WEBVTT - Curtis Sittenfeld: Breeze Point

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<v Speaker 1>Pushkin. This is Ying Ying and Lee Lee, two pandas

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<v Speaker 1>that live in the Ocean Park Zoo in Hong Kong.

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<v Speaker 1>The zoo has been trying to get them to make

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<v Speaker 1>for ten years with no luck. I'm Ashley Forward and

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<v Speaker 1>this is the Chronicles of Now, where we ask writers

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<v Speaker 1>to dream up short stories inspired by the news. Okay,

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<v Speaker 1>so the news this year has been relentlessly bleak. The pandemic,

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<v Speaker 1>a global economic depression, police violence, a dangerously incompetent president,

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<v Speaker 1>species extinction, climate change. It just goes on and on

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<v Speaker 1>and it's depressing. Right, We felt we needed to change

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<v Speaker 1>it up here at the Chronicles of Now. We needed

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<v Speaker 1>some good news. So on this episode we're going full panda.

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<v Speaker 1>It seems was the Private season when the coronavirus shut

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<v Speaker 1>down the zoo, the pandaly. If there's one good thing

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<v Speaker 1>to come of this, it's not in our absence. Some

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<v Speaker 1>timid pandas finally got it on, and boy did they

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<v Speaker 1>get it on. No visitors were there, but the camera

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<v Speaker 1>was rolling and the media ate it up. These pandas

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<v Speaker 1>are having sex. I'm watching them, and I might be

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<v Speaker 1>the happiest I've been since the pandema. Now this is

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<v Speaker 1>a family podcast, and we would never shamelessly goat at

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<v Speaker 1>panda sex like The New York Times did in this video.

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<v Speaker 1>When those pandas did it, I felt this strange surge

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<v Speaker 1>of pride. Oh no. We commissioned one of the country's

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<v Speaker 1>finest writers of fiction to give the panda take on

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<v Speaker 1>the story. Curtis Sittenfeld is the best selling author of

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<v Speaker 1>six novels. Her latest is Rotten, a novel that reimagines

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<v Speaker 1>Hillary Clinton's life. As she did in that book, she

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<v Speaker 1>took some artistic liberties for her pandas story. The zoo

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<v Speaker 1>in the story is sort of fictitious, and I changed

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<v Speaker 1>the panda's names to respect their privacy. In a world

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<v Speaker 1>gone haywire, sometimes pandas are the only way to make

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<v Speaker 1>sense of it all. The incident the day that bifurcated

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<v Speaker 1>my existence into before and after happened back in twenty sixteen.

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<v Speaker 1>By then, I'd been at Breeze Point Zoo for nine years.

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<v Speaker 1>Though time is elastic in a life such as mine.

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<v Speaker 1>That first time I saw him, I didn't know his

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<v Speaker 1>name or even his speeches. I pieced this information together

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<v Speaker 1>afterward by eavesdropping on my handlers, who have long assumed

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<v Speaker 1>that I don't understand cantonese. All I knew that day

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<v Speaker 1>when I awakened from a morning nap atop of a

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<v Speaker 1>massive rock, was that perched on a log hardly more

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<v Speaker 1>than a meter away, regarding me unabashedly, was a small

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<v Speaker 1>creature with reddish fur, pointy ears, inquisitive brown eyes, white whiskers,

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<v Speaker 1>and a long striped tail. How enchanting he was, how

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<v Speaker 1>life has build, how glossy his coat, and in his gaze,

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<v Speaker 1>what depths, what perspicacity. The internal jolt I experienced made

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<v Speaker 1>me abruptly understand that I was sleeping my life away,

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<v Speaker 1>both literally and figuratively. I'd been napping on my stomach

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<v Speaker 1>with my glossy black fore legs flung in front of me,

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<v Speaker 1>and I rolled on to my side to display my heft,

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<v Speaker 1>all one hundred twenty kilograms of it, to its most

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<v Speaker 1>flattering effect. I routinely twenty kilograms of bamboo a day

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<v Speaker 1>up until this very moment. That consumption had been my

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<v Speaker 1>raison d'etre. He approached tentatively at first, then with greater confidence,

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<v Speaker 1>he passed my head and walked regally around me to

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<v Speaker 1>sniff my hind quarters. To nudge my back, the contact

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<v Speaker 1>with electrifying returning to my head. He made eye contact

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<v Speaker 1>with me from close range, then cocked his ears to

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<v Speaker 1>the right, indicating I should follow. What ensued was truly magical,

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<v Speaker 1>the most intoxicating interlude of my life, and I am

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<v Speaker 1>still unable to say whether it lasted minutes or hours.

