1 00:00:00,720 --> 00:00:08,840 Speaker 1: I am all in. Oh, Let's kiss you. 2 00:00:16,960 --> 00:00:21,160 Speaker 2: I Am all in with Scott Patterson, an iHeartRadio podcast. 3 00:00:21,360 --> 00:00:26,560 Speaker 1: All Everybody Scott Patterson one on one interview with Sarah Forrett. 4 00:00:27,080 --> 00:00:29,479 Speaker 1: She played the role of an a fair child for 5 00:00:29,520 --> 00:00:31,760 Speaker 1: one episode two thousand and four. It's their only appearance 6 00:00:31,800 --> 00:00:35,400 Speaker 1: season five, episode ten, but not as cute as Pushkin 7 00:00:35,720 --> 00:00:39,160 Speaker 1: her characters Anna. She's currently a student chi Chilton who 8 00:00:39,840 --> 00:00:43,760 Speaker 1: head Master Charleston asked Roy to show her around Yale 9 00:00:44,280 --> 00:00:47,879 Speaker 1: and boy does she get shown around a little bit 10 00:00:47,920 --> 00:00:50,440 Speaker 1: about Sarah. She has known for a role as Sophie 11 00:00:50,479 --> 00:00:54,080 Speaker 1: Curran Beautiful People. Her first on screen appearance was a 12 00:00:54,200 --> 00:00:58,760 Speaker 1: role as Tina Paulson an episode of the police Procedural 13 00:00:59,080 --> 00:01:03,400 Speaker 1: television series New York. In two thousand and five, she 14 00:01:03,560 --> 00:01:06,600 Speaker 1: joined the cast of the ABC Family show Beautiful People 15 00:01:06,720 --> 00:01:10,920 Speaker 1: as Sophie Kershy. Appeared in two two thousand and six films, 16 00:01:11,280 --> 00:01:14,039 Speaker 1: Carla and Pope Dreams and one two thousand and eight 17 00:01:14,040 --> 00:01:20,160 Speaker 1: film American Crew. She also appeared in episodes of the 18 00:01:20,280 --> 00:01:23,880 Speaker 1: Hard Times of R. Jay Berger and Zach Stone Is 19 00:01:23,920 --> 00:01:27,120 Speaker 1: Going to Be Famous, as well as Criminal Minds. She's 20 00:01:27,200 --> 00:01:30,479 Speaker 1: an episode of that Supply and Demand. She had guest 21 00:01:30,560 --> 00:01:35,800 Speaker 1: roles on television shows Gilmore Girls, Clubhouse, Moonlight, and The 22 00:01:35,840 --> 00:01:42,720 Speaker 1: Mentalist and Ladies and Gentlemen. Here is Sarah for it. Sarah, welcome. 23 00:01:42,760 --> 00:01:44,119 Speaker 1: Tell us how you got into acting. 24 00:01:44,880 --> 00:01:45,360 Speaker 3: Thank you. 25 00:01:46,480 --> 00:01:50,360 Speaker 2: I got on an airplane and moved to LA. 26 00:01:51,040 --> 00:01:54,720 Speaker 3: Always knew it was something I wanted to do. I saw. 27 00:01:58,640 --> 00:02:01,520 Speaker 2: Andrew Lloyd's Weberfan of the Opera when I was a kid, 28 00:02:02,000 --> 00:02:05,680 Speaker 2: and just watching these people on stage. My mom took 29 00:02:05,760 --> 00:02:08,680 Speaker 2: me and I just remember seeing them live like they 30 00:02:08,720 --> 00:02:10,960 Speaker 2: were in another moment right in front of me, And 31 00:02:11,000 --> 00:02:13,000 Speaker 2: it was just always something I wanted to do. 32 00:02:14,680 --> 00:02:16,800 Speaker 1: And so you came to LA from where? 33 00:02:18,200 --> 00:02:20,920 Speaker 3: From Texas? Yeah? 34 00:02:21,040 --> 00:02:24,240 Speaker 2: Yeah, that's where I came from, but Louisiana originally all 35 00:02:24,280 --> 00:02:25,040 Speaker 2: throughout the South. 36 00:02:25,280 --> 00:02:29,400 Speaker 1: Okay, so you were seventeen. Were you giving any advice 37 00:02:29,520 --> 00:02:32,440 Speaker 1: coming to Hollywood at such a young age. You came 38 00:02:32,440 --> 00:02:34,240 Speaker 1: with your mother and your father. I just came with 39 00:02:34,280 --> 00:02:37,320 Speaker 1: your mother. You came at seventeen by yourself. 40 00:02:37,320 --> 00:02:42,280 Speaker 2: With their blessing too. I can't believe it. I was 41 00:02:42,320 --> 00:02:43,280 Speaker 2: a lucky one for that. 42 00:02:43,520 --> 00:02:51,480 Speaker 1: Wow. So this was your second role in Hollywood. What 43 00:02:51,520 --> 00:02:55,079 Speaker 1: do you remember about your audition for Gilmore Girls? 44 00:02:56,919 --> 00:03:02,520 Speaker 2: I remember Jamie Rudowski and Mark Casey were amazing casting directors. 