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Speaker 1: Committing as.

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Speaker 2: Liza.

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Speaker 1: Hey, welcome back to another week. It shows you could

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Speaker 1: be anywhere in the world, but you're here with us,

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Speaker 1: and we appreciate that more than studio. Let's go around

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Speaker 1: the room and check in with everybody. Up first, Eddie's

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Speaker 1: oldest is fifteen years old and almost grown. Too bad.

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Speaker 1: He'll be like thirty when he gets full access to

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Speaker 1: his phone. Here it is. I got a question for you, guys,

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Speaker 1: is this mean?

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Speaker 3: Because I posted this on my social media and people

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Speaker 3: were like, this is not cool. How could you do this? Well,

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Speaker 3: on Easter, what we like to do is we stuffed eggs,

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Speaker 3: plastic eggs. We put candy in most of them, but

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Speaker 3: in some of them we put dollar bills.

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Speaker 1: Well, I took a prop you know, we had, I

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Speaker 1: guess in the studio. We had one hundred dollars. Yeah,

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Speaker 1: they look too real. Yeah, it looks really real. Yeah.

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Speaker 3: So I took one from the studio one day and

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Speaker 3: I said it'd be funny to put this in an

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Speaker 3: egg and see my kid find one and get excited

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Speaker 3: that it is one hundred dollars, open it up and then.

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Speaker 1: See it's fake. So I put on my Instagram. People

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Speaker 1: are like that's so mean. I thought it was hilarious.

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Speaker 1: You put a fake hundred Yeah.

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Speaker 3: Because they he looked at it was like, oh cool,

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Speaker 3: it says improp we trust.

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Speaker 1: I said, what was the point of it for you

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Speaker 1: to see their face to be like wow, I want

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Speaker 1: a hundred dollars and then like hilarious. I was to

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Speaker 1: troll your kid. The point was just for you to

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Speaker 1: have enjoyment controlling your kids. Yeah, and it was awesome.

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Speaker 1: So what do you think it is mean? I'm not

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Speaker 1: saying that it's not entertaining for you, But imagine imagine

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Speaker 1: you're the kid and you find an egg and you

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Speaker 1: open there's a there's twenty fifty one hundred bucks in

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Speaker 1: the huh. Then you find out you don't actually get that.

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Speaker 3: Like, there's no way they thought I would put one

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Speaker 3: hundred dollars, Like I would never put one hundred dollars

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Speaker 3: in one.

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Speaker 1: Of their eggs. They don't know.

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Speaker 4: Maybe you had to change of heart.

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Speaker 1: You've no, I've been there dad the whole life. It's me.

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Speaker 1: That's true. They know me. It's mean, it could be

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Speaker 1: also be hilarious. I just think if I were to

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Speaker 1: have found something and there's all this money, and then

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Speaker 1: you were like, ha ha, just kidding jokes on you.

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Speaker 1: It's fall fake. But did you give them anything afterward

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Speaker 1: or was it like? No, I mean I got the video.

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Speaker 1: It's kind of funny. It's me. You see.

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Speaker 5: You guys think it's funny. Lunch loves this, hilarious. It's

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Speaker 5: just like fake lottery tickets. People think they hit it

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Speaker 5: big and it's nothing. I mean, I did the strangers

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Speaker 5: those fake lottery tickets. That's when it's bad.

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Speaker 1: Man. I'm gonna go mean, I mean funny though, right,

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Speaker 1: guys hilarious. I want you guys laugh about it. I

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Speaker 1: don't want that to happen to me. Okay, we won't

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Speaker 1: do it to It's like boss comes in and goes, hey, man,

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Speaker 1: you're getting a raise. Whoa, whoa, whoa, get congratulations. You're

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Speaker 1: getting a raise. That's not your call your wife? Are

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Speaker 1: you all right? And then you walk out of the room.

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Speaker 1: He goes, hey, come back, just kidding, suck. Always wanted

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Speaker 1: to see her face. No, since you put it that way,

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Speaker 1: that's not funny, right, No, it ain't fun it's not cool,

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Speaker 1: all right? Moving on, He finally got called out for

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Speaker 1: wearing sweatpants every single day and I'm gonna bet that's

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Speaker 1: what he's wearing today. Here he is lunchbox, guys, Here

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Speaker 1: we go.

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Speaker 5: The Ultimate is in trouble. You guys talked about her

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Speaker 5: last week and you jinxed her.

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Speaker 1: You talked about it and jink, so you know what

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Speaker 1: got her? How you treat it? And it's old, it's acident.

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Speaker 1: You don't take care of it. Yeah you do. You

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Speaker 1: do your car. You drive your car into the ground.

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Speaker 1: You don't put really the effort into keeping it healthy.

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Speaker 1: It's good.

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Speaker 5: Yeah, Well I got in it two days ago and

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Speaker 5: lit out your car.

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Speaker 1: The check engine light was on. I know it lived on. No, no, no,

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Speaker 1: no to All those lights are just on. You get

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Speaker 1: into like Christmas every day he gets in the car.

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Speaker 5: So I started panicking and I went to get her

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Speaker 5: checked out and guys.

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Speaker 1: This is what they said. Five Ultimate, she's not dead,

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Speaker 1: is she? No tune up, ignition calls park plug is

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Speaker 1: always needed. It's not bad. Huh chill then at two,

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Speaker 1: miss fire. That's all you need. It's still in part

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Speaker 1: for condition. Just do your basic maintenance, all right, Thank

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Speaker 1: you man. I was just worried. I was like kish.

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Speaker 1: My wife's was like we need to get rid of it.

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Speaker 5: It's a piece of crab.

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Speaker 1: And I said no, I.

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Speaker 5: Mean yeah, I mean it's all subjective, you know, if

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Speaker 5: if it's worth it to you, it's a word.

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Speaker 1: You're both right. He didn't argue with it.

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Speaker 4: Yeah.

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Speaker 1: And also that's almost enough to total it. I mean,

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Speaker 1: like a cable and I mean, well, it's not worth

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Speaker 1: watching it, so we're got to total it. But you're back.

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Speaker 1: What the good news is, just need some.

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Speaker 5: Smart bogs and some coils and we're gonna be good

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Speaker 5: to go. She'll be back on the road, So guys

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Speaker 5: say some nice things about her. I'm just so happy

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Speaker 5: for the tears they dried up.

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Speaker 1: So this the crime was all in one segment by

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Speaker 1: interesting he cried at the beginning and then dried up

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Speaker 1: at the end of the story. He was already gonna

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Speaker 1: tell us it.

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Speaker 4: Those acting lessons are paying.

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Speaker 1: Off, all right? Next she goes by, Are they really

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Speaker 1: paying off? Did you believe he's sound like he's really crying?

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Speaker 1: He goes by. She goes by at radio Amy on Instagram,

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Speaker 1: And you never know what you'll fall for another scam here?

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Speaker 6: She is.

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Speaker 1: Ain't everybody So I.

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Speaker 7: Haven't talked to Eddie about this at all, And I

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Speaker 7: just want to know what he was thinking, because the

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Speaker 7: other day he forwarded me an email on the subject

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Speaker 7: line is the Road to Slitsville Practical tips for couples

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Speaker 7: calling it quits.

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Speaker 4: So then I open up there he's.

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Speaker 1: Doing forwards anymore? I did, it's important.

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Speaker 7: It's not like a forward thing that you send, like

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Speaker 7: you pass along to all your friends. It's like he

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Speaker 7: got emailed by a PR company clearly trying to set

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Speaker 7: up an interview saying, Hey, you interested in this book

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Speaker 7: that's coming out that's going to help people, you know,

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Speaker 7: avoid drama and misery if they're getting divorced or headed

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Speaker 7: to Splitsville Splitsville.

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Speaker 4: And he didn't say anything about it.

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Speaker 7: So I was like, well, does he think I want

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Speaker 7: to do this interview or does he think I should

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Speaker 7: get the book?

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Speaker 4: Or I don't know.

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Speaker 1: He wants you to avoid Splitzville. I don't want you

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Speaker 1: to go through not to be miserable while you're going

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Speaker 1: through this. Look, look, this was easy. I saw that

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Speaker 1: they send me the email. What am I going to

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Speaker 1: do with that interview? I said, this is a perfect

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Speaker 1: four things, Oh for Amy? For a podcast? Amy, you

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Speaker 1: would love to talk about this. That's actually not I'm

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Speaker 1: not saying it's a great interview for you to do,

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Speaker 1: but it isn't bad for him to think that.

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Speaker 3: Thank you, you're going through this. You can talk to

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Speaker 3: him and be a good episode when you put that

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Speaker 3: in the top. Yeah, I do have time for that.

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Speaker 3: I got the email forwarded.

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Speaker 1: Amy.

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Speaker 7: No, you could say, hey, this might be good four things. Instead,

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Speaker 7: I'm like, wait, is he implying I should order this book?

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Speaker 1: You got to put some context. Really, I can't just

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Speaker 1: do just like you're going dispute deal forward. That probably

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Speaker 1: is not okay, But good for you for looking out

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Speaker 1: for her. That's all I wanted to do. But it

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Speaker 1: takes five care. It's the number four space things that's

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Speaker 1: all pushed send. Okay, I'll do that next time.

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Speaker 7: One of the topics covered in the book is avoiding

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Speaker 7: advice from well meaning but dangerous friends.

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Speaker 1: All all of us. All right, Ray from Mountain Pine, Arkansas.

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Speaker 1: He likes apocalypse shows and his desire for a bunker

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Speaker 1: really grows Bobby Bone, thank you very much. I mentioned

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Speaker 1: in lunch's intro sweatpants and so I was gonna come

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Speaker 1: on and talk about actually something happening here on the

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Speaker 1: show about that. But I have Desiree and uh Selinas California,

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Speaker 1: who actually had a similar question and thought that I did.

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Speaker 1: Here we go.

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Speaker 2: I just wanted to know how the guys stressed when

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Speaker 2: Parker McCollum.

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Speaker 1: Showed us to the studio.

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Speaker 7: If you can give us a ball.

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Speaker 1: Up, it's a great question. And I'll go to Mike

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Speaker 1: d for this because Mike, I don't remember how they dressed,

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Speaker 1: but I asked you just to watch and keep notes

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Speaker 1: what happened. All the guys wore jeans, So Parker McCollum

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Speaker 1: was here last week. Pants actual human adult pants, no sweatpants. Wow,

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Speaker 1: come on, look at these guys. However, wo Caitlin Smithson today?

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Speaker 1: So how are that? What are the guys wearing over there?

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Speaker 1: Looks like we have more jeans. They both have on jeans.

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Speaker 1: Where did your jeans come from? He did not lunch,

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Speaker 1: months did not come in with jeans. I saw it.

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Speaker 1: He put that on the last ten minutes he did.

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Speaker 1: That's great.

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Speaker 7: Maybe when he maybe he now keeps jeans with him

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Speaker 7: and when he shows up to.

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Speaker 4: Work, he looks at the calendar and he's like, oh shoot,

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Speaker 4: I better go.

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Speaker 1: Chack like magic. He had sweatpants like thirty minutes ago.

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Speaker 1: As long as he's dressed on an artists come in,

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Speaker 1: I don't care. Wow, he could wear a banana hammock you.

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Speaker 1: I don't say that he will.

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Speaker 5: What's funny is Parker McCollum didn't even know I was

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Speaker 5: wearing jeans A point in correct.

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Speaker 1: I think he had sweatpants on exactly.

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Speaker 4: That's what I'm saying.

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Speaker 1: But that doesn't matter. It's us putting in the effort.

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Speaker 1: So look at lunchie over there. So boom, lunch You

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Speaker 1: doing good, lunchy so new. Okay, we're ready to start

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Speaker 1: the show. Glad you guys are here, So Bobby Bones

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Speaker 1: Show Interviews. In case you didn't know, her name is

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Speaker 1: Gray Robinson. We first met Gray when I was like,

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Speaker 1: let me see if I can find somebody good just

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Speaker 1: from TikTok. She came in like three years ago from

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Speaker 1: TikTok and she's awesome, And now you know she writes

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Speaker 1: for Luke Combs's publishing company, and I think her music

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Speaker 1: is so good and she's on with us right now. Hey, Greay,

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Speaker 1: this song on this piano, where'd you come up with

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Speaker 1: this idea.

