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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot. How the roaches get started?

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Speaker 2: Started by dirty people and they was nasty, sleazy, sloppy.

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Speaker 2: The house they never clean it. Roaches have big families

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Speaker 2: your house. They think they own. I tried to kill

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Speaker 2: one on the couch using my telephone. Roaches think they're cute, girl,

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Speaker 2: I'm not impressed. It takes me out when I find

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Speaker 2: them wearing my mama's dress.

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Speaker 1: Oh no, what's happening?

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Speaker 2: Hell, look at all these roaches around me every day. Hey,

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Speaker 2: welcome through the Black Autos podcasts Rod.

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Speaker 1: Ed Karen and we're live.

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Speaker 2: On a Tuesday. That's right, you guys haven't seen us

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Speaker 2: for a for a little bit. We took a couple

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Speaker 2: of days off, been traveling and shit went out to

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Speaker 2: the West Coast.

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Speaker 1: Women, weed and weather so gorgeous out there.

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Speaker 2: We got some weather, not women or weed, but it

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Speaker 2: was still a good time. Shout out to you see Irvin.

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Speaker 2: Shout out to doctor Bambi for having.

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Speaker 1: Us out as Doctor Bambi.

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Speaker 2: Sarah Florini saw your beautiful faces. All these fans showed.

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Speaker 1: Up side to Sarah, who's the photographer.

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Speaker 2: Yep, we got the half dinner with all these great

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Speaker 2: people like really cool stuff.

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Speaker 1: But we did not forget about you, guys.

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Speaker 2: We knew what you guys really wanted was a book

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Speaker 2: review for this whole guy Roaches in Their Crib by

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Speaker 2: Kwan Mills. So before we get into all that, first

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Speaker 2: of all, the black Out Tips find us on iTunes, Stitcher,

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Speaker 2: Potomatic search The Black ou Tips. Leave us fostar reviews

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Speaker 2: and we will read them on the air as long

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Speaker 2: as they're nice. We don't do bad reviews.

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Speaker 1: Guys, Okay, keep it sweet. Talk to us nicely.

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Speaker 2: You can also do things like email the show The

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Speaker 2: Black Guy Tips at gmail dot com. You can call

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Speaker 2: the show and leave us voicemails as long as they're

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Speaker 2: two minutes or less seven o four five five seven

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Speaker 2: zero one eighty six, and you can go to our website,

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Speaker 2: The blackguyotips dot com voting the polls, leave comments, let

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Speaker 2: us know what you think.

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Speaker 1: We like all that stuff we do.

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Speaker 2: We are very thoughtful people. You guys will have lots

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Speaker 2: of thoughts on this episode.

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Speaker 1: Don't forget.

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Speaker 2: Also, you can listen to the show live on crowdcasts.

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Speaker 2: A lot of people are listening live right now, like

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Speaker 2: I know, through the magic of movie making, you guys

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Speaker 2: can't see it, but there are people in the room

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Speaker 2: with us right now here with that we are being

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Speaker 2: filmed live on the air.

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Speaker 1: Guys, right now.

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Speaker 2: I would pass my camera around soe y'all can see them,

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Speaker 2: but I feel like it disturbs the ambiance.

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Speaker 1: But so we may be on the TV near you.

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Speaker 1: Who knows? At any rate, the official.

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Speaker 2: Weapon of the show is an unofficial sport and bulletball

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Speaker 2: Extreme And today's podcast is brought to you by listeners

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Speaker 2: like you.

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Speaker 1: Okay, guys, shout out to PBS and NPR.

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Speaker 2: Before we get into the actual review, I did want

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Speaker 2: to bring let people know breaking news. I interviewed the

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Speaker 2: author of the book. Yes you did, Quad Mills the

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Speaker 2: I guess mysterious is the best way.

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Speaker 1: It's on your feet now you.

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Speaker 2: I put it out for free for the non premium

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Speaker 2: people that want to hear how his mind works, what

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Speaker 2: he's talking about, what he's all about.

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Speaker 1: I thought it would be a short interview.

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Speaker 2: I was actually gonna tag it on to the end

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Speaker 2: of this episode, but we got to talking guys. You

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Speaker 2: guys know how I do with my interviews. We were

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Speaker 2: having such a good time. I looked up and all

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Speaker 2: of a sudden, I was rushing him off the phone, right.

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Speaker 2: I thought he ain't gonna have any time. Next thing,

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Speaker 2: you know, I was like, hey, man, so you got

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Speaker 2: something to do. So but yeah, it's a two hour interview.

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Speaker 2: Two hours Oprah could never and y'all let eat your

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Speaker 2: heart out, okay, two hours of just us talking about

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Speaker 2: black literature, talking about his controversial image and the criticisms

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Speaker 2: he's received, and his like his origin story, how he

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Speaker 2: ended up writing like he comes from like a marketing background.

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Speaker 1: You.

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Speaker 2: I want to see what people think about the interview

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Speaker 2: because I think a lot of people have like their own,

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Speaker 2: like their own like prior judgments. And it was kind

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Speaker 2: of cool talking to him because I really was like,

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Speaker 2: huh this, you are not at all like what I thought.

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Speaker 2: And I have interviewed Charlatan's before, so I would know.

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Speaker 2: So it was pretty good. But yeah, let's go ahead

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Speaker 2: and get into our review of this whole got roaches

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Speaker 2: in their crib? Okay, guys, First of all, this may

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Speaker 2: be a short show, okay, because this.

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Speaker 1: Is the only thing we're doing. Not gonna play guest

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Speaker 1: the race, No games, no games.

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Speaker 2: I don't have anything to tell you about Trump. I

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Speaker 2: don't have anything to tell you about There was a

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Speaker 2: shooting like it was just like.

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Speaker 1: Tragedy, tragedy, tragedy while we were off the.

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Speaker 3: Air, so were like, you know what, no tragedy today.

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Speaker 3: What we do have is roaches and books. So this

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Speaker 3: whole got roaches is written by Kwan Mills a four

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Speaker 3: point four out of five on Amazons.

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Speaker 1: I know what you better do, give me some wine

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Speaker 1: before you get the cracking. Oh you know what? We

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Speaker 1: you know. See, that's the thing.

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Speaker 2: A lot of people think this is ratchet literature or neglature,

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Speaker 2: as Jaden XD College shout out to that podcast, But

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Speaker 2: we hear the black out tips. We love black stuff

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Speaker 2: and we like to treat it with the class that

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Speaker 2: it deserves. So we have brought our wine and our

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Speaker 2: cheese and our crackers, so we will be treating this

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Speaker 2: with their plum that it deserves. Today's wine base Shore

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Speaker 2: Pino Gricio A little Pino twenty sixteen.

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Speaker 1: Of course, it was a good year until November. It

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Speaker 1: was a good year. It was eleven months of a

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Speaker 1: good year. Yes, do you have you have some? You

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Speaker 1: need some? I need some? Okay, so I got you yeah,

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Speaker 1: because I was like, we're not gonna start this without

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Speaker 1: no wine. I didn't pull that out for my health.

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Speaker 2: We all know caring is an alcoholic, so I have

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Speaker 2: to act accordingly around here.

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Speaker 1: Yes, of course, what does your glass say? My glass say,

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Speaker 1: shit's about to get fancy? What's your glass say?

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Speaker 2: Mind says sits about to get sloppy? And I feel

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Speaker 2: like they're both correct.

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Speaker 3: Yes, and crackers is shout out to the keebler elves,

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Speaker 3: and the cheese is Hadipino.

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Speaker 2: Cheese hallopeno pepper Jack, Yes, shout out the public.

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Speaker 1: Come on.

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Speaker 2: So anyway, this whole got roaches in their crib Volume one,

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Speaker 2: which I feel like was kind of like a trick,

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Speaker 2: you know what I mean, because we went into this

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Speaker 2: thing and we were gonna get the full story, you know,

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Speaker 2: and so they kind of hunger games us where it ended,

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Speaker 2: and they was like, but for real though, it's like

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Speaker 2: two or three more parts of us, and there are,

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Speaker 2: of course, the other two volumes are out.

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Speaker 1: This whole got roaches in.

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Speaker 2: Their crib two, which I believe is this whole got

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Speaker 2: roch uh.

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Speaker 1: And rats in her crib for some ship like that.

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Speaker 1: Oh roaches and rats. Oh my bad.

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Speaker 2: Yeah, it's a whole kingdom. What's happening here, It's a

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Speaker 2: whole ecosystem up at Fred Kreische's house. Eat your heart out,

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Speaker 2: Charlotte Webb, Okay, but yeah, yeah, this whole got roaches

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Speaker 2: in her crib episode two, and then I believe episode two,

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Speaker 2: I mean, and then there's an episode three, which is

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Speaker 2: the finale. And I didn't plan on it when we

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Speaker 2: started because I didn't know if I would like the

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Speaker 2: book or not.

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Speaker 1: But I'll probably end up reading this.

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Speaker 2: Whole series, even though we're only gonna review this one, right,

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Speaker 2: So if that's kind of giving you guys a hint

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Speaker 2: of what we thought.

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Speaker 1: About the book, that that's some little foreshadow in there,

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Speaker 1: I know.

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Speaker 3: See everybody got full one, and we told y'all we

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Speaker 3: were gonna cover it.

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Speaker 1: So you know, spoilers are coming for.

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Speaker 3: You know, if you like, I ain't finished reading this

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Speaker 3: is we all? That's all we're gonna talk about is bullets.

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Speaker 1: Right.

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Speaker 2: So the basic plot is Austin Watkins, her thirty five

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Speaker 2: year old single father who is in prison mm hm

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Speaker 2: hmmm for running guns.

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Speaker 1: Uh. He has a daughter with a woman named fred Quisha.

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Speaker 2: Who is basically like an evil step mother in every

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Speaker 2: Disney and fairy tale, every every child's tale.

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Speaker 1: She checked all the boxes, mean, mean, bitter.

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Speaker 2: Bitter, ugly, although sexual formiscousiness was not in any of

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Speaker 2: the Disney tales I read.

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Speaker 1: Yeah, I mean it might have been in there, but

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Speaker 1: you know, Walt Disney was like, I I'm I only

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Speaker 1: do Pg.

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Speaker 2: Thirteen, Cinderella step Mom might have been getting it in

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Speaker 2: for all that we know.

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Speaker 1: We don't know.

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Speaker 3: Actually that's the unedited version that they didn't want to

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Speaker 3: tell us about, right, that's the adult version.

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Speaker 1: She may have had roaches in her crib.

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Speaker 2: But yeah, so we ended up with uh with fred

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Speaker 2: Quisha Uh. And then she has two other sons who

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Speaker 2: are in the book, but just barely like they're in

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Speaker 2: the book, but they're not really main factors in the book. Uh.

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Speaker 2: And then us a matter of fact, what were their

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Speaker 2: names about?

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Speaker 1: To look them up?

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Speaker 2: Real Kwimani and Zamir Okay Zameir uh twelve and ten

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Speaker 2: years old. So we have them as her I guess,

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Speaker 2: evil step siblings and they don't bother nobody.

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Speaker 1: They it's like she ain't even that of them.

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Speaker 2: Yeah, like she treats them well, they don't care. They're

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Speaker 2: there to do wells whatever.

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Speaker 1: Uh.

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Speaker 2: And then of course we have missus Watkins, who is Austin's.

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Speaker 1: Mom and kind of our fairy godmother.

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Speaker 2: Yeah, I say, our protagonists in this in this in

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Speaker 2: this book is not actually Austins the prisoner, the inmate,

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Speaker 2: but his mom who is trying to free Maya from

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Speaker 2: the clutches of the evil Fred Kuisha okay uh. And

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Speaker 2: that is essentially I tell before we get started caring,

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Speaker 2: what would you say like this about this book overall?

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Speaker 1: Like would you you like to like, didn't like? Get?

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Speaker 1: What do you think? I loved it? I had a

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Speaker 1: ratchet ass ball time. I had fun. I was in

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Speaker 1: from the beginning.

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Speaker 3: And you know, it's the type of reading where after

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Speaker 3: the first paragraph or two, you know if you in

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Speaker 3: and out like it ain't one of them books that

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Speaker 3: you know sometimes you read. You kind of got to

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Speaker 3: get into it, like, oh man, that't ain't no tricking.

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Speaker 3: We tell you up front, but you're gonna get either

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Speaker 3: you dig it or you don't.

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Speaker 1: I was in, I was all in. I had a ball.

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Speaker 1: I laughed and laughed Sam and Samo. I had fun.

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Speaker 2: I was surprised by the quality of the book, to.

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Speaker 1: Be quite honest. Correct, now we have done another book

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Speaker 1: on the Ratchet Reading Club. I believe it was Food

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Speaker 1: Stamp Bitches. It was Food Stamp Bitches.

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Speaker 2: Also a volume one that got a volume two that

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Speaker 2: we didn't know was coming. I don't know if it's

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Speaker 2: like a black thing, like is Harry Potter like this?

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Speaker 2: It's like everybody read Harry Potter and the next week

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Speaker 2: it's like a k Rowland was like and actually, y'all

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Speaker 2: I got some old come out. But yeah, so I

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Speaker 2: thought it was very It was very well written for

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Speaker 2: my expectations. And then kward Miles has like a master

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Speaker 2: of taking micro situations and expounding them to the macro

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Speaker 2: the things that make it happen. So we're not just

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Speaker 2: talking about Fred Kreisha, the evil abusive straight from the

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Speaker 2: novel Precious right, Like, we're not talking just her. It's like, well,

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Speaker 2: how does she get a landlord that doesn't care that

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Speaker 2: she doesn't keep her apartment clean unless rats and roaches

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Speaker 2: live in his apartment? And how do we get who

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Speaker 2: also doesn't want to see child protect the services get

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Speaker 2: involved because this may mean they investigate his living you know,

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Speaker 2: is his building he talks about that we talked about redlining,

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Speaker 2: talks about gentrification, He talks about the the industrialized prison

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Speaker 2: system in this book, right.

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Speaker 3: And also you also somebody's talked about He talks about

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Speaker 3: child welfare and that system and how slow it is

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Speaker 3: to do shit.

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Speaker 2: It really was interesting because I was sure it was

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Speaker 2: just gonna be kind of like just the story of

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Speaker 2: what these people did, but ends up kind of deep,

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Speaker 2: having these uh I guess, these omnipotent narrative moments. The

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Speaker 2: other thing I would say I noticed about the book

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Speaker 2: is his tone is very like judgmental, of like Fred Queisha, like.

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Speaker 1: I say, it's right.

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Speaker 2: It kind of reminds me of talking to my grandma

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Speaker 2: rest in peace. But it reminds me of my grandmam

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Speaker 2: and how she would be like, h I love your aunt.

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Speaker 1: Well, let me tell you what that moment. Let me

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Speaker 1: tell you about your aunt. Ah. Okay, First of all,

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Speaker 1: she don't need to be having that man up in here,

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Speaker 1: you know.

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Speaker 2: And so it felt like I was let in on

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Speaker 2: a secret somebody that knew the story about Fred, Kusha

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Speaker 2: and Maya and just was spilling all the tea, telling

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Speaker 2: all their business to me the reader. Yeah, and I

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Speaker 2: felt like a little it was a little invasive, like

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Speaker 2: I don't know if I should be what I need.

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Speaker 2: Like a lot of these choices that you make narratively

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Speaker 2: were very biased choice. Like it was like, and can

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Speaker 2: you believe this bitch said, Like it was very much

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Speaker 2: like that.

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Speaker 1: She also did this, right.

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Speaker 2: So I kind of want to get into the story

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Speaker 2: and talk about some of the highlights. I've highlighted several passages.

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Speaker 2: We'll kind of read and we'll talk about that. We'll

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Speaker 2: talk about the characters all that stuff. Okay, the first

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Speaker 2: thing I want to highlight. I knew I was gonna

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Speaker 2: like this book from page one, chapter one, Yeah, because

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Speaker 2: it started like like a comedy, like half bade You know.

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Speaker 2: I think if they make a movie out of this,

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Speaker 2: they should make an animated movie, not a live action movie.

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Speaker 2: Would be great, right, because for example, it starts with

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Speaker 2: the personification of a family of roaches.

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Speaker 1: Yeah, went through their background, their history.

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Speaker 2: Yeah, Fred Cristia Caesar's roach and she tries to kill it,

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Speaker 2: but when she sees it it, we kind of take

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Speaker 2: on the roaches entire family history.

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Speaker 1: Ah, we do, y'all.

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Speaker 2: The biggest Roach, Daddy, Roach Senior embarked on a dangerous

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Speaker 2: journey to lead his family to a mecca of stale food.

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Speaker 2: His wings lightly flapped, he uses long wives antenna to

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Speaker 2: lead his loyal wife of thirty two days, the too

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Speaker 2: well trained, the too well trained teenage sons I guess

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Speaker 2: teenage days, I don't know, and their precious baby daughter

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Speaker 2: towards the distant smell of the cane Domino's pepperoni and

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Speaker 2: sausage pizza crust hiding away in a dark corner of

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Speaker 2: fred Cretia's messy apartment living room.

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Speaker 1: So one, do roaches have families?

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Speaker 2: It's just I don't know how much research, Like, I

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Speaker 2: don't know if they are nurturing.

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Speaker 1: Mean, they got family trees and we just didn't know. Yeah,

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Speaker 1: I didn't know that. You know, they stayed together as

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Speaker 1: a unit. Portraits worried about Daddy Roach Senior and his

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Speaker 1: loved ones.

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Speaker 2: But yeah, that paragraph in particular immediately was like it

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Speaker 2: was almost like some Dave Jappelle half bake type shit

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Speaker 2: where I was like, Oh, what an interesting perspective to

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Speaker 2: to to tell this story through the plight of this roach.

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Speaker 2: Not to mention, I watched this TV show called Animals

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Speaker 2: on HBO and Animals is exactly that. It takes the

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Speaker 2: perspective of animals and gives you the story every week.

