Speaker 1: Playcat Podcast Live from the super Bowl Arizona Shot to
Speaker 1: Death Chairman, We got fifty rich in the building. What's good? Care?
Speaker 1: How you doing? How are you doing out here? Rap
Speaker 1: hustling is you like to call it? Yeah? Rap hustling man,
Speaker 1: getting on the road, get into bad. So when you
Speaker 1: come to like obviously you have a hosting tonight in town,
Speaker 1: but when you come to a Z for a weekend
Speaker 1: like super Bowl, Yeah, what is like the target? Like
Speaker 1: how many verses you planning on recording this weekend? Shit,
Speaker 1: I don't know who's gonna be out here. I know
Speaker 1: you know it's gonna be packed. So see me what
Speaker 1: I could see? Like, like me, I could just get
Speaker 1: on the road and just go somewhere right and just
Speaker 1: post just post up, post it online, hit me for
Speaker 1: features shows, right whatever they gonna tap in videos. That's
Speaker 1: just something I built. I kind of learned that from Jack, right,
Speaker 1: you know what I'm saying, Like he used to tell
Speaker 1: me that back in the day, like just come, it's
Speaker 1: gonna be good. You might you might not. You never
Speaker 1: know what you might run into, Like you might run
Speaker 1: into a promoter that've been trying to book. You didn't
Speaker 1: have no contact right might want to get a verse
Speaker 1: from you, ship whatever, it might want to pay you
Speaker 1: to come do a meet and greet like I you know,
Speaker 1: I come from the era, just really like you know,
Speaker 1: the independent grind. Yeah, you know what I'm saying. So
Speaker 1: it's kind of easy. Would you pay for a feature
Speaker 1: in a weekend like this if you run into the
Speaker 1: right artists and they're like, yo, what's up, let's work
Speaker 1: listing right now? Yeah? Nah, I ain't paying you ain't
Speaker 1: paying nobody for a future. No, not at this point.
Speaker 1: Like back in the day when I first started rapping,
Speaker 1: you know what I'm saying. But I know everybody, who's
Speaker 1: the most expensive feature you ever had to pay for?
Speaker 1: Back in the day when all the features were the
Speaker 1: same price, which is what it was admes, Okay, I
Speaker 1: ain't never pay no more than that. That's not bad.
Speaker 1: It comes to the videos. It was like my early yeah,
Speaker 1: early on what year we're thinking when I first started rapping,
Speaker 1: just running to niggas and not having a relationship. Let
Speaker 1: me cast you out. They have no problem. It wasn't
Speaker 1: even about that. It's just like, man, what's up? Like
Speaker 1: I'm trying to get you on my own, my song. Yeah,
Speaker 1: I know what it is. You know what I'm saying, right,
Speaker 1: I don't know him, he don't know me. It's just
Speaker 1: like the same thing for me, right, I mean, I
Speaker 1: can't be biased about it, you know. I mean, people
Speaker 1: don't boll features for me. So if jay Z you're
Speaker 1: running the whole hope, it's like, yo, I got you
Speaker 1: just five bands, you better do that for Z feature
Speaker 1: and listen, that's that's unbelieving. Running to the bank. You
Speaker 1: don't got to run the bank, but that's unbelievable. Run
Speaker 1: to your you don't have to. It's gonna cause more
Speaker 1: that to clear that dad, for sure, that's impossible. So
Speaker 1: one hundred percent, you know, I'm just I'm putting out.
Speaker 1: I mean, I look at it, like twenty five thousand,
Speaker 1: it's not a lot for jay Z. So it's like
Speaker 1: I feel like if he'd do it for that, he
Speaker 1: had just do it for free. If he's seen my
Speaker 1: used to be seeing my talent, my work ethic and
Speaker 1: like you know what I'm saying, Like a lot of
Speaker 1: people hit me up. I tell him my price. So
Speaker 1: it's like people don hit me up before them be
Speaker 1: like okay, I can I keep you this and I'm like, nah, right,
Speaker 1: I'm like him. If I'm gonna do it for that,
Speaker 1: might as well just do it for free. Uh. You
Speaker 1: obviously have been building out your label for long time,
Speaker 1: putting together a dope roster artists. Yeah. Really, I've just
Speaker 1: been focused this year on that. That's why I really
Speaker 1: ain't been dropping too much music. I've been focusing on
Speaker 1: them getting all a getting everything with them situated in together.
