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Speaker 1: Hey, club kids, this is a lilibit here and this

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Speaker 1: is Little Prince George, and I just wanted to let

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Speaker 1: you guys know that this episode is so big, fat

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Speaker 1: and juicy. It's a two parter. It's in two parts.

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Speaker 1: So yeah, we're doing spar We're doing Prince first episode.

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Speaker 1: We're talking about brotherhood. We're talking about the crash, We're

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Speaker 1: talking about death. We're talking about the first day to

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Speaker 1: Soho House. And next week you'll hear all about Kaden

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Speaker 1: more the simmering between Kat and Megan, and the feud

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Speaker 1: between Willie and Harry. And we have Afghanis and as

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Speaker 1: the Taliban Talibam and Harry's absolute lust for blood trigger

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Speaker 1: warning Taliban. Yeah, but enjoy this episode, part one of

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Speaker 1: our dive into Prince Harry's best selling memoir spar Bear

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Speaker 1: Boost that knocking at the door. It's all your friends,

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Speaker 1: you filthy horse. You're husband's gone and you've got books

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Speaker 1: and a bottle of wine to kill. It's books, it's gossip.

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Speaker 1: I'm shook. It's memoirs. Martini Book Club can read it

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Speaker 1: while it's hot. Clebripook Club, tell your secrets. We won't

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Speaker 1: talk clebrity books. No, Boys Are Alloud book Stay It

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Speaker 1: Loud and PLoud Clebri book Club buzz Man, I brought

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Speaker 1: the Queer Voe. Hello, best friend, I'm American. I notice

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Speaker 1: you have an accent. Um, yeah, I'm from England. I'm

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Speaker 1: from actually your mother country. If you really think about it,

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Speaker 1: because we started you even though you're a crazy, rambunctious,

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Speaker 1: glamorous American, you know, I'm some now drawn to you

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Speaker 1: in a weird way. Hey Steven, Hey, well, um, you're

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Speaker 1: wearing kind of a Harry Potter themed shirt today. I

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Speaker 1: didn't know you were a hufflepuff actually more of a

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Speaker 1: raven cloud, but more of an into the actual and

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Speaker 1: I fancy myself. Um, but yeah I am. We're in

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Speaker 1: a SI that's the Oxford University on it and it's

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Speaker 1: quite garious. Yellow colors right with purple. Well, sometimes in

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Speaker 1: this podcast I would say, you know, whenever one else zigs,

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Speaker 1: we liked to zac oh yeah, we're alligators. When they

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Speaker 1: say how to outrun an alligator? I was taught personally

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Speaker 1: to run it as six sac Yeah exactly, yes, to

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Speaker 1: escape them. Yes, that's also how you avoid I'm getting

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Speaker 1: shot at Um when you're in a battlefield, say Afghanistan

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Speaker 1: for example. Perhaps Yeah, yeah, but this is one of

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Speaker 1: those instances where when everyone else zigs, we had to zig.

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Speaker 1: We ultimately had to zig because, as you put it plainly,

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Speaker 1: we were held at gunpoint. Yes, I've never had so

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Speaker 1: many requests demands, yeah, just demands. It was like it

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Speaker 1: wasn't even like we were really allowed to do anything else.

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Speaker 1: And you know, I understand that we've been doing a

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Speaker 1: podcast asked for about two years now when we were

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Speaker 1: reading celebrity memoirs and to not read the what is

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Speaker 1: the most talked about book ever? Literally ever? I just

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Speaker 1: saw the fastest selling memoir in history. It would be

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Speaker 1: it would be a crime. We are better equipped to

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Speaker 1: discuss this than anyone on us, also, than we have

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Speaker 1: ever had. Absolutely we've ever been Yeah, we have. Our

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Speaker 1: whole lives have been building up at this moment. We

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Speaker 1: have been training. Yeah. Um yeah at Fort Fort Laudyshire, Yeah,

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Speaker 1: um yeah, we read Spare we had to. It's like yeah,

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Speaker 1: And for a moment I almost was like, Okay, I

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Speaker 1: feel like when all the page six that first day,

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Speaker 1: when all the page sticks stuff came out, the frostbed

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Speaker 1: penis right, the emails, right, the case this, and I

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Speaker 1: almost like, don't you think you're like, well, it's all

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Speaker 1: been said. Yeah, I was like I read the book. No,

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Speaker 1: I felt like Jennifer Lawrence watching the dropout and saying,

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Speaker 1: you know, I'm not going to make another show about

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Speaker 1: Elizabeth Holmes because Free did it. And and when I

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Speaker 1: saw all the clips about the Taja Penis, I said,

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Speaker 1: oh god, you know what, but there's so much how

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Speaker 1: wrong we were because we didn't even really know exactly

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Speaker 1: how the Todder got so frostpitu. No, No, indeed, we

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Speaker 1: didn't realize that I was on a trip to the

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Speaker 1: North Pole. Um. Okay, let's just say it right now.

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Speaker 1: It's fair by Prince Harry. First of all, for those

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Speaker 1: of you who don't know Prince Harry. Yeah, so he's

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Speaker 1: actually the son of the queen and he grew up

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Speaker 1: in Engle. Who's actually not he's a grandson of the queen. Okay, cool,

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Speaker 1: did you read the book. Yeah, he's famously son of Well.

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Speaker 1: Trick question because a trick answer, since like it's heavily rumored,

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Speaker 1: but she addresses in the book, oh that's not the

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Speaker 1: sun yeah of Charles. Yes, well, and this is why

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Speaker 1: I do kind of think I was going back and

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Speaker 1: forth but whether or not he's the Chloe or the Courtney,

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Speaker 1: because I do kind of feel like he is the

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Speaker 1: Chloe in the like paternity rumors, where like he's the

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Speaker 1: different one, and just like why is he a redhead?

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Speaker 1: It's a recessive Jean, Like Charles is not a redhead,

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Speaker 1: Diana is not a redhead. Where coming from man that

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Speaker 1: his mom was really close to that looks exactly like him.

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Speaker 1: She's been fucking the mail man and it's very Chloe

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Speaker 1: was like, well, actually like my mom met o j

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Speaker 1: like right around the same time, and like that she

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Speaker 1: got partner with Chloe Um. But then sometimes kind of

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Speaker 1: Courtney because he's just like, I don't want a film anymore. Yeah,

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Speaker 1: and it's like I don't I never wanted this, Yeah, Okay, Yes,

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Speaker 1: I love my family. And also obviously Meg is the

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Speaker 1: Travis Barker well, but she's also so Courtney because she's

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Speaker 1: so pushed because she's still having the fakest lifestyle brand. Yes,

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Speaker 1: because I remember when she had her brand, the Tig,

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Speaker 1: which gets briefly referenced in this book. And he's like

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Speaker 1: she was in he was like she was an entrepreneur

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Speaker 1: she was an entrepreneur, and she was an actress, and

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Speaker 1: she had a lifestyle website and she was a businesswoman

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Speaker 1: and an activist, and the life of website was this

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Speaker 1: insanely fake like travel website called The Tig that would

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Speaker 1: have like a blog post every month just being like,

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Speaker 1: here's the three hotels that I like in Bali. And

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Speaker 1: then she would said she was a travel writer. Yeah,

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Speaker 1: I mean same, I mean we are also travel writers. Um,

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Speaker 1: but okay, let's this book is I will say it

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Speaker 1: very good. Like I I thought this book as a

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Speaker 1: piece of literature was just incredibly compelling, like all like Jaredmooringer,

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Speaker 1: ghost writer of Agassi's book, he is a genius and

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Speaker 1: he took what is obviously a dumb person like and

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Speaker 1: made their words into like this incredibly compelling narrative about

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Speaker 1: grief and family fat monarchy, yes, and monarchy in history

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Speaker 1: and I think like the relationship yeah, and it's like

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Speaker 1: it's and it's juicy and there's tons of dirt in it,

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Speaker 1: like so juicy. It really is crazy that he completely

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Speaker 1: puts everyone on blast. He puts everyone in blast, including

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Speaker 1: Courtney Cox. Oh yeah, I'm just being like I'm tripping

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Speaker 1: I'm doing mushrooms at Corney Cox's house in LA and

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Speaker 1: he's like, I'm Chandler's. Does she know I'm Chandler? And

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Speaker 1: he's like in love with Megan, but like also still

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Speaker 1: trying to hook up with Corney Cox because he's so

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Speaker 1: obsessed with friends. Yeah, the friends obsession. It's one of

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Speaker 1: the many sort of Peter Pan like teen things where

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Speaker 1: he just never stopped evolving after his mom's death. Yes,

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Speaker 1: but I also will say in his friend's defense, like

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Speaker 1: that is also like my comfort show, and like I

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Speaker 1: will also like go to grocery store if I'm alone

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Speaker 1: and like pick up a salmon phillips and just like

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Speaker 1: my favorite yoga and like just have friends on the background,

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Speaker 1: and the episodes just rolled together. Yeah, I think there

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Speaker 1: are other things about him that I think that's just

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Speaker 1: like being basic a millennial for sure. I mean, he is,

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Speaker 1: you know, the most millennial person there is, But there

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Speaker 1: are other things that are Peter Pan. I mean, the

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Speaker 1: loss in this book. It's crazy also because it's like

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Speaker 1: I think, why the loss is so strong because he

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Speaker 1: didn't he was so young. Did you see Spencer No

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Speaker 1: with Kristen Stewart, Right, I mean I really guess that

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Speaker 1: because I didn't watch The Crown that really liked shook me.

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Speaker 1: Even though the movie was bad, I thought of how

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Speaker 1: bad they treated Diana. One of the central themes of

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Speaker 1: this book is the coldness of the royal family and

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Speaker 1: a British culture, and you know, it sets up the

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Speaker 1: whole book is sort of setting up this culture clash

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Speaker 1: that happens in part three when we Megan is introduced,

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Speaker 1: where she is this a brilliant American who she says

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Speaker 1: what she wants, you know, and she comes rolling in

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Speaker 1: and she wants to hug Will and hug Kate, and

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Speaker 1: they're just like, oh my god, they're a gas because

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Speaker 1: like you only shake hands and Curtsey and even your

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Speaker 1: you know, your family members. You know. There's this anecdote

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Speaker 1: where the Queen has been on like a tour of

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Speaker 1: all the world and like the fifties or something, and

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Speaker 1: or maybe it was like the seventies at this point

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Speaker 1: because she was more queen and she comes back to

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Speaker 1: see Charles and she like shakes his hand after she's

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Speaker 1: said her own son's hand after a six week tour.

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Speaker 1: It's insane also just it really truly is what's her

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Speaker 1: experience in London of just like no one is speaking

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Speaker 1: before five pm, and then the quiet and then Harry like,

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Speaker 1: every sentence of this book is just him being like

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Speaker 1: and then we fixed up some bush cocktails around five

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Speaker 1: and we fixed up a fugin in tonics and a

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Speaker 1: lot of cocktails, and he's like, and then we started talking. Okay, wait,

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Speaker 1: I actually thought that the book was heading for some

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Speaker 1: sort of sober moment, sober like moment, and it just

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Speaker 1: never does. And like by the ends while I was

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Speaker 1: in Botswana, and then we that's the most British parts.

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Speaker 1: They're just like, of course we drink yeah. Um. The

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Speaker 1: other most British waspy part of this is like him

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Speaker 1: how he hates fashion. Oh and yet he noticed his

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Speaker 1: clothes like o who he's constantly talking with people's outfits yeah,

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Speaker 1: and his own outfits and how he desperately wants to

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Speaker 1: wear like this kit that's comes from like one of

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Speaker 1: their like home estate versus the like Royal army because

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Speaker 1: he hates the outfit or something. He like loves his

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Speaker 1: army clothes, but also he hates his army clothes. So

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Speaker 1: many different like deviations of outfit and uniform and like

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Speaker 1: a different like Haroldry like family Crest, and like Will

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Speaker 1: gets to wear. One of the huge points of contention

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Speaker 1: later in the book is that Will didn't get to

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Speaker 1: wear the uniform, the specific uniform, and then Harry, and

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Speaker 1: then Harry does get to and Will like deeply resents him.

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Speaker 1: And then also Will gets so mad because the Queen

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Speaker 1: lets Harry get married with a beard. Okay, I Will say.

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Speaker 1: When I read that part, I was like, sorry, Will

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Speaker 1: doesn't look good with a beard, like Will just his

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Speaker 1: face and Will is just he is just so jealous

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Speaker 1: that like again, little brother is like getting away with

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Speaker 1: something right. And that's like this eternal sibling dynamic between

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Speaker 1: older brother or older sibling younger something. Babe, the Queen

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Speaker 1: did you a favor, Willie as he as Harry calls

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Speaker 1: him to the Willie and Paw Charles really and it's like, yeah,

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Speaker 1: you would have looked terrible with a beard at your wedding.

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Speaker 1: It's also both those boys, Like I feel like Will

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Speaker 1: like literally did used to be like so hot with hair.