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Speaker 2: Well, so I had this idea about letting your emotions

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Speaker 2: out on a p and L and I feel like,

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Speaker 2: as a songwriter and pretty much anyone who plays an

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Speaker 2: instrument can probably relate, but you just kind of use

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Speaker 2: an instrument to cope with certain things and hardships in

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Speaker 2: life and whatever it may be. And so for me,

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Speaker 2: I was like that it needs to be a piano

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Speaker 2: because I feel like it's the most full emotional instrument.

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Speaker 2: But my first instrument is definitely guitar. But I was like,

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Speaker 2: it has to be piano for the song, And so

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Speaker 2: I brought it to two of my co writers and

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Speaker 2: we wrote the song.

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Speaker 1: How old were you when you first started playing piano?

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Speaker 2: So I took lessons when I was like six or seven,

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Speaker 2: but then I stopped, and then I picked up guitar

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Speaker 2: when I was nine, and then now I just can

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Speaker 2: play a little bit and write and stuff. But I'm

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Speaker 2: not as good as I wish I was, but we're

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Speaker 2: working on it.

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Speaker 1: So you grew up near Greensboro, North Carolina?

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Speaker 2: Is that right?

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Speaker 1: Yes? I did. Do you ever go back home? Are

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Speaker 1: they like grow? You're making it in the country music world.

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Speaker 2: It's so funny. I actually was there yesterday for Easter,

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Speaker 2: and yes, everyone's so excited and everything. So the other

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Speaker 2: they're really supportive.

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Speaker 1: Great rights for fifty egg Music. Now who owns fifty

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Speaker 1: egg Music?

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Speaker 2: Luke Holmes, Jonathan Singleton and Talie Cannaberry.

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Speaker 1: And what is it like to write with you know,

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Speaker 1: three awesome people, and you know, with Luke and Johnath

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Speaker 1: and they've both written so many number one songs.

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Speaker 2: Yeah, they're literally led. I feel so honored to get

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Speaker 2: to work with them. And they're honestly also just great

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Speaker 2: people and really encouraging with what I do because you know,

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Speaker 2: my style is also a little bit different than fairs,

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Speaker 2: but I feel like it's just the perfect combination. And yeah,

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Speaker 2: so I'm really really grateful to be there.

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Speaker 1: Great, good to talk to you. Hey, thank you so much.

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Speaker 1: Good to talk to you too. Bye, Gray Bye. Let's

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Speaker 1: go get the mail. Always say you friend the name

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Speaker 1: mail and read it all the air.

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Speaker 6: Get something we call Bobby's mail Dad.

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Speaker 1: Yeah, hello, Bobby Bones. I listened to you on my

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Speaker 1: way to work. I feel like you have pretty good advice.

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Speaker 1: My husband and I were both married before, but my

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Speaker 1: husband has his wedding band from his first marriage. Tattooed

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Speaker 1: on his finger while we were dating. He told me

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Speaker 1: he'd get it taken care of when we got married

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Speaker 1: twenty twenty. COVID happened. We got married this summer of

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Speaker 1: twenty twenty on Zoom when COVID was at its height,

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Speaker 1: So I gave him a pass on the tattoo situation.

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Speaker 1: It's been three years now. Since then, he has promised

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Speaker 1: over and over that he would get a remove, but

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Speaker 1: he hasn't. He says it doesn't mean anything, but it

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Speaker 1: does to me. I see his ex wife tattoo on

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Speaker 1: his finger every single day. It's too wide to be

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Speaker 1: completely hidden under our wedding band. I don't feel like

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Speaker 1: this is something I should have to deal with seeing daily.

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Speaker 1: Should I keep pressing the issue? Should I give up?

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Speaker 1: I don't know. He doesn't get how important it is

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Speaker 1: to me to not see the ex's wedding band daily.

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Speaker 1: Please help signed married to the ex's wedding band. So

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Speaker 1: this is where he messed up. He told you early

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Speaker 1: on he would get it removed. It's the end. He

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Speaker 1: did say that. If he had never said it, and

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Speaker 1: you're like, I really wanted, then that's a conversation of

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Speaker 1: he needs to value your hopes and your desires even

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Speaker 1: if it's not his, because it's what you do in

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Speaker 1: a marriage, and you do that for him. But that's

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Speaker 1: not this conversation. This conversation is him telling you he

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Speaker 1: was going to do it, just straight up, I'm gonna

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Speaker 1: get it fixed, and he's not doing it, so you

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Speaker 1: don't even have to have the hopes and dreams conversation.

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Speaker 1: It's hey, look, you told me you were going to

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Speaker 1: do this. And I know that I'm annoying or nagging

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Speaker 1: or whatever you want to call it, but you told

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Speaker 1: me you were doing this. Now you haven't done this,

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Speaker 1: so you haven't lived up to the commitment that you

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Speaker 1: gave before we got married. And yes, it does bother me.

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Speaker 1: And you can go into other stuff too, like I

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Speaker 1: just want you to take things that are important to me,

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Speaker 1: even if it's not important to you, but make them

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Speaker 1: important to you because it's important to me. That's secondary.

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Speaker 1: He said he would do it, he's he's lied so far.

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Speaker 1: He owes you to get that thing fixed just because

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Speaker 1: he said he was going to do it. So you

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Speaker 1: can get a fixed A couple of ways. One tattoo

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Speaker 1: your whole finger. Ooh, the whole thing. You have a

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Speaker 1: whole tattooed in black finger. Next often, yeah, it'd be

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Speaker 1: like a glove a finger okay, And if that doesn't work,

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Speaker 1: tattoo your whole hand, then you got a full glove okay. Next,

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Speaker 1: next would just be to get it removed. Yeah, what

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Speaker 1: is that like? What's that process that hurts? Doesn't hurt?

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Speaker 1: Yes it hurts, but it hurts, but less and less.

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Speaker 1: It still hurts. But the people that I know, they've

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Speaker 1: getten tattooed taken off in multiple and have done it

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Speaker 1: through different years and stages. They're still like, yeah, it's annoying.

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Speaker 1: I have to go in multiple times, but it doesn't

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Speaker 1: hurt as bad as it used to. But he has

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Speaker 1: to get it removed.

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Speaker 4: Yeah, yeah, don't give up on this.

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Speaker 1: I would agree. And there are some battles you just go,

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Speaker 1: I'm not gonna win this one because I think it

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Speaker 1: would help me later on. But he told you he

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Speaker 1: would do it, and maybe you wouldn't got married if

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Speaker 1: he said I'm never going to do it. I don't know.

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Speaker 1: That's probably not the case, but I don't know, but yes,

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Speaker 1: he owes it to you. So you start with you

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Speaker 1: said you were going to do it and then you

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Speaker 1: just start not living up to your caribment. Send to him. Oh,

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Speaker 1: if that's an affair for it sounds healthy for absolutely.

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Speaker 4: I don't know. Could she be reactive and books the

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Speaker 4: appointment and be like, hey, guess what, laser?

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Speaker 1: And I hate that she's gonna have to give up

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Speaker 1: something too, because the third part of this, the final

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Speaker 1: episode of the trilogy, is for her to go, Okay,

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Speaker 1: I know you want this. I'll make sure this happens,

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Speaker 1: but I want this, so please make sure this happens.

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Speaker 1: I hate to have to bargain for something that he's

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Speaker 1: already promised you. But he may be that hard headed.

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Speaker 1: So Number one, he made a commitment to you. He

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Speaker 1: owes you that because it makes you feel extremely uncomfortable.

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Speaker 1: Number two, well he says it's not that important. Okay,

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Speaker 1: but what's important to you should be important to him.

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Speaker 1: Not everything, but the big thing should So even if

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Speaker 1: it's not important to him, like I said, since it's

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Speaker 1: important to you, it should be important to him. Number three,

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Speaker 1: what can you give him in trade? But don't offer

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Speaker 1: three until you go all the way through one and two.

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Speaker 4: I mean, gosh, how would he feel?

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Speaker 7: I don't know if she had been married before, and

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Speaker 7: maybe it's not even a tattoo. But let's say it

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Speaker 7: was a cool diamond that she really loved and she

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Speaker 7: just walked around wearing it on her ring inger all

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Speaker 7: the time.

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Speaker 1: I agree, But you know what he'd say, because it

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Speaker 1: didn't happen, I'd be fine with it, Okay, I just

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Speaker 1: all the time my wife. I'd be like, I'd love

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Speaker 1: to have a baby come out of me.

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Speaker 5: It'll be easy.

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Speaker 1: We talk about it, just like pregnancy and kids and

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Speaker 1: you are friends having babies and my wife's not pregnant,

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Speaker 1: but at some point we plan to have a kid.

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Speaker 1: All right. Eight. Well, I'll watch Eddie and I'm like,

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Speaker 1: I can do that times too. It's a competition. I

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Speaker 1: don't really want to eight. I'm just like, I show

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Speaker 1: him how hard it is. But it's like, yeah, I

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Speaker 1: wish I could have a baby. I'm ripping out of me.

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Speaker 1: That would just ly. That's so dumb. And she's like, well,

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Speaker 1: you won't. You can't. You can just say that, and

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Speaker 1: I'm like, absolutely, Sure's why I said it. I'll say

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Speaker 1: it again tomorrow. Yeah, he owes you. I'm gonna leave

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Speaker 1: it there. He owes. You go to town, stay focused

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Speaker 1: and do one, two and then three at the end.

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Speaker 1: All right, close it up. We got your gamemail and we.

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Speaker 7: Ran on your air.

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Speaker 8: Now it's find the clothes Bobby's mailed dig.

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Speaker 1: Yeah, it's time for the good news.

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Speaker 7: There's a two year old pit bull at a shelter

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Speaker 7: named Strawberry. The Strawberry had a big lump on her head.

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Speaker 7: They even nicknamed her unicorn dog, and nobody wanted to

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Speaker 7: adopt her, so she was on the list to be euthanized.

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Speaker 1: It's a massive it's like a knot like you see

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Speaker 1: a boxer get punched in the head. I think it's

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Speaker 1: one of those big nos. Oh yeah, it's like that,

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Speaker 1: but times three, right off the top of the head.

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Speaker 4: So the foundation that rescued her decided, you know, cleaner up.

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Speaker 7: Did some mries realized that the lump on her head

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Speaker 7: was scar tissue from previous.

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Speaker 1: In somebody hitting her.

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Speaker 4: So Strawberry was put up.

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Speaker 7: On a website and a fingers crossed a family or

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Speaker 7: somebody who was going to come along, and a family did.

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Speaker 7: They said that when they saw Strawberry on the website,

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Speaker 7: something just spoke to them and Strawberry is already home

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Speaker 7: with them. They have twin kids that come home after

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Speaker 7: school and cuddle up with Strawberry. Just kind of famous

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Speaker 7: throughout the neighborhood. When they go on walks, people want

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Speaker 7: to stop and talk to Strawberries web the lumps.

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Speaker 1: What I do now, yes, make it feel like the

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Speaker 1: lump's awesome?

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Speaker 4: It is, and so it's just a really special thing.

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Speaker 7: And so just seeking out adopting dogs because yes, it

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Speaker 7: really does happen where they get put down.

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Speaker 1: It's a big lump. It's like on top of her

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Speaker 1: heabit over her left eye. It's it's at least softball size.

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Speaker 1: That poor dog doesn't know the difference, but it just

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Speaker 1: thinks that it exists because probably somebody was hitting her

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Speaker 1: something bad. But good thing for this family came in.

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Speaker 1: That is awesome and I love them. People will adopt

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Speaker 1: Pitbull because pibles have an unfairly bad reputation, and I

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Speaker 1: had I love Pitbull. He was the best. So great

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Speaker 1: job for Strawberry aka the Unicorn Dog. Great story, that's

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Speaker 1: what it's all about. That was telling me something good.

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Speaker 1: So Bobby Bones Show interviews in case you didn't know,

404
00:17:25,320 --> 00:17:27,720
Speaker 1: she's one of my favorites. Her name's Caitlin Smith. She

405
00:17:27,880 --> 00:17:30,639
Speaker 1: was raised in Minnesota. She started singing in church playing

406
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Speaker 1: a piano at a really early age, writing songs before

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Speaker 1: she was even a teenager. Before getting a record deal.

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Speaker 1: She wrote a ton of big songs for other artists.

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Speaker 1: You may know this big top forty song from Meghan

410
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Speaker 1: Trainer called like I'm Gonna Lose You. Treashy Yearwood had

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Speaker 1: the song every Girl in This Town. She wrote this

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Speaker 1: one here Cassidy Pope wasting all these tears. She's such

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Speaker 1: a good singer, you know. She had that song with

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Speaker 1: Old Dominion too recently called I Can't Oh. And she's

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Speaker 1: coming in. She's walking in the studio right now here

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Speaker 1: she is. Please welcome Caitlin Smith on the Bobby Bones Show. Now,

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Speaker 1: Caitlyn Smith. Caitlyn, how are you.