Speaker 1: So how many artists do you have signed to you
Speaker 1: right now? Because I feel like you got a nice,
Speaker 1: a nice team on fo dis Yeah, twelve thirteen artists.
Speaker 1: That's a lot of people. So is it like, obviously,
Speaker 1: when you sign an artist, how much of it is
Speaker 1: you know, do you kind of feel like you might
Speaker 1: be spreading yourself too thin or you kind of are
Speaker 1: you signing self starters guys who are gonna go get
Speaker 1: to it and then you kind of come in and
Speaker 1: add So like in the beginning, we do like artists development,
Speaker 1: We work and we build and teaching them how to
Speaker 1: you know, stop recording on mixtape, beach proper, mixed faster
Speaker 1: and artwork. You know what I'm saying, all that we
Speaker 1: getting together and I gotta really see this is what
Speaker 1: you really want to do. Things like you got to
Speaker 1: show me that because you know tomorrow you might wake
Speaker 1: up and say I don't want to rap more or
Speaker 1: or whatever situation. So it's like, okay, cool, I got
Speaker 1: to know that you really dedicated to this For me
Speaker 1: to I can't want more than you want it. This
Speaker 1: is I'm living my dream. This is your dream that
Speaker 1: I'm trying to help you, you know what I'm saying.
Speaker 1: So with that being said, we'll start off like that,
Speaker 1: and then as we go towards that, and then we'll
Speaker 1: work into bigger and better most are is there like
Speaker 1: any are you pretty much keeping your your roster Bayry
Speaker 1: oriented or just wherever. I didn't have artists outside of California,
Speaker 1: But as of right now, everybody like I've been just
Speaker 1: be focusing on East Oplan. He's Oakland. Yeah, I'm the hometown. Yeah.
Speaker 1: It's kind of uh, kind of you know, because I
Speaker 1: feel like San Francisco has been changing so much. Oakland's
Speaker 1: been changing so much over the last since the pandemic happened. Yeah,
Speaker 1: shit is kind of crazy. Like when you go back,
Speaker 1: it feels like there's like a lot of energy has
Speaker 1: been sucked out of certain parts of the Bay Do
Speaker 1: you feel like when you go back, it was a
Speaker 1: little different since I feel like the pandemic obviously a
Speaker 1: lot of clubs closed, a lot of spots closed. I
Speaker 1: ain't really never was like no really music night scene
Speaker 1: in the Bay Area because like a lot of artists
Speaker 1: that come in town and be like, like where should
Speaker 1: I go tonight? And it don't be nowhere to go,
Speaker 1: you know what I'm saying. So that's kind of always
Speaker 1: been a thing. It's always been like that. Then I
Speaker 1: can go to anywhere else and they got like a
Speaker 1: night scene like the area you can't go nowhere, like
Speaker 1: like shout out to my boy book pay So DJ millions.
Speaker 1: But I love they've been doing a thing right now,
Speaker 1: as in like the hip hop like I would say,
Speaker 1: like underground, you know what I'm saying, JA twelve what
Speaker 1: else I love? I mean, Drew Banger, They've been they've
Speaker 1: been doing like what they can do for the Bay Area,
Speaker 1: open San Francisco, like the underground music scenes, throwing parties,
Speaker 1: you know what I'm saying. Bringing attention, you know, I
Speaker 1: feel like a light on the city. I was gonna say,
Speaker 1: obviously you've got a great relationship with Gauzi as do I.
Speaker 1: We both work with gazi Uh and he's so passionate
Speaker 1: about kind of like the keeping as much energy and
Speaker 1: resources that he has going on in you know, in
Speaker 1: the Bay Area. Do you feel that kind of similar responsibility.
