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Speaker 1: Alright, alright, this is the Iron Wrap PORP Podcast, the

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Speaker 1: first ever best of the Iron Wrap Porp Podcast b

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Speaker 1: GM before G Moody. All right, this is the best

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Speaker 1: of the Iron Wrap Porp Podcast before G Moody a

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Speaker 1: k The Black Ed McMahon came and joined me as

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Speaker 1: the official co host of the Iron Wrap por podcast.

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Speaker 1: So this is some of the funniest, best, most interesting

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Speaker 1: stuff that we did here at the Iron Wrap Porp

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Speaker 1: podcast in the very beginning, and I hope you get

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Speaker 1: a kick out of it. I hope you enjoy it.

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Speaker 1: For those of you, those of you who've heard it before,

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Speaker 1: it just it ages like a fine wine. For those

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Speaker 1: of you who have never heard some of the early podcast,

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Speaker 1: it's gonna blow your fucking mind. All right, it's gonna

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Speaker 1: blow your fucking mind. Blow your ear drums, and uh,

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Speaker 1: let's get into it right now. The I Am Wrapp

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Speaker 1: Report Stereo podcast lived with Rapp Report. Yes I am

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Speaker 1: I'm a Rapperport. Yes I am I am a Rapperport.

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Speaker 1: Yes I am I am a rapper Port. Yes I

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Speaker 1: am at a tune in. I am rapp Report dot Com.

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Speaker 1: Because every single podcast, you know, we drops farms. I've

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Speaker 1: seen him on set a season vet with True Town,

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Speaker 1: catch him on his way to course fit rocking the

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Speaker 1: New Balance. He asked me to do the track because

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Speaker 1: you know, I round the leak, but I'm just waiting

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Speaker 1: for the Robert the Nero line of the week reference

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Speaker 1: the Champions host the Bagel, Cream, Cheese and Lock. This

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Speaker 1: is I am Rapp Report. The show never stopped. You

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Speaker 1: might catch the Mountain Public stretching his knees. But if

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Speaker 1: you don't listen to the show, yo, we're gonna please,

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Speaker 1: We're gonna pap podcast. I'm gonna do a verse of

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Speaker 1: the week, Michael Rapp Report. This is Michael Rapp Report.

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Speaker 1: And my verse of the week is I'm gonna pick

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Speaker 1: halftime by Nas. And the reason why I'm gonna pick

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Speaker 1: halftime by Nas, I mean, Nas is one of my

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Speaker 1: favorite mcs os is he's so good for so long,

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Speaker 1: and I mean, you know, he's just he's just one

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Speaker 1: of the best. So the first verse from Halftime plays

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Speaker 1: in the opening credits of my of a film I

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Speaker 1: did the first movie I ever acted in zebra Head,

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Speaker 1: and so I always felt like, you know, I always

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Speaker 1: felt like that was like the first time most people

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Speaker 1: heard NAS, and that's the first no single. If you

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Speaker 1: didn't hear anything before that, he was on a song

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Speaker 1: called uh Live at the Barbecue. But the first time

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Speaker 1: a lot of other people heard him was on Halftime,

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Speaker 1: which was in the opening credits of a film I

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Speaker 1: did call zebra Head, which was the first film I

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Speaker 1: ever did. This is so I'm such a fucking hip

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Speaker 1: hop head. And then I knew Live at the Barbecue,

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Speaker 1: probably before I got zebra Head. I don't know the time,

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Speaker 1: but I feel like it came out in the spring

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Speaker 1: if I think. I don't know, but I heard that

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Speaker 1: NASA is gonna be on the soundtrack from from MC search.

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Speaker 1: We're gonna get EMC search on here. That's gonna be

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Speaker 1: a fucking goodass podcast. I'm gonna get MC search on here.

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Speaker 1: We're gonna that motherfucker's got his door re in hip hop.

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Speaker 1: So he produced the soundtrack anyway, the opening credits NAS

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Speaker 1: Halftime before Blunt, I take out my fronts, then I

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Speaker 1: start to front. A matter of fact, i'd be on

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Speaker 1: a man hunt. You couldn't catch me in the streets

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Speaker 1: without a ton of reefer. That's like Malcolm X catching

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Speaker 1: a jungle fever. Now, right there, you're like, oh fucking shit,

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Speaker 1: that fucking line. That's like Malcolm X catching the jungle fever.

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Speaker 1: Shut it down right there, stop, be like whoop. You

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Speaker 1: press pause, and you're like, what the fuck was that?

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Speaker 1: That's four that's four sentences, four fucking sentences. He shut

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Speaker 1: the whole ship down, and and NAS was like one

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Speaker 1: twenty some ship like that, maybe nineteen. So right there

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Speaker 1: you were like you had some fucking serious ship on

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Speaker 1: your hands. The rest of the verse two King Poetic

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Speaker 1: too much flavor on Major Atlanta, ain't braver. I pull

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Speaker 1: a number like a sky pager. That's some ship right there.

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Speaker 1: Because I'm an ace When I faced the base, forty

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Speaker 1: side is the place that is giving me grace. Now

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Speaker 1: I wait another dose, you might be dead. And I'm

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Speaker 1: a Nike head, he said, I'm a Nike head. I'm

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Speaker 1: a Nike head. Right there, You're like, oh, ship, this

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Speaker 1: is in the first verse. This whole thing, I'm going slow,

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Speaker 1: this is like taking this is happening fast, It's happening like.

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Speaker 1: Then there's a beat. I'm fucking breaking the ship down

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Speaker 1: and I'm a Nike head. Shut it down. I probably

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Speaker 1: skipped some ship that up for other people in that

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Speaker 1: past three or four lines that other people might find

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Speaker 1: as like, I'm just going over the ship that stuck

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Speaker 1: out with me. And then he said, I wear change

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Speaker 1: that excite the Feds. Ain't a damn thing gonna change.

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Speaker 1: I'm a performer, strange, So the mic warmer was born

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Speaker 1: to gain Nas, Why did you do it? You know

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Speaker 1: you got the mad flute? You know I'm reading this

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Speaker 1: ship and I can't even do it. That's how fucking

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Speaker 1: good it is. It doesn't mean I can't read. This

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Speaker 1: is some fucking I know. Oh no, you can't read.

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Speaker 1: I could read, but the word play is so stupid

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Speaker 1: that it's it's so ill that you it's hard to

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Speaker 1: even read it. You gotta be flowing on the ship. Nas,

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Speaker 1: Why did you do it? You know you got the

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Speaker 1: mad fat fluid. When you rhyme, it's halftime, fuck man.

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Speaker 1: So that's my verse of the week, halftime by Naas

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Speaker 1: Shit is crazy. All right. This is the best of

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Speaker 1: b GM before g Moody for Gerald Moody joined officially

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Speaker 1: VI I n Rapports Podcast and uh We're coming right back.

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Speaker 1: dot Com. I refer to the Mountain Top as Dean

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Speaker 1: Collins played my son and and and and and and

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Speaker 1: For some reason, every fucking where I went after filming,

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Speaker 1: Dean Collins from the Ward Home would show up. I

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Speaker 1: get the invite I get so so so I would

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Speaker 1: take them places. So let's go over the top three

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Speaker 1: mountain top moments that Michael Rappaport has given to Dean

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Speaker 1: Collins over the years, because we we we actually haven't

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Speaker 1: worked together quite a long quite a long time, but

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Speaker 1: the mountain keeps coming. It's it's still there was number

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Speaker 1: one mountain top. I got you into a club in Hokay, Okay, Okay.

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Speaker 1: So here's the top three. Top three. Number one, Yes,

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Speaker 1: meeting Leonardo DiCaprio and having an hour conversation with him

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Speaker 1: at the Roosevelt Hotel in Hollywood. That was number one.

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Speaker 1: That was number one. I hooked a pre inception pre

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Speaker 1: wolf of what he was doing in that was That

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Speaker 1: was a fan boy moment. And I'll bet you if

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Speaker 1: we asked Leonardo about the mountaintop moments of his life,

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Speaker 1: he would be like, when I met come with Michael,

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Speaker 1: I don't know, I mean, you really think that fucking

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Speaker 1: He would say that, like, why wouldn't that be like

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Speaker 1: an important thing? Like he got to meet Dean Collins,

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Speaker 1: And I'm sure he's probably still fucking thinking about that ship.

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Speaker 1: You give me a very confused face, because we'll let anyway,

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Speaker 1: let's go to number two. Let the people decide. Right

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Speaker 1: wait but wait, but just to just to mention some

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Speaker 1: really quick. You know, Dean and I have had a

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Speaker 1: conversation about who takes him to the mountaintop moment, So

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Speaker 1: this is yeah, thats a real conversation, has been like

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Speaker 1: a real deal. Okay, so maybe I'll do the thing

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Speaker 1: in We'll do the top three with Michael and the

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Speaker 1: top three and the people decide, people decide, Okay, okay,

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Speaker 1: all right that because I've been telling him I take

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Speaker 1: him to the mountaintop. All right, all right? Number one

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Speaker 1: is what the Rosevelt with a lot of girls or

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Speaker 1: lots of I take him to the summit Mount Fuji.

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Speaker 1: You know, I don't know what mountain you're going to. Oh,

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Speaker 1: I'm going to fucking Mount Vesuvius. This is Mount Vesuits.

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Speaker 1: I just learned about. I just learned about that. I

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Speaker 1: learned about Mount Vesuvius. This week. My my sixth grade

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Speaker 1: son that he uh had to do a paper in

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Speaker 1: English on Pompeii little city. And you must be learning

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Speaker 1: from your Actually my kids in the sixth grade and

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Speaker 1: the ninth grade, I am actually getting educated from that.

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Speaker 1: Like it's like I'm not being funny. I'm totally You

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Speaker 1: think I knew what the Mount Vesuvius was for Tuesday.

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Speaker 1: You gotta explain to me after the part. I think

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Speaker 1: a sixth grade education now is probably you know, equivalent grade,

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Speaker 1: maybe even college in the seven Sure, it's I'm learning

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Speaker 1: some ship like Okay, sorry adding fractions. Okay, Number two,

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Speaker 1: number two mountain Top. And then Michael Rappaport brought you

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Speaker 1: to over the years. Number two. I just said number

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Speaker 1: two mountain Top. But I like it when I say okay, go,

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Speaker 1: And then I had the sound effect, Dean, don't. This

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Speaker 1: is my fucking podcast. It's my fucking show, our first

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Speaker 1: three way. So it's the first three Way um podcast

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Speaker 1: live here at the I M Rapp Corps podcast, right,

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Speaker 1: So yeah, okay, number two go. So when I would

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Speaker 1: say when we were doing the Ward Home back in

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Speaker 1: two thousand and seven, the now defunct, the now defunct

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Speaker 1: Ward Home hit show back then, those motherfucker's they canceled us,

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Speaker 1: that was fun. Fuck you that's for the career. Yeah,

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Speaker 1: I say fuck you. That's Dean Collins saying that I

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Speaker 1: didn't saying that I'll never be on I'll never be

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Speaker 1: one he owns. And that's fine, Okay, I'll be you

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Speaker 1: just got fucking blacklisted off I do it. I want

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Speaker 1: to keep it real for my listeners. You know what

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Speaker 1: I'm saying. All right? I was running at the time.

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Speaker 1: Dean just said fuck you, So now you're running president

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Speaker 1: of the whole. Basically was the button pushed Frunt canceling

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Speaker 1: the word home exactly. You people that want to send

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Speaker 1: your ears and any mean you people, the thousands and

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Speaker 1: thousands of people that want to send their ears in

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Speaker 1: send it to send you and maybe we'll get back

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Speaker 1: the word home on Okay, get number two, number two, um,

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Speaker 1: because Killings was filming right next to us on Paint

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Speaker 1: the Picture on radio. You gotta paint the okay. Okay.

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Speaker 1: So we were on the Warner Brothers lot. We're shooting

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Speaker 1: the defunct Ward Home show for Fox and Oceans eleven

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Speaker 1: thirteen there on the third one. We're filming across from us,

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Speaker 1: and Michael was like, oh, you know, I'm I'm friends

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Speaker 1: with Brad Pitt, I'm friends with George Clooney, all the

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Speaker 1: dudes on the on the on the sad and uh,

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Speaker 1: you know, let's just go and see what's up. And

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Speaker 1: so we walked into the stage and Michael was greeted

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Speaker 1: Um with open arms, and we got to watch a

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Speaker 1: scene with Um the late grade, Bernie Mack, Bernie Mack, Um,

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Speaker 1: Don Cheatle, George Clooney, Brad Pitt, Elliott Gould was there

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Speaker 1: and I was tripping out over the there he was

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Speaker 1: being filmed. And then we went into Brad Pitt's trailer

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Speaker 1: because he wanted to say hello and he wasn't there,

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Speaker 1: And then you stole ship? What did you take out

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Speaker 1: of his trail? I didn't take any you fucking we

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Speaker 1: went into Brad Pitt's trailer and what did you take?

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Speaker 1: Like a fucking soda or something, And you're like, oh,

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Speaker 1: I'm never gonna drink this, but I'm gonna keep it.

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Speaker 1: That's out. It belongs to Cool Shades forty two on eBay.

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Speaker 1: But anyway, so that was a big mountaintop. But it

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Speaker 1: would have been like whoa if Brad Pitt actually came

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Speaker 1: into the trailers. So anyway and caught you stealing out

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Speaker 1: of his trailer. Whatever you could look at however you

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Speaker 1: want and did you So who did you get to

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Speaker 1: meet as a young child, Like I'm bringing you to

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Speaker 1: like that day. Who did you get to me? I

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Speaker 1: met nobody, but the funk you didn't. We met We

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Speaker 1: saw Clooney, right, We saw him and he was playing basketball,

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Speaker 1: and he wanted to play me again. He wanted to

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Speaker 1: play you, and I couldn't. You said, you said, you said, hey,

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Speaker 1: Cluney or some ship. I didn't call him or whatever

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Speaker 1: the hell you call him, but only people that know

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Speaker 1: him really good? So how how did you hear that? Then? Huh?

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Speaker 1: How did you hear that? People who know him really

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Speaker 1: well call him GC? You saw me call him GC? Okay,

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Speaker 1: And then we did a secret handshake, didn't we Yeah,

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Speaker 1: And it was really funny because after the handshake, he's like,

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Speaker 1: oh yeah, he's like, you want to play me in basketball?

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Speaker 1: Or is your elbow hurting too much? And then he

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Speaker 1: rubbed his elbow and then you didn't have any response

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Speaker 1: and that I didn't meet him. It was just kind

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Speaker 1: of that. And so that was a two mountain. Okay,

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Speaker 1: that's two. That's pretty fucking good. Logan. I think it's. Yeah,

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Speaker 1: I don't know if it really compares. Okay, we'll get

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Speaker 1: to you and and we'll get to Logan in a minute. Okay,

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Speaker 1: in the Mountain Top moments. What you're doing the coffee? Yeah,

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Speaker 1: what kind of coffee is that? Is that from the

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Speaker 1: place on Melrose Place? No, No, I know that place,

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Speaker 1: the Mustache place. Huh. Yeah, like it like where's that

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Speaker 1: some underground like cool Hollywood? Where'd you get that? Librea?

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Speaker 1: It's I think it's called the Sickamore Kitchen. Never even

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Speaker 1: heard of it. Like you need like is there like

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Speaker 1: like a wink or like a special card to get

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Speaker 1: into and they paid to advertise. No, it's actually just good,

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Speaker 1: good old coffee. We it's called what is it called

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Speaker 1: sick More Kitchen? Maybe we get a sponsorship? Are fantastic? Yeah?

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Speaker 1: They have blueberry bananas. Yeah, they have apple brand muffin.

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Speaker 1: They got a lot of stuff. Yeah they might. They

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Speaker 1: might might want to sponsor the show. I have a

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Speaker 1: lot of fun. I have a lot of people, by

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Speaker 1: the way, that want to sponsor to the thing. I

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Speaker 1: don't have any sponsors yet. Podcast nothing, Huh do you

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Speaker 1: have any listeners? Yeah? Like it's charted like it's somewhere

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Speaker 1: in like between five hundred thousand and like the unknown.

