Speaker 1: And his Drink Chess, motherfucking podcast. Make He's a legendary
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Speaker 1: R He's a Miami hippop pioneer. Up his dj e FN.
Speaker 1: Together they drink it up with some of the biggest
Speaker 1: players in the most professional unprofessional podcast and your number
Speaker 1: one source for drunk fast drinks, motherfucking podcast every day
Speaker 1: is New Year's e. That's it's time for drink Champs,
Speaker 1: drink up mother Mother. Hey, Hank set Greed, I hope
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Speaker 1: up his dj e F and his Drink Chance, motherfucking podcast.
Speaker 1: Um not make some right now. I've got, hands down,
Speaker 1: one of the best producers, one of the most diverse artists,
Speaker 1: one of the persons who's been a part of the
Speaker 1: most influential groups in the world that changed the world,
Speaker 1: that help personally helped change me in my outlooking life.
Speaker 1: They came from the depths of the hell bottom and
Speaker 1: they rose to the top. He continued to make hits
Speaker 1: for people like Carlo Santana, Beyonce, Destiny Child, and you
Speaker 1: know whatever else you want to say. In any pop star,
Speaker 1: they had to come to see They had to come
Speaker 1: and see him if they wanted to go to that
Speaker 1: next level. And right now we got walk Cliffs and
Speaker 1: wall Cliff Gan. So you know, this is how I
Speaker 1: gonna do it, because I'm a real fan. I want
Speaker 1: to take it from the Book of Basement. Is that
Speaker 1: what it's called. Yeah, it's called a bugger man. Yeah. Yeah,
Speaker 1: the studio is called a bugger. But first, you know,
Speaker 1: I want to bring you salute from the whole, the
Speaker 1: whole entire Haiti. You know what I mean. You know,
Speaker 1: we love you, We salute you representative. Yeah. So so
Speaker 1: he ran for president. We wanted to make sure that
Speaker 1: that was clear. You know, that was the first thing.
Speaker 1: So I would say, man, the Book of Basement. You know,
Speaker 1: I was after Haiti leaving Brooklyn, came Marlborough, whole projects,
Speaker 1: Coney Island. Um, my dad was searching for a better life.
Speaker 1: He brought us to Jersey and and we lived in
Speaker 1: East Sting. Yeah. So so from East Sterne I won
Speaker 1: oh seven, South Clinton. From there we moved to Nork.
Speaker 1: So I was back and forth between north and Easting.
Speaker 1: And you know, my dad was a minister. So when
Speaker 1: the church they had that it was that whole myth
Speaker 1: about circular music and so the same thing that the
Speaker 1: Cats went through. That was in the seventies where if
Speaker 1: he was playing church music, you couldn't be playing you
Speaker 1: couldn't go to be playing club music, you know what
Speaker 1: I'm saying. So basically we had to sneak too. So
Speaker 1: when I was playing, you know, like if I was
Speaker 1: playing outside of the church, I was sneaking to do
Speaker 1: that because you couldn't do that around Yeah, it was blasphemous,
Speaker 1: so similar like Marvin gay Father. So for me, um,
Speaker 1: but my passion was battle rapping. So I went to
Speaker 1: Velsburg High School. Anybody who's listening to this right now,
Speaker 1: Velsburg High School, you already know my first nigger is now,
Speaker 1: Yeah for Nelly. Now. I used to eat my fucker's
Speaker 1: up for breakfast, lunch, dinner, barely seventeen years or I
Speaker 1: was obsessed with just because coming from Haiti, I was like,
Speaker 1: You're the only way I'm gonna get attention and people
Speaker 1: to pay attention. It's almost like you gotta spit better
Speaker 1: than them. So I took the vocabulary to Shakespeare, just
Speaker 1: became like a word smith, you know what I mean.
Speaker 1: And the book of basement. The way it sound, that's
Speaker 1: what it is. You know. I meant a con Acun
Speaker 1: came to the booker. Um that was actually Jersey City, correct,
Speaker 1: the Royal Black Warrior. Yeah. So so I'm you know,
Speaker 1: I'm gonna give it to you like the deaf man.
Speaker 1: A con was a barber like a this. Yeah, you know,
Speaker 1: I'm gonna give it to you. Yeah, one of the job.
Speaker 1: Yeah yeah, yeah, so a con one of his jobs. Man,
Speaker 1: he was an incredible barber. But he always used to
Speaker 1: come to the Booger and he come to the book
Speaker 1: and be like, Yo, look cleft, listen to my music.
Speaker 1: I got this music. So in my hood I was
Speaker 1: like Dr Dre. So I was like that Haitian doctor.
Speaker 1: You're still like dry. He was coming this. Yeah. This
Speaker 1: was like you know when you watched the whole n
Speaker 1: w A and ain't let him. Yeah, well this is
Speaker 1: before this way before I'm talking about Yeah. So this
Speaker 1: like the foundation. So the Booger was the spot everybody
Speaker 1: would come through. Now I'm gonna get another fact on
Speaker 1: a can. So when we did the score, um, there's
Speaker 1: a remix the Fuji Yeah, the Fuji Li remix. I
Speaker 1: put a carn on it. So this is like way
Speaker 1: before anything, like yeah, so so this is what. So
Speaker 1: when we did with La La La in the remix,
Speaker 1: I was like, Yeo, I gotta put this kid on
Speaker 1: it because I think like he's gonna go somewhere, Like
Speaker 1: he's incredible every time I see him. So whenever I
Speaker 1: used to do shows, I would just bring a car
Speaker 1: on stage if he was there. So I only take
Speaker 1: you that far back to show you. So there was
Speaker 1: two sides of Jersey. We was representing the refuge side
Speaker 1: and then you had the outsiders. The Outsiders was Eminem Eminem,
Speaker 1: young z I dig a Pace one, so all of
Speaker 1: that was on the other side. So when we was
Speaker 1: doing the score, I was like, Yo, it would be
Speaker 1: dope if we could unify both clicks on one record.
Speaker 1: So on the score, the song Cowboys was when we
Speaker 1: unified it was Refugees and the Outsiders and we put
Speaker 1: that together. Um outside, it was a Kom was on
Speaker 1: our side, but it was sort of like a Kom
Speaker 1: was doing his thing. It was just he always was
Speaker 1: on the grind. So even though when Fuji's was blowing up,
Speaker 1: he still was like, yo, you need to check out
Speaker 1: my music and that's all good. Years years later he
Speaker 1: blew up, But it's just to show you um Erica
Speaker 1: bad do. A lot of people came through that book
Speaker 1: of basement, you know what I mean a lot of
Speaker 1: a lot of talent came through that basement. And it
Speaker 1: was crazy because Diamond D, I remember Diamond D shout
Speaker 1: out the diamond d Um Salam remy salam. Salam is
Speaker 1: like nah salam is like the ghurrule, like before the Fuji's,
Speaker 1: before everything, like yeah salam. Did you know that Amy
Speaker 1: Winehouse documentary when she's talking about the sense and she
Speaker 1: she's calling the freestyle. Yeah, yeah, so she's calling him
Speaker 1: so mom was the like Salon was doing hits man.
Speaker 1: I think he was like fifteen sixteen years old. He
Speaker 1: was like the dude doing like the super cat. All
Speaker 1: of that crazy stuff that was like that was like
Speaker 1: flex flex right hand man. So for me, all of
Speaker 1: those that was really to come up. So to think
Speaker 1: that all of that really came from the book up,
Speaker 1: I told people, I said, what the Fuji's and Steve
Speaker 1: job gut in common. You know, Steve jobs invention was
Speaker 1: in the garage. I invention was in the basement. So
Speaker 1: so you being from Hayde coming to you, you went
Speaker 1: to Brooklyn first, because I think you went to Brooklyn
Speaker 1: and then you went to Jersey, right, Yeah, we lived
Speaker 1: in Brooklyn, lived in Brooklyn, went over Brooklyn and you.
Speaker 1: But but Haiti is a Caribbean correct. Yeah? How was
Speaker 1: that that first call when they said, Yo, Shakiro must
Speaker 1: to work with you. Did you think about did you
Speaker 1: think about because that's the first thing I'm thinking about.
Speaker 1: I don't just you don't have to clarify, honest, I'm sorry,
Speaker 1: I forgot awkward show. The funny thing about the Shakira record,
Speaker 1: um is that that record was done two years before Shakira.
Speaker 1: I did it for a movie called Havana Knights. So
Speaker 1: Clive told me that he wanted it. And at the
Speaker 1: time we said Cloud from Flatbush who used to sell
Speaker 1: you know what. Yeah, so yeah, so that clop So
Speaker 1: Clive hit me up like, yo, I'm doing a soundtrack
Speaker 1: and I need a joy from you. So for me,
Speaker 1: the host, the whole idea of what I do, because
Speaker 1: you know, Haiti is this Spaniola, so it's like basically
Speaker 1: Haiti and the d are. Graphically it's really one really leak.
Speaker 1: But for Columbus actually discovered that island. Well, he didn't
Speaker 1: discover it, he came there, and that people was already there.
Speaker 1: It was actually originally called espani and that was Dominican Republic.
Speaker 1: And I'm sorry, I got smarter. I'm so sorry. Let
Speaker 1: me get back to dog. I don't want people to
Speaker 1: know the French colonized the Haitian side, right, Yeah, is
Speaker 1: that the way when the Spaniards stayed on the Dominican side,
Speaker 1: that was the division. Yeah, and somebody a pussy along
Speaker 1: the Yeah, I see you dancing. I don't repeat these
Speaker 1: bad words. Yeah. So, so basically he just wanted me
Speaker 1: to do the song for the movie. At the time,
Speaker 1: we had a group called City High So City. We
Speaker 1: had to startis Clauder artiste. She got pregnant by the
Speaker 1: other guy, right, which came later, right, it was Kane later.
Speaker 1: A lot of mistakes, you know what I mean, learned
Speaker 1: from one club not so so it was you gotta persse. No, no,
Speaker 1: I'm sorry, you was breaking on. I didn't get him
Speaker 1: pregnant yet, I didn't get nobody pregn That was bad,
Speaker 1: so nobody would be mad at you. We thought it
Speaker 1: was your baby for a long time. And be honest, no, no, no,
Speaker 1: Billy Gen just a girl that my side. I don't
Speaker 1: know what do it back with? There were forwards continue yeah,
Speaker 1: so so so we do it for the movie and
Speaker 1: the record sits there, and you know, Clive, I was like, Clive,
Speaker 1: record feels special. I think it's bigger, but he was like, no,
Speaker 1: it's just for the movie. So two years later, I
Speaker 1: get a call from Donnie Isa and Charlie Walk and
Speaker 1: Charlie Walks like, Yo, we need a record for Shakira
Speaker 1: because we're trying to get her on the other side
Speaker 1: of the fence. And Donnie is also a big guy.
Speaker 1: Let's continue. And she hadn't done it by lingual record
Speaker 1: yet at this point. Yeah, it was there. They had
Speaker 1: a few records on her, but they was trying to
Speaker 1: cross her the way that I had crossed Santana over. Yeah,
Speaker 1: college thought, but yeah so so then um so I
Speaker 1: told him, I said, look, I got a record that
Speaker 1: I was sitting here for two years. So anybody if
Speaker 1: you listen to an original record, it was on the
Speaker 1: Havana Knight soundtrack. It's Claudette singing it word to bond.
Speaker 1: It's the same record. The only thing I added was Shakira, Shakira,
Speaker 1: shak So I get the call man and and then
Speaker 1: it Shakira, it's real talk. And then so she hits
Speaker 1: me up, called you direct, Yeah, she needs to hear Yeah,
Speaker 1: so Shacky calls me yeah, so so Shaqa and she's like, um,
Speaker 1: I was like, yo, you know you heard the record.
Speaker 1: She was like, I loved the record, and she was like,
Speaker 1: I had I had a dream about you. Yeah, so exactly,
Speaker 1: I don't know what it's going. I didn't know where
Speaker 1: it was going. I was in, I was in, I
Speaker 1: was nick, I was too dick, I get the car
Speaker 1: and Shocky's um. So the dream isn't what I wanted
Speaker 1: to at the time, but it was just the fact
Speaker 1: that we was connected and then we we we met
Speaker 1: in Miami, and when we got together, I would say,
Speaker 1: what made that record special was the fusion. She came
Speaker 1: with that straight Columbian fusion. And sometimes you could write
Speaker 1: a record, it's like a movie. It takes a certain
Speaker 1: actor to make the movie a hit, a certain actress.
Speaker 1: So basically I remember me and Jerry doing that the record, Yeah,
Speaker 1: Jerry one to my partner, and then she basically I
Speaker 1: remember she was like, yo, if my hips don't move,
Speaker 1: the record ain't a hit. So when she said that,
Speaker 1: like I was like, Wow, we're gonna have Shakira dancing
Speaker 1: in the studio for eight hours. I started banging on
Speaker 1: everything and and then that's how really the magic happened.
