1 00:00:00,280 --> 00:00:00,740 Speaker 1: You know what I mean? 2 00:00:00,819 --> 00:00:03,810 Speaker 2: Everybody want to sell 10 million. Everybody want to have 3 00:00:03,890 --> 00:00:07,830 Speaker 2: a great first week. Everybody want to. But sometimes it 4 00:00:07,850 --> 00:00:11,330 Speaker 2: gets to a point where that shit don't matter. Your 5 00:00:11,430 --> 00:00:15,440 Speaker 2: impact on the culture will always matter. There's also some 6 00:00:15,480 --> 00:00:18,820 Speaker 2: people that stay on the top of the charts. And 7 00:00:19,320 --> 00:00:22,300 Speaker 2: our people never even heard of them. I'd rather have 8 00:00:22,340 --> 00:00:22,800 Speaker 2: the people. 9 00:00:36,690 --> 00:00:39,489 Speaker 1: Man, this what the people want. Joe Crack the Dawn. 10 00:00:39,750 --> 00:00:41,970 Speaker 1: You know who it is, your boy Jada. You know 11 00:00:42,070 --> 00:00:42,760 Speaker 1: what it is. 12 00:00:43,700 --> 00:00:47,320 Speaker 2: Joe and Jada show every show legendary, every show iconic. 13 00:00:48,360 --> 00:00:52,830 Speaker 1: And it's unfair. Nah, nah, nah, nah, nah, nah, nah. 14 00:00:52,870 --> 00:00:55,600 Speaker 1: We won. Nah, nah. We won an award? Another one. 15 00:00:55,620 --> 00:00:58,660 Speaker 1: The blackest. Wait, wait, wait. We won. Stop. We won 16 00:00:58,680 --> 00:01:00,620 Speaker 1: the Black Podcast Award. 17 00:01:00,640 --> 00:01:00,980 Speaker 2: No. 18 00:01:01,280 --> 00:01:02,960 Speaker 1: We won a Signal. 19 00:01:02,590 --> 00:01:07,030 Speaker 3: Award for our episode, for Best Guest for our episode 20 00:01:07,050 --> 00:01:07,649 Speaker 3: with Bill Burr. 21 00:01:07,970 --> 00:01:12,990 Speaker 1: Bill Burr. Bill Burr. We won. 22 00:01:13,330 --> 00:01:16,350 Speaker 3: There's three awards for the category. We were the gold winner. 23 00:01:16,450 --> 00:01:18,210 Speaker 1: We were at the top of the podium. You know, 24 00:01:18,370 --> 00:01:21,080 Speaker 1: that's how you win the Oscars. 25 00:01:21,500 --> 00:01:24,240 Speaker 4: Well, Ellie Berry, she had to get drilled on film 26 00:01:24,260 --> 00:01:25,580 Speaker 4: to get that Oscar, right? 27 00:01:27,660 --> 00:01:30,180 Speaker 1: Denzel had to play the drug deal in the jungle 28 00:01:30,220 --> 00:01:32,240 Speaker 1: to get it. Denzel had to be crooked before he 29 00:01:32,280 --> 00:01:34,319 Speaker 1: took it. We had to have a white guest to 30 00:01:34,580 --> 00:01:37,350 Speaker 1: win the award. Yo, you're not listening to this shit, man. 31 00:01:37,370 --> 00:01:37,450 Speaker 2: Kiss. 32 00:01:37,490 --> 00:01:42,850 Speaker 1: Kiss, you're not fucking listening. Yo, God. Yo, God. We 33 00:01:42,890 --> 00:01:45,029 Speaker 1: had to have the white man in the window award. 34 00:01:45,069 --> 00:01:49,420 Speaker 1: Yes or no? We need him back. We fucking need 35 00:01:49,450 --> 00:01:53,180 Speaker 1: him back. We need that guy back. Bill Burr, we 36 00:01:53,220 --> 00:01:53,900 Speaker 1: love you, baby. 37 00:01:53,960 --> 00:01:57,780 Speaker 4: Bill Burr, what's up, I love it. Yo, listen, we 38 00:01:57,800 --> 00:02:00,970 Speaker 4: won this shit, huh? What about the Black Awards? It 39 00:02:01,010 --> 00:02:02,950 Speaker 4: was the Black Awards. We didn't win that one? 40 00:02:03,050 --> 00:02:03,330 Speaker 1: Never. 41 00:02:03,410 --> 00:02:07,310 Speaker 3: No, we did win the hashtag award. We won the 42 00:02:07,410 --> 00:02:09,120 Speaker 3: one that we went to. Yo, we should start the 43 00:02:09,160 --> 00:02:13,400 Speaker 3: T-Mark Awards. Joe, the award show that we went to, 44 00:02:13,460 --> 00:02:15,620 Speaker 3: one of the awards that we won was Excellence in 45 00:02:15,639 --> 00:02:16,380 Speaker 3: Black Storytelling. 46 00:02:17,270 --> 00:02:20,690 Speaker 4: We the biggest in the game. Yo, listen, I'm starting. 47 00:02:21,330 --> 00:02:23,770 Speaker 4: I got to have, I figured it out. I got 48 00:02:23,790 --> 00:02:27,530 Speaker 4: to have like a go-to short, sweet story. Because now, 49 00:02:28,510 --> 00:02:30,970 Speaker 4: if I go through TSA. You got a million now. No, 50 00:02:30,990 --> 00:02:34,450 Speaker 4: they say, tell me a story. Anywhere I go, I 51 00:02:34,470 --> 00:02:36,530 Speaker 4: go on a plane, tell me a story. I go 52 00:02:36,710 --> 00:02:38,710 Speaker 4: anywhere they say, tell me a story. So now I'm 53 00:02:38,730 --> 00:02:41,560 Speaker 4: the story guy. Telling the night towards Christmas. 54 00:02:43,160 --> 00:02:43,780 Speaker 1: In the Bronx. 55 00:02:43,860 --> 00:02:45,590 Speaker 4: No, I'm going to make up a story that I'm 56 00:02:45,600 --> 00:02:49,709 Speaker 4: going to hit everybody with. That's like a one-minute story. Cool, 57 00:02:49,730 --> 00:02:51,730 Speaker 4: you caught your story, now keep it moving. Because when 58 00:02:51,750 --> 00:02:54,510 Speaker 4: they put me on the spot, my shit long. My 59 00:02:54,530 --> 00:02:58,930 Speaker 4: story's just long. And so, but listen. Damn, you ain't 60 00:02:58,950 --> 00:03:01,220 Speaker 4: let me tell you, man. They called me this morning 61 00:03:01,240 --> 00:03:03,440 Speaker 4: and the next. They woke me up really, really early. 62 00:03:04,200 --> 00:03:07,080 Speaker 4: Today's championship day. They said, yo, we need you to 63 00:03:07,120 --> 00:03:11,160 Speaker 4: pull up in the arena. And I said, well, you 64 00:03:11,200 --> 00:03:14,019 Speaker 4: want me to park? And they said, nah, nah. Pull 65 00:03:14,040 --> 00:03:17,840 Speaker 4: the truck up in the arena. We pull the shit 66 00:03:17,880 --> 00:03:20,350 Speaker 4: inside where Mr. Dolan parks his shit. 67 00:03:20,370 --> 00:03:21,630 Speaker 1: Nah, nah, yo kids. 68 00:03:22,070 --> 00:03:26,709 Speaker 4: Yo kids. The buses are there. Philadelphia 76 and LeBron, 69 00:03:26,730 --> 00:03:29,149 Speaker 4: all of them on the bus. They see Joe Crack 70 00:03:29,190 --> 00:03:32,690 Speaker 4: parking the shit in the arena. Philly ain't come out. 71 00:03:33,200 --> 00:03:34,280 Speaker 4: I noticed it's on again. 72 00:03:34,320 --> 00:03:36,520 Speaker 1: We got beef. All the brothers with the strength and 73 00:03:36,640 --> 00:03:39,240 Speaker 1: all that. That's their security, by the way. 74 00:03:39,950 --> 00:03:45,710 Speaker 4: Philly got the Muslim brothers with the, that's their Philadelphia 75 00:03:45,910 --> 00:03:47,510 Speaker 4: 76ers security. 76 00:03:47,780 --> 00:03:48,470 Speaker 1: It should be. 77 00:03:49,030 --> 00:03:52,080 Speaker 4: It should, but I'm just saying, it is. I'm telling you, 78 00:03:52,140 --> 00:03:55,100 Speaker 4: I've seen it myself, right? So I'm up in there, 79 00:03:55,120 --> 00:03:57,240 Speaker 4: we go up in there, and the big thing is, 80 00:03:57,920 --> 00:04:01,339 Speaker 4: they wanted to show me the ring, the Knicks ring. 81 00:04:02,820 --> 00:04:03,440 Speaker 1: And what was. 82 00:04:03,440 --> 00:04:07,440 Speaker 4: Crazy is the guy started to tell me, and I said, 83 00:04:07,500 --> 00:04:08,970 Speaker 4: hold up, I need this on the film. 84 00:04:09,090 --> 00:04:09,830 Speaker 1: I said, you're rich. 85 00:04:09,890 --> 00:04:12,030 Speaker 4: I said, I won't put it out, but I got 86 00:04:12,050 --> 00:04:14,250 Speaker 4: to have this on film because otherwise I'm cat. 87 00:04:15,150 --> 00:04:20,640 Speaker 1: So Jason of Beverly Hills, good brother, he made the ring, 88 00:04:20,700 --> 00:04:27,640 Speaker 1: which the ring is special. But he showed me the 89 00:04:27,760 --> 00:04:31,740 Speaker 1: ring before he even showed any Nick play. Anybody. 90 00:04:31,860 --> 00:04:34,289 Speaker 4: It was like, yo, Mr. Dolan wants you to be 91 00:04:34,310 --> 00:04:37,170 Speaker 4: the first one to see the ring. I don't know 92 00:04:37,210 --> 00:04:39,789 Speaker 4: what to tell you guys. So I want to cry. 93 00:04:40,630 --> 00:04:41,370 Speaker 4: I'm not going to lie. 94 00:04:41,570 --> 00:04:44,740 Speaker 1: Cry. Y'all such a nickname. Why you crying right now? 95 00:04:44,770 --> 00:04:47,250 Speaker 1: I'm not pussy, God. I'm not pussy, God. I don't 96 00:04:47,270 --> 00:04:50,289 Speaker 1: got nothing to do with being pussy. Cry. Come on, God. 97 00:04:50,690 --> 00:04:53,830 Speaker 1: I'm not pussy, God. But I was emotional. 98 00:04:54,630 --> 00:04:56,909 Speaker 4: When you talk about emotional, when I got in that 99 00:04:56,970 --> 00:05:01,230 Speaker 4: car and I realized Fat Joe from Trinity Ave is 100 00:05:01,290 --> 00:05:06,820 Speaker 4: the first person they showed that ring to, oh my God. 101 00:05:07,300 --> 00:05:08,040 Speaker 1: It's amazing. 102 00:05:08,279 --> 00:05:11,080 Speaker 4: It's an amazing, what I can't say is it's a 103 00:05:11,140 --> 00:05:16,580 Speaker 4: special blue emerald on the ring. Like, like, Special blue. 104 00:05:16,640 --> 00:05:20,920 Speaker 4: They found a special blue emerald. Diamonds on the shit. 105 00:05:20,940 --> 00:05:23,640 Speaker 4: They got the garden all over the shit. They got 106 00:05:23,680 --> 00:05:26,900 Speaker 4: the players' numbers, the jerseys on all over the shit. 107 00:05:26,960 --> 00:05:29,760 Speaker 4: You can open the bitch up and it's Madison Square Garden. 108 00:05:29,779 --> 00:05:30,479 Speaker 1: Nah, it's crazy. 