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Speaker 1: Hey Will, Hey Christie. So today we have an amazing

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Speaker 1: iconic guest for everyone, his Troy Baker. You guys are friendly, right,

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Speaker 1: we are. Troy and I've known each other for many,

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Speaker 1: many years, so I kind of dominate this conversation because

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Speaker 1: you know, I've just known Troy for a while. That

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Speaker 1: and well, where are you, Christie? I'm in Cancoon and

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Speaker 1: I just got out of a massage. Some fantastic vacationing

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Speaker 1: happening right now. So you didn't see as the entire

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Speaker 1: time we were doing the interview, Christie was getting her

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Speaker 1: feet massaged. It's true, just off camera. It's true. There

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Speaker 1: was actually mariachi music. So why don't you listen to

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Speaker 1: this I Hear Voices episode and see if you can

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Speaker 1: hear mariachi music in the background. Sounds good and Troy

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Speaker 1: Baker in the foreground. What is time? Though? Really? God,

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Speaker 1: it's like a Roger Craigsmith conversation. We just had the

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Speaker 1: whole philosophical thing with Roger. Oh yeah, I'm gonna fish

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Speaker 1: out here in It's pretty I miss the So we

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Speaker 1: did Wednesdays every every week for avatures with Roger, right,

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Speaker 1: and I God, I never laughed as hard the man

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Speaker 1: can make fart sounds. I'm doing this because this is

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Speaker 1: how he does it. Um. But if if anybody ever

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Speaker 1: needs Sonic or et c O ruined for them, I

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Speaker 1: have just we we would send each other emoji conversations

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Speaker 1: like through through our iPhones. And it was just the worst,

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Speaker 1: the most terrible career ending. I remember. So we will

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Speaker 1: by the way, we just start talking here, so we

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Speaker 1: we we've done it. We'll do our intro when you're

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Speaker 1: not here, because we're gonna say mean things about you.

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Speaker 1: But one of one of my favorite first uh moments

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Speaker 1: with Troy Baker, I don't even remember what we were recording.

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Speaker 1: I'd like to think it was Transformers, but I could

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Speaker 1: be wrong. Um, And it was all of a sudden

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Speaker 1: us doing kind of X rated takes on the end

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Speaker 1: of g I Joe, Do you remember they like you

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Speaker 1: know and hey, Billy, what do you do with all

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Speaker 1: that cocaine? Like what you're not supposed to now? I know?

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Speaker 1: And no, it's half the battle. And you just started

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Speaker 1: tweeting it out. It looks like you kids found your parents,

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Speaker 1: remember you tweeting about the whole time then just looking

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Speaker 1: at me going like and and showing them, and we're

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Speaker 1: dying in the corner silently, of course, as you do

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Speaker 1: during a session as you're tweeting, was well we drew, Yeah,

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Speaker 1: we we drove out. They wanted that all the casts

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Speaker 1: to get together, and I felt like eighth graders at

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Speaker 1: a dance because all of us were like, there's kids there,

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Speaker 1: and I was like, what are we What are we

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Speaker 1: doing here? Is like who who are you playing? And

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Speaker 1: who am I playing? And what exactly is going on

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Speaker 1: right now? And then next thing, you know, like well

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Speaker 1: and I were like, oh, we're gonna be friends because

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Speaker 1: we tell the worst jokes possible. And I think I

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Speaker 1: think either I was still smoking or I was vaping,

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Speaker 1: and you would just something. There was something somehow those

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Speaker 1: two ships were the night and so I was like, well,

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Speaker 1: I don't know if we are gonna be that good

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Speaker 1: at friends. And then and then you know, I wisened

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Speaker 1: up and stopped doing that. Well that you know what

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Speaker 1: I think it was is I was still smoky at

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Speaker 1: the time and you were outside with um one of

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Speaker 1: I don't like to bring her up because she's the

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Speaker 1: robot double human being all the way around. Mary McGlenn

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Speaker 1: um just one of the worst people you could ever meet,

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Speaker 1: and that you guys knew. By the way, I can't

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Speaker 1: claim the credit for that. I think that was season

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Speaker 1: two of True Detective and Colin Farrell had a line

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Speaker 1: he was like, why do you want to suck on

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Speaker 1: a roll? That I was like, kind of exactly, that

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Speaker 1: was kind of exactly what it is. Part of season

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Speaker 1: two was that one line in the entire thing, just

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Speaker 1: what talk about just jumping off a cliff. It's like,

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Speaker 1: I can't wait like that the first season. Man, this

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Speaker 1: is such my vibe. You guys, I am I'm the

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Speaker 1: biggest tan gentle. Welcome to I hear like I have

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Speaker 1: notes a hair. I'm like, actually, just follow the voices, Troy,

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Speaker 1: We're kind of crazy. Um, but yeah, it's it's been

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Speaker 1: a it's been a long, storied um. Interesting. And then

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Speaker 1: we talked about Winnie the Blue and by the way,

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Speaker 1: and answer jumped off very quickly. Mary McGlenn is actually

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Speaker 1: one of the greatest human beings in the world. I

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Speaker 1: was totally kidding about that terrible human but we um

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Speaker 1: the things that she has done in my D n

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Speaker 1: D Sister Wife, So I don't know what to even

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Speaker 1: say about miss McGlenn. I guess we should get into

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Speaker 1: why you're here, which is, of course because you were

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Speaker 1: the nine nineties jumped straight to the existential conversation to

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Speaker 1: go from like X Rayed, g I Joe to True

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Speaker 1: Detective season too. Why are we here? Properly, You're here

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Speaker 1: because you won the six Statigo Championship, which is of

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Speaker 1: course what this podcast is about. It was six we

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Speaker 1: did it in ninety seven that I would it was

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Speaker 1: the title here because we like to talk to some

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Speaker 1: of the best, most influential voice over actors in the

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Speaker 1: game and when they're not available. Yeah, I don't know.

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Speaker 1: I didn't even know where to start with you. I've

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Speaker 1: gotta be totally honest. I don't even know where to

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Speaker 1: start with you, because I guess we should start with

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Speaker 1: video games. Well, let's start with video games, because you've

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Speaker 1: been in all of them. Well, there's six that I

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Speaker 1: haven't that other than Fired that actually being Mario, You've

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Speaker 1: I mean, you got Charles Martin A. Yeah. What's funny

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Speaker 1: is so I I've had to keep the secret like

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Speaker 1: two years right when we started COVID. Let's start at

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Speaker 1: the very latest thing I've done, at the very start

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Speaker 1: of COVID, Um, I got this, you know, like all

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Speaker 1: actors do. I got an audition for something and this

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Speaker 1: one stood out because my agels like, I think you

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Speaker 1: should do this. It's with David Fincher, and I was like, whoa, Okay,

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Speaker 1: that's not gonna happen. Because every big director I've ever

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Speaker 1: auditioned for has summarily just ignored me. I was like, well,

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Speaker 1: let's just add this one to the list, and I

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Speaker 1: could say, hey, my streak is continuing with one of

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Speaker 1: my favorite directors of all time. And lo and behold,

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Speaker 1: I end up getting a gig and it was for Love,

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Speaker 1: Death and Robots, Tim Miller's show, and David Finch has

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Speaker 1: been a showrunner for it as well on Netflix and

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Speaker 1: for volume two that just dropped, and we I have

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Speaker 1: no idea what I was going. No, No, we're on it.

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Speaker 1: Where were we will? Fatigo, let's help our guests got

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Speaker 1: an audition and for David Fincher, and you thought you

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Speaker 1: weren't going to get it, and then you did. Yeah,

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Speaker 1: but now it feels like I just just name dropped,

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Speaker 1: but we're talking about it. There are names. It was

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Speaker 1: literally the reason why I brought up this story. Yeah,

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Speaker 1: we were starting at the beginning already, Troy, there certain

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Speaker 1: names I don't understand. I was just in a meeting

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Speaker 1: with a guy not too long ago who kept dropping

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Speaker 1: the name Sinbad. Great guy, but kind of a weird

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Speaker 1: name dropped David Fincher, that's not That name is not

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Speaker 1: going to get you in clubs like sorry, man, we're

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Speaker 1: all full of like think you know, Uh, Sinbad is

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Speaker 1: inside waiting for me, isn't heah, unless you're at the

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Speaker 1: salads and more in Calabasas. No, he's not. He's not

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Speaker 1: inscting the perfect time to let you know that this

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Speaker 1: show I hear voice is sponsored by Calabasa. So just

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Speaker 1: very quickly video game credits and I'm just gonna hit

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Speaker 1: some of the highlights. That's what it was. He So

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Speaker 1: Tim Miller, if nobody knows, I've known Tim Miller for

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Speaker 1: for years because he did he runs Blur Studios, and

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Speaker 1: so Blur would do all of the big Call of

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Speaker 1: Duty trailers or video game trailers. Our past crossed a

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Speaker 1: bunch and then we're on set and they built this huge,

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Speaker 1: uh spiral staircase for the scene, so it's practical. I'm

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Speaker 1: like running down this staircase inside of this mo Cap

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Speaker 1: Studio and I get it to very top and I'm like,

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Speaker 1: this is a lot higher than I thought it was

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Speaker 1: gonna be. And we're getting ready to spin it up

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Speaker 1: and go for it and go one for a take,

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Speaker 1: and Tim Miller goes, careful, David, if Troy gets hurt,

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Speaker 1: there goes next year's games. And I went, that's unfair,

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Speaker 1: but my I need to do the my math first

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Speaker 1: before I tell you that you're wrong. But no, It's

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Speaker 1: what's funny is everybody thinks like you're in everything. I'm like,

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Speaker 1: I can list a lot more games than I'm in

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Speaker 1: because typically I do like maybe two to three projects.

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Speaker 1: They're always the biggest ones, is the thing. So I

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Speaker 1: was gonna read Last US, Final Fantasy, BioShock, Uncharted, Far Cry,

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Speaker 1: Call of Duty, I mean again, just it's it's like, so, hey,

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Speaker 1: maybe you weren't. You were only in three movies last year,

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Speaker 1: but they were all Star Wars, you know what I mean.

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Speaker 1: It's like, it's it's like that kind of what the

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Speaker 1: funny thing is. I don't get to talk about the

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Speaker 1: Call of Duty that one anymore because I did that

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Speaker 1: one with Kevin Spacey, So it's tough fun to bring up.

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Speaker 1: They swept that one under the covers, like, oh man,

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Speaker 1: I got to brag for about sixty two seconds, and

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Speaker 1: then it was like, what's going on? Have you guys

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Speaker 1: checking out what's going on with Kevin's basy. I'm like, wow,

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Speaker 1: it's a great go oh. I can't talk about it.

