WEBVTT - Marla Sokoloff Meets World

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<v Speaker 1>I am super excited about our guest today. Um. We

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<v Speaker 1>follow each other on Instagram and she sent me a

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<v Speaker 1>d M in reply to a story that I had

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<v Speaker 1>put up, and I was so excited to see her

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<v Speaker 1>name in there, and I was like, Hi, Oh my gosh, thanks,

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<v Speaker 1>And then I got so freaked out. I was like,

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<v Speaker 1>oh gosh, is this where I take my opportunity to

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<v Speaker 1>ask her to be a guest on pod Meats World?

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<v Speaker 1>Or do I not do that? I'm always so awkward

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<v Speaker 1>about asking people to do things. But I knew how

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<v Speaker 1>badly we wanted her on as a guest, and so

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<v Speaker 1>I was like, I'm not going to miss this opportunity.

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<v Speaker 1>And so I said, any possibility, maybe you'd like to

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<v Speaker 1>be a guest on pod Meats World and she was like,

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<v Speaker 1>are you kidding me? I'd be honored. I don't know

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<v Speaker 1>if that's true or not, but I was so excited

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<v Speaker 1>and I am. It was nice enough. It made me

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<v Speaker 1>so happy. I immediately texted the two of you and

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<v Speaker 1>I was like, Marla's suckle Off, So let me please

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<v Speaker 1>introduce Marla suckle Off. Guys. Oh my gosh, We're so

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<v Speaker 1>happy you're here. I'm so happy to be here. Thanks

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<v Speaker 1>for having me? Are you kidding? I just told the

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<v Speaker 1>story about how this even came about, that you sent

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<v Speaker 1>me a d M in reply to a story, and

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<v Speaker 1>I got so nervous, Just so you know, I got

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<v Speaker 1>so nervous to ask you because I thought, what if

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<v Speaker 1>I asked her to be on the pod Meats World

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<v Speaker 1>And she's like, um no, I really know. I wish

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<v Speaker 1>I wouldn't have applied to dear story. That was my thought.

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<v Speaker 1>But then you wrote back so quickly that you would

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<v Speaker 1>be happy to do it, and I immediately texted the

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<v Speaker 1>guys and we're just so happy you're here. Yes, I

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<v Speaker 1>was so excited that you message that to me because

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<v Speaker 1>I actually got when you guys talked about me on

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<v Speaker 1>the podcast, like seven seven thousand d ms about you guys.

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<v Speaker 1>So I went back and listened and I was like

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<v Speaker 1>that it like brought a tear to my eye. It

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<v Speaker 1>was just so thoughtful and sweet. So it really meant

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<v Speaker 1>a lot to me. Well, it's funny. It's because it's

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<v Speaker 1>a legendary episode, you know what I mean, Like you

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<v Speaker 1>were a part of this big thing. But then we

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<v Speaker 1>also like I knew you like two years before you did. Boy,

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<v Speaker 1>Meets World, Like we went all the way back to

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<v Speaker 1>the oak Wood days, Um explaining that, So I didn't

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<v Speaker 1>know that by the time she was on Boy Meats World,

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<v Speaker 1>you guys already knew each other. Yeah, we had been well, okay,

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<v Speaker 1>so Marley, you're from northern California originally, right, you're from

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<v Speaker 1>so we do like Bruce Detta manager coach acting class. Yeah,

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<v Speaker 1>so there was a contingent of us, like northern California

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<v Speaker 1>kids that would all come to the oak Woods for

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<v Speaker 1>Pilot Susan and we all kind of knew each other

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<v Speaker 1>and I would roller blade around. I don't remember if

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<v Speaker 1>you roller bladed, and we would like to hang out

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<v Speaker 1>at each other's apartments and hang out by the pool,

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<v Speaker 1>and like there's a group of us, I mean, like

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<v Speaker 1>one of the one of the guys I don't know

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<v Speaker 1>if you remember an actor named Sean Fox who was

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<v Speaker 1>in three Ninja's Um Sean Fox. Sean Fox, he's still

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<v Speaker 1>my best friend. He's he's an economist now it teaches

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<v Speaker 1>in at the University of Bristol in England, so completely

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<v Speaker 1>left the industry. But yeah, it's like, dude, and like

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<v Speaker 1>Jessica Bowman was an actor's who was also the world

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<v Speaker 1>later and she was like a friend of yours. I remember, Yeah, anyway,

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<v Speaker 1>there's just it was like a summer camp vibe that

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<v Speaker 1>something even funnier. I saw you and l miss like,

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<v Speaker 1>oh that's crazy, that's so fun. Well, for anyone who

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<v Speaker 1>doesn't know already, Marla played Page in the episode Coreries

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<v Speaker 1>Alternative Friends, which was season one, episode four of Boy

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<v Speaker 1>Meats World. It was such a legendary episode for you know,

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<v Speaker 1>writer feels like that's the episode where he really he

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<v Speaker 1>got really introduced to the show and took on all

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<v Speaker 1>of the third character friends lines. Um. It's also the

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<v Speaker 1>infamous episode of how I ended up becoming to Pango

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<v Speaker 1>Lawrence and um, Marla, you and I mean, going back

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<v Speaker 1>through your career, you are like a T G I

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<v Speaker 1>F ABC family sitcom. There is not It is not

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<v Speaker 1>a single amazing show you were not a part of. Yeah,

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<v Speaker 1>it was pretty It was a wild time. I mean,

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<v Speaker 1>the the full house of it all is the weirdest

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<v Speaker 1>because it was you know, we came to the oak

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<v Speaker 1>Wood for one month and my mom was like, you

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<v Speaker 1>get you know, you're gonna try this pilot season thing.

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<v Speaker 1>I don't know what it is. But we're not staying

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<v Speaker 1>too long. And then I got Full House like the

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<v Speaker 1>first week, which you guys know that doesn't happen. That

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<v Speaker 1>never happens. So it's like, oh, this it's easy, like

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<v Speaker 1>talking about talk to us about full House and who

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<v Speaker 1>you played and you obviously then you you came back

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<v Speaker 1>for Fuller House. Talk to us a little bit about that. Yeah,

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<v Speaker 1>So it was I was such a huge fan of

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<v Speaker 1>the show, like loved the show, as you know, all

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<v Speaker 1>kids our age did. And I remember I got the

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<v Speaker 1>audition and um, the casting director came out and told

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<v Speaker 1>my mom. She was like she's great, but she just

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<v Speaker 1>she's too sweet, like her face is so sweet or

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<v Speaker 1>you know something, which is so not true. I mean,

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<v Speaker 1>nobody has a bigger RBF than I do. But so, um,

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<v Speaker 1>my mom was like okay. And then I turned around,

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<v Speaker 1>like as we were leaving, and I said, can I

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<v Speaker 1>come back? I have an idea and she was like,

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<v Speaker 1>I mean, I guess, but you're just not right for it.

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<v Speaker 1>And my mom and I went to the good Will

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<v Speaker 1>and I got a denim vest and Doc Martin's and

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<v Speaker 1>then she had me come back for producers and she

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<v Speaker 1>came out and I I don't know where this like,

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<v Speaker 1>you know, confidence or you know, even level of hootzbuck

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<v Speaker 1>came from. But I was in character and she was

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<v Speaker 1>like Marlon. I was like what And I went in

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<v Speaker 1>the yeah, and I got the parting what great? And

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<v Speaker 1>that was that that's how old were you? Twelve? Of course?

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<v Speaker 1>Of course to have that kind of confidence as an

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<v Speaker 1>actor twelve of course, but it's also to dumb luck,

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<v Speaker 1>Like I didn't know how you were supposed to really

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<v Speaker 1>be at a professional auditions. You know, I didn't go

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<v Speaker 1>to a ton and you know, in northern California, we

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<v Speaker 1>did like mainly commercial work, right, like it was like

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<v Speaker 1>that kind of stuff. Um, So I think it's just

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<v Speaker 1>just like I don't care attitude that was so probably

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<v Speaker 1>refreshing to some people, but I miss that. Where is

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<v Speaker 1>that girl that would be so amazing but does not care?

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<v Speaker 1>You know? Well, you were also on an episode of

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<v Speaker 1>Step by Step. You were in an episode of Home Improvement.

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<v Speaker 1>What would you do on Home Improvement? What did I do?

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<v Speaker 1>I think I was, um zach Tayebrian's girlfriends right a party.

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<v Speaker 1>Maybe I don't really remember blooded together. It's just we've

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<v Speaker 1>also talked a lot on this podcast about how much

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<v Speaker 1>like making out there was on shows, and so if

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<v Speaker 1>you did make the rounds in the nineties on Guest Show,

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<v Speaker 1>it's like, it's pretty much like I was probably kissing somebody.

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<v Speaker 1>I was probably like somebody's girlfriend or boyfriend. That's ms

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<v Speaker 1>off to the side watching us, like I'm sitting in

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<v Speaker 1>the stands. So weird awkward times smoking that I did

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<v Speaker 1>on Full House, it's like that would not pass today,

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<v Speaker 1>you know. In fact, I actually made that TikTok, the

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<v Speaker 1>the teenage Dirtbag one and I put a picture of

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<v Speaker 1>me smoking on it and I got taken it got

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<v Speaker 1>taken down for inappropriate contents. Right, really, well, I mean

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<v Speaker 1>you also waited till twelve to smoke, so you're already

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<v Speaker 1>starting late. Will was an old and old he had

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<v Speaker 1>already been doing it for a few years by then.

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<v Speaker 1>But you were also on the Emmy winning show The

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<v Speaker 1>Practice for seven seasons. Yeah. Yeah, I remember seeing you

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<v Speaker 1>doing that and being like, man, that looks so fun

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<v Speaker 1>and so cool. Yeah, and talked about a transition from

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<v Speaker 1>sitcom to like real drama like harding. Yeah, such a

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<v Speaker 1>great Yeah, there was a lot of years in between.

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<v Speaker 1>I would say the sitcom component and moving on to

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<v Speaker 1>like the practice. I think, you know, we all go

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<v Speaker 1>through that like awkward stage in high school where you know,

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<v Speaker 1>I wasn't working as much. And then I decided I

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<v Speaker 1>wanted to go to normal school. You know, I felt

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<v Speaker 1>like I really got cheated, And so I went to

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<v Speaker 1>a normal high school for a few years. And did

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<v Speaker 1>you stay or yeah, yeah, we stayed here. At the time,

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<v Speaker 1>my parents had already separated, so we never went back.

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<v Speaker 1>Um and yeah, so I went to a high school

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<v Speaker 1>called Laxa, the l A County High School of the Arts. Yeah,

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<v Speaker 1>then I got the practice. And so were you acting

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<v Speaker 1>in high school? Then? Were you doing like theater and stuff? Really?

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<v Speaker 1>Like I went super rogue and I was like, I'm

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<v Speaker 1>going to be in the music department. I don't want

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<v Speaker 1>to be, you know, in theater anymore. I just I

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<v Speaker 1>think I was very burned out and I just didn't

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<v Speaker 1>see I was so new and experiencing like rejection and

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<v Speaker 1>it just got to me, you know. So I remember

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<v Speaker 1>I called my agents one day and I was like,

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<v Speaker 1>I'm done. You don't need to send me out for

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<v Speaker 1>anything anymore, you know, I feel good. And how old

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<v Speaker 1>were you at that point? I was sixteen. Wow, and

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<v Speaker 1>how long had you been acting? I mean I professionally

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<v Speaker 1>started probably when I was like nine ten something like that. Um,

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<v Speaker 1>But doing theater and all that stuff wait earlier like seven. Um.

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<v Speaker 1>But yeah, I just I think I just needed to

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<v Speaker 1>like go experience normal school and not be on set

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<v Speaker 1>doing school. You know. I just really felt that poll. Yeah,

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<v Speaker 1>there's something like that. Everybody went through that at some point,

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<v Speaker 1>Like I definitely did, you know for we all get

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<v Speaker 1>me off this TV show, which is you know, which

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<v Speaker 1>is hard to explain to people, like we talked about

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<v Speaker 1>it on this podcast. It's like it sounds like we

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<v Speaker 1>were ungrateful little brats. But the truth is like there

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<v Speaker 1>is this desire for like whatever the you know, especially

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<v Speaker 1>when you start at a young age. It's like, but

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<v Speaker 1>I just want like a little bit of a corner

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<v Speaker 1>of the world that's my own, and I wanted to

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<v Speaker 1>be quote unquote normal. It's it's an impulse I think

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<v Speaker 1>across the board. There's something strange about I've noticed so

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<v Speaker 1>many actors that are young. We're young actors started professionally

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<v Speaker 1>at the age of ten. I don't know what it

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<v Speaker 1>is with that number, but I was ten. You ten. Yea,

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<v Speaker 1>it was Daniel and ten. If there's something about that

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<v Speaker 1>age and a bunch of young actors where they've started

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<v Speaker 1>at the age of ten. I don't know why. It's

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<v Speaker 1>just a weird coincidence, but I think that's a really

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<v Speaker 1>kind of formative year. I mean, I have a ten

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<v Speaker 1>year old and she it's like suddenly she's, you know,

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<v Speaker 1>so much more mature and like has, you know, her

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<v Speaker 1>own ideas and her own self. And I think that

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<v Speaker 1>probably has something to do with it, right, Like you're

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<v Speaker 1>finally I do actually want to do this, and it's

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<v Speaker 1>not your parents pushing acting. Hell no souls and ten.

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<v Speaker 1>I could see her doing it, to be honest with you,

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<v Speaker 1>but because of like our past and I feel and

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<v Speaker 1>it's I don't have a negative thought in my head

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<v Speaker 1>about it. I just feel like it's so important to

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<v Speaker 1>go to school and figure out what you want to

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<v Speaker 1>do and then I'll fully support it and help you

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<v Speaker 1>and do all that. But am I going to like

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<v Speaker 1>take you to auditions and like you know, you're leaving

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<v Speaker 1>the fifth grade? Yeah, when you say it out loud,

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<v Speaker 1>like you've done it and you're saying out loud where

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<v Speaker 1>it's like, well, it's I'm ten, time to start work.

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<v Speaker 1>It's like, oh, it's it's weird. It's weird. I love

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<v Speaker 1>that I did it, and I'm glad that I did it,

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<v Speaker 1>but it's it is. It's strange, But it's one of

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<v Speaker 1>those things like the insanity of it also kind of

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<v Speaker 1>points to the fact that we all of us on

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<v Speaker 1>this conversation, in this conversation, we're probably so driven that

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<v Speaker 1>you might not have been able to stop us, do

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<v Speaker 1>you know what I mean? It might have been like

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<v Speaker 1>that's what my parents talked about, how it was just

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<v Speaker 1>so apparent that you were like, we can't writer is

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<v Speaker 1>going to do this thing, like he's going to get

0:11:46.360 --> 0:11:48.280
<v Speaker 1>up on stage and he wants to do it, and

0:11:48.320 --> 0:11:50.080
<v Speaker 1>we have to sort of follow. I mean, even Marloe

0:11:50.080 --> 0:11:51.920
<v Speaker 1>your story about being like can I come back? Let

0:11:51.920 --> 0:11:54.520
<v Speaker 1>me go get my denim jacket and like nail this part,

0:11:54.640 --> 0:11:57.120
<v Speaker 1>Like that must be crazy as a parent to be

0:11:57.200 --> 0:11:59.160
<v Speaker 1>looking at your twelve year old do this thing that

0:11:59.160 --> 0:12:01.960
<v Speaker 1>you don't quite understand and be like, Okay, they've got

0:12:02.040 --> 0:12:06.400
<v Speaker 1>something going on. But it is also I think so

0:12:06.480 --> 0:12:10.000
<v Speaker 1>much about how um later than when the show ended,

0:12:10.040 --> 0:12:12.800
<v Speaker 1>when Boy Meets World ended, and I wanted so badly

0:12:12.840 --> 0:12:15.200
<v Speaker 1>to just like, I'm getting as far away from acting

0:12:15.200 --> 0:12:16.800
<v Speaker 1>as I can. I'm taking a break. I'm going to

0:12:16.920 --> 0:12:19.640
<v Speaker 1>jump into whatever normal life means for me. And then

0:12:19.960 --> 0:12:22.560
<v Speaker 1>you try to come back to it. Not necessarily because

0:12:22.600 --> 0:12:24.760
<v Speaker 1>oh wow, I feel the need to come back and

0:12:24.800 --> 0:12:27.480
<v Speaker 1>be a fantastic actor, but because all right, well, I

0:12:27.480 --> 0:12:29.520
<v Speaker 1>do need to make a living and this is the

0:12:29.559 --> 0:12:32.120
<v Speaker 1>only thing I know how to do. I don't I

0:12:32.160 --> 0:12:34.520
<v Speaker 1>don't know what else there is for me to do.

