1 00:00:00,200 --> 00:00:02,040 Speaker 1: Right, this new episode of the Bobby Cast brought to 2 00:00:02,080 --> 00:00:05,680 Speaker 1: you by the number four four. Uh do you ever 3 00:00:05,680 --> 00:00:10,120 Speaker 1: watches me? Straight? They're going over to HBO mm hmm, 4 00:00:10,640 --> 00:00:16,680 Speaker 1: rightbo Max, which is just HBO. It's basically like everybody's 5 00:00:16,760 --> 00:00:19,040 Speaker 1: like Disney Plus. They're all having their own services. It's 6 00:00:19,200 --> 00:00:23,959 Speaker 1: HBO not really no, No, they do HBO Go. Yeah, 7 00:00:23,960 --> 00:00:26,840 Speaker 1: but that's basically just HBO on demand. But this is 8 00:00:26,880 --> 00:00:30,760 Speaker 1: like actually putting shows specifically just on this service. So 9 00:00:30,800 --> 00:00:33,280 Speaker 1: they're developing new shows just for it. But my point 10 00:00:33,400 --> 00:00:36,320 Speaker 1: is they could develop shows, they already have a digital platform. 11 00:00:36,720 --> 00:00:39,559 Speaker 1: They could just put them on HBO Go. But I 12 00:00:39,560 --> 00:00:42,680 Speaker 1: think everything on HBO Go airs on HBO. I know 13 00:00:42,760 --> 00:00:46,159 Speaker 1: what you're saying. My point is that they could just 14 00:00:46,200 --> 00:00:48,200 Speaker 1: continue HBO Go and I have to change the name 15 00:00:48,240 --> 00:00:51,680 Speaker 1: of it. That's true because some people only watch HBO shows, 16 00:00:51,720 --> 00:00:55,760 Speaker 1: myself included online. I don't know rhbos on my TV listen. 17 00:00:55,800 --> 00:00:58,960 Speaker 1: I'm sure they have research to back this um. But 18 00:00:59,200 --> 00:01:04,360 Speaker 1: my point is Seting Street is only on HBO whatever. 19 00:01:04,360 --> 00:01:10,000 Speaker 1: There's just too many of them. There's the Peacock, which 20 00:01:10,000 --> 00:01:13,319 Speaker 1: is NBC Disney Plus, which is a lot of the 21 00:01:13,319 --> 00:01:20,520 Speaker 1: properties of Disney but ABC nat GEO a lot of 22 00:01:20,680 --> 00:01:22,720 Speaker 1: a lot of that, which I had a real good 23 00:01:22,720 --> 00:01:25,600 Speaker 1: call today with net Geo. I you know, I did 24 00:01:25,840 --> 00:01:29,520 Speaker 1: Beary Grills show and as an aarity editors in January, 25 00:01:29,680 --> 00:01:32,680 Speaker 1: and I've kind of become well, I'm a big fan 26 00:01:32,760 --> 00:01:37,000 Speaker 1: of what I would call it, let's call it integrity programming, 27 00:01:37,640 --> 00:01:41,400 Speaker 1: meaning they're not doing many shows just to be a flash, 28 00:01:41,480 --> 00:01:43,400 Speaker 1: and you know that's not let's see how quick we 29 00:01:43,440 --> 00:01:46,760 Speaker 1: can get pregnant those kind of shows. You know how 30 00:01:48,040 --> 00:01:50,040 Speaker 1: what was the channel that would do all those nutty 31 00:01:50,080 --> 00:01:55,120 Speaker 1: shows like that if they were oh the Overweight Family. Yeah, 32 00:01:55,120 --> 00:01:57,640 Speaker 1: like they would do a lot of those shows like 33 00:01:58,760 --> 00:02:02,720 Speaker 1: just finding people and go, well you're a bit different. 34 00:02:02,760 --> 00:02:04,040 Speaker 1: Let's just do a show about you just for fun 35 00:02:04,080 --> 00:02:06,200 Speaker 1: and see if people like it, love it, hate it, 36 00:02:06,280 --> 00:02:08,320 Speaker 1: laugh at you, sympathize it. It It just felt like they 37 00:02:08,360 --> 00:02:10,360 Speaker 1: were doing that a lot of them. Um, I like 38 00:02:10,440 --> 00:02:14,240 Speaker 1: that Geo because they got a there's just like real 39 00:02:14,440 --> 00:02:16,480 Speaker 1: substance shows. So anyway, I was like, I would like 40 00:02:16,520 --> 00:02:17,960 Speaker 1: to do a show over here, and so we had 41 00:02:17,960 --> 00:02:20,640 Speaker 1: a good call today with that network. I'd like to 42 00:02:20,639 --> 00:02:21,880 Speaker 1: do a show, but I don't know if I will. 43 00:02:22,320 --> 00:02:26,120 Speaker 1: But um, yeah, so that, but that's one of the ABC. Plus, 44 00:02:26,600 --> 00:02:31,359 Speaker 1: UM's let's see what else. There's Peacock, is it HBO? 45 00:02:31,520 --> 00:02:37,200 Speaker 1: There's obviously Hulu and Netflix and Amazon, and there's Google, 46 00:02:37,639 --> 00:02:40,360 Speaker 1: but Google is not building its own programming, right. Google 47 00:02:40,440 --> 00:02:42,560 Speaker 1: is just where you can buy everybody else's in movies. 48 00:02:42,760 --> 00:02:45,679 Speaker 1: And then there's Apple. Oh, that's another one that's coming out. 49 00:02:46,800 --> 00:02:50,480 Speaker 1: What else? What about CBS that have they announced one yet? Uh? 50 00:02:50,600 --> 00:02:54,359 Speaker 1: Not to my knowledge, they're gonna have to. There's so 51 00:02:54,440 --> 00:02:57,679 Speaker 1: many freaking platforms and still I think if I bought 52 00:02:57,680 --> 00:02:59,040 Speaker 1: every one of them, I wouldn't pay as much as 53 00:02:59,040 --> 00:03:00,880 Speaker 1: I do for my cable bill. Now I'm not sure 54 00:03:00,919 --> 00:03:03,080 Speaker 1: that with CBS because they sold the rights to Big 55 00:03:03,120 --> 00:03:07,120 Speaker 1: Bang Theory. Yeah, but that's okay because there are shows 56 00:03:07,160 --> 00:03:09,560 Speaker 1: that sell the rights. You're saying, you don't know if 57 00:03:09,560 --> 00:03:12,079 Speaker 1: they're coming up with one with their own, because then 58 00:03:12,200 --> 00:03:14,919 Speaker 1: I mean they would have that on there. My point 59 00:03:15,080 --> 00:03:18,120 Speaker 1: was right, um, because NBC ended up buying the Peacock, 60 00:03:18,200 --> 00:03:21,200 Speaker 1: ended up buying back The Office, But Friends is going 61 00:03:21,280 --> 00:03:26,519 Speaker 1: over to which one? HBO? It is? Yeah? That interesting 62 00:03:26,560 --> 00:03:29,440 Speaker 1: and don't think about that. So it's just who pays 63 00:03:29,480 --> 00:03:32,600 Speaker 1: its syndicated shows once they're off the network, it's whoever 64 00:03:32,639 --> 00:03:36,640 Speaker 1: pays the most. Basically, yeah, like Seinfeld is going over 65 00:03:36,680 --> 00:03:41,560 Speaker 1: to Netflix. Netflix. All of this to say there's a 66 00:03:41,560 --> 00:03:43,560 Speaker 1: lot I can't keep up. I'll started track a little bit. 67 00:03:44,120 --> 00:03:47,320 Speaker 1: And I still think, as I mentioned a second ago, 68 00:03:47,400 --> 00:03:50,640 Speaker 1: if I paid money for every streaming service, it still 69 00:03:50,640 --> 00:03:53,160 Speaker 1: wouldn't be as much as my cable bill. Which one 70 00:03:53,240 --> 00:03:56,880 Speaker 1: will you have? It just depends what good shows come out. 71 00:03:56,920 --> 00:03:59,720 Speaker 1: And I feel like if a if a platform has 72 00:04:00,040 --> 00:04:04,760 Speaker 1: three great shows, I'll probably subscribe because then I'll believe 73 00:04:04,800 --> 00:04:07,120 Speaker 1: not only do they have many. I don't subscribe to 74 00:04:07,160 --> 00:04:10,280 Speaker 1: Hulu because only watch one show on Hulu, Handmaids Tale. 75 00:04:11,000 --> 00:04:12,800 Speaker 1: If they were to hit a cup two more, I'd 76 00:04:12,800 --> 00:04:16,320 Speaker 1: price subscribe because then I believe in their programming. In general, 77 00:04:17,040 --> 00:04:19,080 Speaker 1: I don't believe in who lose original programming right now. 78 00:04:19,279 --> 00:04:20,520 Speaker 1: I'm sure they have a lot of great shows. I 79 00:04:20,520 --> 00:04:22,680 Speaker 1: just haven't been exposed to. And how I get exposed 80 00:04:22,680 --> 00:04:25,080 Speaker 1: with these shows or people recommending them to me. I 81 00:04:25,120 --> 00:04:28,760 Speaker 1: think that's mostly how shows are are sent around is grassroots. 82 00:04:28,920 --> 00:04:32,200 Speaker 1: Hey you see this and you post about it, then 83 00:04:32,279 --> 00:04:34,359 Speaker 1: next thing you know, you're watching it. I don't have 84 00:04:34,400 --> 00:04:43,520 Speaker 1: Hulu yet I buy Handmaids Tale on Amazon episode by episode. Um, 85 00:04:43,560 --> 00:04:45,359 Speaker 1: I have Amazon Prime, but I get that because I 86 00:04:45,440 --> 00:04:49,479 Speaker 1: order stuff on Amazon, So I have that one and 87 00:04:49,520 --> 00:04:53,160 Speaker 1: I will continue that one. I have Netflix, although Netflix 88 00:04:53,200 --> 00:04:55,960 Speaker 1: has become sets the standard that I'm bored by it 89 00:04:56,080 --> 00:04:58,880 Speaker 1: a bit now, which isn't fair. They're making a lot 90 00:04:58,920 --> 00:05:02,719 Speaker 1: of great stuff, but I'm like, what what you got? Board? 91 00:05:03,960 --> 00:05:05,400 Speaker 1: And I used to like, I want new common special 92 00:05:05,440 --> 00:05:07,400 Speaker 1: will come out. They're putting out so many common specials. 93 00:05:07,440 --> 00:05:08,719 Speaker 1: I can't keep up, so I don't watch any of 94 00:05:08,760 --> 00:05:12,560 Speaker 1: them unless it's somebody I already liked, and I'm saying 95 00:05:12,600 --> 00:05:14,279 Speaker 1: they're the best one I've ever seen. To me, Norm 96 00:05:14,360 --> 00:05:17,480 Speaker 1: McDonald loved it. But have you watched Nikki's yet? I 97 00:05:17,520 --> 00:05:19,360 Speaker 1: did watch it. Yeah, I haven't seen it yet. It's good. 98 00:05:19,400 --> 00:05:22,400 Speaker 1: I enjoy it. Yeah, she's obviously super funny. She did 99 00:05:22,440 --> 00:05:25,200 Speaker 1: a podcast here, so you can check that out. But 100 00:05:25,279 --> 00:05:27,479 Speaker 1: I watched a bunch of Netflix show so obviously that 101 00:05:27,880 --> 00:05:30,200 Speaker 1: I'll probably get NBC because they'll have the Office, and 102 00:05:30,200 --> 00:05:31,720 Speaker 1: I watch The Office every night when I go to bed. 103 00:05:32,560 --> 00:05:36,600 Speaker 1: Um ill for sure get Disney Plus already subscribed to you. 104 00:05:36,720 --> 00:05:38,200 Speaker 1: If you get in earlier, you get it for like 105 00:05:38,240 --> 00:05:40,120 Speaker 1: a little rate. Yeah, so I got in the pre 106 00:05:40,200 --> 00:05:42,919 Speaker 1: sale because they'll they'll have some of the superhero shows 107 00:05:42,960 --> 00:05:47,359 Speaker 1: that I like, and then hopefully maybe I'll still be 108 00:05:47,360 --> 00:05:49,240 Speaker 1: on American Idol or be on an ABC. I like 109 00:05:49,279 --> 00:05:51,200 Speaker 1: working for ABC, so hopefully I'll stay over there. Yeah. 110 00:05:51,240 --> 00:05:53,520 Speaker 1: They had me on that all the Marvel stuff they're 111 00:05:53,520 --> 00:05:55,200 Speaker 1: coming out with, and then they'll have all the Star 112 00:05:55,240 --> 00:05:57,599 Speaker 1: Wars stuff. So I was like, I'm gonna get this anyway, 113 00:05:57,600 --> 00:05:59,359 Speaker 1: I might as well get it cheaper. They also have 114 00:05:59,440 --> 00:06:01,440 Speaker 1: net Geo over there, which would be nice if I 115 00:06:01,440 --> 00:06:02,719 Speaker 1: could do a show over there and you can just 116 00:06:02,760 --> 00:06:06,120 Speaker 1: stream it all the time. Um HBO, I'll probably get 117 00:06:06,480 --> 00:06:09,560 Speaker 1: I'll have to cut my cable. I have to. There's 118 00:06:09,560 --> 00:06:12,520 Speaker 1: no way I'm gonna pay Bucks or whatever I'm doing 119 00:06:12,560 --> 00:06:16,279 Speaker 1: here for cable. That's probably internet too. Yeah, and then 120 00:06:16,279 --> 00:06:18,400 Speaker 1: not watch it because you know what to watch now 121 00:06:18,880 --> 00:06:24,200 Speaker 1: Sports Live and even then I can watch ESPN on 122 00:06:24,240 --> 00:06:27,000 Speaker 1: my phone. I don't know anyway, I have no idea 123 00:06:27,040 --> 00:06:31,719 Speaker 1: how we've got on this topic. Do you uh what 124 00:06:31,960 --> 00:06:34,719 Speaker 1: spiral we walked down? I've never had cable though, I've 125 00:06:34,720 --> 00:06:36,800 Speaker 1: never needed it in your life? Nope, how old do 126 00:06:36,839 --> 00:06:40,760 Speaker 1: you eight, Okay, but that's not a super generational thing. 127 00:06:40,800 --> 00:06:43,800 Speaker 1: Then it's close. If you were twenty three, I would 128 00:06:43,800 --> 00:06:47,320 Speaker 1: say it's a generational thing, but twenty eight you could 129 00:06:47,320 --> 00:06:49,960 Speaker 1: a head cable. We couldn't afford it, right, That's what 130 00:06:50,040 --> 00:06:52,240 Speaker 1: it was. And now that I understand, I remember one 131 00:06:52,279 --> 00:06:54,720 Speaker 1: summer I would just go to my cousin's house and watch. 132 00:06:54,800 --> 00:06:56,320 Speaker 1: I was like, what is this? How many channels do 133 00:06:56,320 --> 00:06:59,240 Speaker 1: you have? Remember going over my friend Evan's house and 134 00:06:59,240 --> 00:07:01,039 Speaker 1: he had a satellite dish in his backyard and I 135 00:07:01,080 --> 00:07:04,599 Speaker 1: was like, good god, yeah, I was huge. It wasn't 136 00:07:04,640 --> 00:07:06,520 Speaker 1: like the dish now or like one of those. It 137 00:07:06,600 --> 00:07:08,840 Speaker 1: was like a freaking fuge like you were trying to 138 00:07:08,880 --> 00:07:12,720 Speaker 1: take a signal from from sput Nick. It was. That 139 00:07:12,800 --> 00:07:14,360 Speaker 1: was the sign of well to the trailer park when 140 00:07:14,360 --> 00:07:17,120 Speaker 1: you see somebody with the dish. God, um, all right, 141 00:07:17,160 --> 00:07:19,040 Speaker 1: we're about to get into it with Daniel Arts, who 142 00:07:19,080 --> 00:07:23,320 Speaker 1: I had never met um leading up to today, and 143 00:07:23,880 --> 00:07:26,800 Speaker 1: I think you're gonna enjoy especially we kind of really 144 00:07:26,800 --> 00:07:28,360 Speaker 1: get into it about fifteen minutes. So it takes a 145 00:07:28,560 --> 00:07:31,600 Speaker 1: because most of the time there's a lot of times 146 00:07:31,600 --> 00:07:33,400 Speaker 1: I at least met a lot of these folks beforehand 147 00:07:33,400 --> 00:07:36,520 Speaker 1: at some place. Um, so she came in. We get going. 