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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo charlamage ni kay pasted up plane.

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Speaker 1: It is Friday. Your voice be cracking on Friday. Bro's

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Speaker 1: early in the morning voice cracking on Friday. Man, So

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Speaker 1: I need to drink some green tea warm up from something?

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Speaker 1: Yeah something, Well let me live stink on Friday. No, no,

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Speaker 1: that's not what we're doing. And we got our guest

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Speaker 1: host today, Miss Jamailo Hill joining us. Good morning, Hey,

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Speaker 1: good morning man. I didn't expect all that it URGI

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Speaker 1: thank you. We got to ya, Jamaal Hill, damnit, Detroit

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Speaker 1: is in the building. What Updoe? What up? Joe? You

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Speaker 1: know how we get down our our unofficial statement and greeting.

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Speaker 1: How are you? Miss Hill? I'm well, I'm living, I'm blessed,

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Speaker 1: I'm highly favorite, I'm all of those things black, black

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Speaker 1: and hotly people. Are you used to getting up this early? Um?

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Speaker 1: Not really? This is not usually my time of day.

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Speaker 1: But I can't say that. I sleep in much later,

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Speaker 1: but definitely not used to being up at like three am,

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Speaker 1: So this is different. I'm still on West Coast time,

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Speaker 1: so it's it's really weird. And she was here earlier

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Speaker 1: than than both of us. By the way, Charloman, I

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Speaker 1: just want to put that out there. Hill is a professional.

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Speaker 1: She was sitting, she was preparing when I walked in,

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Speaker 1: and uh she was damn they're finished when you walked in. Well,

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Speaker 1: she's a professional acause you haven't realized, yes, she is. Okay,

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Speaker 1: now when we have joining us this morning, Oh we

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Speaker 1: got miss Stephanie Mills. I told y'all were gonna have

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Speaker 1: Steffanie Mills on the day and she went to all

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Speaker 1: the action. It's a different level of smoke when you

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Speaker 1: were og. Okay, when you get to that age where

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Speaker 1: you really don't care about what people think about you

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Speaker 1: and you really don't care about what comes out of

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Speaker 1: your mouth, You're gonna say what you feel like needs

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Speaker 1: to be said. It's just a different level. But I

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Speaker 1: liken it to a sports conversation, you know, the conversation

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Speaker 1: everybody's having Jabella. But you know, Stephanie said, basically, be honestly,

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Speaker 1: if not Diana Roster right, Yeah, but that's her generation, Diana.

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Speaker 1: I never saw Diana and her prime. Yeah, I mean,

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Speaker 1: I obviously being from the prime don't start, don't start,

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Speaker 1: don't start. Well, I didn't mean, yes, I didn't. I

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Speaker 1: didn't see it yet. I don't know at the height

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Speaker 1: of her success and her started him. Okay, you know

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Speaker 1: with her being from betray Diana with somebody I always

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Speaker 1: kind of checked for and people forget. But she performed

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Speaker 1: at the super Bowl for half time. She came out

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Speaker 1: a helicopter like she she used to do it big,

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Speaker 1: and so now it makes sense. It's just like with basketball,

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Speaker 1: Like I realized that today's generation of basketball fans, they

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Speaker 1: all think Lebron is the greatest player ever, and that's ridiculous.

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Speaker 1: But people perhaps from our generation, we think it is

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Speaker 1: Michael Jordan. But now, Jamale, let me ask you a

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Speaker 1: question right now, that Carrie Champion, who was on the

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Speaker 1: show last week, that's your partner. Yep. Now, if somebody says, hey,

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Speaker 1: Carrie's classy, Jamale is hip hop? What now? Somebody said

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Speaker 1: that exactly that, and that's what people are saying. What

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Speaker 1: does that mean? Somebody did say that? Though she also

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Speaker 1: she said Beyonce was classy too. She didn't, she did,

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Speaker 1: she said beyond it was class She said. She said,

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Speaker 1: Diana's Classy Beyonce is classy, but it's just different. No,

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Speaker 1: she didn't. You got the audio play the red audio

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Speaker 1: rad fast, she said. She said, Diana's Classy Beyonce's hip

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Speaker 1: hop played order. If you got it. We don't have

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Speaker 1: a course, we don't have it. You don't usually start

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Speaker 1: with audio. I know we we've been talking about it,

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Speaker 1: but I figured we could pull it up. I said,

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Speaker 1: pull it up right fast. Usually produces dropping it in

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Speaker 1: right fast when we're talking. We're talking about it all morning.

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Speaker 1: I'm sure what Stephanie Mills will be joining us. Oh yeah,

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Speaker 1: Thomas Ja, my girl. You know how to hit due

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Speaker 1: absolutely all right. Well we'll be kicking it with her

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Speaker 1: in a little bit. And also we got front page news. Uh,

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Speaker 1: yesterday was a bad day if you had to get sentenced, man,

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Speaker 1: I mean between sentencing and getting arrested. Yeah, between sentencing

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Speaker 1: and getting arrested, you just wanted to be out and

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Speaker 1: just get out of dodge, Just just get out the way,

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Speaker 1: all right. We'll talk about who got arrested, who got

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Speaker 1: sentenced when we come back. It was nasty out there.

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Speaker 1: And this is new music. This is Little Wayne featuring

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Speaker 1: DMX produced by Swizzy. It's the Breakfast Club of the morning.

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Speaker 1: Jesus dropping gee us, that's off the car to six.

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Speaker 1: I don't know what that see it? Really? He said yesterday.

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Speaker 1: I was like, we gotta get that first thing in

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Speaker 1: the morning. Jesus, you gotta start looking at Wayne in

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Speaker 1: his proper context, like the guy has been rappings nineteen

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Speaker 1: ninety six. Like it's not a lot of rappers that

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Speaker 1: have been around since the nineties that still got it,

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Speaker 1: Like Wayne still got it. He does, and he's an

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Speaker 1: icon living Andy Youth his status to give us two

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Speaker 1: other icons, Draking Nikki like Wayne Wayne top five bro objectively,

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Speaker 1: he's not even one of my favorite rappers, but you

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Speaker 1: gotta you gotta put Wayne in your top five. He

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Speaker 1: does get busy and he still got it, like you said.

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Speaker 1: But let's get in some front page news now. Our

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Speaker 1: co host Jamil Hill is joining us this morning, and

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Speaker 1: let's start off for yesterday being a bad day for

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Speaker 1: just people out there in general right now, but a

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Speaker 1: great day for their victims. Yeah, you're right. Carlos Watson.

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Speaker 1: You know Carlos Watson. He's been on The Breakfast Club

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Speaker 1: numerous times. He was arrested in charge with securities fraud.

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Speaker 1: Now Carlos Watson, I said it has been on the

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Speaker 1: Breakfast Club before, and Charlotagne asked him a couple of questions.

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Speaker 1: One was he fearful of going to jail when all

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Speaker 1: this thing came, when all this stuff started coming out?

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Speaker 1: Do you fear Do you fear jail time because of that?

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Speaker 1: Because I've been hearing that all weekend, or they're gonna

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Speaker 1: make an example out of out of Carlos. Do you

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Speaker 1: fear jail time because of that? Um? I'd be really

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Speaker 1: disappointed if if that is the case. Um, but what

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Speaker 1: do you charge you with him? I don't know. But

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Speaker 1: what has happened over the last week, Envy, is that

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Speaker 1: people have thrown crazy things. I mean, here's three or

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Speaker 1: four of the things they said. One they said that

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Speaker 1: we're making up our numbers in terms of the audience

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Speaker 1: and instead of saying, you guys make care about website

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Speaker 1: traffic only, but we don't. I guess he's disappointed. Yeah,

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Speaker 1: yeahs two years in prison with a maximum of thirty

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Speaker 1: seven years in prison. Oh my goodness. And I know

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Speaker 1: Carlos a little bit too. And all I know is

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Speaker 1: the check he wrote me cash, So I did not

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Speaker 1: get the front it. Okay, I invested in did you really? Yeah?

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Speaker 1: I definitely invested in A yeah. Now, but it's it's

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Speaker 1: wild because the fans, at least according to the report,

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Speaker 1: they ran up in his hotel and got him. Yeah

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Speaker 1: New Years Mahattan. Yeah yeah, like I'm you know, I

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Speaker 1: never thought it would come to this. I know the

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Speaker 1: New York Times they did the big expose that kind

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Speaker 1: of you know, shed a light or brought some awareness

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Speaker 1: to things not maybe being what they seem. I don't

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Speaker 1: know what's true or what's not. I guess that's to

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Speaker 1: be determined in court. But I went to Asifest before.

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Speaker 1: I mean, it looked pretty real to me. So um,

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Speaker 1: but I thought Roland Martin the Good Brother, brought up

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Speaker 1: a good point and that you know, all of these

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Speaker 1: a lot of these companies that are you know, majority white, Um,

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Speaker 1: they when they want to do projects with black media,

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Speaker 1: they often do not do it with like established black

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Speaker 1: media or for this situation that happened, especially like Roland,

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Speaker 1: he's in a special position. He's not just black media,

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Speaker 1: black owned media and so and he has he struggles

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Speaker 1: to get you know, advertising, I mean, he's doing well,

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Speaker 1: but like somebody big and large on the scale of

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Speaker 1: what Carlos Watson got, and you look at what Roland

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Speaker 1: is doing and you kind of think, like m that

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Speaker 1: money could have gone to somebody who is maybe a

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Speaker 1: little bit more established. He knew the game absolutely. Yeah. Now,

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Speaker 1: Harvey Weinstein was sentenced in LA yesterday to sixteen years

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Speaker 1: in prison. Now a sentence was the second for Weinstein

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Speaker 1: on sexual assault. Uh, they did leave. His attorney did

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Speaker 1: leave a comment saying, I maintained that I'm innocent. I

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Speaker 1: never raped a sexually assaulted Jane Doe one. I guess

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Speaker 1: because they have a name under Jane Doe. He said,

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Speaker 1: I never knew this woman and the fact that she

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Speaker 1: doesn't know me. This is about money. That's sixteen years

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Speaker 1: on top of what you already got, right, have sixteen

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Speaker 1: years on top of alreadybody had. And Kelly already serving

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Speaker 1: thirty years for sex traffickings. He was sentenced to twenty

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Speaker 1: years in federal another federal child porn case yesterday, as

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Speaker 1: Chicago said, they go, They're gonna give him no time

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Speaker 1: though they did, Yeah, they I think they something that

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Speaker 1: happened with the case where they I don't know if

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Speaker 1: they dropped it, but they said they were no longer

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Speaker 1: for doing it. Yeah, so but good for them, I

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Speaker 1: mean good for the victims, as you pointed out, um,

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Speaker 1: because a lot of people have been waiting on this

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Speaker 1: since the justice and all those people want to say,

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Speaker 1: well what about Harvey weinste will you see they both

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Speaker 1: got time. Absolutely, those those two individuals earned every year

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Speaker 1: they got. Now a twenty year prison sentence would be

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Speaker 1: served concurrently, so it's gonna be at the same time

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Speaker 1: as the other sentence. So he's never getting out. Noah,

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Speaker 1: I doubt it. Yeah, Harvey now fifty sixty years old.

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Speaker 1: Now he's seventy years Yeah, so yes, Like as you said,

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Speaker 1: all of what about Harvey Weinstein people, I still wonder

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Speaker 1: if it's getting the media attention that it needs though,

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Speaker 1: Like I don't see him on the front page of

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Speaker 1: the papers. Well he was on the front page in

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Speaker 1: LA because I get the Times every morning and so

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Speaker 1: they sent the digital coffee Harvey win scene was right

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Speaker 1: there on the front page. Okay, yeah, all right, well

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Speaker 1: lad is your front page news. Now get it off

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Speaker 1: your chest. Eight hundred five eight five one oh five one.

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Speaker 1: If you need to vent phone lines A wide open

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Speaker 1: again eight hundred five eight five one on five one,

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Speaker 1: call us up right now. It's the Breakfast Club. Good morning,

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Speaker 1: the Breakfast Club, right right, yo, Charlotte, Man, what up?

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Speaker 1: Are we lying? This is your time to get it.

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Speaker 1: We want to hear from you on the Breakfast Club.

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Speaker 1: Get on the phone right now. We're here to tell

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Speaker 1: you what it is. Hello. Who's this? Hey? What's going on?

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Speaker 1: Get it off your chests? Bro? Hey? I would you

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Speaker 1: want to talk to you mail about the Lebron the

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Speaker 1: Jordan debate? I want to know why would it comes

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Speaker 1: to debating with him? Well, you're checking off who's the greatest,

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Speaker 1: You're checking off every stat line when it comes to Lebron,

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Speaker 1: he's the best that they But still he's got better

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Speaker 1: than Jordan. Oh well it's because I mean, I think

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Speaker 1: Michael Jordan, though, is like an experience that you had

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Speaker 1: to live through. Like nobody else was winning when Michael

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Speaker 1: Jordan was winning, all right? He did two three pets,

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Speaker 1: all right, one game after a two year layoff, undefeated

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Speaker 1: in the finals. And even though we're splitting here is

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Speaker 1: Lebron has a couple blemishes. I don't I don't blame

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Speaker 1: people for considering Lebron the best. But you know I

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Speaker 1: was there during that NBA Finals where he had six points.

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Speaker 1: That's a performance, Michael Jordan, but you never saw that

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Speaker 1: from him in the finals on those stages, so you know,

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Speaker 1: again were splitting hairs. But at the same time, you

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Speaker 1: know that's part of that factors into the conversation five players.

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Speaker 1: Though the Birds can't playoff five at one time, well,

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Speaker 1: y'all can't be slapping the goal post either, Magic Johnson,

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Speaker 1: did you know what I'm saying? It's like, if you

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Speaker 1: agree this, this is part of this is part of

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Speaker 1: the responsibility and the jock that comes with it. That's right. Hello,

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Speaker 1: who's this? You know? This is hurty man? What's going on?

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Speaker 1: Manund running alloud? This hell? Get it off your chance.

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Speaker 1: I'm just I'm just a little bit irritated and agraphy.

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Speaker 1: I love this country, man, I love America and Joe

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Speaker 1: Biden administration, his whole cabinet and stabbing a bunch of

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Speaker 1: degenerate uh this cope and seeking people. Man, I don't

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Speaker 1: disagree with you. I'm not. I'm not impressed you woke

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Speaker 1: up up set this morning. No, I'm irritated because I

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Speaker 1: looked at like the Press Secretary lady, you never to

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Speaker 1: answer any question. I look at Camela Harris, she's always

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Speaker 1: the one out words salads. I'm looking at foot charge,

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Speaker 1: the Transportation secretary, and he he's he need to been

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Speaker 1: out to East Palistine, Ohio. Yet. Yeah, man, that's that's

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Speaker 1: very disappointing. And I like, Secretary, I'm looking at and

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Speaker 1: I'm looking at like I said, I'm looking at the

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Speaker 1: entire administration and cabinet that Joe Biden had and it

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Speaker 1: was all put together based on an identity politics and

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Speaker 1: they're all degenerate, like uh casey KJP. The Press Secretary lady,

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Speaker 1: she was on he's branking about how it's the first

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Speaker 1: cage is and the first cage that the first black,

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Speaker 1: this the glass and it's like, yo, that's all degenerate stuff.

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Speaker 1: That's not stuff that's good. Then that's good stuff. And

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Speaker 1: now they're trying to force us into a dystopian the

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Speaker 1: Hunger's Games type community. And I got a warning for

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Speaker 1: all Americans. Once liberty, even freedom is lost, you know.

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Speaker 1: Evergetic back all right, well, thank you brother it secretary

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Speaker 1: for he was in East Palestinia yesterday though. Yeah, I

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Speaker 1: don't dress you thought. Shut up? Man? He dress boots?

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Speaker 1: Yeah he did, you say the secretary brunch boots up

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Speaker 1: and around us palace do it? Ain't trying to be stylish, man,

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Speaker 1: get it off your chests. Eight hundred five eighty five

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Speaker 1: one oh five one. If you need to vent, hit

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Speaker 1: us up now. It's the Breakfast Club the morning, the

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Speaker 1: Breakfast Club, Ray Ray Ray, Yo, Charlotte, Man, Daffy, what

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Speaker 1: up are we lying? This is your time to get

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Speaker 1: it off your chest? Pool into a pool. We want

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Speaker 1: to hear from you on the Breakfast Club. Get on

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Speaker 1: the phone right now here, tell you what it is

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Speaker 1: we Hello, who's this dj Y Charlotte? Oh gee, Rob,

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Speaker 1: what up? Brother? And we're scoring on. Listen, man, you

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Speaker 1: already know what before we get into it, we get

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Speaker 1: into right. I want to give a big shout out

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Speaker 1: to my wife Chris sto uh, our kids and our

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Speaker 1: grandst legend you. No. I just want to say I

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Speaker 1: love y'all, y'all have a good day. But listen, it's

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Speaker 1: bars a man, Okay, alright, all right, check this out.

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Speaker 1: Check this out. I said, listen to the way I created.

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Speaker 1: Can't take moves coming from the slums, wepping as stye,

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Speaker 1: just make wounds. Scheming on that front door. I'm looking

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Speaker 1: for lock picking the style limit edistrict sixteen bars are

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Speaker 1: burying for wrong intentions. Obviously, I'm simply the one they

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Speaker 1: talk about listening to son holdies, the one to choke

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Speaker 1: them out, stretching the verbs, bagging it up to distribute

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Speaker 1: on the block, rush the curage, stay on my jaw,

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Speaker 1: spitting like it's something to prove. I guess it's the

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Speaker 1: mood or the calibar. Fall into the bid for the

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Speaker 1: feet some towards things book up the street. One verse

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Speaker 1: could set a street off for proper relief. Hop out

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Speaker 1: the whip, it's more slighted. Mind a dressed tell of

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Speaker 1: me the forty fabrics with a swagger that pick its

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Speaker 1: toiler with lie. I'm listening with the hip hop vibe

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Speaker 1: your measure success or work applied likes modified paragraphs that

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Speaker 1: me front pins victims, paralyze your petro bot. I'm moving

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Speaker 1: in with the next for verbal homicide. Who looking at

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Speaker 1: me like, what years your og? I get some og

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Speaker 1: husband already, I got some bars. Here we go, yo,

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Speaker 1: jamil I came to party. Charlominne be looking at me.

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Speaker 1: He's a haggling. No, I'm not tagging him, But you

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Speaker 1: don't want them boys to come Overstar asking him what

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Speaker 1: you want to do, Charla? What you wanted to do? Charlo?

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Speaker 1: What you want to do, Charlotte? What you're saying to me?

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Speaker 1: What you want to do? Charlotte? Are you saying? Lottie Dotty?

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Speaker 1: We liked the party. We don't cause trouble. We don't

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Speaker 1: bother nobody with just some menute. We like him on

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Speaker 1: our mic? What what? What? Everything going on right now?

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Speaker 1: But thank you gi Rob have a going no doubt,

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Speaker 1: Thank you, Rob Any Boss. No, I do is wrap.

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Speaker 1: I do not. That's not my testimony. That's my spirit

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Speaker 1: has not left me. And that's exactly what it is

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Speaker 1: in this direction. Rob called a bit with a testimony.

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Speaker 1: Every Friday testimony, I'll drop a dollar in the collection plate,

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Speaker 1: all right, all right, get it off your chest eight

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Speaker 1: hundred five eight five one on five one. When we

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Speaker 1: come back, we got to talk drag. Seems like he

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Speaker 1: wants to retire. We'll tell you about it when we

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Speaker 1: come back. It's the breakfast club the morning, the breakfast

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Speaker 1: club A couple of times a week. You gotta stop

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Speaker 1: paying be on it so much. You stop paying it

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Speaker 1: so much. I'm the enabler. But the responses from people

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Speaker 1: was wild. And one of your producers came in here

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Speaker 1: and announced to the class that they changed their tie

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Speaker 1: every two weeks, every two weeks, and that's trifling. Oh

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Speaker 1: my goodness, come on, come on now, two weeks. Two weeks, yes,

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Speaker 1: And the other person said one week, yeah, one week?

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Speaker 1: Is I think about a week? Yeah? Like I eight

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Speaker 1: nine days, man, eight nine days? Nah, you got you

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Speaker 1: gotta do better. Use three So I use one for

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Speaker 1: my body for the private and then one to dry

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Speaker 1: off your privates. Ain't that big to get out. It's

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Speaker 1: its own towel, bro holder, You wash your ass with

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Speaker 1: the same towel you wash your body with. No, I don't.

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Speaker 1: I wash my body with a washcloth, yes, And I

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Speaker 1: washed my face with my hand. I use my hands.

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Speaker 1: I used to wash cloths. I guess I didn't mean

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Speaker 1: to stay towels to wash cloths, Okay, okay, yes, just

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Speaker 1: making sure yeah, yeah, no face with the same tower.

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Speaker 1: You however, you you have a habit as well, if

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Speaker 1: that you with the towels, so telling me I gotta

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Speaker 1: start like this. See, my wife takes long showers and baths, right,

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Speaker 1: she washes for like an hour when she's in the shower.

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Speaker 1: So when she's in the shower, she leaves her you know,

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Speaker 1: she she leaves her towel there, and I use her

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Speaker 1: towel disrespectful. And then when she never uses my towel

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Speaker 1: after then that's how I get a new town every

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Speaker 1: day because then she puts it in the hand, but

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Speaker 1: she gets a new town. But I'm wondering, what's that smell?

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Speaker 1: You shut up man, that's smelling? What's always black ink

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Speaker 1: all over my What is this? Yeah, let's get to

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Speaker 1: the room. Let's come on, poor gear thro or you

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Speaker 1: gossiping or you chatting the U report? I mean, I

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Speaker 1: guess we're on the breakfast club. This is where the

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Speaker 1: tea spells right right on the breakfast club. Now, Saucy saying,

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Speaker 1: Tana made a statement that is bothering people all over

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Speaker 1: the place, including myself. And the comment he talks about

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Speaker 1: straight men play the comment tay some them girls the

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Speaker 1: wrong them girls is not wrong. If you was the man,

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Speaker 1: you don't need to be smoking a hookah baby gown.

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Speaker 1: You need to be rolling you up a wood. You

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Speaker 1: need to be smoking yourself za okay, you need to

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Speaker 1: be suckered down a hooka batty. You was the man

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Speaker 1: unless you gay like a gay boy. That's on the business.

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Speaker 1: That's on the way I'm doing. If you not know,

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Speaker 1: gay boy, you I mean, put the hooka down, put

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Speaker 1: the hookahll and pick you up a grabber. Not what

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Speaker 1: it did dropping. Y'all might have to translate because like,

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Speaker 1: what's its smoke weed? Oh say smoke weed? Basically look gay?

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Speaker 1: If you put who can't your mouth? It's what he's saying.

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Speaker 1: That's not true. Sorry for man, I do because y'all

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Speaker 1: not allowed to have any fun like black men in

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Speaker 1: particular or men of color, like no fun. You can't

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Speaker 1: put nothing in your mouth from your man exactly straw,

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Speaker 1: no banana, you can't eat a banana. It's nothing like

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Speaker 1: that's a prison. We need to free ourselves, we really do.

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Speaker 1: Y'all can't smile, can't can't power like, can't I can't

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Speaker 1: do nothing. Agree with you. It is a lot like prison.

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Speaker 1: You know what I mean? When you can you put

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Speaker 1: it and you put it in your mouth like that. Um,

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Speaker 1: I don't see anything wrong with what that's like. What

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Speaker 1: you say, you look gay. You must really look No. No,

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Speaker 1: what Jamal said is right, Like, man, we just can't

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Speaker 1: even have fun, Like we can't even eat a glizzier

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Speaker 1: high do it without somebody saying, hey, you like calling

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Speaker 1: it a glizzie. That would help. Okay. That's the problem

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Speaker 1: is what you call it. Is nothing wrong with eating

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Speaker 1: a hot dog. It's the fact you keep calling it

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Speaker 1: a glizzie. A glizzie in your mouth sounds crazy, but

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Speaker 1: eating a hot dog don't sound crazy. I can't put

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Speaker 1: a banan in my mouth. No, you can need it.

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Speaker 1: That's good for potassium, the old bananas you want. No,

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Speaker 1: you can't. I put a banan in my mouth. I

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Speaker 1: could be like, hey, you, I wouldn't. I wouldn't do that.

