1 00:00:01,440 --> 00:00:05,560 Speaker 1: Previously on the Princess of South Beach, someone had too 2 00:00:05,640 --> 00:00:08,200 Speaker 1: many drinks and called off their engagement to Raoul and 3 00:00:08,400 --> 00:00:12,639 Speaker 1: it wasn't me. Meanwhile, Nacho us to Stebon for money 4 00:00:12,680 --> 00:00:14,600 Speaker 1: to pay off the mob, and A Stevan said no 5 00:00:14,680 --> 00:00:17,800 Speaker 1: way because it could hurt the campaign. They also got 6 00:00:17,800 --> 00:00:20,919 Speaker 1: into a blowout argument over a Stebon refusing to accept 7 00:00:20,960 --> 00:00:25,840 Speaker 1: that he actually loves Nacho, which he ducks obviously. And Luisa, 8 00:00:26,680 --> 00:00:29,520 Speaker 1: she's still going kind of crazy, which is why she's 9 00:00:29,600 --> 00:00:34,199 Speaker 1: visiting her closest friend, her confidante, her therapist, doctor Goldberg. 10 00:00:38,440 --> 00:00:43,760 Speaker 1: So I did something nice the other day. Really, what 11 00:00:43,880 --> 00:00:49,960 Speaker 1: did you do well? I didn't fire my maid? Is 12 00:00:50,240 --> 00:00:54,160 Speaker 1: that it? Why does? She's completely useless? So, yes, it's 13 00:00:54,200 --> 00:00:59,160 Speaker 1: the nicest thing I've done in ever. And why are 14 00:00:59,200 --> 00:01:03,080 Speaker 1: you bringing this Lissa? Why it didn't feel terrible? It 15 00:01:03,200 --> 00:01:08,760 Speaker 1: actually felt nice to be nice, which got me thinking, 16 00:01:09,360 --> 00:01:13,920 Speaker 1: can I be nice? Of course, of course, but that 17 00:01:14,000 --> 00:01:18,680 Speaker 1: isn't what I've been. I've always been not nice. That's 18 00:01:18,959 --> 00:01:21,039 Speaker 1: kind of my thing. Do you think that being nice 19 00:01:21,160 --> 00:01:23,959 Speaker 1: is a sign of weakness? Since your father always said that, 20 00:01:24,040 --> 00:01:26,000 Speaker 1: Why do you always have to make everything about my father? 21 00:01:26,480 --> 00:01:31,639 Speaker 1: This is a question about me. Okay, okay, So what's 22 00:01:31,720 --> 00:01:36,240 Speaker 1: so wrong about you being nice? I'm not a good person. 23 00:01:36,640 --> 00:01:39,360 Speaker 1: Uh why do you say that I've done bad things? 24 00:01:39,520 --> 00:01:42,240 Speaker 1: That doesn't make you a bad person. You can make 25 00:01:42,319 --> 00:01:46,880 Speaker 1: better decisions and change. Well, what if the bad things 26 00:01:46,959 --> 00:01:50,840 Speaker 1: you've done are so bad, like in the case of 27 00:01:50,920 --> 00:01:54,520 Speaker 1: my friend Frieda, Like whether Freda, you know, the one 28 00:01:54,520 --> 00:01:57,360 Speaker 1: who let someone die to steal a baby. Well, even 29 00:01:57,440 --> 00:02:00,800 Speaker 1: your friend Frieda can have redemption. We don't have to 30 00:02:00,840 --> 00:02:04,360 Speaker 1: be defined by our past selves and past actions. So 31 00:02:04,640 --> 00:02:08,320 Speaker 1: if I and my friend Freda, if if we were 32 00:02:08,360 --> 00:02:10,640 Speaker 1: going to try to be a nicer person, how do 33 00:02:10,760 --> 00:02:16,520 Speaker 1: we do that? Oh, we have three minutes left. I 34 00:02:16,560 --> 00:02:21,440 Speaker 1: don't think we have enough time. We'll make enough time. Oh, 35 00:02:21,480 --> 00:02:24,280 Speaker 1: I see, Maybe not yelling like this is a good start. 