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Speaker 1: Talk Talk. We're just two unapologetically black women with an

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Speaker 1: opinion who talks.

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Speaker 2: Thank you for tuning in for a new episode that

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Speaker 2: we talked back, a show dedicated to you, niggas and

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Speaker 2: these hosts.

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Speaker 3: It's your co host, AJ Holiday. What's up, Tam Damn.

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Speaker 4: Can y'all hear me? Mike fucked bitch?

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Speaker 3: Yes, we can hear you very well.

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Speaker 4: I love y'all so much.

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Speaker 5: I love y'all so much.

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Speaker 1: Thank you for tuning in.

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Speaker 4: I love Ashley AJ. How you doing, Ashley?

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Speaker 3: I'm good.

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Speaker 2: I feel good today, A little bit little testy. I'm

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Speaker 2: a little testy, y'all. Is that time of the fucking month?

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Speaker 2: We're down synced up?

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Speaker 3: Somehow? It's coming, I know.

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Speaker 1: She asked me. She asked me, is your mic plugged up?

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Speaker 1: And I was like, I was like, stop acting like.

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Speaker 4: That, it's your period. That's a legitimate question.

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Speaker 3: Yeah, because I was like, bitch, it happened. I'm just

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Speaker 3: trying to run a test.

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Speaker 6: You saw my face.

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Speaker 2: Like, like, bit you you're talking to I checked it

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Speaker 2: was plucked up or not.

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Speaker 4: I told you six times?

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Speaker 3: The fuck bitches be mean? What was your weekend?

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Speaker 1: My weekend was I went to this all black party

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Speaker 1: over the weekend, and I had on this black sea

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Speaker 1: through dress. I mean it was it was sea through

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Speaker 1: all over. But it wasn't slutty. It was like because

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Speaker 1: it was lace, so it wasn't like mashed see through

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Speaker 1: where you could just see my body.

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Speaker 4: It was just like lace. And it wasn't like big lace.

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Speaker 1: It was like a little tight lace, so you could

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Speaker 1: see through it, but you couldn't like see through it.

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Speaker 4: See through it. Baby. It was sexy.

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Speaker 1: When I tell you, I had to beat the boys

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Speaker 1: off with a stick. I'm talking about from one of

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Speaker 1: my body.

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Speaker 4: They was all my head.

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Speaker 3: Girl.

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Speaker 1: From twenty six to sixty six, they was on my head.

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Speaker 4: I was like, damn, I gotta get this dress in

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Speaker 4: the air color.

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Speaker 2: I had been to that black party in a couple

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Speaker 2: of years. I used to enjoy it, though. The last

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Speaker 2: time I went was with my ex and it was

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Speaker 2: a nigga in there selling foot massages. I'm like, not,

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Speaker 2: you don't turn a fetish into a business.

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Speaker 4: He was doing it in there.

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Speaker 2: No, he was passing out business cards to women and

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Speaker 2: I'm pretty sure he was choosing who you wanted right

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Speaker 2: to get foot massages after the event. Bitch, I said,

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Speaker 2: this nigga's nasty. How much is this foot massage?

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Speaker 1: Because I would have bought one for sure if he

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Speaker 1: was there. God damn, that's the only thing about being

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Speaker 1: a woman. Men don't understand how bad I feed her

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Speaker 1: and the motherfucking steals all night it shoeicide.

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Speaker 5: Man.

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Speaker 3: Listen, look, we was at the BT Awards. Shot, I said, I.

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Speaker 2: From ten from two to ten with the motherfucker bootsto. Bitch,

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Speaker 2: I left my foot might still be at the fucking uh.

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Speaker 4: Left foot shimmer.

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Speaker 1: The right foot.

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Speaker 2: I left the right foot at the Spectrum Ship Center

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Speaker 2: at Shalla that fucking Drake concert. I left the other

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Speaker 2: foot at the fucking BET Hip Hop Awards.

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Speaker 3: Girl, I'm just footless out here.

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Speaker 1: I have footless, bitch.

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Speaker 2: That shit hurt man, like ud I know, I saw

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Speaker 2: a video with some numbing spray, like I really need that.

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Speaker 1: No, because I'm scared of a number spray on my feet,

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Speaker 1: just because you might hurt yourself and don't know. And

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Speaker 1: now you're really walking around on the hurt foot and

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Speaker 1: don't know, because yeah, get somebody else to do it.

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Speaker 1: I'm just gonna start wearing sneakers and embrace sneakers.

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Speaker 2: I mean, you know, when I went to Atlanta, a

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Speaker 2: lot of motherfuckers had on sneakers, Like when you go

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Speaker 2: out now in Atlanta, like you be having on sneakers,

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Speaker 2: and I feel more comfortable like that, like for real,

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Speaker 2: these hueses for.

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Speaker 3: The fucking birds.

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Speaker 2: If we're not going to like some real life like

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Speaker 2: shit that require a.

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Speaker 1: Heel, and I'll get in a chair in a chair.

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Speaker 3: Right next time, we know to bring our own chairs.

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Speaker 1: We're bringing folding chairs. We bringing an umbrella to sit.

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Speaker 1: Let me tell y'all something. I had to walk from

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Speaker 1: one side of that building to all the way to

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Speaker 1: the fucking trailers on the backside of it because they

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Speaker 1: didn't have credential passes for me and aj And let

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Speaker 1: me tell you something.

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Speaker 4: I had on a velvet dress.

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Speaker 1: Baby, I had sweat all under my titties, all between

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Speaker 1: my legs.

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Speaker 4: Just why my little rap had do sweated, no curls.

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Speaker 1: They was gone by the time I made it to

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Speaker 1: the red carpet, like.

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Speaker 2: My homegirl was able to drive me up in there.

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Speaker 2: Since I already said, you had already took all the

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Speaker 2: world less traveled for both of us.

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Speaker 3: Old girl had my car, had my little ship for me.

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Speaker 7: Now.

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Speaker 2: When I got to the door, they was like, oh,

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Speaker 2: you're gonna have to go back. No the fuck, I'm

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Speaker 2: not going back. Do what she already on the phone. Yeah,

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Speaker 2: she suffered from all somebody on the cellphone.

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Speaker 4: Okay, that's getting this stupid internet news.

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Speaker 3: Hold on, bitch, I ain't talking about my weekend. I

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Speaker 3: do nothing.

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Speaker 2: Okay, don't skip me, but I ain't do ship.

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Speaker 4: But don't ever skip me whole.

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Speaker 2: That's just like hot people like that one home girl

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Speaker 2: who don't ever come out when invited, but get mad

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Speaker 2: with nobody when you don't me.

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Speaker 1: That's me.

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Speaker 3: Don't skip me.

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Speaker 1: I just I just called my homegirl talking shit to

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Speaker 1: her because she didn't come out with me when I

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Speaker 1: invited her. And she was like, bitch, I used to

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Speaker 1: invite you all the time, and I stop invited you

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Speaker 1: because you kept saying no, and I had to think

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Speaker 1: about it.

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Speaker 3: Damn.

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Speaker 4: I love saying no all the time.

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Speaker 3: Yeah, I'm I.

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Speaker 1: Got money, though, now I still want an invitation.

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Speaker 3: And like that's usually when you say no, right like it.

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Speaker 4: I'm so tired.

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Speaker 3: I need a month in advance. I need a month

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Speaker 3: in advance.

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Speaker 1: Y'all.

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Speaker 2: We are hosting a party next weekend for our Almama

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Speaker 2: College homecoming next weekend, y'all, And y'all could not tell

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Speaker 2: me that I ain't have.

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Speaker 3: Two weeks, bitch.

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Speaker 2: I need at least two to three weeks to prepare

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Speaker 2: my brain for shit.

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Speaker 3: I just feel like it just.

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Speaker 1: We didn't even go out.

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Speaker 4: We didn't even go out.

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Speaker 3: But it's just the having a be around people. It

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Speaker 3: takes a lot out of me, for real, Like you

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Speaker 3: don't be feeling like that.

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Speaker 2: I be feeling depleted after being around a bunch of

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Speaker 2: people for a long period of time. I swear, I

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Speaker 2: like it, like I need to recharge you, and I

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Speaker 2: need like two weeks.

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Speaker 3: Actually, this is this would be.

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Speaker 1: Too well, you got one, this one, you got right.

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Speaker 1: It is two weeks, so you should be fine. Come second,

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Speaker 1: we outside. I'm stretching now, bitch. I'm doing stretches because

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Speaker 1: when they dropped that well fucking nine nine in two thousand,

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Speaker 1: I'm hitting the flow like it's nine nine two thousand, bitch.

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Speaker 1: I don't playing with me.

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Speaker 2: All right, y'all, let's get into stupid internet news. Now,

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Speaker 2: this is a real stupid internet news. I want to

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Speaker 2: get into.

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Speaker 3: Did you see that guy?

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Speaker 2: Damn post on Instagram where this guy his fiance is

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Speaker 2: ex fiance actually calls off their wedding. Well not x

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Speaker 2: his fiance called off the wedding, broke up with him,

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Speaker 2: and now he's seen recording her, right, so he's behind

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Speaker 2: the camera most of the time, but he's yelling at her.

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Speaker 2: Apparently she broke broke the engagement off because she learned

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Speaker 2: about his past, his curious pass in college where he

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Speaker 2: slept with a few guys. Right, but now he's a

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Speaker 2: changed man and he's telling her shit like you ain't

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Speaker 2: gonna never find nobody better than me. You are like

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Speaker 2: what like imagine? Okay, I know this may be a

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Speaker 2: double standard, right, but this is a double standing.

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Speaker 3: I'm willing to die on the hill about right.

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Speaker 2: It's just not a fucking scene if you are my man, right,

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Speaker 2: I need to know if you have slept with a man.

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Speaker 2: I don't care about the double standard. I feel like

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Speaker 2: the brain is just a different mindset, right, what allowed

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Speaker 2: you to sleep with a man?

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Speaker 3: Will that thing ever come back?

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Speaker 2: I don't want you dippling, dipping and dabbling, and I

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Speaker 2: don't I don't want to date a bisexual man, period.

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Speaker 3: I don't want to marry a bisexual man. And if

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Speaker 3: you've ever.

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Speaker 4: If he says he's not bisexual, he.

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Speaker 2: Just a damn what he says. I don't give a

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Speaker 2: damn what he says. He said a couple, how many

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Speaker 2: Why you had to go through a couple? Niggas why

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Speaker 2: you had.

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Speaker 1: To go why you had to go through a couple?

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Speaker 4: The same reason?

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Speaker 3: Go about these holes like I was trying to make sure.

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Speaker 1: So if you met a man who checked every box

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Speaker 1: that you ever desired, and y'all were so happy, and

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Speaker 1: y'all are about to get married, and you find out

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Speaker 1: that he sucked a few bigs in college, and y'all

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Speaker 1: forty now, but that was just in college. He was

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Speaker 1: just going through his lost his granddaddy. He was going

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Speaker 1: through a weird stage. And but the after college that

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Speaker 1: never happened again.

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Speaker 4: You wouldn't be with him.

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Speaker 2: I will cross that motherfucking bridge when I get there.

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Speaker 2: But as a right, I ain't at the bridge because

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Speaker 2: I feel like there would have been a lot of

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Speaker 2: things leading up to that that that that's on my questionnaire,

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Speaker 2: like how do we how do we get to being married?

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Speaker 3: And I never knew this, Like how do we get

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Speaker 3: to being engaged?

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Speaker 4: You never asked me if I sucked.

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Speaker 3: You not ask me.

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Speaker 2: I asked niggas that That's what I'm saying these are

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Speaker 2: you asked niggas if they sucked. I definitely not in

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Speaker 2: that way. I'll be like, oh you before, but this date.

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Speaker 4: Is going really well.

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Speaker 1: I just need to ask you Somethingdy, Have you ever

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Speaker 1: sucked any dick before before we leave here today?

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Speaker 4: That's a wild thing to ask a man.

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Speaker 2: It's not And no, I'm not asking if he sucked dick.

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Speaker 2: That's very disrespectful. I hate when men talk to us

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Speaker 2: like that. But I will ask you, you know, have

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Speaker 2: you ever been by curious? Have you ever been with

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Speaker 2: a man before? Yes, I'm asking a nigga that like,

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Speaker 2: you should be able to ask people anything when you

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Speaker 2: first meet them.

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Speaker 3: It's the sedfulness for you to lie to a stranger.

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Speaker 3: That is fucking weird to me.

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Speaker 2: So yes, I'm asking all the questions the minute I

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Speaker 2: feel like my Gucci's angling.

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Speaker 3: Yes, I'm asking.

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Speaker 1: You know, I put him through that movie test, bitch.

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Speaker 3: You and that fucking movie test. Listen, niggas, So no.

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Speaker 4: But they can't lie. That dick gonna get hard if

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Speaker 4: they see something light.

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Speaker 3: You see That's another thing.

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Speaker 2: You remember when Tyler Perry he did he did that

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Speaker 2: interview with Oprah Winfrey, and he was saying, like when

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Speaker 2: he was molested as.

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Speaker 3: A child by his uncle.

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Speaker 2: He was confused because it's penises would get hard, right,

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Speaker 2: so you are it could be confusing. That doesn't really

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Speaker 2: mean that the man is gay. That doesn't mean that.

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Speaker 2: I don't think so. I really don't think so.

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Speaker 1: So if a nigga watch the two niggas fuck on

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Speaker 1: the show in his dig hard, that don't mean he gay.

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Speaker 3: I don't think so.

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Speaker 2: If he listen, let me tell y'all. Y'all, y'all think

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Speaker 2: I'd be saying it's a wild shit.

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Speaker 3: Let me tell y'all something. I feel like.

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Speaker 2: There are a lot of men who are gay in

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Speaker 2: the mind right. They may never act on it, but

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Speaker 2: they may be attracted to men more than how we

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Speaker 2: think they're attracted today.

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Speaker 3: Homeboys and shit.

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Speaker 2: They really may be attracted to men, but they may

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Speaker 2: never act on being with a man, so they just

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Speaker 2: keep it to themselves and it may come out and

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Speaker 2: passive aggressiveness, like they may not be liking women for real,

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Speaker 2: hate their fucking wife because they really like their home boy,

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Speaker 2: or they can just be regular men who this is

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Speaker 2: just a fleeting thought sometimes, does that make him gay?

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Speaker 3: He's never he's never actually done the act. No.

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Speaker 1: Yes, Now, if your nigga laying in the bed, I'm

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Speaker 1: sorry dreaming about his best homeboy when they was he

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Speaker 1: crossed him up the other day at the basketball.

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Speaker 4: Court and he's seen that dick swing to the left

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Speaker 4: and he can't get it out of his mind.

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Speaker 1: He gave.

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Speaker 3: Water was glistening all over his body, all over his.

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Speaker 4: Body and being a listen. Some women are okay with it. Absolutely.

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Speaker 2: That's why you can find a woman that is so there.

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Speaker 2: We come in all shaped sizes, mental like.

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Speaker 3: You don't have.

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Speaker 2: To beat deceitful anymore. These women that are okay. I've

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Speaker 2: seen a post where a lot of women were saying

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Speaker 2: they are they prefer bisexual men.