109 00:05:31,260 --> 00:05:33,440 Speaker 4: It's crazy. But it's big though. I don't see a 110 00:05:33,540 --> 00:05:38,780 Speaker 4: girl wearing it. It's too big for a guy. They 111 00:05:38,800 --> 00:05:39,670 Speaker 4: put it on the chain? 112 00:05:39,690 --> 00:05:40,550 Speaker 1: Yeah. 113 00:05:40,990 --> 00:05:45,770 Speaker 4: Yeah, because them shit's too heavy. Yo, Mike, that shit 114 00:05:45,810 --> 00:05:47,290 Speaker 4: was legendary in L.A., right? 115 00:05:48,750 --> 00:05:51,739 Speaker 1: Crazy? I came in there like this. 116 00:05:52,880 --> 00:05:56,619 Speaker 4: My head is like a shark's fin. That motherfucking LL 117 00:05:56,700 --> 00:06:03,929 Speaker 4: Cool J. My head is like a shark's fin. Man, 118 00:06:04,350 --> 00:06:07,810 Speaker 4: I went over there. So I'm kissing the Grammy's ass. 119 00:06:07,870 --> 00:06:10,710 Speaker 4: I'm trying to get an award. So shout out to 120 00:06:10,730 --> 00:06:15,080 Speaker 4: the people that might not receive that right at home. well, 121 00:06:15,360 --> 00:06:19,400 Speaker 4: the Grammys, it ain't just your music. It's your music 122 00:06:19,480 --> 00:06:21,339 Speaker 4: and you got to do some vetting. You got to 123 00:06:21,380 --> 00:06:27,120 Speaker 4: like tell them why your project is best. Why what 124 00:06:27,160 --> 00:06:28,380 Speaker 4: you've done for the game. 125 00:06:28,480 --> 00:06:28,860 Speaker 1: Why? 126 00:06:28,980 --> 00:06:32,230 Speaker 4: Otherwise, this is why you see certain guys that we 127 00:06:32,260 --> 00:06:34,750 Speaker 4: never met before win Grammys and we don't know who 128 00:06:34,770 --> 00:06:35,510 Speaker 4: the hell they are. 129 00:06:35,970 --> 00:06:37,930 Speaker 1: They worked the voters. 130 00:06:38,810 --> 00:06:44,550 Speaker 4: So they tell me, shout out my man J-Rel, uh, Elmo, Lisa, 131 00:06:44,570 --> 00:06:47,570 Speaker 4: so they tell me I'm late. They're like, yo, they 132 00:06:47,589 --> 00:06:48,370 Speaker 4: already voting. 133 00:06:48,390 --> 00:06:50,989 Speaker 1: You late. You got to do something crazy. I said like, what? 134 00:06:51,010 --> 00:06:54,810 Speaker 4: So they got these things called jam sessions where they 135 00:06:54,860 --> 00:06:58,599 Speaker 4: invite the people from the Grammys and artists come and 136 00:06:58,640 --> 00:07:03,839 Speaker 4: get down. So like, it's like a spot where Jadakiss 137 00:07:03,940 --> 00:07:08,460 Speaker 4: is rocking and whoever likes you pulls up and starts rocking. 138 00:07:08,600 --> 00:07:11,320 Speaker 4: It's actually, we need one in New York. It's like 139 00:07:11,440 --> 00:07:11,980 Speaker 4: really ill. 140 00:07:12,600 --> 00:07:17,220 Speaker 1: Right? So, bro, we threw out the bat signal. When 141 00:07:17,300 --> 00:07:18,900 Speaker 1: I tell you, am I lying, Mike? 142 00:07:20,130 --> 00:07:26,030 Speaker 4: The legends of all legends, icons of icons pulled up 143 00:07:26,090 --> 00:07:26,930 Speaker 4: to get down. 144 00:07:27,590 --> 00:07:31,810 Speaker 1: How are you with Evelyn Champagne King? Johnny Gill. Baby, 145 00:07:31,890 --> 00:07:36,020 Speaker 1: you'll make my love come down. Johnny Gill did the my, my, my. 146 00:07:36,060 --> 00:07:39,020 Speaker 1: Jimmy Jam, we got him again. He thought he was just, 147 00:07:39,420 --> 00:07:42,000 Speaker 1: you know, he thought he was innocent support. And we 148 00:07:42,040 --> 00:07:44,400 Speaker 1: put him on that piano. We was like, yo, he 149 00:07:44,420 --> 00:07:45,420 Speaker 1: played that. 150 00:07:46,140 --> 00:07:51,790 Speaker 4: That's something I want to tell you. Oh, the guy, 151 00:07:51,830 --> 00:07:54,370 Speaker 4: the brother who did all the music for Luther Vangelis. 152 00:07:54,390 --> 00:08:01,720 Speaker 4: We had the lady that wrote Man in the Mirror there. Yo, 153 00:08:01,740 --> 00:08:02,380 Speaker 4: they all came. 154 00:08:03,420 --> 00:08:06,540 Speaker 1: Who else came? Because I don't want to miss nobody. No, no, 155 00:08:06,600 --> 00:08:10,000 Speaker 1: it was incredible. Everybody came. So after I performed, I 156 00:08:10,040 --> 00:08:11,440 Speaker 1: did like a little half an hour. 157 00:08:12,180 --> 00:08:15,730 Speaker 4: Remy, Dre from Cooler Dre came. Ted Smoove, you know, 158 00:08:15,750 --> 00:08:19,960 Speaker 4: so I used for the most part. Shout out to Cassidy. 159 00:08:19,990 --> 00:08:22,100 Speaker 4: He put together the crew with me. I told him, 160 00:08:22,170 --> 00:08:24,930 Speaker 4: I need your help. It's only four days. Call everybody 161 00:08:24,990 --> 00:08:30,540 Speaker 4: in LA. And so everybody pulled up and... Cassidy, Eric 162 00:08:30,560 --> 00:08:35,589 Speaker 4: Bellinger was there. Cassidy pulled up. And so I used 163 00:08:35,830 --> 00:08:39,150 Speaker 4: the shit we did in Mohegan Sun. How you was 164 00:08:39,190 --> 00:08:41,510 Speaker 4: flipping the beats and all that. I said, yo, Cassidy, 165 00:08:41,970 --> 00:08:45,030 Speaker 4: I'm jacking you. The way you put the music together 166 00:08:45,050 --> 00:08:47,030 Speaker 4: so I could do this right quick. I just did it. 167 00:08:47,050 --> 00:08:50,590 Speaker 1: It was great. Let me do it here. And this 168 00:08:50,650 --> 00:08:52,530 Speaker 1: shit was the most incredible. And it was an honor. 169 00:08:52,570 --> 00:08:54,929 Speaker 4: Everybody who touched the mic, I kept praying every time 170 00:08:54,950 --> 00:08:57,290 Speaker 4: they touched the mic. Because these are people, you got 171 00:08:57,309 --> 00:08:59,990 Speaker 4: to understand. Before we ever knew we was going to 172 00:09:00,010 --> 00:09:03,400 Speaker 4: be rappers or be famous, we looked up to these people. 173 00:09:03,460 --> 00:09:05,900 Speaker 4: So when they come, we feel like a real fan. Like, 174 00:09:05,920 --> 00:09:10,700 Speaker 4: you're not like artist to artist. It's like, yo, she's 175 00:09:10,740 --> 00:09:15,230 Speaker 4: singing that, let's hear it for the boys. And she said, 176 00:09:15,330 --> 00:09:19,270 Speaker 4: I just, you heard Denise Williams sing that free? I 177 00:09:19,309 --> 00:09:22,610 Speaker 4: just got to be free. She was doing that like 178 00:09:22,650 --> 00:09:25,729 Speaker 4: a bird type shit. I was like, oh, my God. 179 00:09:26,929 --> 00:09:29,600 Speaker 4: So my weekend was exciting. I got on the plane 180 00:09:30,340 --> 00:09:34,460 Speaker 4: with my sister, Remy Ma. Not only that, Remy Ma's 181 00:09:34,559 --> 00:09:36,280 Speaker 4: room was right in front of my room. It was 182 00:09:36,340 --> 00:09:40,460 Speaker 4: weird shit going on. Her room's in front of my room, right? 183 00:09:41,220 --> 00:09:44,380 Speaker 1: In the hotel. She's sitting next to me on the plane. 184 00:09:45,179 --> 00:09:47,800 Speaker 1: I never knew that Remy could talk more than Fat Joe. 185 00:09:48,179 --> 00:09:53,420 Speaker 1: That one man talk for five hours. Fucking straight, my nigga. Like, 186 00:09:53,450 --> 00:09:55,910 Speaker 1: remind me to sit in 11G and let her get 187 00:09:55,990 --> 00:09:56,699 Speaker 1: 1D or something, or 1F. 188 00:10:00,500 --> 00:10:03,740 Speaker 4: Man i mean we have to catch up on it 189 00:10:03,760 --> 00:10:05,780 Speaker 4: because we only see each other at events and all 190 00:10:05,800 --> 00:10:08,920 Speaker 4: that we don't really get that quality time you know 191 00:10:08,940 --> 00:10:11,260 Speaker 4: i've been with us since she's 16 years old so. 192 00:10:11,160 --> 00:10:14,080 Speaker 1: We we talking all this shit and we just going. 193 00:10:14,460 --> 00:10:16,400 Speaker 4: And your man Rich was like, he gave up his 194 00:10:16,420 --> 00:10:18,760 Speaker 4: slot because he's supposed to sit next to me. He said, 195 00:10:18,820 --> 00:10:21,580 Speaker 4: I'll go sit in your seat, Remy. Nah, he keep 196 00:10:21,640 --> 00:10:24,120 Speaker 4: coming back. Yo, what y'all talking about? It look like 197 00:10:24,540 --> 00:10:26,900 Speaker 4: y'all talking some shit. Yo, my man, didn't you want 198 00:10:26,920 --> 00:10:30,100 Speaker 4: to sit in the 11D, nigga? Like, get the fuck 199 00:10:30,160 --> 00:10:30,870 Speaker 4: up out of here. 200 00:10:30,900 --> 00:10:36,010 Speaker 1: Go to the back. Leave us alone. We in the... Man, she... 201 00:10:35,510 --> 00:10:38,110 Speaker 1: Remy wore me out, boy. She was talking. My ears 202 00:10:38,130 --> 00:10:40,210 Speaker 1: was like Dumbo by the time I left that shit. 203 00:10:40,270 --> 00:10:46,459 Speaker 4: I'm like, You know, speaking of Dumbo, have you been 204 00:10:46,520 --> 00:10:49,719 Speaker 4: seeing the Instagram with Gumbo? 205 00:10:50,860 --> 00:10:54,640 Speaker 1: No, what's up? That's my man. Gumbo the weed. That's 206 00:10:54,700 --> 00:10:56,690 Speaker 1: my brother. I grew up with him. What's going on? 207 00:10:56,830 --> 00:10:59,110 Speaker 1: First of all, he's not pussy. Gumbo. 208 00:10:59,210 --> 00:11:02,410 Speaker 4: No, he's not pussy for a second. Like, I raised 209 00:11:02,429 --> 00:11:05,170 Speaker 4: this kid. Like, I know him from my projects. He's 210 00:11:05,190 --> 00:11:09,810 Speaker 4: from my projects. And what he is is a very 211 00:11:09,870 --> 00:11:12,730 Speaker 4: generous guy. So he was going around. If he liked you, 212 00:11:12,750 --> 00:11:14,550 Speaker 4: he'd just give you a big-ass chain. 