1 00:00:00,920 --> 00:00:04,040 Speaker 1: This is Latino USA, the radio journal of News and 2 00:00:04,160 --> 00:00:09,280 Speaker 1: Courturre Latino US Latin Latino USA. I'm Maria Inojosa. We 3 00:00:09,400 --> 00:00:13,000 Speaker 1: bring you stories that are underreported but that mattered to you, 4 00:00:13,160 --> 00:00:15,520 Speaker 1: overlooked by the wrestler media, and while the country is 5 00:00:15,560 --> 00:00:17,960 Speaker 1: struggling to deal with these, we listen to the stories 6 00:00:17,960 --> 00:00:21,919 Speaker 1: of Black and Latino Studio United Latino Front, a cultural 7 00:00:21,960 --> 00:00:27,480 Speaker 1: renaissance organizing at the forefront of the movement. I'm Maria Inojosa, 8 00:00:27,800 --> 00:00:33,960 Speaker 1: nose Bayan or La Latino Usa. Listener, Here's an episode 9 00:00:34,040 --> 00:00:35,279 Speaker 1: the Los Archivos. 10 00:00:35,640 --> 00:00:39,239 Speaker 2: I started getting cast as inmate number one, but they 11 00:00:39,320 --> 00:00:40,760 Speaker 2: still gave me three twenty a day. 12 00:00:40,800 --> 00:00:42,040 Speaker 3: I didn't get paid as extra. 13 00:00:42,360 --> 00:00:47,360 Speaker 2: So even though I only have like one line like Mattalos, 14 00:00:47,440 --> 00:00:53,760 Speaker 2: that was one of my favorite line, Mattalos. 15 00:00:53,960 --> 00:00:57,280 Speaker 1: From Futuro Media. It's Latino USA. I'm Maria in no 16 00:00:57,360 --> 00:01:06,679 Speaker 1: JSA today. A portrait of Danny dere Ho. If you 17 00:01:06,760 --> 00:01:11,959 Speaker 1: don't recognize his name immediately, you'll definitely recognize his face. 18 00:01:12,040 --> 00:01:16,000 Speaker 1: So listen to this voice and try and imagine the 19 00:01:16,040 --> 00:01:17,440 Speaker 1: face that goes with I have. 20 00:01:17,520 --> 00:01:20,840 Speaker 3: One question for you, mil where is your brother? 21 00:01:22,959 --> 00:01:27,559 Speaker 1: Did you get it? Danny Trejo's signature look is long haired, 22 00:01:27,920 --> 00:01:31,880 Speaker 1: a scarred face, and he's usually carrying some very powerful weapon. 23 00:01:32,200 --> 00:01:35,000 Speaker 1: My favorite movie that he's in is Spy Kids, where 24 00:01:35,000 --> 00:01:36,800 Speaker 1: he plays Uncle Machette. 25 00:01:37,080 --> 00:01:38,520 Speaker 3: Close your eyes and hold out your wrist. 26 00:01:40,120 --> 00:01:43,040 Speaker 2: I'm going to give you the one gadget you should 27 00:01:43,080 --> 00:01:43,800 Speaker 2: always carry. 28 00:01:44,680 --> 00:01:45,400 Speaker 1: A rubber band. 29 00:01:45,760 --> 00:01:48,360 Speaker 3: No, it's a machette elastic wonder. 30 00:01:49,160 --> 00:01:50,040 Speaker 1: It's a rubber band. 31 00:01:50,320 --> 00:01:52,880 Speaker 3: Yeah, but it's also the world's greatest gadget today. 32 00:01:52,920 --> 00:01:56,240 Speaker 1: Hoo has started over three hundred films since he began 33 00:01:56,320 --> 00:01:58,760 Speaker 1: acting in nineteen eighty five. Just to name a few, 34 00:01:58,840 --> 00:02:03,320 Speaker 1: he was in Despera Heat, from Dust Till Dawn, con Air, 35 00:02:03,680 --> 00:02:07,840 Speaker 1: once upon a Time in Mexico, Grindhouse, Machete and that's 36 00:02:08,080 --> 00:02:09,240 Speaker 1: just naming a few. 37 00:02:09,639 --> 00:02:12,440 Speaker 3: A born a Center, I'll probably Diocese. 38 00:02:16,639 --> 00:02:18,760 Speaker 1: He often plays the role of a villain or a 39 00:02:18,800 --> 00:02:22,560 Speaker 1: tough guy. He says the persona came naturally after eleven 40 00:02:22,680 --> 00:02:26,720 Speaker 1: years in prison and a pretty tough upbringing, which included 41 00:02:27,240 --> 00:02:30,560 Speaker 1: being introduced to drugs as a kid. In real life, 42 00:02:30,760 --> 00:02:34,120 Speaker 1: Danny is anything but a bad guy. Since leaving prison 43 00:02:34,160 --> 00:02:37,040 Speaker 1: in the nineteen eighties, Trejo has worked as a counselor 44 00:02:37,320 --> 00:02:41,320 Speaker 1: at a drug rehab program and now in addition to acting, 45 00:02:41,760 --> 00:02:46,160 Speaker 1: he's the entrepreneur behind THEREJS Tacos and there Host Donuts 46 00:02:46,200 --> 00:02:48,800 Speaker 1: in Los Angeles. I sat down with him to discuss 47 00:02:49,080 --> 00:02:51,720 Speaker 1: how he went from being in and out of juvenile 48 00:02:51,720 --> 00:02:54,360 Speaker 1: hall and then prison to becoming one of the most 49 00:02:54,400 --> 00:02:59,880 Speaker 1: recognizable stars in Hollywood. Welcome Danny Trejo to Latino. 