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Speaker 1: And this is not an anti bald sentiment. And I

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Speaker 1: know what things happen, but I just feel like it's

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Speaker 1: not the hair. It's just like, now he's just so basic.

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Speaker 1: And before he was like hot, preppy, and I feel

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Speaker 1: like now he's just like corny, angry basic. He was

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Speaker 1: preppy hot, but I yeah, and I and I agree.

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Speaker 1: I think that hair was too integral a part of

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Speaker 1: preppy hot. I think like that like thick kind of

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Speaker 1: eighties written person hair that will had to fast times

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Speaker 1: at Richmond High. Yeah, like that was he was leaning

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Speaker 1: too heavily on that and he didn't cultivate any sort

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Speaker 1: of like mystique beyond that. So when that goes away,

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Speaker 1: you know, you lose a lot of that because a

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Speaker 1: lot of it, you know, I mean as the air,

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Speaker 1: part of your entire thing is projecting virility. You are

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Speaker 1: literally a bloodline, like that is all you are. So

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Speaker 1: hair gone, when your hair is gone, you lose so

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Speaker 1: much of that power because that connection still has and

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Speaker 1: he can still get it rough for British person to

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Speaker 1: be forced. So he William had to wear the Irish

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Speaker 1: coat of Arms at his wedding, which was bright red,

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Speaker 1: and he had like yeah, with his very pale skin,

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Speaker 1: it was not like and then like their bachelor party

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Speaker 1: was basically just like him Paw and Harry having like

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Speaker 1: rum yeah. I mean again, this is the whole thing

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Speaker 1: where it's like he is the older brother, he is

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Speaker 1: the serious one who has to become king one day,

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Speaker 1: and so he does get to let lose. But you know,

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Speaker 1: so many sibling relationships, non royal ones. I was actually

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Speaker 1: thinking the same dynamic. I think the dynamics in this

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Speaker 1: book that are the saddest are the dissolution of their friendship.

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Speaker 1: By the end of the book, they don't speak, and

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Speaker 1: the beginning he said so at the beginning of the book,

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Speaker 1: they also like it's you know, kind of a flash

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Speaker 1: flash forward to write after Phillip's funeral, So the Queen's

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Speaker 1: like seven hundred year old husband and they they're right

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Speaker 1: after his funeral on that Frogmore always, frog More constant,

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Speaker 1: And this whole book is just listing different palaces and

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Speaker 1: it's just Sandrineham's Balmoral, Frogmore, Kensington, Clarence. How literally could

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Speaker 1: not keep up. He's like, Granny told me to meet

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Speaker 1: her at Gloucestershire, Gloucestershire. I said, yes, the Gloucestershire cottages. Oh,

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Speaker 1: the Gloucestershire cottages are so beautiful in April when there's

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Speaker 1: no leaves on the trees and I can go goos hunting.

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Speaker 1: Oh no, join me goose unting and quagmire, Oh quaggish, Mamia.

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Speaker 1: It's like, okay, ladies, No, it's really ladies, And you're

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Speaker 1: just like, by the end, I just have this encyclopedia

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Speaker 1: of different estates that belong to the Queen. And yet

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Speaker 1: he's also always constantly kind of complaining his younger brother

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Speaker 1: way about how he's being like shoved into the basement

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Speaker 1: or the back room or the servants. I have nowhere

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Speaker 1: to live, and it's like that she seems like you

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Speaker 1: have a lot of happen, a lot different things, and

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Speaker 1: like he's just constantly complaining in his very younger the

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Speaker 1: way of just being like I get the short end

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Speaker 1: of the stick, like no one cares about me because

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Speaker 1: I'm the spare I mean cottage. But you know, the

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Speaker 1: sad thing about that dynamic is that you know, these

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Speaker 1: little petty resentments build up, and I think a huge

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Speaker 1: part of it is Will feeling the crushing burden of

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Speaker 1: being the air of having to be mister serious in

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Speaker 1: the same way the Queen did, in the same way

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Speaker 1: Charles did. Because you look at all the other young

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Speaker 1: kings Margaret was like miss So Harry talks about how

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Speaker 1: he like the first time he had a proper martini

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Speaker 1: was with Margaret. Oh yeah, and she was like three

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Speaker 1: hundred years old or whatever, and it was like his rebellion.

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Speaker 1: He realized, wait, I'm her that scene with Margaret where

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Speaker 1: she gives him the bireau. Do you know what a

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Speaker 1: bireau is? No? Okay, So this was like essential to

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Speaker 1: the scene. I'm gonna read this and then I'm gonna

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Speaker 1: tell you what a bureau is. So they're at this,

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Speaker 1: They're at their Christmas dinner. So Princess Margaret, for this

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Speaker 1: is the Queen's younger sister who is like famously like

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Speaker 1: the messiest bitch. She's played by Helen aboutom corner and

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Speaker 1: the crown. She was like she married who she was,

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Speaker 1: narrow man she was. She wanted to marry this guy,

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Speaker 1: Captain Townsend, who was like much older than her and divorced.

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Speaker 1: I didn't know Princess Margaret, whom I called Aunt Margot.

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Speaker 1: She was my great aunt. Yes, we shad twelve point

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Speaker 1: five percent of our DNA. We spent the bigger hold

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Speaker 1: of days together, and yet she was almost a total stranger.

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Speaker 1: So it's just like everyone like has a present like

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Speaker 1: in front of them, and it's very like whatever it's

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Speaker 1: a mentioned in like German tradition. Standing before my pile,

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Speaker 1: I chose to open the smallest present first, the tag

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Speaker 1: said from Aunt Margot. I looked over, called out, thank you,

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Speaker 1: Aunt Margot. I do be like it, Harry. I tore

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Speaker 1: off the paper. It was dot dot dot a biro.

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Speaker 1: I said, oh, a birero. Wow. She said, yes, a biro.

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Speaker 1: I said thank you so much. But it wasn't just

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Speaker 1: any bureau she pointed out. It had a tiny rob

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Speaker 1: but fish wrapped around it. I said, oh, a fish

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Speaker 1: biro okay, I told myself that is cold blooded. Yeah.

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Speaker 1: I remember listening to that part and being like, notice off,

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00:16:42,440 --> 00:16:44,920
Speaker 1: look up what that is, and then I never did.

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Speaker 1: So I asked my British friend, oh okay, and he

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Speaker 1: informed me a bireau is wait for it, a pen.

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Speaker 1: Oh yeah, it's just like a cheap bob point pan.

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Speaker 1: And so he's been like, Margaret, such a bitch for

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Speaker 1: giving me a pen, and I'm kind of just like, you,

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Speaker 1: dumb asshole. It's just like that's funny. It's like you're

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00:17:04,960 --> 00:17:07,520
Speaker 1: literally a prince. Like it's funny for her to give

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00:17:07,640 --> 00:17:11,040
Speaker 1: like you this random cheap pen. She's just being like whatever,

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Speaker 1: nothing matters, Like you're literally the prince, I'm not going

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00:17:14,320 --> 00:17:17,439
Speaker 1: to get you a switch, right. He's literally just being like,

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Speaker 1: where's my xbox, my stupid aunt, and get me an xbox.

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Speaker 1: And it's just like, oh, thanks, Aunt, Margo, and she's like, yeah, bitch,

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Speaker 1: which is funny that he also was so annoyed by

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Speaker 1: that because then later on with the closes things like

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00:17:29,640 --> 00:17:32,320
Speaker 1: he prides himself on the waspiness of how he's like

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00:17:32,840 --> 00:17:36,760
Speaker 1: wool brogues that you know, he's wore the same pants

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Speaker 1: for ninety years. Also this poverty cosplay, how he goes

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Speaker 1: to TK max and well the TK max thing is

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00:17:43,840 --> 00:17:45,919
Speaker 1: max run where he like buys like as much as

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00:17:45,920 --> 00:17:47,399
Speaker 1: you can for a hundred quid on sale and then

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00:17:47,400 --> 00:17:49,600
Speaker 1: like leaves. He says he's still he hates clothes, but

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00:17:49,680 --> 00:17:53,639
Speaker 1: he's also obsessed with TK Max and he's obsessed with

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00:17:53,720 --> 00:17:57,040
Speaker 1: the fact that they get fresh stuff from a gap.

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Speaker 1: Ye yeah, like this it's like okay, Ramona Singer with

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00:18:00,840 --> 00:18:03,920
Speaker 1: your like liquidation know, and he's like, no, the sales

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00:18:03,920 --> 00:18:10,440
Speaker 1: are unbelievable. Undesigner names. I feel like the poverty cosplay is,

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00:18:10,920 --> 00:18:14,720
Speaker 1: you know, him trying to show that he a man

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Speaker 1: of the people obviously, and like and that's why he

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00:18:16,440 --> 00:18:20,680
Speaker 1: married just like Meg, this biracial American, you know, because

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00:18:20,720 --> 00:18:22,240
Speaker 1: he's not going to follow in the steps of the

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Speaker 1: Holy Tory ye soccracy. Well, because there's the other way

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00:18:24,359 --> 00:18:26,040
Speaker 1: of going it, which is like Prince Charles, and I

325
00:18:26,040 --> 00:18:29,160
Speaker 1: feel like I've seen like so many like fashion threads,

326
00:18:29,280 --> 00:18:33,560
Speaker 1: like zooming in on his on his tailored suits, but

327
00:18:33,680 --> 00:18:38,120
Speaker 1: showing that there's like tiny little patches. Oh, and it's

328
00:18:38,119 --> 00:18:41,919
Speaker 1: like it's take care of good clothes. I think that

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00:18:41,960 --> 00:18:44,359
Speaker 1: it is part of what I actually perceived to be

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Speaker 1: kind of a sexist, very old school the point of

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00:18:49,359 --> 00:18:52,359
Speaker 1: view that is permitting this book as woke as he

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00:18:52,440 --> 00:18:54,760
Speaker 1: desperately tries to be, because he's constantly being like, I

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00:18:54,800 --> 00:18:58,480
Speaker 1: love Megan, I I learned that colonialism is bad. It's

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00:18:58,520 --> 00:19:01,680
Speaker 1: like and this and the diamond and Grand's crown was stolen.

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00:19:02,240 --> 00:19:05,840
Speaker 1: Like I think that it's like he basically sees women

336
00:19:06,680 --> 00:19:09,600
Speaker 1: as objects to be either protected or destroyed. It's all

337
00:19:09,640 --> 00:19:12,159
Speaker 1: the whole book is about Diana being killed by the

338
00:19:12,200 --> 00:19:15,520
Speaker 1: press and how he needs to save Megan from the press,

339
00:19:15,880 --> 00:19:18,000
Speaker 1: and yet aunt Margaret, who was like the perfect foil

340
00:19:18,000 --> 00:19:19,760
Speaker 1: for him, she's literally a spare. She's literally like the

341
00:19:19,840 --> 00:19:23,280
Speaker 1: near du Well younger sibling. He never sees his connection

342
00:19:23,280 --> 00:19:24,840
Speaker 1: to her. He doesn't talk about her, he doesn't talk

343
00:19:24,840 --> 00:19:27,520
Speaker 1: about women being role models. That he makes one sentence

344
00:19:27,560 --> 00:19:29,399
Speaker 1: where he's like, oh, maybe I should have talked to

345
00:19:29,440 --> 00:19:31,960
Speaker 1: her more right, And it's like all you care about

346
00:19:32,000 --> 00:19:34,119
Speaker 1: is the approval of Willie and Paw and it's just

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00:19:34,160 --> 00:19:37,080
Speaker 1: like and then like protecting these fragile flowers that are

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00:19:37,080 --> 00:19:39,200
Speaker 1: the women you know well. And then he does this

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00:19:39,240 --> 00:19:42,040
Speaker 1: thing that Alto is really sexist, shows to say is

350
00:19:42,040 --> 00:19:45,560
Speaker 1: where it's like getting it's like when got peepe men

351
00:19:45,560 --> 00:19:48,280
Speaker 1: are annoyed by like girls saying like it's like he

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00:19:48,320 --> 00:19:51,320
Speaker 1: gets annoyed by like girls who have like hair a

353
00:19:51,359 --> 00:19:55,160
Speaker 1: lot of hair products. Oh yeah, and he's like when

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00:19:55,440 --> 00:19:58,000
Speaker 1: like he meets like, oh wait, when Megan meets childs

355
00:19:58,000 --> 00:20:02,520
Speaker 1: and don't makeup right, don't worry well no, no, when

356
00:20:02,520 --> 00:20:05,200
Speaker 1: they go to Africa and she meets him for their

357
00:20:05,240 --> 00:20:07,840
Speaker 1: like amazing Eprey love date which we'll really get into

358
00:20:07,920 --> 00:20:11,800
Speaker 1: and Botswana and he's like she's unpacking, and he's literally

359
00:20:11,840 --> 00:20:14,800
Speaker 1: ready to be annoyed at her and to be less

360
00:20:14,920 --> 00:20:18,600
Speaker 1: into her, for like he thinks she's gonna unpack like

361
00:20:19,080 --> 00:20:22,960
Speaker 1: so many mirrors and like glossy a and so many outfits,

362
00:20:22,960 --> 00:20:28,520
Speaker 1: and he goes seun packs yoga Matt put off shorts

363
00:20:29,080 --> 00:20:32,160
Speaker 1: and like a pair of aviators, Like how cool is that?