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Speaker 3: Go do that.

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Speaker 2: Don't come over here with that bullshit. Okay, I'm sorry

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Speaker 2: and coming all you want.

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Speaker 4: It's not because I'm homophobic.

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Speaker 1: It's just because I feel like I already have to

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Speaker 1: compete with other women. I don't have time to compete

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Speaker 1: with men and women.

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Speaker 3: Because you can't there's no competition. Just go on, booboo yeah,

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Speaker 3: go on booboo.

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Speaker 2: And and I'm not homophobic, but these are the type

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Speaker 2: of talking points people will still say it's homophobic just

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Speaker 2: because you disagree. So, child, I would definitely be divorcing him,

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Speaker 2: and he was like, you ain't never going to find up?

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Speaker 3: Yes? I will. You know that's that right?

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Speaker 2: There is real like narcissistic to tell me I can't

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Speaker 2: do any better than you.

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Speaker 3: Fuck out of here, okay, right next.

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Speaker 1: Look, No, we're gonna talk about sexy red Kuci. Oh man,

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Speaker 1: I feel sad.

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Speaker 3: I hate that for her.

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Speaker 2: I hate that for her, Like I don't agree with

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Speaker 2: the current torque music and all that shit. I mean,

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Speaker 2: if I'm in a gym working out, I like all

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Speaker 2: that shit. But just like on my daily shit in

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Speaker 2: the car, I'm listening to meditation music and shit half

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Speaker 2: the time.

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Speaker 3: But that girl, I really believe. I don't believe she

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Speaker 3: put that video out. Why would she have right because

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Speaker 3: it was nothing to run home about.

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Speaker 2: Okay, it was regular daglish smegular sex with a bird

305
00:14:22,120 --> 00:14:24,880
Speaker 2: ass nigga behind the camera. I'm sure right. And she's

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Speaker 2: a young girl. Girl, be careful. You ain't regular no more.

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Speaker 2: You're not normal no more. So you can't fuck normal,

308
00:14:31,640 --> 00:14:34,200
Speaker 2: no more like you. You gotta fuck with niggas who

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Speaker 2: got shit to lose.

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Speaker 3: This is why.

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Speaker 2: And I can't say that I've always been mindful, right

312
00:14:39,560 --> 00:14:41,880
Speaker 2: because a nigga who I was about to marry this

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Speaker 2: some wild shit like this, essentially right, you gotta have

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Speaker 2: fuck you money.

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Speaker 3: You gotta have money to disappear.

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Speaker 2: These niggas when they do this type of shit, because

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Speaker 2: it ain't no fucking way up.

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Speaker 3: I don't know what I would do.

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Speaker 2: I always say, Man, I got it's gonna be some

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00:14:55,120 --> 00:14:57,000
Speaker 2: niggas come up to what works and shit get.

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Speaker 3: Real, real, real major, right, They're gonna always come.

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Speaker 2: I don't got no fucking bunch of sex videos out here,

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Speaker 2: So I mean I do have one or two for sure.

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Speaker 4: Fire my fires fuck if.

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Speaker 1: They ever drop, I'm not embarrassed, but I wouldn't want

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Speaker 1: I wouldn't want that.

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Speaker 2: No, absolutely not. That's not my profession. I'm not a

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Speaker 2: sex worker. Sexy Red and a sex worker either. She's

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Speaker 2: a rapper, right she do you know ship, but it's

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Speaker 2: a persona. You don't want that for real, you'll put

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Speaker 2: you on the internet.

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Speaker 4: No, that's terrible, that's terrible.

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Speaker 3: If that's not what you do. You know what I'm saying.

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Speaker 3: If that's what she does, she won't give a fuck.

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Speaker 3: But they ain't. That's not the type of time.

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Speaker 4: She make music about that, but she don't want to

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Speaker 4: live that exactly.

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Speaker 1: You know. Right.

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00:15:53,440 --> 00:15:55,880
Speaker 2: So now people her fans, and I hate when people

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00:15:55,880 --> 00:15:57,960
Speaker 2: say that. Fans will saying these are not fans. If

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Speaker 2: you're saying some disparaging ship, you're an my motherfucking fan.

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Speaker 3: Okay. So the fans were.

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Speaker 2: Saying, oh, contrary to popular belief, your pussy is not pink. Okay,

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00:16:09,160 --> 00:16:12,280
Speaker 2: she's brown. Why would her pussy be pink? And tam

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00:16:12,360 --> 00:16:15,960
Speaker 2: you Me and Taylor was talking about that shit yesterday, like, yeah,

346
00:16:15,960 --> 00:16:18,040
Speaker 2: some light skin girls, they pussy still ain't pink. Their

347
00:16:18,080 --> 00:16:21,760
Speaker 2: pussy is their complexion or sometimes even darker the lips

348
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Speaker 2: and stuff like that. Why would y'all ever think that

349
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Speaker 2: she just had a white lady pussy down there.

350
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Speaker 4: My cousin got pink nipples.

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Speaker 3: Your cousin fucking pig liked.

352
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Speaker 4: Don't do that to my cousin.

353
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Speaker 3: Why are you talking about your cousin nipples on this poect?

354
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Speaker 4: I always just thought it was different.

355
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Speaker 3: Are they pink? Are they red bro.

356
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Speaker 4: They is pink. I'm like, what is it?

357
00:16:53,760 --> 00:16:55,120
Speaker 3: And she like your complexion.

358
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Speaker 1: She's like a little lighter than me, and her nipples

359
00:17:00,800 --> 00:17:02,720
Speaker 1: Like how did it happen?

360
00:17:04,000 --> 00:17:10,280
Speaker 3: She mixed she biracial dog because I don't get it.

361
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Speaker 1: Oh goodness.

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Speaker 2: Shout out to Sexy Rad man, y'all leave that girl alone, okay, And.

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00:17:15,240 --> 00:17:17,680
Speaker 1: She listened to that show faithfully. I know she's gonna

364
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Speaker 1: be like, bitch. Shout out to you.

365
00:17:23,359 --> 00:17:27,400
Speaker 2: I won't say your name, but Sexy Rad said she's

366
00:17:27,440 --> 00:17:30,480
Speaker 2: so heart broken, and anybody that knows her knows she

367
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Speaker 2: wouldn't do no goofy shit like that.

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Speaker 3: She put like the little terry face in mouji. I

369
00:17:34,560 --> 00:17:37,920
Speaker 3: feel bad for her me too, speaking of nasty shit.

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Speaker 1: Kevin Gates girl, Oh, y'all. I don't know if y'all

371
00:17:44,320 --> 00:17:48,160
Speaker 1: saw it, but there's a video circulate of Kevin Gates

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Speaker 1: on his tour that started in Virginia, the only the

373
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Speaker 1: General's tour. He invited a fan on stage, held her

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Speaker 1: head back and spit. And I'm not talking about no

375
00:18:01,280 --> 00:18:05,000
Speaker 1: little slabber. I'm talking about he put a loogie in

376
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Speaker 1: that girl's mouth.

377
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Speaker 3: It was white. It was actually very white.

378
00:18:09,840 --> 00:18:10,840
Speaker 4: It was thick and white.

379
00:18:11,400 --> 00:18:14,520
Speaker 3: That's disgusting and you know so yeah.

380
00:18:14,600 --> 00:18:18,560
Speaker 2: So it says that as he proceeded to continue wrapping

381
00:18:18,640 --> 00:18:23,480
Speaker 2: after he's spinning her mouth, the fan sat there trying

382
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Speaker 2: to process what just happened.

383
00:18:25,640 --> 00:18:28,320
Speaker 3: So did she ask for? Did she know what was

384
00:18:28,359 --> 00:18:29,159
Speaker 3: about to happen?

385
00:18:29,280 --> 00:18:29,399
Speaker 1: Like?

386
00:18:30,000 --> 00:18:32,800
Speaker 2: Why would you think you could just spit in someone's mouth?

387
00:18:32,920 --> 00:18:36,240
Speaker 2: Like like you're Kevin Gates, Okay, who would you allow

388
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Speaker 2: to spit in your mouth?

389
00:18:36,960 --> 00:18:38,720
Speaker 3: Because it's not Kevin Gates. Who would you allow to

390
00:18:38,760 --> 00:18:39,280
Speaker 3: spit your mouth?

391
00:18:39,400 --> 00:18:42,200
Speaker 1: Hand right?

392
00:18:47,320 --> 00:18:50,520
Speaker 2: I'm just I'm not into it yet. I'm not into it.

393
00:18:51,000 --> 00:18:53,720
Speaker 2: I'm not into it. I'm not into it. I don't

394
00:18:53,720 --> 00:18:56,520
Speaker 2: want anybody spitting in my mouth, spit on this pussy. Yes,

395
00:18:56,560 --> 00:18:58,639
Speaker 2: spitting in my mouth? Absolutely not.

396
00:18:59,760 --> 00:19:02,000
Speaker 1: No, only if you're like it just gotta be like

397
00:19:02,080 --> 00:19:08,280
Speaker 1: on some drunk choking me, holding me off my feet,

398
00:19:08,520 --> 00:19:11,000
Speaker 1: like against the wall, like by my neck where my

399
00:19:11,200 --> 00:19:13,600
Speaker 1: toes are like scraping the floor, like trying to get

400
00:19:13,600 --> 00:19:15,719
Speaker 1: some traction on the floor. But you holding me up

401
00:19:15,800 --> 00:19:17,480
Speaker 1: up my neck and kissing me and spitting my mouth.

402
00:19:17,560 --> 00:19:18,040
Speaker 4: I like that.

403
00:19:20,440 --> 00:19:21,200
Speaker 8: No to.

404
00:19:25,200 --> 00:19:26,919
Speaker 3: Y'all, motherfuckers. It's too grown for me.

405
00:19:27,119 --> 00:19:31,520
Speaker 2: Okay, too grown for me, Kevin Gates, you need to

406
00:19:31,560 --> 00:19:32,720
Speaker 2: have several seats.

407
00:19:33,040 --> 00:19:33,320
Speaker 3: Okay.

408
00:19:33,320 --> 00:19:34,840
Speaker 2: I don't know if that was a salt or what,

409
00:19:35,119 --> 00:19:37,240
Speaker 2: but it's no. It's no gooing or it's a no

410
00:19:37,320 --> 00:19:39,680
Speaker 2: go for me. Absolutely fucking not.

411
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Speaker 1: But can't no random rapper. I guess Drake is a

412
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Speaker 1: random rapper.

413
00:19:46,880 --> 00:19:49,680
Speaker 3: You really think like he for you? Ain't it?

414
00:19:49,880 --> 00:19:54,880
Speaker 4: Like she's not really my person, Aubrey.

415
00:19:55,440 --> 00:19:58,000
Speaker 2: This bitch is school delusion though, Like she really just

416
00:19:58,160 --> 00:19:59,600
Speaker 2: thinks like Drake is for her.

417
00:20:00,320 --> 00:20:00,480
Speaker 9: Yo.

418
00:20:00,640 --> 00:20:03,640
Speaker 1: Like I really live right on the edge of reality

419
00:20:03,720 --> 00:20:07,800
Speaker 1: most days, and sometimes I don't realize it until Las

420
00:20:07,800 --> 00:20:11,560
Speaker 1: Station like that. Like I really believe when he came

421
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Speaker 1: to Charlotte he was here for me.

422
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Speaker 9: I don't know.

423
00:20:15,280 --> 00:20:18,000
Speaker 2: I probably ate it in that a little bit, you did,

424
00:20:20,480 --> 00:20:26,040
Speaker 2: like because anything is possible, right, Yeah, Like, before we

425
00:20:26,320 --> 00:20:29,400
Speaker 2: get off of stupid internet news man, did you see

426
00:20:29,400 --> 00:20:32,359
Speaker 2: that video with Kirk Franklin and his mom?

427
00:20:32,480 --> 00:20:33,400
Speaker 1: Yeah?

428
00:20:33,520 --> 00:20:37,480
Speaker 2: So Kirk Franklin's mother had him at a very young age.

429
00:20:37,600 --> 00:20:43,159
Speaker 2: Kirk Franklin was also told that another man was his father,

430
00:20:43,280 --> 00:20:46,240
Speaker 2: and while rumors world that another man that lived ten

431
00:20:46,320 --> 00:20:49,639
Speaker 2: minutes away from him was his dad. While filming a

432
00:20:49,680 --> 00:20:53,920
Speaker 2: documentary for his upcoming new album, Father's Day, he discovered

433
00:20:53,960 --> 00:20:56,920
Speaker 2: that the rumors were true and the man he thought

434
00:20:57,080 --> 00:21:00,320
Speaker 2: was his father all those years was not okay. So,

435
00:21:00,560 --> 00:21:04,600
Speaker 2: although Kirk Franklin's mother refuses to believe the two DNA

436
00:21:04,640 --> 00:21:06,399
Speaker 2: tests he didn't take with this man because he actually

437
00:21:06,400 --> 00:21:09,600
Speaker 2: met him and he was on the show The Living

438
00:21:10,160 --> 00:21:15,280
Speaker 2: Father right, the Grammy Award winning artist says, uh, he's

439
00:21:15,320 --> 00:21:17,560
Speaker 2: met his real father finally, at the age of fifty three.

440
00:21:18,000 --> 00:21:21,160
Speaker 2: Kirk Franklin's biological father says he was a young teen

441
00:21:21,280 --> 00:21:24,439
Speaker 2: when he dated Kirk's mother and never knew he was

442
00:21:24,520 --> 00:21:27,800
Speaker 2: his Not only has it been revealed that Kirk has

443
00:21:27,840 --> 00:21:30,480
Speaker 2: met his dad, he has also learned that he has

444
00:21:30,520 --> 00:21:35,480
Speaker 2: a sister as well. The mother still sat there on

445
00:21:35,640 --> 00:21:41,359
Speaker 2: film and denied these DNA tests. This is what it

446
00:21:41,400 --> 00:21:43,840
Speaker 2: looks like when black men say black women don't never

447
00:21:43,880 --> 00:21:48,520
Speaker 2: take accountability. That bitch did not even look at the

448
00:21:48,600 --> 00:21:49,480
Speaker 2: DNA paperwork.

449
00:21:50,040 --> 00:21:53,600
Speaker 1: Don't see that shit because that ain't real, and that's

450
00:21:53,640 --> 00:21:54,720
Speaker 1: how she felt about it.

451
00:21:56,200 --> 00:21:58,440
Speaker 3: Out of sight, out of mind is a real thing.

452
00:21:58,560 --> 00:21:59,880
Speaker 3: So I wondered, like.

453
00:22:02,400 --> 00:22:05,040
Speaker 1: People can't deal with the truth, man, that Lindy couldn't

454
00:22:05,040 --> 00:22:06,760
Speaker 1: deal with the truth. It was too hard.

455
00:22:06,480 --> 00:22:10,239
Speaker 3: For her because she lied for a long time. It

456
00:22:10,280 --> 00:22:11,119
Speaker 3: wasn't the truth.