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Speaker 1: I thought Sucy was about to tell us how the

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Speaker 1: hookahs aren't good for your health. Now, how dangerous different

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Speaker 1: with it? That's what I thought he was about to do.

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Speaker 1: All right. Now, Drake is talking about possibly retiring in

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Speaker 1: an interview he did with Little Yati. Let's listen. I

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Speaker 1: think I'm at the point now where I just want

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Speaker 1: to like, I feel like I'm kind of introducing the

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Speaker 1: concept in my mind of a of a graceful exit.

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Speaker 1: What is that music? I don't know what that music music? Yeah,

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Speaker 1: I don't, I don't. This is my opinion. I think

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Speaker 1: Drake needs that one, that one album, that one hip

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Speaker 1: hop rap album. That's just me. I'm a Drake fan,

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Speaker 1: and I want that one hip hop rap album. Like

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Speaker 1: when we hear all these freestyles and he's going in,

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Speaker 1: I need an album. You talk about it being a

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Speaker 1: prison for black men, and men can't have no fun.

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Speaker 1: Think about this when you were a rapper. Think about

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Speaker 1: all the music Drake has put out. People got drinking

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Speaker 1: their top five top tens all time. I don't, but

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Speaker 1: people do. Nbcay, he's still got to give him one album.

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Speaker 1: I just want one. He hasn't given you enough. No,

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Speaker 1: he hasn't. Like Drake teases us because he's spitting right.

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Speaker 1: I drove to the station today listening to Drake and

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Speaker 1: he's going in, he's going off, going crazy, and I

401
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Speaker 1: want to hear a full album like that, and I

402
00:20:39,440 --> 00:20:41,320
Speaker 1: think I think it will stop some of the doubts

403
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Speaker 1: all the time. I mean, I'm a whole fan. I'm

404
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Speaker 1: a lyricist fan. I like when he spits pause and

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Speaker 1: I want that one album. See I need you to

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Speaker 1: free yourself. Vy, you don't have to say pause. Nobody's

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Speaker 1: thinking that, what do you do? He's thinking about it?

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Speaker 1: What's thinking that? You're fine? No, But if you're a

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Speaker 1: rapper singer doesn't matter and attained it. Do you have

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Speaker 1: to really announce your retirement. No, because it feels like

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Speaker 1: you could remember when jay Z was supposedly retire. Like

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Speaker 1: if it feels like, as long as it's something you

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Speaker 1: can always do, always come back to, you can take

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Speaker 1: as long as you want. So I don't and I

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Speaker 1: don't know what a graceful retirement would look like for Drake.

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Speaker 1: You just stopped making music or what. And Drake is

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Speaker 1: giving us enough music to last a lifetime. He's fine. Like,

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Speaker 1: I am shocked that Drake Captain gotten into other things,

419
00:21:22,480 --> 00:21:24,760
Speaker 1: even though I know he executive produces television shows like

420
00:21:24,800 --> 00:21:27,000
Speaker 1: you know, we all love Eufaria. Top Boy was a

421
00:21:27,040 --> 00:21:28,600
Speaker 1: great show on Netflix. But I'm shocked that like he

422
00:21:28,640 --> 00:21:31,560
Speaker 1: didn't even he doesn't do that more moving to like

423
00:21:31,680 --> 00:21:33,840
Speaker 1: acting or something like that. I'm shocked that he still

424
00:21:34,000 --> 00:21:37,240
Speaker 1: just wants to do music and we don't know what

425
00:21:37,320 --> 00:21:38,960
Speaker 1: else he's doing behind the scenes, but he still loves it,

426
00:21:39,040 --> 00:21:42,920
Speaker 1: you know. And lastly, Jalen Brown from the Boston Celtics

427
00:21:44,119 --> 00:21:49,240
Speaker 1: spotted spotted with another legend. He spotted with Bernice Burgos

428
00:21:49,320 --> 00:21:51,639
Speaker 1: and seems like they're in a relationship right now. Nobody

429
00:21:51,760 --> 00:21:55,239
Speaker 1: has said yes or no, but spoke all of who

430
00:21:55,320 --> 00:21:59,920
Speaker 1: could you want on vacation? Now people are saying that,

431
00:22:00,040 --> 00:22:02,520
Speaker 1: you know Bernie's Burgos. Of course it's forty two years old.

432
00:22:02,720 --> 00:22:05,359
Speaker 1: Jaylen Brown is twenty six, so this is a sixteen

433
00:22:05,440 --> 00:22:08,840
Speaker 1: year age gap. One Twitter I was and said, y'all

434
00:22:08,920 --> 00:22:10,880
Speaker 1: say nothing about Diddy and young Miami's and don't say

435
00:22:10,920 --> 00:22:14,000
Speaker 1: nothing about Bernie and Jalyn Brown. Yeah you know that.

436
00:22:14,119 --> 00:22:16,639
Speaker 1: One Twitter user said that Jalen Brown could be a

437
00:22:16,800 --> 00:22:21,640
Speaker 1: step grandfather. Come on at that's I saw that comment. Yeah,

438
00:22:21,680 --> 00:22:23,840
Speaker 1: they didn't say that. I have to be honest, and

439
00:22:24,600 --> 00:22:26,199
Speaker 1: you know, I'm not the hippest person all the time.

440
00:22:26,200 --> 00:22:28,240
Speaker 1: I didn't know who she was what so when I

441
00:22:28,359 --> 00:22:30,399
Speaker 1: had no idea how you say like legend? I know

442
00:22:30,560 --> 00:22:33,879
Speaker 1: that's apparently. You know, I've since informed and educated myself.

443
00:22:34,280 --> 00:22:37,000
Speaker 1: But y'all had Lala on the show not too long ago.

444
00:22:37,119 --> 00:22:40,280
Speaker 1: Remember she said that it's the young dudes that's always

445
00:22:40,520 --> 00:22:43,240
Speaker 1: trying to spin at her. Absolutely right. And so when

446
00:22:43,280 --> 00:22:45,600
Speaker 1: I was, you know, on the market, it was a

447
00:22:45,680 --> 00:22:48,320
Speaker 1: lot of young dudes who would be trying to you know,

448
00:22:48,480 --> 00:22:50,960
Speaker 1: hollid and that kind of thing about young you know,

449
00:22:51,119 --> 00:22:53,399
Speaker 1: like I don't know, twenty eight to thirty five, right,

450
00:22:53,440 --> 00:22:55,080
Speaker 1: I mean, if you're somebody like Jelen Brown and you're

451
00:22:55,119 --> 00:22:57,000
Speaker 1: a multi millionaire, you know you want to spend your

452
00:22:57,119 --> 00:23:00,440
Speaker 1: money on things that actually have value. Right, So you

453
00:23:00,560 --> 00:23:03,960
Speaker 1: want you want aged alcohol. That's why they want to

454
00:23:04,040 --> 00:23:11,280
Speaker 1: drink aged alcohol. You want your most expensive aged alcohol,

455
00:23:11,680 --> 00:23:15,800
Speaker 1: nice cigar, that's right, Get you a nice seasoned woman. Yeah,

456
00:23:15,920 --> 00:23:18,560
Speaker 1: you know what I mean? Why not you listen man

457
00:23:18,640 --> 00:23:22,119
Speaker 1: dropping the clude Martha Jaylen Brown? He didn't want to

458
00:23:22,200 --> 00:23:24,840
Speaker 1: listen to drop drop a Brown for Bernice Burgo. She won,

459
00:23:25,080 --> 00:23:33,960
Speaker 1: She did too. Bernie's you know, look, I got I

460
00:23:34,000 --> 00:23:36,359
Speaker 1: gotta should say jail in one more because Bernie's this

461
00:23:36,400 --> 00:23:38,159
Speaker 1: is Bernie's just out here living her best life. She

462
00:23:38,280 --> 00:23:41,080
Speaker 1: having fun. Yeah, I'm saying she was mature, you know,

463
00:23:41,600 --> 00:23:43,480
Speaker 1: and everything he didn't probably a lot of drama he

464
00:23:43,520 --> 00:23:45,679
Speaker 1: didn't have to worry about. That's the benefit. Bernice need

465
00:23:45,720 --> 00:23:48,320
Speaker 1: a documentary, right, Bernie's a legend. Bernie, it's a different

466
00:23:48,320 --> 00:23:51,000
Speaker 1: type of legend. Come on, now, there's some legendary stories

467
00:23:51,000 --> 00:23:53,040
Speaker 1: you didn't heard about Bernie. Bernie's gonna have people pull

468
00:23:53,119 --> 00:23:55,600
Speaker 1: up Bentley's to the club. You know, she's a legend.

469
00:23:55,680 --> 00:23:58,639
Speaker 1: Get rat Bentley's. You know what I mean. That's different.

470
00:23:58,800 --> 00:24:01,440
Speaker 1: She's a legend. That's different. Okay, don't need to start

471
00:24:01,480 --> 00:24:03,159
Speaker 1: looking at Bernie's the same way, y'all. Look at the

472
00:24:03,240 --> 00:24:05,719
Speaker 1: lebron James of the world, the Lott Waynes, the jay

473
00:24:05,840 --> 00:24:07,920
Speaker 1: Z's de Knock, people who have longevity. But you know

474
00:24:08,000 --> 00:24:11,080
Speaker 1: one thing I would say about Bernie, She's never talked.

475
00:24:11,680 --> 00:24:14,560
Speaker 1: That's what I'm trying to tell you, man. She looks amazing.

476
00:24:14,640 --> 00:24:16,560
Speaker 1: She's a nice person. If you haven't met Bernie, she's

477
00:24:16,600 --> 00:24:20,440
Speaker 1: a nice individual. Saluting Bernice Burgos. Okay, all right now

478
00:24:21,200 --> 00:24:23,000
Speaker 1: that is your rumor report. When we come back, we'll

479
00:24:23,040 --> 00:24:25,200
Speaker 1: tell you who's gonna jump into that presidential race in

480
00:24:25,240 --> 00:24:27,880
Speaker 1: twenty twenty four. So don't move. It's a breakfast club.

481
00:24:27,880 --> 00:24:31,280
Speaker 1: God morning, the breakfast club. Your mornings will never be

482
00:24:31,480 --> 00:24:34,960
Speaker 1: the same. Your company at Gold this year, find the

483
00:24:35,080 --> 00:24:37,240
Speaker 1: right people to help you achieved them with jip recruited.

484
00:24:37,280 --> 00:24:39,560
Speaker 1: We're four out of five employers get a quality candidate

485
00:24:39,600 --> 00:24:42,439
Speaker 1: within the first day. Try free at jip recruiter dot com.

486
00:24:42,560 --> 00:24:45,600
Speaker 1: Slash breakfast. That's zip recruited dot com. Slash breakfast got

487
00:24:45,720 --> 00:24:47,520
Speaker 1: a goal fund me to build a statue for Bernice

488
00:24:47,600 --> 00:24:50,720
Speaker 1: Burgos in Jersey. Man, shut up, Dan, I'm serious morning.

489
00:24:50,800 --> 00:24:53,600
Speaker 1: Everybody is dj m V Charlomagne the guy we are

490
00:24:53,640 --> 00:24:55,840
Speaker 1: to breakfast club. We got our guest host, Jamil Hill

491
00:24:55,920 --> 00:24:58,040
Speaker 1: joining us. Yes, indeed, and let's get in some front

492
00:24:58,080 --> 00:25:02,720
Speaker 1: page news now. Marian Williamson confirms she will into the

493
00:25:02,800 --> 00:25:08,040
Speaker 1: twenty twenty four presidential race as a challenger to Biden.

494
00:25:09,680 --> 00:25:13,080
Speaker 1: I think that what are the due diligence that I

495
00:25:13,200 --> 00:25:15,320
Speaker 1: did was finding out will there be enough people this

496
00:25:15,520 --> 00:25:18,119
Speaker 1: time who are willing to give me a listen? And

497
00:25:18,480 --> 00:25:20,560
Speaker 1: I have a sense that there will be Joe Biden

498
00:25:20,680 --> 00:25:24,280
Speaker 1: beat Donald Trump. That's great much. You know, we're very

499
00:25:24,320 --> 00:25:26,560
Speaker 1: grateful that we didn't go off that cliff, but we're

500
00:25:26,640 --> 00:25:30,240
Speaker 1: still six inches away from the cliff. For Joe Biden

501
00:25:30,320 --> 00:25:32,640
Speaker 1: to go out in twenty twenty four and to say

502
00:25:32,760 --> 00:25:35,720
Speaker 1: to the American people that his message is that the

503
00:25:35,800 --> 00:25:39,760
Speaker 1: economy is doing better. When you have people suffering with

504
00:25:39,920 --> 00:25:43,639
Speaker 1: the economic despair and anxiety that the majority of Americans

505
00:25:43,720 --> 00:25:47,760
Speaker 1: are suffering to every day, people are open to the message, Now,

506
00:25:48,080 --> 00:25:50,679
Speaker 1: why should it be so hard to survive? Joe Biden's

507
00:25:50,680 --> 00:25:52,639
Speaker 1: going to help you survive. Why should it be so

508
00:25:52,800 --> 00:25:55,840
Speaker 1: hard to survive in the richest country of the world

509
00:25:57,280 --> 00:26:00,399
Speaker 1: because capitalism. I mean, Joe Biden has a lot of

510
00:26:00,920 --> 00:26:03,720
Speaker 1: victories he can check off, right, Like, this is a

511
00:26:03,840 --> 00:26:07,440
Speaker 1: historically low unemployment rate right now, you see what the

512
00:26:07,640 --> 00:26:10,359
Speaker 1: economy is doing. And I know people are upset about

513
00:26:10,520 --> 00:26:13,560
Speaker 1: inflation still, but I think that's a larger issue about

514
00:26:13,680 --> 00:26:15,840
Speaker 1: us being in the era of the one of the

515
00:26:15,960 --> 00:26:19,880
Speaker 1: greatest price gouging at times that we've ever seen. Um,

516
00:26:20,160 --> 00:26:24,400
Speaker 1: but listen, Mary and Williamson, I just don't really see

517
00:26:24,440 --> 00:26:27,040
Speaker 1: her even being a factor in this. Like, so, congratulations

518
00:26:27,160 --> 00:26:29,800
Speaker 1: on the two percent of the vote you're about to get. Yeah,

519
00:26:29,880 --> 00:26:31,760
Speaker 1: I mean, listen, I like Maryann Willamson as a person,

520
00:26:31,920 --> 00:26:34,120
Speaker 1: but I just like the fact that somebody is challenging

521
00:26:34,760 --> 00:26:38,280
Speaker 1: Joe Biden. You know, he's not. Joe Biden's not going anywhere.

522
00:26:39,440 --> 00:26:41,640
Speaker 1: It depends who steps up. I hope that other people

523
00:26:41,760 --> 00:26:44,200
Speaker 1: step up after they see somebody like Mary Anne Williamson

524
00:26:44,400 --> 00:26:46,240
Speaker 1: decided to challenge him. I hope other people decide to

525
00:26:46,240 --> 00:26:48,600
Speaker 1: step up to there should be other options, and that

526
00:26:48,640 --> 00:26:51,480
Speaker 1: should always be twenty four options and a ninety seven

527
00:26:51,560 --> 00:26:53,360
Speaker 1: year old, Yeah, like, what's he gonna be eighty? That's

528
00:26:53,400 --> 00:26:56,239
Speaker 1: what I'm saying. I'm just hoping that this encourages other

529
00:26:56,280 --> 00:26:59,680
Speaker 1: people to step up. And you know, primary President Biden,

530
00:26:59,800 --> 00:27:02,000
Speaker 1: that's all I'm saying. Now, nine hundred and fifty thousand

531
00:27:02,080 --> 00:27:05,280
Speaker 1: households nationwide or without power. That's because of the storm

532
00:27:05,359 --> 00:27:07,600
Speaker 1: that's been hitting areas like Michigan, Parks of New York,

533
00:27:07,680 --> 00:27:10,400
Speaker 1: New Jersey and all over our different areas. They said

534
00:27:10,440 --> 00:27:12,159
Speaker 1: the snow was falling at heavy rates of one or

535
00:27:12,160 --> 00:27:14,520
Speaker 1: two inches per hour in the Great Lakes, and they

536
00:27:14,560 --> 00:27:16,879
Speaker 1: said forty to fifty mile per hour wind. So hopefully

537
00:27:16,920 --> 00:27:21,480
Speaker 1: people get their power back now one or two inches

538
00:27:21,520 --> 00:27:29,920
Speaker 1: per hour, sir? Okay, you why see what I'm saying

539
00:27:32,240 --> 00:27:33,800
Speaker 1: on your brain? All right? I got something. That's the

540
00:27:33,840 --> 00:27:36,120
Speaker 1: question people need to start asking. Why is D constantly

541
00:27:36,240 --> 00:27:39,080
Speaker 1: on your on people's brains? Now? Chick fil A in

542
00:27:39,200 --> 00:27:42,680
Speaker 1: North Carolina is accused of writing a racial slur on

543
00:27:42,800 --> 00:27:45,800
Speaker 1: an order slip. Now, the lady's name was Naisha Charlemagne. Kid,

544
00:27:45,840 --> 00:27:55,800
Speaker 1: you guess what were they used? We have actual audio.

545
00:27:56,520 --> 00:28:01,800
Speaker 1: I was really really of Instead, she told him her

546
00:28:01,880 --> 00:28:03,960
Speaker 1: name was not Asia, and she put on her ticket.

547
00:28:04,920 --> 00:28:06,399
Speaker 1: He was like, you might want to look what they

548
00:28:06,480 --> 00:28:09,320
Speaker 1: put your name as. I was just in shocked. I

549
00:28:09,440 --> 00:28:12,800
Speaker 1: literally parked right there. I was just I couldn't eat

550
00:28:12,840 --> 00:28:16,160
Speaker 1: the food. I was just sho We asked Chick fil

551
00:28:16,200 --> 00:28:18,840
Speaker 1: A about it, and they sent us this statement saying,

552
00:28:18,880 --> 00:28:22,159
Speaker 1: in part that the restaurant has investigated and that quote

553
00:28:22,400 --> 00:28:26,000
Speaker 1: the operator has started additional training at this restaurant to

554
00:28:26,240 --> 00:28:30,200
Speaker 1: ensure this doesn't happen again. We sincerely apologize for the

555
00:28:30,320 --> 00:28:34,119
Speaker 1: harm caused by this incident, but for this family, that

556
00:28:34,320 --> 00:28:37,920
Speaker 1: training isn't enough. You shouldn't have to be trained not

557
00:28:38,080 --> 00:28:41,360
Speaker 1: to cause someone. I'm just being as honest as I

558
00:28:41,440 --> 00:28:45,200
Speaker 1: can be. I want the employe to be fired. I

559
00:28:45,200 --> 00:28:48,840
Speaker 1: ain't gonna train him and not fire him even I'm torn.

560
00:28:49,520 --> 00:28:51,840
Speaker 1: What what do I believe here? The good system now

561
00:28:51,960 --> 00:28:54,760
Speaker 1: us chick a. Chick fil A has provided us nothing

562
00:28:54,800 --> 00:28:56,880
Speaker 1: but great customer service all in USA, and it's true

563
00:28:56,920 --> 00:28:59,600
Speaker 1: they are known for being among the fast food chains

564
00:28:59,640 --> 00:29:02,600
Speaker 1: and having the best you know, customer service. Never heard

565
00:29:02,600 --> 00:29:06,440
Speaker 1: about them being racist homophobic. Absolutely, it was a different

566
00:29:09,040 --> 00:29:15,440
Speaker 1: but a racial slur. I believe it because believe black people.

567
00:29:15,840 --> 00:29:18,520
Speaker 1: That's why. And I also, where was this? Anybody know

568
00:29:18,600 --> 00:29:21,719
Speaker 1: where this Chick fil a was located? Said Charlotte, North Carolina.

569
00:29:21,920 --> 00:29:25,200
Speaker 1: There you go, indictment. I might believe it a little

570
00:29:25,200 --> 00:29:28,480
Speaker 1: bit more hard to believe. But if it was Popeyes,

571
00:29:28,480 --> 00:29:34,840
Speaker 1: it would be done in a different speries. It would

572
00:29:34,840 --> 00:29:37,440
Speaker 1: be communal. Of my goodness. All right, well that is

573
00:29:38,520 --> 00:29:41,240
Speaker 1: a front page news. Now when we come back. You

574
00:29:41,240 --> 00:29:43,440
Speaker 1: remember we had this conversation the day ago on the

575
00:29:43,560 --> 00:29:47,520
Speaker 1: air about Stephanie Mills talking about Beyonce, Say, disrespectful. I

576
00:29:47,560 --> 00:29:52,520
Speaker 1: don't think you can't compare blon to damn wass. I

577
00:29:52,600 --> 00:29:57,800
Speaker 1: mean just stardom. In terms of stardom, it's still different.

578
00:29:58,040 --> 00:30:02,320
Speaker 1: It's still I mean, Diana is is grammar and you

579
00:30:02,400 --> 00:30:06,400
Speaker 1: know Boyance is glam. It's just different. It's hip hop.

580
00:30:06,480 --> 00:30:12,160
Speaker 1: I considered Beyonce hip hop. I consider Diana R and

581
00:30:12,280 --> 00:30:16,600
Speaker 1: B and pop and just I consider her royalty Diana.

582
00:30:16,720 --> 00:30:19,800
Speaker 1: I've always wanted to be like Diana. And when I

583
00:30:19,840 --> 00:30:22,400
Speaker 1: saw ladies things the Blues, and I would go to

584
00:30:22,480 --> 00:30:26,120
Speaker 1: her shows in Vegas. They were always so wonderful and

585
00:30:27,040 --> 00:30:30,880
Speaker 1: classy and everything. Diana Ross is the epitome of a

586
00:30:31,080 --> 00:30:34,160
Speaker 1: Vaudan class to me. Dephanitie Mill just punted to be high,

587
00:30:34,240 --> 00:30:36,120
Speaker 1: just walked up through it and just kicked it. Just

588
00:30:36,280 --> 00:30:39,160
Speaker 1: no regard for human life, right there, Resolutive lad TV.

589
00:30:39,280 --> 00:30:41,200
Speaker 1: That audio came up from Latin TV. But you know,

590
00:30:41,240 --> 00:30:45,280
Speaker 1: we had this discussion yesterday. I think it's just generational,

591
00:30:45,560 --> 00:30:47,680
Speaker 1: you know what I mean. If you saw you know,

592
00:30:48,080 --> 00:30:51,000
Speaker 1: Magic Johnson played all through the eighties and nineties, Magic

593
00:30:51,080 --> 00:30:53,480
Speaker 1: probably your favorite players. You saw Jordan all through the nineties,

594
00:30:53,560 --> 00:30:55,720
Speaker 1: Jordan probably your favorite guy. You saw Kobe, Kobe probably

595
00:30:55,720 --> 00:30:57,600
Speaker 1: your favorite guy. So I just think it's all generational

596
00:30:57,680 --> 00:30:59,760
Speaker 1: when we have these conversations. Well, you reached out and

597
00:31:00,160 --> 00:31:02,440
Speaker 1: she stopped through. Yesterday I wasn't there, so you and

598
00:31:02,560 --> 00:31:04,880
Speaker 1: Jess Hilarious held it down. So when we come back,

599
00:31:04,920 --> 00:31:07,480
Speaker 1: we're gonna play that conversation. Now. Stephanie Mills pulled up

600
00:31:07,480 --> 00:31:09,600
Speaker 1: on the Breakfast Club and we're gonna see if she

601
00:31:09,680 --> 00:31:11,960
Speaker 1: doubled down, if she apologized. Maybe she made a mistake,

602
00:31:12,000 --> 00:31:13,720
Speaker 1: maybe she misspoke and we're gonna talk about it when

603
00:31:13,720 --> 00:31:16,600
Speaker 1: we come back under on her double and tripling down,

604
00:31:16,640 --> 00:31:19,360
Speaker 1: which I think, Oh, she definitely doubled. I think she

605
00:31:19,480 --> 00:31:23,920
Speaker 1: quadrupled down. She bringing even more hot. Ya. See. That's

606
00:31:23,920 --> 00:31:26,560
Speaker 1: one thing about the ogs which I realized is once

607
00:31:26,600 --> 00:31:29,080
Speaker 1: they get to a certain age, they don't care. They

608
00:31:29,120 --> 00:31:31,440
Speaker 1: don't care about their statements. They just it's like throw

609
00:31:31,560 --> 00:31:33,200
Speaker 1: up environment from the mouth. They just keep going. They

610
00:31:33,240 --> 00:31:35,360
Speaker 1: don't care. And I think she quadrupled. Well, we should

611
00:31:35,360 --> 00:31:39,640
Speaker 1: care for them, but we'll find out, all right, Stephanie

612
00:31:39,680 --> 00:31:41,520
Speaker 1: Mills when we come back, don't move. It's to breakfast Club.

