WEBVTT - Peacemaker with Chukwudi Iwuji

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<v Speaker 1>Warning. This podcast can take spoilers for Peacemaker or HBO Max,

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<v Speaker 1>as well as the DCEU in general, some comics, most

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<v Speaker 1>notably the Peacemaker limited series original limited series from DC

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<v Speaker 1>in the eighties, and oddly enough Avengers, Age of Voltron

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<v Speaker 1>and X Men First Class, and probably a little bit more.

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<v Speaker 1>You have been warned. If you haven't watched those things,

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<v Speaker 1>read those things, you may get spoiled. Hello, my name

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<v Speaker 1>is jasonce Upchiana. Welcome to x ray Vision The Crooked Podcast,

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<v Speaker 1>where for twenty five episodes we have doven deep into

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<v Speaker 1>your favorite shows, movies, comics, and pop culture. In today's episode,

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<v Speaker 1>on previously on some casting News, Paul Dano's full immersion

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<v Speaker 1>into the meat Suit of the Riddler, of some Thor

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<v Speaker 1>Love and Thunder Lego news, and some other stuff about

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<v Speaker 1>Marvel in the Airlock, we will be talking about HBO

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<v Speaker 1>Max's Peacemaker, the finale of which aired last week. In

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<v Speaker 1>the high Mind, we are joined by Peacemaker star Chuck

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<v Speaker 1>Woody Woujie, who plays Mern on Peacemaker and is a

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<v Speaker 1>wonderful human being, and we had a great conversation underd out.

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<v Speaker 1>A listener tells us why we should care about the

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<v Speaker 1>legend of Vox Makina on Amazon and in the endgame.

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<v Speaker 1>Who is our favorite villain turned hero and joining me

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<v Speaker 1>today to talk about everything is the brilliant, the talented,

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<v Speaker 1>the hilarious, the only one who could be here today

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<v Speaker 1>for the twenty fifth episode of X ray Vision. It

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<v Speaker 1>is a great Rosie night, Rosie. How are you today?

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<v Speaker 2>I'm happy to be here. Happy twenty fifth episode.

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<v Speaker 1>We made a quarter century of x ray Vision. Wow,

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<v Speaker 1>spanning the generation. We've done it, folks. Okay, let's get

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<v Speaker 1>to the news. First. Up, some casting news for Craven,

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<v Speaker 1>the Sony Pictures Spider Man Universe property. We already know

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<v Speaker 1>that Aaron Taylor Johnson, the very handsome Aaron Taylor Johnson

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<v Speaker 1>from kick Ass and other fame, is the titular Craven,

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<v Speaker 1>the Russian hunting enthusiast who so annoys Spider Man throughout

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<v Speaker 1>his various comics adventures. He will be joined by Fred Heckinger,

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<v Speaker 1>who you might remember from White Lotus if you watch

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<v Speaker 1>White Lotus. He is the younger brother who has to

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<v Speaker 1>sleep in the closet because his sister and sister's friend

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<v Speaker 1>find him annoying. He is coming on to play a

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<v Speaker 1>role that we don't know what the role is yet,

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<v Speaker 1>but there's a lot of scuttle bout out there that

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<v Speaker 1>it could be a Chameleon who is of course Craven's brother.

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<v Speaker 1>Any thoughts of this, Rosie, It is.

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<v Speaker 2>Very out of there. I think the the rumors being

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<v Speaker 2>that it's Chameleon and specifically the half brother of Craven,

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<v Speaker 2>which is like a real like nineties thing. I think

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<v Speaker 2>that's very interesting to me. I love Aaron Taylor Johnson.

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<v Speaker 2>I think he was wasted. I'm in the MCU, so

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<v Speaker 2>I'm excited to see him get another chance here. I

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<v Speaker 2>dream of a world where we see the real Craven costume,

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<v Speaker 2>like you know, the I hope that we get some

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<v Speaker 2>fun things like that. I also think it's really interesting.

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<v Speaker 2>I mean, this is great casting, like Fred is really great,

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<v Speaker 2>so go for it. But I think it's really interesting

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<v Speaker 2>that the rumor around Russell Crowe, who was also reportedly cast,

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<v Speaker 2>is that he's going to be Craven's dad. So I'm

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<v Speaker 2>interested in this weird like family, interesting legacy kind of

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<v Speaker 2>villain movie.

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<v Speaker 1>I hope we get the Nick Spencer version of Craven,

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<v Speaker 1>which is kind of like leans into the humorous side

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<v Speaker 1>of Craven a little bit more rather than like eighties

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<v Speaker 1>and nineties, you know, really really super super dark Craven.

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<v Speaker 1>I will say that I agree with you, Aaron Taylor Johnson.

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<v Speaker 1>I have always been a big fan, going back to

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<v Speaker 1>kick Ass. I think that I agree with you. He

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<v Speaker 1>is wasted, as as Quicksilver the Marvel Universe. But I

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<v Speaker 1>just want to say this, his death is one hundred

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<v Speaker 1>percent Hawkeye's fault. One unquestionably million, hundred billion, trillion percent.

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<v Speaker 1>Hawkeye gave up. If you go back and watch I know,

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<v Speaker 1>if you go back and watch that scene, Hawkeye grabs

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<v Speaker 1>the kid and then the gun starts shooting towards him,

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<v Speaker 1>and then Hawkeye could he could dive out of the way,

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<v Speaker 1>He could dive left, or he could dive right. Instead,

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<v Speaker 1>He's like, you know what, I'm gassed out. I'm just

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<v Speaker 1>going to turn my back and not watch us both

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<v Speaker 1>get shot. And that necessitated Quicksilver having to come in

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<v Speaker 1>and save the day, and of course Quicksilver dies, And

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<v Speaker 1>again I blame Hawkeye for.

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<v Speaker 2>This undred percent. Also, couldn't he have shot fast arrow?

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<v Speaker 2>Like we know that he's quick. Also, I'm just gonna

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<v Speaker 2>say it out that this is like to me, this death,

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<v Speaker 2>especially because this is cool casting, even if it didn't

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<v Speaker 2>necessarily go the way it is also spoilers for Age

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<v Speaker 2>of Ultron Lowell. But like, this death to me is

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<v Speaker 2>up there with unacceptable deaths in a comic book movie.

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<v Speaker 2>This and Darwin in Fast Darwin Can Die.

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<v Speaker 1>I don't ever want to talk about that again, because

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<v Speaker 1>that movie. That movie is really good actually, except for

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<v Speaker 1>killing Darwin in the fashion and again spoiler killing Darwin

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<v Speaker 1>in the fashion in which he dies.

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<v Speaker 2>Yeah, it's I.

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<v Speaker 1>Don't even want the only black mutant in the fucking movie.

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<v Speaker 1>It's terrible. Oh, we would not die like that.

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<v Speaker 2>And then also, don't forget about Zoe Kravitz's Angel Salva.

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<v Speaker 1>Yeah yeah, but.

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<v Speaker 2>Written out yeah the movie. But yeah, that Darwin can't die.

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<v Speaker 2>He literally evolves the point of the mutation. And Quicksilver

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<v Speaker 2>cannot get shot to death because he is quicksilver. He

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<v Speaker 2>can move.

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<v Speaker 1>Bullet, he can outrun the bullets. Folks het Okay, but yeah,

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<v Speaker 1>he will be any here.

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<v Speaker 2>This is good casting. And if you saw TenneT and

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<v Speaker 2>you managed to get through the first half and watch

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<v Speaker 2>the second half where it kind of changes, he is

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<v Speaker 2>when I saw him in that movie where he has

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<v Speaker 2>a brilliant but small role. That's when I realized why

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<v Speaker 2>they cast him in this, Because if you think about

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<v Speaker 2>him in Kick Cass or Quicksilver, it doesn't necessarily make sense.

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<v Speaker 2>But in Tenne, you see him and you're like, oh,

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<v Speaker 2>that's Craven.

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<v Speaker 1>Next up, Marvel's Horror Verse is beginning to take shape

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<v Speaker 1>some casting news for the upcoming Blade project. Aaron Pierre

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<v Speaker 1>from Krypton from Old from Barry jenkins upcoming Lion King prequel,

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<v Speaker 1>has been cast in an unknown role in Marvel's Blade,

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<v Speaker 1>starring mar herschel Ali of course as Blade, and also

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<v Speaker 1>Delroy Lindo. According to Deadline, role is said to be

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<v Speaker 1>quote one of the more highly coveted parts in Hollywood

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<v Speaker 1>since Basaanterarique was tapped as director last fall. Rosie, who

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<v Speaker 1>do you think this means? Who does this mean?

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<v Speaker 2>This is just such a good I have to say, right,

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<v Speaker 2>so often when we get these castings where like, oh,

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<v Speaker 2>of course we don't know who it is. They don't

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<v Speaker 2>want to really but like reveal it. But this is

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<v Speaker 2>so well done that they snuck this little line where

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<v Speaker 2>they're like, it's one of the most, so we know realistically,

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<v Speaker 2>this is my read. It's not somebody who we know

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<v Speaker 2>from Blade because in the Blade comics there are not

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<v Speaker 2>that many famous characters right aside, and because Aaron Pierre

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<v Speaker 2>is a guy and he's older. A lot of the

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<v Speaker 2>rumors about the Blade movie for a long time, whether

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<v Speaker 2>it was going to be about Blade's daughter, which was

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<v Speaker 2>based on a comic that never came out. That doesn't

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<v Speaker 2>seem to be the case. I think it has to

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<v Speaker 2>be a character who's going to be in multiple MCU things.

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<v Speaker 1>Which is why they say saw it after.

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<v Speaker 2>People want to be in the MCU. You want the

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<v Speaker 2>consistency of work, the money, the the prestige, the platform.

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<v Speaker 2>So I think this is my guess. Because Apia has

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<v Speaker 2>every powerful eyebrows, I think he's going to be Dracula.

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<v Speaker 1>This is amazing. I mean it's a great pick, of course,

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<v Speaker 1>probably the most classic Blade villain. For those of you

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<v Speaker 1>who have who are up on Blade's comics canon, that

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<v Speaker 1>would definitely mean he would be around for a while.

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<v Speaker 1>I love it. That's a good one, man, Geez, I

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<v Speaker 1>was thinking something, I don't know, something much more low level,

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<v Speaker 1>like Vampire X or something like that. But I guess

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<v Speaker 1>that's I wonder if Vampire X is too close to Blade,

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<v Speaker 1>Like if that's too much, Like so Vampire X is

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<v Speaker 1>an ultimate Marvel vampire character, extremely well trained like Daredevil

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<v Speaker 1>level fighting, a martial arts ability, and can really go

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<v Speaker 1>toe to toe with Blade in that regard, but that's

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<v Speaker 1>not I do like I like Dracula better. I wonder

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<v Speaker 1>I like your pick better. I think Dracula is a

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<v Speaker 1>great pick.

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<v Speaker 2>I think it's really fun and I think like it's

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<v Speaker 2>exciting because it's like, is the reason that this casting

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<v Speaker 2>was announced now because he's going to be in Moonnight

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<v Speaker 2>before we see him in Blade? Is he Could it

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<v Speaker 2>potentially be that he's going to be in that Halloween

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<v Speaker 2>special that we all are pretty sure is a were

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<v Speaker 2>Wolf by Night kind of secret back door something that

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<v Speaker 2>we talked about in pre pro is Like, could it

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<v Speaker 2>be that they were potentially casting a character from one

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<v Speaker 2>of the Blade movies who they're going to like recast,

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<v Speaker 2>which I do.

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<v Speaker 1>Also think is Deacon Frost. Deacon Frost. Deacon Frost would

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<v Speaker 1>be the definite pick in that regard. I do wonder

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<v Speaker 1>because this really runs up against Kevin Faigy's stated philosophically

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<v Speaker 1>of never really rebooting something. So I do wonder how

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<v Speaker 1>Deacon Frost of course is dead per the Blade movies,

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<v Speaker 1>so I do wonder he's a vampire also, so it

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<v Speaker 1>wouldn't be that hard to be like he came.

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<v Speaker 2>Back the Ultimate get Out of Blade.

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<v Speaker 1>Yeah, whatever the case, I'm really excited to see who

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<v Speaker 1>he's playing, and I can't wait for the Blade movie.

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<v Speaker 1>I'm really really I mean, this is like a whole

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<v Speaker 1>another paradigm shift for the MCU, a real, real opening

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<v Speaker 1>of like we've seen Spy Marvel, right, We've seen Cosmic Marvel,

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<v Speaker 1>We've seen Superhero Marvel, We've seen street level Marvel on

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<v Speaker 1>Netflix and other places, and this will be our first

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<v Speaker 1>real fora other than Doctor Stranger in the multiverse Honist,

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<v Speaker 1>which will give us hints of it real. Blade will

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<v Speaker 1>be our real fora into horror Marvel. Very very exciting

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<v Speaker 1>Batman news. Batman of Course. The Batman, directed by Matt Reeves,

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<v Speaker 1>is scheduled to come out on March fourth. Get your

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<v Speaker 1>tickets now if you can. Paul Dano, who is playing

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<v Speaker 1>the Riddler, was quoted recently saying that he got so

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<v Speaker 1>deep into the Riddler that he just basically couldn't get

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<v Speaker 1>those Z's quote, there were some nights around that I

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<v Speaker 1>probably didn't sleep as well as I would have wanted to,

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<v Speaker 1>just because it was a little hard to come down

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<v Speaker 1>from this character. It takes a lot of energy to

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<v Speaker 1>get there, and so you almost have to sustain it

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<v Speaker 1>once you're there, because going up and down is kind

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<v Speaker 1>of hard. He continues another quote about being wrapped in

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<v Speaker 1>plastic wrap for a scene in the movie. I almost

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<v Speaker 1>couldn't sleep because I was scared of what was happening

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<v Speaker 1>to my head. It was like compressed from the sweat

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<v Speaker 1>and the heat of lack of oxygen. It was a

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<v Speaker 1>crazy feeling. All of which is to say, there will

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<v Speaker 1>be a lot more X ray vision coverage of The

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<v Speaker 1>Batman as we near The Batman, which is very exciting.

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<v Speaker 1>But Paul Danel, please take care of yourself anything.

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<v Speaker 2>Yeah, I mean, this is like the Batman movie tradition, right,

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<v Speaker 2>Like you have to if you're playing the villain, you

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<v Speaker 2>have to tell a story. And it's really funny because,

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<v Speaker 2>like I'm very intrigued by Matt Reeves take. I think

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<v Speaker 2>that this grounded idea of a Zodiac inspired riddler is

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<v Speaker 2>really interesting, and this leads into that, but it always

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<v Speaker 2>reminds me of this tweet that I saw right by

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<v Speaker 2>this when they first announced the Paul Dano casting, there

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<v Speaker 2>was a tweet by this guy, Casey Lawrence. He said

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<v Speaker 2>he ain't even in costume and look like someone that

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<v Speaker 2>tell Hella riddles for no re And I just think

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<v Speaker 2>all the time about that, where I'm like, you cost

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<v Speaker 2>the guy who legitimately just looks like he would tell

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<v Speaker 2>riddles and you cover his face like yeah, but no,

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<v Speaker 2>I think it sounds good and scary and I'm into it.

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<v Speaker 1>I'm into it as well. I will just add that

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<v Speaker 1>during the production and filming of nineteen eighty nine's The

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<v Speaker 1>Batman Movie, Jack Nicholson had it written into his contract

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<v Speaker 1>that he wouldn't have to be on set during days

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<v Speaker 1>that the Lakers were playing. So there's powerful two different approaches,

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<v Speaker 1>two different approaches acting, and you can get however you

0:12:36.640 --> 0:12:39.520
<v Speaker 1>get there as long as you arrive is absolutely valid.

0:12:39.559 --> 0:12:41.360
<v Speaker 1>And we wish Paul Dano the best and hope he's

0:12:41.360 --> 0:12:47.000
<v Speaker 1>getting some sleep now. Finally, our continuing coverage of Legos

0:12:47.040 --> 0:12:53.880
<v Speaker 1>potentially potentially spoiling movies spoiler sports, spoiler alert, potentially some

0:12:54.800 --> 0:12:58.800
<v Speaker 1>Lego news about four, Love and Thunder. A Lego set

0:12:58.840 --> 0:13:00.200
<v Speaker 1>titled The Goat Boat.

0:13:00.600 --> 0:13:02.600
<v Speaker 2>Incredible has been has been spotted.

0:13:02.679 --> 0:13:06.840
<v Speaker 1>It is a Viking boat pulled by two goats and

0:13:07.000 --> 0:13:11.360
<v Speaker 1>includes mini figurines of Thor and Mighty Thor, King Valkyrie, Corg,

0:13:11.640 --> 0:13:15.600
<v Speaker 1>and Gore. This is uh and we've get here a

0:13:15.600 --> 0:13:18.640
<v Speaker 1>confirmation that Mighty Thor played by Jane Foster and King

0:13:18.720 --> 0:13:23.559
<v Speaker 1>Valkyrie titles will be featured in this film. We get

0:13:23.559 --> 0:13:26.040
<v Speaker 1>one of our first looks at Gore and the Necrosord.

0:13:26.080 --> 0:13:30.280
<v Speaker 1>The Necro Sword, of course, being forged from the same

0:13:30.400 --> 0:13:34.160
<v Speaker 1>symbiote material as the original symbiote that would become Venom,

0:13:34.200 --> 0:13:38.359
<v Speaker 1>would become Cartage, would become a whole suite of symbiote creatures.

0:13:38.880 --> 0:13:42.600
<v Speaker 1>Now as Chris our producer Chris super producer Chris raised

0:13:42.600 --> 0:13:45.640
<v Speaker 1>in pre pro Lego has been known to throw a

0:13:45.640 --> 0:13:48.600
<v Speaker 1>few headfakes and pump fakes into the mix to try

0:13:48.600 --> 0:13:51.200
<v Speaker 1>and throw people off. They really sets in the past

0:13:51.240 --> 0:13:54.000
<v Speaker 1>that don't correspond to anything from the movies. They are

0:13:54.040 --> 0:13:59.480
<v Speaker 1>occasionally using the verbiage inspired by to denote that it's

0:13:59.480 --> 0:14:02.520
<v Speaker 1>not direct from the movie. But any thoughts on this listen,

0:14:02.600 --> 0:14:04.320
<v Speaker 1>We've been waiting for the goat. Yeah you need the

0:14:04.320 --> 0:14:06.880
<v Speaker 1>goats to be in a Thorn movie, shouts to my

0:14:06.960 --> 0:14:08.880
<v Speaker 1>two Snatcher people out there.

0:14:09.000 --> 0:14:11.840
<v Speaker 2>Yeah, we have always wanted the goats. They're needed. I

0:14:11.880 --> 0:14:17.000
<v Speaker 2>think this is a definitively ninety nine percent likely to

0:14:17.120 --> 0:14:20.560
<v Speaker 2>be inspired by Slash in the movie movie relevant. I

0:14:20.600 --> 0:14:23.000
<v Speaker 2>mean one the goat boat that sounds like Tiger. Why

0:14:23.040 --> 0:14:26.520
<v Speaker 2>TZ made it up? In no way, no way, Tiger

0:14:26.560 --> 0:14:29.560
<v Speaker 2>did not make that up. That's hilarious. Also, it was

0:14:29.680 --> 0:14:32.200
<v Speaker 2>very telling. So this got announced on like a I think,

0:14:32.240 --> 0:14:35.480
<v Speaker 2>like an ABC Good Morning Show and uh and the

0:14:35.560 --> 0:14:39.920
<v Speaker 2>way that they posed it. They hid Gore and Cork,

0:14:40.280 --> 0:14:43.440
<v Speaker 2>but it reflected in the bottom of the table, and

0:14:43.480 --> 0:14:45.880
<v Speaker 2>I think that ended up being why they released it properly.

0:14:46.000 --> 0:14:47.840
<v Speaker 2>So I think that to me says, you know, we

0:14:47.880 --> 0:14:50.240
<v Speaker 2>know Gore is in the movie. That's yeah, you know.

0:14:50.360 --> 0:14:53.000
<v Speaker 2>And I think that it's really cool that we're getting

0:14:53.040 --> 0:14:56.000
<v Speaker 2>to see the necro sword. I like the way that

0:14:56.360 --> 0:14:59.000
<v Speaker 2>these toy reveals and Lego stuff kind of bring you

0:14:59.040 --> 0:15:02.280
<v Speaker 2>back to that kid of comics. So like seeing the

0:15:02.280 --> 0:15:05.560
<v Speaker 2>neck resort in like Lego is really fun. It's kind

0:15:05.560 --> 0:15:08.200
<v Speaker 2>of like, you know, thinking of action figures when you're

0:15:08.200 --> 0:15:09.840
<v Speaker 2>a kid, and that being the first space that you

0:15:09.880 --> 0:15:12.000
<v Speaker 2>see these things. So I think it looks really fun.

0:15:12.280 --> 0:15:14.280
<v Speaker 2>I love Tiker's Thor.

0:15:15.040 --> 0:15:16.080
<v Speaker 1>I love Sam.

0:15:16.160 --> 0:15:18.880
<v Speaker 2>We both have talked so much about, you know, the

0:15:19.000 --> 0:15:22.560
<v Speaker 2>Mighty thorun how much we love Jane Foster thought Natalie Portman,

0:15:22.640 --> 0:15:25.680
<v Speaker 2>that's brilliant casting. I love King Valkyrie. I love Tessa

0:15:25.720 --> 0:15:30.000
<v Speaker 2>Thompson like I'm just ready for this weird, delightful movie.

0:15:30.160 --> 0:15:32.680
<v Speaker 1>Let me ask you a question, coming out of Love

0:15:32.720 --> 0:15:35.960
<v Speaker 1>and Thunder, does Jane continue as Thor for another movie?

0:15:36.040 --> 0:15:38.280
<v Speaker 1>Do you see a world in which it splits?

0:15:38.360 --> 0:15:38.520
<v Speaker 3>Right?

0:15:38.680 --> 0:15:42.440
<v Speaker 1>You have Thor maybe in his own stuff, having his

0:15:42.480 --> 0:15:45.360
<v Speaker 1>own adventures, just like in the comics. No longer the

0:15:45.400 --> 0:15:48.360
<v Speaker 1>actual god Thor, but he has storm Breaker, and he's

0:15:48.520 --> 0:15:51.880
<v Speaker 1>going off and having his own adventures finding out who

0:15:51.920 --> 0:15:55.040
<v Speaker 1>he is. Not the first time that he's been separated

0:15:55.040 --> 0:15:59.680
<v Speaker 1>from his hammer and comics cannon, but certainly one of

0:15:59.720 --> 0:16:03.440
<v Speaker 1>the most emotionally evocative, and through that run we get

0:16:03.480 --> 0:16:06.880
<v Speaker 1>a lot of time with Jane as Thor. There are

0:16:06.920 --> 0:16:09.560
<v Speaker 1>a lot of reveals in that run about really kind

0:16:09.560 --> 0:16:14.000
<v Speaker 1>of like quietly revolutionary canon updating reveals about the nature

0:16:14.040 --> 0:16:18.680
<v Speaker 1>of Mulnir and how it works where Thor gets their

0:16:18.760 --> 0:16:21.320
<v Speaker 1>powers from. Do you think we'll see Nellie Portman in

0:16:21.400 --> 0:16:22.760
<v Speaker 1>multiple movies as Thor?

0:16:22.920 --> 0:16:24.400
<v Speaker 2>I think so. I mean, if you look at what

0:16:24.440 --> 0:16:27.120
<v Speaker 2>they're building, something that I love to talk about and

0:16:27.200 --> 0:16:30.080
<v Speaker 2>we talk about on here is the way that they

0:16:30.240 --> 0:16:33.720
<v Speaker 2>seed in things in the comics to bring into the movies,

0:16:34.000 --> 0:16:36.440
<v Speaker 2>or the way that they retroactively look back. So if

0:16:36.480 --> 0:16:39.360
<v Speaker 2>we look we have Sam Wilson as Captain America now.

0:16:39.400 --> 0:16:41.880
<v Speaker 2>When Sam Wilson was Captain America in the comics when

0:16:41.920 --> 0:16:45.320
<v Speaker 2>it first really started, Jane Foster was Thor. She was

0:16:45.320 --> 0:16:47.760
<v Speaker 2>the Mighty Thor, and they were in an Avengers team together,

0:16:47.920 --> 0:16:50.120
<v Speaker 2>and that team also included some young heroes.

0:16:50.200 --> 0:16:51.760
<v Speaker 1>I think, yeah, I don't know.

0:16:51.960 --> 0:16:55.080
<v Speaker 2>I don't know if the Avengers as the title, we

0:16:55.160 --> 0:16:57.120
<v Speaker 2>know it will be what we see. But I do

0:16:57.160 --> 0:16:59.960
<v Speaker 2>feel like we'll see Mighty Thor in more than one.

0:17:00.320 --> 0:17:03.200
<v Speaker 2>We're already essentially in the right space for it because

0:17:03.240 --> 0:17:05.600
<v Speaker 2>Thor as he is now, even though this is not

0:17:05.680 --> 0:17:08.560
<v Speaker 2>how I would consider him, because I love Thor, but

0:17:08.640 --> 0:17:11.199
<v Speaker 2>he is essentially the unworthy Thor. You know, he is

0:17:11.280 --> 0:17:13.639
<v Speaker 2>Thor who can't right he is, And that's where you

0:17:13.680 --> 0:17:17.240
<v Speaker 2>find Jane also Marvel wants and needs more female heroes.

0:17:17.400 --> 0:17:19.200
<v Speaker 2>You know, you could even have like an A four

0:17:19.400 --> 0:17:22.119
<v Speaker 2>style team, like a female We're.

0:17:22.000 --> 0:17:24.600
<v Speaker 1>Heading there, Yeah, I think we head there at some point.

0:17:24.640 --> 0:17:27.200
<v Speaker 1>We get they teased it in endgame, right, you get

0:17:27.200 --> 0:17:29.440
<v Speaker 1>where he had the team up moment. You know she's

0:17:29.440 --> 0:17:32.720
<v Speaker 1>not alone, she has help. Excuse me is the line? Yeah,

0:17:32.760 --> 0:17:34.439
<v Speaker 1>but I think we I think we're heading there, right

0:17:34.440 --> 0:17:37.520
<v Speaker 1>because we already have She Hulk now exactly get there?

