WEBVTT - Episode 184 : King Von Documentary Heated Debate | Feat Trap Lore Ross | Part 3

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<v Speaker 1>Make Eck a legend, though legend, and what.

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<v Speaker 2>I think. I think he's a legend of reporting. I

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<v Speaker 2>think this is the thing, right, I don't so. I

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<v Speaker 2>think going back to what you were saying a minute ago,

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<v Speaker 2>for example, the complex top thirty media personalities or whatever, right,

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<v Speaker 2>I think it's for me, I would probably say number

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<v Speaker 2>one media personality in hip hop full stop.

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<v Speaker 3>Probably Charlemagne. Yeah, that's on every That's what I'm saying.

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<v Speaker 3>When they when they had to listen, he wasn't number one,

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<v Speaker 3>and they called it a power rank, and I knew

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<v Speaker 3>it was.

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<v Speaker 2>Probably Charlemagne has to be number one. I think even

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<v Speaker 2>Ac would probably agree. You know, I've heard act in

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<v Speaker 2>many interviews say he was inspired by Charlemagne. And the

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<v Speaker 2>reason I think Charlemagne is number one isause I think

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<v Speaker 2>Charlemagne can do it all. He's author, He writes books

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<v Speaker 2>on very positive topics. You know, he's got that Black

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<v Speaker 2>Privileged book, and he's actually doing good, trying to spread

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<v Speaker 2>ideas in a way that is you know, hey, maybe

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<v Speaker 2>one day I could write a book. I think it

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<v Speaker 2>takes a lot of the intelligence, a lot of a

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<v Speaker 2>lot of brain power to write now actual book. He

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<v Speaker 2>can also interview people. He's got top shelf interviews with

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<v Speaker 2>the best rappers you could name for decades, so he

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<v Speaker 2>can nail that. And also, you know, he's a good debater,

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<v Speaker 2>he's a good content creator. He's made shows, he's hosted shows.

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<v Speaker 2>Charlamage is Charlad's all around, he's hard man facts, and

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<v Speaker 2>he's been around. You know, he's been doing it for

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<v Speaker 2>a long time and he's stayed on top. You know,

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<v Speaker 2>that's that's undeniable. I think the reason I think Ac

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<v Speaker 2>is the best in his space. I think it's like

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<v Speaker 2>what space.

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<v Speaker 1>It's like, this is what I'm saying. It's just not

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<v Speaker 1>that's not a space.

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<v Speaker 3>That's that's when you board do that, like if you

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<v Speaker 3>pay attention. Twitch realized that he was dumb enough that

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<v Speaker 3>he was going to do this anyway. This isn't a

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<v Speaker 3>business for this guy. This guy is just has nothing

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<v Speaker 3>to do. Stop paying him.

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<v Speaker 2>But hey, listen, like I we're here talking about him,

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<v Speaker 2>so he's doing something.

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<v Speaker 3>No, No, I'm not saying he's not relevant, right, relevant.

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<v Speaker 3>See I'm giving him that, right. A lot of the

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<v Speaker 3>Homeboys they now act is relevant. He has a big platform.

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<v Speaker 3>Not taking that from him, I'm saying that it's not

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<v Speaker 3>a real thing, this legendary, this top of the space

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<v Speaker 3>of what space.

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<v Speaker 2>Okay, here's I'm gonna say something controversial, and I know

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<v Speaker 2>a lot of people aren't gonna feel this. You might

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<v Speaker 2>you might not be feeling this either. I think the

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<v Speaker 2>War in chi Iraq series is says a lot more

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<v Speaker 2>positive stuff about act than people give him credit for.

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<v Speaker 2>I know a lot of people say the War in

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<v Speaker 2>ch Iraq, he's belittling these situations that are really deadly

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<v Speaker 2>in Chicago, and he was making light of that stuff.

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<v Speaker 2>If people want to say that, fair enough. But what

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<v Speaker 2>I think a lot of people forget is that like

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<v Speaker 2>now Chyraq and Chicago drill music has become the biggest

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<v Speaker 2>thing in hip hop. Academics had his finger on that

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<v Speaker 2>pulse back in twenty thirteen, twenty fourteen, when ain't nobody

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<v Speaker 2>heard about or was interested in Chicago hip hop. And

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<v Speaker 2>whether or not you believe that he approached those topics

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<v Speaker 2>with the sensitivity that they deserved, that's another debate. But

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<v Speaker 2>you can't deny the Academics was report in Chicago drill.

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<v Speaker 1>He was had his.

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<v Speaker 2>Finger on the pulse and he's for damn near That

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<v Speaker 2>was like ten years ago, the Warren Trirack started. He

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<v Speaker 2>has maintained that relevancy for ten years. If people love him,

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<v Speaker 2>they hate him. But even now, we're gonna go on

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<v Speaker 2>axt page and we're gonna see the Young Boy and

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<v Speaker 2>the Little Dirk Beef updates before anyone else has got them.

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<v Speaker 2>And let's be real, that is the number one story

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<v Speaker 2>going on.

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<v Speaker 3>But that's not a contribute to academics. That's a contribute

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<v Speaker 3>to Dirk and Young Boy. You see like you're there,

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<v Speaker 3>You're there. Maybe it's a mix, but there's a lot

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<v Speaker 3>of people there because oh he's finna say like he's

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<v Speaker 3>on the Young Boy thing. That's why the podcast has

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<v Speaker 3>an exclusive deal with Spotify, and it barely even charts.

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<v Speaker 3>It'd be like number nine and ten. I know that's

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<v Speaker 3>disappointed for Spotify. We pay you, we pay you millions

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<v Speaker 3>of dollars and we can't.

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<v Speaker 1>Even keep you number one. For people whose.

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<v Speaker 3>Podcast available everywhere, he's consistently under million dollars worth a game,

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<v Speaker 3>consistently under Joe Biden, consistently under Adam Like he's I

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<v Speaker 3>ain't gonna say Adam, he's over Adam. But he's consistently

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<v Speaker 3>under some of the biggest podcast, and it's like, all right,

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<v Speaker 3>So when he's able to talk about some of these

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<v Speaker 3>hot button topics, a lot of the driver of the

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<v Speaker 3>audience is there because it is a hot button topic.

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<v Speaker 1>It ain't because of his perspective or what he's saying.

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<v Speaker 2>Here's the argument against that, his argument against that. And

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<v Speaker 2>I agree with some of what you said, but I

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<v Speaker 2>think with the with academics. When his podcast first came

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<v Speaker 2>out and he had that big debut where he had

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<v Speaker 2>what do you have? He had Whack one hundred and

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<v Speaker 2>six nine debating, which was crazy, Like I know, like

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<v Speaker 2>bear in mind, hip hop has changed so much in

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<v Speaker 2>the last few years, you forget that. Like when that

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<v Speaker 2>first off the record episode happened with Super Snitch six '

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<v Speaker 2>nine and Super Solid Street Dude Whack one hundred in

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<v Speaker 2>the same room at the same table. That was crazy

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<v Speaker 2>and that was number one bus.

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<v Speaker 3>So you know what they're saying to me, he poured

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<v Speaker 3>the trigger too early, But it was cool because he

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<v Speaker 3>had to pour the trigger in because he just got

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<v Speaker 3>the beg before before let me explain, let me explain

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<v Speaker 3>the primise, he just got the beg from Spotify. You

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<v Speaker 3>got to bag up Academics is unproven in podcasting.

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<v Speaker 1>They knew nothing. They didn't know.

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<v Speaker 3>They know he has a platform in an audience, but

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<v Speaker 3>as far as podcasting, he had no numbers.

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<v Speaker 1>So what did they do.

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<v Speaker 3>They had to go and negotiate, Hey, we'll give you

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<v Speaker 3>two or three episodes a week because you're gonna have

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<v Speaker 3>to pay us millions of dollars, but we'll give you

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<v Speaker 3>a couple of episodes a week to kind of make

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<v Speaker 3>sure the numbers stay in a good there. He got

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<v Speaker 3>some great people to negotiate form. But bro, that's one

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<v Speaker 3>of his first episodes. It's now time to renegotiate what

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<v Speaker 3>does he have since now won't even come see him

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<v Speaker 3>no more.

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<v Speaker 2>But here's the thing I think Academics also, I gotta

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<v Speaker 2>give him credit because I understand what you're saying. I

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<v Speaker 2>think that when it comes to following the stories that

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<v Speaker 2>are popular in hip hop, I think the good The

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<v Speaker 2>one good thing that I think is really good about

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<v Speaker 2>Academics that he doesn't get enough credit for is that

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<v Speaker 2>I don't think he's scared of reporting on some of

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<v Speaker 2>the stories that maybe aren't gonna be number one hit,

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<v Speaker 2>stories that are going to reach a million people. For example,

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<v Speaker 2>you know, he invite me to be on Off the Record, right,

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<v Speaker 2>I got on Off the Record episode and listen, I

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<v Speaker 2>think I'm awesome. I fucking love the content. I make

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<v Speaker 2>a great but like, I'm not a six to nine

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<v Speaker 2>level guy, right, I know that I can accept that

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<v Speaker 2>my egos is what it is. Like me going on

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<v Speaker 2>off the Record ain't gonna be his best week by

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<v Speaker 2>any means, you know what I mean, if he was

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<v Speaker 2>who he.

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<v Speaker 1>Was, if he was legendary Wood.

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<v Speaker 3>So what we're doing with Minds is we about to

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<v Speaker 3>build something like Rogan Gap, and we're gonna put the

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<v Speaker 3>money behind it, the resources, and most importantly the conversations

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<v Speaker 3>like this conversation right here. The mess is here. This

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<v Speaker 3>this is a golden nugget. This is nugget on the Internet.

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<v Speaker 3>As long as you dropping nuggets on the internet, you know,

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<v Speaker 3>you drop nuggets. As long as you dropping nuggets on

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<v Speaker 3>the Internet, You're gonna be okay.

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<v Speaker 2>Bro, I agree, I agree. But I think I think

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<v Speaker 2>with Ac I think sometimes he is somebody that's not

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<v Speaker 2>scared to do a story that he's personally interested in.

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<v Speaker 2>Like bear in mind, right, I've blown up loads in

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<v Speaker 2>the last month because of the whole all the attention

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<v Speaker 2>around this whole king vo controversy, but invite me onto

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<v Speaker 2>his podcast back in December, so he kind of saw.

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<v Speaker 3>Act didn't validate you. Bro, your content is dope. This

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<v Speaker 3>is what I need for the young niggas watching me

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<v Speaker 3>because they'll trick you in this stupid ass game. You

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<v Speaker 3>don't need these niggas. They ain't never told me I

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<v Speaker 3>was dope. They bosses told me I was dope. The

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<v Speaker 3>niggas that cut they checks told me. I don't expect

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<v Speaker 3>academics to say long dope. He can't talk like me.

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<v Speaker 3>I don't expect that. So, Bro, you didn't need him

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<v Speaker 3>him bringing you on this podcast helped him.

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<v Speaker 1>He can't get a rapper to show up. You helped him.

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<v Speaker 3>I meant, I'm telling you. I'm telling you your content

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<v Speaker 3>is dope. Academics didn't validate you. Spend hours on this ship,

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<v Speaker 3>you put your hard work, and then you have dope content.

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<v Speaker 1>People.

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<v Speaker 3>You got the views this pruved, you got dope content. Bro,

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<v Speaker 3>He ain't did none special bringing you own for an

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<v Speaker 3>exclusive contract that don't even reach half the people that

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<v Speaker 3>know him. Twenty twenty five percent of the people know him. Listen,

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<v Speaker 3>to that shit. The other seventy five percent listen to

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<v Speaker 3>the shit like you saying they want to hear the

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<v Speaker 3>Newsy shit he's doing on that podcast.

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<v Speaker 1>Shit is falling by the wayside.

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<v Speaker 3>And so when you call dude a legend or legendary,

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<v Speaker 3>I'm saying, all right, help me understand, because I can't

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<v Speaker 3>put together the business that he's put in place. He

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<v Speaker 3>lost his Twitch deal because they know thise yo, this

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<v Speaker 3>dude to do this for free guaranteed. If he won't,

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<v Speaker 3>we'll pay him, but give him three months. If he

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<v Speaker 3>twitch over, he'll do this for free. He'll he so

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<v Speaker 3>much wont the clout. He went and got a Rumble

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<v Speaker 3>deal where they pay him, and he still go to

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<v Speaker 3>twitch for free. He might get your little you might

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<v Speaker 3>get your little subs and shit, but you got exclusive deal.

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<v Speaker 1>It's like bru.

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<v Speaker 3>At some point, I'm dropping nuggets, be like Joe Budden

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<v Speaker 3>was when Spotify paid Joe shut out the doors. This

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<v Speaker 3>is what we at We finished show them people coming.

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<v Speaker 3>And that's what I'm saying about. What business have these

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<v Speaker 3>guys established? You hit me salute Charlemagne is the goat

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<v Speaker 3>of the space one percent. It's the business I'm looking

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<v Speaker 3>at Joe Budden now with the Patren shit going crazy,

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<v Speaker 3>going Whillo and Gilly going crazy, drink Champ's crazy.

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<v Speaker 1>It's the business.

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<v Speaker 3>What business have have academics put in place? They make

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<v Speaker 3>you say he's legendary.

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<v Speaker 2>Well, this is the thing, man. I'll be honest, like,

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<v Speaker 2>I'm pretty green when it comes to the podcast face.

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<v Speaker 2>I don't really know the ins and outs of the

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<v Speaker 2>deals that people get other than I looked into Joe's

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<v Speaker 2>deal for my video and stuff. But I have respect

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<v Speaker 2>for academics, you know. I feel like he is somebody

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<v Speaker 2>that bear in mind. Put it this way, right, I

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<v Speaker 2>for a living, I look into these stories and I'm

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<v Speaker 2>constantly searching for information from the past. I'm looking for

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<v Speaker 2>what was the young boy But yeah, what was the

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<v Speaker 2>young boy controversy in twenty nineteen? And I look it

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<v Speaker 2>up and it's all academics reporting on it, you know

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<v Speaker 2>what I mean? And so I respect that.

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<v Speaker 1>And I can do too. I do too.

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<v Speaker 3>But I think it's our wasted bullets. I think it's

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<v Speaker 3>like shooting in the air, you know what I'm saying, Like,

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<v Speaker 3>when it's business happening, I believe they have to be

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<v Speaker 3>shooting in the air.

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<v Speaker 1>He just boom boom.

