WEBVTT - Chapter 6: A Queer Inheritance with Aurora Guerrero

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<v Speaker 1>Truth or dare truth? Guando boys, GUENOMELESTORIAA I am oher

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<v Speaker 1>aarami primera more.

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<v Speaker 2>Senoraora, Senora, Senora, Senora, Senora, Senora, Senora, Hi, Senora, Welcome

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<v Speaker 2>to Senora.

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<v Speaker 3>Sex Ed Senora Sex Said is not your mommy's sex talk.

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<v Speaker 3>This show is la platica like you've never heard it before.

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<v Speaker 3>We're breaking the stigma and silence around sex and sexuality

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<v Speaker 3>in LATINX communities. Historically, Latinas have been hyper sexualized in

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<v Speaker 3>popular culture but notoriously denied sex education. This podcast is

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<v Speaker 3>an intergenerational conversation between Latinas from gen X to gen Z,

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<v Speaker 3>covering everything from puberty and body image to representation in film, television,

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<v Speaker 3>and music.

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<v Speaker 1>Just a reminder, in this show, a Senora is a

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<v Speaker 1>woman with a lot of life experiences and stories to share.

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<v Speaker 1>Maybe she's in her thirties, maybe she's in her forties

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<v Speaker 1>or fifties or even older. She could be trans, or

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<v Speaker 1>maybe she sis. We are your hosts and producers, Viosa

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<v Speaker 1>and Mala.

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<v Speaker 3>You might recognize us from our flagship podcast, Loka Tora Radio.

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<v Speaker 3>We've been podcasting since twenty sixteen and we've covered all

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<v Speaker 3>kinds of topics, ranging from politics to mental health, current events,

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<v Speaker 3>and of course sex. We still have so much to learn, though,

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<v Speaker 3>which is why we're excited to bring you. Senora Sex said,

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<v Speaker 3>we hope you listen to each episode with the Senoras

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<v Speaker 3>and Senoritas in your Life.

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<v Speaker 1>Chapter six a Queer Inheritance.

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<v Speaker 4>By the time I made Mosquito Madi, I think everybody

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<v Speaker 4>knew I was queer. This was my coming out love story,

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<v Speaker 4>first love story that I hadn't told anybody about. The

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<v Speaker 4>person I experienced it with, we never talked about it.

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<v Speaker 4>It's very much like the movie. It's like all the

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<v Speaker 4>unspoken is what lived between us.

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<v Speaker 3>That's Alrora Guerrero. She's a writer, director, and filmmaker. She's

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<v Speaker 3>a queer, Chicana Latina and mother. In this episode, you'll

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<v Speaker 3>hear her discuss how her first love inspired her debut film,

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<v Speaker 3>Mosquito Marie. You'll also hear how she's breaking the culture

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<v Speaker 3>of shame.

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<v Speaker 1>Aoa wrote her first love story into her first feature film,

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<v Speaker 1>and we all process our first loves differently. Do you

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<v Speaker 1>remember your first love, the first person who caught your

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<v Speaker 1>eye and captured your romantic imagination? The inspiration for butterflies

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<v Speaker 1>and daydreams, your first valentine, your first dance, your first kiss.

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<v Speaker 1>First love can be intense, scary, overwhelming, wholesome and precious.

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<v Speaker 1>Sometimes that first love is a secret very deep inside,

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<v Speaker 1>for fear of what might happen should it be expressed.

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<v Speaker 3>When we're young, Few things are more exciting, more thrilling,

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<v Speaker 3>more terrifying than sharing your feelings with the object of

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<v Speaker 3>your affection, And few things hurt more than unrequited love.

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<v Speaker 3>Did you tell your first love how you felt about them?

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<v Speaker 3>Did they feel the same way about you if you

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<v Speaker 3>ran into them today? What would you say?

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<v Speaker 1>Historically, sex education PSAs shown in American schools are painfully clinical,

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<v Speaker 1>oftentimes comical, and notoriously awkward. For writer director aro Ri Guerrero,

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<v Speaker 1>her first formal introduction to sex education was one such film.

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<v Speaker 4>I feel like the only bit of sort of formal

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<v Speaker 4>sex said I recall would be when I was in

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<v Speaker 4>elementary school. I think I was maybe in the fourth

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<v Speaker 4>grade when they had this Sex Said, like half hour

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<v Speaker 4>film that they showed us that literally was still on

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<v Speaker 4>like eight millimeter film. I think they projected it. I

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<v Speaker 4>don't even recall much of what was shown other than

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<v Speaker 4>maybe seeing sperm kind of swimming. But I don't recall

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<v Speaker 4>a discussion. I don't recall anything really, I don't recall

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<v Speaker 4>being impacted by it. I just remember it being kind

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<v Speaker 4>of laughed off, no follow up discussion, something that we

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<v Speaker 4>had to watch, and that was about it.

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<v Speaker 3>Like so many school age Latinas, the lessons about sex

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<v Speaker 3>missing from our formal education were supplemented by hushed whispers,

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<v Speaker 3>school yard tieesement, and sexual experimentation among peers.

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<v Speaker 4>So I think that that's the only formal sex that

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<v Speaker 4>I ever had in my life. And then there was

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<v Speaker 4>the sex that that happens on the streets and in

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<v Speaker 4>your school with your friends, right where people start talking

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<v Speaker 4>about having sex, and so I think that those discussions

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<v Speaker 4>were never in detail about like this is how it happens.

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<v Speaker 1>Sometimes this informal learning about sex and sexuality had negative repercussions.

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<v Speaker 4>Then like these are the consequences it was. There was

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<v Speaker 4>none of that. It was just kind of like she

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<v Speaker 4>had sex, and it was like, oh my god, or

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<v Speaker 4>she's pregnant, Oh my god. Or she's having an abortion,

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<v Speaker 4>oh my god. Like that was the extent of the conversation,

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<v Speaker 4>really lacking detail. And I have to say again that

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<v Speaker 4>that was the majority of my life. Like for me,

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<v Speaker 4>sex side was really what I experienced firsthand, like those

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<v Speaker 4>were my my that was my learning, was me just

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<v Speaker 4>experiencing it. So really nothing you could say nana.

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<v Speaker 3>For Arora, matters of the body and sexuality were shrouded

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<v Speaker 3>in shame. When she started her period, she was given

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<v Speaker 3>the tools needed to keep up with her menstrual cycle,

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<v Speaker 3>but not much more. Without direct, open and detailed dialogue

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<v Speaker 3>about her period. The message was clear, figure it out

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<v Speaker 3>and don't talk about it.