457
00:22:11,320 --> 00:22:14,720
Speaker 2: The truth wasn't too hard her taking accountability for being

458
00:22:14,720 --> 00:22:15,680
Speaker 2: a fucking.

459
00:22:15,440 --> 00:22:17,159
Speaker 3: Liar was too hard.

460
00:22:17,800 --> 00:22:20,399
Speaker 2: Your son is fifty three sitting in front of you,

461
00:22:20,480 --> 00:22:22,560
Speaker 2: and it was like, listen, I don't want to key with

462
00:22:22,640 --> 00:22:23,200
Speaker 2: you no more.

463
00:22:23,560 --> 00:22:25,120
Speaker 3: I don't want to joke with you no more.

464
00:22:25,960 --> 00:22:28,679
Speaker 2: Like if you can't be honest about this, like I

465
00:22:28,720 --> 00:22:31,359
Speaker 2: can't fuck with you because what else will you lie about?

466
00:22:31,720 --> 00:22:35,399
Speaker 2: That is so scary? And I then God for my

467
00:22:35,440 --> 00:22:40,120
Speaker 2: goddamn parents died like that. That shit is disgusting. Actually,

468
00:22:40,280 --> 00:22:44,280
Speaker 2: I feel so bad for him, so bad, so bad.

469
00:22:44,280 --> 00:22:45,720
Speaker 2: I hate that that was even filmed.

470
00:22:45,760 --> 00:22:49,719
Speaker 1: Actually, yeah, you know what, I don't mind that it

471
00:22:49,760 --> 00:22:51,840
Speaker 1: was filmed. I hate that they chose to share it

472
00:22:51,920 --> 00:22:53,879
Speaker 1: with all of us because he had to watch that

473
00:22:54,000 --> 00:22:56,720
Speaker 1: footage and be like people gonna drag my mom over

474
00:22:56,760 --> 00:23:04,600
Speaker 1: the coats, Eric, you know what, I can't even and

475
00:23:04,800 --> 00:23:07,200
Speaker 1: cut you know, like, I couldn't do that to my mama,

476
00:23:07,320 --> 00:23:09,360
Speaker 1: even though even if she was wrong, I don't think

477
00:23:09,400 --> 00:23:10,280
Speaker 1: I could have put that out.

478
00:23:10,200 --> 00:23:11,200
Speaker 4: There for the world to see.

479
00:23:11,520 --> 00:23:13,680
Speaker 2: Nah me either, Like how much you paid your mama

480
00:23:13,680 --> 00:23:18,040
Speaker 2: for that embarrassment, because she should definitely be embarrassed.

481
00:23:18,640 --> 00:23:21,639
Speaker 3: Yeah, embarrassed. I mean, just suck it up to being young.

482
00:23:21,760 --> 00:23:24,800
Speaker 2: But you're now, what sixty seventy something years old because

483
00:23:24,800 --> 00:23:26,240
Speaker 2: he's fifty three, so she.

484
00:23:26,200 --> 00:23:28,320
Speaker 3: Got to be in her seventies. Girl, Tell the fucking

485
00:23:28,320 --> 00:23:31,320
Speaker 3: truth and shame the devil Christian anyway.

486
00:23:31,800 --> 00:23:34,720
Speaker 2: You see, this is why I can't do it, man,

487
00:23:34,760 --> 00:23:37,320
Speaker 2: because them places be full of a lot of physically

488
00:23:37,480 --> 00:23:39,199
Speaker 2: sick and mentally sick people.

489
00:23:39,560 --> 00:23:42,240
Speaker 4: That's any place, any places.

490
00:23:46,720 --> 00:23:47,439
Speaker 3: Y'all listen.

491
00:23:48,560 --> 00:23:50,679
Speaker 2: Yeah, we come back off a break. We're gonna get

492
00:23:50,720 --> 00:23:52,440
Speaker 2: into this VT Hip Hop Awards.

493
00:23:53,000 --> 00:23:53,320
Speaker 3: Listen.

494
00:23:53,880 --> 00:23:56,280
Speaker 2: It was a good time, A good time has had

495
00:23:56,680 --> 00:23:58,800
Speaker 2: a lot of hard work was done.

496
00:23:58,920 --> 00:24:02,080
Speaker 1: Time was time was hey, y'allo.

497
00:24:02,240 --> 00:24:04,600
Speaker 2: And we're gonna go get some of these these interviews.

498
00:24:04,600 --> 00:24:06,960
Speaker 2: We caught up with a lot of this alebs at

499
00:24:06,960 --> 00:24:14,680
Speaker 2: the show. Y'all stay tuned. So okay, as we discussed

500
00:24:14,760 --> 00:24:18,240
Speaker 2: last week, and you know, in the intro of this episode,

501
00:24:18,240 --> 00:24:22,600
Speaker 2: we attended whatever annual because bt Up Upper War started

502
00:24:22,600 --> 00:24:26,320
Speaker 2: in two thousand and six, but we were celebrating the

503
00:24:26,359 --> 00:24:30,040
Speaker 2: fiftieth year of hip hop, right, so a lot of

504
00:24:30,119 --> 00:24:36,080
Speaker 2: legends were in the building. LL COOLJ did his motherfucking thing. Okay,

505
00:24:36,760 --> 00:24:39,160
Speaker 2: niggas is not performing like those old.

506
00:24:39,040 --> 00:24:40,640
Speaker 3: Rap artists, right.

507
00:24:40,640 --> 00:24:42,320
Speaker 2: You got people who just be standing in the middle

508
00:24:42,359 --> 00:24:45,240
Speaker 2: of stage, like sexy Red Child, just standing there. She

509
00:24:45,359 --> 00:24:48,720
Speaker 2: might turn around do a low one two number. LL

510
00:24:48,800 --> 00:24:53,600
Speaker 2: came au about the floor. Bitch, wait, you missed LL.

511
00:24:54,680 --> 00:24:56,159
Speaker 1: Yeah, yeah, I had to get up and go.

512
00:24:56,480 --> 00:24:57,240
Speaker 4: I trip it.

513
00:24:58,640 --> 00:25:00,879
Speaker 1: He had to leave the show first of all. I

514
00:25:00,880 --> 00:25:03,639
Speaker 1: got there like one something. I had to walk around

515
00:25:03,680 --> 00:25:06,959
Speaker 1: the building in a velvet dress and then stand up

516
00:25:07,000 --> 00:25:10,040
Speaker 1: and do interviews for hours long. And then we get

517
00:25:10,080 --> 00:25:13,160
Speaker 1: in the show and they have no concession, stayding, no water.

518
00:25:14,080 --> 00:25:16,040
Speaker 1: She had a good hour before she had to get

519
00:25:16,080 --> 00:25:18,720
Speaker 1: up out of there, so I left.

520
00:25:19,800 --> 00:25:21,720
Speaker 3: Well, you mess, you missed the best part. I didn't

521
00:25:21,720 --> 00:25:22,640
Speaker 3: stay for the full.

522
00:25:24,280 --> 00:25:28,000
Speaker 2: Filming of the of the award ceremony, but I did

523
00:25:28,080 --> 00:25:30,280
Speaker 2: catch a lot of it. So the one thing you

524
00:25:30,320 --> 00:25:33,359
Speaker 2: did miss was LL. Okay, let's be very fu clear.

525
00:25:33,680 --> 00:25:35,160
Speaker 3: LL was phenomenal.

526
00:25:35,240 --> 00:25:37,399
Speaker 4: Basion, Ladies Love, Ladies Love.

527
00:25:37,880 --> 00:25:39,400
Speaker 3: I really didn't like he a vampire.

528
00:25:40,240 --> 00:25:43,080
Speaker 1: Yeah, he looks good. I saw the baby. The baby

529
00:25:43,200 --> 00:25:48,359
Speaker 1: is like a such a character right on stage. He

530
00:25:48,400 --> 00:25:52,440
Speaker 1: has the wigs and all the things, and Globe's performance

531
00:25:52,560 --> 00:25:56,440
Speaker 1: was really good too. This was my first award ceremony,

532
00:25:56,640 --> 00:25:59,920
Speaker 1: and I just imagine that it was much more seen

533
00:26:00,119 --> 00:26:03,920
Speaker 1: less than what it was. And maybe other awards ceremonies

534
00:26:03,960 --> 00:26:06,919
Speaker 1: are more seamless than the Hip Hop Awards was. But

535
00:26:07,040 --> 00:26:09,640
Speaker 1: for me, it was a lot of space in between

536
00:26:09,680 --> 00:26:14,399
Speaker 1: everything and a lot of niggas running around talking. There

537
00:26:14,440 --> 00:26:17,480
Speaker 1: was some arguments going on in there and sit It was.

538
00:26:17,480 --> 00:26:19,640
Speaker 3: A lot I had on damn arguments. Don't be talking

539
00:26:19,640 --> 00:26:20,400
Speaker 3: about black people.

540
00:26:20,480 --> 00:26:20,680
Speaker 5: Shit.

541
00:26:20,880 --> 00:26:24,320
Speaker 3: Now I coming out of bash. I'm not coming to

542
00:26:24,800 --> 00:26:25,240
Speaker 3: be here.

543
00:26:26,520 --> 00:26:29,199
Speaker 1: I'm not bashing it. I'm just saying it was a lot. No,

544
00:26:29,280 --> 00:26:31,560
Speaker 1: because getting pretty vegan in an argument with the usher.

545
00:26:32,200 --> 00:26:33,639
Speaker 1: Oh yeah, we definitely saw that.

546
00:26:34,640 --> 00:26:40,880
Speaker 2: Yeah, niggas don't follow directions. They was telling people stop

547
00:26:40,960 --> 00:26:43,440
Speaker 2: filming and take a fucking seat.

548
00:26:43,800 --> 00:26:46,240
Speaker 3: Can y'all set y'all ass down somewhere? So people are

549
00:26:46,320 --> 00:26:47,000
Speaker 3: just sitting in there.

550
00:26:46,880 --> 00:26:48,440
Speaker 4: And she got a.

551
00:26:48,320 --> 00:26:51,760
Speaker 2: Pee right, and he was asking her like, I guess

552
00:26:51,760 --> 00:26:53,640
Speaker 2: he didn't know. He was an older man, he didn't

553
00:26:53,640 --> 00:26:55,119
Speaker 2: know who she was. And she was like, yeah, my

554
00:26:55,160 --> 00:26:57,240
Speaker 2: ticket step is down at my seat, if you'd let

555
00:26:57,240 --> 00:27:01,520
Speaker 2: me go to my seat. But what I realized once

556
00:27:01,560 --> 00:27:03,560
Speaker 2: you left. What I realized is that they were, you know,

557
00:27:03,720 --> 00:27:06,560
Speaker 2: filling in for the main seats at the bottom on

558
00:27:06,600 --> 00:27:09,719
Speaker 2: the floor, so when they didn't want any empty seats

559
00:27:09,720 --> 00:27:10,280
Speaker 2: for filming.

560
00:27:10,920 --> 00:27:13,040
Speaker 3: Right, So this is a whole production, y'all.

561
00:27:13,040 --> 00:27:15,119
Speaker 2: It's not live. This thing was filmed last week Tuesday.

562
00:27:15,119 --> 00:27:17,760
Speaker 2: It's a whole production. Aired October tenth by the time

563
00:27:17,760 --> 00:27:21,920
Speaker 2: you hear this episode, So it's a production. The baby

564
00:27:22,160 --> 00:27:24,160
Speaker 2: in uh what's the name had to do their whole

565
00:27:24,200 --> 00:27:26,639
Speaker 2: fucking performance all over again.

566
00:27:27,040 --> 00:27:29,119
Speaker 3: That was a mess to me, and it kind of

567
00:27:29,119 --> 00:27:35,480
Speaker 3: pushed everything back, but they had to keep the They

568
00:27:35,560 --> 00:27:36,720
Speaker 3: had seat fillers.

569
00:27:36,760 --> 00:27:40,240
Speaker 2: Basically, whoever had a wristband was a seat filler, so

570
00:27:40,320 --> 00:27:43,119
Speaker 2: that's probably they probably had filled her seat with somebody

571
00:27:43,119 --> 00:27:44,240
Speaker 2: when she got up to go pee.

572
00:27:45,920 --> 00:27:46,960
Speaker 3: It's just a lot of movie.

573
00:27:48,200 --> 00:27:50,720
Speaker 1: Where was our seat there because we never saw we

574
00:27:50,760 --> 00:27:51,440
Speaker 1: never saw it.

575
00:27:51,880 --> 00:27:54,320
Speaker 2: Yeah, somebody was already sitting in our shit, so I

576
00:27:54,400 --> 00:27:56,480
Speaker 2: guess before we got in there and they was yelling

577
00:27:56,480 --> 00:27:59,000
Speaker 2: and have a seat. People was just having fucking seats.

578
00:27:59,119 --> 00:28:03,560
Speaker 2: So we never got actually actual sciences. But I enjoyed

579
00:28:03,560 --> 00:28:07,000
Speaker 2: the whole experience. This is my first time anybody's red green.

580
00:28:07,040 --> 00:28:09,159
Speaker 2: It was actually a green carpet. I loved it and

581
00:28:09,200 --> 00:28:11,840
Speaker 2: I would like to do it again. But it's a

582
00:28:12,040 --> 00:28:16,600
Speaker 2: very it's very much so hustle bustle. Then you have

583
00:28:16,760 --> 00:28:20,919
Speaker 2: like little spurts of waiting around. But it was a

584
00:28:20,960 --> 00:28:27,840
Speaker 2: good time. And yeah, Safari was the first interview, y'all.

585
00:28:27,960 --> 00:28:32,240
Speaker 2: That's a whole character and a half. Okay, just for visuals,

586
00:28:33,119 --> 00:28:37,040
Speaker 2: Safari came down the green carpet at the b ET

587
00:28:37,280 --> 00:28:39,400
Speaker 2: Hip Hop Awards with no shirt.

588
00:28:39,120 --> 00:28:47,680
Speaker 1: On, oiled up, ahmedy looking all listening. He's slim like, yeah,

589
00:28:47,720 --> 00:28:49,600
Speaker 1: he's cut up. He's slim though I didn't think he

590
00:28:49,720 --> 00:28:51,400
Speaker 1: was that. You know they say the camera puts his

591
00:28:51,440 --> 00:28:54,760
Speaker 1: weight on you. Yeah he's slim, goody, Yeah.

592
00:28:54,560 --> 00:28:58,640
Speaker 3: He's a slimmer guy. Look, Safari was early and on time.

593
00:28:59,240 --> 00:29:00,680
Speaker 3: Y'all was going to see him.

594
00:29:00,920 --> 00:29:03,720
Speaker 2: Okay, here, y'all was gonna see that nigga. He made

595
00:29:03,760 --> 00:29:05,000
Speaker 2: sure everybody saw him.

596
00:29:05,240 --> 00:29:08,800
Speaker 1: Leather leather pants, draws showing spikes on the sneakers.

597
00:29:08,840 --> 00:29:11,880
Speaker 4: Okay, how you doing him? Sorry?

598
00:29:11,880 --> 00:29:12,320
Speaker 3: What's up?

599
00:29:12,400 --> 00:29:13,200
Speaker 4: How you sorry?