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Speaker 6: I'm so good?

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Speaker 1: Are you? I'm really good. It's good to see you

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Speaker 1: in this room. We see each other out sometimes and

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Speaker 1: I'm always like, I'm your biggest fan. You're always like,

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Speaker 1: stop being creepy. Yeah. So, Caitlyn's got a whole new

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Speaker 1: album that's out and some of the songs you may

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Speaker 1: already know, but you've added a bunch of songs to

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Speaker 1: it as well, And so you guys, it's up. Now

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Speaker 1: you're gonna hear it perform, and you're gonna go. I

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Speaker 1: must get that album. And I already have a streaming service,

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Speaker 1: but I must go and buy the album now, and

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Speaker 1: then I must get an album also like a CD.

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Speaker 1: And you're gonna have like five versions of it, that's

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Speaker 1: how good it is.

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Speaker 4: It's on vinyl two yea, yes?

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Speaker 1: Do you sign all those? Do you sign a lot

434
00:18:51,359 --> 00:18:51,560
Speaker 1: of those?

435
00:18:51,640 --> 00:18:51,840
Speaker 8: I do?

436
00:18:52,160 --> 00:18:52,359
Speaker 6: I do.

437
00:18:52,560 --> 00:18:54,080
Speaker 1: It actually sells things.

438
00:18:54,280 --> 00:18:56,840
Speaker 6: I think people like to have that, like physical I

439
00:18:56,880 --> 00:18:58,560
Speaker 6: don't know, memory.

440
00:18:58,600 --> 00:19:01,120
Speaker 1: I have that you gave. You gifted me very nice,

441
00:19:01,160 --> 00:19:03,200
Speaker 1: have a frame picture of us and then a big

442
00:19:03,280 --> 00:19:04,920
Speaker 1: lyric sheet that you wrote and it sits in my

443
00:19:05,040 --> 00:19:07,800
Speaker 1: house and it's super cool. And I guess probably just

444
00:19:07,840 --> 00:19:10,000
Speaker 1: because you wrote it with your own hand, unless you

445
00:19:10,040 --> 00:19:10,840
Speaker 1: had like an assistant to it.

446
00:19:10,960 --> 00:19:11,560
Speaker 6: Nope, I did it.

447
00:19:11,720 --> 00:19:17,360
Speaker 1: I tell me now. Your songwriting is extremely honest and vulnerable.

448
00:19:17,400 --> 00:19:20,520
Speaker 1: Do you ever feel at times when writing such personal songs,

449
00:19:21,359 --> 00:19:23,360
Speaker 1: even if you're writing it for another artist to cut,

450
00:19:24,000 --> 00:19:27,080
Speaker 1: that not that you're revealing too much, but that it

451
00:19:27,160 --> 00:19:30,520
Speaker 1: could be a little too vulnerable or maybe not even vulnerable,

452
00:19:30,680 --> 00:19:34,280
Speaker 1: but you're being so specific that it may not resonate.

453
00:19:34,359 --> 00:19:35,920
Speaker 1: Does that conversation ever happen in your head?

454
00:19:36,040 --> 00:19:37,760
Speaker 6: Yeah, I mean I think all of that is running

455
00:19:37,800 --> 00:19:41,520
Speaker 6: through my head, especially dancing on that line of vulnerability,

456
00:19:41,560 --> 00:19:44,200
Speaker 6: and it's like, how much is overshare? How do we

457
00:19:44,280 --> 00:19:46,840
Speaker 6: paint it where it feels like this is emotion that

458
00:19:46,920 --> 00:19:52,119
Speaker 6: everybody has. But I think sometimes in specificity of it,

459
00:19:53,440 --> 00:19:57,320
Speaker 6: I think people can really relate to those really small

460
00:19:57,440 --> 00:20:00,480
Speaker 6: moments of intimate details.

461
00:20:00,560 --> 00:20:02,840
Speaker 1: And I feel like there's a trend and maybe now

462
00:20:02,880 --> 00:20:05,280
Speaker 1: it's a little bit more than a trend of people

463
00:20:05,359 --> 00:20:08,360
Speaker 1: getting extremely specific. And I like that because I don't

464
00:20:08,400 --> 00:20:11,440
Speaker 1: have to match the exact thing you're saying. But I

465
00:20:11,520 --> 00:20:13,920
Speaker 1: have something in my life that's a version of that,

466
00:20:14,800 --> 00:20:16,440
Speaker 1: even if it's like, you know, I wore my white

467
00:20:16,480 --> 00:20:20,560
Speaker 1: sneakers and my mismatched socks and I'm like, okay, maybe

468
00:20:20,600 --> 00:20:22,280
Speaker 1: I didn't do that, but I have that version.

469
00:20:22,080 --> 00:20:23,000
Speaker 6: As well totally.

470
00:20:23,200 --> 00:20:25,200
Speaker 1: And so I really like that about how you write

471
00:20:25,680 --> 00:20:28,639
Speaker 1: and kind of about how songwriting is happening. Now, have

472
00:20:28,760 --> 00:20:32,480
Speaker 1: you noticed an effort to be more I will just

473
00:20:32,720 --> 00:20:34,920
Speaker 1: say specific about certain elements when writing.

474
00:20:35,119 --> 00:20:37,520
Speaker 6: I think so it also depends on what the topic is.

475
00:20:37,760 --> 00:20:40,840
Speaker 6: And I mean, there's a line in one of the

476
00:20:40,960 --> 00:20:45,080
Speaker 6: songs on this second half of the record. It's a

477
00:20:45,160 --> 00:20:48,200
Speaker 6: song called Alaska, and the opening line and it is

478
00:20:48,520 --> 00:20:51,560
Speaker 6: I'm terrified will end up like my parents together but alone.

479
00:20:52,160 --> 00:20:55,080
Speaker 6: And it's like it's such a vulnerable, scary thing to

480
00:20:55,160 --> 00:20:57,680
Speaker 6: say out loud, but I remember saying it in the

481
00:20:57,720 --> 00:20:59,639
Speaker 6: writing room and being like, you know what, I'm not

482
00:20:59,680 --> 00:21:01,360
Speaker 6: the old the one that feels this way. I think

483
00:21:01,359 --> 00:21:03,359
Speaker 6: about my grandparents. I think about like they're you know,

484
00:21:03,520 --> 00:21:07,320
Speaker 6: like people have this, you know, people feel this feeling,

485
00:21:07,440 --> 00:21:11,720
Speaker 6: and so I don't know, I always try to dance

486
00:21:11,800 --> 00:21:15,160
Speaker 6: in that world of like almost uncomfortable, not too much same.

487
00:21:15,240 --> 00:21:16,960
Speaker 1: I wrote a line I have ibs, I'm living with

488
00:21:17,040 --> 00:21:19,359
Speaker 1: all this stress. I'm like, oh yeah, yeah, yeah, And

489
00:21:19,880 --> 00:21:21,440
Speaker 1: you know, I felt like somebody else gotta be living

490
00:21:21,480 --> 00:21:25,000
Speaker 1: this too. Someone somebody's got to be understanding this. Hi

491
00:21:25,200 --> 00:21:26,800
Speaker 1: was a song that you wrote with Miley and it

492
00:21:26,880 --> 00:21:29,360
Speaker 1: was really originally on her album. So is it what's

493
00:21:29,440 --> 00:21:31,480
Speaker 1: the rule there? Is it fair game to cut it

494
00:21:31,560 --> 00:21:33,600
Speaker 1: after it's released by the artist. Do you have a

495
00:21:33,680 --> 00:21:34,639
Speaker 1: conversation about that?

496
00:21:35,400 --> 00:21:40,800
Speaker 6: Yeah, once it's released. One time, anybody or and their

497
00:21:40,840 --> 00:21:41,359
Speaker 6: mom can.

498
00:21:41,320 --> 00:21:43,439
Speaker 1: Record the song, and so it's like, yes, you're right

499
00:21:44,160 --> 00:21:44,520
Speaker 1: her song.

500
00:21:44,600 --> 00:21:47,040
Speaker 6: People cover songs all the time, and so I always

501
00:21:47,080 --> 00:21:49,960
Speaker 6: consider it like, Okay, that artist recorded it, that's great,

502
00:21:50,080 --> 00:21:52,160
Speaker 6: and then I can do the songwriter version over here.

503
00:21:52,280 --> 00:21:55,080
Speaker 1: And so I guess it feels different because you wrote it,

504
00:21:55,480 --> 00:21:57,440
Speaker 1: because I didn't think about that. Anybody can do a

505
00:21:57,520 --> 00:22:00,639
Speaker 1: cover of anything, yeah, totally, but because you wrote it,

506
00:22:00,720 --> 00:22:03,000
Speaker 1: it feels like it's a different version of it.

507
00:22:03,800 --> 00:22:06,080
Speaker 6: Yeah, it's like the it's like the one I don't

508
00:22:06,119 --> 00:22:08,520
Speaker 6: know when I think of the version that I released

509
00:22:08,560 --> 00:22:10,760
Speaker 6: of High and when I had written it, I heard

510
00:22:10,840 --> 00:22:13,520
Speaker 6: it like the way that I produced it with big

511
00:22:13,640 --> 00:22:16,680
Speaker 6: gospel choirs and like, you know, this just kind of big,

512
00:22:17,119 --> 00:22:20,440
Speaker 6: massive sound. And so it was fun to see to

513
00:22:20,520 --> 00:22:23,080
Speaker 6: hear Miley's version, and you know, she's got like a

514
00:22:23,119 --> 00:22:25,439
Speaker 6: loop in the background and it's very, very different than

515
00:22:25,480 --> 00:22:27,080
Speaker 6: I imagine it. So it was kind of fun to

516
00:22:27,119 --> 00:22:29,800
Speaker 6: then take the song and make it how I heard

517
00:22:29,840 --> 00:22:30,920
Speaker 6: it in my head originally.

518
00:22:31,040 --> 00:22:33,480
Speaker 1: Yeah, Laura McKenna, you know, with a lot of the

519
00:22:33,560 --> 00:22:35,840
Speaker 1: songs that she had written another artist turned into huge songs.

520
00:22:36,160 --> 00:22:38,840
Speaker 1: To hear her do that would burn the rifle I

521
00:22:38,880 --> 00:22:40,360
Speaker 1: think is what the name of the album was. Maybe

522
00:22:40,359 --> 00:22:42,040
Speaker 1: a little off on a word there, but you know,

523
00:22:42,160 --> 00:22:45,240
Speaker 1: she did the same thing, and it's like, oh, oh,

524
00:22:45,320 --> 00:22:47,680
Speaker 1: that's how she actually imagines it as it was being

525
00:22:47,800 --> 00:22:51,320
Speaker 1: written performed. Yeah, I never thought about it like that,

526
00:22:51,840 --> 00:22:53,720
Speaker 1: that it can just be a cover. But it's just

527
00:22:53,760 --> 00:22:54,440
Speaker 1: weird that you wrote it.

528
00:22:54,680 --> 00:22:54,879
Speaker 5: It is.

529
00:22:55,000 --> 00:22:56,320
Speaker 1: It's like covering you. It is.

530
00:22:56,600 --> 00:22:57,600
Speaker 6: It's Kate covers Kate.

531
00:22:58,119 --> 00:22:59,680
Speaker 1: How did that write with Miley come together?

532
00:23:00,640 --> 00:23:00,800
Speaker 5: Well?

533
00:23:01,080 --> 00:23:05,920
Speaker 6: Hi, Actually I wrote with my friend Jenda Silvia, and

534
00:23:06,040 --> 00:23:09,520
Speaker 6: the song then kind of got passed through different email

535
00:23:09,640 --> 00:23:12,359
Speaker 6: chains ended up in the hands of Mark Ronson, who

536
00:23:12,480 --> 00:23:16,440
Speaker 6: was working with Miley on her last project, and so

537
00:23:17,080 --> 00:23:19,080
Speaker 6: Mark played the song for her. She fell in love

538
00:23:19,119 --> 00:23:20,760
Speaker 6: with it. She changed it up a little bit to

539
00:23:20,840 --> 00:23:24,240
Speaker 6: fit her story and put it on the record. But

540
00:23:24,320 --> 00:23:26,679
Speaker 6: then since then, I've gotten to get in the writing

541
00:23:26,760 --> 00:23:29,440
Speaker 6: room with her, which has been such a treat. She's

542
00:23:29,440 --> 00:23:32,359
Speaker 6: an incredible artist and an incredible writer. So I've got

543
00:23:32,359 --> 00:23:36,120
Speaker 6: a song on her last her most recent record, called Island,

544
00:23:36,240 --> 00:23:39,080
Speaker 6: and I'm just a big Miley fan, so it's so funny.