613
00:31:41,600 --> 00:31:47,360
Speaker 1: Good morning, the Breakfast Club. But he was literally walking

614
00:31:47,360 --> 00:31:51,640
Speaker 1: around still just sing your songs. Before you even say yeah,

615
00:31:51,680 --> 00:31:53,680
Speaker 1: I'll come up there with y'all, he was still walk

616
00:31:53,720 --> 00:31:56,040
Speaker 1: around singing, like how does how does that feel? It's

617
00:31:56,080 --> 00:32:00,480
Speaker 1: a blessing. I feel really blessed because I didn't have

618
00:32:00,680 --> 00:32:03,360
Speaker 1: the machinery behind me. Okay, you know what I'm saying.

619
00:32:03,440 --> 00:32:06,440
Speaker 1: So for me to still be here doing it, and

620
00:32:06,520 --> 00:32:08,400
Speaker 1: I'm doing it on my own terms because I kind

621
00:32:08,440 --> 00:32:11,040
Speaker 1: of backed away from the industry because it became too

622
00:32:11,160 --> 00:32:13,760
Speaker 1: much for me to still do it and then find

623
00:32:13,840 --> 00:32:17,160
Speaker 1: someone like Amp who believed in me and allows me

624
00:32:17,360 --> 00:32:19,480
Speaker 1: to be who I am, because you know, in this

625
00:32:19,600 --> 00:32:22,160
Speaker 1: business they try to change you to meet a certain

626
00:32:22,280 --> 00:32:26,320
Speaker 1: criteria and I never fit into that Yahia and didn't

627
00:32:26,360 --> 00:32:28,120
Speaker 1: want to. And I love that. I love it. And

628
00:32:29,000 --> 00:32:34,040
Speaker 1: so for the Rolling Stones magazine, Yeah, the greatest one

629
00:32:34,040 --> 00:32:36,200
Speaker 1: of the things of all time. How do you feel

630
00:32:36,400 --> 00:32:38,560
Speaker 1: being left out of that? I don't feel anything. I

631
00:32:38,600 --> 00:32:41,360
Speaker 1: don't pay any attention to that. That's somebody behind a

632
00:32:41,480 --> 00:32:43,719
Speaker 1: desk who doesn't really know what they're talking. And that's

633
00:32:43,920 --> 00:32:48,840
Speaker 1: how could you leave Celine Diana? How could you? He said, Great,

634
00:32:49,240 --> 00:32:51,320
Speaker 1: you know, how could you? So I don't pay attention

635
00:32:51,360 --> 00:32:53,720
Speaker 1: to that. I don't pay attention to awards and all that,

636
00:32:53,880 --> 00:32:57,040
Speaker 1: even though I have awards of everything that of musically,

637
00:32:57,360 --> 00:33:00,120
Speaker 1: but it doesn't mean anything. What means matters to me

638
00:33:00,200 --> 00:33:02,840
Speaker 1: and which has kept me with my sold out shows

639
00:33:02,880 --> 00:33:05,760
Speaker 1: that I'm proud of is my people coming to see

640
00:33:05,800 --> 00:33:09,160
Speaker 1: me and paying their hard earned money. That's what keeps

641
00:33:09,240 --> 00:33:11,440
Speaker 1: me going. Yeah, I agree with you the Rolling Stone.

642
00:33:11,480 --> 00:33:14,280
Speaker 1: Clearly those people are culturally clueless, you know what I mean.

643
00:33:14,440 --> 00:33:17,440
Speaker 1: If they're leaving people like you lean beyond all. But see,

644
00:33:17,560 --> 00:33:20,840
Speaker 1: I was never played on Vhroon or MTV none of

645
00:33:20,880 --> 00:33:23,080
Speaker 1: my videos because they always said I was too urban

646
00:33:23,240 --> 00:33:25,360
Speaker 1: and I only had a pop record with Never Knew Love.

647
00:33:25,520 --> 00:33:29,200
Speaker 1: That's the only one they allowed to cross over. I

648
00:33:29,240 --> 00:33:30,880
Speaker 1: wonder you said something earlier. You said that you never

649
00:33:30,960 --> 00:33:33,440
Speaker 1: had the machine behind you. And it's interested because you

650
00:33:33,480 --> 00:33:35,400
Speaker 1: can see how that might still impact you now when

651
00:33:35,440 --> 00:33:38,480
Speaker 1: it comes to these lists, right exactly when you think

652
00:33:38,520 --> 00:33:40,640
Speaker 1: about it, like back in the day when MTV, I

653
00:33:40,720 --> 00:33:42,920
Speaker 1: want my MTV and they didn't want to play Michael.

654
00:33:43,200 --> 00:33:45,280
Speaker 1: You know, it was the president of the company that said,

655
00:33:45,280 --> 00:33:47,600
Speaker 1: if you don't play him, I'm going to expose that

656
00:33:47,680 --> 00:33:50,720
Speaker 1: you're racist. And I don't think really anything has changed.

657
00:33:50,760 --> 00:33:52,400
Speaker 1: I think you have to have And back then, I

658
00:33:52,520 --> 00:33:54,920
Speaker 1: didn't have that kind of person that would go on

659
00:33:55,000 --> 00:33:57,960
Speaker 1: the front line for me. But Michael did, and I'm

660
00:33:58,040 --> 00:34:01,160
Speaker 1: glad he did because just to man, you not hearing

661
00:34:01,280 --> 00:34:04,000
Speaker 1: Thriller the way it was, or being exposed to all

662
00:34:04,040 --> 00:34:07,080
Speaker 1: those wonderful videos that he did, and they didn't acknowledge

663
00:34:07,120 --> 00:34:09,560
Speaker 1: his forty at the anniversary of Thriller or anything at

664
00:34:09,600 --> 00:34:12,839
Speaker 1: the Grammys or American Music Awards. How did they pick

665
00:34:12,880 --> 00:34:15,600
Speaker 1: and choose who got the machine back then though, because

666
00:34:15,640 --> 00:34:17,839
Speaker 1: I feel like back then it you really needed talent

667
00:34:17,920 --> 00:34:20,319
Speaker 1: to get a deal. You really needed talent to get

668
00:34:20,360 --> 00:34:25,600
Speaker 1: a deal. That's why my audience is predominantly black, because

669
00:34:26,160 --> 00:34:30,080
Speaker 1: b ET and all those black outlets played my videos,

670
00:34:30,200 --> 00:34:33,360
Speaker 1: you know, and black radio supported me so much. So

671
00:34:33,520 --> 00:34:36,640
Speaker 1: that's why I'm able to survive. That's why I don't

672
00:34:36,719 --> 00:34:39,239
Speaker 1: understand why a lot of black artists like don't go

673
00:34:39,400 --> 00:34:43,040
Speaker 1: back to the black publications and things like that that

674
00:34:43,320 --> 00:34:50,520
Speaker 1: made them. You know, well, I always why, I know,

675
00:34:50,600 --> 00:34:53,160
Speaker 1: I don't understand that. I never understand why they think

676
00:34:53,360 --> 00:34:55,799
Speaker 1: vanilla ice cream is colder than chocolate. I think it's

677
00:34:55,800 --> 00:34:58,680
Speaker 1: because they want that mass. Look you know what I mean,

678
00:34:59,000 --> 00:35:00,840
Speaker 1: but you can have that. Let me tell you something.

679
00:35:01,040 --> 00:35:03,759
Speaker 1: I went to Oh what's the Good host Group? They

680
00:35:03,800 --> 00:35:06,200
Speaker 1: came to Charlotte and they sold out the arena. There

681
00:35:06,239 --> 00:35:11,520
Speaker 1: was nothing there but black people escaped. Yes, so what's

682
00:35:11,560 --> 00:35:14,200
Speaker 1: wrong with the black dollar? I definitely get what you're

683
00:35:14,200 --> 00:35:18,879
Speaker 1: saying that. My generation they also feel like because I don't,

684
00:35:19,080 --> 00:35:21,840
Speaker 1: although I'm a part of them, they felt that's some

685
00:35:22,040 --> 00:35:25,840
Speaker 1: type of advanced validation. When you get like it. Did

686
00:35:25,920 --> 00:35:28,000
Speaker 1: he call it the crossover? Right? It's like you know,

687
00:35:28,120 --> 00:35:30,480
Speaker 1: and people, I did a show for Fox, Sitcom on

688
00:35:30,560 --> 00:35:34,560
Speaker 1: Fox people yep, yep, shout out to the show roll

689
00:35:34,840 --> 00:35:38,000
Speaker 1: and I was on it with Sinbad. He played it

690
00:35:38,120 --> 00:35:40,840
Speaker 1: was amazing, right, I love him too, Like the show

691
00:35:41,640 --> 00:35:43,800
Speaker 1: people was telling me because people was only used to

692
00:35:43,800 --> 00:35:45,640
Speaker 1: seeing me on like Wilding Out and all that type

693
00:35:45,640 --> 00:35:48,040
Speaker 1: of stuff, you know, more production with black people. And

694
00:35:49,120 --> 00:35:52,520
Speaker 1: then they were like, oh, that's your crossover. Fox is

695
00:35:52,520 --> 00:35:55,040
Speaker 1: your crossover. It's like you really made it. Now, I

696
00:35:55,160 --> 00:35:57,760
Speaker 1: really made it because I'm on Fox, you know, working

697
00:35:57,760 --> 00:36:00,360
Speaker 1: around all these white people. No, I've been made it

698
00:36:00,440 --> 00:36:03,000
Speaker 1: and it's still I still don't make it. That's that

699
00:36:03,200 --> 00:36:05,279
Speaker 1: Sitcom wasn't like the cream of the crop for me yet.

700
00:36:05,360 --> 00:36:07,719
Speaker 1: I'm still not where I want to be in terms of,

701
00:36:07,880 --> 00:36:12,000
Speaker 1: you know, just where I'm going. But I didn't consider

702
00:36:12,120 --> 00:36:14,920
Speaker 1: that as my crossover. That's another show that I'm on

703
00:36:15,040 --> 00:36:17,360
Speaker 1: us another stepping stone, right, Like you know, so I

704
00:36:17,480 --> 00:36:21,080
Speaker 1: never so I get exactly what you're saying. And that's

705
00:36:21,120 --> 00:36:23,680
Speaker 1: what we think. We think when we cross over to

706
00:36:23,800 --> 00:36:26,480
Speaker 1: that pop we've made it. Why do we want to

707
00:36:26,520 --> 00:36:29,360
Speaker 1: be so accepted? And I never really want I just

708
00:36:29,480 --> 00:36:32,960
Speaker 1: wanted to be accepted. I wasn't good at smoothing, you know,

709
00:36:33,080 --> 00:36:36,400
Speaker 1: I wasn't sagne. I wasn't good at doing that, and

710
00:36:36,480 --> 00:36:38,239
Speaker 1: I didn't want to go to the parties and have

711
00:36:38,320 --> 00:36:41,759
Speaker 1: to meet this one. And I didn't like auditioning. Yeah,

712
00:36:41,880 --> 00:36:44,759
Speaker 1: I know that's Do you like it? No, I know

713
00:36:44,920 --> 00:36:46,799
Speaker 1: they look at you like you're crazy, but they make

714
00:36:46,840 --> 00:36:48,960
Speaker 1: it so hard for you. I won't do it, or

715
00:36:49,040 --> 00:36:52,200
Speaker 1: they'll act like they like you just to be like, okay,

716
00:36:52,400 --> 00:36:54,440
Speaker 1: we'll call you and then don't you know what I mean?

717
00:36:54,520 --> 00:36:57,719
Speaker 1: And they will even let black women and black people,

718
00:36:57,760 --> 00:37:00,360
Speaker 1: they'll let us audition for roles that they already know

719
00:37:00,400 --> 00:37:04,000
Speaker 1: they're not gonna give us right, stuff like that. You know,

720
00:37:04,200 --> 00:37:06,640
Speaker 1: you know this is for you know, little Katie you

721
00:37:06,880 --> 00:37:11,359
Speaker 1: had because idition for Sex in the City. They didn't

722
00:37:11,360 --> 00:37:13,279
Speaker 1: have a black woman on Sex and the City, one

723
00:37:13,280 --> 00:37:15,080
Speaker 1: of the Sex in the City. I auditioned for it,

724
00:37:15,880 --> 00:37:19,120
Speaker 1: the four women, Yes, not playing I did. I auditioned

725
00:37:19,160 --> 00:37:22,040
Speaker 1: for it. I don't know. I forget what character I

726
00:37:22,160 --> 00:37:24,840
Speaker 1: was auditioning for, but I did audition for it. Wow,

727
00:37:25,280 --> 00:37:28,200
Speaker 1: what they tell you? Well, I don't think they liked me. Yeah,

728
00:37:28,600 --> 00:37:32,000
Speaker 1: you know, I didn't see a black woman on there. Yeah, no,

729
00:37:32,560 --> 00:37:35,160
Speaker 1: they never They never had plans on doing. It was

730
00:37:35,200 --> 00:37:36,719
Speaker 1: just to make you feel good. Well, they have to

731
00:37:36,800 --> 00:37:39,319
Speaker 1: meet a certain quota, they have to look like they're

732
00:37:39,680 --> 00:37:42,560
Speaker 1: they're inclusive, but they're really not. And things haven't changed.

733
00:37:42,560 --> 00:37:44,959
Speaker 1: I don't care what people say. Things really, really, really,

734
00:37:45,080 --> 00:37:47,600
Speaker 1: it's not changed. Only reason I think the things have

735
00:37:47,719 --> 00:37:50,759
Speaker 1: changed just the tiny, tiny bit because there's more black gatekeepers.

736
00:37:50,760 --> 00:37:52,160
Speaker 1: I hate to use that word, but it's true. It's

737
00:37:52,160 --> 00:37:53,960
Speaker 1: more black people in positions of power that can say,

738
00:37:54,000 --> 00:37:56,439
Speaker 1: you know what, I'm putting Stephanie Mills in this movie.

739
00:37:56,520 --> 00:37:59,400
Speaker 1: I'm gonna put just Hilarious in this and and I

740
00:37:59,560 --> 00:38:01,960
Speaker 1: like the ones that are are black, because everybody that's

741
00:38:02,040 --> 00:38:04,960
Speaker 1: black in those positions are not black and not Kim

742
00:38:05,040 --> 00:38:07,920
Speaker 1: put That leads you to my next question, because I

743
00:38:07,920 --> 00:38:09,440
Speaker 1: was gonna say, what do you think of people who

744
00:38:09,480 --> 00:38:11,279
Speaker 1: get the machine? When you see these black people who

745
00:38:11,320 --> 00:38:12,799
Speaker 1: get the machine? Do you look at them away like, oh,

746
00:38:12,840 --> 00:38:15,680
Speaker 1: they sold out? No? I don't. I don't look at them.

747
00:38:15,719 --> 00:38:18,120
Speaker 1: It's not their fault. Okay, you know, I think I

748
00:38:19,080 --> 00:38:23,240
Speaker 1: applaud everyone's blessing, but I feel like I'm totally blessed

749
00:38:23,239 --> 00:38:25,600
Speaker 1: because I'm out out here selling shows. Don't have a

750
00:38:25,680 --> 00:38:29,120
Speaker 1: record nowhere, I'll be sixty six in March. Don't have

751
00:38:29,160 --> 00:38:30,919
Speaker 1: a record. You got a catalog? I mean, I gotta

752
00:38:31,200 --> 00:38:33,080
Speaker 1: That's what I'm saying. But you know, most people say, well,

753
00:38:33,120 --> 00:38:35,080
Speaker 1: you don't have a hit record, so you don't, you know.

754
00:38:35,200 --> 00:38:38,399
Speaker 1: But no. Yeah, I'm doing my thing and I love

755
00:38:38,440 --> 00:38:40,759
Speaker 1: it and I'm blessed. Yeah. Look, I'm on the Breakfast Club.

756
00:38:40,800 --> 00:38:44,160
Speaker 1: This is my third tone. Right, all right, we got

757
00:38:44,239 --> 00:38:46,239
Speaker 1: mold with Stephanie Mills. When we come back, don't move.

758
00:38:46,280 --> 00:38:49,799
Speaker 1: It's to Breakfast Club, Good morning morning. Everybody is DJ Envy,

759
00:38:49,960 --> 00:38:52,040
Speaker 1: Charlemagne the guy. We are the Breakfast Club. We have

760
00:38:52,080 --> 00:38:54,160
Speaker 1: our guests holes for today, Jamel Hill joining us. But

761
00:38:54,280 --> 00:38:58,160
Speaker 1: this interview happened yesterday when Jess Hilarious and Charlemagne was

762
00:38:58,239 --> 00:39:00,759
Speaker 1: in studio. Jamal Hill and my so we weren't there,

763
00:39:00,840 --> 00:39:02,799
Speaker 1: but let's get back into it. It's the Breakfast Club

764
00:39:02,840 --> 00:39:04,960
Speaker 1: the Morning and I love how you hold uh. You know,

765
00:39:05,080 --> 00:39:08,560
Speaker 1: Michael Jackson down always just acknowledge. He didn't get you know,

766
00:39:08,960 --> 00:39:14,200
Speaker 1: no acknowledgment for a thing that he's done. Are you

767
00:39:14,440 --> 00:39:18,000
Speaker 1: kidding me? Yeah, he wasn't accused of anything. But they

768
00:39:18,080 --> 00:39:20,719
Speaker 1: want to ridicue him. And I was accused, but he wasn't.

769
00:39:21,040 --> 00:39:23,799
Speaker 1: I mean, he wasn't he was, he didn't wasn't guilty. Yeah,

770
00:39:24,080 --> 00:39:26,640
Speaker 1: he was accused of being a child molester, which he

771
00:39:26,800 --> 00:39:29,680
Speaker 1: never has been, never was, And I don't know where

772
00:39:29,719 --> 00:39:32,040
Speaker 1: they got that from. He just liked being around children

773
00:39:32,080 --> 00:39:35,160
Speaker 1: because they were innocent and didn't want anything from it.

774
00:39:35,640 --> 00:39:37,600
Speaker 1: And he never had a childhood when you think about it,

775
00:39:38,200 --> 00:39:41,680
Speaker 1: so he was living vicariously through them. But I mean,

776
00:39:41,760 --> 00:39:45,520
Speaker 1: even with the Kobe Bryant, I just feel like, as

777
00:39:45,640 --> 00:39:49,680
Speaker 1: black people, we go to black journalists thinking they're gonna

778
00:39:49,719 --> 00:39:52,359
Speaker 1: take care of us, Yeah, and they they sell us out.

779
00:39:53,480 --> 00:39:55,840
Speaker 1: You know, there was no reason to bring up a

780
00:39:56,000 --> 00:39:59,560
Speaker 1: rape case on Kobe Bryant when he lost his life.

781
00:40:00,040 --> 00:40:02,000
Speaker 1: You know, there was no reason to give those two

782
00:40:02,080 --> 00:40:06,120
Speaker 1: guys a platform when Michael was not proven guilty. Right,

783
00:40:06,680 --> 00:40:08,960
Speaker 1: There's no reason for it, and the black community is

784
00:40:09,000 --> 00:40:11,279
Speaker 1: just not going to stand for it. And I like that.

785
00:40:12,320 --> 00:40:16,640
Speaker 1: And mental you know, mental health is really important. There's

786
00:40:16,640 --> 00:40:19,120
Speaker 1: a lot of people walking around that's sad. You know.

787
00:40:19,239 --> 00:40:22,319
Speaker 1: I got into therapy when I was like thirty five

788
00:40:22,800 --> 00:40:25,080
Speaker 1: because the business was a lot for me. It's a

789
00:40:25,160 --> 00:40:29,719
Speaker 1: lot you know, and I feel for Britney Spears and

790
00:40:30,200 --> 00:40:34,440
Speaker 1: and uh uh, what's the baby's name? The singer he's

791
00:40:34,480 --> 00:40:38,120
Speaker 1: a white boy. I can't read justin Bing. I feel

792
00:40:38,239 --> 00:40:43,080
Speaker 1: for them. You know, it's hard. Everybody's at you, coming

793
00:40:43,160 --> 00:40:46,279
Speaker 1: at you. Everybody has an opinion. Because even now when

794
00:40:46,480 --> 00:40:50,600
Speaker 1: I'm doing shows and and people come by and they say, well,

795
00:40:50,640 --> 00:40:52,440
Speaker 1: we took notes of your show. I don't ask you

796
00:40:52,520 --> 00:40:57,120
Speaker 1: to take time. I invited you to enjoy my show.

797
00:40:57,200 --> 00:41:01,759
Speaker 1: What you're doing taking note saying it's like I got

798
00:41:01,800 --> 00:41:04,360
Speaker 1: a few notes for you? All you do? You know,

799
00:41:04,480 --> 00:41:08,200
Speaker 1: it's like you've been doing this for ever. You're gonna

800
00:41:08,200 --> 00:41:10,440
Speaker 1: always get better. But come home, man, you could always

801
00:41:10,520 --> 00:41:12,880
Speaker 1: get better, you know, but app is gonna tell me

802
00:41:13,840 --> 00:41:16,200
Speaker 1: why I'm better or whatever. But you have people all

803
00:41:16,239 --> 00:41:18,360
Speaker 1: with Stephanie. I think you should do this. You should

804
00:41:18,400 --> 00:41:22,160
Speaker 1: go to this level? What level? What level? I don't

805
00:41:22,200 --> 00:41:25,640
Speaker 1: you know? Yeah, is there anybody you would take notes from,

806
00:41:25,719 --> 00:41:27,799
Speaker 1: like respectfully, like the anybody that could give you a note?

807
00:41:27,920 --> 00:41:29,640
Speaker 1: Like you know what I listened to that Diana Ross?

808
00:41:31,719 --> 00:41:38,720
Speaker 1: You just got Diana Ross. Uh, gladdys night, Pabell Baker,

809
00:41:39,040 --> 00:41:43,120
Speaker 1: who don't don't see that I've seen that face. I

810
00:41:43,160 --> 00:41:47,719
Speaker 1: didn't smoke. No, no, we don't know who wouldn't take

811
00:41:47,760 --> 00:41:50,719
Speaker 1: no notes? You just can't. I wouldn't take notes. I

812
00:41:50,840 --> 00:41:53,759
Speaker 1: love Anita, but that face didn't look like you love

813
00:41:53,800 --> 00:42:04,840
Speaker 1: an Just look about can't hide they feel now a

814
00:42:05,160 --> 00:42:09,360
Speaker 1: she was. I didn't say now, but that's all you

815
00:42:09,440 --> 00:42:11,719
Speaker 1: on a lad TV and know everybody getting at you

816
00:42:11,840 --> 00:42:15,080
Speaker 1: because you you said that you can't compare Diana Ross

817
00:42:15,120 --> 00:42:18,240
Speaker 1: and Beyonce because Beyonce is hip hop and Diana Ross's

818
00:42:18,400 --> 00:42:22,000
Speaker 1: R and B royalty. I need more context. What I

819
00:42:22,239 --> 00:42:25,959
Speaker 1: meant by that is with this album and the last

820
00:42:26,040 --> 00:42:29,279
Speaker 1: couple of years of Beyonce, I feel like she's been

821
00:42:29,360 --> 00:42:33,880
Speaker 1: like a rapper, like Diana Ross is glamorous and and

822
00:42:34,120 --> 00:42:37,120
Speaker 1: and first let me preferences by saying this. I am

823
00:42:37,560 --> 00:42:41,760
Speaker 1: a Diana Ross fan. I've always wanted to be Diana.

824
00:42:42,400 --> 00:42:45,160
Speaker 1: I would go to her shows when she placed Caesar's Palace,

825
00:42:45,480 --> 00:42:48,520
Speaker 1: it was always wonderful and fabulous. So to me, you

826
00:42:48,600 --> 00:42:52,919
Speaker 1: can't compare nobody to Diana, not Beyonce. I don't care

827
00:42:52,960 --> 00:42:55,120
Speaker 1: if they don't like what I say. I said it,

828
00:42:55,280 --> 00:42:58,719
Speaker 1: I'm not going to apologize for it. Diana is the

829
00:42:58,880 --> 00:43:02,880
Speaker 1: epitome of glamor and grace, and I didn't say that

830
00:43:03,040 --> 00:43:07,000
Speaker 1: Beyonce wasn't. So y'all don't like it, I'm sorry, huh.