148 00:07:36,680 --> 00:07:38,280 Speaker 1: I'm a big fan of her music, which is why 149 00:07:38,280 --> 00:07:40,880 Speaker 1: we brought her in. I've put her into the I 150 00:07:40,960 --> 00:07:44,320 Speaker 1: Heart Country Playlist a little bit. And as you'll hear, 151 00:07:44,440 --> 00:07:46,160 Speaker 1: she ends up just grabbing her guitar when we're like, 152 00:07:46,200 --> 00:07:48,800 Speaker 1: you brought a guitar, and so she did. And so 153 00:07:48,880 --> 00:07:50,200 Speaker 1: I was like, all right, so the first time ember 154 00:07:50,200 --> 00:07:53,360 Speaker 1: someone plays on this show, and if you're listening and 155 00:07:53,360 --> 00:07:54,600 Speaker 1: you come to the show, don for the pressure of 156 00:07:54,600 --> 00:07:56,360 Speaker 1: bringing guitar. But I was like, that's a pretty baller move. 157 00:07:56,800 --> 00:07:59,520 Speaker 1: She's brought a guitar with it, So okay. So Tanil 158 00:07:59,640 --> 00:08:03,720 Speaker 1: Arts we talked about even the two to Niels Tinnil 159 00:08:03,840 --> 00:08:07,239 Speaker 1: Arts and then Tinnil Towns, who we had another Bobby 160 00:08:07,240 --> 00:08:10,200 Speaker 1: cast with. You could listen back to that. Other than that, 161 00:08:10,480 --> 00:08:13,000 Speaker 1: check out a couple of the podcasts on the Nashville 162 00:08:13,040 --> 00:08:15,880 Speaker 1: Podcast Network. Amy has a podcast called Four Things with 163 00:08:15,920 --> 00:08:17,800 Speaker 1: Amy Brown, which he talks about four things in every show, 164 00:08:17,800 --> 00:08:21,680 Speaker 1: from health, fitness, from faith and family, and you can 165 00:08:21,680 --> 00:08:24,000 Speaker 1: see the four things on every episode. It's really a 166 00:08:24,000 --> 00:08:26,480 Speaker 1: fantastic podcast. I'm really rooting for that one to do wonderfully. 167 00:08:26,480 --> 00:08:28,800 Speaker 1: It already is doing great. You can check out the 168 00:08:28,840 --> 00:08:32,560 Speaker 1: guys if you like sports, the Sore Losers show, and 169 00:08:32,760 --> 00:08:35,959 Speaker 1: they're on three times a week, usually four four times 170 00:08:36,000 --> 00:08:38,120 Speaker 1: a week doing that show. So you can check that out. 171 00:08:38,160 --> 00:08:42,280 Speaker 1: In Velvet's Edge with Kelly Henderson where she choking about 172 00:08:42,280 --> 00:08:45,040 Speaker 1: a lot of lifestyle stuff in Nashville, it's a it's 173 00:08:45,080 --> 00:08:49,760 Speaker 1: a real female lifestyle based podcast. Caroline Hobby has a 174 00:08:49,840 --> 00:08:52,440 Speaker 1: podcast and she has so many great saved up episodes 175 00:08:52,480 --> 00:08:56,319 Speaker 1: because she's currently got a new baby and fresh baby, yeah, 176 00:08:56,360 --> 00:08:58,120 Speaker 1: super fresh. She's in a picture of you. I sent 177 00:08:58,120 --> 00:09:00,920 Speaker 1: her big baby basket. Now quite know what to get 178 00:09:01,360 --> 00:09:04,320 Speaker 1: someone who doesn't have a baby registry. I can appreciate 179 00:09:04,320 --> 00:09:05,960 Speaker 1: a registry because all I could just push a button 180 00:09:06,120 --> 00:09:09,320 Speaker 1: and buy them something. I couldn't find her baby registry. 181 00:09:09,480 --> 00:09:11,640 Speaker 1: So just got a baby basket and did the supermarket 182 00:09:11,679 --> 00:09:13,000 Speaker 1: sweep thing where you take your hand and just pushed 183 00:09:13,040 --> 00:09:15,280 Speaker 1: off into the basket. So I sent her a basket 184 00:09:15,320 --> 00:09:17,280 Speaker 1: of stuff and she send me a picture back with 185 00:09:17,320 --> 00:09:18,800 Speaker 1: her baby. She's like, he loves his blanket. What a 186 00:09:18,840 --> 00:09:20,120 Speaker 1: great pick. And I was like, great pick. I just 187 00:09:20,160 --> 00:09:22,920 Speaker 1: swung it and go basic. But I'm Glad that Glad 188 00:09:22,960 --> 00:09:25,400 Speaker 1: the baby liked it. Check out Caroline Hobby. It's called 189 00:09:25,440 --> 00:09:29,840 Speaker 1: Get Real with Caroline Hobby. Am I forgetting anything? That? 190 00:09:30,000 --> 00:09:32,920 Speaker 1: Is it? Alright? Enjoy this next episode. We are now 191 00:09:32,960 --> 00:09:35,960 Speaker 1: under the two hundreds of this um and thanks to 192 00:09:35,960 --> 00:09:37,640 Speaker 1: our sponsors, we wouldn't be able to do the podcast 193 00:09:37,679 --> 00:09:39,560 Speaker 1: without them. So if you hear something you like, be 194 00:09:39,600 --> 00:09:40,960 Speaker 1: sure to check them out and tell him you heard 195 00:09:40,960 --> 00:09:42,440 Speaker 1: it here on the Bobby Cast. And if you like 196 00:09:42,520 --> 00:09:45,640 Speaker 1: the podcast, you can screenshot and post it on your 197 00:09:45,640 --> 00:09:47,880 Speaker 1: Instagram and tag me and I'll try to repost some 198 00:09:47,880 --> 00:09:49,439 Speaker 1: of them or tag the Bobby Cast will repost some 199 00:09:49,480 --> 00:09:51,520 Speaker 1: of them. We appreciate you. We talked about grassroots and 200 00:09:51,520 --> 00:09:53,320 Speaker 1: telling your friends. We appreciate you telling your friends about it. 201 00:09:53,360 --> 00:09:55,760 Speaker 1: All right away we go. Here is the next episode. 202 00:09:56,840 --> 00:09:59,120 Speaker 1: All right, here we go Episode two oh three with 203 00:09:59,240 --> 00:10:01,719 Speaker 1: danil Art. How are you? Hey? I'm good? How are 204 00:10:01,720 --> 00:10:05,640 Speaker 1: you good? All the pretty good? I was looking at 205 00:10:05,679 --> 00:10:08,520 Speaker 1: your Instagram. You have a lot of followers. Where did that? 206 00:10:08,559 --> 00:10:10,440 Speaker 1: What's the deal? Where did that come from? I don't know. 207 00:10:10,559 --> 00:10:12,600 Speaker 1: I mean I've been on social media for a really 208 00:10:12,640 --> 00:10:15,640 Speaker 1: long time and on YouTube, and yeah, I've just been 209 00:10:15,720 --> 00:10:18,560 Speaker 1: like really trying to keep up the online presence. I 210 00:10:18,640 --> 00:10:20,800 Speaker 1: was doing a little deep dive about you, and I 211 00:10:21,280 --> 00:10:23,600 Speaker 1: had seen that you were on The Bachelor twice, not 212 00:10:23,640 --> 00:10:25,760 Speaker 1: as a contestant, although that'd be a good story too, 213 00:10:26,320 --> 00:10:28,400 Speaker 1: but you played how do you? How do you land 214 00:10:28,800 --> 00:10:31,959 Speaker 1: getting on the Bachelor? To play? Well? My manager had 215 00:10:31,960 --> 00:10:34,520 Speaker 1: been sending my music into them for a really long time, 216 00:10:34,840 --> 00:10:38,120 Speaker 1: and they just came across some of my music that 217 00:10:38,160 --> 00:10:40,439 Speaker 1: they loved. The first song was called Moment of Weakness, 218 00:10:40,520 --> 00:10:42,560 Speaker 1: and it pretty much sounded like we had written it 219 00:10:42,600 --> 00:10:44,720 Speaker 1: for the show. So it worked out really well and 220 00:10:44,760 --> 00:10:47,199 Speaker 1: I performed on one on one date? Could you remember 221 00:10:47,200 --> 00:10:51,160 Speaker 1: who it was? Um? It was Ari and Chelsea? Okay, 222 00:10:51,160 --> 00:10:53,880 Speaker 1: so Mike, do you know who Ari is? I do? Okay, 223 00:10:53,920 --> 00:10:56,600 Speaker 1: help me out. Good looking dude. I think it's like 224 00:10:56,679 --> 00:10:59,080 Speaker 1: kind of great here right? Oh yeah, okay, So I 225 00:10:59,120 --> 00:11:01,080 Speaker 1: got it. And that is the season. I don't really 226 00:11:01,080 --> 00:11:03,040 Speaker 1: watch the show. I don't hate people to do. By 227 00:11:03,040 --> 00:11:06,560 Speaker 1: the way, don't get mad at Bachelor Nation. He's the 228 00:11:06,600 --> 00:11:07,959 Speaker 1: one that was like he broke up with the girl 229 00:11:08,000 --> 00:11:10,120 Speaker 1: at the end of the season. Yeah, he picked someone 230 00:11:10,320 --> 00:11:12,880 Speaker 1: and then broke up with her and then picked the 231 00:11:12,960 --> 00:11:15,120 Speaker 1: like second place girl, like now that I can admire 232 00:11:15,280 --> 00:11:17,839 Speaker 1: anyone that kind of is not status quo on that show. 233 00:11:18,240 --> 00:11:21,439 Speaker 1: I like, okay, so you you play for him and Chelsea? 234 00:11:21,720 --> 00:11:24,280 Speaker 1: Did they stay together? Was it your song? Was that 235 00:11:24,320 --> 00:11:27,319 Speaker 1: the reason they didn't stay together? I hope not. No, 236 00:11:28,360 --> 00:11:30,480 Speaker 1: she left. She had a kid, so she wanted to 237 00:11:30,480 --> 00:11:33,600 Speaker 1: she had a kid on the show, not on the show, 238 00:11:33,679 --> 00:11:35,480 Speaker 1: but I think she wanted to get back to her 239 00:11:35,720 --> 00:11:38,080 Speaker 1: her son, so I think she ended up leaving the show. 240 00:11:38,280 --> 00:11:40,640 Speaker 1: So tell me what that's like. Them playing do you 241 00:11:40,679 --> 00:11:42,839 Speaker 1: have played over and over and over again for the cameras. Yeah, 242 00:11:42,960 --> 00:11:45,320 Speaker 1: we play it a few times. Not It's like definitely 243 00:11:45,320 --> 00:11:48,560 Speaker 1: a surprise for the girl. I think the bachelor knows 244 00:11:48,640 --> 00:11:50,319 Speaker 1: that this is going down because I think he has 245 00:11:50,360 --> 00:11:52,960 Speaker 1: like a hand in picking the dates, but the girl 246 00:11:53,040 --> 00:11:55,520 Speaker 1: was completely surprised when she walked in and we played 247 00:11:55,559 --> 00:11:57,320 Speaker 1: the song a couple of times for them to get 248 00:11:57,320 --> 00:11:59,839 Speaker 1: their shots and everything. But then we play it again 249 00:12:00,160 --> 00:12:04,200 Speaker 1: multiple times, and that makes sense so they can shoot you. Yeah, 250 00:12:04,480 --> 00:12:06,440 Speaker 1: they can get close ups and stuff. But it was 251 00:12:06,679 --> 00:12:09,120 Speaker 1: really awkward because nobody told me if I should look 252 00:12:09,160 --> 00:12:11,280 Speaker 1: at the cameras or not, so I just found myself 253 00:12:11,320 --> 00:12:15,240 Speaker 1: staring at the couple dancing and making out, and it 254 00:12:15,320 --> 00:12:17,120 Speaker 1: was so awkward. I didn't not know what to do. 255 00:12:17,280 --> 00:12:20,120 Speaker 1: It was Yeah, that was that. But so let me 256 00:12:20,160 --> 00:12:21,680 Speaker 1: hear some of this moment of weakness and I'm gonna 257 00:12:21,760 --> 00:12:33,720 Speaker 1: imagine a couple of dancing, right. That is quite a 258 00:12:33,720 --> 00:12:36,679 Speaker 1: bachelor song because you're basically begging them to make out 259 00:12:36,760 --> 00:12:39,320 Speaker 1: right there, You're playing that song like, all right, have 260 00:12:39,360 --> 00:12:41,160 Speaker 1: your moment weakness, right, You're on camera, so we can 261 00:12:41,200 --> 00:12:44,200 Speaker 1: document it. Okay, So you go on the show and 262 00:12:44,200 --> 00:12:46,120 Speaker 1: I would imagine, because I've had some friends go on 263 00:12:46,120 --> 00:12:48,319 Speaker 1: that show and play, there's a nice pop with your music. 264 00:12:48,360 --> 00:12:50,280 Speaker 1: The day after it airs. Oh yeah, so that was 265 00:12:50,280 --> 00:12:52,720 Speaker 1: pretty cool, right, that was really cool. That had a 266 00:12:52,840 --> 00:12:55,320 Speaker 1: huge part to do with my social media and just 267 00:12:55,360 --> 00:12:57,640 Speaker 1: my music getting out there in general. So but then 268 00:12:57,679 --> 00:13:01,760 Speaker 1: you go back again. Yeah, so then they're like, hey, 269 00:13:02,000 --> 00:13:03,920 Speaker 1: you riveted our couple so much, we want you to 270 00:13:03,920 --> 00:13:06,199 Speaker 1: bring that back for another couple. Is that what happened 271 00:13:06,200 --> 00:13:08,319 Speaker 1: the next time? I don't know. They're just like they 272 00:13:08,360 --> 00:13:10,360 Speaker 1: became a fan of my music and they wanted to 273 00:13:10,400 --> 00:13:12,160 Speaker 1: help me out as a new artist. And I think 274 00:13:12,200 --> 00:13:15,200 Speaker 1: it's really cool and kind of unexpected to be a 275 00:13:15,200 --> 00:13:17,360 Speaker 1: part of something like The Bachelor, Like you wouldn't think 276 00:13:17,360 --> 00:13:20,120 Speaker 1: that's a great way to promote your music, but it 277 00:13:20,200 --> 00:13:22,080 Speaker 1: kind of is. I mean there's a lot of people 278 00:13:22,480 --> 00:13:25,160 Speaker 1: that watch that show and it's like the perfect age 279 00:13:25,200 --> 00:13:27,320 Speaker 1: for my music. So they asked me to come back. 280 00:13:27,480 --> 00:13:30,000 Speaker 1: So you go back and then you play for this 281 00:13:30,040 --> 00:13:33,480 Speaker 1: one was Coulton and Elise. Okay, Now if I remember 282 00:13:33,880 --> 00:13:36,560 Speaker 1: they're not together, you're over too. I'm just telling you 283 00:13:36,559 --> 00:13:38,400 Speaker 1: your success right on this show is not good for 284 00:13:38,440 --> 00:13:40,920 Speaker 1: the couple of staying together. I've played really early on 285 00:13:41,000 --> 00:13:43,080 Speaker 1: in the show, so I feel like, you know, you 286 00:13:43,200 --> 00:13:45,160 Speaker 1: never know what's going to happen at that point. So 287 00:13:45,280 --> 00:13:52,160 Speaker 1: Colton and Elise and what are they doing? Like, Yeah, 288 00:13:52,200 --> 00:13:54,480 Speaker 1: it was in a big theater in l A. So 289 00:13:54,559 --> 00:13:57,080 Speaker 1: there was actually an audience there. Okay, so a little 290 00:13:57,080 --> 00:14:01,400 Speaker 1: more natural way. So you're playing in a theater and 291 00:14:01,440 --> 00:14:03,880 Speaker 1: how does that? And part of me for not knowing this, 292 00:14:04,280 --> 00:14:06,360 Speaker 1: how did they set that up? Do they fake like 293 00:14:06,360 --> 00:14:08,199 Speaker 1: they're walking in on a show or they're both big 294 00:14:08,240 --> 00:14:11,360 Speaker 1: Tannil Arts fans? Yeah, sometimes they do it like that, 295 00:14:11,520 --> 00:14:13,520 Speaker 1: not that they'd be faking it, but I'm gonna I work. 296 00:14:13,559 --> 00:14:14,839 Speaker 1: I do a lot of TV two and we fake 297 00:14:14,880 --> 00:14:18,440 Speaker 1: a lot of stuff, not not originally, but in order 298 00:14:18,440 --> 00:14:19,880 Speaker 1: to redo it again and again and again. We have 299 00:14:19,920 --> 00:14:22,280 Speaker 1: to sometimes go all right, let's shoot this again. Yeah. 300 00:14:22,520 --> 00:14:25,200 Speaker 1: So they walk in like, oh, yeah, we're big fans 301 00:14:25,200 --> 00:14:27,160 Speaker 1: of Tanil Arts, let's go Is that what it wan? Yeah? 302 00:14:27,200 --> 00:14:29,880 Speaker 1: Basically that's what That's what happened. It was like a 303 00:14:29,920 --> 00:14:33,000 Speaker 1: surprise for the girl and everything. But she ended up 304 00:14:33,240 --> 00:14:35,280 Speaker 1: messaging me like right after that episode and was like, 305 00:14:35,280 --> 00:14:38,080 Speaker 1: I'm gonna remember that night forever. I love your music. 306 00:14:38,160 --> 00:14:40,520 Speaker 1: So she definitely like dove into my music after that 307 00:14:41,120 --> 00:14:44,280 Speaker 1: and so and then there you have it too. You 308 00:14:44,320 --> 00:14:46,479 Speaker 1: need one more though. You gotta get on a successful 309 00:14:46,560 --> 00:14:48,160 Speaker 1: You gotta get on a couple of the stays together. 