0:12:34.800 --> 0:12:37.000
<v Speaker 1>And I didn't go to college right after Boy Meets

0:12:37.040 --> 0:12:39.200
<v Speaker 1>World ended because I thought I was going to act

0:12:39.200 --> 0:12:41.080
<v Speaker 1>for the rest of my life. And then when it's

0:12:41.160 --> 0:12:43.439
<v Speaker 1>hard to get an acting job and you go, wait

0:12:43.480 --> 0:12:45.240
<v Speaker 1>a minute, Wait a minute. I have not thought this

0:12:45.280 --> 0:12:48.320
<v Speaker 1>out very well because if no one will hire me,

0:12:49.120 --> 0:12:51.680
<v Speaker 1>and I don't have an education, I mean I had

0:12:51.679 --> 0:12:54.040
<v Speaker 1>a high school education, but I didn't know what that

0:12:54.080 --> 0:12:56.000
<v Speaker 1>meant as far as like, so, now, what do I

0:12:56.040 --> 0:12:58.280
<v Speaker 1>want to do that involves a high school education? Do

0:12:58.320 --> 0:12:59.480
<v Speaker 1>I want to go to college? What do I want

0:12:59.480 --> 0:13:02.040
<v Speaker 1>to study? I know nothing about anything except this one thing.

0:13:02.360 --> 0:13:05.840
<v Speaker 1>And so yes, Marla, from your perspective, thinking about a

0:13:05.920 --> 0:13:09.040
<v Speaker 1>ten year old taking them out of school already for

0:13:09.160 --> 0:13:12.760
<v Speaker 1>auditions in the in the afternoon, and and yeah, there

0:13:12.840 --> 0:13:14.959
<v Speaker 1>is there's like I always feel like a downer when

0:13:14.960 --> 0:13:17.080
<v Speaker 1>people say, what's your best advice for someone who wants

0:13:17.080 --> 0:13:19.640
<v Speaker 1>to get into the entertainment industry, And like my first

0:13:19.679 --> 0:13:22.079
<v Speaker 1>piece of advice is always like, know what you're amazing

0:13:22.160 --> 0:13:24.640
<v Speaker 1>Plan B is. You know what your Plan B is.

0:13:24.880 --> 0:13:26.880
<v Speaker 1>That if you have to go to Plan B, you'll

0:13:26.920 --> 0:13:29.240
<v Speaker 1>be just as happy as if Plan A worked out.

0:13:29.280 --> 0:13:32.199
<v Speaker 1>Because if you know that and you can pursue that

0:13:32.280 --> 0:13:34.720
<v Speaker 1>at the same time that you're also pursuing your dream,

0:13:35.040 --> 0:13:36.880
<v Speaker 1>then there really is a safety net for you and

0:13:36.880 --> 0:13:38.840
<v Speaker 1>you're not just going to be flat on your face.

0:13:40.080 --> 0:13:41.880
<v Speaker 1>I don't think there's anything more scary than when you

0:13:41.920 --> 0:13:44.720
<v Speaker 1>had to make money at that at this career, you know.

0:13:44.920 --> 0:13:47.720
<v Speaker 1>I remember it was always like my mom saying, oh,

0:13:47.760 --> 0:13:51.240
<v Speaker 1>that's going in your you know, savings fund or whatever,

0:13:51.320 --> 0:13:53.360
<v Speaker 1>and you know, and when like I got a car

0:13:53.400 --> 0:13:55.080
<v Speaker 1>when I was sixteen and all that was really exciting.

0:13:55.080 --> 0:13:57.520
<v Speaker 1>And then I remember, you know, getting my first apartment

0:13:57.520 --> 0:14:01.320
<v Speaker 1>at eighteen, and it's like once that happens where it's

0:14:01.440 --> 0:14:04.400
<v Speaker 1>your your own responsibility and you need to like get

0:14:04.480 --> 0:14:08.720
<v Speaker 1>your hustle on that that was terrifying. And also you

0:14:08.760 --> 0:14:10.679
<v Speaker 1>just mentioned something very interesting that I think since we're

0:14:10.760 --> 0:14:12.839
<v Speaker 1>kind of talking about growing up as an actor and

0:14:13.080 --> 0:14:15.800
<v Speaker 1>making a living at it, you just mentioned your Cougan Fund,

0:14:16.200 --> 0:14:18.000
<v Speaker 1>and I think there's something that that we haven't really

0:14:18.040 --> 0:14:21.200
<v Speaker 1>talked about yet. So Jackie Coogan was a child actor,

0:14:21.880 --> 0:14:24.280
<v Speaker 1>um and and had lost all his money. I think

0:14:24.280 --> 0:14:27.160
<v Speaker 1>his parents had investeds, had taken took it all. So

0:14:27.600 --> 0:14:31.520
<v Speaker 1>they created something where is it is? That? Is that?

0:14:31.520 --> 0:14:34.040
<v Speaker 1>What it is? So if you are under the ten

0:14:35.800 --> 0:14:38.360
<v Speaker 1>of your money is automatically put away and can't be

0:14:38.400 --> 0:14:41.720
<v Speaker 1>touched just so you can't finish this and somebody can

0:14:41.720 --> 0:14:43.080
<v Speaker 1>take it all. A manager can take it all, a

0:14:43.120 --> 0:14:45.240
<v Speaker 1>parent can take it all. So um yeah, I mean

0:14:45.240 --> 0:14:47.320
<v Speaker 1>it's something that's interesting that you have to think about

0:14:47.320 --> 0:14:50.120
<v Speaker 1>it thirteen that it's like, you know, this amount of

0:14:50.120 --> 0:14:52.000
<v Speaker 1>money is being saved or this amount of money is

0:14:52.040 --> 0:14:54.840
<v Speaker 1>being spent or it's a it's yeah, you're because not

0:14:54.880 --> 0:15:01.360
<v Speaker 1>all parents are amazing, all are saying or savvy, right,

0:15:01.400 --> 0:15:04.600
<v Speaker 1>and and it does there is this bizarre thing that

0:15:04.680 --> 0:15:08.880
<v Speaker 1>happens where your your parents, like you know, my mom,

0:15:09.160 --> 0:15:12.200
<v Speaker 1>her life became my career. You know, in my brother's career.

0:15:12.280 --> 0:15:15.360
<v Speaker 1>She was driving us constantly, and I think about the commitment.

0:15:15.440 --> 0:15:17.320
<v Speaker 1>You know, she had a teaching job. She was teaching

0:15:17.360 --> 0:15:20.840
<v Speaker 1>and junior college. She quit her job. She would have

0:15:20.880 --> 0:15:23.760
<v Speaker 1>been running the nutrition department in a couple of years,

0:15:23.800 --> 0:15:26.800
<v Speaker 1>but she gave it up, you know, and job. Oh

0:15:26.880 --> 0:15:29.720
<v Speaker 1>my god, that's so crazy. So I could see how

0:15:30.240 --> 0:15:34.840
<v Speaker 1>a a a less a less scrupulous parent would just

0:15:34.880 --> 0:15:36.960
<v Speaker 1>be like, well, then that rationalizes me taking and all

0:15:37.000 --> 0:15:39.880
<v Speaker 1>the money. Oh you heard that, you you must have heard.

0:15:39.920 --> 0:15:43.520
<v Speaker 1>We all heard that from certain people where it was

0:15:43.520 --> 0:15:44.840
<v Speaker 1>like and I'm not saying people on our set, but

0:15:44.880 --> 0:15:46.440
<v Speaker 1>from people we grew up with, or things like that.

0:15:46.480 --> 0:15:49.080
<v Speaker 1>We heard actors where it was like, well, I drive

0:15:49.120 --> 0:15:51.240
<v Speaker 1>him around. I had to quit my job, so this

0:15:51.280 --> 0:15:53.040
<v Speaker 1>is my job now, so I get paid, you know

0:15:53.080 --> 0:15:55.240
<v Speaker 1>what I'm supposed to get paid. And it's like that's

0:15:55.240 --> 0:15:57.400
<v Speaker 1>your mom. You know. It's like and you you get

0:15:57.400 --> 0:16:00.720
<v Speaker 1>into this weird kind of gray area, which is again

0:16:00.760 --> 0:16:02.240
<v Speaker 1>I never had to deal with because both my parents

0:16:02.280 --> 0:16:03.840
<v Speaker 1>were lawyers and they're like, hey, we'll drive you to

0:16:03.840 --> 0:16:06.960
<v Speaker 1>the bus, but you gotta you gotta do you um,

0:16:07.000 --> 0:16:10.280
<v Speaker 1>but your public transportation on the East Coast and yeah,

0:16:11.000 --> 0:16:16.080
<v Speaker 1>somebody had to actually be. And by the way, when

0:16:16.120 --> 0:16:18.840
<v Speaker 1>a parent, especially a single parent, gives up a job

0:16:19.320 --> 0:16:21.760
<v Speaker 1>to be able to take there, how are they supposed

0:16:21.800 --> 0:16:24.000
<v Speaker 1>to make rent and pay for a car payment in

0:16:24.080 --> 0:16:27.080
<v Speaker 1>car insurance and all groceries? Like? There is you know,

0:16:27.120 --> 0:16:30.320
<v Speaker 1>there is there are certain expenses that are that makes

0:16:30.320 --> 0:16:33.120
<v Speaker 1>sense for a child who is kind of taken over

0:16:33.200 --> 0:16:37.280
<v Speaker 1>the family's day to day responsibilities for them for some

0:16:37.360 --> 0:16:41.000
<v Speaker 1>of their income to supplement some of that, um, you know,

0:16:41.080 --> 0:16:44.200
<v Speaker 1>and then and then what is the appropriate amount becomes

0:16:44.240 --> 0:16:47.920
<v Speaker 1>a real gray area. Um. So yeah, I mean it is.

0:16:47.960 --> 0:16:50.000
<v Speaker 1>There's so many things I think about that I think

0:16:50.160 --> 0:16:52.960
<v Speaker 1>it really is no surprise at all when it when

0:16:52.960 --> 0:16:54.960
<v Speaker 1>it doesn't go the way. It's when it doesn't go

0:16:55.120 --> 0:16:57.880
<v Speaker 1>right for a child actor in the entertainment industry, it

0:16:57.920 --> 0:17:00.280
<v Speaker 1>actually makes it's actually it's so rare that it go

0:17:00.560 --> 0:17:03.720
<v Speaker 1>the right way, because it's just it's it's too it's

0:17:03.800 --> 0:17:06.480
<v Speaker 1>too gray. People always ask you, guys, I would say,

0:17:06.480 --> 0:17:09.080
<v Speaker 1>the biggest question I get, aside from like would you

0:17:09.080 --> 0:17:11.320
<v Speaker 1>put your children in acting? Which is very common, but

0:17:11.480 --> 0:17:14.639
<v Speaker 1>how did you escape? Because I think, like, you know,

0:17:14.680 --> 0:17:17.119
<v Speaker 1>the four of us did okay, like we aren't you know,

0:17:19.000 --> 0:17:20.760
<v Speaker 1>but we all know a lot of people who had

0:17:21.080 --> 0:17:23.560
<v Speaker 1>really rough roads and like got down the wrong track.

0:17:23.640 --> 0:17:26.480
<v Speaker 1>So do you guys get asked that question a lot. Yeah, yeah,

0:17:27.840 --> 0:17:29.080
<v Speaker 1>I get it. I get it, not even in the

0:17:29.119 --> 0:17:30.639
<v Speaker 1>form of question. I get it as a sort of

0:17:30.680 --> 0:17:36.440
<v Speaker 1>like weird backhanded compliment, like you're so healthy that it's

0:17:36.440 --> 0:17:40.920
<v Speaker 1>like I think, okay, thank you. But yeah, it's also

0:17:41.040 --> 0:17:44.880
<v Speaker 1>there's something there's something very interesting about There's the mentality

0:17:44.960 --> 0:17:47.879
<v Speaker 1>too of you know, hey, I was on a long

0:17:47.960 --> 0:17:50.840
<v Speaker 1>running sitcom and then I went and did something else

0:17:50.840 --> 0:17:54.120
<v Speaker 1>with my life. It's not oh, man, you are awesome

0:17:54.160 --> 0:17:56.080
<v Speaker 1>and really successful as an actor and then decided to

0:17:56.119 --> 0:17:58.920
<v Speaker 1>do something else. It's oh you you couldn't work again

0:17:58.920 --> 0:18:01.439
<v Speaker 1>after that thing, right, Like that's that's what happened. And

0:18:01.480 --> 0:18:03.640
<v Speaker 1>it's not like no, no, no, I because we've got

0:18:03.680 --> 0:18:07.520
<v Speaker 1>like you talked about, uh, step by Step. Stacy Keenan

0:18:07.680 --> 0:18:10.239
<v Speaker 1>was in everything on Step by Step. She's like the

0:18:10.280 --> 0:18:12.719
<v Speaker 1>district attorney of Los Angeles now, so there's like I'm

0:18:12.720 --> 0:18:15.200
<v Speaker 1>a lawyer. Yeah, she's a lawyer. So it's nobody would

0:18:15.200 --> 0:18:18.240
<v Speaker 1>be like, oh, you're not you know, they didn't want

0:18:18.280 --> 0:18:20.080
<v Speaker 1>you in the business anymore. It's like, no, I didn't

0:18:20.119 --> 0:18:22.920
<v Speaker 1>want to do this anymore. And I was hugely successful

0:18:22.920 --> 0:18:24.560
<v Speaker 1>in the business and now I have found another love

0:18:24.600 --> 0:18:27.399
<v Speaker 1>and huge and successful doing something there. But there is

0:18:27.440 --> 0:18:29.800
<v Speaker 1>this stigma of you're a child actor and now you're

0:18:29.800 --> 0:18:32.840
<v Speaker 1>not working all the time. You failed, and it's like, well,

0:18:32.880 --> 0:18:34.960
<v Speaker 1>it's an assumption of it's an assumption of like a

0:18:35.119 --> 0:18:39.240
<v Speaker 1>success ladder, like you know, I think when you start acting,

0:18:39.400 --> 0:18:42.400
<v Speaker 1>there's like, especially as a kid, there's like you get

0:18:42.440 --> 0:18:44.199
<v Speaker 1>this job, and then you get this job, and then

0:18:44.240 --> 0:18:46.879
<v Speaker 1>you get this job, and it's like the end result

0:18:47.000 --> 0:18:48.680
<v Speaker 1>is what that you become an a list actor, winning

0:18:48.680 --> 0:18:51.359
<v Speaker 1>Academy Awards, and that is so that is like the

0:18:51.400 --> 0:18:54.040
<v Speaker 1>two percent of people who if that's the point one

0:18:54.080 --> 0:18:56.919
<v Speaker 1>percent of people who decided to be actors, and of

0:18:57.040 --> 0:19:01.359
<v Speaker 1>child actors that is even fewer. There's this pressure that

0:19:01.680 --> 0:19:04.440
<v Speaker 1>and I remember feeling it and talking about it constantly

0:19:04.480 --> 0:19:07.440
<v Speaker 1>that like, oh there, this is you know, Boy Meets

0:19:07.440 --> 0:19:10.679
<v Speaker 1>World is part of a progression that should continue, and like,

0:19:10.760 --> 0:19:12.280
<v Speaker 1>I just wish I could go back and tell my

0:19:12.359 --> 0:19:14.520
<v Speaker 1>younger self, don't worry about it, man, just be where

0:19:14.560 --> 0:19:17.199
<v Speaker 1>you are right now and start figuring out what you

0:19:17.280 --> 0:19:21.280
<v Speaker 1>care about outside of this sort of need for fame

0:19:21.320 --> 0:19:24.640
<v Speaker 1>and success and money in this context, and like really

0:19:24.680 --> 0:19:26.919
<v Speaker 1>focus on those things because that you know, those are

0:19:26.920 --> 0:19:28.360
<v Speaker 1>the things that are always going to be there, that

0:19:28.359 --> 0:19:30.800
<v Speaker 1>that they're not out of your hands, because a life

0:19:30.800 --> 0:19:33.520
<v Speaker 1>in the arts is unpredictable and it has very little

0:19:33.560 --> 0:19:35.919
<v Speaker 1>to do with actual talent. It has everything to do

0:19:36.000 --> 0:19:38.800
<v Speaker 1>with timing. And you know, when we talk to the

0:19:38.840 --> 0:19:41.880
<v Speaker 1>casting directors for our show, it's like, oh my god,

0:19:41.920 --> 0:19:44.600
<v Speaker 1>it seems so arbitrary whether somebody actually gets cast in

0:19:44.680 --> 0:19:48.080
<v Speaker 1>something or not. Speaking of that, Marla, did you remember

0:19:48.480 --> 0:19:51.919
<v Speaker 1>so um did you audition for Ta Panga earlier in

0:19:51.960 --> 0:19:55.280
<v Speaker 1>the week before you auditioned to be Paige? Did you also?