545
00:23:40,240 --> 00:23:40,880
Speaker 6: She's incredible.

546
00:23:41,000 --> 00:23:43,040
Speaker 1: You have a song called writing Songs and Raising babies.

547
00:23:43,440 --> 00:23:45,600
Speaker 1: How do you balance being a mom and an artist?

548
00:23:45,920 --> 00:23:49,880
Speaker 6: Great question depends on the day. Some days I feel

549
00:23:49,920 --> 00:23:52,280
Speaker 6: like I've got this, and some days I'm like I'm failing.

550
00:23:55,560 --> 00:23:57,800
Speaker 6: Like it's like you know, and so it's a it's

551
00:23:57,880 --> 00:24:02,560
Speaker 6: a constant juggle every day of making sure that okay,

552
00:24:02,880 --> 00:24:04,440
Speaker 6: I've got I'm doing the things that I need to

553
00:24:04,520 --> 00:24:06,239
Speaker 6: check off on my list for my job. But then

554
00:24:06,280 --> 00:24:09,639
Speaker 6: also when I get home, really just you know, putting

555
00:24:09,680 --> 00:24:12,639
Speaker 6: my phone down and focusing some connection time with my kids.

556
00:24:12,720 --> 00:24:15,879
Speaker 6: And I bring them on the road sometimes if the

557
00:24:15,960 --> 00:24:19,399
Speaker 6: tour runs are long, and that's a total circus, but

558
00:24:19,680 --> 00:24:22,080
Speaker 6: it's it's worth it to me to have them along.

559
00:24:22,160 --> 00:24:23,760
Speaker 1: So and I know you wrote the song I'm about

560
00:24:23,760 --> 00:24:25,320
Speaker 1: to talk about here, but I didn't see you in

561
00:24:25,400 --> 00:24:27,960
Speaker 1: the credits for the performance. Is there any chance that

562
00:24:28,080 --> 00:24:29,960
Speaker 1: you're doing the background vocals on Every Girl in This

563
00:24:30,000 --> 00:24:31,639
Speaker 1: Town with Tricia? Because it sounds just like you.

564
00:24:31,840 --> 00:24:35,399
Speaker 6: That is me, It is you, yes, which is totally crazy.

565
00:24:35,600 --> 00:24:37,600
Speaker 6: She was the first concert I ever saw in my life,

566
00:24:38,240 --> 00:24:42,280
Speaker 6: and so when she cut the song, it was like

567
00:24:42,359 --> 00:24:44,680
Speaker 6: this crazy full circle moment. But then to be I

568
00:24:44,760 --> 00:24:47,360
Speaker 6: remember I was like all the way pregnant in there

569
00:24:47,520 --> 00:24:49,720
Speaker 6: like singing back her vocals and I'm like, this is

570
00:24:49,760 --> 00:24:51,080
Speaker 6: the craziest moment of my life.

571
00:24:51,240 --> 00:24:54,560
Speaker 1: Like it, do you sound different if you're all the

572
00:24:54,600 --> 00:24:56,320
Speaker 1: way pregnant or is it just a win?

573
00:24:56,480 --> 00:24:58,520
Speaker 6: I think it's just a win thing. Like we definitely

574
00:24:58,560 --> 00:25:01,359
Speaker 6: had to like punch like some of the breaths, Like

575
00:25:01,720 --> 00:25:04,320
Speaker 6: it's just harder to get all the notes out.

576
00:25:04,680 --> 00:25:07,520
Speaker 1: I saw you sing the national anthem at a Packers game. Yes,

577
00:25:08,240 --> 00:25:10,760
Speaker 1: so walk me through that because there's a lot of

578
00:25:10,760 --> 00:25:16,000
Speaker 1: people there. It's probably cold or coldish. I don't know

579
00:25:16,080 --> 00:25:18,879
Speaker 1: what the temperature was that night. And you know, with

580
00:25:19,000 --> 00:25:21,119
Speaker 1: the anthem, it's awesome to do it because you love

581
00:25:21,200 --> 00:25:24,240
Speaker 1: the country, but it's like being a referee. If you

582
00:25:24,359 --> 00:25:28,440
Speaker 1: do the most perfect, amazing version ever, nobody really says

583
00:25:28,480 --> 00:25:30,840
Speaker 1: anything except by good job, because you're just expected to

584
00:25:30,880 --> 00:25:32,840
Speaker 1: do it. If you mess up one little thing, one

585
00:25:32,920 --> 00:25:35,520
Speaker 1: tiny thing, you're all over the internet. It is it. Yes,

586
00:25:35,800 --> 00:25:38,760
Speaker 1: you can, so talk to me about singing in a

587
00:25:38,840 --> 00:25:41,640
Speaker 1: stadium with that many people the national anthem and are

588
00:25:41,680 --> 00:25:43,199
Speaker 1: you just going just don't mess this up?

589
00:25:43,560 --> 00:25:45,879
Speaker 6: I am going don't mess this up. And the thing

590
00:25:45,960 --> 00:25:48,920
Speaker 6: with the Packers game was it was like the first

591
00:25:48,960 --> 00:25:51,440
Speaker 6: show at Lambeau that season, and there's a fly over

592
00:25:51,520 --> 00:25:53,719
Speaker 6: to so I'm also thinking about you have to get

593
00:25:53,800 --> 00:25:56,960
Speaker 6: a certain time so that, but do you go too slow?

594
00:25:57,560 --> 00:26:00,399
Speaker 6: You just have to stay consistent of how you always

595
00:26:00,440 --> 00:26:03,639
Speaker 6: do the pacing and don't don't embellish too much. And

596
00:26:04,040 --> 00:26:05,600
Speaker 6: it's just a lot of practice, but.

597
00:26:08,200 --> 00:26:09,399
Speaker 4: Crazy, you know what's not.

598
00:26:09,800 --> 00:26:12,080
Speaker 6: As a month later, I got to do the Thanksgiving

599
00:26:12,200 --> 00:26:15,639
Speaker 6: game for the Minnesota Vikings and that one was televised

600
00:26:15,640 --> 00:26:18,840
Speaker 6: to you know, just twenty five million people and I'm

601
00:26:18,880 --> 00:26:22,000
Speaker 6: from Minnesota so it's my home stadium, and you know,

602
00:26:22,160 --> 00:26:25,240
Speaker 6: the most nerve wracking thing was like they wait to

603
00:26:25,280 --> 00:26:27,720
Speaker 6: come back, come from commercial, but then they silenced the

604
00:26:27,920 --> 00:26:32,120
Speaker 6: entire stadium first. So I'm sitting in like fifteen seconds

605
00:26:32,200 --> 00:26:35,520
Speaker 6: of dead silence where everybody's like in the stadium's looking.

606
00:26:35,840 --> 00:26:37,639
Speaker 6: I was like, I'm gonna pema bands. Do you have

607
00:26:37,720 --> 00:26:40,360
Speaker 6: to do the thing too where it's insane so you're

608
00:26:40,400 --> 00:26:43,280
Speaker 6: on Yeah, I'm literally going hmmmm, Like so I get

609
00:26:43,359 --> 00:26:46,240
Speaker 6: the note and don't forget it is the rain Man.

610
00:26:47,040 --> 00:26:49,399
Speaker 1: Yeah. I feel like the anthem too is if you

611
00:26:49,600 --> 00:26:52,600
Speaker 1: start and you're not starting really low because that song

612
00:26:52,680 --> 00:26:55,560
Speaker 1: goes so high that you can get lost exactly, And

613
00:26:55,760 --> 00:26:59,399
Speaker 1: so you have to start because it goes, you have

614
00:26:59,520 --> 00:27:01,000
Speaker 1: to get done more. You just you don't have to

615
00:27:01,040 --> 00:27:01,480
Speaker 1: worry about that.

616
00:27:01,960 --> 00:27:04,800
Speaker 6: I definitely worry about it. I definitely worry about starting

617
00:27:04,840 --> 00:27:06,600
Speaker 6: too high because you don't want to you don't want

618
00:27:06,640 --> 00:27:09,200
Speaker 6: to botch the the big notes, right.

619
00:27:09,200 --> 00:27:11,200
Speaker 1: And if you start higher, then you have to go

620
00:27:11,320 --> 00:27:13,960
Speaker 1: even higher. Yeah, later on, and I know that's already

621
00:27:14,040 --> 00:27:18,840
Speaker 1: really high. My ears are red and my head's about

622
00:27:18,840 --> 00:27:19,000
Speaker 1: the pop.

623
00:27:19,160 --> 00:27:20,639
Speaker 6: You really squeeze of those bun cheeks.

624
00:27:20,720 --> 00:27:22,800
Speaker 1: How old were you the first time you did the anthem?

625
00:27:22,880 --> 00:27:22,920
Speaker 2: Was?

626
00:27:22,960 --> 00:27:25,040
Speaker 1: It was like a kid thing I start?

627
00:27:25,119 --> 00:27:28,600
Speaker 6: So I grew up behind a baseball field and they

628
00:27:28,680 --> 00:27:32,520
Speaker 6: always had baseball games going on, like high school and college,

629
00:27:33,040 --> 00:27:35,360
Speaker 6: and and I would run over there and I would

630
00:27:35,440 --> 00:27:37,399
Speaker 6: run up to the box and I'd say, hey, I

631
00:27:37,480 --> 00:27:39,520
Speaker 6: think I was probably eight years old. I was like, hey,

632
00:27:39,560 --> 00:27:40,439
Speaker 6: can I sing the anthem?

633
00:27:40,680 --> 00:27:41,800
Speaker 4: And they're like, do you know it?

634
00:27:42,080 --> 00:27:43,879
Speaker 6: I was like yep, And then they would just let

635
00:27:43,960 --> 00:27:45,480
Speaker 6: me do it, and so that would be like my thing.

636
00:27:46,280 --> 00:27:48,600
Speaker 6: And the announcer ended up being an announcer for like

637
00:27:49,080 --> 00:27:51,879
Speaker 6: the Minnesota Timberwolves and like some other bigger sports. So

638
00:27:51,920 --> 00:27:52,879
Speaker 6: then I started doing it.

639
00:27:53,000 --> 00:27:55,600
Speaker 1: And the announcer at a baseball stadium.

640
00:27:55,240 --> 00:27:59,080
Speaker 6: The announcer at my tiny little town baseball stadium was

641
00:27:59,119 --> 00:28:02,040
Speaker 6: also an announcer at like the for the Timberwolves.

642
00:28:02,080 --> 00:28:02,320
Speaker 1: Wow.

643
00:28:02,720 --> 00:28:05,760
Speaker 6: So then I was like singing the anthem as like

644
00:28:05,800 --> 00:28:07,560
Speaker 6: a nine year old at Timberwolves games.

645
00:28:08,000 --> 00:28:12,000
Speaker 1: That's pretty good. Our announcer was like the pastor at

646
00:28:12,080 --> 00:28:12,960
Speaker 1: Mountain Pinme Baptist.

647
00:28:13,960 --> 00:28:14,640
Speaker 6: That's amazing.

648
00:28:15,040 --> 00:28:16,880
Speaker 1: So I saw a picture of you taking a show

649
00:28:16,920 --> 00:28:19,919
Speaker 1: at George Straight and Vince Vaughn on the Instagram. How

650
00:28:19,960 --> 00:28:20,200
Speaker 1: did that?

651
00:28:20,520 --> 00:28:21,600
Speaker 6: You're this moment of my life?

652
00:28:21,680 --> 00:28:21,880
Speaker 8: Yeah?

653
00:28:21,880 --> 00:28:23,800
Speaker 1: What was that? How did that come together?

654
00:28:24,200 --> 00:28:28,119
Speaker 6: That was so crazy. So I've had the honor of

655
00:28:28,240 --> 00:28:30,120
Speaker 6: getting to share the stage with George over the last

656
00:28:30,160 --> 00:28:32,840
Speaker 6: couple of years. He's really been such a champion, and

657
00:28:32,960 --> 00:28:35,560
Speaker 6: so he's he does this residency in Vegas, and so

658
00:28:36,720 --> 00:28:39,360
Speaker 6: Vince Vaughn is a big George fan. He happened to

659
00:28:39,440 --> 00:28:43,120
Speaker 6: be there and he also happened to be there to

660
00:28:43,160 --> 00:28:47,800
Speaker 6: catch my set as well, and so I like ran

661
00:28:47,920 --> 00:28:50,040
Speaker 6: into him like backstage. I was like, what's going on?

