1 00:00:00,120 --> 00:00:04,080 Speaker 1: We are launching a podcasting course starting Thursday, June fifth, 2 00:00:04,120 --> 00:00:06,440 Speaker 1: and it's five weeks long and we're going to be 3 00:00:06,480 --> 00:00:09,240 Speaker 1: giving in real time feedback to anyone that wants to 4 00:00:09,280 --> 00:00:13,119 Speaker 1: develop their own podcast. If you're an aspiring podcaster or 5 00:00:13,160 --> 00:00:15,920 Speaker 1: even an established one that wants an extra set of 6 00:00:15,920 --> 00:00:19,200 Speaker 1: eyes and ears on your podcast, this is the course 7 00:00:19,320 --> 00:00:19,639 Speaker 1: for you. 8 00:00:19,920 --> 00:00:23,119 Speaker 2: We are sort of reviving our podcasting course that we 9 00:00:23,280 --> 00:00:26,119 Speaker 2: used to teach with the LA Public Library in person 10 00:00:26,760 --> 00:00:29,960 Speaker 2: and adapting it for digital. So this course is available 11 00:00:30,000 --> 00:00:33,280 Speaker 2: on teachable. You can check out our website our Instagram 12 00:00:33,360 --> 00:00:36,640 Speaker 2: account at locat Productions because this is under our production 13 00:00:36,720 --> 00:00:38,280 Speaker 2: company for more information. 14 00:00:38,960 --> 00:00:41,800 Speaker 1: Today, June fourth is the final day to register for 15 00:00:41,920 --> 00:00:45,879 Speaker 1: our first ever digital podcasting course, so head to our 16 00:00:45,920 --> 00:00:53,520 Speaker 1: instagram at locat our Productions to register already. Ola Hola 17 00:00:53,600 --> 00:00:55,880 Speaker 1: Lo Morees, I'm Viosa. 18 00:00:55,680 --> 00:00:58,640 Speaker 2: And I'm Mala. And today we're talking about the United 19 00:00:58,640 --> 00:01:02,920 Speaker 2: States versus CO. As you guys know, over the years, 20 00:01:03,000 --> 00:01:06,319 Speaker 2: as there have been celebrity cases, whether that be dep heard, 21 00:01:06,880 --> 00:01:10,880 Speaker 2: Megan Thee Stallion and Tory Lanez, we have talked about 22 00:01:11,000 --> 00:01:14,319 Speaker 2: the case, the issue, and the chatter surrounding it, especially 23 00:01:14,800 --> 00:01:19,880 Speaker 2: when we're thinking about issues regarding feminism violence against women 24 00:01:20,160 --> 00:01:22,679 Speaker 2: that have been popping up in these cases in particular. 25 00:01:22,959 --> 00:01:27,800 Speaker 1: And this is obviously such a momentous case because of 26 00:01:27,920 --> 00:01:31,800 Speaker 1: who P Diddy is in the culture. He has permeated 27 00:01:31,840 --> 00:01:36,920 Speaker 1: culture for decades now, beyond music, fashion, reality TV. He 28 00:01:36,959 --> 00:01:39,720 Speaker 1: even had an alcohol brand, so he has really had 29 00:01:39,720 --> 00:01:42,959 Speaker 1: his hands in a lot of things. And we're going 30 00:01:43,040 --> 00:01:44,919 Speaker 1: to be talking about all of that today. 31 00:01:45,600 --> 00:01:50,080 Speaker 2: And we've seen a lot of coverage of us versus 32 00:01:50,080 --> 00:01:55,120 Speaker 2: Combs all over TikTok, especially as it relates to testimony 33 00:01:55,200 --> 00:01:57,960 Speaker 2: by Cassie Ventura, and we're going to talk about Cassie. 34 00:01:58,040 --> 00:02:01,920 Speaker 2: We're going to talk about all that TikTok and internet chatter. 35 00:02:02,360 --> 00:02:04,480 Speaker 2: But to begin just to sort of ground us in 36 00:02:04,480 --> 00:02:07,040 Speaker 2: the case in what's going on. This is a federal 37 00:02:07,360 --> 00:02:11,680 Speaker 2: sex trafficking and racketeering case from NBC News. Combs faces 38 00:02:11,760 --> 00:02:15,720 Speaker 2: five criminal counts, one count of racketeering conspiracy, which carries 39 00:02:15,720 --> 00:02:18,440 Speaker 2: a maximum sentence of life in prison, two counts of 40 00:02:18,480 --> 00:02:21,960 Speaker 2: sex trafficking by force, fraud, or coercion, which carries a 41 00:02:22,000 --> 00:02:24,840 Speaker 2: maximum sentence of life in prison and a mandatory minimum 42 00:02:24,880 --> 00:02:27,920 Speaker 2: sentence of fifteen years in prison, and two counts of 43 00:02:27,919 --> 00:02:32,200 Speaker 2: transportation to engage in prostitution, which carries a maximum sentence 44 00:02:32,280 --> 00:02:34,880 Speaker 2: of ten years in prison. So important to note this 45 00:02:34,960 --> 00:02:39,160 Speaker 2: is a federal case. This is the federal government filing 46 00:02:39,240 --> 00:02:42,360 Speaker 2: these charges against one Sean P. Diddy Combs. 47 00:02:42,480 --> 00:02:46,080 Speaker 1: Yeah, and I mean and to get to a federal case, 48 00:02:46,280 --> 00:02:48,880 Speaker 1: I mean that means it was years of him being 49 00:02:48,880 --> 00:02:53,720 Speaker 1: investigated secretly until there was enough evidence against him. Yeah. 50 00:02:53,760 --> 00:02:55,880 Speaker 2: And the Feds have a very very very very very 51 00:02:55,960 --> 00:02:59,320 Speaker 2: high conviction rate. I think that they really wait until 52 00:02:59,360 --> 00:03:03,880 Speaker 2: they have everything they could possibly need to file charges 53 00:03:03,919 --> 00:03:06,440 Speaker 2: against somebody like Shaan Comms. And this is a case 54 00:03:06,480 --> 00:03:09,440 Speaker 2: that was taking place all over the country, across state 55 00:03:09,480 --> 00:03:13,640 Speaker 2: lines and also internationally. So for those who maybe have 56 00:03:13,720 --> 00:03:16,200 Speaker 2: been wondering, like why is the case laid out the 57 00:03:16,200 --> 00:03:19,040 Speaker 2: way it is, those are some of the reasons. 58 00:03:19,040 --> 00:03:22,280 Speaker 1: Right, I think. Aside from p Ditty being a media mogul, 59 00:03:22,440 --> 00:03:25,640 Speaker 1: a music mogul, if you will, is the relationship, the 60 00:03:25,720 --> 00:03:30,200 Speaker 1: very public relationship he had with Cassie Ventura, who was 61 00:03:30,880 --> 00:03:33,240 Speaker 1: a favorite of ours growing up. Right. We know Cassie 62 00:03:33,320 --> 00:03:36,680 Speaker 1: Ventura as the musician, as the artist, as the singer, 63 00:03:37,240 --> 00:03:39,480 Speaker 1: and she was in a long term relationship with p 64 00:03:39,640 --> 00:03:44,040 Speaker 1: Diddy and was one of the first people to testify 65 00:03:44,080 --> 00:03:48,600 Speaker 1: against him in court, in addition to a previous settlement 66 00:03:48,640 --> 00:03:49,440 Speaker 1: that she had with him. 67 00:03:49,920 --> 00:03:53,480 Speaker 2: And So for those tuning in right, maybe you were 68 00:03:53,520 --> 00:03:55,920 Speaker 2: fans of Cassie, maybe you're just like finding out about 69 00:03:55,920 --> 00:03:58,440 Speaker 2: who she is now because Cassie hasn't made music in 70 00:03:58,480 --> 00:04:00,600 Speaker 2: a really, really, really long time. You know her as 71 00:04:00,600 --> 00:04:03,560 Speaker 2: a recording artist, as a pop star, but her hit 72 00:04:03,640 --> 00:04:07,800 Speaker 2: single that I think people might label her as a 73 00:04:07,800 --> 00:04:10,480 Speaker 2: one hit wonder, Me and You, which came out in 74 00:04:10,480 --> 00:04:12,880 Speaker 2: two thousand and six, a very long time ago. It's 75 00:04:13,560 --> 00:04:15,800 Speaker 2: almost it's over twenty years at this point. 76 00:04:15,960 --> 00:04:19,320 Speaker 1: Do you remember when ringback tones were a thing where 77 00:04:19,320 --> 00:04:21,920 Speaker 1: you would call someone and you could hear a song playing. Yes, 78 00:04:22,360 --> 00:04:24,840 Speaker 1: my ring back tone was Me and You by Cassie. 79 00:04:24,880 --> 00:04:28,960 Speaker 2: She was That's almost very popular. The girlies were living 80 00:04:29,000 --> 00:04:31,960 Speaker 2: for Me and You and she the video was very simple. 