213 00:11:15,010 --> 00:11:15,620 Speaker 1: This, this, that. 214 00:11:15,650 --> 00:11:20,000 Speaker 4: So, of course, niggas went on Instagram. They dissed the 215 00:11:20,040 --> 00:11:24,440 Speaker 4: gumbo chain. They said, we got the new shit. And 216 00:11:25,020 --> 00:11:28,329 Speaker 4: this clown shit, right? So if you fall out with somebody, 217 00:11:28,350 --> 00:11:31,750 Speaker 4: if somebody don't rob you of nothing, all that dissing 218 00:11:31,790 --> 00:11:35,360 Speaker 4: somebody to get ahead, to get some clout, It's like. 219 00:11:35,760 --> 00:11:38,700 Speaker 1: Can't fall into the internet shit. No, no, they fell 220 00:11:38,780 --> 00:11:41,040 Speaker 1: all the way into the internet shit. They did. You 221 00:11:41,080 --> 00:11:44,439 Speaker 1: don't see him saying anything on it. I didn't either. No, no, 222 00:11:44,440 --> 00:11:46,620 Speaker 1: I ain't see him saying nothing either. 223 00:11:46,660 --> 00:11:49,530 Speaker 4: So what are we supposed to do, right? Because even you, 224 00:11:49,590 --> 00:11:52,630 Speaker 4: when Homeboy dissed you, you took the high road. So 225 00:11:52,650 --> 00:11:55,470 Speaker 4: the only way to react is taking the high road 226 00:11:56,050 --> 00:11:57,350 Speaker 4: for everything now? 227 00:11:57,610 --> 00:12:01,260 Speaker 2: But the internet is not the way to react at all. 228 00:12:03,290 --> 00:12:04,949 Speaker 2: Once you go on there, it's in. 229 00:12:06,429 --> 00:12:09,310 Speaker 1: You lost. You know what you hear people all the 230 00:12:09,350 --> 00:12:16,620 Speaker 1: time say? Don't respond. They believe you. Just don't respond 231 00:12:16,660 --> 00:12:23,220 Speaker 1: on the internet. You can respond. Just not on the internet. Nah, man. 232 00:12:24,080 --> 00:12:25,540 Speaker 1: I don't like people like that. 233 00:12:25,600 --> 00:12:28,870 Speaker 2: Once you respond on the internet, if it goes anywhere 234 00:12:29,120 --> 00:12:30,500 Speaker 2: further than that, you. 235 00:12:30,370 --> 00:12:31,010 Speaker 1: Guilty of it. 236 00:12:31,929 --> 00:12:33,650 Speaker 4: Oh, I get it. I get what you're saying. They 237 00:12:33,690 --> 00:12:35,870 Speaker 4: say Hot 97 ain't paying the people, man. 238 00:12:37,070 --> 00:12:40,750 Speaker 1: Hot 97. They said Jesus and Mero. Mero and, uh... 239 00:12:40,670 --> 00:12:45,620 Speaker 1: Jesus and Mero. Huh? Jesus. Kazim and Mero. 240 00:12:46,200 --> 00:12:47,660 Speaker 3: You're thinking of his old partner. 241 00:12:47,679 --> 00:12:50,880 Speaker 1: Jesus and Mero. Because Mero. 242 00:12:52,080 --> 00:12:55,160 Speaker 4: And so they did sign 97 live on the radio? 243 00:12:55,220 --> 00:12:57,819 Speaker 3: Kaz said on air that this is the worst place 244 00:12:57,860 --> 00:12:58,660 Speaker 3: he's ever worked. 245 00:12:58,679 --> 00:13:02,010 Speaker 1: He's fried, for real. Jesus in marrow. 246 00:13:02,270 --> 00:13:05,730 Speaker 4: Yo, you gotta stop. I'm still thinking Zion coming to 247 00:13:05,770 --> 00:13:06,550 Speaker 4: the Knicks, nigga. 248 00:13:06,570 --> 00:13:10,179 Speaker 1: You know I'm fried. Yeah. I'm fried. 249 00:13:10,300 --> 00:13:10,559 Speaker 2: Yeah. 250 00:13:11,520 --> 00:13:15,980 Speaker 1: You hollering fraud. You blacking. Oh, my God. So he 251 00:13:16,020 --> 00:13:17,800 Speaker 1: said it's the worst place he ever worked. 252 00:13:18,020 --> 00:13:21,720 Speaker 3: There's a lot of reports of staffers not getting paid. 253 00:13:21,760 --> 00:13:25,250 Speaker 1: There's furloughs going on. Is there any truth to this? 254 00:13:26,450 --> 00:13:32,190 Speaker 3: Former Hot 97 producer Scott Bean piled onto the claims 255 00:13:32,330 --> 00:13:36,210 Speaker 3: of Kazim and Mero saying has been furloughed and the 256 00:13:36,250 --> 00:13:37,750 Speaker 3: company wasn't paying employees or rent. 257 00:13:37,790 --> 00:13:39,300 Speaker 1: They didn't pay Kazim and Mero? 258 00:13:39,800 --> 00:13:41,620 Speaker 3: They're not, well, they're not getting paid, I think, what 259 00:13:41,660 --> 00:13:45,660 Speaker 3: they deserve, but there are other staffers as well. 260 00:13:45,700 --> 00:13:48,439 Speaker 1: But staffers weren't getting paid. I'm going to read you 261 00:13:48,460 --> 00:13:51,230 Speaker 1: what's here. I'm going to read you. I'm not done yet. Oh, 262 00:13:51,280 --> 00:13:54,250 Speaker 1: but I'm not done even. He got an opinion. He 263 00:13:54,270 --> 00:13:55,190 Speaker 1: got an opinion. 264 00:13:55,650 --> 00:13:59,910 Speaker 2: No, no, because it's communication. You made it seem like 265 00:13:59,970 --> 00:14:03,250 Speaker 2: they ain't paying the people to us. He just said 266 00:14:03,590 --> 00:14:08,179 Speaker 2: they feel they ain't getting paid enough. That's a different thing. 267 00:14:08,220 --> 00:14:09,699 Speaker 2: You know what you're getting paid. 268 00:14:09,720 --> 00:14:11,120 Speaker 1: You know what you're getting paid. 269 00:14:11,160 --> 00:14:16,260 Speaker 3: They're complaining about pointless meetings, highly paid executives, aging board. 270 00:14:17,380 --> 00:14:19,180 Speaker 3: One of them calls Hot 97 the worst place he 271 00:14:19,240 --> 00:14:21,920 Speaker 3: ever worked. Merrill said it hasn't been a fun few 272 00:14:21,960 --> 00:14:24,350 Speaker 3: months and that it sucks, but the station has become. 273 00:14:24,370 --> 00:14:27,890 Speaker 2: Oh, you ask me? They sound like any employees that 274 00:14:27,910 --> 00:14:31,610 Speaker 2: work anywhere. We going around mad companies. 275 00:14:31,830 --> 00:14:32,750 Speaker 1: It was so real. 276 00:14:32,850 --> 00:14:35,640 Speaker 3: And then one of the producers was saying staffers, but 277 00:14:35,880 --> 00:14:39,520 Speaker 3: they were saying staffers weren't getting paid and they weren't 278 00:14:39,560 --> 00:14:42,480 Speaker 3: paying rent on the spaces that they were using. So 279 00:14:42,520 --> 00:14:45,900 Speaker 3: there's money, there's money being shifted in a way and 280 00:14:45,920 --> 00:14:46,920 Speaker 3: some people aren't getting paid. 281 00:14:47,210 --> 00:14:51,070 Speaker 4: At the end of the day, somebody's getting paid for 282 00:14:51,110 --> 00:14:54,190 Speaker 4: Master Flex because he got a tattoo of Hot 97 283 00:14:54,190 --> 00:14:55,070 Speaker 4: in his ass. 284 00:14:55,670 --> 00:15:04,000 Speaker 1: This guy acts like, no, yo, And he didn't say 285 00:15:04,240 --> 00:15:07,330 Speaker 1: on his ass. He said in his ass. Nah, stop. 286 00:15:07,450 --> 00:15:09,410 Speaker 1: On his ass. You know what the fuck I mean? 287 00:15:09,710 --> 00:15:12,190 Speaker 1: In his ass. It just say on his arm. 288 00:15:12,390 --> 00:15:12,590 Speaker 2: Like. 289 00:15:13,630 --> 00:15:16,560 Speaker 4: For Master Flex, he don't agree with none of it. 290 00:15:16,700 --> 00:15:19,180 Speaker 4: It's safe to say... He's getting paid. No, no, it's 291 00:15:19,220 --> 00:15:23,300 Speaker 4: safe to say he's at war with Mero and Kaz. 292 00:15:23,360 --> 00:15:25,460 Speaker 1: He ain't at war with nothing. Oh, no, he's at 293 00:15:25,500 --> 00:15:28,360 Speaker 1: war today. He ain't at war. Now I bet seven 294 00:15:28,440 --> 00:15:31,190 Speaker 1: o'clock on championship. He's not the one that paid him. 295 00:15:31,200 --> 00:15:36,160 Speaker 4: I bet my fucking life. The Funflex is cranking that 296 00:15:36,240 --> 00:15:37,620 Speaker 4: bitch up tonight. 297 00:15:38,140 --> 00:15:42,550 Speaker 1: Mr. Hot 97, Jerry West, the logo tonight. Let me 298 00:15:42,570 --> 00:15:46,530 Speaker 1: tell you about these fucking bozos in the morning. This 299 00:15:46,610 --> 00:15:50,550 Speaker 1: is Hot 97, home of I'm going down with the shit. 300 00:15:50,630 --> 00:15:54,990 Speaker 2: He might do his due diligence, but they. 301 00:15:54,850 --> 00:15:58,810 Speaker 4: Said there's more people. Man, they ain't paying niggas, man. 302 00:15:58,830 --> 00:16:01,070 Speaker 4: That shit, man, I seen that summer jam, man. That 303 00:16:01,130 --> 00:16:04,300 Speaker 4: shit look like... I got to chill because Front Flex 304 00:16:04,380 --> 00:16:08,390 Speaker 4: ain't never played no aroma, no pushing keys, no nothing. 305 00:16:08,410 --> 00:16:11,590 Speaker 1: Like, I played myself by talking about the summer. No. 306 00:16:11,610 --> 00:16:13,970 Speaker 1: Because I talked about the summer, Jan. I don't think 307 00:16:13,990 --> 00:16:16,170 Speaker 1: you talked about that. I think I heard the aroma. Yeah. 308 00:16:16,190 --> 00:16:19,220 Speaker 2: It's not like I had to start jumping off the window. 309 00:16:19,340 --> 00:16:23,020 Speaker 1: You're just causing... What's wrong with this guy? I'm telling you. 310 00:16:23,260 --> 00:16:24,820 Speaker 1: It ain't playing like it's supposed to. I don't think 311 00:16:24,840 --> 00:16:29,200 Speaker 1: you have a problem with Front Flex. Yeah, man. You bugger. 312 00:16:29,720 --> 00:16:31,360 Speaker 1: Shout out to Flex. We cut that off. 313 00:16:31,420 --> 00:16:35,360 Speaker 2: I just saw Flex the other day, Nassau Coliseum. Everything 314 00:16:35,380 --> 00:16:35,880 Speaker 2: was loving. 