45 00:03:02,520 --> 00:03:05,320 Speaker 3: Shout out to them. I remember going on to the 46 00:03:05,320 --> 00:03:06,480 Speaker 3: Warner Brothers lot. 47 00:03:06,320 --> 00:03:10,400 Speaker 2: For that audition and my note for the callback was 48 00:03:10,840 --> 00:03:16,040 Speaker 2: keep everything, just be faster. So yeah, I just remember 49 00:03:17,080 --> 00:03:20,000 Speaker 2: a really inviting room and that just continued on through 50 00:03:20,040 --> 00:03:21,959 Speaker 2: my whole experience with Gilmore Girls. 51 00:03:22,120 --> 00:03:24,480 Speaker 1: Had you watch the show when you got cast? 52 00:03:25,040 --> 00:03:29,280 Speaker 2: No, you know, I was like so busy and working 53 00:03:29,560 --> 00:03:33,480 Speaker 2: my day job and acting class. I wasn't a big 54 00:03:33,520 --> 00:03:35,640 Speaker 2: TV watcher at the time, but I certainly knew that 55 00:03:35,680 --> 00:03:40,520 Speaker 2: it was a beloved show. Yeah, so I watched it 56 00:03:40,560 --> 00:03:42,640 Speaker 2: in syndication since become a fan. 57 00:03:45,520 --> 00:03:47,120 Speaker 1: Do you watch it a lot? They still watch it? 58 00:03:47,880 --> 00:03:50,400 Speaker 3: No, I mean whenever it's on. 59 00:03:50,760 --> 00:03:53,600 Speaker 2: I love to hear the sound of those familiar voices. 60 00:03:53,760 --> 00:03:58,760 Speaker 2: They you know, the creators were so incredible at making 61 00:03:58,760 --> 00:04:00,880 Speaker 2: a world that you just want to immerse yourself in, 62 00:04:01,000 --> 00:04:04,240 Speaker 2: and so it's like familiar and I'll leave it on 63 00:04:04,360 --> 00:04:05,760 Speaker 2: in the background for sure. 64 00:04:07,400 --> 00:04:11,400 Speaker 1: So you played a giddy high school student seeing college 65 00:04:11,480 --> 00:04:15,960 Speaker 1: for the first time, visiting Yale? Was it easy to 66 00:04:16,000 --> 00:04:18,680 Speaker 1: get back into the headspace of a seventeen year old? 67 00:04:18,680 --> 00:04:20,600 Speaker 1: By the way, how old were you when you got 68 00:04:20,680 --> 00:04:21,039 Speaker 1: the role? 69 00:04:22,000 --> 00:04:25,920 Speaker 2: Oh, I was probably about nineteen or twenty. 70 00:04:26,040 --> 00:04:28,360 Speaker 1: Oh okay, yeah, so question applients. 71 00:04:28,680 --> 00:04:30,000 Speaker 3: It was so easy. 72 00:04:30,240 --> 00:04:34,200 Speaker 2: I played myself in that role so much just getting 73 00:04:34,240 --> 00:04:39,200 Speaker 2: to watch Alexis and everybody. It was just like a masterclass. 74 00:04:39,440 --> 00:04:41,520 Speaker 2: And I was in awe and that character was so 75 00:04:42,560 --> 00:04:45,920 Speaker 2: enthusiastic and bright eyed and bushy tailed in NII, which 76 00:04:45,960 --> 00:04:47,400 Speaker 2: is close to home. 77 00:04:49,160 --> 00:04:52,760 Speaker 1: So how'd you like working with Alexis? Tell us about that. 78 00:04:53,240 --> 00:04:56,120 Speaker 2: You know, she was it was as if it was 79 00:04:56,160 --> 00:05:00,240 Speaker 2: a neighbor that I'd known forever. She was so comfortable 80 00:05:00,320 --> 00:05:04,720 Speaker 2: and welcoming, and I remember she would get her she would, 81 00:05:04,760 --> 00:05:07,280 Speaker 2: you know, get to the set for rehearsal and she'd have, 82 00:05:07,360 --> 00:05:10,960 Speaker 2: you know, like three pages of monologues and she would say, Okay, 83 00:05:10,960 --> 00:05:12,520 Speaker 2: I'm gonna stand here and i'm gonna hit here, and 84 00:05:12,520 --> 00:05:15,640 Speaker 2: i'm gonna I'm gonna say this, and she disappear and 85 00:05:15,640 --> 00:05:18,200 Speaker 2: then she'd come back and it was just effortless. 86 00:05:18,240 --> 00:05:22,040 Speaker 3: It was just it was it was. 87 00:05:22,240 --> 00:05:25,719 Speaker 2: It was really amazing how she was really gentle spirited 88 00:05:25,760 --> 00:05:29,760 Speaker 2: in nature, but she would really command that set as 89 00:05:29,800 --> 00:05:35,039 Speaker 2: such a leader. Really nice watching her. 90 00:05:36,560 --> 00:05:41,000 Speaker 1: So is there a scene that you did that stands 91 00:05:41,040 --> 00:05:42,240 Speaker 1: out the most to you? 92 00:05:45,200 --> 00:05:49,680 Speaker 2: I remember the library scene, walking around that that library, 93 00:05:49,880 --> 00:05:54,200 Speaker 2: and uh, I was I thought Matt was the cutest 94 00:05:54,240 --> 00:05:55,200 Speaker 2: guy I'd ever seen. 95 00:05:58,960 --> 00:06:00,440 Speaker 1: You got zukereed away. 96 00:06:00,839 --> 00:06:02,239 Speaker 3: You were right? 