WEBVTT - Is there a scientific formula for funny?

0:00:00.200 --> 0:00:05.880
<v Speaker 1>Brought to you by the all new Toyota Corolla. Ladies

0:00:05.880 --> 0:00:16.880
<v Speaker 1>and gentlemen looking to stuff you should know. Hey, and

0:00:16.920 --> 0:00:19.560
<v Speaker 1>welcome to the podcast. I'm Josh Clark. With me is

0:00:19.560 --> 0:00:22.919
<v Speaker 1>always this, Charles W. Chuck Bryant, and with us as

0:00:23.000 --> 0:00:26.040
<v Speaker 1>not always is all of you guys here at l

0:00:26.120 --> 0:00:34.960
<v Speaker 1>a podcast, but it's a little unusual. I've only done

0:00:35.000 --> 0:00:38.400
<v Speaker 1>this a couple of times before. Yeah, little south by Southwest, Yeah,

0:00:38.520 --> 0:00:43.159
<v Speaker 1>comic con and now podcast. That's right, um, and we've

0:00:43.200 --> 0:00:45.680
<v Speaker 1>got a pretty good crew here, good group, I can

0:00:45.720 --> 0:00:49.400
<v Speaker 1>tell just by the looks of you guys. Um, and uh,

0:00:49.440 --> 0:00:51.080
<v Speaker 1>we've got a very special treat for all of you

0:00:51.159 --> 0:00:53.720
<v Speaker 1>listeners at home. We're all very excited about it. I

0:00:53.760 --> 0:00:55.640
<v Speaker 1>think I'm the most excited about it, but a right,

0:00:56.000 --> 0:00:59.280
<v Speaker 1>you're definitely the most excited about it. Uh. And today

0:00:59.320 --> 0:01:02.760
<v Speaker 1>we're talking about, um, Chuck, as you were saying, we're

0:01:02.800 --> 0:01:05.600
<v Speaker 1>talking about we're gonna answer a question, is there a

0:01:05.640 --> 0:01:08.679
<v Speaker 1>scientific formula for funny? And I guess we can kind

0:01:08.680 --> 0:01:14.679
<v Speaker 1>of spoil it now by saying yes and not really right,

0:01:15.480 --> 0:01:22.640
<v Speaker 1>And that was it. That's all. That's the podcast. UM.

0:01:22.680 --> 0:01:26.440
<v Speaker 1>I do have an intro if you're interested in hearing it. Um,

0:01:26.560 --> 0:01:30.720
<v Speaker 1>remember our ghosts episode? Yeah, that was pretty bad, so

0:01:31.120 --> 0:01:32.960
<v Speaker 1>we I liked it. We got a lot of We

0:01:33.080 --> 0:01:36.960
<v Speaker 1>got a lot of crud from skeptics surprised they didn't

0:01:36.959 --> 0:01:40.160
<v Speaker 1>like our ghost episode. Um. But there was a guy,

0:01:40.440 --> 0:01:45.240
<v Speaker 1>a researcher named Richard Wiseman from Hertfordshire University in the UK.

0:01:45.760 --> 0:01:52.160
<v Speaker 1>Go Figgy Puddings, Um, and they Richard, why do you

0:01:52.160 --> 0:01:54.120
<v Speaker 1>remember who I'm talking about? I remember the guy. We

0:01:54.200 --> 0:01:58.760
<v Speaker 1>interpreted his his research and the ghosts, which is basically

0:01:58.840 --> 0:02:02.120
<v Speaker 1>used to debunk ghosts. We took what he found as

0:02:02.160 --> 0:02:05.120
<v Speaker 1>evidence there there may be such things as ghosts, and

0:02:05.160 --> 0:02:07.480
<v Speaker 1>the skeptics didn't like that at all. But he's done

0:02:07.480 --> 0:02:09.880
<v Speaker 1>some other stuff too, So he makes an appearance in

0:02:09.960 --> 0:02:13.120
<v Speaker 1>this podcast as of right now because before he was

0:02:13.160 --> 0:02:16.480
<v Speaker 1>doing ghost stuff, he was doing humor research. I am

0:02:16.520 --> 0:02:18.440
<v Speaker 1>back in two thousands two. He set up a website

0:02:18.440 --> 0:02:21.600
<v Speaker 1>called laugh Lab and he wanted to find the world's

0:02:21.639 --> 0:02:24.760
<v Speaker 1>funniest joke. Really yeah, not to be confused with the

0:02:24.760 --> 0:02:28.040
<v Speaker 1>funniest joke in the world, the Monty Python thing. This

0:02:28.120 --> 0:02:32.840
<v Speaker 1>is different. Um. And there were forty thousand submissions I

0:02:32.880 --> 0:02:35.440
<v Speaker 1>think one point four million hits and this is prior

0:02:35.480 --> 0:02:37.840
<v Speaker 1>to social media, so these are pretty respectable numbers if

0:02:37.840 --> 0:02:42.280
<v Speaker 1>you think about it. And they found the world's funniest joke.

0:02:43.360 --> 0:02:45.760
<v Speaker 1>I generally don't know this, so I'm on pins and needles.

0:02:45.840 --> 0:02:48.600
<v Speaker 1>Do you want to hear? Okay? So this guy is

0:02:48.600 --> 0:02:51.760
<v Speaker 1>out hunting with a friend of his in the woods

0:02:52.040 --> 0:02:56.079
<v Speaker 1>and the friend suddenly just drops over falls to the ground,

0:02:56.760 --> 0:02:58.880
<v Speaker 1>and the hunter picks up his cell phone and he

0:02:58.919 --> 0:03:00.639
<v Speaker 1>calls nine on one and he's is, hey, I think

0:03:00.639 --> 0:03:03.000
<v Speaker 1>my friend just died. We're out here in the woods hunting.

0:03:03.040 --> 0:03:06.280
<v Speaker 1>What should I do? And the nine and one operator says, well,

0:03:06.320 --> 0:03:08.520
<v Speaker 1>first let's make sure he's dead, and so the hunter

0:03:08.600 --> 0:03:12.919
<v Speaker 1>shoots his friend and he goes, okay, Now what that's

0:03:12.919 --> 0:03:19.560
<v Speaker 1>the world's funniest joke. It's not okay, but the so

0:03:19.680 --> 0:03:22.680
<v Speaker 1>ahead of mixed reaction and what we're talking about now

0:03:22.880 --> 0:03:26.359
<v Speaker 1>is the world's funniest joke. And it got a couple

0:03:26.400 --> 0:03:29.480
<v Speaker 1>of laughs here, right. Yeah. I think what that proves

0:03:29.520 --> 0:03:32.080
<v Speaker 1>and the point of this long rambling intro is that, um,

0:03:32.200 --> 0:03:35.880
<v Speaker 1>we pretty much can't predict what's funny, what people are

0:03:35.880 --> 0:03:39.360
<v Speaker 1>gonna find funny, and uh, let's talk about exactly why

0:03:39.400 --> 0:03:41.960
<v Speaker 1>that is chuckers. Yes, well it's subjective, but we'll get

0:03:42.000 --> 0:03:43.840
<v Speaker 1>to that later. Right, Well, we can just throw our

0:03:43.880 --> 0:03:47.440
<v Speaker 1>opinions out then and be right. Well they've been. Even

0:03:47.440 --> 0:03:50.120
<v Speaker 1>though there is no formula as of yet, it doesn't

0:03:50.120 --> 0:03:52.920
<v Speaker 1>mean people haven't tried to find out. Dating all the

0:03:52.920 --> 0:03:57.280
<v Speaker 1>way back to the first masters of comedy, Aristotle and Plato,

0:03:58.600 --> 0:04:01.480
<v Speaker 1>two very funny guys, they talked a lot about it, actually,

0:04:01.520 --> 0:04:06.320
<v Speaker 1>surprisingly and um, they basically try to look at what

0:04:06.360 --> 0:04:11.480
<v Speaker 1>compels people to laugh. And Aristotle, I think he thought

0:04:11.520 --> 0:04:13.920
<v Speaker 1>that we're the we were the only creatures to laugh.

0:04:14.120 --> 0:04:16.640
<v Speaker 1>Is that right? Yeah, that was just a human phenomenon,

0:04:16.680 --> 0:04:18.960
<v Speaker 1>which is wrong. It's right because it turns out, and

0:04:19.000 --> 0:04:21.840
<v Speaker 1>this is the cutest part of the show too. Um,

0:04:22.040 --> 0:04:26.080
<v Speaker 1>chimpanzees and ring tangs and apes not only laugh when

0:04:26.120 --> 0:04:28.799
<v Speaker 1>you tickle them, but if you go to a baby chimp,

0:04:29.240 --> 0:04:32.240
<v Speaker 1>you don't even have to make contact. You can just

0:04:32.279 --> 0:04:35.560
<v Speaker 1>do the little here I come with the fingers and

0:04:35.640 --> 0:04:38.680
<v Speaker 1>the baby chimp will laugh. Apparently, And uh, I did

0:04:38.720 --> 0:04:42.360
<v Speaker 1>look up chimpanzee laughter and it's not um like humans

0:04:42.400 --> 0:04:45.039
<v Speaker 1>make the hehes and the ho hoes. There's more of

0:04:45.040 --> 0:04:47.880
<v Speaker 1>a gasping sound apparently, rats do the same thing when

0:04:47.920 --> 0:04:49.839
<v Speaker 1>you tickle that. No, we talked about this and the

0:04:50.000 --> 0:04:52.920
<v Speaker 1>What's So Funny episode? We remember rat tickling with there's

0:04:53.040 --> 0:04:54.880
<v Speaker 1>videos of it out there. They get like a little

0:04:54.960 --> 0:04:57.720
<v Speaker 1>high pitched thing. It's the cutest thing you've ever seen,

0:04:57.760 --> 0:04:59.680
<v Speaker 1>like somebody tickling a rat and the rats is like,

0:05:00.720 --> 0:05:04.440
<v Speaker 1>it's it's very cute. But so yes, at the very least,

0:05:04.520 --> 0:05:11.400
<v Speaker 1>laughter or taking tickling is funny. Is it goes across species? Yeah,

0:05:11.520 --> 0:05:13.360
<v Speaker 1>And we did cover some of this in the show

0:05:13.400 --> 0:05:15.440
<v Speaker 1>on did we call it What's So Funny? I think

0:05:15.480 --> 0:05:18.800
<v Speaker 1>so okay um, But laughter is UH is definitely a

0:05:18.880 --> 0:05:21.960
<v Speaker 1>human thing, aside from the primates and the rats, I think,

0:05:22.440 --> 0:05:26.120
<v Speaker 1>and it consists of variations of one single basic form.