0:17:37.560 --> 0:17:40.199
<v Speaker 2>And I think it's like they're they're they're reimagining what

0:17:40.240 --> 0:17:42.200
<v Speaker 2>it looks like. So like I think that if we

0:17:42.280 --> 0:17:44.760
<v Speaker 2>got it, it will be like She Hulk, you know,

0:17:44.800 --> 0:17:48.480
<v Speaker 2>but it will probably be Monica Rambo and Miss Marvel

0:17:49.160 --> 0:17:52.160
<v Speaker 2>and Jane Foster thor. So you have that more diverse

0:17:52.320 --> 0:17:56.040
<v Speaker 2>idea of like who is a female hero in the MCU.

0:17:56.359 --> 0:17:57.840
<v Speaker 2>And also the cool thing is we have the TV

0:17:57.920 --> 0:18:00.720
<v Speaker 2>shows now maybe Mighty Thor j Foster will be in

0:18:00.760 --> 0:18:03.280
<v Speaker 2>a romantic relationship with Sam Wilson and we'll see that

0:18:03.440 --> 0:18:06.240
<v Speaker 2>in a secondary series of that show, or we'll see

0:18:06.240 --> 0:18:09.200
<v Speaker 2>it in the potential Captain America for movie, because that's

0:18:09.200 --> 0:18:13.200
<v Speaker 2>something from the comics. I think there's so much fun stuff,

0:18:13.280 --> 0:18:15.960
<v Speaker 2>especially because we know Thor is going to be in

0:18:16.000 --> 0:18:20.000
<v Speaker 2>a kind of as Guardians of the Galaxy cosmic hero situation,

0:18:20.359 --> 0:18:24.480
<v Speaker 2>which means mid God aka Earth needs a Thor, needs

0:18:24.480 --> 0:18:25.200
<v Speaker 2>a hero.

0:18:25.440 --> 0:18:28.560
<v Speaker 1>A new protector. Yes, needs a new hero. So we've

0:18:28.560 --> 0:18:32.240
<v Speaker 1>already got the celestial sticking out of the Pacific Ocean.

0:18:32.880 --> 0:18:37.200
<v Speaker 1>For those of you not up on semi recent Marvel

0:18:37.240 --> 0:18:43.320
<v Speaker 1>comics Cannon, the Avengers move their headquarters into a celestial,

0:18:44.000 --> 0:18:47.360
<v Speaker 1>which clearly the celestial from the internals will be that. Yes,

0:18:47.640 --> 0:18:49.480
<v Speaker 1>when do we see that? Because I feel like that's

0:18:49.520 --> 0:18:53.119
<v Speaker 1>going to be the end of one of these big arcs.

0:18:53.280 --> 0:18:56.080
<v Speaker 1>Is going to be like the last scene in some

0:18:56.280 --> 0:18:59.880
<v Speaker 1>movie is going to be Mighty thil Or Jane Foster, Yeah,

0:19:00.080 --> 0:19:05.760
<v Speaker 1>Monica Rambo, I'm not sure who, Sam Wilson Captain America.

0:19:06.160 --> 0:19:10.040
<v Speaker 1>All gathering in the celestial for like the first official

0:19:10.040 --> 0:19:12.640
<v Speaker 1>meeting of like the new Avengers. Yes, do you think

0:19:12.680 --> 0:19:15.399
<v Speaker 1>that happens like officially? And when do you think we

0:19:15.480 --> 0:19:15.840
<v Speaker 1>see it?

0:19:16.000 --> 0:19:18.280
<v Speaker 2>I think it's gonna happen. If it happens, and it

0:19:18.320 --> 0:19:20.359
<v Speaker 2>seems realistic because why else would they have that super

0:19:20.400 --> 0:19:23.440
<v Speaker 2>sick like celestial coming out of the ocean. It looks like.

0:19:25.040 --> 0:19:25.439
<v Speaker 1>About that.

0:19:25.560 --> 0:19:29.520
<v Speaker 2>Yeah, I think realistically that is going to be something

0:19:29.560 --> 0:19:33.280
<v Speaker 2>that probably happens around the time when whatever the judgment

0:19:33.800 --> 0:19:36.480
<v Speaker 2>that if you haven't seen The Eternals, The Eternals ends

0:19:37.359 --> 0:19:41.960
<v Speaker 2>with Circe being judged by Arisham, a celestial who's basically like,

0:19:42.240 --> 0:19:44.720
<v Speaker 2>you saved these humans, what was the point? Are they

0:19:44.760 --> 0:19:45.119
<v Speaker 2>worth it?

0:19:45.400 --> 0:19:46.359
<v Speaker 3>You're going to be judged?

0:19:46.560 --> 0:19:50.240
<v Speaker 2>You know. Eternal's divisive movie. But depending on which way

0:19:50.440 --> 0:19:52.480
<v Speaker 2>the MCU decides to go, there's lots of different ways.

0:19:52.520 --> 0:19:54.880
<v Speaker 2>It could be eternal centric, but it could also be

0:19:55.200 --> 0:19:58.960
<v Speaker 2>a Galactus esque introduction. It could be something to do

0:19:59.000 --> 0:20:01.040
<v Speaker 2>with the Silver Surfer, it could be a different aspect

0:20:01.080 --> 0:20:05.000
<v Speaker 2>of cosmic heroics. And we know that the Eternals are

0:20:05.000 --> 0:20:07.560
<v Speaker 2>out there, Theena, you know, just Meut with star Fox,

0:20:07.600 --> 0:20:10.200
<v Speaker 2>all these different people. So I think at some point, basically,

0:20:10.280 --> 0:20:12.879
<v Speaker 2>whether or not the Eternals are involved, it will be

0:20:13.119 --> 0:20:19.080
<v Speaker 2>a response to another celestial or cosmic threat and they'll

0:20:19.119 --> 0:20:20.919
<v Speaker 2>be like, well, guess what, there's a celestial on this

0:20:20.960 --> 0:20:23.240
<v Speaker 2>Earth that was turned to stone by someone more powerful

0:20:23.280 --> 0:20:25.720
<v Speaker 2>than a celestial So that's probably a safe place to

0:20:25.840 --> 0:20:26.360
<v Speaker 2>just hang out.

0:20:27.560 --> 0:20:29.960
<v Speaker 1>One more question before we move on to the airlock

0:20:30.040 --> 0:20:34.400
<v Speaker 1>and our discussion of Peacemaker. Okay, we've done Civil War, right,

0:20:34.840 --> 0:20:37.760
<v Speaker 1>We're gonna do house of them in some form of fashion. Right,

0:20:37.840 --> 0:20:42.360
<v Speaker 1>they're coming. We haven't seen siege though, Asgard is on Earth, right,

0:20:42.400 --> 0:20:44.440
<v Speaker 1>so maybe that can happen work. But what gets us

0:20:44.440 --> 0:20:47.600
<v Speaker 1>to siege is the fallout from Civil War and other

0:20:47.880 --> 0:20:54.240
<v Speaker 1>superhero calamities is the Dark Reign when Norman Osbourne and

0:20:54.480 --> 0:20:59.840
<v Speaker 1>a coterie of similarly minded supercriminals and various other B

0:21:00.200 --> 0:21:04.200
<v Speaker 1>and C and D and E list super criminals rise

0:21:04.320 --> 0:21:08.800
<v Speaker 1>to take control of the you know, world security apparatus

0:21:08.840 --> 0:21:10.680
<v Speaker 1>because basically world governments are like, you know what, the

0:21:10.680 --> 0:21:12.920
<v Speaker 1>superheroes are fucking up all the time. Norman Osborne made

0:21:12.920 --> 0:21:15.760
<v Speaker 1>a good pitch, let's let him run it. It wasn't

0:21:15.800 --> 0:21:17.720
<v Speaker 1>an event, so to speak. It was kind of just

0:21:17.760 --> 0:21:20.320
<v Speaker 1>like an all around paradigm shift all the way through

0:21:20.359 --> 0:21:23.520
<v Speaker 1>the Marvel Universe of every book. But man, there was

0:21:23.560 --> 0:21:24.840
<v Speaker 1>some good stuff to come out of that.

0:21:24.920 --> 0:21:26.320
<v Speaker 2>I think we're on the way.

0:21:26.240 --> 0:21:29.280
<v Speaker 1>And we've got the Thunderbolts coming now, right, I wonder

0:21:30.000 --> 0:21:33.440
<v Speaker 1>do we go to a place where there's a complete

0:21:33.440 --> 0:21:36.040
<v Speaker 1>paradigm shift where we're you know, we've already kind of

0:21:36.040 --> 0:21:38.320
<v Speaker 1>saw it with Thunderbolt Ross and various people saying we

0:21:38.480 --> 0:21:42.919
<v Speaker 1>need to legislate against enhanced persons. Does it eventually flip

0:21:42.960 --> 0:21:45.280
<v Speaker 1>where Thunderbolt Ross and others are like, we have to

0:21:45.320 --> 0:21:48.440
<v Speaker 1>actually crack down. Let's give control to couldn't be Norman

0:21:48.520 --> 0:21:50.600
<v Speaker 1>Osborne unless they got him as a variant from some

0:21:50.680 --> 0:21:53.720
<v Speaker 1>other place, but some other person like that, and let's

0:21:53.960 --> 0:21:56.639
<v Speaker 1>really let's do Dark Ring. Do you think we see it?

0:21:56.920 --> 0:21:58.359
<v Speaker 2>I think we're going to get a version of it.

0:21:58.400 --> 0:22:00.400
<v Speaker 2>I think we might already be building if you think

0:22:00.400 --> 0:22:04.040
<v Speaker 2>about another like key thing from Dark Rain is Lady Loki,

0:22:04.200 --> 0:22:06.640
<v Speaker 2>who you know we just got, and also as well,

0:22:06.720 --> 0:22:09.040
<v Speaker 2>I think we're kind of already on our way to

0:22:09.119 --> 0:22:12.320
<v Speaker 2>some kind of Thunderbolts Dark Rain esque situation. For all

0:22:12.359 --> 0:22:16.439
<v Speaker 2>we know a Norman Osborne as he exists, either you know,

0:22:16.640 --> 0:22:19.560
<v Speaker 2>we have a multiverse now would be easy. People love

0:22:19.600 --> 0:22:23.479
<v Speaker 2>Willem Dafoe, but like I love Willem Dafoe, but like,

0:22:23.920 --> 0:22:26.399
<v Speaker 2>it would be really easy to have a puppet master

0:22:26.480 --> 0:22:30.400
<v Speaker 2>pulling the strings of this US agent, you know, kind

0:22:30.440 --> 0:22:32.760
<v Speaker 2>of new version of whatever the Dark Avengers we know

0:22:32.800 --> 0:22:36.280
<v Speaker 2>abominations being trained by the sort of the new source

0:22:36.320 --> 0:22:39.639
<v Speaker 2>or supreme woe. So I think that we're very, very close.

0:22:39.680 --> 0:22:42.439
<v Speaker 2>And I also think this links back to one of

0:22:42.440 --> 0:22:45.280
<v Speaker 2>our big conversation points, how do you introduce the X

0:22:45.359 --> 0:22:48.160
<v Speaker 2>Men when people with powers are not being oppressed? If

0:22:48.200 --> 0:22:50.280
<v Speaker 2>you set up a Dark Rain situation where people with

0:22:50.400 --> 0:22:55.160
<v Speaker 2>powers who are in quotes good are being legislated against

0:22:55.359 --> 0:22:58.600
<v Speaker 2>and it becomes this kind of one percent evil corporation,

0:22:59.080 --> 0:23:02.760
<v Speaker 2>then you immediately have a situation where mutants and heroes

0:23:02.800 --> 0:23:04.960
<v Speaker 2>would have to come together to fight against this kind

0:23:04.960 --> 0:23:08.760
<v Speaker 2>of bigger threat. And I think that that, in some way,

0:23:08.760 --> 0:23:11.719
<v Speaker 2>shape or form is going to be really relevant, especially

0:23:11.720 --> 0:23:14.320
<v Speaker 2>because a lot of times when I write about this

0:23:14.320 --> 0:23:17.040
<v Speaker 2>stuff or we're researching stuff, you go back to Dark

0:23:17.119 --> 0:23:20.400
<v Speaker 2>Rain a lot that eral it's just like, oh, where

0:23:20.400 --> 0:23:22.400
<v Speaker 2>did this character come from? Oh it was Dark Rain?

0:23:22.440 --> 0:23:24.680
<v Speaker 2>Where did this think? Oh? Oh it's Dark Rain? And

0:23:25.040 --> 0:23:27.800
<v Speaker 2>we know that the next big official which is so

0:23:28.040 --> 0:23:30.280
<v Speaker 2>great actually because I have a lot of thoughts about

0:23:30.280 --> 0:23:33.680
<v Speaker 2>how this links into Peacemaker, but like the next big thing,

0:23:33.720 --> 0:23:36.920
<v Speaker 2>that event comic adaptation that we know is happening. We've

0:23:36.920 --> 0:23:39.360
<v Speaker 2>got Secret Invasion, you know, as well as Armor Wars,

0:23:39.359 --> 0:23:41.080
<v Speaker 2>which I'm stoked for because I love already, but like

0:23:41.400 --> 0:23:45.639
<v Speaker 2>Secret Invasion that is confirmed, and again that kind of

0:23:46.240 --> 0:23:50.160
<v Speaker 2>brings in this idea of the distrust of superheroes. Who

0:23:50.200 --> 0:23:51.680
<v Speaker 2>is really a superhero?

0:23:51.960 --> 0:23:54.920
<v Speaker 1>Right? In the comics. In the comics, Secret Invasion led

0:23:54.920 --> 0:23:57.800
<v Speaker 1>directly into Dark Rain because the fallout from that was

0:23:58.080 --> 0:24:01.119
<v Speaker 1>people were just like, so you're telling me that for

0:24:01.200 --> 0:24:06.600
<v Speaker 1>an unknown amount of time, like several high ranking government

0:24:06.640 --> 0:24:09.800
<v Speaker 1>officials as well as superheroes were actually aliens like working

0:24:09.840 --> 0:24:13.639
<v Speaker 1>against justice, peace and security, Like what the what the

0:24:13.680 --> 0:24:15.000
<v Speaker 1>hell is this? Like, what are we going to do

0:24:15.040 --> 0:24:18.719
<v Speaker 1>about this? So and that caused a significant erosion of trust,

0:24:18.760 --> 0:24:21.560
<v Speaker 1>and then of course you had to have Norman Osborne

0:24:21.560 --> 0:24:25.600
<v Speaker 1>and a bunch of dark Illuminati figures get together and

0:24:25.640 --> 0:24:29.439
<v Speaker 1>make a plan very very casually, but it feels like

0:24:29.600 --> 0:24:32.040
<v Speaker 1>we're gonna go there. I do wonder if so we're

0:24:32.080 --> 0:24:34.160
<v Speaker 1>doing the multiverse right now, this is the phase we're in.

0:24:34.960 --> 0:24:39.200
<v Speaker 1>I wonder if once we're through Quantumania, right, if they

0:24:39.600 --> 0:24:42.600
<v Speaker 1>will close the door, so to speak, on this particular

0:24:42.720 --> 0:24:47.399
<v Speaker 1>chapter of multiverse stuff, like whether it's incursion or whatever

0:24:47.440 --> 0:24:49.680
<v Speaker 1>device they use to kind of like close the door

0:24:49.720 --> 0:24:53.320
<v Speaker 1>on that. If we then move to a more grounded Okay,

0:24:53.520 --> 0:24:56.040
<v Speaker 1>let's let the bad guys run it, because when we

0:24:56.119 --> 0:24:57.800
<v Speaker 1>let the good guys run it, basically all we get

0:24:57.840 --> 0:25:01.600
<v Speaker 1>are destroyed cities, alien invasions, and et cetera.

0:25:01.720 --> 0:25:03.600
<v Speaker 2>And I think it leads into something. I think that

0:25:03.760 --> 0:25:06.760
<v Speaker 2>specific conversation is, like so much of what we talk

0:25:06.840 --> 0:25:09.959
<v Speaker 2>about and what makes this stuff special to us is

0:25:09.960 --> 0:25:12.560
<v Speaker 2>that it's this two way conversation between the people who

0:25:12.560 --> 0:25:15.200
<v Speaker 2>make these stories and the people who read them, and

0:25:15.280 --> 0:25:19.480
<v Speaker 2>that question of like the civil war question, the legislation question,

0:25:19.560 --> 0:25:22.119
<v Speaker 2>like who gave these people the right to go and

0:25:22.240 --> 0:25:25.640
<v Speaker 2>blow things up? And who chose them to be the protectors.

0:25:25.880 --> 0:25:29.399
<v Speaker 2>We're not talking about Peter Parker, the friendly neighborhood spider

0:25:29.440 --> 0:25:31.960
<v Speaker 2>man stopped like rescuing a cat and stopping people from

0:25:31.960 --> 0:25:35.320
<v Speaker 2>getting mugged, and even then like that's its whole own

0:25:35.400 --> 0:25:39.199
<v Speaker 2>sociopolitical conversation. But like we're talking about a teenager with

0:25:39.480 --> 0:25:44.080
<v Speaker 2>weld ending nuclear weapons. We're talking about Scarlet Witch, you know,

0:25:44.200 --> 0:25:47.679
<v Speaker 2>accidentally blowing up this building in Lagos. Like this is

0:25:48.119 --> 0:25:51.920
<v Speaker 2>this stuff that people get excited brillionaire to talk about.

0:25:52.119 --> 0:25:56.880
<v Speaker 1>A trillionaire is a trillionaire inventors like you know, various

0:25:56.880 --> 0:25:59.680
<v Speaker 1>inventions getting out after the whild Yeah, this is all

0:25:59.720 --> 0:26:01.640
<v Speaker 1>going to have an effect at some point, and we've

0:26:01.680 --> 0:26:05.080
<v Speaker 1>already got damage control. We know what exists in the universe.

0:26:05.400 --> 0:26:08.719
<v Speaker 1>It feels like at some point we're gonna get that reaction.

0:26:08.800 --> 0:26:11.400
<v Speaker 1>I'm excited to see that. Okay, this has been really fun.

0:26:11.440 --> 0:26:13.960
<v Speaker 1>I can't wait to talk more about this stuff. But first,

0:26:14.080 --> 0:26:28.280
<v Speaker 1>let's go to the airlock and talk about Peacemaker. All right,

0:26:28.400 --> 0:26:32.160
<v Speaker 1>We're stepping out of the airlock and into Evergreen, Washington,

0:26:32.280 --> 0:26:35.120
<v Speaker 1>home of HBO Max's series Dear.

0:26:35.760 --> 0:26:37.200
<v Speaker 4>They really want to take.

0:26:37.119 --> 0:26:42.480
<v Speaker 1>That Peacemaker created by James Gunn eight episodes, which just

0:26:43.040 --> 0:26:47.400
<v Speaker 1>wrapped up last week. John Cena as Christopher Smith Peacemaker,

0:26:47.480 --> 0:26:51.119
<v Speaker 1>Daniel Brooks as Leota Adebayo, Freddie Stroma The Wonderful Freddie

0:26:51.119 --> 0:26:54.360
<v Speaker 1>Stroma slash dick On Tarlie from Game of the Thrones

0:26:55.119 --> 0:26:58.919
<v Speaker 1>plays vigilante Chuck Wooy Wooji is Clemson Mern. Jennifer Holland

0:26:58.960 --> 0:27:01.879
<v Speaker 1>is Amelia Harcourts, Steve ag The Wonderful Steve Ag as

0:27:01.960 --> 0:27:05.919
<v Speaker 1>John Economos and Robert Patrick as august Augie Smith, the

0:27:05.960 --> 0:27:09.720
<v Speaker 1>White Dragon, leader of the white supremacist faction of the

0:27:09.800 --> 0:27:14.080
<v Speaker 1>DC universe. Folks. It was a fun season one. Excited

0:27:14.119 --> 0:27:18.399
<v Speaker 1>for season two. Let's do the Lightning style recap Episode seven,

0:27:18.680 --> 0:27:22.399
<v Speaker 1>stop dragging my heart around? Are you ready, Orsy, I'm ready,

0:27:22.480 --> 0:27:25.359
<v Speaker 1>Let's do it. Okay, So the sounds of Motley Cruz

0:27:26.160 --> 0:27:29.000
<v Speaker 1>nineteen eighty five power Bell It hit Home, Sweet Home.

0:27:29.160 --> 0:27:32.800
<v Speaker 1>We flash back to Peacemaker's childhood and we see a really,

0:27:32.840 --> 0:27:36.320
<v Speaker 1>really troubling moment in which Chris and his older brother Keith,

0:27:36.760 --> 0:27:39.320
<v Speaker 1>you know, they are hanging out listening to heavy metal music.

0:27:40.000 --> 0:27:42.320
<v Speaker 1>Keith is showing Chris how to do the devil horns,

0:27:42.440 --> 0:27:46.000
<v Speaker 1>and then they are called outside by their father, Augie.

0:27:46.200 --> 0:27:50.520
<v Speaker 1>Their father would like his sons to bare knuckle brawl

0:27:50.680 --> 0:27:53.560
<v Speaker 1>in a not even like in an arena or squared,

0:27:53.880 --> 0:27:56.320
<v Speaker 1>just literally in a pit, in a hole in the ground.

0:27:56.880 --> 0:28:00.280
<v Speaker 1>Chris punches his brother Keith. Keith suffers a serious brain

0:28:00.320 --> 0:28:06.040
<v Speaker 1>injury and dies, and Augie immediately blames Chris for Keith's death.

0:28:06.640 --> 0:28:09.600
<v Speaker 1>I've been wondering, you know, how they were going to

0:28:09.680 --> 0:28:13.320
<v Speaker 1>bring in Peacemaker's mental illness. You know, it's funny because

0:28:13.320 --> 0:28:17.399
<v Speaker 1>we've been talking about like Marvel's foray into a mental

0:28:17.440 --> 0:28:22.080
<v Speaker 1>illness storyline with Moonnight here is DC getting there first

0:28:22.200 --> 0:28:25.679
<v Speaker 1>with a character who is right out on Front Street,

0:28:25.720 --> 0:28:29.119
<v Speaker 1>like very very ill in his debut limited series from

0:28:29.160 --> 0:28:32.399
<v Speaker 1>the mid eighties. And here is kind of like the

0:28:32.440 --> 0:28:36.960
<v Speaker 1>origin story of Chris's really extreme trauma right here, we're

0:28:36.960 --> 0:28:37.720
<v Speaker 1>watching it happen.

0:28:37.880 --> 0:28:40.120
<v Speaker 2>DC getting it here first, I think is really key

0:28:40.160 --> 0:28:42.200
<v Speaker 2>to talk about with Peacemaker because as we talk more,

0:28:42.240 --> 0:28:44.400
<v Speaker 2>this is like basically their take on something we're going

0:28:44.440 --> 0:28:47.320
<v Speaker 2>to see from Marvel, and it's Yes, it's very interesting

0:28:47.640 --> 0:28:53.800
<v Speaker 2>to see this kind of exploration and look at PTSD

0:28:54.040 --> 0:28:56.400
<v Speaker 2>in the context of what is otherwise quite an outrageous,

0:28:56.480 --> 0:28:58.480
<v Speaker 2>like funny crass show.

0:28:58.800 --> 0:29:01.680
<v Speaker 1>We will delve into a conversation about what that exactly

0:29:01.760 --> 0:29:03.320
<v Speaker 1>is as we get to the end of this recap,

0:29:03.400 --> 0:29:07.480
<v Speaker 1>when they really start seeding in the stuff that seems

0:29:07.520 --> 0:29:11.680
<v Speaker 1>directly pulled from the comics that references Peacemaker's state of mind.

0:29:11.680 --> 0:29:14.520
<v Speaker 1>We go to the present day. Vigilante and Peacemaker are

0:29:14.520 --> 0:29:16.600
<v Speaker 1>on the run from the cops. Of course, cops have

0:29:16.880 --> 0:29:19.200
<v Speaker 1>just held a press conference in which they have called

0:29:19.840 --> 0:29:23.720
<v Speaker 1>for the capture, dead or alive, of Peacemaker. Meanwhile, Judo

0:29:23.760 --> 0:29:27.160
<v Speaker 1>Master has escaped, which is like barely mentioned. He's just

0:29:27.200 --> 0:29:28.840
<v Speaker 1>like out of there. There's too much going on. We

0:29:28.880 --> 0:29:31.640
<v Speaker 1>can't look for Judomaster right now. Judo Master has escaped.

0:29:31.640 --> 0:29:35.600
<v Speaker 1>He is back on the street. Peacemaker plans to take

0:29:35.680 --> 0:29:37.960
<v Speaker 1>Vigilante with him to go find the cow, the source

0:29:38.000 --> 0:29:41.640
<v Speaker 1>of the butterfly's food on Earth, and big spoiler, kill it.

0:29:41.800 --> 0:29:43.960
<v Speaker 1>That's gonna be the you know, listen, that's the plan

0:29:44.200 --> 0:29:46.160
<v Speaker 1>to hammer. Everything looks like a nail. Gotta go kill

0:29:46.160 --> 0:29:49.800
<v Speaker 1>the cow. So they head off with John Ecconomos. Meanwhile,

0:29:49.920 --> 0:29:52.640
<v Speaker 1>at a Bio is racked by guilt for her role

0:29:52.760 --> 0:29:58.040
<v Speaker 1>in framing Peacemaker. Harcourt, realizing that Auto Bio planted the

0:29:58.120 --> 0:30:02.600
<v Speaker 1>diary in Peacemaker's trailer. At Amanda Waller's Behes confronts out

0:30:02.600 --> 0:30:06.120
<v Speaker 1>of Bio for portraying her teammates. Ads is like, listen,

0:30:06.200 --> 0:30:08.600
<v Speaker 1>I'm not cut out for this mercenary life. I'm just

0:30:08.640 --> 0:30:11.320
<v Speaker 1>like a normal person, you know, Like I was running

0:30:11.320 --> 0:30:13.720
<v Speaker 1>a dog shelter. She doesn't say this now, but she's

0:30:13.840 --> 0:30:17.560
<v Speaker 1>like that was her life. She you know, lost her

0:30:17.640 --> 0:30:20.520
<v Speaker 1>job and then her mother, Amanda Waller, came to her

0:30:20.520 --> 0:30:22.680
<v Speaker 1>and was like, well, you need money, so why don't

0:30:22.680 --> 0:30:25.600
<v Speaker 1>you do this mern shows up. He knows that out

0:30:25.600 --> 0:30:29.000
<v Speaker 1>of Bio is Waller's daughter. Harcourt is still amazed at this,

0:30:29.280 --> 0:30:30.720
<v Speaker 1>and he says, listen, we need to get out of

0:30:30.760 --> 0:30:33.320
<v Speaker 1>here because the police and the police chief they're all butterflies.

