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Speaker 1: Playcat Podcast Live from the super Bowl Arizona Shot to

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Speaker 1: Death Chairman, We got fifty rich in the building. What's good? Care?

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Speaker 1: How you doing? How are you doing out here? Rap

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Speaker 1: hustling is you like to call it? Yeah? Rap hustling man,

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Speaker 1: getting on the road, get into bad. So when you

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Speaker 1: come to like obviously you have a hosting tonight in town,

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Speaker 1: but when you come to a Z for a weekend

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Speaker 1: like super Bowl, Yeah, what is like the target? Like

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Speaker 1: how many verses you planning on recording this weekend? Shit,

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Speaker 1: I don't know who's gonna be out here. I know

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Speaker 1: you know it's gonna be packed. So see me what

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Speaker 1: I could see? Like, like me, I could just get

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Speaker 1: on the road and just go somewhere right and just

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Speaker 1: post just post up, post it online, hit me for

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Speaker 1: features shows, right whatever they gonna tap in videos. That's

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Speaker 1: just something I built. I kind of learned that from Jack, right,

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Speaker 1: you know what I'm saying, Like he used to tell

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Speaker 1: me that back in the day, like just come, it's

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Speaker 1: gonna be good. You might you might not. You never

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Speaker 1: know what you might run into, Like you might run

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Speaker 1: into a promoter that've been trying to book. You didn't

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Speaker 1: have no contact right might want to get a verse

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Speaker 1: from you, ship whatever, it might want to pay you

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Speaker 1: to come do a meet and greet like I you know,

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Speaker 1: I come from the era, just really like you know,

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Speaker 1: the independent grind. Yeah, you know what I'm saying. So

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Speaker 1: it's kind of easy. Would you pay for a feature

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Speaker 1: in a weekend like this if you run into the

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Speaker 1: right artists and they're like, yo, what's up, let's work

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Speaker 1: listing right now? Yeah? Nah, I ain't paying you ain't

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Speaker 1: paying nobody for a future. No, not at this point.

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Speaker 1: Like back in the day when I first started rapping,

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Speaker 1: you know what I'm saying. But I know everybody, who's

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Speaker 1: the most expensive feature you ever had to pay for?

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Speaker 1: Back in the day when all the features were the

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Speaker 1: same price, which is what it was admes, Okay, I

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Speaker 1: ain't never pay no more than that. That's not bad.

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Speaker 1: It comes to the videos. It was like my early yeah,

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Speaker 1: early on what year we're thinking when I first started rapping,

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Speaker 1: just running to niggas and not having a relationship. Let

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Speaker 1: me cast you out. They have no problem. It wasn't

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Speaker 1: even about that. It's just like, man, what's up? Like

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Speaker 1: I'm trying to get you on my own, my song. Yeah,

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Speaker 1: I know what it is. You know what I'm saying, right,

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Speaker 1: I don't know him, he don't know me. It's just

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Speaker 1: like the same thing for me, right, I mean, I

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Speaker 1: can't be biased about it, you know. I mean, people

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Speaker 1: don't boll features for me. So if jay Z you're

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Speaker 1: running the whole hope, it's like, yo, I got you

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Speaker 1: just five bands, you better do that for Z feature

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Speaker 1: and listen, that's that's unbelieving. Running to the bank. You

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Speaker 1: don't got to run the bank, but that's unbelievable. Run

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Speaker 1: to your you don't have to. It's gonna cause more

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Speaker 1: that to clear that dad, for sure, that's impossible. So

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Speaker 1: one hundred percent, you know, I'm just I'm putting out.

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Speaker 1: I mean, I look at it, like twenty five thousand,

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Speaker 1: it's not a lot for jay Z. So it's like

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Speaker 1: I feel like if he'd do it for that, he

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Speaker 1: had just do it for free. If he's seen my

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Speaker 1: used to be seeing my talent, my work ethic and

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Speaker 1: like you know what I'm saying, Like a lot of

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Speaker 1: people hit me up. I tell him my price. So

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Speaker 1: it's like people don hit me up before them be

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Speaker 1: like okay, I can I keep you this and I'm like, nah, right,

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Speaker 1: I'm like him. If I'm gonna do it for that,

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Speaker 1: might as well just do it for free. Uh. You

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Speaker 1: obviously have been building out your label for long time,

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Speaker 1: putting together a dope roster artists. Yeah. Really, I've just

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Speaker 1: been focused this year on that. That's why I really

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Speaker 1: ain't been dropping too much music. I've been focusing on

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Speaker 1: them getting all a getting everything with them situated in together.

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Speaker 1: So how many artists do you have signed to you

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Speaker 1: right now? Because I feel like you got a nice,

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Speaker 1: a nice team on fo dis Yeah, twelve thirteen artists.

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Speaker 1: That's a lot of people. So is it like, obviously,

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Speaker 1: when you sign an artist, how much of it is

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Speaker 1: you know, do you kind of feel like you might

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Speaker 1: be spreading yourself too thin or you kind of are

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Speaker 1: you signing self starters guys who are gonna go get

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Speaker 1: to it and then you kind of come in and

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Speaker 1: add So like in the beginning, we do like artists development,

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Speaker 1: We work and we build and teaching them how to

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Speaker 1: you know, stop recording on mixtape, beach proper, mixed faster

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Speaker 1: and artwork. You know what I'm saying, all that we

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Speaker 1: getting together and I gotta really see this is what

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Speaker 1: you really want to do. Things like you got to

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Speaker 1: show me that because you know tomorrow you might wake

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Speaker 1: up and say I don't want to rap more or

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Speaker 1: or whatever situation. So it's like, okay, cool, I got

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Speaker 1: to know that you really dedicated to this For me

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Speaker 1: to I can't want more than you want it. This

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Speaker 1: is I'm living my dream. This is your dream that

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Speaker 1: I'm trying to help you, you know what I'm saying.

