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Speaker 1: Alrighty Scott, are you're ready?

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Speaker 2: Hey, Kurtie, b I hear, I hear you still got

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Speaker 2: that scratchy comedy voice over there.

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Speaker 1: I still do.

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Speaker 3: I blew my voice out so long ago, and it's

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Speaker 3: still fucked up like.

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Speaker 2: I like it. You're like a cigar smoker, now, I.

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Speaker 1: Know, right, it's it's just a little bit lower, a

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Speaker 1: little bit more fun. Are you ready for a headline?

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Speaker 2: Hit me, buddy?

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Speaker 3: Russia is going to try to clone an army of

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Speaker 3: three thousand year old Scythian warriors.

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Speaker 2: Okay, I understood the Russian part. I understood the warriors part.

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Speaker 2: So let's just get into it on another fabulous episode

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Speaker 2: of Bananas Podcast.

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Speaker 3: Still understand you, my sillion pieces, ladies and gentlemen.

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Speaker 1: Welcome to Bananas.

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Speaker 2: I am Kurt Brown, older, I am Scotti Landis. Thank

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Speaker 2: you for listening to the silliest little podcast that ever was.

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Speaker 2: And sometimes we goof up top, but we have an

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Speaker 2: extra special guest today, so I think we should get

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Speaker 2: right into it. Curdie.

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Speaker 3: Our guest today is an actor, a podcaster, an artist.

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Speaker 1: A writer.

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Speaker 3: You will of course recognize her as the voice of

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Speaker 3: Lisa Simpson or from her true crime podcast Small Town Dix.

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Speaker 3: She's got a new cooking show, Oil and Water, out

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Speaker 3: every other Wednesday on YouTube and i G TV. Please

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Speaker 3: welcome the very wonderful Yardley Smith.

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Speaker 4: Right, they can't see me waving my arms, big cheer,

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Speaker 4: going wild.

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Speaker 1: We love excitement, Yardley. We're very happy about this.

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Speaker 4: Hey, I wanted to wish you a happy anniversary, didn't you.

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Speaker 4: Guys you just celebrated one year.

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Speaker 1: Yes, yes, we did.

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Speaker 2: We did. We had our one year bananniversary.

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Speaker 5: We had the bananiversary.

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Speaker 1: Yes, so far, so good.

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Speaker 2: We're into year two and we haven't gotten you know,

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Speaker 2: booted yet.

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Speaker 5: Bravo you. It's not easily done. I know it.

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Speaker 3: Yes, oh yeah, yeah, it is a You know, the

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Speaker 3: Banannimals have been very accepting and we appreciate them forever.

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Speaker 2: And Yardley for your podcast. Have you did you start

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Speaker 2: in studio and move your way out to this zoom

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Speaker 2: weird world that we just talked through screens of each other.

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Speaker 4: No, actually, we have almost never recorded in a studio

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Speaker 4: for Small Town Dix. We would we sometimes travel to

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Speaker 4: the small town where our detectives are. Yes, all of

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Speaker 4: our stories are told by the detectives who investigated them.

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Speaker 4: So oftentimes we'd be in a conference room that's not

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Speaker 4: at all soundproof. And we have two extraordinary editors, like

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Speaker 4: actual technical editors. I edit on paper, but they know

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Speaker 4: the pro tools and all that stuff, and we have.

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Speaker 5: Really good equipment.

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Speaker 4: Yes, so that helps a great deal. But but we

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Speaker 4: also I do all the you know, if there are pickups,

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Speaker 4: and sometimes there are you know, when you listen back

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Speaker 4: and something doesn't quite make sense or somebody's whatever the

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Speaker 4: case may be, I do We often do.

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Speaker 5: I'll do those pickups in my dining room.

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Speaker 4: Yes, and so yes, we did sort of shift to

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Speaker 4: zoom and now we have little portable recording kits that

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Speaker 4: we will send out to our guests. We actually literally

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Speaker 4: sent them to Scotland. We had two Scottish guests this season,

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Speaker 4: so we sent them overseas and we couldn't you know,

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Speaker 4: obviously we have some funds, but we don't have those

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Speaker 4: fucking kind of funs. So we were not bringing the

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Speaker 4: whole crew to Scotland yet, not yet.

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Speaker 1: Yeah, nine, season nine, you're going to be there, thank you.

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Speaker 5: Yes.

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Speaker 2: One thing I really like about that podcast is it's

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Speaker 2: the same one thing when you're chiming in a lot

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Speaker 2: It's what I do when I'm watching date Lines or

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Speaker 2: any true crime show where I'm commenting and you do

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Speaker 2: that and it makes me so happy. I'll be like,

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Speaker 2: but wait, where was the body? And that's like when

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Speaker 2: I'll do at home, and then Dan or Dave will

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Speaker 2: be like, you found the body in the basement, and yes.

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Speaker 4: And you know now I So, for those who don't know,

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Speaker 4: I'm actually engaged to detective Dan, so I co host

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Speaker 4: with identical twin detectives Dan and Dave.

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Speaker 2: Amazing and.

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Speaker 4: It was born out of me when I started to date.

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Speaker 4: Danny didn't live in I live in California, didn't live

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Speaker 4: in California, and so I would go see him and

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Speaker 4: his brother, Dave lived literally like a block away. So

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Speaker 4: he would come over on a Thursday and just download

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Speaker 4: their week and your hair would be on fire because

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Speaker 4: you're like, what that was just Wednesday?

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Speaker 5: Like wow, fuck me, it was wow.

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Speaker 4: It's such a very specific kind of of person, a

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Speaker 4: very specific kind of internal makeup. I think, who that

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Speaker 4: person who's willing to every time they leave their house,

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Speaker 4: the person you're going to encounter on your job is

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Speaker 4: probably having their worst day.

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Speaker 5: Yes, yeah, so they that was all that.

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Speaker 4: Storytelling is really how the podcast was born. So now

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Speaker 4: Dan lives with me, and to watch true crime with

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Speaker 4: a detective not always fun or scripted, because you'd be like, oh,

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Speaker 4: I know who did it, and you're three minutes in

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Speaker 4: you're like, well zip it, ni bubs, like give me

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Speaker 4: a fucking brain, give me a chance. Here.

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Speaker 3: It's like watching a stand up special with a stand

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Speaker 3: up comic work. Now they don't laugh, no, just like

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Speaker 3: judging it the whole time is dumb.

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Speaker 1: Worst.

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Speaker 4: It's really actually, speaking of stand up, it's very hard

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Speaker 4: to get the Simpsons.

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Speaker 5: Writers to laugh.

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Speaker 4: Yes, life, they'll laugh at jokes in the script because

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Speaker 4: I think they're so excited finally to hear the actors

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Speaker 4: read those jokes. But if you're telling them a story

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Speaker 4: about something, it's.

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Speaker 2: Like, I am also a TV writer And the question

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Speaker 2: people are the common I guess people ask or say

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Speaker 2: the most is like it must be so fun. You

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Speaker 2: guys just must crack each other up all day, and

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Speaker 2: I'm like, uh, we laugh and burst. There'll be like

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Speaker 2: a twenty fifteen minute burst like at three pm where

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Speaker 2: we're all a little delirious and we're having a great time.

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Speaker 2: But up until that point, it's just us logically trying

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Speaker 2: to figure out story puzzles. Basic.

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Speaker 3: The amount of logic that goes into absurdity is horrifying.

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Speaker 4: I think people really don't realize that that it's an

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Speaker 4: incredibly difficult job. To be funny it is, and to

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Speaker 4: be consistently funny it is.

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Speaker 5: It's not. It ain't for the faint of heart. I'll

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Speaker 5: tell you that, no, it is not.

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Speaker 2: It is you fail more than you win.

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Speaker 1: Exactly.

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Speaker 3: Well, yardly, do you want to hear the funniest story?

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Speaker 1: Yeah?

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Speaker 2: What about the Russian warriors?

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Speaker 3: Someone had the hell the not the I ain't the

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Speaker 3: stuff heart. I'm looking for a good segue here. I

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Speaker 3: didn't get one on that one.

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Speaker 2: COmON writing is a battlefield, a battlefield that needs constant

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Speaker 2: replenishment from people all around the country who flock to

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Speaker 2: Los Angeles, California.

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Speaker 4: Indeed, I actually have a good segue about Russia. Oh yeah,

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Speaker 4: your headline if you like. Okay, So my father, when

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Speaker 4: my father was a journalist for the Washington Post for

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Speaker 4: my entire life. He got that job I think when

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Speaker 4: I was about three years old. But prior to that,

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Speaker 4: he was a journalist for the UPI, which is like

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Speaker 4: Associated Press. It stood for United Press International, right. Yes,

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Speaker 4: And he was stationed in Poland and Russia during the

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Speaker 4: Cold War.

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Speaker 1: No, yes, holy.

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Speaker 4: So my mother followed him over there when they were engaged.

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Speaker 4: And so I was born in sixty four. I have

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Speaker 4: a brother who was born in sixty three. My parents

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Speaker 4: and my parents were not yet married when they were

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Speaker 4: in Russia, and the Russians said to them, literally, we'll

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Speaker 4: tell you when you can get married. And then it

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Speaker 4: was like, oh, it's Monday, you can get married Friday.

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Speaker 1: Oh my god.

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Speaker 4: Yes, And you couldn't you could, I mean at that

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Speaker 4: time you couldn't. Maybe perhaps now also, you couldn't just

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Speaker 4: bop over like, oh, you get married in five days,

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Speaker 4: I'll be there, you know, absolutely not. And so there's

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Speaker 4: and there is one photo that remains from their wedding.

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Speaker 4: They get married, and I think they get married in

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Speaker 4: the American consulate or the American embassy. My mother's wearing

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Speaker 4: a not a like a full wedding gown. She's wearing

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Speaker 4: a simple white dress exactly whatever you could get your

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Speaker 4: hands on, right, And one photograph. They packed the photos

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Speaker 4: that they had in their luggage, and when they came

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Speaker 4: back to the states only one.

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Speaker 3: Was left, just that photo from their wedding. Oh my god,

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Speaker 3: they took all of them.

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Speaker 2: They gave them one.

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Speaker 5: I know, I know.

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Speaker 4: And and they used to whenever they would have anything

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Speaker 4: important to talk about, they would go into the bathroom

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Speaker 4: and turn on the water because they knew the apartment

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Speaker 4: was bugged. And it didn't even mean, you know, they

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Speaker 4: could be talking about their own families, but anything that

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Speaker 4: was important to them, they would make sure that they

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Speaker 4: had at least some measure of privacy.

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Speaker 1: Yeah.

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Speaker 4: Wow, that's pretty insane.

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Speaker 2: I mean I feel that way in every Airbnb I've

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Speaker 2: ever stayed in in my life.

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Speaker 1: I should I'm.

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Speaker 2: Exactly looking for nanny bears, and like, I'm like, is

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Speaker 2: that spying on me?

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Speaker 1: What's spying on me?

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Speaker 2: So I've gotten really good at nude dancing. I stripped

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Speaker 2: tease down, I get in the shower, I stripped I

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Speaker 2: reverse stripped teas back into my overalls.

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Speaker 5: Very clever.

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Speaker 2: Thank you, all right, Curdie b hit us with the

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Speaker 2: Russian Warriors. Sorry, we keep right with lovely stories.

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Speaker 3: This is pop from Popular Mechanics, sent in by the

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Speaker 3: art of Wes Brooks, who is sent in.

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Speaker 1: A lot of stories he's also a very great artist.

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Speaker 3: So Russia is going to clone an army of three

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Speaker 3: thousand year old Scythian warriors. This is the weirdest story man.

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Speaker 3: This is by I believe, best in the biz. Caroline

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Speaker 3: Delbert is.

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Speaker 2: That she's number one. All the Pulitzers go to her.

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Speaker 3: One letter away from Dilbert. Oh god, here it is.

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Speaker 3: When you hold a job like Defense Minister of Russia,

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Speaker 3: you presumably have to be bold and think outside the

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Speaker 3: box to protect your country from enemy advances. And with

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Speaker 3: his latest strategic idea cloning an entire army of ancient

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Speaker 3: warriors Sergui Shorgu show sh Shoigua, I don't know.

