WEBVTT - #270 Philthy Rich

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<v Speaker 1>Playcat Podcast Live from the super Bowl Arizona Shot to

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<v Speaker 1>Death Chairman, We got fifty rich in the building. What's good? Care?

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<v Speaker 1>How you doing? How are you doing out here? Rap

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<v Speaker 1>hustling is you like to call it? Yeah? Rap hustling man,

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<v Speaker 1>getting on the road, get into bad. So when you

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<v Speaker 1>come to like obviously you have a hosting tonight in town,

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<v Speaker 1>but when you come to a Z for a weekend

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<v Speaker 1>like super Bowl, Yeah, what is like the target? Like

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<v Speaker 1>how many verses you planning on recording this weekend? Shit,

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<v Speaker 1>I don't know who's gonna be out here. I know

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<v Speaker 1>you know it's gonna be packed. So see me what

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<v Speaker 1>I could see? Like, like me, I could just get

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<v Speaker 1>on the road and just go somewhere right and just

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<v Speaker 1>post just post up, post it online, hit me for

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<v Speaker 1>features shows, right whatever they gonna tap in videos. That's

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<v Speaker 1>just something I built. I kind of learned that from Jack, right,

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<v Speaker 1>you know what I'm saying, Like he used to tell

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<v Speaker 1>me that back in the day, like just come, it's

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<v Speaker 1>gonna be good. You might you might not. You never

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<v Speaker 1>know what you might run into, Like you might run

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<v Speaker 1>into a promoter that've been trying to book. You didn't

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<v Speaker 1>have no contact right might want to get a verse

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<v Speaker 1>from you, ship whatever, it might want to pay you

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<v Speaker 1>to come do a meet and greet like I you know,

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<v Speaker 1>I come from the era, just really like you know,

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<v Speaker 1>the independent grind. Yeah, you know what I'm saying. So

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<v Speaker 1>it's kind of easy. Would you pay for a feature

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<v Speaker 1>in a weekend like this if you run into the

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<v Speaker 1>right artists and they're like, yo, what's up, let's work

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<v Speaker 1>listing right now? Yeah? Nah, I ain't paying you ain't

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<v Speaker 1>paying nobody for a future. No, not at this point.

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<v Speaker 1>Like back in the day when I first started rapping,

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<v Speaker 1>you know what I'm saying. But I know everybody, who's

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<v Speaker 1>the most expensive feature you ever had to pay for?

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<v Speaker 1>Back in the day when all the features were the

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<v Speaker 1>same price, which is what it was admes, Okay, I

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<v Speaker 1>ain't never pay no more than that. That's not bad.

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<v Speaker 1>It comes to the videos. It was like my early yeah,

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<v Speaker 1>early on what year we're thinking when I first started rapping,

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<v Speaker 1>just running to niggas and not having a relationship. Let

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<v Speaker 1>me cast you out. They have no problem. It wasn't

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<v Speaker 1>even about that. It's just like, man, what's up? Like

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<v Speaker 1>I'm trying to get you on my own, my song. Yeah,

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<v Speaker 1>I know what it is. You know what I'm saying, right,

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<v Speaker 1>I don't know him, he don't know me. It's just

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<v Speaker 1>like the same thing for me, right, I mean, I

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<v Speaker 1>can't be biased about it, you know. I mean, people

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<v Speaker 1>don't boll features for me. So if jay Z you're

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<v Speaker 1>running the whole hope, it's like, yo, I got you

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<v Speaker 1>just five bands, you better do that for Z feature

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<v Speaker 1>and listen, that's that's unbelieving. Running to the bank. You

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<v Speaker 1>don't got to run the bank, but that's unbelievable. Run

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<v Speaker 1>to your you don't have to. It's gonna cause more

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<v Speaker 1>that to clear that dad, for sure, that's impossible. So

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<v Speaker 1>one hundred percent, you know, I'm just I'm putting out.

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<v Speaker 1>I mean, I look at it, like twenty five thousand,

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<v Speaker 1>it's not a lot for jay Z. So it's like

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<v Speaker 1>I feel like if he'd do it for that, he

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<v Speaker 1>had just do it for free. If he's seen my

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<v Speaker 1>used to be seeing my talent, my work ethic and

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<v Speaker 1>like you know what I'm saying, Like a lot of

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<v Speaker 1>people hit me up. I tell him my price. So

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<v Speaker 1>it's like people don hit me up before them be

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<v Speaker 1>like okay, I can I keep you this and I'm like, nah, right,

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<v Speaker 1>I'm like him. If I'm gonna do it for that,

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<v Speaker 1>might as well just do it for free. Uh. You

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<v Speaker 1>obviously have been building out your label for long time,

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<v Speaker 1>putting together a dope roster artists. Yeah. Really, I've just

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<v Speaker 1>been focused this year on that. That's why I really

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<v Speaker 1>ain't been dropping too much music. I've been focusing on

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<v Speaker 1>them getting all a getting everything with them situated in together.

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<v Speaker 1>So how many artists do you have signed to you

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<v Speaker 1>right now? Because I feel like you got a nice,

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<v Speaker 1>a nice team on fo dis Yeah, twelve thirteen artists.

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<v Speaker 1>That's a lot of people. So is it like, obviously,

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<v Speaker 1>when you sign an artist, how much of it is

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<v Speaker 1>you know, do you kind of feel like you might

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<v Speaker 1>be spreading yourself too thin or you kind of are

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<v Speaker 1>you signing self starters guys who are gonna go get

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<v Speaker 1>to it and then you kind of come in and

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<v Speaker 1>add So like in the beginning, we do like artists development,

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<v Speaker 1>We work and we build and teaching them how to

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<v Speaker 1>you know, stop recording on mixtape, beach proper, mixed faster

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<v Speaker 1>and artwork. You know what I'm saying, all that we

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<v Speaker 1>getting together and I gotta really see this is what

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<v Speaker 1>you really want to do. Things like you got to

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<v Speaker 1>show me that because you know tomorrow you might wake

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<v Speaker 1>up and say I don't want to rap more or

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<v Speaker 1>or whatever situation. So it's like, okay, cool, I got

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<v Speaker 1>to know that you really dedicated to this For me

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<v Speaker 1>to I can't want more than you want it. This

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<v Speaker 1>is I'm living my dream. This is your dream that

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<v Speaker 1>I'm trying to help you, you know what I'm saying.

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<v Speaker 1>So with that being said, we'll start off like that,

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<v Speaker 1>and then as we go towards that, and then we'll

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<v Speaker 1>work into bigger and better most are is there like

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<v Speaker 1>any are you pretty much keeping your your roster Bayry

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<v Speaker 1>oriented or just wherever. I didn't have artists outside of California,

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<v Speaker 1>But as of right now, everybody like I've been just

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<v Speaker 1>be focusing on East Oplan. He's Oakland. Yeah, I'm the hometown. Yeah.