315 00:16:36,020 --> 00:16:38,340 Speaker 1: Let me tell you something. Nobody loves from Master Flex 316 00:16:38,400 --> 00:16:44,340 Speaker 1: like me. That's the problem. No. This guy's throwing me. No, 317 00:16:44,400 --> 00:16:48,540 Speaker 1: I'm telling you the truth. He's throwing me off. I 318 00:16:48,590 --> 00:16:51,490 Speaker 1: can't say I love from Master Flex. That's a flag. 319 00:16:51,550 --> 00:16:52,370 Speaker 1: You should say that. 320 00:16:53,460 --> 00:16:55,960 Speaker 4: I do love for Master Flex. Fat Joe ain't who 321 00:16:55,980 --> 00:16:58,380 Speaker 4: he is if it wasn't for for Master Flex. So 322 00:16:58,420 --> 00:17:00,850 Speaker 4: why wouldn't he play a room or play your music? 323 00:17:00,870 --> 00:17:05,230 Speaker 4: Because Summer Jam was a, you know, circuit that's so late. 324 00:17:05,970 --> 00:17:09,030 Speaker 4: This is walking around looking like they was wearing human condoms. 325 00:17:11,020 --> 00:17:13,400 Speaker 1: Shit was a straight. They might not play a room 326 00:17:13,440 --> 00:17:17,100 Speaker 1: no more. That shit was a straight nightmare. And they 327 00:17:17,140 --> 00:17:19,980 Speaker 1: was walking through with the latex suits on and all. Like, 328 00:17:20,060 --> 00:17:23,810 Speaker 1: I'm confused. I got scared for hip-hop that night. 329 00:17:24,010 --> 00:17:27,889 Speaker 4: I went over there to do the joint with Young Miami, 330 00:17:28,650 --> 00:17:31,449 Speaker 4: and man, I had to run the fuck up out 331 00:17:31,470 --> 00:17:31,830 Speaker 4: of there. 332 00:17:33,210 --> 00:17:34,060 Speaker 1: I got up out. 333 00:17:34,200 --> 00:17:36,959 Speaker 4: I was like, this is it? And you know, we 334 00:17:37,000 --> 00:17:40,460 Speaker 4: know every generation, I never dissed the youth. Ever in 335 00:17:40,520 --> 00:17:42,859 Speaker 4: my life can you find somewhere where I dissed the youth. 336 00:17:43,880 --> 00:17:47,670 Speaker 4: But every generation gets to a point where the rappers 337 00:17:47,970 --> 00:17:52,149 Speaker 4: diss the generation because it's just, You see where it's going. 338 00:17:52,340 --> 00:17:55,100 Speaker 4: This is terrifying when I see that shit right there. 339 00:17:55,160 --> 00:18:01,460 Speaker 4: But anyway, they asking, do the charts matter or culture? 340 00:18:01,480 --> 00:18:04,859 Speaker 4: In case you have a strong opinion about this. The 341 00:18:04,880 --> 00:18:08,060 Speaker 4: charts always matter, but culture matters more. 342 00:18:08,080 --> 00:18:11,860 Speaker 2: You know what I mean? Everybody want to sell 10 million. 343 00:18:11,940 --> 00:18:15,359 Speaker 2: Everybody want to have a great first week. Everybody want to... 344 00:18:16,280 --> 00:18:19,540 Speaker 2: But sometimes it gets to a point where that shit 345 00:18:19,580 --> 00:18:24,900 Speaker 2: don't matter. Your impact on the culture will always matter. 346 00:18:25,000 --> 00:18:29,400 Speaker 2: It will always have an effect. It will always withstand 347 00:18:29,420 --> 00:18:32,780 Speaker 2: the time. So that's how you answer that. Of course, 348 00:18:32,940 --> 00:18:36,580 Speaker 2: everybody wants to be top of the charts. Everybody wants 349 00:18:36,619 --> 00:18:43,160 Speaker 2: to taste some of that billboard success. But there's also 350 00:18:43,200 --> 00:18:45,590 Speaker 2: some people that stay on the top of the charts 351 00:18:46,170 --> 00:18:50,390 Speaker 2: and our people never even heard of them. And they 352 00:18:50,450 --> 00:18:53,520 Speaker 2: want some of that. So, you know what I mean? 353 00:18:53,580 --> 00:18:59,930 Speaker 2: Pick your poison. I'd rather have the people with some money, 354 00:19:00,010 --> 00:19:00,450 Speaker 2: of course. 355 00:19:01,670 --> 00:19:08,300 Speaker 1: That's the point. It's the people, the culture, but some money, right? 356 00:19:08,840 --> 00:19:14,090 Speaker 4: Because some people feel like you commercialize You know what 357 00:19:14,109 --> 00:19:16,400 Speaker 4: I mean? Keep it real, keep it this, keep it that. 358 00:19:16,440 --> 00:19:19,240 Speaker 4: But they always broke those guys. It's like, you ever 359 00:19:19,300 --> 00:19:23,840 Speaker 4: seen the activists? Like, the activists that's been screaming about 360 00:19:23,900 --> 00:19:28,090 Speaker 4: this and that. They ain't got no paper. They don't 361 00:19:28,150 --> 00:19:32,170 Speaker 4: care about paper. They just care about the principal. This 362 00:19:32,250 --> 00:19:37,170 Speaker 4: kid got killed. They don't get money. This is no 363 00:19:37,280 --> 00:19:42,750 Speaker 4: shot intended, but it is a shot intended. You can't 364 00:19:42,830 --> 00:19:48,489 Speaker 4: be an activist and act like you all about activism 365 00:19:48,609 --> 00:19:53,530 Speaker 4: and then you take a check. from the so-called oppressors 366 00:19:54,410 --> 00:19:57,170 Speaker 4: and then you're still an activist. 367 00:19:57,710 --> 00:20:00,550 Speaker 1: It don't work like that. It don't work like that. 368 00:20:00,910 --> 00:20:02,210 Speaker 1: You're even for the cause. 369 00:20:04,510 --> 00:20:06,830 Speaker 4: And you hold your ground and everybody could be like, yo, 370 00:20:06,869 --> 00:20:07,810 Speaker 4: you're Malcolm X. 371 00:20:07,930 --> 00:20:09,790 Speaker 1: You're a Martin Luther King. 372 00:20:09,830 --> 00:20:13,260 Speaker 4: But when you take that check-in from the guys you criticizing, 373 00:20:14,140 --> 00:20:18,340 Speaker 4: it dilutes the poodle of your message. 374 00:20:20,180 --> 00:20:22,350 Speaker 1: I've always felt like... Where are they supposed to get money? 375 00:20:23,200 --> 00:20:25,670 Speaker 1: I don't know. I mean, you want to be fighting. 376 00:20:25,770 --> 00:20:27,570 Speaker 1: You want to this and this and that. Now, if 377 00:20:27,630 --> 00:20:30,750 Speaker 1: you have... I would think if you have. 378 00:20:34,410 --> 00:20:36,910 Speaker 4: With you and they set up a fund for y'all 379 00:20:36,930 --> 00:20:40,280 Speaker 4: to eat or whatever, then that's different. But you taking 380 00:20:40,359 --> 00:20:43,620 Speaker 4: a check from the people you criticizing, that is. 381 00:20:43,560 --> 00:20:47,680 Speaker 1: Not activism, my brother. You work your way into a check. 382 00:20:47,700 --> 00:20:50,130 Speaker 1: You got a regular job. I don't give a fuck. 383 00:20:50,170 --> 00:20:52,110 Speaker 1: I'll take a check from everybody. You talking to me. 384 00:20:52,150 --> 00:20:54,210 Speaker 1: I'm not an activist. I'm just giving you... I am 385 00:20:54,250 --> 00:20:56,629 Speaker 1: the check king cold. 386 00:20:56,790 --> 00:21:01,320 Speaker 2: You somebody that concerned about stuff that happens in the 387 00:21:01,359 --> 00:21:05,320 Speaker 2: world with you know, injustice and all of that. You 388 00:21:05,440 --> 00:21:10,090 Speaker 2: fly the way they doing the seminar. You do the participant. 389 00:21:10,130 --> 00:21:12,830 Speaker 2: You fly back. You keep doing that, you're going to 390 00:21:12,850 --> 00:21:15,950 Speaker 2: be broke anyway. That's what I'm trying to tell you. 391 00:21:15,990 --> 00:21:18,310 Speaker 2: They're mostly broke. You're going to be broke. 392 00:21:18,410 --> 00:21:21,170 Speaker 1: I'm trying to tell you, they are broke. And they're 393 00:21:21,190 --> 00:21:22,669 Speaker 1: dealing with it from their heart. 394 00:21:23,090 --> 00:21:27,570 Speaker 4: But what I'm saying is, when you criticize people and 395 00:21:27,590 --> 00:21:29,560 Speaker 4: then you take a check, it makes me feel like, 396 00:21:30,590 --> 00:21:34,650 Speaker 4: You just worked on something for you to get a check. 397 00:21:35,570 --> 00:21:39,050 Speaker 4: And then it really ain't the poodle no more. I'm 398 00:21:39,090 --> 00:21:42,200 Speaker 4: telling you the truth. Story about Halloween. You want a 399 00:21:42,260 --> 00:21:43,139 Speaker 4: classic story? 400 00:21:43,200 --> 00:21:45,840 Speaker 1: I got to use the restroom before a classic story 401 00:21:45,859 --> 00:21:46,619 Speaker 1: about Halloween. 402 00:21:47,260 --> 00:21:51,380 Speaker 4: So I got a Halloween for your ass. You got 403 00:21:51,400 --> 00:21:52,530 Speaker 4: some Halloween stories? 404 00:21:53,890 --> 00:21:56,770 Speaker 1: Damn, man. They can't say nothing. Yeah. 405 00:22:04,670 --> 00:22:08,270 Speaker 4: Everybody knows I'm New York all day. And for me, 406 00:22:08,650 --> 00:22:12,690 Speaker 4: that means the next. The fandom goes way, way back. 407 00:22:12,869 --> 00:22:15,280 Speaker 4: It's something you got to grow up with. Something your 408 00:22:15,320 --> 00:22:20,020 Speaker 4: family puts in your DNA. And eventually, something you pass down. 409 00:22:20,700 --> 00:22:25,020 Speaker 2: And that's what 1800 to Killin' Fanatics Club Legacy is 410 00:22:25,140 --> 00:22:29,699 Speaker 2: all about. Celebrating the teams, traditions, and stories fans across 411 00:22:29,740 --> 00:22:31,380 Speaker 2: the country carry. 412 00:22:30,960 --> 00:22:34,100 Speaker 1: From one generation to the next. Head to the club 413 00:22:34,160 --> 00:22:35,040 Speaker 1: legacy site. 414 00:22:35,119 --> 00:22:36,800 Speaker 4: Sign up for 30% off a purchase of $ 100 or 415 00:22:36,820 --> 00:22:37,939 Speaker 4: more at fanatics.com. 416 00:22:41,420 --> 00:22:47,050 Speaker 2: Purchase an eligible $ 1, 800 tequila cocktail or bottle, upload your receipt, 417 00:22:47,130 --> 00:22:50,210 Speaker 2: and you can earn fan cash towards Fanatic's gift. 418 00:22:50,390 --> 00:22:53,230 Speaker 4: And we want to hear your story. Submit a short 419 00:22:53,290 --> 00:22:56,570 Speaker 4: video telling us how your fandom has been passed down. 420 00:22:56,690 --> 00:22:59,050 Speaker 1: Your family, your team, your legacy. 