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<v Speaker 2>But I don't think but I don't think academics. Obviously

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<v Speaker 2>he cares about money. He's got a nice house, he's

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<v Speaker 2>got nice cars. But I think he does strike And

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<v Speaker 2>you might disagree, but he does strike me as somebody

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<v Speaker 2>that genuinely loves hip hop. He genuinely loves hopping on

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<v Speaker 2>stream and talking shit about young boy and he would

0:10:37.200 --> 0:10:39.240
<v Speaker 2>do that for free. And I think I do respect that,

0:10:39.320 --> 0:10:40.800
<v Speaker 2>even if you know, I don't know the ins and

0:10:40.880 --> 0:10:43.080
<v Speaker 2>outs of his business. Maybe there's people that cut better deals,

0:10:43.080 --> 0:10:45.160
<v Speaker 2>maybe there's people that cut worse deals. But I just

0:10:45.200 --> 0:10:47.400
<v Speaker 2>think the guys love for hip hop, and the guy's hungry.

0:10:48.559 --> 0:10:50.360
<v Speaker 3>Now, he didn't even grow up in it. I grew

0:10:50.440 --> 0:10:51.920
<v Speaker 3>up in it. He don't love it more than me.

0:10:52.240 --> 0:10:54.720
<v Speaker 3>But that don't make me ignore the business. Anything I

0:10:54.720 --> 0:10:59.280
<v Speaker 3>ignore make me dumb. I ain't ignoring the obvious for nobody, right.

0:10:59.400 --> 0:11:01.320
<v Speaker 3>My love for some don't make me stay with a

0:11:01.360 --> 0:11:04.599
<v Speaker 3>woman if she ain't doing me no well, if she,

0:11:04.880 --> 0:11:07.440
<v Speaker 3>like I heard him say, somebody try to certain things

0:11:07.440 --> 0:11:10.719
<v Speaker 3>happen like bruh, you got to understand certain things call

0:11:10.840 --> 0:11:13.600
<v Speaker 3>for certain things. I'm not putting myself in a situation

0:11:13.720 --> 0:11:16.920
<v Speaker 3>to say I could be doing business, but I'll do

0:11:17.000 --> 0:11:19.440
<v Speaker 3>it for free. I love it that much like I

0:11:19.480 --> 0:11:21.559
<v Speaker 3>will do it for free. I've done it for free.

0:11:21.720 --> 0:11:24.440
<v Speaker 3>Matter of fact, most of us is making money off this.

0:11:24.840 --> 0:11:28.840
<v Speaker 3>We've done it for free. We've already done it for free.

0:11:29.600 --> 0:11:32.640
<v Speaker 3>So when you in this position, I'm saying, this is

0:11:32.679 --> 0:11:37.079
<v Speaker 3>the time academics has to establish business like everybody else,

0:11:38.160 --> 0:11:41.200
<v Speaker 3>because we talk in legacy and we don't know what

0:11:41.280 --> 0:11:44.280
<v Speaker 3>the fuck YouTube gonna be in twenty years. But if

0:11:44.320 --> 0:11:46.960
<v Speaker 3>you build you a back catalog of content like you

0:11:47.120 --> 0:11:49.960
<v Speaker 3>got that can be licensed, or you build you a

0:11:50.040 --> 0:11:53.839
<v Speaker 3>back catalog of content, right, this is business. You need

0:11:53.880 --> 0:11:56.040
<v Speaker 3>to be creating business, not get caught up in all

0:11:56.040 --> 0:11:57.440
<v Speaker 3>this fandom, all this.

0:11:57.600 --> 0:11:59.320
<v Speaker 1>I'm a fan. I'm upsets. Let it right.

0:11:59.400 --> 0:12:03.560
<v Speaker 3>Yeah yeah, Now do business too, though, enjoy yourself, but

0:12:03.720 --> 0:12:09.839
<v Speaker 3>do business. So I'm saying, legendary legacy are business men.

0:12:10.200 --> 0:12:16.000
<v Speaker 3>When I want to have him under Charlemagne, Joe Charlemagne, academics.

0:12:17.280 --> 0:12:17.960
<v Speaker 2>That was crazy?

0:12:18.080 --> 0:12:18.360
<v Speaker 1>Are we?

0:12:18.960 --> 0:12:19.080
<v Speaker 2>What?

0:12:19.120 --> 0:12:21.520
<v Speaker 3>Are you glad it's on the list. It makes me

0:12:21.920 --> 0:12:25.160
<v Speaker 3>We got Adam two million a month. There's so many

0:12:25.280 --> 0:12:31.359
<v Speaker 3>drink Wallow and Gilly what academics three with what business?

0:12:34.200 --> 0:12:35.880
<v Speaker 2>It was crazy. But this is the thing, bro, if

0:12:35.920 --> 0:12:37.240
<v Speaker 2>I have if I got to the point where I'm

0:12:37.240 --> 0:12:39.319
<v Speaker 2>trying to cut a podcast pot cost, still I need

0:12:39.360 --> 0:12:40.200
<v Speaker 2>you at my corner color.

0:12:40.400 --> 0:12:41.040
<v Speaker 1>Yeah, I got you.

0:12:41.040 --> 0:12:42.760
<v Speaker 2>You know you got you. You know your ship. Bro,

0:12:42.800 --> 0:12:43.840
<v Speaker 2>I'm I'm new to.

0:12:43.840 --> 0:12:46.400
<v Speaker 1>The We're gonna work on something behind the scenes.

0:12:46.440 --> 0:12:48.480
<v Speaker 3>I'm definitely gonna try to put a play together, like

0:12:48.559 --> 0:12:50.680
<v Speaker 3>a big one, you know, with one of these big networks,

0:12:50.720 --> 0:12:52.920
<v Speaker 3>because you know, I got the game. But I will

0:12:52.920 --> 0:12:55.520
<v Speaker 3>talk about that. We'll talk about you know that at

0:12:55.520 --> 0:12:58.760
<v Speaker 3>another time. How much time it will close up in

0:12:58.800 --> 0:13:02.400
<v Speaker 3>a minute. How much time do you spend on these documentaries,

0:13:02.440 --> 0:13:05.280
<v Speaker 3>like saying, NBA Young Boy documentary, how much time are

0:13:05.320 --> 0:13:06.719
<v Speaker 3>you spending on it?

0:13:09.400 --> 0:13:13.000
<v Speaker 2>I would say on average, I would say it takes

0:13:13.040 --> 0:13:19.679
<v Speaker 2>me about probably, like for every hour that a video

0:13:19.840 --> 0:13:22.960
<v Speaker 2>is probably a month. So the King Von video took

0:13:23.040 --> 0:13:26.440
<v Speaker 2>me three months straight straight up. I didn't do nothing

0:13:26.440 --> 0:13:28.480
<v Speaker 2>else but look at King Von shit for three months.

0:13:28.760 --> 0:13:31.120
<v Speaker 2>So with this young Boy thing, you know, I don't

0:13:31.360 --> 0:13:32.959
<v Speaker 2>I don't know how long it's gonna be. I'm still

0:13:33.040 --> 0:13:36.000
<v Speaker 2>I'm I thought I was further out. Probably I'm not

0:13:36.040 --> 0:13:38.400
<v Speaker 2>even halfway through. But I've been working on this for

0:13:38.800 --> 0:13:43.960
<v Speaker 2>over damn near two months now, and I feel like

0:13:44.000 --> 0:13:45.000
<v Speaker 2>maybe I need another month.

0:13:45.040 --> 0:13:48.079
<v Speaker 1>It might be motherfuckers, man.

0:13:49.360 --> 0:13:52.040
<v Speaker 2>Yeah, bro, it's long, but that usually i'd say, I'd

0:13:52.080 --> 0:13:54.320
<v Speaker 2>say like a month for for for an hour.

0:13:54.800 --> 0:13:54.960
<v Speaker 1>You know.

0:13:55.000 --> 0:13:56.240
<v Speaker 2>It's kind of like because back in the day, I

0:13:56.360 --> 0:13:58.200
<v Speaker 2>used to do like little fifteen to twenty minute videos,

0:13:58.240 --> 0:13:59.440
<v Speaker 2>and I could do one of those in a week,

0:13:59.600 --> 0:14:01.960
<v Speaker 2>you know, research the story, record it, get it edited

0:14:02.240 --> 0:14:04.800
<v Speaker 2>in like a week. But yeah, these long videos they

0:14:04.800 --> 0:14:06.439
<v Speaker 2>take a long time, man. And you know the way

0:14:06.480 --> 0:14:09.360
<v Speaker 2>it works is it's almost like I'll be researching, you know,

0:14:09.440 --> 0:14:11.079
<v Speaker 2>for a month, and then I'll hand it off to

0:14:11.120 --> 0:14:13.360
<v Speaker 2>an editor. They might edit for a whole month while

0:14:13.400 --> 0:14:16.400
<v Speaker 2>I'm researching the next thing for a month. That makes sense.

0:14:16.720 --> 0:14:18.560
<v Speaker 2>So yeah, they take a lot of time, man, And

0:14:18.640 --> 0:14:19.720
<v Speaker 2>you know, like I go back to what I was

0:14:19.720 --> 0:14:21.520
<v Speaker 2>saying earlier, you know, for for better or for worse.

0:14:21.880 --> 0:14:24.080
<v Speaker 2>You know, I do have an obsession for hip hop,

0:14:24.320 --> 0:14:26.560
<v Speaker 2>you know, I have an obsession for my work. I've

0:14:26.560 --> 0:14:27.760
<v Speaker 2>got an obsession for the Internet.

0:14:27.800 --> 0:14:27.960
<v Speaker 1>You know.

0:14:27.960 --> 0:14:30.760
<v Speaker 2>I love writing, I love researching, and I don't think

0:14:30.800 --> 0:14:32.960
<v Speaker 2>I would be able to do this, you know, look

0:14:33.000 --> 0:14:34.840
<v Speaker 2>at the same stories for months, or you know, sometimes

0:14:34.880 --> 0:14:36.560
<v Speaker 2>I work super late nights. I work, you know, I

0:14:36.560 --> 0:14:39.400
<v Speaker 2>can work all night long, just research and writing, listening

0:14:39.480 --> 0:14:41.920
<v Speaker 2>to music, making notes. And if I didn't love this shit,

0:14:41.960 --> 0:14:43.920
<v Speaker 2>if I wasn't serious about it, if I was just

0:14:44.520 --> 0:14:47.400
<v Speaker 2>you know, a vulture, just trying to trying to steal

0:14:47.520 --> 0:14:50.400
<v Speaker 2>some music for clout and money, I wouldn't be able

0:14:50.400 --> 0:14:52.080
<v Speaker 2>to really commit to this. Because I love this shit. Man,

0:14:52.720 --> 0:14:54.920
<v Speaker 2>I'm excited to get up in the morning and listen

0:14:54.960 --> 0:14:58.080
<v Speaker 2>to a mixtape I've not heard before and learn about

0:14:58.120 --> 0:15:01.200
<v Speaker 2>an artist and read about their in views and their backstories,

0:15:01.200 --> 0:15:03.440
<v Speaker 2>like I love this shit. So you know, I spend

0:15:03.440 --> 0:15:06.040
<v Speaker 2>months on these stories, but I enjoy it. And it's

0:15:06.080 --> 0:15:07.400
<v Speaker 2>hard work, but it's very.

0:15:10.280 --> 0:15:12.800
<v Speaker 3>So if you, let's say you got two months in

0:15:12.920 --> 0:15:16.920
<v Speaker 3>and you find out the story's no good, damn he

0:15:17.000 --> 0:15:20.200
<v Speaker 3>didn't do it, I want you to know that it's

0:15:20.240 --> 0:15:22.560
<v Speaker 3>okay to put it out with all that information in

0:15:22.640 --> 0:15:25.960
<v Speaker 3>at the end turns out he did none of this, right.

0:15:26.000 --> 0:15:28.040
<v Speaker 3>I want you to know that that's okay, because I

0:15:28.040 --> 0:15:30.520
<v Speaker 3>don't want you to commit going in that yo, I

0:15:30.640 --> 0:15:33.680
<v Speaker 3>have to find these twelve murders and justify whatever this

0:15:34.000 --> 0:15:37.320
<v Speaker 3>is right, whatever they're saying. I'm looking to justify to

0:15:37.360 --> 0:15:40.040
<v Speaker 3>a point where again hammer looking for nail.

0:15:41.800 --> 0:15:45.600
<v Speaker 2>I agree, and I am. I don't know, but this

0:15:45.760 --> 0:15:48.440
<v Speaker 2>next project, who knows, it might end up going that

0:15:48.480 --> 0:15:51.480
<v Speaker 2>way because I'm doing that research and you know, I'm

0:15:51.760 --> 0:15:54.560
<v Speaker 2>finding in stuff that's saying the one thing, stuff that's

0:15:54.560 --> 0:15:57.280
<v Speaker 2>saying the other thing. And you know, I agree. I

0:15:57.320 --> 0:15:59.760
<v Speaker 2>definitely don't want to give people the impression that I

0:15:59.760 --> 0:16:02.120
<v Speaker 2>get to these stories with like a false narrative or

0:16:02.400 --> 0:16:04.280
<v Speaker 2>I'm just trying to prove that everybody is the biggest,

0:16:04.320 --> 0:16:06.200
<v Speaker 2>baddest gangster in the world. You know that's really not

0:16:06.280 --> 0:16:08.840
<v Speaker 2>the case. My thing is the truth. I want to

0:16:08.840 --> 0:16:11.400
<v Speaker 2>get the truth across. I want to get my opinion,

0:16:11.440 --> 0:16:13.880
<v Speaker 2>but also like the facts and then for me to say, look,

0:16:13.880 --> 0:16:15.800
<v Speaker 2>based on the fact, this is how I feel the

0:16:15.880 --> 0:16:19.080
<v Speaker 2>situation is, or this is how just and it's not.

0:16:19.560 --> 0:16:19.760
<v Speaker 1>Look.

