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Speaker 1: And his Drink Chess, motherfucking podcast. Make He's a legendary

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Speaker 1: Queen's wrapper. He's like Green is your boy in the

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Speaker 1: R He's a Miami hippop pioneer. Up his dj e FN.

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in the most professional unprofessional podcast and your number

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Speaker 1: one source for drunk fast drinks, motherfucking podcast every day

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Speaker 1: is New Year's e. That's it's time for drink Champs,

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Speaker 1: drink up mother Mother. Hey, Hank set Greed, I hope

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Speaker 1: your softvia This is your boy in o R one

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Speaker 1: up his dj e F and his Drink Chance, motherfucking podcast.

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Speaker 1: Um not make some right now. I've got, hands down,

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Speaker 1: one of the best producers, one of the most diverse artists,

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Speaker 1: one of the persons who's been a part of the

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Speaker 1: most influential groups in the world that changed the world,

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Speaker 1: that help personally helped change me in my outlooking life.

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Speaker 1: They came from the depths of the hell bottom and

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Speaker 1: they rose to the top. He continued to make hits

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Speaker 1: for people like Carlo Santana, Beyonce, Destiny Child, and you

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Speaker 1: know whatever else you want to say. In any pop star,

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Speaker 1: they had to come to see They had to come

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Speaker 1: and see him if they wanted to go to that

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Speaker 1: next level. And right now we got walk Cliffs and

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Speaker 1: wall Cliff Gan. So you know, this is how I

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Speaker 1: gonna do it, because I'm a real fan. I want

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Speaker 1: to take it from the Book of Basement. Is that

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Speaker 1: what it's called. Yeah, it's called a bugger man. Yeah. Yeah,

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Speaker 1: the studio is called a bugger. But first, you know,

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Speaker 1: I want to bring you salute from the whole, the

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Speaker 1: whole entire Haiti. You know what I mean. You know,

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Speaker 1: we love you, We salute you representative. Yeah. So so

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Speaker 1: he ran for president. We wanted to make sure that

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Speaker 1: that was clear. You know, that was the first thing.

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Speaker 1: So I would say, man, the Book of Basement. You know,

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Speaker 1: I was after Haiti leaving Brooklyn, came Marlborough, whole projects,

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Speaker 1: Coney Island. Um, my dad was searching for a better life.

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Speaker 1: He brought us to Jersey and and we lived in

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Speaker 1: East Sting. Yeah. So so from East Sterne I won

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Speaker 1: oh seven, South Clinton. From there we moved to Nork.

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Speaker 1: So I was back and forth between north and Easting.

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Speaker 1: And you know, my dad was a minister. So when

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Speaker 1: the church they had that it was that whole myth

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Speaker 1: about circular music and so the same thing that the

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Speaker 1: Cats went through. That was in the seventies where if

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Speaker 1: he was playing church music, you couldn't be playing you

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Speaker 1: couldn't go to be playing club music, you know what

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Speaker 1: I'm saying. So basically we had to sneak too. So

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Speaker 1: when I was playing, you know, like if I was

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Speaker 1: playing outside of the church, I was sneaking to do

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Speaker 1: that because you couldn't do that around Yeah, it was blasphemous,

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Speaker 1: so similar like Marvin gay Father. So for me, um,

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Speaker 1: but my passion was battle rapping. So I went to

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Speaker 1: Velsburg High School. Anybody who's listening to this right now,

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Speaker 1: Velsburg High School, you already know my first nigger is now,

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Speaker 1: Yeah for Nelly. Now. I used to eat my fucker's

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Speaker 1: up for breakfast, lunch, dinner, barely seventeen years or I

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Speaker 1: was obsessed with just because coming from Haiti, I was like,

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Speaker 1: You're the only way I'm gonna get attention and people

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Speaker 1: to pay attention. It's almost like you gotta spit better

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Speaker 1: than them. So I took the vocabulary to Shakespeare, just

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Speaker 1: became like a word smith, you know what I mean.

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Speaker 1: And the book of basement. The way it sound, that's

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Speaker 1: what it is. You know. I meant a con Acun

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Speaker 1: came to the booker. Um that was actually Jersey City, correct,

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Speaker 1: the Royal Black Warrior. Yeah. So so I'm you know,

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Speaker 1: I'm gonna give it to you like the deaf man.

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Speaker 1: A con was a barber like a this. Yeah, you know,

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Speaker 1: I'm gonna give it to you. Yeah, one of the job.

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Speaker 1: Yeah yeah, yeah, so a con one of his jobs. Man,

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Speaker 1: he was an incredible barber. But he always used to

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Speaker 1: come to the Booger and he come to the book

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Speaker 1: and be like, Yo, look cleft, listen to my music.

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Speaker 1: I got this music. So in my hood I was

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Speaker 1: like Dr Dre. So I was like that Haitian doctor.

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Speaker 1: You're still like dry. He was coming this. Yeah. This

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Speaker 1: was like you know when you watched the whole n

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Speaker 1: w A and ain't let him. Yeah, well this is

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Speaker 1: before this way before I'm talking about Yeah. So this

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Speaker 1: like the foundation. So the Booger was the spot everybody

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Speaker 1: would come through. Now I'm gonna get another fact on

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Speaker 1: a can. So when we did the score, um, there's

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Speaker 1: a remix the Fuji Yeah, the Fuji Li remix. I

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Speaker 1: put a carn on it. So this is like way

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Speaker 1: before anything, like yeah, so so this is what. So

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Speaker 1: when we did with La La La in the remix,

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Speaker 1: I was like, Yeo, I gotta put this kid on

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Speaker 1: it because I think like he's gonna go somewhere, Like

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Speaker 1: he's incredible every time I see him. So whenever I

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Speaker 1: used to do shows, I would just bring a car

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Speaker 1: on stage if he was there. So I only take

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Speaker 1: you that far back to show you. So there was

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Speaker 1: two sides of Jersey. We was representing the refuge side

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Speaker 1: and then you had the outsiders. The Outsiders was Eminem Eminem,

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Speaker 1: young z I dig a Pace one, so all of

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Speaker 1: that was on the other side. So when we was

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Speaker 1: doing the score, I was like, Yo, it would be

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Speaker 1: dope if we could unify both clicks on one record.

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Speaker 1: So on the score, the song Cowboys was when we

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Speaker 1: unified it was Refugees and the Outsiders and we put

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Speaker 1: that together. Um outside, it was a Kom was on

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Speaker 1: our side, but it was sort of like a Kom

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Speaker 1: was doing his thing. It was just he always was

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Speaker 1: on the grind. So even though when Fuji's was blowing up,

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Speaker 1: he still was like, yo, you need to check out

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Speaker 1: my music and that's all good. Years years later he

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Speaker 1: blew up, But it's just to show you um Erica

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Speaker 1: bad do. A lot of people came through that book

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Speaker 1: of basement, you know what I mean a lot of

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Speaker 1: a lot of talent came through that basement. And it

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Speaker 1: was crazy because Diamond D, I remember Diamond D shout

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Speaker 1: out the diamond d Um Salam remy salam. Salam is

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Speaker 1: like nah salam is like the ghurrule, like before the Fuji's,

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Speaker 1: before everything, like yeah salam. Did you know that Amy

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Speaker 1: Winehouse documentary when she's talking about the sense and she

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Speaker 1: she's calling the freestyle. Yeah, yeah, so she's calling him

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Speaker 1: so mom was the like Salon was doing hits man.

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Speaker 1: I think he was like fifteen sixteen years old. He

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Speaker 1: was like the dude doing like the super cat. All

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Speaker 1: of that crazy stuff that was like that was like

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Speaker 1: flex flex right hand man. So for me, all of

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Speaker 1: those that was really to come up. So to think

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Speaker 1: that all of that really came from the book up,

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Speaker 1: I told people, I said, what the Fuji's and Steve

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Speaker 1: job gut in common. You know, Steve jobs invention was

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Speaker 1: in the garage. I invention was in the basement. So

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Speaker 1: so you being from Hayde coming to you, you went

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Speaker 1: to Brooklyn first, because I think you went to Brooklyn

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Speaker 1: and then you went to Jersey, right, Yeah, we lived

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Speaker 1: in Brooklyn, lived in Brooklyn, went over Brooklyn and you.

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Speaker 1: But but Haiti is a Caribbean correct. Yeah? How was

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Speaker 1: that that first call when they said, Yo, Shakiro must

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Speaker 1: to work with you. Did you think about did you

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Speaker 1: think about because that's the first thing I'm thinking about.

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Speaker 1: I don't just you don't have to clarify, honest, I'm sorry,

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Speaker 1: I forgot awkward show. The funny thing about the Shakira record,

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Speaker 1: um is that that record was done two years before Shakira.

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Speaker 1: I did it for a movie called Havana Knights. So

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Speaker 1: Clive told me that he wanted it. And at the

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Speaker 1: time we said Cloud from Flatbush who used to sell

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Speaker 1: you know what. Yeah, so yeah, so that clop So

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Speaker 1: Clive hit me up like, yo, I'm doing a soundtrack

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Speaker 1: and I need a joy from you. So for me,

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Speaker 1: the host, the whole idea of what I do, because

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Speaker 1: you know, Haiti is this Spaniola, so it's like basically

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Speaker 1: Haiti and the d are. Graphically it's really one really leak.

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Speaker 1: But for Columbus actually discovered that island. Well, he didn't

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Speaker 1: discover it, he came there, and that people was already there.

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Speaker 1: It was actually originally called espani and that was Dominican Republic.

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Speaker 1: And I'm sorry, I got smarter. I'm so sorry. Let

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Speaker 1: me get back to dog. I don't want people to

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Speaker 1: know the French colonized the Haitian side, right, Yeah, is

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Speaker 1: that the way when the Spaniards stayed on the Dominican side,

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Speaker 1: that was the division. Yeah, and somebody a pussy along

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Speaker 1: the Yeah, I see you dancing. I don't repeat these

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Speaker 1: bad words. Yeah. So, so basically he just wanted me

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Speaker 1: to do the song for the movie. At the time,

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Speaker 1: we had a group called City High So City. We

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Speaker 1: had to startis Clauder artiste. She got pregnant by the

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Speaker 1: other guy, right, which came later, right, it was Kane later.

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Speaker 1: A lot of mistakes, you know what I mean, learned

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Speaker 1: from one club not so so it was you gotta persse. No, no,

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Speaker 1: I'm sorry, you was breaking on. I didn't get him

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Speaker 1: pregnant yet, I didn't get nobody pregn That was bad,

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Speaker 1: so nobody would be mad at you. We thought it

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Speaker 1: was your baby for a long time. And be honest, no, no, no,

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Speaker 1: Billy Gen just a girl that my side. I don't

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Speaker 1: know what do it back with? There were forwards continue yeah,

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Speaker 1: so so so we do it for the movie and

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Speaker 1: the record sits there, and you know, Clive, I was like, Clive,

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Speaker 1: record feels special. I think it's bigger, but he was like, no,

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Speaker 1: it's just for the movie. So two years later, I

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Speaker 1: get a call from Donnie Isa and Charlie Walk and

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Speaker 1: Charlie Walks like, Yo, we need a record for Shakira

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Speaker 1: because we're trying to get her on the other side

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Speaker 1: of the fence. And Donnie is also a big guy.

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Speaker 1: Let's continue. And she hadn't done it by lingual record

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Speaker 1: yet at this point. Yeah, it was there. They had

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Speaker 1: a few records on her, but they was trying to

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Speaker 1: cross her the way that I had crossed Santana over. Yeah,

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Speaker 1: college thought, but yeah so so then um so I

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Speaker 1: told him, I said, look, I got a record that

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Speaker 1: I was sitting here for two years. So anybody if

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Speaker 1: you listen to an original record, it was on the

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Speaker 1: Havana Knight soundtrack. It's Claudette singing it word to bond.

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Speaker 1: It's the same record. The only thing I added was Shakira, Shakira,

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Speaker 1: shak So I get the call man and and then

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Speaker 1: it Shakira, it's real talk. And then so she hits

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Speaker 1: me up, called you direct, Yeah, she needs to hear Yeah,

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Speaker 1: so Shacky calls me yeah, so so Shaqa and she's like, um,

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Speaker 1: I was like, yo, you know you heard the record.

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Speaker 1: She was like, I loved the record, and she was like,

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Speaker 1: I had I had a dream about you. Yeah, so exactly,

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Speaker 1: I don't know what it's going. I didn't know where

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Speaker 1: it was going. I was in, I was in, I

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Speaker 1: was nick, I was too dick, I get the car

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Speaker 1: and Shocky's um. So the dream isn't what I wanted

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Speaker 1: to at the time, but it was just the fact

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Speaker 1: that we was connected and then we we we met

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Speaker 1: in Miami, and when we got together, I would say,

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Speaker 1: what made that record special was the fusion. She came

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Speaker 1: with that straight Columbian fusion. And sometimes you could write

201
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Speaker 1: a record, it's like a movie. It takes a certain

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Speaker 1: actor to make the movie a hit, a certain actress.

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Speaker 1: So basically I remember me and Jerry doing that the record, Yeah,

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Speaker 1: Jerry one to my partner, and then she basically I

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Speaker 1: remember she was like, yo, if my hips don't move,

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Speaker 1: the record ain't a hit. So when she said that,

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Speaker 1: like I was like, Wow, we're gonna have Shakira dancing

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Speaker 1: in the studio for eight hours. I started banging on

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Speaker 1: everything and and then that's how really the magic happened.

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Speaker 1: And from there, um, you know, she she recorded the record.

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Speaker 1: We put the cultures together. It's something about when you

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Speaker 1: it's an out a rhythm dog when you put cultures together,

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Speaker 1: and because that kind of music is no longer music,

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Speaker 1: it becomes just a cultural phenomenon, you know what I mean.

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Speaker 1: So that was the situation with that, and it was

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Speaker 1: an incredible and it felt like y'all kind of did

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Speaker 1: that on the hip hop side with Cypress right before

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Speaker 1: that with Cubans be Haitians. I felt oh yeah, yeah, yeah, yeah,

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Speaker 1: big time, big time. But for me, you know, the

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Speaker 1: Mountain Pop for me is like as much as I'm Haitian,

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Speaker 1: no one can't tell me I ain't La. No one

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Speaker 1: can't tell me I ain't African, because you know, if

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Speaker 1: I if I started to play SUSA or Caribbean, if

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Speaker 1: you close your eyes and I start to play piano,

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Speaker 1: so you'll be thinking of from Cuba because for me,

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Speaker 1: no one could, Okay, dope me Like, at the end

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Speaker 1: of the day, we want people they separate us or whatever.

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Speaker 1: But for me, it's like, I know, I got family

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Speaker 1: from Cuba, from Jamaica or whatever. You know what I mean,

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Speaker 1: we all exactly were connected by them drum. So that's

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Speaker 1: that's how I want happened. Man. So let me ask

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Speaker 1: you something. You the Shakira called now that you just yeah,

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Speaker 1: come on, get cool, like I still got call. But

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Speaker 1: so you're saying you got the Carlo Santana call prior

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Speaker 1: that that that record came prior For some reason, I

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Speaker 1: thought she Carra came first. Yeah, no, you know at

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Speaker 1: the Santana. Remember I did Santana and I did Whitney Houston.

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Speaker 1: God you did what Yeah I did. I'm doing that rope.

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Speaker 1: My love is your love? Your love forget it would

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Speaker 1: take Oh my god. Yeah, I hope we never did

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Speaker 1: you so, but it's super now. Now, now here's the

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Speaker 1: reason why Carlo Santana for artists like us, right, it's

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Speaker 1: super like special because Carlos doesn't sing. All he does.

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Speaker 1: This is me. I'm sorry, I'm mad. I was not.

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Speaker 1: Come on, that's me it's me, it's so m so

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Speaker 1: called Santana traditionally doesn't actually sing on the records. He

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Speaker 1: actually tried to compose. So when Carlos called you, what

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Speaker 1: was your very first thought? First though? Did you think

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Speaker 1: it was Carlos Santana or you knew because you was

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Speaker 1: that bag? You know the way that it happened. It

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Speaker 1: happened through Clive Davis. So claud is like, just then

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Speaker 1: from flat like me, get that, you'll stop clapping. You

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Speaker 1: can't be around here if I clap. Your clapp stepped

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Speaker 1: up in the building ahead. So Cloud on Flatbush calls, Yeah,

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Speaker 1: so Cloud from flatbushit me. You know, he gave you

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Speaker 1: the big guyfather talk, you know, and the talk is like, yo,

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Speaker 1: White Cleff, I know you study press by the way

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Speaker 1: i'd be seeing your impression. Does study jazz? And I've

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Speaker 1: been thinking what do you think about the fusion with

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Speaker 1: Carlo Son turn off? And I was like, yo, I

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Speaker 1: love Carlo Santan. Now he's on Arista at the time.

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Speaker 1: And then you know, and then Clive then he gonna

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Speaker 1: hit you with that pressure. He's like, okay, you have

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Speaker 1: twenty four hours. So basically, so when I do these

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Speaker 1: records though, it's like all of my records got schemes

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Speaker 1: in the man, like you know what I mean, I

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Speaker 1: break down the fundamentals, you know, saying hip hop is

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Speaker 1: one of my schemes. But growing up in the hood,

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Speaker 1: I used to escape, and I used to scape and

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Speaker 1: watch movies. One movie I used to watch this West

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Speaker 1: Side Story. And West Side Story is a deep story, man,

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Speaker 1: It's about like gun culture, you know what I mean,

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Speaker 1: gang culture, clash culture and m and then remember West

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Speaker 1: Side Story. The girl name was Maria, Maria lay. I

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Speaker 1: happened to product M. Man. That's a good question. So

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Speaker 1: the finished, Yeah, but don't finish it. We never knew

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Speaker 1: who they was from the beginning. No, no, you know what.

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Speaker 1: So so one thing that you said, which is um

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Speaker 1: is how the records are put together? Right. So from

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Speaker 1: a composer aspect, right, the first thing I'm gonna do

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Speaker 1: is I'm gonna say who can sing this? Right? So

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Speaker 1: I was obsessed with David Ruffins. So Product GMB from

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Speaker 1: from from from Long Island Kids Money Harm had that

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Speaker 1: vocal where it was like yo, he just had because

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Speaker 1: I needed some body, Like you said, Santana ain't a

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Speaker 1: singer he's an instrumental cologne, like really cologne in Puerto Rico.

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Speaker 1: Really cologne only plays instruments. Correct. Yeah, and well was

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Speaker 1: a singer, but so that's what called is, so I

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Speaker 1: had to put the whole Yeah, no, that's dope what

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Speaker 1: you said. So to your point, So as a composer,

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Speaker 1: this this is where you know, reality has to always

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Speaker 1: How I'm able to do this over and over again,

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Speaker 1: it's because my background is, like I'm a hip hop up,

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Speaker 1: but I'm a jazz major and like I love jazz,

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Speaker 1: so jazz is based on the composition. So I got

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Speaker 1: to set the scheme up. So there's a few schemes

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Speaker 1: on that record. The other scheme is I'm a big

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Speaker 1: fan of Wu Tang Clan and that whole record. Did

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Speaker 1: y'all hear the part that was that sounded like blue time? No? Okay,

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Speaker 1: So I'm gonna grab my guitar. Got this is a

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Speaker 1: different type of podcast. We got niggas with guitars and ship.

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Speaker 1: It's a Haitian day. Let's says your day. I'm not

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Speaker 1: gonna yeah, everybody be quiet, everybody be quiet, please continue. Yeah,

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Speaker 1: So this is what we're going to producing one on

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Speaker 1: one vibe and we don't want to play this or

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Speaker 1: nothing right now, we ain't got it reaching the music.

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Speaker 1: You're gonna clare it man, I hone it even say

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Speaker 1: that one more time, right, so check it out. So

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Speaker 1: so when I'm composing, right, so the first part we

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Speaker 1: composed was right, So that was the first zone you

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Speaker 1: tell me, and they all feel every on that record.

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Speaker 1: So so then when we said, Wutan Clan, ain't nothing

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Speaker 1: the funk with. So one of the things I thought

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Speaker 1: the public would identify with with Santana's an instrumentalists, right

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Speaker 1: this where the Haitian comes out, somebody who plays the instruments.

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Speaker 1: I was like, what if I could take this this

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Speaker 1: RISI scheme. Yeah, so what if that's ain't nothing the

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Speaker 1: fun with ain't I'm giving them my hip car hip

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Speaker 1: hop car for one day, that card for one day.

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Speaker 1: So when we said, um, we said, I'm playing by

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Speaker 1: Car a little Santana in the record. Yeah. Yeah, So

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Speaker 1: my whole vibes being about the matchups. As a hip

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Speaker 1: hop student, you know what I mean. I consider myself

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Speaker 1: a hip hop guitarist first, so so I think a

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Speaker 1: lot of the records like I always pay tribute too

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Speaker 1: so that fusion came out like that because of you

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Speaker 1: know what I mean, like when when and then so

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Speaker 1: that scale sounds like Wu tang, but it's originally a

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Speaker 1: gypsy scale. So Santana is the king of that gypsy scale.

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Speaker 1: So at the end of the day, even though Rizzle

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Speaker 1: would bring it back in a different form. So for me,

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Speaker 1: that it all boils down to the basic science. You're there. Yeah,

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Speaker 1: so l wait but did that science translate to the

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Speaker 1: to the new calid record? So so so so yeah,

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Speaker 1: we can say in the record, you're right, um wild

336
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Speaker 1: thoughts Rihanna. Did they clear that record with you? Yeah? Definitely,

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Speaker 1: so so cold who I've known, man, we're all good

338
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Speaker 1: for we all know. Yeah, so we we you know,

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00:23:02,200 --> 00:23:05,960
Speaker 1: I go back with Colored. That's like brother to brother together.