81 00:04:32,200 --> 00:04:35,280 Speaker 2: It's her like in a dance studio by herself, you know, 82 00:04:35,520 --> 00:04:40,400 Speaker 2: doing a little light choreography. Gorgeous girl. And at some point, 83 00:04:40,600 --> 00:04:44,240 Speaker 2: not too long after she released Me and You, she 84 00:04:44,360 --> 00:04:49,080 Speaker 2: is spending a lot of time with Ditty and eventually 85 00:04:49,240 --> 00:04:51,960 Speaker 2: it's established that they're in some sort of a relationship. 86 00:04:52,680 --> 00:04:56,360 Speaker 2: And they're photographed together all the time. They're at award shows, 87 00:04:56,360 --> 00:04:59,599 Speaker 2: they're on red carpets, they're at clubs and premieres. She's 88 00:04:59,640 --> 00:05:03,440 Speaker 2: deafinitely on his arm. But no music is coming out, right, 89 00:05:03,520 --> 00:05:05,320 Speaker 2: and the year's pass and the year's pass, and of 90 00:05:05,360 --> 00:05:09,120 Speaker 2: course he's this music mogul. He has at some point 91 00:05:09,200 --> 00:05:13,719 Speaker 2: established himself as being this like eye for talent, this producer. 92 00:05:14,160 --> 00:05:17,760 Speaker 2: He has like making the band these reality TV like 93 00:05:18,000 --> 00:05:22,520 Speaker 2: music competition shows. He is like front running Danity Kane, 94 00:05:22,680 --> 00:05:26,120 Speaker 2: which was a popular girl group. So he has the 95 00:05:26,240 --> 00:05:31,320 Speaker 2: means to launch stars and to make music happen for 96 00:05:31,800 --> 00:05:35,599 Speaker 2: aspiring artists. But Cassie, who's dating him for all these years, 97 00:05:35,760 --> 00:05:39,400 Speaker 2: there's no music. And I think, as the public, we 98 00:05:39,400 --> 00:05:42,159 Speaker 2: were all at one point or another just like, well, 99 00:05:42,200 --> 00:05:45,160 Speaker 2: I guess, well, I guess she just isn't making music anymore. 100 00:05:45,360 --> 00:05:48,159 Speaker 1: Right, there was something more insidious going on in the relationship. 101 00:05:48,279 --> 00:05:51,240 Speaker 1: And it's very important to note that Cassie was very 102 00:05:51,279 --> 00:05:54,600 Speaker 1: young when they first entered into their relationship, So we're 103 00:05:54,600 --> 00:05:58,719 Speaker 1: talking like eighteen nineteen years old and spent almost a 104 00:05:58,760 --> 00:06:02,599 Speaker 1: decade with him, right, And so to consider like maybe 105 00:06:02,600 --> 00:06:05,159 Speaker 1: the manipulation that was going on, the type of grooming 106 00:06:05,160 --> 00:06:08,159 Speaker 1: that was going on is also really important to contextualize 107 00:06:08,160 --> 00:06:09,480 Speaker 1: their type of relationship. 108 00:06:09,839 --> 00:06:12,679 Speaker 2: Yeah, I don't think that I've really heard that term 109 00:06:13,160 --> 00:06:16,040 Speaker 2: grooming with regards to Cassie and Ditty over the course 110 00:06:16,080 --> 00:06:19,120 Speaker 2: of this case. I think people are recognizing the trafficking 111 00:06:19,160 --> 00:06:22,400 Speaker 2: side of things. I think people are recognizing the abuse 112 00:06:22,560 --> 00:06:25,120 Speaker 2: and the assault of it, all the force and the coercion. 113 00:06:25,200 --> 00:06:28,039 Speaker 2: But I think the point you make is really important 114 00:06:28,080 --> 00:06:30,760 Speaker 2: that she was a teenager, she was nineteen, and he 115 00:06:30,920 --> 00:06:35,000 Speaker 2: was definitely like in his thirties when they started dating, right, 116 00:06:35,279 --> 00:06:39,240 Speaker 2: And one of the other witnesses in this federal case 117 00:06:40,120 --> 00:06:44,279 Speaker 2: testified that he at some point had heard Ditty say 118 00:06:44,320 --> 00:06:49,240 Speaker 2: with regards to Cassie, she's young, she's multiple like, she's perfect. 119 00:06:49,680 --> 00:06:52,359 Speaker 2: And Cassie herself, in her testimony over the course of 120 00:06:52,400 --> 00:06:54,839 Speaker 2: this trial, testified to the fact that when she first 121 00:06:54,880 --> 00:06:58,600 Speaker 2: started spending time with Ditty like he taught her about 122 00:06:58,880 --> 00:07:01,880 Speaker 2: oral sex and about matters of sex and sexuality. I 123 00:07:01,880 --> 00:07:04,800 Speaker 2: think that she was rather young and inexperienced, and so 124 00:07:05,400 --> 00:07:09,120 Speaker 2: when we hear about the interpersonal side of things, how 125 00:07:09,160 --> 00:07:13,520 Speaker 2: young she was. The sexual relationship that was beginning to form. 126 00:07:13,960 --> 00:07:17,160 Speaker 2: But then also that she's from Connecticut and she was 127 00:07:17,200 --> 00:07:21,280 Speaker 2: probably out here in LA by herself, and that she 128 00:07:21,400 --> 00:07:24,000 Speaker 2: entered into a record deal with him in bad Way Records, 129 00:07:24,080 --> 00:07:27,600 Speaker 2: so he had a lot of control over her professional live, 130 00:07:27,680 --> 00:07:30,679 Speaker 2: her music career, and then eventually her personal life. 131 00:07:31,040 --> 00:07:33,960 Speaker 1: Yeah, and I think that is really important to note 132 00:07:34,000 --> 00:07:37,800 Speaker 1: because there is that power and control and that dynamic 133 00:07:37,880 --> 00:07:41,000 Speaker 1: that exists within that relationship that may not exist in 134 00:07:41,080 --> 00:07:44,120 Speaker 1: every type of relationship, right, And so that I think 135 00:07:44,200 --> 00:07:47,280 Speaker 1: is really important to consider when we're thinking about Cassie 136 00:07:47,320 --> 00:07:51,160 Speaker 1: and her lived experience as his partner and as a person. 137 00:07:51,440 --> 00:07:56,600 Speaker 2: Absolutely, and as others have pointed out, Sean Combs had 138 00:07:57,080 --> 00:08:00,920 Speaker 2: his family like in his home with him, Kim Porter, 139 00:08:01,080 --> 00:08:04,880 Speaker 2: the mother of some of his kids, those children, but 140 00:08:05,000 --> 00:08:07,960 Speaker 2: Cassie wasn't like living in the home. He was like 141 00:08:08,040 --> 00:08:10,520 Speaker 2: paying for Cassie to live in a one bedroom apartment 142 00:08:10,560 --> 00:08:14,600 Speaker 2: somewhere in LA And Cassie testified in court that all 143 00:08:14,640 --> 00:08:17,120 Speaker 2: the year she was with him, like a decade, basically 144 00:08:17,160 --> 00:08:20,200 Speaker 2: that she never met the family, She wasn't around the family, 145 00:08:20,640 --> 00:08:25,200 Speaker 2: She was sort of kept separate from the family. So 146 00:08:26,240 --> 00:08:29,040 Speaker 2: there was also a dynamic there of him sort of 147 00:08:29,120 --> 00:08:33,320 Speaker 2: like having her on hold. And she testified also that 148 00:08:33,360 --> 00:08:35,800 Speaker 2: there were times where like he would just show up 149 00:08:35,800 --> 00:08:38,079 Speaker 2: at her place and let himself in, like it wasn't 150 00:08:38,120 --> 00:08:41,640 Speaker 2: really her place, that she wasn't really allowed to keep 151 00:08:41,679 --> 00:08:43,320 Speaker 2: him out of it, and so he just had all 152 00:08:43,400 --> 00:08:48,400 Speaker 2: this access to her. And it sounds like, per her testimony, 153 00:08:48,559 --> 00:08:51,360 Speaker 2: she spent a lot of time in the studio recording 154 00:08:51,440 --> 00:08:54,400 Speaker 2: music that just never ever ever got released, like he 155 00:08:54,520 --> 00:08:57,640 Speaker 2: was giving her busy work, like keeping her busy, but 156 00:08:57,880 --> 00:09:00,000 Speaker 2: sort of just like at his dispose. 157 00:09:01,160 --> 00:09:05,400 Speaker 1: Yeah, that's intense. Yes, that is so intense. And this 158 00:09:05,559 --> 00:09:08,080 Speaker 1: is a case that I have lightly been following, Like 159 00:09:08,120 --> 00:09:10,880 Speaker 1: I've listened to other coverage. I've read other articles, but 160 00:09:10,880 --> 00:09:14,199 Speaker 1: I haven't actually I haven't listened to the actual testimonies. 