0:30:33.800 --> 0:30:37.280
<v Speaker 1>They have access to their human bodies memories. Therefore they

0:30:37.320 --> 0:30:41.080
<v Speaker 1>know where all our locations are. Flash over to Juda Master,

0:30:41.200 --> 0:30:44.120
<v Speaker 1>what's he doing? He's hanging outside the easyps Mart, where

0:30:44.160 --> 0:30:47.960
<v Speaker 1>he quickly bushwax two assholes who were making fun of him,

0:30:47.960 --> 0:30:52.240
<v Speaker 1>and he steals their car. Little note for the for

0:30:52.320 --> 0:30:56.120
<v Speaker 1>the denizens of any superhero laden reality, if you see

0:30:56.120 --> 0:30:59.000
<v Speaker 1>someone in costume hanging out somewhere, don't just make fun

0:30:59.000 --> 0:31:01.760
<v Speaker 1>of them. Like you live in a world in which

0:31:02.120 --> 0:31:06.600
<v Speaker 1>multiple costumed people beat like people up all the time,

0:31:06.880 --> 0:31:10.200
<v Speaker 1>So just like, don't fuck around. Why are you doing that?

0:31:11.160 --> 0:31:15.160
<v Speaker 1>Harcourt calls Chris, but Peacemaker doesn't want to answer because

0:31:15.160 --> 0:31:18.040
<v Speaker 1>he is too busy sitting hair metal while driving with

0:31:18.120 --> 0:31:20.600
<v Speaker 1>John and the Vigilande to kill the cow. Meanwhile, Augie,

0:31:21.080 --> 0:31:24.760
<v Speaker 1>Chris's father, is in his white dragon power suit. He

0:31:24.880 --> 0:31:27.400
<v Speaker 1>is with his Arian Empire gang. They are homing in

0:31:27.440 --> 0:31:32.640
<v Speaker 1>on Chris's location because every one of Peacemaker's helmets has

0:31:32.680 --> 0:31:36.080
<v Speaker 1>a GPS locator in it. They waylay our hero's delivery

0:31:36.120 --> 0:31:38.680
<v Speaker 1>van and a big fight ensuits with Vigilante unloads his

0:31:38.880 --> 0:31:41.720
<v Speaker 1>submachine gun into the White Dragon, and then as the

0:31:41.760 --> 0:31:45.600
<v Speaker 1>coup de grass to finally take out Augie, he throws

0:31:45.640 --> 0:31:49.720
<v Speaker 1>a grenade midway between himself and the White Dragon. Unfortunately

0:31:49.800 --> 0:31:53.040
<v Speaker 1>they're standing about nine feet apart, and so Vigilandi, who

0:31:53.080 --> 0:31:57.040
<v Speaker 1>is in the less the less sturdy suit, takes the

0:31:57.160 --> 0:32:00.800
<v Speaker 1>absolute worst of the explosion. Chris and John look on

0:32:00.920 --> 0:32:05.200
<v Speaker 1>in horror they flee the scene. Peacemaker realizes at that

0:32:05.280 --> 0:32:07.160
<v Speaker 1>moment that his dad can track him through the helmet,

0:32:07.600 --> 0:32:10.760
<v Speaker 1>and so John Economos has the brilliant idea to tie

0:32:10.760 --> 0:32:14.040
<v Speaker 1>the helmet to a raccoon and they escape. The Vigilanti, meanwhile,

0:32:14.080 --> 0:32:15.880
<v Speaker 1>has managed to steal a car from one of the

0:32:15.920 --> 0:32:19.800
<v Speaker 1>Arian Empire, but he passes out like after driving a

0:32:19.880 --> 0:32:22.960
<v Speaker 1>quarter of a mile because again his body has been

0:32:23.080 --> 0:32:27.000
<v Speaker 1>shredded by shrapnel from the grenade they threw four feet

0:32:27.040 --> 0:32:31.120
<v Speaker 1>away from himself. The Butterflies close in in their cop

0:32:31.280 --> 0:32:34.240
<v Speaker 1>you know meat suits close in on Hardcourt Mernon out

0:32:34.280 --> 0:32:38.480
<v Speaker 1>of bio Mirn is killed by goth after revealing his

0:32:38.560 --> 0:32:42.440
<v Speaker 1>true nature as a butterfly and his name is Ichnoblock

0:32:43.160 --> 0:32:45.959
<v Speaker 1>is revealed to his fellow alien insects, Goth crushes him

0:32:45.960 --> 0:32:48.479
<v Speaker 1>to death. Harcourt and out of bio or like hiding,

0:32:48.600 --> 0:32:55.080
<v Speaker 1>like right there, they're like hiding. They're like hiding literally

0:32:55.160 --> 0:32:57.680
<v Speaker 1>like around the corner. Nobody sees them. That's fine.

0:32:58.240 --> 0:32:58.600
<v Speaker 3>Uh.

0:32:58.640 --> 0:33:02.240
<v Speaker 1>They go and comfort for Ichno Block slash meron in

0:33:02.280 --> 0:33:05.680
<v Speaker 1>his final moments, and just as Harcourt is beginning to

0:33:05.920 --> 0:33:09.280
<v Speaker 1>grapple to struggle with the challenge that they now face

0:33:09.400 --> 0:33:13.480
<v Speaker 1>without their leader, Mirn Judo Master shows up to grapple

0:33:13.800 --> 0:33:17.360
<v Speaker 1>and struggle with them both. He knocks out out of bio.

0:33:17.880 --> 0:33:21.360
<v Speaker 1>A brutal brawl ensues, which finally ends when out of

0:33:21.400 --> 0:33:25.120
<v Speaker 1>Bio like stun guns Juda Master for like two straight

0:33:25.160 --> 0:33:27.840
<v Speaker 1>minutes right in the side. His little body can barely

0:33:27.880 --> 0:33:34.120
<v Speaker 1>take all that electricity passes. Peacemaker and John find Vigilante

0:33:34.160 --> 0:33:36.760
<v Speaker 1>passed out on the car. They get in as eagerly

0:33:36.840 --> 0:33:42.200
<v Speaker 1>pecks it, John Economos's asshole and they escape. Peacemaker realizes

0:33:42.800 --> 0:33:45.680
<v Speaker 1>that Vigilante has a bag full of elements that he

0:33:45.920 --> 0:33:50.840
<v Speaker 1>stole from his dad's headquarters, meaning that one hundred percent.

0:33:50.880 --> 0:33:52.680
<v Speaker 1>His dad knows exactly where there are because of the

0:33:52.760 --> 0:33:55.959
<v Speaker 1>GPS inside of all of them. They pull over. Peacemaker

0:33:56.040 --> 0:33:59.160
<v Speaker 1>goes off to throw this bag into a field. Why

0:33:59.160 --> 0:34:00.880
<v Speaker 1>do you need to throw it into Just leave it

0:34:00.880 --> 0:34:02.560
<v Speaker 1>at the side of the road and drive away.

0:34:03.160 --> 0:34:04.440
<v Speaker 2>He's a bad decision maker.

0:34:04.680 --> 0:34:08.880
<v Speaker 1>He's not the smartest guy, which is part of the

0:34:09.000 --> 0:34:13.240
<v Speaker 1>fun with Chris Smith slash the Peacemaker. The Arians find

0:34:13.600 --> 0:34:16.200
<v Speaker 1>Peacemaker as he's trying to get rid of this bag

0:34:16.239 --> 0:34:18.640
<v Speaker 1>of helmets. They chase him back to the car proceed

0:34:18.640 --> 0:34:23.400
<v Speaker 1>to beat his ass as Eagleist flying around trying Eaglely's

0:34:23.480 --> 0:34:27.560
<v Speaker 1>very best to dissuade these people from killing his owner. Meanwhile,

0:34:28.239 --> 0:34:31.120
<v Speaker 1>John crawls like a half mile away. I don't know

0:34:31.160 --> 0:34:34.480
<v Speaker 1>why the sound from this fight wouldn't reach the part

0:34:34.520 --> 0:34:38.000
<v Speaker 1>of the forest where Vigilante is peeing against a tree

0:34:38.040 --> 0:34:42.480
<v Speaker 1>with his butt fully exposed. Here's the thing about peace

0:34:42.560 --> 0:34:46.080
<v Speaker 1>Regular that I love. Right, you get so much really

0:34:46.239 --> 0:34:49.360
<v Speaker 1>fun character lore that is now part of the history.

0:34:49.400 --> 0:34:53.239
<v Speaker 1>Like Vigilante is a real DC character, absolute psychopath. But

0:34:53.560 --> 0:34:57.879
<v Speaker 1>nowhere in this character's like lore history was it known

0:34:57.920 --> 0:34:59.960
<v Speaker 1>that he could not urinate if any kind of fact,

0:35:00.400 --> 0:35:04.560
<v Speaker 1>was touching his buttocks, but here we learned that about him. Meanwhile,

0:35:04.680 --> 0:35:08.680
<v Speaker 1>White Dragon is smacked eagerly to the concrete. Peacemaker charges

0:35:08.960 --> 0:35:15.200
<v Speaker 1>at his father and White Dragon unleashes like a unbelievable racist, homophobic,

0:35:15.239 --> 0:35:19.080
<v Speaker 1>nationalistic and just generally like means screed upon his son.

0:35:19.520 --> 0:35:21.719
<v Speaker 1>And it's only the quick thinking of Vigilante and John

0:35:21.719 --> 0:35:24.880
<v Speaker 1>Economos that managed to save Peacemaker's life. Chris then shoots

0:35:24.880 --> 0:35:26.719
<v Speaker 1>his father in the head after Augie is like, what

0:35:26.760 --> 0:35:29.600
<v Speaker 1>are you gonna do? Shoot me in the head? He

0:35:29.640 --> 0:35:32.399
<v Speaker 1>asked for He asked for it, and Chris weeps. Now

0:35:32.920 --> 0:35:37.759
<v Speaker 1>in the comics spoiler, Peacemaker's dad is already dead has

0:35:38.320 --> 0:35:40.719
<v Speaker 1>it also was shot in the head, but by his

0:35:40.760 --> 0:35:45.480
<v Speaker 1>own hand, commits suicide, and Peacemaker's dad is like a

0:35:45.520 --> 0:35:51.120
<v Speaker 1>flat out like an actual Nazi, like real real life

0:35:51.320 --> 0:35:54.880
<v Speaker 1>member of the Nazi party in the Waffen ss the

0:35:54.960 --> 0:36:00.200
<v Speaker 1>whole thing and mold his son to following and his

0:36:00.280 --> 0:36:04.279
<v Speaker 1>footsteps for various reasons that I'm not gonna spoil because

0:36:04.280 --> 0:36:07.720
<v Speaker 1>maybe they'll delve into it. That programming was like disrupted,

0:36:08.400 --> 0:36:13.719
<v Speaker 1>and Peacemaker's role and character arc like as a hero

0:36:14.280 --> 0:36:19.359
<v Speaker 1>was unbeknownst to him, steered by shadowy forces who were

0:36:19.400 --> 0:36:24.080
<v Speaker 1>just like trying to keep his like fragile, semi destroyed

0:36:24.080 --> 0:36:28.320
<v Speaker 1>psyche together. So here we see Chris weep after shooting

0:36:28.360 --> 0:36:31.840
<v Speaker 1>his father, but then not too soon after, in various

0:36:31.880 --> 0:36:36.520
<v Speaker 1>other episodes, we see that Aggie continues to appear to Chris. Yes,

0:36:36.600 --> 0:36:39.879
<v Speaker 1>I think we're gonna get that this it clearly we're

0:36:39.880 --> 0:36:43.040
<v Speaker 1>gonna delve into this kind of broken psyche of Chris

0:36:43.040 --> 0:36:46.000
<v Speaker 1>Smith the Peacemaker through this. And I wonder, Rosie, do

0:36:46.040 --> 0:36:50.440
<v Speaker 1>you think we're gonna learn that Peacemaker's own history with

0:36:50.680 --> 0:36:54.640
<v Speaker 1>Keith the things that he remembers maybe aren't quite the

0:36:54.640 --> 0:36:57.040
<v Speaker 1>things that he remembers. Do you think that we're gonna

0:36:57.040 --> 0:36:57.399
<v Speaker 1>go there?

0:36:57.600 --> 0:36:59.920
<v Speaker 2>I wouldn't be surprised because the one thing that I

0:37:00.560 --> 0:37:02.799
<v Speaker 2>think really stands out, and this could just be James

0:37:02.840 --> 0:37:06.120
<v Speaker 2>gunns A. He's a very eccentric storyteller. There can be

0:37:06.160 --> 0:37:08.399
<v Speaker 2>big tone shifts, but I do think something that's very

0:37:08.440 --> 0:37:11.960
<v Speaker 2>telling about this show, which kind of it swerves between

0:37:12.040 --> 0:37:16.240
<v Speaker 2>absolutely grounded and brutal, and like the opening this episode

0:37:16.239 --> 0:37:18.160
<v Speaker 2>with Chris and his brother is like a great example

0:37:18.200 --> 0:37:22.680
<v Speaker 2>of that. But there's these flashes of something more supernatural,

0:37:22.800 --> 0:37:25.960
<v Speaker 2>more superheroic. Right, But the one thing that really stands

0:37:26.000 --> 0:37:28.840
<v Speaker 2>out to me that doesn't really fit into the world

0:37:28.880 --> 0:37:31.600
<v Speaker 2>and feels purposeful is the fact that Augie is like

0:37:31.640 --> 0:37:34.200
<v Speaker 2>this inventor genius who has a secret lay.

0:37:34.560 --> 0:37:37.120
<v Speaker 1>Even does that come from caaskforce.

0:37:36.840 --> 0:37:39.960
<v Speaker 2>X don't have a secret lair? Like this guy has

0:37:40.000 --> 0:37:40.680
<v Speaker 2>a secret lay.

0:37:40.760 --> 0:37:41.680
<v Speaker 3>That's huge.

0:37:42.239 --> 0:37:44.520
<v Speaker 2>He makes all these different kind of helmets. We get

0:37:44.560 --> 0:37:46.800
<v Speaker 2>some really funny riffs on all the different kind of helmets,

0:37:47.120 --> 0:37:51.040
<v Speaker 2>but that feels like it's linked to something bigger or

0:37:51.080 --> 0:37:54.319
<v Speaker 2>something shadier. Also, like he's an idiot. He's like an

0:37:54.400 --> 0:37:57.359
<v Speaker 2>ignorant racist. Like I don't believe that he's a tech

0:37:57.440 --> 0:38:01.680
<v Speaker 2>genius in this right space that James Gunn has created

0:38:01.680 --> 0:38:03.760
<v Speaker 2>for him. So I think that you could be really

0:38:03.880 --> 0:38:07.400
<v Speaker 2>right about there being some kind of manipulation that harks

0:38:07.480 --> 0:38:10.279
<v Speaker 2>a little bit back more to the comics, especially with

0:38:10.360 --> 0:38:13.360
<v Speaker 2>the ghost stuff, because the notion of Peacemaker being haunted

0:38:13.360 --> 0:38:16.399
<v Speaker 2>by his father is like very much comics based, even

0:38:16.400 --> 0:38:18.680
<v Speaker 2>if it's not always as literal as they put it

0:38:18.719 --> 0:38:20.879
<v Speaker 2>in to the show. As we kind of go forward.

0:38:20.640 --> 0:38:25.480
<v Speaker 1>Okay, we continue Harcourt and ads recover after their scrap

0:38:25.520 --> 0:38:28.560
<v Speaker 1>with Juda Master, and now we get this really wonderful

0:38:28.600 --> 0:38:31.200
<v Speaker 1>moment where they the two bond and finally share like

0:38:31.680 --> 0:38:34.680
<v Speaker 1>things from their life with each other. Ads talks about

0:38:34.719 --> 0:38:38.560
<v Speaker 1>her previous job managing a dog shelter, talks about her

0:38:38.600 --> 0:38:42.040
<v Speaker 1>relationship such that it is with her mother, Amanda Waller,

0:38:42.080 --> 0:38:46.799
<v Speaker 1>the extremely ruthless, loveless Amanda Waller, who apparently wanted her

0:38:47.120 --> 0:38:51.880
<v Speaker 1>daughter to transition directly from helping animals in need to

0:38:52.680 --> 0:38:57.800
<v Speaker 1>like active counterintelligence and assassination work, which is like, okay.

0:38:58.480 --> 0:39:02.000
<v Speaker 1>Ads also not tell this is a notable. Did not

0:39:02.080 --> 0:39:04.919
<v Speaker 1>tell her mother that Mern was a butterfly, which is important.

0:39:05.480 --> 0:39:10.440
<v Speaker 1>Harror Court and Ads catch up with Peacemaker, Vigilante and

0:39:10.560 --> 0:39:14.279
<v Speaker 1>John at the local vets office, where Peacemaker is, of

0:39:14.320 --> 0:39:19.520
<v Speaker 1>course trying to heal eagerly. Harcourt talks Vigilante out of

0:39:19.760 --> 0:39:23.000
<v Speaker 1>like executing the veterinary stuff. He really really wants to

0:39:23.040 --> 0:39:27.680
<v Speaker 1>do it, but Harcourt manages it's really in a hilarious

0:39:27.680 --> 0:39:28.600
<v Speaker 1>fashion talking out of it.

0:39:28.840 --> 0:39:31.320
<v Speaker 2>But I just want to say, in a perfect character

0:39:31.360 --> 0:39:33.960
<v Speaker 2>moment that you were talking about. When she convinces him,

0:39:34.200 --> 0:39:36.680
<v Speaker 2>Vidg is then like, okay, well that's not dark tape

0:39:36.719 --> 0:39:38.560
<v Speaker 2>them because then it will hurt when they pull it off.

0:39:38.719 --> 0:39:38.919
<v Speaker 3>Right.

0:39:39.800 --> 0:39:43.839
<v Speaker 2>He's like the world's purest sociopath and I love him.

0:39:43.960 --> 0:39:46.760
<v Speaker 2>He is my favorite part of this show. Freddie Stromer

0:39:46.880 --> 0:39:48.440
<v Speaker 2>is icon. Give him everything.

0:39:48.480 --> 0:39:52.000
<v Speaker 1>I absolutely love him. He is so hilarious. The moment

0:39:52.000 --> 0:39:54.160
<v Speaker 1>when he's like, okay, but now you're telling them like

0:39:54.239 --> 0:40:01.040
<v Speaker 1>stuff from my life is he is so okay. So

0:40:01.520 --> 0:40:05.520
<v Speaker 1>Ads walks back into the VET surgical medical rooms sees

0:40:05.560 --> 0:40:10.120
<v Speaker 1>Peacemaker praying over Eagley's corpse what can only be described

0:40:10.120 --> 0:40:11.960
<v Speaker 1>as a very touching scene of your animal lover as

0:40:12.000 --> 0:40:16.400
<v Speaker 1>I am. Eagerly then rises and he and Peacemaker embrace,

0:40:16.440 --> 0:40:20.040
<v Speaker 1>and we flash back to that earlier scene from earlier

0:40:20.040 --> 0:40:22.800
<v Speaker 1>in the season when Peacemaker is telling at a bio

0:40:22.840 --> 0:40:26.319
<v Speaker 1>about how he hugged Eagerly at one point and out

0:40:26.400 --> 0:40:28.320
<v Speaker 1>of bio just dismissing it and being like, you're crazy,

0:40:28.320 --> 0:40:31.400
<v Speaker 1>I don't believe you. At a bio is emotional that

0:40:31.480 --> 0:40:33.920
<v Speaker 1>this is kind of freaking out, calls Kia, her wife,

0:40:34.480 --> 0:40:39.160
<v Speaker 1>and suddenly is dedicated to this group of individuals. We

0:40:39.200 --> 0:40:42.120
<v Speaker 1>see the team now forming. She realizes she has to

0:40:42.160 --> 0:40:45.399
<v Speaker 1>help kill this cow. So the plan is to hit

0:40:45.440 --> 0:40:47.560
<v Speaker 1>the cow where it is and the cavern under the

0:40:47.600 --> 0:40:50.440
<v Speaker 1>barn before the butterflies have a chance to assemble their

0:40:50.440 --> 0:40:53.280
<v Speaker 1>teleportration equipment and get the cow out to a new location.

0:40:53.920 --> 0:40:57.440
<v Speaker 1>The team has come together, we could do the hilarious

0:40:57.520 --> 0:41:02.799
<v Speaker 1>moment we're Vigilante. Hardcourt asks them all if they are in,

0:41:03.160 --> 0:41:04.960
<v Speaker 1>if they're part of this team that is going to

0:41:05.080 --> 0:41:07.239
<v Speaker 1>take down the cow, and they're all like, you know,

0:41:07.280 --> 0:41:09.440
<v Speaker 1>piece workers, like yeah, I'm gonna do it, and then

0:41:09.480 --> 0:41:11.160
<v Speaker 1>Vigilante is like hashtag me.

0:41:11.160 --> 0:41:16.040
<v Speaker 2>Too, and it's such an honored so choked, and Freddie

0:41:16.080 --> 0:41:19.319
<v Speaker 2>Stromer is like the only person who can He's he's

0:41:19.360 --> 0:41:21.840
<v Speaker 2>so good because like he is a sociopath. Vidch is

0:41:21.880 --> 0:41:26.040
<v Speaker 2>a sociopath, but like throughout the show, he has in

0:41:26.080 --> 0:41:28.399
<v Speaker 2>the episode before this, he has this incredible moment where

0:41:28.400 --> 0:41:31.759
<v Speaker 2>he goes into the prison to try and to try

0:41:31.800 --> 0:41:35.440
<v Speaker 2>and like basically kill Peacemaker's dad and he does this

0:41:35.680 --> 0:41:39.840
<v Speaker 2>great speech where he asks all these neo Nazis what

0:41:40.000 --> 0:41:43.600
<v Speaker 2>their favorite contributions like black people have made to culture

0:41:43.680 --> 0:41:47.040
<v Speaker 2>art and he does this brilliant speech and like throughout

0:41:47.080 --> 0:41:50.239
<v Speaker 2>this they make him like very likable. So in the end,

0:41:50.280 --> 0:41:52.120
<v Speaker 2>like when he's the one making that joke. You're like,

0:41:52.200 --> 0:41:54.279
<v Speaker 2>he's just a pure kid who thinks he's shouting out

0:41:54.280 --> 0:41:57.239
<v Speaker 2>me too, Like he is that weird, Like this is hilarious,

0:41:57.280 --> 0:41:59.839
<v Speaker 2>and Freddy Stromer is an icon. I love him.

0:42:00.080 --> 0:42:02.440
<v Speaker 1>So the team heads off and we get a nice

0:42:02.960 --> 0:42:06.560
<v Speaker 1>character full circle moment as Hardcourt smiles at the heavy

0:42:06.560 --> 0:42:08.600
<v Speaker 1>metal music that's being blasted around her. And we're on

0:42:09.160 --> 0:42:12.560
<v Speaker 1>to the finale, episode eight. It's Cower Never in the

0:42:12.719 --> 0:42:15.040
<v Speaker 1>r V on the way to kill the Cow adds

0:42:15.080 --> 0:42:19.400
<v Speaker 1>it once again, trying to apologize to Peacemaker for setting

0:42:19.440 --> 0:42:22.200
<v Speaker 1>him up to be assassinated and take the fall for

0:42:22.360 --> 0:42:25.440
<v Speaker 1>all the various crimes that had happened throughout the series.

0:42:25.880 --> 0:42:29.200
<v Speaker 1>Peacemaker responds with a series of fart sounds, which is

0:42:29.239 --> 0:42:31.560
<v Speaker 1>like various fart sounds lifting the leg, et cetera, like

0:42:32.400 --> 0:42:34.920
<v Speaker 1>each each kind of like building on the other, until

0:42:34.920 --> 0:42:38.279
<v Speaker 1>finally Vigilante joins in and Chris is like, duber off

0:42:38.280 --> 0:42:40.759
<v Speaker 1>it now, it's all now, like you got into it

0:42:40.880 --> 0:42:43.719
<v Speaker 1>too late. Chris ultimately does not accept the apology. He

0:42:43.800 --> 0:42:47.080
<v Speaker 1>is still I think, you know, rightfully hurt that out of.

0:42:48.840 --> 0:42:52.160
<v Speaker 2>Crime. I'm like, honestly, I'm like he deserved it. I

0:42:52.239 --> 0:42:55.759
<v Speaker 2>remember the Suicide Squad. I am Suicide Squad. I saw

0:42:55.880 --> 0:42:59.879
<v Speaker 2>this guy stop Rick Flagg who was alleged his hair

0:43:00.160 --> 0:43:02.319
<v Speaker 2>and his teammate did do that. So I think that

0:43:02.520 --> 0:43:04.799
<v Speaker 2>in a bubble he is right out of Baio like

0:43:04.840 --> 0:43:07.279
<v Speaker 2>what were you thinking? Yeah, But in the context of

0:43:07.320 --> 0:43:09.680
<v Speaker 2>the thing, I feel like he should have a little

0:43:09.680 --> 0:43:13.240
<v Speaker 2>bit more understanding and empathy for someone who might betray

0:43:13.360 --> 0:43:15.720
<v Speaker 2>a team member, especially when they apologize.

0:43:15.960 --> 0:43:19.720
<v Speaker 1>Great, great, great point. And you know, as Amanda Waller's daughter,

0:43:20.000 --> 0:43:21.719
<v Speaker 1>you know that it must take a lot for her

0:43:21.760 --> 0:43:23.960
<v Speaker 1>to apologize. When she's saying it, she really means. The

0:43:24.000 --> 0:43:26.880
<v Speaker 1>team arrives on the outskirts of the farm at Abaio

0:43:26.880 --> 0:43:29.839
<v Speaker 1>calls her mom, which is something that she hinted at

0:43:29.880 --> 0:43:31.719
<v Speaker 1>that she was going to do in the previous episode.