0:19:56.359 --> 0:19:59.639
<v Speaker 1>I mean I was Paige and then I remember we

0:19:59.680 --> 0:20:02.479
<v Speaker 1>did a table read and there was I hope I'm

0:20:02.480 --> 0:20:05.800
<v Speaker 1>telling this story. There was a difference to Panca correct correct, yes, so,

0:20:05.920 --> 0:20:10.120
<v Speaker 1>and then she went somewhere we don't know where she went.

0:20:10.560 --> 0:20:12.560
<v Speaker 1>And then they were like, okay, we need to find

0:20:12.600 --> 0:20:14.840
<v Speaker 1>a new topanga. And I remember, like it was you

0:20:14.920 --> 0:20:16.520
<v Speaker 1>and meet when was there maybe one of the girl

0:20:16.560 --> 0:20:18.080
<v Speaker 1>who went. I think it was just you and me.

0:20:18.160 --> 0:20:21.760
<v Speaker 1>It was just you and me, and it's I don't

0:20:22.560 --> 0:20:25.000
<v Speaker 1>I think for some reason. I remember being at the

0:20:25.000 --> 0:20:29.399
<v Speaker 1>Burbank Airport, like going back home. You were you were okay,

0:20:29.800 --> 0:20:31.720
<v Speaker 1>because you go you were you were I think going

0:20:31.760 --> 0:20:35.680
<v Speaker 1>home almost every weekend. I get like, you weren't just

0:20:35.760 --> 0:20:37.760
<v Speaker 1>joking you guys. Wasn't the schedule like a Monday through

0:20:37.760 --> 0:20:42.080
<v Speaker 1>Friday because Friday Thursday, it would have been Friday evening. Yeah,

0:20:42.119 --> 0:20:45.040
<v Speaker 1>so it was a Friday afternoon. So yeah, so I

0:20:45.440 --> 0:20:47.320
<v Speaker 1>so you got the okay, So this is that I

0:20:47.359 --> 0:20:50.679
<v Speaker 1>didn't know. I auditioned for Topanga early in early in

0:20:50.720 --> 0:20:53.600
<v Speaker 1>the week and didn't get a call back, and then

0:20:53.840 --> 0:20:57.480
<v Speaker 1>auditioned for what we have lovingly dubbed fish Girls girl

0:20:57.560 --> 0:21:01.359
<v Speaker 1>the girl next to Page. I auditioned for that like

0:21:01.440 --> 0:21:04.760
<v Speaker 1>the next day and got that part. I knew. I

0:21:04.800 --> 0:21:07.760
<v Speaker 1>was like I after I mean, I literally didn't even

0:21:07.760 --> 0:21:09.040
<v Speaker 1>get a call back on to Beango walked out and

0:21:09.080 --> 0:21:12.400
<v Speaker 1>they were like, not her. And then I got fish Girl.

0:21:12.720 --> 0:21:15.160
<v Speaker 1>And so then on Friday we showed up for table Read.

0:21:15.760 --> 0:21:17.800
<v Speaker 1>There was a different to Pengga. You were Page. I

0:21:17.840 --> 0:21:20.000
<v Speaker 1>had like one or two lines to your kind of

0:21:20.040 --> 0:21:24.200
<v Speaker 1>bigger part as Page, and um I watched then those

0:21:24.200 --> 0:21:26.520
<v Speaker 1>scenes that we were in where Topanga was also in

0:21:26.640 --> 0:21:29.600
<v Speaker 1>I watched David Trainer work with her, and I had

0:21:29.680 --> 0:21:31.280
<v Speaker 1>I was like, oh, I totally see why I didn't

0:21:31.280 --> 0:21:32.879
<v Speaker 1>get a call back on this. I was not doing

0:21:32.920 --> 0:21:36.000
<v Speaker 1>anything they're asking. I was terrible in that role, Like,

0:21:36.040 --> 0:21:38.200
<v Speaker 1>no wonder I didn't get a call back. And then

0:21:38.240 --> 0:21:39.720
<v Speaker 1>they ended up letting her go at the end of

0:21:39.720 --> 0:21:41.960
<v Speaker 1>that day. And it was basically like, these two girls

0:21:41.960 --> 0:21:44.800
<v Speaker 1>are here, Marla and Danielle, let's bring them in. And

0:21:44.840 --> 0:21:46.520
<v Speaker 1>it's funny to hear you talk about it, because one

0:21:46.520 --> 0:21:48.680
<v Speaker 1>of my questions was do you remember this week being

0:21:48.720 --> 0:21:51.440
<v Speaker 1>as stressful as I do? And You're like, I don't know.

0:21:51.800 --> 0:21:53.600
<v Speaker 1>I'm not like you haven't getten to you. It was

0:21:53.680 --> 0:21:56.119
<v Speaker 1>not even to you. It was so not stressful. You

0:21:56.160 --> 0:21:57.320
<v Speaker 1>were like I think I was going to and I

0:21:57.359 --> 0:21:59.800
<v Speaker 1>think I was at the airport and I was like dying.

0:22:00.080 --> 0:22:02.880
<v Speaker 1>I was so stressed out. And I also remember feeling

0:22:03.600 --> 0:22:06.679
<v Speaker 1>this awkwardness of like you and I had been hanging

0:22:06.680 --> 0:22:09.119
<v Speaker 1>out all day, we had become friends, you know, to

0:22:09.440 --> 0:22:11.439
<v Speaker 1>twelve year old girls who are excited to be on

0:22:11.480 --> 0:22:13.840
<v Speaker 1>the show, and you know, just you had a lot

0:22:13.880 --> 0:22:15.879
<v Speaker 1>more experience than I did, but you were I just

0:22:15.920 --> 0:22:17.520
<v Speaker 1>remember being like this is so fun, and then all

0:22:17.520 --> 0:22:19.520
<v Speaker 1>of a sudden being like we're gonna need you to

0:22:19.520 --> 0:22:23.160
<v Speaker 1>to come over here, and then them just handing us pages,

0:22:23.480 --> 0:22:27.199
<v Speaker 1>and then there was no um competition feeling between us,

0:22:27.359 --> 0:22:30.399
<v Speaker 1>but more just a feeling of like, oh so weird.

0:22:30.480 --> 0:22:32.960
<v Speaker 1>I thought I had already envisioned the week that the

0:22:33.000 --> 0:22:36.639
<v Speaker 1>two of us were going to be together in these scenes,

0:22:36.720 --> 0:22:38.560
<v Speaker 1>like we're we're friends on the show. We were going

0:22:38.600 --> 0:22:40.040
<v Speaker 1>to be friends this whole week, and then all of

0:22:40.080 --> 0:22:42.320
<v Speaker 1>a sudden, there's a possibility one of us is leaving

0:22:42.359 --> 0:22:46.920
<v Speaker 1>that role behind and possibly changing over to another role.

0:22:47.480 --> 0:22:50.119
<v Speaker 1>So it's like you had like it's so crazy because

0:22:50.119 --> 0:22:52.720
<v Speaker 1>when you at my age now or our age now,

0:22:52.720 --> 0:22:54.440
<v Speaker 1>looking back on it, it's like it was so clear

0:22:54.480 --> 0:22:56.720
<v Speaker 1>that it was you and you like did such a

0:22:56.720 --> 0:23:01.159
<v Speaker 1>fantastic job, and if you think me as Tapanga, it

0:23:01.160 --> 0:23:03.240
<v Speaker 1>would be just such a different role and such, you know,

0:23:03.560 --> 0:23:05.560
<v Speaker 1>like everything happens for a reason, and that was such

0:23:05.600 --> 0:23:08.520
<v Speaker 1>a huge life changing thing for you. I don't remember

0:23:08.560 --> 0:23:11.719
<v Speaker 1>ever feeling you could correct me if I'm wrotten, but like,

0:23:12.400 --> 0:23:15.199
<v Speaker 1>you know, bitter about it or competitive about I remember

0:23:15.200 --> 0:23:17.359
<v Speaker 1>like you had to put like foam on your face

0:23:17.440 --> 0:23:19.800
<v Speaker 1>to lip stick the lipstick, like I just remember that

0:23:19.920 --> 0:23:22.920
<v Speaker 1>so clearly. Um, and that's how we took the lipstick off.

0:23:22.960 --> 0:23:25.080
<v Speaker 1>I think it was like shaving cream. I think shaving

0:23:25.080 --> 0:23:27.639
<v Speaker 1>creams helped take the lipstick off. So then there it

0:23:27.760 --> 0:23:29.879
<v Speaker 1>was not competitive. They didn't just break a bottle and

0:23:29.960 --> 0:23:31.440
<v Speaker 1>drop it in the middle of you and go, let's

0:23:31.480 --> 0:23:35.520
<v Speaker 1>see what happens. I feel like I've been before with

0:23:35.560 --> 0:23:38.000
<v Speaker 1>other actress friends where it's like I've gotten it, They've

0:23:38.040 --> 0:23:39.880
<v Speaker 1>gotten it, and they've been like, Okay, Daniel, you can

0:23:39.920 --> 0:23:42.280
<v Speaker 1>go home, you know, like writer, you can stay, and

0:23:42.280 --> 0:23:46.560
<v Speaker 1>you're just like this is like my friend right, really awkward.

0:23:47.000 --> 0:23:48.800
<v Speaker 1>That'd be the worst when they did that in front

0:23:48.800 --> 0:23:50.199
<v Speaker 1>of it. They did that in front of people like

0:23:50.280 --> 0:23:52.560
<v Speaker 1>you can stay, you can stay, you guys can go home,

0:23:52.600 --> 0:23:54.720
<v Speaker 1>and it's like yikes. They would do that in theater

0:23:54.840 --> 0:23:56.919
<v Speaker 1>all the time. That was like a major because they

0:23:56.960 --> 0:23:59.080
<v Speaker 1>would have these like workshop, these sessions that were kind

0:23:59.080 --> 0:24:01.400
<v Speaker 1>of like rehearsals and to be mixing and matching people.

0:24:01.680 --> 0:24:03.320
<v Speaker 1>I just remember, like when I lived in New York,

0:24:03.320 --> 0:24:05.400
<v Speaker 1>constantly going to auditions and then being like you can

0:24:05.440 --> 0:24:07.439
<v Speaker 1>go home now, and then you'd call back the next day.

0:24:07.480 --> 0:24:10.440
<v Speaker 1>And be like, we actually want to bring you back happening. Yeah,

0:24:11.320 --> 0:24:13.560
<v Speaker 1>like I health. I think a healthy attitude is like

0:24:13.600 --> 0:24:16.560
<v Speaker 1>it's just play and it doesn't really matter. But it's

0:24:16.560 --> 0:24:19.640
<v Speaker 1>so hard, it's so hard to get your heart like broken.

0:24:20.640 --> 0:24:23.600
<v Speaker 1>And the actors are emotional people. Actors are by nature,

0:24:23.760 --> 0:24:27.119
<v Speaker 1>by by nature, emotional people, empathetic emotional people, and so

0:24:27.240 --> 0:24:31.000
<v Speaker 1>you put yourself into these things and if any anybody's

0:24:31.040 --> 0:24:32.600
<v Speaker 1>like me, you start you're sitting in the room and

0:24:32.640 --> 0:24:34.320
<v Speaker 1>you're already starting to imagine what it's going to be

0:24:34.320 --> 0:24:36.320
<v Speaker 1>like to be on said and oh god, I can

0:24:36.320 --> 0:24:37.919
<v Speaker 1>already can see what this character is going to be like.

0:24:37.960 --> 0:24:40.359
<v Speaker 1>And but and then it's like hi, Bill, you can go,

0:24:40.480 --> 0:24:43.479
<v Speaker 1>and it's like it's actually will but okay, thank you.

0:24:43.560 --> 0:24:45.000
<v Speaker 1>I mean it happens all the time. Well, and the

0:24:45.000 --> 0:24:47.040
<v Speaker 1>worst part about telling you is they make you sign

0:24:47.040 --> 0:24:53.280
<v Speaker 1>your contract before you get you envisioned some money. Yeah. Now,

0:24:53.400 --> 0:24:55.560
<v Speaker 1>one of one of my favorite stories that I still

0:24:55.640 --> 0:24:57.840
<v Speaker 1>talk about is that I was like thirteen and I

0:24:57.880 --> 0:24:59.119
<v Speaker 1>was just out in l A for one of my

0:24:59.160 --> 0:25:02.280
<v Speaker 1>first times ever, and I had a general meeting with

0:25:02.359 --> 0:25:04.439
<v Speaker 1>a big casting director and I walked in and we

0:25:04.440 --> 0:25:06.119
<v Speaker 1>had a nice night, gave her my picture and resume,

0:25:06.640 --> 0:25:09.920
<v Speaker 1>and um, I thought I had given her too by accident,

0:25:10.280 --> 0:25:11.640
<v Speaker 1>and it was like the last two that I had

0:25:11.640 --> 0:25:13.600
<v Speaker 1>and my parents and I walked out and I went, oh, wait,

0:25:13.640 --> 0:25:15.639
<v Speaker 1>I think she has my last picture and resume. Have

0:25:15.680 --> 0:25:16.880
<v Speaker 1>to go get it. And I walked back in and said,

0:25:16.920 --> 0:25:18.520
<v Speaker 1>excuse me, I think I left a picture of resume

0:25:18.600 --> 0:25:21.439
<v Speaker 1>here and she went, yeah, it's in the trash. And

0:25:21.520 --> 0:25:24.120
<v Speaker 1>I literally had to walk to the trash can at

0:25:24.160 --> 0:25:27.399
<v Speaker 1>thirteen and pull out my picture and resume and like

0:25:27.520 --> 0:25:29.800
<v Speaker 1>wipe it off and walk out of the walk out

0:25:29.800 --> 0:25:32.600
<v Speaker 1>of the room. And so it's that's what you would get.

0:25:32.600 --> 0:25:34.760
<v Speaker 1>And again as an after, you go thank you and

0:25:34.800 --> 0:25:40.240
<v Speaker 1>you walk, you walk out of the room exactly. I'm

0:25:40.240 --> 0:25:43.640
<v Speaker 1>sorry it was your trash can as a final but

0:25:43.840 --> 0:25:45.919
<v Speaker 1>it's But of course then I made a joke about it.

0:25:45.960 --> 0:25:48.360
<v Speaker 1>I made my mom laugh hysterically. Then for months after

0:25:48.400 --> 0:25:50.320
<v Speaker 1>where she'd be like, where's looks in the trash and like,

0:25:50.840 --> 0:25:53.119
<v Speaker 1>but you have to you like start making because it's

0:25:53.200 --> 0:25:55.959
<v Speaker 1>just you could be harsh, it could be really really harsh.

0:25:56.400 --> 0:25:59.280
<v Speaker 1>So thankfully, thankfully Marla and I there was none of

0:25:59.280 --> 0:26:02.240
<v Speaker 1>that feeling between Marla and I like we I found out,

0:26:02.280 --> 0:26:04.280
<v Speaker 1>I got the I got to Panga that night. I

0:26:04.320 --> 0:26:06.600
<v Speaker 1>went back to work on Monday. I was nervous that

0:26:06.640 --> 0:26:08.880
<v Speaker 1>maybe it would be weird, and it wasn't at all.

0:26:08.920 --> 0:26:12.080
<v Speaker 1>We just went right back into being two girls who

0:26:12.080 --> 0:26:14.280
<v Speaker 1>were friends. And now there was a new girl there

0:26:14.320 --> 0:26:17.640
<v Speaker 1>who was going to be um fish girl was taking

0:26:18.280 --> 0:26:21.000
<v Speaker 1>you had the two of you audition together for anything before.

0:26:21.119 --> 0:26:23.280
<v Speaker 1>Was there like a community of actors that you were

0:26:23.320 --> 0:26:25.560
<v Speaker 1>always with in Los Angeles? Like you guys had seen

0:26:25.600 --> 0:26:28.560
<v Speaker 1>each other at every kind of audition or No, probably,

0:26:28.680 --> 0:26:31.119
<v Speaker 1>but I don't remember time yet. Yeah, but over the

0:26:31.200 --> 0:26:34.280
<v Speaker 1>years I saw you at auditions exactly over the years,

0:26:34.320 --> 0:26:36.800
<v Speaker 1>then we would see each other. But but I don't

0:26:36.840 --> 0:26:39.440
<v Speaker 1>think yeah. I mean, I also don't really remember going on.