161 00:09:14,240 --> 00:09:16,960 Speaker 2: It's a lot, it's a lot. And so this is 162 00:09:16,960 --> 00:09:21,360 Speaker 2: also something that has been interesting to witness the way 163 00:09:21,360 --> 00:09:25,600 Speaker 2: that the coverage has unfolded a over broadcast television. There 164 00:09:25,679 --> 00:09:29,040 Speaker 2: are some news stations like ABC News They've had near 165 00:09:29,120 --> 00:09:31,760 Speaker 2: constant coverage of the Ditty trial. There's a couple of 166 00:09:31,840 --> 00:09:36,160 Speaker 2: podcasts out there covering the Ditty trial from different angles. 167 00:09:36,200 --> 00:09:40,559 Speaker 2: And then you have like journalists who are covering the case, 168 00:09:40,640 --> 00:09:43,240 Speaker 2: following the case and reporting back on TikTok on the 169 00:09:43,280 --> 00:09:47,719 Speaker 2: personal accounts like Tore. Tore famously did one of those 170 00:09:47,760 --> 00:09:52,080 Speaker 2: explosive interviews with R. Kelly back in the day. He's 171 00:09:52,080 --> 00:09:56,760 Speaker 2: still reporting, but Tore is reporting and commenting on his 172 00:09:56,800 --> 00:10:00,679 Speaker 2: own personal TikTok account. Then you have TikTok in influencers 173 00:10:01,160 --> 00:10:05,200 Speaker 2: like Stephanie Sue and others who are like somehow in 174 00:10:05,320 --> 00:10:06,040 Speaker 2: the courtroom. 175 00:10:06,200 --> 00:10:09,640 Speaker 1: Yeah, yeah, they have like a press badge, like a 176 00:10:09,679 --> 00:10:10,520 Speaker 1: journalist's badge. 177 00:10:10,640 --> 00:10:13,240 Speaker 2: Yes, And so they're going back and reporting what they're 178 00:10:13,280 --> 00:10:17,679 Speaker 2: witnessing and observing, like Stephanie Sue on her podcast Rotten 179 00:10:17,720 --> 00:10:20,880 Speaker 2: Mango and then also on TikTok. And then there are 180 00:10:20,960 --> 00:10:24,360 Speaker 2: TikTok influencers who are giving like constant updates on the 181 00:10:24,400 --> 00:10:27,080 Speaker 2: trial on TikTok. But it's unclear where they're getting their 182 00:10:27,080 --> 00:10:29,880 Speaker 2: information from. If they're in the courtroom, if they know 183 00:10:29,920 --> 00:10:32,400 Speaker 2: someone in the courtroom, if they're reading transcripts every day, 184 00:10:32,920 --> 00:10:37,040 Speaker 2: and it's a a lot of testimony, it's like a 185 00:10:37,040 --> 00:10:40,959 Speaker 2: lot to comb through. It makes me wonder like people 186 00:10:41,000 --> 00:10:43,600 Speaker 2: who are not career journalists, who are not like outright 187 00:10:43,600 --> 00:10:47,439 Speaker 2: getting paid to do journalism work, Like is their coverage 188 00:10:47,440 --> 00:10:51,199 Speaker 2: getting them? Like are they gaining a lot of engagement? 189 00:10:52,120 --> 00:10:53,360 Speaker 2: And like TikTok dollars? 190 00:10:53,480 --> 00:10:56,320 Speaker 1: I would assume it's the coverage, right. I can imagine 191 00:10:56,360 --> 00:10:59,480 Speaker 1: that's an incentive for some of these folks on TikTok 192 00:10:59,720 --> 00:11:01,960 Speaker 1: to kind of go in and do that coverage for 193 00:11:02,000 --> 00:11:03,640 Speaker 1: their own channels or platforms. 194 00:11:03,840 --> 00:11:07,200 Speaker 2: Yeah, that leads into like our kind of big picture 195 00:11:07,240 --> 00:11:11,319 Speaker 2: conversation for today, is these types of court cases as 196 00:11:11,400 --> 00:11:15,160 Speaker 2: journalism or as entertainment I should say m hm, so 197 00:11:15,200 --> 00:11:17,880 Speaker 2: that if we're not getting it through like the more 198 00:11:17,880 --> 00:11:21,880 Speaker 2: traditional news channels, those updates by like you know, TV 199 00:11:22,000 --> 00:11:23,960 Speaker 2: anchors on Channel four. 200 00:11:24,360 --> 00:11:26,560 Speaker 1: You know, there is a type of training that goes 201 00:11:26,600 --> 00:11:31,360 Speaker 1: into being a court reporter and like reporting on a case, 202 00:11:31,880 --> 00:11:35,480 Speaker 1: especially of this nature where maybe people are not trauma 203 00:11:35,520 --> 00:11:38,640 Speaker 1: informed and are also reporting what they're hearing or what 204 00:11:38,679 --> 00:11:43,360 Speaker 1: they're seeing via other social media platforms or news outlets 205 00:11:43,360 --> 00:11:46,120 Speaker 1: as well, and kind of regurgitating the information that they're seeing. 206 00:11:46,240 --> 00:11:49,240 Speaker 1: And I when I hear other people talk about it, 207 00:11:49,280 --> 00:11:52,440 Speaker 1: like just in general, right, not necessarily friends or family, 208 00:11:52,480 --> 00:11:56,840 Speaker 1: but just the chatter right of being online, is that 209 00:11:57,280 --> 00:11:59,920 Speaker 1: this case in some ways is very sensationalized because of 210 00:12:00,160 --> 00:12:01,120 Speaker 1: who it is. 211 00:12:01,640 --> 00:12:03,040 Speaker 2: Yeah, and also like. 212 00:12:03,040 --> 00:12:06,080 Speaker 1: The term we were talking about this yesterday, like the 213 00:12:06,200 --> 00:12:10,040 Speaker 1: term freakof right, and how that's kind of become a 214 00:12:10,040 --> 00:12:15,439 Speaker 1: part of our lexicon when it's actually describing something horrific 215 00:12:16,160 --> 00:12:18,760 Speaker 1: and some type of exploitation, depending on who you were 216 00:12:18,800 --> 00:12:21,520 Speaker 1: in that room. And so I think that that is 217 00:12:21,559 --> 00:12:24,000 Speaker 1: also something really important, where the freak off is kind 218 00:12:24,000 --> 00:12:26,800 Speaker 1: of become in some way like selecious and in some 219 00:12:26,840 --> 00:12:29,719 Speaker 1: ways a joke depending on who's using it and how 220 00:12:29,720 --> 00:12:33,880 Speaker 1: they're saying it, but it's actually a representation of something horrific, 221 00:12:34,040 --> 00:12:37,080 Speaker 1: depending again, like who you were in that room. Don't 222 00:12:37,120 --> 00:12:39,760 Speaker 1: go anywhere, locomotives. We'll be right back. 223 00:12:44,600 --> 00:12:49,480 Speaker 2: And we're back with more of our episode. Notably, Sean 224 00:12:49,559 --> 00:12:53,400 Speaker 2: Combs is not being charged with like a domestic violence charge. 225 00:12:53,520 --> 00:12:56,400 Speaker 2: This is not a matter of Cassie going to the 226 00:12:56,440 --> 00:13:00,440 Speaker 2: local police department and filing a report because he abused 227 00:13:00,440 --> 00:13:03,200 Speaker 2: her in like a domestic violence context. This is the 228 00:13:03,240 --> 00:13:07,120 Speaker 2: federal government filing these sex trafficking charges against him, and 229 00:13:07,160 --> 00:13:11,000 Speaker 2: she's brought in as a key witness to the crime 230 00:13:11,040 --> 00:13:14,760 Speaker 2: of sex trafficking right as a victim of the crime, 231 00:13:14,880 --> 00:13:17,520 Speaker 2: she also was a witness to the crime, and that's 232 00:13:17,600 --> 00:13:21,079 Speaker 2: the role that she's playing on the stand. So every 233 00:13:21,160 --> 00:13:25,640 Speaker 2: time she's testifying about her experiences and the freak offs, 234 00:13:25,720 --> 00:13:29,560 Speaker 2: she's specifically testifying as to every time she was trafficked. 235 00:13:30,440 --> 00:13:34,200 Speaker 2: So every freak off is an instance of trafficking, of assault, 236 00:13:34,240 --> 00:13:37,600 Speaker 2: of abuse, of coercion, and everything else that was being 237 00:13:37,679 --> 00:13:41,280 Speaker 2: done to her. And it also raises the question, like 238 00:13:42,360 --> 00:13:45,240 Speaker 2: all the play by plays, all the specifics about the 239 00:13:45,240 --> 00:13:49,680 Speaker 2: baby oil and the male escorts that were being hired, 240 00:13:49,679 --> 00:13:51,520 Speaker 2: and the wigs that she had to wear, and like 241 00:13:51,559 --> 00:13:55,240 Speaker 2: the candle, like all these specifics about the way that 242 00:13:55,280 --> 00:13:59,480 Speaker 2: these trafficking situations were set up, why does the public 243 00:13:59,520 --> 00:14:01,800 Speaker 2: need to know? Oh? Right, do we need to know? 244 00:14:02,200 --> 00:14:05,160 Speaker 2: What difference does it make if we know the specifics 245 00:14:05,160 --> 00:14:08,520 Speaker 2: of how she was trafficked in a federal case like this, 246 00:14:09,480 --> 00:14:13,960 Speaker 2: you know, why does that information need to be communicated? 