Speaker 1: Of course, that's why I said I'm focused on Yeah,
Speaker 1: I'm like, okay, cool, I din't I didn't work with them,
Speaker 1: to everybody in the bag. So it's like, it's a
Speaker 1: lot of talent where I'm from, So let me focus
Speaker 1: on that first, and then when I'm done with that.
Speaker 1: You know what I'm saying, don't you know, spread yourself
Speaker 1: to take on too much, but let me let me
Speaker 1: do my part. Yeah. It's funny because last time I
Speaker 1: was in Detroit, you were in Detroit at the same time,
Speaker 1: and you know, it feels like Detroit and the Bay
Speaker 1: have a very they have like a kinship with each other.
Speaker 1: And you've worked with so many artists out of the
Speaker 1: the d What do you think it is about Detroit
Speaker 1: and the Bay Area that it feels like they're kind
Speaker 1: of their cousins, the similar culture. Plus you know, in
Speaker 1: the past, other artists from the Bay I've worked with Detroit.
Speaker 1: You know, but like the the way that's going on
Speaker 1: now with the Detroit and opening the Bay Area, like
Speaker 1: I helped bridge the gap. You know, I was really
Speaker 1: going out there dealing with these artists, like giving them
Speaker 1: game and connecting them with Gayzi and things that they
Speaker 1: didn't know about music. They was putting out videos and
Speaker 1: doing millions of views, but not getting paid for it,
Speaker 1: not having a song on iTunes, not having a song registered,
Speaker 1: no distribution, just rapping like for years they was doing that,
Speaker 1: so they was getting frustrated, like like man, I'm you know, stagnated,
Speaker 1: like with the rap, like I don't know how to
Speaker 1: get money off of it. Like this video got five
Speaker 1: million views on it haven't been paid crazy, you know
Speaker 1: what I'm saying. Like underground hits like go to the
Speaker 1: strip club, everybody in the club know the song. Is
Speaker 1: that usually because the artist has the song uploaded on
Speaker 1: or someone else up. Yeah, Like it'll be like on
Speaker 1: the director's channel, right, got understand, Like if you pay
Speaker 1: attention to like the major labels, they dropped the single
Speaker 1: first and then they dropped the video, right, and that's
Speaker 1: how it gets registered. You know what I'm saying, Caause
Speaker 1: the song's already out, so it's already kind of Once
Speaker 1: someone uploads it with that audio, it will it'll flag
Speaker 1: it as as it belonging to you, and they'll be
Speaker 1: mad the camera man, thinking the camera man did something
Speaker 1: wrong and keeping their money in right, you know, and
Speaker 1: shit like that. But you know, I mean the cameraman.
Speaker 1: If it's on the camera man's channel, he probably shot
Speaker 1: it for free most likely. Or the camera man is
Speaker 1: probably even more popular than the artists. Yeah, he's got
Speaker 1: more subscribers. So it's like, go ahead, uploaded on your shit.
Speaker 1: Artists didn't even have their own YouTube channel, evo channel,
Speaker 1: you know what I'm saying. So it's just you know, given,
Speaker 1: you know, helping people be bosses and succeed and giving
Speaker 1: them game or whatever. And you know, that's just it.
