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Speaker 1: The I Am Rappaport Stereonion Podcast Live and you're down

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Speaker 1: with rapp Report. Yes I am, I'm a Rapperport, Yes

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Speaker 1: I am. I'm a Rapperport. Yes I am down a

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Speaker 1: rapper Port. Yes I am. Better tune in. I am

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Speaker 1: Wrapperport dot com because every single podcast you know he

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Speaker 1: drops FROMBS. I've seen him on set a season VET

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Speaker 1: with True Town, catch him on his way to course

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Speaker 1: fit rocking the New Balance. He asked me to do

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Speaker 1: the track because you know I round the leak. But

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Speaker 1: I'm just waiting for the Roberts. The neural line of

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Speaker 1: the week rightference the champions host the bagel, Cream, cheese

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Speaker 1: and lock. This is I Am Rapperport. The show never stopped.

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Speaker 1: Might catch them Mountain Public stretching his knee. But if

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Speaker 1: you don't listen to the show, Yo, we're gonna pleading.

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Speaker 1: We're gonna please, Sister Rapport Boys, two men ABC BBD

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Speaker 1: The East Coast Family Doom Doom Doom. Yes that was

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Speaker 1: a little uh Boys, two men shout out to Mike

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Speaker 1: Pivens of new addition BBD Boys. Two men Uh working

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Speaker 1: on this new edition project. M forget about how ginormous

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Speaker 1: new Addition was the group in our day. You know,

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Speaker 1: I was thinking because I don't know if anyone did

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Speaker 1: this before. But when they first came out New Addition

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Speaker 1: a Candy Girl and they were singing and they wrapped

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Speaker 1: in the song, and I don't know if anybody had

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Speaker 1: done that before, like an R and B so Candy

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Speaker 1: and then my girls the best. I wonder, I wonder

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Speaker 1: if anybody had didn't. That was two eighty three, you know,

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Speaker 1: I mean, amongst other than that group was fucking huge

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Speaker 1: for for our generation and like kids before us, I mean,

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Speaker 1: New Addition was ginormous. So doing that right now, I'm

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Speaker 1: in l A. My name is Michael Rappaport. Uh. They

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Speaker 1: called me the Gringo man Dingo of course. Um. I'm

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Speaker 1: in here with my partner, Generald Moody Gimonetti. Uh. We're

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Speaker 1: out in Los Angeles doing it big. It's been an

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Speaker 1: incredible week of just being uh a part of something

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Speaker 1: that's uh like I feel like we're on a tree.

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Speaker 1: We're on the trunk of a tree that just continues

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Speaker 1: to grow and grow and grow and spawn other trees.

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Speaker 1: You know what I'm saying, Monetti, It's like we we

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Speaker 1: we we did a live calling show the other day,

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Speaker 1: which we're gonna air in the next episode. Um, people

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Speaker 1: called us from all over the world for two hours straight.

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Speaker 1: I couldn't even take a piss. I was so flattered

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Speaker 1: and honored. Moody was drinking what were you drinking? Walking

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Speaker 1: minutes to go take a leak a scot. I didn't

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Speaker 1: get up for two hours. Man, the phones and and

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Speaker 1: and and uh, you know, I just want to tell

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Speaker 1: you all the people that tried to call and they

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Speaker 1: couldn't get in, We're gonna do it again and and

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Speaker 1: upgrade our system. Um. We call this the Iron rep

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Speaker 1: Ports Stereo Podcast. Let me let me if we have

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Speaker 1: I have to give this disclaimer to new listeners, because

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Speaker 1: every single week there's new listeners. We're almost at the

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Speaker 1: platinum point for the month. I'm letting the listeners know,

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Speaker 1: tell a friend, to tell a friend, because when we

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Speaker 1: hit the platinum point, a million listeners and one month,

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Speaker 1: we're throwing a platinum party like some Rockefeller Records in

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Speaker 1: ninety six. Ship. Okay, we're throwing up. We're throwing up

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Speaker 1: the fucking diamond and and we're throwing some party on

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Speaker 1: some Rockefeller Records. Ship shout out to Dame dash Um

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Speaker 1: and uh, we're doing that. So we're we're so fucking

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Speaker 1: close and and and and we trip out each month

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Speaker 1: that the podcast keeps growing and growing and growing. Um.

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Speaker 1: I just uh, I'm just I'm just flatter by. I mean,

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Speaker 1: you're in the you're in the mix here, You're part

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Speaker 1: of this tree that's growing. How do you feel, Mr

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Speaker 1: Monennie H. I love it. I love the fans. I

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Speaker 1: love the support we get. We enjoy doing this for

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Speaker 1: the fans. So to see it grow, very happy, very excited,

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Speaker 1: and that means we're gonna get We're gonna come with

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Speaker 1: a lot of mo a lot of mo um. And

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Speaker 1: if anybody's in California or in Los Angeles, Uh, May eleventh,

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Speaker 1: we're going live and direct with another really good podcast crew,

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Speaker 1: the Dirty Sports guys. They have a podcast called The

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Speaker 1: Dirty Sports Podcast, which we like. At the Hollywood Improv

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Speaker 1: May eleven, The seats are limited. That's not a manipulation.

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Speaker 1: It's a small we're doing in the small theater at

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Speaker 1: the Improv. UM Raw Dog Without a Bag May eleventh,

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Speaker 1: at the Hollywood Improv. Ten bucks um and we're just

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Speaker 1: doing it for ships and giggles. And it's all ships

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Speaker 1: and giggles until somebody actually ships and giggles. Um, so

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Speaker 1: I'm excited about that. Next next week May eleven. Uh,

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Speaker 1: sorry to date us, because these will live in infamy.

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Speaker 1: At some point these will be in the Smithsonian and

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Speaker 1: a hundred years from I'll be like, wait next week,

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Speaker 1: Moody and rapport at the improm No. So I don't

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Speaker 1: like to give dates. I like to let just let

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Speaker 1: these let these puppies just live in eternity. I don't

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Speaker 1: know we're gonna get into it. Um, we're handing out

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Speaker 1: a shove job today, you know, Uh, every now and then,

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Speaker 1: you gotta give somebody a shove job. They have to

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Speaker 1: get it. And and I hate to do it. Whom

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Speaker 1: my kidding. I love to give a shove Yeah, but

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Speaker 1: we gotta. We're giving out a couple of shove jobs.

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Speaker 1: I have a question on whether or not a guy.

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Speaker 1: I was gonna give a guy sick Funk of the week,

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Speaker 1: and then I'm not sure he's either a sick funk

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Speaker 1: or a wild cowboy. So we're gonna bring that up. Um,

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Speaker 1: and uh, you know what else are you gonna We're

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Speaker 1: We're just gonna get into all the all the all

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Speaker 1: the bases of me being in uh in l a.

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Speaker 1: Oh yeah, well, let's let's talk about that right now.

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Speaker 1: You're Gimo and Eddie takes over Hollywood is in effect

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Speaker 1: for about another week and a half. You're over here

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Speaker 1: at the gloom toom. I mentioned that I am moving,

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Speaker 1: um the fucking ship show, that is, and with a

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Speaker 1: mental duress when you move. Good lord, So I'm living

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Speaker 1: in a in a in a ship show. Yeah yeah,

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Speaker 1: this is uh. You know, you're doing your things, so

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Speaker 1: I understand that, but it's kind of rough. You're a

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Speaker 1: terrible host. You mean, like when you come to by,

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Speaker 1: you come handy. I'm not I'm not a good host.

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Speaker 1: Fuck no, okay, so you know I'm looking for a

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Speaker 1: little food, trying to make a little food. Can't do that.

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Speaker 1: Oh yeah, well the other morning, the other morning. Let's

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Speaker 1: let the listeners see if they think this is normal,

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Speaker 1: because the thing about Mr Moody, the two thousand and

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Speaker 1: fifteen podcast co hostly, I feel like you're on the

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Speaker 1: way to winning it again next year. Now. I don't

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Speaker 1: want to like guarantee anything like pat ewing and and

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Speaker 1: funk up, but I'm missing no finger rolls. I'm dunking

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Speaker 1: it left handed, no doubt, no doubt. The thing about

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Speaker 1: Gerald Moody is like you seem like a mild mannered,

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Speaker 1: um guy, and you are very mild manner, but you're

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Speaker 1: also like very you and your brother Dean Moody last

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Speaker 1: name also rhymes with duty, very quirky people on the

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Speaker 1: low like you're, you're fucking weirdos that well. I mean,

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Speaker 1: first of all, you're you're not as bad as you were.

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Speaker 1: We've we've discussed this on the Iron Wrap or podcast

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Speaker 1: and you you we should recap this because this is

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Speaker 1: early episode. Um, you're not a slob. And I love

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Speaker 1: Mr Moody, we're like brothers. But throughout the eighties and

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Speaker 1: the nineties, this guy, if he was in your space

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Speaker 1: and and he was there for any period of time,

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Speaker 1: he could come over for an hour or spend the

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Speaker 1: night or be there, he would leave it like a

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Speaker 1: fucking bomb went off. You nothing. He wouldn't even forget

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Speaker 1: if he cooked, or if he took a shower, that's

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Speaker 1: that would be like level two. But if he just

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Speaker 1: was there somehow or another ship would be spilled, Uh,

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Speaker 1: cassettes would be out of their cases. Um, you you

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Speaker 1: you you were fun with my computer the other day

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Speaker 1: and it looked like there was duck sauce. He left

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Speaker 1: it all over the screen. What do you mean, I'll

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Speaker 1: come on. I had to use this the cleaner ship

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Speaker 1: I used to be that you used to be. But

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Speaker 1: you still have changed me. You said you were a

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Speaker 1: fucking pig and that hurt. Well I had to do it,

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Speaker 1: I said to help you. You know that helped me? Man,

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Speaker 1: Thank you, Hi five, no problem. I had to do it.

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Speaker 1: I had to do it, and I changed around you

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Speaker 1: and then and then you have vast improvement of I

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Speaker 1: think the big thing was having a daughter, because because

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Speaker 1: once you had your beautiful daughter, like you, you'd come

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Speaker 1: over and like you like like I was like, who

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Speaker 1: the fund is this guy? Like wait, but you know better,

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Speaker 1: you do better? But but but but the thing about

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Speaker 1: when you come to l A, for you, it's a vacation.

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Speaker 1: I know you work in this ship. I hear you, bro,

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Speaker 1: But for me, it's just a fucking thursty day. You're

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Speaker 1: out here, like you know, like you're at the you're

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Speaker 1: in the fucking jacuzzi in the pool and like yo,

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Speaker 1: and you think you're like you know the copacabana. You

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Speaker 1: know it's not I don't know what you think this is. Uh,

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Speaker 1: maybe yo, you need me to help with the box,

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Speaker 1: any fucking thing. Nothing, And it's not like it's just

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Speaker 1: it's not like if I said, your moody, can you

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Speaker 1: help me? But he'll do it. But it's just not

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Speaker 1: in his it's not in the front of his his

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Speaker 1: frontal lobe to do that in his own But here's

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Speaker 1: the thing I wanted to ask people. Do you think

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Speaker 1: it's weird for someone to wake up at eight thirty

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Speaker 1: in the morning and say, and I quote, I have

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Speaker 1: a taste for lot oster bisku. Yo, I wanna I

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Speaker 1: want to I want to go get some lobster bisk

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Speaker 1: I want to go go get the ingredients to make

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Speaker 1: some lobster Biskuess it's seventy five degrees out here, number one,

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Speaker 1: number two, it's eight thirty in the morning. Why is

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Speaker 1: that something you're thinking it was? It was on I

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Speaker 1: have a taste for it, right, And I said, fuck no,

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Speaker 1: we're cleaning out the kitchen. It's clean. We need to

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Speaker 1: leave it clean. Uh, because God, God only knows. If

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Speaker 1: you imagine if you had live lobsters over here and

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Speaker 1: you had to kill him and break it would be

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Speaker 1: a fucking slaughterhouse. It would be so messy and so

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Speaker 1: and then you'll be like, yo, I clean. Then I'm like,

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Speaker 1: you don't see there's like splatter on the on the

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Speaker 1: like they don't come live. Man. Whatever it would be,

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Speaker 1: it would have been a disaster. But I just want

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Speaker 1: to know if people think that's like a normal thing. Yo,

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Speaker 1: I want to go make a lobster bisk before breakfast, coffee, eggs, omlets, bagels,

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Speaker 1: cream cheese, locks, nothing, that's the first thing that was

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Speaker 1: on your head. Then yeah. So if there's anybody in

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Speaker 1: in in l A. You know what's funny about the

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Speaker 1: Iron Reports Stereo podcast. We're in l A, Hollywood area,

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Speaker 1: you know, that's where we are here, and then we're

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Speaker 1: in you know, obviously money making Manhattan and the booge

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Speaker 1: down Bronx in Brooklyn. There's nobody in the wrapper pack

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Speaker 1: from Hollywood, and there's nobody in the wrapping pack from

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Speaker 1: my my fucking spot in Manhattan. I know we have fans,

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Speaker 1: we have listeners, but nobody wants to step up and

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Speaker 1: be the representative for the Iron Rapports Stereo podcast in

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Speaker 1: Manhattan in Hollywood. Now me saying that might uh, you know,

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Speaker 1: provoke somebody to want to do it, and and that

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Speaker 1: might not be good because it could be some nutcase. Okay,

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Speaker 1: because no one stepped up on their own, and the

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Speaker 1: beauty of the wrapper pack is that they step up

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Speaker 1: on their own. But I feel kind of like we

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Speaker 1: got phone calls from Ireland, Chicago, California, San Francisco, all

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Speaker 1: over California, Arizona, Alabama, all over. No one from like yo,

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Speaker 1: I'm in Manhattan, no one like you know, we got

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Speaker 1: a guy not even around my way, so I don't know, um,

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Speaker 1: but but into your trip here? How are you liking

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Speaker 1: it today? You went for a walk? I go for walks, man,

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Speaker 1: I go get lonely walking. It's lonely walking. The ship

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Speaker 1: the only fucking one out there. You see a few vagrants,

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Speaker 1: I step over What do you mean? You know they

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Speaker 1: in in l a. The homeless people are like they

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Speaker 1: cover the sidewalk, so you have no choice but to

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Speaker 1: step over their fucking heads. And you know, I don't

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Speaker 1: do it on purpose. They're just there. You can't go

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Speaker 1: around them. Not too many cars and ship, right, you're

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Speaker 1: risking your life? Yeah, I don't working around like that.