310 00:14:49,080 --> 00:14:53,359 Speaker 1: Right now, you're the Clayton Kershaw of of the Bachelor's 311 00:14:53,400 --> 00:14:55,280 Speaker 1: just not working out for you so far. That's pretty 312 00:14:55,320 --> 00:14:56,600 Speaker 1: cool that they brought you back. And what song did 313 00:14:56,600 --> 00:14:59,200 Speaker 1: you do there? Well, it ended up being a song 314 00:14:59,240 --> 00:15:01,680 Speaker 1: called I Hate This, which was a breakup song which 315 00:15:02,400 --> 00:15:04,440 Speaker 1: you predicted what was gonna I do? I like that 316 00:15:04,480 --> 00:15:06,400 Speaker 1: song this, I hate the song I've I've programmed into 317 00:15:06,400 --> 00:15:08,080 Speaker 1: the heart. The Women of by Heart Country Show. This 318 00:15:08,120 --> 00:15:09,600 Speaker 1: is a good one, not that the other one wasn't. 319 00:15:09,600 --> 00:15:11,160 Speaker 1: I just had never heard it. I liked this one 320 00:15:11,160 --> 00:15:22,280 Speaker 1: a lot. When you hear your own music, you kind 321 00:15:22,280 --> 00:15:23,480 Speaker 1: of bob your head and you still do you like 322 00:15:23,480 --> 00:15:25,680 Speaker 1: to listen to your own music? I do? Yeah, yeah, 323 00:15:25,960 --> 00:15:27,400 Speaker 1: because when when we played that, I felt like you 324 00:15:27,440 --> 00:15:29,840 Speaker 1: kind of felt that a little bit. Yeah. I immediately 325 00:15:29,840 --> 00:15:32,440 Speaker 1: started thinking about when I like wrote it in who 326 00:15:32,480 --> 00:15:36,080 Speaker 1: it's about? And yeah, I go there every time. So 327 00:15:36,200 --> 00:15:38,280 Speaker 1: you wrote that is okay, good. It's a perfect segue 328 00:15:38,280 --> 00:15:39,680 Speaker 1: into this. We have a lot of songwriters that come 329 00:15:39,720 --> 00:15:43,320 Speaker 1: on the show, which you are obviously um and, and 330 00:15:43,320 --> 00:15:45,560 Speaker 1: they talk about song. So let's talk about this song specifically. 331 00:15:45,640 --> 00:15:47,840 Speaker 1: How long ago did you write it? It would have 332 00:15:47,880 --> 00:15:50,600 Speaker 1: been like a year and a half ago. Oh still 333 00:15:50,600 --> 00:15:53,800 Speaker 1: pretty fresh? Yeah, pretty new. And it's funny because when 334 00:15:53,800 --> 00:15:56,520 Speaker 1: I had originally written it, I wasn't going through a 335 00:15:56,520 --> 00:15:58,760 Speaker 1: breakup or anything like. I was kind of imagining what 336 00:15:58,880 --> 00:16:01,720 Speaker 1: that would be like and everything, and then I went 337 00:16:01,720 --> 00:16:04,520 Speaker 1: through a breakup and that song it was so hard 338 00:16:04,560 --> 00:16:06,880 Speaker 1: to go out and sing that song at every show. 339 00:16:07,160 --> 00:16:09,440 Speaker 1: So a song that you didn't write about your breakup 340 00:16:09,520 --> 00:16:11,560 Speaker 1: ended up being hard to sing because later on you 341 00:16:11,600 --> 00:16:14,240 Speaker 1: went through a breakup. Yeah, that's kind of Mike. We've 342 00:16:14,280 --> 00:16:16,320 Speaker 1: never heard story like that, right, Like they write a 343 00:16:16,360 --> 00:16:18,240 Speaker 1: song and then it comes back into their lives about 344 00:16:18,280 --> 00:16:20,120 Speaker 1: their life the breakup, and then it's hard to think 345 00:16:20,120 --> 00:16:22,520 Speaker 1: about that. But yeah, not the only way, like Carly 346 00:16:22,600 --> 00:16:24,440 Speaker 1: when she would come into like I wrote every little thing, 347 00:16:24,520 --> 00:16:26,200 Speaker 1: and you know, I would play and think about the 348 00:16:26,200 --> 00:16:29,520 Speaker 1: breakup every time. But you didn't break up with the song. 349 00:16:29,760 --> 00:16:33,160 Speaker 1: It just came back to haunt you later, it did. Interesting, 350 00:16:33,320 --> 00:16:35,720 Speaker 1: So you write this song and you did you write 351 00:16:35,720 --> 00:16:37,800 Speaker 1: it about the boyfriend you had at the time, and 352 00:16:37,840 --> 00:16:40,560 Speaker 1: at least, like did you predict You're predicting the breakup, 353 00:16:40,600 --> 00:16:43,080 Speaker 1: aren't you. It wasn't that far before we ended up 354 00:16:43,080 --> 00:16:45,400 Speaker 1: breaking up, So I think that I had a little 355 00:16:45,440 --> 00:16:47,320 Speaker 1: bit of that in my mind. But I always try 356 00:16:47,360 --> 00:16:50,000 Speaker 1: to like take from personal experiences or try to imagine 357 00:16:50,000 --> 00:16:51,720 Speaker 1: what it would be like if I was going through that. 358 00:16:52,040 --> 00:16:54,000 Speaker 1: You wrote you wrote this with the guy name Adam Wheeler. 359 00:16:54,360 --> 00:16:56,640 Speaker 1: So you guys hop in a room together, and how 360 00:16:56,680 --> 00:17:00,480 Speaker 1: does that work with you? You go, Hey, I got 361 00:17:00,520 --> 00:17:02,720 Speaker 1: this idea, I'm probably gonna break up with the dude, 362 00:17:03,160 --> 00:17:06,399 Speaker 1: Like how does that work? I didn't say, Okay, yeah, no, 363 00:17:06,640 --> 00:17:10,160 Speaker 1: it was. I had written a lot with him around 364 00:17:10,200 --> 00:17:13,560 Speaker 1: that same like time period, so we knew what was 365 00:17:13,600 --> 00:17:16,640 Speaker 1: going on in each other's lives and and he knew 366 00:17:16,680 --> 00:17:19,240 Speaker 1: that things were like a little bit rocky in my relationship, 367 00:17:19,280 --> 00:17:21,880 Speaker 1: and he had talked about some of his past relationships, 368 00:17:21,880 --> 00:17:23,720 Speaker 1: and we really just kind of dove into it. And 369 00:17:24,160 --> 00:17:26,600 Speaker 1: the song. It's weird because the song isn't really about 370 00:17:27,640 --> 00:17:30,720 Speaker 1: like a breakup. It's about that time period right after 371 00:17:30,920 --> 00:17:32,159 Speaker 1: you break up where you don't know if you're going 372 00:17:32,200 --> 00:17:34,119 Speaker 1: to end up getting back together or if you're just 373 00:17:34,160 --> 00:17:36,159 Speaker 1: going to actually stay broken up. Because I feel like 374 00:17:36,160 --> 00:17:38,359 Speaker 1: there's a little bit of hope during that time where 375 00:17:38,359 --> 00:17:40,640 Speaker 1: you still love that person and you still think maybe 376 00:17:40,800 --> 00:17:43,399 Speaker 1: you know, something might work out, but then you know 377 00:17:43,520 --> 00:17:45,720 Speaker 1: eventually you have to deal with the fact that, okay, 378 00:17:45,800 --> 00:17:47,879 Speaker 1: maybe it really is over. Let's talk about that for 379 00:17:47,880 --> 00:17:50,600 Speaker 1: a second away from music. Like most times, let's still 380 00:17:50,600 --> 00:17:54,399 Speaker 1: a little public service announcement. It doesn't work out. If 381 00:17:54,440 --> 00:17:57,280 Speaker 1: you're gonna break up, it doesn't work. I'll tell you 382 00:17:57,320 --> 00:17:59,280 Speaker 1: from my experience, you feel like you know I might 383 00:17:59,320 --> 00:18:02,000 Speaker 1: work out, Let's get another try. But I'm gonna say 384 00:18:02,080 --> 00:18:06,800 Speaker 1: probably of the time if you break up and you're like, m, 385 00:18:07,160 --> 00:18:08,840 Speaker 1: maybe we should give it a try, because it could 386 00:18:09,520 --> 00:18:11,919 Speaker 1: it's not going yeah, because I think once you break up, 387 00:18:11,960 --> 00:18:14,760 Speaker 1: you think that those those things will maybe like work 388 00:18:14,800 --> 00:18:16,880 Speaker 1: themselves out, and then when you get back together it'll 389 00:18:16,920 --> 00:18:18,640 Speaker 1: just be like a fresh start. But it's not. There's 390 00:18:18,680 --> 00:18:21,480 Speaker 1: still like all of those things that you all of 391 00:18:21,480 --> 00:18:23,439 Speaker 1: those issues I guess that you had before you know 392 00:18:23,480 --> 00:18:25,840 Speaker 1: what you should do. This is maybe a lesson for 393 00:18:25,840 --> 00:18:27,760 Speaker 1: you, you you little bit younger than I am, or anyone 394 00:18:27,920 --> 00:18:30,560 Speaker 1: watching this or listening to this, if you're struggling in 395 00:18:30,560 --> 00:18:34,800 Speaker 1: your relationship and you don't know really what to do 396 00:18:34,960 --> 00:18:38,200 Speaker 1: to make it work. Have a baby. Oh my gosh, 397 00:18:38,359 --> 00:18:41,800 Speaker 1: when you say that's a go, I just have a baby, 398 00:18:42,440 --> 00:18:46,080 Speaker 1: then you're stuck and you have to make it work. Problem. Yeah, 399 00:18:46,119 --> 00:18:48,240 Speaker 1: I would say, yeah, fixes fixes all the problems. You 400 00:18:48,280 --> 00:18:52,520 Speaker 1: don't agree with that, Um, why don't we do somebody 401 00:18:52,560 --> 00:18:56,159 Speaker 1: like that? Which is this is the single? Now it is? Okay? 402 00:18:56,280 --> 00:19:15,840 Speaker 1: Here is somebody like that? All right? Well? I wrote 403 00:19:15,840 --> 00:19:19,080 Speaker 1: this one after writing a ton of breakup songs. I 404 00:19:19,160 --> 00:19:22,280 Speaker 1: was like, I'm done, Like I'm done writing these breakup songs. 405 00:19:23,080 --> 00:19:25,439 Speaker 1: I want to start looking for somebody again. I want to, 406 00:19:25,480 --> 00:19:27,960 Speaker 1: you know, start putting myself out there. So I got 407 00:19:27,960 --> 00:19:30,200 Speaker 1: in the writing room with Alex Klein and Allison Belts, 408 00:19:30,720 --> 00:19:34,399 Speaker 1: and we were just kind of reflecting on relationships that 409 00:19:34,440 --> 00:19:37,800 Speaker 1: we had seen go really well, like looking at our parents, 410 00:19:37,840 --> 00:19:40,680 Speaker 1: looking at our grandparents, you know, just kind of those 411 00:19:40,680 --> 00:19:43,439 Speaker 1: relationships that we idolized as kids and looked up to. 412 00:19:44,160 --> 00:19:47,320 Speaker 1: And you know, I have a lot of great relationships 413 00:19:47,320 --> 00:19:49,439 Speaker 1: in my life, and and I feel like we just 414 00:19:49,520 --> 00:19:52,960 Speaker 1: looked back on, you know, maybe love that we had 415 00:19:53,359 --> 00:19:56,359 Speaker 1: or love that went really well, love that went bad, 416 00:19:56,600 --> 00:20:00,600 Speaker 1: and just kind of looking for the right kind of 417 00:20:00,600 --> 00:20:03,000 Speaker 1: love this time and not settling until we find it. 418 00:20:03,040 --> 00:20:05,080 Speaker 1: And how long would you write this song? This one 419 00:20:05,080 --> 00:20:07,800 Speaker 1: would have been about six months ago. And did you 420 00:20:07,840 --> 00:20:10,760 Speaker 1: predict the future? Much like you predicted the demise of 421 00:20:10,800 --> 00:20:14,240 Speaker 1: the Bachelor, you'd make this song? And did somebody like 422 00:20:14,320 --> 00:20:18,280 Speaker 1: that come along? Predicted the future? That's what you need 423 00:20:18,280 --> 00:20:21,200 Speaker 1: to do. You need to write more song predicting, predicting 424 00:20:21,240 --> 00:20:24,640 Speaker 1: future songs. Yeah, my therapist says, you gotta like see 425 00:20:24,640 --> 00:20:27,359 Speaker 1: the good stuff to you, But then I do when 426 00:20:27,359 --> 00:20:28,840 Speaker 1: it never happens. So then I started seeing the bad 427 00:20:28,880 --> 00:20:32,840 Speaker 1: stuff again. You have an accent which is interesting, a 428 00:20:32,880 --> 00:20:36,000 Speaker 1: bit of not so much of a Canadian one, a 429 00:20:36,040 --> 00:20:38,440 Speaker 1: little bit. I dated a Canadian girl for a long time, 430 00:20:38,840 --> 00:20:42,359 Speaker 1: so I'm very experienced with the Canadian talk. And your 431 00:20:42,200 --> 00:20:47,439 Speaker 1: your your little hybrid English French a type language. But 432 00:20:47,440 --> 00:20:51,240 Speaker 1: it's a little country accent too. Yeah, So what, like, 433 00:20:51,280 --> 00:20:52,879 Speaker 1: what tell me about like a town you grew up in. 434 00:20:53,480 --> 00:20:56,160 Speaker 1: I grew up in a really small town in Saskatchewan, 435 00:20:56,359 --> 00:21:00,760 Speaker 1: in Canada, and my dad's a wheat farmer, so we 436 00:21:00,840 --> 00:21:02,720 Speaker 1: grew up like in the small town, but then we 437 00:21:02,760 --> 00:21:05,439 Speaker 1: also had the family farm, so I spent a lot 438 00:21:05,440 --> 00:21:08,280 Speaker 1: of time out there. And because a wheat farmer, huh, 439 00:21:08,480 --> 00:21:12,160 Speaker 1: what is that entail day to day? I mean, for 440 00:21:12,280 --> 00:21:15,320 Speaker 1: us being in Canada, there's like a very short sound 441 00:21:15,359 --> 00:21:18,160 Speaker 1: like a week right where it's warm enough anything. Yeah, 442 00:21:18,280 --> 00:21:20,600 Speaker 1: I mean it pretty much starts like end of May June, 443 00:21:20,760 --> 00:21:23,919 Speaker 1: and harvest time is like September October. So is it vacation? 444 00:21:23,960 --> 00:21:25,800 Speaker 1: Is it like snow vacation? They're all the rest of 445 00:21:25,800 --> 00:21:27,679 Speaker 1: the year as a wheat farmer. Well, my dad had 446 00:21:27,720 --> 00:21:31,399 Speaker 1: another job that he worked that whole time as well. Um, 447 00:21:31,440 --> 00:21:33,760 Speaker 1: but yeah, I guess for most people, or they've got 448 00:21:33,800 --> 00:21:37,800 Speaker 1: like cattle or something, but we don't aweat farmer in Canada. 449 00:21:37,960 --> 00:21:40,320 Speaker 1: I didn't think about that. Like when I flow to Toronto, 450 00:21:40,760 --> 00:21:42,600 Speaker 1: Whish by the way, I don't know what's in the 451 00:21:42,600 --> 00:21:44,600 Speaker 1: water up there, but you guys are way too nice 452 00:21:44,840 --> 00:21:47,639 Speaker 1: and I enjoy it. I enjoy it. But even with 453 00:21:47,640 --> 00:21:49,920 Speaker 1: my ex girlfriends, she's way too nice and now we'll 454 00:21:49,960 --> 00:21:52,480 Speaker 1: be like, why are you being so nice to me 455 00:21:52,520 --> 00:21:53,840 Speaker 1: all the time. But it was just a natural. It 456 00:21:53,880 --> 00:21:55,840 Speaker 1: was just like in you guys blood. And I didn't 457 00:21:55,840 --> 00:21:58,680 Speaker 1: really realize that until I went to Toronto and people 458 00:21:58,720 --> 00:22:00,359 Speaker 1: would just like stop on the road to talk to me. 459 00:22:00,440 --> 00:22:02,879 Speaker 1: And this is Toronto to which is very metropolitan by 460 00:22:02,880 --> 00:22:04,600 Speaker 1: the way, it really close to New York, and you 461 00:22:04,640 --> 00:22:06,960 Speaker 1: would think would be a little different than than you know, 462 00:22:06,960 --> 00:22:10,199 Speaker 1: Saskatchewan or um Vancouver or a lot of these other 463 00:22:10,200 --> 00:22:13,040 Speaker 1: places that I was failing with. But people were just like, hey, sir, 464 00:22:13,160 --> 00:22:15,280 Speaker 1: and I'll be like, what's up? Would you like a dollar? 