600
00:29:14,200 --> 00:29:15,920
Speaker 3: Who inspired you to wear no shirt today?

601
00:29:16,240 --> 00:29:18,480
Speaker 9: My mother, my mother, my mother said, you know what

602
00:29:18,560 --> 00:29:20,600
Speaker 9: you're going to the Hip Hop Awards. Be gettle. She said,

603
00:29:20,640 --> 00:29:22,920
Speaker 9: get some nice past some nice shoes. Shot out a sigh,

604
00:29:23,040 --> 00:29:24,520
Speaker 9: my stoups. You know what I'm saying. I got the

605
00:29:24,560 --> 00:29:28,440
Speaker 9: Alexander McQueen's on. You know, Tom Ford right here, Sophie,

606
00:29:29,080 --> 00:29:31,240
Speaker 9: this is black owned. You know what I'm saying, Sophie, Ciarra,

607
00:29:31,600 --> 00:29:33,640
Speaker 9: big family glasses out here.

608
00:29:33,800 --> 00:29:35,640
Speaker 4: De fire who you're looking forward to seeing?

609
00:29:36,280 --> 00:29:38,320
Speaker 9: I can't wait to get in front of a mirror.

610
00:29:38,640 --> 00:29:40,400
Speaker 4: Oh you just want to see you, yo, you call

611
00:29:40,480 --> 00:29:42,920
Speaker 4: yourself before you got here. You got what you got on?

612
00:29:43,040 --> 00:29:45,840
Speaker 3: Coconut, but coconut coconut?

613
00:29:46,280 --> 00:29:50,960
Speaker 9: I do, Yeah, y'all good.

614
00:29:52,600 --> 00:29:56,200
Speaker 3: Finish the lyric. Okay, I don't know what you heard

615
00:29:56,280 --> 00:29:56,800
Speaker 3: about me?

616
00:29:57,560 --> 00:30:00,160
Speaker 9: Nothing somebody I want, no MISSTI give me this, I

617
00:30:00,160 --> 00:30:03,880
Speaker 9: make me get. It's a pleasure when I got me major,

618
00:30:03,920 --> 00:30:06,120
Speaker 9: she said, it's a pleasure.

619
00:30:07,400 --> 00:30:10,000
Speaker 3: Mag you shout out. We talked back podcasts, Yo.

620
00:30:09,960 --> 00:30:12,120
Speaker 4: We talked out podcasts. You know what it is?

621
00:30:12,120 --> 00:30:12,760
Speaker 9: Stunt bossing.

622
00:30:12,800 --> 00:30:19,160
Speaker 3: They I'm fierce, not podcast.

623
00:30:20,720 --> 00:30:25,840
Speaker 1: Let's give it Dialanaland who's the best rapper?

624
00:30:27,520 --> 00:30:29,760
Speaker 3: They had to Brooklyn right now? Give me if he's

625
00:30:29,760 --> 00:30:31,440
Speaker 3: a cheesecape, he's just.

626
00:30:31,440 --> 00:30:35,520
Speaker 2: Out here wilding out on the red carpet, y'all. God

627
00:30:35,600 --> 00:30:38,560
Speaker 2: damn Safari. You know, I kind of listen not to

628
00:30:38,600 --> 00:30:40,760
Speaker 2: talk about the people we interviewed, and he's probably gonna

629
00:30:40,760 --> 00:30:41,320
Speaker 2: be the only one.

630
00:30:41,440 --> 00:30:44,200
Speaker 3: Okay, I understand.

631
00:30:43,640 --> 00:30:47,280
Speaker 2: Why the hell uh Nigga Minaj got the funk about

632
00:30:47,280 --> 00:30:51,360
Speaker 2: it there, and I know Erica Mina just got pie

633
00:30:51,400 --> 00:30:53,000
Speaker 2: on her face every fucking.

634
00:30:52,720 --> 00:30:58,240
Speaker 1: Day, poor baby.

635
00:30:58,720 --> 00:30:59,840
Speaker 3: It's just some people I would have.

636
00:30:59,840 --> 00:31:03,480
Speaker 2: I want to know their character from afar sometimes maybe

637
00:31:03,600 --> 00:31:05,760
Speaker 2: just up to up close to personally.

638
00:31:05,880 --> 00:31:09,120
Speaker 3: Ooh, like, boy, that's you interesting.

639
00:31:10,800 --> 00:31:13,760
Speaker 4: It was next, It was next.

640
00:31:15,200 --> 00:31:19,840
Speaker 2: So listen, y'all, Big Glass girl, your cousin Tom.

641
00:31:20,000 --> 00:31:22,680
Speaker 4: All, y'all my fave Big Lass. Listen.

642
00:31:22,760 --> 00:31:24,240
Speaker 1: When I was little, I used to think I looked

643
00:31:24,320 --> 00:31:26,000
Speaker 1: like her and I could dance like her.

644
00:31:26,680 --> 00:31:28,960
Speaker 4: I mean I was real little, real, real, real little,

645
00:31:31,640 --> 00:31:32,360
Speaker 4: but living away.

646
00:31:32,400 --> 00:31:34,720
Speaker 1: If y'all ever seen the show Living Single, the girl

647
00:31:34,720 --> 00:31:36,040
Speaker 1: who's dancing in in.

648
00:31:35,960 --> 00:31:40,480
Speaker 4: The nineties kind of where I'm glad I got my girl.

649
00:31:40,640 --> 00:31:42,440
Speaker 4: You know that dance move that's Big Lass.

650
00:31:42,440 --> 00:31:45,000
Speaker 1: She was in Mary J. Blige videos. She was like

651
00:31:45,080 --> 00:31:47,120
Speaker 1: choreographing for you name it.

652
00:31:47,560 --> 00:31:49,800
Speaker 4: The nineties. She was the itg girl when it came

653
00:31:49,840 --> 00:31:50,440
Speaker 4: to hip hop.

654
00:31:50,840 --> 00:31:53,000
Speaker 3: She was also, you know, one of the hosts for

655
00:31:53,000 --> 00:31:55,600
Speaker 3: a Rap city for a very long time. Check it

656
00:31:55,640 --> 00:31:56,480
Speaker 3: out first.

657
00:31:56,520 --> 00:31:59,080
Speaker 4: I gotta little beautiful first.

658
00:31:59,120 --> 00:32:02,400
Speaker 1: I gotta say, girl, I'm starstruck right now when I

659
00:32:02,440 --> 00:32:04,480
Speaker 1: tell you, I was a little girl watching Livy singer like.

660
00:32:04,440 --> 00:32:08,960
Speaker 10: We are living like everyone like you look like we did,

661
00:32:09,160 --> 00:32:09,520
Speaker 10: And I was.

662
00:32:09,480 --> 00:32:11,280
Speaker 4: Like, yeah, I kind of looked like we love pay.

663
00:32:13,480 --> 00:32:13,680
Speaker 1: Y'all.

664
00:32:13,680 --> 00:32:17,960
Speaker 11: I got tam Man cousin, big legy Mario.

665
00:32:18,000 --> 00:32:19,480
Speaker 4: Who are you looking forward to see it tonight?

666
00:32:19,520 --> 00:32:19,600
Speaker 8: Oh?

667
00:32:19,640 --> 00:32:21,320
Speaker 6: It's all about self of death for me tonight.

668
00:32:21,360 --> 00:32:23,680
Speaker 8: We have done so many raps on city shows with

669
00:32:23,760 --> 00:32:26,360
Speaker 8: Jermaine and the Bread and Prins, Kross and all that

670
00:32:26,400 --> 00:32:28,520
Speaker 8: he's done from music, And of course he and I

671
00:32:28,560 --> 00:32:30,720
Speaker 8: are former dancers, you know, so that's my.

672
00:32:30,720 --> 00:32:31,400
Speaker 3: Guy all day.

673
00:32:31,440 --> 00:32:33,440
Speaker 8: So I'm ready to see because he may bring Ussia out,

674
00:32:33,520 --> 00:32:36,560
Speaker 8: he may bring Luda, who knows who knows right right right?

675
00:32:36,840 --> 00:32:39,320
Speaker 1: So let me ask you this the hip hop turn fifty.

676
00:32:39,720 --> 00:32:41,600
Speaker 1: How do you feel about the state of hip hop

677
00:32:41,680 --> 00:32:42,160
Speaker 1: right now?

678
00:32:42,520 --> 00:32:43,200
Speaker 4: With the music?

679
00:32:43,400 --> 00:32:46,360
Speaker 8: I have a woman listen, not talking about the evolution

680
00:32:46,520 --> 00:32:49,360
Speaker 8: of hip hop. I love that the culture is in

681
00:32:49,520 --> 00:32:51,960
Speaker 8: homes of a gazillion people because nobody ever thought that

682
00:32:52,000 --> 00:32:54,120
Speaker 8: we would be here. I love that there's so many

683
00:32:54,160 --> 00:32:57,000
Speaker 8: women at the forefront selling more records than the men.

684
00:32:57,560 --> 00:32:59,920
Speaker 6: I applaud their sexual freedom.

685
00:33:00,520 --> 00:33:03,239
Speaker 8: I personally am sick of all the tworking because I

686
00:33:03,280 --> 00:33:05,960
Speaker 8: think it takes away from their actual skill.

687
00:33:05,760 --> 00:33:06,280
Speaker 6: On the mic.

688
00:33:06,760 --> 00:33:09,480
Speaker 8: People kind of forget that they're actually good writers and

689
00:33:09,520 --> 00:33:11,400
Speaker 8: good lyricists and they can deliver.

690
00:33:11,440 --> 00:33:13,560
Speaker 6: And you kind of get you know, and I'm a dancer.

691
00:33:13,600 --> 00:33:16,280
Speaker 8: I've torked my handstands, I've done all the crazy stuff

692
00:33:16,320 --> 00:33:19,400
Speaker 8: on stage too. But I want them to take a

693
00:33:19,400 --> 00:33:22,600
Speaker 8: little bit more love and care and the fact that

694
00:33:22,640 --> 00:33:25,360
Speaker 8: they are femcies, you know, and some people really don't

695
00:33:25,400 --> 00:33:29,240
Speaker 8: even like that word mcs. Femcis whatever your lyricists, your rappers,

696
00:33:29,440 --> 00:33:30,840
Speaker 8: and so I would love to see more of that.

697
00:33:30,880 --> 00:33:32,520
Speaker 8: But I love the state of hip hop. I just

698
00:33:32,520 --> 00:33:33,760
Speaker 8: love that we're making bank.

699
00:33:34,120 --> 00:33:34,320
Speaker 4: You know.

700
00:33:34,640 --> 00:33:37,040
Speaker 8: These artists are getting it together with getting their streams

701
00:33:37,040 --> 00:33:39,640
Speaker 8: and their money since they can't really count on record

702
00:33:39,680 --> 00:33:41,920
Speaker 8: sales the way we used to old school, you know.

703
00:33:42,000 --> 00:33:43,440
Speaker 6: But I love to see it. I'm here for it

704
00:33:43,480 --> 00:33:44,520
Speaker 6: to you in the rest of the world.

705
00:33:44,600 --> 00:33:48,920
Speaker 2: Do you know any like upcoming artists that deserve some recognition. Boy,

706
00:33:49,040 --> 00:33:52,080
Speaker 2: I know, well, I like Little Sims as an overseas artist.

707
00:33:52,240 --> 00:33:52,920
Speaker 6: I think it's.

708
00:33:52,840 --> 00:33:56,520
Speaker 8: Really really dope, but I haven't really been entrenched in that.

709
00:33:56,600 --> 00:33:58,560
Speaker 8: I'm kind of moving into the director of space. I

710
00:33:58,600 --> 00:34:00,680
Speaker 8: want to tell the story of the female dances of

711
00:34:00,760 --> 00:34:04,280
Speaker 8: the nineties, somebody like myself from choreographing directed for so

712
00:34:04,360 --> 00:34:06,040
Speaker 8: many you know, artists on the R and B and

713
00:34:06,120 --> 00:34:09,400
Speaker 8: hip hop Tip Michael Jackson, Whitney Houston, Heavy D, Bobby Brown,

714
00:34:09,520 --> 00:34:11,640
Speaker 8: the great you know, and those artists I can't even

715
00:34:11,680 --> 00:34:14,680
Speaker 8: really have conversations with, even John Singleton from Remember the Time.

716
00:34:15,040 --> 00:34:17,480
Speaker 6: So I'm moving into that space. But I'm here for

717
00:34:17,520 --> 00:34:17,840
Speaker 6: all of it.

718
00:34:17,920 --> 00:34:20,920
Speaker 8: I'm here for everybody who really has respect for the

719
00:34:21,000 --> 00:34:22,920
Speaker 8: craft and comes with some new ish you know.

720
00:34:24,719 --> 00:34:26,600
Speaker 3: So you want to yeah, we want to play a

721
00:34:26,680 --> 00:34:27,319
Speaker 3: quick game with you.

722
00:34:27,320 --> 00:34:29,040
Speaker 4: Right quick? Alright, these games.

723
00:34:31,200 --> 00:34:33,040
Speaker 3: It's an easy one. That's an easy one.

724
00:34:33,400 --> 00:34:36,359
Speaker 2: Let me think, Uh when you leave, I'm begging you

725
00:34:36,440 --> 00:34:36,960
Speaker 2: not to go.

726
00:34:37,120 --> 00:34:37,759
Speaker 1: It was a lyric.

727
00:34:39,800 --> 00:34:43,160
Speaker 8: You see my face into the Camera's like, oh it's

728
00:34:43,280 --> 00:34:43,600
Speaker 8: R and B.

729
00:34:43,960 --> 00:34:47,080
Speaker 2: I got your name too, three times in a beyonceing,

730
00:34:47,200 --> 00:34:49,040
Speaker 2: Oh where are we.

731
00:34:50,600 --> 00:34:52,959
Speaker 3: Have the Red life, we get to go to the show.

732
00:34:53,880 --> 00:34:56,560
Speaker 1: I'm it sall right, thank you so much. I love you,

733
00:34:56,760 --> 00:35:01,120
Speaker 1: appreciate you so much. I love her, I fucking love

734
00:35:01,200 --> 00:35:03,240
Speaker 1: her so big.

735
00:35:03,360 --> 00:35:06,640
Speaker 3: Less looked phenomenal. Okay, I don't know how.

736
00:35:06,520 --> 00:35:11,640
Speaker 4: Old she got, at least be in her fifties. Yes,

737
00:35:11,920 --> 00:35:13,320
Speaker 4: she was great.

738
00:35:13,880 --> 00:35:15,080
Speaker 1: Yeah, she looks so good.

739
00:35:15,600 --> 00:35:17,040
Speaker 3: This was her little special number.

740
00:35:17,080 --> 00:35:20,080
Speaker 2: Now because she actually ended up changing to another dress

741
00:35:20,160 --> 00:35:23,040
Speaker 2: this same color later on in the evening.

742
00:35:24,560 --> 00:35:26,440
Speaker 4: Change or when she went on stage.

743
00:35:26,800 --> 00:35:27,960
Speaker 3: Yeah, when she went on stage.