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<v Speaker 1>It's kind of uh, kind of you know, because I

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<v Speaker 1>feel like San Francisco has been changing so much. Oakland's

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<v Speaker 1>been changing so much over the last since the pandemic happened. Yeah,

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<v Speaker 1>shit is kind of crazy. Like when you go back,

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<v Speaker 1>it feels like there's like a lot of energy has

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<v Speaker 1>been sucked out of certain parts of the Bay Do

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<v Speaker 1>you feel like when you go back, it was a

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<v Speaker 1>little different since I feel like the pandemic obviously a

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<v Speaker 1>lot of clubs closed, a lot of spots closed. I

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<v Speaker 1>ain't really never was like no really music night scene

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<v Speaker 1>in the Bay Area because like a lot of artists

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<v Speaker 1>that come in town and be like, like where should

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<v Speaker 1>I go tonight? And it don't be nowhere to go,

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<v Speaker 1>you know what I'm saying. So that's kind of always

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<v Speaker 1>been a thing. It's always been like that. Then I

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<v Speaker 1>can go to anywhere else and they got like a

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<v Speaker 1>night scene like the area you can't go nowhere, like

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<v Speaker 1>like shout out to my boy book pay So DJ millions.

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<v Speaker 1>But I love they've been doing a thing right now,

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<v Speaker 1>as in like the hip hop like I would say,

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<v Speaker 1>like underground, you know what I'm saying, JA twelve what

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<v Speaker 1>else I love? I mean, Drew Banger, They've been they've

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<v Speaker 1>been doing like what they can do for the Bay Area,

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<v Speaker 1>open San Francisco, like the underground music scenes, throwing parties,

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<v Speaker 1>you know what I'm saying. Bringing attention, you know, I

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<v Speaker 1>feel like a light on the city. I was gonna say,

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<v Speaker 1>obviously you've got a great relationship with Gauzi as do I.

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<v Speaker 1>We both work with gazi Uh and he's so passionate

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<v Speaker 1>about kind of like the keeping as much energy and

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<v Speaker 1>resources that he has going on in you know, in

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<v Speaker 1>the Bay Area. Do you feel that kind of similar responsibility.

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<v Speaker 1>Of course, that's why I said I'm focused on Yeah,

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<v Speaker 1>I'm like, okay, cool, I din't I didn't work with them,

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<v Speaker 1>to everybody in the bag. So it's like, it's a

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<v Speaker 1>lot of talent where I'm from, So let me focus

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<v Speaker 1>on that first, and then when I'm done with that.

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<v Speaker 1>You know what I'm saying, don't you know, spread yourself

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<v Speaker 1>to take on too much, but let me let me

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<v Speaker 1>do my part. Yeah. It's funny because last time I

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<v Speaker 1>was in Detroit, you were in Detroit at the same time,

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<v Speaker 1>and you know, it feels like Detroit and the Bay

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<v Speaker 1>have a very they have like a kinship with each other.

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<v Speaker 1>And you've worked with so many artists out of the

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<v Speaker 1>the d What do you think it is about Detroit

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<v Speaker 1>and the Bay Area that it feels like they're kind

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<v Speaker 1>of their cousins, the similar culture. Plus you know, in

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<v Speaker 1>the past, other artists from the Bay I've worked with Detroit.

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<v Speaker 1>You know, but like the the way that's going on

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<v Speaker 1>now with the Detroit and opening the Bay Area, like

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<v Speaker 1>I helped bridge the gap. You know, I was really

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<v Speaker 1>going out there dealing with these artists, like giving them

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<v Speaker 1>game and connecting them with Gayzi and things that they

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<v Speaker 1>didn't know about music. They was putting out videos and

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<v Speaker 1>doing millions of views, but not getting paid for it,

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<v Speaker 1>not having a song on iTunes, not having a song registered,

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<v Speaker 1>no distribution, just rapping like for years they was doing that,

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<v Speaker 1>so they was getting frustrated, like like man, I'm you know, stagnated,

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<v Speaker 1>like with the rap, like I don't know how to

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<v Speaker 1>get money off of it. Like this video got five

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<v Speaker 1>million views on it haven't been paid crazy, you know

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<v Speaker 1>what I'm saying. Like underground hits like go to the

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<v Speaker 1>strip club, everybody in the club know the song. Is

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<v Speaker 1>that usually because the artist has the song uploaded on

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<v Speaker 1>or someone else up. Yeah, Like it'll be like on

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<v Speaker 1>the director's channel, right, got understand, Like if you pay

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<v Speaker 1>attention to like the major labels, they dropped the single

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<v Speaker 1>first and then they dropped the video, right, and that's

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<v Speaker 1>how it gets registered. You know what I'm saying, Caause

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<v Speaker 1>the song's already out, so it's already kind of Once

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<v Speaker 1>someone uploads it with that audio, it will it'll flag

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<v Speaker 1>it as as it belonging to you, and they'll be

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<v Speaker 1>mad the camera man, thinking the camera man did something

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<v Speaker 1>wrong and keeping their money in right, you know, and

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<v Speaker 1>shit like that. But you know, I mean the cameraman.

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<v Speaker 1>If it's on the camera man's channel, he probably shot

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<v Speaker 1>it for free most likely. Or the camera man is

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<v Speaker 1>probably even more popular than the artists. Yeah, he's got

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<v Speaker 1>more subscribers. So it's like, go ahead, uploaded on your shit.

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<v Speaker 1>Artists didn't even have their own YouTube channel, evo channel,

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<v Speaker 1>you know what I'm saying. So it's just you know, given,

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<v Speaker 1>you know, helping people be bosses and succeed and giving

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<v Speaker 1>them game or whatever. And you know, that's just it.

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<v Speaker 1>Like I've been doing that for years outside of my artists,

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<v Speaker 1>you know what I'm saying. I've never been the person

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<v Speaker 1>that like, you know, hold back information, will be stingy

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<v Speaker 1>whatever it is. Like you know, I'm saying, you getting money,

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<v Speaker 1>I'm getting money. It's not gonna stop. Like you know,

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<v Speaker 1>I'm saying. They printed shit every day, like like I

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<v Speaker 1>like to see everybody, everybody, Sean, what's up guys. Hey,

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<v Speaker 1>shout out to our family at blue Choo. Man, listen,

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<v Speaker 1>I know we always are getting feedback about our blue

0:09:14.040 --> 0:09:19.800
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0:09:19.800 --> 0:09:24.040
<v Speaker 1>always getting feedback about them. Usually it's they're fucking hilarious. Man.