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Speaker 1: Where's where's the phone for like to listen? If I say,

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Speaker 1: do we need to go to the iTunes store to

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Speaker 1: buy to download this, we'll talk about. Yeah, we don't

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Speaker 1: need to. That's what the funk I'm talking about. That's

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Speaker 1: fucking sick. Yeah, you need to go to the iTunes

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Speaker 1: store and you look up, Oh you gotta do. You

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Speaker 1: don't even have to go to the itude. If you

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Speaker 1: just punching on the internet. I am Rappaport. It'll take

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Speaker 1: you where the fucking needs to. Let's say I don't

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Speaker 1: want to go to the Internet. I'm on iTunes now,

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Speaker 1: and like, I want to on YouTube. Podcast. I got

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Speaker 1: sponsors that he is this on YouTube? Like have you

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Speaker 1: done a movie before? Like are you just doing a

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Speaker 1: web series? Like you only doing the podcast? Oh, I don't.

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Speaker 1: I honestly, I'm gonna be I'm gonna be honest. I

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Speaker 1: want to know where I can find this podcast. Oh no,

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Speaker 1: it's also to your podcast iTunes on iTunes in the

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Speaker 1: podcast section. So this is great. So Logan just came

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Speaker 1: off a movie with Brad Pitt and then you're doing podcasts. Well,

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Speaker 1: I introduced I did a movie with Brad Pitt once

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Speaker 1: and and and and then I ran into him once

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Speaker 1: and he still remembered me. Right, So Michael did the

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Speaker 1: movie True Romance with Brad Pitt. This was in his

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Speaker 1: heyday before BP was BP and BP he wasn't though

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Speaker 1: he was fucking Brad Pitt, motherfucker like he was when

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Speaker 1: he got to California. He was Brad Pitt. Do you

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Speaker 1: like that? I'm like arguing with you when I wasn't

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Speaker 1: born yet, kind of like you weren't born what you

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Speaker 1: were you born ninety? No, it was the five I

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Speaker 1: think romance classic, Like I wasn't thirty motherfucker's nineties in

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Speaker 1: my twenties. Okay, don't fucking start that bulls. Okay, so

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Speaker 1: let's get back. Okay. So the number three Mountaintop moment

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Speaker 1: that Michael Rappaport took Dean Collins too, is what. There's

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Speaker 1: so many, but there's there's a kind of go ahead maybe, Okay.

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Speaker 1: Going back to the Ward Home, the now defunct Ward Home,

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Speaker 1: we had a rap party out in Hollywood, and uh,

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Speaker 1: you know, we were just like we were over it.

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Speaker 1: Kind of a thing. No offense to the cast and crew,

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Speaker 1: but you know, Michael over it. And we were like,

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Speaker 1: let's get the limo, let's go to the club, let's

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Speaker 1: get let's have some real fun. Now you know the

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Speaker 1: club too, Yeah, and like that was when like it

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Speaker 1: was Duck Club, but now it's like right, yeah, it

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Speaker 1: was definitely you could find me in the club and

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Speaker 1: a bottle full of clubtch. I got what you need

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Speaker 1: the to me. So we went out, went to the club.

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Speaker 1: And mind you, I was fifteen or sixteen. That's called bitch.

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Speaker 1: That's called juice bitch. And we were illegal bitch. That's

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Speaker 1: called illegal. And back then, um we it was the

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Speaker 1: hottest club. Back then it was called Privilege, which is

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Speaker 1: now fourteen. It's that ship on Sunset, Sunset, Sunsete and Cresting.

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Speaker 1: You could see it from the studio if you look

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Speaker 1: out the window of this exclusive studio we're in right here.

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Speaker 1: And the best part about it was the girl who

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Speaker 1: was on the show at the time, Zoe DeStefano, was

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Speaker 1: having a lot of problems getting in and she was

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Speaker 1: about to turn twenty one in a week and they

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Speaker 1: were really scanning her. I d and and you know,

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Speaker 1: I walked in with Michael, just walked right past the

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Speaker 1: dude fifteen years old. And I think the best moment

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Speaker 1: of that whole night was when I was in the club.

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Speaker 1: We had the table, and I found myself dancing with

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Speaker 1: somebody probably twice my age, and and I'm dancing and

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Speaker 1: I'm with her. All of a sudden, I looked at

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Speaker 1: my right and Michael is dancing with another girl right

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Speaker 1: next to me, and we kind of just gave each

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Speaker 1: other that high five, and hey, like this ain't father

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Speaker 1: and son no more. Like now we've kind of went

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Speaker 1: into that like friendship land, Like yeah, Logan, you're fucked alright.

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Speaker 1: This episode of the Iron Rap Core Podcast is brought

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Speaker 1: to you by square Space. Start building a dope ass

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Speaker 1: website today at square space dot com and if you

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Speaker 1: do it, you could do it. Because I don't wanna

347
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Speaker 1: and get ten percent off. This is the I Am

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00:19:54,200 --> 00:19:57,359
Speaker 1: wrapp Report podcast and this is Michael Rapp Report. One

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00:19:57,359 --> 00:20:04,320
Speaker 1: of my segments that my team of craftsmen, scientists and

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00:20:04,400 --> 00:20:08,040
Speaker 1: writers have come up with something I'm very proud about.

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Speaker 1: The name of the segment is Wigga Please. All right,

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Speaker 1: We're gonna be discussing current events, past events, future events.

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Speaker 1: And if I don't like it, you get a Wigga please.

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Speaker 1: If I'm flabbergast, you get Wigga please. If I'm confused,

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00:20:25,680 --> 00:20:29,240
Speaker 1: you get Wigga please. If it's more than one person,

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00:20:29,520 --> 00:20:33,919
Speaker 1: you get wiggas please. My first Wigga please goes to

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Speaker 1: this weekend in Los Angeles, an African American woman and

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Speaker 1: a Caucasian man, apparently as an actress. We're caught. I

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00:20:46,600 --> 00:20:49,440
Speaker 1: don't know. They were accused of having sex. They said

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00:20:49,480 --> 00:20:51,920
Speaker 1: they were making out. The couple said they were making out.

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Speaker 1: Police officer came because people were watching them. Apparently was

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Speaker 1: a door open in their car. They were on the

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Speaker 1: street during the day. Police officer was accused of pulling

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Speaker 1: him over, saying that she was a prostitute. Police officers

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Speaker 1: said that he was just pulling them over because they

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Speaker 1: were freaking off in the middle of the day. I

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Speaker 1: don't know if you heard the the the audio of

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Speaker 1: her being arrested, but I have a little clip of

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Speaker 1: the audio of her being arrested. Daddy. Somebody called the

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00:21:25,880 --> 00:21:30,120
Speaker 1: police saying that there was ludax in the car. Doesn't matter,

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00:21:31,200 --> 00:21:35,480
Speaker 1: We're not doing anything. Somebody calls this is my boy.

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00:21:35,880 --> 00:21:39,520
Speaker 1: I want to see somebody called, which means gives me

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Speaker 1: the right to be here. So my first, Wigga, please

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Speaker 1: go to the police officer. Why are you gonna sunk

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00:21:44,600 --> 00:21:46,199
Speaker 1: up a good thing? If they want a freak off

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Speaker 1: dur in the middle of the day, let him freak

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Speaker 1: off during the middle of the day. Wigga, Please, why

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00:21:51,760 --> 00:21:54,520
Speaker 1: are you interrupting that ship? If people are watching it

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00:21:55,040 --> 00:21:57,919
Speaker 1: and you're getting a free show. In the eighties that

385
00:21:58,000 --> 00:21:59,640
Speaker 1: was called a peep show. You had to pay ten

386
00:22:00,000 --> 00:22:04,640
Speaker 1: only five cents for that. Now you can't even do it. Wiga, Please,

387
00:22:05,080 --> 00:22:08,400
Speaker 1: somebody called my dad, this is my boy I want

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00:22:08,440 --> 00:22:11,640
Speaker 1: to see your I D. Somebody called, which means gives

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00:22:11,680 --> 00:22:13,520
Speaker 1: me the right to be here, so it gives me

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00:22:13,560 --> 00:22:17,000
Speaker 1: the right to identify you. I've been called the cops,

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00:22:17,000 --> 00:22:21,480
Speaker 1: have been called this for me because, just being really honest,

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Speaker 1: I don't know who brought up a race card because

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00:22:24,040 --> 00:22:26,440
Speaker 1: I had not I said nothing about you being here,

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00:22:26,600 --> 00:22:28,320
Speaker 1: and I have every right to ask you. I have

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00:22:28,359 --> 00:22:29,960
Speaker 1: every right to say no, and if you'd like you

396
00:22:30,080 --> 00:22:31,719
Speaker 1: do not have every right to say now, you can

397
00:22:31,760 --> 00:22:33,199
Speaker 1: take me down to the court office and I can

398
00:22:33,280 --> 00:22:34,960
Speaker 1: make a scene about it. And you know what, I

399
00:22:34,960 --> 00:22:38,080
Speaker 1: have a publicist and I'm working. I'm molly interested. I'm

400
00:22:38,080 --> 00:22:39,960
Speaker 1: molly interested. You have a publicist, but I'm going to

401
00:22:40,040 --> 00:22:43,879
Speaker 1: get your I D if I can't believe it. Like

402
00:22:44,119 --> 00:22:45,720
Speaker 1: all the things that are happening with the pupster now,

403
00:22:45,760 --> 00:22:47,399
Speaker 1: I can't make up with my boyfriend in front of

404
00:22:47,400 --> 00:22:53,720
Speaker 1: my fucking We were like inner garage and just because,

405
00:22:53,760 --> 00:23:04,439
Speaker 1: like someone said, luck sweetheart, you're getting arrested. The police

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00:23:04,480 --> 00:23:06,800
Speaker 1: officers just doesn't want to hear from your daddy. He

407
00:23:06,840 --> 00:23:10,840
Speaker 1: doesn't care about the story of your life, the plight. Sweetheart,

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00:23:10,920 --> 00:23:13,359
Speaker 1: you're getting arrested. Whip out your God damn, I d

409
00:23:13,600 --> 00:23:15,399
Speaker 1: we don't care if you gotta publicis We don't care

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00:23:15,440 --> 00:23:18,480
Speaker 1: about any of that ship Wigga, please? And second of all,

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Speaker 1: where's your man this dude that you're out there? At

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00:23:21,920 --> 00:23:24,040
Speaker 1: least if they weren't making out, there was at least

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Speaker 1: a hand job situation going on. I don't know where

414
00:23:26,680 --> 00:23:28,600
Speaker 1: the guy is that you were giving the hand job too.

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00:23:28,960 --> 00:23:31,040
Speaker 1: And listen, I have nothing against a good hand job,

416
00:23:31,359 --> 00:23:33,560
Speaker 1: all right. I feel like it's the safest form of sex.

417
00:23:34,240 --> 00:23:39,240
Speaker 1: Everybody's happy, it's clean, it's safe, it's casual. You know,

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00:23:39,320 --> 00:23:41,760
Speaker 1: that's a whole other segment. But but I'm very I'm

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00:23:41,760 --> 00:23:45,919
Speaker 1: a strong opponent of hand jobs. But sweetheart, apparently this

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00:23:46,000 --> 00:23:49,080
Speaker 1: is an actress. She was in Django unchained, Wigga, please,

421
00:23:49,680 --> 00:23:52,879
Speaker 1: you know you're being arrested, all right. You're freaking off

422
00:23:52,960 --> 00:23:55,280
Speaker 1: during the middle of the day in public. Your door

423
00:23:55,400 --> 00:24:00,000
Speaker 1: was open, apparently, yo. If you can't do the time,

424
00:24:00,000 --> 00:24:03,919
Speaker 1: time don't do the crime. So you get a wiggo please.

425
00:24:04,440 --> 00:24:07,800
Speaker 1: Your boyfriend, who I'm sure I'm assuming. I'm not. This

426
00:24:07,840 --> 00:24:10,280
Speaker 1: isn't a fact, but I'm I'm assuming there was at

427
00:24:10,359 --> 00:24:14,240
Speaker 1: least some finger popping and or a hand job going on.

428
00:24:14,600 --> 00:24:18,680
Speaker 1: You both get wigga please. All right, so you're getting

429
00:24:18,680 --> 00:24:22,120
Speaker 1: how this works. You act crazy, you do some dumb shit,

430
00:24:22,640 --> 00:24:25,239
Speaker 1: you get the wigga please. Second one goes through this

431
00:24:25,280 --> 00:24:29,159
Speaker 1: weekend in Times Square in Manhattan, the middle of Times Square.

432
00:24:29,240 --> 00:24:32,520
Speaker 1: If you've never been to Times Square, it's like Disneyland,

433
00:24:32,600 --> 00:24:38,600
Speaker 1: or it's like a Hollywood boulevard. Motherfucking Spiderman and Batman

434
00:24:39,880 --> 00:24:44,480
Speaker 1: got into a fight. Two characters that were in costumes,

435
00:24:44,520 --> 00:24:46,800
Speaker 1: you know, trying to get tips for taking pictures and

436
00:24:47,160 --> 00:24:52,320
Speaker 1: doing bullshit poses started fighting Batman and spider Man. Apparently,

437
00:24:52,760 --> 00:24:56,680
Speaker 1: you know, it was a turf war. Batman said the

438
00:24:56,760 --> 00:25:00,359
Speaker 1: spider Man, I'm gonna fuck you up Batman. No, spider

439
00:25:00,359 --> 00:25:02,960
Speaker 1: Man said to Batman, I'm gonna fuck you up Batman.

440
00:25:03,520 --> 00:25:08,120
Speaker 1: And then Spiderman grabbed his ass. I don't know what

441
00:25:08,200 --> 00:25:10,920
Speaker 1: that was gonna happen. And then and then and then

442
00:25:10,960 --> 00:25:14,200
Speaker 1: spider Man fucking was like, yo, don't grab my ass.

443
00:25:14,280 --> 00:25:16,399
Speaker 1: And then he he whipped out his silly string and

444
00:25:16,520 --> 00:25:22,520
Speaker 1: he sprayed Batman with his silly string. Wiga, Please, yo, dude,

445
00:25:23,119 --> 00:25:25,640
Speaker 1: my man, what the funk is wrong with you two?

446
00:25:25,880 --> 00:25:29,320
Speaker 1: First of all, these guys in these costumes, none of

447
00:25:29,320 --> 00:25:33,879
Speaker 1: them are even physically fit enough to be wearing these costumes. Okay,

448
00:25:33,920 --> 00:25:36,280
Speaker 1: So if you're not physically fit enough to be wearing

449
00:25:36,280 --> 00:25:38,320
Speaker 1: a spider Man or a Batman costume, if you're not

450
00:25:38,440 --> 00:25:43,440
Speaker 1: cock diesel, shut it down, all right. It's not fair

451
00:25:43,440 --> 00:25:47,160
Speaker 1: to you. It's not fair to the kids. Second of all, yo,

452
00:25:47,600 --> 00:25:52,480
Speaker 1: silly string, like, what the fuck. Third of all, here's

453
00:25:52,480 --> 00:25:56,359
Speaker 1: a rule for all these characters out there, spider Man, Batman, door,

454
00:25:56,400 --> 00:25:59,399
Speaker 1: all you people. You gotta cover your loaf, all right.

455
00:25:59,720 --> 00:26:01,879
Speaker 1: You to put some kind of cock piece on. Because

456
00:26:02,359 --> 00:26:08,680
Speaker 1: seeing a Spider Man impersonator with his loaf dangling around

457
00:26:09,200 --> 00:26:11,920
Speaker 1: and he doesn't have a proper jockstrap or some kind

458
00:26:11,920 --> 00:26:15,680
Speaker 1: of cock piece or a cup, it's not cool, man,

459
00:26:15,760 --> 00:26:18,959
Speaker 1: and it's frightening to little children. So just off of that,

460
00:26:19,240 --> 00:26:21,480
Speaker 1: you should be arrested and get some sort of summons.

461
00:26:21,760 --> 00:26:27,240
Speaker 1: But you two assholes fighting and Batman referring to each

462
00:26:27,240 --> 00:26:30,400
Speaker 1: other as Batman and Spider Man like actually calling each

463
00:26:30,400 --> 00:26:35,480
Speaker 1: other the names of the characters. Wigga please, Wigga please,

464
00:26:35,880 --> 00:26:39,520
Speaker 1: Batman and Spider Man. Wigga please cut that ship out

465
00:26:39,520 --> 00:26:44,560
Speaker 1: to act crazy? Do some ship you get the Wiga please? Yes,

466
00:26:45,280 --> 00:26:47,080
Speaker 1: And you know we're keeping up eyes open for the

467
00:26:47,160 --> 00:26:50,640
Speaker 1: people filing out. Wigga please, it's what we're screaming. Shall

468
00:26:50,680 --> 00:26:53,680
Speaker 1: get better. Act right when we put your ship on lass.

