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Speaker 1: I listen to The Black Guy Who Tips podcast because

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Speaker 1: Rot and Karen are hot.

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Speaker 2: Hey, yo, are making short term goals when the weather folds,

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Speaker 2: put away the leather and put ice on the gold

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Speaker 2: chili with enough bell money to free a big wille

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Speaker 2: high steaks. I got more steak than phile shopping sprees,

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Speaker 2: copping three deuce fever.

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Speaker 3: Is is fully loaded.

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Speaker 2: Ah Yes, bouncing into lex Luga tire, smoke like Buddha,

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Speaker 2: fifty g's to the crapshooter. Niggas can't fade me. Chrome

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Speaker 2: stocks brilliant beaming through my peripheral. I'll see you scheming,

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Speaker 2: stop dreaming, and not to leave your body steaming. Niggas

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Speaker 2: is fiend, And what's the meaning I'm leaving on any

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Speaker 2: nigga intervening with the sound of my money machining, my

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Speaker 2: cup running over with hundreds. I'm one of the best

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Speaker 2: niggas have done it. Six digits are running, y'all. Niggas

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Speaker 2: don't want it. I got the Godfather flow, the don

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Speaker 2: Wan DeMarco tweitter god don't get it fucked up. I'm

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Speaker 2: taking out.

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Speaker 3: This time to give you a piece of my mind.

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Speaker 2: Hey, welcome to the Black Guy to his podcast with

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Speaker 2: your host Rod and.

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Speaker 4: Maybe one day you'll be your stuff.

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Speaker 3: That's a jam, ain't it, Mary Jay.

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Speaker 2: You can find us on iTunes, Stitch of Potomatic, search

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Speaker 2: the Black Guy who Tells.

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Speaker 3: Leave us five star reviews.

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Speaker 2: The official weapon of the show is and the unofficial

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Speaker 2: sports at Bulletball.

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Speaker 3: Extreme Extreme Extreme.

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Speaker 2: This podcast is sponsored. It's sponsored on a very special

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Speaker 2: day because today is Walking Dead Wednesday, or recapped the

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Speaker 2: Walking Dead, but as of late we've been walking recapping

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Speaker 2: the Walking Dead with a little bit of help.

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Speaker 3: Call the wine.

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Speaker 2: Okay, a little wine, a little cheese, a little little

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Speaker 2: crackers or something like that, and we get a little tips,

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Speaker 2: and we recapped the Walking Dead.

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Speaker 3: And our sponsor is Trying a Wine Company.

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Speaker 2: Trying a Wine Company sells thousands of wines from all

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Speaker 2: their physical stores in the Raleigh Durham area of North

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Speaker 2: free wine tasting events or when you buy wine by.

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Speaker 3: The glass at their tasting bars.

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Speaker 2: They also are opening up a new store in Holly Springs,

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Speaker 2: North Carolina soon. So I mean, if you're in the

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Speaker 2: NC area, you know over there in the Raleig Durham area,

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Speaker 2: go ahead and get you some, all right.

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Speaker 3: Tell them we sent you.

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Speaker 2: You can find your new favorite wine when you shop

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Speaker 2: Triangle Wine companies amazing selection. Just visit Triangle wineco dot com.

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Speaker 2: And as I said, we're gonna recap The Walking Dead.

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Speaker 2: There's a lot of stuff to talk about. Even get

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Speaker 2: into some news and stuff depends on how much time

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Speaker 2: we have left over.

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Speaker 3: But uh, let's first start with, uh, where's my where'd

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Speaker 3: it go? Hold on?

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Speaker 2: Okay there, that's oh yeah, let's first start with our

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Speaker 2: Walking Dead recap.

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Speaker 3: Of course, was my music?

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Speaker 2: Okay, Now, before we get into this recap, let's talk

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Speaker 2: about what we have to drink and eat over here.

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Speaker 3: Okay.

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Speaker 2: Now, I know professional podcasters are not supposed to eat

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Speaker 2: on the mic like we're about to do. Uh, so

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Speaker 2: I understand, Uh, if you're gonna be disappointing this episode.

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Speaker 2: But for the rest of you that want to sit

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Speaker 2: around and listen to that, sip and eat and drink,

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Speaker 2: this is what we're sipping on. You can go to

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Speaker 2: Tryga Wine coo dot com and find this right now.

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Speaker 2: It's called cannes Za c A N space x A

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Speaker 2: and it says brute cava and they got a big

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Speaker 2: X on the bottle like this, it's Kansa Rose sparkling

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Speaker 2: wine X the spot. Let me take a sip of

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Speaker 2: this real quick sea I taste. I haven't tasted it yet.

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Speaker 2: Oh that's good. And I filled it up to love

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Speaker 2: fully okay, and my cup has lived happy, love fully

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Speaker 2: drink VENO.

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Speaker 3: I filled it up halfway.

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Speaker 5: Yours mine has l O L Oh my gosh, w

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Speaker 5: t L.

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Speaker 3: Which ones at the top. W t F is at the.

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Speaker 5: Top and not quite at the top. I'm I'm half

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Speaker 5: below o MG.

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Speaker 4: So I'm like, I'm like a little giggle right like

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Speaker 4: right above little gig. I started laughing right before. I'm like,

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Speaker 4: oh my gosh, what is happening.

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Speaker 2: We also have some parmesan bread chips instead of crackers

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Speaker 2: this week. Shout out the publics for the low crist

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Speaker 2: of two nine come on to feel fancy. And then

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Speaker 2: I got some Italian gorganzola cheese imported. Of course, it's

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Speaker 2: also from the public's deli, and so we're just gonna

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Speaker 2: put a little bit of that.

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Speaker 3: On this uh, on this uh. Parmesan bread.

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Speaker 4: Yeah, we got some spreadable cheese this time.

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Speaker 5: Yeah.

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Speaker 2: Yeah that that that breeze wasn't spreadable. I'm a big

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Speaker 2: fan of the spreadable cheese. Let me get a little

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Speaker 2: bite of there. Oh oh, now see this just heading

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Speaker 2: right here.

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Speaker 3: I did, I did it this song. M cool up.

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Speaker 2: Now see I will say this, the initial bite is

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Speaker 2: almost overpowering to your senses, right, it really packs upon

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Speaker 2: unch writing and taste, bud.

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Speaker 3: But I do find the follow through to be a

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Speaker 3: bit salty. Okay, I do find it to be a

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Speaker 3: little salty on the follow through.

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Speaker 2: I don't know if that's the the parmajan or just

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Speaker 2: the cheese.

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Speaker 3: It's the cheese, yeah, it's a strong cheese. Yeah.

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Speaker 2: Now the parmesan bread it does have a little salty

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Speaker 2: after taste as well, parmesan bread chips, bread chips, But

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Speaker 2: I think the cheese it takes it to the next

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Speaker 2: level of saltiness. On the way out delicious, but that

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Speaker 2: you know what you do with that though, That's why

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Speaker 2: you got.

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Speaker 3: The wine to wash it down. M hm.

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Speaker 2: You see, when you combine it with the wine, that's

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Speaker 2: the perfect after taste.

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Speaker 3: Okay it is, and then you're ready for another bite.

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Speaker 3: It's a palate cleanser out for.

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Speaker 4: The people at home are drinking and eating with us.

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Speaker 2: Yeah, shout out to all the people that take their

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Speaker 2: wine and food seriously and pull out there as well

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Speaker 2: so we can all eat and chat alone. Now, this

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Speaker 2: episode is called Omega's the tenth episode. We only got

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Speaker 2: uh to the end of March. We're only got like

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Speaker 2: sixties left, I.

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Speaker 4: Think so, and that'd be the end of the season, right, yeah.

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Speaker 2: End of season nine. It's called Omega. Directed by David Boyd,

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Speaker 2: written by Channing Powell. The lowest ratings four point five

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Speaker 2: to four. I think that's the lowest of the entire season.

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Speaker 3: So hoppenive that they had numbers like they first when

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Speaker 3: they first is starting. And I'm gonna tell y'all, like

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Speaker 3: this dog, when I go to their website to do

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Speaker 3: the prep for this show. Part of the things they

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Speaker 3: have in the website, they used to have like extras

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Speaker 3: for every tea every episode, and it was like, here's

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Speaker 3: the pictures that we took on set for the for

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Speaker 3: each episode.

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Speaker 2: The last two weeks, they haven't had those pictures. I

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Speaker 2: almost want to hit them on Twitter and be like,

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Speaker 2: what's up with that? Becuz I use those for the

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Speaker 2: promo art for the show that we do and for

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Speaker 2: the podcast art, and yeah, man, I'm disappointed that they

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Speaker 2: don't have that out there. They were doing so good

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Speaker 2: and I don't know if it's just gotten to the

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Speaker 2: point where they're like we cutting corners, cutting costs or what,

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Speaker 2: but I really wish they had those pictures still up anyway, Karen,

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Speaker 2: what'd you think about this episode?

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Speaker 3: Omega? Overall? I enjoyed it.

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Speaker 4: I think, what's it?

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Speaker 5: It wasn't my favorite, but it wasn't the worse, Like

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Speaker 5: it was kind of in the.

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Speaker 2: Mudle okay for me personally, I liked it better when

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Speaker 2: I watched it the second time.

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Speaker 3: The first time it felt like I didn't.

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Speaker 2: I think I didn't understand the narrative device they had

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Speaker 2: with the girl Lydia, and I was just thrown off.

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Speaker 3: I was like kind of confused, like when the fuck

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Speaker 3: is this happening?

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Speaker 2: At different time Pieros are we skipping back and forth

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Speaker 2: in her story there and all this shit, and then

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Speaker 2: you know, and then when they kind of wrapped the

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Speaker 2: boat on it and live action, I was like, oh.

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Speaker 3: The first time was I don't know.

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Speaker 2: If I bought that, And then the second time I

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Speaker 2: actually did was like I was like, oh, okay, I

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Speaker 2: see the work I did there.

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Speaker 5: Yeah, And also I think that it paid off because

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Speaker 5: the way she she kind of told the story in

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Speaker 5: bits and pieces, and the first time she told the story,

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Speaker 5: she literally told it the way her mama told her.

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Speaker 5: Then the second time she told it the way it

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Speaker 5: really was, and she was like, yeah, my mama's fucking nuts.

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Speaker 3: Yeah, so we'll get into the scene by scene breakdown,

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Speaker 3: but yeah, that's you know.

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Speaker 2: I enjoyed it a lot the second time. The first

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Speaker 2: time I just thought it was okay.

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Speaker 3: Though. So this is a weird one.

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Speaker 2: We only have two locations, and one of the locations

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Speaker 2: is essentially a big ass flashback, so it's not really

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Speaker 2: a location at all, you know.

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Speaker 4: It's like location in the past.

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Speaker 2: Yeah, we have Hilltop and then we have this bunker

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Speaker 2: that Lydia was trapped in when she was a kid

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Speaker 2: and the way they told the story. The flashbacks in

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Speaker 2: the bunker are actually interspersed throughout the main story.

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Speaker 5: So yeah, you so, yeah, if you fuck around and

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Speaker 5: don't pay attention, you gonna know what's happening.

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Speaker 3: Yeah. Now, what I'm gonna try to do here is

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Speaker 3: kind of go through.

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Speaker 2: Just the bunker part and then we'll go to the

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Speaker 2: regular like you know, hilltop stuff, and.

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Speaker 3: Hopefully you got it. Hopefully it's smooth enough for y'all

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Speaker 3: to follow.

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Speaker 2: Right, So in this bunker, it's twenty three days into

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Speaker 2: the apocalypse.

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Speaker 3: Lydia is a child. Now. Lydia now looks like she's.

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Speaker 2: About Henry's age, So I'd say, like somewhere between fifteen

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Speaker 2: to twenty, you know, I don't know her exact age,

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Speaker 2: right somewhere between, you know, like Carl's age if.

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Speaker 4: He was still a lib to peace call, Yes, it's

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Speaker 4: all rightp fitted call.

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Speaker 2: And so she's in a in the in the past.

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Speaker 2: She's like, you know, what looks to be like maybe

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Speaker 2: a five year old or something. And she's in this

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Speaker 2: underground bunker and she is in there with her family

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Speaker 2: who her father's name is Frank. We never hear her

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Speaker 2: mother's name, so her father's name is Frank, and her

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Speaker 2: mom is there too.

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Speaker 3: But there's a lot of people in.

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Speaker 2: This bunker, like twenty something people at least, and it's

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Speaker 2: like they are all like people that are strangers to

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Speaker 2: each other. You can tell they're just in there surviving,

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Speaker 2: like they maybe they went to an emergency emergency, like

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Speaker 2: you know how we have emergency shelters here, you know,

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Speaker 2: like if there's a nuclear attack, you go to this

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Speaker 2: gym or something.

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Speaker 4: But it's the beginning of the outbreak.

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Speaker 2: Yes, it's day twenty three, right, They have it written

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Speaker 2: on the wall at the start. Day twenty three is

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Speaker 2: written in the chalk on the wall and everybody's standing around.

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Speaker 3: And the thing about this is kind of.

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Speaker 2: Confusing is that Lydia's is We find out her name

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Speaker 2: is Lydia through these flashbacks and stuff. Lydia is telling

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Speaker 2: this story to Henry, and so we're getting these flashbacks

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Speaker 2: as she's telling the story to Henry, and then she

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Speaker 2: tells it to Darryl. The problem is the details changed several.

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Speaker 3: Times because Lydia is not a reliable narrator, right, So

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Speaker 3: they kind of play some I thought it was great writing.

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Speaker 3: They play some tricks with it.

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Speaker 4: You know, they do.

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Speaker 5: And I do like the fact that you basically got

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Speaker 5: the story two times. You got the story the way

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Speaker 5: she was told, and you got the story the way

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Speaker 5: the reality of it.

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Speaker 3: You actually get it like three times. Mm hmm.

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Speaker 2: I'll break it down because, like I said, I rewatched it,

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Speaker 2: and I think when I watched it the live the

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Speaker 2: first time, that's what threw me off was how many

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Speaker 2: times you really got a different version of the story.

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Speaker 2: I thought it was too, but then when I rewatched

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Speaker 2: it, it wasn't all right. So the first version of the

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Speaker 2: story is, Hey, we were stuck in this bunker, and

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Speaker 2: the father is like giving up hope.

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Speaker 3: He's like, we got to get out of here. We're

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Speaker 3: stuck with these people.

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Speaker 2: I'm going I'm taking you and the family and Lydia

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Speaker 2: with me, and the mom is singing her a song

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Speaker 2: holding nerd. The song is called Lydia or something, and

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Speaker 2: it's I'm sure it's an actual song somewhere, I just

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Speaker 2: don't know it. And you know, the dad is like

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Speaker 2: almost unstable, like he's angry, he wants to get.

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Speaker 3: Out of there.

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Speaker 2: He gets off the vibes almost like an abusive man.

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Speaker 2: So he's like yeah, I'm just going to get out

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Speaker 2: of here, and we gotta go. And then she's like,

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Speaker 2: we're not taking lydia. It's not safe out there, and

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Speaker 2: he's like, bitch, and then like like it's.

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Speaker 4: Just I'm gonna go to my muchstance because you like.

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Speaker 2: It right, and he just paces back and forth, and

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Speaker 2: so then in the bunker later there's a there's no

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Speaker 2: more like at this. The first time of twenty three days,

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Speaker 2: there's like shit on the radio, like, you know, come

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Speaker 2: to the shelter, please get into a safety don't go outside. Well,

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Speaker 2: then after they don't tell you how many days was

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Speaker 2: how many days past?

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Speaker 4: The second time was like forty something days?

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Speaker 2: Okay, so forty something days. They come back and they're

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Speaker 2: like the only message on the radio is please stand by,

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Speaker 2: Please stand by, please, And he's like, it's been doing

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Speaker 2: this for over a day. What are we supposed to

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Speaker 2: do with. Everybody's like we need to get the fuck

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Speaker 2: out of here. Everybody's contemplating leaving. Frank tells his wife

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Speaker 2: get your stuff now. She says it's not safe for lydia. Again,

283
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Speaker 2: he says they need to go anyway. She says we're

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Speaker 2: not going. He calls her a bitch, and then Lydia

285
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Speaker 2: is kind of oblivious to this because she's like five,

286
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Speaker 2: and she puts on a sheet over her head and

287
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Speaker 2: she's like, Daddy, I know it.

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Speaker 3: I won't be for Halloween a ghost. And then he

289
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Speaker 3: says some real mean like shit, like.

290
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Speaker 2: Everyone in here is a ghost because they all pretending

291
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Speaker 2: that things are gonna go back to.

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Speaker 3: The way of the word. We're all gonna die. That's

293
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Speaker 3: your happy Halloween, kid, I know you lose her.

294
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Speaker 4: Like, fuck your reality. I'm here to shatter it.

295
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Speaker 2: Right every day it's Halloween, baby, don't see all these

296
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Speaker 2: pretending there's something to be hopeful about, all right, And

297
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Speaker 2: then he picks up some scissors and he goes and

298
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Speaker 2: cuts his beard off, all angry.

299
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Speaker 4: Like a yeah, because you like it, I'm gonna cut it.

300
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Speaker 3: Yeah. He told his wife, I can't stand in this bed.

301
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Speaker 3: I never could. You always liked the world's over.

302
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Speaker 2: I'm doing what i want now, like nah, I do

303
00:15:16,360 --> 00:15:18,800
Speaker 2: what i want, Yes, do what I want?

304
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Speaker 3: Being bad, being fast.

305
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Speaker 2: So then Lydia plays checkers with her mom, and her

306
00:15:23,320 --> 00:15:27,360
Speaker 2: mom says checkmate, and then Lydia goes, Mimmy, that's chess

307
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Speaker 2: because you know, her mom was so nice to her.

308
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Speaker 2: So then in another flashback, a dude named Matthias tries

309
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Speaker 2: to escape the bunker by taking some of the boards

310
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Speaker 2: off the window. He's gonna climb out and escape on

311
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Speaker 2: his own or something, and they're like, no, you can't

312
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Speaker 2: do that.

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Speaker 5: And you know what, the more more you say, yes,

314
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Speaker 5: this story is been told three times.

315
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Speaker 4: Okay, I thought it was two.

316
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Speaker 5: Separate stories, but now it makes sense that they're actually

317
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Speaker 5: telling the.

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Speaker 3: Story multiple ds.

319
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Speaker 2: She was lying and she was talking to Darrell, I

320
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Speaker 2: believe this time when she told the story, and she says,

321
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Speaker 2: the mom was freaking out.

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Speaker 6: Yeah.

323
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Speaker 2: The mom tells him like, hey, you're making too much noise.

324
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Speaker 2: Shut the fuck up. Shut up, you're gonna get us

325
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Speaker 2: all the trouble.

326
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Speaker 3: And he goes.

327
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Speaker 2: He thinks about for a second and he's like nah,

328
00:16:19,600 --> 00:16:22,200
Speaker 2: fuck that, runs back to the window, starts going help, help,

329
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Speaker 2: banging on the window.

330
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Speaker 4: Because on the outside you could literally hear zombies.

331
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Speaker 2: And people and shooting, and there were people out there.

332
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Speaker 2: They were battling zombies or battling.

333
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Speaker 3: Each other, who knows.

334
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Speaker 2: And she was basically like, it's dangerous out there. My

335
00:16:34,680 --> 00:16:37,800
Speaker 2: child is in here. Shut the fuck up, and Matteias

336
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Speaker 2: goes back. And then at this.

337
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Speaker 3: Point, like the mom is kind of mean, like she's

338
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Speaker 3: like like she like.

339
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Speaker 2: She goes and pulls him off the wall, slams him

340
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Speaker 2: on the ground, puts her hand over his mouth, basically

341
00:16:50,520 --> 00:16:52,600
Speaker 2: tell him to shut the fuck up because he's freaking

342
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Speaker 2: out and he's trying to breathe hard and shit, and

343
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Speaker 2: she essentially suffocates him.

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Speaker 4: And I actually believe that part.

345
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Speaker 2: Maybe I don't know, but I can't. I go to

346
00:17:03,680 --> 00:17:05,720
Speaker 2: why why why? I have a hard time believing it

347
00:17:05,840 --> 00:17:10,480
Speaker 2: or not believing because she suffocates him and one that

348
00:17:10,520 --> 00:17:16,040
Speaker 2: happened super fast, and it's not her fault, like.

349
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Speaker 3: She didn't mean to suffocate him.

350
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Speaker 2: And then she like looks up and she's like, you know,

351
00:17:20,480 --> 00:17:22,880
Speaker 2: to everybody, like you know he had he was gonna

352
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Speaker 2: get us all killed, and you know, anybody try to

353
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Speaker 2: get between me and my family, you know, dah da

354
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Speaker 2: da da.