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<v Speaker 1>My enclosure featured an air SAT's bamboo forest and cave,

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<v Speaker 1>multiple ponds, and wooden climbing structures, and my new friend

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<v Speaker 1>and I frolicked through it. All. I did not know

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<v Speaker 1>then that my friend was a red panda, that his

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<v Speaker 1>name was Zusian, or that he'd escaped his enclosure from mine.

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<v Speaker 1>All I knew was that it was delightful to lumber

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<v Speaker 1>and climb with him in the sun. I was impervious

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<v Speaker 1>to the humans pointing and hooting from above, their strange

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<v Speaker 1>rubbery faces contorting with pleasure, and yet it was the

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<v Speaker 1>delight they took in the sight of Zusian and me,

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<v Speaker 1>the commotion of their delight that eventually drew the attention

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<v Speaker 1>of the zoo handlers, who, when they realized what had happened,

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<v Speaker 1>entered my enclosure. There were six of them in blue

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<v Speaker 1>medical gowns. And rubber boots and restrained me while removing Zeeshan.

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<v Speaker 1>I still remember the sight of him as one of

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<v Speaker 1>the handlers carried him away, the yearning in his mournful

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<v Speaker 1>expression and proud tale. I have not seen him since,

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<v Speaker 1>and it has been agony. I soon learned that he'd

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<v Speaker 1>been living, and as far as I know, still does

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<v Speaker 1>in an enclosure adjacent to mine. Also that his species

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<v Speaker 1>in general and he in particular, are known for being

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<v Speaker 1>escape artists. It is this fact that has kept me

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<v Speaker 1>these last four years in a constant state of alertness

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<v Speaker 1>and hope that he's plotting another escape, that one day,

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<v Speaker 1>if even for just another moment of bliss, we'll be

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<v Speaker 1>together again. It's not that I dislike Da Pung, my

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<v Speaker 1>enclosure mate. Indeed, I feel a sincere, if moderate affection

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<v Speaker 1>for him. But really, who could be attracted to someone

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<v Speaker 1>when you see them defecating up to fifty times a day.

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<v Speaker 1>I've heard our handlers attribute our aversion to mating to

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<v Speaker 1>the low libido endemic among giant pandas, But this explanation

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<v Speaker 1>underestimates our individual idiosyncrasies. All of which is to say

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<v Speaker 1>that the handlers are erroneous in their assumptions about why

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<v Speaker 1>once the zoo was closed to visitors earlier this spring,

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<v Speaker 1>Da Pung and I engage in our first ever how

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<v Speaker 1>might I say this voluntary coupling, Jiang Jian and Dapong

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<v Speaker 1>have made a breakthrough, the handlers told one another and

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<v Speaker 1>journalists worldwide. All they needed was a little privacy. They

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<v Speaker 1>rewarded us with apples and carrots. But it wasn't privacy

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<v Speaker 1>that motivated me. It was boredom. I mean, seriously, COVID

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<v Speaker 1>just didn't shut down your world. For the last four years,

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<v Speaker 1>I've spent my waking hours being mildly amused by the

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<v Speaker 1>human visitors to our zoo, and my sleeping hours dreaming

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<v Speaker 1>of a reunion with Zushan. Then the human visitors vanished,

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<v Speaker 1>and many weeks into the new quiet, in a moment

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<v Speaker 1>of profound enui, and I decided I might as well

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<v Speaker 1>give a union with Da Hung a whirl. But even

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<v Speaker 1>in the act itself, with dab Hung fumbling behind me,

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<v Speaker 1>pressing his body against mine, the small bump of his

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<v Speaker 1>panda hood trying to find the appropriate cavity, it was

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<v Speaker 1>Zeeshan I thought of. As for dab Hung, I'm not

