1 00:00:00,360 --> 00:00:03,920 Speaker 1: Big Man and DJ Screen bring you Big Facts, the 2 00:00:04,080 --> 00:00:07,520 Speaker 1: hottest podcast in the streets. Visit the new website today 3 00:00:07,760 --> 00:00:11,879 Speaker 1: www dot Big facts pot dot com line for first 4 00:00:11,880 --> 00:00:14,800 Speaker 1: class sounds of DJ Screen, Big Bag Baby, jade O 5 00:00:14,960 --> 00:00:17,320 Speaker 1: g Shante, Sean Jones. That we are here for another 6 00:00:17,400 --> 00:00:23,000 Speaker 1: Big Facts Friday. What's up everybody? What we're talking about today? 7 00:00:23,000 --> 00:00:26,920 Speaker 1: First off, everybody good, Everybody good, everybody everybody having peace 8 00:00:27,000 --> 00:00:32,040 Speaker 1: and serenity. But sure, I'm fantastic, I'm healthy, I ain't broke, 9 00:00:32,360 --> 00:00:36,120 Speaker 1: I'm comfortable, I ain't my fingers as all as I 10 00:00:36,159 --> 00:00:41,599 Speaker 1: can breathe. Exactly what we're talking about today, though, what's 11 00:00:41,640 --> 00:00:43,600 Speaker 1: the word of the day. Okay, So the word of 12 00:00:43,640 --> 00:00:47,120 Speaker 1: the day is leverage. And you know we are way 13 00:00:47,159 --> 00:00:51,360 Speaker 1: start off with the textbook definition. So that definition it 14 00:00:51,400 --> 00:00:56,680 Speaker 1: actually has two definitions. Um the exertional force by means 15 00:00:56,720 --> 00:00:58,920 Speaker 1: of a lever or an object used in the manner 16 00:00:58,960 --> 00:01:06,280 Speaker 1: of a lever. Um or using something to your maximum advantage. 17 00:01:07,160 --> 00:01:12,640 Speaker 1: M Now, the urban Gerban definition is this is an 18 00:01:12,680 --> 00:01:15,720 Speaker 1: object or an idea that gives the user an advantage 19 00:01:15,760 --> 00:01:20,880 Speaker 1: in dealmaking. Basically, have emotion. Yeah, for lack of a 20 00:01:20,880 --> 00:01:23,600 Speaker 1: better way to put it, have emotion is very important. 21 00:01:23,640 --> 00:01:25,399 Speaker 1: You gotta have motion. You gotta create a way to 22 00:01:25,400 --> 00:01:28,759 Speaker 1: have motion, to stay in motion. Sometimes people who don't 23 00:01:28,800 --> 00:01:31,680 Speaker 1: have motion might want you to funk with him and 24 00:01:31,800 --> 00:01:33,520 Speaker 1: do certain stuff for him, but it's hard because you 25 00:01:33,520 --> 00:01:35,840 Speaker 1: ain't because that really just sucking up your emotion. They 26 00:01:35,840 --> 00:01:38,600 Speaker 1: could slow down your emotion not having their own emotion. 27 00:01:38,680 --> 00:01:42,960 Speaker 1: In fact, what you think about that, black? What have emotions? 28 00:01:43,040 --> 00:01:47,200 Speaker 1: Not have a moment? Said you stopped smoking? Stop? How 29 00:01:47,319 --> 00:01:53,680 Speaker 1: the way? But um, it's important to emotion and livery 30 00:01:53,760 --> 00:01:58,120 Speaker 1: because your emotion is your leverage. Because exactly you ain't 31 00:01:58,120 --> 00:02:00,840 Speaker 1: got no emotion, then you all are usually gonna be 32 00:02:00,840 --> 00:02:03,000 Speaker 1: sitting back in your feelings thinking it ain't nobody with 33 00:02:03,080 --> 00:02:06,000 Speaker 1: you your liability and not in afing got no motion? Bro, 34 00:02:07,240 --> 00:02:09,480 Speaker 1: how are you gonna be like, ain't nobody gonna take 35 00:02:09,520 --> 00:02:13,480 Speaker 1: you from zero to nothing? But the nigga help you 36 00:02:13,520 --> 00:02:17,760 Speaker 1: go from fit into a hundred? Biggest be trying to 37 00:02:17,800 --> 00:02:21,440 Speaker 1: get We need to write down you ain't got ship 38 00:02:21,520 --> 00:02:25,080 Speaker 1: going on? You spit for me to find out what 39 00:02:25,160 --> 00:02:28,560 Speaker 1: you need to do and help you do it and 40 00:02:28,680 --> 00:02:31,760 Speaker 1: help you elevate. That ain't gonna happen, you know. Yeah, 41 00:02:31,760 --> 00:02:33,560 Speaker 1: that's what that's that's what the world is right now. 42 00:02:34,040 --> 00:02:37,200 Speaker 1: But if you come to me and I see your motion, 43 00:02:38,280 --> 00:02:40,680 Speaker 1: I know what I can add to your motion. Yeah, 44 00:02:40,960 --> 00:02:43,280 Speaker 1: but what about the people that's like really been trying 45 00:02:43,280 --> 00:02:47,160 Speaker 1: to work hard and then they don't have any resources. 46 00:02:47,160 --> 00:02:50,560 Speaker 1: We did any resources. So you see, that's if you're 47 00:02:50,560 --> 00:02:53,079 Speaker 1: working this moment, working, you have emotion. If you're pressing 48 00:02:53,160 --> 00:02:54,840 Speaker 1: up the team shirts and you're pressing them up, but 49 00:02:56,000 --> 00:02:57,920 Speaker 1: you might not be the best salesperson. You might just 50 00:02:57,960 --> 00:03:01,600 Speaker 1: be the person that pressing say the initiative to start. 51 00:03:02,600 --> 00:03:04,600 Speaker 1: You didn't call me and say I need the T shirts? 52 00:03:04,639 --> 00:03:06,840 Speaker 1: What's gonna be on the T shirt? The T shirt machine. 53 00:03:06,880 --> 00:03:10,079 Speaker 1: I need you to do all that ship and you 54 00:03:10,080 --> 00:03:12,639 Speaker 1: don't have a clue. All you have is got them. 55 00:03:12,720 --> 00:03:16,640 Speaker 1: I'm ready to do whatever. Okay, okay, So you're basically 56 00:03:16,720 --> 00:03:18,560 Speaker 1: saying that you got at least start with the legwork. 57 00:03:18,600 --> 00:03:21,200 Speaker 1: You gotta do some legwork. You gotta start somewhere before 58 00:03:21,240 --> 00:03:23,160 Speaker 1: you can even start asking for hand. You gotta show 59 00:03:23,160 --> 00:03:25,600 Speaker 1: me what I'm happy got. You got you that right? 60 00:03:26,280 --> 00:03:28,320 Speaker 1: I thought they're saying, barely learned how to bag up 61 00:03:28,320 --> 00:03:31,919 Speaker 1: the ship, didn't get money. Yeah, you learn how to 62 00:03:31,919 --> 00:03:34,960 Speaker 1: put it in the bag. Then y you want you 63 00:03:35,000 --> 00:03:37,400 Speaker 1: just want to say, like she don't read it? Ready 64 00:03:37,400 --> 00:03:41,080 Speaker 1: to do? What? Yeah? Now I gotta figure out what 65 00:03:41,120 --> 00:03:42,360 Speaker 1: it is I don't want you to do. And then 66 00:03:42,360 --> 00:03:45,040 Speaker 1: when I see because you ain't showing me, just like 67 00:03:45,080 --> 00:03:48,320 Speaker 1: a resume, when you when you go to the job 68 00:03:48,360 --> 00:03:50,840 Speaker 1: and you show these folks your resume, they know what 69 00:03:50,880 --> 00:03:54,040 Speaker 1: you're capable of. But if you just come in like 70 00:03:54,120 --> 00:03:56,120 Speaker 1: I want to work, first thing hoping to do is 71 00:03:56,120 --> 00:03:58,200 Speaker 1: put you on some ship. That's easy, all right, grap 72 00:03:58,280 --> 00:04:04,360 Speaker 1: that broom. Let's transitioning from having a nine five. What 73 00:04:04,440 --> 00:04:07,240 Speaker 1: if they're transitioning from having a nine to five but 74 00:04:07,280 --> 00:04:09,920 Speaker 1: they're around people that has motion, but they don't know 75 00:04:10,000 --> 00:04:16,600 Speaker 1: nehing about the industry or whatever. The motion is right, 76 00:04:16,640 --> 00:04:19,080 Speaker 1: but almost she's saying, she's saying, what if a person 77 00:04:19,120 --> 00:04:21,919 Speaker 1: you're trying to cross over, trying to cross over? But 78 00:04:22,000 --> 00:04:24,160 Speaker 1: I still we still need to know what what were 79 00:04:24,160 --> 00:04:25,520 Speaker 1: you good? What did you do at your job? What 80 00:04:25,560 --> 00:04:31,359 Speaker 1: you're good at? I was working? We need to get that. 81 00:04:31,400 --> 00:04:33,960 Speaker 1: Put your ass on the print and there, yeah, because 82 00:04:33,960 --> 00:04:35,600 Speaker 1: what is it that you're good at? And then you 83 00:04:35,600 --> 00:04:37,760 Speaker 1: could be on the printer looking around and see where 84 00:04:37,760 --> 00:04:39,800 Speaker 1: else you might be able to have some motions exactly 85 00:04:39,839 --> 00:04:43,360 Speaker 1: when you until you see like you alright, first of all, 86 00:04:43,760 --> 00:04:45,640 Speaker 1: I get what you're saying. We bring you in the 87 00:04:45,680 --> 00:04:48,360 Speaker 1: loop and we see what