355
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Speaker 3: And so she kills uh kills him.

356
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Speaker 2: And while she's doing that, her uh Lydia's father is

357
00:17:36,400 --> 00:17:39,080
Speaker 2: holding baby Lydia or whatever, five year old Lydia in

358
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Speaker 2: his arm. She's and he's singing her a song like

359
00:17:42,400 --> 00:17:48,359
Speaker 2: you know that Lydia song and I think maybe. And

360
00:17:48,400 --> 00:17:50,280
Speaker 2: then there was a tattoo that said Lydia on her

361
00:17:50,280 --> 00:17:52,119
Speaker 2: mom's arm, but I don't know if there's also a

362
00:17:52,160 --> 00:17:53,919
Speaker 2: tattoo on the dad's on that says Lydia.

363
00:17:54,040 --> 00:17:54,639
Speaker 4: I think it was.

364
00:17:54,800 --> 00:17:59,159
Speaker 2: But the point being, yeah, at the point being the

365
00:17:59,560 --> 00:18:01,800
Speaker 2: memories all mixed up, so I don't actually know which

366
00:18:01,880 --> 00:18:04,760
Speaker 2: is true, right, But so the dad is singing to

367
00:18:04,800 --> 00:18:10,520
Speaker 2: her and all this stuff all right, then the mom

368
00:18:11,160 --> 00:18:13,359
Speaker 2: we come back to another flashback and the mom has

369
00:18:13,400 --> 00:18:16,800
Speaker 2: cut all her hair off and this patchy and egg like.

370
00:18:16,800 --> 00:18:20,159
Speaker 3: It was like she went to the supercuts, like she

371
00:18:20,240 --> 00:18:22,199
Speaker 3: needed to go to a professionally get that done. You

372
00:18:22,200 --> 00:18:23,840
Speaker 3: can tell she did it with some scissors.

373
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Speaker 4: She you know what she she broke through.

374
00:18:26,200 --> 00:18:27,920
Speaker 5: She went to the person they didn't have nobody in

375
00:18:27,960 --> 00:18:30,040
Speaker 5: the in their chair in line at the bob shot.

376
00:18:30,119 --> 00:18:32,600
Speaker 3: Yeah, shout out right, shout out to.

377
00:18:33,119 --> 00:18:34,720
Speaker 2: She went to the dude that want to argue about

378
00:18:34,880 --> 00:18:37,520
Speaker 2: is Jordan better without hipping than Mike lebron.

379
00:18:37,320 --> 00:18:39,320
Speaker 4: Right, the dude everybody stay away from because they don't

380
00:18:39,359 --> 00:18:39,960
Speaker 4: want that argument.

381
00:18:40,560 --> 00:18:43,680
Speaker 2: The thing for me, though, that I noticed is whoever

382
00:18:43,720 --> 00:18:47,560
Speaker 2: did the hair and the timeline in this episode, they

383
00:18:48,040 --> 00:18:48,720
Speaker 2: they got it straight.

384
00:18:48,720 --> 00:18:49,880
Speaker 3: They was like, this.

385
00:18:49,800 --> 00:18:51,560
Speaker 2: Scene he's gonna have a beard, this scene he not.

386
00:18:51,680 --> 00:18:53,240
Speaker 2: This scene she gonna have her hair fucked up. This

387
00:18:53,280 --> 00:18:56,880
Speaker 2: scene she not, you know, baldhead to that kind of head.

388
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Speaker 3: It was. It was wild.

389
00:18:57,960 --> 00:19:00,280
Speaker 4: So yeah, because the story was kind of all over

390
00:19:00,280 --> 00:19:02,480
Speaker 4: the place. So who knows what's the truth and what's not.

391
00:19:02,640 --> 00:19:04,520
Speaker 4: I think it's bits and pieces of the truth. I

392
00:19:04,520 --> 00:19:07,320
Speaker 4: think the last version, what you're gonna cover is closer to.

393
00:19:07,320 --> 00:19:09,719
Speaker 2: The truth, right, And I think that's the way it's

394
00:19:09,720 --> 00:19:11,880
Speaker 2: set up narratively that we're supposed to lead the last

395
00:19:11,960 --> 00:19:17,320
Speaker 2: version is the truth anyway. So then Mattheus is dead.

396
00:19:17,680 --> 00:19:21,600
Speaker 2: He's laying on her they had and she and the

397
00:19:21,680 --> 00:19:23,600
Speaker 2: mom is like, we need to get his body out

398
00:19:23,600 --> 00:19:26,240
Speaker 2: of here. It starting before it starts a steak. Now,

399
00:19:26,680 --> 00:19:30,399
Speaker 2: forty something days into Zpop, no one has died inside

400
00:19:30,440 --> 00:19:35,480
Speaker 2: this manker, right, they don't know the dead come back, like,

401
00:19:35,560 --> 00:19:38,000
Speaker 2: it doesn't matter how you don't have to get bit

402
00:19:38,600 --> 00:19:40,840
Speaker 2: to come back as a zombie, you know. So this

403
00:19:40,960 --> 00:19:43,480
Speaker 2: was their wake up call and we find out because

404
00:19:43,520 --> 00:19:45,080
Speaker 2: Lydia gets up in the middle of the night to

405
00:19:45,160 --> 00:19:45,639
Speaker 2: do something.

406
00:19:45,680 --> 00:19:48,080
Speaker 3: Who knows, she just woke up.

407
00:19:48,000 --> 00:19:50,040
Speaker 4: And was like, I just want to She woke up

408
00:19:50,040 --> 00:19:51,000
Speaker 4: and she wants to see the body.

409
00:19:51,200 --> 00:19:54,560
Speaker 2: I think that's yeah, yeah, yeah. So she walks over

410
00:19:54,600 --> 00:19:58,440
Speaker 2: towards the body. She pulls off the cover that they

411
00:19:58,440 --> 00:20:02,000
Speaker 2: have over the god's face and you see obviously he's dead.

412
00:20:02,080 --> 00:20:04,719
Speaker 2: She turns her back to walk away, and the zombie,

413
00:20:04,760 --> 00:20:07,800
Speaker 2: of course, conveniently wakes up at just that exact moment

414
00:20:08,600 --> 00:20:12,920
Speaker 2: and decides to attack Lydia. And she turns around screams

415
00:20:12,920 --> 00:20:15,159
Speaker 2: in the middle of the night, and then her father

416
00:20:15,320 --> 00:20:18,639
Speaker 2: runs over and gets between her and the zombie and

417
00:20:18,640 --> 00:20:21,760
Speaker 2: gets bitting in neck and dies. This is a story

418
00:20:21,800 --> 00:20:26,200
Speaker 2: she's telling Darryl Okay now. When she's telling him this story,

419
00:20:26,240 --> 00:20:28,040
Speaker 2: and she says, you know, father went over and died.

420
00:20:28,480 --> 00:20:30,399
Speaker 2: He's like, well, he couldn't just sit there and let

421
00:20:30,480 --> 00:20:32,880
Speaker 2: his baby girl die, And she said, no, he was stupid.

422
00:20:32,920 --> 00:20:35,400
Speaker 3: He was weak. I was weak. He should have let

423
00:20:35,440 --> 00:20:38,239
Speaker 3: me die out I should have you know. I uh.

424
00:20:38,359 --> 00:20:40,280
Speaker 2: He said, but that's your you know, you're his daughter

425
00:20:40,320 --> 00:20:42,000
Speaker 2: and he loves you. And she's like, well, that's why

426
00:20:42,000 --> 00:20:45,600
Speaker 2: he's dead, because he's a stupid man. And at that

427
00:20:45,720 --> 00:20:49,720
Speaker 2: moment I realized, like, how young. She is too oh yeah, yeah, yeah,

428
00:20:49,720 --> 00:20:52,040
Speaker 2: because I felt like last week I was almost felt

429
00:20:52,200 --> 00:20:55,400
Speaker 2: like zero remorse and anything for I was like, man,

430
00:20:55,480 --> 00:20:58,080
Speaker 2: kill her, fuck the whole thing, like who cares?

431
00:20:58,560 --> 00:21:00,159
Speaker 3: But then I think a thought I saw this.

432
00:21:00,240 --> 00:21:03,399
Speaker 2: I was like, ah, she is fucked up, and she's

433
00:21:03,440 --> 00:21:06,040
Speaker 2: young enough to where she may be able to come

434
00:21:06,040 --> 00:21:07,080
Speaker 2: out of being fucked up.

435
00:21:07,200 --> 00:21:10,040
Speaker 5: Yeah, And she's to an extent, regardless of how you

436
00:21:10,080 --> 00:21:12,120
Speaker 5: feel about Henry, she has a lot of the same

437
00:21:12,240 --> 00:21:16,840
Speaker 5: innocence that Henry has as far as uh just raised

438
00:21:16,880 --> 00:21:18,879
Speaker 5: up in a real fucked up situation and that was

439
00:21:18,920 --> 00:21:21,159
Speaker 5: Henry thing like, hey dog, this situation was fucked up

440
00:21:21,200 --> 00:21:22,159
Speaker 5: and she was raised in it.

441
00:21:22,200 --> 00:21:23,160
Speaker 4: She can't change.

442
00:21:23,600 --> 00:21:26,840
Speaker 3: Yeah, she knows. She reminds me of is Enit a

443
00:21:26,880 --> 00:21:29,200
Speaker 3: little bit, Remember how Enit was?

444
00:21:29,359 --> 00:21:32,480
Speaker 2: You know, don't try to save nobody, just just survive

445
00:21:32,600 --> 00:21:37,359
Speaker 2: another day. And you know how she was with Carl

446
00:21:37,359 --> 00:21:40,360
Speaker 2: and she was like so flighty and this the hilltop

447
00:21:40,440 --> 00:21:43,440
Speaker 2: is gonna come down, and I mean, Alexander's gonna come down.

448
00:21:43,480 --> 00:21:46,479
Speaker 3: It can't last. And you know, people even thought she

449
00:21:46,560 --> 00:21:47,120
Speaker 3: was working with.

450
00:21:47,080 --> 00:21:49,280
Speaker 2: The wolves at one point because they were so she

451
00:21:49,359 --> 00:21:52,280
Speaker 2: was so flighty. It was like you just can't trust her.

452
00:21:53,040 --> 00:21:55,000
Speaker 2: And this kind of reminds me of eat It a

453
00:21:55,040 --> 00:22:05,840
Speaker 2: little bit. So then okay, in the flashback, the final flashback,

454
00:22:06,640 --> 00:22:10,000
Speaker 2: we see that it wasn't And this is after we

455
00:22:10,000 --> 00:22:11,760
Speaker 2: see a montage because she has a freak out and

456
00:22:11,760 --> 00:22:13,240
Speaker 2: we'll get to that. On the other side, she has

457
00:22:13,280 --> 00:22:14,919
Speaker 2: a freak out and we see a montage of like

458
00:22:15,400 --> 00:22:17,880
Speaker 2: other images, Like we saw an image of how her

459
00:22:17,880 --> 00:22:20,719
Speaker 2: father died, and it wasn't getting bit by a zombie.

460
00:22:21,080 --> 00:22:23,879
Speaker 2: It was just his neck sliced up and bleeding up

461
00:22:23,880 --> 00:22:27,160
Speaker 2: against a wall. And so it's like, hmm, but that's

462
00:22:27,200 --> 00:22:29,960
Speaker 2: not what she said in her in her story. So

463
00:22:30,040 --> 00:22:33,360
Speaker 2: in the final flashback, we see that it wasn't Lydia's

464
00:22:33,440 --> 00:22:34,040
Speaker 2: dad who.

465
00:22:33,880 --> 00:22:38,920
Speaker 3: Died bitten by a zombie. It was Matteas the zombie

466
00:22:39,119 --> 00:22:40,919
Speaker 3: ate another dude that had nothing to do with it.

467
00:22:42,000 --> 00:22:44,959
Speaker 2: And then in the chaos inside the bunker because now

468
00:22:45,000 --> 00:22:46,960
Speaker 2: they're realizing whoa zombie got in here?

469
00:22:47,040 --> 00:22:48,640
Speaker 3: What the fuck is the middle of the night.

470
00:22:48,480 --> 00:22:50,400
Speaker 4: And everybody's pancing wanting to get out.

471
00:22:50,400 --> 00:22:52,199
Speaker 2: Right, and so the mom is like, we need to

472
00:22:52,200 --> 00:22:54,520
Speaker 2: get the fuck out now, Let's go out this window,

473
00:22:54,840 --> 00:22:55,120
Speaker 2: and the.

474
00:22:55,119 --> 00:22:56,800
Speaker 3: Dad was like, we can't go out there. We can't

475
00:22:56,840 --> 00:22:57,359
Speaker 3: take Lydia.

476
00:22:57,480 --> 00:22:59,840
Speaker 2: So now this conversation we saw at the very beginning

477
00:23:00,200 --> 00:23:02,199
Speaker 2: that was the mom saying not to go. It was

478
00:23:02,240 --> 00:23:05,400
Speaker 2: always the father and he's like, no, we can't take

479
00:23:05,480 --> 00:23:08,080
Speaker 2: Lydia out there. It's not safe for us. And she's like,

480
00:23:08,240 --> 00:23:11,639
Speaker 2: you we going and he said, well, not not with

481
00:23:11,760 --> 00:23:15,960
Speaker 2: Lydia and she said, well then you'll take my child

482
00:23:15,960 --> 00:23:20,240
Speaker 2: off my dead body. And he was like, Lydia is

483
00:23:20,520 --> 00:23:23,119
Speaker 2: gonna be okay, don't panics, stay here. I'm gonna go

484
00:23:23,240 --> 00:23:25,680
Speaker 2: check to make sure that it's clear for us to

485
00:23:25,720 --> 00:23:27,879
Speaker 2: get to the stairway, and then we're gonna escape. This

486
00:23:28,000 --> 00:23:30,840
Speaker 2: is some bad like choreography and scene blocking in my opinion,

487
00:23:30,880 --> 00:23:33,720
Speaker 2: because like he walks from behind the curtain and immediately

488
00:23:33,720 --> 00:23:36,280
Speaker 2: gets like bumped into a wall and he's like stumbling

489
00:23:36,320 --> 00:23:39,959
Speaker 2: all down all week, and then the mom grabs a knife,

490
00:23:40,119 --> 00:23:42,840
Speaker 2: follows him and goes and cuts his throat and basically

491
00:23:42,840 --> 00:23:46,680
Speaker 2: look makes eye contact with Lydia while she's doing it.

492
00:23:47,160 --> 00:23:48,640
Speaker 3: Now, here's the thing.

493
00:23:49,960 --> 00:23:54,480
Speaker 2: Part of this was Lydia lying to them, being deceptive,

494
00:23:55,400 --> 00:23:58,000
Speaker 2: But we find out that part of the reason these

495
00:23:58,000 --> 00:24:00,280
Speaker 2: flashbacks are so jumbled.

496
00:23:59,760 --> 00:24:04,439
Speaker 3: And incomplete, and they don't, you know, conflicted.

497
00:24:04,320 --> 00:24:07,800
Speaker 2: With her real memory, and it is because this is

498
00:24:07,840 --> 00:24:10,880
Speaker 2: a story she's been brainwashed into. Her mom has told

499
00:24:10,920 --> 00:24:14,000
Speaker 2: her the story for empteen years sister z Pop began.

500
00:24:14,680 --> 00:24:17,040
Speaker 2: And keep in mind, she was like five or so,

501
00:24:17,040 --> 00:24:18,959
Speaker 2: so she was a kid. She doesn't have the clearest

502
00:24:19,000 --> 00:24:23,200
Speaker 2: memory of that time, and her mom has been indoctrinating

503
00:24:23,240 --> 00:24:25,199
Speaker 2: her for years, being like, no, what happened with your

504
00:24:25,240 --> 00:24:29,359
Speaker 2: dad was weak and I, you know, I saved us

505
00:24:29,440 --> 00:24:32,159
Speaker 2: and he was the one that was being violent and

506
00:24:32,200 --> 00:24:34,320
Speaker 2: acting up and if it wasn't for me stepping.

507
00:24:34,040 --> 00:24:36,440
Speaker 3: Up, you'd be dead and blah blah blah.

508
00:24:36,280 --> 00:24:39,320
Speaker 2: And so her memory is all fucked up, but she

509
00:24:39,440 --> 00:24:41,919
Speaker 2: does understand that it's a lie that she's been given

510
00:24:41,960 --> 00:24:46,080
Speaker 2: by her mother, and she doesn't, you know, and she

511
00:24:46,200 --> 00:24:49,920
Speaker 2: realizes her mom is abusive, right all right, now.

512
00:24:49,880 --> 00:24:55,040
Speaker 3: Let's get to the Hilltop stuff. So in Hilltop.

513
00:24:56,520 --> 00:25:00,679
Speaker 2: And we start with Henry and Lydia and her holding cells,

514
00:25:01,359 --> 00:25:04,160
Speaker 2: and Lydia's recounting her origin story that I just told

515
00:25:04,240 --> 00:25:07,159
Speaker 2: y'all the first live art and she says that she

516
00:25:07,200 --> 00:25:09,440
Speaker 2: doesn't know why she's telling Henry all this shit about

517
00:25:09,440 --> 00:25:13,000
Speaker 2: her origin, and she says. He tells her it's because

518
00:25:13,000 --> 00:25:16,600
Speaker 2: it beats being quiet and alone in the sale by yourself,

519
00:25:17,000 --> 00:25:20,639
Speaker 2: and she says, I missed the sounds and the smells

520
00:25:21,200 --> 00:25:23,560
Speaker 2: of being in the zomb with the zombies in the

521
00:25:23,600 --> 00:25:26,520
Speaker 2: field and wearing those masks. And Henry's like, you know,

522
00:25:26,600 --> 00:25:29,080
Speaker 2: that's messed up, wearing those masks and shit, and She's like,

523
00:25:29,600 --> 00:25:31,720
Speaker 2: I think it's messed up that you think this hilltop

524
00:25:31,760 --> 00:25:37,240
Speaker 2: place won't fall. And I'm like, no, no, wearing those

525
00:25:37,240 --> 00:25:41,359
Speaker 2: fucking decay mask all days, that's the messed up one.

526
00:25:43,160 --> 00:25:44,560
Speaker 3: And then outside we.

527
00:25:44,440 --> 00:25:48,960
Speaker 5: See because in her world she's they probably she's probably

528
00:25:49,040 --> 00:25:51,640
Speaker 5: seen a lot of communities fall where she's like, no, no, no,

529
00:25:51,800 --> 00:25:54,800
Speaker 5: everything falls, everything eventually comes down.

530
00:25:55,200 --> 00:25:59,760
Speaker 2: Right, And outside we see that the whole time that

531
00:26:00,400 --> 00:26:06,200
Speaker 2: Lydia is talking to Henry, Darryl is listening outside the

532
00:26:06,320 --> 00:26:07,840
Speaker 2: window or whatever of.

533
00:26:07,760 --> 00:26:08,679
Speaker 3: The cell mm hm.

534
00:26:08,840 --> 00:26:10,879
Speaker 4: And I think the whole time.

535
00:26:11,240 --> 00:26:15,080
Speaker 2: Yeah, because when he put Henry back down there, you know,

536
00:26:15,119 --> 00:26:16,560
Speaker 2: it kind of was one of those things where it

537
00:26:16,560 --> 00:26:18,919
Speaker 2: didn't really make sense. And then at that point I

538
00:26:19,000 --> 00:26:21,760
Speaker 2: wondered to myself, well, it's Henry in on it, like,

539
00:26:21,840 --> 00:26:26,360
Speaker 2: because I'm like, it's hard to believe someone as naive

540
00:26:26,400 --> 00:26:29,960
Speaker 2: as Henry would be savvy enough to pump this girl

541
00:26:30,000 --> 00:26:34,640
Speaker 2: for information without just exposing that he was just down

542
00:26:34,680 --> 00:26:35,760
Speaker 2: at the pump for information.

543
00:26:36,440 --> 00:26:38,200
Speaker 3: Now, he's a good natured kid. I think he would

544
00:26:38,240 --> 00:26:39,080
Speaker 3: talk to anyone.

545
00:26:39,400 --> 00:26:41,240
Speaker 2: And you know, they could have put him down there

546
00:26:41,240 --> 00:26:43,440
Speaker 2: with Niggan, and he talked to Niggan even after everything

547
00:26:43,520 --> 00:26:46,159
Speaker 2: Nigga's done because Henry, you know, and they've set that

548
00:26:46,280 --> 00:26:52,360
Speaker 2: up from the jump this season that Henry is this naive, optimistic,

549
00:26:53,040 --> 00:26:54,280
Speaker 2: not cynical kid.

