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Speaker 1: Welcome friends, neighbors. What is a neighbor nay like a horse?

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Speaker 1: Or burr like I'm cold?

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Speaker 2: Out?

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Speaker 3: Are the horses cold?

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Speaker 1: Somebody gets some hay in there and we put give

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Speaker 1: him a blanket. So why uh, why is Jim nighbors

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Speaker 1: name that? He's not my neighbor. He lives, you know,

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Speaker 1: somewhere else. And what's with his last name anyway? Is

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Speaker 1: it nay like a horse?

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Speaker 3: And then burr like he's like it's brisk iced tea.

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Speaker 1: Nothing's over. Just give me some of the drink, remember that. So, uh,

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Speaker 1: we're here, of course, and I greet you and welcome

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Speaker 1: you and salute you.

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Speaker 3: Is that what salutations comes from? Salute they?

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Speaker 1: Salutations sir, general, sir and army?

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Speaker 3: I don't know.

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Speaker 1: And so when you get here and listen that, please

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Speaker 1: do have the podcast in your ears and everyone, it's

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Speaker 1: welcome time. And it's another episode of spont and me

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Speaker 1: want Spot, right, honeycomb, Honeycomb, me want Spot. Remember all

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Speaker 1: these commercials with creatures, So welcome to another episode of Spot.

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Speaker 1: Of course, we have the best improvisers in the world

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Speaker 1: here to do the show, and first we're talking to them,

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Speaker 1: and so hello, Paul.

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Speaker 3: That was good. Hi, guys, Now he could go longer

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Speaker 3: than that? Is that? Should he? Do? You want more?

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Speaker 4: I thought that was a good amount.

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Speaker 3: Okay, I have other stuff.

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Speaker 2: Uh huh.

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Speaker 3: That was a lot of my stuff. But I'm not

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Speaker 3: out of stuff. No.

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Speaker 5: I feel like sometimes it should be more like that

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Speaker 5: when you do it, And I think us doing this,

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Speaker 5: us doing your show now is a good way for

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Speaker 5: you to watch and be able to like sometimes I

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Speaker 5: pull things from it.

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Speaker 3: If you do it, do you have any questions if

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Speaker 3: I do it? If you do the show again? Because

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Speaker 3: I questions about it?

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Speaker 4: I think the only question is.

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Speaker 3: More of a state to deal with neighbors.

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Speaker 4: Oh well no, well, just you know, you guys didn't

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Speaker 4: tell me that this is what we were gonna do today.

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Speaker 4: I thought it was just engagement.

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Speaker 3: Didn't we say this? We said, he come and do

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Speaker 3: the show.

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Speaker 1: Yeah, come do the show. And for of course, the

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Speaker 1: show is Spot, that's the show is.

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Speaker 3: Look, this thing's a runaway train.

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Speaker 1: We're not going to sit here and pretend that Hollywood

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Speaker 1: Handbook is the show.

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Speaker 2: I mean is the show?

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Speaker 4: What do you mean spawn is the show? What does

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Speaker 4: that mean?

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Speaker 3: When I say here's what I'll give you don't ask me.

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Speaker 1: Yeah, I'm a bad source because I actually do a

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Speaker 1: show and it's not really very good. But there is

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Speaker 1: a show that people are talking about. It's called Spot,

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Speaker 1: and I'll give you an explanation of why this is happening.

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Speaker 1: My mom used to say to me, Sean, bring the

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Speaker 1: food to your mouth, not your mouth to the food, right.

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Speaker 1: So it's like I've been waiting to get an invite

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Speaker 1: to Spot, right, guys, I'm trying to bring my mouth

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Speaker 1: to the food. I want to go on Spot. Why

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Speaker 1: don't I bring Spot to me? Here comes the food

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Speaker 1: to my mouth? I get Paul in the studio. I've

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Speaker 1: been scanning the calendar.

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Speaker 3: I saw you're going to be here, so you're kind

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Speaker 3: of trapped because you.

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Speaker 1: Just did Omfg, let's face it, it would have been really

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Speaker 1: weird to say that you couldn't do this show because

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Speaker 1: you were here at this time.

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Speaker 3: So in that way, I brought the food to my mouth.

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Speaker 4: Okay, I you guys have been guests on my show.

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Speaker 5: I said at the time after that there was some

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Speaker 5: stuff that I wanted to do and improv that I didn't.

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Speaker 3: Get to do.

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Speaker 5: I said right afterwards that I let me do more

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Speaker 5: stuff that's I mean, that's not really and I said,

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Speaker 5: let me do it again.

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Speaker 3: And some people have pointed out that.

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Speaker 1: You just didn't like my improv and it seemed like

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Speaker 1: you called the improv short because maybe I was just

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Speaker 1: being too crazy. And I've said on this show that

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Speaker 1: I'm willing to be a little more calm.

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Speaker 5: And Sean said, let me do it again also, and

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Speaker 5: let me do it again. Both as soon as you ended,

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Speaker 5: we said let me do.

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Speaker 3: It again, and I said, let me do it by myself.

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Speaker 4: Well, the nature of the show is what happens happens,

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Speaker 4: and then we let it go, you know, and.

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Speaker 3: We yeah, we know we're doing it. Yeah, we're doing

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Speaker 3: a show right now. So that does like obviously we

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Speaker 3: just showed you.

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Speaker 4: That we know what it is, but there's no we don't.

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Speaker 3: We'll just explained it with the food.

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Speaker 4: So is the is this the do over?

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Speaker 3: Then we're I guess, I mean I hope, so you know. So, uh,

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Speaker 3: Cody asked a question.

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Speaker 2: You want me to ask a question?

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Speaker 5: Yeah, ask a question because that's what they do now

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Speaker 5: because we've been trying to figure out what the thing.

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Speaker 4: Is, why I do what I do?

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Speaker 3: What do you mean what they do.

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Speaker 5: Well, it's just show. I think I actually considered Evan

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Speaker 5: one of the cost I guess you. I guess for you.

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Speaker 5: It's like it's like entirely your thing. I actually think

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Speaker 5: he's a very valuable contribution to the show.

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Speaker 4: I never said that he wasn't, but he doesn't. He

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Speaker 4: doesn't speak on the show.

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Speaker 5: Well yeah, but he said he's not doing anything. I

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Speaker 5: didn't say what they speak. I said what they say,

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Speaker 5: this is what you and I was doing the piano.

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Speaker 1: The Evan part because he thought that part was important.

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Speaker 1: I guess we could have just thrown the piano part

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Speaker 1: out the way.

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Speaker 3: And I actually thought it was going to be hard,

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Speaker 3: but it was easy, okay.

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Speaker 4: I I you guys. I feel like, because.

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Speaker 5: We've been trying to figure out what is what, why,

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Speaker 5: this thing is break breaking off such huge chunks of listening.

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Speaker 4: It's I mean, look, no one is more pleased at

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Speaker 4: the gigantic success of my podcast than me.

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Speaker 1: When you look at the podcast pie, there's one notoriously

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Speaker 1: large slice take it out. I guess that's fair to say,

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Speaker 1: like a giant maybe was hungry for dessert, and then

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Speaker 1: everybody else is just ants have to eat it.

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Speaker 4: So it's a pie that is huge to ants but

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Speaker 4: small to a giant. Yeah, so a regular sized pie

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Speaker 4: as a.

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Speaker 1: Regular sized pie. But the slice that the giant took

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Speaker 1: didn't leave too much for the ants, me and Hayes

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Speaker 1: and the giants, you and Evan. So I wanted to

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Speaker 1: hopefully get a little pie for myself. Now, Cody, have

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Speaker 1: you thought of a question? It's been seven or eight minutes.

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Speaker 3: Yeah, I got one. Did you look it up? What

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Speaker 3: was the process? It said? Okay, he is at the

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Speaker 3: u r L.

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Speaker 5: Buzzkenya dot com slash interesting Dash Questions, Dash ask dash people.

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Speaker 4: Who's buzz Kenyan or is it a Kenyan website?

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Speaker 1: And this is I think n I think oh, I

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Speaker 1: thought maybe Buzz light Year married.

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Speaker 5: No, I think it is Kenyan because one of the

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Speaker 5: headlines on the side is Kenyan wife wants husband jailed

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Speaker 5: for not wanting her being sexy.

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Speaker 3: Wait.

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Speaker 1: I appreciate actually that Cody is putting some effort into

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Speaker 1: this for.

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Speaker 3: Her.

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Speaker 4: The husband wants the wife, the wife wants jailed for

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Speaker 4: not wanting her to be the husband. Okay, I'll be

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Speaker 4: the wife.

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Speaker 3: Okay, Hey, I don't want you to be sexy.

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Speaker 4: You're going to jail.

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Speaker 5: Okay, they do this at the end. They do this.

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Speaker 5: This is the say they do it at the end.

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Speaker 5: We talked about the order that they do these things.

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Speaker 5: They do it at the end. And now it's a question.

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Speaker 1: So Cody hit us with that didn't cowt That didn't count. No,

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Speaker 1: and that's an undo. And we do get to do

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Speaker 1: it again. When we do the show. People say let

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Speaker 1: me do it again, we actually let them do it. Yeah,

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Speaker 1: so they know to look like idiots. Didn't have everyone

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Speaker 1: speculating that maybe they're improblem it's not good.

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Speaker 3: So let's freaking up. And because we're you.

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Speaker 1: Know, I we don't do the sounds because we were

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Speaker 1: talking about the last time we did the show that

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Speaker 1: should have been in the past. What do you mean

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Speaker 1: one of the sounds is like we're going in the past.

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Speaker 5: I know we don't do those that yet we spent

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Speaker 5: so long talking about the order that we do these things.

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Speaker 5: I know the sounds are for the end. There's no

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Speaker 5: sounds in the questions.

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Speaker 1: No, okay, yeah, okay, but we were talking about the past.

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Speaker 1: I mean admit that, yes, okay, and he admitted it. Cody,

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Speaker 1: what kind of question are we going to get in here.

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Speaker 1: You want me to ask you noo yeah, please for Paul, Paul, Yes, yes,

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Speaker 1: what do you want that's not on the list?

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Speaker 4: Wow?

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Speaker 3: What do we use your list? Don't do that, man.

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Speaker 5: Cody, you went through all the trouble to find the

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Speaker 5: way use your list.

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Speaker 3: What do you want? No, Cody, that's a bad question.

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Speaker 4: I want to do it over. I want to do

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Speaker 4: it over.

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Speaker 3: Yes, okay it again.

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Speaker 4: That's your ru Yeah, different question.

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Speaker 3: Let me try again. Yes, do the number two one.

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Speaker 3: That one's good. Question number twoushka, Paul.

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Speaker 1: Squish, Yeah, so starting a new one.

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Speaker 4: What do you think one of the sounds is.

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Speaker 1: That's one of the reset sounds, squish, and then it's

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Speaker 1: a fresh clean slate. It's the sound of and we

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Speaker 1: said that, and we said that I got to do

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Speaker 1: all the sounds. No, I know, but you were kind

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Speaker 1: of dropped the ball because this is the sound of

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Speaker 1: you know, there's a bunch of mess on a chalkboard.

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Speaker 1: Somebody asked a question that wasn't very good.

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Speaker 3: We name names.

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Speaker 1: It's under her, Cody, and so we need to squish

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Speaker 1: the water on there to clean the board.

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Speaker 3: Ask question number two. All right, all right, Paul, what

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Speaker 3: was the last lie you told. That's not question number two.

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Speaker 3: That's question number seven. Jesus coding, Why can't you do

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Speaker 3: what I say? Ask question number two. I don't know.

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Speaker 3: I just want some agency in this relationship. As I

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Speaker 3: felt like I could.

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Speaker 1: Question number two is good, ask it you want agency?

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Speaker 1: Do this question again. An agent to William Morris, alright,

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Speaker 1: all right, one of the oldest talent agencies, Paul, do

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Speaker 1: you know any big gossips?

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Speaker 3: And I'm not asking this, I want to ask it,

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Speaker 3: and he want to go there.