0:05:26.160 --> 0:05:29.560
<v Speaker 1>It's vowel like sounds repeated every two and ten milliseconds,

0:05:30.120 --> 0:05:33.039
<v Speaker 1>and human skin either he he like you just did,

0:05:33.680 --> 0:05:35.720
<v Speaker 1>or a variation of a ho ho, but you don't

0:05:35.800 --> 0:05:38.920
<v Speaker 1>mix them. Apparently there's never been someone that laughs he

0:05:39.080 --> 0:05:44.920
<v Speaker 1>ho he ho, because that would be up if that's

0:05:44.920 --> 0:05:48.200
<v Speaker 1>how you laugh and your your facial muscles get going.

0:05:48.240 --> 0:05:52.600
<v Speaker 1>There's fifteen facial muscles that contract and strain UH. The

0:05:52.720 --> 0:05:57.320
<v Speaker 1>zygomatic major muscle, which is your upper lip is is triggered. Um,

0:05:57.360 --> 0:05:59.960
<v Speaker 1>if it's really good, you might get the tear ducks going.

0:06:00.040 --> 0:06:01.960
<v Speaker 1>Gonna know, we've all been there, and you're gonna be

0:06:02.000 --> 0:06:05.919
<v Speaker 1>gasping and your respiratory system is struggling basically to breathe

0:06:05.920 --> 0:06:09.880
<v Speaker 1>at that point, chimp like a baby chip. Uh. So

0:06:09.920 --> 0:06:13.520
<v Speaker 1>that's basically what laughter is babies human babies. Human babies

0:06:14.000 --> 0:06:17.279
<v Speaker 1>start at about three or four months if they have

0:06:17.279 --> 0:06:21.760
<v Speaker 1>a sense of humor, I guess, and uh, some reachers

0:06:21.960 --> 0:06:26.159
<v Speaker 1>researchers have found that, um, we are thirty times more

0:06:26.200 --> 0:06:28.920
<v Speaker 1>likely to laugh in the company of others, uh than

0:06:29.000 --> 0:06:31.080
<v Speaker 1>when you're alone. So it's definitely a social thing. And

0:06:31.120 --> 0:06:33.080
<v Speaker 1>that is if because I read that first, that and

0:06:33.120 --> 0:06:37.320
<v Speaker 1>I was like, clearly they've never watched Portlandia or Eastbounding

0:06:37.400 --> 0:06:39.920
<v Speaker 1>down alone on the couch at midnight. But I mean

0:06:39.960 --> 0:06:43.680
<v Speaker 1>that's a good point because when you're watching it by yourself, like,

0:06:43.760 --> 0:06:48.159
<v Speaker 1>you may laugh, but you're not necessarily laughing your off.

0:06:48.200 --> 0:06:50.159
<v Speaker 1>I guess there's another way to put it. Yet, well

0:06:50.200 --> 0:06:53.440
<v Speaker 1>I do, oh you do, of course. But that stat

0:06:53.480 --> 0:06:56.200
<v Speaker 1>though was Um, that was the caveat is that's not

0:06:56.279 --> 0:07:00.200
<v Speaker 1>including TV or any kind of external stimulation, Like if

0:07:00.200 --> 0:07:02.560
<v Speaker 1>you're just alone and you like think a funny thought

0:07:02.640 --> 0:07:05.000
<v Speaker 1>or see a funny thing, you're way less likely to

0:07:05.080 --> 0:07:08.679
<v Speaker 1>laugh if you're by yourself. Okay, all right, but whether

0:07:08.800 --> 0:07:13.600
<v Speaker 1>you are in China or Santa Monica, wherever you are,

0:07:13.920 --> 0:07:16.960
<v Speaker 1>laughter is gonna sound very similar like you were saying,

0:07:17.280 --> 0:07:19.720
<v Speaker 1>and um, there is going to be such thing as humor.

0:07:19.920 --> 0:07:22.320
<v Speaker 1>It's not necessarily going to be the same thing in

0:07:22.440 --> 0:07:26.000
<v Speaker 1>China as it is in Santa Monica that gets laughs,

0:07:26.040 --> 0:07:28.440
<v Speaker 1>like it would just be dead silent right now if

0:07:28.440 --> 0:07:34.480
<v Speaker 1>we were in Beijing. Sounded like for a second. But

0:07:34.640 --> 0:07:37.400
<v Speaker 1>so the point is as humor as universal, but it's

0:07:37.440 --> 0:07:41.960
<v Speaker 1>constrained by all these different contexts like um uh, well,

0:07:42.080 --> 0:07:45.920
<v Speaker 1>like where you are and not just space but also time.

0:07:46.000 --> 0:07:48.960
<v Speaker 1>Like what guys like Ben Franklin thought was funny, it

0:07:49.320 --> 0:07:53.040
<v Speaker 1>just kind of falls flat today, Like turkey jokes, apple

0:07:53.080 --> 0:07:57.040
<v Speaker 1>apple brandy jokes. That's a turkey joke. He had a couple.

0:07:57.560 --> 0:07:59.520
<v Speaker 1>They weren't that good. They're not, they're not. They don't

0:07:59.520 --> 0:08:04.320
<v Speaker 1>bear eating here. But that all that put together, gender differences,

0:08:04.400 --> 0:08:08.000
<v Speaker 1>economic differences, all of these things kind of separate like

0:08:08.080 --> 0:08:13.240
<v Speaker 1>what's funny from what's not funny depending on who you are. Um,

0:08:13.280 --> 0:08:18.760
<v Speaker 1>but from Aristotle to Plato was one, wasn't he hum

0:08:20.080 --> 0:08:26.040
<v Speaker 1>all the way up to Schopenhauer. Another hilarious dude, Kyrka Guard,

0:08:26.280 --> 0:08:28.440
<v Speaker 1>who by the way, has a great Twitter feed. Um,

0:08:28.600 --> 0:08:32.240
<v Speaker 1>Kyrka Kardashian, it's um, are you guys familiar with it?

0:08:32.240 --> 0:08:36.960
<v Speaker 1>It's awesome. It's uh Kirka Guards philosophical musings and he

0:08:37.080 --> 0:08:42.720
<v Speaker 1>was pretty dark. UM mashed together with Kim Kardashian's contemporary tweets.

0:08:43.840 --> 0:08:45.760
<v Speaker 1>Let's just go check it out. It's like you'll you

0:08:45.800 --> 0:08:51.560
<v Speaker 1>will definitely follow it. Not her old tweets, now her contemporary. Yeah,

0:08:51.600 --> 0:08:53.400
<v Speaker 1>like for I'll give you one. Okay, that's how one

0:08:53.480 --> 0:08:57.000
<v Speaker 1>today It's it's worth saying. Um. She said, Hey, I

0:08:57.080 --> 0:09:00.640
<v Speaker 1>can't wait until you guys, um smell my new fragrance

0:09:00.679 --> 0:09:04.160
<v Speaker 1>coming out this spring. It reeks of the misery of

0:09:04.200 --> 0:09:09.959
<v Speaker 1>modern life. That was just an average one too. We

0:09:10.040 --> 0:09:11.680
<v Speaker 1>got we got more than a he heat out of

0:09:11.720 --> 0:09:14.880
<v Speaker 1>this guy. It's good right Uh for me, I'm I've

0:09:15.440 --> 0:09:18.680
<v Speaker 1>actually blogged about it the other day. Um, short jokes

0:09:18.720 --> 0:09:21.760
<v Speaker 1>to me are the best brevity is the soul of

0:09:21.760 --> 0:09:24.440
<v Speaker 1>wit or as they said on the Simpsons brevity is

0:09:24.600 --> 0:09:27.400
<v Speaker 1>with of course they had to one up it. And

0:09:27.520 --> 0:09:32.360
<v Speaker 1>my hero and many writers heroes, is the Great Jack Handy,

0:09:32.559 --> 0:09:34.760
<v Speaker 1>who is a real person. By the way, I don't

0:09:34.800 --> 0:09:37.040
<v Speaker 1>mean a lot of people think that Deep Thoughts by

0:09:37.120 --> 0:09:39.760
<v Speaker 1>Jack Andy was just some you know, made up name,

0:09:39.840 --> 0:09:42.160
<v Speaker 1>Like there's no one named Jack Handy. It's written by,

0:09:42.240 --> 0:09:44.640
<v Speaker 1>you know, just one of the SNL writers. He was

0:09:44.679 --> 0:09:47.760
<v Speaker 1>an lent writer and his name is Jack Handy, and

0:09:47.800 --> 0:09:50.240
<v Speaker 1>he has been sort of obsessed with creating the perfect

0:09:50.640 --> 0:09:54.280
<v Speaker 1>short joke over his career. He's the closest he thinks

0:09:54.320 --> 0:09:57.920
<v Speaker 1>he's ever come. And it's pretty good, I think, is uh.

0:09:58.040 --> 0:10:00.760
<v Speaker 1>The crows seemed to be calling his name. Thought to

0:10:00.800 --> 0:10:06.600
<v Speaker 1>call not bad. That's Jack Handy thinks that's the best

0:10:06.679 --> 0:10:09.439
<v Speaker 1>short joke he's ever written. Jack knows what he's talking,

0:10:09.520 --> 0:10:12.240
<v Speaker 1>so good and uh. It was in a McSweeney's article

0:10:12.240 --> 0:10:14.960
<v Speaker 1>that I first read about this from the New York Times. Um,

0:10:15.040 --> 0:10:18.000
<v Speaker 1>they were talking about the New York Times that that

0:10:18.080 --> 0:10:20.439
<v Speaker 1>writer thought the best one was. And this is pretty

0:10:20.440 --> 0:10:24.679
<v Speaker 1>good too. I came here in peace, seeking gold and slaves.

0:10:27.320 --> 0:10:30.640
<v Speaker 1>So for me, the Great Jack Handy is trying to

0:10:30.679 --> 0:10:34.520
<v Speaker 1>get a laugh out of the fewest amount of words. Um.

0:10:34.559 --> 0:10:37.280
<v Speaker 1>I came here in peking Golden slaves, five syllable set up,

0:10:37.360 --> 0:10:41.920
<v Speaker 1>five syllable punchline, beautiful, clean, the master for me? What's

0:10:41.920 --> 0:10:45.200
<v Speaker 1>funny is this? Actually? In my research I ran across um,

0:10:45.520 --> 0:10:49.600
<v Speaker 1>a real formula for funny. Um. That was the yes

0:10:49.760 --> 0:10:55.960
<v Speaker 1>part of the answer. Um alcohol plus joke greater than okay.