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Speaker 1: Isaiah is certainly taking a big swing.

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Speaker 3: In an online session of the Russian Geographical Society last month,

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Speaker 3: shoygu oh Sally, a close ally of Putin, suggested using

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Speaker 3: the DNA of three thousand year old Scythian warriors to

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Speaker 3: potentially bring them back to life.

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Speaker 1: Yes, really, And then it gives.

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Speaker 3: Some background the city people, Okay, there was they were

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Speaker 3: from modern day Iran. There were nomads who traveled around

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Speaker 3: Eurasia ninth and second centuries, apparently known for being a

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Speaker 3: warrior and then his quote is, of course, we would

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Speaker 3: like very much to find the organic matter. And I

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Speaker 3: believe you understand what would follow that. And then I

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Speaker 3: think he winked for a thousand years. Okay, he said

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Speaker 3: it would be possible to make something of it, if

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Speaker 3: not Dolly the Sheep, in general, it will be very interesting,

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Speaker 3: so very coyly suggesting he's going to clone an army. Also,

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Speaker 3: I love popular mechanics. Popular mechanics has really gone the

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Speaker 3: way of reality TV, where it says Russia is going

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Speaker 3: to clone, and this guy was like a Winkie winkie,

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Speaker 3: maybe we'll clone.

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Speaker 4: But back to Dolly the Sheep, did he not has

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Speaker 4: he not heard of that legacy of that story of

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Speaker 4: how that went not so well?

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Speaker 1: Not what happened to Dolly the Sheep. I don't know

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Speaker 1: what happened to Dolly the Sheep.

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Speaker 4: They cloned her fairly successfully, but the problem was that

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Speaker 4: her lifespan was considerably shortened and or she yeah, she

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Speaker 4: like she didn't have as good an immune system. It's

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Speaker 4: just not It's not like you know, taking a post

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Speaker 4: it and then cutting it in half and going, oh,

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Speaker 4: now I have two halves of a same post it.

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Speaker 5: It's not like that.

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Speaker 1: It's a xerox. It's a xerox. Yeah, it's like.

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Speaker 5: That movie with Michael Keaton.

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Speaker 4: Multiplicity, Multiplicity Each It's a little bit dumber.

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Speaker 1: What a funny idea.

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Speaker 3: I remember watching Multiplicity, I mean, homesick from school. Multiplicity

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Speaker 3: really tickled my buttons out.

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Speaker 4: I feel like you could never make that movie now,

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Speaker 4: not not quite like gotten.

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Speaker 2: Right with all those No, no, yeah, that doesn't happen anymore.

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Speaker 2: And for the best, by the way.

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Speaker 1: And maybe good sure we've grown. Does Russia have a

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Speaker 1: shortage of people?

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Speaker 2: It seems like Russia is a gigantic country with tons

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Speaker 2: of soldiers.

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Speaker 1: This just seems insane.

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Speaker 2: Like the Russian movies.

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Speaker 3: There unique I you know, I dated a Russian woman

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Speaker 3: for thirteen years. Yes, and her parents hated me from

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Speaker 3: the moment they met me, almost almost I think. Okay,

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Speaker 3: so this is this around year eleven. We all went

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Speaker 3: they have known me for eleven years from age eighteen

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Speaker 3: I'm now twenty nine. We go on vacation with her

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Speaker 3: family to I don't know where, North Carolina or something.

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Speaker 1: And Russia, very Russian place.

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Speaker 3: It's very hot out and uh, and I just can't

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Speaker 3: I cannot deal being around the family anymore. So I

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Speaker 3: go outside and I'd never done this but four around

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Speaker 3: her family. But I got stoned by myself in the

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Speaker 3: backyard and then I come in and then immediately her dad,

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Speaker 3: who's like very severe, was like, he just hands me

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Speaker 3: all of this meat, and he's like, you grill the meat,

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Speaker 3: and I'm not even gonna do a Russian accent, and I.

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Speaker 1: Was like, uh oh no.

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Speaker 3: And then so the whole family is just watching me grill,

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Speaker 3: and I was so paranoid that I just I never

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Speaker 3: stopped flipping any piece of meat for thirty straight minutes.

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Speaker 3: And then I served it and it was the plump, juiciest,

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Speaker 3: plumpest meat.

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Speaker 1: It was perfect because someone just flipped it over and over.

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Speaker 1: It was like rotisserie chicken essentially. And then from that

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Speaker 1: moment on they liked me.

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Speaker 3: And I was like, that's all I needed to do

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Speaker 3: was get stoned, and then you guys are gonna love me.

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Speaker 1: Yeah, they love me after that. It was the weirdest thing, dude.

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Speaker 4: Yeah, yeah, and you only had two years left, which

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Speaker 4: you may or may not have known exactly.

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Speaker 1: No, I did.

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Speaker 2: No, that's magic. Wow. The brown Oler method of cooking.

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Speaker 2: Just whatever it is, touch it as many times as

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Speaker 2: possible until you think it's servable, and then clinch your

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Speaker 2: butt cheeks and hope we love it. That's what we

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Speaker 2: all do when we're cooking.

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Speaker 5: Though, yeah sure, no, no we don't.

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Speaker 2: Oh yes, you move confidently in the kitchen.

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Speaker 1: That is stress and it's like jazz. It's your improvising

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Speaker 1: as you go. It's really nice to watch.

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Speaker 5: Thank you.

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Speaker 4: Yes, I think you are hopefully perhaps referring to oil

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Speaker 4: and water, which is my I call it dumb entertainment

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Speaker 4: for traveling times.

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Speaker 1: Well you're in good company yardly. Yeah, entertainment as well.

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Speaker 1: But you get let people know the setup of the show.

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Speaker 4: Oh yeah, so it's really a game and I cook

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Speaker 4: so and each episode is about six to eight minutes long,

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Speaker 4: and I actually am quite good cook. But while we're

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Speaker 4: all in lockdown and quarantine, I was like, well, well

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Speaker 4: you know, how could I Well it started actually with

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Speaker 4: I used to do a little thing on my Instagram

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Speaker 4: called Simpson's Sunday where I would talk tell you a story,

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Speaker 4: something about behind the scenes sometimes when you know in

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Speaker 4: the before times, I would bring you to my ADR

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Speaker 4: session amazing and it was great and it was really

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Speaker 4: fun in one of those little mini tidbits because they

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Speaker 4: were all about less than two minutes and twenty seconds.

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Speaker 4: Because I used to post them on Twitter as well.

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Speaker 1: That's great, I did.

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Speaker 4: I cooked a recipe from one of the Tracy Almond shorts.

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Speaker 4: Oh yes, where Homer makes bart dinner by basically smashing

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Speaker 4: together ground pork and ground fish and makes porkified fish nuge.

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Speaker 5: And so I thought I could do that.

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Speaker 4: So it was a slightly longer since the Sunday we

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Speaker 4: put it on Instagram and people really really loved it.

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Speaker 4: And then it gave me this idea, wouldn't it be

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Speaker 4: fun to come up with a cooking show that's not

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Speaker 4: unlike Chopped, Although I draw a sweet thing, a sweet ingredient,

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Speaker 4: a savory ingredient, and then a thing like it's a pie,

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Speaker 4: it's a cake, it's a soup, it's a pandouty or whatever,

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Speaker 4: and then I have to combine my sweet and savory

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Speaker 4: thing into the thing. Yes, And so that's the that's

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Speaker 4: oil and water.

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Speaker 5: That's the game.

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Speaker 4: And there's a lot of swearing that we leave out.

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Speaker 4: There's and also I'm I'm a little fast and loose

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Speaker 4: in the kitchen, and part of the point is there

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Speaker 4: are very few fatal mistakes and cooking very few, and

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Speaker 4: hoping that it will give people confidence to take a

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Speaker 4: recipe and as a leaping off point, right.

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Speaker 5: Or just to try it. Who fucking cares if it doesn't,

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Speaker 5: you'll be all right, You'll be all right. So it's fun,

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Speaker 5: it's really fun.

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Speaker 3: I've heard, yeah, that that cooking is that kind of

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Speaker 3: like you can kind of like fudge things here and there,

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Speaker 3: but baking is like that's where you get fucked if

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Speaker 3: you do it wrong.

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Speaker 4: Baking is very scientific because it has to do with

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Speaker 4: things reacting to other things and sort of how much

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Speaker 4: time you might have. For instance, so you know, baking powder,

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Speaker 4: when you've added to a baked good, you have to

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Speaker 4: get that fucker in the oven right away because you know,

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Speaker 4: the reaction doesn't last very long. Baking soda, on the

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Speaker 4: other hand, you can linger a little bit more. But

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Speaker 4: they do different things et cetera, et cetera. So, yes,

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Speaker 4: baking you actually want to pay attention to how you

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Speaker 4: combine any ingredients, how much you mix them, et cetera,

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Speaker 4: et cetera.

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Speaker 5: But cooking is a lot there's a lot more rope

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Speaker 5: to hang yourself.

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Speaker 2: Yes, yeah, I was watching and I said this before

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Speaker 2: we started recording. But one of the joys of Oil

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Speaker 2: and Water is when you make something like, for example,

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Speaker 2: there was a cinnamon roll and chili enchiladas, and I

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Speaker 2: thought this could turn out because I've sort of had

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Speaker 2: like molet sauce is a little sweet and savory, and

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Speaker 2: when you took that bite, I was like, she either

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Speaker 2: is about to throw up or enjoying the flavor profile,

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Speaker 2: and that one was kind of you kind of liked it.

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Speaker 4: It wasn't terrible, which is high praise on Oil and Water.

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Speaker 1: It's not terrible.

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Speaker 5: High praise.

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Speaker 4: Yes, boy, I've made some terrible things, Like we did

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Speaker 4: a Halloween episode where I went pre determined that the

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Speaker 4: thing was going to be a candy apple because it's Halloween,

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Speaker 4: but the two ingredients had all be orange, like the

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Speaker 4: savory bowl and sweet ball both had only orange things

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Speaker 4: in it, and those were random. And I chose skittles,

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Speaker 4: which aren't all orange, but you take the point and

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Speaker 4: salmon row, which is orange and disgusting. Yes, And I

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Speaker 4: put it on a candy apple with my hail Marios

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Speaker 4: get a hail mary to try to sort of bring

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Speaker 4: two opposite ends together in the sweet and savory and

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Speaker 4: in this case is white chocolate.

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Speaker 5: And boy, that was fuck wo Yeah. I actually had

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Speaker 5: deced it on.

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Speaker 3: A fire.

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Speaker 1: So that it would never exist again. Yeah.

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Speaker 5: Actually literally, when.

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Speaker 2: I was a little kid, we my aunts and uncles

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Speaker 2: will come in town from California for some of the holidays.

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Speaker 1: I grew up in Maryland, and my grandmother would have

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Speaker 1: that you're from.

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Speaker 2: Washington, DC. Yes, I saw that. I it's a good no, no, no,

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Speaker 2: I drove down. Do you know the Black Aggie statue,

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Speaker 2: the haunted statue. It's from Druid Hill Park, Maryland, but

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Speaker 2: now it's in Washington, d C. It's a very creepy

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Speaker 2: haunted statue that I'm writing something about now, and I

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Speaker 2: went down to visit it, and it's even scarier in

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Speaker 2: real life. Oh, it is so disturbing.

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Speaker 1: I remember when it was in Druid Hill.