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Speaker 2: And here's this moment where we're listening to the thoughts

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Speaker 2: of a roach. This particular crust, Daddy wrote, Suh senior

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Speaker 2: scented has had been nestled away for weeks shit, possibly months,

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Speaker 2: out of the purview of other vermin living in the

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Speaker 2: grimey apartment. Half Fred Cuistia's mama taught her the importance

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Speaker 2: of admiring cleanliness is a virtue. The month's old crust

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Speaker 2: would have been a non issue. Perhaps then fred Krisha

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Speaker 2: would have not been staring down the Critter family peacefully

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Speaker 2: pilgrim pilgrim pilgrimage gene along the hallway's dusty, white, cracking

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Speaker 2: base board.

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Speaker 1: So yeah, that took me out.

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Speaker 2: The description of like I said her landlord, Yeah, and

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Speaker 2: the hustle that he had had. Yes, Like this is

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Speaker 2: like still chapter one, but like you know, verse two,

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Speaker 2: chapter one or whatever. Nate Garrison, a retired sixty seven

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Speaker 2: year old postal worker, worked on the corner of sixty

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Speaker 2: third Street and Hausted Avenue. I don't live in Chicago

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Speaker 2: if these streets don't connect, y'all.

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Speaker 3: I don't know.

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Speaker 1: I don't know the rules.

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Speaker 2: Twelve years ago, after giving the United States Postal Service

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Speaker 2: thirty hard, sweaty years of correct carrier service, the Shytown

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Speaker 2: Bronzeville native decided to dap into real estate per the

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Speaker 2: advice of his younger brother, Lewis. The younger brother had

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Speaker 2: owned some low income rental property throughout the predominantly black,

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Speaker 2: South and White sides of the city, and Big bro

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Speaker 2: Nate wanted to get a slice of the apparently rich

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Speaker 2: in decaded rental property income.

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Speaker 1: Pie. It goes on for this for like a few paragraphs.

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Speaker 1: We never come back to this. No, but it's just this.

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Speaker 1: I don't know the details. Yeah, it's just this detail.

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Speaker 2: He's thought this world clearly through in a way that

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Speaker 2: I hate to say it, but our dear beloved foodstamp

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Speaker 2: Bitches did not.

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Speaker 3: That you know what they did not You would meet

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Speaker 3: characters and yeah, there's some people in that book I

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Speaker 3: wish we could have known more about.

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Speaker 2: Yeah, like you know, he I feel like if he

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Speaker 2: would have written foodstam Bitches, we would have found out

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Speaker 2: exactly how they got in those situations A little, a

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Speaker 2: little deeper, and then also what leads to these situations

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Speaker 2: being able to be exacerbated by you know, the circumstances

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Speaker 2: they're under.

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Speaker 1: So correct, then we get introduced to Fred Kreisha.

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Speaker 2: I had to highlight this paragraph, becauz Fred Creisha is apparently.

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Speaker 1: A mess, a hot mess.

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Speaker 2: Fred Kresha thirty four, once a vixen back in her day,

355
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Speaker 2: was now a tired ass looking ho who's stood, you know,

356
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Speaker 2: tired ass looking at her car's.

357
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Speaker 1: The tie when like she ain't even up for the

358
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Speaker 1: job today.

359
00:17:53,359 --> 00:17:55,959
Speaker 2: Who stood about five five and weighed a solid two

360
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Speaker 2: hundred and thirteen pounds. She thought she was around one

361
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Speaker 2: seventy five, but she hadn't been to her general family physician,

362
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Speaker 2: doctor Patrice in a while. Her doctor was down at

363
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Speaker 2: the block now down the block at the Free Women's

364
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Speaker 2: Health Clinic. But Fred Kreischer only made a visit when

365
00:18:10,320 --> 00:18:13,320
Speaker 2: she had a bad east infection STI or when she

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Speaker 2: get a long lasting turbulent case of bacteria vaginosis oh.

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00:18:18,840 --> 00:18:21,560
Speaker 2: Only known once for her small ways, Fred Kreachia was

368
00:18:21,600 --> 00:18:25,280
Speaker 2: now in possession of a plump, undefined mid rip. Remnants

369
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Speaker 2: of what was once a thick ass now resembled two

370
00:18:28,040 --> 00:18:32,840
Speaker 2: steroid injected brown potatoes lumped together. A set of double

371
00:18:32,920 --> 00:18:36,480
Speaker 2: D drooping titties hung from her chest with no braw own.

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Speaker 2: It was visible from the shirt covering her chest that

373
00:18:39,200 --> 00:18:43,639
Speaker 2: she had both nipples pears. It was a it's not

374
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Speaker 2: paining a pretty picture.

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Speaker 1: Very descriptive as you could. You all can tell.

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Speaker 2: Yeah, And as I said, and you can tell from

377
00:18:49,640 --> 00:18:53,239
Speaker 2: the destruction is it's very judgmental right, It's like this

378
00:18:53,400 --> 00:18:56,199
Speaker 2: ratchet bitch was you know, it's not like letting you

379
00:18:56,280 --> 00:18:59,679
Speaker 2: this out of shape hold she is.

380
00:18:59,280 --> 00:19:03,840
Speaker 1: She's asked it too. I'm Agina's all messed up. She broke, y'all,

381
00:19:03,880 --> 00:19:06,360
Speaker 1: she broke. So then he.

382
00:19:06,359 --> 00:19:10,440
Speaker 2: Also describes the court situation. Yeah, now this is kind

383
00:19:10,440 --> 00:19:13,600
Speaker 2: of heartbreaking. But this is why I was telling her

384
00:19:13,640 --> 00:19:16,560
Speaker 2: in the interview though. It's such a hot button topic

385
00:19:16,640 --> 00:19:19,119
Speaker 2: among like black Twitter, black social media.

386
00:19:19,720 --> 00:19:22,720
Speaker 1: Like we call them gender wars, right, yes we do.

387
00:19:22,840 --> 00:19:27,600
Speaker 2: And you see it like for example, if Future put

388
00:19:27,640 --> 00:19:30,200
Speaker 2: out a rap song and he said something bad about Sierra,

389
00:19:31,240 --> 00:19:33,720
Speaker 2: you can like bet money that is going to be

390
00:19:33,760 --> 00:19:37,879
Speaker 2: a hot topic among the black social media space for

391
00:19:38,000 --> 00:19:41,119
Speaker 2: a day or two at least, and it almost always

392
00:19:41,160 --> 00:19:46,680
Speaker 2: devised by dudes somehow identifying with future and women identifying

393
00:19:46,720 --> 00:19:50,359
Speaker 2: with Sierra right right, And this could happen within nas

394
00:19:50,400 --> 00:19:55,720
Speaker 2: and Calise, this could happen with who's Mary J. Blige

395
00:19:55,720 --> 00:19:57,879
Speaker 2: and can do Isaac whatever.

396
00:19:57,600 --> 00:19:58,239
Speaker 1: His name is, right?

397
00:19:59,240 --> 00:20:03,680
Speaker 2: So I asked him, like, do you mind those topics

398
00:20:03,720 --> 00:20:04,000
Speaker 2: for that?

399
00:20:04,080 --> 00:20:04,480
Speaker 1: And I don't.

400
00:20:04,480 --> 00:20:09,040
Speaker 2: I don't think it's almost like coincidental, right, But this

401
00:20:09,600 --> 00:20:12,480
Speaker 2: court system thing is one of those things. It is

402
00:20:12,840 --> 00:20:15,119
Speaker 2: like if you listen to like a hotel black dude,

403
00:20:15,200 --> 00:20:18,159
Speaker 2: he will tell you that it is the government keeping

404
00:20:18,160 --> 00:20:21,240
Speaker 2: black men from their families and that you know, every

405
00:20:21,240 --> 00:20:24,120
Speaker 2: brother wants to be a good father. But all these

406
00:20:24,160 --> 00:20:28,080
Speaker 2: women out here trapping dudes, right, I'm like, you can't

407
00:20:28,080 --> 00:20:29,800
Speaker 2: really trap seven seventy five an hour.

408
00:20:30,040 --> 00:20:32,159
Speaker 1: I don't think, come on, who wants to trap that?

409
00:20:32,520 --> 00:20:36,119
Speaker 2: I feel like people have higher aspirational goals, right then,

410
00:20:36,200 --> 00:20:39,479
Speaker 2: trapping the minimum wage demographic no offense.

411
00:20:39,600 --> 00:20:42,400
Speaker 1: But everybody can't be trapped, you know.

412
00:20:43,800 --> 00:20:46,800
Speaker 2: But he kind of does like pick up on that stuff,

413
00:20:46,840 --> 00:20:50,120
Speaker 2: so you have I think this description of this court

414
00:20:50,160 --> 00:20:54,600
Speaker 2: system where essentially Austin her baby daddy is almost made

415
00:20:54,640 --> 00:20:57,119
Speaker 2: out to be the victim of this woman, right, just

416
00:20:57,359 --> 00:21:01,320
Speaker 2: like this seductress I feel like it's the wrong word.

417
00:21:01,119 --> 00:21:01,280
Speaker 3: But.

418
00:21:03,280 --> 00:21:06,400
Speaker 1: Suck you us. I don't know, I don't know pick

419
00:21:06,440 --> 00:21:07,600
Speaker 1: the right s word, guys.

420
00:21:08,680 --> 00:21:10,879
Speaker 2: But it's like he's he's made out to be like

421
00:21:10,960 --> 00:21:12,640
Speaker 2: this guy who just got caught up with this woman

422
00:21:12,680 --> 00:21:15,840
Speaker 2: and had no idea they have this daughter. He wants

423
00:21:15,840 --> 00:21:19,000
Speaker 2: to be there for his daughter, but apparently Austin has

424
00:21:19,160 --> 00:21:21,920
Speaker 2: the worst family judge of all time over his case.

425
00:21:22,359 --> 00:21:24,200
Speaker 1: Ha ha, the worst ever.

426
00:21:24,680 --> 00:21:27,840
Speaker 2: Right, Like, he doesn't care that she's abusive, He doesn't

427
00:21:27,840 --> 00:21:30,040
Speaker 2: care what his daughter looks like. He doesn't the only

428
00:21:30,080 --> 00:21:32,080
Speaker 2: thing that matters. You can't have your baby back, not

429
00:21:32,160 --> 00:21:35,520
Speaker 2: even a little bit, like most of these nonchalant, non

430
00:21:35,560 --> 00:21:37,800
Speaker 2: caring family courts that seem to always side with the

431
00:21:37,840 --> 00:21:42,320
Speaker 2: mother even without doing faithful due diligence. Judge Kathleen Steinberg,

432
00:21:42,880 --> 00:21:45,800
Speaker 2: right before Austin was sentenced and locked up through the

433
00:21:45,840 --> 00:21:48,679
Speaker 2: gauntlet at him, the judge refused to hand over Cussey

434
00:21:48,720 --> 00:21:52,280
Speaker 2: to Austin's mother. Her reasoning was that the courts couldn't

435
00:21:52,280 --> 00:21:54,240
Speaker 2: trust the family of a man who was a reputed

436
00:21:54,280 --> 00:21:58,159
Speaker 2: gang member and gun trafficker. Now, in all fairness, if

437
00:21:58,200 --> 00:22:01,040
Speaker 2: you continue to read the book that Nigga did that shit,

438
00:22:01,720 --> 00:22:02,440
Speaker 2: yes he did.

439
00:22:03,280 --> 00:22:07,000
Speaker 1: He was robing and selling Joe selling guns. Like. It

440
00:22:07,040 --> 00:22:10,800
Speaker 1: wasn't like he got framed. He did that shit Like if.

441
00:22:10,680 --> 00:22:12,800
Speaker 2: You look at them, if you look at the way

442
00:22:12,840 --> 00:22:14,880
Speaker 2: it's written, it's almost like you're gonna like you're waiting

443
00:22:14,880 --> 00:22:16,920
Speaker 2: on him later to drop the hammer, like and he

444
00:22:17,000 --> 00:22:21,040
Speaker 2: wasn't even there right or mistaken identity, yeah, like it was.

445
00:22:20,920 --> 00:22:24,520
Speaker 1: His twin brother. No, Austin is a criminal, Okay, a

446
00:22:24,560 --> 00:22:25,520
Speaker 1: full pledgement too.

447
00:22:25,720 --> 00:22:27,879
Speaker 2: It might there might be a court that's like, I

448
00:22:27,920 --> 00:22:31,960
Speaker 2: don't know if a violent robbery expert and gun runner

449
00:22:32,040 --> 00:22:36,480
Speaker 2: should necessarily get unquestioning custody of the child. The other

450
00:22:36,520 --> 00:22:38,960
Speaker 2: thing is there hadn't been any like reports of abuse

451
00:22:39,400 --> 00:22:40,680
Speaker 2: on Fred Cresha right.

452
00:22:41,240 --> 00:22:41,760
Speaker 1: Uh Now.

453
00:22:41,800 --> 00:22:44,000
Speaker 2: Part of that was because I think like DCS and

454
00:22:44,000 --> 00:22:46,679
Speaker 2: stuff had child services haven't gotten involved having come.

455
00:22:46,520 --> 00:22:48,560
Speaker 1: By our house as concern.

456
00:22:48,640 --> 00:22:52,439
Speaker 2: Ain't nothing wrong, right, But it does let you know

457
00:22:52,560 --> 00:22:55,200
Speaker 2: like the kind of bias that the author has because

458
00:22:55,200 --> 00:22:57,440
Speaker 2: that's a very like, like I said, I thought it

459
00:22:57,480 --> 00:22:58,960
Speaker 2: was gonna just be a hotel book because it's a

460
00:22:59,080 --> 00:23:02,800
Speaker 2: very like anti black woman's stereotype, Like of course the

461
00:23:02,920 --> 00:23:07,440
Speaker 2: courts would give any woman cutting it over a good man.

462
00:23:07,400 --> 00:23:09,600
Speaker 3: But they like, yeah, we don't want to give it

463
00:23:09,640 --> 00:23:12,639
Speaker 3: to the dude that's out here slinging and doing the

464
00:23:12,720 --> 00:23:13,480
Speaker 3: legal shit either.

465
00:23:13,760 --> 00:23:17,159
Speaker 2: Meanwhile, in real life, like the court system is so

466
00:23:17,680 --> 00:23:19,880
Speaker 2: like we get graded on a curve as men, because

467
00:23:19,880 --> 00:23:22,920
Speaker 2: the court is like you showed up, Wow, you must

468
00:23:23,000 --> 00:23:26,480
Speaker 2: be father other year, right, you actually kind of saw

469
00:23:26,600 --> 00:23:28,880
Speaker 2: that care Just give them the baby. I don't woo

470
00:23:29,040 --> 00:23:32,720
Speaker 2: he'se dismissed, you know. But apparently Austin ended up with

471
00:23:32,760 --> 00:23:37,720
Speaker 2: a very unfair judge. So fred Kusha did do the

472
00:23:37,720 --> 00:23:40,600
Speaker 2: bare minimum to provide for her daughter's basic necessities. However,

473
00:23:41,040 --> 00:23:43,440
Speaker 2: she obviously showed more love to her and support towards

474
00:23:43,440 --> 00:23:47,879
Speaker 2: the two older sons. Kwmani and Zaimeir always had the

475
00:23:47,880 --> 00:23:51,360
Speaker 2: freshest and laatest ship, Jordan's PlayStation, cell phones, you name it.

476
00:23:51,600 --> 00:23:54,520
Speaker 2: And those two young back if you name it, those

477
00:23:54,520 --> 00:23:57,919
Speaker 2: two young bad nigga boys had it. I do not

478
00:23:58,040 --> 00:24:00,360
Speaker 2: know what the nigga part was for, but yes, that's

479
00:24:00,359 --> 00:24:06,440
Speaker 2: a descriptive term. Meanwhile, Maya is living in desolation, like literally,

480
00:24:06,640 --> 00:24:12,359
Speaker 2: she's under she's abused emotionally physically. You don't eat, Yeah,

481
00:24:12,400 --> 00:24:15,680
Speaker 2: she's deadly drinking, right, she doesn't get food. The boys

482
00:24:15,720 --> 00:24:18,119
Speaker 2: get all the chicken and all the good food that

483
00:24:18,240 --> 00:24:21,720
Speaker 2: eventually ends up as roach food, and Maya's getting like

484
00:24:21,760 --> 00:24:22,600
Speaker 2: snackables and shit.

485
00:24:22,720 --> 00:24:25,840
Speaker 1: You know, can't watch fole thing, can't watch TV. Yeah.

486
00:24:25,880 --> 00:24:27,800
Speaker 2: One of the most heroin scenes to me was Maya

487
00:24:27,840 --> 00:24:29,440
Speaker 2: having to kill that roach for the first time.

488
00:24:30,840 --> 00:24:34,560
Speaker 1: I don't blame the babyicking to yeah, like she was

489
00:24:34,600 --> 00:24:35,320
Speaker 1: scared of a roach.

490
00:24:35,520 --> 00:24:37,960
Speaker 2: She called her mom and Fred Krisha and her tough

491
00:24:38,000 --> 00:24:40,480
Speaker 2: love was like, don't be scared of that roach.

492
00:24:40,560 --> 00:24:42,359
Speaker 1: You gonna kill that roach. I'm gonna hit you.

493
00:24:42,280 --> 00:24:46,920
Speaker 2: And all this stuff, and like Kwan is really good

494
00:24:46,960 --> 00:24:48,240
Speaker 2: at writing these.

495
00:24:48,040 --> 00:24:50,399
Speaker 1: Moments that you would think I'm.

496
00:24:50,280 --> 00:24:54,560
Speaker 2: Reading this quote unquote ratchet story, and yet here I

497
00:24:54,600 --> 00:24:57,400
Speaker 2: am like feeling a little like feeling a little tight.

498
00:24:58,040 --> 00:25:00,000
Speaker 2: Like here, I am feeling a little like I'm feeling

499
00:25:00,200 --> 00:25:02,840
Speaker 2: something reading This's like I hope that baby's gonna be okay.