550
00:26:56,000 --> 00:26:59,000
Speaker 5: Yeah, and I believe that he didn't know, Like you

551
00:26:59,040 --> 00:27:02,439
Speaker 5: can tell he had no idea because it was like

552
00:27:02,800 --> 00:27:08,200
Speaker 5: because Darrel small enough to know that if he told

553
00:27:08,280 --> 00:27:11,280
Speaker 5: that kid anything, he was gonna talk. So he was like,

554
00:27:11,359 --> 00:27:14,240
Speaker 5: I can't keep you in, So I have to pretend

555
00:27:14,320 --> 00:27:17,200
Speaker 5: like I'm gonna take her out to get your your

556
00:27:17,520 --> 00:27:21,320
Speaker 5: natural a kind heartedness to beg beg me to let

557
00:27:21,359 --> 00:27:23,840
Speaker 5: her stay because I know you're gonna do the right thing.

558
00:27:24,200 --> 00:27:25,720
Speaker 4: You know that that's what you're gonna do.

559
00:27:26,440 --> 00:27:29,359
Speaker 5: And so then I know if I could get y'all,

560
00:27:29,640 --> 00:27:31,560
Speaker 5: if you stay here long enough, you will talk because

561
00:27:31,560 --> 00:27:34,159
Speaker 5: that's what you do, and you will get her to

562
00:27:34,200 --> 00:27:36,240
Speaker 5: tell you things that she would not tell us.

563
00:27:37,760 --> 00:27:38,400
Speaker 4: Because I can't.

564
00:27:39,000 --> 00:27:42,320
Speaker 2: Yeah, but it was just funny because during the actual show,

565
00:27:43,440 --> 00:27:45,320
Speaker 2: you know, especially the first time, obviously I was like,

566
00:27:45,359 --> 00:27:47,679
Speaker 2: I wonder if he's in on it or not. But

567
00:27:48,160 --> 00:27:50,840
Speaker 2: I always it became a parent that, you know, it

568
00:27:50,880 --> 00:27:53,680
Speaker 2: wasn't a plan, right, always Henry being.

569
00:27:53,520 --> 00:27:57,000
Speaker 5: Henry, and from the get go, once I seen him listening,

570
00:27:57,040 --> 00:27:59,520
Speaker 5: I was like, oh, yeah, that's smart. Yeah, you like

571
00:27:59,560 --> 00:28:02,200
Speaker 5: you have to treak both of them.

572
00:28:02,400 --> 00:28:08,520
Speaker 2: So we see Daryl's listening outside, but and I know

573
00:28:08,560 --> 00:28:11,840
Speaker 2: it's just even more the second time, Lydia starts pumping

574
00:28:13,119 --> 00:28:16,320
Speaker 2: Henry for information. She asked him, is it hard to

575
00:28:16,359 --> 00:28:21,200
Speaker 2: sneak out? She also asked like, was it a lot

576
00:28:21,200 --> 00:28:21,919
Speaker 2: of guards?

577
00:28:22,640 --> 00:28:23,560
Speaker 3: She said, you.

578
00:28:23,520 --> 00:28:26,919
Speaker 2: Know your dad is mean talking about Darryl. Obviously we

579
00:28:26,960 --> 00:28:32,160
Speaker 2: know Daryl's not Henry's dad. She has a med Ezekiel

580
00:28:33,640 --> 00:28:36,680
Speaker 2: so that Henry refers to Carol as his second mom.

581
00:28:37,200 --> 00:28:39,000
Speaker 2: He doesn't say her name, but just that he has

582
00:28:39,040 --> 00:28:42,880
Speaker 2: his second mom and how she's not somebody you would want.

583
00:28:42,720 --> 00:28:46,160
Speaker 3: To mess with. She sure ain't, and he asked Lydia

584
00:28:46,240 --> 00:28:47,120
Speaker 3: what happened to her dad?

585
00:28:47,120 --> 00:28:50,480
Speaker 2: And we get that flashback of him with his neck

586
00:28:50,560 --> 00:28:53,560
Speaker 2: cut dying, but she doesn't. That's before she tells us

587
00:28:53,600 --> 00:28:56,040
Speaker 2: what happened in all the different lives about it, and

588
00:28:56,120 --> 00:28:57,880
Speaker 2: she says he was a stupid man.

589
00:28:57,680 --> 00:29:00,760
Speaker 3: But her mom is a lot like Carol and will

590
00:29:01,240 --> 00:29:03,000
Speaker 3: keep her safe.

591
00:29:03,280 --> 00:29:09,200
Speaker 2: So meanwhile, in a wooded area, Terror and our new group,

592
00:29:09,240 --> 00:29:13,400
Speaker 2: the ASSL group, they are on the search for Luke

593
00:29:13,520 --> 00:29:14,240
Speaker 2: and Alden.

594
00:29:16,040 --> 00:29:18,400
Speaker 5: Me and you had a conversation about this and I

595
00:29:18,480 --> 00:29:20,360
Speaker 5: understood you know what you were saying.

596
00:29:20,520 --> 00:29:22,080
Speaker 2: Well, we'll get to it because we haven't got to

597
00:29:22,160 --> 00:29:23,880
Speaker 2: that part yet. I know what you're gonna bring up,

598
00:29:23,880 --> 00:29:28,040
Speaker 2: but we haven't got there yet. And so they're on

599
00:29:28,080 --> 00:29:30,680
Speaker 2: the search for them. We get that camera angle again

600
00:29:30,720 --> 00:29:33,880
Speaker 2: from the woods that looks like somebody's watching them, which

601
00:29:33,920 --> 00:29:36,480
Speaker 2: they've done since I think Michean was at Alexandria. We've

602
00:29:36,520 --> 00:29:40,920
Speaker 2: seen that camera angle, okay, which is kind of spooky

603
00:29:40,960 --> 00:29:43,520
Speaker 2: because we know that people can hide as zombies now.

604
00:29:45,040 --> 00:29:47,440
Speaker 2: So then they spot a large group of walkers eating

605
00:29:47,440 --> 00:29:51,360
Speaker 2: a horse and they're like, they could be them face walkers,

606
00:29:51,440 --> 00:29:53,240
Speaker 2: the mask motherfuckers.

607
00:29:52,600 --> 00:29:53,200
Speaker 3: So be careful.

608
00:29:53,240 --> 00:29:56,040
Speaker 2: They might pull our knives. But we got to kill

609
00:29:56,080 --> 00:29:58,520
Speaker 2: these walkers, so we can expect this evidence. They kill

610
00:29:58,560 --> 00:30:00,800
Speaker 2: the walkers. They turn out to be just regul last walkers.

611
00:30:01,560 --> 00:30:06,240
Speaker 2: But they did notice that the horses were Aldens and

612
00:30:06,320 --> 00:30:10,160
Speaker 2: Luke's and not just that the horses were partially skinned

613
00:30:11,080 --> 00:30:14,560
Speaker 2: and then left to to to let the zombies eat them.

614
00:30:15,480 --> 00:30:20,040
Speaker 2: So they noted those face walker dudes that were involved

615
00:30:20,040 --> 00:30:23,400
Speaker 2: in it somehow because they basically made these horses, you know,

616
00:30:23,480 --> 00:30:26,120
Speaker 2: scream all loud and ship by torturing them and then

617
00:30:26,200 --> 00:30:33,040
Speaker 2: left the zombies to eat them. So then uh Mcho's like, hey,

618
00:30:33,160 --> 00:30:35,239
Speaker 2: we need to split up and search for Luke at

619
00:30:35,280 --> 00:30:38,040
Speaker 2: Alden because these are their horses. But we don't know

620
00:30:38,840 --> 00:30:41,840
Speaker 2: where the horses came from, how far they traveled.

621
00:30:41,480 --> 00:30:42,000
Speaker 3: To get here.

622
00:30:42,600 --> 00:30:48,520
Speaker 2: They could be anywhere. Let's go ahead and you know,

623
00:30:48,560 --> 00:30:50,240
Speaker 2: get out there and look for the look for the

624
00:30:51,720 --> 00:30:55,480
Speaker 2: for Luke and Alden and Terror who's with them. Which

625
00:30:55,520 --> 00:30:57,680
Speaker 2: is kind of interesting because Arror's whole thing was Jesus

626
00:30:57,680 --> 00:30:59,160
Speaker 2: shouldn't be out in the field if he's gonna be

627
00:30:59,160 --> 00:31:01,680
Speaker 2: the leader. But guess what Terror was out in the

628
00:31:01,680 --> 00:31:04,680
Speaker 2: field being a leader. But she countermands the whole group

629
00:31:04,680 --> 00:31:06,600
Speaker 2: and tells them, no, we're going back to hill Top

630
00:31:06,640 --> 00:31:07,480
Speaker 2: till we come up with.

631
00:31:07,440 --> 00:31:10,120
Speaker 3: A plan and then we're gonna go out and.

632
00:31:10,320 --> 00:31:14,080
Speaker 5: Because Terror's whole thing is strategy, Like she's like, look,

633
00:31:14,520 --> 00:31:17,880
Speaker 5: I've been doing this and Terror was one of the

634
00:31:18,040 --> 00:31:21,600
Speaker 5: main people who was I'm out here looking for revenge,

635
00:31:22,640 --> 00:31:24,400
Speaker 5: so she knows it was like to go out there

636
00:31:24,440 --> 00:31:28,120
Speaker 5: without plans, without laying shit out, like you get fucked up,

637
00:31:28,240 --> 00:31:31,600
Speaker 5: Like she's she's been there before, right, So she's like, no, no, no,

638
00:31:32,160 --> 00:31:34,040
Speaker 5: we don't know if this is a trap. We don't

639
00:31:34,080 --> 00:31:38,320
Speaker 5: know what we're walking into. You've got her Terror's respective,

640
00:31:38,320 --> 00:31:40,240
Speaker 5: but like, you gotta be smart. I understand your emotions

641
00:31:40,280 --> 00:31:42,000
Speaker 5: and how you feel, but you got to be smart

642
00:31:42,000 --> 00:31:44,719
Speaker 5: about this because what's the point when if everybody dies?

643
00:31:45,120 --> 00:31:49,160
Speaker 2: Yeah, And the female was really like I thought it

644
00:31:49,240 --> 00:31:51,400
Speaker 2: was valid that she would feel that way, obviously because

645
00:31:51,400 --> 00:31:52,240
Speaker 2: she's the leader now.

646
00:31:52,800 --> 00:31:53,400
Speaker 3: But then.

647
00:31:54,800 --> 00:31:59,520
Speaker 2: You know, the group, the ASL group obviously felt some

648
00:31:59,560 --> 00:32:02,200
Speaker 2: way about it because one of their people is out

649
00:32:02,200 --> 00:32:05,120
Speaker 2: there Luke you know now also was one of Terror's people,

650
00:32:05,160 --> 00:32:05,640
Speaker 2: and all of them.

651
00:32:05,720 --> 00:32:08,960
Speaker 3: But still the point being like you know that, stay homie.

652
00:32:09,600 --> 00:32:14,000
Speaker 2: So then they go back to Hilltop even though they

653
00:32:14,000 --> 00:32:19,080
Speaker 2: seem doubtful, and Connie says she's the woman who's deaf

654
00:32:19,080 --> 00:32:22,160
Speaker 2: and mute. Who says, what if they don't know? What

655
00:32:22,200 --> 00:32:24,720
Speaker 2: if they don't come up with a plan, and Terror says,

656
00:32:25,000 --> 00:32:25,520
Speaker 2: we will.

657
00:32:25,760 --> 00:32:29,120
Speaker 3: Let's go back in the holding cells.

658
00:32:29,560 --> 00:32:32,320
Speaker 2: Henry offers Lydia a hard boiled egg and she says,

659
00:32:32,520 --> 00:32:33,040
Speaker 2: keep it.

660
00:32:33,720 --> 00:32:37,880
Speaker 3: Shout out to Iron Madison. Uh, yeah, she says.

661
00:32:37,720 --> 00:32:39,320
Speaker 4: Keep it.

662
00:32:39,720 --> 00:32:40,360
Speaker 3: No, it came up.

663
00:32:42,320 --> 00:32:43,440
Speaker 4: It's like, hey, drink meat.

664
00:32:43,520 --> 00:32:45,160
Speaker 3: I really want to get that wine out of there.

665
00:32:47,320 --> 00:32:47,680
Speaker 3: Mm hmm.

666
00:32:48,360 --> 00:32:50,560
Speaker 2: But yeah, you said keep it. Hunger is a gift.

667
00:32:50,880 --> 00:32:53,960
Speaker 2: Why are you being nice to me? And Henry says

668
00:32:54,000 --> 00:32:56,960
Speaker 2: he's being nice to her because of how he and

669
00:32:57,000 --> 00:33:00,400
Speaker 2: his brother and his father were acting and when they

670
00:33:00,400 --> 00:33:03,920
Speaker 2: were first taken in by to the Kingdom, and he

671
00:33:03,960 --> 00:33:05,320
Speaker 2: didn't tell her it was the Kingdom at the time,

672
00:33:05,360 --> 00:33:06,640
Speaker 2: but he was like, when we were out there in

673
00:33:06,640 --> 00:33:08,200
Speaker 2: a while, we was acting a certain way, and it

674
00:33:08,280 --> 00:33:10,080
Speaker 2: took a lot of people acted being nice to us

675
00:33:10,280 --> 00:33:12,760
Speaker 2: for we could really get our humanity back and start acting,

676
00:33:12,960 --> 00:33:17,440
Speaker 2: you know, reciprocating and acting like normal human beings, you know.

677
00:33:17,560 --> 00:33:20,440
Speaker 2: And so I'm being nice to you to give you

678
00:33:20,480 --> 00:33:25,280
Speaker 2: the same thing, you know, the same thing. And she

679
00:33:25,280 --> 00:33:27,800
Speaker 2: she basically was like, let me tell you another story

680
00:33:27,800 --> 00:33:32,160
Speaker 2: about our parents in the bunker, and like I said,

681
00:33:32,200 --> 00:33:33,800
Speaker 2: I think this is the story where the father went

682
00:33:33,840 --> 00:33:37,000
Speaker 2: and cut off his beard. And then she started asking

683
00:33:37,040 --> 00:33:39,560
Speaker 2: Henry about his second mom and where she's at, where

684
00:33:39,560 --> 00:33:41,960
Speaker 2: she lives, and then he told her, well, I'm originally

685
00:33:42,040 --> 00:33:45,160
Speaker 2: from the Kingdom and it's about a day's ride from here.

686
00:33:46,040 --> 00:33:51,560
Speaker 2: And the door flew open so fast because Daryl's black

687
00:33:51,600 --> 00:33:52,640
Speaker 2: mama sense kicked in.

688
00:33:53,520 --> 00:33:56,000
Speaker 3: I said, y'all in here being fast, and he said,

689
00:33:56,360 --> 00:33:57,120
Speaker 3: y'all too quiet?

690
00:33:57,120 --> 00:33:57,959
Speaker 4: What's happening in hell?

691
00:33:58,160 --> 00:33:59,920
Speaker 3: Henry, your time's up. You out of the cell.

692
00:34:00,040 --> 00:34:01,800
Speaker 2: And Henry's like what, And He's like, come with me,

693
00:34:01,880 --> 00:34:04,520
Speaker 2: and he takes him outside, slams the door.

694
00:34:04,840 --> 00:34:08,720
Speaker 3: And he actually fusses at at Henry.

695
00:34:09,040 --> 00:34:11,279
Speaker 4: He was like, you gotta be small than this. Like

696
00:34:11,400 --> 00:34:12,560
Speaker 4: I understand you went in on.

697
00:34:12,600 --> 00:34:15,680
Speaker 3: The plan, but damn right you like you ain't here

698
00:34:15,719 --> 00:34:17,120
Speaker 3: telling everybody business.

699
00:34:17,760 --> 00:34:21,319
Speaker 5: I mean, you're gonna give them all my children's life

700
00:34:21,360 --> 00:34:22,920
Speaker 5: about everything that's happening around here.

701
00:34:22,960 --> 00:34:23,520
Speaker 4: What's happening.

702
00:34:23,560 --> 00:34:25,520
Speaker 3: You just met this little girl, she got your nose?

703
00:34:25,560 --> 00:34:26,240
Speaker 3: Why open?

704
00:34:26,320 --> 00:34:29,120
Speaker 4: I know these are the days about walking dead.

705
00:34:33,640 --> 00:34:46,000
Speaker 1: Yeah, sure, your second mom, the person who found you.

706
00:34:44,440 --> 00:34:48,239
Speaker 7: No it was my my dad's equal. A second died.

707
00:34:48,800 --> 00:34:50,480
Speaker 1: Why isn't he here with your mom?

708
00:34:50,680 --> 00:34:52,600
Speaker 7: Are the leaders of another community.

709
00:34:54,280 --> 00:34:57,120
Speaker 8: Where I'm from?

710
00:34:57,280 --> 00:34:57,520
Speaker 3: Is it?

711
00:34:58,800 --> 00:35:03,040
Speaker 7: What's it call? So the Kingdom?

712
00:35:03,080 --> 00:35:06,240
Speaker 3: She might as well be right now, notes oh you mentally,

713
00:35:06,320 --> 00:35:06,800
Speaker 3: yes she is.

714
00:35:07,239 --> 00:35:09,239
Speaker 5: He might as well, you know how on your phone,

715
00:35:09,239 --> 00:35:12,640
Speaker 5: it'd be like send directions, he mus send a direction

716
00:35:12,719 --> 00:35:13,120
Speaker 5: to a phone?

717
00:35:13,160 --> 00:35:13,560
Speaker 4: Bloop?

718
00:35:13,680 --> 00:35:15,600
Speaker 3: What time do your parents get off of work? Then?

719
00:35:15,840 --> 00:35:16,239
Speaker 4: I know?

720
00:35:17,000 --> 00:35:19,040
Speaker 3: And uh, what kind of security system y'all got at

721
00:35:19,040 --> 00:35:19,319
Speaker 3: the house?

722
00:35:19,320 --> 00:35:19,879
Speaker 4: What's the cold?

723
00:35:20,400 --> 00:35:22,880
Speaker 3: Yeah? Can you give me the last four digits of

724
00:35:22,920 --> 00:35:25,000
Speaker 3: your social Come on, thank you?

725
00:35:27,840 --> 00:35:31,440
Speaker 7: It's probably like a day's ride from here.

726
00:35:33,760 --> 00:35:35,160
Speaker 3: Cut tero, come busting in.

727
00:35:39,920 --> 00:35:45,680
Speaker 8: Okay, sure you're getting out.

728
00:35:50,640 --> 00:35:50,799
Speaker 6: Right.

729
00:35:53,600 --> 00:35:54,680
Speaker 7: He's wrong with you.

730
00:35:56,040 --> 00:35:59,160
Speaker 8: I'm telling her about the Kingdom, but there's more people

731
00:35:59,160 --> 00:35:59,600
Speaker 8: out there.

732
00:36:00,719 --> 00:36:02,000
Speaker 4: You got a family at the Kingdom.

733
00:36:02,040 --> 00:36:06,520
Speaker 7: I'm sorry, Okay, I didn't think that it would Well,

734
00:36:06,560 --> 00:36:07,000
Speaker 7: you were.

735
00:36:06,880 --> 00:36:10,160
Speaker 8: Listening, Yeah, of course, we were wed, and a few

736
00:36:10,160 --> 00:36:12,520
Speaker 8: of the others. We've been switching off seeing what she'd

737
00:36:12,560 --> 00:36:13,720
Speaker 8: say to you.

738
00:36:13,719 --> 00:36:16,120
Speaker 7: You were using me, yeah, and it was working too.

739
00:36:18,760 --> 00:36:21,200
Speaker 7: She's a good person who got messed up out there,

740
00:36:21,760 --> 00:36:22,799
Speaker 7: and she's right about you.

741
00:36:22,680 --> 00:36:24,760
Speaker 4: You know that you were an asshole?

742
00:36:25,920 --> 00:36:27,920
Speaker 7: Do you want answers? Get in yourself?

743
00:36:36,719 --> 00:36:38,880
Speaker 2: And you can kind of see her looking out the

744
00:36:38,920 --> 00:36:40,960
Speaker 2: window thing, and I think she was putting together that

745
00:36:41,000 --> 00:36:43,879
Speaker 2: they had been listening to them. That was my thinking

746
00:36:43,920 --> 00:36:45,480
Speaker 2: because at first I thought this meant she was trying

747
00:36:45,520 --> 00:36:48,800
Speaker 2: to escape with that hook, me too, but on further

748
00:36:50,080 --> 00:36:53,120
Speaker 2: maybe not. Maybe, I mean, maybe somehow she is gonna

749
00:36:53,160 --> 00:36:55,840
Speaker 2: escape using that hook. I don't know, but but I

750
00:36:55,880 --> 00:36:59,000
Speaker 2: thought also like maybe she was just realizing, like these

751
00:36:59,000 --> 00:37:05,680
Speaker 2: motherfuckers can hear me. So yeah, we ended up we

752
00:37:05,760 --> 00:37:10,320
Speaker 2: end up uh with you know, Daryl fussing that Henry

753
00:37:10,360 --> 00:37:10,719
Speaker 2: about the.