50 00:02:59,880 --> 00:03:01,079 Speaker 3: You thank you. 51 00:03:01,440 --> 00:03:05,359 Speaker 1: I want to know about memories of Dany Trejo before 52 00:03:05,520 --> 00:03:08,240 Speaker 1: you were smoking pot at eight or heroin when you 53 00:03:08,280 --> 00:03:08,880 Speaker 1: were twelve. 54 00:03:09,160 --> 00:03:12,320 Speaker 2: When I was like seven, I lived with my grandmother, 55 00:03:13,040 --> 00:03:18,560 Speaker 2: five aunts and six girl cousins, so I had a 56 00:03:18,639 --> 00:03:20,120 Speaker 2: lot of female orientation. 57 00:03:21,000 --> 00:03:23,320 Speaker 3: At the age of like seven and a half eight, I. 58 00:03:23,360 --> 00:03:27,320 Speaker 2: Moved in with my my Welito, my dad, my dad's 59 00:03:27,360 --> 00:03:34,920 Speaker 2: five brothers. So life really changed. Life really changed right there. 60 00:03:37,920 --> 00:03:41,000 Speaker 2: I found myself always kind of getting in trouble. I 61 00:03:41,080 --> 00:03:43,080 Speaker 2: think it was just kids stuff, but I think the 62 00:03:43,160 --> 00:03:47,160 Speaker 2: guys in my family demanded a lot more, you know, 63 00:03:47,320 --> 00:03:53,720 Speaker 2: like be a man. Because my my family, Trejo was 64 00:03:53,800 --> 00:03:57,880 Speaker 2: known as as a as being very tough, very macho. 65 00:03:58,480 --> 00:04:00,840 Speaker 2: My Walita was was a Swedish thing in the world, 66 00:04:00,880 --> 00:04:03,840 Speaker 2: and like all my aunts, I have to say that 67 00:04:03,880 --> 00:04:05,760 Speaker 2: I was loved, you know, they were they adored me. 68 00:04:06,680 --> 00:04:12,160 Speaker 1: But obviously, as a kid, maybe teenager, doing drugs made 69 00:04:12,200 --> 00:04:15,760 Speaker 1: you feel what that Because I'm kind of putting it, 70 00:04:15,760 --> 00:04:17,440 Speaker 1: I'm like, wait, but it sounds like you were having 71 00:04:17,480 --> 00:04:19,719 Speaker 1: like it was really interesting. A lot of family, sure, 72 00:04:19,920 --> 00:04:22,600 Speaker 1: a lot of demands, But what was the thing that 73 00:04:22,640 --> 00:04:24,760 Speaker 1: the drugs were giving you as a young person. 74 00:04:25,360 --> 00:04:27,839 Speaker 3: I don't even think that understood it. 75 00:04:27,920 --> 00:04:33,880 Speaker 2: I just know that anytime you do drugs with people 76 00:04:34,279 --> 00:04:37,000 Speaker 2: you're in that group, you've all of a sudden become 77 00:04:37,040 --> 00:04:40,560 Speaker 2: a member of that group. You got to understand up 78 00:04:40,640 --> 00:04:43,000 Speaker 2: unto the age of U was seven. I was a sissy, 79 00:04:43,040 --> 00:04:43,760 Speaker 2: little kid. 80 00:04:44,320 --> 00:04:44,880 Speaker 1: What does that happen? 81 00:04:45,960 --> 00:04:47,840 Speaker 3: Yeah, I'm just like, what do you I did beep 82 00:04:48,000 --> 00:04:51,400 Speaker 3: sitting down. I was like a little girl because I 83 00:04:51,520 --> 00:04:52,799 Speaker 3: was with all girls. 