662
00:28:50,160 --> 00:28:52,120
Speaker 6: And we talked for a minute and then people just

663
00:28:52,200 --> 00:28:54,760
Speaker 6: kind of ushered us into the shot room, and we're like, okay,

664
00:28:54,840 --> 00:28:56,280
Speaker 6: we're doing a shot with George Straight.

665
00:29:00,080 --> 00:29:03,520
Speaker 1: Shot room when you're with somebody who's famous, and this

666
00:29:03,760 --> 00:29:06,640
Speaker 1: is a struggle that I have. And you want a picture,

667
00:29:06,680 --> 00:29:08,200
Speaker 1: but you don't want to ask for a picture because

668
00:29:08,240 --> 00:29:09,720
Speaker 1: then it makes it all weird because then you're the

669
00:29:09,760 --> 00:29:12,360
Speaker 1: picture asker and they don't treat you the same like

670
00:29:12,400 --> 00:29:15,880
Speaker 1: a peer at first. What's your move to make that happen?

671
00:29:16,160 --> 00:29:18,960
Speaker 6: Oh, usually someone on my team is really good about

672
00:29:19,120 --> 00:29:22,680
Speaker 6: orchestrating it, like, oh, hey, you guys, let's let's get

673
00:29:22,680 --> 00:29:24,640
Speaker 6: a picture of you guys. And it's it's way less

674
00:29:24,720 --> 00:29:27,280
Speaker 6: awkward when it comes from someone else. Yeah, so I

675
00:29:27,360 --> 00:29:29,360
Speaker 6: always be like, hey, help me get a picture with

676
00:29:29,640 --> 00:29:32,160
Speaker 6: Like I do the ask of someone else, so it's

677
00:29:32,280 --> 00:29:32,800
Speaker 6: less weird.

678
00:29:32,960 --> 00:29:34,440
Speaker 1: That's a cool it's a cool picture of you guys.

679
00:29:35,000 --> 00:29:37,840
Speaker 1: And then know you're doing with George Straight, you're playing

680
00:29:38,280 --> 00:29:42,000
Speaker 1: you know, as his main support. Like that's also just cool, right.

681
00:29:41,960 --> 00:29:44,960
Speaker 6: It's so crazy, it's so cool. I mean, he is

682
00:29:45,080 --> 00:29:49,760
Speaker 6: the King until like he's just a masterclass in class

683
00:29:49,920 --> 00:29:53,440
Speaker 6: in songwriting and choosing songs in an amazing career and

684
00:29:53,520 --> 00:29:56,360
Speaker 6: so being able to like watch the King, I'm just

685
00:29:56,480 --> 00:30:00,480
Speaker 6: crying in my tequila the whole time. It's pretty incredible.

686
00:30:00,600 --> 00:30:03,200
Speaker 1: The new album High and Low, it is out right now.

687
00:30:03,440 --> 00:30:05,720
Speaker 1: It's Kaitlyn Smith in studio with us, and you have

688
00:30:05,840 --> 00:30:09,400
Speaker 1: your guitar, and so if you feel good about playing,

689
00:30:09,440 --> 00:30:11,560
Speaker 1: I would love for you to play. I always kind

690
00:30:11,560 --> 00:30:13,160
Speaker 1: of feel guilty when like great singers come in and

691
00:30:13,200 --> 00:30:15,040
Speaker 1: it's early in the morning, and I'm like, go ahead

692
00:30:15,040 --> 00:30:16,440
Speaker 1: and do the thing. You do great at a time

693
00:30:16,520 --> 00:30:18,000
Speaker 1: that's really really not the best for it.

694
00:30:18,640 --> 00:30:20,840
Speaker 6: You feel good, I feel great, Okay, feel great?

695
00:30:20,880 --> 00:30:22,040
Speaker 1: So what song you go in to do for us here?

696
00:30:22,440 --> 00:30:24,320
Speaker 6: I would love to play a song called Lately.

697
00:30:24,720 --> 00:30:28,479
Speaker 1: Okay. This is from the new record. It is Caitlyn Smith.

698
00:30:32,520 --> 00:30:34,640
Speaker 1: They should take that recording. This is what they should do.

699
00:30:34,640 --> 00:30:37,560
Speaker 1: They take that recording and they quickly put in the car.

700
00:30:37,760 --> 00:30:39,560
Speaker 1: They drive it up to the Smithsonian. They put it

701
00:30:39,600 --> 00:30:41,920
Speaker 1: in there. It goes in the museum, like everybody listen

702
00:30:41,960 --> 00:30:43,920
Speaker 1: to it. We'll talk about music. And then you put

703
00:30:43,920 --> 00:30:46,120
Speaker 1: it in a couple of different categories. You put in country,

704
00:30:46,320 --> 00:30:48,440
Speaker 1: you put it in Soul, you put it and then

705
00:30:48,480 --> 00:30:49,760
Speaker 1: we take it to the Country's a call of fame.

706
00:30:49,920 --> 00:30:51,320
Speaker 1: As soon as you walk in it needs to be

707
00:30:51,360 --> 00:30:53,600
Speaker 1: playing over the top. It's just you're just so good.

708
00:30:54,000 --> 00:30:54,880
Speaker 6: Thank you, Pop.

709
00:30:55,000 --> 00:30:57,680
Speaker 1: You're just so good. And sometimes it can be lost

710
00:30:57,920 --> 00:31:00,920
Speaker 1: on if you know some buddy and you sometimes you

711
00:31:00,920 --> 00:31:02,520
Speaker 1: don't get to see them do what they do wonderfully

712
00:31:02,520 --> 00:31:04,080
Speaker 1: all the time, if you see them in just general

713
00:31:04,120 --> 00:31:07,520
Speaker 1: everyday circumstances, and every time you come in, I'm like, dang, Caitlen,

714
00:31:07,600 --> 00:31:09,160
Speaker 1: real good, I forgot I just see her as like

715
00:31:09,240 --> 00:31:11,600
Speaker 1: the person I really like. And then it's just that

716
00:31:11,720 --> 00:31:13,960
Speaker 1: was just it's just so good. Thanks, It's just it's

717
00:31:14,000 --> 00:31:15,280
Speaker 1: just so good. I don't know what else to say.

718
00:31:15,400 --> 00:31:19,480
Speaker 4: Yeah, you can sing in the mornings, no problem, jeez. Yeah.

719
00:31:20,120 --> 00:31:22,200
Speaker 1: So the album is called High and Low. I want

720
00:31:22,240 --> 00:31:23,760
Speaker 1: you to check it out. And then also I want

721
00:31:23,800 --> 00:31:25,200
Speaker 1: to let you guys know the Kaitlyn's playing all these

722
00:31:25,200 --> 00:31:27,120
Speaker 1: shows and you can go watch. And by the way,

723
00:31:27,160 --> 00:31:29,400
Speaker 1: she spells her name with a why right, So yes,

724
00:31:29,840 --> 00:31:32,520
Speaker 1: my wife spells it with an E. And I'm just

725
00:31:32,560 --> 00:31:33,880
Speaker 1: gonna spell it for you because there's just a lot

726
00:31:33,920 --> 00:31:36,320
Speaker 1: of ways here. If you go to Kaitlynsmith dot com

727
00:31:36,680 --> 00:31:38,320
Speaker 1: or to our socials, but it's c A I T

728
00:31:38,720 --> 00:31:42,040
Speaker 1: L Y N Smith dot com. There are all these

729
00:31:42,200 --> 00:31:45,680
Speaker 1: dates that you're playing shows up until June, and it's

730
00:31:45,760 --> 00:31:48,520
Speaker 1: really cool, like venues for people to hear you do

731
00:31:48,840 --> 00:31:49,040
Speaker 1: just that.

732
00:31:49,280 --> 00:31:51,360
Speaker 6: Yeah, I'm so excited. And with this tour, I'm actually

733
00:31:51,680 --> 00:31:53,720
Speaker 6: I'm doing it as a one woman show and so

734
00:31:53,800 --> 00:31:55,760
Speaker 6: it's just me and a guitar and my piano and

735
00:31:55,920 --> 00:31:59,360
Speaker 6: the stories and so it's a it's an intimate experience.

736
00:32:00,160 --> 00:32:02,000
Speaker 6: And we started in Texas last week and it was

737
00:32:02,080 --> 00:32:04,400
Speaker 6: so fun. So it's a really special night.

738
00:32:04,400 --> 00:32:05,840
Speaker 1: I want you guys to go watch Caitlin. I want

739
00:32:05,840 --> 00:32:07,920
Speaker 1: you to check out High and Low, the whole album

740
00:32:08,320 --> 00:32:10,920
Speaker 1: and then and that's all. It's so good. I don't

741
00:32:10,960 --> 00:32:11,640
Speaker 1: even know what to say.

742
00:32:11,640 --> 00:32:12,080
Speaker 3: What do I say?

743
00:32:12,120 --> 00:32:12,239
Speaker 8: Now?

744
00:32:12,480 --> 00:32:13,760
Speaker 1: Nothing? Nothing? Bye?

745
00:32:14,920 --> 00:32:17,640
Speaker 6: Better? And I find out I got nominated for an ACM.

746
00:32:17,760 --> 00:32:20,960
Speaker 1: You guys wait for I didn't So I didn't do

747
00:32:21,080 --> 00:32:23,719
Speaker 1: that category. I didn't even know who won or who

748
00:32:23,800 --> 00:32:24,040
Speaker 1: is in it.

749
00:32:24,200 --> 00:32:29,440
Speaker 6: Well, I'm in it, so pumped.

750
00:32:29,760 --> 00:32:31,720
Speaker 1: Okay, So to our audience right now, I'm gonna be

751
00:32:31,760 --> 00:32:34,920
Speaker 1: honest with you. We recorded this on Friday, and This

752
00:32:35,040 --> 00:32:37,880
Speaker 1: is Aaron on Monday, and we had just finished and live.

753
00:32:38,000 --> 00:32:39,560
Speaker 1: We did the a CM nominations for a lot of

754
00:32:39,600 --> 00:32:41,560
Speaker 1: the categories on the show, and there were a couple

755
00:32:41,680 --> 00:32:45,200
Speaker 1: that we didn't do because they wanted Amazon Music to

756
00:32:45,240 --> 00:32:47,160
Speaker 1: do a few of them as well. So I'm getting

757
00:32:47,160 --> 00:32:49,680
Speaker 1: technical going who was nominated for Best New Mail. I

758
00:32:49,760 --> 00:32:51,120
Speaker 1: was like, I have no idea we did the other.

759
00:32:51,840 --> 00:32:53,960
Speaker 1: I just found out that Caitlyn got nominated.

760
00:32:53,600 --> 00:32:53,960
Speaker 2: For an.

761
00:32:56,440 --> 00:33:00,680
Speaker 1: Awesome That is awesome. Yeah, thanks great at day the

762
00:33:00,800 --> 00:33:01,400
Speaker 1: best day ever?

763
00:33:01,760 --> 00:33:02,320
Speaker 6: So happy.

764
00:33:03,160 --> 00:33:05,520
Speaker 7: Well, you guys feel like, yeah, when you walked in earlier,

765
00:33:05,640 --> 00:33:07,600
Speaker 7: we all sort have been like, oh my gosh, congratulation.

766
00:33:07,640 --> 00:33:08,520
Speaker 1: We didn't have that. Aloe.

767
00:33:08,640 --> 00:33:09,440
Speaker 4: It's all good, y'all.

768
00:33:09,560 --> 00:33:13,440
Speaker 1: I'm not even more on my tucks anymore. All right,

769
00:33:13,520 --> 00:33:16,360
Speaker 1: Kaitlyn Smith, go watch her. Oh we're watching fort the

770
00:33:16,400 --> 00:33:19,320
Speaker 1: a c MS. We're gonna listen to your music. That's all.

771
00:33:19,360 --> 00:33:21,480
Speaker 1: I got nothing else to say except holy crap. All right,

772
00:33:21,520 --> 00:33:23,840
Speaker 1: Kaitlyn Smith. Everybody go follow on socials, get tickets and

773
00:33:23,920 --> 00:33:25,720
Speaker 1: listen to the album. And Kaitlyn, we will see you

774
00:33:25,840 --> 00:33:26,160
Speaker 1: very soon.