754
00:37:10,719 --> 00:37:13,719
Speaker 4: Ship what she deserved to be fussed that. I mean,

755
00:37:13,880 --> 00:37:16,240
Speaker 4: you can't map quest everybody's address.

756
00:37:16,480 --> 00:37:19,160
Speaker 2: Henry was definitely wrong and the wrong for that shit,

757
00:37:21,320 --> 00:37:24,440
Speaker 2: what you know. And then the other thing though, is

758
00:37:24,680 --> 00:37:29,760
Speaker 2: Henry's so naive. He felt hurt that they would listen, right,

759
00:37:30,600 --> 00:37:33,040
Speaker 2: and Daryl's like, we've been taking shifts actually listening to

760
00:37:33,120 --> 00:37:34,399
Speaker 2: your ass, okay.

761
00:37:34,239 --> 00:37:38,920
Speaker 5: Cause y'all y'all been talking, y'all been talking.

762
00:37:40,200 --> 00:37:43,320
Speaker 2: Like you ain't running your mouth telling all our business.

763
00:37:43,400 --> 00:37:48,080
Speaker 2: She got your nose wide open, so cause.

764
00:37:47,920 --> 00:37:50,120
Speaker 5: He was like, uh no, you know you got fan

765
00:37:50,200 --> 00:37:52,600
Speaker 5: of that too, and you know it's most like other

766
00:37:52,640 --> 00:37:57,680
Speaker 5: people out there, so like you not considering nobody's safety, Like.

767
00:37:57,640 --> 00:37:58,720
Speaker 3: What is wrong with you?

768
00:37:59,040 --> 00:38:01,280
Speaker 2: So then Daryl goes down to the cells and offers

769
00:38:01,360 --> 00:38:04,280
Speaker 2: Lydia some pain killers for her ear because she keeps

770
00:38:04,280 --> 00:38:07,960
Speaker 2: pulling on it like it hurts, and she declines even

771
00:38:08,000 --> 00:38:13,520
Speaker 2: though clearly she's in she's in pain. Mm hmm, And

772
00:38:13,760 --> 00:38:16,840
Speaker 2: Lydia is like, I don't you know, she's trying to

773
00:38:16,840 --> 00:38:18,200
Speaker 2: be tough, like I don't need nothing.

774
00:38:18,280 --> 00:38:21,120
Speaker 3: I'm I don't need no pain. Pain is a gift.

775
00:38:21,640 --> 00:38:24,920
Speaker 2: I love my ears hurting, Okay, I was born in

776
00:38:24,920 --> 00:38:26,960
Speaker 2: the in the ear infection and I love it.

777
00:38:27,640 --> 00:38:28,480
Speaker 4: Nobody likes it.

778
00:38:28,600 --> 00:38:30,440
Speaker 2: I know they must have all kinds of diseases and

779
00:38:30,480 --> 00:38:35,200
Speaker 2: stuff wearing them down. They zombie guts all over them.

780
00:38:35,120 --> 00:38:35,520
Speaker 3: All the time.

781
00:38:35,560 --> 00:38:38,640
Speaker 5: They probably die quicker too, because you think, you know,

782
00:38:38,840 --> 00:38:42,239
Speaker 5: because you all said Gabe got right. And then if

783
00:38:42,280 --> 00:38:45,160
Speaker 5: you get cut with with skin and stuff like that,

784
00:38:45,280 --> 00:38:46,920
Speaker 5: and you know, because your skin, so you're gonna do

785
00:38:46,960 --> 00:38:48,160
Speaker 5: with skin, you're gonna do with blood.

786
00:38:48,760 --> 00:38:51,160
Speaker 4: All types of shit and diseases probably.

787
00:38:51,080 --> 00:38:57,040
Speaker 2: Go through that camp, right, So then like they probably

788
00:38:57,040 --> 00:38:59,520
Speaker 2: have to use the bathroom standing up and ship you know,

789
00:39:00,239 --> 00:39:01,680
Speaker 2: oh my god, it's so gross.

790
00:39:03,040 --> 00:39:06,360
Speaker 5: I mean it can't smell. I mean, you know, everything

791
00:39:06,400 --> 00:39:08,759
Speaker 5: smelled like death. So she it ain't gonna make a

792
00:39:08,760 --> 00:39:10,040
Speaker 5: difference in the older Yeah.

793
00:39:10,080 --> 00:39:13,960
Speaker 2: Literally, basically the peepee girl come on, you know, like

794
00:39:14,239 --> 00:39:16,759
Speaker 2: Henry got his nose wide open by the peepee girl

795
00:39:16,840 --> 00:39:20,360
Speaker 2: and nose wide open, I mean, he's smelling all everything

796
00:39:20,440 --> 00:39:21,120
Speaker 2: going on with her.

797
00:39:22,719 --> 00:39:23,440
Speaker 3: So then.

798
00:39:25,680 --> 00:39:27,600
Speaker 2: So, like I said, Daryl goes down and talks to her.

799
00:39:27,640 --> 00:39:30,560
Speaker 2: Then he asked her about their missing men alder than Luke.

800
00:39:30,600 --> 00:39:33,839
Speaker 2: He doesn't tell her the names, and the horses being

801
00:39:33,880 --> 00:39:38,480
Speaker 2: half skinned and half eaten, and he asked, is that

802
00:39:38,600 --> 00:39:40,360
Speaker 2: something her mom would do if she came across some

803
00:39:40,440 --> 00:39:45,040
Speaker 2: of Hilltop's people, And she's she's gives it. We get

804
00:39:45,080 --> 00:39:49,359
Speaker 2: another flashback. It is her talking. That's the one where

805
00:39:49,360 --> 00:39:53,480
Speaker 2: her father was well, she watched the man get killed

806
00:39:53,560 --> 00:39:55,560
Speaker 2: and her father was holding her, singing that song to

807
00:39:55,640 --> 00:39:59,359
Speaker 2: her the whole time. And so Daryl's like, feeling bad

808
00:39:59,520 --> 00:40:02,399
Speaker 2: or whatever, he gives her the pills anyway, and then

809
00:40:02,440 --> 00:40:04,959
Speaker 2: he goes and give her a sip of water from

810
00:40:04,960 --> 00:40:08,600
Speaker 2: a ladle and she she's like, what you think I'm

811
00:40:08,640 --> 00:40:11,160
Speaker 2: gonna hit you with it, because he wouldn't put it

812
00:40:11,200 --> 00:40:12,840
Speaker 2: all the way into the cell for her to drink it.

813
00:40:13,080 --> 00:40:15,360
Speaker 2: So he goes a little further into the cell for

814
00:40:15,400 --> 00:40:19,080
Speaker 2: her to sip on it, and then she actually tries

815
00:40:19,160 --> 00:40:22,440
Speaker 2: to grab him through the cell, and he grabs her

816
00:40:22,560 --> 00:40:25,040
Speaker 2: arm for a bit and he sees her arm is

817
00:40:25,239 --> 00:40:28,640
Speaker 2: just marked up with a bunch of just like he

818
00:40:28,800 --> 00:40:31,279
Speaker 2: cuts the welts and like scars on it. It's just

819
00:40:31,320 --> 00:40:34,160
Speaker 2: a bunch of scars on her arm. And then she

820
00:40:34,280 --> 00:40:36,080
Speaker 2: yanks her arm back and runs into the corner of

821
00:40:36,120 --> 00:40:41,600
Speaker 2: the cell. So at that point I didn't know.

822
00:40:41,560 --> 00:40:43,879
Speaker 3: What was over arm. I thought, actually, maybe she had

823
00:40:43,880 --> 00:40:44,800
Speaker 3: been cutting herself.

824
00:40:45,000 --> 00:40:46,400
Speaker 4: I'm saying, you know.

825
00:40:46,480 --> 00:40:49,360
Speaker 2: I was like, oh, so she a cutter or Something's

826
00:40:49,400 --> 00:40:52,040
Speaker 2: just like a punishment that they get cut every time

827
00:40:52,040 --> 00:40:55,480
Speaker 2: they fuck up, Like, you know, what could it possibly be?

828
00:40:55,680 --> 00:40:58,719
Speaker 3: And we do get that answer eventually.

829
00:41:00,160 --> 00:41:03,720
Speaker 2: Then at the same time this is all happening, the

830
00:41:03,840 --> 00:41:10,400
Speaker 2: ASL group decides that they're gonna sneak out because they're like, listen,

831
00:41:10,520 --> 00:41:13,440
Speaker 2: these motherfuckers want us to stay in. But Lucas our homie,

832
00:41:14,000 --> 00:41:16,879
Speaker 2: they not really pressed to go save him. We're gonna

833
00:41:16,880 --> 00:41:20,600
Speaker 2: sneak out at night, all of us. And Magna is

834
00:41:20,640 --> 00:41:22,480
Speaker 2: the only one who's like, I don't think we should

835
00:41:22,480 --> 00:41:26,600
Speaker 2: do that. I fucked up Alexandria for us. Now we're

836
00:41:26,640 --> 00:41:29,439
Speaker 2: getting here, they want us to stay in. We're gonna

837
00:41:29,480 --> 00:41:31,600
Speaker 2: end up getting kicked out again because we're not following

838
00:41:31,600 --> 00:41:36,440
Speaker 2: their rules. And the entire group was like, except for her,

839
00:41:36,600 --> 00:41:40,920
Speaker 2: was basically like, well, look this is different. Luca's in danger.

840
00:41:41,600 --> 00:41:44,000
Speaker 2: If it was us, he come save us. We gotta

841
00:41:44,040 --> 00:41:47,399
Speaker 2: go save Luke. Fuck these people. Essentially, if they kick

842
00:41:47,440 --> 00:41:49,160
Speaker 2: us out, they just kick us out, but at least

843
00:41:49,160 --> 00:41:51,360
Speaker 2: we would have, you know, taken care of our own.

844
00:41:52,239 --> 00:41:57,600
Speaker 2: And Magna reluctantly agrees that they are going to sneak

845
00:41:57,640 --> 00:42:01,800
Speaker 2: out at night, and you, mcho is uh. I think

846
00:42:02,480 --> 00:42:04,200
Speaker 2: Kelly was the one that was like, I've seen people

847
00:42:04,239 --> 00:42:05,759
Speaker 2: sneak how they sneak out, so I know how to

848
00:42:05,760 --> 00:42:08,440
Speaker 2: get out. And you Miko was the one that basically

849
00:42:08,480 --> 00:42:10,120
Speaker 2: was the leader like, yeah, we're sneaking out.

850
00:42:11,040 --> 00:42:14,920
Speaker 5: Yeah, her whole thing, like she say, I was the

851
00:42:14,920 --> 00:42:15,680
Speaker 5: one that fucked up with.

852
00:42:15,719 --> 00:42:16,200
Speaker 3: Which one her?

853
00:42:16,280 --> 00:42:18,400
Speaker 4: Magna Magnum, sorry, Magnum.

854
00:42:18,440 --> 00:42:21,360
Speaker 5: Was like I fucked up before, Like we could have

855
00:42:21,880 --> 00:42:25,440
Speaker 5: actually been at the first location, but I was determined

856
00:42:25,480 --> 00:42:27,920
Speaker 5: that I was gonna, you know, fight against the machine

857
00:42:27,960 --> 00:42:28,600
Speaker 5: and all that shit.

858
00:42:29,480 --> 00:42:31,960
Speaker 4: Uh, we actually got a place, we're safe now.

859
00:42:32,480 --> 00:42:34,640
Speaker 5: So her thing was like, it's not like they don't

860
00:42:34,680 --> 00:42:36,680
Speaker 5: care or we're not They're not gonna do anything at all.

861
00:42:36,800 --> 00:42:38,919
Speaker 5: Their things like we want to we want to go now,

862
00:42:39,480 --> 00:42:41,560
Speaker 5: you know, we want to go right now, Like let's

863
00:42:41,600 --> 00:42:42,040
Speaker 5: do it now.

864
00:42:42,120 --> 00:42:43,440
Speaker 4: That's our boy, you know.

865
00:42:43,520 --> 00:42:45,120
Speaker 5: And if that means we got to be out here

866
00:42:45,239 --> 00:42:47,400
Speaker 5: fighting on her own again, fuck it. And you know,

867
00:42:47,600 --> 00:42:50,040
Speaker 5: she was trying to look at the bigger picture, which

868
00:42:50,160 --> 00:42:53,239
Speaker 5: everybody was the first time, but she wasn't right she was.

869
00:42:53,360 --> 00:42:56,000
Speaker 2: And the thing is, she even reluctantly agreed because she

870
00:42:56,080 --> 00:42:59,319
Speaker 2: kind of understood. Yes, and me and Camen watching we're

871
00:42:59,320 --> 00:43:01,360
Speaker 2: watching it live, and I was, you know, Camra was like,

872
00:43:01,400 --> 00:43:04,560
Speaker 2: y'all being stupid, stay in what are y'all doing? And

873
00:43:04,600 --> 00:43:07,759
Speaker 2: I was like, but I understand because it's different to

874
00:43:07,880 --> 00:43:13,040
Speaker 2: me because one of them's in danger. Right No, even

875
00:43:13,040 --> 00:43:17,560
Speaker 2: in Alexandria, I felt like Magna was the one out

876
00:43:17,560 --> 00:43:22,840
Speaker 2: of pocket because Umico needed the time to heal. Umico

877
00:43:22,920 --> 00:43:25,400
Speaker 2: had that head injury and was being treated by Sadiq.

878
00:43:27,480 --> 00:43:30,040
Speaker 2: This case is different because Luke is literally in danger.

879
00:43:30,080 --> 00:43:33,719
Speaker 2: If they don't go, who's gonna save them? Because you

880
00:43:33,719 --> 00:43:36,640
Speaker 2: don't really know these Hilltop people. They really might just

881
00:43:36,680 --> 00:43:39,040
Speaker 2: stay within the bounds of their walls and be like fuck.

882
00:43:38,840 --> 00:43:40,480
Speaker 4: It right, you know.

883
00:43:41,320 --> 00:43:43,400
Speaker 3: And then it was something else to about it, because.

884
00:43:43,400 --> 00:43:46,040
Speaker 4: Because they don't know really how this community functions yet.

885
00:43:46,160 --> 00:43:47,400
Speaker 3: Yeah, I know what else it was.

886
00:43:47,960 --> 00:43:50,239
Speaker 2: This is the same group community they went in there

887
00:43:50,280 --> 00:43:53,360
Speaker 2: with Micheon and saw how cold they were towards Micheon

888
00:43:54,200 --> 00:43:57,080
Speaker 2: and how little they wanted to like help Alexandria and

889
00:43:57,200 --> 00:44:00,000
Speaker 2: work between communities. So I could kind of see them,

890
00:44:00,200 --> 00:44:03,080
Speaker 2: you know, feeling like, we don't know these niggas, but

891
00:44:03,160 --> 00:44:05,719
Speaker 2: we do know Luke, and we do need to save him.

892
00:44:05,800 --> 00:44:09,799
Speaker 2: That's the homie. So that was how I felt about it.

893
00:44:10,239 --> 00:44:12,799
Speaker 2: At any rate, they decided to sneak.

894
00:44:12,520 --> 00:44:14,399
Speaker 4: Out at night.

895
00:44:14,400 --> 00:44:17,640
Speaker 2: Now at night, Daryl goes down back down to the

896
00:44:17,680 --> 00:44:21,480
Speaker 2: cell uh to see Lydia with a switch this time,

897
00:44:22,360 --> 00:44:25,200
Speaker 2: and I said, oh, he about to give hold whooping.

898
00:44:25,520 --> 00:44:26,960
Speaker 3: I guess Darryl is fed up.

899
00:44:27,120 --> 00:44:29,360
Speaker 4: I mean he started describing it like a black grandma.

900
00:44:29,719 --> 00:44:36,080
Speaker 3: M hm, some guys.

901
00:44:36,200 --> 00:44:42,680
Speaker 2: Just now he's taking the the leee off of the

902
00:44:42,719 --> 00:44:44,640
Speaker 2: switch and the small branches off of switch. Anyone that

903
00:44:44,640 --> 00:44:46,880
Speaker 2: has been whip with a switch, y'all know what this

904
00:44:47,120 --> 00:44:51,160
Speaker 2: routine is. Hope, hopefully many of y'all have been fortunate enough.

905
00:44:50,960 --> 00:44:51,880
Speaker 3: To never know.

906
00:44:53,840 --> 00:44:55,239
Speaker 4: Have had to go and pick your own.

907
00:44:55,480 --> 00:44:57,520
Speaker 3: But I have known the sting. And I'm not saying

908
00:44:57,520 --> 00:44:58,040
Speaker 3: this as.

909
00:44:57,880 --> 00:45:01,960
Speaker 2: A proud marker or badger, because it's not. I really

910
00:45:02,000 --> 00:45:04,359
Speaker 2: would have preferred to talking to okay, and.

911
00:45:04,320 --> 00:45:06,560
Speaker 5: I prefer would have preferred time out or just take

912
00:45:06,600 --> 00:45:07,239
Speaker 5: something away from me.

913
00:45:07,360 --> 00:45:09,080
Speaker 2: The only thing could have made this worse if it

914
00:45:09,120 --> 00:45:12,239
Speaker 2: would have been like a black grandmama with the with

915
00:45:12,320 --> 00:45:14,640
Speaker 2: the all right, Like if mo Sean would have came

916
00:45:14,719 --> 00:45:17,040
Speaker 2: down like I would have, I would have confessed, like, I.

917
00:45:17,040 --> 00:45:18,560
Speaker 3: Don't know Lydia got stronger.

918
00:45:19,000 --> 00:45:21,120
Speaker 2: She's stronger than me, because as soon as he as

919
00:45:21,160 --> 00:45:23,040
Speaker 2: a grown ass for the old man, if you bring

920
00:45:23,080 --> 00:45:24,960
Speaker 2: a switch into my cell the first time, I would

921
00:45:24,960 --> 00:45:25,960
Speaker 2: be like, what do you need to know?

922
00:45:26,120 --> 00:45:27,719
Speaker 3: Okay, there's no need for that.

923
00:45:28,040 --> 00:45:30,560
Speaker 2: Whatever you think you need for that, I can tell

924
00:45:30,600 --> 00:45:34,600
Speaker 2: you the location of the safe and and everything. But yeah,

925
00:45:34,760 --> 00:45:36,759
Speaker 2: so he comes down and he's stripping it off, and

926
00:45:36,800 --> 00:45:38,920
Speaker 2: I thought he was gonna beat her, but it doesn't

927
00:45:38,920 --> 00:45:39,279
Speaker 2: go there.

928
00:45:42,080 --> 00:45:48,719
Speaker 8: Maybe they're drong, maybe they can't get wrong. Belts are

929
00:45:48,719 --> 00:45:55,800
Speaker 8: good with these assholes. Ain't piggy like it's whatever slaying

930
00:45:55,800 --> 00:46:07,239
Speaker 8: around could from a birch tree. I don't worry your

931
00:46:07,280 --> 00:46:10,440
Speaker 8: dad sounds a lot like one of those DUTs.

932
00:46:12,000 --> 00:46:16,200
Speaker 3: Now here's the thing, though. The switch that Daryl got

933
00:46:16,280 --> 00:46:20,000
Speaker 3: to me was not a good whipping switch. I've seen

934
00:46:20,320 --> 00:46:21,280
Speaker 3: a good whipping switch.

935
00:46:22,320 --> 00:46:25,440
Speaker 2: Daryl got a I'm gonna whoop you with this switch,

936
00:46:25,640 --> 00:46:29,160
Speaker 2: and then you're gonna go get the real switch switch okay,

937
00:46:30,280 --> 00:46:32,080
Speaker 2: like he got the start a switch.

938
00:46:32,360 --> 00:46:34,560
Speaker 5: Yes to just the start one, the one that you

939
00:46:34,600 --> 00:46:36,960
Speaker 5: go pick as a kid, and that one don't cut it.

940
00:46:37,000 --> 00:46:38,560
Speaker 2: They tell you go pick out a switch, and you

941
00:46:38,640 --> 00:46:42,080
Speaker 2: pick out the lightest blade of grass you can find,

942
00:46:43,360 --> 00:46:45,640
Speaker 2: like the funk is this right? And they'd be like,

943
00:46:45,680 --> 00:46:47,560
Speaker 2: I'm gonna hit you with this and then go give

944
00:46:47,600 --> 00:46:48,840
Speaker 2: me a real switch and we'll do this.

