WEBVTT - Episode 337 "Fridayy"

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<v Speaker 1>They get a little they called me ball show. I

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<v Speaker 1>go by the name of Frid Simmons.

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<v Speaker 2>I go by the name you know, BT, my boy

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<v Speaker 2>Friday in the building.

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<v Speaker 1>Yeah yeah, yeah.

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<v Speaker 2>You can tell he's still drunk from the weekend he was.

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<v Speaker 1>The weekend we go to. I go to get him

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<v Speaker 1>from the door. He over here like this.

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<v Speaker 3>Yeah, I was sleep.

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<v Speaker 1>I ain't kick damn all, bro, it's two o'clock.

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<v Speaker 3>I want to sleep. Like five, he's in the studio.

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<v Speaker 3>He was out. I told you he been seen him.

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<v Speaker 3>Pardon tour every party.

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<v Speaker 1>First and foremost, shout out to your your new record.

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<v Speaker 1>Say it again. What's the name of this in the room? Yeah,

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<v Speaker 1>bath room?

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<v Speaker 3>That's hard, thank you.

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<v Speaker 1>That's a good vibe too. Got the girl, Get the girl,

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<v Speaker 1>He's going, yeah, that's a good job for sure. What

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<v Speaker 1>was the inspiration on that song?

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<v Speaker 3>Just that vibe? Get the girls.

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<v Speaker 1>You're not talking about anybody particularly, No, I ain't even.

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<v Speaker 4>Of course, but it's like I just it was summer,

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<v Speaker 4>so I was like, dare I need something something that

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<v Speaker 4>is there?

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<v Speaker 1>An inspiration?

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<v Speaker 3>Is there?

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<v Speaker 1>Who's the lady you're talking about?

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<v Speaker 3>You know? Vibe? You know what I'm saying.

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<v Speaker 5>He's just telling, he just telling all of them, he

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<v Speaker 5>just sent a song all of them say I made

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<v Speaker 5>this for you.

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<v Speaker 3>Now.

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<v Speaker 4>It was really just summer though, Like I just like

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<v Speaker 4>I need something to feel good, something ladies could just

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<v Speaker 4>enjoy you.

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<v Speaker 1>You definitely got a good signature sound.

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<v Speaker 3>Man.

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<v Speaker 1>It's uh, it's definitely man. You in your own lang,

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<v Speaker 1>which I think is great for the culture because you know,

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<v Speaker 1>when when you pop out, it's important for people to be.

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<v Speaker 3>Like, oh, that's Friday.

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<v Speaker 1>I know that's Friday because it sounds like you.

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<v Speaker 5>Yeah, did you feel like a lot of times that

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<v Speaker 5>people recognize your voice more than like actually recognizing you,

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<v Speaker 5>like as a person.

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<v Speaker 3>You too, probably like last year, ain't gonna lie no more.

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<v Speaker 2>Yeah, you start popping out now.

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<v Speaker 5>I feel like when you first when you first blew up,

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<v Speaker 5>like people never really saw you like you.

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<v Speaker 4>Yeah, it was like, well, it was definitely like that

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<v Speaker 4>last year because it was like it was like God

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<v Speaker 4>did and the Little Baby Record.

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<v Speaker 3>Then it just start building up.

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<v Speaker 1>Like but then but then Little Baby Record come out

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<v Speaker 1>before God did, after God did.

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<v Speaker 4>Okay, but that's just them hearing them ship on the radio.

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<v Speaker 3>You know what I'm saying.

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<v Speaker 4>But now I'm doing it like the video baby popping

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<v Speaker 4>out the concerts he brings your face. It was like

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<v Speaker 4>popping out State Farm Arena, like like the past year.

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<v Speaker 4>I just been running around everywhere, was like, now.

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<v Speaker 1>How does that make you feel?

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<v Speaker 3>Cool? I love it? I love it?

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<v Speaker 1>Okay, Now I know that makes the price go up too.