364
00:20:32,240 --> 00:20:34,920
Speaker 1: Like he's literally being like a guy's girls. She's a

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00:20:34,960 --> 00:20:37,320
Speaker 1: guy girl and she brings in so like Christ and

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00:20:37,359 --> 00:20:42,680
Speaker 1: Cavalary and bank Hat. Literally, drink every if you want

367
00:20:42,680 --> 00:20:45,000
Speaker 1: to read this book, here's a drinking game. Drink every time.

368
00:20:45,040 --> 00:20:48,280
Speaker 1: He says, Megan is wearing grips, and it's like she's

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00:20:48,320 --> 00:20:51,840
Speaker 1: wearing just like seven. She's wearing seven. She's wearing strategically

370
00:20:51,880 --> 00:20:54,320
Speaker 1: RiPP jeans, and every scene when she's out there at

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00:20:54,400 --> 00:20:56,439
Speaker 1: like that tennis game in Toronto, and he's like, and

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00:20:56,520 --> 00:21:00,399
Speaker 1: she was wearing ripped jeans that it would approve, but no,

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00:21:00,520 --> 00:21:03,000
Speaker 1: I literally had in my notes steady a little bit

374
00:21:03,119 --> 00:21:07,400
Speaker 1: shut the fuck. He literally thinks Megan is like CBGB's

375
00:21:07,440 --> 00:21:10,639
Speaker 1: and she is CBGB's in like an airport CBGB's way

376
00:21:10,680 --> 00:21:13,960
Speaker 1: where she's wearing like a weathered soft bus CBGB's teacher

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00:21:14,000 --> 00:21:16,239
Speaker 1: and he and he's like, it's like kateen Megan are

378
00:21:16,280 --> 00:21:21,240
Speaker 1: meeting and he's like, look at Kate dressed to the nines. Yeah,

379
00:21:21,240 --> 00:21:26,760
Speaker 1: look at Megan. Riche He's like, you couldn't, like, you know,

380
00:21:26,840 --> 00:21:29,119
Speaker 1: have a bigger dichotomy between two people. And it's just

381
00:21:29,160 --> 00:21:33,159
Speaker 1: like Kate is wearing just like whatever, this Max Mera dress,

382
00:21:33,240 --> 00:21:36,320
Speaker 1: and then like Megan is wearing like Max Mera jeans.

383
00:21:36,880 --> 00:21:39,600
Speaker 1: I don't know if if there's such a gulf between

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00:21:39,640 --> 00:21:45,000
Speaker 1: these two women, between these basic assholes, And honestly, like Kate,

385
00:21:45,280 --> 00:21:47,679
Speaker 1: I think is actually even more because I feel like

386
00:21:47,680 --> 00:21:51,560
Speaker 1: the tablauds, which we hate, and like they're always complimenting

387
00:21:51,600 --> 00:21:55,440
Speaker 1: her for like wearing the same like pollinbar thing twice

388
00:21:55,520 --> 00:21:58,240
Speaker 1: and how like she is more being a commoner because

389
00:21:58,280 --> 00:22:02,760
Speaker 1: she wore the same right twice. She's like nodding to

390
00:22:02,840 --> 00:22:06,600
Speaker 1: the recession by re wearing her pollen bear long sleeve

391
00:22:07,080 --> 00:22:10,280
Speaker 1: like polka dot print dress to go to Salinsworth to

392
00:22:10,400 --> 00:22:14,160
Speaker 1: get Phillips for dinner. And that it's like Megan is

393
00:22:14,440 --> 00:22:18,479
Speaker 1: just massive hot block girl. Yeah. I mean, she's just

394
00:22:18,520 --> 00:22:21,879
Speaker 1: this yoga girl who's constantly going from unter brunch, but

395
00:22:22,040 --> 00:22:26,480
Speaker 1: who cares about humanitarian interests? Obviously eight lifestyle Brands, which

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422
00:24:05,200 --> 00:24:07,320
Speaker 1: zok dot dot com slash book club and dabload the

423
00:24:07,400 --> 00:24:11,480
Speaker 1: zok dot app for free. Then find nd book a

424
00:24:11,560 --> 00:24:16,800
Speaker 1: top rated doctor today Sleigh. Many are available within twenty

425
00:24:16,800 --> 00:24:22,440
Speaker 1: four hours. That's z o c d oc dot com

426
00:24:22,560 --> 00:24:27,240
Speaker 1: slash book Club, zok dot dot com slash book Club.

427
00:24:27,720 --> 00:24:41,720
Speaker 1: Ditch the talk. Let's just talk about their first date.

428
00:24:41,920 --> 00:24:44,600
Speaker 1: Let's get into a Soho house, the fact that she

429
00:24:44,920 --> 00:24:48,639
Speaker 1: has a soho host membership that she when they first date,

430
00:24:48,680 --> 00:24:51,399
Speaker 1: she goes, um, I feel like I live here. Oh no,

431
00:24:51,440 --> 00:24:53,160
Speaker 1: she's not bretty. She goes, I feel like I live here.

432
00:24:53,160 --> 00:24:56,440
Speaker 1: They always hold my luggage for me, popping it will

433
00:24:56,440 --> 00:24:58,680
Speaker 1: you hold my luggage for me. It's so him to

434
00:24:58,760 --> 00:25:01,080
Speaker 1: be like I finally met this real woman, like she's

435
00:25:01,119 --> 00:25:06,200
Speaker 1: just normal membership yea. So cool because he's like, where

436
00:25:06,240 --> 00:25:09,359
Speaker 1: will we date? He's like, you don't get it. You

437
00:25:09,359 --> 00:25:11,920
Speaker 1: don't google me, which is so cool that you don't

438
00:25:11,960 --> 00:25:15,240
Speaker 1: google me. Okay, wait, so this part I actually found

439
00:25:15,640 --> 00:25:20,639
Speaker 1: completely unbelievable with this whole this whole concept of how

440
00:25:21,320 --> 00:25:24,800
Speaker 1: she didn't know who he was when they first met

441
00:25:25,080 --> 00:25:27,920
Speaker 1: and she didn't google him, and there's this moment that

442
00:25:28,040 --> 00:25:31,400
Speaker 1: didn't google him is so weird when he's like, oh,

443
00:25:31,440 --> 00:25:34,560
Speaker 1: I'm doing something something for my mother and she's like

444
00:25:34,640 --> 00:25:39,360
Speaker 1: who You're like what yeah, yeah no. So like they

445
00:25:39,359 --> 00:25:41,200
Speaker 1: are first meeting at the he's on our way to

446
00:25:41,280 --> 00:25:42,840
Speaker 1: I think they also had two dates in a row.

447
00:25:42,840 --> 00:25:45,280
Speaker 1: It's a house, which is kind of insane. Okay, so

448
00:25:45,320 --> 00:25:48,080
Speaker 1: their first date, he was really late too, and he

449
00:25:48,160 --> 00:25:51,320
Speaker 1: was like stuck in Piccadilly Circus and he's like she

450
00:25:51,359 --> 00:25:54,520
Speaker 1: didn't understand because she was like so not even knowing

451
00:25:54,560 --> 00:25:57,600
Speaker 1: how royal. I was like, why I couldn't like get

452
00:25:57,600 --> 00:25:59,840
Speaker 1: out and take the train, which reminded me of that

453
00:26:00,000 --> 00:26:02,280
Speaker 1: seen Sex in the City when Carrie is in a

454
00:26:02,359 --> 00:26:05,760
Speaker 1: cab and she's like really late to something and she

455
00:26:05,920 --> 00:26:09,040
Speaker 1: like takes the troth. It's the first season six premiere

456
00:26:09,119 --> 00:26:12,240
Speaker 1: to go to the ringing of the Bellot Wall Street. Yeah,

457
00:26:12,240 --> 00:26:14,679
Speaker 1: she's like never been to like five die before. She's like,

458
00:26:14,840 --> 00:26:16,840
Speaker 1: how do I get here? And then she sees like

459
00:26:16,880 --> 00:26:19,200
Speaker 1: the R train. She's like, whoa, I'm gonna take it.

460
00:26:19,400 --> 00:26:21,960
Speaker 1: So he finally gets there, he's a half hour late,

461
00:26:22,000 --> 00:26:25,399
Speaker 1: and he's like she was so chill again, guy's girl again?

462
00:26:25,600 --> 00:26:28,159
Speaker 1: What is? What is Megan order? At their day at

463
00:26:28,200 --> 00:26:32,920
Speaker 1: the Soho House an ipa, which he is like gob smacked,

464
00:26:32,920 --> 00:26:35,560
Speaker 1: but and he goes, so I also ordered. Then he's

465
00:26:35,600 --> 00:26:42,760
Speaker 1: permoni because he's so so Wimbledon so us like instead

466
00:26:42,760 --> 00:26:45,000
Speaker 1: of his usual git right, and he's like, I didn't

467
00:26:45,040 --> 00:26:47,040
Speaker 1: really want to be here, but it seemed like he

468
00:26:47,080 --> 00:26:49,280
Speaker 1: wasn't gonna get a GNT because that's like two British

469
00:26:49,280 --> 00:26:52,680
Speaker 1: when she was there like having a dog fish ipa yeah,

470
00:26:52,720 --> 00:26:53,960
Speaker 1: and he was just like, well, I still have to

471
00:26:53,960 --> 00:26:56,480
Speaker 1: be fancy. And then they have this waiter with tattoos

472
00:26:56,520 --> 00:26:57,920
Speaker 1: who comes up and he's like and then we asked

473
00:26:57,960 --> 00:27:00,840
Speaker 1: her about her tattoos and that kind of let us

474
00:27:00,840 --> 00:27:02,560
Speaker 1: like have something to talk about while we like got

475
00:27:02,560 --> 00:27:05,720
Speaker 1: over the initial hump of acronis because we'd already like, yeah,

476
00:27:05,800 --> 00:27:07,879
Speaker 1: he was being like she was being such an epic

477
00:27:08,040 --> 00:27:12,000
Speaker 1: like waitress too for like cool like making our date

478
00:27:12,240 --> 00:27:14,920
Speaker 1: more fun. Yeah, it's a little bit like Okay, this

479
00:27:15,040 --> 00:27:16,600
Speaker 1: a little touch and go. It can be difficult for

480
00:27:16,640 --> 00:27:20,520
Speaker 1: stree people. And then he says, I mean this is

481
00:27:20,560 --> 00:27:22,560
Speaker 1: one of the common things we always say about Stree people,

482
00:27:22,560 --> 00:27:25,720
Speaker 1: where like they literally just speak and like think they

483
00:27:25,760 --> 00:27:29,240
Speaker 1: know each other so well, where he says, we had

484
00:27:29,359 --> 00:27:32,719
Speaker 1: everything in common even though she was a TV travel

485
00:27:32,800 --> 00:27:36,639
Speaker 1: blogger and I was a prince and I had my

486
00:27:36,760 --> 00:27:38,879
Speaker 1: parents and you know, I lost my parents and she

487
00:27:38,920 --> 00:27:41,960
Speaker 1: didn't as my parents, but like we had everything in common.

488
00:27:42,040 --> 00:27:46,960
Speaker 1: It's like, what did you have in common? Their values?

489
00:27:47,000 --> 00:27:51,840
Speaker 1: Their love of Africa and elephants and yeah and pumas

490
00:27:51,920 --> 00:27:57,159
Speaker 1: and lions and conservation and charity work and travel. Do

491
00:27:57,200 --> 00:28:00,840
Speaker 1: you think they had gotten into like rhinos and poaching.

492
00:28:01,280 --> 00:28:03,440
Speaker 1: I think that was no. That was their first conversation

493
00:28:03,440 --> 00:28:05,679
Speaker 1: over dim was literally about rhinos and poaching because she

494
00:28:05,680 --> 00:28:08,439
Speaker 1: saw the feed. The feed, as she talks about in

495
00:28:08,440 --> 00:28:11,600
Speaker 1: the Netflix special She's like, when I heard about him,

496
00:28:12,240 --> 00:28:14,200
Speaker 1: the first thing I did was look at his instagrampeede,

497
00:28:14,200 --> 00:28:16,480
Speaker 1: because that's how you can really tell about a person

498
00:28:16,520 --> 00:28:19,600
Speaker 1: not fogling live with their feed. So he their first

499
00:28:19,600 --> 00:28:21,880
Speaker 1: meeting up, but they're talking on the phone and he's like, oh,

500
00:28:21,960 --> 00:28:24,679
Speaker 1: I'm in the car and she goes doing what something

501
00:28:24,720 --> 00:28:28,040
Speaker 1: from my mom? Your mom? Where al Thorpe? What's al Thorpe?