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Speaker 1: So I go down there, uh merrows get some good

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Speaker 1: noodles from this place called Tatsu Ramen. Yeah you like

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Speaker 1: that spot. Oh man, it's great spot man. Good food,

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Speaker 1: good noodles, good good ship. Man. If you're ever here,

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Speaker 1: check that out, you know. And and they treat me

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Speaker 1: really nice. Man. You know they're not mean to me.

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Speaker 1: I can't make my lobster biscuits. Oh I'm mean, I

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Speaker 1: get shut down? Shot down? Is there anyone in the

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Speaker 1: fucking noodle joint? When you get there ten in the morning,

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Speaker 1: it's a line at that early shit. And then you

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Speaker 1: come back here and and you I have to say,

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Speaker 1: there's a product that has been great for your stay

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Speaker 1: because I don't know if you know this new listeners

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Speaker 1: obviously the old listeners. Mr Moody Gimonetti uh is proud.

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Speaker 1: You're actually proud of this. He uh takes some of

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Speaker 1: the nastiest um I blow your ship up right, and

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Speaker 1: you're you're you're proud of that. Like you think that's cool? Right?

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Speaker 1: Do you think that's dope? It's not dope. Let you

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Speaker 1: know that you're you're eating good yeah, like my man

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Speaker 1: shout out to fuss he said, the great line, the

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Speaker 1: great line. He was at a construction site. My our

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Speaker 1: friend Fuster worked at a construction site, black guy. And

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Speaker 1: this is in the nineties, and construction site was very

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Speaker 1: very very sort of like a segregated sort of the blacks,

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Speaker 1: uh and the Puerto Ricans in one place, and then

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Speaker 1: the Irish and the Italians. And he said, give the quote,

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Speaker 1: explained the situation, and give the quote. He said, when

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Speaker 1: I go into the bathroom, I don't flush the toilet

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Speaker 1: so I can let them white motherfucker's know, I eat good, right,

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Speaker 1: And that made all the sense in the world to him.

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Speaker 1: And this is he said this like, I think this

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Speaker 1: is a eight act that's stuck. But that made such

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Speaker 1: an impact on me. We're still discussing it now. I

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Speaker 1: didn't understand that, get it, Yeah, now I get it,

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00:14:35,320 --> 00:14:36,960
Speaker 1: and I get I got it now. It took me

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00:14:37,080 --> 00:14:42,840
Speaker 1: like ye right right, But you've been using this product

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Speaker 1: called poopoi. Now I'm forty six. I'm not using a

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00:14:46,360 --> 00:14:48,400
Speaker 1: product called pooper even if it does work, But what

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00:14:48,760 --> 00:14:52,600
Speaker 1: how does it work? You spray the water before you

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00:14:52,800 --> 00:14:56,000
Speaker 1: use it, and then after you use it, you sprayed again.

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Speaker 1: And there's absolutely no sense, and I have to admit

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Speaker 1: this stuff really works. That's like some magic ship. Yeah.

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Speaker 1: And if it works on on on MOMENTI it could stop,

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Speaker 1: it could stop anything. I'll be knocking posts and yeah, great,

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Speaker 1: that's something to really be proud of. Uh, you know

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Speaker 1: that's that's great ship. The Iron Reports stereo podcast sponsored

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Speaker 1: I I tell you something. I'll tell you something. The

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Speaker 1: art of customer services out the fucking window with these kids.

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Speaker 1: I don't want some twenty two year old little fucking

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Speaker 1: little ship. I want. I want to Can I help you, sir?

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Speaker 1: Hey dude? Can I help whoa? Whoa whoa? Listen to me,

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Speaker 1: you start riffing this shipho whoa? Hey, dude? Can I

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Speaker 1: help you? No, you can't help me, asshole. Yeah, for

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Speaker 1: for the first first one you could do. You want

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Speaker 1: to help me before I try on anything? Go get

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00:17:12,680 --> 00:17:15,080
Speaker 1: me a latte, asshole? Alright, why don't you go pick

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00:17:15,119 --> 00:17:18,480
Speaker 1: me up a Kiwi Strawberry Snapple down the street. Then

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Speaker 1: come back. And I'm not dude. Okay, you're twenty two. Okay,

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Speaker 1: I'm a gentleman. You say, sir, a fucking smack fire

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00:17:26,000 --> 00:17:29,840
Speaker 1: out of your right. Now? What if the customer service

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Speaker 1: was a Kimbo Slice type of Kimbo Slice type of guy.

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Speaker 1: I'm gonna let it slide. I'm gonna let that. I'm

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Speaker 1: gonna la whatever you How can I help you, Mrs Slice?

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Speaker 1: It's a New York based startup company. Um yeah, you

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Speaker 1: met Galla, you said I want to go back. Madonna

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Speaker 1: went went there with her ass Oh shit, we we didn't.

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Speaker 1: We didn't touch on that, yeah, because I didn't see

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Speaker 1: the pictures. But but Madonna went there literally with her

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Speaker 1: ass out imagine your grandmother come to chaperon your party

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Speaker 1: with her as Madonna. Stop it, you're a senior citizen.

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Speaker 1: Stop it. You you don't need to be. First of all,

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Speaker 1: you're in there with Zendia, Beyonce, all the baddest, youngest

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Speaker 1: primus chicks. You're not gonna out sexy them. That doesn't

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Speaker 1: mean you're not gonna outcool. I mean, it doesn't mean

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Speaker 1: you can't be sexy in your own right. You look ridiculous, Madonna,

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Speaker 1: you look crazy. You've deformed your face. Also, you got

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Speaker 1: yourself the little Kim look going on, and you come

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Speaker 1: up with your ass out. No one wants to see it.

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Speaker 1: Nobody wants and people are embarrassed for you because you're Madonna,

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Speaker 1: and people think more highly of you than you were

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00:19:01,600 --> 00:19:05,320
Speaker 1: obviously thinking of yourself. As of late, we're talking about

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Speaker 1: one of the most we're talking about pop stars, iconic.

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00:19:08,200 --> 00:19:11,560
Speaker 1: You don't need to do anything like that. You're still

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Speaker 1: wearing this stand. It doesn't look like when the eight

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00:19:13,640 --> 00:19:15,840
Speaker 1: You're like, I'm still doing the same thing. And that's

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00:19:15,880 --> 00:19:19,880
Speaker 1: the problem. That's the problem. You look crazy, how you're

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00:19:19,920 --> 00:19:24,000
Speaker 1: pulling out your ass. What's next? Stop? You don't need

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Speaker 1: to do that, show up there and be cool. You

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Speaker 1: have the cool factor you have, like the you're you're, you're, you're,

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Speaker 1: you're a trend setting your Madonna You're You're not gonna

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Speaker 1: get any positive attention with your ass out anymore in

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Speaker 1: eighties six that was good. You should have pulled it

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Speaker 1: out there. She did and it was great. It was fantastic.

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Speaker 1: But now you look crazy. You look, you lookulous. I'm

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Speaker 1: embarrassed for you. So I don't know what's going on

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00:19:54,000 --> 00:19:55,600
Speaker 1: with you. I don't know, like usually she has a

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Speaker 1: man in her life. No, no, now she got the

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Speaker 1: black babies. Now, yeah, things getting out of hand. Those

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00:20:02,600 --> 00:20:07,159
Speaker 1: little kids are confused. They don't know what to do. Uh.

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Speaker 1: I'm begging you to stop, Madonna. Please, you look you

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00:20:11,600 --> 00:20:14,600
Speaker 1: look crazy. She's like a player on a ten day

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Speaker 1: contract trying to do anything to stay in the league. Great,

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00:20:18,600 --> 00:20:22,840
Speaker 1: see I that's a great fucking point. Is like Jimmer

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00:20:22,920 --> 00:20:27,040
Speaker 1: Fortnis doing anything she can to try to stay on

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00:20:27,119 --> 00:20:32,359
Speaker 1: the team. Before the games, feeding Carmelo, you know, like

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Speaker 1: jump shots, like I'll do anything. I'll be on the team.

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Speaker 1: I'll even take it, like I'll even like I don't care,

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00:20:37,080 --> 00:20:41,240
Speaker 1: I'll go to Starbucks put a team who wants something? Uh, mellow,

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00:20:41,280 --> 00:20:43,800
Speaker 1: you want? You want to drink? I'll go. She doesn't care?

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Speaker 1: All right? What do what do you think about this monetti?

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00:20:47,040 --> 00:20:49,080
Speaker 1: At first I was thinking this guy's a sick fuck,

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00:20:49,880 --> 00:20:53,199
Speaker 1: and now I'm thinking he might be we we might

369
00:20:53,280 --> 00:21:00,480
Speaker 1: be a wild cowboy, a married Brooklyn NYPD chief. Now

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00:21:00,560 --> 00:21:03,600
Speaker 1: he's only accused. I want to say he's accused because

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00:21:03,640 --> 00:21:09,000
Speaker 1: I don't want any problem. Whenever it is some chicks' time,

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00:21:09,440 --> 00:21:12,480
Speaker 1: it comes back that it's it's true a freak off.

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00:21:13,119 --> 00:21:16,119
Speaker 1: But this fucking guy, I don't know if I should

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00:21:16,119 --> 00:21:18,959
Speaker 1: call him a sick fuck or just maybe the man

375
00:21:19,080 --> 00:21:22,560
Speaker 1: of the week. The head of the police borrow in

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00:21:22,680 --> 00:21:27,520
Speaker 1: Brooklyn had a couple of his his side piece. He's married.

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00:21:27,600 --> 00:21:29,680
Speaker 1: He had side pieces go on there on the internet

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00:21:31,200 --> 00:21:33,359
Speaker 1: and they were talking on somebody needs to stop chasing

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00:21:33,840 --> 00:21:37,040
Speaker 1: married pregnant women. He has ah, he has a pang,

380
00:21:38,880 --> 00:21:43,560
Speaker 1: a taste for pregnant women. He doesn't care. He he

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00:21:43,760 --> 00:21:47,240
Speaker 1: likes to be with pregnant women. And and and he's

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00:21:47,280 --> 00:21:50,320
Speaker 1: also married, and and and this one woman said, somebody

383
00:21:50,400 --> 00:21:54,840
Speaker 1: needs to stop chasing pregnant women around. Uh, what's wrong

384
00:21:54,920 --> 00:21:59,400
Speaker 1: with this guy? Jeffrey. That's his name, Jeffrey Matta Ray

385
00:22:00,000 --> 00:22:02,080
Speaker 1: to all allegations. I don't know if it's true. He

386
00:22:02,200 --> 00:22:05,800
Speaker 1: loves pregnant women. Shit, I appreciate you allowing me to

387
00:22:05,880 --> 00:22:07,720
Speaker 1: sit on your face. That's all it was good for.

388
00:22:07,880 --> 00:22:10,399
Speaker 1: When I was in the hospital, this woman said, this

389
00:22:10,760 --> 00:22:13,640
Speaker 1: fool had the audacity to come for some ass while

390
00:22:13,680 --> 00:22:16,480
Speaker 1: I had an I V in my arms. Yeah, he's

391
00:22:16,520 --> 00:22:18,760
Speaker 1: so greedy for the ass. I literally had to get

392
00:22:18,800 --> 00:22:21,560
Speaker 1: out of my hospital bed and go into the bathroom

393
00:22:21,800 --> 00:22:27,040
Speaker 1: and give this greedy motherfucker some ass. Oh, somebody got

394
00:22:27,080 --> 00:22:29,760
Speaker 1: my ex husband fired and funked up with child support.

395
00:22:30,160 --> 00:22:34,159
Speaker 1: So what do you think is this guy? Is he

396
00:22:34,240 --> 00:22:38,359
Speaker 1: a sick fuck or is he just bouted bounty. He's

397
00:22:38,400 --> 00:22:42,480
Speaker 1: not bout it bout sick funk worthy. He's sick funck.

398
00:22:43,560 --> 00:22:47,320
Speaker 1: This award is earned, not given. It's called the sick

399
00:22:47,720 --> 00:22:50,800
Speaker 1: fucking a Week. This guy is really sick. Lock him up,

400
00:22:51,160 --> 00:22:54,240
Speaker 1: How could you do it? Don't let him out? Damn

401
00:22:55,440 --> 00:22:57,920
Speaker 1: the door. You want to fuck the door? Why would

402
00:22:57,960 --> 00:23:01,800
Speaker 1: he fuck the dog? Why would you fuck your girlfriend's dog?

403
00:23:02,280 --> 00:23:06,919
Speaker 1: What sick fuck? The sick Funck of the Week. It's earned, earned,

404
00:23:07,359 --> 00:23:16,760
Speaker 1: not giving. You did what No, no, no, he in

405
00:23:16,840 --> 00:23:21,320
Speaker 1: the hospital trying to do these bronze is pregnant. Yeah, yeah,

406
00:23:21,480 --> 00:23:25,200
Speaker 1: because you're doing. Yeah, he's nuts, he's nuts. Okay, I'm

407
00:23:25,200 --> 00:23:26,840
Speaker 1: gonna go with my first thing, which your sick fun.