36 00:02:28,240 --> 00:02:32,560 Speaker 1: Wait what is going on here? Is Luisa growing unconscious? 37 00:02:33,240 --> 00:02:36,560 Speaker 1: I really did not see this one coming. Well, let's 38 00:02:36,560 --> 00:02:44,800 Speaker 1: see how a Steban is doing it his first political rally. Okay, 39 00:02:44,840 --> 00:02:48,400 Speaker 1: I'll go, I'll go. Okay, guys, stay one is he's 40 00:02:50,320 --> 00:02:53,160 Speaker 1: You're a name beast by heart. You know how to 41 00:02:53,360 --> 00:02:59,520 Speaker 1: work an audience. Just say what they want to hear. 42 00:03:00,080 --> 00:03:07,600 Speaker 1: That's what politics is. All about mm hm. Remember with 43 00:03:07,720 --> 00:03:12,320 Speaker 1: that Self Helped podcast, you are the navigator of your 44 00:03:12,360 --> 00:03:16,400 Speaker 1: own destiny. If you envision it, then everything is possible. 45 00:03:16,400 --> 00:03:26,560 Speaker 1: A little more liquid courage, this is going to go 46 00:03:26,840 --> 00:03:35,800 Speaker 1: so great. Yes, God, isn't that right? Hot? Hey, let's 47 00:03:35,880 --> 00:03:53,720 Speaker 1: do this? Yes? Seven? Um? Are you ready? See ready 48 00:03:53,760 --> 00:03:57,880 Speaker 1: as coming? Listen about the other day? No, look, it's 49 00:03:58,080 --> 00:04:00,680 Speaker 1: it's okay. Let's go one. Right, I'm taking care of 50 00:04:00,680 --> 00:04:02,440 Speaker 1: but we can talk about it some other time, but 51 00:04:02,640 --> 00:04:05,360 Speaker 1: right now, we gotta get you on that stage. Wow, 52 00:04:05,600 --> 00:04:08,840 Speaker 1: there are a lot more people than I was expecting. Wow, 53 00:04:08,880 --> 00:04:11,640 Speaker 1: that's what happens when you have a message that resonates. 54 00:04:11,640 --> 00:04:14,600 Speaker 1: If this is the next step of defeating Alicia Mendez? 55 00:04:14,800 --> 00:04:20,120 Speaker 1: Did you memorize the speed? See, you're the navigator of 56 00:04:20,200 --> 00:04:24,880 Speaker 1: your own days. You've been listening to self help podcast? 57 00:04:24,960 --> 00:04:28,640 Speaker 1: I recommended what? No, of course you have? Okay, yes, 58 00:04:28,760 --> 00:04:32,720 Speaker 1: a couple of episodes. Not sure. I'm sorry about before. 59 00:04:32,839 --> 00:04:35,400 Speaker 1: I told you we could talk about this later. Let 60 00:04:35,400 --> 00:04:37,520 Speaker 1: me say I'm sorry, I miss you. I want you 61 00:04:37,640 --> 00:04:40,280 Speaker 1: tonight after the rally. Let's go to my office and 62 00:04:40,360 --> 00:04:45,239 Speaker 1: let bygones be bygones here. Okay, this that one? Look, 63 00:04:45,520 --> 00:04:52,000 Speaker 1: you're going to do great now break a leg. Well, 64 00:04:52,040 --> 00:05:06,359 Speaker 1: my crowd awaits. Yes, I want to be touched like 65 00:05:06,400 --> 00:05:11,200 Speaker 1: you when I grow up, except with more here. But right, no, 66 00:05:11,400 --> 00:05:14,200 Speaker 1: you look perfect. We can spray paint that later. Don't 67 00:05:14,240 --> 00:05:27,080 Speaker 1: pay attention to leave Boyna. I actually don't want to 68 00:05:27,080 --> 00:05:30,240 Speaker 1: hear another political rant right now. I've heard enough of 69 00:05:30,279 --> 00:05:34,960 Speaker 1: that for a lifetime. Literally, let's see. Let's pull up 70 00:05:34,960 --> 00:05:37,279 Speaker 1: to with that broken heart of his. He must be 71 00:05:37,320 --> 00:05:53,120 Speaker 1: more emotional than ever. Thank you all, We are back 72 00:05:53,200 --> 00:05:59,600 Speaker 1: with your favorite show, Tea with Tatianna. I'm your host, Tatianna. 