WEBVTT - One on One: Sarah Foret

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<v Speaker 1>I am all in. Oh, Let's kiss you.

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<v Speaker 2>I Am all in with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>All Everybody Scott Patterson one on one interview with Sarah Forrett.

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<v Speaker 1>She played the role of an a fair child for

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<v Speaker 1>one episode two thousand and four. It's their only appearance

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<v Speaker 1>season five, episode ten, but not as cute as Pushkin

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<v Speaker 1>her characters Anna. She's currently a student chi Chilton who

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<v Speaker 1>head Master Charleston asked Roy to show her around Yale

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<v Speaker 1>and boy does she get shown around a little bit

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<v Speaker 1>about Sarah. She has known for a role as Sophie

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<v Speaker 1>Curran Beautiful People. Her first on screen appearance was a

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<v Speaker 1>role as Tina Paulson an episode of the police Procedural

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<v Speaker 1>television series New York. In two thousand and five, she

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<v Speaker 1>joined the cast of the ABC Family show Beautiful People

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<v Speaker 1>as Sophie Kershy. Appeared in two two thousand and six films,

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<v Speaker 1>Carla and Pope Dreams and one two thousand and eight

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<v Speaker 1>film American Crew. She also appeared in episodes of the

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<v Speaker 1>Hard Times of R. Jay Berger and Zach Stone Is

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<v Speaker 1>Going to Be Famous, as well as Criminal Minds. She's

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<v Speaker 1>an episode of that Supply and Demand. She had guest

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<v Speaker 1>roles on television shows Gilmore Girls, Clubhouse, Moonlight, and The

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<v Speaker 1>Mentalist and Ladies and Gentlemen. Here is Sarah for it. Sarah, welcome.

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<v Speaker 1>Tell us how you got into acting.

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<v Speaker 3>Thank you.

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<v Speaker 2>I got on an airplane and moved to LA.

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<v Speaker 3>Always knew it was something I wanted to do. I saw.

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<v Speaker 2>Andrew Lloyd's Weberfan of the Opera when I was a kid,

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<v Speaker 2>and just watching these people on stage. My mom took

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<v Speaker 2>me and I just remember seeing them live like they

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<v Speaker 2>were in another moment right in front of me, And

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<v Speaker 2>it was just always something I wanted to do.

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<v Speaker 1>And so you came to LA from where?

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<v Speaker 3>From Texas? Yeah?

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<v Speaker 2>Yeah, that's where I came from, but Louisiana originally all

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<v Speaker 2>throughout the South.

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<v Speaker 1>Okay, so you were seventeen. Were you giving any advice

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<v Speaker 1>coming to Hollywood at such a young age. You came

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<v Speaker 1>with your mother and your father. I just came with

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<v Speaker 1>your mother. You came at seventeen by yourself.

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<v Speaker 2>With their blessing too. I can't believe it. I was

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<v Speaker 2>a lucky one for that.

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<v Speaker 1>Wow. So this was your second role in Hollywood. What

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<v Speaker 1>do you remember about your audition for Gilmore Girls?

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<v Speaker 2>I remember Jamie Rudowski and Mark Casey were amazing casting directors.

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<v Speaker 3>Shout out to them. I remember going on to the

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<v Speaker 3>Warner Brothers lot.

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<v Speaker 2>For that audition and my note for the callback was

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<v Speaker 2>keep everything, just be faster. So yeah, I just remember

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<v Speaker 2>a really inviting room and that just continued on through

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<v Speaker 2>my whole experience with Gilmore Girls.

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<v Speaker 1>Had you watch the show when you got cast?

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<v Speaker 2>No, you know, I was like so busy and working

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<v Speaker 2>my day job and acting class. I wasn't a big

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<v Speaker 2>TV watcher at the time, but I certainly knew that

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<v Speaker 2>it was a beloved show. Yeah, so I watched it

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<v Speaker 2>in syndication since become a fan.

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<v Speaker 1>Do you watch it a lot? They still watch it?

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<v Speaker 3>No, I mean whenever it's on.

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<v Speaker 2>I love to hear the sound of those familiar voices.

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<v Speaker 2>They you know, the creators were so incredible at making

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<v Speaker 2>a world that you just want to immerse yourself in,

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<v Speaker 2>and so it's like familiar and I'll leave it on

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<v Speaker 2>in the background for sure.