you feel like you can do. 88 00:04:48,920 --> 00:04:51,560 Speaker 1: Didn't do that? And then hey, like like Roger, we're 89 00:04:51,560 --> 00:04:53,760 Speaker 1: just saying Roger just said, well I probably do that 90 00:04:53,760 --> 00:05:00,800 Speaker 1: screen Now he's the top engineering know what I'm saying. Like, 91 00:05:00,920 --> 00:05:05,160 Speaker 1: but I can't just automatically tell you put you in 92 00:05:05,200 --> 00:05:07,240 Speaker 1: a position to do something. Then I gotta be able 93 00:05:07,279 --> 00:05:10,400 Speaker 1: to accept your film, your failures. Like if I if 94 00:05:10,440 --> 00:05:12,839 Speaker 1: I say you okay, sho, I tell we want you 95 00:05:12,880 --> 00:05:15,400 Speaker 1: to help cash, but you don't know what the fun 96 00:05:15,520 --> 00:05:17,200 Speaker 1: you're doing the cash come tell me like she really 97 00:05:17,200 --> 00:05:20,560 Speaker 1: in my way? I can't get upset with cash, right, 98 00:05:21,480 --> 00:05:24,000 Speaker 1: But when you send me back to my ninety five, No, 99 00:05:24,160 --> 00:05:27,960 Speaker 1: I'm we're gonna figure out that you do know how 100 00:05:27,960 --> 00:05:30,760 Speaker 1: to do and start you there. Then we're gonna continue 101 00:05:30,760 --> 00:05:34,279 Speaker 1: to try. That's that's because you're a family member. But 102 00:05:34,440 --> 00:05:37,320 Speaker 1: in this thing you envisions, you have to come with 103 00:05:37,400 --> 00:05:40,240 Speaker 1: in business, you gotta you gotta adjust, You gotta come 104 00:05:40,320 --> 00:05:42,520 Speaker 1: with what you call with you need. You're gonna have 105 00:05:42,560 --> 00:05:45,600 Speaker 1: to you're gonna have the goddamn google what cass doesn't 106 00:05:45,600 --> 00:05:47,680 Speaker 1: try to figure that? So right now, you may be 107 00:05:48,040 --> 00:05:49,920 Speaker 1: the person that goes to the stoke, go get the food, 108 00:05:49,920 --> 00:05:52,159 Speaker 1: go this, go that. Yeah, you may have to be 109 00:05:52,200 --> 00:05:56,240 Speaker 1: a runner. You you be donna peeped out with such 110 00:05:56,240 --> 00:05:59,039 Speaker 1: and such, dude, And now I know how to do that, 111 00:05:59,080 --> 00:06:01,080 Speaker 1: and you know enough to be able to get in 112 00:06:01,120 --> 00:06:04,000 Speaker 1: there to try to figure it out exactly because because 113 00:06:04,279 --> 00:06:10,280 Speaker 1: it's like you're gonna be slowly showing it. Okay, you're 114 00:06:10,279 --> 00:06:13,839 Speaker 1: gonna be showing showing us like damn taping. Goddamn Yeah. 115 00:06:13,880 --> 00:06:15,520 Speaker 1: And even though she might not know how to do it, 116 00:06:15,760 --> 00:06:19,479 Speaker 1: the fact that she's trying to show expressive effort goes 117 00:06:21,240 --> 00:06:22,839 Speaker 1: and they're gonna around to teach you how to do 118 00:06:22,920 --> 00:06:25,440 Speaker 1: some ship if they know that you're really trying exactly 119 00:06:25,960 --> 00:06:29,520 Speaker 1: because you don't show motion. My emotion is that I'm 120 00:06:29,560 --> 00:06:36,520 Speaker 1: trying to you know what I'm saying anything. Yeah, we 121 00:06:36,680 --> 00:06:38,960 Speaker 1: just don't know what she's feeding it. So she hang 122 00:06:39,040 --> 00:06:42,719 Speaker 1: around to you figure out what is it that you do? Right? 123 00:06:43,160 --> 00:06:46,039 Speaker 1: I have a question because y'all talking about motion, so 124 00:06:46,160 --> 00:06:48,279 Speaker 1: being at you if we're talking about in the rap 125 00:06:48,360 --> 00:06:51,960 Speaker 1: world or just being an artist. Most people would think 126 00:06:51,960 --> 00:06:56,039 Speaker 1: of like motion as who you've been around or what 127 00:06:56,160 --> 00:06:59,320 Speaker 1: you've accomplished, or who you've got music with, or what 128 00:06:59,400 --> 00:07:01,760 Speaker 1: interviews you've been doing or who you you know what 129 00:07:01,839 --> 00:07:03,599 Speaker 1: I mean, Like that's what they got to do. Something 130 00:07:03,600 --> 00:07:05,880 Speaker 1: you gotta do something. Motion is something like if a 131 00:07:05,960 --> 00:07:08,400 Speaker 1: car's moving two miles an hour is moving, you just 132 00:07:08,440 --> 00:07:10,040 Speaker 1: gotta be doing the only way you don't have to 133 00:07:10,080 --> 00:07:14,360 Speaker 1: have no emotion is if you got the factor, then 134 00:07:15,600 --> 00:07:17,840 Speaker 1: nobody and you can. You can survive through motion. Niggas 135 00:07:18,040 --> 00:07:20,960 Speaker 1: help create you some motion in but real ship we're 136 00:07:20,960 --> 00:07:22,840 Speaker 1: gonna keep that ship all the way. So when it 137 00:07:22,880 --> 00:07:25,880 Speaker 1: comes to like wrap niggas and ship and like any 138 00:07:25,960 --> 00:07:29,320 Speaker 1: niggas that are like doing any kind of like semi 139 00:07:29,400 --> 00:07:33,920 Speaker 1: street related ship niggas equate motion of money, Yeah yeah, 140 00:07:33,960 --> 00:07:35,960 Speaker 1: because if you ain't got no motion, then I mean, 141 00:07:36,160 --> 00:07:38,000 Speaker 1: if you ain't got no money, then what motion? Could 142 00:07:38,000 --> 00:07:40,160 Speaker 1: you pop a whole bunch of money? And I have 143 00:07:40,280 --> 00:07:45,720 Speaker 1: no emotion of the day, Like you gotta have money. 144 00:07:46,560 --> 00:07:52,560 Speaker 1: It helps. That's how niggas think. What you mean, factor, 145 00:07:53,040 --> 00:07:55,720 Speaker 1: Like if you look at a nigga like and they 146 00:07:56,080 --> 00:08:00,920 Speaker 1: like when you first leave Yeah, when we first seen 147 00:08:01,040 --> 00:08:03,160 Speaker 1: entity niggas, you know, like, all you need to be 148 00:08:03,680 --> 00:08:06,920 Speaker 1: is guys, because that's it. All we gotta do is 149 00:08:07,000 --> 00:08:09,960 Speaker 1: do this because that's already structured. Yeah, even even if 150 00:08:10,000 --> 00:08:12,320 Speaker 1: we gotta help you make songs or whatever it is, 151 00:08:12,400 --> 00:08:15,040 Speaker 1: man like, we just gotta keep him around it because 152 00:08:15,080 --> 00:08:18,400 Speaker 1: that's it. Yeah. But if the nigga ain't like you, 153 00:08:18,880 --> 00:08:21,320 Speaker 1: big bagad clothes and not, but that ain't need you 154 00:08:21,320 --> 00:08:24,200 Speaker 1: ain't needing it and you ain't got no emotion, that's hard. 155 00:08:25,840 --> 00:08:28,280 Speaker 1: I have a question. So what would you guys like 156 00:08:28,360 --> 00:08:30,920 Speaker 1: being there? Like a lot of our viewers, they are 157 00:08:31,240 --> 00:08:33,600 Speaker 1: up and coming artists or whatever, what would you guys 158 00:08:33,679 --> 00:08:39,120 Speaker 1: suggest to be the first step to getting some motion? 159 00:08:39,360 --> 00:08:42,600 Speaker 1: Stay in the studio, get in motion people, that's it, 160 00:08:42,679 --> 00:08:49,120 Speaker 1: get outside had emotion, but don't slow down their emotions exactly, 161 00:08:50,040 --> 00:08:53,960 Speaker 1: don't title and go learn learn how the studio could 162 00:08:53,960 --> 00:08:55,760 Speaker 1: be a trap too, because if you if it's just 163 00:08:55,800 --> 00:08:58,400 Speaker 1: two niggas in the studio and they're making songs all 164 00:08:58,480 --> 00:09:06,000 Speaker 1: fucking day long, that could be motionless. There's two niggas, Now, 165 00:09:06,440 --> 00:09:10,000 Speaker 1: how is anybody supposed to know who the funk you are? Huh? 166 00:09:12,200 --> 00:09:15,320 Speaker 1: Like you're saying like if a niggas in the studio, 167 00:09:15,320 --> 00:09:17,440 Speaker 1: in the studio, in the studio, but it's like, how 168 00:09:17,480 --> 00:09:21,199 Speaker 1: are you gonna have motion? And you're just in the study. Exactly, 169 00:09:21,360 --> 00:09:24,959 Speaker 1: you gotta go out and you can help three thousand 170 00:09:25,040 --> 00:09:27,960 Speaker 1: bricks in the house and be like, I got more 171 00:09:28,040 --> 00:09:30,600 Speaker 1: bridge to ill chop them. Don't nobody know you got them? 172 00:09:30,600 --> 00:09:32,960 Speaker 1: They ain't gonna say him, You're not gonna have no money, 173 00:09:32,960 --> 00:09:36,840 Speaker 1: which means you're not gonna have exactly. Amen, you got 