1 00:00:00,040 --> 00:00:01,880 Speaker 1: Our good friend Lee Shregger. He's on the show from 2 00:00:01,880 --> 00:00:03,440 Speaker 1: time to time. People are like, like, why do you 3 00:00:03,480 --> 00:00:07,560 Speaker 1: let him come on and belittle you so well? Whatever, 4 00:00:07,680 --> 00:00:09,480 Speaker 1: because we know the truth. Yeah, the last time he 5 00:00:09,520 --> 00:00:13,000 Speaker 1: was in he almost made me cry. We love you, Lee, Lee, 6 00:00:13,039 --> 00:00:15,520 Speaker 1: get close to the microphone. Lee. Of course, being in 7 00:00:15,560 --> 00:00:18,160 Speaker 1: Miami Beach, being with you in Miami is just a 8 00:00:18,200 --> 00:00:20,640 Speaker 1: treat because this is your town. And what's the Fountain 9 00:00:20,680 --> 00:00:23,480 Speaker 1: Blue mean to you? It's history growing up when I 10 00:00:23,560 --> 00:00:29,160 Speaker 1: was a child twenty five years ago. This is where 11 00:00:29,200 --> 00:00:32,000 Speaker 1: we stayed coming down. I mean really, when we would 12 00:00:32,000 --> 00:00:34,000 Speaker 1: come down from Long Island, we'd stay at the Fountain Blue. 13 00:00:34,040 --> 00:00:36,080 Speaker 1: I stayed here when I was OK. It's amazing. Maybe 14 00:00:36,080 --> 00:00:37,720 Speaker 1: we knew each maybe we played on the beach together. 15 00:00:37,760 --> 00:00:38,800 Speaker 1: I doubt it. 16 00:00:39,479 --> 00:00:41,520 Speaker 2: My mother wouldn't have let me near someone who looked 17 00:00:41,560 --> 00:00:44,479 Speaker 2: like you. 18 00:00:44,720 --> 00:00:47,159 Speaker 1: When you're running around the beach here, I was a toddler. 19 00:00:49,720 --> 00:00:51,880 Speaker 2: When you were running around to beach, Jerry Folwell was 20 00:00:52,560 --> 00:00:54,080 Speaker 2: chasing you like the flow boys here? 21 00:00:54,400 --> 00:00:57,160 Speaker 1: Is there a problem with that? So the Fountain Blue 22 00:00:57,280 --> 00:00:58,960 Speaker 1: is a piece of history here in New York City, 23 00:00:59,080 --> 00:01:01,480 Speaker 1: I mean here in Miami b much longer than we've 24 00:01:01,520 --> 00:01:02,920 Speaker 1: been around. Oh no, it's it's great. 25 00:01:02,960 --> 00:01:05,120 Speaker 2: I mean, look at just walking into you see all 26 00:01:05,160 --> 00:01:08,479 Speaker 2: the pictures of Frank Sinatra to Marilyn Monroe and all 27 00:01:08,520 --> 00:01:10,960 Speaker 2: the gangsters who used to hang out here. And Phil Goldfarb. 28 00:01:11,040 --> 00:01:12,880 Speaker 2: You know who runs the property. Was not Aster by 29 00:01:12,920 --> 00:01:18,520 Speaker 2: the way, Well uh no, no, he is one of 30 00:01:18,520 --> 00:01:21,240 Speaker 2: the great you know managers, managing directors of this property. 31 00:01:21,240 --> 00:01:24,080 Speaker 2: It's an extraordinary property. We do events here over the 32 00:01:24,120 --> 00:01:26,440 Speaker 2: South Beach one and food festival, which I am not 33 00:01:26,640 --> 00:01:29,400 Speaker 2: here plugging today, just f y. I but I do 34 00:01:29,480 --> 00:01:31,199 Speaker 2: have a few things to say before we start. 35 00:01:31,200 --> 00:01:32,720 Speaker 1: I'm sure you do. Okay. 36 00:01:33,440 --> 00:01:36,000 Speaker 2: First of all, I made some notes because when I 37 00:01:36,040 --> 00:01:38,000 Speaker 2: was on last time, I felt the show dragged a little. 38 00:01:38,160 --> 00:01:40,080 Speaker 1: Oh wow, this is great. 