421 00:22:59,050 --> 00:23:04,050 Speaker 2: 10 fans will win $ 1, 800, and one grand prize winner 422 00:23:04,170 --> 00:23:06,790 Speaker 2: can win up to. 423 00:23:06,350 --> 00:23:10,150 Speaker 1: $ 18, 000. Woo! Winners are announced in January. So wherever you are, 424 00:23:10,270 --> 00:23:15,230 Speaker 1: whoever you're riding for, tell your story. Keep the legacy going. 425 00:23:15,230 --> 00:23:19,140 Speaker 2: 1,800 Tequila and Fanatics Club legacy. 426 00:23:22,760 --> 00:23:28,240 Speaker 1: Right now, the AI, right? The AI is out of control. 427 00:23:28,300 --> 00:23:32,280 Speaker 1: It's going to be a time. where, you know, your wife, 428 00:23:32,320 --> 00:23:34,020 Speaker 1: she always wants you home or something. It's going to 429 00:23:34,040 --> 00:23:37,220 Speaker 1: be a time you can make a Jada kiss. Like, like, like, yo, 430 00:23:37,240 --> 00:23:40,900 Speaker 1: you can send somebody else to the crib. Not somebody else. Hey, yo, Jada, yo, 431 00:23:40,940 --> 00:23:43,150 Speaker 1: here you go. Jada kiss. I'm over there in Vegas 432 00:23:43,190 --> 00:23:43,890 Speaker 1: working here. 433 00:23:44,070 --> 00:23:48,270 Speaker 4: You got your own, like, you know, you get, You know, 434 00:23:48,530 --> 00:23:51,020 Speaker 4: it might be so fucked up in the future. It 435 00:23:51,060 --> 00:23:56,480 Speaker 4: might be A.I. Jadakiss and your wife, A.I. Like, everybody 436 00:23:56,500 --> 00:23:58,739 Speaker 4: just got an A.I. I'm telling you. 437 00:23:58,880 --> 00:24:00,879 Speaker 1: Crazy, dog. They miss you so much. 438 00:24:00,920 --> 00:24:03,760 Speaker 4: You like, yo, listen, I'm going to leave. 439 00:24:03,609 --> 00:24:05,389 Speaker 1: The Joe Crack A.I. at home. 440 00:24:05,830 --> 00:24:08,110 Speaker 4: Yo, I'm telling you, this shit, you know this shit? 441 00:24:08,670 --> 00:24:11,030 Speaker 4: You know they show the car flying, right? Did you 442 00:24:11,070 --> 00:24:12,950 Speaker 4: see that? The Tesla, the Roadster. 443 00:24:13,810 --> 00:24:18,030 Speaker 1: The kid by the window, I said. No, it's a prototype, yeah. Yeah, 444 00:24:18,070 --> 00:24:19,820 Speaker 1: but you're eventually going to be able to buy one. 445 00:24:19,830 --> 00:24:23,570 Speaker 1: They're showing us those since I was in third grade. No, no, no. 446 00:24:23,710 --> 00:24:25,690 Speaker 4: You seen them flying like real? No, I'm not talking 447 00:24:25,710 --> 00:24:28,590 Speaker 4: about a movie. I'm talking about in real life. 448 00:24:29,650 --> 00:24:33,560 Speaker 1: They got one. You can't buy it. When you going 449 00:24:33,580 --> 00:24:36,000 Speaker 1: to be able to buy it? I'm never buying it anyway. 450 00:24:36,440 --> 00:24:39,300 Speaker 1: I'm going to always be a walker. You think I'll 451 00:24:39,380 --> 00:24:41,920 Speaker 1: fly my own car if they make it? I think 452 00:24:41,960 --> 00:24:44,620 Speaker 1: you are. If Celebrity Row's doing that. 453 00:24:45,560 --> 00:24:49,359 Speaker 4: I'm flying in there, you full of shit. I'm afraid 454 00:24:49,460 --> 00:24:52,520 Speaker 4: of heights. Imagine me flying a car. You just keep 455 00:24:52,540 --> 00:24:53,240 Speaker 4: your shit low. 456 00:24:55,460 --> 00:24:57,699 Speaker 1: Fly low. You know I do that when I go 457 00:24:57,740 --> 00:24:58,520 Speaker 1: on vacation. 458 00:24:58,580 --> 00:25:00,460 Speaker 4: I get on a jet ski, but I go to 459 00:25:00,590 --> 00:25:02,010 Speaker 4: just the low. 460 00:25:02,290 --> 00:25:04,050 Speaker 1: You stay by the beach. Yeah, yeah, yeah. 461 00:25:04,450 --> 00:25:06,490 Speaker 4: Pop a willy right around the shit, because if I 462 00:25:06,530 --> 00:25:08,470 Speaker 4: fall off, I just go right in the sand. 463 00:25:09,230 --> 00:25:12,850 Speaker 1: I do that. The jet ski shit, I... I don't 464 00:25:12,890 --> 00:25:15,920 Speaker 1: never want to die on some asshole shit. I just don't. 465 00:25:16,020 --> 00:25:17,820 Speaker 1: I don't want to be riding a. 466 00:25:17,840 --> 00:25:20,940 Speaker 4: Jet ski in Miami, hit a fucking piece of wood 467 00:25:21,000 --> 00:25:23,119 Speaker 4: and fly into a wall. I don't want that last 468 00:25:23,119 --> 00:25:27,630 Speaker 4: 10 seconds flying into the wall or taking a fucking 469 00:25:28,330 --> 00:25:32,470 Speaker 4: Disneyland ride. Imagine them people who, God forbid, fall off 470 00:25:32,530 --> 00:25:35,030 Speaker 4: the ride. That happens once. 471 00:25:34,950 --> 00:25:37,580 Speaker 1: A year or something. Last week. When you. 472 00:25:38,460 --> 00:25:42,300 Speaker 4: When you flying down, what are you saying to yourself? 473 00:25:42,340 --> 00:25:44,500 Speaker 4: You ain't need it. But what do you say? 474 00:25:44,580 --> 00:25:51,370 Speaker 1: I didn't need this ride. It's over. You're on a motorcycle. 475 00:25:51,710 --> 00:25:55,270 Speaker 1: Popping the wheelie. This, this, that. You hit some shit. 476 00:25:55,630 --> 00:25:57,959 Speaker 1: You got 10 seconds of flying about to go in 477 00:25:57,980 --> 00:26:01,120 Speaker 1: to get your head cut off the fucking wall. What 478 00:26:01,160 --> 00:26:04,460 Speaker 1: are you saying to yourself? Oh, oh, oh, oh. 479 00:26:07,080 --> 00:26:10,900 Speaker 4: Would you tell me I should have listened? When everybody 480 00:26:10,920 --> 00:26:12,810 Speaker 4: told you to chill, I seen this girl down over 481 00:26:12,830 --> 00:26:17,270 Speaker 4: there on Instagram. She was on a motorcycle. She obviously 482 00:26:17,310 --> 00:26:19,870 Speaker 4: don't give a fuck about life. Like, the shit this 483 00:26:19,950 --> 00:26:23,250 Speaker 4: girl was doing, she was on cars, like, cutting the car. Yo, 484 00:26:23,270 --> 00:26:24,609 Speaker 4: this bitch was great. 485 00:26:24,650 --> 00:26:26,580 Speaker 1: Yo, kiss. Nuts. 486 00:26:27,619 --> 00:26:31,520 Speaker 4: Up forward, up back, slapping the car while she's getting 487 00:26:31,540 --> 00:26:32,760 Speaker 4: that one hand off the. 488 00:26:32,900 --> 00:26:36,150 Speaker 1: I'm like, yo, this girl... If she would have had 489 00:26:36,350 --> 00:26:39,050 Speaker 1: one imminent, it would have been over. 490 00:26:40,910 --> 00:26:44,109 Speaker 4: That's what I'm saying. Like, nobody tell her, like, her 491 00:26:44,190 --> 00:26:46,470 Speaker 4: family don't tell her, Lord, you crazy? 492 00:26:46,670 --> 00:26:51,520 Speaker 1: Like, it's a rush. It's an adrenaline rush. Nobody can 493 00:26:51,560 --> 00:26:53,600 Speaker 1: tell you shit. You need it. 494 00:26:53,660 --> 00:26:57,820 Speaker 4: It's like you gambling, huh? What's the thing about gambling? 495 00:26:58,359 --> 00:27:00,459 Speaker 4: You make enough money where you don't need to gamble. 496 00:27:00,480 --> 00:27:01,420 Speaker 4: Why you like to gamble? 497 00:27:01,980 --> 00:27:05,220 Speaker 1: I like gambling. Because it's what? The rush? It's not 498 00:27:05,280 --> 00:27:10,210 Speaker 1: even the rush. Nah, you need that shit. You got 499 00:27:10,230 --> 00:27:13,670 Speaker 1: to feel a little scared. Like, yo, I might lose. 500 00:27:13,770 --> 00:27:16,730 Speaker 1: I might win. What is it about gambling? The rush. 501 00:27:16,990 --> 00:27:19,130 Speaker 1: I ain't even. We was just sitting next to two. 502 00:27:19,150 --> 00:27:24,090 Speaker 1: In case you didn't lose like $ 400, 000. Two people lost 503 00:27:24,130 --> 00:27:28,050 Speaker 1: like a half a ticket. Two guys on the side 504 00:27:28,070 --> 00:27:28,190 Speaker 1: of me. 505 00:27:29,890 --> 00:27:33,530 Speaker 4: They was betting like $ 25, 000 chips, $ 50, 000 in one hour. 506 00:27:34,470 --> 00:27:36,020 Speaker 1: Can't do it. Man. 507 00:27:36,210 --> 00:27:39,980 Speaker 4: I come from nothing. I worked my whole life. I 508 00:27:40,080 --> 00:27:43,460 Speaker 4: can't do it, guys. I believe in betting in moderation. 509 00:27:44,340 --> 00:27:46,160 Speaker 4: If I am going to bet, I'll go to Hard 510 00:27:46,180 --> 00:27:50,790 Speaker 4: Rock Bets. That's... I got to use the bathroom. 511 00:27:52,590 --> 00:28:06,510 Speaker 1: Yo! Yo! Yo! Yo! JoeAndJayTheShow.com. We got new merch fresh 512 00:28:06,650 --> 00:28:11,600 Speaker 1: off the presses. Go get it. Big. Out of big. Boom. 513 00:28:11,880 --> 00:28:16,399 Speaker 2: JoeAndJayTheShow.com. You can get these. A little code for a 514 00:28:16,460 --> 00:28:17,780 Speaker 2: t-shirt with a hoodie. 515 00:28:18,119 --> 00:28:22,340 Speaker 1: It's my favorite right there. I need an extra large. JoeAndJayTheShow.com. 516 00:28:22,380 --> 00:28:33,630 Speaker 1: Go there. Get it. They just smeared me in Detroit, though. 517 00:28:33,670 --> 00:28:35,370 Speaker 4: Why doesn't that surprise me? 518 00:28:36,310 --> 00:28:39,730 Speaker 1: They smeared me in Detroit. I don't usually get smeared. 519 00:28:39,770 --> 00:28:42,200 Speaker 1: You know what happened? You got to go down late night. 