831
00:43:07,200 --> 00:43:09,800
Speaker 1: I think people took the hip hop comparison and like

832
00:43:10,160 --> 00:43:11,840
Speaker 1: like you were saying hip hop was ghetto or you

833
00:43:11,880 --> 00:43:14,920
Speaker 1: were saying hip hop was beneath. But did I say it?

834
00:43:15,040 --> 00:43:19,040
Speaker 1: Did I say? Did I say hip hop was beneath? No?

835
00:43:19,400 --> 00:43:21,920
Speaker 1: I did not go back and look at that interview

836
00:43:22,160 --> 00:43:24,680
Speaker 1: and pay attention to what I actually said and not

837
00:43:24,880 --> 00:43:28,080
Speaker 1: what you want to think. I said, there's a difference,

838
00:43:28,440 --> 00:43:30,960
Speaker 1: or not what you want to think. I meant exactly.

839
00:43:31,360 --> 00:43:35,839
Speaker 1: I heard what you say, and Vadim veratimly tell him

840
00:43:35,880 --> 00:43:39,120
Speaker 1: what I said said. Beyonce is who she is in

841
00:43:39,239 --> 00:43:46,600
Speaker 1: her time, and Diana ross Is was will still be legendary, glamour, glitz,

842
00:43:46,640 --> 00:43:49,840
Speaker 1: classy in her time, in her era. She can still be,

843
00:43:50,200 --> 00:43:53,799
Speaker 1: thank you, the legendary, you know, the fan. The only

844
00:43:53,880 --> 00:43:56,080
Speaker 1: thing I respectfully disagree with that I don't. I don't think.

845
00:43:56,120 --> 00:43:57,800
Speaker 1: I don't look at Beyonce as hip hop, but you

846
00:43:57,920 --> 00:44:01,440
Speaker 1: have the right by and I say that because of

847
00:44:01,560 --> 00:44:05,040
Speaker 1: this album and the last couple of things. I just thought, yeah,

848
00:44:05,160 --> 00:44:06,960
Speaker 1: it's kind of hip hop. So you don't think I

849
00:44:07,040 --> 00:44:09,080
Speaker 1: took the top of the Mayback. The top of the

850
00:44:09,160 --> 00:44:11,320
Speaker 1: Mayback that was years ago. That's like one. But she

851
00:44:11,440 --> 00:44:14,360
Speaker 1: said the last no, that it was it was certain

852
00:44:14,480 --> 00:44:17,040
Speaker 1: that the one, the Carter's album. They were very hip hop,

853
00:44:17,120 --> 00:44:19,680
Speaker 1: you know. And of course she collapsed with her husband.

854
00:44:20,040 --> 00:44:24,080
Speaker 1: But isn't here. I want if she wasn't married to

855
00:44:24,160 --> 00:44:26,040
Speaker 1: jay Z, would we still look at her like when

856
00:44:26,080 --> 00:44:27,719
Speaker 1: we look at her as hip hop if she wasn't

857
00:44:27,760 --> 00:44:31,399
Speaker 1: with think she has tried, like even with this album,

858
00:44:31,680 --> 00:44:35,080
Speaker 1: this last album, it's more houst music. It's more like

859
00:44:35,360 --> 00:44:38,600
Speaker 1: she's given the girls as they say, you know shot,

860
00:44:38,760 --> 00:44:41,200
Speaker 1: you know they're they're something that they can do their

861
00:44:41,400 --> 00:44:43,399
Speaker 1: their thing too, you know what I'm saying. Like she's

862
00:44:43,440 --> 00:44:46,480
Speaker 1: trying to hit every type of genre of music. So

863
00:44:46,560 --> 00:44:48,160
Speaker 1: I think she did go hip hop. I think she

864
00:44:48,239 --> 00:44:49,880
Speaker 1: went pop. I think she did R and B. I

865
00:44:49,960 --> 00:44:52,120
Speaker 1: think she's on a house music thing. I think she's

866
00:44:52,120 --> 00:44:54,760
Speaker 1: doing a vogue. That's what it is, the vogue. She's

867
00:44:54,800 --> 00:44:57,279
Speaker 1: been trying to do everything, so she could be known

868
00:44:57,440 --> 00:45:00,600
Speaker 1: for everything. So Miss Mills artists in this generation, would

869
00:45:00,600 --> 00:45:04,759
Speaker 1: you consider I guess that R and B Royalty because

870
00:45:04,800 --> 00:45:09,680
Speaker 1: there's some singers out here. I love Jill Scott. I

871
00:45:09,760 --> 00:45:13,839
Speaker 1: mean she's old geo. I mean that's my error. Yeah,

872
00:45:13,840 --> 00:45:15,840
Speaker 1: I was gonna say, but that ain't her error, so

873
00:45:16,080 --> 00:45:23,439
Speaker 1: that's not thank you, Eric, Baby, bil Erica, dude, Jill.

874
00:45:24,960 --> 00:45:29,279
Speaker 1: Those are my big babies to me. Jasmine Sullivan, I

875
00:45:29,440 --> 00:45:33,719
Speaker 1: love I love Monica. I love Tamia, who's never really

876
00:45:33,800 --> 00:45:36,560
Speaker 1: gotten her. Oh no, yeah, you know what I'm saying

877
00:45:36,680 --> 00:45:42,480
Speaker 1: to me, can sing her ass given her that she deserves.

878
00:45:42,640 --> 00:45:45,719
Speaker 1: That's a singing woman. Deborah Cox, Oh my god, how

879
00:45:45,800 --> 00:45:49,560
Speaker 1: did you get here? Okay? That's all those are like

880
00:45:49,680 --> 00:45:52,120
Speaker 1: the like to meet everybody name of the legend already.

881
00:45:52,320 --> 00:45:56,239
Speaker 1: What about Silk Sonic do you like? Oh, Bluto Mars, Yes,

882
00:45:56,800 --> 00:45:59,800
Speaker 1: I'm near what you need? Thank you, baby, Silk Sonic.

883
00:46:00,080 --> 00:46:01,400
Speaker 1: U no Mars. I'd love to do a song with

884
00:46:01,520 --> 00:46:05,000
Speaker 1: Brunon Mars. I love because he's bringing back He's letting

885
00:46:05,080 --> 00:46:08,400
Speaker 1: them know what R and B is and where it

886
00:46:08,560 --> 00:46:11,360
Speaker 1: came from the soul and the soul in it. Because

887
00:46:11,400 --> 00:46:15,000
Speaker 1: everybody else just mimics us. Why is it that white

888
00:46:15,120 --> 00:46:18,200
Speaker 1: artists can mimic our soul in mimica and be pop

889
00:46:18,600 --> 00:46:20,879
Speaker 1: and we do the same song and can't be Why

890
00:46:20,880 --> 00:46:25,160
Speaker 1: don't we ask questions? I know because I know they white.

891
00:46:25,200 --> 00:46:27,920
Speaker 1: But it's like people don't think anything has changed, nothing

892
00:46:28,000 --> 00:46:32,160
Speaker 1: has changed. That's my whole thing. Has this saying that

893
00:46:32,320 --> 00:46:35,600
Speaker 1: he says him, say it all the time. The more

894
00:46:35,760 --> 00:46:38,840
Speaker 1: things change, the more they stay the same, feel it

895
00:46:38,920 --> 00:46:41,520
Speaker 1: every time, the more they stay saying, yeah, I didn't

896
00:46:41,560 --> 00:46:44,040
Speaker 1: know people were coming after me for that Beyonce thing.

897
00:46:44,280 --> 00:46:48,279
Speaker 1: I just I don't. I don't care nothing about people.

898
00:46:48,320 --> 00:46:50,560
Speaker 1: Don't need to. That's all last night. But I mean,

899
00:46:50,560 --> 00:46:53,120
Speaker 1: it's just an opinion. Everybody has the right to the opinion,

900
00:46:53,160 --> 00:46:55,439
Speaker 1: and I respect that, but I have the right to mind,

901
00:46:55,480 --> 00:46:57,520
Speaker 1: and I'm gonna say it, and I think because Beyonce

902
00:46:57,880 --> 00:46:59,719
Speaker 1: is the bar for this generation, like a lot the

903
00:46:59,719 --> 00:47:01,920
Speaker 1: way you look at Diana Ross, it's probably how a

904
00:47:01,960 --> 00:47:04,719
Speaker 1: lot of people look at it, I'm sure, And I

905
00:47:04,840 --> 00:47:08,520
Speaker 1: respect that. So respect that. I said, Diana is royal, right,

906
00:47:08,719 --> 00:47:11,239
Speaker 1: because if we can look at Beyonce like that, why

907
00:47:11,320 --> 00:47:14,080
Speaker 1: can you look at Diana like that? Why why does

908
00:47:14,200 --> 00:47:17,640
Speaker 1: everybody have to do one thing? And you acknowledge Beyonce.

909
00:47:17,680 --> 00:47:21,479
Speaker 1: They got our own queendom, Yes she has. She there's

910
00:47:21,600 --> 00:47:26,440
Speaker 1: no doubt that Beyonce is a queen, but Diana Ross

911
00:47:26,680 --> 00:47:30,279
Speaker 1: is everything to me. They can't be compared and they

912
00:47:30,320 --> 00:47:34,319
Speaker 1: can't and then you're no compared. Two different era, different styles. Yes,

913
00:47:35,040 --> 00:47:36,799
Speaker 1: we got more with Stephanie Mills. When we come back.

914
00:47:36,800 --> 00:47:39,400
Speaker 1: It's the Breakfast Club, Good Morning, Owning. Everybody is DJ

915
00:47:39,920 --> 00:47:42,239
Speaker 1: n V, Charlemagne the guy. We are the Breakfast Club.

916
00:47:42,320 --> 00:47:44,440
Speaker 1: We have our guest holes for today, Jamel Hill joining us.

917
00:47:44,520 --> 00:47:48,440
Speaker 1: But this interview happened yesterday when Jess Hilarious and Charlemagne

918
00:47:48,520 --> 00:47:51,160
Speaker 1: was in studio. Jamal Hill and myself we weren't there.

919
00:47:51,239 --> 00:47:53,200
Speaker 1: But let's get back into it. It's the Breakfast Club,

920
00:47:53,239 --> 00:47:55,359
Speaker 1: Good Morning. Can we talk about Black Broadway a proud

921
00:47:55,480 --> 00:47:59,239
Speaker 1: history of limits? Yes? What is that all about? Well,

922
00:47:59,320 --> 00:48:02,480
Speaker 1: I guess they felt like they needed to because you know,

923
00:48:02,680 --> 00:48:06,120
Speaker 1: there was a lot of controversy about not inclusive black

924
00:48:06,160 --> 00:48:10,360
Speaker 1: people on Broadway, and Broadway is truly the great White Ways.

925
00:48:11,000 --> 00:48:13,600
Speaker 1: And still they don't want us on there, but they

926
00:48:13,719 --> 00:48:17,160
Speaker 1: have to. They don't want to look like because I mean,

927
00:48:17,200 --> 00:48:20,200
Speaker 1: when you think about the wiz One winning seven Tonies,

928
00:48:20,480 --> 00:48:24,400
Speaker 1: when you think about Bubbling Brown's sugar sophisticated ladies raising

929
00:48:24,440 --> 00:48:27,200
Speaker 1: in the Sun, All these wonderful and see all these

930
00:48:27,280 --> 00:48:29,600
Speaker 1: shows were on Broadway when the Whiz was there. You

931
00:48:29,719 --> 00:48:32,360
Speaker 1: haven't seen that many black shows on Broadway since. No,

932
00:48:32,719 --> 00:48:35,000
Speaker 1: it's the first time, Like the last year is probably

933
00:48:35,040 --> 00:48:37,000
Speaker 1: the first time I've seen as many black shows. Ain't

934
00:48:37,040 --> 00:48:41,200
Speaker 1: no more strange loop. I'm going to see that next Friday.

935
00:48:41,280 --> 00:48:43,960
Speaker 1: Oh you haven't seen it yet. I've seen it twice.

936
00:48:44,719 --> 00:48:54,040
Speaker 1: Oh my god, he is the something. It is a

937
00:48:54,360 --> 00:48:58,239
Speaker 1: great show. You really think you'll see in Michael You

938
00:48:58,400 --> 00:49:02,240
Speaker 1: really do? You really? He is? And he's leaving in April,

939
00:49:02,480 --> 00:49:05,960
Speaker 1: so you better, Yes, you love it? All the ones

940
00:49:06,000 --> 00:49:08,640
Speaker 1: I named already. Saw the piano lesson, Oh I saw

941
00:49:08,719 --> 00:49:12,040
Speaker 1: the piano lessen to. Oh my god, so good to

942
00:49:12,120 --> 00:49:15,200
Speaker 1: see black people are Broadway doing their thing. I was

943
00:49:15,320 --> 00:49:17,239
Speaker 1: trying to explain to people, and I'm glad they're doing

944
00:49:17,280 --> 00:49:19,839
Speaker 1: this black Broadway especially. The future of Broadway is black.

945
00:49:20,320 --> 00:49:22,520
Speaker 1: The future of Broadway is black. They might just get

946
00:49:22,560 --> 00:49:24,560
Speaker 1: to it into it, but for whatever reason, knows that

947
00:49:24,680 --> 00:49:26,719
Speaker 1: old white guard is still holding onto it and they

948
00:49:26,719 --> 00:49:29,719
Speaker 1: don't want that crowd there. No, they don't. But I

949
00:49:30,000 --> 00:49:33,840
Speaker 1: don't want listen to me, My beautiful Black people do

950
00:49:34,040 --> 00:49:37,680
Speaker 1: not go to Broadway cutting up? Oh yeah, no, like

951
00:49:37,920 --> 00:49:40,640
Speaker 1: they did with the guy. Don't go cutting up. Don't

952
00:49:40,680 --> 00:49:43,880
Speaker 1: embarrass us yet. Oh I saw that. Yeah it was

953
00:49:43,960 --> 00:49:46,200
Speaker 1: Winston do great. I think it was. She was like

954
00:49:46,640 --> 00:49:50,080
Speaker 1: I saw you at No, no, no, no, can y'all

955
00:49:50,160 --> 00:49:54,319
Speaker 1: go and be respectful like we are, don't go cutting up?

956
00:49:54,480 --> 00:49:56,160
Speaker 1: So what do you want people to take from Black Broadway?

957
00:49:56,400 --> 00:49:59,200
Speaker 1: I hate that they even call it Black Broadway. I

958
00:49:59,360 --> 00:50:01,840
Speaker 1: hate you know, they should just say Broadway and what

959
00:50:01,960 --> 00:50:03,759
Speaker 1: we contributed to it. I hate that they call it

960
00:50:04,000 --> 00:50:06,799
Speaker 1: Black Broadway because well, I guess they can because they

961
00:50:06,880 --> 00:50:09,680
Speaker 1: call it the Great White Way. But I want them

962
00:50:09,760 --> 00:50:13,239
Speaker 1: to know just how wonderful we contributed and how much

963
00:50:13,400 --> 00:50:17,800
Speaker 1: money we brought to the Shuberts and the Nita Landers

964
00:50:17,880 --> 00:50:21,239
Speaker 1: and all the people that own those theaters. You know,

965
00:50:21,320 --> 00:50:23,680
Speaker 1: I tried to get Tyler Perry to buy the Apollo

966
00:50:23,680 --> 00:50:26,399
Speaker 1: because I think it should be owned by a black person. Yeah,

967
00:50:26,560 --> 00:50:28,120
Speaker 1: he didn't want to do it. He said it was

968
00:50:28,120 --> 00:50:30,960
Speaker 1: a lot of red tape. But I'm gonna keep pressing him. Right, Yeah,

969
00:50:30,960 --> 00:50:32,960
Speaker 1: I feel like, you know, Broadway needs to get blacker,

970
00:50:33,120 --> 00:50:35,040
Speaker 1: like I'd love to see you know, Rock Nation. You know,

971
00:50:35,080 --> 00:50:37,120
Speaker 1: they're trying to get the casino there, you know in

972
00:50:37,200 --> 00:50:39,399
Speaker 1: Times Square. I'd love to see the casino go there

973
00:50:39,400 --> 00:50:41,399
Speaker 1: because that's gonna bring a lot more you know, black

974
00:50:41,440 --> 00:50:44,320
Speaker 1: and brown traffic. Yea to the Times Square. Yes, because

975
00:50:44,640 --> 00:50:48,400
Speaker 1: they try to deny that we contributed. When you think that,

976
00:50:48,520 --> 00:50:52,040
Speaker 1: they don't mention Sammy Davis Junior, they don't mention Nadlie Cole,

977
00:50:52,680 --> 00:50:55,360
Speaker 1: they don't mention Luther Van Dross, and then they snubbed

978
00:50:55,400 --> 00:50:59,480
Speaker 1: Michael Jackson. How could you do that? How can you

979
00:50:59,560 --> 00:51:03,360
Speaker 1: know what I'm saying? We contributed a lot to this industry,

980
00:51:03,560 --> 00:51:08,920
Speaker 1: made this industry a lot of money. No, not Broadway,

981
00:51:08,920 --> 00:51:12,040
Speaker 1: I'm just talking about in the entertainment business period. You

982
00:51:12,160 --> 00:51:15,479
Speaker 1: know they should that. You can't get away from Elvis. Yeah,

983
00:51:15,680 --> 00:51:19,040
Speaker 1: and nobody ever brings up Elvis's indiscretions, the fact he

984
00:51:19,120 --> 00:51:22,560
Speaker 1: married or the third was thirteen, she was fifteen? Yeah,

985
00:51:22,760 --> 00:51:25,759
Speaker 1: why don't they talk about that? And that's what I mean.

986
00:51:25,880 --> 00:51:28,839
Speaker 1: It's like you can't ridicule our black men when when

987
00:51:29,080 --> 00:51:33,800
Speaker 1: when the other side has done? Yeah, our question about

988
00:51:33,800 --> 00:51:37,719
Speaker 1: Michael still, because I want to know I will answer. Okay, good,

989
00:51:37,920 --> 00:51:40,960
Speaker 1: So it's the truth that you and the date I

990
00:51:41,160 --> 00:51:44,400
Speaker 1: call it dating how was that? It was wonderful. Michael

991
00:51:44,680 --> 00:51:49,160
Speaker 1: was gentle, he was kind, very determined, knew where he

992
00:51:49,239 --> 00:51:52,359
Speaker 1: wanted to go, and we just had fun. Yeah. Used

993
00:51:52,400 --> 00:51:54,640
Speaker 1: to come to the Whiz all the time. So was

994
00:51:54,680 --> 00:52:02,920
Speaker 1: he smooth criminal? Was a smooth criminal? Can't wait to

995
00:52:02,920 --> 00:52:07,480
Speaker 1: say that. I loved him that afro and chocolate. Yeah,

996
00:52:07,840 --> 00:52:09,799
Speaker 1: So why do you change all that? I think that's

997
00:52:09,840 --> 00:52:12,600
Speaker 1: what people get Michael Miskin screwed, and you know they'll

998
00:52:12,640 --> 00:52:15,000
Speaker 1: they'll they'll labeled Michael toom as an uncle Tom or

999
00:52:15,560 --> 00:52:17,840
Speaker 1: you know, a coon because of that. I gotta be

1000
00:52:17,920 --> 00:52:22,440
Speaker 1: strategic because that's my baby. But um, Michael wanted to

1001
00:52:22,640 --> 00:52:25,320
Speaker 1: be the King of pop. He had a fetish with

1002
00:52:25,600 --> 00:52:30,080
Speaker 1: Elvis Presley and he had his eyes on Lisa Presley

1003
00:52:30,160 --> 00:52:32,919
Speaker 1: when she was very young. I think he always knew

1004
00:52:33,000 --> 00:52:37,080
Speaker 1: he wanted to because he felt like that was the epitome. Yeah,

1005
00:52:38,000 --> 00:52:42,160
Speaker 1: you know, and I think he really wanted to be king.

1006
00:52:42,560 --> 00:52:45,120
Speaker 1: But then when he got over there, they showed him

1007
00:52:45,160 --> 00:52:49,960
Speaker 1: that you still and it broke his heart. Yeah, you'll

1008
00:52:50,000 --> 00:52:52,680
Speaker 1: have a relationship even up until his passing. No, he

1009
00:52:52,880 --> 00:52:56,080
Speaker 1: was too different. Yeah, I couldn't relate to that, Michael.

1010
00:52:56,920 --> 00:52:59,359
Speaker 1: It had gone too far, but I think he knew

1011
00:52:59,800 --> 00:53:01,400
Speaker 1: that they had gone too far. But what can you do.

1012
00:53:02,000 --> 00:53:04,520
Speaker 1: You can't go back at this point. You can't go

1013
00:53:04,640 --> 00:53:08,040
Speaker 1: back because we went to the opening of The Atlantis

1014
00:53:09,400 --> 00:53:12,719
Speaker 1: and he asked me to come. He asked to see me,

1015
00:53:13,760 --> 00:53:16,279
Speaker 1: and I didn't go because I was rehearsing, and I

1016
00:53:16,520 --> 00:53:20,040
Speaker 1: often wondered what he wanted, what he wanted to tell me.

1017
00:53:20,160 --> 00:53:22,680
Speaker 1: He probably wanted to tell me something or you know,

1018
00:53:22,880 --> 00:53:25,600
Speaker 1: but it had gone too far and I couldn't relate.

1019
00:53:26,120 --> 00:53:29,920
Speaker 1: And Michael was taught the moonwalk by my ex husband

1020
00:53:30,000 --> 00:53:33,800
Speaker 1: Jeffrey Daniel. I went to those rehearsals. Yeah, I know

1021
00:53:33,880 --> 00:53:37,920
Speaker 1: everybody claimed that they did not. Jeffrey Daniel taught Michael

1022
00:53:37,960 --> 00:53:40,279
Speaker 1: the moonwalk and all those things. But you know, the

1023
00:53:40,400 --> 00:53:43,520
Speaker 1: Motown people, they don't always give people credit. You know,

1024
00:53:43,640 --> 00:53:46,520
Speaker 1: they're taught not to give people credit. I love giving

1025
00:53:46,600 --> 00:53:49,000
Speaker 1: people credit for what they do for me because you

1026
00:53:49,040 --> 00:53:52,480
Speaker 1: can't do this by yourself. But you know, Michael never

1027
00:53:52,520 --> 00:53:56,880
Speaker 1: gave him credit, and he should have. It's just interesting

1028
00:53:56,920 --> 00:53:58,600
Speaker 1: to me, how, you know. I always wondered, like, what

1029
00:53:58,680 --> 00:54:02,120
Speaker 1: can make a person like totally lose their blackness? And

1030
00:54:02,520 --> 00:54:05,680
Speaker 1: have you seen somebody lose their blackness, or fall out

1031
00:54:05,719 --> 00:54:07,960
Speaker 1: with black people and find a way to get back

1032
00:54:08,480 --> 00:54:10,320
Speaker 1: with the communication. It feel like once you, once you

1033
00:54:10,400 --> 00:54:12,560
Speaker 1: turn your back on us, we turn our back on

1034
00:54:12,680 --> 00:54:15,800
Speaker 1: you forever. Yeah, but look at it. You know, I

1035
00:54:15,880 --> 00:54:18,640
Speaker 1: can remember a time people. I'm not gonna like this either,

1036
00:54:18,680 --> 00:54:21,080
Speaker 1: but I can remember a time when Michael would be

1037
00:54:21,120 --> 00:54:22,560
Speaker 1: at the awards and you would have to get in

1038
00:54:22,640 --> 00:54:26,520
Speaker 1: a line to see him. I never did that. I'm

1039
00:54:26,560 --> 00:54:28,399
Speaker 1: not getting an a line to see nobody. Ain't nobody

1040
00:54:28,520 --> 00:54:31,000
Speaker 1: that important? Nobody's more important than God? And I think

1041
00:54:31,080 --> 00:54:33,799
Speaker 1: there's no one that's you know, like some people say, well,

1042
00:54:33,880 --> 00:54:37,120
Speaker 1: how can you say something about Oprah or something about Gail?