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Speaker 1: That's pretty much how it works. But I mean at

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Speaker 1: that and you being in the Last of Us with

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Speaker 1: Danny Masterson and of course now I'm kidding, it's just

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Speaker 1: like just worked with everybody terrible. Brian Singer originally was

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Speaker 1: going to direct something happened um and then Weinstein can

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Speaker 1: you imagine? You know? The cool thing is I don't

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Speaker 1: know if you guys saw this or not, but we

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Speaker 1: just talked about this for Jeff Keeley did a big

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Speaker 1: summer games fest, and we got to announce in addition

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Speaker 1: to uh this, this great indie project that I'm a

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Speaker 1: part of called Fort Solace. This is where I gets

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Speaker 1: started to plush, which is everyone thinks that I do

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Speaker 1: like the big Triple A stuff, and and if that's

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Speaker 1: not true, there's I really love being a part of

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Speaker 1: independent studios because a lot of times I can get

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Speaker 1: my hands a little dirtier and get more involved in

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Speaker 1: the production, and well you you're the same guy, like,

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Speaker 1: how how deep can I go into this project? Can

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Speaker 1: I write? What can I do? Um? And on this

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Speaker 1: I'm very much the same way. And so I found

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Speaker 1: this studio in based on the UK and they reached out.

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Speaker 1: That's at the start of COVID. They're like, we want

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Speaker 1: to do this full performance capture. We want you to

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Speaker 1: be one of our leads. And I was like great,

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Speaker 1: and then they're like where you come over and you

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Speaker 1: would shoot here in Poland it was like awesome and

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Speaker 1: then just a second, there's something we're going on with

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Speaker 1: and so using it is the thing that I really applaud.

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Speaker 1: I mean all of the major studios. It's kind of

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Speaker 1: like a big ship. I remember the first time I

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Speaker 1: got a fish tank. I said, this is my first one,

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Speaker 1: so I probably should start small and they're like no, no, no, no,

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Speaker 1: you and you know a lot about fish too. It's like, no, no,

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Speaker 1: you will start as big as you can because if

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Speaker 1: anything goes wrong and a big fish tank not that

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Speaker 1: big of a If anything, the smallest, slightest thing goes wrong,

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Speaker 1: and a small fish thing, it kills the entire system.

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Speaker 1: So as as rough as it was for the Naughty

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Speaker 1: Dogs and the Bethesda's and and everybody else that uh,

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Speaker 1: we're the huge Triple A studios that we're working on

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Speaker 1: games at the time. They could weather the storm a

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Speaker 1: little bit better than I think that a lot of

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Speaker 1: independent studios because they just don't have those resources. They

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Speaker 1: have their budget timed out to the day, and if

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Speaker 1: they push, people aren't getting paid. It's it's it's a

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Speaker 1: it's a far greater thing. So this studio was able

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Speaker 1: to weather the storm, and we're we're the caliber of

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Speaker 1: a project that we're releasing. Uh is is really really cool.

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Speaker 1: Roger Clark, who has played Arthur Morrigan and Red Dead

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Speaker 1: UH is in there with me as well, and UM,

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Speaker 1: we had a we had a great time, but we

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Speaker 1: were just uh we were talking about how we're coming

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Speaker 1: up on ten years of of um the Last of

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Speaker 1: Us Part one being out, and after the tremendous success

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Speaker 1: of Last Ust Part two, they were like, these stories

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Speaker 1: were meant to be seen and played and viewed, uh

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Speaker 1: side by side, and so that at a complete ground

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Speaker 1: up remake of part one too, not only aesthetically make

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Speaker 1: it the same like the one to one, but they

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Speaker 1: also the AI is different and and it's all the

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Speaker 1: story is the exact same, but uh, it's just crazy

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Speaker 1: And like Nanty Dog has been posting a bunch of

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Speaker 1: stuff on their Instagram in the last couple of days,

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Speaker 1: were just side by side comparisons from part one originally

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Speaker 1: and the way it looks now and it's just bananas,

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Speaker 1: Like it's you don't think it's going to change, and

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Speaker 1: then all of a sudden you look at something and

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Speaker 1: you're like, that was only ten years ago. How does

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Speaker 1: it look like a completely differ cutting It's it's insane.

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Speaker 1: Has anybody pointed out that it's called the Last of Us?

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Speaker 1: And there's like six different versions. I'm just curious if

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Speaker 1: that's ever actually come up, and it's really bad. Is

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Speaker 1: one of the original. There was a commercial that came

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Speaker 1: out in the UK and the tagline was could you

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Speaker 1: be the Last of Us? It was like, Gary, I

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Speaker 1: like where your passion? I just feel like we might

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Speaker 1: want to just put that one back in the oven

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Speaker 1: just a little bit longer. It's it feels like the

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Speaker 1: idea but not the execution of it. So until you

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Speaker 1: I mean like, okay, so you you like to say

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Speaker 1: you work with the smaller companies, and you do and

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Speaker 1: it's something you enjoy, but you also are are starring

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Speaker 1: in a lot of these huge video games. Before you

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Speaker 1: got into that, were you a game or did you play?

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Speaker 1: Did you know anything about the world or you did

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Speaker 1: I specificly, you brought up Uncharted, and I remember, like, uh,

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Speaker 1: in two thousand seven, I was doing a shitty, shitty

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Speaker 1: movie in Texas and my only source of comfort was

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Speaker 1: the fact that my buddy let me borrow is PS

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Speaker 1: three and this game had just come out called Uncharted,

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Speaker 1: and I just played through it, and I was like,

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Speaker 1: this is this is what I want to be doing,

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Speaker 1: Like this is incredible. And I found out how they

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Speaker 1: did the production and the fact that they built these

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Speaker 1: sets and if they were writing in a jeep, they

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Speaker 1: actually built the jeep and they did this full I

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Speaker 1: never heard performance captured before, and so I emailed the

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Speaker 1: audio director, Phil Kovatz, and I was like, I just

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Speaker 1: want to let you guys know, you guys did a

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Speaker 1: tremendous job. And because I had done a few games

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Speaker 1: and I understood how that's probably the person you want

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Speaker 1: to be talking to, and so I fell in love

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Speaker 1: with that not only that franchise, but that process. And

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Speaker 1: when I first moved to l A, they were doing

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Speaker 1: Uncharted two and I was at Technicolor and Burbank and

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Speaker 1: I was working on probably Dragons, Dogma or something, and

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Speaker 1: and then right next to it they were doing um

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Speaker 1: Uncharted two. And I looked in there and there's Nolan

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Speaker 1: and there's Richard McGonagall and there's Emily Rose and I

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Speaker 1: was like, holy and Gordon Hunt and Amy Henning. I

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Speaker 1: was like, oh my god. I was like, hi, guys,

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Speaker 1: im Troy and all the way. Hey, sorry, so i LL.

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Speaker 1: All I wanted to do is just be like, you

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Speaker 1: know a guy that Nate Drake killed, and and lo

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Speaker 1: and behold. You know. Ten years later, I got to

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Speaker 1: actually play um, uh, who's that guy's what's his name?

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Speaker 1: Rick Astley, Naylan Nolan. Sorry, I got to play Nolan's

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Speaker 1: older brother, which was fun because I'm significantly younger, I mean,

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Speaker 1: not even the same generation at that point. No, the

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Speaker 1: only thing I know if I charted is the movie

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Speaker 1: I just saw a spider Man. Because I don't play

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Speaker 1: your games, then you don't know much about I don't.

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Speaker 1: I don't. I've got to start playing. I'm sorry, did

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Speaker 1: you you started the same or they're the same? They're

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Speaker 1: not the same. I know it's on chart. No they are.

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Speaker 1: It's based on the video game. It's absolutely the same.

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Speaker 1: It's the same. Did you see Uncharted? You see the

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Speaker 1: movie with with Spider Man. No, we didn't see that one, okay,

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Speaker 1: because it's like, there's there's a great you you he

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Speaker 1: walks up on the beach and there's Nolan. I mean

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Speaker 1: it's like there, you know, a voiceover actor and the

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Speaker 1: name of the bars kid he got. Well, it's just

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Speaker 1: it's it's it's a lot of it's exactly what you

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Speaker 1: wanted to be. Uh, It's it's a fun romp. And

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Speaker 1: that's which was so funny because from the same studio

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Speaker 1: that did that, which was basically finally giving us an

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Speaker 1: Indiana Jones ish game after so many people had just

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Speaker 1: pined for that. That's what they wanted. They wanted to

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Speaker 1: be that roguish adventurer that was, you know, tramping through

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Speaker 1: some exotic location and so far Indiana Jones was the

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Speaker 1: originator of that, and what Uncharted was able to do

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Speaker 1: was like, yeah, let's make it super fun and quippy

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Speaker 1: and adventurous and great, but also have great story, great characters,

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Speaker 1: and you know, they did five games. So then the

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Speaker 1: studio goes, what if we did like a Cormick McCarthy

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Speaker 1: novel as a video game directed by the Cohen brothers,

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Speaker 1: And it was like, wait, that's not your brand. What

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Speaker 1: are you guys talking about? And so low this this

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Speaker 1: is the pitch for the Last of Us. It's like,

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Speaker 1: we we want to go dark, gritty, real post pandemic world.

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Speaker 1: And then I think what they probably you know, got

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Speaker 1: it on was zombies are like, all right, well, zombies

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Speaker 1: are pretty good. We can give you one of those.

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Speaker 1: But what's funny is if anybody has the original like

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Speaker 1: day one release of of Last of Us on PS three, uh,

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Speaker 1: you'll see a sticker on the tops is from the

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Speaker 1: creators have uncharted, which was basically like them going marketing,

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Speaker 1: going we really think this is gonna be good. We

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Speaker 1: promised we made goods, but they did not expect it

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Speaker 1: to be a hit. And it is the biggest thing

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Speaker 1: that they've ever done. So now you're talking about the process,

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Speaker 1: which is a weird. I wouldn't. I mean, as far

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Speaker 1: as far as I know, tell me if I'm wrong,

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Speaker 1: because I've never actually done mo cap, but it's a

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Speaker 1: it's a weird hybrid of voiceover and live action acting. Correct, Yeah,

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Speaker 1: I would. I would call it its stage on film.

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Speaker 1: So you have none of the encumbert of what being

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Speaker 1: on camera does, which is we need you to hit

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Speaker 1: your mark exactly right here, because we're on a we're

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Speaker 1: on seven, and so we want to make sure that

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Speaker 1: you know we really want to shallow depth of field.

