1 00:00:01,520 --> 00:00:04,280 Speaker 1: We have a lot to cover in this episode. 2 00:00:04,320 --> 00:00:09,320 Speaker 2: Are you ready more than the last one? Girl? This fasito. 3 00:00:10,480 --> 00:00:13,040 Speaker 1: It is not my fault that Shakira has one of 4 00:00:13,039 --> 00:00:16,360 Speaker 1: the most impressive resumes in La industria. 5 00:00:17,079 --> 00:00:19,079 Speaker 2: Give me a little recap. I don't even remember what 6 00:00:19,120 --> 00:00:20,440 Speaker 2: I had for breakfast yesterday? 7 00:00:20,640 --> 00:00:21,360 Speaker 1: What about today? 8 00:00:21,560 --> 00:00:22,200 Speaker 2: Hall of notates. 9 00:00:22,880 --> 00:00:24,840 Speaker 1: You need to stop your hollow notes hating or I 10 00:00:24,880 --> 00:00:28,640 Speaker 1: will quit this podcast. Those two are legend. 11 00:00:29,200 --> 00:00:32,479 Speaker 2: Okay, okay, don't go your amazing fema and I know 12 00:00:32,560 --> 00:00:34,400 Speaker 2: your beat is coming up. But girl, you look like 13 00:00:34,440 --> 00:00:35,560 Speaker 2: you're twenty something today. 14 00:00:35,840 --> 00:00:39,760 Speaker 1: You're very lucky because today your cheap flattery is actually working. 15 00:00:40,360 --> 00:00:44,040 Speaker 1: Here's where we left off. Shakira had two failed albums. 16 00:00:44,159 --> 00:00:47,000 Speaker 1: A third time was Indeed The Charm. The follow up 17 00:00:47,040 --> 00:00:51,239 Speaker 1: album blew everyone away. She caught the attention of Gloria 18 00:00:51,400 --> 00:00:55,720 Speaker 1: and Emilio Stefan, who helped her crossover, and with that crossover, 19 00:00:55,960 --> 00:01:00,800 Speaker 1: Shakira became a household name, releasing hit after hit alutum wait, 20 00:01:00,920 --> 00:01:01,800 Speaker 1: don't miss anything. 21 00:01:02,040 --> 00:01:04,560 Speaker 2: She got us all unbothered with that Voyeur video she 22 00:01:04,600 --> 00:01:06,480 Speaker 2: did with Alexandro Science you forgot that? 23 00:01:06,959 --> 00:01:11,520 Speaker 1: Oh? How could I forget? Oh? And with that Let's 24 00:01:11,520 --> 00:01:14,360 Speaker 1: dive into one of Shakida's most prolific. 25 00:01:13,880 --> 00:01:16,759 Speaker 2: Eras the she Wolf era. 26 00:01:17,520 --> 00:01:21,840 Speaker 1: We are talking all about our Loba Waca Waca, her 27 00:01:21,959 --> 00:01:25,880 Speaker 1: split from a longtime partner, Antonio Larua, and the album 28 00:01:26,000 --> 00:01:28,319 Speaker 1: that healed her heartbreak salel So. 29 00:01:28,840 --> 00:01:31,320 Speaker 2: But for that, we need to talk about Beyonce. 30 00:01:34,440 --> 00:01:36,800 Speaker 1: I'm your host Liliana Vasquez. 31 00:01:36,600 --> 00:01:40,960 Speaker 2: And I'm Joseph Carrio and this is Becoming an Icon. 32 00:01:41,360 --> 00:01:43,880 Speaker 1: A weekly podcast where we give you the rundown on 33 00:01:43,920 --> 00:01:48,240 Speaker 1: how today's most famous LATINX stars have shaped pop culture. 34 00:01:48,160 --> 00:01:50,360 Speaker 2: And given the world some extra tuble. 35 00:01:50,880 --> 00:01:53,160 Speaker 1: Sit back and get comfortable. 36 00:01:52,960 --> 00:01:56,920 Speaker 2: Because we are going in the only way we know how, 37 00:01:57,160 --> 00:01:58,840 Speaker 2: with Buenas Bias. 38 00:01:58,920 --> 00:02:03,560 Speaker 1: Junas riesas and a lot of opinions as we relive 39 00:02:03,720 --> 00:02:06,720 Speaker 1: their greatest achievements on our journey to find out what 40 00:02:06,800 --> 00:02:19,240 Speaker 1: makes them so iconic. You and I can both agree 41 00:02:19,320 --> 00:02:22,360 Speaker 1: that the artists who discussed so far have inspired the 42 00:02:22,440 --> 00:02:24,320 Speaker 1: globe many many. 43 00:02:24,120 --> 00:02:28,120 Speaker 2: Peeps, one a Hundhi, even Bad Money, who's the most 44 00:02:28,320 --> 00:02:31,440 Speaker 2: baby of our icons list, has already left his mark 45 00:02:31,639 --> 00:02:32,400 Speaker 2: in the biz. 46 00:02:32,720 --> 00:02:35,160 Speaker 1: The list goes on and on. When it comes to Shakida, 47 00:02:35,639 --> 00:02:39,440 Speaker 1: then there's obvious ones like Camilicabeyo, Becky g Selena Gomez, 48 00:02:39,480 --> 00:02:43,919 Speaker 1: and Christina Aguilera. But you also have people like Romeo Santos, 49 00:02:43,960 --> 00:02:48,080 Speaker 1: bre Larson, Justin Bieber, Rianna Taylor Swift, and even Beyonce. 50 00:02:48,840 --> 00:02:51,880 Speaker 2: Uh pre Larson, Justin Bieber. 51 00:02:52,200 --> 00:02:55,720 Speaker 1: What can I say? Everybody worships at the Church of Shakda. 52 00:02:56,160 --> 00:02:57,000 Speaker 2: It's the hips. 53 00:02:57,480 --> 00:03:00,320 Speaker 1: As for Beyonce, this is the only chance we might 54 00:03:00,400 --> 00:03:02,440 Speaker 1: have to talk about her, so let's get to it 55 00:03:02,480 --> 00:03:04,000 Speaker 1: before our producers changed their mind. 56 00:03:04,280 --> 00:03:07,600 Speaker 2: Actually, I think she might pop back up with our next. 57 00:03:07,560 --> 00:03:10,560 Speaker 1: Icon spoilers, I want that to be a surprise for 58 00:03:10,600 --> 00:03:15,280 Speaker 1: the listeners. As I was saying, Beyonce, take a shot. 59 00:03:15,320 --> 00:03:17,480 Speaker 1: Whenever we say her name, nobody's going to get through 60 00:03:17,480 --> 00:03:18,880 Speaker 1: this episode, Joseph. 61 00:03:18,919 --> 00:03:21,480 Speaker 2: Or maybe they'll give us a five star rating. Could 62 00:03:21,520 --> 00:03:22,280 Speaker 2: go either way. 63 00:03:22,400 --> 00:03:25,040 Speaker 1: Tell your friends, yes, okay, So let me set the stage. 64 00:03:26,360 --> 00:03:28,440 Speaker 1: The year is two thousand and seven. 