Speaker 1: And from there, um, you know, she she recorded the record.
Speaker 1: We put the cultures together. It's something about when you
Speaker 1: it's an out a rhythm dog when you put cultures together,
Speaker 1: and because that kind of music is no longer music,
Speaker 1: it becomes just a cultural phenomenon, you know what I mean.
Speaker 1: So that was the situation with that, and it was
Speaker 1: an incredible and it felt like y'all kind of did
Speaker 1: that on the hip hop side with Cypress right before
Speaker 1: that with Cubans be Haitians. I felt oh yeah, yeah, yeah, yeah,
Speaker 1: big time, big time. But for me, you know, the
Speaker 1: Mountain Pop for me is like as much as I'm Haitian,
Speaker 1: no one can't tell me I ain't La. No one
Speaker 1: can't tell me I ain't African, because you know, if
Speaker 1: I if I started to play SUSA or Caribbean, if
Speaker 1: you close your eyes and I start to play piano,
Speaker 1: so you'll be thinking of from Cuba because for me,
Speaker 1: no one could, Okay, dope me Like, at the end
Speaker 1: of the day, we want people they separate us or whatever.
Speaker 1: But for me, it's like, I know, I got family
Speaker 1: from Cuba, from Jamaica or whatever. You know what I mean,
Speaker 1: we all exactly were connected by them drum. So that's
Speaker 1: that's how I want happened. Man. So let me ask
Speaker 1: you something. You the Shakira called now that you just yeah,
Speaker 1: come on, get cool, like I still got call. But
Speaker 1: so you're saying you got the Carlo Santana call prior
Speaker 1: that that that record came prior For some reason, I
Speaker 1: thought she Carra came first. Yeah, no, you know at
Speaker 1: the Santana. Remember I did Santana and I did Whitney Houston.
Speaker 1: God you did what Yeah I did. I'm doing that rope.
Speaker 1: My love is your love? Your love forget it would
Speaker 1: take Oh my god. Yeah, I hope we never did
Speaker 1: you so, but it's super now. Now, now here's the
Speaker 1: reason why Carlo Santana for artists like us, right, it's
Speaker 1: super like special because Carlos doesn't sing. All he does.
Speaker 1: This is me. I'm sorry, I'm mad. I was not.
Speaker 1: Come on, that's me it's me, it's so m so
Speaker 1: called Santana traditionally doesn't actually sing on the records. He
Speaker 1: actually tried to compose. So when Carlos called you, what
Speaker 1: was your very first thought? First though? Did you think
Speaker 1: it was Carlos Santana or you knew because you was
Speaker 1: that bag? You know the way that it happened. It
Speaker 1: happened through Clive Davis. So claud is like, just then
Speaker 1: from flat like me, get that, you'll stop clapping. You
Speaker 1: can't be around here if I clap. Your clapp stepped
Speaker 1: up in the building ahead. So Cloud on Flatbush calls, Yeah,
Speaker 1: so Cloud from flatbushit me. You know, he gave you
Speaker 1: the big guyfather talk, you know, and the talk is like, yo,
Speaker 1: White Cleff, I know you study press by the way
Speaker 1: i'd be seeing your impression. Does study jazz? And I've
Speaker 1: been thinking what do you think about the fusion with
Speaker 1: Carlo Son turn off? And I was like, yo, I
Speaker 1: love Carlo Santan. Now he's on Arista at the time.
Speaker 1: And then you know, and then Clive then he gonna
Speaker 1: hit you with that pressure. He's like, okay, you have
Speaker 1: twenty four hours. So basically, so when I do these
Speaker 1: records though, it's like all of my records got schemes
Speaker 1: in the man, like you know what I mean, I
Speaker 1: break down the fundamentals, you know, saying hip hop is
Speaker 1: one of my schemes. But growing up in the hood,
Speaker 1: I used to escape, and I used to scape and
Speaker 1: watch movies. One movie I used to watch this West
Speaker 1: Side Story. And West Side Story is a deep story, man,
Speaker 1: It's about like gun culture, you know what I mean,
Speaker 1: gang culture, clash culture and m and then remember West
Speaker 1: Side Story. The girl name was Maria, Maria lay. I
Speaker 1: happened to product M. Man. That's a good question. So
Speaker 1: the finished, Yeah, but don't finish it. We never knew
Speaker 1: who they was from the beginning. No, no, you know what.
Speaker 1: So so one thing that you said, which is um
Speaker 1: is how the records are put together? Right. So from
Speaker 1: a composer aspect, right, the first thing I'm gonna do
Speaker 1: is I'm gonna say who can sing this? Right? So
Speaker 1: I was obsessed with David Ruffins. So Product GMB from
Speaker 1: from from from Long Island Kids Money Harm had that
Speaker 1: vocal where it was like yo, he just had because
Speaker 1: I needed some body, Like you said, Santana ain't a
Speaker 1: singer he's an instrumental cologne, like really cologne in Puerto Rico.
Speaker 1: Really cologne only plays instruments. Correct. Yeah, and well was
Speaker 1: a singer, but so that's what called is, so I
Speaker 1: had to put the whole Yeah, no, that's dope what
Speaker 1: you said. So to your point, So as a composer,
Speaker 1: this this is where you know, reality has to always
Speaker 1: How I'm able to do this over and over again,
Speaker 1: it's because my background is, like I'm a hip hop up,
Speaker 1: but I'm a jazz major and like I love jazz,
Speaker 1: so jazz is based on the composition. So I got
Speaker 1: to set the scheme up. So there's a few schemes
Speaker 1: on that record. The other scheme is I'm a big
Speaker 1: fan of Wu Tang Clan and that whole record. Did
Speaker 1: y'all hear the part that was that sounded like blue time? No? Okay,
Speaker 1: So I'm gonna grab my guitar. Got this is a
Speaker 1: different type of podcast. We got niggas with guitars and ship.
Speaker 1: It's a Haitian day. Let's says your day. I'm not
Speaker 1: gonna yeah, everybody be quiet, everybody be quiet, please continue. Yeah,
Speaker 1: So this is what we're going to producing one on
Speaker 1: one vibe and we don't want to play this or
Speaker 1: nothing right now, we ain't got it reaching the music.
Speaker 1: You're gonna clare it man, I hone it even say
Speaker 1: that one more time, right, so check it out. So
Speaker 1: so when I'm composing, right, so the first part we
Speaker 1: composed was right, So that was the first zone you
Speaker 1: tell me, and they all feel every on that record.
Speaker 1: So so then when we said, Wutan Clan, ain't nothing
Speaker 1: the funk with. So one of the things I thought
Speaker 1: the public would identify with with Santana's an instrumentalists, right
Speaker 1: this where the Haitian comes out, somebody who plays the instruments.
Speaker 1: I was like, what if I could take this this
Speaker 1: RISI scheme. Yeah, so what if that's ain't nothing the
Speaker 1: fun with ain't I'm giving them my hip car hip
Speaker 1: hop car for one day, that card for one day.
Speaker 1: So when we said, um, we said, I'm playing by
Speaker 1: Car a little Santana in the record. Yeah. Yeah, So
Speaker 1: my whole vibes being about the matchups. As a hip
Speaker 1: hop student, you know what I mean. I consider myself
Speaker 1: a hip hop guitarist first, so so I think a
Speaker 1: lot of the records like I always pay tribute too
Speaker 1: so that fusion came out like that because of you
Speaker 1: know what I mean, like when when and then so
Speaker 1: that scale sounds like Wu tang, but it's originally a
Speaker 1: gypsy scale. So Santana is the king of that gypsy scale.
Speaker 1: So at the end of the day, even though Rizzle
Speaker 1: would bring it back in a different form. So for me,
Speaker 1: that it all boils down to the basic science. You're there. Yeah,
Speaker 1: so l wait but did that science translate to the
Speaker 1: to the new calid record? So so so so yeah,
Speaker 1: we can say in the record, you're right, um wild
Speaker 1: thoughts Rihanna. Did they clear that record with you? Yeah? Definitely,
Speaker 1: so so cold who I've known, man, we're all good
Speaker 1: for we all know. Yeah, so we we you know,
Speaker 1: I go back with Colored. That's like brother to brother together.
Speaker 1: Well yeah, that's how far he with Yeah yeah. And
Speaker 1: then like people don't even know like I used to
Speaker 1: like clash like dub plates, so I used to this
Speaker 1: is there's a part of me like in Miami in
Speaker 1: the early days with Colored. Yeah, so dudes don't even know,
Speaker 1: like I could show up with a crate the murder
Speaker 1: of the place. So so for me, um, so I
Speaker 1: get the call from from my brother Colored and he's like, yo,
Speaker 1: just this one seemed like it's this this cleft. You
Speaker 1: don't understand. This is gonna be the biggest one. And
Speaker 1: bom bom bom boom um. So we need to get
Speaker 1: Santana to you know, to clear it. On his part, Um,
Speaker 1: I know you in Santana did the record. So I
Speaker 1: called up Madeline Nelson, my CEO. Um, she got Santana
Speaker 1: and Santana's like my godfather. So Santana cleared it. Now,
Speaker 1: this is what I love most about that. I remember
Speaker 1: when I was doing let Me Softly with the Fuji's
Speaker 1: killing me one time, two times, and then her reality
Speaker 1: struck me after I did that record, because the record
Speaker 1: blew up like crazy. And after the record blew up,
Speaker 1: I was like, damn, we just made somebody a gazillion
Speaker 1: dollars of publishing because I didn't know how that worked,
Speaker 1: because you could you clear it. But at the end
Speaker 1: of the day, so it just it's a beautiful thing
Speaker 1: to be in two thousand and seventeen to hear the
Speaker 1: new generation sampling either the Fuji's or music by why
Speaker 1: Cleft is incredible man. So he directly sampled your version
Speaker 1: you know that. That's that's the way I just want
Speaker 1: to But yeah, and then just S was at the guitar.
Speaker 1: That was the guitar was so basically when you hear this,
Speaker 1: so so the whole group is this for some reason.
Speaker 1: But it's the foundations. So a lot of the foundations.
Speaker 1: That's how we create them, you know what I mean.
Speaker 1: But that's how that want to happen. So from there,
Speaker 1: like I said, so um, Clive Davis knew I had
Speaker 1: the Latin parse with me, you know what I mean?
Speaker 1: And I go back so far. This is why I
Speaker 1: be crediting, like you paun, like you don't know, like
Speaker 1: I go back back with the music as a as
Speaker 1: a student, I go so far back right, I go
Speaker 1: back to Evie Queen. So one of my reporter we
Speaker 1: can almost walked up. That's one throw out there. We
Speaker 1: had sting raised, sting raised on hunting thirty second and
Speaker 1: what fifth have no sting raised. In case you guys don't,
Speaker 1: they got to rock cool lotta. They got the del
Speaker 1: Leon is the best to killer in the world. And
Speaker 1: you know they got Wick left and the drink champion
Speaker 1: in the event. Everybody here, that's why you know what
Speaker 1: I'm saying, don't forget sting raised. Come see us. The
Speaker 1: older got a cowboy hat on. We got gott he
Speaker 1: will kicking and guess what and guess what he's We
Speaker 1: are also leasing a horse very soon. Bring your kids.
Speaker 1: You have a dunkey in the front and back. Let's
Speaker 1: do a sting raise for the second up town. Yeah
Speaker 1: what we we we we. I was ready to go
Speaker 1: somewhere else. It's ready to go. Remind us when we're
Speaker 1: coming back. We come back to that. Okay, listen, you
Speaker 1: gotta relax that this is where I want to go.
Speaker 1: L L and Cannabis has a problem. Yeah, you picked cannabis.
Speaker 1: I respected your decision, but I knew you wasn't gonna
Speaker 1: win or that because this is l L Cool Jack
Speaker 1: at the time, and l L had all the backing
Speaker 1: from the whole universal system. This is the first artist
Speaker 1: that actually developed university. So I just want to know,
Speaker 1: why was it loyalty because that was your artist? Because
Speaker 1: I heard somebody say that that was I didn't never
Speaker 1: knew kind of signed just your friend. Okay, so you
Speaker 1: know I'm a I'm an artist, but before artists, I'm
Speaker 1: a personality from the Caribbean. So when you know, so
Speaker 1: I said, I'm never ashamed of my friends. You know,
Speaker 1: so I grow up as a Caribbean youth. Um, we're
Speaker 1: very strong where I come from. So when Cannabis approached me,
Speaker 1: he approached me on a calm versation. It was not
Speaker 1: it was in a music conversation. So so you know
Speaker 1: the gist of my problems. So the gist of my
Speaker 1: conversation with Cannabis, it wasn't based on It didn't start
Speaker 1: off musically. It's just well, yeah, it was. It was
Speaker 1: just certain people come to talk to me about when
Speaker 1: certain things happen sometimes you know, if someone goes this
Speaker 1: is probably one of the most historical battles in hip hop.