469
00:26:53,760 --> 00:26:56,440
Speaker 1: Do yourself a favor. Try to have a little class

470
00:26:56,640 --> 00:27:00,560
Speaker 1: because like Rappid when they're having it, so save yourself

471
00:27:00,560 --> 00:27:03,119
Speaker 1: from the embarrassment. Think before your talk, or just keep

472
00:27:03,160 --> 00:27:05,600
Speaker 1: your mouth shoot because this is I am Rappaport and

473
00:27:05,640 --> 00:27:07,880
Speaker 1: we don't give a one. So with you lose your cool,

474
00:27:08,280 --> 00:27:10,840
Speaker 1: you get wigaplees. If you act in a fool you

475
00:27:10,880 --> 00:27:13,560
Speaker 1: get a wigaed please. If you wilding like an idiot,

476
00:27:13,680 --> 00:27:16,080
Speaker 1: Wiga please. If you rack in the old ignorant when

477
00:27:16,200 --> 00:27:17,960
Speaker 1: you get a Wigga plea. If you don't listen to

478
00:27:18,000 --> 00:27:20,000
Speaker 1: this new ship, you get a Wiga plee. And if

479
00:27:20,000 --> 00:27:23,640
Speaker 1: you do something snooping, you get Wiga please. What the

480
00:27:23,960 --> 00:27:26,960
Speaker 1: what the fund is wing with you? I will start

481
00:27:27,880 --> 00:27:31,399
Speaker 1: with my first raging Bowl line, my first raging Bowl quote,

482
00:27:31,480 --> 00:27:33,720
Speaker 1: or it might morph into de Niro Line of the

483
00:27:33,720 --> 00:27:37,840
Speaker 1: Week or the al Pacino line of the week sponsored

484
00:27:37,880 --> 00:27:42,119
Speaker 1: by that would be fucking sick, babe. I want to

485
00:27:42,160 --> 00:27:45,560
Speaker 1: find a sponsor for the al Pacino or Robert DeNiro

486
00:27:45,960 --> 00:27:48,680
Speaker 1: line of the week is brought to you by one

487
00:27:49,640 --> 00:27:53,399
Speaker 1: La La. Yeah, I'm looking for sponsors. Who wants to

488
00:27:53,440 --> 00:27:56,679
Speaker 1: sponsor my Robert DeNiro line of the week where I

489
00:27:56,840 --> 00:28:01,480
Speaker 1: do or a guest does their favorite line from a

490
00:28:01,560 --> 00:28:04,520
Speaker 1: Robert DeNiro film, and then we discussed that line and

491
00:28:04,640 --> 00:28:07,560
Speaker 1: the film. Who wants to be that sponsor? So my

492
00:28:07,680 --> 00:28:13,480
Speaker 1: first favorite line from Robert de Niro is from Raging Bull,

493
00:28:14,400 --> 00:28:20,399
Speaker 1: and it is judges didn't know. Who know's what happened

494
00:28:20,400 --> 00:28:23,679
Speaker 1: with them? People knew, and he thought I was messing around.

495
00:28:24,520 --> 00:28:27,200
Speaker 1: You know when I mess around, I get that championship belt.

496
00:28:29,119 --> 00:28:33,439
Speaker 1: Yeah so what? The girl goes, Yeah, so what? I

497
00:28:33,520 --> 00:28:38,320
Speaker 1: love that line. Judges didn't know, the people knew. The

498
00:28:38,400 --> 00:28:41,600
Speaker 1: judges didn't know, the people knew. If that's not a

499
00:28:41,600 --> 00:28:46,680
Speaker 1: fucking metaphor for life in Raging Bull the first eight

500
00:28:46,720 --> 00:28:50,240
Speaker 1: minutes of the movie, the judges didn't know that. You

501
00:28:50,280 --> 00:28:53,680
Speaker 1: know what that means. That means fuck authority, that means

502
00:28:53,800 --> 00:28:56,840
Speaker 1: fuck people. That think they know everything. That means fuck

503
00:28:56,960 --> 00:29:00,760
Speaker 1: fucking critics. That means fuck your fear. Fuck fun that

504
00:29:00,760 --> 00:29:03,480
Speaker 1: little inner voice in you, and go for it. The

505
00:29:03,560 --> 00:29:06,320
Speaker 1: judges didn't know, the people knew, and you thought I

506
00:29:06,360 --> 00:29:11,320
Speaker 1: was out there messing around. Okay, great, great advice from

507
00:29:11,440 --> 00:29:14,920
Speaker 1: Jake LaMotta played by Robert DeNiro in my favorite all

508
00:29:14,960 --> 00:29:18,440
Speaker 1: time movie, Raging Bull. The judges didn't know that people knew,

509
00:29:18,760 --> 00:29:22,880
Speaker 1: and you thought I was out there messing around, fooling around,

510
00:29:23,240 --> 00:29:25,360
Speaker 1: fooling around. The purists are gonna be like, you don't

511
00:29:25,360 --> 00:29:27,120
Speaker 1: know the movie I'm going off the cuff here, and

512
00:29:27,160 --> 00:29:29,520
Speaker 1: you thought I was out there fooling around. And his

513
00:29:29,560 --> 00:29:33,600
Speaker 1: wife played by Teresa Seldonna still don't know his wife's

514
00:29:33,680 --> 00:29:34,960
Speaker 1: name in that movie. You've seen it at least a

515
00:29:35,040 --> 00:29:38,960
Speaker 1: hundred times. She goes, Yeah, so what I'll fool around?

516
00:29:39,240 --> 00:29:42,040
Speaker 1: I get that championship belt. That's when I fool around,

517
00:29:42,480 --> 00:29:45,480
Speaker 1: ladies and gentlemen. That is the first Robert DeNiro line

518
00:29:45,480 --> 00:29:47,840
Speaker 1: of the week that was done by me. If you

519
00:29:47,880 --> 00:29:50,160
Speaker 1: couldn't tell, I morphed into Robert DeNiro there. I know

520
00:29:50,680 --> 00:29:53,000
Speaker 1: my impression is impeccable, but that was actually me. I

521
00:29:53,040 --> 00:29:54,320
Speaker 1: know you thought I was playing a clip from the

522
00:29:54,360 --> 00:29:56,600
Speaker 1: actual movie, but that was me and that was the

523
00:29:56,720 --> 00:29:59,560
Speaker 1: Robert DeNiro line of the week. You know, when um,

524
00:29:59,600 --> 00:30:03,400
Speaker 1: they would be like when voicemail first came out, you know,

525
00:30:03,400 --> 00:30:06,400
Speaker 1: and you'd have like a voicemail, like an automatic voicemail,

526
00:30:06,440 --> 00:30:09,800
Speaker 1: not the voice message machines. You know, it was a machine.

527
00:30:09,800 --> 00:30:11,720
Speaker 1: But when it was like became like a digital thing.

528
00:30:11,760 --> 00:30:16,400
Speaker 1: I my message would be from al Pacino or from

529
00:30:16,440 --> 00:30:20,400
Speaker 1: Denier would be a line. And and this line for

530
00:30:20,480 --> 00:30:25,600
Speaker 1: this week the Appaccino or a k a. The Robert

531
00:30:25,640 --> 00:30:28,160
Speaker 1: DeNiro line of the week. But it's Appacino. I know

532
00:30:28,200 --> 00:30:34,760
Speaker 1: I sound confusing. It's from The Godfather Part two and

533
00:30:34,840 --> 00:30:39,000
Speaker 1: it is after they tried to shoot up the cor

534
00:30:39,080 --> 00:30:44,960
Speaker 1: Leone house. And this is the scene when al Paccino

535
00:30:45,320 --> 00:30:51,520
Speaker 1: confronts Frank pantangel E because he he knows that fucking

536
00:30:51,560 --> 00:30:55,120
Speaker 1: Frank had something to do with trying to have him

537
00:30:55,200 --> 00:30:59,960
Speaker 1: killed at his home and shot it up. Famous scene.

538
00:31:00,120 --> 00:31:03,160
Speaker 1: Listen if you're listening to the Iron Wrap Report podcast,

539
00:31:03,240 --> 00:31:07,640
Speaker 1: I expect that you've seen The Godfather Part one, part two,

540
00:31:08,720 --> 00:31:11,720
Speaker 1: even part three, because there's there's good stuff in that.

541
00:31:11,840 --> 00:31:15,040
Speaker 1: Although it's disappointing. I remember I saw it Christmas Day,

542
00:31:15,200 --> 00:31:17,680
Speaker 1: whatever year or that was ninety four and ninety five,

543
00:31:17,800 --> 00:31:20,280
Speaker 1: ninety three, I don't know, but it was sold out.

544
00:31:20,320 --> 00:31:22,080
Speaker 1: I went in there by myself. I had my hair

545
00:31:22,160 --> 00:31:26,640
Speaker 1: slipped back Allah Michael Corleone, I had on my hat,

546
00:31:27,520 --> 00:31:29,760
Speaker 1: and I went in there and saw it. So I

547
00:31:29,800 --> 00:31:33,800
Speaker 1: expect that you've seen certain movies, because we're we're, we're, we're, we're, we're,

548
00:31:33,840 --> 00:31:37,400
Speaker 1: we're one of a kind. We're the same king my

549
00:31:37,480 --> 00:31:41,120
Speaker 1: listeners and me. Okay, there's certain expectations I have from you,

550
00:31:41,920 --> 00:31:44,880
Speaker 1: and certain expectations you probably have from me. And I

551
00:31:44,960 --> 00:31:47,800
Speaker 1: expect that all people listening to the Iron Wrap PORP

552
00:31:47,880 --> 00:31:54,440
Speaker 1: podcasts have seen certain movies, have eaten certain foods, and

553
00:31:54,480 --> 00:31:59,520
Speaker 1: have smelled certain things in life, you know. So anyway,

554
00:31:59,600 --> 00:32:01,480
Speaker 1: this is the al Pacino line of the week from

555
00:32:01,480 --> 00:32:08,040
Speaker 1: Godfather Part two, when he confronts Frank Pantangeli and he says,

556
00:32:08,760 --> 00:32:13,200
Speaker 1: you heard what happened in my home, in my home

557
00:32:14,840 --> 00:32:19,920
Speaker 1: where my wife sleeps, where my children come and play

558
00:32:19,960 --> 00:32:23,400
Speaker 1: with their toys. Now, I don't try to act these

559
00:32:23,440 --> 00:32:27,959
Speaker 1: lines out, but the thing that I love about al

560
00:32:28,040 --> 00:32:32,400
Speaker 1: Pacino and this particular scene, this particular delivery of this

561
00:32:32,440 --> 00:32:36,600
Speaker 1: line is that he goes up, you heard what happened

562
00:32:36,600 --> 00:32:41,000
Speaker 1: in my home, in my home where my wife sleeps,

563
00:32:41,200 --> 00:32:43,760
Speaker 1: and then he takes a big, long pause where my

564
00:32:43,840 --> 00:32:47,160
Speaker 1: children come and play with their toys. The cadence is

565
00:32:47,200 --> 00:32:50,680
Speaker 1: so good, it's like you think he's gonna flip out.

566
00:32:50,760 --> 00:32:52,720
Speaker 1: And then he holds it together where my children come

567
00:32:52,720 --> 00:32:56,720
Speaker 1: and play with their toys. That's the opportino line of

568
00:32:56,720 --> 00:32:58,600
Speaker 1: the week. Again, I'm not trying to perform it. I

569
00:32:58,640 --> 00:33:00,959
Speaker 1: would be a fucking fool to try to perform it.

570
00:33:01,080 --> 00:33:04,680
Speaker 1: I'm just delivering it. If you're playing fantasy football, I

571
00:33:04,760 --> 00:33:08,320
Speaker 1: just found this app on Reddit. It's called sleeper Bot.

572
00:33:08,840 --> 00:33:13,600
Speaker 1: Sleeper Bot Bot, sleeper Bot. I highly recommend you check

573
00:33:13,640 --> 00:33:16,000
Speaker 1: this out right now if you're into fantasy sports and

574
00:33:16,040 --> 00:33:18,560
Speaker 1: do yourself a favorite. Don't tell the other people in

575
00:33:18,560 --> 00:33:21,760
Speaker 1: your league about sleeper boty all right, This this this

576
00:33:21,760 --> 00:33:25,440
Speaker 1: this app. It gives you alerts and updates and injury

577
00:33:25,480 --> 00:33:28,720
Speaker 1: reports and roster changes that will help you kick fucking

578
00:33:28,760 --> 00:33:31,680
Speaker 1: ass in fantasy football. They were the first ones to

579
00:33:31,720 --> 00:33:34,520
Speaker 1: break important information the first week of the NFL season

580
00:33:34,520 --> 00:33:38,120
Speaker 1: this year. Right, there's chats and there's ship talking places

581
00:33:38,160 --> 00:33:41,360
Speaker 1: on there for lunatics like myself. Seven. It's called sleeper

582
00:33:41,400 --> 00:33:45,520
Speaker 1: bot dot com, alright, and it works on iOS, iPhones, Android,

583
00:33:45,560 --> 00:33:47,800
Speaker 1: and trust me, check it out and enjoy all the

584
00:33:47,880 --> 00:33:51,680
Speaker 1: information at sleeper bot dot com. S L E E

585
00:33:51,800 --> 00:33:55,719
Speaker 1: P E R b O T sleeper bot dot com.

586
00:33:56,000 --> 00:33:59,320
Speaker 1: Check it out. You have not seen when the garden

587
00:33:59,400 --> 00:34:02,440
Speaker 1: was eaten. It's very easy to find. You don't look

588
00:34:02,480 --> 00:34:04,160
Speaker 1: up when the garden was eating You look up thirty

589
00:34:04,200 --> 00:34:07,720
Speaker 1: for thirties on ESPN and and you can DVR and

590
00:34:07,720 --> 00:34:11,840
Speaker 1: it will be on Netflix soon. And that's that's the information. Okay, folks,

591
00:34:11,840 --> 00:34:13,600
Speaker 1: that's the information. Because I get a lot of people

592
00:34:13,600 --> 00:34:15,759
Speaker 1: it's it's it's on t like when people say where

593
00:34:15,760 --> 00:34:18,240
Speaker 1: can I find it? You know, I want to listen.

594
00:34:18,680 --> 00:34:22,080
Speaker 1: I'm not a fucking direct TV guide, all right. I'm

595
00:34:22,120 --> 00:34:24,719
Speaker 1: just a guy here trying to fucking you know, make

596
00:34:24,760 --> 00:34:26,680
Speaker 1: it through the day. So don't be hitting me up

597
00:34:26,719 --> 00:34:29,760
Speaker 1: on Twitter. You where can I find this? Where? Google

598
00:34:29,800 --> 00:34:33,919
Speaker 1: that ship? Just google it, fucking google it. Don't don't

599
00:34:33,960 --> 00:34:36,759
Speaker 1: come to me with all that. So anyway, So so

600
00:34:36,800 --> 00:34:41,680
Speaker 1: this footage of willis Read beating up the Los Angeles Lakers.

601
00:34:41,719 --> 00:34:46,520
Speaker 1: I begged and pleaded and and and and and threatened

602
00:34:46,560 --> 00:34:49,719
Speaker 1: to come into the NBA offices where kneepads and I

603
00:34:49,760 --> 00:34:51,799
Speaker 1: was ready to do what I needed to do to

604
00:34:51,880 --> 00:34:54,960
Speaker 1: get this footage because we found out it existed. And

605
00:34:55,400 --> 00:34:59,279
Speaker 1: David Stern, the now former commissioner of the NBA, and

606
00:34:59,320 --> 00:35:02,400
Speaker 1: Adam silver Or, the now commissioner of the NBA, I

607
00:35:02,440 --> 00:35:04,520
Speaker 1: begged him and begged them, begging, and then I threatened.

608
00:35:04,560 --> 00:35:06,200
Speaker 1: I said, I'll come in there and suck you off.

609
00:35:06,480 --> 00:35:08,399
Speaker 1: And I think that's what pushed it over the top.

