WEBVTT - Introducing The Sisters

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<v Speaker 1>Hi there to Mumbay listeners. This is Fred Greenholsch, the

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<v Speaker 1>host of Undertow Realm's premiere horror podcast, and I'm excited

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<v Speaker 1>to let you know that the creators of Tumumbay have

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<v Speaker 1>a new show out with us called The Sisters. When

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<v Speaker 1>the curator of a museum of medical oddities receives a

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<v Speaker 1>mysterious gift, she uncovers a story of a curse that

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<v Speaker 1>connects her present with one family's haunted past. Terrifyingly enough,

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<v Speaker 1>this tale of grief and obsession was inspired by real events,

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<v Speaker 1>and if you are a skeptic about ghosts and the paranormal,

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<v Speaker 1>while listening to The Sisters will probably make you think again.

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<v Speaker 1>Today you'll hear the first full episode of The Sisters.

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<v Speaker 1>To find the rest, look for The Sisters, season six

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<v Speaker 1>of Undertow rever Podcasts are served.

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<v Speaker 2>What you are about to hear is a true story.

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<v Speaker 2>It happened in Hexham, England in the nineteen fifties and sixties.

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<v Speaker 2>Names have been changed out of respect to the victims

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<v Speaker 2>and to protect the innocent. The Sisters episode one Believe

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<v Speaker 2>it or.

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<v Speaker 3>Not, it's the third nineteen sixty five interview number seven with.

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<v Speaker 4>Well why don't you introduce yourself? My lovely tell me

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<v Speaker 4>your name?

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<v Speaker 5>Where's Jackie? We do everything together, which I.

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<v Speaker 4>Know you are, Jill.

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<v Speaker 3>I bet you have a lot of fun, don't you. No,

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<v Speaker 3>But today Jill is all about you.

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<v Speaker 5>Is it black going to the dentist?

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<v Speaker 6>No, that's much nicer than going to the dentist.

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<v Speaker 4>What have you got there, Jill? What are you playing

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<v Speaker 4>with my locket? Is there anything inside it?

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<v Speaker 5>Yes? H from an angel.

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<v Speaker 4>Well that's something that'll keep you safe't it now? Jill?

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<v Speaker 4>Why don't you tell me about My name.

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<v Speaker 7>Is mart.

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<v Speaker 4>Did you?

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<v Speaker 8>That doesn't mean anything?

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<v Speaker 4>She's heard me talk? Please let the child speak.

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<v Speaker 6>My name is mort all right, Maude, tell me about yourself.

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<v Speaker 9>My name is Jill any years old. We are eight

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<v Speaker 9>years old. We live in Hexham, England.

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<v Speaker 10>We ride bikes.

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<v Speaker 11>Hell.

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<v Speaker 12>Hello, good afternoon. My name is Sprinkie Bradshaw. I'm the

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<v Speaker 12>chief curator of the world famous Mutter Museum here in

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<v Speaker 12>downtown Philadelphia, and I'll be your tour guide through hell. Kidding,

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<v Speaker 12>that's just a joke. Before we get started, you should

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<v Speaker 12>know some of the objects on display here can be

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<v Speaker 12>quite triggering. I hate that word, but it's true. This

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<v Speaker 12>isn't a typical museum. It's not filled with beautiful objects.

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<v Speaker 12>To the contrary, it's a showcase of imperfection, an unflinching

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<v Speaker 12>look into the mysteries of the human body, and that.

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<v Speaker 13>Yes, you have a question.

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<v Speaker 7>Is it true you have a piece of Einstein's brain?

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<v Speaker 4>Yes, we do.

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<v Speaker 12>We also have the fucking moor of pickled skin. This

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<v Speaker 12>is the last place I ever wanted to work.

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<v Speaker 14>Yes.

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<v Speaker 12>Actually, when I was in grad school at Penn, I

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<v Speaker 12>thought I'd be the curator of the Philadelphia Art Museum

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<v Speaker 12>by now, or at least a gallery with actual art.

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<v Speaker 6>Follow me.

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<v Speaker 12>The fact is I'm thirty four years old and working

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<v Speaker 12>here is one step above Ripley's believe it or not.

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<v Speaker 7>So where's the rest of Einstein's brain?

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<v Speaker 4>Do you keep it on a separate floor?

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<v Speaker 14>Like the different rings? And Lord of the Rings? It's

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<v Speaker 14>too powerful to have them together?

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<v Speaker 12>So how do I deal with questions like these? I

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<v Speaker 12>sneak into the bathroom for a drink. I really shouldn't.

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<v Speaker 12>What I should do is call my sponsor. But before

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<v Speaker 12>I get the chance, Frankie, Yes, duncan, I'm in here.

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<v Speaker 14>We just got a delivery, a box. They won't let

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<v Speaker 14>me time for it.

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<v Speaker 11>Did you tell them you work here?

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<v Speaker 14>Yes, Frankie, of course.

