WEBVTT - Episode 90 w/ Wyclef

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<v Speaker 1>And his Drink Chess, motherfucking podcast. Make He's a legendary

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<v Speaker 1>Queen's wrapper. He's like Green is your boy in the

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<v Speaker 1>R He's a Miami hippop pioneer. Up his dj e FN.

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players in the most professional unprofessional podcast and your number

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<v Speaker 1>one source for drunk fast drinks, motherfucking podcast every day

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<v Speaker 1>is New Year's e. That's it's time for drink Champs,

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<v Speaker 1>drink up mother Mother. Hey, Hank set Greed, I hope

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<v Speaker 1>your softvia This is your boy in o R one

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<v Speaker 1>up his dj e F and his Drink Chance, motherfucking podcast.

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<v Speaker 1>Um not make some right now. I've got, hands down,

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<v Speaker 1>one of the best producers, one of the most diverse artists,

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<v Speaker 1>one of the persons who's been a part of the

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<v Speaker 1>most influential groups in the world that changed the world,

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<v Speaker 1>that help personally helped change me in my outlooking life.

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<v Speaker 1>They came from the depths of the hell bottom and

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<v Speaker 1>they rose to the top. He continued to make hits

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<v Speaker 1>for people like Carlo Santana, Beyonce, Destiny Child, and you

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<v Speaker 1>know whatever else you want to say. In any pop star,

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<v Speaker 1>they had to come to see They had to come

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<v Speaker 1>and see him if they wanted to go to that

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<v Speaker 1>next level. And right now we got walk Cliffs and

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<v Speaker 1>wall Cliff Gan. So you know, this is how I

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<v Speaker 1>gonna do it, because I'm a real fan. I want

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<v Speaker 1>to take it from the Book of Basement. Is that

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<v Speaker 1>what it's called. Yeah, it's called a bugger man. Yeah. Yeah,

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<v Speaker 1>the studio is called a bugger. But first, you know,

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<v Speaker 1>I want to bring you salute from the whole, the

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<v Speaker 1>whole entire Haiti. You know what I mean. You know,

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<v Speaker 1>we love you, We salute you representative. Yeah. So so

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<v Speaker 1>he ran for president. We wanted to make sure that

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<v Speaker 1>that was clear. You know, that was the first thing.

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<v Speaker 1>So I would say, man, the Book of Basement. You know,

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<v Speaker 1>I was after Haiti leaving Brooklyn, came Marlborough, whole projects,

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<v Speaker 1>Coney Island. Um, my dad was searching for a better life.

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<v Speaker 1>He brought us to Jersey and and we lived in

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<v Speaker 1>East Sting. Yeah. So so from East Sterne I won

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<v Speaker 1>oh seven, South Clinton. From there we moved to Nork.

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<v Speaker 1>So I was back and forth between north and Easting.

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<v Speaker 1>And you know, my dad was a minister. So when

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<v Speaker 1>the church they had that it was that whole myth

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<v Speaker 1>about circular music and so the same thing that the

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<v Speaker 1>Cats went through. That was in the seventies where if

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<v Speaker 1>he was playing church music, you couldn't be playing you

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<v Speaker 1>couldn't go to be playing club music, you know what

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<v Speaker 1>I'm saying. So basically we had to sneak too. So

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<v Speaker 1>when I was playing, you know, like if I was

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<v Speaker 1>playing outside of the church, I was sneaking to do

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<v Speaker 1>that because you couldn't do that around Yeah, it was blasphemous,

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<v Speaker 1>so similar like Marvin gay Father. So for me, um,

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<v Speaker 1>but my passion was battle rapping. So I went to

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<v Speaker 1>Velsburg High School. Anybody who's listening to this right now,

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<v Speaker 1>Velsburg High School, you already know my first nigger is now,

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<v Speaker 1>Yeah for Nelly. Now. I used to eat my fucker's

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<v Speaker 1>up for breakfast, lunch, dinner, barely seventeen years or I

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<v Speaker 1>was obsessed with just because coming from Haiti, I was like,

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<v Speaker 1>You're the only way I'm gonna get attention and people

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<v Speaker 1>to pay attention. It's almost like you gotta spit better

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<v Speaker 1>than them. So I took the vocabulary to Shakespeare, just

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<v Speaker 1>became like a word smith, you know what I mean.

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<v Speaker 1>And the book of basement. The way it sound, that's

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<v Speaker 1>what it is. You know. I meant a con Acun

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<v Speaker 1>came to the booker. Um that was actually Jersey City, correct,

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<v Speaker 1>the Royal Black Warrior. Yeah. So so I'm you know,

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<v Speaker 1>I'm gonna give it to you like the deaf man.

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<v Speaker 1>A con was a barber like a this. Yeah, you know,

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<v Speaker 1>I'm gonna give it to you. Yeah, one of the job.

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<v Speaker 1>Yeah yeah, yeah, so a con one of his jobs. Man,

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<v Speaker 1>he was an incredible barber. But he always used to

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<v Speaker 1>come to the Booger and he come to the book

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<v Speaker 1>and be like, Yo, look cleft, listen to my music.

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<v Speaker 1>I got this music. So in my hood I was

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<v Speaker 1>like Dr Dre. So I was like that Haitian doctor.

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<v Speaker 1>You're still like dry. He was coming this. Yeah. This

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<v Speaker 1>was like you know when you watched the whole n

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<v Speaker 1>w A and ain't let him. Yeah, well this is

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<v Speaker 1>before this way before I'm talking about Yeah. So this

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<v Speaker 1>like the foundation. So the Booger was the spot everybody

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<v Speaker 1>would come through. Now I'm gonna get another fact on

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<v Speaker 1>a can. So when we did the score, um, there's

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<v Speaker 1>a remix the Fuji Yeah, the Fuji Li remix. I

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<v Speaker 1>put a carn on it. So this is like way

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<v Speaker 1>before anything, like yeah, so so this is what. So

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<v Speaker 1>when we did with La La La in the remix,

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<v Speaker 1>I was like, Yeo, I gotta put this kid on

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<v Speaker 1>it because I think like he's gonna go somewhere, Like

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<v Speaker 1>he's incredible every time I see him. So whenever I

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<v Speaker 1>used to do shows, I would just bring a car

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<v Speaker 1>on stage if he was there. So I only take

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<v Speaker 1>you that far back to show you. So there was

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<v Speaker 1>two sides of Jersey. We was representing the refuge side

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<v Speaker 1>and then you had the outsiders. The Outsiders was Eminem Eminem,

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<v Speaker 1>young z I dig a Pace one, so all of

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<v Speaker 1>that was on the other side. So when we was

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<v Speaker 1>doing the score, I was like, Yo, it would be

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<v Speaker 1>dope if we could unify both clicks on one record.

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<v Speaker 1>So on the score, the song Cowboys was when we

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<v Speaker 1>unified it was Refugees and the Outsiders and we put

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<v Speaker 1>that together. Um outside, it was a Kom was on

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<v Speaker 1>our side, but it was sort of like a Kom

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<v Speaker 1>was doing his thing. It was just he always was

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<v Speaker 1>on the grind. So even though when Fuji's was blowing up,

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<v Speaker 1>he still was like, yo, you need to check out

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<v Speaker 1>my music and that's all good. Years years later he

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<v Speaker 1>blew up, But it's just to show you um Erica

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<v Speaker 1>bad do. A lot of people came through that book

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<v Speaker 1>of basement, you know what I mean a lot of

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<v Speaker 1>a lot of talent came through that basement. And it

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<v Speaker 1>was crazy because Diamond D, I remember Diamond D shout

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<v Speaker 1>out the diamond d Um Salam remy salam. Salam is

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<v Speaker 1>like nah salam is like the ghurrule, like before the Fuji's,

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<v Speaker 1>before everything, like yeah salam. Did you know that Amy

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<v Speaker 1>Winehouse documentary when she's talking about the sense and she

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<v Speaker 1>she's calling the freestyle. Yeah, yeah, so she's calling him

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<v Speaker 1>so mom was the like Salon was doing hits man.

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<v Speaker 1>I think he was like fifteen sixteen years old. He

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<v Speaker 1>was like the dude doing like the super cat. All

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<v Speaker 1>of that crazy stuff that was like that was like

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<v Speaker 1>flex flex right hand man. So for me, all of

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<v Speaker 1>those that was really to come up. So to think

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<v Speaker 1>that all of that really came from the book up,

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<v Speaker 1>I told people, I said, what the Fuji's and Steve

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<v Speaker 1>job gut in common. You know, Steve jobs invention was

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<v Speaker 1>in the garage. I invention was in the basement. So

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<v Speaker 1>so you being from Hayde coming to you, you went

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<v Speaker 1>to Brooklyn first, because I think you went to Brooklyn

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<v Speaker 1>and then you went to Jersey, right, Yeah, we lived

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<v Speaker 1>in Brooklyn, lived in Brooklyn, went over Brooklyn and you.

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<v Speaker 1>But but Haiti is a Caribbean correct. Yeah? How was

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<v Speaker 1>that that first call when they said, Yo, Shakiro must

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<v Speaker 1>to work with you. Did you think about did you

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<v Speaker 1>think about because that's the first thing I'm thinking about.

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<v Speaker 1>I don't just you don't have to clarify, honest, I'm sorry,

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<v Speaker 1>I forgot awkward show. The funny thing about the Shakira record,

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<v Speaker 1>um is that that record was done two years before Shakira.

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<v Speaker 1>I did it for a movie called Havana Knights. So

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<v Speaker 1>Clive told me that he wanted it. And at the

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<v Speaker 1>time we said Cloud from Flatbush who used to sell

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<v Speaker 1>you know what. Yeah, so yeah, so that clop So

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<v Speaker 1>Clive hit me up like, yo, I'm doing a soundtrack

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<v Speaker 1>and I need a joy from you. So for me,

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<v Speaker 1>the host, the whole idea of what I do, because

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<v Speaker 1>you know, Haiti is this Spaniola, so it's like basically

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<v Speaker 1>Haiti and the d are. Graphically it's really one really leak.

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<v Speaker 1>But for Columbus actually discovered that island. Well, he didn't

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<v Speaker 1>discover it, he came there, and that people was already there.

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<v Speaker 1>It was actually originally called espani and that was Dominican Republic.

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<v Speaker 1>And I'm sorry, I got smarter. I'm so sorry. Let

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<v Speaker 1>me get back to dog. I don't want people to

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<v Speaker 1>know the French colonized the Haitian side, right, Yeah, is

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<v Speaker 1>that the way when the Spaniards stayed on the Dominican side,

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<v Speaker 1>that was the division. Yeah, and somebody a pussy along

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<v Speaker 1>the Yeah, I see you dancing. I don't repeat these

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<v Speaker 1>bad words. Yeah. So, so basically he just wanted me

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<v Speaker 1>to do the song for the movie. At the time,

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<v Speaker 1>we had a group called City High So City. We

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<v Speaker 1>had to startis Clauder artiste. She got pregnant by the

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<v Speaker 1>other guy, right, which came later, right, it was Kane later.

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<v Speaker 1>A lot of mistakes, you know what I mean, learned

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<v Speaker 1>from one club not so so it was you gotta persse. No, no,

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<v Speaker 1>I'm sorry, you was breaking on. I didn't get him

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<v Speaker 1>pregnant yet, I didn't get nobody pregn That was bad,

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<v Speaker 1>so nobody would be mad at you. We thought it

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<v Speaker 1>was your baby for a long time. And be honest, no, no, no,

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<v Speaker 1>Billy Gen just a girl that my side. I don't

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<v Speaker 1>know what do it back with? There were forwards continue yeah,

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<v Speaker 1>so so so we do it for the movie and

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<v Speaker 1>the record sits there, and you know, Clive, I was like, Clive,

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<v Speaker 1>record feels special. I think it's bigger, but he was like, no,

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<v Speaker 1>it's just for the movie. So two years later, I

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<v Speaker 1>get a call from Donnie Isa and Charlie Walk and

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<v Speaker 1>Charlie Walks like, Yo, we need a record for Shakira

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<v Speaker 1>because we're trying to get her on the other side

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<v Speaker 1>of the fence. And Donnie is also a big guy.

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<v Speaker 1>Let's continue. And she hadn't done it by lingual record

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<v Speaker 1>yet at this point. Yeah, it was there. They had

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<v Speaker 1>a few records on her, but they was trying to

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<v Speaker 1>cross her the way that I had crossed Santana over. Yeah,

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<v Speaker 1>college thought, but yeah so so then um so I

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<v Speaker 1>told him, I said, look, I got a record that

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<v Speaker 1>I was sitting here for two years. So anybody if

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<v Speaker 1>you listen to an original record, it was on the

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<v Speaker 1>Havana Knight soundtrack. It's Claudette singing it word to bond.

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<v Speaker 1>It's the same record. The only thing I added was Shakira, Shakira,

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<v Speaker 1>shak So I get the call man and and then

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<v Speaker 1>it Shakira, it's real talk. And then so she hits

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<v Speaker 1>me up, called you direct, Yeah, she needs to hear Yeah,

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<v Speaker 1>so Shacky calls me yeah, so so Shaqa and she's like, um,

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<v Speaker 1>I was like, yo, you know you heard the record.

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<v Speaker 1>She was like, I loved the record, and she was like,

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<v Speaker 1>I had I had a dream about you. Yeah, so exactly,

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<v Speaker 1>I don't know what it's going. I didn't know where

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<v Speaker 1>it was going. I was in, I was in, I

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<v Speaker 1>was nick, I was too dick, I get the car

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<v Speaker 1>and Shocky's um. So the dream isn't what I wanted

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<v Speaker 1>to at the time, but it was just the fact

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<v Speaker 1>that we was connected and then we we we met

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<v Speaker 1>in Miami, and when we got together, I would say,

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<v Speaker 1>what made that record special was the fusion. She came

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<v Speaker 1>with that straight Columbian fusion. And sometimes you could write

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<v Speaker 1>a record, it's like a movie. It takes a certain

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<v Speaker 1>actor to make the movie a hit, a certain actress.

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<v Speaker 1>So basically I remember me and Jerry doing that the record, Yeah,

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<v Speaker 1>Jerry one to my partner, and then she basically I

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<v Speaker 1>remember she was like, yo, if my hips don't move,

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<v Speaker 1>the record ain't a hit. So when she said that,

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<v Speaker 1>like I was like, Wow, we're gonna have Shakira dancing

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<v Speaker 1>in the studio for eight hours. I started banging on

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<v Speaker 1>everything and and then that's how really the magic happened.

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<v Speaker 1>And from there, um, you know, she she recorded the record.

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<v Speaker 1>We put the cultures together. It's something about when you

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<v Speaker 1>it's an out a rhythm dog when you put cultures together,

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<v Speaker 1>and because that kind of music is no longer music,

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<v Speaker 1>it becomes just a cultural phenomenon, you know what I mean.

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<v Speaker 1>So that was the situation with that, and it was

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<v Speaker 1>an incredible and it felt like y'all kind of did

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<v Speaker 1>that on the hip hop side with Cypress right before

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<v Speaker 1>that with Cubans be Haitians. I felt oh yeah, yeah, yeah, yeah,

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<v Speaker 1>big time, big time. But for me, you know, the

0:14:23.640 --> 0:14:27.720
<v Speaker 1>Mountain Pop for me is like as much as I'm Haitian,

0:14:28.240 --> 0:14:29.960
<v Speaker 1>no one can't tell me I ain't La. No one

0:14:30.000 --> 0:14:32.120
<v Speaker 1>can't tell me I ain't African, because you know, if

0:14:32.160 --> 0:14:34.920
<v Speaker 1>I if I started to play SUSA or Caribbean, if

0:14:34.960 --> 0:14:36.720
<v Speaker 1>you close your eyes and I start to play piano,

0:14:36.800 --> 0:14:38.880
<v Speaker 1>so you'll be thinking of from Cuba because for me,

0:14:39.000 --> 0:14:41.040
<v Speaker 1>no one could, Okay, dope me Like, at the end

0:14:41.080 --> 0:14:43.920
<v Speaker 1>of the day, we want people they separate us or whatever.

0:14:44.080 --> 0:14:46.080
<v Speaker 1>But for me, it's like, I know, I got family

0:14:46.160 --> 0:14:48.080
<v Speaker 1>from Cuba, from Jamaica or whatever. You know what I mean,

0:14:49.400 --> 0:14:51.920
<v Speaker 1>we all exactly were connected by them drum. So that's

0:14:52.000 --> 0:14:53.920
<v Speaker 1>that's how I want happened. Man. So let me ask

0:14:53.960 --> 0:14:59.960
<v Speaker 1>you something. You the Shakira called now that you just yeah,

0:15:00.000 --> 0:15:04.840
<v Speaker 1>come on, get cool, like I still got call. But

0:15:05.840 --> 0:15:09.040
<v Speaker 1>so you're saying you got the Carlo Santana call prior

0:15:09.480 --> 0:15:11.680
<v Speaker 1>that that that record came prior For some reason, I

0:15:11.720 --> 0:15:13.680
<v Speaker 1>thought she Carra came first. Yeah, no, you know at

0:15:13.720 --> 0:15:16.680
<v Speaker 1>the Santana. Remember I did Santana and I did Whitney Houston.

0:15:17.960 --> 0:15:22.000
<v Speaker 1>God you did what Yeah I did. I'm doing that rope.

0:15:22.080 --> 0:15:27.840
<v Speaker 1>My love is your love? Your love forget it would

0:15:27.920 --> 0:15:34.680
<v Speaker 1>take Oh my god. Yeah, I hope we never did

0:15:38.600 --> 0:15:44.640
<v Speaker 1>you so, but it's super now. Now, now here's the

0:15:44.680 --> 0:15:48.120
<v Speaker 1>reason why Carlo Santana for artists like us, right, it's

0:15:48.200 --> 0:15:52.640
<v Speaker 1>super like special because Carlos doesn't sing. All he does.

0:15:52.680 --> 0:15:54.120
<v Speaker 1>This is me. I'm sorry, I'm mad. I was not.

0:15:55.640 --> 0:16:00.520
<v Speaker 1>Come on, that's me it's me, it's so m so

0:16:00.640 --> 0:16:04.320
<v Speaker 1>called Santana traditionally doesn't actually sing on the records. He

0:16:04.440 --> 0:16:07.040
<v Speaker 1>actually tried to compose. So when Carlos called you, what

0:16:07.280 --> 0:16:10.040
<v Speaker 1>was your very first thought? First though? Did you think

0:16:10.080 --> 0:16:12.520
<v Speaker 1>it was Carlos Santana or you knew because you was

0:16:12.600 --> 0:16:15.560
<v Speaker 1>that bag? You know the way that it happened. It

0:16:15.920 --> 0:16:19.240
<v Speaker 1>happened through Clive Davis. So claud is like, just then

0:16:21.640 --> 0:16:25.480
<v Speaker 1>from flat like me, get that, you'll stop clapping. You

0:16:25.560 --> 0:16:34.200
<v Speaker 1>can't be around here if I clap. Your clapp stepped

0:16:34.280 --> 0:16:40.160
<v Speaker 1>up in the building ahead. So Cloud on Flatbush calls, Yeah,

0:16:40.200 --> 0:16:43.080
<v Speaker 1>so Cloud from flatbushit me. You know, he gave you

0:16:43.200 --> 0:16:46.640
<v Speaker 1>the big guyfather talk, you know, and the talk is like, yo,

0:16:47.560 --> 0:16:51.840
<v Speaker 1>White Cleff, I know you study press by the way

0:16:51.880 --> 0:16:56.200
<v Speaker 1>i'd be seeing your impression. Does study jazz? And I've

0:16:56.280 --> 0:16:58.920
<v Speaker 1>been thinking what do you think about the fusion with

0:16:59.120 --> 0:17:01.680
<v Speaker 1>Carlo Son turn off? And I was like, yo, I

0:17:01.760 --> 0:17:04.200
<v Speaker 1>love Carlo Santan. Now he's on Arista at the time.

0:17:05.080 --> 0:17:06.920
<v Speaker 1>And then you know, and then Clive then he gonna

0:17:06.960 --> 0:17:09.200
<v Speaker 1>hit you with that pressure. He's like, okay, you have

0:17:09.400 --> 0:17:13.640
<v Speaker 1>twenty four hours. So basically, so when I do these

0:17:13.760 --> 0:17:17.160
<v Speaker 1>records though, it's like all of my records got schemes

0:17:17.200 --> 0:17:19.399
<v Speaker 1>in the man, like you know what I mean, I

0:17:19.520 --> 0:17:22.399
<v Speaker 1>break down the fundamentals, you know, saying hip hop is

0:17:22.440 --> 0:17:25.120
<v Speaker 1>one of my schemes. But growing up in the hood,

0:17:25.200 --> 0:17:27.240
<v Speaker 1>I used to escape, and I used to scape and

0:17:27.320 --> 0:17:29.400
<v Speaker 1>watch movies. One movie I used to watch this West

0:17:29.440 --> 0:17:32.880
<v Speaker 1>Side Story. And West Side Story is a deep story, man,

0:17:33.400 --> 0:17:35.679
<v Speaker 1>It's about like gun culture, you know what I mean,

0:17:35.840 --> 0:17:39.240
<v Speaker 1>gang culture, clash culture and m and then remember West

0:17:39.280 --> 0:18:13.760
<v Speaker 1>Side Story. The girl name was Maria, Maria lay. I

0:18:13.800 --> 0:18:17.200
<v Speaker 1>happened to product M. Man. That's a good question. So

0:18:17.920 --> 0:18:26.960
<v Speaker 1>the finished, Yeah, but don't finish it. We never knew

0:18:27.000 --> 0:18:31.119
<v Speaker 1>who they was from the beginning. No, no, you know what.

0:18:31.400 --> 0:18:34.399
<v Speaker 1>So so one thing that you said, which is um

0:18:34.760 --> 0:18:38.160
<v Speaker 1>is how the records are put together? Right. So from

0:18:38.320 --> 0:18:41.320
<v Speaker 1>a composer aspect, right, the first thing I'm gonna do

0:18:41.520 --> 0:18:45.600
<v Speaker 1>is I'm gonna say who can sing this? Right? So

0:18:45.840 --> 0:18:51.320
<v Speaker 1>I was obsessed with David Ruffins. So Product GMB from

0:18:51.480 --> 0:18:56.119
<v Speaker 1>from from from Long Island Kids Money Harm had that

0:18:56.359 --> 0:18:59.399
<v Speaker 1>vocal where it was like yo, he just had because

0:18:59.400 --> 0:19:02.040
<v Speaker 1>I needed some body, Like you said, Santana ain't a

0:19:02.119 --> 0:19:07.680
<v Speaker 1>singer he's an instrumental cologne, like really cologne in Puerto Rico.