65 00:03:28,800 --> 00:03:31,400 Speaker 2: Is this going to be on the test, Joseph, I'm discussing, 66 00:03:31,440 --> 00:03:31,880 Speaker 2: need to keep on. 67 00:03:32,440 --> 00:03:37,240 Speaker 1: The number one song that year was Beyonce's Irreplaceable Yellows Yellows. 68 00:03:37,960 --> 00:03:40,960 Speaker 1: She debuted her solo album and the final Destiny's Child 69 00:03:41,040 --> 00:03:43,840 Speaker 1: album was already out so for her next act, be said, 70 00:03:43,960 --> 00:03:45,600 Speaker 1: you know what, let me change some lives. 71 00:03:46,000 --> 00:03:48,440 Speaker 2: I'm pretty sure she thinks that whenever she's about to 72 00:03:48,480 --> 00:03:51,480 Speaker 2: go into the studio, to be honest, go to the. 73 00:03:51,480 --> 00:03:54,920 Speaker 1: Studio, you think Beyonce goes to a studio, Bitch, that 74 00:03:55,040 --> 00:03:55,920 Speaker 1: studio comes to her. 75 00:03:56,480 --> 00:03:59,960 Speaker 2: So she comes out with b day on her list, 76 00:04:00,560 --> 00:04:03,440 Speaker 2: twenty fifth birthday and everyone is loving it. 77 00:04:03,800 --> 00:04:07,720 Speaker 1: By this point, Beyonce could have collaborated with whoever she wanted, and. 78 00:04:08,040 --> 00:04:11,520 Speaker 2: She chose Chekina. The collab itself was something that stemmed 79 00:04:11,600 --> 00:04:13,200 Speaker 2: from mutual admiration. 80 00:04:13,640 --> 00:04:17,279 Speaker 1: They'd met numerous times, paths crossing at award shows and whatnot, 81 00:04:17,520 --> 00:04:20,039 Speaker 1: and they had always had plans to collaborate. 82 00:04:20,440 --> 00:04:22,360 Speaker 2: Sounds familiar, yes. 83 00:04:22,279 --> 00:04:24,919 Speaker 1: The old let's have lunch and then you know you 84 00:04:25,000 --> 00:04:28,280 Speaker 1: never meet up, But this case was different. Beyonce and 85 00:04:28,279 --> 00:04:29,920 Speaker 1: Shakira followed through. 86 00:04:29,960 --> 00:04:32,880 Speaker 2: And that's on emotional maturity, Mama. 87 00:04:33,279 --> 00:04:36,160 Speaker 1: After years of admiring each other's work, they were able 88 00:04:36,200 --> 00:04:40,440 Speaker 1: to record the song together, which, thank the Lord, because 89 00:04:40,960 --> 00:04:43,479 Speaker 1: that song is Fuagle. 90 00:04:43,200 --> 00:04:46,160 Speaker 2: Praise him. Do you remember what you were doing when 91 00:04:46,160 --> 00:04:48,799 Speaker 2: it came out? It was like confebs February two thousand 92 00:04:48,800 --> 00:04:49,120 Speaker 2: and seven. 93 00:04:49,200 --> 00:04:51,600 Speaker 1: How do you remember that when you don't even remember 94 00:04:51,600 --> 00:04:52,520 Speaker 1: my name? Sometimes? 95 00:04:52,680 --> 00:04:54,240 Speaker 2: Guys, it was the collab. 96 00:04:54,880 --> 00:04:57,640 Speaker 1: It was really good. We've gotten to go back and 97 00:04:57,680 --> 00:05:01,280 Speaker 1: listen to so much Beyonce and Shakira old music and 98 00:05:01,880 --> 00:05:05,560 Speaker 1: the marriage of those two women in this song with 99 00:05:05,600 --> 00:05:08,040 Speaker 1: their voices. It's something that I never thought would happen. 100 00:05:08,600 --> 00:05:11,279 Speaker 2: I agree, And the timing is just so perfect. Also, 101 00:05:11,360 --> 00:05:13,520 Speaker 2: pairing two powerhouses. 102 00:05:13,000 --> 00:05:16,400 Speaker 1: It's recipe for success, but sometimes it doesn't work. Sometimes 103 00:05:16,640 --> 00:05:20,159 Speaker 1: one overshadows the other or overpowers the other, or there's 104 00:05:20,240 --> 00:05:23,359 Speaker 1: rumors of bad blood on set. Why do you feel 105 00:05:23,400 --> 00:05:26,239 Speaker 1: like this song worked so well, Beyonce? 106 00:05:26,320 --> 00:05:28,080 Speaker 2: I don't feel like she was trying to take the lead, 107 00:05:28,120 --> 00:05:30,279 Speaker 2: And I think that they were both fifty to fifty 108 00:05:30,360 --> 00:05:33,080 Speaker 2: in on the song. They both sang it equally. 109 00:05:33,440 --> 00:05:36,080 Speaker 1: And it's interesting because while they never met in person 110 00:05:36,160 --> 00:05:39,920 Speaker 1: to actually record these vocals for that song, we can 111 00:05:39,920 --> 00:05:42,679 Speaker 1: all agree that the mix on this was magic. 112 00:05:43,040 --> 00:05:46,279 Speaker 2: It was a nice prosole combining both these powerhouse singers. 113 00:05:46,720 --> 00:05:49,599 Speaker 2: It was the R and B, the hip hop pop 114 00:05:49,760 --> 00:05:51,720 Speaker 2: mixed with Middle Eastern and Latino. 115 00:05:52,080 --> 00:05:54,000 Speaker 1: And one of the best parts is how they open 116 00:05:54,040 --> 00:05:57,359 Speaker 1: it by saying their name so good and I know 117 00:05:57,480 --> 00:06:03,400 Speaker 1: now it's super common like DJ dj KAL. At that time, 118 00:06:03,560 --> 00:06:05,440 Speaker 1: it felt like they were just letting you know who 119 00:06:05,560 --> 00:06:08,320 Speaker 1: was boss and about to bless your eardrops for real. 120 00:06:08,640 --> 00:06:10,920 Speaker 2: And another great part about this song is how much 121 00:06:11,200 --> 00:06:14,720 Speaker 2: they're hyping each other up. These two women agree that 122 00:06:14,760 --> 00:06:18,040 Speaker 2: the boy is not worth their time or peace of mind. 123 00:06:18,160 --> 00:06:22,600 Speaker 1: It's a true girl anthem and girls, guys, if you're listening, 124 00:06:23,000 --> 00:06:24,720 Speaker 1: they're not worth your time and. 125 00:06:24,720 --> 00:06:27,200 Speaker 2: The youth deserves to know that. Start them off young. 