Speaker 1: Like I've been doing that for years outside of my artists,
Speaker 1: you know what I'm saying. I've never been the person
Speaker 1: that like, you know, hold back information, will be stingy
Speaker 1: whatever it is. Like you know, I'm saying, you getting money,
Speaker 1: I'm getting money. It's not gonna stop. Like you know,
Speaker 1: I'm saying. They printed shit every day, like like I
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Speaker 1: get back to the interview. You've been known to do
Speaker 1: collaboration projects. Who's somebody who's out there that you're just
Speaker 1: a fan of that you wouldn't mind doing a little
Speaker 1: mixtape with if you had your choice. In La, I've
Speaker 1: been rocking with my boy f and pay So we
Speaker 1: talked about it. Also Big Sad nineteen hundred and then
Speaker 1: right now I've been listening Rico cash Out Atlanta. Okay, Yeah,
Speaker 1: shout out to Big Sad for you, like coming from
Speaker 1: where you're from, the independent grind here, having opportunities to
Speaker 1: sign with rock Nation in the past. Yeah, I'm sure
Speaker 1: that wasn't the only opportunity you had to go to
Speaker 1: the major route. Yeah, major thing works for some artists
Speaker 1: because some artists I think are kind of lazy, and
Speaker 1: I feel like it kind of there are artists out
Speaker 1: there because I wouldn't say because they kind of lazy.
Speaker 1: They might want to work more, but the label stops that. So,
Speaker 1: like when you signed to a major, Like they kind
Speaker 1: of don't I wouldn't say respect, but they kind of
Speaker 1: don't want you like with the releasing, but they got
Speaker 1: to understand like the culture you came from. Also, like
Speaker 1: how do you guys got understand how you got there? Yeah,
Speaker 1: So it's like they don't want They probably want to
Speaker 1: drop an album, tour for a year, drop another album
Speaker 1: after that. But it's like a lot of artists like
Speaker 1: they keep their buzz by working, so like it's a
Speaker 1: new artist coming in every day. So just say you
Speaker 1: drop an album, shoot videos, put out for a year,
Speaker 1: then tour for a year. That's like two years. By
Speaker 1: time you come back, it's gonna be so many different
Speaker 1: new artists out stack in this place. And if this
Speaker 1: artist came from grinding, they're like, oh he not that
Speaker 1: he fell off, but he just ain't being consistent. What's
Speaker 1: for you? The reason why you didn't end up doing
Speaker 1: the rock Nation thing, they wanted your catalog, right, Yeah,
Speaker 1: so they just wanted the back catalog, which is how
Speaker 1: fuck how many albums now? I want to know, but
Speaker 1: it was just from whenever I released music. How many
Speaker 1: albums currently do you have out? Is it over one hundred?
Speaker 1: Way over hundred Jesus way over. But uh, I just
Speaker 1: didn't feel like that, and luckily I didn't do it
Speaker 1: and shout out to them. I dispected them however they
Speaker 1: run their business. It's just that I wasn't ready for
Speaker 1: it because like a lot of major artists, I mean
Speaker 1: major labels, they could take you to make it to
Speaker 1: a start, you know, and put you on a bigger platform.
Speaker 1: And some artists won't that instead of won't you know
Speaker 1: ge what I'm saying, they want the fame over it
Speaker 1: in order to get over like the business part of
Speaker 1: the situation. So it's like, okay, they jeopardized that. Luckily
Speaker 1: I didn't do it because right when I had that
Speaker 1: meeting COVID here right after, and that was that You're
Speaker 1: supposed to be a tour going on. That's your residual
Speaker 1: income coming in off the catalog, set in the house,
Speaker 1: doing nothing, paying it for nothing, right, you know what
Speaker 1: I'm saying. So you know, but I mean it could
Speaker 1: have worked for somebody else though, because they was talking
Speaker 1: about tour and putting you with this artist like what
Speaker 1: they do too. They have a lot of big artists
Speaker 1: sign to their labels they manage and they'll put you
Speaker 1: with that artist because you'll look good with them, and
Speaker 1: it'll be like this artist sign. Who are they trying
Speaker 1: to put you with? I mean, it ain't too many
Speaker 1: that I haven't been around. I didn't been around them all.
Speaker 1: But when you're with rock Nation, who are they like?
Speaker 1: Who do they envision put you with? Who's like you're
Speaker 1: in the sales meeting and the pitch meeting where they're like, yo,
Speaker 1: we think you fit. You sound great with this guy?
Speaker 1: You fit if nobody. But we talked about different artists
Speaker 1: I work with. But I know how it works. I
Speaker 1: didn't seen it done before, you know what I'm saying.