502
00:28:29,000 --> 00:28:31,040
Speaker 1: He's talking about like going to Diana's grave, and she's

503
00:28:31,040 --> 00:28:33,080
Speaker 1: just been like, wait, where's your mom? Yeah? No, She's

504
00:28:33,080 --> 00:28:35,000
Speaker 1: been like, oh that's awesome. What eron's do you have

505
00:28:35,080 --> 00:28:38,480
Speaker 1: to for your mom? It's like, I no, I will,

506
00:28:38,640 --> 00:28:42,080
Speaker 1: I will not believe for a second that she doesn't know. Okay,

507
00:28:42,120 --> 00:28:46,920
Speaker 1: So Diane, that is are you kidding? And then a

508
00:28:46,920 --> 00:28:48,960
Speaker 1: little bit later, so she meets the Queen for the

509
00:28:49,000 --> 00:28:52,560
Speaker 1: first time and Prince Andrew is there, who By the way,

510
00:28:52,680 --> 00:28:55,600
Speaker 1: there's only one sentence about Prince Annerew later in the book,

511
00:28:55,640 --> 00:28:58,080
Speaker 1: when he's like he was kind of in a scandal

512
00:28:58,240 --> 00:29:01,280
Speaker 1: for allegedly sexually using a young girl, so it was

513
00:29:01,360 --> 00:29:03,640
Speaker 1: kind of weird. Anyway, moving on, it's like, Oh, you're

514
00:29:03,680 --> 00:29:05,240
Speaker 1: going to talk about how much you like hate the

515
00:29:05,240 --> 00:29:07,600
Speaker 1: press of this entire book. But then also just like,

516
00:29:08,440 --> 00:29:10,560
Speaker 1: I don't know if you're so charity. You know, he's

517
00:29:10,600 --> 00:29:15,600
Speaker 1: not making it about himself, you know about Andrew. So

518
00:29:16,200 --> 00:29:19,480
Speaker 1: Meg does not recognize Andrew and thinks he's the queen's assister. Know,

519
00:29:19,560 --> 00:29:21,959
Speaker 1: she was like, oh, who is your like the Queen's like,

520
00:29:22,040 --> 00:29:24,960
Speaker 1: oh the assistant, that man holding the purse, that man

521
00:29:25,000 --> 00:29:27,320
Speaker 1: who walked her to the door, That wasn't her assistant?

522
00:29:27,560 --> 00:29:30,160
Speaker 1: Who was it? That was her second son, Andrew. She

523
00:29:30,320 --> 00:29:33,360
Speaker 1: definitely hadn't googled us. It's like, I can maybe think

524
00:29:33,400 --> 00:29:35,480
Speaker 1: that she wouldn't recognize Andrew or whatever. She's like American,

525
00:29:35,920 --> 00:29:37,880
Speaker 1: but it's like the idea that she isn't who Diana is.

526
00:29:38,600 --> 00:29:41,600
Speaker 1: I think he's saying like she doesn't know where Diana's

527
00:29:41,680 --> 00:29:44,600
Speaker 1: grave is. But I also think Megan is trying so

528
00:29:45,320 --> 00:29:48,320
Speaker 1: hard at this point to act like she doesn't care

529
00:29:48,440 --> 00:29:51,920
Speaker 1: that she's like dating the prince. I think that's what

530
00:29:52,040 --> 00:29:54,640
Speaker 1: it is. And it's like, you know, I do this too.

531
00:29:54,720 --> 00:29:58,560
Speaker 1: When someone reveals gossip to you that you already know, Yeah,

532
00:29:58,680 --> 00:30:01,360
Speaker 1: you can't act to thirsty for otherwise they're not gonna

533
00:30:01,360 --> 00:30:03,680
Speaker 1: get you more. Yeah, so you're like, oh my god, wait,

534
00:30:04,120 --> 00:30:07,840
Speaker 1: what happened? I heard like something? But yeah, no, or

535
00:30:07,880 --> 00:30:10,160
Speaker 1: it's even you know when someone has like some really

536
00:30:10,200 --> 00:30:12,640
Speaker 1: insane like traumatic injury or scar and you're like, oh,

537
00:30:12,640 --> 00:30:15,960
Speaker 1: I didn't even notice, Oh how did you get that

538
00:30:16,040 --> 00:30:19,240
Speaker 1: cute gash across your face? I never even I didn't

539
00:30:19,240 --> 00:30:21,720
Speaker 1: even see until you said it. Um. I do feel

540
00:30:21,720 --> 00:30:25,600
Speaker 1: like it's also maybe her kind of indulging his performance

541
00:30:25,600 --> 00:30:27,840
Speaker 1: of anonymity a little bit, like, you know, she she

542
00:30:27,880 --> 00:30:30,960
Speaker 1: wanted him, she knows it's odd, and she wants him

543
00:30:30,960 --> 00:30:34,640
Speaker 1: to feel comfortable with this whole. I'm sure also her

544
00:30:34,080 --> 00:30:39,880
Speaker 1: friends like Silver what's her tree? Silver Tree, like her

545
00:30:39,960 --> 00:30:43,640
Speaker 1: Cavalary Squad. I'm sure they are like in there. What

546
00:30:43,680 --> 00:30:47,200
Speaker 1: do you think their group chat is called Toronto? Do

547
00:30:47,200 --> 00:30:49,120
Speaker 1: you think it's like Toronto Butties. No, it's not that.

548
00:30:49,280 --> 00:30:52,880
Speaker 1: It's not Toronto Bitties. It's definitely more like I feel

549
00:30:52,920 --> 00:30:57,480
Speaker 1: like it could be like a corner in Toronto where

550
00:30:57,520 --> 00:31:01,840
Speaker 1: they like all like cut drunk ones, like like the

551
00:31:02,000 --> 00:31:06,680
Speaker 1: Kavanaugh Corner Girls or something like that. Okay, wait, no,

552
00:31:06,840 --> 00:31:09,200
Speaker 1: it's more like not even the Cavana Corner Girls. It's

553
00:31:09,200 --> 00:31:11,960
Speaker 1: just like their favorite English class that they all took

554
00:31:12,080 --> 00:31:20,120
Speaker 1: like at Uni that nerdy okay um. One thing I

555
00:31:20,160 --> 00:31:23,040
Speaker 1: found insane about this book is how many people are

556
00:31:23,080 --> 00:31:27,120
Speaker 1: apparently fans of suits. Um. Best line of the book

557
00:31:27,720 --> 00:31:32,360
Speaker 1: when when William and Kate told megs that they were

558
00:31:32,560 --> 00:31:35,440
Speaker 1: massive fans of suits when they have their like first meeting,

559
00:31:35,480 --> 00:31:37,760
Speaker 1: because they're constantly just being like So I phoned like

560
00:31:37,800 --> 00:31:40,760
Speaker 1: Willie's secretary and like I asked him if I could

561
00:31:40,760 --> 00:31:44,480
Speaker 1: walk across the courtyard tick House like Kensington Palace so

562
00:31:44,520 --> 00:31:46,320
Speaker 1: we could all have tea, and like I could in

563
00:31:46,840 --> 00:31:49,280
Speaker 1: was like, and then we did have tea, and then

564
00:31:49,280 --> 00:31:52,120
Speaker 1: we did mix up some drinks and then we did

565
00:31:52,240 --> 00:31:56,000
Speaker 1: like sit in the front room Baltimore Cottage and we

566
00:31:56,120 --> 00:31:59,560
Speaker 1: had like all did have laugh. They're big fans of suits,

567
00:31:59,600 --> 00:32:01,800
Speaker 1: like she's in the Supergoe point like some guys like

568
00:32:01,880 --> 00:32:05,320
Speaker 1: I'm a fan of suits just like well no, that

569
00:32:05,440 --> 00:32:07,040
Speaker 1: was Oh that was the guy who was faking yes

570
00:32:07,360 --> 00:32:09,400
Speaker 1: when she was on her harrowin run to Whole Food

571
00:32:10,520 --> 00:32:13,920
Speaker 1: and like it's revealed in this slow thing like it's

572
00:32:14,240 --> 00:32:16,400
Speaker 1: I mean, at that point, I was like this is

573
00:32:16,440 --> 00:32:19,200
Speaker 1: a horror movie. I was like really getting into the

574
00:32:19,240 --> 00:32:22,080
Speaker 1: press kind of like it was in tenaging with this

575
00:32:22,200 --> 00:32:25,640
Speaker 1: guy's like, my girlfriend loves suits. And then he's like,

576
00:32:25,720 --> 00:32:27,760
Speaker 1: can I get a photo of my mom? And she's like,

577
00:32:28,360 --> 00:32:31,400
Speaker 1: I felt you said your girlfriend was the one who

578
00:32:31,400 --> 00:32:34,280
Speaker 1: loves suits. Yeah, and it's like d And then it's like,

579
00:32:34,600 --> 00:32:39,000
Speaker 1: she got her avocados and ran. She caught her avocados

580
00:32:39,040 --> 00:32:41,360
Speaker 1: and ran, and then she came back to Clarence silence,

581
00:32:41,800 --> 00:32:44,000
Speaker 1: and then he and after she told him this harrowing

582
00:32:44,160 --> 00:32:46,400
Speaker 1: story of like some guy like trying to get her

583
00:32:46,400 --> 00:32:48,520
Speaker 1: picture on Whole Foods. And then she's like and then

584
00:32:48,600 --> 00:32:52,120
Speaker 1: she still made a delicious apocado and he's like, you

585
00:32:52,280 --> 00:32:55,800
Speaker 1: still cooked after all that, and she goes, I wanted

586
00:32:55,800 --> 00:33:01,120
Speaker 1: to feed you before you Oh god. It's like, oh okay.

587
00:33:01,160 --> 00:33:04,640
Speaker 1: Another cooking moment that I was like, Oh, Prince Harry

588
00:33:04,760 --> 00:33:09,120
Speaker 1: toxic Um when she teaches him how to make roast Chris. Yeah. Yeah.

589
00:33:09,160 --> 00:33:13,120
Speaker 1: So they're at one of the at this point grand

590
00:33:14,000 --> 00:33:16,600
Speaker 1: Um has given them I think it's the frog Ball

591
00:33:16,640 --> 00:33:22,960
Speaker 1: cottage and she comes over and you know they're engaged. Wait,

592
00:33:22,960 --> 00:33:28,040
Speaker 1: it's actually not in him cottage. Sorry, they're so he's

593
00:33:28,080 --> 00:33:31,200
Speaker 1: being like so Prince and being like, my favorite meal

594
00:33:31,400 --> 00:33:34,160
Speaker 1: is roast chicken. But I didn't know how to make

595
00:33:34,200 --> 00:33:39,120
Speaker 1: it the absolute like imbecility of this man. He is

596
00:33:39,200 --> 00:33:41,920
Speaker 1: so immature, and this whole book is just coursing with

597
00:33:41,960 --> 00:33:44,200
Speaker 1: the and you know, later towards the book, he kind

598
00:33:44,200 --> 00:33:46,560
Speaker 1: of has this revelatory moment where he's like, of course

599
00:33:46,560 --> 00:33:49,280
Speaker 1: I'm immature, Like I was never allowed to like have

600
00:33:49,400 --> 00:33:51,480
Speaker 1: any independence or grow up, and I was, you know,

601
00:33:51,680 --> 00:33:53,520
Speaker 1: I'm in prison. And it's like that is half true,

602
00:33:53,520 --> 00:33:56,680
Speaker 1: but it's also your own choice to like play Xbox

603
00:33:56,720 --> 00:33:59,960
Speaker 1: until you're twenty nine and just friends on in the background. Yeah,

604
00:34:00,040 --> 00:34:02,800
Speaker 1: I'm like, but then it also feels so it's so

605
00:34:02,960 --> 00:34:06,040
Speaker 1: wildly basic, and he's like, she taught me about folk

606
00:34:06,720 --> 00:34:10,040
Speaker 1: and so Meg, I remember rubbing salt on the skin

607
00:34:10,080 --> 00:34:13,080
Speaker 1: of the bird, then opening a bottle of wine. Meg

608
00:34:13,160 --> 00:34:17,160
Speaker 1: put on music. She was expanding my horizons, teaching me

609
00:34:17,160 --> 00:34:21,920
Speaker 1: about folk music and soul. James Taylor and Nina Simone.