Speaker 1: Yeah yeah, so so ye're definitely one of the most
Speaker 1: historical battles. So once again, right, so me and you
Speaker 1: were not communicate right at this point, So you got
Speaker 1: you looking at it like, yo, the cleft just choose aside, right, yeah, yeah,
Speaker 1: because it looked like on the you know what I mean.
Speaker 1: So because now I'm gonna tell you that's right, because
Speaker 1: now I'm gonna tell you the way it goes down.
Speaker 1: So the conversation with Cannabis was as followed he comes
Speaker 1: in the studio, Um, he lays his part. He's a
Speaker 1: big l L fan and the tattoo on his arm,
Speaker 1: you know. Um, He's like when it comes to l
Speaker 1: L at that time, like, there's nobody bigger than l L.
Speaker 1: Co J. Cannabis had the l L walk. He just
Speaker 1: loved l L. So he was like yo when he
Speaker 1: left the studio, l L came in later verse this
Speaker 1: is L's record, by the way, that is yeah, the
Speaker 1: record that started off yeah so so so basically Cannabis
Speaker 1: point of view was like yo, when l was like, yo,
Speaker 1: the tattoo on my arm is off limited to challengers,
Speaker 1: you know. And in Cannabis verse, he was acting couty Barrow,
Speaker 1: give me the right, give me the give me the
Speaker 1: mic on your arm. So now now what Cannabis decides
Speaker 1: to do is now keeping mine. I'm a producer, and
Speaker 1: so l L Is puts his record out and Cannabis says,
Speaker 1: I have an idea for a record. Right now, I'm
Speaker 1: gonna have a long conversation with Cannabis before he goes there, Right,
Speaker 1: I might have take my glasses off take a shot too.
Speaker 1: I think, yeah, look, this is this is the rock
Speaker 1: at Okay, you heard of this, all right, this is
Speaker 1: the right now drink okay, this is getting the stout
Speaker 1: from over there all right? But look how a shot
Speaker 1: with me? Fuck up? Yeah? Let me helps open. It's
Speaker 1: one is open. It's one is open, right there. Come on,
Speaker 1: here's at going in a second round. Knockout right now? Second? Yeah,
Speaker 1: so we got oh he passed that right here? Ye, latta,
Speaker 1: everybody focusing on me the best beat a wife. That's
Speaker 1: what I do, baby, that's what I do. I leave pup. Listen,
Speaker 1: you heard jay z new album. You gotta push your
Speaker 1: people brand. God damn it. I'll bounced over that. Good.
Speaker 1: That was good. You have a drinking you know what.
Speaker 1: I'll bring you on some rumbob buncle next time. Yeah,
Speaker 1: big of the state race. We'll open the doors. You
Speaker 1: ain't taking the shot. I gotta take a shot. Just
Speaker 1: don't don't be heady cut, don't take it yet. I
Speaker 1: gotta get you got the broll. I got one for
Speaker 1: her class. I don't know what you know? Please? Can
Speaker 1: you remember where we was at? Me? I'm talking about
Speaker 1: where we're talking about. No, we know best? Why cleft
Speaker 1: being my friend for so long? Well, listen, please, everybody
Speaker 1: focusing on me? Why cleft, You've been my friend for
Speaker 1: so long and I don't know if you understand or
Speaker 1: you know what Drink Champion says. But so many shows
Speaker 1: they want to get these artists there and they want
Speaker 1: to ask them who they fucking, who they fucked, and
Speaker 1: all this other ships. Not what we do here. We
Speaker 1: salute our artists because you know what, what was it
Speaker 1: that you sound like a pig? Don't, my friend? We
Speaker 1: do with our artists is I'm a quote unquote legend.
Speaker 1: That's what they want to say. I don't give a
Speaker 1: funk about that ship. But what I am first and
Speaker 1: foremost as a fan, and I'm a fan of people
Speaker 1: perform I'm a fan of people in the middle of
Speaker 1: me and a fan of people are after me, and
Speaker 1: that's what I want to do. I choose to celebrate
Speaker 1: hip hop. I don't, I don't. I don't care about
Speaker 1: these other shows, these other podcasts or whatever they do.
Speaker 1: That's not what we do. What we do is we
Speaker 1: celebrate all motherfucker's and you need to be celebrated tonight. Tonight,
Speaker 1: this is what is the best in the world. Baby
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Speaker 1: and get more of a bus. Let's make some noise
Speaker 1: for that. Some see keep Oh yeah, that's who. That's no, no, no, no,
Speaker 1: no no, that's small. That's small. You can't get blast girl.
Speaker 1: I'm sorry, I'm sorry. You just you just need a shot. You.
Speaker 1: I don't know who you would. I'm sorry. I'm not
Speaker 1: coming to you. I'm married, but I just I just
Speaker 1: want to make you have one. Well, I don't know
Speaker 1: you look like Becky because I just want to get you.
Speaker 1: I just want to get you to take a shot. Girl,
Speaker 1: Take a shot girl? Your name hello? Shot? Got there?
Speaker 1: But that's good. I'm married so I'm not gry that
Speaker 1: you serious, I know, but you look like you needed
Speaker 1: who you would you look arian? Come here a look
Speaker 1: your names. He doesn't mean what's your name? Just what?
Speaker 1: It ain't the wrong one? I was close, look, I said,
Speaker 1: Becky has and I come on, come on, everybody shouting,
Speaker 1: I'm taking this shot. Where's the what about? Listen? You're
Speaker 1: taking a shot. I'm taking a shot for clap because
Speaker 1: you know why you gave me an empty body? It
Speaker 1: looks right. Look at that, yo. Let me tell you something.
Speaker 1: Everybody focusing on me. Rob's loving the building. Step morey
Speaker 1: more in the buildings. Listen, let me tell you something,
Speaker 1: Freeze listen. And our culture, it's kind of corny to
Speaker 1: pick up somebody else. If you say you are leg
Speaker 1: you know you somebody that's made it as somebody that
Speaker 1: got money or somebody got status, and you pick up
Speaker 1: somebody else in our culture. That's corny. And guess what
Speaker 1: I need to change that? We just got forty nine million.
Speaker 1: Do we have to buy CBS gonna take care of
Speaker 1: you know? But I'm saying should they take care of that?
Speaker 1: As as as a party, a good party, tell Us
Speaker 1: was a fifty million plaque. But listen, in our culture,
Speaker 1: people don't pick up each other. People don't say great
Speaker 1: job hazard, Its sounds great job communicating, Sonny Drain. We
Speaker 1: appreciate your pictures. People don't say that in our culture.
Speaker 1: And you know what we gotta do, being that we
Speaker 1: have a platform and we have an audience, we have
Speaker 1: to change that. One of our best episodes and people
Speaker 1: that tuned in was when we saluted prodigies. And we
Speaker 1: love Prodigy, but we wish we were saluted Prodigy where
Speaker 1: he was alive, absolutely and were course, we gotta give
Speaker 1: our legends. They flowers when they can smell, and they
Speaker 1: treat and relaxed and something and some things, and my
Speaker 1: drinks when they can drink. You understand what we gotta do. Listen,
Speaker 1: so many people praise people when you're going away and
Speaker 1: you die, and it's great, but that person could have
Speaker 1: really appreciated live. So why cleft tonight we want to
Speaker 1: praise you. Why we want to salute you? And I'm
Speaker 1: taking a shot. I don't know who poured me the
Speaker 1: shot me? Are you on the book a basement to
Speaker 1: the president of Hay This nigger was two seconds away
Speaker 1: from being the president of Hay, Yeah, you think, Joe,
Speaker 1: this is like taking a shout with Bill Clinton going
Speaker 1: to the time, looking about why clap always room that
Speaker 1: we're going to continue, and didn't want to count three
Speaker 1: clap one two, three to tweet, to tweet what club flags?
Speaker 1: Be honest to get something to me this time? Something
Speaker 1: this time. I don't know what I've never happened. So
Speaker 1: you know we're going back the second round, knockout, knockout.
Speaker 1: We had those infamous Battle records because the deal clapp
Speaker 1: Mike Tyson on this record and all everybody listen, anybody listening,
Speaker 1: anybody listening, but every white girl conversation, come over here, listen,
Speaker 1: because here's a deal. We didn't know. We knew you
Speaker 1: produced the record, but we didn't know you got dragged
Speaker 1: into the battlem So what was the ZAC movement? You
Speaker 1: got dragged because you produced the record for cannabis? Is
Speaker 1: that's true? Yeah? But the whole record was like sun
Speaker 1: Suit the Art of War. So when you told me
Speaker 1: who won, right, So we're gonna get into who actually
Speaker 1: won right? So who one for me? Would start off
Speaker 1: with the conversation that I had with cannabis, And it's
Speaker 1: a conversation I had with Cannabis is like, Okay, if
Speaker 1: you want to really go on this route, there's a
Speaker 1: few things that I have to let you know that's
Speaker 1: going to happen, and you have to be ready because
Speaker 1: I got because what happened is at the end of
Speaker 1: the day's chess. So with any of course, because I'm
Speaker 1: a fighter, right and then so Cannabis is a young bull, right,
Speaker 1: so my job is I gotta give him the information.
Speaker 1: Right now, I come from the Caribbean. So if like
Speaker 1: I say, like I'm really the Haitians or not you
Speaker 1: for real? Like, and what I mean by that, like,
Speaker 1: I'm never embarrassed by who my friends are, right, so
Speaker 1: I'm looking at you all, but I was just looking
Speaker 1: so when you know, So what I mean the reality
Speaker 1: of it is like you know, we we all grow
Speaker 1: up in a certain environment, you feel me. So it's like, okay,
Speaker 1: like I ain't a shame, Like my mama took a
Speaker 1: gun out of my hand, put a guitar in my hand. Right.
Speaker 1: So but at the end of the day, we all
Speaker 1: came up like once upon a time in America, right,
Speaker 1: So it's like it's still my family. So whether if
Speaker 1: it's gangsters It's still my family, you know, whether if
Speaker 1: it's my brother that's a lord, is still my family.
Speaker 1: So at the end of the day, I felt like,
Speaker 1: as a Caribbean man, if someone comes to me from
Speaker 1: the Caribbean, I have an issue, I'm gonna address it,
Speaker 1: but I want to know how you want to deal
Speaker 1: with it. So Cannabis said, I want to deal with
Speaker 1: it on some music stuff. So being you want to
Speaker 1: deal with it on some music stuff, let me explain
Speaker 1: to you who L L COO J is? Okay, so
Speaker 1: this is the this is me this so so yeah,
Speaker 1: so so let me tell you and it's good because
Speaker 1: the beautiful thing about this is the beautiful thing about
Speaker 1: this is l L is listening, you know what I mean?
Speaker 1: Because L give you know how when things happen, you
Speaker 1: get a one way perspective until this. So this is
Speaker 1: the real conversation, right. So basically, um, where L L
Speaker 1: COO J. You know, coming from Haiti and watching that
Speaker 1: movie when L L comes out with the radio and
Speaker 1: he places it down and then he goes into it.
Speaker 1: I mean, this is the reason, you know what I mean.
Speaker 1: So now we all take this and we say, if
Speaker 1: we want to be battle rappers. We take this. This
Speaker 1: is one chapter of how we hit the block. When
Speaker 1: we hit it with that determination. So I said, look,
Speaker 1: at the end of the day, you want to go there,
Speaker 1: I'm gonna go there with you. But there's a few
Speaker 1: things that's gonna happen. One is I want you to
Speaker 1: understand that l L is loved. You know, l L
Speaker 1: is loved by dusing the streets. You have his people.
Speaker 1: But at the same time, l L like me, he
Speaker 1: has a high female basse. And when you have a
Speaker 1: high female base, it's hard for somebody to knock you down, right,
Speaker 1: because what that means is, at the end of the day,
Speaker 1: even if niggas don't want to funk with me, the
Speaker 1: chick's gonna be like, yo, if you want something, you
Speaker 1: better play someone, please call. At the end of the day,
Speaker 1: it's gonna go there. So so we have it's but
Speaker 1: but you my men thought, and they like this nigger,
Speaker 1: I got the knight. I'm sorry, no, no, I love
Speaker 1: it baby, so so so after this conversation, after this conversation,
Speaker 1: we go into it and now in order to compete
Speaker 1: with a giant, right, because l L is a giant.