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<v Speaker 15>Well what kind of box?

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<v Speaker 4>I don't know.

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<v Speaker 14>I haven't seen it.

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<v Speaker 16>I want you, Frankie, what should I tell him?

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<v Speaker 3>Do you?

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<v Speaker 17>Frankie to diary?

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<v Speaker 4>Uh?

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<v Speaker 12>Yeah, well sort of. I'm divorced. It's no longer.

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<v Speaker 14>My last name. Well, whatever your name is.

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<v Speaker 1>You kept me out here fifteen minutes freezing my assigh?

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<v Speaker 14>Yeah, sorry, don't be gorgeous A signy? So where's the

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<v Speaker 14>box back of the truck? You got a back door

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<v Speaker 14>or something.

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<v Speaker 18>I can help you load it in.

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<v Speaker 12>How big is it?

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<v Speaker 4>Oh?

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<v Speaker 8>It's big.

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<v Speaker 2>Let's take the plastic off.

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<v Speaker 14>Okay, let me cut it.

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<v Speaker 7>Shit.

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<v Speaker 12>I think it's some kind of animal.

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<v Speaker 14>Animal, Franky, it's a bipedal. Do you know what this is?

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<v Speaker 14>It's a fucking alien. Look at the thing. It's huge.

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<v Speaker 12>It is huge, twice as thick and several feet longer

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<v Speaker 12>than a normal human skeleton. And there's no space between

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<v Speaker 12>the bones. It's like the skeletal remains of a blob.

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<v Speaker 14>Jesus, where do you think he's from? Mars or Venus?

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<v Speaker 12>Probably New Jersey? Oh, come on, Duncan, don't you see

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<v Speaker 12>it's a prank, you think. Yeah, remember the two headed

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<v Speaker 12>pig man we got in the mail.

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<v Speaker 14>Last year, Hey, that was very convincing.

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<v Speaker 11>I know.

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<v Speaker 12>And remember how disappointed you were.

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<v Speaker 11>Hi Estas, Yeah, I know.

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<v Speaker 12>It's my faults. Day is my childhood friend from Hershey, Pennsylvania.

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<v Speaker 12>She's from an orthodox Jewish family, but she's a devout

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<v Speaker 12>atheist like me. I'm proud of her. She's the best

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<v Speaker 12>medical examiner in Philly.

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<v Speaker 11>Anyway, it's been a long day.

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<v Speaker 12>Listen, we have something for you. Tada, So what do

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<v Speaker 12>you think? It just arrived?

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<v Speaker 7>Duncan thinks it's an alien?

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<v Speaker 11>Tilt the camera, Frankie.

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<v Speaker 14>Frankie thinks it's a frank.

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<v Speaker 11>Oh, it's not a prank. Pull back, Frankie, scroll from

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<v Speaker 11>head to toe.

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<v Speaker 2>Poor woman, it's a woman.

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<v Speaker 11>I think. So it's hard to tell over FaceTime. Maybe

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<v Speaker 11>I can come by tomorrow and take a closer look.

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<v Speaker 14>Sure, that'll be great.

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<v Speaker 11>Just so I'm clear, there was no information, no return address.

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<v Speaker 12>Nothing, no no, she came in this box, just totally anonymous.

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<v Speaker 8>Shall we stop right?

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<v Speaker 18>Today is August the twenty third, nineteen sixty nine, and

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<v Speaker 18>I'm here interviewing Francis Pollard. Has brought hospital night and

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<v Speaker 18>giral wins.

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<v Speaker 4>It's all right.

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<v Speaker 7>You can call it an asylum for the criminally insane,

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<v Speaker 7>because that's what it is.

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<v Speaker 18>I'm here to help you better understand your your situation.

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<v Speaker 7>No doctor, No, you're here to answer a question.

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<v Speaker 8>Well, hopefully together we will answer many.

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<v Speaker 4>No, just one.

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<v Speaker 7>Why would a mother come to the conclusion that the

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<v Speaker 7>world would be a better place if her children were dead?

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<v Speaker 7>That's the question.

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<v Speaker 19>Okay, yeah, all right, Mum and dad, if you stand

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<v Speaker 19>on either side of.

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<v Speaker 8>The girls, all right, like this yet? Yeah, just like

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<v Speaker 8>that it Maud, move a bit closer on the sofa.

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<v Speaker 13>I'm Mary.

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<v Speaker 8>It's okay.

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<v Speaker 7>Everyone confuses.

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<v Speaker 19>Sorry about that, Mary, about you and your sister have

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<v Speaker 19>a lot of fun confusing people.

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<v Speaker 5>Ah, No, I'm married. No, I'm married.

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<v Speaker 20>Enough.

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<v Speaker 17>Okay, a big smile everyone, three two one.

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<v Speaker 7>We had a happy life. We were a happy family until.

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<v Speaker 18>Relax, Francis, just relax, have another sip of water, the better.

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<v Speaker 4>Yes.