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Speaker 4: I'll answer this question. The answer, of course, is yes,

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Speaker 4: I do know some bigs.

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Speaker 1: Okay, alright, has become the very thing that he is criticizing,

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Speaker 1: because what a big gossip would say that?

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Speaker 4: But I didn't mention any names, did I?

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Speaker 3: Ah?

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Speaker 4: I answered the question implied.

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Speaker 3: Imagine dragons.

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Speaker 4: Good, imagine dragon Okay, fine, imagine dragons are big gossips.

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Speaker 4: The whole band, the whole band, and they gossip about

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Speaker 4: each other, and they gossip about other bands.

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Speaker 1: Wow, wow, that makes sense actually if you listen to

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Speaker 1: some of their lyrics. Because he says he doesn't ever

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Speaker 1: want to leave this town, that's right now, who's asking

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Speaker 1: him to leave the town? Probably some of his friends

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Speaker 1: who he told all their secrets, people who were.

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Speaker 4: Hurt by Goship.

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Speaker 3: It's made it. Yeah, it's made gossip too much. And

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Speaker 3: now he's radium active. Yeah, after all, listen again, that's

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Speaker 3: what's another famous story?

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Speaker 4: That's your your questions, what's an their famous story about Paul?

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Speaker 5: You could take from this what you want. I think

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Speaker 5: sometimes would you do the questions? They're a little not

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Speaker 5: letting people come up with their own famous story, you

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Speaker 5: know what I.

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Speaker 3: Mean, I don't know what you mean.

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Speaker 5: Just they genuinely don't know what they mean, sort of

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Speaker 5: boxing people in.

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Speaker 1: And now I have to say, hey, as we talked

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Speaker 1: about this, I mean you were going to do the

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Speaker 1: sound I said, but I was going to do the

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Speaker 1: gotcha journalism.

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Speaker 5: I said that if it came up like this, that

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Speaker 5: I would get to do it. If you got caught

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Speaker 5: up in a song which you were a little absorbed,

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Speaker 5: I think that.

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Speaker 3: Oh I don't think that's true.

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Speaker 4: You're saying a good chunk of that song. Now hold

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Speaker 4: on a second.

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Speaker 3: I was to rememberate it chun.

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Speaker 4: You think that what I do when I ask questions

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Speaker 4: is gotcha journalism?

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Speaker 1: No, no, no, no no. I wanted to do the

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Speaker 1: gotcha journalism on this show. It was accusing you of

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Speaker 1: when you ask questions boxing boxing people that they came up.

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Speaker 4: With their Okay, so you so what you're saying is

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Speaker 4: I when I asked the questions I box people in

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Speaker 4: during the interview.

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Speaker 3: Here's how the show goes. You do a famous story.

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Speaker 1: Then you have people there and none of them are

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Speaker 1: allowed to do a famous story because you place all

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Speaker 1: these constrictions on them and shackle me.

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Speaker 4: I don't I don't think that's true. I'm not I'm

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Speaker 4: not one hundred percent of what do you mean by

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Speaker 4: a famous story?

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Speaker 3: Please? The whole thing.

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Speaker 4: When you guys were on my show, right, Yes, I

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Speaker 4: asked you a question about say the truth please, I

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Speaker 4: asked you a question. I think it was about breaking things,

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Speaker 4: about breaking things when you were a kid.

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Speaker 3: First thing you ever broke.

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Speaker 1: Yeah, the first thing you remember breaking? All right?

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Speaker 3: Is that?

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Speaker 4: What the question was?

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Speaker 3: Something like that?

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Speaker 4: Something like that, Okay, And then we talked. Then we

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Speaker 4: had a conversation. I had you guys on for two segments.

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Speaker 4: Usually the show is I have an interview and then

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Speaker 4: the improvisers I chat with them. You guys were on

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Speaker 4: the whole show. Not everybody gets that. I talk to

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Speaker 4: you guys exclusively.

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Speaker 1: It's a long time not to be allowed to tell

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Speaker 1: a famous story.

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Speaker 4: What how did I prevent you from telling famous stories?

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Speaker 1: Okay, I mean this is wow. I don't know, Hayes,

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Speaker 1: what do you.

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Speaker 5: Say we tell the story that you want us to tell.

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Speaker 5: It's not even that famous. And then just when I think, okay,

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Speaker 5: now it's going to be my turn to choose what

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Speaker 5: famous story?

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Speaker 4: Right, and we both came in.

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Speaker 3: And said, we've got some famous stories. We've been thinking

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Speaker 3: about them for a while, and we're going to do them.

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Speaker 3: And then you were like, I don't fit the question.

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Speaker 1: Yeah, And we tried to backdoor our way into the

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Speaker 1: question and it didn't work.

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Speaker 3: And then it didn't work this story.

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Speaker 4: That's different than me shutting it down though, because we were.

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Speaker 3: In a box.

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Speaker 1: Is the question is a box. The question is a box,

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Speaker 1: and it's chained.

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Speaker 4: Well, if you remember what famous stories you wanted to tell,

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Speaker 4: tell them now? I mean, this is your forum, right.

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Speaker 3: Fit on this show? This show's not really we don't

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Speaker 3: really do it for that.

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Speaker 4: Yeah, but I thought we're doing we're doing my show

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Speaker 4: now again.

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Speaker 3: Yeah. Well but there's no show you the story fits

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Speaker 3: you are why?

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Speaker 4: What is that my fault?

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Speaker 3: And you are us?

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Speaker 2: Now?

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Speaker 3: Which is why? And where you? Which is why?

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Speaker 1: Me?

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Speaker 3: Who's doing you? Is saying?

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Speaker 1: What are some other famoue stories? Plinkadk No, that's my job. Wait,

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Speaker 1: but you said you were being Paul just now. Yeah,

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Speaker 1: if there's two of you that, why are you both

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Speaker 1: being me?

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Speaker 3: Give me that? Give me that piano and now we'll

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Speaker 3: really hear some tunes. Oh my god, the cord card

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Speaker 3: doesn't let's just pull it.

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Speaker 4: Can you give me what?

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Speaker 3: What is?

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Speaker 4: Can you give me just an example of a famous story?

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Speaker 3: An example?

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Speaker 4: Did the imagine dragon story count was a famous story?

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Speaker 3: Uh? Yeah, that was pretty famous.

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Speaker 4: Okay, another famous story? I don't know, Like, did you

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Speaker 4: know that Michael Keaton uh has a gym without like

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Speaker 4: a mobile gym when he's on a set.

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Speaker 5: Jim from the office. Yes, Jim and Pan remember what

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Speaker 5: happened with that? They want to fall in love?

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Speaker 4: What's that?

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Speaker 3: They wanted to fall in love?

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Speaker 4: They wanted to fall in love.

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Speaker 3: There, we did it right, And that's one of the

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Speaker 3: most famous storious there is that.

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Speaker 4: It doesn't get much more famous than Jim Pan wanting

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Speaker 4: to fall in love. They were star cross lovers.

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Speaker 3: Yeah because you Roy, Yeah.

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Speaker 4: Y yes, Roy forbid it. He forbid their love, and

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Speaker 4: then he lost all that weight and he's in Guardians

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Speaker 4: of the Galaxy.

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Speaker 3: Oh no, I don't think that's right.

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Speaker 4: What's it? I don't think this is a famous this

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Speaker 4: is a famous story.

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Speaker 3: Okay, this might be coming back to some of the lies. Roy.

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Speaker 1: I think he actually gained weight for it. But it's

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Speaker 1: the right kind of weight.

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Speaker 5: Yes, muscle and famously packed on a lot of muscle.

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Speaker 3: Yes, be the Guardian of the Galaxy.

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Speaker 4: What lies? What lies have I told? Because Hayes, that's

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Speaker 4: a that's quite an accusation, said that.

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Speaker 5: Roally lost all that weight to be Guardian of the

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Speaker 5: Galaxy when actually he packed on twenty pounds.

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Speaker 4: Well, I misspoke, and I think that's different in intent.

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Speaker 3: Phone locked, did.

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Speaker 1: You feel how when a real true musician was playing

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Speaker 1: the piano?

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Speaker 3: Well, I will say about me is.

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00:17:49,280 --> 00:17:53,719
Speaker 5: I never took a lesson before, and I just downloaded

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Speaker 5: the app. Don't use by the way, with that app,

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Speaker 5: don't present too many times because the app is free.

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Speaker 3: Just wait, just wait, wait until I finish what I'm saying.

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Speaker 3: App is free, but each time you hit the fig.

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Speaker 5: It costs three dollars. So do not just every every note,

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Speaker 5: every play cost So I just be careful about the

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Speaker 5: different notes.

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Speaker 4: Why don't you just get is there a paid I should.

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Speaker 3: Have said that before. Yeah, there's an expensive one cost dollars,

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Speaker 3: but this one is free.

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Speaker 4: But you have Yeah, the app is free, but then

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00:18:25,400 --> 00:18:28,720
Speaker 4: you like one to play one song would cost you?

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00:18:29,480 --> 00:18:32,000
Speaker 4: How many hundreds, if not thousands of dollars?

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Speaker 5: I don't If you notice the way I do it,

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Speaker 5: the way I was playing before, it's very minimalism, where

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Speaker 5: I'm only doing one at a time, and I then

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Speaker 5: I get a chance to think about what the next good.

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Speaker 3: One would be. And Sean's doing all these at once.

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Speaker 5: Pretty good. Huh wait, okay, give it back. And because

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Speaker 5: now now I think we do do the sounds? Is

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Speaker 5: that right?

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Speaker 4: You're not asking me, are you?

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Speaker 1: No?

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Speaker 3: But you're asking me?

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Speaker 5: But if but if I was, what would you want

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Speaker 5: to say?

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Speaker 3: Is it time to be the sounds?

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Speaker 1: I mean, if the interview is over, I feel like

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Speaker 1: for people who don't know my show, that only know

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Speaker 1: your show, I feel like this paints my show very poorly.

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Speaker 5: I will say this I don't think there are that

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Speaker 5: many of those people. This thing is right away train.

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Speaker 5: I think we now have almost one hundred percent overlap

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Speaker 5: on listenership, except you have some more.

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Speaker 3: And so.

401
00:19:34,160 --> 00:19:36,320
Speaker 5: What we are doing, Sean, Can I have that place

402
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Speaker 5: and can you participate in the show a little bit.

403
00:19:38,160 --> 00:19:41,480
Speaker 5: I'm doing it by myself and I was supposed to

404
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Speaker 5: do the music and you would do more of the talking.

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Speaker 3: Jesus, don't cry. Wait, hang on, I think I figured

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Speaker 3: it out. It's time to do the sounds.

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Speaker 1: This is what I was just kind of allowed to

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Speaker 1: have music, un to show anymore anyway.

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Speaker 3: So okay, what were you guys saying?

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Speaker 5: I was saying that we were doing bad painting, a

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Speaker 5: bad painting of the of his show.

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Speaker 1: You know a lot of people thought Pocasta was a

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Speaker 1: bad painting.

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Speaker 4: So your point is this is great because Picasta was great.

415
00:20:15,200 --> 00:20:17,520
Speaker 1: Maybe it won't be appreciated until we're bringing cut our

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Speaker 1: ears over them. And I'll tell you what, that's one

417
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Speaker 1: of the saddest things about being an artist.

418
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Speaker 4: Cutting your ears off.

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Speaker 1: No, then nobody realized how good you are until you

420
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Speaker 1: go completely crazy.

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Speaker 3: Let's figure out what's what what is? And you're crazy

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Speaker 3: for being good.

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Speaker 5: What are the different Okay, so we're doing the South.

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Speaker 5: What are the difference sounds for? When is the past?

425
00:20:41,720 --> 00:20:45,440
Speaker 4: We know that use sound effects on my show to

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00:20:46,080 --> 00:20:49,920
Speaker 4: move the story around in time, past, president, future.

