:22,680 --> 01:05:24,320 Speaker 1: And then they're like, oh, you always show us love, 1206 01:05:24,720 --> 01:05:26,520 Speaker 1: and so we just really kind of went from there. 1207 01:05:27,240 --> 01:05:29,840 Speaker 1: Two things, can you please get me something from Daily Paper? 1208 01:05:30,640 --> 01:05:32,440 Speaker 1: And the second thing do you hear this music in 1209 01:05:32,520 --> 01:05:38,040 Speaker 1: the background? Oh yes, naa. So this is a song 1210 01:05:38,360 --> 01:05:41,720 Speaker 1: from Jack Nasty. He's from Turks and Caicos. Okay. This 1211 01:05:41,800 --> 01:05:43,880 Speaker 1: song is called Closer. But we love this song and 1212 01:05:44,000 --> 01:05:46,400 Speaker 1: we love him. Yeah, he's really fun and he's a 1213 01:05:46,600 --> 01:05:48,280 Speaker 1: he's an artist. I guess he's like a sofa artist. 1214 01:05:48,800 --> 01:05:55,800 Speaker 1: It's called closer. Oh, but it's like a nice good vibes, 1215 01:05:55,880 --> 01:05:59,360 Speaker 1: good feeling in front of an ocean. And one day 1216 01:05:59,360 --> 01:06:02,120 Speaker 1: we're gonna play this whole song one day. I don't 1217 01:06:02,120 --> 01:06:06,160 Speaker 1: know about that one though, And he shout out to 1218 01:06:06,280 --> 01:06:08,640 Speaker 1: Jack Nasty called me the other day because he believes 1219 01:06:09,400 --> 01:06:11,440 Speaker 1: everyone embarrass him like this, go ahead, just tell, just 1220 01:06:11,520 --> 01:06:16,840 Speaker 1: tell the story. He thought that Fat Joe called him 1221 01:06:17,480 --> 01:06:20,440 Speaker 1: and tell him that he liked his music and wanted 1222 01:06:20,520 --> 01:06:26,280 Speaker 1: to yesterday's prices or not today's prices. He thought that 1223 01:06:26,320 --> 01:06:30,280 Speaker 1: he was supposed to give this fatal scam character. Yeah, 1224 01:06:31,680 --> 01:06:33,320 Speaker 1: he did, like, Hey, I just need some money. We're 1225 01:06:33,360 --> 01:06:36,680 Speaker 1: gonna get your song everywhere. It's like, yo, I heard 1226 01:06:36,800 --> 01:06:41,160 Speaker 1: the song man, and let me tell you that was dope. Man. 1227 01:06:42,800 --> 01:06:44,880 Speaker 1: I can't wait to get in the poop with you. 1228 01:06:45,200 --> 01:06:47,120 Speaker 1: But I just wanted to shout out to everybody out there. 1229 01:06:47,200 --> 01:06:49,200 Speaker 1: Please enough out for any of these scams. When it 1230 01:06:49,240 --> 01:06:51,400 Speaker 1: comes to your emails and when they're saying, oh, click 1231 01:06:51,480 --> 01:06:54,560 Speaker 1: this link or your page was compromised, or we have 1232 01:06:54,680 --> 01:06:56,200 Speaker 1: a check for you, or this is on the way, 1233 01:06:56,480 --> 01:06:58,200 Speaker 1: just look at who the email is coming from. If 1234 01:06:58,240 --> 01:07:00,920 Speaker 1: it's some long, weird email and not the company, do 1235 01:07:01,080 --> 01:07:05,920 Speaker 1: not click on that long I believe it. I'll go anyway. 1236 01:07:06,040 --> 01:07:08,240 Speaker 1: It's time for you guys to give your last word. 1237 01:07:08,320 --> 01:07:10,720 Speaker 1: One eight hundred two nine two fifty one fifty. Remember 1238 01:07:10,760 --> 01:07:13,280 Speaker 1: every single day you can call that number, you can 1239 01:07:13,400 --> 01:07:16,439 Speaker 1: leave messages. I was watching the movie Smile on the plane. 