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<v Speaker 8>Do you want to stop now? No?

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<v Speaker 7>No, I want to carry on all right. It was

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<v Speaker 7>the summer of nineteen fifty seven, our last summer together.

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<v Speaker 7>Our twins Mary and Maude were everything we ever wanted.

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<v Speaker 7>It was a good year for us, for the whole country.

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<v Speaker 7>In fact, the war was over, we had a new

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<v Speaker 7>queen on our throne, and we just bought our first

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<v Speaker 7>car on higher purchase. It seemed like it really was

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<v Speaker 7>a new era where everything was possible. My husband, Thomas,

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<v Speaker 7>was an engineer. He worked at the local car factory.

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<v Speaker 7>Was a good, steady job. We enjoyed simple pleasures, you know,

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<v Speaker 7>family outings, picnics by the lake, church, social events, we

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<v Speaker 7>went to Saint Luke's.

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<v Speaker 18>But most of all.

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<v Speaker 7>We enjoyed going to the pictures around New York, especially

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<v Speaker 7>Hollywood movies from America.

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<v Speaker 5>I want to go to America in there. Why no,

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<v Speaker 5>you don't. You're only seen it because I said it.

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<v Speaker 11>No, not yes, you are.

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<v Speaker 7>Girls. We had everything we needed, and yet Thomas.

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<v Speaker 8>What about Thomas Francis?

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<v Speaker 7>There was somehow did I ever really know him?

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<v Speaker 8>What do you mean, Francis?

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<v Speaker 20>You're such a good girl, you know I think Matelda

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<v Speaker 20>needs a brother. Good idea, Mary, Hey, Dad, can we

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<v Speaker 20>get a boy dog? What we can name him Cliff?

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<v Speaker 19>Oh no, no, no, no more dogs.

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<v Speaker 18>No, but listen, I've got something even better for you.

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<v Speaker 17>Come on, come on, girls.

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<v Speaker 19>Following into the garage.

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<v Speaker 8>Is this another invention, Daddy? No, No, it's not just

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<v Speaker 8>another invention. It's the invention.

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<v Speaker 4>This is my masterpiece.

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<v Speaker 19>You ready, Tella?

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<v Speaker 4>Well what is it?

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<v Speaker 19>This is our future, girls. It's a refrigerator motor, my

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<v Speaker 19>original design, so it will allow fridges to run longer

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<v Speaker 19>and more efficiently.

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<v Speaker 7>Do you have any other inventions?

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<v Speaker 19>This is my masterpiece.

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<v Speaker 7>So that's how it started, with a fridge motor. He

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<v Speaker 7>took it around the trade show as we tried to

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<v Speaker 7>find investors. No one was interested. As far as I

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<v Speaker 7>was concerned, it was a hobby, something he tinkered within

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<v Speaker 7>the garage. I didn't realize then that.

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<v Speaker 8>What didn't you realize, fancis.

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<v Speaker 7>That it would lead to the end of everything. Fancy

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<v Speaker 7>a cup of tea?

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<v Speaker 4>Love?

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<v Speaker 5>Oh?

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<v Speaker 4>Yes?

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<v Speaker 7>One evening we were watching television. The girls were upstairs asleep,

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<v Speaker 7>and suddenly Matilda, our dog, began running around in circus bark.

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<v Speaker 17>Matilda calmed down.

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<v Speaker 4>Helm's got into her eight Until they come here?

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<v Speaker 7>You expecting anyone?

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<v Speaker 18>It's probably someone collected for some of that.

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<v Speaker 4>All right or right? I'm coming.

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<v Speaker 17>Uh yeah, hello, there are you? Thomas pol If not,

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<v Speaker 17>I've got their own half.

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<v Speaker 13>Hi, I'm Frankie.

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<v Speaker 12>Hi, Hi, I'm an alcoholic.

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<v Speaker 11>Yeah.

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<v Speaker 12>I'd been sober, well semi sober, for you know, about

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<v Speaker 12>three years, but the last six months have been, uh

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<v Speaker 12>been pretty rough on me. You know, I got divorced. Well,

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<v Speaker 12>I mean it wasn't consensual, you know. He he left me,

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<v Speaker 12>which was probably a good decision on his part because

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<v Speaker 12>I'm a complete mess.

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<v Speaker 13>But you know, I'm I'm.

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<v Speaker 12>Also a fighter.

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<v Speaker 13>So here I am Bagels.

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<v Speaker 15>I've got bagel, Good morning yesterday.

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<v Speaker 7>Here you go, duncan Oh?

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<v Speaker 14>I stay here?

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<v Speaker 4>The best?

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<v Speaker 14>Could you remember this extra cream cheese?

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<v Speaker 15>Yes, we're all going to have high cholesterol. Now where

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<v Speaker 15>is she.

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<v Speaker 18>In the back?

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<v Speaker 4>Come on?

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<v Speaker 15>So, Frankie, how was your date last night?