0:10:56.440 --> 0:11:01.520
<v Speaker 1>So it's X equals F times L plus end times oh,

0:11:01.600 --> 0:11:05.320
<v Speaker 1>divided by P And in those values in there, well,

0:11:05.360 --> 0:11:09.240
<v Speaker 1>p p actually penalizes you because that's the number of

0:11:09.280 --> 0:11:11.240
<v Speaker 1>puns that's in the jokes. So you get all these

0:11:11.240 --> 0:11:13.440
<v Speaker 1>all these points and then it divided by the number

0:11:13.480 --> 0:11:15.720
<v Speaker 1>of puns you used. So um. But one of the

0:11:15.880 --> 0:11:18.800
<v Speaker 1>one of the formulas that that builds up the funniness

0:11:18.800 --> 0:11:21.080
<v Speaker 1>of a joke is how long it takes for the

0:11:21.120 --> 0:11:23.640
<v Speaker 1>punch line to build and then finally pay off. So

0:11:23.679 --> 0:11:26.240
<v Speaker 1>it's like pretty much the opposite of it. So even

0:11:26.360 --> 0:11:28.920
<v Speaker 1>Jack Handy and whoever came up with this formula can't

0:11:28.920 --> 0:11:32.719
<v Speaker 1>agree on how to make something funnier. To figure out

0:11:32.760 --> 0:11:35.080
<v Speaker 1>what's the funniest. Yeah, Well, if it was easy, everyone

0:11:35.080 --> 0:11:36.880
<v Speaker 1>would be doing it, clearly, And we've seen a lot

0:11:36.880 --> 0:11:38.559
<v Speaker 1>of I know you go to see a lot of

0:11:38.600 --> 0:11:41.559
<v Speaker 1>stand up comics a lot, and yeah, you're really into it.

0:11:41.600 --> 0:11:43.160
<v Speaker 1>And through our job, we've gotten to see a lot

0:11:43.200 --> 0:11:46.120
<v Speaker 1>and it's really fascinating, especially when you meet some of them,

0:11:46.160 --> 0:11:49.440
<v Speaker 1>to see them working this stuff out, especially if you

0:11:49.480 --> 0:11:52.040
<v Speaker 1>see them more than once doing kind of the same

0:11:52.080 --> 0:11:55.240
<v Speaker 1>material and the subtle changes. I just I think it's

0:11:55.280 --> 0:11:57.960
<v Speaker 1>really fascinating. And I've been writing a stand aback for

0:11:58.040 --> 0:12:01.280
<v Speaker 1>like ten years. How's it going. It's going pretty good.

0:12:01.360 --> 0:12:05.360
<v Speaker 1>Care to do so? No, not at all. It's got

0:12:05.440 --> 0:12:07.600
<v Speaker 1>a mike, you have an audience. No, no, no, no,

0:12:08.559 --> 0:12:10.760
<v Speaker 1>I don't like. I wouldn't have be I would have

0:12:10.760 --> 0:12:14.280
<v Speaker 1>not even brought it up. There was a writer I know.

0:12:14.960 --> 0:12:16.880
<v Speaker 1>Uh that was a writer named Debrah Solomon for New

0:12:16.920 --> 0:12:19.400
<v Speaker 1>York Times magazine though that asked Chris Rock and I'm

0:12:19.400 --> 0:12:22.640
<v Speaker 1>not gonna do my Chris Rock, don't worry, um what's funny?

0:12:22.640 --> 0:12:24.320
<v Speaker 1>And his reply was, and it kind of says it

0:12:24.360 --> 0:12:27.040
<v Speaker 1>all is, you want to know what's funny? Is thinking

0:12:27.080 --> 0:12:32.200
<v Speaker 1>about it? What's not funny? Oh yeah, chuck blew that joke.

0:12:33.559 --> 0:12:35.680
<v Speaker 1>It's not a joke. Yeah, you want to know it's

0:12:35.679 --> 0:12:37.280
<v Speaker 1>not funny. It's thinking about it, thank you for that,

0:12:37.520 --> 0:12:40.200
<v Speaker 1>or talking about it, which is what we're doing. So

0:12:40.280 --> 0:12:43.240
<v Speaker 1>stop laughing because this is not funny. Apparently that's right,

0:12:43.240 --> 0:12:45.760
<v Speaker 1>all right, So, um, we are not the only people

0:12:45.760 --> 0:12:48.320
<v Speaker 1>who have ever said, you know, is can you figure

0:12:48.320 --> 0:12:52.079
<v Speaker 1>out what's funny? Scientifically? There's actually a whole study. It's

0:12:52.080 --> 0:12:55.760
<v Speaker 1>called humor studies, and strangely enough, it's not taken very

0:12:55.760 --> 0:13:00.880
<v Speaker 1>seriously among psychologists. Um, although there's you know, an equal

0:13:01.160 --> 0:13:04.640
<v Speaker 1>dedicated amount of work applied to it using the scientific method.

0:13:04.760 --> 0:13:08.720
<v Speaker 1>You have the International Society for Humor Studies. They've been

0:13:08.720 --> 0:13:11.240
<v Speaker 1>around since the eighties. They're trying to like keep the

0:13:11.280 --> 0:13:15.319
<v Speaker 1>flame going. And apparently, um, ever since we started putting

0:13:15.320 --> 0:13:19.160
<v Speaker 1>people into the Wonder Machine and asking them questions or um,

0:13:19.480 --> 0:13:23.760
<v Speaker 1>telling them jokes, we've gotten like a lot more scientific

0:13:23.800 --> 0:13:25.400
<v Speaker 1>basis of what's funny. We'll get into that in a

0:13:25.440 --> 0:13:27.760
<v Speaker 1>little bit. Yeah, that's the f m R I or

0:13:27.760 --> 0:13:29.520
<v Speaker 1>the m R I machine. You don't want to know that.

0:13:29.520 --> 0:13:33.000
<v Speaker 1>That's our little name for though. Um. But prior to this,

0:13:33.080 --> 0:13:35.520
<v Speaker 1>prior to the Wonder Machine being rolled out, like people

0:13:35.520 --> 0:13:37.880
<v Speaker 1>have just kind of it's basically been up to philosophers

0:13:37.920 --> 0:13:40.400
<v Speaker 1>to figure out what's funny, and they've come up with

0:13:40.440 --> 0:13:43.280
<v Speaker 1>some pretty good theories. And there's a big three. There's

0:13:43.320 --> 0:13:45.240
<v Speaker 1>I think as many I saw as many as a

0:13:45.360 --> 0:13:49.120
<v Speaker 1>hundred theories of humor, but then it's been whittled down

0:13:49.160 --> 0:13:51.640
<v Speaker 1>to a big three, like pretty much arbitrarily. Or else

0:13:51.679 --> 0:13:53.760
<v Speaker 1>people are like, maybe these three are the right ones.

0:13:53.800 --> 0:13:55.840
<v Speaker 1>Who knows, but I think he's kind of hit on it.

0:13:56.000 --> 0:14:01.760
<v Speaker 1>Um Number one is the superiority theory um Plato, Aristotle, Hobbs.

0:14:02.360 --> 0:14:04.600
<v Speaker 1>They all sort of focus on this dark side of

0:14:04.640 --> 0:14:08.280
<v Speaker 1>comedy and we've all been there. Um, Laughing at someone

0:14:08.280 --> 0:14:13.040
<v Speaker 1>else's expense sometimes can be quite a good time. It's

0:14:13.040 --> 0:14:16.160
<v Speaker 1>pretty much like, Um, this theory would be supported by

0:14:16.360 --> 0:14:19.840
<v Speaker 1>Dwight shrewked like watching him. Yeah, you know, were listening

0:14:19.880 --> 0:14:22.480
<v Speaker 1>to him for sure. And I might have told this

0:14:22.520 --> 0:14:24.280
<v Speaker 1>on another show. But one of the funniest things I

0:14:24.320 --> 0:14:29.000
<v Speaker 1>ever saw Bless You, Bless You, was in college in Athens, Georgia.

0:14:29.320 --> 0:14:33.120
<v Speaker 1>I saw a guy face plant really really bad on

0:14:33.200 --> 0:14:37.320
<v Speaker 1>campus one day. You're already laughing, did you laugh? Well?

0:14:37.680 --> 0:14:42.240
<v Speaker 1>I laughed at this. The dude fell busted face forward,

0:14:42.600 --> 0:14:45.240
<v Speaker 1>books went spilling out on the sidewalk, and I swear

0:14:45.280 --> 0:14:48.400
<v Speaker 1>to God. Immediately the guy went like this and opened

0:14:48.440 --> 0:14:51.800
<v Speaker 1>up a book on the sidewalk like he was reading.

0:14:52.720 --> 0:14:54.960
<v Speaker 1>And I was driving and I saw this happen, and

0:14:54.960 --> 0:14:56.720
<v Speaker 1>I wanted to pull the car over and say, dude,

0:14:56.880 --> 0:14:59.360
<v Speaker 1>you are the funniest person I've ever seen in my life,

0:14:59.680 --> 0:15:01.880
<v Speaker 1>because it was just his instinct to play it off

0:15:01.920 --> 0:15:04.160
<v Speaker 1>like that. And that was man. That was like seventeen

0:15:04.240 --> 0:15:05.720
<v Speaker 1>years ago, and it's stuck with me this day. I

0:15:05.720 --> 0:15:07.400
<v Speaker 1>don't know who that guy was, but I want to

0:15:07.400 --> 0:15:10.320
<v Speaker 1>meet him still, if you're out there, way to go, man, Yeah, yeah,

0:15:10.440 --> 0:15:12.080
<v Speaker 1>but it was I don't know if I would have

0:15:12.120 --> 0:15:14.000
<v Speaker 1>laughed at his expense had he not done that, because

0:15:14.080 --> 0:15:18.480
<v Speaker 1>when although the America's funny some video effect, i'll call it, yeah,

0:15:19.000 --> 0:15:22.240
<v Speaker 1>kicked in the nuts juggernaut, that is very much the

0:15:22.280 --> 0:15:26.440
<v Speaker 1>superiority theory in action. It is, or it is pretty

0:15:26.520 --> 0:15:30.360
<v Speaker 1>much the converse theory that says the same thing but

0:15:30.520 --> 0:15:32.560
<v Speaker 1>has a kind of a different take of It's called

0:15:32.600 --> 0:15:35.800
<v Speaker 1>inferiority theory. It's like the person whoever came up with

0:15:35.840 --> 0:15:38.880
<v Speaker 1>this is like the person who who raises the last

0:15:39.000 --> 0:15:43.760
<v Speaker 1>um bet by a dollar on the prices, right, you know, Oh,

0:15:43.880 --> 0:15:49.000
<v Speaker 1>superiority theory. How about inferiority theory? Um they what they

0:15:49.040 --> 0:15:52.240
<v Speaker 1>came up with was that we see and that guy falling.

0:15:52.600 --> 0:15:55.840
<v Speaker 1>You don't feel better about yourself. You see part of

0:15:55.880 --> 0:15:58.880
<v Speaker 1>yourself and him like you could have just as easily

0:15:58.920 --> 0:16:01.160
<v Speaker 1>fallen or whatever. Yeah, but I wouldn't have been cool

0:16:01.200 --> 0:16:02.920
<v Speaker 1>enough to play it off like I was reading a book.