0:19:07.760 --> 0:19:18.320
<v Speaker 1>Really cologne only plays instruments. Correct. Yeah, and well was

0:19:18.359 --> 0:19:21.639
<v Speaker 1>a singer, but so that's what called is, so I

0:19:21.720 --> 0:19:29.159
<v Speaker 1>had to put the whole Yeah, no, that's dope what

0:19:29.240 --> 0:19:32.480
<v Speaker 1>you said. So to your point, So as a composer,

0:19:32.560 --> 0:19:36.240
<v Speaker 1>this this is where you know, reality has to always

0:19:36.720 --> 0:19:38.800
<v Speaker 1>How I'm able to do this over and over again,

0:19:39.240 --> 0:19:42.760
<v Speaker 1>it's because my background is, like I'm a hip hop up,

0:19:42.840 --> 0:19:45.679
<v Speaker 1>but I'm a jazz major and like I love jazz,

0:19:45.720 --> 0:19:48.520
<v Speaker 1>so jazz is based on the composition. So I got

0:19:48.640 --> 0:19:50.760
<v Speaker 1>to set the scheme up. So there's a few schemes

0:19:50.880 --> 0:19:53.840
<v Speaker 1>on that record. The other scheme is I'm a big

0:19:53.920 --> 0:20:01.280
<v Speaker 1>fan of Wu Tang Clan and that whole record. Did

0:20:01.359 --> 0:20:05.520
<v Speaker 1>y'all hear the part that was that sounded like blue time? No? Okay,

0:20:05.560 --> 0:20:10.480
<v Speaker 1>So I'm gonna grab my guitar. Got this is a

0:20:10.560 --> 0:20:14.920
<v Speaker 1>different type of podcast. We got niggas with guitars and ship.

0:20:18.119 --> 0:20:23.520
<v Speaker 1>It's a Haitian day. Let's says your day. I'm not

0:20:23.600 --> 0:20:33.240
<v Speaker 1>gonna yeah, everybody be quiet, everybody be quiet, please continue. Yeah,

0:20:33.600 --> 0:20:36.240
<v Speaker 1>So this is what we're going to producing one on

0:20:36.359 --> 0:20:38.000
<v Speaker 1>one vibe and we don't want to play this or

0:20:38.040 --> 0:20:44.040
<v Speaker 1>nothing right now, we ain't got it reaching the music.

0:20:44.119 --> 0:20:49.080
<v Speaker 1>You're gonna clare it man, I hone it even say

0:20:49.119 --> 0:20:52.280
<v Speaker 1>that one more time, right, so check it out. So

0:20:52.880 --> 0:20:55.600
<v Speaker 1>so when I'm composing, right, so the first part we

0:20:55.720 --> 0:21:09.480
<v Speaker 1>composed was right, So that was the first zone you

0:21:09.520 --> 0:21:11.840
<v Speaker 1>tell me, and they all feel every on that record.

0:21:13.200 --> 0:21:16.000
<v Speaker 1>So so then when we said, Wutan Clan, ain't nothing

0:21:16.040 --> 0:21:18.200
<v Speaker 1>the funk with. So one of the things I thought

0:21:18.680 --> 0:21:22.920
<v Speaker 1>the public would identify with with Santana's an instrumentalists, right

0:21:23.000 --> 0:21:26.280
<v Speaker 1>this where the Haitian comes out, somebody who plays the instruments.

0:21:26.680 --> 0:21:29.119
<v Speaker 1>I was like, what if I could take this this

0:21:29.359 --> 0:21:39.399
<v Speaker 1>RISI scheme. Yeah, so what if that's ain't nothing the

0:21:39.520 --> 0:21:48.959
<v Speaker 1>fun with ain't I'm giving them my hip car hip

0:21:49.040 --> 0:21:54.440
<v Speaker 1>hop car for one day, that card for one day.

0:21:54.560 --> 0:21:57.679
<v Speaker 1>So when we said, um, we said, I'm playing by

0:21:57.800 --> 0:22:05.280
<v Speaker 1>Car a little Santana in the record. Yeah. Yeah, So

0:22:05.440 --> 0:22:07.960
<v Speaker 1>my whole vibes being about the matchups. As a hip

0:22:08.000 --> 0:22:10.240
<v Speaker 1>hop student, you know what I mean. I consider myself

0:22:10.280 --> 0:22:13.359
<v Speaker 1>a hip hop guitarist first, so so I think a

0:22:13.480 --> 0:22:16.760
<v Speaker 1>lot of the records like I always pay tribute too

0:22:17.280 --> 0:22:20.280
<v Speaker 1>so that fusion came out like that because of you

0:22:20.320 --> 0:22:22.200
<v Speaker 1>know what I mean, like when when and then so

0:22:22.359 --> 0:22:25.200
<v Speaker 1>that scale sounds like Wu tang, but it's originally a

0:22:25.320 --> 0:22:29.040
<v Speaker 1>gypsy scale. So Santana is the king of that gypsy scale.

0:22:29.280 --> 0:22:31.000
<v Speaker 1>So at the end of the day, even though Rizzle

0:22:31.040 --> 0:22:33.560
<v Speaker 1>would bring it back in a different form. So for me,

0:22:33.760 --> 0:22:36.960
<v Speaker 1>that it all boils down to the basic science. You're there. Yeah,

0:22:37.880 --> 0:22:41.159
<v Speaker 1>so l wait but did that science translate to the

0:22:41.280 --> 0:22:47.600
<v Speaker 1>to the new calid record? So so so so yeah,

0:22:48.080 --> 0:22:50.480
<v Speaker 1>we can say in the record, you're right, um wild

0:22:50.560 --> 0:22:55.040
<v Speaker 1>thoughts Rihanna. Did they clear that record with you? Yeah? Definitely,

0:22:55.200 --> 0:22:58.920
<v Speaker 1>so so cold who I've known, man, we're all good

0:22:59.000 --> 0:23:02.080
<v Speaker 1>for we all know. Yeah, so we we you know,

0:23:02.200 --> 0:23:05.960
<v Speaker 1>I go back with Colored. That's like brother to brother together.

0:23:06.119 --> 0:23:11.600
<v Speaker 1>Well yeah, that's how far he with Yeah yeah. And

0:23:11.720 --> 0:23:13.840
<v Speaker 1>then like people don't even know like I used to

0:23:14.840 --> 0:23:17.399
<v Speaker 1>like clash like dub plates, so I used to this

0:23:17.560 --> 0:23:19.520
<v Speaker 1>is there's a part of me like in Miami in

0:23:19.560 --> 0:23:23.520
<v Speaker 1>the early days with Colored. Yeah, so dudes don't even know,

0:23:23.640 --> 0:23:26.200
<v Speaker 1>like I could show up with a crate the murder

0:23:26.240 --> 0:23:29.080
<v Speaker 1>of the place. So so for me, um, so I

0:23:29.160 --> 0:23:32.240
<v Speaker 1>get the call from from my brother Colored and he's like, yo,

0:23:33.320 --> 0:23:36.040
<v Speaker 1>just this one seemed like it's this this cleft. You

0:23:36.040 --> 0:23:38.720
<v Speaker 1>don't understand. This is gonna be the biggest one. And

0:23:38.840 --> 0:23:41.720
<v Speaker 1>bom bom bom boom um. So we need to get

0:23:41.800 --> 0:23:44.720
<v Speaker 1>Santana to you know, to clear it. On his part, Um,

0:23:44.800 --> 0:23:47.399
<v Speaker 1>I know you in Santana did the record. So I

0:23:47.520 --> 0:23:51.360
<v Speaker 1>called up Madeline Nelson, my CEO. Um, she got Santana

0:23:51.440 --> 0:23:55.320
<v Speaker 1>and Santana's like my godfather. So Santana cleared it. Now,

0:23:55.400 --> 0:23:58.120
<v Speaker 1>this is what I love most about that. I remember

0:23:58.160 --> 0:24:01.520
<v Speaker 1>when I was doing let Me Softly with the Fuji's

0:24:01.760 --> 0:24:06.840
<v Speaker 1>killing me one time, two times, and then her reality

0:24:07.000 --> 0:24:10.760
<v Speaker 1>struck me after I did that record, because the record

0:24:10.840 --> 0:24:13.639
<v Speaker 1>blew up like crazy. And after the record blew up,

0:24:14.119 --> 0:24:18.720
<v Speaker 1>I was like, damn, we just made somebody a gazillion

0:24:18.840 --> 0:24:22.399
<v Speaker 1>dollars of publishing because I didn't know how that worked,

0:24:22.480 --> 0:24:25.560
<v Speaker 1>because you could you clear it. But at the end

0:24:25.600 --> 0:24:28.400
<v Speaker 1>of the day, so it just it's a beautiful thing

0:24:28.840 --> 0:24:32.280
<v Speaker 1>to be in two thousand and seventeen to hear the

0:24:32.359 --> 0:24:36.679
<v Speaker 1>new generation sampling either the Fuji's or music by why

0:24:36.800 --> 0:24:40.200
<v Speaker 1>Cleft is incredible man. So he directly sampled your version

0:24:40.400 --> 0:24:45.640
<v Speaker 1>you know that. That's that's the way I just want

0:24:45.680 --> 0:24:49.040
<v Speaker 1>to But yeah, and then just S was at the guitar.

0:24:49.280 --> 0:24:56.639
<v Speaker 1>That was the guitar was so basically when you hear this,

0:24:56.840 --> 0:25:08.040
<v Speaker 1>so so the whole group is this for some reason.

0:25:14.200 --> 0:25:16.639
<v Speaker 1>But it's the foundations. So a lot of the foundations.

0:25:16.720 --> 0:25:18.200
<v Speaker 1>That's how we create them, you know what I mean.

0:25:18.880 --> 0:25:22.400
<v Speaker 1>But that's how that want to happen. So from there,

0:25:22.920 --> 0:25:25.719
<v Speaker 1>like I said, so um, Clive Davis knew I had

0:25:25.760 --> 0:25:27.359
<v Speaker 1>the Latin parse with me, you know what I mean?

0:25:27.720 --> 0:25:30.119
<v Speaker 1>And I go back so far. This is why I

0:25:30.200 --> 0:25:35.080
<v Speaker 1>be crediting, like you paun, like you don't know, like

0:25:35.280 --> 0:25:37.760
<v Speaker 1>I go back back with the music as a as

0:25:37.800 --> 0:25:40.960
<v Speaker 1>a student, I go so far back right, I go

0:25:41.119 --> 0:25:45.760
<v Speaker 1>back to Evie Queen. So one of my reporter we

0:25:45.800 --> 0:25:53.000
<v Speaker 1>can almost walked up. That's one throw out there. We

0:25:53.160 --> 0:25:55.680
<v Speaker 1>had sting raised, sting raised on hunting thirty second and

0:25:55.760 --> 0:25:59.880
<v Speaker 1>what fifth have no sting raised. In case you guys don't,

0:26:00.040 --> 0:26:01.879
<v Speaker 1>they got to rock cool lotta. They got the del

0:26:02.000 --> 0:26:04.080
<v Speaker 1>Leon is the best to killer in the world. And

0:26:04.200 --> 0:26:06.600
<v Speaker 1>you know they got Wick left and the drink champion

0:26:06.720 --> 0:26:10.879
<v Speaker 1>in the event. Everybody here, that's why you know what

0:26:10.920 --> 0:26:13.359
<v Speaker 1>I'm saying, don't forget sting raised. Come see us. The

0:26:13.440 --> 0:26:18.119
<v Speaker 1>older got a cowboy hat on. We got gott he

0:26:18.200 --> 0:26:23.440
<v Speaker 1>will kicking and guess what and guess what he's We

0:26:23.680 --> 0:26:27.880
<v Speaker 1>are also leasing a horse very soon. Bring your kids.

0:26:28.000 --> 0:26:31.080
<v Speaker 1>You have a dunkey in the front and back. Let's

0:26:31.119 --> 0:26:39.160
<v Speaker 1>do a sting raise for the second up town. Yeah

0:26:39.600 --> 0:26:43.639
<v Speaker 1>what we we we we. I was ready to go

0:26:43.760 --> 0:26:47.360
<v Speaker 1>somewhere else. It's ready to go. Remind us when we're

0:26:47.520 --> 0:26:49.960
<v Speaker 1>coming back. We come back to that. Okay, listen, you

0:26:50.080 --> 0:26:51.879
<v Speaker 1>gotta relax that this is where I want to go.

0:26:53.040 --> 0:26:59.000
<v Speaker 1>L L and Cannabis has a problem. Yeah, you picked cannabis.

0:27:00.920 --> 0:27:07.119
<v Speaker 1>I respected your decision, but I knew you wasn't gonna

0:27:07.280 --> 0:27:12.200
<v Speaker 1>win or that because this is l L Cool Jack

0:27:13.040 --> 0:27:18.119
<v Speaker 1>at the time, and l L had all the backing

0:27:18.320 --> 0:27:21.679
<v Speaker 1>from the whole universal system. This is the first artist

0:27:21.880 --> 0:27:24.800
<v Speaker 1>that actually developed university. So I just want to know,

0:27:25.040 --> 0:27:28.720
<v Speaker 1>why was it loyalty because that was your artist? Because

0:27:28.720 --> 0:27:30.959
<v Speaker 1>I heard somebody say that that was I didn't never

0:27:31.000 --> 0:27:35.320
<v Speaker 1>knew kind of signed just your friend. Okay, so you

0:27:35.440 --> 0:27:40.960
<v Speaker 1>know I'm a I'm an artist, but before artists, I'm

0:27:41.000 --> 0:27:45.800
<v Speaker 1>a personality from the Caribbean. So when you know, so

0:27:45.920 --> 0:27:48.000
<v Speaker 1>I said, I'm never ashamed of my friends. You know,

0:27:48.600 --> 0:27:52.600
<v Speaker 1>so I grow up as a Caribbean youth. Um, we're

0:27:52.760 --> 0:27:57.600
<v Speaker 1>very strong where I come from. So when Cannabis approached me,

0:27:58.520 --> 0:28:01.720
<v Speaker 1>he approached me on a calm versation. It was not

0:28:02.359 --> 0:28:06.399
<v Speaker 1>it was in a music conversation. So so you know

0:28:06.560 --> 0:28:08.960
<v Speaker 1>the gist of my problems. So the gist of my

0:28:09.160 --> 0:28:14.080
<v Speaker 1>conversation with Cannabis, it wasn't based on It didn't start

0:28:14.119 --> 0:28:17.440
<v Speaker 1>off musically. It's just well, yeah, it was. It was

0:28:17.600 --> 0:28:21.000
<v Speaker 1>just certain people come to talk to me about when

0:28:21.080 --> 0:28:40.160
<v Speaker 1>certain things happen sometimes you know, if someone goes this

0:28:40.280 --> 0:28:42.800
<v Speaker 1>is probably one of the most historical battles in hip hop.

0:28:43.160 --> 0:28:47.280
<v Speaker 1>Yeah yeah, so so ye're definitely one of the most

0:28:47.400 --> 0:28:51.000
<v Speaker 1>historical battles. So once again, right, so me and you

0:28:51.080 --> 0:28:53.320
<v Speaker 1>were not communicate right at this point, So you got

0:28:53.400 --> 0:28:57.720
<v Speaker 1>you looking at it like, yo, the cleft just choose aside, right, yeah, yeah,

0:28:58.000 --> 0:28:59.640
<v Speaker 1>because it looked like on the you know what I mean.

0:28:59.760 --> 0:29:02.200
<v Speaker 1>So because now I'm gonna tell you that's right, because

0:29:02.280 --> 0:29:04.280
<v Speaker 1>now I'm gonna tell you the way it goes down.

0:29:04.760 --> 0:29:09.960
<v Speaker 1>So the conversation with Cannabis was as followed he comes

0:29:10.000 --> 0:29:14.320
<v Speaker 1>in the studio, Um, he lays his part. He's a

0:29:14.400 --> 0:29:17.800
<v Speaker 1>big l L fan and the tattoo on his arm,

0:29:18.000 --> 0:29:21.160
<v Speaker 1>you know. Um, He's like when it comes to l

0:29:21.320 --> 0:29:23.960
<v Speaker 1>L at that time, like, there's nobody bigger than l L.

0:29:24.000 --> 0:29:26.960
<v Speaker 1>Co J. Cannabis had the l L walk. He just

0:29:27.080 --> 0:29:29.000
<v Speaker 1>loved l L. So he was like yo when he

0:29:29.120 --> 0:29:31.640
<v Speaker 1>left the studio, l L came in later verse this

0:29:31.760 --> 0:29:35.440
<v Speaker 1>is L's record, by the way, that is yeah, the

0:29:35.480 --> 0:29:39.520
<v Speaker 1>record that started off yeah so so so basically Cannabis

0:29:39.640 --> 0:29:41.920
<v Speaker 1>point of view was like yo, when l was like, yo,

0:29:42.080 --> 0:29:44.960
<v Speaker 1>the tattoo on my arm is off limited to challengers,

0:29:45.040 --> 0:29:47.800
<v Speaker 1>you know. And in Cannabis verse, he was acting couty Barrow,

0:29:51.280 --> 0:29:53.160
<v Speaker 1>give me the right, give me the give me the

0:29:53.240 --> 0:29:58.080
<v Speaker 1>mic on your arm. So now now what Cannabis decides

0:29:58.160 --> 0:30:03.120
<v Speaker 1>to do is now keeping mine. I'm a producer, and

0:30:03.960 --> 0:30:10.040
<v Speaker 1>so l L Is puts his record out and Cannabis says,

0:30:10.800 --> 0:30:17.000
<v Speaker 1>I have an idea for a record. Right now, I'm

0:30:17.080 --> 0:30:21.640
<v Speaker 1>gonna have a long conversation with Cannabis before he goes there, Right,

0:30:22.080 --> 0:30:24.880
<v Speaker 1>I might have take my glasses off take a shot too.

0:30:26.800 --> 0:30:29.120
<v Speaker 1>I think, yeah, look, this is this is the rock

0:30:29.160 --> 0:30:33.560
<v Speaker 1>at Okay, you heard of this, all right, this is

0:30:33.600 --> 0:30:38.160
<v Speaker 1>the right now drink okay, this is getting the stout

0:30:38.200 --> 0:30:43.920
<v Speaker 1>from over there all right? But look how a shot

0:30:43.960 --> 0:30:57.680
<v Speaker 1>with me? Fuck up? Yeah? Let me helps open. It's

0:30:57.680 --> 0:30:59.520
<v Speaker 1>one is open. It's one is open, right there. Come on,

0:30:59.760 --> 0:31:05.960
<v Speaker 1>here's at going in a second round. Knockout right now? Second? Yeah,

0:31:06.120 --> 0:31:14.640
<v Speaker 1>so we got oh he passed that right here? Ye, latta,

0:31:14.840 --> 0:31:20.280
<v Speaker 1>everybody focusing on me the best beat a wife. That's

0:31:20.320 --> 0:31:23.960
<v Speaker 1>what I do, baby, that's what I do. I leave pup. Listen,

0:31:24.040 --> 0:31:25.959
<v Speaker 1>you heard jay z new album. You gotta push your

0:31:26.000 --> 0:31:31.480
<v Speaker 1>people brand. God damn it. I'll bounced over that. Good.

0:31:32.200 --> 0:31:39.800
<v Speaker 1>That was good. You have a drinking you know what.

0:31:39.920 --> 0:31:43.280
<v Speaker 1>I'll bring you on some rumbob buncle next time. Yeah,

0:31:45.880 --> 0:31:47.720
<v Speaker 1>big of the state race. We'll open the doors. You

0:31:47.760 --> 0:31:50.160
<v Speaker 1>ain't taking the shot. I gotta take a shot. Just

0:31:50.320 --> 0:31:53.600
<v Speaker 1>don't don't be heady cut, don't take it yet. I

0:31:55.280 --> 0:31:59.560
<v Speaker 1>gotta get you got the broll. I got one for

0:31:59.680 --> 0:32:03.400
<v Speaker 1>her class. I don't know what you know? Please? Can

0:32:03.440 --> 0:32:06.240
<v Speaker 1>you remember where we was at? Me? I'm talking about

0:32:06.480 --> 0:32:18.360
<v Speaker 1>where we're talking about. No, we know best? Why cleft

0:32:18.400 --> 0:32:22.360
<v Speaker 1>being my friend for so long? Well, listen, please, everybody

0:32:22.440 --> 0:32:24.600
<v Speaker 1>focusing on me? Why cleft, You've been my friend for

0:32:24.680 --> 0:32:26.800
<v Speaker 1>so long and I don't know if you understand or

0:32:26.840 --> 0:32:29.560
<v Speaker 1>you know what Drink Champion says. But so many shows

0:32:29.680 --> 0:32:31.800
<v Speaker 1>they want to get these artists there and they want

0:32:31.800 --> 0:32:34.800
<v Speaker 1>to ask them who they fucking, who they fucked, and

0:32:34.840 --> 0:32:36.920
<v Speaker 1>all this other ships. Not what we do here. We

0:32:37.080 --> 0:32:39.960
<v Speaker 1>salute our artists because you know what, what was it

0:32:40.040 --> 0:32:47.120
<v Speaker 1>that you sound like a pig? Don't, my friend? We

0:32:47.200 --> 0:32:51.320
<v Speaker 1>do with our artists is I'm a quote unquote legend.

0:32:51.400 --> 0:32:52.960
<v Speaker 1>That's what they want to say. I don't give a

0:32:53.000 --> 0:32:56.160
<v Speaker 1>funk about that ship. But what I am first and

0:32:56.240 --> 0:32:59.480
<v Speaker 1>foremost as a fan, and I'm a fan of people

0:32:59.520 --> 0:33:01.480
<v Speaker 1>perform I'm a fan of people in the middle of

0:33:01.600 --> 0:33:03.400
<v Speaker 1>me and a fan of people are after me, and

0:33:03.520 --> 0:33:05.280
<v Speaker 1>that's what I want to do. I choose to celebrate

0:33:05.360 --> 0:33:07.920
<v Speaker 1>hip hop. I don't, I don't. I don't care about

0:33:07.960 --> 0:33:10.240
<v Speaker 1>these other shows, these other podcasts or whatever they do.