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<v Speaker 4>When I started my period, there was still a lot

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<v Speaker 4>of ignorant and on my end, I didn't really fully

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<v Speaker 4>understand what was happening. And my parents when that happened,

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<v Speaker 4>it was almost like my mom just was like an

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<v Speaker 4>automatic sort of like, oh, so this is what you need.

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<v Speaker 4>Here's a pad, like and you have to wear this

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<v Speaker 4>and oh but it wasn't like a detailed conversation about

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<v Speaker 4>what it meant and how my body was going to change.

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<v Speaker 4>There was nothing like that. It was just kind of like, oh, here,

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<v Speaker 4>you're going to need this, and I had to figure out, oh,

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<v Speaker 4>my god, like this is it's going to be painful

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<v Speaker 4>and I'm going to have to wear this pad, and

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<v Speaker 4>you know, just like a lot of silence, a lot

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<v Speaker 4>of mystery, a lot of shame. And I interpreted it

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<v Speaker 4>a shame. This lack of conversation around it translated as

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<v Speaker 4>something you don't talk about.

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<v Speaker 3>It.

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<v Speaker 4>If you don't talk about it's something to be ashamed of.

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<v Speaker 4>So yeah, just crazy, Like nothing around sexuality. It was

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<v Speaker 4>always about the assumption that I would like boys, and

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<v Speaker 4>I did have attractions towards boys, but there was no

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<v Speaker 4>discussion around even that.

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<v Speaker 1>If you've been listening to Senora sex Ed since episode one,

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<v Speaker 1>you may have recognized a troubling pattern that for young Latinas,

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<v Speaker 1>the silence and shame around sex and sexuality often begins

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<v Speaker 1>with puberty and our periods. These major life events might

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<v Speaker 1>be acknowledged, but seldom are they celebrated or fully explained.

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<v Speaker 1>The message, once again, is very clear, this is yours

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<v Speaker 1>to deal with on your own.

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<v Speaker 4>Yeah, I mean, I think it starts with the period.

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<v Speaker 4>I think it starts with the body and what we

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<v Speaker 4>sort of naturally go through. I think information is power,

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<v Speaker 4>it's empowerment. I'm a mom now, I have a daughter

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<v Speaker 4>she's nine, and and my spouse and I my wife

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<v Speaker 4>and I immediately talked about how we wanted to get

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<v Speaker 4>her age appropriate information so she could understand just the

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<v Speaker 4>biology of her body and like what is going to

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<v Speaker 4>happen around her period, how that's going to bring on

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<v Speaker 4>changes from her body to just hormonally, her emotions and

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<v Speaker 4>you know, everything that comes with starting your period. Both

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<v Speaker 4>my spouse and I are so excited about that.

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<v Speaker 5>I have no idea how she will receive the conversation,

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<v Speaker 5>but thus far she's used to us, you know, bringing

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<v Speaker 5>books and reading together.

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<v Speaker 4>And having discussions as we read it. She's very responsive

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<v Speaker 4>to it, and so we're excited about continuing that conversation,

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<v Speaker 4>especially around sex, which is a big one. And you know,

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<v Speaker 4>we feel like her body is telling us from what

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<v Speaker 4>we're seeing that her period is within a year a

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<v Speaker 4>year and a half away. So me and my wife

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<v Speaker 4>are getting ready. We're like, how do we have the

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<v Speaker 4>conversation that isn't traumatizing, that is empowering and la la

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<v Speaker 4>la la la, you know what I mean. And so

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<v Speaker 4>part of that is also just like for me dealing

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<v Speaker 4>with my fears, you know, around it for her, because

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<v Speaker 4>I also know that the world out there is can

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<v Speaker 4>be a very scary place, and I don't want to

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<v Speaker 4>be like, and you have to do this, and you

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<v Speaker 4>have to, you know, like be so imposing on her

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<v Speaker 4>because we also want her curiosity to be present and

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<v Speaker 4>to be alive and not to stifle that for her.

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<v Speaker 4>So and also then eventually leading to the conversations around sex. Yeah,

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<v Speaker 4>I would have loved to have really removed that sense

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<v Speaker 4>of it's not something you should talk about, it's not

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<v Speaker 4>something that is positive or good. Like, I really wish

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<v Speaker 4>that would have been removed, because I just would have

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<v Speaker 4>understood myself so much better and felt more confident in

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<v Speaker 4>the world as a young woman. And you know, obviously

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<v Speaker 4>my mom sets the tone for that for me. And

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<v Speaker 4>because I grew up with brothers and so my mom

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<v Speaker 4>was the only other female my grandma. So yeah, So

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<v Speaker 4>I just wish my mom would have really broken the

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<v Speaker 4>silence and given me proper information so I could navigate

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<v Speaker 4>myself my changes so much better.

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<v Speaker 3>The silence around Aarroora's body, her period, and her sexuality

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<v Speaker 3>was almost an inheritance of sorts, passed down from her

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<v Speaker 3>grandmother to her mother and eventually to her. Now, Aaroda's

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<v Speaker 3>own daughter has the privilege of a different type of inheritance,

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<v Speaker 3>information and open conversation.

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<v Speaker 4>My generation of moms are raising kids who are like

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<v Speaker 4>extremely informed. If anything, I'd be curious to see them

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<v Speaker 4>or my daughter, you know, fifteen twenty years from now

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<v Speaker 4>on a podcast talking about the way she was raised

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<v Speaker 4>would probably be like, oh my god, my mom's had

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<v Speaker 4>a library and shit, like, way too much information.

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<v Speaker 3>We hope you're enjoying this conversation. Stay tuned, there's more

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<v Speaker 3>to come.

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<v Speaker 1>And we're back. We hope you enjoyed the break and

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<v Speaker 1>are ready to listen to the rest. What happens when

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<v Speaker 1>our own parents are afraid to address the changes we

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<v Speaker 1>are experiencing with our bodies, we approach those same changes

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<v Speaker 1>with fear, upidation, and sometimes self destructive behavior. Without the

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<v Speaker 1>proper tools and education to help her navigate her relationship

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<v Speaker 1>to sex and sexuality, Arora's youth was marked by fear

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<v Speaker 1>of what she didn't know.