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Speaker 2: Yes, they removed it. They put in the Smithsonian and

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00:20:44,040 --> 00:20:46,080
Speaker 2: people were freaking out looking at it, so they got

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Speaker 2: rid of it then too. It's like this very it's

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Speaker 2: a long history of this former statue that a general

404
00:20:52,880 --> 00:20:56,480
Speaker 2: had a sculptor steal the design of a sculpture called

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Speaker 2: Grief and at certain times a day this it's a

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Speaker 2: veiled woman sitting there are motionless, and then the darkness

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Speaker 2: covers her face. Black Aggie is so creepy. But it's

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Speaker 2: currently just behind a federal office building in a courtyard

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Speaker 2: and it's a little it's like the Dolly Madison House

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Speaker 2: or something. It's if you're ever in DC visiting, folks,

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00:21:15,400 --> 00:21:20,399
Speaker 2: go freak yourself out. Okay, So my grandmother, who was

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Speaker 2: a fantastic, fantastic cook, she was overwhelmed with the four

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Speaker 2: of us the grandkids, took us out to dinner at

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Speaker 2: an Italian place, came home, did the dishes, and the

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Speaker 2: next morning my parents came in and they're like, Mom,

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Speaker 2: why are their eggs on the ceiling? And she's like what?

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Speaker 2: And there were six eggs stuck to the ceiling in

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Speaker 2: the kitchen and she had been hard boiling eggs for

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Speaker 2: Easter eggs around Easter and left them in to take

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Speaker 2: us out to the restaurant, and they boiled over and

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Speaker 2: then the water went away and they were so hot

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Speaker 2: they became explosive and rocketed straight up and they just

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00:21:54,560 --> 00:21:56,960
Speaker 2: stuck to the ceiling like pencils in a bathroom and

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00:21:57,000 --> 00:22:01,520
Speaker 2: like in elementary school, and we could spell it, but

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Speaker 2: everybody was like, what is that? And then some smart

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Speaker 2: person just looks up and sees half a dozen eggs

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Speaker 2: sticking to the ceiling and.

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Speaker 1: Whoa, oh, I love that.

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Speaker 4: See that's that's like it's like kitchen MythBusters. That is

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Speaker 4: a damn good story, Scottie, you.

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Speaker 1: Thank you well.

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Speaker 2: Let's transition into another real story. How about that famay

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Speaker 2: hardly picked out specifically for you. You're such a great

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00:22:30,760 --> 00:22:33,000
Speaker 2: voice actor, you'll I think you'll get a kick out

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00:22:33,000 --> 00:22:35,960
Speaker 2: of this. This is from Sylvia Thompson at Irish Times

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Speaker 2: dot com. We love we check in with Irish Times

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Speaker 2: dot com.

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Speaker 1: This is not the first story for road There. Yeah yeah, yeah.

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Speaker 3: There was a dolphin that was like just in one

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Speaker 3: bay for a very long and then he he swam

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Speaker 3: away and the whole town was heartbroken, like a whole

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Speaker 3: local economy collapsed because of it, because everyone would come

443
00:22:56,480 --> 00:22:57,440
Speaker 3: to see the dolphin.

444
00:22:57,760 --> 00:22:59,359
Speaker 1: It was a pretty tench story.

445
00:23:00,200 --> 00:23:03,040
Speaker 2: Good old, good old FUNGI your fun guy. We don't

446
00:23:03,080 --> 00:23:06,600
Speaker 2: know what his name is, Sylvia, our number one mascot

447
00:23:06,640 --> 00:23:10,440
Speaker 2: of the show. No idea how to pronounce It's Sylvia

448
00:23:10,520 --> 00:23:13,880
Speaker 2: Thompson wrote this best in the biz. Wouldn't tape sent

449
00:23:13,880 --> 00:23:17,680
Speaker 2: this in Think you wouldn't tapes. Australian woman awakes from

450
00:23:17,720 --> 00:23:20,560
Speaker 2: surgery with full Irish accent.

451
00:23:22,119 --> 00:23:23,840
Speaker 5: I heard about that. I heard about that.

452
00:23:24,440 --> 00:23:27,880
Speaker 2: Yeah, she has never been to Ireland and it seems

453
00:23:27,880 --> 00:23:31,960
Speaker 2: to be and it's an extreme rare condition called foreign

454
00:23:32,119 --> 00:23:33,200
Speaker 2: accent syndrome.

455
00:23:33,600 --> 00:23:35,200
Speaker 1: Oh look at that, perfectly named.

456
00:23:36,480 --> 00:23:39,199
Speaker 2: An Australian Asian woman who woke up from surgery on

457
00:23:39,280 --> 00:23:42,640
Speaker 2: her tonsils, which so it wasn't like green surgery. Yes,

458
00:23:42,720 --> 00:23:44,840
Speaker 2: that's the part that blew me away the most. I

459
00:23:44,840 --> 00:23:47,359
Speaker 2: thought she was in a coma and popped out. Nope,

460
00:23:47,480 --> 00:23:52,280
Speaker 2: just getting those tonsils popped. An Australian Asian woman who

461
00:23:52,359 --> 00:23:55,760
Speaker 2: woke up from surgery on her tonsils began speaking in

462
00:23:55,800 --> 00:23:58,040
Speaker 2: what seems to be an Irish accent. The video is

463
00:23:58,080 --> 00:24:01,480
Speaker 2: so good. She's been document unting her experience on TikTok.

464
00:24:01,560 --> 00:24:05,360
Speaker 2: The twenty seven year old Brisbane dentist and Yen decided

465
00:24:05,400 --> 00:24:08,479
Speaker 2: to post regular videos of her new accent. When people

466
00:24:08,560 --> 00:24:10,960
Speaker 2: dubbed her a hoax, I mean, we live in a

467
00:24:11,000 --> 00:24:16,520
Speaker 2: cynical world, but this is very funny. Otherwise, well, Yen

468
00:24:16,680 --> 00:24:19,080
Speaker 2: was sent home to recover from her surgery, with doctors

469
00:24:19,119 --> 00:24:22,800
Speaker 2: suggesting her vocal cords would heal over time. As their

470
00:24:22,840 --> 00:24:26,360
Speaker 2: story traveled around the world, experts recognize that Yen, who

471
00:24:26,480 --> 00:24:29,880
Speaker 2: has never been to Ireland, is suffering from a very

472
00:24:30,000 --> 00:24:36,720
Speaker 2: rare condition known as foreign accent syndrome. Oh, it is

473
00:24:36,880 --> 00:24:39,440
Speaker 2: really funny to watch and it must sound even stranger

474
00:24:39,440 --> 00:24:42,359
Speaker 2: in Australia, like in parts of America. You could kind

475
00:24:42,359 --> 00:24:43,800
Speaker 2: of fudge it and get away with it.

476
00:24:43,840 --> 00:24:46,800
Speaker 3: But who so would they think it's something to do

477
00:24:46,920 --> 00:24:49,960
Speaker 3: with the vocal cords. It's not like a brain, say,

478
00:24:51,080 --> 00:24:52,080
Speaker 3: it's neurological.

479
00:24:52,320 --> 00:24:55,760
Speaker 2: So the first instance was reported by a French neurologist,

480
00:24:55,960 --> 00:24:59,960
Speaker 2: Pierre Marie in nineteen oh seven. It occurs usually after

481
00:25:00,160 --> 00:25:02,960
Speaker 2: a stroke, but can also be caused or developed with

482
00:25:03,080 --> 00:25:07,720
Speaker 2: head trauma, migraine, seizures, or surgery to the mouth and face. WOA,

483
00:25:08,520 --> 00:25:14,480
Speaker 2: So I know, is that wild the results? And this

484
00:25:14,680 --> 00:25:17,280
Speaker 2: is the case with this young lady, which is just incredible.

485
00:25:17,400 --> 00:25:20,320
Speaker 2: It's not only the person loses their natural accent, they

486
00:25:20,400 --> 00:25:24,920
Speaker 2: have a different pitch intonation and word pronunciation and so

487
00:25:25,600 --> 00:25:28,879
Speaker 2: her start up here like it's that almost stereotypical like,

488
00:25:29,200 --> 00:25:32,440
Speaker 2: what the accent she's doing feels almost like somebody's doing

489
00:25:32,480 --> 00:25:36,119
Speaker 2: a Lucky Charms commercial or something stereotypical. Yeah, it's not

490
00:25:36,240 --> 00:25:41,520
Speaker 2: quite accurate. Only about one hundred cases of foreign accent

491
00:25:41,560 --> 00:25:44,240
Speaker 2: syndrome have been reported worldwide and has been found more

492
00:25:44,320 --> 00:25:49,520
Speaker 2: commonly in women than men. In twenty thirteen, BBC showed

493
00:25:49,520 --> 00:25:52,080
Speaker 2: a documentary about a woman from Devon who had a

494
00:25:52,200 --> 00:25:53,400
Speaker 2: Chinese accent.

495
00:25:53,240 --> 00:25:58,879
Speaker 1: That resulted from a severe migrain. No, oh, no, she

496
00:25:59,040 --> 00:26:03,880
Speaker 1: would be canceled now she was a public figure at all.

497
00:26:04,200 --> 00:26:04,360
Speaker 2: Oh.

498
00:26:04,800 --> 00:26:07,200
Speaker 1: Oh my god, Oh my god.

499
00:26:07,800 --> 00:26:11,000
Speaker 4: I am actually I'm charmed that this woman her last

500
00:26:11,080 --> 00:26:11,600
Speaker 4: name is Yen.

501
00:26:11,920 --> 00:26:13,920
Speaker 1: Yes, yeah, is it Sylvia?

502
00:26:14,240 --> 00:26:19,280
Speaker 4: And yeah, uh, that she thinks that putting a video

503
00:26:19,520 --> 00:26:23,680
Speaker 4: out on TikTok is somehow proof of veracity.

504
00:26:24,440 --> 00:26:27,400
Speaker 1: That's right, TikTok's real.

505
00:26:27,560 --> 00:26:31,439
Speaker 5: It's real. Everything on the internet is real. I'm like, baby,

506
00:26:31,800 --> 00:26:35,040
Speaker 5: come on, I want to help you out. That might

507
00:26:35,160 --> 00:26:35,840
Speaker 5: not be the way.

508
00:26:36,359 --> 00:26:40,640
Speaker 2: It is so insane, it really is. And I encourage

509
00:26:40,640 --> 00:26:43,080
Speaker 2: all the ban animals to go on TikTok and Yen

510
00:26:43,280 --> 00:26:46,080
Speaker 2: it's really incredible. The only one posts the video. Yeah,

511
00:26:46,119 --> 00:26:48,160
Speaker 2: we'll post the video in her stories. We'll figure out

512
00:26:48,160 --> 00:26:50,840
Speaker 2: a way to do it. It's uh, it like you're

513
00:26:50,960 --> 00:26:54,639
Speaker 2: laughing and you feel bad for her, but you just

514
00:26:54,840 --> 00:26:57,680
Speaker 2: can't stop laughing, like I want to be like oh.

515
00:26:57,880 --> 00:26:59,920
Speaker 2: But then it's also like still understand her and still

516
00:27:00,000 --> 00:27:05,960
Speaker 2: English based languages, so she's not losing communications. She's gonna Actually,

517
00:27:06,080 --> 00:27:07,920
Speaker 2: who doesn't love Irish people? When you're in New York,

518
00:27:08,000 --> 00:27:09,639
Speaker 2: people walk up to you in a bar and go,

519
00:27:09,960 --> 00:27:12,679
Speaker 2: I'm Irish, and then you just start drinking and partying

520
00:27:12,760 --> 00:27:14,800
Speaker 2: with them exactly.

521
00:27:15,240 --> 00:27:18,440
Speaker 4: It's sort of like Americans feel like any person from

522
00:27:18,480 --> 00:27:21,359
Speaker 4: the UK could just read the phone book, and especially women,

523
00:27:21,440 --> 00:27:29,600
Speaker 4: We're just like, oh, get to the seas. Yeah, yeah, yeah, ridiculous.

524
00:27:30,040 --> 00:27:34,239
Speaker 4: Is Anne distressed by this condition or is she very

525
00:27:34,320 --> 00:27:39,879
Speaker 4: much enjoying her her her new verbiage, her new Lexiconish.

