1 00:00:02,040 --> 00:00:06,960 Speaker 1: Welcome. I'm back to another episode about this and your host, 2 00:00:07,040 --> 00:00:11,000 Speaker 1: Kevin Pollock. He has that Kevin Pollock, what's up happy 3 00:00:11,000 --> 00:00:13,440 Speaker 1: most of the time. I'm a glass half field kind 4 00:00:13,440 --> 00:00:15,920 Speaker 1: of fell I suppost ever since I realized that fear 5 00:00:16,440 --> 00:00:19,480 Speaker 1: is the one you reademy. We most each removed from 6 00:00:19,520 --> 00:00:23,639 Speaker 1: urbanath Mont, no doubt. But it can be have a 7 00:00:23,680 --> 00:00:25,640 Speaker 1: conversation with him like I do with Joey Greer at 8 00:00:25,720 --> 00:00:29,440 Speaker 1: least once a week, wherein I say, hey, fuck you, 9 00:00:30,960 --> 00:00:32,720 Speaker 1: but I digress. Let's meet her. I'll go a shower 10 00:00:32,760 --> 00:00:36,120 Speaker 1: in no particular order. Let's quickly check in with Craig 11 00:00:36,120 --> 00:00:40,360 Speaker 1: Atkowski with his good to be back home corner. Kevin, 12 00:00:40,360 --> 00:00:43,680 Speaker 1: I'm back home. I was on the East Coast for 13 00:00:43,720 --> 00:00:46,520 Speaker 1: a couple of months, just drove across this great land 14 00:00:46,560 --> 00:00:52,519 Speaker 1: of ours. When you've been through Utah and Arizona and 15 00:00:52,680 --> 00:00:56,080 Speaker 1: Colorado and all that majesty, but you've done it multiple times, 16 00:00:56,080 --> 00:01:01,240 Speaker 1: you don't even fucking look up at the mountains. Just uh, 17 00:01:01,280 --> 00:01:03,720 Speaker 1: you're just on your phone the entire time looking for 18 00:01:04,440 --> 00:01:08,360 Speaker 1: because you lose your signal a lot, and I don't 19 00:01:08,360 --> 00:01:11,520 Speaker 1: have anything downloaded on my phone. I'm streaming everything. So 20 00:01:11,600 --> 00:01:15,840 Speaker 1: if you're streaming. Lame is the original cast recording with 21 00:01:15,959 --> 00:01:20,520 Speaker 1: Colm Wilkinson from five. Uh, and it it cuts out 22 00:01:20,560 --> 00:01:23,080 Speaker 1: in the middle of on my own like you don't 23 00:01:23,080 --> 00:01:24,920 Speaker 1: care that there's a mountain in front of you. You're like, 24 00:01:24,959 --> 00:01:27,240 Speaker 1: what the funk is wrong with my phone? So I'm 25 00:01:27,240 --> 00:01:32,120 Speaker 1: back in l A's great. You're bad? Uh? Is that 26 00:01:32,200 --> 00:01:36,920 Speaker 1: mostly the ten? What? What the seventy along? If you're 27 00:01:36,920 --> 00:01:39,160 Speaker 1: going through the if going through Colorado and then you 28 00:01:39,280 --> 00:01:41,400 Speaker 1: and then you did fifteen like you're going through Vegas 29 00:01:41,440 --> 00:01:43,960 Speaker 1: and everything. And I wasn't on the tin at all. 30 00:01:44,000 --> 00:01:47,240 Speaker 1: I hate the ten. Sure, sure, it's not terribly fond 31 00:01:47,240 --> 00:01:50,520 Speaker 1: of you. And now I had to say, hey, Captain 32 00:01:50,600 --> 00:01:55,040 Speaker 1: Gary Anthony Williams lair gar if allowed, what time could 33 00:01:55,120 --> 00:01:59,120 Speaker 1: you sleep until? Oh wow? If if like nothing seriously, 34 00:01:59,160 --> 00:02:01,440 Speaker 1: like if nobody was bother me in the shades of 35 00:02:01,480 --> 00:02:07,640 Speaker 1: pool time easily like close to seven am easily close 36 00:02:07,720 --> 00:02:11,720 Speaker 1: to that easily. I'm not I'm not a sleeper, brother. No, 37 00:02:11,960 --> 00:02:14,520 Speaker 1: I gotta learn. I want to learn. I see people 38 00:02:14,520 --> 00:02:16,480 Speaker 1: who do it and they seem like they're having a 39 00:02:16,480 --> 00:02:21,960 Speaker 1: good time. Uh, they go really far in line, uh, 40 00:02:22,000 --> 00:02:24,640 Speaker 1: And I need that. I would love I would love 41 00:02:24,720 --> 00:02:26,520 Speaker 1: to I love to be one of those guys who 42 00:02:26,560 --> 00:02:28,919 Speaker 1: can who can, As we say, James, he need it. 43 00:02:29,400 --> 00:02:31,120 Speaker 1: I can't do it. What do we? What are we 44 00:02:31,160 --> 00:02:34,000 Speaker 1: averaging on? Lights out in the evening? What time I 45 00:02:34,040 --> 00:02:36,680 Speaker 1: tried to go to bed? Man? You ask all the 46 00:02:36,760 --> 00:02:39,640 Speaker 1: right questions. I tried to go to bed around ten 47 00:02:39,840 --> 00:02:42,359 Speaker 1: thirty or eleven. But if I go to bed early, 48 00:02:42,560 --> 00:02:45,040 Speaker 1: then I'm gonna wake up at five am. You don't 49 00:02:45,040 --> 00:02:46,920 Speaker 1: want that? And then what am I doing? What am 50 00:02:46,919 --> 00:02:51,040 Speaker 1: I doing at five? A paper route? I have a 51 00:02:51,080 --> 00:02:54,200 Speaker 1: paper and I have one of the bikes without the 52 00:02:55,040 --> 00:02:57,960 Speaker 1: that kids learn on the new kind that all the 53 00:02:57,960 --> 00:03:00,959 Speaker 1: white parents buy for their children. I have that thing 54 00:03:01,080 --> 00:03:03,440 Speaker 1: that that just balance, and I do my paper riot 55 00:03:03,639 --> 00:03:06,720 Speaker 1: on my balance. By all right, thank you for sharing love. 56 00:03:06,760 --> 00:03:09,799 Speaker 1: I love white kids. By the way, up all in favor, 57 00:03:09,880 --> 00:03:15,560 Speaker 1: say I, Hey, let's all cheer. Caroline Carter Master Blaster. 58 00:03:16,200 --> 00:03:19,239 Speaker 1: What exotic pet might you consider welcoming into your home 59 00:03:19,280 --> 00:03:21,440 Speaker 1: to live? Oh? I don't know if it's exotic, but 60 00:03:21,480 --> 00:03:23,680 Speaker 1: it and chill I think would be really fun. That's 61 00:03:23,680 --> 00:03:26,880 Speaker 1: pretty exotic. I almost bought one once. You gotta get 62 00:03:26,919 --> 00:03:29,840 Speaker 1: them sand for them to bathe in. And also I 63 00:03:29,919 --> 00:03:33,880 Speaker 1: hate taking care of another living thing. Sure, sure, I 64 00:03:33,960 --> 00:03:40,320 Speaker 1: understand that goodness. I mean, yeah, Hey, there's James Ceney, 65 00:03:40,520 --> 00:03:43,840 Speaker 1: Jim Jim Jeru. What's the largest thing you've built? Using 66 00:03:43,880 --> 00:03:49,080 Speaker 1: tools and possibly a manual? I don't use manuals. I 67 00:03:49,120 --> 00:03:53,200 Speaker 1: go from the heart when i'm building. Uh sorry, sorry sorry, 68 00:03:53,240 --> 00:03:56,840 Speaker 1: sound like you said, from the heart, not the intelligence, 69 00:03:57,040 --> 00:04:01,840 Speaker 1: not the common sense, not the puzzle management. A has 70 00:04:01,960 --> 00:04:04,400 Speaker 1: the heart to do with it. I think that's part 71 00:04:04,440 --> 00:04:07,120 Speaker 1: of that. But I follow my heart and I just 72 00:04:07,240 --> 00:04:10,960 Speaker 1: build things that I think I feel structurally sound. I 73 00:04:11,000 --> 00:04:14,000 Speaker 1: built an entire I have a very small apartment, but 74 00:04:14,080 --> 00:04:18,119 Speaker 1: I've built a wall thing that like attaches my TV 75 00:04:18,200 --> 00:04:21,120 Speaker 1: attaches to that, and now there's shelving units about a 76 00:04:21,120 --> 00:04:24,120 Speaker 1: foot deep into the front of the apartment. Did your heart? 77 00:04:24,520 --> 00:04:28,000 Speaker 1: Did your heart give it that technical term wall thing? Yeah? 78 00:04:28,080 --> 00:04:30,080 Speaker 1: I don't know what you'd call it. It's it looks 79 00:04:30,120 --> 00:04:32,599 Speaker 1: like a skeleton of a building. Um. But I can 80 00:04:32,640 --> 00:04:43,440 Speaker 1: just fill it with stuff right now. It's called idea okay. Ha. 81 00:04:43,680 --> 00:04:46,360 Speaker 1: And last, but no more pine in the sky or 82 00:04:46,440 --> 00:04:48,320 Speaker 1: your eye. If you think of ladies, it's Joey Greer 83 00:04:48,480 --> 00:04:53,240 Speaker 1: curb crotch. Take us on a journey into your one 84 00:04:53,240 --> 00:04:57,880 Speaker 1: of your dreams from last night. What curb crotch like 85 00:04:57,880 --> 00:05:03,640 Speaker 1: a smooth like curve down the It's like James, curb 86 00:05:03,960 --> 00:05:14,000 Speaker 1: curb curb, curb, curb curb. Why am I saying? You're 87 00:05:14,080 --> 00:05:21,000 Speaker 1: saying something wrong? All right? So a dream I had 88 00:05:21,080 --> 00:05:26,200 Speaker 1: last night. I was inside a butchery, butchery meat shop, 89 00:05:26,640 --> 00:05:29,520 Speaker 1: and I was hanging out with with six whose phone 90 00:05:29,560 --> 00:05:34,320 Speaker 1: is that? It was? Literally? Was it the clash that 91 00:05:34,440 --> 00:05:41,680 Speaker 1: sang London calling? Yeah? Suggest that was the clash. That's 92 00:05:41,680 --> 00:05:45,680 Speaker 1: all I got. That was my dream of Our suggestions 93 00:05:46,160 --> 00:05:48,520 Speaker 1: are gathered from your listener emails or from our patron 94 00:05:48,640 --> 00:05:51,000 Speaker 1: v I p s to become a patron support of 95 00:05:51,000 --> 00:05:58,240 Speaker 1: the show and enjoy exclusive content like standalone bonus scenes. Yeah, 96 00:05:58,320 --> 00:06:01,400 Speaker 1: that's a new one video of our recording sessions and 97 00:06:01,440 --> 00:06:04,240 Speaker 1: wait for it. At the highest level of support, Alcamaniac, 98 00:06:04,839 --> 00:06:07,360 Speaker 1: you might just have a chance to join us for 99 00:06:07,400 --> 00:06:13,159 Speaker 1: one of these recording sessions over the patroon dot com 100 00:06:13,240 --> 00:06:16,159 Speaker 1: slash Alchemy