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<v Speaker 3>Yeah.

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<v Speaker 4>I think that I navigated my youth with a lot

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<v Speaker 4>of fear. Fear of you know, what was happening, what

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<v Speaker 4>could happen, not understanding things, and fearing that that lack

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<v Speaker 4>of knowledge would somehow hurt me or hurt the ones

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<v Speaker 4>around me. Yeah, just a lot of fear, and that

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<v Speaker 4>in turn caused a lot of repression, oppression. I lived

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<v Speaker 4>a very sort of insular experience where like I was

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<v Speaker 4>just having conversations with myself, you know, internally about what

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<v Speaker 4>was happening, because I couldn't even talk to my friends

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<v Speaker 4>about things. So it was really difficult. It was really difficult.

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<v Speaker 4>And if I did have an experience or did have feelings,

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<v Speaker 4>that was tainted with shame, and so then that was

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<v Speaker 4>another layer that kept me quiet about my experiences that

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<v Speaker 4>I internalized, be it positive or negative. And I always

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<v Speaker 4>feel like that led to sort of you know behavior

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<v Speaker 4>later that was self destructive, right from unhealthy sex to

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<v Speaker 4>alcohol to just different ways that different ways I was

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<v Speaker 4>coping to try to find a way to express what

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<v Speaker 4>I had buried for so long. So it was really

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<v Speaker 4>really hard. It had a very very big impact on

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<v Speaker 4>me and negative for sure.

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<v Speaker 3>As a young adult, Aroda made her way to Los Angeles.

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<v Speaker 3>While in LA, her new social circle introduced her to

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<v Speaker 3>a nonprofit organization called Bienistad. Because of Viennistad, Alroota had

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<v Speaker 3>access to queer sex ed for the first time.

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<v Speaker 4>There was a lot of discussion with people around me.

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<v Speaker 4>But when I ended up in Los Angeles, I came

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<v Speaker 4>across a nonprofit called Bianistad. I don't know if you

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<v Speaker 4>all are familiar with bianista, so I'm not sure if

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<v Speaker 4>they're very active now, but they were active back in

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<v Speaker 4>the early two thousands, late nineteen nineties, which is when

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<v Speaker 4>I was in LA and definitely dating and out in

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<v Speaker 4>the scene, and they were doing a lot of active

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<v Speaker 4>out reach to not just gay men but queer women,

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<v Speaker 4>and so a few of the women that I was

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<v Speaker 4>around exposed exposed me to them and their workshops, and

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<v Speaker 4>it was like the first time I ever went to

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<v Speaker 4>a queer like sex workshop was at Bianistad, and by

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<v Speaker 4>then I was twenty four, twenty five, and I was like, oh,

0:16:26.760 --> 0:16:31.200
<v Speaker 4>they're safe sex like between women, Like I mean, the

0:16:31.280 --> 0:16:34.680
<v Speaker 4>ignorance was pretty deep on my end, you know, and

0:16:35.720 --> 0:16:40.200
<v Speaker 4>having those conversations like most of us didn't weren't aware

0:16:40.280 --> 0:16:45.120
<v Speaker 4>of that and definitely did not practice safe sex amongst

0:16:45.160 --> 0:16:48.520
<v Speaker 4>ourselves or with each other whatever in the Latina community.

0:16:48.520 --> 0:16:52.440
<v Speaker 4>I felt like so so bien Estaught was the first

0:16:52.720 --> 0:16:57.440
<v Speaker 4>place where I got formal queer sex education.

0:16:57.760 --> 0:16:59.800
<v Speaker 1>We're sure there are listeners out there who have their

0:16:59.840 --> 0:17:03.600
<v Speaker 1>own own questions about safe sex for queer women. To

0:17:03.720 --> 0:17:06.240
<v Speaker 1>keep the conversation going, we're picking up a house call

0:17:06.320 --> 0:17:10.720
<v Speaker 1>from resident obg y N doctor Lilia Rodan, MD.

0:17:15.000 --> 0:17:19.359
<v Speaker 6>Ola Signoras, I'm la Lata Lilia Roldan, MD, calling in

0:17:19.400 --> 0:17:22.160
<v Speaker 6>to talk to you about safe sex practices for queer women.

0:17:22.280 --> 0:17:28.480
<v Speaker 6>E Brasoness, I'm a resident physician specializing in obtetrics and gynecology. Now,

0:17:28.680 --> 0:17:31.840
<v Speaker 6>before we continue with our call, this informational segment should

0:17:31.840 --> 0:17:34.600
<v Speaker 6>not be interpreted as official medical advice, and if you

0:17:34.640 --> 0:17:38.000
<v Speaker 6>have any concerns, always consult with your medical provider. So

0:17:38.119 --> 0:17:40.720
<v Speaker 6>let's get to talking about safe sex practices for female

0:17:40.720 --> 0:17:44.800
<v Speaker 6>bodied queers now. While you are statistically more likely to

0:17:44.840 --> 0:17:47.879
<v Speaker 6>contract an STI from someone with a penis, that doesn't

0:17:47.880 --> 0:17:50.440
<v Speaker 6>mean those gold star lesbians out there are free from risk.

0:17:51.040 --> 0:17:54.480
<v Speaker 6>Any sexual act involving the exchange of bodily fluids can

0:17:54.600 --> 0:17:57.800
<v Speaker 6>lead to infection transmission. Barrier methods like condoms and dental

0:17:57.880 --> 0:18:01.199
<v Speaker 6>dams should be used by all consenting parts for infection prevention,

0:18:01.440 --> 0:18:04.480
<v Speaker 6>and yes, Senoras, that means using condoms on your penetrative

0:18:04.520 --> 0:18:07.320
<v Speaker 6>sex toys if you're playing with a partner. Speaking of toys,

0:18:07.720 --> 0:18:10.679
<v Speaker 6>make sure to clean them after every use for silicone.