0:33:10.400 --> 0:33:12.200
<v Speaker 1>That's not what we do. What we do is we

0:33:12.320 --> 0:33:16.720
<v Speaker 1>celebrate all motherfucker's and you need to be celebrated tonight. Tonight,

0:33:17.080 --> 0:33:28.000
<v Speaker 1>this is what is the best in the world. Baby

0:33:28.040 --> 0:33:32.240
<v Speaker 1>will get down down on you know we're buying tickets

0:33:32.240 --> 0:33:34.840
<v Speaker 1>online for sports and concerts has been confusing process for

0:33:34.880 --> 0:33:37.000
<v Speaker 1>a long time. We need that, we need it. It's

0:33:37.040 --> 0:33:38.760
<v Speaker 1>always been hard to find the best deal for that

0:33:38.880 --> 0:33:41.600
<v Speaker 1>gamer show whenever you want to go to and none

0:33:41.640 --> 0:33:44.760
<v Speaker 1>of those older tickets sites want to change nothing, but

0:33:44.960 --> 0:33:48.200
<v Speaker 1>seek Geek is different. The different they came along. They

0:33:48.280 --> 0:33:51.880
<v Speaker 1>created an amazing app and a website makes it easier

0:33:52.040 --> 0:33:54.400
<v Speaker 1>for every fan to buy and sell tickets out there.

0:33:54.720 --> 0:33:57.200
<v Speaker 1>I heard they got amazing app and all that website.

0:33:57.360 --> 0:33:59.360
<v Speaker 1>It's the first place I go to. I know you

0:33:59.480 --> 0:34:02.600
<v Speaker 1>go there. Told me about I'll be sneaking in the concerts. Well,

0:34:02.600 --> 0:34:04.719
<v Speaker 1>I when I got my tickets for the Snoop Concept

0:34:04.840 --> 0:34:07.640
<v Speaker 1>and West Palm that it was a smoker out there.

0:34:07.800 --> 0:34:11.520
<v Speaker 1>It was definitely a seeking does all the price comparison

0:34:11.640 --> 0:34:14.120
<v Speaker 1>for you, searching multiple ticket sites ensuring that you get

0:34:14.160 --> 0:34:16.799
<v Speaker 1>the best possible deal. There are a ton of tours

0:34:16.880 --> 0:34:19.520
<v Speaker 1>throughout the rest of two thousand seventeen like jay Z,

0:34:19.840 --> 0:34:23.560
<v Speaker 1>Kendrick Lamar, j Cole to Chains, Lauren Hill and nas

0:34:23.560 --> 0:34:26.239
<v Speaker 1>which you know it's gonna be crazy logic and Joey

0:34:26.360 --> 0:34:28.879
<v Speaker 1>Badass and Sea Kik has you covered for all those

0:34:28.960 --> 0:34:31.560
<v Speaker 1>and so much more. And you know, to our listeners,

0:34:31.560 --> 0:34:34.000
<v Speaker 1>they're given away twenty dollar rebait and you know what,

0:34:34.640 --> 0:34:37.239
<v Speaker 1>what is it? We gotta we gotta promo code. So

0:34:37.320 --> 0:34:40.120
<v Speaker 1>just download the Sea Geek app and enter promo code

0:34:40.200 --> 0:34:44.520
<v Speaker 1>drink today. That's promo code drink d R I n

0:34:44.680 --> 0:34:47.880
<v Speaker 1>K for twenty dollars off your first Sea Geek purchases.

0:34:48.320 --> 0:34:52.160
<v Speaker 1>So get out there and see some live music, sports, comedy, theater,

0:34:52.320 --> 0:34:55.680
<v Speaker 1>whatever anything with Seek Geek. Let's go drink Champs Army.

0:34:55.840 --> 0:34:57.640
<v Speaker 1>Let's do that and you can take that twenty dollars

0:34:57.760 --> 0:34:59.480
<v Speaker 1>and get more of a bus. Let's make some noise

0:34:59.520 --> 0:35:09.320
<v Speaker 1>for that. Some see keep Oh yeah, that's who. That's no, no, no, no,

0:35:09.520 --> 0:35:14.520
<v Speaker 1>no no, that's small. That's small. You can't get blast girl.

0:35:14.560 --> 0:35:16.800
<v Speaker 1>I'm sorry, I'm sorry. You just you just need a shot. You.

0:35:17.000 --> 0:35:19.719
<v Speaker 1>I don't know who you would. I'm sorry. I'm not

0:35:19.800 --> 0:35:22.120
<v Speaker 1>coming to you. I'm married, but I just I just

0:35:22.200 --> 0:35:24.160
<v Speaker 1>want to make you have one. Well, I don't know

0:35:24.360 --> 0:35:27.279
<v Speaker 1>you look like Becky because I just want to get you.

0:35:29.560 --> 0:35:31.120
<v Speaker 1>I just want to get you to take a shot. Girl,

0:35:31.640 --> 0:35:37.520
<v Speaker 1>Take a shot girl? Your name hello? Shot? Got there?

0:35:38.360 --> 0:35:41.080
<v Speaker 1>But that's good. I'm married so I'm not gry that

0:35:41.200 --> 0:35:45.359
<v Speaker 1>you serious, I know, but you look like you needed

0:35:45.920 --> 0:35:50.719
<v Speaker 1>who you would you look arian? Come here a look

0:35:50.800 --> 0:35:54.160
<v Speaker 1>your names. He doesn't mean what's your name? Just what?

0:35:54.280 --> 0:35:59.359
<v Speaker 1>It ain't the wrong one? I was close, look, I said,

0:35:59.400 --> 0:36:06.160
<v Speaker 1>Becky has and I come on, come on, everybody shouting,

0:36:06.200 --> 0:36:15.040
<v Speaker 1>I'm taking this shot. Where's the what about? Listen? You're

0:36:15.080 --> 0:36:18.719
<v Speaker 1>taking a shot. I'm taking a shot for clap because

0:36:18.719 --> 0:36:25.480
<v Speaker 1>you know why you gave me an empty body? It

0:36:25.520 --> 0:36:37.000
<v Speaker 1>looks right. Look at that, yo. Let me tell you something.

0:36:37.000 --> 0:36:42.960
<v Speaker 1>Everybody focusing on me. Rob's loving the building. Step morey

0:36:43.000 --> 0:36:48.879
<v Speaker 1>more in the buildings. Listen, let me tell you something,

0:36:49.000 --> 0:36:55.279
<v Speaker 1>Freeze listen. And our culture, it's kind of corny to

0:36:55.440 --> 0:36:59.120
<v Speaker 1>pick up somebody else. If you say you are leg

0:36:59.200 --> 0:37:01.759
<v Speaker 1>you know you somebody that's made it as somebody that

0:37:02.080 --> 0:37:05.719
<v Speaker 1>got money or somebody got status, and you pick up

0:37:05.760 --> 0:37:09.360
<v Speaker 1>somebody else in our culture. That's corny. And guess what

0:37:10.120 --> 0:37:14.960
<v Speaker 1>I need to change that? We just got forty nine million.

0:37:19.120 --> 0:37:22.480
<v Speaker 1>Do we have to buy CBS gonna take care of

0:37:23.960 --> 0:37:25.520
<v Speaker 1>you know? But I'm saying should they take care of that?

0:37:25.719 --> 0:37:29.400
<v Speaker 1>As as as a party, a good party, tell Us

0:37:29.640 --> 0:37:32.960
<v Speaker 1>was a fifty million plaque. But listen, in our culture,

0:37:34.000 --> 0:37:36.439
<v Speaker 1>people don't pick up each other. People don't say great

0:37:36.560 --> 0:37:43.320
<v Speaker 1>job hazard, Its sounds great job communicating, Sonny Drain. We

0:37:43.480 --> 0:37:47.400
<v Speaker 1>appreciate your pictures. People don't say that in our culture.

0:37:47.760 --> 0:37:49.680
<v Speaker 1>And you know what we gotta do, being that we

0:37:49.760 --> 0:37:52.120
<v Speaker 1>have a platform and we have an audience, we have

0:37:52.280 --> 0:37:55.919
<v Speaker 1>to change that. One of our best episodes and people

0:37:56.040 --> 0:38:00.600
<v Speaker 1>that tuned in was when we saluted prodigies. And we

0:38:00.760 --> 0:38:04.279
<v Speaker 1>love Prodigy, but we wish we were saluted Prodigy where

0:38:04.320 --> 0:38:07.480
<v Speaker 1>he was alive, absolutely and were course, we gotta give

0:38:07.520 --> 0:38:10.920
<v Speaker 1>our legends. They flowers when they can smell, and they

0:38:11.080 --> 0:38:26.640
<v Speaker 1>treat and relaxed and something and some things, and my

0:38:26.840 --> 0:38:33.279
<v Speaker 1>drinks when they can drink. You understand what we gotta do. Listen,

0:38:33.719 --> 0:38:36.040
<v Speaker 1>so many people praise people when you're going away and

0:38:36.120 --> 0:38:38.759
<v Speaker 1>you die, and it's great, but that person could have

0:38:38.880 --> 0:38:44.400
<v Speaker 1>really appreciated live. So why cleft tonight we want to

0:38:44.520 --> 0:38:49.200
<v Speaker 1>praise you. Why we want to salute you? And I'm

0:38:49.239 --> 0:38:50.640
<v Speaker 1>taking a shot. I don't know who poured me the

0:38:50.680 --> 0:39:02.320
<v Speaker 1>shot me? Are you on the book a basement to

0:39:02.440 --> 0:39:05.919
<v Speaker 1>the president of Hay This nigger was two seconds away

0:39:05.920 --> 0:39:09.439
<v Speaker 1>from being the president of Hay, Yeah, you think, Joe,

0:39:09.520 --> 0:39:12.680
<v Speaker 1>this is like taking a shout with Bill Clinton going

0:39:13.680 --> 0:39:20.759
<v Speaker 1>to the time, looking about why clap always room that

0:39:20.880 --> 0:39:23.200
<v Speaker 1>we're going to continue, and didn't want to count three

0:39:24.040 --> 0:39:35.960
<v Speaker 1>clap one two, three to tweet, to tweet what club flags?

0:39:39.600 --> 0:39:41.560
<v Speaker 1>Be honest to get something to me this time? Something

0:39:41.840 --> 0:39:47.560
<v Speaker 1>this time. I don't know what I've never happened. So

0:39:47.880 --> 0:39:51.680
<v Speaker 1>you know we're going back the second round, knockout, knockout.

0:39:51.960 --> 0:39:55.680
<v Speaker 1>We had those infamous Battle records because the deal clapp

0:39:55.800 --> 0:39:58.640
<v Speaker 1>Mike Tyson on this record and all everybody listen, anybody listening,

0:39:59.040 --> 0:40:02.520
<v Speaker 1>anybody listening, but every white girl conversation, come over here, listen,

0:40:03.360 --> 0:40:06.960
<v Speaker 1>because here's a deal. We didn't know. We knew you

0:40:07.080 --> 0:40:10.480
<v Speaker 1>produced the record, but we didn't know you got dragged

0:40:10.560 --> 0:40:16.920
<v Speaker 1>into the battlem So what was the ZAC movement? You

0:40:17.040 --> 0:40:19.360
<v Speaker 1>got dragged because you produced the record for cannabis? Is

0:40:19.440 --> 0:40:22.799
<v Speaker 1>that's true? Yeah? But the whole record was like sun

0:40:22.920 --> 0:40:26.440
<v Speaker 1>Suit the Art of War. So when you told me

0:40:26.480 --> 0:40:29.640
<v Speaker 1>who won, right, So we're gonna get into who actually

0:40:29.760 --> 0:40:33.319
<v Speaker 1>won right? So who one for me? Would start off

0:40:33.440 --> 0:40:37.439
<v Speaker 1>with the conversation that I had with cannabis, And it's

0:40:37.520 --> 0:40:41.359
<v Speaker 1>a conversation I had with Cannabis is like, Okay, if

0:40:41.440 --> 0:40:44.160
<v Speaker 1>you want to really go on this route, there's a

0:40:44.239 --> 0:40:46.680
<v Speaker 1>few things that I have to let you know that's

0:40:46.680 --> 0:40:54.600
<v Speaker 1>going to happen, and you have to be ready because

0:40:54.640 --> 0:40:57.279
<v Speaker 1>I got because what happened is at the end of

0:40:57.320 --> 0:41:02.160
<v Speaker 1>the day's chess. So with any of course, because I'm

0:41:02.200 --> 0:41:06.680
<v Speaker 1>a fighter, right and then so Cannabis is a young bull, right,

0:41:06.760 --> 0:41:09.520
<v Speaker 1>so my job is I gotta give him the information.

0:41:09.840 --> 0:41:13.880
<v Speaker 1>Right now, I come from the Caribbean. So if like

0:41:14.040 --> 0:41:17.200
<v Speaker 1>I say, like I'm really the Haitians or not you

0:41:17.400 --> 0:41:19.960
<v Speaker 1>for real? Like, and what I mean by that, like,

0:41:20.080 --> 0:41:23.719
<v Speaker 1>I'm never embarrassed by who my friends are, right, so

0:41:23.800 --> 0:41:25.680
<v Speaker 1>I'm looking at you all, but I was just looking

0:41:26.640 --> 0:41:36.440
<v Speaker 1>so when you know, So what I mean the reality

0:41:36.480 --> 0:41:39.000
<v Speaker 1>of it is like you know, we we all grow

0:41:39.200 --> 0:41:42.880
<v Speaker 1>up in a certain environment, you feel me. So it's like, okay,

0:41:43.000 --> 0:41:45.160
<v Speaker 1>like I ain't a shame, Like my mama took a

0:41:45.239 --> 0:41:47.440
<v Speaker 1>gun out of my hand, put a guitar in my hand. Right.

0:41:47.840 --> 0:41:49.880
<v Speaker 1>So but at the end of the day, we all

0:41:50.000 --> 0:41:52.480
<v Speaker 1>came up like once upon a time in America, right,

0:41:52.880 --> 0:41:55.719
<v Speaker 1>So it's like it's still my family. So whether if

0:41:55.800 --> 0:41:58.880
<v Speaker 1>it's gangsters It's still my family, you know, whether if

0:41:58.920 --> 0:42:00.960
<v Speaker 1>it's my brother that's a lord, is still my family.

0:42:01.360 --> 0:42:03.360
<v Speaker 1>So at the end of the day, I felt like,

0:42:03.680 --> 0:42:05.960
<v Speaker 1>as a Caribbean man, if someone comes to me from

0:42:06.000 --> 0:42:08.920
<v Speaker 1>the Caribbean, I have an issue, I'm gonna address it,

0:42:09.440 --> 0:42:11.440
<v Speaker 1>but I want to know how you want to deal

0:42:11.520 --> 0:42:14.000
<v Speaker 1>with it. So Cannabis said, I want to deal with

0:42:14.120 --> 0:42:16.400
<v Speaker 1>it on some music stuff. So being you want to

0:42:16.440 --> 0:42:19.280
<v Speaker 1>deal with it on some music stuff, let me explain

0:42:19.320 --> 0:42:22.040
<v Speaker 1>to you who L L COO J is? Okay, so

0:42:22.239 --> 0:42:28.080
<v Speaker 1>this is the this is me this so so yeah,

0:42:28.200 --> 0:42:30.560
<v Speaker 1>so so let me tell you and it's good because

0:42:30.800 --> 0:42:34.080
<v Speaker 1>the beautiful thing about this is the beautiful thing about

0:42:34.120 --> 0:42:36.799
<v Speaker 1>this is l L is listening, you know what I mean?

0:42:36.960 --> 0:42:40.239
<v Speaker 1>Because L give you know how when things happen, you

0:42:40.360 --> 0:42:43.239
<v Speaker 1>get a one way perspective until this. So this is

0:42:43.280 --> 0:42:48.960
<v Speaker 1>the real conversation, right. So basically, um, where L L

0:42:49.080 --> 0:42:53.400
<v Speaker 1>COO J. You know, coming from Haiti and watching that

0:42:53.600 --> 0:42:56.600
<v Speaker 1>movie when L L comes out with the radio and

0:42:56.719 --> 0:42:59.759
<v Speaker 1>he places it down and then he goes into it.

0:43:00.600 --> 0:43:03.440
<v Speaker 1>I mean, this is the reason, you know what I mean.

0:43:03.520 --> 0:43:06.520
<v Speaker 1>So now we all take this and we say, if

0:43:06.560 --> 0:43:08.840
<v Speaker 1>we want to be battle rappers. We take this. This

0:43:09.080 --> 0:43:11.719
<v Speaker 1>is one chapter of how we hit the block. When

0:43:11.760 --> 0:43:14.359
<v Speaker 1>we hit it with that determination. So I said, look,

0:43:14.680 --> 0:43:16.799
<v Speaker 1>at the end of the day, you want to go there,

0:43:16.880 --> 0:43:18.560
<v Speaker 1>I'm gonna go there with you. But there's a few

0:43:18.640 --> 0:43:21.360
<v Speaker 1>things that's gonna happen. One is I want you to

0:43:21.480 --> 0:43:25.920
<v Speaker 1>understand that l L is loved. You know, l L

0:43:26.080 --> 0:43:29.359
<v Speaker 1>is loved by dusing the streets. You have his people.

0:43:29.680 --> 0:43:32.960
<v Speaker 1>But at the same time, l L like me, he

0:43:33.160 --> 0:43:36.920
<v Speaker 1>has a high female basse. And when you have a

0:43:37.000 --> 0:43:41.000
<v Speaker 1>high female base, it's hard for somebody to knock you down, right,

0:43:41.080 --> 0:43:43.560
<v Speaker 1>because what that means is, at the end of the day,

0:43:43.600 --> 0:43:45.960
<v Speaker 1>even if niggas don't want to funk with me, the

0:43:46.080 --> 0:43:48.440
<v Speaker 1>chick's gonna be like, yo, if you want something, you

0:43:48.560 --> 0:43:55.440
<v Speaker 1>better play someone, please call. At the end of the day,

0:43:55.560 --> 0:44:09.480
<v Speaker 1>it's gonna go there. So so we have it's but

0:44:12.920 --> 0:44:26.600
<v Speaker 1>but you my men thought, and they like this nigger,

0:44:26.640 --> 0:44:30.560
<v Speaker 1>I got the knight. I'm sorry, no, no, I love

0:44:30.640 --> 0:44:36.400
<v Speaker 1>it baby, so so so after this conversation, after this conversation,

0:44:36.480 --> 0:44:41.320
<v Speaker 1>we go into it and now in order to compete

0:44:41.360 --> 0:44:43.640
<v Speaker 1>with a giant, right, because l L is a giant.

0:44:44.160 --> 0:44:46.800
<v Speaker 1>The first thing that we have to do is we

0:44:46.920 --> 0:44:49.600
<v Speaker 1>gotta come up with a scheme. You feel me so,

0:44:50.160 --> 0:44:52.760
<v Speaker 1>and then then so the scheme becomes second round knockout.

0:44:53.320 --> 0:44:58.120
<v Speaker 1>And then so Mike Tyson at the time beep in mind,

0:44:58.239 --> 0:45:00.440
<v Speaker 1>I don't know what Mike was so so so so

0:45:00.440 --> 0:45:05.759
<v Speaker 1>so Mike. Once again, the strategy was war right. I'm

0:45:05.800 --> 0:45:09.480
<v Speaker 1>a composer, right, so keeping my whether if it's Santana

0:45:09.560 --> 0:45:12.640
<v Speaker 1>or anything, I'm gonna come from the level of composition.

0:45:12.760 --> 0:45:16.279
<v Speaker 1>I'm gonna put a Shakespeare movie together. That's what I'm

0:45:16.280 --> 0:45:19.560
<v Speaker 1>gonna do. So so in putting this movie together, you

0:45:19.640 --> 0:45:22.000
<v Speaker 1>know we need Mike. You know, Mike has to say

0:45:22.400 --> 0:45:24.719
<v Speaker 1>he eats people, you know, ears and you know what

0:45:24.800 --> 0:45:30.719
<v Speaker 1>we need that we need that it's about to go

0:45:30.880 --> 0:45:33.640
<v Speaker 1>down on some hood Shakespeare vibe. Now, keep in mind,

0:45:33.719 --> 0:45:36.360
<v Speaker 1>at the end of the day, it's no beef with nothing.

0:45:36.600 --> 0:45:40.759
<v Speaker 1>It's still it's hip hop, right, Because when I came

0:45:40.800 --> 0:45:43.960
<v Speaker 1>from Haiti listening to Carreras one these are this is

0:45:44.040 --> 0:45:48.640
<v Speaker 1>how you can settle a situation. So Cannabis does the record,

0:45:49.160 --> 0:45:51.520
<v Speaker 1>and Cannabis was one of the first artists I literally

0:45:51.920 --> 0:45:54.719
<v Speaker 1>used to watch sit on a laptop computer just right on.

0:45:55.920 --> 0:45:58.279
<v Speaker 1>Ye seen that in the Hit factory one time. I

0:45:58.520 --> 0:46:01.200
<v Speaker 1>came in and then I said, yo, and they just

0:46:01.280 --> 0:46:04.360
<v Speaker 1>started right now. I said, I gotta leave. Yeah, you know,

0:46:04.480 --> 0:46:09.000
<v Speaker 1>he just the right rounds on paper water. Yeah, and

0:46:09.200 --> 0:46:15.520
<v Speaker 1>it was like, yeah, you know, like that on the computer.

0:46:15.600 --> 0:46:21.239
<v Speaker 1>That's the first seen right around yeah before because you

0:46:21.320 --> 0:46:24.359
<v Speaker 1>know your phone wasn't that so back then? Then said

0:46:24.360 --> 0:46:26.840
<v Speaker 1>he said, you know, I said, I said, yo, you

0:46:26.920 --> 0:46:29.239
<v Speaker 1>know that that's the natural thing to see another MC

0:46:29.680 --> 0:46:32.960
<v Speaker 1>y'all need the verse and they're like yeah. He was

0:46:33.000 --> 0:46:42.960
<v Speaker 1>like the yeah, what is that? Immediately Yeah, I'm so sorry, No, no, no,

0:46:43.120 --> 0:46:46.160
<v Speaker 1>that stop. At least somebody else seeing cannabis writing rounds

0:46:46.160 --> 0:46:48.760
<v Speaker 1>on computer. Yeah, So he was one of the first.