408
00:23:26,960 --> 00:23:28,760
Speaker 1: And then I thought maybe he's just a wild cowboy.

409
00:23:29,680 --> 00:23:33,720
Speaker 1: No that's not no, no, okay, all right, he's a

410
00:23:33,840 --> 00:23:39,040
Speaker 1: depraved sexual animal. Yeah he's an animal. Yeah, this guy

411
00:23:39,160 --> 00:23:45,560
Speaker 1: is an animal. Um right? Eight? Huh, I go into

412
00:23:45,640 --> 00:23:47,600
Speaker 1: righte eight. I'm walking in Hollywood. I want to get

413
00:23:47,640 --> 00:23:52,159
Speaker 1: some things right. What do you need? Uh? Scruffer for what?

414
00:23:52,520 --> 00:23:55,760
Speaker 1: From my fucking face? Man? What what is this scruffer? Scruffer?

415
00:23:55,840 --> 00:23:59,159
Speaker 1: You know it's a scruff thing. What the fund is

416
00:23:59,200 --> 00:24:00,960
Speaker 1: that asked? Scuff You know what it is? Where you

417
00:24:01,520 --> 00:24:04,760
Speaker 1: with that those little those little fucking you're talking about

418
00:24:04,760 --> 00:24:07,920
Speaker 1: a uh? What are you talking about? That's for your face?

419
00:24:08,800 --> 00:24:11,600
Speaker 1: Normal people clean their back with that. What these guys

420
00:24:11,640 --> 00:24:13,800
Speaker 1: got like? Use it for your face too? Man? I

421
00:24:13,920 --> 00:24:16,520
Speaker 1: never heard of that. Okay, anyway, go ahead. So you

422
00:24:16,640 --> 00:24:19,760
Speaker 1: bought the ship, right, and they don't bag, they don't

423
00:24:19,760 --> 00:24:21,880
Speaker 1: give you, no, they just leave your ship right there.

424
00:24:22,320 --> 00:24:26,280
Speaker 1: You gotta pay for the bags now, right, that's some bullshit, right.

425
00:24:26,800 --> 00:24:31,320
Speaker 1: Why I come into your store, I'm the customer, I

426
00:24:31,520 --> 00:24:34,760
Speaker 1: buy things and you leave my ship on the counter

427
00:24:34,920 --> 00:24:38,680
Speaker 1: like that. I'm the customer. You treat me like ship.

428
00:24:38,760 --> 00:24:42,080
Speaker 1: I gave you my money to get the products. At

429
00:24:42,200 --> 00:24:44,560
Speaker 1: least you could do is put it in a fucking bag.

430
00:24:44,960 --> 00:24:47,560
Speaker 1: Why do I gotta pay for the fucking bag? Right?

431
00:24:48,200 --> 00:24:50,360
Speaker 1: Did you like them? Guys? Did did you like wrap

432
00:24:50,400 --> 00:24:52,480
Speaker 1: it all up in your t shirts? It was falling

433
00:24:52,520 --> 00:24:56,040
Speaker 1: out of my hands. It was fucking gutter. And I'm

434
00:24:56,080 --> 00:24:59,840
Speaker 1: the most important person that's in society. I'm a consumer,

435
00:25:00,240 --> 00:25:02,320
Speaker 1: and this is how you treat the customers always, right,

436
00:25:02,840 --> 00:25:05,600
Speaker 1: you have to walk around Hollywood where you're scrubbling, juggling.

437
00:25:05,640 --> 00:25:08,960
Speaker 1: I was juggling down the street. Yeah, that's bullshit. What

438
00:25:09,160 --> 00:25:12,520
Speaker 1: is like fifty cents a bag? Now I'm looking at

439
00:25:12,560 --> 00:25:15,560
Speaker 1: me like like you're crazy, Like you're you're you're the guy,

440
00:25:15,840 --> 00:25:17,399
Speaker 1: Like you're wrong for being like, do you don't have

441
00:25:17,440 --> 00:25:23,000
Speaker 1: anything that hold this ship in? Oh? Man? I gotta say.

442
00:25:23,480 --> 00:25:26,440
Speaker 1: We we we wanted to avoid this. The other day,

443
00:25:27,080 --> 00:25:30,440
Speaker 1: we said we're not talking about this anymore. We we

444
00:25:30,560 --> 00:25:33,720
Speaker 1: we we we said collectively, I'm tired of this fucking subject,

445
00:25:34,400 --> 00:25:36,240
Speaker 1: and and and and we we both said, yeah, I

446
00:25:36,280 --> 00:25:38,000
Speaker 1: can't stand it. I know what you're saying. I got

447
00:25:38,080 --> 00:25:40,320
Speaker 1: one word, you go ahead. And we we we we

448
00:25:40,400 --> 00:25:43,040
Speaker 1: said we gave a pound. I see, oh, forget this ship.

449
00:25:43,680 --> 00:25:45,920
Speaker 1: And we said we're not gonna talk about him her

450
00:25:46,920 --> 00:25:49,280
Speaker 1: and and then the next day I wake up and

451
00:25:49,400 --> 00:25:53,239
Speaker 1: I read this, So, Caitlin Jenner, we're here to give

452
00:25:53,280 --> 00:25:56,560
Speaker 1: you a give you a little shove job, give you

453
00:25:56,720 --> 00:26:01,119
Speaker 1: a little chin music, because low and behold. The next day,

454
00:26:01,160 --> 00:26:03,200
Speaker 1: after we made this pack, not to talk about this

455
00:26:03,359 --> 00:26:09,919
Speaker 1: fucking guy, this gal, this lady, this narcissistic hustle starving

456
00:26:10,640 --> 00:26:14,760
Speaker 1: for attention, this this person is starving for attention. It's

457
00:26:14,800 --> 00:26:20,159
Speaker 1: like once the Kardashians and Caitlin, they're so afraid if like,

458
00:26:20,240 --> 00:26:22,159
Speaker 1: if we just let one week go by, you're not

459
00:26:22,280 --> 00:26:24,399
Speaker 1: on the front page, like the whole world will forget

460
00:26:24,400 --> 00:26:27,560
Speaker 1: about you. Don't worry. You're ingrained in our heads. You

461
00:26:27,720 --> 00:26:30,600
Speaker 1: can go away and come back whenever you want. Give

462
00:26:30,680 --> 00:26:34,160
Speaker 1: us a break, let us let us catch our breath

463
00:26:34,240 --> 00:26:37,200
Speaker 1: from the last fifteen years of bullshit that you've done.

464
00:26:38,800 --> 00:26:41,280
Speaker 1: So so after we we we we literally gave each

465
00:26:41,320 --> 00:26:44,479
Speaker 1: other pound we're done. The next morning, I wake up

466
00:26:44,560 --> 00:26:48,920
Speaker 1: and find out that Caitlin Jenner headline news. This is

467
00:26:49,040 --> 00:26:54,919
Speaker 1: headline news. It's gonna is gonna pose but ass na

468
00:26:56,040 --> 00:27:02,360
Speaker 1: but ass naked raw dog on the cover of Sports Illustrated.

469
00:27:02,920 --> 00:27:05,960
Speaker 1: And and the first thing that came to my mind

470
00:27:06,119 --> 00:27:09,359
Speaker 1: was Sports Illustrated must have paid this funk. And they

471
00:27:09,400 --> 00:27:11,399
Speaker 1: don't usually do that. You usually take a photo of

472
00:27:11,480 --> 00:27:15,320
Speaker 1: this person's fielding offers, and and and and but I

473
00:27:15,359 --> 00:27:17,359
Speaker 1: want to just I just want to wrap about this

474
00:27:17,400 --> 00:27:19,360
Speaker 1: for a second, and then I want to I want

475
00:27:19,400 --> 00:27:23,000
Speaker 1: to hear, hear what you have to say, Okay, Mr Monettie.

476
00:27:23,359 --> 00:27:26,359
Speaker 1: And you know he was on the cover Bruce in

477
00:27:26,520 --> 00:27:29,320
Speaker 1: seventies six, and and I don't know if you know

478
00:27:29,440 --> 00:27:32,240
Speaker 1: this that cover when he was won the Olympics in

479
00:27:32,320 --> 00:27:34,639
Speaker 1: seventy six. He had the short shorts in the Olympics,

480
00:27:34,880 --> 00:27:38,960
Speaker 1: and that cover was deemed sexual because in the in

481
00:27:39,040 --> 00:27:41,400
Speaker 1: the cover with his arms up I kind of cover,

482
00:27:41,880 --> 00:27:44,399
Speaker 1: you could see his loaf swinging in his shorts. And

483
00:27:44,520 --> 00:27:50,320
Speaker 1: at the time it was deemed provocative. So now the

484
00:27:50,480 --> 00:27:54,960
Speaker 1: irony is just magnificent that he or beyond what any

485
00:27:55,160 --> 00:27:58,840
Speaker 1: screenwriter could ever come up with in their wildest dreams.

486
00:27:58,920 --> 00:28:03,359
Speaker 1: George Lucas and Steven Spielberg on their best days couldn't

487
00:28:03,359 --> 00:28:07,240
Speaker 1: come up with this kind of irony. Our greatest minds

488
00:28:07,320 --> 00:28:10,800
Speaker 1: of cinema, the greatest inventions of the way, they can

489
00:28:10,920 --> 00:28:13,520
Speaker 1: never come up that they could. They could come up

490
00:28:13,560 --> 00:28:16,080
Speaker 1: with some ship like this get on their best day.

491
00:28:18,119 --> 00:28:22,880
Speaker 1: Forty years later, this fucking guy who's now a girl

492
00:28:23,400 --> 00:28:26,920
Speaker 1: decides to how is Sports Illustrated is? This is not

493
00:28:27,359 --> 00:28:31,760
Speaker 1: a hustler? This is not uh Cherry magazine or or

494
00:28:31,920 --> 00:28:35,919
Speaker 1: or with a great Al Goldstein? What was this magazine? Screw?

495
00:28:36,400 --> 00:28:39,720
Speaker 1: This is not screw magazine. Sports allustiontioned. I've been getting

496
00:28:39,720 --> 00:28:43,160
Speaker 1: a subscription to this since seventy seven. How you feel

497
00:28:43,200 --> 00:28:46,960
Speaker 1: about I'm offended. I might if this fucking this fuck

498
00:28:47,360 --> 00:28:50,640
Speaker 1: because I'm gonna cancel my subscription. I'm a customer for

499
00:28:50,880 --> 00:28:54,640
Speaker 1: thirty nine years, paying customer. I have a collection since

500
00:28:54,680 --> 00:28:58,120
Speaker 1: seventies seven. I saw it. I can vouch yo. I

501
00:28:58,240 --> 00:29:01,440
Speaker 1: might cancel my If you let this this woman pose

502
00:29:01,560 --> 00:29:04,080
Speaker 1: on the cover of your magazine naked and you never

503
00:29:04,200 --> 00:29:07,480
Speaker 1: had anybody else naked, then things must be bad for

504
00:29:07,560 --> 00:29:09,400
Speaker 1: you at sportshils train And I'll bet you, they said

505
00:29:09,440 --> 00:29:12,880
Speaker 1: the Bruce, Uh, we don't pay, but we'd love to

506
00:29:12,960 --> 00:29:16,520
Speaker 1: have because things must be fucked up. I mightn't a

507
00:29:16,640 --> 00:29:21,160
Speaker 1: better fact. I'm gonna cancel my if you let her

508
00:29:21,280 --> 00:29:24,320
Speaker 1: on the cover. And and no other naked person, even

509
00:29:24,360 --> 00:29:26,760
Speaker 1: when they have the swimsuits, she they always are clothed.

510
00:29:27,880 --> 00:29:31,560
Speaker 1: I don't want to see this. I don't I don't care.

511
00:29:32,000 --> 00:29:36,320
Speaker 1: I don't want care to be caves a ship. This

512
00:29:36,440 --> 00:29:39,440
Speaker 1: is gonna carry over to another year. It's never gonna

513
00:29:39,480 --> 00:29:44,120
Speaker 1: go away, and you're never gonna have enough tension. And okay,

514
00:29:44,120 --> 00:29:45,600
Speaker 1: if you're naked, then I want to see you on

515
00:29:45,720 --> 00:29:50,360
Speaker 1: there with your implants and you're holding that fucking cock. Okay,

516
00:29:50,440 --> 00:29:53,680
Speaker 1: either that or you're gonna be naked. Put a condom.

517
00:29:54,000 --> 00:29:57,080
Speaker 1: We want to see what's going on. You want to

518
00:29:57,160 --> 00:29:59,360
Speaker 1: you want to change people's minds, you want to open

519
00:29:59,440 --> 00:30:01,520
Speaker 1: up people's just let's just get it out in the

520
00:30:01,560 --> 00:30:05,160
Speaker 1: old world or just go away. You got your change?

521
00:30:05,320 --> 00:30:08,080
Speaker 1: Why is this, like why is this a cruisade? Because

522
00:30:08,160 --> 00:30:10,880
Speaker 1: Bruce Jenner wasn't as famous as he was, and and

523
00:30:11,040 --> 00:30:12,760
Speaker 1: like this is what this is a lot of this

524
00:30:12,880 --> 00:30:15,160
Speaker 1: has to do with getting back in the limelight. It's

525
00:30:15,200 --> 00:30:17,800
Speaker 1: hard to give up that fame. Bruce Jenner wasn't irrelevant,

526
00:30:18,160 --> 00:30:21,040
Speaker 1: wasn't relevant on the Kardashian shows, he was like, oh ship,

527
00:30:21,440 --> 00:30:25,040
Speaker 1: he was a bad character, damn. But this is he

528
00:30:25,400 --> 00:30:29,200
Speaker 1: wants to break the Internet the way Kim Kardashian did

529
00:30:29,280 --> 00:30:31,680
Speaker 1: when she was on there that magazine with her ass.