Speaker 1: So it's like, okay, cool, you got a label deal
Speaker 1: over there. You need artists and you're at this label.
Speaker 1: So we're gonna sign other artists and then put this
Speaker 1: with you like you signed them, and you know, blow
Speaker 1: it up. It's all about a look. Anybody who you
Speaker 1: see doing the CEO ship as an artist that you
Speaker 1: really kind of look up to or respect ship Barren
Speaker 1: Man p he just puffy, Yeah, of course, puffy shit
Speaker 1: all of them. You know what I'm saying, Cameron, anybody
Speaker 1: that put they people in position, you know what I'm saying,
Speaker 1: even if it was a fail, even if it was successful,
Speaker 1: they tried, right, you know what I'm saying, So you
Speaker 1: have you been noticing? I was just saying, have you
Speaker 1: been noticing everyone's selling their catalog because they don't have
Speaker 1: to grind the shitting they sit in the house, or
Speaker 1: they don't know how to manage money, so or you
Speaker 1: understand like when when the pandemic hit, like a lot
Speaker 1: of them, maybe we're living above their means and living
Speaker 1: off shows. And we're talking about like the justin Timberlakes
Speaker 1: that Justin Bieber's QC just sold for three hundred million
Speaker 1: dollars like QC Pete, Yeah, he sold what the whole
Speaker 1: of QC got just sold three hundred million to screw
Speaker 1: to bron Shit, it's probably a crazy ass memory you
Speaker 1: can't turn down. I would have sold that ship two
Speaker 1: for three hundred million. But I bet you if he
Speaker 1: sold it for three hundred me, I bet you, Like
Speaker 1: the ship is right to work. Cool, Like once you
Speaker 1: recoup that, they get it back. But like even if
Speaker 1: you say it Coogue, it's not forever three hundred I
Speaker 1: don't know, I don't know. I'm gonna give you three
Speaker 1: hundred million dollars. It's me over here. Now you better
Speaker 1: put you better put some new shit out. It all
Speaker 1: depends on like how how structured to deal structure. Every
Speaker 1: deal is different because like you know, like I heard,
Speaker 1: like if you say a catalog like it comes back
Speaker 1: to you after a certain time or whatever, it's not forever. Son. Listen, man,
Speaker 1: three hundred million dollars, this is me over here for
Speaker 1: perpetuity for sure. I mean, I'm sure he's gonna make
Speaker 1: not just three hundred, he's gonna be okay, like he
Speaker 1: might make six hundred and then double back. They're talking
Speaker 1: about Michael Jackson's catalog. His family's gonna sell half of
Speaker 1: it for nine hundred million dollars, but she's about half
Speaker 1: jaccent Michael Jackson, like every song on his album used
Speaker 1: to be a single going platinum what I'm saying, But
Speaker 1: it's just crazy. It's crazy to think seven songs on
Speaker 1: the tape, so his whole catalogs were like one point
Speaker 1: eight billion dollars. It's insane. At that point in time,
Speaker 1: you just take the money, Like what else are you
Speaker 1: gonna do? Like what do you need more money for it?
Speaker 1: I don't even see why they doing that. I'm sure
Speaker 1: his music is generating a lot of money. How much
Speaker 1: money is too much money? Like where where do you
Speaker 1: just say, okay, we made it like we have. We
Speaker 1: can relax no matter what, like going vacation to be working.
Speaker 1: Do you go on vacation, but my vacations be worked?
Speaker 1: Like this is my vacation now, I'm chilling. You're in
Speaker 1: super Bowl week in Arizona. The next come out here
Speaker 1: with that. I know, but that's what I'm saying. It's
Speaker 1: not a vacation. You're out here grinding. I don't even
Speaker 1: know who in the super Bowl Eagles and Chiefs. Okay,
Speaker 1: come out here for that. I just came to work.
Speaker 1: So when are you go on vacation now? Like you
Speaker 1: never go to like can Coon and just chill, but
Speaker 1: I still work. But what are you doing in Can't Coon?