945
00:46:48,920 --> 00:46:51,399
Speaker 3: How along you how much time you think you got?

946
00:46:51,560 --> 00:46:52,919
Speaker 4: Okay, I got all the time in the world.

947
00:46:53,000 --> 00:46:53,640
Speaker 3: How long?

948
00:46:54,120 --> 00:46:55,160
Speaker 4: How long you wants to be here?

949
00:46:55,360 --> 00:46:55,640
Speaker 3: Right?

950
00:46:58,719 --> 00:47:04,800
Speaker 8: That's the parts sing dude, when you were scared those days.

951
00:47:06,640 --> 00:47:08,239
Speaker 8: They like it when you're scared.

952
00:47:11,200 --> 00:47:11,520
Speaker 3: Singing?

953
00:47:11,600 --> 00:47:13,360
Speaker 8: Is that's the only part of your story that didn't

954
00:47:13,360 --> 00:47:21,080
Speaker 8: sound like bullshit? Now you knew exactly what this was

955
00:47:21,080 --> 00:47:24,560
Speaker 8: when I walked down there. And those bruises on your

956
00:47:24,640 --> 00:47:27,400
Speaker 8: arm they come from a beating.

957
00:47:27,760 --> 00:47:29,400
Speaker 3: And she is staring at that sweach hard.

958
00:47:30,360 --> 00:47:35,120
Speaker 2: And also Daryl does point out that for her to

959
00:47:35,160 --> 00:47:39,239
Speaker 2: have told Henry her father was so abusive, her mother

960
00:47:39,320 --> 00:47:43,759
Speaker 2: was protecting her and all this shit, well, she also

961
00:47:43,760 --> 00:47:47,560
Speaker 2: said her father's dead, and she also said that her

962
00:47:47,560 --> 00:47:49,800
Speaker 2: father sang to her while her mom killed a dude

963
00:47:50,040 --> 00:47:52,759
Speaker 2: to try to keep her from like seeing it. So

964
00:47:52,960 --> 00:47:57,080
Speaker 2: now we kind of see unwrapped the story unraveling. Her

965
00:47:57,120 --> 00:48:01,200
Speaker 2: father's not the abusive one after all, because she's alive

966
00:48:01,239 --> 00:48:02,640
Speaker 2: and she's still being abused.

967
00:48:03,520 --> 00:48:05,480
Speaker 3: How could he have done that unless he's still alive

968
00:48:05,560 --> 00:48:07,640
Speaker 3: somewhere or her mom was the real abuser.

969
00:48:07,760 --> 00:48:12,920
Speaker 8: Correct, So let me ask you, if you're dead's then

970
00:48:13,239 --> 00:48:14,080
Speaker 8: who gave him to you?

971
00:48:17,920 --> 00:48:18,400
Speaker 4: My mom?

972
00:48:18,960 --> 00:48:19,480
Speaker 8: Where is she?

973
00:48:21,239 --> 00:48:22,360
Speaker 3: Be glad you don't.

974
00:48:22,160 --> 00:48:29,200
Speaker 8: Know where is she? Where's your camp? Why are you

975
00:48:29,320 --> 00:48:35,879
Speaker 8: protecting her? Huh, you're safer here. This place isn't real.

976
00:48:38,600 --> 00:48:41,840
Speaker 9: The world changed, and you're all acting like it's gonna

977
00:48:41,920 --> 00:48:42,560
Speaker 9: change back.

978
00:48:43,600 --> 00:48:47,560
Speaker 4: My mom walks because that's what the dead do. It's

979
00:48:47,600 --> 00:48:49,120
Speaker 4: their world and we have to live in it.

980
00:48:49,640 --> 00:48:52,760
Speaker 7: And what my mom does, she does for a reason.

981
00:48:53,400 --> 00:49:00,880
Speaker 8: You're gonna be ach you because she loves you. It's bullshit. Now,

982
00:49:00,960 --> 00:49:08,279
Speaker 8: what is it when you stay soft? People die?

983
00:49:08,840 --> 00:49:10,759
Speaker 2: You need to get him out for his thoughts to

984
00:49:10,840 --> 00:49:14,040
Speaker 2: smell And that's that's the flashback to her mom and shit.

985
00:49:14,440 --> 00:49:19,840
Speaker 2: So yeah, so it's kind of interesting there because Darryl,

986
00:49:19,960 --> 00:49:23,080
Speaker 2: we know, has a history of being abused by his

987
00:49:23,160 --> 00:49:27,560
Speaker 2: own father. Him and Carol bonded over that abuse. Remember

988
00:49:27,640 --> 00:49:30,600
Speaker 2: in Atlanta when they walked into that, it was like

989
00:49:30,640 --> 00:49:33,680
Speaker 2: an abuse shelter for people that are trying to escape,

990
00:49:33,719 --> 00:49:38,000
Speaker 2: like abusive people, and it's for like recovery and safety

991
00:49:39,040 --> 00:49:43,120
Speaker 2: that that I remember that being like, oh, because Carol's

992
00:49:43,120 --> 00:49:45,640
Speaker 2: been abused, He's been abused.

993
00:49:46,400 --> 00:49:46,560
Speaker 3: Yeah.

994
00:49:46,680 --> 00:49:49,720
Speaker 2: I always wonder why they bonded so fast and so tight,

995
00:49:49,880 --> 00:49:52,359
Speaker 2: and they were survivors and they were protecting each other

996
00:49:52,440 --> 00:49:54,960
Speaker 2: and kind of determined to never go back to that.

997
00:49:55,600 --> 00:49:58,959
Speaker 2: And so it was kind of interesting to see Darryl

998
00:49:59,560 --> 00:50:02,719
Speaker 2: Daryl's intuition with her take over him to kind of

999
00:50:02,760 --> 00:50:05,480
Speaker 2: become a detective where he's like, wait a minute, you've

1000
00:50:05,520 --> 00:50:06,160
Speaker 2: been abused.

1001
00:50:06,200 --> 00:50:18,840
Speaker 5: He knew the signs, right, and so then Daryl, uh oh.

1002
00:50:19,040 --> 00:50:20,879
Speaker 2: So then he asked where her mom is and where

1003
00:50:20,880 --> 00:50:24,240
Speaker 2: are her people? And she tells him I think.

1004
00:50:24,040 --> 00:50:25,280
Speaker 3: This is what she tells him.

1005
00:50:25,320 --> 00:50:29,520
Speaker 2: The location is like some bridge or something like that,

1006
00:50:30,360 --> 00:50:33,680
Speaker 2: and it's a mile away, but they always moving, so

1007
00:50:33,719 --> 00:50:34,520
Speaker 2: she might not even.

1008
00:50:34,400 --> 00:50:35,120
Speaker 3: Be there anymore.

1009
00:50:35,920 --> 00:50:39,680
Speaker 2: And he's like, well, you safer in the hilltop, then

1010
00:50:39,719 --> 00:50:41,760
Speaker 2: you would be out there with your mom anyway.

1011
00:50:42,360 --> 00:50:44,439
Speaker 4: Yeah, because if I'm not sex.

1012
00:50:44,480 --> 00:50:47,800
Speaker 5: She also told him whenever anybody dies to get separated

1013
00:50:47,800 --> 00:50:50,000
Speaker 5: from the group, they really don't go looking.

1014
00:50:49,960 --> 00:50:54,120
Speaker 2: Right, And she said her father was stupid and a

1015
00:50:54,120 --> 00:50:56,240
Speaker 2: stupid man. And then he was like he was trying

1016
00:50:56,280 --> 00:50:58,480
Speaker 2: to save his girl, baby girl. And she was like,

1017
00:50:58,800 --> 00:51:02,480
Speaker 2: if you don't be in, you break, so basically saying like,

1018
00:51:03,239 --> 00:51:05,800
Speaker 2: you either need to learn to deal with the harsh,

1019
00:51:05,920 --> 00:51:09,880
Speaker 2: unfairness and savagery of this world or you will break,

1020
00:51:10,880 --> 00:51:14,439
Speaker 2: or even if it means you're letting your kid die

1021
00:51:14,440 --> 00:51:17,360
Speaker 2: from a zombie bite in this case, it was a

1022
00:51:17,440 --> 00:51:20,359
Speaker 2: live but still that's what she was saying. Uh, And

1023
00:51:20,400 --> 00:51:22,960
Speaker 2: that's clearly been indoctrinated into her bya mama.

1024
00:51:23,320 --> 00:51:27,360
Speaker 5: Oh yes, And the thing is there was like, but

1025
00:51:27,480 --> 00:51:31,720
Speaker 5: you ain't no nobody, like right, everybody else probably could die,

1026
00:51:32,160 --> 00:51:33,920
Speaker 5: but you ain't no nobody.

1027
00:51:33,920 --> 00:51:35,000
Speaker 4: You're her daughter, like.

1028
00:51:35,120 --> 00:51:37,120
Speaker 3: Right, she will come to keep for you.

1029
00:51:37,360 --> 00:51:39,520
Speaker 2: And then she tries to kind of recruit Daryl because

1030
00:51:39,560 --> 00:51:41,120
Speaker 2: she's like, you don't belong with these people.

1031
00:51:41,160 --> 00:51:42,719
Speaker 3: You should be out there outside.

1032
00:51:43,040 --> 00:51:46,000
Speaker 2: What you even doing in here? And what's your story?

1033
00:51:46,120 --> 00:51:47,760
Speaker 2: And he walked the fuck out because.

1034
00:51:47,520 --> 00:51:48,240
Speaker 3: He ain't Henry.

1035
00:51:49,480 --> 00:51:50,240
Speaker 4: He knows better.

1036
00:51:50,480 --> 00:51:52,600
Speaker 2: You ain't about to pump me for information. Little girls,

1037
00:51:52,640 --> 00:51:53,160
Speaker 2: shut up.

1038
00:51:54,760 --> 00:51:57,000
Speaker 3: And so then the new group sneaks out the wall

1039
00:51:57,120 --> 00:51:58,799
Speaker 3: in the middle of the night, and the middle of

1040
00:51:58,840 --> 00:52:01,400
Speaker 3: the night, the middle of the night, y'all. Now I

1041
00:52:01,480 --> 00:52:05,120
Speaker 3: know that they're the assl Crew, and one of them

1042
00:52:05,360 --> 00:52:08,120
Speaker 3: is death No.

1043
00:52:08,239 --> 00:52:10,839
Speaker 2: Two of them are like hearing in pair, and one

1044
00:52:10,840 --> 00:52:13,360
Speaker 2: of them is mute. But it's also at night, so

1045
00:52:13,520 --> 00:52:16,960
Speaker 2: like even your vision would be a problem. And I

1046
00:52:17,040 --> 00:52:22,120
Speaker 2: know that they that Connie has like a preternatural ability

1047
00:52:22,160 --> 00:52:25,799
Speaker 2: to like sense vibrations and shit, But I don't know, man,

1048
00:52:25,840 --> 00:52:29,520
Speaker 2: this just seemed like a really bad idea from a conception.

1049
00:52:29,520 --> 00:52:32,920
Speaker 5: Right, because my thing is you should have and it

1050
00:52:32,960 --> 00:52:34,560
Speaker 5: would been harder than sneak out doing a day, but

1051
00:52:34,600 --> 00:52:35,400
Speaker 5: the daytime would.

1052
00:52:35,680 --> 00:52:37,560
Speaker 4: Since right at least some light.

1053
00:52:38,080 --> 00:52:40,560
Speaker 2: Now in the meantime, Darryl's going back to his room

1054
00:52:40,560 --> 00:52:42,680
Speaker 2: because he's like, fuck that little girl, I give up,

1055
00:52:43,520 --> 00:52:46,080
Speaker 2: and she's still lying, so who gives a fuck?

1056
00:52:46,480 --> 00:52:47,640
Speaker 3: Henry confronts Daryl.

1057
00:52:50,680 --> 00:52:52,120
Speaker 4: You could have just asked me to help.

1058
00:52:55,480 --> 00:52:58,319
Speaker 2: Now you can see there, Henry is the one that's

1059
00:52:58,320 --> 00:53:01,880
Speaker 2: now been sitting outside the cell listening to what Darryl

1060
00:53:02,040 --> 00:53:02,920
Speaker 2: and her talked about.

1061
00:53:03,400 --> 00:53:05,240
Speaker 3: And of course Daryl just talked about.

1062
00:53:05,040 --> 00:53:09,200
Speaker 2: Abusive fathers to her, so you know this is the

1063
00:53:09,239 --> 00:53:12,800
Speaker 2: information now that Henry asked.

1064
00:53:12,280 --> 00:53:14,840
Speaker 7: Daryl, where are you going?

1065
00:53:15,680 --> 00:53:16,680
Speaker 3: Crools to my scup?

1066
00:53:17,040 --> 00:53:20,080
Speaker 8: Just wasted Time's terror's problem?

1067
00:53:20,360 --> 00:53:27,560
Speaker 7: What's gonna happen to her? Did someone used to beat

1068
00:53:27,600 --> 00:53:27,920
Speaker 7: you up?

1069
00:53:27,920 --> 00:53:28,160
Speaker 1: Too?

1070
00:53:35,000 --> 00:53:35,280
Speaker 4: Once?

1071
00:53:37,000 --> 00:53:39,120
Speaker 7: I heard my dad ask my mom why she kept

1072
00:53:39,120 --> 00:53:43,560
Speaker 7: her hair so short. She said when it was long,

1073
00:53:44,200 --> 00:53:46,160
Speaker 7: her first husband would grab it when she tried to

1074
00:53:46,160 --> 00:53:51,360
Speaker 7: get away. He would pull it and slam her against

1075
00:53:51,400 --> 00:53:56,359
Speaker 7: the walls. So away, she just cut it all off

1076
00:53:57,440 --> 00:54:01,200
Speaker 7: so he couldn't And I guess it took her this

1077
00:54:01,320 --> 00:54:11,160
Speaker 7: long to feel safe again. Sometimes you act like the

1078
00:54:11,160 --> 00:54:13,120
Speaker 7: type of guy who slams people against walls. But I

1079
00:54:13,120 --> 00:54:13,879
Speaker 7: don't think that's it.

1080
00:54:16,719 --> 00:54:18,120
Speaker 8: You shouldn't listen to people talk.

1081
00:54:21,320 --> 00:54:23,319
Speaker 7: Look, I know Lydia's people are bad, but that doesn't

1082
00:54:23,320 --> 00:54:24,239
Speaker 7: mean she's bad at all.

1083
00:54:27,880 --> 00:54:30,040
Speaker 2: That's how you know that Henry hit on something because

1084
00:54:30,120 --> 00:54:33,000
Speaker 2: Daryl couldn't say he was wrong. He just like, you

1085
00:54:33,040 --> 00:54:36,280
Speaker 2: need to mind your business, okay, boy, don't worry.

1086
00:54:36,040 --> 00:54:37,680
Speaker 3: About who be hitting who over here.

1087
00:54:37,760 --> 00:54:39,400
Speaker 2: Okay, you need to stop listening to your mom and

1088
00:54:39,440 --> 00:54:42,480
Speaker 2: your daddy talk when they don't know you around.

1089
00:54:42,800 --> 00:54:45,600
Speaker 5: He hit her with that, Kevin Durreanton, don't be worried

1090
00:54:45,600 --> 00:54:46,560
Speaker 5: about what's happened at the top.

1091
00:54:48,239 --> 00:54:50,520
Speaker 2: Don't worry about what's going on the type of things. Okay,

1092
00:54:51,480 --> 00:54:53,680
Speaker 2: you know, mind your business. Don't worry about what me

1093
00:54:53,719 --> 00:54:54,319
Speaker 2: and my wife do.

1094
00:54:55,600 --> 00:54:59,200
Speaker 7: She's just scared. You can show her there's nothing to

1095
00:54:59,239 --> 00:55:03,000
Speaker 7: be afraid of. You. You can do that.

1096
00:55:09,480 --> 00:55:09,879
Speaker 4: Just man.

1097
00:55:20,000 --> 00:55:22,359
Speaker 2: And I think Darrell meant by that like you can

1098
00:55:22,400 --> 00:55:25,160
Speaker 2: do that shit too. Like you ain't gotta try to

1099
00:55:25,200 --> 00:55:28,040
Speaker 2: wait on me to do the ship now.

1100
00:55:27,760 --> 00:55:30,120
Speaker 4: A seconds ago you'll tell me to get your ass right.

1101
00:55:30,320 --> 00:55:33,600
Speaker 3: Call me an asshole, homie. I ain't forgot so.

1102
00:55:33,680 --> 00:55:36,680
Speaker 2: In the Woods, the New group has a comically bad

1103
00:55:36,760 --> 00:55:41,239
Speaker 2: Scooby Dude type of fucking zombie experience. They go out

1104
00:55:41,239 --> 00:55:45,760
Speaker 2: in the dark, quickly realize, wait, the zombies are masked,

1105
00:55:45,920 --> 00:55:47,840
Speaker 2: and some of them are real and some of them aren't,

1106
00:55:48,880 --> 00:55:51,680
Speaker 2: and we can't ready to see it's only four of us.

1107
00:55:52,239 --> 00:55:56,480
Speaker 2: We got two flashlights. We can't see ship. A zombie

1108
00:55:56,600 --> 00:55:59,360
Speaker 2: rolls up on them while they are talking and almost

1109
00:55:59,400 --> 00:56:03,680
Speaker 2: bites the hearing in pair one of their hearing impaired ones, Connie.

1110
00:56:03,719 --> 00:56:05,600
Speaker 2: And so it's just like, what the fuck are we

1111
00:56:05,680 --> 00:56:06,440
Speaker 2: doing out here?

1112
00:56:07,280 --> 00:56:10,760
Speaker 4: And they came to that conclusion. Somebody said, he winks

1113
00:56:11,120 --> 00:56:12,319
Speaker 4: we might need to get out of here.

1114
00:56:12,400 --> 00:56:20,560
Speaker 5: Guys that school wild words. Sob, I think it's time

1115
00:56:20,600 --> 00:56:22,440
Speaker 5: to get us kooby snack in Scandeto.

1116
00:56:23,200 --> 00:56:27,200
Speaker 2: Right, some hippie song started playing and they just right

1117
00:56:27,320 --> 00:56:29,200
Speaker 2: so stemping, so come on.

1118
00:56:29,320 --> 00:56:31,160
Speaker 3: No no, no, no, no no.

1119
00:56:31,239 --> 00:56:31,439
Speaker 7: Yeah.

1120
00:56:34,600 --> 00:56:37,200
Speaker 3: So anyway, they were like, yo, it's scary out here.

1121
00:56:37,280 --> 00:56:38,040
Speaker 3: What are we doing?

1122
00:56:38,680 --> 00:56:43,480
Speaker 5: And they did everything shut up, it's mister Jenkins up

1123
00:56:43,560 --> 00:56:45,080
Speaker 5: underneath the zombie mask.

1124
00:56:45,880 --> 00:56:50,120
Speaker 3: Farmer Smith. Yes, father Smith put a got way with

1125
00:56:50,280 --> 00:56:50,600
Speaker 3: it too.

1126
00:56:51,560 --> 00:56:53,560
Speaker 2: So anyway, they were like, let's get the fuck out

1127
00:56:53,560 --> 00:56:57,480
Speaker 2: of here. There and because and they also have a conversation.

1128
00:56:57,680 --> 00:56:59,759
Speaker 2: They don't tell you everything that happened, but it made

1129
00:56:59,840 --> 00:57:04,279
Speaker 2: me think we're probably gonna get a flashback episode of

1130
00:57:04,360 --> 00:57:10,040
Speaker 2: the ASL Crew, maybe because they kept referencing Coldport. This

1131
00:57:10,120 --> 00:57:12,520
Speaker 2: is like the third or fourth time they reverenced Coldport.

1132
00:57:12,760 --> 00:57:14,480
Speaker 2: They said that when they got the hilltop, they said it,

1133
00:57:14,480 --> 00:57:17,560
Speaker 2: what is Alexandria? And then they're saying it again, And

1134
00:57:17,880 --> 00:57:19,640
Speaker 2: this time they had kind of an argument where they

1135
00:57:19,760 --> 00:57:23,040
Speaker 2: was like, well, this is just like Coldport, and we're

1136
00:57:23,080 --> 00:57:25,680
Speaker 2: not gonna have another Coldport. And they were like, well,

1137
00:57:25,760 --> 00:57:30,840
Speaker 2: last time we left our post, and there was one

1138
00:57:30,880 --> 00:57:32,680
Speaker 2: of the other ones was like, you know, they were

1139
00:57:32,680 --> 00:57:33,480
Speaker 2: fighting bust themselves.