this. If you'd like to submit a scene 101 00:06:16,200 --> 00:06:20,040 Speaker 1: by email, please do so. Alchemy this email at gmail 102 00:06:20,080 --> 00:06:26,359 Speaker 1: dot com. That's alchemist email. Scene one comes to patron 103 00:06:26,440 --> 00:06:30,040 Speaker 1: v I P. Robert Williams, who wrote, dearest friends, my 104 00:06:30,160 --> 00:06:34,520 Speaker 1: sweet foolish alchemists, how are you all me? Why? I'm 105 00:06:34,600 --> 00:06:37,840 Speaker 1: just swell? Well, now that you mentioned it, I will 106 00:06:37,880 --> 00:06:42,200 Speaker 1: give you a scene suggestion. Christopher Nolan presents the Olympics 107 00:06:42,240 --> 00:06:47,400 Speaker 1: all the best. You're filthy for student fabulous lists? Check 108 00:06:47,440 --> 00:06:52,160 Speaker 1: ins right here? Uh? Yeah, checking in? All right? What 109 00:06:52,279 --> 00:06:56,560 Speaker 1: time was your checking? Uh? Two two o'clock, two o'clock. Yeah, 110 00:06:56,800 --> 00:07:02,040 Speaker 1: that's too thirty right now, two o'clock earlier, about thirty 111 00:07:02,040 --> 00:07:05,040 Speaker 1: minutes ago? Is two o'clock? Was it? Was it? Thirty 112 00:07:05,400 --> 00:07:10,040 Speaker 1: minutes ago took? That means that six six hours. It's 113 00:07:10,040 --> 00:07:12,560 Speaker 1: gonna be probably two thirty five. But now then, yeah, 114 00:07:12,880 --> 00:07:16,960 Speaker 1: walk with me, Walk with me, right, I mean I'm 115 00:07:17,160 --> 00:07:21,560 Speaker 1: pole vaulted, but I can walk as well. That's right here? Okay? 116 00:07:20,720 --> 00:07:24,880 Speaker 1: Here was that? You? Was that me? It was a clash? 117 00:07:25,120 --> 00:07:27,360 Speaker 1: What is it? What's going on? Contact? We have to 118 00:07:27,400 --> 00:07:29,160 Speaker 1: get on this boat right now. Okay, it's about to 119 00:07:29,440 --> 00:07:33,360 Speaker 1: just give him the harbor with me. Let's royals fucking 120 00:07:33,440 --> 00:07:35,800 Speaker 1: now listen to me. Okay, I'm part of a secret 121 00:07:35,800 --> 00:07:40,560 Speaker 1: CIA operation. I just I don't do you do a 122 00:07:40,560 --> 00:07:45,760 Speaker 1: lot more than that now to save the world. Is 123 00:07:45,920 --> 00:07:48,040 Speaker 1: this plug's got my ticket? Eyes, But just take that 124 00:07:48,160 --> 00:07:50,720 Speaker 1: ticket and take the watch. Al right, everything will be 125 00:07:50,760 --> 00:07:54,280 Speaker 1: explain to you in time. Do you understand? In time? 126 00:07:54,920 --> 00:07:57,280 Speaker 1: Good luck? But this is not an ordinary ticket. You're 127 00:07:57,280 --> 00:07:59,520 Speaker 1: gonna have to go down to the Stoll area. Well 128 00:07:59,520 --> 00:08:03,000 Speaker 1: all the bad good cheers. Okay. So that area is 129 00:08:03,040 --> 00:08:08,520 Speaker 1: called Stow, just Stow, that's what I call it. It's 130 00:08:08,520 --> 00:08:10,640 Speaker 1: a little straps down there, but it's a special seat 131 00:08:10,720 --> 00:08:13,480 Speaker 1: just for you. All right. There's gonna be somebody down 132 00:08:13,520 --> 00:08:16,720 Speaker 1: there to meet you, all right, you Handler? What's your name? 133 00:08:17,000 --> 00:08:21,920 Speaker 1: What I call? Your name's Rick? Okay, not talking to you, Rick, Handler? 134 00:08:22,080 --> 00:08:35,360 Speaker 1: What's your fight? I'm fucking now mate? What I do? Now? 135 00:08:35,440 --> 00:08:40,359 Speaker 1: Then you gotta go down below there? Yes, storage steerage 136 00:08:40,679 --> 00:08:43,800 Speaker 1: fucking now, got it? Just take the stairs down, That's 137 00:08:43,800 --> 00:08:48,600 Speaker 1: what I'm going. Anybody looking for the Stow area? Yeah 138 00:08:48,760 --> 00:08:51,680 Speaker 1: I suppose, yeah, Hi, Hey, how you doing there? I 139 00:08:51,720 --> 00:08:55,319 Speaker 1: don't know, I don't know what's happening. That's a good answer, brother, 140 00:08:55,360 --> 00:08:59,199 Speaker 1: that's a very good answer. Areas two dolls down to left? 141 00:08:59,520 --> 00:09:03,640 Speaker 1: All right, very good. Well what's in the Stow area 142 00:09:03,800 --> 00:09:06,080 Speaker 1: right now? You know? You mean stuff? You buy stuff 143 00:09:06,120 --> 00:09:09,560 Speaker 1: down there? Man, it's a stove. So stove, it's a stove, 144 00:09:09,800 --> 00:09:12,560 Speaker 1: got it, got it. That's where I find my tea 145 00:09:12,600 --> 00:09:14,720 Speaker 1: and biscuits and that sort of thing. Yeah, you tea, 146 00:09:14,800 --> 00:09:16,800 Speaker 1: your biscuits, your crump. But if you're kind of guy 147 00:09:16,840 --> 00:09:19,320 Speaker 1: who likes health, the butters we got helped the butters 148 00:09:19,360 --> 00:09:22,199 Speaker 1: down there, we got uh, we got ge. You like ge, 149 00:09:22,480 --> 00:09:25,480 Speaker 1: you man would like I like my gate. How about 150 00:09:25,520 --> 00:09:28,439 Speaker 1: cordle cream, the cold cream? There. You're in the wrong 151 00:09:28,520 --> 00:09:32,720 Speaker 1: my place, brother, fucking I'm trying to turn against you 152 00:09:32,760 --> 00:09:34,480 Speaker 1: so quickly, but you're in the wrong place looking for 153 00:09:34,520 --> 00:09:39,000 Speaker 1: cardle cream. Perhaps you're looking for the Stow area instead 154 00:09:39,000 --> 00:09:42,480 Speaker 1: of the Stowe area. Ah, that's it, that's gonna be it. Yeah. 155 00:09:42,920 --> 00:09:45,120 Speaker 1: So that's three doors down to the left, my friend. 156 00:09:45,559 --> 00:09:48,840 Speaker 1: Three doors down. They're not bad either. Listen to them. 157 00:09:49,840 --> 00:09:55,000 Speaker 1: I'm sorry the musical grow Yeah, three ft in doors down? 158 00:09:55,120 --> 00:09:57,640 Speaker 1: Of course, I did I look like a fool. Anybody 159 00:09:57,640 --> 00:10:00,160 Speaker 1: who's got the intelligence listen to yeah, of course. What 160 00:10:00,240 --> 00:10:03,160 Speaker 1: about the clash? This is the clash mine again. Now 161 00:10:03,559 --> 00:10:08,040 Speaker 1: you're in the rock area, brother, three doors down, my friend, 162 00:10:09,120 --> 00:10:13,360 Speaker 1: are you looking for the stow or the stove? Because 163 00:10:13,360 --> 00:10:15,240 Speaker 1: we get a lot of people looking for the stove 164 00:10:15,360 --> 00:10:18,720 Speaker 1: coming here to the stow right, which is this? This 165 00:10:18,800 --> 00:10:23,360 Speaker 1: is the stow right right? What happens here? We we 166 00:10:23,559 --> 00:10:26,280 Speaker 1: stow you? Oh yeah, that's why. That's why I meant 167 00:10:26,280 --> 00:10:28,520 Speaker 1: to be. Yeah, there's no way that. There's no way 168 00:10:28,520 --> 00:10:30,800 Speaker 1: they'd let me work at the other one. Why is that? 169 00:10:32,480 --> 00:10:40,040 Speaker 1: Let's move on. Are you looking to compete in the Olympics? Uh? Yeah, 170 00:10:40,240 --> 00:10:45,960 Speaker 1: what's your what's your event? A p volta? Which year 171 00:10:46,200 --> 00:10:52,240 Speaker 1: did you want to compete? That's heavy? Uh, I'm sort 172 00:10:52,280 --> 00:10:56,480 Speaker 1: of trying to go nap, but I could when When 173 00:10:56,559 --> 00:10:59,720 Speaker 1: when is now? I've been down here so long? When 174 00:10:59,840 --> 00:11:09,439 Speaker 1: is now? Right? Right? It's nineteen? This is ninety eight? Good? Yeah, good, okay, alright? 175 00:11:09,520 --> 00:11:15,439 Speaker 1: Writing it on the wall nineteen sixty eight, so I'll remember. Okay, 176 00:11:15,920 --> 00:11:18,240 Speaker 1: what does it say nineteen fifty two on the wall 177 00:11:18,679 --> 00:11:21,320 Speaker 1: next to sixty eight or did you just write nineteen 178 00:11:21,360 --> 00:11:25,600 Speaker 1: fifty two? I just wrote nineteen fifty two. Sorry, I 179 00:11:25,679 --> 00:11:32,480 Speaker 1: have number illiteracy? Sure, sure, okay baby? Before you leave 180 00:11:32,559 --> 00:11:37,520 Speaker 1: for honey, I know you're the best ball vaulter in 181 00:11:37,520 --> 00:11:40,640 Speaker 1: the world. You're going to represent our country so well, 182 00:11:41,200 --> 00:11:44,880 Speaker 1: and I just have to give you this gift before 183 00:11:44,960 --> 00:11:48,400 Speaker 1: you leave for the Olympics. Okay, it's will lock it. 184 00:11:48,840 --> 00:11:51,559 Speaker 1: This is lock it is for you. Don't forget me, Okay, 185 00:11:51,640 --> 00:11:54,360 Speaker 1: don't forget the year. It has the year on the 186 00:11:54,360 --> 00:11:56,600 Speaker 1: inside of the lock it in the photograph of me 187 00:11:56,679 --> 00:12:08,600 Speaker 1: and you're making love. Baby, Hello, you keep touching that locket. Ah, yeah, 188 00:12:08,640 --> 00:12:11,880 Speaker 1: it's good luck. It's uh, just having memories of my 189 00:12:11,960 --> 00:12:17,000 Speaker 1: little Russian sweet paint that sent me off? Could I 190 00:12:17,000 --> 00:12:22,400 Speaker 1: could I look at the locker? Yes, here it is, 191 00:12:22,920 --> 00:12:27,360 Speaker 1: open it up. Look see quickly. There's nothing in there. 192 00:12:27,960 --> 00:12:30,720 Speaker 1: What do you mean there's nothing in there? What happened 193 00:12:30,760 --> 00:12:35,560 Speaker 1: to my photo? We was, yeah, just going through a 194 00:12:35,559 --> 00:12:37,920 Speaker 1: couple of items that I've picked up on the ship. 195 00:12:38,840 --> 00:12:41,880 Speaker 1: What is this still photograph? It's a picture of a 196 00:12:41,920 --> 00:12:45,440 Speaker 1: man making love? How small? How small as that photograph? 