Speaker 1: The first thing that we have to do is we
Speaker 1: gotta come up with a scheme. You feel me so,
Speaker 1: and then then so the scheme becomes second round knockout.
Speaker 1: And then so Mike Tyson at the time beep in mind,
Speaker 1: I don't know what Mike was so so so so
Speaker 1: so Mike. Once again, the strategy was war right. I'm
Speaker 1: a composer, right, so keeping my whether if it's Santana
Speaker 1: or anything, I'm gonna come from the level of composition.
Speaker 1: I'm gonna put a Shakespeare movie together. That's what I'm
Speaker 1: gonna do. So so in putting this movie together, you
Speaker 1: know we need Mike. You know, Mike has to say
Speaker 1: he eats people, you know, ears and you know what
Speaker 1: we need that we need that it's about to go
Speaker 1: down on some hood Shakespeare vibe. Now, keep in mind,
Speaker 1: at the end of the day, it's no beef with nothing.
Speaker 1: It's still it's hip hop, right, Because when I came
Speaker 1: from Haiti listening to Carreras one these are this is
Speaker 1: how you can settle a situation. So Cannabis does the record,
Speaker 1: and Cannabis was one of the first artists I literally
Speaker 1: used to watch sit on a laptop computer just right on.
Speaker 1: Ye seen that in the Hit factory one time. I
Speaker 1: came in and then I said, yo, and they just
Speaker 1: started right now. I said, I gotta leave. Yeah, you know,
Speaker 1: he just the right rounds on paper water. Yeah, and
Speaker 1: it was like, yeah, you know, like that on the computer.
Speaker 1: That's the first seen right around yeah before because you
Speaker 1: know your phone wasn't that so back then? Then said
Speaker 1: he said, you know, I said, I said, yo, you
Speaker 1: know that that's the natural thing to see another MC
Speaker 1: y'all need the verse and they're like yeah. He was
Speaker 1: like the yeah, what is that? Immediately Yeah, I'm so sorry, No, no, no,
Speaker 1: that stop. At least somebody else seeing cannabis writing rounds
Speaker 1: on computer. Yeah, So he was one of the first.
Speaker 1: So he did that. Now we did the record, and
Speaker 1: Second Round Knockout comes out. Now, when Second Round Knockout
Speaker 1: comes out, the once again, when we talk about hip
Speaker 1: hop and we talked about the culture. That's why I say,
Speaker 1: you already know me. I'm a culture bunny. So I'm
Speaker 1: always inside of the culture somehow. So I got dragged
Speaker 1: into a situation for me that you got dragged persons
Speaker 1: outside looking in. I feel like you just produced the record.
Speaker 1: And then L said, and then you had to response,
Speaker 1: So now I get dragged into the record. So l L.
Speaker 1: Basically now he goes and he now he has to
Speaker 1: do his response right because it's Shakespeare jounson. And then
Speaker 1: the process of his response, he calls me the Bob
Speaker 1: Marley imposta right good. Yeah, you know this ship gets funnier, yo,
Speaker 1: I'm gonna tell y'all some real ship. So but the
Speaker 1: thing is, though, it's like, the thing is the way
Speaker 1: that I love l L and was obsessed by him,
Speaker 1: and he know when I came from Haiti, like one
Speaker 1: of my skits was holding the radio act like I
Speaker 1: was talking to Russell Simmons, but I had an invisible
Speaker 1: mirror in front of me, so so so for me,
Speaker 1: so I was like, okay, now this is what I
Speaker 1: mean by its chest. So what I did was I said,
Speaker 1: now that he called my name, so I have to
Speaker 1: be careful because I'm on my gude to novembership. Right.
Speaker 1: We got a lot of got to be really careful
Speaker 1: because we see that happen. We see that happen and
Speaker 1: stuff where Nigga will call you out and depending on
Speaker 1: how you respond, it means your doom day because you
Speaker 1: gotta be careful because you gotta know what you But
Speaker 1: in all honesty, Cannabis is in trouble. You're not really
Speaker 1: in trouble because you know your financial is great. But
Speaker 1: you're a hip hop person. That's what makes you feel
Speaker 1: like you're in trouble, not your financial But wait, wait,
Speaker 1: at what point do you see Cannabis in trouble? Because
Speaker 1: it's such a great record, But didn't tell you when
Speaker 1: didn't go I'm gonna walk that finish and I'm telling
Speaker 1: you we're not new Cannabis in trouble. Well, I mean,
Speaker 1: I know the little side of it. We've done the
Speaker 1: podcast on So what happened was we talked about what
Speaker 1: would happen when you did this record? Right, so I
Speaker 1: think like a few things had to happen. So when
Speaker 1: Cannabis did this record, one of the things that had
Speaker 1: to happen is now his entire album would have had
Speaker 1: to been changed. That's the first state, because he was
Speaker 1: bigger at because what happens was one second round knockout
Speaker 1: comes out that it's so so Now what would have
Speaker 1: to have happened was it would have to be eleven
Speaker 1: more second round knockouts. Of course, not towards l L now,
Speaker 1: but towards the culture. So take all of that anger
Speaker 1: now because now when you do second round, knockout the
Speaker 1: next ship you're gonna do Nigga's gonna want to hear whatever.
Speaker 1: That next thing is the King. That's right, you went
Speaker 1: at the king. So so in this process, so now
Speaker 1: he has to So l L takes a shot at me.
Speaker 1: But meanwhile, what was this shot? I forget what we said? Yeah,
Speaker 1: so now I didn't so I do a record. So
Speaker 1: when he does this record, so brilliance, brilliance is I said, Okay,
Speaker 1: I know who this guy is and I know who's
Speaker 1: backing them, and now yeah, and I said, this is
Speaker 1: l L. This is the King. And now I said,
Speaker 1: I'm gonna respond with the record. Now I respond with
Speaker 1: the record. The record is called What's Cleff got to
Speaker 1: do with It? And now this record is brilliant because
Speaker 1: what happens is I'm asking l L What's Cleff got
Speaker 1: to do with it? And on the record, I attacked
Speaker 1: all of L else bosses at the time, so I
Speaker 1: don't even talk about like I barely talked. So I
Speaker 1: talked about L else bosses. And now I said, I
Speaker 1: gotta neutralize him at the end of the record, and
Speaker 1: I know that we're gonna meet me somewhere if we're
Speaker 1: playing chess. He has a female fan base, and I'm
Speaker 1: going to November. So then I called up my friend
Speaker 1: at the time, Naomi Campbell, and said, Helmie. You know,
Speaker 1: So I called up Naomi, and Naomi, I need a
Speaker 1: dub play at the end of this record. Help come on, Naomi,
Speaker 1: I Jimmy, Yes, good girl. So so Naomi does the
Speaker 1: end of the record, and so she's like, l L
Speaker 1: you need to give it up. You need to stop.
Speaker 1: This is now. When I put a top model at
Speaker 1: the end of the record, you know, you can't say
Speaker 1: I don't like females or I'm gonna so I'm coming
Speaker 1: straight for your bass. So for me and doing that, um,
Speaker 1: the only reason I even did that, bro, because I
Speaker 1: felt like I didn't when he did that record. I
Speaker 1: went back home and my girl, right, she like, she's
Speaker 1: like I call a buoy bougie hood. So she was
Speaker 1: in the in the beauty salong with her girlfriends, and
Speaker 1: so I came and the L L record was playing,
Speaker 1: the disc record playing, So I came home on some
Speaker 1: Will Smith ship you know what I mean, like I
Speaker 1: can't something that's She was like, she was like, while
Speaker 1: I'm till you're here, and why I'm trying. You are
Speaker 1: blood clad mile and pasta. So y'all got city and
Speaker 1: eat the chicken in r I said, not respond to
Speaker 1: the one word. Leave it to a woman. A woman
Speaker 1: always sends the king to word. The queen always sends yeah,
Speaker 1: you gotta respect the queen. Yeah. But but in all seriousness,
Speaker 1: it was like the amount of respect that I have
Speaker 1: for l L and contendue to have for l L.
Speaker 1: I would say it was at the punch funeral, you
Speaker 1: know what I mean, when I saw him um and
Speaker 1: after that I like shook his hand. But for me
Speaker 1: it was it was a battle, you know what I mean,
Speaker 1: And it was all I want him to get out
Speaker 1: of it even til today, is like we were so
Speaker 1: obsessed by him at the time. He just wanted to
Speaker 1: be him. And you think when you just produced the
Speaker 1: record for Cannabis that you can stay out of it. No.
Speaker 1: I knew once. I mean, it's the art of war, right,
Speaker 1: you would have ganged you with a gang, so I
Speaker 1: knew it even got worse, Like forget about the fact
Speaker 1: that I did the record. I was the freaking referee
Speaker 1: in the video. So once I said, but that's the
Speaker 1: kind I knew that. I was like, look, we're gonna
Speaker 1: go in. He's gonna come at me, He's gonna come
Speaker 1: at you, but you have to be ready. And I
Speaker 1: would say, really, the first Fuji album was Blunted on
Speaker 1: Reality and that ship sold two copies. The second one
Speaker 1: was to score cannabis first album. I felt like after
Speaker 1: his first album, he just copped away, like you know
Speaker 1: what I mean, because he wanted it so successfully, and
Speaker 1: I think you got like three shots in this game.
Speaker 1: I think one to three. Until today, I always say
Speaker 1: Cannabis is one of the most lethal its lyricists that
Speaker 1: I've ever heard in my entire life. L L is
Speaker 1: one of the greatest hip hop entertainers that I've ever
Speaker 1: seen in my life. And because of l L, I
Speaker 1: know how to control the stage, you know what I mean? Yeah? Yeah,
Speaker 1: radio facts with facts. So so do you think that
Speaker 1: so what what what intent does it make a person
Speaker 1: to say that that this person is a star? Is
Speaker 1: it all those qualities that you just said, yeah, to
Speaker 1: make a person a star? Well, okay, so I remember
Speaker 1: that yeah, I remember no no, no no, but you
Speaker 1: know you know no, I no, no, you mean so
Speaker 1: so empower military, empower military, right, So it's a general.
Speaker 1: What we do is when we want to get information
Speaker 1: from the certain people, right, what we do is we
Speaker 1: make them drink to the point where they lose their
Speaker 1: consciousness and they start to tell I'm watching you man,
Speaker 1: I got you come on. We go way back definitely.
Speaker 1: So for me, what makes it a star is the
Speaker 1: IT factor. So I remember um Sony was like, yo,
Speaker 1: cleft as these four girls, you have to go listen
Speaker 1: to them sing. We need you to do a record
Speaker 1: for them. And I go in the hotel and it's
Speaker 1: four girls and I remember like, Yo, It's like Yo,
Speaker 1: what would you like us to sing for you? Mr?
Speaker 1: I was like yo. I was like, yo, I'm from
Speaker 1: the church in a church song. And one of them
Speaker 1: girls just stepped out and just the way she started going.
Speaker 1: I was like, that was the if factor And that
Speaker 1: was Beyonce, you know what I mean. And you know
Speaker 1: what the if factor is. It goes deeper, right, the
Speaker 1: if factor goes deeper because you know who's going to
Speaker 1: be the it because they're studying, right, So if Beyonce
Speaker 1: is listening to this right now, right, this is what's
Speaker 1: the deepest. This is Yeah, she probably listened. I just
Speaker 1: got you three females nampell right. So so this is
Speaker 1: this is the if factor which determines it. To me.
Speaker 1: I remember us performing like I'm performing on stage, and
Speaker 1: I remember Beyonce on the side of the stage watching.
Speaker 1: That's the ny Child already performed. Stay even she's dead,
Speaker 1: she would sh you would. I'm performing. That's why class Carnival, right,
Speaker 1: I'm performing. Yeah, Carnival three first, Yeah, the first one.
Speaker 1: Carnival three is soon Carvo three three r as they said,
Speaker 1: that's so Carnival. I had to piss for like two hours,
Speaker 1: but I've been homely because I'll respect our class so much. Yeah,
Speaker 1: you know, if you got pissed, we'll just take a
Speaker 1: piss break. No, it's okay, just be drink. Don't stop
Speaker 1: calling up. We're gonna go Carnival. Stop. Stop take a
Speaker 1: kill ready stop? Good? You look you look like even
Speaker 1: tanned up every bad. I don't know what even that beach,
Speaker 1: but I'm a good way. You gotta knows. It's not
Speaker 1: my sister. He's really like that rock man. We're talking
Speaker 1: about the album, the album, the new album three. Yes man,
Speaker 1: you know, listen everybody, Carnival three. Yeah, you got you got,
Speaker 1: you got, you got um Shakira on it. Yeah, this
Speaker 1: is what makes it. No, no, no, I'm saying, yeah,
Speaker 1: this is what makes this album dope. Right. So for me,
Speaker 1: it's twenty years later and we celebrating the Carnival. And
Speaker 1: the first Carnival was all people was like, yo, you
Speaker 1: can't do a record. You can't do a hip hop
Speaker 1: album and four languages and get it to sell. It
Speaker 1: don't exist. And I was like no, I said, I'm
Speaker 1: from Haiti, Espaniola. We speak Spanish, we speak French, crayon.