97 00:06:02,600 --> 00:06:04,520 Speaker 1: He as matter of fact, he did it to me. 98 00:06:04,720 --> 00:06:06,599 Speaker 1: I fell to when I saw. 99 00:06:06,640 --> 00:06:12,240 Speaker 3: Those Yeah, and just watching him in Alexis was so fun. 100 00:06:12,640 --> 00:06:12,760 Speaker 1: Uh. 101 00:06:13,200 --> 00:06:16,760 Speaker 2: You know, their chemistry was palpable. Even just didn't rehearsing. 102 00:06:18,560 --> 00:06:22,720 Speaker 2: But yeah, I left that set. Uh, their their their 103 00:06:22,760 --> 00:06:26,920 Speaker 2: dorm room was really fun walking around. Those were probably 104 00:06:26,920 --> 00:06:27,680 Speaker 2: the standouts. 105 00:06:28,360 --> 00:06:31,880 Speaker 1: Where did you actually shoot that stuff? On? 106 00:06:31,960 --> 00:06:35,799 Speaker 2: The Warner Brothers lit on the stage. 107 00:06:36,040 --> 00:06:39,719 Speaker 1: So they built all of those on the sound stage. 108 00:06:39,760 --> 00:06:41,480 Speaker 1: I thought you were out at U C. L A 109 00:06:41,839 --> 00:06:46,279 Speaker 1: Or Chaplain College or Loyal or someplace like that, but 110 00:06:46,320 --> 00:06:49,880 Speaker 1: you were. They built a set on a sound stage 111 00:06:50,600 --> 00:06:57,239 Speaker 1: all that stuff. That's fantastic. So you later got cast 112 00:06:57,240 --> 00:06:59,640 Speaker 1: his main character on the show Beautiful People. What was 113 00:06:59,680 --> 00:07:01,239 Speaker 1: your experience on that show? 114 00:07:02,520 --> 00:07:06,599 Speaker 2: Well, that was the same casting directors Amy and Maara 115 00:07:06,800 --> 00:07:09,880 Speaker 2: really really changed my life. 116 00:07:10,000 --> 00:07:12,200 Speaker 3: And that was shot. Now are you Canadian? 117 00:07:12,640 --> 00:07:13,520 Speaker 1: No? 118 00:07:13,520 --> 00:07:17,440 Speaker 2: No, you're just working up in Canada now, right, Okay, 119 00:07:17,520 --> 00:07:24,680 Speaker 2: So we filmed in Canada, So We went up to 120 00:07:24,680 --> 00:07:30,440 Speaker 2: Toronto for two seasons of that, and that was in 121 00:07:30,480 --> 00:07:34,320 Speaker 2: a lot of ways that had an essence of Gilmore Girls. 122 00:07:34,360 --> 00:07:37,120 Speaker 2: It was a mom and two daughters, and so there 123 00:07:37,240 --> 00:07:39,800 Speaker 2: was I think a connection to that, but it was 124 00:07:39,840 --> 00:07:42,120 Speaker 2: an ex It was a wonderful experience. 125 00:07:43,160 --> 00:07:46,920 Speaker 1: So that's great. They hitch up for another gig. That's wonderful. 126 00:07:48,360 --> 00:07:52,320 Speaker 1: So your last on screen credit was twenty thirteen. Did 127 00:07:52,360 --> 00:07:57,000 Speaker 1: you retire from the business or what's going on? 128 00:07:57,880 --> 00:08:03,680 Speaker 3: No, retirement was never the word, but you know, I was. 129 00:08:03,760 --> 00:08:08,160 Speaker 2: I had been an adult woman playing teenagers for quite 130 00:08:08,160 --> 00:08:11,000 Speaker 2: a bit and then I found myself kind of caught 131 00:08:11,040 --> 00:08:15,960 Speaker 2: in that woman child space and I didn't quite. 132 00:08:15,800 --> 00:08:20,480 Speaker 3: Know how to kind of present myself. 133 00:08:20,480 --> 00:08:23,040 Speaker 2: It was I needed to go live a little bit 134 00:08:23,040 --> 00:08:26,720 Speaker 2: of life, and not that I was consciously aware of that, 135 00:08:26,840 --> 00:08:31,200 Speaker 2: but it happened, and I stepped away and fell in 136 00:08:31,200 --> 00:08:34,960 Speaker 2: love with my now husband and had two children. 137 00:08:35,200 --> 00:08:36,360 Speaker 1: Oh wonderful. 