247 00:14:14,280 --> 00:14:16,959 Speaker 1: Yeah, that's a good point, because there are certain things 248 00:14:16,960 --> 00:14:21,720 Speaker 1: that are specifically left out for the public to not know, 249 00:14:22,240 --> 00:14:23,760 Speaker 1: and this is one of those things where it feels 250 00:14:23,800 --> 00:14:26,520 Speaker 1: like everything is kind of being shared. Yeah, you know, 251 00:14:26,800 --> 00:14:30,080 Speaker 1: and with each testimonial it seems like it's getting worse 252 00:14:30,120 --> 00:14:33,160 Speaker 1: and worse what's being shared, and it's just available for 253 00:14:33,640 --> 00:14:36,440 Speaker 1: all of us, Which goes back to the original thesis, right, 254 00:14:36,480 --> 00:14:39,880 Speaker 1: that like this is part of entertainment for some people. 255 00:14:40,200 --> 00:14:44,960 Speaker 2: Yes, there's like some very it's like true crime entertainment value. Yes, 256 00:14:45,040 --> 00:14:48,560 Speaker 2: where it's horrifying. I can't look away. A woman is 257 00:14:48,600 --> 00:14:52,800 Speaker 2: being horrifically abused, can't look away. We're gonna like comb 258 00:14:52,840 --> 00:14:55,720 Speaker 2: over every detail of how it happened. This comes up 259 00:14:55,760 --> 00:14:59,680 Speaker 2: every time there's a public trial with a famous woman 260 00:15:00,080 --> 00:15:03,200 Speaker 2: at the center who has been abused or manipulated in 261 00:15:03,240 --> 00:15:05,600 Speaker 2: some way. You know, I don't know what the solution 262 00:15:05,840 --> 00:15:08,560 Speaker 2: is because there's this other piece of like there's the 263 00:15:08,640 --> 00:15:11,560 Speaker 2: freedom of the press, of course, and freedom of speech, 264 00:15:12,240 --> 00:15:15,680 Speaker 2: and so it's also not a matter of oh, influencers 265 00:15:15,680 --> 00:15:20,240 Speaker 2: should not be spreading updates. It's more like, why are 266 00:15:20,280 --> 00:15:23,640 Speaker 2: these specific updates so drive so much traffic? 267 00:15:24,160 --> 00:15:24,480 Speaker 1: Yeah? 268 00:15:24,560 --> 00:15:27,000 Speaker 2: You know, and I feel like the folks reporting, No, 269 00:15:28,000 --> 00:15:30,280 Speaker 2: these are the details that people are going to tune 270 00:15:30,320 --> 00:15:30,680 Speaker 2: in for. 271 00:15:30,840 --> 00:15:35,080 Speaker 1: Yeah, it's part of that sensationalizing. We're gonna hold onto 272 00:15:35,080 --> 00:15:37,680 Speaker 1: these details that we think are going to get people 273 00:15:37,800 --> 00:15:40,080 Speaker 1: like riled up or going in some way. 274 00:15:40,600 --> 00:15:44,760 Speaker 2: Yeah, and with every new witness it also is just 275 00:15:45,960 --> 00:15:50,720 Speaker 2: so it like reveals how many people were around and 276 00:15:50,800 --> 00:15:54,440 Speaker 2: were witnessing or were even involved, because he was not 277 00:15:54,560 --> 00:15:57,840 Speaker 2: pulling all this stuff off by himself, right, Like this 278 00:15:58,000 --> 00:16:02,280 Speaker 2: is a very elaborate scheme of his that involves a 279 00:16:02,280 --> 00:16:05,000 Speaker 2: lot of people in a lot of different locations for 280 00:16:05,040 --> 00:16:09,120 Speaker 2: many many years. So he had assistants and staff, and 281 00:16:09,160 --> 00:16:11,880 Speaker 2: there were like hotel staff everywhere they went, you know, 282 00:16:11,920 --> 00:16:15,040 Speaker 2: there was security guards, there were like other people he 283 00:16:15,080 --> 00:16:18,120 Speaker 2: partied with, other people he victimized. Just the sheer number 284 00:16:18,160 --> 00:16:22,280 Speaker 2: of people who can speak to what they witnessed and 285 00:16:22,360 --> 00:16:25,320 Speaker 2: how much of it is like really wild. 286 00:16:25,520 --> 00:16:28,840 Speaker 1: That's partly why this case is so big for the public. Right. 287 00:16:28,920 --> 00:16:31,600 Speaker 1: But in addition, like why the federal government is trying 288 00:16:31,680 --> 00:16:34,520 Speaker 1: Shawn Combs because of the magnitude and the scope of 289 00:16:34,560 --> 00:16:35,800 Speaker 1: people involved. 290 00:16:36,240 --> 00:16:40,600 Speaker 2: Absolutely and like it it goes back to also like 291 00:16:40,720 --> 00:16:43,400 Speaker 2: there have been over the years other times where we've 292 00:16:43,400 --> 00:16:47,520 Speaker 2: heard about Seawan Combs acting out violently towards people, Like 293 00:16:47,560 --> 00:16:50,840 Speaker 2: when his son was playing football at UCLA and Shawn 294 00:16:50,880 --> 00:16:55,200 Speaker 2: Combs throw a kettlebell at the UCLA football coach because 295 00:16:55,400 --> 00:16:57,800 Speaker 2: he was angry. He had some dispute with him over 296 00:16:57,840 --> 00:17:00,280 Speaker 2: his son and how his son was being played. So 297 00:17:00,760 --> 00:17:05,520 Speaker 2: he's somebody who I think everybody sort of knew for years. 298 00:17:05,560 --> 00:17:08,200 Speaker 2: But he has a temper that he has violent outbursts 299 00:17:08,640 --> 00:17:12,080 Speaker 2: that like his parties get out of control. Like it 300 00:17:12,119 --> 00:17:14,520 Speaker 2: seemed like there were a lot of people who were 301 00:17:14,560 --> 00:17:18,000 Speaker 2: in the know and in on his secrets that weren't 302 00:17:18,119 --> 00:17:19,240 Speaker 2: so secret. 303 00:17:19,119 --> 00:17:20,880 Speaker 1: Right I mean, And I think notably one of those 304 00:17:20,880 --> 00:17:25,160 Speaker 1: people was Aubry Oda from Danny Kane, and she has 305 00:17:25,200 --> 00:17:29,159 Speaker 1: been talking about Sean colmbs P ditty for twenty years. 306 00:17:30,000 --> 00:17:32,919 Speaker 1: Was like sounding the alarm when she was with Danny 307 00:17:33,000 --> 00:17:36,160 Speaker 1: Kane and was removed from the group that she was in, 308 00:17:36,200 --> 00:17:38,560 Speaker 1: and she was part of making of the band as well. 309 00:17:38,760 --> 00:17:42,399 Speaker 1: And so she in an interview with people said she 310 00:17:42,440 --> 00:17:45,880 Speaker 1: does not feel vindicated because of course this is horrible, 311 00:17:46,240 --> 00:17:50,119 Speaker 1: like what the victim's experience and how they were exploited. 312 00:17:50,600 --> 00:17:53,639 Speaker 1: But there is like, Okay, people are finally listening to 313 00:17:53,680 --> 00:17:55,639 Speaker 1: something I've been saying for twenty years. 314 00:17:55,800 --> 00:17:59,320 Speaker 2: Yeah, it's like there's no winning here. No, there's there's 315 00:17:59,359 --> 00:18:04,000 Speaker 2: no way that anybody can feel like victorious, even the 316 00:18:04,040 --> 00:18:06,960 Speaker 2: people who are now coming forward and testifying a because 317 00:18:06,960 --> 00:18:09,920 Speaker 2: they've probably been subpoenad, like they have to write. 318 00:18:10,480 --> 00:18:12,320 Speaker 1: And that's a good thing to note too, is that 319 00:18:12,359 --> 00:18:14,240 Speaker 1: Cassie Ventura was subpoenad. 