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<v Speaker 1>You know, people love it when we talk about blue Choo.

0:09:26.960 --> 0:09:28.520
<v Speaker 1>But let me say this shit works. A lot of

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<v Speaker 1>people are like, look, man, I see you talking about bluetoo,

0:09:30.960 --> 0:09:33.480
<v Speaker 1>but it doesn't work. Yes, it works if y'all don't know. Bluechoo.

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<v Speaker 1>It's got the same active ingredient as viagrancialis, but in

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0:09:59.679 --> 0:10:02.400
<v Speaker 1>five doping that's it. And they'll be like, damn keV,

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<v Speaker 1>you were right, bro. My erections are lit as they

0:10:06.200 --> 0:10:10.560
<v Speaker 1>should be. Every erection should be as erect as possible.

0:10:11.080 --> 0:10:13.360
<v Speaker 1>You know, you don't want to be flaccid. You don't

0:10:13.360 --> 0:10:15.800
<v Speaker 1>want to be one of those seventy thirty guys. You

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<v Speaker 1>know that means that thirty percent of your dicks potentially

0:10:19.320 --> 0:10:24.360
<v Speaker 1>hardness is being uh underutilized. Could you use an extra

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<v Speaker 1>thirty percent hard? Maybe fifty percent hard? I don't know.

0:10:27.200 --> 0:10:28.520
<v Speaker 1>It depends on what you're dealing with the you're dealing

0:10:28.559 --> 0:10:31.079
<v Speaker 1>with stress in your life? Are you tired of having

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<v Speaker 1>sex with your girlfriend hard? To get it up? Well,

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<v Speaker 1>go to blue choo dot com right now, use the

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<v Speaker 1>for free. They also just drop the men chewable, same

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0:10:47.240 --> 0:10:49.400
<v Speaker 1>to do, I mean, you don't need to do anything

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<v Speaker 1>get back to the interview. You've been known to do

0:12:23.880 --> 0:12:27.720
<v Speaker 1>collaboration projects. Who's somebody who's out there that you're just

0:12:27.760 --> 0:12:31.320
<v Speaker 1>a fan of that you wouldn't mind doing a little

0:12:31.360 --> 0:12:35.439
<v Speaker 1>mixtape with if you had your choice. In La, I've

0:12:35.440 --> 0:12:37.680
<v Speaker 1>been rocking with my boy f and pay So we

0:12:37.800 --> 0:12:42.319
<v Speaker 1>talked about it. Also Big Sad nineteen hundred and then

0:12:43.360 --> 0:12:47.640
<v Speaker 1>right now I've been listening Rico cash Out Atlanta. Okay, Yeah,

0:12:47.760 --> 0:12:53.120
<v Speaker 1>shout out to Big Sad for you, like coming from

0:12:53.240 --> 0:12:57.360
<v Speaker 1>where you're from, the independent grind here, having opportunities to

0:12:57.440 --> 0:13:01.800
<v Speaker 1>sign with rock Nation in the past. Yeah, I'm sure

0:13:01.960 --> 0:13:03.720
<v Speaker 1>that wasn't the only opportunity you had to go to

0:13:03.720 --> 0:13:08.120
<v Speaker 1>the major route. Yeah, major thing works for some artists

0:13:08.120 --> 0:13:11.079
<v Speaker 1>because some artists I think are kind of lazy, and

0:13:11.120 --> 0:13:13.160
<v Speaker 1>I feel like it kind of there are artists out

0:13:13.160 --> 0:13:15.320
<v Speaker 1>there because I wouldn't say because they kind of lazy.

0:13:15.360 --> 0:13:19.160
<v Speaker 1>They might want to work more, but the label stops that. So,

0:13:19.200 --> 0:13:21.800
<v Speaker 1>like when you signed to a major, Like they kind

0:13:21.840 --> 0:13:26.240
<v Speaker 1>of don't I wouldn't say respect, but they kind of

0:13:26.280 --> 0:13:29.960
<v Speaker 1>don't want you like with the releasing, but they got

0:13:30.080 --> 0:13:32.280
<v Speaker 1>to understand like the culture you came from. Also, like

0:13:32.280 --> 0:13:34.600
<v Speaker 1>how do you guys got understand how you got there? Yeah,

0:13:34.720 --> 0:13:36.320
<v Speaker 1>So it's like they don't want They probably want to

0:13:36.360 --> 0:13:40.400
<v Speaker 1>drop an album, tour for a year, drop another album

0:13:40.440 --> 0:13:44.160
<v Speaker 1>after that. But it's like a lot of artists like

0:13:44.240 --> 0:13:47.960
<v Speaker 1>they keep their buzz by working, so like it's a

0:13:48.000 --> 0:13:50.480
<v Speaker 1>new artist coming in every day. So just say you

0:13:50.559 --> 0:13:52.920
<v Speaker 1>drop an album, shoot videos, put out for a year,

0:13:52.960 --> 0:13:54.600
<v Speaker 1>then tour for a year. That's like two years. By

0:13:54.640 --> 0:13:56.880
<v Speaker 1>time you come back, it's gonna be so many different

0:13:57.040 --> 0:13:59.440
<v Speaker 1>new artists out stack in this place. And if this

0:13:59.559 --> 0:14:02.480
<v Speaker 1>artist came from grinding, they're like, oh he not that

0:14:02.520 --> 0:14:05.320
<v Speaker 1>he fell off, but he just ain't being consistent. What's

0:14:05.360 --> 0:14:06.840
<v Speaker 1>for you? The reason why you didn't end up doing

0:14:06.840 --> 0:14:09.479
<v Speaker 1>the rock Nation thing, they wanted your catalog, right, Yeah,

0:14:09.520 --> 0:14:11.320
<v Speaker 1>so they just wanted the back catalog, which is how

0:14:11.440 --> 0:14:13.480
<v Speaker 1>fuck how many albums now? I want to know, but

0:14:13.559 --> 0:14:15.840
<v Speaker 1>it was just from whenever I released music. How many

0:14:15.880 --> 0:14:18.960
<v Speaker 1>albums currently do you have out? Is it over one hundred?

0:14:19.120 --> 0:14:23.120
<v Speaker 1>Way over hundred Jesus way over. But uh, I just

0:14:23.120 --> 0:14:25.040
<v Speaker 1>didn't feel like that, and luckily I didn't do it

0:14:25.040 --> 0:14:26.840
<v Speaker 1>and shout out to them. I dispected them however they

0:14:26.920 --> 0:14:28.880
<v Speaker 1>run their business. It's just that I wasn't ready for

0:14:28.920 --> 0:14:31.880
<v Speaker 1>it because like a lot of major artists, I mean

0:14:31.960 --> 0:14:34.160
<v Speaker 1>major labels, they could take you to make it to

0:14:34.200 --> 0:14:37.240
<v Speaker 1>a start, you know, and put you on a bigger platform.