775
00:33:26,200 --> 00:33:26,800
Speaker 6: Thank you? All right.

776
00:33:30,320 --> 00:33:33,520
Speaker 1: Two thousand Americans were asked name a musician who goes

777
00:33:33,560 --> 00:33:36,160
Speaker 1: by one name. Now wan a prize for this one?

778
00:33:36,400 --> 00:33:37,800
Speaker 1: Yeah money?

779
00:33:41,080 --> 00:33:41,600
Speaker 2: Oh wow?

780
00:33:41,760 --> 00:33:45,320
Speaker 1: Did you say? One hundred dollars to the winner. Couse

781
00:33:45,360 --> 00:33:46,520
Speaker 1: of dollars makes you hold.

782
00:33:48,280 --> 00:33:48,760
Speaker 3: A general one.

783
00:33:50,480 --> 00:33:52,600
Speaker 1: Know if you guys want to complain, we don't know.

784
00:33:58,640 --> 00:34:01,840
Speaker 1: We were nervous. One dollar. It's not one dollar. Oh

785
00:34:01,960 --> 00:34:03,880
Speaker 1: my gosh, guys, you're playing for one dollar. If you

786
00:34:03,880 --> 00:34:10,520
Speaker 1: guys just cost me, were for one dollar. Roll the

787
00:34:10,600 --> 00:34:17,239
Speaker 1: dice going first is number six. That's Eddie. That's game over. No,

788
00:34:17,440 --> 00:34:20,080
Speaker 1: not really, Eddie. Two thousand Americans were asked name a

789
00:34:20,200 --> 00:34:25,279
Speaker 1: musician who goes by one name. Cause I got Madonna. Ye,

790
00:34:25,840 --> 00:34:31,279
Speaker 1: show me Madonna's correct number two answer? Have yourself two points, Eddie?

791
00:34:31,560 --> 00:34:35,560
Speaker 1: Thank you, thank you, I have sting. Oh that's a

792
00:34:35,600 --> 00:34:39,960
Speaker 1: good one. Every breath, that's a good one. It does

793
00:34:40,080 --> 00:34:46,080
Speaker 1: make sense. I've never heard of that. Okay, I'm happy

794
00:34:46,120 --> 00:34:48,560
Speaker 1: with it. You're happy that you missed it. I want

795
00:34:48,560 --> 00:34:51,520
Speaker 1: to go around two. But why doesn't matter? Amy, you're up?

796
00:34:51,719 --> 00:34:52,000
Speaker 4: Okay?

797
00:34:55,080 --> 00:34:59,520
Speaker 1: Adele? Oh, she has a last name. What is it, Eddie?

798
00:34:59,520 --> 00:35:02,440
Speaker 1: They all have asked Johnson, and I don't think it's Johnson.

799
00:35:06,400 --> 00:35:13,160
Speaker 1: Show me Adele. Her name is Adele Laurie blue Atkins. Oh,

800
00:35:14,600 --> 00:35:15,479
Speaker 1: Amy got five points?

801
00:35:15,520 --> 00:35:15,640
Speaker 2: There?

802
00:35:15,719 --> 00:35:16,319
Speaker 1: What else you got?

803
00:35:17,600 --> 00:35:19,000
Speaker 4: Okay? Hmm.

804
00:35:19,239 --> 00:35:21,520
Speaker 5: I want to ask the question, when do we ever

805
00:35:22,000 --> 00:35:24,680
Speaker 5: questions as your course, I'll ask mine.

806
00:35:25,040 --> 00:35:29,680
Speaker 4: Okay, Well, I don't know his rule name. I don't know.

807
00:35:29,760 --> 00:35:38,120
Speaker 1: Prince, show me that's good, Prince number three? Nice? Okay,

808
00:35:38,480 --> 00:35:39,919
Speaker 1: Amy's got eight points on the board.

809
00:35:40,080 --> 00:35:41,960
Speaker 4: Gosh, I know she has a last name, but nobody

810
00:35:42,000 --> 00:35:45,280
Speaker 4: ever says it Beyonce.

811
00:35:46,600 --> 00:35:50,000
Speaker 1: According to the rules that Eddie has established, if they

812
00:35:50,040 --> 00:35:51,680
Speaker 1: have a last name that we know, they don't count

813
00:35:51,880 --> 00:35:58,240
Speaker 1: knows Beyonce. Show me Beyonce. Yes out the window.

814
00:35:58,360 --> 00:35:58,600
Speaker 5: Nothing.

815
00:35:58,640 --> 00:36:02,240
Speaker 1: It doesn't say they can't own a Two thousand Americans

816
00:36:02,280 --> 00:36:04,839
Speaker 1: were asked name a musician who goes by one name.

817
00:36:06,960 --> 00:36:08,680
Speaker 1: I mean nine points sph guy.

818
00:36:10,800 --> 00:36:15,640
Speaker 4: Okay, let me think you're or not? Do not use that? Okay, Well,

819
00:36:17,040 --> 00:36:19,319
Speaker 4: one of my favorites Tupac.

820
00:36:20,880 --> 00:36:27,080
Speaker 1: Sugar Sorry, real good. Okay, okay, show me Tupac. It's

821
00:36:27,080 --> 00:36:29,759
Speaker 1: a good guest. I like that lunchbox in around one.

822
00:36:29,840 --> 00:36:35,239
Speaker 1: It's you go ahead, buddy, share, show me share. Give

823
00:36:35,320 --> 00:36:37,640
Speaker 1: that guy six points. Might as well give me some

824
00:36:37,719 --> 00:36:42,440
Speaker 1: more because that's a bono. He's a famous guy, and

825
00:36:43,120 --> 00:36:45,000
Speaker 1: he's a famous guy he is I don't know who.

826
00:36:45,160 --> 00:36:46,840
Speaker 1: I mean, what band do you think he's in? No?

827
00:36:47,080 --> 00:36:55,960
Speaker 1: He knows this. You too, bono number eight answers. There's

828
00:36:55,960 --> 00:36:58,240
Speaker 1: still four answers on the board at number one. Beyonce

829
00:36:58,440 --> 00:37:01,120
Speaker 1: Madonna to Prince at three, A Dell at five, share

830
00:37:01,160 --> 00:37:03,600
Speaker 1: at six, bono at eight. You still have four to

831
00:37:03,640 --> 00:37:06,120
Speaker 1: seven nine intent up there. Two thousand Americans were asked

832
00:37:06,160 --> 00:37:12,279
Speaker 1: name a musician who goes by one name. Oh man,

833
00:37:12,360 --> 00:37:15,160
Speaker 1: Can I ask a question? Yeah? Ask three? Okay, thank you?

834
00:37:17,120 --> 00:37:21,880
Speaker 1: Letters A through M, Yeah, yeah, give me eminem odang,

835
00:37:21,960 --> 00:37:28,760
Speaker 1: that's good, show me eminem go right. Number four answers.

836
00:37:30,320 --> 00:37:33,560
Speaker 1: Lunchbox is eighteen points. Now now we're shrug yes, tough.

837
00:37:33,640 --> 00:37:43,879
Speaker 1: Now now we strug goal. But I mean when when

838
00:37:44,120 --> 00:37:46,800
Speaker 1: when you go to this you just call him Garth

839
00:37:48,000 --> 00:37:53,120
Speaker 1: Show me Garth Brooks, show me Garth. Okay, but here

840
00:37:53,160 --> 00:37:54,960
Speaker 1: we go. He's got more points than you, guys, and

841
00:37:55,120 --> 00:37:58,360
Speaker 1: in third place for now he does so points of

842
00:37:58,520 --> 00:38:00,840
Speaker 1: double there are only three answers. Let my word, I

843
00:38:00,920 --> 00:38:05,560
Speaker 1: know seven Eddie? Should I wait for the triple round? It?

844
00:38:05,880 --> 00:38:06,040
Speaker 2: Nah?

845
00:38:06,239 --> 00:38:09,400
Speaker 1: Just kidding, Hey, bones, give me pink, show Eddie pink.

846
00:38:10,520 --> 00:38:12,480
Speaker 5: What do you mean.

847
00:38:14,120 --> 00:38:17,120
Speaker 1: Beyond I'm gonna say this that Yeah, And you're a

848
00:38:17,160 --> 00:38:19,440
Speaker 1: best friend and sometimes and you're very likable all the time.

849
00:38:19,520 --> 00:38:21,440
Speaker 1: You're just a positive guy. You're so fine. Thank you.

850
00:38:21,600 --> 00:38:24,960
Speaker 1: During games, you're unlikable sometimes. Why why why it's just

851
00:38:25,000 --> 00:38:26,960
Speaker 1: like a weird cockiness and you're not even that good. No, No,

852
00:38:27,040 --> 00:38:30,200
Speaker 1: I win all the time right there, that's my point.

853
00:38:30,960 --> 00:38:32,960
Speaker 1: You trivia man, He's like, should I wait for the

854
00:38:33,000 --> 00:38:37,040
Speaker 1: third round and then you still miss it? Hilarious classic movies?

855
00:38:37,120 --> 00:38:39,840
Speaker 1: Possible villain You're a villainy game? Yeah? Like it?

856
00:38:40,000 --> 00:38:44,040
Speaker 7: Yeah, go ahead, Okay, I guess I'll go with Beyonce's husband,

857
00:38:44,120 --> 00:38:44,360
Speaker 7: jay Z.

858
00:38:45,040 --> 00:38:50,560
Speaker 1: Jay Jay's so two. That's one word. No, j Z

859
00:38:50,840 --> 00:38:53,560
Speaker 1: is not to j Z is not a last name.

860
00:38:53,800 --> 00:38:59,680
Speaker 1: Moon show me Jason. It's a hyphen j one name.

861
00:39:01,040 --> 00:39:02,920
Speaker 4: Okay, said syllables.

862
00:39:03,000 --> 00:39:07,759
Speaker 8: You say the name, easy man, I mean you got it.

863
00:39:10,000 --> 00:39:14,319
Speaker 8: El Elvis Presley, so you may have a last name.

864
00:39:14,360 --> 00:39:17,480
Speaker 1: It's Bono and Elvis Eddie and people you love Elvis

865
00:39:17,560 --> 00:39:22,160
Speaker 1: cannot be on here. I mean, why Elvis Presley? It

866
00:39:22,200 --> 00:39:25,239
Speaker 1: could be Elvis on all his records. It's Elvis that

867
00:39:25,280 --> 00:39:27,719
Speaker 1: you're missing. You don't understand the game. They just asked

868
00:39:27,760 --> 00:39:29,480
Speaker 1: people and they said, name a musician who goes about

869
00:39:29,480 --> 00:39:31,239
Speaker 1: one name? Yeah, like you know who else? You just

870
00:39:31,280 --> 00:39:33,480
Speaker 1: say Elvis. If people know it's Elvis Presley, you're like,

871
00:39:33,560 --> 00:39:36,359
Speaker 1: you're not gonna go well Elvis Costello, or it may

872
00:39:38,160 --> 00:39:42,239
Speaker 1: show the boy Elvis. I told you, I told you.

873
00:39:43,360 --> 00:39:45,279
Speaker 1: Oh man, I got this moment. It's a round three,

874
00:39:45,320 --> 00:39:47,680
Speaker 1: the round you're waiting for. Let's be Yeah, you have

875
00:39:47,760 --> 00:39:50,160
Speaker 1: to get you out of the game. Triple points, go ahead,

876
00:39:50,360 --> 00:39:53,600
Speaker 1: give me, oh crap, the is the something?

877
00:39:54,440 --> 00:39:59,719
Speaker 3: This could be two words the weekend, but so we

878
00:39:59,840 --> 00:40:03,480
Speaker 3: can weekend remember him in the super Bowl weekend.

879
00:40:03,520 --> 00:40:06,120
Speaker 1: I knew who he is. Yeah, give me that bell,

880
00:40:06,760 --> 00:40:12,920
Speaker 1: Eddie says, show him weekend. You got two points, and

881
00:40:14,560 --> 00:40:18,680
Speaker 1: I'm usually the best. That's the power spots. Amy, you

882
00:40:18,840 --> 00:40:21,440
Speaker 1: gotta get one. You will take the lead. But if

883
00:40:21,480 --> 00:40:24,959
Speaker 1: you don't get it right, lunchbox wins. I know. Come on, Amy, Okay,

884
00:40:25,000 --> 00:40:28,000
Speaker 1: I'm trying to think. One dollar up for you already

885
00:40:28,000 --> 00:40:31,040
Speaker 1: cost us one hundred dollars, So come on. All your

886
00:40:31,080 --> 00:40:32,680
Speaker 1: actions did no?