0:16:19.760 --> 0:16:22.080
<v Speaker 2>I know I'm an outsider to the culture, and I

0:16:22.080 --> 0:16:24.520
<v Speaker 2>can accept that. But what I am is I'm a

0:16:24.520 --> 0:16:28.000
<v Speaker 2>good researcher. I'm a very dedicated researcher, and I think

0:16:28.040 --> 0:16:30.160
<v Speaker 2>that you know, if I spend two months looking at something,

0:16:30.680 --> 0:16:33.400
<v Speaker 2>my opinion on what all of that shit that I

0:16:33.400 --> 0:16:35.920
<v Speaker 2>spent two months looking at is still should be somewhat valid,

0:16:36.240 --> 0:16:37.920
<v Speaker 2>And you know, I hope that people can see that,

0:16:37.960 --> 0:16:40.200
<v Speaker 2>you know, whether it's a video about King von and

0:16:40.280 --> 0:16:42.920
<v Speaker 2>you know, the alleged murders, or whether it's a video

0:16:42.960 --> 0:16:44.480
<v Speaker 2>about you know, I don't know if you've seen other

0:16:44.600 --> 0:16:47.200
<v Speaker 2>recent stuff like Eminem and his wife and going through

0:16:47.200 --> 0:16:49.920
<v Speaker 2>this this crazy divorce that you know, completely affected his

0:16:50.000 --> 0:16:52.440
<v Speaker 2>career in every way. And you know, you can argue

0:16:52.440 --> 0:16:55.240
<v Speaker 2>that this relationship that's what got him hooked on drugs

0:16:55.240 --> 0:16:57.520
<v Speaker 2>and nearly killed him. So you know, I look into

0:16:57.520 --> 0:16:59.280
<v Speaker 2>these stories and I really try and learn everything and

0:16:59.320 --> 0:17:01.680
<v Speaker 2>call it how I see it. And you know, I

0:17:02.160 --> 0:17:04.119
<v Speaker 2>know a lot of people disagree with me, and you know,

0:17:04.200 --> 0:17:06.199
<v Speaker 2>some people don't like me for certain reasons, or they

0:17:06.200 --> 0:17:07.880
<v Speaker 2>think that I shouldn't talk about what I talk about

0:17:07.960 --> 0:17:11.159
<v Speaker 2>or whatever, and you know, I understand where people are

0:17:11.200 --> 0:17:13.760
<v Speaker 2>coming from. But honestly, like I do just love hip hop,

0:17:13.840 --> 0:17:16.520
<v Speaker 2>like you know, I do love writing making videos, and

0:17:16.640 --> 0:17:18.280
<v Speaker 2>you know, I just try and make videos for other

0:17:18.280 --> 0:17:20.040
<v Speaker 2>people that love hip hop and want to learn about art.

0:17:20.160 --> 0:17:22.760
<v Speaker 3>Did you do you write everything down? Like is you

0:17:22.880 --> 0:17:26.199
<v Speaker 3>reading like a teleprompter or script. How do you how

0:17:26.200 --> 0:17:28.480
<v Speaker 3>do you communicate these things on camera? Because again you

0:17:28.560 --> 0:17:30.760
<v Speaker 3>do it with like you're not reading. You're doing a

0:17:30.800 --> 0:17:33.560
<v Speaker 3>great job, right, So how do you communicate these things

0:17:33.600 --> 0:17:34.040
<v Speaker 3>on camera?

0:17:35.880 --> 0:17:38.920
<v Speaker 2>Yeah, so it's funny. I only started using the teleprompt

0:17:38.920 --> 0:17:40.600
<v Speaker 2>to recently. I think the first video I used the

0:17:40.600 --> 0:17:43.280
<v Speaker 2>teleprompter run was and maybe the most three documentary that

0:17:43.320 --> 0:17:46.600
<v Speaker 2>I did last year. But you know what I do

0:17:46.720 --> 0:17:48.800
<v Speaker 2>is I tend to write. I do a lot of research.

0:17:48.840 --> 0:17:50.760
<v Speaker 2>You know, I'll read all the rap lyrics, I'll watch

0:17:50.760 --> 0:17:53.160
<v Speaker 2>the music videos, I'll read the interviews, and I'll put

0:17:53.160 --> 0:17:56.840
<v Speaker 2>those into like a research document, usually in like chronological order.

0:17:56.920 --> 0:17:59.040
<v Speaker 2>So it's like, you know, right now with this young

0:17:59.080 --> 0:18:01.320
<v Speaker 2>boy things ample, it's like, okay, I've just got like

0:18:01.440 --> 0:18:03.639
<v Speaker 2>background of where he's from, Baton Rouge, and then it's like,

0:18:03.680 --> 0:18:06.840
<v Speaker 2>you know, his his life, his upbringing, and then it's like,

0:18:06.880 --> 0:18:08.760
<v Speaker 2>you know, his first album, what did he say? What

0:18:08.800 --> 0:18:10.760
<v Speaker 2>were the events going on around him with the first album?

0:18:11.080 --> 0:18:13.239
<v Speaker 2>The next album, or you know, we get to his

0:18:13.240 --> 0:18:15.119
<v Speaker 2>court case, he goes to the court. What happened with

0:18:15.119 --> 0:18:16.679
<v Speaker 2>the court case? Did he win, did he lose? What

0:18:16.720 --> 0:18:19.080
<v Speaker 2>happened he gets out what's the next album? So I

0:18:19.119 --> 0:18:22.080
<v Speaker 2>try and get all of that info lined up, and

0:18:22.119 --> 0:18:24.520
<v Speaker 2>then once I feel like I've learned everything, I then

0:18:24.560 --> 0:18:27.600
<v Speaker 2>try and write it in my voice with you know

0:18:27.680 --> 0:18:30.480
<v Speaker 2>what I've learned, like my perspective of like, Okay, I think,

0:18:31.000 --> 0:18:33.320
<v Speaker 2>you know, there's this lyric and then this happened. I

0:18:33.359 --> 0:18:36.720
<v Speaker 2>think that that means this is where his head was

0:18:36.720 --> 0:18:38.639
<v Speaker 2>aut at the time he wrote this lyric, or you

0:18:38.680 --> 0:18:40.399
<v Speaker 2>know clearly he was going through some shit because he

0:18:40.480 --> 0:18:42.679
<v Speaker 2>said this and then this happened, and you know he

0:18:42.720 --> 0:18:45.720
<v Speaker 2>went through a difficult case or dude got addicted to

0:18:45.760 --> 0:18:47.720
<v Speaker 2>drugs or whatever. And so I'll kind of write that

0:18:47.800 --> 0:18:49.240
<v Speaker 2>up until I get to the point where I feel

0:18:49.280 --> 0:18:52.240
<v Speaker 2>like I've explained everything that happened. It's like I don't

0:18:52.240 --> 0:18:53.640
<v Speaker 2>want to just throw up a lyric and not say anything.

0:18:53.640 --> 0:18:55.719
<v Speaker 2>I want to throw up a lyric and say, what

0:18:55.760 --> 0:18:56.280
<v Speaker 2>does this mean?

0:18:56.320 --> 0:19:01.800
<v Speaker 1>Like was he trying to say wonder stuff? Don It's it's.

0:19:01.680 --> 0:19:04.679
<v Speaker 2>Really a case of, like, you know, just me lining

0:19:04.680 --> 0:19:06.560
<v Speaker 2>it all up and just trying to give my interpretation.

0:19:06.640 --> 0:19:08.159
<v Speaker 2>I think I think a lot of a lot of

0:19:08.160 --> 0:19:11.240
<v Speaker 2>people maybe don't like that I give my opinion, but

0:19:11.320 --> 0:19:12.679
<v Speaker 2>at the same time, it's kind of like, look, if

0:19:12.680 --> 0:19:14.479
<v Speaker 2>we've got a lyric where Young Boys saying I've got

0:19:14.480 --> 0:19:17.840
<v Speaker 2>twelve bodies, I think it's reasonable to be able to say, look,

0:19:17.880 --> 0:19:19.760
<v Speaker 2>young boy released an album. He's got two or three

0:19:19.840 --> 0:19:21.800
<v Speaker 2>lyrics on there where he's talking about doing drive bys

0:19:21.800 --> 0:19:24.399
<v Speaker 2>and catching bodies. And you know what I think this

0:19:24.560 --> 0:19:26.359
<v Speaker 2>means is that this is a point when Young Boy

0:19:26.640 --> 0:19:28.480
<v Speaker 2>is at a time in his career where he wants to,

0:19:28.920 --> 0:19:31.800
<v Speaker 2>you know, let his ops or whatever know that he's

0:19:32.000 --> 0:19:34.080
<v Speaker 2>he's still here, he's still standing. You know, he's really

0:19:34.080 --> 0:19:35.960
<v Speaker 2>trying to let people know that he's not affected by

0:19:35.960 --> 0:19:43.880
<v Speaker 2>the drama going on. And it's it's stuff like this,

0:19:43.880 --> 0:19:45.879
<v Speaker 2>this might be something useful. Something I really try and

0:19:45.880 --> 0:19:48.200
<v Speaker 2>do is I try and write stories in a way

0:19:48.240 --> 0:19:51.119
<v Speaker 2>that somebody that didn't know much about hip hop, or

0:19:51.160 --> 0:19:54.040
<v Speaker 2>even somebody that just somebody that's a casual listener but

0:19:54.080 --> 0:19:56.800
<v Speaker 2>they don't know Young like they've heard two Young Boy songs.

0:19:56.960 --> 0:19:58.480
<v Speaker 2>I try and write things in a way so that

0:19:58.520 --> 0:20:01.399
<v Speaker 2>somebody that doesn't know anything about him can still understand it.

0:20:01.480 --> 0:20:04.159
<v Speaker 2>I try not to have too much like context of

0:20:04.240 --> 0:20:05.840
<v Speaker 2>like you have to have heard all of Young boys

0:20:05.880 --> 0:20:08.280
<v Speaker 2>albums to get one talking about he mentions this person,

0:20:08.359 --> 0:20:10.720
<v Speaker 2>like I try and explain, like if young boy mentions

0:20:10.880 --> 0:20:13.159
<v Speaker 2>one of his friends is always there for him. Or

0:20:13.440 --> 0:20:15.359
<v Speaker 2>for example, with the Young Boy's story, you know, in

0:20:15.400 --> 0:20:19.240
<v Speaker 2>a lot of songs, he mentions rip Lil Dave. A

0:20:19.240 --> 0:20:20.639
<v Speaker 2>lot of people might know what that means. Or he

0:20:20.680 --> 0:20:22.560
<v Speaker 2>says I put this on Dave, I swear on Dave,

0:20:23.000 --> 0:20:24.520
<v Speaker 2>and it might be it's like, okay, let me explain

0:20:24.560 --> 0:20:26.879
<v Speaker 2>to people. You know, young boy releases this album and

0:20:26.920 --> 0:20:29.560
<v Speaker 2>he mentions his friend littl Dave numerous times, and then

0:20:29.600 --> 0:20:31.360
<v Speaker 2>I'll say Lil Dave was a friend of his when

0:20:31.400 --> 0:20:34.120
<v Speaker 2>he was you know, he was a teenager. Unfortunately ended

0:20:34.160 --> 0:20:36.159
<v Speaker 2>up losing their life and this was, you know, the

0:20:36.240 --> 0:20:38.480
<v Speaker 2>first person he lost, and this ended up affecting him

0:20:38.520 --> 0:20:40.920
<v Speaker 2>and this went on to affect his music and the

0:20:40.960 --> 0:20:43.359
<v Speaker 2>way he saw the world. So it's really trying to

0:20:43.400 --> 0:20:45.600
<v Speaker 2>explain that to somebody. If you're a dope Young Boys fan.

0:20:46.040 --> 0:20:48.160
<v Speaker 3>Need to know that's dope right to even be able

0:20:48.200 --> 0:20:51.840
<v Speaker 3>to there's something there. There's something special about being able

0:20:51.880 --> 0:20:54.440
<v Speaker 3>to do that, dude. I want you to know that, right,

0:20:54.440 --> 0:20:57.120
<v Speaker 3>because a lot of people in his industry, again, they

0:20:57.280 --> 0:21:01.359
<v Speaker 3>know Yo, here's another thing. The people ahead that you

0:21:01.400 --> 0:21:04.760
<v Speaker 3>will find you way before they tell anybody about you.

0:21:05.400 --> 0:21:09.800
<v Speaker 3>So somebody like Academics inviting you to his podcast in

0:21:09.880 --> 0:21:13.399
<v Speaker 3>twenty twenty two, he's been known about you since twenty

0:21:13.480 --> 0:21:17.000
<v Speaker 3>seventeen type thing. Right, So I want you to know

0:21:17.280 --> 0:21:19.760
<v Speaker 3>or just I want you to know that these people

0:21:19.880 --> 0:21:22.440
<v Speaker 3>know you. These people know you're dope. They will never

0:21:22.560 --> 0:21:25.320
<v Speaker 3>say it. I don't know why this industry is that way.

0:21:25.320 --> 0:21:27.160
<v Speaker 3>I'm probably the only one that just gonna be like, Yo,

0:21:27.200 --> 0:21:29.359
<v Speaker 3>it's something there, bro, hang in on that, like that

0:21:29.440 --> 0:21:32.280
<v Speaker 3>little thing is something like I'm telling you, it's business

0:21:32.359 --> 0:21:34.720
<v Speaker 3>right there, something you know what I mean, a lot

0:21:34.760 --> 0:21:38.280
<v Speaker 3>of people not going for whatever reason. Bro. I just

0:21:38.320 --> 0:21:44.200
<v Speaker 3>wanted to say that to you, but not even necessarily

0:21:44.320 --> 0:21:48.240
<v Speaker 3>about young boy, right. I'm just more so wondering when

0:21:48.280 --> 0:21:51.359
<v Speaker 3>you craft this shit up. It's just interesting to see

0:21:51.560 --> 0:21:53.520
<v Speaker 3>how you do it. You know what I'm saying. Is

0:21:53.520 --> 0:21:55.560
<v Speaker 3>the teleprompter affecting it?

0:21:55.640 --> 0:21:57.359
<v Speaker 1>Is it good? Is it working well? Do you like

0:21:57.440 --> 0:21:57.960
<v Speaker 1>that better?