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00:20:49,680 --> 00:20:54,640
Speaker 5: Essentially okay, past, okay, past, present, future and budding down

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00:20:54,760 --> 00:20:58,760
Speaker 5: that pastes the history and the futures the mystery.

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00:20:58,840 --> 00:20:59,680
Speaker 4: Yes, that's right.

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Speaker 3: Wait, and that's why they call it today to friends.

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00:21:04,000 --> 00:21:06,760
Speaker 3: So let's do what's the sound for the past?

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00:21:07,680 --> 00:21:14,120
Speaker 1: Well, I have an idea for one wait, winning that

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Speaker 1: was in the past.

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Speaker 4: I mean that was in the past.

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00:21:16,040 --> 00:21:19,160
Speaker 5: Okay, good, So I have fifteen sounds here. It said

436
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Speaker 5: it was going to be one hundred.

437
00:21:22,800 --> 00:21:23,920
Speaker 4: What what happened?

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Speaker 5: I don't know when it came up there was only fifteen.

439
00:21:27,200 --> 00:21:29,240
Speaker 5: And I can hit this green upgrade button, but I'm

440
00:21:29,240 --> 00:21:30,399
Speaker 5: afraid of what's gonna happen?

441
00:21:30,440 --> 00:21:35,680
Speaker 3: Too much? Too much money? Oh okay? Is there any

442
00:21:35,720 --> 00:21:37,400
Speaker 3: time on the show where there's an epic fail where

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Speaker 3: we couldn't use that?

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Speaker 1: I mean.

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00:21:41,920 --> 00:21:46,199
Speaker 4: I suppose, I suppose there are often epic fails on

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Speaker 4: my show.

447
00:21:46,760 --> 00:21:49,000
Speaker 1: Well, maybe they just seem like epic fails. I mean

448
00:21:49,040 --> 00:21:51,200
Speaker 1: a lot of people saw Picasso was doing epic fail

449
00:21:51,280 --> 00:21:54,919
Speaker 1: this is your one to one reference.

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Speaker 3: Oh, I don't know if that's true. Didn't I reference

451
00:21:58,359 --> 00:22:02,880
Speaker 3: imaginant dragons before? Yeah, I guess you did a lot

452
00:22:02,920 --> 00:22:06,000
Speaker 3: of these. Are I didn't say that ugly? You're ugly,

453
00:22:06,119 --> 00:22:08,560
Speaker 3: and your mother ugly and your sister ugly. You just

454
00:22:08,560 --> 00:22:09,480
Speaker 3: playing all ugly.

455
00:22:09,800 --> 00:22:13,320
Speaker 1: Okay, that one's not long enough and I like a

456
00:22:13,400 --> 00:22:15,240
Speaker 1: nice long sound effect.

457
00:22:17,080 --> 00:22:20,520
Speaker 3: Oh here's Kevin. Okay, thank you Kevin for the candle.

458
00:22:20,840 --> 00:22:23,960
Speaker 1: Now finally it's a little late, and now the mood

459
00:22:24,320 --> 00:22:25,680
Speaker 1: is a little more fitting.

460
00:22:29,440 --> 00:22:32,359
Speaker 4: Okay, So on my show, I like the lighting to

461
00:22:32,440 --> 00:22:35,639
Speaker 4: be a little warmer and I feel like a bath.

462
00:22:35,800 --> 00:22:39,000
Speaker 4: Have these candles that I put it on the table

463
00:22:39,000 --> 00:22:40,560
Speaker 4: and then we turn off the overhead lights and so

464
00:22:40,640 --> 00:22:44,080
Speaker 4: it's just a more relaxed.

465
00:22:43,760 --> 00:22:45,000
Speaker 3: There's a good behind the scenes.

466
00:22:45,040 --> 00:22:47,400
Speaker 1: So a lot of people, a lot of podcasts, they

467
00:22:47,920 --> 00:22:51,760
Speaker 1: wanted to feel like a shower, but Paul would like

468
00:22:51,760 --> 00:22:52,800
Speaker 1: it to feel like a bath.

469
00:22:53,920 --> 00:22:55,000
Speaker 4: That's the chief difference.

470
00:22:55,080 --> 00:22:55,480
Speaker 3: Mm hmm.

471
00:22:57,000 --> 00:22:59,359
Speaker 1: You sort of get in the spot, you soak on

472
00:22:59,640 --> 00:23:02,480
Speaker 1: in and nice smells.

473
00:23:03,000 --> 00:23:05,480
Speaker 3: What is it's Monday? Huh comes out? Monday comes out

474
00:23:05,480 --> 00:23:05,879
Speaker 3: on Monday.

475
00:23:06,000 --> 00:23:08,119
Speaker 5: That's I think a big part of it and we

476
00:23:08,240 --> 00:23:11,119
Speaker 5: have been talking about doing that, actually doing ours on

477
00:23:11,200 --> 00:23:13,520
Speaker 5: Monday as well, and then we'll see what happens.

478
00:23:13,560 --> 00:23:14,800
Speaker 4: What day does yours come out?

479
00:23:15,040 --> 00:23:15,520
Speaker 3: Tuesday?

480
00:23:15,560 --> 00:23:17,520
Speaker 5: So we will release it on Tuesday, and then it'll

481
00:23:17,520 --> 00:23:21,760
Speaker 5: come out again on Monday the following Monday.

482
00:23:21,840 --> 00:23:24,320
Speaker 4: Yes, so the new episode drops on Tuesday, Tuesday?

483
00:23:27,080 --> 00:23:27,400
Speaker 3: Is it?

484
00:23:27,520 --> 00:23:31,159
Speaker 4: Is it deleted and then re uploaded for download.

485
00:23:31,640 --> 00:23:34,240
Speaker 3: The Well, yeah, I think it would happen, or we

486
00:23:34,280 --> 00:23:37,280
Speaker 3: would have to. You have doubles over our heads right now.

487
00:23:38,040 --> 00:23:41,320
Speaker 1: This guy seems to understand the entire process.

488
00:23:41,880 --> 00:23:46,160
Speaker 3: Because this is not my I'm just what I mean.

489
00:23:46,280 --> 00:23:47,919
Speaker 3: I am more on the creative. You just got in

490
00:23:47,960 --> 00:23:50,000
Speaker 3: the water to fight with a shark. I don't even

491
00:23:50,000 --> 00:23:51,520
Speaker 3: get him up on land with you.

492
00:23:51,680 --> 00:23:53,800
Speaker 5: I think it's so interesting that it's so much about

493
00:23:53,880 --> 00:23:58,239
Speaker 5: business to you and not as much about just like

494
00:23:59,119 --> 00:24:00,000
Speaker 5: doing a funny show.

495
00:24:00,080 --> 00:24:02,359
Speaker 3: Oh yes, you know what I mean part of it.

496
00:24:02,440 --> 00:24:05,119
Speaker 1: You're so caught and also didn't give a fuck what

497
00:24:05,200 --> 00:24:06,600
Speaker 1: the how much money it was?

498
00:24:06,760 --> 00:24:07,880
Speaker 3: You know what I mean? Yeah?

499
00:24:08,040 --> 00:24:08,520
Speaker 2: Third time?

500
00:24:10,200 --> 00:24:12,359
Speaker 3: Fine, imagine dragons. They don't do it for the money.

501
00:24:12,440 --> 00:24:14,280
Speaker 3: Monday would be for the love of the sound. You

502
00:24:14,320 --> 00:24:16,920
Speaker 3: know what I think is maybe an interesting key to

503
00:24:16,960 --> 00:24:17,359
Speaker 3: the show.

504
00:24:17,760 --> 00:24:18,080
Speaker 4: What's that?

505
00:24:18,280 --> 00:24:20,560
Speaker 5: A lot of times on Mondays people want to call

506
00:24:20,640 --> 00:24:22,720
Speaker 5: on sick from work. They don't want to go to work.

507
00:24:22,920 --> 00:24:26,240
Speaker 5: Uh huh, but they need something that is going to

508
00:24:26,240 --> 00:24:30,960
Speaker 5: make them bar so they're really can be sick to

509
00:24:31,040 --> 00:24:32,200
Speaker 5: their boss on the phone.

510
00:24:32,280 --> 00:24:33,440
Speaker 3: I'm not saying they're baring.

511
00:24:33,480 --> 00:24:35,760
Speaker 5: They could be barfing because they because it's so funny,

512
00:24:36,560 --> 00:24:37,400
Speaker 5: but it is death.

513
00:24:37,440 --> 00:24:39,800
Speaker 1: It is far from laughing. It is because it's making

514
00:24:39,880 --> 00:24:41,480
Speaker 1: them bar bar from laughing before.

515
00:24:44,240 --> 00:24:48,359
Speaker 4: I feel like, you know, it was like one thing

516
00:24:48,400 --> 00:24:52,360
Speaker 4: when I don't know, I guess your feelings are hurt

517
00:24:52,359 --> 00:24:54,960
Speaker 4: and you feel like I when you were on my show.

518
00:24:54,960 --> 00:24:58,240
Speaker 4: I guess I wasn't a good host because this feels

519
00:24:58,400 --> 00:24:59,199
Speaker 4: vindictive to me.

520
00:24:59,720 --> 00:25:02,760
Speaker 3: Are you crazy? It was the best episode I've ever done.

521
00:25:05,000 --> 00:25:06,720
Speaker 5: And we're helping you if you do the show again,

522
00:25:06,760 --> 00:25:09,200
Speaker 5: which I said at the beginning, there's so many nice things.

523
00:25:09,240 --> 00:25:11,600
Speaker 5: I said that you can take some of the stuff

524
00:25:11,600 --> 00:25:15,080
Speaker 5: that we're doing and you can use them on your

525
00:25:15,160 --> 00:25:16,360
Speaker 5: version of the show if you do it again.

526
00:25:16,440 --> 00:25:18,120
Speaker 3: Paul I made you a giant and us an aunt

527
00:25:18,160 --> 00:25:20,320
Speaker 3: when we were eating that pie before. Yeah, I mean

528
00:25:20,359 --> 00:25:21,040
Speaker 3: that's pretty nice.

529
00:25:21,040 --> 00:25:23,440
Speaker 5: And I said that it could be good. Bar could

530
00:25:23,480 --> 00:25:25,080
Speaker 5: be barfing from funniness.

531
00:25:26,600 --> 00:25:27,399
Speaker 3: I'm not. I'm not.

532
00:25:27,840 --> 00:25:30,480
Speaker 4: Guys, this this is insulting. Now that you think I'm

533
00:25:30,480 --> 00:25:33,960
Speaker 4: that dumb that I can't see I can't read between

534
00:25:33,960 --> 00:25:38,880
Speaker 4: the lines, and that that's non insulting, Like obviously it's insulting.

535
00:25:38,960 --> 00:25:43,960
Speaker 4: Let's do this and chunk in the giant analogy. That

536
00:25:44,040 --> 00:25:46,480
Speaker 4: also was negative. That wasn't like building me up to

537
00:25:46,480 --> 00:25:48,680
Speaker 4: be a great guy. I mean that was you were

538
00:25:48,800 --> 00:25:52,399
Speaker 4: You were implying that I'm taking as a giant.

539
00:25:52,160 --> 00:25:53,119
Speaker 3: Like a selfish amount.

540
00:25:53,640 --> 00:25:55,080
Speaker 4: Yes, exactly.

541
00:25:55,680 --> 00:25:56,520
Speaker 3: You want to be a aunt.

542
00:25:57,200 --> 00:25:57,880
Speaker 4: No, I don't.

543
00:25:58,200 --> 00:25:58,480
Speaker 3: I don't.

544
00:25:58,760 --> 00:26:00,280
Speaker 4: I don't want to hear huge.

545
00:26:00,280 --> 00:26:02,399
Speaker 3: Tell me what you wish for.

546
00:26:02,880 --> 00:26:05,280
Speaker 4: Yeah, so you're saying the ant would have the same

547
00:26:05,880 --> 00:26:07,720
Speaker 4: size slice as the giant.