0:43:31.840 --> 0:43:33.719
<v Speaker 1>Her mom Amanda Waller and is like, hey, can we

0:43:33.719 --> 0:43:35.920
<v Speaker 1>get an assist from the Justice League? He hook us

0:43:36.000 --> 0:43:38.359
<v Speaker 1>up here. You have the Justice League out here. We're

0:43:38.400 --> 0:43:42.200
<v Speaker 1>facing like a full scale alien invasion and a cow

0:43:42.400 --> 0:43:46.760
<v Speaker 1>of unknown size. We need some help. Unfortunately, Amanda Waller says,

0:43:47.560 --> 0:43:50.080
<v Speaker 1>there's no time for the Justice League heavy hitters to

0:43:50.200 --> 0:43:53.200
<v Speaker 1>arrive on the scene. Yes, they have two team members

0:43:53.200 --> 0:43:55.279
<v Speaker 1>that can travel at superhuman speed, one who can run

0:43:55.280 --> 0:43:58.359
<v Speaker 1>at mach levin and who can travel through time because

0:43:58.360 --> 0:44:00.520
<v Speaker 1>you can run so fast. But they won't make it

0:44:00.520 --> 0:44:02.040
<v Speaker 1>there in time. Sorry, They're just.

0:44:01.960 --> 0:44:02.719
<v Speaker 2>Not gonna make it.

0:44:04.000 --> 0:44:06.560
<v Speaker 1>And they're on the clock, of course, because the butterflies

0:44:06.600 --> 0:44:10.200
<v Speaker 1>are as we speak, working to teleport the cow out

0:44:10.239 --> 0:44:13.239
<v Speaker 1>of the barn. At a Bio conveys a message from

0:44:13.239 --> 0:44:16.120
<v Speaker 1>her mom to Harcourt that Harcourt is now in charge.

0:44:16.280 --> 0:44:18.520
<v Speaker 1>The butterflies are getting ready to teleport the cow out

0:44:18.520 --> 0:44:21.160
<v Speaker 1>of here. In moments, the cow will be in a

0:44:21.160 --> 0:44:25.759
<v Speaker 1>different location. Harcourt and Peacemaker scout the barn. Meanwhile, Peacemaker

0:44:25.800 --> 0:44:29.280
<v Speaker 1>is explaining all his various helmets, all the cool things

0:44:29.280 --> 0:44:31.160
<v Speaker 1>that the helmets that his dad made him, his White

0:44:31.160 --> 0:44:33.279
<v Speaker 1>supremacists father made him, and all the things they can

0:44:33.320 --> 0:44:36.840
<v Speaker 1>do underwater breathing. Maybe not super useful right now, but

0:44:36.880 --> 0:44:40.320
<v Speaker 1>it's cool. Sonic boom will be useful very soon. Human

0:44:40.360 --> 0:44:45.040
<v Speaker 1>torpedo will be useful very soon, and more now. Right

0:44:45.080 --> 0:44:47.839
<v Speaker 1>after this, a very funny scene at of Bio accidentally

0:44:47.880 --> 0:44:51.279
<v Speaker 1>activates the anti gravity helmet, which goes flying off into

0:44:51.320 --> 0:44:54.040
<v Speaker 1>the air. And now our heroes need a new way

0:44:54.080 --> 0:44:57.160
<v Speaker 1>to get the sonic boom helmet to the barn. Somehow

0:44:57.239 --> 0:44:59.600
<v Speaker 1>Green Arrow's name comes up, and the Peacemaker is like

0:45:00.200 --> 0:45:03.840
<v Speaker 1>as he has done in hilarious fashion all throughout the series,

0:45:04.600 --> 0:45:11.320
<v Speaker 1>drops some probably not correct like information slash rumors about

0:45:11.360 --> 0:45:14.800
<v Speaker 1>the various superpowered individuals and super costumed individuals in the

0:45:14.880 --> 0:45:18.000
<v Speaker 1>DC universe, and he lets everybody know that Green Arrow

0:45:18.480 --> 0:45:20.640
<v Speaker 1>goes to Berny conventions and wears a costume with a

0:45:20.680 --> 0:45:24.720
<v Speaker 1>four inch wide butthole which is not as Vigilante asks

0:45:24.920 --> 0:45:28.200
<v Speaker 1>used for breathing, and it's probably not true, but John.

0:45:27.960 --> 0:45:30.400
<v Speaker 2>Economus does say. He says it's the one thing that

0:45:30.480 --> 0:45:33.880
<v Speaker 2>he does think is true, So who knows.

0:45:35.560 --> 0:45:39.920
<v Speaker 4>Steven Amel had some thoughts about this online this week.

0:45:39.800 --> 0:45:42.960
<v Speaker 1>So who knows. Never mind, because they can use Eagerly

0:45:43.400 --> 0:45:46.240
<v Speaker 1>to take the helmet over. So a Peacemaker tells Eagly

0:45:46.239 --> 0:45:50.040
<v Speaker 1>what to do. Eaglely overcomes its dislike of Harcourt, picks

0:45:50.120 --> 0:45:52.680
<v Speaker 1>up the helmet, flies it over to the barn. Is

0:45:52.719 --> 0:45:54.840
<v Speaker 1>going to be amazing, then flies over the woods and

0:45:54.880 --> 0:45:57.880
<v Speaker 1>drops the helmet somewhere over the trees. Okay, so what

0:45:57.920 --> 0:46:01.880
<v Speaker 1>are we gonna do? The teleportationquipment is almost ready to go.

0:46:01.719 --> 0:46:04.920
<v Speaker 1>We gotta speed this up, folks. Our heroes pair up

0:46:04.920 --> 0:46:08.160
<v Speaker 1>to look for the helmet Vigan, Economos, Harcourt, and out

0:46:08.200 --> 0:46:12.800
<v Speaker 1>of bio Peacemaker and his dad. Wait what his dad? Sorry,

0:46:12.840 --> 0:46:16.239
<v Speaker 1>this is a fossilarm Augie is only there as a

0:46:16.440 --> 0:46:20.960
<v Speaker 1>very very realistic hallucination, a manifestation of Chris's extreme trauma.

0:46:21.000 --> 0:46:23.920
<v Speaker 1>So don't worry. Everything is fine and chill Peacemaker is

0:46:23.960 --> 0:46:27.479
<v Speaker 1>just having extremely realistic hallucinations of his white supremacist father.

0:46:27.880 --> 0:46:32.480
<v Speaker 1>This definitely will not play into season two of The Peacemaker,

0:46:32.560 --> 0:46:36.040
<v Speaker 1>don't worry about it. Meanwhile, Harcourt has just wandered up

0:46:36.080 --> 0:46:39.960
<v Speaker 1>and has witnessed Peacemaker shooting a poisoned dart into a

0:46:40.000 --> 0:46:44.200
<v Speaker 1>tree while screaming at his dad. Are we troubled by this?

0:46:44.560 --> 0:46:46.279
<v Speaker 1>We don't have time to be troubled by this, because

0:46:46.320 --> 0:46:50.520
<v Speaker 1>Harcourt finds the helmet buried under some leaves. Chris takes

0:46:50.520 --> 0:46:53.600
<v Speaker 1>out a butterfly sheriff steals his uniform. We flash forward

0:46:53.640 --> 0:46:56.960
<v Speaker 1>a few hours. They convince Economos to put on the

0:46:57.560 --> 0:47:01.200
<v Speaker 1>butterfly sheriff uniform, despite the fact that it was very

0:47:01.200 --> 0:47:05.920
<v Speaker 1>recently covered in shit, and Economist goes in, carrying the

0:47:05.920 --> 0:47:08.720
<v Speaker 1>helmet in a toolbox. On the way into the barn,

0:47:09.040 --> 0:47:11.800
<v Speaker 1>officer fitz Gibbon, of course, who is one of the butterflies,

0:47:11.800 --> 0:47:15.600
<v Speaker 1>stops h questions him briefly, but then allows Economists to

0:47:16.000 --> 0:47:18.799
<v Speaker 1>continue in, at which point John gets a look at

0:47:18.800 --> 0:47:20.800
<v Speaker 1>the cow and it is fucking horrifying, rosy.

0:47:20.840 --> 0:47:26.080
<v Speaker 2>It's huge, it's massive, It's a giant, monstrous kind of

0:47:26.160 --> 0:47:29.279
<v Speaker 2>caterpillar esque thing. But the name cow does it very

0:47:29.360 --> 0:47:31.839
<v Speaker 2>specific and I will get into why as we go forward.

0:47:31.960 --> 0:47:35.080
<v Speaker 1>Yes, I'm very excited to very excited to hear about this.

0:47:35.200 --> 0:47:37.400
<v Speaker 1>John flips out about this. I mean he has just

0:47:37.440 --> 0:47:43.200
<v Speaker 1>seen like a animal alien that is the size of

0:47:43.760 --> 0:47:47.880
<v Speaker 1>like a whole section of an airport, that has like

0:47:47.920 --> 0:47:50.480
<v Speaker 1>I don't know eight or ten nipples that are continuously

0:47:50.560 --> 0:47:55.080
<v Speaker 1>being milked for its delicious amber fluid. John is like,

0:47:55.120 --> 0:47:57.399
<v Speaker 1>I'm out of here. He flips out, He's leaving, and

0:47:57.520 --> 0:48:01.080
<v Speaker 1>on his way out, Fitzgibbon stops him again, and in

0:48:01.120 --> 0:48:04.919
<v Speaker 1>his response to fitzgibbons questions about why his beard looks

0:48:04.960 --> 0:48:09.480
<v Speaker 1>so weird, John, in a wonderful character full circle moment,

0:48:09.719 --> 0:48:16.200
<v Speaker 1>very emotionally admits that, yes, as Peacemaker has inferred all season,

0:48:16.320 --> 0:48:18.440
<v Speaker 1>he does die his beard, and he does so because

0:48:18.440 --> 0:48:20.680
<v Speaker 1>he just feels out of place, feels out of place

0:48:20.719 --> 0:48:22.840
<v Speaker 1>in the world. He feels maybe not good enough. He

0:48:22.880 --> 0:48:25.560
<v Speaker 1>feels he's not young enough, he feels that he's not

0:48:25.800 --> 0:48:27.719
<v Speaker 1>in shape enough, and he wants to feel like a

0:48:27.760 --> 0:48:30.920
<v Speaker 1>different person, and he's the pathetic person. Feels like he's

0:48:30.960 --> 0:48:33.080
<v Speaker 1>a pathetic person, and that's why he dies his beard.

0:48:33.120 --> 0:48:36.720
<v Speaker 1>And the entire team hears this exchange over the radio.

0:48:37.960 --> 0:48:41.440
<v Speaker 1>Fitzgibbon is like, fine, I buy this, you can go away.

0:48:41.840 --> 0:48:44.640
<v Speaker 1>But then another of the butterflies finds the helmet that

0:48:44.719 --> 0:48:48.520
<v Speaker 1>John left in the barn, and they chase John, and

0:48:48.920 --> 0:48:51.319
<v Speaker 1>all hell breaks loose and here we go, We're going

0:48:51.360 --> 0:48:54.960
<v Speaker 1>to get the big fight. At a bio triggers the helmet,

0:48:55.080 --> 0:48:58.160
<v Speaker 1>which starts to cave the barn in on the cow.

0:48:58.840 --> 0:49:02.520
<v Speaker 1>The big fight is now fully engage. Peacemaker, Harcourt and

0:49:02.600 --> 0:49:07.279
<v Speaker 1>Vigilante run to the barn. They're shooting, punching, hacking their

0:49:07.280 --> 0:49:11.640
<v Speaker 1>way through the various butterflies. Chris sees GoF Duck into

0:49:11.640 --> 0:49:14.840
<v Speaker 1>a stairway, heading underground. He chases after a Meanwhile, Vigilante

0:49:14.840 --> 0:49:20.320
<v Speaker 1>and Hardcourt shot like multiple times out in the battle

0:49:20.440 --> 0:49:22.160
<v Speaker 1>in front of the barn. They fall to the ground

0:49:22.160 --> 0:49:25.279
<v Speaker 1>with serious wounds. But before a butterfly can fully take

0:49:25.320 --> 0:49:28.640
<v Speaker 1>over Hardcore's body, it is climbing into her mouth. At

0:49:28.680 --> 0:49:32.279
<v Speaker 1>a Bio, showing that maybe her mom, Amanda Waller, knew

0:49:32.320 --> 0:49:37.719
<v Speaker 1>what she was doing. Maybe maybe at a Bio was

0:49:37.719 --> 0:49:41.600
<v Speaker 1>wasting her talents as the lowly And it's a noble calling,

0:49:41.840 --> 0:49:44.239
<v Speaker 1>so I don't mean to say lowly, but as a

0:49:44.360 --> 0:49:48.240
<v Speaker 1>mere manager of a dog shelter. Because at a Bayou

0:49:48.320 --> 0:49:54.400
<v Speaker 1>goes full John Wick on these butterflies like double guns

0:49:54.560 --> 0:49:59.000
<v Speaker 1>John Wu style, kicking, punching, shooting, fighting her way to

0:49:59.080 --> 0:50:02.359
<v Speaker 1>her friend Harcourt, who she saves, pulling the butterfly out

0:50:02.360 --> 0:50:04.719
<v Speaker 1>of her mouth moments before it can burrow all the

0:50:04.760 --> 0:50:08.000
<v Speaker 1>way in. At A Bio, now wearing the human Torpedo helmet,

0:50:08.200 --> 0:50:11.520
<v Speaker 1>follows the stairway down. As this is happening, Peacemaker has

0:50:11.520 --> 0:50:14.360
<v Speaker 1>managed to extract himself from the rubble, is immediately attacked

0:50:14.360 --> 0:50:17.800
<v Speaker 1>by golf. At A Bio appears, thinking I'm going to

0:50:17.840 --> 0:50:21.080
<v Speaker 1>save my friend activate Humor Torpedo. She goes cannonballing into

0:50:21.120 --> 0:50:25.680
<v Speaker 1>a wall and is knocked out koted. Golf is then like,

0:50:25.760 --> 0:50:28.440
<v Speaker 1>you know what, we need a third hand here, and

0:50:28.560 --> 0:50:31.479
<v Speaker 1>also I need to do an evil villain monologue because

0:50:31.520 --> 0:50:35.120
<v Speaker 1>that's what happens in these stories. So here's the deal. Okay,

0:50:35.520 --> 0:50:38.680
<v Speaker 1>it's me and Walker and we need a third set

0:50:38.719 --> 0:50:41.040
<v Speaker 1>of hands to throw that lever over there so we

0:50:41.080 --> 0:50:45.720
<v Speaker 1>can teleport this cow out of here. And here's the pitch. Okay. Actually,

0:50:45.719 --> 0:50:48.080
<v Speaker 1>your planet is on the road to ruin. It's on

0:50:48.120 --> 0:50:51.040
<v Speaker 1>the road to destruction. Same thing happened on our planet. Okay,

0:50:51.680 --> 0:50:56.560
<v Speaker 1>you politicians are not serving the people. The people are divided,

0:50:57.080 --> 0:51:01.960
<v Speaker 1>environmental collapse, military incursions, all of these things are happening

0:51:02.719 --> 0:51:05.400
<v Speaker 1>just in the exact same way that happened on our planet.

0:51:05.719 --> 0:51:09.440
<v Speaker 1>So let us invade. It's actually a good thing because

0:51:09.480 --> 0:51:12.680
<v Speaker 1>we are going to use our wisdom and our experience

0:51:13.000 --> 0:51:15.600
<v Speaker 1>to help the human race not fall into the trap

0:51:15.840 --> 0:51:20.640
<v Speaker 1>that we fell into. What do you think? And peacemakers

0:51:20.719 --> 0:51:24.399
<v Speaker 1>like activate human torpedo, sending at a baio, flying into

0:51:24.440 --> 0:51:29.480
<v Speaker 1>the cow's belly, killing it in absolutely fucking disgusting fashion.

0:51:30.120 --> 0:51:33.160
<v Speaker 1>He then kills Walker and kills Gough. Victory. We have

0:51:33.200 --> 0:51:36.480
<v Speaker 1>saved the day. Our team is walking away from the

0:51:36.600 --> 0:51:42.120
<v Speaker 1>ruins of the barn which hide below it the massive,

0:51:42.320 --> 0:51:46.480
<v Speaker 1>disgusting corpse of the cow. Chris is carrying the wounded

0:51:46.520 --> 0:51:49.840
<v Speaker 1>Harcourt in his arms, and just as they are walking off,

0:51:49.880 --> 0:51:53.120
<v Speaker 1>who should arrive but the Justice League minus Batman and Cyborg,

0:51:53.800 --> 0:51:56.399
<v Speaker 1>who again, somehow, despite the fact that they have two

0:51:56.440 --> 0:51:59.680
<v Speaker 1>speedsters in the group. I'm calling Superman a speedster. He

0:51:59.680 --> 0:52:04.800
<v Speaker 1>can go at superhuman speeds. Yeah, they have arrived too late. Somehow.

0:52:05.120 --> 0:52:09.040
<v Speaker 1>Peacemaker gives some hey, I know you fucked a fish

0:52:09.400 --> 0:52:12.799
<v Speaker 1>humor to Aquaman, who, believe me, has heard it many, many,

0:52:12.840 --> 0:52:15.080
<v Speaker 1>many many times before. This old hat for Ackman has

0:52:15.120 --> 0:52:17.719
<v Speaker 1>been dealing with this. Later, at the hospital, Chris and

0:52:17.800 --> 0:52:21.680
<v Speaker 1>out of Bio makeup, Peacemaker is a little bit worried

0:52:21.719 --> 0:52:25.240
<v Speaker 1>that per the Butterfly pitch from GoF that maybe he's

0:52:25.440 --> 0:52:28.280
<v Speaker 1>just doomed the world to the fate of the butterfly planet.

0:52:28.440 --> 0:52:31.600
<v Speaker 1>He's unsure about it. Out of Bio gets to address

0:52:31.600 --> 0:52:35.040
<v Speaker 1>the media. She clears Peacemaker's name and reveals that he

0:52:35.080 --> 0:52:38.920
<v Speaker 1>and VIGILANCEI were working under a program that was greenlit

0:52:39.000 --> 0:52:43.680
<v Speaker 1>by Task Force X, a Task Force X affiliated program it,

0:52:44.120 --> 0:52:48.120
<v Speaker 1>thus revealing publicly the existence of Task Force X, run

0:52:48.160 --> 0:52:51.160
<v Speaker 1>out of the Bell Reef Prison by her mother, Amanda Waller,

0:52:51.200 --> 0:52:54.920
<v Speaker 1>and which is a program that uses superpowered criminals to

0:52:55.080 --> 0:52:57.600
<v Speaker 1>send on suicide missions to basically save the world over

0:52:57.640 --> 0:52:58.080
<v Speaker 1>and over again.

0:52:58.239 --> 0:52:59.960
<v Speaker 2>Yeah, you know them as Suicide Squad.

0:53:00.400 --> 0:53:03.319
<v Speaker 1>You know them as Suicide Squad. Whiller watches from Belle

0:53:03.360 --> 0:53:06.600
<v Speaker 1>Reeve and she is pissed. We get a series of pops.

0:53:06.640 --> 0:53:09.200
<v Speaker 1>Now as we head out of the show, Chris is

0:53:09.239 --> 0:53:11.839
<v Speaker 1>allowed to see Harcourt, who's recovering from surgery. A nice

0:53:11.840 --> 0:53:14.960
<v Speaker 1>warm moment there. At Obayo returns to her wife Ta Kia.

0:53:15.239 --> 0:53:19.479
<v Speaker 1>Wonderful moment there. John Economos limps back to Belle Reeve

0:53:19.520 --> 0:53:21.960
<v Speaker 1>and Taskforce ex his previous job. I'm glad that he

0:53:22.000 --> 0:53:22.760
<v Speaker 1>still has a job.

0:53:23.120 --> 0:53:24.840
<v Speaker 2>Somehow, somehow still has a.

0:53:24.880 --> 0:53:28.600
<v Speaker 1>Job, bringing with him fond memories and a wonderful picture

0:53:28.760 --> 0:53:30.600
<v Speaker 1>from the friends he made along the way. In the

0:53:30.600 --> 0:53:33.200
<v Speaker 1>fight against the butterflies. At the ruins of the Barn,

0:53:33.280 --> 0:53:35.799
<v Speaker 1>Jo Master shows up eating flaming hot cheetos and he

0:53:35.840 --> 0:53:39.879
<v Speaker 1>weeps a peacemaker and Vigilante or backs in fact having

0:53:39.880 --> 0:53:41.640
<v Speaker 1>fun in the forest. They're just like blowing up an

0:53:41.640 --> 0:53:45.440
<v Speaker 1>oldmobile with an artillery shell for fun Harcourt, we get

0:53:45.480 --> 0:53:47.560
<v Speaker 1>to watch her learning to walk again, and then later

0:53:48.160 --> 0:53:53.440
<v Speaker 1>at Peacemaker's RV, a butterfly shows up. Chris feeds it

0:53:53.560 --> 0:53:56.640
<v Speaker 1>some wonderful amber juice that apparently he had been saving up.

0:53:57.160 --> 0:54:02.000
<v Speaker 1>Then his dad appears on the and talks to him

0:54:02.040 --> 0:54:05.799
<v Speaker 1>in a very realistic way, even though we know that

0:54:05.880 --> 0:54:10.240
<v Speaker 1>this is a hallucination and we are off into season

0:54:10.239 --> 0:54:13.799
<v Speaker 1>two of The Peacemaker. Whenever that happens, let's talk about it, Rosie.

0:54:13.960 --> 0:54:17.200
<v Speaker 1>I think, as we talked about previously, it seems like

0:54:17.239 --> 0:54:21.960
<v Speaker 1>we are heading directly into the real comics lore of

0:54:22.000 --> 0:54:26.279
<v Speaker 1>the Peacemaker, as this person who is constantly bedeviled by

0:54:26.320 --> 0:54:30.239
<v Speaker 1>the voice and image of his father, who as he

0:54:30.360 --> 0:54:33.080
<v Speaker 1>is doing, you know, in the middle of fights in

0:54:33.120 --> 0:54:36.160
<v Speaker 1>the comics, Peacemaker will hear the voice of his father

0:54:36.239 --> 0:54:38.080
<v Speaker 1>being like, you need to be more brutal. You're not,

0:54:38.560 --> 0:54:41.200
<v Speaker 1>You're too weak. Why are you saving lives? You should

0:54:41.239 --> 0:54:44.719
<v Speaker 1>be exterminating lives. Clearly, we're going to be going to

0:54:44.800 --> 0:54:48.480
<v Speaker 1>this place. We talked about the parallels with Marvel's Moonnight.

0:54:48.520 --> 0:54:51.000
<v Speaker 1>How do you feel about this part of the Peacemaker

0:54:51.040 --> 0:54:54.759
<v Speaker 1>story now clearly going to be part of season two

0:54:54.960 --> 0:54:57.280
<v Speaker 1>and Christmas story going forward.

0:54:57.400 --> 0:55:00.759
<v Speaker 2>I think it's very interesting because the key that this

0:55:00.960 --> 0:55:04.400
<v Speaker 2>finale sets up is something that could have been completely

0:55:04.520 --> 0:55:06.600
<v Speaker 2>gone in a total different direction, because it's really just

0:55:06.640 --> 0:55:10.080
<v Speaker 2>this episode. So James Gun did an interview where he said,

0:55:10.120 --> 0:55:14.560
<v Speaker 2>you know, in that moment when Chris decides to kill

0:55:14.560 --> 0:55:17.760
<v Speaker 2>the butterflies and destroy the cow, he makes the worst

0:55:17.800 --> 0:55:21.200
<v Speaker 2>possible choice for the best reasons. So for the first time,

0:55:21.560 --> 0:55:25.160
<v Speaker 2>he puts his friends, yeah, and his connections before this

0:55:25.360 --> 0:55:28.040
<v Speaker 2>idea of peace and doing anything for peace, right, So

0:55:28.120 --> 0:55:30.960
<v Speaker 2>I think it's really interesting that we have this character

0:55:31.000 --> 0:55:33.200
<v Speaker 2>who's done the most abhorrent things, who is like the

0:55:33.239 --> 0:55:36.600
<v Speaker 2>most gnarly war criminal sociopath, but wants to be better,

0:55:37.239 --> 0:55:41.919
<v Speaker 2>and then you end this season knowing that while he's

0:55:41.960 --> 0:55:46.399
<v Speaker 2>on that quest for a better life, maybe some kind

0:55:46.400 --> 0:55:49.919
<v Speaker 2>of absolution or just caring about people, for the first time,

0:55:50.040 --> 0:55:51.880
<v Speaker 2>he's going to be haunted by this kind of dark

0:55:51.960 --> 0:55:56.040
<v Speaker 2>passenger Dad, who is going to be a counterpoint to that.

0:55:56.160 --> 0:56:00.799
<v Speaker 2>And I think that goes intertwining kind of aspects of

0:56:00.920 --> 0:56:04.080
<v Speaker 2>Chris are going to be like the major point and

0:56:04.239 --> 0:56:06.719
<v Speaker 2>kind of conflict of season two as he tries to

0:56:06.760 --> 0:56:07.879
<v Speaker 2>do bat Yeah.

0:56:07.920 --> 0:56:11.160
<v Speaker 1>Guns told Deadline about season two of Peacemaker, I can't

0:56:11.160 --> 0:56:13.520
<v Speaker 1>say anything. It is connected to these universe. I don't

0:56:13.520 --> 0:56:15.239
<v Speaker 1>think it will be the same genre as Peacemaker. It

0:56:15.239 --> 0:56:17.319
<v Speaker 1>will be as much comedy as Peacemaker, but it will

0:56:17.360 --> 0:56:19.359
<v Speaker 1>be in the same universe. I think all of that

0:56:20.120 --> 0:56:23.600
<v Speaker 1>suggests that they probably will lean into that kind of

0:56:23.600 --> 0:56:29.160
<v Speaker 1>fractured psyche. The white supremacist voice that Chris is trying

0:56:29.200 --> 0:56:32.040
<v Speaker 1>to escape is going to continue to be a force

0:56:32.040 --> 0:56:35.880
<v Speaker 1>in his life. We should add that. Uh that over

0:56:35.960 --> 0:56:39.760
<v Speaker 1>the Green Arrow tweet, Steven Emmel shot back on Twitter.

0:56:40.400 --> 0:56:43.480
<v Speaker 1>He said, of that moment, haven't seen it of the show,

0:56:43.600 --> 0:56:45.920
<v Speaker 1>haven't seen it too busy showing scene of what professional

0:56:45.920 --> 0:56:48.840
<v Speaker 1>wrestling should actually look like on TV. I think this

0:56:48.960 --> 0:56:51.160
<v Speaker 1>was actually a joke. I don't think he's like actually mad.