Speaker 1: Mother fucking the Mexican rappers pooing up with the bag
Speaker 1: and that I'm talking about stil like in tune to
Speaker 1: like what's going on my artists's like, Man, I'm indio
Speaker 1: can Coon? I throw the fly up, guys, I'm a
Speaker 1: hard rock cant coon. I just see I didn't ran
Speaker 1: to people everywhere that a nigga like, I mean, I'm
Speaker 1: sure people probably do music and can't come like I don't.
Speaker 1: Just went to Hawaii. Are you allowed to go to Canada? Yeah?
Speaker 1: That's rough. They don't play over there. Huh. And I
Speaker 1: got hit up, I hit Drake up. That's Toronto. Well
Speaker 1: Toronto is in Canada. Yeah he has the pool. Yeah
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Speaker 1: a customer that you get when you walk into the
Speaker 1: building in Las Vegas is bar none the best. It's
Speaker 1: just the best, man, they are the best. We got
Speaker 1: so much going on this weekend. They're sponsoring the Rolling
Speaker 1: Stone party on Friday, super Bowl weekend, Fabulous Thursday, Offset Friday,
Speaker 1: Meek Saturday. It's a lot going on with hard Dean.
Speaker 1: You got to follow him at Hardean Underscore Las Vegas
Speaker 1: right now. Shoot them a follow on Instagram while you're
Speaker 1: at it. Go to the website Hardeinlasvegas dot com. So
Speaker 1: much fly gear, so much flyweed. What are we talking about? Baby?
Speaker 1: Shout out to Hardean. Man, that's the family. Man. Go
Speaker 1: if you're in Vegas, pull up on them man, Hardean,
Speaker 1: Las Vegas. What else? Obviously we were talking about the label.
Speaker 1: But for you, what is coming up for you? Man?
Speaker 1: I just dropped the EP weekend in LA, like last
Speaker 1: weekend for my birthday. That assuming that was recorded on
Speaker 1: the weekend in LA. Okay, yeah, you know I got
Speaker 1: the week in Detroit, weekend in Houston, week in LA.
Speaker 1: I want to do a weekend in New York ted
Speaker 1: to a weekend in Phoenix. I got it. But it's
Speaker 1: all LA artists on the album. It's a man, there's
Speaker 1: some great artists here. Name so Chris Coke, who his
Speaker 1: name is, Chris Coke, Chris Coke, whoever Daily Finesse, Markhams, Markhams.
Speaker 1: There's some amazing artists here. I'll put you on shout
Speaker 1: out to all of them there. Chris Coke is hard. Yeah, okay,
Speaker 1: but that's how I did it. Like when I went
Speaker 1: to Detroit, recorded the music, went to Houston, link up
Speaker 1: with the artists in the city. Yeah, like the hottest
Speaker 1: artists out there right now, you know. But I wanted
Speaker 1: to go on in New York and then like all
Speaker 1: my artists, like probably like four of them all dropping
Speaker 1: in February. Shit, it's my young junir just drop skinny
Speaker 1: tea drop tomorrow. How big is your team? Like that
Speaker 1: helps you with all this stuff? It's just really me
Speaker 1: and my product manager that Impire. Who's that now? Our
Speaker 1: name is Olivia now oh shot to live Live Solid.
Speaker 1: That's just me and her every day. That's it. Huh.
Speaker 1: You should hire one more person. Well, I got I
Speaker 1: got a Norton, got my boy in La Matt Black
Speaker 1: with Corey in Vegas in Oakland, my boy depot. How
Speaker 1: is the dog breeding business over with? The pandemic over with? Yeah?
Speaker 1: Because no one's got all that PPP money to drop
Speaker 1: on their exotic frenchies by six dogs a day. Jesus
Speaker 1: at one time, where do you keep all of the dogs.
Speaker 1: I had bought a whole built the whole dog like house,
Speaker 1: like I spell, like two fifty like on the house,
Speaker 1: like marble floors a c They had like stalls in
Speaker 1: their glass. You could see them through backyard basketball court water.