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Speaker 1: We want you to step into it. Not only that

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Speaker 1: for for performance sake, but just from a production standpoint.

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Speaker 1: You don't have to worry about changing lens, is changing mags, um,

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Speaker 1: lighting taking hours because you're lit so you're basically in

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Speaker 1: a black box theater. It's very uh cinema verity for

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Speaker 1: the performers standpoint. Um, you'll have rudimentary sets that are

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Speaker 1: built um and the actors are all wearing these incredibly

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Speaker 1: in like insultingly bad suits that just reveal every flat

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Speaker 1: that you've ever thought you had just is embellished. And

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Speaker 1: these seats have markers all down them. It is spands.

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Speaker 1: You can always tell if I'm talking about working out

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Speaker 1: or changing my diet, I'll probably have a shoot coming up.

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Speaker 1: And so it's like what are you doing? Is like mom,

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Speaker 1: just eating rice and and and apples. That's all I'm

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Speaker 1: doing right now. And I just go do fifty push

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Speaker 1: ups right now. And then you're in this huge stage

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Speaker 1: and the cameras are actually all around you and they're

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Speaker 1: capturing everything that your body is doing. And then to

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Speaker 1: top it off, to make you look even more stupid,

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Speaker 1: they put a helmet on with a little GoPro camera

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Speaker 1: right here that's tracking your face and just the worst

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Speaker 1: angle possible. So in addition to that, there there have

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Speaker 1: been some productions which have now got of War was

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Speaker 1: one of these that famously did this where they actually

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Speaker 1: have a version of a camera that Robertson Mack has

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Speaker 1: created for polar Express, which is I think it was

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Speaker 1: either polar or it may have been for for Bail,

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Speaker 1: but I think I think it was for polar Um,

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Speaker 1: which is a camera that see if you can track

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Speaker 1: with this. Robert SECAs would go into a room called

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Speaker 1: the volume, which is a mo cap stage, a small

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Speaker 1: smoke cap stage, and that there are markers, just like

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Speaker 1: there would be on an actor, there's markers on this camera.

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Speaker 1: And so he would say playback and he would be

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Speaker 1: looking on the viewfinder of this camera the scene that

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Speaker 1: they shot as if he were in the room with

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Speaker 1: all of the actors, and so he could move around

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Speaker 1: in the space and see where they were. He could say, Okay,

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Speaker 1: I want to make this a two shot on a

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Speaker 1: thirty five, and so he could step back and say

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Speaker 1: he's like, no, actually, I want to go over the

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Speaker 1: shoulder fifty and I just want to see a little

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Speaker 1: bit so that we're actually focusing on the kid. And

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Speaker 1: he spent a month on one shot because he could

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Speaker 1: just constantly change his lenses and his framing, and they

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Speaker 1: had they finally said it's like, Bob, you gotta choose

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Speaker 1: your shot. So there have been versions of this now

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Speaker 1: that have been just emulated upon or or innovated upon

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Speaker 1: and iterated upon, and we actually shoot like we did

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Speaker 1: this with Death Stranding, God of War did this. There's

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Speaker 1: several projects where it's like, let's see what this actually

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Speaker 1: looks like, so we can choose our our lens for this,

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Speaker 1: and choose our our composition of our frames, so our

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Speaker 1: actors know exactly where what this scene is going to

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Speaker 1: look like. And so it's really this marriage between modern

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Speaker 1: cinematography and filmmaking is finally meeting. Really what I think

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Speaker 1: is the tip of a spear, which is video games,

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Speaker 1: because in a game, if I'm watching a show or

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Speaker 1: watching a film, there's one opportunity for the storyteller to

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Speaker 1: tell me all of that information, and it is all

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Speaker 1: got to be either through dialogue or it's got to

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Speaker 1: be in some form of expository telling, whether it be

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Speaker 1: the cinematography or the set up in the music or whatever,

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Speaker 1: or the music especially, But when you go to a game,

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Speaker 1: it's like we have this three minute scene or two

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Speaker 1: minute scene, and then we have hours of gameplay to

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Speaker 1: be able to um introduce people to the world. It's

407
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Speaker 1: totally immersed world, which is which is just so unbelievably cool.

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Speaker 1: You're not you're not being told the story. You're dictating

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Speaker 1: the story. At least that's how it feels. And R

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Speaker 1: and I go back to like early early gaming, like

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Speaker 1: I remember Prince of Persia and I played all of

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Speaker 1: the earliest I remember when my parents brought home an

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Speaker 1: Amiga and plugged it into our TV or Colliquo vision

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Speaker 1: two paddles going back and forth with the ball, and

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Speaker 1: it was like the first screens because we would just

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Speaker 1: let it go in television Colliko Vision that was like

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Speaker 1: and my friends. I chose because I didn't have any

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Speaker 1: money growing up, but my friends did. And so you know,

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Speaker 1: Tony had the Atard, but Leally would actually have the

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Speaker 1: Commodore sixty four. So I mean like I would bounce

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Speaker 1: back and forth between you want to pitfall at one

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Speaker 1: person's house. The racing games were great on Colico Vision.

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Speaker 1: But I find really interesting about Troy. You know, Troy,

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Speaker 1: we have a lot of different people, um, and it

425
00:21:31,520 --> 00:21:34,639
Speaker 1: almost seems like each actor is so different and the

426
00:21:34,680 --> 00:21:38,879
Speaker 1: way that they approached their contribution to animation or mo

427
00:21:39,119 --> 00:21:42,439
Speaker 1: cap or everything that has to do with voice um,

428
00:21:42,640 --> 00:21:45,080
Speaker 1: professional voice work, and so with you, I find it

429
00:21:45,160 --> 00:21:49,159
Speaker 1: really interesting in terms of your participation in this innovation

430
00:21:49,320 --> 00:21:51,120
Speaker 1: and like what you were saying about trying to work

431
00:21:51,160 --> 00:21:54,800
Speaker 1: with independent companies and stuff like that. But you know,

432
00:21:56,160 --> 00:21:57,919
Speaker 1: what do you think is going to happen in the future.

433
00:21:58,000 --> 00:22:00,119
Speaker 1: Do you think that movies are actually going to be

434
00:22:00,320 --> 00:22:04,159
Speaker 1: more AI and more you know, like our actor is

435
00:22:04,200 --> 00:22:07,719
Speaker 1: even going to be significant or necessary like live action actors.

436
00:22:08,960 --> 00:22:12,600
Speaker 1: I love this argument because, especially what's happening in the

437
00:22:12,920 --> 00:22:16,200
Speaker 1: AI space right now, there's a lot of fear and

438
00:22:17,680 --> 00:22:23,120
Speaker 1: anything that has proven itself to be irreplaceable remains irreplaceable.

439
00:22:23,280 --> 00:22:26,480
Speaker 1: The second that is can be replaced, there's probably a

440
00:22:26,560 --> 00:22:28,560
Speaker 1: reason why it should have been And that's just the

441
00:22:28,600 --> 00:22:31,280
Speaker 1: way that it works. I don't like it necessarily, but

442
00:22:31,480 --> 00:22:33,879
Speaker 1: I think that we have one of two options, and

443
00:22:34,000 --> 00:22:36,719
Speaker 1: we can work and focus on Like all I can

444
00:22:36,760 --> 00:22:39,840
Speaker 1: do is myself is I can focus on how can

445
00:22:39,920 --> 00:22:42,800
Speaker 1: I be the best solution to this problem? It it

446
00:22:43,040 --> 00:22:46,000
Speaker 1: I can really really zoom into the micro level and

447
00:22:46,160 --> 00:22:49,760
Speaker 1: and go granular on this. And well, I I feel

448
00:22:49,920 --> 00:22:53,560
Speaker 1: confident you've been this position to where there's probably opportunities

449
00:22:53,600 --> 00:22:55,800
Speaker 1: that have been presented to You've been presented to me

450
00:22:55,880 --> 00:22:57,960
Speaker 1: or I'm like, I'm not the guy for this, just

451
00:22:58,119 --> 00:23:00,720
Speaker 1: just to be really honest with you, and and you

452
00:23:00,880 --> 00:23:03,240
Speaker 1: brought Roger Craig Smith. There have been Roger and I

453
00:23:03,359 --> 00:23:06,239
Speaker 1: became friends because we would always be not like, oh

454
00:23:06,280 --> 00:23:09,000
Speaker 1: I auditioned for that, but also oh no, it's down

455
00:23:09,080 --> 00:23:12,480
Speaker 1: to you and Roger, and there are just sometimes when

456
00:23:12,640 --> 00:23:14,960
Speaker 1: somebody else is the better fit and it should be them,

457
00:23:15,680 --> 00:23:19,600
Speaker 1: and the people that are fearful, we'll fight that and

458
00:23:19,760 --> 00:23:22,800
Speaker 1: call bullshit and get up in arms and and and

459
00:23:23,040 --> 00:23:24,720
Speaker 1: ring their agent up and say how dare you don't

460
00:23:24,800 --> 00:23:26,439
Speaker 1: let this go or be afraid that they're never going

461
00:23:26,480 --> 00:23:29,000
Speaker 1: to get another job. But the people are like, there's

462
00:23:29,000 --> 00:23:31,680
Speaker 1: another one coming kings to you, you're or even better,

463
00:23:31,800 --> 00:23:34,280
Speaker 1: go I'm gonna stop you there. Everything you're talking about,

464
00:23:34,520 --> 00:23:37,200
Speaker 1: and there was a specific one that that this happened

465
00:23:37,320 --> 00:23:39,359
Speaker 1: was like I love everything that you're saying, and I

466
00:23:39,480 --> 00:23:41,280
Speaker 1: really feel that that you guys have a great project.