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Speaker 1: So with that being said, we'll start off like that,

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Speaker 1: and then as we go towards that, and then we'll

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Speaker 1: work into bigger and better most are is there like

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Speaker 1: any are you pretty much keeping your your roster Bayry

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Speaker 1: oriented or just wherever. I didn't have artists outside of California,

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Speaker 1: But as of right now, everybody like I've been just

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Speaker 1: be focusing on East Oplan. He's Oakland. Yeah, I'm the hometown. Yeah.

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Speaker 1: It's kind of uh, kind of you know, because I

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Speaker 1: feel like San Francisco has been changing so much. Oakland's

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Speaker 1: been changing so much over the last since the pandemic happened. Yeah,

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Speaker 1: shit is kind of crazy. Like when you go back,

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Speaker 1: it feels like there's like a lot of energy has

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Speaker 1: been sucked out of certain parts of the Bay Do

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Speaker 1: you feel like when you go back, it was a

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Speaker 1: little different since I feel like the pandemic obviously a

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Speaker 1: lot of clubs closed, a lot of spots closed. I

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Speaker 1: ain't really never was like no really music night scene

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Speaker 1: in the Bay Area because like a lot of artists

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Speaker 1: that come in town and be like, like where should

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Speaker 1: I go tonight? And it don't be nowhere to go,

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Speaker 1: you know what I'm saying. So that's kind of always

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Speaker 1: been a thing. It's always been like that. Then I

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Speaker 1: can go to anywhere else and they got like a

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Speaker 1: night scene like the area you can't go nowhere, like

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Speaker 1: like shout out to my boy book pay So DJ millions.

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Speaker 1: But I love they've been doing a thing right now,

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Speaker 1: as in like the hip hop like I would say,

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Speaker 1: like underground, you know what I'm saying, JA twelve what

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Speaker 1: else I love? I mean, Drew Banger, They've been they've

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Speaker 1: been doing like what they can do for the Bay Area,

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Speaker 1: open San Francisco, like the underground music scenes, throwing parties,

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Speaker 1: you know what I'm saying. Bringing attention, you know, I

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Speaker 1: feel like a light on the city. I was gonna say,

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Speaker 1: obviously you've got a great relationship with Gauzi as do I.

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Speaker 1: We both work with gazi Uh and he's so passionate

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Speaker 1: about kind of like the keeping as much energy and

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Speaker 1: resources that he has going on in you know, in

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Speaker 1: the Bay Area. Do you feel that kind of similar responsibility.

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Speaker 1: Of course, that's why I said I'm focused on Yeah,

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Speaker 1: I'm like, okay, cool, I din't I didn't work with them,

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Speaker 1: to everybody in the bag. So it's like, it's a

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Speaker 1: lot of talent where I'm from, So let me focus

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Speaker 1: on that first, and then when I'm done with that.

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Speaker 1: You know what I'm saying, don't you know, spread yourself

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Speaker 1: to take on too much, but let me let me

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Speaker 1: do my part. Yeah. It's funny because last time I

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Speaker 1: was in Detroit, you were in Detroit at the same time,

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Speaker 1: and you know, it feels like Detroit and the Bay

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Speaker 1: have a very they have like a kinship with each other.

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Speaker 1: And you've worked with so many artists out of the

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Speaker 1: the d What do you think it is about Detroit

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Speaker 1: and the Bay Area that it feels like they're kind

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Speaker 1: of their cousins, the similar culture. Plus you know, in

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Speaker 1: the past, other artists from the Bay I've worked with Detroit.

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Speaker 1: You know, but like the the way that's going on

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Speaker 1: now with the Detroit and opening the Bay Area, like

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Speaker 1: I helped bridge the gap. You know, I was really

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Speaker 1: going out there dealing with these artists, like giving them

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Speaker 1: game and connecting them with Gayzi and things that they

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Speaker 1: didn't know about music. They was putting out videos and

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Speaker 1: doing millions of views, but not getting paid for it,

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Speaker 1: not having a song on iTunes, not having a song registered,

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Speaker 1: no distribution, just rapping like for years they was doing that,

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Speaker 1: so they was getting frustrated, like like man, I'm you know, stagnated,

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Speaker 1: like with the rap, like I don't know how to

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Speaker 1: get money off of it. Like this video got five

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Speaker 1: million views on it haven't been paid crazy, you know

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Speaker 1: what I'm saying. Like underground hits like go to the

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Speaker 1: strip club, everybody in the club know the song. Is

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Speaker 1: that usually because the artist has the song uploaded on

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Speaker 1: or someone else up. Yeah, Like it'll be like on

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Speaker 1: the director's channel, right, got understand, Like if you pay

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Speaker 1: attention to like the major labels, they dropped the single

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Speaker 1: first and then they dropped the video, right, and that's

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Speaker 1: how it gets registered. You know what I'm saying, Caause

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Speaker 1: the song's already out, so it's already kind of Once

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Speaker 1: someone uploads it with that audio, it will it'll flag

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Speaker 1: it as as it belonging to you, and they'll be

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Speaker 1: mad the camera man, thinking the camera man did something

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Speaker 1: wrong and keeping their money in right, you know, and

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Speaker 1: shit like that. But you know, I mean the cameraman.

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Speaker 1: If it's on the camera man's channel, he probably shot

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Speaker 1: it for free most likely. Or the camera man is

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Speaker 1: probably even more popular than the artists. Yeah, he's got

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Speaker 1: more subscribers. So it's like, go ahead, uploaded on your shit.

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Speaker 1: Artists didn't even have their own YouTube channel, evo channel,

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Speaker 1: you know what I'm saying. So it's just you know, given,

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Speaker 1: you know, helping people be bosses and succeed and giving

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Speaker 1: them game or whatever. And you know, that's just it.

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Speaker 1: Like I've been doing that for years outside of my artists,

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Speaker 1: you know what I'm saying. I've never been the person

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Speaker 1: that like, you know, hold back information, will be stingy

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Speaker 1: whatever it is. Like you know, I'm saying, you getting money,

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Speaker 1: I'm getting money. It's not gonna stop. Like you know,

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Speaker 1: I'm saying. They printed shit every day, like like I

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Speaker 1: like to see everybody, everybody, Sean, what's up guys. Hey,

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Speaker 1: shout out to our family at blue Choo. Man, listen,

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Speaker 1: I know we always are getting feedback about our blue

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Speaker 1: Choo interviews. They're not interviews, yeah, they're commercials, and we're

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Speaker 1: always getting feedback about them. Usually it's they're fucking hilarious. Man.