138 00:08:36,800 --> 00:08:39,600 Speaker 2: Yeah, thanks, And we looked away for his work and 139 00:08:39,640 --> 00:08:42,439 Speaker 2: then found an opportunity to come back to la and 140 00:08:43,360 --> 00:08:43,920 Speaker 2: here I am. 141 00:08:44,080 --> 00:08:47,559 Speaker 1: So you're so you're back pursuing it once again. Oh 142 00:08:47,640 --> 00:08:49,679 Speaker 1: that's wonderful. Well, good luck with me. 143 00:08:50,240 --> 00:08:59,440 Speaker 4: Thanks tell Us a little bit about your training back 144 00:08:59,480 --> 00:09:01,760 Speaker 4: in Louisian or Texas or what kind of theater you 145 00:09:01,880 --> 00:09:03,640 Speaker 4: involved in or classes. 146 00:09:03,760 --> 00:09:07,040 Speaker 1: I mean, were you studying back then before you came 147 00:09:07,080 --> 00:09:07,480 Speaker 1: to LA. 148 00:09:08,559 --> 00:09:10,920 Speaker 2: Yeah, it was always on a stage. It was a 149 00:09:11,120 --> 00:09:13,920 Speaker 2: ballet from three on. 150 00:09:14,320 --> 00:09:15,720 Speaker 3: And then I. 151 00:09:15,720 --> 00:09:18,800 Speaker 2: Broke my foot and just had a friend who was 152 00:09:18,840 --> 00:09:22,319 Speaker 2: auditioning for a local theater show and said, you want 153 00:09:22,360 --> 00:09:26,800 Speaker 2: to do this. It was Westside Story and I auditioned, 154 00:09:26,840 --> 00:09:28,560 Speaker 2: and from then on I was hooked. 155 00:09:28,760 --> 00:09:30,840 Speaker 3: It was theater, and I. 156 00:09:30,800 --> 00:09:34,319 Speaker 2: Was in Little Rock, Arkansas at the time, and I 157 00:09:34,440 --> 00:09:40,880 Speaker 2: had a fantastic public school program with gifted and talented 158 00:09:40,960 --> 00:09:45,280 Speaker 2: program with different schools that the Clinton's and Mary Steain 159 00:09:45,320 --> 00:09:47,199 Speaker 2: Virgin had poured a lot of money and time and 160 00:09:47,320 --> 00:09:50,800 Speaker 2: care into building. And so I got really involved in 161 00:09:50,800 --> 00:09:57,400 Speaker 2: those programs and just did a lot of theater and graduated. 162 00:09:57,440 --> 00:10:00,520 Speaker 2: Knew I wanted to graduate early and pursue acting in 163 00:10:00,559 --> 00:10:04,160 Speaker 2: Los Angeles. Now. My parents gave me their blessing, I 164 00:10:04,160 --> 00:10:06,440 Speaker 2: think because they knew that there was no stopping me. 165 00:10:06,520 --> 00:10:10,840 Speaker 2: You're saying no until I came out here and just 166 00:10:10,880 --> 00:10:15,280 Speaker 2: hit the ground running. Got into an audition class here 167 00:10:15,320 --> 00:10:18,079 Speaker 2: and met my manager and the rest is history. 168 00:10:18,240 --> 00:10:20,760 Speaker 1: So people when you were growing up were going saying 169 00:10:20,760 --> 00:10:23,760 Speaker 1: to your parents, you know, she's she's very good. She's 170 00:10:23,800 --> 00:10:27,120 Speaker 1: a real natural with this. You should encourage her. She's 171 00:10:27,320 --> 00:10:32,240 Speaker 1: she's really So did you separate yourself from the crowd? 172 00:10:33,480 --> 00:10:37,840 Speaker 1: In other words, were you Were you really so talented 173 00:10:37,920 --> 00:10:40,960 Speaker 1: that it was it was obvious, and so you just 174 00:10:41,000 --> 00:10:41,839 Speaker 1: sort of kept going. 175 00:10:42,720 --> 00:10:46,520 Speaker 2: You know, that was not my thought process ever. 176 00:10:46,840 --> 00:10:49,040 Speaker 3: It was just the love of. 177 00:10:50,480 --> 00:10:54,240 Speaker 2: For me, I feel so seen, I feel so free 178 00:10:54,280 --> 00:10:56,760 Speaker 2: when I watch something and I see myself. I feel 179 00:10:56,840 --> 00:11:02,720 Speaker 2: less alone, right, I feel my pain lights. And so 180 00:11:02,800 --> 00:11:05,400 Speaker 2: for me, it was always about watching those things. And 181 00:11:05,400 --> 00:11:09,760 Speaker 2: then it's like the most selfish and generous thing I 182 00:11:09,800 --> 00:11:16,640 Speaker 2: have ever experienced, absorbing all of the stories and films 183 00:11:16,679 --> 00:11:19,400 Speaker 2: and plays and books and everything, and then also getting 184 00:11:19,480 --> 00:11:23,840 Speaker 2: to be a part of the storytelling and helping people 185 00:11:23,880 --> 00:11:25,280 Speaker 2: to feel less alone and. 186 00:11:25,280 --> 00:11:28,600 Speaker 1: Less What are some of your favorite films? 187 00:11:30,280 --> 00:11:37,040 Speaker 2: Oh, give me a Paul Thomas Anderson any Yeah, and therefore. 