610
00:35:08,960 --> 00:35:13,520
Speaker 1: I'm kidding, kidding. I wouldn't do that. Both of them

611
00:35:13,520 --> 00:35:15,440
Speaker 1: are too old for me to be doing that. I

612
00:35:15,520 --> 00:35:19,080
Speaker 1: like anyway, I'm just playing. But they granted us the

613
00:35:19,080 --> 00:35:21,520
Speaker 1: footage for the first time. It's never been seen, it's

614
00:35:21,520 --> 00:35:24,000
Speaker 1: not on YouTube. It's probably on YouTube now, never been

615
00:35:24,000 --> 00:35:27,719
Speaker 1: on YouTube, it's never no one's ever seen it. Nick aficionado's,

616
00:35:27,880 --> 00:35:32,640
Speaker 1: Nick nerds, nick historians, no one has ever seen this

617
00:35:32,760 --> 00:35:35,320
Speaker 1: footage and it's in the movie, and it's pretty shocking.

618
00:35:35,880 --> 00:35:37,840
Speaker 1: And like I said, the closest thing I compared to

619
00:35:38,000 --> 00:35:41,960
Speaker 1: is the run Our Test malice at the motherfucking Palace

620
00:35:42,520 --> 00:35:45,719
Speaker 1: when run Our Test got a drink thrown on him

621
00:35:45,760 --> 00:35:49,400
Speaker 1: and went into the crowd and went buck wild, and

622
00:35:49,400 --> 00:35:52,200
Speaker 1: then Stephen Jackson went buck wild, and then fans started

623
00:35:52,200 --> 00:35:55,280
Speaker 1: fighting players, and players started fighting fans, and fans started

624
00:35:55,280 --> 00:35:58,080
Speaker 1: fighting fans. It was just a fucking that ship is

625
00:35:58,120 --> 00:36:00,600
Speaker 1: probably not on YouTube because they bury that. They want

626
00:36:00,640 --> 00:36:04,040
Speaker 1: to act like that didn't happen, but it happened. And

627
00:36:04,040 --> 00:36:07,480
Speaker 1: this didn't involve fans, but it involved uh, you know,

628
00:36:07,560 --> 00:36:10,480
Speaker 1: just players getting knocked the ship out of Willis Street,

629
00:36:10,520 --> 00:36:14,000
Speaker 1: put them hands on everybody, and uh. One of the

630
00:36:14,000 --> 00:36:15,400
Speaker 1: things that we had to cut out of the movie

631
00:36:15,440 --> 00:36:17,240
Speaker 1: is when he went back to the bench, he asked

632
00:36:17,360 --> 00:36:20,040
Speaker 1: the other Nicks, why didn't you guys help me? And

633
00:36:20,080 --> 00:36:21,839
Speaker 1: they were like, Ship, you didn't need any help. Like

634
00:36:21,880 --> 00:36:23,719
Speaker 1: he took care of the whole fucking thing on his own.

635
00:36:24,680 --> 00:36:28,080
Speaker 1: True story got cut out of the film. You know,

636
00:36:28,160 --> 00:36:30,279
Speaker 1: you make a film, you make a documentary, you gotta

637
00:36:30,280 --> 00:36:33,799
Speaker 1: cut things. It's called killing babies, drowning puppies. You're in

638
00:36:33,840 --> 00:36:36,200
Speaker 1: love with it. This is the greatest thing since since

639
00:36:36,280 --> 00:36:39,400
Speaker 1: Chop Liver. Oh, we can't cut it in the movie

640
00:36:39,400 --> 00:36:42,239
Speaker 1: needs it. You gotta fucking cut it. You gotta cut it.

641
00:36:42,560 --> 00:36:45,719
Speaker 1: As some filmmaker said, you gotta hate the film, to

642
00:36:45,920 --> 00:36:48,200
Speaker 1: edit the film. You can't be in love. It's can't

643
00:36:48,200 --> 00:36:50,960
Speaker 1: be precious. You gotta take those puppies one at a

644
00:36:51,040 --> 00:36:57,239
Speaker 1: time and drown them, drown them. Fucking drown him if

645
00:36:57,239 --> 00:36:59,240
Speaker 1: you want to, drown him in a in a in

646
00:36:59,040 --> 00:37:02,439
Speaker 1: a bath of wine. Drowned him in a bath of wine.

647
00:37:02,440 --> 00:37:03,600
Speaker 1: If you want it, you want it to be like

648
00:37:03,920 --> 00:37:07,240
Speaker 1: religious or But you gotta get rid of those little fuckers.

649
00:37:08,120 --> 00:37:11,000
Speaker 1: When you're making a documentary, you can't. And nothing is

650
00:37:11,000 --> 00:37:15,040
Speaker 1: too precious. So there's so many, so many anecdotes in

651
00:37:15,080 --> 00:37:17,160
Speaker 1: the making of when the Garden was eating, We we

652
00:37:17,160 --> 00:37:20,000
Speaker 1: we we we had to get rid of. But this

653
00:37:20,120 --> 00:37:23,840
Speaker 1: footage was so sort of shocking to see, and because

654
00:37:23,840 --> 00:37:25,640
Speaker 1: it was a sports footage and the way it looks

655
00:37:25,680 --> 00:37:28,799
Speaker 1: and and the graphic nature of it, and when the

656
00:37:28,840 --> 00:37:35,520
Speaker 1: garden was eating, we were trending on Facebook above Ebola

657
00:37:36,160 --> 00:37:40,600
Speaker 1: and it was us the Willis Reed fight footage Ebola,

658
00:37:40,840 --> 00:37:44,600
Speaker 1: and then I think isis or or the Ferguson situation,

659
00:37:45,040 --> 00:37:48,960
Speaker 1: something major ship. But there was a moment in time

660
00:37:49,360 --> 00:37:52,600
Speaker 1: where people were more interested in when the garden was eating.

661
00:37:54,360 --> 00:37:58,600
Speaker 1: Then they weren't fucking Ebola. It was crazy and that's

662
00:37:58,640 --> 00:38:01,239
Speaker 1: the reason why I make films, folks. You know the

663
00:38:01,280 --> 00:38:03,719
Speaker 1: other day, I was thinking, if I was gonna do

664
00:38:03,800 --> 00:38:06,440
Speaker 1: top five players, I would do Magic at the point

665
00:38:07,360 --> 00:38:09,960
Speaker 1: with Isaiah coming off the bench. I would do Michael

666
00:38:10,040 --> 00:38:13,239
Speaker 1: Jordan's And first I said Lebron James, and then I

667
00:38:13,280 --> 00:38:16,200
Speaker 1: said Tim Duncan, and then my fifth was a team.

668
00:38:16,239 --> 00:38:19,680
Speaker 1: Now you could say all the bullshit you want, okay

669
00:38:19,719 --> 00:38:23,279
Speaker 1: about Bill Russell. He's not in my first team. He's

670
00:38:23,320 --> 00:38:26,040
Speaker 1: not even on my second team. Okay, he's not even

671
00:38:26,080 --> 00:38:29,440
Speaker 1: on my third team. I got Kareem coming off the bench.

672
00:38:29,760 --> 00:38:32,440
Speaker 1: I got Moses Malone coming off the bench. I got

673
00:38:32,560 --> 00:38:35,120
Speaker 1: David Robinson coming off the bench. I didn't even mention

674
00:38:36,040 --> 00:38:40,040
Speaker 1: Shaquille O'Neil. I didn't even mention Shaquille O'Neil. So I

675
00:38:40,080 --> 00:38:43,520
Speaker 1: picked all of those guys over the most winning basketball

676
00:38:43,560 --> 00:38:48,120
Speaker 1: player in the history of the sport, Bill Russell. And

677
00:38:48,160 --> 00:38:50,680
Speaker 1: if you saw when the Garden was eating, I brought

678
00:38:50,760 --> 00:38:54,200
Speaker 1: that ship up right to John Halcheck's face. Sure he

679
00:38:54,239 --> 00:38:57,360
Speaker 1: didn't answer me, he ignored the fucking question. But I

680
00:38:57,480 --> 00:39:00,719
Speaker 1: fucking had the balls to do it because you motherfucker's

681
00:39:00,719 --> 00:39:03,520
Speaker 1: out there that think I'm crazy, Because Bill Russell but

682
00:39:03,640 --> 00:39:07,520
Speaker 1: I brought up, was Bill Russell overrated? You are drinking

683
00:39:07,760 --> 00:39:10,680
Speaker 1: the damn kool aid. I just named six or seven

684
00:39:10,680 --> 00:39:12,880
Speaker 1: players who I would start. Let's go over my centers,

685
00:39:12,920 --> 00:39:19,160
Speaker 1: achimla j One, Kareem Abdul Jabbar, Moses Malone, David Robinson,

686
00:39:19,840 --> 00:39:22,640
Speaker 1: Shaquille O'Neil. That's five. I don't need to name anymore. Five.

687
00:39:23,200 --> 00:39:25,800
Speaker 1: There's that's five centers who I'm gonna start over Bill Russell.

688
00:39:26,280 --> 00:39:30,680
Speaker 1: I don't need to make this argument anymore. Okay, he

689
00:39:30,880 --> 00:39:36,160
Speaker 1: played against lack of Leicester competition. I am telling you

690
00:39:37,360 --> 00:39:40,000
Speaker 1: I have an uncle Saul. He was a power forward

691
00:39:40,200 --> 00:39:44,520
Speaker 1: for the Syracuse Nets. If you saw this poor prick,

692
00:39:45,800 --> 00:39:47,719
Speaker 1: you wouldn't fucking ever think that he was ever in

693
00:39:47,760 --> 00:39:50,360
Speaker 1: the NBA. This is who Bill Russell was playing against.

694
00:39:50,400 --> 00:39:52,600
Speaker 1: I actually don't have an uncle Soul. That's totally made up.

695
00:39:52,760 --> 00:39:56,359
Speaker 1: But most of those guys looked like what I would

696
00:39:56,360 --> 00:39:59,040
Speaker 1: imagine my uncle Saul would look like. You know, I

697
00:39:59,080 --> 00:40:02,120
Speaker 1: talked to Byron Scott. I tell him about the time

698
00:40:02,719 --> 00:40:05,799
Speaker 1: when I got into the Los Angeles Laker Room in

699
00:40:05,880 --> 00:40:09,160
Speaker 1: nineteen eight three with our Cineo Hall and he said

700
00:40:09,200 --> 00:40:12,640
Speaker 1: something about my jewelry. He said to me, Yeah, you

701
00:40:12,719 --> 00:40:14,239
Speaker 1: got a lot of gold chains. And I was again

702
00:40:14,320 --> 00:40:18,640
Speaker 1: he goes, you know you're in uh Inglewood. So Byron

703
00:40:18,640 --> 00:40:20,640
Speaker 1: Scott said, and I'm thirteen. I have a I think,

704
00:40:20,680 --> 00:40:23,080
Speaker 1: I mean, I think, I'm literally think I'm a combination

705
00:40:23,120 --> 00:40:25,600
Speaker 1: of Michael Jackson and Eddie Murphy at this time. I

706
00:40:25,640 --> 00:40:29,600
Speaker 1: have a black shirt that's zipped up. That's right, I said, zip,

707
00:40:29,640 --> 00:40:33,840
Speaker 1: not button, zipped. It was the eighties. Zipped, motherfucker. A

708
00:40:33,920 --> 00:40:35,920
Speaker 1: black shirt with a collar. So it's like a polo

709
00:40:35,960 --> 00:40:38,200
Speaker 1: shirt with a zipper. But this zipper comes up the side.

710
00:40:38,520 --> 00:40:41,960
Speaker 1: I remember. It's so this it's like it comes up

711
00:40:42,000 --> 00:40:43,920
Speaker 1: like above the nipple the zipper, so it's like a

712
00:40:43,920 --> 00:40:48,760
Speaker 1: little square you have like a zipper rectangle or square

713
00:40:48,800 --> 00:40:51,439
Speaker 1: on your chest. And I had about four or five

714
00:40:51,480 --> 00:40:53,600
Speaker 1: gold chains on my neck, little small ones, but four

715
00:40:53,640 --> 00:40:56,040
Speaker 1: or five ones. Nonetheless, I'm thirteen, I'm white. I'm in

716
00:40:56,040 --> 00:40:59,879
Speaker 1: the Lakers locker room. Byron Scott says to me. I go, hey,

717
00:41:00,000 --> 00:41:01,760
Speaker 1: how you doing. Byron Scott like, I was like, holy,

718
00:41:01,880 --> 00:41:05,200
Speaker 1: I'm in the locker room. Why wouldn't you say you're

719
00:41:05,200 --> 00:41:08,200
Speaker 1: in the locker room? People always say were they naked?

720
00:41:08,320 --> 00:41:10,160
Speaker 1: I mean No, they're not naked. They're like have their

721
00:41:10,160 --> 00:41:12,319
Speaker 1: shirts on or they have their shirts off. But then

722
00:41:12,360 --> 00:41:16,279
Speaker 1: you know they're not walking around small locker room. You know,

723
00:41:16,320 --> 00:41:17,840
Speaker 1: if you want to have a sword fight, then you

724
00:41:17,880 --> 00:41:20,120
Speaker 1: walk around naked. But these are you know, who the

725
00:41:20,160 --> 00:41:23,759
Speaker 1: funk wants to have a sword fight. Jesus, let me

726
00:41:23,760 --> 00:41:28,719
Speaker 1: finish my story. So Byron Scott says to me in Damn,

727
00:41:28,760 --> 00:41:30,120
Speaker 1: you got a lot of gold and I didn't say,

728
00:41:30,160 --> 00:41:32,160
Speaker 1: damn a lot of gold chains. And I was like, yeah,

729
00:41:32,200 --> 00:41:34,480
Speaker 1: I know, and he said you're in Inglewood now, and

730
00:41:34,520 --> 00:41:36,880
Speaker 1: I said, that's all right, I'm from New York. I

731
00:41:36,960 --> 00:41:40,960
Speaker 1: said that. I fucking said that to Byron Scott. All right.

732
00:41:41,000 --> 00:41:43,400
Speaker 1: I hope you're enjoying the best of the I m

733
00:41:43,480 --> 00:41:45,960
Speaker 1: rap por Podcast, first edition. We're coming up on our

734
00:41:46,040 --> 00:41:49,800
Speaker 1: hundredth episode. The hundredth episode is me and Danny I Hello,

735
00:41:50,560 --> 00:41:54,239
Speaker 1: Me doing Danny Iello, Danny Aello doing Danny Illo. And

736
00:41:54,320 --> 00:41:57,239
Speaker 1: it culminates the hundreds of episode, which is coming up

737
00:41:57,960 --> 00:42:01,840
Speaker 1: with Danny Iello and I having an I Yellow off. Okay,

738
00:42:01,880 --> 00:42:03,920
Speaker 1: when we do the final scene from Do the Right

739
00:42:03,960 --> 00:42:06,759
Speaker 1: Thing and he plays Mookie, he plays Spike Lee and

740
00:42:06,840 --> 00:42:09,480
Speaker 1: I played Danny, I ll o, it's all, I ll

741
00:42:09,520 --> 00:42:13,760
Speaker 1: o everything. See I'm rapport podcast. I'm I'm I'm tipping

742
00:42:13,760 --> 00:42:16,880
Speaker 1: the scales right now about to eighteen, all right, and

743
00:42:16,920 --> 00:42:22,640
Speaker 1: I'm fucking fit. That's a fit six three all ju everything,

744
00:42:23,360 --> 00:42:26,120
Speaker 1: piece of steel. Like I'm, I'm I'm a rock. I'm

745
00:42:26,160 --> 00:42:30,239
Speaker 1: a fucking rock. Two eighteen maybe two d I don't

746
00:42:30,280 --> 00:42:33,160
Speaker 1: know who knows. It doesn't matter. The weight doesn't matter

747
00:42:33,200 --> 00:42:36,200
Speaker 1: to me anymore. It's it's the looks. The looks I get.

748
00:42:36,360 --> 00:42:40,319
Speaker 1: The shoulders, you know, the shoulders, the broad shoulders, the

749
00:42:41,040 --> 00:42:48,840
Speaker 1: you know, mildly flat, sort of flabby, you know, mid section,

750
00:42:49,200 --> 00:42:51,520
Speaker 1: but it's thin, you know. It's I don't have a

751
00:42:51,560 --> 00:42:55,440
Speaker 1: six pack. I got nothing, nothing, No abs are showing.