500
00:25:03,400 --> 00:25:05,639
Speaker 1: You know, I hope I'm gonna be okay. I'm grown

501
00:25:05,720 --> 00:25:08,000
Speaker 1: and you be back here that road. I'll be like,

502
00:25:08,000 --> 00:25:09,280
Speaker 1: like I should be able to laugh.

503
00:25:09,400 --> 00:25:10,880
Speaker 2: But a part of me was like I just won't

504
00:25:10,880 --> 00:25:13,760
Speaker 2: mind to like live, I don't want to end up

505
00:25:13,800 --> 00:25:16,240
Speaker 2: with you know, baby getting thrown out a window like

506
00:25:16,240 --> 00:25:17,160
Speaker 2: a Tyler Para movie.

507
00:25:17,440 --> 00:25:19,960
Speaker 1: Come on, come on, that's why I carry roach spray

508
00:25:20,040 --> 00:25:22,760
Speaker 1: like guns. You come around here, Roger. You know I

509
00:25:22,760 --> 00:25:25,360
Speaker 1: would have the whole house thinking like ray, ro sir,

510
00:25:25,640 --> 00:25:29,160
Speaker 1: why don't they have roachfray? They have roaches like this

511
00:25:29,240 --> 00:25:31,800
Speaker 1: is not you see a roach like I have roach

512
00:25:31,800 --> 00:25:32,360
Speaker 1: fray in my house.

513
00:25:32,359 --> 00:25:34,040
Speaker 2: I see a roach about once every six months and

514
00:25:34,080 --> 00:25:37,440
Speaker 2: freak the fuck out. I'm like, oh, what's happening from right?

515
00:25:37,560 --> 00:25:38,240
Speaker 1: Stay outside?

516
00:25:38,720 --> 00:25:41,119
Speaker 2: They see roaches every day and they're just like, let

517
00:25:41,200 --> 00:25:42,920
Speaker 2: me squash it with a with a slipper and keep

518
00:25:42,960 --> 00:25:43,320
Speaker 2: it moving.

519
00:25:44,080 --> 00:25:45,919
Speaker 1: I just don't know how how to how to make

520
00:25:45,920 --> 00:25:48,040
Speaker 1: it a living. I'm like that about bugs. Period. You

521
00:25:48,040 --> 00:25:50,480
Speaker 1: don't pay rent? Why you in here? So here's the

522
00:25:50,680 --> 00:25:51,880
Speaker 1: here's the emotional scene.

523
00:25:51,960 --> 00:25:55,480
Speaker 2: Right, don't make me I'm sorry, don't make me ask

524
00:25:55,560 --> 00:25:59,280
Speaker 2: you again or else, Fred Krisha interrupted, instantly cutting off

525
00:25:59,280 --> 00:26:02,840
Speaker 2: Mayas please. Creisha ambled deeper into the room and towering

526
00:26:02,880 --> 00:26:04,960
Speaker 2: over her visibly shaken daughter.

527
00:26:05,720 --> 00:26:08,479
Speaker 1: Now, I said, get your shoe and go kill it.

528
00:26:08,600 --> 00:26:12,280
Speaker 2: Now, silent and quivering, a tear ran out of Maya's

529
00:26:12,359 --> 00:26:13,040
Speaker 2: right eye.

530
00:26:14,920 --> 00:26:19,639
Speaker 1: It's some root shit. When counta god beat like just

531
00:26:19,680 --> 00:26:21,360
Speaker 1: that one tear coming down the shit.

532
00:26:23,160 --> 00:26:28,920
Speaker 2: I'm scared slap without hesitation. Fred Crestia's right hand went

533
00:26:28,960 --> 00:26:29,920
Speaker 2: across Maya's face.

534
00:26:29,920 --> 00:26:30,720
Speaker 1: I said kill it.

535
00:26:31,000 --> 00:26:33,760
Speaker 2: In fact, go kill it with your hand. Fuck the shoe,

536
00:26:35,000 --> 00:26:37,399
Speaker 2: and so she had to go kill that that that

537
00:26:37,560 --> 00:26:40,240
Speaker 2: roach with her own bare hand as a child.

538
00:26:40,480 --> 00:26:42,480
Speaker 1: No, sir, nobody should have to live through this.

539
00:26:42,640 --> 00:26:47,960
Speaker 2: And ya, this is Maya's every day not eating being

540
00:26:48,240 --> 00:26:52,040
Speaker 2: blamed because fred Cretia hates her daddy, you know, dealing

541
00:26:52,080 --> 00:26:55,720
Speaker 2: with abuse, watching her two brothers get treated the best

542
00:26:55,760 --> 00:26:56,320
Speaker 2: in the world.

543
00:26:57,400 --> 00:27:00,320
Speaker 1: It essentially is a Cinderella story here. It is I'm

544
00:27:00,320 --> 00:27:02,639
Speaker 1: just waiting on a slipper or something to help her out.

545
00:27:03,840 --> 00:27:05,520
Speaker 2: This is when we get introduced to our what I

546
00:27:05,560 --> 00:27:10,800
Speaker 2: would consider our real protagonists, right because Missus Watkins comes

547
00:27:10,840 --> 00:27:16,000
Speaker 2: over to pick up Maya, Maya Austin Watkins daughter. You know,

548
00:27:16,920 --> 00:27:19,840
Speaker 2: of course Red Creture has multiple baby daddies as one

549
00:27:20,240 --> 00:27:25,359
Speaker 2: as as you do. So not judging, I mean, we

550
00:27:25,400 --> 00:27:27,560
Speaker 2: have a president with multiple baby mamas. I mean what

551
00:27:27,560 --> 00:27:31,919
Speaker 2: are we supposed to do? So it was interesting because Ms.

552
00:27:32,119 --> 00:27:36,320
Speaker 2: Watkins is clearly disturbed and I love how every time

553
00:27:36,400 --> 00:27:39,560
Speaker 2: someone enters Fred Creachia's house, we gotta go through the

554
00:27:39,560 --> 00:27:40,320
Speaker 2: explanation again.

555
00:27:40,520 --> 00:27:45,879
Speaker 1: That's like, Oh. The thing about miss Watkins, the who

556
00:27:45,920 --> 00:27:47,359
Speaker 1: whole thing was like.

557
00:27:47,560 --> 00:27:50,119
Speaker 3: Woo, if I was about ten years younger, I would

558
00:27:50,160 --> 00:27:51,119
Speaker 3: whoop your ass.

559
00:27:51,160 --> 00:27:53,560
Speaker 1: They're like her whole mind the whole time was like

560
00:27:53,600 --> 00:27:56,679
Speaker 1: you've been bit. You bebby glad. I'm old, bebby glad.

561
00:27:56,720 --> 00:27:59,119
Speaker 1: These knees can't be like that used too, or I

562
00:27:59,119 --> 00:27:59,919
Speaker 1: will put my foot up.

563
00:28:00,640 --> 00:28:05,400
Speaker 2: Missus watkins entire dial inner dialogue is one hundred percent

564
00:28:05,880 --> 00:28:08,040
Speaker 2: ready for the smoke. It is with his hands, it

565
00:28:08,119 --> 00:28:11,159
Speaker 2: is with the smoke. It is one hundred percent ready.

566
00:28:11,320 --> 00:28:13,880
Speaker 2: Like she got a chimney going. It is smoke all

567
00:28:13,920 --> 00:28:15,959
Speaker 2: the time. But she's just too old. She's put up

568
00:28:15,960 --> 00:28:19,520
Speaker 2: a fighting gloves and she knows that her granddaughter is

569
00:28:19,520 --> 00:28:22,000
Speaker 2: in a precarious situation that would not be aided by

570
00:28:22,000 --> 00:28:23,280
Speaker 2: her whooping her mama's ass.

571
00:28:23,280 --> 00:28:25,840
Speaker 1: But lord knows she wants to come on, come on.

572
00:28:26,000 --> 00:28:27,480
Speaker 3: She was like like, I better get to see the

573
00:28:27,480 --> 00:28:29,760
Speaker 3: baby anyway. If I show my ass, she ain't gonna

574
00:28:29,800 --> 00:28:30,560
Speaker 3: let me see at all.

575
00:28:30,600 --> 00:28:32,520
Speaker 2: And it's kind of some classism and play here too,

576
00:28:32,600 --> 00:28:36,440
Speaker 2: because Missus Watkins and her family are kind of upper class.

577
00:28:36,720 --> 00:28:39,320
Speaker 2: They just happened to have a son who was in prison,

578
00:28:39,560 --> 00:28:42,040
Speaker 2: who had sex with this woman who had a baby,

579
00:28:42,080 --> 00:28:45,600
Speaker 2: and now they live in projects. So but yeah, so

580
00:28:46,600 --> 00:28:50,520
Speaker 2: Missus Wakin enters the house this way. The house horribly wreaked.

581
00:28:50,880 --> 00:28:56,120
Speaker 2: The smell tearing apart her nostrils was almost inexpressible and

582
00:28:56,200 --> 00:29:00,440
Speaker 2: an aromatic milange of fish, pussy, cheaf, alcohol.

583
00:29:00,120 --> 00:29:05,040
Speaker 1: A lot. I for got that far fish puss it.

584
00:29:05,200 --> 00:29:10,480
Speaker 2: Cheap alcohol, cigarettes, roach spray, fried chicken pists, booty cheese,

585
00:29:10,680 --> 00:29:14,920
Speaker 2: must hair, grease, old hair, weave, unwashed clothes, rotting food,

586
00:29:14,960 --> 00:29:18,840
Speaker 2: and pickle juice overwhelmed Missus Watkins nasal cavity.

587
00:29:18,880 --> 00:29:20,800
Speaker 1: There's a lot of oldor going on that doll. That's

588
00:29:20,840 --> 00:29:22,520
Speaker 1: a lot of stuff hitting them nose hairs.

589
00:29:22,640 --> 00:29:25,880
Speaker 2: It was the fragrance of objects squalor and ratget tree

590
00:29:26,480 --> 00:29:29,760
Speaker 2: the irony. The irony, though, was that Missus Watkins could

591
00:29:29,800 --> 00:29:33,320
Speaker 2: tell Fred Kusia attempted to mask the conglomerate of disgusting

592
00:29:33,400 --> 00:29:36,160
Speaker 2: smells with some cheap dollar stores zested.

593
00:29:35,840 --> 00:29:37,240
Speaker 1: Mountain spring air freshener.

594
00:29:38,480 --> 00:29:41,000
Speaker 2: So everyone that goes in his house has to have

595
00:29:41,080 --> 00:29:46,320
Speaker 2: this moment right, Missus Wackins sees roaches. She looked at

596
00:29:46,320 --> 00:29:49,400
Speaker 2: the ceiling, saw a group of big thuggets roaches running

597
00:29:49,400 --> 00:29:52,800
Speaker 2: a train on some thought. Roach in the corner, her

598
00:29:52,840 --> 00:29:56,280
Speaker 2: thick roast, her thick roach pussy juice flashed all over

599
00:29:56,320 --> 00:29:56,680
Speaker 2: the place.

600
00:29:57,440 --> 00:30:01,320
Speaker 1: What is good out here? The mine of Quan Mills?

601
00:30:01,600 --> 00:30:07,000
Speaker 1: What is going on? How? Who would even even if dude,

602
00:30:07,480 --> 00:30:08,040
Speaker 1: even if.

603
00:30:07,880 --> 00:30:10,360
Speaker 2: You saw roaches having sex? No one is like, is

604
00:30:10,360 --> 00:30:11,480
Speaker 2: that roach pussy juice?

605
00:30:11,600 --> 00:30:15,520
Speaker 1: Except Pawn Mills apparently, who is that detailed? With his explanation,

606
00:30:15,720 --> 00:30:18,440
Speaker 1: I guess then cross species? Right?

607
00:30:18,760 --> 00:30:19,440
Speaker 3: Ah? Uh.

608
00:30:19,600 --> 00:30:23,640
Speaker 2: Missus Watkins has a son, Jonah, who is also Austin's brother,

609
00:30:23,800 --> 00:30:27,160
Speaker 2: Maya's father, so uh he comes and picks her up

610
00:30:27,200 --> 00:30:31,080
Speaker 2: and just sees how disheveled every like she is leaving

611
00:30:31,120 --> 00:30:33,880
Speaker 2: the house like Jonah is. Also, they're they're all aware

612
00:30:33,960 --> 00:30:37,080
Speaker 2: that they don't come from this, and they're so uneasy,

613
00:30:37,080 --> 00:30:39,200
Speaker 2: and they're coming to take Maya out for a day

614
00:30:39,320 --> 00:30:42,080
Speaker 2: to go see her father, who is uh there in

615
00:30:42,160 --> 00:30:46,440
Speaker 2: prisoners having a daddy daughter dance, and so they're gonna

616
00:30:46,480 --> 00:30:49,640
Speaker 2: go take Maya to that and kind of give her

617
00:30:49,640 --> 00:30:53,000
Speaker 2: a day out of this prison. And the only reason

618
00:30:53,040 --> 00:30:56,880
Speaker 2: fred Quisha is okay with this. Uh is that she's

619
00:30:56,920 --> 00:30:57,680
Speaker 2: trying to get some dick.

620
00:30:58,960 --> 00:30:59,280
Speaker 1: Okay.

621
00:30:59,320 --> 00:31:04,760
Speaker 2: Fred is like, flow, these kids are stopping me from

622
00:31:04,760 --> 00:31:08,320
Speaker 2: having sex. Okay, So I'm sending up the two boys

623
00:31:08,360 --> 00:31:11,000
Speaker 2: off with my mother because my mother will treat them well.

624
00:31:11,040 --> 00:31:13,000
Speaker 1: And I love my two boys.

625
00:31:13,400 --> 00:31:15,560
Speaker 2: But I'm seeing in that girl to her you know,

626
00:31:15,760 --> 00:31:19,200
Speaker 2: to her grandmother so she can go see her daddy

627
00:31:19,240 --> 00:31:22,240
Speaker 2: in prison. And meanwhile, I'm going to be getting it in.

628
00:31:23,880 --> 00:31:27,440
Speaker 2: And she does get it in with two young street

629
00:31:27,440 --> 00:31:34,800
Speaker 2: wild urchins, uh name Deontae and Marvin. And this was

630
00:31:34,840 --> 00:31:38,200
Speaker 2: an adventure. Now this seems to be some sort of

631
00:31:38,280 --> 00:31:42,920
Speaker 2: sex for drugs exchange. Yes, the barter system, if you will.

632
00:31:43,200 --> 00:31:45,560
Speaker 2: Fred Kristian is not a big fan of capitalism. She's

633
00:31:45,600 --> 00:31:52,000
Speaker 2: more of a trade person. So Deonatay is very much like,

634
00:31:52,360 --> 00:31:54,120
Speaker 2: I'm going to have sex with this nasty woman in

635
00:31:54,200 --> 00:31:59,800
Speaker 2: her nasty house. Marvin, who is his drug co conspirator,

636
00:32:00,280 --> 00:32:04,520
Speaker 2: his co drug seller. Uh, he is not okay with

637
00:32:04,720 --> 00:32:07,680
Speaker 2: having sex in a dirty house. He thought it was

638
00:32:07,720 --> 00:32:11,080
Speaker 2: to be walked in there, right, he like he thought, oh,

639
00:32:11,120 --> 00:32:13,480
Speaker 2: we're gonna both go have sex with this woman, which

640
00:32:13,600 --> 00:32:15,800
Speaker 2: people do that all the time. You know, I'm not

641
00:32:15,800 --> 00:32:20,200
Speaker 2: gonna shame anybody's kink. But once it happened, once he

642
00:32:20,280 --> 00:32:22,600
Speaker 2: knew that the place was gonna be disgusting, he sawed

643
00:32:22,680 --> 00:32:26,520
Speaker 2: change his point of view. Okay, well just as okay, well,

644
00:32:26,560 --> 00:32:28,440
Speaker 2: this is a one and shortest crib might be a wreck.

645
00:32:28,520 --> 00:32:31,000
Speaker 2: She kind of nasty with it, but that pussy five though,

646
00:32:31,280 --> 00:32:36,400
Speaker 2: beyonna taking fest. Marvin let out a nervous chuckle. Nigga,

647
00:32:36,440 --> 00:32:39,040
Speaker 2: what we' fin the fucking bitch who got roaches and

648
00:32:39,080 --> 00:32:39,840
Speaker 2: shit in that crib?

649
00:32:40,720 --> 00:32:42,600
Speaker 1: Like got you for real? Yeah?

650
00:32:42,640 --> 00:32:45,120
Speaker 2: Man, but shit, I'm telling you that pussy is smacking,

651
00:32:45,560 --> 00:32:47,720
Speaker 2: and the bitch will slurp on a deck and drink

652
00:32:47,800 --> 00:32:52,880
Speaker 2: nout like it's motherfucking vanilla bean frepuccino from Starbucks. Vinci's side,

653
00:32:53,200 --> 00:32:58,800
Speaker 2: that's the tallest, my nigga, bro Yo, you nastiest fuck,

654
00:32:58,880 --> 00:33:01,200
Speaker 2: Marvin laughed, choking on the weed smoke.

655
00:33:01,680 --> 00:33:02,400
Speaker 1: I'm gonna have to.

656
00:33:02,320 --> 00:33:05,000
Speaker 2: Do an assessment of this big crib before I decide

657
00:33:05,040 --> 00:33:07,400
Speaker 2: if I want to fuck or not, Marves s nigkett again.

658
00:33:07,400 --> 00:33:10,240
Speaker 1: It shook his head. The slight chubvy tan buddy.

659
00:33:10,320 --> 00:33:12,840
Speaker 2: Wondering if his dude was playing games with him and

660
00:33:12,880 --> 00:33:14,560
Speaker 2: just trying or just and just trying to tear him

661
00:33:14,560 --> 00:33:17,040
Speaker 2: from getting some ass. But he was down for whatever.

662
00:33:17,120 --> 00:33:19,040
Speaker 2: If the bitch was offering some ass, he was up

663
00:33:19,040 --> 00:33:19,600
Speaker 2: for the task.