320 00:18:14,440 --> 00:18:17,920 Speaker 2: Yes, they're not like volunteering to go testify. You don't 321 00:18:17,920 --> 00:18:20,919 Speaker 2: testify in a federal case like this unless the Feds 322 00:18:21,280 --> 00:18:23,920 Speaker 2: knock on your door right until you went to show up, 323 00:18:24,119 --> 00:18:24,359 Speaker 2: you know. 324 00:18:24,600 --> 00:18:26,639 Speaker 1: And that was something that I saw online too, And 325 00:18:26,680 --> 00:18:28,639 Speaker 1: this is not the dominant narrative that I've seen, but 326 00:18:28,640 --> 00:18:31,159 Speaker 1: I have seen a couple of these people kind of 327 00:18:31,160 --> 00:18:34,720 Speaker 1: posing this question, like if you're wondering why Cassie is 328 00:18:34,760 --> 00:18:37,560 Speaker 1: speaking out now even though she received a settlement, kind 329 00:18:37,600 --> 00:18:40,240 Speaker 1: of like that, oh, that's not enough for you type 330 00:18:40,240 --> 00:18:42,840 Speaker 1: of sentiment, right, And the answer back to that is like, well, 331 00:18:42,880 --> 00:18:45,600 Speaker 1: she's being subpoenad because this is a federal case. This 332 00:18:45,640 --> 00:18:48,000 Speaker 1: is not a dB case. This is not Cassie versus 333 00:18:48,040 --> 00:18:51,199 Speaker 1: p Diddy. No, this is a federal case. She's a subpoenad. 334 00:18:51,440 --> 00:18:54,520 Speaker 2: It's the United States, right, it's all of us versus 335 00:18:54,520 --> 00:18:55,159 Speaker 2: shawan Combe. 336 00:18:55,200 --> 00:18:57,720 Speaker 1: When you put it that way, it's the people. It 337 00:18:57,760 --> 00:18:58,200 Speaker 1: is the people. 338 00:18:58,280 --> 00:19:01,600 Speaker 2: It's the people versus shawan Combe. These were crimes against 339 00:19:01,640 --> 00:19:05,320 Speaker 2: not just one person, but a slew a whole group 340 00:19:05,359 --> 00:19:08,800 Speaker 2: of people, And I don't think that we really know 341 00:19:09,480 --> 00:19:14,240 Speaker 2: all of the victims, no wrapped up in all of this. 342 00:19:14,680 --> 00:19:17,760 Speaker 2: We know some of the big names. We know Cassie. 343 00:19:18,080 --> 00:19:22,160 Speaker 2: There's a Mia now like a former personal assistant who 344 00:19:22,520 --> 00:19:26,160 Speaker 2: has been testifying under a different name Mia, who also 345 00:19:26,200 --> 00:19:30,760 Speaker 2: has testified to like horrible working conditions of violent outbursts 346 00:19:30,800 --> 00:19:34,200 Speaker 2: that she endured from Combs, assaults that she endured from Combs. 347 00:19:34,640 --> 00:19:36,480 Speaker 2: So I think that this is just the tip of 348 00:19:36,520 --> 00:19:38,280 Speaker 2: the iceberg in a lot of ways. 349 00:19:38,640 --> 00:19:40,120 Speaker 1: Don't go anywhere, lokamotives. 350 00:19:40,240 --> 00:19:46,159 Speaker 2: We'll be right back, and we're back with more of 351 00:19:46,200 --> 00:19:46,920 Speaker 2: our episode. 352 00:19:47,160 --> 00:19:49,680 Speaker 1: Prior to the trial, there was a journalist who also 353 00:19:49,760 --> 00:19:52,159 Speaker 1: went on record and talked about how when she was 354 00:19:52,200 --> 00:19:56,800 Speaker 1: working at Vibe and was profiling Sean Combs, like how 355 00:19:56,960 --> 00:19:59,760 Speaker 1: violent he was and how her computer was stolen because 356 00:20:00,160 --> 00:20:02,439 Speaker 1: he didn't want the profile she was writing to be 357 00:20:02,520 --> 00:20:07,240 Speaker 1: published and so like it goes back yeah, decades. 358 00:20:07,680 --> 00:20:10,679 Speaker 2: Yeah, he has retaliated against a lot of people and 359 00:20:10,680 --> 00:20:14,399 Speaker 2: people have been afraid of him. Kid Cutty testified talked 360 00:20:14,400 --> 00:20:17,600 Speaker 2: about his relationship with Cassie and how Shawn Combs didn't 361 00:20:17,640 --> 00:20:21,560 Speaker 2: like it when he found out and Kid Cutty suspects 362 00:20:21,680 --> 00:20:24,760 Speaker 2: that Shawn Combs broke into his house, opened up a 363 00:20:24,760 --> 00:20:27,080 Speaker 2: bunch of Christmas presents, locked his dog in a room, 364 00:20:27,160 --> 00:20:29,040 Speaker 2: and then later tried to set his car on fire 365 00:20:29,080 --> 00:20:33,800 Speaker 2: with a Molotov cocktail. Like, people have been really targeted 366 00:20:33,800 --> 00:20:36,560 Speaker 2: by this person if they've done things that he doesn't like, 367 00:20:37,240 --> 00:20:40,879 Speaker 2: which explains a lot of why there was such a 368 00:20:40,920 --> 00:20:44,320 Speaker 2: bystander effect with his team, with his assistance in his 369 00:20:44,359 --> 00:20:47,959 Speaker 2: security guards and people who testified to like witnessing him 370 00:20:48,000 --> 00:20:51,720 Speaker 2: physically assault Cassie and other people, but they never said anything, 371 00:20:51,920 --> 00:20:55,840 Speaker 2: or at least didn't say anything to Puff Daddy, like 372 00:20:55,920 --> 00:20:58,560 Speaker 2: to Shawn Combs, right because they were afraid. They were 373 00:20:58,560 --> 00:21:00,879 Speaker 2: afraid that they would get home or the people that 374 00:21:00,920 --> 00:21:03,159 Speaker 2: they loved would get harmed. And this is how this 375 00:21:03,240 --> 00:21:06,879 Speaker 2: cycle of abuse and violence continues, right, Especially a person 376 00:21:06,920 --> 00:21:10,399 Speaker 2: in a position of power who pays everybody's salary, you know, 377 00:21:10,440 --> 00:21:13,440 Speaker 2: who like has control over their their careers and they're 378 00:21:13,520 --> 00:21:17,439 Speaker 2: under contract with him, and he maybe showers them with 379 00:21:17,560 --> 00:21:20,439 Speaker 2: gifts and with perks and with niceties and things that 380 00:21:20,480 --> 00:21:22,359 Speaker 2: make it so cool to work with him or to 381 00:21:22,440 --> 00:21:25,480 Speaker 2: date him, and then the violent outburst happens, and it 382 00:21:25,640 --> 00:21:28,520 Speaker 2: is that cycle, that cycle, and then there's threats and coercion. Well, 383 00:21:28,560 --> 00:21:30,639 Speaker 2: if you leave, you're never gonna you're never gonna work 384 00:21:30,680 --> 00:21:32,800 Speaker 2: in this town again. If you leave, I'm gonna release 385 00:21:32,840 --> 00:21:34,920 Speaker 2: all of these tapes that I took in our freak 386 00:21:34,920 --> 00:21:37,360 Speaker 2: offs or or at this party or whatever I made 387 00:21:37,400 --> 00:21:39,399 Speaker 2: you do. And then the night and then the gifts 388 00:21:39,480 --> 00:21:42,720 Speaker 2: come back, and you know, you're honeymooning again, and Okay, 389 00:21:42,760 --> 00:21:45,000 Speaker 2: maybe it's better now, and he feels sorry, but it 390 00:21:45,119 --> 00:21:47,800 Speaker 2: just continues on and on and on. So I'm sure 391 00:21:47,840 --> 00:21:50,360 Speaker 2: Cassie wasn't the only one caught in that cycle with him. 392 00:21:50,400 --> 00:21:53,000 Speaker 2: I'm sure even staff were caught in that cycle with him. 393 00:21:53,440 --> 00:21:56,399 Speaker 1: Yeah. Absolutely, And I think that you bring up the 394 00:21:56,440 --> 00:21:58,800 Speaker 1: good point of like the power and control and the 395 00:21:58,800 --> 00:22:02,280 Speaker 1: intimidation and the base under effect, because there were also 396 00:22:02,400 --> 00:22:07,080 Speaker 1: instances during Cassie's statement that she there were times where 397 00:22:07,119 --> 00:22:10,080 Speaker 1: she did consent to these quote freak offs, right, And 398 00:22:10,119 --> 00:22:13,400 Speaker 1: I think that that's an important thing to note that 399 00:22:13,520 --> 00:22:16,000 Speaker 1: consent can be withdrawn at any time. You know, just 400 00:22:16,040 --> 00:22:18,320 Speaker 1: because you agreed to something one day does not mean 401 00:22:18,359 --> 00:22:20,200 Speaker 1: you agree the next day or even that same night. 