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<v Speaker 3>It's a blessing, bro.

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<v Speaker 1>How does an artist like you determine what determines making

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<v Speaker 1>the price go up?

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<v Speaker 2>That's a good question.

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<v Speaker 4>Really, you really got to know what the price is,

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<v Speaker 4>like like at first, like you chesting the order, like

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<v Speaker 4>what would they give me?

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<v Speaker 3>Then you ship it from there and then you be like, well,

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<v Speaker 3>other niggas, Yeah, that's.

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<v Speaker 1>Really what it is, like what's going on in the market.

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<v Speaker 4>Because these niggas already you know what I'm saying before

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<v Speaker 4>they even come to you. They already know what's going on,

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<v Speaker 4>like like my agents and all that, with your streaming,

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<v Speaker 4>your markets and all that. That's and then I would

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<v Speaker 4>say the price went up when I went on tour.

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<v Speaker 4>I ain't gonna lie, And you went on tour with

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<v Speaker 4>by myself the first John that was probably it months ago.

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<v Speaker 4>I want your headline, your London aver The price went

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<v Speaker 4>up for that?

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<v Speaker 1>Now, how important is the DJ? I always wanted to

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<v Speaker 1>ask an artist, especially a newer artist like you, how

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<v Speaker 1>important is the DJ and like to your music, playing

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<v Speaker 1>your music, getting support from DJs.

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<v Speaker 3>DJ, they running the whole joint. Bro, you know what

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<v Speaker 3>I'm saying.

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<v Speaker 4>They run the whole movement, especially even on stage, my DJ,

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<v Speaker 4>Bud you turning it up.

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<v Speaker 3>Bro.

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<v Speaker 1>I always think that an artist with a good relationship

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<v Speaker 1>their DJ has better shows than you can tell what

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<v Speaker 1>an artist and their DJ they They can have a show,

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<v Speaker 1>but it looks like the DJ is just pushing play

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<v Speaker 1>and they not rehearsing. They're not rehearsing together, really be rehearsing.

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<v Speaker 4>Okay, all the songs and all that, like word for word,

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<v Speaker 4>all the unreleased music.

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<v Speaker 1>So it's like, how did y'all link up?

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<v Speaker 3>Philly?

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<v Speaker 1>He that guy.

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<v Speaker 3>Guy?

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<v Speaker 4>Like like when I was coming up, bro, Oh so

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<v Speaker 4>you already knew who he was on some tip Like yo, Bro,

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<v Speaker 4>I'm telling my man your tell book play my ship

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<v Speaker 4>on the radio. I was a nobody, but now that's

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<v Speaker 4>probably the only name I knew.

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<v Speaker 3>I was like when gell bro for sure?

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<v Speaker 1>So so what is what keeps you motivating now? Because

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<v Speaker 1>I know you're getting some success, Like what what keeps

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<v Speaker 1>you motivated? Because I know, I know sometimes when you

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<v Speaker 1>start achieving things, you be like, damn, I got that,

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<v Speaker 1>Now what's next for you?

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<v Speaker 4>There's a lot more like like I achieved a lot,

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<v Speaker 4>but it's like it's so many places I ain't touch yet.

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<v Speaker 4>That's that's that that's what keep me motivated, or like

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<v Speaker 4>it's the respect some type of like respect I ain't

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<v Speaker 4>get yet that I feel like I deserve what you mean.

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<v Speaker 1>By respect from more fans or amongst your peers.

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<v Speaker 3>I wouldn't even say.

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<v Speaker 1>It's like clean us up, real good.

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<v Speaker 3>My fans already know who I am with my family.

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<v Speaker 4>That's my fans. You know what I'm saying. They're gonna

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<v Speaker 4>tell me every day we locked in. But it's like

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<v Speaker 4>it's certain markets.

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<v Speaker 2>Were you like, man, I got I gotta get hot

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<v Speaker 2>and still hit over there.