340
00:23:06,119 --> 00:23:11,600
Speaker 1: Well yeah, that's how far he with Yeah yeah. And

341
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Speaker 1: then like people don't even know like I used to

342
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Speaker 1: like clash like dub plates, so I used to this

343
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Speaker 1: is there's a part of me like in Miami in

344
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Speaker 1: the early days with Colored. Yeah, so dudes don't even know,

345
00:23:23,640 --> 00:23:26,200
Speaker 1: like I could show up with a crate the murder

346
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Speaker 1: of the place. So so for me, um, so I

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Speaker 1: get the call from from my brother Colored and he's like, yo,

348
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Speaker 1: just this one seemed like it's this this cleft. You

349
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Speaker 1: don't understand. This is gonna be the biggest one. And

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Speaker 1: bom bom bom boom um. So we need to get

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Speaker 1: Santana to you know, to clear it. On his part, Um,

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Speaker 1: I know you in Santana did the record. So I

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Speaker 1: called up Madeline Nelson, my CEO. Um, she got Santana

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Speaker 1: and Santana's like my godfather. So Santana cleared it. Now,

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Speaker 1: this is what I love most about that. I remember

356
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Speaker 1: when I was doing let Me Softly with the Fuji's

357
00:24:01,760 --> 00:24:06,840
Speaker 1: killing me one time, two times, and then her reality

358
00:24:07,000 --> 00:24:10,760
Speaker 1: struck me after I did that record, because the record

359
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Speaker 1: blew up like crazy. And after the record blew up,

360
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Speaker 1: I was like, damn, we just made somebody a gazillion

361
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Speaker 1: dollars of publishing because I didn't know how that worked,

362
00:24:22,480 --> 00:24:25,560
Speaker 1: because you could you clear it. But at the end

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Speaker 1: of the day, so it just it's a beautiful thing

364
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Speaker 1: to be in two thousand and seventeen to hear the

365
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Speaker 1: new generation sampling either the Fuji's or music by why

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Speaker 1: Cleft is incredible man. So he directly sampled your version

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Speaker 1: you know that. That's that's the way I just want

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Speaker 1: to But yeah, and then just S was at the guitar.

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Speaker 1: That was the guitar was so basically when you hear this,

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Speaker 1: so so the whole group is this for some reason.

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Speaker 1: But it's the foundations. So a lot of the foundations.

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Speaker 1: That's how we create them, you know what I mean.

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Speaker 1: But that's how that want to happen. So from there,

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Speaker 1: like I said, so um, Clive Davis knew I had

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Speaker 1: the Latin parse with me, you know what I mean?

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Speaker 1: And I go back so far. This is why I

377
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Speaker 1: be crediting, like you paun, like you don't know, like

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Speaker 1: I go back back with the music as a as

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Speaker 1: a student, I go so far back right, I go

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Speaker 1: back to Evie Queen. So one of my reporter we

381
00:25:45,800 --> 00:25:53,000
Speaker 1: can almost walked up. That's one throw out there. We

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Speaker 1: had sting raised, sting raised on hunting thirty second and

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Speaker 1: what fifth have no sting raised. In case you guys don't,

384
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Speaker 1: they got to rock cool lotta. They got the del

385
00:26:02,000 --> 00:26:04,080
Speaker 1: Leon is the best to killer in the world. And

386
00:26:04,200 --> 00:26:06,600
Speaker 1: you know they got Wick left and the drink champion

387
00:26:06,720 --> 00:26:10,879
Speaker 1: in the event. Everybody here, that's why you know what

388
00:26:10,920 --> 00:26:13,359
Speaker 1: I'm saying, don't forget sting raised. Come see us. The

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00:26:13,440 --> 00:26:18,119
Speaker 1: older got a cowboy hat on. We got gott he

390
00:26:18,200 --> 00:26:23,440
Speaker 1: will kicking and guess what and guess what he's We

391
00:26:23,680 --> 00:26:27,880
Speaker 1: are also leasing a horse very soon. Bring your kids.

392
00:26:28,000 --> 00:26:31,080
Speaker 1: You have a dunkey in the front and back. Let's

393
00:26:31,119 --> 00:26:39,160
Speaker 1: do a sting raise for the second up town. Yeah

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Speaker 1: what we we we we. I was ready to go

395
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Speaker 1: somewhere else. It's ready to go. Remind us when we're

396
00:26:47,520 --> 00:26:49,960
Speaker 1: coming back. We come back to that. Okay, listen, you

397
00:26:50,080 --> 00:26:51,879
Speaker 1: gotta relax that this is where I want to go.

398
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Speaker 1: L L and Cannabis has a problem. Yeah, you picked cannabis.

399
00:27:00,920 --> 00:27:07,119
Speaker 1: I respected your decision, but I knew you wasn't gonna

400
00:27:07,280 --> 00:27:12,200
Speaker 1: win or that because this is l L Cool Jack

401
00:27:13,040 --> 00:27:18,119
Speaker 1: at the time, and l L had all the backing

402
00:27:18,320 --> 00:27:21,679
Speaker 1: from the whole universal system. This is the first artist

403
00:27:21,880 --> 00:27:24,800
Speaker 1: that actually developed university. So I just want to know,

404
00:27:25,040 --> 00:27:28,720
Speaker 1: why was it loyalty because that was your artist? Because

405
00:27:28,720 --> 00:27:30,959
Speaker 1: I heard somebody say that that was I didn't never

406
00:27:31,000 --> 00:27:35,320
Speaker 1: knew kind of signed just your friend. Okay, so you

407
00:27:35,440 --> 00:27:40,960
Speaker 1: know I'm a I'm an artist, but before artists, I'm

408
00:27:41,000 --> 00:27:45,800
Speaker 1: a personality from the Caribbean. So when you know, so

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Speaker 1: I said, I'm never ashamed of my friends. You know,

410
00:27:48,600 --> 00:27:52,600
Speaker 1: so I grow up as a Caribbean youth. Um, we're

411
00:27:52,760 --> 00:27:57,600
Speaker 1: very strong where I come from. So when Cannabis approached me,

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00:27:58,520 --> 00:28:01,720
Speaker 1: he approached me on a calm versation. It was not

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00:28:02,359 --> 00:28:06,399
Speaker 1: it was in a music conversation. So so you know

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00:28:06,560 --> 00:28:08,960
Speaker 1: the gist of my problems. So the gist of my

415
00:28:09,160 --> 00:28:14,080
Speaker 1: conversation with Cannabis, it wasn't based on It didn't start

416
00:28:14,119 --> 00:28:17,440
Speaker 1: off musically. It's just well, yeah, it was. It was

417
00:28:17,600 --> 00:28:21,000
Speaker 1: just certain people come to talk to me about when

418
00:28:21,080 --> 00:28:40,160
Speaker 1: certain things happen sometimes you know, if someone goes this

419
00:28:40,280 --> 00:28:42,800
Speaker 1: is probably one of the most historical battles in hip hop.

420
00:28:43,160 --> 00:28:47,280
Speaker 1: Yeah yeah, so so ye're definitely one of the most

421
00:28:47,400 --> 00:28:51,000
Speaker 1: historical battles. So once again, right, so me and you

422
00:28:51,080 --> 00:28:53,320
Speaker 1: were not communicate right at this point, So you got

423
00:28:53,400 --> 00:28:57,720
Speaker 1: you looking at it like, yo, the cleft just choose aside, right, yeah, yeah,

424
00:28:58,000 --> 00:28:59,640
Speaker 1: because it looked like on the you know what I mean.

425
00:28:59,760 --> 00:29:02,200
Speaker 1: So because now I'm gonna tell you that's right, because

426
00:29:02,280 --> 00:29:04,280
Speaker 1: now I'm gonna tell you the way it goes down.

427
00:29:04,760 --> 00:29:09,960
Speaker 1: So the conversation with Cannabis was as followed he comes

428
00:29:10,000 --> 00:29:14,320
Speaker 1: in the studio, Um, he lays his part. He's a

429
00:29:14,400 --> 00:29:17,800
Speaker 1: big l L fan and the tattoo on his arm,

430
00:29:18,000 --> 00:29:21,160
Speaker 1: you know. Um, He's like when it comes to l

431
00:29:21,320 --> 00:29:23,960
Speaker 1: L at that time, like, there's nobody bigger than l L.

432
00:29:24,000 --> 00:29:26,960
Speaker 1: Co J. Cannabis had the l L walk. He just

433
00:29:27,080 --> 00:29:29,000
Speaker 1: loved l L. So he was like yo when he

434
00:29:29,120 --> 00:29:31,640
Speaker 1: left the studio, l L came in later verse this

435
00:29:31,760 --> 00:29:35,440
Speaker 1: is L's record, by the way, that is yeah, the

436
00:29:35,480 --> 00:29:39,520
Speaker 1: record that started off yeah so so so basically Cannabis

437
00:29:39,640 --> 00:29:41,920
Speaker 1: point of view was like yo, when l was like, yo,

438
00:29:42,080 --> 00:29:44,960
Speaker 1: the tattoo on my arm is off limited to challengers,

439
00:29:45,040 --> 00:29:47,800
Speaker 1: you know. And in Cannabis verse, he was acting couty Barrow,

440
00:29:51,280 --> 00:29:53,160
Speaker 1: give me the right, give me the give me the

441
00:29:53,240 --> 00:29:58,080
Speaker 1: mic on your arm. So now now what Cannabis decides

442
00:29:58,160 --> 00:30:03,120
Speaker 1: to do is now keeping mine. I'm a producer, and

443
00:30:03,960 --> 00:30:10,040
Speaker 1: so l L Is puts his record out and Cannabis says,

444
00:30:10,800 --> 00:30:17,000
Speaker 1: I have an idea for a record. Right now, I'm

445
00:30:17,080 --> 00:30:21,640
Speaker 1: gonna have a long conversation with Cannabis before he goes there, Right,

446
00:30:22,080 --> 00:30:24,880
Speaker 1: I might have take my glasses off take a shot too.

447
00:30:26,800 --> 00:30:29,120
Speaker 1: I think, yeah, look, this is this is the rock

448
00:30:29,160 --> 00:30:33,560
Speaker 1: at Okay, you heard of this, all right, this is

449
00:30:33,600 --> 00:30:38,160
Speaker 1: the right now drink okay, this is getting the stout

450
00:30:38,200 --> 00:30:43,920
Speaker 1: from over there all right? But look how a shot

451
00:30:43,960 --> 00:30:57,680
Speaker 1: with me? Fuck up? Yeah? Let me helps open. It's

452
00:30:57,680 --> 00:30:59,520
Speaker 1: one is open. It's one is open, right there. Come on,

453
00:30:59,760 --> 00:31:05,960
Speaker 1: here's at going in a second round. Knockout right now? Second? Yeah,

454
00:31:06,120 --> 00:31:14,640
Speaker 1: so we got oh he passed that right here? Ye, latta,

455
00:31:14,840 --> 00:31:20,280
Speaker 1: everybody focusing on me the best beat a wife. That's

456
00:31:20,320 --> 00:31:23,960
Speaker 1: what I do, baby, that's what I do. I leave pup. Listen,

457
00:31:24,040 --> 00:31:25,959
Speaker 1: you heard jay z new album. You gotta push your

458
00:31:26,000 --> 00:31:31,480
Speaker 1: people brand. God damn it. I'll bounced over that. Good.

459
00:31:32,200 --> 00:31:39,800
Speaker 1: That was good. You have a drinking you know what.

460
00:31:39,920 --> 00:31:43,280
Speaker 1: I'll bring you on some rumbob buncle next time. Yeah,

461
00:31:45,880 --> 00:31:47,720
Speaker 1: big of the state race. We'll open the doors. You

462
00:31:47,760 --> 00:31:50,160
Speaker 1: ain't taking the shot. I gotta take a shot. Just

463
00:31:50,320 --> 00:31:53,600
Speaker 1: don't don't be heady cut, don't take it yet. I

464
00:31:55,280 --> 00:31:59,560
Speaker 1: gotta get you got the broll. I got one for

465
00:31:59,680 --> 00:32:03,400
Speaker 1: her class. I don't know what you know? Please? Can

466
00:32:03,440 --> 00:32:06,240
Speaker 1: you remember where we was at? Me? I'm talking about

467
00:32:06,480 --> 00:32:18,360
Speaker 1: where we're talking about. No, we know best? Why cleft

468
00:32:18,400 --> 00:32:22,360
Speaker 1: being my friend for so long? Well, listen, please, everybody

469
00:32:22,440 --> 00:32:24,600
Speaker 1: focusing on me? Why cleft, You've been my friend for

470
00:32:24,680 --> 00:32:26,800
Speaker 1: so long and I don't know if you understand or

471
00:32:26,840 --> 00:32:29,560
Speaker 1: you know what Drink Champion says. But so many shows

472
00:32:29,680 --> 00:32:31,800
Speaker 1: they want to get these artists there and they want

473
00:32:31,800 --> 00:32:34,800
Speaker 1: to ask them who they fucking, who they fucked, and

474
00:32:34,840 --> 00:32:36,920
Speaker 1: all this other ships. Not what we do here. We

475
00:32:37,080 --> 00:32:39,960
Speaker 1: salute our artists because you know what, what was it

476
00:32:40,040 --> 00:32:47,120
Speaker 1: that you sound like a pig? Don't, my friend? We

477
00:32:47,200 --> 00:32:51,320
Speaker 1: do with our artists is I'm a quote unquote legend.

478
00:32:51,400 --> 00:32:52,960
Speaker 1: That's what they want to say. I don't give a

479
00:32:53,000 --> 00:32:56,160
Speaker 1: funk about that ship. But what I am first and

480
00:32:56,240 --> 00:32:59,480
Speaker 1: foremost as a fan, and I'm a fan of people

481
00:32:59,520 --> 00:33:01,480
Speaker 1: perform I'm a fan of people in the middle of

482
00:33:01,600 --> 00:33:03,400
Speaker 1: me and a fan of people are after me, and

483
00:33:03,520 --> 00:33:05,280
Speaker 1: that's what I want to do. I choose to celebrate

484
00:33:05,360 --> 00:33:07,920
Speaker 1: hip hop. I don't, I don't. I don't care about

485
00:33:07,960 --> 00:33:10,240
Speaker 1: these other shows, these other podcasts or whatever they do.

486
00:33:10,400 --> 00:33:12,200
Speaker 1: That's not what we do. What we do is we

487
00:33:12,320 --> 00:33:16,720
Speaker 1: celebrate all motherfucker's and you need to be celebrated tonight. Tonight,

488
00:33:17,080 --> 00:33:28,000
Speaker 1: this is what is the best in the world. Baby

489
00:33:28,040 --> 00:33:32,240
Speaker 1: will get down down on you know we're buying tickets

490
00:33:32,240 --> 00:33:34,840
Speaker 1: online for sports and concerts has been confusing process for

491
00:33:34,880 --> 00:33:37,000
Speaker 1: a long time. We need that, we need it. It's

492
00:33:37,040 --> 00:33:38,760
Speaker 1: always been hard to find the best deal for that

493
00:33:38,880 --> 00:33:41,600
Speaker 1: gamer show whenever you want to go to and none

494
00:33:41,640 --> 00:33:44,760
Speaker 1: of those older tickets sites want to change nothing, but

495
00:33:44,960 --> 00:33:48,200
Speaker 1: seek Geek is different. The different they came along. They

496
00:33:48,280 --> 00:33:51,880
Speaker 1: created an amazing app and a website makes it easier

497
00:33:52,040 --> 00:33:54,400
Speaker 1: for every fan to buy and sell tickets out there.

498
00:33:54,720 --> 00:33:57,200
Speaker 1: I heard they got amazing app and all that website.

499
00:33:57,360 --> 00:33:59,360
Speaker 1: It's the first place I go to. I know you

500
00:33:59,480 --> 00:34:02,600
Speaker 1: go there. Told me about I'll be sneaking in the concerts. Well,

501
00:34:02,600 --> 00:34:04,719
Speaker 1: I when I got my tickets for the Snoop Concept

502
00:34:04,840 --> 00:34:07,640
Speaker 1: and West Palm that it was a smoker out there.

503
00:34:07,800 --> 00:34:11,520
Speaker 1: It was definitely a seeking does all the price comparison

504
00:34:11,640 --> 00:34:14,120
Speaker 1: for you, searching multiple ticket sites ensuring that you get

505
00:34:14,160 --> 00:34:16,799
Speaker 1: the best possible deal. There are a ton of tours

506
00:34:16,880 --> 00:34:19,520
Speaker 1: throughout the rest of two thousand seventeen like jay Z,

507
00:34:19,840 --> 00:34:23,560
Speaker 1: Kendrick Lamar, j Cole to Chains, Lauren Hill and nas

508
00:34:23,560 --> 00:34:26,239
Speaker 1: which you know it's gonna be crazy logic and Joey

509
00:34:26,360 --> 00:34:28,879
Speaker 1: Badass and Sea Kik has you covered for all those

510
00:34:28,960 --> 00:34:31,560
Speaker 1: and so much more. And you know, to our listeners,

511
00:34:31,560 --> 00:34:34,000
Speaker 1: they're given away twenty dollar rebait and you know what,

512
00:34:34,640 --> 00:34:37,239
Speaker 1: what is it? We gotta we gotta promo code. So

513
00:34:37,320 --> 00:34:40,120
Speaker 1: just download the Sea Geek app and enter promo code

514
00:34:40,200 --> 00:34:44,520
Speaker 1: drink today. That's promo code drink d R I n

515
00:34:44,680 --> 00:34:47,880
Speaker 1: K for twenty dollars off your first Sea Geek purchases.

516
00:34:48,320 --> 00:34:52,160
Speaker 1: So get out there and see some live music, sports, comedy, theater,

517
00:34:52,320 --> 00:34:55,680
Speaker 1: whatever anything with Seek Geek. Let's go drink Champs Army.

518
00:34:55,840 --> 00:34:57,640
Speaker 1: Let's do that and you can take that twenty dollars

519
00:34:57,760 --> 00:34:59,480
Speaker 1: and get more of a bus. Let's make some noise

520
00:34:59,520 --> 00:35:09,320
Speaker 1: for that. Some see keep Oh yeah, that's who. That's no, no, no, no,

521
00:35:09,520 --> 00:35:14,520
Speaker 1: no no, that's small. That's small. You can't get blast girl.

522
00:35:14,560 --> 00:35:16,800
Speaker 1: I'm sorry, I'm sorry. You just you just need a shot. You.

523
00:35:17,000 --> 00:35:19,719
Speaker 1: I don't know who you would. I'm sorry. I'm not

524
00:35:19,800 --> 00:35:22,120
Speaker 1: coming to you. I'm married, but I just I just

525
00:35:22,200 --> 00:35:24,160
Speaker 1: want to make you have one. Well, I don't know

526
00:35:24,360 --> 00:35:27,279
Speaker 1: you look like Becky because I just want to get you.

527
00:35:29,560 --> 00:35:31,120
Speaker 1: I just want to get you to take a shot. Girl,

528
00:35:31,640 --> 00:35:37,520
Speaker 1: Take a shot girl? Your name hello? Shot? Got there?

529
00:35:38,360 --> 00:35:41,080
Speaker 1: But that's good. I'm married so I'm not gry that

530
00:35:41,200 --> 00:35:45,359
Speaker 1: you serious, I know, but you look like you needed

531
00:35:45,920 --> 00:35:50,719
Speaker 1: who you would you look arian? Come here a look

532
00:35:50,800 --> 00:35:54,160
Speaker 1: your names. He doesn't mean what's your name? Just what?

533
00:35:54,280 --> 00:35:59,359
Speaker 1: It ain't the wrong one? I was close, look, I said,

534
00:35:59,400 --> 00:36:06,160
Speaker 1: Becky has and I come on, come on, everybody shouting,

535
00:36:06,200 --> 00:36:15,040
Speaker 1: I'm taking this shot. Where's the what about? Listen? You're

536
00:36:15,080 --> 00:36:18,719
Speaker 1: taking a shot. I'm taking a shot for clap because

537
00:36:18,719 --> 00:36:25,480
Speaker 1: you know why you gave me an empty body? It

538
00:36:25,520 --> 00:36:37,000
Speaker 1: looks right. Look at that, yo. Let me tell you something.

539
00:36:37,000 --> 00:36:42,960
Speaker 1: Everybody focusing on me. Rob's loving the building. Step morey

540
00:36:43,000 --> 00:36:48,879
Speaker 1: more in the buildings. Listen, let me tell you something,

541
00:36:49,000 --> 00:36:55,279
Speaker 1: Freeze listen. And our culture, it's kind of corny to

542
00:36:55,440 --> 00:36:59,120
Speaker 1: pick up somebody else. If you say you are leg

543
00:36:59,200 --> 00:37:01,759
Speaker 1: you know you somebody that's made it as somebody that

544
00:37:02,080 --> 00:37:05,719
Speaker 1: got money or somebody got status, and you pick up

545
00:37:05,760 --> 00:37:09,360
Speaker 1: somebody else in our culture. That's corny. And guess what

546
00:37:10,120 --> 00:37:14,960
Speaker 1: I need to change that? We just got forty nine million.

547
00:37:19,120 --> 00:37:22,480
Speaker 1: Do we have to buy CBS gonna take care of

548
00:37:23,960 --> 00:37:25,520
Speaker 1: you know? But I'm saying should they take care of that?