0:46:49.280 --> 0:46:52.640
<v Speaker 1>So he did that. Now we did the record, and

0:46:53.680 --> 0:46:57.680
<v Speaker 1>Second Round Knockout comes out. Now, when Second Round Knockout

0:46:57.760 --> 0:47:01.439
<v Speaker 1>comes out, the once again, when we talk about hip

0:47:01.480 --> 0:47:04.600
<v Speaker 1>hop and we talked about the culture. That's why I say,

0:47:05.080 --> 0:47:08.040
<v Speaker 1>you already know me. I'm a culture bunny. So I'm

0:47:08.080 --> 0:47:11.800
<v Speaker 1>always inside of the culture somehow. So I got dragged

0:47:11.880 --> 0:47:16.520
<v Speaker 1>into a situation for me that you got dragged persons

0:47:16.520 --> 0:47:19.360
<v Speaker 1>outside looking in. I feel like you just produced the record.

0:47:19.640 --> 0:47:22.520
<v Speaker 1>And then L said, and then you had to response,

0:47:22.960 --> 0:47:26.200
<v Speaker 1>So now I get dragged into the record. So l L.

0:47:26.520 --> 0:47:32.000
<v Speaker 1>Basically now he goes and he now he has to

0:47:32.080 --> 0:47:35.000
<v Speaker 1>do his response right because it's Shakespeare jounson. And then

0:47:35.080 --> 0:47:38.720
<v Speaker 1>the process of his response, he calls me the Bob

0:47:38.800 --> 0:47:56.839
<v Speaker 1>Marley imposta right good. Yeah, you know this ship gets funnier, yo,

0:47:56.920 --> 0:48:03.120
<v Speaker 1>I'm gonna tell y'all some real ship. So but the

0:48:03.280 --> 0:48:08.120
<v Speaker 1>thing is, though, it's like, the thing is the way

0:48:08.320 --> 0:48:12.640
<v Speaker 1>that I love l L and was obsessed by him,

0:48:13.360 --> 0:48:15.960
<v Speaker 1>and he know when I came from Haiti, like one

0:48:16.040 --> 0:48:18.040
<v Speaker 1>of my skits was holding the radio act like I

0:48:18.160 --> 0:48:20.800
<v Speaker 1>was talking to Russell Simmons, but I had an invisible

0:48:20.880 --> 0:48:24.200
<v Speaker 1>mirror in front of me, so so so for me,

0:48:24.760 --> 0:48:26.800
<v Speaker 1>so I was like, okay, now this is what I

0:48:26.880 --> 0:48:30.120
<v Speaker 1>mean by its chest. So what I did was I said,

0:48:30.600 --> 0:48:33.960
<v Speaker 1>now that he called my name, so I have to

0:48:34.040 --> 0:48:36.920
<v Speaker 1>be careful because I'm on my gude to novembership. Right.

0:48:45.840 --> 0:48:49.480
<v Speaker 1>We got a lot of got to be really careful

0:48:49.800 --> 0:48:53.000
<v Speaker 1>because we see that happen. We see that happen and

0:48:53.040 --> 0:48:57.680
<v Speaker 1>stuff where Nigga will call you out and depending on

0:48:57.880 --> 0:49:01.880
<v Speaker 1>how you respond, it means your doom day because you

0:49:02.000 --> 0:49:04.520
<v Speaker 1>gotta be careful because you gotta know what you But

0:49:05.040 --> 0:49:08.560
<v Speaker 1>in all honesty, Cannabis is in trouble. You're not really

0:49:08.640 --> 0:49:12.680
<v Speaker 1>in trouble because you know your financial is great. But

0:49:13.120 --> 0:49:16.879
<v Speaker 1>you're a hip hop person. That's what makes you feel

0:49:16.920 --> 0:49:19.440
<v Speaker 1>like you're in trouble, not your financial But wait, wait,

0:49:19.920 --> 0:49:21.879
<v Speaker 1>at what point do you see Cannabis in trouble? Because

0:49:21.880 --> 0:49:24.640
<v Speaker 1>it's such a great record, But didn't tell you when

0:49:24.800 --> 0:49:28.279
<v Speaker 1>didn't go I'm gonna walk that finish and I'm telling

0:49:28.280 --> 0:49:30.200
<v Speaker 1>you we're not new Cannabis in trouble. Well, I mean,

0:49:30.239 --> 0:49:33.160
<v Speaker 1>I know the little side of it. We've done the

0:49:33.200 --> 0:49:38.080
<v Speaker 1>podcast on So what happened was we talked about what

0:49:38.200 --> 0:49:40.600
<v Speaker 1>would happen when you did this record? Right, so I

0:49:40.760 --> 0:49:45.000
<v Speaker 1>think like a few things had to happen. So when

0:49:45.080 --> 0:49:48.560
<v Speaker 1>Cannabis did this record, one of the things that had

0:49:48.600 --> 0:49:54.200
<v Speaker 1>to happen is now his entire album would have had

0:49:54.239 --> 0:49:57.440
<v Speaker 1>to been changed. That's the first state, because he was

0:49:57.520 --> 0:50:02.080
<v Speaker 1>bigger at because what happens was one second round knockout

0:50:02.200 --> 0:50:06.120
<v Speaker 1>comes out that it's so so Now what would have

0:50:06.360 --> 0:50:09.360
<v Speaker 1>to have happened was it would have to be eleven

0:50:09.480 --> 0:50:14.640
<v Speaker 1>more second round knockouts. Of course, not towards l L now,

0:50:14.800 --> 0:50:17.680
<v Speaker 1>but towards the culture. So take all of that anger

0:50:17.800 --> 0:50:20.800
<v Speaker 1>now because now when you do second round, knockout the

0:50:20.960 --> 0:50:24.000
<v Speaker 1>next ship you're gonna do Nigga's gonna want to hear whatever.

0:50:24.120 --> 0:50:27.000
<v Speaker 1>That next thing is the King. That's right, you went

0:50:27.080 --> 0:50:30.799
<v Speaker 1>at the king. So so in this process, so now

0:50:30.960 --> 0:50:34.000
<v Speaker 1>he has to So l L takes a shot at me.

0:50:34.520 --> 0:50:40.480
<v Speaker 1>But meanwhile, what was this shot? I forget what we said? Yeah,

0:50:40.760 --> 0:50:43.840
<v Speaker 1>so now I didn't so I do a record. So

0:50:44.000 --> 0:50:48.760
<v Speaker 1>when he does this record, so brilliance, brilliance is I said, Okay,

0:50:49.640 --> 0:50:52.640
<v Speaker 1>I know who this guy is and I know who's

0:50:52.680 --> 0:50:56.800
<v Speaker 1>backing them, and now yeah, and I said, this is

0:50:56.960 --> 0:51:01.120
<v Speaker 1>l L. This is the King. And now I said,

0:51:01.400 --> 0:51:04.640
<v Speaker 1>I'm gonna respond with the record. Now I respond with

0:51:04.719 --> 0:51:07.200
<v Speaker 1>the record. The record is called What's Cleff got to

0:51:07.280 --> 0:51:11.600
<v Speaker 1>do with It? And now this record is brilliant because

0:51:11.719 --> 0:51:15.000
<v Speaker 1>what happens is I'm asking l L What's Cleff got

0:51:15.120 --> 0:51:18.120
<v Speaker 1>to do with it? And on the record, I attacked

0:51:18.320 --> 0:51:21.320
<v Speaker 1>all of L else bosses at the time, so I

0:51:21.400 --> 0:51:24.920
<v Speaker 1>don't even talk about like I barely talked. So I

0:51:25.040 --> 0:51:28.080
<v Speaker 1>talked about L else bosses. And now I said, I

0:51:28.160 --> 0:51:30.800
<v Speaker 1>gotta neutralize him at the end of the record, and

0:51:30.920 --> 0:51:34.399
<v Speaker 1>I know that we're gonna meet me somewhere if we're

0:51:34.440 --> 0:51:37.560
<v Speaker 1>playing chess. He has a female fan base, and I'm

0:51:37.600 --> 0:51:40.200
<v Speaker 1>going to November. So then I called up my friend

0:51:40.239 --> 0:51:43.800
<v Speaker 1>at the time, Naomi Campbell, and said, Helmie. You know,

0:51:52.080 --> 0:51:56.040
<v Speaker 1>So I called up Naomi, and Naomi, I need a

0:51:56.120 --> 0:52:08.120
<v Speaker 1>dub play at the end of this record. Help come on, Naomi,

0:52:08.200 --> 0:52:19.840
<v Speaker 1>I Jimmy, Yes, good girl. So so Naomi does the

0:52:20.040 --> 0:52:22.680
<v Speaker 1>end of the record, and so she's like, l L

0:52:23.200 --> 0:52:25.160
<v Speaker 1>you need to give it up. You need to stop.

0:52:25.239 --> 0:52:28.359
<v Speaker 1>This is now. When I put a top model at

0:52:28.400 --> 0:52:30.359
<v Speaker 1>the end of the record, you know, you can't say

0:52:30.400 --> 0:52:32.600
<v Speaker 1>I don't like females or I'm gonna so I'm coming

0:52:32.719 --> 0:52:36.960
<v Speaker 1>straight for your bass. So for me and doing that, um,

0:52:37.239 --> 0:52:40.920
<v Speaker 1>the only reason I even did that, bro, because I

0:52:41.080 --> 0:52:43.279
<v Speaker 1>felt like I didn't when he did that record. I

0:52:43.360 --> 0:52:48.480
<v Speaker 1>went back home and my girl, right, she like, she's

0:52:48.560 --> 0:52:51.719
<v Speaker 1>like I call a buoy bougie hood. So she was

0:52:52.400 --> 0:52:55.560
<v Speaker 1>in the in the beauty salong with her girlfriends, and

0:52:55.760 --> 0:52:59.239
<v Speaker 1>so I came and the L L record was playing,

0:52:59.280 --> 0:53:01.360
<v Speaker 1>the disc record playing, So I came home on some

0:53:01.480 --> 0:53:03.719
<v Speaker 1>Will Smith ship you know what I mean, like I

0:53:03.800 --> 0:53:09.479
<v Speaker 1>can't something that's She was like, she was like, while

0:53:09.600 --> 0:53:15.160
<v Speaker 1>I'm till you're here, and why I'm trying. You are

0:53:16.440 --> 0:53:24.400
<v Speaker 1>blood clad mile and pasta. So y'all got city and

0:53:24.520 --> 0:53:26.640
<v Speaker 1>eat the chicken in r I said, not respond to

0:53:26.719 --> 0:53:43.680
<v Speaker 1>the one word. Leave it to a woman. A woman

0:53:43.800 --> 0:53:48.279
<v Speaker 1>always sends the king to word. The queen always sends yeah,

0:53:48.280 --> 0:53:52.000
<v Speaker 1>you gotta respect the queen. Yeah. But but in all seriousness,

0:53:52.200 --> 0:53:54.560
<v Speaker 1>it was like the amount of respect that I have

0:53:54.840 --> 0:53:57.680
<v Speaker 1>for l L and contendue to have for l L.

0:53:58.120 --> 0:54:00.480
<v Speaker 1>I would say it was at the punch funeral, you

0:54:00.560 --> 0:54:04.000
<v Speaker 1>know what I mean, when I saw him um and

0:54:04.120 --> 0:54:05.800
<v Speaker 1>after that I like shook his hand. But for me

0:54:05.920 --> 0:54:08.520
<v Speaker 1>it was it was a battle, you know what I mean,

0:54:08.719 --> 0:54:11.359
<v Speaker 1>And it was all I want him to get out

0:54:11.400 --> 0:54:13.360
<v Speaker 1>of it even til today, is like we were so

0:54:13.600 --> 0:54:16.320
<v Speaker 1>obsessed by him at the time. He just wanted to

0:54:16.400 --> 0:54:18.719
<v Speaker 1>be him. And you think when you just produced the

0:54:18.800 --> 0:54:21.840
<v Speaker 1>record for Cannabis that you can stay out of it. No.

0:54:22.680 --> 0:54:24.799
<v Speaker 1>I knew once. I mean, it's the art of war, right,

0:54:24.840 --> 0:54:26.480
<v Speaker 1>you would have ganged you with a gang, so I

0:54:26.600 --> 0:54:29.640
<v Speaker 1>knew it even got worse, Like forget about the fact

0:54:29.680 --> 0:54:31.920
<v Speaker 1>that I did the record. I was the freaking referee

0:54:31.960 --> 0:54:38.719
<v Speaker 1>in the video. So once I said, but that's the

0:54:38.800 --> 0:54:41.040
<v Speaker 1>kind I knew that. I was like, look, we're gonna

0:54:41.120 --> 0:54:43.279
<v Speaker 1>go in. He's gonna come at me, He's gonna come

0:54:43.320 --> 0:54:45.279
<v Speaker 1>at you, but you have to be ready. And I

0:54:45.320 --> 0:54:49.320
<v Speaker 1>would say, really, the first Fuji album was Blunted on

0:54:49.440 --> 0:54:53.359
<v Speaker 1>Reality and that ship sold two copies. The second one

0:54:53.480 --> 0:54:57.279
<v Speaker 1>was to score cannabis first album. I felt like after

0:54:57.360 --> 0:55:00.600
<v Speaker 1>his first album, he just copped away, like you know

0:55:00.640 --> 0:55:02.960
<v Speaker 1>what I mean, because he wanted it so successfully, and

0:55:03.040 --> 0:55:04.920
<v Speaker 1>I think you got like three shots in this game.

0:55:05.000 --> 0:55:07.560
<v Speaker 1>I think one to three. Until today, I always say

0:55:07.920 --> 0:55:11.200
<v Speaker 1>Cannabis is one of the most lethal its lyricists that

0:55:11.320 --> 0:55:14.759
<v Speaker 1>I've ever heard in my entire life. L L is

0:55:15.120 --> 0:55:18.480
<v Speaker 1>one of the greatest hip hop entertainers that I've ever

0:55:18.560 --> 0:55:21.239
<v Speaker 1>seen in my life. And because of l L, I

0:55:21.360 --> 0:55:25.600
<v Speaker 1>know how to control the stage, you know what I mean? Yeah? Yeah,

0:55:26.280 --> 0:55:30.440
<v Speaker 1>radio facts with facts. So so do you think that

0:55:32.840 --> 0:55:37.359
<v Speaker 1>so what what what intent does it make a person

0:55:37.480 --> 0:55:40.880
<v Speaker 1>to say that that this person is a star? Is

0:55:40.920 --> 0:55:44.480
<v Speaker 1>it all those qualities that you just said, yeah, to

0:55:44.600 --> 0:55:48.680
<v Speaker 1>make a person a star? Well, okay, so I remember

0:55:49.680 --> 0:55:57.239
<v Speaker 1>that yeah, I remember no no, no no, but you

0:55:57.360 --> 0:56:07.000
<v Speaker 1>know you know no, I no, no, you mean so

0:56:07.239 --> 0:56:13.880
<v Speaker 1>so empower military, empower military, right, So it's a general.

0:56:14.040 --> 0:56:17.080
<v Speaker 1>What we do is when we want to get information

0:56:18.160 --> 0:56:21.880
<v Speaker 1>from the certain people, right, what we do is we

0:56:22.080 --> 0:56:26.480
<v Speaker 1>make them drink to the point where they lose their

0:56:26.560 --> 0:56:32.080
<v Speaker 1>consciousness and they start to tell I'm watching you man,

0:56:32.160 --> 0:56:40.000
<v Speaker 1>I got you come on. We go way back definitely.

0:56:40.320 --> 0:56:43.200
<v Speaker 1>So for me, what makes it a star is the

0:56:43.320 --> 0:56:47.200
<v Speaker 1>IT factor. So I remember um Sony was like, yo,

0:56:47.280 --> 0:56:50.359
<v Speaker 1>cleft as these four girls, you have to go listen

0:56:50.400 --> 0:56:52.560
<v Speaker 1>to them sing. We need you to do a record

0:56:52.600 --> 0:56:54.719
<v Speaker 1>for them. And I go in the hotel and it's

0:56:54.760 --> 0:56:57.759
<v Speaker 1>four girls and I remember like, Yo, It's like Yo,

0:56:57.880 --> 0:56:59.839
<v Speaker 1>what would you like us to sing for you? Mr?

0:57:00.000 --> 0:57:02.080
<v Speaker 1>I was like yo. I was like, yo, I'm from

0:57:02.120 --> 0:57:03.920
<v Speaker 1>the church in a church song. And one of them

0:57:04.000 --> 0:57:07.160
<v Speaker 1>girls just stepped out and just the way she started going.

0:57:07.800 --> 0:57:09.320
<v Speaker 1>I was like, that was the if factor And that

0:57:09.480 --> 0:57:21.680
<v Speaker 1>was Beyonce, you know what I mean. And you know

0:57:21.800 --> 0:57:24.640
<v Speaker 1>what the if factor is. It goes deeper, right, the

0:57:24.760 --> 0:57:27.520
<v Speaker 1>if factor goes deeper because you know who's going to

0:57:27.600 --> 0:57:30.920
<v Speaker 1>be the it because they're studying, right, So if Beyonce

0:57:31.160 --> 0:57:33.840
<v Speaker 1>is listening to this right now, right, this is what's

0:57:33.880 --> 0:57:39.160
<v Speaker 1>the deepest. This is Yeah, she probably listened. I just

0:57:39.280 --> 0:57:46.040
<v Speaker 1>got you three females nampell right. So so this is

0:57:46.440 --> 0:57:48.680
<v Speaker 1>this is the if factor which determines it. To me.

0:57:49.240 --> 0:57:53.480
<v Speaker 1>I remember us performing like I'm performing on stage, and

0:57:53.560 --> 0:57:56.440
<v Speaker 1>I remember Beyonce on the side of the stage watching.

0:57:57.000 --> 0:58:01.120
<v Speaker 1>That's the ny Child already performed. Stay even she's dead,

0:58:01.320 --> 0:58:05.920
<v Speaker 1>she would sh you would. I'm performing. That's why class Carnival, right,

0:58:06.120 --> 0:58:11.640
<v Speaker 1>I'm performing. Yeah, Carnival three first, Yeah, the first one.

0:58:11.680 --> 0:58:15.439
<v Speaker 1>Carnival three is soon Carvo three three r as they said,

0:58:15.600 --> 0:58:21.919
<v Speaker 1>that's so Carnival. I had to piss for like two hours,

0:58:22.320 --> 0:58:25.160
<v Speaker 1>but I've been homely because I'll respect our class so much. Yeah,

0:58:25.240 --> 0:58:26.560
<v Speaker 1>you know, if you got pissed, we'll just take a

0:58:26.600 --> 0:58:34.720
<v Speaker 1>piss break. No, it's okay, just be drink. Don't stop

0:58:34.920 --> 0:58:39.680
<v Speaker 1>calling up. We're gonna go Carnival. Stop. Stop take a

0:58:39.760 --> 0:58:47.720
<v Speaker 1>kill ready stop? Good? You look you look like even

0:58:47.800 --> 0:58:53.200
<v Speaker 1>tanned up every bad. I don't know what even that beach,

0:58:53.520 --> 0:59:00.200
<v Speaker 1>but I'm a good way. You gotta knows. It's not

0:59:00.840 --> 0:59:09.439
<v Speaker 1>my sister. He's really like that rock man. We're talking

0:59:09.440 --> 0:59:14.040
<v Speaker 1>about the album, the album, the new album three. Yes man,

0:59:15.280 --> 0:59:20.880
<v Speaker 1>you know, listen everybody, Carnival three. Yeah, you got you got,

0:59:20.960 --> 0:59:23.760
<v Speaker 1>you got, you got um Shakira on it. Yeah, this

0:59:23.840 --> 0:59:26.360
<v Speaker 1>is what makes it. No, no, no, I'm saying, yeah,

0:59:26.400 --> 0:59:30.120
<v Speaker 1>this is what makes this album dope. Right. So for me,

0:59:31.040 --> 0:59:36.480
<v Speaker 1>it's twenty years later and we celebrating the Carnival. And

0:59:36.640 --> 0:59:39.120
<v Speaker 1>the first Carnival was all people was like, yo, you

0:59:39.240 --> 0:59:41.680
<v Speaker 1>can't do a record. You can't do a hip hop

0:59:41.760 --> 0:59:44.200
<v Speaker 1>album and four languages and get it to sell. It

0:59:44.280 --> 0:59:46.760
<v Speaker 1>don't exist. And I was like no, I said, I'm

0:59:46.800 --> 0:59:49.960
<v Speaker 1>from Haiti, Espaniola. We speak Spanish, we speak French, crayon.

0:59:50.040 --> 0:59:53.160
<v Speaker 1>We're gonna get it. And so the Carnival. Yes, So

0:59:53.240 --> 0:59:57.200
<v Speaker 1>the Carnival broke records like it did like seven eight

0:59:57.280 --> 1:00:00.600
<v Speaker 1>million dollars, eight million copies. It's the Carnival. So now

1:00:00.680 --> 1:00:04.200
<v Speaker 1>what happens is now we're on the Carnival three. Now

1:00:04.280 --> 1:00:08.200
<v Speaker 1>what even makes this special is that a few things.

1:00:08.560 --> 1:00:11.920
<v Speaker 1>One is the Bronx is back where the fund the

1:00:11.960 --> 1:00:14.560
<v Speaker 1>Bronx ben the Bronx ain't go nowhere? And your fat Joe,

1:00:14.600 --> 1:00:17.000
<v Speaker 1>what's going on? My brother? You're dropping a new video Man,

1:00:17.120 --> 1:00:20.840
<v Speaker 1>So excited exclusively on Title tomorrow at noon. You understand

1:00:20.880 --> 1:00:24.800
<v Speaker 1>what that mean? Noon Eastern time. Your motherfucker's in Miami

1:00:25.080 --> 1:00:27.880
<v Speaker 1>on the fucking yacht with fucking DJ College. I heard

1:00:27.920 --> 1:00:30.720
<v Speaker 1>you killed the horse and they respect you for that. Respect. Man,

1:00:30.880 --> 1:00:33.080
<v Speaker 1>it's going down the hottest models in the world. Fat

1:00:33.200 --> 1:00:36.880
<v Speaker 1>Joe does it again. Titles going down, Title So Excited. Man,

1:00:36.960 --> 1:00:38.400
<v Speaker 1>go check it out. Man, you know what I mean.

1:00:38.480 --> 1:00:41.640
<v Speaker 1>It's going down man, Title dot Com slash So Excited.

