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Speaker 1: Good morning us say yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo Charlamagne the god.

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Speaker 1: Guess what piece of the planet?

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Speaker 2: Yes?

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Speaker 3: What day it is?

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Speaker 4: Yes?

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Speaker 3: What day it is?

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Speaker 1: You want to jump right in the home day. I

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Speaker 1: did no piece of the plan enough of this morning.

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Speaker 4: I forgot all about it. Man, This Wednesday morning is early,

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Speaker 4: you know.

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Speaker 1: Yeah, good morning. What's happening? What's going on? But we

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Speaker 1: got our guest co hosts back. Willie D. He's back

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Speaker 1: joining us this morning. Dropped a bomb from Willow D.

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Speaker 2: Came in here.

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Speaker 5: Yesterday's stirring up all that trouble, pissed all the ladies off.

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Speaker 5: Ladies want flowers, will want ladies want flowers, Willie D

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Speaker 5: and I have to make amends. The ladies said they

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Speaker 5: want flowers on their first day.

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Speaker 1: Will though, how you feeling I'm feeling good.

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Speaker 4: Yeah, yeah, yeah, I feel like a veteran that in

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Speaker 4: my second one.

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Speaker 1: Just feel like a vet So getting up early, it's

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Speaker 1: not a problem for you.

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Speaker 4: Now, that's a problem he's at that.

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Speaker 1: That's a problem as far as media old Willie.

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Speaker 5: You you you You've been in the media thing for

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Speaker 5: a while now, I mean with the podcast and the YouTube.

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Speaker 4: Channel, you know what I mean.

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Speaker 6: Before that, I did I did a talk show on

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Speaker 6: ninety seven the boxing.

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Speaker 4: Really yeah, okay, yeah, I know I've been doing it

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Speaker 4: for a while.

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Speaker 5: See okay, Well he ain't new to this, No, not

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Speaker 5: at all, not even a little bit. Did y'all charge

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Speaker 5: your crystals last night?

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Speaker 1: It was a full moon.

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Speaker 4: No, you ain't charging of crystals in the full moon

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Speaker 4: last night. I don't participate in stuff like that.

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Speaker 5: Moon was so beautiful last night, it just went. It

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Speaker 5: was still up when we came in the building.

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Speaker 1: Sitting it this morning. This morning, I actually went, uh,

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Speaker 1: you know, I went fishing last night with my son.

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Speaker 1: We ain't catch not no, but we went fishing last night.

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Speaker 1: The hell y'all went fishing a h There's a lake, uh,

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Speaker 1: pretty close to where we live. And a neighbor, actually

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Speaker 1: one of my neighbors actually live on a lake. So

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Speaker 1: we went over there and we were fishing and we

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Speaker 1: ain't catch nothing. Though we were just dead. We ain't

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Speaker 1: catch nothing. It was it might not even been no

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Speaker 1: fishing that lake. I'm not a fishing. Man, I'm not

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Speaker 1: from New York. We don't we don't do those type

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Speaker 1: of things. I just tried.

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Speaker 4: Did anybody can't do it? Did anybody catch that?

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Speaker 1: Billion? Do a lot of I don't catch that.

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Speaker 4: You call that? Okay?

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Speaker 6: But going back to the fishing though, Man, I got

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Speaker 6: a story. The first time me and my son went fishing.

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Speaker 6: We were out there at this little lake for about

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Speaker 6: maybe five hours, and man, we had to catch up

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Speaker 6: to day very first time fishing.

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Speaker 5: Right, we called a turtle a turtle turtle. Yeah, that's y'all.

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Speaker 5: Many turtles.

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Speaker 6: Who No, we threw it back I started, you know,

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Speaker 6: back in the day. I would have kept it as

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Speaker 6: a pet. But yeah, we let it go.

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Speaker 4: I had a pet turtle back in the day. Same thing.

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Speaker 1: Do you eat it?

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Speaker 5: No, we called it caught it out in the wilderness

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Speaker 5: and line and my dad maybe put it back in

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Speaker 5: where I got it from. Yeah, yeah, I supposed to

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Speaker 5: keep a turtle, especially a turtle you catch in the wild.

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Speaker 5: There is one thing when you buy one from the store.

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Speaker 5: You feed the turtle food, but.

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Speaker 4: They don't eat much.

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Speaker 1: So yeah, idea what they're talking about. We do dogs

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Speaker 1: and cats a dog, dogs and cats. There's really no

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Speaker 1: need to have a pet turtle.

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Speaker 5: Honestly, when you really think about it, Like, what's the

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Speaker 5: point of having a pet turtle? Let that Let that

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Speaker 5: turtle go. Man free that turtle, free that turtle. I

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Speaker 5: think any type of pit that you have ship earned

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Speaker 5: their key. That's why I don't do little dogs. Little

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Speaker 5: dogs serve no purpose to me.

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Speaker 1: Sounds like my pops. My pops say, my pops, like

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Speaker 1: everybody who lives in this house needs a job. It's

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Speaker 1: a little dog. That little dog ain't doing nothing. Get

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Speaker 1: a big ass dog is gonna be. My dad's are

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Speaker 1: the same.

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Speaker 5: I think little dogs are for comfort people keep there

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Speaker 5: like emotional support dogs.

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Speaker 4: Yeah, you know, my daughter just got her one emotional support. Yeah,

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Speaker 4: that's what that is. And yeah, at first I thought

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Speaker 4: to myself, where did I go wrong?

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Speaker 6: You do nothing wrong with My daughter loves that dog, man,

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Speaker 6: I mean absolutely loves that emotional support.

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Speaker 3: Yeah.

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Speaker 1: Well, let's get the show crack and Charles D. King

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Speaker 1: will be joining us this morning. Man, he's the CEO

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Speaker 1: of Macro Studios. Now, if you don't know what Macro is, uh,

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Speaker 1: they do a bunch of different things, but they fund

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Speaker 1: a lot of black, big black Hollywood business like fences,

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Speaker 1: they funded, they funded. Uh, they cloned Tyrone, cloned Tyrone

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Speaker 1: and the host of others. He's a brother. He started out,

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Speaker 1: He went to Howard Law, he started working from the mailroom,

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Speaker 1: worked his way up, and we're gonna talk to him

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Speaker 1: about all that. I love to see brothers winning like that,

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Speaker 1: so we'll talk to him a little bit. And then

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Speaker 1: we got front page. It was next with teslam figure,

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Speaker 1: let's go alling everybody. It's dj n V Charlamagne, the guy.

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Speaker 1: We are the breakfast club. Let's get in some front

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Speaker 1: page news. Our guess co host Willie D is here

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Speaker 1: and Teslin figure out. Good morning, Good morning, dj MV.

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Speaker 7: Good morning to the big homie Willie D. Good morning, Willie.

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Speaker 1: You can't hear you. We turned off so you can hear.

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Speaker 1: He said, good on, she said, good morning morning. Okay,

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Speaker 1: now let's go on, Charlemaine, let's get right into it.

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Speaker 1: Donald Trump, let's go on.

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Speaker 7: Yes, I didn't think I was the first one to

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Speaker 7: admit that. I never thought this particular day would come.

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Speaker 7: But former President Donald Trump was indeded on four felony

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Speaker 7: accounts that accuse him of working to overturn the results

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Speaker 7: of the twenty twenty presidential election in the run up

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Speaker 7: to the violent riot by his supporters at the US Capital.

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Speaker 7: Let's listen to US Attorney General General Garland how he

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Speaker 7: explains what happens. And let's also listen to Trump's response.

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Speaker 7: Take a listen.

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Speaker 8: So immediately after the January sixth attack on our democracy,

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Speaker 8: career men and women of the Justice Department engaged in

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Speaker 8: what has become the largest investigation in our history. In

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Speaker 8: November last I appointed Jack Smith a special Council to

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Speaker 8: take on the ongoing investigation in order to underline the

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Speaker 8: Department's commitment to accountability and independence. Mister Smith and his

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Speaker 8: team of experienced principal career agents and prosecutors have followed

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Speaker 8: the facts and the law wherever they lead. Any questions

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Speaker 8: about this matter will have to be answered like the

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Speaker 8: filings made in the corner.

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Speaker 9: Former President's campaign swiftly responding to the indictment, saying they

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Speaker 9: consider it an attempt by the Biden administration to interfere

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Speaker 9: with the upcoming twenty twenty four election. The state calling

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Speaker 9: the four felony charges quote fake.

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Speaker 10: Hey man, Donald Trump, Oh glad, Ted, I just wanted

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Speaker 10: to just give you those those charges right quick, Conspiracy

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Speaker 10: to the FRIU of the United States, conspiracy to a

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Speaker 10: struct and official proceeding, obstruction of an attempt to obstruct

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Speaker 10: an official proceeding, and conspiracy against rights.

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Speaker 1: So for felony charges.

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Speaker 5: Hey man, Donald Trump got more criminal charges than Nick

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Speaker 5: Cannon got kids. And Nick Cannon couldn't catch Trump if

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Speaker 5: he tried seventy eight criminal charges. Okay, Nick Cannon is

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Speaker 5: never gonna have that many kids. And look, nobody is

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Speaker 5: above the law. You are innocent until proven guilty in

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Speaker 5: this country with the consequences to your actions. That We've

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Speaker 5: been watching Trump operate with impunity for a long time,

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Speaker 5: and it seems like it's all caught up.

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Speaker 6: Yes, seventy eight charges, but it should be around one

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Speaker 6: hundred and fifty six minimum because he is a criminal.

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Speaker 4: He's an international criminal, and he.

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Speaker 6: Should have been locked up a long time ago, him

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Speaker 6: and his constituents.

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Speaker 4: That's right, I said it. Well, it's happening now.

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Speaker 1: It's not easy.

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Speaker 5: Clearly we've never seen this before, a president, you know,

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Speaker 5: being indicted, Like there's a president having all these criminal charges.

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Speaker 4: So this is something new.

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Speaker 5: So I'm sure something new would take a little bit longer,

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Speaker 5: but this is it's definitely happening now.

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Speaker 1: But he can still run for president, right, that's what

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Speaker 1: they're saying. He's still leading in the polls right now,

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Speaker 1: and it's not closed. So we have these conversations and yes,

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Speaker 1: he's being indicted, but he still could run for president,

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Speaker 1: and there's no problem with him running and he still

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Speaker 1: can be the president, right, absolutely absolutely, and he can

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Speaker 1: drop his own charges, right, he could wipe his own

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Speaker 1: charges away. I don't know about that.

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Speaker 7: I'd probably be yet another charge if Pole would to

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Speaker 7: do that. Let's just take step by step. But like

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Speaker 7: Charlottage said, yes, he's absolutely still running and the polls.

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Speaker 7: I don't know if this is more about Biden and

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Speaker 7: more about Trump or this country, but they are still

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Speaker 7: neck and neck in the general election. I did want

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Speaker 7: to do just a quick for folks who may not

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Speaker 7: be following all of the charges that you mentioned, just quickly.

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Speaker 7: There's still one pending investigation, the Georgia election interference, and

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Speaker 7: then the three indictments that have happened is now the

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Speaker 7: January sixth insurrection, the classified documents, and the hush money.

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Speaker 7: And you know again, I was one of the ones

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Speaker 7: that was skeptical to see if this January sixth indictment

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Speaker 7: whatever happened, and so it did.

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Speaker 5: Here we are, I do say, though, we definitely need more,

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Speaker 5: you know, qualifications and stipulations than run for president, because

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Speaker 5: that's the problem I have. Man, think about any other

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Speaker 5: business or any other industry, if you was facing all

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Speaker 5: of this, if you had all of these criminal charges,

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Speaker 5: you'd be suspended, you'd be fired.

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Speaker 4: People wouldn't want to do business with you, they separately.

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Speaker 7: I mean, you can't even get an apartment, right, you

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Speaker 7: can't even get an apartment in some cities, you know,

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Speaker 7: with a feeling a place to list over your head,

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Speaker 7: and that alone run for president United States.

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Speaker 5: And we know we haven't been convicted yet, but even still,

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Speaker 5: even still even being innocent until proven guilty, so many

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Speaker 5: industries would separate themselves from you if you was facing

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Speaker 5: all of these charges.

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Speaker 1: Yet he can still run for presidents, right A God damn,

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Speaker 1: we don't have.

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Speaker 5: We gotta have some better stipulations and qualifications for running

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Speaker 5: a president, man, and.

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Speaker 7: Be president, not just run, but actually be president of

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Speaker 7: the United States.

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Speaker 1: Don't want to the.

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Speaker 6: Last part about it is that this dude has been

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Speaker 6: committing crimes from day one, like he is a an

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Speaker 6: international criminal. And I can't wait for the day that

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Speaker 6: we make accountability great again. I can't wait for that day.

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Speaker 4: You feel like it's happening. Now we're gonna see.

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Speaker 6: Though, now it's not happening, because let's face it, man,

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Speaker 6: this country is ran by a bunch of corrupt people.

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Speaker 6: That's the bottom line, all the way at the top,

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Speaker 6: both sides, they are corrupt, they are dirty, and we

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Speaker 6: need to have term.

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Speaker 4: Limits these people.

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Speaker 6: It's people that are that are in office holding office

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Speaker 6: that's telling us how to live our life, that's in

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Speaker 6: control of our lives. And they're way dumber than us.

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Speaker 6: And we sit back and we're letting it happen. These

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Speaker 6: people should be all locked up, they should all be.

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Speaker 4: Put in jail.

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Speaker 1: Indeed, what accountability is happening right now?

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Speaker 2: Will?

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Speaker 5: I mean the guy and the guy got seventy eight

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Speaker 5: criminal charge, let me charge it four indictments to start.

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Speaker 6: Let's get to the convictions, man, and let's get to

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Speaker 6: the jail time they got it, because I don't see

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Speaker 6: them putting And just like most people, we most of

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Speaker 6: us don't believe he'll ever do any time in prison.

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Speaker 1: I don't think.

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Speaker 6: And that's it, and that speaks volume about this. I

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Speaker 6: never thought this would happen. I never thought you would

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Speaker 6: get just seventy eight criminal charges. I never thought you

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Speaker 6: would get indicted. So you know the president too.

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Speaker 1: We thank you. We'll see in a couple of minutes.

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Speaker 1: Let's get it off your chest. Eight hundred five eight

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Speaker 1: five one oh five one. If you need the vent

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Speaker 1: phone lines and wide open, let's have a discussion again.

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Speaker 1: Eight hundred five eight five one oh five one, call

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Speaker 1: us up right now.

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Speaker 11: It's the Breakfast Club. Good morning, the Breakfast Club. This

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Speaker 11: is your time to get it off your chest. Eight

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Speaker 11: hundred five eight five one five one. We want to

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Speaker 11: hear from you on the Breakfast Club.

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Speaker 12: Hello, who's this this CJ?

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Speaker 13: What up?

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Speaker 1: Getting off your chest?

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Speaker 2: Alright, well you know the town a city James on

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Speaker 2: the mic, talk to us.

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Speaker 3: What's up?

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Speaker 2: What I want to comment to get about? You know

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Speaker 2: politics with Donald Trump? You know, and the thing about

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Speaker 2: to think about politics that they always think the U

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Speaker 2: because they was every last or those Donald Trump, he ain't.

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Speaker 14: A politician, but you know what what's coming on the club.

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Speaker 5: He don't care about none of that, right, Really, they're

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Speaker 5: not a person alive on this planet who don't care

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Speaker 5: about seventy eight criminal charges in three indictments.

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Speaker 6: But why do people keep saying Donald Trump is not

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Speaker 6: a politician. The moment that he decided to run for office.

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Speaker 4: He became a politician. Definitely a politician. He is a politician.

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Speaker 1: Hello, who's this?

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Speaker 5: Boy?

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Speaker 1: J was going on? What I mean, going up? Getting

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Speaker 1: off your chest?

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Speaker 3: Brother, every man?

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Speaker 14: Good morning, Charla made good Morning's going on?

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Speaker 5: Man?

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Speaker 14: What's going on?

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Speaker 1: Said? Good morning?

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Speaker 3: Listen?

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Speaker 2: We're real talk though, right, I'm not actually for Trump

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Speaker 2: beating these charges.

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Speaker 14: I'm not sure trumping.

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Speaker 5: Let the president get cause when you looked at it,

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Speaker 5: not honestly get when you looked at it, who do

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Speaker 5: we got?

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Speaker 2: We got Biden ninety four, cracked beilt. He's been running

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Speaker 2: through all of that, I mean Trump and raising Trump

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Speaker 2: been doing on and uh breaking all these laws.

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Speaker 15: But you know what's putting money in the black community's pocket?

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Speaker 5: Well it can't to me.

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Speaker 2: Checked, we was listening.

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Speaker 4: We was this through COVID and listen.

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Speaker 2: So I mean who we tru I'd rather chose the

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Speaker 2: Doug over troll.

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Speaker 5: You can have all the money in your pocket all

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Speaker 5: you want, but you don't want to. What's the point

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Speaker 5: of having money in a fashion society?

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Speaker 1: Sir, I told you you don't.

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Speaker 5: You know, he don't want He don't he the father

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Speaker 5: forgive them, for they know not what they do.

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Speaker 4: He what he said, what he said just now.

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Speaker 6: It's no different from what white folks said during slavery

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Speaker 6: and even in post slavery.

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Speaker 4: It's like it balls down to money.

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Speaker 6: You know, if it helps me out and I'm making

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Speaker 6: money for it, you know, hey, man, it doesn't matter

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Speaker 6: if it's a crime, it doesn't matter if if it's

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Speaker 6: in tomorrow, you know, I'm gonna do it. And that's

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Speaker 6: the problem with people in America, and that's the problem

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Speaker 6: with living in a capitalistic side.

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Speaker 1: That's right, Get it off your chest eight hundred five

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Speaker 1: eighty five, one oh five one. If you need to vent,

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Speaker 1: hit this up now. It's the Breakfast Club in the morning.

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Speaker 11: The Breakfast Club's ad.

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Speaker 1: Is it your time to get it off your chest?

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Speaker 11: Wait up, whether you're mad or black, time to get

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Speaker 11: up and get something Call up now.

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Speaker 1: Eight hundred five eighty five one o five one. We

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Speaker 1: want to hear from you on the Breakfast Club.

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Speaker 3: Hello, who's this? This is Jay what's up, brother?

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Speaker 1: Get off your chest?

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Speaker 2: All that old g Willard. I'm a five of umiz.

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Speaker 2: I'm glad that you got somebody on that ain't old

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Speaker 2: nold punches.

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Speaker 3: What's up?

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Speaker 15: King?

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Speaker 2: You tell everybody at the time it ain't just the left,

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Speaker 2: it's the right and the left and the fire right

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Speaker 2: our left, that's the rub. And then you.

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Speaker 9: Know what, I think.

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Speaker 2: I think that once that go and do so bad

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Speaker 2: that they let bro self into the other people's guard,

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Speaker 2: other than taking time out and looking for people to

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Speaker 2: be defended, like, oh, what's his name? Nelson used to

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Speaker 2: be a college professor. There's nobody should positive out him,

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Speaker 2: don't I advertise for you.

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Speaker 1: He's coming on Breakfast Club soon, I think in the

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Speaker 1: next couple of weeks.

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Speaker 4: Yeah, yep.

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Speaker 6: Carnelle Weis is a great human being. The problem with

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Speaker 6: with our country is that we don't vote for the

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Speaker 6: person who's best for the job. We vote for the

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Speaker 6: person we think and when right.

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Speaker 1: Hello, who's this?

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Speaker 6: Hey?

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Speaker 1: This is he Anicia. Come on and get it off

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Speaker 1: your chest, mama.

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Speaker 2: Hey, I was just suck.

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Speaker 16: I was just hearing you guys talk about Trump and everything.

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Speaker 16: I think those chargers that he has pending. I think

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Speaker 16: he will walk from the I think the politicians and

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Speaker 16: everything just need to read Hall readjusting like he was saying,

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Speaker 16: they are all for up.

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Speaker 17: I feel so.

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Speaker 4: They all they all corrupt.

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Speaker 5: But he's not walking from seventy eight criminal charges in

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Speaker 5: three indictments that they they crossed a lot of t's and.

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Speaker 1: Dotted a lot of eyes to uh, you.

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Speaker 4: Know, bring charges against a former president. But what's the

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Speaker 4: punishment going. I don't know what the points are gonna be.

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Speaker 6: I'm focused on the punishment. But lock this suckers up, man,

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Speaker 6: I mean, put.

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Speaker 4: This under the jail house, throw away the keys, man,

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Speaker 4: throw away the keys.

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Speaker 6: In fact, put him under the jail house man, and

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Speaker 6: put concrete on top of the jail house. Let's make

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Speaker 6: sure that sucker never come out. Man.

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Speaker 4: I don't I don't see how he walks from these.

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Speaker 4: He got to go, hello, who's this.

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Speaker 3: This?

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Speaker 2: NV man?

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Speaker 13: Mister willow D.

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Speaker 2: Just chilling man.

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Speaker 13: Listen, mister willi D. It's an honor just to be here.

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Speaker 13: Ain't give presidence to hear you.

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Speaker 4: Thank you all right, listen.

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Speaker 13: Let me tell you something A lot of people say

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Speaker 13: against the reps. Started with a lot of ugly reppers.

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Speaker 13: I used to put up that sauber Sassin y'all did

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Speaker 13: way back in the eighty y'all my favers man.

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Speaker 4: We got no boys.

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Speaker 13: Yes, all right, listen, but here gon thing with Trump.

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Speaker 13: If y'all look at it, they're playing chess, not checkers.

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Speaker 13: They put the Santas to the place. I mean, Trump

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Speaker 13: go where you gotta go, just to put the Santis

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Speaker 13: for where they want to go where they got to

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Speaker 13: play this strategically, they just put a kick to it.

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Speaker 5: I don't think Republicans want to stay diseaser, brother. I mean,

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Speaker 5: one thing we know about Republicans, they're gonna fall in

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Speaker 5: line regardless. But when you look at these poll numbers,

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Speaker 5: it don't seem like they want the sant disease. I'm

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Speaker 5: looking at something right now. It says if the election

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Speaker 5: for the Republican presidential nominee were hell today is in

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Speaker 5: the New York Times, by the way, which candidate would

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Speaker 5: you most likely vote for? Donald Trump fifty four percent?

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Speaker 5: The Santis has seventeen percent. I don't think they want

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Speaker 5: run like y'all think they want run.

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Speaker 1: Well, get it off your chest. Eight hundred and five

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Speaker 1: eight five one five one if you need the event,

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Speaker 1: you can hit us up when we come back. We

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Speaker 1: got your room or report. We got to discuss Lizzo.

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Speaker 1: She's in the rumors. Uh, some of her dances are

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Speaker 1: saying that she fat shamed them. But we'll talk about it.

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Speaker 5: We have to acknowledge that is a hilarious headline and

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Speaker 5: we'll talk about it when we come back. It's the

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Speaker 5: breakfast slogan Morning.

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Speaker 1: The breakfast club.

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Speaker 4: That's that yours down and we got to show to do.

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Speaker 1: Get my headphones?

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Speaker 4: Oh you didn't have them?

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Speaker 1: Okay, wanting everybody's DJ n V Charlamagne to god. We

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Speaker 1: are the breakfast club. We got our guest co host,

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Speaker 1: Willy d with us, and let's get to the rumors.

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Speaker 1: Let's talk Lizzo names or you gossip when chatting.

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Speaker 3: Is the rumor report?

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Speaker 18: I mean, I guess we're on the breakfast club. This

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Speaker 18: is where the tea.

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Speaker 1: Spells right right now. Yesterday, three of Lizzo's former backup

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Speaker 1: dancers accuse the singer of sexual harassment and creating a

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Speaker 1: hostile work environment. Now that three defendants are about.

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Speaker 5: The way shaming, you missed out that dot, don't leave

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Speaker 5: out the way I'm gonna get to That's that's the

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Speaker 5: funniest part of the head I'm gonna get to it.

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Speaker 5: We have to admit that's a hilarious headline before we discuss.

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Speaker 5: We have to admit seeing that Lizzo possibly wait, shame

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Speaker 5: somebody is hilarious. Like those are the type of headlines

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Speaker 5: that comedy shows are built around.

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Speaker 1: Well, let's discuss. So three of the defendants Lizzo, Lizzo's

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Speaker 1: production company, and Shirlen, which is the dance captain. Now,

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Speaker 1: in three of the lawsuits, they say that three of

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Speaker 1: Lizzo's backup dances alleged that at a club in Amsterdam,

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Speaker 1: she pressured them to take turns touching a nude performance breast,

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Speaker 1: even after the dancer said no, invited dances to catch

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Speaker 1: dildo's launched from the performers vaginas and eat bananas protruding

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Speaker 1: from the performers vagina.

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Speaker 5: Now, if that story is true, do you really think

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Speaker 5: it would be something as healthy as a banana in

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Speaker 5: a script club like no wings, no fries, Like you

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Speaker 5: really think it's gonna be something that's a good source

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Speaker 5: of potassium?

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Speaker 1: As one of the security staff members to strip on stage,

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Speaker 1: the dances also alleged that Lizzo subjected them to an

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Speaker 1: excruciating twelve hour audition rehearsal after accusing them of drinking

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Speaker 1: before performances. Lizzo allegedly planned to fire and send them home,

446
00:18:58,960 --> 00:19:02,560
Speaker 1: and if their performance wasn't good enough. Allegedly, dancers didn't

447
00:19:02,640 --> 00:19:04,720
Speaker 1: use the bathroom out of fear of losing their job.

448
00:19:05,119 --> 00:19:08,160
Speaker 1: One dancer, Kristal Williams, argued to Lizo that they weren't

449
00:19:08,200 --> 00:19:10,960
Speaker 1: drinking on the job, and response Lizo allegedly mocked her

450
00:19:11,240 --> 00:19:15,879
Speaker 1: and then fired her. Five days later, another dancer, Arianna Davis,

451
00:19:15,880 --> 00:19:18,840
Speaker 1: recorded a rehearsal due to health concerns from an eye condition,

452
00:19:19,200 --> 00:19:23,359
Speaker 1: and response, Lizzo allegedly called out her weight game but

453
00:19:23,480 --> 00:19:26,240
Speaker 1: rated her and fired her. Davis was then forced to

454
00:19:26,280 --> 00:19:28,240
Speaker 1: stay in a room while a security staff member searched

455
00:19:28,280 --> 00:19:31,240
Speaker 1: the phone to make sure the footage was deleted. She

456
00:19:31,320 --> 00:19:35,400
Speaker 1: is now suing a Lizo's production company. As for false imprisonment, well,

457
00:19:35,440 --> 00:19:37,200
Speaker 1: what is the false imprisonment? I don't understand that part,

458
00:19:37,280 --> 00:19:38,840
Speaker 1: and they said it made her stay in the hotel

459
00:19:38,880 --> 00:19:42,440
Speaker 1: room where they deleted the oh oh oh okay now.

460
00:19:42,480 --> 00:19:46,240
Speaker 1: The dancers also alleged that they experienced racists and fat

461
00:19:46,280 --> 00:19:49,639
Speaker 1: phobic discrimination at the hands of the company's tour members.