0:16:03.480 --> 0:16:05.400
<v Speaker 1>I would have picked up my books and ran home.

0:16:06.720 --> 0:16:11.400
<v Speaker 1>Don't laugh at me. So that's where, Yeah, that's where

0:16:11.400 --> 0:16:14.840
<v Speaker 1>the admiration kicks in a right. Number two we are

0:16:14.920 --> 0:16:17.960
<v Speaker 1>we're in the relief theory, which is Freud's theory, which

0:16:17.960 --> 0:16:21.280
<v Speaker 1>means it's wrong. Man, you got it. You've had a

0:16:21.280 --> 0:16:23.320
<v Speaker 1>bone to pick with Freud since I've known you. I

0:16:23.480 --> 0:16:29.760
<v Speaker 1>like Malcolm Bladwell, I like um see is like as

0:16:29.880 --> 0:16:32.960
<v Speaker 1>I just started twitching involuntarily. I like I like Freud

0:16:33.000 --> 0:16:34.680
<v Speaker 1>as a person. I like what he was trying to do.

0:16:35.120 --> 0:16:37.160
<v Speaker 1>I just think he was just kind of full of it.

0:16:37.440 --> 0:16:40.040
<v Speaker 1>All right, So what did Freud say? He wrote about

0:16:40.120 --> 0:16:43.520
<v Speaker 1>joking Believe it or not, This is actually um the

0:16:43.600 --> 0:16:46.000
<v Speaker 1>his his theory that I agree with the most. Probably

0:16:46.080 --> 0:16:49.120
<v Speaker 1>his theory of um humor is really theory, and that

0:16:49.480 --> 0:16:52.360
<v Speaker 1>I totally agree. We have like it's it's a build

0:16:52.400 --> 0:16:56.560
<v Speaker 1>up of wait for it, sexual energy that we release

0:16:56.680 --> 0:17:01.680
<v Speaker 1>surprised in some way, bless you that this live podcasting

0:17:01.800 --> 0:17:04.320
<v Speaker 1>is funny and it's like a whole other sneezy know

0:17:05.480 --> 0:17:10.240
<v Speaker 1>um that we were. We're getting out sexual energy, intellectual energy,

0:17:10.280 --> 0:17:13.879
<v Speaker 1>whatever is pent up through laughter, which makes sense to

0:17:13.920 --> 0:17:16.960
<v Speaker 1>a certain degree, like there are there are things that

0:17:17.000 --> 0:17:18.800
<v Speaker 1>you laugh at that you can point to and say,

0:17:18.920 --> 0:17:22.119
<v Speaker 1>may may right here. Yeah, or I think self deprecation

0:17:22.200 --> 0:17:23.920
<v Speaker 1>might fall into that a little bit too, like taking

0:17:23.920 --> 0:17:26.160
<v Speaker 1>the things that make you feel bad, making a joke

0:17:26.200 --> 0:17:29.040
<v Speaker 1>about of it. I've lived my whole life this way basically,

0:17:29.800 --> 0:17:31.960
<v Speaker 1>Or anyone that listens to Howard Stern he's been joking

0:17:31.960 --> 0:17:34.720
<v Speaker 1>about his small penis for twenty five years. Who knows

0:17:34.760 --> 0:17:39.160
<v Speaker 1>if that's true. I think it probably is. But he's

0:17:39.160 --> 0:17:41.560
<v Speaker 1>definitely made a point of joking about it for you know,

0:17:41.880 --> 0:17:45.480
<v Speaker 1>forever five years. Joke man, That means it's it's definitely true.

0:17:45.880 --> 0:17:48.200
<v Speaker 1>So that's the relief theory. And and I think there's

0:17:48.320 --> 0:17:49.720
<v Speaker 1>you know, put a lot of stock in that for sure.

0:17:49.720 --> 0:17:53.040
<v Speaker 1>Well yeah, I mean it's like adding levity to a situation. Yeah,

0:17:53.080 --> 0:17:55.800
<v Speaker 1>if and it works, like you can defuse in tense

0:17:55.880 --> 0:17:59.400
<v Speaker 1>situation by making people laugh, and they may even laugh

0:17:59.400 --> 0:18:02.720
<v Speaker 1>in volunteary really so relief theory. Yeah, and every every

0:18:02.800 --> 0:18:07.960
<v Speaker 1>like like every teen movie in history has some dude

0:18:07.960 --> 0:18:09.960
<v Speaker 1>in it that tries to get out of a fight

0:18:10.040 --> 0:18:14.280
<v Speaker 1>by making jokes, which was also me although I didn't

0:18:14.560 --> 0:18:16.240
<v Speaker 1>that wasn't even close to getting in fights, So that's

0:18:16.240 --> 0:18:18.919
<v Speaker 1>not really true. That's because you could talk your way

0:18:18.960 --> 0:18:21.280
<v Speaker 1>out of him. Like early on, who would want to

0:18:21.280 --> 0:18:23.960
<v Speaker 1>beat up Chuck? You know? When't you have to be

0:18:24.040 --> 0:18:27.000
<v Speaker 1>the meanest guy in the world. You would not, you

0:18:26.440 --> 0:18:29.679
<v Speaker 1>like too much. I think Emily might want to slug

0:18:29.680 --> 0:18:33.080
<v Speaker 1>at me every now and then. Yeah, yeah, okay, so

0:18:33.200 --> 0:18:34.800
<v Speaker 1>that this is the other the last one in the

0:18:34.840 --> 0:18:38.240
<v Speaker 1>big three. Yeah, in congruity theory. Yeah, and this one's

0:18:38.320 --> 0:18:43.720
<v Speaker 1>really um A really big part of comedy forever through today,

0:18:44.040 --> 0:18:53.280
<v Speaker 1>Forever through today is that um. Emmanuel concept in his

0:18:53.600 --> 0:18:57.800
<v Speaker 1>uh Tome the critique of judgment. Laughter is an affectation

0:18:57.880 --> 0:19:02.399
<v Speaker 1>arising from the sudden transformation of a strained expectation into nothing.

0:19:03.160 --> 0:19:08.520
<v Speaker 1>So the modern version of that is in incongruity resolution. Basically,

0:19:08.800 --> 0:19:11.680
<v Speaker 1>you're not getting what you expect, so like a punch

0:19:11.720 --> 0:19:14.920
<v Speaker 1>line takes you by surprise, right, like that classic how

0:19:14.920 --> 0:19:20.480
<v Speaker 1>do you keep an elephant from charging takeaway his credit card? Hey? Yeah, again,

0:19:20.600 --> 0:19:23.560
<v Speaker 1>that wasn't my joke. I'm just giving examples here. Well,

0:19:23.560 --> 0:19:26.000
<v Speaker 1>and that's that's sort of the basis of what some

0:19:26.119 --> 0:19:28.480
<v Speaker 1>say is the greatest joke the Aristocrats. Did you guys

0:19:28.480 --> 0:19:31.240
<v Speaker 1>see that documentary For those of you who don't know,

0:19:31.280 --> 0:19:33.639
<v Speaker 1>there's probably like two of you. The the ideas that

0:19:33.840 --> 0:19:36.679
<v Speaker 1>a family goes into a talent agent and says they

0:19:36.720 --> 0:19:38.879
<v Speaker 1>have a family act. And then the point of the

0:19:38.920 --> 0:19:44.639
<v Speaker 1>joke is too nastiest, most blue comedy you can and

0:19:44.640 --> 0:19:46.760
<v Speaker 1>it really gets out of hand if you watch this documentary,

0:19:46.760 --> 0:19:48.920
<v Speaker 1>which is the point and at the end, the punch

0:19:48.960 --> 0:19:51.960
<v Speaker 1>line is what do you call yourselves? The aristocrats? And

0:19:52.000 --> 0:19:53.680
<v Speaker 1>it's not so much about the punch line, but that's

0:19:53.680 --> 0:19:57.560
<v Speaker 1>definitely the incongruity, right yeah, I think that that's probably

0:19:57.600 --> 0:20:00.920
<v Speaker 1>the basis of humors. It's in and grouvous you it's

0:20:00.960 --> 0:20:05.000
<v Speaker 1>a an expectation you weren't expecting well, and those are

0:20:05.000 --> 0:20:06.600
<v Speaker 1>the best jokes to me is you think you see

0:20:06.600 --> 0:20:09.400
<v Speaker 1>it coming and you get surprised at the end. Uh,

0:20:09.440 --> 0:20:11.800
<v Speaker 1>there's another name for something like that. It's called And

0:20:12.320 --> 0:20:14.800
<v Speaker 1>I didn't even know this was a word till today,

0:20:14.800 --> 0:20:22.000
<v Speaker 1>a para prosed Dokian. Has anyone ever heard that? One person? Now? Awesome,

0:20:22.200 --> 0:20:24.920
<v Speaker 1>I just made it up. Uh. That is a figure

0:20:24.920 --> 0:20:27.800
<v Speaker 1>of speech where the second part causes the audience to

0:20:27.880 --> 0:20:30.919
<v Speaker 1>rethink the first part. And it has been going on

0:20:31.119 --> 0:20:35.040
<v Speaker 1>since Aristotle. For instance, he said on his feet he

0:20:35.080 --> 0:20:39.919
<v Speaker 1>wore blisters. That's one example. Groucho Marks, I've had a

0:20:39.960 --> 0:20:43.680
<v Speaker 1>perfectly wonderful evening, but this wasn't it. That's that kind

0:20:43.680 --> 0:20:50.199
<v Speaker 1>of joke. Uh, the great Homer Simpson like that, that

0:20:50.280 --> 0:20:53.400
<v Speaker 1>was unexpected. Uh. If I could just say a few words,

0:20:53.760 --> 0:20:57.560
<v Speaker 1>I'd be a better public speaker. And Mitch Hedberg, who

0:20:57.600 --> 0:21:00.960
<v Speaker 1>I know, you love, the late great Mitch Heedburgh. I

0:21:01.000 --> 0:21:04.399
<v Speaker 1>haven't slept for ten days because that would be too long.

0:21:05.960 --> 0:21:08.800
<v Speaker 1>Not the good miss Hamburg too. I did some heroin

0:21:08.880 --> 0:21:13.000
<v Speaker 1>before I came in. Right, Wow, that is not funny. Actually,

0:21:13.080 --> 0:21:14.600
<v Speaker 1>you know what we're gonna be getting into that was

0:21:14.640 --> 0:21:19.040
<v Speaker 1>a perfect setup. We're getting into heroine. No joking about

0:21:19.040 --> 0:21:22.920
<v Speaker 1>things that divide the what you should be joking about. Yeah,

0:21:22.960 --> 0:21:25.119
<v Speaker 1>it is like someone dying of a heroin over there

0:21:25.840 --> 0:21:29.600
<v Speaker 1>too soon. That was like ten years ago, Thank you buddy. Um.