197 00:12:45,480 --> 00:12:47,960 Speaker 1: It's a very small photograph. Here, take a look at yourself, 198 00:12:48,040 --> 00:12:50,079 Speaker 1: my friend, my gott It just fits right in the 199 00:12:50,080 --> 00:12:53,000 Speaker 1: palms like a penny. It's almost like a penny size, 200 00:12:53,000 --> 00:12:55,200 Speaker 1: but it's cut out in a heart sheet like all 201 00:12:55,320 --> 00:12:58,760 Speaker 1: heartshap finish side. God, there's people are turning, they're super 202 00:12:58,760 --> 00:13:02,920 Speaker 1: super turning. But look and baby, let me tell you 203 00:13:03,000 --> 00:13:05,440 Speaker 1: just the one last thing before you go to Olympic. 204 00:13:05,960 --> 00:13:09,440 Speaker 1: Please please never lose the tiny, tiny photograph of us. 205 00:13:10,120 --> 00:13:12,520 Speaker 1: It would I lose it? I don't know. I don't know. 206 00:13:12,720 --> 00:13:16,240 Speaker 1: I'm just saying don't lose the photograph because if you 207 00:13:16,360 --> 00:13:20,760 Speaker 1: lose the photograph, right, you won't have any of your 208 00:13:20,800 --> 00:13:24,400 Speaker 1: time left. What's that supposed to sucking me? I don't know, 209 00:13:24,480 --> 00:13:30,319 Speaker 1: but I'm going to die like right now. Check out 210 00:13:30,360 --> 00:13:32,640 Speaker 1: the photograph. Man, it's starting to fade away right and 211 00:13:32,720 --> 00:13:35,800 Speaker 1: you'll bear a hand. Oh my god, this is wild. 212 00:13:37,360 --> 00:13:43,439 Speaker 1: So spin the locket, spend the locket. See if it 213 00:13:43,520 --> 00:13:48,839 Speaker 1: keeps spinning. Okay, yeah, it spends pretty good. It does 214 00:13:48,880 --> 00:13:53,480 Speaker 1: spend pretty good. Okay, Okay, it fell, it fell, Okay, 215 00:13:53,480 --> 00:13:56,520 Speaker 1: So this is real, right, Yeah, this is really happening. 216 00:13:56,720 --> 00:13:59,360 Speaker 1: I'm supposed to be at the Olympics po vaulting and 217 00:13:59,400 --> 00:14:05,960 Speaker 1: I'm nineteen Mexico City. Yeah that's right. Better than Munich two. 218 00:14:06,280 --> 00:14:11,760 Speaker 1: I'm sorry? Can I can I get some pretzels? Yeah? Yeah, okay, 219 00:14:11,800 --> 00:14:15,480 Speaker 1: I've got Uh what what do you want? You want 220 00:14:15,480 --> 00:14:20,280 Speaker 1: to just sometels just very in Dutch style? Or you 221 00:14:20,320 --> 00:14:25,200 Speaker 1: want rolled gold? Your brother? There's only one stow on 222 00:14:25,320 --> 00:14:27,480 Speaker 1: this ship. I if you go handed the stove, then 223 00:14:27,520 --> 00:14:31,240 Speaker 1: you handed the stove. But motherfucker started selling pretzels all 224 00:14:31,360 --> 00:14:34,240 Speaker 1: my time in the other stove. We got something to 225 00:14:34,240 --> 00:14:36,560 Speaker 1: talk about. Look, I I didn't know that you sold 226 00:14:36,600 --> 00:14:39,920 Speaker 1: pretzels at the stove. Okay, how do you think you're 227 00:14:39,920 --> 00:14:43,920 Speaker 1: selling the stove all manners of sundry? Look, I have 228 00:14:43,960 --> 00:14:47,800 Speaker 1: a side business going with pretzels only. Okay, I'm not 229 00:14:47,840 --> 00:14:51,960 Speaker 1: trying to take your business away. Uh, but after you 230 00:14:52,080 --> 00:14:55,000 Speaker 1: time travel, it's good to get some something solid in 231 00:14:55,040 --> 00:14:57,160 Speaker 1: your in your stomach. Okay, What the hell is that 232 00:14:57,280 --> 00:15:04,720 Speaker 1: watch floating above your head? This is always here, man, 233 00:15:05,120 --> 00:15:18,400 Speaker 1: it's always been here. What year is this? What years this? Okay? Alright, 234 00:15:18,400 --> 00:15:20,560 Speaker 1: We're called an all ship meeting because we just want 235 00:15:20,560 --> 00:15:23,040 Speaker 1: to kind of get this out there. We're not blaming anybody, 236 00:15:23,400 --> 00:15:26,920 Speaker 1: but someone or a group of people are. You're writing 237 00:15:27,000 --> 00:15:29,920 Speaker 1: nineteen six set over everything, and there's a lot of 238 00:15:29,920 --> 00:15:32,840 Speaker 1: important safety documents that are displayed. We got to get 239 00:15:32,840 --> 00:15:35,600 Speaker 1: to the bottom of who's doing it. Yeah, we do so, 240 00:15:35,600 --> 00:15:38,160 Speaker 1: so if every if anybody could just who's ever doing that? 241 00:15:38,320 --> 00:15:42,160 Speaker 1: Just this is like a soft ask, just just stop 242 00:15:42,240 --> 00:15:45,160 Speaker 1: doing it. Okay, I with shock like this, like this 243 00:15:45,280 --> 00:15:49,240 Speaker 1: piece of chalk. Uh yeah, yeah exactly. It seems like 244 00:15:49,360 --> 00:15:51,360 Speaker 1: I don't know, I know, this is like my first 245 00:15:51,800 --> 00:15:54,520 Speaker 1: time on working on a boat. But don't we do 246 00:15:54,560 --> 00:15:56,720 Speaker 1: don't we think that the guy holding the chalk is 247 00:15:56,760 --> 00:16:01,560 Speaker 1: the one doing it? Can and the guy that I 248 00:16:01,600 --> 00:16:05,000 Speaker 1: literally saw right the number nineteen eight just a little 249 00:16:05,040 --> 00:16:06,920 Speaker 1: bit when he asked me what you was it? Should 250 00:16:07,000 --> 00:16:09,040 Speaker 1: he not be considered in the one who's doing it. 251 00:16:09,480 --> 00:16:11,680 Speaker 1: Hold on, let's not jump to conclusions here. Okay, let's 252 00:16:11,760 --> 00:16:14,320 Speaker 1: let's keep our minds open and our eyes closed. We 253 00:16:14,480 --> 00:16:16,560 Speaker 1: really got to make sure that we know what's going 254 00:16:16,560 --> 00:16:18,120 Speaker 1: on and who's doing because look, I'm a I'm not 255 00:16:18,160 --> 00:16:21,720 Speaker 1: the I'm a captain, but I'm not the captain. He's 256 00:16:21,760 --> 00:16:24,400 Speaker 1: the captain. So let's just make it. Let's just do 257 00:16:24,520 --> 00:16:26,840 Speaker 1: this the right way, and let's go through all the 258 00:16:26,920 --> 00:16:32,120 Speaker 1: channels and make sure that when can we open our eyes? Yeah, 259 00:16:32,160 --> 00:16:35,040 Speaker 1: somebody's I was waiting for you to tell us one 260 00:16:35,120 --> 00:16:37,320 Speaker 1: could open our eyes. Oh yes, sir, let's open our eyes. 261 00:16:37,400 --> 00:16:45,320 Speaker 1: Oh who are you? People? Who are you people? Captain Rick, 262 00:16:46,320 --> 00:16:49,440 Speaker 1: I'm Lamont Tampson, I run the stove, I'm the ship boy. 263 00:16:49,520 --> 00:16:53,960 Speaker 1: My name's Chip, and uh, I can't help you with 264 00:16:54,040 --> 00:16:57,320 Speaker 1: anything you need. I'm Sam Harris, I'm a Grammy Award 265 00:16:57,320 --> 00:17:02,800 Speaker 1: winning artist, and you're you're the first winner of Star Search, right, 266 00:17:03,400 --> 00:17:09,720 Speaker 1: and that is Seen one. Whatever whatever Sam Hary shows up, 267 00:17:10,080 --> 00:17:16,880 Speaker 1: it is exit. Time to end Seen two. Consort from 268 00:17:16,880 --> 00:17:23,560 Speaker 1: listener Christopher simply suggested child detective and a grizzly veteran 269 00:17:23,720 --> 00:17:31,840 Speaker 1: partner or grizzled. Let's go with grizzled. Um. Hey, I 270 00:17:31,880 --> 00:17:34,320 Speaker 1: know you told me to stop coming around the police office, 271 00:17:34,440 --> 00:17:38,880 Speaker 1: but I found something pretty bad outside that I think 272 00:17:38,880 --> 00:17:42,439 Speaker 1: I have some clues on. Kid, Kid, we're not going 273 00:17:42,520 --> 00:17:44,959 Speaker 1: to go through this again. Who was your mother? Who 274 00:17:45,040 --> 00:17:48,760 Speaker 1: was your father? Huh? Your mother? Your father? Where the 275 00:17:48,800 --> 00:17:51,960 Speaker 1: heck out kid at home? My mom's very sick and 276 00:17:52,040 --> 00:17:55,399 Speaker 1: my dad works remotely. You're not the only one with 277 00:17:55,520 --> 00:17:58,879 Speaker 1: sick parents in this world. My mother died two days 278 00:17:58,920 --> 00:18:02,400 Speaker 1: before I was born. My father and my father had 279 00:18:02,400 --> 00:18:04,560 Speaker 1: his legs and plays for the donkeys leg I've seen 280 00:18:04,600 --> 00:18:06,920 Speaker 1: it all. I've smelled some ship you probably shouldn't see 281 00:18:06,920 --> 00:18:09,840 Speaker 1: and smell. No, I'm not gonna ask you again to 282 00:18:09,880 --> 00:18:12,600 Speaker 1: get the hell out of my detective office. Kids. Things 283 00:18:12,600 --> 00:18:15,000 Speaker 1: in here could hurt you. Okay, fine, I'll get out. 284 00:18:15,040 --> 00:18:18,080 Speaker 1: I'm just letting you know that that cold case. Um, 285 00:18:18,200 --> 00:18:21,520 Speaker 1: God damn it, Detective Pimple, get in here and bring 286 00:18:21,520 --> 00:18:25,400 Speaker 1: whoever you're with, two whoever, God damnit kid, you come 287 00:18:25,440 --> 00:18:27,359 Speaker 1: with me. Look, let me do all the talking and 288 00:18:27,400 --> 00:18:31,760 Speaker 1: you just stand there. You understand, Yes, sir, Yes, sir, 289 00:18:32,960 --> 00:18:35,760 Speaker 1: damn it, Detective Pimple. I tell you I'm up to 290 00:18:35,920 --> 00:18:38,919 Speaker 1: my asshole with cases that are getting solved, and I 291 00:18:39,000 --> 00:18:42,080 Speaker 1: need you to figure it out. Who the hell is this? Hi? 292 00:18:42,200 --> 00:18:45,240 Speaker 1: My name's Jeremy clam and I don't give a ship. 293 00:18:45,440 --> 00:18:51,200 Speaker 1: That's your new partner, Jeremy, excuse me, boss? Look look 294 00:18:51,200 --> 00:18:55,280 Speaker 1: look at the guy. He's a kid. I'm grizzled. I've 295 00:18:55,320 --> 00:18:58,720 Speaker 1: seen things. I wrestled the Polar Bear once from the inside. 