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<v Speaker 1>So you played a giddy high school student seeing college

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<v Speaker 1>for the first time, visiting Yale? Was it easy to

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<v Speaker 1>get back into the headspace of a seventeen year old?

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<v Speaker 1>By the way, how old were you when you got

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<v Speaker 1>the role?

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<v Speaker 2>Oh, I was probably about nineteen or twenty.

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<v Speaker 1>Oh okay, yeah, so question applients.

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<v Speaker 3>It was so easy.

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<v Speaker 2>I played myself in that role so much just getting

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<v Speaker 2>to watch Alexis and everybody. It was just like a masterclass.

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<v Speaker 2>And I was in awe and that character was so

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<v Speaker 2>enthusiastic and bright eyed and bushy tailed in NII, which

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<v Speaker 2>is close to home.

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<v Speaker 1>So how'd you like working with Alexis? Tell us about that.

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<v Speaker 2>You know, she was it was as if it was

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<v Speaker 2>a neighbor that I'd known forever. She was so comfortable

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<v Speaker 2>and welcoming, and I remember she would get her she would,

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<v Speaker 2>you know, get to the set for rehearsal and she'd have,

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<v Speaker 2>you know, like three pages of monologues and she would say, Okay,

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<v Speaker 2>I'm gonna stand here and i'm gonna hit here, and

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<v Speaker 2>i'm gonna I'm gonna say this, and she disappear and

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<v Speaker 2>then she'd come back and it was just effortless.

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<v Speaker 3>It was just it was it was.

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<v Speaker 2>It was really amazing how she was really gentle spirited

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<v Speaker 2>in nature, but she would really command that set as

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<v Speaker 2>such a leader. Really nice watching her.

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<v Speaker 1>So is there a scene that you did that stands

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<v Speaker 1>out the most to you?

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<v Speaker 2>I remember the library scene, walking around that that library,

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<v Speaker 2>and uh, I was I thought Matt was the cutest

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<v Speaker 2>guy I'd ever seen.

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<v Speaker 1>You got zukereed away.

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<v Speaker 3>You were right?

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<v Speaker 1>He as matter of fact, he did it to me.

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<v Speaker 1>I fell to when I saw.

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<v Speaker 3>Those Yeah, and just watching him in Alexis was so fun.

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<v Speaker 1>Uh.

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<v Speaker 2>You know, their chemistry was palpable. Even just didn't rehearsing.

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<v Speaker 2>But yeah, I left that set. Uh, their their their

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<v Speaker 2>dorm room was really fun walking around. Those were probably

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<v Speaker 2>the standouts.

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<v Speaker 1>Where did you actually shoot that stuff? On?

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<v Speaker 2>The Warner Brothers lit on the stage.

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<v Speaker 1>So they built all of those on the sound stage.

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<v Speaker 1>I thought you were out at U C. L A

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<v Speaker 1>Or Chaplain College or Loyal or someplace like that, but

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<v Speaker 1>you were. They built a set on a sound stage

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<v Speaker 1>all that stuff. That's fantastic. So you later got cast

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<v Speaker 1>his main character on the show Beautiful People. What was

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<v Speaker 1>your experience on that show?

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<v Speaker 2>Well, that was the same casting directors Amy and Maara

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<v Speaker 2>really really changed my life.

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<v Speaker 3>And that was shot. Now are you Canadian?

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<v Speaker 1>No?

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<v Speaker 2>No, you're just working up in Canada now, right, Okay,

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<v Speaker 2>So we filmed in Canada, So We went up to

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<v Speaker 2>Toronto for two seasons of that, and that was in

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<v Speaker 2>a lot of ways that had an essence of Gilmore Girls.

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<v Speaker 2>It was a mom and two daughters, and so there

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<v Speaker 2>was I think a connection to that, but it was

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<v Speaker 2>an ex It was a wonderful experience.

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<v Speaker 1>So that's great. They hitch up for another gig. That's wonderful.

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<v Speaker 1>So your last on screen credit was twenty thirteen. Did

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<v Speaker 1>you retire from the business or what's going on?

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<v Speaker 3>No, retirement was never the word, but you know, I was.

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<v Speaker 2>I had been an adult woman playing teenagers for quite

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<v Speaker 2>a bit and then I found myself kind of caught

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<v Speaker 2>in that woman child space and I didn't quite.

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<v Speaker 3>Know how to kind of present myself.