84 00:04:53,279 --> 00:04:56,320 Speaker 2: And when I moved with my uncles, you know, you 85 00:04:56,400 --> 00:04:58,800 Speaker 2: find out real quick that little boys don't do peepe 86 00:04:58,839 --> 00:05:02,559 Speaker 2: sitting down, and you find out real quick that little 87 00:05:02,560 --> 00:05:06,960 Speaker 2: boys don't like kiddies. They were like dogs, you know. 88 00:05:07,000 --> 00:05:11,240 Speaker 2: I can remember sitting in my grandma's living room with 89 00:05:11,279 --> 00:05:13,719 Speaker 2: all my uncles at night, and then one of my 90 00:05:13,800 --> 00:05:18,640 Speaker 2: uncles coming in bloody and saying hey, Ca, and then 91 00:05:18,720 --> 00:05:23,000 Speaker 2: all my uncles running out and knowing that the night 92 00:05:23,120 --> 00:05:27,279 Speaker 2: was going to end up in the emergency somewhere, you know. 93 00:05:27,440 --> 00:05:30,760 Speaker 2: And and it was like, even though I knew that 94 00:05:30,960 --> 00:05:36,640 Speaker 2: I had to do that, I was I was afraid. 95 00:05:37,920 --> 00:05:42,360 Speaker 1: You do end up in prison. You spend a lot 96 00:05:42,400 --> 00:05:44,520 Speaker 1: of time in prison, I mean you and you were 97 00:05:44,560 --> 00:05:48,200 Speaker 1: in some pretty tough places like Folsome and Solidad and 98 00:05:48,240 --> 00:05:48,880 Speaker 1: San Quentin. 99 00:05:49,240 --> 00:05:50,360 Speaker 3: Yeah, was in all of them. 100 00:05:50,560 --> 00:05:54,400 Speaker 1: How old were you when you end up getting sentenced? Like, like, 101 00:05:54,480 --> 00:05:55,440 Speaker 1: when does that start? 102 00:05:55,640 --> 00:05:57,719 Speaker 2: Well, see, I grew up in that system. I started 103 00:05:57,720 --> 00:06:00,680 Speaker 2: going to juvenile very early. It's college simple if you 104 00:06:00,720 --> 00:06:03,719 Speaker 2: were straight a's in high school. Prison is simple. If 105 00:06:03,720 --> 00:06:05,480 Speaker 2: you grew up in that, you know what I mean. 106 00:06:06,000 --> 00:06:10,960 Speaker 2: And when juvenile Hall camp Youth Authority, state prison, you've 107 00:06:11,000 --> 00:06:13,599 Speaker 2: grown up there, so you know everybody, so you know 108 00:06:14,160 --> 00:06:17,680 Speaker 2: the ins and outs and how to behave and basically 109 00:06:18,400 --> 00:06:20,320 Speaker 2: there was a feeling of acceptance. 110 00:06:20,720 --> 00:06:24,599 Speaker 3: And then when you came out of juvenile Hall and went. 111 00:06:24,480 --> 00:06:28,600 Speaker 2: Back to school, there was a feeling of pride and 112 00:06:29,000 --> 00:06:30,160 Speaker 2: people would look up to. 113 00:06:30,120 --> 00:06:32,159 Speaker 3: You that Hey, I thought there wasn't a jointing. 114 00:06:32,720 --> 00:06:35,560 Speaker 2: You know. For a long time I was a really angry, 115 00:06:35,600 --> 00:06:39,000 Speaker 2: angry person. You know, I kind of felt for a 116 00:06:39,040 --> 00:06:41,479 Speaker 2: long time that, you know, God had short changed me 117 00:06:41,880 --> 00:06:44,960 Speaker 2: until it's like, I gave my life first of all 118 00:06:45,000 --> 00:06:47,279 Speaker 2: to God and then I just dedicated my life to 119 00:06:47,360 --> 00:06:51,320 Speaker 2: helping people. And I think because of that dedication, I 120 00:06:51,360 --> 00:06:53,240 Speaker 2: think that my life has gotten better. 121 00:06:53,960 --> 00:06:56,240 Speaker 1: When you say, the first thing that you did was 122 00:06:56,480 --> 00:06:59,640 Speaker 1: you gave yourself over to God. So where did that 123 00:06:59,680 --> 00:07:01,080 Speaker 1: happen and how did that happen? 124 00:07:01,279 --> 00:07:07,919 Speaker 2: That actually happened in Salidad State Prison, Sinko Emayo in 125 00:07:08,040 --> 00:07:12,560 Speaker 2: nineteen sixty eight in Solia me rape Pacheck on Henri 126 00:07:12,640 --> 00:07:13,040 Speaker 2: Ki Halla. 127 00:07:13,160 --> 00:07:14,440 Speaker 3: We were drunk, we were loaded. 128 00:07:14,720 --> 00:07:19,320 Speaker 2: We uh what they call insided a riot and some 129 00:07:19,440 --> 00:07:23,320 Speaker 2: people got seriously hurt. So you know, we basically went 130 00:07:23,360 --> 00:07:25,960 Speaker 2: to the hole with gas chamber offenses. 131 00:07:26,120 --> 00:07:30,360 Speaker 1: And wait, what do you mean by with gas chamber offenses? 