526
00:27:40,280 --> 00:27:44,440
Speaker 2: Yes in the article, it doesn't say in the In

527
00:27:44,560 --> 00:27:46,920
Speaker 2: the videos, she seems to be enjoying it. The first

528
00:27:46,960 --> 00:27:48,840
Speaker 2: one I watched she was trying to prove people that

529
00:27:48,960 --> 00:27:50,639
Speaker 2: it's real, and then the other one she was just

530
00:27:50,720 --> 00:27:53,280
Speaker 2: talking like making a TikTok and like it's still going on.

531
00:27:54,400 --> 00:27:54,680
Speaker 4: Wow.

532
00:27:55,400 --> 00:27:58,359
Speaker 3: I would love to ask her if she could do

533
00:27:58,680 --> 00:28:02,120
Speaker 3: an Australian accent. But with her Irish act hole, marg

534
00:28:02,440 --> 00:28:04,560
Speaker 3: that's what I would like to know what it sounds

535
00:28:04,640 --> 00:28:06,080
Speaker 3: like like an.

536
00:28:06,040 --> 00:28:09,840
Speaker 4: Irish person trying to do an Australian accent. Yes, brilliant,

537
00:28:10,240 --> 00:28:11,120
Speaker 4: that's really good.

538
00:28:12,640 --> 00:28:15,639
Speaker 2: Is there have you met hardly any of the voice

539
00:28:15,640 --> 00:28:18,520
Speaker 2: actors and other countries that do Lisa that you really liked,

540
00:28:18,800 --> 00:28:21,080
Speaker 2: like that you really responded to what they were doing.

541
00:28:21,760 --> 00:28:23,560
Speaker 5: Yes, I actually I haven't met them.

542
00:28:23,600 --> 00:28:26,080
Speaker 4: But I had a shoe company for five years and

543
00:28:26,240 --> 00:28:29,119
Speaker 4: we made the shoes in Italy. So I used to

544
00:28:29,200 --> 00:28:32,320
Speaker 4: go to Italy twice a year to work with the

545
00:28:32,600 --> 00:28:35,360
Speaker 4: factories and we had we were in two factories there

546
00:28:35,400 --> 00:28:37,240
Speaker 4: and go to the tanneries and pick the materials. And

547
00:28:37,840 --> 00:28:41,160
Speaker 4: every day at lunch we would I was not I was.

548
00:28:41,440 --> 00:28:45,040
Speaker 4: We were in Florence. That's where I stayed over, you know,

549
00:28:45,120 --> 00:28:47,280
Speaker 4: where the hotel was, But I was out in the

550
00:28:47,360 --> 00:28:50,240
Speaker 4: suburbs where it's still beautiful, but it's you know, it

551
00:28:50,640 --> 00:28:54,680
Speaker 4: ain't Florence. So you would go to the local truck

552
00:28:54,760 --> 00:28:58,280
Speaker 4: stop and have lunch every you know, for the days

553
00:28:58,320 --> 00:29:01,280
Speaker 4: that I was there, and every single day The Simpsons

554
00:29:01,400 --> 00:29:03,440
Speaker 4: was on in Italian at lunch.

555
00:29:03,960 --> 00:29:05,680
Speaker 5: And I have to say that the Italian.

556
00:29:05,800 --> 00:29:11,160
Speaker 4: Lisa Simpson was very good. Sounded a lot like me, yes,

557
00:29:11,520 --> 00:29:14,280
Speaker 4: but the and Marge was pretty close to but Homer

558
00:29:14,360 --> 00:29:16,840
Speaker 4: and Bart not at all. And what I found in

559
00:29:17,320 --> 00:29:21,440
Speaker 4: the foreign languages when they dubbed the Simpsons is you you.

560
00:29:22,000 --> 00:29:25,560
Speaker 4: I don't think I've ever heard a full cast that

561
00:29:25,880 --> 00:29:34,320
Speaker 4: sounds like the American cast in terms of vocal musicality.

562
00:29:33,840 --> 00:29:37,960
Speaker 2: Quality, that harmony of you all sound different on the show.

563
00:29:38,040 --> 00:29:40,400
Speaker 2: All the characters do sound different, but it weaves together.

564
00:29:40,960 --> 00:29:43,560
Speaker 5: Yeah, so it's it's really so.

565
00:29:43,680 --> 00:29:46,120
Speaker 4: I had no idea what she was saying, but it

566
00:29:46,240 --> 00:29:49,040
Speaker 4: was really fun because they were old episodes and I

567
00:29:49,240 --> 00:29:51,120
Speaker 4: was like, oh, yeah, I sort of remember that episode,

568
00:29:51,360 --> 00:29:52,960
Speaker 4: but I don't actually have a very good memory.

569
00:29:53,000 --> 00:29:54,520
Speaker 5: So I was like, but I can't tell you what

570
00:29:54,720 --> 00:29:55,360
Speaker 5: this would see.

571
00:29:55,400 --> 00:29:57,960
Speaker 1: This is like that for you, So.

572
00:29:59,600 --> 00:30:02,040
Speaker 3: It isn't amazing in Italy, I remember what last time

573
00:30:02,080 --> 00:30:04,600
Speaker 3: I was there. The best lunch I had was at

574
00:30:04,640 --> 00:30:07,400
Speaker 3: a truck stop. Absolutely, it was a three course meal

575
00:30:07,480 --> 00:30:08,480
Speaker 3: with a bottle of wine.

576
00:30:09,960 --> 00:30:10,960
Speaker 1: My mind.

577
00:30:11,440 --> 00:30:15,360
Speaker 3: It was a gas station. We had like two tables

578
00:30:15,800 --> 00:30:18,320
Speaker 3: and it was the best food I had the whole trip.

579
00:30:18,760 --> 00:30:21,840
Speaker 4: Hey, because Nana is cooking in the back room, right.

580
00:30:22,240 --> 00:30:24,440
Speaker 4: She just like brought all her pots and pants and

581
00:30:24,720 --> 00:30:27,320
Speaker 4: got the local produce, Like, all right, here's lunch today.

582
00:30:28,440 --> 00:30:31,320
Speaker 2: Yeah, I had no idea. That's a learnt. We actually

583
00:30:31,440 --> 00:30:34,840
Speaker 2: taught something today on Bananas. Go to Italy, make a

584
00:30:34,880 --> 00:30:37,720
Speaker 2: truck stop, enjoy a beautiful three course lunch.

585
00:30:38,240 --> 00:30:39,640
Speaker 1: Do you want to tease us into a break?

586
00:30:40,200 --> 00:30:44,640
Speaker 3: Yes, please meet the nun who wants you to remember

587
00:30:44,760 --> 00:30:45,520
Speaker 3: you will die.

588
00:30:48,160 --> 00:30:49,320
Speaker 1: All right, we'll be right back.

589
00:30:49,440 --> 00:31:04,320
Speaker 2: Bananas Mt Bana, Bana.

590
00:31:06,040 --> 00:31:09,360
Speaker 5: Bana's Day, Bananas, Banana.

591
00:31:18,160 --> 00:31:23,200
Speaker 3: Ladies, gentlemen, non binary folks, welcome back to the show.

592
00:31:23,360 --> 00:31:30,040
Speaker 3: This is Bananas. If you haven't yet, Oh what big reminder? Hamden, Connecticut?

593
00:31:30,200 --> 00:31:32,680
Speaker 3: How many conmember twenty third I'm going to be there

594
00:31:33,160 --> 00:31:36,760
Speaker 3: at Space Ballroom and of course Philly, Philly, Philly. I'm

595
00:31:36,760 --> 00:31:40,120
Speaker 3: going to be there June seventeenth, eighteenth, and nineteenth at

596
00:31:40,200 --> 00:31:41,360
Speaker 3: the Helium in Philly.

597
00:31:41,480 --> 00:31:42,000
Speaker 2: Go see it.

598
00:31:42,240 --> 00:31:46,240
Speaker 1: Go to our Instagram right now and sign up and

599
00:31:46,520 --> 00:31:49,880
Speaker 1: send us your weird news at the Bananas Podcast.

600
00:31:50,280 --> 00:31:52,400
Speaker 2: That's right, And I just want to give a shout

601
00:31:52,400 --> 00:31:55,600
Speaker 2: out to dream Situations, who messaged us on our Instagram

602
00:31:55,760 --> 00:31:59,080
Speaker 2: letting us know that she named three chickens Kurt, Oh,

603
00:31:59,200 --> 00:32:03,640
Speaker 2: Scottie and Laren Sadly Lauren was eaten by a dog.

604
00:32:03,880 --> 00:32:05,720
Speaker 1: But Kurt and Scotty.

605
00:32:07,480 --> 00:32:09,560
Speaker 2: Wait, but the good thing about chickens is they keep

606
00:32:09,640 --> 00:32:11,920
Speaker 2: laying eggs, so there will be a Lauren two point zero.

607
00:32:12,080 --> 00:32:15,520
Speaker 2: I hope it's a buff Orpington chicken. And we hope

608
00:32:15,600 --> 00:32:20,200
Speaker 2: that little kurdiebe and little Scottie live long and prosperous lives.

609
00:32:20,720 --> 00:32:24,640
Speaker 3: And one more shout out. I got this message off

610
00:32:24,720 --> 00:32:27,920
Speaker 3: the banana phone. You guys can keep trying the banana phone.

611
00:32:28,000 --> 00:32:29,920
Speaker 3: I have been in charge of the banana phone for

612
00:32:30,000 --> 00:32:32,960
Speaker 3: the first time, and it is too much for brown

613
00:32:33,040 --> 00:32:36,520
Speaker 3: older to handle. It is so many I'm no longer

614
00:32:36,600 --> 00:32:39,240
Speaker 3: answering the phone. I'm scared of it. I'm trying to

615
00:32:39,320 --> 00:32:42,560
Speaker 3: respond to your text. Sorry if they're taking a while. Yeah,

616
00:32:42,760 --> 00:32:45,360
Speaker 3: it's terrifying the but I don't know how Scotty does

617
00:32:45,400 --> 00:32:49,320
Speaker 3: it at the Instagram is enough. Instagram is already overwhelming. Yeah,

618
00:32:49,400 --> 00:32:50,120
Speaker 3: the banana phone.

619
00:32:50,680 --> 00:32:53,920
Speaker 2: Early in the podcast, we had Mint Mobiles give us

620
00:32:53,960 --> 00:32:55,680
Speaker 2: a free phone service and a free phone for a

621
00:32:55,800 --> 00:32:57,560
Speaker 2: year where anybody can call and talk to me for

622
00:32:57,600 --> 00:32:59,440
Speaker 2: a minute and then I hang up on him. And

623
00:32:59,720 --> 00:33:01,600
Speaker 2: at first it was very cute and pleasant, you know,

624
00:33:01,720 --> 00:33:04,440
Speaker 2: three four nice calls a day, and then people figured

625
00:33:04,480 --> 00:33:07,160
Speaker 2: out the text thing and now Kurt, is it two

626
00:33:07,280 --> 00:33:08,880
Speaker 2: hundred texts and fifty calls a day.

627
00:33:09,360 --> 00:33:14,160
Speaker 3: Yeah, yeah, pretty much. So it's it's too much. But

628
00:33:14,280 --> 00:33:16,560
Speaker 3: we did get this very nice message. This is from

629
00:33:16,920 --> 00:33:21,600
Speaker 3: uh Mac. He is from Grant's Pass, Oregon, and he

630
00:33:21,760 --> 00:33:25,720
Speaker 3: just wanted us to shout out pharmacy texts in an episode.

631
00:33:25,920 --> 00:33:29,320
Speaker 3: In general, we will totally shout out farm pharmacy texts.

632
00:33:29,800 --> 00:33:35,640
Speaker 1: Yeah, technicians not like tex Yeah, like ones. Okay, yeah yeah, yeah,

633
00:33:35,800 --> 00:33:36,400
Speaker 1: yeah yeah.

634
00:33:36,440 --> 00:33:38,880
Speaker 3: We are the backbone of this society right now making

635
00:33:38,960 --> 00:33:43,760
Speaker 3: COVID vaccine clinics open and giving vaccination. And so thank

636
00:33:43,840 --> 00:33:46,760
Speaker 3: you so much to our pharmacy texts. I didn't even

637
00:33:46,840 --> 00:33:48,280
Speaker 3: know it was quite a job.