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<v Speaker 4>Oh?

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<v Speaker 7>Shit, you forgot Huh?

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<v Speaker 1>Poor guy.

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<v Speaker 2>He'll be fine.

0:15:43.440 --> 0:15:44.680
<v Speaker 11>He's a straight man on tender.

0:15:44.720 --> 0:15:47.760
<v Speaker 12>He probably had another date lined up right after. Besides,

0:15:47.920 --> 0:15:50.440
<v Speaker 12>I'm preoccupied with who Banil?

0:15:50.960 --> 0:15:52.880
<v Speaker 11>Frankie, you got to stop thinking about him.

0:15:52.960 --> 0:15:53.600
<v Speaker 17>It's over.

0:15:53.960 --> 0:15:55.160
<v Speaker 7>No, not Banil.

0:15:55.800 --> 0:15:59.480
<v Speaker 12>I was thinking about Matilda, who.

0:16:00.040 --> 0:16:02.640
<v Speaker 14>She named the skeleton Matilda?

0:16:02.960 --> 0:16:04.720
<v Speaker 15>You name the skeleton Matilda.

0:16:04.920 --> 0:16:05.560
<v Speaker 11>It's cute?

0:16:06.040 --> 0:16:06.600
<v Speaker 15>Any reason?

0:16:06.640 --> 0:16:06.880
<v Speaker 11>Why?

0:16:07.560 --> 0:16:07.760
<v Speaker 7>No?

0:16:08.200 --> 0:16:14.160
<v Speaker 12>Not really, It's just sort of came to me. Okay,

0:16:14.600 --> 0:16:17.360
<v Speaker 12>there she is that's her in the box.

0:16:19.400 --> 0:16:20.760
<v Speaker 14>And I still think it's an alien.

0:16:21.960 --> 0:16:29.480
<v Speaker 11>Mm hmm. This is.

0:16:31.960 --> 0:16:32.280
<v Speaker 13>Wow.

0:16:33.720 --> 0:16:40.880
<v Speaker 15>The bones are so thick. See here, the first seven

0:16:41.040 --> 0:16:46.840
<v Speaker 15>ribs are completely fused. They're thick as baseball bats. Right,

0:16:47.200 --> 0:16:48.880
<v Speaker 15>I've never seen anything like this?

0:16:49.280 --> 0:16:49.800
<v Speaker 17>Who is she?

0:16:51.200 --> 0:16:51.520
<v Speaker 11>Not she?

0:16:52.880 --> 0:16:53.080
<v Speaker 7>They?

0:16:53.440 --> 0:16:53.760
<v Speaker 11>Maybe?

0:16:55.080 --> 0:16:55.360
<v Speaker 5>Wait?

0:16:56.240 --> 0:16:56.920
<v Speaker 7>Two people?

0:16:57.520 --> 0:17:02.040
<v Speaker 15>Oh look at the neck here in the conjoin twins

0:17:02.120 --> 0:17:05.000
<v Speaker 15>connected like this, just stacked on top of each other,

0:17:05.119 --> 0:17:06.760
<v Speaker 15>their organs would be crushed.

0:17:08.560 --> 0:17:11.840
<v Speaker 12>I mean, she's not a conjoined twin, she's not a giant.

0:17:12.680 --> 0:17:13.159
<v Speaker 7>Who is she?

0:17:13.720 --> 0:17:21.960
<v Speaker 15>I don't there is one other possibility? What I have

0:17:22.000 --> 0:17:22.880
<v Speaker 15>to call doctor Lee?

0:17:23.480 --> 0:17:24.359
<v Speaker 14>Who my boss?

0:17:24.359 --> 0:17:27.960
<v Speaker 15>Can you stop by?

0:17:28.840 --> 0:17:30.320
<v Speaker 8>Is there a better light back here?

0:17:30.520 --> 0:17:34.119
<v Speaker 14>Maybe turn on the overheads they're already on.

0:17:34.359 --> 0:17:43.160
<v Speaker 17>Oh maybe it's just my eyes. No, that can't be possible.

0:17:44.680 --> 0:17:46.320
<v Speaker 8>No, no, no, no.

0:17:45.880 --> 0:17:46.320
<v Speaker 14>Just say it.

0:17:47.520 --> 0:17:49.280
<v Speaker 15>Say what it's FOP right?

0:17:50.000 --> 0:17:52.000
<v Speaker 8>FOP yes?

0:17:52.400 --> 0:17:57.440
<v Speaker 15>Or to use the technical name fibro dysplasia osipicuns progressive.

0:17:59.520 --> 0:18:03.280
<v Speaker 17>My god, there's only been a handful of cases.

0:18:03.240 --> 0:18:05.360
<v Speaker 12>Really in your whole career.

0:18:05.960 --> 0:18:11.800
<v Speaker 17>Ever, and you have no idea where it came from.

0:18:12.400 --> 0:18:14.600
<v Speaker 12>No, she was sent here anonymously.