462
00:19:50,040 --> 00:19:52,520
Speaker 1: When asking for downtown compensation at a rate of fifty

463
00:19:52,520 --> 00:19:54,199
Speaker 1: percent of a weekly pay, they were told that they

464
00:19:54,200 --> 00:19:57,719
Speaker 1: were disrespectful for being an only offered twenty five percent

465
00:19:58,040 --> 00:20:01,600
Speaker 1: by the accountant, and as they stay, only the dance

466
00:20:01,640 --> 00:20:04,080
Speaker 1: cast comprise the full figured women of color or even

467
00:20:04,119 --> 00:20:09,080
Speaker 1: spoken on to this manner. Additionally, Lizzo's former performers claimed

468
00:20:09,080 --> 00:20:12,640
Speaker 1: that their dance captain, necess Shirlene, was sexually inappropriate. According

469
00:20:12,680 --> 00:20:16,840
Speaker 1: to the plaintiffs, Shirlene described sexual fantasies, simulated oral sex,

470
00:20:17,160 --> 00:20:21,639
Speaker 1: commented on the sex lives of other dances. Allegedly the dancers.

471
00:20:21,720 --> 00:20:25,600
Speaker 1: Lawyer ron Zebrano said in a statement, this stunning nature

472
00:20:25,640 --> 00:20:28,240
Speaker 1: of how Lizzo and her management team treated their performance

473
00:20:28,280 --> 00:20:31,760
Speaker 1: scene to go against everything Lizzo stands for publicly while

474
00:20:31,760 --> 00:20:35,520
Speaker 1: privately she awaits, shames her dances, and demeans them in

475
00:20:35,640 --> 00:20:39,320
Speaker 1: ways that are only illegal but absolutely demoralizing.

476
00:20:39,400 --> 00:20:40,800
Speaker 5: When I first heard that, I thought the story was

477
00:20:40,800 --> 00:20:44,600
Speaker 5: gonna be about her shaming skinny women, but she allegedly

478
00:20:44,680 --> 00:20:47,159
Speaker 5: was shaming the big girls. Yes, the majority of this

479
00:20:47,200 --> 00:20:50,120
Speaker 5: seems to be about her management. Though, right, it feels

480
00:20:50,119 --> 00:20:52,080
Speaker 5: like it from what you disrat.

481
00:20:52,240 --> 00:20:54,359
Speaker 1: A little bit of everything. But you know, it's like

482
00:20:54,400 --> 00:20:56,679
Speaker 1: anything else with any other lawsuit. There's two sides to

483
00:20:56,680 --> 00:20:59,600
Speaker 1: each story and then anybody can claim whatever they want

484
00:20:59,640 --> 00:21:01,639
Speaker 1: when it come to a lawsuit, and then it's up

485
00:21:01,640 --> 00:21:03,840
Speaker 1: to Lizzo to try to you know, have to fight

486
00:21:03,880 --> 00:21:04,320
Speaker 1: it in court.

487
00:21:04,320 --> 00:21:06,200
Speaker 5: And you don't understand that if you've never been to Like,

488
00:21:06,520 --> 00:21:08,159
Speaker 5: I don't know what's true and what's not true, and

489
00:21:08,160 --> 00:21:10,440
Speaker 5: I'm not about to speculate, but I do know people sue,

490
00:21:10,480 --> 00:21:12,600
Speaker 5: and just because people sue doesn't mean it's true.

491
00:21:12,640 --> 00:21:14,239
Speaker 4: And it doesn't mean it is either. That's right.

492
00:21:14,320 --> 00:21:16,760
Speaker 6: That's why they have a call. And there's a lot

493
00:21:16,840 --> 00:21:19,560
Speaker 6: been said here though. Man, there's a lot, a lot,

494
00:21:19,680 --> 00:21:22,280
Speaker 6: a lot has been said and it's going to be

495
00:21:22,320 --> 00:21:26,439
Speaker 6: interesting to see how it plays out because oftentimes, you know,

496
00:21:26,680 --> 00:21:29,560
Speaker 6: people will accuse you of something and there's you know,

497
00:21:29,640 --> 00:21:31,080
Speaker 6: one or two things they say you did.

498
00:21:31,640 --> 00:21:33,280
Speaker 4: This is a whole plethora of things.

499
00:21:33,400 --> 00:21:35,880
Speaker 1: We are but you got to prove it. Yeah, that's

500
00:21:35,920 --> 00:21:37,800
Speaker 1: that's the whole thing. And with a lawsuit, especially when

501
00:21:37,840 --> 00:21:40,040
Speaker 1: you get an attorney, attorney's job is to try to

502
00:21:40,080 --> 00:21:42,320
Speaker 1: put as many things, especially in the press, as possible

503
00:21:42,359 --> 00:21:45,160
Speaker 1: to make people look bad. In this case, Lizzo hasn't

504
00:21:45,160 --> 00:21:48,200
Speaker 1: said anything, and Lizzo probably her attorney will probably tell

505
00:21:48,200 --> 00:21:50,560
Speaker 1: her say nothing because wait for the court case. But

506
00:21:50,880 --> 00:21:52,639
Speaker 1: like you said, all this stuff has to be proved,

507
00:21:52,760 --> 00:21:55,000
Speaker 1: you know it can can that stuff be proved in

508
00:21:55,040 --> 00:21:56,560
Speaker 1: the court of law. That's that's what we have to

509
00:21:56,600 --> 00:21:56,879
Speaker 1: wait for.

510
00:21:57,080 --> 00:21:59,639
Speaker 5: I'm interested to see how the people who do business

511
00:21:59,640 --> 00:22:02,240
Speaker 5: with Little will react, because you know, they usually like

512
00:22:02,280 --> 00:22:05,680
Speaker 5: to react and pull things, you know, just based off

513
00:22:06,040 --> 00:22:08,639
Speaker 5: you know, allegations. But you know, little Little checks off

514
00:22:08,640 --> 00:22:09,280
Speaker 5: a lot of boxes.

515
00:22:09,400 --> 00:22:09,720
Speaker 4: All right.

516
00:22:09,760 --> 00:22:12,720
Speaker 5: She's a woman, she's a black woman, a big woman,

517
00:22:12,920 --> 00:22:15,040
Speaker 5: you know what I mean. And she's always been an

518
00:22:15,080 --> 00:22:17,320
Speaker 5: advocate for for for marginal.

519
00:22:16,960 --> 00:22:18,040
Speaker 1: A lot of people, you know.

520
00:22:18,240 --> 00:22:21,640
Speaker 5: So I'm interested to see how a lot of these

521
00:22:21,640 --> 00:22:24,080
Speaker 5: corporations reactcause I would think that they wouldn't have a

522
00:22:24,160 --> 00:22:26,360
Speaker 5: knee jerk reaction and just start pulling stuff. I would

523
00:22:26,359 --> 00:22:28,480
Speaker 5: think somebody like Lizle would get the benefit of the doubt.

524
00:22:28,840 --> 00:22:30,040
Speaker 1: I don't think absolutely.

525
00:22:30,040 --> 00:22:31,280
Speaker 4: I don't know.

526
00:22:31,359 --> 00:22:35,199
Speaker 6: They don't give men the benefit of They definitely don't.

527
00:22:35,440 --> 00:22:37,400
Speaker 1: They definitely don't. If that oh, man.

528
00:22:37,400 --> 00:22:39,120
Speaker 5: Come on, if she was if she was a man black,

529
00:22:39,160 --> 00:22:42,240
Speaker 5: she'd be out of here. Three three, three different women

530
00:22:42,320 --> 00:22:44,000
Speaker 5: saying things like that, Oh, she'd be out of here already.

531
00:22:44,040 --> 00:22:46,240
Speaker 5: They wouldn't give her. They wouldn't give that human no grace.

532
00:22:46,440 --> 00:22:50,040
Speaker 5: That's why I said, I'm interested to see how they react.

533
00:22:49,760 --> 00:22:53,200
Speaker 1: With because Lizzen is somebody that the world loved. They

534
00:22:53,240 --> 00:22:57,080
Speaker 1: still love her, Yeah, well love, I mean, I don't

535
00:22:57,440 --> 00:23:01,879
Speaker 1: people they love Libos lize. I want to see how

536
00:23:01,880 --> 00:23:03,640
Speaker 1: this plays out. But like I said, this is a lawsuit,

537
00:23:03,640 --> 00:23:05,639
Speaker 1: and like a lawsuit, you know, it's you know, you

538
00:23:05,680 --> 00:23:07,720
Speaker 1: got to see in the court of law. All right,

539
00:23:07,760 --> 00:23:10,200
Speaker 1: And that is your rumor report. Now when we come back,

540
00:23:10,200 --> 00:23:12,320
Speaker 1: we got front page News tesling figure out will be

541
00:23:12,400 --> 00:23:15,200
Speaker 1: joining us and also next hour Charles D. King will

542
00:23:15,200 --> 00:23:18,280
Speaker 1: be joining us. He is the CEO of Macro Studios,

543
00:23:18,560 --> 00:23:21,120
Speaker 1: that is the company that finances a lot of black films,

544
00:23:21,200 --> 00:23:23,040
Speaker 1: directs a lot of black films, and make sure they

545
00:23:23,040 --> 00:23:24,959
Speaker 1: put a lot of black films to the forefront. Some

546
00:23:25,000 --> 00:23:28,560
Speaker 1: of the films are offences.

547
00:23:28,040 --> 00:23:31,879
Speaker 5: Sorry to bother you, tyrone Judas in The Black Messiah.

548
00:23:32,000 --> 00:23:34,720
Speaker 5: They clone Tyrone Yes a lot of different things, raising

549
00:23:34,800 --> 00:23:36,520
Speaker 5: Dion on the Netflix out of the TV show.

550
00:23:36,600 --> 00:23:38,119
Speaker 1: That's right, so we'll talk to him a little bit.

551
00:23:38,160 --> 00:23:38,480
Speaker 1: So don't move.

552
00:23:38,520 --> 00:23:41,560
Speaker 11: It's the Breakfast Club. Come morning, the Breakfast Club. Your

553
00:23:41,600 --> 00:23:43,560
Speaker 11: mornings will never be the same.

554
00:23:44,560 --> 00:23:46,760
Speaker 1: Are you someone who knows you don't have to sacrifice

555
00:23:46,840 --> 00:23:50,160
Speaker 1: comfort for quality, someone who lives large in life and

556
00:23:50,240 --> 00:23:53,119
Speaker 1: in the bedroom, then live large and now thinner with

557
00:23:53,200 --> 00:23:57,120
Speaker 1: new Magnum raw condoms, the thinnest Magnum condom available where

558
00:23:57,160 --> 00:24:01,399
Speaker 1: condoms are sold. DJ and Charlamagne the gud we are

559
00:24:01,480 --> 00:24:05,639
Speaker 1: to Breakfast Club. Let's get in some front page news cousins.

560
00:24:05,680 --> 00:24:07,000
Speaker 1: Figure Roa was back with up tears.

561
00:24:07,560 --> 00:24:11,320
Speaker 7: Absolutely, what's up? DJ, Envy the big Homy Willie did Charlemagne.

562
00:24:10,920 --> 00:24:12,919
Speaker 4: The guy he's through the hood whisper.

563
00:24:13,400 --> 00:24:17,280
Speaker 1: Now let's talk about the lawyer's Malcolm X's family. What's

564
00:24:17,280 --> 00:24:18,400
Speaker 1: going on in a situation?

565
00:24:18,760 --> 00:24:20,080
Speaker 7: Yea, all know if a lot of people I have

566
00:24:20,200 --> 00:24:23,159
Speaker 7: heard about the family of Malcolm X sue in the government.

567
00:24:23,200 --> 00:24:26,000
Speaker 7: But lawyers for the family of Malcolm X have unveiled

568
00:24:26,040 --> 00:24:28,879
Speaker 7: new witness testimony that they say corroborates their claim that

569
00:24:29,000 --> 00:24:31,680
Speaker 7: US authorities were involved in his assassination.

570
00:24:31,760 --> 00:24:32,560
Speaker 1: Let's take a listen.

571
00:24:32,720 --> 00:24:37,040
Speaker 17: Tuesday's press conference introduced Mustapha Hassan. Hassan says he was

572
00:24:37,080 --> 00:24:39,800
Speaker 17: part of Malcolm X's security detail the night of the

573
00:24:39,840 --> 00:24:44,480
Speaker 17: assassination February twenty first, nineteen sixty five, at the Audubon

574
00:24:44,600 --> 00:24:48,440
Speaker 17: Ballroom in Upper Manhattan. Reading from his signed affidavit.

575
00:24:47,960 --> 00:24:51,159
Speaker 12: I saw a man running down the aisle towards the

576
00:24:51,240 --> 00:24:54,159
Speaker 12: exit where I had been posted, with a gun in

577
00:24:54,160 --> 00:24:57,439
Speaker 12: his hand. I would later see the same man outside

578
00:24:57,520 --> 00:25:01,280
Speaker 12: as he was being beaten by Malcolm's followers, while a

579
00:25:01,320 --> 00:25:04,280
Speaker 12: group of policemen who suddenly showed up on the scene

580
00:25:04,920 --> 00:25:07,960
Speaker 12: asking is he with us, while at the same time

581
00:25:08,320 --> 00:25:10,520
Speaker 12: holding back Malcolm's followers.

582
00:25:10,119 --> 00:25:10,840
Speaker 3: From beating him.

583
00:25:10,960 --> 00:25:13,879
Speaker 17: He says, despite what he witnessed, he was never approached

584
00:25:13,880 --> 00:25:16,760
Speaker 17: to give a statement or appear in court. He and

585
00:25:16,880 --> 00:25:19,679
Speaker 17: Crump's legal team believe the shooter was one of several

586
00:25:19,720 --> 00:25:23,360
Speaker 17: informants at the Audobon Ballroom to carry out the assassination.

587
00:25:23,680 --> 00:25:25,800
Speaker 7: Mister Hassan said he is certain no doubt in his

588
00:25:25,960 --> 00:25:30,120
Speaker 7: mind that Hagen was working on behalf of the NYPD

589
00:25:30,840 --> 00:25:32,840
Speaker 7: or another government agency.

590
00:25:33,400 --> 00:25:35,399
Speaker 4: So what does that mean for the family, Like, what

591
00:25:35,440 --> 00:25:36,680
Speaker 4: are they gonna be able to sue.

592
00:25:36,640 --> 00:25:40,919
Speaker 7: Or absolutely that they are actually suing the FBI, CIA,

593
00:25:40,920 --> 00:25:44,320
Speaker 7: and New York Police Department for one hundred million, alleging

594
00:25:44,359 --> 00:25:47,240
Speaker 7: that the law enforcement agency played a part in Malcolm

595
00:25:47,400 --> 00:25:51,040
Speaker 7: X's execution. In nineteen sixty five, the daughter of Malcolm

596
00:25:51,080 --> 00:25:52,879
Speaker 7: X said, for years, our family has fought for the

597
00:25:52,880 --> 00:25:55,639
Speaker 7: truth to come to like concerning his murder. The lawsuit

598
00:25:55,720 --> 00:25:59,480
Speaker 7: also claims that officials withheld evidence in the original prosecution

599
00:25:59,640 --> 00:26:02,879
Speaker 7: of the three man convicted of convicted of killing Malcolm

600
00:26:03,040 --> 00:26:05,000
Speaker 7: X in an effort to conceal their.

601
00:26:04,920 --> 00:26:06,160
Speaker 1: Roles in his death.

602
00:26:06,200 --> 00:26:08,399
Speaker 7: And I'll just leave this with the quote that we

603
00:26:08,480 --> 00:26:10,840
Speaker 7: know Malcolm X said that said the media is most powerful.

604
00:26:11,080 --> 00:26:13,439
Speaker 7: The media is the most powerful entity on earth. They

605
00:26:13,480 --> 00:26:15,800
Speaker 7: have the power to make the innocent guilty and make

606
00:26:16,040 --> 00:26:17,720
Speaker 7: the guilty innocence.

607
00:26:17,760 --> 00:26:20,880
Speaker 1: Ben Crump was handling that case too, Yes, sir.

608
00:26:21,000 --> 00:26:22,960
Speaker 5: Go ahead, Ben Crump. Well, Ben Crump, don't be playing.

609
00:26:22,960 --> 00:26:24,720
Speaker 5: I saw Ben Crump do that, and I saw the

610
00:26:25,080 --> 00:26:28,639
Speaker 5: Henrytta their Lacks family. They settled their suit against Biotech,

611
00:26:28,800 --> 00:26:30,920
Speaker 5: like they reached the settlement in that case because of

612
00:26:30,960 --> 00:26:32,679
Speaker 5: the sales that were harvested without her consent.

613
00:26:33,440 --> 00:26:34,840
Speaker 7: These are a lot of the cases that they don't

614
00:26:34,880 --> 00:26:36,919
Speaker 7: talk a lot about, you know, Charlemagne. You know, they

615
00:26:37,040 --> 00:26:38,960
Speaker 7: like to focus on police brutality, but it actually does

616
00:26:38,960 --> 00:26:42,000
Speaker 7: more cases like this than anything at all. And again,

617
00:26:42,400 --> 00:26:45,520
Speaker 7: who has sued the FBI, the CIA, Let me say

618
00:26:45,520 --> 00:26:48,360
Speaker 7: that again for the people in the back, the CIA

619
00:26:48,400 --> 00:26:51,280
Speaker 7: and the New York Police Department on behalf of Malcolm X.

620
00:26:51,320 --> 00:26:54,159
Speaker 7: And yes, his family would be the one, you know,

621
00:26:54,240 --> 00:26:57,080
Speaker 7: receiving those benefits. But it's more than just it's not

622
00:26:57,160 --> 00:26:59,600
Speaker 7: just about money. It's putting on the record that one

623
00:26:59,640 --> 00:27:02,200
Speaker 7: of our leaders were assassinated by the government.

624
00:27:02,359 --> 00:27:03,360
Speaker 1: And just the FYI.

625
00:27:03,400 --> 00:27:06,560
Speaker 7: In twenty twenty one, they overturned the Supreme Court New

626
00:27:06,640 --> 00:27:10,320
Speaker 7: York Supreme Court overturned two of the men's convictions because

627
00:27:10,320 --> 00:27:13,879
Speaker 7: they said that they withheld evidence. So this is what

628
00:27:14,040 --> 00:27:17,720
Speaker 7: makes this case stronger because when you got allowed folks

629
00:27:17,720 --> 00:27:21,960
Speaker 7: out because you know, they were allegedly innocent. Now they're saying, hey,

630
00:27:22,359 --> 00:27:24,560
Speaker 7: you said that they didn't kill Malcolm X, so who did?

631
00:27:24,680 --> 00:27:26,159
Speaker 7: And now they're you know, trying to go after the

632
00:27:26,160 --> 00:27:27,439
Speaker 7: government on the civil side.

633
00:27:27,640 --> 00:27:30,199
Speaker 6: That's the biggest point is it's putting the government on

634
00:27:30,280 --> 00:27:34,919
Speaker 6: blast because everybody knows that the US government played a

635
00:27:35,040 --> 00:27:40,160
Speaker 6: role in Malcolm X's assassination. Everybody knows that. So it's

636
00:27:40,280 --> 00:27:42,680
Speaker 6: cool that they putting them on blast, but we all

637
00:27:42,720 --> 00:27:46,119
Speaker 6: know they're not going to see a penny of that

638
00:27:46,280 --> 00:27:50,440
Speaker 6: money because if they pay that lawsuit out, they're gonna

639
00:27:50,480 --> 00:27:52,560
Speaker 6: have to pay the rest of them out, because this

640
00:27:53,000 --> 00:27:56,120
Speaker 6: government is responsible for killing a lot of our leaders,

641
00:27:56,280 --> 00:27:58,160
Speaker 6: black and white and others.

642
00:27:58,200 --> 00:27:59,240
Speaker 4: Oh yeah, onred percent.

643
00:27:59,320 --> 00:28:02,960
Speaker 5: I mean, on my late night talk show, The God's

644
00:28:02,960 --> 00:28:05,840
Speaker 5: on His Truth, I did a whole second episode about

645
00:28:05,840 --> 00:28:08,240
Speaker 5: the FBI, and I was asking why Jagger, who was

646
00:28:08,359 --> 00:28:11,320
Speaker 5: named still on the building when this man was responsible

647
00:28:11,400 --> 00:28:15,720
Speaker 5: for so many of all black leaders, you know, being assassinated.

648
00:28:15,760 --> 00:28:18,040
Speaker 6: He was the ring leader, He was a hard documentary,

649
00:28:18,080 --> 00:28:21,000
Speaker 6: He was a harbor human being. His name should not

650
00:28:21,080 --> 00:28:23,320
Speaker 6: be on any kind of buildings. His name should not

651
00:28:23,400 --> 00:28:26,879
Speaker 6: be on street signs, airports, none of that stuff, because

652
00:28:27,119 --> 00:28:32,720
Speaker 6: he don't deserve that. You know, they absolutely need to

653
00:28:32,760 --> 00:28:36,840
Speaker 6: be held accountable, but they won't be held accountable. It's

654
00:28:36,840 --> 00:28:39,600
Speaker 6: like somebody suing me and I'm I have to write

655
00:28:39,640 --> 00:28:41,800
Speaker 6: the check. You're gonna sue me, You're coming to me

656
00:28:42,200 --> 00:28:46,360
Speaker 6: to sue me, and you're pleading your case to me. Hey, Willie,

657
00:28:46,400 --> 00:28:49,120
Speaker 6: you messed over, man, I want to sue you. Will

658
00:28:49,160 --> 00:28:50,280
Speaker 6: you take on my lawsuit?

659
00:28:50,840 --> 00:28:51,080
Speaker 5: Yeah?

660
00:28:51,200 --> 00:28:52,680
Speaker 6: Come on here, let me hear what you got to say.

661
00:28:53,040 --> 00:28:55,680
Speaker 6: All right, you suing me for one hundred dollars dollars? Okay, cool?

662
00:28:56,000 --> 00:29:01,040
Speaker 6: All right, yeah man, I've decided that get to get

663
00:29:01,120 --> 00:29:04,160
Speaker 6: out of here. You know, that's what's going to happen.

664
00:29:04,280 --> 00:29:07,840
Speaker 6: Like you going to the government to ask the government

665
00:29:08,520 --> 00:29:11,120
Speaker 6: for relief for your pain.

666
00:29:11,920 --> 00:29:16,120
Speaker 7: Right, you feel that, but it's still it's still important.

667
00:29:16,400 --> 00:29:18,080
Speaker 7: You know that that it like you said, will it

668
00:29:18,160 --> 00:29:21,040
Speaker 7: that it goes on the record. You know, somebody gott

669
00:29:21,040 --> 00:29:22,800
Speaker 7: to sue something, somebody got to put it on the record.

670
00:29:23,080 --> 00:29:25,520
Speaker 7: And so since nineteen sixty five, you know, I don't

671
00:29:25,520 --> 00:29:28,920
Speaker 7: see nobody else has no leaders, no attorneys, no congress people,

672
00:29:28,960 --> 00:29:31,440
Speaker 7: no Senate. You know, like, let's put this on the record,

673
00:29:31,680 --> 00:29:33,160
Speaker 7: whether they pay or not. I mean, as you know,

674
00:29:33,240 --> 00:29:35,560
Speaker 7: lawsuits are not always about getting paid or you know

675
00:29:35,600 --> 00:29:37,520
Speaker 7: the result, but it's really putting it on the record.

676
00:29:37,560 --> 00:29:38,200
Speaker 1: So I do hear you.

677
00:29:38,280 --> 00:29:41,440
Speaker 7: I feel you, but I don't want to loss over

678
00:29:41,440 --> 00:29:44,560
Speaker 7: the fact that somebody had the goal to put the

679
00:29:44,600 --> 00:29:47,200
Speaker 7: FBI on blast. I think that's a critically important.

680
00:29:47,360 --> 00:29:50,480
Speaker 6: I agree, I absolutely agree with you because because it

681
00:29:50,520 --> 00:29:53,040
Speaker 6: takes a lot of courage, as we know, I mean,

682
00:29:53,120 --> 00:29:55,880
Speaker 6: you can easily you know, end up taking a dirt

683
00:29:55,960 --> 00:29:57,880
Speaker 6: nap shaking.

684
00:29:57,640 --> 00:29:59,080
Speaker 4: Up the government, you know. I agree.

685
00:29:59,160 --> 00:30:02,040
Speaker 6: Yeah, So that takes a lot of courage. Of salute

686
00:30:02,040 --> 00:30:04,000
Speaker 6: to being krompt and everybody involved.

687
00:30:04,000 --> 00:30:05,920
Speaker 5: Sluthor Ben Benna duncro with Bill work this week is

688
00:30:05,960 --> 00:30:07,760
Speaker 5: not only is that on the record that Henrietta lacks

689
00:30:07,840 --> 00:30:10,280
Speaker 5: chases on the record, and I know that family getting

690
00:30:10,320 --> 00:30:13,360
Speaker 5: a settlement from Biotech gets as on that they're gonna

691
00:30:13,360 --> 00:30:14,600
Speaker 5: get some money they deserve.

692
00:30:14,920 --> 00:30:18,040
Speaker 1: The latter is front page News. Thank you, test. Can

693
00:30:18,080 --> 00:30:19,840
Speaker 1: I give a quick shout out quickly of course?

694
00:30:20,320 --> 00:30:21,880
Speaker 7: Okay, just since Willy D is here, I want to

695
00:30:21,880 --> 00:30:24,120
Speaker 7: give a shout out to Willy D for helping me

696
00:30:24,160 --> 00:30:27,000
Speaker 7: put together an organize an event in Houston, Texas today

697
00:30:27,080 --> 00:30:29,880
Speaker 7: with a conversation with Michael, who you know is our

698
00:30:29,920 --> 00:30:33,440
Speaker 7: brother aka Killer Mike. So Willy, yeah, Willy D helped

699
00:30:33,440 --> 00:30:36,320
Speaker 7: me put together organize an event with brother Derek Muhammad.

700
00:30:36,440 --> 00:30:38,800
Speaker 7: I'm also doing an event this week with Dallas in

701
00:30:38,880 --> 00:30:42,320
Speaker 7: Dallas with the DC and basically what we're doing is

702
00:30:42,600 --> 00:30:45,160
Speaker 7: you know, going to the barbershops and we're sitting down

703
00:30:45,200 --> 00:30:47,120
Speaker 7: and we're talking about the record, and to me, this

704
00:30:47,160 --> 00:30:50,040
Speaker 7: is what really symbolizes fifty years in hip hop, to

705
00:30:50,040 --> 00:30:53,320
Speaker 7: talk about how hip hop has influenced politics and social justice.

706
00:30:53,360 --> 00:30:55,240
Speaker 7: And as you guys know, because you've all heard the record,

707
00:30:55,280 --> 00:30:59,200
Speaker 7: Killer Mike's new album, Michael is a statement of this generation.

708
00:30:59,360 --> 00:31:01,240
Speaker 7: And so we're gonna sit through and go to the

709
00:31:01,320 --> 00:31:03,040
Speaker 7: lyrics and chop it up and you know, really talk

710
00:31:03,080 --> 00:31:04,960
Speaker 7: about what that album means. So thank you so much

711
00:31:05,000 --> 00:31:06,040
Speaker 7: to my brother Willie D.