0:21:58.040 --> 0:22:02.520
<v Speaker 2>Or quite interesting? Man? No one's ever asked me this,

0:22:02.600 --> 0:22:07.240
<v Speaker 2>but yeah, I think the teleprompter is tricky because previously

0:22:07.359 --> 0:22:09.600
<v Speaker 2>what I would do is I would literally you can't

0:22:09.600 --> 0:22:11.199
<v Speaker 2>see it. But where I'm sat right now, I've got

0:22:11.200 --> 0:22:12.600
<v Speaker 2>the camera there I'm looking at, and i got the

0:22:12.640 --> 0:22:14.520
<v Speaker 2>screen where you're at. What I used to do is

0:22:14.560 --> 0:22:16.400
<v Speaker 2>I would have my script on the screen where you are,

0:22:16.600 --> 0:22:18.359
<v Speaker 2>and I would just read, you know, I'd literally would

0:22:18.359 --> 0:22:19.919
<v Speaker 2>look at the sentence. I would just try and remember it,

0:22:19.960 --> 0:22:21.400
<v Speaker 2>and I would turn to the camera and I would

0:22:21.400 --> 0:22:22.920
<v Speaker 2>say it, and I would just do that. It would

0:22:22.920 --> 0:22:24.840
<v Speaker 2>take me hours and hours. But back then I was

0:22:24.880 --> 0:22:28.080
<v Speaker 2>doing shorter videos. But I think the reason why that's

0:22:28.080 --> 0:22:31.400
<v Speaker 2>always been good is because you can tell that I'm

0:22:31.400 --> 0:22:33.760
<v Speaker 2>not just reading a script. You might have seen there's

0:22:33.920 --> 0:22:36.000
<v Speaker 2>a lot of channels out there where you've got dudes

0:22:36.000 --> 0:22:38.240
<v Speaker 2>that just read to the teleprompter and it's words that

0:22:38.280 --> 0:22:40.760
<v Speaker 2>they didn't write. It's random shit, And you can actually

0:22:40.840 --> 0:22:42.480
<v Speaker 2>tell that when they're reading it, they're sort of saying

0:22:42.520 --> 0:22:45.359
<v Speaker 2>like the sentences don't really work because they don't know

0:22:45.359 --> 0:22:48.280
<v Speaker 2>what's coming. They're same and then NBA young boy would

0:22:48.440 --> 0:22:53.199
<v Speaker 2>get in trouble because he got into a situation. But

0:22:53.280 --> 0:22:55.000
<v Speaker 2>you can tell they don't know what's coming, Whereas I've

0:22:55.040 --> 0:22:57.280
<v Speaker 2>written every word, so I know what's coming. So even

0:22:57.320 --> 0:22:59.600
<v Speaker 2>though I'm reading it off a teleprompter. I know my

0:22:59.640 --> 0:23:01.600
<v Speaker 2>intention and I know the tone. Like I know that

0:23:01.880 --> 0:23:03.919
<v Speaker 2>if I'm talking about somebody that just lost their life,

0:23:04.400 --> 0:23:06.040
<v Speaker 2>you know, I need to speak with a little bit

0:23:06.040 --> 0:23:11.000
<v Speaker 2>more of a sensitive tone. I need to say, yeah,

0:23:11.040 --> 0:23:13.199
<v Speaker 2>you know, at two fifteen am, you know, somebody got

0:23:13.200 --> 0:23:14.959
<v Speaker 2>out of a dark vehicle and open fire. You need

0:23:15.000 --> 0:23:16.960
<v Speaker 2>to say that a bit more seriously than if you're saying,

0:23:17.200 --> 0:23:18.840
<v Speaker 2>you know, young boy released his new album and it

0:23:18.880 --> 0:23:20.640
<v Speaker 2>was lit. It was full of bangers, and he went

0:23:20.720 --> 0:23:24.240
<v Speaker 2>number one, you know, and somebody that didn't write the

0:23:24.320 --> 0:23:27.160
<v Speaker 2>content and didn't have a personal connection to it might

0:23:27.200 --> 0:23:28.320
<v Speaker 2>not be able to do that. Because I do care

0:23:28.320 --> 0:23:29.960
<v Speaker 2>about this shit. I don't want people to think I'm

0:23:29.960 --> 0:23:34.439
<v Speaker 2>making light of somebody that got killed or whatever. You know,

0:23:34.760 --> 0:23:37.199
<v Speaker 2>I have a personal connection with these stories. I'm passionate

0:23:37.240 --> 0:23:39.480
<v Speaker 2>about them, like I write these scripts. Like for me,

0:23:39.560 --> 0:23:42.399
<v Speaker 2>it's you know, a lot of people maybe don't give

0:23:42.440 --> 0:23:44.600
<v Speaker 2>me credit for it, but like you'll notice, especially in

0:23:44.640 --> 0:23:47.200
<v Speaker 2>like my video about FBG Dark or my video about

0:23:47.320 --> 0:23:49.639
<v Speaker 2>you know, the Jacksonville kind of who I Smoke Beef,

0:23:50.119 --> 0:23:53.240
<v Speaker 2>I always try and end videos with like some positive perspective,

0:23:53.240 --> 0:23:56.200
<v Speaker 2>which is my opinion, Like I'll say things the Jacksonville video,

0:23:56.240 --> 0:23:58.000
<v Speaker 2>for example, I kind of end by saying, look, we

0:23:58.080 --> 0:24:00.679
<v Speaker 2>really need this violence to stop. We got trying, you know,

0:24:00.920 --> 0:24:03.560
<v Speaker 2>we got try and see things better and try and

0:24:04.040 --> 0:24:08.280
<v Speaker 2>see a positive outcome of this situation, because we've just

0:24:08.320 --> 0:24:10.640
<v Speaker 2>got people dying on both sides and dissing each other,

0:24:11.000 --> 0:24:13.000
<v Speaker 2>and it's just getting out of control. And I think

0:24:13.000 --> 0:24:15.280
<v Speaker 2>it's like I think those touches where I just try

0:24:15.320 --> 0:24:16.920
<v Speaker 2>and give a bit of extra perspective, or even in

0:24:16.960 --> 0:24:18.320
<v Speaker 2>the King Von video, you know, I know a lot

0:24:18.320 --> 0:24:21.000
<v Speaker 2>of people were upset that you're painting him as the

0:24:21.000 --> 0:24:23.639
<v Speaker 2>serial killer. But if you watch the video carefully, you

0:24:23.640 --> 0:24:25.359
<v Speaker 2>know there's a there's a segment at near the start

0:24:25.400 --> 0:24:27.440
<v Speaker 2>of the video where I say, look, before we get

0:24:27.440 --> 0:24:29.600
<v Speaker 2>any further, I just want to say King Von is

0:24:29.680 --> 0:24:31.359
<v Speaker 2>a product of his environment. He grew up in a

0:24:31.359 --> 0:24:33.800
<v Speaker 2>tough situation where it was kill or be killed. He

0:24:33.840 --> 0:24:36.800
<v Speaker 2>had to defend herself and his people from these dangers,

0:24:36.920 --> 0:24:39.520
<v Speaker 2>and I think, you know, maybe some people don't care

0:24:39.560 --> 0:24:39.720
<v Speaker 2>for that.

0:24:39.760 --> 0:24:40.080
<v Speaker 1>Whatever.

0:24:40.560 --> 0:24:44.520
<v Speaker 3>It's like it's like the apology after the murder. You know,

0:24:44.600 --> 0:24:47.320
<v Speaker 3>it's like, damn, you just shot my nephew and say

0:24:47.320 --> 0:24:50.400
<v Speaker 3>it sorary. You know they're probably ain't the same kind

0:24:50.400 --> 0:24:53.560
<v Speaker 3>of We appreciate that, but that don't outweigh that. You

0:24:53.640 --> 0:24:56.600
<v Speaker 3>know this, that's the thing that's happening with that. But

0:24:57.119 --> 0:24:59.680
<v Speaker 3>I wanted you to answer this. If if NBA young

0:24:59.720 --> 0:25:03.760
<v Speaker 3>Boy join this stream right now, because I know Alex. Now,

0:25:04.280 --> 0:25:06.439
<v Speaker 3>if inn being young would join this stream right now

0:25:06.440 --> 0:25:08.879
<v Speaker 3>and say, hey, white boy, stay out of my business,

0:25:09.800 --> 0:25:10.800
<v Speaker 3>what do you say to that.

0:25:12.920 --> 0:25:15.440
<v Speaker 2>I'd probably say, like, keep your business off the Billboard charts.

0:25:15.440 --> 0:25:15.600
<v Speaker 1>Bro.

0:25:17.000 --> 0:25:19.399
<v Speaker 2>You know that he wants me to stay out of

0:25:19.440 --> 0:25:21.600
<v Speaker 2>his business. But he just dropped two albums this month,

0:25:21.880 --> 0:25:23.560
<v Speaker 2>you know what I mean. I got third, I got

0:25:23.720 --> 0:25:26.639
<v Speaker 2>like fifty tracks to listen through. You know, I think

0:25:27.160 --> 0:25:29.119
<v Speaker 2>I love Young Boy. You know, I respect him, I

0:25:29.160 --> 0:25:31.400
<v Speaker 2>respect all of these artists. But I think I think

0:25:31.480 --> 0:25:34.600
<v Speaker 2>if you're look, if you're a gangster and you're in

0:25:34.640 --> 0:25:36.440
<v Speaker 2>the streets and you're really doing this stuff and you're

0:25:36.480 --> 0:25:39.560
<v Speaker 2>keeping it real, you would not be telling people the

0:25:39.600 --> 0:25:41.240
<v Speaker 2>things you did in the streets. I think when you

0:25:41.280 --> 0:25:43.600
<v Speaker 2>become a rapper and you put yourself in the public sphere,

0:25:43.600 --> 0:25:46.360
<v Speaker 2>you become a public figure. You're making music about your life,

0:25:46.400 --> 0:25:49.080
<v Speaker 2>you're telling you're trying to share your story. You rappers

0:25:49.119 --> 0:25:51.560
<v Speaker 2>want people to talk about them, So I think it's

0:25:51.600 --> 0:25:54.040
<v Speaker 2>it's I think it's wrong for people to say, like

0:25:54.320 --> 0:25:55.880
<v Speaker 2>Young Boy is going to release an album, it's gonna

0:25:55.880 --> 0:25:57.560
<v Speaker 2>go number one on Billboard, it's gonna sell a hundred

0:25:57.560 --> 0:25:59.320
<v Speaker 2>thousand copies, but I'm not allowed to talk about it

0:25:59.400 --> 0:26:01.760
<v Speaker 2>or look into it. You know. I feel like that's

0:26:02.280 --> 0:26:05.520
<v Speaker 2>just it's just an unrealistic expectation. You know, if you

0:26:05.520 --> 0:26:07.560
<v Speaker 2>didn't want people looking into your life, you shouldn't have

0:26:07.560 --> 0:26:09.800
<v Speaker 2>put it on a Billboard charting song. But that said,

0:26:10.160 --> 0:26:12.680
<v Speaker 2>I actually think although a lot of people have come

0:26:12.720 --> 0:26:15.240
<v Speaker 2>at me, for example, for King Von, a lot of

0:26:15.240 --> 0:26:17.840
<v Speaker 2>people have defended me and said when King Von was alive,

0:26:18.119 --> 0:26:20.119
<v Speaker 2>he wanted everyone to think he was the big killer.

0:26:20.400 --> 0:26:24.359
<v Speaker 2>King Von was literally resharing videos of like things on

0:26:24.480 --> 0:26:26.840
<v Speaker 2>World Star, of shootouts that he had letter was allegedly

0:26:26.840 --> 0:26:30.000
<v Speaker 2>involved in, like Von, not to go too far back

0:26:30.040 --> 0:26:32.080
<v Speaker 2>to Vaughn, but like, you know, Young Boy, for example,

0:26:32.440 --> 0:26:34.760
<v Speaker 2>he's released an album called The Richest Op and it's

0:26:34.800 --> 0:26:36.320
<v Speaker 2>full of all this stuff where he's kind of dissing

0:26:36.359 --> 0:26:39.600
<v Speaker 2>his ops, going at his enemies. You know, it's he

0:26:39.720 --> 0:26:41.560
<v Speaker 2>wants people to think of him as a tough guy,

0:26:41.600 --> 0:26:44.359
<v Speaker 2>as a gangster. So I don't think he would really

0:26:44.400 --> 0:26:46.200
<v Speaker 2>be upset, And I honestly.

0:26:46.000 --> 0:26:50.040
<v Speaker 3>I'm not sure because it's it's the criminal element you

0:26:50.119 --> 0:26:53.240
<v Speaker 3>putting together to make it cause again investigation.

0:26:53.400 --> 0:26:54.879
<v Speaker 1>Have you ever been on the investigation.

0:26:57.400 --> 0:27:01.359
<v Speaker 3>I'm telling you that these days will could be used

0:27:01.800 --> 0:27:06.920
<v Speaker 3>in those kind of scenarios, Like definitely, Man, they don't

0:27:06.920 --> 0:27:10.080
<v Speaker 3>have an understanding of the culture. A lot of times

0:27:11.040 --> 0:27:14.400
<v Speaker 3>they misrepresent words and they got to ask people inside

0:27:14.400 --> 0:27:17.119
<v Speaker 3>the culture. That's why the CI is so important to

0:27:17.280 --> 0:27:20.800
<v Speaker 3>the to the criminal element, to the police, is because

0:27:20.840 --> 0:27:24.119
<v Speaker 3>without the CI, they don't even know what we communicate,

0:27:24.160 --> 0:27:25.960
<v Speaker 3>and somebody might kind of say, hey, bring me to

0:27:26.359 --> 0:27:28.520
<v Speaker 3>bring me to my ice man, and then pull up

0:27:28.560 --> 0:27:28.920
<v Speaker 3>with some of that.

0:27:29.080 --> 0:27:32.320
<v Speaker 1>Boy.

0:27:32.840 --> 0:27:35.520
<v Speaker 2>Here's the thing, though, I do get what you're saying.

0:27:35.600 --> 0:27:37.720
<v Speaker 2>I understand where you're coming from. It's like, for example,

0:27:38.160 --> 0:27:40.080
<v Speaker 2>in the young boy situation, you know, it's I don't

0:27:40.080 --> 0:27:42.479
<v Speaker 2>think it's fair to suggest like I'm responsible for him

0:27:42.480 --> 0:27:45.399
<v Speaker 2>being investigated. For example, he just released the music video,

0:27:45.760 --> 0:27:47.720
<v Speaker 2>right and in the music video he's got a lyric

0:27:48.040 --> 0:27:50.800
<v Speaker 2>where he says, we're gonna lay his head on a

0:27:50.840 --> 0:27:52.520
<v Speaker 2>pillow when we pull up on him, and in the

0:27:52.560 --> 0:27:54.800
<v Speaker 2>music video, he's laying on the floor putting his head

0:27:54.840 --> 0:27:56.720
<v Speaker 2>on a pillow and all these guys are over him

0:27:56.720 --> 0:27:58.760
<v Speaker 2>going like this. And this is a reference to the

0:27:58.840 --> 0:28:01.239
<v Speaker 2>murder of g Money, where a pillow was found at

0:28:01.240 --> 0:28:03.800
<v Speaker 2>the crime scene and the you know, everyone says, ah,

0:28:03.800 --> 0:28:05.600
<v Speaker 2>they threw a pillow on him after they shot him.

0:28:05.720 --> 0:28:08.080
<v Speaker 2>Now that's not true. I know that's not true. It

0:28:08.119 --> 0:28:11.440
<v Speaker 2>was a pillow that was left by the medical services

0:28:11.440 --> 0:28:13.159
<v Speaker 2>that were there trying to save him after he got

0:28:13.200 --> 0:28:15.840
<v Speaker 2>found shot. But young boys on a song talking about

0:28:15.880 --> 0:28:17.359
<v Speaker 2>we're gonna lay his head on a pillow when we

0:28:17.400 --> 0:28:20.159
<v Speaker 2>catch him, and he's in the music video on the

0:28:20.200 --> 0:28:23.560
<v Speaker 2>ground with the pillow, dancing laughing. It would be wrong

0:28:23.600 --> 0:28:26.479
<v Speaker 2>to say that he gets investigated because of me pointing

0:28:26.520 --> 0:28:29.320
<v Speaker 2>that out when everybody in Baton Rouge knows that this

0:28:29.359 --> 0:28:31.120
<v Speaker 2>guy got found dead with a pillow next to him,

0:28:31.480 --> 0:28:34.960
<v Speaker 2>and everybody can see young boy dancing around on the

0:28:35.000 --> 0:28:37.800
<v Speaker 2>floor with his pillow. So I do respect what you're saying,

0:28:37.800 --> 0:28:40.280
<v Speaker 2>but I think it's almost like the incrimination has already occurred, but.