126 00:06:27,560 --> 00:06:30,480 Speaker 1: Now. Compared to the music video for Shakira's Objection, where 127 00:06:30,480 --> 00:06:32,920 Speaker 1: she this is the other woman for her cheap silkon 128 00:06:33,000 --> 00:06:37,800 Speaker 1: for us, I think Shakira has come a long way off. Disclaimer, 129 00:06:38,480 --> 00:06:40,680 Speaker 1: we are not taking the recent piquet this is into 130 00:06:40,680 --> 00:06:43,400 Speaker 1: consideration at this moment. We're going to save that juicy 131 00:06:43,480 --> 00:06:44,520 Speaker 1: nugget for a little lad. 132 00:06:45,480 --> 00:06:50,440 Speaker 2: Speaking of music videos, the one for Beautiful Liar bless 133 00:06:50,560 --> 00:06:51,360 Speaker 2: Me Queens. 134 00:06:52,120 --> 00:06:55,240 Speaker 1: The video won the VMA for most earth Shattering Collaboration 135 00:06:55,400 --> 00:06:58,200 Speaker 1: at the two thousand and seven MTV Video Music Awards. 136 00:06:58,360 --> 00:07:01,960 Speaker 2: Earth Shattering Collaboration, that's a category. You know. 137 00:07:02,240 --> 00:07:03,919 Speaker 1: MTV has a lot of fun with the categories, and 138 00:07:03,960 --> 00:07:04,799 Speaker 1: in two thousand and seven. 139 00:07:05,160 --> 00:07:09,200 Speaker 2: It sure was their impact. The VMA's made the category 140 00:07:09,360 --> 00:07:12,280 Speaker 2: because of them. Nobody can change my mind. 141 00:07:12,680 --> 00:07:15,160 Speaker 1: We can all agree that Shakida and Beyonce are two 142 00:07:15,200 --> 00:07:18,720 Speaker 1: of the busiest women on the planet, and that made 143 00:07:18,760 --> 00:07:22,880 Speaker 1: shooting this video so difficult. They didn't even have time 144 00:07:22,920 --> 00:07:25,920 Speaker 1: to choreograph it beforehand. I don't know if you guys 145 00:07:25,960 --> 00:07:29,000 Speaker 1: know this, but they practically made it all up on 146 00:07:29,040 --> 00:07:32,280 Speaker 1: the spot, and they rehearsed right before they filmed. 147 00:07:32,360 --> 00:07:32,560 Speaker 2: Wow. 148 00:07:32,800 --> 00:07:35,200 Speaker 1: Shakira took the lead for most of it and was 149 00:07:35,240 --> 00:07:38,120 Speaker 1: the one that taught Beyonce had a belly dance. 150 00:07:38,240 --> 00:07:41,880 Speaker 2: Ooh girl, and we thank you for your service, Shakida. 151 00:07:42,400 --> 00:07:45,640 Speaker 1: The video, without a doubt, instantly made them the sexiest 152 00:07:45,680 --> 00:07:51,000 Speaker 1: women in the industry, upstaging my favorite Latortua. I mean, 153 00:07:51,040 --> 00:07:54,240 Speaker 1: when you just have two beautiful women dancing away las 154 00:07:54,280 --> 00:07:56,720 Speaker 1: malas vibras for a good for nothing Chico. 155 00:07:57,200 --> 00:07:59,920 Speaker 2: Okay, I have to say it. I think we're all one, 156 00:08:00,520 --> 00:08:03,120 Speaker 2: so I'm just gonna say it. This de la rue 157 00:08:03,240 --> 00:08:06,640 Speaker 2: fella had to be a trifling man. Why is Shakira 158 00:08:06,680 --> 00:08:10,800 Speaker 2: always singing about cheating? Did he cheat? Did she cheat? 159 00:08:11,400 --> 00:08:13,200 Speaker 2: I have so many questions. 160 00:08:12,800 --> 00:08:15,920 Speaker 1: And we will get to those very soon. At least 161 00:08:16,080 --> 00:08:19,000 Speaker 1: this time around, though, Shakira isn't singing about dragging the 162 00:08:19,040 --> 00:08:23,160 Speaker 1: other woman through the dirt. Instead, this distract is about 163 00:08:23,200 --> 00:08:27,000 Speaker 1: two women that realize their energy is best meent calling 164 00:08:27,080 --> 00:08:30,280 Speaker 1: the fucker out and I'm moving on true that. 165 00:08:31,120 --> 00:08:33,720 Speaker 2: So, what's next on Cheky? That's busy schedule. 166 00:08:33,840 --> 00:08:35,840 Speaker 1: Writing the music for the adaptation of Love and the 167 00:08:35,840 --> 00:08:36,520 Speaker 1: Time of Cholera? 168 00:08:37,240 --> 00:08:39,200 Speaker 2: What's my man thinking with these titles? 169 00:08:39,400 --> 00:08:41,480 Speaker 1: I think you need to say that for your literary 170 00:08:41,520 --> 00:08:43,200 Speaker 1: critique podcast. 171 00:08:42,800 --> 00:08:45,760 Speaker 2: No one is Safe. I'm looking at you, Joseph Heller. 172 00:08:46,160 --> 00:08:48,720 Speaker 1: The film was based on the nineteen eighty five novel 173 00:08:48,760 --> 00:08:52,640 Speaker 1: of the same name by Gabriel jose L Concordia Garcia Marquez, 174 00:08:52,800 --> 00:08:55,720 Speaker 1: also known as Gabriel Garcia Marquez or Let's just go 175 00:08:55,760 --> 00:08:56,720 Speaker 1: with Gobble Gobbo. 176 00:08:57,080 --> 00:09:00,720 Speaker 2: It just makes it so much easier AKA very famous, 177 00:09:00,840 --> 00:09:05,120 Speaker 2: very prolific Colombian writer. Shakita ended up writing a couple 178 00:09:05,160 --> 00:09:07,840 Speaker 2: of songs for the soundtrack, but the one that stood 179 00:09:07,920 --> 00:09:10,200 Speaker 2: out was this Bedida. 180 00:09:10,080 --> 00:09:13,120 Speaker 1: This Bdi that was nominated for Best Original Song at 181 00:09:13,120 --> 00:09:14,920 Speaker 1: the sixty fifth Golden Globes. 182 00:09:15,360 --> 00:09:17,359 Speaker 2: So close to that egot. 183 00:09:17,200 --> 00:09:20,559 Speaker 1: You could almost touch it now. The best part. Gobbel 184 00:09:20,800 --> 00:09:22,360 Speaker 1: personally asked her to do it. 185 00:09:22,840 --> 00:09:26,120 Speaker 2: Hold up, you mean to tell me the father of 186 00:09:26,240 --> 00:09:31,040 Speaker 2: magical realism, realistically Ashakta to create some magic word. 187 00:09:31,440 --> 00:09:34,760 Speaker 1: Well, you have to remember they go way way back. 188 00:09:35,559 --> 00:09:39,760 Speaker 1: Sometimes I think we are too narrow minded about our 189 00:09:40,480 --> 00:09:43,719 Speaker 1: pop stars, rock stars, musicians, Like sometimes I feel like 190 00:09:43,760 --> 00:09:47,280 Speaker 1: we don't give them enough intellectual credit. Do you agree? 