0:56:51.719 --> 0:56:52.200
<v Speaker 1>I don't know.

0:56:52.400 --> 0:56:54.000
<v Speaker 2>I don't know if it's like I think it's like,

0:56:54.080 --> 0:56:57.360
<v Speaker 2>it's it's it's uh, it's k fab right, it's it's

0:56:58.200 --> 0:57:00.400
<v Speaker 2>it's it's you do the you do the little be

0:57:00.680 --> 0:57:02.759
<v Speaker 2>so something Okay, so's something I want to talk about, right,

0:57:02.960 --> 0:57:05.160
<v Speaker 2>So we talked. You talked about the connection between like

0:57:05.680 --> 0:57:11.040
<v Speaker 2>this show delving into mental health and and PTSD. And

0:57:11.080 --> 0:57:13.680
<v Speaker 2>I wouldn't necessarily say that this is like that's like

0:57:13.760 --> 0:57:15.759
<v Speaker 2>the central thread, but I would say it's something that

0:57:15.880 --> 0:57:19.800
<v Speaker 2>James Gunn is clearly really interested in. I mean, to me,

0:57:19.960 --> 0:57:22.200
<v Speaker 2>that's one of the most powerful things about Suicide Squad

0:57:22.280 --> 0:57:24.520
<v Speaker 2>is looking at how all these people have been shaped

0:57:24.520 --> 0:57:26.800
<v Speaker 2>by the violence that they had to do. You know,

0:57:26.880 --> 0:57:30.040
<v Speaker 2>Idris Elba, his character has a lot of that Rat

0:57:30.080 --> 0:57:34.520
<v Speaker 2>Catcher Hers is an opposite version. So James Gunn obviously

0:57:34.560 --> 0:57:37.800
<v Speaker 2>cares about this, and like you said, it preempts the

0:57:37.920 --> 0:57:39.600
<v Speaker 2>version that we're going to see of that in Moonnight.

0:57:39.920 --> 0:57:44.360
<v Speaker 2>We already saw it in Legion, the Fox show kind

0:57:44.400 --> 0:57:47.720
<v Speaker 2>of loosely based on the X Men character.

0:57:48.680 --> 0:57:53.760
<v Speaker 1>Charles and and loved and ignored some.

0:57:54.040 --> 0:57:57.040
<v Speaker 2>And that definitely it was very gray area of what

0:57:57.080 --> 0:57:58.480
<v Speaker 2>that what the exploration was, and.

0:57:58.440 --> 0:57:59.240
<v Speaker 1>What the character was saying.

0:57:59.480 --> 0:58:01.560
<v Speaker 2>But there's something else that James Gunn did in this

0:58:01.640 --> 0:58:04.560
<v Speaker 2>show that in watching the finale and preparing for this,

0:58:05.200 --> 0:58:08.480
<v Speaker 2>James Gunn has preempted something else that Marvel is about

0:58:08.480 --> 0:58:10.480
<v Speaker 2>to do. And I bet that everyone at Disney is

0:58:10.520 --> 0:58:12.880
<v Speaker 2>absolutely pissed because do you know, what this show is,

0:58:12.920 --> 0:58:14.560
<v Speaker 2>and I'm gonna blow your mind out. I haven't already

0:58:14.560 --> 0:58:17.360
<v Speaker 2>thought of this. It's a Secret Invasion show.

0:58:18.000 --> 0:58:18.240
<v Speaker 1>I know.

0:58:18.440 --> 0:58:22.560
<v Speaker 2>The entire show is Secret Invasion. It is about a

0:58:22.760 --> 0:58:27.040
<v Speaker 2>world and a society that looks like our own that

0:58:27.080 --> 0:58:30.000
<v Speaker 2>has been taken over by aliens in all different high

0:58:30.000 --> 0:58:33.080
<v Speaker 2>parts of the government, which in Secret Invasion is the Scrolls,

0:58:33.640 --> 0:58:36.480
<v Speaker 2>and it is about how they had to leave their

0:58:36.520 --> 0:58:42.560
<v Speaker 2>planet because of kind of cosmic immigration, planetary destruction, all

0:58:42.600 --> 0:58:45.240
<v Speaker 2>the same things as The Butterflies and this show. And

0:58:45.280 --> 0:58:48.720
<v Speaker 2>not only that. The reason that I know that James

0:58:48.800 --> 0:58:52.040
<v Speaker 2>Gunn is either the world's most hilarious troll and I

0:58:52.080 --> 0:58:55.840
<v Speaker 2>respect her, or he is very subconsciously. I know that

0:58:55.880 --> 0:58:58.760
<v Speaker 2>he is subconsciously influenced by every kind of comic because

0:58:58.840 --> 0:59:01.280
<v Speaker 2>the Suicide Squad, there is an argument that that isn't

0:59:01.560 --> 0:59:04.640
<v Speaker 2>every character in that is analogous to a character in

0:59:04.680 --> 0:59:07.520
<v Speaker 2>The Avengers, So here is obviously influenced. But the thing

0:59:07.560 --> 0:59:11.360
<v Speaker 2>that makes me think this is specific is that there

0:59:11.400 --> 0:59:15.520
<v Speaker 2>is a very specific part of Secret Invasion more that

0:59:15.560 --> 0:59:17.680
<v Speaker 2>ties into the Scrolls, which is the idea that in

0:59:17.720 --> 0:59:19.760
<v Speaker 2>the very first appearance of the Scrolls, some of them

0:59:19.800 --> 0:59:24.960
<v Speaker 2>get stuck as cows and is the Scroll Kill Crew comic,

0:59:25.080 --> 0:59:27.200
<v Speaker 2>which I feel like James Dun's probably a huge fan of.

0:59:27.440 --> 0:59:31.360
<v Speaker 2>There is a storyline about the cows alien meat becoming

0:59:31.400 --> 0:59:34.800
<v Speaker 2>a part of the the kind of the wider American

0:59:34.840 --> 0:59:37.560
<v Speaker 2>food stuff. Yeah, this whole thing, it's just secret invasion.

0:59:37.600 --> 0:59:41.000
<v Speaker 1>And I bet Disney is like so mad that Jay's

0:59:41.000 --> 0:59:44.800
<v Speaker 1>calling it the cow is amazing. Thank you for explaining it.

0:59:45.360 --> 0:59:49.240
<v Speaker 1>Here's my counterpoint, are is there probably people that are annoyed?

0:59:49.280 --> 0:59:53.800
<v Speaker 1>I think probably so. On the other hand, DC and Marble,

0:59:53.920 --> 0:59:58.320
<v Speaker 1>these two companies have been so interlinked, like, yes, they

0:59:58.320 --> 1:00:04.680
<v Speaker 1>are competitors, but they are constantly, I mean constantly ripping

1:00:04.720 --> 1:00:08.520
<v Speaker 1>off each other, taking each other's characters and putting their

1:00:08.600 --> 1:00:11.520
<v Speaker 1>own spins on it, taking each other's storylines and putting

1:00:11.520 --> 1:00:13.800
<v Speaker 1>their own spins on it. They are doing this constantly,

1:00:13.880 --> 1:00:17.920
<v Speaker 1>whether it's you go back to you know, Fanos and

1:00:18.120 --> 1:00:22.520
<v Speaker 1>Dark Soidles like their classic like you could go to

1:00:22.680 --> 1:00:26.600
<v Speaker 1>Moonnight and Batman, like there's a million of these, and

1:00:26.680 --> 1:00:31.160
<v Speaker 1>so I think viewing it from that perspective, and of course,

1:00:31.240 --> 1:00:35.240
<v Speaker 1>like whether it's you know, George Perez or Brian Michael Bendis,

1:00:35.360 --> 1:00:38.960
<v Speaker 1>there's been any number of creators who have gone between

1:00:39.000 --> 1:00:42.920
<v Speaker 1>both companies and have had wonderful, happy creative careers at

1:00:42.920 --> 1:00:45.600
<v Speaker 1>both companies and have no problem whatsoever going from DC

1:00:45.720 --> 1:00:48.720
<v Speaker 1>to Marvel, DC to marveling back. So I think viewed

1:00:48.720 --> 1:00:52.080
<v Speaker 1>it from this perspective, this is like another one of.

1:00:52.040 --> 1:00:56.600
<v Speaker 4>Those things, Yeah, like where you know, where a creator

1:00:56.880 --> 1:00:58.720
<v Speaker 4>has moved from one side of the street to the

1:00:58.760 --> 1:01:02.640
<v Speaker 4>other and has included some sly reference as like how

1:01:02.640 --> 1:01:05.560
<v Speaker 4>many Superman jokes are in moraal Comics.

1:01:05.600 --> 1:01:08.920
<v Speaker 1>It's how many Captain America jokes are in DC. It

1:01:08.920 --> 1:01:09.760
<v Speaker 1>happens all the time.

1:01:09.840 --> 1:01:12.480
<v Speaker 2>Yeah. Also, it's so like I love that angle actually

1:01:12.480 --> 1:01:14.520
<v Speaker 2>because you know what else, it's it's that conversation we're

1:01:14.520 --> 1:01:16.800
<v Speaker 2>always talking about. Marvel and DC are in conversation with

1:01:16.880 --> 1:01:19.680
<v Speaker 2>each other. Right in Eternals they mentioned Batman and Superman

1:01:19.680 --> 1:01:22.000
<v Speaker 2>for the first time. Like this conversation is becoming more

1:01:22.000 --> 1:01:24.520
<v Speaker 2>of a two way street. And I actually really kind

1:01:24.560 --> 1:01:27.520
<v Speaker 2>of love your angle on it too, because their imaginary

1:01:27.720 --> 1:01:30.080
<v Speaker 2>does somebody at Corporate Disney not like this, perhaps, But

1:01:30.120 --> 1:01:33.160
<v Speaker 2>the real truth is this once again actually does something

1:01:33.240 --> 1:01:36.480
<v Speaker 2>truly brilliant that a lot of these stories rely on,

1:01:37.520 --> 1:01:41.600
<v Speaker 2>just like Marvel introducing the multiverse, people need to have

1:01:41.640 --> 1:01:45.960
<v Speaker 2>an understanding and a cultural recognition of what that means.

1:01:46.320 --> 1:01:49.760
<v Speaker 2>And DC's TV shows had been doing multiverse for ten years,

1:01:50.280 --> 1:01:54.080
<v Speaker 2>so if people kind of had an idea, oh, something

1:01:54.120 --> 1:01:57.120
<v Speaker 2>that exists in the DC Animated universe can also exist

1:01:57.320 --> 1:02:00.720
<v Speaker 2>on the CW, Like that's a multiverse. So in a way,

1:02:00.960 --> 1:02:03.280
<v Speaker 2>this actually just because it's not going to be anything

1:02:03.360 --> 1:02:06.080
<v Speaker 2>like Secret Invasion. This is James Gun's own vision, but

1:02:06.320 --> 1:02:09.520
<v Speaker 2>the analog of the story is there. And I think

1:02:09.600 --> 1:02:11.720
<v Speaker 2>that in a way, like I love your perspective, because

1:02:11.720 --> 1:02:14.360
<v Speaker 2>what this really does is it just gets people familiar

1:02:14.400 --> 1:02:17.200
<v Speaker 2>with this kind of storytelling. It gets people familiar with

1:02:17.240 --> 1:02:21.320
<v Speaker 2>these wider, broader ideas that can then be reimagined because like, yeah,

1:02:21.400 --> 1:02:23.840
<v Speaker 2>it's invasion of the body snatches. It's not like this

1:02:24.040 --> 1:02:25.960
<v Speaker 2>was some incredibly.

1:02:25.440 --> 1:02:29.160
<v Speaker 1>Unique No one's saying like it's the thing, you know, it's.

1:02:28.960 --> 1:02:33.040
<v Speaker 2>The thing exactly. It's the paranoia, who can we trust?

1:02:33.080 --> 1:02:35.800
<v Speaker 2>It's they live? You know, there's some elusions of this,

1:02:36.200 --> 1:02:40.400
<v Speaker 2>and I kind of love that's so close to Secret Invasion.

1:02:40.440 --> 1:02:43.640
<v Speaker 2>We've gotten to see James Gunn's take on this kind

1:02:43.640 --> 1:02:46.800
<v Speaker 2>of classic sci fi. But in this superhero trappings and

1:02:46.800 --> 1:02:48.800
<v Speaker 2>with these kind of things that seem like nods like

1:02:48.800 --> 1:02:51.080
<v Speaker 2>the cow, it really makes it fun to watch.

1:02:51.120 --> 1:02:53.960
<v Speaker 1>This kind of stuff is super fun. I really had

1:02:53.960 --> 1:02:56.440
<v Speaker 1>a great time. Another question, so we mentioned in a

1:02:56.480 --> 1:02:59.600
<v Speaker 1>previous conversation brief conversation we had about the Peacemaker that

1:03:00.160 --> 1:03:04.200
<v Speaker 1>me I think the thing that would define like how

1:03:05.000 --> 1:03:08.480
<v Speaker 1>important Peacemaker was was going to be like how does

1:03:08.480 --> 1:03:11.000
<v Speaker 1>it tie in? Right, That's what it's all about now,

1:03:11.280 --> 1:03:13.880
<v Speaker 1>is how does this tie into the broader universe? And

1:03:13.880 --> 1:03:17.040
<v Speaker 1>with that cameo at the end of the finale, we

1:03:17.120 --> 1:03:20.320
<v Speaker 1>got our answer. Right, the Justice League came. They came

1:03:20.360 --> 1:03:23.520
<v Speaker 1>at the behest of Amanda Waller, whose daughter was you know,

1:03:23.960 --> 1:03:26.080
<v Speaker 1>working with Peacemakers, so we know that this is all

1:03:26.080 --> 1:03:30.880
<v Speaker 1>taking place in the universe. Notably, Cyborg and Batman Bruce

1:03:30.880 --> 1:03:33.040
<v Speaker 1>Wayne were not there. What do you think they were

1:03:33.080 --> 1:03:36.080
<v Speaker 1>doing because they could have done it right like they

1:03:36.160 --> 1:03:39.000
<v Speaker 1>I mean they you know, they have Superman and Wonder

1:03:39.040 --> 1:03:40.919
<v Speaker 1>Woman there, but just like in shadow so you don't

1:03:40.960 --> 1:03:44.760
<v Speaker 1>really see their faces. We got the full moa moa

1:03:45.440 --> 1:03:49.240
<v Speaker 1>action with Aquaman. We got to see Barry Allen full face,

1:03:49.280 --> 1:03:51.240
<v Speaker 1>and we know that the actor was there, but they

1:03:51.320 --> 1:03:54.960
<v Speaker 1>clearly could have done like a Batman in Shadow, Cyborg

1:03:54.960 --> 1:03:56.560
<v Speaker 1>and Shadow if they wanted to. Where do you think

1:03:56.600 --> 1:03:58.120
<v Speaker 1>they are and what are they doing?

1:03:58.480 --> 1:04:01.480
<v Speaker 2>Yeah, I'm I'm most intrigued by this, especially because of

1:04:01.600 --> 1:04:04.680
<v Speaker 2>James's quote that you mentioned earlier, where he's like, there

1:04:04.680 --> 1:04:06.800
<v Speaker 2>are reasons for it, but I'm unsure if I can

1:04:06.800 --> 1:04:09.320
<v Speaker 2>actually say what they are that to me says it's

1:04:09.360 --> 1:04:13.640
<v Speaker 2>some kind of corporate planning. But what I'm really interested

1:04:13.640 --> 1:04:16.240
<v Speaker 2>in is like, so we see Momoa as Aquaman, who

1:04:16.320 --> 1:04:18.640
<v Speaker 2>I love. That's like, I love Aquaman, am Aquaman, stand,

1:04:19.120 --> 1:04:24.800
<v Speaker 2>Barry Alan Ezramila, Like, so this is that DCEU world, right,

1:04:25.040 --> 1:04:28.800
<v Speaker 2>So I think to me, if I was gonna creatively guess,

1:04:29.000 --> 1:04:31.880
<v Speaker 2>I would say, like, it's a struggle to decide which

1:04:32.520 --> 1:04:36.000
<v Speaker 2>Batman would be there. And in Batman with Superman, he

1:04:36.080 --> 1:04:39.640
<v Speaker 2>has a very archetypical shadow. It's just a it's a

1:04:39.680 --> 1:04:41.720
<v Speaker 2>flying even though I think his proportions were a bit off.

1:04:41.760 --> 1:04:44.320
<v Speaker 2>I think he's a bit chunkier but sure, but like

1:04:44.480 --> 1:04:51.520
<v Speaker 2>Batman people Alex, but like Batman for example, I feel

1:04:51.520 --> 1:04:53.080
<v Speaker 2>like if he had been there and he'd had the

1:04:53.160 --> 1:04:56.080
<v Speaker 2>little short ears, you'd be like, oh, that's Ben Affleck Batman,

1:04:56.480 --> 1:04:58.720
<v Speaker 2>but Robert Pins and Batman, do we know if he's

1:04:58.760 --> 1:05:01.240
<v Speaker 2>in that same world, we don't like, is that going

1:05:01.320 --> 1:05:03.280
<v Speaker 2>to still be that kind of Earth two thing that

1:05:03.400 --> 1:05:06.040
<v Speaker 2>Warner Brothers had kind of mentioned, Like, so, I think

1:05:06.120 --> 1:05:08.880
<v Speaker 2>the problem is the bat suit is so iconic that

1:05:08.960 --> 1:05:12.960
<v Speaker 2>by putting any Batman there, you like make a statement, right,

1:05:13.120 --> 1:05:15.240
<v Speaker 2>And I kind of I can't even a silhouette. I

1:05:15.360 --> 1:05:18.920
<v Speaker 2>kind of like the idea narratively that like Batman and

1:05:19.000 --> 1:05:22.600
<v Speaker 2>Cyborg would be on a mission together, you know, doing

1:05:22.800 --> 1:05:26.040
<v Speaker 2>if we're talking narratively, Like, I really love that idea

1:05:26.080 --> 1:05:28.240
<v Speaker 2>that that could kind of be the explanation, like they

1:05:28.320 --> 1:05:31.120
<v Speaker 2>were doing something that was more important. You know, this

1:05:31.280 --> 1:05:33.680
<v Speaker 2>is not the first alien invasion for that Justice League,

1:05:33.840 --> 1:05:38.960
<v Speaker 2>right is Like, so you send your like it's kind

1:05:39.000 --> 1:05:40.760
<v Speaker 2>of cruel as well, But I love it because, like

1:05:40.840 --> 1:05:43.400
<v Speaker 2>I'm a big Aquaman fan, and but the Flash and

1:05:43.480 --> 1:05:46.560
<v Speaker 2>that Acuaman are not like the A list DC heroes,

1:05:46.640 --> 1:05:49.160
<v Speaker 2>So I kind of love that. I like this, Superman

1:05:49.200 --> 1:05:51.600
<v Speaker 2>and wonder Woman obviously that's part of the trinity, but

1:05:51.680 --> 1:05:53.360
<v Speaker 2>I kind of love that the ones we see are

1:05:53.440 --> 1:05:54.919
<v Speaker 2>like the the B Team.

1:05:56.120 --> 1:05:57.960
<v Speaker 1>I like that too. When do you think we'll get

1:05:58.480 --> 1:06:02.240
<v Speaker 1>Green Lantern back in the mix? Like the movie was bad? Okay, yeah,

1:06:02.280 --> 1:06:05.680
<v Speaker 1>we know, but that's like a huge part of the OG,

1:06:06.120 --> 1:06:09.840
<v Speaker 1>like the real like iconic Justice League lineup.

1:06:10.120 --> 1:06:12.320
<v Speaker 2>It's the biggest question. So they're doing like a Green

1:06:12.440 --> 1:06:16.560
<v Speaker 2>Lantern's show, right, and we know that the way that

1:06:16.720 --> 1:06:18.880
<v Speaker 2>the DC stuff has been is you can have the

1:06:18.960 --> 1:06:22.560
<v Speaker 2>show that exists alongside a movie version. I think whenever

1:06:22.600 --> 1:06:24.400
<v Speaker 2>we get it, I don't think it will be how Jordan.

1:06:25.040 --> 1:06:27.200
<v Speaker 2>I think it's probably gonna be John Stewart.

1:06:27.000 --> 1:06:27.560
<v Speaker 1>John Stewart.

1:06:27.720 --> 1:06:30.320
<v Speaker 2>Yeah, And I just feel like it has to be soon.

1:06:31.080 --> 1:06:33.880
<v Speaker 1>That never fails to trip me up, that that it's

1:06:35.440 --> 1:06:38.240
<v Speaker 1>that it's the name is John Stewart. In most ways,

1:06:38.720 --> 1:06:40.960
<v Speaker 1>like when John Stewart first arrived on the scene, I

1:06:41.080 --> 1:06:44.800
<v Speaker 1>was like, oh, it's Green Lantern and then when and

1:06:44.880 --> 1:06:47.800
<v Speaker 1>then after a while it slipped where oh the comedian

1:06:47.960 --> 1:06:50.360
<v Speaker 1>John Stewart. Yeah, Now both times they were just so

1:06:50.800 --> 1:06:52.080
<v Speaker 1>like mashed together.

1:06:52.320 --> 1:06:53.880
<v Speaker 2>Yeah, I think it's going to be something like that.

1:06:54.040 --> 1:06:56.640
<v Speaker 2>I think we potentially could see like a Jessica Cruz,

1:06:56.960 --> 1:06:59.920
<v Speaker 2>like a newer, more diverse kind of I would love

1:07:00.600 --> 1:07:03.040
<v Speaker 2>attitude wise, like I mean, I love Yeah, I want

1:07:03.080 --> 1:07:05.320
<v Speaker 2>to see John Stewart there, especially a version of him

1:07:05.320 --> 1:07:07.960
<v Speaker 2>where he's like, you know, the architect or something like

1:07:08.080 --> 1:07:10.160
<v Speaker 2>something a bit more about the blueprints. I think something

1:07:10.200 --> 1:07:12.440
<v Speaker 2>that's really exciting about Green Lanton. We rarely get to

1:07:12.520 --> 1:07:16.280
<v Speaker 2>see them imagine anything other than like a giant fist

1:07:16.400 --> 1:07:18.080
<v Speaker 2>or a gun. So I would love to see the

1:07:18.680 --> 1:07:21.280
<v Speaker 2>reality of the Green Lantern power and the power of

1:07:21.360 --> 1:07:24.080
<v Speaker 2>will Walk to life more visually. But I would also

1:07:24.240 --> 1:07:27.280
<v Speaker 2>like to see Guy Gardner Green Lantern like. I just

1:07:27.320 --> 1:07:30.480
<v Speaker 2>think he's got such a good attitude and I believe

1:07:30.520 --> 1:07:32.800
<v Speaker 2>that he might be one of the leads of the

1:07:32.880 --> 1:07:35.560
<v Speaker 2>Green Lantern Show, which makes me think that John Stewart

1:07:35.600 --> 1:07:40.120
<v Speaker 2>as the movie Green Lanton would make the most sense. Question.

1:07:40.360 --> 1:07:43.800
<v Speaker 1>Do you think that I find this extremely doubtful, but

1:07:43.840 --> 1:07:46.120
<v Speaker 1>I'm just gonna put it out there. Do you think

1:07:46.160 --> 1:07:48.880
<v Speaker 1>that there's gonna be some sort of the Batman Matt

1:07:48.920 --> 1:07:53.120
<v Speaker 1>reeves is the Batman reason for Batman not being there?

1:07:53.520 --> 1:07:57.040
<v Speaker 1>And now, originally I will say that we were absolutely

1:07:57.160 --> 1:08:01.120
<v Speaker 1>convinced that there would be some sort of like hawkeyed

1:08:01.360 --> 1:08:04.800
<v Speaker 1>tie in to uh spider Man to Spider Man, and

1:08:04.920 --> 1:08:07.240
<v Speaker 1>it didn't happen, and that one seems like a really

1:08:07.360 --> 1:08:10.040
<v Speaker 1>easy one to do. So I just don't see this happening,

1:08:10.160 --> 1:08:12.600
<v Speaker 1>but you gotta put it out there reasonable. The Batman

1:08:12.720 --> 1:08:14.040
<v Speaker 1>is coming out soon, It's possible.

1:08:14.080 --> 1:08:16.080
<v Speaker 2>And the truth is, I think that the irony is

1:08:16.320 --> 1:08:19.880
<v Speaker 2>while there might not be a direct narrative easter egg though,

1:08:20.040 --> 1:08:21.759
<v Speaker 2>which we kind of thought there would be with Hawkaye

1:08:21.760 --> 1:08:23.880
<v Speaker 2>and Spider Man, what they did with hawkay and Spider

1:08:23.920 --> 1:08:26.200
<v Speaker 2>Man is they let us like put it together like, oh, well,

1:08:26.280 --> 1:08:28.280
<v Speaker 2>spider Man, you know, he was probably there on this

1:08:28.520 --> 1:08:31.920
<v Speaker 2>day because the tree was still standing in Rockefeller Center.

1:08:32.280 --> 1:08:34.599
<v Speaker 2>So I think like when we see the Batman will

1:08:34.640 --> 1:08:37.880
<v Speaker 2>probably be like, oh well, narratively, he probably couldn't have

1:08:37.920 --> 1:08:42.360
<v Speaker 2>been there. He was busy. But also I think corporately

1:08:42.800 --> 1:08:44.400
<v Speaker 2>that's not a word. Yeah, you know, I think in

1:08:44.479 --> 1:08:47.120
<v Speaker 2>a corporate sense, I actually think that is the spot

1:08:47.160 --> 1:08:49.600
<v Speaker 2>on thing. I think DC is about to commit to

1:08:49.840 --> 1:08:52.960
<v Speaker 2>a brand new iteration of Batman that we are unsure

1:08:53.000 --> 1:08:56.200
<v Speaker 2>of how connected it will be or how standalone it

1:08:56.240 --> 1:09:01.000
<v Speaker 2>will be. And I think that in that way, to

1:09:01.160 --> 1:09:04.000
<v Speaker 2>have this episode coming out like a couple of weeks

1:09:04.040 --> 1:09:07.479
<v Speaker 2>before Batman having Batman in any way is a statement,

1:09:07.840 --> 1:09:08.080
<v Speaker 2>you know.