549
00:37:25,719 --> 00:37:29,400
Speaker 1: As as as a party, a good party, tell Us

550
00:37:29,640 --> 00:37:32,960
Speaker 1: was a fifty million plaque. But listen, in our culture,

551
00:37:34,000 --> 00:37:36,439
Speaker 1: people don't pick up each other. People don't say great

552
00:37:36,560 --> 00:37:43,320
Speaker 1: job hazard, Its sounds great job communicating, Sonny Drain. We

553
00:37:43,480 --> 00:37:47,400
Speaker 1: appreciate your pictures. People don't say that in our culture.

554
00:37:47,760 --> 00:37:49,680
Speaker 1: And you know what we gotta do, being that we

555
00:37:49,760 --> 00:37:52,120
Speaker 1: have a platform and we have an audience, we have

556
00:37:52,280 --> 00:37:55,919
Speaker 1: to change that. One of our best episodes and people

557
00:37:56,040 --> 00:38:00,600
Speaker 1: that tuned in was when we saluted prodigies. And we

558
00:38:00,760 --> 00:38:04,279
Speaker 1: love Prodigy, but we wish we were saluted Prodigy where

559
00:38:04,320 --> 00:38:07,480
Speaker 1: he was alive, absolutely and were course, we gotta give

560
00:38:07,520 --> 00:38:10,920
Speaker 1: our legends. They flowers when they can smell, and they

561
00:38:11,080 --> 00:38:26,640
Speaker 1: treat and relaxed and something and some things, and my

562
00:38:26,840 --> 00:38:33,279
Speaker 1: drinks when they can drink. You understand what we gotta do. Listen,

563
00:38:33,719 --> 00:38:36,040
Speaker 1: so many people praise people when you're going away and

564
00:38:36,120 --> 00:38:38,759
Speaker 1: you die, and it's great, but that person could have

565
00:38:38,880 --> 00:38:44,400
Speaker 1: really appreciated live. So why cleft tonight we want to

566
00:38:44,520 --> 00:38:49,200
Speaker 1: praise you. Why we want to salute you? And I'm

567
00:38:49,239 --> 00:38:50,640
Speaker 1: taking a shot. I don't know who poured me the

568
00:38:50,680 --> 00:39:02,320
Speaker 1: shot me? Are you on the book a basement to

569
00:39:02,440 --> 00:39:05,919
Speaker 1: the president of Hay This nigger was two seconds away

570
00:39:05,920 --> 00:39:09,439
Speaker 1: from being the president of Hay, Yeah, you think, Joe,

571
00:39:09,520 --> 00:39:12,680
Speaker 1: this is like taking a shout with Bill Clinton going

572
00:39:13,680 --> 00:39:20,759
Speaker 1: to the time, looking about why clap always room that

573
00:39:20,880 --> 00:39:23,200
Speaker 1: we're going to continue, and didn't want to count three

574
00:39:24,040 --> 00:39:35,960
Speaker 1: clap one two, three to tweet, to tweet what club flags?

575
00:39:39,600 --> 00:39:41,560
Speaker 1: Be honest to get something to me this time? Something

576
00:39:41,840 --> 00:39:47,560
Speaker 1: this time. I don't know what I've never happened. So

577
00:39:47,880 --> 00:39:51,680
Speaker 1: you know we're going back the second round, knockout, knockout.

578
00:39:51,960 --> 00:39:55,680
Speaker 1: We had those infamous Battle records because the deal clapp

579
00:39:55,800 --> 00:39:58,640
Speaker 1: Mike Tyson on this record and all everybody listen, anybody listening,

580
00:39:59,040 --> 00:40:02,520
Speaker 1: anybody listening, but every white girl conversation, come over here, listen,

581
00:40:03,360 --> 00:40:06,960
Speaker 1: because here's a deal. We didn't know. We knew you

582
00:40:07,080 --> 00:40:10,480
Speaker 1: produced the record, but we didn't know you got dragged

583
00:40:10,560 --> 00:40:16,920
Speaker 1: into the battlem So what was the ZAC movement? You

584
00:40:17,040 --> 00:40:19,360
Speaker 1: got dragged because you produced the record for cannabis? Is

585
00:40:19,440 --> 00:40:22,799
Speaker 1: that's true? Yeah? But the whole record was like sun

586
00:40:22,920 --> 00:40:26,440
Speaker 1: Suit the Art of War. So when you told me

587
00:40:26,480 --> 00:40:29,640
Speaker 1: who won, right, So we're gonna get into who actually

588
00:40:29,760 --> 00:40:33,319
Speaker 1: won right? So who one for me? Would start off

589
00:40:33,440 --> 00:40:37,439
Speaker 1: with the conversation that I had with cannabis, And it's

590
00:40:37,520 --> 00:40:41,359
Speaker 1: a conversation I had with Cannabis is like, Okay, if

591
00:40:41,440 --> 00:40:44,160
Speaker 1: you want to really go on this route, there's a

592
00:40:44,239 --> 00:40:46,680
Speaker 1: few things that I have to let you know that's

593
00:40:46,680 --> 00:40:54,600
Speaker 1: going to happen, and you have to be ready because

594
00:40:54,640 --> 00:40:57,279
Speaker 1: I got because what happened is at the end of

595
00:40:57,320 --> 00:41:02,160
Speaker 1: the day's chess. So with any of course, because I'm

596
00:41:02,200 --> 00:41:06,680
Speaker 1: a fighter, right and then so Cannabis is a young bull, right,

597
00:41:06,760 --> 00:41:09,520
Speaker 1: so my job is I gotta give him the information.

598
00:41:09,840 --> 00:41:13,880
Speaker 1: Right now, I come from the Caribbean. So if like

599
00:41:14,040 --> 00:41:17,200
Speaker 1: I say, like I'm really the Haitians or not you

600
00:41:17,400 --> 00:41:19,960
Speaker 1: for real? Like, and what I mean by that, like,

601
00:41:20,080 --> 00:41:23,719
Speaker 1: I'm never embarrassed by who my friends are, right, so

602
00:41:23,800 --> 00:41:25,680
Speaker 1: I'm looking at you all, but I was just looking

603
00:41:26,640 --> 00:41:36,440
Speaker 1: so when you know, So what I mean the reality

604
00:41:36,480 --> 00:41:39,000
Speaker 1: of it is like you know, we we all grow

605
00:41:39,200 --> 00:41:42,880
Speaker 1: up in a certain environment, you feel me. So it's like, okay,

606
00:41:43,000 --> 00:41:45,160
Speaker 1: like I ain't a shame, Like my mama took a

607
00:41:45,239 --> 00:41:47,440
Speaker 1: gun out of my hand, put a guitar in my hand. Right.

608
00:41:47,840 --> 00:41:49,880
Speaker 1: So but at the end of the day, we all

609
00:41:50,000 --> 00:41:52,480
Speaker 1: came up like once upon a time in America, right,

610
00:41:52,880 --> 00:41:55,719
Speaker 1: So it's like it's still my family. So whether if

611
00:41:55,800 --> 00:41:58,880
Speaker 1: it's gangsters It's still my family, you know, whether if

612
00:41:58,920 --> 00:42:00,960
Speaker 1: it's my brother that's a lord, is still my family.

613
00:42:01,360 --> 00:42:03,360
Speaker 1: So at the end of the day, I felt like,

614
00:42:03,680 --> 00:42:05,960
Speaker 1: as a Caribbean man, if someone comes to me from

615
00:42:06,000 --> 00:42:08,920
Speaker 1: the Caribbean, I have an issue, I'm gonna address it,

616
00:42:09,440 --> 00:42:11,440
Speaker 1: but I want to know how you want to deal

617
00:42:11,520 --> 00:42:14,000
Speaker 1: with it. So Cannabis said, I want to deal with

618
00:42:14,120 --> 00:42:16,400
Speaker 1: it on some music stuff. So being you want to

619
00:42:16,440 --> 00:42:19,280
Speaker 1: deal with it on some music stuff, let me explain

620
00:42:19,320 --> 00:42:22,040
Speaker 1: to you who L L COO J is? Okay, so

621
00:42:22,239 --> 00:42:28,080
Speaker 1: this is the this is me this so so yeah,

622
00:42:28,200 --> 00:42:30,560
Speaker 1: so so let me tell you and it's good because

623
00:42:30,800 --> 00:42:34,080
Speaker 1: the beautiful thing about this is the beautiful thing about

624
00:42:34,120 --> 00:42:36,799
Speaker 1: this is l L is listening, you know what I mean?

625
00:42:36,960 --> 00:42:40,239
Speaker 1: Because L give you know how when things happen, you

626
00:42:40,360 --> 00:42:43,239
Speaker 1: get a one way perspective until this. So this is

627
00:42:43,280 --> 00:42:48,960
Speaker 1: the real conversation, right. So basically, um, where L L

628
00:42:49,080 --> 00:42:53,400
Speaker 1: COO J. You know, coming from Haiti and watching that

629
00:42:53,600 --> 00:42:56,600
Speaker 1: movie when L L comes out with the radio and

630
00:42:56,719 --> 00:42:59,759
Speaker 1: he places it down and then he goes into it.

631
00:43:00,600 --> 00:43:03,440
Speaker 1: I mean, this is the reason, you know what I mean.

632
00:43:03,520 --> 00:43:06,520
Speaker 1: So now we all take this and we say, if

633
00:43:06,560 --> 00:43:08,840
Speaker 1: we want to be battle rappers. We take this. This

634
00:43:09,080 --> 00:43:11,719
Speaker 1: is one chapter of how we hit the block. When

635
00:43:11,760 --> 00:43:14,359
Speaker 1: we hit it with that determination. So I said, look,

636
00:43:14,680 --> 00:43:16,799
Speaker 1: at the end of the day, you want to go there,

637
00:43:16,880 --> 00:43:18,560
Speaker 1: I'm gonna go there with you. But there's a few

638
00:43:18,640 --> 00:43:21,360
Speaker 1: things that's gonna happen. One is I want you to

639
00:43:21,480 --> 00:43:25,920
Speaker 1: understand that l L is loved. You know, l L

640
00:43:26,080 --> 00:43:29,359
Speaker 1: is loved by dusing the streets. You have his people.

641
00:43:29,680 --> 00:43:32,960
Speaker 1: But at the same time, l L like me, he

642
00:43:33,160 --> 00:43:36,920
Speaker 1: has a high female basse. And when you have a

643
00:43:37,000 --> 00:43:41,000
Speaker 1: high female base, it's hard for somebody to knock you down, right,

644
00:43:41,080 --> 00:43:43,560
Speaker 1: because what that means is, at the end of the day,

645
00:43:43,600 --> 00:43:45,960
Speaker 1: even if niggas don't want to funk with me, the

646
00:43:46,080 --> 00:43:48,440
Speaker 1: chick's gonna be like, yo, if you want something, you

647
00:43:48,560 --> 00:43:55,440
Speaker 1: better play someone, please call. At the end of the day,

648
00:43:55,560 --> 00:44:09,480
Speaker 1: it's gonna go there. So so we have it's but

649
00:44:12,920 --> 00:44:26,600
Speaker 1: but you my men thought, and they like this nigger,

650
00:44:26,640 --> 00:44:30,560
Speaker 1: I got the knight. I'm sorry, no, no, I love

651
00:44:30,640 --> 00:44:36,400
Speaker 1: it baby, so so so after this conversation, after this conversation,

652
00:44:36,480 --> 00:44:41,320
Speaker 1: we go into it and now in order to compete

653
00:44:41,360 --> 00:44:43,640
Speaker 1: with a giant, right, because l L is a giant.

654
00:44:44,160 --> 00:44:46,800
Speaker 1: The first thing that we have to do is we

655
00:44:46,920 --> 00:44:49,600
Speaker 1: gotta come up with a scheme. You feel me so,

656
00:44:50,160 --> 00:44:52,760
Speaker 1: and then then so the scheme becomes second round knockout.

657
00:44:53,320 --> 00:44:58,120
Speaker 1: And then so Mike Tyson at the time beep in mind,

658
00:44:58,239 --> 00:45:00,440
Speaker 1: I don't know what Mike was so so so so

659
00:45:00,440 --> 00:45:05,759
Speaker 1: so Mike. Once again, the strategy was war right. I'm

660
00:45:05,800 --> 00:45:09,480
Speaker 1: a composer, right, so keeping my whether if it's Santana

661
00:45:09,560 --> 00:45:12,640
Speaker 1: or anything, I'm gonna come from the level of composition.

662
00:45:12,760 --> 00:45:16,279
Speaker 1: I'm gonna put a Shakespeare movie together. That's what I'm

663
00:45:16,280 --> 00:45:19,560
Speaker 1: gonna do. So so in putting this movie together, you

664
00:45:19,640 --> 00:45:22,000
Speaker 1: know we need Mike. You know, Mike has to say

665
00:45:22,400 --> 00:45:24,719
Speaker 1: he eats people, you know, ears and you know what

666
00:45:24,800 --> 00:45:30,719
Speaker 1: we need that we need that it's about to go

667
00:45:30,880 --> 00:45:33,640
Speaker 1: down on some hood Shakespeare vibe. Now, keep in mind,

668
00:45:33,719 --> 00:45:36,360
Speaker 1: at the end of the day, it's no beef with nothing.

669
00:45:36,600 --> 00:45:40,759
Speaker 1: It's still it's hip hop, right, Because when I came

670
00:45:40,800 --> 00:45:43,960
Speaker 1: from Haiti listening to Carreras one these are this is

671
00:45:44,040 --> 00:45:48,640
Speaker 1: how you can settle a situation. So Cannabis does the record,

672
00:45:49,160 --> 00:45:51,520
Speaker 1: and Cannabis was one of the first artists I literally

673
00:45:51,920 --> 00:45:54,719
Speaker 1: used to watch sit on a laptop computer just right on.

674
00:45:55,920 --> 00:45:58,279
Speaker 1: Ye seen that in the Hit factory one time. I

675
00:45:58,520 --> 00:46:01,200
Speaker 1: came in and then I said, yo, and they just

676
00:46:01,280 --> 00:46:04,360
Speaker 1: started right now. I said, I gotta leave. Yeah, you know,

677
00:46:04,480 --> 00:46:09,000
Speaker 1: he just the right rounds on paper water. Yeah, and

678
00:46:09,200 --> 00:46:15,520
Speaker 1: it was like, yeah, you know, like that on the computer.

679
00:46:15,600 --> 00:46:21,239
Speaker 1: That's the first seen right around yeah before because you

680
00:46:21,320 --> 00:46:24,359
Speaker 1: know your phone wasn't that so back then? Then said

681
00:46:24,360 --> 00:46:26,840
Speaker 1: he said, you know, I said, I said, yo, you

682
00:46:26,920 --> 00:46:29,239
Speaker 1: know that that's the natural thing to see another MC

683
00:46:29,680 --> 00:46:32,960
Speaker 1: y'all need the verse and they're like yeah. He was

684
00:46:33,000 --> 00:46:42,960
Speaker 1: like the yeah, what is that? Immediately Yeah, I'm so sorry, No, no, no,

685
00:46:43,120 --> 00:46:46,160
Speaker 1: that stop. At least somebody else seeing cannabis writing rounds

686
00:46:46,160 --> 00:46:48,760
Speaker 1: on computer. Yeah, So he was one of the first.

687
00:46:49,280 --> 00:46:52,640
Speaker 1: So he did that. Now we did the record, and

688
00:46:53,680 --> 00:46:57,680
Speaker 1: Second Round Knockout comes out. Now, when Second Round Knockout

689
00:46:57,760 --> 00:47:01,439
Speaker 1: comes out, the once again, when we talk about hip

690
00:47:01,480 --> 00:47:04,600
Speaker 1: hop and we talked about the culture. That's why I say,

691
00:47:05,080 --> 00:47:08,040
Speaker 1: you already know me. I'm a culture bunny. So I'm

692
00:47:08,080 --> 00:47:11,800
Speaker 1: always inside of the culture somehow. So I got dragged

693
00:47:11,880 --> 00:47:16,520
Speaker 1: into a situation for me that you got dragged persons

694
00:47:16,520 --> 00:47:19,360
Speaker 1: outside looking in. I feel like you just produced the record.

695
00:47:19,640 --> 00:47:22,520
Speaker 1: And then L said, and then you had to response,

696
00:47:22,960 --> 00:47:26,200
Speaker 1: So now I get dragged into the record. So l L.

697
00:47:26,520 --> 00:47:32,000
Speaker 1: Basically now he goes and he now he has to

698
00:47:32,080 --> 00:47:35,000
Speaker 1: do his response right because it's Shakespeare jounson. And then

699
00:47:35,080 --> 00:47:38,720
Speaker 1: the process of his response, he calls me the Bob

700
00:47:38,800 --> 00:47:56,839
Speaker 1: Marley imposta right good. Yeah, you know this ship gets funnier, yo,

701
00:47:56,920 --> 00:48:03,120
Speaker 1: I'm gonna tell y'all some real ship. So but the

702
00:48:03,280 --> 00:48:08,120
Speaker 1: thing is, though, it's like, the thing is the way

703
00:48:08,320 --> 00:48:12,640
Speaker 1: that I love l L and was obsessed by him,

704
00:48:13,360 --> 00:48:15,960
Speaker 1: and he know when I came from Haiti, like one

705
00:48:16,040 --> 00:48:18,040
Speaker 1: of my skits was holding the radio act like I

706
00:48:18,160 --> 00:48:20,800
Speaker 1: was talking to Russell Simmons, but I had an invisible

707
00:48:20,880 --> 00:48:24,200
Speaker 1: mirror in front of me, so so so for me,

708
00:48:24,760 --> 00:48:26,800
Speaker 1: so I was like, okay, now this is what I

709
00:48:26,880 --> 00:48:30,120
Speaker 1: mean by its chest. So what I did was I said,

710
00:48:30,600 --> 00:48:33,960
Speaker 1: now that he called my name, so I have to

711
00:48:34,040 --> 00:48:36,920
Speaker 1: be careful because I'm on my gude to novembership. Right.

712
00:48:45,840 --> 00:48:49,480
Speaker 1: We got a lot of got to be really careful

713
00:48:49,800 --> 00:48:53,000
Speaker 1: because we see that happen. We see that happen and

714
00:48:53,040 --> 00:48:57,680
Speaker 1: stuff where Nigga will call you out and depending on

715
00:48:57,880 --> 00:49:01,880
Speaker 1: how you respond, it means your doom day because you

716
00:49:02,000 --> 00:49:04,520
Speaker 1: gotta be careful because you gotta know what you But

717
00:49:05,040 --> 00:49:08,560
Speaker 1: in all honesty, Cannabis is in trouble. You're not really

718
00:49:08,640 --> 00:49:12,680
Speaker 1: in trouble because you know your financial is great. But

719
00:49:13,120 --> 00:49:16,879
Speaker 1: you're a hip hop person. That's what makes you feel

720
00:49:16,920 --> 00:49:19,440
Speaker 1: like you're in trouble, not your financial But wait, wait,

721
00:49:19,920 --> 00:49:21,879
Speaker 1: at what point do you see Cannabis in trouble? Because

722
00:49:21,880 --> 00:49:24,640
Speaker 1: it's such a great record, But didn't tell you when

723
00:49:24,800 --> 00:49:28,279
Speaker 1: didn't go I'm gonna walk that finish and I'm telling

724
00:49:28,280 --> 00:49:30,200
Speaker 1: you we're not new Cannabis in trouble. Well, I mean,

725
00:49:30,239 --> 00:49:33,160
Speaker 1: I know the little side of it. We've done the

726
00:49:33,200 --> 00:49:38,080
Speaker 1: podcast on So what happened was we talked about what

727
00:49:38,200 --> 00:49:40,600
Speaker 1: would happen when you did this record? Right, so I

728
00:49:40,760 --> 00:49:45,000
Speaker 1: think like a few things had to happen. So when

729
00:49:45,080 --> 00:49:48,560
Speaker 1: Cannabis did this record, one of the things that had

730
00:49:48,600 --> 00:49:54,200
Speaker 1: to happen is now his entire album would have had

731
00:49:54,239 --> 00:49:57,440
Speaker 1: to been changed. That's the first state, because he was

732
00:49:57,520 --> 00:50:02,080
Speaker 1: bigger at because what happens was one second round knockout

733
00:50:02,200 --> 00:50:06,120
Speaker 1: comes out that it's so so Now what would have

734
00:50:06,360 --> 00:50:09,360
Speaker 1: to have happened was it would have to be eleven

735
00:50:09,480 --> 00:50:14,640
Speaker 1: more second round knockouts. Of course, not towards l L now,

736
00:50:14,800 --> 00:50:17,680
Speaker 1: but towards the culture. So take all of that anger

737
00:50:17,800 --> 00:50:20,800
Speaker 1: now because now when you do second round, knockout the

738
00:50:20,960 --> 00:50:24,000
Speaker 1: next ship you're gonna do Nigga's gonna want to hear whatever.

739
00:50:24,120 --> 00:50:27,000
Speaker 1: That next thing is the King. That's right, you went

740
00:50:27,080 --> 00:50:30,799
Speaker 1: at the king. So so in this process, so now

741
00:50:30,960 --> 00:50:34,000
Speaker 1: he has to So l L takes a shot at me.