174 00:09:36,840 --> 00:09:39,320 Speaker 1: to have motion. You got motion is important. I think 175 00:09:39,559 --> 00:09:44,200 Speaker 1: some of the things that leads to motion is that persistence, perseverance, 176 00:09:44,720 --> 00:09:47,920 Speaker 1: and that will eventually create leverage to where you could say, 177 00:09:48,480 --> 00:09:50,319 Speaker 1: somebody people on Big Facts right, want to get on 178 00:09:50,400 --> 00:09:53,360 Speaker 1: big fast man fast. I just did this one. I 179 00:09:53,400 --> 00:09:55,000 Speaker 1: just did that one. I just did that one. Eventually 180 00:09:55,000 --> 00:09:57,320 Speaker 1: we're gonna look like damns motherfucker doing all this. Maybe 181 00:09:57,360 --> 00:09:59,280 Speaker 1: they do got a conversation. We need to sit down 182 00:09:59,280 --> 00:10:01,559 Speaker 1: with them. They have this emotion, but they just come 183 00:10:01,640 --> 00:10:03,880 Speaker 1: up to us out the blue with no emotion. It's like, bro, 184 00:10:03,920 --> 00:10:06,120 Speaker 1: we fun with you. Personally, there's so many nigga man 185 00:10:06,160 --> 00:10:09,880 Speaker 1: and man that does about this ship. I ain't gonna 186 00:10:10,120 --> 00:10:13,880 Speaker 1: but the world, Bro, it's niggas, just regular niggas. I 187 00:10:13,920 --> 00:10:16,920 Speaker 1: might see a nigga guy now brows and the guy, 188 00:10:16,960 --> 00:10:19,080 Speaker 1: now what's then ain't lying? Well? Remember we were getting 189 00:10:19,440 --> 00:10:22,040 Speaker 1: smooth the other day, dude, like bro brand on big Fact, 190 00:10:22,040 --> 00:10:24,319 Speaker 1: but I got something to talking about, Okay, Bro, That's 191 00:10:24,320 --> 00:10:27,959 Speaker 1: why we created created a big Fact Frida, Big fair 192 00:10:28,000 --> 00:10:29,560 Speaker 1: Life for people the baby to come in the audience 193 00:10:29,559 --> 00:10:31,679 Speaker 1: and talk. We're gonna make a big Fact Tuesday, you know, 194 00:10:31,800 --> 00:10:35,600 Speaker 1: for the for the lessers. No do what I'm saying. 195 00:10:35,600 --> 00:10:39,040 Speaker 1: It's just like you. Maybe it can come in and 196 00:10:39,160 --> 00:10:43,400 Speaker 1: chime in on the conversation, but your converse you're interviewing 197 00:10:43,440 --> 00:10:48,200 Speaker 1: you is not gonna do nothing for you because they 198 00:10:48,240 --> 00:10:49,800 Speaker 1: ain't gonna do. Themb have a whole bunch of lower 199 00:10:49,880 --> 00:10:51,680 Speaker 1: numbers were don did. There were a few artists and 200 00:10:51,720 --> 00:10:54,640 Speaker 1: everything just off because we found with niggas and niggas 201 00:10:54,640 --> 00:10:57,600 Speaker 1: do teen or twenty thousand views and ship. You get 202 00:10:57,600 --> 00:10:59,439 Speaker 1: what I'm saying. People ain't gonna click on that ship. 203 00:10:59,520 --> 00:11:02,760 Speaker 1: So time it is everything to say save you, save 204 00:11:02,840 --> 00:11:05,319 Speaker 1: your big facts from when it matter the most. Exactly 205 00:11:05,480 --> 00:11:07,240 Speaker 1: say that ship. So let me ask you all this, 206 00:11:07,360 --> 00:11:11,840 Speaker 1: then in y'all's opinion, Is it possible to have the 207 00:11:11,880 --> 00:11:16,800 Speaker 1: wrong motion. You could be going backwards, Yes, I think 208 00:11:17,720 --> 00:11:25,440 Speaker 1: backwards motion because it ain't going forward. Yeah, you're doing 209 00:11:25,480 --> 00:11:28,120 Speaker 1: what doing and you motion. Everybody know, hell doing some 210 00:11:28,120 --> 00:11:30,600 Speaker 1: ship but it's the wrong shipwards, just like a car 211 00:11:30,720 --> 00:11:33,280 Speaker 1: to go forwards or bard or you could be u. 212 00:11:33,880 --> 00:11:36,480 Speaker 1: Let's say you're a female artist and you're saying you're 213 00:11:36,480 --> 00:11:40,600 Speaker 1: an artist, but everybody only know you asked that stripper girl, 214 00:11:40,960 --> 00:11:43,400 Speaker 1: but you still trying to put this you as a 215 00:11:43,800 --> 00:11:45,640 Speaker 1: artist or a rapper. Like I feel like that's the 216 00:11:45,679 --> 00:11:48,640 Speaker 1: wrong motion because you're only famous from your ass versus 217 00:11:48,679 --> 00:11:52,439 Speaker 1: your lyrics. People not taking your music. You still want 218 00:11:52,440 --> 00:11:57,400 Speaker 1: to hit the way? Yeah yeah, yeah, everything ago this way, 219 00:11:57,440 --> 00:12:01,920 Speaker 1: this way, real quick change gear the good. But it 220 00:12:02,040 --> 00:12:03,960 Speaker 1: might not be bad to be out and have some 221 00:12:04,040 --> 00:12:07,200 Speaker 1: motion in the cars whatever. You're having some motions, but 222 00:12:07,200 --> 00:12:09,439 Speaker 1: you don't want to crash. But see, like a lot 223 00:12:09,440 --> 00:12:12,720 Speaker 1: of niggas be having like motion, but it's not taking 224 00:12:12,720 --> 00:12:15,840 Speaker 1: them in the right direction, Like they don't have the 225 00:12:15,960 --> 00:12:19,160 Speaker 1: right idea of like what motion actually is, so they'd 226 00:12:19,160 --> 00:12:23,640 Speaker 1: be doing like all this bullshit maybe exactly that's getting 227 00:12:23,679 --> 00:12:26,319 Speaker 1: them to where they need to be sometimes sometimes down 228 00:12:26,440 --> 00:12:31,079 Speaker 1: sometimes to get them there though trying. If you're doing 229 00:12:31,080 --> 00:12:34,560 Speaker 1: it right or wrong, you're trying. That's that's what we're saying. 230 00:12:35,240 --> 00:12:37,040 Speaker 1: Wrong emotion or not. You come out of some wet 231 00:12:37,040 --> 00:12:39,960 Speaker 1: ship and that ship around long you trying, it's gonna 232 00:12:39,960 --> 00:12:43,160 Speaker 1: work around and turn to something because you're trying instead 233 00:12:43,160 --> 00:12:46,120 Speaker 1: of sending back me personally, I feel like a mother 234 00:12:46,320 --> 00:12:48,840 Speaker 1: to send back like on waiting till I get some motion, 235 00:12:48,920 --> 00:12:51,880 Speaker 1: on waiting till that's the That's the depth of a 236 00:12:51,960 --> 00:12:55,520 Speaker 1: nigger career, like saying, I gotta do this before I 237 00:12:55,559 --> 00:12:59,599 Speaker 1: do this. Yeah, I gotta look like this before and 238 00:13:00,040 --> 00:13:02,760 Speaker 1: no because before yeah, because at the end of this 239 00:13:05,040 --> 00:13:06,360 Speaker 1: that you come out dust this here, you know how 240 00:13:06,400 --> 00:13:09,120 Speaker 1: many other niggas dusted it. It's more niggas. Do you 241 00:13:09,160 --> 00:13:11,439 Speaker 1: know how many other niggas were dusty before they got 242 00:13:12,760 --> 00:13:15,280 Speaker 1: It's more, it's more niggas trying to come up. The 243 00:13:15,440 --> 00:13:18,559 Speaker 1: niggas that's up, yea, so wrapped to them niggas at 244 00:13:18,559 --> 00:13:22,520 Speaker 1: this point, you ain't gotta wrap about God damn all 245 00:13:22,559 --> 00:13:25,120 Speaker 1: the ship that you that you think you're supposed to 246 00:13:25,160 --> 00:13:27,840 Speaker 1: have at this point because there's a lot of niggas 247 00:13:27,880 --> 00:13:30,880 Speaker 1: at the same point that you're at. Now, that's what's 248 00:13:30,880 --> 00:13:35,640 Speaker 1: sucking up. Like you can have motion with no money too, 249 00:13:37,160 --> 00:13:39,640 Speaker 1: you know I'm saying. And you can have a bunch 250 00:13:39,679 --> 00:13:42,080 Speaker 1: of money with no motion exactly. Know, people who got 251 00:13:42,120 --> 00:13:43,679 Speaker 1: all the money in the world that can't get a 252 00:13:43,760 --> 00:13:48,040 Speaker 1: certain ship going exactly. But to the general public, the 253 00:13:48,080 --> 00:13:51,960 Speaker 1: general public just identifies motion with money. You don't understand 254 00:13:52,640 --> 00:13:56,160 Speaker 1: the whole process of motion. And you know what I'm saying, 255 00:13:56,160 --> 00:13:58,439 Speaker 1: what it comes or what it takes to actually get 256 00:13:58,480 --> 00:14:00,520 Speaker 1: some real emotion. I feel like, you know, ow yourself 257 00:14:00,559 --> 00:14:05,440 Speaker 1: back by overthinking that ship. Ever, stop back by overthinking anything. 