0:18:15.359 --> 0:18:18.840
<v Speaker 8>Well I need to know more. Can I take her

0:18:18.840 --> 0:18:19.640
<v Speaker 8>back to my office.

0:18:24.119 --> 0:18:28.440
<v Speaker 12>No, sorry, it might be helpful, I know, but it

0:18:28.520 --> 0:18:30.399
<v Speaker 12>was sent here ESDA to me.

0:18:31.520 --> 0:18:32.520
<v Speaker 4>Is this about credit?

0:18:35.119 --> 0:18:35.359
<v Speaker 11>Yes?

0:18:36.040 --> 0:18:41.399
<v Speaker 12>Actually, I'm the curator of this museum.

0:18:41.600 --> 0:18:42.520
<v Speaker 8>Who else has seen it?

0:18:42.960 --> 0:18:46.359
<v Speaker 15>Just us break it down for me, Doc, What is FOP?

0:18:46.800 --> 0:18:47.080
<v Speaker 14>I mean?

0:18:47.280 --> 0:18:50.720
<v Speaker 12>If what you're saying is true, if it's so extremely rare,

0:18:50.800 --> 0:18:55.080
<v Speaker 12>then finding the owner of this skeleton shouldn't be too hard, right.

0:18:56.359 --> 0:18:57.520
<v Speaker 4>Okay, let's see.

0:18:57.920 --> 0:19:00.800
<v Speaker 12>For the next week, I researched every known case of

0:19:01.000 --> 0:19:06.359
<v Speaker 12>FOP I could find Harvard Medical Journal, July. It turns

0:19:06.359 --> 0:19:10.639
<v Speaker 12>out FOP is an extremely rare genetic disorder that causes

0:19:10.680 --> 0:19:15.719
<v Speaker 12>the body's soft tissue to transform permanently into bone. In

0:19:15.760 --> 0:19:19.479
<v Speaker 12>other words, a second skeleton grows on top of the first.

0:19:20.280 --> 0:19:23.000
<v Speaker 12>Early doctors posited that it was the result of two

0:19:23.080 --> 0:19:29.479
<v Speaker 12>souls trapped in one body. Hi, I'm calling about an

0:19:29.480 --> 0:19:32.679
<v Speaker 12>old case of a child with FOP back in the

0:19:32.840 --> 0:19:41.080
<v Speaker 12>early seventies in a village called Mattie Carrey. Okay, this

0:19:41.280 --> 0:19:44.560
<v Speaker 12>might sound kind of strange, but basically, in nineteen seventy two,

0:19:44.760 --> 0:19:47.919
<v Speaker 12>in the small farm town of Mahdi, Care, India, a

0:19:47.960 --> 0:19:52.360
<v Speaker 12>boy named ragu Basi Maadra was born with FOP. Some

0:19:52.440 --> 0:19:55.359
<v Speaker 12>of the locals worshiped him as the reincarnation of the

0:19:55.400 --> 0:19:59.040
<v Speaker 12>god Vishnu. You knew the location of that skeleton at

0:19:59.040 --> 0:20:05.680
<v Speaker 12>this time. Sorry, unusual cases, and my apartment slowly transformed

0:20:05.680 --> 0:20:09.480
<v Speaker 12>into a science lab. I pinned up pictures of bones

0:20:09.520 --> 0:20:13.600
<v Speaker 12>on the wall, surrounded by anatomy textbooks and medical journals.

0:20:14.040 --> 0:20:16.280
<v Speaker 12>If someone walked in on me, they'd think I was

0:20:16.320 --> 0:20:19.840
<v Speaker 12>a doctor, or a serial killer, or just a lonely

0:20:19.920 --> 0:20:22.040
<v Speaker 12>woman desperate to connect some dots.

0:20:23.240 --> 0:20:26.080
<v Speaker 13>And that our next guest is.

0:20:29.119 --> 0:20:29.399
<v Speaker 7>Great.

0:20:30.760 --> 0:20:34.840
<v Speaker 12>Meanwhile, my ex husband, Vanil, a professor at Penn, was

0:20:34.840 --> 0:20:38.560
<v Speaker 12>on TV promoting his new book about ancient religion.

0:20:40.880 --> 0:20:43.119
<v Speaker 21>With you, and we'll just jump right in with the

0:20:43.160 --> 0:20:43.879
<v Speaker 21>first question.

0:20:44.640 --> 0:20:46.440
<v Speaker 11>Sure, does God exists?

0:20:48.280 --> 0:20:50.359
<v Speaker 17>It would depend largely on what you mean by God.

0:20:57.280 --> 0:21:00.719
<v Speaker 16>You know what our next move is, right, speciall exhibit

0:21:01.280 --> 0:21:05.880
<v Speaker 16>display her display the skeleton for the public, you think,

0:21:06.440 --> 0:21:09.800
<v Speaker 16>I know, it'll get people talking, and who knows, maybe

0:21:09.800 --> 0:21:10.960
<v Speaker 16>a real academic.