73 00:06:00,320 --> 00:06:04,080 Speaker 1: Obviously it's been a while since we checked on the 74 00:06:04,120 --> 00:06:07,840 Speaker 1: Glory and Raoul wedding countdown clock. Let's see how we're 75 00:06:07,880 --> 00:06:14,320 Speaker 1: doing the wedding. Husband counseled. Oh mg, everyone, the wedding 76 00:06:14,480 --> 00:06:20,279 Speaker 1: of the century has been canceled. I can't believe it. 77 00:06:20,720 --> 00:06:24,159 Speaker 1: We never saw this coming. To give us some insight 78 00:06:24,200 --> 00:06:28,919 Speaker 1: on Raoul's mental state, we've got his ex girlfriend, the 79 00:06:29,080 --> 00:06:37,880 Speaker 1: supermodel and Emmy winning actress Vicky Lee. Oh. Thank you everyone, 80 00:06:37,960 --> 00:06:42,680 Speaker 1: I love you all, and thank you Tatiana for having 81 00:06:42,720 --> 00:06:46,280 Speaker 1: me today. And don't forget that the premiere of my 82 00:06:46,400 --> 00:06:50,880 Speaker 1: new movie The Quick, The Angry eleven is out in 83 00:06:51,040 --> 00:06:54,400 Speaker 1: two days. Yes, yes, yes, But VICKI, what can you 84 00:06:54,480 --> 00:06:58,760 Speaker 1: tell us about Raoul's last mysterious tweet, the one with 85 00:06:58,920 --> 00:07:02,800 Speaker 1: the picture of an empty swing and the phrase I 86 00:07:02,880 --> 00:07:07,320 Speaker 1: feel so sad and lonely. Okay, Tatiana, I'm just guessing here, 87 00:07:07,440 --> 00:07:11,360 Speaker 1: but I think he feels sad and lonely. You're such 88 00:07:11,400 --> 00:07:15,320 Speaker 1: a smart cookie. And what do you think his next 89 00:07:15,400 --> 00:07:19,560 Speaker 1: move will be get Gloria back by her another yacht 90 00:07:19,880 --> 00:07:23,880 Speaker 1: disappear for three months in Bermuda. I don't know for sure, 91 00:07:23,920 --> 00:07:27,120 Speaker 1: but what I do know is that he is going 92 00:07:27,160 --> 00:07:30,920 Speaker 1: to be Okay. What But it's clear from that tweet 93 00:07:30,960 --> 00:07:35,520 Speaker 1: that he is devastated. This is a guy who takes 94 00:07:35,560 --> 00:07:39,560 Speaker 1: breakups hard. When you two broke up, he paid Banksy 95 00:07:39,720 --> 00:07:44,640 Speaker 1: to spray paint I miss you, Vicky all over Wynwood. Honestly, 96 00:07:44,680 --> 00:07:47,240 Speaker 1: it wasn't very affected. I mean it kind of all 97 00:07:47,320 --> 00:07:52,080 Speaker 1: blended in. Yes, but he's more sophisticated now in what 98 00:07:52,240 --> 00:07:55,960 Speaker 1: makes you say that? Look, he has been acting different. 99 00:07:56,480 --> 00:07:59,120 Speaker 1: The last time we spoke, we took a drive in 100 00:07:59,240 --> 00:08:01,920 Speaker 1: the Lincoln and I've got to tell you, sitting in 101 00:08:01,960 --> 00:08:06,280 Speaker 1: those ventilated seats on a hot Miami day really makes 102 00:08:06,280 --> 00:08:10,160 Speaker 1: you feel comfortable enough to speak your truth. In fact, 103 00:08:10,280 --> 00:08:13,080 Speaker 1: I believe that's what led us to have this very 104 00:08:13,160 --> 00:08:17,560 Speaker 1: honest and deep conversation, one that has changed my perception 105 00:08:17,600 --> 00:08:20,760 Speaker 1: of Raoul. I could see that he had grown a 106 00:08:20,800 --> 00:08:23,760 Speaker 1: lot as a person. It was a very nice talk 107 00:08:23,800 --> 00:08:26,560 Speaker 1: that ended in us both agreeing that we were better 108 00:08:26,640 --> 00:08:30,320 Speaker 1: off as friends. And you know what, I just know 109 00:08:30,880 --> 00:08:35,080 Speaker 1: he's going to be okay. Well, Vicky, thank you for coming. 