467
00:23:41,400 --> 00:23:44,520
Speaker 1: I just this is this belongs to somebody else. And

468
00:23:44,600 --> 00:23:47,639
Speaker 1: it went off to become a huge franchise with multiple iterations,

469
00:23:48,200 --> 00:23:50,360
Speaker 1: and it still was the right call. So I don't

470
00:23:50,359 --> 00:23:53,240
Speaker 1: ever go, man, I made the wrong move. There's other

471
00:23:53,400 --> 00:23:55,760
Speaker 1: roles out there for me and my job. I look

472
00:23:55,840 --> 00:23:59,240
Speaker 1: at my career as a garden and if you've ever

473
00:23:59,400 --> 00:24:02,560
Speaker 1: gardened in thing, the soil will yield, with the soil

474
00:24:02,600 --> 00:24:04,760
Speaker 1: will yield, and I can really say this is a

475
00:24:04,840 --> 00:24:08,520
Speaker 1: tomato garden. But at some point that earth is gonna go. No,

476
00:24:08,960 --> 00:24:10,680
Speaker 1: it's not not not right now, and you need to

477
00:24:10,720 --> 00:24:12,840
Speaker 1: let the earth rest and let's do some herbs or

478
00:24:12,920 --> 00:24:16,000
Speaker 1: let's do some something else. And my job as a

479
00:24:16,080 --> 00:24:18,560
Speaker 1: gardener is to make sure that I am giving the

480
00:24:18,640 --> 00:24:22,159
Speaker 1: soil what it needs to yield some crop. But if

481
00:24:22,200 --> 00:24:24,399
Speaker 1: I just want to ham fist down and go this

482
00:24:24,560 --> 00:24:27,480
Speaker 1: is supposed to be tomatoes, Eventually, I'm gonna have some

483
00:24:27,760 --> 00:24:31,480
Speaker 1: weak ass tomatoes that nobody wants. So my job is

484
00:24:31,520 --> 00:24:33,600
Speaker 1: to tend to my garden and to be dutiful and

485
00:24:33,680 --> 00:24:35,960
Speaker 1: to be as diligent as I can, and when sometimes

486
00:24:36,640 --> 00:24:39,200
Speaker 1: the ground needs to rest, I've stored up enough to

487
00:24:39,240 --> 00:24:41,919
Speaker 1: where I don't have to worry about eating from that garden.

488
00:24:42,400 --> 00:24:44,520
Speaker 1: And that's if you want to be in this industry,

489
00:24:44,640 --> 00:24:47,760
Speaker 1: that's what it requires. You are not guaranteed success, you

490
00:24:47,840 --> 00:24:50,920
Speaker 1: are not guaranteed a job. And to try to level

491
00:24:50,960 --> 00:24:53,480
Speaker 1: the plane field for everybody, I think actually weakens the

492
00:24:53,560 --> 00:24:55,880
Speaker 1: fact that it's a really big deal if you're able

493
00:24:55,960 --> 00:24:58,960
Speaker 1: to have any success in this. And it's not lost

494
00:24:59,000 --> 00:25:01,200
Speaker 1: on any of us that are said here to say

495
00:25:01,200 --> 00:25:02,680
Speaker 1: it is like we've been able to do this for

496
00:25:02,880 --> 00:25:05,880
Speaker 1: however many years. It's mind boggling that we've been able

497
00:25:05,920 --> 00:25:08,879
Speaker 1: to do this. But every day I wake up and

498
00:25:09,000 --> 00:25:11,280
Speaker 1: I attend to my garden and that's all that I

499
00:25:11,320 --> 00:25:13,440
Speaker 1: can do. That's very very cool. Well, it's it's again

500
00:25:13,520 --> 00:25:16,280
Speaker 1: it sounds like a talking about the things that needed

501
00:25:16,320 --> 00:25:18,600
Speaker 1: to be replaced. It sounds a lot like the Murphy's law,

502
00:25:18,640 --> 00:25:21,240
Speaker 1: where if a jam's force it, if it breaks, it

503
00:25:21,320 --> 00:25:24,800
Speaker 1: needed to be replaced anyway, And that's kind of the

504
00:25:25,119 --> 00:25:27,800
Speaker 1: motto as as you go along. It's true, but it is.

505
00:25:27,880 --> 00:25:31,600
Speaker 1: It's also the statistics on working actors when you actually

506
00:25:31,640 --> 00:25:33,760
Speaker 1: hear them, is so ridiculous. It's like, it's something like

507
00:25:33,880 --> 00:25:36,080
Speaker 1: one percent of all actors actually work, and of that

508
00:25:36,760 --> 00:25:39,639
Speaker 1: one percent for the most unemployed industry in the entire

509
00:25:39,720 --> 00:25:42,600
Speaker 1: one of that one percent, only one percent works again,

510
00:25:43,280 --> 00:25:48,000
Speaker 1: so it's something it's become so infinitesimal that everyone it's

511
00:25:48,080 --> 00:25:50,160
Speaker 1: become such a cliche when you talk to actors who

512
00:25:50,160 --> 00:25:52,400
Speaker 1: are like, I feel blessed every time I get a job,

513
00:25:52,920 --> 00:25:55,040
Speaker 1: and you kind of go, oh yeah, George Clooney feels

514
00:25:55,080 --> 00:25:56,800
Speaker 1: blest where it's like, no, you never know when this

515
00:25:56,920 --> 00:25:59,920
Speaker 1: is gonna end. How many huge stars were huge stars

516
00:26:00,000 --> 00:26:03,120
Speaker 1: ten years ago that aren't anymore. That talk with Tom

517
00:26:03,240 --> 00:26:05,600
Speaker 1: Hanks where he says, you know, and it came to

518
00:26:05,640 --> 00:26:08,320
Speaker 1: pass or this too shall pass. He was like, when

519
00:26:08,359 --> 00:26:10,800
Speaker 1: you're successful, this too shall pass. When you're I mean,

520
00:26:11,160 --> 00:26:15,400
Speaker 1: nobody remembers Joe versus the volcano. But Tom Hanks was done. Yeah,

521
00:26:15,640 --> 00:26:18,399
Speaker 1: he was done. And it wasn't until he did another

522
00:26:18,520 --> 00:26:21,480
Speaker 1: movie with Meg Ryan that he came back. It's the

523
00:26:21,600 --> 00:26:23,240
Speaker 1: thing that could kill you was actually the thing that

524
00:26:23,840 --> 00:26:27,280
Speaker 1: revived and sustained him for a decade was doing movies

525
00:26:27,359 --> 00:26:29,239
Speaker 1: with well well, how I mean, how often did did

526
00:26:29,359 --> 00:26:31,760
Speaker 1: Eddie Murphy disappear and then just come back with something great.

527
00:26:31,880 --> 00:26:33,760
Speaker 1: It's like then ten years later you're like, oh my god,

528
00:26:33,840 --> 00:26:35,280
Speaker 1: Eddie Murphy is the biggest thing in the world again,

529
00:26:35,280 --> 00:26:37,360
Speaker 1: and then he disappeared. Then he's the biggest thing. Happens

530
00:26:37,480 --> 00:26:43,639
Speaker 1: all Doolittle. Yeah, Yeah, this wonderful business of show my

531
00:26:43,800 --> 00:26:47,280
Speaker 1: friend has uh it certainly takes us all for a ride.

532
00:26:47,840 --> 00:26:51,639
Speaker 1: Um so very quickly, because we would be doing our

533
00:26:51,680 --> 00:26:54,480
Speaker 1: fans a disservice if we didn't, at least for two minutes.

534
00:26:54,520 --> 00:26:56,120
Speaker 1: We're gonna this is gonna be the video the big

535
00:26:56,200 --> 00:26:59,560
Speaker 1: video game episode, because apparently you've done a video game

536
00:26:59,600 --> 00:27:02,959
Speaker 1: in the past. I don't buy that one of them.

537
00:27:03,000 --> 00:27:05,159
Speaker 1: One of them hasn't come out yet. Then, but we

538
00:27:05,280 --> 00:27:07,960
Speaker 1: got to talk a little bit about your animation work,

539
00:27:08,320 --> 00:27:11,840
Speaker 1: because if I understand it, you were one of the

540
00:27:12,080 --> 00:27:15,879
Speaker 1: only actors too ever, so we've had a Batman centric

541
00:27:16,000 --> 00:27:18,199
Speaker 1: kind of run on. I hear voices because I'm Batman,

542
00:27:18,400 --> 00:27:22,359
Speaker 1: You're Batman, Rogers Batman, Kevin Kevin Conroy was on, He's Batman.

543
00:27:24,520 --> 00:27:27,399
Speaker 1: But I don't think I can think of another actor

544
00:27:27,440 --> 00:27:34,000
Speaker 1: who's been Batman, the Joker and Robin. To my knowledge,

545
00:27:34,119 --> 00:27:37,080
Speaker 1: that is true. There is certainly no one who has

546
00:27:37,200 --> 00:27:40,560
Speaker 1: played Batman and the Joker in the same thing, which

547
00:27:40,760 --> 00:27:43,280
Speaker 1: and I know that because that's how Gary Mariano got

548
00:27:43,320 --> 00:27:45,480
Speaker 1: me cast and said we're going to use another mark,

549
00:27:46,160 --> 00:27:47,879
Speaker 1: Gary by the way, who we've known for years and

550
00:27:47,960 --> 00:27:51,399
Speaker 1: was the original Kim Possible. Uh publicists, so we're a

551
00:27:51,440 --> 00:27:53,320
Speaker 1: big shout out to Gary Marianna. Actually he was a

552
00:27:53,400 --> 00:27:57,160
Speaker 1: character and Kim Possible a girl called Mary Gary. That's

553
00:27:57,160 --> 00:28:04,320
Speaker 1: a true story. That is a true story. Yeah, well,

554
00:28:05,280 --> 00:28:07,640
Speaker 1: Na got at it. Cardis real quick. I guess out

555
00:28:07,640 --> 00:28:13,280
Speaker 1: of its mid night. Don't worry about it, my friend.