610
00:34:22,280 --> 00:34:26,480
Speaker 1: It's like the most parent music ever. It's like welcome

611
00:34:26,520 --> 00:34:29,120
Speaker 1: to nineteen ninety six and my parents. Five discs change

612
00:34:29,120 --> 00:34:31,520
Speaker 1: her literally her just being like, I'm going to play

613
00:34:31,640 --> 00:34:35,040
Speaker 1: a really cool artist. It's called Nina Simone. Well we

614
00:34:35,120 --> 00:34:39,439
Speaker 1: make chicken. Have you have you had roast chicken, roast

615
00:34:39,480 --> 00:34:42,799
Speaker 1: chicken and Nina and then he and then she's like,

616
00:34:42,880 --> 00:34:45,560
Speaker 1: have you ever heard of this California seventies artist? And

617
00:34:45,560 --> 00:34:50,319
Speaker 1: it's just like how sweet it is by you? And

618
00:34:50,560 --> 00:34:53,800
Speaker 1: you know what, he's probably behind her and they hugging

619
00:34:53,880 --> 00:34:58,759
Speaker 1: her from behind, and they're both rubbing the salt on

620
00:34:58,920 --> 00:35:03,000
Speaker 1: the bed. It's bad babies, like rubbing a bird with

621
00:35:03,080 --> 00:35:06,120
Speaker 1: your yeah, baby, yeah, she's like, you have to wash

622
00:35:06,160 --> 00:35:09,080
Speaker 1: your hands. And then he's like, maybe it was the one,

623
00:35:09,200 --> 00:35:11,759
Speaker 1: Maybe it was the stressful week and it's so and

624
00:35:11,800 --> 00:35:15,120
Speaker 1: then he like flips out and like big and big fight,

625
00:35:15,160 --> 00:35:18,319
Speaker 1: and she says, I don't know who taught you to

626
00:35:18,400 --> 00:35:22,239
Speaker 1: talk to women that way, but you will never not

627
00:35:22,440 --> 00:35:26,040
Speaker 1: in this cottage talk to women. He doesn't actually say

628
00:35:26,080 --> 00:35:28,759
Speaker 1: what he says for her, No, I'm sure he's just

629
00:35:28,800 --> 00:35:32,279
Speaker 1: like like, was he like shut up? Was he just like,

630
00:35:33,120 --> 00:35:37,319
Speaker 1: oh Meg, that's books bollocks, that's absolutely bullocks. You write

631
00:35:37,360 --> 00:35:41,600
Speaker 1: trifling trifle. Yeah, I'm not quite sure. But she just

632
00:35:41,640 --> 00:35:44,640
Speaker 1: like calmly sits on her about and it's like she

633
00:35:44,680 --> 00:35:47,759
Speaker 1: goes upstairs and he's like, well again, this is so

634
00:35:47,920 --> 00:35:50,160
Speaker 1: movie to like leave and he's like it's like in

635
00:35:50,200 --> 00:35:52,560
Speaker 1: the movie, it's like twenty minutes later. There's a lot

636
00:35:52,600 --> 00:35:54,719
Speaker 1: of rooms in this book. There's always another room to go,

637
00:35:54,719 --> 00:35:58,399
Speaker 1: and he's like, hey, can we talk what happened down there?

638
00:35:59,120 --> 00:36:01,920
Speaker 1: It just feels with me getting roast chicken listening to

639
00:36:02,040 --> 00:36:06,320
Speaker 1: Nina Simone. It actually reminds me of that movie, Um,

640
00:36:06,360 --> 00:36:10,040
Speaker 1: I Love You Man with Paul Rudd that I haven't seen.

641
00:36:10,080 --> 00:36:13,600
Speaker 1: You know, I hate Paul Rudd. Yeah, well him, Harry

642
00:36:13,680 --> 00:36:16,360
Speaker 1: loves him. Yeah, I'm sure he loved the movie and

643
00:36:16,520 --> 00:36:21,759
Speaker 1: thanked James Gordon and the acknowledgement. Okay, wait, ps back

644
00:36:21,760 --> 00:36:24,600
Speaker 1: to him in Megan's first date. So after he's like

645
00:36:24,680 --> 00:36:26,640
Speaker 1: so excited about their first date, he goes over to

646
00:36:26,640 --> 00:36:30,279
Speaker 1: his mate's house and they watch um that animated film

647
00:36:30,320 --> 00:36:34,799
Speaker 1: inside Out, Ups and Downs, inside Out, Inside Out, and

648
00:36:34,880 --> 00:36:36,839
Speaker 1: she calls him. She facetimes in after the first date

649
00:36:36,880 --> 00:36:41,160
Speaker 1: and he's at his mates house wasted watching inside Out.

650
00:36:41,200 --> 00:36:43,920
Speaker 1: It's like you child, and she's like what's that and

651
00:36:43,920 --> 00:36:46,360
Speaker 1: he's like, oh, it's a cartoon and he's like I

652
00:36:46,520 --> 00:36:49,360
Speaker 1: was on. He like also discovers tequila because he's so

653
00:36:49,400 --> 00:36:53,480
Speaker 1: freshman year. He attributes it to like beat this American

654
00:36:53,760 --> 00:36:58,880
Speaker 1: like He's like, I'm so used to gin and finally

655
00:36:58,920 --> 00:37:04,279
Speaker 1: like tequila loosened me up at and the bathroom is

656
00:37:04,320 --> 00:37:09,000
Speaker 1: so modern. He's like so obsessed with just like seeing

657
00:37:09,040 --> 00:37:11,480
Speaker 1: like I mean, I guess you one would be if

658
00:37:11,480 --> 00:37:16,440
Speaker 1: you literally lived at buckets from like the dustiest like castles.

659
00:37:16,480 --> 00:37:19,759
Speaker 1: And he's only ever been in just like this tiniest

660
00:37:19,840 --> 00:37:23,040
Speaker 1: like most medieval like warrens of like rooms and like

661
00:37:23,120 --> 00:37:25,480
Speaker 1: velvet couches. But that's the craziest part because like that,

662
00:37:25,560 --> 00:37:27,520
Speaker 1: I'm always shot by when they talk about like William

663
00:37:27,520 --> 00:37:29,640
Speaker 1: two and they're like their apartment at Cambridge when everyone

664
00:37:29,680 --> 00:37:31,920
Speaker 1: just has apartments and I'm like, why doesn't each person

665
00:37:32,000 --> 00:37:34,000
Speaker 1: have a castle? Well, this is the thing about British

666
00:37:34,080 --> 00:37:37,799
Speaker 1: like interiors is like they're still cluttered even when they're

667
00:37:37,840 --> 00:37:41,719
Speaker 1: like big and there's just you know, this is the

668
00:37:41,760 --> 00:37:43,759
Speaker 1: problem of being a nation of so much history. Is

669
00:37:43,800 --> 00:37:47,160
Speaker 1: there shit everywhere where? You know, America land with no history,

670
00:37:47,360 --> 00:37:50,120
Speaker 1: We've got these big, empty ass houses. And so he

671
00:37:50,160 --> 00:37:52,560
Speaker 1: goes to California. He's like, oh my god, I feel

672
00:37:52,600 --> 00:37:55,120
Speaker 1: so like free here because I never seen a glass

673
00:37:55,120 --> 00:37:59,080
Speaker 1: coffee table before, right, and like Tyler Perry's like massive

674
00:37:59,120 --> 00:38:02,280
Speaker 1: ass house with just like so many empty as sitting

675
00:38:02,320 --> 00:38:05,520
Speaker 1: rooms in Cardon and like huge. It's also the first

676
00:38:05,520 --> 00:38:08,719
Speaker 1: time he probably is like sad, uncomfortable couch right, and

677
00:38:08,840 --> 00:38:11,880
Speaker 1: not just like this weird like overstuffed like but like

678
00:38:12,000 --> 00:38:15,600
Speaker 1: weirdly it's like lumpy, so like lumpy and hard and

679
00:38:15,640 --> 00:38:18,319
Speaker 1: sinky at the same time, and everything always be like

680
00:38:18,640 --> 00:38:21,960
Speaker 1: covered in corgy for yeah. I got also the vibe

681
00:38:21,960 --> 00:38:25,920
Speaker 1: that like he was never allowed to pat the Corgis.

682
00:38:25,960 --> 00:38:28,600
Speaker 1: He's like, I've always wanted a dog when they because

683
00:38:28,719 --> 00:38:32,600
Speaker 1: of course he like adopts like Megan's like dogs who

684
00:38:32,640 --> 00:38:36,319
Speaker 1: are who are traumatized by the proper rots. And he's

685
00:38:36,360 --> 00:38:40,640
Speaker 1: been like and I would just lick Meg's dog like

686
00:38:40,840 --> 00:38:44,680
Speaker 1: so much because like anything she loved, like I loved

687
00:38:44,719 --> 00:38:47,920
Speaker 1: as much. And he was being so like the stepfather

688
00:38:47,920 --> 00:38:50,560
Speaker 1: who's stepped up about it, and You're just like, this

689
00:38:50,640 --> 00:38:52,439
Speaker 1: is a lodot. I feel like he's like I've always

690
00:38:52,480 --> 00:38:54,600
Speaker 1: wanted a dog. And it's like even though he names

691
00:38:54,600 --> 00:38:58,040
Speaker 1: the Corgis at one point and he's like Susan Trevor

692
00:38:58,880 --> 00:39:05,320
Speaker 1: adult shit, Jolton Haversham, Craig Meyer, it is so crazy

693
00:39:05,360 --> 00:39:08,520
Speaker 1: to me towards them of this book when like basically

694
00:39:08,560 --> 00:39:13,520
Speaker 1: he's like becoming an unroyal to literally be like ditched

695
00:39:13,600 --> 00:39:18,120
Speaker 1: by your grandmother, Like that is crazy, And my heart

696
00:39:18,160 --> 00:39:20,279
Speaker 1: goes out to him to be on the phone with

697
00:39:20,320 --> 00:39:22,640
Speaker 1: your gran and be like can we have lunch? And

698
00:39:22,680 --> 00:39:25,080
Speaker 1: she's like sure, and then like and she doesn't show

699
00:39:25,160 --> 00:39:27,719
Speaker 1: up and you're like, hey, Gran, I thought we were

700
00:39:27,760 --> 00:39:32,280
Speaker 1: having lunch and she's like, oh, actually I got super busy.

701
00:39:32,400 --> 00:39:34,680
Speaker 1: She was like sorry, I miss scheduled, and she's being like, actually,

702
00:39:34,680 --> 00:39:38,000
Speaker 1: don't come to sandrin him. My ikell is like crazy,

703
00:39:38,000 --> 00:39:40,440
Speaker 1: and I switched over to like the cloud, and like,

704
00:39:43,040 --> 00:39:46,080
Speaker 1: I thought, the best device literary device in this book

705
00:39:46,560 --> 00:39:51,600
Speaker 1: is the loss of his mother, which the book starts

706
00:39:51,600 --> 00:39:53,759
Speaker 1: out with after the flash FORWRAD. It goes to the

707
00:39:53,880 --> 00:39:58,600
Speaker 1: day he finds out and Charles comes into his bedroom

708
00:39:58,719 --> 00:40:00,839
Speaker 1: and there's lots of descriptions. I mean, there's so many

709
00:40:00,880 --> 00:40:02,799
Speaker 1: scriptures have been tears in his book. But Charles come

710
00:40:02,840 --> 00:40:05,360
Speaker 1: in his bedroom and he's like he's in he's you know,

711
00:40:05,440 --> 00:40:07,759
Speaker 1: tucked into the sheets, and it's like the early light

712
00:40:07,800 --> 00:40:09,960
Speaker 1: of morning. It's like five in the morning, and Charles

713
00:40:10,000 --> 00:40:13,000
Speaker 1: comes in and he tells him that his mom was

714
00:40:13,000 --> 00:40:15,840
Speaker 1: in a car accident and he's just like, oh, but

715
00:40:15,880 --> 00:40:18,000
Speaker 1: like is she going to be okay? And Charles says

716
00:40:18,800 --> 00:40:21,880
Speaker 1: she didn't make it, and then he just like puts

717
00:40:21,880 --> 00:40:26,560
Speaker 1: like one hand, yeah, on his knee, one hand on

718
00:40:26,560 --> 00:40:31,359
Speaker 1: his knee, and it's kind of like sorry, Chap and

719
00:40:31,400 --> 00:40:36,200
Speaker 1: it's like this just incredibly like sad, like not emotionally

720
00:40:36,680 --> 00:40:40,680
Speaker 1: British fulfilling moment. And then he lies in bed awake

721
00:40:40,840 --> 00:40:42,960
Speaker 1: for the next like five hours until all of the

722
00:40:43,200 --> 00:40:45,960
Speaker 1: it begins and he cries that very first morning, and

723
00:40:45,960 --> 00:40:50,480
Speaker 1: then he never cries ever again. It does not even cry.

724
00:40:51,680 --> 00:40:54,640
Speaker 1: I don't know if he cries that day. I thought

725
00:40:54,640 --> 00:41:01,120
Speaker 1: he like cries again at um the recession or what

726
00:41:01,440 --> 00:41:04,320
Speaker 1: it does, and it's like not allowed. They're not allowed

727
00:41:04,360 --> 00:41:06,799
Speaker 1: to cry, yeah, And so because you have to be

728
00:41:06,800 --> 00:41:09,000
Speaker 1: like strong for the monarchy and for them. I mean

729
00:41:09,040 --> 00:41:11,759
Speaker 1: I remember seeing that, you know, when I was kid

730
00:41:11,840 --> 00:41:15,000
Speaker 1: of the of the funeral and I remember the little

731
00:41:15,080 --> 00:41:17,759
Speaker 1: card on the coffin that said Mummy that they had

732
00:41:17,960 --> 00:41:20,839
Speaker 1: given her and it was so heartbreaking and they had

733
00:41:20,880 --> 00:41:22,960
Speaker 1: to parade in front of the whole world. And you know,

734
00:41:23,040 --> 00:41:27,000
Speaker 1: that was his his ultimate trauma that he never recovers from.