110 00:08:35,440 --> 00:08:39,560 Speaker 1: This has been very enlightening it. See you all next time, 111 00:08:39,559 --> 00:08:42,640 Speaker 1: and remember, if you don't post about it, you're a ghost. 112 00:08:43,800 --> 00:08:47,199 Speaker 1: We'll be back with more spicy rumors in the next 113 00:08:47,320 --> 00:09:10,000 Speaker 1: tea with Tatiana. And what are you doing here thinking, Gloria? 114 00:09:10,080 --> 00:09:13,480 Speaker 1: Break up with you? See, my heart is in shambles 115 00:09:13,520 --> 00:09:16,400 Speaker 1: and there's no way of fixing it. It's like a 116 00:09:16,480 --> 00:09:19,600 Speaker 1: puzzle piece that's missing its most important piece, and the 117 00:09:19,720 --> 00:09:28,319 Speaker 1: piece is Gloria. Okay, I'm doing this thing where I'm 118 00:09:28,320 --> 00:09:33,960 Speaker 1: trying to be more nice. So there there, Relax. Gloria 119 00:09:34,040 --> 00:09:37,280 Speaker 1: has moved on and soon you will too. You might 120 00:09:37,320 --> 00:09:40,679 Speaker 1: not be the smartest man, or the most charismatic, or 121 00:09:40,760 --> 00:09:43,319 Speaker 1: even the most successful. Are you gonna say something nice? 122 00:09:43,320 --> 00:09:47,000 Speaker 1: Because that doesn't sound nice. It's a work in progress. 123 00:09:49,120 --> 00:09:52,199 Speaker 1: Thanks for the pep talking. If you'll excuse me, I'm 124 00:09:52,200 --> 00:09:54,800 Speaker 1: gonna go and pick up my stuff. And what is 125 00:09:54,880 --> 00:10:01,480 Speaker 1: this stuff exactly? I help my little list right here. Um, 126 00:10:01,920 --> 00:10:05,400 Speaker 1: I have to pick up my face creams, my Gilmore Girls, 127 00:10:05,400 --> 00:10:13,720 Speaker 1: Blu Ray DVD collection, um My tiam poster, ricarda record. Yeah, 128 00:10:15,200 --> 00:10:19,560 Speaker 1: you listen to Ricardo Arona Rocaru. I mean, he's only 129 00:10:19,559 --> 00:10:25,760 Speaker 1: the songwriter of the last decade. I couldn't agree. More. 130 00:10:27,679 --> 00:10:29,880 Speaker 1: Gloria didn't like him very much. She used to say 131 00:10:29,920 --> 00:10:34,120 Speaker 1: that he was too corny and unoriginal, and that all 132 00:10:34,160 --> 00:10:36,920 Speaker 1: his songs sounded like lalla la la la la la 133 00:10:37,040 --> 00:10:40,640 Speaker 1: la la la la la la la la la la llalla. 134 00:10:42,240 --> 00:10:48,719 Speaker 1: But to me, he is a sublime storyteller and his metaphors, no, 135 00:10:49,040 --> 00:10:52,920 Speaker 1: I think exactly the same thing. I love Arna. He 136 00:10:53,040 --> 00:10:55,760 Speaker 1: has gotten me through the toughest moments of my life. 137 00:10:56,120 --> 00:10:59,400 Speaker 1: Me too. I am ashamed to admit it, but sometimes 138 00:10:59,440 --> 00:11:01,720 Speaker 1: while listening to his music, I stare out the window 139 00:11:01,920 --> 00:11:04,319 Speaker 1: and imagine that I'm in one of his music videos. 