402 00:22:21,359 --> 00:22:23,760 Speaker 1: That same day, and so that is something I feel 403 00:22:23,800 --> 00:22:27,359 Speaker 1: like nobody's the perfect victim does not exist, right, and 404 00:22:27,440 --> 00:22:31,360 Speaker 1: so to I think maybe question the validity of her 405 00:22:31,400 --> 00:22:35,000 Speaker 1: experience based on maybe consenting one day and not consenting 406 00:22:35,040 --> 00:22:37,800 Speaker 1: another is not appropriate, right. 407 00:22:37,920 --> 00:22:40,959 Speaker 2: And it's also we have to complicate our understanding of 408 00:22:41,000 --> 00:22:45,159 Speaker 2: consent because if it's consent only because you think something 409 00:22:45,240 --> 00:22:48,480 Speaker 2: bad is going to happen, then that is a type 410 00:22:48,480 --> 00:22:51,639 Speaker 2: of coercive environment, absolutely right, And I think one of 411 00:22:51,680 --> 00:22:54,520 Speaker 2: the nuances And I'm glad that you brought up, you know, 412 00:22:54,560 --> 00:22:58,040 Speaker 2: the idea of consent in this situation, because the defense, 413 00:22:58,400 --> 00:23:01,840 Speaker 2: because there's so much evidence photo video and witness evidence, 414 00:23:02,000 --> 00:23:06,560 Speaker 2: video evidence of his violence towards her and his coercion 415 00:23:06,720 --> 00:23:10,880 Speaker 2: and his retaliation. So the defense for Shan Combs, all 416 00:23:10,920 --> 00:23:14,080 Speaker 2: they can really do is establish that she consented to 417 00:23:14,160 --> 00:23:17,080 Speaker 2: everything and she wanted to participate in everything. So what 418 00:23:17,119 --> 00:23:19,560 Speaker 2: they're doing is looking at some of the text messages 419 00:23:19,640 --> 00:23:23,880 Speaker 2: that have been entered into discovery and saying in these instances, 420 00:23:24,000 --> 00:23:28,520 Speaker 2: Cassie wrote, I'm always down for freak offs. I love 421 00:23:28,560 --> 00:23:30,760 Speaker 2: our freak COFs. I love our fos when we both 422 00:23:30,840 --> 00:23:34,200 Speaker 2: want them, and there have been I guess over the years, 423 00:23:34,280 --> 00:23:37,040 Speaker 2: moments where she wrote things like that. But then there's 424 00:23:37,040 --> 00:23:41,919 Speaker 2: also entered into discovery emails that she wrote right basically 425 00:23:41,960 --> 00:23:45,080 Speaker 2: pleading for him, like to love her. And she wrote 426 00:23:45,080 --> 00:23:48,720 Speaker 2: emails to her mother, you know, like basically asking for help. 427 00:23:49,240 --> 00:23:52,119 Speaker 2: And so it's not like you're saying it's not enough 428 00:23:52,160 --> 00:23:56,119 Speaker 2: to say yes one time, especially if there's all these 429 00:23:56,160 --> 00:23:58,800 Speaker 2: other things going on. Absolutely, you know, like did she 430 00:23:58,960 --> 00:24:02,239 Speaker 2: really have a choice to say yes or no in 431 00:24:02,280 --> 00:24:04,240 Speaker 2: her specific circumstance, I. 432 00:24:04,160 --> 00:24:07,000 Speaker 1: Mean, and even thinking about like your own personal life, 433 00:24:07,080 --> 00:24:10,960 Speaker 1: like there are instances where we have or I have 434 00:24:11,119 --> 00:24:14,320 Speaker 1: said yes when I haven't wanted to, but I know 435 00:24:14,400 --> 00:24:16,600 Speaker 1: that this is important to my partners, so I'm gonna 436 00:24:16,640 --> 00:24:20,600 Speaker 1: say yes, you know. And so these are like the 437 00:24:20,600 --> 00:24:25,639 Speaker 1: the small moments that happen in relationships where you know, 438 00:24:25,760 --> 00:24:28,879 Speaker 1: it's really challenged, like you said, really complicating what consent means. 439 00:24:29,440 --> 00:24:32,080 Speaker 1: Those that power control dynamic may not be involved in 440 00:24:32,119 --> 00:24:35,439 Speaker 1: your relationship, but imagine if they are. And then the 441 00:24:35,480 --> 00:24:37,879 Speaker 1: reasons that you're saying yes when you want to say no. 442 00:24:38,320 --> 00:24:41,480 Speaker 2: Yeah, And per Cassie's testimony, the freak off started when 443 00:24:41,480 --> 00:24:44,080 Speaker 2: she was very young. They started dating at nineteen by 444 00:24:44,160 --> 00:24:47,280 Speaker 2: twenty one, twenty two. He has her engaging in these 445 00:24:47,320 --> 00:24:50,000 Speaker 2: freak Offs and the way that Cassie talks about them, 446 00:24:50,280 --> 00:24:52,639 Speaker 2: which is why I think they are qualifying as a 447 00:24:52,680 --> 00:24:55,480 Speaker 2: type of trafficking. She talks about them like they were 448 00:24:55,520 --> 00:24:59,280 Speaker 2: a job, Like at some point she was full time 449 00:25:00,280 --> 00:25:03,520 Speaker 2: with the freak Offs, like multiple times a week every week. 450 00:25:03,760 --> 00:25:07,320 Speaker 2: They're like benders. They're lasting two, three, four days, so 451 00:25:07,440 --> 00:25:09,800 Speaker 2: she's spending her week engaging in the freak Off and 452 00:25:09,840 --> 00:25:13,240 Speaker 2: then recovering from the freak Off. She's testifying to having 453 00:25:13,359 --> 00:25:17,240 Speaker 2: like non stop UTIs basically for almost ten years, that 454 00:25:17,400 --> 00:25:20,000 Speaker 2: like even the medication stopped working for her because it 455 00:25:20,040 --> 00:25:24,479 Speaker 2: was so chronic. And she's testifying to like basically having 456 00:25:25,560 --> 00:25:28,960 Speaker 2: a roster of male escorts that they were calling so 457 00:25:29,080 --> 00:25:31,960 Speaker 2: often she like knew them by name right, And she 458 00:25:32,080 --> 00:25:36,000 Speaker 2: describes the freak Offs being like almost like plays that 459 00:25:36,080 --> 00:25:38,600 Speaker 2: Diddy was directing, and there's acts and there's scenes and 460 00:25:38,640 --> 00:25:41,720 Speaker 2: their sessions, and she talks about it like a straight 461 00:25:41,800 --> 00:25:45,840 Speaker 2: up job, and that she was basically a sex worker 462 00:25:45,880 --> 00:25:48,760 Speaker 2: for him after a while. And if you think about 463 00:25:48,760 --> 00:25:51,000 Speaker 2: when it started, how she was so young and then 464 00:25:51,119 --> 00:25:54,359 Speaker 2: it kept going for all of her twenties. Basically, you know, 465 00:25:54,600 --> 00:25:58,119 Speaker 2: there's no way that like that was her dream for 466 00:25:58,160 --> 00:26:01,080 Speaker 2: herself and that's what she wanted for herself absolutely, you know. 467 00:26:01,440 --> 00:26:05,560 Speaker 2: But she's under this ten album contract with Ditty and 468 00:26:05,600 --> 00:26:10,000 Speaker 2: she wants to make her music. And the place that 469 00:26:10,080 --> 00:26:13,439 Speaker 2: she lives is also like he's paying for it. You know, 470 00:26:13,600 --> 00:26:16,439 Speaker 2: her family is across the country. It seemed like she 471 00:26:16,560 --> 00:26:18,399 Speaker 2: was genuinely afraid to say no. 472 00:26:18,800 --> 00:26:23,040 Speaker 1: Yeah. I mean that really hits all the points of 473 00:26:23,160 --> 00:26:27,880 Speaker 1: the power and control, right, the intimidation, the isolation, the 474 00:26:27,920 --> 00:26:29,840 Speaker 1: economic abuse, all of it. 475 00:26:30,160 --> 00:26:32,879 Speaker 2: I think something to note too is there's different types 476 00:26:32,920 --> 00:26:36,800 Speaker 2: of like human traffickers and pimps. Like I think people 477 00:26:36,840 --> 00:26:39,000 Speaker 2: think of trafficking and they maybe think, I don't know, 478 00:26:39,119 --> 00:26:42,520 Speaker 2: like narcos or like women who are like working on 479 00:26:42,560 --> 00:26:45,680 Speaker 2: the street, right, But there's a lot of different ways 480 00:26:45,760 --> 00:26:48,880 Speaker 2: that women become trafficked. And so a few years ago 481 00:26:49,040 --> 00:26:53,280 Speaker 2: I participated in this like human trafficking training by this 482 00:26:53,600 --> 00:26:57,520 Speaker 2: anti trafficking organization called the Polaris Project, and they did 483 00:26:57,640 --> 00:27:02,159 Speaker 2: a big study about second trafficking between Mexico and the 484 00:27:02,240 --> 00:27:05,440 Speaker 2: United States. And something that I learned in that sex 485 00:27:05,480 --> 00:27:09,000 Speaker 2: trafficking training is that one of the types of traffickers 486 00:27:09,080 --> 00:27:12,399 Speaker 2: is called like a boyfriend trafficker, and the way that 487 00:27:12,480 --> 00:27:16,040 Speaker 2: you get involved with the boyfriend trafficker is through like 488 00:27:16,320 --> 00:27:19,399 Speaker 2: dating and love and romance, and they romance you and 489 00:27:19,400 --> 00:27:23,439 Speaker 2: it's the honeymoon phase and their person and they are 490 00:27:23,480 --> 00:27:25,560 Speaker 2: your boyfriend and you are dating and it is romantic. 