0:14:37.240 --> 0:14:39.720
<v Speaker 1>And some artists won't that instead of won't you know

0:14:39.720 --> 0:14:41.080
<v Speaker 1>ge what I'm saying, they want the fame over it

0:14:41.160 --> 0:14:43.640
<v Speaker 1>in order to get over like the business part of

0:14:43.640 --> 0:14:46.120
<v Speaker 1>the situation. So it's like, okay, they jeopardized that. Luckily

0:14:46.120 --> 0:14:48.320
<v Speaker 1>I didn't do it because right when I had that

0:14:48.440 --> 0:14:51.400
<v Speaker 1>meeting COVID here right after, and that was that You're

0:14:51.400 --> 0:14:54.200
<v Speaker 1>supposed to be a tour going on. That's your residual

0:14:54.240 --> 0:14:56.360
<v Speaker 1>income coming in off the catalog, set in the house,

0:14:56.400 --> 0:14:59.040
<v Speaker 1>doing nothing, paying it for nothing, right, you know what

0:14:59.040 --> 0:15:01.440
<v Speaker 1>I'm saying. So you know, but I mean it could

0:15:01.440 --> 0:15:03.160
<v Speaker 1>have worked for somebody else though, because they was talking

0:15:03.160 --> 0:15:05.760
<v Speaker 1>about tour and putting you with this artist like what

0:15:05.800 --> 0:15:08.560
<v Speaker 1>they do too. They have a lot of big artists

0:15:08.560 --> 0:15:12.000
<v Speaker 1>sign to their labels they manage and they'll put you

0:15:12.040 --> 0:15:14.160
<v Speaker 1>with that artist because you'll look good with them, and

0:15:14.200 --> 0:15:16.040
<v Speaker 1>it'll be like this artist sign. Who are they trying

0:15:16.040 --> 0:15:19.960
<v Speaker 1>to put you with? I mean, it ain't too many

0:15:19.960 --> 0:15:21.760
<v Speaker 1>that I haven't been around. I didn't been around them all.

0:15:22.120 --> 0:15:23.600
<v Speaker 1>But when you're with rock Nation, who are they like?

0:15:23.640 --> 0:15:26.800
<v Speaker 1>Who do they envision put you with? Who's like you're

0:15:26.840 --> 0:15:28.920
<v Speaker 1>in the sales meeting and the pitch meeting where they're like, yo,

0:15:29.040 --> 0:15:30.720
<v Speaker 1>we think you fit. You sound great with this guy?

0:15:30.760 --> 0:15:35.000
<v Speaker 1>You fit if nobody. But we talked about different artists

0:15:35.040 --> 0:15:37.600
<v Speaker 1>I work with. But I know how it works. I

0:15:37.600 --> 0:15:39.880
<v Speaker 1>didn't seen it done before, you know what I'm saying.

0:15:39.920 --> 0:15:41.680
<v Speaker 1>So it's like, okay, cool, you got a label deal

0:15:41.720 --> 0:15:45.920
<v Speaker 1>over there. You need artists and you're at this label.

0:15:46.080 --> 0:15:49.360
<v Speaker 1>So we're gonna sign other artists and then put this

0:15:49.480 --> 0:15:51.960
<v Speaker 1>with you like you signed them, and you know, blow

0:15:52.000 --> 0:15:55.400
<v Speaker 1>it up. It's all about a look. Anybody who you

0:15:55.520 --> 0:15:57.800
<v Speaker 1>see doing the CEO ship as an artist that you

0:15:57.840 --> 0:16:00.320
<v Speaker 1>really kind of look up to or respect ship Barren

0:16:00.440 --> 0:16:07.360
<v Speaker 1>Man p he just puffy, Yeah, of course, puffy shit

0:16:08.000 --> 0:16:13.360
<v Speaker 1>all of them. You know what I'm saying, Cameron, anybody

0:16:13.400 --> 0:16:16.640
<v Speaker 1>that put they people in position, you know what I'm saying,

0:16:16.760 --> 0:16:19.560
<v Speaker 1>even if it was a fail, even if it was successful,

0:16:19.600 --> 0:16:22.200
<v Speaker 1>they tried, right, you know what I'm saying, So you

0:16:22.560 --> 0:16:23.960
<v Speaker 1>have you been noticing? I was just saying, have you

0:16:24.000 --> 0:16:27.520
<v Speaker 1>been noticing everyone's selling their catalog because they don't have

0:16:27.520 --> 0:16:30.240
<v Speaker 1>to grind the shitting they sit in the house, or

0:16:30.240 --> 0:16:33.120
<v Speaker 1>they don't know how to manage money, so or you

0:16:33.360 --> 0:16:35.760
<v Speaker 1>understand like when when the pandemic hit, like a lot

0:16:35.800 --> 0:16:39.920
<v Speaker 1>of them, maybe we're living above their means and living

0:16:39.960 --> 0:16:42.960
<v Speaker 1>off shows. And we're talking about like the justin Timberlakes

0:16:42.960 --> 0:16:46.800
<v Speaker 1>that Justin Bieber's QC just sold for three hundred million

0:16:46.840 --> 0:16:50.360
<v Speaker 1>dollars like QC Pete, Yeah, he sold what the whole

0:16:50.600 --> 0:16:53.080
<v Speaker 1>of QC got just sold three hundred million to screw

0:16:53.160 --> 0:16:56.240
<v Speaker 1>to bron Shit, it's probably a crazy ass memory you

0:16:56.280 --> 0:16:58.520
<v Speaker 1>can't turn down. I would have sold that ship two

0:16:58.560 --> 0:17:01.360
<v Speaker 1>for three hundred million. But I bet you if he

0:17:01.440 --> 0:17:03.080
<v Speaker 1>sold it for three hundred me, I bet you, Like

0:17:03.320 --> 0:17:05.320
<v Speaker 1>the ship is right to work. Cool, Like once you

0:17:05.720 --> 0:17:08.600
<v Speaker 1>recoup that, they get it back. But like even if

0:17:08.640 --> 0:17:10.680
<v Speaker 1>you say it Coogue, it's not forever three hundred I

0:17:10.680 --> 0:17:12.439
<v Speaker 1>don't know, I don't know. I'm gonna give you three

0:17:12.520 --> 0:17:15.560
<v Speaker 1>hundred million dollars. It's me over here. Now you better