0:26:39.840 --> 0:26:42.240
<v Speaker 1>I had done all those commercials at ten or eleven,

0:26:42.240 --> 0:26:44.280
<v Speaker 1>but I don't really remember a whole lot of TV

0:26:44.480 --> 0:26:47.879
<v Speaker 1>show auditions. I wasn't quite getting those auditions yet, I

0:26:47.880 --> 0:26:50.080
<v Speaker 1>think because I was too green. My agent at the

0:26:50.119 --> 0:26:52.639
<v Speaker 1>time was like, we'll put you in a commercial workshop class,

0:26:52.960 --> 0:26:56.960
<v Speaker 1>and then I was basically like a commercial actor. Um,

0:26:57.040 --> 0:26:59.600
<v Speaker 1>and then you know, Full House was one of my

0:27:00.440 --> 0:27:03.280
<v Speaker 1>first ever jobs. I did two episodes of Full House

0:27:03.320 --> 0:27:07.080
<v Speaker 1>before I did Boy Meat's World. Um, So, yeah, it's

0:27:07.080 --> 0:27:08.840
<v Speaker 1>weird because in New York you were always with the

0:27:08.880 --> 0:27:12.359
<v Speaker 1>same like people every single time the room was always

0:27:12.359 --> 0:27:14.280
<v Speaker 1>the same people. And I think that's the case. I think, honestly,

0:27:14.320 --> 0:27:18.080
<v Speaker 1>Danielle was just too brand new. I think she just

0:27:18.200 --> 0:27:20.320
<v Speaker 1>like landed on Boy Meats World so early, because like

0:27:20.359 --> 0:27:22.080
<v Speaker 1>Marla and I knew each other, Like there was a

0:27:22.200 --> 0:27:25.240
<v Speaker 1>small community of people that we kept seeing, we all knew,

0:27:25.600 --> 0:27:27.520
<v Speaker 1>and like that's the irony is like all of those

0:27:27.560 --> 0:27:29.640
<v Speaker 1>people that like Marla and I hung out with at

0:27:29.800 --> 0:27:32.200
<v Speaker 1>um at the oak Woods ended up on Boy Meets

0:27:32.240 --> 0:27:34.600
<v Speaker 1>World at some point, you know, like they would guests

0:27:34.600 --> 0:27:36.720
<v Speaker 1>start at one point or another, or they would be

0:27:36.760 --> 0:27:38.840
<v Speaker 1>backstage hanging out with us because we just knew each other.

0:27:38.960 --> 0:27:41.120
<v Speaker 1>It was there was a sense of community, and it's

0:27:41.119 --> 0:27:44.200
<v Speaker 1>something that happens when you know, we're talking about making

0:27:44.200 --> 0:27:47.240
<v Speaker 1>the transition into being an adult actor. Part of the

0:27:47.320 --> 0:27:51.040
<v Speaker 1>challenges the pool gets bigger, Yeah, competition gets more fierce.

0:27:51.160 --> 0:27:53.199
<v Speaker 1>Like if you're a kid who can hit your marks

0:27:53.680 --> 0:27:55.879
<v Speaker 1>and say your lines, you're like one in a million

0:27:56.000 --> 0:27:58.119
<v Speaker 1>just just for that alone. And so there was a

0:27:58.200 --> 0:28:00.639
<v Speaker 1>there's a there's a sense in which, like you're the

0:28:02.160 --> 0:28:04.600
<v Speaker 1>it gets weeded out very quickly, and it gets down

0:28:04.600 --> 0:28:07.560
<v Speaker 1>to just the five people who like fit this type

0:28:08.000 --> 0:28:10.600
<v Speaker 1>and come to Ellen and whose parents are willing to

0:28:10.640 --> 0:28:13.280
<v Speaker 1>commute for them, and so the pool is very small

0:28:13.280 --> 0:28:16.040
<v Speaker 1>and when you hit like I remember being like twenty

0:28:16.280 --> 0:28:19.040
<v Speaker 1>two plus and going to auditions and it was like,

0:28:19.359 --> 0:28:21.560
<v Speaker 1>oh oh, people are coming out of n y U

0:28:21.680 --> 0:28:25.680
<v Speaker 1>now like actors. Actors have been getting trained, and those

0:28:25.720 --> 0:28:27.720
<v Speaker 1>are the people I'm up against, like the you know,

0:28:27.760 --> 0:28:31.119
<v Speaker 1>they were no names before and now they're like skilled,

0:28:31.560 --> 0:28:34.919
<v Speaker 1>trained actors, and like the competition just got fiercer. You know.

0:28:35.960 --> 0:28:40.000
<v Speaker 1>You were also Joey's sister on Friends? What was that like?

0:28:40.200 --> 0:28:42.080
<v Speaker 1>Was that a more fun set than Boy Meets World?

0:28:42.120 --> 0:28:43.560
<v Speaker 1>Who had a fun or set? You want to know

0:28:43.680 --> 0:28:46.640
<v Speaker 1>something so funny? It's like the same situation. There was

0:28:46.680 --> 0:28:51.760
<v Speaker 1>another actress playing the sister and I wasn't on the show,

0:28:52.000 --> 0:28:53.840
<v Speaker 1>but I got a call, like a last minute call

0:28:53.960 --> 0:28:55.880
<v Speaker 1>being like, they need to find Joey's sister. Can you

0:28:55.880 --> 0:28:58.080
<v Speaker 1>be at Warner Brothers at like noon or something like that,

0:28:58.640 --> 0:29:00.640
<v Speaker 1>And actually very good for end of mine. One of

0:29:00.640 --> 0:29:02.200
<v Speaker 1>my closest friends was one of the girls at the

0:29:02.240 --> 0:29:07.480
<v Speaker 1>audition and still to this day she I'm not over friends.

0:29:07.640 --> 0:29:09.480
<v Speaker 1>That never happened to me because he did that. They

0:29:09.520 --> 0:29:12.760
<v Speaker 1>go Marlatte, you can stay, um, just wait, just wait

0:29:12.800 --> 0:29:14.000
<v Speaker 1>for me right there, and they sent me right to

0:29:14.000 --> 0:29:16.040
<v Speaker 1>Wardrop and everybody else. You can come home, like thanks

0:29:16.040 --> 0:29:18.440
<v Speaker 1>for coming. And she was like so mortified. Anyway, so

0:29:18.480 --> 0:29:22.080
<v Speaker 1>it's between us. She's like, when you they asked me

0:29:22.120 --> 0:29:23.960
<v Speaker 1>to leave and you've got to stay. Do you never that?

0:29:25.520 --> 0:29:27.560
<v Speaker 1>But yeah, I mean that was another kind of like

0:29:27.800 --> 0:29:30.040
<v Speaker 1>surreal experience because I was such a pan I mean

0:29:30.040 --> 0:29:31.320
<v Speaker 1>I think that I think I did that when they

0:29:31.320 --> 0:29:33.520
<v Speaker 1>were in there, like eighth season or something. Oh my god.

0:29:33.760 --> 0:29:36.560
<v Speaker 1>Then the new cool shows like the show, you know,

0:29:37.480 --> 0:29:40.080
<v Speaker 1>show in the Country. Yeah, and I think I talked

0:29:40.080 --> 0:29:42.280
<v Speaker 1>to like nobody. I was so nervous. I was like,

0:29:42.880 --> 0:29:44.520
<v Speaker 1>oh my god, they're done for understand, and she's so

0:29:44.560 --> 0:29:46.800
<v Speaker 1>close to me, Like, I'm so star struck the whole time.

0:29:47.480 --> 0:29:48.960
<v Speaker 1>Did you get to do the live show in front

0:29:49.000 --> 0:29:51.760
<v Speaker 1>of the audience. Yeah, I also have been such an

0:29:51.800 --> 0:29:54.160
<v Speaker 1>exciting show to be on because it's so much energy.

0:29:54.200 --> 0:29:56.000
<v Speaker 1>I really wish I had gone to a taping of

0:29:56.120 --> 0:29:59.000
<v Speaker 1>their show or any show. I didn't even try, like

0:29:59.040 --> 0:30:01.440
<v Speaker 1>I did, never went to their taping, like when your

0:30:01.440 --> 0:30:03.600
<v Speaker 1>mom brought you down, you didn't go to a taping

0:30:03.640 --> 0:30:07.800
<v Speaker 1>for I went to Blossom. Wow. But this is like

0:30:07.880 --> 0:30:09.640
<v Speaker 1>and you guys know from being on a sitcom, It's

0:30:09.680 --> 0:30:11.400
<v Speaker 1>like I thought we were going to see Blossom. It's

0:30:11.400 --> 0:30:13.560
<v Speaker 1>going to be great. I remember like our SIXA was like, um,

0:30:13.680 --> 0:30:17.960
<v Speaker 1>can we get out of your And then like when

0:30:17.960 --> 0:30:20.000
<v Speaker 1>people wanted to come to even like Buller House, like

0:30:20.240 --> 0:30:22.240
<v Speaker 1>you know, any everybody was always asked me, can I

0:30:22.240 --> 0:30:23.560
<v Speaker 1>come to a taping? I'm like, you don't want to

0:30:23.600 --> 0:30:26.200
<v Speaker 1>come to a taping? Like now, forrest me, you can

0:30:26.240 --> 0:30:28.719
<v Speaker 1>come like visit, you know, but you don't want to.

0:30:28.760 --> 0:30:31.120
<v Speaker 1>They take your phone. Now you're like trapped in there.

0:30:31.600 --> 0:30:34.400
<v Speaker 1>You know, people they don't really get it yet. I know.

0:30:34.520 --> 0:30:37.400
<v Speaker 1>And you know when we were kids though, they were

0:30:37.480 --> 0:30:41.520
<v Speaker 1>like three and a half hours because they yeah, they

0:30:41.520 --> 0:30:43.760
<v Speaker 1>couldn't run long. But then you get into being an

0:30:43.800 --> 0:30:46.040
<v Speaker 1>adult and someone wants to come to a taping, You're like,

0:30:46.080 --> 0:30:47.480
<v Speaker 1>this is the worst you're gonna get it. You're gonna

0:30:47.480 --> 0:30:52.520
<v Speaker 1>be is if you're backstage our show backstage was like

0:30:52.560 --> 0:30:55.480
<v Speaker 1>all about the taping and like a gathering aroundcraft service

0:30:55.480 --> 0:30:58.200
<v Speaker 1>and video village. If you go backstage at like grown

0:30:58.240 --> 0:31:00.720
<v Speaker 1>up shows, though, they would have basic heart as back

0:31:02.000 --> 0:31:05.000
<v Speaker 1>catered dinner that was like open because like everyone from

0:31:05.000 --> 0:31:07.880
<v Speaker 1>the network would come and then be like dressing rooms

0:31:07.920 --> 0:31:10.560
<v Speaker 1>open because everybody would start drinking after like you know,

0:31:10.600 --> 0:31:12.600
<v Speaker 1>the show was over. We did it, and like none

0:31:12.640 --> 0:31:14.920
<v Speaker 1>of that happened on our show because we're like we

0:31:14.960 --> 0:31:17.760
<v Speaker 1>were teenagers. And I did finally go to a taping

0:31:18.360 --> 0:31:20.400
<v Speaker 1>in my twenties. I visited a friend of the show

0:31:20.440 --> 0:31:22.040
<v Speaker 1>and I was like, Oh, this is this is what

0:31:22.080 --> 0:31:33.080
<v Speaker 1>it could have been like if we were older. So

0:31:33.280 --> 0:31:35.120
<v Speaker 1>I have not even gotten to the fact that, well

0:31:35.120 --> 0:31:36.960
<v Speaker 1>I did. I mentioned that you were on seven seasons

0:31:36.960 --> 0:31:39.160
<v Speaker 1>of The Practice, and writer you did two episodes of

0:31:39.160 --> 0:31:41.360
<v Speaker 1>The Practice. Yeah, And I remember Marla coming over to

0:31:41.400 --> 0:31:43.360
<v Speaker 1>my dressing with my trailer and we didn't get work together,

0:31:43.520 --> 0:31:45.719
<v Speaker 1>but I remember her knocking on my door and like

0:31:45.760 --> 0:31:48.680
<v Speaker 1>waking me up because I was sleeping. You know, I

0:31:48.800 --> 0:31:54.520
<v Speaker 1>was Marlin knocking on your door because I had like

0:31:54.600 --> 0:31:56.800
<v Speaker 1>five AM calls. That's the thing we see, we weren't

0:31:56.880 --> 0:31:58.760
<v Speaker 1>used to that kind of crap because like on board

0:31:58.760 --> 0:32:01.320
<v Speaker 1>these world, we had six new schedules put on the practice.

0:32:01.360 --> 0:32:03.000
<v Speaker 1>It was a film schedule, so you had to be

0:32:03.040 --> 0:32:05.560
<v Speaker 1>there at like six am, like, and I was just

0:32:05.680 --> 0:32:08.320
<v Speaker 1>I remember being so weirded out by having to actually

0:32:08.360 --> 0:32:11.840
<v Speaker 1>work like normal film outright. But I loved that show.

0:32:11.920 --> 0:32:13.360
<v Speaker 1>I was so happy to be a part of it

0:32:13.560 --> 0:32:15.680
<v Speaker 1>because I just thought it was such a high quality show.

0:32:16.040 --> 0:32:17.880
<v Speaker 1>But yeah, we didn't get to Workgether, but I remember

0:32:17.880 --> 0:32:22.440
<v Speaker 1>I loved that like every episode of really Yeah, Yeah,

0:32:22.480 --> 0:32:25.200
<v Speaker 1>I loved it. Wow, I loved it too, I really did.

0:32:25.280 --> 0:32:28.080
<v Speaker 1>It was such a great experience, and you know we

0:32:28.280 --> 0:32:34.080
<v Speaker 1>had I had the wonderful um position of being like

0:32:34.160 --> 0:32:37.200
<v Speaker 1>the youngest and just everybody was there to you know,

0:32:37.280 --> 0:32:39.440
<v Speaker 1>show me the ropes and you know, care for me.

0:32:39.520 --> 0:32:41.960
<v Speaker 1>So I wasn't if there was ever any like cast drama,

0:32:42.000 --> 0:32:44.040
<v Speaker 1>I didn't know about it because I was happy to

0:32:44.080 --> 0:32:47.479
<v Speaker 1>be there the whole time. And yeah, it was great. Well,

0:32:47.520 --> 0:32:50.400
<v Speaker 1>I hadn't seen you for years. And then we did

0:32:50.600 --> 0:32:53.840
<v Speaker 1>Hollywood Darlings together and it was just like two days

0:32:53.840 --> 0:32:56.600
<v Speaker 1>of just thrown together kind of like, oh, hey, it's

0:32:56.640 --> 0:32:59.600
<v Speaker 1>just everybody's back. Hey, how's everybody doing. What's Hollywood Darlins?

0:33:00.000 --> 0:33:04.320
<v Speaker 1>Hollywood doings was to show that that started Bacon and

0:33:04.440 --> 0:33:09.440
<v Speaker 1>Joe that's right, and and and so it was we

0:33:09.880 --> 0:33:11.640
<v Speaker 1>you know, they kind of threw everybody in from the

0:33:11.720 --> 0:33:14.240
<v Speaker 1>nineties for a party's supposed to be the two thousand's

0:33:14.240 --> 0:33:17.600
<v Speaker 1>are the the year two thousand New Year's party at

0:33:17.640 --> 0:33:21.720
<v Speaker 1>my house? Um, and so everybody's there and I'm dating

0:33:21.760 --> 0:33:23.120
<v Speaker 1>all three of the women at the same time, but

0:33:23.160 --> 0:33:26.320
<v Speaker 1>I end up actually with Marla at the end. Uh So, Yeah,

0:33:26.720 --> 0:33:28.800
<v Speaker 1>it's just fun. But so many people you hadn't seen,

0:33:28.880 --> 0:33:30.959
<v Speaker 1>and you're kind of like in this club, this like

0:33:31.080 --> 0:33:33.800
<v Speaker 1>nineties club, which we felt when we were at nineties

0:33:33.800 --> 0:33:36.440
<v Speaker 1>Con where we're just like everybody's back together again. It's

0:33:36.600 --> 0:33:38.760
<v Speaker 1>it's so strange. It's a fun kind of bond, you know,

0:33:38.800 --> 0:33:41.400
<v Speaker 1>you just pick up right where you left off. So, Marlot,

0:33:41.440 --> 0:33:43.160
<v Speaker 1>you mentioned that you have a ten year old. You

0:33:43.200 --> 0:33:47.960
<v Speaker 1>have a total of three daughters, what are their ages? Ten? Ten,

0:33:48.440 --> 0:33:56.560
<v Speaker 1>seven and seven months? Seven months? New one over decided

0:33:56.600 --> 0:34:06.960
<v Speaker 1>to join our family, and we also we have, um

0:34:07.040 --> 0:34:08.759
<v Speaker 1>we have I have a one year old, so am

0:34:08.800 --> 0:34:12.360
<v Speaker 1>I have one that's not that that much older than yours. Um.