258 00:14:06,400 --> 00:14:10,320 Speaker 1: Emotion is just just just doing it. Progress. That's what 259 00:14:10,320 --> 00:14:13,840 Speaker 1: emotion is. Just do something, do it movement and move 260 00:14:13,920 --> 00:14:16,400 Speaker 1: to your own pace because you ain't in competition. It's 261 00:14:16,440 --> 00:14:18,520 Speaker 1: just like the gym, Like you knowing you're going to 262 00:14:18,520 --> 00:14:21,280 Speaker 1: the gym seeing all these nigger and got there. Let 263 00:14:21,280 --> 00:14:23,280 Speaker 1: that ship knock you off your game. I don't give 264 00:14:23,760 --> 00:14:26,320 Speaker 1: on the motherfucker walking on three man walking on one 265 00:14:26,680 --> 00:14:31,760 Speaker 1: like slow as hell. That's motion because that yeah, because 266 00:14:31,760 --> 00:14:35,880 Speaker 1: that's gonna lead to something else. Yeah, So effort is 267 00:14:35,920 --> 00:14:43,960 Speaker 1: important emotion, Yeah, effort, right, now mandatory he putting forth effort. 268 00:14:44,040 --> 00:14:46,600 Speaker 1: Then you ain't doing ship. You ain't gonna create no motion. 269 00:14:46,760 --> 00:14:51,880 Speaker 1: You're damn you ain't create no leverage. The facts got 270 00:14:51,880 --> 00:14:55,040 Speaker 1: a craz motion. Gotta have motion, yeah, not in order 271 00:14:55,080 --> 00:14:58,920 Speaker 1: to get leverage. That's the word, right, Yeah, leverage going 272 00:14:59,000 --> 00:15:03,200 Speaker 1: emotion that we're having. Scream, ain't wearing that shirt for nothing. 273 00:15:05,080 --> 00:15:12,160 Speaker 1: Time with the homies shout not about the time this 274 00:15:12,160 --> 00:15:13,920 Speaker 1: ship come out. They isn't gonna be known anyway. Well 275 00:15:13,960 --> 00:15:17,480 Speaker 1: that's the shouts to the home music shout just in case. No. 276 00:15:17,680 --> 00:15:19,040 Speaker 1: But at the end of the day, they're just like 277 00:15:19,120 --> 00:15:21,480 Speaker 1: got man. We started a bit fat this ship with 278 00:15:21,600 --> 00:15:24,800 Speaker 1: Ricky Dinking and the motherfucker, Like you know what I'm saying. 279 00:15:24,800 --> 00:15:26,720 Speaker 1: It was just me and Scream and that got there 280 00:15:26,840 --> 00:15:31,240 Speaker 1: with the yeah with cash and pulling up the drinker. 281 00:15:31,520 --> 00:15:34,400 Speaker 1: But we had ween hand on sign, we hand hand 282 00:15:34,440 --> 00:15:37,240 Speaker 1: on topic, we hand ship. You get what I'm saying. 283 00:15:37,280 --> 00:15:40,280 Speaker 1: Then we added got big Shot in the building to 284 00:15:40,400 --> 00:15:43,359 Speaker 1: put j on the mic, Jade on the mic, copmates 285 00:15:43,360 --> 00:15:46,560 Speaker 1: will call on TV. Now you get what I'm saying. 286 00:15:46,600 --> 00:15:48,840 Speaker 1: So it's just like you gotta start it because when 287 00:15:48,880 --> 00:15:51,040 Speaker 1: I first start saying somebody park and looking at me 288 00:15:51,120 --> 00:15:54,440 Speaker 1: like a podcast, like what you know what I'm saying? 289 00:15:54,800 --> 00:15:56,800 Speaker 1: That ship was cool though, because we'd be on the 290 00:15:56,840 --> 00:15:59,200 Speaker 1: same ship. Like you're like, bro, just do that ship, 291 00:15:59,280 --> 00:16:02,400 Speaker 1: and I'm there like that's my language exactly. You're ready, Friday, 292 00:16:05,240 --> 00:16:07,680 Speaker 1: you got cameras and ship. Yeah, let's just do this ship. 293 00:16:09,360 --> 00:16:13,560 Speaker 1: Just do that about they mix tape, they find to 294 00:16:13,680 --> 00:16:16,040 Speaker 1: drop they did, they do. They'll be talking about this 295 00:16:16,080 --> 00:16:18,160 Speaker 1: ship for years and I'm gonna just turning out after 296 00:16:18,160 --> 00:16:21,200 Speaker 1: about three months because you ain't even tried to fail. 297 00:16:21,920 --> 00:16:28,040 Speaker 1: And if you fail, like thinking, oh yeah, overthinking, and 298 00:16:28,080 --> 00:16:30,800 Speaker 1: then you start thinking for other people. You start thinking 299 00:16:30,880 --> 00:16:33,880 Speaker 1: this is how people are gonna perceive this and cares 300 00:16:34,000 --> 00:16:38,880 Speaker 1: that goes back to peace. Who can they perceive your art? 301 00:16:38,520 --> 00:16:41,600 Speaker 1: You're sensitive about your ship, but at the end of 302 00:16:41,640 --> 00:16:46,720 Speaker 1: the day, you might will quit me you fail. You 303 00:16:46,760 --> 00:16:49,000 Speaker 1: ain't gonna do if I come out, If I come 304 00:16:49,000 --> 00:16:55,840 Speaker 1: out and post some of my page, I got whatever 305 00:16:55,960 --> 00:17:02,880 Speaker 1: they're watching. Only three people with that ship appreciate. Yeah, 306 00:17:03,200 --> 00:17:04,760 Speaker 1: I can't be mad at the rest of the people 307 00:17:04,760 --> 00:17:08,360 Speaker 1: because they didn't like that, right three maybe them three 308 00:17:08,359 --> 00:17:10,680 Speaker 1: other people didn't go to another If each one of 309 00:17:10,720 --> 00:17:12,520 Speaker 1: them tell somebody in that six hundred and each one 310 00:17:12,520 --> 00:17:15,399 Speaker 1: of them didn't. That's you gotta nigga, can't be afraid 311 00:17:15,440 --> 00:17:19,359 Speaker 1: that grime. That's what done fun this ship up. Social 312 00:17:19,400 --> 00:17:23,480 Speaker 1: media everything. Now that ship doesn't happen like that. And 313 00:17:23,520 --> 00:17:27,080 Speaker 1: then niggas looking at nigga's like, okay, one savage or 314 00:17:27,119 --> 00:17:30,120 Speaker 1: a little baby like them, nigga, just this ship happened overnight. 315 00:17:30,680 --> 00:17:35,679 Speaker 1: The nigga man every rapping from Atlanta. Ship might seem 316 00:17:35,800 --> 00:17:39,320 Speaker 1: quick because two years went back quick or that's when 317 00:17:39,359 --> 00:17:43,239 Speaker 1: you heard about him, or that's when you or you 318 00:17:43,280 --> 00:17:45,359 Speaker 1: saw a nigga, You saw a nigga quick, don't mean 319 00:17:45,359 --> 00:17:48,560 Speaker 1: he would get no money off this ship right, just 320 00:17:48,600 --> 00:17:51,040 Speaker 1: because you saw me fast and it looked like my 321 00:17:51,119 --> 00:17:53,560 Speaker 1: song going up because I remember a long time ago. 322 00:17:53,640 --> 00:17:56,960 Speaker 1: God damn, we thought future of the biggest ship in 323 00:17:56,960 --> 00:17:59,520 Speaker 1: the world back a long time ago with Tony Mondtown 324 00:17:59,600 --> 00:18:02,560 Speaker 1: and ship. But he'll tell you how the mouth like 325 00:18:02,640 --> 00:18:05,560 Speaker 1: bread places I go, people don't even know me. But 326 00:18:05,640 --> 00:18:10,200 Speaker 1: now this nigga fucking pop star househole name. You get 327 00:18:10,200 --> 00:18:11,840 Speaker 1: what I'm saying, Like it would be totally different. You 328 00:18:11,840 --> 00:18:13,480 Speaker 1: can see the mother on the radio, like soon as 329 00:18:13,480 --> 00:18:15,080 Speaker 1: you get on the radio, your song on the radio. 330 00:18:15,240 --> 00:18:16,760 Speaker 1: You got your teas and ear about to call and 331 00:18:16,840 --> 00:18:19,720 Speaker 1: thanking you're the biggest thing in the world. You get 332 00:18:19,760 --> 00:18:22,399 Speaker 1: what I'm saying, But they don't know. You're still putting 333 00:18:22,400 --> 00:18:24,840 Speaker 1: their work, but you're trying to look like it to 334 00:18:24,960 --> 00:18:28,680 Speaker 1: get to where they finally got to that. You get 335 00:18:28,720 --> 00:18:32,600 Speaker 1: what I'm saying, Like people get confuse your motion with 336 00:18:34,320 --> 00:18:37,399 Speaker 1: you already there, motion of me you already there. I 337 00:18:37,440 --> 00:18:40,280 Speaker 1: mean you just have emotion exactly. You keep that motion 338 00:18:40,320 --> 00:18:43,040 Speaker 1: of you're gonna get the facts. That's the persistence. But 339 00:18:43,119 --> 00:18:45,720 Speaker 1: you got some people are getting their own way because 340 00:18:47,240 --> 00:18:51,639 Speaker 1: they can be having motion but not subsist, and they 341 00:18:51,720 --> 00:18:55,520 Speaker 1: go to being hard on their selves. Got the wrong 342 00:18:55,640 --> 00:18:58,680 Speaker 1: people around them night don't have the right team to 343 00:18:58,880 --> 00:19:02,639 Speaker 1: push