1:00:41.760 --> 1:00:44.200
<v Speaker 1>Check the music video. It's going down your boy and

1:00:44.360 --> 1:00:47.520
<v Speaker 1>r E Fat Joe. Let's go what And that's Wednesday

1:00:47.880 --> 1:00:51.520
<v Speaker 1>eight nine. Motherfucker is coming on at noon exclusively on title.

1:00:51.600 --> 1:00:53.280
<v Speaker 1>You know they got forty eight hours because they'll be

1:00:53.400 --> 1:00:56.560
<v Speaker 1>paying that check. Respect the title rap, but did you

1:00:56.640 --> 1:00:59.560
<v Speaker 1>know the lyric videos out and it's crazy. It released

1:00:59.600 --> 1:01:01.280
<v Speaker 1>a week of go and already has about a hundred

1:01:01.280 --> 1:01:04.000
<v Speaker 1>and eighty five thousand views. The fans are expecting so

1:01:04.120 --> 1:01:06.600
<v Speaker 1>excited to hit the top ten on the charts. Man,

1:01:06.680 --> 1:01:08.760
<v Speaker 1>We're so happy for Fat Joe. If anybody deserves it,

1:01:08.800 --> 1:01:11.120
<v Speaker 1>it's definitely Fat Joe. Make sure you check out So

1:01:11.280 --> 1:01:15.200
<v Speaker 1>Excited hitting Titled dot com Forward Slash so excited check

1:01:15.240 --> 1:01:20.320
<v Speaker 1>it out. I'm hearing the record out of nowhere and

1:01:20.400 --> 1:01:23.440
<v Speaker 1>the record is called wy clep Sean And I'm like, yo,

1:01:24.360 --> 1:01:26.960
<v Speaker 1>who did this record? And why is this? Like you

1:01:28.840 --> 1:01:39.120
<v Speaker 1>like that? It's the trap record? So to this record up?

1:01:40.160 --> 1:01:45.640
<v Speaker 1>Gotta let you all fulling up right the record? So

1:01:45.760 --> 1:01:49.520
<v Speaker 1>the working we're gonna play it though. So it's a

1:01:49.640 --> 1:01:53.240
<v Speaker 1>young man by the name of Young Dogs and decided,

1:01:54.080 --> 1:01:59.080
<v Speaker 1>come on, y'all, not got it, y'all, nigga's not got

1:01:59.160 --> 1:02:07.720
<v Speaker 1>a riddle, y'all. No, No, that was a scheme. But

1:02:07.920 --> 1:02:11.680
<v Speaker 1>so but who produced that record with Super Mario? And

1:02:11.760 --> 1:02:14.720
<v Speaker 1>I was like, yo, this no, this little kid was

1:02:14.800 --> 1:02:17.320
<v Speaker 1>just coming up. He's worked with Drake. But you know,

1:02:18.040 --> 1:02:20.960
<v Speaker 1>I was like, this kid sound his frequency? Sound like

1:02:21.040 --> 1:02:24.240
<v Speaker 1>why Clefford twenty years old? Who's this kid? Like? How

1:02:24.320 --> 1:02:26.640
<v Speaker 1>how how is he doing these drums in this So

1:02:27.480 --> 1:02:30.680
<v Speaker 1>the whole thing about Carnival three is I went and

1:02:30.800 --> 1:02:33.480
<v Speaker 1>I got all of the kids that were influenced by

1:02:33.560 --> 1:02:37.640
<v Speaker 1>the Carnival. When the Carnival came out, there was twelve thirteen.

1:02:38.080 --> 1:02:41.520
<v Speaker 1>So you got Super Mario, you got the Knocks, you

1:02:41.640 --> 1:02:44.840
<v Speaker 1>got um Wavy Boy. So what happens is now The

1:02:45.040 --> 1:02:50.400
<v Speaker 1>fusion on Carnival three is the nephews meet the uncle.

1:02:51.040 --> 1:02:55.280
<v Speaker 1>So it sounds like Teddy Riley meets Michael Jackson or

1:02:55.360 --> 1:02:58.520
<v Speaker 1>Michael Jackson meets Quincy Jones. What happens with that fusion?

1:02:58.960 --> 1:03:01.440
<v Speaker 1>So we put so so it's sort of like, so

1:03:01.520 --> 1:03:04.280
<v Speaker 1>if I'm coming from nineties seven with a certain sonics,

1:03:04.600 --> 1:03:08.080
<v Speaker 1>what happens when you put that twenty seventeen against those

1:03:08.120 --> 1:03:11.760
<v Speaker 1>acoustic guitars? What happens? So that's the whole idea with

1:03:11.920 --> 1:03:15.240
<v Speaker 1>the Carnival, the Carnival three. So we got two joints up.

1:03:15.280 --> 1:03:17.800
<v Speaker 1>One is called what Happened to Love and the others

1:03:17.880 --> 1:03:21.840
<v Speaker 1>called Fella Couti. So basically, um, we we were back

1:03:21.920 --> 1:03:25.480
<v Speaker 1>on that bullshit, you know what I mean? Yeah, and

1:03:25.560 --> 1:03:30.640
<v Speaker 1>you're rich as fuck. That's one way to rich. Listen,

1:03:32.560 --> 1:03:37.120
<v Speaker 1>but tell those names, Tell these niggas that cycle picture

1:03:37.200 --> 1:03:44.600
<v Speaker 1>you talk. You had the speed, you gotta, you gotta

1:03:50.720 --> 1:03:58.760
<v Speaker 1>the way, he was well defined, the oil yell that

1:03:58.920 --> 1:04:03.040
<v Speaker 1>was that was a house laid Come on you was

1:04:03.160 --> 1:04:07.080
<v Speaker 1>richardlf and five million dollar house? Is that? Am I correct?

1:04:08.320 --> 1:04:14.560
<v Speaker 1>Eight man? Yeah? Yo, I mean you know it is

1:04:14.640 --> 1:04:19.720
<v Speaker 1>what it is, right, But I mean the Ducatti pick Man.

1:04:22.080 --> 1:04:38.640
<v Speaker 1>Yeah your real talking. I've seen my Twitter get divided.

1:04:38.880 --> 1:04:41.200
<v Speaker 1>Right when I think that ship, all the niggas ran

1:04:41.240 --> 1:04:47.200
<v Speaker 1>on damn mine, you know what I mean? It was

1:04:48.360 --> 1:04:55.160
<v Speaker 1>I did again. Yeah it went crazy, man. You feel

1:04:55.200 --> 1:04:59.000
<v Speaker 1>like just the one minute, next minute, yo. But you

1:04:59.080 --> 1:05:02.480
<v Speaker 1>know why I did it, huh, just to get back

1:05:02.560 --> 1:05:05.880
<v Speaker 1>to the fact that I'm human, and like I'm human,

1:05:06.000 --> 1:05:08.720
<v Speaker 1>my nigga. Like I felt like so many people was

1:05:08.840 --> 1:05:12.560
<v Speaker 1>coming at me at this time as if I wasn't human,

1:05:12.840 --> 1:05:15.600
<v Speaker 1>Like it was like, yo, do try to run for president?

1:05:16.200 --> 1:05:19.120
<v Speaker 1>His charity bomb. But it was sort of like dudes

1:05:19.280 --> 1:05:21.720
<v Speaker 1>was coming at me as if I didn't have a family,

1:05:21.920 --> 1:05:24.919
<v Speaker 1>as if I'm not from the culture. And I was like, dude,

1:05:25.040 --> 1:05:26.800
<v Speaker 1>I'm a ray, I'm that dude that used to be

1:05:26.880 --> 1:05:29.400
<v Speaker 1>on the block making niggas laugh. So it was like

1:05:29.520 --> 1:05:32.040
<v Speaker 1>at the end of the day, I stripped it all

1:05:32.160 --> 1:05:35.439
<v Speaker 1>down and I knew with my antics that everybody would

1:05:35.480 --> 1:05:38.160
<v Speaker 1>talk and get back to the fact like this is

1:05:38.240 --> 1:05:40.320
<v Speaker 1>a regular nigga at the end of the day, you

1:05:40.400 --> 1:05:43.520
<v Speaker 1>know what I mean, So shout out to the speed

1:05:45.080 --> 1:05:49.080
<v Speaker 1>Like I feel like, if it wasn't for you er

1:05:49.160 --> 1:05:52.400
<v Speaker 1>for president, I think like you kind of gave Trump

1:05:52.880 --> 1:05:59.200
<v Speaker 1>the idea, Come on, man, because you almost I'm not

1:05:59.240 --> 1:06:08.040
<v Speaker 1>putting it on you. Sorry that no, No, what clapp

1:06:08.120 --> 1:06:12.000
<v Speaker 1>was the first hoodrom President. I'm gonna tell you what's big.

1:06:12.640 --> 1:06:20.360
<v Speaker 1>I'm gonna tell you what this from that sweet Niggi brother,

1:06:20.840 --> 1:06:25.360
<v Speaker 1>it's going down. I mean, okay, So here's a few

1:06:25.440 --> 1:06:28.360
<v Speaker 1>facts to your point. No, that's not my point. No,

1:06:28.400 --> 1:06:30.520
<v Speaker 1>I'm gonna show you you got you hitting on. I'm

1:06:30.520 --> 1:06:32.680
<v Speaker 1>gonna show you like you're hitting on some science. So

1:06:32.760 --> 1:06:36.720
<v Speaker 1>it's important that the listeners fully get your science. Because

1:06:36.720 --> 1:06:38.680
<v Speaker 1>you're hitting on some science that I'm gonna get into

1:06:39.080 --> 1:06:41.080
<v Speaker 1>because I feel like Trump seeing you and said this

1:06:41.160 --> 1:06:44.919
<v Speaker 1>thing almost made Trump almost very president, and he said,

1:06:45.000 --> 1:06:48.840
<v Speaker 1>let me try so now and then nigga want I

1:06:48.880 --> 1:06:54.280
<v Speaker 1>think it's your fault. Now, we wouldn't put it on me.

1:06:54.400 --> 1:06:58.800
<v Speaker 1>But now because you're you're your use this close. You

1:06:58.880 --> 1:07:04.400
<v Speaker 1>know I was sitting that you're finally eligible. Yeah, well

1:07:04.440 --> 1:07:07.600
<v Speaker 1>the first part of it. If you're no, no, if

1:07:07.640 --> 1:07:11.680
<v Speaker 1>we if we go online, right, you'll find a picture

1:07:12.440 --> 1:07:19.080
<v Speaker 1>of me Donald Trump, sweet Mickey together. That sounds like

1:07:19.160 --> 1:07:22.280
<v Speaker 1>a Controversyka, just listen to this. Listen to this, sweet

1:07:22.320 --> 1:07:31.480
<v Speaker 1>think he's the old ain't even president yet present. You know,

1:07:31.600 --> 1:07:38.200
<v Speaker 1>it's just three celebrities, the biggest artist. I'm taking you three,

1:07:38.600 --> 1:07:42.640
<v Speaker 1>so Mickey. So basically sweet Mickey, it's like for me

1:07:42.880 --> 1:07:45.760
<v Speaker 1>like he's our Michael Jackson, if that makes sense, Like

1:07:46.080 --> 1:07:50.840
<v Speaker 1>he like we all grew up with his music. Sweet

1:07:50.880 --> 1:07:53.360
<v Speaker 1>Mickey was the president. Correct, Yeah, but listen to how

1:07:53.440 --> 1:07:57.120
<v Speaker 1>he became the president. So when Michael Michael Jackson become

1:07:57.200 --> 1:07:59.520
<v Speaker 1>the president. Yeah, so this is like in Haiti. Yeah,

1:07:59.640 --> 1:08:02.600
<v Speaker 1>because but think about this when I took the picture,

1:08:02.680 --> 1:08:07.200
<v Speaker 1>this picture becoming president. Yeah, exactly. So when I took

1:08:07.280 --> 1:08:10.560
<v Speaker 1>this picture with Trump, me and Mickey, hold on, yeah,

1:08:10.720 --> 1:08:13.960
<v Speaker 1>go ahead. From nineties, said Bob Junkie, what you're doing?

1:08:14.240 --> 1:08:24.160
<v Speaker 1>Come on yo? We had huntred dirty seconds between what yet,

1:08:24.240 --> 1:08:27.080
<v Speaker 1>second and fifth come through. We interviewed h class and

1:08:27.120 --> 1:08:30.479
<v Speaker 1>you gotta relax. That's it. Let the record, real quick,

1:08:30.720 --> 1:08:34.000
<v Speaker 1>real quick, every and rock Camp all perform at the

1:08:34.479 --> 1:08:36.760
<v Speaker 1>Bird time at twenty years. Got the problems we got

1:08:38.840 --> 1:08:49.799
<v Speaker 1>we had tickets, We had tickets two years ago. Tickets.

1:08:49.920 --> 1:09:00.120
<v Speaker 1>Let's second, I'm sorry, no, no, it's good. So what

1:09:00.280 --> 1:09:02.519
<v Speaker 1>we do is what we call a random real quick

1:09:03.400 --> 1:09:05.920
<v Speaker 1>So every b and rock Camp. So I'm gonna call

1:09:05.960 --> 1:09:09.320
<v Speaker 1>a random real quick. So Eric B and rock Camp

1:09:10.080 --> 1:09:15.320
<v Speaker 1>my first music video ever. I was an extra for

1:09:15.439 --> 1:09:18.439
<v Speaker 1>a rock Camp video and I got more shots than

1:09:18.520 --> 1:09:24.040
<v Speaker 1>any other extra histories. Don't sweat the technique. I'm playing

1:09:24.160 --> 1:09:31.040
<v Speaker 1>up right, bag, I'm gonna hold your bunny man. I

1:09:31.200 --> 1:09:39.680
<v Speaker 1>told y'all keep talking. Yeah, so not do you know

1:09:39.840 --> 1:09:44.639
<v Speaker 1>we said hip hop junkie? I do you know? Uh picture,

1:09:45.080 --> 1:09:47.880
<v Speaker 1>But we gotta go back to Donald Trump. Yeah, this

1:09:47.960 --> 1:09:50.880
<v Speaker 1>is a deep pick. He said that because fam was

1:09:51.000 --> 1:09:53.519
<v Speaker 1>saying like when he probably saw that. So now look

1:09:54.600 --> 1:09:58.360
<v Speaker 1>this is like Donald Trump, ain't the president. Everybody's chilling.

1:09:59.000 --> 1:10:02.559
<v Speaker 1>Donald Trump book us for a show. We show up,

1:10:02.600 --> 1:10:05.200
<v Speaker 1>We're at the Caesar. I called my man, sweet Mickey,

1:10:05.760 --> 1:10:08.040
<v Speaker 1>and I'm like, yo, Mickey, we're out here with Trump.

1:10:08.320 --> 1:10:14.600
<v Speaker 1>Come on over the president and he's just chilling. He's like,

1:10:14.680 --> 1:10:16.800
<v Speaker 1>my friend, you know what I mean? So, Yo, we're

1:10:16.840 --> 1:10:22.320
<v Speaker 1>down here, come so now and years later, right, because

1:10:22.439 --> 1:10:25.920
<v Speaker 1>all I could do is tell y'all because there, but

1:10:26.200 --> 1:10:29.439
<v Speaker 1>all I could do is all all I could do

1:10:29.600 --> 1:10:31.519
<v Speaker 1>is tell y'all. Right, all I could go is by

1:10:31.680 --> 1:10:34.400
<v Speaker 1>facts checks. Right, I'm gonna get you all the facts man.

1:10:34.880 --> 1:10:37.240
<v Speaker 1>The fact is, at the end of the day, coming

1:10:37.320 --> 1:10:40.200
<v Speaker 1>from where I came from, if somebody gave me a

1:10:40.360 --> 1:10:45.320
<v Speaker 1>check to perform, right, and they actually wrote the check

1:10:45.800 --> 1:10:49.200
<v Speaker 1>right at the time. At the time and the check Claire.

1:10:49.240 --> 1:10:50.720
<v Speaker 1>At the time, I was like, this person is a

1:10:51.200 --> 1:10:55.400
<v Speaker 1>business then. But dude, when you sit on the presidential chair,

1:10:55.560 --> 1:10:58.800
<v Speaker 1>that's a whole another scheme now because you're representing the

1:10:58.920 --> 1:11:02.040
<v Speaker 1>world and you representing like, you can't be for one

1:11:02.120 --> 1:11:03.800
<v Speaker 1>side of this, it don't exist. You gotta be for

1:11:03.840 --> 1:11:07.720
<v Speaker 1>the whole America, you feel me. So it's a different game. Yeah,

1:11:08.080 --> 1:11:11.400
<v Speaker 1>so so so on that note, what ended up happening is, um,

1:11:12.280 --> 1:11:16.439
<v Speaker 1>I ran right when I ran for president, I ran,

1:11:17.920 --> 1:11:21.320
<v Speaker 1>But all y'all did was see me run. What y'all

1:11:21.400 --> 1:11:25.519
<v Speaker 1>didn't see was the backstory. There's a documentary called The

1:11:25.600 --> 1:11:34.479
<v Speaker 1>Ghosts of Seat there so late. So now that I

1:11:34.640 --> 1:11:36.880
<v Speaker 1>look at it again from the top, y'all see that.

1:11:37.360 --> 1:11:41.639
<v Speaker 1>It is brought by y'all by Sock Posity Films. Sock

1:11:41.720 --> 1:11:45.240
<v Speaker 1>Posity Films is one of my film companies, right. So

1:11:45.360 --> 1:11:47.280
<v Speaker 1>I only tell you all that because at the end

1:11:47.280 --> 1:11:51.640
<v Speaker 1>of the day, I wanted to show out in America

1:11:52.400 --> 1:11:54.880
<v Speaker 1>or all of the kids that was here, how dudes

1:11:55.000 --> 1:11:58.280
<v Speaker 1>was getting down in Haiti, and how hip hop music

1:11:58.960 --> 1:12:03.599
<v Speaker 1>influenced Haiti. Right, so you have so at the end

1:12:03.640 --> 1:12:06.760
<v Speaker 1>of the day, y'all saw me run for president. But

1:12:06.840 --> 1:12:09.800
<v Speaker 1>what they didn't show y'all is when they have beef

1:12:09.880 --> 1:12:13.759
<v Speaker 1>with the gangs. I had to go negotiate for the gangs.

1:12:16.960 --> 1:12:23.200
<v Speaker 1>These are rappers. I'm talking about the gangs. The general

1:12:23.560 --> 1:12:27.000
<v Speaker 1>I'm talking about. I said, I sit with the gunmen.

1:12:27.840 --> 1:12:33.760
<v Speaker 1>Why cleft sit with the gunmen hand to hand. I

1:12:34.520 --> 1:12:37.160
<v Speaker 1>let's have a conversation because at the end of the day,

1:12:37.920 --> 1:12:41.720
<v Speaker 1>I can't let my people suffer. So at the end

1:12:41.760 --> 1:12:44.280
<v Speaker 1>of the day, you have to figure this out because

1:12:44.360 --> 1:12:47.280
<v Speaker 1>the youth of tomorrow got to advanced. So how are

1:12:47.360 --> 1:12:50.759
<v Speaker 1>we gonna do this? I get a note, a list

1:12:50.920 --> 1:12:54.720
<v Speaker 1>of what their demands are. I take this list to Washington,

1:12:54.920 --> 1:12:57.800
<v Speaker 1>d C. The U n is listening. I was the

1:12:57.840 --> 1:13:01.080
<v Speaker 1>one who negotiated the truths with the gangs. This is me.

1:13:01.240 --> 1:13:03.720
<v Speaker 1>But y'all don't see none of this yet. Then I

1:13:03.960 --> 1:13:09.400
<v Speaker 1>fly back to my country. This is cleft. Then I

1:13:09.520 --> 1:13:13.080
<v Speaker 1>fly back to Washington. Right, anybody who's watching this, it

1:13:13.120 --> 1:13:16.519
<v Speaker 1>ain't hard. You could google this I'm I'm in front

1:13:16.560 --> 1:13:21.360
<v Speaker 1>of Congress and I'm talking about Look, y'all need to

1:13:21.439 --> 1:13:24.439
<v Speaker 1>get a bill passed. It's called a text stile bill.

1:13:24.880 --> 1:13:30.160
<v Speaker 1>This bill help brought back textile and manufacturer of my country.

1:13:30.520 --> 1:13:32.439
<v Speaker 1>While I'm doing all of this, y'all don't see any

1:13:32.479 --> 1:13:35.120
<v Speaker 1>of this. This ain't promoted. The only thing y'all saw

1:13:35.640 --> 1:13:38.719
<v Speaker 1>was why Clefs j'on yell a Haiti scandal? Why Clefs

1:13:38.760 --> 1:13:43.000
<v Speaker 1>Jon run for president? Right? The only thing is this,

1:13:43.600 --> 1:13:46.640
<v Speaker 1>I'm a Garvyite. This is the part of me that

1:13:46.720 --> 1:13:51.479
<v Speaker 1>people don't know. I'm a Marcus Garveyite. And what that

1:13:51.640 --> 1:13:54.720
<v Speaker 1>means is at the end of the day, Yeah, nig

1:13:54.760 --> 1:13:57.360
<v Speaker 1>can see me run. But who told me to run?

1:13:57.560 --> 1:13:59.720
<v Speaker 1>What made me think I could run? No one know.

1:13:59.840 --> 1:14:03.599
<v Speaker 1>I sat with Nelson, Mandela, Me and Mandela. We had

1:14:03.640 --> 1:14:07.680
<v Speaker 1>the conversation. I like, we're having this conversation. I had

1:14:07.680 --> 1:14:10.160
<v Speaker 1>a few questions for Mandela. Was only three people in

1:14:10.240 --> 1:14:14.880
<v Speaker 1>the room, Me, Mandela, and my cousin Jerry Wonder So

1:14:15.360 --> 1:14:20.240
<v Speaker 1>so for me, this was important information. After that, I

1:14:20.479 --> 1:14:24.759
<v Speaker 1>flew and sat with Harry Bella Fonte. I spoke to Harry.