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<v Speaker 3>You know what I'm saying, it's certain places. I was like, damn,

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<v Speaker 3>they don't know me. We're here. Oh we still got

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<v Speaker 3>more work.

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<v Speaker 2>Yeah, I know what you said.

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<v Speaker 5>Because it's like certain artists they could be lit somewhere

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<v Speaker 5>like live everywhere else and then you be like, man,

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<v Speaker 5>I need to get this market because you like I

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<v Speaker 5>always tell people, like one thing I like about like

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<v Speaker 5>artists like Boosy is like Boosy hit all the markets.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 5>He be hitting the markets that you would think that

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<v Speaker 5>like people ain't even going to the markets. So then

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<v Speaker 5>I feel like that's when artists had like a longevity

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<v Speaker 5>of success as far as getting booking, Like even if

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<v Speaker 5>you ain't just the hottest artists out, like you gonna

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<v Speaker 5>eat forever because you're supporting those markets that you know,

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<v Speaker 5>people ain't really tapping into.

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<v Speaker 4>Yeah, I'm explaining like that, like Boosy like me my market, Right,

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<v Speaker 4>I got every trenching in the US. Okay, every time

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<v Speaker 4>I go to where my folks is, I'm cool. Right,

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<v Speaker 4>I went on tour a boogie Europe and Europe like,

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<v Speaker 4>oh shit, it's a whole other way.

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<v Speaker 2>Oh yeah, that international.

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<v Speaker 4>All them eighteen year old eighteen year old white kids,

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<v Speaker 4>them niggas was not singing word for world, you know

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<v Speaker 4>what I'm saying. So that's that was an example like,

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<v Speaker 4>oh I got far the way to go, Like it's

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<v Speaker 4>more hits. I gotta make to cross over to them,

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<v Speaker 4>you know what I'm saying.

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<v Speaker 1>But that's probably good motivation too.

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<v Speaker 2>I didn't think artists pay attention to stuff like that

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<v Speaker 2>you do.

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<v Speaker 4>Especially it's the traveling, okay, and opening up for different

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<v Speaker 4>artists like when.

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<v Speaker 5>You when you when you leave the US, that's when

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<v Speaker 5>it's like, okay, let me see how lit I really am.

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<v Speaker 3>Like okay, but the thing is I'm lit over there.

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<v Speaker 3>But he bring a different audience, different his audience.

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<v Speaker 4>Yeah, Like say I go to London, right, I bring

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<v Speaker 4>the Africans, all the you know what I'm saying, Yeah, yeah, yeah,

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<v Speaker 4>but hem he bringing like the the eighteen year old

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<v Speaker 4>you know what I'm saying. It like it's certain records

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<v Speaker 4>I still got to make to cross over to.

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<v Speaker 3>You know what I'm saying right now?

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<v Speaker 1>I know? Uh, you're right too, right?

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<v Speaker 3>Are we gonna be?

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<v Speaker 1>Are we in your writing back? Now? We got anything

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<v Speaker 1>big coming up that you wrote for somebody? We got

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<v Speaker 1>some stuff.

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<v Speaker 3>Pending now everything everything. They don't want me to write

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<v Speaker 3>no more.

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<v Speaker 4>It's just like some feature ship now okay, the here

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<v Speaker 4>they just want to feature me.

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<v Speaker 1>So how does an artist get in contact with you?

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<v Speaker 1>Try to get like some hooks from Friday, because like you,

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<v Speaker 1>your hooks is very strong, thank you brow. How could

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<v Speaker 1>someone get a hook from Friday and how much does

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<v Speaker 1>that cost?

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<v Speaker 3>The end?

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<v Speaker 1>So you read your d MS?

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<v Speaker 3>For sure? Yeah, for sure?

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<v Speaker 1>How much the hook costs though from Friday?