1240 01:07:16,440 --> 01:07:20,840 Speaker 1: It's a horror movie. Lord. Can I just say this though, 1241 01:07:20,840 --> 01:07:22,760 Speaker 1: because the number here is one eight hundred two nine 1242 01:07:22,800 --> 01:07:25,400 Speaker 1: two fifty one fifty. But fifty one fifty is also 1243 01:07:25,440 --> 01:07:28,200 Speaker 1: a code that they use when somebody has to be 1244 01:07:28,280 --> 01:07:32,600 Speaker 1: like committed to And you know this because I googled it. 1245 01:07:32,800 --> 01:07:37,600 Speaker 1: We have friends, but I also love this with sacks 1246 01:07:37,640 --> 01:07:40,880 Speaker 1: of hair, the sax of peak. Here. What day we're 1247 01:07:40,920 --> 01:07:44,000 Speaker 1: gonna talk about this because but anyway, that's how I 1248 01:07:44,080 --> 01:07:46,200 Speaker 1: remember this number. I was excited to get the fifty 1249 01:07:46,280 --> 01:07:49,040 Speaker 1: one fifty, so call it under two nine two fifty 1250 01:07:49,040 --> 01:07:51,280 Speaker 1: one fifty. We're ready to hear your last where Jasmine 1251 01:07:51,320 --> 01:07:54,760 Speaker 1: Brandon Godfrey is here. We'll be here tomorrow. Two yeah, 1252 01:07:54,880 --> 01:07:58,800 Speaker 1: piece man of soul Mate is real. Man, I lost mine, 1253 01:07:59,200 --> 01:08:02,480 Speaker 1: so I as real as my daughter's mom. So like 1254 01:08:02,640 --> 01:08:04,360 Speaker 1: every time I look at my daughter, it hits a 1255 01:08:04,440 --> 01:08:08,560 Speaker 1: little different. But the love never changed. Even when you 1256 01:08:08,720 --> 01:08:10,640 Speaker 1: lose it. It's just when you find it. Man, you 1257 01:08:10,760 --> 01:08:12,720 Speaker 1: best to keep it because all it takes this woman 1258 01:08:12,720 --> 01:08:17,080 Speaker 1: mistake and noways no fellas. Just because you change don't 1259 01:08:17,120 --> 01:08:21,720 Speaker 1: mean she tied the woods. You put it through, bro, 1260 01:08:21,880 --> 01:08:25,360 Speaker 1: so keep it tight, hold on to it, especially if 1261 01:08:25,400 --> 01:08:28,560 Speaker 1: she had had special one tied this. She died and 1262 01:08:28,600 --> 01:08:31,320 Speaker 1: I want to shine a light on my side. He 1263 01:08:31,880 --> 01:08:35,880 Speaker 1: is amazing. He's a college student, he worked hard and 1264 01:08:36,360 --> 01:08:38,439 Speaker 1: he's a rapper in the DMB. So if you can 1265 01:08:38,560 --> 01:08:41,840 Speaker 1: follow him, that would be great. Mezy s g m 1266 01:08:41,920 --> 01:08:46,080 Speaker 1: e e z y SG on Instagram. Man, Yes, I 1267 01:08:46,240 --> 01:08:49,760 Speaker 1: definitely believe in soul mates. I met my wife's back 1268 01:08:49,800 --> 01:08:54,120 Speaker 1: in nineteen ninety nine. Well Valentine's Day in the club, 1269 01:08:54,640 --> 01:08:57,040 Speaker 1: got really drunk and the one night sting woke up 1270 01:08:57,080 --> 01:08:59,680 Speaker 1: in the hotel. I had my money and she had 1271 01:08:59,720 --> 01:09:02,800 Speaker 1: her and just introduced ourselves to each other. And we've 1272 01:09:02,840 --> 01:09:05,839 Speaker 1: been side by side for twenty three years, five children. 1273 01:09:06,240 --> 01:09:08,719 Speaker 1: So yes, I definitely believe in soul mates. I would 1274 01:09:08,800 --> 01:09:12,080 Speaker 1: dive about her and she felt the same way. Yes, 1275 01:09:12,240 --> 01:09:15,360 Speaker 1: there is such thing as soul mates. Hello, this is 1276 01:09:15,439 --> 01:09:17,600 Speaker 1: mist me as I wanted to cut out to my 1277 01:09:17,840 --> 01:09:24,280 Speaker 1: fad to my kids, Stephen, Chris, Michael, Justin, Danielle and Kim. 1278 01:09:24,920 --> 01:09:29,759 Speaker 1: That's my kids. Okay, bye bye, going way out turnout 1279 01:09:29,920 --> 01:09:30,880 Speaker 1: with Angela Yee,