664
00:33:20,360 --> 00:33:25,360
Speaker 1: Off the do lift. Well, of course, men are trash.

665
00:33:25,640 --> 00:33:29,120
Speaker 1: We have the lowest standards. H what's it that I'm in.

666
00:33:29,360 --> 00:33:31,440
Speaker 2: That's why they call it a reverse gang bang, right,

667
00:33:31,480 --> 00:33:34,760
Speaker 2: because all gang bangs are a bunch of nasty dudes

668
00:33:34,760 --> 00:33:36,280
Speaker 2: who are like, I'll have sex with the same person

669
00:33:36,360 --> 00:33:39,280
Speaker 2: if you will like uh. Anyway, as a Monte Carlo

670
00:33:39,440 --> 00:33:43,320
Speaker 2: made as a Marchi Carlo came up to the intersection

671
00:33:43,360 --> 00:33:47,680
Speaker 2: of sixty third and Halstead, Deontae spotted Shorty's building, then

672
00:33:47,760 --> 00:33:50,600
Speaker 2: parked on the empty side street. Deontay checked to see

673
00:33:50,600 --> 00:33:52,120
Speaker 2: if any parking meters line the street.

674
00:33:52,160 --> 00:33:53,440
Speaker 1: Nope, good, because.

675
00:33:53,280 --> 00:33:55,320
Speaker 2: He owed the city three hundred dollars in parking tickets

676
00:33:55,320 --> 00:33:58,000
Speaker 2: and one more. A big ass yellow boot was going

677
00:33:58,040 --> 00:34:02,520
Speaker 2: on or one of his Marti Carlo tires hundred dollars. Apparently,

678
00:34:02,720 --> 00:34:04,520
Speaker 2: you know, didn't have time to get to the court

679
00:34:04,560 --> 00:34:07,800
Speaker 2: and pay the bill. He chucked the engine off, took

680
00:34:07,840 --> 00:34:10,000
Speaker 2: the keys out their knition and stuffed them into his pocket.

681
00:34:10,600 --> 00:34:13,200
Speaker 2: All right, so like I said, don't get freaked down

682
00:34:13,239 --> 00:34:15,120
Speaker 2: shit because the whole little filthy with it. But she

683
00:34:15,239 --> 00:34:19,440
Speaker 2: gonna suck them balls, might even lick your ass. Oh nah,

684
00:34:19,520 --> 00:34:22,000
Speaker 2: she can suck them balls, but the ass is completely

685
00:34:22,040 --> 00:34:27,480
Speaker 2: off limits. We'll see, Marvin, got.

686
00:34:27,360 --> 00:34:29,440
Speaker 1: What you're looking like? You know something I don't know.

687
00:34:29,480 --> 00:34:31,720
Speaker 1: What's happening? Is and magical? What's happening?

688
00:34:32,200 --> 00:34:35,120
Speaker 2: Marvin produced a sky on his face and hung his

689
00:34:35,239 --> 00:34:37,920
Speaker 2: mouth open and discuss nigga.

690
00:34:37,680 --> 00:34:38,480
Speaker 1: You gay.

691
00:34:40,080 --> 00:34:45,160
Speaker 2: Ah they get to the crib, okay. Marvin's eyes widened

692
00:34:45,160 --> 00:34:48,640
Speaker 2: at the filth splattered across the entire apartment. Like I said,

693
00:34:48,640 --> 00:34:50,400
Speaker 2: we go through this every time, somewhere in his ass,

694
00:34:50,400 --> 00:34:54,640
Speaker 2: every single time, and almost wanted to instantaneously throw up

695
00:34:54,680 --> 00:34:57,600
Speaker 2: at the portfolio of disgusting smells punching him in his

696
00:34:57,719 --> 00:34:59,479
Speaker 2: mouth even his.

697
00:34:59,480 --> 00:35:02,919
Speaker 1: Mouth, I guess your mouth was like.

698
00:35:05,560 --> 00:35:08,000
Speaker 2: Ain't it funny how sometimes you can smell shit no

699
00:35:08,080 --> 00:35:12,359
Speaker 2: pun intended through your mouth? This is the stuff I'm

700
00:35:12,360 --> 00:35:15,439
Speaker 2: talking about his narrative voice. That's like I told you that,

701
00:35:16,000 --> 00:35:18,160
Speaker 2: you see what I'm saying, Like like I like I

702
00:35:18,239 --> 00:35:20,279
Speaker 2: was sitting there reading it, going it is funny how

703
00:35:20,280 --> 00:35:22,040
Speaker 2: you can smell shit through your mouth.

704
00:35:22,120 --> 00:35:26,480
Speaker 1: That's a good point on thank you silent.

705
00:35:26,840 --> 00:35:29,479
Speaker 2: Marvin's eyes peered into the kitchen and saw the sink

706
00:35:29,520 --> 00:35:33,000
Speaker 2: of a flowing with dishes. The fuck, he thought to himself,

707
00:35:33,360 --> 00:35:36,840
Speaker 2: completely blown the fuck away. He truly thought Deyonte was

708
00:35:36,840 --> 00:35:39,200
Speaker 2: fucking with him at the condition about the condition of

709
00:35:39,239 --> 00:35:44,560
Speaker 2: Fred Quish's apartment, but he obviously wasn't joking. This bitch,

710
00:35:44,600 --> 00:35:47,319
Speaker 2: Needa yon Levan said to come and give her a

711
00:35:47,360 --> 00:35:49,400
Speaker 2: reality check into the depth of her filth.

712
00:35:50,480 --> 00:35:51,479
Speaker 1: I can fix her dirt.

713
00:35:52,960 --> 00:35:56,280
Speaker 2: Listen, beloved, I'm not coming in your house. You cannot

714
00:35:56,320 --> 00:36:00,840
Speaker 2: lay on my bosoms because might get on me. Harriet

715
00:36:00,880 --> 00:36:08,560
Speaker 2: Tubman would the friend Harry Tubman didn't have roaches. Marvin

716
00:36:08,560 --> 00:36:13,839
Speaker 2: looked down and instantly snapped, ah, stomp, stomp. A roach

717
00:36:13,920 --> 00:36:16,200
Speaker 2: ran across his shoe, and he screamed, quickly trying to

718
00:36:16,239 --> 00:36:16,600
Speaker 2: kill it.

719
00:36:16,760 --> 00:36:20,160
Speaker 1: Deontay looked at Marvin slightly embarrassed. Bro chill the fuck out.

720
00:36:20,200 --> 00:36:24,760
Speaker 1: It's a fucking roach. You scared of roaches? Pussy nigga? Yes, yes,

721
00:36:24,880 --> 00:36:29,839
Speaker 1: I am, everyone should be. Yes, they don't belong here.

722
00:36:30,120 --> 00:36:32,799
Speaker 1: Have you seen one fly? Okay, yes I have? It

723
00:36:32,880 --> 00:36:35,080
Speaker 1: was scare the fuck out of you. Man, fuck you.

724
00:36:35,120 --> 00:36:37,239
Speaker 2: That roach was the size of a cat looking at it,

725
00:36:37,280 --> 00:36:40,080
Speaker 2: trying to run up my pants and shit boy bye.

726
00:36:40,120 --> 00:36:43,680
Speaker 2: Fred Creschia lightly roared and rolled her eyes. Where as

727
00:36:43,680 --> 00:36:46,480
Speaker 2: you from anyway? Ain't you from the hood too, man,

728
00:36:46,480 --> 00:36:48,560
Speaker 2: I'm from the south side, seventy one said.

729
00:36:48,640 --> 00:36:52,040
Speaker 1: And Jeffrey, But but what you ain't seen a roach before? Nigga?

730
00:36:52,080 --> 00:36:54,359
Speaker 1: You a lie? I mean I've seen a roach before,

731
00:36:54,480 --> 00:36:58,279
Speaker 1: just not a thousand Marvin jokes anyway, Hayes.

732
00:36:58,440 --> 00:37:01,160
Speaker 2: Fred Kreusia, slightly annoyed, rode her eyes are huffed, but

733
00:37:01,320 --> 00:37:03,640
Speaker 2: just that quickly she changed her disposition, smile and stuck

734
00:37:03,680 --> 00:37:07,400
Speaker 2: her tongue out. So what y'all on this weekend? And

735
00:37:07,440 --> 00:37:09,880
Speaker 2: from that point on we basically end up with an orgy.

736
00:37:10,280 --> 00:37:14,880
Speaker 3: Yeah, yeah, a nasty my description of of whatever you

737
00:37:15,040 --> 00:37:16,960
Speaker 3: whatever you imagine, And that's what happened.

738
00:37:17,320 --> 00:37:23,239
Speaker 2: Yeah, it was a nasty, roach infested sex party that

739
00:37:23,360 --> 00:37:27,600
Speaker 2: I don't know how anyone could participate in. Come come on,

740
00:37:28,200 --> 00:37:31,319
Speaker 2: like I remember there was a time where we had

741
00:37:31,320 --> 00:37:33,200
Speaker 2: got up, Remember we got that went to that motel

742
00:37:33,200 --> 00:37:33,960
Speaker 2: and had ants in it.

743
00:37:34,480 --> 00:37:37,120
Speaker 3: Yes, this was this was years ago when we first

744
00:37:37,360 --> 00:37:39,960
Speaker 3: first had to better get credit cards.

745
00:37:40,320 --> 00:37:43,480
Speaker 1: Uh, hell no, nothing's happening, Like, let's go.

746
00:37:43,600 --> 00:37:44,839
Speaker 2: It was like, let me get my stuff and get

747
00:37:44,840 --> 00:37:46,480
Speaker 2: the hell out of here. No, not having sex in

748
00:37:46,480 --> 00:37:49,480
Speaker 2: the ant place. That's not roaches, that's just ants. That

749
00:37:49,600 --> 00:37:54,040
Speaker 2: was answer like the respectable animals of the inside family

750
00:37:54,800 --> 00:37:56,280
Speaker 2: like we just might.

751
00:37:56,200 --> 00:37:57,399
Speaker 1: Bite your ass ass.

752
00:37:57,480 --> 00:38:01,239
Speaker 3: Got jobs for one ca They like, look, we're trying

753
00:38:01,239 --> 00:38:02,200
Speaker 3: to save up for winter.

754
00:38:03,040 --> 00:38:04,879
Speaker 1: Was like, y'all just happened to be in the way

755
00:38:04,920 --> 00:38:07,400
Speaker 1: while I'm trying to trying to get my stash.

756
00:38:07,560 --> 00:38:10,799
Speaker 2: Their industrious family oriented, you know what I'm saying, trying

757
00:38:10,840 --> 00:38:13,960
Speaker 2: to get back to the crib. Not even ants. Hell no,

758
00:38:14,520 --> 00:38:16,840
Speaker 2: like they feminists, they got a monarchy.

759
00:38:16,880 --> 00:38:20,720
Speaker 1: Come on, the queen run everything. Come on anyway.

760
00:38:20,960 --> 00:38:23,720
Speaker 2: Fred Kushia felt Dante make his move. He slowly slipped

761
00:38:23,760 --> 00:38:26,360
Speaker 2: his hand down into her shorts and then gently rubbed

762
00:38:26,360 --> 00:38:30,440
Speaker 2: her increasingly wet moist pussy lips. Then then he twiddled

763
00:38:30,480 --> 00:38:34,080
Speaker 2: her fast description. Then he twiddled her fat postsating clicked.

764
00:38:34,440 --> 00:38:35,200
Speaker 2: It was posting.

765
00:38:35,880 --> 00:38:39,279
Speaker 1: Despite the like a heart, Despite the.

766
00:38:39,320 --> 00:38:42,640
Speaker 2: Orgy of nasty smells circulating throughout the apartment, fred Critia's

767
00:38:42,640 --> 00:38:46,319
Speaker 2: pussy was hot in rank enough to peripherate up to

768
00:38:46,719 --> 00:38:48,120
Speaker 2: Dante's nostrils.

769
00:38:48,280 --> 00:38:48,600
Speaker 1: It was.

770
00:38:48,680 --> 00:38:51,280
Speaker 2: It wasn't so much as a bast smell, though, just heavy,

771
00:38:51,560 --> 00:38:54,840
Speaker 2: a sign to Deontae that fred Kusia's cooocha was hot

772
00:38:54,960 --> 00:38:57,160
Speaker 2: and ready for some dicks to slide in and tell

773
00:38:57,239 --> 00:39:01,640
Speaker 2: them people all down, that's the wrong. He was gonna

774
00:39:01,680 --> 00:39:06,880
Speaker 2: chop them, confirming infestic cakes the smith ring No thank you,

775
00:39:07,040 --> 00:39:09,759
Speaker 2: Fred Creesia's lightly moan with her eyes closed. She then

776
00:39:09,840 --> 00:39:12,520
Speaker 2: opened them and golfed at Marvin, who looked ready to

777
00:39:12,560 --> 00:39:15,640
Speaker 2: get his meat. Slurped on what you waiting on? Let

778
00:39:15,640 --> 00:39:19,799
Speaker 2: me suck that dick, she commanded. Marvin got up from

779
00:39:19,800 --> 00:39:21,560
Speaker 2: his seat and made his way over to the couch.

780
00:39:21,600 --> 00:39:23,840
Speaker 2: Now see, I was really hoping right here that it

781
00:39:23,880 --> 00:39:25,960
Speaker 2: was like. Marvin got up from his seat and ran

782
00:39:26,000 --> 00:39:28,759
Speaker 2: out the apartment. Come on, ran out, screaming, never to

783
00:39:28,760 --> 00:39:32,040
Speaker 2: be seen again. No drugs, Like, what's wrong? He said,

784
00:39:32,080 --> 00:39:33,960
Speaker 2: I'm giving up my life a crime. I'm gonna get

785
00:39:33,960 --> 00:39:34,360
Speaker 2: a ged.

786
00:39:34,719 --> 00:39:38,840
Speaker 1: This was crazy. Lords. I face like, no, but that's.

787
00:39:38,680 --> 00:39:41,440
Speaker 2: Not what happened, and left his bohem but the stranded.

788
00:39:42,080 --> 00:39:44,160
Speaker 2: He quickly pulled his shirt up and then up buttoning

789
00:39:44,200 --> 00:39:46,040
Speaker 2: his pants. He pulled down his pants and boxes in

790
00:39:46,040 --> 00:39:49,239
Speaker 2: one swift motion, immediately exposing his hardened seven and a

791
00:39:49,280 --> 00:39:50,960
Speaker 2: half inch penis to both Fred.

792
00:39:50,760 --> 00:39:51,920
Speaker 1: Cresha and Deontay.

793
00:39:52,280 --> 00:39:55,880
Speaker 2: Now, any person might think some potentially bisexual shit was

794
00:39:55,920 --> 00:39:58,160
Speaker 2: about to go down, but this was a common thing

795
00:39:58,239 --> 00:39:59,680
Speaker 2: for a lot of homeboys to do.

796
00:40:00,160 --> 00:40:02,520
Speaker 1: Find some hood rat thought bitch who was.

797
00:40:04,239 --> 00:40:06,640
Speaker 2: Feels like it feels like redundant, right, I feel like

798
00:40:06,680 --> 00:40:11,399
Speaker 2: three of the same things, hood rat bitch anyway, who

799
00:40:11,480 --> 00:40:14,920
Speaker 2: was willing to do multiple Dino's all at one time.

800
00:40:15,280 --> 00:40:18,200
Speaker 2: Dinah was a Chicago nigga's way of saying dick, thank you,

801
00:40:18,640 --> 00:40:19,000
Speaker 2: right right.

802
00:40:20,880 --> 00:40:22,759
Speaker 1: I thought some Jurassic Park was about to happen, right,

803
00:40:22,840 --> 00:40:25,600
Speaker 1: I was like, what's happening in here where dinosaurs come from?

804
00:40:25,800 --> 00:40:31,120
Speaker 2: Is that of velociraptor hitting in on his train? So then, uh,

805
00:40:31,200 --> 00:40:33,520
Speaker 2: they end up sucking you guys. You know, I'll spare

806
00:40:33,560 --> 00:40:35,160
Speaker 2: you the other unsavory details.

807
00:40:35,760 --> 00:40:38,400
Speaker 1: And then we get introduced first finally to Austin.

808
00:40:39,400 --> 00:40:42,400
Speaker 2: Austin is pretty much our last piece of the puzzle

809
00:40:42,520 --> 00:40:46,960
Speaker 2: of the main characters, that is Maya's daddy, and Maya's

810
00:40:47,000 --> 00:40:49,759
Speaker 2: daddy is just a guy who just got caught up

811
00:40:49,760 --> 00:40:52,759
Speaker 2: with the wrong people. Made a couple of bad decisions

812
00:40:52,840 --> 00:40:56,000
Speaker 2: and is ready to turn his life around. And I

813
00:40:56,040 --> 00:40:58,239
Speaker 2: know it's supposed to like him because he looks like

814
00:40:58,320 --> 00:41:00,920
Speaker 2: Morris Chestnut according to the scription. According to the scription,

815
00:41:01,920 --> 00:41:06,280
Speaker 2: So I feel like Maurics Chestnut is the placeholder for likable,

816
00:41:06,480 --> 00:41:11,160
Speaker 2: brown skin black men. If we were doing fantasy casting

817
00:41:11,280 --> 00:41:13,960
Speaker 2: of actors to play portray these parts, I feel like

818
00:41:14,000 --> 00:41:15,240
Speaker 2: we can get Morris Chessnut.

819
00:41:15,280 --> 00:41:18,400
Speaker 1: I feel like that's not Hugh. No offense to Morris.

820
00:41:18,480 --> 00:41:20,520
Speaker 1: If you're listening, don't take that person on, fam.