them. Still going forward, yeah, yeah, or they think 344 00:19:02,720 --> 00:19:06,880 Speaker 1: they already made it. Yeah, that's the part about start 345 00:19:06,920 --> 00:19:09,840 Speaker 1: having most You start seeing like I'm did something, did 346 00:19:09,880 --> 00:19:13,320 Speaker 1: something that people and everybody everybody the way you know 347 00:19:13,440 --> 00:19:17,919 Speaker 1: me to drop everybody. Everybody don't even know you screaming 348 00:19:19,760 --> 00:19:21,879 Speaker 1: because Sam, any people don't take you like bro, you 349 00:19:21,920 --> 00:19:23,959 Speaker 1: bullish and dropped the ship. That don't mean that's not 350 00:19:24,080 --> 00:19:27,720 Speaker 1: everybody king stop when it's your time. It's gonna be 351 00:19:27,760 --> 00:19:30,200 Speaker 1: your time, you know what I'm saying. And then we're 352 00:19:30,200 --> 00:19:36,840 Speaker 1: gonna see you got to be humble, sub ain't grateful, 353 00:19:36,920 --> 00:19:38,800 Speaker 1: because you can come out. You can come out just 354 00:19:38,840 --> 00:19:41,359 Speaker 1: because you drop some ship and people fucking with it 355 00:19:41,600 --> 00:19:43,680 Speaker 1: and everybody wanted to funk with you. But but the 356 00:19:44,359 --> 00:19:48,800 Speaker 1: the attitude or the or the perception or whatever you 357 00:19:48,840 --> 00:19:50,719 Speaker 1: show them when when you stay seen a little bit 358 00:19:50,720 --> 00:19:52,800 Speaker 1: of success about to happen for you. Oh, you're gonna 359 00:19:52,800 --> 00:19:56,080 Speaker 1: be one of them, and that make people, Yeah, people 360 00:19:56,200 --> 00:20:03,239 Speaker 1: like like go against you te exactly like he wanted them. 361 00:20:03,440 --> 00:20:05,479 Speaker 1: He think he gotta think of that. But you can 362 00:20:05,520 --> 00:20:08,479 Speaker 1: come out one of the humble niggers and be like 363 00:20:08,520 --> 00:20:10,720 Speaker 1: they we're gonna push them all the way up because 364 00:20:10,720 --> 00:20:24,760 Speaker 1: he wants us exactly. I gotta have motion. And when 365 00:20:24,800 --> 00:20:28,080 Speaker 1: you get your motion in in pocket, you gotta guy 366 00:20:28,240 --> 00:20:33,800 Speaker 1: name stay humble to to create your leverage. You gotta 367 00:20:33,920 --> 00:20:36,960 Speaker 1: stay humble to create your leverage because anybody to speak 368 00:20:37,000 --> 00:20:40,760 Speaker 1: on you're gonna be like nah, bro player, yeah, or 369 00:20:40,880 --> 00:20:45,000 Speaker 1: he deserves this or whatever, like exactly anytime anytime your 370 00:20:45,080 --> 00:20:47,440 Speaker 1: name come up in inn room, motherucker be like oh yeah, 371 00:20:47,480 --> 00:20:51,359 Speaker 1: that's a good dude, because people because motherfucker calling right 372 00:20:51,400 --> 00:20:53,640 Speaker 1: now asking like she what's up with the guy bank? 373 00:20:53,880 --> 00:20:55,119 Speaker 1: He might be Finn the call you would have been 374 00:20:55,200 --> 00:20:58,159 Speaker 1: in all the play. And then it depends on the 375 00:20:58,320 --> 00:21:00,960 Speaker 1: opinion of somebody already because I don't know you. You 376 00:21:02,320 --> 00:21:05,080 Speaker 1: get what I'm saying. So this, this person can make 377 00:21:05,119 --> 00:21:08,399 Speaker 1: a break fat But this same person you just had 378 00:21:08,480 --> 00:21:11,840 Speaker 1: your nose up on because you thought you had made it. 379 00:21:12,000 --> 00:21:15,639 Speaker 1: But he's kind of a hold of key because his 380 00:21:15,800 --> 00:21:20,640 Speaker 1: friend is already such and such from uh from from 381 00:21:20,840 --> 00:21:23,800 Speaker 1: from live nation tring this is man, but he already 382 00:21:23,880 --> 00:21:27,040 Speaker 1: did busines with this man. I'm gonna call him asking 383 00:21:27,080 --> 00:21:30,239 Speaker 1: what you think, and he'd be like Nicks fun Now 384 00:21:30,280 --> 00:21:32,280 Speaker 1: that just threw your whole shot off and looking at you. 385 00:21:32,840 --> 00:21:34,560 Speaker 1: But it was a potential plate that you could have 386 00:21:34,600 --> 00:21:38,080 Speaker 1: made God them over a billion dollars in five teen years. Right, 387 00:21:39,440 --> 00:21:42,320 Speaker 1: what's the question? Show, I have a question. So we're 388 00:21:42,359 --> 00:21:48,879 Speaker 1: talking about leverage, right, So could leaver sometimes turn into ego? 389 00:21:49,240 --> 00:21:52,600 Speaker 1: For example, you know how the whole thing when Monique 390 00:21:52,640 --> 00:21:56,600 Speaker 1: came about and how she's one of the pioneers in 391 00:21:57,359 --> 00:22:01,520 Speaker 1: um comedy or whatever, and so she went into saying that, hey, 392 00:22:01,960 --> 00:22:04,320 Speaker 1: I've been doing comedy for this amount of years, I 393 00:22:04,480 --> 00:22:06,840 Speaker 1: deserve to get X amount of dollars. And then when 394 00:22:06,880 --> 00:22:08,720 Speaker 1: people were saying they was only gonna pay her X 395 00:22:08,880 --> 00:22:11,200 Speaker 1: y z, she went into boycotting and all that. But 396 00:22:11,320 --> 00:22:13,520 Speaker 1: that was her trying to hold her leverage from all 397 00:22:13,560 --> 00:22:16,879 Speaker 1: this ship that she's already accomplished. Could that could levers 398 00:22:16,920 --> 00:22:20,600 Speaker 1: turn the ego because something that I don't really think 399 00:22:20,640 --> 00:22:22,840 Speaker 1: that that was leverage on her part. I really think 400 00:22:23,080 --> 00:22:27,160 Speaker 1: that she was just trying to get her full worth 401 00:22:27,640 --> 00:22:30,480 Speaker 1: because she understands the work that she's put in and 402 00:22:30,600 --> 00:22:32,520 Speaker 1: understand what she's done. Now, I don't really know the 403 00:22:32,560 --> 00:22:35,080 Speaker 1: whole situation about money, so I can't really speak on 404 00:22:35,160 --> 00:22:37,400 Speaker 1: it or like what she said or what was done 405 00:22:37,480 --> 00:22:40,240 Speaker 1: or what happened. But I do know that she has 406 00:22:40,359 --> 00:22:42,600 Speaker 1: been doing comedy for a really long time. She has 407 00:22:42,640 --> 00:22:48,760 Speaker 1: been on that. How she fail, that's her work, that's 408 00:22:48,760 --> 00:22:52,080 Speaker 1: her opinion. But you're gonna let your worth take you 409 00:22:52,160 --> 00:22:53,840 Speaker 1: to zero. But they didn't take you to zero. She 410 00:22:54,000 --> 00:22:56,560 Speaker 1: just did it on her own. She did a whole podcast, 411 00:22:58,640 --> 00:23:00,440 Speaker 1: so she tried to make it a race thing, and 412 00:23:00,560 --> 00:23:03,680 Speaker 1: I think Agenda paid things. So what I say about 413 00:23:03,720 --> 00:23:06,600 Speaker 1: the what about the ladyhood on what I say about 414 00:23:06,640 --> 00:23:08,879 Speaker 1: the race, You're about to say about Amy, But what 415 00:23:09,200 --> 00:23:12,560 Speaker 1: uh Chappelle get his money, so I I couldn't I 416 00:23:12,640 --> 00:23:14,520 Speaker 1: conside with her with the race ship. Now they are 417 00:23:14,520 --> 00:23:16,840 Speaker 1: are some women getting paid less just because they women, 418 00:23:16,880 --> 00:23:19,320 Speaker 1: and that's fucked up. But the awesome women getting their money. 419 00:23:19,400 --> 00:23:22,480 Speaker 1: Tatish got her money. But sometimes you go, you gotta 420 00:23:22,520 --> 00:23:24,520 Speaker 1: know when they're trying to funk your money up. Don't 421 00:23:24,600 --> 00:23:28,000 Speaker 1: let them suck it all the way. But what about 422 00:23:28,520 --> 00:23:30,680 Speaker 1: was in a movie with will Smith and she like 423 00:23:31,240 --> 00:23:34,520 Speaker 1: bucked on her money and they didn't pay attention to 424 00:23:34,600 --> 00:23:37,400 Speaker 1: her until after Will Smith said, if y'all don't pay 425 00:23:37,440 --> 00:23:38,959 Speaker 1: her her money, then I'm not doing it, And then 426 00:23:38,960 --> 00:23:41,120 Speaker 1: they went to had and paid her some bullshit. For sure, 427 00:23:41,280 --> 00:23:43,600 Speaker 1: they're definitely paying women less for no reason, and that's 428 00:23:43,640 --> 00:23:46,320 Speaker 1: some bullshit. I get that, But I ain't gonna me personally. 