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<v Speaker 4>They don't got no price. Depends Like if I mess

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<v Speaker 4>with you, I just do it because I'm a fan.

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<v Speaker 4>Got if it's like I like the swim, I don't

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<v Speaker 4>really know you it's taxi. But then there's a certain

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<v Speaker 4>situations like benefit both of us. Like I could go

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<v Speaker 4>on your world, you go on my world.

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<v Speaker 3>You know what I'm saying. It depends. What's up?

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<v Speaker 1>Ferrari Simmons on the Ball or show?

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<v Speaker 2>What's up? Is your boy?

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<v Speaker 1>Big teaser, big shout out to fashion, Yes, Sir Nova man,

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<v Speaker 1>keeping us dripped in the latest fashion I'm.

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<v Speaker 5>Talking about from the shades to the braids to the waves.

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<v Speaker 2>You know what I'm saying, You ain't got your fashion

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<v Speaker 2>over look.

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<v Speaker 1>I just they're all pulling up the sensory fall. I'm

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<v Speaker 1>a graphic t junkie, so all the graphic teas that

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<v Speaker 1>I'd be wearing be on ash you Nova man, you

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<v Speaker 1>feel me?

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<v Speaker 3>Know what I'm saying.

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<v Speaker 1>Let's get back to this Friday interview right here on

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<v Speaker 1>the Ball or the Show, when's the project coming out?

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<v Speaker 1>We got another one coming out.

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<v Speaker 3>Soon soon or what probably like top of the year.

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<v Speaker 1>Top of the year. That's not too long because you

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<v Speaker 1>know what, September, that's what. So you're on your twenty

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<v Speaker 1>five game grind right now for sure.

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<v Speaker 5>So the label, the label was telling you like, hey man,

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<v Speaker 5>we gotta drop some more music, like we all dropping,

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<v Speaker 5>we all dropp another album.

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<v Speaker 4>Yeah, for sure. But it's like we're gonna want to

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<v Speaker 4>rush it too, you know what I'm saying. I'm one

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<v Speaker 4>of the ones that I think I'm one of the

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<v Speaker 4>ones in my label, so I just want to roll

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<v Speaker 4>it all right because it's like it's so many bags

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<v Speaker 4>I can go in, you know, man, like I make

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<v Speaker 4>like R and B songs.

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<v Speaker 1>I like it in the room though that's a vibe

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<v Speaker 1>because it doesn't give me Afro gives me like it's

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<v Speaker 1>a dope party song to put on. Are you making

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<v Speaker 1>it in regards to Afro? Or is it you know

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<v Speaker 1>dance hall?

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<v Speaker 4>What is it?

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<v Speaker 3>What were going?

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<v Speaker 1>It was kind of just a mixture.

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<v Speaker 3>This is like a mixture like Afro, like R and

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<v Speaker 3>B type me. But it's like, yeah, is it? Is it?

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<v Speaker 2>Anybody that that you haven't worked with yet that you

0:10:06.320 --> 0:10:06.959
<v Speaker 2>want to work with.

0:10:07.679 --> 0:10:11.800
<v Speaker 1>Uh Sizz Sizza to be a good clap.

0:10:12.679 --> 0:10:18.640
<v Speaker 4>Kanye, yeah kaye, you know probably Rihanna. Okay, sure.

0:10:19.160 --> 0:10:21.839
<v Speaker 2>Anybody that you send records to yet that didn't send

0:10:21.920 --> 0:10:22.480
<v Speaker 2>them back.

0:10:25.440 --> 0:10:29.400
<v Speaker 4>Because you never do it. I'd be like that too.

0:10:29.720 --> 0:10:31.920
<v Speaker 4>I'll hear I'll go through my text bassage here, something

0:10:31.960 --> 0:10:34.840
<v Speaker 4>six months ago, that's crazy, just reinspire me.

0:10:35.520 --> 0:10:38.600
<v Speaker 3>Word. It would be like that. Sometimes he just wasn't inspired.