638
00:33:48,560 --> 00:33:51,440
Speaker 1: A job probably our lives. Thank you.

639
00:33:52,880 --> 00:33:55,720
Speaker 5: Yeah. I went, I've been double vaxed.

640
00:33:56,200 --> 00:33:56,600
Speaker 2: Hell yeah.

641
00:33:56,640 --> 00:34:01,080
Speaker 4: I got the Pfizer and actually was really lucky. I

642
00:34:01,120 --> 00:34:05,560
Speaker 4: only had four hours after the second one where I

643
00:34:05,680 --> 00:34:09,160
Speaker 4: felt nauseous and I had a terrible headache. But it

644
00:34:09,320 --> 00:34:12,160
Speaker 4: was like a tornado. It blew in it sort of

645
00:34:12,280 --> 00:34:15,600
Speaker 4: like and then it just blew out. I was like what, Oh,

646
00:34:15,880 --> 00:34:18,080
Speaker 4: oh okay, nothing like the flu.

647
00:34:18,440 --> 00:34:21,360
Speaker 1: No, oh no. And I felt it. I had just

648
00:34:21,440 --> 00:34:23,160
Speaker 1: like very little like I just felt achy.

649
00:34:23,239 --> 00:34:26,320
Speaker 3: But I was like, oh, this is the ache of freedom, baby,

650
00:34:27,160 --> 00:34:29,680
Speaker 3: and wait to go out and lick some doorknobs.

651
00:34:29,719 --> 00:34:34,960
Speaker 2: After this, I day two Pfizer Shot two felt I

652
00:34:35,040 --> 00:34:37,200
Speaker 2: don't know a better word for it. I felt horny.

653
00:34:37,400 --> 00:34:40,319
Speaker 2: In the afternoon, I had full energy.

654
00:34:40,360 --> 00:34:41,880
Speaker 1: You dow eted that, and I was wondering if it

655
00:34:42,000 --> 00:34:42,520
Speaker 1: was real.

656
00:34:42,560 --> 00:34:44,799
Speaker 2: Undred percent true. At about four pm the day after,

657
00:34:44,960 --> 00:34:47,319
Speaker 2: I was writing a script and I was looking at

658
00:34:47,360 --> 00:34:50,560
Speaker 2: the screen and I was like, I feel very turned

659
00:34:50,800 --> 00:34:53,120
Speaker 2: I think, And I was like, I'm going to go

660
00:34:53,239 --> 00:34:55,840
Speaker 2: get a brisk breeze on my deck. And I stood

661
00:34:55,880 --> 00:34:58,400
Speaker 2: outside and I just let the air wash over me.

662
00:34:58,480 --> 00:35:00,560
Speaker 2: And about an hour later, I was back to normal and.

663
00:35:02,960 --> 00:35:07,919
Speaker 1: Normal hours. Apressive. Yeah, so sign for number three. I'll

664
00:35:07,960 --> 00:35:09,279
Speaker 1: take that booster number four.

665
00:35:11,120 --> 00:35:11,640
Speaker 2: It was great.

666
00:35:13,760 --> 00:35:15,560
Speaker 1: Oh yeah, then that you're speaking of, which.

667
00:35:15,480 --> 00:35:20,160
Speaker 3: Oh yeah, this is this is absolutely fascinating. This is

668
00:35:20,600 --> 00:35:25,520
Speaker 3: sent into us by m Striff. This is multiple stories.

669
00:35:25,600 --> 00:35:30,040
Speaker 3: She's gotten very good, top tier. It is this is

670
00:35:30,120 --> 00:35:32,839
Speaker 3: from the New York Times. Meet the nun who wants

671
00:35:32,920 --> 00:35:37,240
Speaker 3: you to remember you will die yep, all right, written

672
00:35:37,360 --> 00:35:41,480
Speaker 3: by the best journalist Ruth Graham.

673
00:35:41,560 --> 00:35:42,520
Speaker 1: Thank you so much, Ruth.

674
00:35:42,640 --> 00:35:44,720
Speaker 2: God she's good or he's probably.

675
00:35:44,840 --> 00:35:48,200
Speaker 3: From May fourteenth, twenty twenty one, before she entered the

676
00:35:48,280 --> 00:35:51,800
Speaker 3: Daughters of Saint Paul Convent. In twenty ten, Sister Teresa

677
00:35:51,960 --> 00:35:55,480
Speaker 3: Aleithia Noble read a biography of the Orders founder and

678
00:35:55,520 --> 00:35:58,000
Speaker 3: Italian priest. Was born in the eighteen eighties. Okay, he

679
00:35:58,120 --> 00:36:00,720
Speaker 3: kept a ceramic skull on his desk as a reminder

680
00:36:00,800 --> 00:36:05,439
Speaker 3: of the inevitability of death. Sister Alithea, a punk fan,

681
00:36:05,520 --> 00:36:09,759
Speaker 3: as a teenager, thought that morbid curier was curio was

682
00:36:09,880 --> 00:36:13,520
Speaker 3: quote super punk rock. She recalled recently, she thought vaguely

683
00:36:13,600 --> 00:36:18,200
Speaker 3: about acquiring a skull for herself someday. These days, Sister

684
00:36:18,280 --> 00:36:21,240
Speaker 3: Alethia has no shortage of skulls. People send her skull

685
00:36:21,320 --> 00:36:23,600
Speaker 3: mugs and skull rosaries in the mail and share photos

686
00:36:23,640 --> 00:36:27,040
Speaker 3: of their skull tattoos. That is because since twenty seventeen,

687
00:36:27,120 --> 00:36:30,120
Speaker 3: she's made it her mission to revive the practice of

688
00:36:30,280 --> 00:36:35,080
Speaker 3: memento moriy, a Latin phrase meaning remember your death Oh.

689
00:36:35,239 --> 00:36:38,680
Speaker 3: The concept is to intentionally think about your own death

690
00:36:38,840 --> 00:36:42,120
Speaker 3: every day as a means of appreciating the present and

691
00:36:42,239 --> 00:36:45,560
Speaker 3: focusing on the future. It can seem radical in an

692
00:36:45,600 --> 00:36:49,040
Speaker 3: era in which death, until very recently, has become easy

693
00:36:49,160 --> 00:36:50,040
Speaker 3: to ignore.

694
00:36:50,280 --> 00:36:51,960
Speaker 1: Okay, it seems like.

695
00:36:51,960 --> 00:36:55,160
Speaker 4: A lot of pressure to have to get for that

696
00:36:55,440 --> 00:36:57,200
Speaker 4: to be the reason you're gonna live today.

697
00:36:57,239 --> 00:36:59,880
Speaker 5: Fully, that's just a high bar to.

698
00:37:00,200 --> 00:37:02,680
Speaker 3: Think about your death, right, Yeah, like to live. In

699
00:37:02,840 --> 00:37:05,200
Speaker 3: order to live, you have to think about the ending

700
00:37:05,280 --> 00:37:05,840
Speaker 3: of the living.

701
00:37:06,000 --> 00:37:07,920
Speaker 5: Could maybe it not be that dramatic?

702
00:37:08,120 --> 00:37:11,120
Speaker 4: Could you just fucking wake up and go, Hey, it's Wednesday,

703
00:37:11,200 --> 00:37:12,520
Speaker 4: I like to day. I'm good.

704
00:37:13,000 --> 00:37:18,080
Speaker 1: This is Catholicism. It has to be dramatic. Sorry, sure, it's.

705
00:37:17,960 --> 00:37:20,359
Speaker 2: All about service. And isn't that the way you start

706
00:37:20,400 --> 00:37:22,040
Speaker 2: every movie? As soon as it begins, you go, this

707
00:37:22,200 --> 00:37:24,719
Speaker 2: is gonna end. So I need to appreciate this right now.

708
00:37:25,960 --> 00:37:29,480
Speaker 5: Yes, exactly. Talk about not living in the moment? No,

709
00:37:29,960 --> 00:37:30,759
Speaker 5: maybe we just a.

710
00:37:30,760 --> 00:37:34,479
Speaker 3: Little err It is very interesting that it's about living

711
00:37:34,520 --> 00:37:36,400
Speaker 3: in the moment but thinking about the future.

712
00:37:36,680 --> 00:37:40,200
Speaker 1: You know, that is like that reverse thing. But I

713
00:37:40,320 --> 00:37:42,759
Speaker 1: do kind of guys, I would say, I'm kind of

714
00:37:42,960 --> 00:37:43,160
Speaker 1: like it.

715
00:37:43,400 --> 00:37:44,520
Speaker 2: Well, you were raised.

716
00:37:44,680 --> 00:37:45,440
Speaker 4: Kind of like it.

717
00:37:45,760 --> 00:37:46,760
Speaker 1: I was raised Catholic.

718
00:37:46,920 --> 00:37:49,680
Speaker 5: I could tell by the way you pronounced all her names.

719
00:37:53,040 --> 00:37:55,240
Speaker 1: Lithea. I mean, you know that's the one she chose

720
00:37:55,480 --> 00:37:57,960
Speaker 1: for you know, nobody named that.

721
00:37:59,320 --> 00:38:01,200
Speaker 5: So what's the what do you like?

722
00:38:01,840 --> 00:38:02,719
Speaker 1: What do I like about it?

723
00:38:03,040 --> 00:38:03,160
Speaker 2: Is it?

724
00:38:03,440 --> 00:38:03,640
Speaker 1: Yes?

725
00:38:03,760 --> 00:38:06,399
Speaker 3: I do want to know as a as a tea,

726
00:38:06,520 --> 00:38:08,640
Speaker 3: I just this is something maybe personally I just went

727
00:38:08,680 --> 00:38:11,239
Speaker 3: through recently, but as a teenager, I would think about

728
00:38:11,320 --> 00:38:13,719
Speaker 3: death a lot, and like think about like the like

729
00:38:13,960 --> 00:38:16,560
Speaker 3: today is a good day to die, like reassure myself

730
00:38:16,640 --> 00:38:19,840
Speaker 3: of that like idea in thinking like I have to

731
00:38:19,920 --> 00:38:22,839
Speaker 3: be okay with whatever happens because today I might die.

732
00:38:23,200 --> 00:38:26,280
Speaker 3: And then I for a long period twenties and thirties,

733
00:38:26,600 --> 00:38:28,880
Speaker 3: I just kind of forgot about this idea.

734
00:38:28,960 --> 00:38:30,200
Speaker 1: I'd never thought about it.

735
00:38:30,320 --> 00:38:33,279
Speaker 3: And then I had kids, and then recently a good

736
00:38:33,360 --> 00:38:36,680
Speaker 3: friend of mine passed, and I've just been thinking about

737
00:38:36,840 --> 00:38:40,040
Speaker 3: death more often, or the idea that like all this

738
00:38:40,440 --> 00:38:44,160
Speaker 3: ends and you see your kids, you know, and they're young,

739
00:38:44,280 --> 00:38:47,400
Speaker 3: little kids, of just like this is this is, this

740
00:38:47,640 --> 00:38:51,240
Speaker 3: is the future now, and I'm the past. I'm gonna

741
00:38:51,280 --> 00:38:53,439
Speaker 3: be going and so I just have to make sure

742
00:38:53,520 --> 00:38:55,680
Speaker 3: this is good. So the majority of my energies into

743
00:38:55,760 --> 00:38:59,040
Speaker 3: making sure that the future exists through them. But knowing that,

744
00:38:59,200 --> 00:39:01,239
Speaker 3: like they're going to watch me die the way I

745
00:39:01,360 --> 00:39:03,480
Speaker 3: watch my mom die, and I've just been thinking about

746
00:39:03,520 --> 00:39:06,600
Speaker 3: it a lot. This is a nice way to the

747
00:39:07,000 --> 00:39:10,920
Speaker 3: fact that I'm like obsessed with death right now, to

748
00:39:11,080 --> 00:39:14,520
Speaker 3: actually allow it to help me be present, which is

749
00:39:14,600 --> 00:39:16,600
Speaker 3: something I've I'm always trying to be.