Speaker 1: We're gonna get it. And so the Carnival. Yes, So
Speaker 1: the Carnival broke records like it did like seven eight
Speaker 1: million dollars, eight million copies. It's the Carnival. So now
Speaker 1: what happens is now we're on the Carnival three. Now
Speaker 1: what even makes this special is that a few things.
Speaker 1: One is the Bronx is back where the fund the
Speaker 1: Bronx ben the Bronx ain't go nowhere? And your fat Joe,
Speaker 1: what's going on? My brother? You're dropping a new video Man,
Speaker 1: So excited exclusively on Title tomorrow at noon. You understand
Speaker 1: what that mean? Noon Eastern time. Your motherfucker's in Miami
Speaker 1: on the fucking yacht with fucking DJ College. I heard
Speaker 1: you killed the horse and they respect you for that. Respect. Man,
Speaker 1: it's going down the hottest models in the world. Fat
Speaker 1: Joe does it again. Titles going down, Title So Excited. Man,
Speaker 1: go check it out. Man, you know what I mean.
Speaker 1: It's going down man, Title dot Com slash So Excited.
Speaker 1: Check the music video. It's going down your boy and
Speaker 1: r E Fat Joe. Let's go what And that's Wednesday
Speaker 1: eight nine. Motherfucker is coming on at noon exclusively on title.
Speaker 1: You know they got forty eight hours because they'll be
Speaker 1: paying that check. Respect the title rap, but did you
Speaker 1: know the lyric videos out and it's crazy. It released
Speaker 1: a week of go and already has about a hundred
Speaker 1: and eighty five thousand views. The fans are expecting so
Speaker 1: excited to hit the top ten on the charts. Man,
Speaker 1: We're so happy for Fat Joe. If anybody deserves it,
Speaker 1: it's definitely Fat Joe. Make sure you check out So
Speaker 1: Excited hitting Titled dot com Forward Slash so excited check
Speaker 1: it out. I'm hearing the record out of nowhere and
Speaker 1: the record is called wy clep Sean And I'm like, yo,
Speaker 1: who did this record? And why is this? Like you
Speaker 1: like that? It's the trap record? So to this record up?
Speaker 1: Gotta let you all fulling up right the record? So
Speaker 1: the working we're gonna play it though. So it's a
Speaker 1: young man by the name of Young Dogs and decided,
Speaker 1: come on, y'all, not got it, y'all, nigga's not got
Speaker 1: a riddle, y'all. No, No, that was a scheme. But
Speaker 1: so but who produced that record with Super Mario? And
Speaker 1: I was like, yo, this no, this little kid was
Speaker 1: just coming up. He's worked with Drake. But you know,
Speaker 1: I was like, this kid sound his frequency? Sound like
Speaker 1: why Clefford twenty years old? Who's this kid? Like? How
Speaker 1: how how is he doing these drums in this So
Speaker 1: the whole thing about Carnival three is I went and
Speaker 1: I got all of the kids that were influenced by
Speaker 1: the Carnival. When the Carnival came out, there was twelve thirteen.
Speaker 1: So you got Super Mario, you got the Knocks, you
Speaker 1: got um Wavy Boy. So what happens is now The
Speaker 1: fusion on Carnival three is the nephews meet the uncle.
Speaker 1: So it sounds like Teddy Riley meets Michael Jackson or
Speaker 1: Michael Jackson meets Quincy Jones. What happens with that fusion?
Speaker 1: So we put so so it's sort of like, so
Speaker 1: if I'm coming from nineties seven with a certain sonics,
Speaker 1: what happens when you put that twenty seventeen against those
Speaker 1: acoustic guitars? What happens? So that's the whole idea with
Speaker 1: the Carnival, the Carnival three. So we got two joints up.
Speaker 1: One is called what Happened to Love and the others
Speaker 1: called Fella Couti. So basically, um, we we were back
Speaker 1: on that bullshit, you know what I mean? Yeah, and
Speaker 1: you're rich as fuck. That's one way to rich. Listen,
Speaker 1: but tell those names, Tell these niggas that cycle picture
Speaker 1: you talk. You had the speed, you gotta, you gotta
Speaker 1: the way, he was well defined, the oil yell that
Speaker 1: was that was a house laid Come on you was
Speaker 1: richardlf and five million dollar house? Is that? Am I correct?
Speaker 1: Eight man? Yeah? Yo, I mean you know it is
Speaker 1: what it is, right, But I mean the Ducatti pick Man.
Speaker 1: Yeah your real talking. I've seen my Twitter get divided.
Speaker 1: Right when I think that ship, all the niggas ran
Speaker 1: on damn mine, you know what I mean? It was
Speaker 1: I did again. Yeah it went crazy, man. You feel
Speaker 1: like just the one minute, next minute, yo. But you
Speaker 1: know why I did it, huh, just to get back
Speaker 1: to the fact that I'm human, and like I'm human,
Speaker 1: my nigga. Like I felt like so many people was
Speaker 1: coming at me at this time as if I wasn't human,
Speaker 1: Like it was like, yo, do try to run for president?
Speaker 1: His charity bomb. But it was sort of like dudes
Speaker 1: was coming at me as if I didn't have a family,
Speaker 1: as if I'm not from the culture. And I was like, dude,
Speaker 1: I'm a ray, I'm that dude that used to be
Speaker 1: on the block making niggas laugh. So it was like
Speaker 1: at the end of the day, I stripped it all
Speaker 1: down and I knew with my antics that everybody would
Speaker 1: talk and get back to the fact like this is
Speaker 1: a regular nigga at the end of the day, you
Speaker 1: know what I mean, So shout out to the speed
Speaker 1: Like I feel like, if it wasn't for you er
Speaker 1: for president, I think like you kind of gave Trump
Speaker 1: the idea, Come on, man, because you almost I'm not
Speaker 1: putting it on you. Sorry that no, No, what clapp
Speaker 1: was the first hoodrom President. I'm gonna tell you what's big.
Speaker 1: I'm gonna tell you what this from that sweet Niggi brother,
Speaker 1: it's going down. I mean, okay, So here's a few
Speaker 1: facts to your point. No, that's not my point. No,
Speaker 1: I'm gonna show you you got you hitting on. I'm
Speaker 1: gonna show you like you're hitting on some science. So
Speaker 1: it's important that the listeners fully get your science. Because
Speaker 1: you're hitting on some science that I'm gonna get into
Speaker 1: because I feel like Trump seeing you and said this
Speaker 1: thing almost made Trump almost very president, and he said,
Speaker 1: let me try so now and then nigga want I
Speaker 1: think it's your fault. Now, we wouldn't put it on me.
Speaker 1: But now because you're you're your use this close. You
Speaker 1: know I was sitting that you're finally eligible. Yeah, well
Speaker 1: the first part of it. If you're no, no, if
Speaker 1: we if we go online, right, you'll find a picture
Speaker 1: of me Donald Trump, sweet Mickey together. That sounds like
Speaker 1: a Controversyka, just listen to this. Listen to this, sweet
Speaker 1: think he's the old ain't even president yet present. You know,
Speaker 1: it's just three celebrities, the biggest artist. I'm taking you three,
Speaker 1: so Mickey. So basically sweet Mickey, it's like for me
Speaker 1: like he's our Michael Jackson, if that makes sense, Like
Speaker 1: he like we all grew up with his music. Sweet
Speaker 1: Mickey was the president. Correct, Yeah, but listen to how
Speaker 1: he became the president. So when Michael Michael Jackson become
Speaker 1: the president. Yeah, so this is like in Haiti. Yeah,
Speaker 1: because but think about this when I took the picture,
Speaker 1: this picture becoming president. Yeah, exactly. So when I took
Speaker 1: this picture with Trump, me and Mickey, hold on, yeah,
Speaker 1: go ahead. From nineties, said Bob Junkie, what you're doing?
Speaker 1: Come on yo? We had huntred dirty seconds between what yet,
Speaker 1: second and fifth come through. We interviewed h class and
Speaker 1: you gotta relax. That's it. Let the record, real quick,
Speaker 1: real quick, every and rock Camp all perform at the
Speaker 1: Bird time at twenty years. Got the problems we got
Speaker 1: we had tickets, We had tickets two years ago. Tickets.
Speaker 1: Let's second, I'm sorry, no, no, it's good. So what
Speaker 1: we do is what we call a random real quick
Speaker 1: So every b and rock Camp. So I'm gonna call
Speaker 1: a random real quick. So Eric B and rock Camp
Speaker 1: my first music video ever. I was an extra for
Speaker 1: a rock Camp video and I got more shots than
Speaker 1: any other extra histories. Don't sweat the technique. I'm playing
Speaker 1: up right, bag, I'm gonna hold your bunny man. I
Speaker 1: told y'all keep talking. Yeah, so not do you know
Speaker 1: we said hip hop junkie? I do you know? Uh picture,
Speaker 1: But we gotta go back to Donald Trump. Yeah, this
Speaker 1: is a deep pick. He said that because fam was
Speaker 1: saying like when he probably saw that. So now look
Speaker 1: this is like Donald Trump, ain't the president. Everybody's chilling.
Speaker 1: Donald Trump book us for a show. We show up,
Speaker 1: We're at the Caesar. I called my man, sweet Mickey,
Speaker 1: and I'm like, yo, Mickey, we're out here with Trump.
Speaker 1: Come on over the president and he's just chilling. He's like,
Speaker 1: my friend, you know what I mean? So, Yo, we're
Speaker 1: down here, come so now and years later, right, because
Speaker 1: all I could do is tell y'all because there, but
Speaker 1: all I could do is all all I could do
Speaker 1: is tell y'all. Right, all I could go is by
Speaker 1: facts checks. Right, I'm gonna get you all the facts man.
Speaker 1: The fact is, at the end of the day, coming
Speaker 1: from where I came from, if somebody gave me a
Speaker 1: check to perform, right, and they actually wrote the check
Speaker 1: right at the time. At the time and the check Claire.
Speaker 1: At the time, I was like, this person is a
Speaker 1: business then. But dude, when you sit on the presidential chair,
Speaker 1: that's a whole another scheme now because you're representing the
Speaker 1: world and you representing like, you can't be for one
Speaker 1: side of this, it don't exist. You gotta be for
Speaker 1: the whole America, you feel me. So it's a different game. Yeah,
Speaker 1: so so so on that note, what ended up happening is, um,
Speaker 1: I ran right when I ran for president, I ran,
Speaker 1: But all y'all did was see me run. What y'all
Speaker 1: didn't see was the backstory. There's a documentary called The
Speaker 1: Ghosts of Seat there so late. So now that I
Speaker 1: look at it again from the top, y'all see that.
Speaker 1: It is brought by y'all by Sock Posity Films. Sock
Speaker 1: Posity Films is one of my film companies, right. So
Speaker 1: I only tell you all that because at the end
Speaker 1: of the day, I wanted to show out in America
Speaker 1: or all of the kids that was here, how dudes
Speaker 1: was getting down in Haiti, and how hip hop music
Speaker 1: influenced Haiti. Right, so you have so at the end
Speaker 1: of the day, y'all saw me run for president. But
Speaker 1: what they didn't show y'all is when they have beef
Speaker 1: with the gangs. I had to go negotiate for the gangs.
Speaker 1: These are rappers. I'm talking about the gangs. The general
Speaker 1: I'm talking about. I said, I sit with the gunmen.
Speaker 1: Why cleft sit with the gunmen hand to hand. I
Speaker 1: let's have a conversation because at the end of the day,
Speaker 1: I can't let my people suffer. So at the end
Speaker 1: of the day, you have to figure this out because
Speaker 1: the youth of tomorrow got to advanced. So how are
Speaker 1: we gonna do this? I get a note, a list
Speaker 1: of what their demands are. I take this list to Washington,
Speaker 1: d C. The U n is listening. I was the
Speaker 1: one who negotiated the truths with the gangs. This is me.
Speaker 1: But y'all don't see none of this yet. Then I
Speaker 1: fly back to my country. This is cleft. Then I
Speaker 1: fly back to Washington. Right, anybody who's watching this, it
Speaker 1: ain't hard. You could google this I'm I'm in front
Speaker 1: of Congress and I'm talking about Look, y'all need to
Speaker 1: get a bill passed. It's called a text stile bill.
Speaker 1: This bill help brought back textile and manufacturer of my country.