887
00:40:32,920 --> 00:40:35,840
Speaker 4: I said one hundred dollars like this Like you're like

888
00:40:35,920 --> 00:40:36,239
Speaker 4: I can't.

889
00:40:36,800 --> 00:40:38,920
Speaker 1: You're like, I'm just pointing not to are you kidding?

890
00:40:39,000 --> 00:40:41,000
Speaker 4: You normally say like, okay, I just pulled that on

891
00:40:41,040 --> 00:40:44,239
Speaker 4: my wall. No, and it's amazing. Nobody complained, I think

892
00:40:44,280 --> 00:40:45,400
Speaker 4: you just realized shot.

893
00:40:48,880 --> 00:40:51,640
Speaker 1: Yeah, Amy. Two thousand Americans were asked name a musician

894
00:40:51,680 --> 00:40:55,319
Speaker 1: who goes by one name. That's okay, do it. Okay,

895
00:40:55,440 --> 00:41:00,560
Speaker 1: we'll go back to the hundred. I'm already. You're already.

896
00:41:01,320 --> 00:41:04,480
Speaker 1: Go ahead, Amy, We need to go ahead.

897
00:41:04,920 --> 00:41:05,240
Speaker 4: Okay.

898
00:41:05,960 --> 00:41:11,719
Speaker 1: Uh Dre, doctor dre, Dre.

899
00:41:12,440 --> 00:41:17,600
Speaker 4: He said, doctor Drake, Right, you're gonna answer.

900
00:41:19,239 --> 00:41:21,120
Speaker 1: Should have been Drake, that's all.

901
00:41:22,480 --> 00:41:23,120
Speaker 4: It should have been.

902
00:41:24,600 --> 00:41:30,839
Speaker 1: Show need dra it was Drake. Drake was on there.

903
00:41:33,040 --> 00:41:38,400
Speaker 1: Drake was on there. Wow, Brianna was on there, and

904
00:41:38,520 --> 00:41:43,600
Speaker 1: Shakira was on there Live and Lunchbox.

905
00:41:44,760 --> 00:41:46,480
Speaker 2: Come on, you know.

906
00:41:50,040 --> 00:41:50,640
Speaker 1: What about.

907
00:41:53,360 --> 00:41:54,200
Speaker 8: Every movie.

908
00:42:02,320 --> 00:42:12,760
Speaker 1: You miss money? Bront He did it. That's real, that's real, bulls.

909
00:42:13,000 --> 00:42:15,279
Speaker 1: We do that light thing. Yeah, you gotta do the highlighter. Here,

910
00:42:15,320 --> 00:42:19,759
Speaker 1: here's a highlighter that's real. Marked the highlighter up. That's

911
00:42:19,760 --> 00:42:21,080
Speaker 1: what they do at the store. Why are you guys

912
00:42:21,120 --> 00:42:23,600
Speaker 1: testing the money seeks bones. We don't know how you roll.

913
00:42:24,680 --> 00:42:30,080
Speaker 1: Could be rolling dirty? How would I roll? That's not money? See,

914
00:42:30,120 --> 00:42:30,920
Speaker 1: it's not funny, is it?

915
00:42:31,320 --> 00:42:31,440
Speaker 6: You know?

916
00:42:31,680 --> 00:42:33,560
Speaker 1: How are we doing the bed us bucks? Like? That's hilarious?

917
00:42:33,560 --> 00:42:35,719
Speaker 1: When you give somebody fank lottery tickets. What do you mean?

918
00:42:35,719 --> 00:42:37,959
Speaker 1: That's hundred dollars bill? What do you from the movie

919
00:42:38,000 --> 00:42:41,759
Speaker 1: prop collection? And now the United States coffee money? That's

920
00:42:41,800 --> 00:42:44,759
Speaker 1: how's that feeling? It felt too thick? It felt too thick.

921
00:42:44,760 --> 00:42:46,239
Speaker 1: That's why I was like, man, how does that feel

922
00:42:46,320 --> 00:42:48,719
Speaker 1: right now? You just thought you won? You and Eddie

923
00:42:48,760 --> 00:42:51,480
Speaker 1: thought it was so funny. Now I even think it's funnier.

924
00:42:52,120 --> 00:42:56,640
Speaker 1: This is great. Michigan State troopers are investigating road rage

925
00:42:56,680 --> 00:43:00,520
Speaker 1: incident because there were two people and they started to

926
00:43:00,680 --> 00:43:03,280
Speaker 1: just get angry at each other. So they're like driving swerving,

927
00:43:03,719 --> 00:43:06,640
Speaker 1: having road rage, and then they decided to get out

928
00:43:06,640 --> 00:43:08,600
Speaker 1: and just fist fight each other in the highway. In

929
00:43:08,640 --> 00:43:10,839
Speaker 1: the middle of the highway. The two drivers were seen

930
00:43:10,880 --> 00:43:13,960
Speaker 1: fighting on the highway, like right on the side of

931
00:43:14,040 --> 00:43:15,440
Speaker 1: it cart. It's like when some mine has a flat

932
00:43:15,480 --> 00:43:17,960
Speaker 1: tire but they're parked a little too close, and you're like, oh, like,

933
00:43:18,000 --> 00:43:19,120
Speaker 1: you don't want them to get hit, so you try

934
00:43:19,160 --> 00:43:20,600
Speaker 1: to get in the other lane, but sometimes you're like

935
00:43:20,600 --> 00:43:23,399
Speaker 1: you don't, can't, but they're like that close and they're

936
00:43:23,520 --> 00:43:27,120
Speaker 1: just wacko, and the loser gets hopefully doesn't get knocked

937
00:43:27,120 --> 00:43:32,080
Speaker 1: into the road. It's like they fight on a cliff.

938
00:43:32,920 --> 00:43:34,520
Speaker 1: They're also at the edge of the cl one of them,

939
00:43:37,000 --> 00:43:41,600
Speaker 1: but both drivers engaged in repeated reckless driving behavior. The

940
00:43:41,680 --> 00:43:44,560
Speaker 1: two cars then hit, then they got out, and then

941
00:43:44,600 --> 00:43:47,000
Speaker 1: they just started whopping each other and cars are driving

942
00:43:47,080 --> 00:43:49,880
Speaker 1: by going what happened. I can imagine. No arrests were

943
00:43:49,960 --> 00:43:52,080
Speaker 1: made in the scene. Warrant requests will be submitted on

944
00:43:52,120 --> 00:43:54,600
Speaker 1: both drivers reckless driving. There are also assault and battery

945
00:43:54,680 --> 00:43:58,600
Speaker 1: charges that'll be requested, and you it's just you don't

946
00:43:58,640 --> 00:44:01,319
Speaker 1: know the person right, and it's all happening. Luckily nobody

947
00:44:01,360 --> 00:44:03,560
Speaker 1: had a gun. But then once you get out and

948
00:44:03,600 --> 00:44:06,920
Speaker 1: you're like, we're gonna fight because you couldn't really size

949
00:44:06,920 --> 00:44:09,680
Speaker 1: them up in the car, and you're angry. But what

950
00:44:09,719 --> 00:44:11,440
Speaker 1: if you get up and they're just way bigger than you. Yeah,

951
00:44:11,480 --> 00:44:14,399
Speaker 1: it's possible, and they're like a massive muscular UFC doing

952
00:44:14,440 --> 00:44:16,200
Speaker 1: You're like, you really felt good about it, and you're like, ah, crap.

953
00:44:16,200 --> 00:44:17,719
Speaker 1: Do you just submit then and go you know what

954
00:44:17,840 --> 00:44:20,640
Speaker 1: I was wrong? Or do you just go like I'm

955
00:44:20,680 --> 00:44:21,920
Speaker 1: this far, let's just fight it out.

956
00:44:22,200 --> 00:44:22,640
Speaker 4: You gotta go.

957
00:44:23,280 --> 00:44:26,239
Speaker 1: Most fights you size up before you go into it,

958
00:44:26,360 --> 00:44:28,040
Speaker 1: like do I have a chance, Yeah, this one, you don't.

959
00:44:28,120 --> 00:44:29,920
Speaker 1: They just get out of the car. It's like the

960
00:44:30,000 --> 00:44:31,440
Speaker 1: Mass singer. It pulled the head off. You're like, oh,

961
00:44:31,560 --> 00:44:33,719
Speaker 1: look at that. It's Toby Key. But it's like that

962
00:44:33,760 --> 00:44:39,040
Speaker 1: one who you're about to fight. Amy's pile of stories.

963
00:44:39,400 --> 00:44:41,600
Speaker 7: So if you want to avoid getting your car broken

964
00:44:41,680 --> 00:44:45,080
Speaker 7: into or even stolen, well who better to get advice

965
00:44:45,160 --> 00:44:46,879
Speaker 7: from than an actual car thief.

966
00:44:47,080 --> 00:44:50,000
Speaker 4: And there's one that's giving us tips on TikTok.

967
00:44:50,400 --> 00:44:53,440
Speaker 5: How to keep your car from getting stolen from somebody

968
00:44:53,440 --> 00:44:56,880
Speaker 5: who has an existing grunt of a auto felony on

969
00:44:57,040 --> 00:44:57,600
Speaker 5: their record.

970
00:44:57,800 --> 00:45:01,200
Speaker 1: Park near Windows Park somewhere. That is an I view

971
00:45:01,440 --> 00:45:03,080
Speaker 1: of windows. Get a club.

972
00:45:03,239 --> 00:45:03,960
Speaker 4: It's a deterrent.

973
00:45:04,080 --> 00:45:04,959
Speaker 1: It keeps them away.

974
00:45:05,080 --> 00:45:06,160
Speaker 4: Two thousand and nine.

975
00:45:06,239 --> 00:45:08,359
Speaker 5: If you have a car that was made before then

976
00:45:08,719 --> 00:45:11,040
Speaker 5: I would be very careful because you have the type

977
00:45:11,080 --> 00:45:13,279
Speaker 5: of car that the person who's wanting to steal it,

978
00:45:13,400 --> 00:45:15,320
Speaker 5: you know, would steal a club.

979
00:45:15,600 --> 00:45:19,320
Speaker 1: That's the all thing that old school. Yeah, you know

980
00:45:19,360 --> 00:45:21,680
Speaker 1: what I be honestly, every time I get to the car,

981
00:45:21,680 --> 00:45:24,040
Speaker 1: I'm like, hold on a second club, put it on

982
00:45:24,120 --> 00:45:26,000
Speaker 1: my steering wheel. We did back in the day, though

983
00:45:26,160 --> 00:45:29,120
Speaker 1: I never had a club. Do you do one? And

984
00:45:29,239 --> 00:45:31,000
Speaker 1: my car still got stolen. I think I would have

985
00:45:31,040 --> 00:45:32,400
Speaker 1: paid more for the club than I would have my

986
00:45:32,480 --> 00:45:35,120
Speaker 1: cars there back then, I mean honest. And your car

987
00:45:35,239 --> 00:45:36,240
Speaker 1: got stolen you were sixteen?

988
00:45:36,520 --> 00:45:36,719
Speaker 2: Nah?

989
00:45:36,920 --> 00:45:37,839
Speaker 1: Nah, I was already older.

990
00:45:38,000 --> 00:45:40,279
Speaker 3: But it was the g but the club was on it. No, no, no,

991
00:45:40,719 --> 00:45:44,160
Speaker 3: well if you had it, no what No. The reason

992
00:45:44,239 --> 00:45:45,440
Speaker 3: I got stole is because I had a hitch in

993
00:45:45,440 --> 00:45:46,600
Speaker 3: the front. I only did was lower the hitch and

994
00:45:46,640 --> 00:45:48,239
Speaker 3: pull the car away, so the club didn't matter. And

995
00:45:48,360 --> 00:45:50,200
Speaker 3: if it was yeah, even it was on, it didn't work.

996
00:45:50,520 --> 00:45:51,680
Speaker 4: Oh gotcha?

997
00:45:52,239 --> 00:45:52,439
Speaker 1: Huh.

998
00:45:52,760 --> 00:45:56,080
Speaker 7: Which also, I hear Lunchbox is year his car is

999
00:45:56,880 --> 00:45:59,759
Speaker 7: more susceptible to getting stolen because he's before two thousand

1000
00:45:59,800 --> 00:46:00,000
Speaker 7: and nine.