712
00:31:06,600 --> 00:31:11,200
Speaker 6: Absolutely Tis, you're doing some great work and Killing Mike. Salute, salute, salute.

713
00:31:11,360 --> 00:31:14,040
Speaker 6: It's beautiful to see somebody like Killing Mike represent the

714
00:31:14,080 --> 00:31:16,920
Speaker 6: culture because he is the culture. He's the definition of the.

715
00:31:16,960 --> 00:31:20,120
Speaker 1: Gas all right. Now, when we come back, Charles D.

716
00:31:20,280 --> 00:31:23,280
Speaker 1: King will be joining us. He's the CEO of Macro Studios.

717
00:31:23,520 --> 00:31:26,080
Speaker 1: He's a brother that really started from the bottom. I

718
00:31:26,120 --> 00:31:29,280
Speaker 1: mean he went to Howard Law, he started at the mailroom,

719
00:31:29,360 --> 00:31:31,640
Speaker 1: worked his way up and now he's funding a lot

720
00:31:31,640 --> 00:31:33,560
Speaker 1: of movies and the majority of him black movies. So

721
00:31:33,560 --> 00:31:34,840
Speaker 1: we'll talk to him when we come back. It's the

722
00:31:34,840 --> 00:31:41,360
Speaker 1: Breakfast Club. Good Morning, The Breakfast Club, Brook Scarlet, Roddy

723
00:31:41,480 --> 00:31:43,880
Speaker 1: Rich and so many more. All right, now you can

724
00:31:43,880 --> 00:31:46,000
Speaker 1: hear it on iHeart Radio Hip Hop and R and

725
00:31:46,080 --> 00:31:48,760
Speaker 1: B stations tonight at seven pm local time and also

726
00:31:48,760 --> 00:31:51,880
Speaker 1: streaming on the iHeartRadio YouTube and Facebook channels. All so

727
00:31:52,040 --> 00:31:55,000
Speaker 1: definitely check it out. Living Black Always Amazing. Now let's

728
00:31:55,000 --> 00:31:56,920
Speaker 1: get into our guests. He goes by the name of

729
00:31:57,120 --> 00:31:57,680
Speaker 1: Charles D.

730
00:31:58,120 --> 00:31:58,320
Speaker 5: King.

731
00:31:58,400 --> 00:32:01,800
Speaker 1: He's the CEO of Macro stud Udios. Now. Macro Studios

732
00:32:01,960 --> 00:32:05,520
Speaker 1: is a studio company that finances black films, directs and

733
00:32:05,600 --> 00:32:07,800
Speaker 1: helps so much of putting black films in the forefront.

734
00:32:08,040 --> 00:32:11,200
Speaker 1: The brothers started from Howard Law started in the mailroom,

735
00:32:11,240 --> 00:32:13,440
Speaker 1: and he's doing big things. Charles D.

736
00:32:13,600 --> 00:32:16,200
Speaker 3: King, Good morning, Thanks for having me. How you feeling, man,

737
00:32:16,240 --> 00:32:17,320
Speaker 3: I'm excited to be here. Now.

738
00:32:17,320 --> 00:32:18,120
Speaker 1: Where are you from? Brother?

739
00:32:18,280 --> 00:32:21,040
Speaker 3: I grew up in the Kada Georgia, Man, the cad George.

740
00:32:20,800 --> 00:32:23,280
Speaker 1: And how did you get into funding movies and to

741
00:32:23,760 --> 00:32:25,800
Speaker 1: doing things like that? Where did that come from? I

742
00:32:25,800 --> 00:32:27,200
Speaker 1: don't think that's something that kid thinks about.

743
00:32:27,160 --> 00:32:27,720
Speaker 4: Why a kid?

744
00:32:27,760 --> 00:32:30,000
Speaker 3: You know, man, it's a long journey, man, tell us.

745
00:32:30,000 --> 00:32:32,360
Speaker 3: You know I got the bug in college. My big

746
00:32:32,400 --> 00:32:35,560
Speaker 3: break was here in New York City. I got an

747
00:32:35,560 --> 00:32:39,880
Speaker 3: internship at summer ninety five working at MTV, and it

748
00:32:39,960 --> 00:32:42,400
Speaker 3: was really from that where I just learned about all

749
00:32:42,480 --> 00:32:44,800
Speaker 3: these different aspects of the industry. And someone said, you

750
00:32:44,800 --> 00:32:47,080
Speaker 3: know what, You'd make a really good lawyer, but you

751
00:32:47,200 --> 00:32:49,720
Speaker 3: make a great agent. I had no idea what agents did,

752
00:32:49,760 --> 00:32:52,280
Speaker 3: but then I looked it up and I was like, oh, man,

753
00:32:52,760 --> 00:32:55,960
Speaker 3: a lot of Hezardy Studios, guys like David Geff and

754
00:32:56,000 --> 00:32:58,120
Speaker 3: Barry Dill are all these media moguls, they started out

755
00:32:58,120 --> 00:33:00,680
Speaker 3: as agents. So that really kind of stuck in my

756
00:33:00,760 --> 00:33:03,600
Speaker 3: head and became like my thought about my initial path.

757
00:33:03,640 --> 00:33:05,600
Speaker 3: And really that's kind of what I did. When I

758
00:33:05,640 --> 00:33:08,760
Speaker 3: graduated from law school, I moved out to LA I

759
00:33:08,840 --> 00:33:11,760
Speaker 3: landed in the William Morris mail room, became an agent

760
00:33:11,840 --> 00:33:13,840
Speaker 3: two and a half years in the mail room and

761
00:33:14,080 --> 00:33:15,760
Speaker 3: starting the mail room as an attorney.

762
00:33:15,800 --> 00:33:18,760
Speaker 1: Bottom you started as a mail room Yes, in the

763
00:33:18,800 --> 00:33:21,040
Speaker 1: mall room. The most attorney started the mail room was

764
00:33:21,080 --> 00:33:21,880
Speaker 1: the fact that you were black.

765
00:33:22,040 --> 00:33:26,360
Speaker 3: You know what, I think the good thing is this

766
00:33:26,400 --> 00:33:28,800
Speaker 3: is the training ground where people whether he had an MBA,

767
00:33:29,080 --> 00:33:32,280
Speaker 3: law degree, film school, everyone starts at the bottom of this.

768
00:33:32,360 --> 00:33:34,719
Speaker 3: And it was one of those things where it's actually

769
00:33:34,760 --> 00:33:37,160
Speaker 3: prestigious to actually get into the mail rooms. So the

770
00:33:37,200 --> 00:33:39,560
Speaker 3: fact that I landed in that mail room six weeks

771
00:33:39,600 --> 00:33:41,760
Speaker 3: after I moved to LA at the William Morris Agency,

772
00:33:41,840 --> 00:33:45,640
Speaker 3: like the oldest entertainment institution in our business, it was

773
00:33:45,680 --> 00:33:47,480
Speaker 3: like a big deal. And then to get promoted in

774
00:33:47,520 --> 00:33:50,040
Speaker 3: two and a half years where you know, it was

775
00:33:50,200 --> 00:33:51,800
Speaker 3: really it was at a time where I was the

776
00:33:51,880 --> 00:33:54,840
Speaker 3: first of many doing our thing in that space.

777
00:33:55,240 --> 00:33:58,440
Speaker 5: Charles is being very humble, man, he's defineding CEO of Macro.

778
00:33:58,560 --> 00:34:00,920
Speaker 5: Macro was a big, big deal other film studio.

779
00:34:01,000 --> 00:34:01,280
Speaker 3: Thank you.

780
00:34:01,560 --> 00:34:02,360
Speaker 4: I'm saying, could you.

781
00:34:02,280 --> 00:34:06,440
Speaker 5: Tell people the whole complete picture of what Macro is,

782
00:34:06,560 --> 00:34:09,120
Speaker 5: what y'all do, even some of the things that y'all

783
00:34:09,239 --> 00:34:09,600
Speaker 5: put out.

784
00:34:09,680 --> 00:34:12,120
Speaker 3: Yeah, yeah, absolutely, man. We lost the company eight and

785
00:34:12,160 --> 00:34:15,280
Speaker 3: a half years ago, raised capital, brought in great partners,

786
00:34:15,719 --> 00:34:18,800
Speaker 3: and we're we're operating in numerous areas. We've got three kinds.

787
00:34:18,800 --> 00:34:21,800
Speaker 3: We have our content studios, our film studio, our television studio,

788
00:34:22,239 --> 00:34:24,720
Speaker 3: have a representation vertical, and we also have a creative

789
00:34:24,719 --> 00:34:28,240
Speaker 3: agency all within the hub of of of of Macro

790
00:34:28,800 --> 00:34:31,640
Speaker 3: and some of the projects. We've had about fourteen movies

791
00:34:31,640 --> 00:34:34,359
Speaker 3: that we made and had out in the marketplace. We've

792
00:34:34,360 --> 00:34:37,960
Speaker 3: had fifteen OSCAR nominations. So some of our projects have included,

793
00:34:38,000 --> 00:34:41,040
Speaker 3: you know, most recently, they cloned Tyrone, you know with

794
00:34:41,120 --> 00:34:44,280
Speaker 3: the Jamie Fox, John Boyeg Tanna Paris, Great.

795
00:34:44,080 --> 00:34:46,759
Speaker 5: Poff playing the whole Jamie cloning.

796
00:34:47,680 --> 00:34:48,200
Speaker 4: That was fake.

797
00:34:48,440 --> 00:34:54,120
Speaker 3: Okay, yeah, you know that that was just that was

798
00:34:54,200 --> 00:34:54,720
Speaker 3: just happened.

799
00:34:54,719 --> 00:34:54,879
Speaker 1: Now.

800
00:34:54,960 --> 00:34:58,080
Speaker 3: It was crazy circumstances with everything. But I'm so blessed.

801
00:34:58,160 --> 00:35:01,560
Speaker 3: We're so happy that he's doing Better Man. But no,

802
00:35:01,719 --> 00:35:04,200
Speaker 3: We've had other projects like Judas and The Black Messiah.

803
00:35:04,239 --> 00:35:06,480
Speaker 3: But then also sorry to bother you with another one

804
00:35:06,520 --> 00:35:09,719
Speaker 3: of our projects that we co produced in finance. Mudbown

805
00:35:09,840 --> 00:35:11,560
Speaker 3: was another one that was the first movie that we

806
00:35:11,600 --> 00:35:15,200
Speaker 3: actually financed and produced, Fences, and I could go on,

807
00:35:15,280 --> 00:35:18,400
Speaker 3: but really love We've had television shows, you know, like

808
00:35:18,520 --> 00:35:20,960
Speaker 3: Raising Dion, which is like the number one kids and

809
00:35:21,000 --> 00:35:23,400
Speaker 3: family show on Netflix. So we've been involved with a

810
00:35:23,440 --> 00:35:25,080
Speaker 3: lot of different things across all platforms.

811
00:35:25,080 --> 00:35:26,800
Speaker 4: What makes Macro different than other films.

812
00:35:26,560 --> 00:35:29,640
Speaker 3: Studios, I would say what makes us different is we're

813
00:35:29,760 --> 00:35:32,920
Speaker 3: very much artist advocates, the fact that we also have

814
00:35:33,080 --> 00:35:36,920
Speaker 3: raised capital and we have a team of executives that

815
00:35:37,000 --> 00:35:39,879
Speaker 3: are best in class throughout the industry, and we're very

816
00:35:39,920 --> 00:35:43,600
Speaker 3: focused only on making sure the people of color at

817
00:35:43,640 --> 00:35:46,000
Speaker 3: the center of all of our projects, and we're also

818
00:35:46,080 --> 00:35:49,000
Speaker 3: making sure that the production quality and value of our content,

819
00:35:49,080 --> 00:35:52,239
Speaker 3: regardless of the genre, is at the highest levels of execution.

820
00:35:52,440 --> 00:35:56,080
Speaker 3: Is the level of cinematic excellence regarding everything that we've done.

821
00:35:56,200 --> 00:35:58,640
Speaker 3: So you take that through line of people of color

822
00:35:58,680 --> 00:36:02,839
Speaker 3: not only domestically and globe believe artists excellence, artist advocacy

823
00:36:03,320 --> 00:36:06,879
Speaker 3: being in power both financially and creatively. I think it's

824
00:36:06,880 --> 00:36:09,160
Speaker 3: really one of the reasons why our company has really

825
00:36:09,160 --> 00:36:12,800
Speaker 3: been blazing the trail and used as a model for

826
00:36:12,880 --> 00:36:14,560
Speaker 3: many others who are coming up through the industry.

827
00:36:14,760 --> 00:36:17,560
Speaker 5: What's the difference between Lincoln with Amazon and doing a

828
00:36:17,640 --> 00:36:21,760
Speaker 5: multi year deal like y'all have done, are raising ninety

829
00:36:21,840 --> 00:36:25,239
Speaker 5: million to broaden the media ambitions like what's what's to do?

830
00:36:25,400 --> 00:36:28,400
Speaker 3: Yeah, it's a combination. So the fact that we raised

831
00:36:28,400 --> 00:36:31,879
Speaker 3: capital was to build out the team, build out an infrastructure.

832
00:36:31,880 --> 00:36:34,680
Speaker 3: We have our own capital to develop project like they

833
00:36:34,719 --> 00:36:37,960
Speaker 3: clone Tyrone, where we can incubate them internally, we can

834
00:36:38,000 --> 00:36:39,960
Speaker 3: put them together and then we go and figure out

835
00:36:40,080 --> 00:36:43,520
Speaker 3: who is the right distribution partner for that project. So

836
00:36:43,560 --> 00:36:46,279
Speaker 3: that's what with Judas and the Black Messiah, that's what

837
00:36:46,320 --> 00:36:48,879
Speaker 3: we did, you know. So with a project like they

838
00:36:48,880 --> 00:36:51,680
Speaker 3: cloned Tyrone, we developed the project, we paid for the script,

839
00:36:51,920 --> 00:36:54,880
Speaker 3: we had it ready, we had cast attack, and then

840
00:36:54,920 --> 00:36:57,399
Speaker 3: we went to marketplace and then everyone was bidding on it,

841
00:36:57,560 --> 00:37:00,480
Speaker 3: and this one landed at Netflix, and Netflix was, you know,

842
00:37:00,560 --> 00:37:03,040
Speaker 3: wildly excited about it, and they really like rolled out

843
00:37:03,080 --> 00:37:04,719
Speaker 3: as you can see from the film. They didn't cut

844
00:37:04,760 --> 00:37:07,400
Speaker 3: any corners, and they provided all the tools and resource

845
00:37:07,440 --> 00:37:10,000
Speaker 3: behind this young filmmaker. And so we realized that in

846
00:37:10,040 --> 00:37:12,000
Speaker 3: this case that was going to be the best partner

847
00:37:12,040 --> 00:37:12,239
Speaker 3: for it.

848
00:37:12,440 --> 00:37:14,360
Speaker 1: I was going to ask, when it comes to picking

849
00:37:14,400 --> 00:37:17,600
Speaker 1: a project or green lighting a project, what is is it? Story?

850
00:37:17,719 --> 00:37:19,759
Speaker 1: Is it working with a director? Because sometimes you might

851
00:37:19,800 --> 00:37:21,839
Speaker 1: not see the vision that a direct di seies because

852
00:37:21,840 --> 00:37:23,839
Speaker 1: he might be a different art for him. So how

853
00:37:23,840 --> 00:37:25,239
Speaker 1: do you decide what you're going to go with?

854
00:37:25,480 --> 00:37:25,920
Speaker 3: You know what?

855
00:37:26,000 --> 00:37:26,200
Speaker 5: Man?

856
00:37:26,480 --> 00:37:28,560
Speaker 3: First off, we have a culture at the company where

857
00:37:28,560 --> 00:37:31,920
Speaker 3: everyone's got a voice, everyone from the youngest executive to

858
00:37:31,960 --> 00:37:36,160
Speaker 3: the CEO. And I'd say first and foremost, passion envision

859
00:37:36,239 --> 00:37:39,680
Speaker 3: mean everything. So we want to make sure that every

860
00:37:39,719 --> 00:37:42,920
Speaker 3: project this on our slate. There's someone at the company

861
00:37:43,200 --> 00:37:46,319
Speaker 3: where they feel like this project has to get made,

862
00:37:46,440 --> 00:37:49,560
Speaker 3: like if this movie doesn't get made, like I've got

863
00:37:49,560 --> 00:37:51,680
Speaker 3: to see this come into existence. Every one of these

864
00:37:51,719 --> 00:37:54,560
Speaker 3: projects is almost like a miracle in and of themselves,

865
00:37:54,600 --> 00:37:56,360
Speaker 3: and it takes a lot of hard work in the

866
00:37:56,440 --> 00:37:58,319
Speaker 3: village to get behind them. So they got to have

867
00:37:58,400 --> 00:38:00,879
Speaker 3: passion the filmmaker and the artist at the center of it.

868
00:38:01,200 --> 00:38:03,759
Speaker 3: They have to have vision after uniqueness of perspective and

869
00:38:03,880 --> 00:38:06,280
Speaker 3: point of view and the way that they're that they're

870
00:38:06,320 --> 00:38:08,839
Speaker 3: telling the story and why they want to tell it.

871
00:38:09,040 --> 00:38:10,759
Speaker 3: And so that's one of the key things we look for.

872
00:38:10,920 --> 00:38:12,680
Speaker 3: We also look for people that are looking to do

873
00:38:12,760 --> 00:38:16,480
Speaker 3: something differently, that are having a different perspective, not just

874
00:38:16,560 --> 00:38:19,120
Speaker 3: making the same kind of run of the mill content

875
00:38:19,120 --> 00:38:20,799
Speaker 3: with I think we've seen a lot of things that

876
00:38:20,800 --> 00:38:23,240
Speaker 3: are just kind of turned around. You've seen it before,

877
00:38:23,560 --> 00:38:25,360
Speaker 3: so that we want to make sure there's a freshness

878
00:38:25,360 --> 00:38:27,720
Speaker 3: to us. So we have we have like six things

879
00:38:27,760 --> 00:38:30,440
Speaker 3: we have on our macro rubric. We make sure that

880
00:38:30,480 --> 00:38:32,880
Speaker 3: there's at least four out of those six things. But

881
00:38:33,040 --> 00:38:35,520
Speaker 3: out of the heart, at the heart of it, it's passion.

882
00:38:36,239 --> 00:38:38,280
Speaker 1: I was looking at y'all like black sci fi.

883
00:38:38,280 --> 00:38:42,640
Speaker 5: Man, Like I want to see more black people in

884
00:38:42,719 --> 00:38:43,160
Speaker 5: sci fi.

885
00:38:43,239 --> 00:38:46,040
Speaker 3: I love that, hey man. You know, like I said, man,

886
00:38:46,080 --> 00:38:48,319
Speaker 3: we know where where we come from, We know where

887
00:38:48,320 --> 00:38:51,200
Speaker 3: the who the Egyptians, you know, and and and we

888
00:38:51,280 --> 00:38:53,120
Speaker 3: also know where we're going to be in the future.

889
00:38:53,160 --> 00:38:55,480
Speaker 3: And we also know how how involved we've been with

890
00:38:55,520 --> 00:38:59,120
Speaker 3: technology and so many inventions through history, and so it's

891
00:38:59,120 --> 00:39:02,120
Speaker 3: important for us to make sure that we're making projects

892
00:39:02,160 --> 00:39:04,759
Speaker 3: like that are sci fi. We also have projects or

893
00:39:04,840 --> 00:39:09,040
Speaker 3: action oriented, you know, just like the more dramatically period piece,

894
00:39:09,160 --> 00:39:11,960
Speaker 3: you know, critically acclaimed projects we've been involved too, and

895
00:39:12,080 --> 00:39:14,160
Speaker 3: as well, it's important for us to make sure that

896
00:39:14,200 --> 00:39:17,000
Speaker 3: we're making projects across all genres.

897
00:39:17,080 --> 00:39:19,200
Speaker 1: What movie got away from you that you said, you know,

898
00:39:19,280 --> 00:39:21,479
Speaker 1: whether you passed on and like, damn, I shouldn't pass

899
00:39:21,480 --> 00:39:23,080
Speaker 1: it or you just couldn't grab.

900
00:39:23,400 --> 00:39:25,439
Speaker 3: Oh man, there is one.

901
00:39:25,560 --> 00:39:25,920
Speaker 4: There's something.

902
00:39:27,840 --> 00:39:31,360
Speaker 3: There's one, man, there was a big one. One of

903
00:39:31,400 --> 00:39:35,000
Speaker 3: our projects was Roman Jay Israel with with with Sony,

904
00:39:35,040 --> 00:39:37,040
Speaker 3: with with Denzel watching, and we did that. We were

905
00:39:37,160 --> 00:39:40,920
Speaker 3: executive producers and co financiers that after we had amazing

906
00:39:41,000 --> 00:39:46,280
Speaker 3: success with Denzel on Fences and you know Roman Jay Israel.

907
00:39:46,400 --> 00:39:48,200
Speaker 3: You know, I didn't do as well as we'd all

908
00:39:48,239 --> 00:39:50,640
Speaker 3: hope for it, Sony, but we also had a great

909
00:39:50,680 --> 00:39:52,680
Speaker 3: relationship with with the studio and we were trying to

910
00:39:52,680 --> 00:39:55,600
Speaker 3: find other things to do. They brought us Spider Verse

911
00:39:56,000 --> 00:39:59,320
Speaker 3: and said, hey, man, the Spider Verse is dope. You know,

912
00:39:59,400 --> 00:40:01,920
Speaker 3: our friends we said we would love you know, we

913
00:40:02,320 --> 00:40:05,000
Speaker 3: loved it. We didn't have enough capital and so we

914
00:40:05,040 --> 00:40:07,919
Speaker 3: couldn't come on as co financiers. And that's why I'm

915
00:40:07,960 --> 00:40:10,319
Speaker 3: like that this still to this day, especially when the

916
00:40:10,400 --> 00:40:13,240
Speaker 3: Nutt latest Spider Verse came out and it was so amazing.

917
00:40:13,280 --> 00:40:15,880
Speaker 3: I remember being at the premiere our sons. It was

918
00:40:15,960 --> 00:40:18,760
Speaker 3: sixteen and fourteen. You know that would have been amazing.

919
00:40:18,800 --> 00:40:21,760
Speaker 3: But I'm like, obviously, man, it's it's an incredible film.

920
00:40:21,960 --> 00:40:24,000
Speaker 3: So that's one that got away from us. You know,

921
00:40:24,239 --> 00:40:25,360
Speaker 3: hopefully they won't be out.

922
00:40:25,400 --> 00:40:26,880
Speaker 1: All right when we come back. We got more with

923
00:40:26,960 --> 00:40:28,839
Speaker 1: Charles D. Kings. You don't move. It's the Breakfast Club.

924
00:40:28,880 --> 00:40:31,680
Speaker 1: Good Morning, It's dj n V Charlamage the God we

925
00:40:31,719 --> 00:40:34,080
Speaker 1: are to Breakfast Club. It's still kicking it with Charles D. King.

926
00:40:34,120 --> 00:40:38,320
Speaker 1: He's the CEO of Macro studios. He's a brother that backs,

927
00:40:38,400 --> 00:40:42,239
Speaker 1: directs and finances a lot of black movies out there.

928
00:40:42,440 --> 00:40:46,719
Speaker 5: Charlman, what's more important the I don't want to say

929
00:40:46,719 --> 00:40:48,880
Speaker 5: what's more important, but ownership or capital.

930
00:40:49,840 --> 00:40:51,839
Speaker 4: You can have ownership, but if.

931
00:40:51,760 --> 00:40:53,400
Speaker 5: You don't, like in your case, if you didn't, if

932
00:40:53,400 --> 00:40:55,360
Speaker 5: you don't have the capital to invest in something like

933
00:40:55,400 --> 00:40:56,600
Speaker 5: a spider verse.

934
00:40:57,520 --> 00:41:01,719
Speaker 3: I think capital helps lead you to ownership. There are

935
00:41:01,719 --> 00:41:05,640
Speaker 3: some people that are so uniquely positioned they can also

936
00:41:05,840 --> 00:41:09,200
Speaker 3: leverage who they are and their skills to get ownership

937
00:41:09,520 --> 00:41:14,280
Speaker 3: at times if they've got you know, depending upon the situation,

938
00:41:15,200 --> 00:41:17,239
Speaker 3: they don't even when they don't have capital, you know,

939
00:41:17,320 --> 00:41:20,200
Speaker 3: because they've got sweat equity and maybe they take less

940
00:41:20,239 --> 00:41:23,040
Speaker 3: money up front, but then they say, but hey, y'all

941
00:41:23,040 --> 00:41:25,359
Speaker 3: want to own it, and uh. And I've seen those

942
00:41:25,400 --> 00:41:27,799
Speaker 3: types of deals and been involved in deals like that

943
00:41:27,920 --> 00:41:29,640
Speaker 3: during my time as an agent, and we've seen that

944
00:41:30,000 --> 00:41:34,200
Speaker 3: even since. So I think ownership absolutely matters the most.

945
00:41:34,239 --> 00:41:38,200
Speaker 3: Having capital and access to capital helps you leverage into ownership.

946
00:41:38,640 --> 00:41:41,200
Speaker 1: Do you only want to do black productions?

947
00:41:42,000 --> 00:41:44,960
Speaker 3: You know, we're so many of our projects at the

948
00:41:45,000 --> 00:41:47,040
Speaker 3: center of them and in our core to have been

949
00:41:47,120 --> 00:41:50,680
Speaker 3: black production. But we also we lost the company. We

950
00:41:50,760 --> 00:41:53,120
Speaker 3: said it was important to make sure that we were

951
00:41:53,120 --> 00:41:57,680
Speaker 3: going to be making content for POC community globally and domestically.

952
00:41:57,840 --> 00:42:01,160
Speaker 3: So we have been making productions that that have been

953
00:42:01,200 --> 00:42:04,920
Speaker 3: involved a LATINQ community, the Aapi community. There are projects

954
00:42:05,000 --> 00:42:08,840
Speaker 3: we're looking at for the indigenous community. And so like

955
00:42:09,000 --> 00:42:11,360
Speaker 3: I'll take like Hint to five was our second television

956
00:42:11,400 --> 00:42:15,360
Speaker 3: So there's a kind of multi generational family, you know,

957
00:42:15,480 --> 00:42:18,000
Speaker 3: half hour comedy that we did as a digital series,

958
00:42:18,000 --> 00:42:21,239
Speaker 3: originally partnered with America. Ferreira did it as a as

959
00:42:21,280 --> 00:42:23,600
Speaker 3: a digital series and then it turned into a half

960
00:42:23,640 --> 00:42:26,480
Speaker 3: hour show that did two seasons on Netflix and we're

961
00:42:26,520 --> 00:42:29,600
Speaker 3: really proud of that. Or a movie like Tiger Tail

962
00:42:30,000 --> 00:42:32,560
Speaker 3: that we made for Netflix that Alan Yang director and

963
00:42:32,640 --> 00:42:35,359
Speaker 3: made his directorial debut. It was a beautiful story about

964
00:42:35,400 --> 00:42:38,239
Speaker 3: his family kind of based on his family moving from

965
00:42:38,320 --> 00:42:42,080
Speaker 3: Taiwan to the United States. There's another there's a film

966
00:42:42,120 --> 00:42:44,400
Speaker 3: called Blue Bayou that we made. And also you know

967
00:42:44,520 --> 00:42:48,000
Speaker 3: Justin Chong that really talked about immigration Reformed that he

968
00:42:48,080 --> 00:42:51,560
Speaker 3: co stars in with a Leasha Vikandor so we're absolutely

969
00:42:51,680 --> 00:42:53,799
Speaker 3: you know, the culture is going to be always going

970
00:42:53,880 --> 00:42:56,040
Speaker 3: to be at the core, but we're making sure that

971
00:42:56,160 --> 00:43:00,400
Speaker 3: people of color whose stories haven't been told across board

972
00:43:00,760 --> 00:43:03,480
Speaker 3: are also being told, and we partner with great producers

973
00:43:03,520 --> 00:43:06,200
Speaker 3: and creators to make sure we can do that as well.