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Speaker 1: You know, people love it when we talk about blue Choo.

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Speaker 1: But let me say this shit works. A lot of

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Speaker 1: people are like, look, man, I see you talking about bluetoo,

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Speaker 1: but it doesn't work. Yes, it works if y'all don't know. Bluechoo.

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Speaker 1: It's got the same active ingredient as viagrancialis, but in

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Speaker 1: a chewable form. It's delivered to your door in a

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Speaker 1: discrete package, and you don't have to go inside of

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Speaker 1: a doctor's office to get it. No awkward doctor visits involved.

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Speaker 1: Everything is online, that's right. You go to bluetoo dot com,

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Speaker 1: use the promo code Bootleg. They will send you a

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Speaker 1: month for free, a month supply of Bluechoo for free,

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Speaker 1: five doping that's it. And they'll be like, damn keV,

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Speaker 1: you were right, bro. My erections are lit as they

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Speaker 1: should be. Every erection should be as erect as possible.

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Speaker 1: You know, you don't want to be flaccid. You don't

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Speaker 1: want to be one of those seventy thirty guys. You

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Speaker 1: know that means that thirty percent of your dicks potentially

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Speaker 1: get back to the interview. You've been known to do

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Speaker 1: collaboration projects. Who's somebody who's out there that you're just

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Speaker 1: a fan of that you wouldn't mind doing a little

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Speaker 1: mixtape with if you had your choice. In La, I've

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Speaker 1: been rocking with my boy f and pay So we

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Speaker 1: talked about it. Also Big Sad nineteen hundred and then

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Speaker 1: right now I've been listening Rico cash Out Atlanta. Okay, Yeah,

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Speaker 1: shout out to Big Sad for you, like coming from

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Speaker 1: where you're from, the independent grind here, having opportunities to

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Speaker 1: sign with rock Nation in the past. Yeah, I'm sure

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Speaker 1: that wasn't the only opportunity you had to go to

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Speaker 1: the major route. Yeah, major thing works for some artists

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Speaker 1: because some artists I think are kind of lazy, and

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Speaker 1: I feel like it kind of there are artists out

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Speaker 1: there because I wouldn't say because they kind of lazy.

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Speaker 1: They might want to work more, but the label stops that. So,

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Speaker 1: like when you signed to a major, Like they kind

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Speaker 1: of don't I wouldn't say respect, but they kind of

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Speaker 1: don't want you like with the releasing, but they got

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Speaker 1: to understand like the culture you came from. Also, like

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Speaker 1: how do you guys got understand how you got there? Yeah,

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Speaker 1: So it's like they don't want They probably want to

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Speaker 1: drop an album, tour for a year, drop another album

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Speaker 1: after that. But it's like a lot of artists like

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Speaker 1: they keep their buzz by working, so like it's a

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Speaker 1: new artist coming in every day. So just say you

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Speaker 1: drop an album, shoot videos, put out for a year,

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Speaker 1: then tour for a year. That's like two years. By

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Speaker 1: time you come back, it's gonna be so many different

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Speaker 1: new artists out stack in this place. And if this

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Speaker 1: artist came from grinding, they're like, oh he not that

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Speaker 1: he fell off, but he just ain't being consistent. What's

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Speaker 1: for you? The reason why you didn't end up doing

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Speaker 1: the rock Nation thing, they wanted your catalog, right, Yeah,

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Speaker 1: so they just wanted the back catalog, which is how

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Speaker 1: fuck how many albums now? I want to know, but

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Speaker 1: it was just from whenever I released music. How many

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Speaker 1: albums currently do you have out? Is it over one hundred?

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Speaker 1: Way over hundred Jesus way over. But uh, I just

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Speaker 1: didn't feel like that, and luckily I didn't do it

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Speaker 1: and shout out to them. I dispected them however they

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Speaker 1: run their business. It's just that I wasn't ready for

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Speaker 1: it because like a lot of major artists, I mean

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Speaker 1: major labels, they could take you to make it to

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Speaker 1: a start, you know, and put you on a bigger platform.

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Speaker 1: And some artists won't that instead of won't you know

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Speaker 1: ge what I'm saying, they want the fame over it

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Speaker 1: in order to get over like the business part of

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Speaker 1: the situation. So it's like, okay, they jeopardized that. Luckily

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Speaker 1: I didn't do it because right when I had that

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Speaker 1: meeting COVID here right after, and that was that You're

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Speaker 1: supposed to be a tour going on. That's your residual

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Speaker 1: income coming in off the catalog, set in the house,

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Speaker 1: doing nothing, paying it for nothing, right, you know what

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Speaker 1: I'm saying. So you know, but I mean it could

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Speaker 1: have worked for somebody else though, because they was talking

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Speaker 1: about tour and putting you with this artist like what

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Speaker 1: they do too. They have a lot of big artists

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Speaker 1: sign to their labels they manage and they'll put you

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Speaker 1: with that artist because you'll look good with them, and

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Speaker 1: it'll be like this artist sign. Who are they trying

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Speaker 1: to put you with? I mean, it ain't too many

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Speaker 1: that I haven't been around. I didn't been around them all.

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Speaker 1: But when you're with rock Nation, who are they like?

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Speaker 1: Who do they envision put you with? Who's like you're

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Speaker 1: in the sales meeting and the pitch meeting where they're like, yo,

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Speaker 1: we think you fit. You sound great with this guy?

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Speaker 1: You fit if nobody. But we talked about different artists

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Speaker 1: I work with. But I know how it works. I

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Speaker 1: didn't seen it done before, you know what I'm saying.

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Speaker 1: So it's like, okay, cool, you got a label deal

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Speaker 1: over there. You need artists and you're at this label.