1140
00:57:33,520 --> 00:57:35,120
Speaker 3: It was like we had to leave. It was that

1141
00:57:35,400 --> 00:57:35,760
Speaker 3: or die.

1142
00:57:35,840 --> 00:57:38,440
Speaker 2: It was falling apart and we had to save ourselves

1143
00:57:38,480 --> 00:57:40,720
Speaker 2: and save our group. And they was, you know, it

1144
00:57:40,800 --> 00:57:43,360
Speaker 2: was like, nah, that's what some people call it, but

1145
00:57:43,400 --> 00:57:44,240
Speaker 2: that's not what happened.

1146
00:57:44,240 --> 00:57:47,440
Speaker 3: We just left and like cowards and blah blah blah.

1147
00:57:47,640 --> 00:57:49,400
Speaker 2: And so finally it's like we need to go back,

1148
00:57:49,480 --> 00:57:51,360
Speaker 2: come up with a plan, like Tara said, and come

1149
00:57:51,360 --> 00:57:51,960
Speaker 2: back out here.

1150
00:57:52,400 --> 00:57:53,560
Speaker 3: And then and.

1151
00:57:53,520 --> 00:57:55,480
Speaker 4: The two older ones, those are the two that was

1152
00:57:55,480 --> 00:57:56,560
Speaker 4: like hey, this ain't smart.

1153
00:57:56,640 --> 00:58:02,880
Speaker 2: Yeah, Magna and hum m. And so Connie and Kelly,

1154
00:58:03,080 --> 00:58:06,440
Speaker 2: who are sisters, uh, were like and Connie was like,

1155
00:58:06,520 --> 00:58:10,400
Speaker 2: let's go back, and Kelly was like freaked out in

1156
00:58:10,440 --> 00:58:12,440
Speaker 2: the woods and was crying and shit and was like no,

1157
00:58:12,800 --> 00:58:16,120
Speaker 2: because at Coldport when we got separated, I was basically

1158
00:58:16,200 --> 00:58:18,640
Speaker 2: left out there to die and Luke came and saved me.

1159
00:58:19,080 --> 00:58:21,600
Speaker 2: And now we're about to leave him out here to die.

1160
00:58:21,640 --> 00:58:26,480
Speaker 2: I can't do that, you know, and uh all and

1161
00:58:26,560 --> 00:58:29,440
Speaker 2: so you know, it was kind of just like moment

1162
00:58:29,600 --> 00:58:32,320
Speaker 2: and then Connie says to the other two, y'all go

1163
00:58:32,360 --> 00:58:35,640
Speaker 2: ahead and go back. I'm gonna stay with my sister.

1164
00:58:36,120 --> 00:58:38,320
Speaker 2: And they were both like you sure about that, homie,

1165
00:58:38,880 --> 00:58:40,840
Speaker 2: Like y'all both hearing the paradout here in the fucking

1166
00:58:40,920 --> 00:58:41,840
Speaker 2: dark in the woods by.

1167
00:58:41,760 --> 00:58:43,960
Speaker 4: Yourself, just this, why not anywhere?

1168
00:58:44,240 --> 00:58:46,400
Speaker 3: And they was like, go you know, And so they

1169
00:58:46,480 --> 00:58:47,120
Speaker 3: left him there.

1170
00:58:49,160 --> 00:58:51,760
Speaker 4: And so as soon as they did, you get that

1171
00:58:51,960 --> 00:58:52,920
Speaker 4: X ray vision from.

1172
00:58:52,760 --> 00:58:56,439
Speaker 3: A bush, right, said, you get that bush vision. That's

1173
00:58:56,480 --> 00:58:58,720
Speaker 3: what it is is bush fits bush vision. The scariest

1174
00:58:58,720 --> 00:59:00,440
Speaker 3: thing on the goddamn show come out.

1175
00:59:00,760 --> 00:59:02,520
Speaker 2: It's like it's that And and this time it was

1176
00:59:02,520 --> 00:59:04,960
Speaker 2: bush vision and it was behind the head of a zombie,

1177
00:59:05,600 --> 00:59:07,720
Speaker 2: so it made it look like a zombie literally was

1178
00:59:07,760 --> 00:59:08,880
Speaker 2: standing there looking at them.

1179
00:59:08,920 --> 00:59:09,160
Speaker 1: I e.

1180
00:59:09,360 --> 00:59:11,640
Speaker 3: One of those fucking zombie face niggas.

1181
00:59:12,840 --> 00:59:14,959
Speaker 4: So I was like, oh, they're gonna follow them right.

1182
00:59:15,600 --> 00:59:16,320
Speaker 3: So then.

1183
00:59:20,280 --> 00:59:25,960
Speaker 2: In the meantime, my man Henry goes back down to

1184
00:59:26,040 --> 00:59:29,760
Speaker 2: Lydia say to talk to her. And this was so

1185
00:59:29,880 --> 00:59:32,240
Speaker 2: corny and funny, but he really walked up on her

1186
00:59:32,240 --> 00:59:35,000
Speaker 2: cell and said, hey, it's me from She said, She's like,

1187
00:59:35,040 --> 00:59:35,760
Speaker 2: I know who you are.

1188
00:59:37,200 --> 00:59:39,840
Speaker 4: It's me from from the last seat last scene.

1189
00:59:40,000 --> 00:59:40,120
Speaker 6: Here.

1190
00:59:40,160 --> 00:59:42,560
Speaker 3: Again, it's not like she met thirty seven people in town.

1191
00:59:42,680 --> 00:59:43,520
Speaker 3: What the fuck she been?

1192
00:59:43,840 --> 00:59:47,000
Speaker 2: She been blindfolded and then unbond folded, and she seen

1193
00:59:47,080 --> 00:59:52,120
Speaker 2: four people since then. So then he said, he tells

1194
00:59:52,200 --> 00:59:54,520
Speaker 2: Lydia he likes her, and he lets her out of

1195
00:59:54,520 --> 00:59:57,160
Speaker 2: her cell and he said just for a little bit,

1196
00:59:58,320 --> 01:00:00,800
Speaker 2: and he said, just be quiet, to stay out of sight.

1197
01:00:00,920 --> 01:00:03,760
Speaker 2: I want to show you basically, we're not bad people,

1198
01:00:04,320 --> 01:00:07,160
Speaker 2: Like if I show you this civilization, this community we built,

1199
01:00:07,440 --> 01:00:08,840
Speaker 2: you'll understand we're not bad.

1200
01:00:09,480 --> 01:00:11,000
Speaker 3: And I'm like, you worry about the wrong shit.

1201
01:00:11,040 --> 01:00:12,880
Speaker 2: You need to worry about her being bad, not you

1202
01:00:13,200 --> 01:00:15,400
Speaker 2: not what she thinks of, y'all, But you know he

1203
01:00:15,440 --> 01:00:16,000
Speaker 2: has a heart of.

1204
01:00:16,000 --> 01:00:17,120
Speaker 4: Goal, Yes he does.

1205
01:00:17,840 --> 01:00:21,000
Speaker 2: So they walk around outside and they trip over a

1206
01:00:21,000 --> 01:00:23,000
Speaker 2: brick because he's trying to hide behind some covers so

1207
01:00:23,000 --> 01:00:23,959
Speaker 2: people don't see him.

1208
01:00:24,240 --> 01:00:26,600
Speaker 3: And then while they land on the ground, she sees some.

1209
01:00:26,680 --> 01:00:31,520
Speaker 2: Worms, some earth worms, and she eats like two worms

1210
01:00:31,560 --> 01:00:33,919
Speaker 2: in front of him and then hands him a worm

1211
01:00:33,960 --> 01:00:36,080
Speaker 2: to eat, and this nigga eats it.

1212
01:00:37,080 --> 01:00:42,280
Speaker 4: Yeah, what you won't do.

1213
01:00:40,800 --> 01:00:46,080
Speaker 3: Do for love? Huge everything. I guess he was in love.

1214
01:00:48,320 --> 01:00:50,240
Speaker 5: Because what else do they eat out damn among design

1215
01:00:50,320 --> 01:00:52,480
Speaker 5: bits and you ain't got no real food, ain't like

1216
01:00:52,520 --> 01:00:54,600
Speaker 5: you anywhere long enough to actually grow visitation.

1217
01:00:55,400 --> 01:01:00,760
Speaker 3: I guess I legitimately was not ready for that. Now.

1218
01:01:00,840 --> 01:01:03,840
Speaker 2: I think they did that scene maybe because in the

1219
01:01:03,880 --> 01:01:06,360
Speaker 2: comic books, the stuff that happens with Lydia and Carl

1220
01:01:07,360 --> 01:01:08,840
Speaker 2: is like kind of like.

1221
01:01:08,760 --> 01:01:11,040
Speaker 3: A young budding quote unquote romance.

1222
01:01:11,800 --> 01:01:15,000
Speaker 2: But it's y'all, I can tell y'all because y'all don't

1223
01:01:15,040 --> 01:01:17,680
Speaker 2: either don't read the comics, or y'all you know way

1224
01:01:17,680 --> 01:01:20,760
Speaker 2: behind if you don't know this already. But in the comics,

1225
01:01:21,720 --> 01:01:24,440
Speaker 2: Lydia and Carl are the ones that are kind of like,

1226
01:01:25,360 --> 01:01:29,240
Speaker 2: you know, the Henry and Lydia, and so there's a

1227
01:01:29,280 --> 01:01:31,800
Speaker 2: scene that happens much later in their relationship, but maybe

1228
01:01:31,840 --> 01:01:33,200
Speaker 2: they're speeding it up for the show. I don't know

1229
01:01:33,760 --> 01:01:39,680
Speaker 2: where Lydia is into Carl. And you know, Carl's got

1230
01:01:39,880 --> 01:01:42,200
Speaker 2: one eye because he got shot in the eye, so

1231
01:01:42,240 --> 01:01:45,800
Speaker 2: he's all disfigured and shit. And to show that how

1232
01:01:45,920 --> 01:01:50,560
Speaker 2: much she likes him, she licks in his eyeball the socket.

1233
01:01:50,480 --> 01:01:55,320
Speaker 3: And like makes out with his eye socket. Yeah.

1234
01:01:55,520 --> 01:01:59,920
Speaker 2: So maybe the word thing was supposed to replace that.

1235
01:02:00,200 --> 01:02:01,360
Speaker 4: Yeah, yeah, you know.

1236
01:02:01,800 --> 01:02:05,320
Speaker 2: What we're supposed to have like that moment of like, oh,

1237
01:02:05,400 --> 01:02:09,880
Speaker 2: Lydia like is into this because we know that Henry's

1238
01:02:09,880 --> 01:02:14,160
Speaker 2: been rejected by eating kind of so maybe reship you know,

1239
01:02:14,600 --> 01:02:17,200
Speaker 2: maybe he getting dollatry in it with this.

1240
01:02:17,440 --> 01:02:22,320
Speaker 3: Uh it's like, well if you suck on worms, I

1241
01:02:22,360 --> 01:02:23,760
Speaker 3: mean what else I mean?

1242
01:02:24,040 --> 01:02:26,800
Speaker 4: I mean, I can't get fruit loops, rudios. We just fine.

1243
01:02:26,960 --> 01:02:31,360
Speaker 2: You know, it wasn't exactly the sexiest uh thing I've

1244
01:02:31,360 --> 01:02:33,720
Speaker 2: ever seen happen, but if you're into that, you know

1245
01:02:33,720 --> 01:02:34,120
Speaker 2: what I mean?

1246
01:02:34,480 --> 01:02:37,880
Speaker 3: Earth Angel, I guess. So then.

1247
01:02:39,400 --> 01:02:42,479
Speaker 2: After while she after they eat them, she's the worm

1248
01:02:42,520 --> 01:02:44,280
Speaker 2: he points out, like that trailer over there is where

1249
01:02:44,280 --> 01:02:47,120
Speaker 2: our doctor is. She's like, y'all have a doctor. He's like, yeah,

1250
01:02:47,120 --> 01:02:50,400
Speaker 2: we got a doctor. We got a blacksmith. While he's talking,

1251
01:02:50,440 --> 01:02:53,280
Speaker 2: he has back to her. She's actually walking by a

1252
01:02:55,720 --> 01:02:59,080
Speaker 2: bench that has a hammer on it, and she's she's

1253
01:02:59,120 --> 01:03:01,320
Speaker 2: like reaching for the hand in the dark behind her back,

1254
01:03:01,840 --> 01:03:03,000
Speaker 2: as if she's about to hit this.

1255
01:03:03,040 --> 01:03:04,200
Speaker 3: Nigga side the head and kill him.

1256
01:03:04,240 --> 01:03:04,600
Speaker 4: Come on.

1257
01:03:06,120 --> 01:03:09,880
Speaker 2: And at this point I had thought, maybe now Henry

1258
01:03:09,920 --> 01:03:12,840
Speaker 2: and Darryl have a plan, and he let her out

1259
01:03:13,400 --> 01:03:15,480
Speaker 2: because he thought he could reach her, and Daryl when

1260
01:03:15,520 --> 01:03:17,440
Speaker 2: Daryl had said I'm not the only one that could

1261
01:03:17,440 --> 01:03:20,000
Speaker 2: reach her, he meant, maybe you should go down there

1262
01:03:20,000 --> 01:03:21,440
Speaker 2: and try and let her out to sell And I'm

1263
01:03:21,480 --> 01:03:26,320
Speaker 2: gonna watch from a distance and make sure you're okay. No, no,

1264
01:03:26,720 --> 01:03:28,960
Speaker 2: she was gonna kill this boy. Nobody would be in

1265
01:03:29,000 --> 01:03:31,680
Speaker 2: the wiser they would have woke up to dead Henry.

1266
01:03:31,800 --> 01:03:32,120
Speaker 3: Come on.

1267
01:03:33,040 --> 01:03:36,080
Speaker 2: But a woman comes out with a baby crying in

1268
01:03:36,120 --> 01:03:39,960
Speaker 2: the middle of the night, and just conveniently at that time,

1269
01:03:40,600 --> 01:03:43,520
Speaker 2: Lydia Hurd and saw the baby and the woman and

1270
01:03:43,760 --> 01:03:48,520
Speaker 2: just had a big psychic break of like a montage

1271
01:03:48,560 --> 01:03:51,200
Speaker 2: of her mom's lie and what she remembers from being

1272
01:03:51,240 --> 01:03:54,240
Speaker 2: a kid, and the truth about her father's death. As

1273
01:03:54,240 --> 01:03:58,120
Speaker 2: she tells Will, I mean, Henry, lock me up.

1274
01:04:00,640 --> 01:04:02,760
Speaker 3: I can't. I can't do this. You gotta lock me

1275
01:04:02,800 --> 01:04:03,120
Speaker 3: back up.

1276
01:04:03,200 --> 01:04:05,680
Speaker 5: And so I think, just to hear that the crown

1277
01:04:05,720 --> 01:04:07,480
Speaker 5: of the baby got to her, because you know, in

1278
01:04:07,520 --> 01:04:11,160
Speaker 5: the community, you don't have children like I don't know

1279
01:04:11,160 --> 01:04:12,760
Speaker 5: what happened if somebody has a child. I don't know

1280
01:04:12,800 --> 01:04:14,680
Speaker 5: if they killed the baby, I don't know. But when

1281
01:04:14,720 --> 01:04:17,200
Speaker 5: you walk in with the dead, you can't have children around.

1282
01:04:17,360 --> 01:04:19,600
Speaker 2: Yeah, Lydia, he's going she's a good person. She's a

1283
01:04:19,600 --> 01:04:21,960
Speaker 2: good person, I think, talking about her mom. And then

1284
01:04:22,280 --> 01:04:24,440
Speaker 2: she has to be put back in the cell. He

1285
01:04:24,600 --> 01:04:27,680
Speaker 2: relocks her back up and says I'm sorry. She says, wait,

1286
01:04:27,880 --> 01:04:31,400
Speaker 2: don't go, and she asked him to stay with her,

1287
01:04:33,240 --> 01:04:36,840
Speaker 2: and he stays with her outside her cell and eats

1288
01:04:37,560 --> 01:04:40,840
Speaker 2: I mean smelling like breast, smelling like worms, and holds

1289
01:04:40,920 --> 01:04:43,880
Speaker 2: hands with her from outside the cell that she's locked in.

1290
01:04:44,200 --> 01:04:47,040
Speaker 4: I mean, all you could hear is when I'm with you,

1291
01:04:48,760 --> 01:04:49,880
Speaker 4: I thought, I was like, what the hell is that

1292
01:04:50,000 --> 01:04:51,240
Speaker 4: music coming from the jail cell?

1293
01:04:51,680 --> 01:04:54,240
Speaker 2: Yeah, he was in love like the big dog, as

1294
01:04:54,240 --> 01:04:57,800
Speaker 2: they say, and so they would hold their hands and

1295
01:04:57,840 --> 01:05:05,080
Speaker 2: then in the morning and then Darryl comes in, and Darryl.

1296
01:05:07,680 --> 01:05:10,160
Speaker 3: It was like the fuck y'all doing it here, all right?

1297
01:05:10,200 --> 01:05:12,120
Speaker 2: And that's when I realized it wasn't a plan because

1298
01:05:12,160 --> 01:05:14,360
Speaker 2: I was like, Daryl wouldn't have been shocked to see

1299
01:05:14,440 --> 01:05:15,040
Speaker 2: him in there.

1300
01:05:15,400 --> 01:05:17,439
Speaker 3: He was basically looking like what is this shit?

1301
01:05:18,080 --> 01:05:20,400
Speaker 2: And you know, he was like, I just wanted to

1302
01:05:20,400 --> 01:05:21,760
Speaker 2: show her that we were good people.

1303
01:05:24,040 --> 01:05:27,360
Speaker 3: And she's like, uh, and.

1304
01:05:27,240 --> 01:05:28,960
Speaker 2: Actually, I wonder if I had a scene. I don't

1305
01:05:29,120 --> 01:05:30,720
Speaker 2: know how far this goes back.

1306
01:05:31,560 --> 01:05:34,680
Speaker 3: Okay, no, no, I don't know how to far.

1307
01:05:34,880 --> 01:05:37,439
Speaker 2: So so then he's like, I just wanted to show

1308
01:05:37,440 --> 01:05:40,160
Speaker 2: her that we're good people, and she didn't want to

1309
01:05:40,160 --> 01:05:43,080
Speaker 2: be alone. And then Lydia says, you know, my ear

1310
01:05:43,120 --> 01:05:44,760
Speaker 2: does hurt. Everything hurts.

1311
01:05:45,600 --> 01:05:47,240
Speaker 3: I'll take those pills and still down.

1312
01:05:47,800 --> 01:05:49,360
Speaker 2: He gives it the pills, he gives it a letter

1313
01:05:49,440 --> 01:05:50,880
Speaker 2: with the water. She doesn't try to hit him, She

1314
01:05:51,000 --> 01:05:54,720
Speaker 2: drinks it to drink the pills down. She says her

1315
01:05:54,720 --> 01:05:58,080
Speaker 2: mom isn't gonna come get her because the group doesn't

1316
01:05:58,080 --> 01:06:01,760
Speaker 2: save anybody who's left behind. Her sick and Henry's like,

1317
01:06:02,160 --> 01:06:05,560
Speaker 2: not even her own daughter, and she was like anybody.

1318
01:06:05,720 --> 01:06:07,160
Speaker 3: She just that the group moves on.

1319
01:06:07,240 --> 01:06:09,160
Speaker 5: That's what we do, right, and Darrell sad together and

1320
01:06:09,200 --> 01:06:11,840
Speaker 5: they were like, you know, you're not just anybody, right,

1321
01:06:12,600 --> 01:06:14,080
Speaker 5: You're like, yeah, she gonna.

1322
01:06:13,880 --> 01:06:15,880
Speaker 3: Come for you. And so she was trying.

1323
01:06:16,000 --> 01:06:17,800
Speaker 2: She says, that's why she was trying to get information

1324
01:06:18,680 --> 01:06:23,680
Speaker 2: on on you know, Hilltop and Kingdom and right. So

1325
01:06:23,960 --> 01:06:25,920
Speaker 2: she she just wanted to give her mom a reason

1326
01:06:25,920 --> 01:06:29,080
Speaker 2: to take her back. She also says her mom found

1327
01:06:29,640 --> 01:06:32,480
Speaker 2: if she found Luca Alden then and she can't think

1328
01:06:32,520 --> 01:06:33,560
Speaker 2: of a reason to keep them alive.

1329
01:06:33,600 --> 01:06:36,920
Speaker 3: They dead right now.

1330
01:06:37,000 --> 01:06:39,439
Speaker 2: My guess is Luca Alden, I'm probably gonna get caught.

1331
01:06:39,760 --> 01:06:43,840
Speaker 2: They're probably alive in hostage. Oh yeah, to get Lydia.