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<v Speaker 2>It was I needed to go live a little bit

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<v Speaker 2>of life, and not that I was consciously aware of that,

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<v Speaker 2>but it happened, and I stepped away and fell in

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<v Speaker 2>love with my now husband and had two children.

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<v Speaker 1>Oh wonderful.

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<v Speaker 2>Yeah, thanks, And we looked away for his work and

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<v Speaker 2>then found an opportunity to come back to la and

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<v Speaker 2>here I am.

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<v Speaker 1>So you're so you're back pursuing it once again. Oh

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<v Speaker 1>that's wonderful. Well, good luck with me.

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<v Speaker 4>Thanks tell Us a little bit about your training back

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<v Speaker 4>in Louisian or Texas or what kind of theater you

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<v Speaker 4>involved in or classes.

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<v Speaker 1>I mean, were you studying back then before you came

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<v Speaker 1>to LA.

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<v Speaker 2>Yeah, it was always on a stage. It was a

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<v Speaker 2>ballet from three on.

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<v Speaker 3>And then I.

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<v Speaker 2>Broke my foot and just had a friend who was

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<v Speaker 2>auditioning for a local theater show and said, you want

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<v Speaker 2>to do this. It was Westside Story and I auditioned,

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<v Speaker 2>and from then on I was hooked.

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<v Speaker 3>It was theater, and I.

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<v Speaker 2>Was in Little Rock, Arkansas at the time, and I

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<v Speaker 2>had a fantastic public school program with gifted and talented

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<v Speaker 2>program with different schools that the Clinton's and Mary Steain

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<v Speaker 2>Virgin had poured a lot of money and time and

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<v Speaker 2>care into building. And so I got really involved in

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<v Speaker 2>those programs and just did a lot of theater and graduated.

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<v Speaker 2>Knew I wanted to graduate early and pursue acting in

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<v Speaker 2>Los Angeles. Now. My parents gave me their blessing, I

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<v Speaker 2>think because they knew that there was no stopping me.

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<v Speaker 2>You're saying no until I came out here and just

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<v Speaker 2>hit the ground running. Got into an audition class here

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<v Speaker 2>and met my manager and the rest is history.

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<v Speaker 1>So people when you were growing up were going saying

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<v Speaker 1>to your parents, you know, she's she's very good. She's

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<v Speaker 1>a real natural with this. You should encourage her. She's

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<v Speaker 1>she's really So did you separate yourself from the crowd?

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<v Speaker 1>In other words, were you Were you really so talented

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<v Speaker 1>that it was it was obvious, and so you just

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<v Speaker 1>sort of kept going.

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<v Speaker 2>You know, that was not my thought process ever.

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<v Speaker 3>It was just the love of.

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<v Speaker 2>For me, I feel so seen, I feel so free

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<v Speaker 2>when I watch something and I see myself. I feel

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<v Speaker 2>less alone, right, I feel my pain lights. And so

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<v Speaker 2>for me, it was always about watching those things. And

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<v Speaker 2>then it's like the most selfish and generous thing I

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<v Speaker 2>have ever experienced, absorbing all of the stories and films

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<v Speaker 2>and plays and books and everything, and then also getting

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<v Speaker 2>to be a part of the storytelling and helping people

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<v Speaker 2>to feel less alone and.

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<v Speaker 1>Less What are some of your favorite films?

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<v Speaker 2>Oh, give me a Paul Thomas Anderson any Yeah, and therefore.

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<v Speaker 3>Daniel day Lewis. But you know, I will eat up anything.

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<v Speaker 2>I'm not a big comic book person, but I like

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<v Speaker 2>all genres. I mean, Kate Blanchette is one of my favorites.

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<v Speaker 1>The Queen. She's I think she's the most extraordinary talent

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<v Speaker 1>to come along, and there years absolutely, I don't think

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<v Speaker 1>I think she's there's There are a couple of actresses

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<v Speaker 1>that I might put up there with her, but it's

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<v Speaker 1>I think she's reigned supreme. I think Miranda Richardson is

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<v Speaker 1>way up there. I think Olivia Williams is what I mean.

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<v Speaker 1>There's obviously people that no one's ever heard of, you know,

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<v Speaker 1>that are working on the stage, that are also brilliant,

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<v Speaker 1>But I'm talking about, you know, people that came from

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<v Speaker 1>the stage and they they occupy the film space.