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Speaker 1: So we're gonna sign other artists and then put this

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Speaker 1: with you like you signed them, and you know, blow

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Speaker 1: it up. It's all about a look. Anybody who you

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Speaker 1: see doing the CEO ship as an artist that you

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Speaker 1: really kind of look up to or respect ship Barren

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Speaker 1: Man p he just puffy, Yeah, of course, puffy shit

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00:16:08,000 --> 00:16:13,360
Speaker 1: all of them. You know what I'm saying, Cameron, anybody

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Speaker 1: that put they people in position, you know what I'm saying,

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Speaker 1: even if it was a fail, even if it was successful,

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Speaker 1: they tried, right, you know what I'm saying, So you

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Speaker 1: have you been noticing? I was just saying, have you

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Speaker 1: been noticing everyone's selling their catalog because they don't have

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00:16:27,520 --> 00:16:30,240
Speaker 1: to grind the shitting they sit in the house, or

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00:16:30,240 --> 00:16:33,120
Speaker 1: they don't know how to manage money, so or you

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00:16:33,360 --> 00:16:35,760
Speaker 1: understand like when when the pandemic hit, like a lot

337
00:16:35,800 --> 00:16:39,920
Speaker 1: of them, maybe we're living above their means and living

338
00:16:39,960 --> 00:16:42,960
Speaker 1: off shows. And we're talking about like the justin Timberlakes

339
00:16:42,960 --> 00:16:46,800
Speaker 1: that Justin Bieber's QC just sold for three hundred million

340
00:16:46,840 --> 00:16:50,360
Speaker 1: dollars like QC Pete, Yeah, he sold what the whole

341
00:16:50,600 --> 00:16:53,080
Speaker 1: of QC got just sold three hundred million to screw

342
00:16:53,160 --> 00:16:56,240
Speaker 1: to bron Shit, it's probably a crazy ass memory you

343
00:16:56,280 --> 00:16:58,520
Speaker 1: can't turn down. I would have sold that ship two

344
00:16:58,560 --> 00:17:01,360
Speaker 1: for three hundred million. But I bet you if he

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00:17:01,440 --> 00:17:03,080
Speaker 1: sold it for three hundred me, I bet you, Like

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00:17:03,320 --> 00:17:05,320
Speaker 1: the ship is right to work. Cool, Like once you

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00:17:05,720 --> 00:17:08,600
Speaker 1: recoup that, they get it back. But like even if

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00:17:08,640 --> 00:17:10,680
Speaker 1: you say it Coogue, it's not forever three hundred I

349
00:17:10,680 --> 00:17:12,439
Speaker 1: don't know, I don't know. I'm gonna give you three

350
00:17:12,520 --> 00:17:15,560
Speaker 1: hundred million dollars. It's me over here. Now you better

351
00:17:15,600 --> 00:17:17,680
Speaker 1: put you better put some new shit out. It all

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00:17:17,680 --> 00:17:21,000
Speaker 1: depends on like how how structured to deal structure. Every

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00:17:21,000 --> 00:17:23,760
Speaker 1: deal is different because like you know, like I heard,

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Speaker 1: like if you say a catalog like it comes back

355
00:17:25,600 --> 00:17:28,760
Speaker 1: to you after a certain time or whatever, it's not forever. Son. Listen, man,

356
00:17:28,920 --> 00:17:32,440
Speaker 1: three hundred million dollars, this is me over here for

357
00:17:32,440 --> 00:17:36,120
Speaker 1: perpetuity for sure. I mean, I'm sure he's gonna make

358
00:17:36,240 --> 00:17:38,359
Speaker 1: not just three hundred, he's gonna be okay, like he

359
00:17:38,480 --> 00:17:43,560
Speaker 1: might make six hundred and then double back. They're talking

360
00:17:43,560 --> 00:17:46,439
Speaker 1: about Michael Jackson's catalog. His family's gonna sell half of

361
00:17:46,480 --> 00:17:49,360
Speaker 1: it for nine hundred million dollars, but she's about half

362
00:17:49,480 --> 00:17:53,120
Speaker 1: jaccent Michael Jackson, like every song on his album used

363
00:17:53,160 --> 00:17:55,600
Speaker 1: to be a single going platinum what I'm saying, But

364
00:17:55,640 --> 00:17:58,080
Speaker 1: it's just crazy. It's crazy to think seven songs on

365
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Speaker 1: the tape, so his whole catalogs were like one point

366
00:18:00,480 --> 00:18:04,120
Speaker 1: eight billion dollars. It's insane. At that point in time,

367
00:18:04,160 --> 00:18:05,320
Speaker 1: you just take the money, Like what else are you

368
00:18:05,400 --> 00:18:07,600
Speaker 1: gonna do? Like what do you need more money for it?

369
00:18:07,720 --> 00:18:09,560
Speaker 1: I don't even see why they doing that. I'm sure

370
00:18:09,560 --> 00:18:11,680
Speaker 1: his music is generating a lot of money. How much

371
00:18:11,680 --> 00:18:13,320
Speaker 1: money is too much money? Like where where do you

372
00:18:13,400 --> 00:18:15,520
Speaker 1: just say, okay, we made it like we have. We

373
00:18:15,560 --> 00:18:18,679
Speaker 1: can relax no matter what, like going vacation to be working.

374
00:18:18,800 --> 00:18:22,040
Speaker 1: Do you go on vacation, but my vacations be worked?

375
00:18:22,359 --> 00:18:25,080
Speaker 1: Like this is my vacation now, I'm chilling. You're in

376
00:18:25,200 --> 00:18:28,000
Speaker 1: super Bowl week in Arizona. The next come out here

377
00:18:28,080 --> 00:18:30,360
Speaker 1: with that. I know, but that's what I'm saying. It's

378
00:18:30,400 --> 00:18:32,440
Speaker 1: not a vacation. You're out here grinding. I don't even

379
00:18:32,480 --> 00:18:35,919
Speaker 1: know who in the super Bowl Eagles and Chiefs. Okay,

380
00:18:36,720 --> 00:18:38,400
Speaker 1: come out here for that. I just came to work.