429 00:23:46,320 --> 00:23:48,680 Speaker 1: I ain't gonna put myself because it's a system. I 430 00:23:48,720 --> 00:23:53,320 Speaker 1: ain't ben to put myself in a situation well, the 431 00:23:53,440 --> 00:23:55,359 Speaker 1: person is trying to get me to act out in 432 00:23:55,440 --> 00:23:56,760 Speaker 1: the way that they want me to act out, so 433 00:23:56,920 --> 00:23:59,159 Speaker 1: everybody else can see what I don't need to be 434 00:23:59,240 --> 00:24:02,639 Speaker 1: seen with me. I can't do that. But how at 435 00:24:02,720 --> 00:24:04,919 Speaker 1: that point would you hold your leverage because and at 436 00:24:04,960 --> 00:24:08,600 Speaker 1: that point, all her accolades, everything that she's done. How 437 00:24:08,640 --> 00:24:10,720 Speaker 1: you hold your leverage is continue to work, continue to 438 00:24:10,720 --> 00:24:13,040 Speaker 1: show that you're great. Hold the hostage. It's gonna come 439 00:24:13,040 --> 00:24:15,240 Speaker 1: in away. If she go crazy, you might get a 440 00:24:15,280 --> 00:24:17,280 Speaker 1: bad You might get a bad on the contract. You 441 00:24:17,320 --> 00:24:20,359 Speaker 1: don't want that ship happened to sports too, right, go crazy? 442 00:24:20,520 --> 00:24:22,080 Speaker 1: Now you got them hostage. They gotta give you what 443 00:24:22,119 --> 00:24:27,000 Speaker 1: you want to do. So my thing for me, I'm 444 00:24:27,040 --> 00:24:29,640 Speaker 1: a fan. Well, there's too much of the other ship 445 00:24:29,760 --> 00:24:32,120 Speaker 1: going on. I need you to be a comedian too. 446 00:24:32,240 --> 00:24:34,000 Speaker 1: I'm not seeing you as a comedian. I'm just seeing 447 00:24:34,040 --> 00:24:35,840 Speaker 1: you as a person that's standing up for women's rights 448 00:24:35,880 --> 00:24:38,560 Speaker 1: and ship. That's great, but you are a comedian first. 449 00:24:38,880 --> 00:24:41,000 Speaker 1: They never paid that ship no attention. But were you're 450 00:24:41,040 --> 00:24:47,359 Speaker 1: asking then, I've seen they God, damn um, whoever. Whatever. 451 00:24:47,840 --> 00:24:51,159 Speaker 1: But at the end of the day, it's like, you 452 00:24:51,280 --> 00:24:53,639 Speaker 1: see what they're trying to do by you watching it 453 00:24:54,000 --> 00:24:56,480 Speaker 1: and throwing other people in. That's at the top of 454 00:24:56,520 --> 00:25:00,119 Speaker 1: the pinnacle. It's like you only hurt yourself to a 455 00:25:00,200 --> 00:25:03,160 Speaker 1: certain degree, somebody step up with you like fit. Then 456 00:25:03,480 --> 00:25:06,240 Speaker 1: people step up and be like this fucked up. She's 457 00:25:06,280 --> 00:25:08,439 Speaker 1: imagine the people never step up. They're just gonna let 458 00:25:08,480 --> 00:25:10,560 Speaker 1: you sweep you on on frond of the ruck. She 459 00:25:10,680 --> 00:25:13,200 Speaker 1: thought she was being a black balled by what Tyler 460 00:25:13,359 --> 00:25:18,560 Speaker 1: was Tyler Perry Lee d Over. But they did openly 461 00:25:18,640 --> 00:25:23,520 Speaker 1: admit that they it was something big and they apologize, 462 00:25:24,400 --> 00:25:28,320 Speaker 1: definitely apologize to her now. I mean, she did stand 463 00:25:28,400 --> 00:25:29,639 Speaker 1: up for herself and now she's about to be on 464 00:25:29,720 --> 00:25:34,320 Speaker 1: other movies and yeah, but she she Monique, That's what 465 00:25:34,359 --> 00:25:37,160 Speaker 1: I'm saying. She MoU and her literature as a talent. 466 00:25:37,320 --> 00:25:40,879 Speaker 1: Magine exactly, imagine a new person trying to do that, 467 00:25:40,920 --> 00:25:42,200 Speaker 1: you know what I mean. The niggas trying to do 468 00:25:42,320 --> 00:25:44,800 Speaker 1: the same ship knowing that they're worth this. I'm worth 469 00:25:44,840 --> 00:25:46,320 Speaker 1: tipped out on the show. But the folks trying to 470 00:25:46,359 --> 00:25:49,040 Speaker 1: get me five. Sometimes you gotta take them five and 471 00:25:49,080 --> 00:25:50,800 Speaker 1: get the folks a hell of a show. And they 472 00:25:50,840 --> 00:25:54,440 Speaker 1: d folks know I deserve a twin. You get what 473 00:25:54,480 --> 00:25:56,560 Speaker 1: I'm saying. So you can take yourself off to sit 474 00:25:56,920 --> 00:25:59,840 Speaker 1: and get cold and let another person get up to 475 00:25:59,880 --> 00:26:02,760 Speaker 1: the exactly, don't do that. Don't say I wouldn't do that. 476 00:26:03,640 --> 00:26:06,240 Speaker 1: So people the point that people should understand when to 477 00:26:06,359 --> 00:26:08,200 Speaker 1: pour their leverage and win that kind of you know, 478 00:26:08,400 --> 00:26:10,359 Speaker 1: I feel like you create your leverage by showing you 479 00:26:10,440 --> 00:26:12,800 Speaker 1: for your professional at the end of the day, and 480 00:26:12,880 --> 00:26:17,040 Speaker 1: it's I'm working. However they go. Ship, we've been, we've 481 00:26:17,040 --> 00:26:19,600 Speaker 1: been figure this ship out. I ain't gonna got THEMN 482 00:26:19,600 --> 00:26:21,919 Speaker 1: the folk call us to do goddamn one of these 483 00:26:21,960 --> 00:26:24,880 Speaker 1: festivals or something. I ain't gonna feel like even though 484 00:26:24,880 --> 00:26:26,760 Speaker 1: I feel like we're the biggest in the game in 485 00:26:26,880 --> 00:26:29,960 Speaker 1: my heart, we wouldn't Jay need a hun up screen 486 00:26:30,000 --> 00:26:33,879 Speaker 1: need I need a huner that three out? No, let 487 00:26:34,000 --> 00:26:39,760 Speaker 1: us showcase this ship. Yeah for whatever a third or piece. 488 00:26:39,880 --> 00:26:42,560 Speaker 1: Let us showcase it and then y'all gonna y'all gonna 489 00:26:42,600 --> 00:26:46,080 Speaker 1: have to put the tag on it. H gotta show approve. 490 00:26:46,160 --> 00:26:48,680 Speaker 1: And that ship don't never end. I mean, even in 491 00:26:48,800 --> 00:26:51,359 Speaker 1: the Super Bowl worlds with jay Z's and Dre's and 492 00:26:51,440 --> 00:26:53,600 Speaker 1: all that, that ship never is. No matter how how 493 00:26:53,840 --> 00:26:57,480 Speaker 1: you get, you still find yourself. I gotta prove myself again. 494 00:26:57,800 --> 00:27:00,160 Speaker 1: It just keeps going and going and going. But that's 495 00:27:00,160 --> 00:27:01,760 Speaker 1: when you just love what you do. And you want 496 00:27:01,800 --> 00:27:03,359 Speaker 1: the business to be right for show, but you love 497 00:27:03,440 --> 00:27:04,760 Speaker 1: what you do so much. It's like, at the end 498 00:27:04,760 --> 00:27:06,800 Speaker 1: of the day, I want to do this ship. I 499 00:27:06,920 --> 00:27:10,399 Speaker 1: think leverage and this ship leverage is um based on 500 00:27:11,240 --> 00:27:13,960 Speaker 1: the job that was done, the consistency of how you 501 00:27:14,080 --> 00:27:16,879 Speaker 1: do it, and the way people were like that, Like, 502 00:27:17,840 --> 00:27:19,800 Speaker 1: you can't tell him that that photo shoot was shot 503 00:27:19,880 --> 00:27:22,440 Speaker 1: the other day. Everybody at that photo shoot probably went 504 00:27:22,560 --> 00:27:25,880 Speaker 1: and had something great to say. I get what I'm saying. 505 00:27:25,960 --> 00:27:30,040 Speaker 1: It's like every certain ship was off on the end, 506 00:27:30,160 --> 00:27:34,439 Speaker 1: but we don't give a fuck what's off. Were still 507 00:27:34,520 --> 00:27:36,560 Speaker 1: moving through it. We're not acting like Dick's We're not 508 00:27:36,680 --> 00:27:40,720 Speaker 1: doing this like whatever it is. It's cool, right, you've 509 00:27:40,760 --> 00:27:43,200 Speaker 1: been like there were a lot of stuff. Just whatever 510 00:27:43,240 --> 00:27:46,960 Speaker 1: it is. It's cool. Yeah, it's cool. Like nothing exactly. 