556
00:28:14,840 --> 00:28:18,720
Speaker 1: That's a really scary impression. All right, we're bringing in

557
00:28:18,760 --> 00:28:20,919
Speaker 1: our guest. But before we do, Elizabeth, hang on one second,

558
00:28:20,960 --> 00:28:23,760
Speaker 1: because I want to just talk very quickly. Your career

559
00:28:23,840 --> 00:28:27,760
Speaker 1: amazing all the way around. Uh, you know, voice over animation,

560
00:28:28,000 --> 00:28:31,480
Speaker 1: video games character, your favorite character you've played so far,

561
00:28:31,760 --> 00:28:35,440
Speaker 1: followed by a character you wish you've played. M oh

562
00:28:37,680 --> 00:28:39,520
Speaker 1: Pursuing to this, it was one. It was a hell

563
00:28:39,560 --> 00:28:40,840
Speaker 1: of a thing to put on the cow and I've

564
00:28:40,880 --> 00:28:46,320
Speaker 1: I've certainly told this story at nauseum just because Batman

565
00:28:46,400 --> 00:28:48,080
Speaker 1: was the first graphic novel that ever bought. I remember

566
00:28:48,080 --> 00:28:49,920
Speaker 1: exactly where I was. It was it safely in Dallas

567
00:28:50,000 --> 00:28:53,640
Speaker 1: of Forest in Greenville, and I picked up it was

568
00:28:53,680 --> 00:28:56,440
Speaker 1: a mini comic and if anybody has ever seen those,

569
00:28:56,480 --> 00:28:58,240
Speaker 1: but it wasn't like the full side trade, but it

570
00:28:58,360 --> 00:29:00,240
Speaker 1: was a small version. I flipped through this and I

571
00:29:00,320 --> 00:29:02,000
Speaker 1: was like, this poor kid just lost his parents. Does

572
00:29:02,000 --> 00:29:05,840
Speaker 1: anybody know the story? And and then what got me

573
00:29:05,920 --> 00:29:09,520
Speaker 1: back in reading comics was right after death in the family,

574
00:29:09,720 --> 00:29:12,600
Speaker 1: and I was like, what happened up? And I had

575
00:29:12,600 --> 00:29:14,760
Speaker 1: to go back and I was like, who was this

576
00:29:15,040 --> 00:29:17,760
Speaker 1: kid chasing and like just holding holding him in his

577
00:29:17,880 --> 00:29:24,760
Speaker 1: arms on the cover Battered Body Night. So Batman has

578
00:29:24,760 --> 00:29:26,800
Speaker 1: always held a special place in my heart, and especially

579
00:29:26,840 --> 00:29:29,400
Speaker 1: like in my formative years it was running home to

580
00:29:29,960 --> 00:29:33,800
Speaker 1: to watch Batman animated series and when it was Batman

581
00:29:33,920 --> 00:29:37,200
Speaker 1: Superman Hour. As much as I love Superman. Uh, it

582
00:29:37,320 --> 00:29:39,840
Speaker 1: was always like I was a Superman episode. I always

583
00:29:39,840 --> 00:29:42,120
Speaker 1: wanted to see, even it was a man a happy days,

584
00:29:42,120 --> 00:29:48,640
Speaker 1: it's a happy I love that, even if it was

585
00:29:48,680 --> 00:29:50,600
Speaker 1: for nothing else. And I've I've even just started playing

586
00:29:50,680 --> 00:29:52,800
Speaker 1: the theme song from my from my son. It was

587
00:29:52,840 --> 00:29:57,280
Speaker 1: just that iconic Shirley Walker, you know, Danny Elfman. It's amazing.

588
00:29:57,320 --> 00:30:01,400
Speaker 1: It's changed the whole uh. And and then also to you,

589
00:30:01,720 --> 00:30:03,120
Speaker 1: I mean, I know that everyone talks about, you know,

590
00:30:03,240 --> 00:30:05,000
Speaker 1: the Boy meets World everything, but for me, it was like,

591
00:30:05,080 --> 00:30:07,640
Speaker 1: holy sh it, dude, I'm looking at this is Batman Beyond.

592
00:30:07,720 --> 00:30:09,080
Speaker 1: And it was the first time where I was like,

593
00:30:10,320 --> 00:30:12,400
Speaker 1: I was always afraid that Batman was going to die

594
00:30:12,520 --> 00:30:15,800
Speaker 1: with that with the show. And then Batman Beyond came out,

595
00:30:15,840 --> 00:30:17,280
Speaker 1: I was like, God, I can still be so good.

596
00:30:17,320 --> 00:30:19,520
Speaker 1: It could be iterated upon and you could put you

597
00:30:19,520 --> 00:30:22,120
Speaker 1: can put Batman, you could put a new Batman in

598
00:30:22,600 --> 00:30:27,400
Speaker 1: u an old bat So. Yeah. So to me, Batman

599
00:30:27,440 --> 00:30:30,920
Speaker 1: has always held something near and dear Joker means a

600
00:30:31,000 --> 00:30:32,560
Speaker 1: lot to me. Um first of all, because I think

601
00:30:32,560 --> 00:30:35,600
Speaker 1: it's one of the greatest characters ever in literature period.

602
00:30:35,760 --> 00:30:39,920
Speaker 1: He Shakespearean, I mean, he's that level of yeah, and

603
00:30:40,080 --> 00:30:42,400
Speaker 1: and everyone who has touched him has in some way

604
00:30:42,800 --> 00:30:45,200
Speaker 1: left there indelible mark on that character, killing jokes, you know,

605
00:30:45,240 --> 00:30:47,360
Speaker 1: and everything. So I've got all of them right there.

606
00:30:47,920 --> 00:30:50,560
Speaker 1: You can't see. But it was because it was it

607
00:30:50,600 --> 00:30:53,200
Speaker 1: was a wonderful lesson for me, because I remember going

608
00:30:53,240 --> 00:30:55,040
Speaker 1: into the audition and I've told the story a lot,

609
00:30:55,120 --> 00:30:57,520
Speaker 1: but going into the audition and realizing that I was

610
00:30:57,520 --> 00:30:59,760
Speaker 1: auditioning for the Joker and not knowing ahead of time

611
00:30:59,800 --> 00:31:04,360
Speaker 1: that what was happening, and I immediately got nervous and

612
00:31:04,840 --> 00:31:06,320
Speaker 1: I did what I could. I just couldn't get out

613
00:31:06,320 --> 00:31:07,920
Speaker 1: of the booth fast enough. And then I got offered

614
00:31:07,960 --> 00:31:09,760
Speaker 1: the role and I turned it down. And then I

615
00:31:09,800 --> 00:31:12,880
Speaker 1: got offered the role again, and I turned it down again. Uh.

616
00:31:13,120 --> 00:31:17,920
Speaker 1: And it wasn't until I got invited to Ames Kursion,

617
00:31:18,000 --> 00:31:20,680
Speaker 1: who was at the time head of Warner Brothers Games.

618
00:31:20,840 --> 00:31:22,480
Speaker 1: He brought me into his office and he played back

619
00:31:22,560 --> 00:31:26,320
Speaker 1: my audition video and he just turned press play and

620
00:31:26,680 --> 00:31:28,680
Speaker 1: we watched the monitor, which is the worst thing for

621
00:31:28,720 --> 00:31:31,400
Speaker 1: an act and I never want to see something He's like,

622
00:31:32,040 --> 00:31:33,720
Speaker 1: he was like, that's really good. I was like, thank

623
00:31:33,760 --> 00:31:36,080
Speaker 1: you mego, no, you don't get it. That's really good

624
00:31:36,480 --> 00:31:39,320
Speaker 1: and we think so and we're pretty smart, so you

625
00:31:39,440 --> 00:31:41,640
Speaker 1: need to get over yourself and tell me why you

626
00:31:41,720 --> 00:31:43,760
Speaker 1: were saying no. And I was just very honest, like

627
00:31:43,800 --> 00:31:45,880
Speaker 1: I'm really really scared because I'm on a good run

628
00:31:46,000 --> 00:31:48,560
Speaker 1: right now, and I could I'm afraid that this will

629
00:31:48,600 --> 00:31:51,200
Speaker 1: be the thing that's just too far out of my reach.

630
00:31:51,560 --> 00:31:57,960
Speaker 1: And it's easy to kind of swim and not not

631
00:31:58,040 --> 00:32:00,240
Speaker 1: to say that that Joel and Booker were not touches

632
00:32:00,320 --> 00:32:03,440
Speaker 1: and and and we worked hard for that, but that

633
00:32:03,720 --> 00:32:06,680
Speaker 1: was just this is quote by David Bowie that I

634
00:32:06,800 --> 00:32:09,000
Speaker 1: love where he was like, when you find yourself so

635
00:32:09,320 --> 00:32:11,400
Speaker 1: far enough away from shure that the water is just

636
00:32:11,720 --> 00:32:14,440
Speaker 1: under your nose and you can just barely touch, that's

637
00:32:14,440 --> 00:32:17,360
Speaker 1: when you do your best work. And I felt like

638
00:32:17,440 --> 00:32:20,240
Speaker 1: Joker could have been just one step too far and

639
00:32:20,600 --> 00:32:22,880
Speaker 1: true to the story, like Roger and I both would

640
00:32:22,880 --> 00:32:25,200
Speaker 1: walk out of every session. We're like they're gonna fire us,

641
00:32:25,880 --> 00:32:28,600
Speaker 1: Like we're gonna get fired. And the funny thing is

642
00:32:28,680 --> 00:32:29,920
Speaker 1: that not only did I get to do it for

643
00:32:30,200 --> 00:32:32,880
Speaker 1: Arkham Origins, but then they started calling me in for

644
00:32:33,280 --> 00:32:35,120
Speaker 1: doing stuff in the animated stuff, and and that is

645
00:32:35,200 --> 00:32:36,920
Speaker 1: just like going back to the twelve thirteen year old

646
00:32:36,960 --> 00:32:39,640
Speaker 1: kid and going just stick this out, man, it's gonna

647
00:32:39,720 --> 00:32:41,280
Speaker 1: get a lot better. I know, you get called a

648
00:32:41,360 --> 00:32:44,239
Speaker 1: lot of names and you're not good at sports. Um,

649
00:32:44,520 --> 00:32:46,360
Speaker 1: but this is this is actually gonna work out for you,

650
00:32:46,480 --> 00:32:48,880
Speaker 1: and then the thing that inspired you will ultimately be

651
00:32:48,960 --> 00:32:51,320
Speaker 1: the thing that you will find yourself doing. So it's

652
00:32:51,400 --> 00:32:54,560
Speaker 1: it's been a wonderful, wonderful story. That's and now the

653
00:32:54,680 --> 00:32:59,040
Speaker 1: part you wish you had. I have been very loud

654
00:32:59,120 --> 00:33:02,600
Speaker 1: about this. I am another comic book hero. I'm a

655
00:33:02,680 --> 00:33:06,880
Speaker 1: big Daredevil fan and I love, love love, and I

656
00:33:07,440 --> 00:33:09,720
Speaker 1: was fortunate to actually tell Charlie Cox kind of like

657
00:33:09,920 --> 00:33:12,440
Speaker 1: to his face. I was like, hey, man, I I'm

658
00:33:12,480 --> 00:33:14,800
Speaker 1: a massive Daredevil because yeah, I was like, no, no,

659
00:33:14,920 --> 00:33:19,440
Speaker 1: the comics and I I was really opposed to you

660
00:33:19,560 --> 00:33:23,120
Speaker 1: being Daredevil because you can either have blonde hair or

661
00:33:23,160 --> 00:33:25,680
Speaker 1: red hair, but not black hair, and you can't Irish accent.