Speaker 1: While I'm doing all of this, y'all don't see any
Speaker 1: of this. This ain't promoted. The only thing y'all saw
Speaker 1: was why Clefs j'on yell a Haiti scandal? Why Clefs
Speaker 1: Jon run for president? Right? The only thing is this,
Speaker 1: I'm a Garvyite. This is the part of me that
Speaker 1: people don't know. I'm a Marcus Garveyite. And what that
Speaker 1: means is at the end of the day, Yeah, nig
Speaker 1: can see me run. But who told me to run?
Speaker 1: What made me think I could run? No one know.
Speaker 1: I sat with Nelson, Mandela, Me and Mandela. We had
Speaker 1: the conversation. I like, we're having this conversation. I had
Speaker 1: a few questions for Mandela. Was only three people in
Speaker 1: the room, Me, Mandela, and my cousin Jerry Wonder So
Speaker 1: so for me, this was important information. After that, I
Speaker 1: flew and sat with Harry Bella Fonte. I spoke to Harry.
Speaker 1: Harry told me this is how they're gonna get you,
Speaker 1: and this is what's gonna happen to you. And if
Speaker 1: you're able to handle this, you're gonna be okay. So
Speaker 1: at the end of the day, now I run for
Speaker 1: president of my country. And then they said I gotta
Speaker 1: be in the country five years, right, But this right,
Speaker 1: they told you the legibility is five years. But if
Speaker 1: I ask anyone who's listening right now, what the hell
Speaker 1: does the Haitian constitution say? Nobody knows. So you call
Speaker 1: that Western propaganda. So it's propaganda that that's given on
Speaker 1: the other side to fool you over on this side,
Speaker 1: because on this side we come here, we study black history.
Speaker 1: We know who our fore fathers. Well, we know who
Speaker 1: George Washington is. But if I tell somebody, yo, who's
Speaker 1: two sons overture? Who's on it? So how would you
Speaker 1: come up with a law and tell me I gotta
Speaker 1: live in the country for five years when I already
Speaker 1: had a diplomatic passport. So why didn't contest it? Why
Speaker 1: did not raise my finger? And I'm not no ordinary dude.
Speaker 1: I bought Minister Fari Carna Haiti. This ain't no ordinary guys,
Speaker 1: who's speaking to you? At the end of the day
Speaker 1: Bill Clinton, who's listening to the show right now. I'm
Speaker 1: getting off for Air Force one. I'm getting off for
Speaker 1: Air Force one with Bill Clinton as a youngster, So
Speaker 1: I'm not no ordinary dude. At the end of the day,
Speaker 1: though they had to block me. The reason why they
Speaker 1: blocked me is because they didn't see me as a capitalist,
Speaker 1: even though I am a capitalist. They saw me as
Speaker 1: a populist, somebody that's going to be for the people.
Speaker 1: You know what I'm saying to you. So that's the
Speaker 1: bottom line, and that's how I went down. But look,
Speaker 1: at the end of the day, I could have raised
Speaker 1: my pinky and the country would have turned red. I
Speaker 1: didn't do that because I didn't want the youth to
Speaker 1: fight over me, because at the end of the day
Speaker 1: was bigger than me. It was about Haiti. So we
Speaker 1: helped get Sweet Mickey elected. So my party, my party
Speaker 1: back was my party. It was it was it was,
Speaker 1: it was. It was Sweet Mickey, Michelle, Michelle Martin Lli.
Speaker 1: So at the end of the day, that crew raised
Speaker 1: me to a point, so I backed him up and
Speaker 1: at the end of the day we all got together.
Speaker 1: He became the president. After him, it's another president that's young.
Speaker 1: All I wanted to do. My job is accomplished what
Speaker 1: I wanted to do. Before I ran, we had an
Speaker 1: old regime dog. Everything was over sixty five, seventy years old.
Speaker 1: There was controlling the country, that was controlling for country
Speaker 1: for over seventy eight years. I broke the cycle and
Speaker 1: that was the mission that I wanted to do. So
Speaker 1: what cleft. I know, I know because I know you
Speaker 1: so many years, and I know you'd be for being
Speaker 1: riched for every year. And then these people they say
Speaker 1: wild cleft, took from that, and I said, not wild cleft,
Speaker 1: and take from ship. This is me defending you from
Speaker 1: the outside looking at because I know you, I know
Speaker 1: your personal lifestyle and how many years I said, what
Speaker 1: whatever they said that they said stole from this campaign?
Speaker 1: How what was I like, said they totally got it wrong,
Speaker 1: and then going off and I said it on the podcast.
Speaker 1: But I just want, I just want you to shut
Speaker 1: all the hats down. Plea. Well, I think I think,
Speaker 1: first of all, it's an insult to say I stowed
Speaker 1: sixteen First of all, it's an insult. First of all,
Speaker 1: it's an insult to say that I would still sixteen
Speaker 1: million right at least say I would still one billion.
Speaker 1: This is a complete insult because sixty million it would
Speaker 1: equal to the artwork and a few cars in the girl.
Speaker 1: That's right, right, Sometimes you got to feel I've been
Speaker 1: I don't think you know. Yeah, but at the end
Speaker 1: of the day, they'll think about this though, anyone who's
Speaker 1: really paying attention, like what part of the history you
Speaker 1: want to know? Mean j Edgar Hoover set up the
Speaker 1: FBI for what. Look, Marcus Garvey was infiltrated. They came
Speaker 1: in and said everything they said I did. They said
Speaker 1: Marcus Garvey did. At the time, Marcus Garvey people wasn't
Speaker 1: that strong. Marcus Garvey got deported and Obama just pardon
Speaker 1: Marcus Garvey. I'll even give you something crazier. Think about
Speaker 1: the N double A C P. Martin Luther King. They
Speaker 1: said Martin Luther King was stealing personal funds to basically
Speaker 1: take care of his family. Then they had to retract
Speaker 1: the story. My question for y'all is when they're telling
Speaker 1: y'all white cleft stowed and then yeah, yeah, but at
Speaker 1: the same time, right, let me take it to a
Speaker 1: level of legislation because we smart people. So if you
Speaker 1: basically says, I took something. I'm gonna have my CEO
Speaker 1: now write a piece of paper which is a rebuttal
Speaker 1: to show where all of the money went. Why nobody
Speaker 1: printed that up when we did the rebuttal? Why didn't
Speaker 1: y'all print up the rebuttal? Because at the end of
Speaker 1: the day, it's real simple. Long before I was born,
Speaker 1: it was set up that NGOs would come to my country.
Speaker 1: And when they can't make no money nowhere else, you know,
Speaker 1: what I mean to do with a local job would
Speaker 1: be making thirty dollars a month while my people is
Speaker 1: living on less than eight percent, you know. And I
Speaker 1: didn't want to start a charity. I started an NGO
Speaker 1: and NGO non governmental organization. We was moving like an organization.
Speaker 1: This was a threat to everybody, including the Red Cross,
Speaker 1: including everyone else. And what's funny is I've worked with
Speaker 1: the Red Cross, I've worked with different people. But why
Speaker 1: is it if you google the Red Cross right now
Speaker 1: and say how many houses y'all put in Haiti, you're
Speaker 1: gonna see five houses. They've raised billions. But think about this,
Speaker 1: But about that didn't provide anything. But once again, why
Speaker 1: Cleff Young was a patsy only different niggas. Cutn't gun
Speaker 1: me down, because to gun me down, you gotta get
Speaker 1: my people to gun me down. That's the only way
Speaker 1: it's gonna make sense. You did it to Malcolm X,
Speaker 1: so you would have to have my own when I'm
Speaker 1: in my country, gun me down. You can't justify that.
Speaker 1: Ain't nobody gunning me down where I come from. But
Speaker 1: I still want to know. Do you think the Pinn
Speaker 1: Foundation did the jobbing? No? I think that to your
Speaker 1: point that when I did the tour of the houses,
Speaker 1: the model houses, and none of that was built. Once again,
Speaker 1: I think that a lot of the money that went
Speaker 1: to Haiti through the relief fund is a disaster. It's
Speaker 1: the same thing that happened, the same thing that happened.
Speaker 1: And happy, Yeah, sorry to cut you off, but can
Speaker 1: you just explain to the people because me personally, I
Speaker 1: know that you don't need it's me personally when they
Speaker 1: said you know I can have anything. I know you personally.
Speaker 1: I know how you ball, I know how you don't
Speaker 1: need this money. I know that. But how do you
Speaker 1: like address these people who think that? Well, the first
Speaker 1: thing is anyone who thinks that you have to go
Speaker 1: with facts, right, So the only thing is, look, if
Speaker 1: you if I bring you to the well and you
Speaker 1: are a donkey, that mean you're gonna drink the water.
Speaker 1: But if you're a giraffe, I can't get mad at you.
Speaker 1: So those that at the end of the day, right,
Speaker 1: at the end of the day, I can't force people
Speaker 1: to believe what they don't believe. Right, you feel me
Speaker 1: at the end of the day when I'm on Oprah
Speaker 1: and I tell you all the story on Oprah, when
Speaker 1: I sit on Oprah's couch, when I tell you all
Speaker 1: the story. Right, But once again, what is this another
Speaker 1: black man defending himself for right? Because at the end
Speaker 1: of the day, when you look at it, it's all
Speaker 1: a distraction for what And I'm gonna state it again
Speaker 1: on your show. Um. First of all, the idea of
Speaker 1: why Cleft winning a Grammy and putting his Haitian flag
Speaker 1: around his back and establishing Haitian pride is cool? We
Speaker 1: wit you. After that, the idea of why Cleft trying
Speaker 1: to become president and set up a governmental organization where
Speaker 1: you're not gonna singing thing. It starts to change, right,
Speaker 1: And in this process you have to do what's called
Speaker 1: covert and dude, any everyone that's paying attention, this ain't
Speaker 1: conspiracy theory, this ain't the luminati. The bottom line too,
Speaker 1: it is in this room right here. As you do
Speaker 1: what you do. If they feel like it's an infiltration,
Speaker 1: they will plant somebody the inside of this room. That's
Speaker 1: just the way that it works. So at the end
Speaker 1: of the day, it's so important. I'm so sorry. But
Speaker 1: now rock Cleft takes this job and he wins the presidency,
Speaker 1: will be first thing to do as president as president
Speaker 1: of Haiti, Well, the first thing that we would have
Speaker 1: to do as president of Haiti. You have a population
Speaker 1: that's living on less than eighty percent, right, is living
Speaker 1: on less than a dollar day. So then you would
Speaker 1: have to establish what's the wealth right of the country.
Speaker 1: So then there's two parts of it. What's the richness?
Speaker 1: Human capital is one? What do that mean? Human capital?
Speaker 1: Human capital is important because whether if we're talking about Haiti, Philly, Compton, everywhere,
Speaker 1: you got a group of young men that are like
Speaker 1: Mason's they are workers, they can work Mexico, Mexico does.
Speaker 1: Human capital is one. The second part of it is
Speaker 1: we call education, and education comes in different forms. I
Speaker 1: ain't talking about just putting up schools. I'm talking about
Speaker 1: putting up trade schools. And what is it that we
Speaker 1: have right? Everything is controlled from erin C. So at
Speaker 1: the end of the day, Haiti used to explore coffee.
Speaker 1: That's what we was known for, coffee and sugar. So
Speaker 1: at the end of the day, all of this we
Speaker 1: can What happens is if we come up with a
Speaker 1: trade policy and we got if we if we got
Speaker 1: duty free, we come up with a trade policy, then
Speaker 1: we can work. So the whole thing is I would
Speaker 1: have to show you what Haiti is willing to trade
Speaker 1: for you to want to trade with me. It's like
Speaker 1: if you're on the block and I'm on the block.
Speaker 1: If you don't have nothing to trade, then ain't really
Speaker 1: nothing to talk about. So human capital and education is
Speaker 1: the most important thing. And how do we invest in education?
Speaker 1: When companies was coming into Haiti after the earthquake, this
Speaker 1: is what I ran because I said, anybody's coming on
Speaker 1: corporate interests. Dude, you want to come in and you
Speaker 1: want to help, that's no problem. But dudes, we got
Speaker 1: tim Burrows here. Why don't you pretend universities and put
Speaker 1: these people to schools? Because when you leave after the earthquake,
Speaker 1: they actually gonna have a job and be able to
Speaker 1: do stuff. These are some of the things that one
Speaker 1: of these things I saw that that's the only thing
Speaker 1: I saw money go to police. So so, so what
Speaker 1: do you think that happened to haiti Um after? What
Speaker 1: was it the earthquake to happen? Right? So the stating earthquatting?
Speaker 1: So what what do you think was the proper message
Speaker 1: with you would have took if you was the president?
