1 00:00:00,920 --> 00:00:10,479 Speaker 1: Crime Stories with Nancy Greece. Incredible. I thought I had 2 00:00:10,560 --> 00:00:19,040 Speaker 1: misread when I learned convicted killer Jody Arius. Remember her? 3 00:00:19,920 --> 00:00:26,000 Speaker 1: Jody Arius stabbed her boyfriend Chavis Alexander. There's an argument 4 00:00:26,040 --> 00:00:29,320 Speaker 1: about how many times she stabbed him dead because there 5 00:00:29,320 --> 00:00:32,919 Speaker 1: were so many stab wounds close to thirty that they 6 00:00:32,920 --> 00:00:36,000 Speaker 1: were overlapping each other and you couldn't tell if it 7 00:00:36,080 --> 00:00:39,640 Speaker 1: was one stab or two or three, and then capped 8 00:00:39,640 --> 00:00:41,760 Speaker 1: it off by shooting him in the head, leaving him 9 00:00:41,760 --> 00:00:46,239 Speaker 1: to decompose in a showerstall. Why because he dared to 10 00:00:46,320 --> 00:00:50,440 Speaker 1: ask another woman on a date after a marathon sex 11 00:00:50,600 --> 00:00:55,640 Speaker 1: session with Arius. She just couldn't take it. Jody Arius 12 00:00:56,080 --> 00:01:02,240 Speaker 1: is selling her artwork for one thousands. One of her 13 00:01:02,480 --> 00:01:06,200 Speaker 1: pieces of art is going for let me check this, 14 00:01:06,319 --> 00:01:12,559 Speaker 1: Maybe I need glasses for twenty five hundred dollars nearly 15 00:01:12,640 --> 00:01:15,440 Speaker 1: three thousand dollars. Hey, you know she's just getting a 16 00:01:15,480 --> 00:01:19,400 Speaker 1: magazine and tracing over it. Right that said, have you 17 00:01:19,440 --> 00:01:23,320 Speaker 1: ever heard of blood money? I need see Grace. This 18 00:01:23,440 --> 00:01:26,319 Speaker 1: is Crime Stories. Thank you for being with us. 19 00:01:27,840 --> 00:01:34,000 Speaker 2: A WorldWind romance between aspiring photographer Jody Arius and salesman 20 00:01:34,160 --> 00:01:39,960 Speaker 2: Travis Alexander turns sour the explosive pair is on and 21 00:01:40,280 --> 00:01:45,680 Speaker 2: off again, but this time Travis swears they're done for good. 22 00:01:46,440 --> 00:01:49,480 Speaker 1: And there's a reason. He swore to his friends he 23 00:01:49,600 --> 00:01:53,440 Speaker 1: was done with her for good. When we say a stalker, 24 00:01:54,400 --> 00:01:59,480 Speaker 1: we normally picture a husband or boyfriend and ex looking 25 00:01:59,480 --> 00:02:03,200 Speaker 1: in your wind, calling you non stop, following you around, 26 00:02:03,200 --> 00:02:06,720 Speaker 1: putting a GPS tracker on your vehicle. You don't normally 27 00:02:06,880 --> 00:02:12,040 Speaker 1: think of a woman. Jody are areas like Jody Arias 28 00:02:12,120 --> 00:02:16,240 Speaker 1: as being a stalker. But oh boy, she was a stalker. 29 00:02:16,480 --> 00:02:20,160 Speaker 1: And then some you don't believe me. Listen, what's going on? 30 00:02:21,200 --> 00:02:23,679 Speaker 3: A friend of ours is dead in his bedroom. We 31 00:02:24,240 --> 00:02:27,440 Speaker 3: hadn't heard from him for a while. We think he's dead. 32 00:02:27,639 --> 00:02:30,919 Speaker 3: His roommates just going in there, and so they bought 33 00:02:30,960 --> 00:02:33,280 Speaker 3: some blood. I didn't go in, but I can give 34 00:02:33,320 --> 00:02:35,000 Speaker 3: you this songe to someone who went in there. 35 00:02:35,120 --> 00:02:36,040 Speaker 4: Can yes, please? 36 00:02:36,080 --> 00:02:37,000 Speaker 5: Can you hello? 37 00:02:37,480 --> 00:02:38,400 Speaker 6: Hi? What's going on? 38 00:02:39,280 --> 00:02:44,680 Speaker 1: He's dead? He's in his bedroom in the shower. 39 00:02:45,080 --> 00:02:46,720 Speaker 4: Okay, how did this happen? 40 00:02:46,760 --> 00:02:47,600 Speaker 7: Do you have any idea? 41 00:02:47,720 --> 00:02:48,720 Speaker 1: We have no idea. 42 00:02:48,760 --> 00:02:50,399 Speaker 3: Everyone's been wondering about. 43 00:02:50,200 --> 00:02:51,440 Speaker 8: Him for a few days. 44 00:02:51,520 --> 00:02:53,600 Speaker 5: She said that there's blood, so is it coming from 45 00:02:53,600 --> 00:02:54,040 Speaker 5: his head? 46 00:02:54,240 --> 00:02:54,760 Speaker 1: Did he. 47 00:02:56,360 --> 00:02:58,120 Speaker 7: It's all over with me. 48 00:02:58,520 --> 00:03:05,160 Speaker 1: Renowned expert Joseph Scott Morgan, death investigator who has conducted 49 00:03:05,639 --> 00:03:12,559 Speaker 1: thousands of death investigations, be the natural causes accidents, suicide 50 00:03:12,760 --> 00:03:17,120 Speaker 1: or homicide. Author of Blood Beneath My Feet on Amazon, 51 00:03:17,520 --> 00:03:20,800 Speaker 1: and start of a Hitting You series podcast Body Bags 52 00:03:21,080 --> 00:03:24,360 Speaker 1: with Joseph Scott Morgan, Joe Scott, You and I went 53 00:03:24,480 --> 00:03:29,000 Speaker 1: round and around and round about how many times Travick's 54 00:03:29,040 --> 00:03:33,280 Speaker 1: Alexander was murdered, and we're about to do it again. 55 00:03:33,320 --> 00:03:37,840 Speaker 1: It's a rematch. But one thing you said at the 56 00:03:37,960 --> 00:03:41,840 Speaker 1: time of the murder that's stuck with me and I'll 57 00:03:41,880 --> 00:03:50,960 Speaker 1: never forget it. You described some drops. I don't mean throwback, 58 00:03:51,120 --> 00:03:57,240 Speaker 1: I don't mean a transfer drops of blood on Travis 59 00:03:57,360 --> 00:04:03,000 Speaker 1: Alexander's sink the way you described it. I had so 60 00:04:03,440 --> 00:04:08,120 Speaker 1: many wounds, but these were drops, like around circular drops. 61 00:04:08,640 --> 00:04:12,240 Speaker 1: And you described how he would have looked into his 62 00:04:12,400 --> 00:04:18,480 Speaker 1: bathroom mirror and seeing himself dying, hit. 63 00:04:18,360 --> 00:04:20,720 Speaker 5: The nail on the head. Nancy, and I remember this 64 00:04:20,800 --> 00:04:24,680 Speaker 5: after all these years thinking back to this, you know 65 00:04:25,520 --> 00:04:28,919 Speaker 5: those droplets that you're referring to are in fact some 66 00:04:29,200 --> 00:04:32,560 Speaker 5: are droplets. But Nancy, here's the really ghastly thing about this. 67 00:04:33,080 --> 00:04:37,760 Speaker 5: Many of these are projected droplets, and it's what's referred 68 00:04:37,800 --> 00:04:40,440 Speaker 5: to as bloody aspirit. And I'm going to break that 69 00:04:40,520 --> 00:04:43,120 Speaker 5: down for you, just so people can understand what this 70 00:04:43,200 --> 00:04:47,560 Speaker 5: man went through after he was initially attacked in the shower. 71 00:04:48,640 --> 00:04:51,440 Speaker 5: He is aware of this. He leans over the seineking 72 00:04:51,520 --> 00:04:54,760 Speaker 5: see the contact, the contact points where his hands were 73 00:04:54,839 --> 00:04:57,920 Speaker 5: on the sink. He's leaning forward looking himself in the mirror, 74 00:04:58,360 --> 00:05:02,920 Speaker 5: and Nancy, he aspirated blood down into his airway and 75 00:05:03,080 --> 00:05:06,480 Speaker 5: spit it back out, So he's aspirating blowing it out, 76 00:05:06,520 --> 00:05:08,839 Speaker 5: and you get these fine little dots of blood that 77 00:05:08,880 --> 00:05:11,599 Speaker 5: were all all over the place at this point in time. 78 00:05:12,080 --> 00:05:15,200 Speaker 5: And it's a horrible event to imagine. This guy's just 79 00:05:15,240 --> 00:05:18,360 Speaker 5: taking a shower. Can you imagine suddenly you're getting stabbed 80 00:05:18,760 --> 00:05:23,400 Speaker 5: in the back by this demon and name Jon And. 81 00:05:24,000 --> 00:05:27,039 Speaker 1: You know he was found decomposing in the shower. But 82 00:05:27,200 --> 00:05:29,880 Speaker 1: I'm looking at the sink and I will never forget 83 00:05:29,920 --> 00:05:33,520 Speaker 1: this photo. And if you look to the left of 84 00:05:33,560 --> 00:05:38,000 Speaker 1: the faucet, toward the front of the sink, you see 85 00:05:38,640 --> 00:05:41,960 Speaker 1: two of the dropped drops you were describing. And then 86 00:05:42,000 --> 00:05:45,839 Speaker 1: if you go right, you see another drop. Now it's 87 00:05:45,880 --> 00:05:49,520 Speaker 1: amazing to me that you, as a death scene investigator, 88 00:05:50,120 --> 00:05:55,320 Speaker 1: could distinguish the difference between those drops and all the 89 00:05:55,400 --> 00:05:58,400 Speaker 1: other blood. But now that you told me about it, 90 00:05:58,800 --> 00:06:01,520 Speaker 1: I see it. I'm looking up at the stars and 91 00:06:01,800 --> 00:06:03,520 Speaker 1: if you don't know what you're doing, you can't see 92 00:06:03,560 --> 00:06:08,839 Speaker 1: the constellations. Looking at this blood tells a story, and 93 00:06:08,960 --> 00:06:14,520 Speaker 1: you can even determine which blood was aspiration. In other words, 94 00:06:15,000 --> 00:06:17,159 Speaker 1: he was bleeding. When he breathed out of his mouth 95 00:06:17,240 --> 00:06:20,480 Speaker 1: or nose, you would get a fine spray, especially from 96 00:06:20,480 --> 00:06:21,960 Speaker 1: the nose of blood. 