750
00:39:16,760 --> 00:39:17,680
Speaker 2: You're very good at it.

751
00:39:18,160 --> 00:39:21,600
Speaker 3: That's something that I'm That's something I take from this

752
00:39:21,960 --> 00:39:26,320
Speaker 3: memento Maury of the idea of like, I gonna be

753
00:39:26,360 --> 00:39:28,920
Speaker 3: thinking about it anyway, so let least let it be positive,

754
00:39:29,200 --> 00:39:30,200
Speaker 3: you know, as opposed to.

755
00:39:30,480 --> 00:39:31,440
Speaker 2: Turn into the skid.

756
00:39:32,600 --> 00:39:36,160
Speaker 1: Yeah, it's the safest way to be.

757
00:39:38,360 --> 00:39:41,520
Speaker 2: I hardly. I have a skeleton that I keep in

758
00:39:41,560 --> 00:39:43,720
Speaker 2: the back of my car and drive from Los Angeles

759
00:39:43,840 --> 00:39:47,919
Speaker 2: with I've had it for seven years. Has many names.

760
00:39:48,280 --> 00:39:50,920
Speaker 2: Everybody that gets the names it's something different. But I

761
00:39:51,040 --> 00:39:53,080
Speaker 2: have a little convertible and it sits in the back seat.

762
00:39:53,160 --> 00:39:55,280
Speaker 2: And one day at a red light, I was somewhere

763
00:39:55,320 --> 00:39:58,000
Speaker 2: down on Beverly, Uh, this guy pulls up next to

764
00:39:58,040 --> 00:40:00,360
Speaker 2: me a convertim. He goes, who are you? And I go,

765
00:40:00,560 --> 00:40:02,800
Speaker 2: I'm just a dude, man, I'm just a dude. He goes, No,

766
00:40:02,960 --> 00:40:05,239
Speaker 2: you're like a movie or something, and I go, no, no, no,

767
00:40:05,400 --> 00:40:07,640
Speaker 2: I'm not a movie. And he goes, what's the skeleton for.

768
00:40:08,000 --> 00:40:09,840
Speaker 2: I was like, it's for it's for a conversation, like

769
00:40:09,960 --> 00:40:11,680
Speaker 2: it was for what we were doing. He goes, yeah,

770
00:40:11,719 --> 00:40:13,800
Speaker 2: but what movie are you doing? Like he thought me

771
00:40:14,080 --> 00:40:16,719
Speaker 2: and the skeleton where like I was playing up an

772
00:40:16,719 --> 00:40:19,239
Speaker 2: old movie. He go I was like, na, man, it's

773
00:40:19,320 --> 00:40:20,920
Speaker 2: just like a bit, it's just a joke. And he goes,

774
00:40:21,000 --> 00:40:25,640
Speaker 2: are you back to the future, Just like no, no, desert,

775
00:40:25,760 --> 00:40:28,520
Speaker 2: no right, And then so then the light turns green

776
00:40:28,560 --> 00:40:30,000
Speaker 2: we drive away. I'm like, no, I'm not back to

777
00:40:30,040 --> 00:40:31,520
Speaker 2: the future. And then he got kind of mad and

778
00:40:31,600 --> 00:40:33,200
Speaker 2: just drove away, like, oh, we'll screw you.

779
00:40:34,560 --> 00:40:36,560
Speaker 1: You ain't back to the future. About hagging it out.

780
00:40:36,719 --> 00:40:38,040
Speaker 2: So then I went back and watched back to the

781
00:40:38,080 --> 00:40:40,279
Speaker 2: future because I was like, is there a skeleton back then?

782
00:40:40,320 --> 00:40:43,160
Speaker 1: There isn't. And I'm like, no, I guess just death

783
00:40:43,239 --> 00:40:44,759
Speaker 1: and not death in the front seat.

784
00:40:44,880 --> 00:40:45,759
Speaker 2: This guy just did the.

785
00:40:45,800 --> 00:40:46,320
Speaker 1: Math for me.

786
00:40:49,280 --> 00:40:51,879
Speaker 4: It just didn't seem like enough that you would put

787
00:40:51,920 --> 00:40:54,279
Speaker 4: that in your back seat for conversation at a red light.

788
00:40:54,600 --> 00:40:57,239
Speaker 2: Just absurdity. Just Kurt and I are big fans of

789
00:40:57,320 --> 00:41:01,320
Speaker 2: being absurd for being absurd, and he was not having it.

790
00:41:01,440 --> 00:41:03,960
Speaker 2: It needed a theme and a reference reason.

791
00:41:04,080 --> 00:41:05,160
Speaker 5: It needed a reason.

792
00:41:05,560 --> 00:41:09,480
Speaker 4: That's so funny, and then people really get their panties

793
00:41:09,520 --> 00:41:12,960
Speaker 4: and are not when you're like, listen, asshole, your reason

794
00:41:13,040 --> 00:41:15,000
Speaker 4: doesn't line up with by reason.

795
00:41:15,120 --> 00:41:17,239
Speaker 2: Yes, And I'm just smiling at him, going no, man,

796
00:41:17,320 --> 00:41:20,920
Speaker 2: it's really not. I wasn't like, hey, start walking eat rocks,

797
00:41:21,000 --> 00:41:25,320
Speaker 2: bud right, it was so cool. Just I should have

798
00:41:25,400 --> 00:41:28,160
Speaker 2: just said, yes, it's back to the future. You got it.

799
00:41:28,680 --> 00:41:30,600
Speaker 2: You should be on my trivia team. You're very good

800
00:41:30,640 --> 00:41:31,319
Speaker 2: at these sort of things.

801
00:41:31,360 --> 00:41:33,680
Speaker 3: There's cameras everywhere, and they're going to follow you for

802
00:41:33,760 --> 00:41:34,240
Speaker 3: the rest.

803
00:41:34,080 --> 00:41:37,880
Speaker 2: Of your life. Congratulations, you just won twenty five hundred dollars.

804
00:41:38,880 --> 00:41:39,920
Speaker 5: You would have followed you home.

805
00:41:40,120 --> 00:41:42,319
Speaker 2: So yeah, that's a good point.

806
00:41:43,440 --> 00:41:45,080
Speaker 1: I have one for you this yardly.

807
00:41:45,120 --> 00:41:48,400
Speaker 2: This is specific. I was reading the early in your

808
00:41:48,440 --> 00:41:51,160
Speaker 2: acting career that you were getting cast quite often as

809
00:41:51,360 --> 00:41:54,040
Speaker 2: well below your age, that you looked way younger than

810
00:41:54,080 --> 00:41:55,680
Speaker 2: your age. So your first allow of your first roles,

811
00:41:55,719 --> 00:41:59,719
Speaker 2: you're playing twelve and you were twenty that sort of yep, yep. Well,

812
00:42:00,160 --> 00:42:02,000
Speaker 2: and I remember the first time I saw you. It

813
00:42:02,080 --> 00:42:06,000
Speaker 2: was in city was in city slickers for sure A

814
00:42:06,200 --> 00:42:07,120
Speaker 2: very memorable part.

815
00:42:07,640 --> 00:42:08,719
Speaker 5: Thank you, and.

816
00:42:10,239 --> 00:42:14,480
Speaker 2: This lady might have you beat but not really so.

817
00:42:14,600 --> 00:42:20,640
Speaker 2: This is from nbcnews dot com. This is written don't oh,

818
00:42:20,760 --> 00:42:23,959
Speaker 2: this was written by what a name? Mini von Burke.

819
00:42:24,680 --> 00:42:29,120
Speaker 2: M bend be Mini von Burke. I'm sent in by

820
00:42:29,239 --> 00:42:32,400
Speaker 2: trash Panda Thomas. Thank you trash Panda Thomas.

821
00:42:33,200 --> 00:42:35,560
Speaker 5: I read from Detective Dan. I learned what the trash

822
00:42:35,640 --> 00:42:36,080
Speaker 5: panda is.

823
00:42:36,360 --> 00:42:38,440
Speaker 1: Yeah, it's a raccoon. Right, it's a raccoon.

824
00:42:38,760 --> 00:42:42,960
Speaker 2: Oh yeah, who knew? They're all over my backyard?

825
00:42:43,680 --> 00:42:43,799
Speaker 3: Uh.

826
00:42:44,400 --> 00:42:47,799
Speaker 2: Mini von Burke wrote this one nbcnews dot Com. Twenty

827
00:42:47,920 --> 00:42:50,759
Speaker 2: nine year old woman posed as a student sneaked into

828
00:42:50,800 --> 00:42:56,560
Speaker 2: a high school just to promote her Instagram account. Wow, police, say, Audrey,

829
00:42:57,280 --> 00:43:00,480
Speaker 2: I'm going to butcher this last name Franciscini. Let's say

830
00:43:00,520 --> 00:43:04,000
Speaker 2: francis KINI entered American Senior High School through the front

831
00:43:04,040 --> 00:43:07,160
Speaker 2: doors by blending in with students. A twenty nine year

832
00:43:07,200 --> 00:43:09,920
Speaker 2: old woman was arrested after authorities says she posed as

833
00:43:09,920 --> 00:43:13,400
Speaker 2: a high schooler and snuck into this Miami Dade County

834
00:43:13,440 --> 00:43:16,120
Speaker 2: school to promote her Instagram page.

835
00:43:17,840 --> 00:43:20,799
Speaker 5: We feel like I used my powers only for good.

836
00:43:21,000 --> 00:43:22,480
Speaker 5: This does not comport.

837
00:43:23,440 --> 00:43:26,360
Speaker 2: Did you ever use them for good outside of auditioning

838
00:43:26,400 --> 00:43:28,080
Speaker 2: and that sort of thing? Like did you ever get

839
00:43:28,160 --> 00:43:30,840
Speaker 2: discounts at amusement parks and movie theaters or anything?

840
00:43:30,920 --> 00:43:31,759
Speaker 5: Nope, nope.

841
00:43:32,280 --> 00:43:35,440
Speaker 4: I'm actually a terrible liar. I was actually part of

842
00:43:35,640 --> 00:43:39,160
Speaker 4: the Dharma and Greg team on Hollywood Squares.

843
00:43:39,080 --> 00:43:41,560
Speaker 5: A couple of times. If they needed somebody to fill

844
00:43:41,600 --> 00:43:43,560
Speaker 5: a square, I'm like, okay, sure.

845
00:43:44,280 --> 00:43:46,839
Speaker 4: And the premise of the Hollywood Squares is that they

846
00:43:48,000 --> 00:43:51,719
Speaker 4: read they get it. You have to you have to

847
00:43:52,040 --> 00:43:54,960
Speaker 4: sell somebody on a definition of something right or.

848
00:43:55,239 --> 00:43:57,240
Speaker 1: A coughing game kind yes, yeah.

849
00:43:57,080 --> 00:44:01,520
Speaker 4: And I if I knew it was my god, I

850
00:44:01,640 --> 00:44:01,960
Speaker 4: could not.

851
00:44:02,680 --> 00:44:04,160
Speaker 5: I could not do it.

852
00:44:04,280 --> 00:44:06,200
Speaker 4: And they were like, you stuck at this. You are

853
00:44:06,200 --> 00:44:10,120
Speaker 4: a terrible, terrible teammate for this game. I thought, you're right,

854
00:44:10,280 --> 00:44:13,080
Speaker 4: I am this is not good, not good.

855
00:44:13,200 --> 00:44:13,920
Speaker 3: So no, I'm.

856
00:44:15,320 --> 00:44:18,080
Speaker 2: Yeah, good, Well that's good. You love lived a straight

857
00:44:18,120 --> 00:44:18,759
Speaker 2: in narrow life.

858
00:44:19,160 --> 00:44:22,080
Speaker 4: I think you're disappointed, Scottie. And you're like, you're no front,

859
00:44:22,239 --> 00:44:26,399
Speaker 4: no boring as could be, not at all.

860
00:44:27,000 --> 00:44:27,120
Speaker 2: Uh.