744
00:35:28,040 --> 00:35:29,920
Speaker 1: Yep, I missed it, y'all.

745
00:35:31,840 --> 00:35:32,760
Speaker 3: Foolishness.

746
00:35:33,080 --> 00:35:35,839
Speaker 2: No, I agree with what she's saying, you know, Like,

747
00:35:36,000 --> 00:35:37,960
Speaker 2: so she is a dancer, right, so she comes from

748
00:35:37,960 --> 00:35:41,080
Speaker 2: a time where she may not have been talking, but

749
00:35:41,120 --> 00:35:42,960
Speaker 2: she definitely she said she was on her head too,

750
00:35:44,040 --> 00:35:46,960
Speaker 2: but she was in an MC right, So she wasn't

751
00:35:46,960 --> 00:35:47,360
Speaker 2: a rapper.

752
00:35:47,400 --> 00:35:51,800
Speaker 3: So now you have the rappers, and it's just it's different.

753
00:35:52,280 --> 00:35:54,960
Speaker 2: Listen, export a question that you had for everybody's ham.

754
00:35:55,200 --> 00:35:57,640
Speaker 2: We did have a whole episode about it a couple

755
00:35:57,680 --> 00:35:58,120
Speaker 2: of weeks ago.

756
00:35:58,160 --> 00:36:00,960
Speaker 3: But what made you want to ask these at that?

757
00:36:01,160 --> 00:36:03,320
Speaker 1: Because you know, I just wanted to hear their thoughts

758
00:36:03,440 --> 00:36:06,799
Speaker 1: on how women are portrayed in hip hop and how

759
00:36:06,840 --> 00:36:09,280
Speaker 1: people feel about it as it pertains to our culture.

760
00:36:09,840 --> 00:36:13,680
Speaker 1: Mm hm, you know, because some people would say that

761
00:36:14,320 --> 00:36:18,879
Speaker 1: bad for our culture and for us being whole. When

762
00:36:18,960 --> 00:36:21,200
Speaker 1: it comes to men and women, Black men and women

763
00:36:21,280 --> 00:36:24,920
Speaker 1: coming together. The music is making us grow further apart

764
00:36:24,960 --> 00:36:25,720
Speaker 1: and come together.

765
00:36:26,239 --> 00:36:26,839
Speaker 3: Absolutely.

766
00:36:28,480 --> 00:36:31,120
Speaker 2: I feel like everybody like a couple. Like the women

767
00:36:31,360 --> 00:36:33,920
Speaker 2: kind of had a little. The younger women was like,

768
00:36:33,960 --> 00:36:36,799
Speaker 2: fuck them, right, y'all hear you may or may not

769
00:36:36,840 --> 00:36:39,239
Speaker 2: hear you may put out all the interviews, but the

770
00:36:39,320 --> 00:36:42,040
Speaker 2: younger girls, the younger women were like, fuck them if

771
00:36:42,040 --> 00:36:44,280
Speaker 2: they got something to say about it. The older generation,

772
00:36:44,440 --> 00:36:46,640
Speaker 2: some of them, the guys tried to stay far away

773
00:36:46,640 --> 00:36:49,360
Speaker 2: from that, right because they know we got a problem

774
00:36:49,400 --> 00:36:51,960
Speaker 2: with somebody trying to tell us what to do. Women

775
00:36:51,960 --> 00:36:54,560
Speaker 2: don't want to hear it. But if you want protection

776
00:36:54,680 --> 00:36:58,399
Speaker 2: and provisions, sometimes you need to fucking listen. Just need

777
00:36:58,400 --> 00:36:59,360
Speaker 2: to listen sometimes.

778
00:36:59,400 --> 00:37:00,160
Speaker 1: But if you think that.

779
00:37:00,200 --> 00:37:04,439
Speaker 3: Your money going, you know, solve all issues, you don't

780
00:37:04,480 --> 00:37:07,120
Speaker 3: need a man, you know, keep it the same rhetoric.

781
00:37:07,200 --> 00:37:08,240
Speaker 3: I guess, I don't.

782
00:37:08,080 --> 00:37:09,319
Speaker 4: Know, keep that same MG.

783
00:37:10,040 --> 00:37:12,279
Speaker 2: Yeah, so we did have a few legends for real,

784
00:37:12,320 --> 00:37:14,759
Speaker 2: Now we did do an interview with Molly Ma and

785
00:37:14,920 --> 00:37:20,880
Speaker 2: DJ Drama and both yea. DJ Drama actually performed you know,

786
00:37:21,080 --> 00:37:25,520
Speaker 2: scratching DJing right and Molly Ma actually got an award

787
00:37:25,800 --> 00:37:29,000
Speaker 2: that I Am hip Hop Award. DJ Drama has some

788
00:37:29,040 --> 00:37:30,839
Speaker 2: pretty interesting things to say.

789
00:37:31,320 --> 00:37:34,960
Speaker 4: Let's get into it all right. First, you are hip hop.

790
00:37:35,000 --> 00:37:36,480
Speaker 1: We was going to ask you questions about how you

791
00:37:36,520 --> 00:37:39,040
Speaker 1: feel about hip hop, but you are hip hop.

792
00:37:39,080 --> 00:37:39,719
Speaker 12: Appreciate that.

793
00:37:39,920 --> 00:37:42,080
Speaker 2: No, how do you feel about being a part of

794
00:37:42,120 --> 00:37:43,560
Speaker 2: the BT hip Hop Awards tonight?

795
00:37:43,680 --> 00:37:46,840
Speaker 12: I love it, you know, I'm actually getting opportunity to

796
00:37:46,880 --> 00:37:51,120
Speaker 12: perform tonight. You know, we celebrate DJs and producers, so

797
00:37:51,640 --> 00:37:54,719
Speaker 12: you know, I think it's dope for the DJ and

798
00:37:54,760 --> 00:37:56,800
Speaker 12: the producers doing hip Hop fifty to be able to

799
00:37:56,800 --> 00:37:59,719
Speaker 12: get their flowers. And you know, having this show and

800
00:37:59,760 --> 00:38:02,719
Speaker 12: then every year is always a great feeling, you know,

801
00:38:02,760 --> 00:38:05,800
Speaker 12: always direct for the culture and I'm always excited, especially

802
00:38:05,800 --> 00:38:07,520
Speaker 12: for like the new artists. You know, I know, Sexy

803
00:38:07,560 --> 00:38:09,759
Speaker 12: Red is here, so I'm sure she's going to turn

804
00:38:09,760 --> 00:38:12,239
Speaker 12: the crowd up. And yeah, and at the same time,

805
00:38:12,520 --> 00:38:14,719
Speaker 12: you know, the elder statesman like Molly Maul getting his

806
00:38:14,920 --> 00:38:16,920
Speaker 12: Lifetime Achievement Award all right.

807
00:38:16,960 --> 00:38:19,200
Speaker 1: So, speaking of sexy Red, some people would say that

808
00:38:19,360 --> 00:38:22,160
Speaker 1: females in hip hop right now are degrading and they're

809
00:38:22,160 --> 00:38:23,919
Speaker 1: affecting the culture in a negative way.

810
00:38:23,920 --> 00:38:25,720
Speaker 4: What would you say to that, That's.

811
00:38:25,600 --> 00:38:30,719
Speaker 12: Whack, that's a whack way to view things, you know.

812
00:38:30,880 --> 00:38:34,120
Speaker 12: I mean, I think in a sense, like you know,

813
00:38:34,200 --> 00:38:37,920
Speaker 12: people people take hip hop out of contexts, you know,

814
00:38:38,120 --> 00:38:40,720
Speaker 12: and we get a lot of blame in a different

815
00:38:40,760 --> 00:38:43,440
Speaker 12: sense of like the film business, where you have films

816
00:38:43,480 --> 00:38:47,120
Speaker 12: that might be over sexualized, over over violent or things

817
00:38:47,160 --> 00:38:49,400
Speaker 12: like that. So that in that same sense, it's like,

818
00:38:49,480 --> 00:38:52,000
Speaker 12: you know, there's a one of the biggest businesses is

819
00:38:52,040 --> 00:38:53,560
Speaker 12: the porn business, you know what I'm saying, and it

820
00:38:54,640 --> 00:38:56,880
Speaker 12: makes a lot of sex cells, you know. So I

821
00:38:56,880 --> 00:38:59,799
Speaker 12: don't think it's fair for us to you know, point

822
00:38:59,840 --> 00:39:02,239
Speaker 12: the finger at women in that in that matter, for

823
00:39:02,320 --> 00:39:05,320
Speaker 12: them to be being sexualized, being over sexualized in a

824
00:39:05,400 --> 00:39:08,560
Speaker 12: sense like you know, it's it's y'all bodies, y'all, y'all

825
00:39:08,600 --> 00:39:10,040
Speaker 12: should be able to express it the way you want.

826
00:39:11,280 --> 00:39:14,000
Speaker 2: Can you tell us about any upcoming projects collaboration.

827
00:39:14,600 --> 00:39:17,080
Speaker 12: Yeah, well, I have my my podcast out right now,

828
00:39:17,560 --> 00:39:20,400
Speaker 12: the Gangster Girls Podcast, you know, my my new album

829
00:39:20,719 --> 00:39:22,680
Speaker 12: is in stories calling really like that. I'm working on

830
00:39:22,719 --> 00:39:26,960
Speaker 12: another album. I just finished my book deal, so yeah,

831
00:39:27,000 --> 00:39:29,400
Speaker 12: be on the lookout for some new projects from Generation

832
00:39:29,520 --> 00:39:31,520
Speaker 12: Now as well. We have some new artists that we

833
00:39:31,640 --> 00:39:36,480
Speaker 12: just signed Carvena uh kay Cash uh Sunny Digital, and

834
00:39:36,719 --> 00:39:37,960
Speaker 12: new projects from Jack Holler on.

835
00:39:37,920 --> 00:39:39,560
Speaker 3: A little Uzzi. So that's joke.

836
00:39:40,760 --> 00:39:45,640
Speaker 1: So I mean, yeah, he so he said, listen, women

837
00:39:45,719 --> 00:39:47,239
Speaker 1: got the right to say and do what they want

838
00:39:47,320 --> 00:39:49,759
Speaker 1: with they bodies and it should not have ano And

839
00:39:49,800 --> 00:39:51,479
Speaker 1: I mean, I guess it makes sense. Like we don't

840
00:39:51,480 --> 00:39:54,880
Speaker 1: look to actors when they're having sex on screen.

841
00:39:54,920 --> 00:39:57,000
Speaker 4: Do we say, oh, they're degrading to our culture?

842
00:39:59,040 --> 00:40:02,680
Speaker 1: Do we When Lola was getting hit on Power, didn't

843
00:40:02,680 --> 00:40:05,640
Speaker 1: nobody say oh, Lala' is degrading us? Nobody said that.

844
00:40:05,640 --> 00:40:09,480
Speaker 4: They was like, look at that ass.

845
00:40:10,680 --> 00:40:13,000
Speaker 3: I guess because it's not as in your face with

846
00:40:13,080 --> 00:40:13,560
Speaker 3: the music.

847
00:40:13,640 --> 00:40:13,879
Speaker 1: Man.

848
00:40:14,080 --> 00:40:17,479
Speaker 2: And then you tie the music to social media, right,

849
00:40:17,920 --> 00:40:21,960
Speaker 2: and what you see constantly, constantly constantly, like like the

850
00:40:22,040 --> 00:40:24,399
Speaker 2: TV and stuff like, that's a different hub. I feel

851
00:40:24,400 --> 00:40:26,919
Speaker 2: like people are on social media way more than they're

852
00:40:26,960 --> 00:40:32,160
Speaker 2: on Netflix or then they're on you know, showtime. You

853
00:40:32,239 --> 00:40:36,000
Speaker 2: know what I'm saying. So it's just a constant, it's psychology.

854
00:40:36,160 --> 00:40:37,799
Speaker 2: It's just a constant programming.

855
00:40:38,080 --> 00:40:38,560
Speaker 3: Basically.

856
00:40:38,600 --> 00:40:43,200
Speaker 2: I think with Instagram, insta dopamine is when we just

857
00:40:43,200 --> 00:40:47,920
Speaker 2: started calling it right. But DJ Drown was a good time,

858
00:40:49,080 --> 00:40:52,920
Speaker 2: nice guy. We got up next. Let me see, let

859
00:40:53,000 --> 00:40:54,080
Speaker 2: me see, let's.

860
00:40:53,840 --> 00:40:56,359
Speaker 3: Go with Marley Maul. We had a lot of hip

861
00:40:56,360 --> 00:40:58,279
Speaker 3: hop questions. But it's man right here.

862
00:41:00,160 --> 00:41:02,720
Speaker 4: Yeah, I mean that Iron hip Hop Award, So basically,

863
00:41:02,840 --> 00:41:03,759
Speaker 4: BT got it right.

864
00:41:04,040 --> 00:41:05,320
Speaker 3: I think I'm hip hop.

865
00:41:09,160 --> 00:41:12,080
Speaker 1: Hip hop being turning fifty. How do you feel about

866
00:41:12,080 --> 00:41:13,600
Speaker 1: the state of hip hop hop right now?

867
00:41:13,600 --> 00:41:15,680
Speaker 13: They're like, I love the state of hip hop right now.

868
00:41:15,719 --> 00:41:18,239
Speaker 13: I love how the ladies are taking over in hip hop.

869
00:41:18,400 --> 00:41:20,680
Speaker 13: It's so empowering to see.

870
00:41:20,440 --> 00:41:21,839
Speaker 3: And it's like it's beautiful man.

871
00:41:22,800 --> 00:41:25,400
Speaker 13: Yeah, yeah, I love to see it because you know,

872
00:41:25,560 --> 00:41:29,040
Speaker 13: for so long females was in the back of hip hop.

873
00:41:29,040 --> 00:41:30,880
Speaker 13: They wasn't in the shadow. There was in the shadows.

874
00:41:31,400 --> 00:41:33,680
Speaker 13: But now they're in the forefront, you know, Ice Spice

875
00:41:34,040 --> 00:41:41,800
Speaker 13: doing her thing. Yeah, I'm feeling that feeling you.

876
00:41:43,200 --> 00:41:43,399
Speaker 3: Y'all.

877
00:41:43,440 --> 00:41:46,040
Speaker 2: We only got two questions from allimorrow, So when people

878
00:41:46,080 --> 00:41:49,319
Speaker 2: come through, I guess y'all can live like curiously through

879
00:41:49,400 --> 00:41:52,120
Speaker 2: us if you haven't up, somebody red carping, right, So

880
00:41:52,160 --> 00:41:54,759
Speaker 2: some people come through with handlers and they'll tell you,

881
00:41:54,840 --> 00:41:57,520
Speaker 2: like hey, one or two questions whatever, trying to usher

882
00:41:57,560 --> 00:42:00,120
Speaker 2: them in. So we were only able to get it

883
00:42:00,800 --> 00:42:04,600
Speaker 2: one question technically out of him before he had to

884
00:42:04,640 --> 00:42:05,000
Speaker 2: move on.