191 00:09:47,480 --> 00:09:51,240 Speaker 2: I do? I do. I'll speak for myself. I'm not 192 00:09:51,280 --> 00:09:54,120 Speaker 2: saying I'm a pop star. I am. I like to 193 00:09:54,120 --> 00:09:56,280 Speaker 2: hang around with people who know a lot more things 194 00:09:56,360 --> 00:09:59,040 Speaker 2: than I do, And so I feel like Shakda is 195 00:09:59,600 --> 00:10:03,240 Speaker 2: really into poetry, really into art, really into political things. 196 00:10:03,320 --> 00:10:05,680 Speaker 2: So her hanging out with a guy like this, I 197 00:10:05,720 --> 00:10:08,120 Speaker 2: don't think sounds crazy. I think it's an inspiration. 198 00:10:08,640 --> 00:10:11,200 Speaker 1: Yeah, I think again, sometimes we have very narrow minded 199 00:10:11,240 --> 00:10:15,199 Speaker 1: opinions of our pop icons or our pop stars, and 200 00:10:15,600 --> 00:10:18,359 Speaker 1: we judge them for maybe how they look on the outside, 201 00:10:18,679 --> 00:10:20,600 Speaker 1: but we aren't really tapping into who they are on 202 00:10:20,640 --> 00:10:24,480 Speaker 1: the inside. So, yes, Shakira has the crazy wild hair, 203 00:10:24,600 --> 00:10:27,080 Speaker 1: she's swinging her hips, she's covered in black paint, gyrating 204 00:10:27,120 --> 00:10:30,720 Speaker 1: on a floor to Alejandro's sons, dancing around barefoot. But 205 00:10:31,400 --> 00:10:36,800 Speaker 1: she's also incredibly deep. She's smart, she's a poet, so 206 00:10:36,840 --> 00:10:39,360 Speaker 1: the fact that she was hanging around with Gobble makes 207 00:10:39,480 --> 00:10:40,560 Speaker 1: perfect sense. 208 00:10:40,960 --> 00:10:44,240 Speaker 2: Also, I feel like she's spiritual, and talking to someone 209 00:10:44,240 --> 00:10:47,000 Speaker 2: who is really in touch with themselves takes you there 210 00:10:47,520 --> 00:10:50,640 Speaker 2: and maybe just really she got to take a deeper 211 00:10:50,679 --> 00:10:53,480 Speaker 2: look into herself and write even better and understand her 212 00:10:53,520 --> 00:10:54,760 Speaker 2: feelings more soundly. 213 00:10:55,320 --> 00:10:57,600 Speaker 1: Well, I can't imagine a better teacher when it comes 214 00:10:57,640 --> 00:11:01,360 Speaker 1: to writing and really expressing what's deep the core of 215 00:11:01,360 --> 00:11:06,480 Speaker 1: your vulnerability and of your humanity than somebody like Gobble. 216 00:11:06,559 --> 00:11:08,680 Speaker 2: Well, I think you're a really good teacher. Thank you. 217 00:11:16,200 --> 00:11:20,160 Speaker 2: She was different, and people appreciated that she was someone 218 00:11:20,200 --> 00:11:20,640 Speaker 2: to watch. 219 00:11:21,200 --> 00:11:23,720 Speaker 1: In two thousand and eight, Forbes named Shikida the fourth 220 00:11:23,840 --> 00:11:27,160 Speaker 1: top earning female artist in the music industry. She followed 221 00:11:27,160 --> 00:11:30,240 Speaker 1: in Ricky and Jalo's footsteps and performed for a president. 222 00:11:30,400 --> 00:11:35,559 Speaker 2: Please Say Obama, Please Say Obama. It was hell yeah. 223 00:11:35,800 --> 00:11:39,280 Speaker 1: She performed at the Lincoln Memorial for his inauguration alongside 224 00:11:39,280 --> 00:11:47,240 Speaker 1: Stevie Wonder and Usher. Sure Yes, and unlike other inaugurations, 225 00:11:47,400 --> 00:11:50,000 Speaker 1: Obama drew a huge crowd. 226 00:11:50,200 --> 00:11:52,240 Speaker 2: I can only think of one way to follow up 227 00:11:52,280 --> 00:11:53,599 Speaker 2: performing in front. 228 00:11:53,360 --> 00:11:56,319 Speaker 1: Of so many I'm Afraid to ask. 229 00:11:56,679 --> 00:11:59,680 Speaker 2: By dangling upside down from a cage in a nude bodysuit. 230 00:12:00,120 --> 00:12:04,240 Speaker 1: Oh well, actually yeah, that's exactly what she did. The 231 00:12:04,320 --> 00:12:07,079 Speaker 1: following year, Shakira followed up the success of her Oral 232 00:12:07,080 --> 00:12:11,160 Speaker 1: Fixation duology and her collab with Beyonce with She Wolf. 233 00:12:12,480 --> 00:12:14,400 Speaker 2: She Wolf was different. 234 00:12:14,840 --> 00:12:18,439 Speaker 1: Shakida had reached international acclaim following the success of both 235 00:12:18,600 --> 00:12:22,240 Speaker 1: Oral Fixation albums Hips Don't Lie had proved a beacon 236 00:12:22,320 --> 00:12:23,040 Speaker 1: for her career. 237 00:12:23,480 --> 00:12:26,320 Speaker 2: You can still feel the impact to this day. 238 00:12:26,520 --> 00:12:29,959 Speaker 1: However, the most interesting detail about Shakira's music is that 239 00:12:30,000 --> 00:12:34,120 Speaker 1: critics don't often really vibe with it. They have no taste, zero, 240 00:12:34,679 --> 00:12:37,320 Speaker 1: and yet it always makes its way into lists like 241 00:12:37,480 --> 00:12:38,880 Speaker 1: Top Albums of the Year. 242 00:12:39,200 --> 00:12:42,160 Speaker 2: What's the tea Critics? They don't know anything. 243 00:12:42,920 --> 00:12:45,680 Speaker 1: One thing they can't deny is that Shakira puts her 244 00:12:45,760 --> 00:12:49,120 Speaker 1: heart and soul into her music. For this album, she 245 00:12:49,200 --> 00:12:52,680 Speaker 1: enlisted inspiration from those who have inspired her. Shaki recorded 246 00:12:52,720 --> 00:12:55,240 Speaker 1: She Wolf at the Compass Point Studios in the Bahamas, 247 00:12:55,280 --> 00:12:58,120 Speaker 1: where the likes of Bob Marley, The Cure and even 248 00:12:58,280 --> 00:13:00,360 Speaker 1: ac DC have recorded. 