735
00:41:27,000 --> 00:41:29,520
Speaker 1: And then for the rest of the book, the whole

736
00:41:29,719 --> 00:41:31,719
Speaker 1: first half of the book, he keeps referring to her

737
00:41:31,719 --> 00:41:35,399
Speaker 1: death that's a disappearance because he cannot accept that she's dead,

738
00:41:35,680 --> 00:41:40,480
Speaker 1: and he has this fantasy that she has secretly gone

739
00:41:40,480 --> 00:41:42,439
Speaker 1: off and started a new life somewhere and like that's

740
00:41:42,480 --> 00:41:45,960
Speaker 1: what he's holding onto that like maybe she's like she's alive,

741
00:41:46,000 --> 00:41:49,040
Speaker 1: but she's out there. And then there's this this moment

742
00:41:49,040 --> 00:41:50,960
Speaker 1: when he goes to Paris for the very first time

743
00:41:50,960 --> 00:41:52,920
Speaker 1: because he's never been to Paris where she famously died,

744
00:41:52,960 --> 00:41:54,600
Speaker 1: and he does the drive and he does the drive,

745
00:41:54,760 --> 00:41:59,040
Speaker 1: so he makes his like bodyguards and stuff do the

746
00:41:59,160 --> 00:42:02,239
Speaker 1: tunnel drive through the tunnel where she was killed, and

747
00:42:02,320 --> 00:42:04,200
Speaker 1: he goes and they drive through it, and he goes

748
00:42:04,600 --> 00:42:06,080
Speaker 1: and he realized it was like it was just like

749
00:42:06,120 --> 00:42:08,440
Speaker 1: a really simple tunnel. And he makes them drive you

750
00:42:08,520 --> 00:42:11,560
Speaker 1: the exact speed she was driving at when she was killed.

751
00:42:11,640 --> 00:42:14,600
Speaker 1: And then he's like, let's do it again. And then

752
00:42:14,840 --> 00:42:17,240
Speaker 1: they do it like five times and it's so dark.

753
00:42:17,800 --> 00:42:21,600
Speaker 1: That was so chilling, and you know, when he first

754
00:42:21,680 --> 00:42:23,959
Speaker 1: goes through and he's like, you know, it just didn't

755
00:42:23,960 --> 00:42:26,239
Speaker 1: seem that crazy, and like part of it makes him

756
00:42:26,280 --> 00:42:29,160
Speaker 1: think that no, like this, there is something suspicious here,

757
00:42:29,200 --> 00:42:32,280
Speaker 1: like why would you just die going at this normal

758
00:42:32,680 --> 00:42:36,839
Speaker 1: speed through this normal tunnel? And then you know, I

759
00:42:36,880 --> 00:42:39,640
Speaker 1: think it also helps him find some little bit of

760
00:42:39,640 --> 00:42:41,600
Speaker 1: closure that later he starts to get a little bit

761
00:42:41,640 --> 00:42:43,640
Speaker 1: more of and he finally cries like five years after that,

762
00:42:43,880 --> 00:42:46,680
Speaker 1: but it's it's really really sad, and it's like, you know,

763
00:42:46,719 --> 00:42:48,839
Speaker 1: it clearly stunted his growth in such a huge way.

764
00:42:49,120 --> 00:42:52,799
Speaker 1: At the same time, when I do think about Dana's death,

765
00:42:53,480 --> 00:42:56,839
Speaker 1: I'm a little like, what are you gonna say? I'm

766
00:42:56,840 --> 00:43:01,200
Speaker 1: just like, she's so, I mean, it was an inside job.

767
00:43:01,280 --> 00:43:03,799
Speaker 1: I'm a little bit just like when when it's like

768
00:43:03,800 --> 00:43:05,319
Speaker 1: and it's because this is the whole theme of the book,

769
00:43:05,400 --> 00:43:07,680
Speaker 1: is being like chased by the paparazzi and I'm just like,

770
00:43:08,040 --> 00:43:10,399
Speaker 1: they drove her. But I'm just like, do you have

771
00:43:10,480 --> 00:43:13,279
Speaker 1: to be like escaping? Like why not just drive at

772
00:43:13,280 --> 00:43:20,200
Speaker 1: a normal pace? Wow? I'm not a Diana conspiracy theorist.

773
00:43:20,239 --> 00:43:21,600
Speaker 1: I do you just think it was a car accident?

774
00:43:21,960 --> 00:43:24,600
Speaker 1: But I do think that there is a little bit

775
00:43:24,640 --> 00:43:27,520
Speaker 1: of like over I mean, this whole book is over

776
00:43:27,600 --> 00:43:31,080
Speaker 1: dramatization of press coverage I mean by the end he

777
00:43:31,239 --> 00:43:36,080
Speaker 1: devolves into like insane paranoia where he's reading every single

778
00:43:36,280 --> 00:43:39,520
Speaker 1: article and every single block and he's so insensitive about it,

779
00:43:39,520 --> 00:43:41,359
Speaker 1: and everyone is like, Harry, you need to come down

780
00:43:41,480 --> 00:43:44,439
Speaker 1: simmer about the daily Yeah, well let's get into the press. Okay,

781
00:43:44,480 --> 00:43:46,319
Speaker 1: I think that's a good place leave. But I do

782
00:43:46,400 --> 00:43:50,360
Speaker 1: think there is a way in which paparazzi on motorcycles

783
00:43:50,360 --> 00:43:54,560
Speaker 1: can be so crazy. And just the driver was like spooked, Yeah,

784
00:43:54,719 --> 00:43:57,200
Speaker 1: there was. I think there Have you ever been chased

785
00:43:57,200 --> 00:43:59,840
Speaker 1: through a tunnel, because it sounds like you haven't been chased.

786
00:44:00,080 --> 00:44:02,279
Speaker 1: You're showing yourself as someone who hasn't been chased in

787
00:44:02,280 --> 00:44:05,120
Speaker 1: a tunnel experience. I mean, first of all, as someone

788
00:44:05,360 --> 00:44:09,720
Speaker 1: I've been chased so the Ted Williams Tunnel many times,

789
00:44:10,239 --> 00:44:13,120
Speaker 1: and I've also chased other people in the Dead Williams Tunnel.

790
00:44:13,320 --> 00:44:14,560
Speaker 1: But it's like, at the end of the day, if

791
00:44:14,600 --> 00:44:17,839
Speaker 1: you went, if you drove ten miles an hour, they're

792
00:44:17,880 --> 00:44:20,960
Speaker 1: still just gonna like stop, like follow you slowly in

793
00:44:21,000 --> 00:44:23,000
Speaker 1: photograph you you know what I mean? Like more, Actually

794
00:44:23,040 --> 00:44:25,359
Speaker 1: you're blaming on the driver not being a good driver.

795
00:44:25,520 --> 00:44:26,960
Speaker 1: I guess it's just this concept that we need to

796
00:44:26,960 --> 00:44:29,560
Speaker 1: outrun the paparazzi. It's a little bit just like what

797
00:44:29,760 --> 00:44:31,920
Speaker 1: is the point. But when you see those videos of

798
00:44:32,000 --> 00:44:35,720
Speaker 1: cars shaking, you know, whether it's Brittany or Diana. Yeah,

799
00:44:35,920 --> 00:44:37,799
Speaker 1: I mean, I'm not saying it's not invasive, but I

800
00:44:37,840 --> 00:44:40,319
Speaker 1: also in saying it's just kind of like there isn't

801
00:44:40,400 --> 00:44:43,920
Speaker 1: You don't gain anything by trying to outrun them. And

802
00:44:44,200 --> 00:44:47,720
Speaker 1: I also think that there's a perverse. You know, there's

803
00:44:47,719 --> 00:44:56,160
Speaker 1: a sane in French and it means me, I follow,

804
00:44:56,400 --> 00:44:59,880
Speaker 1: I follow you, you flee the celebrity who does the

805
00:45:00,080 --> 00:45:02,440
Speaker 1: classic hand over the face like running out of a

806
00:45:02,520 --> 00:45:05,520
Speaker 1: restaurant into a car, that makes you that much more

807
00:45:05,520 --> 00:45:08,680
Speaker 1: desirable for perhaps, But if you're Heidi montag or like

808
00:45:09,520 --> 00:45:12,320
Speaker 1: Christine Quinn from Selling Sunset, and you're calling the paparazzi

809
00:45:12,360 --> 00:45:14,120
Speaker 1: being I'm gonna be leaving Whole Foods at three oh

810
00:45:14,200 --> 00:45:16,480
Speaker 1: five pm, and then like you get there and you're

811
00:45:16,480 --> 00:45:18,520
Speaker 1: smiling and waiting and they get their one photo, they're

812
00:45:18,600 --> 00:45:20,759
Speaker 1: kind of like, okay, we're good. Like you want it

813
00:45:20,800 --> 00:45:25,160
Speaker 1: too much. It's like, yeah, but you can never compare

814
00:45:26,080 --> 00:45:33,320
Speaker 1: Aubrey Diana. Okay, I know, but I've just feel like

815
00:45:33,520 --> 00:45:35,560
Speaker 1: maybe Diana needed to be a little bit work or

816
00:45:35,600 --> 00:45:39,239
Speaker 1: sell and actually more wanting. I think after years of

817
00:45:39,280 --> 00:45:42,000
Speaker 1: like trying to be a little bit Chrishell, she like

818
00:45:42,120 --> 00:45:45,160
Speaker 1: got to outrun and let's get just We're gonna do

819
00:45:45,239 --> 00:45:48,360
Speaker 1: some segments and then we're gonna return to this encourage.

820
00:45:48,840 --> 00:45:51,040
Speaker 1: We have a lot more to discuss about how your

821
00:45:51,000 --> 00:45:53,560
Speaker 1: marriage relationship, about his relationship with the press will okay,

822
00:45:53,600 --> 00:45:57,120
Speaker 1: and about Paul, about the infamous scene where his penis

823
00:45:57,120 --> 00:45:59,880
Speaker 1: gets frostbitten. Also we have to talk about the fights,

824
00:46:00,160 --> 00:46:02,000
Speaker 1: but han Will and Harry. We have to talk about

825
00:46:02,120 --> 00:46:05,560
Speaker 1: both weddings Will literally both weddings Um and then the

826
00:46:06,440 --> 00:46:11,080
Speaker 1: entailing confrontation between Kate and Megan and the wedding dress

827
00:46:11,200 --> 00:46:13,480
Speaker 1: and the lip gloss incident. And by the way, I

828
00:46:13,520 --> 00:46:15,040
Speaker 1: didn't even know and we will get to this in

829
00:46:15,120 --> 00:46:17,720
Speaker 1: part two, that the Kate and Megan tests were about

830
00:46:17,880 --> 00:46:21,480
Speaker 1: Charlotte's stress. No, that's what's so insane. It's about a

831
00:46:21,560 --> 00:46:24,399
Speaker 1: baby's dress, about it, and Kate's being just like but

832
00:46:24,440 --> 00:46:26,280
Speaker 1: this is where I also would love to have kate'side

833
00:46:26,280 --> 00:46:28,800
Speaker 1: because no, I know, you know, that's not how It'm so,

834
00:46:29,120 --> 00:46:32,000
Speaker 1: It's just that I was like this it's not having

835
00:46:32,040 --> 00:46:34,879
Speaker 1: a kind of normal Yeah, And it was Meg being

836
00:46:34,920 --> 00:46:38,200
Speaker 1: insane and like being so bpd ADHD and sobbing on

837
00:46:38,239 --> 00:46:42,000
Speaker 1: the floor being like like and it was just Kate

838
00:46:42,080 --> 00:46:45,319
Speaker 1: being like stress is big, but this dress is big.

839
00:46:45,360 --> 00:46:47,000
Speaker 1: And Charlotte's crying but also because he Kap being a

840
00:46:47,000 --> 00:46:49,239
Speaker 1: bitch where it's like you're complaining about your four year

841
00:46:49,280 --> 00:46:53,120
Speaker 1: worlds crying, that's what for you, Max, Bara kids and

842
00:46:53,160 --> 00:46:55,560
Speaker 1: get Charlotte and Newtress right, and Megan's just being like

843
00:46:55,640 --> 00:47:00,400
Speaker 1: there's a Taylor on standing by by standing by Clarence House. Again,

844
00:47:00,440 --> 00:47:02,480
Speaker 1: as I said, there's a tailor standing by. I'm going

845
00:47:02,560 --> 00:47:04,200
Speaker 1: to say that to you next time you talk to

846
00:47:04,239 --> 00:47:07,120
Speaker 1: me about a blazer. It's like, there's a tailor standing

847
00:47:07,239 --> 00:47:11,480
Speaker 1: by and if you because I think Kate has just

848
00:47:11,560 --> 00:47:14,040
Speaker 1: been dry and British and just being like the closed

849
00:47:14,080 --> 00:47:18,800
Speaker 1: down Okay, we're getting into this in part two. Okay,

850
00:47:19,040 --> 00:47:21,640
Speaker 1: let's let's move on to segments about Harry and Megan Um.