188 00:11:36,720 --> 00:11:43,320 Speaker 3: Daniel day Lewis. But you know, I will eat up anything. 189 00:11:43,360 --> 00:11:48,000 Speaker 2: I'm not a big comic book person, but I like 190 00:11:48,040 --> 00:11:52,840 Speaker 2: all genres. I mean, Kate Blanchette is one of my favorites. 191 00:11:54,240 --> 00:11:58,560 Speaker 1: The Queen. She's I think she's the most extraordinary talent 192 00:11:58,720 --> 00:12:03,000 Speaker 1: to come along, and there years absolutely, I don't think 193 00:12:03,080 --> 00:12:07,120 Speaker 1: I think she's there's There are a couple of actresses 194 00:12:07,240 --> 00:12:10,240 Speaker 1: that I might put up there with her, but it's 195 00:12:10,320 --> 00:12:13,520 Speaker 1: I think she's reigned supreme. I think Miranda Richardson is 196 00:12:15,080 --> 00:12:17,960 Speaker 1: way up there. I think Olivia Williams is what I mean. 197 00:12:18,000 --> 00:12:21,880 Speaker 1: There's obviously people that no one's ever heard of, you know, 198 00:12:21,960 --> 00:12:24,280 Speaker 1: that are working on the stage, that are also brilliant, 199 00:12:24,320 --> 00:12:26,960 Speaker 1: But I'm talking about, you know, people that came from 200 00:12:27,000 --> 00:12:29,680 Speaker 1: the stage and they they occupy the film space. 201 00:12:30,720 --> 00:12:32,760 Speaker 2: Yeah, and she keeps doing that, and I think that's 202 00:12:32,800 --> 00:12:36,160 Speaker 2: why she stays so relevant, so unpredictable. 203 00:12:37,360 --> 00:12:41,559 Speaker 1: She's very involved in theater back in Australia with her husband, 204 00:12:41,600 --> 00:12:44,439 Speaker 1: her I think her husband and her there are artistic 205 00:12:44,440 --> 00:12:46,480 Speaker 1: directors of the Australian National. 206 00:12:46,200 --> 00:12:47,720 Speaker 3: Theater right exactly. 207 00:12:47,800 --> 00:12:52,840 Speaker 1: Yes, yeah, just doing amazing work all the time. It's 208 00:12:53,480 --> 00:12:58,839 Speaker 1: kind of crazy. Uh Yeah, she's setting the bar really high. 209 00:12:59,640 --> 00:13:03,560 Speaker 1: And and so it was there So you mentioned seeing 210 00:13:03,920 --> 00:13:08,600 Speaker 1: Andrew Lloyd Weber and being struck by what the actors 211 00:13:08,640 --> 00:13:12,640 Speaker 1: were experiencing right in front of you. This alternative reality 212 00:13:13,200 --> 00:13:17,560 Speaker 1: that you wanted to climb into because they made it 213 00:13:17,679 --> 00:13:22,839 Speaker 1: so vital and thrilling. You know, live theater, When live 214 00:13:22,880 --> 00:13:26,000 Speaker 1: theater's done, well, there's nothing more vital or exciting. I mean, 215 00:13:26,040 --> 00:13:30,480 Speaker 1: there just really isn't. So you got caught up in that. 216 00:13:30,600 --> 00:13:32,920 Speaker 1: Do you remember the scene? Do you remember the actor? 217 00:13:32,920 --> 00:13:36,480 Speaker 1: Do you remember a particular moment in that production that 218 00:13:37,360 --> 00:13:39,800 Speaker 1: sort of you know, the switch went on and said 219 00:13:39,880 --> 00:13:40,920 Speaker 1: that's what I want to do. 220 00:13:42,480 --> 00:13:45,720 Speaker 2: I mean, it was certainly Christine. It was the role 221 00:13:45,760 --> 00:13:48,200 Speaker 2: of Christine. You know, I think as a young girl 222 00:13:48,240 --> 00:13:53,120 Speaker 2: watching a young woman, and it was the music and everything, 223 00:13:53,120 --> 00:13:55,160 Speaker 2: but like I said, it was just seeing someone on 224 00:13:55,320 --> 00:13:58,280 Speaker 2: stage that I knew I could touch, and they were 225 00:13:58,360 --> 00:14:01,360 Speaker 2: right there, but they were so immersed in a different 226 00:14:01,400 --> 00:14:06,000 Speaker 2: moments that I escaped with them, and I think, you know, 227 00:14:06,400 --> 00:14:10,400 Speaker 2: I mean that's a that's a not a new story 228 00:14:10,480 --> 00:14:14,040 Speaker 2: for an actor to to love to escape into stories. 229 00:14:14,120 --> 00:14:18,240 Speaker 3: But that's what did it for me. 230 00:14:18,440 --> 00:14:21,760 Speaker 2: Was just just taking me out of my current moment 231 00:14:21,840 --> 00:14:24,160 Speaker 2: and being in another world completely submerged. 