249 00:13:00,640 --> 00:13:04,680 Speaker 2: Amazing and those influences were working over time. Because this 250 00:13:04,840 --> 00:13:07,800 Speaker 2: album was less of the Latin pop and rock feels 251 00:13:07,800 --> 00:13:12,240 Speaker 2: we'd gotten before. No, No Honey, Shakia delivered an electro 252 00:13:12,520 --> 00:13:15,280 Speaker 2: pop and new wave phenomenon. 253 00:13:14,800 --> 00:13:17,520 Speaker 1: Which come on. One of the collaborators on this is 254 00:13:17,600 --> 00:13:22,360 Speaker 1: Pharrell Williams. You can't not have that kind of experimental 255 00:13:22,559 --> 00:13:24,120 Speaker 1: rhythm when you're working with. 256 00:13:24,120 --> 00:13:26,800 Speaker 2: Pharrell, I mean, bottom line, it's no surprise that this 257 00:13:26,880 --> 00:13:30,559 Speaker 2: was the new direction she was taking. Electronic music would 258 00:13:30,559 --> 00:13:35,040 Speaker 2: soon take over the sound waves. There was LMFAO, scrillicks, 259 00:13:35,440 --> 00:13:37,000 Speaker 2: you name it, everyone was on it. 260 00:13:37,520 --> 00:13:39,960 Speaker 1: In just two thousand and nine alone, the top hits 261 00:13:39,960 --> 00:13:42,120 Speaker 1: of the year had She Woke, But there's also a 262 00:13:42,200 --> 00:13:46,240 Speaker 1: Lady Gaga with Just Dance, Love TII and Rihannas Live 263 00:13:46,280 --> 00:13:50,560 Speaker 1: Your Life Length and Henrianna again but this time with 264 00:13:50,679 --> 00:13:53,400 Speaker 1: Jay Z and Kanye West with their hit Run This Town. 265 00:13:54,760 --> 00:13:57,920 Speaker 1: What do you remember about this era of music in 266 00:13:57,960 --> 00:14:00,000 Speaker 1: two thousand and nine and nine. 267 00:14:00,160 --> 00:14:06,239 Speaker 2: I remember Grinder, I remember Grinder came about. I remember 268 00:14:07,160 --> 00:14:11,280 Speaker 2: here as you sure. I remember Kanye taking the mic 269 00:14:11,360 --> 00:14:14,320 Speaker 2: from Taylor's with That was in two thousand and nine. 270 00:14:14,320 --> 00:14:16,000 Speaker 1: Right, those are a wild time. 271 00:14:16,160 --> 00:14:20,480 Speaker 2: It was chaos. Two thousand and nine was chaos. 272 00:14:20,120 --> 00:14:23,800 Speaker 1: And we just wanted to dance it all away. Well, 273 00:14:23,800 --> 00:14:27,000 Speaker 1: the direction she was taking seemed obvious. Many were still 274 00:14:27,040 --> 00:14:30,080 Speaker 1: curious about this change in style for Shakda. 275 00:14:30,120 --> 00:14:33,560 Speaker 2: How did she go from donnez to a bop like 276 00:14:33,640 --> 00:14:34,240 Speaker 2: She Wolf. 277 00:14:34,440 --> 00:14:38,440 Speaker 1: It's actually pretty simple. She's a chameleon, and as we've 278 00:14:38,440 --> 00:14:40,880 Speaker 1: seen so far in her career, we're going to continue 279 00:14:40,920 --> 00:14:44,960 Speaker 1: seeing that she's always able to shift and mold herself 280 00:14:45,000 --> 00:14:48,480 Speaker 1: to what's currently in or popular, but she still does 281 00:14:48,520 --> 00:14:52,360 Speaker 1: that by making that music her own. Take She Wolf 282 00:14:52,400 --> 00:14:55,440 Speaker 1: for example, right, you have her dancing around this particular 283 00:14:55,480 --> 00:14:58,000 Speaker 1: mix of music, all sexy and shit, and then by 284 00:14:58,040 --> 00:15:01,960 Speaker 1: the end she's this innocent, wholesome kind of seductress as 285 00:15:01,960 --> 00:15:04,880 Speaker 1: she goes back to the dance moves that we've always 286 00:15:05,240 --> 00:15:06,160 Speaker 1: known from her. 287 00:15:06,680 --> 00:15:09,920 Speaker 2: She doesn't really chase the trends, she modifies them. 288 00:15:10,000 --> 00:15:12,560 Speaker 1: It's a great way to describe it. And she took 289 00:15:12,600 --> 00:15:16,760 Speaker 1: this bustling electropop genre and combined it with influences from 290 00:15:16,760 --> 00:15:20,040 Speaker 1: around the world like Africa, Columbia, India, and the Middle. 291 00:15:19,920 --> 00:15:23,680 Speaker 2: She described it all as quote sonic experimental trip. 292 00:15:23,600 --> 00:15:25,960 Speaker 1: And when asked about the title, Shakira had this to say. 293 00:15:26,600 --> 00:15:28,840 Speaker 1: She Wolf is the woman of our time, the woman 294 00:15:28,840 --> 00:15:30,880 Speaker 1: who knows what she wants and is free of prejudice 295 00:15:30,920 --> 00:15:34,640 Speaker 1: and preconceived notions. She defends her deepest desires with teeth 296 00:15:34,680 --> 00:15:39,240 Speaker 1: and claws like a wild animal. Following the success of 297 00:15:39,240 --> 00:15:43,000 Speaker 1: She Wolf, she doubled down and collaborated with Freshly Ground 298 00:15:43,200 --> 00:15:46,040 Speaker 1: for the FIFA song we Still Can't stop singing along 299 00:15:46,080 --> 00:15:59,320 Speaker 1: to to This Day's Africa Waka Waka. Her version not 300 00:15:59,480 --> 00:16:03,360 Speaker 1: Ours quickly became the biggest selling World Cup song of 301 00:16:03,520 --> 00:16:07,560 Speaker 1: all time. This song has been viewed on YouTube. Wait 302 00:16:07,600 --> 00:16:08,760 Speaker 1: guess how many times, Joseph. 303 00:16:09,480 --> 00:16:12,480 Speaker 2: I can't. I can't even guess. It has to be astronomical. 