0:18:10.720 --> 0:18:13.199
<v Speaker 6>Either boil them for five to ten minutes, wash them

0:18:13.240 --> 0:18:15.960
<v Speaker 6>in the top rack of your dishwasher, or wash with

0:18:16.000 --> 0:18:18.920
<v Speaker 6>antibacterial soap and hot water. As a rule of thumb,

0:18:19.000 --> 0:18:21.320
<v Speaker 6>if you're using an organ for sex, you should get

0:18:21.320 --> 0:18:24.760
<v Speaker 6>it swabbed at some point to screen for STIs because yes,

0:18:25.000 --> 0:18:28.600
<v Speaker 6>throat chlamydia is a thing. And lastly, it's important to

0:18:28.640 --> 0:18:30.679
<v Speaker 6>note that just because you or your partner are on

0:18:30.720 --> 0:18:33.560
<v Speaker 6>gender affirming hormones, that doesn't mean there's a zero percent

0:18:33.640 --> 0:18:36.600
<v Speaker 6>chance of pregnancy if playing with genitals of the opposite sex.

0:18:37.200 --> 0:18:40.040
<v Speaker 6>So Senoras, if you're needing to have the plattiga with

0:18:40.080 --> 0:18:43.080
<v Speaker 6>a queer segoriti tex in your life, remember to research

0:18:43.119 --> 0:18:45.919
<v Speaker 6>the correct information to inform their safe sex practices.

0:18:46.440 --> 0:18:49.639
<v Speaker 1>The turbulence that defined her own queer coming of age

0:18:49.880 --> 0:18:54.159
<v Speaker 1>was not for nothing. Her experiences with silence, sex and

0:18:54.280 --> 0:18:57.200
<v Speaker 1>young love would inspire the making of the twenty twelve

0:18:57.480 --> 0:19:00.440
<v Speaker 1>iconic queer love story Mosquita You Mighty.

0:19:02.000 --> 0:19:07.240
<v Speaker 4>Because for two reasons, that film was so personal to me,

0:19:08.119 --> 0:19:11.440
<v Speaker 4>and I had lived in that silence for so long

0:19:11.960 --> 0:19:16.239
<v Speaker 4>that I really wanted to bring voice to it. And

0:19:16.280 --> 0:19:20.159
<v Speaker 4>I wanted to just let it out and put it

0:19:20.200 --> 0:19:25.159
<v Speaker 4>out and say, you know, this was a moment in

0:19:25.200 --> 0:19:27.760
<v Speaker 4>my life, and this was my first love. And I

0:19:27.840 --> 0:19:30.880
<v Speaker 4>never got to say that to that person. I never

0:19:30.920 --> 0:19:33.720
<v Speaker 4>got to say it to someone else. It took me

0:19:33.720 --> 0:19:37.359
<v Speaker 4>a while to even acknowledge that that friendship was really

0:19:37.400 --> 0:19:41.160
<v Speaker 4>my first love, and so I wanted to honor that

0:19:41.960 --> 0:19:45.080
<v Speaker 4>time and moment in my life. I felt like that

0:19:45.080 --> 0:19:51.720
<v Speaker 4>that was very important for me. And then I figured

0:19:52.000 --> 0:19:56.159
<v Speaker 4>that probably still there were a lot of young women

0:19:56.200 --> 0:19:59.360
<v Speaker 4>of color, a lot of young brown girls who were

0:19:59.400 --> 0:20:01.880
<v Speaker 4>still exp and seeing the same thing.

0:20:02.680 --> 0:20:07.240
<v Speaker 3>Mosquita Aimardi was a cinematic love letter addressed to Arora's

0:20:07.280 --> 0:20:10.840
<v Speaker 3>first love. She was also a young brown girl who

0:20:10.840 --> 0:20:15.119
<v Speaker 3>didn't know outright how Aroa felt. Aaroda knew that she

0:20:15.320 --> 0:20:18.480
<v Speaker 3>was not the only queer Latina who harbored a secret

0:20:18.520 --> 0:20:21.840
<v Speaker 3>love in her childhood. She wanted to finally let that

0:20:21.960 --> 0:20:25.399
<v Speaker 3>love live out in the open for everyone to see

0:20:25.600 --> 0:20:26.159
<v Speaker 3>and feel.

0:20:26.480 --> 0:20:32.080
<v Speaker 4>And I wanted to capture that dynamic so these young

0:20:32.160 --> 0:20:37.240
<v Speaker 4>women or older or women my age could say, oh shit,

0:20:37.440 --> 0:20:40.760
<v Speaker 4>that was me, That's what I went through. And you

0:20:40.880 --> 0:20:43.639
<v Speaker 4>capture that and you gave it a place, and you

0:20:43.720 --> 0:20:46.520
<v Speaker 4>gave it a name and thank you for doing that.

0:20:46.720 --> 0:20:51.120
<v Speaker 4>So I wanted people to feel seen more than anything,

0:20:51.200 --> 0:20:54.600
<v Speaker 4>and that moment and that love to be seen and

0:20:54.720 --> 0:20:57.200
<v Speaker 4>felt beautiful.

0:20:57.640 --> 0:21:02.640
<v Speaker 1>I I'm curious about how you living your life, dating,

0:21:02.840 --> 0:21:06.359
<v Speaker 1>growing up, coming of age, learning as you're going, learning

0:21:06.400 --> 0:21:10.040
<v Speaker 1>as you're doing. How that led to the writing of

0:21:10.320 --> 0:21:14.399
<v Speaker 1>Mosquita Imai because it's based very heavily on your own

0:21:14.680 --> 0:21:18.080
<v Speaker 1>experiences and your own upbringing. So just how living directly

0:21:18.119 --> 0:21:19.480
<v Speaker 1>translated to the writing.

0:21:20.280 --> 0:21:26.440
<v Speaker 4>Yeah, well, I originally Mosquita Money was epic. It started

0:21:26.440 --> 0:21:29.919
<v Speaker 4>in elementary school and ended at the end of high school.