0:10:38.880 --> 0:10:41.800
<v Speaker 1>I've heard. I've heard also when its songs that someone

0:10:41.880 --> 0:10:45.400
<v Speaker 1>didn't like that blows up for somebody else, like yeah,

0:10:45.440 --> 0:10:47.640
<v Speaker 1>my beat down load down load. I heard that that

0:10:47.760 --> 0:10:51.080
<v Speaker 1>was originally for juvenile, but I was like, let me

0:10:51.120 --> 0:10:54.520
<v Speaker 1>get that. Oh and he redid it and that was

0:10:54.559 --> 0:10:55.720
<v Speaker 1>one of his biggest records.

0:10:56.640 --> 0:10:59.240
<v Speaker 3>On to mm hm hm hm.

0:11:00.840 --> 0:11:01.840
<v Speaker 2>Now does it still go on?

0:11:01.920 --> 0:11:05.319
<v Speaker 5>Does the producer still send like beats to like everybody?

0:11:05.400 --> 0:11:07.800
<v Speaker 5>And then it's like you didn't recorded a song and

0:11:07.840 --> 0:11:09.679
<v Speaker 5>this artist record a song, and that the producer got

0:11:09.720 --> 0:11:12.200
<v Speaker 5>to be like, hey man, I gave that song to

0:11:12.320 --> 0:11:13.160
<v Speaker 5>such and such too.

0:11:13.400 --> 0:11:17.200
<v Speaker 3>Yeah, that be happening a lot too when I was

0:11:17.240 --> 0:11:18.400
<v Speaker 3>producing that.

0:11:18.760 --> 0:11:20.800
<v Speaker 4>A lot of that stuff, having them like my beats

0:11:21.240 --> 0:11:23.079
<v Speaker 4>but like now, I'm like, I don't produce them or

0:11:23.640 --> 0:11:26.600
<v Speaker 4>unless it's like my song, but like that'd be happening crazy.

0:11:26.640 --> 0:11:28.760
<v Speaker 4>It'll be three people at the same beat.

0:11:28.800 --> 0:11:31.640
<v Speaker 1>Bro, Now I see you big on the jewelry game?

0:11:31.960 --> 0:11:35.720
<v Speaker 1>Do you have one jeweler? Do you shop around like hot?

0:11:35.760 --> 0:11:39.400
<v Speaker 1>Because hot? You know, when you start getting getting popping?

0:11:40.240 --> 0:11:43.959
<v Speaker 1>How'd you know who to go to that can give you,

0:11:43.960 --> 0:11:46.200
<v Speaker 1>know the price that you need or you know, the

0:11:46.240 --> 0:11:47.400
<v Speaker 1>relationship that you wanted to.

0:11:47.640 --> 0:11:53.280
<v Speaker 3>I was like, I'm studying. I was already studying you already.

0:11:53.320 --> 0:11:55.839
<v Speaker 5>You already knew who you was gonna go to.

0:11:56.200 --> 0:11:58.560
<v Speaker 3>This ship motivated me who you went to?

0:12:00.200 --> 0:12:02.880
<v Speaker 1>Okay, Okay, okay, So that's that's the guy in Philly.

0:12:03.440 --> 0:12:06.120
<v Speaker 1>Our guys, we got ice boxes, we got WAFFI. It's

0:12:06.120 --> 0:12:07.079
<v Speaker 1>some other people too, But.

0:12:07.040 --> 0:12:09.959
<v Speaker 2>I just want to I okay, yeah, then them my people.

0:12:10.040 --> 0:12:11.760
<v Speaker 1>Time for my folk Z.

0:12:11.960 --> 0:12:13.240
<v Speaker 3>What up for sure?

0:12:13.559 --> 0:12:16.840
<v Speaker 1>Friday Ball Alert ninety six point one The beat you

0:12:16.960 --> 0:12:18.280
<v Speaker 1>did cheat