97 00:06:22,200 --> 00:06:26,440 Speaker 5: Yes, yeah, you're absolutely right with this, Nancy, and he 98 00:06:26,480 --> 00:06:29,560 Speaker 5: would be bearing witness to this. This is one of 99 00:06:29,600 --> 00:06:32,000 Speaker 5: the issues with me, after we've covered this for so 100 00:06:32,080 --> 00:06:35,840 Speaker 5: many years. He's actually eyeballing himself in the mirror. He 101 00:06:35,880 --> 00:06:38,520 Speaker 5: has not lost his sight, his ability to see. If 102 00:06:38,560 --> 00:06:41,200 Speaker 5: you can imagine, he's slowly bleeding out, he has an 103 00:06:41,240 --> 00:06:45,320 Speaker 5: awareness he's getting lightheaded, but he's also regurgitating blood and 104 00:06:45,400 --> 00:06:48,839 Speaker 5: blowing it out. At the same time, you've got passive droplets, 105 00:06:49,120 --> 00:06:52,040 Speaker 5: which like a bloody nose, kind of dropped downward, and 106 00:06:52,080 --> 00:06:54,920 Speaker 5: then you have these projected droplets that are very far 107 00:06:55,000 --> 00:06:55,400 Speaker 5: hold on. 108 00:06:56,320 --> 00:06:59,839 Speaker 1: Scott it's just I compare it to the scene and 109 00:07:00,160 --> 00:07:03,520 Speaker 1: arson where accelerant is used. You can tell where the 110 00:07:03,520 --> 00:07:07,359 Speaker 1: fire started because you'll see excellerant or you'll see the major, 111 00:07:08,480 --> 00:07:11,200 Speaker 1: major portion of the burning, the most destruction in that 112 00:07:11,360 --> 00:07:14,480 Speaker 1: spot where the fire started. And here in the shower, 113 00:07:14,840 --> 00:07:19,480 Speaker 1: that's where we see an abundance of blood. So would 114 00:07:19,560 --> 00:07:23,640 Speaker 1: you agree that's where it started or what would you 115 00:07:24,120 --> 00:07:24,720 Speaker 1: what do you think? 116 00:07:24,880 --> 00:07:28,280 Speaker 5: Well, what you're seeing here is passive blood flow and 117 00:07:28,360 --> 00:07:31,280 Speaker 5: a lot of this is decomposing as well. But draw 118 00:07:31,320 --> 00:07:35,080 Speaker 5: your attention to the right aspect to the shower wall. 119 00:07:35,120 --> 00:07:39,160 Speaker 5: There when he was placed into that shower, that's actually 120 00:07:39,200 --> 00:07:43,400 Speaker 5: probably where his shoulder was resting, that kind of swipe 121 00:07:43,440 --> 00:07:45,720 Speaker 5: that you have right there, and then the settling of 122 00:07:45,760 --> 00:07:48,840 Speaker 5: the dark blood headed down the drain. That's a combination 123 00:07:49,040 --> 00:07:52,080 Speaker 5: of the seepage of the blood and also combination of 124 00:07:52,160 --> 00:07:56,320 Speaker 5: decompositional fluid. She left this guy to literally decompose in 125 00:07:56,360 --> 00:07:58,080 Speaker 5: his own bathroom, Nancy. 126 00:07:57,840 --> 00:08:01,880 Speaker 1: There are very few people that can follow an explanation 127 00:08:02,000 --> 00:08:04,960 Speaker 1: by Joe Scott Morgan. But before I go to Andy Cohn, 128 00:08:05,040 --> 00:08:08,880 Speaker 1: I want you to hear what pops up immediately in 129 00:08:08,960 --> 00:08:09,880 Speaker 1: the nine one one call. 130 00:08:10,160 --> 00:08:14,600 Speaker 4: You're a good friend of Travis's. Okay, Has he been depressed. 131 00:08:14,120 --> 00:08:17,400 Speaker 6: At all thinking about any suicide anything like that. 132 00:08:18,040 --> 00:08:20,480 Speaker 4: I don't think he'd been community to say he's been 133 00:08:20,600 --> 00:08:24,280 Speaker 4: really depressed because he broke up with this girl and 134 00:08:24,320 --> 00:08:26,880 Speaker 4: he was allset about that, But I don't think he 135 00:08:26,920 --> 00:08:28,680 Speaker 4: would actually kill himself over that. 136 00:08:28,880 --> 00:08:31,160 Speaker 1: Has he been threatened by anyone recently? 137 00:08:31,400 --> 00:08:34,040 Speaker 4: Who he has? He has an ex girlfriend that's been 138 00:08:34,040 --> 00:08:38,200 Speaker 4: bothering him and following him and flashing tires and things 139 00:08:38,240 --> 00:08:38,520 Speaker 4: like that. 140 00:08:39,000 --> 00:08:40,520 Speaker 1: As you know, the ex girlfriend's name. 141 00:08:41,640 --> 00:08:42,640 Speaker 3: His her name is Jody. 142 00:08:42,800 --> 00:08:45,760 Speaker 1: And there you go, right then, and the nine to 143 00:08:45,760 --> 00:08:49,000 Speaker 1: one one called doctor Bethany Marshall. There you're hearing doctor 144 00:08:49,040 --> 00:08:52,040 Speaker 1: Bethany Marshall, renown psycho analyst, joining us out of la 145 00:08:52,600 --> 00:08:55,360 Speaker 1: at Dr Bethany Marshall dot com. She appears in the 146 00:08:55,400 --> 00:08:59,880 Speaker 1: show Paris in Love on Peacock. She's everywhere. Her book 147 00:09:00,120 --> 00:09:03,160 Speaker 1: deal Breaker, When to work on a relationship and when 148 00:09:03,200 --> 00:09:11,120 Speaker 1: to walk away, specifically pertinent to today's material, today's case. I 149 00:09:11,160 --> 00:09:15,880 Speaker 1: cannot believe this woman is selling artwork for nearly three 150 00:09:16,120 --> 00:09:21,319 Speaker 1: thousand dollars per sketch. That's a whole nother cannel can 151 00:09:21,360 --> 00:09:26,439 Speaker 1: I talk to you about the stalking. Remember those photos 152 00:09:26,520 --> 00:09:30,080 Speaker 1: of Jody Arias warning everybody just go ahead and buckle 153 00:09:30,120 --> 00:09:32,719 Speaker 1: your seat belt. The jury saw this, as did I. 154 00:09:32,880 --> 00:09:35,319 Speaker 1: Jody aria is all sprawled down. I can't remember she 155 00:09:35,400 --> 00:09:39,240 Speaker 1: had on underwear or was naked, but anyway, on his 156 00:09:39,360 --> 00:09:42,560 Speaker 1: bed they had Oh dep is that her I had 157 00:09:42,559 --> 00:09:44,959 Speaker 1: to turn upside down? Is that the day of the 158 00:09:45,040 --> 00:09:49,440 Speaker 1: marathon sex session. There's some a lot more racy than that. Anyway, 159 00:09:49,600 --> 00:09:55,720 Speaker 1: she has a marathon sex session with Travis Alexander, not judging, 160 00:09:55,760 --> 00:09:59,680 Speaker 1: don't care. But it's only after all day in the 161 00:09:59,720 --> 00:10:04,320 Speaker 1: South that she says, so you're still taking that woman 162 00:10:04,400 --> 00:10:09,360 Speaker 1: to CanKan on that trip? He goes, yeah, these two 163 00:10:09,400 --> 00:10:12,680 Speaker 1: were broken up. She had no right to demand he 164 00:10:12,760 --> 00:10:16,200 Speaker 1: not date other people. They were broken up over her stocking, 165 00:10:17,040 --> 00:10:22,360 Speaker 1: slashing his tires, showing up at his house, leaving cinnabon 166 00:10:22,640 --> 00:10:25,440 Speaker 1: on his car at five o'clock in the morning, under 167 00:10:25,480 --> 00:10:28,240 Speaker 1: the pretext of getting him breakfast bs. She's trying to 168 00:10:28,240 --> 00:10:30,440 Speaker 1: find out he might spend the night over at his place. 