742
00:50:34,520 --> 00:50:40,480
Speaker 1: But meanwhile, what was this shot? I forget what we said? Yeah,

743
00:50:40,760 --> 00:50:43,840
Speaker 1: so now I didn't so I do a record. So

744
00:50:44,000 --> 00:50:48,760
Speaker 1: when he does this record, so brilliance, brilliance is I said, Okay,

745
00:50:49,640 --> 00:50:52,640
Speaker 1: I know who this guy is and I know who's

746
00:50:52,680 --> 00:50:56,800
Speaker 1: backing them, and now yeah, and I said, this is

747
00:50:56,960 --> 00:51:01,120
Speaker 1: l L. This is the King. And now I said,

748
00:51:01,400 --> 00:51:04,640
Speaker 1: I'm gonna respond with the record. Now I respond with

749
00:51:04,719 --> 00:51:07,200
Speaker 1: the record. The record is called What's Cleff got to

750
00:51:07,280 --> 00:51:11,600
Speaker 1: do with It? And now this record is brilliant because

751
00:51:11,719 --> 00:51:15,000
Speaker 1: what happens is I'm asking l L What's Cleff got

752
00:51:15,120 --> 00:51:18,120
Speaker 1: to do with it? And on the record, I attacked

753
00:51:18,320 --> 00:51:21,320
Speaker 1: all of L else bosses at the time, so I

754
00:51:21,400 --> 00:51:24,920
Speaker 1: don't even talk about like I barely talked. So I

755
00:51:25,040 --> 00:51:28,080
Speaker 1: talked about L else bosses. And now I said, I

756
00:51:28,160 --> 00:51:30,800
Speaker 1: gotta neutralize him at the end of the record, and

757
00:51:30,920 --> 00:51:34,399
Speaker 1: I know that we're gonna meet me somewhere if we're

758
00:51:34,440 --> 00:51:37,560
Speaker 1: playing chess. He has a female fan base, and I'm

759
00:51:37,600 --> 00:51:40,200
Speaker 1: going to November. So then I called up my friend

760
00:51:40,239 --> 00:51:43,800
Speaker 1: at the time, Naomi Campbell, and said, Helmie. You know,

761
00:51:52,080 --> 00:51:56,040
Speaker 1: So I called up Naomi, and Naomi, I need a

762
00:51:56,120 --> 00:52:08,120
Speaker 1: dub play at the end of this record. Help come on, Naomi,

763
00:52:08,200 --> 00:52:19,840
Speaker 1: I Jimmy, Yes, good girl. So so Naomi does the

764
00:52:20,040 --> 00:52:22,680
Speaker 1: end of the record, and so she's like, l L

765
00:52:23,200 --> 00:52:25,160
Speaker 1: you need to give it up. You need to stop.

766
00:52:25,239 --> 00:52:28,359
Speaker 1: This is now. When I put a top model at

767
00:52:28,400 --> 00:52:30,359
Speaker 1: the end of the record, you know, you can't say

768
00:52:30,400 --> 00:52:32,600
Speaker 1: I don't like females or I'm gonna so I'm coming

769
00:52:32,719 --> 00:52:36,960
Speaker 1: straight for your bass. So for me and doing that, um,

770
00:52:37,239 --> 00:52:40,920
Speaker 1: the only reason I even did that, bro, because I

771
00:52:41,080 --> 00:52:43,279
Speaker 1: felt like I didn't when he did that record. I

772
00:52:43,360 --> 00:52:48,480
Speaker 1: went back home and my girl, right, she like, she's

773
00:52:48,560 --> 00:52:51,719
Speaker 1: like I call a buoy bougie hood. So she was

774
00:52:52,400 --> 00:52:55,560
Speaker 1: in the in the beauty salong with her girlfriends, and

775
00:52:55,760 --> 00:52:59,239
Speaker 1: so I came and the L L record was playing,

776
00:52:59,280 --> 00:53:01,360
Speaker 1: the disc record playing, So I came home on some

777
00:53:01,480 --> 00:53:03,719
Speaker 1: Will Smith ship you know what I mean, like I

778
00:53:03,800 --> 00:53:09,479
Speaker 1: can't something that's She was like, she was like, while

779
00:53:09,600 --> 00:53:15,160
Speaker 1: I'm till you're here, and why I'm trying. You are

780
00:53:16,440 --> 00:53:24,400
Speaker 1: blood clad mile and pasta. So y'all got city and

781
00:53:24,520 --> 00:53:26,640
Speaker 1: eat the chicken in r I said, not respond to

782
00:53:26,719 --> 00:53:43,680
Speaker 1: the one word. Leave it to a woman. A woman

783
00:53:43,800 --> 00:53:48,279
Speaker 1: always sends the king to word. The queen always sends yeah,

784
00:53:48,280 --> 00:53:52,000
Speaker 1: you gotta respect the queen. Yeah. But but in all seriousness,

785
00:53:52,200 --> 00:53:54,560
Speaker 1: it was like the amount of respect that I have

786
00:53:54,840 --> 00:53:57,680
Speaker 1: for l L and contendue to have for l L.

787
00:53:58,120 --> 00:54:00,480
Speaker 1: I would say it was at the punch funeral, you

788
00:54:00,560 --> 00:54:04,000
Speaker 1: know what I mean, when I saw him um and

789
00:54:04,120 --> 00:54:05,800
Speaker 1: after that I like shook his hand. But for me

790
00:54:05,920 --> 00:54:08,520
Speaker 1: it was it was a battle, you know what I mean,

791
00:54:08,719 --> 00:54:11,359
Speaker 1: And it was all I want him to get out

792
00:54:11,400 --> 00:54:13,360
Speaker 1: of it even til today, is like we were so

793
00:54:13,600 --> 00:54:16,320
Speaker 1: obsessed by him at the time. He just wanted to

794
00:54:16,400 --> 00:54:18,719
Speaker 1: be him. And you think when you just produced the

795
00:54:18,800 --> 00:54:21,840
Speaker 1: record for Cannabis that you can stay out of it. No.

796
00:54:22,680 --> 00:54:24,799
Speaker 1: I knew once. I mean, it's the art of war, right,

797
00:54:24,840 --> 00:54:26,480
Speaker 1: you would have ganged you with a gang, so I

798
00:54:26,600 --> 00:54:29,640
Speaker 1: knew it even got worse, Like forget about the fact

799
00:54:29,680 --> 00:54:31,920
Speaker 1: that I did the record. I was the freaking referee

800
00:54:31,960 --> 00:54:38,719
Speaker 1: in the video. So once I said, but that's the

801
00:54:38,800 --> 00:54:41,040
Speaker 1: kind I knew that. I was like, look, we're gonna

802
00:54:41,120 --> 00:54:43,279
Speaker 1: go in. He's gonna come at me, He's gonna come

803
00:54:43,320 --> 00:54:45,279
Speaker 1: at you, but you have to be ready. And I

804
00:54:45,320 --> 00:54:49,320
Speaker 1: would say, really, the first Fuji album was Blunted on

805
00:54:49,440 --> 00:54:53,359
Speaker 1: Reality and that ship sold two copies. The second one

806
00:54:53,480 --> 00:54:57,279
Speaker 1: was to score cannabis first album. I felt like after

807
00:54:57,360 --> 00:55:00,600
Speaker 1: his first album, he just copped away, like you know

808
00:55:00,640 --> 00:55:02,960
Speaker 1: what I mean, because he wanted it so successfully, and

809
00:55:03,040 --> 00:55:04,920
Speaker 1: I think you got like three shots in this game.

810
00:55:05,000 --> 00:55:07,560
Speaker 1: I think one to three. Until today, I always say

811
00:55:07,920 --> 00:55:11,200
Speaker 1: Cannabis is one of the most lethal its lyricists that

812
00:55:11,320 --> 00:55:14,759
Speaker 1: I've ever heard in my entire life. L L is

813
00:55:15,120 --> 00:55:18,480
Speaker 1: one of the greatest hip hop entertainers that I've ever

814
00:55:18,560 --> 00:55:21,239
Speaker 1: seen in my life. And because of l L, I

815
00:55:21,360 --> 00:55:25,600
Speaker 1: know how to control the stage, you know what I mean? Yeah? Yeah,

816
00:55:26,280 --> 00:55:30,440
Speaker 1: radio facts with facts. So so do you think that

817
00:55:32,840 --> 00:55:37,359
Speaker 1: so what what what intent does it make a person

818
00:55:37,480 --> 00:55:40,880
Speaker 1: to say that that this person is a star? Is

819
00:55:40,920 --> 00:55:44,480
Speaker 1: it all those qualities that you just said, yeah, to

820
00:55:44,600 --> 00:55:48,680
Speaker 1: make a person a star? Well, okay, so I remember

821
00:55:49,680 --> 00:55:57,239
Speaker 1: that yeah, I remember no no, no no, but you

822
00:55:57,360 --> 00:56:07,000
Speaker 1: know you know no, I no, no, you mean so

823
00:56:07,239 --> 00:56:13,880
Speaker 1: so empower military, empower military, right, So it's a general.

824
00:56:14,040 --> 00:56:17,080
Speaker 1: What we do is when we want to get information

825
00:56:18,160 --> 00:56:21,880
Speaker 1: from the certain people, right, what we do is we

826
00:56:22,080 --> 00:56:26,480
Speaker 1: make them drink to the point where they lose their

827
00:56:26,560 --> 00:56:32,080
Speaker 1: consciousness and they start to tell I'm watching you man,

828
00:56:32,160 --> 00:56:40,000
Speaker 1: I got you come on. We go way back definitely.

829
00:56:40,320 --> 00:56:43,200
Speaker 1: So for me, what makes it a star is the

830
00:56:43,320 --> 00:56:47,200
Speaker 1: IT factor. So I remember um Sony was like, yo,

831
00:56:47,280 --> 00:56:50,359
Speaker 1: cleft as these four girls, you have to go listen

832
00:56:50,400 --> 00:56:52,560
Speaker 1: to them sing. We need you to do a record

833
00:56:52,600 --> 00:56:54,719
Speaker 1: for them. And I go in the hotel and it's

834
00:56:54,760 --> 00:56:57,759
Speaker 1: four girls and I remember like, Yo, It's like Yo,

835
00:56:57,880 --> 00:56:59,839
Speaker 1: what would you like us to sing for you? Mr?

836
00:57:00,000 --> 00:57:02,080
Speaker 1: I was like yo. I was like, yo, I'm from

837
00:57:02,120 --> 00:57:03,920
Speaker 1: the church in a church song. And one of them

838
00:57:04,000 --> 00:57:07,160
Speaker 1: girls just stepped out and just the way she started going.

839
00:57:07,800 --> 00:57:09,320
Speaker 1: I was like, that was the if factor And that

840
00:57:09,480 --> 00:57:21,680
Speaker 1: was Beyonce, you know what I mean. And you know

841
00:57:21,800 --> 00:57:24,640
Speaker 1: what the if factor is. It goes deeper, right, the

842
00:57:24,760 --> 00:57:27,520
Speaker 1: if factor goes deeper because you know who's going to

843
00:57:27,600 --> 00:57:30,920
Speaker 1: be the it because they're studying, right, So if Beyonce

844
00:57:31,160 --> 00:57:33,840
Speaker 1: is listening to this right now, right, this is what's

845
00:57:33,880 --> 00:57:39,160
Speaker 1: the deepest. This is Yeah, she probably listened. I just

846
00:57:39,280 --> 00:57:46,040
Speaker 1: got you three females nampell right. So so this is

847
00:57:46,440 --> 00:57:48,680
Speaker 1: this is the if factor which determines it. To me.

848
00:57:49,240 --> 00:57:53,480
Speaker 1: I remember us performing like I'm performing on stage, and

849
00:57:53,560 --> 00:57:56,440
Speaker 1: I remember Beyonce on the side of the stage watching.

850
00:57:57,000 --> 00:58:01,120
Speaker 1: That's the ny Child already performed. Stay even she's dead,

851
00:58:01,320 --> 00:58:05,920
Speaker 1: she would sh you would. I'm performing. That's why class Carnival, right,

852
00:58:06,120 --> 00:58:11,640
Speaker 1: I'm performing. Yeah, Carnival three first, Yeah, the first one.

853
00:58:11,680 --> 00:58:15,439
Speaker 1: Carnival three is soon Carvo three three r as they said,

854
00:58:15,600 --> 00:58:21,919
Speaker 1: that's so Carnival. I had to piss for like two hours,

855
00:58:22,320 --> 00:58:25,160
Speaker 1: but I've been homely because I'll respect our class so much. Yeah,

856
00:58:25,240 --> 00:58:26,560
Speaker 1: you know, if you got pissed, we'll just take a

857
00:58:26,600 --> 00:58:34,720
Speaker 1: piss break. No, it's okay, just be drink. Don't stop

858
00:58:34,920 --> 00:58:39,680
Speaker 1: calling up. We're gonna go Carnival. Stop. Stop take a

859
00:58:39,760 --> 00:58:47,720
Speaker 1: kill ready stop? Good? You look you look like even

860
00:58:47,800 --> 00:58:53,200
Speaker 1: tanned up every bad. I don't know what even that beach,

861
00:58:53,520 --> 00:59:00,200
Speaker 1: but I'm a good way. You gotta knows. It's not

862
00:59:00,840 --> 00:59:09,439
Speaker 1: my sister. He's really like that rock man. We're talking

863
00:59:09,440 --> 00:59:14,040
Speaker 1: about the album, the album, the new album three. Yes man,

864
00:59:15,280 --> 00:59:20,880
Speaker 1: you know, listen everybody, Carnival three. Yeah, you got you got,

865
00:59:20,960 --> 00:59:23,760
Speaker 1: you got, you got um Shakira on it. Yeah, this

866
00:59:23,840 --> 00:59:26,360
Speaker 1: is what makes it. No, no, no, I'm saying, yeah,

867
00:59:26,400 --> 00:59:30,120
Speaker 1: this is what makes this album dope. Right. So for me,

868
00:59:31,040 --> 00:59:36,480
Speaker 1: it's twenty years later and we celebrating the Carnival. And

869
00:59:36,640 --> 00:59:39,120
Speaker 1: the first Carnival was all people was like, yo, you

870
00:59:39,240 --> 00:59:41,680
Speaker 1: can't do a record. You can't do a hip hop

871
00:59:41,760 --> 00:59:44,200
Speaker 1: album and four languages and get it to sell. It

872
00:59:44,280 --> 00:59:46,760
Speaker 1: don't exist. And I was like no, I said, I'm

873
00:59:46,800 --> 00:59:49,960
Speaker 1: from Haiti, Espaniola. We speak Spanish, we speak French, crayon.

874
00:59:50,040 --> 00:59:53,160
Speaker 1: We're gonna get it. And so the Carnival. Yes, So

875
00:59:53,240 --> 00:59:57,200
Speaker 1: the Carnival broke records like it did like seven eight

876
00:59:57,280 --> 01:00:00,600
Speaker 1: million dollars, eight million copies. It's the Carnival. So now

877
01:00:00,680 --> 01:00:04,200
Speaker 1: what happens is now we're on the Carnival three. Now

878
01:00:04,280 --> 01:00:08,200
Speaker 1: what even makes this special is that a few things.

879
01:00:08,560 --> 01:00:11,920
Speaker 1: One is the Bronx is back where the fund the

880
01:00:11,960 --> 01:00:14,560
Speaker 1: Bronx ben the Bronx ain't go nowhere? And your fat Joe,

881
01:00:14,600 --> 01:00:17,000
Speaker 1: what's going on? My brother? You're dropping a new video Man,

882
01:00:17,120 --> 01:00:20,840
Speaker 1: So excited exclusively on Title tomorrow at noon. You understand

883
01:00:20,880 --> 01:00:24,800
Speaker 1: what that mean? Noon Eastern time. Your motherfucker's in Miami

884
01:00:25,080 --> 01:00:27,880
Speaker 1: on the fucking yacht with fucking DJ College. I heard

885
01:00:27,920 --> 01:00:30,720
Speaker 1: you killed the horse and they respect you for that. Respect. Man,

886
01:00:30,880 --> 01:00:33,080
Speaker 1: it's going down the hottest models in the world. Fat

887
01:00:33,200 --> 01:00:36,880
Speaker 1: Joe does it again. Titles going down, Title So Excited. Man,

888
01:00:36,960 --> 01:00:38,400
Speaker 1: go check it out. Man, you know what I mean.

889
01:00:38,480 --> 01:00:41,640
Speaker 1: It's going down man, Title dot Com slash So Excited.

890
01:00:41,760 --> 01:00:44,200
Speaker 1: Check the music video. It's going down your boy and

891
01:00:44,360 --> 01:00:47,520
Speaker 1: r E Fat Joe. Let's go what And that's Wednesday

892
01:00:47,880 --> 01:00:51,520
Speaker 1: eight nine. Motherfucker is coming on at noon exclusively on title.

893
01:00:51,600 --> 01:00:53,280
Speaker 1: You know they got forty eight hours because they'll be

894
01:00:53,400 --> 01:00:56,560
Speaker 1: paying that check. Respect the title rap, but did you

895
01:00:56,640 --> 01:00:59,560
Speaker 1: know the lyric videos out and it's crazy. It released

896
01:00:59,600 --> 01:01:01,280
Speaker 1: a week of go and already has about a hundred

897
01:01:01,280 --> 01:01:04,000
Speaker 1: and eighty five thousand views. The fans are expecting so

898
01:01:04,120 --> 01:01:06,600
Speaker 1: excited to hit the top ten on the charts. Man,

899
01:01:06,680 --> 01:01:08,760
Speaker 1: We're so happy for Fat Joe. If anybody deserves it,

900
01:01:08,800 --> 01:01:11,120
Speaker 1: it's definitely Fat Joe. Make sure you check out So

901
01:01:11,280 --> 01:01:15,200
Speaker 1: Excited hitting Titled dot com Forward Slash so excited check

902
01:01:15,240 --> 01:01:20,320
Speaker 1: it out. I'm hearing the record out of nowhere and

903
01:01:20,400 --> 01:01:23,440
Speaker 1: the record is called wy clep Sean And I'm like, yo,

904
01:01:24,360 --> 01:01:26,960
Speaker 1: who did this record? And why is this? Like you

905
01:01:28,840 --> 01:01:39,120
Speaker 1: like that? It's the trap record? So to this record up?

906
01:01:40,160 --> 01:01:45,640
Speaker 1: Gotta let you all fulling up right the record? So

907
01:01:45,760 --> 01:01:49,520
Speaker 1: the working we're gonna play it though. So it's a

908
01:01:49,640 --> 01:01:53,240
Speaker 1: young man by the name of Young Dogs and decided,

909
01:01:54,080 --> 01:01:59,080
Speaker 1: come on, y'all, not got it, y'all, nigga's not got

910
01:01:59,160 --> 01:02:07,720
Speaker 1: a riddle, y'all. No, No, that was a scheme. But

911
01:02:07,920 --> 01:02:11,680
Speaker 1: so but who produced that record with Super Mario? And

912
01:02:11,760 --> 01:02:14,720
Speaker 1: I was like, yo, this no, this little kid was

913
01:02:14,800 --> 01:02:17,320
Speaker 1: just coming up. He's worked with Drake. But you know,

914
01:02:18,040 --> 01:02:20,960
Speaker 1: I was like, this kid sound his frequency? Sound like

915
01:02:21,040 --> 01:02:24,240
Speaker 1: why Clefford twenty years old? Who's this kid? Like? How

916
01:02:24,320 --> 01:02:26,640
Speaker 1: how how is he doing these drums in this So

917
01:02:27,480 --> 01:02:30,680
Speaker 1: the whole thing about Carnival three is I went and

918
01:02:30,800 --> 01:02:33,480
Speaker 1: I got all of the kids that were influenced by

919
01:02:33,560 --> 01:02:37,640
Speaker 1: the Carnival. When the Carnival came out, there was twelve thirteen.

920
01:02:38,080 --> 01:02:41,520
Speaker 1: So you got Super Mario, you got the Knocks, you

921
01:02:41,640 --> 01:02:44,840
Speaker 1: got um Wavy Boy. So what happens is now The

922
01:02:45,040 --> 01:02:50,400
Speaker 1: fusion on Carnival three is the nephews meet the uncle.

923
01:02:51,040 --> 01:02:55,280
Speaker 1: So it sounds like Teddy Riley meets Michael Jackson or

924
01:02:55,360 --> 01:02:58,520
Speaker 1: Michael Jackson meets Quincy Jones. What happens with that fusion?

925
01:02:58,960 --> 01:03:01,440
Speaker 1: So we put so so it's sort of like, so

926
01:03:01,520 --> 01:03:04,280
Speaker 1: if I'm coming from nineties seven with a certain sonics,

927
01:03:04,600 --> 01:03:08,080
Speaker 1: what happens when you put that twenty seventeen against those

928
01:03:08,120 --> 01:03:11,760
Speaker 1: acoustic guitars? What happens? So that's the whole idea with

929
01:03:11,920 --> 01:03:15,240
Speaker 1: the Carnival, the Carnival three. So we got two joints up.

930
01:03:15,280 --> 01:03:17,800
Speaker 1: One is called what Happened to Love and the others

931
01:03:17,880 --> 01:03:21,840
Speaker 1: called Fella Couti. So basically, um, we we were back

932
01:03:21,920 --> 01:03:25,480
Speaker 1: on that bullshit, you know what I mean? Yeah, and

933
01:03:25,560 --> 01:03:30,640
Speaker 1: you're rich as fuck. That's one way to rich. Listen,

934
01:03:32,560 --> 01:03:37,120
Speaker 1: but tell those names, Tell these niggas that cycle picture

935
01:03:37,200 --> 01:03:44,600
Speaker 1: you talk. You had the speed, you gotta, you gotta

936
01:03:50,720 --> 01:03:58,760
Speaker 1: the way, he was well defined, the oil yell that

937
01:03:58,920 --> 01:04:03,040
Speaker 1: was that was a house laid Come on you was

938
01:04:03,160 --> 01:04:07,080
Speaker 1: richardlf and five million dollar house? Is that? Am I correct?