132 00:07:30,840 --> 00:07:35,720 Speaker 2: Well, Ray Pacheco sacked a free person, henriki Halla. They say, 133 00:07:35,920 --> 00:07:39,920 Speaker 2: kick the coach. That's an attack on an officer. It 134 00:07:39,960 --> 00:07:43,160 Speaker 2: was alleged that I threw a rock and hit Lieutenant 135 00:07:43,160 --> 00:07:46,280 Speaker 2: Gibbons in the head. So we were in the hole 136 00:07:47,120 --> 00:07:50,320 Speaker 2: and I remember asking God to just let me die 137 00:07:50,360 --> 00:07:54,000 Speaker 2: with dignity, you know, just let me die with dignity, 138 00:07:54,040 --> 00:07:56,800 Speaker 2: and I'll say your name every day and I will 139 00:07:57,520 --> 00:08:00,520 Speaker 2: do whatever I can for my fellow man. That's the promised. 140 00:08:00,520 --> 00:08:02,200 Speaker 2: I mean, but I thought it was just gonna be 141 00:08:02,200 --> 00:08:03,880 Speaker 2: a couple of years and they were gonna kill me, 142 00:08:04,800 --> 00:08:08,480 Speaker 2: and they'll see the fool me and gave me the 143 00:08:08,520 --> 00:08:10,840 Speaker 2: rest of my life. So I've been saying his name 144 00:08:10,880 --> 00:08:13,800 Speaker 2: every day and doing whatever I can for my fellow 145 00:08:13,880 --> 00:08:23,200 Speaker 2: man every day. So when I came out, I'm standing 146 00:08:23,280 --> 00:08:26,080 Speaker 2: in front of my mom's house trying to figure out, Okay, 147 00:08:27,200 --> 00:08:29,400 Speaker 2: how am I gonna do a Johnny be good guy? 148 00:08:31,000 --> 00:08:33,080 Speaker 3: And I couldn't figure what do I do? How do 149 00:08:33,160 --> 00:08:34,319 Speaker 3: you be a good person? 150 00:08:35,120 --> 00:08:39,040 Speaker 2: And I see I seen one of the ladies in 151 00:08:39,160 --> 00:08:42,720 Speaker 2: my mom's neighborhood. I seen her trying to drag her 152 00:08:42,880 --> 00:08:45,360 Speaker 2: TNA out and I said, that's what I do, and 153 00:08:45,400 --> 00:08:46,400 Speaker 2: I went over to help her. 154 00:08:46,640 --> 00:08:49,520 Speaker 1: I mean, like a bathtub, like an empty bathtub kind 155 00:08:49,559 --> 00:08:49,760 Speaker 1: of thing. 156 00:08:49,800 --> 00:08:52,840 Speaker 2: There's a big than a big tub. Put all your garbage, 157 00:08:52,880 --> 00:08:55,760 Speaker 2: all your papers, everything in there. And I seen her 158 00:08:55,840 --> 00:08:58,040 Speaker 2: dragging out and I went over there to help her. 159 00:08:58,280 --> 00:09:00,920 Speaker 2: I'll never forget what she said. She said I. 160 00:09:00,920 --> 00:09:05,240 Speaker 3: Didn't need no mina Robas shut up. Yeah, I got her. 161 00:09:05,320 --> 00:09:07,280 Speaker 2: I got her teena and I pulled it out and 162 00:09:07,320 --> 00:09:10,040 Speaker 2: then I went to the back her yard to get 163 00:09:10,080 --> 00:09:12,360 Speaker 2: the other one. And she never took her eyes off 164 00:09:12,440 --> 00:09:14,880 Speaker 2: me because she knew I was gonna steal her lawn 165 00:09:14,880 --> 00:09:17,760 Speaker 2: mower or or take some tools or something. But I 166 00:09:17,760 --> 00:09:19,920 Speaker 2: got her tena I put out, and that was that 167 00:09:20,000 --> 00:09:22,680 Speaker 2: was what I first did that I didn't have a job, 168 00:09:23,160 --> 00:09:27,640 Speaker 2: and I started taking out the old people's trash in 169 00:09:27,720 --> 00:09:28,720 Speaker 2: my mom's bad. 170 00:09:34,880 --> 00:09:37,120 Speaker 1: You know, one of the things that people know about you, 171 00:09:38,160 --> 00:09:44,040 Speaker 1: like immediately besides your voice, is your face. Right, I 172 00:09:44,080 --> 00:09:47,240 Speaker 1: mean people hopefully if they're just like, oh, I don't 173 00:09:47,240 --> 00:09:48,600 Speaker 1: know who it is, and then they're gonna look up 174 00:09:48,640 --> 00:09:50,240 Speaker 1: Danny threeho and they're be like, oh, of course I 175 00:09:50,280 --> 00:09:52,920 Speaker 1: know who Danny tre who is. He's the guy who's 176 00:09:52,960 --> 00:09:57,120 Speaker 1: got that face that looks like it's been wes. I 177 00:09:57,160 --> 00:10:02,560 Speaker 1: don't know to like Warren back old leather. So where 178 00:10:03,720 --> 00:10:08,480 Speaker 1: does that come from? Your face? Actually? And because I 179 00:10:08,559 --> 00:10:10,520 Speaker 1: was looking, I was like, well, are there scars on 180 00:10:10,559 --> 00:10:13,160 Speaker 1: his face? Did he get slashed? 