0:28:41.160 --> 0:28:43.320
<v Speaker 3>We're changing words, and so I do want to let

0:28:43.320 --> 0:28:47.040
<v Speaker 3>the youngsters know, young boy, and everybody is watching that

0:28:47.040 --> 0:28:50.920
<v Speaker 3>that's irresponsible to take their kind of stance on music, right,

0:28:51.040 --> 0:28:54.280
<v Speaker 3>If that does correlate, if that is a situation, I

0:28:54.320 --> 0:28:56.200
<v Speaker 3>want us to move away from that. I can't tell

0:28:56.240 --> 0:29:02.080
<v Speaker 3>a nigga what to do. But here's the thing. When

0:29:02.120 --> 0:29:04.880
<v Speaker 3>we deal with an artist, when we deal with someone

0:29:05.040 --> 0:29:08.360
<v Speaker 3>like him, I'm not saying you responsible. That's a word

0:29:08.440 --> 0:29:12.760
<v Speaker 3>you used. I said you're adding to the investigation. So

0:29:12.880 --> 0:29:17.280
<v Speaker 3>when you're under investigation, it's exactly what it is, an investigation.

0:29:17.960 --> 0:29:18.160
<v Speaker 1>Right.

0:29:18.360 --> 0:29:22.920
<v Speaker 3>A lot of the investigation nowadays operates literally all off

0:29:22.960 --> 0:29:26.800
<v Speaker 3>social media, and they verify or they look at YouTube

0:29:26.880 --> 0:29:30.720
<v Speaker 3>as social media, right, so they literally go on YouTube

0:29:31.240 --> 0:29:34.520
<v Speaker 3>type shit in and somebody like you, with the job

0:29:34.600 --> 0:29:38.000
<v Speaker 3>that you do with this kind of shit, man, there's

0:29:38.000 --> 0:29:40.600
<v Speaker 3>probably three or four police sitting down watching this shit.

0:29:41.440 --> 0:29:44.720
<v Speaker 1>Your your documentary. I'm telling you this for sure.

0:29:45.040 --> 0:29:50.320
<v Speaker 2>I just I don't believe it. I'm telling you thismentary. No.

0:29:50.400 --> 0:29:52.480
<v Speaker 2>But here's here's what I'm trying to say my documentary.

0:29:52.840 --> 0:29:55.400
<v Speaker 3>Whether they use it or not, I think you're confusing

0:29:55.440 --> 0:29:58.640
<v Speaker 3>what I'm saying with them actually using your content in court.

0:29:58.920 --> 0:30:01.000
<v Speaker 3>I'm saying just this the same way you look at

0:30:01.040 --> 0:30:04.720
<v Speaker 3>academics without using his content and just be like, oh,

0:30:04.800 --> 0:30:07.400
<v Speaker 3>maybe that is a point, Maybe that kind of it's

0:30:07.440 --> 0:30:09.720
<v Speaker 3>the same way the Fears or the State would look

0:30:09.760 --> 0:30:11.480
<v Speaker 3>at some of those documentaries.

0:30:11.480 --> 0:30:15.360
<v Speaker 2>Go ahead, I just feel like you're giving me too

0:30:15.400 --> 0:30:17.360
<v Speaker 2>much credit and you're not giving the state enough. For

0:30:17.360 --> 0:30:19.280
<v Speaker 2>bear in mind, it's like, I've got a video, for example,

0:30:19.800 --> 0:30:22.040
<v Speaker 2>King Von He's on his IG live and he's talking

0:30:22.040 --> 0:30:24.280
<v Speaker 2>about I swear I've got more than five bodies, for example.

0:30:24.320 --> 0:30:26.760
<v Speaker 2>Whether I understand that a lot of people believe that

0:30:26.800 --> 0:30:29.080
<v Speaker 2>it's cap and he's maintaining a rapper image, fine, you

0:30:29.080 --> 0:30:31.600
<v Speaker 2>know that's not my perspective, but fair enough. But I

0:30:31.640 --> 0:30:33.440
<v Speaker 2>think the idea that the cops are seeing that in

0:30:33.480 --> 0:30:37.040
<v Speaker 2>my video two years after it happened, rather than I

0:30:37.080 --> 0:30:39.720
<v Speaker 2>think I'm one hundred percent sure that there is probably

0:30:39.760 --> 0:30:41.720
<v Speaker 2>a Baton Rouge detective whose job it is to just

0:30:41.840 --> 0:30:44.400
<v Speaker 2>watch all of young boys Instagram stories and music videos.

0:30:44.440 --> 0:30:45.280
<v Speaker 2>So it's already happened.

0:30:46.360 --> 0:30:49.160
<v Speaker 3>I've been on investigation, I got state charges, I got

0:30:49.160 --> 0:30:51.520
<v Speaker 3>friends in the Fears, I've dealt with the Fears. I've

0:30:51.680 --> 0:30:55.400
<v Speaker 3>spit hundreds of thousands of dollars on federal lawyers. I've

0:30:55.400 --> 0:30:58.880
<v Speaker 3>been set up and snitched on myself, not my cousin,

0:30:59.000 --> 0:31:01.960
<v Speaker 3>not my friend. They brought to people to bust me.

0:31:02.440 --> 0:31:05.800
<v Speaker 3>So I'm telling you that they don't have an understanding

0:31:05.920 --> 0:31:08.200
<v Speaker 3>like you. You're giving them too much credit. They're a

0:31:08.240 --> 0:31:09.480
<v Speaker 3>bunch of lazy fucks.

0:31:09.480 --> 0:31:09.720
<v Speaker 1>Bro.

0:31:10.840 --> 0:31:13.920
<v Speaker 3>I'm telling you, you ain't even from the you ain't

0:31:13.960 --> 0:31:15.080
<v Speaker 3>even from the States.

0:31:15.120 --> 0:31:17.040
<v Speaker 1>And I'm telling you now, on a certain level it

0:31:17.120 --> 0:31:17.920
<v Speaker 1>gets serious.

0:31:18.160 --> 0:31:21.200
<v Speaker 3>But Bro, they don't have an understanding in the way

0:31:21.240 --> 0:31:22.880
<v Speaker 3>that you think they have an understanding.

0:31:23.120 --> 0:31:24.160
<v Speaker 1>I'm telling you they don't.

0:31:24.200 --> 0:31:27.320
<v Speaker 3>That's why half of what happens in court is cooperation

0:31:28.000 --> 0:31:31.400
<v Speaker 3>because they don't know nothing. They don't really know what

0:31:31.440 --> 0:31:33.280
<v Speaker 3>the fuck that means or how.

0:31:33.160 --> 0:31:33.880
<v Speaker 1>Did you do that.

0:31:33.960 --> 0:31:37.840
<v Speaker 3>Sometimes they'll give a dude been sixty murders. They'll let

0:31:37.920 --> 0:31:40.360
<v Speaker 3>him go, just tell us how to hear you did that.

0:31:41.080 --> 0:31:43.360
<v Speaker 3>We don't have no understanding on it.

0:31:43.440 --> 0:31:47.800
<v Speaker 2>So here's why, here's why I disagree. Just with one

0:31:47.840 --> 0:31:50.280
<v Speaker 2>good example. I think I did a video on the

0:31:50.400 --> 0:31:52.920
<v Speaker 2>ysl wyfn me right, wife.

0:31:52.680 --> 0:31:55.680
<v Speaker 3>And you before you go, I'm gonna let you get

0:31:55.680 --> 0:31:57.520
<v Speaker 3>that off, but I want to set this premise before

0:31:57.520 --> 0:32:00.320
<v Speaker 3>you go. The reason why that is different is because

0:32:00.320 --> 0:32:03.920
<v Speaker 3>Atlanta is culture, so that even the DA's is culture.

0:32:03.960 --> 0:32:08.440
<v Speaker 3>To judge everybody in Atlanta because it has bled culture.

0:32:08.800 --> 0:32:12.000
<v Speaker 3>But that's that's an anomaly that doesn't happen everywhere.

0:32:12.120 --> 0:32:17.600
<v Speaker 2>But continue, Okay, I if that's your opinion. But I

0:32:17.600 --> 0:32:20.120
<v Speaker 2>think just more specifically, I released my video about the

0:32:20.120 --> 0:32:24.120
<v Speaker 2>wifn YSLB six months before Young Thug got indicted, right,

0:32:24.440 --> 0:32:26.400
<v Speaker 2>and then when he got indicted, a lot of people saying, oh,

0:32:26.400 --> 0:32:27.880
<v Speaker 2>it's because of Trap law Ross. He did a video.

0:32:27.920 --> 0:32:29.959
<v Speaker 2>And bear in mind, I released my video after Luci

0:32:30.200 --> 0:32:32.840
<v Speaker 2>got indicted. So Luci gets indicted, I make a video

0:32:32.920 --> 0:32:35.360
<v Speaker 2>and I literally say in my video, it seems like

0:32:35.480 --> 0:32:38.200
<v Speaker 2>Young Thug has moved away from the streets. He's just

0:32:38.240 --> 0:32:41.560
<v Speaker 2>a musician, he's not involved in that. Unfortunately, Luci got

0:32:41.560 --> 0:32:44.000
<v Speaker 2>caught up and he's caught Rico. Six months after I

0:32:44.040 --> 0:32:46.760
<v Speaker 2>released my video, young Thug catches his case and everybody

0:32:46.840 --> 0:32:49.320
<v Speaker 2>starts saying it's trap lau Ross. His video. It broke

0:32:49.360 --> 0:32:51.720
<v Speaker 2>it down so well that he's the one responsible. But

0:32:51.840 --> 0:32:54.920
<v Speaker 2>here's the thing. Then the indictment drops and what's in

0:32:54.960 --> 0:32:58.200
<v Speaker 2>the indictment All they've got all of his They got

0:32:58.200 --> 0:33:00.520
<v Speaker 2>his phones like details from his stone. They got pictures,

0:33:00.920 --> 0:33:04.479
<v Speaker 2>communications messages between them saying young thug book in this

0:33:04.560 --> 0:33:08.080
<v Speaker 2>rental car. They've got him instagramming people saying you know,

0:33:08.160 --> 0:33:10.080
<v Speaker 2>we soldiers, we have to get the job done or

0:33:10.120 --> 0:33:12.719
<v Speaker 2>whatever it was. And it's like when you actually then

0:33:12.760 --> 0:33:14.440
<v Speaker 2>see it's like they got way more resource.

0:33:14.760 --> 0:33:18.880
<v Speaker 3>I want to point out in Atlanta, she is culture.

0:33:19.000 --> 0:33:22.640
<v Speaker 3>She understands the terms, the language. She she has dealt

0:33:22.680 --> 0:33:25.720
<v Speaker 3>with rapt Again, Atlanta is a different space. And I

0:33:25.760 --> 0:33:28.760
<v Speaker 3>think because you haven't dealt with the criminal system, there's

0:33:28.800 --> 0:33:32.040
<v Speaker 3>no way you don't have a reference. But I'm telling you,

0:33:32.040 --> 0:33:34.560
<v Speaker 3>you go into this criminal system and they don't know

0:33:34.840 --> 0:33:39.720
<v Speaker 3>the culture like that. That's why cooperation is prevalent in Atlanta.

0:33:39.800 --> 0:33:44.440
<v Speaker 3>Though everybody is a part of black culture. Even I'll

0:33:44.440 --> 0:33:46.520
<v Speaker 3>give you an example. Just the other day in the

0:33:46.520 --> 0:33:50.400
<v Speaker 3>wide Sale case, instead of going to jail, the judge

0:33:50.400 --> 0:33:52.160
<v Speaker 3>told the dude, hey, you go to go you gotta

0:33:52.200 --> 0:33:53.040
<v Speaker 3>go buy lunch.

0:33:53.120 --> 0:33:57.000
<v Speaker 1>Guess where he went, Magic City. He's the lawyer.

0:33:57.040 --> 0:34:00.680
<v Speaker 3>You went, got wings and shit from Magic every is

0:34:00.760 --> 0:34:05.640
<v Speaker 3>cultured in Atlanta. It's a different So I wouldn't contribute

0:34:05.720 --> 0:34:08.840
<v Speaker 3>it as much to an Atlanta situation because I know

0:34:08.920 --> 0:34:10.960
<v Speaker 3>that Diata understand rap music.

0:34:11.280 --> 0:34:13.120
<v Speaker 1>When when Thug.

0:34:12.920 --> 0:34:15.520
<v Speaker 3>Is on the song and saying I keep a dress

0:34:15.600 --> 0:34:17.560
<v Speaker 3>under the stick and all of that, I know she

0:34:17.760 --> 0:34:19.920
<v Speaker 3>knows how to kind of put some of this together

0:34:20.400 --> 0:34:23.520
<v Speaker 3>more so than some of these white, old, elderly people

0:34:23.520 --> 0:34:27.439
<v Speaker 3>who won't leave their job. But their investigator for this

0:34:28.160 --> 0:34:31.480
<v Speaker 3>state place, I'm telling you they don't know. But with Atlanta,

0:34:31.520 --> 0:34:34.040
<v Speaker 3>even though she's misrepresented lyrics, I need to be on

0:34:34.920 --> 0:34:39.279
<v Speaker 3>record saying that, but I think that she has more

0:34:39.280 --> 0:34:42.759
<v Speaker 3>of an understanding the DA office in Atlanta has more

0:34:42.800 --> 0:34:45.400
<v Speaker 3>of an understanding of hip hop culture.

0:34:45.480 --> 0:34:47.360
<v Speaker 1>Even Thug. They know that situation.

0:34:48.239 --> 0:34:51.280
<v Speaker 3>I believe them to have cousins and family that could

0:34:51.320 --> 0:34:53.960
<v Speaker 3>be intertwined somewhere down the line.

0:34:54.400 --> 0:34:56.160
<v Speaker 1>That know some of those guys, But.

0:34:56.200 --> 0:35:00.520
<v Speaker 2>I don't know how that same thing cont be applied

0:35:00.560 --> 0:35:02.160
<v Speaker 2>to like Baton Rouge. You know, your young boy's been

0:35:02.239 --> 0:35:05.520
<v Speaker 2>investigated since late twenty sixteen, right, so that's like seven

0:35:05.600 --> 0:35:07.800
<v Speaker 2>years that they've had to get their head around the

0:35:07.840 --> 0:35:09.400
<v Speaker 2>lingo and all this stuff. You can't just say it's

0:35:09.440 --> 0:35:09.839
<v Speaker 2>all trying.

0:35:10.040 --> 0:35:12.879
<v Speaker 3>I'm not saying that. That's all I'm saying. You add

0:35:12.960 --> 0:35:15.919
<v Speaker 3>to the understanding again. I gave the example the same

0:35:15.960 --> 0:35:18.759
<v Speaker 3>way you look at academics and you don't take him

0:35:18.800 --> 0:35:20.480
<v Speaker 3>from his word everything.