861
00:44:28,200 --> 00:44:30,560
Speaker 1: Francis Keeni or Franz Keeny.

862
00:44:30,719 --> 00:44:32,520
Speaker 2: Was able to sneak her way into the front doors

863
00:44:32,560 --> 00:44:34,960
Speaker 2: by blending with students, She carried a book bag and

864
00:44:35,080 --> 00:44:37,959
Speaker 2: dressed quote similar to students, You're gonna love.

865
00:44:37,880 --> 00:44:40,840
Speaker 1: This Kurt holding a skateboard and carrying a painting.

866
00:44:41,040 --> 00:44:45,080
Speaker 2: You know, just like a normal high school student. So

867
00:44:45,640 --> 00:44:47,759
Speaker 2: you know what it's like when when we were all

868
00:44:47,800 --> 00:44:50,200
Speaker 2: in high school and you just cruise in with your

869
00:44:50,400 --> 00:44:53,480
Speaker 2: cool high school clothes, carrying a book bag, a skateboard,

870
00:44:53,520 --> 00:44:54,480
Speaker 2: and a painting.

871
00:44:54,280 --> 00:44:57,480
Speaker 1: Under your arms. Why don't you call you similar aged kids?

872
00:44:58,000 --> 00:45:01,080
Speaker 2: Kids love painting that, you know, not smartphones, not a

873
00:45:01,239 --> 00:45:06,440
Speaker 2: They love painting. Once inside, she handed out pamphlets with

874
00:45:06,600 --> 00:45:10,920
Speaker 2: her Instagram name on them and asked students to follow her. Mean,

875
00:45:11,200 --> 00:45:12,359
Speaker 2: this is amazingly something.

876
00:45:12,400 --> 00:45:16,920
Speaker 3: The idea that I mean, just that, like ending flyers

877
00:45:17,000 --> 00:45:21,440
Speaker 3: out for your Instagram, is so against the whole concept.

878
00:45:21,600 --> 00:45:26,480
Speaker 2: Premeditated, it's so insane. Premeditated if right, if she hadn't

879
00:45:26,520 --> 00:45:29,080
Speaker 2: done the pamphlet step and the wardrobe step, if she

880
00:45:29,160 --> 00:45:31,040
Speaker 2: had just gone I was driving by and I thought

881
00:45:31,040 --> 00:45:33,239
Speaker 2: it'd be funny. Then you go, well you're weird, but

882
00:45:33,400 --> 00:45:33,840
Speaker 2: I get it.

883
00:45:34,000 --> 00:45:35,759
Speaker 1: This is like she planned this.

884
00:45:35,920 --> 00:45:41,919
Speaker 2: She went to Kinko's, so security stopped her after seeing

885
00:45:41,960 --> 00:45:44,160
Speaker 2: her walking in the halls while classes were in sessions,

886
00:45:44,239 --> 00:45:47,120
Speaker 2: so okay, uh. And she said she was looking for

887
00:45:47,239 --> 00:45:50,239
Speaker 2: the registration office, not a bad lie. But instead of

888
00:45:50,320 --> 00:45:52,560
Speaker 2: going to the office, she just kept roaming the halls.

889
00:45:53,320 --> 00:45:56,080
Speaker 2: She was stopped a second time by security and she fled,

890
00:45:56,480 --> 00:45:59,760
Speaker 2: prompting security to report a quote potential threat on campus.

891
00:45:59,760 --> 00:46:02,759
Speaker 2: Of course, would there's an adult around children? Never a

892
00:46:02,880 --> 00:46:08,120
Speaker 2: good thing. Let's see. She got arrested and was taken

893
00:46:08,160 --> 00:46:11,680
Speaker 2: to Miami Day Jail, and she has since been released.

894
00:46:12,200 --> 00:46:14,800
Speaker 2: But yeah, to me, it was it was one to

895
00:46:14,800 --> 00:46:17,600
Speaker 2: gain Instagram followers and nothing else there wasn't so crazy.

896
00:46:17,760 --> 00:46:20,080
Speaker 2: It's so weird. Keeping up with the Joneses has completely

897
00:46:20,200 --> 00:46:24,960
Speaker 2: transformed into something. This is very, very odd and crazy.

898
00:46:25,520 --> 00:46:30,480
Speaker 1: Yeah, Yardley, did you enjoy high school? Did you? I did?

899
00:46:31,280 --> 00:46:31,560
Speaker 5: I was.

900
00:46:32,280 --> 00:46:35,399
Speaker 4: I did drama like I did school plays in high

901
00:46:35,440 --> 00:46:39,719
Speaker 4: school and then actually and I didn't do sports. I

902
00:46:39,760 --> 00:46:41,839
Speaker 4: didn't do anything else, which is probably why I didn't

903
00:46:41,840 --> 00:46:44,880
Speaker 4: get into college, because they were like, your grades are okay,

904
00:46:45,040 --> 00:46:46,600
Speaker 4: but you don't like you're.

905
00:46:46,480 --> 00:46:48,239
Speaker 5: Not well rounded, so forget you.

906
00:46:48,760 --> 00:46:53,279
Speaker 4: Right, But when I was fourteen, I auditioned at a

907
00:46:53,320 --> 00:46:57,040
Speaker 4: dinner theater outside of Washington, d C. And they were

908
00:46:57,120 --> 00:46:58,960
Speaker 4: doing a plagiarized version of Peter.

909
00:46:58,880 --> 00:47:05,799
Speaker 1: Pan Great, I ad, yeah, perfect, And all.

910
00:47:08,440 --> 00:47:11,400
Speaker 4: The dumb thing was they used the same story in

911
00:47:11,480 --> 00:47:13,640
Speaker 4: all the proper names, but they wrote their own music

912
00:47:13,840 --> 00:47:14,840
Speaker 4: and songs to it.

913
00:47:18,360 --> 00:47:18,560
Speaker 3: Right.

914
00:47:19,480 --> 00:47:21,640
Speaker 5: And I ended up playing tinker.

915
00:47:21,400 --> 00:47:24,480
Speaker 4: Bell, and I was bigger than all of the Lost boys,

916
00:47:24,480 --> 00:47:28,560
Speaker 4: all of whom were girls anyway, And the Dinner Theater

917
00:47:28,680 --> 00:47:31,959
Speaker 4: was going under, but I didn't know that at the time,

918
00:47:32,120 --> 00:47:36,320
Speaker 4: and accept that quite frequently, and I did it for

919
00:47:36,560 --> 00:47:41,799
Speaker 4: months months. Quite frequently, performances would be canceled because there

920
00:47:41,840 --> 00:47:44,440
Speaker 4: were more people on stage than there were in the audience,

921
00:47:44,680 --> 00:47:50,279
Speaker 4: or nobody showed up. And during the performance, during intermission,

922
00:47:50,560 --> 00:47:52,680
Speaker 4: the woman who played Peter had to go out and

923
00:47:52,760 --> 00:47:57,680
Speaker 4: wait tables. And then I remember being told that we

924
00:47:57,800 --> 00:48:00,960
Speaker 4: were going to Broadway, and I was like, oh, excellent,

925
00:48:01,040 --> 00:48:03,480
Speaker 4: I am ready, let's get this show on the road.

926
00:48:03,640 --> 00:48:05,520
Speaker 5: Yeah, well, they're going belly up.

927
00:48:05,560 --> 00:48:07,359
Speaker 4: And one night I showed up to the Dinner Theater

928
00:48:07,719 --> 00:48:10,200
Speaker 4: and there was a notice from the health department and

929
00:48:10,320 --> 00:48:15,600
Speaker 4: a notice on the door, and nobody had called to say, yardly,

930
00:48:15,760 --> 00:48:17,640
Speaker 4: you don't have to come to the theater tonight.

931
00:48:17,680 --> 00:48:21,240
Speaker 5: Eighteen Yeah, so my mother would drive me obviously.

932
00:48:21,400 --> 00:48:23,719
Speaker 4: And I also I got paid fifty dollars a week,

933
00:48:23,760 --> 00:48:26,120
Speaker 4: which was a lot more money than i'd ever been

934
00:48:26,320 --> 00:48:30,800
Speaker 4: ever made. But after about the second paycheck they started

935
00:48:30,840 --> 00:48:35,680
Speaker 4: to bounce. Oh. I remember thinking like, it's okay, it

936
00:48:35,800 --> 00:48:39,520
Speaker 4: doesn't matter, you know, it's just a little hitching the

937
00:48:39,560 --> 00:48:42,919
Speaker 4: gide up. It's gonna be all right. So I don't

938
00:48:42,960 --> 00:48:45,000
Speaker 4: think I ever got paid after the second check.

939
00:48:45,080 --> 00:48:45,560
Speaker 5: But I was in.

940
00:48:45,719 --> 00:48:46,279
Speaker 1: I was all in.

941
00:48:46,480 --> 00:48:48,000
Speaker 5: I was in up to my eyeballs.

942
00:48:48,480 --> 00:48:51,120
Speaker 3: That owner just hopped in his car, tore off and

943
00:48:51,600 --> 00:48:55,320
Speaker 3: drove to the Trent and then opened up forty first Street.

944
00:48:56,400 --> 00:49:04,680
Speaker 5: Yes, yes, probably yeah. And I also it was you know,

945
00:49:04,800 --> 00:49:05,719
Speaker 5: it didn't feel like that.

946
00:49:06,040 --> 00:49:09,960
Speaker 4: I think I just thought like, okay, it was I

947
00:49:10,160 --> 00:49:12,760
Speaker 4: was the heartbreaking part was when people wouldn't show.

948
00:49:13,239 --> 00:49:15,840
Speaker 5: I was like, what do you come on, we're acting

949
00:49:15,880 --> 00:49:17,080
Speaker 5: our asses off up here.

950
00:49:18,200 --> 00:49:20,879
Speaker 4: And his tinkerbell I had to, you know, fly, I'm

951
00:49:21,000 --> 00:49:25,200
Speaker 4: making little quotation marks for your listeners. And so, but

952
00:49:25,320 --> 00:49:28,600
Speaker 4: I had a harness that was like it looked sort

953
00:49:28,640 --> 00:49:31,239
Speaker 4: of like later hosen, but it was thick like you

954
00:49:31,360 --> 00:49:33,640
Speaker 4: could And then he hooked me to a chain that

955
00:49:33,800 --> 00:49:37,000
Speaker 4: you would pull a semi truck with like it was

956
00:49:37,160 --> 00:49:40,879
Speaker 4: so fucking heavy, this thing. And then the guy who

957
00:49:40,960 --> 00:49:44,400
Speaker 4: owned the theater would stand backstage and pull on a

958
00:49:44,520 --> 00:49:46,400
Speaker 4: rope like you're pulling drapes, you know.

959
00:49:47,320 --> 00:49:49,560
Speaker 5: Yeah, and my chain would go.

960
00:49:53,360 --> 00:49:56,600
Speaker 4: Just sort of screech across the stage while I'm singing

961
00:49:56,680 --> 00:49:57,160
Speaker 4: my solo.

962
00:49:58,400 --> 00:49:58,600
Speaker 5: Yeah.

963
00:50:00,200 --> 00:50:03,640
Speaker 2: That's a lot of happy thoughts at that theater, between

964
00:50:03,760 --> 00:50:08,880
Speaker 2: the food poisoning, the nose, the bouncing checks, the killer

965
00:50:08,960 --> 00:50:10,080
Speaker 2: special effects team.

966
00:50:11,160 --> 00:50:13,880
Speaker 1: Wow, but it got your stage. You're a performer.

967
00:50:14,440 --> 00:50:17,800
Speaker 3: Cool, I know, to be a paid performer at fourteen

968
00:50:17,920 --> 00:50:23,120
Speaker 3: for the stage incredible trotting the boards, Yeah, I know, I.