939
01:04:08,320 --> 01:04:14,560
Speaker 1: Eight man? Yeah? Yo, I mean you know it is

940
01:04:14,640 --> 01:04:19,720
Speaker 1: what it is, right, But I mean the Ducatti pick Man.

941
01:04:22,080 --> 01:04:38,640
Speaker 1: Yeah your real talking. I've seen my Twitter get divided.

942
01:04:38,880 --> 01:04:41,200
Speaker 1: Right when I think that ship, all the niggas ran

943
01:04:41,240 --> 01:04:47,200
Speaker 1: on damn mine, you know what I mean? It was

944
01:04:48,360 --> 01:04:55,160
Speaker 1: I did again. Yeah it went crazy, man. You feel

945
01:04:55,200 --> 01:04:59,000
Speaker 1: like just the one minute, next minute, yo. But you

946
01:04:59,080 --> 01:05:02,480
Speaker 1: know why I did it, huh, just to get back

947
01:05:02,560 --> 01:05:05,880
Speaker 1: to the fact that I'm human, and like I'm human,

948
01:05:06,000 --> 01:05:08,720
Speaker 1: my nigga. Like I felt like so many people was

949
01:05:08,840 --> 01:05:12,560
Speaker 1: coming at me at this time as if I wasn't human,

950
01:05:12,840 --> 01:05:15,600
Speaker 1: Like it was like, yo, do try to run for president?

951
01:05:16,200 --> 01:05:19,120
Speaker 1: His charity bomb. But it was sort of like dudes

952
01:05:19,280 --> 01:05:21,720
Speaker 1: was coming at me as if I didn't have a family,

953
01:05:21,920 --> 01:05:24,919
Speaker 1: as if I'm not from the culture. And I was like, dude,

954
01:05:25,040 --> 01:05:26,800
Speaker 1: I'm a ray, I'm that dude that used to be

955
01:05:26,880 --> 01:05:29,400
Speaker 1: on the block making niggas laugh. So it was like

956
01:05:29,520 --> 01:05:32,040
Speaker 1: at the end of the day, I stripped it all

957
01:05:32,160 --> 01:05:35,439
Speaker 1: down and I knew with my antics that everybody would

958
01:05:35,480 --> 01:05:38,160
Speaker 1: talk and get back to the fact like this is

959
01:05:38,240 --> 01:05:40,320
Speaker 1: a regular nigga at the end of the day, you

960
01:05:40,400 --> 01:05:43,520
Speaker 1: know what I mean, So shout out to the speed

961
01:05:45,080 --> 01:05:49,080
Speaker 1: Like I feel like, if it wasn't for you er

962
01:05:49,160 --> 01:05:52,400
Speaker 1: for president, I think like you kind of gave Trump

963
01:05:52,880 --> 01:05:59,200
Speaker 1: the idea, Come on, man, because you almost I'm not

964
01:05:59,240 --> 01:06:08,040
Speaker 1: putting it on you. Sorry that no, No, what clapp

965
01:06:08,120 --> 01:06:12,000
Speaker 1: was the first hoodrom President. I'm gonna tell you what's big.

966
01:06:12,640 --> 01:06:20,360
Speaker 1: I'm gonna tell you what this from that sweet Niggi brother,

967
01:06:20,840 --> 01:06:25,360
Speaker 1: it's going down. I mean, okay, So here's a few

968
01:06:25,440 --> 01:06:28,360
Speaker 1: facts to your point. No, that's not my point. No,

969
01:06:28,400 --> 01:06:30,520
Speaker 1: I'm gonna show you you got you hitting on. I'm

970
01:06:30,520 --> 01:06:32,680
Speaker 1: gonna show you like you're hitting on some science. So

971
01:06:32,760 --> 01:06:36,720
Speaker 1: it's important that the listeners fully get your science. Because

972
01:06:36,720 --> 01:06:38,680
Speaker 1: you're hitting on some science that I'm gonna get into

973
01:06:39,080 --> 01:06:41,080
Speaker 1: because I feel like Trump seeing you and said this

974
01:06:41,160 --> 01:06:44,919
Speaker 1: thing almost made Trump almost very president, and he said,

975
01:06:45,000 --> 01:06:48,840
Speaker 1: let me try so now and then nigga want I

976
01:06:48,880 --> 01:06:54,280
Speaker 1: think it's your fault. Now, we wouldn't put it on me.

977
01:06:54,400 --> 01:06:58,800
Speaker 1: But now because you're you're your use this close. You

978
01:06:58,880 --> 01:07:04,400
Speaker 1: know I was sitting that you're finally eligible. Yeah, well

979
01:07:04,440 --> 01:07:07,600
Speaker 1: the first part of it. If you're no, no, if

980
01:07:07,640 --> 01:07:11,680
Speaker 1: we if we go online, right, you'll find a picture

981
01:07:12,440 --> 01:07:19,080
Speaker 1: of me Donald Trump, sweet Mickey together. That sounds like

982
01:07:19,160 --> 01:07:22,280
Speaker 1: a Controversyka, just listen to this. Listen to this, sweet

983
01:07:22,320 --> 01:07:31,480
Speaker 1: think he's the old ain't even president yet present. You know,

984
01:07:31,600 --> 01:07:38,200
Speaker 1: it's just three celebrities, the biggest artist. I'm taking you three,

985
01:07:38,600 --> 01:07:42,640
Speaker 1: so Mickey. So basically sweet Mickey, it's like for me

986
01:07:42,880 --> 01:07:45,760
Speaker 1: like he's our Michael Jackson, if that makes sense, Like

987
01:07:46,080 --> 01:07:50,840
Speaker 1: he like we all grew up with his music. Sweet

988
01:07:50,880 --> 01:07:53,360
Speaker 1: Mickey was the president. Correct, Yeah, but listen to how

989
01:07:53,440 --> 01:07:57,120
Speaker 1: he became the president. So when Michael Michael Jackson become

990
01:07:57,200 --> 01:07:59,520
Speaker 1: the president. Yeah, so this is like in Haiti. Yeah,

991
01:07:59,640 --> 01:08:02,600
Speaker 1: because but think about this when I took the picture,

992
01:08:02,680 --> 01:08:07,200
Speaker 1: this picture becoming president. Yeah, exactly. So when I took

993
01:08:07,280 --> 01:08:10,560
Speaker 1: this picture with Trump, me and Mickey, hold on, yeah,

994
01:08:10,720 --> 01:08:13,960
Speaker 1: go ahead. From nineties, said Bob Junkie, what you're doing?

995
01:08:14,240 --> 01:08:24,160
Speaker 1: Come on yo? We had huntred dirty seconds between what yet,

996
01:08:24,240 --> 01:08:27,080
Speaker 1: second and fifth come through. We interviewed h class and

997
01:08:27,120 --> 01:08:30,479
Speaker 1: you gotta relax. That's it. Let the record, real quick,

998
01:08:30,720 --> 01:08:34,000
Speaker 1: real quick, every and rock Camp all perform at the

999
01:08:34,479 --> 01:08:36,760
Speaker 1: Bird time at twenty years. Got the problems we got

1000
01:08:38,840 --> 01:08:49,799
Speaker 1: we had tickets, We had tickets two years ago. Tickets.

1001
01:08:49,920 --> 01:09:00,120
Speaker 1: Let's second, I'm sorry, no, no, it's good. So what

1002
01:09:00,280 --> 01:09:02,519
Speaker 1: we do is what we call a random real quick

1003
01:09:03,400 --> 01:09:05,920
Speaker 1: So every b and rock Camp. So I'm gonna call

1004
01:09:05,960 --> 01:09:09,320
Speaker 1: a random real quick. So Eric B and rock Camp

1005
01:09:10,080 --> 01:09:15,320
Speaker 1: my first music video ever. I was an extra for

1006
01:09:15,439 --> 01:09:18,439
Speaker 1: a rock Camp video and I got more shots than

1007
01:09:18,520 --> 01:09:24,040
Speaker 1: any other extra histories. Don't sweat the technique. I'm playing

1008
01:09:24,160 --> 01:09:31,040
Speaker 1: up right, bag, I'm gonna hold your bunny man. I

1009
01:09:31,200 --> 01:09:39,680
Speaker 1: told y'all keep talking. Yeah, so not do you know

1010
01:09:39,840 --> 01:09:44,639
Speaker 1: we said hip hop junkie? I do you know? Uh picture,

1011
01:09:45,080 --> 01:09:47,880
Speaker 1: But we gotta go back to Donald Trump. Yeah, this

1012
01:09:47,960 --> 01:09:50,880
Speaker 1: is a deep pick. He said that because fam was

1013
01:09:51,000 --> 01:09:53,519
Speaker 1: saying like when he probably saw that. So now look

1014
01:09:54,600 --> 01:09:58,360
Speaker 1: this is like Donald Trump, ain't the president. Everybody's chilling.

1015
01:09:59,000 --> 01:10:02,559
Speaker 1: Donald Trump book us for a show. We show up,

1016
01:10:02,600 --> 01:10:05,200
Speaker 1: We're at the Caesar. I called my man, sweet Mickey,

1017
01:10:05,760 --> 01:10:08,040
Speaker 1: and I'm like, yo, Mickey, we're out here with Trump.

1018
01:10:08,320 --> 01:10:14,600
Speaker 1: Come on over the president and he's just chilling. He's like,

1019
01:10:14,680 --> 01:10:16,800
Speaker 1: my friend, you know what I mean? So, Yo, we're

1020
01:10:16,840 --> 01:10:22,320
Speaker 1: down here, come so now and years later, right, because

1021
01:10:22,439 --> 01:10:25,920
Speaker 1: all I could do is tell y'all because there, but

1022
01:10:26,200 --> 01:10:29,439
Speaker 1: all I could do is all all I could do

1023
01:10:29,600 --> 01:10:31,519
Speaker 1: is tell y'all. Right, all I could go is by

1024
01:10:31,680 --> 01:10:34,400
Speaker 1: facts checks. Right, I'm gonna get you all the facts man.

1025
01:10:34,880 --> 01:10:37,240
Speaker 1: The fact is, at the end of the day, coming

1026
01:10:37,320 --> 01:10:40,200
Speaker 1: from where I came from, if somebody gave me a

1027
01:10:40,360 --> 01:10:45,320
Speaker 1: check to perform, right, and they actually wrote the check

1028
01:10:45,800 --> 01:10:49,200
Speaker 1: right at the time. At the time and the check Claire.

1029
01:10:49,240 --> 01:10:50,720
Speaker 1: At the time, I was like, this person is a

1030
01:10:51,200 --> 01:10:55,400
Speaker 1: business then. But dude, when you sit on the presidential chair,

1031
01:10:55,560 --> 01:10:58,800
Speaker 1: that's a whole another scheme now because you're representing the

1032
01:10:58,920 --> 01:11:02,040
Speaker 1: world and you representing like, you can't be for one

1033
01:11:02,120 --> 01:11:03,800
Speaker 1: side of this, it don't exist. You gotta be for

1034
01:11:03,840 --> 01:11:07,720
Speaker 1: the whole America, you feel me. So it's a different game. Yeah,

1035
01:11:08,080 --> 01:11:11,400
Speaker 1: so so so on that note, what ended up happening is, um,

1036
01:11:12,280 --> 01:11:16,439
Speaker 1: I ran right when I ran for president, I ran,

1037
01:11:17,920 --> 01:11:21,320
Speaker 1: But all y'all did was see me run. What y'all

1038
01:11:21,400 --> 01:11:25,519
Speaker 1: didn't see was the backstory. There's a documentary called The

1039
01:11:25,600 --> 01:11:34,479
Speaker 1: Ghosts of Seat there so late. So now that I

1040
01:11:34,640 --> 01:11:36,880
Speaker 1: look at it again from the top, y'all see that.

1041
01:11:37,360 --> 01:11:41,639
Speaker 1: It is brought by y'all by Sock Posity Films. Sock

1042
01:11:41,720 --> 01:11:45,240
Speaker 1: Posity Films is one of my film companies, right. So

1043
01:11:45,360 --> 01:11:47,280
Speaker 1: I only tell you all that because at the end

1044
01:11:47,280 --> 01:11:51,640
Speaker 1: of the day, I wanted to show out in America

1045
01:11:52,400 --> 01:11:54,880
Speaker 1: or all of the kids that was here, how dudes

1046
01:11:55,000 --> 01:11:58,280
Speaker 1: was getting down in Haiti, and how hip hop music

1047
01:11:58,960 --> 01:12:03,599
Speaker 1: influenced Haiti. Right, so you have so at the end

1048
01:12:03,640 --> 01:12:06,760
Speaker 1: of the day, y'all saw me run for president. But

1049
01:12:06,840 --> 01:12:09,800
Speaker 1: what they didn't show y'all is when they have beef

1050
01:12:09,880 --> 01:12:13,759
Speaker 1: with the gangs. I had to go negotiate for the gangs.

1051
01:12:16,960 --> 01:12:23,200
Speaker 1: These are rappers. I'm talking about the gangs. The general

1052
01:12:23,560 --> 01:12:27,000
Speaker 1: I'm talking about. I said, I sit with the gunmen.

1053
01:12:27,840 --> 01:12:33,760
Speaker 1: Why cleft sit with the gunmen hand to hand. I

1054
01:12:34,520 --> 01:12:37,160
Speaker 1: let's have a conversation because at the end of the day,

1055
01:12:37,920 --> 01:12:41,720
Speaker 1: I can't let my people suffer. So at the end

1056
01:12:41,760 --> 01:12:44,280
Speaker 1: of the day, you have to figure this out because

1057
01:12:44,360 --> 01:12:47,280
Speaker 1: the youth of tomorrow got to advanced. So how are

1058
01:12:47,360 --> 01:12:50,759
Speaker 1: we gonna do this? I get a note, a list

1059
01:12:50,920 --> 01:12:54,720
Speaker 1: of what their demands are. I take this list to Washington,

1060
01:12:54,920 --> 01:12:57,800
Speaker 1: d C. The U n is listening. I was the

1061
01:12:57,840 --> 01:13:01,080
Speaker 1: one who negotiated the truths with the gangs. This is me.

1062
01:13:01,240 --> 01:13:03,720
Speaker 1: But y'all don't see none of this yet. Then I

1063
01:13:03,960 --> 01:13:09,400
Speaker 1: fly back to my country. This is cleft. Then I

1064
01:13:09,520 --> 01:13:13,080
Speaker 1: fly back to Washington. Right, anybody who's watching this, it

1065
01:13:13,120 --> 01:13:16,519
Speaker 1: ain't hard. You could google this I'm I'm in front

1066
01:13:16,560 --> 01:13:21,360
Speaker 1: of Congress and I'm talking about Look, y'all need to

1067
01:13:21,439 --> 01:13:24,439
Speaker 1: get a bill passed. It's called a text stile bill.

1068
01:13:24,880 --> 01:13:30,160
Speaker 1: This bill help brought back textile and manufacturer of my country.

1069
01:13:30,520 --> 01:13:32,439
Speaker 1: While I'm doing all of this, y'all don't see any

1070
01:13:32,479 --> 01:13:35,120
Speaker 1: of this. This ain't promoted. The only thing y'all saw

1071
01:13:35,640 --> 01:13:38,719
Speaker 1: was why Clefs j'on yell a Haiti scandal? Why Clefs

1072
01:13:38,760 --> 01:13:43,000
Speaker 1: Jon run for president? Right? The only thing is this,

1073
01:13:43,600 --> 01:13:46,640
Speaker 1: I'm a Garvyite. This is the part of me that

1074
01:13:46,720 --> 01:13:51,479
Speaker 1: people don't know. I'm a Marcus Garveyite. And what that

1075
01:13:51,640 --> 01:13:54,720
Speaker 1: means is at the end of the day, Yeah, nig

1076
01:13:54,760 --> 01:13:57,360
Speaker 1: can see me run. But who told me to run?

1077
01:13:57,560 --> 01:13:59,720
Speaker 1: What made me think I could run? No one know.

1078
01:13:59,840 --> 01:14:03,599
Speaker 1: I sat with Nelson, Mandela, Me and Mandela. We had

1079
01:14:03,640 --> 01:14:07,680
Speaker 1: the conversation. I like, we're having this conversation. I had

1080
01:14:07,680 --> 01:14:10,160
Speaker 1: a few questions for Mandela. Was only three people in

1081
01:14:10,240 --> 01:14:14,880
Speaker 1: the room, Me, Mandela, and my cousin Jerry Wonder So

1082
01:14:15,360 --> 01:14:20,240
Speaker 1: so for me, this was important information. After that, I

1083
01:14:20,479 --> 01:14:24,759
Speaker 1: flew and sat with Harry Bella Fonte. I spoke to Harry.

1084
01:14:25,000 --> 01:14:27,720
Speaker 1: Harry told me this is how they're gonna get you,

1085
01:14:28,240 --> 01:14:30,599
Speaker 1: and this is what's gonna happen to you. And if

1086
01:14:30,680 --> 01:14:35,240
Speaker 1: you're able to handle this, you're gonna be okay. So

1087
01:14:35,400 --> 01:14:37,479
Speaker 1: at the end of the day, now I run for

1088
01:14:37,560 --> 01:14:40,920
Speaker 1: president of my country. And then they said I gotta

1089
01:14:41,000 --> 01:14:45,000
Speaker 1: be in the country five years, right, But this right,

1090
01:14:45,800 --> 01:14:48,720
Speaker 1: they told you the legibility is five years. But if

1091
01:14:48,760 --> 01:14:52,400
Speaker 1: I ask anyone who's listening right now, what the hell

1092
01:14:52,520 --> 01:14:57,080
Speaker 1: does the Haitian constitution say? Nobody knows. So you call

1093
01:14:57,160 --> 01:15:00,760
Speaker 1: that Western propaganda. So it's propaganda that that's given on

1094
01:15:00,880 --> 01:15:03,280
Speaker 1: the other side to fool you over on this side,

1095
01:15:03,720 --> 01:15:07,400
Speaker 1: because on this side we come here, we study black history.

1096
01:15:07,720 --> 01:15:09,680
Speaker 1: We know who our fore fathers. Well, we know who

1097
01:15:09,760 --> 01:15:12,559
Speaker 1: George Washington is. But if I tell somebody, yo, who's

1098
01:15:12,600 --> 01:15:16,640
Speaker 1: two sons overture? Who's on it? So how would you

1099
01:15:16,880 --> 01:15:18,599
Speaker 1: come up with a law and tell me I gotta

1100
01:15:18,680 --> 01:15:21,360
Speaker 1: live in the country for five years when I already

1101
01:15:21,439 --> 01:15:27,679
Speaker 1: had a diplomatic passport. So why didn't contest it? Why

1102
01:15:28,280 --> 01:15:32,760
Speaker 1: did not raise my finger? And I'm not no ordinary dude.

1103
01:15:32,880 --> 01:15:37,639
Speaker 1: I bought Minister Fari Carna Haiti. This ain't no ordinary guys,

1104
01:15:37,680 --> 01:15:40,040
Speaker 1: who's speaking to you? At the end of the day

1105
01:15:40,960 --> 01:15:44,200
Speaker 1: Bill Clinton, who's listening to the show right now. I'm

1106
01:15:44,280 --> 01:15:47,200
Speaker 1: getting off for Air Force one. I'm getting off for

1107
01:15:47,320 --> 01:15:50,560
Speaker 1: Air Force one with Bill Clinton as a youngster, So

1108
01:15:50,640 --> 01:15:53,559
Speaker 1: I'm not no ordinary dude. At the end of the day,

1109
01:15:53,600 --> 01:15:57,000
Speaker 1: though they had to block me. The reason why they

1110
01:15:57,040 --> 01:15:59,680
Speaker 1: blocked me is because they didn't see me as a capitalist,

1111
01:16:00,200 --> 01:16:02,920
Speaker 1: even though I am a capitalist. They saw me as

1112
01:16:02,960 --> 01:16:06,320
Speaker 1: a populist, somebody that's going to be for the people.

1113
01:16:06,520 --> 01:16:08,200
Speaker 1: You know what I'm saying to you. So that's the

1114
01:16:08,280 --> 01:16:10,920
Speaker 1: bottom line, and that's how I went down. But look,

1115
01:16:11,040 --> 01:16:12,960
Speaker 1: at the end of the day, I could have raised

1116
01:16:13,040 --> 01:16:16,280
Speaker 1: my pinky and the country would have turned red. I

1117
01:16:16,400 --> 01:16:19,000
Speaker 1: didn't do that because I didn't want the youth to

1118
01:16:19,240 --> 01:16:22,120
Speaker 1: fight over me, because at the end of the day

1119
01:16:22,200 --> 01:16:24,920
Speaker 1: was bigger than me. It was about Haiti. So we

1120
01:16:25,120 --> 01:16:29,960
Speaker 1: helped get Sweet Mickey elected. So my party, my party

1121
01:16:30,080 --> 01:16:39,120
Speaker 1: back was my party. It was it was it was,

1122
01:16:39,240 --> 01:16:44,479
Speaker 1: it was. It was Sweet Mickey, Michelle, Michelle Martin Lli.

1123
01:16:44,640 --> 01:16:47,599
Speaker 1: So at the end of the day, that crew raised

1124
01:16:47,680 --> 01:16:50,400
Speaker 1: me to a point, so I backed him up and

1125
01:16:50,760 --> 01:16:52,280
Speaker 1: at the end of the day we all got together.