821
00:41:20,600 --> 00:41:22,960
Speaker 2: I'm just saying, make your money. I feel like I

822
00:41:23,000 --> 00:41:24,600
Speaker 2: feel like you know what I'm saying. You can secure

823
00:41:24,600 --> 00:41:28,040
Speaker 2: this bag. Okay, don't act like you're too good for this. Okay,

824
00:41:28,360 --> 00:41:30,239
Speaker 2: we're gonna end up with damn Columbus short and it's

825
00:41:30,239 --> 00:41:31,080
Speaker 2: gonna ruin everything.

826
00:41:31,120 --> 00:41:32,719
Speaker 1: We need you, buddy, okay't you.

827
00:41:33,680 --> 00:41:36,440
Speaker 2: Austin, up until his junior year of high school, always

828
00:41:36,440 --> 00:41:39,640
Speaker 2: had his ambitions set on going to school to study architecture. However,

829
00:41:39,920 --> 00:41:42,000
Speaker 2: when he turned sixteen and got involved with a local

830
00:41:42,040 --> 00:41:45,040
Speaker 2: gang and started committing petty crime shoplifting, selling nickelbacks, weed

831
00:41:45,400 --> 00:41:47,160
Speaker 2: and coke was his start to his trouble.

832
00:41:47,520 --> 00:41:49,880
Speaker 1: Eventually, he became a jack boy, especially.

833
00:41:49,560 --> 00:41:53,400
Speaker 2: Robin, affluent white snobs on the city's North side and downtown.

834
00:41:54,040 --> 00:41:56,560
Speaker 2: And then he started selling drugs. I mean, he's starting

835
00:41:56,680 --> 00:42:00,920
Speaker 2: selling guns and the ATF gets involved, and and you

836
00:42:00,920 --> 00:42:04,200
Speaker 2: know it's Chicago, there's very heavy penalties for selling guns.

837
00:42:05,280 --> 00:42:07,840
Speaker 2: He has a great lawyer because his family has money

838
00:42:07,840 --> 00:42:10,680
Speaker 2: and connections, so he doesn't go to jail forever, but

839
00:42:10,800 --> 00:42:14,160
Speaker 2: he's going to jail. I don't think he ever really

840
00:42:14,160 --> 00:42:17,920
Speaker 2: even got a chance to be in Maya's life because

841
00:42:18,560 --> 00:42:21,720
Speaker 2: because of this, and his family spent so much money,

842
00:42:23,320 --> 00:42:25,200
Speaker 2: like one hundred thousand dollars on his legal.

843
00:42:25,040 --> 00:42:28,000
Speaker 1: Defense, that it hurt even his family. You know.

844
00:42:28,360 --> 00:42:31,360
Speaker 2: I believe his father died, his mom is still alive,

845
00:42:31,360 --> 00:42:34,759
Speaker 2: and his brother is still there. So and then he

846
00:42:34,840 --> 00:42:37,239
Speaker 2: has some friends in jail, you know they talk about that.

847
00:42:37,719 --> 00:42:40,160
Speaker 1: Uh, they're very excited for the daddy daughter dads.

848
00:42:41,000 --> 00:42:44,520
Speaker 2: I believe he has a friend named the Mario who

849
00:42:45,840 --> 00:42:51,440
Speaker 2: his fiance and daughter get caught in a dry Cross

850
00:42:51,440 --> 00:42:58,040
Speaker 2: Forever drive by shooting. And yeah, the daughter dies, the

851
00:42:58,120 --> 00:43:01,400
Speaker 2: fiance gets shot. She's in critical candiate. He learns this

852
00:43:01,560 --> 00:43:04,720
Speaker 2: news right before the dance. He threatens to kill himself

853
00:43:04,760 --> 00:43:07,799
Speaker 2: and gets put into the psyche cord. So this is

854
00:43:07,840 --> 00:43:11,240
Speaker 2: the mentality of all, Like Austin's going into this Daddy

855
00:43:11,280 --> 00:43:15,480
Speaker 2: Dotter dance, very fragile, realizing that, you know, I need

856
00:43:15,480 --> 00:43:17,560
Speaker 2: to be a better father. I need to be ready,

857
00:43:17,600 --> 00:43:23,000
Speaker 2: rededicated to to to to not going back to jail.

858
00:43:23,080 --> 00:43:25,200
Speaker 2: I want to make I'm not making any mistake. This

859
00:43:25,520 --> 00:43:28,880
Speaker 2: is the time that I am ready to turn my

860
00:43:28,960 --> 00:43:29,480
Speaker 2: life around.

861
00:43:29,840 --> 00:43:33,160
Speaker 1: H Okay, So of course shit is gonna go wrong.

862
00:43:33,840 --> 00:43:35,279
Speaker 1: And it all went wrong, right.

863
00:43:35,320 --> 00:43:37,920
Speaker 2: I felt like Kwan was dangling this in front of

864
00:43:38,000 --> 00:43:41,799
Speaker 2: us for like five chapters. Okay, this like will they

865
00:43:41,840 --> 00:43:44,399
Speaker 2: have a Daddy Dotter dance? Will Maya get the fila

866
00:43:44,440 --> 00:43:47,239
Speaker 2: see her daddy? And we went through it to get

867
00:43:47,239 --> 00:43:47,560
Speaker 2: to that.

868
00:43:47,560 --> 00:43:49,920
Speaker 1: Moment we did. It was Yeah, it was a lot

869
00:43:49,960 --> 00:43:52,560
Speaker 1: that happened. We're also introduced to doctor Sterling here.

870
00:43:53,320 --> 00:43:56,560
Speaker 2: Doctor Sterling is the lesbian woman who is a counselor

871
00:43:56,960 --> 00:44:00,120
Speaker 2: at the jail trying to help the non viol like

872
00:44:00,200 --> 00:44:02,719
Speaker 2: criminals see see their families and get out.

873
00:44:02,880 --> 00:44:03,080
Speaker 1: Right.

874
00:44:03,239 --> 00:44:07,239
Speaker 2: Yes, in my mind, I would like to see the

875
00:44:07,280 --> 00:44:11,120
Speaker 2: woman that played Maxine from Living co from Living Single, Yes,

876
00:44:11,440 --> 00:44:12,759
Speaker 2: I like to see her do this character.

877
00:44:12,760 --> 00:44:13,560
Speaker 1: She would kill that role.

878
00:44:13,719 --> 00:44:15,960
Speaker 2: Yeah, I don't know why I'm drawing a black with

879
00:44:16,000 --> 00:44:18,800
Speaker 2: her name, but you guys know, I'm talking about the chatroom.

880
00:44:18,800 --> 00:44:21,000
Speaker 2: One of y'all come up with it, but I like

881
00:44:21,040 --> 00:44:22,360
Speaker 2: to see her do it because I feel like she

882
00:44:22,400 --> 00:44:27,080
Speaker 2: would be good this role. So, uh, someone said to

883
00:44:27,120 --> 00:44:30,040
Speaker 2: Sina Erica Alexander, there you go, yes, but does she

884
00:44:30,160 --> 00:44:32,160
Speaker 2: loo could do it too, though, to Sena could who

885
00:44:32,200 --> 00:44:36,920
Speaker 2: said that Brolin you' right anyway. So she's like talking

886
00:44:37,200 --> 00:44:40,600
Speaker 2: to Austin like, hey, I know it looks bleak. Your

887
00:44:40,600 --> 00:44:46,840
Speaker 2: homeboy just found out that his fiance and daughter just

888
00:44:46,880 --> 00:44:47,560
Speaker 2: got shot up.

889
00:44:47,960 --> 00:44:50,880
Speaker 1: You gotta stay strong, black man, you know. And I

890
00:44:51,000 --> 00:44:52,200
Speaker 1: like this. It's interesting.

891
00:44:52,239 --> 00:44:55,240
Speaker 2: I like this character because I feel like a lesser

892
00:44:55,280 --> 00:44:59,040
Speaker 2: book makes that some sort of sexual thing, right, you know,

893
00:44:59,280 --> 00:45:02,040
Speaker 2: like some sort of love interesting thing. But he quickly

894
00:45:02,080 --> 00:45:03,759
Speaker 2: threw in there like she's a lesbian. This is just

895
00:45:03,800 --> 00:45:06,600
Speaker 2: about her helping her people and wanting to see this

896
00:45:06,640 --> 00:45:07,600
Speaker 2: man get out of prison.

897
00:45:08,040 --> 00:45:10,680
Speaker 1: And there's nothing, nothing to see anything else there.

898
00:45:11,880 --> 00:45:17,640
Speaker 2: So we end up with him just kind of getting

899
00:45:17,680 --> 00:45:22,080
Speaker 2: dressed and waiting for the for the you know, for

900
00:45:22,120 --> 00:45:24,719
Speaker 2: the Daddy Dottter dance. We also he's we're introduced to

901
00:45:24,760 --> 00:45:27,359
Speaker 2: a crew of prisoners at I won't get into all

902
00:45:27,400 --> 00:45:30,520
Speaker 2: of them, but we're introduced to a bunch of them.

903
00:45:30,840 --> 00:45:36,920
Speaker 2: So we also find out here that it's time for

904
00:45:37,000 --> 00:45:41,439
Speaker 2: him to go to the dance. He's nervous and this

905
00:45:41,880 --> 00:45:45,160
Speaker 2: kind of got me a little emotional. But he's like,

906
00:45:45,239 --> 00:45:49,080
Speaker 2: he's so fragile, like if if Maya doesn't show up

907
00:45:49,120 --> 00:45:51,759
Speaker 2: at this thing, it is going to fuck him up, right,

908
00:45:51,960 --> 00:45:54,760
Speaker 2: And they're very strict guidelines to getting into the prison

909
00:45:55,280 --> 00:45:56,959
Speaker 2: to see the father have.

910
00:45:56,880 --> 00:45:59,720
Speaker 3: To be checked in. You can't be late. They stop

911
00:45:59,719 --> 00:46:02,360
Speaker 3: at this time because you know, they got to do background.

912
00:46:02,640 --> 00:46:08,320
Speaker 2: It's a lot, right, So he and like I said,

913
00:46:08,360 --> 00:46:10,920
Speaker 2: he's supposed to be a sympathetic figure, like this description

914
00:46:11,360 --> 00:46:14,200
Speaker 2: with the lighting in the auditorium retrofitted to resemble the prom,

915
00:46:14,239 --> 00:46:17,400
Speaker 2: the entire auditorium globe with soft pink lighting that matched

916
00:46:17,400 --> 00:46:21,040
Speaker 2: the princess like linens and faux diamonds, sparkling decorations that

917
00:46:21,080 --> 00:46:23,680
Speaker 2: the inmates worked on all day. As Austin kept taking

918
00:46:23,719 --> 00:46:26,600
Speaker 2: small SIPs from the cup, he kept seeing flashes of

919
00:46:26,600 --> 00:46:29,239
Speaker 2: Maya into his head. He didn't know exactly how she

920
00:46:29,360 --> 00:46:31,799
Speaker 2: was going to look in two years, growing from four

921
00:46:31,840 --> 00:46:34,800
Speaker 2: to six years old can make any child look visibly different,

922
00:46:34,960 --> 00:46:37,080
Speaker 2: just thinking of all the time he lost not seeing

923
00:46:37,120 --> 00:46:40,319
Speaker 2: his baby was slowly pulling at his delicate heartstrings. And

924
00:46:40,440 --> 00:46:42,560
Speaker 2: right then and there, as a DJ put on Luther

925
00:46:42,719 --> 00:46:46,080
Speaker 2: van Drass's Dance with My Father, Austin came to the

926
00:46:46,120 --> 00:46:49,240
Speaker 2: full realization that he was failing as a father.

927
00:46:51,080 --> 00:46:51,920
Speaker 1: I feel like that was.

928
00:46:52,239 --> 00:46:56,840
Speaker 2: Supposed to be emotional, like let's have a moment, but

929
00:46:56,960 --> 00:47:05,000
Speaker 2: he's like, oh God, oh no, here goes the water works.

930
00:47:05,480 --> 00:47:11,280
Speaker 2: So of course missus Watkins picks up fred Kritia, and

931
00:47:12,080 --> 00:47:15,640
Speaker 2: because Fred Crecia has never really had anything, they take

932
00:47:15,760 --> 00:47:19,200
Speaker 2: her to like Sizzler on the way to the house,

933
00:47:19,920 --> 00:47:22,600
Speaker 2: and to her they might as well took her to

934
00:47:23,600 --> 00:47:26,719
Speaker 2: the finest dining of Disneyland ever.

935
00:47:26,960 --> 00:47:28,200
Speaker 1: Right because she was grubbing.

936
00:47:28,360 --> 00:47:32,160
Speaker 2: She was like, we gonna win, Sisla, because it was

937
00:47:32,200 --> 00:47:34,359
Speaker 2: so such a rare treat for her to even get

938
00:47:34,400 --> 00:47:34,960
Speaker 2: some food.

939
00:47:35,040 --> 00:47:38,840
Speaker 1: That was like all I can need, Grandma, all you

940
00:47:38,880 --> 00:47:41,600
Speaker 1: can get whatever you want. Baby, know what you paid

941
00:47:41,680 --> 00:47:44,520
Speaker 1: kids price, which is three nine. And it's such a

942
00:47:44,520 --> 00:47:47,799
Speaker 1: sad scene because it's like, damn her, mama really ain't shit.

943
00:47:49,360 --> 00:47:51,720
Speaker 1: You won't even let her get Sizzler, come on now.

944
00:47:53,040 --> 00:47:55,240
Speaker 2: So, and the whole time is is waking is probing

945
00:47:55,640 --> 00:47:58,480
Speaker 2: for information, like is your mom mistreating you?

946
00:47:58,880 --> 00:47:59,160
Speaker 1: White?

947
00:47:59,200 --> 00:48:03,640
Speaker 2: So you kind of maciated? You're tiny for your age, right, like.

948
00:48:03,640 --> 00:48:05,200
Speaker 1: You've grown in me since the last time I seen.

949
00:48:05,400 --> 00:48:08,080
Speaker 2: Yeah, she's looking at her hair, her dress, her teeth,

950
00:48:08,320 --> 00:48:11,520
Speaker 2: her teeth, and she's asking these questions because look, if

951
00:48:11,520 --> 00:48:13,680
Speaker 2: fred Krisha won't go to the doctor unless her pussy

952
00:48:13,719 --> 00:48:16,080
Speaker 2: is broken and out of order, you know, she.

953
00:48:16,040 --> 00:48:18,879
Speaker 1: Ain't taking her daughter to the dentist. Come on now.

954
00:48:19,960 --> 00:48:23,080
Speaker 2: So they have these moments where she's you know, and

955
00:48:23,200 --> 00:48:26,560
Speaker 2: Jonah's there, the brother, and his heart is breaking because

956
00:48:26,560 --> 00:48:28,360
Speaker 2: they're realizing this is an abusive situation.

957
00:48:28,440 --> 00:48:30,919
Speaker 1: This is more than just a mean mom.

958
00:48:31,080 --> 00:48:34,279
Speaker 2: This is an abusive mom emotionally, physically, financially, every way

959
00:48:34,320 --> 00:48:38,359
Speaker 2: you can think of it. And so they're making her

960
00:48:38,400 --> 00:48:40,560
Speaker 2: have this. It turns into like a make a wish moment.

961
00:48:40,760 --> 00:48:42,720
Speaker 2: They are making her have the greatest day of her life,

962
00:48:43,120 --> 00:48:45,239
Speaker 2: which is going to Sizzler and getting to go.

963
00:48:45,200 --> 00:48:46,239
Speaker 1: See her daddy. Come on.

964
00:48:46,800 --> 00:48:48,880
Speaker 2: Uh. So this is another part that I thought was dope.

965
00:48:49,480 --> 00:48:52,759
Speaker 2: BIA's downstairs watching tv MS, Waking comes and gets her,

966
00:48:52,840 --> 00:48:56,080
Speaker 2: takes upstairs to the bedroom. She opened the bedroom door

967
00:48:56,080 --> 00:48:59,080
Speaker 2: to allow Maya to walk in first without second. Within seconds,

968
00:48:59,080 --> 00:49:02,280
Speaker 2: the girl's big dope around eyes widen once they attached

969
00:49:02,280 --> 00:49:05,319
Speaker 2: to a Princess Tiana dress inspired from Disney's Princess and

970
00:49:05,360 --> 00:49:09,320
Speaker 2: the Fraud. Maya had a fanatical obsession of the movie

971
00:49:09,719 --> 00:49:13,000
Speaker 2: and always envisioned herself being just like Princess Tianna. The

972
00:49:13,080 --> 00:49:16,120
Speaker 2: last time Maya came over to her grandma Mother's house,

973
00:49:16,440 --> 00:49:18,920
Speaker 2: she watched the movie at least ten times. Her grandmother

974
00:49:19,200 --> 00:49:21,080
Speaker 2: gave her a copy of the DVD so she could

975
00:49:21,080 --> 00:49:22,560
Speaker 2: watch it at home, but once she got back to

976
00:49:22,600 --> 00:49:26,680
Speaker 2: Fred Creisha's house, Mammy Darius in quotes, took it away

977
00:49:26,840 --> 00:49:29,640
Speaker 2: and inevitably sold it at the local electronics store to

978
00:49:29,640 --> 00:49:30,560
Speaker 2: get weed money.

979
00:49:31,400 --> 00:49:33,040
Speaker 1: Evil just an evil one.

980
00:49:33,920 --> 00:49:39,239
Speaker 2: Even evil real mama, Yeah, evil, real mama. And so

981
00:49:40,040 --> 00:49:42,560
Speaker 2: she gives her the dress and they described the dress

982
00:49:42,600 --> 00:49:45,759
Speaker 2: and it's so beautiful and stuff, and Maya's crying. The

983
00:49:45,880 --> 00:49:49,239
Speaker 2: dress was four hundred dollars on Etsy, Like, that's how

984
00:49:49,280 --> 00:49:54,600
Speaker 2: much Miss Watkins cares specialized, right, got the crown and

985
00:49:54,640 --> 00:49:55,320
Speaker 2: the shoes.

986
00:49:55,520 --> 00:49:57,680
Speaker 1: Oh, why are you crying, baby girl? Don't cry?