39 00:01:40,120 --> 00:01:42,600 Speaker 2: I come. I kind of made some notes. So you're 40 00:01:42,600 --> 00:01:45,160 Speaker 2: consulting with and now I'm a little consulting. I spoke 41 00:01:45,200 --> 00:01:47,600 Speaker 2: to Bob Pittman. He knows that starting Q one, I 42 00:01:47,600 --> 00:01:48,960 Speaker 2: will be consulting. 43 00:01:48,520 --> 00:01:51,760 Speaker 1: On the show. Boy. Yes, I'm excited. Yeah, Q one, 44 00:01:51,840 --> 00:01:57,400 Speaker 1: I'll be consulting in the show number two. Wait, I 45 00:01:57,440 --> 00:01:59,920 Speaker 1: lost my train of thought. Okay, wait, wait you're acting. 46 00:02:00,280 --> 00:02:03,360 Speaker 2: No no, down, no, no, no, I'd like to I 47 00:02:03,400 --> 00:02:05,640 Speaker 2: want to take the Doriso pledge because we never have 48 00:02:05,840 --> 00:02:07,760 Speaker 2: enough batteries in our house and no matter what we 49 00:02:07,880 --> 00:02:11,400 Speaker 2: are looking for, you don't have that size. And all 50 00:02:11,520 --> 00:02:13,919 Speaker 2: these years later, I don't know which battery goes in 51 00:02:14,000 --> 00:02:16,400 Speaker 2: which I can't figure it out. So when I dropped 52 00:02:16,400 --> 00:02:18,720 Speaker 2: the remote and they fall out like it falls on 53 00:02:18,760 --> 00:02:20,200 Speaker 2: the floor like in the middle of a good you 54 00:02:20,240 --> 00:02:22,079 Speaker 2: know you're best seen, I don't know how to put 55 00:02:22,080 --> 00:02:24,040 Speaker 2: them in. I have to wake up Ricardo to say, 56 00:02:24,080 --> 00:02:25,560 Speaker 2: can you put together the batteries? 57 00:02:25,680 --> 00:02:29,519 Speaker 1: Ricardo? You know, Thank God for Ricardo. They have like 58 00:02:29,600 --> 00:02:34,919 Speaker 1: little a's on that I don't know. I cannot see them. Okay, wait, 59 00:02:35,480 --> 00:02:36,919 Speaker 1: and then I have to ask you. 60 00:02:37,080 --> 00:02:39,880 Speaker 2: I had a very embarrassing moment last week. What happened 61 00:02:40,000 --> 00:02:41,280 Speaker 2: last Sunday? 62 00:02:41,320 --> 00:02:42,160 Speaker 1: I was flying home. 63 00:02:42,200 --> 00:02:44,440 Speaker 2: I was in Teeterborough and I ran it to my 64 00:02:44,480 --> 00:02:47,880 Speaker 2: friend Mariah Carey. Okay, so I figured, oh, you know, 65 00:02:47,960 --> 00:02:49,880 Speaker 2: what what do I have in common with Mariah Carey? 66 00:02:49,919 --> 00:02:52,320 Speaker 2: I said, you must know my dear friend Elvis Duran. 67 00:02:52,800 --> 00:02:54,959 Speaker 2: That was the worst thing to possibly say. 68 00:02:55,560 --> 00:02:59,359 Speaker 1: What did he say? Nothing? I can say here? She 69 00:02:59,480 --> 00:03:04,000 Speaker 1: had then she's seen our friends again. Oh well, you 70 00:03:04,080 --> 00:03:09,400 Speaker 1: may want to tell her that they just casually dropped 71 00:03:09,400 --> 00:03:12,920 Speaker 1: Tineborough and Riah Carey pick those names off the floor. 72 00:03:13,000 --> 00:03:17,560 Speaker 2: Yeah, yeah, yeah, Peter b Yes, I said, she's sitting there. 73 00:03:17,639 --> 00:03:19,880 Speaker 2: I'm sitting there. We're looking at each other's luggage, and 74 00:03:20,000 --> 00:03:23,200 Speaker 2: I say, oh, you miss know my dear friend Elvis Durant. Yes, 75 00:03:23,440 --> 00:03:25,839 Speaker 2: she goes, yes, that's exactly what she's saying. 76 00:03:25,919 --> 00:03:32,560 Speaker 1: I'm like sneered then, as if it couldn't get worse. 