520 00:28:43,240 --> 00:28:47,040 Speaker 1: After they made all the money, aired everybody, you go 521 00:28:47,060 --> 00:28:48,700 Speaker 1: down late night, you can eat. 522 00:28:49,630 --> 00:28:51,550 Speaker 4: So you could just set the alarm for four in 523 00:28:51,570 --> 00:28:52,590 Speaker 4: the morning to wake up. 524 00:28:52,630 --> 00:28:53,610 Speaker 1: That's when you go down. 525 00:28:53,810 --> 00:28:56,120 Speaker 4: You know what's crazy is? I don't want to call 526 00:28:56,160 --> 00:28:59,760 Speaker 4: myself old, but I'm old. But I used to be 527 00:28:59,800 --> 00:29:02,470 Speaker 4: in the club seven days a week. 528 00:29:03,150 --> 00:29:03,830 Speaker 1: Nowadays. 529 00:29:04,610 --> 00:29:07,610 Speaker 4: I go and use the bathroom at four in the morning. 530 00:29:07,650 --> 00:29:10,750 Speaker 1: I'm like, yo, let me see what time four. I'm like, wow, 531 00:29:10,870 --> 00:29:12,380 Speaker 1: it's really late, guys. 532 00:29:12,860 --> 00:29:15,280 Speaker 4: Like, I go use the bathroom in the room and 533 00:29:15,320 --> 00:29:16,440 Speaker 4: I'm like, yo, I checked three. 534 00:29:16,480 --> 00:29:18,520 Speaker 1: Yo, it's only three in the morning. This shit feel 535 00:29:18,540 --> 00:29:21,700 Speaker 1: like I've been sleeping for eight hours. I got another 536 00:29:21,820 --> 00:29:24,000 Speaker 1: five left in me. I mean, like, that shit out 537 00:29:24,040 --> 00:29:24,820 Speaker 1: of control. 538 00:29:24,880 --> 00:29:27,560 Speaker 4: Like, I don't know why when I'm sleeping and I 539 00:29:27,580 --> 00:29:29,100 Speaker 4: look at the shit and it say three in. 540 00:29:29,030 --> 00:29:31,450 Speaker 1: The morning, I'm like, wow, this shit late. But I 541 00:29:31,510 --> 00:29:34,670 Speaker 1: used to walk out the house at two. That was two. 542 00:29:34,750 --> 00:29:38,260 Speaker 1: I live in Miami. You walk out the house at 2, 543 00:29:38,260 --> 00:29:41,860 Speaker 1: 2.30 and go. straight to the club. I'm down the block. 544 00:29:42,560 --> 00:29:45,120 Speaker 4: So I'm walking up in there at 2.30, 3 o'clock. 545 00:29:45,200 --> 00:29:48,280 Speaker 4: That was my walking to the club time. Now I 546 00:29:48,320 --> 00:29:50,320 Speaker 4: look at that shit like I'm prehistoric. 547 00:29:51,080 --> 00:29:53,460 Speaker 1: Look at that shit. I'm like, yo, 3 in the morning. 548 00:29:53,480 --> 00:29:54,590 Speaker 1: This shit great. 549 00:29:55,070 --> 00:29:59,800 Speaker 2: For all the real ones out there, we keeping it 1,800. 550 00:29:59,800 --> 00:30:03,220 Speaker 4: Yo, let me tell you something. Cardi B, she touched 551 00:30:03,260 --> 00:30:06,800 Speaker 4: that tiny desk. Like, I'm willing to believe. I want 552 00:30:06,840 --> 00:30:09,660 Speaker 4: to know how long she rehearsed. Because when I tell 553 00:30:09,680 --> 00:30:14,750 Speaker 4: you her performance on Tiny Desk was flawless. Like, I mean, 554 00:30:14,790 --> 00:30:17,590 Speaker 4: it doesn't even make sense. I never seen nobody better 555 00:30:17,610 --> 00:30:21,480 Speaker 4: than her on Tiny Desk. Who you seen better than her, performance-wise? 556 00:30:22,200 --> 00:30:25,840 Speaker 4: Better than Cardi B on Tiny Desk. Now, The Lox 557 00:30:25,900 --> 00:30:27,380 Speaker 4: is cool. That's not what happened. 558 00:30:27,400 --> 00:30:30,150 Speaker 1: The Lox pulled my ass. We ripped the paper. She 559 00:30:30,190 --> 00:30:34,830 Speaker 1: had backgrounds, all of that. Hello, but hold up what 560 00:30:34,870 --> 00:30:39,230 Speaker 1: I'm saying. I'm not saying that's exactly my point. 561 00:30:39,250 --> 00:30:43,260 Speaker 4: The Lox is one of the greatest lyrical machines ever lived. 562 00:30:44,290 --> 00:30:46,630 Speaker 4: This woman right here, we know she's a headmaker. She 563 00:30:46,670 --> 00:30:48,560 Speaker 4: just Cardi B. 564 00:30:48,620 --> 00:30:51,460 Speaker 1: You right. You right. She ripped the paint off. She 565 00:30:51,600 --> 00:30:57,110 Speaker 1: ripped the paint off. She looked like The Locks rocked him. 566 00:30:57,470 --> 00:31:00,450 Speaker 1: Lauren held her together the way she rhymed on that shit. 567 00:31:00,510 --> 00:31:01,800 Speaker 1: I don't know what to tell you. 568 00:31:01,810 --> 00:31:04,350 Speaker 2: She had to do, she rehearsed the hell out, her 569 00:31:04,370 --> 00:31:07,050 Speaker 2: shit was immaculate. She rehearsed three months straight, I think. Nah, 570 00:31:07,070 --> 00:31:09,810 Speaker 2: I don't think that long, but she, it was immaculate. 571 00:31:10,230 --> 00:31:12,650 Speaker 2: The sound, the way they was coming in, they was 572 00:31:12,710 --> 00:31:13,570 Speaker 2: catching shit. 573 00:31:13,590 --> 00:31:18,010 Speaker 1: Nah, how long you think she rehearsed? That's right. Three months. 574 00:31:18,110 --> 00:31:20,910 Speaker 1: Come on, man. Yo, yo, yo, kiss. She rehearsed three 575 00:31:20,950 --> 00:31:24,040 Speaker 1: months for tour. Yo, that Tiny Desk. For Tiny Desk. 576 00:31:24,080 --> 00:31:30,540 Speaker 1: That Tiny Desk. Nah. Tiny guess. Her performance was premeditated. 577 00:31:30,600 --> 00:31:35,560 Speaker 1: I'm telling you. I've been around hip hop. Not three. No, no, no. Yeah, yeah, yeah. 578 00:31:36,160 --> 00:31:37,860 Speaker 1: You think a week or two? Yeah. 579 00:31:39,080 --> 00:31:40,960 Speaker 4: So why she was better than everybody if it was 580 00:31:41,000 --> 00:31:43,720 Speaker 4: just a week or two? I'm telling you the truth. 581 00:31:43,960 --> 00:31:49,070 Speaker 1: All she needed was a week or two. Man. 20 minutes. Nah, 582 00:31:49,420 --> 00:31:51,750 Speaker 1: it ain't easy like you think, bro. It ain't easy 583 00:31:51,790 --> 00:31:52,370 Speaker 1: like you think. 584 00:31:52,730 --> 00:31:55,520 Speaker 4: What I'm trying to turn is You know when you 585 00:31:55,560 --> 00:31:58,870 Speaker 4: see the race cars and they're racing and they're hugging 586 00:31:58,890 --> 00:32:03,290 Speaker 4: the corner like... Cardi B was rapping hugging the corner. 587 00:32:03,430 --> 00:32:03,630 Speaker 2: Like. 588 00:32:06,030 --> 00:32:06,850 Speaker 1: Too perfect. 589 00:32:07,170 --> 00:32:11,810 Speaker 4: Too immaculate. Like, it was unbelievable. I'm looking at Cardi B. 590 00:32:12,250 --> 00:32:14,310 Speaker 4: I look at Cardi B as a hit maker. I 591 00:32:14,790 --> 00:32:17,470 Speaker 4: don't look at her as Jadakiss. I don't look at 592 00:32:17,490 --> 00:32:18,510 Speaker 4: her as Eminem. 593 00:32:18,820 --> 00:32:21,700 Speaker 1: I don't look at her as... I hope you look 594 00:32:21,720 --> 00:32:22,960 Speaker 1: at me as her. That's crazy. 595 00:32:24,160 --> 00:32:24,400 Speaker 2: All right. 596 00:32:25,750 --> 00:32:28,130 Speaker 1: I'm highly impressed. 597 00:32:28,150 --> 00:32:31,810 Speaker 2: What about your Halloween story? That you was coming back 598 00:32:31,830 --> 00:32:35,830 Speaker 2: from the Trent Firewood. They waiting for this Halloween. 599 00:32:36,350 --> 00:32:39,989 Speaker 4: Nah, I used that bathroom. That shit got industrial. You know, 600 00:32:40,010 --> 00:32:42,610 Speaker 4: when you drive around them areas, it's all factory. You 601 00:32:42,630 --> 00:32:46,650 Speaker 4: could imagine what that shit smelled like. The factory workers. 602 00:32:46,930 --> 00:32:47,530 Speaker 1: I went over there. 603 00:32:47,570 --> 00:32:51,110 Speaker 4: This shit wasn't for promotional use only. That shit was industrial. 604 00:32:51,150 --> 00:32:53,310 Speaker 1: I went up in there. That shit, that fucking cheesesteak. 605 00:32:55,050 --> 00:32:57,150 Speaker 1: I know that's right. I know that's right. 606 00:32:57,290 --> 00:33:01,330 Speaker 4: No, you hear this guy. This guy full of shit. 607 00:33:01,690 --> 00:33:08,280 Speaker 4: Let me tell you about Halloween. Tell you about Halloween. 608 00:33:08,690 --> 00:33:10,100 Speaker 1: In my hood. In my hood. 609 00:33:10,120 --> 00:33:13,800 Speaker 4: Can I say something? In my hood, I'm talking about 610 00:33:13,820 --> 00:33:17,500 Speaker 4: I'm still in high school, right? Our project get together. 611 00:33:18,080 --> 00:33:21,510 Speaker 4: We go to every other project. We fight them. We 612 00:33:21,550 --> 00:33:26,010 Speaker 4: throw the eggs. We take the socks with the flour. 613 00:33:27,070 --> 00:33:30,450 Speaker 4: And if you beat up the project, whoever's tough from 614 00:33:30,490 --> 00:33:34,860 Speaker 4: that project, they join you. And then y'all keep going 615 00:33:34,890 --> 00:33:39,660 Speaker 4: from project to project to project. Y'all had that in Yonkers? Oh, no, 616 00:33:39,680 --> 00:33:42,660 Speaker 4: we did this every year. We had fake costumes, but 617 00:33:43,120 --> 00:33:45,780 Speaker 4: it was just war. We would go all the way 618 00:33:45,840 --> 00:33:51,190 Speaker 4: from Forrest Projects down to Patterson Projects. Every year, we 619 00:33:51,210 --> 00:33:54,850 Speaker 4: would try to go to Harlem, and the police would 620 00:33:54,890 --> 00:33:56,030 Speaker 4: stop the whole Harlem. 621 00:33:56,270 --> 00:34:00,190 Speaker 1: The bridge, the Harlem River Bridge. Stop, yeah. Stop. That's him. 622 00:34:00,570 --> 00:34:03,650 Speaker 1: We were beating up every project in the universe. It 623 00:34:03,690 --> 00:34:04,310 Speaker 1: kept going. 