491 00:27:25,760 --> 00:27:29,720 Speaker 2: Eventually that boyfriend says, well, if you love me, then 492 00:27:29,720 --> 00:27:32,399 Speaker 2: you'll do this for me. You know, you'll take this 493 00:27:32,920 --> 00:27:36,160 Speaker 2: package for me and you'll like transport it through the airport, 494 00:27:36,320 --> 00:27:38,600 Speaker 2: or you're going to do this little task for me, 495 00:27:38,960 --> 00:27:40,840 Speaker 2: or you're going to sleep with this person for money, 496 00:27:40,880 --> 00:27:44,760 Speaker 2: and it escalates until before you know it, you're in 497 00:27:44,760 --> 00:27:47,600 Speaker 2: a full on trafficking situation. And it sounds like this 498 00:27:47,680 --> 00:27:50,280 Speaker 2: is what happened with Cassie because she talks about being 499 00:27:50,320 --> 00:27:53,200 Speaker 2: in love with him and loving him and them being 500 00:27:53,280 --> 00:27:58,320 Speaker 2: like an item. So it sounds like he like boyfriended her, 501 00:27:58,640 --> 00:28:01,320 Speaker 2: exploited her into sexual exploitation. 502 00:28:01,680 --> 00:28:04,320 Speaker 1: Yeah, that's a lot. 503 00:28:04,840 --> 00:28:07,600 Speaker 2: It is a lot. It's fucked up, and our hearts 504 00:28:07,640 --> 00:28:11,200 Speaker 2: go out to Cassie, who is very pregnant also by 505 00:28:11,240 --> 00:28:13,360 Speaker 2: the way, while she's testifying. 506 00:28:12,840 --> 00:28:15,480 Speaker 1: With her third child with her third child. 507 00:28:15,240 --> 00:28:19,800 Speaker 2: By her husband, Alex Fine, formerly personal trainer to both 508 00:28:19,840 --> 00:28:20,960 Speaker 2: her and Shawn Combs. 509 00:28:21,040 --> 00:28:22,800 Speaker 1: Oh, I don't think I knew that Shawn. 510 00:28:22,520 --> 00:28:28,359 Speaker 2: Combs hired Alex Fine to train them and is shortly thereafter, 511 00:28:29,000 --> 00:28:33,159 Speaker 2: you know, Cassie and Alex Fine start to develop feelings 512 00:28:33,160 --> 00:28:36,720 Speaker 2: for one another. She ends her thing with Diddy somehow, 513 00:28:37,000 --> 00:28:39,160 Speaker 2: she like is able to get out of it. Yeah, 514 00:28:39,720 --> 00:28:43,160 Speaker 2: not unscathed. Right, there were assaults and abuse and all 515 00:28:43,280 --> 00:28:45,840 Speaker 2: kinds of stalking going on. But now she's married and 516 00:28:45,840 --> 00:28:48,800 Speaker 2: she has her third baby on the way with her husband. 517 00:28:49,080 --> 00:28:52,160 Speaker 2: This has also been interesting because as she's been testifying, 518 00:28:52,200 --> 00:28:55,080 Speaker 2: her husband has been in the courtroom. Yes, so of course, 519 00:28:55,080 --> 00:28:57,880 Speaker 2: what's the commentary about her. 520 00:28:57,200 --> 00:29:01,200 Speaker 1: Husband she has to listen to, Well, what she quote did, 521 00:29:01,360 --> 00:29:03,600 Speaker 1: what she did, not what she was put through, not 522 00:29:03,640 --> 00:29:07,000 Speaker 1: how she was exploited, but her poor husband. 523 00:29:07,680 --> 00:29:09,920 Speaker 2: Her poor husband, and what do we think about that? 524 00:29:10,000 --> 00:29:13,000 Speaker 2: Because it's like it's like this is so classic. 525 00:29:12,960 --> 00:29:16,720 Speaker 1: Oh yeah, right, I mean one patriarchy, one oh one 526 00:29:17,160 --> 00:29:21,440 Speaker 1: rape culture, Like you know, it's it's horrible, and but 527 00:29:21,480 --> 00:29:24,520 Speaker 1: it's also not surprising, right to hear that type of 528 00:29:24,560 --> 00:29:27,720 Speaker 1: commentary like, oh, her, it's still centering the man of 529 00:29:27,840 --> 00:29:31,360 Speaker 1: the poor husband, not poor Cassie, and she has to relive, 530 00:29:31,920 --> 00:29:36,320 Speaker 1: be re traumatized and recount these details of a decade. 531 00:29:36,880 --> 00:29:41,040 Speaker 1: But her poor husband, let's deflect, Yeah, and he has 532 00:29:41,120 --> 00:29:41,640 Speaker 1: to hear this. 533 00:29:42,080 --> 00:29:45,320 Speaker 2: Yeah. And so depending on who you are, then it's 534 00:29:45,440 --> 00:29:48,960 Speaker 2: because there are still Ditty supporters for sure. Not everybody 535 00:29:49,360 --> 00:29:53,440 Speaker 2: is like is not not everybody is denouncing him and 536 00:29:53,520 --> 00:29:54,760 Speaker 2: his actions, I mean, and. 537 00:29:55,080 --> 00:30:00,600 Speaker 1: That is is I think the history of any male 538 00:30:01,280 --> 00:30:05,520 Speaker 1: celeb or someone of his caliber, right, even R Kelly 539 00:30:05,680 --> 00:30:08,280 Speaker 1: like still has supporters. Oh yeah, right, Bill Cosby still 540 00:30:08,280 --> 00:30:10,560 Speaker 1: has supporters. Notably, these are three black men, right, and 541 00:30:10,640 --> 00:30:14,400 Speaker 1: so the racial dynamic is obviously very important when talking 542 00:30:14,440 --> 00:30:18,800 Speaker 1: about this Johnny Depp, Johnny Depp has a lot of supporters, 543 00:30:18,880 --> 00:30:23,000 Speaker 1: Kit Scott supporters, and poor amberhard was villainized so much. 544 00:30:23,120 --> 00:30:25,920 Speaker 1: We also have an episode on that because that case, 545 00:30:25,960 --> 00:30:28,040 Speaker 1: I feel to me that was one of the first 546 00:30:28,080 --> 00:30:31,600 Speaker 1: examples of like a TikTok case. Yes, was Amber heard 547 00:30:31,680 --> 00:30:35,160 Speaker 1: versus Johnny Depp? Yeah, which it wasn't even versus them. 548 00:30:35,200 --> 00:30:37,880 Speaker 1: It was a libel case, right, but it was positioned 549 00:30:37,920 --> 00:30:40,560 Speaker 1: on social media as like Amber versus Johnny. 550 00:30:40,960 --> 00:30:43,680 Speaker 2: It was positioned that way. And in both of these 551 00:30:43,760 --> 00:30:47,600 Speaker 2: cases it's so easy for the for a viewer who 552 00:30:47,680 --> 00:30:50,800 Speaker 2: hasn't like looked into it because of the rape culture, 553 00:30:50,840 --> 00:30:54,640 Speaker 2: because of the misogyny. Immediately, it's oh, Amber and Cassie 554 00:30:54,680 --> 00:30:56,840 Speaker 2: like trying to destroy these men and bring them down, 555 00:30:56,880 --> 00:30:59,520 Speaker 2: and why are they speaking up now? Johnny Depp filed 556 00:30:59,520 --> 00:31:03,880 Speaker 2: a lawsuit against Amber heard Relibel because of an essay 557 00:31:03,920 --> 00:31:06,360 Speaker 2: that she wrote that did not name him no, and 558 00:31:06,400 --> 00:31:09,240 Speaker 2: then with this one it's the federal government bringing them 559 00:31:09,240 --> 00:31:12,120 Speaker 2: to court. But in both instances, it's like this woman 560 00:31:12,160 --> 00:31:16,400 Speaker 2: at the center, who has been horribly brutalized, is like 561 00:31:17,240 --> 00:31:20,680 Speaker 2: at fault for something always, always. 562 00:31:20,240 --> 00:31:22,440 Speaker 1: Always, I mean, And it goes to show that like 563 00:31:22,600 --> 00:31:25,840 Speaker 1: there hasn't been a reckoning, a me too reckoning for 564 00:31:26,000 --> 00:31:30,080 Speaker 1: all communities or subsets of the culture. Right. We saw 565 00:31:30,080 --> 00:31:33,120 Speaker 1: it with the film industry in some capacity. We haven't 566 00:31:33,160 --> 00:31:36,640 Speaker 1: necessarily seen it with hip hop and arts hip hop 567 00:31:36,640 --> 00:31:37,440 Speaker 1: and music. 