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<v Speaker 2>Yeah, and she keeps doing that, and I think that's

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<v Speaker 2>why she stays so relevant, so unpredictable.

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<v Speaker 1>She's very involved in theater back in Australia with her husband,

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<v Speaker 1>her I think her husband and her there are artistic

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<v Speaker 1>directors of the Australian National.

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<v Speaker 3>Theater right exactly.

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<v Speaker 1>Yes, yeah, just doing amazing work all the time. It's

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<v Speaker 1>kind of crazy. Uh Yeah, she's setting the bar really high.

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<v Speaker 1>And and so it was there So you mentioned seeing

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<v Speaker 1>Andrew Lloyd Weber and being struck by what the actors

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<v Speaker 1>were experiencing right in front of you. This alternative reality

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<v Speaker 1>that you wanted to climb into because they made it

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<v Speaker 1>so vital and thrilling. You know, live theater, When live

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<v Speaker 1>theater's done, well, there's nothing more vital or exciting. I mean,

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<v Speaker 1>there just really isn't. So you got caught up in that.

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<v Speaker 1>Do you remember the scene? Do you remember the actor?

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<v Speaker 1>Do you remember a particular moment in that production that

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<v Speaker 1>sort of you know, the switch went on and said

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<v Speaker 1>that's what I want to do.

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<v Speaker 2>I mean, it was certainly Christine. It was the role

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<v Speaker 2>of Christine. You know, I think as a young girl

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<v Speaker 2>watching a young woman, and it was the music and everything,

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<v Speaker 2>but like I said, it was just seeing someone on

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<v Speaker 2>stage that I knew I could touch, and they were

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<v Speaker 2>right there, but they were so immersed in a different

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<v Speaker 2>moments that I escaped with them, and I think, you know,

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<v Speaker 2>I mean that's a that's a not a new story

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<v Speaker 2>for an actor to to love to escape into stories.

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<v Speaker 3>But that's what did it for me.

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<v Speaker 2>Was just just taking me out of my current moment

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<v Speaker 2>and being in another world completely submerged.

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<v Speaker 1>So that love of acting or singing or whatever, dancing,

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<v Speaker 1>that that act of performing, the love of performing, that's

0:14:35.400 --> 0:14:40.760
<v Speaker 1>what made you pursue it as a career. That's what

0:14:40.960 --> 0:14:44.200
<v Speaker 1>made you and and and you knew from a young

0:14:44.240 --> 0:14:47.280
<v Speaker 1>age that it really was just about, you know, acquiring

0:14:47.320 --> 0:14:50.240
<v Speaker 1>a set of skills that people were going to pay

0:14:50.280 --> 0:14:50.680
<v Speaker 1>you for.

0:14:51.080 --> 0:14:57.000
<v Speaker 2>Right, Yeah, that came later, but yeah, it was it

0:14:57.080 --> 0:15:00.840
<v Speaker 2>was it was just the story telling. It was just

0:15:01.080 --> 0:15:04.320
<v Speaker 2>the I'm an only child. I come from a very

0:15:04.360 --> 0:15:08.040
<v Speaker 2>small family. Uh, you know, we never had a lot

0:15:08.040 --> 0:15:13.760
<v Speaker 2>of money, but we always had rich imaginations and and

0:15:14.200 --> 0:15:16.520
<v Speaker 2>you know, like my mom saved a lot for those

0:15:16.520 --> 0:15:23.800
<v Speaker 2>tickets the Phantom of the Opera and going to just

0:15:23.800 --> 0:15:27.920
<v Speaker 2>just it immediately, I knew immediately that there it's a

0:15:27.960 --> 0:15:32.360
<v Speaker 2>whole world of artists. That that show opened me up

0:15:32.360 --> 0:15:35.560
<v Speaker 2>to what the world of artists is. And it's such

0:15:35.560 --> 0:15:39.760
<v Speaker 2>a warm, welcoming world full of different kinds of people

0:15:39.880 --> 0:15:46.040
<v Speaker 2>from all kinds of personalities, backgrounds, flavorings, whatever, what have you.