169 00:10:30,679 --> 00:10:32,600 Speaker 1: He goes on and on and on. 170 00:10:32,720 --> 00:10:35,559 Speaker 8: Bethany, you know, Nancy, he's doing what. 171 00:10:35,400 --> 00:10:36,400 Speaker 1: Abuse victims do. 172 00:10:36,679 --> 00:10:39,920 Speaker 8: He's welcoming the abuser right back into the home because 173 00:10:39,960 --> 00:10:42,880 Speaker 8: she convinces him that she's not going to hurt him. 174 00:10:43,240 --> 00:10:47,760 Speaker 8: So all of this marathon sex. She probably has borderline 175 00:10:47,840 --> 00:10:51,959 Speaker 8: sociopathic personality disorder, and women who are borderline you was 176 00:10:52,200 --> 00:10:55,840 Speaker 8: sex to hook the other person in to have control 177 00:10:55,920 --> 00:10:59,480 Speaker 8: over them. She probably had what we call merger fantasies 178 00:10:59,520 --> 00:11:02,800 Speaker 8: in my feet. This is somebody who's so disturbed they 179 00:11:02,840 --> 00:11:05,680 Speaker 8: want to merge into the love object. They want to 180 00:11:05,720 --> 00:11:09,760 Speaker 8: be one with that person. Any separation between them and 181 00:11:09,760 --> 00:11:12,320 Speaker 8: that person, even if that person picks up the phone 182 00:11:12,400 --> 00:11:15,679 Speaker 8: or calls their mother or goes away with somebody else, 183 00:11:15,880 --> 00:11:19,679 Speaker 8: feels like a under abandonment and a betrayal. And when 184 00:11:19,679 --> 00:11:23,560 Speaker 8: they feel abandoned, they feel deflated. And when they feel deflated, 185 00:11:24,080 --> 00:11:29,360 Speaker 8: they become enraged. Women with orderline personality disorder, they have 186 00:11:29,559 --> 00:11:34,000 Speaker 8: this oceanic rage that leads to plotting and planning, and 187 00:11:34,080 --> 00:11:37,800 Speaker 8: plotting and planning. She was probably planning this for a 188 00:11:38,040 --> 00:11:42,080 Speaker 8: long long time, and I'm imagining that marathon sex session. 189 00:11:42,640 --> 00:11:45,760 Speaker 8: She probably thought that they had an unique and special relationship, 190 00:11:45,840 --> 00:11:48,120 Speaker 8: that he was going to come back to her, and 191 00:11:48,160 --> 00:11:50,560 Speaker 8: then when he was honest, which I admired him for 192 00:11:50,800 --> 00:11:55,839 Speaker 8: and said, I'm going on this vacation. She just snapped. 193 00:11:55,880 --> 00:12:01,040 Speaker 8: Her emotions outpaced her ability to think. What's interesting about 194 00:12:01,040 --> 00:12:05,559 Speaker 8: the sand you just played. The roommates knew that Jody 195 00:12:05,640 --> 00:12:08,640 Speaker 8: Arius was going to do this. Remember that party, Nancy, 196 00:12:08,679 --> 00:12:11,840 Speaker 8: We all covered this where they were all hanging out, 197 00:12:11,880 --> 00:12:14,680 Speaker 8: I think at the apartment and she either had her 198 00:12:14,840 --> 00:12:17,880 Speaker 8: head in his lap or his legs across his lap. 199 00:12:18,240 --> 00:12:22,120 Speaker 8: They say she was marking her territory. She belonged to 200 00:12:22,160 --> 00:12:24,520 Speaker 8: her and nobody else in her mind. 201 00:12:24,679 --> 00:12:27,680 Speaker 1: And it's always amazing to me that people can name 202 00:12:27,760 --> 00:12:30,320 Speaker 1: the killer in the nine on one call. It's like 203 00:12:30,760 --> 00:12:34,480 Speaker 1: everybody knows. Of course that's not evidence, can't come in 204 00:12:34,559 --> 00:12:38,160 Speaker 1: as evidence. But when I have ten people saying she 205 00:12:38,280 --> 00:12:54,280 Speaker 1: did it, I listen crime stories with Nancy Grace joining 206 00:12:54,320 --> 00:12:57,439 Speaker 1: me right now. Is a very special guest, a longtime 207 00:12:57,559 --> 00:13:02,080 Speaker 1: colleague that has become a friend. And as weird as 208 00:13:02,160 --> 00:13:08,280 Speaker 1: it may sound, we bonded over toenails, not his toenails, 209 00:13:08,320 --> 00:13:16,200 Speaker 1: not my toenails, but the toenails of on Hell on 210 00:13:16,320 --> 00:13:19,240 Speaker 1: Hell Ramirez. Correct, wasn't that his name? Or on Hell 211 00:13:19,520 --> 00:13:23,400 Speaker 1: Resendez Ramirez. What I know is he's a serial killer 212 00:13:23,600 --> 00:13:27,920 Speaker 1: selling his toenails from behind bars and people actually paid 213 00:13:27,960 --> 00:13:30,599 Speaker 1: for it. When you told me that, I said a 214 00:13:30,840 --> 00:13:35,800 Speaker 1: technical legal term BS, I don't know, come to my office. 215 00:13:35,960 --> 00:13:39,480 Speaker 1: I followed you, and your office at that time was 216 00:13:39,640 --> 00:13:42,959 Speaker 1: like a treasure show trope. Now let me say a 217 00:13:43,000 --> 00:13:48,520 Speaker 1: Pandora's box, okay of evils of all these people around 218 00:13:48,520 --> 00:13:53,720 Speaker 1: the country that were selling murder rebelia and you you 219 00:13:53,920 --> 00:13:58,160 Speaker 1: coined that phrase. I stole it, but you made that 220 00:13:58,480 --> 00:14:01,640 Speaker 1: up and now oh Arius is doing it. 221 00:14:02,040 --> 00:14:05,480 Speaker 9: Yeah. I mean, you had this giant industry that's sprung 222 00:14:05,559 --> 00:14:09,199 Speaker 9: up primarily from the Internet, in which you have serial killers, 223 00:14:09,240 --> 00:14:13,120 Speaker 9: mass murders, school shooters, high profile killers like Yoda Areas 224 00:14:13,120 --> 00:14:15,080 Speaker 9: who like it or not, has a big name, she 225 00:14:15,120 --> 00:14:17,920 Speaker 9: has a following, and they have found a way to 226 00:14:18,160 --> 00:14:22,160 Speaker 9: continue to enable their narcissistic behavior. I mean, obviously she 227 00:14:22,240 --> 00:14:26,520 Speaker 9: has a giant ego and she is simply selling her artwork. 228 00:14:27,320 --> 00:14:29,480 Speaker 9: No one should be able to rob, rape, and murder 229 00:14:29,480 --> 00:14:31,240 Speaker 9: then turn around and make a buck off it. 230 00:14:31,320 --> 00:14:31,880 Speaker 7: I don't care. 231 00:14:32,160 --> 00:14:35,400 Speaker 9: You know, if you're a firm believer in capitalism or whatever, 232 00:14:35,480 --> 00:14:37,160 Speaker 9: this is where you've got to draw the line and 233 00:14:37,240 --> 00:14:40,640 Speaker 9: the buck has to stop here. You cannot continue to 234 00:14:40,720 --> 00:14:46,200 Speaker 9: allow a convicted murderer to essentially operate a business behind 235 00:14:46,320 --> 00:14:50,040 Speaker 9: prison bars. I'm just absolutely shocked because most of the time, 236 00:14:50,120 --> 00:14:53,040 Speaker 9: in my research and dealings, most of the time prisons 237 00:14:53,080 --> 00:14:57,080 Speaker 9: are not aware that a particular inmate is selling their 238 00:14:57,120 --> 00:15:00,960 Speaker 9: goods through third parties. But the Arizona Department the Corrections 239 00:15:01,320 --> 00:15:04,760 Speaker 9: is completely complicit because they're aware of it, and they're 240 00:15:04,800 --> 00:15:07,840 Speaker 9: just shrugging their shoulders saying, there's nothing we can do 241 00:15:08,280 --> 00:15:13,720 Speaker 9: to quote you, Nancy. That's bs because most prisons have 242 00:15:13,920 --> 00:15:19,080 Speaker 9: policies in the prison that state you cannot operate a 243 00:15:19,280 --> 00:15:22,000 Speaker 9: business unless you have their permission. 244 00:15:23,040 --> 00:15:24,440 Speaker 1: I cannot believe. 245 00:15:24,120 --> 00:15:27,600 Speaker 9: That the Arizona Department of Corrections would give their permission 246 00:15:27,920 --> 00:15:33,160 Speaker 9: to allow Jody Arius to profit from killing Travis Alexander. 247 00:15:33,560 --> 00:15:36,920 Speaker 9: That is absolutely absurd. I've not seen that in my 248 00:15:37,040 --> 00:15:39,400 Speaker 9: twenty five years of researching this industry. 249 00:15:39,760 --> 00:15:42,040 Speaker 8: His bedroom is ware in the house. 250 00:15:42,880 --> 00:15:47,120 Speaker 3: It's upstairs, and if you go up the stairs, it's 251 00:15:47,200 --> 00:15:49,160 Speaker 3: on the left. It's the first door on your left. 252 00:15:49,200 --> 00:15:54,040 Speaker 3: It's the only door on your left, okay, and it's 253 00:15:54,120 --> 00:16:03,680 Speaker 3: just a big master sweet paging that day. 254 00:16:00,760 --> 00:16:00,840 Speaker 10: And. 255 00:16:03,280 --> 00:16:06,280 Speaker 3: She's talking to his friend right now and there's a 256 00:16:06,280 --> 00:16:11,360 Speaker 3: girl that sends stocking him and then and she's trying 257 00:16:11,480 --> 00:16:16,640 Speaker 3: and he's trying to, uh, you might know with some information. 