1:09:08.320 --> 1:09:11.400
<v Speaker 1>Yeah, let's run down some some of the upcoming DCEU

1:09:11.560 --> 1:09:14.200
<v Speaker 1>projects because it's just fun. So the Batman of course,

1:09:14.280 --> 1:09:17.960
<v Speaker 1>March fourth, DC League of super Pets May twentieth. You

1:09:18.120 --> 1:09:20.760
<v Speaker 1>mentioned before that you know, Marvel is probably mad that

1:09:23.080 --> 1:09:26.760
<v Speaker 1>Supervisions Petavengers. How did they do that? Marvel has been

1:09:26.920 --> 1:09:30.800
<v Speaker 1>beaten to the punch on Petavengers by DC's League of

1:09:30.840 --> 1:09:34.559
<v Speaker 1>Superpets Black Adam, which looks very interesting. July twenty nine.

1:09:35.200 --> 1:09:38.519
<v Speaker 1>Then the long awaited and I mean long awaited flash

1:09:38.640 --> 1:09:42.559
<v Speaker 1>movie November fourth, File by Acuaman and Lost Kingdom. I'm

1:09:42.640 --> 1:09:46.599
<v Speaker 1>super excited about continuing Jason Moulmolvers Batgirl twenty twenty two

1:09:47.080 --> 1:09:49.920
<v Speaker 1>Sandman TV series, which is not going to be connected

1:09:49.960 --> 1:09:53.040
<v Speaker 1>to anything, but I am very good. Yeah, very very

1:09:53.160 --> 1:09:55.880
<v Speaker 1>excited that it's coming. But it is not going to

1:09:55.960 --> 1:09:58.280
<v Speaker 1>benected to any of this.

1:09:58.439 --> 1:10:01.439
<v Speaker 2>But I am very happy that we have reached the

1:10:01.600 --> 1:10:02.599
<v Speaker 2>place as.

1:10:02.479 --> 1:10:05.200
<v Speaker 1>A pop called Sandman era, the Samon era can happen.

1:10:05.280 --> 1:10:08.519
<v Speaker 2>And also that people understand that Vertigo is owned by DC.

1:10:08.680 --> 1:10:11.640
<v Speaker 2>This is technically a DC Comics project. Those are conversations

1:10:11.680 --> 1:10:13.679
<v Speaker 2>that ten years ago people will be like, oh, no, Vitigo,

1:10:13.800 --> 1:10:16.080
<v Speaker 2>that's indie comics. That's create your own. I mean some

1:10:16.240 --> 1:10:18.920
<v Speaker 2>Vitgo comics are sam Man is not. But but yeah,

1:10:19.280 --> 1:10:21.639
<v Speaker 2>I love that this is included in there. But alas

1:10:22.280 --> 1:10:24.080
<v Speaker 2>that is sadly not gonna we are not going to

1:10:24.160 --> 1:10:27.360
<v Speaker 2>see death like popping up in Batgirl, though I would love,

1:10:28.160 --> 1:10:29.160
<v Speaker 2>like not gonna do that.

1:10:29.680 --> 1:10:33.519
<v Speaker 1>Salmon is really you know, whenever you would see a

1:10:33.640 --> 1:10:36.559
<v Speaker 1>graphic novel on the shelf of someone who doesn't read

1:10:36.600 --> 1:10:38.920
<v Speaker 1>comics at least when I was like in college and

1:10:39.000 --> 1:10:41.920
<v Speaker 1>when I was a younger person, it was one of

1:10:42.960 --> 1:10:48.200
<v Speaker 1>three comics. It was Watchmen, Dark Knight Returns, Yeah, and Sandman.

1:10:48.400 --> 1:10:51.240
<v Speaker 1>Those were the three. So this is a big moment.

1:10:51.439 --> 1:10:54.799
<v Speaker 1>This is a really this is an iconic, iconic graphic novel,

1:10:55.120 --> 1:10:59.040
<v Speaker 1>iconic comics series about to hit the screen. Okay, Harley

1:10:59.120 --> 1:11:02.000
<v Speaker 1>Quinn season three, the extremely If you haven't watched Harley

1:11:02.080 --> 1:11:05.560
<v Speaker 1>Quinn season one and two, whoa, it's so funny. Fix it,

1:11:05.760 --> 1:11:08.400
<v Speaker 1>fix it because it's so so so funny. Watch it

1:11:08.479 --> 1:11:11.960
<v Speaker 1>season three come in twenty twenty two. Titans season four.

1:11:12.000 --> 1:11:13.720
<v Speaker 1>I haven't watched any Titans, but I need to watch it.

1:11:14.160 --> 1:11:17.439
<v Speaker 1>Titans teen. Titans is like, I actually think, theoretically my

1:11:17.520 --> 1:11:21.320
<v Speaker 1>first comic book because we got a say noted drugs

1:11:21.360 --> 1:11:23.880
<v Speaker 1>comic like in elementary school, and it was The Teen Titans.

1:11:23.920 --> 1:11:26.800
<v Speaker 2>Oh way, dude, that I will say Titans. Never saw

1:11:26.840 --> 1:11:28.600
<v Speaker 2>it gonna get I never would have guessed it was

1:11:28.640 --> 1:11:31.759
<v Speaker 2>gonna get four seasons. I remember being at San Diego

1:11:31.840 --> 1:11:35.080
<v Speaker 2>Comic com when the fuck Batman trailer dropped and ever

1:11:35.200 --> 1:11:37.599
<v Speaker 2>it was like, what the heck? But when I first

1:11:37.640 --> 1:11:40.120
<v Speaker 2>saw that pilot, I was like, this should be a

1:11:40.240 --> 1:11:42.680
<v Speaker 2>HBO Max show. It looks like HBO Max. There's a

1:11:42.720 --> 1:11:45.240
<v Speaker 2>Game of Thrones reference and lo and behold. I mean

1:11:45.680 --> 1:11:47.920
<v Speaker 2>at the time I said HBO because I didn't know

1:11:48.040 --> 1:11:50.680
<v Speaker 2>HBO Max would exist. But I feel like it has

1:11:50.720 --> 1:11:53.760
<v Speaker 2>found its place on that I love any teen team,

1:11:54.000 --> 1:11:56.280
<v Speaker 2>and while we do not have an Exavier's School for

1:11:56.400 --> 1:11:59.560
<v Speaker 2>Gifted Youngster show, I continue to watch Titans. It is

1:11:59.600 --> 1:12:03.879
<v Speaker 2>also good as a kind of potted history of famous

1:12:04.479 --> 1:12:08.280
<v Speaker 2>Batman back family kind of stories in a way that

1:12:08.439 --> 1:12:10.840
<v Speaker 2>like X Men ninety two, one of the reasons I

1:12:10.880 --> 1:12:12.519
<v Speaker 2>think people love it so much is you get to

1:12:12.560 --> 1:12:16.000
<v Speaker 2>see all these different stories. You know, Phoenix Saga, right,

1:12:16.400 --> 1:12:17.599
<v Speaker 2>the Day's a future past.

1:12:17.760 --> 1:12:20.880
<v Speaker 1>It's like an anthology series of like the greatest hits

1:12:20.960 --> 1:12:22.360
<v Speaker 1>of the Titans.

1:12:22.520 --> 1:12:26.360
<v Speaker 2>Each season has elements of that, specifically the last season,

1:12:26.400 --> 1:12:29.040
<v Speaker 2>which is very heavily based on death in the Family,

1:12:29.240 --> 1:12:31.960
<v Speaker 2>Jason Todd's stuff. So I think if you like Batman

1:12:32.040 --> 1:12:33.720
<v Speaker 2>and you want to explore it and you don't mind

1:12:33.720 --> 1:12:35.920
<v Speaker 2>it being a little bit edgy, definitely worth a try.

1:12:36.080 --> 1:12:38.800
<v Speaker 1>Doom Patrol season four. There's another series that I did

1:12:38.880 --> 1:12:42.439
<v Speaker 1>not think would get for season six, Pennyworth season three

1:12:42.520 --> 1:12:46.160
<v Speaker 1>and twenty twenty two Young Justice YEP season four, the

1:12:46.320 --> 1:12:50.000
<v Speaker 1>Aeroverse TV series, which is I always like Green Arrow.

1:12:50.080 --> 1:12:51.639
<v Speaker 1>Let me just put out there. I like Green Arrow.

1:12:51.720 --> 1:12:54.800
<v Speaker 1>He cares about social justice, he puts his money where

1:12:54.880 --> 1:12:56.720
<v Speaker 1>his mouth is, and I've always been a fan of

1:12:56.800 --> 1:13:00.559
<v Speaker 1>the comics Green Arrow, Shazam, Fury the Gods, and second

1:13:00.600 --> 1:13:03.200
<v Speaker 1>twenty twenty three Blue Beetle, which is going to be

1:13:03.600 --> 1:13:06.080
<v Speaker 1>super fun for the fans of Blue Beetle, And then

1:13:06.120 --> 1:13:09.840
<v Speaker 1>Peacemaker season two likely twenty twenty three, oh of course,

1:13:09.920 --> 1:13:12.479
<v Speaker 1>and then Wonder Woman three, which is somewhere in development

1:13:12.600 --> 1:13:15.559
<v Speaker 1>who knows where. Lots of stuff to think about. How

1:13:15.800 --> 1:13:19.240
<v Speaker 1>in the future do you think Peacemaker could possibly tie

1:13:19.320 --> 1:13:21.439
<v Speaker 1>back to Justice? We now have seen Justice League in

1:13:21.439 --> 1:13:24.439
<v Speaker 1>a Peacemaker a show. I wonder if we get any

1:13:24.560 --> 1:13:33.400
<v Speaker 1>mentions in upcoming DCEU movies of like whether it's Doom, Patrol, Titans, whatever,

1:13:34.280 --> 1:13:37.080
<v Speaker 1>just like a mention like, Oh, there's this team working

1:13:37.160 --> 1:13:38.880
<v Speaker 1>over here. Oh there's that guy with the bow and

1:13:39.040 --> 1:13:40.080
<v Speaker 1>arrow over at Star City.

1:13:40.240 --> 1:13:43.439
<v Speaker 2>I think that I've just had a brain wave inspired

1:13:43.479 --> 1:13:46.560
<v Speaker 2>by our convo. I think that this may be the

1:13:46.800 --> 1:13:50.320
<v Speaker 2>HBO Max superhero shows and movies as we are about

1:13:50.320 --> 1:13:54.479
<v Speaker 2>to see them. Batgirl, you mentioned Blue Beetle. HBO James

1:13:54.479 --> 1:13:56.640
<v Speaker 2>Gunn has talked about the possibility of potential are the

1:13:56.720 --> 1:13:59.439
<v Speaker 2>Suicide Squad spinoff shows, which I would love and seems

1:13:59.560 --> 1:14:02.560
<v Speaker 2>very light in the context of how popular.

1:14:02.240 --> 1:14:02.760
<v Speaker 3>The show was.

1:14:03.360 --> 1:14:06.840
<v Speaker 2>So I think that maybe it's less about whether or

1:14:06.880 --> 1:14:09.519
<v Speaker 2>not we will see any movies that reference these shows,

1:14:09.640 --> 1:14:12.559
<v Speaker 2>and more about how these shows will build in elements

1:14:12.600 --> 1:14:16.080
<v Speaker 2>of what we knew as the DCEU, so like, will

1:14:16.160 --> 1:14:18.759
<v Speaker 2>this be the place where the Jared Leto Joker exists?

1:14:18.800 --> 1:14:22.840
<v Speaker 2>Will this be the place where these Justice League Zack

1:14:22.920 --> 1:14:27.520
<v Speaker 2>Snyder characters continue to be the main line of superheroes.

1:14:27.680 --> 1:14:30.479
<v Speaker 2>Because Zack Snyder's Justice League was a HBO Max original

1:14:31.160 --> 1:14:34.479
<v Speaker 2>this show is a HBO Max original. Maybe they're building

1:14:34.600 --> 1:14:39.160
<v Speaker 2>some kind of HBO Max televisual DC universe that is

1:14:39.880 --> 1:14:42.240
<v Speaker 2>going to continue that line on while they continue this

1:14:42.439 --> 1:14:47.200
<v Speaker 2>kind of more autor driven visionary, different kind of film universes.

1:14:47.400 --> 1:14:49.280
<v Speaker 2>And obviously we know Aquaman is still going to have

1:14:49.320 --> 1:14:51.400
<v Speaker 2>a movie, so that's somewhere I could imagine him making

1:14:51.520 --> 1:14:54.200
<v Speaker 2>like a funny joke about Peacemaker or John Cena kind

1:14:54.240 --> 1:14:56.680
<v Speaker 2>of on the meta meta level, you know, so I

1:14:56.720 --> 1:14:58.800
<v Speaker 2>could see it. But I actually think we might be

1:14:58.840 --> 1:15:02.080
<v Speaker 2>seeing a world where the DCEU and the kind of

1:15:02.160 --> 1:15:05.519
<v Speaker 2>snide of US era stuff continues more in these TV

1:15:05.680 --> 1:15:09.439
<v Speaker 2>shows than necessarily anywhere. Also, that would that would fit

1:15:09.479 --> 1:15:12.479
<v Speaker 2>in with there were kind of rumors around the idea

1:15:12.600 --> 1:15:16.479
<v Speaker 2>that the Batgirl movie would connect to the Flash movie. Yeah,

1:15:16.520 --> 1:15:19.800
<v Speaker 2>you know so, I think maybe that era and those

1:15:19.920 --> 1:15:23.880
<v Speaker 2>two heroes, specifically Aquaman and the Flash might be that

1:15:24.120 --> 1:15:26.360
<v Speaker 2>world connected between the movies and TV that we were

1:15:26.400 --> 1:15:26.760
<v Speaker 2>waiting for.

1:15:27.280 --> 1:15:31.360
<v Speaker 1>Let's leave this conversation with this. One of the theories

1:15:31.960 --> 1:15:35.960
<v Speaker 1>about season two would be that bane iconic Batman villain

1:15:36.000 --> 1:15:42.640
<v Speaker 1>Bain would appear in season two of Theburger Prusberger Your

1:15:42.760 --> 1:15:48.800
<v Speaker 1>Daughters but James Gunn shot that down brutally, saying, quote,

1:15:49.120 --> 1:15:51.360
<v Speaker 1>don't you know by now to make really sure of

1:15:51.439 --> 1:15:53.800
<v Speaker 1>this stuff before posting? This is bullshit. No one knows

1:15:54.120 --> 1:15:56.960
<v Speaker 1>what's coming but me and even I don't fully know.

1:15:57.080 --> 1:15:59.599
<v Speaker 1>So there you have it. No Bane in season two

1:15:59.640 --> 1:16:01.639
<v Speaker 1>of the p R Bersberger or bar.

1:16:04.000 --> 1:16:04.120
<v Speaker 2>Up.

1:16:04.240 --> 1:16:17.439
<v Speaker 1>Next, let's go to the Hive Mind. Welcome to the

1:16:17.520 --> 1:16:19.439
<v Speaker 1>Hive Mind, where we dive deep into a topic with

1:16:19.520 --> 1:16:21.240
<v Speaker 1>the help of a guest. This week, X Ray Vision

1:16:21.320 --> 1:16:24.760
<v Speaker 1>is please to welcome Chuck Woody Woogy aka Clemson Mern

1:16:24.960 --> 1:16:28.920
<v Speaker 1>aka Ick No Block from Peacemaker. Chuck, what do you

1:16:28.960 --> 1:16:33.160
<v Speaker 1>thank you for joining us so much? Congratulations on Peacemaker

1:16:33.240 --> 1:16:36.839
<v Speaker 1>Season one? Super fun show. How did you get involved

1:16:36.880 --> 1:16:41.719
<v Speaker 1>in it? What brought you to playing Mern? Rest in peace? Mern?

1:16:42.960 --> 1:16:46.600
<v Speaker 1>I'll ask you later if if that's to stay, but

1:16:46.720 --> 1:16:49.320
<v Speaker 1>let's see what brought you to this project.

1:16:49.640 --> 1:16:52.439
<v Speaker 3>Well, it was your standard wake up in the morning,

1:16:52.720 --> 1:16:55.000
<v Speaker 3>getting on with your damn and an email comes from

1:16:55.080 --> 1:16:58.360
<v Speaker 3>your agent. And it was soon after COVID, you know,

1:16:58.439 --> 1:17:00.559
<v Speaker 3>the first round of COVID at ended, so like things

1:17:00.640 --> 1:17:02.000
<v Speaker 3>were beginning to open up, and it was one of

1:17:02.080 --> 1:17:04.479
<v Speaker 3>the first things that came my way and it was

1:17:04.600 --> 1:17:08.840
<v Speaker 3>like three pages of you know, very secretive, you know,

1:17:09.000 --> 1:17:10.880
<v Speaker 3>not giving anything away, but it was a James Gunn

1:17:10.920 --> 1:17:14.800
<v Speaker 3>project and all that stuff, and I actually remember reading it.

1:17:14.880 --> 1:17:16.960
<v Speaker 3>I've told this story a hundred times. Is like, and

1:17:17.080 --> 1:17:19.120
<v Speaker 3>I just said to my wife, why am I wasting

1:17:19.200 --> 1:17:22.479
<v Speaker 3>my time? They're gonna cast you know, Lance Reddick. You

1:17:22.520 --> 1:17:24.160
<v Speaker 3>know what I mean, He's perfect for this. I mean

1:17:24.200 --> 1:17:26.559
<v Speaker 3>I would cast him, you know. But then I read

1:17:26.640 --> 1:17:30.280
<v Speaker 3>the material and it was so funny. I mean it

1:17:30.400 --> 1:17:32.559
<v Speaker 3>was I think the scene I got was the first

1:17:32.640 --> 1:17:35.960
<v Speaker 3>scene where he comes in and meets Peacemaker his trailer,

1:17:36.080 --> 1:17:39.400
<v Speaker 3>you know, in episode one, and I'm reading that and

1:17:39.479 --> 1:17:41.080
<v Speaker 3>I said, to my this is so hilarious. You know what,

1:17:41.200 --> 1:17:42.840
<v Speaker 3>let's just tape it. I'm not going to get it,

1:17:42.920 --> 1:17:44.920
<v Speaker 3>but I owe it to this material to give it

1:17:44.960 --> 1:17:47.280
<v Speaker 3>a go. And we did it. We did one take actually,

1:17:47.840 --> 1:17:50.720
<v Speaker 3>and sent it out. And as it happens, as I've

1:17:50.760 --> 1:17:53.320
<v Speaker 3>heard over is that James saw it and was like,

1:17:53.400 --> 1:17:55.400
<v Speaker 3>who the hell is this guy? I want him? And

1:17:55.520 --> 1:17:57.400
<v Speaker 3>that's sort of like how it happened. You know.

1:17:58.040 --> 1:18:03.360
<v Speaker 1>As a fan of Angle File television and movies, the

1:18:03.439 --> 1:18:07.000
<v Speaker 1>thing I love about you know, watching stuff on BBC

1:18:07.680 --> 1:18:13.120
<v Speaker 1>is just how the range that actors who come up

1:18:13.240 --> 1:18:16.679
<v Speaker 1>through the UK kind of like acting tree, the range

1:18:16.760 --> 1:18:19.519
<v Speaker 1>that you all display. You've done everything from Shakespeare to

1:18:19.800 --> 1:18:24.960
<v Speaker 1>John Wick now Peacemaker. How does how does that affect

1:18:25.439 --> 1:18:27.559
<v Speaker 1>the way you approach a role, the way you approach

1:18:27.680 --> 1:18:31.800
<v Speaker 1>Mern having this intense training. I mean you've played You've

1:18:31.840 --> 1:18:33.080
<v Speaker 1>played Othello on stage.

1:18:33.320 --> 1:18:38.479
<v Speaker 3>I've read yeah, yeah, yeah. Honestly it's all I know.

1:18:38.760 --> 1:18:40.720
<v Speaker 3>You know, I don't know how to like compare it

1:18:40.800 --> 1:18:43.639
<v Speaker 3>to someone who doesn't have, you know, the same background

1:18:43.640 --> 1:18:45.719
<v Speaker 3>as I do. My whole, my whole world of acting

1:18:45.840 --> 1:18:48.560
<v Speaker 3>has been about building characters from the ground up, you know,

1:18:48.680 --> 1:18:50.280
<v Speaker 3>from what's on the page in front of you. You

1:18:50.320 --> 1:18:53.559
<v Speaker 3>talks about my classical background. Yeah, when you're doing Shakespeare

1:18:53.680 --> 1:18:56.200
<v Speaker 3>or Chekhov or Ibsen and stuff, it's it's on the page.

1:18:56.360 --> 1:19:00.320
<v Speaker 3>You know, your You're led the writers great writers, And

1:19:00.920 --> 1:19:03.559
<v Speaker 3>I think James is a phenomenal writer, because the really

1:19:03.600 --> 1:19:05.880
<v Speaker 3>good writers are very good at directing the actors with

1:19:06.439 --> 1:19:09.439
<v Speaker 3>what they say, how they say stuff. So I look

1:19:09.520 --> 1:19:11.519
<v Speaker 3>for clues on the page and I just don't know

1:19:11.960 --> 1:19:14.400
<v Speaker 3>how else to approach the work. Then the way I

1:19:14.840 --> 1:19:17.600
<v Speaker 3>would approach. I approached Hamlet, I approached Othello, and I

1:19:17.600 --> 1:19:20.360
<v Speaker 3>approached man, there's this stuff in front of me. You

1:19:20.520 --> 1:19:22.679
<v Speaker 3>learn the lines, you get the clues from the writer

1:19:22.840 --> 1:19:25.960
<v Speaker 3>what you feel, your instincts tell you he wants, and

1:19:26.080 --> 1:19:29.280
<v Speaker 3>then you the whole process is it getting deeper and

1:19:29.520 --> 1:19:33.200
<v Speaker 3>settling into you settling and settling, and your imagination goes well,

1:19:33.280 --> 1:19:35.679
<v Speaker 3>you dream on it, you wake up, you run the lines.

1:19:36.200 --> 1:19:38.519
<v Speaker 3>I always believe I the first thing I do is

1:19:38.640 --> 1:19:41.200
<v Speaker 3>learn the lines, because those are where all my clues

1:19:41.240 --> 1:19:43.800
<v Speaker 3>are in the language. So, going back to what you

1:19:43.840 --> 1:19:46.519
<v Speaker 3>say about the BBC, yeah, it's we're very lucky in

1:19:46.680 --> 1:19:49.120
<v Speaker 3>certainly the British system and a lot of European systems,

1:19:49.280 --> 1:19:52.679
<v Speaker 3>is that when you leave drama school, that's just the beginning.

1:19:53.320 --> 1:19:56.200
<v Speaker 3>You know, you don't assume you're an actor after drama school.

1:19:56.280 --> 1:19:58.960
<v Speaker 3>But we have the luck sury of things like where

1:19:59.000 --> 1:20:02.960
<v Speaker 3>I came up, the roy Shakespeare Company, the National Theater, Bristol, Ulvic,

1:20:03.080 --> 1:20:05.320
<v Speaker 3>all these places where you can be an apprentice, so

1:20:05.479 --> 1:20:09.000
<v Speaker 3>you can spend literally ten years learning, growing, growing in

1:20:09.080 --> 1:20:11.960
<v Speaker 3>that confidence of doing, doing, doing, doing tiny roles and

1:20:12.040 --> 1:20:14.320
<v Speaker 3>the roles grow and stuff. So we have a whole

1:20:14.400 --> 1:20:18.880
<v Speaker 3>culture of just being given time and space to grow,

1:20:19.120 --> 1:20:21.320
<v Speaker 3>you know. And I feel very lucky about that because

1:20:22.120 --> 1:20:24.840
<v Speaker 3>it builds a confidence in you. Work begets work, and

1:20:25.400 --> 1:20:27.880
<v Speaker 3>experience grows. Doing all these sort of shows, there were

1:20:27.920 --> 1:20:30.599
<v Speaker 3>seasons I would have about twenty roles in my head

1:20:30.640 --> 1:20:33.439
<v Speaker 3>in a season, you know, and each one has to

1:20:33.520 --> 1:20:37.200
<v Speaker 3>be distinct, you know. So we're steeped in the culture

1:20:37.280 --> 1:20:41.640
<v Speaker 3>of characterization and building characters and letting it go and

1:20:41.800 --> 1:20:43.680
<v Speaker 3>going on to the next thing and stuff. You know.

1:20:44.160 --> 1:20:47.400
<v Speaker 1>Yeah, speaking of that, when did you find out that

1:20:47.600 --> 1:20:51.559
<v Speaker 1>Mern was a butterfly? And did that in any way

1:20:51.680 --> 1:20:53.240
<v Speaker 1>This is going to sound like a nerdy question, but

1:20:53.280 --> 1:20:55.000
<v Speaker 1>these are the things I think about. Did that in

1:20:55.080 --> 1:20:58.280
<v Speaker 1>any way affect your performance? Were you thinking, Okay, I'm

1:21:00.280 --> 1:21:05.679
<v Speaker 1>block inside, I don't even meet and that's the character

1:21:05.800 --> 1:21:08.439
<v Speaker 1>that I'm playing, Not like, did it affect the way

1:21:08.560 --> 1:21:09.400
<v Speaker 1>you approached the role?

1:21:09.479 --> 1:21:12.439
<v Speaker 3>On No, No, I knew about Mern right from the start.

1:21:12.520 --> 1:21:14.960
<v Speaker 3>It was part of what really attracted me to the

1:21:15.080 --> 1:21:17.639
<v Speaker 3>role and made it very juicy. Peter Saffren and James

1:21:17.760 --> 1:21:20.040
<v Speaker 3>called me and told me about this arc that he has.

1:21:20.600 --> 1:21:24.000
<v Speaker 3>But in all fairness, Jason, I don't believe in playing

1:21:24.040 --> 1:21:26.639
<v Speaker 3>an arc in life. We don't know what's coming next.