0:17:15.600 --> 0:17:17.680
<v Speaker 1>put you better put some new shit out. It all

0:17:17.680 --> 0:17:21.000
<v Speaker 1>depends on like how how structured to deal structure. Every

0:17:21.000 --> 0:17:23.760
<v Speaker 1>deal is different because like you know, like I heard,

0:17:23.760 --> 0:17:25.600
<v Speaker 1>like if you say a catalog like it comes back

0:17:25.600 --> 0:17:28.760
<v Speaker 1>to you after a certain time or whatever, it's not forever. Son. Listen, man,

0:17:28.920 --> 0:17:32.440
<v Speaker 1>three hundred million dollars, this is me over here for

0:17:32.440 --> 0:17:36.120
<v Speaker 1>perpetuity for sure. I mean, I'm sure he's gonna make

0:17:36.240 --> 0:17:38.359
<v Speaker 1>not just three hundred, he's gonna be okay, like he

0:17:38.480 --> 0:17:43.560
<v Speaker 1>might make six hundred and then double back. They're talking

0:17:43.560 --> 0:17:46.439
<v Speaker 1>about Michael Jackson's catalog. His family's gonna sell half of

0:17:46.480 --> 0:17:49.360
<v Speaker 1>it for nine hundred million dollars, but she's about half

0:17:49.480 --> 0:17:53.120
<v Speaker 1>jaccent Michael Jackson, like every song on his album used

0:17:53.160 --> 0:17:55.600
<v Speaker 1>to be a single going platinum what I'm saying, But

0:17:55.640 --> 0:17:58.080
<v Speaker 1>it's just crazy. It's crazy to think seven songs on

0:17:58.119 --> 0:18:00.440
<v Speaker 1>the tape, so his whole catalogs were like one point

0:18:00.480 --> 0:18:04.120
<v Speaker 1>eight billion dollars. It's insane. At that point in time,

0:18:04.160 --> 0:18:05.320
<v Speaker 1>you just take the money, Like what else are you

0:18:05.400 --> 0:18:07.600
<v Speaker 1>gonna do? Like what do you need more money for it?

0:18:07.720 --> 0:18:09.560
<v Speaker 1>I don't even see why they doing that. I'm sure

0:18:09.560 --> 0:18:11.680
<v Speaker 1>his music is generating a lot of money. How much

0:18:11.680 --> 0:18:13.320
<v Speaker 1>money is too much money? Like where where do you

0:18:13.400 --> 0:18:15.520
<v Speaker 1>just say, okay, we made it like we have. We

0:18:15.560 --> 0:18:18.679
<v Speaker 1>can relax no matter what, like going vacation to be working.

0:18:18.800 --> 0:18:22.040
<v Speaker 1>Do you go on vacation, but my vacations be worked?

0:18:22.359 --> 0:18:25.080
<v Speaker 1>Like this is my vacation now, I'm chilling. You're in

0:18:25.200 --> 0:18:28.000
<v Speaker 1>super Bowl week in Arizona. The next come out here

0:18:28.080 --> 0:18:30.360
<v Speaker 1>with that. I know, but that's what I'm saying. It's

0:18:30.400 --> 0:18:32.440
<v Speaker 1>not a vacation. You're out here grinding. I don't even

0:18:32.480 --> 0:18:35.919
<v Speaker 1>know who in the super Bowl Eagles and Chiefs. Okay,

0:18:36.720 --> 0:18:38.400
<v Speaker 1>come out here for that. I just came to work.

0:18:39.320 --> 0:18:41.560
<v Speaker 1>So when are you go on vacation now? Like you

0:18:41.600 --> 0:18:43.879
<v Speaker 1>never go to like can Coon and just chill, but

0:18:43.960 --> 0:18:46.000
<v Speaker 1>I still work. But what are you doing in Can't Coon?

0:18:46.040 --> 0:18:48.520
<v Speaker 1>Mother fucking the Mexican rappers pooing up with the bag

0:18:48.520 --> 0:18:50.560
<v Speaker 1>and that I'm talking about stil like in tune to

0:18:50.560 --> 0:18:53.320
<v Speaker 1>like what's going on my artists's like, Man, I'm indio

0:18:53.480 --> 0:18:56.359
<v Speaker 1>can Coon? I throw the fly up, guys, I'm a

0:18:56.440 --> 0:18:58.520
<v Speaker 1>hard rock cant coon. I just see I didn't ran

0:18:58.560 --> 0:19:01.199
<v Speaker 1>to people everywhere that a nigga like, I mean, I'm

0:19:01.240 --> 0:19:04.240
<v Speaker 1>sure people probably do music and can't come like I don't.

0:19:04.520 --> 0:19:08.960
<v Speaker 1>Just went to Hawaii. Are you allowed to go to Canada? Yeah?

0:19:09.080 --> 0:19:12.960
<v Speaker 1>That's rough. They don't play over there. Huh. And I

0:19:12.960 --> 0:19:17.240
<v Speaker 1>got hit up, I hit Drake up. That's Toronto. Well

0:19:17.240 --> 0:19:20.680
<v Speaker 1>Toronto is in Canada. Yeah he has the pool. Yeah

0:19:20.840 --> 0:19:23.359
<v Speaker 1>you have to, Yeah for sure. What's up, y'all, bootleg

0:19:23.440 --> 0:19:26.040
<v Speaker 1>keV here? Hey look my bookie, man, it's a big

0:19:26.080 --> 0:19:30.560
<v Speaker 1>weekend in sports. The big game is Sunday, Chiefs versus Eagles.

0:19:31.000 --> 0:19:34.639
<v Speaker 1>I'm all in on the Eagles. I like Jalen Hurts,

0:19:35.200 --> 0:19:37.480
<v Speaker 1>over on the passing yards, over on the rushing yards.