258 00:16:17,160 --> 00:16:19,560 Speaker 3: I hope my phone doesn't. I'm on like one bar 259 00:16:19,680 --> 00:16:20,240 Speaker 3: of battery. 260 00:16:20,560 --> 00:16:22,320 Speaker 4: Okay, Well, I'm just going to keep you on the 261 00:16:22,320 --> 00:16:22,960 Speaker 4: phone until. 262 00:16:22,800 --> 00:16:25,880 Speaker 3: Officers are right, either officers or pyramids arrive. Okay, okay, 263 00:16:25,920 --> 00:16:27,360 Speaker 3: I think I can hear the same. 264 00:16:29,080 --> 00:16:29,840 Speaker 11: Where he is. 265 00:16:30,040 --> 00:16:34,600 Speaker 2: Travis Alexander. Friends haven't heard from him for days. They're 266 00:16:34,680 --> 00:16:37,640 Speaker 2: supposed to take off for Cancun in only a matter 267 00:16:37,720 --> 00:16:41,440 Speaker 2: of hours, but Travis is nowhere to be found. 268 00:16:42,800 --> 00:16:47,400 Speaker 1: What happened to Travis Alexander we know now his then 269 00:16:47,720 --> 00:16:52,560 Speaker 1: lover spurned, who had been stalking him, murdered him in 270 00:16:52,600 --> 00:16:57,800 Speaker 1: a brutal fashion. The brutality I've seen a lot of murders, 271 00:16:58,240 --> 00:17:02,400 Speaker 1: and the murder Travis Alexander is one of the most 272 00:17:02,520 --> 00:17:10,160 Speaker 1: brutal murders I've ever seen. Now she's selling her artwork online. Wait, 273 00:17:10,240 --> 00:17:13,879 Speaker 1: this is her artwork, not mine. Here you go. There's 274 00:17:14,080 --> 00:17:16,840 Speaker 1: a lady straddling a man. I'm not the church lady. 275 00:17:16,880 --> 00:17:19,440 Speaker 1: I don't care, but I don't like Arias making money 276 00:17:19,440 --> 00:17:22,639 Speaker 1: off of it. Take a look at her. Oh, there's 277 00:17:22,640 --> 00:17:27,280 Speaker 1: a self portrait at PERivale prison. Guess that's what she thinks. 278 00:17:27,320 --> 00:17:30,760 Speaker 1: She looks like, Okay, there you go. I didn't know 279 00:17:30,800 --> 00:17:34,960 Speaker 1: they had fingernail polish. But behind bars see the nature 280 00:17:35,720 --> 00:17:41,320 Speaker 1: of her art. Check it out Jody Arius's art work. 281 00:17:42,440 --> 00:17:46,520 Speaker 1: Now you heard Andy Kahn joining us saying that the 282 00:17:46,760 --> 00:17:50,720 Speaker 1: jail is turning a blind eye. And I agree. She's 283 00:17:50,840 --> 00:17:55,800 Speaker 1: not creating art for her own enjoyment or fulfillment. She's 284 00:17:55,960 --> 00:18:00,199 Speaker 1: creating it to sell it. Now what she's doing the 285 00:18:00,240 --> 00:18:03,880 Speaker 1: money that, I don't know, but she is selling this 286 00:18:04,119 --> 00:18:09,399 Speaker 1: art and it is blood money. What happened? Listen to this. 287 00:18:09,680 --> 00:18:12,959 Speaker 12: I was actually watching a movie with my girlfriend at 288 00:18:13,000 --> 00:18:15,560 Speaker 12: the time or my wife now, and. 289 00:18:17,480 --> 00:18:20,200 Speaker 11: I remember getting a knock on my door and. 290 00:18:21,640 --> 00:18:24,879 Speaker 12: Travis's friends came to the door and they said, have 291 00:18:24,960 --> 00:18:27,280 Speaker 12: you seen Travis? And I said, well, no, I haven't 292 00:18:27,320 --> 00:18:30,879 Speaker 12: seen Travis. He's supposed to be in CanCon or out 293 00:18:30,920 --> 00:18:33,199 Speaker 12: on vacation right now. And they said, yes he is, 294 00:18:33,240 --> 00:18:35,879 Speaker 12: but he's supposed to be here with me with Mimi, 295 00:18:37,280 --> 00:18:39,560 Speaker 12: And so I said, well, have you checked his bedroom? 296 00:18:39,680 --> 00:18:40,800 Speaker 11: And that was my first thought. 297 00:18:42,160 --> 00:18:43,960 Speaker 12: So they said, well, no, we have in the doors locked, 298 00:18:44,000 --> 00:18:45,480 Speaker 12: and I said, I think he keeps a spare set 299 00:18:45,480 --> 00:18:46,560 Speaker 12: of keys downstairs. 300 00:18:47,119 --> 00:18:49,679 Speaker 11: So I went downstairs and I searched for him. 301 00:18:49,520 --> 00:18:51,760 Speaker 12: And grabbed a few sets of keys and came back 302 00:18:51,840 --> 00:18:53,760 Speaker 12: upstairs and tried a few different sets of keys, and 303 00:18:53,800 --> 00:18:55,760 Speaker 12: one of them happened to be his bedroom key. 304 00:18:56,680 --> 00:19:01,000 Speaker 11: And as soon as the door was opened, my heart 305 00:19:01,080 --> 00:19:01,600 Speaker 11: just seeing. 306 00:19:01,720 --> 00:19:07,199 Speaker 1: And listen to more of what Travis's friend Zach billings 307 00:19:07,359 --> 00:19:08,119 Speaker 1: tennels me. 308 00:19:08,640 --> 00:19:10,440 Speaker 12: She came up to me and gave me a big 309 00:19:10,520 --> 00:19:13,040 Speaker 12: hug and just said, I'm you know, isn't this just horrible? 310 00:19:13,080 --> 00:19:15,760 Speaker 12: I'm so sorry you had to go through that. And 311 00:19:15,800 --> 00:19:18,159 Speaker 12: she asked me where I was living at the time, 312 00:19:19,080 --> 00:19:23,120 Speaker 12: and that was about the extent of our interaction after 313 00:19:23,160 --> 00:19:23,560 Speaker 12: that point. 314 00:19:24,320 --> 00:19:27,600 Speaker 1: Did she ask you any questions regarding your discovery of 315 00:19:27,640 --> 00:19:28,119 Speaker 1: the body? 316 00:19:30,760 --> 00:19:35,520 Speaker 12: She asked me, just a brief of what happened, as 317 00:19:35,560 --> 00:19:42,240 Speaker 12: far as my interaction with as far as my interaction 318 00:19:42,320 --> 00:19:46,520 Speaker 12: with anybody else. Had the police talk to me? And 319 00:19:46,600 --> 00:19:48,320 Speaker 12: she already knew at that point that I had seen 320 00:19:48,359 --> 00:19:50,680 Speaker 12: the body, and just asked what the process was going through, 321 00:19:50,920 --> 00:19:52,080 Speaker 12: what I was going through. 322 00:19:52,040 --> 00:19:56,320 Speaker 1: Joining me now. Susan Hendricks, investigative journalist, author of a 323 00:19:56,359 --> 00:19:59,320 Speaker 1: brand new book, Down the Hill Mine Descent to the 324 00:19:59,400 --> 00:20:03,760 Speaker 1: double murder in Delvi. Susan, thank you for being with us. 325 00:20:03,880 --> 00:20:08,119 Speaker 1: Explain to me where is Jody Arius and how is 326 00:20:08,160 --> 00:20:13,040 Speaker 1: she enabled to sell her art for a profit online? 327 00:20:13,119 --> 00:20:15,280 Speaker 6: Yeah, Nancy, good to be here. I couldn't believe it 328 00:20:15,320 --> 00:20:17,720 Speaker 6: when I heard it. And I remember covering with you 329 00:20:18,119 --> 00:20:21,199 Speaker 6: the Jody Arias trial day in and day out, and 330 00:20:21,280 --> 00:20:24,920 Speaker 6: the day she was called to that stand, and everything 331 00:20:25,000 --> 00:20:27,400 Speaker 6: she said on the stand. I put nothing past her, 332 00:20:27,720 --> 00:20:33,080 Speaker 6: revictimizing his family has seven siblings, over and over again. 333 00:20:33,440 --> 00:20:37,120 Speaker 6: Remember this, Nancy, the headstand. I would put nothing past her. 334 00:20:37,200 --> 00:20:40,240 Speaker 6: I also remember her walking in claiming she was an 335 00:20:40,280 --> 00:20:44,080 Speaker 6: abuse victim, holding up a T shirt that said survivor 336 00:20:44,640 --> 00:20:47,479 Speaker 6: on it, then begging the jurors for her life, and 337 00:20:47,520 --> 00:20:51,160 Speaker 6: showing a slide show of her artwork. So I put 338 00:20:51,200 --> 00:20:53,560 Speaker 6: nothing past her. I just wish she would donate the 339 00:20:53,600 --> 00:20:57,000 Speaker 6: money to the family members of Travis. I remember her saying, 340 00:20:57,040 --> 00:20:59,760 Speaker 6: I'll help people, please spare my life. I'll do good. 341 00:20:59,760 --> 00:21:02,399 Speaker 6: And well, what is she doing that's so good except 342 00:21:02,480 --> 00:21:04,760 Speaker 6: benefiting herself off the murder of. 343 00:21:04,680 --> 00:21:10,160 Speaker 1: Travis and Susan having a string of love lorn men 344 00:21:10,640 --> 00:21:13,280 Speaker 1: trying to get her affection. Why I do not know, 345 00:21:13,400 --> 00:21:15,760 Speaker 1: but I guarantee you this much. They all send her money. 