530
00:30:32,080 --> 00:30:37,920
Speaker 1: That's the intention. I want to fucking break the entire internet. Yeah,

531
00:30:38,000 --> 00:30:40,720
Speaker 1: that's it. We call the motherfucker's on air and say, yo,

532
00:30:41,280 --> 00:30:44,440
Speaker 1: I'm canceling my subscription. Let me speak to the motherfucker

533
00:30:44,480 --> 00:30:46,720
Speaker 1: that's did all this ship. Yeah, who who's the editor

534
00:30:46,800 --> 00:30:50,320
Speaker 1: of Sports Illustration that's desperate? Who green? Who green lit it?

535
00:30:51,280 --> 00:30:53,560
Speaker 1: We want him naked on the cover? Please send us this,

536
00:30:54,280 --> 00:30:57,240
Speaker 1: And I guarantee you it wasn't. It wasn't sports illustraates idea.

537
00:30:57,240 --> 00:30:59,800
Speaker 1: You know, like, well, we could put Muhammad Ali or

538
00:31:00,200 --> 00:31:02,640
Speaker 1: I don't know, do something with Kobe or you know,

539
00:31:02,760 --> 00:31:06,120
Speaker 1: Lebron or the Warriors or baseball season or a Rod

540
00:31:06,280 --> 00:31:12,000
Speaker 1: or some Tom Brady Bell. No, that's not. Yeah, we

541
00:31:12,200 --> 00:31:16,400
Speaker 1: gotta get Caitlin, seventy year old mofuck naked. You can't

542
00:31:16,400 --> 00:31:19,200
Speaker 1: just be on there with your clothing. Put her in

543
00:31:19,240 --> 00:31:22,760
Speaker 1: the swimsuit issue. Put in the Catholic ship right now.

544
00:31:22,840 --> 00:31:26,640
Speaker 1: Put her in the nineteen seventy six shit, yeah, exactly.

545
00:31:26,760 --> 00:31:28,360
Speaker 1: You gotta put her on their naked This is in

546
00:31:28,520 --> 00:31:33,560
Speaker 1: Cherry Magazine, Penthouse, Hustler, play Boys, Sports Illustrated. Yeah, I

547
00:31:33,560 --> 00:31:38,520
Speaker 1: don't want Is he naked? Yeah? Sports Illustrated. He ain't

548
00:31:38,520 --> 00:31:41,280
Speaker 1: played sport in forty years? Nothing was he naked on

549
00:31:41,360 --> 00:31:44,080
Speaker 1: the cover? Right? I didn't want to talk about the

550
00:31:44,200 --> 00:31:50,720
Speaker 1: Bruce so one word yuck, that's all you wanted to say. Yep, sorry,

551
00:31:50,760 --> 00:31:52,000
Speaker 1: we had to do it with you. We had to

552
00:31:52,040 --> 00:31:56,000
Speaker 1: give you a shove job. I'm sorry. So you you

553
00:31:56,120 --> 00:31:59,320
Speaker 1: have anything else to say about Caitlyn Jenner? Yuck? Okay,

554
00:31:59,760 --> 00:32:05,360
Speaker 1: that's it? Yeah, okay, got it makes sense. It's the

555
00:32:05,440 --> 00:32:09,400
Speaker 1: Iron Rapports Stereo podcast, coming live and direct from the

556
00:32:09,440 --> 00:32:12,920
Speaker 1: Glue Tomb of Los Angeles, California. We're so deep into

557
00:32:13,000 --> 00:32:16,480
Speaker 1: the uh the playoffs, here, the NBA players, this is

558
00:32:16,520 --> 00:32:19,080
Speaker 1: my time of year. I love it. I had the

559
00:32:19,160 --> 00:32:23,280
Speaker 1: pleasure of being on Bill Simmons podcast, a world class podcast.

560
00:32:23,400 --> 00:32:28,720
Speaker 1: Stick man. I love Bill Simmons. His Big Book of

561
00:32:28,800 --> 00:32:31,920
Speaker 1: Basketball will always keep me in love with him. The

562
00:32:32,040 --> 00:32:36,520
Speaker 1: book he wrote covering the NBA was so extensive, so perfect,

563
00:32:37,440 --> 00:32:39,720
Speaker 1: and you don't even have to like basketball to read

564
00:32:39,720 --> 00:32:43,719
Speaker 1: about it. But if you do have any interest in basketball,

565
00:32:44,840 --> 00:32:47,120
Speaker 1: I suggest you get Bill Simmons book, The Big Book

566
00:32:47,120 --> 00:32:52,080
Speaker 1: of Basketball. Um going on that podcast, Man, people lest

567
00:32:52,240 --> 00:32:55,840
Speaker 1: like that ship. Yeah you guys doing good? Man. Yeah,

568
00:32:55,880 --> 00:32:58,320
Speaker 1: he's good. He's like he's like he's like a human Google.

569
00:32:59,120 --> 00:33:01,320
Speaker 1: You could ask that guy anything about sport. He's literally

570
00:33:01,360 --> 00:33:04,320
Speaker 1: like a fucking Google machine. He doesn't even think twice,

571
00:33:04,320 --> 00:33:06,440
Speaker 1: So just be like, oh, yeah, the Celtics starting lineup

572
00:33:06,480 --> 00:33:10,800
Speaker 1: in eighty three, Like no computer, no nothing that dude.

573
00:33:11,040 --> 00:33:12,960
Speaker 1: Unlike us, we don't fact check and we don't know

574
00:33:13,080 --> 00:33:15,920
Speaker 1: ship we'll be like, oh, maybe he was bare. The

575
00:33:16,000 --> 00:33:18,080
Speaker 1: fact checking is the fact that we don't fact check

576
00:33:18,160 --> 00:33:20,360
Speaker 1: is just the fact that just like excuses from the

577
00:33:20,400 --> 00:33:27,560
Speaker 1: fact that we barely know ship word. Uh well what else, monetti? Whoa? Oh,

578
00:33:27,880 --> 00:33:31,680
Speaker 1: there's a store opening up in a restaurant in London

579
00:33:33,360 --> 00:33:39,720
Speaker 1: and it's an optional clothing. What restaurant opening in June

580
00:33:39,760 --> 00:33:43,080
Speaker 1: and London and optional clothes? So you you could come

581
00:33:43,120 --> 00:33:46,360
Speaker 1: in neck it or you could come in with a soup. Whoa, whoa,

582
00:33:46,400 --> 00:33:48,840
Speaker 1: whoa whoa, whoa, whoa. This is a real place, pop

583
00:33:48,960 --> 00:33:51,640
Speaker 1: up place? So wait, would mean you could come in naked.

584
00:33:52,600 --> 00:33:54,680
Speaker 1: You show up there naked, or you take your clothes

585
00:33:54,680 --> 00:33:56,720
Speaker 1: off at the door and you could dine with no clue.

586
00:33:56,720 --> 00:33:59,400
Speaker 1: Why would you want to eat naked? Kind of ship?

587
00:33:59,560 --> 00:34:02,000
Speaker 1: Is this in a restaurant? It's not in the hills

588
00:34:02,080 --> 00:34:06,880
Speaker 1: like like in the city. No, no, no, see that's

589
00:34:06,880 --> 00:34:09,400
Speaker 1: not that's not good. How do I get a license

590
00:34:09,480 --> 00:34:13,080
Speaker 1: for that pop up restaurant just to try it out?

591
00:34:13,160 --> 00:34:17,480
Speaker 1: To see? That is wild? Where would you go in there?

592
00:34:17,520 --> 00:34:21,680
Speaker 1: But ass ah man, you gotta get up, gotta go

593
00:34:22,680 --> 00:34:25,120
Speaker 1: eat and ship, get a drink. You're the only one

594
00:34:25,160 --> 00:34:28,759
Speaker 1: of more ned right, They're gonna all be looking like like,

595
00:34:28,840 --> 00:34:30,759
Speaker 1: who's the who's the asshole? Who's they set it off?

596
00:34:31,920 --> 00:34:33,759
Speaker 1: The person who the guy or the guy who's gonna

597
00:34:33,800 --> 00:34:39,160
Speaker 1: set it off? Slice should be up in that piece, yo. Listen, Kimbo, Slice,

598
00:34:39,200 --> 00:34:41,160
Speaker 1: We want you on the Iron Wrap or Sterring podcast

599
00:34:41,200 --> 00:34:43,719
Speaker 1: the other day. The other morning, me and Monetti were

600
00:34:43,760 --> 00:34:48,120
Speaker 1: talking about you, and I funk with you hard body. Slice.

601
00:34:48,680 --> 00:34:51,680
Speaker 1: I'm a humongous fan. He knows that I reached out

602
00:34:51,760 --> 00:34:55,719
Speaker 1: to Slice. I told him I love him. I want

603
00:34:55,719 --> 00:35:00,239
Speaker 1: to interview him. You was talking about ball or what

604
00:35:00,320 --> 00:35:04,160
Speaker 1: about it? Go ahead, Cleveland. I saw they won the

605
00:35:04,239 --> 00:35:08,880
Speaker 1: other night and NBA TV. They they did the highlights

606
00:35:08,920 --> 00:35:11,759
Speaker 1: and then they had a stretch where which they just

607
00:35:11,880 --> 00:35:17,120
Speaker 1: showed the handshakes Kyrie. It's it's it's an extensive handshake

608
00:35:17,200 --> 00:35:19,600
Speaker 1: that goes from each player and they do different ones.

609
00:35:19,840 --> 00:35:23,239
Speaker 1: They broke it down. It's like the boy scouts or something.

610
00:35:23,239 --> 00:35:25,239
Speaker 1: And then they got to Richard Jefferson and he just

611
00:35:25,280 --> 00:35:27,480
Speaker 1: gave him a handshake and broke the funk out. He's

612
00:35:27,520 --> 00:35:31,200
Speaker 1: not wit none of that, he said, Nah, he just

613
00:35:31,239 --> 00:35:33,520
Speaker 1: shook his hand and then and they left. It's not

614
00:35:33,600 --> 00:35:35,680
Speaker 1: like a rite of passage. If if Lebron gives you

615
00:35:35,760 --> 00:35:39,040
Speaker 1: a secret handshake, then you're like you're cool and and

616
00:35:39,200 --> 00:35:43,640
Speaker 1: grown men like practicing, like got it wrong, No, you

617
00:35:43,680 --> 00:35:46,480
Speaker 1: gotta do this. I had to do one secret handshake.

618
00:35:46,520 --> 00:35:49,360
Speaker 1: I was on this show, Blackish. Shout out to my

619
00:35:49,440 --> 00:35:52,400
Speaker 1: man uh Ken, you barrass the creator of Blackish and

620
00:35:52,480 --> 00:35:55,200
Speaker 1: that whole crew. I love that show. I didn't know

621
00:35:55,280 --> 00:35:57,040
Speaker 1: what was gonna be as great as it is. It's great,

622
00:35:57,080 --> 00:35:59,640
Speaker 1: and it's getting better and better and and and and

623
00:35:59,800 --> 00:36:01,800
Speaker 1: just in the show, we had to do a handshake.

624
00:36:01,920 --> 00:36:04,279
Speaker 1: There's a scene and it took us a fucking an

625
00:36:04,320 --> 00:36:07,320
Speaker 1: hour and a half to get the handshake down. It

626
00:36:07,440 --> 00:36:10,440
Speaker 1: takes time to get those shakes. And I'm cool, motherfucker.

627
00:36:11,040 --> 00:36:12,920
Speaker 1: I'm not like some guy who doesn't know handshakes that

628
00:36:13,040 --> 00:36:14,799
Speaker 1: I know all the ship. I could do a little

629
00:36:15,120 --> 00:36:17,640
Speaker 1: twist in the bop and this and like. So they're

630
00:36:17,680 --> 00:36:22,360
Speaker 1: practicing handshake at the hotel and who's the creative director?

631
00:36:22,840 --> 00:36:25,439
Speaker 1: Lebron gonna come to your room at such and such time.

632
00:36:25,800 --> 00:36:29,840
Speaker 1: Be ready, this is what's going on. Be ready to

633
00:36:30,040 --> 00:36:34,960
Speaker 1: get the handshake right. We gotta playoff game tomorrow, right

634
00:36:35,160 --> 00:36:37,439
Speaker 1: and if not, you might be running suicides. You're gonna

635
00:36:37,480 --> 00:36:41,560
Speaker 1: get docked. Richard Jefferson doesn't do it. Richar's like, what

636
00:36:41,760 --> 00:36:44,960
Speaker 1: the funk man? J didn't do nothing this ship? Yo?

637
00:36:45,239 --> 00:36:47,560
Speaker 1: You know that? Uh? And then also did you see

638
00:36:47,640 --> 00:36:50,880
Speaker 1: Charles Oakley said about Charles Barkley Because Charles Oakley was

639
00:36:50,920 --> 00:36:53,640
Speaker 1: saying something about Cleveland, and then Charles Oakley step to him.