181 00:10:14,120 --> 00:10:19,760 Speaker 2: Eddie Bunker once said that your face is going to 182 00:10:19,880 --> 00:10:23,760 Speaker 2: make it for you. He says, you always look like 183 00:10:23,880 --> 00:10:26,680 Speaker 2: you want to fight. You always look like you're angry. 184 00:10:27,080 --> 00:10:32,040 Speaker 2: So your job is to disarm people immediately, because you 185 00:10:32,080 --> 00:10:35,280 Speaker 2: got to understand it's in prison. You have to be 186 00:10:35,320 --> 00:10:38,040 Speaker 2: able to back people off with a look. You know, 187 00:10:38,120 --> 00:10:39,880 Speaker 2: you have to be able to tell people you don't. 188 00:10:39,880 --> 00:10:42,520 Speaker 2: I'll kill you just by looking at him. So you 189 00:10:42,720 --> 00:10:48,760 Speaker 2: become a life of intimidation, you know, or manipulation. That's 190 00:10:48,800 --> 00:10:53,760 Speaker 2: your whole mindset. Intimidate or manipulate, and unless you do, 191 00:10:54,320 --> 00:10:58,400 Speaker 2: you'll be pray. And I learned my walk. I learned 192 00:10:58,400 --> 00:11:01,280 Speaker 2: how to intimidate my talk. I learned how to intimidate. 193 00:11:01,840 --> 00:11:04,760 Speaker 2: God gave me this voice. He wasn't going to make 194 00:11:04,800 --> 00:11:07,400 Speaker 2: a soprano singer out of me. 195 00:11:07,520 --> 00:11:18,040 Speaker 1: But coming up on Latino USA, my conversation with Danny 196 00:11:18,080 --> 00:11:19,199 Speaker 1: Trejo continues. 197 00:11:19,640 --> 00:11:22,640 Speaker 2: I've heard look, mommy, the guy from Spy Kids in 198 00:11:22,640 --> 00:11:24,120 Speaker 2: about fifty different languages. 199 00:11:26,720 --> 00:12:16,959 Speaker 1: Stay with us. Yes, hey, we're back, And let's continue 200 00:12:16,960 --> 00:12:20,360 Speaker 1: now with my conversation with actor and entrepreneur Danny Trejo. 201 00:12:21,120 --> 00:12:24,400 Speaker 1: So you're making your way. It's like, you know, the seventies, 202 00:12:24,679 --> 00:12:27,640 Speaker 1: you're working as a drug counselor. You had gone through 203 00:12:27,720 --> 00:12:32,319 Speaker 1: AA and NA. You're working with young people and you 204 00:12:32,360 --> 00:12:36,960 Speaker 1: start working as an extra in films, and then you 205 00:12:37,040 --> 00:12:41,520 Speaker 1: get hired actually to start training other actors in boxing. 206 00:12:42,040 --> 00:12:44,440 Speaker 2: Just one I got what happened was that I was 207 00:12:44,440 --> 00:12:47,319 Speaker 2: on this movie called a Runaway Train. You're gonna get 208 00:12:47,360 --> 00:12:49,240 Speaker 2: a job, that's what you're gonna do. 209 00:12:49,240 --> 00:12:51,559 Speaker 3: You're gonna get a little job, some job a convic 210 00:12:51,600 --> 00:12:54,640 Speaker 3: can get, like straying off praise at a cafeteria, or 211 00:12:54,679 --> 00:12:55,160 Speaker 3: clean up. 212 00:12:55,120 --> 00:12:59,240 Speaker 2: Toilets with John Voyd and Eric Roberts. And I ran 213 00:12:59,280 --> 00:13:01,360 Speaker 2: into a friend of that. I was in prison with 214 00:13:01,400 --> 00:13:04,880 Speaker 2: a guy named Eddie Bunker. Eddie says, are you still boxing? 215 00:13:04,920 --> 00:13:07,720 Speaker 2: That's I'm training. And he said, we need somebody to 216 00:13:07,720 --> 00:13:10,720 Speaker 2: train one of the actors how to box. And I said, 217 00:13:10,720 --> 00:13:13,800 Speaker 2: what's it pay? Because they're given fifty dollars a day 218 00:13:13,840 --> 00:13:17,120 Speaker 2: for beating an extra and he said three twenty a day. 219 00:13:18,360 --> 00:13:20,760 Speaker 2: And I said, how bad do you want this guy 220 00:13:20,800 --> 00:13:22,920 Speaker 2: beat up? I thought he wanted me to beat somebody up. 221 00:13:22,960 --> 00:13:24,800 Speaker 2: That's like hit money, you know what I mean? And 222 00:13:25,120 --> 00:13:27,520 Speaker 2: he goes, no, no, no, you got to be careful. 