752
00:42:55,719 --> 00:42:57,799
Speaker 1: But but I'm I'm looking good. I'm looking all right,

753
00:42:57,840 --> 00:43:01,640
Speaker 1: you know. And uh, these little fucking broads are like

754
00:43:02,360 --> 00:43:05,080
Speaker 1: couldn't weigh more than a hundred twenty pounds. So you're

755
00:43:05,080 --> 00:43:09,399
Speaker 1: supposed to hang from the TRX strap like on your backs,

756
00:43:09,440 --> 00:43:11,400
Speaker 1: like your your heads, like you know, if you let

757
00:43:11,480 --> 00:43:14,000
Speaker 1: go of the TRX trap, you're gonna kill yourself. You're

758
00:43:14,040 --> 00:43:16,920
Speaker 1: definitely gonna diet or you're gonna knock yourself out give

759
00:43:17,000 --> 00:43:20,600
Speaker 1: yourself a concussion, and they're like, you know, come on,

760
00:43:20,719 --> 00:43:22,360
Speaker 1: you're the man of the class. You're supposed to be

761
00:43:22,360 --> 00:43:25,400
Speaker 1: doing more. Fuck you, lady, it's a it's a female

762
00:43:25,520 --> 00:43:29,200
Speaker 1: teacher to fuck you all right, I'm too twenty. These

763
00:43:29,239 --> 00:43:33,239
Speaker 1: fucking ladies are like little toothpicks, you know. They're all

764
00:43:33,719 --> 00:43:37,040
Speaker 1: fucking hopped up on coffee bean and and and I

765
00:43:37,080 --> 00:43:40,840
Speaker 1: don't know, man, they're pulling themselves up. I'm like doing

766
00:43:40,960 --> 00:43:43,560
Speaker 1: three in a minute. They're like, you know, get twenty

767
00:43:43,560 --> 00:43:46,759
Speaker 1: in in a minute. Fuck fuck off. So we do

768
00:43:46,880 --> 00:43:51,120
Speaker 1: that the kettlebell. Then they have these other concoctions in there,

769
00:43:51,160 --> 00:43:54,720
Speaker 1: these I know balls, you could they got medicine balls

770
00:43:54,760 --> 00:43:56,759
Speaker 1: like Rocky used to use, you know, like he did

771
00:43:56,800 --> 00:44:00,640
Speaker 1: it with the medicine ball. You lift them, you're doing

772
00:44:00,680 --> 00:44:02,879
Speaker 1: push ups on them one hand, that push ups, two

773
00:44:02,960 --> 00:44:07,040
Speaker 1: handed push ups. The ladies actually telling us we want

774
00:44:07,040 --> 00:44:09,920
Speaker 1: to do push ups with a clap. Do you know

775
00:44:09,960 --> 00:44:12,759
Speaker 1: what would happen to me if I attempted to do

776
00:44:12,880 --> 00:44:15,040
Speaker 1: a clapping push up where you push up and then

777
00:44:15,040 --> 00:44:19,400
Speaker 1: you're supposed to push yourself up enough in the air

778
00:44:19,560 --> 00:44:23,400
Speaker 1: that you could clap. Do you do you understand what

779
00:44:23,520 --> 00:44:27,759
Speaker 1: would actually happen to me. If if I actually attempted

780
00:44:28,200 --> 00:44:31,359
Speaker 1: to do a clapping push up, I would break my

781
00:44:31,520 --> 00:44:36,120
Speaker 1: fucking face. So there's that, and and then there's a

782
00:44:36,200 --> 00:44:38,360
Speaker 1: rowing machine. And I'm good at the rowing because of

783
00:44:38,400 --> 00:44:41,239
Speaker 1: my training with the cross fit, and I'm long, so

784
00:44:41,480 --> 00:44:44,560
Speaker 1: rowing where I have long arms and long legs, so

785
00:44:44,920 --> 00:44:47,480
Speaker 1: I have a naturally like what you would call a

786
00:44:47,600 --> 00:44:50,680
Speaker 1: rower's body I have. I'm built for rowing. So I'm

787
00:44:50,719 --> 00:44:53,919
Speaker 1: good at that. So she in front of the whole

788
00:44:53,960 --> 00:44:57,480
Speaker 1: class tells me, we need you, just pointing at me,

789
00:44:57,719 --> 00:45:04,120
Speaker 1: we need you to do five hundred meters in two minutes. Okay,

790
00:45:05,160 --> 00:45:08,799
Speaker 1: that's like professional ship. So I'm like, all right, you

791
00:45:08,800 --> 00:45:11,920
Speaker 1: wanna fucking try to shame me in front of the

792
00:45:11,960 --> 00:45:15,160
Speaker 1: whole class. Now this is in the station, so we

793
00:45:15,239 --> 00:45:18,400
Speaker 1: need you to know my name, just pointing to the

794
00:45:18,440 --> 00:45:22,680
Speaker 1: only dick swinger in there. All right, I'm the only

795
00:45:22,840 --> 00:45:26,239
Speaker 1: uh coxman in there. So I go, all right, I

796
00:45:26,280 --> 00:45:27,719
Speaker 1: got it, I got I got it, all right. I

797
00:45:27,719 --> 00:45:31,120
Speaker 1: don't want to be you know, these Jewish women are

798
00:45:31,160 --> 00:45:35,560
Speaker 1: all like I start two minutes. I'm like, I'm gonna

799
00:45:35,600 --> 00:45:39,319
Speaker 1: get the one minute. I'm good, and I'm I'm I'm

800
00:45:39,320 --> 00:45:42,120
Speaker 1: about two hundred sixty. I'm ahead of time, so I

801
00:45:42,160 --> 00:45:44,600
Speaker 1: know I but the only way. I'm at two hundred

802
00:45:44,600 --> 00:45:46,879
Speaker 1: and sixty meters. I got one more minute to go,

803
00:45:47,600 --> 00:45:52,680
Speaker 1: and this last minute is fucking all out hell. So

804
00:45:52,719 --> 00:45:56,279
Speaker 1: I'm rowing, rowing, rowing, and and I'm like, I'm gonna win.

805
00:45:57,080 --> 00:46:00,480
Speaker 1: And then she's like, well, Susie's gonna catch up. Susie's

806
00:46:00,520 --> 00:46:05,759
Speaker 1: gonna she's gonna do fives too, and and so I'm like, no,

807
00:46:05,920 --> 00:46:08,120
Speaker 1: this is my this is my moment to shine, you

808
00:46:08,280 --> 00:46:11,120
Speaker 1: fucking bitch. This is this is me. I'm this is

809
00:46:11,160 --> 00:46:15,719
Speaker 1: my time. So she's like ten seconds, oh, Susie is

810
00:46:15,719 --> 00:46:18,120
Speaker 1: gonna beat you, and she's not looking at what I'm accomplishing.

811
00:46:18,160 --> 00:46:22,600
Speaker 1: I can't talk right now because I'm like, I'm gonna hyperventily,

812
00:46:22,640 --> 00:46:25,320
Speaker 1: but I'm I'm on time. I'm there's like ten seconds

813
00:46:25,520 --> 00:46:27,960
Speaker 1: and I'm at like four hundred, and then she's like

814
00:46:28,920 --> 00:46:33,720
Speaker 1: nine eight, Susie got to five hundred, and by fucking

815
00:46:34,640 --> 00:46:38,800
Speaker 1: I got to five hundred the same time. Susie or Jennifer,

816
00:46:39,000 --> 00:46:40,799
Speaker 1: I don't know what the hell of ladies name was,

817
00:46:41,000 --> 00:46:44,640
Speaker 1: she got to five hundred. So she's like, Susie, beat you,

818
00:46:45,200 --> 00:46:47,920
Speaker 1: bullshit So by the time we got to two minutes,

819
00:46:47,960 --> 00:46:50,839
Speaker 1: I had like five hundred and seventeen meters and this

820
00:46:50,920 --> 00:46:54,239
Speaker 1: fucking Susie or I don't know what her name was,

821
00:46:54,239 --> 00:46:58,520
Speaker 1: Sarah or something. She gets all the glory, so like yeah,

822
00:46:58,600 --> 00:47:01,200
Speaker 1: and they're all high fiving each other and chest bumping

823
00:47:01,200 --> 00:47:05,160
Speaker 1: each other, like mocking the big guy in there. I

824
00:47:05,239 --> 00:47:08,160
Speaker 1: never said I was gonna win, but but to myself,

825
00:47:08,200 --> 00:47:10,520
Speaker 1: I was like, I'm gonna fucking beat these broads. They're

826
00:47:10,560 --> 00:47:13,880
Speaker 1: they're like five three five four, They're all little tooth picks.

827
00:47:13,920 --> 00:47:17,640
Speaker 1: I could I could do this, So that moment of

828
00:47:17,680 --> 00:47:21,960
Speaker 1: glory is taken away. It appears as if I lost

829
00:47:22,080 --> 00:47:24,880
Speaker 1: the race. But I actually won the race and I

830
00:47:24,920 --> 00:47:29,279
Speaker 1: had five seventeen meters and this lady I didn't even

831
00:47:29,320 --> 00:47:31,359
Speaker 1: see her. They probably were lying just to make me

832
00:47:31,400 --> 00:47:36,640
Speaker 1: feel like ship get. I played a season long fantasy

833
00:47:36,640 --> 00:47:39,239
Speaker 1: football league at the Stern Show, but now I am

834
00:47:39,280 --> 00:47:44,520
Speaker 1: completely addicted and playing one week fantasy football games at

835
00:47:44,600 --> 00:47:48,719
Speaker 1: DraftKings dot com. All right, I resisted it, but now

836
00:47:48,760 --> 00:47:51,040
Speaker 1: I love it. All right. If you haven't played one

837
00:47:51,080 --> 00:47:54,240
Speaker 1: week fantasy football, go to DraftKings dot com start playing

838
00:47:54,239 --> 00:47:57,719
Speaker 1: one week fantasy football games and you seriously have the

839
00:47:57,800 --> 00:48:01,120
Speaker 1: chance to win millions of fucking dollar. There's every single

840
00:48:01,200 --> 00:48:04,799
Speaker 1: time you play one week fantasy football games, all right,

841
00:48:04,880 --> 00:48:06,960
Speaker 1: This means every week you can play as many games

842
00:48:07,000 --> 00:48:09,440
Speaker 1: as you want, to create as many lineups as you want,

843
00:48:10,040 --> 00:48:14,880
Speaker 1: and start turning your love of football and that quiet, humble,

844
00:48:14,960 --> 00:48:19,000
Speaker 1: little degenerate gambler and you two seriously giving you the

845
00:48:19,080 --> 00:48:21,960
Speaker 1: chance to win millions of dollars. Play responsibly. I make fun,

846
00:48:22,000 --> 00:48:25,279
Speaker 1: I make like, but play responsibly, have fun. You never know.

847
00:48:25,560 --> 00:48:27,040
Speaker 1: It's the luck of the draw. But if you go

848
00:48:27,120 --> 00:48:30,560
Speaker 1: to draft Kings dot com, America's favorite one week fantasy

849
00:48:30,560 --> 00:48:33,080
Speaker 1: football site, and use the promo called rappaport r a

850
00:48:33,160 --> 00:48:35,359
Speaker 1: p A p o r T, you get to start

851
00:48:35,400 --> 00:48:38,600
Speaker 1: playing for free. Okay, check it out. I love it.

852
00:48:42,560 --> 00:48:45,680
Speaker 1: My father worked at a radio station in New York

853
00:48:45,719 --> 00:48:49,520
Speaker 1: City called w K to You Disco ninety two, and

854
00:48:49,640 --> 00:48:52,440
Speaker 1: they were originally w K to You Mello ninety two,

855
00:48:52,520 --> 00:48:56,000
Speaker 1: and then they switched to disco and they went from

856
00:48:56,040 --> 00:48:58,360
Speaker 1: the bottom of the charts to the top of the charts,

857
00:48:59,120 --> 00:49:03,000
Speaker 1: and then the disco craze was was kicking ass. And

858
00:49:03,000 --> 00:49:05,359
Speaker 1: then in the nineteen seventy nine he brought home an

859
00:49:05,400 --> 00:49:10,600
Speaker 1: orange cover. The record had an orange cover, and he

860
00:49:10,640 --> 00:49:12,120
Speaker 1: gave it to me and my brother. He said, you

861
00:49:12,120 --> 00:49:15,560
Speaker 1: gotta listen to this song. It's called rappers Delight. It's

862
00:49:15,680 --> 00:49:19,040
Speaker 1: rap music. It's gonna be the next big thing. Boom,

863
00:49:19,320 --> 00:49:22,359
Speaker 1: change my whole fucking life. We're gonna do something very

864
00:49:22,440 --> 00:49:25,640
Speaker 1: very special right now. This is another segment. It's the

865
00:49:25,760 --> 00:49:29,640
Speaker 1: Verse of the Week, and I am gonna have my

866
00:49:29,640 --> 00:49:35,040
Speaker 1: my nephew Duncan. He's going to, uh, he's gonna recite

867
00:49:35,080 --> 00:49:38,319
Speaker 1: the Verse of the Week and and I'm going to, uh,

868
00:49:38,360 --> 00:49:40,960
Speaker 1: you know, then I'm gonna talk about why it's the

869
00:49:41,080 --> 00:49:44,160
Speaker 1: Verse of the Week, and uh, I'm gonna bring him on.

870
00:49:44,160 --> 00:49:46,560
Speaker 1: He now, he said he wasn't gonna be shine funck

871
00:49:46,640 --> 00:49:50,520
Speaker 1: this up. But uh but but just bear with me,

872
00:49:51,320 --> 00:49:55,240
Speaker 1: um and just be patient with him. So we're gonna

873
00:49:55,239 --> 00:50:00,600
Speaker 1: bring him Duncan. Yeah, yeah, come on, all I'm gonna

874
00:50:00,600 --> 00:50:03,399
Speaker 1: get him in here. He's coming in. Are you ready

875
00:50:03,440 --> 00:50:07,479
Speaker 1: to do this? Yeah? Okay, Well now we're we're gonna

876
00:50:07,480 --> 00:50:09,959
Speaker 1: we're gonna you're on the air now we're live here,

877
00:50:10,719 --> 00:50:17,520
Speaker 1: all right, So say hello, hi, Duncan. Don't be shy, alright,

878
00:50:17,560 --> 00:50:20,040
Speaker 1: Remember we said you weren't gonna be shy. And you weren't. Uh,

879
00:50:20,600 --> 00:50:23,520
Speaker 1: you weren't gonna you weren't gonna, you know, get scared. Okay,

880
00:50:23,560 --> 00:50:25,319
Speaker 1: because you know right now it's just you and me

881
00:50:25,360 --> 00:50:31,520
Speaker 1: in here. Okay, I'm I hear my, I hear my uh,

882
00:50:31,560 --> 00:50:35,520
Speaker 1: I hear my myself and the headphones. I know that's

883
00:50:35,560 --> 00:50:38,719
Speaker 1: because you're you're talking into it. Okay, Now listen, don't

884
00:50:38,960 --> 00:50:40,920
Speaker 1: worry about that ship now, Duncan. Well, we're gonna worry

885
00:50:40,960 --> 00:50:42,839
Speaker 1: about now is I want you to do. We're gonna

886
00:50:42,880 --> 00:50:44,920
Speaker 1: go to the song of the week. We're gonna go

887
00:50:45,040 --> 00:50:48,080
Speaker 1: Ignorant Ship, all right with Jay Z and Beanie Signal.

888
00:50:48,520 --> 00:50:51,239
Speaker 1: You said you like that song? You you you picked it?

889
00:50:51,680 --> 00:50:56,600
Speaker 1: My my, my nephew, Duncan. He picked the song Ignorant Ship,

890
00:50:57,560 --> 00:50:59,239
Speaker 1: which is a song that we listened to on the

891
00:50:59,280 --> 00:51:03,600
Speaker 1: way to the game. He's playing flag football and basketball now,

892
00:51:04,800 --> 00:51:08,080
Speaker 1: and uh, you know this is a song he loves.

893
00:51:08,480 --> 00:51:11,719
Speaker 1: He fucking didn't you? You picked the song? Yeah, I

894
00:51:11,760 --> 00:51:16,000
Speaker 1: like that song? And um and and you you you uh,

895
00:51:16,320 --> 00:51:19,719
Speaker 1: you're you're gonna recite the lyrics. It's a song off

896
00:51:19,719 --> 00:51:23,480
Speaker 1: the American Gangster soundtrack Not not much traction on this song.

897
00:51:23,480 --> 00:51:25,680
Speaker 1: It's one of those songs for like the real the

898
00:51:25,719 --> 00:51:31,520
Speaker 1: real jigger man fans, jay Z Jova's best I know

899
00:51:31,800 --> 00:51:35,919
Speaker 1: we love him, right yeah, alright, so so I want

900
00:51:35,960 --> 00:51:39,840
Speaker 1: you to read the lyrics. Alright, so just don't. But

901
00:51:40,320 --> 00:51:43,520
Speaker 1: I'm still hearing. I hear you in my my headphones.