974
00:43:07,360 --> 00:43:09,799
Speaker 5: I wanted to ask you too, what does Macro do

975
00:43:09,920 --> 00:43:13,520
Speaker 5: right now during a writers strike and a actor strike?

976
00:43:13,600 --> 00:43:13,680
Speaker 19: Like?

977
00:43:13,880 --> 00:43:17,160
Speaker 5: Is what is Macro doing unscripted content? Documentary?

978
00:43:17,200 --> 00:43:17,279
Speaker 9: Like?

979
00:43:17,320 --> 00:43:20,719
Speaker 3: What do yeah we have? I'd say, first off, what

980
00:43:20,880 --> 00:43:24,520
Speaker 3: I think about is when people are going through periods

981
00:43:24,560 --> 00:43:27,640
Speaker 3: of chaos and there's a lot of change in upheaval,

982
00:43:28,160 --> 00:43:31,080
Speaker 3: I'd look for the opportunity within that. And so when

983
00:43:31,080 --> 00:43:33,560
Speaker 3: I look for the opportunity, I'm looking to provide opportunities

984
00:43:33,560 --> 00:43:37,080
Speaker 3: now for our company, but unlocking and creating value for

985
00:43:37,160 --> 00:43:39,319
Speaker 3: others as well. And so I'm spending a lot of

986
00:43:39,320 --> 00:43:43,239
Speaker 3: time thinking about new models, new business lines as well

987
00:43:43,280 --> 00:43:46,800
Speaker 3: as obviously you know, building bridges with the international community

988
00:43:46,840 --> 00:43:51,080
Speaker 3: and filling our international productions. There's IP across every platform

989
00:43:51,120 --> 00:43:55,560
Speaker 3: imaginable that we're thinking about, from video games to manga,

990
00:43:55,800 --> 00:43:59,360
Speaker 3: comic books, graphic novels. But of course we're getting active

991
00:43:59,400 --> 00:44:03,680
Speaker 3: in the spif space and the documentary space. Most recently,

992
00:44:03,760 --> 00:44:06,040
Speaker 3: we were very fortunate to be one of the executive

993
00:44:06,040 --> 00:44:10,759
Speaker 3: producers on Dear Mama, which the brilliant director Alan Hughes.

994
00:44:11,760 --> 00:44:14,520
Speaker 3: You know, he's there, he's visionary, he's the man, and

995
00:44:15,080 --> 00:44:17,080
Speaker 3: obviously they just said, you know, he was blessed with

996
00:44:17,120 --> 00:44:20,959
Speaker 3: two Emmy nominations for that. We have a few other

997
00:44:21,800 --> 00:44:24,759
Speaker 3: documentaries that are in production that I can't speak to

998
00:44:24,840 --> 00:44:28,400
Speaker 3: Yetcause we haven't announced them. But we're very active there.

999
00:44:28,840 --> 00:44:32,839
Speaker 3: We're investing quite heavily in the space. And we're also,

1000
00:44:33,600 --> 00:44:36,120
Speaker 3: like I said, looking at the areas that we're currently

1001
00:44:36,160 --> 00:44:38,439
Speaker 3: operating in how we're going to go further into them.

1002
00:44:38,760 --> 00:44:41,640
Speaker 3: But then what are other complimentary, complementary lines of business

1003
00:44:41,640 --> 00:44:43,799
Speaker 3: for us as we as we scale the company. So

1004
00:44:44,280 --> 00:44:46,919
Speaker 3: if anything, I'm actually busier than ever.

1005
00:44:47,080 --> 00:44:48,479
Speaker 5: It's got to be tough for you, though, right because

1006
00:44:48,480 --> 00:44:50,720
Speaker 5: you're a you know, like I said, the finding CEO

1007
00:44:51,320 --> 00:44:54,040
Speaker 5: of actual film studio, so you're kind of on the

1008
00:44:54,080 --> 00:44:57,960
Speaker 5: suit side. But then you also are for the creators

1009
00:44:57,960 --> 00:45:00,359
Speaker 5: as well that the actors and the writers. So who

1010
00:45:00,360 --> 00:45:02,920
Speaker 5: do you think is being unfair in this situation?

1011
00:45:03,280 --> 00:45:06,279
Speaker 3: Well, we're not in the AMPTP, which is you know,

1012
00:45:06,480 --> 00:45:11,799
Speaker 3: those are the streamers, the streaming platforms and the major studios.

1013
00:45:11,840 --> 00:45:15,640
Speaker 3: We're an independent studio, so we're not part of that organization.

1014
00:45:16,200 --> 00:45:18,160
Speaker 3: And like I said when you asked me earlier, what's

1015
00:45:18,200 --> 00:45:21,319
Speaker 3: different from Macro and other studios, we actually share an

1016
00:45:21,360 --> 00:45:23,440
Speaker 3: upside with the artists that we're working with. We want

1017
00:45:23,480 --> 00:45:25,400
Speaker 3: to make sure that we're providing value not just for

1018
00:45:25,440 --> 00:45:28,040
Speaker 3: ourselves but also the artists that we work with, and

1019
00:45:28,120 --> 00:45:30,640
Speaker 3: so so that there's where it's a win win opportunity.

1020
00:45:31,160 --> 00:45:33,439
Speaker 3: So of course I'm leaning on the side of being

1021
00:45:33,480 --> 00:45:37,680
Speaker 3: an artist advocate and wanting to make sure that the

1022
00:45:37,800 --> 00:45:40,640
Speaker 3: artists in our community can support themselves and live. And

1023
00:45:40,719 --> 00:45:44,560
Speaker 3: so I understand the financial pressures and the change of

1024
00:45:44,560 --> 00:45:47,400
Speaker 3: what's happening in the business models as there was a

1025
00:45:47,440 --> 00:45:51,560
Speaker 3: tremendous amount of investment made to build up subscriber growth

1026
00:45:51,560 --> 00:45:54,400
Speaker 3: on all the streaming platforms, and you know, there's a

1027
00:45:54,480 --> 00:45:56,840
Speaker 3: market correction that took place last year and there was

1028
00:45:56,960 --> 00:45:59,640
Speaker 3: you know, shareholder value that was lost. So that, yes,

1029
00:45:59,760 --> 00:46:03,279
Speaker 3: the large corporations are under tremendous pressure. But at the

1030
00:46:03,320 --> 00:46:07,880
Speaker 3: same time, when you've got showrunners of prominent television shows

1031
00:46:07,920 --> 00:46:12,160
Speaker 3: and actors that are extremely recognizable who have to drive

1032
00:46:12,320 --> 00:46:15,759
Speaker 3: uber in between projects, clearly there's got to be a

1033
00:46:15,800 --> 00:46:20,120
Speaker 3: balance here and and something needs something needs to change.

1034
00:46:20,280 --> 00:46:21,680
Speaker 3: And so I think that what we're going to see

1035
00:46:21,680 --> 00:46:24,640
Speaker 3: through all of this is there's obviously it's a very

1036
00:46:24,680 --> 00:46:27,480
Speaker 3: tough time in the industry, but change was needed and

1037
00:46:27,680 --> 00:46:30,040
Speaker 3: you have to go through periods of like the one

1038
00:46:30,040 --> 00:46:32,040
Speaker 3: we're going through right now to get on the other

1039
00:46:32,080 --> 00:46:34,160
Speaker 3: side of it. While you know, we're all feeling pain

1040
00:46:34,280 --> 00:46:36,200
Speaker 3: from it, but I do think it's going to make

1041
00:46:36,239 --> 00:46:37,600
Speaker 3: the industry better in the long term.

1042
00:46:37,640 --> 00:46:41,040
Speaker 5: I think it's too many screamers, and I think too

1043
00:46:41,080 --> 00:46:45,000
Speaker 5: many of these screamers are not being transparent about what

1044
00:46:45,040 --> 00:46:48,480
Speaker 5: they're actually doing, like numbers wise, yeah, and I think

1045
00:46:48,480 --> 00:46:51,319
Speaker 5: they care more about Wall Street and what those stock

1046
00:46:51,320 --> 00:46:55,120
Speaker 5: evaluations look like than actual profit. Well, I could tell

1047
00:46:55,120 --> 00:46:58,440
Speaker 5: you there's definitely a lot with around data and analytics.

1048
00:46:58,920 --> 00:47:01,840
Speaker 5: We've been fortunate enough with our projects with you know,

1049
00:47:02,320 --> 00:47:06,160
Speaker 5: Netflix in particular, they'll share share information just still verbally

1050
00:47:06,160 --> 00:47:09,000
Speaker 5: share you know, ten days in twenty eight days in

1051
00:47:09,120 --> 00:47:12,480
Speaker 5: how well how well the content is performing where it's

1052
00:47:12,640 --> 00:47:16,279
Speaker 5: you know, being streamed, and the numbers of hours that

1053
00:47:16,320 --> 00:47:18,760
Speaker 5: are that are being spent. And it's really eye opening

1054
00:47:18,920 --> 00:47:21,680
Speaker 5: when when we've gotten that information because these notions of

1055
00:47:22,040 --> 00:47:25,880
Speaker 5: certain content, you know, certain content with us doesn't travel,

1056
00:47:25,960 --> 00:47:29,640
Speaker 5: doesn't perform, it's not true. You know, Raising Diana was

1057
00:47:29,680 --> 00:47:32,160
Speaker 5: the number one Kids and Family show globally about an

1058
00:47:32,160 --> 00:47:35,719
Speaker 5: eight year old kid with super black kid with superpower

1059
00:47:35,800 --> 00:47:37,960
Speaker 5: being raised by his mom, black black woman.

1060
00:47:38,480 --> 00:47:42,799
Speaker 3: And so what I hope for is that there'll be

1061
00:47:42,840 --> 00:47:46,600
Speaker 3: more transparency going forward with sharing of data and analytics

1062
00:47:46,960 --> 00:47:49,640
Speaker 3: and and perhaps there's going to be some tie for

1063
00:47:50,080 --> 00:47:54,240
Speaker 3: independent studios who provide content for platforms and the artists

1064
00:47:54,239 --> 00:47:58,080
Speaker 3: that are making content that's performing well on these platforms,

1065
00:47:58,239 --> 00:48:00,879
Speaker 3: where there's going to be some upside for people when

1066
00:48:00,920 --> 00:48:04,280
Speaker 3: it when these projects do perform. Right now, what's happening

1067
00:48:04,320 --> 00:48:07,160
Speaker 3: is everyone's paid on the front end and uh, you

1068
00:48:07,200 --> 00:48:08,880
Speaker 3: know you're really bought out on the back end. And

1069
00:48:09,840 --> 00:48:12,600
Speaker 3: back in the day used to have syndication or you know,

1070
00:48:12,640 --> 00:48:15,560
Speaker 3: with box office, you had you know, the theatrical box

1071
00:48:15,600 --> 00:48:18,200
Speaker 3: office results to go by, and so there needs to

1072
00:48:18,239 --> 00:48:21,400
Speaker 3: be something that's going to shift to be able to

1073
00:48:21,520 --> 00:48:24,080
Speaker 3: you know, for when projects are actually hit someone they're successful.

1074
00:48:24,080 --> 00:48:26,239
Speaker 1: How does that work for somebody like y'all because y'all

1075
00:48:26,239 --> 00:48:27,120
Speaker 1: do clporals, right.

1076
00:48:27,040 --> 00:48:28,520
Speaker 3: So you yeah, we do copros.

1077
00:48:28,560 --> 00:48:30,600
Speaker 5: Yeah, so when you come in and you've already funded

1078
00:48:30,680 --> 00:48:33,120
Speaker 5: half of the project, do they give y'all we get.

1079
00:48:32,920 --> 00:48:34,879
Speaker 3: We get the statements, you get the statement. It will

1080
00:48:34,920 --> 00:48:38,000
Speaker 3: share alongside, but it also sits behind any of the

1081
00:48:38,080 --> 00:48:40,800
Speaker 3: marketing expenses and the distribution expenses as well.

1082
00:48:40,719 --> 00:48:43,560
Speaker 4: So you never really know.

1083
00:48:43,560 --> 00:48:45,760
Speaker 3: There's a certain amount of transparency. I mean, there's always

1084
00:48:45,760 --> 00:48:48,040
Speaker 3: people can audit, and we haven't had to do that yet.

1085
00:48:48,080 --> 00:48:50,640
Speaker 3: But look, each product, each project for us is different.

1086
00:48:50,640 --> 00:48:53,560
Speaker 3: There's some projects that were the studio to deliver the

1087
00:48:53,560 --> 00:48:56,040
Speaker 3: project for a platform. Some of them we make independent

1088
00:48:56,040 --> 00:48:58,880
Speaker 3: and it is licensed by a platform. Some were co

1089
00:48:59,000 --> 00:49:02,680
Speaker 3: financing with traditional studio. So it really depends on what

1090
00:49:02,719 --> 00:49:06,160
Speaker 3: the business model is. But the long term is it's

1091
00:49:06,400 --> 00:49:07,719
Speaker 3: really at the end, at the end of the day,

1092
00:49:07,719 --> 00:49:10,200
Speaker 3: we figure out what is the best scenario for each project,

1093
00:49:10,640 --> 00:49:13,040
Speaker 3: What is the best scenario for us to maintain and

1094
00:49:13,080 --> 00:49:16,000
Speaker 3: build long term library and asset value, but also what

1095
00:49:16,120 --> 00:49:18,200
Speaker 3: is the best way for this project creatively as well.

1096
00:49:18,320 --> 00:49:20,680
Speaker 3: We weigh all of those when we make our decisions

1097
00:49:20,680 --> 00:49:22,520
Speaker 3: about you know, how we're going to go about our project.

1098
00:49:22,560 --> 00:49:24,080
Speaker 1: All right, when we come back, we got more with

1099
00:49:24,160 --> 00:49:26,040
Speaker 1: Charles D. Kings, you don't move. It's the Breakfast Club.

1100
00:49:26,040 --> 00:49:29,200
Speaker 1: Good Morning, and everybody is DJ n V. Charlamagne the

1101
00:49:29,239 --> 00:49:31,120
Speaker 1: gud We are the breakfast Club. He's still kicking it

1102
00:49:31,120 --> 00:49:31,640
Speaker 1: with Charles D.

1103
00:49:31,760 --> 00:49:31,920
Speaker 3: King.

1104
00:49:32,000 --> 00:49:35,560
Speaker 1: He's the CEO of Macro Studios. He's a brother that backs,

1105
00:49:35,640 --> 00:49:39,479
Speaker 1: directs and finances a lot of black movies out there.

1106
00:49:39,640 --> 00:49:42,600
Speaker 5: Charleman, what is a Charles King dream project for Macro?

1107
00:49:44,239 --> 00:49:45,279
Speaker 5: What's that one you want?

1108
00:49:47,040 --> 00:49:50,160
Speaker 3: Well, first and foremost, I'm one dream project is Dayclon

1109
00:49:50,280 --> 00:49:53,200
Speaker 3: Tyroll being out the marketing place right now, Because be

1110
00:49:53,239 --> 00:49:56,560
Speaker 3: honest with you, man, we're so excited with how the

1111
00:49:56,560 --> 00:49:59,480
Speaker 3: culture has leaned in on this film. You know, the

1112
00:49:59,520 --> 00:50:02,759
Speaker 3: freshness of the story got a first time filmmaker.

1113
00:50:02,480 --> 00:50:04,840
Speaker 5: Watched it three times. I don't want to talk to

1114
00:50:04,840 --> 00:50:06,560
Speaker 5: anybody who hasn't watched it at least twice. If you

1115
00:50:06,600 --> 00:50:08,440
Speaker 5: haven't watched it at least twice, I don't have a conversation.

1116
00:50:08,680 --> 00:50:11,520
Speaker 3: Man. It's hard to pick up everything. And I've seen it.

1117
00:50:11,680 --> 00:50:14,319
Speaker 3: I've read every draft of the script. I was there

1118
00:50:14,320 --> 00:50:16,600
Speaker 3: every day through production, and I've seen every cut of

1119
00:50:16,640 --> 00:50:19,239
Speaker 3: the film, and I still pick up gems each time

1120
00:50:19,280 --> 00:50:23,080
Speaker 3: I watch it. And Joelle Taylor is a brilliant filmmaker,

1121
00:50:23,120 --> 00:50:25,960
Speaker 3: and I'm just really passionate and excited to see how

1122
00:50:26,000 --> 00:50:31,520
Speaker 3: the marketplaces responded and the people really really saw the

1123
00:50:31,680 --> 00:50:35,080
Speaker 3: fresh voice, but then the smart, subversive things were saying.

1124
00:50:35,160 --> 00:50:37,800
Speaker 3: So that's one one passion project and another thing I

1125
00:50:37,840 --> 00:50:41,000
Speaker 3: would say, I love movies to show us as kings

1126
00:50:41,040 --> 00:50:44,680
Speaker 3: and queens. I love for us to see a film

1127
00:50:44,719 --> 00:50:47,080
Speaker 3: where you see us as warriors, like The Woman King

1128
00:50:47,400 --> 00:50:50,319
Speaker 3: classic right like that was that was bad when you

1129
00:50:50,360 --> 00:50:52,640
Speaker 3: see more movies like that. So I'm thinking, you know,

1130
00:50:52,680 --> 00:50:56,520
Speaker 3: what's gonna be our Gladiator, What's gonna be our Brave Heart?

1131
00:50:57,320 --> 00:51:00,920
Speaker 3: And so absolutely, one thousand percent one of my patches

1132
00:51:00,920 --> 00:51:03,800
Speaker 3: of projects will be making a movie of that scope

1133
00:51:03,840 --> 00:51:08,120
Speaker 3: and magnitude on that level. And yeah, we have a

1134
00:51:08,120 --> 00:51:10,600
Speaker 3: few development but definitely something along those lines.

1135
00:51:10,680 --> 00:51:13,080
Speaker 5: What did the Clones represent? What was the metaphor for

1136
00:51:13,120 --> 00:51:13,600
Speaker 5: the Clones?

1137
00:51:15,960 --> 00:51:17,520
Speaker 3: I'd say it's got a lot for you to think

1138
00:51:17,520 --> 00:51:22,480
Speaker 3: about about what's happened in our communities. And we know

1139
00:51:22,560 --> 00:51:27,400
Speaker 3: what's historically happened to you know, Dwells from Tuskegee, Alabama.

1140
00:51:28,040 --> 00:51:30,480
Speaker 3: You know, so you know about the Tuskegee experiments, and

1141
00:51:32,840 --> 00:51:35,480
Speaker 3: there's so much that happened in history, and there's so

1142
00:51:35,560 --> 00:51:37,879
Speaker 3: much that continues to happen about what gets pumped into

1143
00:51:37,920 --> 00:51:40,319
Speaker 3: our what gets pumped into our community. You look, you

1144
00:51:40,400 --> 00:51:43,080
Speaker 3: walk in any community. You know what you see when

1145
00:51:43,080 --> 00:51:46,640
Speaker 3: you work in certain communities. And I think that there

1146
00:51:46,640 --> 00:51:51,040
Speaker 3: are a lot of real life metaphors and examples that

1147
00:51:51,080 --> 00:51:53,440
Speaker 3: are in our film Baklon Tyrone to get people to

1148
00:51:54,080 --> 00:51:56,799
Speaker 3: think and ponder. Watch it two or three times, have

1149
00:51:56,920 --> 00:52:01,120
Speaker 3: real dialogue for us, and and then you also see

1150
00:52:01,120 --> 00:52:04,480
Speaker 3: what happens when the community clicks up, Yeah, come together.

1151
00:52:04,840 --> 00:52:05,040
Speaker 4: Yeah.

1152
00:52:05,120 --> 00:52:09,520
Speaker 5: For me, it represented the never ending cycle of generational

1153
00:52:09,600 --> 00:52:13,359
Speaker 5: trauma that can't exist and how every generation there is

1154
00:52:13,960 --> 00:52:15,920
Speaker 5: the characters in that film, right like the people or

1155
00:52:15,920 --> 00:52:18,920
Speaker 5: the people that the drug dealer, the the you know,

1156
00:52:19,120 --> 00:52:21,719
Speaker 5: the the I don't want to say the whole, but yeah,

1157
00:52:21,760 --> 00:52:25,440
Speaker 5: you know. But also to your point, when we come together,

1158
00:52:25,520 --> 00:52:28,880
Speaker 5: we can break those generational absolutely trauma.

1159
00:52:29,080 --> 00:52:31,399
Speaker 3: For what you're saying about that generational trauma, man, it's

1160
00:52:31,400 --> 00:52:34,759
Speaker 3: real man, and and the and the the trauma. But

1161
00:52:34,800 --> 00:52:37,719
Speaker 3: then how even through the trauma, the strength that we

1162
00:52:37,800 --> 00:52:40,279
Speaker 3: still have and the and the heart that we still

1163
00:52:40,280 --> 00:52:43,359
Speaker 3: have as people. So I think about that time we

1164
00:52:43,360 --> 00:52:46,239
Speaker 3: were in production. One of the most powerful days on

1165
00:52:46,400 --> 00:52:49,399
Speaker 3: set was I can't I can't give it. I can't

1166
00:52:49,440 --> 00:52:51,439
Speaker 3: give it away here on the show for those who

1167
00:52:51,440 --> 00:52:54,600
Speaker 3: haven't seen it. But it's the one scene where you know,

1168
00:52:54,800 --> 00:52:58,359
Speaker 3: you got a man who is knocking on the door

1169
00:52:58,440 --> 00:53:00,839
Speaker 3: talking to him mom, and he was this he really

1170
00:53:00,840 --> 00:53:06,759
Speaker 3: needed word, and that that happened in that scene later

1171
00:53:06,840 --> 00:53:11,000
Speaker 3: on that the emotion on set that day of just

1172
00:53:11,200 --> 00:53:15,400
Speaker 3: like you know this, this, this, this, this brother who's

1173
00:53:15,680 --> 00:53:19,200
Speaker 3: supposed to be the stereotypical drug dealer who just needed

1174
00:53:19,200 --> 00:53:23,479
Speaker 3: his mom, really needed his mama, And it just says

1175
00:53:23,520 --> 00:53:26,040
Speaker 3: something about our communities and how our mothers are there

1176
00:53:26,040 --> 00:53:28,239
Speaker 3: for us. But then what happens when you know, when

1177
00:53:28,239 --> 00:53:30,040
Speaker 3: people aren't there for them. But then the when he

1178
00:53:30,160 --> 00:53:33,000
Speaker 3: steps outside and that conversation that happened with june Bug,

1179
00:53:33,480 --> 00:53:37,960
Speaker 3: the lightness around it and how reminded him of his brother.

1180
00:53:38,520 --> 00:53:40,560
Speaker 3: So they were like warm elements like that for us

1181
00:53:40,560 --> 00:53:42,120
Speaker 3: that we needed to make sure we're in there.

1182
00:53:42,440 --> 00:53:43,080
Speaker 4: There's another part.

1183
00:53:43,080 --> 00:53:44,440
Speaker 5: I don't want to get the movie away either, but

1184
00:53:44,480 --> 00:53:47,560
Speaker 5: it's like when when when it shows how the black

1185
00:53:47,600 --> 00:53:51,240
Speaker 5: woman wasn't wasn't wasn't under control. Yeah, So she couldn't

1186
00:53:51,280 --> 00:53:56,399
Speaker 5: be brainwashed. Oh yeah, that was like, that was yeah,

1187
00:53:56,440 --> 00:53:57,480
Speaker 5: that was powerful.

1188
00:53:57,160 --> 00:53:57,480
Speaker 4: To I got.

1189
00:53:57,600 --> 00:54:00,480
Speaker 3: I got a whole how she switched it up on them,

1190
00:54:00,920 --> 00:54:02,840
Speaker 3: Oh yeah, I got a whole thesis.

1191
00:54:02,880 --> 00:54:03,560
Speaker 4: I can write about this.

1192
00:54:03,800 --> 00:54:07,000
Speaker 3: So that's the strength of her, of her and her character.

1193
00:54:07,200 --> 00:54:11,040
Speaker 4: And then when she was right, that's right, y'all don't

1194
00:54:11,040 --> 00:54:12,280
Speaker 4: want to do it, I'll go do it myself.

1195
00:54:12,400 --> 00:54:16,960
Speaker 3: That's right. Yes, Okay, y'all, y'all, man up the steps.

1196
00:54:16,960 --> 00:54:17,520
Speaker 3: I'm gonna take.

1197
00:54:17,680 --> 00:54:17,839
Speaker 1: Yes.

1198
00:54:17,960 --> 00:54:21,400
Speaker 5: And then even in that moment when Keith of Sullivant

1199
00:54:21,520 --> 00:54:24,839
Speaker 5: Southern Sutherland character was like, I don't even care about you,

1200
00:54:24,920 --> 00:54:26,480
Speaker 5: like you know what I mean, Like basically that's that's

1201
00:54:26,520 --> 00:54:29,880
Speaker 5: what we basically told her. Yes, but your regular yes.

1202
00:54:30,280 --> 00:54:33,200
Speaker 5: But she was somebody to them. That was I don't

1203
00:54:33,200 --> 00:54:34,640
Speaker 5: want to say. I was about to say worthy of rescue,

1204
00:54:34,640 --> 00:54:35,359
Speaker 5: but I don't want to get the movie.

1205
00:54:35,360 --> 00:54:37,160
Speaker 1: I'm gonna see the movie this week. And guy, I was,

1206
00:54:38,000 --> 00:54:42,080
Speaker 1: I was out of town, I was, I was back

1207
00:54:42,080 --> 00:54:42,359
Speaker 1: this week.

1208
00:54:42,360 --> 00:54:43,759
Speaker 3: I'm watching for a fun ride.

1209
00:54:43,760 --> 00:54:43,920
Speaker 2: Bro.

1210
00:54:44,080 --> 00:54:45,960
Speaker 1: Yeah, I can't wait to see I can't wait to

1211
00:54:46,000 --> 00:54:49,880
Speaker 1: see it. So fifteen OSCAR nominations, three wins, Congratulations is

1212
00:54:49,920 --> 00:54:54,920
Speaker 1: there any project that you thought should have gotta win, we.