1126
01:16:52,360 --> 01:16:56,320
Speaker 1: He became the president. After him, it's another president that's young.

1127
01:16:56,800 --> 01:16:59,560
Speaker 1: All I wanted to do. My job is accomplished what

1128
01:16:59,720 --> 01:17:02,599
Speaker 1: I wanted to do. Before I ran, we had an

1129
01:17:02,640 --> 01:17:07,519
Speaker 1: old regime dog. Everything was over sixty five, seventy years old.

1130
01:17:07,720 --> 01:17:11,479
Speaker 1: There was controlling the country, that was controlling for country

1131
01:17:11,520 --> 01:17:15,080
Speaker 1: for over seventy eight years. I broke the cycle and

1132
01:17:15,200 --> 01:17:17,160
Speaker 1: that was the mission that I wanted to do. So

1133
01:17:17,320 --> 01:17:19,920
Speaker 1: what cleft. I know, I know because I know you

1134
01:17:20,280 --> 01:17:23,120
Speaker 1: so many years, and I know you'd be for being

1135
01:17:23,240 --> 01:17:27,760
Speaker 1: riched for every year. And then these people they say

1136
01:17:28,320 --> 01:17:31,120
Speaker 1: wild cleft, took from that, and I said, not wild cleft,

1137
01:17:31,240 --> 01:17:35,080
Speaker 1: and take from ship. This is me defending you from

1138
01:17:35,080 --> 01:17:37,240
Speaker 1: the outside looking at because I know you, I know

1139
01:17:37,400 --> 01:17:41,880
Speaker 1: your personal lifestyle and how many years I said, what

1140
01:17:44,400 --> 01:17:47,719
Speaker 1: whatever they said that they said stole from this campaign?

1141
01:17:48,000 --> 01:17:53,679
Speaker 1: How what was I like, said they totally got it wrong,

1142
01:17:54,200 --> 01:17:58,600
Speaker 1: and then going off and I said it on the podcast.

1143
01:17:59,280 --> 01:18:01,240
Speaker 1: But I just want, I just want you to shut

1144
01:18:01,280 --> 01:18:04,040
Speaker 1: all the hats down. Plea. Well, I think I think,

1145
01:18:04,120 --> 01:18:06,599
Speaker 1: first of all, it's an insult to say I stowed

1146
01:18:06,680 --> 01:18:12,240
Speaker 1: sixteen First of all, it's an insult. First of all,

1147
01:18:12,360 --> 01:18:17,440
Speaker 1: it's an insult to say that I would still sixteen

1148
01:18:17,640 --> 01:18:21,439
Speaker 1: million right at least say I would still one billion.

1149
01:18:22,160 --> 01:18:26,280
Speaker 1: This is a complete insult because sixty million it would

1150
01:18:26,360 --> 01:18:29,599
Speaker 1: equal to the artwork and a few cars in the girl.

1151
01:18:32,560 --> 01:18:48,000
Speaker 1: That's right, right, Sometimes you got to feel I've been

1152
01:18:49,520 --> 01:18:52,519
Speaker 1: I don't think you know. Yeah, but at the end

1153
01:18:52,560 --> 01:18:55,400
Speaker 1: of the day, they'll think about this though, anyone who's

1154
01:18:55,439 --> 01:18:58,960
Speaker 1: really paying attention, like what part of the history you

1155
01:18:59,080 --> 01:19:01,720
Speaker 1: want to know? Mean j Edgar Hoover set up the

1156
01:19:01,880 --> 01:19:07,120
Speaker 1: FBI for what. Look, Marcus Garvey was infiltrated. They came

1157
01:19:07,200 --> 01:19:10,840
Speaker 1: in and said everything they said I did. They said

1158
01:19:10,880 --> 01:19:14,760
Speaker 1: Marcus Garvey did. At the time, Marcus Garvey people wasn't

1159
01:19:14,800 --> 01:19:19,960
Speaker 1: that strong. Marcus Garvey got deported and Obama just pardon

1160
01:19:20,120 --> 01:19:24,759
Speaker 1: Marcus Garvey. I'll even give you something crazier. Think about

1161
01:19:24,840 --> 01:19:27,640
Speaker 1: the N double A C P. Martin Luther King. They

1162
01:19:27,720 --> 01:19:32,440
Speaker 1: said Martin Luther King was stealing personal funds to basically

1163
01:19:32,960 --> 01:19:35,559
Speaker 1: take care of his family. Then they had to retract

1164
01:19:35,640 --> 01:19:39,479
Speaker 1: the story. My question for y'all is when they're telling

1165
01:19:39,520 --> 01:19:47,360
Speaker 1: y'all white cleft stowed and then yeah, yeah, but at

1166
01:19:47,400 --> 01:19:49,400
Speaker 1: the same time, right, let me take it to a

1167
01:19:49,520 --> 01:19:53,400
Speaker 1: level of legislation because we smart people. So if you

1168
01:19:53,600 --> 01:19:57,639
Speaker 1: basically says, I took something. I'm gonna have my CEO

1169
01:19:57,880 --> 01:20:01,120
Speaker 1: now write a piece of paper which is a rebuttal

1170
01:20:01,200 --> 01:20:03,839
Speaker 1: to show where all of the money went. Why nobody

1171
01:20:04,000 --> 01:20:07,080
Speaker 1: printed that up when we did the rebuttal? Why didn't

1172
01:20:07,120 --> 01:20:09,439
Speaker 1: y'all print up the rebuttal? Because at the end of

1173
01:20:09,479 --> 01:20:12,479
Speaker 1: the day, it's real simple. Long before I was born,

1174
01:20:13,280 --> 01:20:17,320
Speaker 1: it was set up that NGOs would come to my country.

1175
01:20:17,840 --> 01:20:21,479
Speaker 1: And when they can't make no money nowhere else, you know,

1176
01:20:21,520 --> 01:20:23,240
Speaker 1: what I mean to do with a local job would

1177
01:20:23,240 --> 01:20:26,680
Speaker 1: be making thirty dollars a month while my people is

1178
01:20:26,760 --> 01:20:30,040
Speaker 1: living on less than eight percent, you know. And I

1179
01:20:30,120 --> 01:20:32,799
Speaker 1: didn't want to start a charity. I started an NGO

1180
01:20:32,920 --> 01:20:38,320
Speaker 1: and NGO non governmental organization. We was moving like an organization.

1181
01:20:38,680 --> 01:20:42,000
Speaker 1: This was a threat to everybody, including the Red Cross,

1182
01:20:42,439 --> 01:20:45,360
Speaker 1: including everyone else. And what's funny is I've worked with

1183
01:20:45,439 --> 01:20:48,320
Speaker 1: the Red Cross, I've worked with different people. But why

1184
01:20:48,520 --> 01:20:50,720
Speaker 1: is it if you google the Red Cross right now

1185
01:20:51,000 --> 01:20:53,639
Speaker 1: and say how many houses y'all put in Haiti, you're

1186
01:20:53,680 --> 01:21:00,120
Speaker 1: gonna see five houses. They've raised billions. But think about this,

1187
01:21:00,240 --> 01:21:03,599
Speaker 1: But about that didn't provide anything. But once again, why

1188
01:21:03,680 --> 01:21:07,800
Speaker 1: Cleff Young was a patsy only different niggas. Cutn't gun

1189
01:21:07,920 --> 01:21:10,720
Speaker 1: me down, because to gun me down, you gotta get

1190
01:21:10,840 --> 01:21:13,280
Speaker 1: my people to gun me down. That's the only way

1191
01:21:13,320 --> 01:21:15,960
Speaker 1: it's gonna make sense. You did it to Malcolm X,

1192
01:21:16,320 --> 01:21:18,160
Speaker 1: so you would have to have my own when I'm

1193
01:21:18,200 --> 01:21:21,760
Speaker 1: in my country, gun me down. You can't justify that.

1194
01:21:22,360 --> 01:21:32,320
Speaker 1: Ain't nobody gunning me down where I come from. But

1195
01:21:32,400 --> 01:21:33,800
Speaker 1: I still want to know. Do you think the Pinn

1196
01:21:33,840 --> 01:21:38,559
Speaker 1: Foundation did the jobbing? No? I think that to your

1197
01:21:38,640 --> 01:21:41,000
Speaker 1: point that when I did the tour of the houses,

1198
01:21:41,040 --> 01:21:43,759
Speaker 1: the model houses, and none of that was built. Once again,

1199
01:21:43,840 --> 01:21:46,200
Speaker 1: I think that a lot of the money that went

1200
01:21:46,320 --> 01:21:49,920
Speaker 1: to Haiti through the relief fund is a disaster. It's

1201
01:21:50,000 --> 01:21:52,719
Speaker 1: the same thing that happened, the same thing that happened.

1202
01:21:52,760 --> 01:21:57,200
Speaker 1: And happy, Yeah, sorry to cut you off, but can

1203
01:21:57,320 --> 01:22:01,000
Speaker 1: you just explain to the people because me personally, I

1204
01:22:01,160 --> 01:22:04,640
Speaker 1: know that you don't need it's me personally when they

1205
01:22:04,680 --> 01:22:07,839
Speaker 1: said you know I can have anything. I know you personally.

1206
01:22:07,960 --> 01:22:10,400
Speaker 1: I know how you ball, I know how you don't

1207
01:22:10,439 --> 01:22:14,800
Speaker 1: need this money. I know that. But how do you

1208
01:22:15,200 --> 01:22:18,920
Speaker 1: like address these people who think that? Well, the first

1209
01:22:18,960 --> 01:22:21,280
Speaker 1: thing is anyone who thinks that you have to go

1210
01:22:21,439 --> 01:22:25,439
Speaker 1: with facts, right, So the only thing is, look, if

1211
01:22:25,560 --> 01:22:29,400
Speaker 1: you if I bring you to the well and you

1212
01:22:29,479 --> 01:22:32,280
Speaker 1: are a donkey, that mean you're gonna drink the water.

1213
01:22:33,479 --> 01:22:36,360
Speaker 1: But if you're a giraffe, I can't get mad at you.

1214
01:22:36,960 --> 01:22:41,599
Speaker 1: So those that at the end of the day, right,

1215
01:22:41,800 --> 01:22:43,759
Speaker 1: at the end of the day, I can't force people

1216
01:22:43,800 --> 01:22:46,439
Speaker 1: to believe what they don't believe. Right, you feel me

1217
01:22:46,800 --> 01:22:48,639
Speaker 1: at the end of the day when I'm on Oprah

1218
01:22:50,040 --> 01:22:52,000
Speaker 1: and I tell you all the story on Oprah, when

1219
01:22:52,040 --> 01:22:54,840
Speaker 1: I sit on Oprah's couch, when I tell you all

1220
01:22:54,880 --> 01:22:57,599
Speaker 1: the story. Right, But once again, what is this another

1221
01:22:57,760 --> 01:23:01,800
Speaker 1: black man defending himself for right? Because at the end

1222
01:23:01,840 --> 01:23:04,360
Speaker 1: of the day, when you look at it, it's all

1223
01:23:04,439 --> 01:23:07,759
Speaker 1: a distraction for what And I'm gonna state it again

1224
01:23:07,920 --> 01:23:11,800
Speaker 1: on your show. Um. First of all, the idea of

1225
01:23:11,920 --> 01:23:16,880
Speaker 1: why Cleft winning a Grammy and putting his Haitian flag

1226
01:23:17,479 --> 01:23:22,560
Speaker 1: around his back and establishing Haitian pride is cool? We

1227
01:23:22,720 --> 01:23:28,000
Speaker 1: wit you. After that, the idea of why Cleft trying

1228
01:23:28,040 --> 01:23:33,519
Speaker 1: to become president and set up a governmental organization where

1229
01:23:33,560 --> 01:23:37,720
Speaker 1: you're not gonna singing thing. It starts to change, right,

1230
01:23:38,200 --> 01:23:41,559
Speaker 1: And in this process you have to do what's called

1231
01:23:41,840 --> 01:23:46,160
Speaker 1: covert and dude, any everyone that's paying attention, this ain't

1232
01:23:46,200 --> 01:23:50,519
Speaker 1: conspiracy theory, this ain't the luminati. The bottom line too,

1233
01:23:50,560 --> 01:23:53,920
Speaker 1: it is in this room right here. As you do

1234
01:23:54,120 --> 01:23:58,320
Speaker 1: what you do. If they feel like it's an infiltration,

1235
01:23:58,720 --> 01:24:02,040
Speaker 1: they will plant somebody the inside of this room. That's

1236
01:24:02,080 --> 01:24:04,120
Speaker 1: just the way that it works. So at the end

1237
01:24:04,160 --> 01:24:08,760
Speaker 1: of the day, it's so important. I'm so sorry. But

1238
01:24:10,000 --> 01:24:15,560
Speaker 1: now rock Cleft takes this job and he wins the presidency,

1239
01:24:16,680 --> 01:24:21,120
Speaker 1: will be first thing to do as president as president

1240
01:24:21,200 --> 01:24:23,600
Speaker 1: of Haiti, Well, the first thing that we would have

1241
01:24:23,760 --> 01:24:27,480
Speaker 1: to do as president of Haiti. You have a population

1242
01:24:27,640 --> 01:24:30,840
Speaker 1: that's living on less than eighty percent, right, is living

1243
01:24:30,880 --> 01:24:33,160
Speaker 1: on less than a dollar day. So then you would

1244
01:24:33,160 --> 01:24:36,599
Speaker 1: have to establish what's the wealth right of the country.

1245
01:24:37,240 --> 01:24:39,759
Speaker 1: So then there's two parts of it. What's the richness?

1246
01:24:40,320 --> 01:24:43,639
Speaker 1: Human capital is one? What do that mean? Human capital?

1247
01:24:44,080 --> 01:24:49,360
Speaker 1: Human capital is important because whether if we're talking about Haiti, Philly, Compton, everywhere,

1248
01:24:49,600 --> 01:24:52,040
Speaker 1: you got a group of young men that are like

1249
01:24:52,240 --> 01:24:55,640
Speaker 1: Mason's they are workers, they can work Mexico, Mexico does.

1250
01:24:56,040 --> 01:24:59,479
Speaker 1: Human capital is one. The second part of it is

1251
01:25:00,120 --> 01:25:04,160
Speaker 1: we call education, and education comes in different forms. I

1252
01:25:04,200 --> 01:25:07,120
Speaker 1: ain't talking about just putting up schools. I'm talking about

1253
01:25:07,160 --> 01:25:09,880
Speaker 1: putting up trade schools. And what is it that we

1254
01:25:10,040 --> 01:25:13,680
Speaker 1: have right? Everything is controlled from erin C. So at

1255
01:25:13,720 --> 01:25:16,639
Speaker 1: the end of the day, Haiti used to explore coffee.

1256
01:25:17,040 --> 01:25:19,800
Speaker 1: That's what we was known for, coffee and sugar. So

1257
01:25:20,040 --> 01:25:22,360
Speaker 1: at the end of the day, all of this we

1258
01:25:22,479 --> 01:25:24,800
Speaker 1: can What happens is if we come up with a

1259
01:25:24,880 --> 01:25:29,120
Speaker 1: trade policy and we got if we if we got

1260
01:25:29,640 --> 01:25:32,000
Speaker 1: duty free, we come up with a trade policy, then

1261
01:25:32,080 --> 01:25:34,559
Speaker 1: we can work. So the whole thing is I would

1262
01:25:34,640 --> 01:25:36,960
Speaker 1: have to show you what Haiti is willing to trade

1263
01:25:37,320 --> 01:25:39,280
Speaker 1: for you to want to trade with me. It's like

1264
01:25:39,640 --> 01:25:41,240
Speaker 1: if you're on the block and I'm on the block.

1265
01:25:41,280 --> 01:25:43,479
Speaker 1: If you don't have nothing to trade, then ain't really

1266
01:25:43,560 --> 01:25:48,760
Speaker 1: nothing to talk about. So human capital and education is

1267
01:25:48,840 --> 01:25:52,000
Speaker 1: the most important thing. And how do we invest in education?

1268
01:25:52,280 --> 01:25:55,800
Speaker 1: When companies was coming into Haiti after the earthquake, this

1269
01:25:55,840 --> 01:25:58,160
Speaker 1: is what I ran because I said, anybody's coming on

1270
01:25:58,280 --> 01:26:01,120
Speaker 1: corporate interests. Dude, you want to come in and you

1271
01:26:01,200 --> 01:26:03,599
Speaker 1: want to help, that's no problem. But dudes, we got

1272
01:26:03,720 --> 01:26:07,200
Speaker 1: tim Burrows here. Why don't you pretend universities and put

1273
01:26:07,280 --> 01:26:10,600
Speaker 1: these people to schools? Because when you leave after the earthquake,

1274
01:26:10,960 --> 01:26:12,960
Speaker 1: they actually gonna have a job and be able to

1275
01:26:13,080 --> 01:26:15,840
Speaker 1: do stuff. These are some of the things that one

1276
01:26:15,880 --> 01:26:17,439
Speaker 1: of these things I saw that that's the only thing

1277
01:26:17,479 --> 01:26:21,600
Speaker 1: I saw money go to police. So so, so what

1278
01:26:21,680 --> 01:26:24,400
Speaker 1: do you think that happened to haiti Um after? What

1279
01:26:24,560 --> 01:26:29,280
Speaker 1: was it the earthquake to happen? Right? So the stating earthquatting?

1280
01:26:30,160 --> 01:26:32,920
Speaker 1: So what what do you think was the proper message

1281
01:26:33,400 --> 01:26:35,839
Speaker 1: with you would have took if you was the president?

1282
01:26:36,120 --> 01:26:40,160
Speaker 1: The problem is this, It's eighteen o four, right, eighteen

1283
01:26:40,200 --> 01:26:43,360
Speaker 1: o four, the Haitians get their independence. The first black

1284
01:26:43,479 --> 01:26:48,160
Speaker 1: rec gotta take you there, I gotta take you there

1285
01:26:48,200 --> 01:26:50,679
Speaker 1: to understand the route of the problem. Eighteen o four.

1286
01:26:51,320 --> 01:26:53,760
Speaker 1: Peep this guard eighteen o four. I gotta go on

1287
01:26:53,840 --> 01:26:59,719
Speaker 1: my five per cent um over please? I forgot okay,

1288
01:26:59,760 --> 01:27:03,960
Speaker 1: why this eighteen o four? God? In eighteen o four,

1289
01:27:04,320 --> 01:27:08,200
Speaker 1: we basically was free. We defeated the Napoleon army. What

1290
01:27:08,400 --> 01:27:11,960
Speaker 1: that means the most mormous, the best army at the

1291
01:27:12,080 --> 01:27:18,080
Speaker 1: time that Haitians defeated them. They were outgunned. How was

1292
01:27:18,160 --> 01:27:20,800
Speaker 1: they able to do that? Right now, what happens is

1293
01:27:20,960 --> 01:27:24,840
Speaker 1: after the Haitians defeated the Napoleons. The French now put

1294
01:27:24,880 --> 01:27:29,880
Speaker 1: a tax on Haiti. This tax still till today is

1295
01:27:29,920 --> 01:27:35,240
Speaker 1: hurting the Haiti and that's why Haiti people speaking. The

1296
01:27:35,360 --> 01:27:39,440
Speaker 1: reason why Haitians speak French is because Haiti was occupied.

1297
01:27:39,640 --> 01:27:41,439
Speaker 1: It was it was by it was by the French,

1298
01:27:41,760 --> 01:27:45,160
Speaker 1: but because they never agreed to be colonized, because they

1299
01:27:45,240 --> 01:27:48,960
Speaker 1: agreed to be free. Some people say Haiti got its

1300
01:27:49,080 --> 01:27:53,720
Speaker 1: independence too early. Some people say that because at the

1301
01:27:53,800 --> 01:27:56,400
Speaker 1: end of the day. So now when you say, damn, well,

1302
01:27:56,479 --> 01:27:58,800
Speaker 1: how do we get Haiti back. The way that we

1303
01:27:58,920 --> 01:28:01,800
Speaker 1: get Haiti back is to bring Haiti into the modern world.

1304
01:28:02,120 --> 01:28:04,280
Speaker 1: And the way we bring Haiti into the modern world

1305
01:28:04,760 --> 01:28:08,320
Speaker 1: is through technology, is doing in capital and you got

1306
01:28:08,439 --> 01:28:11,280
Speaker 1: to invest. I'm gonna give you a last example how

1307
01:28:11,320 --> 01:28:13,559
Speaker 1: you bring Haiti back. You have something which is called

1308
01:28:13,600 --> 01:28:17,439
Speaker 1: agra bank, coony agra bank. So you use the soil.

1309
01:28:17,800 --> 01:28:20,240
Speaker 1: At the end of the day, we plant that's right

1310
01:28:20,320 --> 01:28:23,320
Speaker 1: through agriculture, whether if it's the d R, whether if

1311
01:28:23,320 --> 01:28:27,120
Speaker 1: it's Haiti, with it's Jamaica. Through agriculture, you're able to

1312
01:28:27,280 --> 01:28:31,160
Speaker 1: create an environment for people to work, make money and trade.

1313
01:28:31,520 --> 01:28:35,400
Speaker 1: You know what I mean. Yo Haiti is beautiful, man,

1314
01:28:36,240 --> 01:28:41,680
Speaker 1: I'm telling it's beautiful and only got to be economically,

1315
01:28:41,840 --> 01:28:46,320
Speaker 1: and that's the that's the problem. It's one of the best.