465 00:22:15,480 --> 00:22:18,080 Speaker 1: Not asking for the homeless, people were offering me money 466 00:22:18,080 --> 00:22:20,399 Speaker 1: in Canada. It was so different than here and the 467 00:22:20,440 --> 00:22:22,119 Speaker 1: States were like, gonna get a dollar? They were like, 468 00:22:22,160 --> 00:22:23,480 Speaker 1: so I don't how much? But why don't you have 469 00:22:23,520 --> 00:22:27,880 Speaker 1: my last dollar? Canadians are nuts, man, It's awesome. So um, 470 00:22:27,880 --> 00:22:31,400 Speaker 1: it was my point with all that might really yeah, 471 00:22:31,520 --> 00:22:33,399 Speaker 1: I feel like I was onto something there, but so 472 00:22:33,520 --> 00:22:36,080 Speaker 1: your dad. But all my point is I was flying 473 00:22:36,119 --> 00:22:39,199 Speaker 1: in and I would see golf courses in Canada and 474 00:22:39,240 --> 00:22:42,000 Speaker 1: I was like, what week do you get to play 475 00:22:42,040 --> 00:22:46,560 Speaker 1: golf here? It's so cold all the time. And so 476 00:22:46,600 --> 00:22:49,440 Speaker 1: you're do you have tractors? Yeah? Okay? And how big 477 00:22:49,520 --> 00:22:52,679 Speaker 1: was his wheat farm? Um? People always ask me this 478 00:22:52,720 --> 00:22:55,359 Speaker 1: and I always forget to ask him how big it is. 479 00:22:55,440 --> 00:22:57,159 Speaker 1: But I mean, we've got a lot of land. Do 480 00:22:57,200 --> 00:22:59,119 Speaker 1: we need to call your dad and ask me to 481 00:22:59,359 --> 00:23:01,520 Speaker 1: because we have a phone connected right there, we can 482 00:23:01,560 --> 00:23:03,879 Speaker 1: call your dad. We want to get your dad on 483 00:23:03,920 --> 00:23:07,920 Speaker 1: the phone. I'll call him, Okay to Neil, don't press me. Hey, Mike, 484 00:23:07,960 --> 00:23:10,520 Speaker 1: can you call her dad? Okay, We're gonna call her 485 00:23:10,560 --> 00:23:12,359 Speaker 1: dad and see if he'll even just answer the phone. 486 00:23:12,600 --> 00:23:14,879 Speaker 1: All right? Does he what's he doing? Is he? Is he? 487 00:23:15,200 --> 00:23:18,080 Speaker 1: What is today? Today's Yeah, they're trying to harvest right now, 488 00:23:18,119 --> 00:23:20,000 Speaker 1: but it just snows. Can get interrupted by a phone 489 00:23:20,000 --> 00:23:21,919 Speaker 1: call and his daughter has your dad. Ever been an 490 00:23:21,920 --> 00:23:27,320 Speaker 1: interview before? No, okay, it's first. Is it gonna be nervous? Yeah, 491 00:23:27,480 --> 00:23:29,199 Speaker 1: we're gonna plug the phone up something. We have this 492 00:23:29,200 --> 00:23:32,399 Speaker 1: phone here to Neil and so sometimes we'll do phone interviews. 493 00:23:32,400 --> 00:23:34,199 Speaker 1: If people are in Los Angeles, are you freaked out 494 00:23:34,200 --> 00:23:35,960 Speaker 1: about your dad being on Well, I'm just like he 495 00:23:36,000 --> 00:23:37,879 Speaker 1: never answers this phone. So we might go through all 496 00:23:37,880 --> 00:23:40,320 Speaker 1: of this or nothing. That's all right. We didn't say 497 00:23:40,359 --> 00:23:43,440 Speaker 1: we didn't try, right mine and this might this phone 498 00:23:43,520 --> 00:23:46,640 Speaker 1: rings all that I'll be because this is in my house, which, 499 00:23:46,640 --> 00:23:48,040 Speaker 1: by the way, if you're a dog barking and you're 500 00:23:48,040 --> 00:23:50,320 Speaker 1: listening to this is because my have a bulldog puppy 501 00:23:50,560 --> 00:23:52,960 Speaker 1: and I put him away for this interview. But I 502 00:23:52,960 --> 00:23:55,439 Speaker 1: can hear them barking down. Do you hear them barking? No? No, 503 00:23:55,560 --> 00:24:00,800 Speaker 1: he does this some time. Are you so cute? All um? 504 00:24:01,119 --> 00:24:04,720 Speaker 1: And so this this phone. As soon as we bought 505 00:24:04,720 --> 00:24:06,800 Speaker 1: the line to start calling people, it rings. It'll be 506 00:24:06,840 --> 00:24:09,800 Speaker 1: one o'clock in the morning. Oh is it just like random? 507 00:24:09,880 --> 00:24:12,160 Speaker 1: It's like people trying to sell me stuff. I thought 508 00:24:12,200 --> 00:24:13,920 Speaker 1: it'd be like Janet Kramer, who we call on it. 509 00:24:14,200 --> 00:24:16,160 Speaker 1: They're like, what up? No, it's it's some people trying 510 00:24:16,160 --> 00:24:19,480 Speaker 1: to sell me stuff. All right, you wanted to show 511 00:24:19,520 --> 00:24:22,720 Speaker 1: you the number off the camera? All right, let's see, 512 00:24:23,440 --> 00:24:25,719 Speaker 1: by the way, everyone listening right now as we as 513 00:24:25,760 --> 00:24:29,200 Speaker 1: we look at this followed to Neil on Instagram. T 514 00:24:29,400 --> 00:24:32,760 Speaker 1: E n I L L E Arts to Neil Arts. 515 00:24:32,800 --> 00:24:35,160 Speaker 1: That is her name? There? Do we have a dinaltone, Mike? 516 00:24:35,280 --> 00:24:38,000 Speaker 1: We do? All right, let's see if we and what 517 00:24:38,160 --> 00:24:43,160 Speaker 1: is his name? Well, Kevin, know that an unnamed Nashville 518 00:24:43,400 --> 00:24:48,240 Speaker 1: phone number is probably specific to you, maybe, okay, because 519 00:24:48,680 --> 00:24:50,200 Speaker 1: I never would answer a call if I didn't know 520 00:24:50,200 --> 00:24:53,600 Speaker 1: who was ever. Yeah, I mean, well, he's just like 521 00:24:53,760 --> 00:24:56,120 Speaker 1: he'll leave his phone. Does he have any idea who 522 00:24:56,119 --> 00:24:57,960 Speaker 1: Bobby Bones is at all? I just I was just 523 00:24:58,000 --> 00:24:59,880 Speaker 1: talking to him last night. I was like, I'm doing 524 00:24:59,880 --> 00:25:05,680 Speaker 1: the this show. Okay, I don't hear anything, but you 525 00:25:05,720 --> 00:25:10,760 Speaker 1: have reached Okay, text him and say, hey, we're trying 526 00:25:10,800 --> 00:25:12,920 Speaker 1: to call you. Can you answer the call? Here? Okay? 527 00:25:13,359 --> 00:25:15,240 Speaker 1: All right? Um, let me read you a little b 528 00:25:15,240 --> 00:25:18,000 Speaker 1: about Tanil lest she does this here. Let's see she 529 00:25:18,080 --> 00:25:21,280 Speaker 1: won five of the Saskatchewan Country Music Association Awards for 530 00:25:21,320 --> 00:25:23,720 Speaker 1: all which you were nominated. Okay, might you still have 531 00:25:23,720 --> 00:25:26,040 Speaker 1: his number? I don't. Okay, he needs a phone again. 532 00:25:27,560 --> 00:25:30,359 Speaker 1: What we're doing is really hacking your phone. What's the 533 00:25:30,400 --> 00:25:33,639 Speaker 1: trick we do with everyone? So maybe he'll see that. 534 00:25:33,680 --> 00:25:35,439 Speaker 1: All Right, we're gonna keep going, Mike. I guess we 535 00:25:35,480 --> 00:25:37,719 Speaker 1: have to hear it. Huh Yeah, Okay, that's all right, 536 00:25:37,720 --> 00:25:40,199 Speaker 1: We're good. So tell me you're on Revival Records. How 537 00:25:40,200 --> 00:25:42,520 Speaker 1: long you've been? How'd you get that? That deal about 538 00:25:42,520 --> 00:25:45,399 Speaker 1: a year and a half ago, and so how did 539 00:25:45,400 --> 00:25:47,959 Speaker 1: they get onto you to sign you? It was actually 540 00:25:47,960 --> 00:25:49,840 Speaker 1: it had a lot to do with The Bachelor. I 541 00:25:49,920 --> 00:25:53,920 Speaker 1: performed on the first time I've performed it was, yeah, 542 00:25:53,960 --> 00:25:57,119 Speaker 1: completely without a label, And we were having like a 543 00:25:57,200 --> 00:26:00,479 Speaker 1: viewing party for the episode here in Nashville, and we 544 00:26:00,560 --> 00:26:04,000 Speaker 1: had Gator from Revivor Records come out to the show 545 00:26:04,040 --> 00:26:07,160 Speaker 1: because I played like a little set before the episode aired, 546 00:26:07,600 --> 00:26:10,520 Speaker 1: and it was pretty instant, like I met with him 547 00:26:10,560 --> 00:26:12,159 Speaker 1: and the whole team, and I was just like, this 548 00:26:12,200 --> 00:26:14,879 Speaker 1: feels like a perfect place for me. Well good for you? 549 00:26:15,040 --> 00:26:17,479 Speaker 1: Yeah wow. And so then you become a millionaire soon 550 00:26:17,520 --> 00:26:19,600 Speaker 1: as you get signed. Yeah, of course that's that's that's 551 00:26:19,600 --> 00:26:22,239 Speaker 1: how it works, right, And you're just loaded yeah, Mike, 552 00:26:22,320 --> 00:26:24,080 Speaker 1: if we don't get him this time, we'll just give 553 00:26:24,119 --> 00:26:27,359 Speaker 1: it a rest for a bit. Ye, okay, that's all right. 554 00:26:27,359 --> 00:26:30,680 Speaker 1: We're still gonnaet him. He's gonna text. He may be listen. 555 00:26:30,720 --> 00:26:33,680 Speaker 1: Well he listened to this. Yeah, oh yeah, he he 556 00:26:33,880 --> 00:26:36,120 Speaker 1: loves to listen to it. Like I'll be home and 557 00:26:36,160 --> 00:26:39,320 Speaker 1: I'll hear him watching and listening to my YouTube videos. 558 00:26:39,359 --> 00:26:42,200 Speaker 1: I'm like, Dad, I'm right here, super supportive dad. Yeah. 559 00:26:42,280 --> 00:26:44,639 Speaker 1: So what about your mom? They still together? Yeah? Okay, 560 00:26:44,680 --> 00:26:47,800 Speaker 1: and what does she do? She used to work as 561 00:26:47,800 --> 00:26:50,080 Speaker 1: a lab tech in the hospital, but she is was 562 00:26:50,119 --> 00:26:51,919 Speaker 1: a stay at home mom. From my entire life, a 563 00:26:52,040 --> 00:26:55,320 Speaker 1: lab tech like needles, Yeah, you know. I had a 564 00:26:55,359 --> 00:26:57,200 Speaker 1: cousin once who was training to be a lab tech 565 00:26:58,040 --> 00:26:59,560 Speaker 1: and she said, hey, I need to borrow you for 566 00:26:59,640 --> 00:27:02,520 Speaker 1: needle practice. And I was like, first of all, it's 567 00:27:02,520 --> 00:27:04,359 Speaker 1: not gonna happen. I don't do needles very well. That 568 00:27:04,440 --> 00:27:05,760 Speaker 1: she was like, I need to do needles in your 569 00:27:05,800 --> 00:27:07,720 Speaker 1: knuckles because apparently they have to learn if they can't 570 00:27:07,720 --> 00:27:09,280 Speaker 1: get it from your arm, they have to draw it 571 00:27:09,280 --> 00:27:12,040 Speaker 1: from your knuckles, and so I don't do I didn't 572 00:27:12,080 --> 00:27:13,639 Speaker 1: let her do it, obviously, but I didn't know you 573 00:27:13,640 --> 00:27:16,159 Speaker 1: could draw needle from knuckles either. Did your mom draw 574 00:27:16,440 --> 00:27:20,000 Speaker 1: from people? She did? Yeah, if you were sick, could 575 00:27:20,000 --> 00:27:24,000 Speaker 1: she help you, like giving you I v S or medicine. 576 00:27:24,119 --> 00:27:25,880 Speaker 1: She never did any of that stuff, but I mean 577 00:27:25,920 --> 00:27:28,920 Speaker 1: she had medical knowledge, so she I mean, she would 578 00:27:28,920 --> 00:27:30,720 Speaker 1: help us out as much as she could. All Right, 579 00:27:30,800 --> 00:27:33,840 Speaker 1: So you moved to the States win four years ago. 580 00:27:34,280 --> 00:27:36,840 Speaker 1: You've only been here four years, so okay, so do 581 00:27:36,880 --> 00:27:39,080 Speaker 1: you do the whole Canada thing first where you're you know, 582 00:27:39,119 --> 00:27:41,399 Speaker 1: you like I'm gonna be a star in Canada? Not really. 583 00:27:41,440 --> 00:27:43,320 Speaker 1: I mean I was a little bit involved in like 584 00:27:43,359 --> 00:27:47,840 Speaker 1: the Canadian country music industry up there, um, and they 585 00:27:47,880 --> 00:27:49,560 Speaker 1: had a really cool program that I was a part 586 00:27:49,640 --> 00:27:51,479 Speaker 1: of that was like the Discovery program where they help 587 00:27:51,560 --> 00:27:54,399 Speaker 1: you out, give you the connections and everything. But I 588 00:27:54,760 --> 00:27:56,639 Speaker 1: always knew that I wanted to be in Nashville. I 589 00:27:56,680 --> 00:27:59,520 Speaker 1: made my first trip. It was it's almost exactly ten 590 00:27:59,600 --> 00:28:02,239 Speaker 1: years ago when I first came here to you know, 591 00:28:02,320 --> 00:28:05,120 Speaker 1: write and get involved in everything. So I always had 592 00:28:05,200 --> 00:28:08,360 Speaker 1: my sight set on Nashville, and so I didn't spend 593 00:28:08,400 --> 00:28:11,359 Speaker 1: a ton of time focusing on on the Canadian scene. 594 00:28:11,480 --> 00:28:13,080 Speaker 1: So what was it for you? That made you go, 595 00:28:13,680 --> 00:28:16,679 Speaker 1: I gotta move down there. I think I had just 596 00:28:16,800 --> 00:28:22,400 Speaker 1: seen so many people. It's just such a community, like Canada, 597 00:28:22,520 --> 00:28:24,640 Speaker 1: so spread out. I wish they had a place that 598 00:28:24,960 --> 00:28:27,600 Speaker 1: everybody could go and write with each other, because there's 599 00:28:27,640 --> 00:28:30,760 Speaker 1: really there's nothing. I mean, everybody's so spread out. So 600 00:28:30,800 --> 00:28:33,600 Speaker 1: I knew that Nashville was just such a community. I 601 00:28:33,680 --> 00:28:36,000 Speaker 1: knew that some of my favorite songwriters, some of my 602 00:28:36,000 --> 00:28:39,080 Speaker 1: favorite artists. That's what they did. They once they could, 603 00:28:39,240 --> 00:28:41,560 Speaker 1: they moved to Nashville and they made their connections and 604 00:28:41,560 --> 00:28:43,760 Speaker 1: they just started building it from the ground up. And 605 00:28:43,840 --> 00:28:46,000 Speaker 1: that's what I wanted to do. So you tell your 606 00:28:46,000 --> 00:28:51,560 Speaker 1: parents what. Well, the first time I actually came down, 607 00:28:51,760 --> 00:28:54,040 Speaker 1: I was fourteen or fifteen, and I had just been 608 00:28:54,040 --> 00:28:57,480 Speaker 1: putting up YouTube videos and stuff and a manager called 609 00:28:57,480 --> 00:29:00,840 Speaker 1: our house and he was like, hey, I want to 610 00:29:00,880 --> 00:29:02,640 Speaker 1: bring you to Nashville and I want to see if 611 00:29:02,880 --> 00:29:04,760 Speaker 1: you know you work well with this girl because he 612 00:29:04,840 --> 00:29:07,000 Speaker 1: was proposing me to be in this duo. So what 613 00:29:07,040 --> 00:29:08,520 Speaker 1: you got justin Bieber a little bit. They see you 614 00:29:08,560 --> 00:29:10,320 Speaker 1: in a little bit as a kid. Someone says you 615 00:29:10,320 --> 00:29:13,080 Speaker 1: on YouTube and says, let's do it that I bet 616 00:29:13,080 --> 00:29:14,760 Speaker 1: that would be creepy to me though, I'll be like, really, 617 00:29:14,760 --> 00:29:17,080 Speaker 1: what's happening here? Yeah? I mean, oh, my dad was 618 00:29:17,120 --> 00:29:19,920 Speaker 1: super skeptical about it. My mom was excited because I 619 00:29:19,960 --> 00:29:23,240 Speaker 1: was excited. But yeah, it was definitely kind of like 620 00:29:23,280 --> 00:29:26,000 Speaker 1: a well, let's just go see what happens. Like let's 621 00:29:26,000 --> 00:29:28,400 Speaker 1: me say about it, but yeah, let's go see what happens. 