232 00:14:24,400 --> 00:14:30,760 Speaker 1: So that love of acting or singing or whatever, dancing, 233 00:14:30,920 --> 00:14:35,320 Speaker 1: that that act of performing, the love of performing, that's 234 00:14:35,400 --> 00:14:40,760 Speaker 1: what made you pursue it as a career. That's what 235 00:14:40,960 --> 00:14:44,200 Speaker 1: made you and and and you knew from a young 236 00:14:44,240 --> 00:14:47,280 Speaker 1: age that it really was just about, you know, acquiring 237 00:14:47,320 --> 00:14:50,240 Speaker 1: a set of skills that people were going to pay 238 00:14:50,280 --> 00:14:50,680 Speaker 1: you for. 239 00:14:51,080 --> 00:14:57,000 Speaker 2: Right, Yeah, that came later, but yeah, it was it 240 00:14:57,080 --> 00:15:00,840 Speaker 2: was it was just the story telling. It was just 241 00:15:01,080 --> 00:15:04,320 Speaker 2: the I'm an only child. I come from a very 242 00:15:04,360 --> 00:15:08,040 Speaker 2: small family. Uh, you know, we never had a lot 243 00:15:08,040 --> 00:15:13,760 Speaker 2: of money, but we always had rich imaginations and and 244 00:15:14,200 --> 00:15:16,520 Speaker 2: you know, like my mom saved a lot for those 245 00:15:16,520 --> 00:15:23,800 Speaker 2: tickets the Phantom of the Opera and going to just 246 00:15:23,800 --> 00:15:27,920 Speaker 2: just it immediately, I knew immediately that there it's a 247 00:15:27,960 --> 00:15:32,360 Speaker 2: whole world of artists. That that show opened me up 248 00:15:32,360 --> 00:15:35,560 Speaker 2: to what the world of artists is. And it's such 249 00:15:35,560 --> 00:15:39,760 Speaker 2: a warm, welcoming world full of different kinds of people 250 00:15:39,880 --> 00:15:46,040 Speaker 2: from all kinds of personalities, backgrounds, flavorings, whatever, what have you. 251 00:15:46,160 --> 00:15:50,640 Speaker 2: And as an only child is kind of a lonely childhood, 252 00:15:51,800 --> 00:15:54,920 Speaker 2: that world always welcomed me and made me feel like 253 00:15:55,000 --> 00:15:59,680 Speaker 2: I felt like I belonged. And I think that that 254 00:15:59,840 --> 00:16:03,000 Speaker 2: just fed my desire to learn more about about it 255 00:16:03,080 --> 00:16:06,400 Speaker 2: and in every way, you know, and I think my 256 00:16:07,320 --> 00:16:10,840 Speaker 2: real respect and appreciation for the craft actually came after 257 00:16:10,920 --> 00:16:12,280 Speaker 2: walking away and coming back. 258 00:16:12,320 --> 00:16:14,480 Speaker 3: I mean, I feel like a brand new actor now. 259 00:16:16,400 --> 00:16:23,120 Speaker 2: I was really naive and and enjoyed. I played the 260 00:16:23,200 --> 00:16:26,880 Speaker 2: kids really well. As a young woman, I played I 261 00:16:27,160 --> 00:16:30,360 Speaker 2: played younger roles, and now coming back, it's like it's 262 00:16:30,960 --> 00:16:35,880 Speaker 2: this absolute respect for the craft and the people who 263 00:16:36,080 --> 00:16:38,040 Speaker 2: who want to teach, that want to be a part 264 00:16:38,080 --> 00:16:41,520 Speaker 2: of learning more of it that turn me on. 265 00:16:41,720 --> 00:16:44,960 Speaker 1: Now here's a question. So you're back in the business. 266 00:16:45,000 --> 00:16:48,480 Speaker 1: You're back in the game. Yeah, you're a mother. Yeah, 267 00:16:48,520 --> 00:16:52,800 Speaker 1: you've got a lot more life experience to draw from. Wow, 268 00:16:53,400 --> 00:16:57,480 Speaker 1: your heart has grown exponentially because you have two children. 269 00:16:59,440 --> 00:17:10,439 Speaker 1: You understand and the meaning of life now right? Yeah, 270 00:17:10,480 --> 00:17:13,680 Speaker 1: So who do you want to work with? Name your 271 00:17:13,800 --> 00:17:17,119 Speaker 1: top male star, top female star, top director. If you 272 00:17:17,160 --> 00:17:19,879 Speaker 1: could do a film, and you had one film you 273 00:17:19,920 --> 00:17:22,960 Speaker 1: could do, that's it. Who would your director? Who would 274 00:17:23,000 --> 00:17:25,280 Speaker 1: your co star be? Malee? Who would you co star 275 00:17:25,880 --> 00:17:26,399 Speaker 1: female be? 276 00:17:26,840 --> 00:17:30,160 Speaker 2: Okay, after you, after I get you and I out 277 00:17:30,200 --> 00:17:32,840 Speaker 2: of the way, uh I then, so you know what, 278 00:17:32,920 --> 00:17:35,720 Speaker 2: I fell into a blackbird hole and I got so 279 00:17:35,840 --> 00:17:38,000 Speaker 2: obsessed with Paul Walter Hauser. 