1316
01:28:46,680 --> 01:28:49,640
Speaker 1: Like I went there as a non Haitian and it

1317
01:28:49,800 --> 01:28:53,439
Speaker 1: was beautiful people, beautiful landscape. And then they were telling

1318
01:28:53,520 --> 01:28:55,000
Speaker 1: us like we went into the mountains, that's where all

1319
01:28:55,000 --> 01:28:57,320
Speaker 1: the rich people live, and it is the only place

1320
01:28:57,360 --> 01:28:59,680
Speaker 1: where the beach front is the poorest. But let me

1321
01:28:59,720 --> 01:29:03,920
Speaker 1: ask you something though, in California, isn't there a rich

1322
01:29:04,040 --> 01:29:09,439
Speaker 1: place of right, And then it's still proper, that's right,

1323
01:29:09,479 --> 01:29:12,839
Speaker 1: it's side property value. And then when we're go into Compton,

1324
01:29:12,960 --> 01:29:15,800
Speaker 1: certain places we see the difference, right, and then those

1325
01:29:15,880 --> 01:29:19,439
Speaker 1: boys in Compton can't really come to the beachfront property value, right.

1326
01:29:19,720 --> 01:29:21,840
Speaker 1: So in Haiti it's the same way. So you have

1327
01:29:22,000 --> 01:29:26,519
Speaker 1: places called d that's right. So then what is that

1328
01:29:26,680 --> 01:29:29,400
Speaker 1: telling us? It's not really a Hadi thing. This is

1329
01:29:29,439 --> 01:29:34,280
Speaker 1: a this is a world thing. Whether we go to

1330
01:29:34,360 --> 01:29:36,920
Speaker 1: Brazil to the fulvelas, we're gonna see the same thing.

1331
01:29:37,400 --> 01:29:39,479
Speaker 1: So my thing is this, at the end of the day,

1332
01:29:39,479 --> 01:29:41,160
Speaker 1: if we want to have a real talking about like

1333
01:29:41,240 --> 01:29:43,920
Speaker 1: hold up, man, from now on, man, let's just be

1334
01:29:44,080 --> 01:29:46,759
Speaker 1: careful who we let the mayor be and let's be careful.

1335
01:29:46,880 --> 01:29:49,679
Speaker 1: We let the governor be, just be careful, like really

1336
01:29:49,800 --> 01:29:51,960
Speaker 1: really take that because daya Ones is going to really

1337
01:29:52,040 --> 01:30:04,080
Speaker 1: care about your environment. Now wait, too political. Yeah, I

1338
01:30:04,200 --> 01:30:16,519
Speaker 1: probably need to get your baby. Get back. You gotta

1339
01:30:16,560 --> 01:30:18,599
Speaker 1: get the old batter. I got your man. You gotta

1340
01:30:20,040 --> 01:30:23,400
Speaker 1: me dark bros. Fine, I'm so sorry to ask you

1341
01:30:23,439 --> 01:30:32,280
Speaker 1: the question, Laura Hill. Baby, now your baby, that's what

1342
01:30:32,400 --> 01:30:36,840
Speaker 1: they told me about. I'm so sorry. What last? That's

1343
01:30:36,840 --> 01:30:40,280
Speaker 1: not sorry. All you can do is yeah, fake media

1344
01:30:40,439 --> 01:30:44,120
Speaker 1: right now, I'm sorry. Now your media, my friend. Look

1345
01:30:44,760 --> 01:30:55,360
Speaker 1: the stakes. Yeah yeah, and I'm with Nori your fel feeling.

1346
01:30:56,560 --> 01:31:03,960
Speaker 1: Now I'm making this a salt sir, summer Colina. Yeah,

1347
01:31:05,760 --> 01:31:12,320
Speaker 1: the harder drinks. We're catching the fight and it's got

1348
01:31:12,439 --> 01:31:21,680
Speaker 1: to try. If I was president, don't find me Saturday,

1349
01:31:22,880 --> 01:31:26,840
Speaker 1: Mabby done some days that general right that the Monday

1350
01:31:27,720 --> 01:31:35,000
Speaker 1: by Eagles back to listen. He's very insious and thought.

1351
01:31:35,040 --> 01:31:40,160
Speaker 1: Then every day on my way to the airport, they

1352
01:31:40,280 --> 01:31:45,439
Speaker 1: stopped me because that's the smell something funny I in

1353
01:31:45,640 --> 01:31:50,920
Speaker 1: my backpack, I told Mr German Shepherd, I know stiff,

1354
01:31:50,960 --> 01:31:56,560
Speaker 1: no cocaine. I haven't been Shepherd. I don't need no

1355
01:31:56,760 --> 01:32:02,479
Speaker 1: extra see no no Mr German show her. He was

1356
01:32:02,560 --> 01:32:08,160
Speaker 1: just yeah, but bitch locked me a bitch like I'm on, bitch,

1357
01:32:08,720 --> 01:32:18,120
Speaker 1: get the weather as I smoke my marrow, smoking my yeah,

1358
01:32:18,280 --> 01:32:23,400
Speaker 1: every show mayn't do with you. If I was dressing,

1359
01:32:24,439 --> 01:32:29,640
Speaker 1: I get elected on Friday, as I say, get on Saturday,

1360
01:32:31,040 --> 01:32:37,839
Speaker 1: heavy on Sunday. If I must preside, I'll be on Monday.

1361
01:32:39,920 --> 01:32:51,600
Speaker 1: You want to Wedsday. I was present Thursday's like you

1362
01:32:51,720 --> 01:33:07,440
Speaker 1: on Friday, Cliff on Saturday present, Yeah, I was presented.

1363
01:33:09,200 --> 01:33:26,960
Speaker 1: Wola takes class. I don't know if you know one class.

1364
01:33:27,160 --> 01:33:30,519
Speaker 1: You've always been an inspiration to hood niggas because one

1365
01:33:30,600 --> 01:33:35,280
Speaker 1: thing everyone man because not one thing about class nigga's

1366
01:33:35,320 --> 01:33:39,000
Speaker 1: hood niggas. We made it and we made it and

1367
01:33:39,120 --> 01:33:42,080
Speaker 1: we knew he made it before and wat class for

1368
01:33:42,120 --> 01:33:46,160
Speaker 1: coming our studios and be like what's up? Don't I

1369
01:33:46,280 --> 01:33:50,479
Speaker 1: mean like you know, hey, so I used to eat dog.

1370
01:33:52,120 --> 01:33:55,840
Speaker 1: In my mind, I thought you said just hold it out,

1371
01:33:57,840 --> 01:34:02,439
Speaker 1: but listen up. That's the real why Cleff always he

1372
01:34:02,680 --> 01:34:06,519
Speaker 1: never was scared of anywhere. He always came through. And

1373
01:34:06,560 --> 01:34:10,120
Speaker 1: this is the reason why the Fooji's work and how

1374
01:34:10,760 --> 01:34:13,479
Speaker 1: how are you on the Foojie's right now. Man. At

1375
01:34:13,520 --> 01:34:15,599
Speaker 1: the end of the day, it's all love. Like I said,

1376
01:34:16,080 --> 01:34:18,760
Speaker 1: everybody's forty something like what kind of beef they could be?

1377
01:34:18,840 --> 01:34:24,080
Speaker 1: Nobody shooting my mom, everybody problem, you know. I mean,

1378
01:34:24,160 --> 01:34:27,400
Speaker 1: we didn't stay right. So it's all good for me. Um.

1379
01:34:27,920 --> 01:34:31,200
Speaker 1: The energy is all positive. Like I said, when people

1380
01:34:31,240 --> 01:34:33,799
Speaker 1: talk about drama, man, you're talking about something that happened

1381
01:34:33,880 --> 01:34:37,680
Speaker 1: twenty five years ago. I think everybody that went through

1382
01:34:37,720 --> 01:34:40,120
Speaker 1: their things and we are grown folks now, you know,

1383
01:34:40,520 --> 01:34:46,040
Speaker 1: So we do what we gotta do. Man, And listen, man,

1384
01:34:46,840 --> 01:34:49,320
Speaker 1: we gotta we gotta support. You know, I can at

1385
01:34:49,400 --> 01:35:01,240
Speaker 1: least wonderful Miami because so lit something talk about He's

1386
01:35:01,280 --> 01:35:14,960
Speaker 1: going to tell out, tell out, gonna wait your questions.

1387
01:35:19,600 --> 01:35:30,519
Speaker 1: I couldn't come. It's coming, just talking to tell you

1388
01:35:31,160 --> 01:35:35,200
Speaker 1: I can. It's running from mayor of South Beach. He

1389
01:35:37,120 --> 01:35:43,040
Speaker 1: has been arrested seventeen times. I don't know. It's funny

1390
01:35:43,120 --> 01:35:48,040
Speaker 1: everything even that man, my own property on South Beach.

1391
01:35:48,320 --> 01:35:52,640
Speaker 1: Everything even listen, listen everything that jay Z E been

1392
01:35:52,640 --> 01:35:55,120
Speaker 1: talking about. Everything we've been talking about today. If you

1393
01:35:55,280 --> 01:35:58,080
Speaker 1: go to Miami, you be in the area and you

1394
01:35:58,160 --> 01:36:01,120
Speaker 1: don't vote for I Can Nelly just one day, even

1395
01:36:01,200 --> 01:36:02,920
Speaker 1: if you don't care for you to win or not.

1396
01:36:03,439 --> 01:36:05,840
Speaker 1: The thing about it is, this is the only black

1397
01:36:05,960 --> 01:36:09,240
Speaker 1: man that owned property on South Beach. He happened to

1398
01:36:09,280 --> 01:36:12,200
Speaker 1: be from Left Frax City. But if he was from Flatbush,

1399
01:36:12,439 --> 01:36:14,920
Speaker 1: if he was from Booga Basement, and he's when Raves

1400
01:36:15,560 --> 01:36:18,679
Speaker 1: from a story and kid who in the South Bronx

1401
01:36:19,000 --> 01:36:21,280
Speaker 1: from one four seven of Gibra. He was from one

1402
01:36:21,320 --> 01:36:27,240
Speaker 1: fur seven. He was from wherever, Wisconsin. Another black man

1403
01:36:28,080 --> 01:36:32,719
Speaker 1: owning the business. So even if you don't live in Miami,

1404
01:36:33,400 --> 01:36:35,640
Speaker 1: this man is really running from me. Even though you

1405
01:36:35,720 --> 01:36:42,920
Speaker 1: got arrested seventeen times. Say that if you black people

1406
01:36:43,000 --> 01:36:51,479
Speaker 1: make somebody for the struggle. That's so we're gonna do.

1407
01:36:51,920 --> 01:36:57,400
Speaker 1: You go out there support I canally and be more

1408
01:36:57,479 --> 01:37:01,920
Speaker 1: strip clubs. Yeah, sure, you can't say it, little wit,

1409
01:37:02,240 --> 01:37:06,880
Speaker 1: little a little win. That's the white class. Come on,

1410
01:37:07,000 --> 01:37:12,320
Speaker 1: let's know you're very Let's take something about class. Listen.

1411
01:37:12,600 --> 01:37:15,519
Speaker 1: Let me I can't see for two months at point,

1412
01:37:16,720 --> 01:37:18,760
Speaker 1: and then me and Poe was in the studio and

1413
01:37:18,800 --> 01:37:23,360
Speaker 1: then walk Club just came and play some ship. Leave

1414
01:37:25,600 --> 01:37:28,519
Speaker 1: what listen, I'll kill you that problem to take a piss.

1415
01:37:28,760 --> 01:37:36,040
Speaker 1: But come on, what are you bringing a pans? I

1416
01:37:36,120 --> 01:37:41,880
Speaker 1: gotta take a piss. You take a picture show. He

1417
01:37:41,960 --> 01:37:47,000
Speaker 1: wanted to listen to the smooth sounds of white class.

1418
01:37:47,360 --> 01:38:00,439
Speaker 1: I'll take a piss. Let man, let's go. He whatever,

1419
01:38:03,920 --> 01:38:06,640
Speaker 1: check it out, because I'm gonna do this one for

1420
01:38:06,840 --> 01:38:12,519
Speaker 1: my homies. Gone judge it. The hammer thing coming home now,

1421
01:38:12,680 --> 01:38:16,240
Speaker 1: y'all from the dangerous zone. The devil pulled the card

1422
01:38:16,280 --> 01:38:20,240
Speaker 1: and he said, use one. I chose music, My homies

1423
01:38:20,360 --> 01:38:25,439
Speaker 1: chose ya. Some of my ballas chose the NBA because

1424
01:38:25,479 --> 01:38:29,559
Speaker 1: it's on the block. Mandy Gang Bang funeral role. Pol

1425
01:38:29,720 --> 01:38:33,160
Speaker 1: is making all that changing, Yo. When my cousin got

1426
01:38:33,240 --> 01:38:36,479
Speaker 1: his worst check, I was playing Jimmy and tricks in

1427
01:38:36,560 --> 01:38:41,160
Speaker 1: the face. All I wanted to be was a rap starlight,

1428
01:38:41,479 --> 01:38:45,679
Speaker 1: and all he wanted to be was an Escobar Chapel

1429
01:38:47,040 --> 01:39:03,200
Speaker 1: Chapel November. He coming back. I was talking about my homies. Man,

1430
01:39:03,280 --> 01:39:06,320
Speaker 1: that's so abu or they will track here from the back.

1431
01:39:06,560 --> 01:39:09,639
Speaker 1: They hit the still like an hour. Boy, that's hitting

1432
01:39:09,720 --> 01:39:13,479
Speaker 1: on the bill. Welcome to the Rotten Apple, the city

1433
01:39:13,479 --> 01:39:16,599
Speaker 1: of your Lights. No matter how they sign, they can't

1434
01:39:16,600 --> 01:39:19,720
Speaker 1: seal the nights because when the glue snock knock, just

1435
01:39:19,880 --> 01:39:22,640
Speaker 1: before your guests rid out at your chest. Then you

1436
01:39:22,720 --> 01:39:24,880
Speaker 1: go raise the cool nest. You better be with my

1437
01:39:24,960 --> 01:39:33,320
Speaker 1: tell reepack. They be back attacking the night. Like when

1438
01:39:33,320 --> 01:39:35,519
Speaker 1: you're up in the trap, you are bucking the bucking.

1439
01:39:35,560 --> 01:39:37,639
Speaker 1: You back in the middle of working. Somebody get fat.

1440
01:39:38,640 --> 01:39:43,160
Speaker 1: I'm gon do this. My homies gonna cut. I am

1441
01:39:43,240 --> 01:39:47,000
Speaker 1: a thing. Ain't coming home. Sorry. We all are from

1442
01:39:47,080 --> 01:39:50,679
Speaker 1: the danger zone. That won't pull the car. Then he said,

1443
01:39:50,800 --> 01:39:56,400
Speaker 1: choose one and my only show. Yeah, some of my

1444
01:39:56,600 --> 01:40:00,240
Speaker 1: fathers chose the nb A because it's on the like

1445
01:40:00,439 --> 01:40:06,559
Speaker 1: many gang bang funeral pilots making all that chain. When

1446
01:40:06,640 --> 01:40:10,120
Speaker 1: my cousin got his first tech, I was playing Jimmy

1447
01:40:10,240 --> 01:40:14,280
Speaker 1: Hendrickson to this who all I wanted to be was

1448
01:40:14,400 --> 01:40:17,680
Speaker 1: a rock star and all he wanted to be was

1449
01:40:17,800 --> 01:40:24,479
Speaker 1: an escort by see a little house shot to ear

1450
01:40:24,479 --> 01:40:31,000
Speaker 1: a finny border the new house. You gotta do hazard.

1451
01:40:31,120 --> 01:40:35,640
Speaker 1: It sounds you know you gotta love dream, but it

1452
01:40:35,840 --> 01:40:48,000
Speaker 1: stop chilling. See you kinda was off, He reaf Wait,

1453
01:40:48,160 --> 01:40:51,519
Speaker 1: little freeze, you gotta relax. You want to break to

1454
01:40:51,560 --> 01:41:18,839
Speaker 1: break the break? Now I get to wear this together.

1455
01:41:29,560 --> 01:41:32,400
Speaker 1: I know for a fact, this is the funniest interview

1456
01:41:32,439 --> 01:41:43,759
Speaker 1: walking left in my life. Baby Carnival, it's the dirt Carnival.

1457
01:41:45,200 --> 01:41:47,200
Speaker 1: It is the third Carnival right now, you know what

1458
01:41:47,240 --> 01:41:49,320
Speaker 1: I mean. Anybody who's a fan of Carnival one to

1459
01:41:49,880 --> 01:41:52,360
Speaker 1: y'all can hit up that pre order. And we also

1460
01:41:52,439 --> 01:41:55,479
Speaker 1: got two new joints, once called Fellow Coultie and the

1461
01:41:55,600 --> 01:41:59,760
Speaker 1: others called what Happened to Love? What Happened to Leave You?

1462
01:42:00,080 --> 01:42:03,599
Speaker 1: We take it to the barber skill for the what's

1463
01:42:03,600 --> 01:42:10,320
Speaker 1: the group that is not listen to do it for

1464
01:42:11,760 --> 01:42:15,720
Speaker 1: got you show, We just say fellow, Yeah, Fellow's the

1465
01:42:15,760 --> 01:42:25,360
Speaker 1: fellows here because five I can't. I can't said great education.

1466
01:42:25,560 --> 01:42:29,000
Speaker 1: I'm just throwing out, dude, not even that amazing. I'm here, Yeah,

1467
01:42:35,680 --> 01:42:37,960
Speaker 1: I can't. I can't relieve anybody love me. I'm sorry.

1468
01:42:38,200 --> 01:42:41,200
Speaker 1: Sorry for the people who love me. I gotta relax.

1469
01:42:41,520 --> 01:42:51,320
Speaker 1: Yeah no, women say so take it more shot. You

1470
01:42:51,400 --> 01:42:55,240
Speaker 1: want to out Listen, listen walk lot. You got one

1471
01:42:55,280 --> 01:43:00,759
Speaker 1: of those shops because I got you. I needed the class,

1472
01:43:00,840 --> 01:43:02,640
Speaker 1: my class I need, I need, I need it right

1473
01:43:02,640 --> 01:43:05,479
Speaker 1: here for the woman. Okay, because because the woman, the

1474
01:43:05,600 --> 01:43:10,280
Speaker 1: woman fucking me. They'd be like you, but we don't

1475
01:43:10,320 --> 01:43:13,160
Speaker 1: really believe you. Come on, make ready for me for

1476
01:43:13,240 --> 01:43:15,160
Speaker 1: the one I'm gonna do a whole duff place. Let's

1477
01:43:15,160 --> 01:43:20,320
Speaker 1: do it right now. It's Normy Duck play man official.

1478
01:43:20,560 --> 01:43:25,920
Speaker 1: Now what's the dumb play j So you take a

1479
01:43:25,960 --> 01:43:50,600
Speaker 1: good record of your step wife. Listen. I want you

1480
01:43:50,720 --> 01:43:56,160
Speaker 1: to know, girl, Normy loves you little my wife. I

1481
01:43:56,240 --> 01:43:59,200
Speaker 1: love my wife, Barry and no man, now I ta

1482
01:43:59,600 --> 01:44:05,080
Speaker 1: w bar only to you. How wouldn't we feel my

1483
01:44:05,479 --> 01:44:12,360
Speaker 1: tears last to tell the police. I ain't home tonight,

1484
01:44:12,920 --> 01:44:23,200
Speaker 1: not tonight tonight. I sit around with you. Look into

1485
01:44:23,320 --> 01:44:34,760
Speaker 1: your eyes. You work the sad blue. Yeah, keep and

1486
01:44:34,960 --> 01:44:40,600
Speaker 1: this is I love my life. It's the money. I

1487
01:44:40,960 --> 01:44:50,679
Speaker 1: was troll. I trong. Come on, let's go, come on around.

1488
01:44:52,040 --> 01:45:16,120
Speaker 1: I tru around. So it's fiscing my soul. So don't

1489
01:45:16,160 --> 01:45:30,719
Speaker 1: one little getting cold? He said he's got one. Ye.

1490
01:45:31,520 --> 01:45:43,000
Speaker 1: Guess what's that one? You're crazy gonna relax? Got ye?

1491
01:45:48,960 --> 01:46:13,360
Speaker 1: Do you you you gotta? Yeah? First off, there's a

1492
01:46:13,520 --> 01:46:19,560
Speaker 1: there's a very ball, but it's a very secret with

1493
01:46:19,720 --> 01:46:23,599
Speaker 1: me and pun where we we we actually escaped from

1494
01:46:23,640 --> 01:46:26,760
Speaker 1: where Fat Joe, Puff Daddy and all these people was

1495
01:46:26,800 --> 01:46:29,760
Speaker 1: recording and the only person that was in the other

1496
01:46:29,840 --> 01:46:41,839
Speaker 1: students Cabbian, it was me pun and white class clubs

1497
01:46:41,920 --> 01:46:46,720
Speaker 1: coming in and be like, damn Caribbean connection, he said,

1498
01:46:46,800 --> 01:46:50,360
Speaker 1: coming to the check us every night. But the thing

1499
01:46:50,479 --> 01:46:54,320
Speaker 1: about it, it was, if I could take anything else

1500
01:46:54,479 --> 01:46:57,759
Speaker 1: back from my career, that part I would never change

1501
01:46:58,960 --> 01:47:01,200
Speaker 1: because he stood in in He was the bigger man.

1502
01:47:01,800 --> 01:47:06,639
Speaker 1: What I mean, you know big in Jamaican, big big

1503
01:47:07,800 --> 01:47:15,160
Speaker 1: he was. He could have been like but he came

1504
01:47:15,200 --> 01:47:18,920
Speaker 1: and he said, yeah, what's up? And that's what you did.