0:21:10.600 --> 0:21:11.119
<v Speaker 14>Will show up.

0:21:11.800 --> 0:21:13.000
<v Speaker 12>I'm a real academic.

0:21:14.040 --> 0:21:16.800
<v Speaker 16>Well, you're also a curator, and it's your job, your

0:21:16.840 --> 0:21:18.920
<v Speaker 16>responsibility to bring asses through the.

0:21:18.880 --> 0:21:20.920
<v Speaker 12>Door, isn't it asses in the seats?

0:21:21.000 --> 0:21:24.640
<v Speaker 14>You know what I mean? Besides, I'd already said, yes,

0:21:26.080 --> 0:21:29.520
<v Speaker 14>you spoke to the board. Well, I floated the idea, Duncan.

0:21:29.680 --> 0:21:30.439
<v Speaker 14>It'll be fun.

0:21:30.880 --> 0:21:36.800
<v Speaker 16>We'll have a party, red carpet, paparazzi, like a respectable museum.

0:21:37.000 --> 0:21:40.760
<v Speaker 14>Hi, I'm Duncan. I'm the assistant curator here at the museum.

0:21:40.840 --> 0:21:42.520
<v Speaker 15>Wow, this is quite the turnout.

0:21:44.000 --> 0:21:45.280
<v Speaker 7>Oh no, cute boys.

0:21:46.160 --> 0:21:49.440
<v Speaker 12>Well, Duncan is around here somewhere passing out wine and cheese.

0:21:50.440 --> 0:21:56.360
<v Speaker 15>Pass although I could use a drink. Shit, franky, Sorry.

0:21:56.080 --> 0:21:59.680
<v Speaker 12>It's okay, I'm a I'm back in the program.

0:22:00.480 --> 0:22:00.840
<v Speaker 14>Really.

0:22:02.000 --> 0:22:05.240
<v Speaker 13>Yeah, well, I'm proud of you.

0:22:06.080 --> 0:22:08.200
<v Speaker 15>Come on, let's go check out the star attraction.

0:22:08.720 --> 0:22:12.680
<v Speaker 10>Okay, Sda is right.

0:22:13.000 --> 0:22:16.440
<v Speaker 12>It is quite the turnout. More than two hundred visitors

0:22:16.440 --> 0:22:19.880
<v Speaker 12>have flooded the mutter to see Matilda.

0:22:20.800 --> 0:22:21.439
<v Speaker 15>There she is.

0:22:24.280 --> 0:22:29.080
<v Speaker 12>The skeleton is presented, simply positioned upright behind a thin

0:22:29.200 --> 0:22:30.040
<v Speaker 12>wall of glass.

0:22:30.320 --> 0:22:33.240
<v Speaker 15>She's kind of beautiful, don't you think like it? A

0:22:33.280 --> 0:22:34.320
<v Speaker 15>Tim Burton way.

0:22:35.880 --> 0:22:44.320
<v Speaker 10>It's true, she is beautiful.

0:22:45.320 --> 0:22:51.320
<v Speaker 17>Yeah. Hello, are you Thomas Pollard? If not, I've got

0:22:51.359 --> 0:22:51.920
<v Speaker 17>the wrong hat.

0:22:52.560 --> 0:22:55.760
<v Speaker 18>Yes, I mean no, No, you do have the right house.

0:22:55.800 --> 0:22:57.920
<v Speaker 8>I am Thomas Pollard, Mark Whitney.

0:22:58.920 --> 0:23:02.399
<v Speaker 17>I'm a friend of father Tim from Saint Louis.

0:23:03.560 --> 0:23:06.119
<v Speaker 19>Well, if it's church business, perhaps it's my wife you

0:23:06.160 --> 0:23:06.800
<v Speaker 19>want to speak to.

0:23:07.520 --> 0:23:13.120
<v Speaker 17>No, no, it's you, Thomas. May I come in. Well

0:23:13.920 --> 0:23:17.040
<v Speaker 17>you see, father Tim told me all about your invention.

0:23:17.600 --> 0:23:23.280
<v Speaker 17>Oh right, right, I may be able to help you. Well, yes, yes,

0:23:23.320 --> 0:23:24.000
<v Speaker 17>of course, come.

0:23:23.880 --> 0:23:33.000
<v Speaker 6>On Ina, mm hmmm, oh Francis, this is mister mister Woodney.

0:23:34.000 --> 0:23:36.639
<v Speaker 17>Oh well, but I hope I'm not interrupting, and I

0:23:36.640 --> 0:23:37.399
<v Speaker 17>think missus Parler.

0:23:37.720 --> 0:23:42.400
<v Speaker 7>No, no, no, no, no, it's I was just going

0:23:42.440 --> 0:23:44.840
<v Speaker 7>to make a coop of tea. Can I make you.