987
00:49:58,200 --> 00:50:00,640
Speaker 2: I feel like Miss Wakers could be like bo the Davis,

988
00:50:00,800 --> 00:50:04,840
Speaker 2: or like Lynn Whitfield or or nah Lyn Whitfield always

989
00:50:04,840 --> 00:50:05,960
Speaker 2: playing a evil grandmama.

990
00:50:06,239 --> 00:50:07,480
Speaker 1: That'd be fred Christia mama.

991
00:50:07,800 --> 00:50:10,160
Speaker 2: But like you know, I feel like there's a there's

992
00:50:10,200 --> 00:50:13,879
Speaker 2: a few people that could could play the role. What's

993
00:50:13,920 --> 00:50:18,080
Speaker 2: my girl from Blackish the grandma?

994
00:50:18,560 --> 00:50:21,759
Speaker 1: Yet she everybody black grandmama. She would be perfect at that.

995
00:50:21,880 --> 00:50:25,319
Speaker 1: I feel like she could do it, you know. So, Oh,

996
00:50:25,360 --> 00:50:26,040
Speaker 1: why are you crying?

997
00:50:26,040 --> 00:50:29,200
Speaker 2: Baby, Jennifer lewis everybody black grandmama?

998
00:50:29,400 --> 00:50:31,400
Speaker 1: Don't cry. You're gonna make me cry.

999
00:50:31,320 --> 00:50:34,160
Speaker 2: Miss Watkins explained, tipping over her words as a million

1000
00:50:34,200 --> 00:50:36,839
Speaker 2: emotions flooded her body. Fighting the whole back of her

1001
00:50:36,840 --> 00:50:39,719
Speaker 2: own flood of tears, missus Watkins held on the mine

1002
00:50:39,719 --> 00:50:41,120
Speaker 2: and rubbed her back, consoling her.

1003
00:50:41,200 --> 00:50:42,960
Speaker 1: Here, let's try it on and try to make some

1004
00:50:43,000 --> 00:50:43,960
Speaker 1: injustice if we need to.

1005
00:50:44,000 --> 00:50:48,680
Speaker 2: Okay, okay, kay, Maria stuttered, wiping her face and sniffling

1006
00:50:48,680 --> 00:50:49,120
Speaker 2: her nose.

1007
00:50:49,920 --> 00:50:52,880
Speaker 1: Thank you, thank you so much, granny. This is the

1008
00:50:52,880 --> 00:50:54,960
Speaker 1: prettiest dress I've ever seen in my life.

1009
00:50:55,880 --> 00:50:59,319
Speaker 2: And like I said, we had this, this moment, and

1010
00:50:59,360 --> 00:51:01,879
Speaker 2: it's just like we want this kid to get out

1011
00:51:01,880 --> 00:51:08,920
Speaker 2: of this situation. Refreshsh I'm frozen, ye let me refresh

1012
00:51:09,120 --> 00:51:10,040
Speaker 2: my bad y'all.

1013
00:51:11,719 --> 00:51:11,919
Speaker 1: That.

1014
00:51:14,160 --> 00:51:16,719
Speaker 2: Oh, actually, you know what, my internet connection just went down.

1015
00:51:16,719 --> 00:51:18,920
Speaker 2: I'm a pause this recording and bring it back up.

1016
00:51:19,640 --> 00:51:22,640
Speaker 2: All right, technical difficulties, guys. Sorry, roaches got into wiring

1017
00:51:22,840 --> 00:51:24,280
Speaker 2: and cut the internet off.

1018
00:51:24,719 --> 00:51:29,520
Speaker 1: They were not about us. But yeah, so we have

1019
00:51:29,680 --> 00:51:31,280
Speaker 1: this moment, you know, with the dress.

1020
00:51:32,560 --> 00:51:36,720
Speaker 2: Then they ride to the prison and keep in mind,

1021
00:51:37,320 --> 00:51:38,399
Speaker 2: they've got plenty of time.

1022
00:51:38,560 --> 00:51:41,040
Speaker 1: They're gonna make it. They leave early, all right.

1023
00:51:41,120 --> 00:51:43,720
Speaker 2: Traffic is in that bad normal at this time, traffic

1024
00:51:43,719 --> 00:51:46,320
Speaker 2: seems to get a little backed up to they're little nervous,

1025
00:51:47,120 --> 00:51:50,759
Speaker 2: and then they get rear ended by a girl who

1026
00:51:50,880 --> 00:51:54,439
Speaker 2: was on the phone. Now we the audience at home,

1027
00:51:54,760 --> 00:51:58,080
Speaker 2: we know that Austin has a very fragile mind state. Okay,

1028
00:51:58,360 --> 00:52:01,320
Speaker 2: his homeboy just tried to kill himself. He's worried about

1029
00:52:01,640 --> 00:52:05,480
Speaker 2: failing as a father. Everybody else's daughter is showing up.

1030
00:52:06,160 --> 00:52:08,560
Speaker 2: You know, he's got a suit on, like this shit

1031
00:52:08,719 --> 00:52:12,680
Speaker 2: needs to happen. But on our side, it's like what

1032
00:52:12,760 --> 00:52:16,000
Speaker 2: the fuck, Like it's not gonna happen. We know Maya

1033
00:52:16,040 --> 00:52:19,000
Speaker 2: want to see her daddy, right, you know, the only

1034
00:52:19,280 --> 00:52:22,240
Speaker 2: pipeline of salvation is her daddy and his upper class

1035
00:52:22,280 --> 00:52:24,920
Speaker 2: family somehow coming to the rescue to get out of

1036
00:52:24,960 --> 00:52:28,120
Speaker 2: the clutches of the evil Fred Kuisha come along and

1037
00:52:28,360 --> 00:52:31,480
Speaker 2: they getting the damn wreck. Long story short, they don't

1038
00:52:31,480 --> 00:52:35,719
Speaker 2: get to the prison. So now everybody's fucked right A

1039
00:52:35,800 --> 00:52:38,799
Speaker 2: Because somebody had to play on the phone while driving.

1040
00:52:38,920 --> 00:52:42,360
Speaker 1: Everybody was heard. It was a lot of sad and crying.

1041
00:52:42,719 --> 00:52:45,640
Speaker 2: Right, So Austin gets to know the news your daughter

1042
00:52:45,640 --> 00:52:48,279
Speaker 2: ain't coming, and this whole thing is, I don't want

1043
00:52:48,280 --> 00:52:50,160
Speaker 2: to cry in front of these other inmates, right. He

1044
00:52:50,239 --> 00:52:52,759
Speaker 2: goes to a star cries in there. I think a

1045
00:52:52,760 --> 00:52:56,560
Speaker 2: security guard sees him crying in the stall, like you'

1046
00:52:56,560 --> 00:52:58,560
Speaker 2: al right. He's like, I'm all right, and all this stuff.

1047
00:52:59,000 --> 00:53:01,880
Speaker 2: And he is going back to a cell and taking

1048
00:53:01,880 --> 00:53:04,120
Speaker 2: off his suit and just laying in his bunk. And

1049
00:53:04,360 --> 00:53:06,360
Speaker 2: the saddest part of this is he has to walk

1050
00:53:07,160 --> 00:53:12,319
Speaker 2: through everybody with their daughters to his cell and I'm

1051
00:53:12,360 --> 00:53:15,080
Speaker 2: just expecting him to cry, break down or something, but

1052
00:53:15,160 --> 00:53:16,719
Speaker 2: he gets all the way back to a cell and

1053
00:53:16,719 --> 00:53:17,480
Speaker 2: it's real sad.

1054
00:53:18,719 --> 00:53:20,960
Speaker 1: In the meantime, Fred Creesia is out at the club

1055
00:53:21,040 --> 00:53:24,799
Speaker 1: try and get some dick having a good time with right.

1056
00:53:25,080 --> 00:53:26,640
Speaker 1: I actually forgot to put their names out.

1057
00:53:26,680 --> 00:53:30,320
Speaker 2: Yeah, we can't introduce her to Ride of Guy, So

1058
00:53:30,440 --> 00:53:33,640
Speaker 2: I got them Takesha and Antoinette.

1059
00:53:34,520 --> 00:53:37,400
Speaker 1: Yes, Antoinette, this is a description.

1060
00:53:38,760 --> 00:53:41,560
Speaker 2: They bobbed their weave colored heads to the catch It

1061
00:53:41,640 --> 00:53:45,160
Speaker 2: Cardi b song Every ratchet Bitch has come up anthem,

1062
00:53:45,920 --> 00:53:49,319
Speaker 2: which of course is say a little bitch, you can't

1063
00:53:49,320 --> 00:53:50,160
Speaker 2: fuck with me if.

1064
00:53:50,080 --> 00:53:53,279
Speaker 1: You wanted to. Yeah, you know, you guys know the song.

1065
00:53:53,440 --> 00:53:58,959
Speaker 1: You've heard it. Mummou was Mumou.

1066
00:53:58,680 --> 00:54:03,719
Speaker 2: Is also Fred Creesure's nickname. I guess all right, here's

1067
00:54:03,719 --> 00:54:06,160
Speaker 2: the type of MoU. Move was dead the fuck up tonight.

1068
00:54:06,360 --> 00:54:08,840
Speaker 2: Oh no, that's not TYPEO. That's just lame. She was

1069
00:54:08,880 --> 00:54:11,839
Speaker 2: dead the fuck up, y'all. She was from head to toe.

1070
00:54:12,080 --> 00:54:17,920
Speaker 2: She was in full south side niggaret mode.

1071
00:54:16,640 --> 00:54:21,000
Speaker 1: Niggarect mode. Come on, man, not sorry.

1072
00:54:22,160 --> 00:54:26,080
Speaker 2: She was a smooth, full sight sided niggarette mood. Her

1073
00:54:26,520 --> 00:54:30,000
Speaker 2: lace front ran down her back, damn near touching her ass.

1074
00:54:30,040 --> 00:54:32,520
Speaker 2: She was rocking a gold v neck see through mini

1075
00:54:32,600 --> 00:54:35,319
Speaker 2: dress that hugged every lump and bumping her thighs ass

1076
00:54:35,360 --> 00:54:38,719
Speaker 2: in mid section. However, tonight to conceal her true bad

1077
00:54:38,719 --> 00:54:41,959
Speaker 2: bodied figure. Fred Kusha had her corset tightly wrapped around

1078
00:54:41,960 --> 00:54:44,480
Speaker 2: her mid section to stop the combination of belly fat

1079
00:54:44,719 --> 00:54:47,640
Speaker 2: and stretched mark skin from revealing from being revealed to

1080
00:54:47,680 --> 00:54:50,600
Speaker 2: the world at large. With no bra on, it was

1081
00:54:50,640 --> 00:54:52,960
Speaker 2: somewhat possible with the naked out to see her pierced

1082
00:54:53,000 --> 00:54:56,400
Speaker 2: nipples matching golds. The Letto pumps were on her feet.

1083
00:54:56,600 --> 00:54:59,720
Speaker 2: Now from a cursorary glance, one would assume fred Kusha

1084
00:54:59,800 --> 00:55:02,000
Speaker 2: was a paid boss bitch who ran her own hair

1085
00:55:02,080 --> 00:55:05,279
Speaker 2: shopper nails line. But fred Kuisha's ass was unemployed and

1086
00:55:05,320 --> 00:55:10,399
Speaker 2: living off of the Illinois taxpayers. So the crew goes out,

1087
00:55:10,840 --> 00:55:14,080
Speaker 2: yes there, and we do get descriptions of Takeisha.

1088
00:55:14,120 --> 00:55:15,920
Speaker 1: She's short, fat and.

1089
00:55:15,920 --> 00:55:19,160
Speaker 2: Black, but didn't mind wearing loud boat near colored lace fronts,

1090
00:55:20,160 --> 00:55:23,080
Speaker 2: huge gap between the feet and she the bitch looked

1091
00:55:23,120 --> 00:55:24,560
Speaker 2: like she was straight out of babyheads.

1092
00:55:24,560 --> 00:55:25,120
Speaker 1: According to this.

1093
00:55:26,800 --> 00:55:30,480
Speaker 2: Antoinette was lighter than Takesha shade lighter, but it was

1094
00:55:30,560 --> 00:55:31,160
Speaker 2: much slimmer.

1095
00:55:31,520 --> 00:55:34,160
Speaker 1: She's she definede now she define uh.

1096
00:55:34,239 --> 00:55:36,399
Speaker 2: She was a home health aid and was currently going

1097
00:55:36,480 --> 00:55:38,840
Speaker 2: back to school to get her a registered nurse license.

1098
00:55:39,160 --> 00:55:41,560
Speaker 2: Despite Fred Creishia's asserting herself as to the fact though

1099
00:55:41,600 --> 00:55:43,680
Speaker 2: leader of the trio given years ago, she truly was

1100
00:55:43,719 --> 00:55:47,160
Speaker 2: a standout sexy hole. Antoinette now is the sexiest and

1101
00:55:47,239 --> 00:55:50,480
Speaker 2: resembled Tiara Scraped Daily O One's baby Mama from Love

1102
00:55:50,520 --> 00:55:56,520
Speaker 2: and Hip Hop Atlanta. I love that reference. I got

1103
00:55:56,520 --> 00:55:57,960
Speaker 2: it and that was just for me.

1104
00:55:58,280 --> 00:55:58,720
Speaker 1: Okay.

1105
00:56:00,280 --> 00:56:02,120
Speaker 2: Anyway, they go out to the club, she needs a

1106
00:56:02,160 --> 00:56:04,680
Speaker 2: dude nam Quandtrail and gets in a fight with the

1107
00:56:04,840 --> 00:56:09,000
Speaker 2: Azalea Banks looking bitch as they describe her. But she

1108
00:56:09,040 --> 00:56:12,160
Speaker 2: gets the attention of Quandtrail and they go out for

1109
00:56:12,239 --> 00:56:13,760
Speaker 2: a night of sex.

1110
00:56:13,960 --> 00:56:14,360
Speaker 1: Okay.

1111
00:56:14,520 --> 00:56:17,440
Speaker 2: She gets in the uber with him blows him in

1112
00:56:17,480 --> 00:56:21,360
Speaker 2: the back of the uber after being upset that he

1113
00:56:21,360 --> 00:56:22,960
Speaker 2: said he still lives with his baby mama, which is

1114
00:56:23,000 --> 00:56:25,160
Speaker 2: why he can't take her to his crib. But they

1115
00:56:25,239 --> 00:56:28,520
Speaker 2: instead get a hotel, and I think maybe at this

1116
00:56:28,640 --> 00:56:30,920
Speaker 2: point she knows she can't take them to her crib

1117
00:56:32,000 --> 00:56:34,440
Speaker 2: because we would have gotten another description.

1118
00:56:34,640 --> 00:56:37,000
Speaker 1: Of that Saint Gas house. Come on, and we don't

1119
00:56:37,040 --> 00:56:38,280
Speaker 1: need that, guys. Okay.

1120
00:56:39,960 --> 00:56:46,239
Speaker 2: Meanwhile, when it comes to Maya and her daddy, they're

1121
00:56:46,280 --> 00:56:51,120
Speaker 2: apparently getting like a super secret like this never happens

1122
00:56:51,239 --> 00:56:56,360
Speaker 2: fairy tale prison moment where the police show up to

1123
00:56:56,560 --> 00:57:00,480
Speaker 2: missus Watkins's crib in the middle of the night and

1124
00:57:00,480 --> 00:57:04,040
Speaker 2: they say, come with us, and she's like, oh my god,

1125
00:57:04,360 --> 00:57:07,200
Speaker 2: it's something happened to Austin. It's like, no, just come

1126
00:57:07,239 --> 00:57:09,680
Speaker 2: with us. And then Austin gets woken out of his

1127
00:57:09,760 --> 00:57:11,680
Speaker 2: cell and they're like, come with us, put your soup

1128
00:57:11,760 --> 00:57:15,239
Speaker 2: back on. And the prison because that guard saw him

1129
00:57:15,280 --> 00:57:19,240
Speaker 2: crying and his daughter, his own daughter died two years ago,

1130
00:57:19,360 --> 00:57:25,800
Speaker 2: Leakemia or something, he actually arranges a fairy tale like

1131
00:57:26,080 --> 00:57:27,120
Speaker 2: daddy daughter moment.

1132
00:57:28,040 --> 00:57:29,800
Speaker 1: I think it was like the DJ or something like that.

1133
00:57:29,920 --> 00:57:33,520
Speaker 2: Yeah, he was, Yeah, so like shout out to the

1134
00:57:33,560 --> 00:57:36,520
Speaker 2: industrial prisons.

1135
00:57:37,040 --> 00:57:40,040
Speaker 1: Shout out to people people that really care, shout out

1136
00:57:40,080 --> 00:57:44,720
Speaker 1: to the people at the prison that give the fut Uh.

1137
00:57:44,760 --> 00:57:48,000
Speaker 2: So we do get that moment and that was kind

1138
00:57:48,000 --> 00:57:54,320
Speaker 2: of cool. And then, of course, uh more, Fred Critia

1139
00:57:54,360 --> 00:57:55,120
Speaker 2: fucking this dude.

1140
00:57:55,280 --> 00:57:55,440
Speaker 3: Uh.

1141
00:57:55,480 --> 00:57:58,240
Speaker 2: She places her index finger of his long lips. Fred

1142
00:57:58,280 --> 00:58:02,520
Speaker 2: Creastia suppressed trails agitation. She cut his mouth in apprehension

1143
00:58:02,520 --> 00:58:04,880
Speaker 2: without hesitation. She buried her head down in his lap

1144
00:58:05,080 --> 00:58:06,960
Speaker 2: and fed her mouth his hard dick.

1145
00:58:07,200 --> 00:58:09,760
Speaker 1: She was gonna show Bay what that mouth. Do ho

1146
00:58:10,320 --> 00:58:17,480
Speaker 1: is life only? Miles? Oh, it is life. Yes. And

1147
00:58:17,520 --> 00:58:18,640
Speaker 1: this is also when.