1332
01:06:43,640 --> 01:06:46,280
Speaker 4: Back, Yeah, because she caught them the last episode.

1333
01:06:46,480 --> 01:06:46,720
Speaker 3: Right.

1334
01:06:47,400 --> 01:06:51,200
Speaker 2: So then Lydia said, tells where the cap is and uh,

1335
01:06:51,280 --> 01:06:51,720
Speaker 2: that's no.

1336
01:06:51,920 --> 01:06:53,480
Speaker 3: They're a nomadic group.

1337
01:06:53,600 --> 01:06:56,160
Speaker 5: And so they'll about to go tell the information that

1338
01:06:56,200 --> 01:06:56,720
Speaker 5: he's found.

1339
01:06:57,000 --> 01:06:59,160
Speaker 2: And Lydia said she thought all of the story about

1340
01:06:59,160 --> 01:07:01,200
Speaker 2: her family was true because she needed it to be,

1341
01:07:01,760 --> 01:07:03,800
Speaker 2: but then she realized it's all a lot and it's

1342
01:07:03,800 --> 01:07:05,800
Speaker 2: all mixed up. In her head because her mama's told

1343
01:07:05,800 --> 01:07:08,640
Speaker 2: her that story over and over, basically brainwashing her.

1344
01:07:08,680 --> 01:07:10,680
Speaker 3: But deep down she knew her mama was lying. Her

1345
01:07:10,680 --> 01:07:11,400
Speaker 3: mama wasn't shit.

1346
01:07:12,680 --> 01:07:17,160
Speaker 2: So then in the morning, the uh the ASL crew

1347
01:07:17,320 --> 01:07:22,400
Speaker 2: approaches the wall of Hilltop and you May Go and

1348
01:07:22,640 --> 01:07:27,040
Speaker 2: Magna are together and they go to tell Tara, Hey, well, sorry,

1349
01:07:27,120 --> 01:07:28,320
Speaker 2: we snuck out last night.

1350
01:07:29,000 --> 01:07:33,240
Speaker 3: We shouldn't have did that. And Tara basically like, oh,

1351
01:07:33,280 --> 01:07:33,560
Speaker 3: we know.

1352
01:07:33,560 --> 01:07:36,840
Speaker 2: You snuck out, Like I had my people watching y'all,

1353
01:07:36,920 --> 01:07:38,200
Speaker 2: so we know y'all snuck out.

1354
01:07:38,600 --> 01:07:41,880
Speaker 3: We know you was coming back next time. If you

1355
01:07:41,880 --> 01:07:43,120
Speaker 3: have a problem with me, just tell.

1356
01:07:42,960 --> 01:07:45,400
Speaker 5: Me right Because she's like, I'm not no fucking dictator

1357
01:07:45,440 --> 01:07:48,840
Speaker 5: like that, Like I understand we you know, because her

1358
01:07:48,880 --> 01:07:50,800
Speaker 5: thing is like, look, we could have got a team together.

1359
01:07:50,960 --> 01:07:53,120
Speaker 5: We just did not want y'all to be out there alone.

1360
01:07:53,200 --> 01:07:55,000
Speaker 5: Like that was that was the biggest thing. We don't

1361
01:07:55,000 --> 01:08:00,160
Speaker 5: want to lose anybody, right, So this is that scene.

1362
01:08:01,520 --> 01:08:03,000
Speaker 7: Why would a mom do that to a kid?

1363
01:08:04,440 --> 01:08:05,920
Speaker 8: Some people ain't meant to be parents.

1364
01:08:08,160 --> 01:08:08,920
Speaker 4: So what happens?

1365
01:08:08,920 --> 01:08:11,920
Speaker 7: Now? Didn't she stay here with us?

1366
01:08:14,160 --> 01:08:18,160
Speaker 8: We'll see you get her some fresh clothes. I'm gonna

1367
01:08:18,200 --> 01:08:20,599
Speaker 8: talk to Tara see about that camp.

1368
01:08:22,680 --> 01:08:28,320
Speaker 7: Hey, Darryl, I'm glad you and my mom are friends.

1369
01:08:29,120 --> 01:08:31,880
Speaker 4: You got him an asshole earlier, kid, and make up

1370
01:08:31,880 --> 01:08:32,360
Speaker 4: your mind.

1371
01:08:33,200 --> 01:08:40,000
Speaker 3: Kids, this is Jumaican, Tara.

1372
01:08:41,680 --> 01:08:46,400
Speaker 4: Hey, what'd you find nothing?

1373
01:08:48,479 --> 01:08:49,639
Speaker 3: Look, it was wrong of us to leave.

1374
01:08:51,439 --> 01:08:56,040
Speaker 4: I just wish we'd realize that sooner. I should have.

1375
01:09:04,160 --> 01:09:10,920
Speaker 2: So beyond the gate, they see the guards escorting Connie

1376
01:09:10,920 --> 01:09:14,360
Speaker 2: and Kelly back in, right because they basically had followed

1377
01:09:14,400 --> 01:09:17,080
Speaker 2: them out there, which maybe they were the ones watching

1378
01:09:17,120 --> 01:09:19,840
Speaker 2: from the woods. I don't know, but they kept them safe,

1379
01:09:20,040 --> 01:09:23,439
Speaker 2: so that's probably good. But it gets complicated, you know,

1380
01:09:23,479 --> 01:09:26,639
Speaker 2: it's the walking dead. Now Kelly is with the guards

1381
01:09:26,760 --> 01:09:30,439
Speaker 2: up front, and then Connie is kind of lagging behind

1382
01:09:30,760 --> 01:09:33,960
Speaker 2: by herself behind everybody. So you know that that blocking

1383
01:09:34,000 --> 01:09:38,280
Speaker 2: me something about to happen. As always.

1384
01:09:39,720 --> 01:09:41,200
Speaker 1: Wasn't taking any chances.

1385
01:09:43,160 --> 01:09:46,920
Speaker 6: But I get why you did it.

1386
01:09:48,680 --> 01:09:50,320
Speaker 9: But the next time you want to challenge one of

1387
01:09:50,320 --> 01:09:53,519
Speaker 9: my decisions, Stumi a favor and come and talk to

1388
01:09:53,520 --> 01:09:56,600
Speaker 9: me about it. I don't know if I'm doing the

1389
01:09:56,640 --> 01:09:59,960
Speaker 9: right thing here, but I do know I don't want

1390
01:10:00,040 --> 01:10:04,799
Speaker 9: any more people to die. That includes you, Grace too.

1391
01:10:05,640 --> 01:10:12,320
Speaker 5: Yeah, and that right there, solidifies her accepted them into

1392
01:10:12,360 --> 01:10:14,960
Speaker 5: the group because their thing was like, we don't know

1393
01:10:15,000 --> 01:10:15,879
Speaker 5: where we're accepted.

1394
01:10:16,000 --> 01:10:18,880
Speaker 4: We don't know, you know if if this is you know,

1395
01:10:20,439 --> 01:10:21,920
Speaker 4: a crazy house, like we just don't know.

1396
01:10:22,000 --> 01:10:25,000
Speaker 5: And her thing is like, look, I'm learning, like y'all learning,

1397
01:10:25,120 --> 01:10:26,680
Speaker 5: Like just just come talk to me.

1398
01:10:26,800 --> 01:10:28,000
Speaker 3: What you think she would have did it? What do

1399
01:10:28,040 --> 01:10:30,160
Speaker 3: you think would happened if that was Maggie instead of Terror?

1400
01:10:30,360 --> 01:10:31,240
Speaker 4: Oh that would have ended?

1401
01:10:31,320 --> 01:10:33,160
Speaker 3: Well? Okay, yeah, I think.

1402
01:10:34,880 --> 01:10:36,880
Speaker 2: Maggie would have threatened and kicked them out, maybe even

1403
01:10:36,880 --> 01:10:38,960
Speaker 2: put them in the holding sales or something like that.

1404
01:10:39,880 --> 01:10:42,040
Speaker 2: Terror just seems more level headed and ready to be

1405
01:10:42,080 --> 01:10:44,040
Speaker 2: a leader in a way. And I know that you

1406
01:10:44,080 --> 01:10:45,439
Speaker 2: have to be tough to be a leader, So maybe

1407
01:10:45,439 --> 01:10:46,879
Speaker 2: we'll see Terrors was all tested.

1408
01:10:47,000 --> 01:10:50,080
Speaker 3: But I like her leadership style more than Maggie right now.

1409
01:10:50,000 --> 01:10:51,120
Speaker 4: Because it has to be balanced.

1410
01:10:51,200 --> 01:10:54,719
Speaker 5: Yes, there is a time for you to quote unquote

1411
01:10:54,720 --> 01:10:56,559
Speaker 5: come down with the iron fists, don't get me wrong,

1412
01:10:56,600 --> 01:10:58,400
Speaker 5: But then there are times where you've got to have

1413
01:10:58,520 --> 01:11:03,080
Speaker 5: understanding and compassion so that whenever you make tough decisions

1414
01:11:03,120 --> 01:11:06,560
Speaker 5: or decisions that people don't agree on, they're more understanding

1415
01:11:06,560 --> 01:11:09,439
Speaker 5: to your decisions because you are understanding to that's that

1416
01:11:09,520 --> 01:11:11,639
Speaker 5: compassion thing that you have to have for one another.

1417
01:11:12,400 --> 01:11:15,479
Speaker 3: Right.

1418
01:11:15,520 --> 01:11:25,320
Speaker 2: So this is the last scene. Basically, the Whisperer Walker

1419
01:11:25,360 --> 01:11:31,360
Speaker 2: group is walking on the street towards Hilltop. Everyone has

1420
01:11:31,400 --> 01:11:33,720
Speaker 2: to scramble to get inside, kind of get separated from

1421
01:11:33,720 --> 01:11:35,560
Speaker 2: the group because she was already behind everybody.

1422
01:11:35,920 --> 01:11:41,400
Speaker 3: She goes and highs out in a cornfield, just conveniently.

1423
01:11:41,080 --> 01:11:45,040
Speaker 2: Out of sight of the group of you know, the

1424
01:11:45,080 --> 01:11:48,080
Speaker 2: group of Whisperers, and then the Whisperers approach the gate.

1425
01:11:48,120 --> 01:11:58,320
Speaker 3: When we get this scene, now I have to give

1426
01:11:58,360 --> 01:11:58,800
Speaker 3: her credit.

1427
01:11:58,880 --> 01:12:01,479
Speaker 2: She was like an old professor X, like, come on,

1428
01:12:01,680 --> 01:12:04,280
Speaker 2: she got somebody has been She went to the barbershop

1429
01:12:04,280 --> 01:12:06,240
Speaker 2: in the hood and got her cue balls straightened up

1430
01:12:06,280 --> 01:12:09,040
Speaker 2: because that original haircut was not it.

1431
01:12:09,120 --> 01:12:35,919
Speaker 10: Girl, I'm an alpha.

1432
01:12:37,160 --> 01:12:38,639
Speaker 4: We only want one thing.

1433
01:12:38,479 --> 01:12:47,880
Speaker 3: From you, my daughter, and that's the end.

1434
01:12:49,240 --> 01:12:51,679
Speaker 5: And this is kind of a prediction, but I wonder

1435
01:12:51,800 --> 01:12:56,280
Speaker 5: if they're going to have it similar to the comic

1436
01:12:56,320 --> 01:12:58,160
Speaker 5: where they make boundaries where they go, oh, we don't go,

1437
01:12:58,240 --> 01:13:00,639
Speaker 5: we don't cross this area or something like that.

1438
01:13:00,760 --> 01:13:02,680
Speaker 4: At some period of time, we'll see you.

1439
01:13:02,680 --> 01:13:08,040
Speaker 2: Had no idea. So yeah, that was the episode. Of course,

1440
01:13:08,320 --> 01:13:11,720
Speaker 2: we do have y'all's feedback to get into before we

1441
01:13:11,840 --> 01:13:15,799
Speaker 2: uh do that, but give a shout out to Tryangle

1442
01:13:15,840 --> 01:13:19,639
Speaker 2: Wine Co. Who supplied all the wine for the making

1443
01:13:19,680 --> 01:13:21,160
Speaker 2: of this here recap.

1444
01:13:22,080 --> 01:13:23,920
Speaker 4: Yeah, they did check them out.

1445
01:13:24,120 --> 01:13:26,479
Speaker 2: Trying a wine company sells thousands of wines from all

1446
01:13:26,479 --> 01:13:29,080
Speaker 2: over the world for every budget. And right now you

1447
01:13:29,200 --> 01:13:33,719
Speaker 2: can get our Couples Goals wine packed. It's a two pack.

1448
01:13:34,160 --> 01:13:39,080
Speaker 2: It's on sell nineteen ninety nine. The wines are delicious.

1449
01:13:38,560 --> 01:13:40,680
Speaker 3: Okay, all, they are so good, y'all.

1450
01:13:40,720 --> 01:13:44,720
Speaker 2: Like, if you are the kind of person that likes

1451
01:13:44,760 --> 01:13:50,320
Speaker 2: sweet wine, the two pack is for you. And if

1452
01:13:50,360 --> 01:13:53,040
Speaker 2: you like other kinds of there's all kinds of other wines.

1453
01:13:53,040 --> 01:13:56,920
Speaker 2: As I said today, I'm sipping on this Kanasa root

1454
01:13:57,120 --> 01:14:02,799
Speaker 2: kava and with a big X on it, and it flows, y'all,

1455
01:14:02,840 --> 01:14:07,960
Speaker 2: It flows so smoothly down the gullet and it's gullet. Yeah,

1456
01:14:08,000 --> 01:14:13,280
Speaker 2: and it's not necessarily sweet, but it's light, very and

1457
01:14:13,360 --> 01:14:14,880
Speaker 2: just a hint of sweetness, Like it's.

1458
01:14:14,760 --> 01:14:16,760
Speaker 3: Not it's not it's not like that kool aid that

1459
01:14:16,840 --> 01:14:17,519
Speaker 3: Karen likes.

1460
01:14:17,640 --> 01:14:20,679
Speaker 2: It's just kind of like it's just a little tart,

1461
01:14:20,800 --> 01:14:24,120
Speaker 2: a little sweet, little tangy if you will.

1462
01:14:24,439 --> 01:14:26,960
Speaker 3: On the palette and it's on there right now, so.

1463
01:14:28,880 --> 01:14:30,640
Speaker 2: Yeah, as always, you can also get our couple of

1464
01:14:30,680 --> 01:14:35,920
Speaker 2: Goals packed, which is a fruite balanced charas and a

1465
01:14:36,200 --> 01:14:41,439
Speaker 2: measmerizing moscato and only nineteen ninety nine basically marked down

1466
01:14:41,479 --> 01:14:44,519
Speaker 2: from thirty dollars right now, and you can take you

1467
01:14:44,640 --> 01:14:47,200
Speaker 2: and your sweetheart from main course to dessert.

1468
01:14:48,800 --> 01:14:50,360
Speaker 3: They also have gift cards.

1469
01:14:50,080 --> 01:14:52,720
Speaker 2: On tryingg wineco dot com and they have a Tea

1470
01:14:52,760 --> 01:14:55,679
Speaker 2: Public store. Just put Triangle Wine Co In the search

1471
01:14:55,920 --> 01:14:58,960
Speaker 2: when you go to teapublic dot com. And te Public's

1472
01:14:59,000 --> 01:15:02,040
Speaker 2: currently having to sell off right now, come on now

1473
01:15:02,080 --> 01:15:04,280
Speaker 2: they just I just actually bought me some shit today

1474
01:15:04,560 --> 01:15:05,960
Speaker 2: because I love them sales.

1475
01:15:06,040 --> 01:15:09,160
Speaker 3: I saved shirts. Let me give y'all pro tip, okay,

1476
01:15:09,479 --> 01:15:16,280
Speaker 3: litve pro little shopping advice. Get your Tea Public shirts.

1477
01:15:16,320 --> 01:15:18,920
Speaker 2: If you find something like and it's not a sell

1478
01:15:19,120 --> 01:15:22,360
Speaker 2: because they almost always have sales, just save it, save

1479
01:15:22,439 --> 01:15:25,080
Speaker 2: the link, and then for a rainy day when you

1480
01:15:25,160 --> 01:15:27,320
Speaker 2: get that, you know, email, hey we got to sell

1481
01:15:27,360 --> 01:15:29,479
Speaker 2: at Tea Public. That's when I go and get all

1482
01:15:29,520 --> 01:15:32,280
Speaker 2: the shirts that I've been have my eye on. So

1483
01:15:32,439 --> 01:15:35,320
Speaker 2: anyway you can do that. Trying to wine code on

1484
01:15:35,479 --> 01:15:40,000
Speaker 2: Tea Public and then Tryangle wineco dot com. Like I said,

1485
01:15:40,080 --> 01:15:44,439
Speaker 2: this is a amazing, amazing store and amazing liquors.

1486
01:15:44,479 --> 01:15:45,559
Speaker 3: Okay, and you.

1487
01:15:45,479 --> 01:15:47,519
Speaker 2: Can tell because on Tipsy and I'm still doing the

1488
01:15:47,960 --> 01:15:49,360
Speaker 2: copy pitch perfect.

1489
01:15:49,560 --> 01:15:50,880
Speaker 3: Tryang a wine coo dot com.

1490
01:15:50,880 --> 01:15:54,760
Speaker 2: Guys, uh and the link to our couples wine pack

1491
01:15:54,880 --> 01:15:57,840
Speaker 2: will be in the show notes as always. All right,

1492
01:15:57,840 --> 01:16:03,479
Speaker 2: we got some feed back for from eve E for

1493
01:16:03,680 --> 01:16:04,360
Speaker 2: The Walking Dead.

1494
01:16:06,360 --> 01:16:09,840
Speaker 3: Let me go to that. We got one.

1495
01:16:10,240 --> 01:16:13,120
Speaker 2: It's short, she says, high riding Karen. I'm gonna keep

1496
01:16:13,120 --> 01:16:16,960
Speaker 2: this short and sweet. I really really really wanted Daryl

1497
01:16:17,000 --> 01:16:18,400
Speaker 2: to punch Henry in the throat.

1498
01:16:18,840 --> 01:16:23,320
Speaker 4: Fuck that kid, even Eve, well, let us know how you.

1499
01:16:23,520 --> 01:16:27,160
Speaker 2: I mean, I kind of understand because Henry's so fucking

1500
01:16:27,240 --> 01:16:29,800
Speaker 2: plucky and we're so late, and is he pocket? You

1501
01:16:29,920 --> 01:16:33,760
Speaker 2: still so trustworthy and naive and the little girl got

1502
01:16:33,760 --> 01:16:36,320
Speaker 2: your nose wide open, Like I get why he said it.

1503
01:16:36,400 --> 01:16:37,439
Speaker 4: Yeah, And that's how funny.

1504
01:16:37,439 --> 01:16:39,559
Speaker 5: That's why his parents was like, are you sure you

1505
01:16:39,600 --> 01:16:44,559
Speaker 5: want him to go down at all by his little losomeself? Like, yeah,

1506
01:16:44,800 --> 01:16:46,960
Speaker 5: he ain't got the he ain't got the best of

1507
01:16:47,000 --> 01:16:48,439
Speaker 5: what they call him street skills.

1508
01:16:48,439 --> 01:16:49,200
Speaker 4: Street smarts.

1509
01:16:49,240 --> 01:16:52,320
Speaker 2: And I see also why Carol wanted Darryl looking out

1510
01:16:52,360 --> 01:16:55,479
Speaker 2: for this nigga right like he ain't exactly you know,

1511
01:16:56,600 --> 01:16:58,720
Speaker 2: and the greatest making the greatest decisions.

1512
01:16:58,760 --> 01:16:58,920
Speaker 3: You know.

1513
01:16:58,960 --> 01:17:01,000
Speaker 2: I know he's just a kid, but you know you

1514
01:17:01,040 --> 01:17:04,880
Speaker 2: definitely want somebody supervising his his moves.

1515
01:17:05,000 --> 01:17:06,920
Speaker 4: Yeah, he wanted to get mad. I do only just

1516
01:17:06,960 --> 01:17:07,640
Speaker 4: supervising me.

1517
01:17:08,200 --> 01:17:08,400
Speaker 3: Yeah.

1518
01:17:08,479 --> 01:17:11,040
Speaker 2: Someone said, how do you leave feedback the blackout tips

1519
01:17:11,080 --> 01:17:14,160
Speaker 2: at gmail dot com. Just shoot us an email. We'll

1520
01:17:14,200 --> 01:17:16,479
Speaker 2: read it on the air. It's that simple. I guess

1521
01:17:16,520 --> 01:17:18,600
Speaker 2: I forgot to mention that. But yeah, I just have

1522
01:17:18,640 --> 01:17:20,919
Speaker 2: a different folder for the Walking Dead recap.