223 00:13:27,559 --> 00:13:30,600 Speaker 2: This actor's real high strung, Danny. He might suck you. 224 00:13:31,000 --> 00:13:34,120 Speaker 2: I says Eddie for three hundred and twenty bucks give 225 00:13:34,200 --> 00:13:34,840 Speaker 2: him a stick? 226 00:13:34,880 --> 00:13:37,480 Speaker 3: Are you crazy? I didn't beat up for free on me. 227 00:13:48,600 --> 00:13:51,440 Speaker 1: So I'm intrigued by the fact that you were starting 228 00:13:51,440 --> 00:13:55,040 Speaker 1: to work in Hollywood. You were getting cast. Yeah. Oftentimes 229 00:13:55,120 --> 00:13:58,960 Speaker 1: it was as inmate number one or gang member number one, 230 00:13:59,120 --> 00:13:59,400 Speaker 1: or At. 231 00:13:59,320 --> 00:14:02,160 Speaker 2: First I was just the extra, and then I started 232 00:14:02,720 --> 00:14:07,319 Speaker 2: becoming like inmate number one, bad guy number one, tattooed 233 00:14:07,360 --> 00:14:09,800 Speaker 2: guide number one. For the first five years of my 234 00:14:09,880 --> 00:14:12,600 Speaker 2: career really, but as an extra, I just got I 235 00:14:12,679 --> 00:14:15,040 Speaker 2: was just there walking around. And then then when I 236 00:14:15,080 --> 00:14:19,560 Speaker 2: became a SAG, I started getting cast as inmate number one, 237 00:14:19,840 --> 00:14:21,760 Speaker 2: but they still gave me three twenty a day. I 238 00:14:21,760 --> 00:14:24,680 Speaker 2: didn't get paid as extra. I only have like one line, 239 00:14:24,720 --> 00:14:28,600 Speaker 2: like Mattalos. That was one of my favorite lines, Mattalos 240 00:14:28,760 --> 00:14:34,200 Speaker 2: and that's it. I got paid one of the imprison movies, 241 00:14:34,600 --> 00:14:38,240 Speaker 2: all right, We'll kill all them bottles, and the director 242 00:14:38,400 --> 00:14:41,200 Speaker 2: would immediately tell me take off my shirt because of 243 00:14:41,240 --> 00:14:43,400 Speaker 2: the tattoo I have on my chest. We're not char 244 00:14:44,680 --> 00:14:49,080 Speaker 2: and the tattoo it doesn't say that I love America. 245 00:14:49,120 --> 00:14:52,400 Speaker 2: It doesn't say I was in the Marines. It says 246 00:14:52,720 --> 00:14:56,040 Speaker 2: Vizvato was in prison. You know, it's just the prison tattoos. 247 00:14:56,520 --> 00:14:58,760 Speaker 2: They would always make me take off my shirt. 248 00:14:59,120 --> 00:15:03,960 Speaker 1: I have to say one of my favorite movies that 249 00:15:04,000 --> 00:15:06,840 Speaker 1: you're in. I fell in love with the film and 250 00:15:06,920 --> 00:15:10,840 Speaker 1: with you and with everybody involved with the movie. Spy Kids. 251 00:15:11,720 --> 00:15:16,720 Speaker 3: What are you working on world's smallest camera? I don't 252 00:15:16,840 --> 00:15:22,440 Speaker 3: see it, but it's just's you, ah that made me 253 00:15:22,520 --> 00:15:24,120 Speaker 3: a household name all over the world. 254 00:15:24,320 --> 00:15:27,280 Speaker 2: I've heard look mommy the guy from Spike Kids in 255 00:15:27,320 --> 00:15:28,760 Speaker 2: about fifty different languages. 256 00:15:30,920 --> 00:15:35,200 Speaker 1: I love that film because it made us fall in 257 00:15:35,240 --> 00:15:39,080 Speaker 1: love with Danny Trejo and not be afraid of Danny Trejo. 258 00:15:39,880 --> 00:15:40,960 Speaker 3: And Robert Rodriguez. 259 00:15:41,080 --> 00:15:43,320 Speaker 2: Let me tell you, Robert Lriguez has done more for 260 00:15:43,360 --> 00:15:47,480 Speaker 2: the Latina community in filmmaking than anybody else. 261 00:15:47,520 --> 00:15:49,680 Speaker 3: He's amazing. It was unbelievable. 