304 00:16:12,840 --> 00:16:18,400 Speaker 2: Pick three point five billion. I knew the number, bitch, 305 00:16:19,080 --> 00:16:22,280 Speaker 2: you are sold. But do you think the song was 306 00:16:22,320 --> 00:16:22,800 Speaker 2: bigger than. 307 00:16:22,760 --> 00:16:26,840 Speaker 1: Ricky Martin's Yeah. Like, by the way, I love Cup 308 00:16:26,840 --> 00:16:31,120 Speaker 1: of Life so good just the sound of this, but 309 00:16:31,200 --> 00:16:34,560 Speaker 1: it's not as good as Waka Waka. Like again, remember 310 00:16:34,600 --> 00:16:36,560 Speaker 1: when I said to you that I was sitting in 311 00:16:36,560 --> 00:16:41,400 Speaker 1: my childhood bedroom in Hurst, Texas listening to Shakda Transport 312 00:16:41,520 --> 00:16:46,160 Speaker 1: Me to the Middle East. Now here's Waka Waka. She's 313 00:16:46,280 --> 00:16:50,880 Speaker 1: transporting every person to Africa for the World Cup. Yeah, 314 00:16:51,000 --> 00:16:56,120 Speaker 1: her music is global not just global. It's transformative for 315 00:16:56,200 --> 00:16:59,280 Speaker 1: people because it opens their eyes and ears to a 316 00:16:59,320 --> 00:17:01,200 Speaker 1: whole new sound, a whole new part of the world, 317 00:17:01,200 --> 00:17:03,920 Speaker 1: And like, what a beautiful way to experience new culture. 318 00:17:04,000 --> 00:17:06,080 Speaker 1: There's no better way to experience culture, at least I 319 00:17:06,119 --> 00:17:09,520 Speaker 1: think than through the food and music of that culture word, 320 00:17:09,720 --> 00:17:11,639 Speaker 1: and that's what she did. I couldn't be at the 321 00:17:11,680 --> 00:17:14,200 Speaker 1: World Cup, but I felt like I was a world cut. 322 00:17:14,320 --> 00:17:15,440 Speaker 2: I did feel like it. 323 00:17:15,440 --> 00:17:28,720 Speaker 1: It's so good it took me there. Unfortunately, not everything 324 00:17:28,960 --> 00:17:29,840 Speaker 1: was milk and honey. 325 00:17:30,440 --> 00:17:33,560 Speaker 2: Great. Now I have the munchies. I'm hungry. Hold that thought. 326 00:17:33,880 --> 00:17:37,080 Speaker 1: There was trouble in Paradise because Shakira's love life was 327 00:17:37,160 --> 00:17:40,360 Speaker 1: headed for a dead end when her longtime partner Antonio 328 00:17:40,400 --> 00:17:43,320 Speaker 1: de Arua decided to take Shakira took court. 329 00:17:43,960 --> 00:17:46,960 Speaker 2: Shakita wasn't shy about her relationship with Antonio. 330 00:17:47,520 --> 00:17:50,480 Speaker 1: She began dating the Argentine lawyer back in two thousand. 331 00:17:50,760 --> 00:17:53,719 Speaker 2: Please refer to the laundry service section of the second 332 00:17:53,720 --> 00:17:54,960 Speaker 2: episode on Shakira. 333 00:17:55,600 --> 00:17:58,720 Speaker 1: They were happily in love for almost ten years through 334 00:17:58,720 --> 00:18:01,560 Speaker 1: her crossover and her There are numerous albums After that, 335 00:18:02,200 --> 00:18:05,320 Speaker 1: public perception of their relationship started to shift when in 336 00:18:05,359 --> 00:18:08,200 Speaker 1: two thousand and nine, Shakira responded to questions on their 337 00:18:08,240 --> 00:18:11,399 Speaker 1: status by saying that they don't need to get married 338 00:18:11,680 --> 00:18:14,640 Speaker 1: to them, marriage was a formality, and. 339 00:18:14,760 --> 00:18:17,400 Speaker 2: This won't be the last time she takes this stance. 340 00:18:17,760 --> 00:18:21,919 Speaker 1: P Que hold that thought as well. Please her and 341 00:18:21,920 --> 00:18:25,160 Speaker 1: Antonio basically function as a married couple and for them, 342 00:18:25,400 --> 00:18:26,960 Speaker 1: well that was enough. 343 00:18:27,320 --> 00:18:30,199 Speaker 2: Or so they said, because a year later, in August 344 00:18:30,240 --> 00:18:33,800 Speaker 2: twenty ten, they broke up. They were on a break 345 00:18:34,320 --> 00:18:36,480 Speaker 2: now uh ask rust and Rachel. 346 00:18:36,880 --> 00:18:39,920 Speaker 1: She called it a quote mutual decision to take time 347 00:18:39,960 --> 00:18:42,359 Speaker 1: apart from our romantic relationship. 348 00:18:42,920 --> 00:18:45,280 Speaker 2: It's never mutual, Gattigne. 349 00:18:45,320 --> 00:18:46,959 Speaker 1: And it was supposed to be temporary. 350 00:18:47,320 --> 00:18:49,400 Speaker 2: It's never temporary. 351 00:18:49,359 --> 00:18:52,040 Speaker 1: And he would continue overseeing her career since he was 352 00:18:52,080 --> 00:18:52,600 Speaker 1: her lawyer. 353 00:18:53,200 --> 00:18:54,000 Speaker 2: Red flag. 354 00:18:54,440 --> 00:18:58,239 Speaker 1: Fast forward to twenty thirteen. That guy sued her. 355 00:18:59,119 --> 00:19:01,440 Speaker 2: There it is the other shoe. 356 00:19:01,680 --> 00:19:06,560 Speaker 1: Dirupt and he asked for wait for it, one hundred 357 00:19:06,800 --> 00:19:09,680 Speaker 1: million dollars that he believed was owed to. 358 00:19:09,760 --> 00:19:13,919 Speaker 2: Him, one hundred million dollars. Do you know what you 359 00:19:14,000 --> 00:19:16,640 Speaker 2: have to do to earn one hundred million dollars? 360 00:19:17,000 --> 00:19:20,440 Speaker 1: You have to first let us let's let the listeners 361 00:19:20,600 --> 00:19:22,240 Speaker 1: use their imaginations. 362 00:19:22,560 --> 00:19:26,000 Speaker 2: Well, I have some innovative ideas if y'all want it. 363 00:19:26,680 --> 00:19:31,119 Speaker 1: Antonio claimed that Shakira owed her success to him. She 364 00:19:31,160 --> 00:19:34,000 Speaker 1: wouldn't be where she was if it wasn't for him. 365 00:19:34,480 --> 00:19:37,399 Speaker 2: Uh, he got fifty cent peti hanging. 366 00:19:37,520 --> 00:19:40,560 Speaker 1: And it didn't matter anyway, because his lawsuit was dismissed 367 00:19:40,720 --> 00:19:44,480 Speaker 1: and Shakira was a free woman again until Spain got 368 00:19:44,480 --> 00:19:47,000 Speaker 1: to her. But that's for another time. 369 00:19:47,400 --> 00:19:48,680 Speaker 2: It is Kanderlo. 370 00:19:49,560 --> 00:19:53,040 Speaker 1: This does, however, bring us to something you mentioned earlier. 