77 00:03:33,800 --> 00:03:36,840 Speaker 2: Yesterday, I'm calling all my food friends to deliver food 78 00:03:37,760 --> 00:03:42,720 Speaker 2: Salty Dog, Cindi Luz Albago, Eastless Canadas, and I'm saying, 79 00:03:42,760 --> 00:03:44,720 Speaker 2: you know, I'm going on the number one morning show 80 00:03:44,760 --> 00:03:46,880 Speaker 2: with my friends. And they all say, oh god, we 81 00:03:47,080 --> 00:03:56,680 Speaker 2: love Arique Santos. Wow, hair I would say. I was like, no, 82 00:03:56,880 --> 00:04:00,040 Speaker 2: it's Elvis duran They said, well, Rique Santos. I said no, 83 00:04:00,320 --> 00:04:03,640 Speaker 2: I promise you as Elvis and the crew. I mean, so, well, 84 00:04:03,720 --> 00:04:05,800 Speaker 2: you're not as popular down here as I thought you were. 85 00:04:08,960 --> 00:04:11,520 Speaker 2: I want to say, give me talking about why you're 86 00:04:11,520 --> 00:04:14,720 Speaker 2: popular here that everyone. 87 00:04:14,400 --> 00:04:16,240 Speaker 1: Knows why I'm popular. To hear Albus, you don't need 88 00:04:16,320 --> 00:04:21,680 Speaker 1: to dig up the pass. What I would like to say, 89 00:04:22,440 --> 00:04:23,520 Speaker 1: everyone knows. 90 00:04:23,360 --> 00:04:25,560 Speaker 2: That jingle balls in town, and the tickets started thirty 91 00:04:25,640 --> 00:04:28,160 Speaker 2: one dollars. I wish you promoted other things the way 92 00:04:28,200 --> 00:04:31,520 Speaker 2: you promote your jingle ball thirty one dollars. Thirty one dollars. 93 00:04:31,600 --> 00:04:34,400 Speaker 2: We all know that it's tomorrow night. I would like 94 00:04:34,480 --> 00:04:36,080 Speaker 2: to make it clear that I was not invited. 95 00:04:36,360 --> 00:04:38,880 Speaker 1: That is okay. I wonder what. 96 00:04:40,640 --> 00:04:42,799 Speaker 2: I would like to say. Ricarda said to me, aren't 97 00:04:42,800 --> 00:04:45,200 Speaker 2: we going? I said, why would we go when not invited? 98 00:04:45,200 --> 00:04:53,240 Speaker 2: I'm not spending thirty one dollars. You are awful, By 99 00:04:53,279 --> 00:04:53,599 Speaker 2: the way. 100 00:04:53,880 --> 00:04:56,520 Speaker 1: Mariah Carey was sick last week with the flu. She 101 00:04:56,640 --> 00:04:58,440 Speaker 1: was trying. I wasn't feeling well. Are you sure that 102 00:04:58,680 --> 00:05:01,120 Speaker 1: you saw it their? She was at Sunday at an 103 00:05:01,279 --> 00:05:04,479 Speaker 1: FBO in Teeterburg. I promise you that was there. Yeah. 104 00:05:04,560 --> 00:05:06,800 Speaker 2: She was carrying a fabulous boy yard bag. She had 105 00:05:06,839 --> 00:05:09,840 Speaker 2: two dogs whatever they were looked like schnauzers. So she 106 00:05:09,920 --> 00:05:11,640 Speaker 2: may have been sick, but she was flying with kids. 107 00:05:11,720 --> 00:05:16,000 Speaker 1: It looked like her. Well, I'll have to give him 108 00:05:16,000 --> 00:05:18,440 Speaker 1: a call now. You might want to tell her to 109 00:05:18,480 --> 00:05:19,360 Speaker 1: see what's going on there. 110 00:05:19,440 --> 00:05:21,720 Speaker 2: You should have seen her face when I said, Elvis Durant, 111 00:05:21,839 --> 00:05:25,520 Speaker 2: oh please, Yeah, You're full of crap and I love it. 112 00:05:26,080 --> 00:05:29,040 Speaker 1: Hey, Okay, So here we are in beautiful South Florida. 113 00:05:29,160 --> 00:05:31,320 Speaker 1: Here we are in Miami, Miami beached to be exact 114 00:05:33,000 --> 00:05:35,880 Speaker 1: being doing what you do here. You are so involved 115 00:05:35,920 --> 00:05:38,480 Speaker 1: with the community here, it's so it goes beyond anything 116 00:05:38,560 --> 00:05:40,800 Speaker 1: we know about you. You have such a love for 117 00:05:40,880 --> 00:05:43,960 Speaker 1: the restaurants, the chefs, the people who work in restaurants, 118 00:05:44,000 --> 00:05:46,040 Speaker 1: not just not just the owners of the restaurants, but 