1213
00:54:55,000 --> 00:54:57,440
Speaker 3: Got, we got, you know, we got Song and Daniel

1214
00:54:57,440 --> 00:54:59,680
Speaker 3: Want for that one, I felt like we were definitely

1215
00:54:59,719 --> 00:55:02,360
Speaker 3: write picture. We were right there in contention. There were

1216
00:55:02,360 --> 00:55:04,399
Speaker 3: a lot of great movies that year, but I feel

1217
00:55:04,440 --> 00:55:08,120
Speaker 3: like we were close. There was definitely a sense from

1218
00:55:08,360 --> 00:55:10,480
Speaker 3: members of the Academy that we were very much in

1219
00:55:10,520 --> 00:55:13,200
Speaker 3: the mix on that one, and we're incredibly proud of

1220
00:55:13,200 --> 00:55:15,600
Speaker 3: that film. Honestly, I'll say we're more proud of the

1221
00:55:15,600 --> 00:55:20,000
Speaker 3: fact that Chairman Fred Hampton, you know, Junior and Mother

1222
00:55:20,160 --> 00:55:23,280
Speaker 3: CooA and so many other members of the Black Panther

1223
00:55:23,320 --> 00:55:26,719
Speaker 3: Party that they that they still loved the film and

1224
00:55:26,800 --> 00:55:29,279
Speaker 3: were in supportive of it and how it's really you know,

1225
00:55:29,560 --> 00:55:32,680
Speaker 3: been able to educate our community about, you know, this

1226
00:55:32,800 --> 00:55:35,920
Speaker 3: revolutionary so Oscar nominations were great, but that was the

1227
00:55:35,920 --> 00:55:38,359
Speaker 3: thing that was the most rewarding of that. In terms

1228
00:55:38,440 --> 00:55:40,799
Speaker 3: of someone that I felt like got robbed Man. There's

1229
00:55:40,840 --> 00:55:42,440
Speaker 3: a few, but I got to tell you, but I

1230
00:55:42,480 --> 00:55:45,520
Speaker 3: felt like, uh, Jamie fox Man and just Mercy Man.

1231
00:55:45,880 --> 00:55:50,120
Speaker 3: It was really he did his thing, just like he did.

1232
00:55:50,280 --> 00:55:52,280
Speaker 4: See all these movies. Micro Movie.

1233
00:55:54,640 --> 00:55:56,920
Speaker 3: We we were one of the executive producers. We co

1234
00:55:57,040 --> 00:56:00,400
Speaker 3: financed the film there weren't we weren't creatively involved in

1235
00:56:00,800 --> 00:56:03,440
Speaker 3: that project. That was the other great producers, but that

1236
00:56:03,520 --> 00:56:06,880
Speaker 3: one we were more financiers. And Jamie Fox did his

1237
00:56:06,960 --> 00:56:08,560
Speaker 3: thing and it was incredible.

1238
00:56:08,600 --> 00:56:10,319
Speaker 5: I mean, when is Jamie Fox not up for some

1239
00:56:10,360 --> 00:56:13,960
Speaker 5: type of you know what I mean, like every tyrone like.

1240
00:56:14,080 --> 00:56:17,719
Speaker 3: Not knock on wood man. I feel like his performance

1241
00:56:17,760 --> 00:56:20,400
Speaker 3: is absolutely worthy of of real conversation.

1242
00:56:20,560 --> 00:56:20,719
Speaker 4: Man.

1243
00:56:20,800 --> 00:56:25,279
Speaker 3: He is an extraordinary actor and it was just so

1244
00:56:25,360 --> 00:56:29,040
Speaker 3: incredible to work with, so much fun, but he brought it. Man,

1245
00:56:29,120 --> 00:56:32,000
Speaker 3: he is truly like a gifted man.

1246
00:56:32,280 --> 00:56:35,440
Speaker 5: I always wonder why, like like Macro doesn't collaborate with

1247
00:56:35,560 --> 00:56:37,960
Speaker 5: like Tyler Perry and everything that he's doing.

1248
00:56:38,120 --> 00:56:39,960
Speaker 4: It just seemed like it would make so much sense.

1249
00:56:40,280 --> 00:56:44,680
Speaker 3: Well man, Well, Tyler is you know. It was one

1250
00:56:44,719 --> 00:56:48,360
Speaker 3: of the artists moguls that I was fortunate, blessed to

1251
00:56:48,400 --> 00:56:51,240
Speaker 3: work with. That was his main agent for over ten years.

1252
00:56:51,239 --> 00:56:55,560
Speaker 3: Oh wow. Yeah, back at at William Morris and W

1253
00:56:55,640 --> 00:57:01,200
Speaker 3: and me and and he had a vision for how

1254
00:57:01,280 --> 00:57:04,920
Speaker 3: he was going to take his these amazing characters in

1255
00:57:04,960 --> 00:57:09,880
Speaker 3: this world that he built out from the theater circuit

1256
00:57:10,360 --> 00:57:12,279
Speaker 3: and bringing in the film and TV, and as a

1257
00:57:12,440 --> 00:57:14,839
Speaker 3: as a young agent, I was right there as part

1258
00:57:14,880 --> 00:57:16,920
Speaker 3: of the forefront of it, alongside of his lawyers, of

1259
00:57:17,200 --> 00:57:21,320
Speaker 3: structuring those deals in Lions, Skate and the ten nineties shows.

1260
00:57:21,400 --> 00:57:25,800
Speaker 3: And then clearly saw when someone who has a vision

1261
00:57:26,440 --> 00:57:29,440
Speaker 3: and a team behind them, you know, to also support

1262
00:57:29,440 --> 00:57:33,400
Speaker 3: his vision. And in addition to the hard work, literally

1263
00:57:33,960 --> 00:57:36,680
Speaker 3: tenacious hard work, the fact that he bet on himself,

1264
00:57:36,720 --> 00:57:39,080
Speaker 3: that he invested in himself, and you look at the

1265
00:57:39,480 --> 00:57:42,440
Speaker 3: empire that he's built. So I have tremendous respect for him.

1266
00:57:42,480 --> 00:57:44,880
Speaker 3: And so obviously even when I went to leave w

1267
00:57:45,040 --> 00:57:46,800
Speaker 3: me and I said, hey, I'm going to go do

1268
00:57:47,000 --> 00:57:48,520
Speaker 3: my thing, he was just like, you're gonna wish you

1269
00:57:48,520 --> 00:57:50,440
Speaker 3: had done this five years earlier because it's going to

1270
00:57:50,480 --> 00:57:53,320
Speaker 3: be incredible. And I had to say that although we

1271
00:57:53,440 --> 00:57:57,120
Speaker 3: haven't worked on a project together or found that thing,

1272
00:57:57,280 --> 00:58:00,520
Speaker 3: there's there's absolutely nothing but respect and love, and sure

1273
00:58:00,800 --> 00:58:03,760
Speaker 3: at some point we'll find something, but you know, clearly

1274
00:58:03,880 --> 00:58:06,400
Speaker 3: there's a there's there's nothing but respect.

1275
00:58:06,960 --> 00:58:07,680
Speaker 1: There you have it.

1276
00:58:07,840 --> 00:58:08,360
Speaker 4: Charles D.

1277
00:58:08,600 --> 00:58:08,760
Speaker 6: King.

1278
00:58:10,160 --> 00:58:13,800
Speaker 1: Yeah, thank you so much, brother, Charles King. It's the

1279
00:58:13,800 --> 00:58:16,960
Speaker 1: Breakfast Club. Good morning, Good morning everybody. It's dj n

1280
00:58:17,080 --> 00:58:19,160
Speaker 1: V Charlamagne the guy. We are to Breakfast Club. We

1281
00:58:19,200 --> 00:58:21,360
Speaker 1: got our guest co host Willy d with us. Let's

1282
00:58:21,400 --> 00:58:26,000
Speaker 1: get to the roomors, let's talk Little Meech whole out

1283
00:58:26,040 --> 00:58:27,440
Speaker 1: of name or you've gossip?

1284
00:58:27,520 --> 00:58:31,520
Speaker 3: Bet is the rumor report?

1285
00:58:31,560 --> 00:58:32,800
Speaker 18: I mean, I guess were on the Breakfast Club.

1286
00:58:32,840 --> 00:58:33,520
Speaker 1: This is where the tea.

1287
00:58:33,360 --> 00:58:34,320
Speaker 4: Spells right right.

1288
00:58:36,000 --> 00:58:39,440
Speaker 1: Now? Meach was Little Meach was trending yesterday for a

1289
00:58:39,440 --> 00:58:42,080
Speaker 1: couple of reasons. Well one, it seems like his relationship

1290
00:58:42,080 --> 00:58:45,240
Speaker 1: with someone Walker they're saying is over. She posted something

1291
00:58:45,280 --> 00:58:47,520
Speaker 1: on social media. It's just crazy. How iggle will really

1292
00:58:47,560 --> 00:58:49,600
Speaker 1: try to pursue the f out of you for two years,

1293
00:58:49,640 --> 00:58:51,600
Speaker 1: make you meet the whole family, want to be around

1294
00:58:51,640 --> 00:58:54,560
Speaker 1: you and your kids all day, pay bills just to

1295
00:58:54,600 --> 00:58:57,160
Speaker 1: embarrass you to the world, laughing my ass off. I

1296
00:58:57,160 --> 00:58:59,919
Speaker 1: don't understand men, but I'm gonna give it to God. Well,

1297
00:59:00,120 --> 00:59:04,240
Speaker 1: yesterday a ring camera footage surface of Little Meach entering

1298
00:59:04,360 --> 00:59:09,120
Speaker 1: and exiting a home with another woman. Uh and uh.

1299
00:59:09,160 --> 00:59:12,200
Speaker 1: He actually spoke about it after the footage came out.

1300
00:59:12,480 --> 00:59:14,360
Speaker 4: Damn, I can't hit my cousin. Bring a bag in

1301
00:59:14,400 --> 00:59:14,720
Speaker 4: the house.

1302
00:59:15,680 --> 00:59:16,800
Speaker 3: We went to the grocery store.

1303
00:59:16,840 --> 00:59:17,040
Speaker 6: Man.

1304
00:59:18,520 --> 00:59:21,600
Speaker 1: Problem was that with not too many people see grocery bags.

1305
00:59:21,600 --> 00:59:24,560
Speaker 1: So people started making memes and they started adding grocery bags.

1306
00:59:24,600 --> 00:59:27,280
Speaker 1: They started adding shopping cards and all those other things.

1307
00:59:27,360 --> 00:59:30,480
Speaker 5: I saw groceries, groceries. I saw groceries. Didn't you nail

1308
00:59:30,480 --> 00:59:34,080
Speaker 5: When they said, well, did not? KO said, I hate

1309
00:59:34,080 --> 00:59:37,920
Speaker 5: the booty like groceries. You see the groceries apartment.

1310
00:59:38,280 --> 00:59:38,560
Speaker 4: Okay.

1311
00:59:38,680 --> 00:59:41,120
Speaker 1: The crazy thing is is I'm married, but I ain't blind.

1312
00:59:41,480 --> 00:59:44,439
Speaker 1: How could you have a neighbor that releases the ring

1313
00:59:44,520 --> 00:59:46,320
Speaker 1: footage of your apartment?

1314
00:59:47,640 --> 00:59:48,240
Speaker 4: Is that legal?

1315
00:59:48,800 --> 00:59:49,280
Speaker 1: I don't know.

1316
00:59:51,200 --> 00:59:54,360
Speaker 4: First of all, I want to welcome little Meach to Houston.

1317
00:59:56,360 --> 00:59:57,560
Speaker 4: Oh he was in Houston.

1318
00:59:57,640 --> 00:59:58,320
Speaker 1: He was in Houston.

1319
00:59:58,360 --> 01:00:03,960
Speaker 6: Okay, Okay, you know man, that's a major invasion of products.

1320
01:00:04,000 --> 01:00:08,480
Speaker 6: Hell yeah, and it should be illegal. If it's not illegal,

1321
01:00:08,520 --> 01:00:11,440
Speaker 6: it should be illegal. It should be a crime. And

1322
01:00:11,520 --> 01:00:15,320
Speaker 6: I'll tell you straight up, bro, if my neighbor tried

1323
01:00:15,360 --> 01:00:19,760
Speaker 6: to play me like that, the moment I see him, it's.

1324
01:00:19,600 --> 01:00:21,360
Speaker 1: On site, put hands and feet on him.

1325
01:00:21,440 --> 01:00:24,200
Speaker 4: Or if it's a woman, the moment I see her

1326
01:00:24,360 --> 01:00:26,720
Speaker 4: is on side. Could you stop, Willy d knock it off.

1327
01:00:27,200 --> 01:00:28,360
Speaker 4: I'm just saying it's on sight.

1328
01:00:28,440 --> 01:00:33,880
Speaker 6: I ain't saying what's on site. It's on site. Man,

1329
01:00:33,920 --> 01:00:37,760
Speaker 6: it's a violation. Do that. That's not right.

1330
01:00:37,880 --> 01:00:40,520
Speaker 1: The man was helping a woman, that's right.

1331
01:00:40,720 --> 01:00:43,000
Speaker 6: And you know, if a crime was committed, I understanding

1332
01:00:43,160 --> 01:00:46,400
Speaker 6: releasing something like that, but just be spying on your

1333
01:00:46,440 --> 01:00:48,280
Speaker 6: neighbors like that and then just putting it out there.

1334
01:00:48,440 --> 01:00:51,160
Speaker 6: First of all, whoever did that, I'm just going straight

1335
01:00:51,240 --> 01:00:54,480
Speaker 6: up say that was some host stuff.

1336
01:00:54,560 --> 01:00:56,680
Speaker 5: Groofie, because if it wasn't a little meat, they wouldn't

1337
01:00:56,680 --> 01:00:59,320
Speaker 5: even care. If it wasn't somebody, it wasn't a celebrity,

1338
01:00:59,360 --> 01:01:01,200
Speaker 5: they wouldn't even care. The correct it's the fact that

1339
01:01:01,240 --> 01:01:03,320
Speaker 5: they called a celebrity on their ring camera and they

1340
01:01:03,360 --> 01:01:05,520
Speaker 5: wanted to send that out to the blogs or whoever

1341
01:01:05,560 --> 01:01:06,320
Speaker 5: else I'll post it.

1342
01:01:06,280 --> 01:01:06,720
Speaker 4: On their own.

1343
01:01:06,760 --> 01:01:09,560
Speaker 5: So that's gotta be some type of invasion the prophecy.

1344
01:01:09,760 --> 01:01:11,200
Speaker 4: I don't know what happened, man, I just know black

1345
01:01:11,240 --> 01:01:11,919
Speaker 4: men don't cheat.

1346
01:01:12,280 --> 01:01:14,959
Speaker 5: And you know, if the man said he was helping

1347
01:01:14,960 --> 01:01:17,000
Speaker 5: somebody with they groceries, why couldn't that man be helping

1348
01:01:17,000 --> 01:01:17,960
Speaker 5: somebody with their grocery.

1349
01:01:18,080 --> 01:01:20,960
Speaker 1: Stupid. Now we got to move on to Carlos King.

1350
01:01:21,000 --> 01:01:24,360
Speaker 1: Carlos King was interviewed with Nini leeks and we're we're

1351
01:01:24,400 --> 01:01:27,000
Speaker 1: talking about her, you know, on Real Housewives of Atlanta

1352
01:01:27,040 --> 01:01:30,080
Speaker 1: and how she felt. Nini said that she could have

1353
01:01:30,080 --> 01:01:32,520
Speaker 1: been bigger than Kim Kardashian. You think you should be

1354
01:01:32,520 --> 01:01:35,480
Speaker 1: bigger than Kim Kardashian, absolutely.

1355
01:01:35,640 --> 01:01:38,120
Speaker 20: If not bigger right there with her. I feel like

1356
01:01:38,160 --> 01:01:41,120
Speaker 20: they pushed Kim and they didn't push me. Kim came

1357
01:01:41,160 --> 01:01:45,400
Speaker 20: on after me, and they opened up every door and

1358
01:01:45,560 --> 01:01:50,080
Speaker 20: every opportunity for her, even putting us together at times

1359
01:01:50,080 --> 01:01:53,760
Speaker 20: and making her, you know, much more bigger than me.

1360
01:01:54,520 --> 01:01:57,520
Speaker 20: They pushed Kim to the front and push me to

1361
01:01:57,640 --> 01:01:59,960
Speaker 20: the back. And I don't think that was by a chance.

1362
01:02:00,280 --> 01:02:03,040
Speaker 20: I think that was the way they wanted it to be.

1363
01:02:04,000 --> 01:02:08,480
Speaker 20: I just think that they made her more successful and

1364
01:02:08,600 --> 01:02:11,440
Speaker 20: she was able to get opportunities and open walk through doors,

1365
01:02:11,440 --> 01:02:14,400
Speaker 20: and they just did not want me to walk through.

1366
01:02:16,480 --> 01:02:20,720
Speaker 5: How do we feel about conversations like that? Because I

1367
01:02:20,840 --> 01:02:23,280
Speaker 5: just be feeling like what's for a Person's for a person.

1368
01:02:23,360 --> 01:02:26,320
Speaker 5: I understand that there's machines that can push things, but

1369
01:02:26,400 --> 01:02:28,400
Speaker 5: you can push some things sometimes, and that don't mean

1370
01:02:28,440 --> 01:02:32,080
Speaker 5: the consumer is going to gravitate towards said things. Something

1371
01:02:32,120 --> 01:02:35,000
Speaker 5: about the Kardashians that people gravitate towards and they've been

1372
01:02:35,000 --> 01:02:36,640
Speaker 5: gravitating towards it for years.

1373
01:02:37,000 --> 01:02:39,720
Speaker 4: Mean, he had a great, great, running, great moment too.

1374
01:02:39,800 --> 01:02:42,240
Speaker 1: I just think, you know, with with Kim, I just

1375
01:02:42,240 --> 01:02:44,520
Speaker 1: think it was the perfect storm the way that everything

1376
01:02:44,600 --> 01:02:47,400
Speaker 1: folded out. You know, parasit was her best friend at

1377
01:02:47,400 --> 01:02:49,760
Speaker 1: the time, and parasit was in front of the lights,

1378
01:02:49,800 --> 01:02:52,840
Speaker 1: and Kim was her side, you know, her whatever, her

1379
01:02:52,840 --> 01:02:55,000
Speaker 1: best friend at the time. Then the ray J tape

1380
01:02:55,040 --> 01:02:57,880
Speaker 1: came out, and at that time, ray J was was

1381
01:02:57,920 --> 01:02:59,760
Speaker 1: growing in his fame, and it was perfect. Then she

1382
01:02:59,840 --> 01:03:02,440
Speaker 1: was married Chris Humphries and he was playing for an

1383
01:03:02,520 --> 01:03:03,000
Speaker 1: NBA team.

1384
01:03:03,000 --> 01:03:04,640
Speaker 4: You didn't giving Chris Humphrey no damn credit.

1385
01:03:04,840 --> 01:03:07,520
Speaker 1: You're right, strike that one from the record. What's the

1386
01:03:07,560 --> 01:03:08,360
Speaker 1: other ball's name?

1387
01:03:08,520 --> 01:03:09,880
Speaker 4: U Reggie Bush?

1388
01:03:09,960 --> 01:03:11,760
Speaker 1: Reggie Bush at the time. He was one of the

1389
01:03:11,760 --> 01:03:13,400
Speaker 1: biggest players in the league at that time. Like, I

1390
01:03:13,480 --> 01:03:15,040
Speaker 1: just think it was a perfect storm for Camp.

1391
01:03:15,080 --> 01:03:18,000
Speaker 5: Maybe it's scriffling numbers. Maybe if it was a bunch

1392
01:03:18,000 --> 01:03:20,439
Speaker 5: of leaks. Seriously, maybe maybe if it was a bunch

1393
01:03:20,480 --> 01:03:21,800
Speaker 5: like she had a whole team with us, she had

1394
01:03:21,800 --> 01:03:23,800
Speaker 5: her sisters, you know what I mean. She had her

1395
01:03:23,880 --> 01:03:27,520
Speaker 5: mom like they had a whole squad. Maybe it's scriffling numbers, but.

1396
01:03:27,440 --> 01:03:29,160
Speaker 1: I do think they did Niini dirty. As far as

1397
01:03:29,160 --> 01:03:30,760
Speaker 1: the reality show, I think they should have pushed them

1398
01:03:30,800 --> 01:03:32,680
Speaker 1: on now. She also talks about one of our homies,

1399
01:03:33,040 --> 01:03:37,280
Speaker 1: Claudia Jordan, and talks about that term which Nini made

1400
01:03:37,280 --> 01:03:41,320
Speaker 1: a real famous a pair talking to starless Claudia Jordan.

1401
01:03:41,840 --> 01:03:46,720
Speaker 5: Starless who won between you and Claudia and Puerto Rico.

1402
01:03:47,120 --> 01:03:52,200
Speaker 20: I'm always the winner, and so I obviously won. But

1403
01:03:52,280 --> 01:03:55,040
Speaker 20: I will give Claudia this, although she said the most

1404
01:03:55,120 --> 01:03:57,320
Speaker 20: nastiest things about me, and she's been holding on to

1405
01:03:57,400 --> 01:04:00,200
Speaker 20: a grus for one hundred thousand years, I would have

1406
01:04:00,240 --> 01:04:03,880
Speaker 20: to give I'm gonna give her this. I've read many

1407
01:04:03,920 --> 01:04:06,120
Speaker 20: of girls, honey, and I've been on this show with

1408
01:04:06,280 --> 01:04:09,040
Speaker 20: many girls. I would have to say that she was

1409
01:04:09,080 --> 01:04:12,720
Speaker 20: probably my number one battle. She was definitely right up

1410
01:04:12,720 --> 01:04:15,640
Speaker 20: there to battle with. Yeah. I don't think that it's

1411
01:04:15,800 --> 01:04:19,080
Speaker 20: not been one other girl that could probably battle the

1412
01:04:19,120 --> 01:04:21,560
Speaker 20: way she did because I took her through it, and

1413
01:04:21,640 --> 01:04:24,640
Speaker 20: I feel like she took me through it, and so

1414
01:04:24,760 --> 01:04:26,880
Speaker 20: I feel like we gave each other a run.

1415
01:04:27,680 --> 01:04:29,240
Speaker 1: Yeah, I think they did, and I will say one

1416
01:04:29,240 --> 01:04:31,240
Speaker 1: thing about our homie, Claudia Jordan's. She don't back down

1417
01:04:31,280 --> 01:04:34,800
Speaker 1: to nobody, So salute to Needy Leeks and Claudia Jordan.

1418
01:04:35,040 --> 01:04:36,640
Speaker 4: We ain't got noneing to smoke. You ain't play nonhing

1419
01:04:36,680 --> 01:04:38,000
Speaker 4: to smoke that they're talking about.

1420
01:04:38,200 --> 01:04:39,600
Speaker 1: No, we ain't got time unless you want to be

1421
01:04:39,640 --> 01:04:40,320
Speaker 1: late for a donkey.

1422
01:04:41,760 --> 01:04:43,360
Speaker 4: I don't even I never even heard the smoke.

1423
01:04:43,480 --> 01:04:46,560
Speaker 1: I don't know that is your rumor report, But were

1424
01:04:46,600 --> 01:04:48,880
Speaker 1: giving that donky two man for after the hour man?

1425
01:04:48,960 --> 01:04:50,640
Speaker 5: What is going on in the world. We got white

1426
01:04:50,640 --> 01:04:53,000
Speaker 5: people screaming racism against other white people.

1427
01:04:53,080 --> 01:04:54,880
Speaker 4: This is crazy. This morning, we're gonna talk about it.

1428
01:04:54,920 --> 01:04:56,800
Speaker 1: Is that possible? I don't know, but we're gonna discuss.

1429
01:04:56,880 --> 01:04:58,520
Speaker 1: All right, we'll get to a Nexus to Breakfast club.

1430
01:04:58,520 --> 01:05:02,680
Speaker 11: Good morning, breakfas your mornings will never be the same.

1431
01:05:03,600 --> 01:05:06,000
Speaker 5: Audible pick of the day is Snoop Doggs from the

1432
01:05:06,000 --> 01:05:08,480
Speaker 5: Streets to the Sweets. Here's snoops Journey from the Streets

1433
01:05:08,480 --> 01:05:10,560
Speaker 5: to Long Beach, the hip hop legend. Listen when you

1434
01:05:10,600 --> 01:05:12,600
Speaker 5: sign up for a free trial at audible dot com,

1435
01:05:12,640 --> 01:05:13,520
Speaker 5: slash Snoop I.

1436
01:05:13,600 --> 01:05:18,280
Speaker 1: Was donkey up today, Damn he hogged.

1437
01:05:18,240 --> 01:05:21,280
Speaker 15: It's time for donkey.

1438
01:05:21,760 --> 01:05:23,760
Speaker 3: I ain't trying to beat donkey today no more.

1439
01:05:23,880 --> 01:05:26,080
Speaker 5: They should be embarrassed by what they already did. I'm

1440
01:05:26,080 --> 01:05:27,600
Speaker 5: not making these people do these days.

1441
01:05:27,360 --> 01:05:30,200
Speaker 18: Called donkey of the day, and it really caught me

1442
01:05:30,280 --> 01:05:30,760
Speaker 18: off guard.

1443
01:05:30,960 --> 01:05:34,400
Speaker 7: Damned Charlamagne who got the donkey out of the day today?

1444
01:05:35,760 --> 01:05:38,840
Speaker 5: Yeah, donkey today for Wednesday, August second goes to Michael Sack.

1445
01:05:39,120 --> 01:05:41,800
Speaker 5: Michael Sack is a white police officer in Saint Louis

1446
01:05:41,920 --> 01:05:45,560
Speaker 5: who has filed a racial discrimination lawsuit against the city

1447
01:05:45,960 --> 01:05:48,800
Speaker 5: and two black city officials, claiming he was excluded from

1448
01:05:48,800 --> 01:05:51,880
Speaker 5: a promotion to become police chief. Now, this is something

1449
01:05:51,880 --> 01:05:54,880
Speaker 5: you don't hear too often, a white man screaming racism

1450
01:05:54,920 --> 01:05:56,919
Speaker 5: because he didn't get a position he wanted. We've seen

1451
01:05:56,920 --> 01:05:59,920
Speaker 5: this a billion times from black people and others, okay,

1452
01:06:00,040 --> 01:06:02,560
Speaker 5: and usually they are correct. Systemic racism is something that

1453
01:06:02,600 --> 01:06:04,160
Speaker 5: exists in every industry in America.

1454
01:06:04,440 --> 01:06:05,040
Speaker 4: We notice.

1455
01:06:05,120 --> 01:06:07,120
Speaker 5: That's why we have laws to prevent this kind of

1456
01:06:07,160 --> 01:06:08,360
Speaker 5: discrimination from happening.

1457
01:06:08,520 --> 01:06:09,800
Speaker 4: What is it the Equal.