296 00:18:58,760 --> 00:19:00,480 Speaker 1: Do you know what I'm saying? I have to fight 297 00:19:00,560 --> 00:19:02,280 Speaker 1: my way out of that, son of We all went 298 00:19:02,320 --> 00:19:05,240 Speaker 1: through your birthday party. We know what happened. That's your partner. 299 00:19:06,600 --> 00:19:08,760 Speaker 1: You better solved these cases or your ass is fine. 300 00:19:08,800 --> 00:19:12,919 Speaker 1: Do you understand me? Yea of close? I do. I 301 00:19:12,960 --> 00:19:17,919 Speaker 1: gotta take a nap. Hey, sorry, you wanted Coca cola 302 00:19:18,000 --> 00:19:25,119 Speaker 1: before your nap? I do all right? Coming up. Wow, 303 00:19:25,200 --> 00:19:27,280 Speaker 1: So it looks like this police police station has a 304 00:19:27,280 --> 00:19:30,680 Speaker 1: lot of kids working with adults. That's legal. Here, Look 305 00:19:30,880 --> 00:19:34,119 Speaker 1: what it was it? Jeremy? Is that it? Now? I 306 00:19:34,200 --> 00:19:36,560 Speaker 1: don't know what kind of snot knows name Jeremy is. 307 00:19:36,600 --> 00:19:39,560 Speaker 1: But I'll tell you one thing. You can be my partner. Here. 308 00:19:39,640 --> 00:19:42,720 Speaker 1: Here's a service revolver forore. You tighten it up, tighten 309 00:19:42,760 --> 00:19:45,439 Speaker 1: it around your waist. You can drive the car. Do 310 00:19:45,440 --> 00:19:50,400 Speaker 1: you understand? That's fine with me. I don't give a ship, dude. 311 00:19:50,480 --> 00:19:53,359 Speaker 1: I don't see numbers, Jeremy. But the one thing that 312 00:19:53,400 --> 00:19:55,920 Speaker 1: you better not do. If I'm about to make a collar, 313 00:19:56,160 --> 00:20:00,399 Speaker 1: it's my collar. Do you understand? Um? No, because I 314 00:20:00,400 --> 00:20:03,080 Speaker 1: don't know what that means? Also, how were you born 315 00:20:03,200 --> 00:20:05,719 Speaker 1: two days after your mom died? Were you just like 316 00:20:05,840 --> 00:20:10,080 Speaker 1: living in her dead? Hey? What's the what's this detective? 317 00:20:10,400 --> 00:20:15,560 Speaker 1: Take your kid to work day or what? You're a smartman? Huh? 318 00:20:15,760 --> 00:20:20,040 Speaker 1: You'd like to talk smart talk? Jeremy slapping? Oh that 319 00:20:20,280 --> 00:20:23,680 Speaker 1: mildly hurt. That's what I'm talking about. Things are gonna 320 00:20:23,680 --> 00:20:25,919 Speaker 1: be a little bit different around here. Jeremy and I 321 00:20:26,040 --> 00:20:28,520 Speaker 1: came looking for some information and we expect you to 322 00:20:28,560 --> 00:20:30,840 Speaker 1: give it to us. Look, I was nowhere near the 323 00:20:30,880 --> 00:20:33,639 Speaker 1: docks that day, detective. Can you prove it? Do you 324 00:20:33,640 --> 00:20:38,080 Speaker 1: have any written documentary photographs? Did you put some on 325 00:20:38,160 --> 00:20:40,359 Speaker 1: Instagram at the time that I can use as a 326 00:20:40,440 --> 00:20:44,119 Speaker 1: time verification? Yeah? I posted Instagram a lot. You know, 327 00:20:44,200 --> 00:20:47,280 Speaker 1: some might say I'm an influencer. How many followers do 328 00:20:47,320 --> 00:20:50,160 Speaker 1: you have? I got a couple of thousand, all right, 329 00:20:51,040 --> 00:20:57,800 Speaker 1: as to the kid directly, exactly how many you've gone? Yeah? Alright, good, alright, 330 00:20:57,880 --> 00:20:59,760 Speaker 1: pulling it up now, I have one thousand, seven hundred 331 00:21:00,000 --> 00:21:04,760 Speaker 1: easy too, I've got twent and half of them are fake. 332 00:21:04,880 --> 00:21:09,879 Speaker 1: You're not an influencer, you're a oh Ronnie baby. I mean, 333 00:21:09,880 --> 00:21:12,359 Speaker 1: I'm doing ether i can, but you gotta boost those numbers, alright. 334 00:21:12,480 --> 00:21:13,960 Speaker 1: I'm not gonna be able to get these as where 335 00:21:13,960 --> 00:21:16,960 Speaker 1: those those numbers are a little higher. Okay, Okay, Look, 336 00:21:17,119 --> 00:21:19,760 Speaker 1: I'm a I'm a mobster. I work at the docks. 337 00:21:19,880 --> 00:21:23,680 Speaker 1: You know I don't want to be too well known. Okay, Look, 338 00:21:23,720 --> 00:21:25,119 Speaker 1: come on, don't you want to leave that life behind. 339 00:21:25,200 --> 00:21:27,440 Speaker 1: I can get you any kind of liquid in the 340 00:21:27,560 --> 00:21:30,639 Speaker 1: cane for free, for life. I just need you to 341 00:21:30,720 --> 00:21:34,359 Speaker 1: boost these numbers up. Why don't we do a little experiment? Huh? 342 00:21:34,680 --> 00:21:41,439 Speaker 1: Why wanted to look experiment? Okay, all right, okay? Is 343 00:21:41,440 --> 00:21:44,560 Speaker 1: it another paid promotion? Because it's like I feel dirty 344 00:21:44,600 --> 00:21:47,640 Speaker 1: when I do that? Okay, you know that's the bis ron, 345 00:21:47,760 --> 00:21:51,760 Speaker 1: that's the bis Do I feel dirty? Huh? Who is this? 346 00:21:51,960 --> 00:22:00,639 Speaker 1: Fucking comocally? This is my Instagram agent? Agent ship? How 347 00:22:00,680 --> 00:22:03,879 Speaker 1: are you doing? Are you on Instagram? Who wants to know? 348 00:22:06,760 --> 00:22:08,880 Speaker 1: Oh yeah, let me tell you something. When I get 349 00:22:08,920 --> 00:22:15,600 Speaker 1: done with your mother, I'll let you know what. Look, Jeremy, 350 00:22:15,680 --> 00:22:17,960 Speaker 1: I'm not gonna lie to you. My back is out again. 351 00:22:18,440 --> 00:22:22,520 Speaker 1: Oh nuts. Something is going on crazy with that running 352 00:22:22,600 --> 00:22:25,720 Speaker 1: guy and he's lying to you about his followers. Look, 353 00:22:25,760 --> 00:22:27,560 Speaker 1: I can't shim me up. I can't shim me up 354 00:22:27,560 --> 00:22:29,800 Speaker 1: the chimney by myself. Here's what I need you to do. 355 00:22:30,320 --> 00:22:32,600 Speaker 1: You got a little body, you got tiny hands, like 356 00:22:32,680 --> 00:22:35,280 Speaker 1: they say, Hell, you're welcome, man. I'm just saying what 357 00:22:35,359 --> 00:22:38,920 Speaker 1: I see here they say in China. Slither my little 358 00:22:39,000 --> 00:22:41,760 Speaker 1: tiny body up the chimney like a little chimney snake, 359 00:22:41,840 --> 00:22:50,240 Speaker 1: and um hide out for him. Absolutely absolutely, And I 360 00:22:50,280 --> 00:22:52,919 Speaker 1: want you to take this in here. Here, hold your hand. Now, 361 00:22:53,920 --> 00:22:57,160 Speaker 1: this is cyanide pill. If any ship goes wrong, either 362 00:22:57,280 --> 00:22:59,600 Speaker 1: you take it or you give it to somebody else. 363 00:22:59,640 --> 00:23:02,719 Speaker 1: It's your choice. I'm not telling you what to do. Okay, 364 00:23:03,440 --> 00:23:07,800 Speaker 1: how fast does it work? It works instantly, absolutely instantly. 365 00:23:07,840 --> 00:23:10,800 Speaker 1: If anything, at the first sign of anything going wrong, 366 00:23:11,080 --> 00:23:14,280 Speaker 1: you take yourself out or you take somebody else out. Okay, 367 00:23:14,280 --> 00:23:17,520 Speaker 1: I got it. I have one more question. So is 368 00:23:17,560 --> 00:23:23,439 Speaker 1: she legally declared dead? And then they were likely? I 369 00:23:23,480 --> 00:23:28,240 Speaker 1: need to report a missing person? Uh? It's is this 370 00:23:28,320 --> 00:23:33,760 Speaker 1: the desk that I do that at my child? Um? Jeremy, 371 00:23:34,440 --> 00:23:37,600 Speaker 1: I guess is anybody working here? This is an emergency? 372 00:23:38,119 --> 00:23:42,040 Speaker 1: What do you mean? Hi, little guy? Um? Is there 373 00:23:42,080 --> 00:23:45,480 Speaker 1: somebody here? I can file a missing person's report with me, 374 00:23:47,240 --> 00:23:51,000 Speaker 1: and I can get you a Coca cola. Oh my, okay, 375 00:23:51,040 --> 00:23:55,119 Speaker 1: I'll take a Coca cola. I prefer to work with 376 00:23:55,160 --> 00:23:59,960 Speaker 1: an adult. But oh, the adults are taking naps now, 377 00:24:00,080 --> 00:24:07,560 Speaker 1: so taking naps? Okay, fine, that was I'm sorry. Let 378 00:24:07,600 --> 00:24:11,840 Speaker 1: me get that. Um. So should I fill the paper 379 00:24:11,840 --> 00:24:14,920 Speaker 1: out or I can fill it out? All right? Well, 380 00:24:15,359 --> 00:24:17,959 Speaker 1: my son's been missing since I believe the last time. 381 00:24:17,960 --> 00:24:26,280 Speaker 1: My song was about here you go? Where did you want? Class? 382 00:24:27,400 --> 00:24:33,399 Speaker 1: Excuse me? Did you want get it? Yes? Um, and 383 00:24:33,760 --> 00:24:37,879 Speaker 1: his name is Jeremy Clam Are you strawing a picture? 384 00:24:38,160 --> 00:24:41,879 Speaker 1: Look at this? That's very nice, but I need to 385 00:24:41,880 --> 00:24:45,520 Speaker 1: fill a missing person's report out. Do you know how 386 00:24:45,560 --> 00:24:50,520 Speaker 1: to run fast? Yeah, Jeremy, can you hear me over 387 00:24:50,560 --> 00:24:52,360 Speaker 1: the earps? Are you and the chimney? Can you hear 388 00:24:52,400 --> 00:24:57,880 Speaker 1: me in here? Hey? Look? Look while you're there, what's 389 00:24:57,920 --> 00:25:01,840 Speaker 1: the coughing bout? Look? Do you want to be a detective? 