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<v Speaker 1>convinced he felt any more enthusiasm than I did. I

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<v Speaker 1>know that over the years, our handlers have tried to

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<v Speaker 1>encourage him with legs strengthening exercises, with exposure to the

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<v Speaker 1>excretions from my scent glands, and even with spicy videos

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<v Speaker 1>of others of our kind. But I suspect in the

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<v Speaker 1>end it was less that such incentives proved effective than

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<v Speaker 1>that he was trying to please our handlers. Passion alas

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<v Speaker 1>cannot simply be summoned. Meanwhile, the fact that so much

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<v Speaker 1>about Zeshen was and is forbidden and impossible our respective sizes,

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<v Speaker 1>our enclosures, our differing species, has never decreased my longing

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<v Speaker 1>to know what it's like to yearn for four years

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<v Speaker 1>for a red panda who is mere meters from you,

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<v Speaker 1>beneath the same sky, breathing the same air from the

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<v Speaker 1>South China Sea. Did you know? Are you tiny, wiley heartbreaker?

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<v Speaker 1>I think as I chew bamboo, are you coming back

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<v Speaker 1>to me? And if so, when hurry? Please Zeshian, because

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<v Speaker 1>I miss you terribly. That was breeze point by Curtis

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<v Speaker 1>Sitt and felt the narrator was the one and only

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<v Speaker 1>Rachel dratch Hi. Curtis Hi Ashley. So I get the

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<v Speaker 1>feeling that you didn't stop with the news reports of

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<v Speaker 1>panda's having pandemic sex. I'm feeling like you went a

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<v Speaker 1>little bit deeper. You did some serious research into panda sex.

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<v Speaker 1>Am I correct? Well, I assume you mean that as

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<v Speaker 1>a great compliment. I do, and I do well, Okay,

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<v Speaker 1>so this is what I did. I mean, of course,

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<v Speaker 1>of course I didn't research into panda sex as any

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<v Speaker 1>self respecting fiction writer would. I started by buying a

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<v Speaker 1>National Geographic book for kids about pandas, which I often

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<v Speaker 1>find books meant for kids to be a useful starting

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<v Speaker 1>place for research in fiction because it sort of tells

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<v Speaker 1>you the general information you need but doesn't overwhelm you,

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<v Speaker 1>and it's not like you lose like five years of

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<v Speaker 1>your life doing research. And then, of course I also

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<v Speaker 1>went into all the nooks and crannies of the Internet,

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<v Speaker 1>and I've learned quite a bit. So is it true

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<v Speaker 1>that giant pandas have low libido? It's true the giant

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<v Speaker 1>pandas have low libidas. And actually, and I'm saying this

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<v Speaker 1>like factually, not disrespectfully, Supposedly, the male panda does have

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<v Speaker 1>an unusually small penis and weak hind legs, which make

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<v Speaker 1>the physical act of sex challenging. Wow, that that part

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<v Speaker 1>I did not find in a children's book, but I

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<v Speaker 1>did find it online. I mean, useful information in case,

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<v Speaker 1>in case you ever have like a panda libido emergency,

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<v Speaker 1>you know, in your future, I think you'll you'll be

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<v Speaker 1>well equipped a hand. You never know. The world is

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<v Speaker 1>a big and surprising place, speaking of with everything going

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<v Speaker 1>on in the world, why this story, Why panda sex?

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<v Speaker 1>Why now? I always longed for an interviewer to say

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<v Speaker 1>to me, why panda sex? Why now? No? Well, so, okay,

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<v Speaker 1>So I'm not sure how great a level of detail

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<v Speaker 1>I should get into. But I actually originally thought that

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<v Speaker 1>I wanted to write a story based on a different headline,

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<v Speaker 1>based on a headline about sort of the chat challenges

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<v Speaker 1>of dating during a pandemic, and especially like what if

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<v Speaker 1>you had just started seeing someone and then then maybe

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<v Speaker 1>gone on like one or two dates and then everything

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<v Speaker 1>shuts down. And so I actually started working and worked

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<v Speaker 1>for a few days on that story, and I just

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<v Speaker 1>felt like, you know, it was kind of tonally off,