0:34:12.400 --> 0:34:14.880
<v Speaker 1>But also we have both dress right I do, I

0:34:14.920 --> 0:34:16.680
<v Speaker 1>have I have to Yeah, I have I have a

0:34:16.680 --> 0:34:18.359
<v Speaker 1>three year old son and a one year old son.

0:34:18.480 --> 0:34:21.880
<v Speaker 1>Oh my gosh, um, yeah, I mean not as busy

0:34:21.880 --> 0:34:24.200
<v Speaker 1>as with three and a seven months. I don't know

0:34:24.239 --> 0:34:26.640
<v Speaker 1>how you do it. Agree with nine years split like

0:34:26.719 --> 0:34:30.239
<v Speaker 1>that is so intense. Yeah, yeah, it's your ten year

0:34:30.280 --> 0:34:34.319
<v Speaker 1>old helpful with your so helpful. Like he said to me, like, oh,

0:34:34.320 --> 0:34:36.799
<v Speaker 1>you're gonna have a built in babysitter. And I kept thinking,

0:34:36.800 --> 0:34:38.719
<v Speaker 1>this seems someone fair to put this on her, like

0:34:38.800 --> 0:34:41.360
<v Speaker 1>she didn't decide to have a baby, Like why everybody

0:34:41.400 --> 0:34:43.719
<v Speaker 1>was always saying that, like you gotta help mommy. But

0:34:43.719 --> 0:34:45.440
<v Speaker 1>I would always say to her, how many of you

0:34:45.440 --> 0:34:47.919
<v Speaker 1>want to you know, like this isn't your this isn't

0:34:47.960 --> 0:34:52.200
<v Speaker 1>your responsibility. Um. But she has taken it on and

0:34:52.239 --> 0:34:54.279
<v Speaker 1>they really have. I mean it's crazy. It's actually ten

0:34:54.360 --> 0:34:59.560
<v Speaker 1>year difference. Their birthdays two days apart, so they it's

0:34:59.600 --> 0:35:02.319
<v Speaker 1>just this whist relationship. And my middle daughter too, she's

0:35:02.440 --> 0:35:04.640
<v Speaker 1>very helpful. I mean she's only seven, so she's a

0:35:04.719 --> 0:35:08.359
<v Speaker 1>little less intend But you know, you you remember because

0:35:08.360 --> 0:35:09.880
<v Speaker 1>you're in the thick of it, Danielle. But like you know,

0:35:09.880 --> 0:35:11.799
<v Speaker 1>when you want to take a shower and you're like,

0:35:12.000 --> 0:35:13.440
<v Speaker 1>why do I put this kid? What do I do?

0:35:13.480 --> 0:35:15.879
<v Speaker 1>How do I really quickly? And you know I could

0:35:15.920 --> 0:35:18.880
<v Speaker 1>just like can you watch her really quickly? So honestly,

0:35:18.960 --> 0:35:22.239
<v Speaker 1>it's been just such a different experience and she's you know,

0:35:22.360 --> 0:35:24.719
<v Speaker 1>really made it a lot easier. But again, I don't

0:35:24.760 --> 0:35:27.759
<v Speaker 1>ever like push that on her because she's not you know,

0:35:28.440 --> 0:35:30.520
<v Speaker 1>it'll be a cool relationship though. My oldest brothers eight

0:35:30.560 --> 0:35:32.520
<v Speaker 1>years older than me, and we always had there's always

0:35:32.560 --> 0:35:34.360
<v Speaker 1>that kind of like it's almost like a second parent

0:35:34.440 --> 0:35:36.080
<v Speaker 1>in a way. But when you can really talk to

0:35:36.239 --> 0:35:39.080
<v Speaker 1>them about anything, um, so yeah, it's cool when you

0:35:39.080 --> 0:35:42.480
<v Speaker 1>have that kind of big split. Yeah. Yeah. And now

0:35:42.560 --> 0:35:45.560
<v Speaker 1>you are also you have moved behind the camera. You

0:35:45.600 --> 0:35:54.280
<v Speaker 1>are now a director. How do you know? Yeah? Yeah,

0:35:54.320 --> 0:35:56.520
<v Speaker 1>how did you make that transition? What? What what was

0:35:56.560 --> 0:35:58.880
<v Speaker 1>the idea behind it? What made that made you realize

0:35:58.920 --> 0:36:00.680
<v Speaker 1>you wanted to do that. I want to know everything

0:36:00.719 --> 0:36:05.520
<v Speaker 1>about this, like second stage of your career. Okay, so basically,

0:36:05.640 --> 0:36:08.000
<v Speaker 1>in the times that we don't work, you know, it

0:36:08.040 --> 0:36:10.000
<v Speaker 1>could be a year, it could be a week. I

0:36:10.040 --> 0:36:13.080
<v Speaker 1>was just writing content, you know, just things that I

0:36:13.120 --> 0:36:16.360
<v Speaker 1>was keeping myself busy with, and um, just because you know,

0:36:16.400 --> 0:36:18.359
<v Speaker 1>I always want to feel like I'm doing something when

0:36:18.360 --> 0:36:20.200
<v Speaker 1>you're waiting for your agent to give you an audition,

0:36:20.880 --> 0:36:24.520
<v Speaker 1>which was the most frustrating feeling to me. Um And

0:36:24.680 --> 0:36:26.439
<v Speaker 1>I was at a bar with my husband one night

0:36:26.480 --> 0:36:28.960
<v Speaker 1>and I was hysterically crying because I'm like, I'm like

0:36:29.040 --> 0:36:30.560
<v Speaker 1>what you were saying, Daniel, I'm like, I don't even

0:36:30.560 --> 0:36:32.200
<v Speaker 1>have any other skills, Like what am I gonna do

0:36:32.239 --> 0:36:34.560
<v Speaker 1>with life? I can't. And I also felt like I

0:36:34.600 --> 0:36:36.840
<v Speaker 1>had these two small children and they're always seeing me

0:36:36.920 --> 0:36:39.120
<v Speaker 1>like kind of identify with something that supposed to make

0:36:39.160 --> 0:36:41.239
<v Speaker 1>me happy, and if I didn't get a part, it

0:36:41.280 --> 0:36:43.319
<v Speaker 1>would be just like so upsetting to me. And that

0:36:43.400 --> 0:36:45.200
<v Speaker 1>was upsetting to me. I'm like, why do I care

0:36:45.239 --> 0:36:48.239
<v Speaker 1>so much? Still, like this is crazy? And so he

0:36:48.280 --> 0:36:49.759
<v Speaker 1>looked at me and he goes, you know what, you

0:36:49.840 --> 0:36:52.759
<v Speaker 1>have so many scripts, just go make one of them.

0:36:53.280 --> 0:36:55.280
<v Speaker 1>And I was like, what do you mean? And he

0:36:55.280 --> 0:36:57.640
<v Speaker 1>he was just like, get a camera, get a crew together,

0:36:57.719 --> 0:37:00.080
<v Speaker 1>and put something out there, like you know, put to

0:37:00.080 --> 0:37:02.480
<v Speaker 1>plan into action. If you want to direct, you should direct.

0:37:03.120 --> 0:37:05.880
<v Speaker 1>And within like a few weeks, you know, I just

0:37:05.920 --> 0:37:08.600
<v Speaker 1>called up people that I knew, like a cinematographer friend

0:37:08.600 --> 0:37:10.799
<v Speaker 1>of mine and a sound you know mixer who I

0:37:10.800 --> 0:37:12.680
<v Speaker 1>went to high school with, who like won an Academy

0:37:12.680 --> 0:37:15.439
<v Speaker 1>Award for Lalla Land, and you know, people want to help,

0:37:15.600 --> 0:37:19.239
<v Speaker 1>which is amazing, And I made a short and fell

0:37:19.280 --> 0:37:22.279
<v Speaker 1>in love. I I was just like, no, no, this

0:37:22.320 --> 0:37:24.720
<v Speaker 1>is what I'm supposed to be doing. And I felt

0:37:24.760 --> 0:37:28.239
<v Speaker 1>this intense poll and I took up like two and

0:37:28.280 --> 0:37:32.239
<v Speaker 1>a half years from acting to just shadow and um,

0:37:32.280 --> 0:37:35.359
<v Speaker 1>you know, learn as much as I could and get

0:37:35.360 --> 0:37:40.520
<v Speaker 1>the opportunities. And then finally one of the directors I

0:37:40.520 --> 0:37:43.560
<v Speaker 1>had shadowed put me up for a movie um that

0:37:43.640 --> 0:37:45.520
<v Speaker 1>he wasn't able to direct. And then I went and

0:37:45.520 --> 0:37:47.359
<v Speaker 1>took the meeting and I got it, which was full

0:37:47.400 --> 0:37:52.840
<v Speaker 1>imposter syndrome. Like I was like, oh, oh okay, great, yeah, no, no,

0:37:52.880 --> 0:37:56.200
<v Speaker 1>I could do this totally. Um like, no, I came

0:37:56.200 --> 0:37:59.799
<v Speaker 1>to the meeting, which means I am equipped to do this.

0:38:00.200 --> 0:38:04.600
<v Speaker 1>Yeah yeah, and um yeah. It was just it's been

0:38:04.680 --> 0:38:09.839
<v Speaker 1>so nice to kind of step away and be part

0:38:09.840 --> 0:38:12.560
<v Speaker 1>of the creative process in such a different way, but

0:38:12.719 --> 0:38:16.600
<v Speaker 1>still like have that love of acting and knowing what

0:38:16.640 --> 0:38:19.080
<v Speaker 1>the actors are going through and being able to communicate

0:38:19.120 --> 0:38:20.719
<v Speaker 1>with them. In ways that I which directors would have

0:38:20.760 --> 0:38:23.919
<v Speaker 1>been able to talk to me. Um, it's just been

0:38:24.200 --> 0:38:26.160
<v Speaker 1>it's been awesome. I mean the fallout from it is,

0:38:26.200 --> 0:38:28.880
<v Speaker 1>you know, people like your fans or my mother is

0:38:28.920 --> 0:38:34.400
<v Speaker 1>like such a shame that you don't know it's existing.

0:38:34.600 --> 0:38:37.719
<v Speaker 1>Is It's exactly. It's exactly what Will was saying. If

0:38:37.719 --> 0:38:40.960
<v Speaker 1>people don't see you in the same medium they're used

0:38:40.960 --> 0:38:43.720
<v Speaker 1>to seeing you, they think, I guess it's just over

0:38:43.760 --> 0:38:46.000
<v Speaker 1>for them. I don't know what they're doing, as opposed

0:38:46.040 --> 0:38:50.920
<v Speaker 1>to thinking they moved into some other new career. Yeah. Yeah,

0:38:51.040 --> 0:38:55.200
<v Speaker 1>I love that. It's your mom though too, putting yourself

0:38:55.280 --> 0:38:59.040
<v Speaker 1>in one of the ones you're direct Maybe you want

0:38:59.040 --> 0:39:02.640
<v Speaker 1>to do that. Actually, that is a good question. Have

0:39:02.800 --> 0:39:04.520
<v Speaker 1>you thought about that, because I know you've directed a

0:39:04.520 --> 0:39:09.399
<v Speaker 1>few Hallmark movies. Yeah, I've done Lifetime, which similar very um.

0:39:09.440 --> 0:39:11.560
<v Speaker 1>So the short that I'm telling that I started with

0:39:11.680 --> 0:39:14.040
<v Speaker 1>I was in. UM. It was me and my friend

0:39:14.160 --> 0:39:17.319
<v Speaker 1>Judy career. Um. It was kind of like one of

0:39:17.320 --> 0:39:19.200
<v Speaker 1>those things that we were making fun of the preschool

0:39:19.200 --> 0:39:21.200
<v Speaker 1>my kids were going to, because when you would walk

0:39:21.239 --> 0:39:25.640
<v Speaker 1>into their preschool there was a big build um bulletin

0:39:25.640 --> 0:39:27.799
<v Speaker 1>board that had everybody's picture and what they were allergic to.

0:39:28.800 --> 0:39:31.120
<v Speaker 1>I mean, my kids weren't allergic to anything. Luckily I

0:39:31.160 --> 0:39:33.680
<v Speaker 1>don't have a child with but I just was like,

0:39:33.920 --> 0:39:37.760
<v Speaker 1>read die number forty. Really I didn't think that's an allergy.

0:39:37.920 --> 0:39:39.360
<v Speaker 1>I think that your mom just doesn't want you to

0:39:39.400 --> 0:39:48.600
<v Speaker 1>have that. I made short ridiculous. That was a real

0:39:48.719 --> 0:39:51.799
<v Speaker 1>that that didn't make it up. Wow, And you know,

0:39:51.880 --> 0:39:54.640
<v Speaker 1>just kids having like crazy names and all of that stuff.

0:39:54.680 --> 0:39:58.880
<v Speaker 1>So um, but I was in that and and I

0:39:58.960 --> 0:40:01.200
<v Speaker 1>really realized, you know, in the shooting of that, like

0:40:01.239 --> 0:40:02.680
<v Speaker 1>every time it was time for me to go back

0:40:02.680 --> 0:40:04.719
<v Speaker 1>in front of the camera, and it was obviously my

0:40:04.760 --> 0:40:07.759
<v Speaker 1>first time directing, I felt not sad, but I was

0:40:07.840 --> 0:40:09.920
<v Speaker 1>just kind of like, oh, okay, yeah, let's do that.

0:40:10.000 --> 0:40:12.719
<v Speaker 1>It wasn't as I didn't feel like I could do

0:40:12.800 --> 0:40:16.080
<v Speaker 1>both well, you know, I wanted to be really great

0:40:16.120 --> 0:40:17.959
<v Speaker 1>at the thing I was focusing on, and it felt

0:40:17.960 --> 0:40:21.080
<v Speaker 1>like almost a distraction. I mean, I think eventually, I

0:40:21.080 --> 0:40:22.799
<v Speaker 1>think the space I work in is like a little

0:40:22.800 --> 0:40:24.960
<v Speaker 1>bit lower in the budget world. If I were to

0:40:25.000 --> 0:40:27.120
<v Speaker 1>do something it was like fifty million dollars, I was like,

0:40:27.160 --> 0:40:30.719
<v Speaker 1>let's shoot one scene a day and I'll bring that,

0:40:31.360 --> 0:40:36.319
<v Speaker 1>you know, a body double, Like I think, like now,

0:40:36.440 --> 0:40:38.840
<v Speaker 1>it's just like everything so quick that I would feel

0:40:39.160 --> 0:40:41.840
<v Speaker 1>stressed by that. Aren't those? Aren't those lifetime movie shot

0:40:41.840 --> 0:40:44.000
<v Speaker 1>in like ten days and it's like you have a

0:40:44.040 --> 0:40:46.880
<v Speaker 1>full film script in like ten or eleven days or shooting.

0:40:47.320 --> 0:40:50.080
<v Speaker 1>It's not ten, but it's close. It's like anywhere from

0:40:50.120 --> 0:40:53.719
<v Speaker 1>fifteen to twenty. Um. Actually, the last one I just

0:40:53.760 --> 0:40:57.000
<v Speaker 1>did was thirteen and I won't I won't do that again.

0:40:57.120 --> 0:41:01.640
<v Speaker 1>That was I'm about to start one that's fourteen. You

0:41:01.640 --> 0:41:05.279
<v Speaker 1>can do it. You could do fourteen. How long is

0:41:05.280 --> 0:41:08.600
<v Speaker 1>the script? Um, it's a I don't know, it's a

0:41:08.600 --> 0:41:12.320
<v Speaker 1>full it's like hundred hundred five pages. Kind what is

0:41:12.360 --> 0:41:15.279
<v Speaker 1>the one that you're doing? It's for to be. No,

0:41:15.520 --> 0:41:19.040
<v Speaker 1>it's not holiday, it's for to be. It's a college comedy.