1505
01:47:20,439 --> 01:47:24,240
Speaker 1: Caribbean connections. It was the same brought the studio though,

1506
01:47:24,520 --> 01:47:35,599
Speaker 1: that's the kind of punning away. And then they said,

1507
01:47:35,640 --> 01:47:37,599
Speaker 1: you know, you know why clip on that ship? I said, damn,

1508
01:47:37,680 --> 01:47:42,960
Speaker 1: that's that's that's difference. Don't work there. He actually watered

1509
01:47:43,439 --> 01:47:45,960
Speaker 1: And you know what why I want to beat you

1510
01:47:46,520 --> 01:47:50,120
Speaker 1: up because I beat you up behind your face and

1511
01:47:50,240 --> 01:47:53,840
Speaker 1: you know, um, that's great beat you up behind your face,

1512
01:47:53,920 --> 01:47:56,400
Speaker 1: but I want to beat you up to your face. Yeah,

1513
01:47:56,600 --> 01:48:00,800
Speaker 1: And I want to say that, you know, hip hop

1514
01:48:01,240 --> 01:48:04,720
Speaker 1: is the thing that we should continue to do. This

1515
01:48:05,200 --> 01:48:08,160
Speaker 1: what I'm doing right now and saying that we love

1516
01:48:08,280 --> 01:48:12,759
Speaker 1: you for contributing what you did to hip hop. Fucking

1517
01:48:13,560 --> 01:48:18,679
Speaker 1: continuously slyly staying because you because it's gonna be honest.

1518
01:48:18,720 --> 01:48:30,120
Speaker 1: If I was I never came back. Now I realized

1519
01:48:30,160 --> 01:48:32,960
Speaker 1: what you did. But back then I would have been

1520
01:48:33,000 --> 01:48:36,439
Speaker 1: like that niggasna say Clap never came back. I would said, man,

1521
01:48:37,040 --> 01:48:42,759
Speaker 1: that's it's twenty years later about Clapp and I'm sitting

1522
01:48:42,800 --> 01:48:46,040
Speaker 1: back and I'm actually representing the culture of bomb mistake.

1523
01:48:47,479 --> 01:48:50,200
Speaker 1: But I'm representing the culture. So I'm gonna hold that down.

1524
01:48:50,720 --> 01:48:53,800
Speaker 1: It's not dn D. This is the new DND. Look

1525
01:48:53,840 --> 01:48:58,720
Speaker 1: at that ship, Look at this. It's more. Actually, you

1526
01:48:58,800 --> 01:49:00,760
Speaker 1: can't go to the breakfast club do this. You can't

1527
01:49:00,760 --> 01:49:04,080
Speaker 1: go seven years, you can't go anywhere else in the

1528
01:49:04,160 --> 01:49:06,560
Speaker 1: world and do what we're doing right now. This is

1529
01:49:13,680 --> 01:49:18,600
Speaker 1: all my president. And the thing about this is just

1530
01:49:19,160 --> 01:49:23,680
Speaker 1: the thing about this is let's not ever lose the

1531
01:49:23,880 --> 01:49:27,000
Speaker 1: journey of what we're doing. What we're doing is big

1532
01:49:27,120 --> 01:49:34,680
Speaker 1: en up our artists and today while Clap it's and

1533
01:49:36,479 --> 01:49:42,559
Speaker 1: I can't believe because you're blacking than me. Yeah I'm him. Yeah,

1534
01:49:42,680 --> 01:49:46,080
Speaker 1: I'm so black. I'm like a coin. We're blue love.

1535
01:49:46,360 --> 01:50:00,400
Speaker 1: But you're also more Spanish than me. That's that makes

1536
01:50:00,479 --> 01:50:10,280
Speaker 1: you advocated. But that's a beautiful Listen, calm down, everybody,

1537
01:50:10,320 --> 01:50:15,160
Speaker 1: come this. What makes it beautiful is that we're both

1538
01:50:15,200 --> 01:50:19,560
Speaker 1: on the same element. I'm Porter Weekend, I'm black You

1539
01:50:20,120 --> 01:50:35,280
Speaker 1: Haitian and Haitian and that's all sack down, double double

1540
01:50:35,320 --> 01:50:42,960
Speaker 1: Haitian stick no live. I've been a couple of year joints.

1541
01:50:43,200 --> 01:50:45,519
Speaker 1: I don't know that everybody's ship. But I tell you

1542
01:50:45,640 --> 01:50:47,960
Speaker 1: my wife is a big fan this ship. Let your

1543
01:50:48,000 --> 01:50:52,879
Speaker 1: wife listen. I don't know, not in that way anyway,

1544
01:50:54,720 --> 01:50:59,760
Speaker 1: it's just listen. I don't know because, like like he said,

1545
01:51:00,000 --> 01:51:04,400
Speaker 1: amaz if y'all won't pay attention, he's a strategist. So

1546
01:51:04,520 --> 01:51:09,160
Speaker 1: he saw two hundred and fifty episodes. This man destroyed

1547
01:51:09,240 --> 01:51:12,320
Speaker 1: everybody that came. I love. I loved a lot of episodes.

1548
01:51:13,080 --> 01:51:26,680
Speaker 1: This ship. It's the best ship. We got a little body, yo,

1549
01:51:26,880 --> 01:51:30,600
Speaker 1: check it out right. So you know, um, when I

1550
01:51:30,680 --> 01:51:34,240
Speaker 1: say like big pump forever, like that's not just in words.

1551
01:51:34,320 --> 01:51:37,840
Speaker 1: You feel me. So I think like a lot of times, um,

1552
01:51:38,800 --> 01:51:42,000
Speaker 1: because we have the musicality. They forget that, you know,

1553
01:51:42,120 --> 01:51:44,760
Speaker 1: we words Smith's you know what I mean and appreciate it.

1554
01:51:44,840 --> 01:51:48,400
Speaker 1: And we appreciate that. So definitely so I leave y'all

1555
01:51:48,400 --> 01:51:56,680
Speaker 1: eye with something like bars. Well you want bars with guitars, guitars?

1556
01:51:56,760 --> 01:52:05,760
Speaker 1: Stick it out. You can feel some gars over guitars.

1557
01:52:07,560 --> 01:52:10,519
Speaker 1: Peter big Fun love me my man. Who it's some

1558
01:52:10,720 --> 01:52:15,800
Speaker 1: bars over guitars. Yeah, I keep it hot, nor he

1559
01:52:15,880 --> 01:52:20,519
Speaker 1: got me a little honest. Yeah, bro, this is how

1560
01:52:20,600 --> 01:52:24,599
Speaker 1: I do this. I came here sipping on some guinness. Listen.

1561
01:52:25,000 --> 01:52:28,840
Speaker 1: My life started out in a small village. I ate

1562
01:52:28,960 --> 01:52:31,920
Speaker 1: dirt from the floor on me. No kitten, I ain't

1563
01:52:31,960 --> 01:52:35,479
Speaker 1: had no kitchen, Grandma said, pray to Christ this Jesus.

1564
01:52:35,600 --> 01:52:39,599
Speaker 1: Baby Belly had a bag of rice. My life started out.

1565
01:52:39,760 --> 01:52:42,240
Speaker 1: I was belly to pop a flute to the States,

1566
01:52:42,400 --> 01:52:46,120
Speaker 1: searching for the golden goose. No work papers, officers rating

1567
01:52:46,120 --> 01:52:49,000
Speaker 1: the underground, they try to get him. Boy took off

1568
01:52:49,120 --> 01:52:53,160
Speaker 1: like a greyhound his life. He got hunted like a groundhog,

1569
01:52:53,640 --> 01:52:56,880
Speaker 1: sting operation in the legal allien in New y'all. But

1570
01:52:57,040 --> 01:53:00,439
Speaker 1: like the King, My daddy had a dream, and years

1571
01:53:00,560 --> 01:53:03,160
Speaker 1: later I was sitting up in Brooklyn. What if Martin

1572
01:53:03,240 --> 01:53:05,519
Speaker 1: Luther state in the room, never stepped foot in the balcony.

1573
01:53:05,680 --> 01:53:07,519
Speaker 1: What if they had a bulletproof call instead of a

1574
01:53:07,640 --> 01:53:10,599
Speaker 1: drop toop for Kennedy. Malcolm xaid the speech, what if

1575
01:53:10,600 --> 01:53:12,720
Speaker 1: I had amongst the congregation, so when the boys can

1576
01:53:12,760 --> 01:53:14,519
Speaker 1: get your has in my pocket? Of five shots to

1577
01:53:14,560 --> 01:53:18,439
Speaker 1: the assassin, Listen, ain't nothing knowing to the son. What

1578
01:53:18,600 --> 01:53:21,720
Speaker 1: if I have put blanket Marvin Gaye's father's gun. What

1579
01:53:21,840 --> 01:53:24,479
Speaker 1: if y'all knew the truth before sending your kids to war?

1580
01:53:24,680 --> 01:53:26,960
Speaker 1: I told y'all that Manny cared about Iraq, you cared

1581
01:53:26,960 --> 01:53:29,160
Speaker 1: about the oil. Now, what if I could go back

1582
01:53:29,240 --> 01:53:31,560
Speaker 1: in time? I love race, not eleven. Dip to the

1583
01:53:31,640 --> 01:53:35,760
Speaker 1: Bahamas and Putaliah's luggage in the seven forty seven, put

1584
01:53:35,800 --> 01:53:38,320
Speaker 1: all the Papa Rozzi and the slammer, so that way,

1585
01:53:38,360 --> 01:53:41,599
Speaker 1: that night they would have never chased Princess Diana. Listen, man,

1586
01:53:41,840 --> 01:53:45,479
Speaker 1: The ahtands for alpha and omega. The B stands for barrier.

1587
01:53:45,680 --> 01:53:48,160
Speaker 1: That's what I'm knowing to do. The rappers see stands

1588
01:53:48,200 --> 01:53:50,360
Speaker 1: for chance. Once you take it, guard your ship. D

1589
01:53:50,680 --> 01:53:54,800
Speaker 1: f hic squad nigger read my lips h general from

1590
01:53:54,840 --> 01:53:58,000
Speaker 1: a d make my day. I stood in my chas

1591
01:53:58,040 --> 01:54:00,439
Speaker 1: in front of that k and for me to take

1592
01:54:00,520 --> 01:54:05,040
Speaker 1: an l it's gonna take amen. What's that Mother nature

1593
01:54:05,120 --> 01:54:08,600
Speaker 1: with the strong winds and all my piece productions like

1594
01:54:08,680 --> 01:54:11,120
Speaker 1: the queue as in Quincy when he did that thriller

1595
01:54:11,200 --> 01:54:15,200
Speaker 1: Michael Jackson Blue and this is who we all STU

1596
01:54:15,640 --> 01:54:18,960
Speaker 1: abbreviation for the studio are killing in the booth in

1597
01:54:19,080 --> 01:54:22,160
Speaker 1: the v Be very careful when you're watching shot as

1598
01:54:22,400 --> 01:54:25,240
Speaker 1: the w could turn up. Am. That's murder for higher

1599
01:54:25,800 --> 01:54:29,120
Speaker 1: by the window like X. Don't ask why I ain't

1600
01:54:29,200 --> 01:54:33,440
Speaker 1: taking no seats because the clans outside wild cleft from

1601
01:54:33,480 --> 01:54:37,080
Speaker 1: with my nigga noriy trust me freestyle. You don't wanna

1602
01:54:37,440 --> 01:54:40,160
Speaker 1: say that, sweet, because I'll be fun to November. I'll

1603
01:54:40,160 --> 01:54:43,800
Speaker 1: be gone to November. Tell my girl, I'll be gone

1604
01:54:43,840 --> 01:54:46,960
Speaker 1: to November. I've been going to November. I've been gone

1605
01:54:47,040 --> 01:54:53,280
Speaker 1: to November. You're tell loss as I've been gone to November. January, February, March,

1606
01:54:53,560 --> 01:54:56,920
Speaker 1: bro man, I see you're crying, but girl, I can't

1607
01:54:56,960 --> 01:54:59,640
Speaker 1: stay have it going to November. I've been gone to

1608
01:54:59,800 --> 01:55:16,440
Speaker 1: no Remember Carnival three pre artists. You already damn Carnival.

1609
01:55:24,080 --> 01:55:27,120
Speaker 1: My god, quick, where we get out of here, because

1610
01:55:27,160 --> 01:55:30,640
Speaker 1: this is in a sense like Haitian episode. I want

1611
01:55:30,680 --> 01:55:33,560
Speaker 1: to so the people I'm in Haiti shout to buddy.

1612
01:55:36,320 --> 01:55:41,360
Speaker 1: I shout out to everybody out there. Man, I thank

1613
01:55:41,440 --> 01:55:49,560
Speaker 1: y'all for for receiving us well over them, I thank baby. Okay,

1614
01:55:58,080 --> 01:56:03,480
Speaker 1: we don't get it, don't We don't get enough, So

1615
01:56:05,240 --> 01:56:09,160
Speaker 1: tell him Carnival. Carnival three man. This is what happened.

1616
01:56:09,240 --> 01:56:11,400
Speaker 1: Was the nephews meet the uncles. You know what I mean.

1617
01:56:11,760 --> 01:56:16,040
Speaker 1: It's nineteen ninety seven meets seventeen. We put the sonics

1618
01:56:16,120 --> 01:56:19,440
Speaker 1: together and you're gonna get all that live instrumentation that

1619
01:56:19,560 --> 01:56:22,680
Speaker 1: y'all love against the trap sonics. What happens when we

1620
01:56:22,760 --> 01:56:25,120
Speaker 1: put that together, it's called the Carnival. Of course, we

1621
01:56:25,240 --> 01:56:28,400
Speaker 1: got English on the record. Of course we got Spanish

1622
01:56:28,520 --> 01:56:30,560
Speaker 1: is naturally from Haiti. We got a bit of French

1623
01:56:30,640 --> 01:56:33,640
Speaker 1: on the record, a bit of crayoon um. It's hard

1624
01:56:34,200 --> 01:56:36,720
Speaker 1: hip hop influence and at the same time, what is

1625
01:56:36,800 --> 01:56:39,120
Speaker 1: hip hop is the culture. So I never got caught

1626
01:56:39,200 --> 01:56:40,880
Speaker 1: up in the bag of saying it has to sign

1627
01:56:40,920 --> 01:56:43,160
Speaker 1: a certain way hip hop as if we could move

1628
01:56:43,240 --> 01:56:45,800
Speaker 1: the world, and that's what we do. So Quincy Jones

1629
01:56:45,840 --> 01:56:47,320
Speaker 1: taught me a word. I'll give it to you. The

1630
01:56:47,360 --> 01:56:56,040
Speaker 1: ship is called Global Gumbo, my niggas. Beside of September

1631
01:56:56,120 --> 01:56:59,560
Speaker 1: baby September, but the pre Ortist is up. Now we

1632
01:56:59,680 --> 01:57:07,600
Speaker 1: have now I need to know that ship. So Quincy Jones, Yeah,

1633
01:57:07,680 --> 01:57:17,760
Speaker 1: that's my man. Feel me like big god, I feel

1634
01:57:17,800 --> 01:57:26,280
Speaker 1: like my life is something. But he met for like

1635
01:57:26,440 --> 01:57:31,560
Speaker 1: the day, so one degree of separation and then I left.

1636
01:57:31,600 --> 01:57:37,440
Speaker 1: That was like, Yo, noriy man, I really hope you

1637
01:57:37,560 --> 01:57:40,960
Speaker 1: know how you influence the culture, man, Like it's important.

1638
01:57:41,000 --> 01:57:43,480
Speaker 1: I mean, you talk about me, but it's just important,

1639
01:57:43,560 --> 01:57:47,320
Speaker 1: Like so the world understand like people like why Cleft,

1640
01:57:47,880 --> 01:57:51,440
Speaker 1: you know, people like Puffy, people like jay Z, people

1641
01:57:51,520 --> 01:57:54,760
Speaker 1: like nas. I'm just saying, like nor You're grind from

1642
01:57:54,800 --> 01:57:59,240
Speaker 1: the get go, fat Joe pun Um. It's important because

1643
01:57:59,320 --> 01:58:01,200
Speaker 1: you you would be that guy in that room. But

1644
01:58:01,280 --> 01:58:02,920
Speaker 1: you know what I mean, like what you're doing today

1645
01:58:03,040 --> 01:58:06,520
Speaker 1: was obvious, Like you would be a leader. So it

1646
01:58:06,600 --> 01:58:09,400
Speaker 1: would be great, you know to see people like Tupac.

1647
01:58:09,840 --> 01:58:12,120
Speaker 1: He would have transformed to that spot. You know, like

1648
01:58:12,280 --> 01:58:14,800
Speaker 1: you're straight up You're straight up a leader. Dog. We

1649
01:58:14,920 --> 01:58:18,760
Speaker 1: back you up one and I can't after this, It's

1650
01:58:18,840 --> 01:58:21,440
Speaker 1: downhill from here with every other show in the world.

1651
01:58:26,720 --> 01:59:00,160
Speaker 1: You oh my god, just flying shot, just listen us.

1652
01:59:01,000 --> 01:59:30,280
Speaker 1: Why Tripper don't like that? For the graph relaxed. No,

1653
01:59:30,440 --> 01:59:39,800
Speaker 1: he's gonna take the stream. I'm gonna been ship. I

1654
01:59:39,840 --> 01:59:42,480
Speaker 1: don't think like I said, I don't fucking come only

1655
01:59:42,640 --> 01:59:46,240
Speaker 1: ships you do. But I'm playing without me. I love you.

1656
01:59:46,480 --> 01:59:48,080
Speaker 1: I wish I could be everybody. I can't afford it.

1657
01:59:48,280 --> 01:59:52,760
Speaker 1: But listen what I'm saying. What you do, it's what

1658
01:59:53,000 --> 01:59:57,360
Speaker 1: you do you ain't. I'm a fucking imitating nobody else.

1659
01:59:57,960 --> 02:00:00,560
Speaker 1: And this is why your ship is so successful. This

1660
02:00:00,680 --> 02:00:02,720
Speaker 1: is why who you are who you are. You may

1661
02:00:03,520 --> 02:00:26,000
Speaker 1: paris cheer. We got one thing, Mrs why crazy stop

1662
02:00:26,280 --> 02:00:28,760
Speaker 1: bro what you want to know about the Fuji's baby?

1663
02:00:29,200 --> 02:00:32,320
Speaker 1: But love we already you know we we we we

1664
02:00:32,440 --> 02:00:36,760
Speaker 1: all about you know what I mean? The Fuji is Yeah,

1665
02:00:38,000 --> 02:00:40,640
Speaker 1: I don't get job. Tell me you get too. Don't

1666
02:00:40,680 --> 02:00:48,920
Speaker 1: listen to say something? Yea they all ya. Who's who's

1667
02:00:49,160 --> 02:01:04,360
Speaker 1: got as rapper in here? Right now? Somebody take a

1668
02:01:04,400 --> 02:01:09,520
Speaker 1: picture where to day games you need? You know, really

1669
02:01:11,000 --> 02:01:39,880
Speaker 1: really at a big dry wait to take right wrist blood.

1670
02:01:44,400 --> 02:01:45,960
Speaker 1: Before we get out of here, we just want to

1671
02:01:46,000 --> 02:01:48,440
Speaker 1: remind you that you can buy drink Champs gear at

1672
02:01:48,480 --> 02:01:51,160
Speaker 1: your local dtl our store. So look up the store

1673
02:01:51,200 --> 02:01:53,720
Speaker 1: nearest to you. You can also buy Drink Champs gear

1674
02:01:54,000 --> 02:01:56,880
Speaker 1: and other merch at drink Champs dot com or eight

1675
02:01:56,960 --> 02:01:59,960
Speaker 1: and nine dot com. Check us on Revolt TV everything

1676
02:02:00,000 --> 02:02:03,360
Speaker 1: Thursday night at m pm, then unedited audio drops Monday

1677
02:02:03,480 --> 02:02:06,640
Speaker 1: nights going into Tuesday at midnight. Then check for the

1678
02:02:06,720 --> 02:02:10,680
Speaker 1: United video Wednesdays on Revolt dot TV, drink Champs dot com,

1679
02:02:10,960 --> 02:02:13,280
Speaker 1: or you can go directly to YouTube. Look out for

1680
02:02:13,360 --> 02:02:16,160
Speaker 1: Nori's new food show coming soon, as well as new

1681
02:02:16,240 --> 02:02:20,040
Speaker 1: project featuring the upcoming single Uno mass Produced and featuring

1682
02:02:20,120 --> 02:02:23,720
Speaker 1: Farrell Check from my Coming Home documentaries Coming Home Vietnam

1683
02:02:23,840 --> 02:02:27,400
Speaker 1: documentary right now currently airing on Revolt TV and coming

1684
02:02:27,480 --> 02:02:31,200
Speaker 1: soon Coming Home Columbia. Follow us at Drink Champs on

1685
02:02:31,320 --> 02:02:34,680
Speaker 1: i G, Twitter and Facebook, and Nori at the Real

1686
02:02:34,760 --> 02:02:38,680
Speaker 1: Noriega on Instagram, at Noriega on Twitter, and me e

1687
02:02:38,880 --> 02:02:41,280
Speaker 1: f N at Who's Crazy on i G and at

1688
02:02:41,360 --> 02:02:43,800
Speaker 1: d j e f N on Twitter. And until next week,

1689
02:02:43,920 --> 02:02:44,880
Speaker 1: we had to hear peace