346 00:21:16,040 --> 00:21:19,439 Speaker 1: Derek Smith joining me high profile criminal defense attorney and 347 00:21:19,480 --> 00:21:24,679 Speaker 1: you can find him it d WS. D W Smith Legal, 348 00:21:24,880 --> 00:21:29,600 Speaker 1: repeat d W Smith Legal. Derek, you know your way 349 00:21:29,680 --> 00:21:34,400 Speaker 1: around the courtroom. What and the hate went wrong? Because 350 00:21:34,480 --> 00:21:37,080 Speaker 1: you know, I guess you have to play the cards. 351 00:21:37,280 --> 00:21:42,040 Speaker 1: That's delcha because her attorney and I've spoke many many times. 352 00:21:42,280 --> 00:21:46,360 Speaker 1: At first she claimed she had no idea what happened, 353 00:21:47,000 --> 00:21:52,760 Speaker 1: what I wasn't there. Then she was tracked across the desert. 354 00:21:52,840 --> 00:21:58,120 Speaker 1: She actually filled up big tanks of gas put them 355 00:21:58,160 --> 00:22:00,480 Speaker 1: in her trunk so she would be spotted at a 356 00:22:00,480 --> 00:22:04,360 Speaker 1: gas station. She goes all the way across the desert 357 00:22:04,520 --> 00:22:08,320 Speaker 1: to get to Travis Alexander. She gets there, then she 358 00:22:09,080 --> 00:22:11,479 Speaker 1: waits for it. Derek Smith, I could just see you 359 00:22:11,520 --> 00:22:13,959 Speaker 1: doing a backflip when you find out about this elence 360 00:22:13,960 --> 00:22:17,040 Speaker 1: it it's your client. She had a digital camera that 361 00:22:17,119 --> 00:22:22,040 Speaker 1: she was using to take naughty photos off herself during 362 00:22:22,080 --> 00:22:26,200 Speaker 1: their sex marathon, and Ding Dong put it in the 363 00:22:26,400 --> 00:22:30,560 Speaker 1: washing machine. The digitkam and the cops find it and 364 00:22:30,600 --> 00:22:34,880 Speaker 1: guess what it survived, and they actually see a picture 365 00:22:35,320 --> 00:22:40,160 Speaker 1: of her foot and leg in the photo, and then 366 00:22:40,240 --> 00:22:42,919 Speaker 1: those clothes she was wearing in that photo are traced 367 00:22:42,960 --> 00:22:46,400 Speaker 1: back to her. So first she says, I went there. 368 00:22:46,400 --> 00:22:49,760 Speaker 1: I don't know anything about it. Then the digikim shows 369 00:22:49,840 --> 00:22:51,919 Speaker 1: up in the washer and she goes, okay, I was 370 00:22:51,960 --> 00:22:55,199 Speaker 1: there and two ninjas. I think it was too just 371 00:22:55,280 --> 00:23:00,719 Speaker 1: all in black. Of course for dramatic flare broke in, 372 00:23:01,160 --> 00:23:03,360 Speaker 1: they kill him, I run for it. And then by 373 00:23:03,400 --> 00:23:05,959 Speaker 1: the end she climbed, Oh it was self defense. What 374 00:23:06,000 --> 00:23:07,280 Speaker 1: do you do with that? Derek Smith? 375 00:23:07,480 --> 00:23:12,240 Speaker 13: Oh, you've seen this many times before, dealing with you know, 376 00:23:12,440 --> 00:23:16,040 Speaker 13: victims and on the prosecutorial side, and of course on 377 00:23:16,080 --> 00:23:19,320 Speaker 13: the defensive side, stories change all the time. When you 378 00:23:19,359 --> 00:23:24,679 Speaker 13: have just mountains of evidence against the defendant, in this 379 00:23:24,760 --> 00:23:28,920 Speaker 13: case self preservation. You know, the first thing is deny, deny, deny, 380 00:23:29,080 --> 00:23:31,000 Speaker 13: and then the second thing is okay, I'm caught. 381 00:23:31,160 --> 00:23:32,199 Speaker 8: How am I going to get out of this? 382 00:23:32,600 --> 00:23:35,000 Speaker 13: And you can tell the rabbit hole that these defendants 383 00:23:35,160 --> 00:23:37,880 Speaker 13: dig themselves deeper and deeper, and then once they get 384 00:23:37,920 --> 00:23:39,000 Speaker 13: to me or someone. 385 00:23:38,800 --> 00:23:41,280 Speaker 8: Like me on the defense, what are we going to do? 386 00:23:41,680 --> 00:23:44,679 Speaker 13: You've already pretty much buried yourself, and all we can 387 00:23:44,720 --> 00:23:46,639 Speaker 13: do is try to mitigate at this point, you know, 388 00:23:46,720 --> 00:23:50,800 Speaker 13: work with the prosecution, work with you know, the detectives, 389 00:23:50,840 --> 00:23:54,080 Speaker 13: the police officers, and I mean they do a good 390 00:23:54,160 --> 00:23:56,800 Speaker 13: enough job to find this evidence that these defendants think, Hey, 391 00:23:56,800 --> 00:23:58,439 Speaker 13: I'm smarter than them. I'm going to be able to, 392 00:23:58,480 --> 00:24:00,760 Speaker 13: like you say, throw this but it's in the washing 393 00:24:00,840 --> 00:24:02,840 Speaker 13: machine and the driver get rid of it. No, sorry, 394 00:24:02,840 --> 00:24:05,359 Speaker 13: it doesn't work like that. Our detectives in our law 395 00:24:05,440 --> 00:24:08,359 Speaker 13: enforcement are much better than the defendants. 396 00:24:08,960 --> 00:24:13,320 Speaker 1: Derek Smith is joining US high profile lawyer in Ohio's 397 00:24:13,359 --> 00:24:17,560 Speaker 1: tried a lot of cases. Is at d W Smith 398 00:24:17,760 --> 00:24:21,480 Speaker 1: Legal dot com. Derek, can I just get you to 399 00:24:21,640 --> 00:24:28,560 Speaker 1: confess to a common defense tactic, and that is you say, no, no, 400 00:24:28,640 --> 00:24:30,719 Speaker 1: we had nothing to do with it, and you're kind 401 00:24:30,760 --> 00:24:33,639 Speaker 1: of stalling waiting to see what the state's evidence is 402 00:24:33,680 --> 00:24:37,080 Speaker 1: going to be. And then let's just pretend you find 403 00:24:38,000 --> 00:24:41,320 Speaker 1: a fingerprint. Then you go, okay, yeah, you know what, 404 00:24:41,440 --> 00:24:44,800 Speaker 1: I was there, but not the day of the murder. 405 00:24:44,960 --> 00:24:47,879 Speaker 1: Oh no, I was dating him, and so my fingerprints 406 00:24:47,880 --> 00:24:51,440 Speaker 1: are all over that place, all right. Then you find 407 00:24:51,440 --> 00:24:54,680 Speaker 1: out about the digikim with the date and the time 408 00:24:54,800 --> 00:24:59,359 Speaker 1: stamp on it. Then you say something like oh yeah, yeah, yeah, 409 00:24:59,520 --> 00:25:01,840 Speaker 1: that's not my digit caam. Then you see her face 410 00:25:01,880 --> 00:25:04,159 Speaker 1: on it, and you know, okay, that is my digitcam. 411 00:25:04,960 --> 00:25:08,840 Speaker 1: But those pictures were from a different time and obviously 412 00:25:09,160 --> 00:25:12,280 Speaker 1: the time and date stamp are wrong. Okay, then that's 413 00:25:12,320 --> 00:25:18,080 Speaker 1: disproved that. I mean, do you tailor your defense based 414 00:25:18,200 --> 00:25:21,000 Speaker 1: on the state's evidence as in Unfolds? 415 00:25:21,520 --> 00:25:26,520 Speaker 13: Of course, you know that. I mean, ideally, we tell 416 00:25:26,520 --> 00:25:30,480 Speaker 13: our clients not to speak. They have a right to 417 00:25:30,600 --> 00:25:33,920 Speaker 13: not talk. The more they talk, generally, the more they 418 00:25:34,280 --> 00:25:37,680 Speaker 13: can damage the case. It is our job as defense 419 00:25:37,680 --> 00:25:40,639 Speaker 13: attorneys to sort through the evidence to make sure that 420 00:25:40,720 --> 00:25:44,040 Speaker 13: everything was done constitutionally, and then speak with our clients 421 00:25:44,040 --> 00:25:45,960 Speaker 13: to figure out, you know what, how did this evidence 422 00:25:45,960 --> 00:25:48,320 Speaker 13: get there? How are your fingerprints there? Why are these 423 00:25:48,400 --> 00:25:57,720 Speaker 13: videos of you there? And then Taylor defense accordingly, Andrew. 424 00:25:57,400 --> 00:25:58,320 Speaker 11: How did this happen? 