Speaker 1: Well it was the dogs had a basketball court. It
Speaker 1: was It was nice. You know what I'm saying. But
Speaker 1: who's jerking the dog off the vet? Vet? Yeah? Playing
Speaker 1: like that? Ain't that serious? My boy in Vegas does
Speaker 1: does it himself? They don't. They don't got time to
Speaker 1: go Las Vegas money bullies. Look at him. Ron Dieszel
Speaker 1: loves jerking his dogs. I don't seen a lot of
Speaker 1: people do it, Like I'd've been to a lot of
Speaker 1: different places. They put the dog down through everything, like
Speaker 1: take the seaman out, put it in the girl, put
Speaker 1: it asleep, story, back up, everything like right there, like
Speaker 1: at a house. That sounds like something like going to
Speaker 1: someone's house to get a BBL. Yeah, that sounds wild crazy.
Speaker 1: We got dogs in the getting that much money off
Speaker 1: that shit? You don't got time for all that. Like
Speaker 1: it's kind of crazy too, like with all the robberies
Speaker 1: that be happening on these frenchies see me, I'm taking
Speaker 1: mine as a bad shout out doctor Bivins in Vegas,
Speaker 1: that's who I go to. Man, are you worried, like, like,
Speaker 1: have you had anyone try to try for one of
Speaker 1: these dogs? No't like that. It's pretty hot out here.
Speaker 1: I ain't going like that. Yeah, I feel like owning
Speaker 1: a Frenchie is like a fucking security hazard. No, really
Speaker 1: believe they doing that to like people. They feel like,
Speaker 1: you know, let's go a board push over somebody. Like
Speaker 1: you know what I'm saying, Uh, what's the hottest dog
Speaker 1: besides the Frenchie? If you were? If you were? Sorry,
Speaker 1: English bulldogs so English. I got English bulldogs, but I've
Speaker 1: just seen some new some new Frenchies. They got the
Speaker 1: new ones on them. In the fluffy they got like
Speaker 1: a rope, like a sharp pey. Hm hmm, like crazy.
Speaker 1: You know, they mixed with something, even the mutant dog.
Speaker 1: Even the fluffies are mixed like all that shit is
Speaker 1: like genetics. That sh just got probably mixed with cocker
Speaker 1: spaniel or something. Jesus, how does that work? Is they
Speaker 1: just make these dogs until they get something cool, like
Speaker 1: we figured it out. So they it's just like it's
Speaker 1: like Okay, they probably tried the first time and it's
Speaker 1: just too too much. So what happens with those dogs?
Speaker 1: They send it out then it out to give those
Speaker 1: dogs away to put them down, probably be at the
Speaker 1: at the spcation where so they thin it out until
Speaker 1: it's like more of what they so like, even though
Speaker 1: Billy Billy is really like an English bulldog in the
Speaker 1: uh in the pit bull, so I got the pit
Speaker 1: bull ahead and the English bulldog body. Those poor bullies, man,
Speaker 1: they just look uncomfortable. They're just like you can't see
Speaker 1: mine if I showed you mine. Shout out to bipolar.
Speaker 1: Oh this that's the father of my You have a
Speaker 1: boy right now that niggas buff is here. How do
Speaker 1: you get a dog buff? It's got to be in
Speaker 1: one of the genetics. Oh so you don't like work out,
Speaker 1: knock it out now, they just genetically like that. Like
Speaker 1: his arms is just cocky like that, and you and
Speaker 1: all his puffs you know that? Yeah, Wow, shout out
Speaker 1: to him. Probably a terrible father man. You don't even
Speaker 1: know all his kids. That's what I mean. He's fucked up.