511 00:27:47,080 --> 00:27:53,680 Speaker 1: You can bring my food that coldest head. I can't 512 00:27:53,680 --> 00:27:59,920 Speaker 1: do that, No, not. And I'm paying for this ship, 513 00:28:00,040 --> 00:28:02,119 Speaker 1: and I'm paying you to bring me my ship. It's 514 00:28:02,160 --> 00:28:04,359 Speaker 1: gonna be. It gotta at least be warm. But I ain't. 515 00:28:04,960 --> 00:28:06,840 Speaker 1: I'm not about and we talked about this before. I'm 516 00:28:06,840 --> 00:28:09,800 Speaker 1: not about that. Make the waitress feel like comporable because 517 00:28:09,840 --> 00:28:13,760 Speaker 1: she don't cook the food, right, Hey, could you bring 518 00:28:13,840 --> 00:28:17,360 Speaker 1: the man jup? But maybe it might be the waitress 519 00:28:17,720 --> 00:28:21,040 Speaker 1: that doesn't have proper time management and the cook might 520 00:28:21,080 --> 00:28:24,880 Speaker 1: have cooked the ship in it. But you but think 521 00:28:24,880 --> 00:28:26,600 Speaker 1: about that. You want to waitress take your food to 522 00:28:26,600 --> 00:28:28,160 Speaker 1: see now. But if I send some ship back, I'm 523 00:28:28,200 --> 00:28:30,040 Speaker 1: just gonna lead period. Just give me my money back 524 00:28:30,640 --> 00:28:32,560 Speaker 1: or I don't want this ship, and I'm gonna go 525 00:28:33,000 --> 00:28:34,800 Speaker 1: like I don't. I don't play that game. Like if 526 00:28:34,840 --> 00:28:37,639 Speaker 1: it's not if it's something ain't right, and I see like, okay, 527 00:28:37,720 --> 00:28:41,040 Speaker 1: this is gonna be some ship where it's gonna possibly 528 00:28:41,160 --> 00:28:42,920 Speaker 1: like do something to much it or something like that. 529 00:28:43,520 --> 00:28:47,800 Speaker 1: I'm cool, you know something whatever in your leverage paring 530 00:28:47,880 --> 00:28:51,080 Speaker 1: to play the major part? Oh yeah for sure. How 531 00:28:51,200 --> 00:28:56,280 Speaker 1: you handle adversity and ship like that? All right? Well, 532 00:28:56,360 --> 00:28:58,600 Speaker 1: for people trying to have motion, what's the first thing 533 00:28:58,640 --> 00:29:03,200 Speaker 1: they need to do? Have an emotion. They gotta have humility, humility, 534 00:29:03,320 --> 00:29:09,400 Speaker 1: effort to be grateful, consistency, persistence and a no. And 535 00:29:09,520 --> 00:29:11,959 Speaker 1: you just gotta have them intality that this ship got 536 00:29:12,080 --> 00:29:17,400 Speaker 1: a word that too. You got to have patience. You'll 537 00:29:17,440 --> 00:29:19,680 Speaker 1: be looking at me crazy when I be saying like 538 00:29:19,960 --> 00:29:22,080 Speaker 1: the first thing started like this ship can be bigger 539 00:29:22,280 --> 00:29:26,040 Speaker 1: in the world. I never think like small Ya never 540 00:29:26,200 --> 00:29:28,840 Speaker 1: like and people and she'll take to him and this 541 00:29:28,920 --> 00:29:32,080 Speaker 1: all the time. You know that my O g like 542 00:29:33,480 --> 00:29:36,120 Speaker 1: YO love us. Assis is not other people didn't folk straight. 543 00:29:36,960 --> 00:29:41,960 Speaker 1: You're mad at they straight with what they got. You're 544 00:29:41,960 --> 00:29:43,880 Speaker 1: looking at this man like he jay Z. But he 545 00:29:44,000 --> 00:29:45,960 Speaker 1: looking at like I'm such a such I'm already straight 546 00:29:46,000 --> 00:29:51,320 Speaker 1: with this. You can't want more. You're mad at them 547 00:29:51,520 --> 00:29:58,880 Speaker 1: like they Yeah, but you gotta be at peace. You 548 00:29:58,960 --> 00:30:02,160 Speaker 1: gotta be at piece with some even Ja like Ja 549 00:30:02,320 --> 00:30:04,840 Speaker 1: first came around me. She know I pressured her to 550 00:30:04,960 --> 00:30:07,760 Speaker 1: be the baby Ja she isn't he did. He made 551 00:30:07,800 --> 00:30:10,360 Speaker 1: me like people love you Jay stopped me and stopped 552 00:30:10,360 --> 00:30:12,000 Speaker 1: trying to be so mean to people all the time. 553 00:30:12,040 --> 00:30:15,080 Speaker 1: And feel like you gotta be on defense, like yeah, 554 00:30:15,200 --> 00:30:17,120 Speaker 1: you know what I'm saying, Like real ship, like stop 555 00:30:17,280 --> 00:30:21,160 Speaker 1: that because all you're doing is creating. But not all 556 00:30:21,200 --> 00:30:23,360 Speaker 1: you're doing is let your hate to see be like see, 557 00:30:23,400 --> 00:30:26,440 Speaker 1: I told you, yeah, you know what I'm saying. When 558 00:30:26,480 --> 00:30:29,080 Speaker 1: we really really cool person, she was mean to me. 559 00:30:30,120 --> 00:30:35,920 Speaker 1: She was mad. I'm screaming ahead, but now now wear 560 00:30:36,040 --> 00:30:40,080 Speaker 1: that thing. What I'm just saying, like and that ship 561 00:30:40,200 --> 00:30:43,200 Speaker 1: opened up doors for you, you're gonna stay in a box. 562 00:30:43,280 --> 00:30:45,640 Speaker 1: Like it's a world of difference, like when you change 563 00:30:45,640 --> 00:30:48,720 Speaker 1: your attitude a lot of ship. I just see certain 564 00:30:48,760 --> 00:30:50,480 Speaker 1: ships for people like I want people to see you 565 00:30:50,560 --> 00:30:52,440 Speaker 1: how I see. But he's told me the same thing 566 00:30:52,520 --> 00:30:56,320 Speaker 1: as well, because I'm I come off like that, but 567 00:30:56,440 --> 00:31:00,840 Speaker 1: it's my character. I'm very direct. It's like think you 568 00:31:00,960 --> 00:31:03,600 Speaker 1: can't you got none of you in a sensitive world 569 00:31:04,720 --> 00:31:07,320 Speaker 1: the world. It's such a sense of the world. But yeah, 570 00:31:07,400 --> 00:31:09,320 Speaker 1: like just what just like what he was saying about, 571 00:31:09,400 --> 00:31:11,320 Speaker 1: like always saying like it's the biggest ship or whatever, 572 00:31:11,480 --> 00:31:15,360 Speaker 1: Like I feel that because like I like nut up 573 00:31:15,400 --> 00:31:18,280 Speaker 1: and get offended when people put like little in front 574 00:31:18,320 --> 00:31:21,200 Speaker 1: of some ship that they're talking about, Like I see 575 00:31:21,240 --> 00:31:22,880 Speaker 1: you on a little podcast or you know what I'm saying, 576 00:31:22,880 --> 00:31:25,320 Speaker 1: you got the little man. Don't put ship little in 577 00:31:25,440 --> 00:31:28,440 Speaker 1: front of ship I got going on period, Like like 578 00:31:28,720 --> 00:31:31,920 Speaker 1: like you maybe little nigga, but don't put little in 579 00:31:32,000 --> 00:31:34,040 Speaker 1: front of ship I got going on because ain't ship. 580 00:31:34,120 --> 00:31:36,360 Speaker 1: I'm doing little. Everything is the biggest ship ever in 581 00:31:36,400 --> 00:31:40,280 Speaker 1: the world. Like niggas be tripped, like people be tripping, 582 00:31:40,360 --> 00:31:43,160 Speaker 1: like I don't know. I just feel like you gotta 583 00:31:43,360 --> 00:31:46,200 Speaker 1: you gotta already have something in your head that can't 584 00:31:46,200 --> 00:31:49,640 Speaker 1: be taking out exactly in your head and in your heart. 585 00:31:49,800 --> 00:31:54,840 Speaker 1: Like I don't know, bro, I just I just feel 586 00:31:54,920 --> 00:31:57,800 Speaker 1: like if I wasn't going to move and make a song, 587 00:31:58,160 --> 00:32:01,560 Speaker 1: this ship bigger than Drake. It's just how I feel. 588 00:32:02,280 --> 00:32:05,880 Speaker 1: That's how you're supposed to feel. Until even if it 589 00:32:05,960 --> 00:32:08,040 Speaker 1: don't do as much as big as Drake, I'm gonna 590 00:32:08,040 --> 00:32:10,640 Speaker 1: feel like I didn't do something right for that ship 591 00:32:10,760 --> 00:32:13,960 Speaker 1: to do that right, it still can be big like that. 592 00:32:14,160 --> 00:32:16,239 Speaker 1: I just I just slipped on something. I just got 593 00:32:16,320 --> 00:32:20,400 Speaker 1: to try the next. Never feel like you can't let 594 00:32:20,480 --> 00:32:24,480 Speaker 1: nobody take your confidence, bro, not even yourself. You can't 595 00:32:24,520 --> 00:32:28,240 Speaker 1: let yourself take your confidence. You just gotta always strive 596 00:32:28,400 --> 00:32:33,240 Speaker 1: for the greatest level of greatness. Yes, already, you gotta 597 00:32:33,240 --> 00:32:35,760 Speaker 1: already know that it's great before you do it. You 598 00:32:35,800 --> 00:32:38,520 Speaker 1: gotta already know that it's great, Like before like anything 599 00:32:38,680 --> 00:32:41,800 Speaker 1: we do, anything I agree to agree to, I know 600 00:32:41,880 --> 00:32:46,560 Speaker 1: it's gonna work. Ain't then I never tried didn't work, 601 00:32:46,680 --> 00:32:54,320 Speaker 1: but niggas, that's how I look at it or people 602 00:32:54,600 --> 00:32:58,440 Speaker 1: facts like other than that, whatever we try gonna work. 603 00:32:58,480 --> 00:33:00,360 Speaker 1: I don't give a funk whatether it is. We say 604 00:33:00,400 --> 00:33:05,320 Speaker 1: we've been to start up. Goddamn um a lemonade stand. 