0:15:46.160 --> 0:15:50.640
<v Speaker 2>And as an only child is kind of a lonely childhood,

0:15:51.800 --> 0:15:54.920
<v Speaker 2>that world always welcomed me and made me feel like

0:15:55.000 --> 0:15:59.680
<v Speaker 2>I felt like I belonged. And I think that that

0:15:59.840 --> 0:16:03.000
<v Speaker 2>just fed my desire to learn more about about it

0:16:03.080 --> 0:16:06.400
<v Speaker 2>and in every way, you know, and I think my

0:16:07.320 --> 0:16:10.840
<v Speaker 2>real respect and appreciation for the craft actually came after

0:16:10.920 --> 0:16:12.280
<v Speaker 2>walking away and coming back.

0:16:12.320 --> 0:16:14.480
<v Speaker 3>I mean, I feel like a brand new actor now.

0:16:16.400 --> 0:16:23.120
<v Speaker 2>I was really naive and and enjoyed. I played the

0:16:23.200 --> 0:16:26.880
<v Speaker 2>kids really well. As a young woman, I played I

0:16:27.160 --> 0:16:30.360
<v Speaker 2>played younger roles, and now coming back, it's like it's

0:16:30.960 --> 0:16:35.880
<v Speaker 2>this absolute respect for the craft and the people who

0:16:36.080 --> 0:16:38.040
<v Speaker 2>who want to teach, that want to be a part

0:16:38.080 --> 0:16:41.520
<v Speaker 2>of learning more of it that turn me on.

0:16:41.720 --> 0:16:44.960
<v Speaker 1>Now here's a question. So you're back in the business.

0:16:45.000 --> 0:16:48.480
<v Speaker 1>You're back in the game. Yeah, you're a mother. Yeah,

0:16:48.520 --> 0:16:52.800
<v Speaker 1>you've got a lot more life experience to draw from. Wow,

0:16:53.400 --> 0:16:57.480
<v Speaker 1>your heart has grown exponentially because you have two children.

0:16:59.440 --> 0:17:10.439
<v Speaker 1>You understand and the meaning of life now right? Yeah,

0:17:10.480 --> 0:17:13.680
<v Speaker 1>So who do you want to work with? Name your

0:17:13.800 --> 0:17:17.119
<v Speaker 1>top male star, top female star, top director. If you

0:17:17.160 --> 0:17:19.879
<v Speaker 1>could do a film, and you had one film you

0:17:19.920 --> 0:17:22.960
<v Speaker 1>could do, that's it. Who would your director? Who would

0:17:23.000 --> 0:17:25.280
<v Speaker 1>your co star be? Malee? Who would you co star

0:17:25.880 --> 0:17:26.399
<v Speaker 1>female be?

0:17:26.840 --> 0:17:30.160
<v Speaker 2>Okay, after you, after I get you and I out

0:17:30.200 --> 0:17:32.840
<v Speaker 2>of the way, uh I then, so you know what,

0:17:32.920 --> 0:17:35.720
<v Speaker 2>I fell into a blackbird hole and I got so

0:17:35.840 --> 0:17:38.000
<v Speaker 2>obsessed with Paul Walter Hauser.

0:17:38.119 --> 0:17:41.240
<v Speaker 3>Did you see that? Did you see Blackbird?

0:17:41.320 --> 0:17:41.399
<v Speaker 1>Now?

0:17:43.080 --> 0:17:46.560
<v Speaker 2>Let me sign me up for Paul Walter Hauser and

0:17:47.000 --> 0:17:50.000
<v Speaker 2>let's see, let's put Lady Kate in it while we're

0:17:50.080 --> 0:17:50.480
<v Speaker 2>at it.

0:17:50.640 --> 0:17:55.000
<v Speaker 1>So we got Paul Houser, We've got Kate, and then

0:17:55.040 --> 0:17:56.480
<v Speaker 1>who's the director, who's directing you?

0:17:59.000 --> 0:18:02.840
<v Speaker 2>Let's see, My gosh, let's do some pta.

0:18:02.960 --> 0:18:10.199
<v Speaker 3>Why not. Let's dream? Okay, go for it. Yeah.

0:18:10.280 --> 0:18:14.959
<v Speaker 2>I mean, I'm gonna be in bed tonight at two am,

0:18:15.040 --> 0:18:17.000
<v Speaker 2>and I'm going to have a list of like seven

0:18:17.680 --> 0:18:19.520
<v Speaker 2>d nine answers for all.

0:18:19.359 --> 0:18:20.120
<v Speaker 3>Of these and I'm good.