425 00:25:58,359 --> 00:25:59,200 Speaker 1: Do you have any idea? 426 00:26:00,119 --> 00:26:03,879 Speaker 4: Yeah, that girlfriend's been bothering him. He's following him and 427 00:26:03,960 --> 00:26:05,359 Speaker 4: shouting hired and things like that. 428 00:26:05,920 --> 00:26:08,960 Speaker 3: There is a Jill that sends doctor who he's bringing 429 00:26:09,040 --> 00:26:12,360 Speaker 3: to Jody. 430 00:26:11,040 --> 00:26:17,760 Speaker 1: And now Jody Arius who stabbed Travis Alexander unarmed Travis 431 00:26:17,800 --> 00:26:21,960 Speaker 1: Alexander while he's in the shower. Joe Scott, what's your 432 00:26:22,000 --> 00:26:26,200 Speaker 1: final tally? Now, after many discussions with me about how 433 00:26:26,200 --> 00:26:27,160 Speaker 1: many times he was. 434 00:26:27,080 --> 00:26:30,080 Speaker 5: Stabbed, it has to me at least thirty. It's hard, 435 00:26:30,160 --> 00:26:34,040 Speaker 5: it's indeterminate, but there's injuries you're missing here, Nancy, if 436 00:26:34,040 --> 00:26:36,440 Speaker 5: you want to go down this brutal road, he wasn't 437 00:26:36,480 --> 00:26:39,360 Speaker 5: just stabbed. He had his throat cut from ear to ear. 438 00:26:39,480 --> 00:26:43,399 Speaker 5: Oh and by the way, I don't know folks notice this, 439 00:26:43,600 --> 00:26:48,200 Speaker 5: but those pictures of his ankles, I've often held that 440 00:26:48,400 --> 00:26:51,240 Speaker 5: while he was trying to escape from her, when he's 441 00:26:51,440 --> 00:26:55,159 Speaker 5: in that hallway, that little walkway there, she stomped on 442 00:26:55,200 --> 00:26:57,919 Speaker 5: this man's ankles while he was there to try to 443 00:26:58,000 --> 00:27:00,560 Speaker 5: keep him down. Oh and by the way, if that 444 00:27:00,760 --> 00:27:04,240 Speaker 5: wasn't enough, she takes a pistol and after he's dead. 445 00:27:04,280 --> 00:27:07,280 Speaker 5: And I still hold that this was a postmortem shot, 446 00:27:07,480 --> 00:27:10,439 Speaker 5: because there's no hemorrhage in the wound track, she shot 447 00:27:10,520 --> 00:27:14,800 Speaker 5: him in the head and then drags him back to 448 00:27:14,880 --> 00:27:18,080 Speaker 5: the shower and leaves like the coward. 449 00:27:17,760 --> 00:27:18,399 Speaker 11: That she was. 450 00:27:18,720 --> 00:27:22,120 Speaker 1: I started to comment on one of the aspects of 451 00:27:22,160 --> 00:27:28,159 Speaker 1: your answer, but just the brutality, the brutality that she 452 00:27:28,359 --> 00:27:33,439 Speaker 1: inflicted upon him, and now she wants us to buy 453 00:27:33,640 --> 00:27:36,879 Speaker 1: her art and line her pockets. I don't know what 454 00:27:37,080 --> 00:27:41,679 Speaker 1: she's Susan Hendricks joining US investigative journalist and author. What 455 00:27:41,800 --> 00:27:42,639 Speaker 1: does she spend it on? 456 00:27:43,160 --> 00:27:46,000 Speaker 6: I know I was wondering that too. At first I 457 00:27:46,040 --> 00:27:48,760 Speaker 6: thought it maybe would fall under the son of Sam law, 458 00:27:48,800 --> 00:27:53,120 Speaker 6: but maybe because it's not directly connected to the crime. 459 00:27:54,160 --> 00:27:55,520 Speaker 1: But it's just horrific. 460 00:27:55,560 --> 00:27:58,080 Speaker 6: I wonder if she has that money and has extra 461 00:27:58,880 --> 00:28:02,760 Speaker 6: I don't know, commissary some money in prison to do 462 00:28:02,800 --> 00:28:04,159 Speaker 6: what she wants to do. And I did hear that 463 00:28:04,200 --> 00:28:07,359 Speaker 6: one of the guards even bought one of them of 464 00:28:07,440 --> 00:28:08,679 Speaker 6: the cow I believe. 465 00:28:08,720 --> 00:28:09,800 Speaker 8: So it's just it's. 466 00:28:10,440 --> 00:28:13,639 Speaker 1: Yes, I was reading about that. I think one of 467 00:28:13,640 --> 00:28:17,560 Speaker 1: the guards quote inspired it because under her prince she 468 00:28:17,880 --> 00:28:22,879 Speaker 1: explains what inspired the art. Okay, everybody get your barf 469 00:28:23,000 --> 00:28:26,880 Speaker 1: bag ready, because not only is she quite the artiste 470 00:28:26,920 --> 00:28:31,160 Speaker 1: making a lot of money, she's also a singer. Now 471 00:28:31,200 --> 00:28:34,400 Speaker 1: hold on, let's see if she hits the high note. Listen, oh. 472 00:28:36,520 --> 00:28:40,840 Speaker 8: Angels, oh no. 473 00:28:42,960 --> 00:28:44,000 Speaker 1: Dee bite. 474 00:28:48,000 --> 00:28:49,040 Speaker 6: When Christ was. 475 00:28:51,320 --> 00:28:52,760 Speaker 8: Oh no. 476 00:28:54,360 --> 00:28:54,560 Speaker 9: Dee. 477 00:28:57,760 --> 00:29:00,800 Speaker 1: I guess she hit it in a way. To you, 478 00:29:00,960 --> 00:29:07,680 Speaker 1: Andy Kahn, this woman, this woman think about it, Andy, 479 00:29:08,200 --> 00:29:11,880 Speaker 1: looks are deceiving. Have you seen that string of photos 480 00:29:11,920 --> 00:29:16,520 Speaker 1: that are being shown of her looking really pretty? She's 481 00:29:16,600 --> 00:29:20,080 Speaker 1: not really pretty because the way I imagine her, the 482 00:29:20,120 --> 00:29:24,960 Speaker 1: way I envisioned her, is the truth of her leaving 483 00:29:25,040 --> 00:29:30,360 Speaker 1: the scene of the murder literally dripping and blood, and 484 00:29:30,400 --> 00:29:34,360 Speaker 1: then hopping in a car as the blood dried under 485 00:29:34,440 --> 00:29:39,160 Speaker 1: her fingernails, and driving to the next lover where she 486 00:29:39,520 --> 00:29:43,680 Speaker 1: literally hopped on him and straddled him, which is evocative 487 00:29:43,920 --> 00:29:47,320 Speaker 1: of one of her photo one of her paintings so called. 488 00:29:48,400 --> 00:29:49,200 Speaker 1: I mean, just. 489 00:29:49,760 --> 00:29:54,120 Speaker 9: What, Here's what's missing from this, Travis Alexander. This is 490 00:29:54,160 --> 00:29:59,000 Speaker 9: all about Jody Arius. Can you imagine what family members 491 00:29:59,320 --> 00:30:03,120 Speaker 9: friends of Rabs Alexander are now going through. It is 492 00:30:03,160 --> 00:30:06,520 Speaker 9: probably one of the most nauseating and disgusting feelings in 493 00:30:06,560 --> 00:30:09,320 Speaker 9: the world when you find out the person who murdered 494 00:30:09,320 --> 00:30:13,120 Speaker 9: your loved one now has items being hot on the 495 00:30:13,160 --> 00:30:18,400 Speaker 9: world Wide Web for pure profit, simply because she murdered him. 496 00:30:18,600 --> 00:30:21,840 Speaker 9: That is the only reason why she is relevant. And 497 00:30:21,880 --> 00:30:25,960 Speaker 9: all this does is feeds into her insatiable ego for 498 00:30:26,040 --> 00:30:29,800 Speaker 9: the life of me Arizona Department of Corrections and I 499 00:30:29,800 --> 00:30:33,360 Speaker 9: hope you hear me loudly and clearly. You have powers. 500 00:30:33,400 --> 00:30:36,400 Speaker 9: She is an inmate in your prison. How in that 501 00:30:36,640 --> 00:30:40,360 Speaker 9: hell can you allow her to ship out artwork and 502 00:30:40,440 --> 00:30:45,640 Speaker 9: have prison guards also coming abye for visits, commenting and 503 00:30:45,720 --> 00:30:49,520 Speaker 9: buying her artwork. Shame on you, Arizona Department of Corrections, 504 00:30:49,680 --> 00:30:53,200 Speaker 9: because you're the one that's allowing her to continue to 505 00:30:53,240 --> 00:30:56,360 Speaker 9: feel relevant by having her name in the public. And 506 00:30:56,400 --> 00:30:59,040 Speaker 9: why we're doing this show, I don't care. You just 507 00:30:59,040 --> 00:31:01,520 Speaker 9: shouldn't be able to rob, rape and murder and turn 508 00:31:01,600 --> 00:31:04,760 Speaker 9: around and make a buck off. It's that simplistic. And 509 00:31:04,840 --> 00:31:07,560 Speaker 9: Jodi eras this should be the last time we talk 510 00:31:07,640 --> 00:31:08,120 Speaker 9: about her. 511 00:31:08,440 --> 00:31:12,080 Speaker 1: I know for a fact, Andy that the jail, the prison, 512 00:31:12,240 --> 00:31:15,640 Speaker 1: the CI Correctional Institute in which she's being held does 513 00:31:15,800 --> 00:31:18,560 Speaker 1: know about her artwork. I mean, if you can believe 514 00:31:18,600 --> 00:31:21,560 Speaker 1: anything she says, and I guess you got to take 515 00:31:21,600 --> 00:31:24,920 Speaker 1: it with a box assault because she writes underneath the 516 00:31:25,040 --> 00:31:30,560 Speaker 1: cow painting, an officer interested in the painting's progress kept 517 00:31:30,640 --> 00:31:34,880 Speaker 1: asking how it was coming along. She said it several 518 00:31:35,160 --> 00:31:37,000 Speaker 1: times and it. 519 00:31:37,720 --> 00:31:41,280 Speaker 9: Years ago when jeff Years ago, when Jeffrey Dahmer was 520 00:31:41,400 --> 00:31:44,480 Speaker 9: killed in prison, a prison guard cleaned out his prison 521 00:31:44,800 --> 00:31:48,680 Speaker 9: well and then sold his shaving kit online. That prison 522 00:31:48,720 --> 00:31:49,680 Speaker 9: guard was fired. 