851
00:47:21,640 --> 00:47:23,479
Speaker 1: In part two we will do segments on different characters

852
00:47:23,520 --> 00:47:30,560
Speaker 1: in the book Celebrity What's Up? Club Kids. This week

853
00:47:30,560 --> 00:47:33,800
Speaker 1: in the VIP Lounge, Stephen and I go to a

854
00:47:33,840 --> 00:47:39,920
Speaker 1: celebrity field party, I fall and Stephen reviews the restaurant Daniel,

855
00:47:41,920 --> 00:47:46,239
Speaker 1: I do feel like any time you leave somewhere earlier

856
00:47:46,280 --> 00:47:49,920
Speaker 1: than me, you like do have to get on like

857
00:47:50,080 --> 00:47:52,360
Speaker 1: such a world. Like if I leave earlier than you,

858
00:47:52,560 --> 00:47:55,320
Speaker 1: I'm like a tired lesbian, but if you leave earlier

859
00:47:55,360 --> 00:48:00,480
Speaker 1: than me, I'm an alcoholic. You're a professional. You have

860
00:48:00,600 --> 00:48:03,200
Speaker 1: so much to do. You actually have her career, like

861
00:48:03,239 --> 00:48:05,400
Speaker 1: I'm a dare liked I'm gonna die in a ditch

862
00:48:05,440 --> 00:48:07,760
Speaker 1: And it's like literally me being like I work tomorrow,

863
00:48:07,840 --> 00:48:13,920
Speaker 1: and you're like, congratulations, you stupid tired long covid. You're

864
00:48:13,920 --> 00:48:15,960
Speaker 1: all about it. Go to Patreon dot com, Slafe CBC

865
00:48:16,160 --> 00:48:23,759
Speaker 1: the Pod and subscribe. How does she wear? What does

866
00:48:23,760 --> 00:48:27,960
Speaker 1: she eat? So obviously Harry eats roast roast chicken, so

867
00:48:28,000 --> 00:48:30,640
Speaker 1: he does list when he loves going to the grocery

868
00:48:30,640 --> 00:48:33,600
Speaker 1: store and putting on a disguise which is just any

869
00:48:33,719 --> 00:48:37,319
Speaker 1: person's um la person's light disguise, which is just like

870
00:48:37,640 --> 00:48:41,799
Speaker 1: hat and sunglas, a hoodie. It's like okay, Leo, and

871
00:48:41,880 --> 00:48:46,920
Speaker 1: he runs this was so my high school. He runs

872
00:48:46,920 --> 00:48:49,400
Speaker 1: through the grocery store. His favorite things together our salmon

873
00:48:49,719 --> 00:48:53,840
Speaker 1: and yogurt, and he knows the pathways of the grocery store.

874
00:48:54,000 --> 00:48:56,600
Speaker 1: And then one day they change it and he goes

875
00:48:56,640 --> 00:48:59,719
Speaker 1: to like an attendant and he goes, why did you

876
00:49:00,160 --> 00:49:03,840
Speaker 1: change the grocery store and the and he goes, we

877
00:49:04,040 --> 00:49:07,239
Speaker 1: changed it so people spend more time here and spend money,

878
00:49:07,400 --> 00:49:11,200
Speaker 1: and he goes, that's allowed. Yeah, that should be a

879
00:49:11,520 --> 00:49:16,400
Speaker 1: legal capitalism. Oh my god, you're literally a prince, like

880
00:49:16,560 --> 00:49:20,200
Speaker 1: the prince, No, just the constant. Like he's been like

881
00:49:20,239 --> 00:49:22,800
Speaker 1: what candy is at the front of the grocery store.

882
00:49:22,840 --> 00:49:25,080
Speaker 1: So you buy a fifteen year old who just read

883
00:49:25,120 --> 00:49:29,960
Speaker 1: like a Howards in my mind just got blown of

884
00:49:30,080 --> 00:49:33,040
Speaker 1: Harry on every page of this. I'm just like, please

885
00:49:33,160 --> 00:49:37,200
Speaker 1: get over that. So he loves roast chicken, Um, I

886
00:49:37,320 --> 00:49:41,520
Speaker 1: just really through like door Dash sweet Green. Yeah, I

887
00:49:41,560 --> 00:49:45,720
Speaker 1: mean he's like he's like I tip my door Dash Dasha.

888
00:49:47,280 --> 00:49:49,359
Speaker 1: He's just incredibly millennial, Like he learns how to cook

889
00:49:49,440 --> 00:49:52,200
Speaker 1: chicken at thirty. He buys like prepackaged shit, like he

890
00:49:52,280 --> 00:49:56,360
Speaker 1: loves avocados and like he's just getting into mescal And

891
00:49:56,360 --> 00:49:58,279
Speaker 1: I'm sure they I'm sure they're getting like one of

892
00:49:58,320 --> 00:50:02,080
Speaker 1: those DTC brands for the do oh. That's like farmers

893
00:50:03,440 --> 00:50:08,600
Speaker 1: where it's like fresh fidos, plate organic turkey, don't ever

894
00:50:08,680 --> 00:50:11,160
Speaker 1: talk anything you wouldn't give yourself. And I'm sure like

895
00:50:11,520 --> 00:50:14,840
Speaker 1: Lila bet Is just like I'm sure she's getting so

896
00:50:15,000 --> 00:50:21,000
Speaker 1: Jennifer Barns, like Jessica Alba's Farm to table like goo

897
00:50:21,160 --> 00:50:24,200
Speaker 1: for kids. That's called like the Honest Farmer or whatever.

898
00:50:24,400 --> 00:50:28,839
Speaker 1: Honest Farmer um. Yeah, and Mega's obsessed with salads. She's

899
00:50:28,880 --> 00:50:33,400
Speaker 1: literally California actress salad um. How do they live? I

900
00:50:33,440 --> 00:50:37,080
Speaker 1: mean now, I think they're just so like they live

901
00:50:37,080 --> 00:50:42,120
Speaker 1: in Tyler Perry's house but one place. Yeah, and he's

902
00:50:42,120 --> 00:50:45,919
Speaker 1: like Santa Barbara, we got a mortgage, Yeah, we got

903
00:50:45,920 --> 00:50:50,799
Speaker 1: a house. We put roofts down. I'm sure it's just

904
00:50:51,000 --> 00:50:57,040
Speaker 1: so Instagram and Taylor Perry House. There's like cream sofas

905
00:50:57,080 --> 00:51:00,760
Speaker 1: everywhere and like a kind of wrought eye Aaron hanging.

906
00:51:01,960 --> 00:51:05,320
Speaker 1: I feel like big big candles. They have the widest candles.

907
00:51:05,640 --> 00:51:08,040
Speaker 1: Oh well, do you ever when he proposes and he

908
00:51:08,080 --> 00:51:10,200
Speaker 1: has the little electric yeah, and then he brings those

909
00:51:10,200 --> 00:51:13,640
Speaker 1: same electric candles to the hospital to the birth of Archie.

910
00:51:13,800 --> 00:51:15,840
Speaker 1: And I mean this is also him being so basic

911
00:51:15,920 --> 00:51:18,719
Speaker 1: and just being like, that's our thing. Is those little

912
00:51:18,800 --> 00:51:20,680
Speaker 1: like yeah, he's like our things candles from those checks,

913
00:51:20,719 --> 00:51:23,359
Speaker 1: those like battery powered tea lights that literally everyone has,

914
00:51:23,400 --> 00:51:28,040
Speaker 1: and like an every sorry bodega, Like he wouldn't flip

915
00:51:28,080 --> 00:51:30,880
Speaker 1: his ass if he wanted to a bodeka. Yeah, this

916
00:51:30,960 --> 00:51:32,920
Speaker 1: is like just very like you. Okay, obviously you have

917
00:51:32,960 --> 00:51:35,080
Speaker 1: the most sheltered existence, but you're just like blown away

918
00:51:35,120 --> 00:51:39,520
Speaker 1: by anything anyone does. I feel like Megan too late

919
00:51:39,640 --> 00:51:43,040
Speaker 1: bought from Creating Barrel probably Design within Reach one of

920
00:51:43,040 --> 00:51:47,120
Speaker 1: those like Polar Bear style sofas, but the bouclets but

921
00:51:47,280 --> 00:51:49,600
Speaker 1: like got it like a little too late, where like

922
00:51:49,640 --> 00:51:53,319
Speaker 1: everyone has one now, the Polar Bear style. It's like

923
00:51:53,360 --> 00:51:56,480
Speaker 1: really deep. Yeah, it's like Kim has I feel like

924
00:51:56,560 --> 00:51:59,000
Speaker 1: Kim was the first, like the cloud couch that like

925
00:51:59,080 --> 00:52:01,400
Speaker 1: candles being like yeah everyone has a cloud. I have

926
00:52:01,440 --> 00:52:04,000
Speaker 1: a cloud too. I kind of think it's just a

927
00:52:04,000 --> 00:52:06,240
Speaker 1: little bit more CB two and it's just like very clean,

928
00:52:07,040 --> 00:52:09,880
Speaker 1: I mean and cream this, these are salt these this

929
00:52:10,120 --> 00:52:14,080
Speaker 1: like I'm sure it's like that white. Oh yeah, it's

930
00:52:14,080 --> 00:52:16,680
Speaker 1: like a little bit slimmer on the signs right or

931
00:52:16,719 --> 00:52:20,120
Speaker 1: they have like yeah, so they're CB two Design within

932
00:52:20,160 --> 00:52:24,480
Speaker 1: Reach again, like glass tables, lightwood. Yeah, I mean it's

933
00:52:24,560 --> 00:52:27,000
Speaker 1: very like succulent. I dressed well because the thing is

934
00:52:27,160 --> 00:52:30,440
Speaker 1: his style when he's living at not Caught, when he

935
00:52:30,440 --> 00:52:33,319
Speaker 1: has this like basement apartment that he's always like disparaging

936
00:52:33,719 --> 00:52:37,040
Speaker 1: is very akia. Hello, remember when they buy the sofa

937
00:52:37,160 --> 00:52:41,919
Speaker 1: on sofa dot com. Do you remember the scene that

938
00:52:42,120 --> 00:52:44,680
Speaker 1: was mind blowing to me? This He's like, I bought

939
00:52:44,680 --> 00:52:49,120
Speaker 1: a sofa from sofa dot com style wise, Well, he's complaining,

940
00:52:49,200 --> 00:52:52,200
Speaker 1: how like Harry and oh sorry, how will and Kate

941
00:52:52,320 --> 00:52:55,479
Speaker 1: like really did an amazing job. So they're they're going

942
00:52:55,520 --> 00:52:59,120
Speaker 1: to um William Kate's house right after they finished renovating it.

943
00:53:00,000 --> 00:53:02,880
Speaker 1: Of wallpaper, the crown molding, the walnut bookshelves lined with

944
00:53:02,920 --> 00:53:07,280
Speaker 1: the color coordinated volumes, the priceless art, gorgeous like a museum.

945
00:53:07,600 --> 00:53:11,040
Speaker 1: And we both told them so. We complimented them lavishly

946
00:53:11,080 --> 00:53:14,319
Speaker 1: on the renovation, though we also thought sheepishly of our

947
00:53:14,360 --> 00:53:18,120
Speaker 1: Ikea lamps. I would discount sofa recently bought on sale

948
00:53:18,360 --> 00:53:22,560
Speaker 1: with Meg's credit card from sofa dot com. He's always

949
00:53:22,600 --> 00:53:25,759
Speaker 1: referring to Meg's personal credit card. Yeah, well, I think

950
00:53:25,760 --> 00:53:28,520
Speaker 1: he's just jealous because she has a credit card. Literally

951
00:53:30,080 --> 00:53:34,399
Speaker 1: actually has like a Visa bux like stored value card

952
00:53:34,480 --> 00:53:38,520
Speaker 1: that's just like Prince Charles Pop held the bank strings

953
00:53:38,640 --> 00:53:40,720
Speaker 1: or whatever, and it's like it literally is Prince Bugs.