119 00:05:46,160 --> 00:05:48,760 Speaker 1: all the way up and down the line, everyone who 120 00:05:48,839 --> 00:05:52,279 Speaker 1: works in this industry. How important is it for us 121 00:05:52,360 --> 00:05:55,000 Speaker 1: to continue to remember we can make dinner and a 122 00:05:55,040 --> 00:05:56,840 Speaker 1: home or we could go out. We need to go out. 123 00:05:57,760 --> 00:05:58,560 Speaker 1: I need to go out. 124 00:05:58,640 --> 00:06:00,840 Speaker 2: I mean, you know, although I'm a chef by trade, 125 00:06:00,880 --> 00:06:04,080 Speaker 2: I never cook. You know, Miami has the greatest restaurants 126 00:06:04,080 --> 00:06:06,760 Speaker 2: in the country. It has really become the capital of 127 00:06:06,839 --> 00:06:09,800 Speaker 2: the food world. I would say, you know, New York, La, 128 00:06:10,080 --> 00:06:12,840 Speaker 2: Miami have the greatest, greatest restaurants. I mean, you look 129 00:06:12,880 --> 00:06:15,440 Speaker 2: at the talent that's here, from Thomas kell A to 130 00:06:15,560 --> 00:06:18,680 Speaker 2: Jean George, to Fabio Traviochi to Danielle Blu And then 131 00:06:19,000 --> 00:06:21,760 Speaker 2: you talk about the local talent like Michelle Bernstein, who's 132 00:06:21,839 --> 00:06:25,440 Speaker 2: like our royalty and Michael Schwartz and you know it's 133 00:06:25,480 --> 00:06:28,719 Speaker 2: it's endless. It used to be we couldn't decide where 134 00:06:28,760 --> 00:06:31,240 Speaker 2: to eat. We had they aided Joe's or we ate 135 00:06:31,279 --> 00:06:33,440 Speaker 2: at the Forge, right, and there was nothing in between. 136 00:06:34,160 --> 00:06:34,880 Speaker 1: Now you can't. 137 00:06:35,040 --> 00:06:36,719 Speaker 2: You know, it used to take you minutes to decide 138 00:06:36,720 --> 00:06:38,880 Speaker 2: where you wanted to eat because it was nothing. Now 139 00:06:38,960 --> 00:06:41,320 Speaker 2: it takes you minutes to eat because there are so 140 00:06:41,400 --> 00:06:44,240 Speaker 2: many great choices, I mean really great food. And I 141 00:06:44,320 --> 00:06:46,640 Speaker 2: love Italian food like you do. And we're going to 142 00:06:46,720 --> 00:06:49,000 Speaker 2: our favorite Italian restaurant tonight. I'm not going to tell 143 00:06:49,000 --> 00:06:51,400 Speaker 2: you because I don't want you to hound all over Elvis. 144 00:06:52,480 --> 00:06:54,160 Speaker 2: Miriam may find out where we are and come see this, 145 00:06:54,920 --> 00:06:57,000 Speaker 2: you know, a ten Olton Road, seven thirty. 146 00:06:59,160 --> 00:07:01,680 Speaker 1: Thank you. You know what's great about Another thing that's 147 00:07:01,680 --> 00:07:05,560 Speaker 1: great about the Fountain Bluesuntain Blue. It's more than just 148 00:07:05,720 --> 00:07:08,360 Speaker 1: for all of us that fly in. People who live 149 00:07:08,480 --> 00:07:10,920 Speaker 1: here come here as their community center in a way. 150 00:07:11,200 --> 00:07:13,800 Speaker 1: And Michael White just opened Marabella here he is and 151 00:07:13,880 --> 00:07:17,000 Speaker 1: we had dinner there last night. Another great chef here Florida, 152 00:07:17,040 --> 00:07:19,440 Speaker 1: one of the best restaurants in the city. Michael White 153 00:07:19,480 --> 00:07:21,360 Speaker 1: one of the best chefs in the city. But Mirabella 154 00:07:21,560 --> 00:07:24,200 Speaker 1: is probably one of my favorite restaurants. And this is 155 00:07:24,320 --> 00:07:26,960 Speaker 1: you know, you can check in here and never leave 156 00:07:27,080 --> 00:07:30,160 Speaker 1: this property. The food and beverage here, the rooms are fantastic. 