280 00:17:38,119 --> 00:17:41,240 Speaker 3: Did you see that? Did you see Blackbird? 281 00:17:41,320 --> 00:17:41,399 Speaker 1: Now? 282 00:17:43,080 --> 00:17:46,560 Speaker 2: Let me sign me up for Paul Walter Hauser and 283 00:17:47,000 --> 00:17:50,000 Speaker 2: let's see, let's put Lady Kate in it while we're 284 00:17:50,080 --> 00:17:50,480 Speaker 2: at it. 285 00:17:50,640 --> 00:17:55,000 Speaker 1: So we got Paul Houser, We've got Kate, and then 286 00:17:55,040 --> 00:17:56,480 Speaker 1: who's the director, who's directing you? 287 00:17:59,000 --> 00:18:02,840 Speaker 2: Let's see, My gosh, let's do some pta. 288 00:18:02,960 --> 00:18:10,199 Speaker 3: Why not. Let's dream? Okay, go for it. Yeah. 289 00:18:10,280 --> 00:18:14,959 Speaker 2: I mean, I'm gonna be in bed tonight at two am, 290 00:18:15,040 --> 00:18:17,000 Speaker 2: and I'm going to have a list of like seven 291 00:18:17,680 --> 00:18:19,520 Speaker 2: d nine answers for all. 292 00:18:19,359 --> 00:18:20,120 Speaker 3: Of these and I'm good. 293 00:18:20,200 --> 00:18:24,280 Speaker 1: What about Tarantino, he's doing his last film? Oh my god, yeah. 294 00:18:24,080 --> 00:18:27,400 Speaker 3: He's doing Get me in there, man. 295 00:18:27,600 --> 00:18:28,280 Speaker 1: Wow. 296 00:18:29,160 --> 00:18:31,800 Speaker 2: I actually okay. I have a fun story. I got 297 00:18:31,920 --> 00:18:36,320 Speaker 2: registered for voting while on the set of Gilmore Girls. 298 00:18:36,440 --> 00:18:38,560 Speaker 3: Right, Danny Strong, who I had. 299 00:18:38,640 --> 00:18:41,960 Speaker 2: Was obsessed with because I loved Buffy the Vampire Slayer, 300 00:18:43,600 --> 00:18:45,360 Speaker 2: came up to me and was like, are you registered 301 00:18:45,400 --> 00:18:47,480 Speaker 2: to vote? And I'm like no. I was eighteen nineteen 302 00:18:47,560 --> 00:18:50,960 Speaker 2: years old at the time, and he registered me to vote. 303 00:18:51,359 --> 00:18:55,600 Speaker 2: And then I'm listening to this interview with Tarantino and 304 00:18:55,680 --> 00:18:57,000 Speaker 2: he goes, Danny. 305 00:18:56,680 --> 00:18:59,160 Speaker 3: Strong, I used to go I used to work in a. 306 00:18:59,080 --> 00:19:01,359 Speaker 2: Blockbuster and Dan Strong used to come in and he 307 00:19:01,400 --> 00:19:04,040 Speaker 2: was a little kid and checked out all these movies 308 00:19:04,160 --> 00:19:07,920 Speaker 2: and things, and we talk about all kinds of storylines 309 00:19:07,960 --> 00:19:13,320 Speaker 2: and everything, and so yeah, let's there. There's Queen Tarantino. Sure, 310 00:19:13,760 --> 00:19:17,119 Speaker 2: and Danny Danny Danny Strong. Let me have a script 311 00:19:17,160 --> 00:19:18,000 Speaker 2: with Danny Strong. 312 00:19:19,200 --> 00:19:25,840 Speaker 1: We'll see what we can do. All right, So we're 313 00:19:25,880 --> 00:19:29,040 Speaker 1: gonna play a little game now called rapid fire. It 314 00:19:29,119 --> 00:19:31,840 Speaker 1: doesn't necessarily have to move quickly. I'm just going to 315 00:19:31,920 --> 00:19:35,920 Speaker 1: ask you a bunch of Gilmour related questions and there 316 00:19:36,000 --> 00:19:40,320 Speaker 1: are no wrong answers, so the pressure is off. All right, Ready, 317 00:19:40,320 --> 00:19:42,600 Speaker 1: here we go. How do you like your coffee? 318 00:19:43,440 --> 00:19:43,800 Speaker 3: Black? 319 00:19:44,920 --> 00:19:47,000 Speaker 1: Are your team? Logan Jess or Dean. 320 00:19:48,760 --> 00:19:49,200 Speaker 3: Logan? 321 00:19:50,680 --> 00:19:54,040 Speaker 1: Who is your favorite Gilmore girls couple? Luke and Lorelei, 322 00:19:54,119 --> 00:19:56,000 Speaker 1: Lane and Zach, Emily and Richard. 323 00:19:57,560 --> 00:19:58,679 Speaker 3: There's no other answer. 324 00:19:58,760 --> 00:20:01,159 Speaker 1: That is the right answer. There, I lied to you. 325 00:20:01,240 --> 00:20:05,240 Speaker 1: That is the right answer. Thank you very much. What 326 00:20:05,280 --> 00:20:08,000 Speaker 1: would you order at Luke Steiner? 