523 00:31:49,840 --> 00:31:54,040 Speaker 1: You know, we're looking at so called artwork. I think 524 00:31:54,080 --> 00:31:58,440 Speaker 1: what she does is gets stock photos and then traces them. 525 00:31:58,760 --> 00:32:02,840 Speaker 1: But that said, what more do we know, Sysan Hendricks. 526 00:32:02,960 --> 00:32:05,760 Speaker 1: I know that she also stated that she gets hungry 527 00:32:05,800 --> 00:32:10,360 Speaker 1: behind bars and wants more commissary money. I know that 528 00:32:10,400 --> 00:32:15,400 Speaker 1: she has a long list of lonely hearts that write 529 00:32:15,440 --> 00:32:19,160 Speaker 1: her and she strings them along. They also send her money. 530 00:32:19,360 --> 00:32:23,080 Speaker 6: Yeah, who cares most about Jody is Jody Arius And 531 00:32:23,120 --> 00:32:25,760 Speaker 6: she's able, maybe because of the way she looks. Her 532 00:32:25,800 --> 00:32:29,760 Speaker 6: demeanor very different than the monstrous crime scene that we saw, 533 00:32:29,760 --> 00:32:32,920 Speaker 6: and she's able, it appears to get what she wants, 534 00:32:33,320 --> 00:32:36,160 Speaker 6: saying please. I remember during the trial she didn't want 535 00:32:36,200 --> 00:32:38,360 Speaker 6: the death sentence. At first she did, then she didn't 536 00:32:38,520 --> 00:32:41,520 Speaker 6: say please, don't do this. My family will hurt, projecting 537 00:32:41,520 --> 00:32:45,480 Speaker 6: onto them. Meanwhile, all she cares about is herself and benefiting. 538 00:32:45,520 --> 00:32:48,800 Speaker 6: She's hungry in prison, eat prison food. I'm sorry, that's 539 00:32:48,840 --> 00:32:52,960 Speaker 6: what a convicted murderer should eat, not benefiting and having 540 00:32:52,960 --> 00:32:56,560 Speaker 6: the families hurt. Once again, she seems to get away 541 00:32:56,640 --> 00:32:58,080 Speaker 6: with a whole lot even in prison. 542 00:33:04,920 --> 00:33:11,040 Speaker 2: A WorldWind Romance between aspiring photographer Jody Arius and salesman 543 00:33:11,280 --> 00:33:17,040 Speaker 2: Travis Alexander turns sour. The explosive pair is on and 544 00:33:17,360 --> 00:33:22,440 Speaker 2: off again, but this time Travis swears they're done for good. 545 00:33:23,600 --> 00:33:27,440 Speaker 1: Joining me renown psychoanalyst doctor Bethany Marshall joining us from 546 00:33:27,680 --> 00:33:34,560 Speaker 1: La not only author but also appears regularly in Paris 547 00:33:34,600 --> 00:33:37,240 Speaker 1: in Love on Peacock. Doctor Bethany listened to this. 548 00:33:37,400 --> 00:33:40,120 Speaker 7: You would complain about her, you know, little things here 549 00:33:40,120 --> 00:33:42,719 Speaker 7: and there. He never told me about the big things. 550 00:33:43,120 --> 00:33:45,080 Speaker 7: Because if he told me about the big things, like 551 00:33:45,360 --> 00:33:49,960 Speaker 7: flashing his tires and stealing things from his house, you know, 552 00:33:50,040 --> 00:33:51,840 Speaker 7: I would have been like I told you, did I 553 00:33:51,880 --> 00:33:52,280 Speaker 7: tell you? 554 00:33:52,560 --> 00:33:52,760 Speaker 6: Didn't? 555 00:33:52,760 --> 00:33:54,920 Speaker 7: I tell you? She was nuts? So he wouldn't. He 556 00:33:54,920 --> 00:33:58,440 Speaker 7: would never tell me about the big like really violating 557 00:33:58,520 --> 00:33:59,720 Speaker 7: psychotic things. 558 00:33:59,440 --> 00:33:59,840 Speaker 11: That she was. 559 00:34:00,320 --> 00:34:04,040 Speaker 1: Now you're hearing Travis's roommate Chris Hugh speaking to me. 560 00:34:04,240 --> 00:34:04,880 Speaker 1: Listen to more. 561 00:34:05,040 --> 00:34:07,080 Speaker 7: He was saying things to her like, you hurt me 562 00:34:07,160 --> 00:34:09,560 Speaker 7: worse than the passing of my own father. You're a 563 00:34:09,680 --> 00:34:13,120 Speaker 7: terrible person, You're despicable, You're the devil daughter. I mean, 564 00:34:13,160 --> 00:34:16,520 Speaker 7: he was so angry about something and we don't know 565 00:34:16,600 --> 00:34:20,279 Speaker 7: what exactie what that was. She just sat there and 566 00:34:20,320 --> 00:34:23,680 Speaker 7: took it. And later she comes back online and says 567 00:34:24,200 --> 00:34:26,920 Speaker 7: two things that you're wrong about. I didn't steal your 568 00:34:27,000 --> 00:34:30,600 Speaker 7: journals and I didn't slash your tires. She didn't defend 569 00:34:30,640 --> 00:34:33,919 Speaker 7: herself against all the other things that he said about her. 570 00:34:34,000 --> 00:34:36,000 Speaker 7: And when I saw that, I just said to myself, 571 00:34:36,040 --> 00:34:39,400 Speaker 7: you know what, that's her trying to cover up for 572 00:34:39,480 --> 00:34:40,440 Speaker 7: what she's about. 573 00:34:40,200 --> 00:34:44,160 Speaker 1: To do to doctor Bethany. Apparently the roommates noticed that 574 00:34:44,239 --> 00:34:49,080 Speaker 1: she would follow him to the bathroom, that she would 575 00:34:49,440 --> 00:34:51,760 Speaker 1: then when he would go to the restroom, she would 576 00:34:52,400 --> 00:34:55,160 Speaker 1: follow him out of the room and then go and 577 00:34:55,960 --> 00:34:59,640 Speaker 1: rifle through his stuff in his bedroom. Eves drop on 578 00:34:59,680 --> 00:35:03,719 Speaker 1: his car conversations. I mean, it never ended with this woman. 579 00:35:03,560 --> 00:35:06,719 Speaker 8: You know, Nancy. She was pathologically jealous. That's why she 580 00:35:06,800 --> 00:35:08,759 Speaker 8: killed him because she knew he was about to go 581 00:35:08,800 --> 00:35:11,960 Speaker 8: on the vacation with another woman. So she was rifling 582 00:35:12,040 --> 00:35:14,760 Speaker 8: through all of his journals because she wanted to get intel. 583 00:35:14,880 --> 00:35:17,440 Speaker 8: She wanted to get information. You know, she may have 584 00:35:17,719 --> 00:35:20,920 Speaker 8: stopped or even contacted the other women. You know, she 585 00:35:21,160 --> 00:35:24,200 Speaker 8: manipulated him with sex before she killed him. And I 586 00:35:24,360 --> 00:35:28,880 Speaker 8: see this artwork as one big manipulation to the public. 587 00:35:29,360 --> 00:35:33,080 Speaker 8: She minimizes the painous nature of what she did. The 588 00:35:33,280 --> 00:35:36,680 Speaker 8: cow is in a pastoral scene. She looks like she's 589 00:35:36,719 --> 00:35:40,280 Speaker 8: on vacation behind prison bars with this cute little bucket 590 00:35:40,280 --> 00:35:44,200 Speaker 8: cap and you know, madging orange shirt. In one scene 591 00:35:44,280 --> 00:35:47,760 Speaker 8: she's walking into like almost like a Mendeala type setting 592 00:35:47,840 --> 00:35:52,000 Speaker 8: that's very spiritual. She looks like Barbie in another picture. 593 00:35:52,120 --> 00:35:55,680 Speaker 8: And she also cares skulls with flowers. Now I know 594 00:35:55,760 --> 00:35:56,319 Speaker 8: that sort of. 595 00:35:56,280 --> 00:35:59,640 Speaker 14: View of Del Martees, which is very typical if that 596 00:35:59,760 --> 00:36:01,880 Speaker 14: selebration in Latin America. 597 00:36:01,920 --> 00:36:06,440 Speaker 8: However, when you pair flowers. 