390 00:25:01,880 --> 00:25:03,880 Speaker 1: You need to learn how to crawl in some type places. 391 00:25:04,200 --> 00:25:07,560 Speaker 1: One time I literally got stuck inside the anus of 392 00:25:07,600 --> 00:25:10,400 Speaker 1: a sea turtle. Do you hear me? Wow? I think, 393 00:25:10,400 --> 00:25:13,119 Speaker 1: I think I hear you, But what I'm hearing doesn't 394 00:25:13,119 --> 00:25:16,280 Speaker 1: make any sense. Look, Jeremy, while you're in there, I 395 00:25:16,280 --> 00:25:19,440 Speaker 1: just want to tell you something. Okay, if you're in 396 00:25:19,480 --> 00:25:21,520 Speaker 1: his agent's office. Can you see it from where you 397 00:25:21,560 --> 00:25:23,680 Speaker 1: are now? No, I mean a chimney, but I can 398 00:25:23,720 --> 00:25:29,120 Speaker 1: crawl down and okay, okay, yeah, I see it. Everything's 399 00:25:29,160 --> 00:25:32,760 Speaker 1: upside down. Yeah, everything's upside down. What you're saying to me? 400 00:25:32,880 --> 00:25:34,920 Speaker 1: My head sticking out of the bottom of the chimney. 401 00:25:35,240 --> 00:25:38,480 Speaker 1: Don't go ahead and get the rest of your body Ronnie, baby, 402 00:25:38,480 --> 00:25:40,680 Speaker 1: listen to me. Okay, look, I'll get that in a second. 403 00:25:40,720 --> 00:25:42,200 Speaker 1: Let me just let me just figure this out and 404 00:25:42,280 --> 00:25:49,399 Speaker 1: I'll get right back to you. Goddamnita. Mom, Look you're tiny, 405 00:25:49,440 --> 00:25:53,280 Speaker 1: you're tiny. Go over to his desk, find any type 406 00:25:53,280 --> 00:25:56,960 Speaker 1: of device and sell you the device a telephone. And 407 00:25:57,200 --> 00:26:03,040 Speaker 1: I did. Yeah, yeah, time yeah, well three, look at 408 00:26:03,080 --> 00:26:10,800 Speaker 1: me their mom. Yes I know him. Okay, great, well yeah, 409 00:26:10,800 --> 00:26:13,200 Speaker 1: I don't look, I don't care if you invited you 410 00:26:13,240 --> 00:26:17,280 Speaker 1: to a steak at dinner. Just be careful, all right, Yeah, 411 00:26:17,440 --> 00:26:21,200 Speaker 1: I know, yes, a showered Okay, he's on the phone. 412 00:26:21,240 --> 00:26:24,960 Speaker 1: I'm gonna see a little iPad here. I'm I'm grabbing it. Okay, 413 00:26:25,000 --> 00:26:27,160 Speaker 1: I got it, I got it. Go ahead right there 414 00:26:27,160 --> 00:26:29,760 Speaker 1: for you are now signing to his Instagram account. Look 415 00:26:29,760 --> 00:26:32,199 Speaker 1: at his actual followers. See how many of them are 416 00:26:32,240 --> 00:26:37,320 Speaker 1: for click farms. From click farms. I'll wait. Okay, so 417 00:26:37,359 --> 00:26:38,960 Speaker 1: if I'm gonna do this one by one, it's gonna 418 00:26:39,000 --> 00:26:41,640 Speaker 1: take quite a while. I take your time. I'm having 419 00:26:41,640 --> 00:26:47,720 Speaker 1: the coffee. Hey everyone, it's Ronnie, just just saying hi, um, 420 00:26:49,840 --> 00:26:54,400 Speaker 1: what's up. Hey, I'm I'm shooting something tutdy uh just 421 00:26:55,080 --> 00:26:58,080 Speaker 1: I'm I'm live streaming right now. Okay, just just doing 422 00:26:58,080 --> 00:27:03,000 Speaker 1: a little bit for the old insta. Okay, hey guys, uh, 423 00:27:03,040 --> 00:27:05,920 Speaker 1: it's Ronnie. We're doing some importing exporting, if you catch 424 00:27:06,000 --> 00:27:10,159 Speaker 1: my drift. Uh. But when you're actually importing or exporting, 425 00:27:10,320 --> 00:27:13,680 Speaker 1: you know, what do you want the cigarettes? Rennie? Uh? Yeah, 426 00:27:13,760 --> 00:27:16,399 Speaker 1: put him on the truck, all right. And if one 427 00:27:16,400 --> 00:27:21,040 Speaker 1: of them follows, okay, whether they see your face now, 428 00:27:21,119 --> 00:27:29,560 Speaker 1: Tuddy Uh, I call him Tuddy. We we joke around. Uh. Look, 429 00:27:29,800 --> 00:27:33,680 Speaker 1: if you need a website, Squarespace is great, uh to 430 00:27:34,119 --> 00:27:37,480 Speaker 1: whether you're importing or exporting, you know, you can get 431 00:27:37,520 --> 00:27:43,960 Speaker 1: your name out there. And Ronnie, what is this that 432 00:27:44,080 --> 00:27:51,800 Speaker 1: I hear that you are on some kind of in Telegram, Instagram, Gudfather, Instagra, Instagram. 433 00:27:51,800 --> 00:27:57,159 Speaker 1: My niece, who is an avid practitioner of online goods, 434 00:27:58,119 --> 00:28:03,200 Speaker 1: says they do or on that in Telegram? Am I mistaken? 435 00:28:03,440 --> 00:28:08,600 Speaker 1: Instagram Godfather? Yeah, no, you're not mistaken. I hired a 436 00:28:08,640 --> 00:28:14,040 Speaker 1: guy to boost my followers. Okay, well I'm up to 437 00:28:14,119 --> 00:28:17,119 Speaker 1: I'm up to like, uh, five thousand, but a lot 438 00:28:17,160 --> 00:28:20,719 Speaker 1: of them a bots, Okay, five thousand robots. They're not 439 00:28:20,760 --> 00:28:23,159 Speaker 1: all robots, all right, but some of them are bots. 440 00:28:23,400 --> 00:28:26,920 Speaker 1: Maybe we could use those robots on the street. I 441 00:28:26,960 --> 00:28:29,719 Speaker 1: don't think it works that wake up, father. How about this? 442 00:28:30,280 --> 00:28:32,280 Speaker 1: How about I give you some product and you got 443 00:28:32,359 --> 00:28:37,040 Speaker 1: a shell it on your instact land huh. Okay, so 444 00:28:37,160 --> 00:28:41,720 Speaker 1: like a sponsored post, like a little sponsored there we go. Yeah, 445 00:28:41,840 --> 00:28:47,960 Speaker 1: how about that oranges? Yeah, but this shyite inside oranges 446 00:28:47,960 --> 00:28:52,520 Speaker 1: with cyanide. I just think there's a limited audience for that. 447 00:28:52,680 --> 00:28:57,520 Speaker 1: To your father, Jeremy, about fifteen cars just pulled up 448 00:28:57,520 --> 00:29:00,400 Speaker 1: out front. Here's what you need to do. No, no, no, 449 00:29:00,560 --> 00:29:03,080 Speaker 1: there's no time for panic. There's one thing about detectives. 450 00:29:03,120 --> 00:29:06,680 Speaker 1: We never panic. Now. Look, there's a gun. I stepped 451 00:29:06,680 --> 00:29:08,880 Speaker 1: a gun to your lower back. You have two guns now. 452 00:29:08,920 --> 00:29:11,120 Speaker 1: You didn't even know I stepped. Oh my god. I 453 00:29:11,160 --> 00:29:13,400 Speaker 1: was wondering. I thought I was going through puberty. But 454 00:29:13,400 --> 00:29:15,320 Speaker 1: it's just a gun on my back. Yeah. And by 455 00:29:15,320 --> 00:29:17,240 Speaker 1: the way, when you do go through puberty, there won't 456 00:29:17,280 --> 00:29:20,080 Speaker 1: be anything like the feeling of a gun on your back. Okay, 457 00:29:21,200 --> 00:29:24,560 Speaker 1: so much? Yeah, well of course. Look, I'm gonna come 458 00:29:24,600 --> 00:29:26,600 Speaker 1: in the door and like less than five minutes with 459 00:29:26,680 --> 00:29:30,800 Speaker 1: the guns of blazing bullets are gonna be flying everywhere. 460 00:29:31,560 --> 00:29:33,120 Speaker 1: I need you to be on the other side of 461 00:29:33,120 --> 00:29:35,800 Speaker 1: the room with guns of blazing. We're gonna do it's 462 00:29:35,840 --> 00:29:38,440 Speaker 1: called the classic Italian sandwich. We're gonna catch them in 463 00:29:38,480 --> 00:29:42,080 Speaker 1: the middle of our bullet fire. Stay low, you aim high. 464 00:29:42,440 --> 00:29:46,240 Speaker 1: I know I'll aim high. Stay low, you stay low, 465 00:29:46,320 --> 00:29:52,400 Speaker 1: and I'll be up high. I got a coffee that sir. Also, um, 466 00:29:52,520 --> 00:29:56,080 Speaker 1: what happened to the donkey who gave the legs to 467 00:29:56,240 --> 00:30:00,840 Speaker 1: your dad? Great question? I don't no. I think if 468 00:30:00,880 --> 00:30:05,280 Speaker 1: you mix red and green together you get blue. No, 469 00:30:05,480 --> 00:30:10,040 Speaker 1: that doesn't work that way. Primary colors red and green, mcbrown. Okay, 470 00:30:10,360 --> 00:30:15,240 Speaker 1: red and blue make purple. I mean this is I 471 00:30:15,280 --> 00:30:16,880 Speaker 1: don't need this picture. I need to talk to an 472 00:30:16,880 --> 00:30:20,760 Speaker 1: adult when s naptime over. Okay, guys, we need to 473 00:30:20,800 --> 00:30:24,240 Speaker 1: move these oranges all right now. Don't don't taste the oranges, 474 00:30:24,320 --> 00:30:29,280 Speaker 1: all right now, Let's get them all this crap unless 475 00:30:29,320 --> 00:30:31,640 Speaker 1: we taste it. We gotta sample it, all right, Teddy, 476 00:30:31,720 --> 00:30:35,840 Speaker 1: don't don't taste the oranges. Okay, Tuddy, I ain't doing it, 477 00:30:36,000 --> 00:30:40,200 Speaker 1: Brian Murphy, can I taste one of the oranges? Thanks? 478 00:30:40,360 --> 00:30:44,200 Speaker 1: Mr Tuddy. We gotta try. I mean, I think I 479 00:30:44,280 --> 00:30:47,000 Speaker 1: might got scurvy, you know. What I means you don't 480 00:30:47,000 --> 00:30:51,320 Speaker 1: catch scurvy alright, always had scurvy. And four you don't 481 00:30:51,360 --> 00:30:54,240 Speaker 1: know here have half of mine? Here? You go along 482 00:30:54,320 --> 00:30:57,560 Speaker 1: and just busted down the muddle. Okay, you guys knows 483 00:30:57,600 --> 00:30:59,320 Speaker 1: that the people have tasted the orange is already have 484 00:30:59,440 --> 00:31:05,400 Speaker 1: passed out. That not a big future in tasting the ongees. 