624 00:34:04,970 --> 00:34:09,660 Speaker 4: Forrest, Jackson, McKinley, this, that, Cortland. We'd go to Cortland, 625 00:34:09,760 --> 00:34:12,420 Speaker 4: fight them, beat them. They'd join us. We'd go to 626 00:34:12,440 --> 00:34:16,460 Speaker 4: the next, like, we was just, it was legendary every year. 627 00:34:16,660 --> 00:34:19,359 Speaker 4: Pieces of shits of earth, That's what we're doing. 628 00:34:20,040 --> 00:34:24,820 Speaker 1: And so one year, I got a crack spot maybe 629 00:34:24,860 --> 00:34:28,739 Speaker 1: two blocks away from my high school. And I was 630 00:34:28,880 --> 00:34:33,440 Speaker 1: way too young to really be in the game like that. 631 00:34:33,460 --> 00:34:37,400 Speaker 4: I had to be 14, right? So I had a 632 00:34:37,420 --> 00:34:43,239 Speaker 4: crack spot. Some dudes, grown-ass men, set up shop. It 633 00:34:43,280 --> 00:34:46,609 Speaker 4: was like, yo, we got cracks here too, right? So 634 00:34:46,630 --> 00:34:49,170 Speaker 4: they're like, yo, we could pump together. But they basically 635 00:34:49,210 --> 00:34:52,150 Speaker 4: was taking my spot. I was 14, right? They were 636 00:34:52,190 --> 00:34:54,710 Speaker 4: just bigger than me and all that. These grown men. 637 00:34:55,969 --> 00:35:00,110 Speaker 4: And I remember on Halloween, that shit happened around Halloween. Halloween, 638 00:35:00,150 --> 00:35:01,820 Speaker 4: I was in front of my school. We had about 639 00:35:01,820 --> 00:35:06,939 Speaker 4: 300 niggas with the socks on, the patch looking like this. 640 00:35:07,020 --> 00:35:09,580 Speaker 4: And I had an idea. I said, yo, you know what, man? 641 00:35:10,120 --> 00:35:12,560 Speaker 4: I said, I need you guys to come with me. 642 00:35:13,300 --> 00:35:15,560 Speaker 4: It's like two blocks away. So I walk around the 643 00:35:15,620 --> 00:35:17,160 Speaker 4: corner by myself on Halloween. 644 00:35:17,200 --> 00:35:20,759 Speaker 1: They in there. Grown ass. I walk up in the park. 645 00:35:20,780 --> 00:35:22,640 Speaker 1: I'm like, yo, what's up, man? They were like, oh, 646 00:35:22,660 --> 00:35:24,609 Speaker 1: what's up? This, this, that. I said, man, you can't 647 00:35:24,640 --> 00:35:27,210 Speaker 1: pump here. They said, what? 648 00:35:28,430 --> 00:35:30,509 Speaker 4: They said, we trying to look out for you, young man. 649 00:35:30,570 --> 00:35:36,850 Speaker 4: We letting you pump. I'm only 14, chubby little. I said, where? 650 00:35:36,870 --> 00:35:37,650 Speaker 1: Ayo. 651 00:35:37,710 --> 00:35:41,399 Speaker 4: The 300 niggas come around the corner. They didn't even 652 00:35:41,460 --> 00:35:42,859 Speaker 4: know what they signed up for. 653 00:35:42,900 --> 00:35:47,450 Speaker 1: They're thinking, there's another project that's up. We're about to 654 00:35:47,469 --> 00:35:49,589 Speaker 1: buy this. He was like, yo, yo, they with you. 655 00:35:49,610 --> 00:35:52,569 Speaker 1: I said, it's my crew. All right. 656 00:35:52,969 --> 00:35:55,450 Speaker 4: You can't pump here. Y'all wanted to punk in them niggas. 657 00:35:55,469 --> 00:35:58,870 Speaker 4: The niggas left. Grown-ass men. That's my Halloween. That was 658 00:35:58,910 --> 00:36:02,390 Speaker 4: my dopest Halloween flex. The whole crew came. They didn't 659 00:36:02,430 --> 00:36:03,529 Speaker 4: even know what they was doing. 660 00:36:03,570 --> 00:36:07,049 Speaker 1: They helped me keep the spot without even knowing. They 661 00:36:07,070 --> 00:36:10,020 Speaker 1: turned the corner. Yo, what's up, man? Yo, Craig, what's up? 662 00:36:10,320 --> 00:36:15,259 Speaker 1: What we doing, the niggas? I'm like, yo, yo, just chill, chill, everybody. Relax. 663 00:36:15,360 --> 00:36:23,149 Speaker 1: You know, they understand. These guys... Ha! Ha! Ha! Any 664 00:36:23,190 --> 00:36:24,230 Speaker 1: Halloween stories? 665 00:36:27,750 --> 00:36:27,989 Speaker 2: Y.O. 666 00:36:28,070 --> 00:36:33,310 Speaker 1: Used to do that. Same shit. Go from project to project. 667 00:36:34,910 --> 00:36:41,570 Speaker 1: Dude's getting shot. Beat up. Rested. Shot too? Shot too? 668 00:36:41,610 --> 00:36:46,480 Speaker 1: We wasn't shooting. We was just fighting each other. Oh, no, 669 00:36:46,520 --> 00:36:49,480 Speaker 1: you'd get shot on Halloween. No, off one of them, 670 00:36:49,540 --> 00:36:53,660 Speaker 1: off one of them million projects. No. Somebody, he hit 671 00:36:53,700 --> 00:36:56,810 Speaker 1: somebody and they shot him. Or he just got shot 672 00:36:57,050 --> 00:37:00,270 Speaker 1: and he caught the ace. I know one time, you know, 673 00:37:00,290 --> 00:37:06,640 Speaker 1: they considered me a dangerous guy in the neighborhood. And, nah, nah. 674 00:37:06,719 --> 00:37:09,070 Speaker 1: I mean, I don't care what you think, brother. Like, 675 00:37:09,610 --> 00:37:14,140 Speaker 1: very dangerous guy. And one Halloween, the police just pulled up. 676 00:37:14,180 --> 00:37:16,980 Speaker 1: We was in front of the bodega. They was, hey! 677 00:37:17,560 --> 00:37:19,940 Speaker 4: For sure, they thought we had a MAC-11 or something. 678 00:37:20,000 --> 00:37:23,180 Speaker 4: Niggas went through my pockets. I had eggs in my pockets. 679 00:37:23,219 --> 00:37:25,600 Speaker 4: They be like, what the fuck is this? Joey crack? 680 00:37:26,140 --> 00:37:28,480 Speaker 4: Some bull is fucking doing where the guns at. I 681 00:37:28,540 --> 00:37:33,360 Speaker 4: was like, yo, this Halloween. No, they were not impressed 682 00:37:33,400 --> 00:37:35,120 Speaker 4: by the eggs in my pocket. They were like, you 683 00:37:35,160 --> 00:37:38,469 Speaker 4: got eggs? That's what you're doing out here? I'm like, yo, bro, 684 00:37:38,489 --> 00:37:44,930 Speaker 4: it's Halloween. No, police ain't believe that shit, man. Clay 685 00:37:44,950 --> 00:37:48,029 Speaker 4: Thompson is a bum. I told you. 686 00:37:49,050 --> 00:37:51,760 Speaker 1: Yo. You're going to feel so. 687 00:37:52,800 --> 00:37:55,910 Speaker 2: You're going to feel pathetically non-cypher. 688 00:37:57,310 --> 00:38:01,390 Speaker 1: Season means nothing. Watch when the season starts. You got 689 00:38:01,430 --> 00:38:06,050 Speaker 1: to have the NBA against you. Real NBA people think 690 00:38:06,070 --> 00:38:11,180 Speaker 1: you delusional. Yeah, well, thus far... That was fun. And 691 00:38:11,260 --> 00:38:12,150 Speaker 1: shut out. Hold up. 692 00:38:12,570 --> 00:38:15,370 Speaker 4: Shout out to Ben Simmons. I know I went at 693 00:38:15,390 --> 00:38:18,350 Speaker 4: him when I'm talking about players and stuff like that. 694 00:38:18,370 --> 00:38:19,610 Speaker 4: But I'm just banter. 695 00:38:19,630 --> 00:38:23,730 Speaker 1: Get well soon, Ben Simmons. Get well. He was balling 696 00:38:23,770 --> 00:38:27,230 Speaker 1: his ass off. He was killing out there for the preseason. 697 00:38:27,410 --> 00:38:30,750 Speaker 1: First time in 10 years. We got to switch the name. 698 00:38:30,770 --> 00:38:34,750 Speaker 1: What are you talking about? The man got hurt. Yo, 699 00:38:34,810 --> 00:38:38,219 Speaker 1: I can't say what I really feel. I'm not a 700 00:38:38,260 --> 00:38:41,839 Speaker 1: bad person. So he's no longer a flopper? No, he 701 00:38:41,880 --> 00:38:44,860 Speaker 1: got hurt. Is he a flopper? No, he got better 702 00:38:44,880 --> 00:38:47,000 Speaker 1: this season. Is he a flopper? This is the best 703 00:38:47,020 --> 00:38:49,020 Speaker 1: he looked in 10 years and then he got hurt. 704 00:38:49,380 --> 00:38:53,460 Speaker 1: I do not. The preseason don't count. I don't appreciate. Well, 705 00:38:53,480 --> 00:38:55,509 Speaker 1: he look amazing in preseason. 706 00:38:56,710 --> 00:38:58,629 Speaker 4: All right, now if we go back to regular season. 707 00:38:58,690 --> 00:39:00,549 Speaker 2: No, no, I'm not shitting on him after he got hurt. 708 00:39:00,570 --> 00:39:03,440 Speaker 2: The preseason doesn't count. I don't want to see him injured. 709 00:39:03,520 --> 00:39:05,240 Speaker 2: And I told you I thought he was a walking 710 00:39:05,260 --> 00:39:05,799 Speaker 2: triple dunk. 711 00:39:05,820 --> 00:39:10,700 Speaker 1: Listen. Whoa. Because he is. He averaged almost double in 712 00:39:10,800 --> 00:39:13,739 Speaker 1: every category. He looked great. Unfortunately, he got hurt. I 713 00:39:13,760 --> 00:39:17,529 Speaker 1: don't wish that on the man. Watch out for the Miami. 714 00:39:18,090 --> 00:39:20,450 Speaker 1: I'm a little bit mad. How about Indiana? How are 715 00:39:20,489 --> 00:39:24,130 Speaker 1: you mad? I don't think the Knicks like me. I 716 00:39:24,170 --> 00:39:27,180 Speaker 1: came to the. I had a talk with myself. Nah. 717 00:39:27,440 --> 00:39:30,189 Speaker 1: And I came to the conclusion. They like you, man. Nah, 718 00:39:30,210 --> 00:39:32,670 Speaker 1: they ain't going to use you to butter me up. 719 00:39:33,910 --> 00:39:35,390 Speaker 1: How they using me? I'm just. 720 00:39:36,570 --> 00:39:39,509 Speaker 2: I don't think the Knicks really feel the same way 721 00:39:39,630 --> 00:39:40,880 Speaker 2: I feel about the Knicks. 722 00:39:41,780 --> 00:39:44,060 Speaker 1: And it's cool. You got guys who bus drivers... I'm 723 00:39:44,080 --> 00:39:45,219 Speaker 1: gonna always love them. 724 00:39:45,239 --> 00:39:48,709 Speaker 4: Yo, we got bus drivers that are fucking Dallas Cowboys fans. 725 00:39:48,750 --> 00:39:49,570 Speaker 1: That's not the point. 