1458
01:06:09,960 --> 01:06:14,920
Speaker 5: Employment Opportunity Commission Law. Under the laws enforced body ee OC,

1459
01:06:15,440 --> 01:06:18,480
Speaker 5: it is illegal to discriminate against someone applicant our employee

1460
01:06:18,480 --> 01:06:22,240
Speaker 5: because of that person's race, color, religion, sex, including gender identity,

1461
01:06:22,480 --> 01:06:27,840
Speaker 5: sexual orientation, pregnancy, national origin, age, forty year older, disability

1462
01:06:27,880 --> 01:06:30,600
Speaker 5: are genetic information. I'm saying all that to say there

1463
01:06:30,680 --> 01:06:33,040
Speaker 5: are rules in place to keep people from being discriminated

1464
01:06:33,080 --> 01:06:36,680
Speaker 5: against and to keep that discrimination from impacting their employment.

1465
01:06:36,760 --> 01:06:39,200
Speaker 5: Not saying it always works, but the laws are there,

1466
01:06:39,280 --> 01:06:41,560
Speaker 5: and when you feel there is discrimination, you can sue.

1467
01:06:41,840 --> 01:06:44,400
Speaker 5: That's what's happening here with Michael Sack. He's suing, like

1468
01:06:44,440 --> 01:06:46,680
Speaker 5: I said, for racial discrimination because he said he was

1469
01:06:46,760 --> 01:06:50,280
Speaker 5: excluded from a promotion of police chief. But here's the problem,

1470
01:06:50,400 --> 01:06:55,040
Speaker 5: ladies and gettlemen. The physician ended up going to another

1471
01:06:55,040 --> 01:06:57,400
Speaker 5: white man. Yeah, you heard me correctly. Let's go to

1472
01:06:57,480 --> 01:06:59,000
Speaker 5: NBC five on your side for the report.

1473
01:06:59,000 --> 01:06:59,480
Speaker 4: Police.

1474
01:07:00,000 --> 01:07:02,800
Speaker 19: The city of Saint Louis faces a lawsuit over its

1475
01:07:02,840 --> 01:07:06,040
Speaker 19: selection of a new police chief, Lieutenant Colonel Michael Sack,

1476
01:07:06,120 --> 01:07:10,200
Speaker 19: alleges he was not promoted because he's white. Sack, who

1477
01:07:10,200 --> 01:07:13,200
Speaker 19: served as interim chief, was considered a front runner in

1478
01:07:13,240 --> 01:07:16,640
Speaker 19: the initial search, but Mayor Tshara Jones started a second

1479
01:07:16,840 --> 01:07:20,760
Speaker 19: nationwide search seeking more diversity in candidates. The city ended

1480
01:07:20,800 --> 01:07:24,320
Speaker 19: up hiring Chief Robert Tracy, a white man. Sack's lawsuit

1481
01:07:24,320 --> 01:07:27,320
Speaker 19: claims the mayor made that choice only after two black

1482
01:07:27,360 --> 01:07:30,520
Speaker 19: finalists dropped out and to cover up for not giving

1483
01:07:30,560 --> 01:07:33,280
Speaker 19: the job to him. The mayor's office says it cannot

1484
01:07:33,360 --> 01:07:34,840
Speaker 19: comment on pending litigation.

1485
01:07:35,320 --> 01:07:36,720
Speaker 4: What is going on in America?

1486
01:07:36,960 --> 01:07:38,880
Speaker 5: You have a white cop suing the city and two

1487
01:07:38,920 --> 01:07:41,920
Speaker 5: black officials claiming he didn't get a job because of racism.

1488
01:07:41,960 --> 01:07:44,080
Speaker 5: You had another white cop got the job. You got

1489
01:07:44,280 --> 01:07:47,120
Speaker 5: Lizzo being sued for weight shaming. What's next is Laverne

1490
01:07:47,200 --> 01:07:49,200
Speaker 5: Cox's about to be accused of transphobia.

1491
01:07:49,280 --> 01:07:50,600
Speaker 1: I mean, this is ridiculous.

1492
01:07:50,840 --> 01:07:52,880
Speaker 5: Michael Sacks says in the lawsuit his race was a

1493
01:07:52,920 --> 01:07:56,040
Speaker 5: determining factor, motivating factor, are played a part in the

1494
01:07:56,080 --> 01:07:58,000
Speaker 5: city's decision not to promote him.

1495
01:07:58,040 --> 01:08:01,200
Speaker 1: I'm so confused here, I'm not and there's no white

1496
01:08:01,200 --> 01:08:02,000
Speaker 1: people in the room.

1497
01:08:02,160 --> 01:08:05,080
Speaker 4: Oh well, I guess Nick, Nick? Is you're white?

1498
01:08:05,160 --> 01:08:05,240
Speaker 17: Right?

1499
01:08:05,320 --> 01:08:05,520
Speaker 4: Nick?

1500
01:08:05,880 --> 01:08:10,280
Speaker 1: Yes, spicy white. There's levels to whiteness, all right? Is there?

1501
01:08:10,840 --> 01:08:12,920
Speaker 5: I'm not talking about levels in regards the class. I'm

1502
01:08:12,920 --> 01:08:16,679
Speaker 5: talking about strictly race. Is there levels to the white race?

1503
01:08:16,800 --> 01:08:19,280
Speaker 5: Is there white and off white? Or is that just verge?

1504
01:08:19,320 --> 01:08:21,679
Speaker 5: Was clothing line because I don't understand this is Michael

1505
01:08:21,800 --> 01:08:23,280
Speaker 5: Sack transracial?

1506
01:08:23,320 --> 01:08:26,120
Speaker 4: Does he identify as something other than white? I don't understand.

1507
01:08:26,479 --> 01:08:29,719
Speaker 5: How was he seeking financial compensation for loss in wages

1508
01:08:29,760 --> 01:08:32,720
Speaker 5: and benefits for racial discrimination when another white man got

1509
01:08:32,800 --> 01:08:33,240
Speaker 5: the job.

1510
01:08:33,320 --> 01:08:35,519
Speaker 1: Now, Michael is saying that him and another white were

1511
01:08:35,560 --> 01:08:40,240
Speaker 1: the only two people who met the roles.

1512
01:08:38,960 --> 01:08:41,800
Speaker 5: In qualifications and who had passed the written test, but

1513
01:08:41,920 --> 01:08:44,400
Speaker 5: the mayor, to Shara Jones, told them that she would

1514
01:08:44,400 --> 01:08:47,200
Speaker 5: not pick either one of them because she only had

1515
01:08:47,240 --> 01:08:50,360
Speaker 5: two white male candidates to choose from. In Saint Louis

1516
01:08:50,400 --> 01:08:53,280
Speaker 5: is more diverse than white males. That's what Michaels saying

1517
01:08:53,280 --> 01:08:55,439
Speaker 5: in the lawsuit. The lawsuit also says that the city

1518
01:08:55,479 --> 01:08:58,200
Speaker 5: wanted a black commissioner but had to settle for Robert Tracy,

1519
01:08:58,560 --> 01:09:01,040
Speaker 5: the other white candidate, because there was no other black

1520
01:09:01,080 --> 01:09:03,599
Speaker 5: candidate to select from because one of the finalists who

1521
01:09:03,720 --> 01:09:07,799
Speaker 5: was black, withdrew his application and another declined the city's

1522
01:09:07,840 --> 01:09:10,840
Speaker 5: off of Hey, if that's true, that's life, but it

1523
01:09:10,920 --> 01:09:13,000
Speaker 5: still doesn't negate the fact that a white man got

1524
01:09:13,000 --> 01:09:14,600
Speaker 5: the job. I'm not the highest grade of weed in

1525
01:09:14,600 --> 01:09:16,320
Speaker 5: the dispensary. But if you're telling me that you didn't

1526
01:09:16,320 --> 01:09:18,679
Speaker 5: get a job because you're white, but another white person

1527
01:09:18,720 --> 01:09:20,439
Speaker 5: did indeed get the job. Then I'm going to ask

1528
01:09:20,439 --> 01:09:22,759
Speaker 5: you to drink this ginger ale and these crackers because

1529
01:09:22,760 --> 01:09:24,880
Speaker 5: you must have a fever and a stomach ache.

1530
01:09:24,920 --> 01:09:27,240
Speaker 4: All right, there's no way you could possibly be feeling.

1531
01:09:27,240 --> 01:09:27,439
Speaker 1: Well.

1532
01:09:27,439 --> 01:09:30,680
Speaker 5: Here's the thing, white people stop. You don't have to

1533
01:09:30,680 --> 01:09:34,120
Speaker 5: colonize everything, Okay. It's always the unpigmented population trying to

1534
01:09:34,160 --> 01:09:37,280
Speaker 5: take everything the marginalized has and make it their own.

1535
01:09:37,560 --> 01:09:40,439
Speaker 5: They trying to take hip hop. They tried taking Tiger Woods,

1536
01:09:40,479 --> 01:09:41,960
Speaker 5: but they gave him back, and trust me, he didn't

1537
01:09:42,000 --> 01:09:44,000
Speaker 5: want to leave. And now they trying to take racial

1538
01:09:44,040 --> 01:09:45,400
Speaker 5: discrimination from us.

1539
01:09:45,720 --> 01:09:46,800
Speaker 1: No, no, no, no.

1540
01:09:47,000 --> 01:09:49,960
Speaker 5: The unmelanated gall of Michael Sack, a white man losing

1541
01:09:50,000 --> 01:09:52,320
Speaker 5: his job to another white man isn't racism.

1542
01:09:52,520 --> 01:09:53,519
Speaker 4: It's called America.

1543
01:09:53,800 --> 01:09:57,759
Speaker 5: Okay, racism, you know it is if the boss didn't

1544
01:09:57,840 --> 01:09:59,840
Speaker 5: hire him because he don't want no chalky colored c

1545
01:10:00,400 --> 01:10:02,920
Speaker 5: working in this building. But that wasn't the case. He

1546
01:10:02,960 --> 01:10:05,200
Speaker 5: didn't lose the job because he was white. He lost

1547
01:10:05,200 --> 01:10:08,080
Speaker 5: the job because they found a better weight. See if

1548
01:10:08,120 --> 01:10:10,960
Speaker 5: America was just about the best person winning.

1549
01:10:10,760 --> 01:10:11,760
Speaker 1: Then it would be all good.

1550
01:10:12,000 --> 01:10:14,960
Speaker 5: Okay, if it was about all things created equal and

1551
01:10:15,000 --> 01:10:18,160
Speaker 5: the most qualified person succeeding in things like race and

1552
01:10:18,200 --> 01:10:20,640
Speaker 5: gender and sexuality didn't the helpful Hinda.

1553
01:10:20,600 --> 01:10:21,679
Speaker 1: It would be fine.

1554
01:10:22,040 --> 01:10:25,320
Speaker 5: But that fairness only exists when you're dealing with men

1555
01:10:25,560 --> 01:10:29,879
Speaker 5: who look like the founding fathers of this country. So sorry, Michael,

1556
01:10:30,160 --> 01:10:33,639
Speaker 5: if you just weren't the white person, no, I mean right,

1557
01:10:33,760 --> 01:10:37,759
Speaker 5: per wait mayb y'all do mean white? Okay, sorry Michael,

1558
01:10:37,880 --> 01:10:41,320
Speaker 5: you just weren't the right white man for the job.

1559
01:10:42,000 --> 01:10:44,559
Speaker 1: Please let Chelsea handle give Michael sack the biggest hee

1560
01:10:44,640 --> 01:10:47,840
Speaker 1: haw hee haw hee haw. That is way too much,

1561
01:10:47,960 --> 01:10:53,880
Speaker 1: Dan Maynes, Michael relax, all right, all right, well, thank

1562
01:10:53,880 --> 01:10:56,599
Speaker 1: you for that donkey today something When we come back

1563
01:10:56,640 --> 01:10:58,080
Speaker 1: with first BT, we'll see out them all.

1564
01:10:58,080 --> 01:11:02,120
Speaker 5: PIECTU two. I think I know what you're talking about. Man, Well,

1565
01:11:02,280 --> 01:11:05,080
Speaker 5: I think I know what's on your mind. I saw y'all,

1566
01:11:05,240 --> 01:11:07,720
Speaker 5: I saw y'all contemplating it. Well, what's after we talked

1567
01:11:07,720 --> 01:11:09,919
Speaker 5: about it? What's that? The little meat situation?

1568
01:11:10,360 --> 01:11:14,280
Speaker 1: But play our breakfast club theme music? Please, court music,

1569
01:11:14,920 --> 01:11:17,360
Speaker 1: Breakfast Club Court now little Meat. You know he cleared

1570
01:11:17,439 --> 01:11:19,240
Speaker 1: up something that happened the other day. Now he was

1571
01:11:19,280 --> 01:11:21,559
Speaker 1: out in Houston and a young lady needed some help

1572
01:11:21,720 --> 01:11:24,000
Speaker 1: packing her groceries and getting her groceries to the house.

1573
01:11:24,080 --> 01:11:26,599
Speaker 1: And so young little Meats did what any brother out

1574
01:11:26,640 --> 01:11:28,439
Speaker 1: there would do, what our parents have taught us to do.

1575
01:11:28,520 --> 01:11:30,960
Speaker 1: If you see somebody in distress, you help him out,

1576
01:11:31,040 --> 01:11:33,200
Speaker 1: especially a woman in distress. What do you do? You

1577
01:11:33,240 --> 01:11:35,639
Speaker 1: help him out? Now, Willie d you are from the South,

1578
01:11:36,040 --> 01:11:37,919
Speaker 1: You're from Houston. You're from Houston.

1579
01:11:38,000 --> 01:11:39,040
Speaker 4: Some hospitality.

1580
01:11:40,560 --> 01:11:42,760
Speaker 1: Now you see a woman out there that's struggling with

1581
01:11:42,760 --> 01:11:45,400
Speaker 1: her groceries. Are you gonna help her carry them groceries

1582
01:11:45,439 --> 01:11:45,840
Speaker 1: to the house?

1583
01:11:46,920 --> 01:11:50,040
Speaker 4: Here's fine? Oh lord, Willie, you ain't.

1584
01:11:53,680 --> 01:11:54,680
Speaker 1: Eight undrenk.

1585
01:11:59,160 --> 01:12:01,320
Speaker 4: What I was talking about, talks about what happened, but

1586
01:12:02,680 --> 01:12:05,760
Speaker 4: talent and I can't help my cousin in the house.

1587
01:12:05,920 --> 01:12:07,880
Speaker 3: Ain't cousin to the grocery store?

1588
01:12:07,920 --> 01:12:08,080
Speaker 2: Man?

1589
01:12:09,439 --> 01:12:11,519
Speaker 4: Man, Why are y'all bugging out on the internet?

1590
01:12:11,560 --> 01:12:11,720
Speaker 20: Man?

1591
01:12:11,920 --> 01:12:16,040
Speaker 5: This man was helping his cousin bring her groceries into

1592
01:12:16,080 --> 01:12:16,719
Speaker 5: her apartment.

1593
01:12:17,080 --> 01:12:18,400
Speaker 4: I looked at the videotape, the vid.

1594
01:12:18,520 --> 01:12:21,240
Speaker 5: He was only there for like ten minutes, seventeen minutes.

1595
01:12:21,240 --> 01:12:21,719
Speaker 4: There you go.

1596
01:12:23,120 --> 01:12:23,240
Speaker 13: Off.

1597
01:12:23,960 --> 01:12:24,959
Speaker 4: So a good.

1598
01:12:24,760 --> 01:12:28,879
Speaker 6: Friend of mine me this text message. Okay, and it's important.

1599
01:12:29,000 --> 01:12:31,519
Speaker 6: That's why it's important to have women input on things

1600
01:12:31,600 --> 01:12:39,439
Speaker 6: like this. She said, what if the chick told the

1601
01:12:39,560 --> 01:12:42,880
Speaker 6: neighbor to hit the ring, hand to risk to release

1602
01:12:42,960 --> 01:12:45,880
Speaker 6: the ring. That's right, that's right, she'd be helping me

1603
01:12:45,920 --> 01:12:48,959
Speaker 6: with my groceries. Little meach was helping me with my groceries.

1604
01:12:49,120 --> 01:12:49,920
Speaker 6: Hit the ring camera.

1605
01:12:50,000 --> 01:12:52,840
Speaker 5: Yeah, you're right for a come up. Oh, I tell you,

1606
01:12:53,040 --> 01:12:56,599
Speaker 5: let's talk about it. I tell you solved the case.

1607
01:12:56,680 --> 01:12:59,000
Speaker 1: This little meat wrong. He was just trying to do

1608
01:12:59,080 --> 01:13:00,600
Speaker 1: his suddenly hospitality.

1609
01:13:00,640 --> 01:13:04,080
Speaker 4: Dude, your homegirl, right, Willie ye your homegirl too?

1610
01:13:04,680 --> 01:13:07,000
Speaker 1: Yeah, castling, Oh.

1611
01:13:09,280 --> 01:13:11,840
Speaker 5: Okay, I ain't even think about that. So okay, we

1612
01:13:11,880 --> 01:13:13,639
Speaker 5: figured it out. Little meach was just helping this woman

1613
01:13:13,680 --> 01:13:16,640
Speaker 5: with her groceries, being a good samaritan, and somebody hit it.

1614
01:13:16,760 --> 01:13:18,600
Speaker 5: She called her nighbor to hit the ring camera just

1615
01:13:18,600 --> 01:13:19,960
Speaker 5: so she can have a little come up.

1616
01:13:20,680 --> 01:13:23,760
Speaker 1: WHOA wow? Do I believe that is the question. Trying

1617
01:13:23,760 --> 01:13:25,880
Speaker 1: to do the right thing out there, you know, trying

1618
01:13:25,880 --> 01:13:28,320
Speaker 1: to put out a little her Southern hospitality for young lady.

1619
01:13:28,520 --> 01:13:30,639
Speaker 1: You guys have been saying men are not helping people,

1620
01:13:30,680 --> 01:13:32,640
Speaker 1: not open the doors, not carrying the groceries. So this

1621
01:13:32,720 --> 01:13:34,640
Speaker 1: brother helped him carry the groceries and y'all got him

1622
01:13:34,680 --> 01:13:36,000
Speaker 1: under the bus. Let's talk about it.

1623
01:13:36,200 --> 01:13:37,960
Speaker 5: There wasn't no elevator in that building. Heard it was

1624
01:13:38,000 --> 01:13:39,840
Speaker 5: six flights instead, as that man had to climb up.

1625
01:13:39,920 --> 01:13:42,640
Speaker 5: God blessed little Meat. Don't drink five five one on five. Well,

1626
01:13:42,720 --> 01:13:45,880
Speaker 5: let's discuss. This's the Breakfast Club. Good morning, the Breakfast Club.

1627
01:13:48,360 --> 01:13:51,760
Speaker 1: Owing. Everybody is todj NV Charlamagne the guy. We are

1628
01:13:51,800 --> 01:13:54,600
Speaker 1: the Breakfast Club. We got our guest host, Willie d

1629
01:13:54,760 --> 01:13:57,320
Speaker 1: joining us. Now if you're just joining us with talking

1630
01:13:57,479 --> 01:14:00,599
Speaker 1: Little Meach, all right, play the up the club court

1631
01:14:00,640 --> 01:14:05,479
Speaker 1: them please. Now Little Meach was charged with we'll say,

1632
01:14:05,560 --> 01:14:06,480
Speaker 1: cheating allegedly.

1633
01:14:06,600 --> 01:14:08,679
Speaker 4: Now, men don't cheat little meach.

1634
01:14:08,800 --> 01:14:08,880
Speaker 10: Uh.

1635
01:14:09,000 --> 01:14:11,639
Speaker 1: This video of him helping a young lady who looked

1636
01:14:11,640 --> 01:14:14,120
Speaker 1: like she was distressed. It looked like she just went

1637
01:14:14,160 --> 01:14:18,400
Speaker 1: grocery shopping. And allegedly her building didn't have an elevator.

1638
01:14:18,439 --> 01:14:19,599
Speaker 1: So Meach was just helping her.

1639
01:14:20,080 --> 01:14:22,720
Speaker 5: Something that I heard that she didn't have no elevator.

1640
01:14:23,000 --> 01:14:25,519
Speaker 5: There was seven flights in stairs. Little Meat, being a

1641
01:14:25,520 --> 01:14:28,599
Speaker 5: good Samaritan, Little Meat decided to help this young lady

1642
01:14:28,920 --> 01:14:34,519
Speaker 5: with her groceries. Her neighbor caught them on the ring camera.

1643
01:14:34,560 --> 01:14:37,920
Speaker 5: Correct Now, Willie d brought up a fantastic point, But.

1644
01:14:38,360 --> 01:14:39,840
Speaker 4: Would you say your homegirl said, will he be?

1645
01:14:40,160 --> 01:14:44,160
Speaker 6: What if the girl, I mean, the girl employed the

1646
01:14:44,280 --> 01:14:49,880
Speaker 6: neighbor to record herself and then you know she had

1647
01:14:49,920 --> 01:14:50,800
Speaker 6: an opportunity to.

1648
01:14:50,720 --> 01:14:51,799
Speaker 4: Release it to the public.

1649
01:14:51,960 --> 01:14:54,840
Speaker 5: I think that's clearly what happened up. I think that's

1650
01:14:54,840 --> 01:14:57,640
Speaker 5: clearly what happened. She saw little Meat took advantage of

1651
01:14:57,680 --> 01:15:00,920
Speaker 5: Little Meach's kindness, him being a great samaritan. Little Meach

1652
01:15:00,960 --> 01:15:02,640
Speaker 5: helped her with the grocery. She told her neighbor to

1653
01:15:02,720 --> 01:15:05,479
Speaker 5: hit the ring camera scented out the allive blogs. Little

1654
01:15:05,479 --> 01:15:06,000
Speaker 5: Meach is.

1655
01:15:05,880 --> 01:15:08,040
Speaker 1: Innocent, but that not only that. Let's think about him.

1656
01:15:08,040 --> 01:15:12,080
Speaker 1: Little Meat was there for seventeen minutes, many seventeen seventeen minutes.

1657
01:15:12,080 --> 01:15:13,720
Speaker 1: Now he went in without Now, on his way out,

1658
01:15:13,760 --> 01:15:15,720
Speaker 1: we see the girl again. On the way out. She

1659
01:15:15,800 --> 01:15:18,000
Speaker 1: ain't looked to shovel at all. She wasn't the shovel,

1660
01:15:18,080 --> 01:15:20,160
Speaker 1: she wasn't wearing a T shirt. She was wearing the

1661
01:15:20,160 --> 01:15:22,799
Speaker 1: same her hand with good that's right, that's right.

1662
01:15:22,720 --> 01:15:27,080
Speaker 6: Okay, okay, you know, just devil's advocate. It's possible, very

1663
01:15:27,240 --> 01:15:31,840
Speaker 6: possible for them to walk into that room, walk into

1664
01:15:31,880 --> 01:15:33,920
Speaker 6: that house, and he get behind us.

1665
01:15:34,200 --> 01:15:36,719
Speaker 4: Black men, don't you back, that didn't happen. I'm just saying.

1666
01:15:36,760 --> 01:15:37,719
Speaker 4: I'm just saying I didn't.

1667
01:15:39,240 --> 01:15:39,400
Speaker 3: Though.

1668
01:15:39,600 --> 01:15:42,639
Speaker 6: No, no, no, not necessarily. I mean, like I mean, well,

1669
01:15:42,680 --> 01:15:44,760
Speaker 6: I am the clean up man, so not necessarily. I mean,

1670
01:15:45,080 --> 01:15:46,920
Speaker 6: it just depends on who it is, right, Bro, this

1671
01:15:47,040 --> 01:15:48,360
Speaker 6: depends on who she's doing it with.

1672
01:15:48,640 --> 01:15:51,000
Speaker 4: Right. You know, I'm not saying that he did something.

1673
01:15:51,080 --> 01:15:53,800
Speaker 6: Black men are saying that these type of things, that

1674
01:15:53,800 --> 01:15:56,559
Speaker 6: that is a scenario where something like this could happen.

1675
01:15:57,240 --> 01:15:59,800
Speaker 5: Now, Taylor, Taylor, our producer, she was in the other room,

1676
01:15:59,840 --> 01:16:02,000
Speaker 5: but you can hear us, right, and all I heard

1677
01:16:02,000 --> 01:16:04,439
Speaker 5: over the microphone was I hate y'all. And I don't understand.

1678
01:16:05,040 --> 01:16:07,200
Speaker 5: I don't understand where that came from. So Tailor's here,

1679
01:16:07,240 --> 01:16:09,800
Speaker 5: because you know, you got three grown men in here

1680
01:16:09,840 --> 01:16:13,280
Speaker 5: talking about a situation that clearly needs a woman's perspective.

1681
01:16:13,280 --> 01:16:14,839
Speaker 4: Tailor, why did you say you hate us?

1682
01:16:15,200 --> 01:16:18,120
Speaker 1: Because clearly I didn't even think about it what you said,

1683
01:16:18,160 --> 01:16:20,519
Speaker 1: Like he was helping with some groceries. That's on groceries too.

1684
01:16:20,760 --> 01:16:21,360
Speaker 4: Good America.

1685
01:16:22,000 --> 01:16:24,320
Speaker 1: Yeah, but Taylor, if you look at the young lady's hands,

1686
01:16:24,320 --> 01:16:26,720
Speaker 1: it looked like they were putting things in the refrigerator

1687
01:16:26,720 --> 01:16:30,880
Speaker 1: like you know when you if you saw it, if

1688
01:16:30,920 --> 01:16:32,960
Speaker 1: you saw I'm helping with groceries, I don't see no

1689
01:16:33,120 --> 01:16:35,599
Speaker 1: bags of groceries. That's what I'm saying. Grocery.

1690
01:16:35,720 --> 01:16:38,240
Speaker 4: You talk about booty, Yeah, he wasn't. Come on, stop,

1691
01:16:38,439 --> 01:16:39,519
Speaker 4: get your money, have to gout to tail.

1692
01:16:40,040 --> 01:16:41,800
Speaker 1: It only takes seventeen minutes, that's how much?

1693
01:16:41,880 --> 01:16:42,479
Speaker 4: How long much?

1694
01:16:42,680 --> 01:16:45,120
Speaker 1: What are you accusing this man? Are you saying this

1695
01:16:45,160 --> 01:16:47,720
Speaker 1: man is guilty. I'm saying I robertson Walker, That's what

1696
01:16:47,720 --> 01:16:48,160
Speaker 1: I'm saying.

1697
01:16:48,840 --> 01:16:51,519
Speaker 6: Taylor been riding on us man, you know for the

1698
01:16:51,600 --> 01:16:52,679
Speaker 6: last four eight hour.

1699
01:16:52,720 --> 01:16:55,240
Speaker 4: But I think I think Taylor need counseling.

1700
01:16:58,160 --> 01:17:00,000
Speaker 1: Let's go to the full live carry out.

1701
01:17:01,160 --> 01:17:01,280
Speaker 5: YO.

1702
01:17:01,760 --> 01:17:05,439
Speaker 1: Good morning, yes this morning. Did you see that video

1703
01:17:05,560 --> 01:17:09,280
Speaker 1: of little Mes being a great samaritan helping that young

1704
01:17:09,360 --> 01:17:10,440
Speaker 1: lady with the grocery.