0:21:30.560 --> 0:21:34.600
<v Speaker 4>And I think that I was so eager to tell

0:21:34.640 --> 0:21:38.879
<v Speaker 4>my story, to talk about all the things that I

0:21:38.920 --> 0:21:46.040
<v Speaker 4>had experienced, especially around love and connection intimacy, that I

0:21:46.280 --> 0:21:51.680
<v Speaker 4>just like barfed out the biggest breaking screenplay ever. And

0:21:53.200 --> 0:21:56.879
<v Speaker 4>so I think that at that moment, I was like, Okay,

0:21:56.880 --> 0:21:59.760
<v Speaker 4>I don't think that this is very producible, and so

0:21:59.840 --> 0:22:04.520
<v Speaker 4>I I need to kind of be able to encapsulate

0:22:05.240 --> 0:22:08.720
<v Speaker 4>what I felt for most of those years during a

0:22:08.840 --> 0:22:12.120
<v Speaker 4>very specific time, and so that's what I set out

0:22:12.160 --> 0:22:16.440
<v Speaker 4>to do. But originally it was just this real need

0:22:16.880 --> 0:22:21.679
<v Speaker 4>to say everything that I could not say throughout my

0:22:21.800 --> 0:22:27.679
<v Speaker 4>life because my feeling, that sense of intimacy attraction started

0:22:27.760 --> 0:22:32.719
<v Speaker 4>very young for me in elementary school. So I wanted

0:22:32.720 --> 0:22:36.600
<v Speaker 4>to like, you know, honor all those moments and I

0:22:36.680 --> 0:22:42.800
<v Speaker 4>couldn't cinematically. So that was my process and it made

0:22:42.840 --> 0:22:46.480
<v Speaker 4>sense because I was talking about these things for the

0:22:46.520 --> 0:22:53.400
<v Speaker 4>first time. And yeah, and that process to come to Mosquite,

0:22:53.400 --> 0:22:56.520
<v Speaker 4>that money and what it is on screen now took

0:22:56.560 --> 0:22:59.920
<v Speaker 4>me quite a few years because I had to, like,

0:23:01.280 --> 0:23:05.720
<v Speaker 4>you know, be okay with saying I'm not going to

0:23:05.840 --> 0:23:09.080
<v Speaker 4>cover elementary school. I'm not going to cover middle school.

0:23:09.119 --> 0:23:10.600
<v Speaker 4>I'm not gonna you know what I mean. Like, I

0:23:10.640 --> 0:23:13.320
<v Speaker 4>had to be at piece with what was not going

0:23:13.400 --> 0:23:18.160
<v Speaker 4>to end up on screen specifically, but in essence, I

0:23:18.359 --> 0:23:23.479
<v Speaker 4>was addressing and capturing the same feeling I had throughout

0:23:23.560 --> 0:23:24.359
<v Speaker 4>my childhood.

0:23:24.760 --> 0:23:28.600
<v Speaker 1>Curiosity about your sexual attraction and identity can begin at

0:23:28.640 --> 0:23:33.000
<v Speaker 1>a young age. Mosquita Mai set out to capture that

0:23:33.080 --> 0:23:35.399
<v Speaker 1>youthful intensity, and that.

0:23:35.400 --> 0:23:43.240
<v Speaker 4>Was intense connections with other girls that were clouded with

0:23:43.280 --> 0:23:45.480
<v Speaker 4>that sense of sort of not being able to talk

0:23:45.520 --> 0:23:49.600
<v Speaker 4>about it, not understanding fully what was happening, not having

0:23:49.840 --> 0:23:53.080
<v Speaker 4>a sense of community to lean on during that time

0:23:54.680 --> 0:23:57.879
<v Speaker 4>was what I wanted to center the peace on, and

0:23:57.920 --> 0:24:00.719
<v Speaker 4>so that's what I focused on. I love it. I

0:24:00.760 --> 0:24:04.720
<v Speaker 4>love queering these friendships because you know, we're taught to

0:24:04.880 --> 0:24:08.960
<v Speaker 4>just dismiss them as oh, that's just friendship, or you know,

0:24:10.359 --> 0:24:13.240
<v Speaker 4>it's never put through a queer lens. So I wanted

0:24:13.240 --> 0:24:16.879
<v Speaker 4>to queer those spaces as much as possible so people

0:24:16.880 --> 0:24:20.280
<v Speaker 4>could look back and say, oh, actually, I think we

0:24:20.400 --> 0:24:23.040
<v Speaker 4>were crushed out on each other and it wasn't just

0:24:23.920 --> 0:24:25.639
<v Speaker 4>oh I just felt a little jealous, you know what

0:24:25.680 --> 0:24:29.439
<v Speaker 4>I mean. So I experienced that when I when I

0:24:29.480 --> 0:24:34.760
<v Speaker 4>screened the film around the world, so many people would

0:24:34.800 --> 0:24:39.560
<v Speaker 4>talk about their experiences through a queer lens that they

0:24:39.600 --> 0:24:45.119
<v Speaker 4>had never given their their the given themselves the opportunity

0:24:45.160 --> 0:24:48.120
<v Speaker 4>to look at their experiences through a queer lens, and

0:24:48.200 --> 0:24:51.439
<v Speaker 4>it was I felt like it moved a lot of

0:24:51.480 --> 0:24:55.680
<v Speaker 4>people to do that. So that was that was really

0:24:55.680 --> 0:25:01.479
<v Speaker 4>interesting to experience through audiences. We'll be taking a quick break.

0:25:01.720 --> 0:25:12.840
<v Speaker 7>Don't miss us, Thanks for sticking around.

0:25:13.080 --> 0:25:13.840
<v Speaker 1>We are back.

0:25:22.200 --> 0:25:26.639
<v Speaker 3>What about Ara's first love? Ara and her childhood crush

0:25:26.800 --> 0:25:31.040
<v Speaker 3>lost touch and they didn't reconnect for several years until

0:25:31.080 --> 0:25:34.920
<v Speaker 3>Aarra tracked her down and finally sat down to talk

0:25:34.960 --> 0:25:35.199
<v Speaker 3>to her.

0:25:36.320 --> 0:25:40.119
<v Speaker 4>I have mentioned the film to her a couple of times,

0:25:42.280 --> 0:25:46.359
<v Speaker 4>but she has an expressed interest in watching it. I

0:25:46.520 --> 0:25:51.119
<v Speaker 4>haven't outright said this is about you and me. I

0:25:51.320 --> 0:25:53.879
<v Speaker 4>have said, you know, you inspired a lot of it.

0:25:57.200 --> 0:26:00.000
<v Speaker 4>She knows, like I think the first step between me

0:26:00.080 --> 0:26:02.000
<v Speaker 4>and her was for me to come out to her,

0:26:02.960 --> 0:26:08.360
<v Speaker 4>because in real life, myself and this person got separated.