1:14:25.000 --> 1:14:27.720
<v Speaker 1>Harry told me this is how they're gonna get you,

1:14:28.240 --> 1:14:30.599
<v Speaker 1>and this is what's gonna happen to you. And if

1:14:30.680 --> 1:14:35.240
<v Speaker 1>you're able to handle this, you're gonna be okay. So

1:14:35.400 --> 1:14:37.479
<v Speaker 1>at the end of the day, now I run for

1:14:37.560 --> 1:14:40.920
<v Speaker 1>president of my country. And then they said I gotta

1:14:41.000 --> 1:14:45.000
<v Speaker 1>be in the country five years, right, But this right,

1:14:45.800 --> 1:14:48.720
<v Speaker 1>they told you the legibility is five years. But if

1:14:48.760 --> 1:14:52.400
<v Speaker 1>I ask anyone who's listening right now, what the hell

1:14:52.520 --> 1:14:57.080
<v Speaker 1>does the Haitian constitution say? Nobody knows. So you call

1:14:57.160 --> 1:15:00.760
<v Speaker 1>that Western propaganda. So it's propaganda that that's given on

1:15:00.880 --> 1:15:03.280
<v Speaker 1>the other side to fool you over on this side,

1:15:03.720 --> 1:15:07.400
<v Speaker 1>because on this side we come here, we study black history.

1:15:07.720 --> 1:15:09.680
<v Speaker 1>We know who our fore fathers. Well, we know who

1:15:09.760 --> 1:15:12.559
<v Speaker 1>George Washington is. But if I tell somebody, yo, who's

1:15:12.600 --> 1:15:16.640
<v Speaker 1>two sons overture? Who's on it? So how would you

1:15:16.880 --> 1:15:18.599
<v Speaker 1>come up with a law and tell me I gotta

1:15:18.680 --> 1:15:21.360
<v Speaker 1>live in the country for five years when I already

1:15:21.439 --> 1:15:27.679
<v Speaker 1>had a diplomatic passport. So why didn't contest it? Why

1:15:28.280 --> 1:15:32.760
<v Speaker 1>did not raise my finger? And I'm not no ordinary dude.

1:15:32.880 --> 1:15:37.639
<v Speaker 1>I bought Minister Fari Carna Haiti. This ain't no ordinary guys,

1:15:37.680 --> 1:15:40.040
<v Speaker 1>who's speaking to you? At the end of the day

1:15:40.960 --> 1:15:44.200
<v Speaker 1>Bill Clinton, who's listening to the show right now. I'm

1:15:44.280 --> 1:15:47.200
<v Speaker 1>getting off for Air Force one. I'm getting off for

1:15:47.320 --> 1:15:50.560
<v Speaker 1>Air Force one with Bill Clinton as a youngster, So

1:15:50.640 --> 1:15:53.559
<v Speaker 1>I'm not no ordinary dude. At the end of the day,

1:15:53.600 --> 1:15:57.000
<v Speaker 1>though they had to block me. The reason why they

1:15:57.040 --> 1:15:59.680
<v Speaker 1>blocked me is because they didn't see me as a capitalist,

1:16:00.200 --> 1:16:02.920
<v Speaker 1>even though I am a capitalist. They saw me as

1:16:02.960 --> 1:16:06.320
<v Speaker 1>a populist, somebody that's going to be for the people.

1:16:06.520 --> 1:16:08.200
<v Speaker 1>You know what I'm saying to you. So that's the

1:16:08.280 --> 1:16:10.920
<v Speaker 1>bottom line, and that's how I went down. But look,

1:16:11.040 --> 1:16:12.960
<v Speaker 1>at the end of the day, I could have raised

1:16:13.040 --> 1:16:16.280
<v Speaker 1>my pinky and the country would have turned red. I

1:16:16.400 --> 1:16:19.000
<v Speaker 1>didn't do that because I didn't want the youth to

1:16:19.240 --> 1:16:22.120
<v Speaker 1>fight over me, because at the end of the day

1:16:22.200 --> 1:16:24.920
<v Speaker 1>was bigger than me. It was about Haiti. So we

1:16:25.120 --> 1:16:29.960
<v Speaker 1>helped get Sweet Mickey elected. So my party, my party

1:16:30.080 --> 1:16:39.120
<v Speaker 1>back was my party. It was it was it was,

1:16:39.240 --> 1:16:44.479
<v Speaker 1>it was. It was Sweet Mickey, Michelle, Michelle Martin Lli.

1:16:44.640 --> 1:16:47.599
<v Speaker 1>So at the end of the day, that crew raised

1:16:47.680 --> 1:16:50.400
<v Speaker 1>me to a point, so I backed him up and

1:16:50.760 --> 1:16:52.280
<v Speaker 1>at the end of the day we all got together.

1:16:52.360 --> 1:16:56.320
<v Speaker 1>He became the president. After him, it's another president that's young.

1:16:56.800 --> 1:16:59.560
<v Speaker 1>All I wanted to do. My job is accomplished what

1:16:59.720 --> 1:17:02.599
<v Speaker 1>I wanted to do. Before I ran, we had an

1:17:02.640 --> 1:17:07.519
<v Speaker 1>old regime dog. Everything was over sixty five, seventy years old.

1:17:07.720 --> 1:17:11.479
<v Speaker 1>There was controlling the country, that was controlling for country

1:17:11.520 --> 1:17:15.080
<v Speaker 1>for over seventy eight years. I broke the cycle and

1:17:15.200 --> 1:17:17.160
<v Speaker 1>that was the mission that I wanted to do. So

1:17:17.320 --> 1:17:19.920
<v Speaker 1>what cleft. I know, I know because I know you

1:17:20.280 --> 1:17:23.120
<v Speaker 1>so many years, and I know you'd be for being

1:17:23.240 --> 1:17:27.760
<v Speaker 1>riched for every year. And then these people they say

1:17:28.320 --> 1:17:31.120
<v Speaker 1>wild cleft, took from that, and I said, not wild cleft,

1:17:31.240 --> 1:17:35.080
<v Speaker 1>and take from ship. This is me defending you from

1:17:35.080 --> 1:17:37.240
<v Speaker 1>the outside looking at because I know you, I know

1:17:37.400 --> 1:17:41.880
<v Speaker 1>your personal lifestyle and how many years I said, what

1:17:44.400 --> 1:17:47.719
<v Speaker 1>whatever they said that they said stole from this campaign?

1:17:48.000 --> 1:17:53.679
<v Speaker 1>How what was I like, said they totally got it wrong,

1:17:54.200 --> 1:17:58.600
<v Speaker 1>and then going off and I said it on the podcast.

1:17:59.280 --> 1:18:01.240
<v Speaker 1>But I just want, I just want you to shut

1:18:01.280 --> 1:18:04.040
<v Speaker 1>all the hats down. Plea. Well, I think I think,

1:18:04.120 --> 1:18:06.599
<v Speaker 1>first of all, it's an insult to say I stowed

1:18:06.680 --> 1:18:12.240
<v Speaker 1>sixteen First of all, it's an insult. First of all,

1:18:12.360 --> 1:18:17.440
<v Speaker 1>it's an insult to say that I would still sixteen

1:18:17.640 --> 1:18:21.439
<v Speaker 1>million right at least say I would still one billion.

1:18:22.160 --> 1:18:26.280
<v Speaker 1>This is a complete insult because sixty million it would

1:18:26.360 --> 1:18:29.599
<v Speaker 1>equal to the artwork and a few cars in the girl.

1:18:32.560 --> 1:18:48.000
<v Speaker 1>That's right, right, Sometimes you got to feel I've been

1:18:49.520 --> 1:18:52.519
<v Speaker 1>I don't think you know. Yeah, but at the end

1:18:52.560 --> 1:18:55.400
<v Speaker 1>of the day, they'll think about this though, anyone who's

1:18:55.439 --> 1:18:58.960
<v Speaker 1>really paying attention, like what part of the history you

1:18:59.080 --> 1:19:01.720
<v Speaker 1>want to know? Mean j Edgar Hoover set up the

1:19:01.880 --> 1:19:07.120
<v Speaker 1>FBI for what. Look, Marcus Garvey was infiltrated. They came

1:19:07.200 --> 1:19:10.840
<v Speaker 1>in and said everything they said I did. They said

1:19:10.880 --> 1:19:14.760
<v Speaker 1>Marcus Garvey did. At the time, Marcus Garvey people wasn't

1:19:14.800 --> 1:19:19.960
<v Speaker 1>that strong. Marcus Garvey got deported and Obama just pardon

1:19:20.120 --> 1:19:24.759
<v Speaker 1>Marcus Garvey. I'll even give you something crazier. Think about

1:19:24.840 --> 1:19:27.640
<v Speaker 1>the N double A C P. Martin Luther King. They

1:19:27.720 --> 1:19:32.440
<v Speaker 1>said Martin Luther King was stealing personal funds to basically

1:19:32.960 --> 1:19:35.559
<v Speaker 1>take care of his family. Then they had to retract

1:19:35.640 --> 1:19:39.479
<v Speaker 1>the story. My question for y'all is when they're telling

1:19:39.520 --> 1:19:47.360
<v Speaker 1>y'all white cleft stowed and then yeah, yeah, but at

1:19:47.400 --> 1:19:49.400
<v Speaker 1>the same time, right, let me take it to a

1:19:49.520 --> 1:19:53.400
<v Speaker 1>level of legislation because we smart people. So if you

1:19:53.600 --> 1:19:57.639
<v Speaker 1>basically says, I took something. I'm gonna have my CEO

1:19:57.880 --> 1:20:01.120
<v Speaker 1>now write a piece of paper which is a rebuttal

1:20:01.200 --> 1:20:03.839
<v Speaker 1>to show where all of the money went. Why nobody

1:20:04.000 --> 1:20:07.080
<v Speaker 1>printed that up when we did the rebuttal? Why didn't

1:20:07.120 --> 1:20:09.439
<v Speaker 1>y'all print up the rebuttal? Because at the end of

1:20:09.479 --> 1:20:12.479
<v Speaker 1>the day, it's real simple. Long before I was born,

1:20:13.280 --> 1:20:17.320
<v Speaker 1>it was set up that NGOs would come to my country.

1:20:17.840 --> 1:20:21.479
<v Speaker 1>And when they can't make no money nowhere else, you know,

1:20:21.520 --> 1:20:23.240
<v Speaker 1>what I mean to do with a local job would

1:20:23.240 --> 1:20:26.680
<v Speaker 1>be making thirty dollars a month while my people is

1:20:26.760 --> 1:20:30.040
<v Speaker 1>living on less than eight percent, you know. And I

1:20:30.120 --> 1:20:32.799
<v Speaker 1>didn't want to start a charity. I started an NGO

1:20:32.920 --> 1:20:38.320
<v Speaker 1>and NGO non governmental organization. We was moving like an organization.

1:20:38.680 --> 1:20:42.000
<v Speaker 1>This was a threat to everybody, including the Red Cross,

1:20:42.439 --> 1:20:45.360
<v Speaker 1>including everyone else. And what's funny is I've worked with

1:20:45.439 --> 1:20:48.320
<v Speaker 1>the Red Cross, I've worked with different people. But why

1:20:48.520 --> 1:20:50.720
<v Speaker 1>is it if you google the Red Cross right now

1:20:51.000 --> 1:20:53.639
<v Speaker 1>and say how many houses y'all put in Haiti, you're

1:20:53.680 --> 1:21:00.120
<v Speaker 1>gonna see five houses. They've raised billions. But think about this,

1:21:00.240 --> 1:21:03.599
<v Speaker 1>But about that didn't provide anything. But once again, why

1:21:03.680 --> 1:21:07.800
<v Speaker 1>Cleff Young was a patsy only different niggas. Cutn't gun

1:21:07.920 --> 1:21:10.720
<v Speaker 1>me down, because to gun me down, you gotta get

1:21:10.840 --> 1:21:13.280
<v Speaker 1>my people to gun me down. That's the only way

1:21:13.320 --> 1:21:15.960
<v Speaker 1>it's gonna make sense. You did it to Malcolm X,

1:21:16.320 --> 1:21:18.160
<v Speaker 1>so you would have to have my own when I'm

1:21:18.200 --> 1:21:21.760
<v Speaker 1>in my country, gun me down. You can't justify that.

1:21:22.360 --> 1:21:32.320
<v Speaker 1>Ain't nobody gunning me down where I come from. But

1:21:32.400 --> 1:21:33.800
<v Speaker 1>I still want to know. Do you think the Pinn

1:21:33.840 --> 1:21:38.559
<v Speaker 1>Foundation did the jobbing? No? I think that to your

1:21:38.640 --> 1:21:41.000
<v Speaker 1>point that when I did the tour of the houses,

1:21:41.040 --> 1:21:43.759
<v Speaker 1>the model houses, and none of that was built. Once again,

1:21:43.840 --> 1:21:46.200
<v Speaker 1>I think that a lot of the money that went

1:21:46.320 --> 1:21:49.920
<v Speaker 1>to Haiti through the relief fund is a disaster. It's

1:21:50.000 --> 1:21:52.719
<v Speaker 1>the same thing that happened, the same thing that happened.

1:21:52.760 --> 1:21:57.200
<v Speaker 1>And happy, Yeah, sorry to cut you off, but can

1:21:57.320 --> 1:22:01.000
<v Speaker 1>you just explain to the people because me personally, I

1:22:01.160 --> 1:22:04.640
<v Speaker 1>know that you don't need it's me personally when they

1:22:04.680 --> 1:22:07.839
<v Speaker 1>said you know I can have anything. I know you personally.

1:22:07.960 --> 1:22:10.400
<v Speaker 1>I know how you ball, I know how you don't

1:22:10.439 --> 1:22:14.800
<v Speaker 1>need this money. I know that. But how do you

1:22:15.200 --> 1:22:18.920
<v Speaker 1>like address these people who think that? Well, the first

1:22:18.960 --> 1:22:21.280
<v Speaker 1>thing is anyone who thinks that you have to go

1:22:21.439 --> 1:22:25.439
<v Speaker 1>with facts, right, So the only thing is, look, if

1:22:25.560 --> 1:22:29.400
<v Speaker 1>you if I bring you to the well and you

1:22:29.479 --> 1:22:32.280
<v Speaker 1>are a donkey, that mean you're gonna drink the water.

1:22:33.479 --> 1:22:36.360
<v Speaker 1>But if you're a giraffe, I can't get mad at you.

1:22:36.960 --> 1:22:41.599
<v Speaker 1>So those that at the end of the day, right,

1:22:41.800 --> 1:22:43.759
<v Speaker 1>at the end of the day, I can't force people

1:22:43.800 --> 1:22:46.439
<v Speaker 1>to believe what they don't believe. Right, you feel me

1:22:46.800 --> 1:22:48.639
<v Speaker 1>at the end of the day when I'm on Oprah

1:22:50.040 --> 1:22:52.000
<v Speaker 1>and I tell you all the story on Oprah, when

1:22:52.040 --> 1:22:54.840
<v Speaker 1>I sit on Oprah's couch, when I tell you all

1:22:54.880 --> 1:22:57.599
<v Speaker 1>the story. Right, But once again, what is this another

1:22:57.760 --> 1:23:01.800
<v Speaker 1>black man defending himself for right? Because at the end

1:23:01.840 --> 1:23:04.360
<v Speaker 1>of the day, when you look at it, it's all

1:23:04.439 --> 1:23:07.759
<v Speaker 1>a distraction for what And I'm gonna state it again

1:23:07.920 --> 1:23:11.800
<v Speaker 1>on your show. Um. First of all, the idea of

1:23:11.920 --> 1:23:16.880
<v Speaker 1>why Cleft winning a Grammy and putting his Haitian flag

1:23:17.479 --> 1:23:22.560
<v Speaker 1>around his back and establishing Haitian pride is cool? We

1:23:22.720 --> 1:23:28.000
<v Speaker 1>wit you. After that, the idea of why Cleft trying

1:23:28.040 --> 1:23:33.519
<v Speaker 1>to become president and set up a governmental organization where

1:23:33.560 --> 1:23:37.720
<v Speaker 1>you're not gonna singing thing. It starts to change, right,

1:23:38.200 --> 1:23:41.559
<v Speaker 1>And in this process you have to do what's called

1:23:41.840 --> 1:23:46.160
<v Speaker 1>covert and dude, any everyone that's paying attention, this ain't

1:23:46.200 --> 1:23:50.519
<v Speaker 1>conspiracy theory, this ain't the luminati. The bottom line too,

1:23:50.560 --> 1:23:53.920
<v Speaker 1>it is in this room right here. As you do

1:23:54.120 --> 1:23:58.320
<v Speaker 1>what you do. If they feel like it's an infiltration,

1:23:58.720 --> 1:24:02.040
<v Speaker 1>they will plant somebody the inside of this room. That's

1:24:02.080 --> 1:24:04.120
<v Speaker 1>just the way that it works. So at the end

1:24:04.160 --> 1:24:08.760
<v Speaker 1>of the day, it's so important. I'm so sorry. But

1:24:10.000 --> 1:24:15.560
<v Speaker 1>now rock Cleft takes this job and he wins the presidency,

1:24:16.680 --> 1:24:21.120
<v Speaker 1>will be first thing to do as president as president

1:24:21.200 --> 1:24:23.600
<v Speaker 1>of Haiti, Well, the first thing that we would have

1:24:23.760 --> 1:24:27.480
<v Speaker 1>to do as president of Haiti. You have a population

1:24:27.640 --> 1:24:30.840
<v Speaker 1>that's living on less than eighty percent, right, is living

1:24:30.880 --> 1:24:33.160
<v Speaker 1>on less than a dollar day. So then you would

1:24:33.160 --> 1:24:36.599
<v Speaker 1>have to establish what's the wealth right of the country.

1:24:37.240 --> 1:24:39.759
<v Speaker 1>So then there's two parts of it. What's the richness?

1:24:40.320 --> 1:24:43.639
<v Speaker 1>Human capital is one? What do that mean? Human capital?

1:24:44.080 --> 1:24:49.360
<v Speaker 1>Human capital is important because whether if we're talking about Haiti, Philly, Compton, everywhere,

1:24:49.600 --> 1:24:52.040
<v Speaker 1>you got a group of young men that are like

1:24:52.240 --> 1:24:55.640
<v Speaker 1>Mason's they are workers, they can work Mexico, Mexico does.

1:24:56.040 --> 1:24:59.479
<v Speaker 1>Human capital is one. The second part of it is

1:25:00.120 --> 1:25:04.160
<v Speaker 1>we call education, and education comes in different forms. I

1:25:04.200 --> 1:25:07.120
<v Speaker 1>ain't talking about just putting up schools. I'm talking about

1:25:07.160 --> 1:25:09.880
<v Speaker 1>putting up trade schools. And what is it that we

1:25:10.040 --> 1:25:13.680
<v Speaker 1>have right? Everything is controlled from erin C. So at

1:25:13.720 --> 1:25:16.639
<v Speaker 1>the end of the day, Haiti used to explore coffee.

1:25:17.040 --> 1:25:19.800
<v Speaker 1>That's what we was known for, coffee and sugar. So

1:25:20.040 --> 1:25:22.360
<v Speaker 1>at the end of the day, all of this we

1:25:22.479 --> 1:25:24.800
<v Speaker 1>can What happens is if we come up with a

1:25:24.880 --> 1:25:29.120
<v Speaker 1>trade policy and we got if we if we got

1:25:29.640 --> 1:25:32.000
<v Speaker 1>duty free, we come up with a trade policy, then

1:25:32.080 --> 1:25:34.559
<v Speaker 1>we can work. So the whole thing is I would

1:25:34.640 --> 1:25:36.960
<v Speaker 1>have to show you what Haiti is willing to trade

1:25:37.320 --> 1:25:39.280
<v Speaker 1>for you to want to trade with me. It's like

1:25:39.640 --> 1:25:41.240
<v Speaker 1>if you're on the block and I'm on the block.

1:25:41.280 --> 1:25:43.479
<v Speaker 1>If you don't have nothing to trade, then ain't really

1:25:43.560 --> 1:25:48.760
<v Speaker 1>nothing to talk about. So human capital and education is

1:25:48.840 --> 1:25:52.000
<v Speaker 1>the most important thing. And how do we invest in education?

1:25:52.280 --> 1:25:55.800
<v Speaker 1>When companies was coming into Haiti after the earthquake, this

1:25:55.840 --> 1:25:58.160
<v Speaker 1>is what I ran because I said, anybody's coming on

1:25:58.280 --> 1:26:01.120
<v Speaker 1>corporate interests. Dude, you want to come in and you

1:26:01.200 --> 1:26:03.599
<v Speaker 1>want to help, that's no problem. But dudes, we got

1:26:03.720 --> 1:26:07.200
<v Speaker 1>tim Burrows here. Why don't you pretend universities and put

1:26:07.280 --> 1:26:10.600
<v Speaker 1>these people to schools? Because when you leave after the earthquake,

1:26:10.960 --> 1:26:12.960
<v Speaker 1>they actually gonna have a job and be able to

1:26:13.080 --> 1:26:15.840
<v Speaker 1>do stuff. These are some of the things that one

1:26:15.880 --> 1:26:17.439
<v Speaker 1>of these things I saw that that's the only thing

1:26:17.479 --> 1:26:21.600
<v Speaker 1>I saw money go to police. So so, so what

1:26:21.680 --> 1:26:24.400
<v Speaker 1>do you think that happened to haiti Um after? What

1:26:24.560 --> 1:26:29.280
<v Speaker 1>was it the earthquake to happen? Right? So the stating earthquatting?

1:26:30.160 --> 1:26:32.920
<v Speaker 1>So what what do you think was the proper message

1:26:33.400 --> 1:26:35.839
<v Speaker 1>with you would have took if you was the president?

1:26:36.120 --> 1:26:40.160
<v Speaker 1>The problem is this, It's eighteen o four, right, eighteen

1:26:40.200 --> 1:26:43.360
<v Speaker 1>o four, the Haitians get their independence. The first black

1:26:43.479 --> 1:26:48.160
<v Speaker 1>rec gotta take you there, I gotta take you there

1:26:48.200 --> 1:26:50.679
<v Speaker 1>to understand the route of the problem. Eighteen o four.

1:26:51.320 --> 1:26:53.760
<v Speaker 1>Peep this guard eighteen o four. I gotta go on

1:26:53.840 --> 1:26:59.719
<v Speaker 1>my five per cent um over please? I forgot okay,

1:26:59.760 --> 1:27:03.960
<v Speaker 1>why this eighteen o four? God? In eighteen o four,

1:27:04.320 --> 1:27:08.200
<v Speaker 1>we basically was free. We defeated the Napoleon army. What

1:27:08.400 --> 1:27:11.960
<v Speaker 1>that means the most mormous, the best army at the

1:27:12.080 --> 1:27:18.080
<v Speaker 1>time that Haitians defeated them. They were outgunned. How was

1:27:18.160 --> 1:27:20.800
<v Speaker 1>they able to do that? Right now, what happens is

1:27:20.960 --> 1:27:24.840
<v Speaker 1>after the Haitians defeated the Napoleons. The French now put

1:27:24.880 --> 1:27:29.880
<v Speaker 1>a tax on Haiti. This tax still till today is

1:27:29.920 --> 1:27:35.240
<v Speaker 1>hurting the Haiti and that's why Haiti people speaking. The

1:27:35.360 --> 1:27:39.440
<v Speaker 1>reason why Haitians speak French is because Haiti was occupied.