485 00:31:05,480 --> 00:31:08,320 Speaker 1: And I still gotta do a fucking post about it though, 486 00:31:08,720 --> 00:31:12,840 Speaker 1: all right, so I just post don't taste the merchant? Hey, guys, 487 00:31:13,080 --> 00:31:17,160 Speaker 1: is Ronnie checking in? Uh hey, we got some oranges 488 00:31:17,200 --> 00:31:22,640 Speaker 1: with cyanide here, some old WC and don't taste them, 489 00:31:22,680 --> 00:31:25,440 Speaker 1: but they're fantastic, you know, whether you just want one 490 00:31:25,480 --> 00:31:28,240 Speaker 1: one on your mantel piece or gift for your enemy. 491 00:31:28,760 --> 00:31:33,120 Speaker 1: Uh go to well oranges with Cyanide dot com. All right, 492 00:31:34,160 --> 00:31:38,360 Speaker 1: Uh man, these are all fucking bots. This is ridiculous. 493 00:31:38,520 --> 00:31:47,840 Speaker 1: That is seem too so happy. Seen three comes with 494 00:31:47,920 --> 00:31:50,920 Speaker 1: some listener Bifster who wrote high Kip and I really 495 00:31:50,920 --> 00:31:55,400 Speaker 1: want to need to hear James do his demon voice again. Please. 496 00:31:55,880 --> 00:31:57,719 Speaker 1: I heard him sneaking in at the end of one 497 00:31:57,720 --> 00:31:59,520 Speaker 1: of the episodes a few months ago and it just 498 00:31:59,640 --> 00:32:03,720 Speaker 1: made me miss it more. How about a demon with amnesia. Yeah, 499 00:32:04,400 --> 00:32:07,240 Speaker 1: I can hear it now. You're all great, Please never 500 00:32:07,320 --> 00:32:12,800 Speaker 1: stop doing this podcast, best bif stir All right, listen. 501 00:32:12,800 --> 00:32:14,880 Speaker 1: When you get in the door, you just gotta make 502 00:32:14,920 --> 00:32:17,640 Speaker 1: your case as to why you went to the wrong place. 503 00:32:17,680 --> 00:32:20,160 Speaker 1: You gotta go. You want to go upstairs or back 504 00:32:20,160 --> 00:32:23,080 Speaker 1: to the surface. Okay, you got one shot at this. 505 00:32:23,320 --> 00:32:26,240 Speaker 1: Just make it clean, make it snappy, maybe a little 506 00:32:26,280 --> 00:32:30,520 Speaker 1: bit entertaining. I've set up the opportunity. You just gotta 507 00:32:30,680 --> 00:32:37,480 Speaker 1: make the most of it, all right, I apologize, excuse me? 508 00:32:39,200 --> 00:32:44,200 Speaker 1: Are you planning on coming into this building here? I'm 509 00:32:44,400 --> 00:32:47,440 Speaker 1: so sorry. You're the fucking You're fucking demon, You're the 510 00:32:47,480 --> 00:32:53,840 Speaker 1: fucking devil. Right, I'm so sorry. I was like I 511 00:32:53,600 --> 00:32:56,800 Speaker 1: had I hired this guy in hell to help me out, 512 00:32:57,360 --> 00:32:59,200 Speaker 1: to like try to convince you to get me out 513 00:32:59,200 --> 00:33:01,320 Speaker 1: of here. And I'm just really taken aback that you are. 514 00:33:01,920 --> 00:33:04,960 Speaker 1: Like the meeting hasn't started yet and you're in the room. 515 00:33:05,000 --> 00:33:08,000 Speaker 1: I'm so nervous. I've never seen him out of his office. 516 00:33:08,040 --> 00:33:10,880 Speaker 1: This is crazy. I gotta be honest. I'm not myself 517 00:33:10,960 --> 00:33:15,320 Speaker 1: right now. I don't exactly recall why I'm here. Yeah, yeah, 518 00:33:15,360 --> 00:33:19,680 Speaker 1: this is like a Starbucks, I mean coffee ship, but 519 00:33:19,840 --> 00:33:23,440 Speaker 1: it's like one. Okay, it's so we're at a Starbucks 520 00:33:23,960 --> 00:33:27,720 Speaker 1: in Hell? Did you summon me here? What can I 521 00:33:27,760 --> 00:33:32,560 Speaker 1: get you? Guys? Who should? So? You? Guys? Do you 522 00:33:32,680 --> 00:33:35,480 Speaker 1: have everything today? Like? You're not out of anything? Yeah, 523 00:33:35,520 --> 00:33:38,200 Speaker 1: we'reight a couple of things. Okay, Well, I just want 524 00:33:38,320 --> 00:33:44,560 Speaker 1: like a coffee? Are you out of that coffee for Toby? 525 00:33:44,640 --> 00:33:48,200 Speaker 1: I'm sorry my name is Toby, but yes, thank you, 526 00:33:49,280 --> 00:33:52,640 Speaker 1: I have Toby down here. Okay, okay, he guess who's 527 00:33:52,640 --> 00:33:54,840 Speaker 1: not going to argue with you today? Me? I got 528 00:33:54,880 --> 00:33:58,080 Speaker 1: a lot on my plate. Pal, Just thank you and 529 00:33:58,120 --> 00:34:00,400 Speaker 1: get out of here, I said, thank you. I'm trying 530 00:34:00,440 --> 00:34:05,080 Speaker 1: to leave, but you keep initiating conversation. Fine, leave then, 531 00:34:05,440 --> 00:34:08,600 Speaker 1: let's see I was two steps away from you and 532 00:34:08,680 --> 00:34:11,120 Speaker 1: you started it up again. Have a fun day in Hell. 533 00:34:11,560 --> 00:34:20,759 Speaker 1: Gosh damn it. I'd like a unicorn. Lte said buzz oh, yeah, 534 00:34:20,760 --> 00:34:26,680 Speaker 1: we're still going good good good, and rip out his horn. 535 00:34:29,080 --> 00:34:31,239 Speaker 1: Just blend that up for you, and I don't get 536 00:34:31,239 --> 00:34:35,400 Speaker 1: it for you. I don't want I'm realizing now what 537 00:34:35,560 --> 00:34:38,520 Speaker 1: kind of I could have thought in Hell. I'm not 538 00:34:38,560 --> 00:34:41,320 Speaker 1: interested in anything that you're selling. You gotta get something. 539 00:34:41,960 --> 00:34:44,720 Speaker 1: You gotta get something, Okay, I guess I will take 540 00:34:44,920 --> 00:34:55,399 Speaker 1: the bio iced tea please with boba. Sure, okay, exactly. Man, 541 00:34:56,440 --> 00:35:00,800 Speaker 1: I was behind the the quote unquote s Bucks yesterday 542 00:35:00,800 --> 00:35:02,960 Speaker 1: and I find a box for the old unicorn horn. 543 00:35:03,719 --> 00:35:06,440 Speaker 1: What did I do with it? It's what we're gonna do. 544 00:35:06,480 --> 00:35:10,360 Speaker 1: It is what's important to me. Zaccharly, keep talking. No, 545 00:35:10,520 --> 00:35:12,840 Speaker 1: I needed your help. Didn't deciding what to do with it. 546 00:35:12,880 --> 00:35:14,440 Speaker 1: I just got in the box, and I was hoping 547 00:35:14,440 --> 00:35:16,479 Speaker 1: that I'm one of those guys. I'm not that great 548 00:35:16,480 --> 00:35:20,080 Speaker 1: on my own. Have somebody else to I find stuff, 549 00:35:20,120 --> 00:35:22,040 Speaker 1: and then I want help with it, and then you 550 00:35:22,080 --> 00:35:25,360 Speaker 1: need direction. I want help. I want I want somebody 551 00:35:25,360 --> 00:35:28,480 Speaker 1: to de partner with my mother about partner. I'm a 552 00:35:28,600 --> 00:35:31,239 Speaker 1: very large family. I'm not great at finding things, so 553 00:35:31,360 --> 00:35:34,320 Speaker 1: this might just work out. Uh. The first thing I 554 00:35:34,360 --> 00:35:37,040 Speaker 1: would say is we sell them on the market. Yeah, 555 00:35:37,239 --> 00:35:40,839 Speaker 1: that's a good idea. Sell them on the market. Yeah exactly. 556 00:35:41,000 --> 00:35:45,960 Speaker 1: But yeah, go ahead. You gotta choose between the red market, 557 00:35:46,120 --> 00:35:50,320 Speaker 1: the white market, and the black market. Yeah, brown market, 558 00:35:50,440 --> 00:35:54,359 Speaker 1: the green market, yeah, what all the market? Any other 559 00:35:54,440 --> 00:35:59,200 Speaker 1: color markets? I think you just gotta pick one. I 560 00:35:59,280 --> 00:36:01,760 Speaker 1: know that if I did hear that the blue market 561 00:36:01,840 --> 00:36:05,080 Speaker 1: and the red market got the blue market together makes 562 00:36:06,600 --> 00:36:10,400 Speaker 1: purple market market. Let's do that. Let's do that. We 563 00:36:10,480 --> 00:36:13,360 Speaker 1: take it to the purple market. And what is it again? 564 00:36:13,360 --> 00:36:17,120 Speaker 1: You got unicorn? Okay, great, So this is your area 565 00:36:17,200 --> 00:36:19,080 Speaker 1: right here, so you can pop up your tent uh 566 00:36:19,080 --> 00:36:21,560 Speaker 1: and you're gonna be able to sell from about five 567 00:36:21,600 --> 00:36:24,160 Speaker 1: am all the way it's about noon. That's until that's 568 00:36:24,160 --> 00:36:27,440 Speaker 1: when the market closes. So what do you what do 569 00:36:27,480 --> 00:36:29,800 Speaker 1: you do? What do you do here here at the 570 00:36:29,800 --> 00:36:32,000 Speaker 1: Farmer's Market? Well? What I do? I sell fresh fruit 571 00:36:32,080 --> 00:36:35,760 Speaker 1: and vegetables right over there. I'm I'm Chris. I'm Christmas 572 00:36:35,800 --> 00:36:39,760 Speaker 1: Produce Chris. Don't a lot of people sell fresh produce 573 00:36:39,840 --> 00:36:42,759 Speaker 1: and do Yeah, it's really hard. It's really hard to 574 00:36:42,760 --> 00:36:47,239 Speaker 1: get noticed. We're gonna be I think I do here. 575 00:36:47,320 --> 00:36:48,640 Speaker 1: This is something I do here. When are the other 576 00:36:48,640 --> 00:36:50,960 Speaker 1: people pop up with the first produce? I go in there. 