0:41:19.120 --> 0:41:21.200
<v Speaker 1>So the good news is we are shooting on a

0:41:21.200 --> 0:41:25.480
<v Speaker 1>college campus, and the college campus has a lot of

0:41:25.520 --> 0:41:29.000
<v Speaker 1>the locations we need. A majority of the movie takes

0:41:29.040 --> 0:41:31.800
<v Speaker 1>place on a college campus, and the campus we picked

0:41:31.840 --> 0:41:35.000
<v Speaker 1>everything is like the set ups in different places. It

0:41:35.040 --> 0:41:37.120
<v Speaker 1>will be very close, Like we can definitely have people

0:41:37.120 --> 0:41:38.600
<v Speaker 1>setting up by the time we're done with this one

0:41:38.640 --> 0:41:41.040
<v Speaker 1>will be mostly set up over there, um, and then

0:41:41.080 --> 0:41:43.799
<v Speaker 1>we found one other location that also houses some of

0:41:43.840 --> 0:41:45.640
<v Speaker 1>like a majority of the other ones. We're hoping to

0:41:45.680 --> 0:41:48.000
<v Speaker 1>only have like two maybe three company moves in the

0:41:48.000 --> 0:41:51.160
<v Speaker 1>whole time, which will save us a ton of time.

0:41:51.600 --> 0:41:53.560
<v Speaker 1>But still I'm very nervous about it. As a matter

0:41:53.560 --> 0:41:55.359
<v Speaker 1>of fact, Writer and I have a zoom later today

0:41:55.360 --> 0:41:59.880
<v Speaker 1>where writer is going to talk me off a ledge, right,

0:42:00.000 --> 0:42:03.120
<v Speaker 1>Are I need you? So? Marla? I may call on

0:42:03.160 --> 0:42:06.799
<v Speaker 1>you as well, because I actually did another movie that

0:42:06.880 --> 0:42:08.359
<v Speaker 1>was you guys are Gonna Die and I haven't even

0:42:08.400 --> 0:42:10.880
<v Speaker 1>told people like how many days this was. So I

0:42:10.920 --> 0:42:12.680
<v Speaker 1>did a movie that it was an Indian I loved

0:42:12.719 --> 0:42:15.279
<v Speaker 1>the script so much, called Roselle Day. It's actually gonna

0:42:15.280 --> 0:42:17.080
<v Speaker 1>be streaming in November, but we shot it. Are you

0:42:17.120 --> 0:42:22.319
<v Speaker 1>ready in five days? Did it all take place in

0:42:22.320 --> 0:42:25.479
<v Speaker 1>one room? How did you back you out? You have to, okay, okay,

0:42:27.160 --> 0:42:29.320
<v Speaker 1>get an advice that you're not asking for. It's like

0:42:29.560 --> 0:42:32.239
<v Speaker 1>two I am asking really kind of get with your

0:42:32.280 --> 0:42:36.760
<v Speaker 1>actors and make sure that they're prepared because unfortunately, your

0:42:36.880 --> 0:42:40.120
<v Speaker 1>preparation relies heavily on them coming and like showing up.

0:42:40.239 --> 0:42:43.560
<v Speaker 1>You know, you can't have somebody take you down like that.

0:42:43.680 --> 0:42:45.480
<v Speaker 1>So that's a big one. And then the location is

0:42:45.520 --> 0:42:47.160
<v Speaker 1>a big one. And then just you know, your shot

0:42:47.160 --> 0:42:48.960
<v Speaker 1>list is going to look completely different than it ever

0:42:49.000 --> 0:42:52.520
<v Speaker 1>would look because you can't do the long, you know

0:42:52.600 --> 0:42:55.120
<v Speaker 1>list that you're used to. I know, That's what I was.

0:42:55.160 --> 0:42:57.359
<v Speaker 1>That's exactly what I'm talking to writer about today. I'm like,

0:42:57.680 --> 0:43:00.719
<v Speaker 1>so I have twelve setups in this one um one

0:43:00.760 --> 0:43:02.759
<v Speaker 1>and a half page scene. Is that gonna work? Is that's?

0:43:02.760 --> 0:43:05.440
<v Speaker 1>How is that going to go? Uh? Yeah, I don't.

0:43:05.480 --> 0:43:08.360
<v Speaker 1>I don't know how. And then and then having three children,

0:43:08.440 --> 0:43:11.120
<v Speaker 1>like I am, truthfully, this is it's gonna be a

0:43:11.160 --> 0:43:13.720
<v Speaker 1>fourteen day shoot, and I'm we're probably gonna be shooting

0:43:13.719 --> 0:43:16.279
<v Speaker 1>seven to seven, and that means I will have to

0:43:16.360 --> 0:43:18.359
<v Speaker 1>leave my house at six and I won't get home

0:43:18.480 --> 0:43:21.880
<v Speaker 1>until eight, which means from six am to eight pm

0:43:21.920 --> 0:43:24.040
<v Speaker 1>at the earliest, I won't see my children. My children

0:43:24.080 --> 0:43:27.080
<v Speaker 1>get up at six thirty and my my oldest son

0:43:27.120 --> 0:43:29.920
<v Speaker 1>goes to bed at seven thirty, So I won't see

0:43:30.040 --> 0:43:33.120
<v Speaker 1>my kids for those fourteen days. Now, granted there are

0:43:33.120 --> 0:43:36.359
<v Speaker 1>weekends in between. I think we're doing We're doing five

0:43:36.440 --> 0:43:38.839
<v Speaker 1>day weeks Monday through Friday and then I will get

0:43:38.880 --> 0:43:41.640
<v Speaker 1>the weekend with them. But I've never not seen my

0:43:41.719 --> 0:43:44.319
<v Speaker 1>kids for five days, like I've never I don't know,

0:43:44.440 --> 0:43:47.400
<v Speaker 1>I've never done that. Um. So I am like, I

0:43:47.440 --> 0:43:50.359
<v Speaker 1>don't when I talked to other working parents and I

0:43:50.560 --> 0:43:52.200
<v Speaker 1>and you know, because people ask me all the time,

0:43:52.200 --> 0:43:54.560
<v Speaker 1>how do you do it? And I think I don't know?

0:43:55.040 --> 0:43:56.960
<v Speaker 1>Tons of help is the number one answer. I have

0:43:57.000 --> 0:43:59.279
<v Speaker 1>a fantastic nanny. I would not be able to do

0:43:59.360 --> 0:44:01.080
<v Speaker 1>it alone. My house have been disabled to be present.

0:44:01.080 --> 0:44:03.240
<v Speaker 1>But my husband wrote this movie. I'm about to start directing,

0:44:03.239 --> 0:44:06.080
<v Speaker 1>so he's gonna he's gonna want to be there. Um

0:44:06.239 --> 0:44:09.000
<v Speaker 1>And so I just like, really, marlat, how do you?

0:44:09.360 --> 0:44:11.160
<v Speaker 1>How do you do it all? I mean, the one

0:44:11.200 --> 0:44:12.880
<v Speaker 1>tip I'm going to give you on that front with

0:44:12.920 --> 0:44:17.240
<v Speaker 1>the kids is, um, I did a movie in Utah

0:44:17.520 --> 0:44:20.560
<v Speaker 1>and it was it was it was a Christmas and

0:44:20.719 --> 0:44:22.600
<v Speaker 1>it was the first time I even left. I didn't

0:44:22.640 --> 0:44:24.360
<v Speaker 1>even leave to act. It was like I'm leaving and

0:44:24.400 --> 0:44:26.440
<v Speaker 1>I'm gonna be gone. Because I had, you know, prep

0:44:26.520 --> 0:44:29.879
<v Speaker 1>first and then and um, I had I could send

0:44:29.880 --> 0:44:31.719
<v Speaker 1>it to you. I made like a schedule. I guess

0:44:31.760 --> 0:44:33.560
<v Speaker 1>you have a one year old it's so different. My

0:44:33.640 --> 0:44:35.799
<v Speaker 1>daughters were four and seven at the time, but like

0:44:36.040 --> 0:44:38.200
<v Speaker 1>every day they had stuff to do, you know, it

0:44:38.320 --> 0:44:41.400
<v Speaker 1>was like the nanny would pick them up and they

0:44:41.400 --> 0:44:42.839
<v Speaker 1>would go here, they would go there, and so I

0:44:42.880 --> 0:44:44.880
<v Speaker 1>never I could shut that part of my brain off

0:44:44.880 --> 0:44:48.480
<v Speaker 1>because you're gonna have to. You can't be a piano,

0:44:48.920 --> 0:44:52.600
<v Speaker 1>you know. You have to just let your fantastic nanny

0:44:52.880 --> 0:44:56.040
<v Speaker 1>do the things and only contact you if you know,

0:44:56.080 --> 0:44:57.640
<v Speaker 1>we had a time, a set time every day that

0:44:57.640 --> 0:44:59.759
<v Speaker 1>we would face time, and I knew I could do

0:44:59.800 --> 0:45:02.680
<v Speaker 1>it um and just have it all planned out. It's

0:45:02.719 --> 0:45:05.040
<v Speaker 1>like your director prep, you know, but you got right prep.

0:45:05.080 --> 0:45:07.000
<v Speaker 1>It's just like a whole extra set of you know,

0:45:07.239 --> 0:45:09.359
<v Speaker 1>things for you to do. But it's just gonna make

0:45:09.360 --> 0:45:12.239
<v Speaker 1>your life so much easier, you know, family prep a

0:45:12.280 --> 0:45:14.320
<v Speaker 1>little bit harder. Yeah, but I am. I mean, it

0:45:14.400 --> 0:45:16.760
<v Speaker 1>is exactly the same thing I've already started thinking about. Okay,

0:45:16.840 --> 0:45:18.840
<v Speaker 1>so is Jensen going to take my kid to school

0:45:18.920 --> 0:45:20.800
<v Speaker 1>in the morning and then he gets picked up at midday,

0:45:20.840 --> 0:45:22.680
<v Speaker 1>so our nanny will have to pick him up at midday,

0:45:22.719 --> 0:45:25.000
<v Speaker 1>and you know it is it's just it, it's it's

0:45:25.000 --> 0:45:27.400
<v Speaker 1>the family prep that goes into it and then the

0:45:27.440 --> 0:45:31.200
<v Speaker 1>normal work prep that is working parents is I mean, man,

0:45:31.280 --> 0:45:33.960
<v Speaker 1>I don't know. I really to every working parent, I

0:45:34.120 --> 0:45:37.239
<v Speaker 1>just you are a superstar because it's it is. It's

0:45:37.280 --> 0:45:38.640
<v Speaker 1>so hard, and it's so hard to feel like you're

0:45:38.680 --> 0:45:40.920
<v Speaker 1>good at both. You know that, like kids will be

0:45:40.960 --> 0:45:43.239
<v Speaker 1>great like you won't. They're not going to do any

0:45:43.280 --> 0:45:46.120
<v Speaker 1>crazy like mommy, don't go like, They're just gonna be

0:45:46.200 --> 0:45:48.480
<v Speaker 1>you know, they'll be good for kids to see mom,

0:45:48.520 --> 0:45:52.400
<v Speaker 1>you know, going to work and fulfilling her dreams and

0:45:52.440 --> 0:45:55.440
<v Speaker 1>all of that stuff. So to ask your mom's question,

0:45:55.719 --> 0:45:58.480
<v Speaker 1>do you see yourself ever wanting to jump in front

0:45:58.480 --> 0:46:00.560
<v Speaker 1>of the camera? Are you still audition? Have you told

0:46:00.560 --> 0:46:02.200
<v Speaker 1>your agents just take you out of it, you're going

0:46:02.239 --> 0:46:04.240
<v Speaker 1>to focus full time on directing. Where do you stand

0:46:04.239 --> 0:46:06.719
<v Speaker 1>with that? I'm definitely focusing full time undirecting. I haven't

0:46:06.760 --> 0:46:09.600
<v Speaker 1>had an audition in a jillion years, But I never

0:46:09.600 --> 0:46:11.400
<v Speaker 1>had the conversation with my agents. I think they kind

0:46:11.400 --> 0:46:13.160
<v Speaker 1>of just caught on that, you know, that was kind

0:46:13.160 --> 0:46:16.840
<v Speaker 1>of more my focus. Um, I think I'm now just starting.

0:46:16.840 --> 0:46:19.000
<v Speaker 1>I mean, this has been the first I think it's

0:46:19.080 --> 0:46:21.720
<v Speaker 1>two thousand and seventeen is when I kind of pulled away.

0:46:22.200 --> 0:46:24.839
<v Speaker 1>So I think I'm just now starting to feel like

0:46:25.800 --> 0:46:27.880
<v Speaker 1>I wouldn't be mad if I got something, you know,

0:46:27.920 --> 0:46:29.680
<v Speaker 1>it could be kind of fun to go do you

0:46:29.719 --> 0:46:33.160
<v Speaker 1>know a little something. The part that I'm not ready

0:46:33.200 --> 0:46:37.520
<v Speaker 1>to revisit is that hustle of like do you like me?

0:46:37.600 --> 0:46:39.359
<v Speaker 1>Do you want to hire me? No? What about you

0:46:39.400 --> 0:46:42.240
<v Speaker 1>do you like? I really got burnt out, really truly

0:46:42.280 --> 0:46:44.279
<v Speaker 1>got burned down. I would pull up to auditions and

0:46:44.320 --> 0:46:47.440
<v Speaker 1>I would want to drive away, like I physically kind

0:46:47.480 --> 0:46:50.560
<v Speaker 1>of go in because you know they always say, like

0:46:50.600 --> 0:46:52.600
<v Speaker 1>once it's not fun, don't do it. It really did

0:46:52.600 --> 0:46:56.520
<v Speaker 1>get unfun for me. Yeah, auditioning is really hard. It's

0:46:56.600 --> 0:47:00.239
<v Speaker 1>a every aspect of it is difficult. Like I I

0:47:00.280 --> 0:47:03.120
<v Speaker 1>was never great at auditioning. I was one of those

0:47:03.120 --> 0:47:06.440
<v Speaker 1>people who at home could really do a performance that

0:47:06.480 --> 0:47:08.440
<v Speaker 1>I felt like there, I feel like this is the

0:47:08.440 --> 0:47:10.399
<v Speaker 1>best I can do with it. And then you walk

0:47:10.440 --> 0:47:12.680
<v Speaker 1>into the room and there's so many factors that are

0:47:12.680 --> 0:47:14.879
<v Speaker 1>completely out of your control. Who else is in the room,

0:47:14.920 --> 0:47:17.120
<v Speaker 1>how thin the walls are, whether you could hear somebody

0:47:17.120 --> 0:47:18.960
<v Speaker 1>else auditioning, and then you hear them do something and

0:47:19.000 --> 0:47:21.400
<v Speaker 1>you go, oh gosh, I'm not doing that? Am I missing?

0:47:21.480 --> 0:47:22.960
<v Speaker 1>Should I? And then you look back down at your

0:47:23.000 --> 0:47:25.719
<v Speaker 1>sides you start questioning the decisions you've made. And then

0:47:25.719 --> 0:47:27.040
<v Speaker 1>you go in there and the first thought you have

0:47:27.120 --> 0:47:28.640
<v Speaker 1>is like, now all those people are listening to me

0:47:28.760 --> 0:47:30.960
<v Speaker 1>do my audition. And then if you start off on

0:47:31.000 --> 0:47:33.719
<v Speaker 1>the wrong foot, even with the slate, I mean, there

0:47:33.760 --> 0:47:35.719
<v Speaker 1>were times that I would walk into an audition and

0:47:35.880 --> 0:47:38.000
<v Speaker 1>back when they used to say, like okay, say your name,

0:47:38.080 --> 0:47:40.640
<v Speaker 1>your age, your height, and your weight, and then they

0:47:40.680 --> 0:47:43.480
<v Speaker 1>pan the camera up and down your body while you

0:47:43.520 --> 0:47:46.920
<v Speaker 1>do a slow turn and then start your scene, and

0:47:47.000 --> 0:47:50.600
<v Speaker 1>like any insecurity, you have starts coming out and then

0:47:50.640 --> 0:47:52.680
<v Speaker 1>you have to deliver a performance where you hope they

0:47:52.760 --> 0:47:54.839
<v Speaker 1>just that they think it's good, and you know that

0:47:54.840 --> 0:47:57.280
<v Speaker 1>that tape is now going to somebody. It's every aspect

0:47:57.320 --> 0:48:02.240
<v Speaker 1>of it is brutal. I think we we also because

0:48:02.280 --> 0:48:05.239
<v Speaker 1>we started working so young. I think you go through

0:48:05.239 --> 0:48:07.440
<v Speaker 1>ebbs and flows no matter what you do for a career,

0:48:07.520 --> 0:48:10.680
<v Speaker 1>and when you've been in something anything for thirty years,

0:48:11.440 --> 0:48:13.160
<v Speaker 1>you get burned out on it. I don't care what

0:48:13.160 --> 0:48:15.200
<v Speaker 1>it is. You just after a while it's like I'm

0:48:15.239 --> 0:48:17.080
<v Speaker 1>doing the same thing thirty years. I mean, we have.