Speaker 1: The problem is this, It's eighteen o four, right, eighteen
Speaker 1: o four, the Haitians get their independence. The first black
Speaker 1: rec gotta take you there, I gotta take you there
Speaker 1: to understand the route of the problem. Eighteen o four.
Speaker 1: Peep this guard eighteen o four. I gotta go on
Speaker 1: my five per cent um over please? I forgot okay,
Speaker 1: why this eighteen o four? God? In eighteen o four,
Speaker 1: we basically was free. We defeated the Napoleon army. What
Speaker 1: that means the most mormous, the best army at the
Speaker 1: time that Haitians defeated them. They were outgunned. How was
Speaker 1: they able to do that? Right now, what happens is
Speaker 1: after the Haitians defeated the Napoleons. The French now put
Speaker 1: a tax on Haiti. This tax still till today is
Speaker 1: hurting the Haiti and that's why Haiti people speaking. The
Speaker 1: reason why Haitians speak French is because Haiti was occupied.
Speaker 1: It was it was by it was by the French,
Speaker 1: but because they never agreed to be colonized, because they
Speaker 1: agreed to be free. Some people say Haiti got its
Speaker 1: independence too early. Some people say that because at the
Speaker 1: end of the day. So now when you say, damn, well,
Speaker 1: how do we get Haiti back. The way that we
Speaker 1: get Haiti back is to bring Haiti into the modern world.
Speaker 1: And the way we bring Haiti into the modern world
Speaker 1: is through technology, is doing in capital and you got
Speaker 1: to invest. I'm gonna give you a last example how
Speaker 1: you bring Haiti back. You have something which is called
Speaker 1: agra bank, coony agra bank. So you use the soil.
Speaker 1: At the end of the day, we plant that's right
Speaker 1: through agriculture, whether if it's the d R, whether if
Speaker 1: it's Haiti, with it's Jamaica. Through agriculture, you're able to
Speaker 1: create an environment for people to work, make money and trade.
Speaker 1: You know what I mean. Yo Haiti is beautiful, man,
Speaker 1: I'm telling it's beautiful and only got to be economically,
Speaker 1: and that's the that's the problem. It's one of the best.
Speaker 1: Like I went there as a non Haitian and it
Speaker 1: was beautiful people, beautiful landscape. And then they were telling
Speaker 1: us like we went into the mountains, that's where all
Speaker 1: the rich people live, and it is the only place
Speaker 1: where the beach front is the poorest. But let me
Speaker 1: ask you something though, in California, isn't there a rich
Speaker 1: place of right, And then it's still proper, that's right,
Speaker 1: it's side property value. And then when we're go into Compton,
Speaker 1: certain places we see the difference, right, and then those
Speaker 1: boys in Compton can't really come to the beachfront property value, right.
Speaker 1: So in Haiti it's the same way. So you have
Speaker 1: places called d that's right. So then what is that
Speaker 1: telling us? It's not really a Hadi thing. This is
Speaker 1: a this is a world thing. Whether we go to
Speaker 1: Brazil to the fulvelas, we're gonna see the same thing.
Speaker 1: So my thing is this, at the end of the day,
Speaker 1: if we want to have a real talking about like
Speaker 1: hold up, man, from now on, man, let's just be
Speaker 1: careful who we let the mayor be and let's be careful.
Speaker 1: We let the governor be, just be careful, like really
Speaker 1: really take that because daya Ones is going to really
Speaker 1: care about your environment. Now wait, too political. Yeah, I
Speaker 1: probably need to get your baby. Get back. You gotta
Speaker 1: get the old batter. I got your man. You gotta
Speaker 1: me dark bros. Fine, I'm so sorry to ask you
Speaker 1: the question, Laura Hill. Baby, now your baby, that's what
Speaker 1: they told me about. I'm so sorry. What last? That's
Speaker 1: not sorry. All you can do is yeah, fake media
Speaker 1: right now, I'm sorry. Now your media, my friend. Look
Speaker 1: the stakes. Yeah yeah, and I'm with Nori your fel feeling.
Speaker 1: Now I'm making this a salt sir, summer Colina. Yeah,
Speaker 1: the harder drinks. We're catching the fight and it's got
Speaker 1: to try. If I was president, don't find me Saturday,
Speaker 1: Mabby done some days that general right that the Monday
Speaker 1: by Eagles back to listen. He's very insious and thought.
Speaker 1: Then every day on my way to the airport, they
Speaker 1: stopped me because that's the smell something funny I in
Speaker 1: my backpack, I told Mr German Shepherd, I know stiff,
Speaker 1: no cocaine. I haven't been Shepherd. I don't need no
Speaker 1: extra see no no Mr German show her. He was
Speaker 1: just yeah, but bitch locked me a bitch like I'm on, bitch,
Speaker 1: get the weather as I smoke my marrow, smoking my yeah,
Speaker 1: every show mayn't do with you. If I was dressing,
Speaker 1: I get elected on Friday, as I say, get on Saturday,
Speaker 1: heavy on Sunday. If I must preside, I'll be on Monday.
Speaker 1: You want to Wedsday. I was present Thursday's like you
Speaker 1: on Friday, Cliff on Saturday present, Yeah, I was presented.
Speaker 1: Wola takes class. I don't know if you know one class.
Speaker 1: You've always been an inspiration to hood niggas because one
Speaker 1: thing everyone man because not one thing about class nigga's
Speaker 1: hood niggas. We made it and we made it and
Speaker 1: we knew he made it before and wat class for
Speaker 1: coming our studios and be like what's up? Don't I
Speaker 1: mean like you know, hey, so I used to eat dog.
Speaker 1: In my mind, I thought you said just hold it out,
Speaker 1: but listen up. That's the real why Cleff always he
Speaker 1: never was scared of anywhere. He always came through. And
Speaker 1: this is the reason why the Fooji's work and how
Speaker 1: how are you on the Foojie's right now. Man. At
Speaker 1: the end of the day, it's all love. Like I said,
Speaker 1: everybody's forty something like what kind of beef they could be?
Speaker 1: Nobody shooting my mom, everybody problem, you know. I mean,
Speaker 1: we didn't stay right. So it's all good for me. Um.
Speaker 1: The energy is all positive. Like I said, when people
Speaker 1: talk about drama, man, you're talking about something that happened
Speaker 1: twenty five years ago. I think everybody that went through
Speaker 1: their things and we are grown folks now, you know,
Speaker 1: So we do what we gotta do. Man, And listen, man,
Speaker 1: we gotta we gotta support. You know, I can at
Speaker 1: least wonderful Miami because so lit something talk about He's
Speaker 1: going to tell out, tell out, gonna wait your questions.
Speaker 1: I couldn't come. It's coming, just talking to tell you
Speaker 1: I can. It's running from mayor of South Beach. He
Speaker 1: has been arrested seventeen times. I don't know. It's funny
Speaker 1: everything even that man, my own property on South Beach.
Speaker 1: Everything even listen, listen everything that jay Z E been
Speaker 1: talking about. Everything we've been talking about today. If you
Speaker 1: go to Miami, you be in the area and you
Speaker 1: don't vote for I Can Nelly just one day, even
Speaker 1: if you don't care for you to win or not.
Speaker 1: The thing about it is, this is the only black
Speaker 1: man that owned property on South Beach. He happened to
Speaker 1: be from Left Frax City. But if he was from Flatbush,
Speaker 1: if he was from Booga Basement, and he's when Raves
Speaker 1: from a story and kid who in the South Bronx
Speaker 1: from one four seven of Gibra. He was from one
Speaker 1: fur seven. He was from wherever, Wisconsin. Another black man
Speaker 1: owning the business. So even if you don't live in Miami,
Speaker 1: this man is really running from me. Even though you
Speaker 1: got arrested seventeen times. Say that if you black people
Speaker 1: make somebody for the struggle. That's so we're gonna do.
Speaker 1: You go out there support I canally and be more
Speaker 1: strip clubs. Yeah, sure, you can't say it, little wit,
Speaker 1: little a little win. That's the white class. Come on,
Speaker 1: let's know you're very Let's take something about class. Listen.
Speaker 1: Let me I can't see for two months at point,
Speaker 1: and then me and Poe was in the studio and
Speaker 1: then walk Club just came and play some ship. Leave
Speaker 1: what listen, I'll kill you that problem to take a piss.
Speaker 1: But come on, what are you bringing a pans? I
Speaker 1: gotta take a piss. You take a picture show. He
Speaker 1: wanted to listen to the smooth sounds of white class.
Speaker 1: I'll take a piss. Let man, let's go. He whatever,
Speaker 1: check it out, because I'm gonna do this one for
Speaker 1: my homies. Gone judge it. The hammer thing coming home now,
Speaker 1: y'all from the dangerous zone. The devil pulled the card
Speaker 1: and he said, use one. I chose music, My homies
Speaker 1: chose ya. Some of my ballas chose the NBA because
Speaker 1: it's on the block. Mandy Gang Bang funeral role. Pol
Speaker 1: is making all that changing, Yo. When my cousin got
Speaker 1: his worst check, I was playing Jimmy and tricks in
Speaker 1: the face. All I wanted to be was a rap starlight,
Speaker 1: and all he wanted to be was an Escobar Chapel
Speaker 1: Chapel November. He coming back. I was talking about my homies. Man,
Speaker 1: that's so abu or they will track here from the back.
Speaker 1: They hit the still like an hour. Boy, that's hitting
Speaker 1: on the bill. Welcome to the Rotten Apple, the city
Speaker 1: of your Lights. No matter how they sign, they can't
Speaker 1: seal the nights because when the glue snock knock, just
Speaker 1: before your guests rid out at your chest. Then you
Speaker 1: go raise the cool nest. You better be with my
Speaker 1: tell reepack. They be back attacking the night. Like when
Speaker 1: you're up in the trap, you are bucking the bucking.
Speaker 1: You back in the middle of working. Somebody get fat.
Speaker 1: I'm gon do this. My homies gonna cut. I am
Speaker 1: a thing. Ain't coming home. Sorry. We all are from
Speaker 1: the danger zone. That won't pull the car. Then he said,
Speaker 1: choose one and my only show. Yeah, some of my
Speaker 1: fathers chose the nb A because it's on the like
Speaker 1: many gang bang funeral pilots making all that chain. When
Speaker 1: my cousin got his first tech, I was playing Jimmy
Speaker 1: Hendrickson to this who all I wanted to be was
Speaker 1: a rock star and all he wanted to be was
Speaker 1: an escort by see a little house shot to ear
Speaker 1: a finny border the new house. You gotta do hazard.
Speaker 1: It sounds you know you gotta love dream, but it
Speaker 1: stop chilling. See you kinda was off, He reaf Wait,
Speaker 1: little freeze, you gotta relax. You want to break to
Speaker 1: break the break? Now I get to wear this together.
Speaker 1: I know for a fact, this is the funniest interview
Speaker 1: walking left in my life. Baby Carnival, it's the dirt Carnival.
Speaker 1: It is the third Carnival right now, you know what
Speaker 1: I mean. Anybody who's a fan of Carnival one to
Speaker 1: y'all can hit up that pre order. And we also
Speaker 1: got two new joints, once called Fellow Coultie and the
Speaker 1: others called what Happened to Love? What Happened to Leave You?
Speaker 1: We take it to the barber skill for the what's
Speaker 1: the group that is not listen to do it for
Speaker 1: got you show, We just say fellow, Yeah, Fellow's the
Speaker 1: fellows here because five I can't. I can't said great education.
Speaker 1: I'm just throwing out, dude, not even that amazing. I'm here, Yeah,
Speaker 1: I can't. I can't relieve anybody love me. I'm sorry.
Speaker 1: Sorry for the people who love me. I gotta relax.
Speaker 1: Yeah no, women say so take it more shot. You
Speaker 1: want to out Listen, listen walk lot. You got one
Speaker 1: of those shops because I got you. I needed the class,
Speaker 1: my class I need, I need, I need it right
Speaker 1: here for the woman. Okay, because because the woman, the
Speaker 1: woman fucking me. They'd be like you, but we don't
Speaker 1: really believe you. Come on, make ready for me for
Speaker 1: the one I'm gonna do a whole duff place. Let's
Speaker 1: do it right now. It's Normy Duck play man official.
Speaker 1: Now what's the dumb play j So you take a
Speaker 1: good record of your step wife. Listen. I want you
Speaker 1: to know, girl, Normy loves you little my wife. I
Speaker 1: love my wife, Barry and no man, now I ta
Speaker 1: w bar only to you. How wouldn't we feel my
Speaker 1: tears last to tell the police. I ain't home tonight,
Speaker 1: not tonight tonight. I sit around with you. Look into
Speaker 1: your eyes. You work the sad blue. Yeah, keep and
Speaker 1: this is I love my life. It's the money. I
Speaker 1: was troll. I trong. Come on, let's go, come on around.