Speaker 1: Bi polar is a bad day anyway. So you say,
Speaker 1: Young Jr. Just dropped, and JR Just dropped, Skinny Tea
Speaker 1: dropped tomorrow, Fantee drop on twenty fifth dollar, Dame drop
Speaker 1: on the fourteen. That's all in February, and then ship
Speaker 1: we got Mac got de Bot dropping on the third,
Speaker 1: Little Steve happen. We're working, man, Like you know, if
Speaker 1: you're in tuning me, then you're gonna be in tuning
Speaker 1: timm me see what's going on. Just bang, just drop
Speaker 1: my nephew j money about to drop. Man, were working,
Speaker 1: I ain't doing no plan. Not gambling on the game obviously,
Speaker 1: because you don't even know who's in it. You're not
Speaker 1: gambling on the Super Bowl. No, no, come on, I
Speaker 1: don't gamble on none. I can't control. Well, then what
Speaker 1: do you gamble on? I used to gamble shooting dice.
Speaker 1: You can't control that myself. I'm shooting dice, but you
Speaker 1: can't control with the dice. Bet on myself where you shoot?
Speaker 1: You bet on the next man. I'm gonna say, were
Speaker 1: you shooting with some loaded dice? No? No, no, I'm
Speaker 1: not going to bet on the next man. I don't know.
Speaker 1: You know what I'm saying, that go out. He might
Speaker 1: be having a bad day. He's like, I only bet
Speaker 1: on myself, and if I provide the dice to the game. No, no,
Speaker 1: no, no no no, I don't got to provide the dice.
Speaker 1: But the person that provide the dice most likely be
Speaker 1: the one that lose. That's like the myth. But yeah,
Speaker 1: do you like playing craps in Vegas? Yeah? I can't
Speaker 1: just bet on if you plan today? Who I can't
Speaker 1: bet on? You might be having a bad day. You
Speaker 1: might be arguing with your girl, you might be rigged.
Speaker 1: They might pay you to to not score or whatever.
Speaker 1: I don't got time for that, you know what I'm saying.
Speaker 1: Rather it's just you watch sports. Uh. I don't really
Speaker 1: watch TV nothing. Only thing I've been watching is uh
Speaker 1: BMF and uh Godfather Harlem shot out to Forrest Whittaker.
Speaker 1: That just came back on. I was watching Snowfall. Snowfall's
Speaker 1: coming back. Yeah, shit like that. You don't watch Yellowstone,
Speaker 1: uh with the other one, not BMF, the other fifty
Speaker 1: cent movies power power that. Well there it is filthy rich.
Speaker 1: We're in Arizona for the Super Bowl. Who playing again?
Speaker 1: The Eagles and the Chiefs. Patrick mahonmes Rius Jalen HURTSKC.
Speaker 1: I'm gonna go old case Man shot out Casey Man.
Speaker 1: I love Casey. Yeah. That is obviously a very Uh
Speaker 1: that's where mac dre passed away. Yeah. Man, I was
Speaker 1: just out there. Man, they love me out too, I
Speaker 1: bet they do. It's like another Bay it is it
Speaker 1: is they shut a love man for sure. Who's going from?
Speaker 1: I mean I booked me I booked Meek Mill one night,
Speaker 1: so I'm kind of hoping the Eagles win. You bet
Speaker 1: I do? Bet? Yeah? Yeah, I'm saying you bet it
Speaker 1: on the game. I haven't bet yet. I haven't decided yet. Man.
Speaker 1: I just got into town last night. So the sports
Speaker 1: books are legal here, they're not legal in Cali. So
Speaker 1: I gotta I gotta look at the lines. You know,
Speaker 1: I'm gonna keep your money, man, I'm gonna throw some
Speaker 1: I gotta put a taste on it, mane, I just
Speaker 1: need a taste. Nothing crazy. You got You got Meek
Speaker 1: at eleven eleven. Yeah, I got enough gambling happening with
Speaker 1: all the artists that I've fucking booked this weekend. Okay,
Speaker 1: so the gamble's happening for sure, It's just it's not
Speaker 1: on the game. But yo, man, filthy rich. Appreciate you
Speaker 1: pulling up brother appreciation. Yes, sir, we'll get back up
Speaker 1: in Cali soon. Boom