262 00:15:49,680 --> 00:15:51,160 Speaker 2: Like I said, it was like all of a sudden, 263 00:15:51,400 --> 00:15:56,480 Speaker 2: I went from being an actor in R rated movies 264 00:15:57,080 --> 00:16:00,680 Speaker 2: to being child friendly. You know what I mean is 265 00:16:00,680 --> 00:16:03,040 Speaker 2: that all these kids are coming following me around. I 266 00:16:03,160 --> 00:16:05,000 Speaker 2: go to the airport and thed follow me around. 267 00:16:05,240 --> 00:16:08,040 Speaker 1: So you've got this really full life right, and it's 268 00:16:08,080 --> 00:16:13,280 Speaker 1: like life is good. And then you decide to open 269 00:16:13,320 --> 00:16:14,040 Speaker 1: a restaurant. 270 00:16:14,360 --> 00:16:17,240 Speaker 2: Well, I was doing a movie called Badass and one 271 00:16:17,280 --> 00:16:20,200 Speaker 2: of the producers was a guy named Ash, and he 272 00:16:20,440 --> 00:16:23,520 Speaker 2: noticed that I liked to eat, well, I like good food. 273 00:16:23,520 --> 00:16:25,240 Speaker 2: I don't like junk food. I don't like you know, 274 00:16:25,240 --> 00:16:27,960 Speaker 2: I don't eat McDonald's. And he said, Danny, why don't 275 00:16:27,960 --> 00:16:32,320 Speaker 2: you open a restaurant? So jokingly, I said, Trey hostacos. 276 00:16:32,640 --> 00:16:37,000 Speaker 2: Because my mom was an unbelievable cook. She, oh god, 277 00:16:37,040 --> 00:16:40,520 Speaker 2: she was unbelievable. And you know Latino families. At the 278 00:16:40,560 --> 00:16:43,800 Speaker 2: first of the month, you make big meals, you know, 279 00:16:43,960 --> 00:16:47,160 Speaker 2: and she lot of us and all kinds. But coming 280 00:16:47,480 --> 00:16:50,920 Speaker 2: towards the end of the month, you're making stuff. We 281 00:16:50,960 --> 00:16:55,200 Speaker 2: would call out the cupboard or we mix it and 282 00:16:55,520 --> 00:16:57,400 Speaker 2: I would say, Mom, what says you never mind? Just 283 00:16:57,520 --> 00:17:00,360 Speaker 2: don't want that, and you know, she would just make 284 00:17:00,440 --> 00:17:03,880 Speaker 2: up stuff because we were running low, and uh, I 285 00:17:03,880 --> 00:17:06,600 Speaker 2: would always joke, Mom, why don't you open a restaurant? 286 00:17:06,720 --> 00:17:11,440 Speaker 3: So in her honor, Ash came with a business plan. 287 00:17:12,119 --> 00:17:13,879 Speaker 2: And he gave it to me, and me, being the 288 00:17:13,960 --> 00:17:17,119 Speaker 2: brilliant businessman that I am, I handed it to my agent, 289 00:17:17,160 --> 00:17:20,040 Speaker 2: Glrian Ajasa, and I say, read this, look it up 290 00:17:20,040 --> 00:17:23,480 Speaker 2: because I read three lines, I'm gone. My add won't 291 00:17:23,840 --> 00:17:25,639 Speaker 2: allow me to read more than three lines, and that 292 00:17:25,760 --> 00:17:28,680 Speaker 2: it's a script. And so she said, you know, Dan's 293 00:17:28,680 --> 00:17:31,560 Speaker 2: not a bad deal, and we discussed it and we 294 00:17:31,600 --> 00:17:34,280 Speaker 2: opened the first restaurant on Librea here in La and 295 00:17:34,680 --> 00:17:35,600 Speaker 2: it just took off. 296 00:17:35,800 --> 00:17:40,200 Speaker 1: So it's called Trail Stacos Trejos Tacos. You didn't stop 297 00:17:40,240 --> 00:17:43,719 Speaker 1: there because now you've got Drejos Donuts. 298 00:17:43,280 --> 00:17:47,600 Speaker 2: Trail Donuts, Trios Cantino. We just opened up a restaurant 299 00:17:47,640 --> 00:17:52,159 Speaker 2: in lax On Terminal one Tacos, so we've got seven 300 00:17:52,240 --> 00:17:55,199 Speaker 2: restaurants right now. We're opening up another one at the 301 00:17:55,280 --> 00:17:59,320 Speaker 2: original Farmer's Market on Third in Fairfax, and uh, you 302 00:17:59,359 --> 00:18:01,960 Speaker 2: know we'll keep So what's. 303 00:18:01,720 --> 00:18:04,760 Speaker 1: Bringing you joy these days? I know that you said 304 00:18:04,760 --> 00:18:07,800 Speaker 1: that you talk about joy and you find it every day. 305 00:18:08,600 --> 00:18:09,920 Speaker 1: What's making you really happy? 306 00:18:10,200 --> 00:18:10,720 Speaker 3: Now? Though? 