568 00:31:37,160 --> 00:31:39,240 Speaker 2: In the music industry, right, And so. 569 00:31:39,840 --> 00:31:42,200 Speaker 1: It's that that I don't know if it's a ripple effect, 570 00:31:42,280 --> 00:31:45,920 Speaker 1: but it's like, not everyone has had their like their 571 00:31:45,960 --> 00:31:48,840 Speaker 1: me too reckoning, Not each industry has had it yet. 572 00:31:49,200 --> 00:31:52,600 Speaker 1: And in some ways this is a type of reckoning 573 00:31:52,720 --> 00:31:57,400 Speaker 1: because of how big Shawn Combs is and how influential 574 00:31:57,480 --> 00:32:00,760 Speaker 1: he's been in the culture for decades. But this is 575 00:32:00,800 --> 00:32:03,280 Speaker 1: like just the tip of the iceberg, and it's gonna 576 00:32:03,280 --> 00:32:07,040 Speaker 1: take like other people in the industry to actually like 577 00:32:07,400 --> 00:32:11,400 Speaker 1: not just be the bystanders and be like active in 578 00:32:11,520 --> 00:32:14,560 Speaker 1: calling this out exactly before it gets to this point 579 00:32:14,840 --> 00:32:16,120 Speaker 1: exactly exactly. 580 00:32:16,320 --> 00:32:21,560 Speaker 2: And you know this hunger to like make it by 581 00:32:21,600 --> 00:32:26,520 Speaker 2: any means necessary, to like get on and to be successful. 582 00:32:26,720 --> 00:32:30,720 Speaker 2: I also think that that insane hunger to like get 583 00:32:30,760 --> 00:32:36,080 Speaker 2: ahead in the industry drives so much of this this 584 00:32:36,240 --> 00:32:41,160 Speaker 2: issue because whether we're talking about the staff right that 585 00:32:41,280 --> 00:32:45,000 Speaker 2: maybe is like experiencing some like bystander effect and not 586 00:32:45,120 --> 00:32:48,000 Speaker 2: acting because of all the reasons we've talked about, Like 587 00:32:48,560 --> 00:32:52,560 Speaker 2: they're nervous, they have their own careers, they fear retaliation, 588 00:32:52,960 --> 00:32:55,720 Speaker 2: they want to be successful in what they're doing, that 589 00:32:55,880 --> 00:32:58,400 Speaker 2: maybe this has been a big break for them, right. 590 00:32:58,600 --> 00:33:01,040 Speaker 2: And then there's the talent at the center of it, 591 00:33:01,080 --> 00:33:05,520 Speaker 2: and like young talent, impressionable talent you know, from all 592 00:33:05,560 --> 00:33:08,800 Speaker 2: over the place, from different places coming out here in 593 00:33:08,920 --> 00:33:14,080 Speaker 2: these instances to la like chasing a dream and then yeah, 594 00:33:14,120 --> 00:33:16,160 Speaker 2: you think you got your big break, this huge mogul 595 00:33:16,480 --> 00:33:19,560 Speaker 2: has taken a liking to you, but now you're like 596 00:33:19,720 --> 00:33:22,520 Speaker 2: in their clutches and p did he also having been 597 00:33:22,560 --> 00:33:29,720 Speaker 2: linked to some dubious like behavior with Usher, a young 598 00:33:29,840 --> 00:33:33,520 Speaker 2: Usher right when Usher was like sent to like Puffy's 599 00:33:33,520 --> 00:33:36,920 Speaker 2: flavor camp, to like live with puff Daddy when Usher 600 00:33:36,960 --> 00:33:41,240 Speaker 2: was a child. And also Justin Bieber also being linked 601 00:33:41,320 --> 00:33:44,600 Speaker 2: to like nefarious shit with puff Daddy when he was 602 00:33:44,640 --> 00:33:45,120 Speaker 2: a child. 603 00:33:45,280 --> 00:33:48,920 Speaker 1: Yeah, it really does put going back to these like 604 00:33:49,040 --> 00:33:52,360 Speaker 1: crashouts in our previous episode. It really does put maybe 605 00:33:52,360 --> 00:33:55,680 Speaker 1: a Justin Bieber into a different context in light you know, 606 00:33:55,760 --> 00:33:58,880 Speaker 1: he was a child star and what type of exploitation 607 00:33:59,040 --> 00:34:01,440 Speaker 1: did he experience in the industry. 608 00:34:01,760 --> 00:34:04,720 Speaker 2: Yeah, And it's one thing for adults even to be 609 00:34:04,800 --> 00:34:07,720 Speaker 2: in these like wild ditty parties, but I feel like 610 00:34:07,840 --> 00:34:11,920 Speaker 2: these kids were there too, you know. And so this 611 00:34:12,120 --> 00:34:17,360 Speaker 2: is like this person has caused like multi generational harm 612 00:34:17,600 --> 00:34:20,280 Speaker 2: when we think about the age range of these different 613 00:34:20,280 --> 00:34:23,080 Speaker 2: people who have been in his who have been in 614 00:34:23,120 --> 00:34:26,480 Speaker 2: his reach. So it really is a wild time decades 615 00:34:26,480 --> 00:34:29,400 Speaker 2: in the making. Yeah, decades in the making. And it 616 00:34:29,520 --> 00:34:32,279 Speaker 2: kind of seems like unfortunately in cases like this, one 617 00:34:32,360 --> 00:34:35,960 Speaker 2: victim is like never enough. Yeah, it's almost like there 618 00:34:36,000 --> 00:34:36,920 Speaker 2: has to be. 619 00:34:37,160 --> 00:34:40,040 Speaker 1: There's definitely pile up absolutely. 620 00:34:39,719 --> 00:34:42,560 Speaker 2: Before action is taken. Thank you all for listening. This 621 00:34:42,640 --> 00:34:47,120 Speaker 2: has been a particularly heavy episode. This case United States 622 00:34:47,200 --> 00:34:51,440 Speaker 2: versus Combs is still all over the news and social media, 623 00:34:51,680 --> 00:34:54,360 Speaker 2: and I anticipate that it will be for some time, 624 00:34:54,560 --> 00:34:57,880 Speaker 2: even after the trial ends. So please give yourself a 625 00:34:57,920 --> 00:35:02,520 Speaker 2: break from scrolling, from taking in this information, and if 626 00:35:02,520 --> 00:35:06,800 Speaker 2: you need resources, please call the National Domestic Violence Hotline 627 00:35:07,280 --> 00:35:10,800 Speaker 2: one eight hundred seven nine nine Safe one eight hundred 628 00:35:10,920 --> 00:35:15,879 Speaker 2: seven nine nine Safe and the National Human Trafficking Hotline 629 00:35:16,440 --> 00:35:19,879 Speaker 2: which is at one eight eight eight three seven three 630 00:35:20,200 --> 00:35:21,680 Speaker 2: seven eight eight eight. 631 00:35:22,360 --> 00:35:24,839 Speaker 1: Thank you for listening to another episode of lok at 632 00:35:24,840 --> 00:35:27,920 Speaker 1: Dora Radio. I want to reiterate what Mala said. Please 633 00:35:28,000 --> 00:35:30,960 Speaker 1: take care of yourselves, take a scrolling break, check in 634 00:35:31,000 --> 00:35:34,640 Speaker 1: with your friends, check in with yourself, with your body, hydrate, 635 00:35:35,280 --> 00:35:36,600 Speaker 1: and we will catch you next time. 636 00:35:37,200 --> 00:35:38,200 Speaker 2: Thanks you, Thos. 637 00:35:38,600 --> 00:35:42,920 Speaker 1: Lokata Radio is executive produced by Yosa Fem and Mala Munjos. 638 00:35:43,120 --> 00:35:45,560 Speaker 2: Stephanie Franco is our producer. 639 00:35:45,440 --> 00:35:48,440 Speaker 1: Story editing by Medosa. 640 00:35:47,840 --> 00:35:49,560 Speaker 2: Creative direction by me Mala. 641 00:35:49,760 --> 00:35:52,360 Speaker 1: Look at Dora Radio is a part of iHeartRadio's Michael 642 00:35:52,440 --> 00:35:53,720 Speaker 1: Dura podcast Network. 643 00:35:53,920 --> 00:35:56,759 Speaker 2: You can listen to Lokata Radio on the iHeartRadio app 644 00:35:56,880 --> 00:35:58,520 Speaker 2: or wherever you get your podcasts. 645 00:35:58,760 --> 00:36:01,000 Speaker 1: Leave us a review and show with your prima or 646 00:36:01,040 --> 00:36:01,920 Speaker 1: share with your homegirl. 647 00:36:02,080 --> 00:36:04,600 Speaker 2: And thank you to our local moorees, to our listeners 648 00:36:04,600 --> 00:36:06,160 Speaker 2: for tuning in each and every week. 649 00:36:06,280 --> 00:36:07,160 Speaker 1: Besitos