140 00:11:04,880 --> 00:11:11,200 Speaker 1: To you, ever, let just one tear fall down your 141 00:11:11,320 --> 00:11:18,199 Speaker 1: cheek in an overly dramatic way. He of course, I 142 00:11:18,400 --> 00:11:25,640 Speaker 1: didn't know you had this side to you. I like it. Well, no, um, 143 00:11:26,600 --> 00:11:28,000 Speaker 1: I think there's a lot about me you don't know. 144 00:11:28,840 --> 00:11:32,120 Speaker 1: You never wanted to know me. Well, what's your favorite 145 00:11:32,920 --> 00:11:42,400 Speaker 1: I'm easy, Senora, I see. I have grown to love 146 00:11:42,960 --> 00:11:46,400 Speaker 1: that song more now that I'm older. You know, my 147 00:11:46,480 --> 00:11:59,760 Speaker 1: favorite part is when he sings it focus, and I 148 00:12:00,160 --> 00:12:03,040 Speaker 1: love it when he describes the woman as a perfect 149 00:12:03,280 --> 00:12:13,520 Speaker 1: mix between youth and experience. Anyways, Oh right, yeah, I 150 00:12:13,559 --> 00:12:15,720 Speaker 1: will just leave you to it grabbing your stuff. I mean, 151 00:12:16,000 --> 00:12:19,559 Speaker 1: I mean your things that you came together. Thank you. 152 00:12:19,600 --> 00:12:29,640 Speaker 1: I'm gonna we'll grab it. Whoa, whoa, whoa. Hold on 153 00:12:29,800 --> 00:12:33,719 Speaker 1: a second, my ex fiance and my fake mom and 154 00:12:34,160 --> 00:12:39,560 Speaker 1: Ricardo Arjona are tangled up in metaphors. Really, oh god, 155 00:12:40,480 --> 00:12:42,400 Speaker 1: maybe not to want a stema. Aren't the only one 156 00:12:42,440 --> 00:12:49,240 Speaker 1: siding of forbidden romance. If you're enjoying Princess of South Beach, 157 00:12:49,520 --> 00:12:53,120 Speaker 1: please subscribe, rate, and review our show wherever you're listening. 158 00:12:54,720 --> 00:12:57,120 Speaker 1: The Princess of South Beach is a production of I Heearts, 159 00:12:57,160 --> 00:13:01,760 Speaker 1: Michael Tura Podcast Network and aided and directed by Jasmine Romero. 160 00:13:02,120 --> 00:13:05,200 Speaker 1: Written by Jasmine Romero, and Joanna Houseman, with help from 161 00:13:05,280 --> 00:13:10,880 Speaker 1: Daniela Serkis, Monisa Heinrix and Christian Hatar. Produced by Luisadoro Castillo. 162 00:13:11,280 --> 00:13:14,520 Speaker 1: Executive produced by conal Byrne and Giselle Bances for iHeart 163 00:13:15,040 --> 00:13:18,720 Speaker 1: by Joanna Housman, and by Jasmine Romero and Joshua Weinstein 164 00:13:18,920 --> 00:13:24,440 Speaker 1: for Sonaro. Performances in this episode by Rachel Zegler, Gina Torres, 165 00:13:24,880 --> 00:13:31,040 Speaker 1: Raulas Barza, Danny Pino, Andy Bustillos, and Laura Gomez. Our 166 00:13:31,080 --> 00:13:35,920 Speaker 1: production manager is Gettin Sachitis. Recording and engineering by Emiliano Quintanar, 167 00:13:36,200 --> 00:13:40,880 Speaker 1: with sound designed by Edwin Irigoyen, Cassandra Tinajo, Andres Bayena, 168 00:13:41,120 --> 00:13:45,520 Speaker 1: Diego Medina and Andres Coronaldo. Assistant sound designed by Eric Senttheno, 169 00:13:45,920 --> 00:13:50,240 Speaker 1: Casting and coordination by Andres Chitis. Folly by Samantha Gonzalez. 170 00:13:50,280 --> 00:13:53,840 Speaker 1: Song our theme song and original music by Rodrigo Gazzier 171 00:13:53,960 --> 00:14:02,160 Speaker 1: Roles and Charlie Hernandeza. He single the La mascot is Montica, 172 00:14:02,440 --> 00:14:09,520 Speaker 1: Sila Princess is so Scientica You wish Bitch,