902
00:51:43,600 --> 00:51:46,960
Speaker 1: I know I know you hear me in the headphones. Okay,

903
00:51:47,400 --> 00:51:51,480
Speaker 1: we're gonna, you know, get into the song ignorant shit. Okay,

904
00:51:52,000 --> 00:51:56,160
Speaker 1: all right, all right, now go say the lyrics, but

905
00:51:56,320 --> 00:51:58,759
Speaker 1: but I don't need I don't hear the music. I know,

906
00:51:58,840 --> 00:52:00,719
Speaker 1: I know you don't hear the music. Just gonna say

907
00:52:00,760 --> 00:52:03,759
Speaker 1: the lyrics, Okay, I wrote them down, say say you

908
00:52:03,760 --> 00:52:05,560
Speaker 1: gotta just say. I'm so the people know him because

909
00:52:05,600 --> 00:52:07,719
Speaker 1: people don't know all the all the the words to

910
00:52:07,840 --> 00:52:12,000
Speaker 1: ignorance shit with jay Z and Beanie Seagull. All right,

911
00:52:12,680 --> 00:52:18,120
Speaker 1: can I go now? Yeah, just go, Okay, do do

912
00:52:18,160 --> 00:52:23,200
Speaker 1: the fucking do the verse, duncan just do do the verse? Okay,

913
00:52:23,800 --> 00:52:28,799
Speaker 1: I'm so bossy, bitch, Get off me, tricks, Get off me.

914
00:52:29,239 --> 00:52:35,680
Speaker 1: You can't get shipped off me. That's good. I'm so flossy. No.

915
00:52:35,960 --> 00:52:42,040
Speaker 1: Six on Spreeze Laid back may Backs don't even talk

916
00:52:42,120 --> 00:52:46,960
Speaker 1: to me. This is the ignorance ship you like. I

917
00:52:47,040 --> 00:52:48,959
Speaker 1: like that part. I know that's that's a good part.

918
00:52:50,480 --> 00:52:53,879
Speaker 1: Um And I know, I know I beeped out that word.

919
00:52:53,920 --> 00:52:58,560
Speaker 1: Just just just say N word N word fuck shit

920
00:52:58,800 --> 00:53:04,719
Speaker 1: ass bitch trick plus ice. We do that line again, Well,

921
00:53:04,719 --> 00:53:06,200
Speaker 1: I don't I don't want to say that word. I know.

922
00:53:06,360 --> 00:53:11,040
Speaker 1: Just say N word and word fuck shit ass bitch

923
00:53:11,120 --> 00:53:17,840
Speaker 1: trick plus ice come on, and word fuck shpit ass

924
00:53:19,760 --> 00:53:25,480
Speaker 1: bitch trick plus ice. I got the IgG ignorant ignorant.

925
00:53:26,120 --> 00:53:31,520
Speaker 1: I got the ignorant ship you love. N word funck

926
00:53:31,560 --> 00:53:35,920
Speaker 1: shit m Remember I told you that's the Spanish way

927
00:53:35,960 --> 00:53:42,400
Speaker 1: to curse. Yeah, my mart cone Buota and drugs. Come on,

928
00:53:44,080 --> 00:53:49,320
Speaker 1: keep going. I got that ignorant ship you need and

929
00:53:49,560 --> 00:53:55,160
Speaker 1: word fuck shit ass bitch trick plus weed. Come on.

930
00:53:56,960 --> 00:54:00,480
Speaker 1: I'm only trying to give you what you need and

931
00:54:00,640 --> 00:54:04,840
Speaker 1: word fuck shit ass bitch you like it, don't front.

932
00:54:06,239 --> 00:54:13,520
Speaker 1: I was fucking rubbing elbows with rock Him Allah rock

933
00:54:13,600 --> 00:54:16,360
Speaker 1: Him from Eric B and rock Him some of you

934
00:54:16,440 --> 00:54:21,239
Speaker 1: motherfucker's rock Him the god m C. I met rock

935
00:54:21,320 --> 00:54:26,040
Speaker 1: Him and and and and some somehow he knew who

936
00:54:26,080 --> 00:54:30,960
Speaker 1: I was. I was literally blushing when I met rock Him.

937
00:54:30,960 --> 00:54:33,200
Speaker 1: My face I could feel it blushing, like I could

938
00:54:33,239 --> 00:54:36,280
Speaker 1: feel my face getting warm, like I was like meeting

939
00:54:36,640 --> 00:54:41,600
Speaker 1: I don't know, fucking you know, Cheryl Tie. That's how

940
00:54:41,640 --> 00:54:45,160
Speaker 1: I felt meeting rock Him last night. I took a

941
00:54:45,200 --> 00:54:49,160
Speaker 1: picture with him. I posted it on Instagram, posted it

942
00:54:49,280 --> 00:54:53,719
Speaker 1: on Twitter, and Rock Him looked good. And and I

943
00:54:53,800 --> 00:54:56,920
Speaker 1: was at this this Global Spin Awards. It's this DJ

944
00:54:58,280 --> 00:55:00,120
Speaker 1: Awards show in New York that I didn't know what

945
00:55:00,160 --> 00:55:03,200
Speaker 1: it was gonna be, but they were honoring DJ Premiere.

946
00:55:03,640 --> 00:55:07,360
Speaker 1: Everybody from hip hop was there. Not everybody, but a

947
00:55:07,400 --> 00:55:11,840
Speaker 1: lot of humongous, influential pillars of hip hop. DJ Red Alert,

948
00:55:12,000 --> 00:55:18,239
Speaker 1: Chuck Chill Out, Molly Mall, Pete, Rock Premier, Puff, Daddy

949
00:55:18,719 --> 00:55:25,920
Speaker 1: Dos Effects, DJ Hollywood, fucking Renee from the Mob Wives. Yeah,

950
00:55:26,000 --> 00:55:28,560
Speaker 1: I said, DJ Hollywood and then Renee from the Mob Wives.

951
00:55:29,800 --> 00:55:32,480
Speaker 1: Who else was there? I'm forgetting a bunch of it

952
00:55:32,560 --> 00:55:34,640
Speaker 1: was just it was pillars of hip hop and it

953
00:55:34,719 --> 00:55:38,400
Speaker 1: was just a great event. And motherfucker's were dressed in suits.

954
00:55:38,719 --> 00:55:40,520
Speaker 1: They said it's a black tie, and I said, a

955
00:55:40,560 --> 00:55:43,239
Speaker 1: black tie and it's fucking hip hop. I show up

956
00:55:43,239 --> 00:55:46,160
Speaker 1: looking like a piece of ship and like a grungy,

957
00:55:46,360 --> 00:55:50,080
Speaker 1: shit stained sweater. You know, I looked. I didn't look

958
00:55:50,160 --> 00:55:51,680
Speaker 1: up to par but I didn't know what it was.

959
00:55:52,120 --> 00:55:54,040
Speaker 1: And I had no idea that Rock Him was gonna

960
00:55:54,040 --> 00:55:57,200
Speaker 1: be there. And I and I I got there at

961
00:55:56,920 --> 00:56:04,239
Speaker 1: at seven. I did my little presentation at eight thirty,

962
00:56:04,320 --> 00:56:06,120
Speaker 1: and then I saw Rock Him and I stayed till

963
00:56:06,160 --> 00:56:09,120
Speaker 1: eleven thirty. And no bullshit. I just I talked to

964
00:56:09,200 --> 00:56:12,560
Speaker 1: Rock Him a little bit, was talking in circles. I

965
00:56:12,600 --> 00:56:14,520
Speaker 1: don't know what the funk I was talking about. I

966
00:56:14,640 --> 00:56:18,319
Speaker 1: was so nervous because let me, let me explain something

967
00:56:18,320 --> 00:56:20,520
Speaker 1: to you. Rock Him and when he first came out,

968
00:56:20,600 --> 00:56:24,439
Speaker 1: it would be like seeing et. To see Rock Him

969
00:56:24,520 --> 00:56:26,480
Speaker 1: in real life, it would be like seeing like like

970
00:56:26,239 --> 00:56:29,680
Speaker 1: a like a like a shooting star. He was never out.

971
00:56:30,440 --> 00:56:33,160
Speaker 1: Remember his lyric so low key that you might not

972
00:56:33,239 --> 00:56:37,319
Speaker 1: see me incognito taking it easy. That was real ship.

973
00:56:38,280 --> 00:56:40,719
Speaker 1: He was like a mystery man. You never saw Rock him.

974
00:56:40,760 --> 00:56:43,279
Speaker 1: So to see him and I to see him in

975
00:56:43,320 --> 00:56:46,359
Speaker 1: real life, I mean everybody was coming over to him.

976
00:56:46,480 --> 00:56:49,319
Speaker 1: Everybody when they see him, it's like an exciting thing.

977
00:56:50,400 --> 00:56:55,319
Speaker 1: The I Am Rappaport podcast is sponsored by Casper Mattresses

978
00:56:55,480 --> 00:57:00,160
Speaker 1: Casper dot Com. It's an award winning sleep startup to

979
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980
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981
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Speaker 1: A p O r T Casper Mattress in New York City.

982
00:57:11,080 --> 00:57:12,960
Speaker 1: You could keep the bed for a hundred knights. You

983
00:57:12,960 --> 00:57:15,160
Speaker 1: could get your freak on for a hundred knights. If

984
00:57:15,160 --> 00:57:17,880
Speaker 1: you do not like the bed after a hundred nights,

985
00:57:18,160 --> 00:57:22,040
Speaker 1: you can return the mattress within a hundred days. That's

986
00:57:22,040 --> 00:57:25,320
Speaker 1: a guarantee. The bed will be delivered between two to

987
00:57:25,440 --> 00:57:29,480
Speaker 1: five days anywhere in the United States and Canada, same

988
00:57:29,600 --> 00:57:33,320
Speaker 1: day delivery in New York City. We do not plug,

989
00:57:33,440 --> 00:57:36,720
Speaker 1: we do not support, We do not take sponsorship from anything.

990
00:57:36,720 --> 00:57:39,200
Speaker 1: We have not tried, and we are not passionate about

991
00:57:39,640 --> 00:57:44,760
Speaker 1: four hundred and if Terror Swift is going to be

992
00:57:46,720 --> 00:57:51,520
Speaker 1: the global ambassador for tourism and welcoming New York and

993
00:57:51,520 --> 00:57:56,600
Speaker 1: all that ship, there's so much ship she needs to do. Okay,

994
00:57:57,320 --> 00:58:02,200
Speaker 1: this is how it works. Number one and again, I

995
00:58:02,200 --> 00:58:05,600
Speaker 1: would like to to help Taylor Swift become acclimated with

996
00:58:05,800 --> 00:58:09,840
Speaker 1: New York as a real New Yorker. Okay, number one,

997
00:58:10,560 --> 00:58:13,360
Speaker 1: I'm gonna take this fucking girl. She's a girl, young girl,

998
00:58:13,520 --> 00:58:18,000
Speaker 1: I don't know, twenty something like that. I'm gonna take

999
00:58:18,000 --> 00:58:20,240
Speaker 1: her on an eating tour of New York. And we

1000
00:58:20,280 --> 00:58:22,800
Speaker 1: ain't going to Lascala, and we ain't going a lot

1001
00:58:23,360 --> 00:58:27,320
Speaker 1: this place and that place. We're going around on the subway.

1002
00:58:27,640 --> 00:58:30,400
Speaker 1: Take the fucking makeup off, put your hair in a bun,

1003
00:58:30,760 --> 00:58:33,560
Speaker 1: wear some jeans and a T shirt. Nobody's gonna fucking

1004
00:58:33,600 --> 00:58:35,320
Speaker 1: bother you. No one will look at you. He will.

1005
00:58:35,400 --> 00:58:38,240
Speaker 1: She's very pretty and she looks tall, so they might

1006
00:58:38,280 --> 00:58:40,480
Speaker 1: bother her. They might look at her. But if she

1007
00:58:41,240 --> 00:58:44,560
Speaker 1: takes the makeup off and and puts her hair in

1008
00:58:44,560 --> 00:58:48,880
Speaker 1: a bun, wear some jeans and like a hoodie and whatever,

1009
00:58:49,040 --> 00:58:51,520
Speaker 1: we'll be fine. I guarantee you we've found. Let's just

1010
00:58:51,560 --> 00:58:54,520
Speaker 1: bring a goon. She could bring one of those goon bodyguards.

1011
00:58:54,520 --> 00:58:57,160
Speaker 1: I'm sure she has goon bodyguards. He could lurk in

1012
00:58:57,160 --> 00:58:59,040
Speaker 1: the background just in case she gets out of hand.

1013
00:58:59,040 --> 00:59:01,240
Speaker 1: But I don't think anyone will even fucking notice her

1014
00:59:01,280 --> 00:59:04,720
Speaker 1: on the train. Okay, nobody notices me, But I ain't

1015
00:59:04,720 --> 00:59:07,760
Speaker 1: know Taylor Swift. Okay, but I do ride the fucking train.

1016
00:59:08,640 --> 00:59:12,200
Speaker 1: I'm gonna take her first. We're gonna wake up me

1017
00:59:12,280 --> 00:59:15,600
Speaker 1: and Taylor Swift. We're gonna meet. I'm gonna be yo,

1018
00:59:15,680 --> 00:59:18,400
Speaker 1: what's up, Taylor? How are you doing? No problem with

1019
00:59:18,440 --> 00:59:22,720
Speaker 1: you being the global Ambassador of tourism for New York City.

1020
00:59:22,840 --> 00:59:25,160
Speaker 1: Of course it makes sense that Robert de Niro was

1021
00:59:25,240 --> 00:59:28,760
Speaker 1: the global Ambassador of New York City and now you're

1022
00:59:28,800 --> 00:59:32,480
Speaker 1: the global ambassador. Makes total sense. How are you, sweetheart?

1023
00:59:32,720 --> 00:59:35,120
Speaker 1: I'm good, Mike. Nice to meet you. All right. First

1024
00:59:35,160 --> 00:59:37,480
Speaker 1: thing we're gonna do is we're gonna go to Second

1025
00:59:37,520 --> 00:59:41,600
Speaker 1: Avenue on eighty one between eighty two. This is for breakfast.

1026
00:59:42,480 --> 00:59:46,240
Speaker 1: Fucking take Taylor Swift. We're gonna go get a fucking bagel,

1027
00:59:47,600 --> 00:59:53,680
Speaker 1: cream cheese and locks toasted everything bagel from H and

1028
00:59:53,800 --> 00:59:57,560
Speaker 1: H Bagels on Second Avenue. Okay, we're gonna go in there.

1029
00:59:57,720 --> 01:00:00,400
Speaker 1: It's gonna fucking blow her mind and she gonna eat

1030
01:00:00,440 --> 01:00:03,080
Speaker 1: the whole thing. And she ain't gonna be allowed to

1031
01:00:03,080 --> 01:00:06,560
Speaker 1: go to the bathroom without an escort, Okay, because I

1032
01:00:06,600 --> 01:00:09,440
Speaker 1: don't want no pukin. I don't want no fucking trickery.

1033
01:00:09,560 --> 01:00:12,320
Speaker 1: You're gonna eat that ship. You canna eat the whole thing,

1034
01:00:13,240 --> 01:00:15,760
Speaker 1: and you're gonna fucking you're gonna sucking. I'm keeping my

1035
01:00:15,840 --> 01:00:18,520
Speaker 1: eye on you, all right, you're not excusing yourself from

1036
01:00:18,560 --> 01:00:21,440
Speaker 1: the table because you're really think the problem that I'm

1037
01:00:21,480 --> 01:00:26,480
Speaker 1: having with Taylor Swift is that she's too thin. She's beautiful,

1038
01:00:26,520 --> 01:00:31,240
Speaker 1: She's like a male nourished deer, and and I'm gonna,

1039
01:00:31,240 --> 01:00:33,800
Speaker 1: I'm gonna, I'm gonna fucking, uh, you know, feed her

1040
01:00:34,840 --> 01:00:37,240
Speaker 1: and bring her back to life, okay, because we need

1041
01:00:37,480 --> 01:00:39,760
Speaker 1: to have some meat on those bones if you're gonna

1042
01:00:39,800 --> 01:00:42,840
Speaker 1: represent New York and New Yorkers. So we're gonna have

1043
01:00:42,880 --> 01:00:45,560
Speaker 1: that bagel, cream cheese and locks, and she's gonna be

1044
01:00:45,560 --> 01:00:48,120
Speaker 1: wearing sneakers. We ain't getting on no fucking ubers. We're

1045
01:00:48,120 --> 01:00:53,040
Speaker 1: not taking no cabs. Then we're gonna plow around, bang

1046
01:00:53,080 --> 01:00:56,720
Speaker 1: our way throughout the city. We're gonna walk around. We'll

1047
01:00:56,760 --> 01:01:00,000
Speaker 1: make it out the Queens. I don't know, we'll we'll talk,

1048
01:01:00,400 --> 01:01:03,240
Speaker 1: we'll chat about music, you know, and all that ship.