1705
01:17:11,360 --> 01:17:12,360
Speaker 5: And do you stop?

1706
01:17:12,800 --> 01:17:16,080
Speaker 1: He's guilty guilty of what being a good samaritan?

1707
01:17:16,120 --> 01:17:18,720
Speaker 3: I agree, No, you stopped.

1708
01:17:18,439 --> 01:17:20,880
Speaker 14: Telling me that thank you for something?

1709
01:17:21,600 --> 01:17:24,600
Speaker 1: Then that's what people Black men don't be.

1710
01:17:25,360 --> 01:17:28,040
Speaker 14: Yes, they do look at that man. I see the

1711
01:17:28,120 --> 01:17:28,760
Speaker 14: devil something.

1712
01:17:30,720 --> 01:17:32,400
Speaker 5: I saw a man trying to enjoy a blunt. But

1713
01:17:32,400 --> 01:17:33,960
Speaker 5: he just finished walking up seventeen flights.

1714
01:17:34,000 --> 01:17:36,040
Speaker 1: He's tired. He just wants to know.

1715
01:17:36,400 --> 01:17:39,960
Speaker 14: He wants helping himself to the booty. He has a

1716
01:17:40,080 --> 01:17:41,240
Speaker 14: right to get a fat at him.

1717
01:17:41,280 --> 01:17:44,960
Speaker 2: You know you kids, Dodo, thank you.

1718
01:17:45,000 --> 01:17:46,639
Speaker 4: I don't prove you can't prove another day.

1719
01:17:46,840 --> 01:17:50,439
Speaker 1: Sarah, Hey, good morning. You see that video of little

1720
01:17:50,479 --> 01:17:52,960
Speaker 1: me being a great Samarian helping somebody, I mean, just

1721
01:17:53,000 --> 01:17:53,759
Speaker 1: being a good Suri.

1722
01:17:54,800 --> 01:17:58,000
Speaker 15: First of all, First of all, all this crap is

1723
01:17:58,040 --> 01:18:01,160
Speaker 15: going down with me with little Meat, even little alert

1724
01:18:01,280 --> 01:18:02,760
Speaker 15: meets is ridiculous.

1725
01:18:02,760 --> 01:18:04,800
Speaker 14: How you going to come across what.

1726
01:18:04,920 --> 01:18:05,280
Speaker 4: Did he do?

1727
01:18:05,400 --> 01:18:06,200
Speaker 3: With did he do?

1728
01:18:07,240 --> 01:18:09,240
Speaker 1: Heroes?

1729
01:18:09,439 --> 01:18:13,160
Speaker 21: First of all, everybody keep talking about what groceries that

1730
01:18:13,240 --> 01:18:13,679
Speaker 21: I don't.

1731
01:18:13,479 --> 01:18:15,040
Speaker 15: See any seem that the groceries.

1732
01:18:15,240 --> 01:18:17,040
Speaker 14: The only thing I saw was that bad of track

1733
01:18:17,120 --> 01:18:18,080
Speaker 14: that he should have took.

1734
01:18:17,920 --> 01:18:19,679
Speaker 2: Out he did coming in the house.

1735
01:18:19,880 --> 01:18:21,719
Speaker 1: The video I saw him.

1736
01:18:21,600 --> 01:18:23,960
Speaker 14: Doing was following that ass inside the house.

1737
01:18:24,040 --> 01:18:26,760
Speaker 5: The video cut off right before he took the trash out.

1738
01:18:26,800 --> 01:18:29,320
Speaker 5: And see what happened was he had already went up

1739
01:18:29,360 --> 01:18:32,320
Speaker 5: seventeen flights. Instead he took the trash out and then

1740
01:18:32,320 --> 01:18:33,720
Speaker 5: when he was walking back out, the girl was like,

1741
01:18:33,760 --> 01:18:35,400
Speaker 5: he you should come get some gatoray before you make

1742
01:18:35,439 --> 01:18:37,760
Speaker 5: that track down to seventeen flights and stairs again. And

1743
01:18:37,840 --> 01:18:39,120
Speaker 5: that's why he went back in the house.

1744
01:18:40,240 --> 01:18:42,439
Speaker 21: The only bad that I saw he had was in

1745
01:18:42,520 --> 01:18:46,080
Speaker 21: his looking bad probably feel we gain, Maybe some candybart

1746
01:18:46,400 --> 01:18:48,560
Speaker 21: kind of he had in his hand or something he

1747
01:18:48,600 --> 01:18:50,880
Speaker 21: had in his out. That's the only thing, you know, sir.

1748
01:18:51,200 --> 01:18:53,439
Speaker 21: The only groceries that was going in the house was

1749
01:18:53,479 --> 01:18:54,760
Speaker 21: that ass he was following.

1750
01:18:54,600 --> 01:18:56,760
Speaker 4: Sarah as a kid in that detectives or something else.

1751
01:18:56,800 --> 01:18:59,040
Speaker 1: Y'all. Never you never seen Saray your dad help help

1752
01:18:59,080 --> 01:19:01,160
Speaker 1: a lady with bad at the grocery store before?

1753
01:19:02,640 --> 01:19:05,600
Speaker 22: My father, No, No, the.

1754
01:19:05,640 --> 01:19:08,479
Speaker 15: Only person that uh that he would help anything would

1755
01:19:08,479 --> 01:19:10,200
Speaker 15: be my mother. My mother would have been all over

1756
01:19:10,280 --> 01:19:11,120
Speaker 15: to that, all right.

1757
01:19:11,160 --> 01:19:13,280
Speaker 1: How we know that wasn't an old lady? That could

1758
01:19:13,280 --> 01:19:14,920
Speaker 1: have been an old lady. We can't. We couldn't really tell.

1759
01:19:14,920 --> 01:19:16,760
Speaker 5: How we know that wasn't just a young looking old lady.

1760
01:19:16,800 --> 01:19:18,479
Speaker 5: She might have been sixty seven years old for all

1761
01:19:18,560 --> 01:19:20,920
Speaker 5: we know, and age right.

1762
01:19:21,680 --> 01:19:23,519
Speaker 4: Absolutely, she looked like she had.

1763
01:19:23,479 --> 01:19:24,839
Speaker 21: On a full sheene outfit.

1764
01:19:25,360 --> 01:19:28,040
Speaker 15: I don't know what seventy year old fifty.

1765
01:19:27,840 --> 01:19:29,720
Speaker 21: Year old where she in a fashion over.

1766
01:19:30,360 --> 01:19:34,840
Speaker 1: I'm sorry, stopping man eight hundred and five eighty five,

1767
01:19:34,880 --> 01:19:36,760
Speaker 1: one oh five. And we took a little meat this morning. Now,

1768
01:19:36,800 --> 01:19:39,360
Speaker 1: there was a video of little meat going viral yesterday

1769
01:19:39,360 --> 01:19:41,439
Speaker 1: and people are saying he cheated, he cheated, he cheated.

1770
01:19:41,640 --> 01:19:43,960
Speaker 1: But the brother said, I was just helping out with

1771
01:19:44,040 --> 01:19:46,680
Speaker 1: the groceries. And from the video it looks like he

1772
01:19:46,840 --> 01:19:49,799
Speaker 1: was helping with the grocery. I mean Charlamage said allegedly

1773
01:19:49,880 --> 01:19:51,559
Speaker 1: there was no elevator, so they had to walk up

1774
01:19:51,600 --> 01:19:52,360
Speaker 1: six seven flights.

1775
01:19:52,400 --> 01:19:54,599
Speaker 5: I heard it was seventeen, actually seventeen. I said six

1776
01:19:54,680 --> 01:19:56,639
Speaker 5: and seven, but I heard it was actually sixteen or seventy.

1777
01:19:56,680 --> 01:19:58,760
Speaker 1: So the fact that the brother helped put all of

1778
01:19:58,880 --> 01:20:01,280
Speaker 1: groceries away, little gatorade into the left.

1779
01:20:02,200 --> 01:20:04,280
Speaker 6: And I want to explain something real quick because I

1780
01:20:04,320 --> 01:20:08,799
Speaker 6: know people are saying, what damn apartment complex? As seventeen

1781
01:20:08,880 --> 01:20:11,639
Speaker 6: floors were not with no elevator, So I just want

1782
01:20:11,720 --> 01:20:15,479
Speaker 6: to say that perhaps the elevator was broken broken, ye

1783
01:20:15,840 --> 01:20:17,960
Speaker 6: was broken, and and and and that is such a

1784
01:20:18,040 --> 01:20:23,519
Speaker 6: thing as innocent until proven guilty. So uh uh, we

1785
01:20:23,720 --> 01:20:27,599
Speaker 6: reserve the right to give little Meech the benefit of doubt. Brother,

1786
01:20:28,040 --> 01:20:33,040
Speaker 6: More power to you, more power, stay strong, strong, brother,

1787
01:20:33,160 --> 01:20:34,080
Speaker 6: black man, don't cheat.

1788
01:20:34,200 --> 01:20:36,720
Speaker 1: The eight hundred five eight five one five one will

1789
01:20:36,760 --> 01:20:38,080
Speaker 1: take some more calls when we come back as the

1790
01:20:38,080 --> 01:20:41,400
Speaker 1: Breakfast Club, Go Morning Morning. Everybody's the j n V.

1791
01:20:41,640 --> 01:20:43,960
Speaker 1: Charlamagne the guy. We are the Breakfast Club. Now if

1792
01:20:43,960 --> 01:20:46,280
Speaker 1: you're just joining us, we're talking about little Meech. There

1793
01:20:46,360 --> 01:20:49,200
Speaker 1: was a video that went viral yesterday of him at

1794
01:20:49,240 --> 01:20:53,360
Speaker 1: somebody's house and he responded with this, So we're asking

1795
01:20:53,439 --> 01:20:56,040
Speaker 1: eight hundred five eight five one o five one little missy.

1796
01:20:56,240 --> 01:20:58,200
Speaker 1: Little seems like he was being a good Smaritan. I

1797
01:20:58,240 --> 01:21:00,360
Speaker 1: mean people are saying all the time that you know,

1798
01:21:00,880 --> 01:21:03,320
Speaker 1: they don't see kids and people helping old women and

1799
01:21:03,520 --> 01:21:06,240
Speaker 1: people at grocery stores anymore. It is a little meat

1800
01:21:06,280 --> 01:21:07,040
Speaker 1: from the south man.

1801
01:21:07,160 --> 01:21:10,840
Speaker 5: Little understand the sovereign hospitality. Little meat understands being a

1802
01:21:10,880 --> 01:21:14,080
Speaker 5: good Samaritan. Black Men don't cheat, b MS. Black men

1803
01:21:14,160 --> 01:21:16,920
Speaker 5: faithful like little Meach, who wasn't doing nothing, but what

1804
01:21:17,000 --> 01:21:18,960
Speaker 5: he was supposed to be doing is helping that young lady.

1805
01:21:19,160 --> 01:21:21,840
Speaker 5: Always lady, because I think she was older, but she

1806
01:21:21,960 --> 01:21:23,679
Speaker 5: just look young. I think he was sixty seven. Actually

1807
01:21:23,840 --> 01:21:25,120
Speaker 5: he was just helping her with the groceries.

1808
01:21:25,439 --> 01:21:29,880
Speaker 1: Hello, who's the problem, hey, Beyonca, good morning, good morning.

1809
01:21:30,040 --> 01:21:32,360
Speaker 1: You see that video little meach helping that young lady

1810
01:21:32,400 --> 01:21:34,400
Speaker 1: with groceries? Yeah, uh huh.

1811
01:21:36,200 --> 01:21:37,840
Speaker 15: Listen, And I'm from Detroit, so I know her.

1812
01:21:37,920 --> 01:21:38,120
Speaker 3: Lie.

1813
01:21:39,280 --> 01:21:42,760
Speaker 1: No, you don't that way lying? Why he lying?

1814
01:21:42,800 --> 01:21:43,679
Speaker 4: Tell me why he lying?

1815
01:21:44,320 --> 01:21:44,639
Speaker 14: Okay?

1816
01:21:44,800 --> 01:21:48,000
Speaker 4: So he was, Yeah, he was carrying groceries.

1817
01:21:48,560 --> 01:21:48,760
Speaker 9: And what.

1818
01:21:50,280 --> 01:21:53,200
Speaker 5: I couldn't really because the ring camera was high and

1819
01:21:53,320 --> 01:21:55,160
Speaker 5: his hands was down, so I couldn't really see what

1820
01:21:55,200 --> 01:21:55,920
Speaker 5: he had in his hand.

1821
01:21:56,600 --> 01:22:00,920
Speaker 14: Nothing, no bad, you know, And I love I want

1822
01:22:00,920 --> 01:22:03,960
Speaker 14: to take him, but knock it off. He got caught,

1823
01:22:05,160 --> 01:22:06,120
Speaker 14: and I know he's coming up from the.

1824
01:22:07,960 --> 01:22:08,120
Speaker 4: Way.

1825
01:22:08,400 --> 01:22:08,639
Speaker 3: Listen.

1826
01:22:09,040 --> 01:22:10,760
Speaker 5: They're all worried about the wrong thing, which I should

1827
01:22:10,760 --> 01:22:13,600
Speaker 5: be worrying about the invasion of privacy that happened with

1828
01:22:13,720 --> 01:22:15,960
Speaker 5: that woman who recorded that ring camera that.

1829
01:22:16,280 --> 01:22:19,040
Speaker 1: They that's the actual crime. He can't commit, no crime.

1830
01:22:19,600 --> 01:22:21,479
Speaker 6: And what if it was an old lady would they

1831
01:22:21,600 --> 01:22:25,040
Speaker 6: be still having this type? Now I'm talking about old

1832
01:22:25,160 --> 01:22:26,800
Speaker 6: lady like like like ninety.

1833
01:22:27,240 --> 01:22:28,439
Speaker 4: I think she's about sixty seven.

1834
01:22:28,600 --> 01:22:32,160
Speaker 1: Gosha, Yeah, you see that video, Little Me's s trying

1835
01:22:32,160 --> 01:22:34,320
Speaker 1: to be a great Samariyan helping that lady with her groceries.

1836
01:22:34,720 --> 01:22:35,519
Speaker 15: I didn't see that.

1837
01:22:37,680 --> 01:22:38,479
Speaker 1: Why is that nonsense?

1838
01:22:38,479 --> 01:22:40,479
Speaker 4: So you don't think people should help women with their groceries?

1839
01:22:41,080 --> 01:22:42,639
Speaker 21: Man, come on, now, you go out.

1840
01:22:42,760 --> 01:22:45,960
Speaker 14: Now you're reaching because he was not helping nobody with

1841
01:22:46,080 --> 01:22:46,559
Speaker 14: no grocery.

1842
01:22:46,600 --> 01:22:49,960
Speaker 4: Where was the bag? You know, I'm gonna tell you

1843
01:22:50,000 --> 01:22:50,479
Speaker 4: something I did.

1844
01:22:50,680 --> 01:22:52,719
Speaker 5: We couldn't see the bag because he had his hands

1845
01:22:52,800 --> 01:22:55,280
Speaker 5: down and the camera the camera was cut off so

1846
01:22:55,360 --> 01:22:56,680
Speaker 5: you can only see him from the waist up.

1847
01:22:56,720 --> 01:23:00,080
Speaker 2: So I couldn't making I couldn't.

1848
01:22:59,720 --> 01:23:00,639
Speaker 4: See what he had in his hands.

1849
01:23:00,640 --> 01:23:02,040
Speaker 5: And I can tell you how I know he had

1850
01:23:02,080 --> 01:23:03,760
Speaker 5: something in his hands because he had a blunt in

1851
01:23:03,840 --> 01:23:06,759
Speaker 5: his mouth and he never reached for that blunt. Couldn't

1852
01:23:06,760 --> 01:23:08,679
Speaker 5: reach for that blunt because you had bags in his hand.

1853
01:23:08,760 --> 01:23:08,920
Speaker 3: Man.

1854
01:23:09,680 --> 01:23:12,280
Speaker 14: Yeah, he had a little box in his r like

1855
01:23:12,360 --> 01:23:15,040
Speaker 14: he was tearing a box from He was going up

1856
01:23:15,040 --> 01:23:16,880
Speaker 14: for seventeen minutes. So only to think he wouldn't going

1857
01:23:16,920 --> 01:23:19,280
Speaker 14: to do anything written but help him with some groceries.

1858
01:23:19,439 --> 01:23:21,920
Speaker 14: I didn't see no groceries, Beaver. That's just super real.

1859
01:23:22,080 --> 01:23:23,160
Speaker 14: That black man was cheating.

1860
01:23:23,400 --> 01:23:25,240
Speaker 1: No, he was not, because black men don't cheat.

1861
01:23:25,280 --> 01:23:26,120
Speaker 4: What is up with y'all?

1862
01:23:26,320 --> 01:23:30,719
Speaker 1: I don't know. Hello, who's this Hey Keisha, good morning.

1863
01:23:30,800 --> 01:23:32,880
Speaker 1: We're talking about the video Little Meets being a great

1864
01:23:32,920 --> 01:23:35,920
Speaker 1: Samaritan helping this young woman with her groceries. I'm sure

1865
01:23:35,960 --> 01:23:38,080
Speaker 1: that there's been times when you needed help for groceries

1866
01:23:38,120 --> 01:23:40,000
Speaker 1: and didn't have help, and he could have been there

1867
01:23:40,040 --> 01:23:40,720
Speaker 1: to help you as well.

1868
01:23:41,400 --> 01:23:44,519
Speaker 14: Oh no, I have a husband, but I'm experienced something similar.

1869
01:23:44,960 --> 01:23:48,120
Speaker 14: I feel that it was very inappropriate. And if it's

1870
01:23:48,280 --> 01:23:50,479
Speaker 14: just a cousin, why can't sell her meet her?

1871
01:23:50,800 --> 01:23:52,320
Speaker 5: Well, first of all, you're from the eight four to three.

1872
01:23:52,520 --> 01:23:54,559
Speaker 5: I can hear it in your voice with you said

1873
01:23:54,560 --> 01:23:55,759
Speaker 5: you experienced something similar.

1874
01:23:55,800 --> 01:23:56,280
Speaker 4: What happened?

1875
01:23:56,680 --> 01:23:59,760
Speaker 14: Well, my husband friends with the young ladies, I said,

1876
01:24:00,479 --> 01:24:04,479
Speaker 14: but I'm not too comfortable with their friendships. But he

1877
01:24:04,600 --> 01:24:06,439
Speaker 14: still hasn't allowed the girl.

1878
01:24:07,000 --> 01:24:09,040
Speaker 1: He still has what with the girl? I still have

1879
01:24:09,200 --> 01:24:10,040
Speaker 1: not met the lady.

1880
01:24:10,600 --> 01:24:12,800
Speaker 5: Well, we already know that your husband is innocent because

1881
01:24:12,800 --> 01:24:15,200
Speaker 5: he from the Low Country and black men and black

1882
01:24:15,280 --> 01:24:17,000
Speaker 5: men definitely don't cheat from the low Country.

1883
01:24:17,439 --> 01:24:19,000
Speaker 4: Okay, that's a lot.

1884
01:24:19,240 --> 01:24:20,960
Speaker 21: We do not cheat him, sees.

1885
01:24:21,439 --> 01:24:23,639
Speaker 14: I just like it's inappropriate, and I think the girl

1886
01:24:23,840 --> 01:24:24,599
Speaker 14: she was trying.

1887
01:24:24,360 --> 01:24:25,120
Speaker 17: To catch himself.

1888
01:24:26,040 --> 01:24:28,200
Speaker 5: I do agree that someone should meet the cousin, you

1889
01:24:28,240 --> 01:24:30,200
Speaker 5: know what I'm saying, But you can't meet all your cousins.

1890
01:24:30,479 --> 01:24:32,120
Speaker 4: She and Houston. That's a cousin from Youthton.

1891
01:24:32,320 --> 01:24:33,000
Speaker 1: Hello, who's this.

1892
01:24:33,640 --> 01:24:34,120
Speaker 13: Did your boy?

1893
01:24:34,200 --> 01:24:34,599
Speaker 2: Yaggy?

1894
01:24:34,960 --> 01:24:37,320
Speaker 1: Yology, yaggy? Good morning man? You see little me. She

1895
01:24:37,400 --> 01:24:38,800
Speaker 1: just trying to be a great Samarian. And I'm sure

1896
01:24:38,840 --> 01:24:40,360
Speaker 1: that might have happened with you before. You just trying

1897
01:24:40,360 --> 01:24:42,400
Speaker 1: to be nice, right, yeah, man, seven.

1898
01:24:42,520 --> 01:24:45,360
Speaker 21: Minutes you hadn't you couldn't goa no, if you were doing.

1899
01:24:45,200 --> 01:24:51,320
Speaker 14: Anything, you'll be between five and ten menfeen minutes.

1900
01:24:52,479 --> 01:24:53,920
Speaker 5: Now hold on now, I say I don't like that

1901
01:24:54,000 --> 01:24:55,800
Speaker 5: because see what somebody gonna do with the math. So

1902
01:24:55,840 --> 01:24:58,120
Speaker 5: they gonna say between five and ten minutes. That mean

1903
01:24:58,200 --> 01:24:59,760
Speaker 5: it took you five and it took you about three

1904
01:24:59,760 --> 01:25:02,360
Speaker 5: minut to get undressed, five to ten minutes to handle

1905
01:25:02,400 --> 01:25:04,200
Speaker 5: your business, then three minutes to get dressed again.

1906
01:25:04,280 --> 01:25:05,400
Speaker 4: That's about seventeen minutes.

1907
01:25:05,400 --> 01:25:05,519
Speaker 5: Bro.

1908
01:25:05,800 --> 01:25:07,679
Speaker 1: I don't like that math. I don't like that math.

1909
01:25:07,960 --> 01:25:11,640
Speaker 2: Damn, man, I.

1910
01:25:11,640 --> 01:25:13,960
Speaker 4: Can't even believe we're having this conversation. Black men don't cheat.

1911
01:25:14,000 --> 01:25:16,599
Speaker 1: You're right, that man, was definitely helping putting the groceries up. Hello,

1912
01:25:16,720 --> 01:25:17,000
Speaker 1: who's this?

1913
01:25:18,200 --> 01:25:18,360
Speaker 5: Hey?

1914
01:25:19,560 --> 01:25:22,080
Speaker 1: Hey, you seen that video? Little meach man just trying

1915
01:25:22,080 --> 01:25:24,080
Speaker 1: to help that woman with her groceries. Man, it's such

1916
01:25:24,080 --> 01:25:27,000
Speaker 1: a great Samaria. Don't you agree that's what he was doing?

1917
01:25:27,760 --> 01:25:27,960
Speaker 2: Yes?

1918
01:25:29,040 --> 01:25:29,479
Speaker 6: He wrong?

1919
01:25:30,520 --> 01:25:32,519
Speaker 1: Wrong for what do y'all know what?

1920
01:25:32,560 --> 01:25:35,679
Speaker 5: The definition of hospitality is the friendly and generous reception

1921
01:25:36,040 --> 01:25:40,080
Speaker 5: and entertainment of guests. Visitors are strangest. Little Meach is

1922
01:25:40,200 --> 01:25:43,439
Speaker 5: renowned for his hospitality, and now y'all hurt judging that

1923
01:25:43,520 --> 01:25:43,880
Speaker 5: man for it.

1924
01:25:43,920 --> 01:25:47,200
Speaker 1: I don't like this guilty. I don't like how they

1925
01:25:47,320 --> 01:25:48,880
Speaker 1: doing Little Meach like that. I think I think it's

1926
01:25:48,920 --> 01:25:51,280
Speaker 1: a smear campaign against Little Meach. First they were saying

1927
01:25:51,280 --> 01:25:53,759
Speaker 1: that he and shower, then they said something else before

1928
01:25:54,000 --> 01:25:55,840
Speaker 1: Now they're saying this, the brother just trying to do

1929
01:25:55,960 --> 01:25:58,160
Speaker 1: good out here, and y'all just and y'all messing with him.

1930
01:25:58,280 --> 01:25:59,559
Speaker 1: And I don't like the cast of.

1931
01:26:01,360 --> 01:26:03,800
Speaker 5: Power in the other shows clowning little Meat for this,

1932
01:26:04,439 --> 01:26:06,439
Speaker 5: because my brothers, this could be any of us at

1933
01:26:06,439 --> 01:26:09,439
Speaker 5: any given moment. You see, this man clearly got set up.

1934
01:26:09,479 --> 01:26:13,160
Speaker 5: This man was being a good Samaritan. Walked up seventeen flights.

1935
01:26:13,200 --> 01:26:15,479
Speaker 5: He said, you couldn't see the bags in his hand

1936
01:26:15,479 --> 01:26:18,920
Speaker 5: because the ring camera was cut off from the wais down. Clearly,

1937
01:26:19,000 --> 01:26:22,280
Speaker 5: whoever he was with called somebody and said, hey record

1938
01:26:22,800 --> 01:26:25,479
Speaker 5: little meach helping you with my groceries. This man was

1939
01:26:25,520 --> 01:26:26,920
Speaker 5: set up. That could be any of y'all at any

1940
01:26:26,920 --> 01:26:28,559
Speaker 5: given time. I don't think y'all should be making jokes

1941
01:26:28,560 --> 01:26:30,880
Speaker 5: about this. They really trying to stop the black men

1942
01:26:30,920 --> 01:26:31,599
Speaker 5: don't cheat movie?

1943
01:26:31,800 --> 01:26:32,120
Speaker 1: Close it?

1944
01:26:32,160 --> 01:26:35,559
Speaker 6: What you think, WILLI d I think that the man

1945
01:26:35,720 --> 01:26:43,240
Speaker 6: is inn to approve guilty and reserve judgment unless we

1946
01:26:43,360 --> 01:26:46,719
Speaker 6: see something different. Black men don't cheat, that's right. Black

1947
01:26:46,800 --> 01:26:48,080
Speaker 6: men don't cheat.

1948
01:26:48,760 --> 01:26:50,920
Speaker 4: They don't even understand that. When you say black men

1949
01:26:51,040 --> 01:26:56,160
Speaker 4: don't cheat, black men no men and black men don't cheat.

1950
01:26:56,240 --> 01:26:58,720
Speaker 1: Okay, how about you? All right, when we come back,

1951
01:26:58,760 --> 01:27:01,040
Speaker 1: we got to talk Lebron James h in his school.

1952
01:27:01,240 --> 01:27:03,360
Speaker 1: We'll discuss when we come back as the Breakfast Club.

1953
01:27:03,800 --> 01:27:04,160
Speaker 5: Bro my.

1954
01:27:06,600 --> 01:27:11,840
Speaker 1: Name or you've gotship been chatty? Is the rumor report?

1955
01:27:11,920 --> 01:27:13,240
Speaker 18: I mean, I guess we're on the Breakfast Club. This

1956
01:27:13,320 --> 01:27:14,519
Speaker 18: were the tea spells right right?

1957
01:27:15,960 --> 01:27:18,639
Speaker 1: All right, Well, we're gonna start off with Javonte Davis now, yesterday,

1958
01:27:18,720 --> 01:27:21,280
Speaker 1: Javonte Davis was talking. He was talking about if he

1959
01:27:21,320 --> 01:27:23,639
Speaker 1: would stop Terrence Crawford, what would happen?