954
00:53:40,719 --> 00:53:43,080
Speaker 1: And he's been like, can I got one hundred dollars

955
00:53:43,080 --> 00:53:45,680
Speaker 1: from my Prince account? And they're being like, you actually

956
00:53:45,719 --> 00:53:48,480
Speaker 1: have to get it from when they are being obviously

957
00:53:48,640 --> 00:53:50,520
Speaker 1: like the whole family has being so weird about Meg

958
00:53:50,640 --> 00:53:53,640
Speaker 1: and Tross is being like I don't know Willie like,

959
00:53:53,880 --> 00:53:55,560
Speaker 1: and I don't know Harry like, um, it's just going

960
00:53:55,600 --> 00:53:57,759
Speaker 1: to be a lot of money with Megan coming into

961
00:53:57,760 --> 00:54:03,400
Speaker 1: the family, like my budgets already stre thin with and

962
00:54:03,520 --> 00:54:05,880
Speaker 1: Camilla and then their new kids. And then he's just

963
00:54:05,920 --> 00:54:09,960
Speaker 1: been like, well, like she won't eat that much. It's

964
00:54:10,040 --> 00:54:13,239
Speaker 1: very like she'll just have a salad. She's super low key.

965
00:54:13,800 --> 00:54:16,160
Speaker 1: It's but it's also just like, yeah, people are making

966
00:54:16,200 --> 00:54:19,880
Speaker 1: bitchy comments. Ultimately you all have millions at your disposal,

967
00:54:20,400 --> 00:54:22,600
Speaker 1: right when he's just like, we'll all be fine, And

968
00:54:22,680 --> 00:54:26,319
Speaker 1: he's always just been like I love work. Um, we'll

969
00:54:26,440 --> 00:54:28,920
Speaker 1: get more into that in part two. Style Wise, he

970
00:54:29,080 --> 00:54:31,759
Speaker 1: now just only wears heather gray T shirts that say

971
00:54:31,800 --> 00:54:36,799
Speaker 1: girl dad on them. Yeah, he's just an amazing, awesome

972
00:54:37,000 --> 00:54:40,880
Speaker 1: dad boss, awesome girl dad boss. She is aviators to

973
00:54:40,960 --> 00:54:46,719
Speaker 1: the boots, big gray band again. All the neutrals she's

974
00:54:46,719 --> 00:54:50,480
Speaker 1: obsessed with, like neutrals and creams and like grays. I

975
00:54:50,520 --> 00:54:52,680
Speaker 1: mean she's like the same color as their interior. It's

976
00:54:52,719 --> 00:54:57,279
Speaker 1: just like creams and grays and blues and off blues

977
00:54:57,440 --> 00:55:00,560
Speaker 1: and like skinny pants and then occasionally white like pants.

978
00:55:01,200 --> 00:55:03,440
Speaker 1: She really I've rarely seen her in a while, Like

979
00:55:03,960 --> 00:55:06,680
Speaker 1: I feel like she's was so doing like high waisted

980
00:55:06,760 --> 00:55:10,160
Speaker 1: like big pants in such a twenty seventeen way. I'm

981
00:55:10,160 --> 00:55:12,520
Speaker 1: sure she was. I guess I've been just so enamored

982
00:55:12,560 --> 00:55:16,839
Speaker 1: with her skinny ripped. Yeah, you're just don't even all

983
00:55:16,840 --> 00:55:20,200
Speaker 1: have her skinny ripped like more real House five style. Um,

984
00:55:20,520 --> 00:55:23,200
Speaker 1: and then you know her Okay wait the part Also

985
00:55:23,239 --> 00:55:25,160
Speaker 1: one of the things that they were mad about was that,

986
00:55:25,200 --> 00:55:29,520
Speaker 1: like Kate offered her her stylist, and Megan said, and

987
00:55:29,640 --> 00:55:32,120
Speaker 1: Megan was just like, actually have my own stylists, so

988
00:55:32,160 --> 00:55:36,239
Speaker 1: that's okay from suits, and like Kate was offended that

989
00:55:36,320 --> 00:55:39,719
Speaker 1: Megan didn't want her, as he called it, fashion contact,

990
00:55:40,719 --> 00:55:44,359
Speaker 1: and Kate had all these fashion contacts. She had build. Well,

991
00:55:44,360 --> 00:55:50,080
Speaker 1: they're also like and celebrating like European British designers. Yeah,

992
00:55:50,120 --> 00:55:52,319
Speaker 1: and it's like Megan wasn't like celebrating enough of just

993
00:55:52,360 --> 00:55:54,680
Speaker 1: like whatever, like Stella McCartney, And it's like, I don't

994
00:55:54,719 --> 00:55:56,359
Speaker 1: know who else there is to celebrate how many times,

995
00:55:56,360 --> 00:56:04,080
Speaker 1: like as Vivian Westwood, but like Kate, I mean neither, Um, Okay,

996
00:56:04,560 --> 00:56:06,719
Speaker 1: who are are you? In the first half the book,

997
00:56:07,000 --> 00:56:10,720
Speaker 1: I would like to think I'm remember we talks about

998
00:56:10,760 --> 00:56:14,920
Speaker 1: a page three girl. Oh, page again. He's like and

999
00:56:14,960 --> 00:56:17,399
Speaker 1: they always thought I dated page three girls. And that's

1000
00:56:17,480 --> 00:56:21,640
Speaker 1: ultimate him again, like protect being like I'm protecting women

1001
00:56:21,800 --> 00:56:26,160
Speaker 1: because he's like page three girls like are considered like

1002
00:56:26,280 --> 00:56:30,359
Speaker 1: slots and prostitutes, and just like, how dare they called

1003
00:56:30,360 --> 00:56:33,920
Speaker 1: these girls page three girls? So you're a page three girl. Absolutely,

1004
00:56:33,920 --> 00:56:35,719
Speaker 1: I'm a page three girl. You're a page three girl.

1005
00:56:35,719 --> 00:56:39,960
Speaker 1: And honestly, yeah, I'll say it. I'm Harry freaking the

1006
00:56:40,120 --> 00:56:42,960
Speaker 1: fuck out that I'm at Monica's house. Yeah you are.

1007
00:56:43,239 --> 00:56:47,080
Speaker 1: I'm just like he's also at this point where he

1008
00:56:47,120 --> 00:56:50,400
Speaker 1: goes she comes back, and at first I thought he

1009
00:56:50,480 --> 00:56:52,879
Speaker 1: was gonna be really mad because like she was trying

1010
00:56:52,920 --> 00:56:55,480
Speaker 1: to get photos of him. But he's just like so

1011
00:56:55,600 --> 00:56:58,000
Speaker 1: freaked out because now he's so nervous that he has

1012
00:56:58,040 --> 00:57:01,399
Speaker 1: to like hang out with Monica. And he's just like,

1013
00:57:02,080 --> 00:57:04,360
Speaker 1: now Monica's hire. I thought she was going to be away,

1014
00:57:04,400 --> 00:57:07,600
Speaker 1: but now she's here, and now I'm drinking tequila with

1015
00:57:07,640 --> 00:57:10,520
Speaker 1: a dash of soda and I'm with Monica. So yeah,

1016
00:57:10,560 --> 00:57:14,719
Speaker 1: and I'm like in the bathroom being like tripping by accident,

1017
00:57:15,120 --> 00:57:20,880
Speaker 1: being like I'm at Monica's house. I mean that is

1018
00:57:20,920 --> 00:57:24,280
Speaker 1: an absolute dream. Yeah, I died. I hang out with

1019
00:57:24,360 --> 00:57:27,400
Speaker 1: Courtney Cox, Okay, also paint Girl. He goes once time.

1020
00:57:27,480 --> 00:57:29,400
Speaker 1: One night I met a girl, chatted with her a drinks.

1021
00:57:29,600 --> 00:57:31,720
Speaker 1: I didn't know she was a page three girl. I

1022
00:57:31,720 --> 00:57:35,040
Speaker 1: wouldn't have cared if i'd known. She seemed smart and fun,

1023
00:57:35,400 --> 00:57:37,600
Speaker 1: just being like, no, she was a page three girls.

1024
00:57:38,000 --> 00:57:40,560
Speaker 1: Literally cool. I mean her ass was a hole, but

1025
00:57:40,640 --> 00:57:42,560
Speaker 1: like I didn't care. I didn't care, like I'm so

1026
00:57:42,680 --> 00:57:46,400
Speaker 1: down with commoner sluts. It's fine, no, literally, And that's

1027
00:57:46,480 --> 00:57:48,560
Speaker 1: and again it's like later in the book when he's

1028
00:57:48,600 --> 00:57:51,959
Speaker 1: just been like it was like so awful, like all

1029
00:57:52,040 --> 00:57:55,720
Speaker 1: the things that they were saying about calling a hole

1030
00:57:55,760 --> 00:57:58,280
Speaker 1: and calling a hole and she's got in and like

1031
00:57:58,520 --> 00:58:01,280
Speaker 1: she's poor, and it's kind of just like, well, actually

1032
00:58:01,600 --> 00:58:04,120
Speaker 1: you're mad. You're mad that they're saying that because you

1033
00:58:04,160 --> 00:58:07,240
Speaker 1: think those are bad things. Yeah, call him out and

1034
00:58:07,360 --> 00:58:09,960
Speaker 1: call him in. We'll call him out Anna, all right, listen,

1035
00:58:10,000 --> 00:58:12,120
Speaker 1: we have so much more to discuss in round two.

1036
00:58:12,240 --> 00:58:15,520
Speaker 1: We'll see you in round two, bitches. I'm sure by

1037
00:58:15,560 --> 00:58:17,760
Speaker 1: then this book will still be in the headlines. Oh

1038
00:58:17,800 --> 00:58:19,600
Speaker 1: you know what I'm thinking about. You know how like

1039
00:58:19,680 --> 00:58:22,360
Speaker 1: every thrift store now has are you there vodka to

1040
00:58:22,360 --> 00:58:28,920
Speaker 1: meet Chelsea? What year world? Now? Just like every Savers

1041
00:58:29,840 --> 00:58:33,440
Speaker 1: spare and like actually it's a little more like Palin Way.

1042
00:58:33,520 --> 00:58:36,760
Speaker 1: I feel like ten years we're gonna start seeing spares.

1043
00:58:36,880 --> 00:58:39,960
Speaker 1: I agree. That's when this because the round of people

1044
00:58:39,960 --> 00:58:42,520
Speaker 1: who bought this will be doing their big moves in

1045
00:58:42,560 --> 00:58:44,840
Speaker 1: about ten years. Yeah, a lot of people bought this,

1046
00:58:44,920 --> 00:58:48,720
Speaker 1: like probably just bought they're like sort of what's the

1047
00:58:48,760 --> 00:58:52,920
Speaker 1: word geriatric millennials who just bought a house other house

1048
00:58:53,040 --> 00:58:56,960
Speaker 1: in great thousand dollars Portland. Yeah, and so they'll be

1049
00:58:57,000 --> 00:58:59,640
Speaker 1: moving in ten years and they'll beake anyone of some

1050
00:58:59,640 --> 00:59:02,320
Speaker 1: stuff because it means we're actually moving to even more

1051
00:59:02,400 --> 00:59:04,240
Speaker 1: Greater at Portland. So yeah, if you want to get

1052
00:59:04,280 --> 00:59:08,440
Speaker 1: this book for cheap, wait ten years to Sulfian Army.

1053
00:59:08,640 --> 00:59:18,120
Speaker 1: Good Investment Thrift Okay, Best Best Celebrity Book Club is

1054
00:59:18,160 --> 00:59:22,200
Speaker 1: presented by Prolonged Projects of Adelaide College. The show is

1055
00:59:22,240 --> 00:59:26,280
Speaker 1: produced by Benjamin Frish of Windsor Castle, with editorial support

1056
00:59:26,320 --> 00:59:30,360
Speaker 1: from the Unnathack of Frogmore, Andrew Parsons of Bakshamp Park,

1057
00:59:30,720 --> 00:59:35,800
Speaker 1: Olin O'revaleaux of Sandringham House and Madeline Kaplin of Balmoral.

1058
00:59:36,320 --> 00:59:40,920
Speaker 1: A production manager is Pascia Vilin of buckingham Shire. Original

1059
00:59:40,960 --> 00:59:44,480
Speaker 1: theme song by Stephen Philips, most of high Growth artwork

1060
00:59:44,520 --> 00:59:48,200
Speaker 1: by Teddy Blanks at Chips Frogmore. Follow us on Twitter

1061
00:59:48,280 --> 00:59:52,000
Speaker 1: and Instagram at CBT the Pod, subscribe on your favorite

1062
00:59:52,040 --> 00:59:55,640
Speaker 1: podcast app, whether it's Tamaras House and Maha or Holy

1063
00:59:55,720 --> 00:59:59,160
Speaker 1: Roode Palace, and don't forget to tell your mates about us.

1064
00:59:59,240 --> 01:00:02,160
Speaker 1: And don't also forget to go to patreon dot com

1065
01:00:02,200 --> 01:00:05,720
Speaker 1: for access to our vip Lounge, an exclusive bonus podcast

1066
01:00:05,800 --> 01:00:08,680
Speaker 1: release every Friday that is one of the easiest ways

1067
01:00:08,720 --> 01:00:12,320
Speaker 1: to enrich your cultural faculties. I hope you're well and

1068
01:00:12,480 --> 01:00:13,400
Speaker 1: have a good weekend.