1:27:39.640 --> 1:27:41.439
<v Speaker 1>It was it was by it was by the French,

1:27:41.760 --> 1:27:45.160
<v Speaker 1>but because they never agreed to be colonized, because they

1:27:45.240 --> 1:27:48.960
<v Speaker 1>agreed to be free. Some people say Haiti got its

1:27:49.080 --> 1:27:53.720
<v Speaker 1>independence too early. Some people say that because at the

1:27:53.800 --> 1:27:56.400
<v Speaker 1>end of the day. So now when you say, damn, well,

1:27:56.479 --> 1:27:58.800
<v Speaker 1>how do we get Haiti back. The way that we

1:27:58.920 --> 1:28:01.800
<v Speaker 1>get Haiti back is to bring Haiti into the modern world.

1:28:02.120 --> 1:28:04.280
<v Speaker 1>And the way we bring Haiti into the modern world

1:28:04.760 --> 1:28:08.320
<v Speaker 1>is through technology, is doing in capital and you got

1:28:08.439 --> 1:28:11.280
<v Speaker 1>to invest. I'm gonna give you a last example how

1:28:11.320 --> 1:28:13.559
<v Speaker 1>you bring Haiti back. You have something which is called

1:28:13.600 --> 1:28:17.439
<v Speaker 1>agra bank, coony agra bank. So you use the soil.

1:28:17.800 --> 1:28:20.240
<v Speaker 1>At the end of the day, we plant that's right

1:28:20.320 --> 1:28:23.320
<v Speaker 1>through agriculture, whether if it's the d R, whether if

1:28:23.320 --> 1:28:27.120
<v Speaker 1>it's Haiti, with it's Jamaica. Through agriculture, you're able to

1:28:27.280 --> 1:28:31.160
<v Speaker 1>create an environment for people to work, make money and trade.

1:28:31.520 --> 1:28:35.400
<v Speaker 1>You know what I mean. Yo Haiti is beautiful, man,

1:28:36.240 --> 1:28:41.680
<v Speaker 1>I'm telling it's beautiful and only got to be economically,

1:28:41.840 --> 1:28:46.320
<v Speaker 1>and that's the that's the problem. It's one of the best.

1:28:46.680 --> 1:28:49.640
<v Speaker 1>Like I went there as a non Haitian and it

1:28:49.800 --> 1:28:53.439
<v Speaker 1>was beautiful people, beautiful landscape. And then they were telling

1:28:53.520 --> 1:28:55.000
<v Speaker 1>us like we went into the mountains, that's where all

1:28:55.000 --> 1:28:57.320
<v Speaker 1>the rich people live, and it is the only place

1:28:57.360 --> 1:28:59.680
<v Speaker 1>where the beach front is the poorest. But let me

1:28:59.720 --> 1:29:03.920
<v Speaker 1>ask you something though, in California, isn't there a rich

1:29:04.040 --> 1:29:09.439
<v Speaker 1>place of right, And then it's still proper, that's right,

1:29:09.479 --> 1:29:12.839
<v Speaker 1>it's side property value. And then when we're go into Compton,

1:29:12.960 --> 1:29:15.800
<v Speaker 1>certain places we see the difference, right, and then those

1:29:15.880 --> 1:29:19.439
<v Speaker 1>boys in Compton can't really come to the beachfront property value, right.

1:29:19.720 --> 1:29:21.840
<v Speaker 1>So in Haiti it's the same way. So you have

1:29:22.000 --> 1:29:26.519
<v Speaker 1>places called d that's right. So then what is that

1:29:26.680 --> 1:29:29.400
<v Speaker 1>telling us? It's not really a Hadi thing. This is

1:29:29.439 --> 1:29:34.280
<v Speaker 1>a this is a world thing. Whether we go to

1:29:34.360 --> 1:29:36.920
<v Speaker 1>Brazil to the fulvelas, we're gonna see the same thing.

1:29:37.400 --> 1:29:39.479
<v Speaker 1>So my thing is this, at the end of the day,

1:29:39.479 --> 1:29:41.160
<v Speaker 1>if we want to have a real talking about like

1:29:41.240 --> 1:29:43.920
<v Speaker 1>hold up, man, from now on, man, let's just be

1:29:44.080 --> 1:29:46.759
<v Speaker 1>careful who we let the mayor be and let's be careful.

1:29:46.880 --> 1:29:49.679
<v Speaker 1>We let the governor be, just be careful, like really

1:29:49.800 --> 1:29:51.960
<v Speaker 1>really take that because daya Ones is going to really

1:29:52.040 --> 1:30:04.080
<v Speaker 1>care about your environment. Now wait, too political. Yeah, I

1:30:04.200 --> 1:30:16.519
<v Speaker 1>probably need to get your baby. Get back. You gotta

1:30:16.560 --> 1:30:18.599
<v Speaker 1>get the old batter. I got your man. You gotta

1:30:20.040 --> 1:30:23.400
<v Speaker 1>me dark bros. Fine, I'm so sorry to ask you

1:30:23.439 --> 1:30:32.280
<v Speaker 1>the question, Laura Hill. Baby, now your baby, that's what

1:30:32.400 --> 1:30:36.840
<v Speaker 1>they told me about. I'm so sorry. What last? That's

1:30:36.840 --> 1:30:40.280
<v Speaker 1>not sorry. All you can do is yeah, fake media

1:30:40.439 --> 1:30:44.120
<v Speaker 1>right now, I'm sorry. Now your media, my friend. Look

1:30:44.760 --> 1:30:55.360
<v Speaker 1>the stakes. Yeah yeah, and I'm with Nori your fel feeling.

1:30:56.560 --> 1:31:03.960
<v Speaker 1>Now I'm making this a salt sir, summer Colina. Yeah,

1:31:05.760 --> 1:31:12.320
<v Speaker 1>the harder drinks. We're catching the fight and it's got

1:31:12.439 --> 1:31:21.680
<v Speaker 1>to try. If I was president, don't find me Saturday,

1:31:22.880 --> 1:31:26.840
<v Speaker 1>Mabby done some days that general right that the Monday

1:31:27.720 --> 1:31:35.000
<v Speaker 1>by Eagles back to listen. He's very insious and thought.

1:31:35.040 --> 1:31:40.160
<v Speaker 1>Then every day on my way to the airport, they

1:31:40.280 --> 1:31:45.439
<v Speaker 1>stopped me because that's the smell something funny I in

1:31:45.640 --> 1:31:50.920
<v Speaker 1>my backpack, I told Mr German Shepherd, I know stiff,

1:31:50.960 --> 1:31:56.560
<v Speaker 1>no cocaine. I haven't been Shepherd. I don't need no

1:31:56.760 --> 1:32:02.479
<v Speaker 1>extra see no no Mr German show her. He was

1:32:02.560 --> 1:32:08.160
<v Speaker 1>just yeah, but bitch locked me a bitch like I'm on, bitch,

1:32:08.720 --> 1:32:18.120
<v Speaker 1>get the weather as I smoke my marrow, smoking my yeah,

1:32:18.280 --> 1:32:23.400
<v Speaker 1>every show mayn't do with you. If I was dressing,

1:32:24.439 --> 1:32:29.640
<v Speaker 1>I get elected on Friday, as I say, get on Saturday,

1:32:31.040 --> 1:32:37.839
<v Speaker 1>heavy on Sunday. If I must preside, I'll be on Monday.

1:32:39.920 --> 1:32:51.600
<v Speaker 1>You want to Wedsday. I was present Thursday's like you

1:32:51.720 --> 1:33:07.440
<v Speaker 1>on Friday, Cliff on Saturday present, Yeah, I was presented.

1:33:09.200 --> 1:33:26.960
<v Speaker 1>Wola takes class. I don't know if you know one class.

1:33:27.160 --> 1:33:30.519
<v Speaker 1>You've always been an inspiration to hood niggas because one

1:33:30.600 --> 1:33:35.280
<v Speaker 1>thing everyone man because not one thing about class nigga's

1:33:35.320 --> 1:33:39.000
<v Speaker 1>hood niggas. We made it and we made it and

1:33:39.120 --> 1:33:42.080
<v Speaker 1>we knew he made it before and wat class for

1:33:42.120 --> 1:33:46.160
<v Speaker 1>coming our studios and be like what's up? Don't I

1:33:46.280 --> 1:33:50.479
<v Speaker 1>mean like you know, hey, so I used to eat dog.

1:33:52.120 --> 1:33:55.840
<v Speaker 1>In my mind, I thought you said just hold it out,

1:33:57.840 --> 1:34:02.439
<v Speaker 1>but listen up. That's the real why Cleff always he

1:34:02.680 --> 1:34:06.519
<v Speaker 1>never was scared of anywhere. He always came through. And

1:34:06.560 --> 1:34:10.120
<v Speaker 1>this is the reason why the Fooji's work and how

1:34:10.760 --> 1:34:13.479
<v Speaker 1>how are you on the Foojie's right now. Man. At

1:34:13.520 --> 1:34:15.599
<v Speaker 1>the end of the day, it's all love. Like I said,

1:34:16.080 --> 1:34:18.760
<v Speaker 1>everybody's forty something like what kind of beef they could be?

1:34:18.840 --> 1:34:24.080
<v Speaker 1>Nobody shooting my mom, everybody problem, you know. I mean,

1:34:24.160 --> 1:34:27.400
<v Speaker 1>we didn't stay right. So it's all good for me. Um.

1:34:27.920 --> 1:34:31.200
<v Speaker 1>The energy is all positive. Like I said, when people

1:34:31.240 --> 1:34:33.799
<v Speaker 1>talk about drama, man, you're talking about something that happened

1:34:33.880 --> 1:34:37.680
<v Speaker 1>twenty five years ago. I think everybody that went through

1:34:37.720 --> 1:34:40.120
<v Speaker 1>their things and we are grown folks now, you know,

1:34:40.520 --> 1:34:46.040
<v Speaker 1>So we do what we gotta do. Man, And listen, man,

1:34:46.840 --> 1:34:49.320
<v Speaker 1>we gotta we gotta support. You know, I can at

1:34:49.400 --> 1:35:01.240
<v Speaker 1>least wonderful Miami because so lit something talk about He's

1:35:01.280 --> 1:35:14.960
<v Speaker 1>going to tell out, tell out, gonna wait your questions.

1:35:19.600 --> 1:35:30.519
<v Speaker 1>I couldn't come. It's coming, just talking to tell you

1:35:31.160 --> 1:35:35.200
<v Speaker 1>I can. It's running from mayor of South Beach. He

1:35:37.120 --> 1:35:43.040
<v Speaker 1>has been arrested seventeen times. I don't know. It's funny

1:35:43.120 --> 1:35:48.040
<v Speaker 1>everything even that man, my own property on South Beach.

1:35:48.320 --> 1:35:52.640
<v Speaker 1>Everything even listen, listen everything that jay Z E been

1:35:52.640 --> 1:35:55.120
<v Speaker 1>talking about. Everything we've been talking about today. If you

1:35:55.280 --> 1:35:58.080
<v Speaker 1>go to Miami, you be in the area and you

1:35:58.160 --> 1:36:01.120
<v Speaker 1>don't vote for I Can Nelly just one day, even

1:36:01.200 --> 1:36:02.920
<v Speaker 1>if you don't care for you to win or not.

1:36:03.439 --> 1:36:05.840
<v Speaker 1>The thing about it is, this is the only black

1:36:05.960 --> 1:36:09.240
<v Speaker 1>man that owned property on South Beach. He happened to

1:36:09.280 --> 1:36:12.200
<v Speaker 1>be from Left Frax City. But if he was from Flatbush,

1:36:12.439 --> 1:36:14.920
<v Speaker 1>if he was from Booga Basement, and he's when Raves

1:36:15.560 --> 1:36:18.679
<v Speaker 1>from a story and kid who in the South Bronx

1:36:19.000 --> 1:36:21.280
<v Speaker 1>from one four seven of Gibra. He was from one

1:36:21.320 --> 1:36:27.240
<v Speaker 1>fur seven. He was from wherever, Wisconsin. Another black man

1:36:28.080 --> 1:36:32.719
<v Speaker 1>owning the business. So even if you don't live in Miami,

1:36:33.400 --> 1:36:35.640
<v Speaker 1>this man is really running from me. Even though you

1:36:35.720 --> 1:36:42.920
<v Speaker 1>got arrested seventeen times. Say that if you black people

1:36:43.000 --> 1:36:51.479
<v Speaker 1>make somebody for the struggle. That's so we're gonna do.

1:36:51.920 --> 1:36:57.400
<v Speaker 1>You go out there support I canally and be more

1:36:57.479 --> 1:37:01.920
<v Speaker 1>strip clubs. Yeah, sure, you can't say it, little wit,

1:37:02.240 --> 1:37:06.880
<v Speaker 1>little a little win. That's the white class. Come on,

1:37:07.000 --> 1:37:12.320
<v Speaker 1>let's know you're very Let's take something about class. Listen.

1:37:12.600 --> 1:37:15.519
<v Speaker 1>Let me I can't see for two months at point,

1:37:16.720 --> 1:37:18.760
<v Speaker 1>and then me and Poe was in the studio and

1:37:18.800 --> 1:37:23.360
<v Speaker 1>then walk Club just came and play some ship. Leave

1:37:25.600 --> 1:37:28.519
<v Speaker 1>what listen, I'll kill you that problem to take a piss.

1:37:28.760 --> 1:37:36.040
<v Speaker 1>But come on, what are you bringing a pans? I

1:37:36.120 --> 1:37:41.880
<v Speaker 1>gotta take a piss. You take a picture show. He

1:37:41.960 --> 1:37:47.000
<v Speaker 1>wanted to listen to the smooth sounds of white class.

1:37:47.360 --> 1:38:00.439
<v Speaker 1>I'll take a piss. Let man, let's go. He whatever,

1:38:03.920 --> 1:38:06.640
<v Speaker 1>check it out, because I'm gonna do this one for

1:38:06.840 --> 1:38:12.519
<v Speaker 1>my homies. Gone judge it. The hammer thing coming home now,

1:38:12.680 --> 1:38:16.240
<v Speaker 1>y'all from the dangerous zone. The devil pulled the card

1:38:16.280 --> 1:38:20.240
<v Speaker 1>and he said, use one. I chose music, My homies

1:38:20.360 --> 1:38:25.439
<v Speaker 1>chose ya. Some of my ballas chose the NBA because

1:38:25.479 --> 1:38:29.559
<v Speaker 1>it's on the block. Mandy Gang Bang funeral role. Pol

1:38:29.720 --> 1:38:33.160
<v Speaker 1>is making all that changing, Yo. When my cousin got

1:38:33.240 --> 1:38:36.479
<v Speaker 1>his worst check, I was playing Jimmy and tricks in

1:38:36.560 --> 1:38:41.160
<v Speaker 1>the face. All I wanted to be was a rap starlight,

1:38:41.479 --> 1:38:45.679
<v Speaker 1>and all he wanted to be was an Escobar Chapel

1:38:47.040 --> 1:39:03.200
<v Speaker 1>Chapel November. He coming back. I was talking about my homies. Man,

1:39:03.280 --> 1:39:06.320
<v Speaker 1>that's so abu or they will track here from the back.

1:39:06.560 --> 1:39:09.639
<v Speaker 1>They hit the still like an hour. Boy, that's hitting

1:39:09.720 --> 1:39:13.479
<v Speaker 1>on the bill. Welcome to the Rotten Apple, the city

1:39:13.479 --> 1:39:16.599
<v Speaker 1>of your Lights. No matter how they sign, they can't

1:39:16.600 --> 1:39:19.720
<v Speaker 1>seal the nights because when the glue snock knock, just

1:39:19.880 --> 1:39:22.640
<v Speaker 1>before your guests rid out at your chest. Then you

1:39:22.720 --> 1:39:24.880
<v Speaker 1>go raise the cool nest. You better be with my

1:39:24.960 --> 1:39:33.320
<v Speaker 1>tell reepack. They be back attacking the night. Like when

1:39:33.320 --> 1:39:35.519
<v Speaker 1>you're up in the trap, you are bucking the bucking.

1:39:35.560 --> 1:39:37.639
<v Speaker 1>You back in the middle of working. Somebody get fat.

1:39:38.640 --> 1:39:43.160
<v Speaker 1>I'm gon do this. My homies gonna cut. I am

1:39:43.240 --> 1:39:47.000
<v Speaker 1>a thing. Ain't coming home. Sorry. We all are from

1:39:47.080 --> 1:39:50.679
<v Speaker 1>the danger zone. That won't pull the car. Then he said,

1:39:50.800 --> 1:39:56.400
<v Speaker 1>choose one and my only show. Yeah, some of my

1:39:56.600 --> 1:40:00.240
<v Speaker 1>fathers chose the nb A because it's on the like

1:40:00.439 --> 1:40:06.559
<v Speaker 1>many gang bang funeral pilots making all that chain. When

1:40:06.640 --> 1:40:10.120
<v Speaker 1>my cousin got his first tech, I was playing Jimmy

1:40:10.240 --> 1:40:14.280
<v Speaker 1>Hendrickson to this who all I wanted to be was

1:40:14.400 --> 1:40:17.680
<v Speaker 1>a rock star and all he wanted to be was

1:40:17.800 --> 1:40:24.479
<v Speaker 1>an escort by see a little house shot to ear

1:40:24.479 --> 1:40:31.000
<v Speaker 1>a finny border the new house. You gotta do hazard.

1:40:31.120 --> 1:40:35.640
<v Speaker 1>It sounds you know you gotta love dream, but it

1:40:35.840 --> 1:40:48.000
<v Speaker 1>stop chilling. See you kinda was off, He reaf Wait,

1:40:48.160 --> 1:40:51.519
<v Speaker 1>little freeze, you gotta relax. You want to break to

1:40:51.560 --> 1:41:18.839
<v Speaker 1>break the break? Now I get to wear this together.

1:41:29.560 --> 1:41:32.400
<v Speaker 1>I know for a fact, this is the funniest interview

1:41:32.439 --> 1:41:43.759
<v Speaker 1>walking left in my life. Baby Carnival, it's the dirt Carnival.

1:41:45.200 --> 1:41:47.200
<v Speaker 1>It is the third Carnival right now, you know what

1:41:47.240 --> 1:41:49.320
<v Speaker 1>I mean. Anybody who's a fan of Carnival one to

1:41:49.880 --> 1:41:52.360
<v Speaker 1>y'all can hit up that pre order. And we also

1:41:52.439 --> 1:41:55.479
<v Speaker 1>got two new joints, once called Fellow Coultie and the

1:41:55.600 --> 1:41:59.760
<v Speaker 1>others called what Happened to Love? What Happened to Leave You?

1:42:00.080 --> 1:42:03.599
<v Speaker 1>We take it to the barber skill for the what's

1:42:03.600 --> 1:42:10.320
<v Speaker 1>the group that is not listen to do it for

1:42:11.760 --> 1:42:15.720
<v Speaker 1>got you show, We just say fellow, Yeah, Fellow's the

1:42:15.760 --> 1:42:25.360
<v Speaker 1>fellows here because five I can't. I can't said great education.

1:42:25.560 --> 1:42:29.000
<v Speaker 1>I'm just throwing out, dude, not even that amazing. I'm here, Yeah,

1:42:35.680 --> 1:42:37.960
<v Speaker 1>I can't. I can't relieve anybody love me. I'm sorry.

1:42:38.200 --> 1:42:41.200
<v Speaker 1>Sorry for the people who love me. I gotta relax.

1:42:41.520 --> 1:42:51.320
<v Speaker 1>Yeah no, women say so take it more shot. You

1:42:51.400 --> 1:42:55.240
<v Speaker 1>want to out Listen, listen walk lot. You got one

1:42:55.280 --> 1:43:00.759
<v Speaker 1>of those shops because I got you. I needed the class,

1:43:00.840 --> 1:43:02.640
<v Speaker 1>my class I need, I need, I need it right

1:43:02.640 --> 1:43:05.479
<v Speaker 1>here for the woman. Okay, because because the woman, the

1:43:05.600 --> 1:43:10.280
<v Speaker 1>woman fucking me. They'd be like you, but we don't

1:43:10.320 --> 1:43:13.160
<v Speaker 1>really believe you. Come on, make ready for me for

1:43:13.240 --> 1:43:15.160
<v Speaker 1>the one I'm gonna do a whole duff place. Let's

1:43:15.160 --> 1:43:20.320
<v Speaker 1>do it right now. It's Normy Duck play man official.

1:43:20.560 --> 1:43:25.920
<v Speaker 1>Now what's the dumb play j So you take a

1:43:25.960 --> 1:43:50.600
<v Speaker 1>good record of your step wife. Listen. I want you

1:43:50.720 --> 1:43:56.160
<v Speaker 1>to know, girl, Normy loves you little my wife. I

1:43:56.240 --> 1:43:59.200
<v Speaker 1>love my wife, Barry and no man, now I ta

1:43:59.600 --> 1:44:05.080
<v Speaker 1>w bar only to you. How wouldn't we feel my

1:44:05.479 --> 1:44:12.360
<v Speaker 1>tears last to tell the police. I ain't home tonight,

1:44:12.920 --> 1:44:23.200
<v Speaker 1>not tonight tonight. I sit around with you. Look into

1:44:23.320 --> 1:44:34.760
<v Speaker 1>your eyes. You work the sad blue. Yeah, keep and

1:44:34.960 --> 1:44:40.600
<v Speaker 1>this is I love my life. It's the money. I

1:44:40.960 --> 1:44:50.679
<v Speaker 1>was troll. I trong. Come on, let's go, come on around.

1:44:52.040 --> 1:45:16.120
<v Speaker 1>I tru around. So it's fiscing my soul. So don't

1:45:16.160 --> 1:45:30.719
<v Speaker 1>one little getting cold? He said he's got one. Ye.

1:45:31.520 --> 1:45:43.000
<v Speaker 1>Guess what's that one? You're crazy gonna relax? Got ye?