1043
00:54:37,440 --> 00:54:39,480
Speaker 1: Aren't you afraid? I fear God? And you know that

1044
00:54:39,960 --> 00:54:44,040
Speaker 1: you know that, Shallamagne? I only fear fear God. I

1045
00:54:44,040 --> 00:54:47,480
Speaker 1: don't feel a backlash. I mean, I'm sixty six years old.

1046
00:54:49,600 --> 00:54:53,320
Speaker 1: You know what I'm saying. But I think and nobody's

1047
00:54:54,600 --> 00:54:57,560
Speaker 1: like nobody, I don't care who you are and how

1048
00:54:57,640 --> 00:55:00,200
Speaker 1: much money you have, because you can lose. That could

1049
00:55:00,200 --> 00:55:04,600
Speaker 1: Harvey Weinstein. I remember a certain person calling him God.

1050
00:55:05,120 --> 00:55:08,600
Speaker 1: I you know, Charlie Rose, who would have thought, you know,

1051
00:55:08,880 --> 00:55:12,719
Speaker 1: Matt lower where he was kind of arrogant. He was arrogant, Yeah, yeah,

1052
00:55:13,040 --> 00:55:16,080
Speaker 1: but I just don't think that anybody's under approach. But

1053
00:55:16,120 --> 00:55:18,200
Speaker 1: I do think Michael knew he went too far. And

1054
00:55:18,280 --> 00:55:20,320
Speaker 1: you got to remember towards the end of his career

1055
00:55:20,600 --> 00:55:24,320
Speaker 1: he went to Jesse Jackson and Al Shopton and he

1056
00:55:24,440 --> 00:55:28,800
Speaker 1: even wanted to give Pops his minister Baron his catalog

1057
00:55:28,880 --> 00:55:30,880
Speaker 1: and Pops wouldn't take it. And he had a lot

1058
00:55:30,960 --> 00:55:35,600
Speaker 1: of Muslims around him. Towards the end, Michael never forgot

1059
00:55:35,680 --> 00:55:38,480
Speaker 1: he was black. I think he just got caught up

1060
00:55:38,600 --> 00:55:42,000
Speaker 1: in that bride. That Ryan can be vicious, as we

1061
00:55:42,120 --> 00:55:45,279
Speaker 1: see with other people that are white dealing with it,

1062
00:55:45,440 --> 00:55:48,279
Speaker 1: Britney Spears and and and I go back to them

1063
00:55:48,320 --> 00:55:52,640
Speaker 1: because I really see how the business has tormented them

1064
00:55:52,960 --> 00:55:55,919
Speaker 1: and the people around them. M the movie Pride, Seven

1065
00:55:56,000 --> 00:55:59,640
Speaker 1: Deadly Sins Story. It's gonna be a lifetime. Yes, with

1066
00:56:00,040 --> 00:56:04,080
Speaker 1: with nephew Tommy, who did a brilliant job. He plays

1067
00:56:04,120 --> 00:56:06,800
Speaker 1: with my son Gabe, and Ken your King who's a

1068
00:56:06,920 --> 00:56:11,880
Speaker 1: Canadian actress, and Erica Campbell came in to play Pastor.

1069
00:56:11,960 --> 00:56:15,760
Speaker 1: Trey is your first feature, My first feature, that's crazy,

1070
00:56:16,280 --> 00:56:19,800
Speaker 1: My first since Broadway and everything else nobody decided seventy

1071
00:56:19,840 --> 00:56:22,239
Speaker 1: Mills should be acted. They wouldn't give me a job,

1072
00:56:22,560 --> 00:56:25,759
Speaker 1: damn they wouldn't you want to do more? Oh? Yes,

1073
00:56:25,960 --> 00:56:29,160
Speaker 1: I got the bug now. But I'm not auditioning. No,

1074
00:56:30,080 --> 00:56:33,080
Speaker 1: tell him she's not auditionist, so don't ask her. What

1075
00:56:33,320 --> 00:56:36,600
Speaker 1: roles would you want to play? Mothers? I mean I

1076
00:56:36,640 --> 00:56:41,240
Speaker 1: could play a mother, you know, an older sister, but mothers.

1077
00:56:41,640 --> 00:56:44,480
Speaker 1: I want to do a Christmas yes, being a therapist.

1078
00:56:44,840 --> 00:56:47,960
Speaker 1: Or I want to play somebody really tough and like gangster.

1079
00:56:48,120 --> 00:56:50,680
Speaker 1: I could see that too. I can see that too.

1080
00:56:51,040 --> 00:56:58,480
Speaker 1: Now until you see your side, I would have you

1081
00:56:58,480 --> 00:57:02,839
Speaker 1: dobody short of you? When does the movie like the movie? Eight?

1082
00:57:02,960 --> 00:57:08,560
Speaker 1: Real eight? And then Black to Broadway is uh? Well,

1083
00:57:08,600 --> 00:57:11,319
Speaker 1: Stephanie Mills is always a pleasure sitting down the bill

1084
00:57:11,400 --> 00:57:13,040
Speaker 1: with you and talk to you. And I just love

1085
00:57:13,080 --> 00:57:15,040
Speaker 1: seeing you all the time. I love seeing you too

1086
00:57:15,160 --> 00:57:19,600
Speaker 1: bad bis. Yes, that's right, it's Stephanie Mills. Y'alls to

1087
00:57:19,600 --> 00:57:23,480
Speaker 1: Breakfast Club morning. Everybody is DJ Envy Charlemagne the guy.

1088
00:57:23,600 --> 00:57:25,600
Speaker 1: We are the breakfast Club. We got our guests, host

1089
00:57:25,640 --> 00:57:28,680
Speaker 1: Jamil Hill joining us this morning. Yes, indeed, and let's

1090
00:57:28,720 --> 00:57:34,000
Speaker 1: get to the rum us let's talk re read name

1091
00:57:34,280 --> 00:57:38,280
Speaker 1: or you've gossip and when you chatting is the Ruber Report.

1092
00:57:38,400 --> 00:57:39,720
Speaker 1: I mean, I guess we're on the breakast club. This

1093
00:57:39,800 --> 00:57:43,280
Speaker 1: were the tea spills right right on the breakfast club. Now,

1094
00:57:43,400 --> 00:57:47,120
Speaker 1: Rihanna's super Bowl halftime performance, which got more viewershipped than

1095
00:57:47,160 --> 00:57:51,080
Speaker 1: the actual super Bowl, generated one hundred and three FCC

1096
00:57:51,320 --> 00:57:54,520
Speaker 1: complaints for being too sexual, dropping clues bon for Rihanna.

1097
00:57:54,520 --> 00:57:57,680
Speaker 1: That's what I'm talking about. Make them mad, that's right. Now,

1098
00:57:57,760 --> 00:58:00,440
Speaker 1: what was sexual about it? I didn't see anything sexual.

1099
00:58:01,760 --> 00:58:04,240
Speaker 1: That was it? Well, I think it was, didn't She

1100
00:58:04,600 --> 00:58:06,640
Speaker 1: sort of grab her crotch a little bit. It was

1101
00:58:06,720 --> 00:58:09,040
Speaker 1: that butterfly. That butterfly was will and she took it

1102
00:58:09,080 --> 00:58:10,800
Speaker 1: back to the nineteen hundreds of that butterfly in that

1103
00:58:10,840 --> 00:58:13,240
Speaker 1: Tucci Rold. That's what That's what did it. People just

1104
00:58:13,280 --> 00:58:15,320
Speaker 1: don't always find a reason, you know what I'm saying,

1105
00:58:15,560 --> 00:58:18,280
Speaker 1: It always reason, you know, forgiving the performance. It's like

1106
00:58:18,920 --> 00:58:21,680
Speaker 1: what you're angry about. Yeah, I think white Middle America

1107
00:58:21,760 --> 00:58:24,720
Speaker 1: has a problem with seeing any black or brown person

1108
00:58:24,880 --> 00:58:28,400
Speaker 1: on stage shaking their ass. I really feel that way

1109
00:58:28,480 --> 00:58:30,240
Speaker 1: because I think this goes back to the Janet Jackson

1110
00:58:30,320 --> 00:58:32,960
Speaker 1: Super Bowl when you know she showed a little of

1111
00:58:33,040 --> 00:58:34,880
Speaker 1: her breast or whatever it was. I think that they've

1112
00:58:34,920 --> 00:58:37,240
Speaker 1: been making complaints ever since. I think they've been looking

1113
00:58:37,320 --> 00:58:39,560
Speaker 1: for those moments to complain that the same thing happened

1114
00:58:39,560 --> 00:58:43,840
Speaker 1: with Jay Low and Shakira Ambiance. Now also, Rihanna's gonna

1115
00:58:43,840 --> 00:58:46,080
Speaker 1: be performing at the twenty twenty three OSCAR She's gonna

1116
00:58:46,080 --> 00:58:49,640
Speaker 1: be performing and Lift Me Up. Please don't Yes, but

1117
00:58:49,880 --> 00:58:51,200
Speaker 1: you don't want her to perform, no, I know I

1118
00:58:51,200 --> 00:58:52,800
Speaker 1: don't like that that song that I don't like the song.

1119
00:58:52,840 --> 00:58:55,600
Speaker 1: I don't want to hear that song on TV live.

1120
00:58:56,040 --> 00:58:57,880
Speaker 1: That song is fitting for the end of Black Panther.

1121
00:58:57,920 --> 00:59:00,280
Speaker 1: I hate when they played on the radio that song

1122
00:59:00,320 --> 00:59:02,880
Speaker 1: is too depressed. But asks is about movies, right, So

1123
00:59:03,120 --> 00:59:06,120
Speaker 1: the fact that she's performing from Black Panthers, Uh, I

1124
00:59:06,200 --> 00:59:08,400
Speaker 1: think that makes sense. And that's March twelve at eight pm.

1125
00:59:08,480 --> 00:59:09,720
Speaker 1: You can check her out. I'll tell you where it

1126
00:59:09,720 --> 00:59:11,440
Speaker 1: would make sense if they're doing it as part of

1127
00:59:11,480 --> 00:59:14,880
Speaker 1: the in Memorium package. Remember how I forgot what the

1128
00:59:14,880 --> 00:59:17,040
Speaker 1: war show it was with Quabo performed and no people

1129
00:59:17,040 --> 00:59:19,560
Speaker 1: were performing for the in Memorium package. If she does

1130
00:59:19,680 --> 00:59:21,720
Speaker 1: Lift Me Up for the in memorium package. It'll make sense,

1131
00:59:22,120 --> 00:59:24,120
Speaker 1: all right, Other than that, it's like the windshield wiper

1132
00:59:24,240 --> 00:59:28,120
Speaker 1: going and it's not even raining outside. Stupid now academics.

1133
00:59:28,480 --> 00:59:32,680
Speaker 1: He claims that Gunna wants out of ys L Well

1134
00:59:32,760 --> 00:59:34,960
Speaker 1: I hurt, he got an album, he got something to say,

1135
00:59:35,120 --> 00:59:37,360
Speaker 1: but there's nobody down to stand with him. So it

1136
00:59:37,400 --> 00:59:40,640
Speaker 1: becomes one of those situations where, yeah, how good could

1137
00:59:40,680 --> 00:59:43,440
Speaker 1: you make your cases if everybody's leaving you on an island.

1138
00:59:43,560 --> 00:59:46,720
Speaker 1: So I think Gonna is kind of in limbo waiting

1139
00:59:46,760 --> 00:59:48,640
Speaker 1: to see what happens with Thug. I think he's praying

1140
00:59:48,720 --> 00:59:52,000
Speaker 1: that Thug, you know, gets a favorable outcome, or he's

1141
00:59:52,040 --> 00:59:55,520
Speaker 1: probably praying that, you know, despite what might happen to Thug,

1142
00:59:55,640 --> 00:59:58,720
Speaker 1: that Thug has some type of grace for him because

1143
00:59:58,960 --> 01:00:01,640
Speaker 1: he's not the only one who complete now label side.

1144
01:00:01,680 --> 01:00:04,040
Speaker 1: A lot of people believe that Gunna is going to

1145
01:00:04,200 --> 01:00:07,760
Speaker 1: be seeking to leave Wyre Cell. He's under why Cell,

1146
01:00:07,800 --> 01:00:11,200
Speaker 1: that's under three hundred. His contract is probably gonna get

1147
01:00:11,280 --> 01:00:14,800
Speaker 1: negotiated in a way where there is either buy out

1148
01:00:14,960 --> 01:00:18,840
Speaker 1: or is gonna go to Atlantic Record. Yeah. I heard

1149
01:00:18,840 --> 01:00:21,120
Speaker 1: that as well, that he possibly wants at ayre Celling

1150
01:00:21,160 --> 01:00:22,760
Speaker 1: to be on his own, so we'll see what happens

1151
01:00:22,800 --> 01:00:30,400
Speaker 1: with that. You couldn't even fake it. I was like, wow,

1152
01:00:30,440 --> 01:00:33,000
Speaker 1: that sounds a lot like when I'm describing the last

1153
01:00:33,040 --> 01:00:36,560
Speaker 1: episode of Young and the Wrestlers. And yes, I still

1154
01:00:36,600 --> 01:00:38,840
Speaker 1: watch Jesus, I didn't even know what that was. Still long, Yeah,

1155
01:00:39,160 --> 01:00:42,920
Speaker 1: a DVRD every day. Listen, it's my guilty pleasure. It's

1156
01:00:42,960 --> 01:00:45,120
Speaker 1: high blow off steam. I watch Younger of the Wrestlers. Ye,

1157
01:00:45,200 --> 01:00:47,680
Speaker 1: that's actually been around for a long time. That's that's

1158
01:00:47,720 --> 01:00:49,200
Speaker 1: when you pick up your mom's habits. Like your mom

1159
01:00:49,320 --> 01:00:50,880
Speaker 1: used to watch Young and Wrestlers right now. My mom

1160
01:00:51,000 --> 01:00:53,640
Speaker 1: used to watch all my children on hospital. My mom

1161
01:00:53,720 --> 01:00:55,960
Speaker 1: watched Another World. Well not not another World, another child,

1162
01:00:56,000 --> 01:00:57,480
Speaker 1: Well it was another sing Days of our lives, my

1163
01:00:57,520 --> 01:01:06,440
Speaker 1: grandma's Days of our lives. Ye, oh my god. Now

1164
01:01:06,480 --> 01:01:08,800
Speaker 1: I want to tell all security guards that's out there

1165
01:01:08,880 --> 01:01:11,160
Speaker 1: protecting these artists. If you come to New York City,

1166
01:01:11,200 --> 01:01:12,920
Speaker 1: and I know a lot of you guys have licenses

1167
01:01:12,960 --> 01:01:15,280
Speaker 1: from different states, it doesn't matter in New York. So

1168
01:01:15,400 --> 01:01:19,720
Speaker 1: Glorrilla's driver was busted with guns as she was performing

1169
01:01:19,760 --> 01:01:21,400
Speaker 1: with Cardi B in New York City. She was at

1170
01:01:21,440 --> 01:01:25,200
Speaker 1: Irving Plaza. Now, allegedly New York City police officers observed

1171
01:01:25,240 --> 01:01:27,960
Speaker 1: a man trying to get into the venue and when

1172
01:01:28,080 --> 01:01:30,439
Speaker 1: he set the metal detective off and he turned around

1173
01:01:30,440 --> 01:01:31,760
Speaker 1: and went back to the car, they sent him in

1174
01:01:31,840 --> 01:01:33,800
Speaker 1: sitting in the car, so they checked him out and

1175
01:01:33,800 --> 01:01:37,560
Speaker 1: they found two semi automatic pistols. So they don't know

1176
01:01:37,600 --> 01:01:39,600
Speaker 1: if that was security, if he was just a driver,

1177
01:01:39,680 --> 01:01:41,640
Speaker 1: a friend, or whatever it may be. But this happens

1178
01:01:41,680 --> 01:01:43,720
Speaker 1: a lot. A lot of people get licenses from different places.

1179
01:01:43,800 --> 01:01:45,880
Speaker 1: But if you cross over to New York City and

1180
01:01:46,000 --> 01:01:49,640
Speaker 1: you have that license that's valid in Texas, Florida, Jersey, wherever,

1181
01:01:49,840 --> 01:01:52,840
Speaker 1: wherever you get your license from Utah does not work here. Well,

1182
01:01:52,880 --> 01:01:54,880
Speaker 1: thank you for the update on the legislation. Okay, can

1183
01:01:54,920 --> 01:01:58,200
Speaker 1: we talk about this headline on TMZ that's DJ envy

1184
01:01:58,520 --> 01:02:04,560
Speaker 1: IRV gott he owes me thousand dollars keeps blowing me off. Now.

1185
01:02:04,760 --> 01:02:07,240
Speaker 1: The crazy thing is is I never said he get

1186
01:02:08,480 --> 01:02:11,120
Speaker 1: forget that. IRV gott he owes you ten thousand dollars. Yeah,

1187
01:02:11,160 --> 01:02:14,760
Speaker 1: I need the backstory you want to, I was explaining

1188
01:02:14,840 --> 01:02:17,640
Speaker 1: when Jesse Larius was said, yeah, so, uh. One of

1189
01:02:17,680 --> 01:02:20,120
Speaker 1: the first tracks that me and DJ Mono, the person

1190
01:02:20,200 --> 01:02:22,280
Speaker 1: that actually taught me how to DJ produce. Ever earv

1191
01:02:22,360 --> 01:02:24,880
Speaker 1: Gott he bought right and he paid ten thousand for

1192
01:02:25,000 --> 01:02:27,000
Speaker 1: that beat. Right. He gave me five thousand up front

1193
01:02:27,040 --> 01:02:29,320
Speaker 1: and he owed me five thousand back then, which it

1194
01:02:29,440 --> 01:02:30,920
Speaker 1: is now, But it was a lot of money for

1195
01:02:31,000 --> 01:02:32,920
Speaker 1: me and Mono during that time, like we needed it,

1196
01:02:33,000 --> 01:02:34,800
Speaker 1: and we never got the back end. And then he

1197
01:02:34,920 --> 01:02:36,880
Speaker 1: put the same track in a movie, so we're supposed

1198
01:02:36,880 --> 01:02:38,080
Speaker 1: to get a sync fee. We was supposed to get

1199
01:02:38,080 --> 01:02:40,840
Speaker 1: a movie fee, but we never got nothing. But you know,

1200
01:02:40,960 --> 01:02:43,520
Speaker 1: I honestly never I never got nothing. I never got

1201
01:02:43,600 --> 01:02:45,280
Speaker 1: a back in anything. But it was it was my

1202
01:02:45,440 --> 01:02:47,919
Speaker 1: first beat, So it was just it was still feel

1203
01:02:48,000 --> 01:02:51,040
Speaker 1: this trauma now, like why why why promp? Why stay this?

1204
01:02:51,120 --> 01:02:53,320
Speaker 1: Why talk about this now? Now? When Jesse Hilarius was

1205
01:02:53,360 --> 01:02:55,960
Speaker 1: talking about her not getting her back and I got

1206
01:02:56,240 --> 01:02:59,120
Speaker 1: it was a trigger and I was traumatized and I

1207
01:02:59,200 --> 01:03:00,680
Speaker 1: felt the way. So I just wanted to say that

1208
01:03:00,760 --> 01:03:02,200
Speaker 1: you know, the people out there, yeah, it happens to

1209
01:03:02,320 --> 01:03:06,120
Speaker 1: everybody every day. Being it happened to me, I've been

1210
01:03:06,160 --> 01:03:09,000
Speaker 1: sitting here racking my brain, like who owed me some bread?

1211
01:03:09,160 --> 01:03:11,320
Speaker 1: Right now? So I could get this out here and

1212
01:03:11,480 --> 01:03:14,520
Speaker 1: y'all could pay me. But I've been very thankful that

1213
01:03:15,120 --> 01:03:17,480
Speaker 1: nobody owes me money. But mind you, was like when

1214
01:03:17,520 --> 01:03:19,080
Speaker 1: I was eighteen nineteen years so I think it was.

1215
01:03:19,440 --> 01:03:21,480
Speaker 1: I was pretty young, but it was my first track,

1216
01:03:21,520 --> 01:03:23,400
Speaker 1: so the opportunity was everything for me. And then I

1217
01:03:23,520 --> 01:03:26,040
Speaker 1: produced for Dmax, I produced for Fabulous, and I did

1218
01:03:26,240 --> 01:03:29,680
Speaker 1: a bunch of other productions. So I notice, I just

1219
01:03:29,960 --> 01:03:31,959
Speaker 1: tell exactly if you're waking up to this this morning.

1220
01:03:32,080 --> 01:03:34,400
Speaker 1: I'm sure he probably don't remember. Most people don't remember.

1221
01:03:34,440 --> 01:03:36,520
Speaker 1: Probably probably thought the counter handled it. But yeah, they

1222
01:03:36,960 --> 01:03:38,560
Speaker 1: only money. But even if you try to give it

1223
01:03:38,560 --> 01:03:39,760
Speaker 1: to me right now, I would't take the money. It

1224
01:03:39,880 --> 01:03:43,200
Speaker 1: was what it was. This is like I would take

1225
01:03:43,200 --> 01:03:45,320
Speaker 1: that money. I would take I'll take that money. Yeah,

1226
01:03:46,000 --> 01:03:52,840
Speaker 1: five grand Yeah, okay, but I gotta split it Remono.

1227
01:03:52,840 --> 01:03:55,200
Speaker 1: But I gotta split it a Moano. I gotta split

1228
01:03:55,240 --> 01:03:57,520
Speaker 1: it with Mono though. So yeah, but anyway, that is

1229
01:03:57,640 --> 01:04:02,720
Speaker 1: your rumor report shout shout the murder anking earth. If

1230
01:04:02,760 --> 01:04:05,240
Speaker 1: you want to send my money, my address is still

1231
01:04:05,280 --> 01:04:06,680
Speaker 1: the Samement Queens. You could just send it right to

1232
01:04:06,720 --> 01:04:09,280
Speaker 1: the peelbox there. But anyway, Charlotte man, who are giving

1233
01:04:09,280 --> 01:04:11,440
Speaker 1: that down? Continue man, four after the hour. We need

1234
01:04:11,480 --> 01:04:14,240
Speaker 1: to talk about f D because we're don't talk about

1235
01:04:14,320 --> 01:04:17,919
Speaker 1: f D enough. What was FD fast food disappointment? Oh,

1236
01:04:18,200 --> 01:04:20,320
Speaker 1: we'll discuss four after that hour. All right, we'll get

1237
01:04:20,320 --> 01:04:22,280
Speaker 1: to that next. Don't move. It's to breakfast Club. Good morning,

1238
01:04:22,840 --> 01:04:26,080
Speaker 1: the breakfast Club. Your mornings will never be the same.

1239
01:04:27,000 --> 01:04:29,440
Speaker 1: Audible pick of the day and some people have real problems.

1240
01:04:29,520 --> 01:04:32,400
Speaker 1: By Britt Bennett. Tessa Thompson plays a conflicted woman who

1241
01:04:32,480 --> 01:04:35,200
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1242
01:04:35,240 --> 01:04:36,960
Speaker 1: sign up for a free thirty day trial at the

1243
01:04:37,000 --> 01:04:47,920
Speaker 1: Homeless Storytelling Audible dot Com slash breakfast Club. Damn the

1244
01:04:48,040 --> 01:04:53,880
Speaker 1: heat Hall. I ain't trying to be dunky today no more.

1245
01:04:54,000 --> 01:04:55,760
Speaker 1: Yeah they should. They should being bassed by what they

1246
01:04:55,800 --> 01:04:58,120
Speaker 1: already did. I'm not making any people do these days

1247
01:04:58,440 --> 01:05:01,560
Speaker 1: down ter day and it really caught me off guard.

1248
01:05:01,760 --> 01:05:07,960
Speaker 1: Damn Solomon, who got the donkey out of day to day? Okay, Tail,

1249
01:05:08,000 --> 01:05:10,479
Speaker 1: let's drop on a clues box for Taylor putting together

1250
01:05:10,560 --> 01:05:14,160
Speaker 1: new Donkey Today intros Okay Donkey Today for Friday, February

1251
01:05:14,240 --> 01:05:17,440
Speaker 1: twenty fourth goes to Belinda H. Miller of Augusta, Georgia.