640
00:36:53,680 --> 00:36:55,680
Speaker 1: Basically he said over Twitter, he said, Yo, you better

641
00:36:55,719 --> 00:36:59,400
Speaker 1: stop talking about Cleveland. You ain't never been tough. I

642
00:36:59,480 --> 00:37:01,680
Speaker 1: know a story. Worry that's a fact I know, and

643
00:37:02,000 --> 00:37:05,120
Speaker 1: it's been publicized to I'm not the only one who

644
00:37:05,160 --> 00:37:07,880
Speaker 1: said it, but you can look it up. During the

645
00:37:07,960 --> 00:37:10,919
Speaker 1: players lockout of I don't know, was it nineties something

646
00:37:11,160 --> 00:37:14,160
Speaker 1: was the year the Knicks went to the finals? There

647
00:37:14,239 --> 00:37:18,880
Speaker 1: was uh at all players meeting ninety whatever it was,

648
00:37:19,239 --> 00:37:22,320
Speaker 1: you guys do the math. Barkley was in the league,

649
00:37:22,440 --> 00:37:26,759
Speaker 1: Jordan was in the league, Charles Oakley was in the league.

650
00:37:26,760 --> 00:37:30,279
Speaker 1: It was that era of nineties something. We know. It

651
00:37:30,360 --> 00:37:34,839
Speaker 1: was somewhere in the later midnights out of you who cares,

652
00:37:35,800 --> 00:37:38,560
Speaker 1: but at a players meeting, I know this is a

653
00:37:38,719 --> 00:37:40,879
Speaker 1: factual thing. And then I asked him a matter of fact,

654
00:37:40,880 --> 00:37:42,640
Speaker 1: I'm gonna get the clip and I'm gonna post it.

655
00:37:43,239 --> 00:37:45,560
Speaker 1: I just ran into Charles Berkeley and I was doing something.

656
00:37:45,600 --> 00:37:48,360
Speaker 1: I asked them, and we're gonna post it with this,

657
00:37:50,120 --> 00:37:52,040
Speaker 1: or if we don't post it with this, we'll post it.

658
00:37:52,440 --> 00:37:57,319
Speaker 1: Soon after. Charles Oakley was there, Charles Barkley was there.

659
00:37:57,800 --> 00:38:01,080
Speaker 1: Charles Oakley said to him, you saw off something happened.

660
00:38:01,120 --> 00:38:03,320
Speaker 1: They were getting a little bit and and Charles Oakley

661
00:38:03,360 --> 00:38:06,440
Speaker 1: went over to Charles Barkley and smacked the ship out

662
00:38:06,480 --> 00:38:09,600
Speaker 1: of him. And Charles Barkley didn't do anything in front

663
00:38:09,600 --> 00:38:15,799
Speaker 1: of the whole league. Right now, I love Charles Barkley, right,

664
00:38:15,920 --> 00:38:18,879
Speaker 1: but this is what happened. This is what happened. Now,

665
00:38:19,000 --> 00:38:21,520
Speaker 1: I I it's a shameful, embarrassing thing to get the

666
00:38:21,560 --> 00:38:24,239
Speaker 1: ship smacked out of you, but when you know it

667
00:38:24,320 --> 00:38:27,480
Speaker 1: could happen, especially someone who's provocative like Charles Barkley. But

668
00:38:27,640 --> 00:38:29,919
Speaker 1: that happened, and then I'm gonna play the thing because

669
00:38:29,960 --> 00:38:32,560
Speaker 1: I ran into Charles Oakley on the street and I

670
00:38:32,640 --> 00:38:35,279
Speaker 1: did an impromptu interview with him, and I asked him

671
00:38:35,480 --> 00:38:37,640
Speaker 1: and he verified this. But it didn't even need the

672
00:38:37,719 --> 00:38:41,560
Speaker 1: verification from him because everybody knows it happened. I don't

673
00:38:41,600 --> 00:38:44,359
Speaker 1: know how I got on that story, but that's a fact.

674
00:38:45,080 --> 00:38:47,760
Speaker 1: Charles Oakley smacked the ship out of Charles Barkley because

675
00:38:47,800 --> 00:38:51,360
Speaker 1: the Twitter beef. You see how Charles right, he wants

676
00:38:51,400 --> 00:38:54,360
Speaker 1: more with it. Remember when they hemmed up Charles Oakley

677
00:38:54,360 --> 00:38:57,759
Speaker 1: at the casinos in Vegas. They had I'm a man

678
00:38:57,840 --> 00:39:00,920
Speaker 1: Oakley in a neck brace and Charles Oki is a

679
00:39:00,960 --> 00:39:05,360
Speaker 1: big motherfucker six eight two. Remember we saw Charles Oakley

680
00:39:05,400 --> 00:39:07,440
Speaker 1: the first day he got traded to New York We

681
00:39:07,480 --> 00:39:09,560
Speaker 1: saw him on sevent He said, me and Moody, we're

682
00:39:09,600 --> 00:39:11,640
Speaker 1: going to the six train, the Downtown six train. I

683
00:39:11,680 --> 00:39:13,200
Speaker 1: don't know what year he got traded into the next

684
00:39:13,280 --> 00:39:16,160
Speaker 1: we don't fact check, but it was the summertime or

685
00:39:16,160 --> 00:39:18,800
Speaker 1: it was the spring he got traded was the off season.

686
00:39:19,200 --> 00:39:22,879
Speaker 1: And and we saw Oakley on uh the the west

687
00:39:22,960 --> 00:39:26,120
Speaker 1: side of Lexison Avenue, and we were on the east

688
00:39:26,160 --> 00:39:28,920
Speaker 1: side of Lexan Avenue And we said, yoh, what are

689
00:39:28,960 --> 00:39:30,800
Speaker 1: you doing here? And he said he I remember he

690
00:39:30,840 --> 00:39:32,960
Speaker 1: did like Jesse Yo, I'm playing here now. And we

691
00:39:33,040 --> 00:39:38,359
Speaker 1: were like, oh, Ship oak He's a fucking brute. Yeah.

692
00:39:38,520 --> 00:39:41,640
Speaker 1: We saw him with fucking grand masked the d at

693
00:39:41,680 --> 00:39:44,719
Speaker 1: the garden. Shout out to Hudini. What a good group.

694
00:39:44,840 --> 00:39:48,759
Speaker 1: Whodini was the perfect mixture of R and B and

695
00:39:48,920 --> 00:39:52,520
Speaker 1: hip hop yea the oh yeah, they did it. They

696
00:39:52,560 --> 00:39:55,160
Speaker 1: had monster hits. I don't know what happened. They just

697
00:39:55,280 --> 00:39:57,759
Speaker 1: kind of lost their way. I think it was the

698
00:39:57,920 --> 00:40:00,759
Speaker 1: typical things man groups get messed up and the group

699
00:40:00,880 --> 00:40:05,279
Speaker 1: dynamics and all these sorts of things happen. Yo. My

700
00:40:05,440 --> 00:40:07,680
Speaker 1: movie of the Week because I I give a lot

701
00:40:07,760 --> 00:40:11,280
Speaker 1: of love we did. Of course, the now infamous gold

702
00:40:11,400 --> 00:40:16,160
Speaker 1: Star Gold Standard Raging Bowl podcast. If you haven't heard it,

703
00:40:16,320 --> 00:40:18,960
Speaker 1: I suggest you go back. Let's just say this. The

704
00:40:19,080 --> 00:40:22,040
Speaker 1: Great Martin Scorsese is the first interview, and it goes

705
00:40:22,440 --> 00:40:25,719
Speaker 1: it just gets like, I mean, what more do I

706
00:40:25,800 --> 00:40:28,239
Speaker 1: need to say? I don't know what episode number it is,

707
00:40:28,320 --> 00:40:30,200
Speaker 1: but looking up in the files, it's called the Raging

708
00:40:30,280 --> 00:40:33,439
Speaker 1: Bull episode. I got Scorsese, I got John to Turo,

709
00:40:33,800 --> 00:40:36,960
Speaker 1: I got Nick to Turo, I got Adam Corolla, and

710
00:40:37,120 --> 00:40:39,239
Speaker 1: the list goes on and on and on and on

711
00:40:39,440 --> 00:40:41,520
Speaker 1: and and I had to start turning people down at

712
00:40:41,520 --> 00:40:43,640
Speaker 1: the end because I was like, it can't be nineteen

713
00:40:43,680 --> 00:40:46,000
Speaker 1: hours on Raging Bull. Although I could have done it,

714
00:40:46,040 --> 00:40:47,840
Speaker 1: it would have been a very specific audience. And of

715
00:40:47,960 --> 00:40:50,520
Speaker 1: course we we we've talked about Rocky, but I was

716
00:40:50,600 --> 00:40:54,320
Speaker 1: thinking about the movie that probably uh one of the

717
00:40:54,360 --> 00:40:57,640
Speaker 1: movies that three movies. It's Rocky Saturday Night Fever and

718
00:40:57,760 --> 00:41:04,320
Speaker 1: Raging Bull Saturday Night Fever. Such an underrated, underappreciated movie

719
00:41:04,760 --> 00:41:07,320
Speaker 1: at this point in time because it was such a

720
00:41:07,600 --> 00:41:13,040
Speaker 1: big pop culture film with no special effects, as big

721
00:41:13,120 --> 00:41:15,680
Speaker 1: as Star Wars and Jaws were at that time. In

722
00:41:15,760 --> 00:41:20,480
Speaker 1: the seventies, a gigantic hit the BGS record the soundtrack.

723
00:41:20,560 --> 00:41:23,320
Speaker 1: I believe if it's not the biggest selling record of

724
00:41:23,360 --> 00:41:25,080
Speaker 1: all time, it's like in the top three or four

725
00:41:25,360 --> 00:41:29,239
Speaker 1: selling records of all times. This was a phenomenon. And

726
00:41:29,360 --> 00:41:32,800
Speaker 1: this movie fucked me up. It fucked everybody up. It

727
00:41:33,040 --> 00:41:35,560
Speaker 1: changed everything. And when I saw this movie, I was

728
00:41:35,760 --> 00:41:37,320
Speaker 1: it was I think it was seventy eight. I was

729
00:41:37,440 --> 00:41:40,320
Speaker 1: eight years old. And it had violence, it had sex,

730
00:41:40,880 --> 00:41:43,960
Speaker 1: it had drugs. It didn't get Oscar nominations because it

731
00:41:44,040 --> 00:41:47,360
Speaker 1: was because it was it was deemed, you know, like

732
00:41:47,520 --> 00:41:53,280
Speaker 1: to risk ay. Yeah, I say risk ay. Everything about

733
00:41:53,320 --> 00:41:57,800
Speaker 1: that movie is just perfection, from John Travolta's hair, to

734
00:41:58,080 --> 00:42:01,560
Speaker 1: to the to the Cerproco poster on the wall, to

735
00:42:01,719 --> 00:42:04,160
Speaker 1: the rest of the cast. And crazy thing about that movie.

736
00:42:04,320 --> 00:42:07,160
Speaker 1: The rest of the cast of that movie, Karen Lynn Gorney,

737
00:42:07,680 --> 00:42:12,040
Speaker 1: Donna Pescal, all the guys. No one ever went on

738
00:42:12,160 --> 00:42:15,040
Speaker 1: to do anything huge. And I did a movie with

739
00:42:15,200 --> 00:42:18,480
Speaker 1: Travolta called Lucky Numbers, directed by the great, the late

740
00:42:18,600 --> 00:42:21,759
Speaker 1: great Nora a Front. A good movie, great script, just

741
00:42:21,880 --> 00:42:24,799
Speaker 1: didn't work out so good. And and and I had

742
00:42:24,840 --> 00:42:29,520
Speaker 1: to audition. I auditioned uh with with John Travolta and

743
00:42:29,600 --> 00:42:31,719
Speaker 1: then got the part. And when I auditioned, I didn't,

744
00:42:31,880 --> 00:42:33,560
Speaker 1: you know, I didn't give away the fact that I

745
00:42:33,640 --> 00:42:37,200
Speaker 1: was a psychopath, super fan, lunatic. But as soon as

746
00:42:37,239 --> 00:42:40,480
Speaker 1: I got on set, I was in his ass, No

747
00:42:40,640 --> 00:42:44,560
Speaker 1: Bruno no entire time. And at one point he said,

748
00:42:45,000 --> 00:42:47,799
Speaker 1: you are a really big fan, because you know, I've

749
00:42:47,880 --> 00:42:49,720
Speaker 1: met a lot of fans. I mean, imagine the type

750
00:42:50,200 --> 00:42:53,479
Speaker 1: John Travolta was. Yo. You gotta understand at the time

751
00:42:53,560 --> 00:42:57,040
Speaker 1: in the seventies when he did Welcome Back Carter, just

752
00:42:57,239 --> 00:43:00,279
Speaker 1: that alone he was. He was the ship, the ship

753
00:43:01,239 --> 00:43:04,799
Speaker 1: Vinnie Barbarino, he was the ship. And then he came

754
00:43:04,840 --> 00:43:07,120
Speaker 1: out with Saturday Night Fever. And when they were filming

755
00:43:07,160 --> 00:43:09,080
Speaker 1: Satni here, it was like a small budget film. I

756
00:43:09,120 --> 00:43:11,000
Speaker 1: think it was like a one million or three million

757
00:43:11,040 --> 00:43:13,799
Speaker 1: dollar film. It wasn't some big budget film. They had

758
00:43:13,840 --> 00:43:15,759
Speaker 1: to they had to get extra security because at the

759
00:43:15,840 --> 00:43:18,919
Speaker 1: time of sun he was already ginormous from Welcome Back Carter,

760
00:43:19,000 --> 00:43:21,360
Speaker 1: and they're filming in Brooklyn, the home of the Sweatdogs,

761
00:43:23,320 --> 00:43:25,279
Speaker 1: and and and and so they didn't know like this

762
00:43:25,360 --> 00:43:27,640
Speaker 1: guy was like that big. And then of course when