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<v Speaker 1>or I don't maybe it's because I'm about to turn

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<v Speaker 1>forty five, and it was from the perspective of like

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<v Speaker 1>a millennial, and I really really felt my age, like

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<v Speaker 1>I kind of like almost like like it was like

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<v Speaker 1>trying to be a cool mom and like use the

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<v Speaker 1>current lingo. And so then I just kind of thought, like,

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<v Speaker 1>you know, maybe I'm just not going to do this project, Like,

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<v Speaker 1>of course I love the Chronicles of Now and like,

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<v Speaker 1>I think it's such a sort of interesting premise and

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<v Speaker 1>have enjoyed the other stories. But I was like, you know,

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<v Speaker 1>maybe I'll just wait six months or something. And then

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<v Speaker 1>Tyler Cabot, the founder, showed me his list of headlines

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<v Speaker 1>he had gathered. And of course, because headlines from the

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<v Speaker 1>recent past are all so overwhelmingly sad and heartbreaking and

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<v Speaker 1>frustrating in so many different ways, I mean, across lots

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<v Speaker 1>of topics, and so this headline about you know, these

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<v Speaker 1>two pandas have made it for the first time voluntarily

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<v Speaker 1>after all these years together. It was the one headline

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<v Speaker 1>that made me literally laugh out loud, and I thought like, oh,

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<v Speaker 1>there's no question, like that's that's definitely the one I

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<v Speaker 1>want to write about it, like ding ding ding, yes,

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<v Speaker 1>And I mean I also I do have a soft

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<v Speaker 1>spot for just like writing about like crushes and romance

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<v Speaker 1>and yes, sex, I mean, I try to write about

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<v Speaker 1>sex in like a intentional way where it serves the plot.

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<v Speaker 1>But so in some ways I also saw this as

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<v Speaker 1>a really festive opportunity to make fun of myself and

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<v Speaker 1>and to make fun of myself and the people who

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<v Speaker 1>make fun of me for writing sex scenes in fiction.

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<v Speaker 1>Your latest novel is Rodham, a novel about Hillary Clinton,

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<v Speaker 1>and there are sex scenes in that book with Bill,

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<v Speaker 1>and I'm wondering which was more interesting and challenging to

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<v Speaker 1>imagine Hillary is having sex with Bill or panda sex.

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<v Speaker 1>They were each challenging yet rewarding in their own way.

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<v Speaker 1>It's the best possible answer for that question. You end

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<v Speaker 1>with a note about forbidden love across species, sizes, enclosures.

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<v Speaker 1>What can we humans learn from the female panda's love affair. Well,

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<v Speaker 1>I think I think that one thing that maybe I

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<v Speaker 1>don't know if this is like unsettling or reason for hope,

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<v Speaker 1>is that you know, she she sort of lives her

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<v Speaker 1>life in her enclosure. And my research did reveal to

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<v Speaker 1>me that giant panda spent the majority of their time

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<v Speaker 1>eating bamboo and napping and kind of pooping. I think

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<v Speaker 1>to a lesser but still significant degree of pooping and

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<v Speaker 1>knit like. But actually that I think the appearance of

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<v Speaker 1>the red Panda is maybe like a lesson that all

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<v Speaker 1>of our lives can take surprising twists when we don't

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<v Speaker 1>expect it. M M, come on, Curtis, yes, bring that

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<v Speaker 1>back around. You can read my full uncensored interview with

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<v Speaker 1>Curtis Settenfeld on our website Chronicles dot fm, where you

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<v Speaker 1>can also read her story and other short fiction torn

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<v Speaker 1>from today's headlines. Our sound designer and composer is Bart Warshaw,

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<v Speaker 1>our producer is Curtis Fox, and our associate producer is

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<v Speaker 1>Emily Roston. Tyler Cabott is the executive producer and founder

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<v Speaker 1>of Chronicles of Now for Pushkin Industries. Our executive producer

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<v Speaker 1>is Ali Tom Mullock. Special thanks to Jacob Weisberg, Carly Migliore,

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<v Speaker 1>Heather Fame, and Eric Sandler for the Chronicles of Now podcast.

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<v Speaker 1>I'm Ashley Ford. Thanks for listening.