548
00:26:08,080 --> 00:26:10,479
Speaker 1: Well, if you're the ant, because if you're taking all

549
00:26:10,520 --> 00:26:12,000
Speaker 1: the podcast listeners.

550
00:26:11,560 --> 00:26:13,040
Speaker 4: Well here's.

551
00:26:14,880 --> 00:26:17,359
Speaker 1: I do remember that squish get used to It was

552
00:26:17,480 --> 00:26:20,760
Speaker 1: just you saying the word squish, Yeah, squish, And that

553
00:26:20,880 --> 00:26:22,359
Speaker 1: was us getting stepped on by giant.

554
00:26:22,440 --> 00:26:24,200
Speaker 4: All right, what's what's next? What's next?

555
00:26:24,240 --> 00:26:28,280
Speaker 3: We were figuring out the sounds we have the past one.

556
00:26:28,640 --> 00:26:30,880
Speaker 3: Should we play a comedy game while we're here?

557
00:26:31,240 --> 00:26:34,080
Speaker 1: No, there's an ad just so while we're here. Yeah,

558
00:26:34,119 --> 00:26:36,240
Speaker 1: while we're waiting. I just got taken to the app

559
00:26:36,240 --> 00:26:37,000
Speaker 1: store somehow.

560
00:26:37,880 --> 00:26:41,639
Speaker 4: All right, why would we play a comedy bang bank game?

561
00:26:42,640 --> 00:26:44,720
Speaker 3: I don't know you guys, this is all what am

562
00:26:44,720 --> 00:26:49,360
Speaker 3: I doing here? Winning? What's that? Cody? Are you doing

563
00:26:49,359 --> 00:26:50,119
Speaker 3: your own sounds?

564
00:26:50,240 --> 00:26:53,000
Speaker 1: I know that's the intro song for would you rather

565
00:26:53,119 --> 00:26:55,760
Speaker 1: or something? Oh, it's a bang Bang comedy bank bank thing.

566
00:26:56,480 --> 00:26:58,880
Speaker 1: Because they don't do those, they don't even do them anymore. Yeah,

567
00:26:59,560 --> 00:27:05,919
Speaker 1: it's hands to cub eat the scrap. Well, that's true.

568
00:27:06,000 --> 00:27:09,679
Speaker 1: That is what ants do because when somebody doesn't finish

569
00:27:09,680 --> 00:27:12,000
Speaker 1: their sandwich or whatever, like commy Bang Bang is leaving

570
00:27:12,000 --> 00:27:14,360
Speaker 1: a little sandwich on the table. With these fun games,

571
00:27:15,359 --> 00:27:20,000
Speaker 1: the ants come in and come sniffing around and move.

572
00:27:19,920 --> 00:27:20,919
Speaker 2: Their little feelers.

573
00:27:24,359 --> 00:27:25,879
Speaker 4: What's what's thatank it up?

574
00:27:26,359 --> 00:27:27,840
Speaker 3: That could be the present?

575
00:27:28,359 --> 00:27:32,159
Speaker 5: Okay, because it's you're supposed to appreciate it.

576
00:27:34,560 --> 00:27:36,880
Speaker 1: And Cody, can you be looking up a location while

577
00:27:36,880 --> 00:27:37,399
Speaker 1: we're doing this?

578
00:27:38,000 --> 00:27:38,920
Speaker 3: Yes? Figure out again.

579
00:27:39,000 --> 00:27:47,440
Speaker 5: Just see if there's something like Kenya buzz not Kenya.

580
00:27:46,240 --> 00:27:47,400
Speaker 3: Cody, will you Kenny a buzz?

581
00:27:47,480 --> 00:27:47,520
Speaker 1: This?

582
00:27:48,560 --> 00:27:52,119
Speaker 4: Just put the word location into safari or whatever.

583
00:27:54,240 --> 00:27:55,840
Speaker 3: All right, how about.

584
00:27:57,359 --> 00:28:00,639
Speaker 4: Someone somebody Somalia?

585
00:28:03,480 --> 00:28:06,000
Speaker 3: Is that really the worry? Is that really the first?

586
00:28:07,080 --> 00:28:09,879
Speaker 3: Is that so funny to you? Cody?

587
00:28:11,000 --> 00:28:13,880
Speaker 5: Really nice because it's actually problems over there.

588
00:28:17,280 --> 00:28:18,080
Speaker 3: That's the future.

589
00:28:18,200 --> 00:28:20,840
Speaker 1: Yeah, well, what's that Maria Manuna?

590
00:28:20,920 --> 00:28:25,840
Speaker 5: It's the smartest animal see and that is and that

591
00:28:25,920 --> 00:28:27,280
Speaker 5: is another reference he could do.

592
00:28:28,320 --> 00:28:31,640
Speaker 3: I reference on a laugh. Okay, So all right, and

593
00:28:31,680 --> 00:28:32,440
Speaker 3: he's got two more.

594
00:28:32,560 --> 00:28:35,440
Speaker 4: Does she have a laugh? Is she famous for her laugh?

595
00:28:35,480 --> 00:28:36,440
Speaker 3: Manas?

596
00:28:37,200 --> 00:28:37,440
Speaker 2: Yeah?

597
00:28:38,360 --> 00:28:39,760
Speaker 4: Okay, has to answer.

598
00:28:41,520 --> 00:28:46,880
Speaker 3: That. You walk right into my trap. That's the present. Okay,

599
00:28:46,920 --> 00:28:48,040
Speaker 3: that's what's a new location.

600
00:28:48,880 --> 00:28:51,200
Speaker 1: It's a new location, and not one that's so funny

601
00:28:51,200 --> 00:28:52,840
Speaker 1: to you because people are sick or whatever.

602
00:28:53,280 --> 00:28:59,400
Speaker 3: All Right, you're laughing and cut off. They don't even

603
00:28:59,640 --> 00:29:04,840
Speaker 3: food And he's laughing. You know what's funny to me? Spots,

604
00:29:07,120 --> 00:29:11,560
Speaker 3: not people hurting. Tell talk about the time you bar

605
00:29:11,640 --> 00:29:12,400
Speaker 3: from funniness.

606
00:29:13,240 --> 00:29:16,440
Speaker 1: Okay, this is one of the famous stories I didn't

607
00:29:16,480 --> 00:29:17,520
Speaker 1: ever before on your show.

608
00:29:18,800 --> 00:29:20,320
Speaker 3: This is while Cody finds a location.

609
00:29:24,320 --> 00:29:30,440
Speaker 1: Well, it's sort of an interesting story because I was eating.

610
00:29:32,520 --> 00:29:33,680
Speaker 3: Just so much eggplant.

611
00:29:36,240 --> 00:29:40,480
Speaker 1: Please don't make a joke about the eggplant emoji, Please don't.

612
00:29:40,520 --> 00:29:43,600
Speaker 3: But I'm the face you make, Paul, when.

613
00:29:43,520 --> 00:29:45,760
Speaker 1: You're getting very excited. I feel like my face is

614
00:29:45,760 --> 00:29:49,800
Speaker 1: perfectly neutral. You got and this guy started all riled.

615
00:29:50,080 --> 00:29:52,120
Speaker 1: You can't see this, but he was licking his chops

616
00:29:53,240 --> 00:29:55,920
Speaker 1: like I'm going to really nail this guy. But the

617
00:29:56,000 --> 00:29:57,960
Speaker 1: truth is and I can't. And if you want to

618
00:29:57,960 --> 00:30:00,040
Speaker 1: make the emoji joke, you can. I can't do anything

619
00:30:00,080 --> 00:30:03,640
Speaker 1: about it because the truth is that I was eating

620
00:30:03,960 --> 00:30:04,920
Speaker 1: so much eggplant?

621
00:30:06,440 --> 00:30:06,920
Speaker 4: How much?

622
00:30:08,280 --> 00:30:09,480
Speaker 3: One hundred pounds?

623
00:30:10,560 --> 00:30:12,440
Speaker 4: And you're saying in one sitting.

624
00:30:12,320 --> 00:30:17,840
Speaker 1: Yeah, okay, yeah, but I'm glad you asked because it's

625
00:30:17,840 --> 00:30:22,120
Speaker 1: a special chair, what you could sit in it for

626
00:30:22,120 --> 00:30:24,840
Speaker 1: a long time, because you did sniff out.

627
00:30:24,880 --> 00:30:27,920
Speaker 3: That's a lot to eat in one sitting chair, you

628
00:30:27,920 --> 00:30:28,280
Speaker 3: know how.

629
00:30:28,240 --> 00:30:30,200
Speaker 5: A lot of chairs you're kind of slipping off it.

630
00:30:31,440 --> 00:30:33,000
Speaker 5: You're just kind of very slow.

631
00:30:33,480 --> 00:30:35,960
Speaker 3: Strapped in and you're sometimes upside down. And it was

632
00:30:36,000 --> 00:30:37,040
Speaker 3: the Batman ride.

633
00:30:37,840 --> 00:30:39,920
Speaker 4: You So you're on the Batman Ride, you're eating one

634
00:30:39,960 --> 00:30:40,920
Speaker 4: hundred pounds of eggplant.

635
00:30:41,480 --> 00:30:46,160
Speaker 1: Yeah, And I start thinking of this joke that I

636
00:30:46,200 --> 00:30:47,560
Speaker 1: heard from Hayes the other day.

637
00:30:51,600 --> 00:30:54,959
Speaker 4: So while you're on the Batman Ride, you're eating one

638
00:30:55,000 --> 00:30:59,080
Speaker 4: hundred pounds bag plant. Your mind drifted to a joke

639
00:30:59,160 --> 00:30:59,880
Speaker 4: that Hayes.

640
00:31:00,160 --> 00:31:03,840
Speaker 1: Is that so so crazy? Yeah, but why I didn't

641
00:31:03,840 --> 00:31:05,080
Speaker 1: say it was crazy. I'm just trying to keep a

642
00:31:05,080 --> 00:31:05,560
Speaker 1: story straight.

643
00:31:05,640 --> 00:31:06,520
Speaker 3: It's a funny joke.

644
00:31:06,680 --> 00:31:08,640
Speaker 4: I'm trying to keep a story. Oh wait, is it

645
00:31:08,680 --> 00:31:10,320
Speaker 4: a jokers? Did this really happen?

646
00:31:11,240 --> 00:31:17,840
Speaker 3: No, my joke that he's thinking of? What was it? Huh?

647
00:31:17,840 --> 00:31:20,640
Speaker 1: I have no idea. I have no idea. Yeah, not

648
00:31:20,680 --> 00:31:25,120
Speaker 1: even I don't even have an area for it. Sometimes,

649
00:31:25,240 --> 00:31:27,520
Speaker 1: you know, I can't think of the exact joke, but

650
00:31:27,560 --> 00:31:31,600
Speaker 1: I know it was. It was something about it was,

651
00:31:31,760 --> 00:31:34,840
Speaker 1: you know, making fun of why. It was an observation

652
00:31:34,920 --> 00:31:35,320
Speaker 1: of z.

653
00:31:35,560 --> 00:31:38,000
Speaker 4: But at the time you remembered what joke it was.

654
00:31:40,880 --> 00:31:44,800
Speaker 1: I merely remembered that Hayes, to my recollection, had made

655
00:31:44,840 --> 00:31:45,480
Speaker 1: a joke.

656
00:31:45,520 --> 00:31:48,600
Speaker 3: The idea of funniness, right that.

657
00:31:49,120 --> 00:31:53,200
Speaker 1: Yes, that concept to me of Haes just out here,

658
00:31:53,440 --> 00:31:59,280
Speaker 1: you know, the noble puncher shadow boxing against the darkness

659
00:31:59,280 --> 00:32:03,080
Speaker 1: of depression with his uh faints and perries of humor.

660
00:32:04,160 --> 00:32:10,120
Speaker 1: H really buoyed my spirits and I just laughed until

661
00:32:10,120 --> 00:32:10,760
Speaker 1: I threw up.

662
00:32:13,160 --> 00:32:16,840
Speaker 4: So you asked, story will go viral?