0:26:09.359 --> 0:26:13.480
<v Speaker 4>So life broke us apart. She ended up moving and

0:26:13.560 --> 0:26:19.560
<v Speaker 4>so our relationship, our connection was ruptured from one day

0:26:19.560 --> 0:26:25.119
<v Speaker 4>to the next, and she ended up like going on

0:26:25.160 --> 0:26:28.200
<v Speaker 4>her own journey. I ended up going online and then

0:26:28.240 --> 0:26:33.480
<v Speaker 4>we reconnected like fifteen years later, as I was getting

0:26:33.600 --> 0:26:37.240
<v Speaker 4>ready to make this movie, and I thought to myself,

0:26:37.359 --> 0:26:39.680
<v Speaker 4>I'm gonna tell her. I'm gonna She didn't know I

0:26:39.800 --> 0:26:45.520
<v Speaker 4>was queer, she didn't know anything, So so I invited.

0:26:45.640 --> 0:26:47.480
<v Speaker 4>I tracked her down. It took me a long time

0:26:47.520 --> 0:26:49.480
<v Speaker 4>to track her down, and this was a whole This

0:26:49.560 --> 0:26:52.400
<v Speaker 4>was a big part of why I also wrote Mosquite

0:26:52.480 --> 0:26:57.639
<v Speaker 4>Madi Is because I couldn't find her, and I was like,

0:26:58.040 --> 0:27:00.679
<v Speaker 4>rather than find her and I don't know what I

0:27:00.800 --> 0:27:07.320
<v Speaker 4>was gonna, you know, claimed to her. I just I

0:27:07.400 --> 0:27:09.919
<v Speaker 4>needed to tell this story for me. But I had

0:27:09.960 --> 0:27:12.960
<v Speaker 4>already set in motion this sort of search for her,

0:27:13.840 --> 0:27:18.479
<v Speaker 4>and I was able to finally find her and I

0:27:18.520 --> 0:27:21.560
<v Speaker 4>invited her to dinner, and it was crazy. We hadn't

0:27:21.560 --> 0:27:25.920
<v Speaker 4>seen each other since high school, like we were seniors.

0:27:25.960 --> 0:27:28.840
<v Speaker 4>We saw each other briefly, but we were separated when

0:27:28.840 --> 0:27:35.399
<v Speaker 4>we were sophomores. And I was like, I'm gonna tell her,

0:27:35.760 --> 0:27:37.880
<v Speaker 4>you know, I was just so hooked gung ho with everything,

0:27:38.640 --> 0:27:41.840
<v Speaker 4>and then when I saw her, I just got really nervous.

0:27:42.720 --> 0:27:45.639
<v Speaker 4>And then she started telling me how she was Christian

0:27:46.640 --> 0:27:50.439
<v Speaker 4>and she had, you know, a few kids, and I

0:27:50.720 --> 0:27:57.080
<v Speaker 4>just shrunk. I shrunk, and I walked away from that dinner.

0:27:58.600 --> 0:28:02.080
<v Speaker 4>I didn't even come out to her say anything, and

0:28:02.200 --> 0:28:06.200
<v Speaker 4>so so I walked away, going, I have to make

0:28:06.240 --> 0:28:09.040
<v Speaker 4>mostquit that money for me. I gotta do this for me.

0:28:09.520 --> 0:28:12.960
<v Speaker 4>This is me telling this story. And I realized that

0:28:13.080 --> 0:28:16.240
<v Speaker 4>even if she were to see the film, I feel

0:28:16.240 --> 0:28:18.400
<v Speaker 4>like she would be like, that's not how it happened.

0:28:19.240 --> 0:28:22.679
<v Speaker 4>And that's fine, because this is how it happened for me.

0:28:23.480 --> 0:28:25.560
<v Speaker 4>And I'm sure she has her side in the story,

0:28:25.560 --> 0:28:28.240
<v Speaker 4>but it doesn't matter. It doesn't matter what she thinks

0:28:28.320 --> 0:28:30.879
<v Speaker 4>or how she experienced it, it just matters what it

0:28:30.960 --> 0:28:35.960
<v Speaker 4>was for me. So anyways, we have kept in touch.

0:28:36.119 --> 0:28:38.920
<v Speaker 4>I did end up coming out to her. She was

0:28:39.000 --> 0:28:41.720
<v Speaker 4>cool with it, and that's as far as we've gotten. Yeah,

0:28:41.920 --> 0:28:47.960
<v Speaker 4>I think that ideally what I hoped for was that

0:28:49.360 --> 0:28:54.400
<v Speaker 4>we would come together and I would share with her

0:28:54.720 --> 0:28:58.160
<v Speaker 4>what I was doing, and that she would acknowledge what

0:28:58.360 --> 0:29:02.880
<v Speaker 4>happened between us, and that we would talk about it openly,

0:29:03.800 --> 0:29:07.360
<v Speaker 4>and that I would walk away with a smile on

0:29:07.440 --> 0:29:12.040
<v Speaker 4>my face and my heart and knowing that she validated

0:29:12.200 --> 0:29:15.280
<v Speaker 4>everything we had gone through. That was what I ideally

0:29:15.320 --> 0:29:19.160
<v Speaker 4>hoped for, because by then I was already with who

0:29:19.240 --> 0:29:22.000
<v Speaker 4>is now my spouse, So I wasn't like I was

0:29:22.000 --> 0:29:27.080
<v Speaker 4>looking to rekindle anything. I just I just wanted her

0:29:27.160 --> 0:29:31.520
<v Speaker 4>to it, to say, yeah, you know, like that's that's

0:29:31.520 --> 0:29:35.040
<v Speaker 4>what happened, and and thank you for bringing it up,

0:29:35.240 --> 0:29:36.120
<v Speaker 4>or you.

0:29:36.080 --> 0:29:36.280
<v Speaker 8>Know, I.

0:29:38.040 --> 0:29:40.680
<v Speaker 4>Wish we could have talked about it then or something,

0:29:40.720 --> 0:29:43.680
<v Speaker 4>you know. I just I wanted her to acknowledge me

0:29:44.640 --> 0:29:49.320
<v Speaker 4>and what we experienced. And I didn't get that.

0:29:49.480 --> 0:29:52.040
<v Speaker 1>Aaroda came out to her first love, but had a

0:29:52.040 --> 0:29:54.560
<v Speaker 1>different idea of how the conversation would go.