381
00:18:39,320 --> 00:18:41,560
Speaker 1: So when are you go on vacation now? Like you

382
00:18:41,600 --> 00:18:43,879
Speaker 1: never go to like can Coon and just chill, but

383
00:18:43,960 --> 00:18:46,000
Speaker 1: I still work. But what are you doing in Can't Coon?

384
00:18:46,040 --> 00:18:48,520
Speaker 1: Mother fucking the Mexican rappers pooing up with the bag

385
00:18:48,520 --> 00:18:50,560
Speaker 1: and that I'm talking about stil like in tune to

386
00:18:50,560 --> 00:18:53,320
Speaker 1: like what's going on my artists's like, Man, I'm indio

387
00:18:53,480 --> 00:18:56,359
Speaker 1: can Coon? I throw the fly up, guys, I'm a

388
00:18:56,440 --> 00:18:58,520
Speaker 1: hard rock cant coon. I just see I didn't ran

389
00:18:58,560 --> 00:19:01,199
Speaker 1: to people everywhere that a nigga like, I mean, I'm

390
00:19:01,240 --> 00:19:04,240
Speaker 1: sure people probably do music and can't come like I don't.

391
00:19:04,520 --> 00:19:08,960
Speaker 1: Just went to Hawaii. Are you allowed to go to Canada? Yeah?

392
00:19:09,080 --> 00:19:12,960
Speaker 1: That's rough. They don't play over there. Huh. And I

393
00:19:12,960 --> 00:19:17,240
Speaker 1: got hit up, I hit Drake up. That's Toronto. Well

394
00:19:17,240 --> 00:19:20,680
Speaker 1: Toronto is in Canada. Yeah he has the pool. Yeah

395
00:19:20,840 --> 00:19:23,359
Speaker 1: you have to, Yeah for sure. What's up, y'all, bootleg

396
00:19:23,440 --> 00:19:26,040
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397
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398
00:19:31,000 --> 00:19:34,639
Speaker 1: I'm all in on the Eagles. I like Jalen Hurts,

399
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400
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Speaker 1: Anytime touchdown score, give me Dallas Goddter. Anytime touchdown score,

401
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Speaker 1: give me the over. And if anyone on the Chiefs

402
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403
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404
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409
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416
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Speaker 1: a thousand. You put nine hundred and ninety nine dollars in,

417
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Speaker 1: one thousand in, they're gonna give you another thousand. By

419
00:20:30,400 --> 00:20:31,760
Speaker 1: the way, if you do the nine ninety nine, why

420
00:20:31,840 --> 00:20:34,120
Speaker 1: not just do the full thousand, You cheap bastard. Anyway,

421
00:20:34,160 --> 00:20:36,160
Speaker 1: my bookie right now, man, it's a big weekend. Also,

422
00:20:36,200 --> 00:20:38,000
Speaker 1: I just wanted to like to point out everyone should

423
00:20:38,000 --> 00:20:40,119
Speaker 1: be putting some of that money, sprinkling a little bit

424
00:20:40,160 --> 00:20:41,879
Speaker 1: of that action on the Phoenix Suns to win the

425
00:20:41,920 --> 00:20:44,720
Speaker 1: championship this year because we have Kevin Durant. Oh yeah,

426
00:20:45,119 --> 00:20:48,800
Speaker 1: oh yeah, my bookie. Sign up with that promo code Bootleg. Also,

427
00:20:48,840 --> 00:20:52,600
Speaker 1: shout out to our family at Hardean Hardan Las Vegas. Yes,

428
00:20:53,200 --> 00:20:56,840
Speaker 1: you see him. I was just there in Vegas yesterday.

429
00:20:56,960 --> 00:20:59,520
Speaker 1: This is the best place I've ever been to in

430
00:20:59,600 --> 00:21:03,399
Speaker 1: terms of dispensaries. I've been to probably hundreds of these things,

431
00:21:03,840 --> 00:21:08,439
Speaker 1: and the experience at Hardan is like nowhere else. The

432
00:21:08,520 --> 00:21:12,840
Speaker 1: customer service, the selection of premium cannabis, the experience as

433
00:21:12,880 --> 00:21:15,000
Speaker 1: a customer that you get when you walk into the

434
00:21:15,040 --> 00:21:18,360
Speaker 1: building in Las Vegas is bar none the best. It's

435
00:21:18,400 --> 00:21:20,760
Speaker 1: just the best, man, they are the best. We got

436
00:21:20,800 --> 00:21:23,240
Speaker 1: so much going on this weekend. They're sponsoring the Rolling

437
00:21:23,320 --> 00:21:28,400
Speaker 1: Stone party on Friday, super Bowl weekend, Fabulous Thursday, Offset Friday,

438
00:21:28,480 --> 00:21:30,760
Speaker 1: Meek Saturday. It's a lot going on with hard Dean.

439
00:21:30,800 --> 00:21:33,800
Speaker 1: You got to follow him at Hardean Underscore Las Vegas

440
00:21:33,920 --> 00:21:36,479
Speaker 1: right now. Shoot them a follow on Instagram while you're

441
00:21:36,520 --> 00:21:38,960
Speaker 1: at it. Go to the website Hardeinlasvegas dot com. So

442
00:21:39,040 --> 00:21:42,879
Speaker 1: much fly gear, so much flyweed. What are we talking about? Baby?

443
00:21:42,920 --> 00:21:45,199
Speaker 1: Shout out to Hardean. Man, that's the family. Man. Go

444
00:21:45,400 --> 00:21:47,520
Speaker 1: if you're in Vegas, pull up on them man, Hardean,

445
00:21:47,600 --> 00:21:51,440
Speaker 1: Las Vegas. What else? Obviously we were talking about the label.

446
00:21:51,480 --> 00:21:53,800
Speaker 1: But for you, what is coming up for you? Man?