1:45:48.960 --> 1:46:13.360
<v Speaker 1>Do you you you gotta? Yeah? First off, there's a

1:46:13.520 --> 1:46:19.560
<v Speaker 1>there's a very ball, but it's a very secret with

1:46:19.720 --> 1:46:23.599
<v Speaker 1>me and pun where we we we actually escaped from

1:46:23.640 --> 1:46:26.760
<v Speaker 1>where Fat Joe, Puff Daddy and all these people was

1:46:26.800 --> 1:46:29.760
<v Speaker 1>recording and the only person that was in the other

1:46:29.840 --> 1:46:41.839
<v Speaker 1>students Cabbian, it was me pun and white class clubs

1:46:41.920 --> 1:46:46.720
<v Speaker 1>coming in and be like, damn Caribbean connection, he said,

1:46:46.800 --> 1:46:50.360
<v Speaker 1>coming to the check us every night. But the thing

1:46:50.479 --> 1:46:54.320
<v Speaker 1>about it, it was, if I could take anything else

1:46:54.479 --> 1:46:57.759
<v Speaker 1>back from my career, that part I would never change

1:46:58.960 --> 1:47:01.200
<v Speaker 1>because he stood in in He was the bigger man.

1:47:01.800 --> 1:47:06.639
<v Speaker 1>What I mean, you know big in Jamaican, big big

1:47:07.800 --> 1:47:15.160
<v Speaker 1>he was. He could have been like but he came

1:47:15.200 --> 1:47:18.920
<v Speaker 1>and he said, yeah, what's up? And that's what you did.

1:47:20.439 --> 1:47:24.240
<v Speaker 1>Caribbean connections. It was the same brought the studio though,

1:47:24.520 --> 1:47:35.599
<v Speaker 1>that's the kind of punning away. And then they said,

1:47:35.640 --> 1:47:37.599
<v Speaker 1>you know, you know why clip on that ship? I said, damn,

1:47:37.680 --> 1:47:42.960
<v Speaker 1>that's that's that's difference. Don't work there. He actually watered

1:47:43.439 --> 1:47:45.960
<v Speaker 1>And you know what why I want to beat you

1:47:46.520 --> 1:47:50.120
<v Speaker 1>up because I beat you up behind your face and

1:47:50.240 --> 1:47:53.840
<v Speaker 1>you know, um, that's great beat you up behind your face,

1:47:53.920 --> 1:47:56.400
<v Speaker 1>but I want to beat you up to your face. Yeah,

1:47:56.600 --> 1:48:00.800
<v Speaker 1>And I want to say that, you know, hip hop

1:48:01.240 --> 1:48:04.720
<v Speaker 1>is the thing that we should continue to do. This

1:48:05.200 --> 1:48:08.160
<v Speaker 1>what I'm doing right now and saying that we love

1:48:08.280 --> 1:48:12.759
<v Speaker 1>you for contributing what you did to hip hop. Fucking

1:48:13.560 --> 1:48:18.679
<v Speaker 1>continuously slyly staying because you because it's gonna be honest.

1:48:18.720 --> 1:48:30.120
<v Speaker 1>If I was I never came back. Now I realized

1:48:30.160 --> 1:48:32.960
<v Speaker 1>what you did. But back then I would have been

1:48:33.000 --> 1:48:36.439
<v Speaker 1>like that niggasna say Clap never came back. I would said, man,

1:48:37.040 --> 1:48:42.759
<v Speaker 1>that's it's twenty years later about Clapp and I'm sitting

1:48:42.800 --> 1:48:46.040
<v Speaker 1>back and I'm actually representing the culture of bomb mistake.

1:48:47.479 --> 1:48:50.200
<v Speaker 1>But I'm representing the culture. So I'm gonna hold that down.

1:48:50.720 --> 1:48:53.800
<v Speaker 1>It's not dn D. This is the new DND. Look

1:48:53.840 --> 1:48:58.720
<v Speaker 1>at that ship, Look at this. It's more. Actually, you

1:48:58.800 --> 1:49:00.760
<v Speaker 1>can't go to the breakfast club do this. You can't

1:49:00.760 --> 1:49:04.080
<v Speaker 1>go seven years, you can't go anywhere else in the

1:49:04.160 --> 1:49:06.560
<v Speaker 1>world and do what we're doing right now. This is

1:49:13.680 --> 1:49:18.600
<v Speaker 1>all my president. And the thing about this is just

1:49:19.160 --> 1:49:23.680
<v Speaker 1>the thing about this is let's not ever lose the

1:49:23.880 --> 1:49:27.000
<v Speaker 1>journey of what we're doing. What we're doing is big

1:49:27.120 --> 1:49:34.680
<v Speaker 1>en up our artists and today while Clap it's and

1:49:36.479 --> 1:49:42.559
<v Speaker 1>I can't believe because you're blacking than me. Yeah I'm him. Yeah,

1:49:42.680 --> 1:49:46.080
<v Speaker 1>I'm so black. I'm like a coin. We're blue love.

1:49:46.360 --> 1:50:00.400
<v Speaker 1>But you're also more Spanish than me. That's that makes

1:50:00.479 --> 1:50:10.280
<v Speaker 1>you advocated. But that's a beautiful Listen, calm down, everybody,

1:50:10.320 --> 1:50:15.160
<v Speaker 1>come this. What makes it beautiful is that we're both

1:50:15.200 --> 1:50:19.560
<v Speaker 1>on the same element. I'm Porter Weekend, I'm black You

1:50:20.120 --> 1:50:35.280
<v Speaker 1>Haitian and Haitian and that's all sack down, double double

1:50:35.320 --> 1:50:42.960
<v Speaker 1>Haitian stick no live. I've been a couple of year joints.

1:50:43.200 --> 1:50:45.519
<v Speaker 1>I don't know that everybody's ship. But I tell you

1:50:45.640 --> 1:50:47.960
<v Speaker 1>my wife is a big fan this ship. Let your

1:50:48.000 --> 1:50:52.879
<v Speaker 1>wife listen. I don't know, not in that way anyway,

1:50:54.720 --> 1:50:59.760
<v Speaker 1>it's just listen. I don't know because, like like he said,

1:51:00.000 --> 1:51:04.400
<v Speaker 1>amaz if y'all won't pay attention, he's a strategist. So

1:51:04.520 --> 1:51:09.160
<v Speaker 1>he saw two hundred and fifty episodes. This man destroyed

1:51:09.240 --> 1:51:12.320
<v Speaker 1>everybody that came. I love. I loved a lot of episodes.

1:51:13.080 --> 1:51:26.680
<v Speaker 1>This ship. It's the best ship. We got a little body, yo,

1:51:26.880 --> 1:51:30.600
<v Speaker 1>check it out right. So you know, um, when I

1:51:30.680 --> 1:51:34.240
<v Speaker 1>say like big pump forever, like that's not just in words.

1:51:34.320 --> 1:51:37.840
<v Speaker 1>You feel me. So I think like a lot of times, um,

1:51:38.800 --> 1:51:42.000
<v Speaker 1>because we have the musicality. They forget that, you know,

1:51:42.120 --> 1:51:44.760
<v Speaker 1>we words Smith's you know what I mean and appreciate it.

1:51:44.840 --> 1:51:48.400
<v Speaker 1>And we appreciate that. So definitely so I leave y'all

1:51:48.400 --> 1:51:56.680
<v Speaker 1>eye with something like bars. Well you want bars with guitars, guitars?

1:51:56.760 --> 1:52:05.760
<v Speaker 1>Stick it out. You can feel some gars over guitars.

1:52:07.560 --> 1:52:10.519
<v Speaker 1>Peter big Fun love me my man. Who it's some

1:52:10.720 --> 1:52:15.800
<v Speaker 1>bars over guitars. Yeah, I keep it hot, nor he

1:52:15.880 --> 1:52:20.519
<v Speaker 1>got me a little honest. Yeah, bro, this is how

1:52:20.600 --> 1:52:24.599
<v Speaker 1>I do this. I came here sipping on some guinness. Listen.

1:52:25.000 --> 1:52:28.840
<v Speaker 1>My life started out in a small village. I ate

1:52:28.960 --> 1:52:31.920
<v Speaker 1>dirt from the floor on me. No kitten, I ain't

1:52:31.960 --> 1:52:35.479
<v Speaker 1>had no kitchen, Grandma said, pray to Christ this Jesus.

1:52:35.600 --> 1:52:39.599
<v Speaker 1>Baby Belly had a bag of rice. My life started out.

1:52:39.760 --> 1:52:42.240
<v Speaker 1>I was belly to pop a flute to the States,

1:52:42.400 --> 1:52:46.120
<v Speaker 1>searching for the golden goose. No work papers, officers rating

1:52:46.120 --> 1:52:49.000
<v Speaker 1>the underground, they try to get him. Boy took off

1:52:49.120 --> 1:52:53.160
<v Speaker 1>like a greyhound his life. He got hunted like a groundhog,

1:52:53.640 --> 1:52:56.880
<v Speaker 1>sting operation in the legal allien in New y'all. But

1:52:57.040 --> 1:53:00.439
<v Speaker 1>like the King, My daddy had a dream, and years

1:53:00.560 --> 1:53:03.160
<v Speaker 1>later I was sitting up in Brooklyn. What if Martin

1:53:03.240 --> 1:53:05.519
<v Speaker 1>Luther state in the room, never stepped foot in the balcony.

1:53:05.680 --> 1:53:07.519
<v Speaker 1>What if they had a bulletproof call instead of a

1:53:07.640 --> 1:53:10.599
<v Speaker 1>drop toop for Kennedy. Malcolm xaid the speech, what if

1:53:10.600 --> 1:53:12.720
<v Speaker 1>I had amongst the congregation, so when the boys can

1:53:12.760 --> 1:53:14.519
<v Speaker 1>get your has in my pocket? Of five shots to

1:53:14.560 --> 1:53:18.439
<v Speaker 1>the assassin, Listen, ain't nothing knowing to the son. What

1:53:18.600 --> 1:53:21.720
<v Speaker 1>if I have put blanket Marvin Gaye's father's gun. What

1:53:21.840 --> 1:53:24.479
<v Speaker 1>if y'all knew the truth before sending your kids to war?

1:53:24.680 --> 1:53:26.960
<v Speaker 1>I told y'all that Manny cared about Iraq, you cared

1:53:26.960 --> 1:53:29.160
<v Speaker 1>about the oil. Now, what if I could go back

1:53:29.240 --> 1:53:31.560
<v Speaker 1>in time? I love race, not eleven. Dip to the

1:53:31.640 --> 1:53:35.760
<v Speaker 1>Bahamas and Putaliah's luggage in the seven forty seven, put

1:53:35.800 --> 1:53:38.320
<v Speaker 1>all the Papa Rozzi and the slammer, so that way,

1:53:38.360 --> 1:53:41.599
<v Speaker 1>that night they would have never chased Princess Diana. Listen, man,

1:53:41.840 --> 1:53:45.479
<v Speaker 1>The ahtands for alpha and omega. The B stands for barrier.

1:53:45.680 --> 1:53:48.160
<v Speaker 1>That's what I'm knowing to do. The rappers see stands

1:53:48.200 --> 1:53:50.360
<v Speaker 1>for chance. Once you take it, guard your ship. D

1:53:50.680 --> 1:53:54.800
<v Speaker 1>f hic squad nigger read my lips h general from

1:53:54.840 --> 1:53:58.000
<v Speaker 1>a d make my day. I stood in my chas

1:53:58.040 --> 1:54:00.439
<v Speaker 1>in front of that k and for me to take

1:54:00.520 --> 1:54:05.040
<v Speaker 1>an l it's gonna take amen. What's that Mother nature

1:54:05.120 --> 1:54:08.600
<v Speaker 1>with the strong winds and all my piece productions like

1:54:08.680 --> 1:54:11.120
<v Speaker 1>the queue as in Quincy when he did that thriller

1:54:11.200 --> 1:54:15.200
<v Speaker 1>Michael Jackson Blue and this is who we all STU

1:54:15.640 --> 1:54:18.960
<v Speaker 1>abbreviation for the studio are killing in the booth in

1:54:19.080 --> 1:54:22.160
<v Speaker 1>the v Be very careful when you're watching shot as

1:54:22.400 --> 1:54:25.240
<v Speaker 1>the w could turn up. Am. That's murder for higher

1:54:25.800 --> 1:54:29.120
<v Speaker 1>by the window like X. Don't ask why I ain't

1:54:29.200 --> 1:54:33.440
<v Speaker 1>taking no seats because the clans outside wild cleft from

1:54:33.480 --> 1:54:37.080
<v Speaker 1>with my nigga noriy trust me freestyle. You don't wanna

1:54:37.440 --> 1:54:40.160
<v Speaker 1>say that, sweet, because I'll be fun to November. I'll

1:54:40.160 --> 1:54:43.800
<v Speaker 1>be gone to November. Tell my girl, I'll be gone

1:54:43.840 --> 1:54:46.960
<v Speaker 1>to November. I've been going to November. I've been gone

1:54:47.040 --> 1:54:53.280
<v Speaker 1>to November. You're tell loss as I've been gone to November. January, February, March,

1:54:53.560 --> 1:54:56.920
<v Speaker 1>bro man, I see you're crying, but girl, I can't

1:54:56.960 --> 1:54:59.640
<v Speaker 1>stay have it going to November. I've been gone to

1:54:59.800 --> 1:55:16.440
<v Speaker 1>no Remember Carnival three pre artists. You already damn Carnival.

1:55:24.080 --> 1:55:27.120
<v Speaker 1>My god, quick, where we get out of here, because

1:55:27.160 --> 1:55:30.640
<v Speaker 1>this is in a sense like Haitian episode. I want

1:55:30.680 --> 1:55:33.560
<v Speaker 1>to so the people I'm in Haiti shout to buddy.

1:55:36.320 --> 1:55:41.360
<v Speaker 1>I shout out to everybody out there. Man, I thank

1:55:41.440 --> 1:55:49.560
<v Speaker 1>y'all for for receiving us well over them, I thank baby. Okay,

1:55:58.080 --> 1:56:03.480
<v Speaker 1>we don't get it, don't We don't get enough, So

1:56:05.240 --> 1:56:09.160
<v Speaker 1>tell him Carnival. Carnival three man. This is what happened.

1:56:09.240 --> 1:56:11.400
<v Speaker 1>Was the nephews meet the uncles. You know what I mean.

1:56:11.760 --> 1:56:16.040
<v Speaker 1>It's nineteen ninety seven meets seventeen. We put the sonics

1:56:16.120 --> 1:56:19.440
<v Speaker 1>together and you're gonna get all that live instrumentation that

1:56:19.560 --> 1:56:22.680
<v Speaker 1>y'all love against the trap sonics. What happens when we

1:56:22.760 --> 1:56:25.120
<v Speaker 1>put that together, it's called the Carnival. Of course, we

1:56:25.240 --> 1:56:28.400
<v Speaker 1>got English on the record. Of course we got Spanish

1:56:28.520 --> 1:56:30.560
<v Speaker 1>is naturally from Haiti. We got a bit of French

1:56:30.640 --> 1:56:33.640
<v Speaker 1>on the record, a bit of crayoon um. It's hard

1:56:34.200 --> 1:56:36.720
<v Speaker 1>hip hop influence and at the same time, what is

1:56:36.800 --> 1:56:39.120
<v Speaker 1>hip hop is the culture. So I never got caught

1:56:39.200 --> 1:56:40.880
<v Speaker 1>up in the bag of saying it has to sign

1:56:40.920 --> 1:56:43.160
<v Speaker 1>a certain way hip hop as if we could move

1:56:43.240 --> 1:56:45.800
<v Speaker 1>the world, and that's what we do. So Quincy Jones

1:56:45.840 --> 1:56:47.320
<v Speaker 1>taught me a word. I'll give it to you. The

1:56:47.360 --> 1:56:56.040
<v Speaker 1>ship is called Global Gumbo, my niggas. Beside of September

1:56:56.120 --> 1:56:59.560
<v Speaker 1>baby September, but the pre Ortist is up. Now we

1:56:59.680 --> 1:57:07.600
<v Speaker 1>have now I need to know that ship. So Quincy Jones, Yeah,

1:57:07.680 --> 1:57:17.760
<v Speaker 1>that's my man. Feel me like big god, I feel

1:57:17.800 --> 1:57:26.280
<v Speaker 1>like my life is something. But he met for like

1:57:26.440 --> 1:57:31.560
<v Speaker 1>the day, so one degree of separation and then I left.

1:57:31.600 --> 1:57:37.440
<v Speaker 1>That was like, Yo, noriy man, I really hope you

1:57:37.560 --> 1:57:40.960
<v Speaker 1>know how you influence the culture, man, Like it's important.

1:57:41.000 --> 1:57:43.480
<v Speaker 1>I mean, you talk about me, but it's just important,

1:57:43.560 --> 1:57:47.320
<v Speaker 1>Like so the world understand like people like why Cleft,

1:57:47.880 --> 1:57:51.440
<v Speaker 1>you know, people like Puffy, people like jay Z, people

1:57:51.520 --> 1:57:54.760
<v Speaker 1>like nas. I'm just saying, like nor You're grind from

1:57:54.800 --> 1:57:59.240
<v Speaker 1>the get go, fat Joe pun Um. It's important because

1:57:59.320 --> 1:58:01.200
<v Speaker 1>you you would be that guy in that room. But

1:58:01.280 --> 1:58:02.920
<v Speaker 1>you know what I mean, like what you're doing today

1:58:03.040 --> 1:58:06.520
<v Speaker 1>was obvious, Like you would be a leader. So it

1:58:06.600 --> 1:58:09.400
<v Speaker 1>would be great, you know to see people like Tupac.

1:58:09.840 --> 1:58:12.120
<v Speaker 1>He would have transformed to that spot. You know, like

1:58:12.280 --> 1:58:14.800
<v Speaker 1>you're straight up You're straight up a leader. Dog. We

1:58:14.920 --> 1:58:18.760
<v Speaker 1>back you up one and I can't after this, It's

1:58:18.840 --> 1:58:21.440
<v Speaker 1>downhill from here with every other show in the world.

1:58:26.720 --> 1:59:00.160
<v Speaker 1>You oh my god, just flying shot, just listen us.

1:59:01.000 --> 1:59:30.280
<v Speaker 1>Why Tripper don't like that? For the graph relaxed. No,

1:59:30.440 --> 1:59:39.800
<v Speaker 1>he's gonna take the stream. I'm gonna been ship. I

1:59:39.840 --> 1:59:42.480
<v Speaker 1>don't think like I said, I don't fucking come only

1:59:42.640 --> 1:59:46.240
<v Speaker 1>ships you do. But I'm playing without me. I love you.

1:59:46.480 --> 1:59:48.080
<v Speaker 1>I wish I could be everybody. I can't afford it.

1:59:48.280 --> 1:59:52.760
<v Speaker 1>But listen what I'm saying. What you do, it's what

1:59:53.000 --> 1:59:57.360
<v Speaker 1>you do you ain't. I'm a fucking imitating nobody else.

1:59:57.960 --> 2:00:00.560
<v Speaker 1>And this is why your ship is so successful. This

2:00:00.680 --> 2:00:02.720
<v Speaker 1>is why who you are who you are. You may

2:00:03.520 --> 2:00:26.000
<v Speaker 1>paris cheer. We got one thing, Mrs why crazy stop

2:00:26.280 --> 2:00:28.760
<v Speaker 1>bro what you want to know about the Fuji's baby?

2:00:29.200 --> 2:00:32.320
<v Speaker 1>But love we already you know we we we we

2:00:32.440 --> 2:00:36.760
<v Speaker 1>all about you know what I mean? The Fuji is Yeah,

2:00:38.000 --> 2:00:40.640
<v Speaker 1>I don't get job. Tell me you get too. Don't

2:00:40.680 --> 2:00:48.920
<v Speaker 1>listen to say something? Yea they all ya. Who's who's

2:00:49.160 --> 2:01:04.360
<v Speaker 1>got as rapper in here? Right now? Somebody take a

2:01:04.400 --> 2:01:09.520
<v Speaker 1>picture where to day games you need? You know, really

2:01:11.000 --> 2:01:39.880
<v Speaker 1>really at a big dry wait to take right wrist blood.

2:01:44.400 --> 2:01:45.960
<v Speaker 1>Before we get out of here, we just want to

2:01:46.000 --> 2:01:48.440
<v Speaker 1>remind you that you can buy drink Champs gear at

2:01:48.480 --> 2:01:51.160
<v Speaker 1>your local dtl our store. So look up the store

2:01:51.200 --> 2:01:53.720
<v Speaker 1>nearest to you. You can also buy Drink Champs gear

2:01:54.000 --> 2:01:56.880
<v Speaker 1>and other merch at drink Champs dot com or eight

2:01:56.960 --> 2:01:59.960
<v Speaker 1>and nine dot com. Check us on Revolt TV everything

2:02:00.000 --> 2:02:03.360
<v Speaker 1>Thursday night at m pm, then unedited audio drops Monday

2:02:03.480 --> 2:02:06.640
<v Speaker 1>nights going into Tuesday at midnight. Then check for the

2:02:06.720 --> 2:02:10.680
<v Speaker 1>United video Wednesdays on Revolt dot TV, drink Champs dot com,

2:02:10.960 --> 2:02:13.280
<v Speaker 1>or you can go directly to YouTube. Look out for

2:02:13.360 --> 2:02:16.160
<v Speaker 1>Nori's new food show coming soon, as well as new

2:02:16.240 --> 2:02:20.040
<v Speaker 1>project featuring the upcoming single Uno mass Produced and featuring

2:02:20.120 --> 2:02:23.720
<v Speaker 1>Farrell Check from my Coming Home documentaries Coming Home Vietnam

2:02:23.840 --> 2:02:27.400
<v Speaker 1>documentary right now currently airing on Revolt TV and coming

2:02:27.480 --> 2:02:31.200
<v Speaker 1>soon Coming Home Columbia. Follow us at Drink Champs on

2:02:31.320 --> 2:02:34.680
<v Speaker 1>i G, Twitter and Facebook, and Nori at the Real

2:02:34.760 --> 2:02:38.680
<v Speaker 1>Noriega on Instagram, at Noriega on Twitter, and me e

2:02:38.880 --> 2:02:41.280
<v Speaker 1>f N at Who's Crazy on i G and at

2:02:41.360 --> 2:02:43.800
<v Speaker 1>d j e f N on Twitter. And until next week,

2:02:43.920 --> 2:02:44.880
<v Speaker 1>we had to hear peace