663
00:32:16,880 --> 00:32:17,280
Speaker 2: When did you?

664
00:32:17,320 --> 00:32:21,120
Speaker 4: When did you bar from funniness? And your response is

665
00:32:21,680 --> 00:32:24,960
Speaker 4: when you're eating one hundred pounds of eggplant on the

666
00:32:25,000 --> 00:32:28,760
Speaker 4: Batman Ride and you remembered that Hayes made a joke.

667
00:32:29,680 --> 00:32:32,440
Speaker 1: Paul. I mean, I feel like I know where you're

668
00:32:32,440 --> 00:32:35,720
Speaker 1: going with this, that you you probably think that throwing

669
00:32:35,800 --> 00:32:37,320
Speaker 1: up had more to do with trying to eat one

670
00:32:37,400 --> 00:32:39,400
Speaker 1: hundred pounds of egg plant on the Batman Ride than

671
00:32:39,440 --> 00:32:41,800
Speaker 1: with remembering a non specific Joe.

672
00:32:42,120 --> 00:32:43,880
Speaker 4: Yes, that is exactly what I was thinking.

673
00:32:44,000 --> 00:32:49,120
Speaker 1: Wow, jealous Joe. Okay, I'll tell the story again. Egg

674
00:32:49,120 --> 00:32:50,800
Speaker 1: plan on the Batman Ride and I remember a joke

675
00:32:50,840 --> 00:32:51,720
Speaker 1: that Paul told.

676
00:32:53,280 --> 00:32:55,760
Speaker 4: So I'm jealous because you were.

677
00:32:55,880 --> 00:32:58,960
Speaker 3: Making a joke. And I understand that you do that too.

678
00:32:59,040 --> 00:33:00,760
Speaker 3: That's why we have you on. That's why we're stealing

679
00:33:00,800 --> 00:33:03,680
Speaker 3: your show, doing your show.

680
00:33:04,280 --> 00:33:04,600
Speaker 1: All right?

681
00:33:04,640 --> 00:33:11,440
Speaker 3: What's next? The sounds a location? I hang on, I'm

682
00:33:11,440 --> 00:33:13,240
Speaker 3: in the app or do we get a new location? Yeah?

683
00:33:14,480 --> 00:33:16,440
Speaker 4: Have you been back in the app store this whole time?

684
00:33:16,480 --> 00:33:20,320
Speaker 5: A big part of this app is little journeys to

685
00:33:20,400 --> 00:33:23,480
Speaker 5: the app store, back to the app store to try

686
00:33:23,520 --> 00:33:26,880
Speaker 5: other apps, which I appreciate. Some of these apps only

687
00:33:26,920 --> 00:33:30,080
Speaker 5: want me to do their app. This app has other

688
00:33:30,160 --> 00:33:31,200
Speaker 5: apps that I could try.

689
00:33:31,320 --> 00:33:36,640
Speaker 1: Thank you? Okay, no, sorry, that was an accident. I

690
00:33:36,720 --> 00:33:38,080
Speaker 1: don't that was not an epic fail.

691
00:33:39,280 --> 00:33:48,960
Speaker 3: Oh yeah, good? Good? Do you on location? Yes? Please, France?

692
00:33:51,000 --> 00:33:56,040
Speaker 1: Good one, great, mister Picasso, what a beautiful paint it,

693
00:33:57,320 --> 00:33:59,640
Speaker 1: or at least I think so?

694
00:33:59,760 --> 00:34:01,200
Speaker 3: But who am I just a peasant?

695
00:34:04,560 --> 00:34:06,440
Speaker 4: Are we?

696
00:34:06,440 --> 00:34:07,400
Speaker 2: We were a present?

697
00:34:10,960 --> 00:34:11,399
Speaker 4: Thank you?

698
00:34:11,760 --> 00:34:12,120
Speaker 3: Uh?

699
00:34:12,239 --> 00:34:16,000
Speaker 4: You know I pay for my meals with these drawings

700
00:34:16,040 --> 00:34:19,600
Speaker 4: that I make. Okay, what I'm Picasso?

701
00:34:20,280 --> 00:34:20,440
Speaker 3: Right?

702
00:34:20,960 --> 00:34:34,120
Speaker 6: Yeah, yeah, of course, okay, this drawing? God, could I

703
00:34:34,200 --> 00:34:34,800
Speaker 6: have a piece?

704
00:34:36,320 --> 00:34:39,040
Speaker 4: What if you want a piece of my nail?

705
00:34:40,800 --> 00:34:41,040
Speaker 1: Can I?

706
00:34:41,480 --> 00:34:43,080
Speaker 4: I'm afraid you must make your own drawing.

707
00:34:43,320 --> 00:34:48,719
Speaker 3: Okay, yeah, what could it be of.

708
00:34:51,160 --> 00:34:53,319
Speaker 4: If when you are the artist, you may make the

709
00:34:53,400 --> 00:34:58,800
Speaker 4: drawing that you wish.

710
00:34:56,480 --> 00:35:01,000
Speaker 3: Whatever you can think of in your imagination. Right, yes, yes, perfect,

711
00:35:05,000 --> 00:35:06,000
Speaker 3: never mind.

712
00:35:10,000 --> 00:35:14,000
Speaker 4: Okay, well, thanks for stopping by my winning.

713
00:35:15,800 --> 00:35:21,360
Speaker 3: Now it's before we're gonna pass. Now I'm Picasso's mom.

714
00:35:22,040 --> 00:35:28,240
Speaker 4: Okay, mother, Hello, I'm going about to go to a restaurant.

715
00:35:29,480 --> 00:35:46,120
Speaker 5: Okay, uh no, You're gonna eat lunch at home? At home,

716
00:35:47,680 --> 00:35:52,319
Speaker 5: but mom's making lunch. I'm mom, No, I'm making lunch.

717
00:35:52,560 --> 00:35:56,480
Speaker 4: A knock knock, Well, mother, there's someone at the door

718
00:35:56,719 --> 00:36:02,640
Speaker 4: it appears. Shall I answer it? I'll just go ahead

719
00:36:02,680 --> 00:36:08,040
Speaker 4: and do it. Hello, welcome to the Pacasso home. Mother,

720
00:36:08,120 --> 00:36:13,000
Speaker 4: and awl has gotten into the door. Okay, grab the

721
00:36:13,000 --> 00:36:16,800
Speaker 4: broom and we will shoot it out. What what about?

722
00:36:17,280 --> 00:36:17,959
Speaker 3: What about lunch?

723
00:36:18,080 --> 00:36:19,680
Speaker 2: We were doing this whole thing about lunch.

724
00:36:19,840 --> 00:36:25,000
Speaker 3: No, sorry, and I hadn't stuff for that. Nobody better

725
00:36:25,080 --> 00:36:29,279
Speaker 3: cook me, mother, It speaks.

726
00:36:28,800 --> 00:36:35,000
Speaker 1: Yeah, right, because that plays into the lunch. Okay, go

727
00:36:35,160 --> 00:36:38,439
Speaker 1: forward for go forward to after lunch and then say

728
00:36:38,440 --> 00:36:39,760
Speaker 1: what okay, say what happened?

729
00:36:39,760 --> 00:36:40,000
Speaker 2: Okay?

730
00:36:41,080 --> 00:36:42,760
Speaker 4: Why don't you leave your phone unlocked?

731
00:36:42,800 --> 00:36:48,240
Speaker 3: Turn off the lock, or at least do the authority lunch?

732
00:36:49,440 --> 00:36:51,000
Speaker 4: What a delicious owl you have cooked?

733
00:36:51,960 --> 00:36:52,279
Speaker 3: Thank you?

734
00:36:52,360 --> 00:36:52,600
Speaker 4: Mother?

735
00:36:53,280 --> 00:36:55,640
Speaker 1: Wait, if he never went to the restaurant, then what

736
00:36:56,400 --> 00:36:57,520
Speaker 1: were we seen before?

737
00:36:57,719 --> 00:36:59,640
Speaker 4: I think I shall go to the restaurant tomorrow.

738
00:37:01,120 --> 00:37:08,080
Speaker 3: Okay, that's pretty good. Okay, okay? Who else is good

739
00:37:08,080 --> 00:37:14,120
Speaker 3: to be? Oh? Father sarcosi, you have awakened from.

740
00:37:13,920 --> 00:37:16,640
Speaker 4: Your sarkozy, because we have to be sarcosy.

741
00:37:17,320 --> 00:37:18,759
Speaker 3: Hey says a great sarcosi.

742
00:37:19,760 --> 00:37:27,640
Speaker 5: Okay, Ah, like.

743
00:37:30,320 --> 00:37:33,319
Speaker 3: The stuff I have him do is? What is it?

744
00:37:33,320 --> 00:37:35,399
Speaker 3: It's a lot of chi Look at this little boy,

745
00:37:35,560 --> 00:37:36,760
Speaker 3: but they already ate lunch.

746
00:37:38,000 --> 00:37:42,480
Speaker 4: I'm Pablo Picasso. Look at this tiny child.

747
00:37:42,560 --> 00:37:44,839
Speaker 1: Wait, hang on, hang on it that towers leaning over,

748
00:37:44,920 --> 00:37:45,760
Speaker 1: it's gonna fall.

749
00:37:46,280 --> 00:37:50,000
Speaker 3: Who are you, sir? Just a concern citizen?

750
00:37:50,360 --> 00:37:52,280
Speaker 4: How how did you come to be in the home

751
00:37:52,400 --> 00:37:53,800
Speaker 4: of Myney family?

752
00:37:55,719 --> 00:37:59,880
Speaker 1: I woke up like this right Instagram.

753
00:38:00,280 --> 00:38:02,520
Speaker 4: I'm so glad I could move my mother to France

754
00:38:02,560 --> 00:38:03,080
Speaker 4: to live.

755
00:38:02,920 --> 00:38:05,879
Speaker 2: With me, right right upon shore.

756
00:38:11,640 --> 00:38:16,600
Speaker 5: So now it's it is lunch again tomorrow. And so

757
00:38:17,040 --> 00:38:25,160
Speaker 5: Sarkozy is there and he says, my favorite part of

758
00:38:25,200 --> 00:38:31,480
Speaker 5: this cheese is the smell the cheese over there, sometimes

759
00:38:31,680 --> 00:38:32,280
Speaker 5: very smelly.

760
00:38:33,080 --> 00:38:34,520
Speaker 3: Oh good, but he likes it.

761
00:38:35,960 --> 00:38:38,319
Speaker 4: You have smelled all of the cheese, and now I

762
00:38:38,360 --> 00:38:41,640
Speaker 4: have no desire to eat it because you are like

763
00:38:41,680 --> 00:38:45,640
Speaker 4: a truffle hunting pig who runs his snout all the cheeses.

764
00:38:45,719 --> 00:38:46,920
Speaker 3: It's me rat of toy?

765
00:38:48,000 --> 00:38:50,640
Speaker 4: What talking rat has gotten into our house? Mother?

766
00:38:51,000 --> 00:38:55,320
Speaker 1: I shouldn't have done that, so uh so I'm not ratitituy.

767
00:38:55,520 --> 00:39:02,439
Speaker 1: I'm Jerry Lewis the whole day and like I'm going

768
00:39:02,520 --> 00:39:03,680
Speaker 1: back and then forward again.

769
00:39:03,800 --> 00:39:05,720
Speaker 3: Do you have to call do over to the beginning

770
00:39:05,760 --> 00:39:06,080
Speaker 3: of life?

771
00:39:06,080 --> 00:39:09,919
Speaker 1: O squish me Jerry Lewis.

772
00:39:11,760 --> 00:39:15,400
Speaker 4: Hello, Jerry Lewis, h it's me Pablo Picasso.

773
00:39:15,520 --> 00:39:21,080
Speaker 1: Hey, okay, so so what just saying hello? I guess yeah,

774
00:39:21,200 --> 00:39:28,440
Speaker 1: I guess so so.