447
00:21:53,920 --> 00:21:59,160
Speaker 1: I just dropped the EP weekend in LA, like last

448
00:21:59,200 --> 00:22:02,159
Speaker 1: weekend for my birthday. That assuming that was recorded on

449
00:22:02,160 --> 00:22:04,800
Speaker 1: the weekend in LA. Okay, yeah, you know I got

450
00:22:04,800 --> 00:22:07,239
Speaker 1: the week in Detroit, weekend in Houston, week in LA.

451
00:22:07,280 --> 00:22:09,160
Speaker 1: I want to do a weekend in New York ted

452
00:22:09,200 --> 00:22:11,680
Speaker 1: to a weekend in Phoenix. I got it. But it's

453
00:22:11,720 --> 00:22:14,600
Speaker 1: all LA artists on the album. It's a man, there's

454
00:22:14,600 --> 00:22:18,320
Speaker 1: some great artists here. Name so Chris Coke, who his

455
00:22:18,480 --> 00:22:24,040
Speaker 1: name is, Chris Coke, Chris Coke, whoever Daily Finesse, Markhams, Markhams.

456
00:22:24,080 --> 00:22:26,280
Speaker 1: There's some amazing artists here. I'll put you on shout

457
00:22:26,280 --> 00:22:29,399
Speaker 1: out to all of them there. Chris Coke is hard. Yeah, okay,

458
00:22:29,880 --> 00:22:31,080
Speaker 1: but that's how I did it. Like when I went

459
00:22:31,119 --> 00:22:34,480
Speaker 1: to Detroit, recorded the music, went to Houston, link up

460
00:22:34,480 --> 00:22:36,320
Speaker 1: with the artists in the city. Yeah, like the hottest

461
00:22:36,359 --> 00:22:39,080
Speaker 1: artists out there right now, you know. But I wanted

462
00:22:39,119 --> 00:22:42,160
Speaker 1: to go on in New York and then like all

463
00:22:42,240 --> 00:22:44,639
Speaker 1: my artists, like probably like four of them all dropping

464
00:22:44,680 --> 00:22:49,320
Speaker 1: in February. Shit, it's my young junir just drop skinny

465
00:22:49,320 --> 00:22:52,320
Speaker 1: tea drop tomorrow. How big is your team? Like that

466
00:22:52,400 --> 00:22:54,960
Speaker 1: helps you with all this stuff? It's just really me

467
00:22:55,040 --> 00:22:59,560
Speaker 1: and my product manager that Impire. Who's that now? Our

468
00:22:59,640 --> 00:23:03,080
Speaker 1: name is Olivia now oh shot to live Live Solid.

469
00:23:03,640 --> 00:23:07,040
Speaker 1: That's just me and her every day. That's it. Huh.

470
00:23:07,240 --> 00:23:09,760
Speaker 1: You should hire one more person. Well, I got I

471
00:23:09,800 --> 00:23:12,720
Speaker 1: got a Norton, got my boy in La Matt Black

472
00:23:13,920 --> 00:23:18,320
Speaker 1: with Corey in Vegas in Oakland, my boy depot. How

473
00:23:18,440 --> 00:23:25,600
Speaker 1: is the dog breeding business over with? The pandemic over with? Yeah?

474
00:23:25,640 --> 00:23:27,800
Speaker 1: Because no one's got all that PPP money to drop

475
00:23:27,840 --> 00:23:31,720
Speaker 1: on their exotic frenchies by six dogs a day. Jesus

476
00:23:31,920 --> 00:23:33,919
Speaker 1: at one time, where do you keep all of the dogs.

477
00:23:34,200 --> 00:23:37,479
Speaker 1: I had bought a whole built the whole dog like house,

478
00:23:38,119 --> 00:23:40,160
Speaker 1: like I spell, like two fifty like on the house,

479
00:23:40,440 --> 00:23:44,680
Speaker 1: like marble floors a c They had like stalls in

480
00:23:44,760 --> 00:23:50,080
Speaker 1: their glass. You could see them through backyard basketball court water.

481
00:23:50,119 --> 00:23:52,840
Speaker 1: Well it was the dogs had a basketball court. It

482
00:23:52,880 --> 00:23:55,320
Speaker 1: was It was nice. You know what I'm saying. But

483
00:23:55,359 --> 00:24:00,120
Speaker 1: who's jerking the dog off the vet? Vet? Yeah? Playing

484
00:24:00,160 --> 00:24:03,240
Speaker 1: like that? Ain't that serious? My boy in Vegas does

485
00:24:03,480 --> 00:24:06,600
Speaker 1: does it himself? They don't. They don't got time to

486
00:24:06,640 --> 00:24:09,520
Speaker 1: go Las Vegas money bullies. Look at him. Ron Dieszel

487
00:24:09,560 --> 00:24:11,919
Speaker 1: loves jerking his dogs. I don't seen a lot of

488
00:24:11,960 --> 00:24:14,320
Speaker 1: people do it, Like I'd've been to a lot of

489
00:24:14,359 --> 00:24:17,240
Speaker 1: different places. They put the dog down through everything, like

490
00:24:17,320 --> 00:24:19,040
Speaker 1: take the seaman out, put it in the girl, put

491
00:24:19,080 --> 00:24:22,639
Speaker 1: it asleep, story, back up, everything like right there, like

492
00:24:23,040 --> 00:24:25,879
Speaker 1: at a house. That sounds like something like going to

493
00:24:26,080 --> 00:24:29,320
Speaker 1: someone's house to get a BBL. Yeah, that sounds wild crazy.

494
00:24:29,800 --> 00:24:32,440
Speaker 1: We got dogs in the getting that much money off

495
00:24:32,440 --> 00:24:34,320
Speaker 1: that shit? You don't got time for all that. Like

496
00:24:34,520 --> 00:24:36,320
Speaker 1: it's kind of crazy too, like with all the robberies

497
00:24:36,359 --> 00:24:38,600
Speaker 1: that be happening on these frenchies see me, I'm taking

498
00:24:38,600 --> 00:24:41,200
Speaker 1: mine as a bad shout out doctor Bivins in Vegas,

499
00:24:41,840 --> 00:24:44,919
Speaker 1: that's who I go to. Man, are you worried, like, like,

500
00:24:44,960 --> 00:24:46,560
Speaker 1: have you had anyone try to try for one of

501
00:24:46,600 --> 00:24:50,199
Speaker 1: these dogs? No't like that. It's pretty hot out here.