0:18:20.200 --> 0:18:24.280
<v Speaker 1>What about Tarantino, he's doing his last film? Oh my god, yeah.

0:18:24.080 --> 0:18:27.400
<v Speaker 3>He's doing Get me in there, man.

0:18:27.600 --> 0:18:28.280
<v Speaker 1>Wow.

0:18:29.160 --> 0:18:31.800
<v Speaker 2>I actually okay. I have a fun story. I got

0:18:31.920 --> 0:18:36.320
<v Speaker 2>registered for voting while on the set of Gilmore Girls.

0:18:36.440 --> 0:18:38.560
<v Speaker 3>Right, Danny Strong, who I had.

0:18:38.640 --> 0:18:41.960
<v Speaker 2>Was obsessed with because I loved Buffy the Vampire Slayer,

0:18:43.600 --> 0:18:45.360
<v Speaker 2>came up to me and was like, are you registered

0:18:45.400 --> 0:18:47.480
<v Speaker 2>to vote? And I'm like no. I was eighteen nineteen

0:18:47.560 --> 0:18:50.960
<v Speaker 2>years old at the time, and he registered me to vote.

0:18:51.359 --> 0:18:55.600
<v Speaker 2>And then I'm listening to this interview with Tarantino and

0:18:55.680 --> 0:18:57.000
<v Speaker 2>he goes, Danny.

0:18:56.680 --> 0:18:59.160
<v Speaker 3>Strong, I used to go I used to work in a.

0:18:59.080 --> 0:19:01.359
<v Speaker 2>Blockbuster and Dan Strong used to come in and he

0:19:01.400 --> 0:19:04.040
<v Speaker 2>was a little kid and checked out all these movies

0:19:04.160 --> 0:19:07.920
<v Speaker 2>and things, and we talk about all kinds of storylines

0:19:07.960 --> 0:19:13.320
<v Speaker 2>and everything, and so yeah, let's there. There's Queen Tarantino. Sure,

0:19:13.760 --> 0:19:17.119
<v Speaker 2>and Danny Danny Danny Strong. Let me have a script

0:19:17.160 --> 0:19:18.000
<v Speaker 2>with Danny Strong.

0:19:19.200 --> 0:19:25.840
<v Speaker 1>We'll see what we can do. All right, So we're

0:19:25.880 --> 0:19:29.040
<v Speaker 1>gonna play a little game now called rapid fire. It

0:19:29.119 --> 0:19:31.840
<v Speaker 1>doesn't necessarily have to move quickly. I'm just going to

0:19:31.920 --> 0:19:35.920
<v Speaker 1>ask you a bunch of Gilmour related questions and there

0:19:36.000 --> 0:19:40.320
<v Speaker 1>are no wrong answers, so the pressure is off. All right, Ready,

0:19:40.320 --> 0:19:42.600
<v Speaker 1>here we go. How do you like your coffee?

0:19:43.440 --> 0:19:43.800
<v Speaker 3>Black?

0:19:44.920 --> 0:19:47.000
<v Speaker 1>Are your team? Logan Jess or Dean.

0:19:48.760 --> 0:19:49.200
<v Speaker 3>Logan?

0:19:50.680 --> 0:19:54.040
<v Speaker 1>Who is your favorite Gilmore girls couple? Luke and Lorelei,

0:19:54.119 --> 0:19:56.000
<v Speaker 1>Lane and Zach, Emily and Richard.

0:19:57.560 --> 0:19:58.679
<v Speaker 3>There's no other answer.

0:19:58.760 --> 0:20:01.159
<v Speaker 1>That is the right answer. There, I lied to you.

0:20:01.240 --> 0:20:05.240
<v Speaker 1>That is the right answer. Thank you very much. What

0:20:05.280 --> 0:20:08.000
<v Speaker 1>would you order at Luke Steiner?

0:20:09.720 --> 0:20:13.440
<v Speaker 3>Do you have an omelet coming right up? Thank you?

0:20:14.080 --> 0:20:17.159
<v Speaker 1>Jackson or Taylor for town selectmen?

0:20:18.760 --> 0:20:19.240
<v Speaker 3>Jackson?

0:20:20.240 --> 0:20:24.000
<v Speaker 1>Really? Okay? How would you rather listen to hef Alien

0:20:24.320 --> 0:20:26.760
<v Speaker 1>or the Troubadour's cover songs?

0:20:28.240 --> 0:20:30.680
<v Speaker 3>The Troubadour cover songs.