157 00:07:30,240 --> 00:07:33,000 Speaker 1: And look at this view. Yeah, I mean, I mean, 158 00:07:33,120 --> 00:07:34,880 Speaker 1: I know it's hard to compare it to your studio 159 00:07:34,960 --> 00:07:38,600 Speaker 1: in New York City. We look at nothing, yeah, look 160 00:07:38,600 --> 00:07:42,200 Speaker 1: at nothing. We look at murders on we see people 161 00:07:42,240 --> 00:07:44,920 Speaker 1: shooting people in the streets. I see dead people when 162 00:07:45,000 --> 00:07:49,120 Speaker 1: I go there, right, yeah, yeah, another trash trash, Yes, 163 00:07:49,240 --> 00:07:53,800 Speaker 1: and Gandhi has a passed here in yes, South Florida. 164 00:07:53,840 --> 00:07:58,320 Speaker 1: Pemberke Pines in high school. Hello, see Danielle. And we've 165 00:07:58,320 --> 00:08:00,200 Speaker 1: been coming here when but scary for years in your 166 00:08:00,240 --> 00:08:02,760 Speaker 1: hears to Tom Blue, it's it's an amazing property, so 167 00:08:02,880 --> 00:08:04,720 Speaker 1: well run. The history here is great. 168 00:08:04,760 --> 00:08:07,120 Speaker 2: And as I said, Phil Goldfarb one of the you know, 169 00:08:07,240 --> 00:08:09,120 Speaker 2: ultimate professional hotels in the. 170 00:08:09,120 --> 00:08:09,960 Speaker 1: City, one of the greats. 171 00:08:10,160 --> 00:08:10,440 Speaker 2: You know what. 172 00:08:10,600 --> 00:08:13,080 Speaker 1: I was telling someone who works here as well earlier 173 00:08:13,520 --> 00:08:16,920 Speaker 1: that when Phil, when he decides not to have such 174 00:08:16,920 --> 00:08:18,960 Speaker 1: a huge role here to the Found Blue, he should 175 00:08:19,000 --> 00:08:23,040 Speaker 1: continue on and they should sell Phil Goldfarb Tours were 176 00:08:23,280 --> 00:08:26,400 Speaker 1: for for a nice amount of money. You let him 177 00:08:26,400 --> 00:08:27,760 Speaker 1: take you on a tour of the Fountain Blue. 178 00:08:28,280 --> 00:08:31,280 Speaker 2: And I don't think Phil needs any money. I think 179 00:08:31,320 --> 00:08:33,960 Speaker 2: it's been very well compensated. I'm not worried about Phil. 180 00:08:34,240 --> 00:08:37,120 Speaker 1: But the found Blue takes a cut. Yeah, yeah, there's that. 181 00:08:38,800 --> 00:08:41,319 Speaker 2: Then you know, Dave Grutman here has a nightclub downstairs, 182 00:08:41,800 --> 00:08:44,800 Speaker 2: I mean it's and they have a great bakery downstairs. 183 00:08:45,559 --> 00:08:47,839 Speaker 2: And the store next to the absolutely is that what 184 00:08:47,920 --> 00:08:51,559 Speaker 2: it's called. And they have a store that, shockingly for 185 00:08:51,640 --> 00:08:56,200 Speaker 2: a hotel, has great, great clothing, clothing items like really 186 00:08:56,280 --> 00:08:56,679 Speaker 2: really good. 187 00:08:57,200 --> 00:08:59,199 Speaker 1: I have lots of questions, I mean, scary and not 188 00:08:59,320 --> 00:09:02,520 Speaker 1: using your shirt as a that's not from the fountain 189 00:09:03,280 --> 00:09:06,559 Speaker 1: You have shot here before? Yes, yes, before you before 190 00:09:06,600 --> 00:09:08,959 Speaker 1: you roll out. I'm rolling out. I just got here. 191 00:09:10,160 --> 00:09:12,760 Speaker 1: It's thirty eight minutes to get here. I'm not leaving. 192 00:09:12,960 --> 00:09:15,959 Speaker 1: We do need to thank these I am not leaving. 193 00:09:16,160 --> 00:09:18,199 Speaker 1: We need to take these incredible friends of yours that 194 00:09:18,240 --> 00:09:21,679 Speaker 1: brought this food in with you. You you turn them 195 00:09:21,720 --> 00:09:24,000 Speaker 1: on to us, us onto them. I'm going to thank them, 196 00:09:24,040 --> 00:09:25,679 Speaker 1: but I want to tell you I am not leaving. 