662
00:33:27,120 --> 00:33:29,640
Speaker 1: And I said, you really, of all people for me

663
00:33:29,840 --> 00:33:32,880
Speaker 1: to be, you know, hypocritical of of of to say

664
00:33:32,960 --> 00:33:34,880
Speaker 1: that someone this is what the rule should look like

665
00:33:34,920 --> 00:33:36,640
Speaker 1: and you can't eat to write upon it. I was like, say,

666
00:33:36,680 --> 00:33:38,680
Speaker 1: you just really read define the role for me and

667
00:33:38,840 --> 00:33:41,320
Speaker 1: so I I love what they did with the Netflix series.

668
00:33:41,360 --> 00:33:43,560
Speaker 1: The main reason why I want to in some way

669
00:33:43,600 --> 00:33:47,160
Speaker 1: be involved in a in a Daredevil game is because

670
00:33:47,200 --> 00:33:49,160
Speaker 1: how do you how do you do that game? Because

671
00:33:49,280 --> 00:33:53,840
Speaker 1: every game is we play that because that character can

672
00:33:53,880 --> 00:33:56,480
Speaker 1: do something I can't. What happens when I can do

673
00:33:56,560 --> 00:33:59,160
Speaker 1: something that the character can't. And there's been a few games.

674
00:33:59,240 --> 00:34:01,000
Speaker 1: This is not to to slight the fact that there

675
00:34:01,040 --> 00:34:04,080
Speaker 1: have been some games that have touched on um being

676
00:34:04,400 --> 00:34:08,279
Speaker 1: non cited or or something that's having some normal sense

677
00:34:08,320 --> 00:34:11,600
Speaker 1: of perception that the character does not have. But I

678
00:34:11,680 --> 00:34:13,200
Speaker 1: just want to see how they do that with with

679
00:34:13,239 --> 00:34:18,800
Speaker 1: their devil so fingers crossed eventually the universe. Alright, so

680
00:34:18,920 --> 00:34:20,880
Speaker 1: I guess, but right but very quickly before we bring

681
00:34:20,960 --> 00:34:23,400
Speaker 1: in our guests, I just am finally able to announce

682
00:34:23,480 --> 00:34:25,879
Speaker 1: that I was just cast as Daredevil in the new

683
00:34:25,920 --> 00:34:29,640
Speaker 1: game coming out. I'm very happy I can finally tell people.

684
00:34:30,440 --> 00:34:34,880
Speaker 1: I gotta go pretty excited. I get Carpe lunched too.

685
00:34:34,880 --> 00:34:37,640
Speaker 1: They're letting me write it. I'm doing. I have no

686
00:34:37,800 --> 00:34:40,600
Speaker 1: I've never before pretty excited. I didn't even know who

687
00:34:40,640 --> 00:34:43,000
Speaker 1: it was. They just called me and offer me a

688
00:34:43,080 --> 00:34:47,840
Speaker 1: ridiculous amount of money. Dar Darry Devil. I don't know.

689
00:34:48,160 --> 00:34:49,680
Speaker 1: That's the other thing we could talk about at some point,

690
00:34:49,719 --> 00:34:51,320
Speaker 1: Tore is, you did the music for a lot of

691
00:34:51,400 --> 00:34:53,200
Speaker 1: your own video game, A lot of the video games

692
00:34:53,200 --> 00:34:58,920
Speaker 1: you're in. I did. What's funny is I've only it

693
00:34:58,960 --> 00:35:00,880
Speaker 1: wasn't until the last of that they were like, all right,

694
00:35:00,880 --> 00:35:03,720
Speaker 1: we could do a song. I was like, awesome, because normally,

695
00:35:03,760 --> 00:35:06,360
Speaker 1: like I pitched, I've pitched a couple of songs for

696
00:35:06,480 --> 00:35:08,680
Speaker 1: games that I've been It's like thinking maybe this will

697
00:35:08,680 --> 00:35:10,319
Speaker 1: be a thing to like, I would just think it's weird.

698
00:35:11,600 --> 00:35:13,800
Speaker 1: It's like because it's kind of like it's kind of

699
00:35:13,880 --> 00:35:17,320
Speaker 1: out of the box. I mean, it is that diagetic

700
00:35:17,360 --> 00:35:19,080
Speaker 1: about it. You know, it's like that's the lead character

701
00:35:19,120 --> 00:35:20,800
Speaker 1: singing a song. I'm like, that's weird. I get it.

702
00:35:21,120 --> 00:35:23,239
Speaker 1: You know. Like it's also going in and going like, oh,

703
00:35:23,239 --> 00:35:24,880
Speaker 1: you hired me as your lead actor. That's awesome. You

704
00:35:24,920 --> 00:35:26,200
Speaker 1: know what I'd love to do. I also love to

705
00:35:26,280 --> 00:35:28,520
Speaker 1: do the artwork for the cover, you know what I mean.

706
00:35:28,640 --> 00:35:32,880
Speaker 1: It's like it's like that we hired somebody to do

707
00:35:33,040 --> 00:35:35,319
Speaker 1: this already. I was like, alright, alright, alright, but they

708
00:35:35,440 --> 00:35:38,160
Speaker 1: you know, there was such a character moment, and it

709
00:35:38,239 --> 00:35:40,160
Speaker 1: was like that was an actually interesting challenge for me.

710
00:35:40,239 --> 00:35:42,480
Speaker 1: It's like, can you sing as a different character? And

711
00:35:42,880 --> 00:35:45,360
Speaker 1: never having done musical theater, I'm like, wow, that's a

712
00:35:45,880 --> 00:35:48,480
Speaker 1: that's a whole unique challenge that I've I've never thought

713
00:35:48,520 --> 00:35:51,040
Speaker 1: about doing. There's a lot of fun, but yeah, I

714
00:35:51,080 --> 00:35:52,759
Speaker 1: mean music is how I resually thought I was going

715
00:35:52,800 --> 00:35:54,480
Speaker 1: to light the world on fire. It was gonna be like, yeah,

716
00:35:54,480 --> 00:35:57,800
Speaker 1: I'm a rock star. Nope, not at all. You never know.

717
00:35:58,800 --> 00:36:02,480
Speaker 1: You wrote a song for Batman Beyond and they yeah,

718
00:36:02,560 --> 00:36:04,480
Speaker 1: they didn't want my Batman Beyond songs, so I was

719
00:36:11,120 --> 00:36:16,000
Speaker 1: bound they don't like it at all. I I understand.

720
00:36:16,200 --> 00:36:19,120
Speaker 1: I understand why a lot of like actors or whatever

721
00:36:19,320 --> 00:36:22,440
Speaker 1: end up having like vanity bands. Like I understand what

722
00:36:22,600 --> 00:36:25,799
Speaker 1: Keeper Sutherland has a band. It's because you know that guy,

723
00:36:26,160 --> 00:36:27,839
Speaker 1: he grew up with a little bit of a silver

724
00:36:27,920 --> 00:36:31,040
Speaker 1: spoon in his mouth. But a lot of people who

725
00:36:31,320 --> 00:36:34,720
Speaker 1: started off I wanted to become musicians and then found

726
00:36:34,760 --> 00:36:37,920
Speaker 1: themselves acting and that becoming the vehicle for it. Was like, well,

727
00:36:38,600 --> 00:36:40,879
Speaker 1: now I want to do music where it's a recreation

728
00:36:41,040 --> 00:36:42,520
Speaker 1: and not a vocation. Because I have a lot of

729
00:36:42,560 --> 00:36:47,160
Speaker 1: friends that are professional musicians, and that is a scary thing.

730
00:36:47,480 --> 00:36:51,200
Speaker 1: Like I know people that can't imagine Sideman for huge bands,

731
00:36:51,239 --> 00:36:53,120
Speaker 1: They're like, yeah, I'm on tour right now with you

732
00:36:53,200 --> 00:36:57,719
Speaker 1: know Beck or whatever. It's like, what, yeah, no, it's great.

733
00:36:57,760 --> 00:36:59,719
Speaker 1: It's also yeah, it's it's one of those things too

734
00:36:59,760 --> 00:37:01,839
Speaker 1: that it's I mean, like the one who always comes

735
00:37:01,840 --> 00:37:04,480
Speaker 1: to my mind is River Phoenix, where that's all he

736
00:37:04,520 --> 00:37:06,319
Speaker 1: wanted to be. Was was a rock star, and they

737
00:37:06,880 --> 00:37:09,239
Speaker 1: his one of his bandmates after he passed away, he said, yeah,

738
00:37:09,239 --> 00:37:10,960
Speaker 1: he was. He was a rock star who just happened

739
00:37:10,960 --> 00:37:13,319
Speaker 1: to have a really great day job. And I thought

740
00:37:13,320 --> 00:37:14,640
Speaker 1: I always thought that was the cool way of looking

741
00:37:14,680 --> 00:37:18,319
Speaker 1: at it. Wenrible Guitarist too, Yeah, all had a good

742
00:37:18,400 --> 00:37:20,560
Speaker 1: day job of being a really good actor and movie star.

743
00:37:20,719 --> 00:37:23,719
Speaker 1: Like okay, that's that's great. Um, but I still think that.

744
00:37:25,000 --> 00:37:30,160
Speaker 1: I think World Melody, but you're just it's bad meats World.

745
00:37:31,680 --> 00:37:38,319
Speaker 1: Oh nice? I like that could double. That's my If

746
00:37:38,360 --> 00:37:40,239
Speaker 1: I could get sued by Warner Brothers in Disney in

747
00:37:40,280 --> 00:37:43,720
Speaker 1: the same day, that would be your Batman and the Joker.

748
00:37:43,760 --> 00:37:51,080
Speaker 1: It's like big deal. Troy exactly desisted back from the

749
00:37:51,239 --> 00:37:55,000
Speaker 1: two biggest companies in the world, from Discovery and Disney.

750
00:37:55,920 --> 00:37:59,960
Speaker 1: What's up? Now, We're gonna bring in our special gat

751
00:38:00,360 --> 00:38:02,719
Speaker 1: who is an up and coming voiceover actor who is

752
00:38:02,719 --> 00:38:06,480
Speaker 1: going to work with the great Christie Carlson and Troy

753
00:38:06,520 --> 00:38:10,439
Speaker 1: Baker took so Elizabeth and we want to bring him in. Yes,

754
00:38:12,680 --> 00:38:21,880
Speaker 1: and now we wait. Just my god, that shirt, my friend,

755
00:38:22,800 --> 00:38:25,240
Speaker 1: it feels like I'm looking like like that's a Pokemon

756
00:38:25,360 --> 00:38:26,920
Speaker 1: shirt and you caught them all and put them on

757
00:38:27,000 --> 00:38:31,120
Speaker 1: a shirt. Hey, everybody, how are you justin? Welcome to

758
00:38:31,200 --> 00:38:34,040
Speaker 1: I hear voices. How are you doing? I am doing

759
00:38:34,160 --> 00:38:36,640
Speaker 1: so good, guys. It is just this is a surreal

760
00:38:36,760 --> 00:38:40,080
Speaker 1: moment right on. Man. Where are you from? Justin So,

761
00:38:40,480 --> 00:38:45,759
Speaker 1: I'm from Arkansas, Northwest Arkansas, Bentonville. Okay, and are you ready?