605 00:33:05,480 --> 00:33:10,760 Speaker 1: It's gonna be the best lemonade in the world. Just 606 00:33:11,000 --> 00:33:16,880 Speaker 1: made so fun. We're going big with everything we do. Yeah, 607 00:33:16,960 --> 00:33:18,920 Speaker 1: you got you got back the time when we first 608 00:33:18,960 --> 00:33:21,280 Speaker 1: started podcast. I bet you looking at me like this, nigga, 609 00:33:21,320 --> 00:33:24,120 Speaker 1: is that this motherfucking mind? I told a screen listening 610 00:33:24,160 --> 00:33:25,920 Speaker 1: to you, we're gonna be on TV. No, I'm looking 611 00:33:25,920 --> 00:33:28,840 Speaker 1: at I've never rip out on with that. No, I'm 612 00:33:28,880 --> 00:33:32,840 Speaker 1: just saying. But it was like, Okay, yeah, I think 613 00:33:32,920 --> 00:33:36,080 Speaker 1: that same way. I just don't always you verbalize. That's 614 00:33:36,120 --> 00:33:39,520 Speaker 1: what I'll be thinking around me. I think like I 615 00:33:39,600 --> 00:33:43,080 Speaker 1: don't understand second class just got to be you. That's 616 00:33:43,080 --> 00:33:45,600 Speaker 1: why we have first class sound exact shot the first 617 00:33:45,640 --> 00:33:47,560 Speaker 1: class hal So I think it. I will say it 618 00:33:47,600 --> 00:33:49,040 Speaker 1: as much I need to say it, Bore, But I'm 619 00:33:49,080 --> 00:33:50,600 Speaker 1: right there with Yeah, we're putting that ship in the 620 00:33:50,640 --> 00:33:54,160 Speaker 1: atmosphere because at the end of the day, she is 621 00:33:54,360 --> 00:33:56,880 Speaker 1: what it is. When we get once we get that, 622 00:33:57,000 --> 00:34:02,000 Speaker 1: we're stuck. Now, we're still grinding bro all right, ground, 623 00:34:02,000 --> 00:34:07,360 Speaker 1: don't stop, can't stop rocking records, won't stop, shut out 624 00:34:07,400 --> 00:34:13,839 Speaker 1: of get down, get down, Hey, triple w dot Big 625 00:34:13,880 --> 00:34:16,920 Speaker 1: facts pod dot com. Have emotion and you find the words. 626 00:34:18,160 --> 00:34:21,239 Speaker 1: The motion is in the ocean, man, motion is really 627 00:34:21,719 --> 00:34:25,399 Speaker 1: keep driving whatever you put your mind to keep the ocean. 628 00:34:25,480 --> 00:34:28,960 Speaker 1: Stop the ocean, don't stop, never stop right, The motion 629 00:34:29,080 --> 00:34:32,560 Speaker 1: is in the ocean. I just feel good about Yeah, 630 00:34:32,640 --> 00:34:39,680 Speaker 1: damn me, I gotta I gotta go, we gotta we 631 00:34:39,719 --> 00:34:47,440 Speaker 1: gotta a little bit. Man. This is a quick just 632 00:34:47,600 --> 00:34:50,840 Speaker 1: a quick bonus bonus. Did something else to me? This 633 00:34:51,040 --> 00:34:57,440 Speaker 1: is what? Yeah? Yeah, girl, Yeah, I feel like that, 634 00:34:57,640 --> 00:35:01,239 Speaker 1: Like I could, I can't help make the thing possible? 635 00:35:01,680 --> 00:35:04,320 Speaker 1: Oh what else you do? He just did something for 636 00:35:04,480 --> 00:35:06,000 Speaker 1: me like and then a lot of people hate me 637 00:35:06,080 --> 00:35:08,960 Speaker 1: for that, like the owner bag why they are important 638 00:35:09,040 --> 00:35:11,960 Speaker 1: because they know me. They make a person resent you 639 00:35:12,960 --> 00:35:16,759 Speaker 1: most definitely. Oh, like you gotta say my name to 640 00:35:16,840 --> 00:35:19,759 Speaker 1: be important. People hate you for that same say my 641 00:35:19,920 --> 00:35:23,879 Speaker 1: name and the whole time I'm trying to God damn 642 00:35:24,640 --> 00:35:29,680 Speaker 1: make you important as well. Yes, he got a call bank, 643 00:35:31,040 --> 00:35:39,040 Speaker 1: Damn they know you threw me keen. Yeah, bless you know, 644 00:35:39,360 --> 00:35:43,600 Speaker 1: I'm just blessed less. I love it. I love it 645 00:35:46,800 --> 00:35:50,040 Speaker 1: it's a little extra ship shouts to drink champs. They 646 00:35:50,120 --> 00:35:52,400 Speaker 1: was talking to Snoop and they saluted him for going 647 00:35:52,520 --> 00:35:57,040 Speaker 1: up and receiving an accolade and thinking himself, you got 648 00:35:57,160 --> 00:36:00,120 Speaker 1: to I learned that too. I try not to so 649 00:36:00,280 --> 00:36:05,839 Speaker 1: much because it comes office. Yeah, but hey, when I'm 650 00:36:05,880 --> 00:36:07,520 Speaker 1: at home, I know she get tired of it. Bro, 651 00:36:07,600 --> 00:36:10,480 Speaker 1: I'm be the mirror then while I'm still wearing big 652 00:36:10,480 --> 00:36:13,000 Speaker 1: close shore they forgotten man, I'm still big, but but 653 00:36:13,280 --> 00:36:15,160 Speaker 1: I'll be in a mirror looking at myself. Like you 654 00:36:15,200 --> 00:36:18,560 Speaker 1: could do anything, Bro, anything I want to stop. I 655 00:36:18,680 --> 00:36:21,040 Speaker 1: just stopped on the dime. I want to smoke, smoke. 656 00:36:21,920 --> 00:36:23,800 Speaker 1: I'm not confining that I can do that with everything 657 00:36:25,480 --> 00:36:32,640 Speaker 1: she has, she has the whole speak everything in the room. 658 00:36:32,719 --> 00:36:35,680 Speaker 1: But so that that that gives me a blessing too. 659 00:36:35,760 --> 00:36:39,520 Speaker 1: That's another blessing that God sent me, like I sent 660 00:36:39,640 --> 00:36:42,600 Speaker 1: you some ship that you can't get rid of. I 661 00:36:42,680 --> 00:36:54,520 Speaker 1: don't did everything all out to passion na. But but 662 00:36:55,160 --> 00:36:57,920 Speaker 1: serious note though, bro, if you don't feel that way 663 00:36:57,920 --> 00:37:00,439 Speaker 1: about you, whoever, because people trying to make you feel 664 00:37:00,520 --> 00:37:02,720 Speaker 1: like you're not that, So get yourself your own flowers. 665 00:37:02,760 --> 00:37:08,160 Speaker 1: Sometimes exactly every time, exactly I don't need. I don't 666 00:37:08,239 --> 00:37:12,239 Speaker 1: need like some people need inspiration and motivation from others 667 00:37:12,320 --> 00:37:15,000 Speaker 1: to tell them who they is. That was as, That's 668 00:37:15,000 --> 00:37:16,759 Speaker 1: what I was saying. I blessed. I was blessed with 669 00:37:16,880 --> 00:37:19,719 Speaker 1: that feel like I don't give nobody to see it. 670 00:37:19,840 --> 00:37:21,719 Speaker 1: I don't need nohother niggas for hours. I don't give 671 00:37:22,080 --> 00:37:24,239 Speaker 1: nobody to see who I am. I know who I am. 672 00:37:25,640 --> 00:37:31,560 Speaker 1: I could be delusional works I'm just saying you want say, 673 00:37:31,640 --> 00:37:34,200 Speaker 1: like Kanye ni Is probably think it's delusional. Setting them 674 00:37:34,280 --> 00:37:38,920 Speaker 1: close look like homeless people. Bow the way now, all 675 00:37:39,000 --> 00:37:41,320 Speaker 1: that ship's going to look like with it both because 676 00:37:41,400 --> 00:37:49,879 Speaker 1: y'all can't see what we see, can't see I can't 677 00:37:49,920 --> 00:37:53,240 Speaker 1: see what we see. I'm telling you we can already 678 00:37:53,280 --> 00:37:55,320 Speaker 1: already put in the mind like this is what it is, 679 00:37:55,560 --> 00:37:58,359 Speaker 1: and I'm standing on it and it's gonna insert. Ship 680 00:37:58,480 --> 00:38:02,560 Speaker 1: is gonna fail. But a lot of that you're listening 681 00:38:02,560 --> 00:38:05,760 Speaker 1: to get Big Facts with Big Bank and DJ Scream. 682 00:38:06,320 --> 00:38:10,520 Speaker 1: Follow Big Facts on social media at Big Facts five five, 683 00:38:11,800 --> 00:38:15,680 Speaker 1: Big Bang and DJ Scream bring you big fat hey man? 684 00:38:15,680 --> 00:38:19,920 Speaker 1: It sold well UPO that merch y Yeah that's right. 685 00:38:20,160 --> 00:38:24,080 Speaker 1: Www dot Big Facts pot dot com what's the real one? 686 00:38:24,160 --> 00:38:26,080 Speaker 1: One time y'all get you'all some of this merch man 687 00:38:26,160 --> 00:38:29,440 Speaker 1: Big facts pot dot com get that merch right now 688 00:38:29,640 --> 00:38:32,160 Speaker 1: shot with us Soldoway up, Big fact Merch going down. 689 00:38:32,480 --> 00:38:36,160 Speaker 1: The new website today www. Dot Big facts pot dot 690 00:38:36,239 --> 00:38:36,880 Speaker 1: Com is