1252
01:05:17,480 --> 01:05:20,960
Speaker 1: Belinda's fifty years old, grown woman, seasoned, Okay, knows what

1253
01:05:21,080 --> 01:05:22,680
Speaker 1: she wants and how she wants it, and if she

1254
01:05:22,800 --> 01:05:24,920
Speaker 1: doesn't get it, I'm sure she's not happy about it,

1255
01:05:24,960 --> 01:05:27,760
Speaker 1: and I totally understand. Okay, what you kids don't realize

1256
01:05:28,080 --> 01:05:30,320
Speaker 1: is those of us born in the nineteen hundreds grew

1257
01:05:30,400 --> 01:05:33,320
Speaker 1: up on the Burger King slogan having your way. Okay, yes,

1258
01:05:33,440 --> 01:05:35,600
Speaker 1: long before the me Goes and Drake were having that way,

1259
01:05:35,640 --> 01:05:37,760
Speaker 1: we were having ours. And that's really a slogan that

1260
01:05:37,840 --> 01:05:39,920
Speaker 1: applies to more than just Burger King. Okay, when you

1261
01:05:40,000 --> 01:05:42,160
Speaker 1: go to fast food restaurants, you want what you want

1262
01:05:42,360 --> 01:05:45,680
Speaker 1: and anything else is uncivilized. Okay, words at y'alls Barkley

1263
01:05:45,680 --> 01:05:47,640
Speaker 1: and the Right Guard commercials from the nineteen hundreds, But

1264
01:05:47,880 --> 01:05:50,880
Speaker 1: it's certain things you expect from certain fast food restaurants.

1265
01:05:50,880 --> 01:05:53,200
Speaker 1: When you go to Chick fil A, you expect immaculate

1266
01:05:53,320 --> 01:05:55,760
Speaker 1: service and for your order to be absolutely correct. So

1267
01:05:55,840 --> 01:05:58,240
Speaker 1: imagine going to Chick fil A and ordering the four

1268
01:05:58,280 --> 01:06:01,160
Speaker 1: piece chicken scripts with a large waff for in Polynesian sauce.

1269
01:06:01,360 --> 01:06:05,200
Speaker 1: Heavy on the Polynesian sauce, but imagine the disappointment one

1270
01:06:05,240 --> 01:06:08,680
Speaker 1: would feel if they forgot the Polynesian sauce. Okay, you

1271
01:06:08,760 --> 01:06:11,360
Speaker 1: a mile up the road, gotta get back off the highway, bustle.

1272
01:06:11,400 --> 01:06:12,960
Speaker 1: You turn to get back to Chick Fila to get

1273
01:06:13,000 --> 01:06:15,080
Speaker 1: to the Polynesian sauce, because you can't even eat the

1274
01:06:15,200 --> 01:06:19,360
Speaker 1: chicken scrips without the Polynesian sauce. That's high level FD.

1275
01:06:19,960 --> 01:06:23,920
Speaker 1: Y'all know what FD is, right? Fast food disappointment. Okay,

1276
01:06:24,000 --> 01:06:25,760
Speaker 1: f D is one of the worst things one can

1277
01:06:25,840 --> 01:06:28,840
Speaker 1: experience because most of the time when we ordering fast food,

1278
01:06:29,040 --> 01:06:31,400
Speaker 1: we're doing it on the go, and it's comfort food

1279
01:06:31,520 --> 01:06:33,439
Speaker 1: and we want to be comforted. And when the things

1280
01:06:33,480 --> 01:06:35,920
Speaker 1: we want for comfort aren't provided, how can we not

1281
01:06:36,120 --> 01:06:40,000
Speaker 1: be disappointed McDonald's ice cream machine being broke f D

1282
01:06:40,560 --> 01:06:43,080
Speaker 1: when these fries not hot after saying you want fresh

1283
01:06:43,160 --> 01:06:47,240
Speaker 1: hot fries FD. Krispy Kreme hot now like not on

1284
01:06:47,760 --> 01:06:50,760
Speaker 1: when you pull up to it FD. But Belinda Miller,

1285
01:06:51,720 --> 01:06:54,000
Speaker 1: what Belinda Miller went through is high level FD, the

1286
01:06:54,120 --> 01:06:57,320
Speaker 1: kind of FD that one might need some therapy for later.

1287
01:06:57,360 --> 01:07:00,640
Speaker 1: See Jamel, I know that you have an affinity for Popeyes, right,

1288
01:07:00,760 --> 01:07:02,880
Speaker 1: I love Popeyes. Let me ask you a question, what's

1289
01:07:02,920 --> 01:07:07,760
Speaker 1: your go to Popeyes, order three piece spicy red beans

1290
01:07:07,760 --> 01:07:11,720
Speaker 1: and rice, doctor pepper, that's to go to. Yeah, so

1291
01:07:11,800 --> 01:07:15,280
Speaker 1: what could be missing from that order that would disappoint you? Okay,

1292
01:07:15,360 --> 01:07:17,200
Speaker 1: So I'm not a sauce person, So when you were

1293
01:07:17,600 --> 01:07:20,720
Speaker 1: laying that out, I definitely understand fast food disappointment. Like

1294
01:07:20,880 --> 01:07:24,040
Speaker 1: I eat my chicken strips or chicken nuggets or you know,

1295
01:07:24,400 --> 01:07:27,960
Speaker 1: chicken tenders, no sauce, Jesus Christ. So I wouldn't have

1296
01:07:27,960 --> 01:07:30,560
Speaker 1: been disappointed at all. I'd have been like, oh cool,

1297
01:07:31,040 --> 01:07:33,680
Speaker 1: I'm the same. No sauce my nuggets or no sauce

1298
01:07:33,840 --> 01:07:36,200
Speaker 1: chicken fingers either. Y'all should never be allowed to own

1299
01:07:36,240 --> 01:07:39,760
Speaker 1: a fire arm. What why don't you sauce? No? No

1300
01:07:40,640 --> 01:07:43,280
Speaker 1: wow unless it's Chick fil A, Chick fil a all day.

1301
01:07:43,320 --> 01:07:45,680
Speaker 1: But outside of that, man, no, no sauce, not wow.

1302
01:07:45,920 --> 01:07:48,360
Speaker 1: There's a little s pepper. Yeah, that's it. Like fries,

1303
01:07:48,440 --> 01:07:50,640
Speaker 1: no ketchup, I just need sau Yeah, I'm saying, like fries,

1304
01:07:50,720 --> 01:07:53,560
Speaker 1: no ketchup, just sa pepper. Well, let's go to f

1305
01:07:53,720 --> 01:07:55,360
Speaker 1: Let's go to ABC six for the report, please to

1306
01:07:55,400 --> 01:07:58,680
Speaker 1: see what kind of kids of driving her car into

1307
01:07:58,800 --> 01:08:02,000
Speaker 1: a rost rot Balenda Noah was arrested today for Lesiley

1308
01:08:02,080 --> 01:08:04,960
Speaker 1: ramming her fud through the wall of Popeyes on the

1309
01:08:05,000 --> 01:08:07,920
Speaker 1: walls the way. Investigators say, the fifty year old continued

1310
01:08:08,000 --> 01:08:10,560
Speaker 1: driving her vehicle through the doors of the building and

1311
01:08:10,680 --> 01:08:13,600
Speaker 1: did not stop until the breed blocked her from moving forever.

1312
01:08:14,320 --> 01:08:16,439
Speaker 1: No woman was hurt, but a woman inside the restaurant

1313
01:08:16,560 --> 01:08:19,799
Speaker 1: was almost hit. Melinda Milla. It is hard for decovating

1314
01:08:19,800 --> 01:08:22,880
Speaker 1: the salt of her free from the old banage property. Now.

1315
01:08:23,080 --> 01:08:25,479
Speaker 1: I know the audio wasn't the best, but Belinda ran

1316
01:08:25,640 --> 01:08:28,720
Speaker 1: her car into a Popeye. You know why she ran

1317
01:08:28,760 --> 01:08:31,599
Speaker 1: her car into a Popeyee because they forgot her biscuits.

1318
01:08:32,520 --> 01:08:36,519
Speaker 1: That is the item that would lead to major f DC. See,

1319
01:08:36,560 --> 01:08:38,719
Speaker 1: you got to hear both sides because as that story

1320
01:08:38,880 --> 01:08:42,280
Speaker 1: was being played, I was thinking, I bet it's a reason,

1321
01:08:42,520 --> 01:08:43,640
Speaker 1: and I bet it's a good one. I was like,

1322
01:08:43,680 --> 01:08:45,400
Speaker 1: I need to hear both sides of this. They forgot

1323
01:08:45,439 --> 01:08:50,720
Speaker 1: her biscuits. Get the biscuit. You listen, you can't get

1324
01:08:50,720 --> 01:08:52,559
Speaker 1: the biscuits. You got one jobs. That's what I'm saying,

1325
01:08:52,600 --> 01:08:54,760
Speaker 1: don't get the biscuits. I've been really doing my best

1326
01:08:54,840 --> 01:08:57,559
Speaker 1: in twenty twenty three, not to say the n word anymore. Okay,

1327
01:08:57,680 --> 01:08:59,760
Speaker 1: been trying not to call people of any race to

1328
01:08:59,840 --> 01:09:01,800
Speaker 1: end word. I just want to eliminate the N word

1329
01:09:01,840 --> 01:09:04,560
Speaker 1: from all my timelines and every multiverse that I exist in.

1330
01:09:04,720 --> 01:09:08,240
Speaker 1: But when nigga's nigg on this level of nigga, you

1331
01:09:08,400 --> 01:09:10,920
Speaker 1: must allow me an exception. Okay. There's a reason that

1332
01:09:10,960 --> 01:09:15,360
Speaker 1: I have historically called this establishment Popeyes Chicken and Nigga cookies. Okay. See,

1333
01:09:15,400 --> 01:09:17,400
Speaker 1: the Popeye's biscuit is proof that a lot of Black

1334
01:09:17,439 --> 01:09:19,120
Speaker 1: people don't really want the piece they say they want.

1335
01:09:19,120 --> 01:09:21,280
Speaker 1: All right. The Popeye's biscuit is proof that we might

1336
01:09:21,360 --> 01:09:24,559
Speaker 1: be glutton's for punishment. Because I've gotten older, I've come

1337
01:09:24,600 --> 01:09:28,519
Speaker 1: to the conclusion that the Popeye's biscuit is overrated. Fight me, oh,

1338
01:09:28,640 --> 01:09:31,240
Speaker 1: I will fight you. Let's go. Let's scrap right now.

1339
01:09:31,600 --> 01:09:34,679
Speaker 1: Chicken Relate biscuits with their breakfast sandwiches are better, okay,

1340
01:09:34,800 --> 01:09:42,720
Speaker 1: SI biscuits are better. And bow Jangles bown Bojangles Chicken biscuits. Yes,

1341
01:09:42,880 --> 01:09:45,679
Speaker 1: that's what I'm saying from heaven, that bowl berry biscuit.

1342
01:09:46,320 --> 01:09:50,479
Speaker 1: Come on now, absolute washing Popeyes on every level. Okay.

1343
01:09:50,520 --> 01:09:52,760
Speaker 1: The Popeye's biscuit is a weapon, all right, that's what

1344
01:09:52,840 --> 01:09:56,680
Speaker 1: it is. Let's see disrespect. Let it sit for a day,

1345
01:09:56,760 --> 01:09:59,880
Speaker 1: and then throw that blood object at just that's your

1346
01:10:00,000 --> 01:10:01,880
Speaker 1: first problem. Well, don't even let it sit. Just take

1347
01:10:01,920 --> 01:10:04,080
Speaker 1: it right off the box and throw it at somebody's head.

1348
01:10:04,320 --> 01:10:05,679
Speaker 1: If you hit the person in their head, you're gonna

1349
01:10:05,680 --> 01:10:07,360
Speaker 1: get arrested for murder because they're gonna die. I not

1350
01:10:07,439 --> 01:10:10,240
Speaker 1: feel very vindicated over my no sauce take, because that's

1351
01:10:10,280 --> 01:10:12,400
Speaker 1: one of the worst food takes I've ever heard. Listen

1352
01:10:13,000 --> 01:10:16,040
Speaker 1: them biscuits are overrated, okay, And if you miss the

1353
01:10:16,160 --> 01:10:18,400
Speaker 1: person that you threw the biscuit at when that hard

1354
01:10:18,439 --> 01:10:20,680
Speaker 1: ass nigga cookie shout at a window, you're gonna get

1355
01:10:20,760 --> 01:10:22,840
Speaker 1: arrested for a Sultan battery would intend to kill? Okay,

1356
01:10:22,920 --> 01:10:25,439
Speaker 1: The Popeye's biscuit is a weapon of mass destruction. Don't

1357
01:10:25,439 --> 01:10:27,280
Speaker 1: believe me. Eat it with no drink. Bet you never

1358
01:10:27,320 --> 01:10:32,640
Speaker 1: eat it with no drinking, now exactly, y'all gonna do

1359
01:10:32,720 --> 01:10:34,880
Speaker 1: that challenge, y'all take to try to eat as many

1360
01:10:34,920 --> 01:10:37,320
Speaker 1: Popeyes biscuits as you can with no drink. I bet

1361
01:10:37,400 --> 01:10:40,920
Speaker 1: you can't just even eat one. I'm ature, you can't.

1362
01:10:42,640 --> 01:10:45,800
Speaker 1: Really the issue I have currently with Popeyes they did

1363
01:10:45,840 --> 01:10:47,479
Speaker 1: this a while ago. I need y'all to bring back

1364
01:10:47,520 --> 01:10:49,560
Speaker 1: the Cajun rice. They took it off the menu, and

1365
01:10:49,680 --> 01:10:52,960
Speaker 1: I'm upset about this. So Cajun rice hive. I need

1366
01:10:53,080 --> 01:10:55,080
Speaker 1: y'all to a symbol because I want it brought back,

1367
01:10:55,200 --> 01:10:58,599
Speaker 1: y'allro you know McDonald's brought back that nasty ass mcgrib right,

1368
01:10:59,320 --> 01:11:01,800
Speaker 1: bring back cajun at Popeyes right now? Telling band the

1369
01:11:01,840 --> 01:11:03,880
Speaker 1: biscuits and bringing back caven right. And I'm gonna be

1370
01:11:03,920 --> 01:11:06,519
Speaker 1: honest with you what I think happened to Belinda because

1371
01:11:06,560 --> 01:11:08,639
Speaker 1: there's a manager at Popeyes. When you read the story,

1372
01:11:08,760 --> 01:11:10,920
Speaker 1: she told police that before the crash, the mistake was

1373
01:11:10,960 --> 01:11:13,920
Speaker 1: corrected and Belinda got her biscuits, but she was still unhappy.

1374
01:11:14,160 --> 01:11:16,360
Speaker 1: I got a theory that Belinda got her biscuits, but

1375
01:11:16,479 --> 01:11:18,960
Speaker 1: she forgot her drink and she was actually choking on

1376
01:11:19,000 --> 01:11:21,400
Speaker 1: a nigga cookie, lost control of her SUV and that's

1377
01:11:21,400 --> 01:11:23,479
Speaker 1: how she ended up crashing into the Popeyes. Either that

1378
01:11:24,160 --> 01:11:28,679
Speaker 1: are you simply all what you eat? And wait, Belinda

1379
01:11:28,720 --> 01:11:31,639
Speaker 1: was about to buy NBC? Is that what happened? That's

1380
01:11:32,240 --> 01:11:35,479
Speaker 1: that's what we're going with NBC staying for nigga biscuit cookie.

1381
01:11:35,960 --> 01:11:38,360
Speaker 1: All right, that's what I think happening. Belinda was eating

1382
01:11:38,360 --> 01:11:41,080
Speaker 1: a nigga cookie. And now because of that, we have

1383
01:11:41,200 --> 01:11:43,240
Speaker 1: one of the most classic nigga moments in American history.

1384
01:11:43,840 --> 01:11:47,759
Speaker 1: You're about to experience a nigga moment. What your defines

1385
01:11:47,840 --> 01:11:51,000
Speaker 1: the nicga moment as a moment when ignorance overwhelms the

1386
01:11:51,080 --> 01:11:56,160
Speaker 1: mind of an otherwise logical negro acting allogical, self destructive.

1387
01:11:56,240 --> 01:11:59,840
Speaker 1: I e. Like a nigga happy black history mouf y'all,

1388
01:12:00,479 --> 01:12:02,919
Speaker 1: please get Belinda H. Miller to sweet sounds of Hamiltons.

1389
01:12:03,280 --> 01:12:11,600
Speaker 1: Oh no, you are do gee. Oh the day, the

1390
01:12:12,000 --> 01:12:20,760
Speaker 1: do gee, Oh the day. Ye. I learned a lot

1391
01:12:20,800 --> 01:12:22,640
Speaker 1: about y'all this morning. Y'all don't like sauce with your

1392
01:12:22,720 --> 01:12:26,320
Speaker 1: chicken scrimp, and y'all like Popeye's biscuits. I used to

1393
01:12:26,400 --> 01:12:28,840
Speaker 1: like Popeye's biscuits when I was childish. But you know

1394
01:12:29,000 --> 01:12:31,559
Speaker 1: you put away child, stay away child. I grew up,

1395
01:12:31,600 --> 01:12:33,720
Speaker 1: you know what I mean, put the childish ways behind me?

1396
01:12:34,520 --> 01:12:37,439
Speaker 1: All right? Well, thank you for that donkey today. Yes, now,

1397
01:12:37,520 --> 01:12:40,680
Speaker 1: when we come back eight five one oh five one,

1398
01:12:40,760 --> 01:12:43,680
Speaker 1: let's open up the phone lines. Now. Jamal Hill went

1399
01:12:43,840 --> 01:12:46,880
Speaker 1: viral early this week. That's because she don't wash her towels.

1400
01:12:50,680 --> 01:12:54,240
Speaker 1: That's how bad information gets. I'm standing up for you

1401
01:12:54,360 --> 01:12:59,639
Speaker 1: this entire show, and now you just blatanly disrespecting me. Context.

1402
01:12:59,720 --> 01:13:01,720
Speaker 1: Why do you go viral? Okay? The context was this

1403
01:13:02,000 --> 01:13:06,040
Speaker 1: me and my publicist, Bianca Shelton, who you know, Charlemagne knows.

1404
01:13:06,520 --> 01:13:09,439
Speaker 1: We were having a discussion about how often you change

1405
01:13:09,479 --> 01:13:12,200
Speaker 1: your towels, and Bianca informed me that she changes her

1406
01:13:12,240 --> 01:13:16,479
Speaker 1: towels every day. Terrorists behavior. I agree. I was like,

1407
01:13:16,560 --> 01:13:18,840
Speaker 1: that's that's the work of communists, Like what are you doing? What?

1408
01:13:19,320 --> 01:13:22,080
Speaker 1: And um, you know, I got me to thinking, and

1409
01:13:22,120 --> 01:13:24,200
Speaker 1: that's why I posed the question on Twitter, like how

1410
01:13:24,280 --> 01:13:27,760
Speaker 1: often you guys change your towels? And I was I

1411
01:13:27,800 --> 01:13:29,600
Speaker 1: shouldn't have been stune, but I was amazed that it

1412
01:13:29,720 --> 01:13:31,880
Speaker 1: was so many trifulm responses like I'm every three or

1413
01:13:31,920 --> 01:13:34,040
Speaker 1: four days kind of person and he's usually my husband

1414
01:13:34,120 --> 01:13:36,680
Speaker 1: that does it. Um. But a lot of people out

1415
01:13:36,680 --> 01:13:39,000
Speaker 1: here living file like some of some of your people here,

1416
01:13:39,280 --> 01:13:42,519
Speaker 1: they've had they have unveiled the towel behavior. Let's let's

1417
01:13:42,520 --> 01:13:45,280
Speaker 1: talk about it when we come back five one or

1418
01:13:45,400 --> 01:13:48,120
Speaker 1: five one? When do you watch your towels? Yeah? Producer

1419
01:13:48,200 --> 01:13:51,040
Speaker 1: said he watches it every two weeks. Somebody don't know.

1420
01:13:51,240 --> 01:13:53,920
Speaker 1: We got a lot worse than that. He watches it

1421
01:13:54,000 --> 01:13:57,320
Speaker 1: when it smells. That's discussed. I didn't like that. I

1422
01:13:57,400 --> 01:13:58,960
Speaker 1: want to know what producer that was. I will talk

1423
01:13:58,960 --> 01:14:00,920
Speaker 1: about it when we come back. Breakfast Club, Good morning,

1424
01:14:01,560 --> 01:14:06,920
Speaker 1: the breakfast Club change. I don't change my towel, so

1425
01:14:07,280 --> 01:14:09,720
Speaker 1: my wife takes a shower and I use I used

1426
01:14:09,760 --> 01:14:11,960
Speaker 1: my wife's towel. All that just for men you be

1427
01:14:12,120 --> 01:14:14,680
Speaker 1: using in Beijing and all that, Like, I know, you

1428
01:14:14,760 --> 01:14:16,760
Speaker 1: gotta change your towel more than once a week. I

1429
01:14:17,040 --> 01:14:19,000
Speaker 1: use my wife's towel when she's done, and then every

1430
01:14:19,080 --> 01:14:20,559
Speaker 1: day she gets a new towel, and I use her

1431
01:14:20,600 --> 01:14:23,439
Speaker 1: towels every day. Huh, why would you use your wife

1432
01:14:23,479 --> 01:14:25,680
Speaker 1: towels every day? Because usually my wife's towel is the

1433
01:14:25,720 --> 01:14:27,040
Speaker 1: one that's hanging up on the shower and I just

1434
01:14:27,080 --> 01:14:30,920
Speaker 1: take it in. On trial, they shared towels. She doesn't

1435
01:14:30,920 --> 01:14:32,600
Speaker 1: share with me. I shared her towel and she's the

1436
01:14:32,640 --> 01:14:36,240
Speaker 1: one yeah okay, yeah, as you change every three to

1437
01:14:36,320 --> 01:14:38,479
Speaker 1: four days, and she used my husband that he's the

1438
01:14:38,520 --> 01:14:41,320
Speaker 1: one who does it typically, and so like it's funny

1439
01:14:41,320 --> 01:14:43,600
Speaker 1: He said that about sharing towles because another couple that

1440
01:14:43,720 --> 01:14:46,760
Speaker 1: I know, uh, they do the same thing, and you know,

1441
01:14:47,320 --> 01:14:48,960
Speaker 1: I was just like, that's so odd to share the

1442
01:14:49,000 --> 01:14:51,040
Speaker 1: same tow I don't know. I was like, I thought

1443
01:14:51,080 --> 01:14:54,240
Speaker 1: the comfort level was there because they're both lesbian's right,

1444
01:14:54,280 --> 01:14:56,240
Speaker 1: so like they I was like, oh, it's because you're

1445
01:14:56,240 --> 01:14:57,680
Speaker 1: both women. Is that what it is? And she was like,

1446
01:14:57,720 --> 01:15:00,040
Speaker 1: now we've just been shared towles, is just easier. I

1447
01:15:00,080 --> 01:15:02,519
Speaker 1: just don't see the point. Yeah, Like, what's the point

1448
01:15:02,560 --> 01:15:04,200
Speaker 1: of sharon towels? It's two of y'all. Y'all gonna have

1449
01:15:04,200 --> 01:15:06,360
Speaker 1: twohowers hanging up on the rack. We don't take two shows.

1450
01:15:06,360 --> 01:15:08,160
Speaker 1: We don't take showers at the same time all the time.

1451
01:15:08,240 --> 01:15:09,840
Speaker 1: So she takes a shower and then, you know, a

1452
01:15:09,880 --> 01:15:12,200
Speaker 1: couple hours later, towels dry. Use her shower, I use

1453
01:15:12,280 --> 01:15:14,080
Speaker 1: her towel, but you have your own towel, and so

1454
01:15:14,240 --> 01:15:16,800
Speaker 1: that means the towel will never get dry. Oh yeah,

1455
01:15:16,800 --> 01:15:19,360
Speaker 1: that's what I'm that's always damn. But that's why she

1456
01:15:19,439 --> 01:15:21,320
Speaker 1: gets a new town because she don't like to use

1457
01:15:21,439 --> 01:15:23,280
Speaker 1: my towel, but I use some town. I think this

1458
01:15:23,439 --> 01:15:25,120
Speaker 1: is a way. This that's kind of like a sneaky

1459
01:15:25,200 --> 01:15:28,320
Speaker 1: back doorway of you changing your towel every day pretty

1460
01:15:28,439 --> 01:15:31,400
Speaker 1: much basically right, Seen how his eyes lit up when

1461
01:15:31,400 --> 01:15:33,640
Speaker 1: you said sneaky backdoor. He didn't know where he was

1462
01:15:33,680 --> 01:15:39,960
Speaker 1: going with free, Free, Let's go to the phone lines. Hello,

1463
01:15:40,040 --> 01:15:43,679
Speaker 1: who's this from Detroit? I know you change your towel

1464
01:15:43,720 --> 01:15:50,519
Speaker 1: once a month. I'm just saying, DJ hit out once

1465
01:15:50,600 --> 01:15:53,400
Speaker 1: a month. No, no, no, it's not it's not about me.