763
00:43:27,680 --> 00:43:30,680
Speaker 1: the movie comes out, you go from being a popular

764
00:43:30,760 --> 00:43:37,040
Speaker 1: TV actor to Different Planet, International Star, gigantic sex symbol,

765
00:43:37,200 --> 00:43:41,480
Speaker 1: the coolest motherfucker in the world, Travolta, and then he

766
00:43:41,600 --> 00:43:47,680
Speaker 1: follows it up with Greece, Yo, Greece was no Bruno,

767
00:43:48,520 --> 00:43:51,799
Speaker 1: No Bruno, no Bruno. Of course, of course that goes

768
00:43:51,840 --> 00:43:56,200
Speaker 1: down saying um, but but I just I just wanted

769
00:43:56,239 --> 00:43:58,640
Speaker 1: to just you know, talk briefly about that movie. I

770
00:43:58,760 --> 00:44:01,160
Speaker 1: I really think that that would be my next screening,

771
00:44:01,520 --> 00:44:03,120
Speaker 1: uh in Los Angeles. I would love do an Iron

772
00:44:03,200 --> 00:44:06,560
Speaker 1: Rapports stereo podcast screening Get Your Volta their live. I

773
00:44:06,680 --> 00:44:09,320
Speaker 1: think I think I could do it. I think I

774
00:44:09,440 --> 00:44:12,920
Speaker 1: can do it. We we fill up the Crest Few

775
00:44:13,000 --> 00:44:16,719
Speaker 1: Theater in Westwood. We get a DJ to like play

776
00:44:16,800 --> 00:44:20,600
Speaker 1: all that disco ship and mix it beforehand. Afterwards, you

777
00:44:20,719 --> 00:44:23,279
Speaker 1: gotta come dressed like on some seventies ships. We do

778
00:44:23,360 --> 00:44:24,759
Speaker 1: a live and try to get as much of the

779
00:44:24,840 --> 00:44:27,279
Speaker 1: cast as as possible. But of course Get Your Volta

780
00:44:27,280 --> 00:44:29,840
Speaker 1: because when I worked with him on Lucky Numbers, he

781
00:44:30,040 --> 00:44:34,400
Speaker 1: knows this guy's a fucking nuts every day. But when

782
00:44:34,480 --> 00:44:36,319
Speaker 1: when I'm working with him, I brought into his chest.

783
00:44:36,640 --> 00:44:38,960
Speaker 1: One of my favorite scenes that I've ever I ever

784
00:44:39,040 --> 00:44:41,160
Speaker 1: been a part of is in that movie with Your Volta,

785
00:44:41,360 --> 00:44:44,680
Speaker 1: when I said I would ball bat him, my character says,

786
00:44:44,719 --> 00:44:47,680
Speaker 1: I'll fucking ball bat you. I got to say that

787
00:44:47,760 --> 00:44:49,360
Speaker 1: to a guy that I used to have his poster.

788
00:44:49,719 --> 00:44:52,320
Speaker 1: I was so nuts with Saturday Fever, like you know

789
00:44:52,400 --> 00:44:54,480
Speaker 1: the part when he gets cut after the fighting STI.

790
00:44:54,800 --> 00:44:56,600
Speaker 1: I would go to school in the third grade. When

791
00:44:56,600 --> 00:44:58,080
Speaker 1: I got kicked out of the third grade, I went

792
00:44:58,160 --> 00:45:01,080
Speaker 1: to my new school. Uh. I would put band aids

793
00:45:01,120 --> 00:45:04,800
Speaker 1: on my face like I got beat up ship. This

794
00:45:05,040 --> 00:45:08,040
Speaker 1: is insane. There's pictures of me. I'll post one where

795
00:45:08,080 --> 00:45:11,399
Speaker 1: I cut my hair, my blonde, shaggy hair. I tried

796
00:45:11,440 --> 00:45:13,960
Speaker 1: to cut my hair into a widow's peak for for

797
00:45:14,080 --> 00:45:17,239
Speaker 1: my eighth birthday, I had I look crazy for my

798
00:45:17,360 --> 00:45:22,480
Speaker 1: eighth birthday that was already kicked out. I was already

799
00:45:22,560 --> 00:45:24,040
Speaker 1: kicked out, but I would walk around with a bandit

800
00:45:24,080 --> 00:45:26,520
Speaker 1: and I'm like, I got in a fight too, and oh,

801
00:45:26,600 --> 00:45:28,520
Speaker 1: I fell off the monkey bars or something. I didn't

802
00:45:28,520 --> 00:45:30,759
Speaker 1: fall off the monkey bars. My my dad was like,

803
00:45:31,360 --> 00:45:32,840
Speaker 1: what the funk are you doing? I was, Oh, I

804
00:45:32,920 --> 00:45:37,520
Speaker 1: got cut, I'm walking And and for my eighth birthday

805
00:45:37,760 --> 00:45:41,160
Speaker 1: or ninth birthday, I had my mom get me a

806
00:45:41,320 --> 00:45:44,840
Speaker 1: silk shirt because I wanted a silk shirt like Tony Manero.

807
00:45:45,360 --> 00:45:47,480
Speaker 1: And I was like, I just I have to have

808
00:45:47,600 --> 00:45:49,400
Speaker 1: the kind of underwear that he had on, so he

809
00:45:49,560 --> 00:45:52,959
Speaker 1: had like the bikini ondo. I'm walking around nine years

810
00:45:53,000 --> 00:45:57,720
Speaker 1: old in my house thinking, um, John Travolta in Saturday.

811
00:45:58,000 --> 00:45:59,239
Speaker 1: I didn't want to be an actor. I had no

812
00:45:59,360 --> 00:46:05,399
Speaker 1: ask I wanted to be It's crazy. I told all

813
00:46:05,440 --> 00:46:07,759
Speaker 1: this both and I swear he looked at me like, Yo,

814
00:46:07,840 --> 00:46:10,920
Speaker 1: this guy is fucking crazy. This guy is nuts. So

815
00:46:12,120 --> 00:46:15,160
Speaker 1: that's my little saturnite fever, a movie of the week

816
00:46:15,239 --> 00:46:17,359
Speaker 1: stuff and and and I mean those are my big

817
00:46:17,480 --> 00:46:20,560
Speaker 1: three movies. Those three movies shifted me. Um and for

818
00:46:20,680 --> 00:46:25,000
Speaker 1: some reason, all starring Italian Americans, all have Italian American

819
00:46:25,080 --> 00:46:28,719
Speaker 1: themes in them. Italian Stallion, Tony Manero and of course

820
00:46:28,920 --> 00:46:32,240
Speaker 1: Jake Lamonto the Raging Bull. Did you see this guy Trump,

821
00:46:33,520 --> 00:46:37,320
Speaker 1: Sinco de Mayo. This guy's got a set of He

822
00:46:37,480 --> 00:46:40,280
Speaker 1: might have a big set of balls on him, because

823
00:46:40,320 --> 00:46:43,120
Speaker 1: this guy just when you think, first of all, Ted

824
00:46:43,239 --> 00:46:47,480
Speaker 1: Cruz is gone, right, is there anybody else in contention?

825
00:46:49,560 --> 00:46:51,839
Speaker 1: So so Donald Trump is gonna really be like it's

826
00:46:51,840 --> 00:46:57,040
Speaker 1: gonna be like him, or either Bernie or Hillary running

827
00:46:57,120 --> 00:46:59,919
Speaker 1: for actually the fact that it's gotten this fart shame

828
00:47:00,040 --> 00:47:04,640
Speaker 1: him on this country. Can't be the president. It's over man,

829
00:47:06,000 --> 00:47:07,440
Speaker 1: all right, this is this is what we're gonna do.

830
00:47:07,480 --> 00:47:09,160
Speaker 1: Now we're gonna do the truly segment of the week.

831
00:47:09,200 --> 00:47:13,160
Speaker 1: I love this app on on iPhone. It's t r

832
00:47:13,280 --> 00:47:16,920
Speaker 1: U E y okay. And what it does is it

833
00:47:17,000 --> 00:47:20,719
Speaker 1: poses a question and it sort of takes a poll

834
00:47:21,239 --> 00:47:24,400
Speaker 1: and and you answer the question and uh, you know,

835
00:47:24,560 --> 00:47:28,839
Speaker 1: like it's a great conversation starter, great for podcasting, great

836
00:47:28,880 --> 00:47:33,880
Speaker 1: for picking up chicks, whatever you're into. Uh, and and

837
00:47:34,080 --> 00:47:36,400
Speaker 1: like it goes like that. Here's the first question. I

838
00:47:36,520 --> 00:47:42,600
Speaker 1: go to sleep past midnight almost every night. Nah me, neither.

839
00:47:44,440 --> 00:47:46,520
Speaker 1: I'm like an old person. I go to see early.

840
00:47:46,600 --> 00:47:51,279
Speaker 1: But of the people agree, the people disagree. Here's a

841
00:47:51,280 --> 00:47:55,520
Speaker 1: good one. Forgetting your phone is worse than forgetting your wallet? Shit,

842
00:47:55,760 --> 00:48:01,680
Speaker 1: that's a good question in this day and age, basically right, Yeah, Well,

843
00:48:01,840 --> 00:48:04,160
Speaker 1: forgetting your wallet on your on the way to south

844
00:48:04,239 --> 00:48:07,200
Speaker 1: By Southwest and getting to the airport, was that you

845
00:48:07,320 --> 00:48:10,200
Speaker 1: left your wire That means you're you're an asshole. I

846
00:48:10,360 --> 00:48:13,840
Speaker 1: did that less than a month ago. I was so

847
00:48:14,160 --> 00:48:16,279
Speaker 1: like gacked up on myself too. I was like, I'm

848
00:48:16,320 --> 00:48:20,360
Speaker 1: going to south By Southwest, We're gonna podcast. And I

849
00:48:20,480 --> 00:48:22,680
Speaker 1: got to JFK after being in the cab for forty

850
00:48:22,800 --> 00:48:25,960
Speaker 1: five minutes, and I didn't catch it, Like when I

851
00:48:26,040 --> 00:48:28,360
Speaker 1: was five minutes away from my apartment. I caught it

852
00:48:28,400 --> 00:48:31,480
Speaker 1: when we pulled up to American Airlies terminal. So I

853
00:48:31,560 --> 00:48:33,279
Speaker 1: knew there's no way you're getting on the fight. I

854
00:48:33,880 --> 00:48:35,600
Speaker 1: you know the feeling, you knew it. I knew I

855
00:48:35,640 --> 00:48:37,080
Speaker 1: didn't bring it. I was like, I didn't bring it,

856
00:48:37,520 --> 00:48:41,320
Speaker 1: and and I'm looking just for ships and giggles, knowing

857
00:48:41,400 --> 00:48:43,239
Speaker 1: it wasn't there. So I have to say, at the

858
00:48:43,360 --> 00:48:47,400
Speaker 1: end of the day, you need that. I d um

859
00:48:47,480 --> 00:48:49,279
Speaker 1: because you when the t s A if you have

860
00:48:49,360 --> 00:48:53,000
Speaker 1: a picture of your license in there, it doesn't mean ship. Uh.

861
00:48:53,880 --> 00:48:57,960
Speaker 1: I count other people's items on the express line. I

862
00:48:58,120 --> 00:49:00,680
Speaker 1: do that, and I also cheat the suppress line. I

863
00:49:00,719 --> 00:49:04,200
Speaker 1: don't do that. You don't. You don't get a chill Okay, okay,

864
00:49:04,280 --> 00:49:09,880
Speaker 1: cool um, here's the next question, Mr Monetti. Having my

865
00:49:10,040 --> 00:49:12,080
Speaker 1: coffee is one of the best parts of my work day.

866
00:49:12,600 --> 00:49:16,240
Speaker 1: A hundred and fifty yes. And I just started drinking coffee.

867
00:49:16,280 --> 00:49:18,440
Speaker 1: Within the last four years, I didn't even drink it.

868
00:49:18,680 --> 00:49:22,480
Speaker 1: Now I'm addicted to it. I like it. But now

869
00:49:22,560 --> 00:49:25,600
Speaker 1: I'm hearing that Starbucks coffee is like a death sentence.

870
00:49:27,280 --> 00:49:28,799
Speaker 1: This is what I'm here. I don't know if it's true.

871
00:49:29,760 --> 00:49:32,120
Speaker 1: I have no problem with a sponsorship by Starbucks. I'll

872
00:49:32,120 --> 00:49:35,440
Speaker 1: continue drinking it. But I am thinking twice the CEO

873
00:49:35,680 --> 00:49:41,600
Speaker 1: from is it Howard? All right? Well, fifty of the

874
00:49:41,640 --> 00:49:45,200
Speaker 1: people agree. Cent of the people this year of people

875
00:49:45,480 --> 00:49:47,719
Speaker 1: also think having part of coffee in the morning is

876
00:49:47,760 --> 00:49:49,520
Speaker 1: the best. I think about it the next morning. What

877
00:49:49,600 --> 00:49:53,040
Speaker 1: am I gonna get my coffee? Um, I've been a

878
00:49:53,120 --> 00:49:56,080
Speaker 1: suspect in a murder case. This is is a stupid question.

879
00:49:56,920 --> 00:49:59,800
Speaker 1: Uh oh, here's one. This is a good question for you.