371 00:19:53,119 --> 00:19:57,800 Speaker 2: Oh, Gerard. They made the relationship a fish in twenty eleven. 372 00:19:57,840 --> 00:20:00,840 Speaker 1: One year after a meeting at the FIFA World Cup. 373 00:20:01,320 --> 00:20:04,720 Speaker 2: Hold on, hold on, there's some cross over here. 374 00:20:04,560 --> 00:20:08,240 Speaker 1: Now, well a little are she wolf? 375 00:20:08,520 --> 00:20:11,720 Speaker 2: She Wolf? More like cougar? Me out? 376 00:20:12,600 --> 00:20:13,760 Speaker 1: You couldn't resist good to. 377 00:20:14,480 --> 00:20:17,880 Speaker 2: Nope, Our cougar is almost a decade older than PK. 378 00:20:18,400 --> 00:20:19,840 Speaker 2: You go, Mama. 379 00:20:19,520 --> 00:20:21,760 Speaker 1: Pik and Shakira met on the set for her music 380 00:20:21,840 --> 00:20:25,480 Speaker 1: video for Waka Waka, and you'll get all the cheese 381 00:20:25,480 --> 00:20:29,000 Speaker 1: men on those two next week. For now, let's focus 382 00:20:29,119 --> 00:20:32,920 Speaker 1: on the music. Following the success of Waka Waka, Shakira 383 00:20:32,960 --> 00:20:35,399 Speaker 1: released her ninth album, Sally So. 384 00:20:36,119 --> 00:20:38,920 Speaker 2: The album is a perfect blend of her sounds her 385 00:20:38,960 --> 00:20:43,159 Speaker 2: classic style blended with hints of new direction. No, not 386 00:20:43,280 --> 00:20:43,800 Speaker 2: one direction. 387 00:20:44,359 --> 00:20:47,359 Speaker 1: When describing the album, this is what Shaki had to say. 388 00:20:47,960 --> 00:20:50,960 Speaker 1: This album represents exactly the way I am, my state 389 00:20:51,000 --> 00:20:53,520 Speaker 1: of mind today as an artist and as a woman. 390 00:20:54,000 --> 00:20:56,119 Speaker 1: Some of the songs remind me of my beginnings, so 391 00:20:56,160 --> 00:20:58,280 Speaker 1: it's kind of like going back to where everything started, 392 00:20:58,400 --> 00:21:01,040 Speaker 1: but from a new perspective with the way I see 393 00:21:01,080 --> 00:21:05,680 Speaker 1: things now now. Salid Sold is considered to be Shakira's 394 00:21:06,040 --> 00:21:09,199 Speaker 1: return to her roots, and when you listen to it, 395 00:21:09,240 --> 00:21:13,440 Speaker 1: you definitely get like those early Shakira rock and roll vibes, 396 00:21:13,920 --> 00:21:17,439 Speaker 1: but a little Colombian and also like a ton of 397 00:21:17,520 --> 00:21:22,959 Speaker 1: pop Latino. What were your thoughts on this album, Joseph. 398 00:21:22,320 --> 00:21:24,639 Speaker 2: Well, Number one. When the song came out, I was 399 00:21:24,680 --> 00:21:28,680 Speaker 2: going to the gay bars and Loka was fucking everywhere, 400 00:21:28,880 --> 00:21:31,199 Speaker 2: and I was like, look, Gon, look Gon, Lka, And 401 00:21:31,240 --> 00:21:33,480 Speaker 2: you know that made me Loka because I am Oka. 402 00:21:33,520 --> 00:21:35,280 Speaker 2: So that is the first thing that I could think 403 00:21:35,280 --> 00:21:37,359 Speaker 2: of right now that we're talking about it. What about you? 404 00:21:38,240 --> 00:21:41,119 Speaker 1: I think for me, it was just the constant, I 405 00:21:41,119 --> 00:21:43,960 Speaker 1: don't know, self discovery element of her, like she's not 406 00:21:44,040 --> 00:21:46,560 Speaker 1: afraid to try something different, and I feel like for 407 00:21:46,680 --> 00:21:48,040 Speaker 1: so many of us, You and I have talked about 408 00:21:48,080 --> 00:21:50,000 Speaker 1: this a lot, right, like we kind of get stuck 409 00:21:50,240 --> 00:21:53,479 Speaker 1: in this rut of who we are, how we sound, 410 00:21:53,640 --> 00:21:56,600 Speaker 1: what people think of us. Shakira just has this really 411 00:21:56,640 --> 00:21:59,440 Speaker 1: innate ability to just throw like all caution to the 412 00:21:59,480 --> 00:22:02,320 Speaker 1: wind musically and personally and be like, you know what, 413 00:22:02,760 --> 00:22:04,520 Speaker 1: f it Like, I want to try something new, I 414 00:22:04,600 --> 00:22:06,800 Speaker 1: want to try something different. And a lot of people 415 00:22:06,800 --> 00:22:09,120 Speaker 1: will say when you have that level of fame and success, 416 00:22:09,160 --> 00:22:11,479 Speaker 1: like you're almost too big to fail, but you're not. 417 00:22:11,720 --> 00:22:15,560 Speaker 1: You can have a failure commercially and it can really 418 00:22:15,640 --> 00:22:18,480 Speaker 1: set back your career. But our little Lobita, I mean, 419 00:22:18,520 --> 00:22:20,920 Speaker 1: she's unafraid. 420 00:22:20,400 --> 00:22:23,399 Speaker 2: Also because I don't think she cares. I'll tell you 421 00:22:23,440 --> 00:22:27,080 Speaker 2: why she is writing the music that comes from her, 422 00:22:27,280 --> 00:22:29,240 Speaker 2: you know, so if it's a failure or not, it's like, 423 00:22:29,520 --> 00:22:31,800 Speaker 2: this is what she's fucking feeling. This is this is 424 00:22:31,840 --> 00:22:34,840 Speaker 2: the song. It's a looka, it's a rabiosa, it's stilet soul. 425 00:22:34,920 --> 00:22:38,040 Speaker 2: It's like we get to evolve with her as they go. 426 00:22:38,280 --> 00:22:41,639 Speaker 1: Completely and The album debuted at number seven on the 427 00:22:41,720 --> 00:22:44,520 Speaker 1: US Billboard two hundred chart, marking the highest debut for 428 00:22:44,560 --> 00:22:47,679 Speaker 1: a Latin album for the year, and with Shakira's fifth 429 00:22:47,720 --> 00:22:50,520 Speaker 1: album to peak at number one. 430 00:22:50,240 --> 00:22:54,520 Speaker 2: At the twenty eleven Latin Grammy Award ceremony, Salle Sold 431 00:22:54,560 --> 00:22:56,439 Speaker 2: won Best Female Pop Vocal Album. 