0:23:46.359 --> 0:23:48.040
<v Speaker 17>If it's not too much trouble. Yes, that well, that

0:23:48.160 --> 0:23:48.840
<v Speaker 17>that would be lovely.

0:23:50.520 --> 0:23:51.400
<v Speaker 4>I'm so sorry mister.

0:23:51.960 --> 0:23:52.919
<v Speaker 17>That's quite all right.

0:23:53.760 --> 0:23:56.320
<v Speaker 4>He we dog come here stopped that.

0:23:57.880 --> 0:23:59.160
<v Speaker 18>I don't know what's gotten into her.

0:24:01.640 --> 0:24:02.600
<v Speaker 5>She doesn't like you.

0:24:04.800 --> 0:24:07.320
<v Speaker 15>What what you doing down here?

0:24:07.400 --> 0:24:09.719
<v Speaker 7>You should be in bed, Maude?

0:24:11.440 --> 0:24:18.960
<v Speaker 17>What a lovely name. Hello, little miss I'm Mark Marred.

0:24:19.440 --> 0:24:20.760
<v Speaker 7>Off you go upstairs?

0:24:20.840 --> 0:24:21.000
<v Speaker 8>Now?

0:24:21.720 --> 0:24:22.800
<v Speaker 5>Can I take Matilda?

0:24:23.480 --> 0:24:23.720
<v Speaker 14>Yes?

0:24:23.840 --> 0:24:28.200
<v Speaker 8>Off you go go on, good night, good night, maud.

0:24:30.480 --> 0:24:34.119
<v Speaker 7>Well, I'll make a cup of tea. I didn't like

0:24:34.200 --> 0:24:39.320
<v Speaker 7>mister Whitney from the start. He was too rehearsed, and

0:24:39.359 --> 0:24:42.480
<v Speaker 7>the dog didn't like him. Either I didn't trust him.

0:24:43.000 --> 0:24:45.080
<v Speaker 18>Mister Whitney, how can I help you?

0:24:45.560 --> 0:24:48.160
<v Speaker 17>That's the other way around to us. From what father

0:24:48.280 --> 0:24:52.040
<v Speaker 17>Tim tells me, you're a bit of an engineering genius.

0:24:52.400 --> 0:24:57.240
<v Speaker 17>Oh well, go as far to say that. You know,

0:24:57.359 --> 0:25:00.960
<v Speaker 17>I double don't be modest. I want to see your

0:25:00.960 --> 0:25:02.080
<v Speaker 17>refrigerator engine.

0:25:03.320 --> 0:25:03.680
<v Speaker 4>Why's that?

0:25:04.600 --> 0:25:06.720
<v Speaker 17>Because I'm a businessman.

0:25:08.280 --> 0:25:11.640
<v Speaker 19>You see, it takes barely any time to warm up

0:25:11.760 --> 0:25:12.400
<v Speaker 19>or cool down.

0:25:12.920 --> 0:25:16.840
<v Speaker 17>It's certainly more compact than I've seen before. Some beam

0:25:16.920 --> 0:25:21.000
<v Speaker 17>an electrologue aren't marketing anything this small? Well, hey, you've

0:25:21.000 --> 0:25:24.040
<v Speaker 17>done your research well. As I said, I am a businessman.

0:25:25.359 --> 0:25:29.560
<v Speaker 17>Have you Have you protected it? Have you applied for

0:25:29.600 --> 0:25:31.920
<v Speaker 17>a patent so no one can copy it?

0:25:32.600 --> 0:25:32.800
<v Speaker 7>Oh?

0:25:32.960 --> 0:25:36.120
<v Speaker 19>No, no, no yet, No, there are still few little

0:25:36.200 --> 0:25:38.159
<v Speaker 19>niggles that need to be sorted out first.

0:25:38.400 --> 0:25:40.040
<v Speaker 17>I should apply for protection.

0:25:41.240 --> 0:25:41.399
<v Speaker 4>You know.

0:25:41.480 --> 0:25:43.200
<v Speaker 17>I can't stress how important that it.

0:25:45.200 --> 0:25:45.360
<v Speaker 4>Look.

0:25:45.359 --> 0:25:48.280
<v Speaker 17>I'll tell you what. I'm going off to London next week.

0:25:48.720 --> 0:25:51.160
<v Speaker 17>If you give me the schematics, I can pop into

0:25:51.160 --> 0:25:53.400
<v Speaker 17>the patent offers and I can just you know, get

0:25:53.400 --> 0:25:54.400
<v Speaker 17>things started for you.

0:25:54.680 --> 0:25:56.840
<v Speaker 8>Oh no, no, you don't have to do no, no, no.

0:25:56.720 --> 0:25:58.639
<v Speaker 17>You know, no expense on your end. I mean we

0:25:58.680 --> 0:26:01.680
<v Speaker 17>can sort that out later, but you really must do

0:26:01.760 --> 0:26:04.000
<v Speaker 17>this to protect yourself, you know, and your family.