622 00:29:28,440 --> 00:29:32,120 Speaker 1: And it was so they always knew that that's where 623 00:29:32,120 --> 00:29:34,360 Speaker 1: I wanted to go, so they were supportive of it, 624 00:29:34,440 --> 00:29:36,320 Speaker 1: and when I moved, they were like, oh, yeah, go 625 00:29:36,440 --> 00:29:39,760 Speaker 1: for it. So what happened with that duo? It just 626 00:29:39,800 --> 00:29:43,320 Speaker 1: didn't work out. Our music ideas were so different and 627 00:29:43,640 --> 00:29:45,760 Speaker 1: it was kind of like a Maddie and Tae thing before, 628 00:29:46,160 --> 00:29:48,640 Speaker 1: like pretty much right before Maddie and te So, well, 629 00:29:48,680 --> 00:29:51,560 Speaker 1: who was the girl? Is she around? Um? I think 630 00:29:51,600 --> 00:29:57,720 Speaker 1: she's still say it? You know, she's still in town. 631 00:29:58,440 --> 00:30:00,520 Speaker 1: I don't think so. I think she went to call somewhere. 632 00:30:00,680 --> 00:30:03,240 Speaker 1: Hated each other. Huh. We didn't get along. Oh I 633 00:30:03,280 --> 00:30:05,480 Speaker 1: was just kidding, but yeah, we didn't get along. Oh, 634 00:30:05,760 --> 00:30:07,800 Speaker 1: Mike and I don't get along. Yeah, we just kind 635 00:30:07,800 --> 00:30:10,080 Speaker 1: of sit here and okay, so you come and you go. Okay, Well, 636 00:30:10,120 --> 00:30:11,560 Speaker 1: Nashville where I want to be. So you go back 637 00:30:11,600 --> 00:30:15,000 Speaker 1: home and you finish school. I did. I finished high school, okay, 638 00:30:15,000 --> 00:30:16,719 Speaker 1: and then you go. As soon as I'm done, I'm 639 00:30:16,760 --> 00:30:19,200 Speaker 1: out of here. And so when did you actually pack 640 00:30:19,320 --> 00:30:22,520 Speaker 1: up and moved down? I stayed for just like a 641 00:30:22,560 --> 00:30:24,680 Speaker 1: couple of years, just saving up. I still lived with 642 00:30:24,720 --> 00:30:28,040 Speaker 1: my parents and everything. And yeah, I was twenty one 643 00:30:28,160 --> 00:30:30,160 Speaker 1: when I moved down, the first time I had ever 644 00:30:30,280 --> 00:30:33,680 Speaker 1: lived on my own. Got a one bedroom apartment, the 645 00:30:33,680 --> 00:30:36,480 Speaker 1: whole thing. Who moved with you? Mom? In a What 646 00:30:38,120 --> 00:30:39,480 Speaker 1: tell me the story you get in the U haul? 647 00:30:39,560 --> 00:30:41,840 Speaker 1: Do you get with a trailer? We we did the 648 00:30:41,960 --> 00:30:44,840 Speaker 1: drive twice. The first time we took her car and 649 00:30:44,920 --> 00:30:47,560 Speaker 1: just loaded it up and drove as much as we 650 00:30:47,600 --> 00:30:50,840 Speaker 1: could down just to get moved in. And then I 651 00:30:50,920 --> 00:30:53,040 Speaker 1: ended up driving back again. I can't really remember why 652 00:30:53,080 --> 00:30:55,640 Speaker 1: that happened, but I took I have like a little 653 00:30:55,760 --> 00:31:00,760 Speaker 1: yellow Pontiac G five from when I was like sixteen, 654 00:31:01,200 --> 00:31:03,160 Speaker 1: and we loaded that thing up and I still have 655 00:31:03,240 --> 00:31:04,840 Speaker 1: that car. We drove it all the way down here, 656 00:31:05,320 --> 00:31:07,880 Speaker 1: and my mom stayed for about a week to just 657 00:31:07,920 --> 00:31:09,920 Speaker 1: get me settled, and then she hopped on a plane 658 00:31:09,960 --> 00:31:13,400 Speaker 1: and left me by myself. What's the drive? Full twenty 659 00:31:13,440 --> 00:31:15,920 Speaker 1: five hours of driving and still took us about two days. 660 00:31:16,440 --> 00:31:18,480 Speaker 1: Do you still have that car? Do you still drive 661 00:31:18,480 --> 00:31:22,520 Speaker 1: that car? Like with this millionaire record deal, you should 662 00:31:22,600 --> 00:31:26,000 Speaker 1: have like Mercedes, you know. Talk about that for a second, 663 00:31:26,040 --> 00:31:31,320 Speaker 1: because that is a quite the misconception because you sign 664 00:31:31,400 --> 00:31:34,200 Speaker 1: a record and listen, when I signed my record deal, 665 00:31:34,360 --> 00:31:35,920 Speaker 1: I actually think I went in the hole. I think 666 00:31:35,960 --> 00:31:38,760 Speaker 1: I lost money. And people think when you sign a 667 00:31:38,840 --> 00:31:40,880 Speaker 1: deal that it's just like a whole bunch of money 668 00:31:40,920 --> 00:31:43,880 Speaker 1: given to you. Um you're a bit different than I am. 669 00:31:44,080 --> 00:31:48,160 Speaker 1: You're better tell me what happens when you sign a deal. Well, 670 00:31:48,200 --> 00:31:53,000 Speaker 1: for me, my deal was pretty unique because my publisher, 671 00:31:53,800 --> 00:31:55,560 Speaker 1: um so I had been living off of, you know, 672 00:31:55,600 --> 00:31:58,840 Speaker 1: being a songwriter and signed publishing deal first, sign a 673 00:31:58,840 --> 00:32:02,600 Speaker 1: publishing deal first, and about halfway through that first year, 674 00:32:02,760 --> 00:32:05,680 Speaker 1: my publisher was like, we should record this stuff on you. 675 00:32:05,800 --> 00:32:07,320 Speaker 1: He knew that I wanted to be an artist, and 676 00:32:07,360 --> 00:32:11,000 Speaker 1: so he really started just helping me out with all 677 00:32:11,040 --> 00:32:13,360 Speaker 1: of that stuff, which was really really cool, and I 678 00:32:13,440 --> 00:32:16,920 Speaker 1: ended up signing kind of he created a label, I 679 00:32:16,960 --> 00:32:20,800 Speaker 1: guess for me to release music. And so when I 680 00:32:20,880 --> 00:32:23,400 Speaker 1: ended up signing with Reviver like that all still kind 681 00:32:23,400 --> 00:32:25,920 Speaker 1: of stayed together. So not much really changed for me 682 00:32:26,000 --> 00:32:29,680 Speaker 1: other than having, you know, all of the label and everything. 683 00:32:29,720 --> 00:32:31,440 Speaker 1: But yeah, I know, it's not like you're just like 684 00:32:31,520 --> 00:32:34,280 Speaker 1: handed a bunch of money and like, yeah, you're a 685 00:32:34,320 --> 00:32:37,400 Speaker 1: signed artist now. Mostly they go, we're going to pay 686 00:32:37,440 --> 00:32:40,240 Speaker 1: for you to do things, and even then you got 687 00:32:40,240 --> 00:32:44,160 Speaker 1: to pay us back. Yeah, that's really unless you're a 688 00:32:44,280 --> 00:32:47,080 Speaker 1: major artist switching labels and they're trying to woo you. 689 00:32:48,000 --> 00:32:49,680 Speaker 1: They're going, Okay, we're now going to pay for you 690 00:32:49,680 --> 00:32:51,360 Speaker 1: to make a record, and we're gonna pay for you 691 00:32:51,400 --> 00:32:53,720 Speaker 1: to travel and do what they call radio tour, but 692 00:32:54,240 --> 00:32:56,680 Speaker 1: you will pay us back or we would drop you. 693 00:32:56,720 --> 00:32:59,240 Speaker 1: One of the two things will happen. And so it 694 00:32:59,240 --> 00:33:01,800 Speaker 1: sounds sounds amazing, doesn't it. But it is cool to 695 00:33:01,840 --> 00:33:03,720 Speaker 1: actually get a deal because they're actually supporting you to 696 00:33:03,720 --> 00:33:05,280 Speaker 1: go out and try all this stuff. It is, and 697 00:33:05,320 --> 00:33:07,800 Speaker 1: I mean without that, it would be really really hard 698 00:33:07,840 --> 00:33:10,280 Speaker 1: to to do all of those things. If you didn't 699 00:33:10,320 --> 00:33:13,640 Speaker 1: have that support. Would you put on YouTube? What song? Uh? 700 00:33:13,920 --> 00:33:16,479 Speaker 1: Like the one that I go There's always there's always 701 00:33:16,480 --> 00:33:20,640 Speaker 1: a video. It was fifteen by Taylor Swift and I 702 00:33:20,680 --> 00:33:23,680 Speaker 1: was fifteen singing it. So that's what got me here. 703 00:33:24,160 --> 00:33:26,560 Speaker 1: And when they called, they asked for you, how why 704 00:33:26,560 --> 00:33:28,720 Speaker 1: how do they get your number? That's the whole thing 705 00:33:28,720 --> 00:33:30,440 Speaker 1: that I still have not figured out. I don't know 706 00:33:30,440 --> 00:33:33,320 Speaker 1: how they found me, but I mean I'm glad that 707 00:33:33,360 --> 00:33:35,880 Speaker 1: they did because I learned a lot from it. But um, yeah, 708 00:33:35,920 --> 00:33:38,320 Speaker 1: they literally just were like, hey is to kneel there 709 00:33:38,600 --> 00:33:41,680 Speaker 1: and to answered the phone and talk to them for 710 00:33:41,720 --> 00:33:45,160 Speaker 1: a little while, and yeah, it was weird, grand old 711 00:33:45,160 --> 00:33:49,160 Speaker 1: Loppry debut just happened. Yes, amazing, Oh my gosh. I 712 00:33:49,160 --> 00:33:51,480 Speaker 1: still can't even believe that it happened. Like it was 713 00:33:51,520 --> 00:33:53,880 Speaker 1: just one of those moments where you're like it feels 714 00:33:53,880 --> 00:33:56,560 Speaker 1: like a pad on the back from the country music industry, 715 00:33:56,600 --> 00:33:59,000 Speaker 1: you know, just everybody here being like you deserve to 716 00:33:59,080 --> 00:34:01,520 Speaker 1: be on that stage and make your debut. So I 717 00:34:01,560 --> 00:34:04,880 Speaker 1: think that's what meant so much to me. And I 718 00:34:04,920 --> 00:34:07,120 Speaker 1: had a ton of family and friends, everybody in town 719 00:34:07,160 --> 00:34:09,439 Speaker 1: for it, so it was just a really big deal 720 00:34:09,560 --> 00:34:14,200 Speaker 1: and it made me feel very special. Yeah. So the 721 00:34:14,200 --> 00:34:17,239 Speaker 1: the operate the first time is like a your eyes 722 00:34:17,280 --> 00:34:20,959 Speaker 1: wide open thing. You'll like this second through the ninth 723 00:34:21,040 --> 00:34:22,880 Speaker 1: or tenth time because you actually can take it in. 724 00:34:23,520 --> 00:34:25,279 Speaker 1: There's just a lot of people there. In the first one. 725 00:34:25,680 --> 00:34:27,040 Speaker 1: The first time that I played it, I was like, 726 00:34:27,040 --> 00:34:29,360 Speaker 1: holy crap. And I do comedy a little bit of music, right, 727 00:34:29,400 --> 00:34:30,719 Speaker 1: so it's not definitely not the same, Like you're a 728 00:34:30,800 --> 00:34:35,640 Speaker 1: legitimate artist. I'm a joke, so you it's just so 729 00:34:35,680 --> 00:34:37,680 Speaker 1: many people like oh my goodness, Oh my goodness, that 730 00:34:37,760 --> 00:34:40,040 Speaker 1: it's really hard to take it in. Yeah. I feel 731 00:34:40,040 --> 00:34:41,560 Speaker 1: like that would be what a wedding is like, even 732 00:34:41,920 --> 00:34:44,839 Speaker 1: never married. It's like the build up is like so 733 00:34:44,880 --> 00:34:46,920 Speaker 1: crazy and then it's like over in a second, and 734 00:34:46,960 --> 00:34:50,440 Speaker 1: you're like, oh, it is quick. But I will say, 735 00:34:50,560 --> 00:34:52,640 Speaker 1: I don't know if you're playing it at anytime soon, 736 00:34:53,040 --> 00:34:57,359 Speaker 1: but you you actually enjoy the opera experience from now 737 00:34:57,400 --> 00:35:01,040 Speaker 1: on more. Yeah, yeah, because you can. You. For me, 738 00:35:01,120 --> 00:35:03,439 Speaker 1: I struggle with even seeing anyone in the audience because 739 00:35:03,440 --> 00:35:05,160 Speaker 1: I was just like, oh my god, this is crazy. 740 00:35:05,200 --> 00:35:08,640 Speaker 1: I'm up here playing him in the circle, um, and 741 00:35:08,719 --> 00:35:10,879 Speaker 1: so I really didn't see the people out there. From 742 00:35:11,000 --> 00:35:14,000 Speaker 1: now I walk out there, it's it goes much slower. Yeah, 743 00:35:14,160 --> 00:35:16,200 Speaker 1: that's good. It's you can take it in. You can 744 00:35:16,239 --> 00:35:18,520 Speaker 1: actually breathe and talk in between segments. If you want 745 00:35:18,560 --> 00:35:21,439 Speaker 1: to there's not the pressure of all your family being there. 746 00:35:21,920 --> 00:35:24,360 Speaker 1: Good pressure, but there's still a lot of pressure with 747 00:35:24,360 --> 00:35:27,400 Speaker 1: everybody watching. Yeah, it definitely was like a little bit 748 00:35:27,440 --> 00:35:29,480 Speaker 1: of pressure. But I tried to. When I walked out there, 749 00:35:30,000 --> 00:35:32,200 Speaker 1: I was like, for whatever reason, I wanted to like 750 00:35:32,320 --> 00:35:34,560 Speaker 1: watch my foot step into the circle. So I made 751 00:35:34,600 --> 00:35:37,000 Speaker 1: sure to just like take a moment to like see 752 00:35:37,040 --> 00:35:38,560 Speaker 1: that moment. That's cool. Are you that kind of person? 753 00:35:38,600 --> 00:35:40,880 Speaker 1: Are you take a moment person? Yeah? I try to be, 754 00:35:41,000 --> 00:35:44,359 Speaker 1: especially with those like really big moments, otherwise it just 755 00:35:44,400 --> 00:35:52,480 Speaker 1: gets away from me sometimes. A Top three Big Moments 756 00:35:52,480 --> 00:35:55,120 Speaker 1: in your life. Okay, let's let's let's walk backward on this. 757 00:35:55,360 --> 00:35:57,200 Speaker 1: I know I'm giving you a second on this one. 758 00:35:57,719 --> 00:36:01,080 Speaker 1: You're twenty five years old. Top ree Big Moments of 759 00:36:01,080 --> 00:36:04,359 Speaker 1: your life at number three, at number three, at number 760 00:36:04,360 --> 00:36:06,239 Speaker 1: three in American we go backward to one. It's like 761 00:36:06,280 --> 00:36:08,880 Speaker 1: a big build up. Can I still use the operation 762 00:36:08,920 --> 00:36:13,840 Speaker 1: of course? Yeah? Nothing, Number three, number three, uh, performing 763 00:36:13,880 --> 00:36:19,000 Speaker 1: on The Bachelor? Okay, which one or two too, because 764 00:36:19,080 --> 00:36:21,879 Speaker 1: it was it was just bigger and more people like that. 765 00:36:21,960 --> 00:36:26,000 Speaker 1: So that's number three Life moment, number two Life Momentum 766 00:36:26,239 --> 00:36:30,719 Speaker 1: performing the Canadian national anthem at the NBA Finals recently. Yeah, 767 00:36:31,280 --> 00:36:33,239 Speaker 1: that's pretty cool. It was a big one. It was 768 00:36:33,280 --> 00:36:38,000 Speaker 1: something that literally when I started working with my manager, 769 00:36:38,040 --> 00:36:39,520 Speaker 1: I was like, the one thing I do not want 770 00:36:39,520 --> 00:36:43,640 Speaker 1: to do is sing any anthems. I am terrified. And 771 00:36:43,719 --> 00:36:46,279 Speaker 1: that was when I got the call for that. Obviously, 772 00:36:46,400 --> 00:36:49,520 Speaker 1: I was excited and wanted to take that that opportunity 773 00:36:49,560 --> 00:36:52,120 Speaker 1: and take that risk, but it was the most terrifying 774 00:36:52,160 --> 00:36:55,719 Speaker 1: moment of my entire life so far. Uh, what did 775 00:36:55,719 --> 00:37:00,840 Speaker 1: you sing with any a band or totallyfella? Yeah? So 776 00:37:01,160 --> 00:37:04,120 Speaker 1: was there any sort of echo back on top of you? Yes, 777 00:37:04,320 --> 00:37:08,560 Speaker 1: because that was tough. There was a lot of people 778 00:37:08,960 --> 00:37:12,239 Speaker 1: and just you're kind of trying to keep my note 779 00:37:12,320 --> 00:37:14,600 Speaker 1: in my head walking out to the spot where I'm 780 00:37:14,600 --> 00:37:17,160 Speaker 1: supposed to sing. I was so worried about that. And 781 00:37:17,160 --> 00:37:18,960 Speaker 1: then they have all these rules about like you have 782 00:37:19,040 --> 00:37:21,359 Speaker 1: to take a hard left to like walk off so 783 00:37:21,400 --> 00:37:23,200 Speaker 1: that you don't get hit by the flag that's coming 784 00:37:23,200 --> 00:37:25,319 Speaker 1: out for the American anthem, And there were just so 785 00:37:25,320 --> 00:37:29,359 Speaker 1: many things to think about. So I explain how we're 786 00:37:29,360 --> 00:37:31,360 Speaker 1: gonna get to number one in a second, but explain 787 00:37:31,440 --> 00:37:33,719 Speaker 1: how you're holding your note all the stuffs happening around you? 788 00:37:33,760 --> 00:37:35,719 Speaker 1: What are you doing inside your head? If if you 789 00:37:35,800 --> 00:37:38,319 Speaker 1: watch back any of the clips, I'm literally just like, 790 00:37:38,680 --> 00:37:42,560 Speaker 1: um like singing it in my head constantly. But you 791 00:37:42,640 --> 00:37:44,840 Speaker 1: got it? Yeah. And the thing, well, I don't know 792 00:37:44,840 --> 00:37:47,160 Speaker 1: about the Canadian anthem, but the American anthem, if you 793 00:37:47,200 --> 00:37:49,520 Speaker 1: start a little higher than you're supposed to, you're done. 794 00:37:50,160 --> 00:37:53,560 Speaker 1: Oh yeah, what what's the Canadian anthem like? It's not 795 00:37:54,000 --> 00:37:57,280 Speaker 1: difficult to to sing like. The range isn't as crazy 796 00:37:57,320 --> 00:38:01,359 Speaker 1: as the American anthem. But I think for me, I 797 00:38:01,480 --> 00:38:04,239 Speaker 1: overthink anthems so much. I'll go over the lyrics in 798 00:38:04,280 --> 00:38:08,319 Speaker 1: my head a hundred times. There's almost a no win. No, 799 00:38:08,560 --> 00:38:10,160 Speaker 1: there is a way because it's number two on your list, 800 00:38:10,280 --> 00:38:13,680 Speaker 1: so that's a win. However, in the grand scheme of 801 00:38:13,719 --> 00:38:16,520 Speaker 1: doing the anthem, if you go out and you nail 802 00:38:16,600 --> 00:38:20,040 Speaker 1: the anthem, you were supposed to nail the anthem, life 803 00:38:20,040 --> 00:38:23,279 Speaker 1: just moves on. If you screw up the anthem an 804 00:38:23,280 --> 00:38:26,360 Speaker 1: the anthem life does not move on. People get piste. 805 00:38:27,160 --> 00:38:29,560 Speaker 1: So it's a lot of pressure where if you nail 806 00:38:29,600 --> 00:38:31,879 Speaker 1: it you were supposed to thank you go about your day. 807 00:38:32,000 --> 00:38:34,600 Speaker 1: But if you don't, holy crap, I mean I actually 808 00:38:34,719 --> 00:38:39,319 Speaker 1: ended up getting a lot of criticism. Why because I 809 00:38:39,480 --> 00:38:42,399 Speaker 1: changed it up a little bit. We took it, made 810 00:38:42,400 --> 00:38:46,760 Speaker 1: it your own. It's not American idols nail but okay. 811 00:38:46,960 --> 00:38:49,359 Speaker 1: Like the anthem is like oh Canada, and I went, 812 00:38:49,480 --> 00:38:53,040 Speaker 1: oh Canada. Probably wouldn't have done that for me. I 813 00:38:53,280 --> 00:38:55,080 Speaker 1: just got Robert Gooley and watched him and done that. 814 00:38:56,320 --> 00:39:00,279 Speaker 1: Oh god, that's not me. So I went out there 815 00:39:00,280 --> 00:39:01,879 Speaker 1: and I did it the way that you know Robert 816 00:39:01,920 --> 00:39:05,400 Speaker 1: Goula is. He's I think he's. I think he's Canadian. 817 00:39:05,400 --> 00:39:07,399 Speaker 1: Do you know who he is? I do know he is. Yeah. 818 00:39:07,920 --> 00:39:10,880 Speaker 1: I saw him saying that Canadian WrestleMania once and for 819 00:39:10,920 --> 00:39:12,960 Speaker 1: some reason, he's stuck in my head. You see if 820 00:39:13,040 --> 00:39:15,080 Speaker 1: Robert Gouley is Canadian, because if he's not, I feel 821 00:39:15,080 --> 00:39:17,120 Speaker 1: like I can do. Okay, good for you. That's a 822 00:39:17,200 --> 00:39:21,160 Speaker 1: number two singing the Canadian national anthem at the NBA Finals. 823 00:39:21,560 --> 00:39:24,319 Speaker 1: And who was the game? What was the game? It 824 00:39:24,440 --> 00:39:26,959 Speaker 1: was Toronto and it was the last one Gold State. 825 00:39:27,880 --> 00:39:30,560 Speaker 1: Yeah it wasn't the last, but they were, yeah they were. Yes, 826 00:39:30,680 --> 00:39:33,000 Speaker 1: it was in the finals. It wasn't right. Okay, I 827 00:39:33,040 --> 00:39:35,080 Speaker 1: don't know sports, but yes, that's what happened. Okay, So 828 00:39:35,160 --> 00:39:38,439 Speaker 1: but who won the game? Uh, don't say Golden State 829 00:39:38,440 --> 00:39:40,880 Speaker 1: because if you do, this may be the cursive to 830 00:39:40,960 --> 00:39:44,799 Speaker 1: Neil you don't know, will go to Toronto. Then and 831 00:39:44,840 --> 00:39:46,879 Speaker 1: Kauai had a big game as a whole thing. Yeah 832 00:39:47,239 --> 00:39:51,000 Speaker 1: it's a big yeah. Um Robert he is of Canadian 833 00:39:51,000 --> 00:39:54,560 Speaker 1: descent boom from where well he was born in the US, 834 00:39:55,239 --> 00:40:00,120 Speaker 1: but ancestry is in Canadian Canadians Canadian. Who's the most 835 00:40:00,120 --> 00:40:03,560 Speaker 1: famous person you're growing up in Canada? The most famous 836 00:40:03,560 --> 00:40:07,920 Speaker 1: person to me? Okay, because she was from Canada and 837 00:40:07,960 --> 00:40:10,200 Speaker 1: also massive and probably the most famous to everybody period 838 00:40:10,239 --> 00:40:14,640 Speaker 1: in North America. Okay, so Shania Twain, who anybody else? 839 00:40:14,800 --> 00:40:17,680 Speaker 1: Because we're I'm on the radio and Saskatch one? Is 840 00:40:17,680 --> 00:40:22,239 Speaker 1: that a town or a province? Okay? So dumb, forgive me, 841 00:40:22,680 --> 00:40:25,760 Speaker 1: because here's what happened. I love the people in Canada. 842 00:40:25,880 --> 00:40:28,560 Speaker 1: Can't get enough of them. That being said, I was 843 00:40:28,600 --> 00:40:31,920 Speaker 1: thrown into so many places at once that they're like, 844 00:40:32,239 --> 00:40:33,839 Speaker 1: you're in all that and I'm trying to learn as 845 00:40:33,840 --> 00:40:36,200 Speaker 1: fast as I can. I'm a big Ottawa Senators fan, 846 00:40:36,680 --> 00:40:40,600 Speaker 1: although they suck, so I wear the hat proudly. But 847 00:40:40,680 --> 00:40:44,320 Speaker 1: then may be the worst run hockey organization in the NHL. 848 00:40:44,640 --> 00:40:47,040 Speaker 1: Are you a hockey fan a little bit? Okay? Who's 849 00:40:47,040 --> 00:40:50,480 Speaker 1: your team? Well, I'm I just help on the bandwagon 850 00:40:50,560 --> 00:40:54,640 Speaker 1: of wherever I am. So friends, Oh, you don't have 851 00:40:54,680 --> 00:40:57,040 Speaker 1: like a Canadian team? I don't. You didn't did your 852 00:40:57,120 --> 00:41:00,279 Speaker 1: dad like watch a team? I mean, like wek up 853 00:41:00,320 --> 00:41:03,080 Speaker 1: as a family. My brother played, so I mean the 854 00:41:03,120 --> 00:41:05,200 Speaker 1: most hockey I watched was him playing. And I also 855 00:41:05,280 --> 00:41:09,640 Speaker 1: played for a year, just saying but yeah, um played hockey. 856 00:41:09,719 --> 00:41:13,960 Speaker 1: Yet you don't have like a team that you watched. Okay, 857 00:41:14,000 --> 00:41:16,560 Speaker 1: so you're a Pretts fan. Yeah, I like to actually 858 00:41:16,640 --> 00:41:19,440 Speaker 1: go to games. Watching sports on TV just does nothing 859 00:41:19,480 --> 00:41:22,680 Speaker 1: for me. And you played hockey? Also a dancer? Yeah, 860 00:41:23,640 --> 00:41:25,560 Speaker 1: and you answered that confidently. So you're a good dancer. 861 00:41:25,880 --> 00:41:29,880 Speaker 1: I mean I was competitive, especially with like tap dancing. 862 00:41:29,920 --> 00:41:32,640 Speaker 1: That was kind of my thing. Um, but my little 863 00:41:32,640 --> 00:41:36,799 Speaker 1: sister is amazing, and so I once I decided that 864 00:41:36,840 --> 00:41:39,080 Speaker 1: I wasn't going to be a dancer, she really she 865 00:41:39,160 --> 00:41:41,959 Speaker 1: like ran with it. She loves dancing and she still 866 00:41:42,000 --> 00:41:44,080 Speaker 1: does that to this day. How many years did you dance? 867 00:41:44,840 --> 00:41:47,600 Speaker 1: From the time I was like three to eighteen? Oh? 868 00:41:47,640 --> 00:41:50,719 Speaker 1: A long time, did you have Winny championships? I well, 869 00:41:50,760 --> 00:41:55,120 Speaker 1: like I went to competitions all around, um, like the provinces, 870 00:41:55,160 --> 00:41:59,600 Speaker 1: boarding mine and a few in the States, trophies on 871 00:41:59,719 --> 00:42:02,440 Speaker 1: some crap because I want a trophy dance and I 872 00:42:02,560 --> 00:42:04,600 Speaker 1: like to brag about it a little bit. I danced 873 00:42:04,600 --> 00:42:08,279 Speaker 1: for four months and well, yeah, there you go. That's right, 874 00:42:08,280 --> 00:42:10,920 Speaker 1: And that's a pretty big trophy. That's right. That's right. 875 00:42:11,000 --> 00:42:13,120 Speaker 1: So I probably imagine if I dance for fifteen years, 876 00:42:13,120 --> 00:42:17,080 Speaker 1: all the trophies I would have. Um, Okay, so you're 877 00:42:17,120 --> 00:42:19,759 Speaker 1: in Canada. You moved to the States. You've been here 878 00:42:19,800 --> 00:42:23,840 Speaker 1: for as of today, like four years. That's it. Huh, 879 00:42:24,760 --> 00:42:28,319 Speaker 1: Well you're just a baby and yeah, actual terms, and 880 00:42:28,320 --> 00:42:30,120 Speaker 1: you have a record deal and you've got music that's already. 881 00:42:30,120 --> 00:42:32,040 Speaker 1: That's good for you. Thank you. Kind of popping a 882 00:42:32,080 --> 00:42:34,239 Speaker 1: little bit. Well, I just decided. I was like, if 883 00:42:34,239 --> 00:42:36,759 Speaker 1: I'm gonna be away from everybody, because like I moved 884 00:42:36,800 --> 00:42:39,560 Speaker 1: here not knowing anybody, my entire families back in Canada. 885 00:42:39,840 --> 00:42:41,239 Speaker 1: I was like, if I'm gonna move here, I'm gonna 886 00:42:41,239 --> 00:42:42,719 Speaker 1: put my head down to make sure that this time 887 00:42:42,840 --> 00:42:45,600 Speaker 1: is worth it, and my time away from my family 888 00:42:45,680 --> 00:42:48,720 Speaker 1: and my grandparents, everything I needed to make it feel 889 00:42:48,719 --> 00:42:52,239 Speaker 1: like it was worthwhile. Is it frustrating to not find 890 00:42:52,239 --> 00:42:55,400 Speaker 1: a key chain with your name on it? Yes? Because 891 00:42:55,440 --> 00:42:57,560 Speaker 1: I don't know. I never met it to Neil until 892 00:42:57,600 --> 00:43:00,960 Speaker 1: I met the other one, and I was like huh, 893 00:43:01,080 --> 00:43:02,920 Speaker 1: And then I heard and I was like, there's another. 894 00:43:03,400 --> 00:43:06,239 Speaker 1: So Tannil Towns is a friend and she opened for 895 00:43:06,320 --> 00:43:07,520 Speaker 1: me for a lot of tour, for a lot of 896 00:43:07,520 --> 00:43:10,400 Speaker 1: my comedy tour last year. And then I was like, 897 00:43:10,480 --> 00:43:11,719 Speaker 1: they were like Tanil Arts and I was like, no, 898 00:43:11,800 --> 00:43:14,960 Speaker 1: you're saying it wrong. It's aid Town, not Art. And 899 00:43:14,960 --> 00:43:17,359 Speaker 1: they're like, no, there's another Tanil And I was like, well, 900 00:43:17,360 --> 00:43:18,840 Speaker 1: how about that. That's kind of weird. What does she 901 00:43:19,239 --> 00:43:23,000 Speaker 1: you know? What were she from in Canada too? Same age? 902 00:43:23,560 --> 00:43:28,440 Speaker 1: That's confusing? Isn't that crazy? Did you guys know each other? Oh? 903 00:43:28,480 --> 00:43:31,400 Speaker 1: You did from like a tenail chat room where you 904 00:43:31,400 --> 00:43:33,800 Speaker 1: guys everbody tail would get in to talk with each other. Actually, 905 00:43:33,800 --> 00:43:35,799 Speaker 1: the first time I met her, she had one of 906 00:43:35,840 --> 00:43:38,840 Speaker 1: her good friends with her and her name was also Tanil, 907 00:43:38,920 --> 00:43:41,080 Speaker 1: So what's what's happening? Is there something Canada where they 908 00:43:41,120 --> 00:43:44,040 Speaker 1: name him after captain? And Tanil is a big big thing. 909 00:43:44,320 --> 00:43:47,239 Speaker 1: Mike is Tanil Canadian from Captain Intanil. I don't know 910 00:43:47,239 --> 00:43:49,319 Speaker 1: who you looked at up. I know that she was 911 00:43:49,360 --> 00:43:52,880 Speaker 1: born in like Montgomery, Alabama or something, Tony. So you 912 00:43:52,880 --> 00:43:55,320 Speaker 1: know this already because I thought that was weird because 913 00:43:55,360 --> 00:43:58,759 Speaker 1: I grew up on Montgomery Crescent. She was from Montgomery, Alabama. 914 00:43:59,080 --> 00:44:01,520 Speaker 1: Does that have any thing to do with your name? Well, 915 00:44:01,520 --> 00:44:06,479 Speaker 1: my parents named me after after they loved the name. 916 00:44:06,560 --> 00:44:08,720 Speaker 1: But they also gave me two middle names just in case. 917 00:44:09,760 --> 00:44:14,080 Speaker 1: Captain into what sings songs like muskrat Love. I don't 918 00:44:14,080 --> 00:44:15,879 Speaker 1: know how I know that. Did Kevin hit his back 919 00:44:15,920 --> 00:44:20,480 Speaker 1: on the on the text? Not yet? They're apparently they're 920 00:44:20,480 --> 00:44:25,360 Speaker 1: not Canadian. Um. Okay, so let's do we do this 921 00:44:25,440 --> 00:44:29,879 Speaker 1: sometimes your mount Rushmore of artists. Okay, you get four, 922 00:44:30,239 --> 00:44:33,080 Speaker 1: however I allow five because everyone always goes, let me 923 00:44:33,080 --> 00:44:35,120 Speaker 1: add one more. I'm gonna give you five, but you 924 00:44:35,200 --> 00:44:37,879 Speaker 1: can't go let me add one more. We're already doing 925 00:44:37,880 --> 00:44:42,040 Speaker 1: that plus one. So okay, five artists on your mount Rushmore. 