0:19:37.520 --> 0:19:40.960
<v Speaker 1>Anytime touchdown score, give me Dallas Goddter. Anytime touchdown score,

0:19:41.240 --> 0:19:44.840
<v Speaker 1>give me the over. And if anyone on the Chiefs

0:19:44.920 --> 0:19:46.840
<v Speaker 1>is going to score, I like that Pacheco kid. I

0:19:46.880 --> 0:19:48.639
<v Speaker 1>like the little running back guy. And of course you

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<v Speaker 1>got to hammer a Travis Kelce anytime touchdown score. You

0:19:51.320 --> 0:19:53.400
<v Speaker 1>could do all that at my bookie right now. All right,

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0:19:56.760 --> 0:19:58.680
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<v Speaker 1>a thousand. You put nine hundred and ninety nine dollars in,

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<v Speaker 1>they're gonna give you another nine ninety nine. You put

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<v Speaker 1>one thousand in, they're gonna give you another thousand. By

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<v Speaker 1>the way, if you do the nine ninety nine, why

0:20:31.840 --> 0:20:34.120
<v Speaker 1>not just do the full thousand, You cheap bastard. Anyway,

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<v Speaker 1>my bookie right now, man, it's a big weekend. Also,

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<v Speaker 1>I just wanted to like to point out everyone should

0:20:38.000 --> 0:20:40.119
<v Speaker 1>be putting some of that money, sprinkling a little bit

0:20:40.160 --> 0:20:41.879
<v Speaker 1>of that action on the Phoenix Suns to win the

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<v Speaker 1>championship this year because we have Kevin Durant. Oh yeah,

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<v Speaker 1>oh yeah, my bookie. Sign up with that promo code Bootleg. Also,

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<v Speaker 1>shout out to our family at Hardean Hardan Las Vegas. Yes,

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<v Speaker 1>This is the best place I've ever been to in

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<v Speaker 1>building in Las Vegas is bar none the best. It's

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<v Speaker 1>Stone party on Friday, super Bowl weekend, Fabulous Thursday, Offset Friday,

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<v Speaker 1>at it. Go to the website Hardeinlasvegas dot com. So

0:21:39.040 --> 0:21:42.879
<v Speaker 1>much fly gear, so much flyweed. What are we talking about? Baby?

0:21:42.920 --> 0:21:45.199
<v Speaker 1>Shout out to Hardean. Man, that's the family. Man. Go

0:21:45.400 --> 0:21:47.520
<v Speaker 1>if you're in Vegas, pull up on them man, Hardean,

0:21:47.600 --> 0:21:51.440
<v Speaker 1>Las Vegas. What else? Obviously we were talking about the label.

0:21:51.480 --> 0:21:53.800
<v Speaker 1>But for you, what is coming up for you? Man?

0:21:53.920 --> 0:21:59.160
<v Speaker 1>I just dropped the EP weekend in LA, like last

0:21:59.200 --> 0:22:02.159
<v Speaker 1>weekend for my birthday. That assuming that was recorded on

0:22:02.160 --> 0:22:04.800
<v Speaker 1>the weekend in LA. Okay, yeah, you know I got

0:22:04.800 --> 0:22:07.239
<v Speaker 1>the week in Detroit, weekend in Houston, week in LA.

0:22:07.280 --> 0:22:09.160
<v Speaker 1>I want to do a weekend in New York ted

0:22:09.200 --> 0:22:11.680
<v Speaker 1>to a weekend in Phoenix. I got it. But it's

0:22:11.720 --> 0:22:14.600
<v Speaker 1>all LA artists on the album. It's a man, there's

0:22:14.600 --> 0:22:18.320
<v Speaker 1>some great artists here. Name so Chris Coke, who his

0:22:18.480 --> 0:22:24.040
<v Speaker 1>name is, Chris Coke, Chris Coke, whoever Daily Finesse, Markhams, Markhams.

0:22:24.080 --> 0:22:26.280
<v Speaker 1>There's some amazing artists here. I'll put you on shout

0:22:26.280 --> 0:22:29.399
<v Speaker 1>out to all of them there. Chris Coke is hard. Yeah, okay,

0:22:29.880 --> 0:22:31.080
<v Speaker 1>but that's how I did it. Like when I went

0:22:31.119 --> 0:22:34.480
<v Speaker 1>to Detroit, recorded the music, went to Houston, link up

0:22:34.480 --> 0:22:36.320
<v Speaker 1>with the artists in the city. Yeah, like the hottest

0:22:36.359 --> 0:22:39.080
<v Speaker 1>artists out there right now, you know. But I wanted

0:22:39.119 --> 0:22:42.160
<v Speaker 1>to go on in New York and then like all

0:22:42.240 --> 0:22:44.639
<v Speaker 1>my artists, like probably like four of them all dropping

0:22:44.680 --> 0:22:49.320
<v Speaker 1>in February. Shit, it's my young junir just drop skinny

0:22:49.320 --> 0:22:52.320
<v Speaker 1>tea drop tomorrow. How big is your team? Like that

0:22:52.400 --> 0:22:54.960
<v Speaker 1>helps you with all this stuff? It's just really me

0:22:55.040 --> 0:22:59.560
<v Speaker 1>and my product manager that Impire. Who's that now? Our

0:22:59.640 --> 0:23:03.080
<v Speaker 1>name is Olivia now oh shot to live Live Solid.

0:23:03.640 --> 0:23:07.040
<v Speaker 1>That's just me and her every day. That's it. Huh.

0:23:07.240 --> 0:23:09.760
<v Speaker 1>You should hire one more person. Well, I got I

0:23:09.800 --> 0:23:12.720
<v Speaker 1>got a Norton, got my boy in La Matt Black

0:23:13.920 --> 0:23:18.320
<v Speaker 1>with Corey in Vegas in Oakland, my boy depot. How

0:23:18.440 --> 0:23:25.600
<v Speaker 1>is the dog breeding business over with? The pandemic over with? Yeah?

0:23:25.640 --> 0:23:27.800
<v Speaker 1>Because no one's got all that PPP money to drop

0:23:27.840 --> 0:23:31.720
<v Speaker 1>on their exotic frenchies by six dogs a day. Jesus

0:23:31.920 --> 0:23:33.919
<v Speaker 1>at one time, where do you keep all of the dogs.

0:23:34.200 --> 0:23:37.479
<v Speaker 1>I had bought a whole built the whole dog like house,

0:23:38.119 --> 0:23:40.160
<v Speaker 1>like I spell, like two fifty like on the house,

0:23:40.440 --> 0:23:44.680
<v Speaker 1>like marble floors a c They had like stalls in

0:23:44.760 --> 0:23:50.080
<v Speaker 1>their glass. You could see them through backyard basketball court water.