1466
01:15:53,640 --> 01:15:55,840
Speaker 1: I know, I got a friend. They believe that you

1467
01:15:55,920 --> 01:16:00,560
Speaker 1: shouldn't you. So when you walk the towel, that's a

1468
01:16:00,680 --> 01:16:04,000
Speaker 1: defeat the pervot. They just use hot water. I'm so confused.

1469
01:16:05,080 --> 01:16:10,639
Speaker 1: Every week and I give a take. That's a broad definition.

1470
01:16:11,160 --> 01:16:13,120
Speaker 1: That means what he remembers. Let the rugged show he's

1471
01:16:13,120 --> 01:16:17,479
Speaker 1: from Detroit. You know, I don't know why east side

1472
01:16:17,560 --> 01:16:21,759
Speaker 1: or a west sideer, eastide or a west sideer. He's going, Okay, Hello,

1473
01:16:21,880 --> 01:16:25,519
Speaker 1: who's this? Hi? This is kid? Good morning, Calamine, d'say

1474
01:16:25,640 --> 01:16:29,080
Speaker 1: envy into good morning. Hey, what's going on? How often

1475
01:16:29,160 --> 01:16:33,080
Speaker 1: you change your town mama? Well, once every week is

1476
01:16:33,080 --> 01:16:35,599
Speaker 1: good enough for me. So on Sundays, I watched all

1477
01:16:35,680 --> 01:16:38,840
Speaker 1: my towns and all my bit sheets. That sounds about right.

1478
01:16:38,920 --> 01:16:41,800
Speaker 1: That sounds about I think once the week is the accurate. Yeah,

1479
01:16:41,920 --> 01:16:44,240
Speaker 1: that's the accurate number. And that's that's my mama used

1480
01:16:44,240 --> 01:16:46,600
Speaker 1: to do every Sunday. She would wash towels and the

1481
01:16:46,720 --> 01:16:49,439
Speaker 1: sheets every Sunday. But that's that's another important question, like

1482
01:16:49,560 --> 01:16:52,080
Speaker 1: how often you do you change your sheets? You know,

1483
01:16:52,120 --> 01:16:54,120
Speaker 1: those get changed a lot because because I'm a I'm

1484
01:16:54,160 --> 01:16:57,240
Speaker 1: a night sweater. So my wife definitely changed. She's like,

1485
01:16:57,320 --> 01:16:59,640
Speaker 1: but boy, she just got some night sweat sheets, some

1486
01:16:59,760 --> 01:17:03,000
Speaker 1: type a sweat resistance sheets. I got those. They were

1487
01:17:05,000 --> 01:17:06,360
Speaker 1: I'm gonna need to plug on that way. No, you

1488
01:17:06,400 --> 01:17:09,040
Speaker 1: can pull water on it and it's like gone, like

1489
01:17:09,120 --> 01:17:11,720
Speaker 1: it always incredible, incredible. I didn't try that, but I

1490
01:17:11,800 --> 01:17:13,479
Speaker 1: don't know what the name Brandon. Let me ask Hello,

1491
01:17:13,560 --> 01:17:17,080
Speaker 1: who's this? This is ol Hey, I'll take us off

1492
01:17:17,120 --> 01:17:24,400
Speaker 1: bluetooth for Yeah, you're not on bluetooth, thank you, good morning. Funny.

1493
01:17:26,160 --> 01:17:31,360
Speaker 1: So I think after four to five days, six days, okay,

1494
01:17:31,400 --> 01:17:34,320
Speaker 1: because not everybody This might sound like an excuse, but

1495
01:17:34,400 --> 01:17:37,800
Speaker 1: not everybody might have a washer and a dryer in

1496
01:17:37,880 --> 01:17:41,599
Speaker 1: their apartment. As a good point, I'm during the week, Yeah,

1497
01:17:41,640 --> 01:17:44,120
Speaker 1: but you shouldn't just have one towel though you should have.

1498
01:17:44,520 --> 01:17:46,760
Speaker 1: You see these two towels, three towels. You don't just

1499
01:17:46,880 --> 01:17:51,840
Speaker 1: have one towel. I know you ain't talking definitely, I

1500
01:17:51,880 --> 01:17:53,280
Speaker 1: don't let me talk to you like that when he

1501
01:17:53,439 --> 01:17:55,960
Speaker 1: using his wife's towel when he ain't got to y'all

1502
01:17:56,000 --> 01:18:03,080
Speaker 1: got one down. No, you should have that, you should

1503
01:18:03,200 --> 01:18:07,240
Speaker 1: but you know, but no, I agree. I like your

1504
01:18:07,240 --> 01:18:09,679
Speaker 1: point about to watching dry that does that's like in college?

1505
01:18:10,200 --> 01:18:11,640
Speaker 1: You know, I can't say I was every three to

1506
01:18:11,720 --> 01:18:14,040
Speaker 1: four days. I was probably like once a week, you know,

1507
01:18:14,120 --> 01:18:16,200
Speaker 1: maybe even a week and a half. Because your college

1508
01:18:16,240 --> 01:18:17,800
Speaker 1: you broke and you don't have that many tiers. Yeah,

1509
01:18:17,800 --> 01:18:19,519
Speaker 1: I ain't going from the college it matey went two weeks.

1510
01:18:20,320 --> 01:18:21,519
Speaker 1: I'm gonna be honest with you. I think I do.

1511
01:18:21,600 --> 01:18:25,679
Speaker 1: Two weeks now. That's disgusting. As a green man, that's disgusting.

1512
01:18:26,560 --> 01:18:28,360
Speaker 1: I have to I have to wash cloths and a

1513
01:18:28,439 --> 01:18:30,960
Speaker 1: towel to dry off with. That's disgusting. Two weeks goes

1514
01:18:31,040 --> 01:18:33,640
Speaker 1: by fast. Do you watch that night in the morning? Absolutely?

1515
01:18:33,880 --> 01:18:36,040
Speaker 1: And and yes you need more than two weeks, bro,

1516
01:18:36,160 --> 01:18:38,880
Speaker 1: that's HOWE stinks. I'm a two to sometime three shower

1517
01:18:39,000 --> 01:18:41,840
Speaker 1: a day type. Of person. You smell your towel, Does

1518
01:18:41,920 --> 01:18:44,920
Speaker 1: your wife smell yours? No haunts as y'all use the

1519
01:18:45,000 --> 01:18:47,840
Speaker 1: same one? No, she gets a fresh But and that's

1520
01:18:47,840 --> 01:18:49,840
Speaker 1: how I know your towel wasn't fresh, because what makes

1521
01:18:49,880 --> 01:18:52,680
Speaker 1: the towel smell is the dampness, no of it. When

1522
01:18:52,720 --> 01:18:54,599
Speaker 1: them towel was dry out, they don't be that rank

1523
01:18:55,240 --> 01:19:00,559
Speaker 1: two weeks they stink bro rank eight hundred five one.

1524
01:19:01,240 --> 01:19:03,280
Speaker 1: How often do you watch your towels? Call us up

1525
01:19:03,360 --> 01:19:14,679
Speaker 1: right now. It's the Breakfast Club. The morning call. Opinions

1526
01:19:14,680 --> 01:19:20,759
Speaker 1: to the Breakfast Club topic I five five one morning.

1527
01:19:20,800 --> 01:19:24,040
Speaker 1: Everybody is DJ Envy Charlemagne the guy. We are to

1528
01:19:24,080 --> 01:19:27,360
Speaker 1: Breakfast Club. We have Jamal Hill our guest host today.

1529
01:19:27,520 --> 01:19:29,720
Speaker 1: And you learn so much about people like Jamal Hill

1530
01:19:29,880 --> 01:19:31,720
Speaker 1: that you know she sparked this topic because you know

1531
01:19:31,880 --> 01:19:34,080
Speaker 1: she chose violence on Twitter telling people they don't be watching,

1532
01:19:34,479 --> 01:19:36,479
Speaker 1: and you know they don't change their towels and stuff.

1533
01:19:36,800 --> 01:19:38,880
Speaker 1: And now Jamal said she don't. You don't watch before

1534
01:19:38,880 --> 01:19:41,240
Speaker 1: you go to bag Not all the time, now me

1535
01:19:41,360 --> 01:19:45,559
Speaker 1: neither every time. Every yeah, I do for specific reasons.

1536
01:19:45,600 --> 01:19:48,360
Speaker 1: Sometimes it depends on what has happened in the course

1537
01:19:48,400 --> 01:19:50,160
Speaker 1: of the day what I've been doing and worked out?

1538
01:19:50,960 --> 01:19:54,000
Speaker 1: Oh yeah, well yeah, work out definitely for sure. Like

1539
01:19:54,000 --> 01:19:57,599
Speaker 1: I was showing some sex that was gonna be now

1540
01:19:57,600 --> 01:20:00,880
Speaker 1: it's gonna be another thing. If picked up about it,

1541
01:20:00,960 --> 01:20:02,479
Speaker 1: I was like, well the other thing too is that

1542
01:20:02,960 --> 01:20:05,120
Speaker 1: you know, if you want to have everything fresh, you

1543
01:20:05,160 --> 01:20:08,680
Speaker 1: got you sexy time. Definitely. I don't understand it you

1544
01:20:08,760 --> 01:20:11,519
Speaker 1: not watching before because that beijing, like, you can't up.

1545
01:20:11,560 --> 01:20:13,240
Speaker 1: You can't wash two in times a day with that

1546
01:20:13,520 --> 01:20:16,080
Speaker 1: Beijing on your chin and then your headiness. Let's go

1547
01:20:16,160 --> 01:20:19,519
Speaker 1: to the phone lines. Man, Hello, who's this? This is

1548
01:20:19,600 --> 01:20:26,479
Speaker 1: Sharie yod morning, good morning? How often do you change

1549
01:20:26,479 --> 01:20:31,240
Speaker 1: your towe? Mama? Every three days? Every three days? Every

1550
01:20:31,280 --> 01:20:34,479
Speaker 1: three days? And nbtween those two days? You really should

1551
01:20:34,520 --> 01:20:37,280
Speaker 1: throw your towel and the wire because if you don't

1552
01:20:37,320 --> 01:20:39,600
Speaker 1: put that heat on it, it won't the VECTORI or

1553
01:20:39,640 --> 01:20:43,800
Speaker 1: whatever will start the damp tows And that's nirsty. That's

1554
01:20:43,840 --> 01:20:49,720
Speaker 1: what I'm doing, And that's when you get rank. It

1555
01:20:49,840 --> 01:20:52,080
Speaker 1: starts to hold that smell after a while, when you

1556
01:20:52,160 --> 01:20:55,280
Speaker 1: wash on the kind of smells moldy and benzy. Nobody

1557
01:20:55,320 --> 01:20:58,720
Speaker 1: wants that. What would you rather be rank or stink? I?

1558
01:20:58,800 --> 01:21:02,439
Speaker 1: Feel like rank it is better. I would rather be neither.

1559
01:21:05,800 --> 01:21:10,879
Speaker 1: But stank is the stak steak, but r R rank

1560
01:21:11,200 --> 01:21:13,720
Speaker 1: rank is a little. Rank is subtle. Yeah, you know,

1561
01:21:14,000 --> 01:21:17,080
Speaker 1: it's like a quiet funk, yeah right, Whereas if you stank,

1562
01:21:17,160 --> 01:21:20,040
Speaker 1: it's like loud. Like when you say you stak, you're

1563
01:21:20,080 --> 01:21:23,080
Speaker 1: just like, oh god, okay, some might be in my poores.

1564
01:21:23,200 --> 01:21:29,120
Speaker 1: That's doctor. Hello, who's this all right? That's the sas Hey,

1565
01:21:29,200 --> 01:21:31,240
Speaker 1: good morning, mama. When you're calling him from I'm calling

1566
01:21:31,320 --> 01:21:34,840
Speaker 1: from Detroit. I get through three represented. Please don't say

1567
01:21:34,880 --> 01:21:38,519
Speaker 1: that trifling. Now, how often do you change your towel, mama?

1568
01:21:39,080 --> 01:21:42,040
Speaker 1: I changed my child every time I shower. Oh the

1569
01:21:42,200 --> 01:21:45,720
Speaker 1: every day, every boy, y'all rich, that's a lot of

1570
01:21:45,880 --> 01:21:49,360
Speaker 1: laundry detergent. Well, I watched my laundry once a week.

1571
01:21:49,560 --> 01:21:51,200
Speaker 1: So can I ask you what's going on with your

1572
01:21:51,240 --> 01:21:53,479
Speaker 1: body that you gotta change your towel every day? If

1573
01:21:53,520 --> 01:21:55,200
Speaker 1: you if you don't mind me asking, like, what's what's

1574
01:21:55,200 --> 01:21:58,360
Speaker 1: the problem. But it's not a problem. I just like

1575
01:21:58,520 --> 01:22:01,560
Speaker 1: pulling a fresh towel. That I don't believe that I

1576
01:22:01,560 --> 01:22:03,479
Speaker 1: don't I don't believe anybody that tells me they change

1577
01:22:03,520 --> 01:22:05,439
Speaker 1: the towel every day. I don't believe me unk I

1578
01:22:05,560 --> 01:22:06,960
Speaker 1: said that she does it every day, but I do.

1579
01:22:07,320 --> 01:22:09,599
Speaker 1: She's right about something. There's something about like a fresh

1580
01:22:09,680 --> 01:22:13,120
Speaker 1: tow like especially if it's like a warm, fresh town. Yeah,

1581
01:22:13,280 --> 01:22:16,840
Speaker 1: like that's that's very luxurious feeling. Why do we have

1582
01:22:17,000 --> 01:22:19,519
Speaker 1: the mind state that because I do this in hotels,

1583
01:22:19,640 --> 01:22:22,880
Speaker 1: I need fresh hotels. I'm I'm always calling out that

1584
01:22:24,680 --> 01:22:26,640
Speaker 1: I burned through those. Why do we do that in

1585
01:22:26,720 --> 01:22:28,960
Speaker 1: home coming? You're not doing the laundry, you're not doing

1586
01:22:29,680 --> 01:22:32,400
Speaker 1: and and most hotel towels are white, right, and so

1587
01:22:32,600 --> 01:22:35,000
Speaker 1: it's just like you know it just it's something about

1588
01:22:35,000 --> 01:22:36,519
Speaker 1: a white town that just starts to look kind of

1589
01:22:36,640 --> 01:22:40,040
Speaker 1: dingy or whatever. White towels are like a therapist. You

1590
01:22:40,040 --> 01:22:44,400
Speaker 1: get to see yourself, Yeah, what you've been doing that day? Right?

1591
01:22:45,040 --> 01:22:46,680
Speaker 1: But you know in the hotel too, I take the

1592
01:22:46,720 --> 01:22:48,000
Speaker 1: sheet off the bed every day to make sure they

1593
01:22:48,120 --> 01:22:49,640
Speaker 1: change the sheets, because they have this new thing now

1594
01:22:49,720 --> 01:22:52,280
Speaker 1: where you like ask, right, Yeah, you gotta ask to

1595
01:22:52,360 --> 01:22:54,320
Speaker 1: change the sheets. May I take the sheets of every day?

1596
01:22:54,320 --> 01:22:55,760
Speaker 1: I want new sheets every day. I think you're just

1597
01:22:55,760 --> 01:22:58,800
Speaker 1: being bad because you be runing the people's sheets. Man,

1598
01:22:58,880 --> 01:23:01,120
Speaker 1: what's the walling story man, was it always gonna I

1599
01:23:01,120 --> 01:23:04,280
Speaker 1: don't even use boiler story is just wash your damn towels.

1600
01:23:04,479 --> 01:23:06,240
Speaker 1: That's really the moral of the story. Because somebody in

1601
01:23:06,320 --> 01:23:07,760
Speaker 1: this room, who I'm we're not in this room, but

1602
01:23:07,840 --> 01:23:10,160
Speaker 1: in this building said they don't wash their towels until

1603
01:23:10,200 --> 01:23:13,400
Speaker 1: they smell something. What that's not good? That is not good,

1604
01:23:13,479 --> 01:23:17,439
Speaker 1: that it's not actually disgusting. How often do they smell it?

1605
01:23:17,520 --> 01:23:20,400
Speaker 1: Like how fast it take they have to if the

1606
01:23:20,520 --> 01:23:23,200
Speaker 1: older probably jumps up on them. See what I'm saying.

1607
01:23:23,479 --> 01:23:25,320
Speaker 1: And if that's the case, if your towle is smelling

1608
01:23:25,400 --> 01:23:28,360
Speaker 1: that bad, then you know what was leading into that.

1609
01:23:28,479 --> 01:23:30,920
Speaker 1: That's right, he said, He said, I thought if I

1610
01:23:31,000 --> 01:23:32,720
Speaker 1: heard correctly, he said, his new girlfriend is the one

1611
01:23:32,760 --> 01:23:34,680
Speaker 1: who's been who got them together on that. Well, you

1612
01:23:34,720 --> 01:23:36,600
Speaker 1: wouldn't have a new girlfriend if you know who you

1613
01:23:36,680 --> 01:23:38,880
Speaker 1: change your towels more often. Okay, you have one old

1614
01:23:38,960 --> 01:23:41,840
Speaker 1: g girlfriend. Right, You're gonna keep having new girlfriends because

1615
01:23:41,880 --> 01:23:44,160
Speaker 1: every time they smell them towels, they're gonna be out.

1616
01:23:44,560 --> 01:23:47,720
Speaker 1: But most women, though, there is an expectation that we

1617
01:23:47,840 --> 01:23:50,080
Speaker 1: have that a lot of you know, guys, you make

1618
01:23:50,160 --> 01:23:52,720
Speaker 1: date or you wind up being your significant other, Like,

1619
01:23:53,479 --> 01:23:57,720
Speaker 1: there's gonna be an expected level of nastiness, right, Oh yeah,

1620
01:23:57,760 --> 01:23:59,640
Speaker 1: it's gonna be an expected level where you just like,

1621
01:24:00,040 --> 01:24:02,120
Speaker 1: you know, because my husband tells you this all the time.

1622
01:24:02,240 --> 01:24:05,160
Speaker 1: Is that and he's a very clean person that he

1623
01:24:05,240 --> 01:24:07,560
Speaker 1: holds women to a much higher standard. He was like,

1624
01:24:07,640 --> 01:24:10,000
Speaker 1: you know, like men could be a little nasty, y'all

1625
01:24:10,000 --> 01:24:11,479
Speaker 1: can get away with it, but like women cannot get

1626
01:24:11,479 --> 01:24:15,360
Speaker 1: away with that. That's true, Yeah, paulse pause, pause, quick question?

1627
01:24:15,520 --> 01:24:17,479
Speaker 1: Do you do laundry in your crib ard? Does your husband?

1628
01:24:17,800 --> 01:24:22,120
Speaker 1: We both do it. I don't know. I'm gonna tell you.

1629
01:24:22,800 --> 01:24:26,360
Speaker 1: Does your husband have white underwear? You've been checking out

1630
01:24:26,400 --> 01:24:29,080
Speaker 1: a ward man? You a wild boy man. I don't

1631
01:24:29,160 --> 01:24:32,519
Speaker 1: understand what. I don't even know that ray J was saying.

1632
01:24:32,600 --> 01:24:34,720
Speaker 1: Ray J was selling men that they shouldn't have white

1633
01:24:34,800 --> 01:24:37,799
Speaker 1: underwear because it's embarrassing when their women watches the underwear.

1634
01:24:37,800 --> 01:24:39,599
Speaker 1: I'm just asking, Okay, but why are you a grown

1635
01:24:39,640 --> 01:24:42,920
Speaker 1: man with streaks? It's the bigger plas do y'all, y'all,

1636
01:24:43,080 --> 01:24:46,400
Speaker 1: I mean, are we not at a point where we're

1637
01:24:46,520 --> 01:24:49,840
Speaker 1: using wipes? Somebody called up here yesterday and literally said

1638
01:24:49,880 --> 01:24:52,439
Speaker 1: they learned how to wipe. They ask properly because they

1639
01:24:52,560 --> 01:24:54,640
Speaker 1: heard that conversation we had on the Breast Club. This

1640
01:24:54,760 --> 01:24:56,799
Speaker 1: was two weeks ago, Jamil, and man was like thirty

1641
01:24:56,840 --> 01:25:00,080
Speaker 1: something years. That is that shameful. I don't think my

1642
01:25:00,200 --> 01:25:01,800
Speaker 1: husband has a lot of white underwear. Most of them

1643
01:25:01,800 --> 01:25:05,240
Speaker 1: are like black, you know, different colors red, however, and

1644
01:25:05,400 --> 01:25:09,720
Speaker 1: I have never seen all right streak. All right, you

1645
01:25:09,720 --> 01:25:13,400
Speaker 1: should not have gave Envy that visual awarding. He is not.

1646
01:25:14,160 --> 01:25:20,599
Speaker 1: That's what he wanted. I'm sure understanding who I Envy

1647
01:25:20,760 --> 01:25:26,400
Speaker 1: is in this prison. Man, my goodness for every goodness?

1648
01:25:26,560 --> 01:25:29,880
Speaker 1: All right? When we come back, Nihilis Simone is joining us.

1649
01:25:29,880 --> 01:25:31,559
Speaker 1: Of course, DJ nw al Simone. You know she does

1650
01:25:31,600 --> 01:25:34,160
Speaker 1: pass the alcs. That's what we tap into her playlist.

1651
01:25:34,200 --> 01:25:36,439
Speaker 1: Say what's new, what's popping? What we should be looking

1652
01:25:36,479 --> 01:25:38,439
Speaker 1: for or listening to? And we're gonna do that. Next

1653
01:25:38,520 --> 01:25:44,400
Speaker 1: it's the Breakfast Club. Good morning, the Breakfast Club Morning.

1654
01:25:44,479 --> 01:25:47,840
Speaker 1: Everybody is stej Envy, Charlemagne the guy. We are the

1655
01:25:47,920 --> 01:25:51,320
Speaker 1: Breakfast Club. We got our guest host, Jamal Hill joining us.

1656
01:25:51,479 --> 01:25:53,559
Speaker 1: How you enjoying yourself so far? Jamal? Oh, this has

1657
01:25:53,600 --> 01:25:55,800
Speaker 1: been a blast. I've learned so much, so much, I

1658
01:25:55,880 --> 01:25:58,200
Speaker 1: didn't know so much. I didn't need to know, But

1659
01:25:58,320 --> 01:26:00,320
Speaker 1: now I feel like I'm more informed. You know, if

1660
01:26:00,320 --> 01:26:02,639
Speaker 1: he thought about Penis so much so early in the morning,

1661
01:26:03,360 --> 01:26:08,479
Speaker 1: the whole father with a family amber envy because y'all

1662
01:26:08,479 --> 01:26:11,879
Speaker 1: got him in a y'all got him in prison. He's liberated.

1663
01:26:12,000 --> 01:26:14,760
Speaker 1: You're free, your goodness, gracious. Well, it's time for past

1664
01:26:14,840 --> 01:26:17,360
Speaker 1: the auks and I have my friend Nila DJ Nili

1665
01:26:17,439 --> 01:26:20,120
Speaker 1: Simone come on and Nila, good morning. M v's up guys,

1666
01:26:20,240 --> 01:26:22,639
Speaker 1: And why La, you're my only friend up here today

1667
01:26:22,640 --> 01:26:24,439
Speaker 1: because these other guys are just talking bad about me.

1668
01:26:24,840 --> 01:26:28,520
Speaker 1: She's just your friend for this segment. Happy for the opportunity.