885
00:42:10,000 --> 00:42:12,719
Speaker 1: Y'all. Okay, up next we had Joe Claire, funny man

886
00:42:12,800 --> 00:42:13,280
Speaker 1: Joe Claire.

887
00:42:13,360 --> 00:42:16,279
Speaker 4: He was also a host of Rap City. Y'all check

888
00:42:16,320 --> 00:42:20,640
Speaker 4: this out. How are you doing?

889
00:42:20,760 --> 00:42:26,360
Speaker 3: You very nice? Related no friends, maybe another lifetime. Not

890
00:42:26,440 --> 00:42:27,319
Speaker 3: that you look very good.

891
00:42:27,520 --> 00:42:29,200
Speaker 1: You guys are looking excellent tonight.

892
00:42:29,360 --> 00:42:30,120
Speaker 4: Thank you, thank you.

893
00:42:30,160 --> 00:42:33,000
Speaker 1: All right, so, y'all we are with the very funny

894
00:42:33,400 --> 00:42:34,280
Speaker 1: Joe Claire.

895
00:42:35,040 --> 00:42:37,560
Speaker 4: Listen. I know I don't want to make you sound

896
00:42:37,760 --> 00:42:38,040
Speaker 4: all right.

897
00:42:38,080 --> 00:42:38,960
Speaker 1: I've been watching you since.

898
00:42:39,000 --> 00:42:42,239
Speaker 3: I like.

899
00:42:46,320 --> 00:42:49,080
Speaker 5: It took a long time to be fifty four. It

900
00:42:49,160 --> 00:42:50,400
Speaker 5: takes a lot of work.

901
00:42:51,560 --> 00:42:57,560
Speaker 1: Okay, So you've been around hip struggles, hip hop existed.

902
00:42:57,800 --> 00:42:59,759
Speaker 4: How do you feel about the state of hip hop now?

903
00:43:00,080 --> 00:43:02,000
Speaker 3: I love the state of hip hop now. It's the same.

904
00:43:02,080 --> 00:43:04,400
Speaker 5: Listen, don't let the older people tell y'all that the

905
00:43:04,520 --> 00:43:07,680
Speaker 5: young people music don't nahs been. It's the same thing

906
00:43:07,719 --> 00:43:12,560
Speaker 5: as going on in music from day one. There's gonna

907
00:43:12,560 --> 00:43:15,040
Speaker 5: be somebody who's mother. Your mother doesn't want you to

908
00:43:15,080 --> 00:43:17,520
Speaker 5: listen to that song. It's gonna be some woman who

909
00:43:17,560 --> 00:43:20,080
Speaker 5: does something and everybody's been like, dah lord, I can't believe.

910
00:43:20,120 --> 00:43:22,719
Speaker 3: There's gonna be some dude who says some outrageous in

911
00:43:22,760 --> 00:43:23,120
Speaker 3: the rector.

912
00:43:23,200 --> 00:43:25,399
Speaker 5: There's gonna be a lot of wack rappers and then

913
00:43:25,440 --> 00:43:28,560
Speaker 5: we're gonna have excellence that'll rise to the top. But

914
00:43:29,040 --> 00:43:30,600
Speaker 5: the state of hip hop now, I think the state

915
00:43:30,600 --> 00:43:33,279
Speaker 5: of hip hop is bomb right now. I think the

916
00:43:33,280 --> 00:43:35,320
Speaker 5: state of hip hop right now is super bomb because

917
00:43:35,320 --> 00:43:38,080
Speaker 5: you have so many young people who are sitting oh

918
00:43:38,160 --> 00:43:40,560
Speaker 5: not even young people, people who are sitting in their houses,

919
00:43:40,800 --> 00:43:43,960
Speaker 5: making music, putting it on wherever platform, And then you

920
00:43:44,080 --> 00:43:46,920
Speaker 5: go Discovery and you be like this song, mom, whin

921
00:43:47,040 --> 00:43:49,960
Speaker 5: never heard the song five years old from some rapper

922
00:43:50,000 --> 00:43:52,840
Speaker 5: that you would never meet in your whole life, and

923
00:43:52,880 --> 00:43:54,920
Speaker 5: there's no RAHP City for him to go to anymore.

924
00:43:54,960 --> 00:43:56,560
Speaker 5: So I think it's super dope right now.

925
00:43:57,280 --> 00:44:00,000
Speaker 2: So how does hip hop influenced your career in comedy?

926
00:44:00,200 --> 00:44:02,360
Speaker 3: Oh? So, hip hop changed everything.

927
00:44:03,880 --> 00:44:06,319
Speaker 5: It might be hard for y'all to imagine, but this

928
00:44:06,440 --> 00:44:08,920
Speaker 5: culture that we see here now just it was just

929
00:44:09,000 --> 00:44:11,600
Speaker 5: not here. It did not exist. We had to make

930
00:44:11,640 --> 00:44:13,200
Speaker 5: this up, and we were making it up as we

931
00:44:13,239 --> 00:44:15,799
Speaker 5: went along. We were taking our cues from each other.

932
00:44:16,280 --> 00:44:19,680
Speaker 5: So we didn't know. Nobody knew that Diddy was gonna

933
00:44:19,680 --> 00:44:23,160
Speaker 5: be Diddy now, but Diddy did, he did, but we

934
00:44:23,239 --> 00:44:25,800
Speaker 5: had There was no precedent. Nobody knew jay Z was

935
00:44:25,840 --> 00:44:27,040
Speaker 5: going to become a billionaire.

936
00:44:27,360 --> 00:44:29,320
Speaker 3: But coming out of you know.

937
00:44:29,680 --> 00:44:33,279
Speaker 5: The streets the eighties, a street culture ain't did was

938
00:44:33,520 --> 00:44:35,200
Speaker 5: somebody got to be a billionaire.

939
00:44:34,719 --> 00:44:36,239
Speaker 3: At some point, right, and so Jake.

940
00:44:36,360 --> 00:44:39,200
Speaker 5: So for me, hip hop, for me was the whole

941
00:44:39,239 --> 00:44:42,240
Speaker 5: culture that I could take with me on to the stage.

942
00:44:42,840 --> 00:44:43,680
Speaker 3: And it's gotten me.

943
00:44:43,880 --> 00:44:46,799
Speaker 5: That's how I got wrapped city, that got me on television,

944
00:44:46,920 --> 00:44:50,480
Speaker 5: like seriously, like and right now, I do the news.

945
00:44:51,000 --> 00:44:54,120
Speaker 5: I do the news every day in Washington, DC. Right

946
00:44:55,040 --> 00:44:57,600
Speaker 5: hip hop has allowed and I wear this. I could

947
00:44:57,600 --> 00:44:59,879
Speaker 5: wear whatever I want on the news and even though

948
00:45:00,120 --> 00:45:02,920
Speaker 5: doing hard news sometimes and everything else. The fact that

949
00:45:02,960 --> 00:45:05,560
Speaker 5: I come from hip hop, the fact that I was

950
00:45:05,920 --> 00:45:08,560
Speaker 5: you know, it's not I ain't. I never had to

951
00:45:08,560 --> 00:45:12,680
Speaker 5: make up anything to be part of this. I guess

952
00:45:12,680 --> 00:45:16,480
Speaker 5: it comes through that authenticity and the realness that you

953
00:45:16,560 --> 00:45:18,080
Speaker 5: got to have in hip hop. They let me do

954
00:45:18,080 --> 00:45:19,799
Speaker 5: it on the news now, so that's how hip hop

955
00:45:19,840 --> 00:45:24,520
Speaker 5: has affected is gonna be ho? Not not really.

956
00:45:24,560 --> 00:45:26,799
Speaker 3: But what I do do is, you.

957
00:45:26,719 --> 00:45:28,799
Speaker 5: Know, if let's say it is a question about the

958
00:45:28,840 --> 00:45:29,719
Speaker 5: school system.

959
00:45:30,200 --> 00:45:31,200
Speaker 1: You know, y'all got kids.

960
00:45:31,600 --> 00:45:32,520
Speaker 3: Okay, y'all got kids.

961
00:45:32,640 --> 00:45:35,440
Speaker 5: But let's say it's about y'all parents, and they saying

962
00:45:35,440 --> 00:45:39,560
Speaker 5: something about people aging, and y'all, you know, we got concerned.

963
00:45:40,120 --> 00:45:45,840
Speaker 5: And then the whoever the ankle that's sitting there is

964
00:45:45,840 --> 00:45:48,640
Speaker 5: reading the teleprom and I think that they missed something

965
00:45:48,680 --> 00:45:50,359
Speaker 5: that we really need to bring up. I'm like, hold

966
00:45:50,400 --> 00:45:53,239
Speaker 5: on a second, can we talk about how X, Y

967
00:45:53,280 --> 00:45:55,759
Speaker 5: and Z affects these people in this demographic and so

968
00:45:55,760 --> 00:45:58,080
Speaker 5: on and so forth. And I do it just like

969
00:45:58,120 --> 00:46:01,200
Speaker 5: I just did it to y'all. So it's not like

970
00:46:02,360 --> 00:46:05,480
Speaker 5: I would never be a caricature of us, but I

971
00:46:05,520 --> 00:46:07,560
Speaker 5: will keep it a buck when I need to.

972
00:46:07,840 --> 00:46:08,520
Speaker 6: But there's been.

973
00:46:08,480 --> 00:46:10,960
Speaker 5: Times and then I'm a comedian, So if there's some

974
00:46:11,360 --> 00:46:14,360
Speaker 5: some boogfit on the news, hold.

975
00:46:14,239 --> 00:46:16,399
Speaker 1: Up, you know I can do that as well.

976
00:46:18,160 --> 00:46:21,239
Speaker 5: And for for for y'all remember that, because y'all are

977
00:46:21,320 --> 00:46:22,440
Speaker 5: y'all are y'all.

978
00:46:24,600 --> 00:46:29,000
Speaker 3: Know years ago, but y'all are me, and keep that

979
00:46:29,040 --> 00:46:29,359
Speaker 3: with you.

980
00:46:29,360 --> 00:46:31,279
Speaker 5: You never know where you'll end up. If I want

981
00:46:31,320 --> 00:46:33,600
Speaker 5: the news today and I used to host Rap City,

982
00:46:34,040 --> 00:46:35,320
Speaker 5: ain't no telling where y'all.

983
00:46:35,120 --> 00:46:36,840
Speaker 1: Can show up in the future.

984
00:46:37,640 --> 00:46:39,719
Speaker 4: Around be feing in morning.

985
00:46:39,800 --> 00:46:43,799
Speaker 11: Come around and find out one little little game.

986
00:46:43,840 --> 00:46:46,800
Speaker 2: We want you to finish the lyric all right ready.

987
00:46:47,640 --> 00:46:49,160
Speaker 2: I don't know what you heard.

988
00:46:49,040 --> 00:46:53,680
Speaker 5: About me, but I bitch can't get a dollar out

989
00:46:53,680 --> 00:46:57,680
Speaker 5: of me, no kind of lockdown her at hey, because

990
00:46:57,719 --> 00:46:58,239
Speaker 5: I'm a mother.

991
00:46:58,280 --> 00:46:59,400
Speaker 3: If pr.

992
00:47:01,440 --> 00:47:05,399
Speaker 11: We appreciate you man can get.

993
00:47:05,280 --> 00:47:05,799
Speaker 3: A dollar of.

994
00:47:11,040 --> 00:47:13,480
Speaker 5: Big can't get a dollar out of me, but she

995
00:47:13,520 --> 00:47:16,840
Speaker 5: can get everything she needs.

996
00:47:22,640 --> 00:47:24,839
Speaker 3: That's how I need my motherfucker husband to show up. Okay,

997
00:47:24,880 --> 00:47:30,080
Speaker 3: don't play right. You know, Claire was a good time,

998
00:47:30,280 --> 00:47:31,439
Speaker 3: very good time.

999
00:47:32,560 --> 00:47:34,680
Speaker 1: He stayed very long. You know, people were moving by

1000
00:47:34,760 --> 00:47:36,960
Speaker 1: so fast. Like one of two questions, that.

1001
00:47:37,320 --> 00:47:39,480
Speaker 4: Is, who do we have next?

1002
00:47:39,680 --> 00:47:42,440
Speaker 2: I think our earlier questions, our earlier interviews, like they

1003
00:47:42,480 --> 00:47:44,319
Speaker 2: had a little bit more time to spare when it

1004
00:47:44,360 --> 00:47:48,360
Speaker 2: got closer to going into the Yeah, the event, Yeah.

1005
00:47:47,960 --> 00:47:48,520
Speaker 4: Who's next?

1006
00:47:48,520 --> 00:47:52,480
Speaker 1: Our good sister pretty V is up next, She says,

1007
00:47:52,520 --> 00:47:57,320
Speaker 1: she's from Miami and Columbia, right, yeap, hell y'all listen.

1008
00:47:58,280 --> 00:48:01,160
Speaker 1: All right, So hip hop turned fifth this year. How

1009
00:48:01,160 --> 00:48:02,799
Speaker 1: do you feel about the current state of hip hop?

1010
00:48:02,840 --> 00:48:05,040
Speaker 1: People are saying that the music is degrading to women

1011
00:48:05,280 --> 00:48:06,640
Speaker 1: and it hurts our culture.

1012
00:48:06,680 --> 00:48:08,160
Speaker 4: What do you think about that? I mean, we ain't

1013
00:48:08,160 --> 00:48:08,960
Speaker 4: writing it, Okay.

1014
00:48:09,000 --> 00:48:09,880
Speaker 6: What are they got going on?

1015
00:48:09,960 --> 00:48:10,680
Speaker 3: Is what they got going on?

1016
00:48:10,719 --> 00:48:13,680
Speaker 14: We just gonna make music. We'll do you gonna have

1017
00:48:13,680 --> 00:48:15,919
Speaker 14: a good time. I mean my thing is hip hop

1018
00:48:15,960 --> 00:48:16,479
Speaker 14: is hip hop.

1019
00:48:16,719 --> 00:48:18,600
Speaker 3: We gonna make music. We gonna do what we do

1020
00:48:19,000 --> 00:48:20,399
Speaker 3: and that's it right all right?

1021
00:48:21,000 --> 00:48:21,239
Speaker 10: Yeah?

1022
00:48:21,320 --> 00:48:24,960
Speaker 3: How has How has hip hop influenced your life? Oh?

1023
00:48:25,080 --> 00:48:26,959
Speaker 3: I mean in so many ways? When you are voiced

1024
00:48:27,000 --> 00:48:28,839
Speaker 3: and you are the voice for the voiceless, and.

1025
00:48:28,880 --> 00:48:32,080
Speaker 14: You are a freedom and you are a strong person,

1026
00:48:32,440 --> 00:48:35,160
Speaker 14: and you are bold and you're confident. All these artists

1027
00:48:35,160 --> 00:48:38,200
Speaker 14: that I've known growing up, Heavy D Tripclalk, Quest, jay Z,

1028
00:48:38,680 --> 00:48:43,879
Speaker 14: Salt n Pepper, Mister Elliott, rock Stand, Chante, jj FAP,

1029
00:48:44,000 --> 00:48:45,080
Speaker 14: I mean so many different people.