1001
00:46:00,200 --> 00:46:03,160
Speaker 1: Oh, technology is not as good, but I don't know that.

1002
00:46:03,440 --> 00:46:06,040
Speaker 1: And also, don't leave your doors unlocked, that's smart. Don't

1003
00:46:06,120 --> 00:46:08,319
Speaker 1: put your laptop and all your jewelry in the front seat.

1004
00:46:09,520 --> 00:46:11,840
Speaker 1: But we say all, but people still do that. And

1005
00:46:11,880 --> 00:46:13,200
Speaker 1: there have been times where I'm like, oh, I should

1006
00:46:13,320 --> 00:46:14,840
Speaker 1: leaned my bag there because I don't I carry it

1007
00:46:14,880 --> 00:46:17,279
Speaker 1: purse obviously I gotta talk about and I'm like, oh,

1008
00:46:17,280 --> 00:46:20,160
Speaker 1: I shouldn't leave my purse right there, and so even

1009
00:46:20,200 --> 00:46:22,680
Speaker 1: at times I forget, so then I put in the trunk.

1010
00:46:23,480 --> 00:46:25,000
Speaker 1: We should all put a person in the trunk. Get yes,

1011
00:46:25,080 --> 00:46:25,359
Speaker 1: of course.

1012
00:46:25,880 --> 00:46:27,800
Speaker 7: And the one that's sticking out to me is windows,

1013
00:46:27,960 --> 00:46:30,120
Speaker 7: Like that's so smart because they don't want anybody to

1014
00:46:30,200 --> 00:46:31,360
Speaker 7: see them actually doing it.

1015
00:46:31,480 --> 00:46:33,000
Speaker 1: So try to park by a window or in a

1016
00:46:33,040 --> 00:46:35,160
Speaker 1: parking lot. You want to be underneath a light if

1017
00:46:35,200 --> 00:46:37,160
Speaker 1: you can. And if it's daytime, thinking about that too.

1018
00:46:37,200 --> 00:46:38,520
Speaker 1: If your car's going to be there for at night

1019
00:46:38,680 --> 00:46:39,080
Speaker 1: or what else.

1020
00:46:39,120 --> 00:46:42,839
Speaker 7: If you want better service at restaurants, well get dressed up.

1021
00:46:43,120 --> 00:46:45,200
Speaker 7: That's all you gotta do, because the study found that

1022
00:46:45,320 --> 00:46:48,520
Speaker 7: servers are more likely to assume they're going to be

1023
00:46:48,560 --> 00:46:52,080
Speaker 7: a really awesome tipper if you're a little more dressed up,

1024
00:46:52,320 --> 00:46:54,080
Speaker 7: and then they'll treat you better.

1025
00:46:54,560 --> 00:46:58,279
Speaker 1: Is it worth it though? No, it's it's how much

1026
00:46:58,320 --> 00:47:01,320
Speaker 1: time I'm spending getting dressed up, iron him my clothes

1027
00:47:01,960 --> 00:47:05,080
Speaker 1: getting versus how much better service do I actually need?

1028
00:47:05,360 --> 00:47:07,279
Speaker 1: And they shouldn't judge a book by it's cover. I

1029
00:47:07,400 --> 00:47:08,680
Speaker 1: hear you on that part. I don't care about that.

1030
00:47:08,680 --> 00:47:11,120
Speaker 1: They shouldn't, right. I can't fix culture. They really shouldn't.

1031
00:47:11,200 --> 00:47:14,960
Speaker 1: But what I'm saying is if I'm putting in seventeen

1032
00:47:15,040 --> 00:47:18,120
Speaker 1: percent more effort to get dressed up nicer and only

1033
00:47:18,160 --> 00:47:22,080
Speaker 1: getting six percent more good service from the weight staff,

1034
00:47:22,160 --> 00:47:23,479
Speaker 1: and we're I'm still down.

1035
00:47:23,640 --> 00:47:25,560
Speaker 5: Oh, you're probably gonna get the least table in the house,

1036
00:47:25,560 --> 00:47:26,400
Speaker 5: and you're probably.

1037
00:47:26,160 --> 00:47:27,759
Speaker 1: Not gonna I'm not going to play where there's a

1038
00:47:27,800 --> 00:47:30,359
Speaker 1: house to get a good table. I'll be honest, anywhere good.

1039
00:47:30,560 --> 00:47:32,600
Speaker 1: I like a booth if that's okay, but I ain't

1040
00:47:32,600 --> 00:47:35,480
Speaker 1: really going anywhere where it's like anyone goes. I'll take

1041
00:47:35,480 --> 00:47:36,399
Speaker 1: the best table in the house.

1042
00:47:36,480 --> 00:47:38,320
Speaker 4: It says guys gets a bigger difference.

1043
00:47:38,560 --> 00:47:42,040
Speaker 7: Well dressed men were seen as the best tippers, so

1044
00:47:42,120 --> 00:47:42,520
Speaker 7: one fucks.

1045
00:47:42,520 --> 00:47:43,759
Speaker 4: I'd be honest something you can get a good.

1046
00:47:43,680 --> 00:47:45,560
Speaker 7: Seat, you get treated right, and you still just tip

1047
00:47:45,600 --> 00:47:45,879
Speaker 7: the same.

1048
00:47:46,120 --> 00:47:48,120
Speaker 1: What's he on too? Because he doesn't dress or he

1049
00:47:48,160 --> 00:47:49,560
Speaker 1: doesn't tip, He doesn't do either one of these.

1050
00:47:50,120 --> 00:47:50,880
Speaker 4: Listen, I don't know.

1051
00:47:51,000 --> 00:47:53,000
Speaker 7: He's the most confusing person on the show. He says

1052
00:47:53,040 --> 00:47:55,080
Speaker 7: one thing does the other. I can't ever figure him out.

1053
00:47:55,120 --> 00:47:56,640
Speaker 1: We're a tuxedo. Next time you're going to get your

1054
00:47:56,680 --> 00:48:01,680
Speaker 1: pinny pin at Papa its textedo. I don't have a

1055
00:48:01,719 --> 00:48:03,400
Speaker 1: too man, but I borrow one.

1056
00:48:04,080 --> 00:48:08,239
Speaker 7: Morgan Wallan and Taylor Swift themed promposals are super big

1057
00:48:08,320 --> 00:48:10,959
Speaker 7: this year. Google trends say that they are the top

1058
00:48:11,440 --> 00:48:15,360
Speaker 7: two promposal ideas that kids have been googling and looking up.

1059
00:48:15,400 --> 00:48:17,800
Speaker 7: Which a promposal is obviously just how kids are asking

1060
00:48:18,080 --> 00:48:21,040
Speaker 7: other their dates to prom and they incorporate lyrics from

1061
00:48:21,280 --> 00:48:23,480
Speaker 7: a Morgan song or a Taylor song.

1062
00:48:23,840 --> 00:48:26,719
Speaker 1: I saw one. I'm gonna need some whisky glasses. You

1063
00:48:26,840 --> 00:48:30,080
Speaker 1: got problem me? Oh, It's like that doesn't make that does't.

1064
00:48:29,920 --> 00:48:30,399
Speaker 4: Here's the work.

1065
00:48:31,160 --> 00:48:33,719
Speaker 7: This is one it said, Hey, I know I'm not

1066
00:48:33,880 --> 00:48:36,440
Speaker 7: Morgan Wallan, but let me spin you around.

1067
00:48:36,600 --> 00:48:37,120
Speaker 4: Prompt that.

1068
00:48:42,160 --> 00:48:44,320
Speaker 1: There's one where the guys like, hey, I want to

1069
00:48:44,360 --> 00:48:48,120
Speaker 1: get take you up, down, up, down up. That's good.

1070
00:48:48,160 --> 00:48:56,400
Speaker 1: That's okay, okay, thank you. That was Amy's pile of stories.

1071
00:48:57,160 --> 00:48:59,560
Speaker 1: It's time for the good news. How Much Box?

1072
00:49:03,840 --> 00:49:06,879
Speaker 5: Two years ago, Isabella is a seventeen year old high

1073
00:49:06,880 --> 00:49:09,400
Speaker 5: school student, but she's not feeling very good, just not

1074
00:49:10,200 --> 00:49:13,200
Speaker 5: energy's down, not something's wrong. Goes to the doctor and

1075
00:49:13,280 --> 00:49:16,160
Speaker 5: they tell her you have severe kidney failure. You're gonna

1076
00:49:16,160 --> 00:49:19,359
Speaker 5: need a new kidney or it's over. You're not gonna

1077
00:49:19,360 --> 00:49:20,239
Speaker 5: say it like that to her.

1078
00:49:20,440 --> 00:49:21,839
Speaker 1: You need a new ken here. It's over a kid

1079
00:49:22,760 --> 00:49:26,239
Speaker 1: that doctor needs to learn how to talk to people. Yeah.

1080
00:49:26,440 --> 00:49:29,440
Speaker 5: So she has an at home dialysis machine. She's been

1081
00:49:29,480 --> 00:49:32,919
Speaker 5: on it for six hours a day since then. She's

1082
00:49:33,000 --> 00:49:35,200
Speaker 5: in college. Now she still needs a donor. They've been

1083
00:49:35,239 --> 00:49:37,400
Speaker 5: putting it on Facebook and they're like, we gotta do

1084
00:49:37,480 --> 00:49:40,480
Speaker 5: something different. They did billboards around the city of Atlanta.

1085
00:49:41,000 --> 00:49:44,200
Speaker 5: The first weekend the billboard was up. Someone driving down

1086
00:49:44,239 --> 00:49:46,279
Speaker 5: the road saw it and it said and it's her face.

1087
00:49:46,360 --> 00:49:48,320
Speaker 1: It says be my hero. And there was a website.

1088
00:49:48,600 --> 00:49:51,279
Speaker 5: Someone logged onto the web, went to her website, read

1089
00:49:51,320 --> 00:49:54,799
Speaker 5: her story and said, hey, I'll go get tested perfect match.

1090
00:49:55,160 --> 00:49:57,640
Speaker 1: And now they're going through the donation process. Wow, I'm

1091
00:49:57,680 --> 00:50:00,279
Speaker 1: a billboard. It's a big green billboard with our based

1092
00:50:00,320 --> 00:50:02,880
Speaker 1: on it, and it says kidney for Izzy dot me

1093
00:50:03,880 --> 00:50:06,319
Speaker 1: in just a website. Right, you don't want to put

1094
00:50:06,360 --> 00:50:08,839
Speaker 1: too much up there. And it's also smart to use

1095
00:50:08,880 --> 00:50:11,960
Speaker 1: the face because it makes it a human connect to it. Yeah,

1096
00:50:12,000 --> 00:50:14,399
Speaker 1: it's not just because I've seen before different things where

1097
00:50:14,440 --> 00:50:16,400
Speaker 1: it's just like, hey, you need a kidney, we but

1098
00:50:16,560 --> 00:50:19,520
Speaker 1: no face. I even put somebody's face on prettier than me.

1099
00:50:20,000 --> 00:50:23,719
Speaker 1: Oh switch, yeah, I get like somebody better looking and

1100
00:50:23,880 --> 00:50:27,040
Speaker 1: be like, sure, could you use a kidney? Okay, you

1101
00:50:27,120 --> 00:50:28,839
Speaker 1: know people want to help people that are good looking

1102
00:50:29,280 --> 00:50:31,000
Speaker 1: and so. But good for Izzy.

1103
00:50:31,239 --> 00:50:33,360
Speaker 5: Yeah, she's gonna get a kidney and she can continue

1104
00:50:33,360 --> 00:50:35,680
Speaker 5: her study. She goes to Kennesau State University, gonna get

1105
00:50:35,680 --> 00:50:37,680
Speaker 5: that degree, get that kidney, and let's go.

1106
00:50:37,840 --> 00:50:39,160
Speaker 1: Because I don't think you ever have to meet the

1107
00:50:39,200 --> 00:50:42,120
Speaker 1: person until later. It's not like you're holding like holding

1108
00:50:42,160 --> 00:50:44,480
Speaker 1: hands going into surgery. They'd be like you sure doesn't

1109
00:50:44,480 --> 00:50:46,839
Speaker 1: look like Ryan Gosling. But okay, let's just give them

1110
00:50:46,840 --> 00:50:49,719
Speaker 1: a kidney. That's all I need to know. All right,

1111
00:50:49,760 --> 00:50:51,440
Speaker 1: let's talk. That's a great story here. Say that is

1112
00:50:51,480 --> 00:50:54,319
Speaker 1: what it's all about. That was telling me something good.