0:21:29.680 --> 0:21:31.760
<v Speaker 1>So you take the big three and you take a

0:21:31.760 --> 0:21:33.399
<v Speaker 1>little bit of this, and you take a little bit

0:21:33.400 --> 0:21:35.080
<v Speaker 1>of that, and you put them together and you can

0:21:35.119 --> 0:21:38.560
<v Speaker 1>basically explain like just about any bit of humor after

0:21:38.680 --> 0:21:44.160
<v Speaker 1>the fact. That's the key here, um if by I guess,

0:21:44.160 --> 0:21:47.800
<v Speaker 1>just mixing him up. So you have, for example, the

0:21:47.840 --> 0:21:50.879
<v Speaker 1>benign violation theory, which is what you're talking about, Like,

0:21:50.960 --> 0:21:53.159
<v Speaker 1>that's the idea that there you have a little bit

0:21:53.160 --> 0:21:56.439
<v Speaker 1>of incongruity, a little bit of superiority. You mix them

0:21:56.440 --> 0:22:00.560
<v Speaker 1>together and right you you can come up with a

0:22:00.600 --> 0:22:03.120
<v Speaker 1>joke that will make people laugh. But there's also a

0:22:03.160 --> 0:22:08.719
<v Speaker 1>line apparently it's across it right with miss hedbird jokes.

0:22:08.800 --> 0:22:12.200
<v Speaker 1>That's the line, um. And once you cross that line,

0:22:12.240 --> 0:22:15.800
<v Speaker 1>then you you quickly go from humor to raising the

0:22:16.400 --> 0:22:19.800
<v Speaker 1>ire of a of a audience. Right, Yeah, they say,

0:22:19.920 --> 0:22:21.960
<v Speaker 1>not want to do Yeah, you like you should keep

0:22:21.960 --> 0:22:24.320
<v Speaker 1>a safe psychological distance, is what they say, where the

0:22:24.400 --> 0:22:26.960
<v Speaker 1>humor isn't so real and the whole too soon thing

0:22:27.040 --> 0:22:30.200
<v Speaker 1>is totally true. There's a certain amount of time and

0:22:30.720 --> 0:22:32.639
<v Speaker 1>it's different for everyone in that line is different for

0:22:32.640 --> 0:22:35.840
<v Speaker 1>everyone that's why it's dangerous to be a comic who

0:22:36.040 --> 0:22:39.879
<v Speaker 1>kind of skirts around those kind of jokes. Ask Gilbert Godfrey,

0:22:40.160 --> 0:22:42.720
<v Speaker 1>what did he do? He tweeted a joke about I

0:22:42.760 --> 0:22:46.440
<v Speaker 1>don't even remember what it was about the the Fukushima

0:22:46.520 --> 0:22:50.280
<v Speaker 1>earthquake in tsunami. I think like too soon. It was

0:22:50.320 --> 0:22:52.440
<v Speaker 1>like while it was going on, he made a joke

0:22:52.480 --> 0:22:54.800
<v Speaker 1>about it and he he used to be the affleck

0:22:55.080 --> 0:22:58.000
<v Speaker 1>duck and he's not anymore, which is weird. It raises

0:22:58.000 --> 0:23:00.520
<v Speaker 1>a point like I feel like the duck. Yeah, yeah,

0:23:00.520 --> 0:23:02.520
<v Speaker 1>which I have imagine paid pretty well. You know, he

0:23:02.560 --> 0:23:05.520
<v Speaker 1>doesn't really talk like that. I know it's it's not

0:23:05.640 --> 0:23:07.919
<v Speaker 1>very well known, but Howard Stern has him on a

0:23:07.960 --> 0:23:10.879
<v Speaker 1>telephone message that he played on the show where he

0:23:10.920 --> 0:23:13.359
<v Speaker 1>was like, hey Gary, this is Gilbert and I just

0:23:13.359 --> 0:23:14.679
<v Speaker 1>wanted to check on the time, and I was like,

0:23:14.760 --> 0:23:18.360
<v Speaker 1>no way. Because he never breaks character. He's famous for

0:23:18.680 --> 0:23:21.560
<v Speaker 1>always always, always being that guy. I've never heard him

0:23:21.560 --> 0:23:24.360
<v Speaker 1>speak other otherwise. Yeah, it's pretty weird. Yeah, I can

0:23:24.400 --> 0:23:28.280
<v Speaker 1>imagine um. And on the uh too soon thing, I

0:23:28.320 --> 0:23:31.120
<v Speaker 1>was watching Portlandia with Emily the other night and they

0:23:31.160 --> 0:23:32.520
<v Speaker 1>have a sketch. I don't know if you've seen at

0:23:32.440 --> 0:23:36.800
<v Speaker 1>about nine eleven where Armison they were talking about like

0:23:36.840 --> 0:23:38.520
<v Speaker 1>what you were doing during nine eleven when you got

0:23:38.520 --> 0:23:41.200
<v Speaker 1>in the news and he was like, where was that? Yeah?

0:23:41.200 --> 0:23:43.080
<v Speaker 1>I heard about this? What was what was I doing?

0:23:43.160 --> 0:23:45.640
<v Speaker 1>And he's like, oh, I was in New York. That's

0:23:45.640 --> 0:23:48.720
<v Speaker 1>where I was. And he's like, and what happened? Um,

0:23:49.160 --> 0:23:51.119
<v Speaker 1>thirty three planes or something? No, no, no, I know

0:23:51.160 --> 0:23:52.640
<v Speaker 1>what it was. I know what it was. And I

0:23:52.680 --> 0:23:54.359
<v Speaker 1>was dying. And Emily was like, I don't know, is

0:23:54.400 --> 0:23:56.320
<v Speaker 1>that is that even? And I said, I think the

0:23:56.320 --> 0:23:59.399
<v Speaker 1>difference is he's making fun of people the absurdity of

0:23:59.400 --> 0:24:01.840
<v Speaker 1>someone who not know where they were nine eleven, not

0:24:01.920 --> 0:24:04.600
<v Speaker 1>nine eleven itself, right, So that that slight difference, I

0:24:04.640 --> 0:24:07.000
<v Speaker 1>think is what made it funny exactly. There was also

0:24:07.040 --> 0:24:10.080
<v Speaker 1>a pretty good UM story about group on Super Bowls

0:24:10.080 --> 0:24:13.119
<v Speaker 1>in two thousand eleven. Did you hear about those? So? Like,

0:24:13.160 --> 0:24:16.159
<v Speaker 1>for example, ahead Timothy Hutton talking about the plight of

0:24:16.200 --> 0:24:19.720
<v Speaker 1>Tibetans and how they are all like basically just screwed

0:24:19.760 --> 0:24:23.240
<v Speaker 1>on a daily basis, but they also make a really

0:24:23.240 --> 0:24:25.760
<v Speaker 1>good fish curry and you can get a group on

0:24:25.960 --> 0:24:29.840
<v Speaker 1>for it in Chicago for like twenty Bucks and then well,

0:24:30.080 --> 0:24:31.359
<v Speaker 1>you guys are the only ones who thought it was

0:24:31.400 --> 0:24:35.080
<v Speaker 1>funny apparently, because um, group On was like everyone's like,

0:24:35.160 --> 0:24:37.080
<v Speaker 1>what are you doing? Group On was like their big debut.

0:24:37.440 --> 0:24:40.480
<v Speaker 1>So Timothy Hunton was just like, oh, man, right, why

0:24:40.480 --> 0:24:42.479
<v Speaker 1>did I sign it? Seemed funny At the time, I

0:24:42.520 --> 0:24:45.920
<v Speaker 1>was just starting to come back, right, yeah, not anymore

0:24:46.320 --> 0:24:51.400
<v Speaker 1>Falcon or was he Snowman boy? Which one? Was he? Anyone? Now?

0:24:52.040 --> 0:24:53.760
<v Speaker 1>He was like, I got it right off the bat.

0:24:53.920 --> 0:24:56.680
<v Speaker 1>To me, he's Turk one and two? Is that who

0:24:56.800 --> 0:25:00.560
<v Speaker 1>that was? Yeah? I need to see that movie? All right?

0:25:00.600 --> 0:25:02.720
<v Speaker 1>So where are we? Maybe let's get into the science

0:25:02.760 --> 0:25:04.439
<v Speaker 1>of the whole thing? Oh wait, uh well, if we're

0:25:04.440 --> 0:25:07.600
<v Speaker 1>gonna do that, we should, Chuck, I think maybe stop

0:25:07.640 --> 0:25:19.720
<v Speaker 1>here for a message break. Okay, So now we're back,

0:25:21.920 --> 0:25:24.480
<v Speaker 1>we actually do that. We beat for Jerry like that.

0:25:24.560 --> 0:25:26.880
<v Speaker 1>That gets her attention because she's doing like ten other

0:25:26.920 --> 0:25:32.320
<v Speaker 1>things while she added us, oh yeah, okay, uh Chuck,

0:25:32.840 --> 0:25:35.959
<v Speaker 1>let's get back to it. Should I we should with

0:25:36.000 --> 0:25:38.359
<v Speaker 1>the science of it? Right. So, um, like we said

0:25:38.359 --> 0:25:41.880
<v Speaker 1>earlier with the f m R, I, when you put

0:25:41.880 --> 0:25:44.159
<v Speaker 1>somebody into it shows you where all the blood flows going,

0:25:44.200 --> 0:25:45.960
<v Speaker 1>because it shows you where the oxygen is in the

0:25:46.040 --> 0:25:49.480
<v Speaker 1>brain enhance you can surmise what is going on, what

0:25:49.560 --> 0:25:52.840
<v Speaker 1>region is lighting up when you activate doing certain things.

0:25:52.840 --> 0:25:54.000
<v Speaker 1>And one of the things that they like to do

0:25:54.040 --> 0:25:57.240
<v Speaker 1>is tell people jokes, right yeah, or or have them

0:25:57.240 --> 0:26:00.880
<v Speaker 1>watch like Seinfeld or something right, which I hope you're

0:26:01.080 --> 0:26:03.400
<v Speaker 1>a van of if you're in that study. Even still,

0:26:03.640 --> 0:26:06.040
<v Speaker 1>how do you not laugh at Seinfeld? Like? What kind

0:26:06.080 --> 0:26:09.320
<v Speaker 1>of soulless person doesn't like sign? Now? Somebody recently I

0:26:09.359 --> 0:26:13.160
<v Speaker 1>talked to said that their father didn't like it at all,

0:26:13.280 --> 0:26:16.159
<v Speaker 1>hated it and just said he didn't think it was funny.