577 00:36:51,000 --> 00:36:53,919 Speaker 1: When they go into their car, right break their legs. 578 00:36:54,640 --> 00:36:58,680 Speaker 1: You fucking break that up. So right over there is 579 00:36:58,719 --> 00:37:01,480 Speaker 1: a porter party. Everyone hold on and just just this 580 00:37:01,680 --> 00:37:04,960 Speaker 1: is you don't you don't fuck and break their legs. 581 00:37:04,960 --> 00:37:07,839 Speaker 1: So I break their legs. Say that again, I hump 582 00:37:07,880 --> 00:37:13,880 Speaker 1: their legs break. That's clever with my friend. There's outlets 583 00:37:13,880 --> 00:37:15,759 Speaker 1: over here able to just power up whatever you need 584 00:37:15,800 --> 00:37:17,960 Speaker 1: if you have light your sign you know whatnot and 585 00:37:18,719 --> 00:37:22,520 Speaker 1: another queue. I need an a for now when you're 586 00:37:22,520 --> 00:37:25,560 Speaker 1: sucking breaking their legs one at a time, or you 587 00:37:25,680 --> 00:37:29,759 Speaker 1: able it. I've been able to get both legs into 588 00:37:29,800 --> 00:37:32,440 Speaker 1: the chest. But excuse me? Who can answer my questions 589 00:37:32,440 --> 00:37:37,840 Speaker 1: about these tomatoes? Oh? I can't? Yes, how are you? Hi? Uh? 590 00:37:37,880 --> 00:37:41,880 Speaker 1: This is everything's organic here, right? Yeah? Okay, but this 591 00:37:41,920 --> 00:37:43,799 Speaker 1: is also in hell. This is a farmer's marketing in hell. 592 00:37:44,200 --> 00:37:47,520 Speaker 1: Uh huh? Okay, so is there there's some sort of 593 00:37:47,560 --> 00:37:52,000 Speaker 1: catch to everything? Right? Oh? Yeah, what's your question? Okay? 594 00:37:52,000 --> 00:37:54,040 Speaker 1: So in what way are the tomatoes damned? Because they 595 00:37:54,040 --> 00:37:58,120 Speaker 1: look really good? Uh? That you said they're organic? Yeah? 596 00:37:58,520 --> 00:38:02,319 Speaker 1: And how much for forget tomatoes? Bag of tomatoes is 597 00:38:02,880 --> 00:38:06,759 Speaker 1: about six inches of your skin? Okay? Okay, Well, then 598 00:38:06,760 --> 00:38:12,080 Speaker 1: there's try a free example first before you Okay, So 599 00:38:12,120 --> 00:38:13,960 Speaker 1: I get a free stamp with no inches taken out 600 00:38:14,000 --> 00:38:18,279 Speaker 1: of my skin? Yeah? Zero? Just gabbling goo? Okay, do 601 00:38:18,360 --> 00:38:22,440 Speaker 1: I have to sign anything? You just get a stably Okay, 602 00:38:23,080 --> 00:38:27,799 Speaker 1: give it a good sip. That's fantastic. That's the that's 603 00:38:27,800 --> 00:38:30,399 Speaker 1: the juiciest tomato I've had in my life. It's so good, 604 00:38:30,719 --> 00:38:35,520 Speaker 1: am I? He said? Six inches out of my skin? Yeah? Anywhere? 605 00:38:36,719 --> 00:38:38,840 Speaker 1: All right? So you've summoned me? Are you trying to 606 00:38:39,000 --> 00:38:42,960 Speaker 1: escape from Hell? What's going on? Why don't I remember? No? 607 00:38:43,239 --> 00:38:46,200 Speaker 1: I'm sorry, I just like I had, I hired a 608 00:38:47,080 --> 00:38:49,520 Speaker 1: um like lawyer here in Hell because I think I 609 00:38:49,719 --> 00:38:55,240 Speaker 1: shouldn't be here. And um, I you made this appointment 610 00:38:55,280 --> 00:38:57,800 Speaker 1: with me. So when you say yes, you made this 611 00:38:57,920 --> 00:39:00,800 Speaker 1: point with me. Oh my god, I'm so so. You 612 00:39:00,840 --> 00:39:03,799 Speaker 1: don't have to apologize. I need you to help me out. 613 00:39:04,000 --> 00:39:09,640 Speaker 1: So um oh, shoot, I'm probably not supposed to be here. 614 00:39:10,520 --> 00:39:14,160 Speaker 1: Somebody mentioned God. You mentioned God here? What we mentioned 615 00:39:14,200 --> 00:39:17,240 Speaker 1: God here? I don't know. I might have I forget 616 00:39:17,320 --> 00:39:22,120 Speaker 1: what I said. Did you for you? Oh? That would 617 00:39:22,120 --> 00:39:26,239 Speaker 1: be crazy, I would You probably didn't. That's insane. You 618 00:39:26,360 --> 00:39:32,880 Speaker 1: don't say Jesus, Yeah, you probably did me. I have 619 00:39:32,960 --> 00:39:37,000 Speaker 1: a name, okay, I haven't how much supposed to know 620 00:39:37,280 --> 00:39:40,680 Speaker 1: his name? Huh? Oh you could and it happens to 621 00:39:40,760 --> 00:39:43,399 Speaker 1: also be ladies. So you got lucky on that one. 622 00:39:43,520 --> 00:39:47,200 Speaker 1: But just for future reference. That's no way to talk 623 00:39:47,239 --> 00:39:50,799 Speaker 1: to a lady unless it's her name. Excuse me, lady 624 00:39:55,080 --> 00:39:58,960 Speaker 1: as easy tigers easy. Hey, you know what what you're 625 00:39:59,000 --> 00:40:04,240 Speaker 1: saying is extreme, really sexist. See it is a little sexy, 626 00:40:04,320 --> 00:40:08,560 Speaker 1: but even more so than that, it's sexist. A lady 627 00:40:08,640 --> 00:40:11,160 Speaker 1: and a tigress, which, lucky for you, happened to be 628 00:40:11,440 --> 00:40:14,560 Speaker 1: my first and last name. Just so you know, a 629 00:40:14,640 --> 00:40:16,960 Speaker 1: lot of other women, a lot of other ladies, a 630 00:40:17,000 --> 00:40:20,719 Speaker 1: lot of other tigresses will not like it. Anyway. What 631 00:40:20,920 --> 00:40:25,279 Speaker 1: do I have? Um? Cancer? Yes, you have it. You 632 00:40:25,400 --> 00:40:29,720 Speaker 1: finally got it. You finally got exactly what you're looking for. God, 633 00:40:30,120 --> 00:40:33,520 Speaker 1: thank you at least a good person. So if I 634 00:40:33,640 --> 00:40:36,319 Speaker 1: do die from this, I will go to the heaven 635 00:40:36,400 --> 00:40:39,879 Speaker 1: that I believe so much in. Okay, hey, good luck, 636 00:40:40,160 --> 00:40:46,560 Speaker 1: lady tigress. All right, thank you for covering for me. 637 00:40:46,719 --> 00:40:50,279 Speaker 1: I shouldn't have said that in here. So you want 638 00:40:50,320 --> 00:40:54,200 Speaker 1: to go to heaven? Right? Yeah? Okay, well yes that 639 00:40:54,239 --> 00:40:57,480 Speaker 1: shouldn't be too difficult. Um, let's we're gonna to look 640 00:40:57,480 --> 00:41:01,000 Speaker 1: at your paperwork. What what brought you down here? I? Well, 641 00:41:01,160 --> 00:41:06,879 Speaker 1: I died obviously because I had what is don't give 642 00:41:06,960 --> 00:41:10,600 Speaker 1: me attitude I'm trying to help you out what kind 643 00:41:10,640 --> 00:41:13,200 Speaker 1: of sid needs to be atoned for I was. I 644 00:41:13,280 --> 00:41:14,960 Speaker 1: don't know, a lot of people think I was a 645 00:41:15,040 --> 00:41:19,839 Speaker 1: bad person, but I don't think I was that bad. Okay, Well, 646 00:41:20,800 --> 00:41:23,560 Speaker 1: like on a scale of one to ted, I would 647 00:41:23,600 --> 00:41:26,160 Speaker 1: say a zero. I wouldn't even be on the scale. Okay, 648 00:41:26,280 --> 00:41:28,040 Speaker 1: I'm sorry, I can't help you if you're not gonna 649 00:41:28,040 --> 00:41:29,880 Speaker 1: be honest with me. I'll tell you what I did, 650 00:41:29,960 --> 00:41:32,759 Speaker 1: but I don't think it's bad do it. I would 651 00:41:32,840 --> 00:41:36,040 Speaker 1: find pigeons walking around the side of the street, and 652 00:41:36,120 --> 00:41:39,239 Speaker 1: then I would pull their feathers off, and then I 653 00:41:39,480 --> 00:41:42,439 Speaker 1: would release them back into the wild, like totally naked 654 00:41:42,480 --> 00:41:48,560 Speaker 1: pigeons that cannot dan. I don't know if this is 655 00:41:48,640 --> 00:41:51,640 Speaker 1: really enough, but I think there's some like some like 656 00:41:51,719 --> 00:41:55,480 Speaker 1: little chickens out front, but those are too small to 657 00:41:55,560 --> 00:41:58,080 Speaker 1: be chickens. I don't know, man, I've just never seen 658 00:41:58,080 --> 00:42:01,560 Speaker 1: a chicken without any like, you know, for whatever. But 659 00:42:02,480 --> 00:42:06,040 Speaker 1: I think there's a chickens out there. They're probably baby chickens. 660 00:42:06,480 --> 00:42:09,320 Speaker 1: The probably baby chickens. They haven't grown their fur, You 661 00:42:09,800 --> 00:42:14,440 Speaker 1: little chicken, that's why they're small. Nutstead, that's crazy, and 662 00:42:14,520 --> 00:42:16,160 Speaker 1: you're live in a city for so long, starts turning 663 00:42:16,200 --> 00:42:19,839 Speaker 1: into a little tiny farm. You know, I think they're 664 00:42:19,880 --> 00:42:24,359 Speaker 1: like eating seeds. We should give him this rice, all right? Yeah, Dan, 665 00:42:25,000 --> 00:42:27,120 Speaker 1: I know we're supposed to have that, you know, say 666 00:42:27,160 --> 00:42:28,960 Speaker 1: once tonight and open a portal to Hell and all 667 00:42:29,000 --> 00:42:31,960 Speaker 1: that ship. Yeah, I don't know. I don't think we 668 00:42:31,960 --> 00:42:36,120 Speaker 1: should do it. Man, Like, what if the demon comes through? Man? No, 669 00:42:36,440 --> 00:42:42,799 Speaker 1: come on, that's the point we're hoping for it for. Yeah, right, 670 00:42:42,880 --> 00:42:47,080 Speaker 1: see him. We got the book, an acronomicon, we got 671 00:42:47,200 --> 00:42:56,960 Speaker 1: that blood. The blood. Yeah, somebody or somebody want to 672 00:42:57,040 --> 00:43:00,400 Speaker 1: go to somebody want to go here? Um yeah, that 673 00:43:00,520 --> 00:43:05,319 Speaker 1: was that's our Um. Yeah, apologize. I ran over two 674 00:43:05,400 --> 00:43:11,000 Speaker 1: of your naked chickens outside them. Oh my god, Oh 675 00:43:11,200 --> 00:43:15,759 Speaker 1: my god, I said, I apologize. Guys, what did you 676 00:43:15,920 --> 00:43:21,040 Speaker 1: change what you did? Man? They were babies. Hey, don't 677 00:43:21,040 --> 00:43:25,440 Speaker 1: I get him here for the naked chickens got they 678 00:43:25,560 --> 00:43:29,719 Speaker 1: got ran over? Are you talking about by a guy 679 00:43:30,040 --> 00:43:34,719 Speaker 1: about seventeen naked chickens? Want? Oh? Man, it's they all 680 00:43:34,760 --> 00:43:39,279 Speaker 1: got rand over. Man, there's no somebody ran over seventeen chickens. Look, man, 681 00:43:39,719 --> 00:43:41,920 Speaker 1: what else do you want? Man? I want the truth? 