1148
00:58:20,080 --> 00:58:23,360
Speaker 2: Fred Cusia decides that Missus Watkins can keep Maya until

1149
00:58:23,360 --> 00:58:26,440
Speaker 2: the next day, which is huge for us because on

1150
00:58:26,480 --> 00:58:30,840
Speaker 2: the other side of this, fred Quisha's abuse is becoming

1151
00:58:30,920 --> 00:58:34,720
Speaker 2: more and more known to Missus Wackins, and Missus Wakins

1152
00:58:34,760 --> 00:58:37,040
Speaker 2: is feeling more and more desperate and she's now at

1153
00:58:37,040 --> 00:58:40,720
Speaker 2: a point where she is ready to take the child

1154
00:58:41,000 --> 00:58:42,000
Speaker 2: from the mama.

1155
00:58:42,560 --> 00:58:45,400
Speaker 3: Right, you know, the baby cracks. Baby don't mean to

1156
00:58:45,800 --> 00:58:47,680
Speaker 3: she cracks. She couple her mouth. She's like, no, you

1157
00:58:47,680 --> 00:58:51,080
Speaker 3: can let me know. So she finally just telling everything happened.

1158
00:58:51,120 --> 00:58:53,560
Speaker 3: She kind of broke down, and in her process of

1159
00:58:53,600 --> 00:58:56,120
Speaker 3: breaking down, the grandmother is trying to figure out what

1160
00:58:56,280 --> 00:58:58,440
Speaker 3: can I do so that I don't have to end

1161
00:58:58,520 --> 00:59:01,040
Speaker 3: up giving her back and she don't want to have

1162
00:59:01,120 --> 00:59:02,640
Speaker 3: to wait for the legal system.

1163
00:59:02,760 --> 00:59:04,120
Speaker 1: She don't want to do it the right way. But

1164
00:59:04,200 --> 00:59:06,160
Speaker 1: everybody she calls, because she called her.

1165
00:59:06,080 --> 00:59:08,720
Speaker 3: Friend, there was the lawyer that help her son out

1166
00:59:08,840 --> 00:59:11,080
Speaker 3: and he gave he gave her the best advice even

1167
00:59:11,120 --> 00:59:12,560
Speaker 3: though she't want to hear that shit. He was like, look,

1168
00:59:12,600 --> 00:59:15,000
Speaker 3: this is not my fiel. He's like I normally, what

1169
00:59:15,120 --> 00:59:15,880
Speaker 3: charge you for this?

1170
00:59:16,400 --> 00:59:18,560
Speaker 1: But you got to have proof.

1171
00:59:18,600 --> 00:59:21,560
Speaker 3: Anything else cannot guarantee that she's gonna stay with you.

1172
00:59:21,680 --> 00:59:23,840
Speaker 1: And even if you do proof it's abuse.

1173
00:59:23,720 --> 00:59:26,880
Speaker 3: She's most likely going to go to Frank Cuasha's mother

1174
00:59:27,120 --> 00:59:29,040
Speaker 3: because she has full custody.

1175
00:59:29,360 --> 00:59:31,960
Speaker 1: So like, you just can't do it. If you want

1176
00:59:32,000 --> 00:59:33,280
Speaker 1: to do it the legal way.

1177
00:59:33,320 --> 00:59:36,680
Speaker 3: To where you actually get full custody and all that stuff,

1178
00:59:36,960 --> 00:59:37,720
Speaker 3: you have to do it.

1179
00:59:37,600 --> 00:59:40,640
Speaker 1: The right way. Anything else, it just won't cut it

1180
00:59:40,640 --> 00:59:42,240
Speaker 1: because the way the system is designed.

1181
00:59:42,280 --> 00:59:45,840
Speaker 2: And also Fred Cuzia, I mean not Fred Cuesia, mssus

1182
00:59:45,840 --> 00:59:48,280
Speaker 2: Watkins is connected, yes, because like this is a high

1183
00:59:48,280 --> 00:59:53,080
Speaker 2: priced lawyer that helped with her son's trial and all

1184
00:59:53,120 --> 00:59:55,840
Speaker 2: this stuff. So like this family they keep harping on,

1185
00:59:55,880 --> 00:59:58,960
Speaker 2: they do have connections, like things move for them. But

1186
00:59:59,200 --> 01:00:03,000
Speaker 2: even with that those connections, they can't move this child

1187
01:00:03,320 --> 01:00:06,400
Speaker 2: endangerments system any faster than it's gonna move on it

1188
01:00:06,520 --> 01:00:07,560
Speaker 2: song right.

1189
01:00:07,400 --> 01:00:11,400
Speaker 3: And so you know, she gets frustrated and he told us,

1190
01:00:11,400 --> 01:00:13,400
Speaker 3: if you wanna do something, you gotta have records, you

1191
01:00:13,440 --> 01:00:17,160
Speaker 3: gotta have fouls. So she calls the DSS and get

1192
01:00:17,200 --> 01:00:20,280
Speaker 3: all them involved in her local system, and she gets

1193
01:00:20,280 --> 01:00:22,040
Speaker 3: mad at them because they was like, yeah, we'll take this,

1194
01:00:22,080 --> 01:00:23,840
Speaker 3: but there's nothing we can do and we have to

1195
01:00:23,920 --> 01:00:27,040
Speaker 3: actually push this to the jurisdiction that the child lives in,

1196
01:00:27,080 --> 01:00:29,760
Speaker 3: which is not ours, which means you think we slow,

1197
01:00:30,480 --> 01:00:33,960
Speaker 3: they are slower. They have more cases, you know. And

1198
01:00:34,000 --> 01:00:36,480
Speaker 3: then she was like, when you deal with them, they're

1199
01:00:36,520 --> 01:00:39,680
Speaker 3: gonna take information. Then they got to see if it's

1200
01:00:39,760 --> 01:00:42,600
Speaker 3: worthy or where does it rain, you know, because it might.

1201
01:00:42,480 --> 01:00:45,160
Speaker 1: Not warrant to visit, it might not even warrant their attention.

1202
01:00:45,560 --> 01:00:48,840
Speaker 3: They was like, she has no physical marks, she has

1203
01:00:48,360 --> 01:00:54,640
Speaker 3: no mental damage or anything that would cause us to

1204
01:00:54,720 --> 01:00:56,160
Speaker 3: have to jump in immediately.

1205
01:00:56,280 --> 01:00:57,000
Speaker 1: And she didn't want to.

1206
01:00:57,000 --> 01:00:59,880
Speaker 2: Hit that right and we know how fred Kushia's spite

1207
01:01:00,240 --> 01:01:04,840
Speaker 2: and patty and dangerous and already abuse it. So and

1208
01:01:04,880 --> 01:01:07,760
Speaker 2: I also, Alton Jones, I felt like I wanted Keith

1209
01:01:07,840 --> 01:01:10,760
Speaker 2: David to play that role. If we get the movie,

1210
01:01:10,960 --> 01:01:15,880
Speaker 2: that would be high powered black lawyer, you know, helping

1211
01:01:15,920 --> 01:01:16,560
Speaker 2: out this family.

1212
01:01:16,640 --> 01:01:17,800
Speaker 1: That would actually be really good.

1213
01:01:17,840 --> 01:01:21,240
Speaker 3: And you know, the grandmother gets frustrated, she gets mad,

1214
01:01:21,240 --> 01:01:23,040
Speaker 3: she doesn't want to follow any of the rules. So

1215
01:01:23,600 --> 01:01:26,640
Speaker 3: from there she she turns around and she was like, well,

1216
01:01:26,680 --> 01:01:28,800
Speaker 3: I'm gonna take the baby out to have a good time.

1217
01:01:28,840 --> 01:01:31,240
Speaker 3: And you know, she was like, fine, I'll take her home,

1218
01:01:31,640 --> 01:01:34,040
Speaker 3: you know, because that's the right thing, you know.

1219
01:01:34,200 --> 01:01:36,440
Speaker 1: To do. Yeah, they stop by the police station. Right,

1220
01:01:36,520 --> 01:01:38,800
Speaker 1: they stop by the police station. She get interviews, the

1221
01:01:38,840 --> 01:01:39,880
Speaker 1: baby get interviewed.

1222
01:01:40,800 --> 01:01:44,080
Speaker 3: So they she did the thing the right way. It's

1223
01:01:44,160 --> 01:01:49,560
Speaker 3: just a slow system and she and she can't understand

1224
01:01:49,640 --> 01:01:52,120
Speaker 3: why the system is so slow when she wants something

1225
01:01:52,160 --> 01:01:52,800
Speaker 3: done immediately.

1226
01:01:52,880 --> 01:01:56,000
Speaker 2: It's truly heartbreaking stuff. So, Missus Wackins, we definitely have

1227
01:01:56,040 --> 01:01:58,320
Speaker 2: a case here, he muttered, So what happens next? Then

1228
01:01:58,400 --> 01:02:00,600
Speaker 2: Missus Wackins grew tense at the south that something could

1229
01:02:00,600 --> 01:02:04,600
Speaker 2: possibly be done is and immediately say the girl, Well, unfortunately,

1230
01:02:04,640 --> 01:02:06,320
Speaker 2: right now nothing.

1231
01:02:06,680 --> 01:02:09,120
Speaker 1: Wait what you just said? We have a case though, Yeah,

1232
01:02:09,200 --> 01:02:09,880
Speaker 1: we have a case.

1233
01:02:09,920 --> 01:02:11,880
Speaker 2: But in order for the case to have legs and

1234
01:02:11,920 --> 01:02:15,080
Speaker 2: move to rescue.

1235
01:02:13,840 --> 01:02:15,720
Speaker 1: The girl, here's what needs to happen.

1236
01:02:15,800 --> 01:02:19,000
Speaker 2: First, we have to relay this information over the dcfast.

1237
01:02:19,240 --> 01:02:22,480
Speaker 2: They have to investigate these child abuse alligations. These investigations

1238
01:02:22,520 --> 01:02:25,200
Speaker 2: can vary in time. Some move slow, some move very fast,

1239
01:02:25,320 --> 01:02:27,920
Speaker 2: very fast, depending on severity of the abuse alligations and

1240
01:02:27,960 --> 01:02:28,400
Speaker 2: the evidence.

1241
01:02:28,400 --> 01:02:28,920
Speaker 1: They collect.

1242
01:02:29,160 --> 01:02:31,360
Speaker 2: Unfortunately, in Maya's case, all we have is her word.

1243
01:02:31,480 --> 01:02:35,920
Speaker 2: The girl doesn't have any substantial markings that show physical violence, trauma, assault,

1244
01:02:36,240 --> 01:02:39,000
Speaker 2: or any other types of incriminating evidence that would make

1245
01:02:39,000 --> 01:02:42,440
Speaker 2: a Chicago police officer arrest her mother Fred Quisha. This

1246
01:02:42,480 --> 01:02:45,240
Speaker 2: is after we do know that Maya got slapped this

1247
01:02:45,280 --> 01:02:48,600
Speaker 2: morning for that roach, so I guess she's slapping she

1248
01:02:49,400 --> 01:02:50,360
Speaker 2: like knows how to slap.

1249
01:02:50,600 --> 01:02:51,720
Speaker 1: It doesn't leave any marks.

1250
01:02:53,720 --> 01:02:57,040
Speaker 2: So yeah, they end up basically having a point where

1251
01:02:57,320 --> 01:03:00,560
Speaker 2: she has to bring you her daughter back, her granddaughter

1252
01:03:00,640 --> 01:03:05,960
Speaker 2: back to her abuse her legally, and they go.

1253
01:03:07,280 --> 01:03:11,200
Speaker 3: And she can't do it, so if the baby just

1254
01:03:11,240 --> 01:03:13,600
Speaker 3: breaks down. She was like, Grandma, I don't want to

1255
01:03:13,680 --> 01:03:14,120
Speaker 3: go back.

1256
01:03:14,320 --> 01:03:16,960
Speaker 1: Literally, this was heartbreaking. This was sad.

1257
01:03:17,040 --> 01:03:19,160
Speaker 2: Like I read this shit and was like this dude

1258
01:03:19,320 --> 01:03:21,960
Speaker 2: is good at writing because I'm sitting up there like,

1259
01:03:22,160 --> 01:03:22,720
Speaker 2: don't put.

1260
01:03:22,560 --> 01:03:25,280
Speaker 1: The baby back in the house, please, Lord Jesus, drive.

1261
01:03:25,080 --> 01:03:27,840
Speaker 3: Off, And I could imagine her just having a mental breakdown.

1262
01:03:27,840 --> 01:03:29,320
Speaker 3: She's like if I take her in here like this,

1263
01:03:29,400 --> 01:03:31,520
Speaker 3: she gonna know something's wrong, right, And.

1264
01:03:31,520 --> 01:03:34,000
Speaker 1: She's gonna know we're trying to get the child out

1265
01:03:34,040 --> 01:03:34,280
Speaker 1: of her.

1266
01:03:34,200 --> 01:03:37,000
Speaker 3: Custom right because she's a child, so she don't understand.

1267
01:03:37,000 --> 01:03:38,920
Speaker 3: You got to play it cool, like it's hard to

1268
01:03:39,000 --> 01:03:40,800
Speaker 3: explain to a child that you gotta be patient.

1269
01:03:40,880 --> 01:03:42,240
Speaker 1: This scene, it was so crazy.

1270
01:03:42,400 --> 01:03:45,479
Speaker 2: The dusky skies turned orange, the sun began to fade away,

1271
01:03:45,600 --> 01:03:47,760
Speaker 2: so did any sense of contentment Maya had.

1272
01:03:48,400 --> 01:03:49,560
Speaker 1: It was now gone.

1273
01:03:49,400 --> 01:03:52,040
Speaker 2: As her innocent doue eyes attached to the creddit building

1274
01:03:52,760 --> 01:03:54,800
Speaker 2: Like I said, baby girl, we're gonna work to fix

1275
01:03:54,840 --> 01:03:58,040
Speaker 2: the situation and get you out. Please, baby girl, do

1276
01:03:58,160 --> 01:04:00,400
Speaker 2: not do anything or say anything to your mother that

1277
01:04:00,400 --> 01:04:01,520
Speaker 2: would make her go crazy.

1278
01:04:02,120 --> 01:04:05,040
Speaker 1: Grandma, please don't make me go inside there. I can't.

1279
01:04:05,040 --> 01:04:08,280
Speaker 2: I'm just too scared. Please, baby girl, there's nothing I

1280
01:04:08,320 --> 01:04:10,600
Speaker 2: can do. I can't take you with me. Miss Wacker's

1281
01:04:10,600 --> 01:04:12,760
Speaker 2: trying the best to explain, but Mae was relentless with

1282
01:04:12,800 --> 01:04:13,200
Speaker 2: her begging.

1283
01:04:13,480 --> 01:04:16,120
Speaker 1: Granted, please I do anything. Can I just not hide?

1284
01:04:16,520 --> 01:04:19,120
Speaker 1: Can I just not hide at Joe Place? No, baby girl,

1285
01:04:19,120 --> 01:04:20,120
Speaker 1: you can't hide at my place.

1286
01:04:20,160 --> 01:04:22,040
Speaker 2: Your mother unfortunately has to have you for the time

1287
01:04:22,120 --> 01:04:24,520
Speaker 2: being until we work to solve this entire or deal

1288
01:04:24,560 --> 01:04:24,800
Speaker 2: for you.

1289
01:04:25,360 --> 01:04:27,760
Speaker 1: Grandma, Please, no, no, please?

1290
01:04:27,920 --> 01:04:30,520
Speaker 2: Mine kept that is sobbing and weeping. The more her

1291
01:04:30,520 --> 01:04:32,720
Speaker 2: cries thundered than the car. The guilty of missus. Wackins

1292
01:04:32,760 --> 01:04:35,040
Speaker 2: felt she couldn't in good faith just hand over the

1293
01:04:35,120 --> 01:04:37,720
Speaker 2: child to a mother who she knew was completely capable.

1294
01:04:37,440 --> 01:04:38,240
Speaker 1: Of raising the girl.

1295
01:04:39,200 --> 01:04:44,520
Speaker 2: And that's when she decided, Jonah drive his fucking car now,

1296
01:04:44,600 --> 01:04:48,960
Speaker 2: and they drove off with with Maya, and it said

1297
01:04:49,520 --> 01:04:52,439
Speaker 2: suddenly Jonah took off into the sunset set, burying down

1298
01:04:52,440 --> 01:04:56,720
Speaker 2: Hasted Avenue back to Madison. Maya's cries diminished. Maybe God

1299
01:04:56,760 --> 01:05:02,280
Speaker 2: does answer prayers. She thought, We're almost at the end

1300
01:05:02,280 --> 01:05:05,560
Speaker 2: of the book. Two more things happen, and this is

1301
01:05:05,600 --> 01:05:07,960
Speaker 2: the part when I realized, oh shit, it's more than

1302
01:05:07,960 --> 01:05:10,880
Speaker 2: this book, Like all right here, I am thinking, like, okay,

1303
01:05:11,000 --> 01:05:13,760
Speaker 2: kwan about to wrap this up. Something not happen. A

1304
01:05:13,760 --> 01:05:16,280
Speaker 2: fair god mother gonna save the little baby. You know,

1305
01:05:16,400 --> 01:05:19,080
Speaker 2: Fred Kristian gets framed for drug dealer. I don't know something.

1306
01:05:20,080 --> 01:05:24,040
Speaker 1: No. First of all, in prison, they introduced us to.

1307
01:05:24,040 --> 01:05:28,840
Speaker 2: A bunch of characters that like friends with Austin, who's

1308
01:05:28,880 --> 01:05:30,840
Speaker 2: now you know, in high spirits, hoping to get out

1309
01:05:30,840 --> 01:05:35,280
Speaker 2: of prison until an evil corrupt prison guard.

1310
01:05:35,760 --> 01:05:38,120
Speaker 1: Yeah, prison guard stabs a dude in front of him,

1311
01:05:39,120 --> 01:05:39,919
Speaker 1: and then you.