1049
01:01:03,320 --> 01:01:05,560
Speaker 1: I don't know what me and Taylor, but this is

1050
01:01:05,560 --> 01:01:08,280
Speaker 1: around nine in the morning. Okay, we're gonna get that bagel,

1051
01:01:08,320 --> 01:01:13,320
Speaker 1: cream cheese and locks. Everything bagel toasted with some tomatoes

1052
01:01:13,320 --> 01:01:16,160
Speaker 1: and some capers from H and H Bagel on Second Avenue.

1053
01:01:16,320 --> 01:01:19,920
Speaker 1: The best motherfucking bagel, cream cheese and locks in New

1054
01:01:20,000 --> 01:01:22,960
Speaker 1: York City, hands down. I don't give a ship. There

1055
01:01:23,040 --> 01:01:26,400
Speaker 1: might be as good, but there ain't nothing better. Let's

1056
01:01:26,440 --> 01:01:32,120
Speaker 1: talk about hardcore punk, punk, hardcore punk, the correlation between.

1057
01:01:32,480 --> 01:01:34,480
Speaker 1: Told me, this is something I know you're passionate about,

1058
01:01:34,480 --> 01:01:37,560
Speaker 1: because you know, before I even fucking knew you hardcore,

1059
01:01:37,600 --> 01:01:39,120
Speaker 1: I was like, I don't know what you're talking about.

1060
01:01:39,160 --> 01:01:41,040
Speaker 1: And you grew up in New York CBG is all that,

1061
01:01:41,040 --> 01:01:44,680
Speaker 1: But that was all that. I was in D streets

1062
01:01:46,880 --> 01:01:49,800
Speaker 1: and then and then before that, I was in dem streets.

1063
01:01:49,800 --> 01:01:53,400
Speaker 1: So so so tell me explain to me, like the

1064
01:01:53,400 --> 01:01:55,680
Speaker 1: core and and there's been mashups, like what was the

1065
01:01:55,720 --> 01:01:59,320
Speaker 1: first mash up between heart like punk and hip hop?

1066
01:02:00,320 --> 01:02:02,520
Speaker 1: It was like it was Onyx brought that ship right.

1067
01:02:02,680 --> 01:02:05,960
Speaker 1: Probably bio Hazard. Bio hasn't hoxted that the Slam remix,

1068
01:02:07,360 --> 01:02:09,840
Speaker 1: the Dudes with Public Enemy, um the guy An tracks,

1069
01:02:10,080 --> 01:02:13,080
Speaker 1: was that the first one that was Yeah, I think

1070
01:02:13,120 --> 01:02:16,680
Speaker 1: the first hardcore band was probably bio Hazard. See but

1071
01:02:16,720 --> 01:02:20,440
Speaker 1: if you asked me or or or what you guys

1072
01:02:20,480 --> 01:02:22,439
Speaker 1: did with House of Pain. Uh, Sick of it All?

1073
01:02:22,440 --> 01:02:24,200
Speaker 1: Sticking about the House of Pain was another remix. Jump

1074
01:02:24,240 --> 01:02:27,000
Speaker 1: around remix was awesome. Oh right, okay, the copy of that,

1075
01:02:27,040 --> 01:02:29,840
Speaker 1: it's really awesome. It's rare to jump around remix Sick

1076
01:02:29,880 --> 01:02:32,000
Speaker 1: of it All. Yeah, it's at the same time. When

1077
01:02:32,120 --> 01:02:33,439
Speaker 1: did that come out later? It was with a little

1078
01:02:33,480 --> 01:02:37,960
Speaker 1: bit after. Yeah, they recorded it like ten years before

1079
01:02:37,960 --> 01:02:41,720
Speaker 1: it ever came out, right, Like nobody would release it. Oh,

1080
01:02:41,720 --> 01:02:43,440
Speaker 1: it's hard to get released because they're woman, they're both

1081
01:02:43,440 --> 01:02:45,120
Speaker 1: on major lab. Was is hard to get to be released.

1082
01:02:45,600 --> 01:02:48,600
Speaker 1: It's like a demo tape though, But but but but

1083
01:02:49,360 --> 01:02:53,560
Speaker 1: when I learned about hip hardcore, punk rock, the like

1084
01:02:53,680 --> 01:02:57,600
Speaker 1: it's the culture and even like the dress is so

1085
01:02:57,680 --> 01:03:01,640
Speaker 1: similar to hip hop, so and and cultures. It's similar.

1086
01:03:01,680 --> 01:03:04,720
Speaker 1: But they don't know fucking from each other, Like if

1087
01:03:04,760 --> 01:03:06,520
Speaker 1: the majority of people they don't know from me. I

1088
01:03:06,560 --> 01:03:10,400
Speaker 1: think now that genres have definitely now back then, Yeah,

1089
01:03:10,400 --> 01:03:12,280
Speaker 1: it's it's not that I'm not that I'm not old.

1090
01:03:12,280 --> 01:03:17,640
Speaker 1: I'm twenty six from the classic American hardcore band at

1091
01:03:17,720 --> 01:03:22,200
Speaker 1: least East Coast was the Bad Brains. Yeah, right, and

1092
01:03:22,760 --> 01:03:27,680
Speaker 1: those guys are black and that's the music that they

1093
01:03:27,760 --> 01:03:30,960
Speaker 1: chose to get into. You know, there's there's been other

1094
01:03:31,160 --> 01:03:34,800
Speaker 1: There was an Afro punk festival in New York all

1095
01:03:34,880 --> 01:03:38,240
Speaker 1: right this summer where it was all Bad Brains inspired

1096
01:03:38,280 --> 01:03:40,880
Speaker 1: Living Color. They inspired so many bands and that group

1097
01:03:40,920 --> 01:03:42,880
Speaker 1: that that movie that we saw a band called Death.

1098
01:03:42,920 --> 01:03:46,760
Speaker 1: That fucking did you see that movie at home? There

1099
01:03:46,800 --> 01:03:48,760
Speaker 1: before the Bad Brains, you got to see that cool

1100
01:03:48,800 --> 01:03:51,920
Speaker 1: They a band called Death. They invented punk rock before

1101
01:03:52,520 --> 01:03:56,040
Speaker 1: before the Ramons. For the Rams. Straight up, it's crazy.

1102
01:03:56,040 --> 01:03:58,080
Speaker 1: I'm straight up nothing by man saw the doc I'll

1103
01:03:58,080 --> 01:04:00,560
Speaker 1: send you. It's crazy. It's crazy. It So, so let

1104
01:04:00,640 --> 01:04:02,960
Speaker 1: let me break this down for you. Punk and hardcore

1105
01:04:03,040 --> 01:04:04,880
Speaker 1: people say there're two separate things. I think it's the

1106
01:04:04,920 --> 01:04:07,440
Speaker 1: same ones more aggressive. So on punk first came out,

1107
01:04:07,440 --> 01:04:10,040
Speaker 1: it was like sex, bissess, anarchy, you know, fuck your parents,

1108
01:04:10,120 --> 01:04:11,960
Speaker 1: all this stuff like that. I thought it was great

1109
01:04:11,960 --> 01:04:13,720
Speaker 1: because it was aggressive. I could skate to it, but

1110
01:04:13,760 --> 01:04:15,280
Speaker 1: I didn't relate to the lyrics because I actually like

1111
01:04:15,360 --> 01:04:16,800
Speaker 1: my parents, you know what I mean. It wasn't like

1112
01:04:17,560 --> 01:04:19,600
Speaker 1: say that punk or heart. I'm saying punk was like that,

1113
01:04:19,640 --> 01:04:24,920
Speaker 1: like exploitings. Punkcore became more socially conscious social between punk

1114
01:04:24,920 --> 01:04:27,800
Speaker 1: and hardcore. That's what I'm saying. So do it in layman,

1115
01:04:27,840 --> 01:04:30,440
Speaker 1: do it in hip hop terms? Is it like tripical quests?

1116
01:04:31,520 --> 01:04:34,440
Speaker 1: I consider trip car quests, uh the H two of

1117
01:04:34,520 --> 01:04:36,880
Speaker 1: hip I'm not saying like that, but tripical Quests and

1118
01:04:36,920 --> 01:04:39,040
Speaker 1: all that native tongue stuff. It was all conscious. It

1119
01:04:39,120 --> 01:04:40,920
Speaker 1: was about making a difference in the world. And that's

1120
01:04:40,960 --> 01:04:43,600
Speaker 1: the same thing with like the punk or is that hardcore?

1121
01:04:43,920 --> 01:04:47,560
Speaker 1: And in terms of like if punk, if Tribe and

1122
01:04:47,680 --> 01:04:51,479
Speaker 1: day Law, we're we're hip we're punk bands. I'm saying,

1123
01:04:51,640 --> 01:04:53,920
Speaker 1: this is what like, you know what I'm trying to say.

1124
01:04:53,960 --> 01:04:57,240
Speaker 1: They're about positivity and unity and making the other better place. Okay, right,

1125
01:04:57,440 --> 01:04:59,440
Speaker 1: And then you've got bands like seven Seconds and Guerrilla

1126
01:04:59,480 --> 01:05:01,600
Speaker 1: Biscuits and with It Today and these bands who were

1127
01:05:01,600 --> 01:05:03,440
Speaker 1: about the same thing. Back then, a lot of stuff

1128
01:05:03,520 --> 01:05:05,600
Speaker 1: was really tough and rugged from the streets, which is great.

1129
01:05:05,800 --> 01:05:08,480
Speaker 1: It had great lyrics and we I love those bands.

1130
01:05:08,520 --> 01:05:10,640
Speaker 1: But but then there was some other bands who were

1131
01:05:10,680 --> 01:05:12,800
Speaker 1: more conscious. They weren't about your pants are like let's

1132
01:05:12,840 --> 01:05:19,200
Speaker 1: go vegetarian youth today, you know, and mina Threat from DC.

1133
01:05:19,320 --> 01:05:22,680
Speaker 1: It's about and what about and what about what's the

1134
01:05:22,720 --> 01:05:26,960
Speaker 1: hardest of the hardest hardcore band where you're just like

1135
01:05:27,080 --> 01:05:31,880
Speaker 1: e madall is it because the lyrics are just because

1136
01:05:31,880 --> 01:05:36,600
Speaker 1: they're just the way in Alphabet City in the days

1137
01:05:36,640 --> 01:05:39,800
Speaker 1: in in eighty two where it was wild style. I

1138
01:05:39,800 --> 01:05:43,560
Speaker 1: mean everyone was living in squads and the stories I

1139
01:05:43,640 --> 01:05:46,680
Speaker 1: hear from these guys, it's out of a movie. So

1140
01:05:46,720 --> 01:05:48,880
Speaker 1: listen real quick. When when Grilla Biscuits came out the

1141
01:05:48,880 --> 01:05:51,480
Speaker 1: album called Start Today and did a song called Cats

1142
01:05:51,480 --> 01:05:53,760
Speaker 1: and Dogs, which is about vegetarians, and that inspired so

1143
01:05:53,800 --> 01:05:56,200
Speaker 1: many people, including me and Tall. Around the same time,

1144
01:05:56,320 --> 01:05:59,040
Speaker 1: Caress One came out a song called My Philosophy. We said,

1145
01:05:59,040 --> 01:06:01,240
Speaker 1: no Chicken, no goat. Know him. He was kicking the

1146
01:06:01,320 --> 01:06:03,400
Speaker 1: vegetarian thing in Hip Hop two, which is really awesome,

1147
01:06:03,600 --> 01:06:05,000
Speaker 1: and he ended up being on the Sick of it

1148
01:06:05,000 --> 01:06:09,720
Speaker 1: All record spreading the hardcore reality. Last master k rest One,

1149
01:06:09,920 --> 01:06:12,680
Speaker 1: he introduced the singer album what was it? He he

1150
01:06:12,720 --> 01:06:17,800
Speaker 1: introduced it, Okay see, I'm just a dumbass, like like

1151
01:06:18,280 --> 01:06:21,880
Speaker 1: there's other like I Think comment and I Saw and

1152
01:06:21,920 --> 01:06:23,640
Speaker 1: Big Daddy came like you know it was It was

1153
01:06:23,680 --> 01:06:26,720
Speaker 1: definitely like in the eighties people were talking about, you know,

1154
01:06:26,760 --> 01:06:30,960
Speaker 1: eliminating conscious everybody. KRS was the first person was doing that. Yeah,

1155
01:06:30,960 --> 01:06:32,640
Speaker 1: they were. They were talking about it. So I mean

1156
01:06:32,720 --> 01:06:34,680
Speaker 1: I just was like, funk that I'm having Big Max,

1157
01:06:35,000 --> 01:06:36,640
Speaker 1: Like I love you, Kane, but I'm gonna still need some.

1158
01:06:36,960 --> 01:06:38,600
Speaker 1: Even caress One and Sick of It All played at

1159
01:06:38,600 --> 01:06:39,920
Speaker 1: the Marquis on twenty first day. I was there a

1160
01:06:39,920 --> 01:06:42,680
Speaker 1: Sick of All kress one really and what year? And

1161
01:06:42,760 --> 01:06:47,760
Speaker 1: Nicky d I don't know. Like this Sign Rapp podcast

1162
01:06:49,040 --> 01:06:53,240
Speaker 1: my mom has just brought up, so why my mom

1163
01:06:53,400 --> 01:06:59,000
Speaker 1: is a wealthy retired lady. My mom off off camera,

1164
01:06:59,200 --> 01:07:03,920
Speaker 1: off recording, she said to me, if you stop fucking

1165
01:07:04,040 --> 01:07:07,520
Speaker 1: cursing so fucking much, do you know that more people

1166
01:07:07,600 --> 01:07:10,000
Speaker 1: might listen to this fucking podcast. This is what she

1167
01:07:10,000 --> 01:07:13,960
Speaker 1: says to me. She says, more people would listen to

1168
01:07:14,000 --> 01:07:17,360
Speaker 1: you if you didn't sound like a fucking sailor. These

1169
01:07:17,360 --> 01:07:21,560
Speaker 1: are New York moments, But last night I got to

1170
01:07:21,640 --> 01:07:24,320
Speaker 1: experience a New York moment that I always I fucking

1171
01:07:24,760 --> 01:07:27,960
Speaker 1: I see these things on the news on the Internet,

1172
01:07:28,200 --> 01:07:31,760
Speaker 1: and I'm like, God, damn it. I'm in California. So

1173
01:07:31,800 --> 01:07:36,600
Speaker 1: I was at this Global Citizen Festival. I believe this

1174
01:07:36,720 --> 01:07:41,720
Speaker 1: was on MSNBC and CNN. They showed the concert it's

1175
01:07:41,800 --> 01:07:48,680
Speaker 1: too basically helped world poverty, so it's a great event. Thousands.

1176
01:07:48,720 --> 01:07:51,240
Speaker 1: I don't know how. One cops said three hundred thousand people.

1177
01:07:51,280 --> 01:07:54,960
Speaker 1: Another one said five five, other cops at fifty. I

1178
01:07:54,960 --> 01:07:57,400
Speaker 1: don't know how many motherfucking people were in this at

1179
01:07:57,440 --> 01:07:59,320
Speaker 1: this concert in Central Park, but it was a lot

1180
01:07:59,360 --> 01:08:03,080
Speaker 1: of motherfucker and it was a great day, perfect weather.

1181
01:08:04,920 --> 01:08:12,600
Speaker 1: I got uh hooked up. Passes from the Roots hooked

1182
01:08:12,600 --> 01:08:15,160
Speaker 1: me up, although I got there at the very tail

1183
01:08:15,280 --> 01:08:18,960
Speaker 1: end of their performance, and then there was all kind

1184
01:08:19,000 --> 01:08:21,639
Speaker 1: of funageling because when you get to one of these

1185
01:08:21,640 --> 01:08:24,920
Speaker 1: big concerts, it doesn't matter who you are, what kind

1186
01:08:24,920 --> 01:08:27,240
Speaker 1: of sucking past you have, or lament that you have.