0:48:17.440 --> 0:48:20.040
<v Speaker 1>You know, it's certainly different what we do with certain

0:48:20.560 --> 0:48:23.600
<v Speaker 1>you know. Uh. People are constantly amazed at the what

0:48:23.760 --> 0:48:25.759
<v Speaker 1>we call the zero to a thousand where you're not

0:48:25.800 --> 0:48:27.640
<v Speaker 1>doing anything for two weeks and then all of a sudden,

0:48:27.640 --> 0:48:29.759
<v Speaker 1>you're doing everything for a month, and then you're not

0:48:29.800 --> 0:48:31.520
<v Speaker 1>doing everything for three weeks. I mean, it's like you're

0:48:31.520 --> 0:48:34.440
<v Speaker 1>either it's feast or famine. Um, but I don't care

0:48:34.520 --> 0:48:37.759
<v Speaker 1>what you're doing, any job you do after you just

0:48:37.760 --> 0:48:40.440
<v Speaker 1>get burnt. It's just like, I can't do this right

0:48:40.480 --> 0:48:42.400
<v Speaker 1>now anymore. And that doesn't mean you're not gonna come

0:48:42.400 --> 0:48:44.080
<v Speaker 1>back and you're not gonna find the love for it again,

0:48:44.120 --> 0:48:46.239
<v Speaker 1>whatever it is. But I think it's okay to step

0:48:46.280 --> 0:48:48.080
<v Speaker 1>back and just go, wow, this this isn't for me

0:48:48.239 --> 0:48:51.360
<v Speaker 1>right now. But there is something unique to acting like

0:48:51.400 --> 0:48:54.680
<v Speaker 1>that I've noticed, Like when I get rejected on a

0:48:54.719 --> 0:48:58.480
<v Speaker 1>writing pitch or directing pitch, no problem, Like just walk

0:48:58.520 --> 0:49:02.200
<v Speaker 1>away going like that person is horrible to if I

0:49:02.239 --> 0:49:04.040
<v Speaker 1>get rejected as an actor. And this is why I'm

0:49:04.040 --> 0:49:06.200
<v Speaker 1>not acting anymore, is because I would. It was like

0:49:06.280 --> 0:49:07.840
<v Speaker 1>I felt like it was a rejection of me. It

0:49:07.880 --> 0:49:11.360
<v Speaker 1>felt like a rejection of of my my face, my voice,

0:49:11.480 --> 0:49:15.080
<v Speaker 1>my my my personhood in some like very real way.

0:49:15.239 --> 0:49:17.879
<v Speaker 1>And you know, I think that that probably just goes

0:49:17.920 --> 0:49:20.560
<v Speaker 1>back to the personal psychology of being a child actor,

0:49:21.520 --> 0:49:25.359
<v Speaker 1>because when I talked to the most successful actors, I know,

0:49:26.120 --> 0:49:30.400
<v Speaker 1>they have a great cavalier attitude about keep rejection. You know,

0:49:30.480 --> 0:49:32.760
<v Speaker 1>it's like they still want it and it still hurts,

0:49:32.960 --> 0:49:35.719
<v Speaker 1>but they're also like, this is the job here I am,

0:49:35.920 --> 0:49:37.480
<v Speaker 1>you know, and I just couldn't never do that. I

0:49:37.520 --> 0:49:40.000
<v Speaker 1>just was like, uh so part of being burnt out

0:49:40.040 --> 0:49:43.239
<v Speaker 1>was like losing that ability to just like bring it

0:49:43.239 --> 0:49:45.600
<v Speaker 1>back up again and show it off and then get

0:49:45.640 --> 0:49:48.280
<v Speaker 1>rejected and then do it the next day. Like, No,

0:49:48.760 --> 0:49:50.400
<v Speaker 1>that was in a different boat because I wanted to

0:49:50.480 --> 0:49:53.719
<v Speaker 1>keep going and my mental health said not not gonna

0:49:53.760 --> 0:49:56.200
<v Speaker 1>let you do that. So that's what stopped me was

0:49:56.239 --> 0:49:58.520
<v Speaker 1>when you know, I wanted to keep auditioning. I wanted

0:49:58.520 --> 0:50:00.840
<v Speaker 1>that rush, I wanted that vibe, and then the anxiety

0:50:00.880 --> 0:50:02.200
<v Speaker 1>hit and it was just like, no, we're not We're

0:50:02.239 --> 0:50:04.319
<v Speaker 1>not letting you do this anymore. And then I kind

0:50:04.360 --> 0:50:06.440
<v Speaker 1>of went back more philosophical about it was like, well,

0:50:06.480 --> 0:50:08.160
<v Speaker 1>I yeah, I needed the break and everything, but it

0:50:08.200 --> 0:50:11.080
<v Speaker 1>was yeah, it's so strange to just see people's different

0:50:11.120 --> 0:50:13.200
<v Speaker 1>journeys because it is it's such a personal thing acting

0:50:13.239 --> 0:50:15.960
<v Speaker 1>and you know what you bring to it, what you

0:50:16.000 --> 0:50:18.319
<v Speaker 1>want to bring to it. And and then the kind

0:50:18.360 --> 0:50:22.440
<v Speaker 1>of seeing the people that then are successful, um, where

0:50:22.480 --> 0:50:24.200
<v Speaker 1>they take it from there, because you do see some

0:50:24.239 --> 0:50:26.120
<v Speaker 1>people that don't appreciate it when they get it. You

0:50:26.120 --> 0:50:29.160
<v Speaker 1>see other people that are so appreciative even when they

0:50:29.200 --> 0:50:32.000
<v Speaker 1>don't get it, just for the opportunity to do it. Um.

0:50:32.040 --> 0:50:33.960
<v Speaker 1>And then you see some people that it's just all

0:50:34.000 --> 0:50:35.920
<v Speaker 1>they've ever known. So it's like this is just this

0:50:35.960 --> 0:50:38.640
<v Speaker 1>is just me. Um. Yeah, it's very strange. It is

0:50:38.680 --> 0:50:41.680
<v Speaker 1>such a strange business to be in. It really is, Marla.

0:50:41.719 --> 0:50:45.239
<v Speaker 1>Have you ever directed children? Yeah? So the preschool in

0:50:45.320 --> 0:50:49.440
<v Speaker 1>l A that I was telling about kids, that's amazing.

0:50:49.560 --> 0:50:51.960
<v Speaker 1>Did did you feel now they were preschool age, so

0:50:52.000 --> 0:50:54.640
<v Speaker 1>they were younger than you were when you started acting,

0:50:54.680 --> 0:50:56.560
<v Speaker 1>But like, was there any part of you that felt

0:50:56.600 --> 0:51:01.000
<v Speaker 1>like you were actually directing a young you No, not

0:51:01.160 --> 0:51:03.800
<v Speaker 1>as a director, but as an actor. Throughout the years,

0:51:03.880 --> 0:51:07.200
<v Speaker 1>I've seen like younger kids on set, and I mean

0:51:07.320 --> 0:51:10.200
<v Speaker 1>even seeing them with like their you know, onset teacher

0:51:10.239 --> 0:51:15.760
<v Speaker 1>or their mom, like it is kind of a strange feeling. Um,

0:51:15.800 --> 0:51:17.879
<v Speaker 1>but yeah, no, I haven't run into that yet where

0:51:17.880 --> 0:51:20.200
<v Speaker 1>I'm like, oh, you remind me of that time of

0:51:20.560 --> 0:51:25.480
<v Speaker 1>my life. Yeah. I mostly direct Disney Channel sitcoms, so

0:51:25.719 --> 0:51:30.960
<v Speaker 1>all of my directing experience is with twelve, thirteen, fourteen,

0:51:31.040 --> 0:51:34.480
<v Speaker 1>maybe fifteen year old actors. And I just feel like

0:51:34.600 --> 0:51:38.920
<v Speaker 1>I'm looking directly into my childhood face. And and it

0:51:38.960 --> 0:51:42.920
<v Speaker 1>gave such an advantage, doesn't it, Like you're doing Oh

0:51:42.960 --> 0:51:45.440
<v Speaker 1>my god. I did a pilot and it was started

0:51:45.480 --> 0:51:48.799
<v Speaker 1>twelve year old, and um, it was so funny, Like

0:51:49.440 --> 0:51:51.239
<v Speaker 1>it was a very you know, low but we did

0:51:51.320 --> 0:51:54.480
<v Speaker 1>not have enough money. But but it was like once

0:51:54.480 --> 0:51:57.279
<v Speaker 1>we can once we were casting this kid, I was

0:51:57.320 --> 0:51:59.840
<v Speaker 1>able to say to the casting director and the producers,

0:52:00.040 --> 0:52:01.600
<v Speaker 1>here's what we need to do. We need to meet

0:52:01.600 --> 0:52:04.160
<v Speaker 1>the parents. I need to have dinner with the parents,

0:52:04.480 --> 0:52:06.440
<v Speaker 1>and we need to have rehearsals where I hang out.

0:52:06.520 --> 0:52:08.400
<v Speaker 1>You know. I was like, I knew what made me

0:52:08.520 --> 0:52:11.960
<v Speaker 1>comfortable at that age with the directors, and it worked.

0:52:11.960 --> 0:52:14.320
<v Speaker 1>It was amazing. It was like and rehearsal was mostly

0:52:14.360 --> 0:52:16.640
<v Speaker 1>just hanging out with him, you know, like just making

0:52:16.719 --> 0:52:18.920
<v Speaker 1>him comfortable with like me as a person and like

0:52:18.960 --> 0:52:20.880
<v Speaker 1>what we're gonna do, and and then the parents like

0:52:20.960 --> 0:52:23.319
<v Speaker 1>making the parents comfortable. And I remember our producers being like,

0:52:23.360 --> 0:52:26.279
<v Speaker 1>what the parents, I'm like, trust me, that is the

0:52:26.320 --> 0:52:29.160
<v Speaker 1>most important thing in this scenario. But we always had

0:52:29.200 --> 0:52:31.799
<v Speaker 1>great directors. Boy, that was the thing. We always had

0:52:31.840 --> 0:52:34.480
<v Speaker 1>great We had one great director after another great director

0:52:34.520 --> 0:52:36.800
<v Speaker 1>that you could really trust, which was which was great.

0:52:36.840 --> 0:52:40.200
<v Speaker 1>So that was super helpful. Yeah, that is definitely helpful.

0:52:40.239 --> 0:52:43.200
<v Speaker 1>But also being able to, like one of my favorite

0:52:43.200 --> 0:52:46.000
<v Speaker 1>things to do with when directing kids is really make

0:52:46.080 --> 0:52:49.600
<v Speaker 1>them start thinking about their characters, telling them like, listen,

0:52:49.719 --> 0:52:52.680
<v Speaker 1>you're the expert of your character. I can easily walk

0:52:52.719 --> 0:52:54.680
<v Speaker 1>in here and tell you where you're going and where

0:52:54.680 --> 0:52:56.320
<v Speaker 1>you're supposed to sit and what you're supposed to be

0:52:56.360 --> 0:52:59.160
<v Speaker 1>doing while you're doing it. But ultimately, if it just

0:52:59.200 --> 0:53:02.040
<v Speaker 1>says we walk in and this character is sitting on

0:53:02.040 --> 0:53:04.479
<v Speaker 1>the couch, what time of day is it? What would

0:53:04.480 --> 0:53:06.200
<v Speaker 1>your character be doing at this time of day? So

0:53:06.280 --> 0:53:08.400
<v Speaker 1>before school, after school, is it a weekend? What is

0:53:08.440 --> 0:53:10.160
<v Speaker 1>your character like to do? Are they on their phone?

0:53:10.320 --> 0:53:12.200
<v Speaker 1>Are they reading a book? Are they into comics? Are

0:53:12.239 --> 0:53:14.840
<v Speaker 1>they playing a game? You start thinking of those things,

0:53:15.040 --> 0:53:18.880
<v Speaker 1>so that I can start relying on you to bring

0:53:18.960 --> 0:53:21.560
<v Speaker 1>those things to the table instead of you just acting

0:53:21.560 --> 0:53:23.359
<v Speaker 1>as though you're my I don't want to I don't

0:53:23.360 --> 0:53:24.719
<v Speaker 1>want you to be a puppet. I want you to

0:53:24.760 --> 0:53:26.480
<v Speaker 1>be an expert. I want you to think about what's

0:53:26.520 --> 0:53:29.200
<v Speaker 1>happening for you in the story and what's what's propelling

0:53:29.239 --> 0:53:32.040
<v Speaker 1>you forward. And like being able to have those kinds

0:53:32.040 --> 0:53:35.439
<v Speaker 1>of conversations and seeing the lightbulbs go off in their

0:53:35.480 --> 0:53:38.760
<v Speaker 1>head and for them to take agency over what they're doing.

0:53:39.160 --> 0:53:43.759
<v Speaker 1>I just I love it because directors have given them

0:53:43.800 --> 0:53:47.640
<v Speaker 1>that power none probably, And that's why it's so great

0:53:47.719 --> 0:53:50.040
<v Speaker 1>to come from where you're coming from, you know, because

0:53:50.080 --> 0:53:52.680
<v Speaker 1>you know exactly what to say because you wanted someone

0:53:52.719 --> 0:53:55.600
<v Speaker 1>to say it to you. You know. Um, I think

0:53:55.600 --> 0:53:58.399
<v Speaker 1>that's great. Yeah, it's it's really fun. And I get

0:53:58.440 --> 0:54:00.319
<v Speaker 1>the same I got the sense Marlow, when you talking

0:54:00.360 --> 0:54:03.440
<v Speaker 1>about the things you've directed, that you get that same

0:54:03.800 --> 0:54:08.160
<v Speaker 1>um sense of accomplishment we get as actors. Directing other actors,

0:54:08.440 --> 0:54:13.240
<v Speaker 1>watching other actors deliver incredible performances gives me the feeling

0:54:13.239 --> 0:54:15.120
<v Speaker 1>as if I just did it myself. I'm like, oh

0:54:15.160 --> 0:54:18.840
<v Speaker 1>my gosh, the rush you get watching someone just nail

0:54:18.960 --> 0:54:23.160
<v Speaker 1>something and and knowing you're behind the camera watching it

0:54:23.239 --> 0:54:25.480
<v Speaker 1>and you had a tiny little bit of help bringing

0:54:25.480 --> 0:54:27.960
<v Speaker 1>it to that spot is just so rewarding. It's you're

0:54:27.960 --> 0:54:30.040
<v Speaker 1>getting it's we're getting older. It's it's you. You hit it.

0:54:30.160 --> 0:54:32.120
<v Speaker 1>You hit an age where all of a sudden, giving

0:54:32.160 --> 0:54:34.840
<v Speaker 1>a gift is way more important than getting a gift.

0:54:35.440 --> 0:54:37.880
<v Speaker 1>And it's like, that's you. It's that same kind of thing.

0:54:37.960 --> 0:54:39.360
<v Speaker 1>It's that's how I knew I was getting older at

0:54:39.400 --> 0:54:40.840
<v Speaker 1>Christmas or was like I can't wait to give this

0:54:40.880 --> 0:54:42.279
<v Speaker 1>person this thing and I don't care what I get.

0:54:42.280 --> 0:54:46.760
<v Speaker 1>It's like, yeah, just getting older. Yeah, that's really cool. Well,

0:54:47.080 --> 0:54:49.560
<v Speaker 1>I'm so happy you came and joined us today. Um

0:54:50.360 --> 0:54:51.759
<v Speaker 1>I I really I could sit and talk to you

0:54:51.760 --> 0:54:54.000
<v Speaker 1>about this stuff forever. And I'm serious that I'm going

0:54:54.000 --> 0:54:56.239
<v Speaker 1>to get your number and I'm probably going to hit

0:54:56.280 --> 0:54:58.600
<v Speaker 1>you up to talk about my my panics. So that

0:54:58.640 --> 0:55:01.719
<v Speaker 1>writer is not the only person I'm nicking too. It's

0:55:01.719 --> 0:55:04.040
<v Speaker 1>got it. You're going to be great. But yeah, feel

0:55:04.080 --> 0:55:06.120
<v Speaker 1>free to call me anytime you want. Thank you so

0:55:06.200 --> 0:55:08.280
<v Speaker 1>much for having me on you guys. This is the best.