762
00:38:46,440 --> 00:38:48,279
Speaker 1: We're gonna jump right into it. Then let's do it.

763
00:38:48,680 --> 00:38:51,279
Speaker 1: Do you have your script? I haven't, let me get it. Yeah,

764
00:38:51,320 --> 00:38:54,520
Speaker 1: it's right here, all right, So Troy, uh and Justin

765
00:38:54,680 --> 00:38:56,960
Speaker 1: for for you? Uh? Neither of you have been on

766
00:38:57,000 --> 00:38:58,640
Speaker 1: the show before. We play a little game every week

767
00:38:58,680 --> 00:39:03,000
Speaker 1: called Across the Garden where Christine I play two little

768
00:39:03,040 --> 00:39:06,600
Speaker 1: mice who we very quickly named Ricky and Mocha having

769
00:39:06,680 --> 00:39:08,000
Speaker 1: no idea that we were going to stick with these

770
00:39:08,040 --> 00:39:12,080
Speaker 1: characters every week. So what then happened is we decided

771
00:39:12,120 --> 00:39:14,319
Speaker 1: the best game to play is two little mice trying

772
00:39:14,360 --> 00:39:16,680
Speaker 1: to get across the garden to go to the mall

773
00:39:17,000 --> 00:39:19,080
Speaker 1: so that Christie can meet her boyfriend at the mall

774
00:39:19,840 --> 00:39:23,160
Speaker 1: and all of the crazy woodland creatures and things we

775
00:39:23,320 --> 00:39:25,080
Speaker 1: meet along the way. And I would like to point

776
00:39:25,080 --> 00:39:28,440
Speaker 1: out as we get into this this scene that Justin

777
00:39:29,000 --> 00:39:32,600
Speaker 1: specifically requested to play, and I thought this was brilliant.

778
00:39:33,080 --> 00:39:36,359
Speaker 1: A discarded tennis ball that just happens to be left

779
00:39:36,400 --> 00:39:39,239
Speaker 1: in the woods, which is this is classic Campbell, you know,

780
00:39:39,480 --> 00:39:42,719
Speaker 1: it's just the hero's journey. That's how I look at it.

781
00:39:42,760 --> 00:39:47,760
Speaker 1: As well. It is Beowulf obviously, Um there's a Homer

782
00:39:47,840 --> 00:39:50,680
Speaker 1: aspect to it. It is the Iliad, it is the

783
00:39:50,760 --> 00:39:55,680
Speaker 1: Odyssey as a tennis ball. Those those three things all

784
00:39:55,719 --> 00:40:01,120
Speaker 1: kind of they do they melt. So if you mind, Troy,

785
00:40:01,239 --> 00:40:06,120
Speaker 1: we would love for you to play Sean the incredibly

786
00:40:06,560 --> 00:40:10,520
Speaker 1: ripped Squirrel. You can, of course take do anything with

787
00:40:10,560 --> 00:40:12,520
Speaker 1: the character that you'd like to do. It is up

788
00:40:12,560 --> 00:40:16,280
Speaker 1: to you entirely. Christy, you will of course be playing Mocha.

789
00:40:16,400 --> 00:40:20,759
Speaker 1: I will be playing Ricky and uh, nobody's getting paid

790
00:40:20,800 --> 00:40:22,719
Speaker 1: for this but me, but we'll get into that later.

791
00:40:23,320 --> 00:40:25,320
Speaker 1: I've already sold the rights, but just for my character.

792
00:40:25,560 --> 00:40:27,759
Speaker 1: The toys are being made now. You can see them

793
00:40:27,840 --> 00:40:31,840
Speaker 1: also sponsoring my new Daredevil show, which we'll get into it.

794
00:40:36,960 --> 00:40:40,440
Speaker 1: Everybody ready, you got your stuff? Justin here we go.

795
00:40:40,600 --> 00:40:42,840
Speaker 1: We're gonna record this in one and then we'll go

796
00:40:42,920 --> 00:40:44,720
Speaker 1: get pick ups if we need to, and then hopefully

797
00:40:44,719 --> 00:40:46,840
Speaker 1: we're gonna have all this stuff animated. And justin you

798
00:40:46,920 --> 00:40:48,680
Speaker 1: get to be in a cartoon with Troy Baker, which

799
00:40:48,719 --> 00:40:50,480
Speaker 1: is the coolest thing in the world. I've done it.

800
00:40:50,840 --> 00:40:54,279
Speaker 1: It's overrated, but it's a lot of fun. So here

801
00:40:54,360 --> 00:40:56,440
Speaker 1: you go, Mocha and Ricky. We round the corner and

802
00:40:56,480 --> 00:40:59,600
Speaker 1: we come to a bridge. The water swirls beneath a voice.

803
00:41:00,080 --> 00:41:02,440
Speaker 1: To cross this bridge, you need to meet the troll

804
00:41:02,520 --> 00:41:09,719
Speaker 1: and wait, wait, give me a second. Sorry, happens all

805
00:41:09,760 --> 00:41:12,960
Speaker 1: the time. Where was I we meet? We need to

806
00:41:13,040 --> 00:41:16,480
Speaker 1: meet the troll and we need to troll and answer

807
00:41:16,560 --> 00:41:20,560
Speaker 1: three questions. I hate trolls are always clogging at my

808
00:41:20,760 --> 00:41:25,080
Speaker 1: feed with their negativity. We can't all be fabulous. Just

809
00:41:25,400 --> 00:41:28,719
Speaker 1: how it is not that kind of troll. The other kind,

810
00:41:28,920 --> 00:41:32,239
Speaker 1: the horrible, ugly, mean kind. He has me in a

811
00:41:32,360 --> 00:41:35,239
Speaker 1: spell and I can't leave. Um so wait, how did

812
00:41:35,280 --> 00:41:39,640
Speaker 1: you get here? That's a long story. Okay, well too bad.

813
00:41:39,920 --> 00:41:43,719
Speaker 1: We'll just and now there's a flashback. Darkness, and then

814
00:41:43,719 --> 00:41:46,400
Speaker 1: a pop and light seeps in. I started in the

815
00:41:46,480 --> 00:41:49,080
Speaker 1: tube with my brothers and sisters, as we all do.

816
00:41:50,120 --> 00:41:57,520
Speaker 1: My first memory. Wait, give me a second. Sorry, it

817
00:41:57,560 --> 00:42:00,439
Speaker 1: happens all the time. Where was I in the middle

818
00:42:00,520 --> 00:42:06,800
Speaker 1: of your boring flashback? Oh? Yeah, first it wasn't. Okay,

819
00:42:06,960 --> 00:42:08,880
Speaker 1: I don't mean to be this guy. But can you

820
00:42:08,960 --> 00:42:10,440
Speaker 1: cut to the bad park because we kind of got

821
00:42:10,560 --> 00:42:14,040
Speaker 1: to be somewhere. Wow, fine, hit over the fence, picked

822
00:42:14,120 --> 00:42:16,160
Speaker 1: up by a dog, chewed on for a while, lost

823
00:42:16,200 --> 00:42:20,279
Speaker 1: in the garden, evil troll happy, not in months now?

824
00:42:20,560 --> 00:42:25,040
Speaker 1: How do we hang echoes near a bridge? Oh? No,

825
00:42:25,719 --> 00:42:27,960
Speaker 1: we combed, and then in slow motion we see a

826
00:42:28,080 --> 00:42:31,240
Speaker 1: beautiful squirrel with great muscles walks out from under the bridge.

827
00:42:31,400 --> 00:42:35,440
Speaker 1: Mocha is memorized as he saunters over to that he's hideous.

828
00:42:35,960 --> 00:42:44,440
Speaker 1: Oh quiet, you canna help you? Mocha can't stop staring. Hello, okay, Wow, okay,

829
00:42:44,480 --> 00:42:47,120
Speaker 1: I guess I'll do the talking. We're trying to get

830
00:42:47,160 --> 00:42:49,120
Speaker 1: to the mall so my sister can meet her boyfriend.

831
00:42:50,120 --> 00:42:56,160
Speaker 1: He's not really my boyfriend. I mean it's actually pretty casual. Okay.

832
00:42:56,280 --> 00:42:59,120
Speaker 1: Any who do we have to answer questions or whatever

833
00:42:59,200 --> 00:43:03,000
Speaker 1: to cross your bridge? Singing again with the questions? No,

834
00:43:03,800 --> 00:43:08,520
Speaker 1: there are no questions, no, maybe one? Is this yourre

835
00:43:08,560 --> 00:43:15,359
Speaker 1: too tight? Absolutely too tight? Yes? Why do you keep

836
00:43:15,400 --> 00:43:18,080
Speaker 1: telling people they need to answer questions to cross the bridge?

837
00:43:19,280 --> 00:43:26,160
Speaker 1: Something to do? Forgiven? I'm Sean pretty cool, right, that's

838
00:43:26,239 --> 00:43:28,440
Speaker 1: my name. You're going to the mall, the big one

839
00:43:28,480 --> 00:43:34,200
Speaker 1: with the forever twenty one and never Yeah? Yeah, okay.

840
00:43:34,520 --> 00:43:36,279
Speaker 1: You don't want to take two more bridges than the

841
00:43:36,400 --> 00:43:37,880
Speaker 1: left of the big oak tree than a right of

842
00:43:37,960 --> 00:43:42,279
Speaker 1: a dead buddy? What? Yeah, I have a big old tree.

843
00:43:42,360 --> 00:43:50,279
Speaker 1: Good luck? Wait are you answer? Actually I am. It's

844
00:43:50,400 --> 00:43:54,160
Speaker 1: at Forgotten Felt Ball right there. There are two others.