598 00:36:06,040 --> 00:36:09,800 Speaker 14: With a skull, it's like your favorite phrase, my favorite 599 00:36:09,800 --> 00:36:12,560 Speaker 14: phrase that you always say, dancing putting perfume on the pig. 600 00:36:13,040 --> 00:36:17,319 Speaker 14: It's really minimizing what a skull looks like and what 601 00:36:17,600 --> 00:36:20,359 Speaker 14: gets a person to the point where their flesh has 602 00:36:20,400 --> 00:36:23,000 Speaker 14: decomposed and they are nothing on a skull. 603 00:36:23,440 --> 00:36:27,360 Speaker 8: So she's turning the heinous nature of the crime into 604 00:36:27,440 --> 00:36:31,239 Speaker 8: its opposite, like it's just rainbows and unicorns. And I 605 00:36:31,280 --> 00:36:34,759 Speaker 8: think that even seeing a Christmas ham, which happens to 606 00:36:34,800 --> 00:36:38,719 Speaker 8: be one of my favorites, that's really manipulative, as she's 607 00:36:38,800 --> 00:36:41,840 Speaker 8: like choir girl. So look at that picture right there, 608 00:36:42,000 --> 00:36:45,160 Speaker 8: doesn't that have a spiritual quality? Like she's just the 609 00:36:45,200 --> 00:36:47,240 Speaker 8: most spiritual person on the baby plant. 610 00:36:47,520 --> 00:36:52,239 Speaker 1: You know what's really crazy is everybody seemed to know 611 00:36:52,440 --> 00:36:55,759 Speaker 1: what Areas was up to, including Travis Alexander. 612 00:36:55,880 --> 00:37:00,239 Speaker 7: Listen, guy, passionately, you're saying, Travis, you'll understand, I think 613 00:37:00,280 --> 00:37:03,920 Speaker 7: she's dangerous, and he was saying dangerously kidding she wouldn't 614 00:37:03,960 --> 00:37:07,400 Speaker 7: hurt a fly, You guys, she's so sweet, she's so nice, 615 00:37:07,480 --> 00:37:11,000 Speaker 7: and right as he's defending her, Sky put her finger 616 00:37:11,080 --> 00:37:13,160 Speaker 7: to her lips just to tell us to be quiet, 617 00:37:13,200 --> 00:37:16,080 Speaker 7: and then she pointed at the door and she lips 618 00:37:16,280 --> 00:37:20,080 Speaker 7: she's out there, and Travis rips the door open, and 619 00:37:20,120 --> 00:37:23,239 Speaker 7: there's Jodyarius with her face to the door, listening to 620 00:37:23,280 --> 00:37:26,960 Speaker 7: our conversation at midnight upstairs on the opposite end of 621 00:37:26,960 --> 00:37:27,560 Speaker 7: the house. 622 00:37:28,239 --> 00:37:29,000 Speaker 11: Where he is. 623 00:37:29,200 --> 00:37:33,799 Speaker 2: Travis Alexander friends haven't heard from him for days. They're 624 00:37:33,840 --> 00:37:36,840 Speaker 2: supposed to take off for Cancun in only a matter 625 00:37:36,920 --> 00:37:40,560 Speaker 2: of hours, but Travis is nowhere to be found. 626 00:37:41,840 --> 00:37:46,880 Speaker 1: There were so many aerie warnings from friends and family 627 00:37:47,480 --> 00:37:50,920 Speaker 1: about what was to come. Listen, and we caught her again. 628 00:37:51,280 --> 00:37:54,000 Speaker 7: I said, Travis's case in point bro, Like, that's what 629 00:37:54,120 --> 00:37:54,879 Speaker 7: I'm talking about. 630 00:37:54,960 --> 00:37:55,960 Speaker 6: Who does that? 631 00:37:56,120 --> 00:37:58,799 Speaker 7: Who does that? Normal people don't do that. If you 632 00:37:58,800 --> 00:38:00,919 Speaker 7: don't get it, there's nothing I mean, there's nothing more 633 00:38:00,920 --> 00:38:03,920 Speaker 7: I can do. But what guy said was she said, Travis, 634 00:38:04,040 --> 00:38:07,239 Speaker 7: we're afraid we're going to find you chopped up in 635 00:38:07,320 --> 00:38:08,680 Speaker 7: her freezer joining me. 636 00:38:08,880 --> 00:38:13,600 Speaker 1: Andy Kahn, director of Victims Services at Crime Stoppers in Houston. Andy, 637 00:38:13,760 --> 00:38:18,040 Speaker 1: how many times have we seen murder victims where their 638 00:38:18,080 --> 00:38:21,439 Speaker 1: friends and family would say, you got to get out 639 00:38:21,440 --> 00:38:25,879 Speaker 1: of this. She he is going to kill you, or 640 00:38:25,960 --> 00:38:31,239 Speaker 1: murder victims that before they died said if I go missing, Hey, 641 00:38:31,760 --> 00:38:32,440 Speaker 1: she did it. 642 00:38:32,680 --> 00:38:34,680 Speaker 10: I just worked on a case where we had a 643 00:38:34,719 --> 00:38:38,279 Speaker 10: young woman that ended up getting stuffed and refrigerator by 644 00:38:38,320 --> 00:38:41,880 Speaker 10: her then husband who actually put out, if I go missing, 645 00:38:42,239 --> 00:38:43,640 Speaker 10: he is the one that is. 646 00:38:43,880 --> 00:38:45,200 Speaker 8: Basically going to kill me. 647 00:38:45,239 --> 00:38:47,880 Speaker 9: And she sent out so many warning signals on that. 648 00:38:48,160 --> 00:38:52,719 Speaker 9: So when other people start to recognize warning signals, I 649 00:38:52,760 --> 00:38:55,680 Speaker 9: think you got to pretty start stating taking it seriously 650 00:38:56,160 --> 00:38:59,600 Speaker 9: because they're the ones who actually see the truth picture. Unfortunately, 651 00:39:00,080 --> 00:39:02,880 Speaker 9: you know, Travis perhaps might have been caught this little 652 00:39:02,920 --> 00:39:06,640 Speaker 9: france or whatever with her, but the real story about 653 00:39:06,680 --> 00:39:11,760 Speaker 9: this right now is how in the heck can Joey 654 00:39:11,960 --> 00:39:19,320 Speaker 9: Areas sit in a prison cell paint, draw, scratch, smith, doodle, whatever, 655 00:39:19,640 --> 00:39:23,279 Speaker 9: and then ship items out to be sold on the 656 00:39:23,480 --> 00:39:28,160 Speaker 9: open market. And the only reason people buy them is 657 00:39:28,200 --> 00:39:33,440 Speaker 9: because she's received some higher proficiency because she is a 658 00:39:33,560 --> 00:39:39,000 Speaker 9: high profile killer, without anybody thinking about who she killed, 659 00:39:39,360 --> 00:39:43,040 Speaker 9: why she's in prison. And I'm sorry, but you just 660 00:39:43,239 --> 00:39:47,680 Speaker 9: you should be able to profit from committing crimes, especially murdered. 661 00:39:47,680 --> 00:39:51,040 Speaker 9: It's that simplistic. And why that's the First Amendment allowed 662 00:39:51,040 --> 00:39:53,320 Speaker 9: to happen is beyond my comprehension. 663 00:39:53,480 --> 00:39:56,799 Speaker 1: To Derek Smith, high profile criminal defense attorney joining us 664 00:39:56,800 --> 00:40:04,920 Speaker 1: out of Ohio. Why are inmates criminals allowed to profit 665 00:40:05,520 --> 00:40:06,480 Speaker 1: from their crimes? 666 00:40:06,960 --> 00:40:09,680 Speaker 13: Well, Nancy, in a lot of states, they're not. This 667 00:40:09,719 --> 00:40:12,319 Speaker 13: goes back to something we said earlier, the Son of 668 00:40:12,400 --> 00:40:16,440 Speaker 13: Sam law that originated from the David Berkowitz murders in 669 00:40:16,480 --> 00:40:19,200 Speaker 13: New York, that was brought up on First Amendment all 670 00:40:19,200 --> 00:40:22,080 Speaker 13: the way up to the Supreme Court, and they deemed 671 00:40:22,080 --> 00:40:25,960 Speaker 13: that was unconstitutional as a violation of their First Amendment rights, 672 00:40:26,040 --> 00:40:28,000 Speaker 13: and then the states, you know, tweaked some of those 673 00:40:28,080 --> 00:40:31,320 Speaker 13: laws to make it, you know, applicable for that in 674 00:40:31,360 --> 00:40:33,520 Speaker 13: many states, but Arizona is not one of them. So 675 00:40:33,600 --> 00:40:37,520 Speaker 13: Arizona does not have any laws against inmates in this 676 00:40:37,760 --> 00:40:39,400 Speaker 13: situation being able to profit. 677 00:40:39,480 --> 00:40:44,360 Speaker 1: Wow, well, maybe after tonight they will. And you know, Derek, 678 00:40:44,400 --> 00:40:47,200 Speaker 1: you mentioned Son of Sam laws regarding Berkowitz. You know, 679 00:40:47,239 --> 00:40:49,799 Speaker 1: it goes all the way back to the movie Goodfellows, 680 00:40:50,440 --> 00:40:53,279 Speaker 1: where there was a lawsuit that went to the US 681 00:40:53,360 --> 00:40:59,200 Speaker 1: Supreme Court over profiting from Goodfellows. I mean, this is 682 00:40:59,280 --> 00:41:05,400 Speaker 1: a valiantly fought battle and states have the power to 683 00:41:05,480 --> 00:41:11,680 Speaker 1: stop this. We wait as just as unfalls. Goodbye friend,