969
00:50:23,320 --> 00:50:27,840
Speaker 4: Know it was. And then actually they then they started

970
00:50:27,880 --> 00:50:29,640
Speaker 4: to do two shows at once, and they did a

971
00:50:30,360 --> 00:50:33,320
Speaker 4: plagiarized version of the Three Musketeers and I played a

972
00:50:33,480 --> 00:50:37,560
Speaker 4: little old Italian man with a black curly wig and

973
00:50:37,840 --> 00:50:46,279
Speaker 4: gold lemae leggings. Yeah. I was like, Wowyard, looking back,

974
00:50:46,320 --> 00:50:47,960
Speaker 4: You're like, just no fear right.

975
00:50:48,040 --> 00:50:50,920
Speaker 1: No, that's what it takes good for you.

976
00:50:51,920 --> 00:50:53,120
Speaker 5: No shame either way.

977
00:50:54,239 --> 00:50:58,120
Speaker 1: It's the same thing. It's the same thing. Should we

978
00:50:58,200 --> 00:51:00,480
Speaker 1: have one last story to send this home?

979
00:51:00,600 --> 00:51:00,880
Speaker 2: Guys?

980
00:51:01,120 --> 00:51:06,560
Speaker 1: Yeah, so fast, I know it's a it's a fast one. Uh,

981
00:51:07,960 --> 00:51:08,800
Speaker 1: this is amazing.

982
00:51:10,280 --> 00:51:14,799
Speaker 3: Woman named Crystal Methanie arrested for firing missile into car.

983
00:51:18,680 --> 00:51:22,520
Speaker 3: It's not exactly I got this, we got I got

984
00:51:22,560 --> 00:51:24,520
Speaker 3: this d M to me and I was just like,

985
00:51:24,760 --> 00:51:25,799
Speaker 3: no way, this is real.

986
00:51:26,400 --> 00:51:31,080
Speaker 1: And then I went and it is real. It is real.

987
00:51:31,680 --> 00:51:32,360
Speaker 2: Gosh, there is.

988
00:51:32,520 --> 00:51:36,600
Speaker 1: And also, so missile is like the actual term the

989
00:51:36,719 --> 00:51:40,000
Speaker 1: police use. I will I will read it here. So

990
00:51:40,120 --> 00:51:40,759
Speaker 1: it's not an.

991
00:51:40,680 --> 00:51:44,000
Speaker 4: Actual missile, like we're gonna launch it onto another country

992
00:51:44,120 --> 00:51:44,560
Speaker 4: kind of thing.

993
00:51:44,960 --> 00:51:48,600
Speaker 1: It could be, but it probably wasn't the answer.

994
00:51:48,719 --> 00:51:51,560
Speaker 2: Okay, it could have been a bottle rocket, is what

995
00:51:51,600 --> 00:51:52,400
Speaker 2: we're gonna learn here.

996
00:51:52,520 --> 00:51:52,880
Speaker 1: Here we go.

997
00:51:54,760 --> 00:51:57,839
Speaker 3: This was sent in by Laura Sosa. Thank you so much, Laura.

998
00:51:59,560 --> 00:52:02,800
Speaker 3: That not thousands of bananimals cent Crystal. This is the

999
00:52:02,920 --> 00:52:06,480
Speaker 3: most bananas. Crystal Methany shoots missile.

1000
00:52:06,960 --> 00:52:07,280
Speaker 2: Okay.

1001
00:52:08,040 --> 00:52:09,080
Speaker 1: Sent it by Laura Sosa.

1002
00:52:09,560 --> 00:52:12,840
Speaker 3: This was written by Hillary Hanson Best in the Biz

1003
00:52:13,400 --> 00:52:14,960
Speaker 3: over at the Huffington Post.

1004
00:52:15,120 --> 00:52:16,520
Speaker 2: She's so good, so good.

1005
00:52:18,640 --> 00:52:21,520
Speaker 3: We clearly don't need you to tell the state. We

1006
00:52:21,640 --> 00:52:23,600
Speaker 3: clearly don't need to tell you the state where this

1007
00:52:23,719 --> 00:52:27,360
Speaker 3: took place. Thank you so much, Hillary, because it's obviously

1008
00:52:27,440 --> 00:52:31,319
Speaker 3: for Florida. Crystal Methanie, thirty six, was arrested last month

1009
00:52:31,400 --> 00:52:34,919
Speaker 3: for shooting a missile six YEP shooting a missile into

1010
00:52:34,960 --> 00:52:37,920
Speaker 3: a vehicle, according to records from the Polk County Sheriff's

1011
00:52:37,960 --> 00:52:41,399
Speaker 3: Office in Florida. It should be noted that under Florida law,

1012
00:52:41,480 --> 00:52:44,960
Speaker 3: a missile can be defined as a stone or other

1013
00:52:45,200 --> 00:52:47,320
Speaker 3: hard substance, So this should not be construed to me

1014
00:52:49,880 --> 00:52:54,280
Speaker 3: launch of rockets into She was she was launching something.

1015
00:52:54,400 --> 00:52:58,200
Speaker 3: It was definitely it wasn't just thrown. Methanie was also

1016
00:52:58,320 --> 00:53:02,520
Speaker 3: arrested in twenty twelve on him marijuana charge. Jezebel's Mark

1017
00:53:02,560 --> 00:53:05,319
Speaker 3: Schraber writes that he called the Polk County Sheriff's office

1018
00:53:05,360 --> 00:53:07,600
Speaker 3: to confirm that this was Methanie's real name and not

1019
00:53:07,680 --> 00:53:10,960
Speaker 3: an alias. When he expressed his amazement over the moniker,

1020
00:53:11,239 --> 00:53:15,279
Speaker 3: a Sheriff's office spokeswoman identified only as Linda told him, sir,

1021
00:53:15,760 --> 00:53:16,600
Speaker 3: this is Florida.

1022
00:53:16,719 --> 00:53:18,560
Speaker 1: We got a lot of interesting names here.

1023
00:53:20,239 --> 00:53:23,920
Speaker 3: She's not wrong, she is not wrong. Her name was

1024
00:53:24,000 --> 00:53:25,760
Speaker 3: Linda gator face.

1025
00:53:29,760 --> 00:53:30,080
Speaker 2: Wow.

1026
00:53:30,760 --> 00:53:35,000
Speaker 3: Yeah, pretty amazing, Yardley. Do you have anything you want

1027
00:53:35,040 --> 00:53:36,680
Speaker 3: to talk about before you before?

1028
00:53:41,080 --> 00:53:45,120
Speaker 4: Sure, small town Dix. We're everywhere anywhere you liked to

1029
00:53:45,200 --> 00:53:49,000
Speaker 4: pod as the kids say, it's really very very good.

1030
00:53:49,080 --> 00:53:52,400
Speaker 4: It's very it's really reverent toward the victims. And like

1031
00:53:52,480 --> 00:53:54,400
Speaker 4: I said, all the cases are told by the detectives

1032
00:53:54,400 --> 00:53:55,759
Speaker 4: who investigated.

1033
00:53:55,239 --> 00:53:57,479
Speaker 1: Them, so right there.

1034
00:53:59,160 --> 00:54:02,120
Speaker 4: And Oil and Water, which you can find on the

1035
00:54:02,239 --> 00:54:07,160
Speaker 4: tube of you YouTube, yeah, and Instagram at oil and

1036
00:54:07,600 --> 00:54:11,439
Speaker 4: at oil and water food, and it's just it's six

1037
00:54:11,520 --> 00:54:15,040
Speaker 4: to eight minutes of you know, happy grins because it's

1038
00:54:15,160 --> 00:54:17,160
Speaker 4: dumb entertainment for troubling jubs.

1039
00:54:18,400 --> 00:54:21,560
Speaker 5: No, thank you, this is so much fun.

1040
00:54:21,640 --> 00:54:25,359
Speaker 4: You guys are loveliest pie. I love that you are

1041
00:54:25,480 --> 00:54:28,959
Speaker 4: up on your current events. I love that you actually read.

1042
00:54:29,520 --> 00:54:31,680
Speaker 4: That's very impressive in this day and age.

1043
00:54:31,960 --> 00:54:32,400
Speaker 1: As we know.

1044
00:54:33,960 --> 00:54:36,800
Speaker 2: Certainly, welcome back anytime you want to talk about Banana's

1045
00:54:36,840 --> 00:54:38,040
Speaker 2: news stories. We'd love to have you.

1046
00:54:38,320 --> 00:54:40,840
Speaker 5: Okay, I'd love to come. Thank you.

1047
00:54:41,200 --> 00:54:45,840
Speaker 4: This was wonderful, so good and congratulations again. Listen, I

1048
00:54:45,880 --> 00:54:49,080
Speaker 4: always say when people ask me, so small town Dicks.

1049
00:54:49,080 --> 00:54:53,440
Speaker 4: We're finishing season eight, but we're actually not quite four

1050
00:54:53,520 --> 00:54:56,000
Speaker 4: years old. We do about two seasons a year, and

1051
00:54:57,600 --> 00:54:59,960
Speaker 4: I people, you know, I've been on a few panels

1052
00:55:00,040 --> 00:55:01,960
Speaker 4: when we still used to do panels in the before

1053
00:55:02,040 --> 00:55:04,600
Speaker 4: times and people like how do you host?

1054
00:55:04,600 --> 00:55:04,960
Speaker 5: Who says?

1055
00:55:06,000 --> 00:55:07,800
Speaker 4: And there are a couple of things. One, you have

1056
00:55:07,920 --> 00:55:10,359
Speaker 4: to I believe you have to do it for you, Yes, right,

1057
00:55:10,760 --> 00:55:11,720
Speaker 4: because you got to play.

1058
00:55:11,640 --> 00:55:14,319
Speaker 5: The long game, enjoy it exactly absolutely.

1059
00:55:14,600 --> 00:55:16,879
Speaker 4: But the other thing is it's one thing to get

1060
00:55:16,960 --> 00:55:19,799
Speaker 4: people to your podcast. The real work is keeping them.

1061
00:55:20,440 --> 00:55:22,200
Speaker 4: So the fact that you guys have been on for

1062
00:55:22,239 --> 00:55:25,280
Speaker 4: a year and you're so successful and your audience continues

1063
00:55:25,360 --> 00:55:29,920
Speaker 4: to grow, that they're so engaged is no small feet, gentlemen.

1064
00:55:30,239 --> 00:55:32,120
Speaker 5: It really hats off to you.

1065
00:55:32,719 --> 00:55:35,719
Speaker 3: Oh yeah, remind myself that I'm going to die and

1066
00:55:35,840 --> 00:55:38,879
Speaker 3: I appreciate that we have so many bananimals every day.

1067
00:55:39,080 --> 00:55:41,040
Speaker 2: Yes, and I'm going to live forever and I do

1068
00:55:41,160 --> 00:55:45,080
Speaker 2: bananas for Kurt. So it's a very short dynamic, but

1069
00:55:45,200 --> 00:55:58,839
Speaker 2: we're thrilled to perfectana. This has been an exactly right

1070
00:55:59,040 --> 00:56:03,160
Speaker 2: production and engineered by Katie Levine, the music by Kahon,

1071
00:56:03,400 --> 00:56:04,680
Speaker 2: and all of our artwork.

1072
00:56:04,520 --> 00:56:05,720
Speaker 1: Is done by Travis Millard.

1073
00:56:05,960 --> 00:56:08,640
Speaker 2: You can follow us on Instagram at the Bananas Podcast,

1074
00:56:08,719 --> 00:56:10,840
Speaker 2: where we post stories every day and things that we

1075
00:56:10,920 --> 00:56:12,320
Speaker 2: don't cover on the podcast.

1076
00:56:12,760 --> 00:56:16,440
Speaker 3: Listen, subscribe, and please leave us a review on Apple podcast, Stitcher,

1077
00:56:16,520 --> 00:56:18,400
Speaker 3: or wherever you get your podcast.

1078
00:56:18,280 --> 00:56:21,320
Speaker 2: And if you're interested in advertising on Bananas, please email

1079
00:56:21,440 --> 00:56:24,319
Speaker 2: us at the Bananas Podcast at gmail dot com. That's

1080
00:56:24,480 --> 00:56:27,200
Speaker 2: the Bananas Podcast at gmail dot com.

1081
00:56:35,800 --> 00:56:35,840
Speaker 3: B