0:35:20.120 --> 0:35:22.200
<v Speaker 1>He says you. It's two our thing.

0:35:22.320 --> 0:35:25.240
<v Speaker 3>I know this guy don't know everything, but oh, fuck

0:35:25.320 --> 0:35:28.720
<v Speaker 3>that little piece we didn't Hey you heard that little piece.

0:35:29.000 --> 0:35:32.680
<v Speaker 3>We didn't know about that. That's what I'm saying, right.

0:35:32.800 --> 0:35:35.759
<v Speaker 3>It ain't that, Oh we're taking trap Lord Ross documentary

0:35:35.760 --> 0:35:38.359
<v Speaker 3>and we're drawing the indictment up off of that. That's

0:35:38.440 --> 0:35:42.040
<v Speaker 3>not happening. But I'm telling you and guaranteeing you that

0:35:42.080 --> 0:35:46.600
<v Speaker 3>there's some investigators sitting down watching that for perspective, not

0:35:46.680 --> 0:35:50.000
<v Speaker 3>necessarily to grab charges, but for perspective in the same

0:35:50.040 --> 0:35:51.960
<v Speaker 3>way that we do when we go do an interview

0:35:52.000 --> 0:35:53.960
<v Speaker 3>or try to do a doc or whatever.

0:35:54.160 --> 0:35:58.200
<v Speaker 1>That's what I would believe to that. What do you say.

0:35:59.480 --> 0:36:01.319
<v Speaker 2>I'll be honest, man, I just I'm not sure I

0:36:01.400 --> 0:36:03.279
<v Speaker 2>believe it. I feel like it's a bit of a reach.

0:36:03.400 --> 0:36:06.000
<v Speaker 2>But at the same time, we have a difference in perspective,

0:36:06.000 --> 0:36:07.920
<v Speaker 2>you know. I just feel like, you know, for example,

0:36:07.920 --> 0:36:09.799
<v Speaker 2>the Feds, right, you know, the five people that were

0:36:09.800 --> 0:36:13.600
<v Speaker 2>caught for FBG Duck's murder, they're currently awaiting trial. I

0:36:13.719 --> 0:36:17.879
<v Speaker 2>just don't believe that the investigators that were looking into

0:36:17.920 --> 0:36:20.240
<v Speaker 2>them didn't have the knowledge or the context to decipher

0:36:20.280 --> 0:36:22.319
<v Speaker 2>what was going on. You know, they got they've got what.

0:36:22.280 --> 0:36:28.600
<v Speaker 3>Do you say, Chicago? They don't know, Bro, they don't

0:36:28.600 --> 0:36:30.320
<v Speaker 3>have the content. I'm telling you.

0:36:30.880 --> 0:36:33.480
<v Speaker 2>I don't know though, because I mean, there's that King

0:36:33.560 --> 0:36:35.319
<v Speaker 2>Von's song. Was it that there's the King Von song?

0:36:35.360 --> 0:36:35.799
<v Speaker 1>What it's like?

0:36:35.840 --> 0:36:37.680
<v Speaker 2>And he says at the end of the song, he says,

0:36:38.080 --> 0:36:40.520
<v Speaker 2>he basically says the conversation that he had with the investigators,

0:36:40.560 --> 0:36:42.560
<v Speaker 2>and they said, oh, you know, d Rose, that's my work.

0:36:42.600 --> 0:36:44.879
<v Speaker 2>You know, Rondo number nine, that's my work. So it's

0:36:44.880 --> 0:36:47.040
<v Speaker 2>like Von's talking about these guys, these these meds.

0:36:47.080 --> 0:36:51.319
<v Speaker 1>They that's what I'm trying to tear.

0:36:51.400 --> 0:36:54.319
<v Speaker 3>You've never been arrested, probably I'm been onder investigation.

0:36:54.600 --> 0:36:55.799
<v Speaker 1>They say these.

0:36:55.520 --> 0:36:58.000
<v Speaker 3>Things, Hey man, we know we know about you always

0:36:58.000 --> 0:37:00.480
<v Speaker 3>having a gun on you know, said gas. We know

0:37:00.520 --> 0:37:03.359
<v Speaker 3>that you know you. We know you came back from Tech.

0:37:03.480 --> 0:37:05.560
<v Speaker 3>They might have saw me come back from Texas. We

0:37:05.600 --> 0:37:07.719
<v Speaker 3>know you came back from Texas last week. We know

0:37:08.280 --> 0:37:09.920
<v Speaker 3>we know you was out there. You know, we know

0:37:09.960 --> 0:37:11.080
<v Speaker 3>what you was doing out there.

0:37:11.600 --> 0:37:14.000
<v Speaker 1>You know. They say these things. I'm telling you this

0:37:14.120 --> 0:37:14.600
<v Speaker 1>for sure.

0:37:15.120 --> 0:37:18.440
<v Speaker 2>They but they're not getting not from YouTube videos. I

0:37:18.480 --> 0:37:20.720
<v Speaker 2>just thought, I'm with when.

0:37:20.600 --> 0:37:23.320
<v Speaker 1>You even speaking of for next two times.

0:37:23.360 --> 0:37:26.440
<v Speaker 3>Guess what when he went to court, they brought in

0:37:26.520 --> 0:37:30.800
<v Speaker 3>thirty two articles. Articles are evidence from the government side

0:37:30.880 --> 0:37:33.600
<v Speaker 3>that they placed forward to try to let the judge

0:37:33.719 --> 0:37:36.520
<v Speaker 3>know why you do deserve more time or why you

0:37:36.600 --> 0:37:39.960
<v Speaker 3>deserve the maximum or whatever it is. I think he

0:37:40.040 --> 0:37:43.719
<v Speaker 3>said twenty nine thirty of those was all social media

0:37:43.800 --> 0:37:46.439
<v Speaker 3>YouTube things when he would go off on money bag

0:37:46.520 --> 0:37:48.680
<v Speaker 3>yo bitch, had Nick had a gun in the club,

0:37:48.719 --> 0:37:52.759
<v Speaker 3>flash to gun. They are getting everything from YouTube and

0:37:52.840 --> 0:37:53.720
<v Speaker 3>social media.

0:37:53.880 --> 0:37:54.960
<v Speaker 1>I'm guaranteeing you this.

0:37:55.800 --> 0:37:57.719
<v Speaker 2>But that's that's his own social media.

0:37:58.040 --> 0:38:02.360
<v Speaker 1>Why not his own social media? I was it's about

0:38:01.960 --> 0:38:05.120
<v Speaker 1>it discurve this. It was not his own social media.

0:38:05.160 --> 0:38:07.640
<v Speaker 3>It was videos of him at the club, maybe with

0:38:07.760 --> 0:38:10.839
<v Speaker 3>an ar on stage, like talk to the side or

0:38:11.520 --> 0:38:13.480
<v Speaker 3>with a gun. Well, he might have been relive, but

0:38:13.560 --> 0:38:16.080
<v Speaker 3>that video was on YouTube. He had been deleted that

0:38:16.719 --> 0:38:19.759
<v Speaker 3>so that video might have been on YouTube somewhere. And

0:38:19.800 --> 0:38:23.719
<v Speaker 3>so I'm saying this is assistance. This is assistance, is

0:38:23.760 --> 0:38:25.960
<v Speaker 3>what I'm saying, whether it's on him or not. You

0:38:26.040 --> 0:38:28.560
<v Speaker 3>gotta acknowledge that the role that you play in it,

0:38:28.680 --> 0:38:30.759
<v Speaker 3>or you saying are you saying you don't think you

0:38:30.800 --> 0:38:35.600
<v Speaker 3>played zero role? With the great journalism that you do

0:38:35.920 --> 0:38:38.600
<v Speaker 3>wrapped around these things, you're telling me you play zero

0:38:38.880 --> 0:38:41.640
<v Speaker 3>role in an investigation if there is.

0:38:41.560 --> 0:38:42.239
<v Speaker 1>One going on.

0:38:42.320 --> 0:38:46.400
<v Speaker 3>You don't believe no one to have ever looked at

0:38:46.440 --> 0:38:47.560
<v Speaker 3>one of your documentaries.

0:38:47.600 --> 0:38:49.920
<v Speaker 1>For perspective in law enforcement.

0:38:51.680 --> 0:38:54.080
<v Speaker 2>I do not believe my videos have played any role,

0:38:54.239 --> 0:38:57.440
<v Speaker 2>zero role in an active investigation. I can imagine an

0:38:57.440 --> 0:39:00.319
<v Speaker 2>investigators probably watched my video for fun, But I don't

0:39:00.360 --> 0:39:02.600
<v Speaker 2>think I played any role in an investigation if there

0:39:02.680 --> 0:39:04.520
<v Speaker 2>was some evidence, if you could show me an indictment

0:39:04.560 --> 0:39:05.040
<v Speaker 2>where one of my.

0:39:05.120 --> 0:39:06.000
<v Speaker 1>Won't be referenced.

0:39:06.000 --> 0:39:09.439
<v Speaker 3>From this perspectives, So when I'm telling you, what I'm

0:39:09.440 --> 0:39:11.320
<v Speaker 3>telling you do is you think you get a million

0:39:11.440 --> 0:39:13.799
<v Speaker 3>views and there's not a golden nugget in it?

0:39:15.000 --> 0:39:19.799
<v Speaker 1>Oh, you think there's a million dumb people? No, no, no, no,

0:39:20.239 --> 0:39:22.920
<v Speaker 1>there's golden nuggets. There's nuggets in this.

0:39:25.040 --> 0:39:26.800
<v Speaker 2>Those are nuggets that the cops already have.

0:39:28.360 --> 0:39:28.719
<v Speaker 1>I just do.

0:39:29.120 --> 0:39:31.600
<v Speaker 2>It seems unbelievable to me that they would they would

0:39:31.600 --> 0:39:35.080
<v Speaker 2>not look at any of the I just don't exactly

0:39:35.719 --> 0:39:38.279
<v Speaker 2>bear of mind, bear in mind no, but this is

0:39:38.280 --> 0:39:40.600
<v Speaker 2>what I'm saying. It's like bear of mind. Like for example,

0:39:41.320 --> 0:39:43.040
<v Speaker 2>you know I got I might get a clip of

0:39:43.120 --> 0:39:46.879
<v Speaker 2>young boy toting the gun. Right, that is the same

0:39:46.920 --> 0:39:49.080
<v Speaker 2>clip that he got arrested for. I don't know if

0:39:49.080 --> 0:39:50.760
<v Speaker 2>you you know, if I do, you know the story.

0:39:50.760 --> 0:39:53.400
<v Speaker 2>But like in twenty twenty, twenty twenty, young boys doing

0:39:53.440 --> 0:39:56.280
<v Speaker 2>a music video. He's on probation, he shouldn't be around guns.

0:39:56.360 --> 0:39:58.279
<v Speaker 2>He's on social media with all of his voice toting

0:39:58.320 --> 0:40:00.880
<v Speaker 2>an ak and then the Feds pull up up and

0:40:00.920 --> 0:40:03.000
<v Speaker 2>they arrest him, the arrest everyone. And this is the

0:40:03.000 --> 0:40:04.920
<v Speaker 2>case that young boys, he's a waiting trial for this

0:40:04.960 --> 0:40:08.440
<v Speaker 2>weapons charge because he was on social media with his gun. Now,

0:40:08.960 --> 0:40:11.080
<v Speaker 2>he's it's not my fault if I put that in

0:40:11.080 --> 0:40:12.719
<v Speaker 2>a video that he was doing that. He should not

0:40:12.800 --> 0:40:17.040
<v Speaker 2>have been totally a gun in his neighborhood.

0:40:17.200 --> 0:40:18.080
<v Speaker 1>I get what you're saying.

0:40:18.120 --> 0:40:21.480
<v Speaker 3>You're right, right, responsibility right, He should never never be

0:40:21.640 --> 0:40:25.480
<v Speaker 3>doing that. I remember one time academics had posted Meek

0:40:25.560 --> 0:40:28.360
<v Speaker 3>Mial and he was on probation, and he was in

0:40:28.400 --> 0:40:32.040
<v Speaker 3>his neighborhood feeling one of the most dangerous places in

0:40:32.080 --> 0:40:33.840
<v Speaker 3>the world, so they had fire.

0:40:33.680 --> 0:40:35.480
<v Speaker 1>Arms on them.

0:40:35.800 --> 0:40:38.360
<v Speaker 3>Academics reposted meet people and then hit him up. Hey bro,

0:40:38.440 --> 0:40:40.440
<v Speaker 3>he on probation, bru take it down. They didn't get

0:40:40.480 --> 0:40:43.080
<v Speaker 3>him locked up, academics, what's wrong? I don't know what's

0:40:43.080 --> 0:40:43.320
<v Speaker 3>going on.

0:40:44.040 --> 0:40:44.560
<v Speaker 1>I don't hear.

0:40:44.960 --> 0:40:51.719
<v Speaker 3>He just loves because he himself active of the internet babies. Right.

0:40:51.840 --> 0:40:54.600
<v Speaker 1>Well, we're trying to tell y'all this preserve our culture.

0:40:54.880 --> 0:40:57.040
<v Speaker 3>But y'all don't look at it like that because y'all

0:40:57.040 --> 0:40:59.520
<v Speaker 3>ain't a part of it for real. So what happens

0:40:59.719 --> 0:41:02.560
<v Speaker 3>is when we say, yo, don't send me to jail

0:41:02.640 --> 0:41:06.120
<v Speaker 3>for something, yo. Like with John Moran, that shit going

0:41:06.239 --> 0:41:09.920
<v Speaker 3>crazy right now. He shouldn't have done that. But in

0:41:10.000 --> 0:41:14.200
<v Speaker 3>our culture sometimes your people will bury some shit if

0:41:14.239 --> 0:41:14.840
<v Speaker 3>they can.

0:41:15.360 --> 0:41:17.120
<v Speaker 1>For us, it's like, yo, you shouldn't have done it.

0:41:17.120 --> 0:41:21.880
<v Speaker 3>Everybody posted, but we always ignore the incentive that everybody

0:41:21.960 --> 0:41:27.439
<v Speaker 3>is monetizing people's downfalls. People are monetizing people's mistakes. That's

0:41:27.480 --> 0:41:30.520
<v Speaker 3>what's happening. So if it wasn't an incentive, you could

0:41:30.520 --> 0:41:32.879
<v Speaker 3>tell a person, hey man, they might send me to jail, bro,

0:41:32.920 --> 0:41:33.920
<v Speaker 3>and they'll take it down.

0:41:34.160 --> 0:41:36.520
<v Speaker 1>But because they want, especially academics that.