0:26:16.720 --> 0:26:19.040
<v Speaker 1>And I said his soul was dead inside, so yeah,

0:26:19.200 --> 0:26:20.880
<v Speaker 1>and he said, yes it is. He seemed too much

0:26:21.040 --> 0:26:24.639
<v Speaker 1>or something something's wrong. So Seinfeld and the Simpsons in

0:26:24.680 --> 0:26:27.159
<v Speaker 1>one study, right, yeah, two two pretty good picks, I

0:26:27.160 --> 0:26:30.280
<v Speaker 1>would say. Um, So what they found was that our

0:26:30.320 --> 0:26:33.320
<v Speaker 1>brains actually go through a two part process when we

0:26:33.359 --> 0:26:37.840
<v Speaker 1>hear a joke. There's joke detection and then there's joke appreciation.

0:26:39.160 --> 0:26:42.040
<v Speaker 1>But apparently this is what's going on in the brain. Well, yeah,

0:26:42.080 --> 0:26:44.639
<v Speaker 1>it depends on the joke for sure. Um, but the

0:26:44.720 --> 0:26:47.840
<v Speaker 1>joke detection part is probably the most important because you

0:26:47.920 --> 0:26:50.439
<v Speaker 1>have to know that you're hearing a joke and your

0:26:50.480 --> 0:26:53.800
<v Speaker 1>brain is priming you for the appreciation part, But first

0:26:53.840 --> 0:26:56.040
<v Speaker 1>it has to figure it out. And all this is

0:26:56.080 --> 0:26:58.840
<v Speaker 1>going on in the left hemisphere, and the reason it

0:26:58.880 --> 0:27:02.880
<v Speaker 1>all happens in the least the left hemisphere is that, um,

0:27:03.600 --> 0:27:06.680
<v Speaker 1>that's where we sort through novel information and compared to

0:27:06.920 --> 0:27:10.760
<v Speaker 1>experiences we've already had. So when you're hearing something like

0:27:11.119 --> 0:27:15.239
<v Speaker 1>how do you stop an elephant from charging? Um, you think, okay, well,

0:27:15.280 --> 0:27:17.640
<v Speaker 1>I've got an image of an elephant charging. I'm ready

0:27:17.680 --> 0:27:20.160
<v Speaker 1>to go. Come on, what's what's coming after this? Plus

0:27:20.200 --> 0:27:22.560
<v Speaker 1>you're probably trying to, like me, I try to figure

0:27:22.560 --> 0:27:25.040
<v Speaker 1>out a joke sometimes when it's set up punchline like that, right,

0:27:25.040 --> 0:27:26.760
<v Speaker 1>And I'll bet that says a lot about you as

0:27:26.800 --> 0:27:29.320
<v Speaker 1>a person. I can't wait until they have m R

0:27:29.400 --> 0:27:33.080
<v Speaker 1>eyes that show what you're thinking, what you mean, like

0:27:33.080 --> 0:27:36.240
<v Speaker 1>like when you behind you like pretty much yeah, yeah,

0:27:36.400 --> 0:27:41.879
<v Speaker 1>like like a thought bubble, right man, I knew it.

0:27:41.960 --> 0:27:46.320
<v Speaker 1>I knew that's what you were thinking. Um we also

0:27:46.400 --> 0:27:48.560
<v Speaker 1>we we it's a little more blue at our live ones.

0:27:48.600 --> 0:27:50.200
<v Speaker 1>I don't know if you've caught that or not, but

0:27:50.880 --> 0:27:56.240
<v Speaker 1>both and chuck the said, um, no, like, like, what

0:27:56.240 --> 0:27:58.480
<v Speaker 1>what would you think of if if someone says, like,

0:27:58.520 --> 0:28:01.159
<v Speaker 1>how do you stop an elephant from charge? Quickly try

0:28:01.200 --> 0:28:04.720
<v Speaker 1>and figure it out? I think that's just my right side,

0:28:05.040 --> 0:28:06.600
<v Speaker 1>and then I probably wouldn't be able to and then

0:28:06.640 --> 0:28:08.040
<v Speaker 1>I would hear the punch line and go, that's not

0:28:08.119 --> 0:28:10.640
<v Speaker 1>very funny, right, Well, it's not a very funny punch line.

0:28:10.680 --> 0:28:13.720
<v Speaker 1>It isn't. But um, once you once you're hearing that,

0:28:14.040 --> 0:28:16.600
<v Speaker 1>the brain's primed. I'm sure there's some sort of que

0:28:17.000 --> 0:28:19.080
<v Speaker 1>that didn't get into this in this article at all.

0:28:19.080 --> 0:28:20.520
<v Speaker 1>But there's got to be some sort of que that

0:28:20.560 --> 0:28:23.040
<v Speaker 1>there's a joke coming, you know, like if you walk

0:28:23.119 --> 0:28:25.040
<v Speaker 1>up to somebody and say, like, you know, how do

0:28:25.040 --> 0:28:27.119
<v Speaker 1>you stop in all the room charging? Probably just the

0:28:27.240 --> 0:28:31.760
<v Speaker 1>very virtue, right, that's funny too. And then the guy

0:28:31.840 --> 0:28:34.520
<v Speaker 1>like just lace down is like blindly trying to read

0:28:34.520 --> 0:28:39.280
<v Speaker 1>a book on the ground. Um, so your left, the

0:28:39.640 --> 0:28:42.080
<v Speaker 1>left hemisphere of your brain is working overtime to try

0:28:42.080 --> 0:28:43.720
<v Speaker 1>to figure out this joke. And depending on what type

0:28:43.760 --> 0:28:45.880
<v Speaker 1>of joke it is, um, different regions are going to

0:28:45.960 --> 0:28:49.120
<v Speaker 1>be involved. Yeah, the UM, I think I guess if

0:28:49.160 --> 0:28:52.320
<v Speaker 1>you like, the joke is in the amygdala. Well that's

0:28:52.440 --> 0:28:55.880
<v Speaker 1>the reward. So if you like the joke, right or

0:28:55.920 --> 0:28:58.520
<v Speaker 1>not right? Yeah? Okay, yeah, And I mean like depending

0:28:58.560 --> 0:29:01.720
<v Speaker 1>on the type of joke, like for over here where

0:29:01.720 --> 0:29:05.160
<v Speaker 1>the gears are going, like your broken area is involved

0:29:05.160 --> 0:29:08.480
<v Speaker 1>with language, so a pun is going to make that

0:29:08.560 --> 0:29:11.800
<v Speaker 1>area work and broke his area just goes. Yeah, there's

0:29:11.840 --> 0:29:15.080
<v Speaker 1>no amig della pay off on that. Not some people

0:29:15.080 --> 0:29:17.280
<v Speaker 1>love pun Zoe. I don't get people like that. Are

0:29:17.360 --> 0:29:19.680
<v Speaker 1>former colleague Chris Ballette. He was famous for his punch

0:29:23.320 --> 0:29:25.160
<v Speaker 1>which it was bad like you. I used to be

0:29:25.200 --> 0:29:28.360
<v Speaker 1>like stop, just stop, and he somehow commed with a

0:29:28.400 --> 0:29:33.440
<v Speaker 1>pun from stop. You know, so you got broken area. Um,

0:29:33.480 --> 0:29:35.560
<v Speaker 1>a guy walks into a bar type of joke, we'll

0:29:35.560 --> 0:29:38.000
<v Speaker 1>get the frontal lobe going. That's used with higher reasoning.

0:29:38.040 --> 0:29:41.120
<v Speaker 1>Apparently those jokes are very high minded typically or whatever

0:29:42.440 --> 0:29:45.640
<v Speaker 1>what else the frontal lobe. If you have damage in

0:29:45.680 --> 0:29:48.920
<v Speaker 1>your frontal lobe, they have found that it can prevent

0:29:48.960 --> 0:29:51.960
<v Speaker 1>you from understanding jokes and punch lines, which is really sad.

0:29:52.560 --> 0:29:57.080
<v Speaker 1>And they apparently tend to prefer slapstick comedy more because

0:29:57.080 --> 0:29:59.680
<v Speaker 1>you don't have the process as much, which I think

0:29:59.760 --> 0:30:01.920
<v Speaker 1>my have something to do with America's Funny some videos.

0:30:02.840 --> 0:30:05.000
<v Speaker 1>We're all slightly but I'm not saying everyone that was

0:30:05.040 --> 0:30:09.640
<v Speaker 1>that show has frontal lobe damage. But maybe maybe it's

0:30:09.640 --> 0:30:11.520
<v Speaker 1>something you can kind of turn on and off depending

0:30:11.560 --> 0:30:14.600
<v Speaker 1>on whether America's Funny or some videos is on. Yeah.

0:30:14.640 --> 0:30:17.320
<v Speaker 1>Maybe so, Um, did you know that to the guys

0:30:17.400 --> 0:30:20.280
<v Speaker 1>from Mry Science three Theater, three thousand, right for that show?

0:30:20.840 --> 0:30:23.520
<v Speaker 1>No way. Yeah, and you can tell too, because like

0:30:23.600 --> 0:30:25.680
<v Speaker 1>the qualities stepped up quite a bit. Oh, they're right

0:30:25.760 --> 0:30:28.720
<v Speaker 1>for it now, I believe so. Yeah, within the last

0:30:28.760 --> 0:30:31.080
<v Speaker 1>few years they were writing. I think Josh just admitted

0:30:31.080 --> 0:30:35.800
<v Speaker 1>to recently watching that show. It's true. I like that show.

0:30:35.880 --> 0:30:38.640
<v Speaker 1>I said it at the Variety Show. I like ridiculousness too.

0:30:38.680 --> 0:30:41.600
<v Speaker 1>I just like that kind of stuff turn your brain off. Yeah,

0:30:41.640 --> 0:30:44.720
<v Speaker 1>but my fernal lobe works just fine. Everybody. Well, you're

0:30:44.760 --> 0:30:47.280
<v Speaker 1>you're an intellectual guy, so that doesn't surprise me. Sometimes

0:30:47.320 --> 0:30:49.680
<v Speaker 1>I think if you're like super intellectual, you might enjoy

0:30:50.080 --> 0:30:52.960
<v Speaker 1>just like super based comedy occasionally. Yeah, it's true, it's

0:30:52.960 --> 0:30:55.400
<v Speaker 1>a theory. But I read about this study, um that

0:30:55.560 --> 0:30:58.120
<v Speaker 1>came up with the idea that brain damage people can't

0:30:58.320 --> 0:31:02.440
<v Speaker 1>especially funnal lobe. You said, can't really appreciate jokes because

0:31:02.440 --> 0:31:05.400
<v Speaker 1>they can't find the punch line. And one of the

0:31:05.400 --> 0:31:07.440
<v Speaker 1>ways they tested him was they showed him a joke

0:31:07.520 --> 0:31:10.800
<v Speaker 1>on paper and it was basically like a kid's interviewing

0:31:10.840 --> 0:31:14.840
<v Speaker 1>for a summer job and the employer says, um, well,

0:31:14.880 --> 0:31:17.280
<v Speaker 1>we'll give you fifty to start, and then after a

0:31:17.320 --> 0:31:20.640
<v Speaker 1>month we'll up at the s And then the brain

0:31:20.720 --> 0:31:23.959
<v Speaker 1>damage patients were to pick out what the punch line was.