1030
00:48:45,120 --> 00:48:50,880
Speaker 3: I mean art girl like you. But you know what's

1031
00:48:50,920 --> 00:48:53,120
Speaker 3: the crazy is I grew up on that. My father,

1032
00:48:53,280 --> 00:48:55,000
Speaker 3: you know, he was I'm a pKa.

1033
00:48:55,040 --> 00:48:57,160
Speaker 14: So I reason but a gospel household and I get

1034
00:48:57,160 --> 00:48:58,480
Speaker 14: that soul in that funk, in that R and B

1035
00:48:58,560 --> 00:49:00,120
Speaker 14: and a hip hop on the other side.

1036
00:49:00,239 --> 00:49:01,680
Speaker 3: So yeah, yeah, yeah, who are you.

1037
00:49:01,640 --> 00:49:02,359
Speaker 4: Looking forward to seeing?

1038
00:49:02,400 --> 00:49:05,040
Speaker 3: And everybody? I think everybody looks so gorgeous.

1039
00:49:05,080 --> 00:49:06,080
Speaker 6: Everybody's in the building.

1040
00:49:06,320 --> 00:49:07,200
Speaker 3: The talent is here.

1041
00:49:07,239 --> 00:49:08,960
Speaker 14: We could smell it, we could feel it. So I'm

1042
00:49:09,000 --> 00:49:11,800
Speaker 14: excited to see everybody. Yes, how do you guys?

1043
00:49:11,920 --> 00:49:12,000
Speaker 5: Like?

1044
00:49:12,000 --> 00:49:16,960
Speaker 1: All right, up next, y'all we got b simone and

1045
00:49:17,000 --> 00:49:19,239
Speaker 1: be someone talk getting fit. Let's get into it.

1046
00:49:20,200 --> 00:49:23,799
Speaker 2: He I said, be someone that lost some God Dad,

1047
00:49:23,840 --> 00:49:25,320
Speaker 2: were you ain't gonna white?

1048
00:49:25,719 --> 00:49:29,040
Speaker 1: You look good the fuod listen.

1049
00:49:29,120 --> 00:49:31,160
Speaker 4: I saw you in La We came to the live

1050
00:49:31,200 --> 00:49:33,319
Speaker 4: show with Taylor last year.

1051
00:49:33,480 --> 00:49:35,960
Speaker 1: Yeah, yeah, we all went to dinner that night and

1052
00:49:36,120 --> 00:49:38,680
Speaker 1: you were talking about your diet then yes, and I was.

1053
00:49:38,640 --> 00:49:40,959
Speaker 4: Like, you know what, it's not a diet. It's a lifestyle. Training.

1054
00:49:41,000 --> 00:49:43,600
Speaker 14: Here, it's some more you fuel your body with healthy

1055
00:49:43,640 --> 00:49:44,719
Speaker 14: things and treated right.

1056
00:49:44,760 --> 00:49:46,680
Speaker 11: I'm trying to say youthful, I'm trying to stay healthy.

1057
00:49:46,680 --> 00:49:48,719
Speaker 11: I'm a longevity I want to be here in fifty years.

1058
00:49:49,760 --> 00:49:51,480
Speaker 11: I'm saying that's what I'm trying to do.

1059
00:49:51,680 --> 00:49:53,480
Speaker 14: And I got to take care of myself internally, and

1060
00:49:53,480 --> 00:49:55,120
Speaker 14: it helps us your mind, it helps you the spirit.

1061
00:49:55,160 --> 00:49:57,640
Speaker 11: And I feel good, I look good, I'm all the things.

1062
00:49:57,760 --> 00:49:58,480
Speaker 11: I'm just happy.

1063
00:49:58,800 --> 00:49:59,960
Speaker 4: So you don't eat meat at all.

1064
00:50:00,200 --> 00:50:03,040
Speaker 11: I haven't had meat for six years, but I do

1065
00:50:03,239 --> 00:50:06,200
Speaker 11: fish now. And then it depends on how my body.

1066
00:50:06,480 --> 00:50:08,239
Speaker 11: You know, you how you eat, you feel all bad.

1067
00:50:08,320 --> 00:50:10,480
Speaker 11: It's like your body don't want it. You listen to

1068
00:50:10,520 --> 00:50:11,200
Speaker 11: your body, you know.

1069
00:50:11,320 --> 00:50:13,600
Speaker 4: So, yeah, who are you looking forward to see tonight?

1070
00:50:13,719 --> 00:50:13,839
Speaker 1: Like?

1071
00:50:13,920 --> 00:50:15,480
Speaker 4: What's what's the like? Performers?

1072
00:50:15,480 --> 00:50:16,319
Speaker 1: You want to see them most?

1073
00:50:16,440 --> 00:50:18,839
Speaker 11: Y'all no harm here and see he said, well, y'all

1074
00:50:18,880 --> 00:50:19,880
Speaker 11: no harm here and see.

1075
00:50:19,719 --> 00:50:22,719
Speaker 3: The baby you're going that shit?

1076
00:50:22,960 --> 00:50:24,520
Speaker 4: So is that they ain't got on that stage?

1077
00:50:26,360 --> 00:50:31,160
Speaker 11: School Now, the legends, the nostalgia that we honor in SoCal,

1078
00:50:31,239 --> 00:50:32,080
Speaker 11: that's like, y'all can't.

1079
00:50:32,120 --> 00:50:34,440
Speaker 4: I don't care when nobody say, bow wow is a legend.

1080
00:50:34,120 --> 00:50:36,520
Speaker 3: In this sture. If you're trying to play bow.

1081
00:50:37,520 --> 00:50:39,279
Speaker 11: Was chasing that boy tour bus when I was twelve.

1082
00:50:39,400 --> 00:50:41,280
Speaker 11: You hear me, it was Tim l Romeo.

1083
00:50:41,400 --> 00:50:41,919
Speaker 3: Bow Wow?

1084
00:50:42,600 --> 00:50:43,680
Speaker 6: I love you bow wow?

1085
00:50:43,760 --> 00:50:43,920
Speaker 12: You know.

1086
00:50:44,000 --> 00:50:46,040
Speaker 11: So, I'm gonna give him his flowers. He's impactful. You

1087
00:50:46,040 --> 00:50:47,840
Speaker 11: play any bow Wow song. I know every lyric.

1088
00:50:48,280 --> 00:50:51,960
Speaker 6: So you know the Timberlands, all that, the women.

1089
00:50:51,719 --> 00:50:55,000
Speaker 14: In hip hop Coiler Ray Glowrill Up, Cardi b the

1090
00:50:55,000 --> 00:50:57,520
Speaker 14: girls that are doing their thing right now in this season.

1091
00:50:57,560 --> 00:50:58,560
Speaker 4: So I'm proud of them.

1092
00:50:58,640 --> 00:51:00,960
Speaker 1: So speaking of that women and him, people are saying, like,

1093
00:51:01,000 --> 00:51:03,520
Speaker 1: the women are degrading now and it's affecting our culture

1094
00:51:03,560 --> 00:51:04,319
Speaker 1: in a negative way.

1095
00:51:04,520 --> 00:51:06,600
Speaker 11: What do you feel about that? I love women that

1096
00:51:06,640 --> 00:51:10,200
Speaker 11: are creative. That's why I love coroy Laarray. She is herself.

1097
00:51:10,480 --> 00:51:12,239
Speaker 11: She don't just talk about you know, we could talk

1098
00:51:12,239 --> 00:51:12,560
Speaker 11: about that.

1099
00:51:12,600 --> 00:51:14,160
Speaker 3: We want to have sex appeal and we want to

1100
00:51:14,200 --> 00:51:14,560
Speaker 3: be sexy.

1101
00:51:14,680 --> 00:51:18,200
Speaker 11: But look at the Missy Elliotts like she was just creative,

1102
00:51:18,719 --> 00:51:21,640
Speaker 11: be creative. You should mind the little bit in the lyrics,

1103
00:51:21,680 --> 00:51:23,560
Speaker 11: you know it ain't it always got to talk about that.

1104
00:51:23,600 --> 00:51:24,680
Speaker 6: But I'm not saying, don't.

1105
00:51:24,520 --> 00:51:25,960
Speaker 4: Not talk about it because you know we.

1106
00:51:25,920 --> 00:51:27,240
Speaker 3: Want to be sexy.

1107
00:51:27,280 --> 00:51:29,600
Speaker 4: But usual mind now, you know, But I love I'm

1108
00:51:29,640 --> 00:51:30,280
Speaker 4: a lyricist.

1109
00:51:30,280 --> 00:51:32,120
Speaker 14: That's a Drake is one of my favorite artists since

1110
00:51:32,200 --> 00:51:35,160
Speaker 14: lyrics evoke emotion and I love lyrics.

1111
00:51:35,200 --> 00:51:35,839
Speaker 4: You know what I'm saying.

1112
00:51:35,880 --> 00:51:38,040
Speaker 11: So you could talk about the kiddies and assid, but

1113
00:51:38,080 --> 00:51:40,360
Speaker 11: play around with something else, you know, I love I

1114
00:51:40,520 --> 00:51:42,440
Speaker 11: know she talk about it. You're gonna get to it

1115
00:51:42,520 --> 00:51:45,520
Speaker 11: the you know, but she got them lyrics bar for bars,

1116
00:51:44,680 --> 00:51:48,520
Speaker 11: I love bars, you know. So Yeah, there's a time

1117
00:51:48,560 --> 00:51:50,440
Speaker 11: and a place, So let's do a come and do

1118
00:51:50,480 --> 00:51:53,080
Speaker 11: a quick game, right going now, don't stand me and

1119
00:51:53,239 --> 00:51:54,120
Speaker 11: finish the lyrics.

1120
00:51:54,120 --> 00:51:55,839
Speaker 3: Okay. If you see me.

1121
00:51:55,840 --> 00:52:02,520
Speaker 10: And you you bitch, you see me in your ohki,

1122
00:52:06,840 --> 00:52:09,680
Speaker 10: I can't get gospel lately.

1123
00:52:09,719 --> 00:52:11,240
Speaker 6: You see me in heaven.

1124
00:52:11,520 --> 00:52:13,839
Speaker 11: I don't know what you're saying, James, right, you see

1125
00:52:13,880 --> 00:52:15,000
Speaker 11: the heir on the neck.

1126
00:52:15,120 --> 00:52:17,040
Speaker 6: Jesus, you need a lot of it.

1127
00:52:17,360 --> 00:52:19,080
Speaker 11: You said if you see me and you're trying to

1128
00:52:19,120 --> 00:52:20,440
Speaker 11: you should have said trying to say.

1129
00:52:20,320 --> 00:52:22,640
Speaker 10: What if you're trying to say what I.

1130
00:52:24,239 --> 00:52:24,319
Speaker 8: Like?

1131
00:52:25,000 --> 00:52:27,080
Speaker 11: Can you even say that? We ain't know ak ak

1132
00:52:27,239 --> 00:52:28,759
Speaker 11: ain't man's.

1133
00:52:28,400 --> 00:52:33,320
Speaker 3: Ski we for a k a and ski ye for red. Yes,

1134
00:52:34,360 --> 00:52:35,040
Speaker 3: oh am I.

1135
00:52:35,960 --> 00:52:42,120
Speaker 10: Yeah, hello t T I know.

1136
00:52:43,239 --> 00:52:44,399
Speaker 3: Always a good time man.

1137
00:52:44,760 --> 00:52:48,320
Speaker 1: Yeah, that was funny.

1138
00:52:49,800 --> 00:52:52,560
Speaker 2: That girl had bad man. I can imagine beating her

1139
00:52:52,560 --> 00:52:55,959
Speaker 2: ass I did all day. All right, everything is not a.

1140
00:52:56,200 --> 00:53:00,399
Speaker 4: Joke, bitch, everything everything, Everything is right.

1141
00:53:00,560 --> 00:53:06,440
Speaker 2: Everything is because if you ain't laughing. You're crying right,

1142
00:53:07,600 --> 00:53:10,880
Speaker 2: Oh we are. We came across Keith Queen Nija on

1143
00:53:11,000 --> 00:53:14,160
Speaker 2: the red carpet. Also, y'all, you know, she's much smaller

1144
00:53:14,200 --> 00:53:16,360
Speaker 2: than I thought she was, Like, she's a short girl.

1145
00:53:16,360 --> 00:53:19,680
Speaker 3: I thought she was like tall for some reason, she

1146
00:53:19,920 --> 00:53:20,359
Speaker 3: liked my height.

1147
00:53:20,440 --> 00:53:22,400
Speaker 4: But she also didn't have on heels.

1148
00:53:22,440 --> 00:53:26,880
Speaker 2: I don't think she did have on heels for sure. Yes,

1149
00:53:27,120 --> 00:53:31,359
Speaker 2: that girl is. She's actually shorter than you to me, yea,

1150
00:53:31,600 --> 00:53:32,800
Speaker 2: like no, oh.

1151
00:53:32,680 --> 00:53:34,799
Speaker 4: If she had on heels, she's definitely shorter than me.

1152
00:53:35,360 --> 00:53:38,440
Speaker 3: Yeah, she was a little tiny thing. But y'all, this

1153
00:53:38,480 --> 00:53:41,719
Speaker 3: is Queen. She's so cute, Yes, very cute. This is Queen.

1154
00:53:41,840 --> 00:53:45,040
Speaker 3: She had her man, she had her manger on a

1155
00:53:45,120 --> 00:53:45,720
Speaker 3: red carpet.

1156
00:53:45,840 --> 00:53:49,719
Speaker 2: Clarence Chash all right, hip hop turned fifty years old

1157
00:53:49,719 --> 00:53:50,080
Speaker 2: this year.

1158
00:53:50,160 --> 00:53:52,600
Speaker 4: How do you feel about the current state of hip hop?

1159
00:53:52,719 --> 00:53:54,800
Speaker 3: The current state of hip hop with women.

1160
00:53:54,840 --> 00:53:57,760
Speaker 1: They're saying the music is degrading and that is affecting

1161
00:53:57,760 --> 00:53:59,480
Speaker 1: the culture in a negative way.

1162
00:54:00,120 --> 00:54:02,520
Speaker 7: I would just I mean, man, please, people have been

1163
00:54:02,600 --> 00:54:07,480
Speaker 7: rapping about all time Toisy Rowland, booty popping and Kouchie

1164
00:54:07,719 --> 00:54:10,440
Speaker 7: since way back in the day. Like it's nothing new

1165
00:54:10,520 --> 00:54:13,360
Speaker 7: under the sun. But you know, I would like to

1166
00:54:13,360 --> 00:54:16,640
Speaker 7: see us do another like ladies night kind of thing

1167
00:54:16,719 --> 00:54:20,040
Speaker 7: where would want they get back together, like so unity

1168
00:54:20,200 --> 00:54:20,800
Speaker 7: make it fun.

1169
00:54:21,360 --> 00:54:23,720
Speaker 4: You're not so much sex sex.

1170
00:54:23,800 --> 00:54:26,160
Speaker 3: I mean, I mean, you know, here's the thing, here's

1171
00:54:26,160 --> 00:54:26,480
Speaker 3: the thing.