0:55:08.400 --> 0:55:11.040
<v Speaker 1>Give my love to Shiloh. Wait, tell us tell us

0:55:11.040 --> 0:55:13.080
<v Speaker 1>where we can see you now, where we can find you,

0:55:13.120 --> 0:55:15.400
<v Speaker 1>what projects of yours we can watch? Tell us everything,

0:55:15.400 --> 0:55:17.359
<v Speaker 1>because I know everyone's gonna want to find you. Um,

0:55:17.400 --> 0:55:21.280
<v Speaker 1>you can find me on Instagram. Okay, suck off. Um,

0:55:21.640 --> 0:55:23.400
<v Speaker 1>I don't really do any of the other ones, like

0:55:23.520 --> 0:55:27.000
<v Speaker 1>dabbled but not really. Um, I'm sorry, is dabbled? A

0:55:27.080 --> 0:55:33.600
<v Speaker 1>thing is dabbled? Something on dabbled, I'm like, what the

0:55:33.600 --> 0:55:38.960
<v Speaker 1>hell is dabbled? Like, Okay, I'm getting old Dallas will

0:55:40.880 --> 0:55:42.759
<v Speaker 1>That's what I said, Like what I don't know what

0:55:42.760 --> 0:55:44.880
<v Speaker 1>it was? TikTok is something. It's like, what is dabble?

0:55:44.960 --> 0:55:49.680
<v Speaker 1>What am I missing? Okay, movie coming on? A thriller

0:55:49.719 --> 0:55:54.640
<v Speaker 1>that I directed past Nightmare Creepy. It's like a fatal

0:55:54.640 --> 0:55:57.600
<v Speaker 1>attraction but the man becomes obsessed with the woman. That

0:55:57.640 --> 0:56:02.640
<v Speaker 1>will be September twenty lifetime and um yeah, just a

0:56:02.640 --> 0:56:05.960
<v Speaker 1>couple of things like coming up that you know who

0:56:05.960 --> 0:56:08.640
<v Speaker 1>wants to hear about that now? But you probably quote

0:56:08.680 --> 0:56:11.279
<v Speaker 1>it on Instagram. So Marla sockle off s O K

0:56:11.480 --> 0:56:14.000
<v Speaker 1>O L O f F that is correct. And I'm

0:56:14.000 --> 0:56:15.680
<v Speaker 1>going to need your help because one of my ultimate

0:56:15.760 --> 0:56:18.439
<v Speaker 1>dreams is to be in a Hallmark Christmas movie. That's

0:56:18.480 --> 0:56:20.400
<v Speaker 1>I just even one line. So I'm gonna need I'm

0:56:20.400 --> 0:56:23.400
<v Speaker 1>gonna need your help with that. It happen for you. Yes,

0:56:26.600 --> 0:56:42.080
<v Speaker 1>thank you so much, Marla, Thank you bye. She literally

0:56:42.400 --> 0:56:46.359
<v Speaker 1>doesn't age, and I'm using literally correctly by the way.

0:56:46.760 --> 0:56:50.880
<v Speaker 1>She doesn't age. It's amazing. She's so amazing, and I

0:56:51.360 --> 0:56:54.400
<v Speaker 1>love that. All these years later, you know, we we have,

0:56:54.760 --> 0:56:57.200
<v Speaker 1>um not really kept in touch, and not for any

0:56:57.200 --> 0:56:59.560
<v Speaker 1>particular reason. We just never really We would see each

0:56:59.600 --> 0:57:02.840
<v Speaker 1>other a key aasionally at auditions here and there, and then, um,

0:57:02.880 --> 0:57:05.040
<v Speaker 1>you know, I lived in Orange County growing up, and

0:57:05.040 --> 0:57:09.319
<v Speaker 1>then around my mid twenties, I moved back to Orange County. Um,

0:57:09.680 --> 0:57:12.120
<v Speaker 1>and so I then, as far as like having l

0:57:12.200 --> 0:57:14.040
<v Speaker 1>A friends, I don't really have a whole lot of

0:57:14.160 --> 0:57:16.600
<v Speaker 1>l A actor friends. I have you guys, and then

0:57:16.640 --> 0:57:18.600
<v Speaker 1>I have you know, friends that I've known for a

0:57:18.600 --> 0:57:21.080
<v Speaker 1>long time, like Jonathan and you know, stuff like that.

0:57:21.120 --> 0:57:24.000
<v Speaker 1>But for the most part, my friend group are the

0:57:24.080 --> 0:57:27.120
<v Speaker 1>same five or six girls I went to junior high

0:57:27.120 --> 0:57:29.280
<v Speaker 1>in high school with, and I keep in touch with them,

0:57:29.320 --> 0:57:30.960
<v Speaker 1>and I don't I'm not. I don't have a lot

0:57:30.960 --> 0:57:33.200
<v Speaker 1>of actor friends. And I think she's you know, She's

0:57:33.720 --> 0:57:37.120
<v Speaker 1>worked literally NonStop since Boy Meats World went off the air.

0:57:37.240 --> 0:57:40.200
<v Speaker 1>She was consistently working. She has an incredible career. I

0:57:40.240 --> 0:57:43.200
<v Speaker 1>did not have such an incredible career, and um, we

0:57:43.280 --> 0:57:45.320
<v Speaker 1>just had different friend groups. And so it's one of

0:57:45.360 --> 0:57:47.320
<v Speaker 1>those things where you start to wonder, like, I wonder

0:57:47.360 --> 0:57:50.439
<v Speaker 1>if there's any bitterness about the fact that I ended

0:57:50.520 --> 0:57:52.560
<v Speaker 1>up being the one who got to Penga and she didn't.

0:57:52.600 --> 0:57:54.600
<v Speaker 1>We've never talked about it. We even though that week

0:57:54.640 --> 0:57:57.000
<v Speaker 1>that we worked together went fine and there was no competition,

0:57:57.240 --> 0:57:59.840
<v Speaker 1>you never really know, and then you wonder, like, over

0:57:59.880 --> 0:58:02.120
<v Speaker 1>the years hearing hearing me tell the story of how

0:58:02.160 --> 0:58:03.800
<v Speaker 1>I got to Pang and I've always said her name,

0:58:03.800 --> 0:58:05.880
<v Speaker 1>it was me and Marla sockle Off, And I've always thought, like,

0:58:05.880 --> 0:58:07.920
<v Speaker 1>I wonder if have I wonder if I shouldn't have

0:58:07.960 --> 0:58:09.600
<v Speaker 1>said that. I wonder if that pisces her off, or

0:58:09.600 --> 0:58:11.080
<v Speaker 1>if there's any I don't think she gave it a

0:58:11.120 --> 0:58:13.240
<v Speaker 1>second thought. It sounds I mean, partly because she had

0:58:13.280 --> 0:58:16.000
<v Speaker 1>her own great career right when she ended up on

0:58:16.040 --> 0:58:18.720
<v Speaker 1>the practice, she was totally like probably stoked to be

0:58:18.760 --> 0:58:20.720
<v Speaker 1>in a drama and doing, you know, like she just

0:58:21.080 --> 0:58:22.760
<v Speaker 1>but she also just seems like one of those people

0:58:22.840 --> 0:58:27.840
<v Speaker 1>that like had a healthy attitude about to Yeah, she

0:58:27.880 --> 0:58:30.680
<v Speaker 1>just knew she was always going to work and find working.

0:58:31.880 --> 0:58:33.920
<v Speaker 1>She actually had more a lot more experience than you

0:58:34.200 --> 0:58:38.080
<v Speaker 1>already at that age. More in some ways she was

0:58:38.120 --> 0:58:40.240
<v Speaker 1>better prepared for the rejection than you would have been.

0:58:40.680 --> 0:58:43.400
<v Speaker 1>That's an interesting way to look at it. True. Yeah,

0:58:43.720 --> 0:58:45.880
<v Speaker 1>if if the if the roles had been reversed, I

0:58:46.120 --> 0:58:47.840
<v Speaker 1>bet you well you talked about how you thought you

0:58:47.880 --> 0:58:50.160
<v Speaker 1>hadn't gotten the part and that that was super devastating.

0:58:50.600 --> 0:58:53.480
<v Speaker 1>And it sounds like she didn't even give She was

0:58:53.480 --> 0:58:59.560
<v Speaker 1>like the airport, you know, Okay, cool, And that's exactly

0:58:59.640 --> 0:59:01.800
<v Speaker 1>my point is that it's amazing that like for me,

0:59:02.400 --> 0:59:05.200
<v Speaker 1>it was the week is so indelible in my mind,

0:59:05.280 --> 0:59:07.800
<v Speaker 1>and I could tell you exactly, yes, changed my life,

0:59:07.840 --> 0:59:10.960
<v Speaker 1>and it was just another week in her life of

0:59:10.960 --> 0:59:15.000
<v Speaker 1>a very successful, busy childhood career and then adult career.

0:59:15.120 --> 0:59:17.120
<v Speaker 1>You can you can also tell the younger actors that

0:59:17.200 --> 0:59:19.640
<v Speaker 1>learned that lesson and take that lesson heart, learn the

0:59:19.640 --> 0:59:21.320
<v Speaker 1>rejection lesson where it's like, this is how it's going

0:59:21.360 --> 0:59:23.400
<v Speaker 1>to be. I better thicken my skin up, or this

0:59:23.440 --> 0:59:25.000
<v Speaker 1>is not for me and you can tell the people

0:59:25.040 --> 0:59:27.480
<v Speaker 1>that that get that at eleven or twelve, because there

0:59:27.520 --> 0:59:28.880
<v Speaker 1>are some, and I think she was one of them

0:59:28.920 --> 0:59:30.600
<v Speaker 1>who was like, this is my job. You know, I'm

0:59:30.600 --> 0:59:33.320
<v Speaker 1>gonna be all right, move on to the next one

0:59:33.960 --> 0:59:36.120
<v Speaker 1>described herself when she was talking about like I don't

0:59:36.120 --> 0:59:38.680
<v Speaker 1>know where this kut spun, this confidence came from. That's

0:59:38.680 --> 0:59:41.560
<v Speaker 1>what I remember about her. Um when we used to

0:59:41.640 --> 0:59:44.600
<v Speaker 1>hang out, she was one of the smartest, most in

0:59:44.720 --> 0:59:47.440
<v Speaker 1>control of her life, like eleven year old I had

0:59:47.480 --> 0:59:50.280
<v Speaker 1>ever met. I loved her back then. I was so

0:59:50.400 --> 0:59:51.800
<v Speaker 1>I mean like I didn't I didn't actually have a

0:59:51.800 --> 0:59:54.400
<v Speaker 1>crush on or anything. I just respected her so much

0:59:54.480 --> 0:59:56.760
<v Speaker 1>like I do you remember, Like we we just formed

0:59:56.760 --> 0:59:59.360
<v Speaker 1>this like mutual respect and and that's exactly who she was.

0:59:59.400 --> 1:00:01.400
<v Speaker 1>She was like what you saw is what you got,

1:00:01.440 --> 1:00:03.440
<v Speaker 1>and she had no apologies for it, like it was

1:00:03.480 --> 1:00:05.640
<v Speaker 1>always just like she And in a way that a

1:00:05.680 --> 1:00:08.760
<v Speaker 1>lot of young actors at eleven and twelve, especially girls

1:00:08.800 --> 1:00:11.480
<v Speaker 1>at that time, it was all about insecurity. It was

1:00:11.560 --> 1:00:15.240
<v Speaker 1>all about how do I make myself? What what men

1:00:16.640 --> 1:00:18.400
<v Speaker 1>like you know? Or like how do I impress this

1:00:18.440 --> 1:00:20.720
<v Speaker 1>casting director? How do I fit this role? And Marlon

1:00:20.960 --> 1:00:24.000
<v Speaker 1>never she always gave and her mom. I remember her

1:00:24.000 --> 1:00:26.640
<v Speaker 1>mom was also a very confident woman, and they were

1:00:26.680 --> 1:00:28.680
<v Speaker 1>just very smart. And I just remember like going over

1:00:28.760 --> 1:00:31.920
<v Speaker 1>to Marlow's apartment and feeling very comfortable with her and

1:00:31.960 --> 1:00:34.640
<v Speaker 1>her mom, like as opposed to other moms that I remember,

1:00:34.640 --> 1:00:36.520
<v Speaker 1>it was always like who do we have to please?

1:00:36.600 --> 1:00:38.080
<v Speaker 1>How do we get at the job? How do we

1:00:38.120 --> 1:00:39.640
<v Speaker 1>make that? And like there was just none of that

1:00:39.720 --> 1:00:42.600
<v Speaker 1>rattled sense. She was always such a cool, confident kid.

1:00:42.760 --> 1:00:45.280
<v Speaker 1>That's amazing. Yeah, I love it. I love that we're

1:00:45.440 --> 1:00:47.960
<v Speaker 1>that thirty years later, we're still able to like reconnect

1:00:47.960 --> 1:00:50.680
<v Speaker 1>with people that you know that we knew back then,

1:00:50.720 --> 1:00:52.680
<v Speaker 1>and it does. It's so it's so weird that it

1:00:52.720 --> 1:00:54.560
<v Speaker 1>really does feel like no time has passed. Like I

1:00:54.640 --> 1:00:56.440
<v Speaker 1>kind of sat there and talked to her for about

1:00:56.440 --> 1:01:00.560
<v Speaker 1>anything for It's it's really fun. Well, thank you guys

1:01:00.600 --> 1:01:02.640
<v Speaker 1>for joining us for this episode of pod Meats World.

1:01:02.680 --> 1:01:05.040
<v Speaker 1>You can follow us on Instagram at pod Meats World Show.

1:01:05.120 --> 1:01:07.080
<v Speaker 1>You can email us at pod Meats World Show at

1:01:07.080 --> 1:01:11.000
<v Speaker 1>gmail dot com. And we have got March. By the way,

1:01:11.160 --> 1:01:15.800
<v Speaker 1>we have um team backyard t shirts. Now, is there

1:01:15.800 --> 1:01:18.960
<v Speaker 1>a team side yard? I'm curious because I'm in control

1:01:19.000 --> 1:01:21.560
<v Speaker 1>makes the shirt. I figured that. I figured that that's fine.

1:01:21.760 --> 1:01:24.200
<v Speaker 1>That's fine. I'm gonna make my own T shirt at home.

1:01:24.240 --> 1:01:26.200
<v Speaker 1>I'm gonna draw it up myself with sharpie, and it's

1:01:26.200 --> 1:01:29.440
<v Speaker 1>just gonna be like after I invented this podcast, I

1:01:29.480 --> 1:01:32.800
<v Speaker 1>decided exactly how the team backyard should be in its

1:01:32.800 --> 1:01:35.680
<v Speaker 1>side yard. Yeah, alright, you draw your map, I'll mine.

1:01:35.880 --> 1:01:38.040
<v Speaker 1>I do want to see maps. I don't draw maps, dude,

1:01:38.040 --> 1:01:40.480
<v Speaker 1>I don't like. I want to see your map. I

1:01:40.520 --> 1:01:42.880
<v Speaker 1>want to see Will's callin. I'm gonna make a train town.

1:01:43.080 --> 1:01:46.760
<v Speaker 1>I'm gonna build like a whole little I want to see.

1:01:46.880 --> 1:01:49.479
<v Speaker 1>I want it. I want it in the h scale, Yes,

1:01:49.520 --> 1:01:52.800
<v Speaker 1>I want I want it all like that, Yes, hysterical

1:01:53.280 --> 1:01:57.800
<v Speaker 1>want tiny little Mr Feeney teaching every single class. That's

1:01:57.800 --> 1:02:01.480
<v Speaker 1>what I want. That's what I want. Well, thank you

1:02:01.480 --> 1:02:03.360
<v Speaker 1>guys for being here. Who's going to do our out?

1:02:03.520 --> 1:02:07.280
<v Speaker 1>I think it's Writer Stern. We love you all. Pod dismissed.

1:02:09.240 --> 1:02:12.280
<v Speaker 1>Pod Meets Worlds, an I heart podcast produced and hosted

1:02:12.320 --> 1:02:16.000
<v Speaker 1>by Daniel Fisher, Wilfred l and Writer Strong. Executive producers

1:02:16.080 --> 1:02:19.200
<v Speaker 1>Jensen Cart and Amy Sugarman, Executive in charge of production

1:02:19.360 --> 1:02:24.200
<v Speaker 1>Danielle Romo, producer and editor, Tara sud Backs producer, Jackie Rodriguez,

1:02:24.280 --> 1:02:27.640
<v Speaker 1>engineer and Boy Meets World super fan Easton Allen. Our

1:02:27.680 --> 1:02:30.400
<v Speaker 1>theme song is by Kyle Morton of Typhoon. You can

1:02:30.440 --> 1:02:33.120
<v Speaker 1>follow us on Instagram at Pod Meets World Show or

1:02:33.200 --> 1:02:35.760
<v Speaker 1>email us at Pod Meets World Show at gmail dot

1:02:35.760 --> 1:02:36.600
<v Speaker 1>com