0:20:30.480 --> 0:20:32.280
<v Speaker 1>Harvard or Yale?

0:20:33.320 --> 0:20:33.679
<v Speaker 3>Yale?

0:20:33.960 --> 0:20:39.399
<v Speaker 2>Why because I went and followed Rory around all to

0:20:39.520 --> 0:20:41.840
<v Speaker 2>heaven to bid at Yale.

0:20:42.520 --> 0:20:47.280
<v Speaker 1>What's Rory's bigger mistake? Crashing the car her boyfriend built

0:20:47.280 --> 0:20:51.560
<v Speaker 1>for her or sleeping with her ex who was married.

0:20:53.080 --> 0:20:58.960
<v Speaker 2>Let's not judge Rory here, Okay, let's we all make mistakes.

0:20:58.440 --> 0:20:59.399
<v Speaker 3>Scott and.

0:21:00.840 --> 0:21:04.240
<v Speaker 2>I just want you to know, Rory, I'm a loyal

0:21:04.600 --> 0:21:05.480
<v Speaker 2>friend through and through.

0:21:06.640 --> 0:21:09.240
<v Speaker 1>I'm gonna ask the judges that we will accept that

0:21:09.280 --> 0:21:09.840
<v Speaker 1>as your answer.

0:21:09.840 --> 0:21:12.760
<v Speaker 3>Thank you. No wrong answers, there.

0:21:12.680 --> 0:21:18.240
<v Speaker 1>Are no wrong answer. Who from Gilmore? Girls? Would you

0:21:18.440 --> 0:21:21.880
<v Speaker 1>not want to be stuck on a desert island with.

0:21:24.560 --> 0:21:29.119
<v Speaker 2>Oh my gosh, with all due respect, on a desert island?

0:21:29.160 --> 0:21:31.639
<v Speaker 1>You said? Okay, who do you not want to be

0:21:31.680 --> 0:21:32.719
<v Speaker 1>stuck on that island?

0:21:32.960 --> 0:21:36.840
<v Speaker 2>Love me some, Liza, but I think Paris and I

0:21:36.920 --> 0:21:39.880
<v Speaker 2>might be too neurotic for one island.

0:21:40.200 --> 0:21:43.640
<v Speaker 3>So I have to say Paris.

0:21:48.400 --> 0:21:52.959
<v Speaker 1>Something in your life. You are all in on the moment.

0:21:54.280 --> 0:21:57.160
<v Speaker 1>It has been wonderful talking to you.

0:21:57.600 --> 0:22:00.760
<v Speaker 3>Oh the pleasure was mine. Thank you so much.

0:22:02.320 --> 0:22:05.320
<v Speaker 1>And we wish you all the best, Sarah and good

0:22:05.440 --> 0:22:11.240
<v Speaker 1>luck continued success. Uh say hello to your family for us,

0:22:11.560 --> 0:22:16.960
<v Speaker 1>and and you know, start scoring some jobs. You know,

0:22:17.840 --> 0:22:20.080
<v Speaker 1>you know, it's so easy to get a job, isn't it.

0:22:20.080 --> 0:22:22.840
<v Speaker 1>It's just so easy. You just you just got to say, hey,

0:22:22.880 --> 0:22:25.560
<v Speaker 1>I need a job. Oh there it is.

0:22:26.600 --> 0:22:30.439
<v Speaker 3>Even though this wasn't a week ago. You never know

0:22:30.480 --> 0:22:31.080
<v Speaker 3>what you.

0:22:31.040 --> 0:22:35.960
<v Speaker 1>Never know, right anyway, all the best and thank you

0:22:36.000 --> 0:22:39.720
<v Speaker 1>for coming on. We really appreciate it. Okay, all right,

0:22:39.760 --> 0:23:12.879
<v Speaker 1>take care now, ye all right, bye, hey everybody, and

0:23:12.880 --> 0:23:16.520
<v Speaker 1>don't forget follow us on Instagram at I Am all

0:23:16.560 --> 0:23:22.520
<v Speaker 1>In podcast and email us at Gilmore at iHeartRadio dot com.

0:23:22.560 --> 0:23:24.320
<v Speaker 1>Oh you're Gilmore fans. If you're looking for the best

0:23:24.400 --> 0:23:27.200
<v Speaker 1>cup of coffee in the world, go to my website

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