1312
01:05:39,840 --> 01:05:43,200
Speaker 2: Know, Austin like tries to save this man who's getting stabbed,

1313
01:05:43,240 --> 01:05:47,000
Speaker 2: you know, save his friend, and is up killing the

1314
01:05:47,040 --> 01:05:49,960
Speaker 2: guard because it's it's self defense. So now he's got

1315
01:05:50,200 --> 01:05:54,000
Speaker 2: a possible murder charge in prison. And then this part

1316
01:05:54,280 --> 01:05:57,680
Speaker 2: is the part that killed me. It was like, uh,

1317
01:05:57,720 --> 01:06:00,000
Speaker 2: the corrections officer didn't respond, He just stood that fighting,

1318
01:06:00,120 --> 01:06:02,240
Speaker 2: trying his best to wrestle for domination and control. In

1319
01:06:02,280 --> 01:06:04,360
Speaker 2: the fight, both men suddenly fell to the ground. As

1320
01:06:04,360 --> 01:06:06,760
Speaker 2: they continued to tussle back and forth, Austin conjured up

1321
01:06:06,840 --> 01:06:08,760
Speaker 2: enough strength to roll the man over. He quickly let

1322
01:06:08,840 --> 01:06:11,720
Speaker 2: the murderous, corrupt corrections officer go for a brief moment,

1323
01:06:11,800 --> 01:06:14,000
Speaker 2: threw a few punches into the man's face and the

1324
01:06:14,120 --> 01:06:16,720
Speaker 2: arm that would held the knife. Without even thinking, Austin

1325
01:06:16,760 --> 01:06:18,640
Speaker 2: grabbed the knife and begin to slice away at the

1326
01:06:18,640 --> 01:06:22,120
Speaker 2: man's neck. Bloods flattered all over even on Austin as

1327
01:06:22,120 --> 01:06:25,200
Speaker 2: the corrections officer clung for his life, spewing out crimson

1328
01:06:25,280 --> 01:06:27,240
Speaker 2: blood from the open wound gaping in the middle of

1329
01:06:27,280 --> 01:06:29,320
Speaker 2: his neck. Austin stood up with the knife in his

1330
01:06:29,400 --> 01:06:33,000
Speaker 2: hand and galked down at the dying corrections officer Watkins.

1331
01:06:33,040 --> 01:06:35,120
Speaker 2: Put the knife down, or we will shoot one of

1332
01:06:35,200 --> 01:06:38,800
Speaker 2: two guards standing feet away from Austin, a screamed towards Austin.

1333
01:06:39,040 --> 01:06:41,880
Speaker 2: Both guards had semi automatic rifles pointing at the man.

1334
01:06:42,360 --> 01:06:44,320
Speaker 2: Drop the fucking knife in your hand and get down

1335
01:06:44,360 --> 01:06:44,920
Speaker 2: on your knees.

1336
01:06:44,960 --> 01:06:45,200
Speaker 1: Now.

1337
01:06:45,520 --> 01:06:48,440
Speaker 2: Austin, completely shook up and terrified, muttered, it's not what

1338
01:06:48,520 --> 01:06:51,400
Speaker 2: you think. I was definitely we all. I was defending

1339
01:06:51,400 --> 01:06:53,280
Speaker 2: I guess defending myself. We are going to tell you

1340
01:06:53,280 --> 01:06:56,280
Speaker 2: one last time, Watkins, get down, no Alfiser, please, it's

1341
01:06:56,320 --> 01:06:58,560
Speaker 2: not with you. Pow pow pal. That's the last office.

1342
01:06:58,520 --> 01:07:01,600
Speaker 2: See Augen Austin, What the fuck if he did?

1343
01:07:01,760 --> 01:07:04,160
Speaker 1: We don't know if he's don't we don't know.

1344
01:07:04,920 --> 01:07:08,240
Speaker 2: Part two right, as LeVar Burton would say, you know,

1345
01:07:08,760 --> 01:07:09,880
Speaker 2: don't take my word for it.

1346
01:07:09,960 --> 01:07:12,040
Speaker 1: Now, I gotta read that shit. Is it the book?

1347
01:07:12,520 --> 01:07:15,760
Speaker 1: And then the last twist comes out of nowhere? Right?

1348
01:07:16,440 --> 01:07:19,960
Speaker 1: I just the god, I like Green Laf couldn't have

1349
01:07:19,960 --> 01:07:20,400
Speaker 1: done it better.

1350
01:07:20,440 --> 01:07:26,360
Speaker 2: Okay, come on, Fred Kreisha gets home, her mom drops

1351
01:07:26,400 --> 01:07:33,120
Speaker 2: off her two sons that she does care about, and

1352
01:07:33,440 --> 01:07:37,520
Speaker 2: all of a sudden, a car pulls up. Okay, uh

1353
01:07:37,720 --> 01:07:40,000
Speaker 2: as a as a ratchet Mama rummaged her purse to

1354
01:07:40,000 --> 01:07:41,680
Speaker 2: pull out her pack of new ports to hang her

1355
01:07:41,720 --> 01:07:45,160
Speaker 2: Mama Evelyn the square. A silver Nissan Altima zoomed up

1356
01:07:45,200 --> 01:07:47,840
Speaker 2: the street and came to a screeching halt at the

1357
01:07:47,880 --> 01:07:52,160
Speaker 2: corner where the ratchet Pierce family had been standing. Fred

1358
01:07:52,200 --> 01:07:55,360
Speaker 2: Kuishia gazed into the car and recognized Paul Lett, one

1359
01:07:55,360 --> 01:07:58,200
Speaker 2: of her besties and her hairdresser, and her fifteen year

1360
01:07:58,200 --> 01:08:03,240
Speaker 2: old daughter Quantus Quantasia in the passenger seat. All of

1361
01:08:03,240 --> 01:08:05,520
Speaker 2: a sudden, Paulette hopped out the driver's seat.

1362
01:08:05,760 --> 01:08:08,160
Speaker 1: Get out, bitch, fuck is you doing? Don't be scared now?

1363
01:08:08,240 --> 01:08:11,360
Speaker 2: Ho The enraged hairdressed a bestie screened that her daughter,

1364
01:08:12,120 --> 01:08:15,040
Speaker 2: her daughter, who looked terrified, still sitting in the passenger seat.

1365
01:08:15,200 --> 01:08:17,160
Speaker 1: Right, fuck is going on? Paulette.

1366
01:08:17,200 --> 01:08:21,120
Speaker 2: Fred Quisha's nervously asked if she goggled her at her

1367
01:08:21,120 --> 01:08:24,280
Speaker 2: friend damn there dragged her daught out of the passenger

1368
01:08:24,280 --> 01:08:26,880
Speaker 2: seat of her car. Bitch, tell her what the fuck

1369
01:08:26,920 --> 01:08:28,919
Speaker 2: you just told me, Paultte commanded.

1370
01:08:28,920 --> 01:08:29,320
Speaker 1: Her daughter.

1371
01:08:29,400 --> 01:08:32,280
Speaker 2: Quantasia looked like she'd seen a ghost of the ghost

1372
01:08:32,320 --> 01:08:35,360
Speaker 2: of Michael Jackson or some shit. She looked around, huffed,

1373
01:08:35,400 --> 01:08:38,360
Speaker 2: and then stared at fred Quisha. Look girl, if you

1374
01:08:38,360 --> 01:08:40,599
Speaker 2: don't tell her what you just told me. I'm fitna

1375
01:08:40,640 --> 01:08:46,360
Speaker 2: fuck you up. Quintaga began to cry, I'm pregnant.

1376
01:08:46,640 --> 01:08:47,559
Speaker 1: Okay Fred.

1377
01:08:47,640 --> 01:08:50,519
Speaker 2: Quisha was solent and confused. Why was this big news

1378
01:08:50,520 --> 01:08:50,840
Speaker 2: to her?

1379
01:08:51,439 --> 01:08:53,880
Speaker 1: Tell her, bitch everything, tell her who her through the

1380
01:08:53,920 --> 01:08:54,559
Speaker 1: daddy is.

1381
01:08:54,960 --> 01:08:59,760
Speaker 2: Quantasia lowered her head and slowly sway side to side Formani,

1382
01:09:01,240 --> 01:09:07,479
Speaker 2: bitch what kwamani? Fred Kushia's spat with her scrunched up face. Yes, bitch, your.

1383
01:09:07,320 --> 01:09:10,439
Speaker 1: Twelve year old bad fat ass son got my daughter pregnant.

1384
01:09:11,439 --> 01:09:15,880
Speaker 1: The in y'all like the book. I was like, oh, okay,

1385
01:09:16,000 --> 01:09:18,200
Speaker 1: this is what we ended. All right about that about

1386
01:09:18,240 --> 01:09:18,639
Speaker 1: the author?

1387
01:09:18,880 --> 01:09:22,120
Speaker 2: Okay, the Hunger Games could never okay, Harry Potter did

1388
01:09:22,160 --> 01:09:23,040
Speaker 2: not end on the cliffhanger.

1389
01:09:23,120 --> 01:09:24,360
Speaker 1: That good, I'll come to you.

1390
01:09:25,240 --> 01:09:27,639
Speaker 2: We also did get questions from the chat all right,

1391
01:09:30,080 --> 01:09:34,400
Speaker 2: random question, do you think you interview in Kwan before

1392
01:09:34,560 --> 01:09:37,160
Speaker 2: during the review? Will temper how the review? You view

1393
01:09:37,200 --> 01:09:41,240
Speaker 2: the book in retrospect? Not for me personally? No, you know,

1394
01:09:41,439 --> 01:09:43,080
Speaker 2: like it's not like we became friends and shit, I

1395
01:09:43,080 --> 01:09:43,719
Speaker 2: don't know that nigga.

1396
01:09:43,720 --> 01:09:44,519
Speaker 1: I don't know what his real name.

1397
01:09:44,840 --> 01:09:47,879
Speaker 2: So we it was cool to do the interview and everything,

1398
01:09:48,000 --> 01:09:52,160
Speaker 2: but I liked the book before I even talked to him.

1399
01:09:52,240 --> 01:09:53,680
Speaker 1: But also, you guys.

1400
01:09:53,439 --> 01:09:57,000
Speaker 2: Know, I'm kind of in that lane of something can

1401
01:09:57,040 --> 01:09:59,280
Speaker 2: be black and not woke, and I still enjoy it,

1402
01:09:59,320 --> 01:10:01,520
Speaker 2: and I don't feel it's a reflection on all blackness.

1403
01:10:01,720 --> 01:10:06,559
Speaker 2: So let's see if anybody else had any comments. Uh,

1404
01:10:06,920 --> 01:10:09,200
Speaker 2: this is just a regular comment. I just finished the

1405
01:10:09,200 --> 01:10:12,040
Speaker 2: book the other day. It's too much smiley faces.

1406
01:10:12,080 --> 01:10:12,439
Speaker 1: Thank you.

1407
01:10:13,160 --> 01:10:15,160
Speaker 2: Uh, as someone who hasn't read the book. Is it

1408
01:10:15,200 --> 01:10:18,680
Speaker 2: extremely comedic or are there some dramatic tense points? Like

1409
01:10:18,720 --> 01:10:22,120
Speaker 2: what can I expect? This is from Ola Femei? What

1410
01:10:22,160 --> 01:10:24,800
Speaker 2: do you think Karen is a book?

1411
01:10:25,080 --> 01:10:25,200
Speaker 3: Uh?

1412
01:10:26,040 --> 01:10:31,719
Speaker 1: Comedic or there's some dramatic tense points a little bit everything. Yeah,

1413
01:10:31,960 --> 01:10:33,240
Speaker 1: I don't think it's just a comedy.

1414
01:10:33,280 --> 01:10:36,519
Speaker 2: I feel like I went and expecting just a comedy,

1415
01:10:36,600 --> 01:10:38,400
Speaker 2: but I don't think I got just a comedy. I

1416
01:10:38,479 --> 01:10:40,320
Speaker 2: really was concerned for some of these characters in a

1417
01:10:40,360 --> 01:10:42,000
Speaker 2: way I didn't think I would be agreed.

1418
01:10:42,840 --> 01:10:46,400
Speaker 1: Uh some Fred's, Wait what is this Fred's?

1419
01:10:46,720 --> 01:10:48,960
Speaker 2: I saw I saw this as a stereo type of

1420
01:10:49,000 --> 01:10:51,360
Speaker 2: single moles raising her black queens.

1421
01:10:51,479 --> 01:10:54,800
Speaker 1: Oh yeah, the stuff where it was like.

1422
01:10:54,720 --> 01:10:58,640
Speaker 2: I'm gonna treat my sons good, but my daughter bad.

1423
01:10:58,680 --> 01:11:02,800
Speaker 2: You know, there's like steal time that like, which is interesting, right,

1424
01:11:02,840 --> 01:11:06,080
Speaker 2: because this is a book where Kwan Mills has decidedly decided,

1425
01:11:06,200 --> 01:11:10,200
Speaker 2: like said that this black woman is evil. She is

1426
01:11:10,360 --> 01:11:13,400
Speaker 2: using the system against a good man and a good

1427
01:11:13,439 --> 01:11:16,360
Speaker 2: man's family so she can get benefits and live in

1428
01:11:16,360 --> 01:11:20,040
Speaker 2: this just terrible house and she's abusive and everything. Right,

1429
01:11:20,920 --> 01:11:22,880
Speaker 2: But then that kind of is a recognition of the

1430
01:11:22,920 --> 01:11:25,840
Speaker 2: privilege that is handed down because she treats her son

1431
01:11:25,840 --> 01:11:29,880
Speaker 2: as great, right, Her sons get the best of everything,

1432
01:11:30,520 --> 01:11:33,439
Speaker 2: her daughter gets treated like shit. So it's like a

1433
01:11:33,760 --> 01:11:36,600
Speaker 2: kind of an interesting acknowledgement of male privilege within the

1434
01:11:36,640 --> 01:11:41,599
Speaker 2: black dashperd while also having this antagonist that.

1435
01:11:41,800 --> 01:11:44,679
Speaker 1: Would you know, trigger a lot of people's all.

1436
01:11:44,560 --> 01:11:46,559
Speaker 2: The stereotypes that we hate to hear people talk about

1437
01:11:46,560 --> 01:11:51,200
Speaker 2: with black women. And lastly, were these people in the

1438
01:11:51,200 --> 01:11:54,080
Speaker 2: book the author knows in real life or just to

1439
01:11:54,160 --> 01:11:57,240
Speaker 2: change names to protect the innocent, he doesn't know these people.

1440
01:11:57,720 --> 01:11:59,240
Speaker 1: This is all fictional lot of stuff.

1441
01:11:59,240 --> 01:12:02,519
Speaker 2: He's the same way that you'll see a video on

1442
01:12:02,560 --> 01:12:04,760
Speaker 2: Black Twitter or somebody like hitting their kid or some shit,

1443
01:12:04,800 --> 01:12:07,559
Speaker 2: and then everybody will be like judging that person but

1444
01:12:07,600 --> 01:12:10,720
Speaker 2: there's a story there, right, he gets inspired by some

1445
01:12:10,760 --> 01:12:14,200
Speaker 2: of the same things. So yeah, like I said, you

1446
01:12:14,200 --> 01:12:15,800
Speaker 2: guys can check out the interview with him. I think

1447
01:12:15,800 --> 01:12:17,320
Speaker 2: that's a great addendum.

1448
01:12:16,880 --> 01:12:18,679
Speaker 1: To what we just did talked about the book.

1449
01:12:20,320 --> 01:12:23,720
Speaker 2: You know, would you be interested in finishing the book,

1450
01:12:23,800 --> 01:12:26,960
Speaker 2: Karen or is this it for you, like, like not

1451
01:12:27,080 --> 01:12:28,320
Speaker 2: for a review, just in.

1452
01:12:28,240 --> 01:12:30,479
Speaker 1: Your own free time. Yeah, I'll finish the book. Okay,

1453
01:12:30,560 --> 01:12:32,280
Speaker 1: So you're gonna finish the series. I want to finish

1454
01:12:32,320 --> 01:12:32,519
Speaker 1: it too.

1455
01:12:32,560 --> 01:12:37,040
Speaker 2: I'm gonna buy Yeah, I mean I got the One

1456
01:12:37,120 --> 01:12:40,160
Speaker 2: Night Egg. Okay, all right, I know I'm a big ball.

1457
01:12:40,200 --> 01:12:42,639
Speaker 2: I take care of mine, you know. Thank you, Thank

1458
01:12:42,720 --> 01:12:44,800
Speaker 2: y'all so much for listening to our book review.

1459
01:12:44,880 --> 01:12:47,400
Speaker 1: Thank you for your questions. Thank you up in the

1460
01:12:47,479 --> 01:12:47,960
Speaker 1: chat room.

1461
01:12:48,200 --> 01:12:52,200
Speaker 2: Yeah, all your comments, well appreciate y'all. We'll be back tomorrow.

1462
01:12:52,240 --> 01:12:56,759
Speaker 2: Tomorrow's a Walking Dead recap, so we'll be talking about

1463
01:12:56,760 --> 01:13:00,360
Speaker 2: that Wednesday, and then we'll do a big old like

1464
01:13:01,160 --> 01:13:04,640
Speaker 2: feedback show on Saturday that will account for all this

1465
01:13:04,720 --> 01:13:09,240
Speaker 2: different stuff. And uh yeah, enjoy the interview because I

1466
01:13:09,240 --> 01:13:13,880
Speaker 2: think the interview is so interesting and it'll make up

1467
01:13:13,920 --> 01:13:15,400
Speaker 2: for those two days we were off, like that's a

1468
01:13:15,439 --> 01:13:17,920
Speaker 2: two hour interview. Okay, don't say I don't do anything.

1469
01:13:18,040 --> 01:13:20,160
Speaker 2: You guys, all right, until next time.

1470
01:13:20,720 --> 01:13:22,200
Speaker 1: I love you. I love it too,