197 00:09:25,720 --> 00:09:26,600 Speaker 1: I'm here till the end. 198 00:09:26,880 --> 00:09:29,959 Speaker 2: It took me thirty eight minutes to get here, and 199 00:09:30,040 --> 00:09:32,520 Speaker 2: Recrder made me sleep in the bedroom of the bedroom 200 00:09:32,559 --> 00:09:33,520 Speaker 2: so I wouldn't wake them up. 201 00:09:33,559 --> 00:09:36,439 Speaker 1: Oh god, thirty eight minutes. I am not leaving. I 202 00:09:36,559 --> 00:09:39,160 Speaker 1: am here all day. Thirty eight minutes in Miami is 203 00:09:39,360 --> 00:09:41,400 Speaker 1: around the corner. I am with you all day here. 204 00:09:41,760 --> 00:09:44,040 Speaker 1: I have an idea. We have some other guests coming in. 205 00:09:44,080 --> 00:09:45,840 Speaker 1: We're gonna play Jeopardy. Do you want to play with us? 206 00:09:45,880 --> 00:09:47,959 Speaker 1: Of course? What I want to thank my friends you 207 00:09:48,040 --> 00:09:51,120 Speaker 1: told me. I think my friend, we did promise that 208 00:09:51,760 --> 00:09:54,320 Speaker 1: it's time to break, so you need to go fast. 209 00:09:54,840 --> 00:09:59,600 Speaker 1: Let's go. Okay, excuse me, I'm not coming back to this. Okay. 210 00:10:00,520 --> 00:10:03,160 Speaker 2: My friends who provided the food and I actually went 211 00:10:03,280 --> 00:10:05,840 Speaker 2: to Cindy Luke Cookies this morning to pick up the food. 212 00:10:06,160 --> 00:10:09,680 Speaker 2: El bagel, the best bagel in town. Who else delivered food? 213 00:10:10,040 --> 00:10:12,840 Speaker 2: Eastless Canaris? The best croquette is who else? Oh? My god? 214 00:10:12,880 --> 00:10:13,160 Speaker 1: Who am I? 215 00:10:13,920 --> 00:10:13,959 Speaker 2: No? 216 00:10:14,640 --> 00:10:18,559 Speaker 1: That's esos Canarios and salty donut the best donuts. My god, 217 00:10:18,600 --> 00:10:19,800 Speaker 1: those were great, so great. 218 00:10:19,960 --> 00:10:22,480 Speaker 2: Coffee with you here today, guys, right here at the Mirabella, 219 00:10:22,559 --> 00:10:25,760 Speaker 2: out of the fout blow and don't forget thirty one 220 00:10:25,760 --> 00:10:27,840 Speaker 2: dollar tickets tomorrow night for jingle ball. 221 00:10:30,640 --> 00:10:33,199 Speaker 1: O'clock. You know what I don't forget the Doris L Pledge, 222 00:10:34,600 --> 00:10:37,719 Speaker 1: the Duras pledge. We take that every morning. Wait, you 223 00:10:37,760 --> 00:10:40,839 Speaker 1: know there's no waiting. Wait you guys have wait Now 224 00:10:40,960 --> 00:10:41,280 Speaker 1: there's a. 225 00:10:41,360 --> 00:10:46,200 Speaker 2: Jingle for somebody, an insurance man get here. No, if 226 00:10:46,200 --> 00:10:49,199 Speaker 2: you're in an accident, call Rob. I mean you have 227 00:10:49,240 --> 00:10:52,040 Speaker 2: an insurance jingle in the morning for people sweet build. Yes, 228 00:10:54,679 --> 00:10:57,880 Speaker 2: we really need to cut his my call, but I 229 00:10:58,160 --> 00:11:00,640 Speaker 2: can't wait tonight when I go to retire after a 230 00:11:00,720 --> 00:11:01,040 Speaker 2: long day. 231 00:11:01,160 --> 00:11:05,079 Speaker 1: Yes, no, we have dinner. I had a prepay, so 232 00:11:05,320 --> 00:11:08,480 Speaker 1: everyone who's not coming has to has to pay. I 233 00:11:08,600 --> 00:11:10,520 Speaker 1: know that that door that goes to the adjoining room, 234 00:11:10,600 --> 00:11:12,560 Speaker 1: and I'm gonna open it and leaves strangers next ye