327 00:20:09,720 --> 00:20:13,440 Speaker 3: Do you have an omelet coming right up? Thank you? 328 00:20:14,080 --> 00:20:17,159 Speaker 1: Jackson or Taylor for town selectmen? 329 00:20:18,760 --> 00:20:19,240 Speaker 3: Jackson? 330 00:20:20,240 --> 00:20:24,000 Speaker 1: Really? Okay? How would you rather listen to hef Alien 331 00:20:24,320 --> 00:20:26,760 Speaker 1: or the Troubadour's cover songs? 332 00:20:28,240 --> 00:20:30,680 Speaker 3: The Troubadour cover songs. 333 00:20:30,480 --> 00:20:32,280 Speaker 1: Harvard or Yale? 334 00:20:33,320 --> 00:20:33,679 Speaker 3: Yale? 335 00:20:33,960 --> 00:20:39,399 Speaker 2: Why because I went and followed Rory around all to 336 00:20:39,520 --> 00:20:41,840 Speaker 2: heaven to bid at Yale. 337 00:20:42,520 --> 00:20:47,280 Speaker 1: What's Rory's bigger mistake? Crashing the car her boyfriend built 338 00:20:47,280 --> 00:20:51,560 Speaker 1: for her or sleeping with her ex who was married. 339 00:20:53,080 --> 00:20:58,960 Speaker 2: Let's not judge Rory here, Okay, let's we all make mistakes. 340 00:20:58,440 --> 00:20:59,399 Speaker 3: Scott and. 341 00:21:00,840 --> 00:21:04,240 Speaker 2: I just want you to know, Rory, I'm a loyal 342 00:21:04,600 --> 00:21:05,480 Speaker 2: friend through and through. 343 00:21:06,640 --> 00:21:09,240 Speaker 1: I'm gonna ask the judges that we will accept that 344 00:21:09,280 --> 00:21:09,840 Speaker 1: as your answer. 345 00:21:09,840 --> 00:21:12,760 Speaker 3: Thank you. No wrong answers, there. 346 00:21:12,680 --> 00:21:18,240 Speaker 1: Are no wrong answer. Who from Gilmore? Girls? Would you 347 00:21:18,440 --> 00:21:21,880 Speaker 1: not want to be stuck on a desert island with. 348 00:21:24,560 --> 00:21:29,119 Speaker 2: Oh my gosh, with all due respect, on a desert island? 349 00:21:29,160 --> 00:21:31,639 Speaker 1: You said? Okay, who do you not want to be 350 00:21:31,680 --> 00:21:32,719 Speaker 1: stuck on that island? 351 00:21:32,960 --> 00:21:36,840 Speaker 2: Love me some, Liza, but I think Paris and I 352 00:21:36,920 --> 00:21:39,880 Speaker 2: might be too neurotic for one island. 353 00:21:40,200 --> 00:21:43,640 Speaker 3: So I have to say Paris. 354 00:21:48,400 --> 00:21:52,959 Speaker 1: Something in your life. You are all in on the moment. 355 00:21:54,280 --> 00:21:57,160 Speaker 1: It has been wonderful talking to you. 356 00:21:57,600 --> 00:22:00,760 Speaker 3: Oh the pleasure was mine. Thank you so much. 357 00:22:02,320 --> 00:22:05,320 Speaker 1: And we wish you all the best, Sarah and good 358 00:22:05,440 --> 00:22:11,240 Speaker 1: luck continued success. Uh say hello to your family for us, 359 00:22:11,560 --> 00:22:16,960 Speaker 1: and and you know, start scoring some jobs. You know, 360 00:22:17,840 --> 00:22:20,080 Speaker 1: you know, it's so easy to get a job, isn't it. 361 00:22:20,080 --> 00:22:22,840 Speaker 1: It's just so easy. You just you just got to say, hey, 362 00:22:22,880 --> 00:22:25,560 Speaker 1: I need a job. Oh there it is. 363 00:22:26,600 --> 00:22:30,439 Speaker 3: Even though this wasn't a week ago. You never know 364 00:22:30,480 --> 00:22:31,080 Speaker 3: what you. 365 00:22:31,040 --> 00:22:35,960 Speaker 1: Never know, right anyway, all the best and thank you 366 00:22:36,000 --> 00:22:39,720 Speaker 1: for coming on. We really appreciate it. Okay, all right, 367 00:22:39,760 --> 00:23:12,879 Speaker 1: take care now, ye all right, bye, hey everybody, and 368 00:23:12,880 --> 00:23:16,520 Speaker 1: don't forget follow us on Instagram at I Am all 369 00:23:16,560 --> 00:23:22,520 Speaker 1: In podcast and email us at Gilmore at iHeartRadio dot com. 370 00:23:22,560 --> 00:23:24,320 Speaker 1: Oh you're Gilmore fans. If you're looking for the best 371 00:23:24,400 --> 00:23:27,200 Speaker 1: cup of coffee in the world, go to my website 372 00:23:27,240 --> 00:23:30,280 Speaker 1: from my company Scottip dot com, s C O T. 373 00:23:30,280 --> 00:23:33,680 Speaker 1: T y P dot com, Scottip dot com Grade one 374 00:23:34,040 --> 00:23:36,280 Speaker 1: Specialty Coffee