1:21:26.760 --> 1:21:29.160
<v Speaker 3>We don't know what's next. We just play moment and

1:21:29.200 --> 1:21:31.479
<v Speaker 3>moment in life. And as an actor, I don't believe

1:21:31.720 --> 1:21:36.200
<v Speaker 3>believe in drip feeding the audience, condescending actually the audience

1:21:36.240 --> 1:21:39.080
<v Speaker 3>by doing that. I genuinely believe in this is what

1:21:39.200 --> 1:21:41.720
<v Speaker 3>the scene is saying. James has written it in a

1:21:41.840 --> 1:21:45.280
<v Speaker 3>certain way where we have a reveal, So why spoil

1:21:45.360 --> 1:21:48.960
<v Speaker 3>the surprise as it were? So I'm always interested in

1:21:49.000 --> 1:21:51.280
<v Speaker 3>playing moment and moments and letting the arc take care

1:21:51.320 --> 1:21:53.799
<v Speaker 3>of itself. I really feel if there were any clues

1:21:53.880 --> 1:21:56.519
<v Speaker 3>about who Myrn was, it was in the writing, and

1:21:56.680 --> 1:21:58.400
<v Speaker 3>I certainly wasn't going to let it be in my

1:21:58.520 --> 1:22:02.960
<v Speaker 3>performance because if you're a good actor, as in if

1:22:03.080 --> 1:22:05.439
<v Speaker 3>Mern as a butterfly is a good actor as Mern,

1:22:06.080 --> 1:22:08.800
<v Speaker 3>he would hide it. He wouldn't be saying, hey, wink wink,

1:22:09.080 --> 1:22:11.360
<v Speaker 3>am I a butterfly or not? You know, that just

1:22:11.479 --> 1:22:13.960
<v Speaker 3>isn't real For me. I wanted the audience to have

1:22:14.080 --> 1:22:16.519
<v Speaker 3>a genuine surprise, and I wanted to let myself have

1:22:16.680 --> 1:22:18.519
<v Speaker 3>that surprise when it happened.

1:22:18.760 --> 1:22:22.160
<v Speaker 1>You know, also, it was a wonderful surprise. In the

1:22:22.160 --> 1:22:25.559
<v Speaker 1>Blooper reels, which are wonderful, there's a moment in which

1:22:25.600 --> 1:22:28.400
<v Speaker 1>johnsena gets you to get you to break and says

1:22:28.439 --> 1:22:31.760
<v Speaker 1>something like Operation Truck was a success. As an actor

1:22:31.760 --> 1:22:35.200
<v Speaker 1>who's come up through the stage and you've spoken wonderfully,

1:22:35.360 --> 1:22:38.200
<v Speaker 1>how you take your cues from the written page? How

1:22:38.240 --> 1:22:41.280
<v Speaker 1>do you approach improvisation these moments of improvisation. When stuff

1:22:41.320 --> 1:22:43.040
<v Speaker 1>like that happens on the set.

1:22:43.000 --> 1:22:44.800
<v Speaker 3>Oh, it terrifies the hell out of me. There's nothing

1:22:44.800 --> 1:22:46.160
<v Speaker 3>that scared to be more than a direct to say

1:22:46.200 --> 1:22:48.519
<v Speaker 3>and okay, improvise something. James has a habit. Right now,

1:22:48.560 --> 1:22:51.639
<v Speaker 3>we're shooting Guardians and we'll do a few takes of something.

1:22:51.640 --> 1:22:53.479
<v Speaker 3>I said, okay, we got a chuck. Now do whatever

1:22:53.560 --> 1:22:57.559
<v Speaker 3>you want. And I'm like, ha, you know, do something different,

1:22:57.600 --> 1:23:00.880
<v Speaker 3>do whatever you want. I'm like, what, yeah, no, I

1:23:01.200 --> 1:23:03.519
<v Speaker 3>Some actors love it. Some actors are natural edit. I

1:23:03.680 --> 1:23:07.439
<v Speaker 3>don't love improvising. I really like I really like to

1:23:08.360 --> 1:23:10.640
<v Speaker 3>know what I'm doing and be given it. But in

1:23:10.840 --> 1:23:14.160
<v Speaker 3>that group, in that setting, I did improvise. We all did,

1:23:14.280 --> 1:23:17.040
<v Speaker 3>and James encourages it, and it's such a safe atmosphere

1:23:17.120 --> 1:23:19.439
<v Speaker 3>to do it in and such a fun atmosphere that

1:23:19.800 --> 1:23:22.280
<v Speaker 3>you're never really gonna fall flat on your face. It's

1:23:22.320 --> 1:23:24.519
<v Speaker 3>always just gonna Some things are gonna work better than others,

1:23:24.560 --> 1:23:26.519
<v Speaker 3>but you're never gonna be You're not gonna fall flat

1:23:26.600 --> 1:23:28.920
<v Speaker 3>on your face because it's encouraged and James likes to

1:23:29.000 --> 1:23:31.840
<v Speaker 3>let the camera run on and on. But that said,

1:23:31.880 --> 1:23:34.640
<v Speaker 3>I was the straight man. That mern is is very

1:23:34.680 --> 1:23:37.639
<v Speaker 3>reflective of who I was amongst that cast, because they're naturals.

1:23:37.680 --> 1:23:41.160
<v Speaker 3>I mean, John can improvise from now till eternity. Steve

1:23:41.200 --> 1:23:44.040
<v Speaker 3>ag stand up, I mean, just Hilarius, Danielle, you know.

1:23:44.120 --> 1:23:46.640
<v Speaker 3>I mean it's so natural to them. I had to

1:23:46.680 --> 1:23:49.479
<v Speaker 3>play catch up, and often I'd be the kid at

1:23:49.520 --> 1:23:51.640
<v Speaker 3>the back of the class that reluctantly put up my

1:23:51.720 --> 1:23:54.640
<v Speaker 3>hand to improvise. I let the experts get on with it.

1:23:55.040 --> 1:23:55.240
<v Speaker 3>You know.

1:23:56.680 --> 1:24:00.720
<v Speaker 1>We must talk about the opening sequence. How long did

1:24:00.760 --> 1:24:04.320
<v Speaker 1>it take to to get your part down and at

1:24:04.360 --> 1:24:06.320
<v Speaker 1>what point did you learn that you would be learning

1:24:06.400 --> 1:24:09.480
<v Speaker 1>some choreography for the opening credit secrets.

1:24:10.680 --> 1:24:13.200
<v Speaker 3>Well after we started filming, so there was no backing out.

1:24:14.040 --> 1:24:18.559
<v Speaker 3>It was like a month in or something. Someone just mentioned. Yeah,

1:24:18.600 --> 1:24:20.960
<v Speaker 3>and so on this day we're shooting the dance sequence.

1:24:21.000 --> 1:24:24.720
<v Speaker 3>I was like, what what dance sequence? And so that's

1:24:24.760 --> 1:24:27.680
<v Speaker 3>how we found out. And then we only had the

1:24:27.760 --> 1:24:30.559
<v Speaker 3>wonderful Carissa. I think I had three rehearsals with her,

1:24:31.080 --> 1:24:32.920
<v Speaker 3>and so a lot of the work you had to

1:24:33.000 --> 1:24:35.240
<v Speaker 3>do at home on your own and just drill it

1:24:35.320 --> 1:24:37.320
<v Speaker 3>and drill it and drill it. So I think from

1:24:37.640 --> 1:24:40.000
<v Speaker 3>I want to say, we had maybe about five or

1:24:40.040 --> 1:24:42.519
<v Speaker 3>six weeks between the first rehearsal and when we actually

1:24:42.600 --> 1:24:44.519
<v Speaker 3>did it. And we worked with her two or three times,

1:24:44.560 --> 1:24:46.080
<v Speaker 3>and then we were there it was time to shoot it.

1:24:46.200 --> 1:24:48.840
<v Speaker 3>So I drove my wife crazy practicing at home. I

1:24:48.920 --> 1:24:50.720
<v Speaker 3>mean she was just like, what are you doing. I

1:24:50.800 --> 1:24:53.200
<v Speaker 3>was like, I have to get this down. I have

1:24:53.360 --> 1:24:54.640
<v Speaker 3>to get this down because I don't want to look

1:24:54.680 --> 1:24:55.360
<v Speaker 3>like a right idiot.

1:24:55.720 --> 1:25:00.400
<v Speaker 1>So, yeah, I've never fast forward it. It brings enjoy

1:25:00.439 --> 1:25:03.120
<v Speaker 1>every single time I watched the show, even when I

1:25:03.560 --> 1:25:06.360
<v Speaker 1>watch episodes again, you know, for research purposes, I always

1:25:06.360 --> 1:25:06.640
<v Speaker 1>watch it.

1:25:06.800 --> 1:25:07.559
<v Speaker 3>Yeah, And the thing that.

1:25:08.600 --> 1:25:13.760
<v Speaker 1>Absolutely kills me is the complete deadness of everybody's face.

1:25:15.080 --> 1:25:15.240
<v Speaker 3>Was that.

1:25:15.920 --> 1:25:18.519
<v Speaker 1>I mean, I understand that you are concentrating on the steps,

1:25:18.520 --> 1:25:22.479
<v Speaker 1>but was that difficult to just not laugh, not smirk,

1:25:22.600 --> 1:25:26.200
<v Speaker 1>not anything while you're doing There's.

1:25:25.160 --> 1:25:28.240
<v Speaker 3>A funny story. I don't know if Danielle has been

1:25:28.320 --> 1:25:30.160
<v Speaker 3>on your show told you about it, But on the

1:25:30.280 --> 1:25:34.080
<v Speaker 3>day we were filming, Danielle hadn't got the memo about

1:25:34.120 --> 1:25:36.240
<v Speaker 3>the straight face and when she came to do her thing,

1:25:36.280 --> 1:25:39.000
<v Speaker 3>and she's such a great mover, she was in it. Man,

1:25:39.120 --> 1:25:41.720
<v Speaker 3>she was beyond saying the shit out of it. And

1:25:42.160 --> 1:25:47.360
<v Speaker 3>in terms of like Danielle, no, none of that. No,

1:25:47.920 --> 1:25:49.679
<v Speaker 3>it was it was hard. Of course, you're looking around,

1:25:49.760 --> 1:25:52.680
<v Speaker 3>looking at bat and people dancing in front of you

1:25:52.800 --> 1:25:55.800
<v Speaker 3>and all this. It's hard not to want to just grin. Also,

1:25:55.880 --> 1:25:58.360
<v Speaker 3>the music is just so damn good because of playing

1:25:58.400 --> 1:26:00.360
<v Speaker 3>it full blast the light. It was like being on

1:26:00.439 --> 1:26:03.439
<v Speaker 3>an MTV music you know soundstage, you know, in the

1:26:03.479 --> 1:26:06.719
<v Speaker 3>old days of those music videos, and it was exciting.

1:26:06.760 --> 1:26:09.760
<v Speaker 3>So yes, it was a challenge not to get carried away.

1:26:09.880 --> 1:26:12.160
<v Speaker 3>But you know, it's like acting a role. The role

1:26:12.280 --> 1:26:14.880
<v Speaker 3>we were given that day. The direction from the director

1:26:15.000 --> 1:26:17.120
<v Speaker 3>was like straight face, let's get it done. And then

1:26:17.120 --> 1:26:18.599
<v Speaker 3>there were lots of us you'd see in the blue

1:26:18.640 --> 1:26:20.080
<v Speaker 3>per reel and stuff. I don't know if there's one

1:26:20.200 --> 1:26:22.360
<v Speaker 3>just for the dance there's lots of breaking up right after,

1:26:22.640 --> 1:26:22.840
<v Speaker 3>you know.

1:26:25.560 --> 1:26:30.240
<v Speaker 1>Any particular favorite moments from the season, whether they include

1:26:30.280 --> 1:26:30.760
<v Speaker 1>Murn or not.

1:26:31.000 --> 1:26:34.080
<v Speaker 3>I actually it's funny. I mean if okay, if we

1:26:34.240 --> 1:26:36.599
<v Speaker 3>break that down. My favorite episode is episode eight, although

1:26:36.600 --> 1:26:38.160
<v Speaker 3>I'm not in it. I just think it was such

1:26:38.160 --> 1:26:42.240
<v Speaker 3>an epic arrival of that team, you know, and it

1:26:42.360 --> 1:26:44.439
<v Speaker 3>was just beautiful to say, especially with the cameos at

1:26:44.479 --> 1:26:46.920
<v Speaker 3>the end. Yeah, so that was my favorite episode. Favorite.

1:26:47.560 --> 1:26:51.640
<v Speaker 3>My favorite moment is slightly selfish because it was on

1:26:51.800 --> 1:26:53.640
<v Speaker 3>the day we were filming the dance sequence and you're

1:26:53.640 --> 1:26:57.120
<v Speaker 3>already having the time of your life filming this dance sequence,

1:26:57.200 --> 1:26:59.960
<v Speaker 3>you know. But in the middle of shooting that dance sequence,

1:27:00.120 --> 1:27:01.439
<v Speaker 3>James came up to me and said, can I have

1:27:01.479 --> 1:27:04.080
<v Speaker 3>a word with you? And I was like, you know,

1:27:04.160 --> 1:27:05.880
<v Speaker 3>and I joked, is this when you tell me you

1:27:06.000 --> 1:27:08.559
<v Speaker 3>actually were looking to hire a chutel agr fun got

1:27:08.600 --> 1:27:13.080
<v Speaker 3>our names mixed up? And he says, no, no, no,

1:27:13.240 --> 1:27:15.880
<v Speaker 3>it's not, it's not. Actually is quite the opposite. I

1:27:16.439 --> 1:27:21.120
<v Speaker 3>want you to play X in Guardians of the Galaxy three.

1:27:22.000 --> 1:27:23.800
<v Speaker 3>So it was on that day we were filming it

1:27:23.920 --> 1:27:26.360
<v Speaker 3>he told me that, and for me, as a fan,

1:27:26.479 --> 1:27:28.559
<v Speaker 3>of comics, as a fan of James Gunn as an

1:27:28.880 --> 1:27:31.640
<v Speaker 3>actor who's like sort of making my way more and

1:27:31.720 --> 1:27:33.240
<v Speaker 3>more into film and TV. For that day to be

1:27:33.320 --> 1:27:36.720
<v Speaker 3>already doing Filmmaker then asked to go on to this

1:27:37.680 --> 1:27:42.240
<v Speaker 3>incredible next project. Was it's selfishly my favorite moment of

1:27:42.320 --> 1:27:45.200
<v Speaker 3>the whole thing in what was a lot of amazing

1:27:45.320 --> 1:27:47.800
<v Speaker 3>moments in Vancouver, you know, I.

1:27:47.840 --> 1:27:50.880
<v Speaker 1>Mean, that's truly wonderful. I mean, you know, acting any

1:27:50.920 --> 1:27:53.840
<v Speaker 1>kind of creative life, you can't help it, appreciate it

1:27:53.880 --> 1:27:56.880
<v Speaker 1>when you start to get work. What drew you to

1:27:57.160 --> 1:27:59.200
<v Speaker 1>acting as a young person?

1:27:59.320 --> 1:28:02.280
<v Speaker 3>What was it? Well, as a very young person in Nigeria,

1:28:02.280 --> 1:28:06.320
<v Speaker 3>I grew up in Legos, Nigeria. I didn't have a choice.

1:28:06.360 --> 1:28:07.800
<v Speaker 3>We did school plays and they put you in a

1:28:07.840 --> 1:28:09.680
<v Speaker 3>player and you did it. And I happened to be

1:28:09.760 --> 1:28:11.360
<v Speaker 3>good at it, and I did a lot of plays.

1:28:11.560 --> 1:28:13.240
<v Speaker 3>But you know, it's sort of what you did at

1:28:13.320 --> 1:28:17.640
<v Speaker 3>school and then. But I do remember in Nigeria as

1:28:17.680 --> 1:28:20.400
<v Speaker 3>a kid, I was fascinated by film and TV. Fascinating.

1:28:20.439 --> 1:28:23.920
<v Speaker 3>I just and I would memorize movies, whole films where

1:28:23.920 --> 1:28:26.360
<v Speaker 3>I could quote the people talking. I would just that

1:28:26.560 --> 1:28:31.400
<v Speaker 3>was my my imagination games weren't imaginary friends popping out

1:28:31.439 --> 1:28:35.240
<v Speaker 3>of my imagination. Games were movies and TV shows that

1:28:35.320 --> 1:28:39.080
<v Speaker 3>scene re enacting them, literally playing different roles from them

1:28:39.240 --> 1:28:42.320
<v Speaker 3>on a given day. So I was always drawn to it. So,

1:28:43.040 --> 1:28:45.080
<v Speaker 3>but I never consciously I didn't know what I wanted

1:28:45.120 --> 1:28:47.800
<v Speaker 3>to be. It wasn't until years later when I was

1:28:47.960 --> 1:28:51.840
<v Speaker 3>trying to convince my dad. My dad wanted me to

1:28:51.920 --> 1:28:54.960
<v Speaker 3>go to Oxbridge, Oxford or Cambridge, and I knew that

1:28:55.040 --> 1:28:57.040
<v Speaker 3>if I did that, I would have to make a

1:28:57.080 --> 1:29:00.160
<v Speaker 3>decision on my career straight away, very early on, and

1:29:00.240 --> 1:29:01.760
<v Speaker 3>I wasn't ready to. I didn't know what I wanted

1:29:01.800 --> 1:29:04.040
<v Speaker 3>to do. So I said, if I go to America,

1:29:04.080 --> 1:29:06.000
<v Speaker 3>at least I have a couple of years in the

1:29:06.080 --> 1:29:08.960
<v Speaker 3>liberal arts system to mess around with different things and

1:29:09.040 --> 1:29:11.439
<v Speaker 3>decide what I want to be. Somewhere in the back

1:29:11.520 --> 1:29:14.400
<v Speaker 3>of my mind was probably the knowledge that if I'm

1:29:14.520 --> 1:29:18.200
<v Speaker 3>ever going to act, I have to start there. Do

1:29:18.240 --> 1:29:20.880
<v Speaker 3>you know what I mean? Maybe? But I hadn't codified it.

1:29:21.320 --> 1:29:23.360
<v Speaker 3>And then so my dad made a bet with me.

1:29:23.439 --> 1:29:25.080
<v Speaker 3>He said, Okay, fine, if you want to go to America,

1:29:25.120 --> 1:29:26.439
<v Speaker 3>the only way you'll go to America is if you

1:29:26.479 --> 1:29:28.200
<v Speaker 3>get into an Ivy League. Then I'll let you go.

1:29:28.640 --> 1:29:30.639
<v Speaker 3>It was the most expensive bet of his life because

1:29:30.640 --> 1:29:33.240
<v Speaker 3>I got into Yale. You know, my dad's first and

1:29:34.280 --> 1:29:36.439
<v Speaker 3>so I got into Yale. I did economics there, but

1:29:36.520 --> 1:29:39.439
<v Speaker 3>while I was there, I started doing drama. And the

1:29:39.520 --> 1:29:41.920
<v Speaker 3>head of the undergraduate program, James de Paul, who to

1:29:42.000 --> 1:29:45.960
<v Speaker 3>this day i'm very grateful for, saw me doing a production.

1:29:46.720 --> 1:29:48.599
<v Speaker 3>And this is where it's weird. I'm sorry, I'm taking

1:29:48.600 --> 1:29:50.519
<v Speaker 3>a long time to explain, because this is where life,

1:29:50.760 --> 1:29:53.679
<v Speaker 3>this is where life meets art. When I was ten,

1:29:53.840 --> 1:29:57.080
<v Speaker 3>we were living in Ethiopia. My parents worked for the

1:29:57.200 --> 1:30:00.400
<v Speaker 3>United Nations, and we went Adis Ababa and we didn't much.

1:30:00.840 --> 1:30:03.360
<v Speaker 3>The TV was awful, you know, so we had this

1:30:03.840 --> 1:30:07.080
<v Speaker 3>black market amongst the expats and diplomats and stuff of

1:30:07.439 --> 1:30:11.040
<v Speaker 3>VHS videos. We would exchange them, pass them around, and

1:30:11.160 --> 1:30:15.000
<v Speaker 3>one day a copy of Beckett is a movie from

1:30:15.120 --> 1:30:19.559
<v Speaker 3>nineteen sixty four, I believe, with Richard Burton and Peter O'Toole,

1:30:19.880 --> 1:30:23.040
<v Speaker 3>The Murder in the Cathedral written by Jean an Ui

1:30:23.360 --> 1:30:25.600
<v Speaker 3>and a. As a ten year old, I'm watching this

1:30:25.760 --> 1:30:28.320
<v Speaker 3>thing set in like the fourteenth century, and I can't

1:30:28.360 --> 1:30:31.719
<v Speaker 3>get over how good these guys are like, I'm watching

1:30:31.800 --> 1:30:33.640
<v Speaker 3>Richard and just going that's what I want to be.

1:30:34.120 --> 1:30:35.800
<v Speaker 3>But then I forgot about it. That happened when I

1:30:35.960 --> 1:30:39.640
<v Speaker 3>was ten. Fast forward to Yale and I'm twenty and

1:30:39.760 --> 1:30:42.200
<v Speaker 3>I finally decided I want to start acting and doing

1:30:42.280 --> 1:30:45.200
<v Speaker 3>it more. And one of the first posters I see

1:30:45.280 --> 1:30:47.920
<v Speaker 3>my girlfriend. I am walking with my girlfriend at the time,

1:30:48.000 --> 1:30:49.640
<v Speaker 3>and she she goes, oh, look at that post of

1:30:49.680 --> 1:30:51.720
<v Speaker 3>my friends directing that, and I look at it and

1:30:51.880 --> 1:30:55.280
<v Speaker 3>it's Beckett. That is the play of that movie. And

1:30:55.400 --> 1:30:57.639
<v Speaker 3>of course I know it. I know both roles or whatever.

1:30:57.960 --> 1:30:59.960
<v Speaker 3>I went into it and I got the role of Beckett.

1:31:00.680 --> 1:31:03.160
<v Speaker 3>The head of undergraduate drama saw the play because he

1:31:03.240 --> 1:31:06.360
<v Speaker 3>had to go grade it, saw me play Beckett, and

1:31:06.479 --> 1:31:08.920
<v Speaker 3>offered me a full scholarship to drama school. And that's

1:31:08.960 --> 1:31:12.439
<v Speaker 3>how my acting started because of this movie i'd seen

1:31:12.479 --> 1:31:14.800
<v Speaker 3>when I was ten in Ethiopia that I was so drawn,

1:31:14.920 --> 1:31:17.559
<v Speaker 3>so I watched it over and over again. So that's

1:31:17.600 --> 1:31:20.880
<v Speaker 3>how the acting thing happened. Because when I actually started

1:31:21.040 --> 1:31:23.400
<v Speaker 3>acting as an adult, because there was a whole period

1:31:23.840 --> 1:31:25.400
<v Speaker 3>when I was in high school, I didn't act. I

1:31:25.439 --> 1:31:27.439
<v Speaker 3>did sports. Back then, you either did sports or you

1:31:27.479 --> 1:31:30.000
<v Speaker 3>did arts. You know, I did sport, but when I

1:31:30.120 --> 1:31:32.320
<v Speaker 3>came back to it, I knew for a fact, this

1:31:32.479 --> 1:31:34.439
<v Speaker 3>is exactly what I have to do, you know. And

1:31:34.560 --> 1:31:36.800
<v Speaker 3>that's sort of how that drama school and on was

1:31:36.880 --> 1:31:38.040
<v Speaker 3>what propelled me onwards.

1:31:38.160 --> 1:31:38.360
<v Speaker 5>You know.

1:31:38.600 --> 1:31:40.519
<v Speaker 3>I still got my degree in economics, so my dad

1:31:40.600 --> 1:31:41.280
<v Speaker 3>was very proud of me.

1:31:43.320 --> 1:31:46.280
<v Speaker 1>At what point did he realize that this was your

1:31:46.360 --> 1:31:51.080
<v Speaker 1>acting was more than a calling, It was legitimately a pathway,

1:31:51.520 --> 1:31:54.519
<v Speaker 1>something that you could do legitimately for work. When of

1:31:54.560 --> 1:31:56.599
<v Speaker 1>your parents realized that it was that it could happen.

1:31:56.800 --> 1:32:01.400
<v Speaker 3>My parents were amazing. I got offered this scholarship to

1:32:01.479 --> 1:32:04.760
<v Speaker 3>drama school second semester junior year. I didn't tell them

1:32:04.880 --> 1:32:07.280
<v Speaker 3>till first semester senior year because I was like, how

1:32:07.360 --> 1:32:08.800
<v Speaker 3>do I tell my parents I want to go to

1:32:08.960 --> 1:32:11.760
<v Speaker 3>drama school? But I finally wrote them a letter, and

1:32:11.960 --> 1:32:13.720
<v Speaker 3>to this day I have the letter they wrote back.

1:32:13.920 --> 1:32:17.599
<v Speaker 3>That was so beautiful. It was them saying, Okay, we're

1:32:17.680 --> 1:32:20.559
<v Speaker 3>surprised at this. We never saw it coming. But our

1:32:20.760 --> 1:32:23.080
<v Speaker 3>role as your parents was to give you the best

1:32:23.160 --> 1:32:28.120
<v Speaker 3>possible opportunities and education. You've done that, You're at Yale,

1:32:28.200 --> 1:32:30.680
<v Speaker 3>you're doing this. Now go live your life as you

1:32:30.760 --> 1:32:32.800
<v Speaker 3>want to live it after that and if this is

1:32:32.840 --> 1:32:34.880
<v Speaker 3>what you choose, we support you and thank God for

1:32:34.960 --> 1:32:37.479
<v Speaker 3>that because so it wasn't that they thought, oh, he

1:32:37.560 --> 1:32:40.000
<v Speaker 3>can make a living. They supported me from the start

1:32:40.160 --> 1:32:42.360
<v Speaker 3>that this is the first time since they've known me

1:32:42.400 --> 1:32:44.760
<v Speaker 3>as a kid. One minute, I wanted to be a firefighter,

1:32:44.840 --> 1:32:47.080
<v Speaker 3>the next a vet, the next, the wrestler, the next

1:32:47.120 --> 1:32:50.280
<v Speaker 3>to whatever like that. This is the first time that

1:32:50.439 --> 1:32:52.920
<v Speaker 3>I had something that I was like, it's not just

1:32:52.960 --> 1:32:54.640
<v Speaker 3>because I can do it, but this is what I

1:32:54.680 --> 1:32:56.519
<v Speaker 3>want to do. And they supported me from the start,

1:32:56.800 --> 1:33:00.040
<v Speaker 3>the believing that I can support myself with it. I

1:33:00.160 --> 1:33:02.080
<v Speaker 3>just believed it would come, you know what I mean.