775
00:39:28,480 --> 00:39:30,520
Speaker 3: I think there were a couple issues with that. Yeah,

776
00:39:30,840 --> 00:39:35,839
Speaker 3: won the location, Yeah, it's over. Well we might if

777
00:39:35,880 --> 00:39:37,600
Speaker 3: we want to do it again. We can, we can't.

778
00:39:37,640 --> 00:39:39,480
Speaker 3: I'm good. We should maybe do it again.

779
00:39:39,560 --> 00:39:43,680
Speaker 1: But the location was problematic for sure.

780
00:39:43,960 --> 00:39:46,799
Speaker 3: France, there's just ultimately not a lot there.

781
00:39:47,080 --> 00:39:51,280
Speaker 5: Yeah, as you are sort of feeling it out, yeah,

782
00:39:51,320 --> 00:39:53,680
Speaker 5: there's just not a lot of It's another box.

783
00:39:53,800 --> 00:39:56,600
Speaker 3: It is like, no, you do end up in a box.

784
00:39:56,960 --> 00:39:59,280
Speaker 4: You felt like France was too specific and it didn't

785
00:39:59,280 --> 00:40:01,160
Speaker 4: give you enough room to roam.

786
00:40:01,360 --> 00:40:04,439
Speaker 5: Well, we ended up sort of getting through everything very

787
00:40:04,480 --> 00:40:08,040
Speaker 5: fast with Picasso and Ratitude.

788
00:40:08,120 --> 00:40:09,560
Speaker 3: Yeah, and the.

789
00:40:09,520 --> 00:40:12,720
Speaker 5: Sarkasi and the cheese and the tower and now we're

790
00:40:12,760 --> 00:40:15,560
Speaker 5: you know, we've barely started and we're kind of done.

791
00:40:15,960 --> 00:40:24,440
Speaker 1: And I felt that one of the improvisers was hostile

792
00:40:25,760 --> 00:40:29,920
Speaker 1: and was mean and nasty and mad and made me

793
00:40:29,960 --> 00:40:33,640
Speaker 1: feel small and made me feel bad and was mean

794
00:40:34,040 --> 00:40:36,000
Speaker 1: and was mad at me. Okay, so I have the

795
00:40:36,080 --> 00:40:39,520
Speaker 1: three of us, whom would you be speaking of?

796
00:40:40,719 --> 00:40:43,960
Speaker 3: I can say for me personally, I was not mad. Okay,

797
00:40:44,280 --> 00:40:44,960
Speaker 3: that's helpful.

798
00:40:45,200 --> 00:40:49,719
Speaker 5: I was trying to help other people do the show. Ultimately,

799
00:40:49,760 --> 00:40:54,040
Speaker 5: the location ended up being very limiting, yes, in that respect,

800
00:40:54,760 --> 00:40:56,319
Speaker 5: but I was definitely not mad.

801
00:40:56,360 --> 00:41:01,759
Speaker 1: It nearly impossible. The task, you know, was insurmountable. It

802
00:41:01,920 --> 00:41:06,440
Speaker 1: was so challenging because the location was basically nothing like

803
00:41:06,560 --> 00:41:11,960
Speaker 1: it's nowhere. The liltgage may as well been a box.

804
00:41:12,640 --> 00:41:14,160
Speaker 1: M here's the logation, empty box.

805
00:41:15,200 --> 00:41:16,000
Speaker 4: Why don't we do that?

806
00:41:17,200 --> 00:41:18,120
Speaker 3: I mean, we could try that.

807
00:41:18,560 --> 00:41:22,960
Speaker 5: Okay, all right, so I have to what how do

808
00:41:23,040 --> 00:41:24,719
Speaker 5: I reset this?

809
00:41:24,800 --> 00:41:28,640
Speaker 1: Like before we start, I'm just gonna say, as an improviser,

810
00:41:28,840 --> 00:41:31,480
Speaker 1: I'm going to be supporting everyone, and we don't all

811
00:41:31,520 --> 00:41:34,480
Speaker 1: have to say I.

812
00:41:34,520 --> 00:41:35,279
Speaker 3: Am going to be doing that.

813
00:41:35,360 --> 00:41:38,280
Speaker 4: Also, I feel that I was supportive and I felt

814
00:41:38,320 --> 00:41:40,520
Speaker 4: like I was going along with everything that I was

815
00:41:40,560 --> 00:41:45,040
Speaker 4: given and trying to uh heighten the scenes and and

816
00:41:45,320 --> 00:41:46,880
Speaker 4: be a team player.

817
00:41:47,000 --> 00:41:48,200
Speaker 3: There was something that happened.

818
00:41:48,200 --> 00:41:50,040
Speaker 5: I forget who did this, but like I was saying,

819
00:41:50,280 --> 00:41:53,400
Speaker 5: uh about the smell of the that I liked the

820
00:41:53,440 --> 00:41:55,840
Speaker 5: smell of the cheese, and you said that because I

821
00:41:55,880 --> 00:41:58,360
Speaker 5: felt the cheese that you didn't want to eat it anymore?

822
00:41:58,600 --> 00:42:01,359
Speaker 4: Right? That was I thought that was a funny thing for.

823
00:42:02,239 --> 00:42:04,840
Speaker 5: Right, But for me, I'm hearing that, you know, and

824
00:42:05,280 --> 00:42:08,879
Speaker 5: I'm saying like, like, it's it's rude to me because

825
00:42:08,880 --> 00:42:10,680
Speaker 5: I'm talking about how much I like the cheese and

826
00:42:10,719 --> 00:42:12,000
Speaker 5: you're saying, oh, you like it so much that I

827
00:42:12,040 --> 00:42:13,120
Speaker 5: don't want to eat it that way.

828
00:42:14,320 --> 00:42:17,000
Speaker 3: So I'll just talk about what I saw. Oh, go ahead,

829
00:42:17,360 --> 00:42:19,120
Speaker 3: this was actually really help. But you go ahead. But

830
00:42:19,120 --> 00:42:20,560
Speaker 3: then Sean is going to talk about what he's But.

831
00:42:20,600 --> 00:42:22,759
Speaker 4: I thought I thought we were being characters, and you're

832
00:42:22,760 --> 00:42:25,399
Speaker 4: saying you were personally offended. That's exactly what I'm saying

833
00:42:25,480 --> 00:42:28,960
Speaker 4: now when you were pretending to be Nicholas Sarkozy, not

834
00:42:29,080 --> 00:42:31,600
Speaker 4: a contemporary of Picassos. By the way, did I did?

835
00:42:31,760 --> 00:42:32,520
Speaker 4: Did you?

836
00:42:32,600 --> 00:42:32,759
Speaker 3: Well?

837
00:42:32,840 --> 00:42:35,120
Speaker 5: I realized that I think that's funny, I mean, and

838
00:42:35,160 --> 00:42:36,360
Speaker 5: that's another you know, and.

839
00:42:36,239 --> 00:42:41,960
Speaker 1: That actually immediately yes, And and let me say, questions

840
00:42:41,960 --> 00:42:43,720
Speaker 1: are thieves and statements are gifts.

841
00:42:44,600 --> 00:42:45,359
Speaker 4: What does that mean?

842
00:42:46,120 --> 00:42:48,560
Speaker 1: Just if we're asking, like, why is Nicholas Sarkozy like

843
00:42:48,760 --> 00:42:51,200
Speaker 1: in the same you know, room as Picasso, then we're

844
00:42:51,239 --> 00:42:54,279
Speaker 1: suddenly like stealing from the audience the ability to fill in.

845
00:42:55,760 --> 00:42:58,239
Speaker 4: But we could have stated in a fun way, how

846
00:42:58,280 --> 00:42:59,799
Speaker 4: they came to be in the same room to.

847
00:42:59,719 --> 00:43:03,320
Speaker 5: Get but instead we got caught up in this argument

848
00:43:03,480 --> 00:43:04,280
Speaker 5: over instead.

849
00:43:04,320 --> 00:43:06,680
Speaker 1: I don't remember who want to eat the cheese. No,

850
00:43:06,760 --> 00:43:09,359
Speaker 1: I don't remember who did what, but I remember being

851
00:43:12,920 --> 00:43:15,880
Speaker 1: really fucking jazzed on this idea that the guy was

852
00:43:15,920 --> 00:43:21,239
Speaker 1: smelling cheese, and I remember being pretty juiced up and

853
00:43:21,680 --> 00:43:24,040
Speaker 1: ready to shoot through the ceiling and straight out the

854
00:43:24,120 --> 00:43:27,080
Speaker 1: roof because I was going to be laughing so hard

855
00:43:27,239 --> 00:43:31,200
Speaker 1: at him liking the cheese, which is famously kind of stinky, but.

856
00:43:31,200 --> 00:43:35,200
Speaker 3: He likes the smell, and I actually think I explained that.

857
00:43:35,400 --> 00:43:42,560
Speaker 1: Yes, And I remember someone saying something afterwards and getting

858
00:43:42,560 --> 00:43:45,279
Speaker 1: pretty deflated and kind of wanting to just crawl unto

859
00:43:45,320 --> 00:43:46,320
Speaker 1: the table and go to sleep.

860
00:43:46,400 --> 00:43:51,120
Speaker 4: Right, Okay, So I guess I'm confused as to why

861
00:43:51,160 --> 00:43:55,359
Speaker 4: you would take that personally, as if I'm there's no,

862
00:43:55,400 --> 00:43:56,680
Speaker 4: there's not even any cheese here.

863
00:43:56,800 --> 00:43:59,240
Speaker 3: I'm remembering something else, and I'm remembering.

864
00:44:00,880 --> 00:44:04,440
Speaker 1: That one of the guys was being nice, and I

865
00:44:04,440 --> 00:44:10,399
Speaker 1: don't remember who went next, but that he was mean

866
00:44:10,520 --> 00:44:14,800
Speaker 1: trying to basically, through improper choice, beat up the other guy.

867
00:44:16,080 --> 00:44:19,040
Speaker 3: In a country where what we really need right.

868
00:44:18,920 --> 00:44:24,400
Speaker 1: Now is probably didn't just support each other and be friends.

869
00:44:24,680 --> 00:44:27,720
Speaker 4: All right, Well I'm sorry and we don't like yes, okay,

870
00:44:27,920 --> 00:44:33,200
Speaker 4: let me just say I'm very sorry. Uh if my aggressive.

871
00:44:35,840 --> 00:44:37,440
Speaker 5: It would be really nice if we could come like

872
00:44:37,520 --> 00:44:39,160
Speaker 5: figure out ways to come together on some of these

873
00:44:39,160 --> 00:44:41,360
Speaker 5: things today, like the way we live now.

874
00:44:42,560 --> 00:44:45,239
Speaker 4: So if I started by saying I'm sorry, does that

875
00:44:45,480 --> 00:44:48,000
Speaker 4: help it all? Will that help us get past this?

876
00:44:48,280 --> 00:44:50,120
Speaker 3: I don't know what you're public. Yeah, and I don't

877
00:44:50,120 --> 00:44:52,799
Speaker 3: know if this is the character still, but that helps me?

878
00:44:53,239 --> 00:44:54,600
Speaker 3: And are we inside the box now?

879
00:44:54,800 --> 00:44:55,120
Speaker 4: I don't.

880
00:44:56,080 --> 00:44:57,240
Speaker 3: Yeah, I have to go back.

881
00:44:57,400 --> 00:44:59,760
Speaker 2: Oh my god, unlucky every wish.

882
00:45:01,360 --> 00:45:02,600
Speaker 3: Yeah, I have to sorry.

883
00:45:02,680 --> 00:45:04,480
Speaker 4: At least set up the thumb thing where you can

884
00:45:04,600 --> 00:45:05,800
Speaker 4: just it'll be faster.

885
00:45:06,080 --> 00:45:10,440
Speaker 7: His is afraid it's gonna cut his winning, winning, winning, winning, winning,

886
00:45:10,800 --> 00:45:14,640
Speaker 7: to go back for winning, winning, winning, winning, that someone

887
00:45:14,680 --> 00:45:16,319
Speaker 7: will winning.