0:23:50.119 --> 0:23:52.840
<v Speaker 1>Well it was the dogs had a basketball court. It

0:23:52.880 --> 0:23:55.320
<v Speaker 1>was It was nice. You know what I'm saying. But

0:23:55.359 --> 0:24:00.120
<v Speaker 1>who's jerking the dog off the vet? Vet? Yeah? Playing

0:24:00.160 --> 0:24:03.240
<v Speaker 1>like that? Ain't that serious? My boy in Vegas does

0:24:03.480 --> 0:24:06.600
<v Speaker 1>does it himself? They don't. They don't got time to

0:24:06.640 --> 0:24:09.520
<v Speaker 1>go Las Vegas money bullies. Look at him. Ron Dieszel

0:24:09.560 --> 0:24:11.919
<v Speaker 1>loves jerking his dogs. I don't seen a lot of

0:24:11.960 --> 0:24:14.320
<v Speaker 1>people do it, Like I'd've been to a lot of

0:24:14.359 --> 0:24:17.240
<v Speaker 1>different places. They put the dog down through everything, like

0:24:17.320 --> 0:24:19.040
<v Speaker 1>take the seaman out, put it in the girl, put

0:24:19.080 --> 0:24:22.639
<v Speaker 1>it asleep, story, back up, everything like right there, like

0:24:23.040 --> 0:24:25.879
<v Speaker 1>at a house. That sounds like something like going to

0:24:26.080 --> 0:24:29.320
<v Speaker 1>someone's house to get a BBL. Yeah, that sounds wild crazy.

0:24:29.800 --> 0:24:32.440
<v Speaker 1>We got dogs in the getting that much money off

0:24:32.440 --> 0:24:34.320
<v Speaker 1>that shit? You don't got time for all that. Like

0:24:34.520 --> 0:24:36.320
<v Speaker 1>it's kind of crazy too, like with all the robberies

0:24:36.359 --> 0:24:38.600
<v Speaker 1>that be happening on these frenchies see me, I'm taking

0:24:38.600 --> 0:24:41.200
<v Speaker 1>mine as a bad shout out doctor Bivins in Vegas,

0:24:41.840 --> 0:24:44.919
<v Speaker 1>that's who I go to. Man, are you worried, like, like,

0:24:44.960 --> 0:24:46.560
<v Speaker 1>have you had anyone try to try for one of

0:24:46.600 --> 0:24:50.199
<v Speaker 1>these dogs? No't like that. It's pretty hot out here.

0:24:50.560 --> 0:24:53.520
<v Speaker 1>I ain't going like that. Yeah, I feel like owning

0:24:53.560 --> 0:24:56.960
<v Speaker 1>a Frenchie is like a fucking security hazard. No, really

0:24:56.960 --> 0:24:58.840
<v Speaker 1>believe they doing that to like people. They feel like,

0:24:59.040 --> 0:25:01.639
<v Speaker 1>you know, let's go a board push over somebody. Like

0:25:01.680 --> 0:25:05.280
<v Speaker 1>you know what I'm saying, Uh, what's the hottest dog

0:25:05.359 --> 0:25:07.480
<v Speaker 1>besides the Frenchie? If you were? If you were? Sorry,

0:25:07.560 --> 0:25:10.720
<v Speaker 1>English bulldogs so English. I got English bulldogs, but I've

0:25:10.760 --> 0:25:13.720
<v Speaker 1>just seen some new some new Frenchies. They got the

0:25:13.760 --> 0:25:16.200
<v Speaker 1>new ones on them. In the fluffy they got like

0:25:16.200 --> 0:25:18.959
<v Speaker 1>a rope, like a sharp pey. Hm hmm, like crazy.

0:25:19.000 --> 0:25:22.160
<v Speaker 1>You know, they mixed with something, even the mutant dog.

0:25:22.320 --> 0:25:25.520
<v Speaker 1>Even the fluffies are mixed like all that shit is

0:25:25.600 --> 0:25:28.359
<v Speaker 1>like genetics. That sh just got probably mixed with cocker

0:25:28.400 --> 0:25:31.600
<v Speaker 1>spaniel or something. Jesus, how does that work? Is they

0:25:31.640 --> 0:25:34.399
<v Speaker 1>just make these dogs until they get something cool, like

0:25:34.440 --> 0:25:37.120
<v Speaker 1>we figured it out. So they it's just like it's

0:25:37.240 --> 0:25:40.240
<v Speaker 1>like Okay, they probably tried the first time and it's

0:25:40.320 --> 0:25:42.640
<v Speaker 1>just too too much. So what happens with those dogs?

0:25:42.680 --> 0:25:44.480
<v Speaker 1>They send it out then it out to give those

0:25:44.520 --> 0:25:46.600
<v Speaker 1>dogs away to put them down, probably be at the

0:25:46.720 --> 0:25:50.240
<v Speaker 1>at the spcation where so they thin it out until

0:25:50.240 --> 0:25:52.120
<v Speaker 1>it's like more of what they so like, even though

0:25:52.119 --> 0:25:55.439
<v Speaker 1>Billy Billy is really like an English bulldog in the

0:25:55.560 --> 0:25:57.600
<v Speaker 1>uh in the pit bull, so I got the pit

0:25:57.680 --> 0:26:00.760
<v Speaker 1>bull ahead and the English bulldog body. Those poor bullies, man,

0:26:00.800 --> 0:26:05.120
<v Speaker 1>they just look uncomfortable. They're just like you can't see

0:26:05.160 --> 0:26:07.720
<v Speaker 1>mine if I showed you mine. Shout out to bipolar.

0:26:07.760 --> 0:26:11.119
<v Speaker 1>Oh this that's the father of my You have a

0:26:11.119 --> 0:26:14.359
<v Speaker 1>boy right now that niggas buff is here. How do

0:26:14.400 --> 0:26:17.000
<v Speaker 1>you get a dog buff? It's got to be in

0:26:17.000 --> 0:26:19.160
<v Speaker 1>one of the genetics. Oh so you don't like work out,

0:26:19.240 --> 0:26:21.320
<v Speaker 1>knock it out now, they just genetically like that. Like

0:26:21.359 --> 0:26:24.520
<v Speaker 1>his arms is just cocky like that, and you and

0:26:24.600 --> 0:26:28.800
<v Speaker 1>all his puffs you know that? Yeah, Wow, shout out

0:26:28.840 --> 0:26:32.480
<v Speaker 1>to him. Probably a terrible father man. You don't even

0:26:32.480 --> 0:26:34.160
<v Speaker 1>know all his kids. That's what I mean. He's fucked up.