845
00:43:54,400 --> 00:44:01,440
Speaker 1: It's a club. Come on, let's go and onto the

846
00:44:01,600 --> 00:44:08,560
Speaker 1: mall we go. That was great, justin you nailed it,

847
00:44:08,680 --> 00:44:15,480
Speaker 1: my friend, he really did kind of awesome. Alry to

848
00:44:15,560 --> 00:44:17,960
Speaker 1: animate that for you, by the way, justin, so everybody

849
00:44:18,080 --> 00:44:20,839
Speaker 1: knows where Can people find you on your socials at

850
00:44:21,040 --> 00:44:25,759
Speaker 1: Forgotten Felts, Yeah, the one through I'm actually every member

851
00:44:25,800 --> 00:44:29,520
Speaker 1: of the club. No, um, it's at at Justin Garden

852
00:44:30,360 --> 00:44:34,320
Speaker 1: on most of the platforms, um, Facebook, Twitter, at j

853
00:44:34,600 --> 00:44:38,799
Speaker 1: R Garden, at j R Garden on Instagram, and at

854
00:44:38,920 --> 00:44:41,800
Speaker 1: rapping Tunes on TikTok. And is that what you is? This?

855
00:44:42,200 --> 00:44:44,360
Speaker 1: Is this your dream to be a voice over actor? Actually?

856
00:44:44,440 --> 00:44:47,759
Speaker 1: Yeah it is. Uh. I know, you know, I've heard

857
00:44:47,800 --> 00:44:50,839
Speaker 1: so many stories of like actors who who didn't start

858
00:44:50,880 --> 00:44:53,759
Speaker 1: out doing that, but that that pretty much has been

859
00:44:53,840 --> 00:44:57,319
Speaker 1: my dream. So yeah, it's just incredible to be here

860
00:44:57,360 --> 00:45:00,880
Speaker 1: with you guys some of my childhood rows and icons

861
00:45:00,920 --> 00:45:03,560
Speaker 1: that I've grown up with. So um, yeah, it's amazing.

862
00:45:05,400 --> 00:45:09,359
Speaker 1: Nan troyk uh No, Troy. I just I wanted to say, hey,

863
00:45:09,480 --> 00:45:12,520
Speaker 1: I just finished up season three and four of Justice

864
00:45:12,600 --> 00:45:17,080
Speaker 1: League or excuse me a young Justin Justice excellent as Brian,

865
00:45:18,000 --> 00:45:22,040
Speaker 1: Thank you man. Yeah, Greg and Brandon crushed that show, dude,

866
00:45:22,080 --> 00:45:24,080
Speaker 1: and everyone that works on it is is incredible. I

867
00:45:24,239 --> 00:45:26,440
Speaker 1: love the I mean I was a huge young just

868
00:45:26,840 --> 00:45:28,360
Speaker 1: young Justice fan. I can't you did it to me

869
00:45:28,520 --> 00:45:30,960
Speaker 1: to Justin. I was a huge young Justice fan. Two,

870
00:45:31,040 --> 00:45:32,440
Speaker 1: so coming into it and being able to be a

871
00:45:32,480 --> 00:45:35,280
Speaker 1: part of that conversation that they're they're having is amazing.

872
00:45:35,480 --> 00:45:39,480
Speaker 1: Thanks man, I'm a fan too. Yeah, that's great. Justin,

873
00:45:39,840 --> 00:45:41,759
Speaker 1: thank you so much for joining us. Keep doing what

874
00:45:41,840 --> 00:45:44,200
Speaker 1: you're doing, my friend. Uh and you're gonna you're gonna

875
00:45:44,239 --> 00:45:46,479
Speaker 1: already already in a cartoon so that you're one step

876
00:45:46,520 --> 00:45:52,040
Speaker 1: ahead in congratulations. Thank you, will Christie, thank you so

877
00:45:52,160 --> 00:45:55,200
Speaker 1: much for doing this. Um, it's been amazing. Appreciate it.

878
00:45:55,239 --> 00:46:00,600
Speaker 1: Thank you so much, justin. Thanks for joining us. Oh

879
00:46:00,680 --> 00:46:05,440
Speaker 1: that is so much that those are really funny? Who

880
00:46:05,680 --> 00:46:10,840
Speaker 1: wrote this garbage? That? What that was? That was funny?

881
00:46:11,600 --> 00:46:15,759
Speaker 1: Adam Adam Beach and wrote it, ud Adam. Don't you

882
00:46:15,840 --> 00:46:18,879
Speaker 1: love Adam? Well, Troy Baker, we were we were lucky

883
00:46:18,960 --> 00:46:20,960
Speaker 1: to get you for an hour. So I'm amazed you're

884
00:46:21,000 --> 00:46:23,919
Speaker 1: still here. Frankly, thank you. Didn't you do it as

885
00:46:24,000 --> 00:46:26,200
Speaker 1: you were doing this? Also record three new video games?

886
00:46:26,320 --> 00:46:28,279
Speaker 1: I think, but I mean I'll do the third one.

887
00:46:28,320 --> 00:46:29,719
Speaker 1: There was really just kind of pick up s A R.

888
00:46:29,760 --> 00:46:31,760
Speaker 1: It's fine. That's the funny part is from the waist

889
00:46:31,880 --> 00:46:38,120
Speaker 1: down Troy is still no cap Oh yes with the

890
00:46:38,200 --> 00:46:42,120
Speaker 1: balls with balls for the waist down the go pro

891
00:46:42,239 --> 00:46:46,160
Speaker 1: appointed well everybody, uh no no no, no no no

892
00:46:46,280 --> 00:46:49,400
Speaker 1: no no no no no no, So Troy, as we

893
00:46:49,480 --> 00:46:52,080
Speaker 1: did with Justin, where can everybody find you? On socials

894
00:46:52,120 --> 00:46:54,400
Speaker 1: as if we even have what am I? I'm official

895
00:46:54,440 --> 00:46:57,600
Speaker 1: Troy Baker on the instas at Troy Baker v A

896
00:46:58,040 --> 00:47:00,440
Speaker 1: on on the twitters. I haven't jumped in the tech Okay,

897
00:47:00,880 --> 00:47:03,040
Speaker 1: I don't know. Maybe I'll do it. Maybe maybe I won't.

898
00:47:03,080 --> 00:47:04,480
Speaker 1: If I if I have something to say, then I'll

899
00:47:04,480 --> 00:47:06,560
Speaker 1: probably jump onto it. So yeah, there you go holler

900
00:47:06,680 --> 00:47:12,239
Speaker 1: at me there, I guess, as people say, thank you

901
00:47:12,400 --> 00:47:16,960
Speaker 1: so much for talking with us, the legendary Troy Baker

902
00:47:17,000 --> 00:47:19,239
Speaker 1: has joined us. Thank you everybody. Just play a video

903
00:47:19,280 --> 00:47:23,440
Speaker 1: game or watching cartoon and you will get everywhere is everywhere.

904
00:47:24,120 --> 00:47:26,680
Speaker 1: Uh it gets a little creepy. And once again we

905
00:47:26,880 --> 00:47:29,799
Speaker 1: are sponsored by my new Daredevil show coming out March

906
00:47:30,680 --> 00:47:33,560
Speaker 1: dar dvel. It is a wonderful show. I get to

907
00:47:33,600 --> 00:47:35,799
Speaker 1: do everything on it. It's awesome. For the record, none

908
00:47:35,800 --> 00:47:37,759
Speaker 1: of that is true. I'm just making Troy feel bad.

909
00:47:38,719 --> 00:47:40,880
Speaker 1: Thank you so much for joining us. My friend Christy,

910
00:47:41,200 --> 00:47:44,400
Speaker 1: have fun, go get more sun and whatever by the ocean.

911
00:47:44,680 --> 00:47:47,360
Speaker 1: Little mommy time, little mommy time here in Cancoon. I

912
00:47:47,400 --> 00:47:50,240
Speaker 1: don't know if I mentioned that I was in Cancoon

913
00:47:50,560 --> 00:47:53,440
Speaker 1: right now. Yeah, that's what she says. She's just in

914
00:47:53,480 --> 00:47:56,600
Speaker 1: front of a really weird teal the Mandalorian screen. Actually,

915
00:47:56,680 --> 00:47:59,239
Speaker 1: it's weird that they have this. I was like, oh,

916
00:48:00,000 --> 00:48:02,719
Speaker 1: effect for will you be podcasting while you're with us

917
00:48:02,800 --> 00:48:06,960
Speaker 1: this weekend? I will we have our podcasting accommodation podcast

918
00:48:07,000 --> 00:48:10,600
Speaker 1: screen in the podcast. No many fridge, No many fridge,

919
00:48:10,600 --> 00:48:16,440
Speaker 1: but they do have a Oh Troy Baker. Thank you

920
00:48:16,560 --> 00:48:21,120
Speaker 1: so much, my friend, Joy, and from your philosophy to

921
00:48:21,239 --> 00:48:24,160
Speaker 1: your work, it is always a pleasure. Thanks everybody, Thank

922
00:48:24,200 --> 00:48:30,800
Speaker 1: you guys. I Hear Voices assosted by Wilfred L and

923
00:48:30,840 --> 00:48:33,400
Speaker 1: Christie Garls and Romano, produced by Elizabe Joy Windham and

924
00:48:33,440 --> 00:48:36,480
Speaker 1: executive produced by Brendan Rooney and Wilfred L. Our sound

925
00:48:36,520 --> 00:48:38,960
Speaker 1: engineer and editor is Elizabeth Joy Windham, and our video

926
00:48:39,080 --> 00:48:42,799
Speaker 1: editor is at Guardo Gamba And that was my announcer voice.

927
00:48:43,280 --> 00:48:45,759
Speaker 1: Some side effects of listening to I Hear Voices are

928
00:48:45,880 --> 00:48:49,160
Speaker 1: sore abs from larity falling down the Coco melon rabbit hole,

929
00:48:49,320 --> 00:48:52,399
Speaker 1: sneezing due to mass nostalgia. And hugs. Follow I Hear

930
00:48:52,480 --> 00:48:54,560
Speaker 1: Voices where ever you listen to podcasts, you don't miss

931
00:48:54,600 --> 00:48:57,200
Speaker 1: any of the amazing voices. Be sure to follow us

932
00:48:57,239 --> 00:49:00,320
Speaker 1: on Instagram and TikTok and I Hear Voices podcast. To

933
00:49:00,360 --> 00:49:02,719
Speaker 1: see the video stream, subscribe to my YouTube channel. You

934
00:49:02,760 --> 00:49:05,400
Speaker 1: can also check us out on my space omeegl Vine,

935
00:49:05,560 --> 00:49:08,480
Speaker 1: Lime Wire. Am a napster? Okay, well let's teach you

936
00:49:08,520 --> 00:49:12,000
Speaker 1: about the Internet. What M