502
00:24:50,560 --> 00:24:53,520
Speaker 1: I ain't going like that. Yeah, I feel like owning

503
00:24:53,560 --> 00:24:56,960
Speaker 1: a Frenchie is like a fucking security hazard. No, really

504
00:24:56,960 --> 00:24:58,840
Speaker 1: believe they doing that to like people. They feel like,

505
00:24:59,040 --> 00:25:01,639
Speaker 1: you know, let's go a board push over somebody. Like

506
00:25:01,680 --> 00:25:05,280
Speaker 1: you know what I'm saying, Uh, what's the hottest dog

507
00:25:05,359 --> 00:25:07,480
Speaker 1: besides the Frenchie? If you were? If you were? Sorry,

508
00:25:07,560 --> 00:25:10,720
Speaker 1: English bulldogs so English. I got English bulldogs, but I've

509
00:25:10,760 --> 00:25:13,720
Speaker 1: just seen some new some new Frenchies. They got the

510
00:25:13,760 --> 00:25:16,200
Speaker 1: new ones on them. In the fluffy they got like

511
00:25:16,200 --> 00:25:18,959
Speaker 1: a rope, like a sharp pey. Hm hmm, like crazy.

512
00:25:19,000 --> 00:25:22,160
Speaker 1: You know, they mixed with something, even the mutant dog.

513
00:25:22,320 --> 00:25:25,520
Speaker 1: Even the fluffies are mixed like all that shit is

514
00:25:25,600 --> 00:25:28,359
Speaker 1: like genetics. That sh just got probably mixed with cocker

515
00:25:28,400 --> 00:25:31,600
Speaker 1: spaniel or something. Jesus, how does that work? Is they

516
00:25:31,640 --> 00:25:34,399
Speaker 1: just make these dogs until they get something cool, like

517
00:25:34,440 --> 00:25:37,120
Speaker 1: we figured it out. So they it's just like it's

518
00:25:37,240 --> 00:25:40,240
Speaker 1: like Okay, they probably tried the first time and it's

519
00:25:40,320 --> 00:25:42,640
Speaker 1: just too too much. So what happens with those dogs?

520
00:25:42,680 --> 00:25:44,480
Speaker 1: They send it out then it out to give those

521
00:25:44,520 --> 00:25:46,600
Speaker 1: dogs away to put them down, probably be at the

522
00:25:46,720 --> 00:25:50,240
Speaker 1: at the spcation where so they thin it out until

523
00:25:50,240 --> 00:25:52,120
Speaker 1: it's like more of what they so like, even though

524
00:25:52,119 --> 00:25:55,439
Speaker 1: Billy Billy is really like an English bulldog in the

525
00:25:55,560 --> 00:25:57,600
Speaker 1: uh in the pit bull, so I got the pit

526
00:25:57,680 --> 00:26:00,760
Speaker 1: bull ahead and the English bulldog body. Those poor bullies, man,

527
00:26:00,800 --> 00:26:05,120
Speaker 1: they just look uncomfortable. They're just like you can't see

528
00:26:05,160 --> 00:26:07,720
Speaker 1: mine if I showed you mine. Shout out to bipolar.

529
00:26:07,760 --> 00:26:11,119
Speaker 1: Oh this that's the father of my You have a

530
00:26:11,119 --> 00:26:14,359
Speaker 1: boy right now that niggas buff is here. How do

531
00:26:14,400 --> 00:26:17,000
Speaker 1: you get a dog buff? It's got to be in

532
00:26:17,000 --> 00:26:19,160
Speaker 1: one of the genetics. Oh so you don't like work out,

533
00:26:19,240 --> 00:26:21,320
Speaker 1: knock it out now, they just genetically like that. Like

534
00:26:21,359 --> 00:26:24,520
Speaker 1: his arms is just cocky like that, and you and

535
00:26:24,600 --> 00:26:28,800
Speaker 1: all his puffs you know that? Yeah, Wow, shout out

536
00:26:28,840 --> 00:26:32,480
Speaker 1: to him. Probably a terrible father man. You don't even

537
00:26:32,480 --> 00:26:34,160
Speaker 1: know all his kids. That's what I mean. He's fucked up.

538
00:26:34,359 --> 00:26:38,320
Speaker 1: Bi polar is a bad day anyway. So you say,

539
00:26:39,840 --> 00:26:42,800
Speaker 1: Young Jr. Just dropped, and JR Just dropped, Skinny Tea

540
00:26:43,840 --> 00:26:48,720
Speaker 1: dropped tomorrow, Fantee drop on twenty fifth dollar, Dame drop

541
00:26:48,760 --> 00:26:54,160
Speaker 1: on the fourteen. That's all in February, and then ship

542
00:26:54,320 --> 00:26:57,320
Speaker 1: we got Mac got de Bot dropping on the third,

543
00:26:59,160 --> 00:27:02,560
Speaker 1: Little Steve happen. We're working, man, Like you know, if

544
00:27:02,560 --> 00:27:04,200
Speaker 1: you're in tuning me, then you're gonna be in tuning

545
00:27:04,240 --> 00:27:07,200
Speaker 1: timm me see what's going on. Just bang, just drop

546
00:27:08,400 --> 00:27:11,199
Speaker 1: my nephew j money about to drop. Man, were working,

547
00:27:11,800 --> 00:27:15,359
Speaker 1: I ain't doing no plan. Not gambling on the game obviously,

548
00:27:15,400 --> 00:27:18,399
Speaker 1: because you don't even know who's in it. You're not

549
00:27:18,400 --> 00:27:20,760
Speaker 1: gambling on the Super Bowl. No, no, come on, I

550
00:27:20,800 --> 00:27:23,760
Speaker 1: don't gamble on none. I can't control. Well, then what

551
00:27:23,800 --> 00:27:26,600
Speaker 1: do you gamble on? I used to gamble shooting dice.