1187
01:08:27,880 --> 01:08:30,840
Speaker 1: I never have the the the the, the the right one.

1188
01:08:31,400 --> 01:08:35,080
Speaker 1: I'm always the one that's like, you kind of got

1189
01:08:35,080 --> 01:08:37,360
Speaker 1: a good lammin it. You kind of have a good

1190
01:08:37,400 --> 01:08:40,920
Speaker 1: pass these fucking wristbands, but it's not the best one,

1191
01:08:42,000 --> 01:08:44,240
Speaker 1: and the ego takes over and you're like, well, I

1192
01:08:44,439 --> 01:08:46,479
Speaker 1: just saw so and so and they're they have a

1193
01:08:46,520 --> 01:08:49,559
Speaker 1: good good seats, and I see them meandering around with

1194
01:08:49,600 --> 01:08:52,200
Speaker 1: a glass of wine in their hand or a lemonade

1195
01:08:52,320 --> 01:08:55,120
Speaker 1: or an Arnold Palmer or wherever the fuck and I

1196
01:08:55,160 --> 01:08:57,960
Speaker 1: got shipped. I don't mean I have a bottle of water.

1197
01:08:58,200 --> 01:09:01,920
Speaker 1: So I want to go where they're going. So you

1198
01:09:02,000 --> 01:09:05,920
Speaker 1: gotta finagle. You gotta hustle your way to where they

1199
01:09:05,960 --> 01:09:08,960
Speaker 1: are to get that Arnold Palmer. By the way, the

1200
01:09:09,120 --> 01:09:11,960
Speaker 1: drink Arnold Palmer. I want to start a campaign for

1201
01:09:12,000 --> 01:09:16,519
Speaker 1: the drink Arnold Palmer to now be called tiger Woods. Okay,

1202
01:09:16,520 --> 01:09:19,080
Speaker 1: if you're not familiar with this drink, an Arnold Palmer

1203
01:09:20,040 --> 01:09:26,439
Speaker 1: is half lemonade, half iced tea. Arnold Palmer is as

1204
01:09:26,520 --> 01:09:30,160
Speaker 1: white as a fucking sheet of paper. You don't get

1205
01:09:30,200 --> 01:09:34,519
Speaker 1: any more white than Arnold Palmer. The actual guy. Tiger

1206
01:09:34,560 --> 01:09:40,760
Speaker 1: Woods half black, half Asian, half lemonade, half iced tea.

1207
01:09:41,080 --> 01:09:45,160
Speaker 1: Do you understand what I'm saying, Arnold Palmer, just lemonade,

1208
01:09:45,680 --> 01:09:52,280
Speaker 1: tiger Woods half black, half Chinese, half lemonade, half iced tea.

1209
01:09:52,600 --> 01:09:55,560
Speaker 1: So I always order a Tiger Woods when I go to,

1210
01:09:55,720 --> 01:09:57,800
Speaker 1: like at a cafe or get a drink or whatever.

1211
01:09:57,840 --> 01:10:00,640
Speaker 1: Because I'm not an alcohol person. My favorite drink is

1212
01:10:00,680 --> 01:10:04,280
Speaker 1: the Arnold Palmer a k a. The tiger Woods. Anyway,

1213
01:10:04,479 --> 01:10:06,840
Speaker 1: that's a whole other segment. I'm gonna put it put

1214
01:10:06,840 --> 01:10:09,520
Speaker 1: in a campaign to try to get that drink officially

1215
01:10:09,600 --> 01:10:12,160
Speaker 1: changed to be called the Tiger Woods. Arnold Palmer you

1216
01:10:12,240 --> 01:10:14,599
Speaker 1: might have invented it. I don't know, but you're out.

1217
01:10:15,040 --> 01:10:18,599
Speaker 1: You're sucking out. So we get to this concerts beautiful weathers.

1218
01:10:18,960 --> 01:10:21,479
Speaker 1: I don't know a million people there, a hundred thousand

1219
01:10:21,479 --> 01:10:26,720
Speaker 1: People's a lot of fucking people there, New York. So

1220
01:10:27,560 --> 01:10:29,599
Speaker 1: I'm in a good area, but not the best area.

1221
01:10:29,880 --> 01:10:35,719
Speaker 1: Me and my friend Toby and other friends, we're fucking uh,

1222
01:10:35,760 --> 01:10:37,720
Speaker 1: you know, I see somebody, you know, I need to

1223
01:10:37,720 --> 01:10:40,400
Speaker 1: go where they're going. So these two. There was a

1224
01:10:40,400 --> 01:10:42,640
Speaker 1: lot of diplomats there because it was it was a

1225
01:10:42,680 --> 01:10:47,080
Speaker 1: worldwide event. It was diplomats, there was you know, world leaders,

1226
01:10:47,120 --> 01:10:48,519
Speaker 1: all kinds of people. So there was a lot of

1227
01:10:48,600 --> 01:10:54,880
Speaker 1: undercover sort of secret service type policeman. And fortunately I

1228
01:10:54,920 --> 01:10:58,479
Speaker 1: was in a film called Copland, and I think every

1229
01:10:58,560 --> 01:11:04,400
Speaker 1: single policeman in the world, but every single policeman from

1230
01:11:04,400 --> 01:11:08,040
Speaker 1: the New York tri State area has seen this movie Copland,

1231
01:11:09,120 --> 01:11:13,880
Speaker 1: and fortunately they like the movie, and and a lot

1232
01:11:13,880 --> 01:11:17,439
Speaker 1: of times they'll recognize me from Copland and they will

1233
01:11:17,479 --> 01:11:23,040
Speaker 1: actually acknowledge me as my character's name in that movie.

1234
01:11:23,920 --> 01:11:26,080
Speaker 1: And the only reason why I remember the character's name

1235
01:11:26,120 --> 01:11:28,719
Speaker 1: from the movie is because I get called it pretty

1236
01:11:28,800 --> 01:11:32,040
Speaker 1: much at least once a day when I'm in New York, Murray,

1237
01:11:32,200 --> 01:11:36,240
Speaker 1: super Boy, Babbage, So I get cops yelling at me

1238
01:11:36,320 --> 01:11:40,160
Speaker 1: all day, super Boys, super Boys, super Boy, Yo, you

1239
01:11:40,200 --> 01:11:42,880
Speaker 1: were in copland, yo, super Boys, super Boy, which is

1240
01:11:42,960 --> 01:11:47,000
Speaker 1: fucking great. It's never annoying, especially if you're getting pulled

1241
01:11:47,000 --> 01:11:49,080
Speaker 1: over for a ticket. I got pulled over for a

1242
01:11:49,120 --> 01:11:52,840
Speaker 1: ticket two times. Both times the cops came and said,

1243
01:11:52,880 --> 01:11:55,160
Speaker 1: oh shit, super Boy, what are you doing talking on

1244
01:11:55,200 --> 01:11:57,160
Speaker 1: your phone. I'm gonna give you a ticket, but I'm

1245
01:11:57,160 --> 01:11:59,880
Speaker 1: gonna let you go this time, super Boy, Oh Fox,

1246
01:12:00,000 --> 01:12:01,920
Speaker 1: super Boy, what are you doing making that right turn?

1247
01:12:02,880 --> 01:12:04,880
Speaker 1: You know there's no right on red and in New

1248
01:12:04,960 --> 01:12:09,800
Speaker 1: York to St. California. I'm gonna let you go. So yesterday,

1249
01:12:10,040 --> 01:12:12,519
Speaker 1: for I don't know what kind of cops they were.

1250
01:12:12,520 --> 01:12:14,759
Speaker 1: They were high end. You know, they're always high end cops.

1251
01:12:15,640 --> 01:12:18,000
Speaker 1: If they're in a suit and tie. I always feel

1252
01:12:18,040 --> 01:12:20,000
Speaker 1: like those are the ones not to funk with. They

1253
01:12:20,080 --> 01:12:22,600
Speaker 1: let me and my friend Toby into the into the

1254
01:12:22,640 --> 01:12:26,640
Speaker 1: special area. Okay, let's just call it the special area.

1255
01:12:26,840 --> 01:12:28,920
Speaker 1: So I go into this special area. And of course,

1256
01:12:29,120 --> 01:12:31,679
Speaker 1: once you're in the special area, you gotta get into

1257
01:12:31,720 --> 01:12:35,559
Speaker 1: the more special area. Giving away, given away, given away ship,

1258
01:12:36,040 --> 01:12:39,840
Speaker 1: giving away, giving away, given away ship, giving away, given away,

1259
01:12:39,920 --> 01:12:44,040
Speaker 1: given away ship. I am wrapp Report, we give away ship. Yo.

1260
01:12:44,720 --> 01:12:46,599
Speaker 1: I'm so glad I haven't been sued by the fucking

1261
01:12:46,600 --> 01:12:49,000
Speaker 1: Red Hot Chili Peppers yet because I like those motherfucker's.

1262
01:12:49,040 --> 01:12:52,280
Speaker 1: But don't don't come from me. Leave me alone, all right.

1263
01:12:52,960 --> 01:12:55,479
Speaker 1: This is a mom and pop organization over here, and

1264
01:12:55,520 --> 01:12:57,920
Speaker 1: I don't want any trouble from the Red Hot Chili Peppers.

1265
01:12:57,960 --> 01:13:00,280
Speaker 1: All right. I'm doing a parody a fucking you want

1266
01:13:00,280 --> 01:13:03,640
Speaker 1: to take me to court, go ahead, try me. We

1267
01:13:03,720 --> 01:13:06,160
Speaker 1: all know that that's your song. I'm saying, given away,

1268
01:13:06,240 --> 01:13:10,880
Speaker 1: giving away. Shit. You don't say that, fuck you. Okay,

1269
01:13:10,920 --> 01:13:15,680
Speaker 1: that's that alright. So for the giveaway this week. Instagram.

1270
01:13:15,720 --> 01:13:18,480
Speaker 1: If you don't have Instagram, get on your friends Instagram.

1271
01:13:18,520 --> 01:13:20,880
Speaker 1: If your friends don't have Instagram, I don't know what

1272
01:13:20,960 --> 01:13:22,720
Speaker 1: the funk to tell you. Man, somehow or another, you

1273
01:13:22,760 --> 01:13:24,880
Speaker 1: downloaded the podcast. You can figure out how to get

1274
01:13:24,880 --> 01:13:28,920
Speaker 1: on Instagram. I am on Instagram at Michael Rappaport. So

1275
01:13:29,000 --> 01:13:31,320
Speaker 1: what you're going to do is you're going to sing

1276
01:13:32,040 --> 01:13:35,400
Speaker 1: the giving away theme song, but you gotta do it

1277
01:13:35,439 --> 01:13:38,639
Speaker 1: with like effort. You gotta do it with like something

1278
01:13:38,720 --> 01:13:40,800
Speaker 1: different than I do. I'm not saying you need a

1279
01:13:40,800 --> 01:13:44,040
Speaker 1: fucking full band, but I want somebody who has passion,

1280
01:13:44,640 --> 01:13:47,680
Speaker 1: and I am going to give away a sick ass

1281
01:13:48,200 --> 01:13:50,960
Speaker 1: American Giant hoodie. Now, let me explain something to you

1282
01:13:51,000 --> 01:13:54,120
Speaker 1: about American Giant. Look it up. It's been called the

1283
01:13:54,200 --> 01:14:01,200
Speaker 1: best hoodie ever made. Thick soft, Okay, thick and soft.

1284
01:14:01,320 --> 01:14:04,680
Speaker 1: No Bruno sounds weird. And when I say Bruno, do

1285
01:14:04,680 --> 01:14:06,200
Speaker 1: you know what I'm saying. When I say no Bruno,

1286
01:14:06,280 --> 01:14:09,280
Speaker 1: I'm saying, like you remember Borat, you know that's the

1287
01:14:09,360 --> 01:14:14,160
Speaker 1: movie Bruno. Like I'm saying, like no Bruno, like no Homo. Okay,

1288
01:14:14,840 --> 01:14:17,679
Speaker 1: So I'm saying no Bruno. So I'm saying thick and soft,

1289
01:14:17,840 --> 01:14:20,920
Speaker 1: no Bruno because that sounds weird. Okay, but it's fun

1290
01:14:20,920 --> 01:14:22,560
Speaker 1: to say no Bruno because it's funny. Then when you

1291
01:14:22,640 --> 01:14:26,800
Speaker 1: realize what anyway, just do the math a sick ass

1292
01:14:26,880 --> 01:14:32,200
Speaker 1: American Giant hoodie. Okay, you need to instagram me a

1293
01:14:32,360 --> 01:14:36,599
Speaker 1: video of yourself doing the giveaway song. But you need

1294
01:14:36,640 --> 01:14:38,519
Speaker 1: to freak it, you need to remix it, you need

1295
01:14:38,560 --> 01:14:41,400
Speaker 1: to do something creative. And the winner, I'm gonna pick

1296
01:14:41,479 --> 01:14:45,080
Speaker 1: one winner wins an American giant hoodie. Like I said,

1297
01:14:45,160 --> 01:14:51,800
Speaker 1: it's called the best hoodie ever made, thick, long, warm, comfortable.

1298
01:14:52,120 --> 01:14:53,960
Speaker 1: You could sweat in it, you could sleep in it

1299
01:14:54,000 --> 01:14:57,759
Speaker 1: if if that's your thing. It's got a deep hood,

1300
01:14:58,080 --> 01:15:00,400
Speaker 1: so you know, it covers your face if you're on

1301
01:15:00,479 --> 01:15:03,920
Speaker 1: the low. So the winner of this week's giving away

1302
01:15:03,960 --> 01:15:08,519
Speaker 1: given away thing must sing my song giving away, giving away,

1303
01:15:08,560 --> 01:15:12,240
Speaker 1: given away ship, giving away. You heard it, But freaking

1304
01:15:12,800 --> 01:15:16,120
Speaker 1: do something creative, do something special, do it on video

1305
01:15:16,320 --> 01:15:19,080
Speaker 1: fifteen seconds tag me, and I'm gonna pick one winner.

1306
01:15:19,800 --> 01:15:22,800
Speaker 1: You know I love giving away ship, so if if

1307
01:15:22,800 --> 01:15:26,080
Speaker 1: there's more than one great performance, I'll give away more.

1308
01:15:26,720 --> 01:15:28,880
Speaker 1: All right. But the thing is that I'm always gonna

1309
01:15:28,880 --> 01:15:32,120
Speaker 1: give away ship. I promise you the Iron Rapp Report podcast.

1310
01:15:32,200 --> 01:15:35,080
Speaker 1: I like giving away ship. I can't. I don't have

1311
01:15:35,080 --> 01:15:37,400
Speaker 1: the fucking time to give away ship to everybody. You know,

1312
01:15:37,439 --> 01:15:39,160
Speaker 1: you gotta go to the mail place. I do it

1313
01:15:39,160 --> 01:15:42,599
Speaker 1: all myself, Okay, I I signed the thing. You'll you'll

1314
01:15:42,640 --> 01:15:45,920
Speaker 1: see when you win some ship, you'll see terrible handwriting

1315
01:15:46,280 --> 01:15:49,360
Speaker 1: your address. My name will be on there. I do

1316
01:15:49,439 --> 01:15:51,680
Speaker 1: it because I like it, and and and I just

1317
01:15:52,200 --> 01:15:55,519
Speaker 1: I feel connected to you, to you people, for for

1318
01:15:55,520 --> 01:15:59,160
Speaker 1: for participating. I appreciate it. I'm not jaded yet. Come

1319
01:15:59,200 --> 01:16:01,120
Speaker 1: to me in a year, you well, I won't fucking

1320
01:16:01,400 --> 01:16:02,800
Speaker 1: I won't give you the time of day. But in

1321
01:16:02,840 --> 01:16:07,400
Speaker 1: the meantime, I fucking love it. So that's the giveaway

1322
01:16:07,439 --> 01:16:09,800
Speaker 1: for the week. This is the I Am Rappaport podcast.

1323
01:16:10,040 --> 01:16:12,679
Speaker 1: I'm enjoying doing it. I appreciate the support. It's free.

1324
01:16:12,720 --> 01:16:15,680
Speaker 1: Tell your friends. I want more people to listen, and

1325
01:16:15,720 --> 01:16:17,800
Speaker 1: the more people are listen, the more ship I'll give away.

1326
01:16:18,200 --> 01:16:22,160
Speaker 1: All Right, have a fantastic week. This is Michael Rapport

1327
01:16:22,200 --> 01:16:23,000
Speaker 1: and I'm signing out.