0:29:55.520 --> 0:30:02.040
<v Speaker 4>So I needed closure, and Mosquite Mani became closure. When

0:30:02.040 --> 0:30:05.040
<v Speaker 4>I made the film, I really did feel that I

0:30:05.080 --> 0:30:08.080
<v Speaker 4>felt like I was able to move on because I

0:30:08.240 --> 0:30:11.440
<v Speaker 4>was so when I went to college to film school

0:30:12.360 --> 0:30:14.720
<v Speaker 4>and I was told in my screenwriting class to write

0:30:14.800 --> 0:30:19.080
<v Speaker 4>from a place of a personal experience, I immediately started writing,

0:30:19.720 --> 0:30:25.120
<v Speaker 4>particularly about her, and it became Mosquitai Money, and it

0:30:25.360 --> 0:30:27.800
<v Speaker 4>just was like, man, man, this love has been haunting

0:30:27.840 --> 0:30:31.280
<v Speaker 4>me for a long time, and it was haunting me

0:30:31.400 --> 0:30:36.680
<v Speaker 4>because we never really acknowledged it between each other, and

0:30:36.920 --> 0:30:39.040
<v Speaker 4>it was something that I needed. And I think it

0:30:39.080 --> 0:30:42.560
<v Speaker 4>goes back to the way I was raised, all that silence,

0:30:42.680 --> 0:30:45.840
<v Speaker 4>all that living in my head and you know, not

0:30:46.160 --> 0:30:53.240
<v Speaker 4>having that opportunity to process and to put a name

0:30:53.400 --> 0:30:58.840
<v Speaker 4>to it, like it really impacted me. And so this

0:30:59.080 --> 0:31:04.160
<v Speaker 4>haunting was ongoing and it wasn't until I made Mosquitai

0:31:04.200 --> 0:31:07.640
<v Speaker 4>Madi that I was free and freedom of it, and

0:31:07.680 --> 0:31:12.360
<v Speaker 4>I really, I really was. So it became very very

0:31:12.400 --> 0:31:16.280
<v Speaker 4>significant for me the making of that movie, especially after

0:31:16.280 --> 0:31:17.000
<v Speaker 4>she and I met.

0:31:17.160 --> 0:31:21.440
<v Speaker 3>It's been twelve years since MOSQUITEI Madi was released, its

0:31:21.480 --> 0:31:23.160
<v Speaker 3>cultural impact remains.

0:31:23.440 --> 0:31:27.320
<v Speaker 4>It's kind of like I gave birth to this story

0:31:27.840 --> 0:31:31.480
<v Speaker 4>and it was massive for me personally. As I've just

0:31:31.600 --> 0:31:35.400
<v Speaker 4>expressed that, I was excited to put it out in

0:31:35.440 --> 0:31:38.080
<v Speaker 4>the world and see what it was going to do

0:31:38.160 --> 0:31:42.760
<v Speaker 4>to other people, hoping that it would shake people in

0:31:42.840 --> 0:31:45.360
<v Speaker 4>a good way, it would send them on a journey

0:31:45.400 --> 0:31:50.800
<v Speaker 4>to you know, find answers or help people feel validated,

0:31:50.880 --> 0:31:54.840
<v Speaker 4>whatever it was going to do. So I basically just

0:31:55.000 --> 0:32:01.080
<v Speaker 4>said fly and never looked back. Like, the movie's doing

0:32:01.120 --> 0:32:06.040
<v Speaker 4>its thing everywhere, and it just kind of been in

0:32:06.240 --> 0:32:10.479
<v Speaker 4>pocket circles back and people are either writing about it,

0:32:10.480 --> 0:32:14.880
<v Speaker 4>it's been in books. The Academy Museum just wrote me

0:32:15.600 --> 0:32:21.000
<v Speaker 4>and they want to center the film around coming of

0:32:21.040 --> 0:32:25.240
<v Speaker 4>age stories. And I was like, wow, like Mosquita Mondy

0:32:25.360 --> 0:32:28.280
<v Speaker 4>is like, it's just doing its thing and it's impacting

0:32:28.320 --> 0:32:34.240
<v Speaker 4>people to this day. And still there hasn't been a

0:32:34.280 --> 0:32:37.760
<v Speaker 4>film that has come out quite like Mosquite Mady and

0:32:37.880 --> 0:32:41.480
<v Speaker 4>so so I guess it is. But it was never

0:32:41.920 --> 0:32:46.760
<v Speaker 4>something that I was really intending. I just was like,

0:32:46.880 --> 0:32:49.280
<v Speaker 4>Mosquite Money just needs to be what it is out

0:32:49.280 --> 0:32:52.800
<v Speaker 4>in the world. It's done its job with me, thankfully,

0:32:52.880 --> 0:32:57.400
<v Speaker 4>and I'm so grateful and now off into the world.

0:32:57.520 --> 0:33:01.239
<v Speaker 4>And so yeah, it's the little the little train that

0:33:01.320 --> 0:33:04.320
<v Speaker 4>could you know, it just keeps giving, it keeps going.

0:33:04.680 --> 0:33:05.960
<v Speaker 4>That's how I feel about it.

0:33:06.440 --> 0:33:11.000
<v Speaker 3>Instead of passing down generational silence to her daughter, Adoda

0:33:11.040 --> 0:33:14.880
<v Speaker 3>is passing down the visual love letter that is Mosquitei Madi.

0:33:15.840 --> 0:33:19.200
<v Speaker 3>One day, Adoa and her daughter will watch the film together.

0:33:19.960 --> 0:33:23.200
<v Speaker 3>The film that served as closure for Arora will open

0:33:23.280 --> 0:33:25.240
<v Speaker 3>up a dialogue with her own daughter.

0:33:25.880 --> 0:33:28.320
<v Speaker 4>So part of it is like me doing my therapy

0:33:28.520 --> 0:33:32.719
<v Speaker 4>and working through my stuff and finding the right thing's

0:33:33.200 --> 0:33:35.560
<v Speaker 4>tools to be able to talk about it. I think

0:33:35.680 --> 0:33:39.840
<v Speaker 4>film she's been wanting to watch Mosquite Mati, and so

0:33:40.360 --> 0:33:46.000
<v Speaker 4>I'm excited about watching it with her and sharing my

0:33:46.160 --> 0:33:48.800
<v Speaker 4>story with her. I think it's going to be really deep,

0:33:50.160 --> 0:33:53.680
<v Speaker 4>and I think definitely before this year is up, we're

0:33:53.720 --> 0:33:56.360
<v Speaker 4>going to have a screening of it me, her and

0:33:56.440 --> 0:33:59.200
<v Speaker 4>my wife and like put it on the big screen

0:33:59.400 --> 0:34:07.240
<v Speaker 4>and and have a discussion afterwards. So so excitement, not

0:34:07.480 --> 0:34:12.560
<v Speaker 4>fear being excited about these conversations, be excited about finding

0:34:12.600 --> 0:34:16.879
<v Speaker 4>the tools. Also finding other parents you know that are

0:34:17.960 --> 0:34:21.520
<v Speaker 4>raising their kids similarly, and that we can have discussions

0:34:21.560 --> 0:34:24.040
<v Speaker 4>with them about you know, what are you doing, how

0:34:24.080 --> 0:34:28.000
<v Speaker 4>are you doing it? I think that that's really helpful.