307 00:18:11,320 --> 00:18:14,520 Speaker 2: You know you make money and that's good, you know, 308 00:18:14,600 --> 00:18:18,440 Speaker 2: but I have never seen a U haul truck following 309 00:18:18,480 --> 00:18:22,479 Speaker 2: a hurst, so you know you can't take it with you. 310 00:18:22,560 --> 00:18:26,000 Speaker 2: Might well just enjoy, just enjoy all these people that 311 00:18:26,040 --> 00:18:29,320 Speaker 2: are billionaires and not worried about it. 312 00:18:29,560 --> 00:18:30,280 Speaker 3: Just make more. 313 00:18:30,200 --> 00:18:33,479 Speaker 2: Money, don't worry about global warming and who cares that's poisoning? 314 00:18:33,960 --> 00:18:35,840 Speaker 3: It's like, wow, who cares? Man? 315 00:18:35,960 --> 00:18:38,040 Speaker 2: It's like, you know what, Just bring joy. That's what 316 00:18:38,080 --> 00:18:40,720 Speaker 2: it's about. You know, Like I woke up this morning. 317 00:18:41,000 --> 00:18:44,320 Speaker 2: I was clean and sober, my kids were healthy, my 318 00:18:44,520 --> 00:18:47,439 Speaker 2: friends are all so by the grace of God. It's like, 319 00:18:47,480 --> 00:18:50,479 Speaker 2: you know what, I'm already living a miracle. So I 320 00:18:50,480 --> 00:18:53,520 Speaker 2: got to enjoy it, you know, I got to enjoy 321 00:18:53,560 --> 00:18:59,080 Speaker 2: it well. 322 00:18:59,160 --> 00:19:02,920 Speaker 1: Danny, thank you for bringing so much joy and fear 323 00:19:04,600 --> 00:19:07,800 Speaker 1: to all of our to all of our lives. It's 324 00:19:07,800 --> 00:19:09,679 Speaker 1: been great speaking with you. Thank you so much for 325 00:19:09,760 --> 00:19:10,199 Speaker 1: joining me. 326 00:19:10,320 --> 00:19:11,880 Speaker 3: Thank you, Thank you so much. 327 00:19:14,920 --> 00:19:18,400 Speaker 1: Danny Trejo is an actor and the entrepreneur behind Dere 328 00:19:18,560 --> 00:19:23,159 Speaker 1: host Tacos, There, host Gandina, and Terre host Donuts in 329 00:19:23,240 --> 00:19:42,560 Speaker 1: Los Angeles, California. This episode originally aired in April of 330 00:19:42,600 --> 00:19:46,159 Speaker 1: twenty nineteen. It was produced by Seer Gevido. It was 331 00:19:46,280 --> 00:19:50,040 Speaker 1: edited by Marlon Bishop and mixed by Stephanie LeBeau. The 332 00:19:50,160 --> 00:19:55,240 Speaker 1: Latino USA team also includes viktorri Estrada, Renaldo Leos Junior, 333 00:19:55,560 --> 00:19:59,920 Speaker 1: Andrea Lopez Crusado, Dori mar Marquez, Marta Martinez, Mike Sarge 334 00:20:00,200 --> 00:20:05,320 Speaker 1: Norsaudi and Nancy Trujillo. Benileei Ramirez is our co executive producer. 335 00:20:05,760 --> 00:20:09,919 Speaker 1: Our senior engineer is Julia Caruso. Additional engineering support by 336 00:20:09,960 --> 00:20:15,040 Speaker 1: Gabriel Abiez and jj Carubin. Our marketing manager is Luis Luna. 337 00:20:15,400 --> 00:20:18,919 Speaker 1: Our theme music was composed by Zane Robinos. I'm your 338 00:20:18,960 --> 00:20:22,040 Speaker 1: host and executive producer Marie jo Josa. Join us again 339 00:20:22,119 --> 00:20:24,840 Speaker 1: on our next episode. In the meantime, look for us 340 00:20:24,880 --> 00:20:27,320 Speaker 1: on all of your social media. I'll see you on 341 00:20:27,440 --> 00:20:33,600 Speaker 1: Instagram and remember Monteva. Yes Bye. 342 00:20:37,160 --> 00:20:40,199 Speaker 3: Funding for Latino USA is coverage of a culture of 343 00:20:40,240 --> 00:20:42,840 Speaker 3: health is made possible in part by a grant from 344 00:20:42,840 --> 00:20:44,600 Speaker 3: the Robert Wood Johnson Foundation. 345 00:20:45,359 --> 00:20:49,960 Speaker 2: Latino USA is made possible in part by the Ford Foundation, 346 00:20:50,600 --> 00:20:54,520 Speaker 2: working with visionaries on the frontlines of social change worldwide, 347 00:20:55,400 --> 00:21:01,879 Speaker 2: and the Heising Simons Foundation unlocking knowledge, opportunity and possibilities. 348 00:21:02,400 --> 00:21:04,920 Speaker 3: More at hsfoundation dot org