552
00:27:26,960 --> 00:27:31,159
Speaker 1: You can't control that myself. I'm shooting dice, but you

553
00:27:31,160 --> 00:27:33,560
Speaker 1: can't control with the dice. Bet on myself where you shoot?

554
00:27:33,720 --> 00:27:35,199
Speaker 1: You bet on the next man. I'm gonna say, were

555
00:27:35,200 --> 00:27:37,360
Speaker 1: you shooting with some loaded dice? No? No, no, I'm

556
00:27:37,400 --> 00:27:39,000
Speaker 1: not going to bet on the next man. I don't know.

557
00:27:39,560 --> 00:27:40,800
Speaker 1: You know what I'm saying, that go out. He might

558
00:27:40,840 --> 00:27:42,640
Speaker 1: be having a bad day. He's like, I only bet

559
00:27:43,000 --> 00:27:46,800
Speaker 1: on myself, and if I provide the dice to the game. No, no,

560
00:27:46,800 --> 00:27:48,760
Speaker 1: no, no no no, I don't got to provide the dice.

561
00:27:48,840 --> 00:27:51,560
Speaker 1: But the person that provide the dice most likely be

562
00:27:51,560 --> 00:27:55,640
Speaker 1: the one that lose. That's like the myth. But yeah,

563
00:27:56,520 --> 00:27:59,600
Speaker 1: do you like playing craps in Vegas? Yeah? I can't

564
00:27:59,600 --> 00:28:03,800
Speaker 1: just bet on if you plan today? Who I can't

565
00:28:03,800 --> 00:28:05,200
Speaker 1: bet on? You might be having a bad day. You

566
00:28:05,240 --> 00:28:07,440
Speaker 1: might be arguing with your girl, you might be rigged.

567
00:28:07,440 --> 00:28:09,840
Speaker 1: They might pay you to to not score or whatever.

568
00:28:09,840 --> 00:28:11,280
Speaker 1: I don't got time for that, you know what I'm saying.

569
00:28:11,400 --> 00:28:14,600
Speaker 1: Rather it's just you watch sports. Uh. I don't really

570
00:28:14,600 --> 00:28:18,359
Speaker 1: watch TV nothing. Only thing I've been watching is uh

571
00:28:19,240 --> 00:28:25,680
Speaker 1: BMF and uh Godfather Harlem shot out to Forrest Whittaker.

572
00:28:26,560 --> 00:28:29,720
Speaker 1: That just came back on. I was watching Snowfall. Snowfall's

573
00:28:29,760 --> 00:28:33,040
Speaker 1: coming back. Yeah, shit like that. You don't watch Yellowstone,

574
00:28:33,920 --> 00:28:38,720
Speaker 1: uh with the other one, not BMF, the other fifty

575
00:28:38,760 --> 00:28:43,360
Speaker 1: cent movies power power that. Well there it is filthy rich.

576
00:28:43,680 --> 00:28:46,360
Speaker 1: We're in Arizona for the Super Bowl. Who playing again?

577
00:28:46,840 --> 00:28:51,360
Speaker 1: The Eagles and the Chiefs. Patrick mahonmes Rius Jalen HURTSKC.

578
00:28:51,520 --> 00:28:53,560
Speaker 1: I'm gonna go old case Man shot out Casey Man.

579
00:28:53,560 --> 00:28:57,400
Speaker 1: I love Casey. Yeah. That is obviously a very Uh

580
00:28:57,520 --> 00:29:00,440
Speaker 1: that's where mac dre passed away. Yeah. Man, I was

581
00:29:00,520 --> 00:29:02,320
Speaker 1: just out there. Man, they love me out too, I

582
00:29:02,360 --> 00:29:06,400
Speaker 1: bet they do. It's like another Bay it is it

583
00:29:06,480 --> 00:29:09,880
Speaker 1: is they shut a love man for sure. Who's going from?

584
00:29:10,800 --> 00:29:12,840
Speaker 1: I mean I booked me I booked Meek Mill one night,

585
00:29:12,880 --> 00:29:14,680
Speaker 1: so I'm kind of hoping the Eagles win. You bet

586
00:29:15,120 --> 00:29:16,600
Speaker 1: I do? Bet? Yeah? Yeah, I'm saying you bet it

587
00:29:16,640 --> 00:29:18,719
Speaker 1: on the game. I haven't bet yet. I haven't decided yet. Man.

588
00:29:18,760 --> 00:29:21,120
Speaker 1: I just got into town last night. So the sports

589
00:29:21,120 --> 00:29:23,520
Speaker 1: books are legal here, they're not legal in Cali. So

590
00:29:23,560 --> 00:29:26,040
Speaker 1: I gotta I gotta look at the lines. You know,

591
00:29:26,160 --> 00:29:28,200
Speaker 1: I'm gonna keep your money, man, I'm gonna throw some

592
00:29:28,240 --> 00:29:30,400
Speaker 1: I gotta put a taste on it, mane, I just

593
00:29:30,440 --> 00:29:33,160
Speaker 1: need a taste. Nothing crazy. You got You got Meek

594
00:29:33,200 --> 00:29:36,239
Speaker 1: at eleven eleven. Yeah, I got enough gambling happening with

595
00:29:36,280 --> 00:29:39,040
Speaker 1: all the artists that I've fucking booked this weekend. Okay,

596
00:29:39,240 --> 00:29:42,160
Speaker 1: so the gamble's happening for sure, It's just it's not

597
00:29:42,240 --> 00:29:46,000
Speaker 1: on the game. But yo, man, filthy rich. Appreciate you

598
00:29:46,040 --> 00:29:48,080
Speaker 1: pulling up brother appreciation. Yes, sir, we'll get back up

599
00:29:48,080 --> 00:29:49,800
Speaker 1: in Cali soon. Boom