1172
00:54:28,040 --> 00:54:30,600
Speaker 7: Sex sales, all right, but I would love to hear

1173
00:54:30,640 --> 00:54:32,360
Speaker 7: people talk about their real life stories too. But and

1174
00:54:32,440 --> 00:54:34,960
Speaker 7: I'm like gonna attention to it. Everybody complained about it.

1175
00:54:35,120 --> 00:54:37,040
Speaker 7: But then when people start talking about their life and

1176
00:54:37,080 --> 00:54:39,719
Speaker 7: real stuff, don't nobody listen to it. So it's like

1177
00:54:39,800 --> 00:54:43,560
Speaker 7: if it's not trendy or cashier or like selling sex,

1178
00:54:43,719 --> 00:54:45,520
Speaker 7: maybe that's a part of the agenda. I don't know,

1179
00:54:45,800 --> 00:54:48,200
Speaker 7: but like, yeah, what.

1180
00:54:48,239 --> 00:54:49,600
Speaker 4: Are you looking forward to seeing the night?

1181
00:54:50,800 --> 00:54:54,640
Speaker 3: Everybody doing the lyric game with her? Yeah, let's see

1182
00:54:54,640 --> 00:54:59,280
Speaker 3: what we got you finish, Hilary.

1183
00:54:59,360 --> 00:55:03,520
Speaker 7: Let me see m oh my god, the red lights

1184
00:55:03,560 --> 00:55:06,879
Speaker 7: working on them headlights.

1185
00:55:07,440 --> 00:55:09,239
Speaker 3: She's like a little deer in the headlights, a little

1186
00:55:09,239 --> 00:55:12,040
Speaker 3: bit man. Nice girl.

1187
00:55:13,040 --> 00:55:15,440
Speaker 1: Everybody right here.

1188
00:55:15,480 --> 00:55:18,759
Speaker 2: I gotta good everybody, you know for her.

1189
00:55:18,920 --> 00:55:19,080
Speaker 1: Her.

1190
00:55:19,360 --> 00:55:22,000
Speaker 2: The response she gave on the question you pretty much

1191
00:55:22,040 --> 00:55:25,239
Speaker 2: asked each person, well not everybody, but the few people

1192
00:55:25,320 --> 00:55:29,719
Speaker 2: who we picked the put on this particular episode, I

1193
00:55:29,760 --> 00:55:30,560
Speaker 2: agreed with hers.

1194
00:55:31,440 --> 00:55:34,880
Speaker 3: Yeah, I would definitely like to see a lady's night.

1195
00:55:35,760 --> 00:55:38,160
Speaker 4: You know, who would you want to make? Who would

1196
00:55:38,160 --> 00:55:38,680
Speaker 4: you want on it?

1197
00:55:39,080 --> 00:55:42,080
Speaker 2: Who are putting on a ladies' night? Okay, y'all. My

1198
00:55:42,239 --> 00:55:46,879
Speaker 2: favorite rap artists are Dreazy. I don't know if y'all

1199
00:55:46,920 --> 00:55:50,200
Speaker 2: know who that is. Oh, I don't know, a lot

1200
00:55:50,200 --> 00:55:56,360
Speaker 2: of people may not. And Chameleon from Jacksonville. Those my

1201
00:55:56,400 --> 00:55:57,920
Speaker 2: two favorite rap artists.

1202
00:55:58,840 --> 00:56:00,319
Speaker 4: She's on that show rap It.

1203
00:56:00,719 --> 00:56:04,880
Speaker 2: Yes, yes, that's sir. Yeah, yeah, mm hmmm, that was

1204
00:56:04,960 --> 00:56:06,080
Speaker 2: my team favorite. Yeah.

1205
00:56:07,239 --> 00:56:13,000
Speaker 1: So I'm gonna put I feel like we gotta throw

1206
00:56:13,040 --> 00:56:14,040
Speaker 1: Sexy Red on there.

1207
00:56:14,360 --> 00:56:17,439
Speaker 3: No, we don't. We don't gotta throw her nowhere, Yes

1208
00:56:17,520 --> 00:56:17,960
Speaker 3: we do.

1209
00:56:19,160 --> 00:56:20,840
Speaker 4: I'm gonna put Sexy Red in there.

1210
00:56:21,120 --> 00:56:22,520
Speaker 3: She ain't even gonna be on beat.

1211
00:56:22,719 --> 00:56:23,720
Speaker 4: She don't even party.

1212
00:56:24,040 --> 00:56:27,080
Speaker 2: Come on, I'm talking about rap well, rapping well, Okay, okay,

1213
00:56:27,120 --> 00:56:29,560
Speaker 2: I'm put down, but rapping well, come on, man, Okay,

1214
00:56:29,600 --> 00:56:31,600
Speaker 2: Cardi B. I'm gonna put Cardi B on there.

1215
00:56:31,880 --> 00:56:35,279
Speaker 1: Okay, I'm gonna put Megan on there for sure, And

1216
00:56:35,280 --> 00:56:36,800
Speaker 1: I'm gonna put Rapsody on there.

1217
00:56:37,600 --> 00:56:39,279
Speaker 3: All right. That's a good little line.

1218
00:56:39,320 --> 00:56:39,440
Speaker 8: Up.

1219
00:56:40,200 --> 00:56:41,880
Speaker 3: No, Nikki, we ain't doing Nikki.

1220
00:56:43,600 --> 00:56:46,120
Speaker 1: I mean if they're yeah, Nicky can go nick.

1221
00:56:46,160 --> 00:56:49,400
Speaker 3: J T, JT on there all day long. Okay, I

1222
00:56:49,440 --> 00:56:50,120
Speaker 3: go to add one.

1223
00:56:50,120 --> 00:56:51,520
Speaker 2: Well, I don't know how many people it was on

1224
00:56:51,800 --> 00:56:54,600
Speaker 2: the original Ladies' Night, but JT got to be up

1225
00:56:54,600 --> 00:56:54,759
Speaker 2: on it.

1226
00:56:54,840 --> 00:56:56,640
Speaker 3: You can leave y'ng Miami and the cut.

1227
00:57:00,880 --> 00:57:04,520
Speaker 1: All right, you listen Diddy album Got Me in the

1228
00:57:04,600 --> 00:57:06,719
Speaker 1: choke Hold the Love album, y'all. If y'all have not

1229
00:57:06,840 --> 00:57:08,920
Speaker 1: listened to the album, y'all really have got to take

1230
00:57:08,960 --> 00:57:11,080
Speaker 1: some time and listen to the album. This song with

1231
00:57:11,160 --> 00:57:18,560
Speaker 1: Jasmine Sullivan, Uh need somebody, Oh my gosh, choke Hold's.

1232
00:57:18,680 --> 00:57:20,720
Speaker 3: Is he on all the songs? It's just more so.

1233
00:57:20,960 --> 00:57:23,320
Speaker 4: Yeah, No, he's on all the songs.

1234
00:57:23,360 --> 00:57:24,280
Speaker 1: You know how Diddy?

1235
00:57:24,600 --> 00:57:25,520
Speaker 4: You ain't leaving Diddy.

1236
00:57:25,560 --> 00:57:26,120
Speaker 3: I'm the song.

1237
00:57:29,680 --> 00:57:31,360
Speaker 2: If you want to come to the label with your

1238
00:57:31,400 --> 00:57:36,520
Speaker 2: producer and all of the fucking videos, come on right.

1239
00:57:36,400 --> 00:57:38,200
Speaker 1: Don't come to bad Boy because Diddy is gonna be

1240
00:57:38,280 --> 00:57:40,240
Speaker 1: on every song, on every track. But when I tell

1241
00:57:40,280 --> 00:57:43,120
Speaker 1: you it's love music, he made some love music, like

1242
00:57:43,200 --> 00:57:47,200
Speaker 1: old school love music. Niggas sing about can't live without you,

1243
00:57:47,240 --> 00:57:50,840
Speaker 1: can't don't want to ever breathe without you, baby, I'm

1244
00:57:50,880 --> 00:57:52,400
Speaker 1: closer to God when I'm with you.

1245
00:57:53,680 --> 00:57:55,920
Speaker 2: I feel like that is what's needed for men to

1246
00:57:56,000 --> 00:57:56,840
Speaker 2: fall in love again.

1247
00:57:57,640 --> 00:58:00,200
Speaker 4: They need more music to remind them of the feeling.

1248
00:58:00,600 --> 00:58:03,040
Speaker 2: Mm hmm, yeah, because I don't think nigga's gonna fall

1249
00:58:03,040 --> 00:58:04,600
Speaker 2: in love when you like pop that pussy for a

1250
00:58:04,640 --> 00:58:05,920
Speaker 2: real nigga like that's and.

1251
00:58:05,880 --> 00:58:08,000
Speaker 4: You gotta eat booty like groceries.

1252
00:58:08,200 --> 00:58:09,880
Speaker 1: They're gonna be in the hospital, tell.

1253
00:58:09,760 --> 00:58:16,760
Speaker 2: You singing about it, singing about your bookie dog. Yeah,

1254
00:58:16,800 --> 00:58:20,480
Speaker 2: but last week was a Last week was a fucking blast. Okay,

1255
00:58:20,560 --> 00:58:23,480
Speaker 2: it was real blast. It was really an experience. I'd

1256
00:58:23,520 --> 00:58:25,840
Speaker 2: love to do it again me too. I'm grateful to

1257
00:58:25,880 --> 00:58:27,200
Speaker 2: be shorter heel on.

1258
00:58:28,520 --> 00:58:31,200
Speaker 4: Shorter heel and a chair and a camera.

1259
00:58:30,920 --> 00:58:35,000
Speaker 3: Crew and food and our own water, own water.

1260
00:58:35,760 --> 00:58:38,160
Speaker 1: Definitely bringing my own water next year.

1261
00:58:38,960 --> 00:58:42,960
Speaker 3: Like we know all the dudes and don'ts now, y'all. Okay,

1262
00:58:43,200 --> 00:58:44,280
Speaker 3: that's a great experience.

1263
00:58:44,360 --> 00:58:47,000
Speaker 1: Shout out to Black Effect and BT for having us

1264
00:58:47,080 --> 00:58:53,640
Speaker 1: on their green curb. You got a dumber story, No,

1265
00:58:54,480 --> 00:58:55,520
Speaker 1: it's been a long time.

1266
00:58:55,680 --> 00:58:56,680
Speaker 4: Yeah, bitch.

1267
00:58:56,720 --> 00:58:58,560
Speaker 2: If I'm pregnant, I'm pregnant form an ex that's a

1268
00:58:58,600 --> 00:58:59,920
Speaker 2: dumb bitch story for you.

1269
00:59:00,840 --> 00:59:01,680
Speaker 4: I hope it is.

1270
00:59:02,240 --> 00:59:04,200
Speaker 1: I hope you are. I really hope you are.

1271
00:59:04,920 --> 00:59:07,280
Speaker 3: The big gonna dumb bitch story for y'all this week.

1272
00:59:07,560 --> 00:59:08,920
Speaker 3: But no, it was a little.

1273
00:59:08,680 --> 00:59:14,480
Speaker 2: Big that's a regular big nose walk up this morning

1274
00:59:14,480 --> 00:59:15,600
Speaker 2: feeling some type of way.

1275
00:59:15,720 --> 00:59:18,040
Speaker 3: I don't know, man, might be in the water, and.

1276
00:59:18,280 --> 00:59:22,040
Speaker 1: I hope you I really hope you're pregnant. I would

1277
00:59:22,040 --> 00:59:24,440
Speaker 1: do like a, oh no, I can't even say that.

1278
00:59:24,640 --> 00:59:26,400
Speaker 1: I was about to say something I said when we

1279
00:59:26,480 --> 00:59:30,480
Speaker 1: hang up, we're friends in real life, y'all bitches being

1280
00:59:30,520 --> 00:59:31,600
Speaker 1: my DM talking about y'all.

1281
00:59:31,600 --> 00:59:33,320
Speaker 4: I know y'all faking now, No, we.

1282
00:59:33,400 --> 00:59:36,160
Speaker 3: Is really friends. Not they be talking about.

1283
00:59:35,920 --> 00:59:38,600
Speaker 4: Me, they be trying to girl. I just set them

1284
00:59:38,600 --> 00:59:39,080
Speaker 4: straight like.

1285
00:59:39,440 --> 00:59:42,600
Speaker 2: Somebody it was a nigga definitely trying to talk shit recently,

1286
00:59:42,640 --> 00:59:46,000
Speaker 2: and I was like, don't talk about my friend, right,

1287
00:59:46,400 --> 00:59:46,960
Speaker 2: like that's my.

1288
00:59:47,080 --> 00:59:48,160
Speaker 4: Fucking friend for real.

1289
00:59:48,200 --> 00:59:50,240
Speaker 1: We like we might argue, we might fight, but I

1290
00:59:50,320 --> 00:59:51,560
Speaker 1: beat one of y'all up about her.

1291
00:59:52,120 --> 00:59:54,720
Speaker 2: Go get it twisted, like that's just like, uh, this

1292
00:59:54,760 --> 00:59:57,000
Speaker 2: is why you just can't really engage with the social

1293
00:59:57,080 --> 00:59:59,520
Speaker 2: media ship. Man, y'all seen that ship with Tia Mauri

1294
00:59:59,720 --> 01:00:02,000
Speaker 2: like went back and forth with somebody like people gonna

1295
01:00:02,000 --> 01:00:02,760
Speaker 2: make you look stupid.

1296
01:00:02,800 --> 01:00:06,320
Speaker 3: Just let people. I ignore a lot of shit oftentimes.

1297
01:00:06,520 --> 01:00:12,840
Speaker 2: Okay, y'all, don't live my life, y'all live all life the.

1298
01:00:12,680 --> 01:00:14,800
Speaker 3: Fun anyway, y'all.

1299
01:00:15,280 --> 01:00:18,280
Speaker 2: Look, if you enjoyed this episode, tune in every Thursday

1300
01:00:18,280 --> 01:00:21,920
Speaker 2: on iHeartRadio app wherever the fuck you get your podcast at.

1301
01:00:22,120 --> 01:00:25,920
Speaker 2: This is your co host aj Holiday two point zero.

1302
01:00:26,000 --> 01:00:29,160
Speaker 2: On Instagram, I might change my Instagram name. Okay, I

1303
01:00:29,240 --> 01:00:34,000
Speaker 2: actually have a second one. It's cool, but I might

1304
01:00:34,080 --> 01:00:38,120
Speaker 2: change it. I might change it soon anyway, Just.

1305
01:00:38,080 --> 01:00:40,480
Speaker 4: Official, tam bam, y'all. I love y'all. Once again, Thank

1306
01:00:40,560 --> 01:00:42,800
Speaker 4: y'all for tuning in. Remember speak now.

1307
01:00:43,160 --> 01:00:50,400
Speaker 3: And never hold Joe press release. Yeah now your press release.

1308
01:00:52,680 --> 01:00:56,000
Speaker 2: Like AUS, we definitely held this to the fucking deadline.

1309
01:00:57,920 --> 01:01:01,320
Speaker 3: Shame on US five