0:31:24.000 --> 0:31:27.160
<v Speaker 1>There was great, I'll take it, when do I start?

0:31:27.880 --> 0:31:31.360
<v Speaker 1>That's not really it, that's just kind of boring response. Um.

0:31:31.520 --> 0:31:34.520
<v Speaker 1>Then there was the punch line, which is okay, well

0:31:34.520 --> 0:31:40.240
<v Speaker 1>I'll come back in a month again, not my joke. Uh.

0:31:40.280 --> 0:31:43.320
<v Speaker 1>And then the one that the brain damage patients picked

0:31:43.600 --> 0:31:47.440
<v Speaker 1>typically was um, hey boss, your nose is too big

0:31:47.480 --> 0:31:51.800
<v Speaker 1>for your face and can't you just see like the

0:31:51.840 --> 0:31:55.920
<v Speaker 1>person administering this test is just holding back tears that

0:31:55.960 --> 0:32:00.160
<v Speaker 1>they were picking that one. But that's what they came

0:32:00.240 --> 0:32:03.760
<v Speaker 1>up with. It was you can't really get the punch line. Yeah,

0:32:03.800 --> 0:32:06.040
<v Speaker 1>it takes a little a little bit of thought. It's

0:32:06.040 --> 0:32:09.680
<v Speaker 1>really sad. Uh. So when we do get a joke

0:32:09.760 --> 0:32:12.560
<v Speaker 1>and get that payoff, our old friend dopamine is what's

0:32:12.600 --> 0:32:15.920
<v Speaker 1>coming into play. That reward is a shot of dopamine

0:32:16.560 --> 0:32:19.760
<v Speaker 1>via the a magdala that we talked about. And it

0:32:19.800 --> 0:32:22.920
<v Speaker 1>also explains why it's hard to laugh when you're blue,

0:32:23.320 --> 0:32:27.120
<v Speaker 1>when you're sad. Um. I know, everyone that's had a

0:32:27.160 --> 0:32:30.480
<v Speaker 1>friend or or relative or family member that's really down

0:32:30.520 --> 0:32:32.440
<v Speaker 1>on the dumps, you try and cheer them up, and

0:32:32.560 --> 0:32:36.320
<v Speaker 1>sometimes it is just impossible. You know. Yeah, why were

0:32:36.320 --> 0:32:40.480
<v Speaker 1>you just getting so mad? And why why was I

0:32:40.560 --> 0:32:42.920
<v Speaker 1>just laughing? Yeah? Because you you said that surely all

0:32:42.920 --> 0:32:44.480
<v Speaker 1>of you have had a friend or a family member

0:32:44.600 --> 0:32:46.000
<v Speaker 1>has been down in the debt. I sound like a

0:32:46.040 --> 0:32:50.560
<v Speaker 1>Hallmark Guarden. Yeah, a little bit. It just made me laugh, okay, um.

0:32:50.600 --> 0:32:53.320
<v Speaker 1>But yeah, sometimes it's literally impossible to cheer someone up,

0:32:53.800 --> 0:32:58.480
<v Speaker 1>um because the meso limbic reward system turns basically shuts

0:32:58.520 --> 0:33:02.320
<v Speaker 1>off the dopamine valve and you're not able to laugh. Um.

0:33:02.360 --> 0:33:04.680
<v Speaker 1>So it's like it's like their brain is working through

0:33:04.720 --> 0:33:08.040
<v Speaker 1>the joke, but they just can't possibly find it funny

0:33:08.200 --> 0:33:12.160
<v Speaker 1>because their their mesolympic system is not functioning. And then

0:33:12.200 --> 0:33:14.880
<v Speaker 1>you might have this sad exchange, which is didn't you

0:33:14.880 --> 0:33:19.120
<v Speaker 1>get it? And they go no, I got it, or

0:33:19.160 --> 0:33:22.680
<v Speaker 1>when they're like those funny, but I think it also

0:33:22.760 --> 0:33:25.320
<v Speaker 1>explains to when they when you're able to finally reopen

0:33:25.400 --> 0:33:28.040
<v Speaker 1>that And this is just my own theory too. Sometimes

0:33:28.040 --> 0:33:29.480
<v Speaker 1>you know when you have that laugh that you really

0:33:29.520 --> 0:33:32.959
<v Speaker 1>need after being depressed, then sometimes you just can't stop laughing.

0:33:33.280 --> 0:33:36.960
<v Speaker 1>That hysterics hysterical thing takes over. And I think it's

0:33:37.040 --> 0:33:39.840
<v Speaker 1>because you just get that rush of dopamine again, because

0:33:39.840 --> 0:33:43.160
<v Speaker 1>your body craves it like cigarettes. And when it does, right,

0:33:43.760 --> 0:33:46.520
<v Speaker 1>when it does pay off, you've got these special helper

0:33:46.560 --> 0:33:49.360
<v Speaker 1>cells called spindle cells that just shoot it across your brain.

0:33:50.000 --> 0:33:53.800
<v Speaker 1>So if you see somebody laughing like uncontrollably, their brain

0:33:53.880 --> 0:33:57.120
<v Speaker 1>is just basically like zapping itself over and over and

0:33:57.160 --> 0:33:59.440
<v Speaker 1>over again until the spindle cells just kind of pet

0:33:59.480 --> 0:34:02.880
<v Speaker 1>around it. Yeah. Uh, I guess we're at the point

0:34:02.880 --> 0:34:07.800
<v Speaker 1>now where we talk about the uncomfortable topic of men

0:34:07.920 --> 0:34:13.080
<v Speaker 1>and women and why some people like Christopher Hitchens don't

0:34:13.120 --> 0:34:22.479
<v Speaker 1>think women are funny. Take it, Chuck Hitchens. Uh, God

0:34:22.480 --> 0:34:25.520
<v Speaker 1>rest his soul was on record in a very famous

0:34:25.560 --> 0:34:29.000
<v Speaker 1>Vanity Fair article. Um what's it called? Why women aren't Funny?

0:34:29.200 --> 0:34:31.319
<v Speaker 1>I think so, which is a great way to get

0:34:31.320 --> 0:34:34.200
<v Speaker 1>a lot of clicks, I guess, and he theorized that

0:34:34.239 --> 0:34:36.960
<v Speaker 1>women just weren't as funny, and I disagree. I think

0:34:37.080 --> 0:34:39.319
<v Speaker 1>my wife, for one, is hysterical. Well, here's how he

0:34:39.400 --> 0:34:42.600
<v Speaker 1>explained it. He said that, um, women don't have the

0:34:42.640 --> 0:34:45.560
<v Speaker 1>same need to be funny that men do. That For men,

0:34:46.040 --> 0:34:50.799
<v Speaker 1>it's a tool for reproduction to attract a mate by

0:34:50.840 --> 0:34:53.640
<v Speaker 1>being funny. And he was saying women just don't need that.

0:34:54.520 --> 0:34:56.400
<v Speaker 1>I get that. That was that was pretty much the

0:34:56.440 --> 0:34:58.360
<v Speaker 1>basis of his argument. So it wasn't like he just

0:34:58.440 --> 0:35:01.600
<v Speaker 1>wrote down like women aren't funny, don't even play right.

0:35:01.800 --> 0:35:05.560
<v Speaker 1>It was a little more thought. Um And at Washington

0:35:05.719 --> 0:35:08.200
<v Speaker 1>University School of Medicine actually did some studies again with

0:35:08.200 --> 0:35:11.280
<v Speaker 1>the Wonder machine, and they did find some interesting differences

0:35:11.360 --> 0:35:16.360
<v Speaker 1>between the sexes. UM. Females tend to pick apart verbiage

0:35:16.360 --> 0:35:20.560
<v Speaker 1>more UM and derived a more potent meso limbic reward

0:35:20.640 --> 0:35:23.799
<v Speaker 1>response when there was a punchline. So I think the

0:35:23.800 --> 0:35:28.960
<v Speaker 1>general point is that guys may laugh more, women laugh harder,

0:35:30.600 --> 0:35:33.160
<v Speaker 1>which I've seen in action. Yeah, because guys are kind

0:35:33.160 --> 0:35:35.680
<v Speaker 1>of dopey and they'll we'll laugh at anything, you know.

0:35:36.080 --> 0:35:38.560
<v Speaker 1>But I think women pick it apart more maybe maybe

0:35:38.560 --> 0:35:41.160
<v Speaker 1>more a little more intellectual about it, but tend to

0:35:41.320 --> 0:35:42.799
<v Speaker 1>get a lot more out of a joke than a

0:35:42.800 --> 0:35:45.839
<v Speaker 1>man would. In the end, spindle cells go crazy, they

0:35:45.920 --> 0:35:52.759
<v Speaker 1>go crazy. Oh yeah, the magic formula, my friend. Uh

0:35:52.960 --> 0:35:56.680
<v Speaker 1>it is um x equals at times help plus and

0:35:56.920 --> 0:35:58.920
<v Speaker 1>times though divided by P. I thought you're gonna say,

0:35:59.000 --> 0:36:08.480
<v Speaker 1>chardon ay, No that works. Um so, Uh there's statistics

0:36:08.520 --> 0:36:11.720
<v Speaker 1>actually yeah kind of. I don't know if it proves

0:36:11.840 --> 0:36:16.000
<v Speaker 1>that men are funnier. It shows that women get fewer

0:36:16.080 --> 0:36:18.799
<v Speaker 1>laughs than men statistically. So if you have a woman

0:36:18.880 --> 0:36:22.640
<v Speaker 1>speaking to an audience, um, she's going to get well,

0:36:22.680 --> 0:36:24.960
<v Speaker 1>the man's gonna get a hundred and twenty six percent

0:36:25.080 --> 0:36:28.920
<v Speaker 1>more laughs out of that same audience than a female speaker.

0:36:28.960 --> 0:36:31.319
<v Speaker 1>Well yeah, and a female speaker, especially to an all

0:36:31.360 --> 0:36:36.399
<v Speaker 1>male audience, will get even less laughs. Uh it's science. Yeah,

0:36:36.480 --> 0:36:39.120
<v Speaker 1>this is not a saying. That not our jokes and

0:36:39.160 --> 0:36:41.520
<v Speaker 1>this is not our position. Yes, they're turning on this.

0:36:42.920 --> 0:36:46.840
<v Speaker 1>I feel it. Can you open that door? Quick exit?