0:41:36.520 --> 0:41:39.960
<v Speaker 3>Thirst to be first, that thirst to be first, and

0:41:40.080 --> 0:41:42.400
<v Speaker 3>make him throw it up. But bro, I'm thinking, like,

0:41:42.640 --> 0:41:45.680
<v Speaker 3>fuck man, like I want us to find a medium

0:41:45.719 --> 0:41:46.239
<v Speaker 3>for that shit.

0:41:46.320 --> 0:41:48.719
<v Speaker 1>But again, I can't deal with self snitching. I don't

0:41:48.760 --> 0:41:50.280
<v Speaker 1>do it. I think it's dune.

0:41:52.760 --> 0:41:55.680
<v Speaker 2>Listen, Ja Moran, because I've been looking into this too.

0:41:56.440 --> 0:41:59.360
<v Speaker 2>He got away one time. He was lucky. He flashed

0:41:59.400 --> 0:42:01.640
<v Speaker 2>that gun in the street club. They nearly banned him.

0:42:01.680 --> 0:42:04.040
<v Speaker 2>They gave him like two game suspension. I don't know

0:42:04.120 --> 0:42:07.560
<v Speaker 2>what he's doing running around showing guns on Instagram live again.

0:42:07.640 --> 0:42:10.520
<v Speaker 2>That's on him, bro, he why is he doing that again?

0:42:10.560 --> 0:42:12.800
<v Speaker 3>Bro, he's gonna from you know, I can't talk about

0:42:12.800 --> 0:42:15.040
<v Speaker 3>that with you, man, that's my boy, And they gonna

0:42:15.040 --> 0:42:17.120
<v Speaker 3>say long damn man, it just happened.

0:42:17.160 --> 0:42:19.000
<v Speaker 1>You talking about it with the white boy up there.

0:42:19.040 --> 0:42:21.080
<v Speaker 3>That ain't cool. So I'm a whole on four minute

0:42:21.080 --> 0:42:24.160
<v Speaker 3>on the job topic. That's my guy. I wish him

0:42:24.200 --> 0:42:27.440
<v Speaker 3>the best. YA don't know what's happening. I do understand it.

0:42:27.560 --> 0:42:30.480
<v Speaker 3>Something's happening, and I hate it for him, right. I

0:42:30.520 --> 0:42:34.560
<v Speaker 3>think partially, I think he's been into that music a

0:42:34.640 --> 0:42:37.320
<v Speaker 3>whole lot. I think that music got him choke hold

0:42:37.400 --> 0:42:39.520
<v Speaker 3>on him. But that's what I'm trying to tell you.

0:42:39.840 --> 0:42:42.560
<v Speaker 3>They this is the this is the evidence. What I'm

0:42:42.560 --> 0:42:45.960
<v Speaker 3>telling you they do. They tell they tell I rap niggas,

0:42:45.960 --> 0:42:50.680
<v Speaker 3>They incentivize, and it's benefit on the side of exaggeration

0:42:51.239 --> 0:42:54.480
<v Speaker 3>of criminal behavior, and then what you deal with is

0:42:54.600 --> 0:42:58.520
<v Speaker 3>real crime rising. Young Boy said something in a song

0:42:58.600 --> 0:43:01.279
<v Speaker 3>that scared me, And it didn't scare me because I

0:43:01.320 --> 0:43:03.960
<v Speaker 3>think he gonna do something, but I understood.

0:43:04.080 --> 0:43:06.160
<v Speaker 1>I know young boys that listen to him. Guess what

0:43:06.239 --> 0:43:06.680
<v Speaker 1>he said.

0:43:07.160 --> 0:43:11.120
<v Speaker 3>He said that what you know about a dude beating

0:43:11.160 --> 0:43:13.880
<v Speaker 3>on your mama, you get old enough and then you

0:43:14.040 --> 0:43:16.279
<v Speaker 3>kill him. I said, I don't think that's a good

0:43:16.320 --> 0:43:20.520
<v Speaker 3>message to give those children, because there's people, there's people

0:43:20.520 --> 0:43:22.920
<v Speaker 3>gonna start plotting on that or feel like that's the

0:43:22.960 --> 0:43:25.399
<v Speaker 3>way to go in real life. Like I don't even

0:43:25.440 --> 0:43:27.880
<v Speaker 3>know if he knows, but I've dealt with young niggas

0:43:27.880 --> 0:43:30.879
<v Speaker 3>that look just like young Boy. Try to stand like him,

0:43:30.920 --> 0:43:32.879
<v Speaker 3>try to talk like him, get their hair like him.

0:43:32.880 --> 0:43:35.120
<v Speaker 3>If he swishes hair, they swish their hair. If he

0:43:35.200 --> 0:43:37.920
<v Speaker 3>weighing is they wear so they got he got a

0:43:37.920 --> 0:43:40.520
<v Speaker 3>certain choke hold on him. That when he said that

0:43:40.719 --> 0:43:43.680
<v Speaker 3>I said, oh, you know, I just don't know. Maybe

0:43:43.800 --> 0:43:46.600
<v Speaker 3>you know as a slippery one. That's a slippery place

0:43:46.719 --> 0:43:47.080
<v Speaker 3>right there.

0:43:49.080 --> 0:43:51.319
<v Speaker 2>Well that's a really good point. And actually, I think

0:43:51.360 --> 0:43:52.680
<v Speaker 2>something I really wanted to say to you at some

0:43:52.719 --> 0:43:55.960
<v Speaker 2>point in this conversation is that I think the you

0:43:56.000 --> 0:43:59.279
<v Speaker 2>know something needs to change because I think there's a

0:43:59.320 --> 0:44:02.279
<v Speaker 2>lot of successful rappers. Ja Cole is just one that

0:44:02.360 --> 0:44:05.759
<v Speaker 2>jumps to mind that can be successful without living up

0:44:05.800 --> 0:44:08.719
<v Speaker 2>to this gangster image. I know that that works for

0:44:08.760 --> 0:44:10.520
<v Speaker 2>a lot of people. But at the same time, that's

0:44:10.560 --> 0:44:13.000
<v Speaker 2>not the only route. I know. People are incentivized by

0:44:13.600 --> 0:44:16.320
<v Speaker 2>acting like a tough guy, acting like they've got bodies

0:44:16.360 --> 0:44:17.239
<v Speaker 2>or they're a killer or whatever.

0:44:17.320 --> 0:44:22.200
<v Speaker 1>But I want you because it's not acting like anything.

0:44:22.360 --> 0:44:27.560
<v Speaker 3>It's exaggeration of the circumstances. Not that I'm not involved,

0:44:27.600 --> 0:44:30.839
<v Speaker 3>but I made they This is benefit on the side

0:44:30.880 --> 0:44:32.120
<v Speaker 3>of putting a little bit on that.

0:44:32.360 --> 0:44:36.360
<v Speaker 1>Now with j Cole, he's dope. That's the difference.

0:44:36.400 --> 0:44:40.200
<v Speaker 3>They don't incentive azzed niggas that ain't dope, but they'll

0:44:40.280 --> 0:44:41.480
<v Speaker 3>give you some money.

0:44:41.480 --> 0:44:45.080
<v Speaker 1>If you ain't dope, but you're talking it gangster killer shit,

0:44:45.680 --> 0:44:46.759
<v Speaker 1>you can still get in.

0:44:47.640 --> 0:44:50.920
<v Speaker 2>But that that's but that's why it's so it's it's

0:44:50.920 --> 0:44:52.880
<v Speaker 2>actually quite confusing because then you look at a guy

0:44:52.920 --> 0:44:54.359
<v Speaker 2>like Joe Moran and we don't have to talk too

0:44:54.440 --> 0:44:56.440
<v Speaker 2>much on him because I know there's a personal relationship there,

0:44:56.440 --> 0:44:58.160
<v Speaker 2>But it's like it's it's almost hard to understand where

0:44:58.160 --> 0:45:00.600
<v Speaker 2>it's like, this guy is an NBA player with one

0:45:00.600 --> 0:45:03.319
<v Speaker 2>of the biggest contracts going. He doesn't really need to

0:45:03.320 --> 0:45:06.040
<v Speaker 2>be flashing the gun. But I suppose, how.

0:45:05.920 --> 0:45:09.839
<v Speaker 3>Do we know he doesn't does major How do we

0:45:09.880 --> 0:45:12.560
<v Speaker 3>know that he don't need.

0:45:12.640 --> 0:45:14.239
<v Speaker 2>He doesn't need to flash the gun. Maybe he needs

0:45:14.239 --> 0:45:16.400
<v Speaker 2>the gun for protection, but he doesn't need to. And

0:45:16.920 --> 0:45:19.759
<v Speaker 2>he's clearly music. He's caught up in the music in

0:45:19.840 --> 0:45:21.680
<v Speaker 2>the moment and he wants to show it off. But

0:45:21.719 --> 0:45:23.960
<v Speaker 2>what I really wanted to say to you, going back

0:45:24.000 --> 0:45:26.359
<v Speaker 2>to the j Cole thing, because you said something really

0:45:26.400 --> 0:45:28.239
<v Speaker 2>interesting right back at the start of this when we

0:45:28.239 --> 0:45:30.040
<v Speaker 2>were talking about jay Z and the Massy projects, and

0:45:30.080 --> 0:45:32.279
<v Speaker 2>you said that you've got young guys growing up in

0:45:32.280 --> 0:45:36.239
<v Speaker 2>a difficult situation where damn near the only options they've

0:45:36.239 --> 0:45:39.600
<v Speaker 2>got is rap or play ball or get into the streets.

0:45:39.680 --> 0:45:42.320
<v Speaker 2>And I think it's so important for us going forward

0:45:42.800 --> 0:45:45.280
<v Speaker 2>to also shine a light on the people like yourself

0:45:45.560 --> 0:45:47.640
<v Speaker 2>and like Charlemagne or j Cole that say, you know

0:45:47.680 --> 0:45:50.799
<v Speaker 2>what you haven't Actually, you've got more options. You can

0:45:50.840 --> 0:45:53.040
<v Speaker 2>be a dope podcaster and make millions. You can be

0:45:53.800 --> 0:45:55.759
<v Speaker 2>even if you don't like ACT, you could be like ACT.

0:45:55.880 --> 0:45:57.239
<v Speaker 2>A lot of people that maybe don't want to be

0:45:57.239 --> 0:45:59.120
<v Speaker 2>like ACT. I like ACT, but you know what I mean,

0:45:59.160 --> 0:46:01.000
<v Speaker 2>and I think that going I think and this is

0:46:01.040 --> 0:46:02.799
<v Speaker 2>something I want to do, and I would love to

0:46:02.800 --> 0:46:05.399
<v Speaker 2>do more projects broadly on you know, I cover lots

0:46:05.400 --> 0:46:07.520
<v Speaker 2>of different types of people. I also love covering success,

0:46:07.920 --> 0:46:10.760
<v Speaker 2>but you know, just really showing people like young dudes

0:46:10.800 --> 0:46:14.200
<v Speaker 2>coming out of fucked up environments that you know what,

0:46:14.440 --> 0:46:16.600
<v Speaker 2>there's so many more options, there's so many more routes.

0:46:16.920 --> 0:46:20.600
<v Speaker 2>You're a good podcaster not because you're up here acting

0:46:20.640 --> 0:46:23.160
<v Speaker 2>like the toughest podcaster in the world that can't be

0:46:23.200 --> 0:46:25.799
<v Speaker 2>fucked with. You're here because you've got interesting opinions. You know,

0:46:25.880 --> 0:46:28.440
<v Speaker 2>you you argue your points well, you've got a really

0:46:28.480 --> 0:46:31.279
<v Speaker 2>good perspective from the background that you've come from, and

0:46:31.360 --> 0:46:33.640
<v Speaker 2>you're a shining example, like you're a role model, you

0:46:33.640 --> 0:46:35.560
<v Speaker 2>know what I mean, And I think it's just a

0:46:35.600 --> 0:46:37.560
<v Speaker 2>really interesting space that we're in where it's like some

0:46:37.600 --> 0:46:40.040
<v Speaker 2>people that they're kind of caught up in just the

0:46:40.440 --> 0:46:42.240
<v Speaker 2>only role models they can see are the King Von's,

0:46:42.280 --> 0:46:46.400
<v Speaker 2>the Chief Keiths or the NBA young boys. And there's actually, nowadays,

0:46:46.440 --> 0:46:48.640
<v Speaker 2>in the modern era, there's so many more people to

0:46:48.640 --> 0:46:50.759
<v Speaker 2>look up to. And I think, you know, maybe going forward,

0:46:50.840 --> 0:46:52.440
<v Speaker 2>you know, I'd love to know if there's more ways here.

0:46:52.480 --> 0:46:52.640
<v Speaker 3>Now.

0:46:52.680 --> 0:46:53.960
<v Speaker 2>We definitely spread that mess.

0:46:53.920 --> 0:46:56.680
<v Speaker 3>I'm telling you, and we're gonna get some stuff together

0:46:56.719 --> 0:47:00.000
<v Speaker 3>because again I can appreciate how you do these days,

0:47:00.120 --> 0:47:03.920
<v Speaker 3>is what I think happens. Is I truly truly when

0:47:03.920 --> 0:47:06.800
<v Speaker 3>I lay down at night, I truly truly in my heart, no,

0:47:06.960 --> 0:47:10.920
<v Speaker 3>I'm breaking the mold. I truly know this because before me,

0:47:11.600 --> 0:47:15.040
<v Speaker 3>you have your academics, you have your Joe Buddens, you

0:47:15.120 --> 0:47:18.200
<v Speaker 3>have all of these guys are different from me. Now,

0:47:18.280 --> 0:47:23.080
<v Speaker 3>tex Stone is a version of it. But something happened.

0:47:23.120 --> 0:47:26.400
<v Speaker 3>It got slippery for him, and then some took him alone.

0:47:26.400 --> 0:47:28.920
<v Speaker 3>The way I thank him to be, I take him

0:47:28.960 --> 0:47:31.160
<v Speaker 3>to be intelligent. I take him to have game a

0:47:31.200 --> 0:47:34.320
<v Speaker 3>lot of game as well. But I truly believe because

0:47:34.360 --> 0:47:38.200
<v Speaker 3>my head is on right right and I've literally dedicated

0:47:38.239 --> 0:47:40.959
<v Speaker 3>my life to this. I truly believe this to break

0:47:41.000 --> 0:47:42.919
<v Speaker 3>the mold. And I say that because when I pull

0:47:43.000 --> 0:47:46.120
<v Speaker 3>up in the trap, they will play my podcast. They

0:47:46.160 --> 0:47:50.400
<v Speaker 3>will not play another podcast. Here's the kicker. When I

0:47:50.440 --> 0:47:53.120
<v Speaker 3>pull up to an exec, they also play the podcast.