1:33:02.400 --> 1:33:06.000
<v Speaker 3>There was no point that they thought, oh he's safe now.

1:33:06.080 --> 1:33:08.000
<v Speaker 3>They knew it was a struggle. They knew it was hard.

1:33:08.040 --> 1:33:10.000
<v Speaker 3>They helped when they can thank God for their support.

1:33:10.040 --> 1:33:12.320
<v Speaker 3>I owe so much to them. I got my first

1:33:12.400 --> 1:33:15.080
<v Speaker 3>apartment in London with their help, do you know what

1:33:15.120 --> 1:33:17.200
<v Speaker 3>I mean? After I finally got my first big job

1:33:17.240 --> 1:33:19.080
<v Speaker 3>and they helped pay for part of the deposit. They

1:33:19.080 --> 1:33:21.640
<v Speaker 3>were just there for me the whole time. But I

1:33:21.760 --> 1:33:24.840
<v Speaker 3>think it's only my mom passed away, you know, in

1:33:24.880 --> 1:33:27.479
<v Speaker 3>two thousand and nine sadly, and I would say, it's

1:33:27.600 --> 1:33:30.040
<v Speaker 3>it's I wish she could see this stage of it.

1:33:30.439 --> 1:33:32.479
<v Speaker 3>You know, she saw the stage of the RC and

1:33:32.520 --> 1:33:34.680
<v Speaker 3>the National She knew I could do it, and she

1:33:34.760 --> 1:33:37.479
<v Speaker 3>could see things growing. I just really wish she could

1:33:37.479 --> 1:33:40.240
<v Speaker 3>see this stage where she could literally go to the

1:33:40.360 --> 1:33:43.479
<v Speaker 3>movies and watch me. Do you know what I mean?

1:33:43.560 --> 1:33:45.600
<v Speaker 3>But I'm sure she's watching from up top somewhere. My

1:33:45.720 --> 1:33:49.080
<v Speaker 3>dad's still around. My Dad's still around, loving everything. He

1:33:49.240 --> 1:33:52.800
<v Speaker 3>became overnight a movie buff from never remembering my dad

1:33:52.960 --> 1:33:56.559
<v Speaker 3>ever watching a movie to the end without falling asleep. Overnight,

1:33:56.680 --> 1:33:58.599
<v Speaker 3>when I said I wanted to be an actor, suddenly

1:33:58.640 --> 1:34:02.160
<v Speaker 3>my dad's calling me, asking me a James Cagney, Humphrey Bogat.

1:34:02.439 --> 1:34:04.880
<v Speaker 3>Have I seen this film? Kauza Black is his favorite movie.

1:34:05.200 --> 1:34:08.400
<v Speaker 3>He just became a film buff and watches everything. It's crazy,

1:34:08.600 --> 1:34:08.760
<v Speaker 3>you know.

1:34:10.760 --> 1:34:14.360
<v Speaker 1>I must ask you that season two of The Peacemaker

1:34:14.400 --> 1:34:19.120
<v Speaker 1>has been confirmed. We hope to see some flashbacks or

1:34:19.320 --> 1:34:23.439
<v Speaker 1>some kind of comic bookie rejuvenation. But whatever the case,

1:34:23.960 --> 1:34:26.240
<v Speaker 1>where are you in that process and is there anything

1:34:26.280 --> 1:34:27.439
<v Speaker 1>at all that you can tell us? And if not,

1:34:27.880 --> 1:34:28.800
<v Speaker 1>that is also fine.

1:34:29.560 --> 1:34:33.040
<v Speaker 3>I have no idea. It's not that I'm being of course,

1:34:33.760 --> 1:34:36.559
<v Speaker 3>I genuinely don't know what's going on in the mind

1:34:36.600 --> 1:34:41.439
<v Speaker 3>of James Gunn. It could go that serious, could go anywhere,

1:34:41.439 --> 1:34:43.599
<v Speaker 3>And you're right when the world of superheroes and stuff,

1:34:43.600 --> 1:34:46.200
<v Speaker 3>anything can happen. But I genuinely I'm not being a

1:34:46.920 --> 1:34:50.600
<v Speaker 3>clever anything. I genuinely have no idea right now. I

1:34:50.680 --> 1:34:52.880
<v Speaker 3>mean the world of James Gunn on the other side

1:34:52.920 --> 1:34:53.559
<v Speaker 3>of the pond.

1:34:54.200 --> 1:34:55.000
<v Speaker 2>Not that one.

1:34:55.160 --> 1:34:58.519
<v Speaker 1>Yeah, well we look forward to that. We look forward

1:34:58.600 --> 1:35:02.080
<v Speaker 1>to Guardians three. Chuck, thank you so much for joining us.

1:35:02.080 --> 1:35:03.680
<v Speaker 1>A really delightful conversation.

1:35:03.680 --> 1:35:05.040
<v Speaker 3>Such a pleasure. Thanks for having me.

1:35:05.280 --> 1:35:07.559
<v Speaker 1>Thanks to Chuck Weedy for joining us. Up next nerd Out.

1:35:15.439 --> 1:35:17.680
<v Speaker 1>In this week's nerd out our recurring segment where you

1:35:17.840 --> 1:35:20.680
<v Speaker 1>tell us what you love and why, James pitches us

1:35:20.800 --> 1:35:24.160
<v Speaker 1>on the Amazon Prime series The Legend of Vox Macina,

1:35:24.200 --> 1:35:27.639
<v Speaker 1>adapted from the first campaign of the popular twitch stream

1:35:27.760 --> 1:35:28.439
<v Speaker 1>Critical role.

1:35:28.960 --> 1:35:31.320
<v Speaker 5>Hi guys, my name is James Carson, and I am

1:35:31.400 --> 1:35:33.200
<v Speaker 5>here to tell you why you need to be watching

1:35:33.280 --> 1:35:36.559
<v Speaker 5>The Legend of Vox Machina. Vox Machina is an animated

1:35:36.560 --> 1:35:39.320
<v Speaker 5>series for adults for those listeners with children emphasis on

1:35:39.479 --> 1:35:42.439
<v Speaker 5>for adults. Based on the Dungeons and Dragons web series,

1:35:42.479 --> 1:35:45.479
<v Speaker 5>Critical Role, led by Dungeon Master Matthew Mercer and a

1:35:45.560 --> 1:35:48.640
<v Speaker 5>cast of incredible voice actors. Critical Role is credited with

1:35:48.800 --> 1:35:50.200
<v Speaker 5>being one of the things that made D and D

1:35:50.360 --> 1:35:52.760
<v Speaker 5>quote unquote cool again and is certainly one of the

1:35:52.800 --> 1:35:54.800
<v Speaker 5>reasons why I've fallen down the rabbit hole and now

1:35:54.880 --> 1:35:57.479
<v Speaker 5>have a dedicated group I play with every Tuesday. I

1:35:57.560 --> 1:35:59.120
<v Speaker 5>need to take a moment to shout out my DM

1:35:59.280 --> 1:36:03.799
<v Speaker 5>Gary and our party members Alyssa, Maddie, Kyle, Christian, Julie, Ulysses,

1:36:03.880 --> 1:36:06.439
<v Speaker 5>Libby and Charlotte for making a very difficult time in

1:36:06.439 --> 1:36:08.400
<v Speaker 5>all of our lives brighter and helping each other get

1:36:08.400 --> 1:36:11.280
<v Speaker 5>into this wonderful hobby. After the completion of Critical roles

1:36:11.320 --> 1:36:14.680
<v Speaker 5>first campaign, which stars the titular Voxmachin Adventuring Party and

1:36:14.760 --> 1:36:17.559
<v Speaker 5>their adorable bear trinket, the company set up a Kickstarter

1:36:17.680 --> 1:36:20.080
<v Speaker 5>for a single animated special that ballooned into one of

1:36:20.160 --> 1:36:22.840
<v Speaker 5>the largest Crown funding projects of all time. In a

1:36:22.880 --> 1:36:27.040
<v Speaker 5>preliminary two season partnership with Amazon Prime Video, Mercer, along

1:36:27.120 --> 1:36:30.080
<v Speaker 5>with players and animation veterans Sam Regal and Travis Willingham

1:36:30.400 --> 1:36:32.479
<v Speaker 5>were given the opportunity to bring their world to life

1:36:32.520 --> 1:36:34.920
<v Speaker 5>on a scale they could not have imagined. The result

1:36:35.040 --> 1:36:37.879
<v Speaker 5>was this the Legend of Vox Machina, a powerful, creative

1:36:38.120 --> 1:36:41.400
<v Speaker 5>and surprisingly raunchy retelling of a beloved story that hits

1:36:41.479 --> 1:36:43.680
<v Speaker 5>every single mark fans of the series could have hoped for.

1:36:44.560 --> 1:36:46.720
<v Speaker 5>The first episode opens with the grizzly deaths of a

1:36:46.800 --> 1:36:49.400
<v Speaker 5>different adventuring party hired to defeat a great evil in

1:36:49.479 --> 1:36:52.240
<v Speaker 5>the realm of Taldori. Meanwhile, the down on their luck

1:36:52.280 --> 1:36:55.200
<v Speaker 5>Box Machina find themselves in a brutally animated tavern brawl,

1:36:55.439 --> 1:36:57.800
<v Speaker 5>except for their bard, Scalen Shorthault, who is in bed

1:36:57.880 --> 1:37:00.280
<v Speaker 5>with the innkeeper's daughter that results in them being thrown

1:37:00.320 --> 1:37:01.960
<v Speaker 5>out on the streets and forced to take the dead

1:37:02.000 --> 1:37:05.200
<v Speaker 5>party's contract as Sovereign Uriel's last ditch effort to save

1:37:05.280 --> 1:37:08.040
<v Speaker 5>his kingdom. While the adult bits are turned up to eleven,

1:37:08.120 --> 1:37:10.920
<v Speaker 5>the series still manages to create a touching and compelling story,

1:37:11.240 --> 1:37:13.400
<v Speaker 5>with each member of the party beginning their own personal

1:37:13.520 --> 1:37:15.800
<v Speaker 5>journey in this first season, and the creators do an

1:37:15.800 --> 1:37:17.840
<v Speaker 5>incredible job of showing what it really means to be

1:37:17.960 --> 1:37:20.160
<v Speaker 5>in a D and D party. Not only are your

1:37:20.160 --> 1:37:22.840
<v Speaker 5>friend's characters your lifelines within the game, but it's such

1:37:22.880 --> 1:37:25.400
<v Speaker 5>a comforting thought, especially in times like this, to know

1:37:25.479 --> 1:37:27.080
<v Speaker 5>that there are people who you can rely on to

1:37:27.160 --> 1:37:29.160
<v Speaker 5>have your back week after week while you create your

1:37:29.200 --> 1:37:32.400
<v Speaker 5>story together. The show also does a fascinating job of

1:37:32.479 --> 1:37:35.080
<v Speaker 5>weaving standard D and D game situations into the story

1:37:35.360 --> 1:37:37.680
<v Speaker 5>without being too obvious about it, whether it be the

1:37:37.760 --> 1:37:41.320
<v Speaker 5>ranger of Exalia's primeval awareness, the druid Kilith using her

1:37:41.360 --> 1:37:44.640
<v Speaker 5>wild shape to transform into animals, Grog, the barbarian and

1:37:44.760 --> 1:37:47.439
<v Speaker 5>during a frenzied rage, or the Cleric Pike running out

1:37:47.439 --> 1:37:49.439
<v Speaker 5>of spell slots and being unable to heal an ally

1:37:49.520 --> 1:37:52.120
<v Speaker 5>at a crucial moment. For all its adult humor, the

1:37:52.160 --> 1:37:54.040
<v Speaker 5>show has so much heart and is not afraid to

1:37:54.080 --> 1:37:57.120
<v Speaker 5>put its characters of vulnerable positions to serve its beautiful narrative.

1:37:57.200 --> 1:37:59.280
<v Speaker 5>You can find hundreds of hours of critical roles. First

1:37:59.280 --> 1:38:01.839
<v Speaker 5>Too Completed a care Pans on their YouTube channel. Following

1:38:01.880 --> 1:38:04.799
<v Speaker 5>the Party is Voxmachina and the Mighty Nine, while episodes

1:38:04.840 --> 1:38:07.320
<v Speaker 5>of their third campaign currently air every Thursday night on

1:38:07.400 --> 1:38:10.240
<v Speaker 5>their Twitch channel. The Legend of Vox Machina is currently

1:38:10.280 --> 1:38:13.040
<v Speaker 5>in its first season with three episodes releasing every Friday

1:38:13.080 --> 1:38:16.000
<v Speaker 5>on Prime Video, and season two is already in the pipeline.

1:38:16.520 --> 1:38:18.519
<v Speaker 1>Thanks James for submitting. If you want to be featured,

1:38:18.560 --> 1:38:21.040
<v Speaker 1>send your nerd out pitch to x Ray at crooked

1:38:21.120 --> 1:38:24.360
<v Speaker 1>dot com. Instructions in the show notes, FYI will be

1:38:24.479 --> 1:38:27.679
<v Speaker 1>diving into Voxmacin and other video game adaptations, including arcanean

1:38:27.760 --> 1:38:30.599
<v Speaker 1>Uncharted in an upcoming episode, so go check those out

1:38:30.600 --> 1:38:42.160
<v Speaker 1>when they come out up next the Endgame. We're in

1:38:42.280 --> 1:38:45.880
<v Speaker 1>the Endgame now, and for today's game, we're gonna be

1:38:45.920 --> 1:38:51.240
<v Speaker 1>picking who our favorite villain turned hero is. Favorite villain

1:38:51.360 --> 1:38:55.439
<v Speaker 1>turned hero in any kind of story, sci fi, fantasy,

1:38:56.000 --> 1:38:59.280
<v Speaker 1>comic book story, whatever the case may be. I will

1:38:59.320 --> 1:39:03.800
<v Speaker 1>go first. There's so many. I mean, Jamie Lanister from

1:39:03.800 --> 1:39:05.880
<v Speaker 1>a Song of Ice and Fire slash Game of Thrones,

1:39:05.920 --> 1:39:09.680
<v Speaker 1>although like obviously in the books, has not fully had

1:39:09.720 --> 1:39:12.120
<v Speaker 1>the chance to turn into a hero as of yet,

1:39:12.200 --> 1:39:15.720
<v Speaker 1>but in the in the show had what I think

1:39:15.800 --> 1:39:19.240
<v Speaker 1>is one of the most miraculous turnarounds from guy who

1:39:19.439 --> 1:39:21.880
<v Speaker 1>pushes a child out of a window to guy who

1:39:21.920 --> 1:39:25.560
<v Speaker 1>you're like, I want him to hook up with briannatarth

1:39:25.760 --> 1:39:29.639
<v Speaker 1>which is like an amazing art, ultimate, many many other examples.

1:39:29.680 --> 1:39:31.800
<v Speaker 1>But I'm gonna pick and then of course, like you

1:39:31.840 --> 1:39:33.920
<v Speaker 1>could say Darth Vader, even though like he kind of

1:39:33.920 --> 1:39:36.759
<v Speaker 1>goes opposite, but I'm gonna go, I'm gonna go Magneto.

1:39:36.960 --> 1:39:37.360
<v Speaker 2>I knew it.

1:39:37.520 --> 1:39:40.840
<v Speaker 1>I think Magneto. Yeah, I had to do it because Magneto,

1:39:41.439 --> 1:39:43.680
<v Speaker 1>for the first twenty years of his existence, did some

1:39:43.760 --> 1:39:48.439
<v Speaker 1>of the worst shit did anybody could ever do, like

1:39:48.600 --> 1:39:52.719
<v Speaker 1>trying to destroy the world multiple times, like hijacking nuclear

1:39:52.840 --> 1:39:55.880
<v Speaker 1>missiles and trying to blow them up and turn either

1:39:55.920 --> 1:39:59.439
<v Speaker 1>people into mutants or exterminate the human race and let

1:39:59.640 --> 1:40:03.599
<v Speaker 1>and like the mutants rise above them. He did a lot,

1:40:03.720 --> 1:40:05.519
<v Speaker 1>a lot, a lot, a lot, a lot, a lot

1:40:05.560 --> 1:40:10.000
<v Speaker 1>of bad shit. But round about the eighties suddenly he

1:40:10.320 --> 1:40:14.400
<v Speaker 1>started coming around, decided that you know what, I've done

1:40:14.400 --> 1:40:15.640
<v Speaker 1>a lot of bad stuff and I want to take

1:40:15.680 --> 1:40:18.519
<v Speaker 1>responsibility for it. He went on trial at the at

1:40:18.560 --> 1:40:23.040
<v Speaker 1>the fucking un and ever since then, which I want

1:40:23.080 --> 1:40:25.360
<v Speaker 1>to say, he's like X men about two hundred the

1:40:25.439 --> 1:40:28.200
<v Speaker 1>trial of Magneto, he has been like basically a good guy.

1:40:28.240 --> 1:40:30.599
<v Speaker 1>He's been a good guy for like thirty years now, right.

1:40:30.800 --> 1:40:35.360
<v Speaker 1>A Holocaust survivor notably, I think that one detail forever

1:40:35.560 --> 1:40:38.000
<v Speaker 1>shifted the way we think about Magneto, and so I

1:40:38.120 --> 1:40:40.719
<v Speaker 1>am going to say Magneto.

1:40:41.400 --> 1:40:44.599
<v Speaker 2>Yeah, I think that's like really the obvious classic choice.

1:40:44.600 --> 1:40:46.960
<v Speaker 2>It's like because it's really interesting as well, because even

1:40:47.000 --> 1:40:51.200
<v Speaker 2>though some places have repositioned him, like the famous eight

1:40:51.320 --> 1:40:54.599
<v Speaker 2>million copy selling X Men number one in the nineties,

1:40:54.680 --> 1:40:57.080
<v Speaker 2>you know, Jim Lee, Chris Clammont, like they want to

1:40:57.120 --> 1:40:59.679
<v Speaker 2>reposition him as the villain, but it doesn't stick because

1:41:00.000 --> 1:41:04.120
<v Speaker 2>we know the trauma, we know the journey of what

1:41:04.400 --> 1:41:09.320
<v Speaker 2>has come. Okay, I'm gonna go for I was gonna

1:41:09.320 --> 1:41:12.200
<v Speaker 2>also pick Magneo because it's like such a classic choice,

1:41:12.240 --> 1:41:14.040
<v Speaker 2>but I'm gonna go for another X Men character, which

1:41:14.080 --> 1:41:20.240
<v Speaker 2>is like I'm gonna go for Rogue because forget like

1:41:20.479 --> 1:41:25.880
<v Speaker 2>early on, like she was like, you know, Mystique in

1:41:25.960 --> 1:41:29.360
<v Speaker 2>the raised my Mystique in the Brotherhood of Evil Mutants.

1:41:29.840 --> 1:41:33.679
<v Speaker 2>She is you know, contesting and fighting with Carol Danvers,

1:41:33.720 --> 1:41:36.120
<v Speaker 2>which ends up changing her powers and she just has

1:41:36.160 --> 1:41:39.679
<v Speaker 2>this wonderful arc and I love that in her case,

1:41:39.800 --> 1:41:44.639
<v Speaker 2>it's this choice of nature versus nurture, and actually Destiny

1:41:44.680 --> 1:41:46.600
<v Speaker 2>and Mystique who raised her were not bad people. They

1:41:46.680 --> 1:41:49.519
<v Speaker 2>were just in a tough situation, and it's kind of

1:41:49.600 --> 1:41:52.600
<v Speaker 2>that it's a continuation of the Magneto thing, which is

1:41:52.680 --> 1:41:54.479
<v Speaker 2>like who is really the villain and who is really

1:41:54.560 --> 1:41:58.000
<v Speaker 2>the hero in these kind of rebellion situations. And I

1:41:58.200 --> 1:42:00.320
<v Speaker 2>like that as a young person she gets to choose

1:42:00.400 --> 1:42:05.360
<v Speaker 2>her own journey and become a hero. You know, she

1:42:05.439 --> 1:42:07.679
<v Speaker 2>has one of the best character designs of all time.

1:42:08.400 --> 1:42:12.519
<v Speaker 1>I could not agree more. One of the characters when

1:42:12.600 --> 1:42:15.320
<v Speaker 1>I was reading comics as a kid and really in

1:42:15.400 --> 1:42:17.439
<v Speaker 1>love with the X Men that I most connected with

1:42:17.680 --> 1:42:22.240
<v Speaker 1>was Rogue because this idea she was like amongst the loaners,

1:42:22.680 --> 1:42:25.240
<v Speaker 1>who the you know, the Mutants are outcasts, their loaners,

1:42:25.320 --> 1:42:29.639
<v Speaker 1>amongst the superhero community and the and the regular human

1:42:29.760 --> 1:42:33.720
<v Speaker 1>community at large. But even amongst these outcasts, she was

1:42:33.840 --> 1:42:36.800
<v Speaker 1>like the ultimate outcast. She was dart of mystique former

1:42:36.880 --> 1:42:40.760
<v Speaker 1>Brotherhood of e Mutants took Carol Danvers powers, so people

1:42:40.800 --> 1:42:44.880
<v Speaker 1>didn't really trust her and she couldn't even like hold

1:42:45.000 --> 1:42:48.120
<v Speaker 1>hands with it. She couldn't touch anyone. She was physically

1:42:48.280 --> 1:42:51.519
<v Speaker 1>isolated from people, which you know, I've said this before

1:42:51.680 --> 1:42:53.439
<v Speaker 1>and it's an embarrassing thing about me, but I was

1:42:53.520 --> 1:42:57.679
<v Speaker 1>extremely invested in the in the romance between Gambit and Rogue,

1:42:57.720 --> 1:42:59.960
<v Speaker 1>and a lot of that was because of this dynam

1:43:00.360 --> 1:43:03.320
<v Speaker 1>like near and love. She couldn't touch him, they could,

1:43:03.439 --> 1:43:06.800
<v Speaker 1>they could even kiss. So that's a great pic. Love

1:43:06.960 --> 1:43:07.800
<v Speaker 1>Rogue Love.

1:43:07.960 --> 1:43:10.240
<v Speaker 2>Look with us too, it always comes back to the

1:43:10.439 --> 1:43:12.639
<v Speaker 2>X Men. We can be talking about anything, but it's

1:43:12.760 --> 1:43:13.960
<v Speaker 2>just always the X Man.

1:43:15.120 --> 1:43:17.000
<v Speaker 1>Well, that's it for the endgame. Let us know your

1:43:17.120 --> 1:43:19.599
<v Speaker 1>thoughts and use hashtag XRVN game to give us your pick.

1:43:22.560 --> 1:43:24.400
<v Speaker 1>A big thank you to Chuck Woody, Woujie, and of

1:43:24.439 --> 1:43:26.519
<v Speaker 1>course Rosie Night for joining us on X ray Vision.

1:43:26.600 --> 1:43:29.000
<v Speaker 1>Rosie Plugs, Plugs, Plugs. Where can people find you?

1:43:29.479 --> 1:43:33.639
<v Speaker 2>You can find me on Instagram, Rosie Marx. You can

1:43:33.840 --> 1:43:37.840
<v Speaker 2>find me on Letterbox, the same name, where I'm putting

1:43:37.880 --> 1:43:39.920
<v Speaker 2>out all my bad films that I watch and some

1:43:40.120 --> 1:43:45.280
<v Speaker 2>good films, but lots of bad films. Yeah, that's I'm

1:43:45.320 --> 1:43:48.400
<v Speaker 2>going to be writing a ton about the Batman. I

1:43:48.520 --> 1:43:51.800
<v Speaker 2>think it's just been announced that Nedest He's going to

1:43:51.880 --> 1:43:54.559
<v Speaker 2>have like a big Batman themed week where we're going

1:43:54.600 --> 1:43:56.599
<v Speaker 2>to be writing about all kinds of stuff. And I've

1:43:56.640 --> 1:44:01.680
<v Speaker 2>got fun of there also, just like I love how

1:44:01.760 --> 1:44:05.200
<v Speaker 2>much everyone here loves comics. So I read this brilliant

1:44:05.360 --> 1:44:07.679
<v Speaker 2>comic from this wonderful press that I love called Black

1:44:07.760 --> 1:44:11.400
<v Speaker 2>Josey Press, which is it's like a collection of erotic

1:44:12.479 --> 1:44:16.559
<v Speaker 2>indie comics. Buy this wonderful cartoonist called Trinidad Escobar. It's

1:44:16.600 --> 1:44:18.600
<v Speaker 2>called Arrive in My Hands. So that's kind of like

1:44:18.680 --> 1:44:20.600
<v Speaker 2>my personal plug because that comic has just brought me

1:44:20.680 --> 1:44:25.160
<v Speaker 2>so much joy. And yeah, just appreciate everyone being here

1:44:25.200 --> 1:44:27.120
<v Speaker 2>and obviously here you can always hear us here talking

1:44:27.120 --> 1:44:27.760
<v Speaker 2>about the X Men.

1:44:32.800 --> 1:44:34.639
<v Speaker 1>If you want to learn more about what we explore

1:44:34.640 --> 1:44:37.040
<v Speaker 1>it each week's episode, check out our listener's guide to

1:44:37.120 --> 1:44:39.160
<v Speaker 1>all things X ray Vision in the show notes or

1:44:39.280 --> 1:44:42.320
<v Speaker 1>on our website. Catch you the next episode on March fourth,

1:44:42.360 --> 1:44:46.200
<v Speaker 1>and again. Sendronurn out submissions to x ray at cropidduft

1:44:46.520 --> 1:44:49.680
<v Speaker 1>com and don't forget rate and review us. Give us

1:44:49.720 --> 1:44:53.200
<v Speaker 1>those five star ratings wherever you get your podcasts. Thank

1:44:53.280 --> 1:44:55.800
<v Speaker 1>you so much, we love it. X ray Vision is

1:44:55.800 --> 1:44:58.599
<v Speaker 1>a Crooked Media production. The show is produced by Chris

1:44:58.680 --> 1:45:01.799
<v Speaker 1>Lord and Saul Rumin. It is executive produced by myself

1:45:02.040 --> 1:45:05.799
<v Speaker 1>and Sandy Gerard, Caroline Ruston and Carlton Gillespie. Are consulting producers,

1:45:06.040 --> 1:45:08.880
<v Speaker 1>and our editing and sound design is by Fascilla's Phatopoulos.

1:45:08.920 --> 1:45:12.040
<v Speaker 1>Thank you to Brian Vasquez for our theme music, Goodbye