0:26:34.359 --> 0:26:38.320
<v Speaker 1>Bi polar is a bad day anyway. So you say,

0:26:39.840 --> 0:26:42.800
<v Speaker 1>Young Jr. Just dropped, and JR Just dropped, Skinny Tea

0:26:43.840 --> 0:26:48.720
<v Speaker 1>dropped tomorrow, Fantee drop on twenty fifth dollar, Dame drop

0:26:48.760 --> 0:26:54.160
<v Speaker 1>on the fourteen. That's all in February, and then ship

0:26:54.320 --> 0:26:57.320
<v Speaker 1>we got Mac got de Bot dropping on the third,

0:26:59.160 --> 0:27:02.560
<v Speaker 1>Little Steve happen. We're working, man, Like you know, if

0:27:02.560 --> 0:27:04.200
<v Speaker 1>you're in tuning me, then you're gonna be in tuning

0:27:04.240 --> 0:27:07.200
<v Speaker 1>timm me see what's going on. Just bang, just drop

0:27:08.400 --> 0:27:11.199
<v Speaker 1>my nephew j money about to drop. Man, were working,

0:27:11.800 --> 0:27:15.359
<v Speaker 1>I ain't doing no plan. Not gambling on the game obviously,

0:27:15.400 --> 0:27:18.399
<v Speaker 1>because you don't even know who's in it. You're not

0:27:18.400 --> 0:27:20.760
<v Speaker 1>gambling on the Super Bowl. No, no, come on, I

0:27:20.800 --> 0:27:23.760
<v Speaker 1>don't gamble on none. I can't control. Well, then what

0:27:23.800 --> 0:27:26.600
<v Speaker 1>do you gamble on? I used to gamble shooting dice.

0:27:26.960 --> 0:27:31.159
<v Speaker 1>You can't control that myself. I'm shooting dice, but you

0:27:31.160 --> 0:27:33.560
<v Speaker 1>can't control with the dice. Bet on myself where you shoot?

0:27:33.720 --> 0:27:35.199
<v Speaker 1>You bet on the next man. I'm gonna say, were

0:27:35.200 --> 0:27:37.360
<v Speaker 1>you shooting with some loaded dice? No? No, no, I'm

0:27:37.400 --> 0:27:39.000
<v Speaker 1>not going to bet on the next man. I don't know.

0:27:39.560 --> 0:27:40.800
<v Speaker 1>You know what I'm saying, that go out. He might

0:27:40.840 --> 0:27:42.640
<v Speaker 1>be having a bad day. He's like, I only bet

0:27:43.000 --> 0:27:46.800
<v Speaker 1>on myself, and if I provide the dice to the game. No, no,

0:27:46.800 --> 0:27:48.760
<v Speaker 1>no, no no no, I don't got to provide the dice.

0:27:48.840 --> 0:27:51.560
<v Speaker 1>But the person that provide the dice most likely be

0:27:51.560 --> 0:27:55.640
<v Speaker 1>the one that lose. That's like the myth. But yeah,

0:27:56.520 --> 0:27:59.600
<v Speaker 1>do you like playing craps in Vegas? Yeah? I can't

0:27:59.600 --> 0:28:03.800
<v Speaker 1>just bet on if you plan today? Who I can't

0:28:03.800 --> 0:28:05.200
<v Speaker 1>bet on? You might be having a bad day. You

0:28:05.240 --> 0:28:07.440
<v Speaker 1>might be arguing with your girl, you might be rigged.

0:28:07.440 --> 0:28:09.840
<v Speaker 1>They might pay you to to not score or whatever.

0:28:09.840 --> 0:28:11.280
<v Speaker 1>I don't got time for that, you know what I'm saying.

0:28:11.400 --> 0:28:14.600
<v Speaker 1>Rather it's just you watch sports. Uh. I don't really

0:28:14.600 --> 0:28:18.359
<v Speaker 1>watch TV nothing. Only thing I've been watching is uh

0:28:19.240 --> 0:28:25.680
<v Speaker 1>BMF and uh Godfather Harlem shot out to Forrest Whittaker.

0:28:26.560 --> 0:28:29.720
<v Speaker 1>That just came back on. I was watching Snowfall. Snowfall's

0:28:29.760 --> 0:28:33.040
<v Speaker 1>coming back. Yeah, shit like that. You don't watch Yellowstone,

0:28:33.920 --> 0:28:38.720
<v Speaker 1>uh with the other one, not BMF, the other fifty

0:28:38.760 --> 0:28:43.360
<v Speaker 1>cent movies power power that. Well there it is filthy rich.

0:28:43.680 --> 0:28:46.360
<v Speaker 1>We're in Arizona for the Super Bowl. Who playing again?

0:28:46.840 --> 0:28:51.360
<v Speaker 1>The Eagles and the Chiefs. Patrick mahonmes Rius Jalen HURTSKC.

0:28:51.520 --> 0:28:53.560
<v Speaker 1>I'm gonna go old case Man shot out Casey Man.

0:28:53.560 --> 0:28:57.400
<v Speaker 1>I love Casey. Yeah. That is obviously a very Uh

0:28:57.520 --> 0:29:00.440
<v Speaker 1>that's where mac dre passed away. Yeah. Man, I was

0:29:00.520 --> 0:29:02.320
<v Speaker 1>just out there. Man, they love me out too, I

0:29:02.360 --> 0:29:06.400
<v Speaker 1>bet they do. It's like another Bay it is it

0:29:06.480 --> 0:29:09.880
<v Speaker 1>is they shut a love man for sure. Who's going from?

0:29:10.800 --> 0:29:12.840
<v Speaker 1>I mean I booked me I booked Meek Mill one night,

0:29:12.880 --> 0:29:14.680
<v Speaker 1>so I'm kind of hoping the Eagles win. You bet

0:29:15.120 --> 0:29:16.600
<v Speaker 1>I do? Bet? Yeah? Yeah, I'm saying you bet it

0:29:16.640 --> 0:29:18.719
<v Speaker 1>on the game. I haven't bet yet. I haven't decided yet. Man.

0:29:18.760 --> 0:29:21.120
<v Speaker 1>I just got into town last night. So the sports

0:29:21.120 --> 0:29:23.520
<v Speaker 1>books are legal here, they're not legal in Cali. So

0:29:23.560 --> 0:29:26.040
<v Speaker 1>I gotta I gotta look at the lines. You know,

0:29:26.160 --> 0:29:28.200
<v Speaker 1>I'm gonna keep your money, man, I'm gonna throw some

0:29:28.240 --> 0:29:30.400
<v Speaker 1>I gotta put a taste on it, mane, I just

0:29:30.440 --> 0:29:33.160
<v Speaker 1>need a taste. Nothing crazy. You got You got Meek

0:29:33.200 --> 0:29:36.239
<v Speaker 1>at eleven eleven. Yeah, I got enough gambling happening with

0:29:36.280 --> 0:29:39.040
<v Speaker 1>all the artists that I've fucking booked this weekend. Okay,

0:29:39.240 --> 0:29:42.160
<v Speaker 1>so the gamble's happening for sure, It's just it's not

0:29:42.240 --> 0:29:46.000
<v Speaker 1>on the game. But yo, man, filthy rich. Appreciate you

0:29:46.040 --> 0:29:48.080
<v Speaker 1>pulling up brother appreciation. Yes, sir, we'll get back up

0:29:48.080 --> 0:29:49.800
<v Speaker 1>in Cali soon. Boom