880
00:49:59,840 --> 00:50:04,080
Speaker 1: I want to know your answer. Would you get tazard

881
00:50:04,480 --> 00:50:09,960
Speaker 1: for twenty five thousand dollars cash? So if somebody was

882
00:50:09,960 --> 00:50:12,359
Speaker 1: gonna give you twenty five thousand dollars, you would take

883
00:50:12,400 --> 00:50:15,400
Speaker 1: a taste. I can take that taste, okay, because I'm

884
00:50:15,400 --> 00:50:20,960
Speaker 1: gonna get up. Okay in a death sense, I'm not

885
00:50:21,080 --> 00:50:24,400
Speaker 1: taking the taste. Well, when you take it, I gotta

886
00:50:24,400 --> 00:50:26,600
Speaker 1: see you do it first. See see see if you

887
00:50:26,600 --> 00:50:30,799
Speaker 1: see if you know I'm telling you shp okay. All right,

888
00:50:30,840 --> 00:50:34,440
Speaker 1: Well they do it at the black people. Great, fantastic,

889
00:50:34,640 --> 00:50:37,400
Speaker 1: that's true. That's why I like the True reapp. This

890
00:50:37,520 --> 00:50:39,600
Speaker 1: is my final question with the True reapp segment of

891
00:50:39,920 --> 00:50:44,360
Speaker 1: the week. Uh I p in the shower. Yeah we

892
00:50:44,480 --> 00:50:46,560
Speaker 1: said that before. Yeah, I have shot in the shower.

893
00:50:47,200 --> 00:50:50,040
Speaker 1: I didn't do it on purpose, but so sorry, what

894
00:50:50,080 --> 00:50:55,640
Speaker 1: do you want from me? Oh? Yeah, you got a condition? Sorry? Sorry? Sorry? Man? Uh,

895
00:50:55,840 --> 00:50:58,920
Speaker 1: here's white people are secretly racist. I don't think it's

896
00:50:58,920 --> 00:51:01,560
Speaker 1: a secret. You don't need I don't think it's a

897
00:51:01,600 --> 00:51:03,839
Speaker 1: secret anymore. I think that's one of the good things

898
00:51:03,840 --> 00:51:07,200
Speaker 1: about Donald Trump. But he's brought out the trek of

899
00:51:07,239 --> 00:51:11,880
Speaker 1: the people, agree people. Just um, what else he got

900
00:51:11,920 --> 00:51:16,960
Speaker 1: from me? Gimo and Eddie Bickerstaff? Oh, Bernie Bickerstaff, JB. Bickerstaff,

901
00:51:17,280 --> 00:51:20,759
Speaker 1: he's so fed up with these guys and this team. Well,

902
00:51:20,840 --> 00:51:24,440
Speaker 1: we'll will contextualize it for JB. Bickerstaff. The head coach

903
00:51:24,880 --> 00:51:27,480
Speaker 1: was the interim head coach. Young guy. His father was

904
00:51:27,560 --> 00:51:30,440
Speaker 1: a great basketball coach. He took over for Kevin McHale

905
00:51:31,360 --> 00:51:34,720
Speaker 1: um and coached the Houston Rockets, who ran Kevin mcale

906
00:51:34,719 --> 00:51:36,960
Speaker 1: out of out of Houston for coaching, and then they

907
00:51:37,000 --> 00:51:39,359
Speaker 1: brought in JB. Bickerstaff and they thought he'd be able

908
00:51:39,400 --> 00:51:42,439
Speaker 1: to relate to the players better and all this, and JB.

909
00:51:42,560 --> 00:51:45,160
Speaker 1: Bickerstaff after getting the ship knocked out of them in

910
00:51:45,200 --> 00:51:47,879
Speaker 1: the second the first round of the playoffs, he said,

911
00:51:47,920 --> 00:51:50,560
Speaker 1: what he took his name out of the hat as

912
00:51:51,239 --> 00:51:53,279
Speaker 1: far as like yo um, y'all can make me the

913
00:51:53,320 --> 00:51:56,600
Speaker 1: head coach because I was interim. He would rather be

914
00:51:56,800 --> 00:52:02,320
Speaker 1: demoded than to deal with the fucking schmucks he was

915
00:52:02,400 --> 00:52:04,480
Speaker 1: dealing with. Let me tell you something, you know how,

916
00:52:05,080 --> 00:52:07,360
Speaker 1: like if you're James Harden, Like we have to say this.

917
00:52:07,520 --> 00:52:09,680
Speaker 1: This has to be James Harden. If you're the best player,

918
00:52:09,760 --> 00:52:13,960
Speaker 1: the highest paid player. It's not like Patrick Beverly is

919
00:52:14,000 --> 00:52:17,000
Speaker 1: in there, like it's not prison and like somehow Patrick

920
00:52:17,080 --> 00:52:20,680
Speaker 1: Beverly is running the fucking asylum. It's gotta be James Harden.

921
00:52:21,920 --> 00:52:25,360
Speaker 1: You should be ashamed of yourself. You should you should

922
00:52:25,400 --> 00:52:27,560
Speaker 1: be ashamed of yourself that that you you drove this

923
00:52:27,680 --> 00:52:30,440
Speaker 1: guy who probably his entire life he dreamed of coaching

924
00:52:30,440 --> 00:52:34,400
Speaker 1: a basketball team and after not even a full season coaching,

925
00:52:34,480 --> 00:52:37,600
Speaker 1: you is saying, I don't want to do this. I'm

926
00:52:37,640 --> 00:52:41,080
Speaker 1: fine If I like, I like, I'll step down. Like you,

927
00:52:41,280 --> 00:52:45,600
Speaker 1: you're uncoachable. You don't give a ship and poured Dwight Howard,

928
00:52:45,640 --> 00:52:50,000
Speaker 1: That fragile p brain that's in there, sweet fragile. He's

929
00:52:50,000 --> 00:52:53,200
Speaker 1: like of mice and men like, Yeah, he's fucking doesn't

930
00:52:53,200 --> 00:52:56,800
Speaker 1: know what's going on. He's talking about a big galoot.

931
00:52:57,040 --> 00:53:00,200
Speaker 1: He just doesn't know what's going on. He looked like

932
00:53:00,320 --> 00:53:04,600
Speaker 1: bad again. Um and and and and James Harden is

933
00:53:04,920 --> 00:53:10,680
Speaker 1: the culprit ballhog man, just dribbling that ball. Can't you

934
00:53:10,760 --> 00:53:14,520
Speaker 1: can't win? Who won like that? Nobody? And we don't care.

935
00:53:14,600 --> 00:53:17,920
Speaker 1: I'm gonna hit three of the game. Nobody's like, and

936
00:53:18,440 --> 00:53:21,920
Speaker 1: it doesn't matter that you could score l LA. Your

937
00:53:21,960 --> 00:53:27,120
Speaker 1: teammates hate you. Your coach wants to quit because he's is.

938
00:53:27,400 --> 00:53:29,360
Speaker 1: That's like his whole dream in life is to be

939
00:53:29,360 --> 00:53:32,520
Speaker 1: a head coach until he had to coach James. I

940
00:53:32,560 --> 00:53:34,080
Speaker 1: don't know why they just don't come out and be like, Yo,

941
00:53:34,160 --> 00:53:37,360
Speaker 1: this guy's a motherfucker. This Everything is so politically correct

942
00:53:37,400 --> 00:53:39,239
Speaker 1: in there. Say who it is, Say what it was?

943
00:53:39,480 --> 00:53:42,480
Speaker 1: You know some Danis ship scream on. Motherfucker's in the

944
00:53:42,520 --> 00:53:45,520
Speaker 1: locker room. Yeah with no teeth. Yeah, Dick Motta and

945
00:53:45,560 --> 00:53:53,640
Speaker 1: them cats. What happened got these fucking everybody's dancing for

946
00:53:53,800 --> 00:53:59,600
Speaker 1: the game and the heat? They almost beat Toronto two

947
00:53:59,640 --> 00:54:05,440
Speaker 1: in a row in I wanted to offer my my

948
00:54:05,560 --> 00:54:08,960
Speaker 1: services up. What I wanted to offer my services up

949
00:54:09,000 --> 00:54:12,560
Speaker 1: because they're they're number one fan is Drake, Drake. You

950
00:54:12,640 --> 00:54:15,080
Speaker 1: can't play two sides of the fence. You can't be

951
00:54:15,239 --> 00:54:17,840
Speaker 1: fucking with people on both sides of the team. So

952
00:54:18,480 --> 00:54:21,640
Speaker 1: here's what I want to offer on If somebody wants

953
00:54:21,719 --> 00:54:25,239
Speaker 1: to fly me and Gimo Nettie up too, if well,

954
00:54:25,520 --> 00:54:27,520
Speaker 1: then now they'll definitely be a Game five in Toronto

955
00:54:27,560 --> 00:54:31,440
Speaker 1: because they squeaked by not losing two at home. If

956
00:54:31,520 --> 00:54:34,719
Speaker 1: somebody wants to fly me and Gimo Nettie up first

957
00:54:34,800 --> 00:54:38,160
Speaker 1: class of course to Toronto for Game five, sit us

958
00:54:38,640 --> 00:54:44,160
Speaker 1: uh courtside, I will get in Dwyane Wade's ass, No

959
00:54:44,400 --> 00:54:47,040
Speaker 1: Bruno the way you're supposed to heckle, I think that

960
00:54:47,120 --> 00:54:49,960
Speaker 1: these guys are too nice, Like yo, you if you

961
00:54:50,040 --> 00:54:54,120
Speaker 1: want me to come there and turn ship up and

962
00:54:54,520 --> 00:54:56,839
Speaker 1: really get in his ass and get into Miami heat,

963
00:54:56,840 --> 00:54:59,279
Speaker 1: says I'm right for the course. But I'm not doing

964
00:54:59,360 --> 00:55:02,120
Speaker 1: it just for fun and games. We need to be

965
00:55:02,239 --> 00:55:05,759
Speaker 1: flown up there, maybe a nice sushi dinner and then

966
00:55:05,880 --> 00:55:08,680
Speaker 1: and Miamo Netti. Not going up there by myself. I

967
00:55:08,920 --> 00:55:12,200
Speaker 1: prefer not to sit next to women or kids because

968
00:55:12,239 --> 00:55:14,680
Speaker 1: it's gonna be it's it's not gonna be vulgar, but

969
00:55:14,800 --> 00:55:17,680
Speaker 1: it's gonna be intense. So you're gonna go at Miami

970
00:55:17,760 --> 00:55:19,600
Speaker 1: Heat like that. You don't like him that like that.

971
00:55:20,160 --> 00:55:23,800
Speaker 1: I want to show the fans of Toronto that this

972
00:55:23,960 --> 00:55:26,399
Speaker 1: guy who says he's a super fan ain't a super

973
00:55:26,480 --> 00:55:28,600
Speaker 1: fan because he's playing two sides of the fence. He

974
00:55:28,760 --> 00:55:31,840
Speaker 1: knows the whole NBA. The whole NBA is like, oh Drake,

975
00:55:32,120 --> 00:55:34,640
Speaker 1: no no, no, no no. You can't be friends with

976
00:55:34,760 --> 00:55:37,839
Speaker 1: these guys and also talk shit. You need to either

977
00:55:37,880 --> 00:55:41,080
Speaker 1: be dedicated, like because I funk with d Wade, no Bruno.

978
00:55:41,200 --> 00:55:44,000
Speaker 1: I'm a huge fan, but at the end of the day,

979
00:55:44,000 --> 00:55:46,080
Speaker 1: I don't like the Miami Heat. I don't like the

980
00:55:46,160 --> 00:55:47,920
Speaker 1: Miami Heat more than I don't like the Raptors. I

981
00:55:47,960 --> 00:55:49,960
Speaker 1: don't have a problem with the Raptors. I like the Raptors.

982
00:55:50,160 --> 00:55:52,319
Speaker 1: I just feel, you know, bad for the fans up

983
00:55:52,360 --> 00:55:54,879
Speaker 1: there that they got nothing else to do besides stand

984
00:55:54,880 --> 00:55:59,759
Speaker 1: out the arena and say we just six. So I'm

985
00:55:59,800 --> 00:56:03,160
Speaker 1: all bring our services. Anybody that knows somebody we you know,

986
00:56:03,239 --> 00:56:05,720
Speaker 1: if you don't get the flight together, maybe a private

987
00:56:05,800 --> 00:56:09,920
Speaker 1: plane's fine. Me and Monetti. I can't go by myself.

988
00:56:10,120 --> 00:56:14,960
Speaker 1: I mean, well, podcast from the fucking courtside. I'm just

989
00:56:15,080 --> 00:56:17,600
Speaker 1: putting out there. You want a real fan there to

990
00:56:17,800 --> 00:56:21,720
Speaker 1: turn shipped up. Get me and Monetti up there. Because

991
00:56:21,760 --> 00:56:24,080
Speaker 1: I went to a game. This is I'm like, sort

992
00:56:24,120 --> 00:56:26,880
Speaker 1: of like my loyalty could could ebb and flow. Here.

993
00:56:26,960 --> 00:56:30,120
Speaker 1: Here's a perfect example. In nineties seven, I think it

994
00:56:30,239 --> 00:56:32,960
Speaker 1: was it was NINETI or ninety seven. Again we fact

995
00:56:33,040 --> 00:56:38,000
Speaker 1: check nothing. I was in Miami Mason Anthony Mason was

996
00:56:38,200 --> 00:56:42,719
Speaker 1: playing for Miami Heat. At this time. Pat Riley knew

997
00:56:42,760 --> 00:56:46,240
Speaker 1: we need a guy like this. I had gotten courtside seats.

998
00:56:46,480 --> 00:56:50,360
Speaker 1: They were playing the Utah Jazz. My all time probably

999
00:56:50,480 --> 00:56:54,320
Speaker 1: top guy that I did not like was Karl Malone.