682 00:43:45,000 --> 00:43:50,680 Speaker 1: Which one are you isn't Judge, Oh not me, it's Dan. 683 00:43:51,560 --> 00:43:57,440 Speaker 1: Oh yeah, Dan, let me talk to me. Taste on 684 00:43:57,600 --> 00:44:02,719 Speaker 1: my face. The other guy, he's baggage. He's baggage. Quick Sand, 685 00:44:02,760 --> 00:44:05,040 Speaker 1: get rid of him, Get rid of him. What did 686 00:44:05,120 --> 00:44:09,320 Speaker 1: I just say? You say, get rid of the job. Okay, 687 00:44:09,560 --> 00:44:12,520 Speaker 1: like right now, right here in front of me, I 688 00:44:12,560 --> 00:44:14,840 Speaker 1: want you to get rid of me. Oh I can't 689 00:44:14,920 --> 00:44:17,120 Speaker 1: do that. We gotta sayance tonight. And if I don't 690 00:44:17,160 --> 00:44:23,600 Speaker 1: have somebody you bring balls or something. We're opening a 691 00:44:23,719 --> 00:44:25,800 Speaker 1: port role to Hell. And if I don't have a 692 00:44:25,920 --> 00:44:29,800 Speaker 1: hand to lock the circle of well, it could escape. Okay, 693 00:44:29,840 --> 00:44:32,279 Speaker 1: you see this hand, that's my hand, and I'm gonna 694 00:44:32,280 --> 00:44:34,120 Speaker 1: open up a port of to Hell in your chest 695 00:44:34,200 --> 00:44:37,759 Speaker 1: in about three seconds. Ready, Okay, no, no, no, no, no, no. 696 00:44:37,840 --> 00:44:39,359 Speaker 1: I'll get rid of them. I'll get rid of them. 697 00:44:39,520 --> 00:44:42,160 Speaker 1: That's that's it. Ride of them. Say the right thing, 698 00:44:42,360 --> 00:44:46,480 Speaker 1: Say the right Sam, Sam. I love you, Dan. You 699 00:44:46,600 --> 00:44:50,479 Speaker 1: gotta leave. You gotta leave, like right now? What why 700 00:44:51,640 --> 00:44:54,080 Speaker 1: if you don't, I'm gonna, I don't know, I'm gonna 701 00:44:54,160 --> 00:44:57,200 Speaker 1: probably have to kill you. But my coffee is still here. 702 00:44:58,120 --> 00:45:02,760 Speaker 1: You can't. You gotta leave the coffee, Dan, no, samp 703 00:45:04,360 --> 00:45:11,200 Speaker 1: damn Sam dan Stan right, right, you're going to have 704 00:45:11,880 --> 00:45:15,840 Speaker 1: You're going to have a seance tonight. Don't don't have 705 00:45:16,200 --> 00:45:20,359 Speaker 1: that seance. It's uh it's August of one, am I right? 706 00:45:20,800 --> 00:45:25,359 Speaker 1: Am I right? Okay, you you do open a portal 707 00:45:25,440 --> 00:45:28,960 Speaker 1: to help you also open a portal in a shipping container, 708 00:45:29,040 --> 00:45:31,040 Speaker 1: in a ship that allows people to go to the 709 00:45:31,080 --> 00:45:37,560 Speaker 1: Olympics in any year. Okay, okay, so don't do it. 710 00:45:38,400 --> 00:45:40,560 Speaker 1: That sounds like a good thing, though it's not. I've 711 00:45:40,800 --> 00:45:44,000 Speaker 1: not done anything with my life. It's not a good thing. 712 00:45:44,680 --> 00:45:51,400 Speaker 1: Jesse Owens was in Rio and fourteen. Like it doesn't work, okay, 713 00:45:52,200 --> 00:45:56,840 Speaker 1: Like it's screwed up everything. So we just try it 714 00:45:56,960 --> 00:45:59,600 Speaker 1: to see if it were. I'm here to tell you 715 00:45:59,760 --> 00:46:13,120 Speaker 1: don't do it, all right, fucking idiots. Okay, okay, this 716 00:46:13,360 --> 00:46:16,319 Speaker 1: is this is my mistake. Right, I've always been here, right, 717 00:46:16,400 --> 00:46:18,880 Speaker 1: I've always told you not to do it, and you 718 00:46:19,000 --> 00:46:26,000 Speaker 1: did it. This is my mistake. Uh huh, Lady Tigris, 719 00:46:26,160 --> 00:46:29,120 Speaker 1: could you step into the office place, Lady Tigris? Yes? 720 00:46:29,360 --> 00:46:31,560 Speaker 1: What oh no, no, no, you don't have to have 721 00:46:31,640 --> 00:46:34,840 Speaker 1: that attitude here. We're friends. I just don't like it 722 00:46:34,920 --> 00:46:37,760 Speaker 1: when you use those words to address me. I'm sorry, 723 00:46:38,400 --> 00:46:42,600 Speaker 1: I'm sorry. Thank you. We saw you your info on 724 00:46:42,680 --> 00:46:45,359 Speaker 1: LinkedIn and we just wanted to bring you into the office. Yeah. Thanks, 725 00:46:45,360 --> 00:46:49,160 Speaker 1: I'd love to interview. You're not giving the attitude that 726 00:46:49,280 --> 00:46:51,680 Speaker 1: you're happy to be here, but that's not important. You're 727 00:46:52,040 --> 00:46:53,920 Speaker 1: I don't like it when you call me those words. 728 00:46:54,800 --> 00:47:00,400 Speaker 1: It's your name. I'm so automatically like it. No, but 729 00:47:00,520 --> 00:47:02,680 Speaker 1: you did just get the job. This is exactly the 730 00:47:02,719 --> 00:47:06,200 Speaker 1: attitude we're looking for here. Well, awesome, I really fucking 731 00:47:06,280 --> 00:47:09,839 Speaker 1: can't wait to start. Okay, you've already started. You're being 732 00:47:09,880 --> 00:47:12,640 Speaker 1: paid right now for what you're doing. You're being paid 733 00:47:12,840 --> 00:47:16,080 Speaker 1: right now for what you're doing. This is the job. Cool, 734 00:47:18,239 --> 00:47:22,919 Speaker 1: this is fantastic. Look, do you want to work weekends? Yeah? 735 00:47:22,920 --> 00:47:26,600 Speaker 1: I actually prefer to work weekends. You are a real 736 00:47:27,120 --> 00:47:30,200 Speaker 1: You're a real joy. You're a real joy. There is 737 00:47:30,400 --> 00:47:33,840 Speaker 1: one thing on your resume that we did have questions about. Yeah, well, 738 00:47:33,880 --> 00:47:35,960 Speaker 1: I asked me. I mean, I'm already hired, but I'll answer. 739 00:47:37,480 --> 00:47:42,879 Speaker 1: I understand. Michael, the owner of the company is a big, 740 00:47:43,200 --> 00:47:47,320 Speaker 1: big Pigeon fan, and on your resume at mention you, 741 00:47:48,200 --> 00:47:50,600 Speaker 1: I'm gonna quote I think I'm gonna near quote you 742 00:47:51,320 --> 00:47:57,440 Speaker 1: you ripped the feathers off of walking roadside pigeons and 743 00:47:57,760 --> 00:48:00,800 Speaker 1: so then you release them into the y. Yeah, obviously 744 00:48:00,800 --> 00:48:02,480 Speaker 1: I'm having to talk about it. If I listened it 745 00:48:02,560 --> 00:48:05,840 Speaker 1: on my resume under special Skills and Experience. We just 746 00:48:06,000 --> 00:48:08,840 Speaker 1: want you to extrapolate on it. Okay, So I did that. 747 00:48:09,080 --> 00:48:13,440 Speaker 1: And it's also that I would take cats if I 748 00:48:13,719 --> 00:48:17,799 Speaker 1: find the pigeons for onto the pigeons, and then take 749 00:48:17,880 --> 00:48:20,120 Speaker 1: the feathers from the pigeons and then put it onto 750 00:48:20,160 --> 00:48:24,200 Speaker 1: the cats. This is this is wonderful. How long would 751 00:48:24,200 --> 00:48:26,320 Speaker 1: you like your lunch breaks every day? I mean, you 752 00:48:26,480 --> 00:48:28,640 Speaker 1: really are exactly what we want to keep you here. 753 00:48:28,680 --> 00:48:31,640 Speaker 1: So what I'm trying to get across three hours? Okay, 754 00:48:31,840 --> 00:48:35,200 Speaker 1: tell me more about the cats now, then it's our 755 00:48:35,239 --> 00:48:39,680 Speaker 1: show for today. We're not gonna hear anymore about the cats. No, No, 756 00:48:40,520 --> 00:48:46,200 Speaker 1: you get to imagine the rest. Thank you, Caroline Carter, 757 00:48:46,840 --> 00:48:50,400 Speaker 1: thank you, Thank you. All the field of love. It's 758 00:48:50,440 --> 00:48:54,600 Speaker 1: still simmering. Check out Caroline Cotter in all the various 759 00:48:54,640 --> 00:49:00,680 Speaker 1: ways that you know and can, won't you James jinkelheeny, Yeah, 760 00:49:00,760 --> 00:49:03,040 Speaker 1: and you can find me at the real James Heeney 761 00:49:03,160 --> 00:49:06,680 Speaker 1: on Instagram and we'll also post his address. You can 762 00:49:06,719 --> 00:49:09,680 Speaker 1: find him that way. Gary, Thank you forbidden here. Thank 763 00:49:09,760 --> 00:49:13,040 Speaker 1: you buddy. You'll find me doing some of those milk 764 00:49:13,080 --> 00:49:18,279 Speaker 1: great challenges right now, all the way to the top 765 00:49:18,440 --> 00:49:22,359 Speaker 1: and all the way down. Thank you. Dr Kakal, Welcome home. Hey, 766 00:49:22,520 --> 00:49:25,799 Speaker 1: good to be back. At Kikowski on Twitter and see 767 00:49:25,920 --> 00:49:29,880 Speaker 1: Kaikowski on Instagram where I'm hovering it about two thousand 768 00:49:29,920 --> 00:49:32,080 Speaker 1: followers and I'm not going to do any sponsored posts, 769 00:49:32,120 --> 00:49:35,440 Speaker 1: so bred gonna stay exactly where I am. Cool. Let's 770 00:49:35,480 --> 00:49:40,160 Speaker 1: try to get those numbers up. People, And Joseph you 771 00:49:40,239 --> 00:49:42,320 Speaker 1: said it, you know where I'm Adam on Instagram A 772 00:49:42,360 --> 00:49:44,920 Speaker 1: God bless Jim Chum, what about it. I've been doing 773 00:49:44,960 --> 00:49:47,400 Speaker 1: tiktoks as well. God blessed him. Show same name. Just 774 00:49:47,520 --> 00:49:51,360 Speaker 1: keep a cohesive and check out my my acting tutorials. 775 00:49:51,400 --> 00:49:54,399 Speaker 1: I think it's gonna change some lives, definitely change one. 776 00:49:55,320 --> 00:50:01,000 Speaker 1: Let's thank producers to the stars. Mr Doug b Fine, folks, 777 00:50:01,000 --> 00:50:04,759 Speaker 1: and I heart media. I mean, how's Kevin Pollack. I'm 778 00:50:04,760 --> 00:50:06,560 Speaker 1: minding you to please be kind to each other. Is 779 00:50:06,600 --> 00:50:08,799 Speaker 1: the easiest route. Until next time.