0:34:28.120 --> 0:34:31.759
<v Speaker 4>My spouse and I are very community oriented and we

0:34:31.840 --> 0:34:34.080
<v Speaker 4>have quite a few friends with kids. They're all around

0:34:34.080 --> 0:34:36.799
<v Speaker 4>the same age, so we're all checking in with each other.

0:34:38.360 --> 0:34:44.800
<v Speaker 4>So yeah, I think that that's where we're at. And

0:34:45.480 --> 0:34:53.560
<v Speaker 4>hopeful that this shift in attitude and an approach will

0:34:53.719 --> 0:35:00.600
<v Speaker 4>lead to less trauma in our communities, more empowerment, and

0:35:00.760 --> 0:35:06.480
<v Speaker 4>just more beautiful stories that they can share, is our hope,

0:35:06.719 --> 0:35:06.920
<v Speaker 4>you know.

0:35:08.320 --> 0:35:11.959
<v Speaker 1>At the end of our interview with Arora, we thought

0:35:12.000 --> 0:35:15.320
<v Speaker 1>deeply about what it means when our love is not reciprocated,

0:35:15.640 --> 0:35:19.360
<v Speaker 1>and how we might channel that unrequited love into our work,

0:35:19.920 --> 0:35:23.360
<v Speaker 1>into our learning, into our own happiness, and the ways

0:35:23.360 --> 0:35:27.000
<v Speaker 1>that art making can serve as closure when the object

0:35:27.040 --> 0:35:29.839
<v Speaker 1>of our affection cannot do the same for us.

0:35:31.040 --> 0:35:35.120
<v Speaker 3>This interview with Arora really got me thinking about my

0:35:35.239 --> 0:35:42.040
<v Speaker 3>first love, my first queer love, because there was just

0:35:42.160 --> 0:35:45.080
<v Speaker 3>no information out there for me at that time. And

0:35:45.120 --> 0:35:48.360
<v Speaker 3>I'm so glad that a film like Mosquitai Mai exists,

0:35:49.120 --> 0:35:53.160
<v Speaker 3>and it really makes me think about those friendships with

0:35:53.360 --> 0:35:59.319
<v Speaker 3>girls before having any type of sexual awakening. There's this

0:35:59.400 --> 0:36:02.520
<v Speaker 3>intensity of these friendships when you're a young girl, and

0:36:02.560 --> 0:36:04.520
<v Speaker 3>now you can look back and be like, oh, we

0:36:04.520 --> 0:36:07.000
<v Speaker 3>were just in love with each other, and that's why

0:36:07.040 --> 0:36:09.160
<v Speaker 3>it was so intense and in love in the way

0:36:09.200 --> 0:36:12.000
<v Speaker 3>that a twelve year old can be in love right

0:36:12.560 --> 0:36:16.120
<v Speaker 3>where there's this queering of friendship and being able to

0:36:16.239 --> 0:36:19.239
<v Speaker 3>understand there was some complexity there that we did not

0:36:19.400 --> 0:36:22.840
<v Speaker 3>understand at the time, and so I'm just really glad

0:36:22.840 --> 0:36:27.040
<v Speaker 3>that ado Ra shared her experience with us and how

0:36:27.080 --> 0:36:31.479
<v Speaker 3>she was really able to alchemize this unrequited love into

0:36:31.520 --> 0:36:34.920
<v Speaker 3>this beautiful film that stands a test of time that

0:36:35.080 --> 0:36:37.760
<v Speaker 3>is a part of queer Canon Films.

0:36:38.200 --> 0:36:41.200
<v Speaker 1>Thank you for tuning in to another episode of Senora

0:36:41.320 --> 0:36:44.319
<v Speaker 1>sex Ed. Next time, on Senora sex Ed, we are

0:36:44.440 --> 0:36:48.920
<v Speaker 1>joined by content creator Naomi Hearts. We're talking about love

0:36:49.160 --> 0:36:53.080
<v Speaker 1>as a transgender woman and how comedy figures into her

0:36:53.200 --> 0:36:56.400
<v Speaker 1>content and her personal relationships.

0:36:56.760 --> 0:36:59.600
<v Speaker 8>Here I go again coming to my mom having to

0:36:59.640 --> 0:37:03.640
<v Speaker 8>come out a second time, and I was like, you know,

0:37:04.480 --> 0:37:06.960
<v Speaker 8>I don't think I'm gay, and she was like confused

0:37:06.960 --> 0:37:09.280
<v Speaker 8>for a bed and I told her I think I'm transgender,

0:37:10.080 --> 0:37:13.840
<v Speaker 8>and in that moment she was like, I don't know

0:37:13.880 --> 0:37:16.520
<v Speaker 8>what that is. I love you and I'm gonna support you,

0:37:16.640 --> 0:37:18.080
<v Speaker 8>and we're gonna do it Together.

0:37:19.480 --> 0:37:24.720
<v Speaker 3>Nosavemos Chao Senora Sex Said is a co production between

0:37:24.719 --> 0:37:28.040
<v Speaker 3>LOCATORA Productions and Michael Dura Podcast Network.

0:37:28.560 --> 0:37:32.200
<v Speaker 1>This show is executive produced by Mala Munos and biosa Fem.

0:37:32.920 --> 0:37:36.480
<v Speaker 3>Also executive produced by Jaselle Frances.

0:37:36.400 --> 0:37:38.360
<v Speaker 1>Produced by Stephanie Franco.

0:37:38.719 --> 0:37:41.560
<v Speaker 3>Creative direction by Mala Munios.

0:37:40.960 --> 0:37:43.320
<v Speaker 1>Story editing by Biosafem.

0:37:43.400 --> 0:37:46.400
<v Speaker 3>Music direction by Grisol Lomeli and

0:37:46.480 --> 0:37:48.080
<v Speaker 1>Music produced by Brian Gazo