Speaker 1: I tru around. So it's fiscing my soul. So don't
Speaker 1: one little getting cold? He said he's got one. Ye.
Speaker 1: Guess what's that one? You're crazy gonna relax? Got ye?
Speaker 1: Do you you you gotta? Yeah? First off, there's a
Speaker 1: there's a very ball, but it's a very secret with
Speaker 1: me and pun where we we we actually escaped from
Speaker 1: where Fat Joe, Puff Daddy and all these people was
Speaker 1: recording and the only person that was in the other
Speaker 1: students Cabbian, it was me pun and white class clubs
Speaker 1: coming in and be like, damn Caribbean connection, he said,
Speaker 1: coming to the check us every night. But the thing
Speaker 1: about it, it was, if I could take anything else
Speaker 1: back from my career, that part I would never change
Speaker 1: because he stood in in He was the bigger man.
Speaker 1: What I mean, you know big in Jamaican, big big
Speaker 1: he was. He could have been like but he came
Speaker 1: and he said, yeah, what's up? And that's what you did.
Speaker 1: Caribbean connections. It was the same brought the studio though,
Speaker 1: that's the kind of punning away. And then they said,
Speaker 1: you know, you know why clip on that ship? I said, damn,
Speaker 1: that's that's that's difference. Don't work there. He actually watered
Speaker 1: And you know what why I want to beat you
Speaker 1: up because I beat you up behind your face and
Speaker 1: you know, um, that's great beat you up behind your face,
Speaker 1: but I want to beat you up to your face. Yeah,
Speaker 1: And I want to say that, you know, hip hop
Speaker 1: is the thing that we should continue to do. This
Speaker 1: what I'm doing right now and saying that we love
Speaker 1: you for contributing what you did to hip hop. Fucking
Speaker 1: continuously slyly staying because you because it's gonna be honest.
Speaker 1: If I was I never came back. Now I realized
Speaker 1: what you did. But back then I would have been
Speaker 1: like that niggasna say Clap never came back. I would said, man,
Speaker 1: that's it's twenty years later about Clapp and I'm sitting
Speaker 1: back and I'm actually representing the culture of bomb mistake.
Speaker 1: But I'm representing the culture. So I'm gonna hold that down.
Speaker 1: It's not dn D. This is the new DND. Look
Speaker 1: at that ship, Look at this. It's more. Actually, you
Speaker 1: can't go to the breakfast club do this. You can't
Speaker 1: go seven years, you can't go anywhere else in the
Speaker 1: world and do what we're doing right now. This is
Speaker 1: all my president. And the thing about this is just
Speaker 1: the thing about this is let's not ever lose the
Speaker 1: journey of what we're doing. What we're doing is big
Speaker 1: en up our artists and today while Clap it's and
Speaker 1: I can't believe because you're blacking than me. Yeah I'm him. Yeah,
Speaker 1: I'm so black. I'm like a coin. We're blue love.
Speaker 1: But you're also more Spanish than me. That's that makes
Speaker 1: you advocated. But that's a beautiful Listen, calm down, everybody,
Speaker 1: come this. What makes it beautiful is that we're both
Speaker 1: on the same element. I'm Porter Weekend, I'm black You
Speaker 1: Haitian and Haitian and that's all sack down, double double
Speaker 1: Haitian stick no live. I've been a couple of year joints.
Speaker 1: I don't know that everybody's ship. But I tell you
Speaker 1: my wife is a big fan this ship. Let your
Speaker 1: wife listen. I don't know, not in that way anyway,
Speaker 1: it's just listen. I don't know because, like like he said,
Speaker 1: amaz if y'all won't pay attention, he's a strategist. So
Speaker 1: he saw two hundred and fifty episodes. This man destroyed
Speaker 1: everybody that came. I love. I loved a lot of episodes.
Speaker 1: This ship. It's the best ship. We got a little body, yo,
Speaker 1: check it out right. So you know, um, when I
Speaker 1: say like big pump forever, like that's not just in words.
Speaker 1: You feel me. So I think like a lot of times, um,
Speaker 1: because we have the musicality. They forget that, you know,
Speaker 1: we words Smith's you know what I mean and appreciate it.
Speaker 1: And we appreciate that. So definitely so I leave y'all
Speaker 1: eye with something like bars. Well you want bars with guitars, guitars?
Speaker 1: Stick it out. You can feel some gars over guitars.
Speaker 1: Peter big Fun love me my man. Who it's some
Speaker 1: bars over guitars. Yeah, I keep it hot, nor he
Speaker 1: got me a little honest. Yeah, bro, this is how
Speaker 1: I do this. I came here sipping on some guinness. Listen.
Speaker 1: My life started out in a small village. I ate
Speaker 1: dirt from the floor on me. No kitten, I ain't
Speaker 1: had no kitchen, Grandma said, pray to Christ this Jesus.
Speaker 1: Baby Belly had a bag of rice. My life started out.
Speaker 1: I was belly to pop a flute to the States,
Speaker 1: searching for the golden goose. No work papers, officers rating
Speaker 1: the underground, they try to get him. Boy took off
Speaker 1: like a greyhound his life. He got hunted like a groundhog,
Speaker 1: sting operation in the legal allien in New y'all. But
Speaker 1: like the King, My daddy had a dream, and years
Speaker 1: later I was sitting up in Brooklyn. What if Martin
Speaker 1: Luther state in the room, never stepped foot in the balcony.
Speaker 1: What if they had a bulletproof call instead of a
Speaker 1: drop toop for Kennedy. Malcolm xaid the speech, what if
Speaker 1: I had amongst the congregation, so when the boys can
Speaker 1: get your has in my pocket? Of five shots to
Speaker 1: the assassin, Listen, ain't nothing knowing to the son. What
Speaker 1: if I have put blanket Marvin Gaye's father's gun. What
Speaker 1: if y'all knew the truth before sending your kids to war?
Speaker 1: I told y'all that Manny cared about Iraq, you cared
Speaker 1: about the oil. Now, what if I could go back
Speaker 1: in time? I love race, not eleven. Dip to the
Speaker 1: Bahamas and Putaliah's luggage in the seven forty seven, put
Speaker 1: all the Papa Rozzi and the slammer, so that way,
Speaker 1: that night they would have never chased Princess Diana. Listen, man,
Speaker 1: The ahtands for alpha and omega. The B stands for barrier.
Speaker 1: That's what I'm knowing to do. The rappers see stands
Speaker 1: for chance. Once you take it, guard your ship. D
Speaker 1: f hic squad nigger read my lips h general from
Speaker 1: a d make my day. I stood in my chas
Speaker 1: in front of that k and for me to take
Speaker 1: an l it's gonna take amen. What's that Mother nature
Speaker 1: with the strong winds and all my piece productions like
Speaker 1: the queue as in Quincy when he did that thriller
Speaker 1: Michael Jackson Blue and this is who we all STU
Speaker 1: abbreviation for the studio are killing in the booth in
Speaker 1: the v Be very careful when you're watching shot as
Speaker 1: the w could turn up. Am. That's murder for higher
Speaker 1: by the window like X. Don't ask why I ain't
Speaker 1: taking no seats because the clans outside wild cleft from
Speaker 1: with my nigga noriy trust me freestyle. You don't wanna
Speaker 1: say that, sweet, because I'll be fun to November. I'll
Speaker 1: be gone to November. Tell my girl, I'll be gone
Speaker 1: to November. I've been going to November. I've been gone
Speaker 1: to November. You're tell loss as I've been gone to November. January, February, March,
Speaker 1: bro man, I see you're crying, but girl, I can't
Speaker 1: stay have it going to November. I've been gone to
Speaker 1: no Remember Carnival three pre artists. You already damn Carnival.
Speaker 1: My god, quick, where we get out of here, because
Speaker 1: this is in a sense like Haitian episode. I want
Speaker 1: to so the people I'm in Haiti shout to buddy.
Speaker 1: I shout out to everybody out there. Man, I thank
Speaker 1: y'all for for receiving us well over them, I thank baby. Okay,
Speaker 1: we don't get it, don't We don't get enough, So
Speaker 1: tell him Carnival. Carnival three man. This is what happened.
Speaker 1: Was the nephews meet the uncles. You know what I mean.
Speaker 1: It's nineteen ninety seven meets seventeen. We put the sonics
Speaker 1: together and you're gonna get all that live instrumentation that
Speaker 1: y'all love against the trap sonics. What happens when we
Speaker 1: put that together, it's called the Carnival. Of course, we
Speaker 1: got English on the record. Of course we got Spanish
Speaker 1: is naturally from Haiti. We got a bit of French
Speaker 1: on the record, a bit of crayoon um. It's hard
Speaker 1: hip hop influence and at the same time, what is
Speaker 1: hip hop is the culture. So I never got caught
Speaker 1: up in the bag of saying it has to sign
Speaker 1: a certain way hip hop as if we could move
Speaker 1: the world, and that's what we do. So Quincy Jones
Speaker 1: taught me a word. I'll give it to you. The
Speaker 1: ship is called Global Gumbo, my niggas. Beside of September
Speaker 1: baby September, but the pre Ortist is up. Now we
Speaker 1: have now I need to know that ship. So Quincy Jones, Yeah,
Speaker 1: that's my man. Feel me like big god, I feel
Speaker 1: like my life is something. But he met for like
Speaker 1: the day, so one degree of separation and then I left.
Speaker 1: That was like, Yo, noriy man, I really hope you
Speaker 1: know how you influence the culture, man, Like it's important.
Speaker 1: I mean, you talk about me, but it's just important,
Speaker 1: Like so the world understand like people like why Cleft,
Speaker 1: you know, people like Puffy, people like jay Z, people
Speaker 1: like nas. I'm just saying, like nor You're grind from
Speaker 1: the get go, fat Joe pun Um. It's important because
Speaker 1: you you would be that guy in that room. But
Speaker 1: you know what I mean, like what you're doing today
Speaker 1: was obvious, Like you would be a leader. So it
Speaker 1: would be great, you know to see people like Tupac.
Speaker 1: He would have transformed to that spot. You know, like
Speaker 1: you're straight up You're straight up a leader. Dog. We
Speaker 1: back you up one and I can't after this, It's
Speaker 1: downhill from here with every other show in the world.
Speaker 1: You oh my god, just flying shot, just listen us.
Speaker 1: Why Tripper don't like that? For the graph relaxed. No,
Speaker 1: he's gonna take the stream. I'm gonna been ship. I
Speaker 1: don't think like I said, I don't fucking come only
Speaker 1: ships you do. But I'm playing without me. I love you.
Speaker 1: I wish I could be everybody. I can't afford it.
Speaker 1: But listen what I'm saying. What you do, it's what
Speaker 1: you do you ain't. I'm a fucking imitating nobody else.
Speaker 1: And this is why your ship is so successful. This
Speaker 1: is why who you are who you are. You may
Speaker 1: paris cheer. We got one thing, Mrs why crazy stop
Speaker 1: bro what you want to know about the Fuji's baby?
Speaker 1: But love we already you know we we we we
Speaker 1: all about you know what I mean? The Fuji is Yeah,
Speaker 1: I don't get job. Tell me you get too. Don't
Speaker 1: listen to say something? Yea they all ya. Who's who's
Speaker 1: got as rapper in here? Right now? Somebody take a
Speaker 1: picture where to day games you need? You know, really
Speaker 1: really at a big dry wait to take right wrist blood.
Speaker 1: Before we get out of here, we just want to
Speaker 1: remind you that you can buy drink Champs gear at
Speaker 1: your local dtl our store. So look up the store
Speaker 1: nearest to you. You can also buy Drink Champs gear
Speaker 1: and other merch at drink Champs dot com or eight
Speaker 1: and nine dot com. Check us on Revolt TV everything
Speaker 1: Thursday night at m pm, then unedited audio drops Monday
Speaker 1: nights going into Tuesday at midnight. Then check for the
Speaker 1: United video Wednesdays on Revolt dot TV, drink Champs dot com,
Speaker 1: or you can go directly to YouTube. Look out for
Speaker 1: Nori's new food show coming soon, as well as new
Speaker 1: project featuring the upcoming single Uno mass Produced and featuring
Speaker 1: Farrell Check from my Coming Home documentaries Coming Home Vietnam
Speaker 1: documentary right now currently airing on Revolt TV and coming
Speaker 1: soon Coming Home Columbia. Follow us at Drink Champs on
Speaker 1: i G, Twitter and Facebook, and Nori at the Real
Speaker 1: Noriega on Instagram, at Noriega on Twitter, and me e
Speaker 1: f N at Who's Crazy on i G and at
Speaker 1: d j e f N on Twitter. And until next week,
Speaker 1: we had to hear peace