0:26:10.760 --> 0:26:15.640
<v Speaker 21>Morning, Philadelphia Today is Friday, October eighth, and in today's

0:26:15.680 --> 0:26:18.560
<v Speaker 21>Talk of the Town segment, a strange story from a

0:26:18.600 --> 0:26:22.160
<v Speaker 21>local oddity called the Mutter, a museum dedicated to.

0:26:23.680 --> 0:26:26.399
<v Speaker 7>Medical abnormalities.

0:26:28.359 --> 0:26:29.359
<v Speaker 14>Their latest arrival.

0:26:29.480 --> 0:26:31.040
<v Speaker 12>Yes, I'm watching it.

0:26:31.040 --> 0:26:33.679
<v Speaker 15>It's like a human Good morning, Philly.

0:26:33.880 --> 0:26:35.640
<v Speaker 11>Remember they're doing the segment.

0:26:35.359 --> 0:26:38.600
<v Speaker 1>On Prepare morning.

0:26:38.600 --> 0:26:44.040
<v Speaker 22>We got another box, delivery box. I think it's got

0:26:44.040 --> 0:26:46.720
<v Speaker 22>something to do with Matilda. Really, just get out of

0:26:46.720 --> 0:26:48.679
<v Speaker 22>bed and come down to the museum. I'm dying to

0:26:48.760 --> 0:26:49.119
<v Speaker 22>open it.

0:26:49.160 --> 0:26:51.840
<v Speaker 12>Okay, Okay, well, well don't open it, just wait for me.

0:26:57.280 --> 0:26:59.440
<v Speaker 4>What have you got there? Jill? What are you playing with?

0:27:00.800 --> 0:27:01.480
<v Speaker 5>My locket?

0:27:03.400 --> 0:27:04.680
<v Speaker 4>Has there everything inside it?

0:27:08.200 --> 0:27:08.320
<v Speaker 11>Uh?

0:27:08.359 --> 0:27:11.000
<v Speaker 13>Humaine?

0:27:17.720 --> 0:27:22.680
<v Speaker 4>If you're safe? Wasn't it now? Jill? Why don't you

0:27:22.760 --> 0:27:24.560
<v Speaker 4>tell me about?

0:27:24.720 --> 0:27:25.600
<v Speaker 5>My name is mart?

0:27:27.440 --> 0:27:27.720
<v Speaker 4>Did you?

0:27:28.000 --> 0:27:29.200
<v Speaker 8>That doesn't mean everything?

0:27:29.520 --> 0:27:33.840
<v Speaker 4>She's heard me talk? Please let the child speak.

0:27:35.000 --> 0:27:43.560
<v Speaker 6>My name is mart all right, Maude, tell me about yourself.

0:27:45.720 --> 0:27:48.480
<v Speaker 5>My name is Jill, a years old.

0:27:49.000 --> 0:27:55.000
<v Speaker 9>We are eight years old. We live in Hacksome, England.

0:27:55.480 --> 0:27:58.280
<v Speaker 11>We ride bikes.

0:28:22.480 --> 0:28:25.840
<v Speaker 2>The Sisters is a Goldhawk production presented by Realm in

0:28:25.880 --> 0:28:30.479
<v Speaker 2>association with Lights Out, created by Brett Neatchen and written

0:28:30.480 --> 0:28:38.600
<v Speaker 2>by Brett Neatchen, John Scott Dryden and Mack Rogers. Frankie

0:28:38.680 --> 0:28:43.920
<v Speaker 2>is played by May Whitman, Francis, Helen Baxendale, Mark, David

0:28:43.960 --> 0:28:51.200
<v Speaker 2>Morrissey Duncan, Miles Heiser, Thomas Lee, ingleby Stay, Karen Chay

0:28:51.960 --> 0:28:56.880
<v Speaker 2>and the psychiatrist David Holt, with sound designed by Adam

0:28:56.920 --> 0:29:02.480
<v Speaker 2>Woodhams and original music by Seymour Milton and Sasha Putnam.

0:29:02.760 --> 0:29:07.080
<v Speaker 2>The script editor is Mike Walker for Goldtalk Productions, the

0:29:07.120 --> 0:29:10.280
<v Speaker 2>producer is Emma Hearn, and the director and executive producer

0:29:10.400 --> 0:29:14.240
<v Speaker 2>is John Scott Dryden. For Realm, the producers are John Brooks,

0:29:14.440 --> 0:29:18.080
<v Speaker 2>Fred Greenhall and Nicole Otto, and the executive producers are

0:29:18.120 --> 0:29:22.800
<v Speaker 2>Molly Barton, Marcy Wiseman and Julian Yapp. Find the full

0:29:22.800 --> 0:29:26.040
<v Speaker 2>list of credits in the show copy. Realm is Your

0:29:26.080 --> 0:29:35.520
<v Speaker 2>Portal to Another World. Listen away.