888
00:45:16,120 --> 00:45:19,120
Speaker 1: Winning because use it to He says, if they can't

889
00:45:19,200 --> 00:45:22,239
Speaker 1: use your thumb, then the worst they can do is

890
00:45:22,280 --> 00:45:23,480
Speaker 1: take your mind.

891
00:45:24,280 --> 00:45:25,960
Speaker 4: If they can't use your thumb, the worst they can

892
00:45:26,000 --> 00:45:26,760
Speaker 4: do is because.

893
00:45:26,600 --> 00:45:27,760
Speaker 3: The code lives in your mind.

894
00:45:29,000 --> 00:45:31,920
Speaker 1: And so there's either a criminal type situation where they

895
00:45:31,960 --> 00:45:35,160
Speaker 1: put his brain into Kevin Costner's body or whatever that's

896
00:45:35,200 --> 00:45:38,520
Speaker 1: okay with him, because you're not experiencing the pain of

897
00:45:38,880 --> 00:45:39,680
Speaker 1: losing your hand.

898
00:45:39,800 --> 00:45:41,880
Speaker 4: Well, I haven't seen that movie, but it's it's a

899
00:45:41,880 --> 00:45:42,760
Speaker 4: painless procedure.

900
00:45:44,400 --> 00:45:48,480
Speaker 1: So the movie opens with a helicopter shot.

901
00:45:48,600 --> 00:45:51,960
Speaker 3: Zooming Sorry, I did not mean to do that. That's fine, Okay,

902
00:45:52,239 --> 00:45:52,680
Speaker 3: that's fine.

903
00:45:52,719 --> 00:45:56,880
Speaker 1: I didn't even hear what it says. Good, a helicopter

904
00:45:56,920 --> 00:46:01,520
Speaker 1: shot zoom. Never ask okay, never ask what it said,

905
00:46:02,239 --> 00:46:04,080
Speaker 1: zooming in on Kevin Costner's head.

906
00:46:05,160 --> 00:46:07,920
Speaker 4: The helicopter shots zooming in on Kevin Costner's head.

907
00:46:08,400 --> 00:46:09,480
Speaker 3: From like Antarctica.

908
00:46:09,520 --> 00:46:11,919
Speaker 1: It comes and it comes in, It gets in close

909
00:46:12,000 --> 00:46:15,359
Speaker 1: on his forehead, and then his vo comes in and.

910
00:46:15,320 --> 00:46:20,839
Speaker 3: He goes, they merged with my brain. That's the first line.

911
00:46:21,840 --> 00:46:25,680
Speaker 3: What's the name of the movie again, Criminal an Arctica

912
00:46:25,760 --> 00:46:29,319
Speaker 3: could be a good location. Yeah, I think there's that's

913
00:46:29,320 --> 00:46:30,240
Speaker 3: too much there.

914
00:46:31,920 --> 00:46:34,440
Speaker 4: Yeah, so the opposite of a book empty box.

915
00:46:34,200 --> 00:46:37,640
Speaker 3: To me, Okay, let's do the let's get creative, you know.

916
00:46:37,719 --> 00:46:39,680
Speaker 1: And it was also a suggestion of our friend Paul,

917
00:46:39,719 --> 00:46:41,400
Speaker 1: who we want to kind of teach him. Hey, supporting

918
00:46:41,440 --> 00:46:43,400
Speaker 1: each other and some of these ideas can be pretty fun.

919
00:46:45,640 --> 00:46:49,120
Speaker 4: You know. What I've started doing is asking Twitter for locations.

920
00:46:50,280 --> 00:46:55,800
Speaker 5: Ah, you do that and make engagement engagement opportunity.

921
00:46:55,760 --> 00:47:00,240
Speaker 3: Yeah yeah, Okay.

922
00:47:00,080 --> 00:47:03,680
Speaker 1: Okay, Hey, what did that sound bite say when I

923
00:47:03,760 --> 00:47:06,920
Speaker 1: was telling my story about criminal huh?

924
00:47:07,239 --> 00:47:13,080
Speaker 5: Sean, Honestly, for your own good, do not ask that question.

925
00:47:13,320 --> 00:47:14,160
Speaker 3: Okay, I could.

926
00:47:14,040 --> 00:47:14,600
Speaker 4: Tell you, Sean.

927
00:47:14,719 --> 00:47:16,760
Speaker 5: No, Sean, if you want to know, I could Sean,

928
00:47:17,040 --> 00:47:18,600
Speaker 5: just for just for Do you want to know what

929
00:47:18,600 --> 00:47:20,359
Speaker 5: it said? I promise you don't want.

930
00:47:20,440 --> 00:47:22,200
Speaker 4: I can tell you I heard it loud and clear.

931
00:47:22,320 --> 00:47:23,359
Speaker 3: You're much better off.

932
00:47:23,440 --> 00:47:23,480
Speaker 1: Not.

933
00:47:23,640 --> 00:47:25,000
Speaker 4: No, I'd be happy to tell you.

934
00:47:26,960 --> 00:47:27,320
Speaker 3: Okay.

935
00:47:27,320 --> 00:47:31,560
Speaker 1: Well, I typed location into Twitter, and one of the

936
00:47:31,600 --> 00:47:36,320
Speaker 1: top tweets regarding location is from green rush dot com.

937
00:47:36,360 --> 00:47:39,160
Speaker 1: At join green Rush, order your four to twenty boxes

938
00:47:39,239 --> 00:47:41,640
Speaker 1: now and pick them up at either at Harvest Shops

939
00:47:41,680 --> 00:47:46,120
Speaker 1: location in San Francisco, California. So we could be at

940
00:47:46,120 --> 00:47:52,120
Speaker 1: Harvest Shops and an empty box that order your both

941
00:47:52,640 --> 00:47:53,720
Speaker 1: they smoke the box.

942
00:47:53,760 --> 00:47:59,919
Speaker 4: Okay, that's not I don't location into Twitter. No, I see,

943
00:48:00,080 --> 00:48:01,960
Speaker 4: you don't have to show me. I can see it.

944
00:48:01,960 --> 00:48:04,799
Speaker 4: It's already empty. What I do is I ask the

945
00:48:04,880 --> 00:48:07,120
Speaker 4: listeners for a location. I don't just type the word

946
00:48:07,120 --> 00:48:10,480
Speaker 4: location into the dude Twitter search. I see it says

947
00:48:10,520 --> 00:48:13,719
Speaker 4: four twenty. Yeah, I see it's pot I get it. Buds,

948
00:48:14,000 --> 00:48:16,080
Speaker 4: I get it, I get it. So what do you

949
00:48:16,120 --> 00:48:17,279
Speaker 4: what do you want to do here? Guys? What do

950
00:48:17,320 --> 00:48:17,520
Speaker 4: we know?

951
00:48:17,520 --> 00:48:19,120
Speaker 3: Those buds doesn't have to be kind buds?

952
00:48:19,160 --> 00:48:21,879
Speaker 4: Right, you're both your phones right now?

953
00:48:21,960 --> 00:48:24,759
Speaker 1: They have to be kind buds. How I got to

954
00:48:24,760 --> 00:48:28,919
Speaker 1: do the sounds now, I'm not allowed to do the sounds.

955
00:48:29,239 --> 00:48:30,440
Speaker 4: To the sounds? Do the sounds?

956
00:48:30,480 --> 00:48:32,080
Speaker 3: Looks like they got those little hate I don't.

957
00:48:32,280 --> 00:48:34,000
Speaker 4: I don't know what we're I don't know what we're doing.

958
00:48:34,120 --> 00:48:38,080
Speaker 1: I love their yes and the crystals, the sticky hair,

959
00:48:38,160 --> 00:48:41,239
Speaker 1: little orange hairs that looks like kind buds.

960
00:48:41,480 --> 00:48:49,160
Speaker 3: Okay, let's do the empty box? Ready? Yeah, okay, let's go.

961
00:48:50,880 --> 00:48:54,479
Speaker 1: What's we have not heard that noise before? I said,

962
00:48:54,520 --> 00:49:00,160
Speaker 1: that's go, let's go. Ok how do we just I

963
00:49:00,200 --> 00:49:03,800
Speaker 1: do start? You can ask Twitter?

964
00:49:05,920 --> 00:49:07,319
Speaker 4: Hey, how do you think we ended up in this

965
00:49:07,440 --> 00:49:08,080
Speaker 4: empty box?

966
00:49:08,120 --> 00:49:08,400
Speaker 3: Okay?

967
00:49:09,120 --> 00:49:17,520
Speaker 2: All right, Paul Stars, My name is Steve.

968
00:49:18,680 --> 00:49:21,160
Speaker 3: Okay, that's good, that's good.

969
00:49:21,160 --> 00:49:21,520
Speaker 2: That's good.

970
00:49:21,560 --> 00:49:22,200
Speaker 4: What's your name?

971
00:49:22,960 --> 00:49:23,320
Speaker 2: Steve?

972
00:49:27,000 --> 00:49:30,319
Speaker 4: Your name is also Steve. What a coincidence?

973
00:49:31,200 --> 00:49:32,000
Speaker 3: What a coincidence?

974
00:49:33,719 --> 00:49:37,480
Speaker 4: I I don't know how we ended up here in

975
00:49:37,560 --> 00:49:40,440
Speaker 4: this in this box. Yeah, I remember going to sleep,

976
00:49:40,480 --> 00:49:51,680
Speaker 4: and I was sleeping. I'm from the Maine. Where are

977
00:49:51,719 --> 00:49:52,120
Speaker 4: you from?

978
00:49:52,520 --> 00:49:52,879
Speaker 3: The main?

979
00:49:54,080 --> 00:49:54,399
Speaker 4: The main?

980
00:49:54,520 --> 00:49:54,799
Speaker 2: The main?

981
00:49:54,840 --> 00:49:57,960
Speaker 4: What the main part? The main part of.

982
00:49:58,080 --> 00:50:02,200
Speaker 3: The Where did you? What did you say?

983
00:50:02,239 --> 00:50:04,160
Speaker 4: Why are you're sweating like crazy?

984
00:50:05,080 --> 00:50:08,400
Speaker 3: I don't feel very well. I'm scared of I'm going

985
00:50:08,480 --> 00:50:08,759
Speaker 3: to come in.

986
00:50:08,800 --> 00:50:09,920
Speaker 2: I'm gonna can't.

987
00:50:12,719 --> 00:50:19,759
Speaker 5: Don't don't mind me just painting the box. I'm a

988
00:50:19,760 --> 00:50:24,840
Speaker 5: famous right, I guess who?

989
00:50:24,960 --> 00:50:27,239
Speaker 4: What's your name? You look familiar to me?

990
00:50:27,440 --> 00:50:29,680
Speaker 3: Yes, yes, I'm a famous painter.

991
00:50:30,520 --> 00:50:31,879
Speaker 4: Pica. What are you doing?

992
00:50:32,800 --> 00:50:35,440
Speaker 3: Yes? I was sleeping.

993
00:50:36,880 --> 00:50:38,160
Speaker 4: And then you woke up in this box.

994
00:50:38,440 --> 00:50:41,080
Speaker 3: Yeah, I'm Steve.

995
00:50:41,840 --> 00:50:42,760
Speaker 4: I'm also Steve.

996
00:50:45,360 --> 00:50:49,080
Speaker 5: Okay, all right, and you guys are uh what kind

997
00:50:49,120 --> 00:50:50,359
Speaker 5: of paintings do you like to do?

998
00:50:51,719 --> 00:50:55,040
Speaker 4: Well? I'm funnily enough, I'm a house painter, so I

999
00:50:55,040 --> 00:50:58,000
Speaker 4: don't do artistic painting, but I paint houses. Maybe that's

1000
00:50:58,000 --> 00:51:02,160
Speaker 4: what we have in common, Eve, paint brush. Sure, are

1001
00:51:02,200 --> 00:51:03,480
Speaker 4: you a painter of any kind?

1002
00:51:03,600 --> 00:51:08,000
Speaker 3: Yeah? Right? Uh?