926 00:44:42,360 --> 00:44:45,520 Speaker 1: Who is your first artist are? It doesn't matter genre, 927 00:44:45,600 --> 00:44:47,759 Speaker 1: it can be any genre. First artist like this is 928 00:44:47,760 --> 00:44:51,920 Speaker 1: no order? Well, okay, you don't have to rank them, 929 00:44:51,960 --> 00:44:53,799 Speaker 1: but you can if you want. Are you saying right now? 930 00:44:53,880 --> 00:44:56,719 Speaker 1: No order? No order, because they'll probably come to me 931 00:44:56,840 --> 00:45:00,480 Speaker 1: as as we do this. Um well, I grew up 932 00:45:00,520 --> 00:45:03,560 Speaker 1: listening to Paul Simon, so I'm a huge fan of 933 00:45:03,640 --> 00:45:07,400 Speaker 1: his songwriting and everything. Um yeah, the whole record, the 934 00:45:07,440 --> 00:45:14,560 Speaker 1: whole record. Okay, go ahead. Um oh man, this is 935 00:45:14,600 --> 00:45:19,200 Speaker 1: already hard and I'm only one person in. Um, Shania 936 00:45:19,239 --> 00:45:23,239 Speaker 1: Twain has to be in there. Ah, I know I'm 937 00:45:23,239 --> 00:45:25,239 Speaker 1: going to do this and forget somebody and be really sad. 938 00:45:26,000 --> 00:45:37,680 Speaker 1: Um Keith Urban, Kelly Clarkson, And you got one here 939 00:45:37,719 --> 00:45:39,919 Speaker 1: that counts. It's not a bonus that you get five. 940 00:45:40,680 --> 00:45:42,960 Speaker 1: So so far, while you're thinking, we have Paul Simon, 941 00:45:43,000 --> 00:45:49,520 Speaker 1: Shania Twain, Keith Urban, Kelly Clarkson, Oh my gosh, can 942 00:45:49,560 --> 00:45:54,200 Speaker 1: I call a friend? Um, I don't know. That's a 943 00:45:54,239 --> 00:45:56,680 Speaker 1: hard one. There's so many good artists like I feel like, 944 00:45:56,800 --> 00:45:59,279 Speaker 1: but if you pick nobody, then you get nothing. Yeah, 945 00:45:59,400 --> 00:46:01,360 Speaker 1: you're not bound into this contractually, you know. If you 946 00:46:01,480 --> 00:46:03,600 Speaker 1: leave this house and decide, you can just see me 947 00:46:03,800 --> 00:46:07,200 Speaker 1: overthinking everything right now. I'm like, wait, do I okay, 948 00:46:07,320 --> 00:46:09,600 Speaker 1: pull up a playlist on your phone? What do you spotify? 949 00:46:09,600 --> 00:46:12,680 Speaker 1: Apple Music, whatever you have, pull it up, Okay and 950 00:46:12,800 --> 00:46:19,319 Speaker 1: we will. Let's look at the last song. Great, yes, 951 00:46:19,520 --> 00:46:21,920 Speaker 1: love it? Okay, no, no, no, Let's look at the playlist. Well, 952 00:46:21,960 --> 00:46:24,040 Speaker 1: I don't really have playlists. You'll have like liked songs 953 00:46:24,120 --> 00:46:26,359 Speaker 1: like the last songs you liked. I don't do that. 954 00:46:26,719 --> 00:46:28,640 Speaker 1: Let me see your let's see your playlist here, Like 955 00:46:28,719 --> 00:46:30,760 Speaker 1: I'm kind of all over the place. Well you should 956 00:46:30,760 --> 00:46:33,560 Speaker 1: be musically, But how do you find stuff? You chase albums? 957 00:46:33,800 --> 00:46:36,040 Speaker 1: I just like I look up the album like this 958 00:46:36,080 --> 00:46:39,440 Speaker 1: is my You have the last songs you played? Yours? 959 00:46:39,880 --> 00:46:41,879 Speaker 1: Yours was warming up in the car on the way here. 960 00:46:41,960 --> 00:46:44,920 Speaker 1: Your song, which is interesting. You brought a guitar. We've 961 00:46:44,960 --> 00:46:47,000 Speaker 1: never had anyone bring a guitar. You never know when 962 00:46:47,000 --> 00:46:48,520 Speaker 1: you're going to need to break out in a song. 963 00:46:48,640 --> 00:46:51,200 Speaker 1: That's true. So to your last song is I hate this? 964 00:46:51,239 --> 00:46:52,840 Speaker 1: Do you have a list of stuff you played recently? 965 00:46:52,840 --> 00:46:55,000 Speaker 1: I don't know how to get library I got you. 966 00:46:55,120 --> 00:46:58,799 Speaker 1: Technology is hard for me. Check it out a lot 967 00:46:58,840 --> 00:47:03,920 Speaker 1: of chumba wamba. You're a big fan and I'm just kidding. Um, 968 00:47:04,080 --> 00:47:08,960 Speaker 1: Carrie Underwood, Casey must Graves, who's Paul Sykes? Uh, he's 969 00:47:08,960 --> 00:47:11,080 Speaker 1: a friend of mine. He used to play guitar for me. 970 00:47:11,120 --> 00:47:13,360 Speaker 1: Shout out, Paul Sykes, I'm really going through your stuff. 971 00:47:13,360 --> 00:47:16,120 Speaker 1: This is this is some stuff here. Um, you have 972 00:47:16,160 --> 00:47:19,360 Speaker 1: a lot of some artists named tennil arts a lot. Wow, 973 00:47:19,760 --> 00:47:22,600 Speaker 1: are you in the fan club? Who's Twin Kennedy? They're 974 00:47:22,600 --> 00:47:24,960 Speaker 1: also friends of mine. Okay, so we get a lot 975 00:47:25,000 --> 00:47:26,839 Speaker 1: of shout outs here, and that's all you have, all 976 00:47:26,840 --> 00:47:29,520 Speaker 1: your songs, you listen to yourself and your friends. I 977 00:47:29,600 --> 00:47:33,279 Speaker 1: like that. Well, I gotta download my own stuff and 978 00:47:33,320 --> 00:47:35,440 Speaker 1: make sure that like nothing's wrong with it, you know, 979 00:47:35,560 --> 00:47:38,960 Speaker 1: when it goes out there? All right? Um, well, why 980 00:47:38,960 --> 00:47:41,120 Speaker 1: don't we let's let's I'm not gonna ask you like 981 00:47:41,120 --> 00:47:42,719 Speaker 1: really sing or anything, but let's grab this guitar, Mike. 982 00:47:42,800 --> 00:47:44,319 Speaker 1: Let's see what's happened over here. If we get Kevin 983 00:47:44,360 --> 00:47:46,640 Speaker 1: to call us back. Kevin's big time and it's right now. 984 00:47:48,120 --> 00:47:49,920 Speaker 1: Do you know, Let's play a game while he's doing that. 985 00:47:51,800 --> 00:47:54,319 Speaker 1: Canadian or not Canadian? Are you ready? I'll give you. 986 00:47:55,920 --> 00:47:57,279 Speaker 1: I'll give you a celeb. You tell me if they're 987 00:47:57,280 --> 00:48:02,320 Speaker 1: Canadian or not. Jake Jillen Hall not okay? Correct? Ryan 988 00:48:02,360 --> 00:48:08,880 Speaker 1: Reynolds Canadian? Right, Hayley Bieber not correct. James Franco not 989 00:48:09,239 --> 00:48:16,279 Speaker 1: Ryan Gosling Canadian? Yeah, Ann Hathaway not not. Does the 990 00:48:16,280 --> 00:48:18,359 Speaker 1: Canadians have dominate any interview you ever? Do? Are? They 991 00:48:18,360 --> 00:48:21,799 Speaker 1: always tell me about Canada a little bit? But yeah? 992 00:48:21,960 --> 00:48:24,480 Speaker 1: What about the double to Neils? Does it happen a lot? 993 00:48:26,239 --> 00:48:27,520 Speaker 1: Do you ever think if it doesn't work, you too 994 00:48:27,560 --> 00:48:31,759 Speaker 1: can form a group maybe and just be called Taniel too. Okay, 995 00:48:31,800 --> 00:48:33,440 Speaker 1: this what kind of guitar we have here? This is 996 00:48:33,440 --> 00:48:36,560 Speaker 1: a PRS acoustic. So what we're gonna do here? Because 997 00:48:36,560 --> 00:48:38,120 Speaker 1: we're gonna play very light? I have we never done 998 00:48:38,120 --> 00:48:39,879 Speaker 1: this before. So let's see what it sounds like. Well, 999 00:48:39,960 --> 00:48:42,440 Speaker 1: let me make sure. I like to go no tuning. 1000 00:48:43,320 --> 00:48:45,120 Speaker 1: We like to go out of tune. It's kind of 1001 00:48:45,120 --> 00:48:54,200 Speaker 1: our style here on the show. Okay, Mike, you wanna 1002 00:48:54,200 --> 00:48:56,359 Speaker 1: see how this sounds. You have to check it out. Okay, Um, 1003 00:48:56,400 --> 00:48:57,600 Speaker 1: you want her to back away from Mike just a 1004 00:48:57,640 --> 00:49:00,160 Speaker 1: little bit, maybe just a little bit. Okay, it's the 1005 00:49:00,160 --> 00:49:02,080 Speaker 1: opposite what we just did. We have and now we're 1006 00:49:02,080 --> 00:49:03,880 Speaker 1: gonna have you moved back just a little bit, all right, 1007 00:49:03,920 --> 00:49:06,359 Speaker 1: So um, play me a little bit of I hate 1008 00:49:06,400 --> 00:49:09,320 Speaker 1: this because that's the one you had up on your phone. Okay, 1009 00:49:09,760 --> 00:49:12,120 Speaker 1: and then we're going to the Canadian aational anthem. I'm 1010 00:49:12,120 --> 00:49:15,360 Speaker 1: just kidding. I was like, no, maybe not all right. 1011 00:49:15,400 --> 00:49:18,680 Speaker 1: For the first time on this podcast, I's gonna play. 1012 00:49:18,880 --> 00:49:20,360 Speaker 1: We'll do a little bit of I hate this. Go ahead, 1013 00:49:20,680 --> 00:49:26,919 Speaker 1: you let me just do like worst course, Yeah, okay, 1014 00:49:28,520 --> 00:49:32,440 Speaker 1: I hate this. Here I am running into you, China touch, 1015 00:49:34,320 --> 00:49:37,600 Speaker 1: I hate this Sexton lock. It's not killing me when 1016 00:49:37,600 --> 00:49:46,720 Speaker 1: it does. Then watch that game still looks goodly. Don't 1017 00:49:46,719 --> 00:49:50,480 Speaker 1: you think it's time we in this little lifts bemen 1018 00:49:52,239 --> 00:49:58,719 Speaker 1: because I know we said we just be friends. I 1019 00:50:02,239 --> 00:50:21,279 Speaker 1: k preton boy, I truding bottom, still love you and 1020 00:50:21,400 --> 00:50:24,600 Speaker 1: that's good. Thank you? Look at that, it's good. Thank you? 1021 00:50:24,960 --> 00:50:27,480 Speaker 1: Well look at okay, Well, let me can put the mic, 1022 00:50:27,600 --> 00:50:29,239 Speaker 1: put the guitar down. That's good. How it sound? Do 1023 00:50:29,239 --> 00:50:31,960 Speaker 1: we know I found pretty good popped or anything? Okay, 1024 00:50:32,000 --> 00:50:32,759 Speaker 1: what if you have it? You want to do a 1025 00:50:32,760 --> 00:50:34,319 Speaker 1: little bit of your new song, then sure. I mean, 1026 00:50:34,360 --> 00:50:37,200 Speaker 1: if that's the new single, let's let's hear uh somebody 1027 00:50:37,280 --> 00:50:46,680 Speaker 1: like that. I've seen pickup lines and die bar Stranger, 1028 00:50:46,840 --> 00:50:51,400 Speaker 1: slow Dance, I've seen happy Our two for ones turned 1029 00:50:51,640 --> 00:50:58,040 Speaker 1: one nice dance. I've seen me on Reather. They not 1030 00:50:58,440 --> 00:51:05,359 Speaker 1: drunk down. I'm messing to rather fairy tale go up 1031 00:51:05,360 --> 00:51:09,520 Speaker 1: in cigarettes smoke. I've seen two hearts beat it all 1032 00:51:09,680 --> 00:51:16,400 Speaker 1: and still end up. Your thing won't be esy, yeah, 1033 00:51:16,600 --> 00:51:24,520 Speaker 1: my sa wi, but I want that all. I keep 1034 00:51:24,600 --> 00:51:29,839 Speaker 1: the fire burning like the first time feeling. No matter what, 1035 00:51:30,000 --> 00:51:37,000 Speaker 1: if I'm gonna, I'm gonna love somebody like that kind 1036 00:51:37,040 --> 00:51:43,160 Speaker 1: of it arsis forever. Evern't never ever take it back. 1037 00:51:44,280 --> 00:51:53,560 Speaker 1: If I'm gonna I'm gonna somebody like that. Holy crap, man, 1038 00:51:53,840 --> 00:51:57,560 Speaker 1: it's really good. You're like two ft tall Monga's boys. 1039 00:51:57,760 --> 00:52:00,319 Speaker 1: Thank you, Michael. Take your guitar from here. He'll be 1040 00:52:00,360 --> 00:52:02,640 Speaker 1: sure to drop it there it is. Let's check one 1041 00:52:02,640 --> 00:52:04,880 Speaker 1: more time for Kevin. I would love to have had 1042 00:52:04,920 --> 00:52:09,440 Speaker 1: him on the show. Did he respond to your text? No? 1043 00:52:09,920 --> 00:52:13,160 Speaker 1: Mm hmmm. He probably liked your brothers and sister better, huh. 1044 00:52:13,320 --> 00:52:15,359 Speaker 1: I bet if they texted he probably would have been 1045 00:52:15,400 --> 00:52:17,960 Speaker 1: like he literally just never has his phone on him. 1046 00:52:18,160 --> 00:52:19,759 Speaker 1: So what's the story with your brother and sisters? You 1047 00:52:19,800 --> 00:52:21,879 Speaker 1: have one? You have to total one each. I have 1048 00:52:22,239 --> 00:52:24,400 Speaker 1: two sisters and a brother, okay, and you are in 1049 00:52:24,440 --> 00:52:28,000 Speaker 1: the mix. What what what level. Second youngest okay, And 1050 00:52:28,080 --> 00:52:33,520 Speaker 1: your oldest is Brittany. Okay, And what's Brittany do music 1051 00:52:33,560 --> 00:52:37,120 Speaker 1: at all? It's not really no. Um she her husband 1052 00:52:37,200 --> 00:52:39,520 Speaker 1: was in the military in Canada. They moved around a lot, 1053 00:52:39,600 --> 00:52:42,600 Speaker 1: and now they're back in Saskatchewan starting their own company. 1054 00:52:42,680 --> 00:52:45,760 Speaker 1: So they're they're working on stuff there. It's a drone company. 1055 00:52:45,920 --> 00:52:48,240 Speaker 1: Oh that's cool. My coast husband has a drone company. 1056 00:52:48,400 --> 00:52:50,640 Speaker 1: He was in the military too, and now they apparently 1057 00:52:50,640 --> 00:52:52,759 Speaker 1: all fly drones and look at our windows and who 1058 00:52:52,800 --> 00:52:56,160 Speaker 1: knows what everything about our lives. And then your brother 1059 00:52:56,239 --> 00:52:58,359 Speaker 1: is older than you, and what does he do. He 1060 00:52:58,400 --> 00:53:01,360 Speaker 1: went to school for a fine stuff. But he's also 1061 00:53:01,400 --> 00:53:04,640 Speaker 1: been working at the farm as well, so he's We're 1062 00:53:04,640 --> 00:53:06,520 Speaker 1: all just kind of all over the place doing our 1063 00:53:06,560 --> 00:53:09,120 Speaker 1: own thing. And your youngest sister is a hockey plan dancer. 1064 00:53:10,040 --> 00:53:12,920 Speaker 1: Is that true? She just dances. Now. Are they very 1065 00:53:12,960 --> 00:53:15,839 Speaker 1: proud of you? Yeah? They like keeping up. Are they 1066 00:53:15,880 --> 00:53:18,839 Speaker 1: super excited? Yeah? They keep up. And my little sister 1067 00:53:18,880 --> 00:53:22,200 Speaker 1: and I talked like really often. But um so, since 1068 00:53:22,200 --> 00:53:25,239 Speaker 1: we're both kind of very I guess you know, we 1069 00:53:25,400 --> 00:53:28,799 Speaker 1: like hair and makeup and photos and and doing all 1070 00:53:28,800 --> 00:53:32,120 Speaker 1: of the fun stuff. My older two siblings felt like 1071 00:53:32,200 --> 00:53:35,920 Speaker 1: they were not in the group or whatever of us 1072 00:53:36,000 --> 00:53:39,360 Speaker 1: performing sisters. So they created their own Instagram called like 1073 00:53:39,480 --> 00:53:42,400 Speaker 1: the other two siblings or something, and they recreate our 1074 00:53:42,400 --> 00:53:46,839 Speaker 1: photos on the farm. It is hilarious. Yeah, it's it's 1075 00:53:46,840 --> 00:53:51,200 Speaker 1: pretty funny. So they they're all supportive and yeah, so parents, 1076 00:53:51,280 --> 00:53:56,760 Speaker 1: four kids. Any animals growing up? Yeah, we had a dog, yeah, 1077 00:53:57,080 --> 00:54:01,840 Speaker 1: just one. Okay, no cows, no, what kind of animals 1078 00:54:01,880 --> 00:54:04,239 Speaker 1: are on farms in Canada. We had just like a 1079 00:54:04,280 --> 00:54:07,080 Speaker 1: lot of straight cats, like farm cats just running around. 1080 00:54:07,520 --> 00:54:10,920 Speaker 1: All right, Mike, anything for Tanil. We're about about to 1081 00:54:10,920 --> 00:54:13,080 Speaker 1: wrap this up. I'm just amazing good that was That 1082 00:54:13,120 --> 00:54:15,600 Speaker 1: was awesome? Yeah, that was really good. What's cool? Does 1083 00:54:15,640 --> 00:54:17,640 Speaker 1: we could hear everybody's saying maybe hear about on the 1084 00:54:17,640 --> 00:54:20,960 Speaker 1: show or out that's really good. I don't know that. 1085 00:54:20,960 --> 00:54:23,759 Speaker 1: I was not expecting it to be, but it's really good. 1086 00:54:23,960 --> 00:54:26,319 Speaker 1: And we've never done that before. You gotta brought your 1087 00:54:26,320 --> 00:54:27,600 Speaker 1: guitar and a ball or move. It's like, I just 1088 00:54:27,640 --> 00:54:29,160 Speaker 1: have my guitar. If you need it, let me. That's 1089 00:54:29,400 --> 00:54:32,480 Speaker 1: it's cool. I like that. Here's so I work on 1090 00:54:32,480 --> 00:54:35,400 Speaker 1: American Idol and I mentor a lot of these these kids, 1091 00:54:35,440 --> 00:54:38,080 Speaker 1: a lot of the kids need more of the music mentorship. 