1669
01:26:28,640 --> 01:26:31,679
Speaker 1: That's all what we got today. Now this is where Nila,

1670
01:26:31,800 --> 01:26:34,320
Speaker 1: you know, puts us onto what she's listening to on

1671
01:26:34,439 --> 01:26:37,559
Speaker 1: her playlist for the week. Okay, yeah, so this week

1672
01:26:37,720 --> 01:26:40,920
Speaker 1: Lotto dropped a new record last Friday. I took some

1673
01:26:41,000 --> 01:26:42,880
Speaker 1: time and sat on it, and I really really liked it.

1674
01:26:43,000 --> 01:26:44,880
Speaker 1: A lot of people were giving her flat because they

1675
01:26:44,920 --> 01:26:47,400
Speaker 1: feel like she's gonna pop too soon. What's you called?

1676
01:26:47,560 --> 01:26:50,560
Speaker 1: It's called lottery? First of all, um, what happened in

1677
01:26:50,560 --> 01:26:52,479
Speaker 1: the Nasty song? Okay, I thought that was supposed to

1678
01:26:52,479 --> 01:26:54,360
Speaker 1: be the next single that was That was nasty song.

1679
01:26:54,439 --> 01:26:56,320
Speaker 1: It was it is a single went like top five.

1680
01:26:56,439 --> 01:26:58,400
Speaker 1: Oh it did. Yeah, Okay, so this is a new record,

1681
01:26:58,439 --> 01:27:00,080
Speaker 1: this new record, yep, and it's a little labor her

1682
01:27:00,120 --> 01:27:01,800
Speaker 1: to have a song called Lottery. Don't you think like

1683
01:27:01,840 --> 01:27:03,840
Speaker 1: your name is Lotto? Never too late. One of the

1684
01:27:03,840 --> 01:27:06,960
Speaker 1: first two records he came out called her name is

1685
01:27:07,040 --> 01:27:09,880
Speaker 1: now Lotto. She went through name Jane just it was Lotto,

1686
01:27:09,960 --> 01:27:12,679
Speaker 1: you right with the Lottery, and then it was big Lotto.

1687
01:27:12,920 --> 01:27:14,479
Speaker 1: It was big, big Lotto. Okay, so now I just

1688
01:27:14,840 --> 01:27:16,960
Speaker 1: now now it's just little and now we got a lottery.

1689
01:27:17,000 --> 01:27:19,680
Speaker 1: I liked the rebrand. The rebrand. It also has Luke

1690
01:27:19,760 --> 01:27:22,439
Speaker 1: Kayla on it, who had a hit a viral hit

1691
01:27:22,560 --> 01:27:24,519
Speaker 1: last year about the soft girl era. You know all

1692
01:27:24,520 --> 01:27:26,000
Speaker 1: the girls are saying there in the soft girl era

1693
01:27:26,200 --> 01:27:28,559
Speaker 1: right now to just shout out to her super dope moment.

1694
01:27:28,840 --> 01:27:30,679
Speaker 1: My second record, I'm gonna keep it with the ladies

1695
01:27:30,720 --> 01:27:33,479
Speaker 1: because the ladies is killing stuff right now. Flow Milly

1696
01:27:33,560 --> 01:27:36,920
Speaker 1: dropped another record that I love called Nasty Dancer. It's tough,

1697
01:27:37,160 --> 01:27:39,240
Speaker 1: it's fired, let's get into it. Wait did she say

1698
01:27:39,280 --> 01:27:40,920
Speaker 1: it tastes like Coco. She said, it tastes like coc

1699
01:27:41,320 --> 01:27:47,840
Speaker 1: just like a song. Really had a song called Lotto right, no, no, guys,

1700
01:27:47,880 --> 01:27:49,639
Speaker 1: no doubt to Eric Ran, what was flo Milli songs?

1701
01:27:49,640 --> 01:27:51,320
Speaker 1: She had a song I liked with that sample. Oh

1702
01:27:51,400 --> 01:27:54,599
Speaker 1: if I was a rich girl, remember that that should

1703
01:27:54,600 --> 01:27:56,760
Speaker 1: have went so MILLI got a bunch of records. I

1704
01:27:56,840 --> 01:28:00,960
Speaker 1: don't know. Yeah, I like that flow Many record. Yeah,

1705
01:28:01,120 --> 01:28:02,479
Speaker 1: that's a good one. It kind of reminds me of

1706
01:28:02,600 --> 01:28:07,280
Speaker 1: like Florida down South. Yeah it don't, it does. I

1707
01:28:07,320 --> 01:28:09,280
Speaker 1: grew up in the nineteen hundred. I remember, we'll floid

1708
01:28:09,280 --> 01:28:13,680
Speaker 1: it down that Uncle Luke era was something different. You

1709
01:28:13,720 --> 01:28:17,840
Speaker 1: can't play those on the radio, all right, Well, I

1710
01:28:17,880 --> 01:28:19,800
Speaker 1: feel like it's in that temple. And then my last

1711
01:28:19,920 --> 01:28:23,680
Speaker 1: record is by our artist named Jordan ward Um and

1712
01:28:23,760 --> 01:28:26,080
Speaker 1: it's a song called white Crocs A super wavy was

1713
01:28:26,120 --> 01:28:29,479
Speaker 1: he from He's from Saint Louis And songs called white

1714
01:28:29,520 --> 01:28:32,880
Speaker 1: crocs White crocs because yeah, because you got a line.

1715
01:28:32,920 --> 01:28:36,000
Speaker 1: It's like, you know, I like thoughts, I'm about to

1716
01:28:36,040 --> 01:28:38,679
Speaker 1: pull up on them and some white crocs. That's fence

1717
01:28:38,720 --> 01:28:44,320
Speaker 1: and all using footwear white crocs. White sounds like Jeremiah

1718
01:28:44,360 --> 01:28:48,560
Speaker 1: a little bit. Jeremiah. Yeah, viby like that. I like

1719
01:28:48,680 --> 01:28:51,479
Speaker 1: the vibe that I questioned the song title. It's like

1720
01:28:51,520 --> 01:28:53,840
Speaker 1: it feels like when you when you told me what

1721
01:28:54,200 --> 01:28:55,720
Speaker 1: when you told us what the name of the song was,

1722
01:28:55,840 --> 01:28:59,080
Speaker 1: I was not expecting that. It feels like it should

1723
01:28:59,080 --> 01:29:02,920
Speaker 1: be something else. Bad market man, know what they mean?

1724
01:29:03,000 --> 01:29:08,679
Speaker 1: White crocs? Yeah, I've ever seen never seen white crocs, dirties. Yeah. Yeah.

1725
01:29:08,840 --> 01:29:12,120
Speaker 1: The crocs are comfortable, the comfortable hell, especially get the

1726
01:29:12,160 --> 01:29:15,439
Speaker 1: ones with the fern fern feet. Somebody told me to

1727
01:29:15,479 --> 01:29:18,000
Speaker 1: start wearing crocs instead of easy because that's why we

1728
01:29:18,080 --> 01:29:20,800
Speaker 1: were in wearing the too. That's why your easiest got

1729
01:29:20,920 --> 01:29:24,479
Speaker 1: stolen in Africa. Like why are you wearing okay? It

1730
01:29:24,560 --> 01:29:27,960
Speaker 1: still your easiest yo. I'm like, he's like, why would

1731
01:29:28,000 --> 01:29:32,400
Speaker 1: the body using I'm like, why would you wear us? Like?

1732
01:29:32,439 --> 01:29:39,400
Speaker 1: I get it. Next time we went to the uh

1733
01:29:40,120 --> 01:29:44,559
Speaker 1: the last Black bath the river would would they would

1734
01:29:44,560 --> 01:29:46,559
Speaker 1: they let you do your last bath before they put

1735
01:29:46,600 --> 01:29:51,720
Speaker 1: you before they make you to put you onto slave ships? Yeah? Yes,

1736
01:29:51,880 --> 01:29:53,320
Speaker 1: And so we had to be bad foot walking down

1737
01:29:53,360 --> 01:29:55,240
Speaker 1: to the road and somebody damn sh your store to

1738
01:29:55,360 --> 01:29:59,599
Speaker 1: easy from twenty minutes though got back. They don't play

1739
01:29:59,600 --> 01:30:08,400
Speaker 1: that no on pointin right right, tell them where to

1740
01:30:08,439 --> 01:30:10,559
Speaker 1: find you. But make sure you guys follow me at

1741
01:30:10,680 --> 01:30:13,519
Speaker 1: nilas samone on I G N Y la y m

1742
01:30:13,560 --> 01:30:16,640
Speaker 1: O and ee and tap into. The playlist is on

1743
01:30:16,720 --> 01:30:19,840
Speaker 1: the Lincoln Bio past the ox playlist, all your favorite dress,

1744
01:30:20,200 --> 01:30:23,080
Speaker 1: all right, thank you, miss Nila, thank you. All right.

1745
01:30:23,120 --> 01:30:24,920
Speaker 1: When we come back, we got the People's Choice mixture

1746
01:30:24,920 --> 01:30:26,400
Speaker 1: that we throw it back on the Friday. It's the

1747
01:30:26,439 --> 01:30:29,920
Speaker 1: Breakfast Club. Good morning, the Breakfast Club. Your mornings will

1748
01:30:30,080 --> 01:30:33,320
Speaker 1: never be the same. Where's the best place to spark

1749
01:30:33,360 --> 01:30:36,720
Speaker 1: blue ideas. It's Audible, the Home of storytelling. Listen to

1750
01:30:36,800 --> 01:30:40,599
Speaker 1: best selling audiobooks, podcast and exclusive originals on wellness, motivation,

1751
01:30:40,680 --> 01:30:43,040
Speaker 1: true crime, you name it. It's all there in the

1752
01:30:43,080 --> 01:30:45,559
Speaker 1: Audible app. Sign up for thirty eighth free at audible

1753
01:30:45,600 --> 01:30:49,559
Speaker 1: dot com. Slash the Breakfast Club. Everybody is DJ Envy

1754
01:30:49,720 --> 01:30:51,840
Speaker 1: Charlomagne the Guy. We are the Breakfast Club. We have

1755
01:30:51,960 --> 01:30:54,680
Speaker 1: Jamal Hill our guest hosts here today. Indeed, and what

1756
01:30:54,720 --> 01:30:56,600
Speaker 1: we're doing today is Black History Month. Listen man, you

1757
01:30:56,640 --> 01:30:58,599
Speaker 1: know every day during Black History Month, the Black Affect

1758
01:30:58,640 --> 01:31:01,519
Speaker 1: iHeartRadio podcast Network, we put out a podcast called I

1759
01:31:01,600 --> 01:31:04,519
Speaker 1: Didn't Know, Maybe You didn't either, hosted by my guy

1760
01:31:04,680 --> 01:31:07,439
Speaker 1: B dot and today B. Dott is explaining how Robert

1761
01:31:07,600 --> 01:31:11,800
Speaker 1: Small stole a Confederate ship and shell to freedom undetected

1762
01:31:12,040 --> 01:31:21,320
Speaker 1: with his family in sixteen others. Let's listen. His name

1763
01:31:21,840 --> 01:31:25,240
Speaker 1: Roberts Smalls, and in the early hours of May thirteenth,

1764
01:31:25,400 --> 01:31:28,880
Speaker 1: eighteen sixty two, he did the unthinkable. He stole a

1765
01:31:29,000 --> 01:31:32,839
Speaker 1: Confederate ship, the Planter. He had a wife named Hannah,

1766
01:31:32,960 --> 01:31:35,960
Speaker 1: a four year old daughter named Elizabeth, and an infant

1767
01:31:36,080 --> 01:31:39,240
Speaker 1: son named Robert Junior. Now this all happened in Charleston,

1768
01:31:39,320 --> 01:31:42,519
Speaker 1: South Carolina. After the captain and his partners had docked

1769
01:31:42,600 --> 01:31:45,599
Speaker 1: the Planner, they exit and go to land. Now where

1770
01:31:45,600 --> 01:31:47,679
Speaker 1: they going to party or were they going to sleep

1771
01:31:47,720 --> 01:31:50,479
Speaker 1: with their wives and family? Who knows? But they left

1772
01:31:50,520 --> 01:31:54,599
Speaker 1: the Planter monitored only by Robert Smalls, and that's when

1773
01:31:54,680 --> 01:31:57,160
Speaker 1: him and his partners took action. Now, this is very

1774
01:31:57,240 --> 01:31:59,840
Speaker 1: difficult because they had to first start the plan to

1775
01:32:00,040 --> 01:32:02,400
Speaker 1: which is allowed steamboats, and they had to do it

1776
01:32:02,439 --> 01:32:05,280
Speaker 1: in a way they wouldn't draw suspicion. Secondly, they would

1777
01:32:05,320 --> 01:32:07,960
Speaker 1: have to maneuver the steamboat to the boat where his

1778
01:32:08,080 --> 01:32:11,640
Speaker 1: family was and pick them up. After that checkpoint, they

1779
01:32:11,680 --> 01:32:16,960
Speaker 1: would have to navigate through three Confederate checkpoints, including Fort Sumter,

1780
01:32:17,479 --> 01:32:20,040
Speaker 1: just to try to get to the open waters and

1781
01:32:20,200 --> 01:32:24,040
Speaker 1: meet up with the Union ships. Now, remember, Confederate ships

1782
01:32:24,280 --> 01:32:29,160
Speaker 1: bad guys. Unionship good guys. Even if they were successful

1783
01:32:29,240 --> 01:32:31,920
Speaker 1: enough to get through all of the Confederate checkpoints, who's

1784
01:32:31,960 --> 01:32:34,800
Speaker 1: to say the Union ships wouldn't shoot them down because

1785
01:32:34,840 --> 01:32:38,519
Speaker 1: they were driving a Confederate steamboat. So many many ways

1786
01:32:38,600 --> 01:32:42,559
Speaker 1: to die, yet it was worth the risk. Not only

1787
01:32:42,680 --> 01:32:46,719
Speaker 1: did Robert Smalls undocked the Planter from the Charleston Harbor,

1788
01:32:47,040 --> 01:32:49,280
Speaker 1: but he made it to pick up his wife and kids.

1789
01:32:49,760 --> 01:32:52,040
Speaker 1: Because he had taken so many trips, he knew the

1790
01:32:52,160 --> 01:32:55,280
Speaker 1: codes for the Confederate checkpoints. Whether it was a blow

1791
01:32:55,360 --> 01:32:57,920
Speaker 1: up the whistle here, a tip of the cap there,

1792
01:32:58,240 --> 01:33:02,120
Speaker 1: he successfully maneuvered in the early mornings through the Charleston

1793
01:33:02,200 --> 01:33:06,479
Speaker 1: Harbor into open water. Immediately him and his partners start

1794
01:33:06,560 --> 01:33:09,479
Speaker 1: taking down the Confederate flags and the South Carolina flags

1795
01:33:09,680 --> 01:33:12,760
Speaker 1: and putting up white sheets to show the Union ships, Hey,

1796
01:33:13,000 --> 01:33:15,519
Speaker 1: we surrender. And it worked. They said they were gonna

1797
01:33:15,520 --> 01:33:17,439
Speaker 1: make a movie about it, but I ain't seen it yet.

1798
01:33:17,640 --> 01:33:21,519
Speaker 1: Robert Smalls seized the Confederate ship and selled it and

1799
01:33:21,680 --> 01:33:25,840
Speaker 1: sixteen other enslaved individuals to freedom. And I didn't know.

1800
01:33:26,439 --> 01:33:30,840
Speaker 1: Maybe you didn't either. That's right. Salute to my guy,

1801
01:33:30,960 --> 01:33:33,960
Speaker 1: beat dit Man and listen. I gotta always salute beat

1802
01:33:34,000 --> 01:33:35,760
Speaker 1: Dot because you know we started doing I didn't know,

1803
01:33:35,840 --> 01:33:38,400
Speaker 1: maybe you didn't either. Last year on the Black Effect,

1804
01:33:38,439 --> 01:33:41,559
Speaker 1: iHeartRadio Podcast Network for Black History Month. In this year,

1805
01:33:42,360 --> 01:33:46,040
Speaker 1: fifteen schools in North Carolina started implementing I didn't know,

1806
01:33:46,160 --> 01:33:49,280
Speaker 1: maybe you didn't either, in the curriculum. So salute to

1807
01:33:49,439 --> 01:33:52,000
Speaker 1: be Dot. In all those schools that picked up this podcast.

1808
01:33:52,080 --> 01:33:54,240
Speaker 1: That's a podcast should be right, they should be educational,

1809
01:33:54,479 --> 01:33:57,320
Speaker 1: I think in some way, shape or form. So salute

1810
01:33:57,320 --> 01:33:58,800
Speaker 1: to beat Dot and make sure you subscribed to I

1811
01:33:58,840 --> 01:34:01,120
Speaker 1: didn't know, maybe you didn't either. Podcast on the Black

1812
01:34:01,160 --> 01:34:04,040
Speaker 1: Effect I Heeartradio Podcast Network. All right, now when we

1813
01:34:04,120 --> 01:34:05,960
Speaker 1: come back, we got the positive note, don't move. It's

1814
01:34:06,000 --> 01:34:09,439
Speaker 1: the Breakfast Club. Good morning one of everybody's DJ Envy

1815
01:34:09,600 --> 01:34:12,200
Speaker 1: Charlemagne the God. We are the Breakfast Club. We got

1816
01:34:12,240 --> 01:34:14,080
Speaker 1: our guest holds, Jamal Hill and Jamil thank you for

1817
01:34:14,200 --> 01:34:16,320
Speaker 1: joining us today and being up here with us. Us

1818
01:34:16,400 --> 01:34:20,040
Speaker 1: crazy ass mother. Ef. Yeah, I got the little sheet

1819
01:34:20,040 --> 01:34:22,040
Speaker 1: about what not to say, and it's am glad. I'm

1820
01:34:22,080 --> 01:34:24,040
Speaker 1: glad you edited yourself. I was like, oh my god,

1821
01:34:24,400 --> 01:34:26,040
Speaker 1: that's easy for you to jamal because you know you

1822
01:34:26,120 --> 01:34:28,920
Speaker 1: got so much television experience. Yeah you know, I know.

1823
01:34:29,160 --> 01:34:31,160
Speaker 1: I'm actually surprised I made it this far in my

1824
01:34:31,280 --> 01:34:33,320
Speaker 1: career and never cursed on TV because you got a

1825
01:34:33,360 --> 01:34:35,960
Speaker 1: party mouth. Yeah I do, I do. I was like,

1826
01:34:36,040 --> 01:34:38,040
Speaker 1: it's bad so but I'm able to edit myself. But

1827
01:34:38,080 --> 01:34:39,519
Speaker 1: I want to thank you all for having me on here.

1828
01:34:39,800 --> 01:34:43,519
Speaker 1: I've learned and been educated in so many ways. Tyle behavior.

1829
01:34:44,200 --> 01:34:49,680
Speaker 1: I found out who Bernice Burgos. Bernice Burgos, Yes, I

1830
01:34:49,720 --> 01:34:52,240
Speaker 1: found out who that was. Like, that was my black

1831
01:34:52,320 --> 01:34:55,639
Speaker 1: history lesson for today. Man, we do need to celebrate

1832
01:34:55,680 --> 01:34:58,760
Speaker 1: Bernice for black history. Mouth Man, I gotta tell b

1833
01:34:58,920 --> 01:35:01,000
Speaker 1: dot to figure out what what what don't we know

1834
01:35:01,080 --> 01:35:04,080
Speaker 1: about Bernice? Like and I didn't know, maybe you didn't either. Yeah,

1835
01:35:04,200 --> 01:35:06,599
Speaker 1: we need to some fast facts we don't know. People

1836
01:35:06,640 --> 01:35:08,640
Speaker 1: don't really know Bernice stats, and they need to know

1837
01:35:08,760 --> 01:35:11,400
Speaker 1: her stats. Okay, Bernice actually needs a statue built to

1838
01:35:11,479 --> 01:35:14,120
Speaker 1: her in New Jersey somewhere. She got a hall of fame.

1839
01:35:14,920 --> 01:35:21,000
Speaker 1: She man Berne needs is a legend, okay, and she's Dominican.

1840
01:35:21,479 --> 01:35:23,280
Speaker 1: That was in the corners hand. Bernice is Dominican. I

1841
01:35:23,320 --> 01:35:25,679
Speaker 1: don't know why she's don't know why she just thought

1842
01:35:25,720 --> 01:35:29,840
Speaker 1: that was important. All you're saying because she can't be

1843
01:35:29,840 --> 01:35:33,240
Speaker 1: a black history mon legic because Afro Latina. Yeah she

1844
01:35:33,400 --> 01:35:35,360
Speaker 1: might be that. I thought she was half and half,

1845
01:35:35,960 --> 01:35:37,720
Speaker 1: half and half. What why do you make a sound

1846
01:35:37,760 --> 01:35:43,920
Speaker 1: like a goddamn uptown man. We can't learn man, salute

1847
01:35:43,920 --> 01:35:45,840
Speaker 1: to Bernice, shout out to Bernie's all right, what do

1848
01:35:45,880 --> 01:35:48,680
Speaker 1: you got a positive note? Yes? And Jamal tell them

1849
01:35:48,720 --> 01:35:51,920
Speaker 1: to listen to the Unbothered podcast. Yes, yeah, please listen

1850
01:35:51,960 --> 01:35:55,479
Speaker 1: to Jamal Hills Unbothered exclusively on Spotify. Also check out

1851
01:35:55,520 --> 01:35:58,280
Speaker 1: the other podcast that we have on the Unbothered network,

1852
01:35:58,360 --> 01:36:01,840
Speaker 1: Sanctified The Black Girl Provider. And of course y'all see,

1853
01:36:02,000 --> 01:36:05,439
Speaker 1: I've had this pretty book right here, Hill Up Hill

1854
01:36:05,680 --> 01:36:08,439
Speaker 1: by the Memoir, available wherever books are sold. And in

1855
01:36:08,520 --> 01:36:11,000
Speaker 1: case some of y'all don't know, Amazon, Bars and Nobles,

1856
01:36:11,360 --> 01:36:13,880
Speaker 1: wherever books are sold, you you have to direct you.

1857
01:36:14,840 --> 01:36:20,000
Speaker 1: That's right where you get a book from. Seriously, I've

1858
01:36:20,560 --> 01:36:22,320
Speaker 1: had people ask me like, oh, where should I buy it?

1859
01:36:22,320 --> 01:36:24,200
Speaker 1: I was like, wherever books are sold, They're like, okay,

1860
01:36:24,240 --> 01:36:28,639
Speaker 1: where I'm like, um, five mixtapes. It's like, y'all, y'all

1861
01:36:28,680 --> 01:36:31,960
Speaker 1: worry me sometimes, Yes, Hey, listen to I want to

1862
01:36:32,000 --> 01:36:35,360
Speaker 1: remind y'all man. You know a movie that I executive produced,

1863
01:36:35,920 --> 01:36:39,160
Speaker 1: eighty eight The movie is still in theaters now. I

1864
01:36:39,280 --> 01:36:40,800
Speaker 1: think this is the last week it's going to be

1865
01:36:40,880 --> 01:36:44,080
Speaker 1: in theaters. But I do know that starting today it

1866
01:36:44,200 --> 01:36:47,160
Speaker 1: is available for screaming on Apple TV. So everybody who

1867
01:36:47,240 --> 01:36:50,040
Speaker 1: pre ordered it on Apple TV, today is the day

1868
01:36:50,200 --> 01:36:52,200
Speaker 1: that it'll be screaming on Apple TV. So if you

1869
01:36:52,280 --> 01:36:54,120
Speaker 1: haven't pre ordered it, or if you want to watch

1870
01:36:54,240 --> 01:36:56,600
Speaker 1: eighty eight the movie, you can watch it tonight on

1871
01:36:56,760 --> 01:36:58,640
Speaker 1: Apple TV. But if you feel like going to a

1872
01:36:58,720 --> 01:37:01,479
Speaker 1: movie theater, check your local list things and see where

1873
01:37:01,720 --> 01:37:04,639
Speaker 1: it's showing at in a theater near you this weekend.

1874
01:37:04,720 --> 01:37:08,200
Speaker 1: Eighty eighth the movie starring Brandon V. Dixon, the Torynton,

1875
01:37:08,520 --> 01:37:12,120
Speaker 1: Orlando Jones, executive produced by me. A great political thriller.

1876
01:37:12,200 --> 01:37:14,360
Speaker 1: I would really appreciate if you check that out this weekend.

1877
01:37:14,720 --> 01:37:17,400
Speaker 1: Breakfast Club. I'm finished for y'all. Dune