1003
00:51:08,200 --> 00:51:14,080
Speaker 1: Praying, praying, praying, I mean main, go back, go back,

1004
00:51:14,200 --> 00:51:16,719
Speaker 1: go back, just go back a little bit off the

1005
00:51:16,760 --> 00:51:22,520
Speaker 1: praying thing, praying mantis. No, I'm saying, don't do that.

1006
00:51:22,600 --> 00:51:30,080
Speaker 1: Go back before that. Yes, uh, paint house painter.

1007
00:51:32,280 --> 00:51:34,560
Speaker 4: See what's the last thing you can remember before waking

1008
00:51:34,600 --> 00:51:37,640
Speaker 4: up in the box? And then hits the hits the past,

1009
00:51:38,360 --> 00:51:43,920
Speaker 4: hit the sound. Oh my god, damn it, I'm doing it.

1010
00:51:44,719 --> 00:51:49,040
Speaker 1: Yeah, there's like four different ways.

1011
00:51:49,080 --> 00:51:51,880
Speaker 4: Okay, but I gotta I'm not gonna know.

1012
00:51:52,160 --> 00:52:02,000
Speaker 1: There's four different ways that you could prevent your phone.

1013
00:51:59,239 --> 00:52:01,719
Speaker 3: I did be the that do I wasn't what you

1014
00:52:01,800 --> 00:52:04,719
Speaker 3: played before? No, no, no, that was yeah.

1015
00:52:04,800 --> 00:52:07,480
Speaker 5: Don't even ask that was don't even ask about what

1016
00:52:07,480 --> 00:52:10,680
Speaker 5: that's me, Sean, don't even ask me. And also what

1017
00:52:10,680 --> 00:52:13,439
Speaker 5: we were saying before is if you remember.

1018
00:52:13,239 --> 00:52:16,279
Speaker 4: Yeah, it was no, just it was it sounds shut up?

1019
00:52:17,239 --> 00:52:20,440
Speaker 3: No, sorry, we're doing the pause. What's the pause?

1020
00:52:23,360 --> 00:52:24,520
Speaker 4: It actually is pretty good.

1021
00:52:24,920 --> 00:52:29,040
Speaker 5: And so remember what Seohn was saying before about how

1022
00:52:29,480 --> 00:52:33,920
Speaker 5: questions are actually steelers and thieves I think was the

1023
00:52:33,920 --> 00:52:37,960
Speaker 5: word m Yeah, thieves are steelers?

1024
00:52:38,040 --> 00:52:39,960
Speaker 3: What do they do? What do you think they do?

1025
00:52:40,320 --> 00:52:42,880
Speaker 1: You're right, steelers, Yeah, the Pittsburgh thieves.

1026
00:52:43,520 --> 00:52:49,120
Speaker 5: And uh, and you said statements or gifts, that's why

1027
00:52:49,120 --> 00:52:52,640
Speaker 5: they call it the present. And you were saying before,

1028
00:52:52,800 --> 00:52:54,759
Speaker 5: what's the last thing you remember before you get in

1029
00:52:54,800 --> 00:52:57,279
Speaker 5: the box instead of saying, give me Sean something to

1030
00:52:57,320 --> 00:52:57,799
Speaker 5: go off.

1031
00:52:57,840 --> 00:52:59,200
Speaker 3: And the last thing you remember before you got in

1032
00:52:59,239 --> 00:53:00,600
Speaker 3: the box is like, was.

1033
00:53:00,560 --> 00:53:02,799
Speaker 4: This what's the last thing, Sean? What's the last thing

1034
00:53:02,840 --> 00:53:06,640
Speaker 4: you remember before Hayes went into that explanation. Do you

1035
00:53:06,680 --> 00:53:09,120
Speaker 4: remember you asking what the sound was that he played?

1036
00:53:09,560 --> 00:53:12,120
Speaker 4: And then you remember me telling you, oh.

1037
00:53:12,040 --> 00:53:14,000
Speaker 3: Yeah, questions are steelers?

1038
00:53:15,640 --> 00:53:18,680
Speaker 4: I know doesn't work, so okay, okay, okay, you remember

1039
00:53:19,080 --> 00:53:22,479
Speaker 4: what I said, right? You remember what I said?

1040
00:53:22,600 --> 00:53:25,919
Speaker 1: Yeah, you told me that your name was Steve no

1041
00:53:26,400 --> 00:53:30,080
Speaker 1: and then you okay, but you said, did you.

1042
00:53:31,080 --> 00:53:34,759
Speaker 4: Want to know what? You wanted to know? What sound

1043
00:53:35,239 --> 00:53:38,920
Speaker 4: Hayes played? And I told you, and that sound was

1044
00:53:41,000 --> 00:53:44,640
Speaker 4: tell me the sound because you heard it.

1045
00:53:46,360 --> 00:53:47,719
Speaker 3: I think it was the shut up sound.

1046
00:53:49,160 --> 00:53:51,560
Speaker 4: You're right, it was, and I think and that makes

1047
00:53:51,560 --> 00:53:52,160
Speaker 4: you feel.

1048
00:53:51,920 --> 00:53:53,640
Speaker 3: What we're going to hang on, We're going back.

1049
00:53:53,719 --> 00:54:03,360
Speaker 7: Let me feel like winning, winning winning That conversation okay, happened, okay,

1050
00:54:04,640 --> 00:54:08,120
Speaker 7: and that makes everything okay, well what it makes what?

1051
00:54:08,280 --> 00:54:08,600
Speaker 3: Okay?

1052
00:54:09,160 --> 00:54:09,520
Speaker 2: I don't know.

1053
00:54:09,560 --> 00:54:11,000
Speaker 4: Sean seems to be a little bummed out.

1054
00:54:12,400 --> 00:54:15,560
Speaker 5: This is Steve Sean. We are in a scene, yes, Sean,

1055
00:54:15,680 --> 00:54:18,960
Speaker 5: is this Sean, is this character he Steve?

1056
00:54:19,120 --> 00:54:22,239
Speaker 3: When when when it be going off? Sean, So, as

1057
00:54:22,239 --> 00:54:22,640
Speaker 3: we're in.

1058
00:54:22,560 --> 00:54:25,000
Speaker 4: The box in your Pablo Picasto and you're you're explaining

1059
00:54:25,320 --> 00:54:30,000
Speaker 4: that Sean said, questions are stealers and statements are presence,

1060
00:54:30,800 --> 00:54:32,400
Speaker 4: then that was all in the scene.

1061
00:54:32,680 --> 00:54:34,439
Speaker 3: Picao knows, Sean.

1062
00:54:34,840 --> 00:54:38,040
Speaker 1: I've been in the scene the whole time. Yes, everything

1063
00:54:38,040 --> 00:54:39,759
Speaker 1: I've said has been in the scene, except for the

1064
00:54:39,800 --> 00:54:43,319
Speaker 1: stuff that we undid. No, I'm telling you, it's all

1065
00:54:43,360 --> 00:54:46,200
Speaker 1: been in the scene. So let's let's keep working with it.

1066
00:54:46,600 --> 00:54:51,640
Speaker 5: Okay, Steve here, Hey, Steve had some interesting ideas.

1067
00:54:51,840 --> 00:54:56,320
Speaker 3: He's a house painter, just like me. He was sleeping.

1068
00:54:55,960 --> 00:54:58,920
Speaker 4: Before, just like me, from the main part of Maine.

1069
00:54:59,560 --> 00:54:59,799
Speaker 3: Yeah.

1070
00:54:59,840 --> 00:55:04,840
Speaker 4: Me, what's the last thing you remember, Steve? Before you

1071
00:55:04,840 --> 00:55:05,840
Speaker 4: woke up here in the box?

1072
00:55:06,320 --> 00:55:07,920
Speaker 3: I felt small like I ant.

1073
00:55:09,360 --> 00:55:12,560
Speaker 4: And not big like a giant. No, and what what

1074
00:55:12,760 --> 00:55:13,760
Speaker 4: made you feel so small?

1075
00:55:14,120 --> 00:55:16,680
Speaker 3: Maybe the way and somebody treated me that I thought

1076
00:55:16,719 --> 00:55:17,279
Speaker 3: maybe it was.

1077
00:55:17,200 --> 00:55:21,719
Speaker 1: A friend, and maybe what they are is like.

1078
00:55:23,200 --> 00:55:24,560
Speaker 3: Fake friend. Sean.

1079
00:55:24,960 --> 00:55:31,719
Speaker 5: Yeah, okay, Steve, Steve, I didn't want to play this

1080
00:55:31,800 --> 00:55:34,920
Speaker 5: for you, but because I didn't want to make you

1081
00:55:35,000 --> 00:55:39,760
Speaker 5: nervous about how I really feel about you. But because

1082
00:55:39,920 --> 00:55:42,160
Speaker 5: I did, I did play that sound and it was

1083
00:55:42,200 --> 00:55:44,879
Speaker 5: an accident and I didn't mean to play that sound.

1084
00:55:44,920 --> 00:55:46,960
Speaker 3: And this is I am Pablo Picasso.

1085
00:55:47,800 --> 00:55:51,239
Speaker 5: And but I want to play for you the sound

1086
00:55:51,280 --> 00:55:54,839
Speaker 5: that is really the Steve's sound for me. But I'm

1087
00:55:54,840 --> 00:55:57,320
Speaker 5: really talking about you, Sean, this is really this is

1088
00:55:57,960 --> 00:55:59,200
Speaker 5: actually I'm really talking about you.

1089
00:55:59,280 --> 00:56:00,080
Speaker 3: Okay.

1090
00:56:00,880 --> 00:56:05,520
Speaker 1: Oh yeah, Now how does that make you feel?

1091
00:56:06,880 --> 00:56:07,759
Speaker 3: Pretty? Charged up?

1092
00:56:07,800 --> 00:56:12,160
Speaker 8: Fired up, big, like a giant, probably probably ready to

1093
00:56:12,239 --> 00:56:24,600
Speaker 8: blastop through the ceiling. So isn't that nice?

1094
00:56:25,120 --> 00:56:33,080
Speaker 3: Yeah? Yeah, it's good. And now others, Steve, maybe you

1095
00:56:33,120 --> 00:56:33,640
Speaker 3: say something.

1096
00:56:36,440 --> 00:56:37,720
Speaker 4: I was the first Steve.

1097
00:56:38,480 --> 00:56:43,040
Speaker 3: Steve too, I say something in.

1098
00:56:43,000 --> 00:56:45,920
Speaker 4: Response to what the charged up ready to fly through

1099
00:56:45,920 --> 00:56:46,320
Speaker 4: the ceiling?

1100
00:56:46,480 --> 00:56:48,959
Speaker 3: Oh, Paul, we promised two more references in this show.

1101
00:56:49,040 --> 00:56:51,000
Speaker 3: For me, one is the dial of Steve.

1102
00:56:51,960 --> 00:56:56,400
Speaker 4: So there's one reference remaining. Hey, Steve, if you're charged up,

1103
00:56:56,440 --> 00:56:58,719
Speaker 4: ready to fly through the ceiling, maybe we could hang

1104
00:56:58,800 --> 00:57:00,719
Speaker 4: on to you and you can blast us out of

1105
00:57:00,760 --> 00:57:01,560
Speaker 4: the box.

1106
00:57:03,680 --> 00:57:04,400
Speaker 3: The challenger.

1107
00:57:12,480 --> 00:57:20,040
Speaker 1: Bye, I'm a horny girl.

1108
00:57:20,080 --> 00:57:20,440
Speaker 3: Wolf.

1109
00:57:20,760 --> 00:57:24,520
Speaker 1: This has been an Earwolf production executive produced by Scott Ackerman,

1110
00:57:24,640 --> 00:57:26,480
Speaker 1: Collin Anderson, and Chris Bannon.

1111
00:57:26,600 --> 00:57:27,960
Speaker 3: For more information, and content.

1112
00:57:28,120 --> 00:57:33,440
Speaker 1: Visit earwolf dot com, oh