1092 00:54:38,080 --> 00:54:39,640 Speaker 1: A lot of the older people kind of need the 1093 00:54:39,719 --> 00:54:41,359 Speaker 1: kind of the life how to go to the the reality show. 1094 00:54:41,360 --> 00:54:43,400 Speaker 1: But I tell them, and I think you could probably 1095 00:54:43,400 --> 00:54:45,520 Speaker 1: speak on this too. If someone asked you to play, 1096 00:54:45,560 --> 00:54:48,480 Speaker 1: just freaking play, yeah, that's it. If someone's like, hey, 1097 00:54:48,520 --> 00:54:50,319 Speaker 1: do you play, don't take a thing, be like, well, 1098 00:54:50,320 --> 00:54:52,400 Speaker 1: I'm not really right now, you know, let me think it. 1099 00:54:52,920 --> 00:54:57,480 Speaker 1: Go like, play your freaking song always because you never 1100 00:54:57,560 --> 00:55:00,520 Speaker 1: know who's listening. Who may that personally not going to 1101 00:55:00,560 --> 00:55:02,600 Speaker 1: get your record deal, but they may hear you and go, 1102 00:55:02,760 --> 00:55:05,839 Speaker 1: oh this person you should you should hear that. That's 1103 00:55:05,880 --> 00:55:08,279 Speaker 1: the thing. You never know when you're going to be discovered. 1104 00:55:08,400 --> 00:55:10,040 Speaker 1: And I think the more you play, the more you 1105 00:55:10,120 --> 00:55:12,080 Speaker 1: get out there, the more chances there are. You know, 1106 00:55:12,120 --> 00:55:13,839 Speaker 1: you can't just sit in your bedroom and sing songs 1107 00:55:13,880 --> 00:55:15,760 Speaker 1: all the time and think that you're going to get somewhere. 1108 00:55:16,280 --> 00:55:19,040 Speaker 1: Here's my my neighbor overheard me sing in my backyard 1109 00:55:19,080 --> 00:55:22,320 Speaker 1: and recommend me to get in vocal training. Is that 1110 00:55:22,440 --> 00:55:25,640 Speaker 1: familiar at all? Because it didn't happen to me. It 1111 00:55:25,680 --> 00:55:28,839 Speaker 1: happened to me. So you're singing and just doing how 1112 00:55:28,840 --> 00:55:32,400 Speaker 1: old are you? Oh my gosh, I was probably like seven, 1113 00:55:32,520 --> 00:55:35,520 Speaker 1: And your neighbor hears something in your voice and says, 1114 00:55:35,560 --> 00:55:38,320 Speaker 1: how you should go and learn to sing the real way. Yeah, 1115 00:55:38,320 --> 00:55:40,920 Speaker 1: she came over because I was always just like belting 1116 00:55:40,960 --> 00:55:42,960 Speaker 1: out and I twain songs or like whatever I was 1117 00:55:43,000 --> 00:55:45,680 Speaker 1: listening to or making songs up, belt him out in 1118 00:55:46,040 --> 00:55:49,080 Speaker 1: my backyard. And my neighbor just came over and she's 1119 00:55:49,200 --> 00:55:50,560 Speaker 1: told my mom, She's like, I think she has a 1120 00:55:50,600 --> 00:55:52,960 Speaker 1: great voice. I think you should try to, you know, 1121 00:55:53,719 --> 00:55:55,759 Speaker 1: take her somewhere, see if she can do something with it. 1122 00:55:56,200 --> 00:55:59,680 Speaker 1: And of course I loved that my first voice listen. 1123 00:55:59,760 --> 00:56:03,200 Speaker 1: I was so pumped and just so excited that, like 1124 00:56:03,280 --> 00:56:05,120 Speaker 1: that's what made it feel real to me at eight 1125 00:56:05,200 --> 00:56:07,480 Speaker 1: years old, seven or eight, whatever it was, I was like, 1126 00:56:07,600 --> 00:56:09,359 Speaker 1: that's gonna be my career. I'm going to do this. 1127 00:56:09,400 --> 00:56:13,680 Speaker 1: Where did you start singing as a kid? Publicly? I 1128 00:56:13,760 --> 00:56:16,400 Speaker 1: did like a couple of little like local festivals and 1129 00:56:16,480 --> 00:56:19,759 Speaker 1: things like that. But also because I was doing classically 1130 00:56:20,440 --> 00:56:24,720 Speaker 1: um trained music, I also performed in like the music 1131 00:56:24,760 --> 00:56:27,680 Speaker 1: festivals and stuff, and you would sing what kind of 1132 00:56:27,719 --> 00:56:30,719 Speaker 1: song it was a classical trained performer there was like 1133 00:56:30,760 --> 00:56:34,560 Speaker 1: a book songs out of Okay, um, you do you 1134 00:56:34,640 --> 00:56:37,480 Speaker 1: have another record coming on the next year. Yeah, yeah, 1135 00:56:37,760 --> 00:56:41,799 Speaker 1: we we know when it'll be early, and people listen 1136 00:56:41,800 --> 00:56:43,520 Speaker 1: to these things forever, so it may already be out 1137 00:56:43,600 --> 00:56:45,520 Speaker 1: when this thing is. You may be hearing the Tinnial 1138 00:56:45,640 --> 00:56:47,600 Speaker 1: Arts podcast because we've done a lot of these Mike 1139 00:56:47,600 --> 00:56:49,840 Speaker 1: where people have at early stages and they've got of 1140 00:56:49,880 --> 00:56:51,959 Speaker 1: blown up and you can go back and hear them. 1141 00:56:52,200 --> 00:56:56,960 Speaker 1: Because this is episode two hundred and three, So early 1142 00:56:57,000 --> 00:57:00,759 Speaker 1: on we had some artists on and early stages two 1143 00:57:00,760 --> 00:57:01,919 Speaker 1: and they were like, I don't know, We're just trying 1144 00:57:01,920 --> 00:57:03,520 Speaker 1: to get something going. And you go back now and 1145 00:57:03,520 --> 00:57:05,560 Speaker 1: you're like, holy crap, Like now they're they're a big deals. 1146 00:57:05,560 --> 00:57:08,640 Speaker 1: So hopefully, uh, this this is what happens here. Okay, 1147 00:57:08,680 --> 00:57:11,200 Speaker 1: well listen, we've I think we've said everything that that 1148 00:57:11,239 --> 00:57:12,880 Speaker 1: we need to say. You feel like you learn a 1149 00:57:12,880 --> 00:57:16,480 Speaker 1: little bit about you. Yeah, Kevin, Kevin will not call 1150 00:57:16,560 --> 00:57:19,040 Speaker 1: us back if you're listening right now, Kevin, we tried. 1151 00:57:19,400 --> 00:57:21,040 Speaker 1: Before we wrap it up, we're gonna we're gonna give 1152 00:57:21,040 --> 00:57:22,800 Speaker 1: it one more. Look, not yet, I'm gonna ask you 1153 00:57:22,840 --> 00:57:25,080 Speaker 1: a few random questions here and then we'll call this 1154 00:57:25,200 --> 00:57:27,760 Speaker 1: a day. What's the last concert you bought tickets for? 1155 00:57:28,440 --> 00:57:30,680 Speaker 1: I bought tickets for Casey Musgraves and I didn't get 1156 00:57:30,680 --> 00:57:34,080 Speaker 1: to go. Which show? It was the one at the 1157 00:57:34,160 --> 00:57:40,360 Speaker 1: Rheman the Golden Hour tour went I did? Yeah, really jealous? 1158 00:57:40,520 --> 00:57:42,600 Speaker 1: Yeah you should be. It's it's great. Yea. Why did 1159 00:57:42,600 --> 00:57:44,200 Speaker 1: you not get to go? I had a show come up, 1160 00:57:44,720 --> 00:57:47,760 Speaker 1: great reason to not go exactly? How about that? Good? Okay? 1161 00:57:47,800 --> 00:57:50,640 Speaker 1: So question number two, what's the last movie you saw 1162 00:57:50,640 --> 00:57:54,560 Speaker 1: in theaters? In theaters? Um? I think it was that 1163 00:57:54,680 --> 00:57:59,280 Speaker 1: last show, um, last movie of the Avengers or whatever? 1164 00:57:59,440 --> 00:58:03,880 Speaker 1: That my Yeah, what's it called in game? It's good? Huh? 1165 00:58:04,000 --> 00:58:06,720 Speaker 1: It was long. Yeah. Well, here's the thing. I didn't 1166 00:58:06,720 --> 00:58:11,000 Speaker 1: watch any of the other ones because there were like three. 1167 00:58:11,360 --> 00:58:14,160 Speaker 1: I saw most of them, but there were only three 1168 00:58:14,240 --> 00:58:16,120 Speaker 1: or four that I didn't see, and I felt a 1169 00:58:16,160 --> 00:58:18,000 Speaker 1: little out of it at times. I can only imagine 1170 00:58:18,040 --> 00:58:21,360 Speaker 1: what you felt. No, it's knowing. I was very out 1171 00:58:21,400 --> 00:58:23,560 Speaker 1: of it. Well, actually, I think I saw the Captain 1172 00:58:23,560 --> 00:58:27,560 Speaker 1: Marvel won the Girl. Um maybe, yeah, I saw that 1173 00:58:27,560 --> 00:58:29,640 Speaker 1: one before. But also at the end of that, I 1174 00:58:29,640 --> 00:58:31,520 Speaker 1: did not know that this was like a big thing 1175 00:58:31,600 --> 00:58:33,600 Speaker 1: that was going to be coming to an end, and 1176 00:58:33,720 --> 00:58:36,600 Speaker 1: everybody was sitting in the theater still like waiting to 1177 00:58:36,640 --> 00:58:39,040 Speaker 1: see whatever they show at the end of those movies. 1178 00:58:39,120 --> 00:58:41,480 Speaker 1: I had no clue. I was completely in the dark 1179 00:58:41,560 --> 00:58:44,439 Speaker 1: that this was a whole series of things and that's 1180 00:58:44,440 --> 00:58:46,320 Speaker 1: the last movie you saw. Okay, are you on the 1181 00:58:46,360 --> 00:58:49,920 Speaker 1: road a lot? Now? Every weekend? You're going out? This weekend, 1182 00:58:50,560 --> 00:58:52,880 Speaker 1: I am. I'm leaving tomorrow. Where do you go? I'm 1183 00:58:52,920 --> 00:58:57,960 Speaker 1: going to Deadwood, South Dakota. Wow. Yeah, it's a trip. Yeah, 1184 00:58:58,600 --> 00:59:04,160 Speaker 1: you're driving the Pontiac. Oh no, but I don't even 1185 00:59:04,160 --> 00:59:06,320 Speaker 1: think it would make it there. One final question, what 1186 00:59:06,440 --> 00:59:11,800 Speaker 1: is your hobby and why do you do it? My hobby? Um, 1187 00:59:11,800 --> 00:59:14,680 Speaker 1: it cannot be something you make money at, so don't 1188 00:59:14,760 --> 00:59:16,840 Speaker 1: say music. What is your hobby and why do you 1189 00:59:16,880 --> 00:59:21,560 Speaker 1: do it? It's a lot of my things have to 1190 00:59:21,600 --> 00:59:24,280 Speaker 1: do with music, But like this one thing that I 1191 00:59:24,280 --> 00:59:27,720 Speaker 1: started doing is like painting on the backup jean jackets. 1192 00:59:27,760 --> 00:59:30,000 Speaker 1: So that's kind of like a hobby thing that has 1193 00:59:30,400 --> 00:59:33,919 Speaker 1: become something that I think. That's a wonderful answer. Um, 1194 00:59:33,960 --> 00:59:37,200 Speaker 1: you're in a jacket now, that is very painty. But 1195 00:59:37,280 --> 00:59:39,880 Speaker 1: you didn't paint this one Okay, let's check one more 1196 00:59:39,880 --> 00:59:46,280 Speaker 1: time for Kevin. This is her dad. Three. It's okay, Dad, 1197 00:59:46,320 --> 00:59:48,720 Speaker 1: we'll talk to you. We'll do a whole podcast with him, 1198 00:59:48,760 --> 00:59:51,400 Speaker 1: Mike at some point. Listen to Neil. It's been nice. 1199 00:59:51,480 --> 00:59:53,440 Speaker 1: I didn't know you. How do we ever met? I 1200 00:59:53,480 --> 00:59:56,200 Speaker 1: don't feel like we've ever met. Um, it's it's been 1201 00:59:56,280 --> 00:59:57,840 Speaker 1: nice to get to know you. Thank you nice And 1202 00:59:57,880 --> 00:59:59,919 Speaker 1: I get to know you too. I feel like big 1203 01:00:00,000 --> 01:00:01,960 Speaker 1: things or ahead, thank you. Do you feel like I'm 1204 01:00:01,960 --> 01:00:03,000 Speaker 1: talking about for me? But do you feel like that 1205 01:00:03,400 --> 01:00:06,360 Speaker 1: you feel like they're also head for you? Yeah, I'm excited. 1206 01:00:06,400 --> 01:00:08,640 Speaker 1: I feel like this is a time where just I've 1207 01:00:08,640 --> 01:00:10,160 Speaker 1: been through so much in the past year that i 1208 01:00:10,200 --> 01:00:12,240 Speaker 1: feel like my music has just changed so much, and 1209 01:00:12,320 --> 01:00:14,960 Speaker 1: I'm just excited for everything that's coming with it. All Right, 1210 01:00:15,040 --> 01:00:18,800 Speaker 1: Tanil Arts T E N I L L E Arts. 1211 01:00:18,880 --> 01:00:20,240 Speaker 1: I'll bet you people ask all the time if that's 1212 01:00:20,280 --> 01:00:23,240 Speaker 1: your real last name? Is it is Kevin Arts one 1213 01:00:23,280 --> 01:00:27,280 Speaker 1: of my favorite farmers in Canada, So it's a guy. Um. 1214 01:00:27,320 --> 01:00:29,120 Speaker 1: All right, Well, there we have it, Mike. I believe 1215 01:00:29,480 --> 01:00:31,480 Speaker 1: that I'll wrap us up episode two oh three with 1216 01:00:31,520 --> 01:00:34,520 Speaker 1: Tenille Arts. It's a solid interview maybe the longest you've 1217 01:00:34,560 --> 01:00:37,120 Speaker 1: ever done. It was one, but it was great. Yeah, 1218 01:00:38,120 --> 01:00:40,840 Speaker 1: as you walk out the house, and I always wonder 1219 01:00:40,880 --> 01:00:43,400 Speaker 1: if it's weird because this we'd normally do this earlier 1220 01:00:43,440 --> 01:00:45,640 Speaker 1: in the daytime, but because of my schedule, so weird 1221 01:00:45,680 --> 01:00:47,200 Speaker 1: this week we actually did this one at night. It's 1222 01:00:47,200 --> 01:00:49,520 Speaker 1: fully dark right now. I'd always think it'd be weird 1223 01:00:49,600 --> 01:00:52,480 Speaker 1: going to somebody's house for a show, like someone's like 1224 01:00:52,480 --> 01:00:53,760 Speaker 1: coming to the come to the house. We're gonna do 1225 01:00:53,800 --> 01:00:55,800 Speaker 1: a show like this. Gotta be a little weird, right, 1226 01:00:55,880 --> 01:00:58,480 Speaker 1: I mean not really. I was like, I'm coming here 1227 01:00:58,520 --> 01:01:02,120 Speaker 1: with my manager. I don't know. Okay, doesn't matter to me, great, 1228 01:01:02,120 --> 01:01:04,760 Speaker 1: I wouldn't. I just think, like going to somebody's house, 1229 01:01:04,920 --> 01:01:07,080 Speaker 1: this is a trick. But you can rest assured it 1230 01:01:07,160 --> 01:01:09,120 Speaker 1: is not a trick. All right. But we didn't record 1231 01:01:09,160 --> 01:01:11,040 Speaker 1: any of this. This is just for me. We're just 1232 01:01:11,080 --> 01:01:13,280 Speaker 1: saving it, all right to me. Al Arts, I'm gonna 1233 01:01:13,280 --> 01:01:14,840 Speaker 1: talk to you, everybody. Check out her music. Her new 1234 01:01:14,920 --> 01:01:17,480 Speaker 1: single as of right now, this recording. The song is 1235 01:01:17,480 --> 01:01:20,160 Speaker 1: called Somebody Like That. Um. I really like the song. 1236 01:01:20,240 --> 01:01:22,280 Speaker 1: I hate this. I put it on the National Female 1237 01:01:22,320 --> 01:01:24,080 Speaker 1: Show a couple of times. I'll tell you what, I'll 1238 01:01:24,080 --> 01:01:25,920 Speaker 1: do it again because I I felt like the performance 1239 01:01:25,960 --> 01:01:28,960 Speaker 1: was fantastic, and I think that's it all right to 1240 01:01:29,040 --> 01:01:30,720 Speaker 1: the arts. Thank you, thank you,