0:36:47.760 --> 0:36:51.719
<v Speaker 1>Uh so again. Christo Hitchins himself wasn't like we were saying,

0:36:51.719 --> 0:36:54.799
<v Speaker 1>it's not like women are funny, But um, I think

0:36:54.840 --> 0:36:57.319
<v Speaker 1>there's tons of great female comedians. Well he made that

0:36:57.400 --> 0:37:00.520
<v Speaker 1>point too. He didn't say tons, but I mean he did.

0:37:00.600 --> 0:37:02.560
<v Speaker 1>He didn't make a point. He's saying like that, you

0:37:02.600 --> 0:37:05.080
<v Speaker 1>can't possibly say that there are no funny women. There's

0:37:05.120 --> 0:37:07.360
<v Speaker 1>been some really great ones. But I think he was

0:37:07.400 --> 0:37:12.520
<v Speaker 1>saying just in general. Here's why, um So, I think

0:37:13.239 --> 0:37:16.600
<v Speaker 1>the reason we bring that up is, um, there's gender

0:37:16.640 --> 0:37:21.520
<v Speaker 1>differences in humor. Yeah. Um, Like we said, it's very

0:37:21.600 --> 0:37:25.920
<v Speaker 1>much based on context. So it's like age, cultural differences, gender,

0:37:26.160 --> 0:37:27.960
<v Speaker 1>it all comes into play and everyone's going to find

0:37:27.960 --> 0:37:34.960
<v Speaker 1>everything funny. National differences, like apparently we Americans. Everyone here American. Okay,

0:37:35.480 --> 0:37:38.160
<v Speaker 1>well we're gonna let you in a little secret. Americans

0:37:38.200 --> 0:37:42.440
<v Speaker 1>tend to think that, um that irony, humor that's not

0:37:42.520 --> 0:37:46.799
<v Speaker 1>really like mean is funnier, more positive stuff, whereas the

0:37:46.880 --> 0:37:55.240
<v Speaker 1>Brits think self deprecation and mean humor is way funnier too. Sarcasm. Yeah, um,

0:37:55.280 --> 0:37:57.319
<v Speaker 1>so you put a britain in an American in the

0:37:57.320 --> 0:37:59.320
<v Speaker 1>same room telling the same joke, one one is probably

0:37:59.360 --> 0:38:02.120
<v Speaker 1>not gonna laugh. Yeah, unless you're a master at mixing

0:38:02.120 --> 0:38:05.600
<v Speaker 1>those two things together. I like British humor, Yeah, I

0:38:05.680 --> 0:38:10.439
<v Speaker 1>like it too. It depends although oppressions. Well you have to. Now,

0:38:10.440 --> 0:38:13.520
<v Speaker 1>I don't get Eddie Iszard. I know everybody loves Eddie

0:38:13.640 --> 0:38:21.440
<v Speaker 1>is See. I don't it's what that's it. I'm not

0:38:21.440 --> 0:38:24.239
<v Speaker 1>I'm sure that I know what that means. Apparently it's

0:38:24.239 --> 0:38:30.480
<v Speaker 1>an Eddie Iszard reference. Is that one of his bits? Okay,

0:38:31.440 --> 0:38:36.400
<v Speaker 1>that's kind of that's funny. Yah, what's your name? Lance?

0:38:36.520 --> 0:38:39.960
<v Speaker 1>You should just do Eddie Iszard material. Maybe it's the

0:38:39.960 --> 0:38:47.879
<v Speaker 1>presentation that's bothering me or the dress. He's like, well, okay, yeah,

0:38:48.200 --> 0:38:50.439
<v Speaker 1>well I'm gonna give another shot now. Yeah, that beast

0:38:50.480 --> 0:38:53.680
<v Speaker 1>things great, Lance. Lance Iszard just got his brother Eddie

0:38:53.719 --> 0:38:59.040
<v Speaker 1>is some extra views. Uh So, recent research on Plato

0:38:59.080 --> 0:39:04.279
<v Speaker 1>and Aristotle's theories um abound um. The ancient Greeks claim

0:39:04.360 --> 0:39:07.800
<v Speaker 1>that people laughed at malice of others misfortune, yeah, that

0:39:08.239 --> 0:39:10.759
<v Speaker 1>superiority thing. Yeah, so it goes way back. People have

0:39:10.840 --> 0:39:13.200
<v Speaker 1>always laughed at people that face plant, apparently, or get

0:39:13.239 --> 0:39:16.520
<v Speaker 1>kicked in the balls. It's good old school humor. You're

0:39:16.520 --> 0:39:23.680
<v Speaker 1>telling you blue um or. They've also found that um

0:39:23.920 --> 0:39:26.320
<v Speaker 1>like bosses, and this is a kind of a no brainer,

0:39:26.360 --> 0:39:28.919
<v Speaker 1>and they call it the brown nose effect. Bosses tend

0:39:28.960 --> 0:39:33.279
<v Speaker 1>to joke more. And if you are an inferior not inferior,

0:39:34.160 --> 0:39:35.960
<v Speaker 1>what would you call it? I guess just an employee,

0:39:36.520 --> 0:39:38.680
<v Speaker 1>the the high man on the totem pole. What would

0:39:38.719 --> 0:39:42.719
<v Speaker 1>you say? Subordinate? There you go. Um, if you're the subordinate,

0:39:42.760 --> 0:39:45.640
<v Speaker 1>then you're gonna laugh more at your boss's jokes, just

0:39:45.760 --> 0:39:48.399
<v Speaker 1>because you're trying to get in there. Your brown nosing. Well,

0:39:48.600 --> 0:39:51.960
<v Speaker 1>I I saw in that same study they were saying, like,

0:39:52.080 --> 0:39:55.080
<v Speaker 1>that's possibly an explanation, but they also think that it's

0:39:55.160 --> 0:40:00.239
<v Speaker 1>more involuntary rather than a strategy like the uncomfortable not

0:40:00.280 --> 0:40:04.320
<v Speaker 1>necessarily uncomfortable. It's almost like you just you're more primed

0:40:04.360 --> 0:40:06.759
<v Speaker 1>to laugh at everything when you are at a low

0:40:06.920 --> 0:40:11.640
<v Speaker 1>station and a given social situation, because when you laugh,

0:40:12.040 --> 0:40:14.640
<v Speaker 1>people tend to like you more. You have a sense

0:40:14.680 --> 0:40:16.960
<v Speaker 1>of humor, you attract more friends, and so the more

0:40:16.960 --> 0:40:19.319
<v Speaker 1>friends you have, more allies you have, more allies you have,

0:40:19.480 --> 0:40:22.799
<v Speaker 1>the higher your station rises. So they were saying they

0:40:22.800 --> 0:40:25.080
<v Speaker 1>didn't think it was like an actual strategy that you

0:40:25.120 --> 0:40:31.000
<v Speaker 1>just can't help but titter nervously yourself. Maybe I'm not,

0:40:31.120 --> 0:40:35.680
<v Speaker 1>I'm just saying other people are. Uh. And finally, The

0:40:35.719 --> 0:40:38.319
<v Speaker 1>last thing I have is that, um, they did some

0:40:38.320 --> 0:40:41.280
<v Speaker 1>studies on what people do find funny and just daily life,

0:40:41.680 --> 0:40:43.719
<v Speaker 1>and it's usually not jokes, and it's usually not a

0:40:43.760 --> 0:40:48.720
<v Speaker 1>comedy routine you're watching. It's everyday life. Apparently only traces

0:40:48.760 --> 0:40:52.520
<v Speaker 1>back to an actual joke. And seventy of daily laughter

0:40:52.880 --> 0:40:56.200
<v Speaker 1>is just laughing at life and the people around you

0:40:56.239 --> 0:40:58.600
<v Speaker 1>on a daily basis, right, And supposedly it's not even funny.

0:40:58.719 --> 0:41:02.239
<v Speaker 1>Apparently the average person last seventeen point five times a day.

0:41:02.480 --> 0:41:04.920
<v Speaker 1>I don't know if we said that. We didn't, but

0:41:04.960 --> 0:41:08.560
<v Speaker 1>I wonder about that half laugh. You know, it's just

0:41:08.600 --> 0:41:12.360
<v Speaker 1>a hoe or he wasn't so great, but we'll count it. Um.

0:41:12.400 --> 0:41:16.640
<v Speaker 1>But this guy named Robert Provine, who's a laughter humor researcher. UM,

0:41:16.680 --> 0:41:19.880
<v Speaker 1>he said that most of the stuff that precedes laughter

0:41:20.000 --> 0:41:24.120
<v Speaker 1>and daily life, UM, which is called most pre laugh

0:41:24.239 --> 0:41:29.759
<v Speaker 1>dialogue is quote like that of an interminable television situation

0:41:29.800 --> 0:41:34.600
<v Speaker 1>comedy scripted by an extremely ungifted writer. So it's basically

0:41:34.640 --> 0:41:38.839
<v Speaker 1>just like laughing at just dumb stuff that's not even

0:41:38.880 --> 0:41:42.960
<v Speaker 1>really funny. It's just kind of said by somebody who

0:41:43.040 --> 0:41:45.560
<v Speaker 1>you want to like you. Apparently that's the basis of humor.

0:41:46.080 --> 0:41:51.399
<v Speaker 1>There's the s Y s K theory. Boom, I'm done,

0:41:51.440 --> 0:41:54.359
<v Speaker 1>man uh all right, so you want to give our

0:41:54.400 --> 0:41:57.799
<v Speaker 1>familiar sign off here. Yeah. So if you guys are

0:41:57.840 --> 0:41:59.840
<v Speaker 1>interested in this kind of thing, you can find this

0:42:00.120 --> 0:42:03.800
<v Speaker 1>article UM on how stuff works dot com by typing?

0:42:04.120 --> 0:42:07.280
<v Speaker 1>Is there a scientific formula for funny in the handy

0:42:07.320 --> 0:42:10.480
<v Speaker 1>search bar? And since I said handy search bar, it's

0:42:10.560 --> 0:42:13.880
<v Speaker 1>time for do you have any listener mail? No, I

0:42:13.920 --> 0:42:17.640
<v Speaker 1>should have brought one. Well that's it then, everybody, Thank

0:42:17.640 --> 0:42:19.640
<v Speaker 1>you very much for coming out and checking out our

0:42:19.680 --> 0:42:22.760
<v Speaker 1>live podcast. We hope you learned some funny stuff, laughed

0:42:22.800 --> 0:42:32.560
<v Speaker 1>a little, loved a little. There you go. Thanks for

0:42:32.680 --> 0:42:35.000
<v Speaker 1>more on this and thousands of other topics. Is that

0:42:35.080 --> 0:42:44.360
<v Speaker 1>how stuff works dot Com? Brought to you by the

0:42:44.400 --> 0:42:46.600
<v Speaker 1>all new Toyota Corolla