1960
01:27:24,200 --> 01:27:26,280
Speaker 4: I gotta I got a question for your Tank at

1961
01:27:26,320 --> 01:27:29,320
Speaker 4: one seven? How does a fight with you and Terrence

1962
01:27:29,360 --> 01:27:30,799
Speaker 4: Crawford look one.

1963
01:27:32,479 --> 01:27:32,960
Speaker 2: That trend?

1964
01:27:33,040 --> 01:27:34,120
Speaker 4: You know he want to sleep?

1965
01:27:34,160 --> 01:27:40,240
Speaker 22: I already know, I already know who he is, said no, chan, Hey,

1966
01:27:40,280 --> 01:27:46,639
Speaker 22: I got round five around six, around six.

1967
01:27:48,000 --> 01:27:51,880
Speaker 5: Wait day, Dravante Tank at one forty seven, I mean

1968
01:27:52,200 --> 01:27:56,800
Speaker 5: taking Crawford Crawford at one forty seven, I'll take budd

1969
01:27:56,840 --> 01:27:57,000
Speaker 5: in that.

1970
01:27:57,880 --> 01:28:00,760
Speaker 4: I like Tank a lot, though, Why why?

1971
01:28:01,160 --> 01:28:03,800
Speaker 1: Man? Based off what I saw Saturday night? That's why?

1972
01:28:04,320 --> 01:28:06,200
Speaker 4: Okay, what you're talking about?

1973
01:28:06,280 --> 01:28:09,439
Speaker 5: Why, Like Terrence Crawford unlocked the level that you know

1974
01:28:09,680 --> 01:28:11,719
Speaker 5: none of us have seen him. We all know Terrence

1975
01:28:11,720 --> 01:28:14,000
Speaker 5: Crawford is a beast. We know that with forty and

1976
01:28:14,040 --> 01:28:17,519
Speaker 5: oh how many knockouts like thirty thirty two or something

1977
01:28:17,600 --> 01:28:18,840
Speaker 5: like that, Like, we know he's a beast.

1978
01:28:19,200 --> 01:28:22,360
Speaker 4: But on Saturday night we saw him unlock another level.

1979
01:28:22,439 --> 01:28:24,679
Speaker 5: So he has another level and the level I saw Saturday,

1980
01:28:24,680 --> 01:28:27,080
Speaker 5: I don't see nobody beating Terrence Crawford at one forty

1981
01:28:27,360 --> 01:28:29,240
Speaker 5: will d what you take I.

1982
01:28:29,320 --> 01:28:35,400
Speaker 6: Concur Yeah, yeah, what what But Terrence Crawford did. Man,

1983
01:28:35,920 --> 01:28:39,920
Speaker 6: it was I it was magical and it was reminiscent

1984
01:28:40,520 --> 01:28:44,639
Speaker 6: of the golden era of boxing. You had the Hearns

1985
01:28:44,800 --> 01:28:49,040
Speaker 6: and the Leonards and the hag Lists and the Roberto

1986
01:28:49,120 --> 01:28:50,960
Speaker 6: Durans and the whiff Bernita as Is.

1987
01:28:51,400 --> 01:28:51,559
Speaker 13: Man.

1988
01:28:51,920 --> 01:28:55,960
Speaker 4: That was like, hey man, that was on that type

1989
01:28:56,000 --> 01:28:58,240
Speaker 4: of level, right, is that want to see that in

1990
01:28:58,320 --> 01:28:59,840
Speaker 4: a while? Is that a fight?

1991
01:29:00,160 --> 01:29:00,280
Speaker 13: Will?

1992
01:29:00,800 --> 01:29:01,240
Speaker 4: Absolutely?

1993
01:29:01,240 --> 01:29:03,400
Speaker 5: Oh yeah, thank Thanking Budd would be great at one

1994
01:29:03,439 --> 01:29:05,400
Speaker 5: forty seven. But like I said, after what I saw

1995
01:29:05,479 --> 01:29:08,840
Speaker 5: Saturday night, I don't see nobody beating Tarance Crawford at

1996
01:29:08,840 --> 01:29:10,240
Speaker 5: one forty seven if he can get to that, if

1997
01:29:10,280 --> 01:29:11,720
Speaker 5: he can go to that level in a fight.

1998
01:29:11,960 --> 01:29:16,280
Speaker 1: No. Now, let's talk about Lebron James his I Promised School.

1999
01:29:16,360 --> 01:29:19,040
Speaker 1: They're saying that eighth grade has failed to pass the

2000
01:29:19,160 --> 01:29:22,960
Speaker 1: state math tests. It was reportedly last year that, of

2001
01:29:23,040 --> 01:29:25,040
Speaker 1: course the school was in the Akron, Ohio, hadn't passed

2002
01:29:25,040 --> 01:29:28,559
Speaker 1: the math portion of their state proficiency exam in three years.

2003
01:29:29,080 --> 01:29:29,400
Speaker 4: Yikes.

2004
01:29:29,680 --> 01:29:32,479
Speaker 1: Now, Stephanie Davis, the new principal, said this one of

2005
01:29:32,520 --> 01:29:34,600
Speaker 1: the things I'm most excited about coming into the I

2006
01:29:34,760 --> 01:29:38,240
Speaker 1: prom School is the optimism and energy around getting our

2007
01:29:38,240 --> 01:29:40,960
Speaker 1: students to a level of achievement we know they're capable of.

2008
01:29:42,120 --> 01:29:42,160
Speaker 16: This.

2009
01:29:42,280 --> 01:29:44,960
Speaker 1: Recent board meeting, our preliminary OSC data was shared, but

2010
01:29:45,000 --> 01:29:47,479
Speaker 1: it's important to note that proficiency is based on Master

2011
01:29:47,560 --> 01:29:50,559
Speaker 1: and grade level standards. Our students have not yet met

2012
01:29:50,600 --> 01:29:53,519
Speaker 1: the grade level master remark, but they are demonstrating growth.

2013
01:29:53,720 --> 01:29:56,720
Speaker 1: Based on I Ready scores of our income in eighth

2014
01:29:56,760 --> 01:29:59,240
Speaker 1: grade is thirty two percent met their annual typical growth

2015
01:29:59,320 --> 01:30:01,600
Speaker 1: and reading, while seven percent met their stretch goal for

2016
01:30:01,800 --> 01:30:04,559
Speaker 1: the year. Now, I will say this, I don't think

2017
01:30:04,600 --> 01:30:07,760
Speaker 1: it's just an I promised school thing. I think it's

2018
01:30:07,840 --> 01:30:10,200
Speaker 1: an education thing. You also got to think of the

2019
01:30:10,240 --> 01:30:12,200
Speaker 1: last three years, a lot of these kids haven't been

2020
01:30:12,280 --> 01:30:14,120
Speaker 1: in school. You know, most of it because of COVID,

2021
01:30:14,200 --> 01:30:16,439
Speaker 1: because of the pandemic. A lot of these kids were

2022
01:30:16,479 --> 01:30:19,360
Speaker 1: being taught over computers and coming back has made it

2023
01:30:19,520 --> 01:30:22,160
Speaker 1: very difficult. If you have kids, you know how difficult

2024
01:30:22,160 --> 01:30:25,320
Speaker 1: it's been because you know, we as When I say we,

2025
01:30:25,439 --> 01:30:28,479
Speaker 1: I mean parents had to be the teachers and for

2026
01:30:28,520 --> 01:30:29,920
Speaker 1: a lot of us it was difficult. It was it

2027
01:30:29,960 --> 01:30:31,519
Speaker 1: was It was difficult for me to help my kids

2028
01:30:31,560 --> 01:30:33,720
Speaker 1: with their homework. I'm sure it was difficult for you, Charlamagne.

2029
01:30:34,520 --> 01:30:35,680
Speaker 1: So what are your thoughts on this?

2030
01:30:36,360 --> 01:30:37,400
Speaker 4: Yeah, it's great.

2031
01:30:37,479 --> 01:30:41,680
Speaker 6: First of all, that Lebron James can you know, make

2032
01:30:41,960 --> 01:30:46,120
Speaker 6: financial contributions like that to our communities, and you know

2033
01:30:46,920 --> 01:30:49,880
Speaker 6: the schools now need to double down on education. As

2034
01:30:49,920 --> 01:30:53,679
Speaker 6: we said that, I find it very hard to believe

2035
01:30:54,280 --> 01:31:01,240
Speaker 6: not one single kid in the eighth grade past math exam.

2036
01:31:01,760 --> 01:31:04,360
Speaker 6: I don't care where you go, that's always going to

2037
01:31:04,400 --> 01:31:09,320
Speaker 6: be one kid that just you know is an overachiever.

2038
01:31:09,640 --> 01:31:11,960
Speaker 6: That's always going to be that. So I find that

2039
01:31:12,040 --> 01:31:17,720
Speaker 6: hard to believe. In experimental schools like I promise, the

2040
01:31:17,880 --> 01:31:23,360
Speaker 6: kids are made to actually fail. In many of these

2041
01:31:23,439 --> 01:31:26,600
Speaker 6: types of schools, they're actually made to fail so that

2042
01:31:26,680 --> 01:31:30,280
Speaker 6: they can get state and federal funding. If the kids

2043
01:31:30,400 --> 01:31:36,080
Speaker 6: don't fail, then the money don't trickle down to the

2044
01:31:36,200 --> 01:31:41,360
Speaker 6: school districts and they can't create jobs. That's a big

2045
01:31:41,520 --> 01:31:44,519
Speaker 6: deal in a lot most people don't want to have

2046
01:31:44,680 --> 01:31:48,160
Speaker 6: that discussion, but that's a real thing. I'm not saying

2047
01:31:48,280 --> 01:31:52,720
Speaker 6: that's exactly what's happening there, but it happens more than

2048
01:31:52,760 --> 01:31:53,519
Speaker 6: you can imagine.

2049
01:31:53,840 --> 01:31:54,920
Speaker 4: Yeah, I'm not an educator.

2050
01:31:54,960 --> 01:31:56,400
Speaker 5: I would have to bring it an educator to have

2051
01:31:56,479 --> 01:31:59,559
Speaker 5: this conversation, but it sounds to me like somebody clearly

2052
01:31:59,680 --> 01:32:01,439
Speaker 5: wasn't focused on academics.

2053
01:32:01,520 --> 01:32:03,880
Speaker 1: Right, And then I'm also wondering how many students are

2054
01:32:03,920 --> 01:32:05,599
Speaker 1: actually in the school, you know what I mean, because

2055
01:32:06,120 --> 01:32:07,920
Speaker 1: we can say all the eighth graders, but how many

2056
01:32:07,960 --> 01:32:09,720
Speaker 1: eighth grader students were there? You know what I mean?

2057
01:32:09,760 --> 01:32:11,639
Speaker 1: Because this is a small school. It's not a huge

2058
01:32:11,680 --> 01:32:13,720
Speaker 1: school what you would think of. And I think i'm

2059
01:32:13,760 --> 01:32:16,080
Speaker 1: reading now one report says, you know, in the eighth grade,

2060
01:32:16,080 --> 01:32:17,519
Speaker 1: I'm trying to see, but I think in the full

2061
01:32:17,640 --> 01:32:20,880
Speaker 1: school it's five hundred students and that's from three to seven,

2062
01:32:20,920 --> 01:32:22,680
Speaker 1: I think, or three to nine. I'm not sure, but

2063
01:32:24,000 --> 01:32:25,880
Speaker 1: I'm just curious to how many students are actually in that.

2064
01:32:26,160 --> 01:32:26,479
Speaker 4: I don't know.

2065
01:32:26,600 --> 01:32:29,320
Speaker 5: But either way, if all your eighth grade students fail

2066
01:32:29,320 --> 01:32:31,760
Speaker 5: in math, somebody's not focused on academics. So to me,

2067
01:32:31,880 --> 01:32:35,439
Speaker 5: that that lies squarely of defeated the educators happen.

2068
01:32:35,479 --> 01:32:37,960
Speaker 4: And this is over three years, three years, this is

2069
01:32:38,080 --> 01:32:38,840
Speaker 4: over three years.

2070
01:32:38,920 --> 01:32:42,320
Speaker 6: But I but let's make sure that we also include

2071
01:32:43,040 --> 01:32:47,479
Speaker 6: the parents, because everything starts at home, and no matter

2072
01:32:47,600 --> 01:32:51,880
Speaker 6: what the school is doing, the parents have the most

2073
01:32:52,080 --> 01:32:55,439
Speaker 6: access and authority over the children, and if the parents

2074
01:32:55,479 --> 01:32:58,840
Speaker 6: are not on board, it is extremely difficult. Having said that,

2075
01:33:00,320 --> 01:33:04,600
Speaker 6: it is any time you can have an adult that

2076
01:33:04,720 --> 01:33:08,400
Speaker 6: can step in and help out kids and kids, and

2077
01:33:08,479 --> 01:33:10,800
Speaker 6: that's a place that kids can go to, like I

2078
01:33:11,040 --> 01:33:14,439
Speaker 6: promise and have there's a safe space that they can

2079
01:33:14,520 --> 01:33:18,519
Speaker 6: go to and and have these experiences and be able

2080
01:33:18,600 --> 01:33:21,360
Speaker 6: to learn where you're in a place where people really

2081
01:33:21,439 --> 01:33:25,040
Speaker 6: care about you. That's important because as we know, like

2082
01:33:25,600 --> 01:33:29,559
Speaker 6: one adult could change the trajectory of a child's life.

2083
01:33:29,720 --> 01:33:33,880
Speaker 6: That happened for me with my homeroom teacher, Miss Oliver,

2084
01:33:34,000 --> 01:33:38,120
Speaker 6: Miss emmittt Oliver. I mean, she literally saved my life.

2085
01:33:38,960 --> 01:33:41,479
Speaker 6: And this could happen when you get good educators, and

2086
01:33:42,120 --> 01:33:44,599
Speaker 6: I do believe that there are some good educators there.

2087
01:33:44,680 --> 01:33:46,320
Speaker 6: But you're going up against a system.

2088
01:33:46,760 --> 01:33:49,400
Speaker 1: All right, Well that is your rumor report. I got

2089
01:33:49,479 --> 01:33:52,599
Speaker 1: to remind you guys, Tonight at seven iHeart Radio Hip

2090
01:33:52,600 --> 01:33:54,680
Speaker 1: Hop and R and B stations are going to be

2091
01:33:54,760 --> 01:33:58,599
Speaker 1: streaming Living Black Guy and Living Black is hosted by

2092
01:33:58,640 --> 01:34:00,000
Speaker 1: our very old Jess Hilarious.

2093
01:34:00,000 --> 01:34:03,120
Speaker 4: I'm going to clue bomds for just Larious Devil with the.

2094
01:34:03,120 --> 01:34:06,600
Speaker 1: Performances by Usha Miguel Glilla, Coco Jones and more. All

2095
01:34:06,640 --> 01:34:11,120
Speaker 1: appearances by l okuj Lowlabrook, Warrang, g Roddy Ridge. Of

2096
01:34:11,160 --> 01:34:13,400
Speaker 1: course the Breakfast Club and you're definitely gonna want to

2097
01:34:13,479 --> 01:34:15,439
Speaker 1: check it out. All right, So again, that's tonight We're

2098
01:34:15,439 --> 01:34:18,599
Speaker 1: celebrating the fiftieth anniversary of hip hop and you don't

2099
01:34:18,600 --> 01:34:19,080
Speaker 1: want to miss it.

2100
01:34:19,120 --> 01:34:19,320
Speaker 4: Again.

2101
01:34:19,320 --> 01:34:22,040
Speaker 1: It's hosted by Jess Hilarious. So you can tune into

2102
01:34:22,120 --> 01:34:23,960
Speaker 1: any of our iHeart Radio hip Hop and R and

2103
01:34:24,000 --> 01:34:26,680
Speaker 1: B stations tonight at seven pm local time, and it's

2104
01:34:26,680 --> 01:34:29,960
Speaker 1: gonna be streaming on the iHeart Radio, YouTube and Facebook channels.

2105
01:34:30,000 --> 01:34:32,840
Speaker 1: All right, people's choice mixes up? Next, let's go the

2106
01:34:33,000 --> 01:34:37,640
Speaker 1: Breakfast Club. Your mornings will never be the same. Are

2107
01:34:37,680 --> 01:34:40,080
Speaker 1: you someone who knows you don't have to sacrifice comfort

2108
01:34:40,160 --> 01:34:43,240
Speaker 1: for quality, someone who lives large in life and in

2109
01:34:43,320 --> 01:34:46,280
Speaker 1: the bedroom, then live large and now thinner with new

2110
01:34:46,360 --> 01:34:50,439
Speaker 1: Magnum Raw condoms, the thinnest Magnum condom available where condoms

2111
01:34:50,479 --> 01:34:54,360
Speaker 1: are sold. Morning everybody is DJ n V Charlamagne the Guy.

2112
01:34:54,439 --> 01:34:56,280
Speaker 1: We are the Breakfast Club again. I want to salute

2113
01:34:56,439 --> 01:35:00,519
Speaker 1: Lincoln Tech and iHeart Radio. I'm doing my call show

2114
01:35:00,520 --> 01:35:02,160
Speaker 1: of the year, I'm doing it a two day show

2115
01:35:02,640 --> 01:35:05,800
Speaker 1: in Jersey. It's August twenty sixth August twenty seventh. It

2116
01:35:05,840 --> 01:35:07,639
Speaker 1: is actually the first time in three years that I'm

2117
01:35:07,680 --> 01:35:10,040
Speaker 1: back in the Tri State. Usually was Atlantic City, which

2118
01:35:10,040 --> 01:35:11,920
Speaker 1: is a two hour drive, or it's been in Memphis,

2119
01:35:12,000 --> 01:35:15,240
Speaker 1: in Houston, Atlanta, Detroit, Miami. But this year we're actually

2120
01:35:15,320 --> 01:35:17,000
Speaker 1: back in the city. I'm so excited. So we got

2121
01:35:17,120 --> 01:35:18,800
Speaker 1: to do a two day show. So one day it's

2122
01:35:18,880 --> 01:35:21,960
Speaker 1: all about the newer cars. So your magnums, your charges,

2123
01:35:21,960 --> 01:35:25,040
Speaker 1: your ferraris, your lamdbows, the rang goos, any car that

2124
01:35:25,120 --> 01:35:27,120
Speaker 1: you got that's new that you did, you know, whatever

2125
01:35:27,160 --> 01:35:29,000
Speaker 1: it is. You put your TVs, you put fish ten,

2126
01:35:29,040 --> 01:35:31,200
Speaker 1: whatever you did to your car to show it off.

2127
01:35:31,439 --> 01:35:33,320
Speaker 1: That's gonna be one day. And then the Sunday it's

2128
01:35:33,320 --> 01:35:35,759
Speaker 1: all about the old school cars, your eighties and nineties,

2129
01:35:35,840 --> 01:35:38,160
Speaker 1: your your veils and polas and all that. So it's

2130
01:35:38,160 --> 01:35:40,400
Speaker 1: gonna be two family fun days. It's gonna be rides

2131
01:35:40,479 --> 01:35:42,720
Speaker 1: both days, and so many things to do. So if

2132
01:35:42,760 --> 01:35:45,000
Speaker 1: you haven't got your tickets, get your tickets. And since

2133
01:35:45,000 --> 01:35:46,439
Speaker 1: it's back to school, we're gonna be giving a way

2134
01:35:46,479 --> 01:35:49,000
Speaker 1: backpacks to kids out there. So if your kids need

2135
01:35:49,080 --> 01:35:50,880
Speaker 1: a backpack, maybe you can't afford it, whatever it may be,

2136
01:35:50,960 --> 01:35:53,439
Speaker 1: we're gonna hold you down. And kids five and under

2137
01:35:53,600 --> 01:35:55,760
Speaker 1: are free, all right. So that's the twenty sixth and

2138
01:35:55,800 --> 01:35:58,040
Speaker 1: twenty seventh to August, a two day show. You could

2139
01:35:58,040 --> 01:35:59,880
Speaker 1: get a two day pass. And I can't wait to see.

2140
01:36:00,080 --> 01:36:01,439
Speaker 1: Of course, we're gonna start announce to some of the

2141
01:36:01,439 --> 01:36:04,200
Speaker 1: celebrity cars that we're gonna have shortly. But I can't

2142
01:36:04,240 --> 01:36:05,680
Speaker 1: wait to see you guys. And you can get your

2143
01:36:05,680 --> 01:36:07,800
Speaker 1: tickets now. And I also got to remind you guys.

2144
01:36:08,120 --> 01:36:12,479
Speaker 1: Tonight iHeartRadio Living Black with celebrating the fiftieth anniversary of

2145
01:36:12,560 --> 01:36:14,960
Speaker 1: Hip Hop, is hosted by Jess Hilarious. How good sister,

2146
01:36:15,360 --> 01:36:16,080
Speaker 1: How was just doing?

2147
01:36:17,040 --> 01:36:17,439
Speaker 4: What you mean?

2148
01:36:17,479 --> 01:36:19,360
Speaker 1: How just doing? She ain't been up in a while.

2149
01:36:19,880 --> 01:36:21,559
Speaker 1: Shehat cursed us out in a couple of days.

2150
01:36:22,360 --> 01:36:25,640
Speaker 5: Yeah, on purpose, just working. That's busy, you know what

2151
01:36:25,640 --> 01:36:27,519
Speaker 5: I mean. Just got a lot going on, like tonight

2152
01:36:27,600 --> 01:36:30,280
Speaker 5: hosting the Living Black block party. That's right, you know,

2153
01:36:30,360 --> 01:36:32,360
Speaker 5: but you can always subscribe to her podcast or the

2154
01:36:32,400 --> 01:36:36,040
Speaker 5: Carefully Reckless podcast on the Blackfact iHeart Radio podcast network.

2155
01:36:36,160 --> 01:36:39,240
Speaker 1: That's right, and performances by Usher, Miguel Gorilla, Coco Jones,

2156
01:36:39,280 --> 01:36:41,640
Speaker 1: and Moore. So definitely tune in tonight and check out

2157
01:36:41,720 --> 01:36:43,800
Speaker 1: Jess And you can tune in on iHeart Radios hip

2158
01:36:43,800 --> 01:36:45,560
Speaker 1: hop and R and B stations at seven or the

2159
01:36:45,640 --> 01:36:49,080
Speaker 1: iHeart Radio YouTube and Facebook channels. How are you feeling? Man?

2160
01:36:49,120 --> 01:36:50,800
Speaker 1: Thank you for hanging with us for the last two days.

2161
01:36:50,840 --> 01:36:54,800
Speaker 4: Brother, absolutely, man, I appreciate the invitation. Now, thank you. Fine,

2162
01:36:55,200 --> 01:36:55,920
Speaker 4: it's been fine.

2163
01:36:56,560 --> 01:36:58,120
Speaker 5: You're going back to Houston to night, Willie. What you

2164
01:36:58,160 --> 01:37:01,200
Speaker 5: got going on this week? Go to Houston tomorrow?

2165
01:37:01,360 --> 01:37:03,360
Speaker 1: Okay, okay, let me ask you really, So, since you

2166
01:37:03,439 --> 01:37:06,320
Speaker 1: said that you wouldn't give women flowers on the first day,

2167
01:37:06,360 --> 01:37:07,760
Speaker 1: have women been hitting you upset about it?

2168
01:37:07,880 --> 01:37:15,920
Speaker 6: No, they want to understand, called and they're asking for clarity.

2169
01:37:16,400 --> 01:37:16,839
Speaker 4: Clarity.

2170
01:37:17,120 --> 01:37:20,760
Speaker 6: Yeah, that's where it starts. Yeah, yeah, you know, hey man,

2171
01:37:21,160 --> 01:37:23,200
Speaker 6: you know, and I want to be clear. You know,

2172
01:37:23,439 --> 01:37:27,599
Speaker 6: I absolutely love women. I mean, and I really do respect.

2173
01:37:28,560 --> 01:37:32,800
Speaker 6: But I do believe that that there is such thing

2174
01:37:32,920 --> 01:37:37,120
Speaker 6: as being too nice too soon. And that's why I

2175
01:37:37,200 --> 01:37:40,439
Speaker 6: have my reservations in trepidation about what dude did with

2176
01:37:40,600 --> 01:37:41,320
Speaker 6: those flowers.

2177
01:37:42,080 --> 01:37:42,240
Speaker 3: You know.

2178
01:37:42,439 --> 01:37:45,080
Speaker 6: That's like, bro, you don't you don't do all of

2179
01:37:45,160 --> 01:37:48,519
Speaker 6: that on the first day. Now, some women you're cool,

2180
01:37:48,640 --> 01:37:50,599
Speaker 6: you know they're gonna be cool with that, But then

2181
01:37:50,680 --> 01:37:52,360
Speaker 6: there's going to be a certain segment of women that

2182
01:37:52,479 --> 01:37:54,679
Speaker 6: are not. And I'm not willing to take that type

2183
01:37:54,680 --> 01:37:58,280
Speaker 6: of chance. When when I first meet a woman, the

2184
01:37:58,360 --> 01:38:00,280
Speaker 6: last thing you want to do is spooker one. Just

2185
01:38:00,360 --> 01:38:02,760
Speaker 6: like you can spook a woman with your conversation when

2186
01:38:02,760 --> 01:38:04,960
Speaker 6: you first meet it, you can spook it with your.

2187
01:38:04,880 --> 01:38:10,080
Speaker 4: Acts of giveness of giving you. So, yeah, okay, I'm

2188
01:38:10,120 --> 01:38:10,479
Speaker 4: not with that.

2189
01:38:10,760 --> 01:38:12,240
Speaker 1: All right, Well, when we come back, we got a

2190
01:38:12,240 --> 01:38:15,280
Speaker 1: positive notice to Breakfast Cloak of Morning Morning. Everybody's DJ

2191
01:38:15,760 --> 01:38:18,559
Speaker 1: Envy Charlemagne to God, we are to Breakfast Club. Charlemage,

2192
01:38:18,560 --> 01:38:20,120
Speaker 1: you got some positivity for the people I do.

2193
01:38:20,320 --> 01:38:22,360
Speaker 5: Man, and I wish some of you all foods would

2194
01:38:22,400 --> 01:38:24,240
Speaker 5: understand what I'm about to say it, but you don't

2195
01:38:24,560 --> 01:38:27,080
Speaker 5: and won't. But I'm gonna tell you anyway because maybe

2196
01:38:27,120 --> 01:38:30,040
Speaker 5: one day you will learn. But understand that nothing that's

2197
01:38:30,120 --> 01:38:33,679
Speaker 5: for you will require you to act out of character

2198
01:38:33,960 --> 01:38:36,000
Speaker 5: to get it. Absolutely nothing. If you got to act

2199
01:38:36,040 --> 01:38:37,960
Speaker 5: out of character to get something, it ain't worth it.

2200
01:38:38,200 --> 01:38:39,720
Speaker 1: Breakfast Club, you

2201
01:38:39,760 --> 01:38:40,880
Speaker 4: Don't finish or y'all done,