0:47:54.239 --> 0:47:57.960
<v Speaker 3>And so here's where you see somebody like QCP, I

0:47:58.000 --> 0:48:00.880
<v Speaker 3>always share my stuff. That's my brother. It ain't because

0:48:00.920 --> 0:48:04.279
<v Speaker 3>the personal relationship. It's because the opinion. That's the perspective

0:48:04.320 --> 0:48:07.640
<v Speaker 3>that's being laid down. It's like, yo, that makes sense.

0:48:07.680 --> 0:48:09.560
<v Speaker 3>You see some of the biggest people in the game

0:48:10.000 --> 0:48:12.279
<v Speaker 3>embrace it because of the perspective.

0:48:12.600 --> 0:48:15.880
<v Speaker 1>And so I believe soon everybody have a mic and

0:48:15.960 --> 0:48:16.400
<v Speaker 1>be talking.

0:48:16.480 --> 0:48:18.960
<v Speaker 3>It's gonna be about where you get your information from,

0:48:19.239 --> 0:48:22.120
<v Speaker 3>because everybody's gonna have a YouTube channel, a camera. Everybody's

0:48:22.120 --> 0:48:24.080
<v Speaker 3>gonna know how to edit the shit gonna damn to

0:48:24.200 --> 0:48:26.960
<v Speaker 3>edit itself. There's a new program now that edit podcasts

0:48:27.000 --> 0:48:29.759
<v Speaker 3>for you. AI just you ain't even gotta touch it.

0:48:29.800 --> 0:48:32.520
<v Speaker 3>So it's gonna be about you better be dope. And

0:48:32.560 --> 0:48:35.440
<v Speaker 3>that's what dudes like academics gonna burn out and people

0:48:35.480 --> 0:48:39.520
<v Speaker 3>like you are gonna thrive because you must have golden nuggets,

0:48:39.880 --> 0:48:44.000
<v Speaker 3>and I just pissed gold like I talk golden nuggets.

0:48:44.239 --> 0:48:47.439
<v Speaker 3>I like, perspective wise, I'm always gonna have something that's

0:48:47.520 --> 0:48:48.840
<v Speaker 3>like what the fuck was that?

0:48:49.560 --> 0:48:52.120
<v Speaker 1>You know? And so I'm lucky enough to be there.

0:48:52.239 --> 0:48:55.240
<v Speaker 3>I just pray that perspective stays with me in the universe,

0:48:55.239 --> 0:48:58.560
<v Speaker 3>stays in line. But outside of that, I want the

0:48:58.640 --> 0:49:01.320
<v Speaker 3>youngsters to know you can and be a dope podcaster.

0:49:01.400 --> 0:49:03.080
<v Speaker 3>But I know I'm the first one. They looking at

0:49:03.160 --> 0:49:06.000
<v Speaker 3>it saying, nah, he really cool, like the girls like

0:49:06.280 --> 0:49:09.799
<v Speaker 3>I'm the first podcaster. I mean, I'm sure dudes like Charlemagne,

0:49:09.840 --> 0:49:12.919
<v Speaker 3>I don't look at him like a podcaster. Joe Joe

0:49:13.080 --> 0:49:15.640
<v Speaker 3>probably get girls. There's a lot of niggas this, but bro,

0:49:15.880 --> 0:49:19.440
<v Speaker 3>I'm popping like a rap nigga popping like I'm I'm

0:49:19.480 --> 0:49:25.239
<v Speaker 3>talking about they loving real and and I love them,

0:49:25.239 --> 0:49:27.920
<v Speaker 3>but I'm saying I want us to shad like so

0:49:28.000 --> 0:49:31.240
<v Speaker 3>the kids do know, Hey, it's other avenues. J Cole

0:49:31.360 --> 0:49:34.719
<v Speaker 3>got out because he was truly dope. What's unfortunate it

0:49:34.880 --> 0:49:37.400
<v Speaker 3>is you don't gotta be dope if you talk criminal,

0:49:38.320 --> 0:49:42.279
<v Speaker 3>you gotta be believable. So they don't necessarily care if

0:49:42.320 --> 0:49:44.600
<v Speaker 3>you dope. Long as they believe you will get you

0:49:44.680 --> 0:49:47.680
<v Speaker 3>out there, because we gonna put some criminal shit in

0:49:47.719 --> 0:49:50.200
<v Speaker 3>front of these people because that's what they want, they

0:49:50.239 --> 0:49:52.759
<v Speaker 3>gonna listen to. That's why you see young boy half

0:49:52.800 --> 0:49:56.279
<v Speaker 3>seventy k seventy k people on the Instagram. Nobody really

0:49:56.320 --> 0:49:59.359
<v Speaker 3>they gonna find where it be fed. What the hell

0:49:59.440 --> 0:50:02.600
<v Speaker 3>is he going talking about that beef shit? We gonna

0:50:02.600 --> 0:50:05.879
<v Speaker 3>find that. And so I think I'm the first one

0:50:05.880 --> 0:50:08.600
<v Speaker 3>to be able to dribble in both of those like

0:50:08.719 --> 0:50:11.400
<v Speaker 3>lanes where it's like, oh he cool land his information

0:50:11.760 --> 0:50:14.839
<v Speaker 3>like we can learn and it's it's still us. And

0:50:14.880 --> 0:50:18.040
<v Speaker 3>so I pray that people coming behind this, you know

0:50:18.120 --> 0:50:20.400
<v Speaker 3>that we like the way that it's possible. You know,

0:50:20.440 --> 0:50:23.600
<v Speaker 3>because what you're doing, bro, I'm telling you this, and

0:50:23.719 --> 0:50:26.000
<v Speaker 3>don't wait for these suckers to validate you, because if

0:50:26.040 --> 0:50:28.759
<v Speaker 3>you waiting on that, it ain't gonna ever happen. You

0:50:28.840 --> 0:50:31.759
<v Speaker 3>may be the dopest one doing that. You need to

0:50:31.760 --> 0:50:34.600
<v Speaker 3>be at a network with that. You see what I'm saying.

0:50:34.640 --> 0:50:36.600
<v Speaker 3>You're the level you're doing it on. It needs to

0:50:36.640 --> 0:50:40.239
<v Speaker 3>it's network material. So continue to put them nuggets in there,

0:50:40.280 --> 0:50:42.759
<v Speaker 3>because at some point we're gonna try to get that

0:50:42.840 --> 0:50:45.560
<v Speaker 3>shit licensed or get a bag for some of that

0:50:45.640 --> 0:50:47.840
<v Speaker 3>shit to live over here on one of these Especially

0:50:47.840 --> 0:50:50.080
<v Speaker 3>when you put a nigga, you put somebody like me

0:50:50.320 --> 0:50:53.879
<v Speaker 3>involved with it, where if they don't can't really blackbally

0:50:53.920 --> 0:50:56.719
<v Speaker 3>where it's like, yo, he don't really know like.

0:50:56.640 --> 0:50:57.239
<v Speaker 1>They gonna say.

0:50:57.320 --> 0:50:59.239
<v Speaker 3>You know what I'm saying, because even with Act, Bro,

0:50:59.800 --> 0:51:01.719
<v Speaker 3>you know, all due respect that Act made a lot

0:51:01.760 --> 0:51:04.319
<v Speaker 3>of money, he's not really from our culture. When we

0:51:04.440 --> 0:51:07.319
<v Speaker 3>really dribble it down, it's like, Bro, you really didn't

0:51:07.360 --> 0:51:07.799
<v Speaker 3>grow up.

0:51:07.840 --> 0:51:08.040
<v Speaker 1>Well.

0:51:08.239 --> 0:51:11.080
<v Speaker 3>See, I come up in a situation where I learned

0:51:11.280 --> 0:51:13.759
<v Speaker 3>I've met every kind of person. Here's the thing about

0:51:13.800 --> 0:51:16.600
<v Speaker 3>the street, the streets, the drug game, if you really

0:51:16.680 --> 0:51:19.520
<v Speaker 3>was in it, you have an opportunity to meet all

0:51:19.600 --> 0:51:22.960
<v Speaker 3>walks of life. I get to see the doctor because

0:51:23.160 --> 0:51:25.320
<v Speaker 3>nine times out of ten, at some point the doctor's

0:51:25.320 --> 0:51:27.600
<v Speaker 3>on drugs and he comes down to see me.

0:51:27.640 --> 0:51:30.080
<v Speaker 1>I see the tractor trailer drive, I see damn.

0:51:30.120 --> 0:51:32.279
<v Speaker 3>There all walks of life, and so you get to

0:51:32.320 --> 0:51:34.880
<v Speaker 3>pick up on habits. You get to pick up on

0:51:35.000 --> 0:51:38.040
<v Speaker 3>people and how to look at people and view people

0:51:38.120 --> 0:51:40.799
<v Speaker 3>and get things from them and understand what they have

0:51:40.880 --> 0:51:44.200
<v Speaker 3>to offer. I don't see him being able to survive

0:51:44.440 --> 0:51:49.400
<v Speaker 3>much longer with that level of content, because soon everybody's

0:51:49.440 --> 0:51:52.120
<v Speaker 3>gonna be quick trigger, quick trigger, because everybody gonna have

0:51:52.160 --> 0:51:53.080
<v Speaker 3>a computer or fall.

0:51:53.480 --> 0:51:55.680
<v Speaker 1>It's just too much content coming out.

0:51:55.719 --> 0:52:01.799
<v Speaker 2>Bro, man, you know it's uh. I think you're right.

0:52:01.840 --> 0:52:03.200
<v Speaker 2>You know, I think a lot of people are gonna

0:52:03.280 --> 0:52:04.600
<v Speaker 2>try and get in on this space and they are

0:52:04.640 --> 0:52:06.279
<v Speaker 2>going to be recording. Everyone's gonna have a camera. But

0:52:06.320 --> 0:52:08.640
<v Speaker 2>as you say, I think it's that you know that unique,

0:52:08.640 --> 0:52:11.400
<v Speaker 2>like whatever makes you unique. You know, your your nugget,

0:52:11.400 --> 0:52:13.880
<v Speaker 2>your golden nugget, your diamonds, your your facts that you

0:52:13.880 --> 0:52:16.120
<v Speaker 2>put across, that's what's going to make you stand out.

0:52:16.120 --> 0:52:17.640
<v Speaker 2>But bro, you know, I totally agree, and I think

0:52:17.680 --> 0:52:19.399
<v Speaker 2>you are a shining example. I think you're a great

0:52:19.440 --> 0:52:23.080
<v Speaker 2>role model for this culture in this current space and

0:52:23.120 --> 0:52:25.359
<v Speaker 2>time that we're in. You know, twenty twenty three is

0:52:25.640 --> 0:52:28.120
<v Speaker 2>it's a crazy time. There's crazy shit going on. You know,

0:52:28.200 --> 0:52:33.239
<v Speaker 2>the wrap media sphere damn near recognizable from what it

0:52:33.280 --> 0:52:35.360
<v Speaker 2>was ten years ago. But I think it's super exciting

0:52:35.440 --> 0:52:36.840
<v Speaker 2>and there's a lot of great people coming through and

0:52:38.040 --> 0:52:38.719
<v Speaker 2>have a conversation.

0:52:38.840 --> 0:52:41.760
<v Speaker 3>Don't appreciate you great, that man, ask you one more question.

0:52:41.880 --> 0:52:44.480
<v Speaker 3>Do you make enough money to survive off of this stuff?

0:52:44.680 --> 0:52:46.399
<v Speaker 3>What kind of money you making off this shit?

0:52:49.200 --> 0:52:51.759
<v Speaker 2>Man? I make enough to live comfortably, you know, I live.

0:52:52.120 --> 0:52:53.000
<v Speaker 2>I do this full time.

0:52:53.760 --> 0:52:54.560
<v Speaker 1>The seventh fit is.

0:52:57.400 --> 0:53:00.520
<v Speaker 2>Nah, no, yeah, man, hopefully eventually, but you know I'm granded, man,

0:53:00.560 --> 0:53:02.640
<v Speaker 2>and you know I don't do it for the money.

0:53:03.360 --> 0:53:05.120
<v Speaker 2>But at the same time, you know it would be

0:53:05.200 --> 0:53:07.960
<v Speaker 2>nice to have seven figures. But I ain't there yet, man,

0:53:08.000 --> 0:53:08.720
<v Speaker 2>But I'm trying.

0:53:08.760 --> 0:53:08.880
<v Speaker 3>Man.

0:53:09.000 --> 0:53:10.880
<v Speaker 2>I live a humble life. I'm not too flashy, you know,

0:53:10.920 --> 0:53:13.080
<v Speaker 2>I don't. I don't ball out too much. You know,

0:53:13.239 --> 0:53:15.360
<v Speaker 2>I live a comfortable, happy life, and I'm happy with

0:53:15.360 --> 0:53:18.440
<v Speaker 2>where I'm at. But you know what I'm saying, I appreciate.

0:53:18.000 --> 0:53:19.719
<v Speaker 1>You coming through. Like I say, we'll lock in.

0:53:19.800 --> 0:53:22.799
<v Speaker 3>You got any questions about any culture perspective, hit me.

0:53:23.239 --> 0:53:25.600
<v Speaker 3>I'll give you my perspective and you go with what

0:53:25.719 --> 0:53:28.120
<v Speaker 3>you go with, Like not there, whatever I say, you

0:53:28.200 --> 0:53:30.279
<v Speaker 3>got to put in. But if you ever got you know,

0:53:30.320 --> 0:53:32.839
<v Speaker 3>I wonder what the fuck is that about? Like what

0:53:32.880 --> 0:53:33.680
<v Speaker 3>does that really?

0:53:34.040 --> 0:53:34.319
<v Speaker 1>You know?

0:53:34.480 --> 0:53:36.080
<v Speaker 3>You can hit me, you know what I'm saying, and

0:53:36.120 --> 0:53:38.399
<v Speaker 3>then we might do some once in a month where

0:53:38.440 --> 0:53:39.880
<v Speaker 3>we just get on and chop it. You know what

0:53:39.960 --> 0:53:42.320
<v Speaker 3>I'm saying, because I found this conversation to be interesting,

0:53:42.400 --> 0:53:45.799
<v Speaker 3>both perspectives to be so totally on the opposite that

0:53:45.880 --> 0:53:48.160
<v Speaker 3>I think the audience, once they get a hold of

0:53:48.239 --> 0:53:50.320
<v Speaker 3>that we're doing this, they'll probably enjoyed.

0:53:50.440 --> 0:53:54.000
<v Speaker 1>So I had a good time. I appreciate you, Bro, Totally.

0:53:55.360 --> 0:53:56.239
<v Speaker 2>Appreciate you too. Man.

0:53:56.280 --> 0:53:56.759
<v Speaker 1>Thanks sir.

0:53:56.840 --> 0:53:58.600
<v Speaker 2>You have a goal speak against SU for sure, so

0:53:58.680 --> 0:54:00.319
<v Speaker 2>look yes

0:55:00.120 --> 0:55:23.440
<v Speaker 3>Passssssssssssssssssss