726 00:39:50,010 --> 00:39:54,710 Speaker 4: The point is, I know for a fact that they 727 00:39:54,750 --> 00:39:57,719 Speaker 4: got love for you. Because every year you perform for 728 00:39:57,739 --> 00:40:01,460 Speaker 4: them in halftime. When I went, once again, when I 729 00:40:01,520 --> 00:40:02,620 Speaker 4: went and created. 730 00:40:04,180 --> 00:40:08,400 Speaker 4: The float for the parade, a once-in-a-lifetime in 53 years, 731 00:40:08,920 --> 00:40:11,560 Speaker 4: when I gave your name, it was so ecstatic for 732 00:40:11,600 --> 00:40:12,080 Speaker 4: you to come. 733 00:40:12,100 --> 00:40:13,739 Speaker 1: Clean. I got a clean name. No, no, no. I 734 00:40:13,800 --> 00:40:18,770 Speaker 1: gave names. Everybody hate me. No, no. Everybody hate me. 735 00:40:18,780 --> 00:40:23,839 Speaker 1: They're like gang affiliates. Gang affiliates. They write their name, too, 736 00:40:23,930 --> 00:40:25,989 Speaker 1: and they go, I got nothing to do with you. 737 00:40:26,050 --> 00:40:28,150 Speaker 1: I still got beef from the parade. Yeah, but it 738 00:40:28,170 --> 00:40:30,570 Speaker 1: ain't your fault when they random names and it beats. No, 739 00:40:30,570 --> 00:40:38,009 Speaker 1: I gave the names. And it beats. Yeah. Random. You 740 00:40:38,030 --> 00:40:40,770 Speaker 1: go to TSA, they go random. Yeah, they caught them 741 00:40:40,850 --> 00:40:42,810 Speaker 1: and they mad at you. That ain't your fault. That's 742 00:40:42,850 --> 00:40:46,850 Speaker 1: not my fault. I put in everybody's name. But when 743 00:40:46,870 --> 00:40:49,850 Speaker 1: your name come, it don't go in. It go love. 744 00:40:51,910 --> 00:40:55,530 Speaker 1: Got love. I love you. No, the Knicks got love 745 00:40:55,550 --> 00:40:57,299 Speaker 1: for you. Don't ever do that, man. 746 00:40:57,780 --> 00:41:01,020 Speaker 2: But I think it did some furniture. They changed some people. 747 00:41:01,219 --> 00:41:05,480 Speaker 2: And I think they did. They switched some positions around. 748 00:41:05,600 --> 00:41:07,719 Speaker 4: So what I'm going to do to you, if you 749 00:41:07,760 --> 00:41:11,500 Speaker 4: don't know and y'all don't know the direct plug connect, 750 00:41:12,460 --> 00:41:14,440 Speaker 4: when you come to the game next time and I'm there, 751 00:41:14,480 --> 00:41:16,460 Speaker 4: I'm going to plug you in with the king of 752 00:41:16,480 --> 00:41:17,140 Speaker 4: the crop. 753 00:41:17,239 --> 00:41:20,489 Speaker 1: Well, the Queens, because the girls run the Knicks. Maybe 754 00:41:20,530 --> 00:41:22,450 Speaker 1: that's what it is. No, no, that's what it is. 755 00:41:22,530 --> 00:41:23,430 Speaker 1: It's the Queens. 756 00:41:23,570 --> 00:41:27,589 Speaker 4: The girls run the Knicks. They under Dolan. It's the 757 00:41:27,650 --> 00:41:31,259 Speaker 4: girls that run the show. I got to plug you in. 758 00:41:31,320 --> 00:41:33,339 Speaker 1: I'll do it. I don't care. You're my partner. I 759 00:41:33,500 --> 00:41:37,120 Speaker 1: always want you to be happy. Oh, no. 760 00:41:37,140 --> 00:41:39,879 Speaker 4: Nah, it's very rare people that can get me to 761 00:41:40,530 --> 00:41:44,650 Speaker 4: introduce them to that plug. Nah, it's a very rare, 762 00:41:45,170 --> 00:41:49,190 Speaker 4: limited edition package, my man. The seal is still on 763 00:41:49,210 --> 00:41:50,450 Speaker 4: the fucking bottle. 764 00:41:50,489 --> 00:41:53,020 Speaker 1: Man got some sneakers for me, man. Man got some 765 00:41:53,060 --> 00:41:55,620 Speaker 1: shit for you? What do you got, the Adidas joints? 766 00:41:55,800 --> 00:41:59,620 Speaker 1: The red joints? Them shit's described right there. See, there's 767 00:41:59,640 --> 00:42:02,580 Speaker 1: a lot of Adidas around here. Somebody caught a package 768 00:42:02,660 --> 00:42:06,980 Speaker 1: minus me. Are you 2K? You ain't got none? I 769 00:42:07,020 --> 00:42:13,450 Speaker 1: bought these again, once again. I bought these. That was 770 00:42:13,489 --> 00:42:15,609 Speaker 1: a good buy. They didn't give it to me. None 771 00:42:15,670 --> 00:42:17,650 Speaker 1: of that. Let me tell you something. That was a 772 00:42:17,730 --> 00:42:20,370 Speaker 1: great buy. This was a good time. Yeah, yeah. That 773 00:42:20,410 --> 00:42:24,000 Speaker 1: color scheme is L. Nice color. That's like the flight jacket. 774 00:42:25,260 --> 00:42:25,900 Speaker 1: Know what I'm saying? 775 00:42:26,060 --> 00:42:26,620 Speaker 2: Oh, yeah. 776 00:42:26,680 --> 00:42:29,280 Speaker 4: Nah, that's what they did. They jacked the flight jacket. 777 00:42:29,660 --> 00:42:35,730 Speaker 4: The green. With these on with the flight jackets. Army pants, hoodie, smoke. 778 00:42:35,830 --> 00:42:37,770 Speaker 4: You see me in skate key, man. I put them 779 00:42:37,830 --> 00:42:40,650 Speaker 4: pictures up. You know, it's hard, man. You know, we 780 00:42:40,670 --> 00:42:43,670 Speaker 4: got a whole new society. Dude, that was the Arlington. 781 00:42:43,710 --> 00:42:48,379 Speaker 4: That's the real one. Don't disrespect the other one, but Arlington. 782 00:42:50,280 --> 00:42:53,320 Speaker 4: Arlington skate key was different. That's where I met Pistol 783 00:42:53,360 --> 00:42:55,180 Speaker 4: P that. Sex money. 784 00:42:55,700 --> 00:42:59,549 Speaker 1: Sex money. I went up there. I went out there 785 00:42:59,590 --> 00:43:00,029 Speaker 1: that day. 786 00:43:00,090 --> 00:43:05,200 Speaker 4: I'm sorry to say, guys, my old projects, F-O-R-E-S-T, 300 niggas. 787 00:43:05,980 --> 00:43:09,420 Speaker 1: And, um... Got chicks and all that. I ain't even 788 00:43:09,440 --> 00:43:12,359 Speaker 1: gonna say all that. I got busy. Little Marie. That 789 00:43:12,380 --> 00:43:15,839 Speaker 1: was off. See, that's the good. 790 00:43:15,860 --> 00:43:18,400 Speaker 4: She had the door knockers with the Gucci shit with 791 00:43:18,420 --> 00:43:20,300 Speaker 4: the beeper with the 40 below. 792 00:43:20,320 --> 00:43:22,719 Speaker 1: That was a B-girl. They don't even know about that. 793 00:43:22,739 --> 00:43:24,060 Speaker 1: I didn't even realize. 794 00:43:24,719 --> 00:43:27,779 Speaker 4: I never realized that a girl's never wore 40 below, right? 795 00:43:27,800 --> 00:43:31,370 Speaker 4: Because when I put up that picture, everybody was like, yo, 796 00:43:31,410 --> 00:43:32,690 Speaker 4: shorty got the 40s. 797 00:43:33,210 --> 00:43:35,090 Speaker 1: She got the 40. I was like, oh, shit. But 798 00:43:35,210 --> 00:43:37,509 Speaker 1: Lil Maria was always the fly. I had cousins that 799 00:43:37,550 --> 00:43:41,260 Speaker 1: was B-girls. My first 40s came from my cousin, Gil. 800 00:43:41,520 --> 00:43:44,540 Speaker 1: She stabbed me. She gave me her first 40s when 801 00:43:44,560 --> 00:43:48,630 Speaker 1: she was at Little Feast. So your cousin had 40s? 802 00:43:49,120 --> 00:43:51,219 Speaker 1: My girl cousin. 40s, V-bombing. 803 00:43:51,489 --> 00:43:53,350 Speaker 2: I had a lot of cousins. My cousin Teresa. I 804 00:43:53,390 --> 00:43:56,470 Speaker 2: got cousins, girls that was flying and everybody. 805 00:43:57,770 --> 00:43:58,690 Speaker 1: That's all. Girls. 806 00:43:59,370 --> 00:44:02,430 Speaker 4: Yeah, Lil Maria was the one. You know what's crazy 807 00:44:02,610 --> 00:44:07,770 Speaker 4: is I posted that picture. By the way, guys, when 808 00:44:07,810 --> 00:44:10,270 Speaker 4: I post pictures, this old school pictures, and you see 809 00:44:10,290 --> 00:44:13,650 Speaker 4: me with medallions this big, you would have got punched 810 00:44:13,710 --> 00:44:17,969 Speaker 4: in your face for a gold front. If a motherfucker 811 00:44:18,010 --> 00:44:22,670 Speaker 4: wore gold fronts, they were getting robbed. You would get 812 00:44:22,750 --> 00:44:26,430 Speaker 4: punched in your face for a nose ring. I'm over 813 00:44:26,450 --> 00:44:29,890 Speaker 4: there with medallions this fucking big. Like, y'all got to stop. 814 00:44:29,969 --> 00:44:32,270 Speaker 1: Like, maybe that gives some validity. 815 00:44:33,820 --> 00:44:37,160 Speaker 4: Maybe if you see me with a $ 5, 000 Dapper Dan 816 00:44:37,219 --> 00:44:39,920 Speaker 4: jacket on and an old school pic when niggas was 817 00:44:39,940 --> 00:44:43,469 Speaker 4: getting punched in they face for a starter jacket, I 818 00:44:43,489 --> 00:44:46,850 Speaker 4: may start doing the math. Maybe the stories won't sound 819 00:44:46,910 --> 00:44:48,210 Speaker 4: as bad to you guys. 820 00:44:49,150 --> 00:44:51,600 Speaker 1: It's shit. Hey, hello. 821 00:44:54,760 --> 00:44:57,779 Speaker 4: The truth shall set you free. Every now and then, 822 00:44:57,800 --> 00:45:00,600 Speaker 4: and I don't got pictures. Every now and then, somebody 823 00:45:00,620 --> 00:45:02,420 Speaker 4: be like, yo, Joe, I got some old school pictures 824 00:45:02,440 --> 00:45:04,260 Speaker 4: of you. They said that, I be like, oh, shit. 825 00:45:04,739 --> 00:45:07,230 Speaker 4: Y'all let me throw this up. I don't even keep pictures. 826 00:45:07,969 --> 00:45:10,130 Speaker 4: I wasn't even taking pictures at that time. I was 827 00:45:10,190 --> 00:45:11,110 Speaker 4: a picture guy. 828 00:45:12,469 --> 00:45:23,089 Speaker 1: Yo, man. This ain't cool. This ain't that. That ain't this. 829 00:45:23,110 --> 00:45:26,020 Speaker 1: It's crack and kiss, God damn it. This is not 830 00:45:26,060 --> 00:45:26,640 Speaker 1: a movie. That's it.