1000
00:56:55,080 --> 00:56:57,319
Speaker 1: I heckled this fucking guy so bad that I got

1001
00:56:57,360 --> 00:57:00,640
Speaker 1: a letter for pat Riley's office saying he would like

1002
00:57:00,760 --> 00:57:03,320
Speaker 1: to have you over his house for dinner. I was

1003
00:57:03,400 --> 00:57:06,800
Speaker 1: in that ass I was fucking with car Malone. I

1004
00:57:06,880 --> 00:57:11,120
Speaker 1: told Mace, he's soft. Throw elbows at Mace. You ain't

1005
00:57:11,200 --> 00:57:14,279
Speaker 1: doing all that to Mace. You saw, you know he heard.

1006
00:57:14,320 --> 00:57:15,839
Speaker 1: They were looking at me like this guy's I didn't

1007
00:57:15,880 --> 00:57:19,520
Speaker 1: curse because you can't curse. I was doing all that. Now.

1008
00:57:19,960 --> 00:57:23,720
Speaker 1: I met kr Malone, uh actually last year at the

1009
00:57:23,760 --> 00:57:28,280
Speaker 1: training session from Manny Pakia Floyd Mayweather now in real

1010
00:57:28,400 --> 00:57:31,680
Speaker 1: life Mountain. Let me tell you something. I don't know

1011
00:57:31,800 --> 00:57:34,560
Speaker 1: what I was thinking, because if he had come over

1012
00:57:34,640 --> 00:57:38,040
Speaker 1: to me and like, uh like just fucking put his

1013
00:57:38,240 --> 00:57:41,400
Speaker 1: fucking his dick beaters around my foot, it would have

1014
00:57:41,440 --> 00:57:44,840
Speaker 1: been he's a beast. We're talking about a truck driver

1015
00:57:45,080 --> 00:57:50,520
Speaker 1: that's a man's man, country, strong, tough guy. But I'm

1016
00:57:50,600 --> 00:57:53,160
Speaker 1: just letting me know. I am just letting you know,

1017
00:57:53,640 --> 00:57:56,120
Speaker 1: the Toronto Raptors, if you want a real guy up

1018
00:57:56,160 --> 00:57:58,479
Speaker 1: there to try to swathe this series because Dwayne Wayne

1019
00:57:58,560 --> 00:58:04,160
Speaker 1: got you guys drunk, I'm offering my service. The Iron

1020
00:58:04,280 --> 00:58:07,920
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1021
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1022
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1034
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1035
00:58:59,520 --> 00:59:03,160
Speaker 1: I got a actors Oh, I have that right when

1036
00:59:03,160 --> 00:59:08,080
Speaker 1: your crash. Uh, I'm gonna start doing when you ask

1037
00:59:08,160 --> 00:59:10,480
Speaker 1: me actors work workshop things? Should I start talking in

1038
00:59:10,560 --> 00:59:13,720
Speaker 1: a British accent? Man, Yeah, I want to like doing

1039
00:59:13,800 --> 00:59:17,800
Speaker 1: like going understand you ask sir Sir Laurence Olivier, All right,

1040
00:59:17,840 --> 00:59:21,080
Speaker 1: go ahead, actors workshop Frisbee questions. Um, you're saying you're

1041
00:59:22,560 --> 00:59:25,000
Speaker 1: working with a new edition and um stuff, and um,

1042
00:59:25,640 --> 00:59:30,360
Speaker 1: your character? What? What? What is your character? And how

1043
00:59:30,440 --> 00:59:33,080
Speaker 1: do you get into that role and get into that

1044
00:59:33,560 --> 00:59:39,360
Speaker 1: vier with him? Good question? I play uh, their manager,

1045
00:59:40,240 --> 00:59:43,200
Speaker 1: they went you know, the the new edition story is,

1046
00:59:43,760 --> 00:59:46,240
Speaker 1: you know, they got fucked. And without going to too

1047
00:59:46,320 --> 00:59:48,000
Speaker 1: much detail because I'm not supposed to go into too

1048
00:59:48,080 --> 00:59:51,400
Speaker 1: much to I play their manager. But who fucks him again?

1049
00:59:52,240 --> 00:59:57,120
Speaker 1: I fuck him again? No Bruno, no Bruno? Not literally? Right?

1050
00:59:57,160 --> 00:59:59,480
Speaker 1: So how do you you know what it is? Like?

1051
00:59:59,600 --> 01:00:02,360
Speaker 1: I mean, it's depends. Like you know, every character that

1052
01:00:02,520 --> 01:00:05,600
Speaker 1: you play, every role calls for something different, you know,

1053
01:00:05,920 --> 01:00:07,800
Speaker 1: and this I knew it wasn't too far out of

1054
01:00:07,840 --> 01:00:11,640
Speaker 1: my wheelhouse. I knew it was a scumbag. Again, not

1055
01:00:11,800 --> 01:00:14,240
Speaker 1: too far out of my wheel house. Okay, let's call

1056
01:00:14,320 --> 01:00:17,800
Speaker 1: Spain spade. Um, how do you do research for that?

1057
01:00:17,960 --> 01:00:23,240
Speaker 1: You're not You're not, You're not a natural scumbag? Thanks, Um,

1058
01:00:23,440 --> 01:00:25,880
Speaker 1: But I I understand them, and I've been around them

1059
01:00:25,920 --> 01:00:29,360
Speaker 1: and I've seen them, and I get them. I get them,

1060
01:00:29,600 --> 01:00:31,600
Speaker 1: and you gotta try to. You got the most important

1061
01:00:31,640 --> 01:00:34,320
Speaker 1: thing with any character is you gotta humanize him. So

1062
01:00:34,440 --> 01:00:36,959
Speaker 1: if you're playing a killer, or you're playing a quote

1063
01:00:37,040 --> 01:00:40,000
Speaker 1: unquote scumbag. I'm doing that to be you know, I'm

1064
01:00:40,000 --> 01:00:44,240
Speaker 1: being lighthearted here and being having fun. You don't. You

1065
01:00:44,400 --> 01:00:47,520
Speaker 1: can't think you're playing that. So if you if you're saying, well,

1066
01:00:47,560 --> 01:00:49,760
Speaker 1: this guy's a real mean motherfucker, you don't want to

1067
01:00:49,840 --> 01:00:55,040
Speaker 1: play mean because no one thinks that. No one thinks

1068
01:00:55,160 --> 01:00:58,960
Speaker 1: like any killers don't think they're a killer. Hitler went

1069
01:00:59,080 --> 01:01:02,200
Speaker 1: to sleep at night pacefully, you know what I mean.

1070
01:01:02,240 --> 01:01:04,520
Speaker 1: So you can't play I'm a bad guy. You can't

1071
01:01:04,560 --> 01:01:06,640
Speaker 1: play I'm a good guy. You have to just play

1072
01:01:06,680 --> 01:01:09,720
Speaker 1: it genuine, play it honestly, and and and play it human.

1073
01:01:09,880 --> 01:01:12,080
Speaker 1: This is who this person is, this sw it is,

1074
01:01:12,720 --> 01:01:14,400
Speaker 1: this is what he is, and and his behavior and

1075
01:01:14,480 --> 01:01:17,880
Speaker 1: his actions should come organically. You can't play the I'm

1076
01:01:17,960 --> 01:01:21,520
Speaker 1: being me being that right. So so that's the thing

1077
01:01:21,640 --> 01:01:24,120
Speaker 1: for me when I'm trying to do my thing, whether

1078
01:01:24,200 --> 01:01:27,000
Speaker 1: it's you know, comedy, drama like you know, whatever it

1079
01:01:27,120 --> 01:01:29,200
Speaker 1: is like you know, and and the writing will help

1080
01:01:29,280 --> 01:01:31,440
Speaker 1: dictate it. If it's good writing, it will help dictate,

1081
01:01:31,960 --> 01:01:34,760
Speaker 1: you know, and lead you um and and so so

1082
01:01:35,280 --> 01:01:39,520
Speaker 1: that's the deal. That's tough to do. You know, it

1083
01:01:39,920 --> 01:01:43,200
Speaker 1: varies sometimes it's tough. Sometimes you've got it right away.

1084
01:01:43,640 --> 01:01:45,840
Speaker 1: Sometimes it's a little bit of worse. Sometimes you gotta

1085
01:01:45,880 --> 01:01:49,160
Speaker 1: crack a nut uh no Bruno uh and and you know,

1086
01:01:49,880 --> 01:01:51,320
Speaker 1: you know, you gotta crack a code. It's like a

1087
01:01:51,320 --> 01:01:55,120
Speaker 1: little puzzle. So it varies. So so it's different different roles,

1088
01:01:55,200 --> 01:01:59,560
Speaker 1: different um parts, different you know, there's all sorts of

1089
01:01:59,640 --> 01:02:02,080
Speaker 1: moving pieces. There's all sorts of factors like how much

1090
01:02:02,120 --> 01:02:04,080
Speaker 1: time you had to prepare, how much time you didn't

1091
01:02:04,120 --> 01:02:07,640
Speaker 1: have to prepare, um, the director, the set, there's all

1092
01:02:07,720 --> 01:02:09,800
Speaker 1: sorts of things that come into play. You just have

1093
01:02:09,960 --> 01:02:14,480
Speaker 1: to just be professional and go full. Iverson. My goal

1094
01:02:14,600 --> 01:02:19,680
Speaker 1: when I work, my my true my true goal when

1095
01:02:19,720 --> 01:02:22,840
Speaker 1: I am in between action and cut in any form

1096
01:02:23,200 --> 01:02:27,480
Speaker 1: is to go full I to not have any regrets

1097
01:02:27,520 --> 01:02:30,440
Speaker 1: about how hard you tried and how and how and

1098
01:02:30,560 --> 01:02:33,959
Speaker 1: how like sincere you were leave blood on the floor. Because,

1099
01:02:34,040 --> 01:02:37,920
Speaker 1: like we've said many times before, Iverson not the best shooter.

1100
01:02:38,600 --> 01:02:40,480
Speaker 1: You probably say, maybe one of the quickest guys, but

1101
01:02:40,560 --> 01:02:43,200
Speaker 1: that's about it, you know, one of the one of

1102
01:02:43,240 --> 01:02:46,160
Speaker 1: the great handles, but not the best handle ever, certainly

1103
01:02:46,200 --> 01:02:49,120
Speaker 1: not the best, uh. You know, team player at times

1104
01:02:50,000 --> 01:02:51,920
Speaker 1: played the hardest. That was the thing that made him

1105
01:02:51,920 --> 01:02:54,120
Speaker 1: most special. You have to give blood on the floor,

1106
01:02:54,560 --> 01:02:58,400
Speaker 1: the full iverson, full iverson every time between action and cut,

1107
01:02:58,640 --> 01:03:03,320
Speaker 1: full iverson. So so that that that's that's my main goal. UM.

1108
01:03:04,000 --> 01:03:07,720
Speaker 1: What else is popping monetti? Oh? Man? Nothing? Man, Um,

1109
01:03:08,800 --> 01:03:11,720
Speaker 1: just chilling man. Join this weather? Yeah good good l

1110
01:03:11,760 --> 01:03:15,800
Speaker 1: a sunshine Yeah yeah, sunshine on the top of the time. UM,

1111
01:03:15,880 --> 01:03:19,840
Speaker 1: world now all right, listen. These are beats we're listening

1112
01:03:19,920 --> 01:03:22,880
Speaker 1: to right now. Uh, this is funk. This is some

1113
01:03:22,960 --> 01:03:26,080
Speaker 1: boom bat. These are all moody beats, dusty funky. You

1114
01:03:26,200 --> 01:03:31,040
Speaker 1: hear that right now? Um it's the Iron Rapports Stereo podcast. UM.

1115
01:03:31,360 --> 01:03:33,640
Speaker 1: If you're in the California, come out May eleven. Were

1116
01:03:33,760 --> 01:03:35,840
Speaker 1: trying to sell the tickets to ten bucks. We're gonna

1117
01:03:35,840 --> 01:03:37,880
Speaker 1: be in there. I'm throwing t shirts and people's heads.

1118
01:03:38,440 --> 01:03:42,560
Speaker 1: They're soft, so it's not gonna hurt. UM. Appreciate the support,

1119
01:03:43,040 --> 01:03:46,280
Speaker 1: spread the love. It's the Brooklyn way. UM. Continue to

1120
01:03:46,320 --> 01:03:50,120
Speaker 1: give us h reviews on iTunes, although iTunes doesn't give

1121
01:03:50,200 --> 01:03:53,400
Speaker 1: us the love we deserve. Uh, I mean, we're we're

1122
01:03:53,480 --> 01:03:55,440
Speaker 1: just doing We're just doing the damn thing. We do

1123
01:03:55,520 --> 01:03:56,800
Speaker 1: it for the love. We do it for the we

1124
01:03:56,960 --> 01:03:58,800
Speaker 1: we do it for the uh. We do it for

1125
01:03:58,840 --> 01:04:00,440
Speaker 1: the streets. We do it for, we do it for.

1126
01:04:00,560 --> 01:04:02,680
Speaker 1: We do it for the people in the jeeps or

1127
01:04:02,720 --> 01:04:05,080
Speaker 1: your Honda or your Beam, or your legendary or your Benz.

1128
01:04:05,760 --> 01:04:09,000
Speaker 1: The wave of the town is friends, tribe. Shout at

1129
01:04:09,040 --> 01:04:13,760
Speaker 1: the tribe, Shout out to q Tip, the abstract Ali, Shahid,

1130
01:04:13,840 --> 01:04:20,920
Speaker 1: Mohammed Jerobi, and of course the beautiful soul Malik Fife,

1131
01:04:21,000 --> 01:04:24,360
Speaker 1: Dog Taylor ci Iron rapports stereo podcast and we're out.