1523
01:17:21,920 --> 01:17:23,000
Speaker 4: Walking Dead in the title.

1524
01:17:23,200 --> 01:17:26,400
Speaker 2: Yeah, I'll put it. I'll put it there, all right.

1525
01:17:26,560 --> 01:17:29,439
Speaker 2: So that's the whole recap. Is there any news I

1526
01:17:29,479 --> 01:17:32,680
Speaker 2: want to talk about before we leave? I did have

1527
01:17:32,680 --> 01:17:35,720
Speaker 2: one thing I want to talk about. Okay, I'll try

1528
01:17:35,760 --> 01:17:37,960
Speaker 2: to keep it quick, keep it before we run out

1529
01:17:37,960 --> 01:17:38,280
Speaker 2: of time.

1530
01:17:38,320 --> 01:17:43,360
Speaker 3: But so Barack Obama, Uh, you know, he's back on

1531
01:17:43,360 --> 01:17:44,040
Speaker 3: the circuit now.

1532
01:17:44,200 --> 01:17:47,320
Speaker 2: Politics is all up in the my president, my president

1533
01:17:47,600 --> 01:17:50,760
Speaker 2: all up in the thing. And he was talking at

1534
01:17:50,760 --> 01:17:55,479
Speaker 2: my brother's keeper, his organization that he has used to

1535
01:17:55,720 --> 01:18:00,879
Speaker 2: uh get kids in school and uh, educate like get them.

1536
01:18:02,240 --> 01:18:02,840
Speaker 3: What do you call it?

1537
01:18:03,360 --> 01:18:06,720
Speaker 2: Careers and stuff like this, Like it's a it's kind

1538
01:18:06,760 --> 01:18:10,360
Speaker 2: of the old school kind of respectability model that.

1539
01:18:10,760 --> 01:18:13,559
Speaker 3: People frown on now so hard. But I think to

1540
01:18:13,600 --> 01:18:15,640
Speaker 3: a certain extent, people have gone too far with the

1541
01:18:15,680 --> 01:18:19,599
Speaker 3: anti respectability to where now it makes it seem like

1542
01:18:20,400 --> 01:18:22,599
Speaker 3: unless you're so radical that you're like, man, you should

1543
01:18:22,600 --> 01:18:24,120
Speaker 3: be able to go to a corporate job with your

1544
01:18:24,200 --> 01:18:27,479
Speaker 3: peers sag and fuck it, Like it's like you're the

1545
01:18:27,520 --> 01:18:28,360
Speaker 3: asshole now.

1546
01:18:30,439 --> 01:18:34,920
Speaker 2: But they put this clip on Twitter for Newsweek, and

1547
01:18:34,960 --> 01:18:38,600
Speaker 2: it was kind of place salacious lead to make it

1548
01:18:38,640 --> 01:18:41,120
Speaker 2: a little bit misleading, but in context I could still

1549
01:18:41,120 --> 01:18:43,439
Speaker 2: see people having issues with it. But it was him

1550
01:18:43,479 --> 01:18:50,120
Speaker 2: talking to a group of young black men about about

1551
01:18:50,360 --> 01:18:52,360
Speaker 2: image essentially and.

1552
01:18:53,920 --> 01:18:57,600
Speaker 3: The things that we are taught to look up to

1553
01:18:57,920 --> 01:19:01,120
Speaker 3: and the worship and what can what we consider being

1554
01:19:01,240 --> 01:19:02,760
Speaker 3: doing a good having a.

1555
01:19:02,760 --> 01:19:06,400
Speaker 2: Good life, a good career, the things that signify you know,

1556
01:19:06,520 --> 01:19:10,040
Speaker 2: wealth and all this shit. And so he was saying

1557
01:19:10,080 --> 01:19:12,639
Speaker 2: that you know, you look at like these rap videos

1558
01:19:12,680 --> 01:19:17,200
Speaker 2: and shit, and you see these dudes with big ass chains,

1559
01:19:17,280 --> 01:19:20,160
Speaker 2: a whole bunch of women torquing and shit that doesn't

1560
01:19:20,160 --> 01:19:23,880
Speaker 2: necessarily mean that that person is doing well.

1561
01:19:24,720 --> 01:19:28,240
Speaker 5: No, it does not mean that, right, Okay, I did

1562
01:19:28,280 --> 01:19:29,719
Speaker 5: not say I'm sorry.

1563
01:19:29,800 --> 01:19:31,200
Speaker 3: I don't know how to respond to that.

1564
01:19:31,400 --> 01:19:32,479
Speaker 4: I guess I have to.

1565
01:19:32,439 --> 01:19:35,040
Speaker 2: Turn that feature off because I never say that, and

1566
01:19:35,120 --> 01:19:37,679
Speaker 2: yet somehow she always be listening.

1567
01:19:39,320 --> 01:19:41,080
Speaker 3: I don't never be talking to her. She always just

1568
01:19:41,120 --> 01:19:42,400
Speaker 3: pop up like, hey, what's the same.

1569
01:19:42,479 --> 01:19:42,920
Speaker 2: What now?

1570
01:19:43,960 --> 01:19:45,800
Speaker 3: I thought I heard you say that mama.

1571
01:19:45,560 --> 01:19:48,519
Speaker 2: Cut her hair short because her old ex husband used

1572
01:19:48,560 --> 01:19:50,840
Speaker 2: to be her and.

1573
01:19:51,640 --> 01:19:54,479
Speaker 3: But yeah, so let me see.

1574
01:19:54,479 --> 01:19:57,080
Speaker 2: I think I got the video. I can't tell if

1575
01:19:57,080 --> 01:19:59,439
Speaker 2: it's gonna play or not. All right, well while it loads.

1576
01:20:00,280 --> 01:20:05,599
Speaker 2: So it was him and Steph Curry, and they're basically

1577
01:20:05,720 --> 01:20:09,280
Speaker 2: urging boys for minority backgrounds to become strong examples for

1578
01:20:09,320 --> 01:20:12,960
Speaker 2: their communities and the focus on self confidence as opposed

1579
01:20:13,000 --> 01:20:17,280
Speaker 2: to chasing personal wealth or women. Now, I personally do

1580
01:20:17,400 --> 01:20:20,719
Speaker 2: not find this to be that controversial to say, I didn't.

1581
01:20:21,040 --> 01:20:23,440
Speaker 2: I'm a black man. I did not find it offensive.

1582
01:20:24,080 --> 01:20:26,280
Speaker 2: I didn't find it to be something I never heard before.

1583
01:20:26,360 --> 01:20:29,000
Speaker 2: I didn't even like I didn't even find this to

1584
01:20:29,080 --> 01:20:32,120
Speaker 2: be a thing where we only I'm only calling out

1585
01:20:32,160 --> 01:20:35,320
Speaker 2: black people who did this because white people got it

1586
01:20:35,360 --> 01:20:37,519
Speaker 2: all figured out. It was I'm talking to a room

1587
01:20:37,560 --> 01:20:40,920
Speaker 2: full of young black men that I'm mentoring. I'm going

1588
01:20:40,960 --> 01:20:42,920
Speaker 2: to give them some game. I'm going to give them

1589
01:20:42,920 --> 01:20:45,559
Speaker 2: some advice that worked for me, shit that I follow

1590
01:20:45,640 --> 01:20:48,160
Speaker 2: myself to try to inspire them.

1591
01:20:48,479 --> 01:20:48,720
Speaker 3: You know.

1592
01:20:49,360 --> 01:20:52,439
Speaker 2: Like it's weird because on the one hand, we looked

1593
01:20:52,439 --> 01:20:54,840
Speaker 2: to Barack Obama to be a role model, and we

1594
01:20:55,080 --> 01:20:57,479
Speaker 2: say he's a role model to so many people, and

1595
01:20:57,520 --> 01:20:59,960
Speaker 2: then at the same time, anytime the man fucking talks

1596
01:21:00,040 --> 01:21:03,280
Speaker 2: the black people directly, we all get upset, or not

1597
01:21:03,360 --> 01:21:04,880
Speaker 2: we all, but a lot of people get upset and

1598
01:21:04,920 --> 01:21:07,479
Speaker 2: reject it as if he shouldn't be talking to us,

1599
01:21:07,560 --> 01:21:10,519
Speaker 2: which is so fucking weird, And it really doesn't get more.

1600
01:21:12,720 --> 01:21:15,040
Speaker 2: It really doesn't get more talking directly to us than

1601
01:21:15,080 --> 01:21:17,920
Speaker 2: a room full of black kids that he's talking to. Like,

1602
01:21:18,000 --> 01:21:19,639
Speaker 2: this isn't one of those things where I'm like, oh,

1603
01:21:19,640 --> 01:21:22,320
Speaker 2: he's fronting on us for white people. No, this is

1604
01:21:22,400 --> 01:21:27,200
Speaker 2: him and his earnest feelings about what specifically black men

1605
01:21:27,280 --> 01:21:30,320
Speaker 2: need to be thinking about when it comes to how

1606
01:21:30,360 --> 01:21:31,040
Speaker 2: we got our lives.

1607
01:21:31,040 --> 01:21:33,840
Speaker 3: Now here's the audio. It's see I could play the club.

1608
01:21:33,960 --> 01:21:37,800
Speaker 6: About your financial situation. You probably are not gonna be

1609
01:21:37,840 --> 01:21:40,200
Speaker 6: wearing an eight pound chain around your neck.

1610
01:21:43,920 --> 01:21:48,360
Speaker 3: Of course it freezes. Why not if I started over.

1611
01:21:48,760 --> 01:21:53,479
Speaker 6: If you are really confident about your financial situation, you

1612
01:21:53,600 --> 01:21:56,439
Speaker 6: probably are not gonna be wearing an eight pound chain

1613
01:21:56,520 --> 01:21:57,240
Speaker 6: around your neck.

1614
01:22:00,040 --> 01:22:03,320
Speaker 3: All right, well we let it load again. God damn it.

1615
01:22:05,040 --> 01:22:09,680
Speaker 2: I don't actually don't know this time, but yeah, so

1616
01:22:09,720 --> 01:22:12,280
Speaker 2: he says that. He also says, maybe I just read it.

1617
01:22:12,760 --> 01:22:14,439
Speaker 2: He says, you're probably not gonna be wearing eight pound

1618
01:22:14,520 --> 01:22:17,560
Speaker 2: chain around your neck. If you're confident about your sexuality,

1619
01:22:18,000 --> 01:22:20,439
Speaker 2: you don't have to have eight women around you working.

1620
01:22:22,439 --> 01:22:25,200
Speaker 2: And he goes on further and hopefully when that comes up,

1621
01:22:25,320 --> 01:22:30,559
Speaker 2: it'll it'll be there. But he started off the conversation

1622
01:22:30,600 --> 01:22:32,320
Speaker 2: by saying, we live in a culture where our worth

1623
01:22:32,360 --> 01:22:34,439
Speaker 2: is measured by how much money we have and how

1624
01:22:34,439 --> 01:22:36,799
Speaker 2: famous we are, which a lot of people find ironic

1625
01:22:36,840 --> 01:22:40,439
Speaker 2: because like you, rich and famous, Barack Obama. But he's

1626
01:22:40,479 --> 01:22:43,640
Speaker 2: saying to you, that is not a measure exactly what

1627
01:22:43,720 --> 01:22:45,360
Speaker 2: kind of fucking person I am not.

1628
01:22:45,520 --> 01:22:47,200
Speaker 3: Don't let that fool you into thinking.

1629
01:22:47,560 --> 01:22:50,360
Speaker 2: And it's funny because there's a lot of people that

1630
01:22:50,400 --> 01:22:52,120
Speaker 2: are rich and famous that folks look up to him,

1631
01:22:52,280 --> 01:22:54,439
Speaker 2: love their advice and their commentary and want them to

1632
01:22:54,439 --> 01:22:55,320
Speaker 2: speak on shit.

1633
01:22:56,640 --> 01:22:59,160
Speaker 3: That say a bunch of fucked up shit. I don't

1634
01:22:59,160 --> 01:23:00,280
Speaker 3: find this to be fucked up.

1635
01:23:00,400 --> 01:23:02,040
Speaker 2: So he's like, I will tell you, at the end

1636
01:23:02,080 --> 01:23:04,280
Speaker 2: of the day, the thing that will give you confidence

1637
01:23:04,360 --> 01:23:06,400
Speaker 2: is not that I know a lot of rich people

1638
01:23:06,400 --> 01:23:08,760
Speaker 2: that are all messed up. If you're really confident about

1639
01:23:08,760 --> 01:23:11,320
Speaker 2: your financial situation, you're probably not going to be wearing

1640
01:23:11,320 --> 01:23:13,240
Speaker 2: an eight pound chain around your neck. If you're very

1641
01:23:13,240 --> 01:23:16,240
Speaker 2: confident about your sexuality, you don't have to have eight

1642
01:23:16,280 --> 01:23:19,479
Speaker 2: women around you turking. And I know somebody that was like, well,

1643
01:23:19,600 --> 01:23:22,040
Speaker 2: he said sexuality, and that's my problem with and I say,

1644
01:23:22,080 --> 01:23:24,120
Speaker 2: that's fine, I understand that. But you knew he was

1645
01:23:24,120 --> 01:23:26,920
Speaker 2: talking to a bunch of young black men in this room,

1646
01:23:26,920 --> 01:23:30,280
Speaker 2: and what he was basically trying to say is masculinity. Right,

1647
01:23:30,600 --> 01:23:32,800
Speaker 2: you know now that you know you can define that

1648
01:23:33,040 --> 01:23:36,120
Speaker 2: if someone could take offense to saying the word masculinity there, right,

1649
01:23:36,200 --> 01:23:38,760
Speaker 2: But this is the shit that people want a lot

1650
01:23:38,800 --> 01:23:40,840
Speaker 2: of men to confront, a lot of straight men to

1651
01:23:40,880 --> 01:23:43,599
Speaker 2: confront straight black men to confront when talking to our

1652
01:23:43,640 --> 01:23:46,519
Speaker 2: brothers and be like, hey man, you don't have to

1653
01:23:46,560 --> 01:23:50,880
Speaker 2: define your masculinity by having women as possessions working around you,

1654
01:23:50,880 --> 01:23:53,360
Speaker 2: because it's not these women you respect and this is

1655
01:23:53,360 --> 01:23:56,000
Speaker 2: about their bodily autonomy and.

1656
01:23:55,479 --> 01:23:57,880
Speaker 3: They're just sex workers that you were. No you have.

1657
01:23:58,200 --> 01:24:00,280
Speaker 2: When Rick Ross has a woman talking in his video,

1658
01:24:00,720 --> 01:24:04,200
Speaker 2: he's not saying she's tworking because I just respect her

1659
01:24:04,240 --> 01:24:06,560
Speaker 2: so much she's such a good person. No, she's like

1660
01:24:06,600 --> 01:24:09,519
Speaker 2: an accessory to him. He's like, look at this, y'all,

1661
01:24:09,920 --> 01:24:11,840
Speaker 2: I got this sex worker working for me.

1662
01:24:12,560 --> 01:24:12,840
Speaker 1: You know.

1663
01:24:14,400 --> 01:24:17,560
Speaker 3: When you're wearing that chain, you know that chain's not about.

1664
01:24:18,680 --> 01:24:22,519
Speaker 2: Uh the It doesn't mean that you aren't you can't

1665
01:24:22,520 --> 01:24:25,559
Speaker 2: possibly be confident. It doesn't mean that you that everybody

1666
01:24:25,600 --> 01:24:27,920
Speaker 2: would have would a flossy car. Some shit is a

1667
01:24:27,920 --> 01:24:30,320
Speaker 2: bad person. He didn't say that, but he was saying, like,

1668
01:24:30,760 --> 01:24:33,280
Speaker 2: when you see that, it doesn't necessarily mean that that

1669
01:24:33,360 --> 01:24:36,200
Speaker 2: person is on the up and up. It doesn't mean

1670
01:24:36,200 --> 01:24:38,760
Speaker 2: that everything's okay in that person's life. And as we

1671
01:24:38,800 --> 01:24:41,200
Speaker 2: can get that out of our heads, then maybe then

1672
01:24:41,360 --> 01:24:44,280
Speaker 2: we can start investigating the things that will give us

1673
01:24:44,360 --> 01:24:49,599
Speaker 2: actual self confidence. And former president also admitted he did

1674
01:24:49,640 --> 01:24:51,920
Speaker 2: all kinds of screwed up things during this high school days.

1675
01:24:51,920 --> 01:24:55,000
Speaker 2: Would you partly attributed to having met his father only once.

1676
01:24:56,840 --> 01:24:59,320
Speaker 2: So and like I said, man, it's so weird because

1677
01:25:00,640 --> 01:25:03,519
Speaker 2: Barack Obama is also a dude, like I said, who

1678
01:25:03,520 --> 01:25:04,880
Speaker 2: had a fatherless existence.

1679
01:25:05,680 --> 01:25:07,920
Speaker 3: And yet it's like he doesn't even get to speak

1680
01:25:07,960 --> 01:25:09,240
Speaker 3: on that or else.

1681
01:25:09,240 --> 01:25:12,719
Speaker 2: Everyone takes it as like a pathology, a pathological attack

1682
01:25:12,800 --> 01:25:16,640
Speaker 2: on blackness. But he's like, no, I had this situation.

1683
01:25:16,960 --> 01:25:18,639
Speaker 2: This is why it is important to be a father.

1684
01:25:19,320 --> 01:25:21,360
Speaker 2: That's why I'm a good father. You know who else

1685
01:25:21,400 --> 01:25:25,040
Speaker 2: tells that story? My father, you know, a hero of

1686
01:25:25,080 --> 01:25:27,840
Speaker 2: my life. So it's weird when people go up to

1687
01:25:28,280 --> 01:25:31,519
Speaker 2: when it's Obama, he can't say it. Oil's you know,

1688
01:25:31,720 --> 01:25:33,360
Speaker 2: all these all of a sudden, all the woke wolk's

1689
01:25:33,360 --> 01:25:36,599
Speaker 2: got to get mad, offended. But he telling the fucking truth.

1690
01:25:36,640 --> 01:25:38,960
Speaker 2: I don't understand what's so offensive about this shit. I

1691
01:25:39,040 --> 01:25:41,760
Speaker 2: really don't. You know, if you want him to go

1692
01:25:41,800 --> 01:25:44,760
Speaker 2: say this to white people, then you would actually be

1693
01:25:44,840 --> 01:25:47,719
Speaker 2: pissed if my brother's keeper with some white people program

1694
01:25:47,960 --> 01:25:50,400
Speaker 2: and he was telling them how to get their lives together,

1695
01:25:50,479 --> 01:25:52,639
Speaker 2: you will actually be mad that he gave those resources

1696
01:25:52,680 --> 01:25:55,679
Speaker 2: of time and talent and advice to those fucking white people,

1697
01:25:55,720 --> 01:25:58,360
Speaker 2: and it's seckening that people have to play this. And

1698
01:25:58,400 --> 01:26:02,479
Speaker 2: I don't know what it is that it's so triggering

1699
01:26:02,560 --> 01:26:10,799
Speaker 2: about him saying it, but it's just it's ridiculous. It's

1700
01:26:11,240 --> 01:26:14,160
Speaker 2: I don't know, and I know that you know, like

1701
01:26:14,200 --> 01:26:15,920
Speaker 2: I said, I this is not really even a defense

1702
01:26:15,960 --> 01:26:18,000
Speaker 2: of him, because I understand that's still shit he says

1703
01:26:18,000 --> 01:26:20,280
Speaker 2: that I disagree with that shit that he says, while

1704
01:26:20,280 --> 01:26:22,519
Speaker 2: I'm like, yeah, that's because your experience is different than

1705
01:26:22,560 --> 01:26:25,200
Speaker 2: my black experience, So it's not you know, he still

1706
01:26:25,200 --> 01:26:28,240
Speaker 2: has a trust and belief and of faith in America

1707
01:26:28,280 --> 01:26:31,599
Speaker 2: and whiteness. Still that is just unflappable in a way

1708
01:26:31,640 --> 01:26:34,840
Speaker 2: that I never will have. But some of this shit

1709
01:26:35,000 --> 01:26:37,760
Speaker 2: is really people just trying to find a way to

1710
01:26:37,840 --> 01:26:39,600
Speaker 2: be pissed off at the dude, and that shit has

1711
01:26:39,640 --> 01:26:43,200
Speaker 2: whacked to me. All Right, man, we'll talk to y'all

1712
01:26:43,479 --> 01:26:45,400
Speaker 2: next time. Until then, I love you.

1713
01:26:46,320 --> 01:26:46,559
Speaker 3: Why