432 00:22:56,720 --> 00:22:59,600 Speaker 1: In November of that year, Shakira was also honored as 433 00:22:59,600 --> 00:23:02,359 Speaker 1: the Latin Recording Academy's Person of the Year. 434 00:23:03,040 --> 00:23:07,439 Speaker 2: This was her year she survived Antonio's pettias attempts at 435 00:23:07,480 --> 00:23:10,400 Speaker 2: bringing her down. A girl was at her peak. 436 00:23:10,480 --> 00:23:14,600 Speaker 1: Or so she thought. Shakira was about to become a 437 00:23:14,640 --> 00:23:19,959 Speaker 1: Mama Wolf when it came to sale Luson Shakira stated 438 00:23:20,040 --> 00:23:22,840 Speaker 1: that there were three layers of the album, a romantic one, 439 00:23:23,000 --> 00:23:26,160 Speaker 1: a very rock and roll one, and a Latino tropical one. 440 00:23:26,440 --> 00:23:29,359 Speaker 1: But Shaki admitted that she hadn't tapped into romance for 441 00:23:29,400 --> 00:23:34,440 Speaker 1: three years prior to the album Ooh the Siderene, and 442 00:23:34,560 --> 00:23:37,520 Speaker 1: it was refreshing for her to feel those emotions again. 443 00:23:37,960 --> 00:23:42,160 Speaker 2: No wonder why rol was salty. However, this time love 444 00:23:42,280 --> 00:23:45,159 Speaker 2: was truly in the air because Homegirl was pregnant with 445 00:23:45,320 --> 00:23:46,800 Speaker 2: her first baby. 446 00:23:47,240 --> 00:23:50,400 Speaker 1: Yes, in between all of those gigs, Shakira gave birth 447 00:23:50,440 --> 00:23:54,040 Speaker 1: to her first son with Pique Milan and Barcelona, but. 448 00:23:54,400 --> 00:23:57,920 Speaker 2: No nesting for her post baby, she immediately started as 449 00:23:57,920 --> 00:23:59,960 Speaker 2: a judge on The Voice That's Right. 450 00:24:00,040 --> 00:24:03,680 Speaker 1: Shakira and Usher replaced Christina Aguilera and Celo Green as 451 00:24:03,760 --> 00:24:08,160 Speaker 1: coaches for the fourth season, alongside Adam Levine and Blake Shelton. 452 00:24:08,920 --> 00:24:11,160 Speaker 2: Sure you got to get that check, honey. Those diapers 453 00:24:11,200 --> 00:24:12,000 Speaker 2: ain't cheap. 454 00:24:12,200 --> 00:24:16,320 Speaker 1: No, babies are really expensive. And through that all, Shakira 455 00:24:16,400 --> 00:24:19,200 Speaker 1: had originally planned to release her next album around the 456 00:24:19,240 --> 00:24:23,119 Speaker 1: same time, but for the moment, family came first, so 457 00:24:23,320 --> 00:24:26,760 Speaker 1: all her projects were put on pause for almost two years. 458 00:24:27,080 --> 00:24:30,359 Speaker 2: But if there's one thing Shakida fans know by now, 459 00:24:30,800 --> 00:24:32,040 Speaker 2: it's patience. 460 00:24:32,000 --> 00:24:35,600 Speaker 1: And Shakira's self titled ten studio album was later released 461 00:24:35,640 --> 00:24:39,159 Speaker 1: on March twenty fifth, twenty fourteen. Describing the album, she 462 00:24:39,240 --> 00:24:42,119 Speaker 1: put it best in the end, what I realize is 463 00:24:42,119 --> 00:24:44,480 Speaker 1: that throughout the course of creating this body of work, 464 00:24:44,560 --> 00:24:46,960 Speaker 1: I learned a lot about myself. Though I didn't realize 465 00:24:47,000 --> 00:24:49,560 Speaker 1: it at the time, all the directions I began exploring 466 00:24:49,560 --> 00:24:52,080 Speaker 1: in the initial phases of recording were helping to pave 467 00:24:52,080 --> 00:24:55,280 Speaker 1: a path for me of rediscovery. Most importantly, I am 468 00:24:55,480 --> 00:24:59,800 Speaker 1: enough imperfections and all, so what I'm offering you now is. 469 00:25:00,119 --> 00:25:03,760 Speaker 2: Us that it was honest and most of her records. 470 00:25:03,440 --> 00:25:06,760 Speaker 1: Are they are And the album had three singles, Can't Remember, 471 00:25:06,800 --> 00:25:09,320 Speaker 1: to Forget You, Empire, and Dare. 472 00:25:09,400 --> 00:25:13,120 Speaker 2: Yet another World Cup hit, this time featuring Brazilian musician 473 00:25:13,320 --> 00:25:14,200 Speaker 2: Carlinos Brown. 474 00:25:15,400 --> 00:25:19,080 Speaker 1: On July thirteenth, twenty fourteen, Shakira performed La La La 475 00:25:19,119 --> 00:25:22,840 Speaker 1: alongside Carlinos Brown at the World Cup closing ceremony. This 476 00:25:22,960 --> 00:25:26,160 Speaker 1: performance became her third consecutive appearance at the event. 477 00:25:26,640 --> 00:25:29,560 Speaker 2: Ugh, FIFA just can't get enough of Shaikida and the 478 00:25:29,720 --> 00:25:31,280 Speaker 2: NFL was taking notes. 479 00:25:32,160 --> 00:25:35,119 Speaker 1: Shakira was on top of the world. She was living 480 00:25:35,119 --> 00:25:39,280 Speaker 1: her life by her rules. But even icons can't escape 481 00:25:39,359 --> 00:25:45,320 Speaker 1: life certainties. I know, death in taxes, lost Joseph. In 482 00:25:45,359 --> 00:25:48,360 Speaker 1: her next chapter, Shakira will face the loss of one 483 00:25:48,359 --> 00:25:52,400 Speaker 1: of her closest friends and collaborators and her voice. 484 00:25:52,880 --> 00:25:56,000 Speaker 2: And and say it out. 485 00:25:55,840 --> 00:25:59,760 Speaker 1: Loud, Yes, her decade long lover peak. 486 00:26:00,520 --> 00:26:02,560 Speaker 2: That is what I'm talking about. We got to give 487 00:26:02,560 --> 00:26:03,720 Speaker 2: the listeners what they want. 488 00:26:04,000 --> 00:26:13,720 Speaker 1: Oh, we will on the next Becoming an Icon. Becoming 489 00:26:13,760 --> 00:26:17,399 Speaker 1: an Icon is presented by Sonoo and Iheart's Michael Guda 490 00:26:17,480 --> 00:26:22,240 Speaker 1: podcast Network. Listen to Becoming an Icon on the iHeartRadio app, 491 00:26:22,359 --> 00:26:25,560 Speaker 1: Apple podcast, or wherever you get your podcast